IN: Baker was born into a staunch Methodist family, the youngest son of Birmingham Gas Department's chief accountant, Charles Frederick Baker and Millie Baker. His early schooling was at King Edwards Grammar School. His elder brothers, Leonard and Norman studied law, and he had a sister, Edna who was the oldest of them all. In his teens Baker began to question what religion meant to him and decided to become a Quaker, since it was closer to what he believed in.

While at Pithoragarh, Baker found his English construction education to be inadequate for the types of issues and materials he was faced with: termites and the yearly monsoon, as well as laterite, cow dung, and mud walls, respectively, Baker had no choice but to observe and learn from the methods and practices of vernacular architecture. He soon learned that the indigenous architecture and methods of these places were in fact the only viable means to deal with local problems. Inspired by his discoveries (which he modestly admitted were 'discoveries' only for him, and mere common knowledge to those who developed the practices he observed), he realized that unlike the Modernist architectural movement that was gaining popularity at the time denouncing all that was old just because it was old didn't make sense. Baker adopted local craftsmanship, traditional techniques and materials but then combined it with modern design principles and technology wherever it made sense to do so. This prudent adoption of modern technology helped local architecture retain its cultural identity and kept costs low due to the use of local materials. It also revived the local economy due to the use of local labour for both construction of the buildings and for manufacture of construction materials such as brick and lime surkhi. Baker built several schools, chapels and hospitals in the hills. Eventually, as word spread of his cost-effective buildings more clients from the plains started to contact Baker. One of the early clients was Welthy Fisher, who sought to set up a 'Literacy Village' in which she intended to use puppetry, music and art as teaching methods to help illiterate and newly-literate adults add to their skills. An ageing woman who risked her health to visit Laurie, she refused to leave until she received plans for the village. More and more hospital commissions were received as medical professionals realised that the surroundings for their patients were as much a part of the healing process as any other form of treatment, and that Baker seemed the only architect who cared enough to become familiarised with how to build what made Indian patients comfortable with those surroundings. His presence would also soon be required on-site at Ms. Fisher's "Village," and he became well known for his constant presence on the construction sites of all his projects, often finalising designs through hand-drawn instructions to masons and labourers on how to achieve certain design solutions.
QUESTION: was he always there (working on his buldings)?
IN: Edward Leo Peter McMahon Jr. (March 6, 1923 - June 23, 2009) was an American announcer, game show host, comedian, actor and singer. McMahon and Johnny Carson began their long association in their first TV series, the ABC game show Who Do You Trust?, running from 1957 to 1962. Then afterwards, McMahon would make his famous thirty-year mark as Carson's sidekick, announcer and second banana on NBC's highly successfully The Tonight Show Starring Johnny Carson from 1962 to 1992.

The pair joined The Tonight Show Starring Johnny Carson on October 1, 1962 on NBC. He describes what happened when the pair first met, the whole meeting being "... about as exciting as watching a traffic light change". For almost 30 years, McMahon introduced the show with a drawn-out "Heeere's Johnny!" His booming voice and constant laughter alongside the "King of Late Night" earned McMahon the nickname the "Human Laugh Track" and "Toymaker to the King". As part of the introductory patter to The Tonight Show, McMahon would state his name out loud, pronouncing it as , but neither long-time cohort Carson nor anyone else who interviewed him ever seemed to pick up on that subtlety, usually pronouncing his name . Aside from his co-hosting duties, it also fell upon McMahon during the early years of Carson's tenure (when the show ran 105 minutes) to host the first fifteen minutes of Tonight, which did not air nationally. McMahon also served as guest host on at least one occasion, substituting for Carson during a week of programs that aired between July 29 and August 2, 1963, and again for two nights in October 1963. McMahon served as a counter to the notoriously shy Carson. Nonetheless, McMahon once told an interviewer that after his many decades as an emcee, he would still get "butterflies" in his stomach every time he would walk onto a stage and would use that nervousness as a source of energy. His famous opening line, "Heeere's Johnny!", was used in the 1980 horror film The Shining by the character Jack Torrance (played by Jack Nicholson) as he goes after his wife and child with an axe. He did in-program commercials for many sponsors of The Tonight Show, most notably Budweiser beer and Alpo dog food, and also did commercials for them that ran on other programs.
QUESTION: Did McMahon release any statements about his time on The Tonight Show?
IN: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

The band hired the bass guitarist Lee Marcucci (from Radio Taxi) to play in their album Como Estao Voces? (How Are You?). As this album was released, the five remaining members continued to write the history of more than 20 years of the band. With self-help hits as "Enquanto Houver Sol", questions on relevance remain on Titas' side, which faced declining sales and the ageing of their fanbase. In 2005, they released another MTV-branded album, only this time in a non-acoustic live performance. This album generated a new hit for the group, called "Vossa Excelencia", that basically criticizes the hypocrisy and lack of care from politicians, thus bringing the band back to its roots. It was seen as another opportunistic stunt by Brazilian critics, as the song was released exactly when Lula's government was facing manifold accusations of corruption. On February 18, 2006, Titas opened the Rolling Stones free concert at Copacabana beach, Rio de Janeiro for an audience of some 1.5 million people. In 2007, the band started a tour, entitled 25 Anos de Rock (25 Years of Rock), joining Os Paralamas do Sucesso to celebrate the 25th anniversary of both bands, as well as the 25th anniversary of the rising of 1980s Brazilian rock bands. The two line-ups played together most of the time on the shows, presenting also some invited musicians, like Arnaldo Antunes, Andreas Kisser and Dado Villa-Lobos. The concert in Rio de Janeiro, which took place at January 26, 2008, was recorded and filmed. The resulting CD and DVD from the show were released five months after.
QUESTION:
did Nando find another band?