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Lillian Evelyn Moller Gilbreth (May 24, 1878 - January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.
For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.

did she work with anyone else?

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Saul Hudson was born in Hampstead, London. He was named for Saul Steinberg, an artist. His mother, Ola J. Hudson (nee Oliver; 1946-2009), was an African-American costume designer, whose clients included David Bowie, and his father, Anthony Hudson, is an English artist who created album covers for musicians such as Neil Young and Joni Mitchell., Of his mixed background, Slash later remarked, "As a musician, I've always been amused that I'm both British and black; particularly because so many American musicians seem to aspire to be British while so many British musicians, in the 'Sixties in particular, went to such great pains to be black."
In September 2008, Slash began production on his debut solo album. He described the process of recording by himself as "cathartic." He also mentioned working on the album gave him a chance to "...take a little bit of a break from all the politics and the democracy that is a band and just sort of do my own thing for a little bit. Slash's wife Perla revealed that many different artists would appear on the album, saying, "It's going to be Slash and friends, with everyone from Ozzy to Fergie." The album, simply titled Slash, debuted at No. 3 on the U.S. chart upon its release in April 2010. It featured an all-star roster of guest musicians, including Osbourne, Fergie of The Black Eyed Peas, Adam Levine of Maroon 5, M. Shadows of Avenged Sevenfold, Lemmy Kilmister of Motorhead, Dave Grohl, Chris Cornell and Iggy Pop. The album also features musical collaborations with former Guns N' Roses members Izzy Stradlin, Steven Adler and Duff McKagan. To promote the album, Slash embarked on his first solo world tour with Myles Kennedy of Alter Bridge--who also appeared on the album--on vocals, Bobby Schneck on rhythm guitar, Todd Kerns on bass, and Brent Fitz on drums. Slash opened for Ozzy Osbourne for a leg of Osbourne's Scream World Tour. Slash began working on his second solo album in June 2011. He collaborated with his touring bandmates Myles Kennedy, Todd Kerns, and Brent Fitz, with the resulting album billed to "Slash featuring Myles Kennedy and The Conspirators". The album, titled Apocalyptic Love, was released on May 22, 2012, debuting at #2 on the Canadian Albums Chart. In the beginning of 2013 Slash received award for "Best Guitarist Of The Year 2012" by Loudwire's readers. Slash embarked on a tour in the summer of 2014, opening for Aerosmith as part of the Let Rock Rule Tour. In May 2014, Slash revealed details of his third solo album World on Fire. The album was again billed as "Slash featuring Myles Kennedy and The Conspirators" and was released on September 10, 2014. It debuted at No. 10 on The Billboard 200 chart. In March 2018, Slash revealed that a new album with Myles Kennedy and The Conspirators to be released in Fall 2018. The group will kick off a tour in September 2018, starting with a show in Del Mar, California at the KAABOO Del Mar Music Festival.

what kind of music do they play

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Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.
Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt. UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children. The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year. In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister".

did they win the award?
received a Grammy nomination for Best Contemporary Jazz Album, as did their second album,