input: Arthur Evans was born in Nash Mills, England, the first child of John Evans (1823-1908) and Harriet Ann Dickinson (born 1824), his first cousin, the daughter of John's employer, the inventor and founder of Messrs John Dickinson, a paper mill. John Evans came from a family of men who were both educated and intellectually active; they were nevertheless undistinguished by either wealth or aristocratic connection. John's father, Arthur Benoni Evans, Arthur's grandfather, had been headmaster of Market Bosworth Grammar School. John knew Latin and could quote the classical authors. In 1840, instead of going to college, John started work in the mill owned by his maternal uncle, John Dickinson. He married his cousin, Harriet, in 1850, which entitled him, in 1851, to a junior partnership in the family business. Profits from the mill would eventually help fund Arthur's excavations, restorations at Knossos, and resulting publications. For the time being they were an unpretentious and affectionate family. They moved into a brick row house built for the purpose near the mill, which came to be called the "red house" because it lacked the sooty patina of the other houses. Harriet called her husband "Jack." Grandmother Evans called Arthur "darling Trot," asserting in a note that, compared to his father, he was "a bit of a dunce." In 1856, with Harriet's declining health and Jack's growing reputation and prosperity, they moved into Harriet's childhood home, a mansion with a garden, where the children ran free. John maintained his status as an officer in the company, which eventually became John Dickinson Stationery, but also became distinguished for his pursuits in numismatics, geology and archaeology. His interest in geology came from an assignment by the company to study the diminishing water resources in the area with a view toward protecting the company from lawsuits. The mill consumed large amounts of water, which was also needed for the canals. He became an expert and a legal consultant. However, collecting was endemic to the family; his father and grandfather both had done it. He was more interested in the stone-age artifacts he was discovering while mapping stream beds. As Arthur grew older, he was allowed to assist John in looking for artifacts and later classifying the collection. Ultimately John became a distinguished antiquary, publishing numerous books and articles. In 1859 he conducted a geological survey of the Somme Valley with Joseph Prestwich. His connections and invaluable advice were indispensable to Arthur's career throughout the remainder of his long life. Arthur's mother, Harriet, died in 1858 when Arthur was seven. He had two brothers, Philip Norman (1854) and Lewis (1853), and two sisters, Alice (1858) and Harriet (1857). He would remain on excellent terms with all of them all of his life. He was raised by a stepmother, Fanny (Frances), nee Phelps, with whom he also got along very well. She had no children of her own and also predeceased her husband. John's third wife was a classical scholar, Maria Millington Lathbury. When he was 70 they had a daughter, Joan, who would become an art historian. John died in 1908 at 85, when Arthur was 57. His close support and assistance had been indispensable in excavating and conceptualizing Minoan civilization.

Answer this question "Are there any other interesting aspects about this article?"
output: John maintained his status as an officer in the company, which eventually became John Dickinson Stationery, but also became distinguished

input: Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million. During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010. Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company.

Answer this question "When did James join the opera?"
output:
") debut at age 28 on June 5, 1971,