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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Michael Edward Cushnie (born 28 December 1980) also known as Mykal Cushnie, is a Jamaican film director, film producer and editor. He is most recognized for his work on "Magnum Kings and Queens of Dancehall" - the Jamaican dancehall version of "American Idol", "The Wray & Nephew Contender" - The Jamaican version of Mark Burnett's original boxing reality series "The Contender", and "Mission Catwalk"- The Jamaican version of "Project Runway". He is the CEO of DSE Media and founder of Edward Cushnie Films. Context_2 : Nicholas Scott "Nick" Cannon (born October 8, 1980) is an American rapper, actor, comedian, director, screenwriter, film producer, entrepreneur, record producer, radio and television personality. On television, Cannon began as a teenager on "All That" before going on to host "The Nick Cannon Show", "Wild 'N Out", and "America's Got Talent". He acted in the films "Drumline", "Love Don't Cost a Thing", and "Roll Bounce". As a rapper he released his debut self-titled album in 2003 with the hit single "Gigolo", a collaboration with singer R. Kelly. In 2007 he played the role of the fictional footballer TJ Harper in the film "". In 2006, Cannon recorded the singles "Dime Piece" and "My Wife" for the planned album "Stages", which was never released. Cannon married American R&B/pop singer, Mariah Carey in 2008. He filed for divorce in December 2014, after six years of marriage. The divorce was finalized in 2016. Context_3 : Corrie "Al Beeno" Moody also known as "Prince Yellowman" (and not to be confused with (Winston "King Yellowman" Foster) is a reggae dancehall deejay musician who was born in Kingston, Jamaica. He later moved to Toronto, Ontario, Canada. His catchy lyrical styles (mixed with hip hop urban beats, also known as ragga) with fast beats earned him the nickname 'Prince Yellowman'. He is albinistic, hence the nickname "Al Beeno." By some he is considered as the next generation following popular Dancehall artist King Yellowman who became popular during the early 1980s throughout the 1990s. As a parallel to King Yellowman, Al Beeno managed to use his rare skin condition in order to gain fame. Context_4 : Tom Close (born Thomas Buyombo on 28 October 1986) is a Rwandan R&B, Afrobeat and dancehall singer and a professional medical doctor. A ChimpReports reviewer in 2013 described him as "the king of Afrobeat and dancehall" in Rwanda. Context_5 : King of the Dancehall is a 2016 American drama film directed by Nick Cannon. It was screened in the Special Presentations section at the 2016 Toronto International Film Festival. Context_6 : King Mellow Yellow (born in Kingston, Jamaica) was a Jamaican Dancehall DJ. Being one of three popular albino DJs in the 1980s (Yellowman, Purpleman and King Mellow Yellow), in song, he often referred to himself as "The Yellow Hands". Context_7 : Clifton George Bailey III (born 13 April 1967), better known by the stage name Capleton, is a Jamaican reggae and dancehall artist. He is also referred to as King Shango, King David, The Fireman and The Prophet. His record label is called David House Productions. He is known for his Rastafari movement views expressed in his songs. Context_8 : Anthony Moses Davis (born 22 August 1973), better known by his stage name Beenie Man, is a Jamaican reggae dancehall recording artist. He is referred to as the world's "King of Dancehall". Context_9 : Joel Munoz Martinez (born March 3, 1982) and Randy Ariel Ortiz Acevedo (born July 16, 1983), best known as Jowell & Randy, is a reggaeton duo from San Juan, Puerto Rico. They met in 2000 and began working as a duo a year later, reaching international success in 2007 as members of Casa de Leones alongside compatriot rappers J King & Maximan and Guelo Star. Jowell & Randy's first studio album as duo, "Los Mas Sueltos del Reggaeton", was released in December 2007 under Warner Music Group and White Lion Records, a record label founded by Elias de Leon, one of reggaeton's most respected producers. However, their most successful album was "El Momento", released in May 2010 under Wisin & Yandel's WY Records. It achieved the duo's highest debut on "Billboard"' s Top Latin Albums chart, peaking at number 2 and charting for 12 weeks. Three years later, they released their third and yet last studio album, "Sobredoxis", which debuted at number-one on "Billboard"' s Latin Rhythm Albums chart. After that, the duo went to underground reggaeton, supporting new acts and serving as executive producers to their respective albums. The duo also released four non-successful mixtapes between 2010 and 2016: "Tengan Paciencia", "Pre-Doxis", "Under Doxis" and "La Alcaldia del Perreo". During their career, Jowell & Randy performed different music genres, including reggaeton, underground reggaeton, reggae, latin pop, dancehall, pop rock and tribal. Context_10 : Charles Nii Armah Mensah Jnr. (born 17 October 1984), known by his stage name Shatta Wale (formerly "Bandana"), is a Ghanaian-born producer and reggae-dancehall musician. He is best known for his song "Dancehall King", which led to winning the Artiste of the Year at the 2014 edition of the Ghana Music Awards. He traveled to Jamaica to learn dancehall. Shatta Wale acted in the movie "Never Say Never" featuring Charles Kofi Bucknor, Edward Kufuor and Paulina Oduro and also featuring in "Shattered Lives" along with Bisa Kdei and Majid Michel. fact_1 : King of the Dancehall is a 2016 American drama film directed by Nick Cannon. fact_2 : Nicholas Scott "Nick" Cannon (born October 8, 1980) is an American rapper, actor, comedian, director, screenwriter, film producer, entrepreneur, record producer, radio and television personality. Question: When was the director of King of the Dancehall born?
Solution:
October 8, 1980