input question: Given the below context: In 1906 San Francisco, Frisco Jenny Sandoval, a denizen of the notorious Tenderloin district, wants to marry piano player Dan McAllister, but her saloonkeeper father Jim is adamantly opposed to it. An earthquake kills both men and devastates the city. In the aftermath, Jenny gives birth to a son, whom she names Dan. With financial help from crooked lawyer Steve Dutton, who himself came from the Tenderloin, she sets herself up in the vice trade, providing women on demand. Jenny has one loyal friend, the Chinese woman Amah, who helps take care of the baby. At a party in Steve's honor, he catches gambler Ed Harris (an uncredited J. Carrol Naish) cheating him in a back room. In the ensuing struggle, Steve kills him, with Jenny the only eyewitness. The pair are unable to dispose of the body before it is found and are questioned by the police. However, neither is charged. The scandal forces Jenny to temporarily give up her baby to a very respectable couple who owe Steve a favor to keep the child from being taken away from her. After three years, she tries to take her son back, but the boy clings to the only mother he can remember, so she leaves him where he is. He grows up and goes to Stanford University, where he becomes a football star, graduates with honors, and becomes first a lawyer, then an assistant district attorney. Jenny lovingly follows his progress. Meanwhile, she takes over the vice and bootlegging in the city. Guess a valid title for it!???
output answer: Frisco Jenny

input question: Given the below context: Young Pete Lender is setting up traps around his house, explaining to his parents that things in their house are being stolen, despite his parents believing they are simply misplaced. However, it turns out that a family of tiny people ("Borrowers"), are living in the house, borrowing stuff without being seen. Pod Clock and his children, Arrietty and Peagreen, make their way through the kitchen to "borrow" the radio's battery. Arrietty, while treating herself with some ice cream in the freezer, is accidentally shut inside just as the Lenders return. Pod manages to rescue Arietty, but jams the ice cube tube in the process and is forced to leave one of his gadgets behind, which is found by Mr. Lender. Meanwhile, the will of Mrs. Lender's aunt Mrs. Allabaster is the only proof that the house rightfully belongs to the family, yet their lawyer Ocious P. Potter cannot find it and has already made plans to demolish their house in order to build condominiums on the land, and the Lenders have until Saturday to move away. Arrietty is trapped by Pete, who is actually astonished to discover the Borrowers. Pete also explains to Arrietty that the house is being demolished due to the absence of Mrs. Allabaster's will, meaning that both families will have to move. After Arrietty explains the situation to her family, Pod reluctantly agrees to have the family move to the new house, despite being somewhat upset that Arrietty has defied so much about the way of the Borrowers. Unfortunately, during the journey, Arrietty and Peagreen fall out of the moving truck and make their way back to the old house, where they find the new house on a map. Guess a valid title for it!???
output answer: The Borrowers (1997 film)

input question: Given the below context: Portrait of a Lady (or Portrait of a Woman) is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden. The composition is built from the geometric shapes that form the lines of the woman's veil, neckline, face, and arms, and by the fall of the light that illuminates her face and headdress. The vivid contrasts of darkness and light enhance the almost unnatural beauty and Gothic elegance of the model. Van der Weyden was preoccupied by commissioned portraiture towards the end of his life and was highly regarded by later generations of painters for his penetrating evocations of character. In this work, the woman's humility and reserved demeanour are conveyed through her fragile physique, lowered eyes and tightly grasped fingers. She is slender and depicted according to the Gothic ideal of elongated features, indicated by her narrow shoulders, tightly pinned hair, high forehead and the elaborate frame set by the headdress. It is the only known portrait of a woman accepted as an autograph work by van der Weyden, yet the sitter's name is not recorded and he did not title the work. Although van der Weyden did not adhere to the conventions of idealisation, he generally sought to flatter his sitters. He depicted his models in highly fashionable clothing, often with roundedalmost sculptedfacial features, some of which deviated from natural representation. He adapted his own aesthetic, and his portraits of women often bear a striking resemblance to each other.The painting has been in the National Gallery of Art in Washington, D.C. since donated in 1937, and is no. 34 in the de Vos catalogue raisonne of the artist. It has been described as "famous among all portraits of women of all schools". Guess a valid title for it!???
output answer: Portrait of a Lady (van der Weyden)

input question: Given the below context: The year 1960 marked another turning point in Shostakovich's life: he joined the Communist Party. The government wanted to appoint him General Secretary of the Composers' Union, but in order to hold that position he was required to attain Party membership. It was understood that Nikita Khrushchev, the First Secretary of the Communist Party from 1953 to 1964, was looking for support from the leading ranks of the intelligentsia in an effort to create a better relationship with the Soviet Union's artists. This event has been interpreted variously as a show of commitment, a mark of cowardice, the result of political pressure, or his free decision. On the one hand, the apparat was undoubtedly less repressive than it had been before Stalin's death. On the other, his son recalled that the event reduced Shostakovich to tears, and he later told his wife Irina that he had been blackmailed. Lev Lebedinsky has said that the composer was suicidal. From 1962, he served as a delegate in the Supreme Soviet of the USSR. Once he joined the Party, several articles he did not write denouncing individualism in music were published in Pravda under his name. In joining the party, Shostakovich was also committing himself to finally writing the homage to Lenin that he had promised before. His Twelfth Symphony, which portrays the Bolshevik Revolution and was completed in 1961, was dedicated to Vladimir Lenin and called "The Year 1917." Around this time, his health began to deteriorate. Shostakovich's musical response to these personal crises was the Eighth String Quartet, composed in only three days. He subtitled the piece "To the victims of fascism and war", ostensibly in memory of the Dresden fire bombing that took place in 1945. Yet, like the Tenth Symphony, this quartet incorporates quotations from several of his past works and his musical monogram. Shostakovich confessed to his friend Isaak Glikman, "I started thinking that if some day I die, nobody is likely to write a work in memory of me, so I had better write one myself."... Guess a valid title for it!???
output answer:
Dmitri Shostakovich