In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Orchestral Manoeuvres in the Dark (OMD) are an English electronic music band formed in Wirral, Merseyside in 1978. Spawned by earlier group The Id, the outfit was founded by Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals); amid rotating line-ups, Martin Cooper (various instruments) and Malcolm Holmes (drums) are the longest-serving additional members. OMD released their influential debut single, "Electricity", in 1979, and gained popularity throughout Europe with the 1980 anti-war song "Enola Gay". The band achieved broader recognition via their seminal album "Architecture & Morality" (1981) and its three singles, all of which were international hits. Steadily resistant to celebrity status, the group earned acclaim for their adventurous recordings, which combined sonic experimentation and atypical subject matter with musical hooks. Context_2 : The Id was a new wave/synthpop band from the Wirral, Merseyside, England formed in September 1977 by school and college friends Andy McCluskey (bass, vocals), Julia Kneale (vocals), Neill Shenton (guitar), John Floyd (vocals), Malcolm Holmes (drums), Steve Hollas (bass), Gary Hodgson (guitar) and Paul Humphreys (keyboards). Context_3 : William Ryan Key (born December 17, 1979) is an American rock musician. He is best known as the former lead singer, songwriter, and rhythm guitarist of the former pop punk musical group Yellowcard. Context_4 : George Andrew McCluskey (born 24 June 1959 in Heswall, Cheshire) is an English musician, songwriter and record producer who is best known as the singer, bass guitarist and co-founder of synthpop band Orchestral Manoeuvres in the Dark (OMD). Within OMD, McCluskey is noted for his baritone voice, manic onstage dancing, multi-instrumentation, and unconventional lyrical subjects. Context_5 : Esperanto, released in 1993, was the first album by Elektric Music, initially a collaboration of Karl Bartos (formerly of Kraftwerk) and Lothar Manteuffel (formerly of Rheingold), but later only Bartos worked under this name. The project begun after Bartos ended his involvement with Kraftwerk in 1991. The songs "Show Business" and "Kissing the Machine" were co-written with Andy McCluskey of OMD, with McCluskey performing vocals on the latter track. "Crosstalk" and "Overdrive" were co-written with Kraftwerk associate Emil Schult, who was also the art director of the cover graphics of the early Elektric Music releases. Context_6 : Marsheaux is a Greek synthpop duo formed in Athens in 2003. The group is composed of vocalists, songwriters and keyboardists Marianthi Melitsi and Sophie Sarigiannidou. The name Marsheaux is derived from the first syllable of each band member's name. Both members sing almost exclusively in English. Andy McCluskey of OMD said about this band: "I do have a soft spot for Marsheaux I have to say. They have a certain sort of wispy, melancholic charm". Context_7 : Feels So Good is the second studio album by girl group Atomic Kitten and the first full original album featuring Jenny Frost. The style of the album is comparable with the first album and consists mainly of pop ballads, happy songs and one cover version. After releasing a cover version of "Eternal Flame" on the previous album, Susanna Hoffs from The Bangles was asked to write a track for the album called "Love Doesn't Have to Hurt". The girls teamed up with Rob Davis for the songwriting and production of several songs and as a result, Kylie Minogue with whom he frequently collaborated, donated the song "Feels So Good" to the album. Out of gratitude and because they felt it was a great title, the group decided to name the album after that song. As with debut album "Right Now", Orchestral Manoeuvres in the Dark members and Atomic Kitten founders, Andy McCluskey and Stuart Kershaw who parted ways with the group during recording made multiple songwriting contributions. Context_8 : Right Now is the debut studio album by English girl group Atomic Kitten released originally on 23 October 2000 featuring original member Kerry Katona, following the departure of Katona the album was re-released on 6 August 2001 featuring vocals from Jenny Frost and the singles "You Are" and "Eternal Flame" with additional new tracks featured on the album. The first release of the album originally peaked at number 39, putting the group at risk of being dropped by the record label; the second release peaked at number 1. Orchestral Manoeuvres in the Dark members and Atomic Kitten founders, Andy McCluskey and Stuart Kershaw, were among the album's principal songwriters. Context_9 : "Joan of Arc (Maid of Orleans)" is a song by British band Orchestral Manoeuvres in the Dark (OMD) and was the third single released from their third studio album "Architecture & Morality". The track has been described by OMD frontman Andy McCluskey as the group's "Mull of Kintyre". Context_10 : Paul David Humphreys (born 27 February 1960 in London) is a British musician and songwriter who is best known for his contributions to Orchestral Manoeuvres in the Dark (OMD), a new wave band which he founded alongside Andy McCluskey in 1978. John Doran in "The Quietus" remarked: "If, roughly speaking, McCluskey is the intellect and inquisitive nature in the group, then Humphreys is the heart." fact_1 : George Andrew McCluskey (born 24 June 1959 in Heswall, Cheshire) is an English musician, songwriter and record producer who is best known as the singer, bass guitarist and co-founder of synthpop band Orchestral Manoeuvres in the Dark (OMD). fact_2 : William Ryan Key (born December 17, 1979) is an American rock musician. Answer: musician
A:
Andy McCluskey and Ryan Key are both what?