instruction:
You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
question:
This memoir tells of a precocious boy who loved the sights and sounds of his childhood but felt reticent about full participation in life. The note is sounded from the first chapters, as James recounts the limitations and rewards of the child he was:
"For there was the very pattern and measure of all he was to demand: just to be somewhere almost anywhere would do and somehow receive an impression or an accession, feel a relation or a vibration. He was to go without many things, ever so many as all people do in whom contemplation takes so much the place of action; but everywhere...he was to enjoy more than anything the so far from showy practice of wondering and dawdling and gaping: he was really, I think, much to profit by it."
James clearly suffered from a sense of his inferiority in the "showy", active parts of life. His older brother William always seemed superior in ability; his classmates scorned his hopelessness at math and science; even at a party he felt too embarrassed to join in the dancing.
But he still observed and fantasized about all his family and his surroundings had to offer. When a cousin of his was told "don't make a scene," he suddenly realized that scenes could be made by telling a story or inventing a play. He went often to the theater and fell forever under its spell. His family met William Thackeray and Charles Dickens on their American tours, and James even remembered Thackeray mock-scolding his sister Alice for her crinoline dress: "Crinoline? I was suspecting it! So young and so depraved!"
In fact, for all his surface diffidence, James harbored almost Napoleonic dreams of glory as an artist. Near the close of A Small Boy and Others he tells how, in much later years, he dreamed of routing a monstrous attacker and chasing him away through the halls of the Louvre, which he had seen as a child. The small boy, as hesitant and uncertain as he might seem, would triumph over his fears and develop his superb aptitude for narrative fiction.
answer:
Who mocked James' sister, Alice?

question:
The play is set in Paris, and opens with two Frenchmen, the friends Dinant and Cleremont, discussing the ethics and manners of duelling. Dinant is disconsolate, because the woman he loves, Lamira, is marrying a rich old man named Champernell. Champernell won fame and fortune fighting at sea; but now he is crippled in an arm and a leg. Dinant and Cleremont confront the wedding party as they leave the church; the two mock and insult the new-made man and wife. Champernell tries to fight back, but his injuries prevent him; both groom and bride are reduced to tears of frustration (him) and embarrassment (her). They are not without defenders, however: afterward, Lamira's brother Beaupre and Champernell's nephew Verdone meet Dinant and Cleremont, and challenge them to meet on the "field of honor".
The challenge is spied upon, by Lamira's old Nurse; Lamira foresaw this event, and is terrified that her brother will be killed by Dinant. To avoid this, Lamira summons Dinant, and complains that her honor has been insulted. Dinant agrees to meet her slanderer and defend her, even though he will miss his appointment with Beaupre and Verdone. Cleremont makes that appointment in a cold dawn, and is distressed to find himself alone against two potential combatants. To avoid fighting both or yielding his sword, he must obtain a second. He solicits passers-by but finds no one, until he encounters a diminutive lawyer named La-Writ, who is poring over his court documents as he walks toward the city. Cleremont manages to bully, cajole, and persuade the attorney to second him in the duel, even though La-Writ has never drawn his sword in anger in his life. Through a stroke of beginner's luck, La-Writ manages to disarm Beaupre, and then rescue Cleremont by disarming Verdone too. The two losers have to return to the city without their swords, and a buoyant-spirited La-Writ resumes his way.
Meanwhile, Dinant has wasted two hours, waiting to encounter a person who does not exist. As he suspects he's been fooled, he meets a swaggering and wild-talking La-Writ, and believes he's found the man he means to fight. Before they can duel, Cleremont breaks in upon them, and informs Dinant that the little lawyer is the man who saved his honor by taking his place in the morning's duel. La-Writ is now so transported with exaltation that he neglects his law practice to devote his time to quarreling with the town bravos.
When Champernell learns that Verdone and Beaupre have been defeated, he is irate and disgusted. Verdone explains that Dinant did not appear that morning, but that his place was taken by "a Devil hir'd from some Magician,/ I'th' shape of an Attorney". Verdone accuses Dinant of cowardice and Lamira surprises everyone by defending her former suitor's reputation. Champernell is distressed and angered by this; but Lamira takes the upper hand by threatening to run away if he doubts her virtue. Her husband backs down, and Lamira decides to teach Dinant a lesson for hoping to make her an adulteress.
Lamira summons Dinant to a tryst; Cleremont comes with him. To complete their tryst, Lamira tells Cleremont that he must take her place in bed with her husband: the old man has a habit of reaching out to feel if she's still in bed, and if he feels no one, he'll be alarmed. Cleremont is humiliated to be put in this position but his friendship for Dinant leads him to agree. Dinant thinks that he will finally enjoy Lamira; but she talks loudly, lights the lights, and has music played, spoiling the secrecy of the moment. It turns out that Cleremont has been lying in bed not with the old man, but with his sixteen-year-old niece Anabel. Champernell, Beaupre, and Verdone laugh at the discomfiture of their two rivals.
La-Writ is now so passionate about quarreling that he fails to appear in court, and his cases are dismissed by the judge Vertaigne (who is also Lamira's father). La-Writ writes a challenge to the judge, and asks Cleremont to deliver it. This presents Cleremont with a dilemma: the code of duelling will not allow him to refuse to deliver the challenge but delivering it to a judge will quickly land him in jail. He handles the matter by pretending that the challenge is a joke. Vertaigne takes it so, and sends his kinsman Sampson, another lawyer, to meet La-Writ in his place. When the two meet, their seconds, in pretending to observe the punctillios of the duelling code, deprive them of their swords and doublets and then run off, leaving the two would-be duellists without swords, horses, or coats in the cold morning air.
Dinant and Cleremont plan to gain revenge on those who have embarrassed them. As Champernell, Vertaigne and their party are travelling to a country house, they are waylaid by a group of pretended bandits. Dinant and Cleremont appear to come to their rescue, and in the tumult and confusion the party is separated and the two old men are left alone in the woods. Champernell and Vertaigne soon stumble into La-Writ and Sampson. La-Writ is still talking big, full of his fictitious prowess; an irritated Champernell finally knocks him to the ground. Sampson is driven off, and Champernell beats La-Writ until the repentant attorney agrees to give up fighting and return to lawyering once again.
In the clutches of the feigned bandits, Lamira is frightened, but Anabel is determined to fight to preserve her honor. Cleremont, pretending to be a rescuer, absconds with Anabel to a waiting priest. Dinant confronts Lamira, who is repentant for tricking him, but still determined to preserve her virtue; and Dinant reconciles with her. At the end of the play, hard feelings are dispelled with a new understanding and tolerance, and a new couple in Cleremont and Anabel.
answer:
What is the name of Lamira's new husband?

question:
After the McManus brothers, Connor and Murphy, and their father, Noah (a.k.a. "Il Duce"), assassinated Joe Yakavetta, they fled to Ireland. Eight years later, their uncle Father Sibeal arrives to inform them that a renowned Boston priest was murdered by a mysterious assassin who attempted to frame the Saints by using their ritual assassination style. In response, the brothers dig up their old gear and weapons and depart for the United States.
En route to Boston aboard a container ship, the brothers meet a Mexican underground fighter named Romeo, who recognizes them as the Saints. Romeo convinces them to let him join them as their new partner. Hearing a radio broadcast regarding Joe's son, Concezio Yakavetta, they deduce that he must have hired the hit-man who killed the priest in order to draw them out of hiding.
Meanwhile, Detectives Greenly, Dolly and Duffy are at the scene of the priest's murder. They are greeted by Special Agent Eunice Bloom, the prot g e of Paul Smecker (who has died) who has been assigned to investigate the murder and determine whether or not the Saints are responsible. She comes to the conclusion that it was not the Saints who murdered the cleric and begins an investigation to find the real assassin. She and the other officers find out the assassin is Ottilio Panza, a man who appears to be working for a mysterious man known only as "The Old Man".
Connor, Murphy and Romeo hit a warehouse that is being used by an Asian gang to process heroin for Yakavetta. After killing everyone at the warehouse, Connor and Murphy reunite with their old bartender friend, Doc. They learn that the assassin was an independent contractor and that Yakavetta himself is hiding in the Prudential Tower. Later at the warehouse, now a crime scene, Bloom confirms that the Saints have returned. Bloom interrupts a massage in progress and hits a mob boss with a paddle, displaying her identity.
The brothers and Romeo have one of Yakavetta's underbosses named Gorgeous George set up a meeting with a group of mobsters at a bar, where they kill them. Panza arrives shortly after and attempts to ambush the brothers, but Bloom arrives in time to save them by wounding Panza who flees. Bloom introduces herself, revealing her intentions to help the Saints in Smecker's place. The group then cleans up the crime scene to make it look as if the mobsters had turned on each other. Later, Bloom reunites the other detectives with the Saints, thus bringing them in on their plans.
Yakavetta calls a meeting with his crew, during which the Saints arrive and kill everyone including Yakavetta. Bloom interrogates Yakavetta's Consigliere Jimmy and learns of the Old Man's involvement with Panza. The crime scene is visited by FBI Special Agent Kuntsler, who takes over the gang murder case upon suspending Bloom. Later at the bar, Greenly arrives to celebrate the boys' victory, but is shot and killed by Panza. Noah, earlier having decided to help his sons, unexpectedly arrives to demand Panza tell him the Old Man's location. They engage in a type of "Russian Roulette" stand-off and after Panza still refuses to answer, Noah kills him.
Noah reveals to the group that in 1958 New York, he watched a trio of mobsters brutally murder his father in front of his eyes. Consumed with anger and wanting revenge, Noah killed the mobsters with the help of his best friend Louie, who is revealed to be the Old Man. Noah still felt unsatisfied, so Louie helped him pick out mobsters to kill. They continued this until 1975, when Louie gave Noah up to the police.
Bloom illegally obtains a file regarding Louie's location and gives it to Noah. Louie, anticipating the Saints arrival at his mansion, has several hit-men stationed on the grounds. When the McManus family arrives, Louie reveals that he had only used Noah to eliminate the competition in the Mafia, afterwards giving him up to the police when he was no longer useful. After this however, the Mafia cast Louie himself out for the very same reason. He then helped rebuild the Yakavetta family after Joe's demise and let the Saints take out the rest of the organization so Louie could take control. Louie signals the hit-men waiting to take out the Saints to make their move, but the Saints kill them all. Noah suffers a fatal gunshot wound, but kills Louie before he dies. The Police arrive and arrest the wounded Connor, Murphy and Romeo.
Bloom meets with Father Sibeal who has arranged to take her to a safe place out of the country to flee FBI prosecution. She is shocked to discover that Sibeal has been working with Smecker who faked his own death and developed a network of support for the Saints and their work. Smecker tells Bloom his plans to break the Saints out of prison.
As protesters outside of the prison shout for the freedom of the Saints, Connor and Murphy stare out of their window at the sea of prisoners in the yard, finding that they'll have plenty of work while they wait to be freed.
answer:
In the beginning of the story, who is framed for the murder of a renowned priest?