input: Anderson attended Mason City High School in Mason City, Iowa, before enrolling at the University of Notre Dame. He played for Knute Rockne from 1918 to 1921 and was a teammate of George Gipp. As a senior, he was named a consensus first team All-American and was the team captain of the 1921 Notre Dame football team. In his final three years at Notre Dame, the Irish had a record of 28-1. Anderson's only loss in his final three seasons was to Anderson's home state school, when Notre Dame lost to the Iowa Hawkeyes in 1921, 10-7. Anderson coached at Columbia College in Dubuque, Iowa, from 1922 to 1924, compiling a 16-6-1 record with one undefeated season. During that time, he was considered for an assistant coaching position at Iowa, but Iowa coach Howard Jones rejected the idea. Anderson served as a player/coach for the Chicago Cardinals (now Arizona Cardinals) professional football team in the early 1920s as well. He played on the Cardinals' controversial championship team in 1925. That same year, Anderson enrolled at Rush Medical College in Chicago. While in Chicago, Anderson coached football at DePaul University, compiling a 21-22-3 record from 1925 to 1931. He also coached basketball at DePaul from 1925 to 1929, guiding them to a 25-21 record. After graduating from Rush, Anderson took a job as head football coach at the College of the Holy Cross in Massachusetts. He had a record of 47-7-4 in six years at Holy Cross from 1933 to 1938, including undefeated seasons in 1935 and 1937. During that time, Anderson also served as the head of eye, ear, nose, and throat clinic at Boston's Veterans Hospital.

Answer this question "was he a good coach?"
output: including undefeated seasons in 1935 and 1937.

input: Deal became the bassist and backing vocalist for Pixies in January 1986, after answering an advertisement in the Boston Phoenix that said, ""Band seeks bassist into Husker Du and Peter, Paul and Mary. Please - no chops." Deal was the only person to call them, even though her main instrument was guitar. She borrowed her sister Kelley's bass guitar to use in the band. To complete the lineup, she suggested they hire David Lovering as drummer, a friend of her husband, whom she met at her wedding reception. For the release of the band's first recording Come on Pilgrim (1987), Deal used the nom de disque "Mrs. John Murphy" in the liner notes. She chose the name as an ironic feminist joke, after conversing with a lady who wished to be called only by her husband's name as a form of respect. For Surfer Rosa (1988), Deal sang lead vocals on the album's only single, "Gigantic" ( sample ), which she co-wrote with Black Francis. Doolittle followed a year later, with Deal contributing the song "Silver" and appearing on slide guitar. By this time, however, tensions began to develop between her and Francis, with bickering and standoffs between the two marring the album's recording sessions. This led to increased stress between the band members. Murphy commented that during the sessions, it "went from just all fun to work". Exhaustion, from releasing three records in two years and constant touring, contributed to the friction, particularly between Francis and Deal. The tension and exhaustion culminated at the end of the US "Fuck or Fight" tour, where they were too tired to attend the end-of-tour party. The band soon announced a hiatus.

Answer this question "Did they end up breaking up?"
output: The band soon announced a hiatus.

input: Van Zandt became a songwriter and producer for fellow Jersey shore act Southside Johnny and the Asbury Jukes in 1974, penning their signature song "I Don't Want to Go Home", co-writing other songs for them with Springsteen, and producing their most-acclaimed record, Hearts of Stone. As such, Van Zandt became a key contributor to the Jersey Shore sound. He also produced two Gary U.S. Bonds' albums. Van Zandt then went on to share production credits on the classic Springsteen albums The River and Born in the U.S.A. The first Springsteen song he co-produced was "Hungry Heart." In 1989, Jackson Browne covered the 1983 Van Zandt composition "I Am A Patriot" on his World in Motion album. Van Zandt has produced a number of other records, including an uncredited effort on the Iron City Houserockers' Have A Good Time (But Get Out Alive). Less successful was his work on Lone Justice's second album Shelter, which was a career-ending flop for the Los Angeles cowpunk band. In 1989, Van Zandt wrote "While You Were Looking at Me" for Michael Monroe's album Not Fakin' It and co-wrote videohits "Dead, Jail or Rock'n Roll" and "Smoke Screen". He was an arranger and backing vocalist for a few songs on the album. In 1992, he produced Austin TX-based Arc Angels' debut album. In 1991 Van Zandt produced a successful album, Spirit of Love, for Nigerian superstar and raggae icon, Majek Fashek. In 1993, Van Zandt wrote and produced "All Alone on Christmas" for the soundtrack of the Chris Columbus film Home Alone 2: Lost in New York, which yielded singer Darlene Love her first hit since "A Fine, Fine Boy" from 1963, thirty-one years earlier. In 1994, Van Zandt produced the eponymous debut album of the punk rock band Demolition 23 which featured ex-Hanoi Rocks members Michael Monroe and Sami Yaffa. Van Zandt also co-wrote six songs for the album with Monroe and Jude Wilder. In 1995, Van Zandt aided Meat Loaf with the song "Amnesty Is Granted" off of his Welcome to the Neighborhood album. In 2004, he contributed the song "Baby Please Don't Go" to Nancy Sinatra's self-titled album.

Answer this question "What did he write?"
output:
Van Zandt became a songwriter and producer for fellow Jersey shore act Southside Johnny and the Asbury Jukes in 1974, penning their signature song "I Don't Want to Go Home",