Magnets are able to place a force on certain materials. This force is called a magnetic force. The force a magnet exerts is a little different from the forces you may normally think about. You exert a force on a book when you lift it. You also exert a force on the pedals of your bicycle. In both those cases, those forces cause a change. The change you see in both these cases is called motion. Magnets, too, can produce change. They can produce motion just like you do. Unlike you, magnets do not have to touch something to exert a force. A magnetic force is exerted over a distance. Thats right, a magnet can push or pull certain items without ever touching them. Thats how the maglev train works. Do you know another type of force that does not require objects to touch? These forces are known as non-contact forces. Another type of non-contact force you may be familiar with is gravity. Gravity too can cause changes in motion. Gravity holds our moon in orbit without touching it.
What question would one ask from this paragraph?
Answer: The force that holds our moon in place, is an example of what type of force?

I wondered if that were my case--if I rode out for honour, and not for the pure pleasure of the riding. And I marvelled more to see the two of us, both lovers of one lady and eager rivals, burying for the nonce our feuds, and with the same hope serving the same cause. We slept the night at Aird's store, and early the next morning found Ringan. A new Ringan indeed, as unlike the buccaneer I knew as he was unlike the Quaker. He was now the gentleman of Breadalbane, dressed for the part with all the care of an exquisite. He rode a noble roan, in his Spanish belt were stuck silver-hafted pistols, and a long sword swung at his side. When I presented Grey to him, he became at once the cavalier, as precise in his speech and polite in his deportment as any Whitehall courtier. They talked high and disposedly of genteel matters, and you would have thought that that red-haired pirate had lived his life among proud lords and high-heeled ladies. That is ever the way of the Highlander. He alters like a clear pool to every mood of the sky, so that the shallow observer might forget how deep the waters are.
What question would one ask from this paragraph?
Answer: What did the gentleman of Breadalbane ride?

Modern criticism of Pope focuses on the man, his circumstances and motivations, prompted by theoretical perspectives such as Marxism, feminism and other forms of post-structuralism. Brean Hammond focuses on Pope's singular achievement in making an independent living solely from his writing. Laura Brown (1985) adopts a Marxist approach and accuses Pope of being an apologist for the oppressive upper classes. Hammond (1986) has studied Pope's work from the perspectives of cultural materialism and new historicism. Along Hammond's lines, Raymond Williams explains art as a set of practices influenced by broad cultural factors rather than simply the vague ideas of genius alone. Hayden Carruth, wrote that it was "Pope's rationalism and pandeism with which he wrote the greatest mock-epic in English literature." In Politics and Poetics of Transgression (1985) Peter Stallybrass and Allon White charge that Pope drew upon the low culture which he despised in order to produce his own "high art". They assert Pope was implicated in the very material he was attempting to exclude, not dissimilar to observations made in Pope's time. Colin Nicholson reads the poetry in terms of the Financial Revolution, showing how Pope responded to the corruption of the traditional 'landed interest' by the newly dominant 'moneyed interest'. Feminists have also criticised Pope's works. Ellen Pollak's The Poetics of Sexual Myth (1985) argues that Pope followed an anti-feminist tradition, that regarded women as inferior to men both intellectually and physically. Carolyn Williams contends that a crisis in the male role during the 18th century in Britain impacted Pope and his writing.
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Answer: Who are Pope's supporters?

Tom's relaxation at the beach is interrupted by Jerry who inadvertently walks all over a sunbathing Tom going fishing . Jerry falls into Tom's mouth and while escaping , nearly causes Tom to swallow his beach towel . Jerry goes out to the pier and casts his favorite bait : cheese . Tom pulls on the line and makes Jerry reel him in . Jerry lets go of the line and Tom struggles to stay afloat , losing the string . Tom barely catches the pier , but Jerry swings the pole at him . After a few misses , Jerry whistles and then lands a direct hit . He runs to the end of the pier and pulls off the end board . Tom ca n't brake , and walks the plank until Jerry pulls it out , causing Tom to fall into the water and without emerging . A drowning Tom wakes up on the sea bed , where he finds himself still alive . He starts imitating the majestic sea creatures until he spots Jerry . The cat grabs him , but Jerry pulls away revealing that he has become a mer-mouse . Jerry swims in circles until Tom's head has done a 360 , and is then grabbed again . Jerry slaps Tom face with his tail , then spins his ears in to the shape of a wrench . The cat gives chase through shipwreck windows until Tom hangs back to swallow the mouse . Jerry breaks out through Tom's left eardrum . Jerry hides and disguises himself as a seahorse to join a father seahorse leading his babies , fooling the cat for only a while . Jerry then gets lassoed and captured , but Tom gets tricked into holding a fishing line and is caught .
What question would one ask from this paragraph?
Answer:
Does Jerry catch Tom like a fish on a fishing line?