In one sentence, describe what the following article is about: Adding turmeric to your foundation will result in a yellow tone, which is useful if you find your makeup too pink. However, if you have very pale skin, then adding turmeric to your makeup might not work for you. You can also try katsuri turmeric if your skin is pale. This type of turmeric is less likely to stain your skin, which is more likely if your skin is pale. When mixing turmeric in with your makeup, don't start by adding it to your whole bottle of foundation. If you add too much, then you may end up ruining your makeup. Instead, experiment with a small amount to get the tone you want. Then, if you like the tone you have created, you can consider adding turmeric to your bottle. Keep in mind that you can also just mix the turmeric with your foundation as needed. You do not need to mix it all at once. Before you start mixing, you may also want to lay out a towel to avoid staining your countertops yellow. When you are blending the turmeric with your makeup, make sure that you blend everything very well. Use a makeup brush or your fingertips to ensure that you have mixed the turmeric in with your foundation so that it is even. Otherwise, the color may appear streaky. If you are mixing the turmeric in with a whole bottle of foundation or lotion, then make sure that you shake it well. Shake it for at least a full minute to ensure that the turmeric and foundation are well-combined. You can also use a clean popsicle stick to stir the turmeric into your foundation if you prefer. Everyone's skin is different, so you might need to try a few different shades to find the one that works for you. If you create a yellow toned foundation, you may want to test it on your skin before doing the rest of your makeup. If it looks too yellow, then try mixing in more foundation. If it still looks too pink, then add a little more turmeric to your foundation.
Summary: Decide if turmeric will work for your skin tone. Mix a small amount in at first. Use a makeup brush to blend the turmeric in well. Test the blended makeup on your skin.

In one sentence, describe what the following article is about: A truly androgynous look relies heavily on black, white, and shades of gray. While the occasional splash of color can amp up your look, you should typically stick with more neutral tones. Tight pants will show off your curves and feminine figure, which is the opposite of what the androgynous look is about. Stick with pants that are a bit less fitted. Boyfriend jeans are a nice option and look great paired with a t-shirt and cardigan. A loose top will hide your figure better than something super fitted. Get a few men's button-up shirts in a variety of colors or prints so that you can mix and match them with various bottoms. Try wearing a simple white button-up under a cardigan with a pair of boyfriend jeans and canvas sneakers. As far as necklines go, a boat-neck is perfect for the androgynous look as it is a mix of masculine and feminine. Pair a printed boat-neck top with corduroy pants and oxfords for a chic androgynous style. Vests are a great way to add style to your basic pieces. Layer a vest over a plain or printed top and pair it with neutral pants and boots. Add a watch to complete the look. Pick a blazer in a fun print and layer it over a plain shirt. Add boot-cut jeans and a canvas sneaker to keep it casual, or pair it with black pants and oxfords for a dressier look. Also pick up a blazer in a neutral color, like navy, to pair with bold or printed tops and bottoms. Choose some items in traditionally masculine fabrics, like tweed, corduroy, or leather. Fabrics that are a bit heavier, more structured, and don't conform to the shape of your body will help you complete your androgynous look.
Summary: Stick with black, white, and gray. Wear loose bottoms. Pick an oversized shirt. Choose a boat-necked top. Wear a vest. Choose a blazer. Wear masculine fabrics.

In one sentence, describe what the following article is about: Just start painting gently, using tiny amounts of paint on your brush to start forming shapes. If you're just painting from your imagination, let the paint create the shapes and follow the shapes. If you've already started with a sketch, once you've got a good background of colors on your page or canvas, you can start overlapping colors and shapes to create a sense of space. As you start in on painting your subject, you need to work hard to make the flat surface look more dynamic and three-dimensional. Create perspective by spacing the objects appropriately. If everything is equidistant and the same shape, it'll look flat on your paper, rather than dynamic. Things farther back in the subject should be proportionately smaller, while things closer up should be larger. Some painters find it effective to put their painting upside down to examine it. The mind supplies a symbolic version of what you're painting--in your mind, you know what an apple is, so you'll tend to paint that version of the apple, rather than what you're seeing in front of you. Looking from another perspective sometimes can help you see the shapes for what they are, rather than the symbols. Identify the light source and the shadow to start adding value to the painting. Start adding the lightest colors and gradually create the darker tones. It's much easier to layer darker colors over lighter colors, rather than the other way around. Don't paint yourself into a corner. Mix small amounts of paint as you go, adding color judiciously and slowly. Vary the amount of paint on your brush and the kinds of strokes you use with the brush to make different textures. Short little strokes can look like fur, while longer smoother strokes will flatten out the paint. Using less paint can help "age" the subject, while using more can thicken it and create density. If you screw up a part by adding too much paint, don't panic. Embrace happy accidents and integrate them into the painting. Don't spend too much extra time layering over it, just let it be and look back over it at the end to see how it effects the composition. Keep moving forward. It's a good idea to focus on one part of the painting, working it through, before moving around. But figure out what works best for you. Some painters jump around the page, painting in different regions, depending on the shapes and the subject being painted. It'll depend on you. But in general, keep working on one part of the painting before moving elsewhere. It's also important to stand back and appreciate the "big picture." Pay attention to how your little moments affect the overall composition and the painting itself. Even if you're just painting a stack of books or a bowl of oranges, it needs to force the eye to move around it. Everything from the composition, to the use of color should be varied and textured, something that takes time and practice. Try studying color theory a bit to get more of a sense of how to use color, if you feel like your picture is looking flat. Painting is hard work! Don't get frustrated when you're first getting started. Now that you've got all the materials and the space set up, experiment with painting different subjects and keep developing your craft. If you tend more toward one type of painting, switch it up every now and then and paint different types of pictures. Keep making things.
Summary:
Start painting your subject and let accidents happen. Add color from light to dark. Use your brush to create texture. Work on one thing at a time. Make the painting move. Keep at it.