Background: Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released in mid 1966, on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album--"One of Us Must Know (
Context: Most accounts of recording Blonde on Blonde, including those by Dylan scholars Clinton Heylin and Michael Gray, agree that there were two blocks of recording sessions: February 14-17 and March 8-10, 1966. This chronology is based on the logs and files kept by Columbia Records. Dylan and the Hawks performed concerts in Ottawa, Montreal, and Philadelphia in February and March, and then Dylan resumed recording in Nashville on March 8. On that date, Dylan and the musicians recorded the take of "Absolutely Sweet Marie" that Dylan selected for the album. Historian Sean Wilentz observed that "with the sound of 'Sweet Marie', Blonde on Blonde entered fully and sublimely into what is now considered classic rock and roll". The same day saw the successful takes of "Just Like a Woman", and "Pledging My Time", the latter "driven by Robertson's screaming guitar". According to Wilentz the final recording session, on March 9-10, produced six songs in 13 hours of studio time. The first number to be recorded to Dylan's satisfaction was "Most Likely You Go Your Way and I'll Go Mine", when McCoy reinforced on trumpet a musical phrase Dylan played on his harmonica, changing the sound of the song radically. Dylan and his band then quickly recorded "Temporary Like Achilles". The session atmosphere began to "get giddy" around midnight when Dylan roughed out "Rainy Day Women #12 & 35" on the piano. Johnston recalled commenting; "That sounds like the damn Salvation Army band". Dylan replied; "Can you get one?" Johnston then telephoned trombonist Wayne Butler, the only additional musician required, and Dylan and the band, with McCoy again on trumpet, played a high-spirited version of the song. In quick succession Dylan and the musicians then recorded "Obviously 5 Believers" and a final take of "Leopard-Skin Pill-Box Hat" powered by Robertson's lead guitar. The session concluded with "I Want You" on which, as Wilentz notes, "Wayne Moss's rapid-fire sixteenth notes on the guitar" are an impressive element of the recording.
Question: What happened on February 15?
Answer: two blocks of recording

Question:
Robert Walser (15 April 1878 - 25 December 1956) was a German-speaking Swiss writer. Walser is understood to be the missing link between Kleist and Kafka. "Indeed," writes Susan Sontag, "At the time [of Walser's writing], it was more likely to be Kafka [who was understood by posterity] through the prism of Walser. Robert Musil, another admirer among Walser's contemporaries, when he first read Kafka pronounced [Kafka's work] as, 'a peculiar case of the Walser type.'
In 1898, the influential critic Joseph Victor Widmann published a series of poems by Walser in the Bernese newspaper Der Bund. This came to the attention of Franz Blei, and he introduced Walser to the Art Nouveau people around the magazine Die Insel, including Frank Wedekind, Max Dauthendey and Otto Julius Bierbaum. Numerous short stories and poems by Walser appeared in Die Insel. Until 1905, Walser lived mainly in Zurich, though he often changed lodgings and also lived for a time in Thun, Solothurn, Winterthur and Munich. In 1903, he fulfilled his military service obligation and, beginning that summer, was the "aide" of an engineer and inventor in Wadenswil near Zurich. This episode became the basis of his 1908 novel Der Gehulfe (The Assistant). In 1904, his first book, Fritz Kochers Aufsatze, appeared in the Insel Verlag. At the end of 1905 he attended a course in order to become a servant at the castle of Dambrau in Upper Silesia. The theme of serving would characterize his work in the following years, especially in the novel Jakob von Gunten (1909). In 1905, he went to live in Berlin, where his brother Karl Walser, who was working as a theater painter, introduced him to other figures in literature, publishing, and the theater. Occasionally, Walser worked as secretary for the artists' corporation Berliner Secession. In Berlin, Walser wrote the novels Geschwister Tanner, Der Gehulfe and Jakob von Gunten. They were issued by the publishing house of Bruno Cassirer, where Christian Morgenstern worked as editor. Apart from the novels, he wrote many short stories, sketching popular bars from the point of view of a poor "flaneur" in a very playful and subjective language. There was a very positive echo to his writings. Robert Musil and Kurt Tucholsky, among others, stated their admiration for Walser's prose, and authors like Hermann Hesse and Franz Kafka counted him among their favorite writers. Walser published numerous short stories in newspapers and magazines, many for instance in the Schaubuhne. They became his trademark. The larger part of his work is composed of short stories - literary sketches that elude a ready categorization. Selections of these short stories were published in the volumes Aufsatze (1913) and Geschichten (1914).
Answer this question using a quote from the text above:

How long did he serve?

Answer:

Problem: Background: Antonio Ramiro Romo (born April 21, 1980) is an American football television analyst and former quarterback who played 14 seasons with the Dallas Cowboys of the National Football League (NFL). He played college football for Eastern Illinois University, where he won the Walter Payton Award in 2002, and led the Panthers to an Ohio Valley Conference championship in 2001. He signed as an undrafted free agent with the Cowboys in 2003. Beginning his career as a holder, Romo became the Cowboys' starting quarterback during the 2006 season.
Context: On September 7, 2008, Romo led the Cowboys to a 28-10 win over the Cleveland Browns in their season opener. Romo completed 24 of his 32 passes for a total of 320 yards and one touchdown. After the game, Romo required 13 stitches for a large gash on his chin that occurred during the third quarter when linebacker Willie McGinest hit him in the chin with his helmet. The NFL fined McGinest $7,500 for the hit. On September 15, Romo led the Dallas Cowboys to a 41-37 win against the Philadelphia Eagles in the second game of the 2008 season. Romo completed 21 of his 30 passes for a total of 312 yards and three touchdowns. The 54 combined points scored by the Cowboys and Eagles in the first half were the second most points scored in a half during a Monday Night Football game. Romo and the Cowboys won their third straight before losing to the Washington Redskins, falling to 3-1. Following a win against the Cincinnati Bengals, Romo was injured in a loss to the Arizona Cardinals. The Cowboys, under Brad Johnson, went 1-2 the next three games, falling to the St. Louis Rams, beating the Tampa Bay Buccaneers, and losing to the New York Giants. In what became a de facto third playoff game for Romo shortly prior to its start, on December 28, Romo and the Cowboys failed to compete against the Philadelphia Eagles in a 44-6 loss. Romo committed three turnovers in the game and went 21/39 for 183 yards and no touchdowns. The loss dropped Romo's combined record in December to 5-8 and again raised questions about his performance in games of consequence.
Question: Are there any other interesting aspects about this article?
Answer:
After the game, Romo required 13 stitches