In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

Q: Passage: Williamson's early film work included roles in M*A*S*H (1970) and Tell Me That You Love Me, Junie Moon (1970). He portrayed an escaped slave who flees westward in The Legend of Nigger Charley (1972). He played the role of an African-American gangster in the film Black Caesar (1973) and its subsequent sequel, Hell Up in Harlem (also 1973). Williamson also starred in the 1975 western film Boss Nigger, in which he played the title role. After this he appeared as an actor in several films, most of which are considered to be of the "blaxploitation" genre. Williamson starred alongside Peter Boyle and Eli Wallach in the movie Crazy Joe (1974). In 1974, Williamson was selected by the ABC television network as a commentator on Monday Night Football to replace Don Meredith, who had left to pursue an acting and broadcasting career at rival network NBC. Williamson was used on a few pre-season broadcasts, but was quickly declared unsuitable by ABC. He was relieved of his duties at the beginning of the regular season, becoming the first MNF personality not to endure for an entire season. He was replaced by the fellow former player (and fellow Gary, Indiana, native) Alex Karras.
Link Information: Joseph "Dandy" Don Meredith (April 10, 1938 December 5, 2010) Question: At what age was Don Meredith the year that Fred Williamson replaced him as a commentator on Monday Night Football?

A: Answer: 36
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Q: Passage: "Take a Bow" was written and produced by StarGate and Ne-Yo. The song premiered on March 14, 2008, on the KIIS-FM radio show On Air with Ryan Seacrest. "Take a Bow" was released as the fifth overall single from Good Girl Gone Bad, but the first from the re-release of the album, entitled Good Girl Gone Bad: Reloaded. "Take a Bow" was made available to purchase in media outlets, via Def Jam Recordings' website, on the same day as its radio premiere in the United States later being made available to download via iTunes on May 6, 2008. The song is written in the key of E major and is set in simple time with a metronome of 82 beats per minute. Rihanna's vocal range in the song spans from the low note of E to the high note of C. Musically, the song draws influence from the musical genre of R&B and also incorporates elements of dance-pop, whilst lyrically, "Take a Bow" tells of how the female protagonist expresses disinterest in rekindling her relationship with an dishonorable and unfaithful ex-boyfriend.
Link Information: The station's format was changed to adult contemporary on October 22, 1975 at 6:00a.m., during Charlie Tuna's morning show when KKDJ began simulcasting with KIIS 1150 AM with an on-air mock wedding, with KKDJ getting "married" to KIIS. At that time, KKDJ's call letters were changed to KIIS-FM. Question: How long had KIIS-FM radio been broadcasting the year that "Take a Bow" premiered on it?

A: Answer: 33
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Q: Passage: "Telephone" was written by Lady Gaga, Rodney Jerkins, LaShawn Daniels, Lazonate Franklin and Beyonce. Musically, the song has been described as dance-pop. Although constructed as a duet, Beyonce's first appearance is in the middle verse. She sings her lyrics through a brief interlude, and later backs the chorus during the rest of the song. The song starts off unassumingly, with Gaga singing in a solemn voice over a harp melody, which changes immediately to a pounding beat. Essentially, Gaga is in a club and her boyfriend keeps calling, but she cannot talk as she was drinking and dancing to her favorite song. The chorus runs as follows: "Stop calling, stop calling, I don't want to talk anymore." "Telephone" consists of an expanded bridge, verse-rap and an epilogue where a voice announces that the telephone line is not reachable at that moment. According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time, with a tempo of 122 beats per minute. Gaga's vocals range from the low-note of F to the high-note of C. It is set in the key of F Dorian mode, and has a basic sequence of FmABFm as its chord progression.
Link Information: none Question: Do any of Lady Gaga's co-writers have a degree in music?

A:
Answer: none
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