In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : "Friend of a Friend" is an acoustic song by Foo Fighters, featured on their 2005 album "In Your Honor". The song is performed solely by Foo Fighters' guitarist/lead vocalist Dave Grohl. Context_2 : Songs from the Laundry Room is an EP by American rock band Foo Fighters, released exclusively for Record Store Day 2015. This EP and the Foo Fighters album are the two Foo Fighters releases upon which Dave Grohl plays all the instruments. Context_3 : "Outside" is a song by American rock band Foo Fighters released in August 2015. It is the fifth official single and third radio single from their eighth studio album, "Sonic Highways". The song marked a 30th appearance by the Foo Fighters on "Billboard"' s Alternative Songs chart tying them with Green Day and Red Hot Chili Peppers for third-most appearances. Context_4 : Sunny Day Real Estate was an American emo band from Seattle, Washington. They were one of the early emo bands and helped establish the genre. In 1994, the band released their debut album "Diary" on Sub Pop Records to critical acclaim. However, shortly after releasing their second album "LP2", the band broke up, with members Nate Mendel and William Goldsmith joining Foo Fighters and Jeremy Enigk embarking on a solo career. In 1997, they regrouped long enough to record two more studio albums and a live album but ultimately disbanded once again in 2001. The band reunited again in 2009. Bassist Nate Mendel, who chose to remain with Foo Fighters during the previous reunion in 1997, took part in this reunion. In a 2013 interview with MusicRadar, Mendel said Sunny Day Real Estate was inactive. According to Mendel, the band attempted to record a full-length album after the end of their reunion tour, but the sessions "just fell apart". In 2014 the band released one song from those sessions, "Lipton Witch," on a split 7" vinyl with Circa Survive on Record Store Day. Context_5 : The Colour and the Shape is the second studio album by the American rock band Foo Fighters. Produced by Gil Norton, it was released through Capitol Records and the group's own Roswell Records on May 20, 1997. The record is the debut of the Foo Fighters as a group, as the band's previous record, "Foo Fighters" (1995), was primarily recorded by frontman Dave Grohl and friend Barrett Jones as a demo. After the project ballooned and became an international success, the group convened for pre-production in the fall of 1996 and brought in producer Norton to establish a pop sensibility for the tracks. The band strived to create a full-fledged rock record, although the music press predicted another grunge offshoot. Context_6 : "Bridge Burning" is a song by American rock band Foo Fighters. It was released as the fifth single from their seventh studio album "Wasting Light". It is also the first track on the album. On March 16, 2012 online music magazine "Loudwire" announced that Foo Fighters would be releasing "Bridge Burning" as a proper radio single. The song appears on the soundtrack to the video game "Madden NFL 12". Context_7 : Foo Fighters is an American alternative rock band formed by multi-instrumentalist and vocalist Dave Grohl in 1994. After recording the album "Foo Fighters" alone, Grohl enlisted guitarist Pat Smear, bassist Nate Mendel and drummer William Goldsmith to join the band. This lineup recorded the second Foo Fighters album, 1997's "The Colour and the Shape", although most of Goldsmith's drum recordings were removed and re-recorded by Grohl for the release, after he left the band due to creative tensions. Goldsmith was replaced by Taylor Hawkins, and Franz Stahl replaced Smear after he also departed, although he only remained in the band for a short period and did not record an album with the group. The group's third album, "There Is Nothing Left to Lose", featured Hawkins on drums and was released in 1999. Context_8 : Sonic Highways is the eighth studio album by the American rock band Foo Fighters. It was produced by Butch Vig and was released on November 10, 2014, on RCA Records. In writing the album's eight songs, singer and guitarist Dave Grohl traveled to eight cities across the United States to conduct interviews with musicians, recording engineers, record producers, and other individuals discussing each city's musical history, which he used as inspiration for the songs' lyrics. The band and Vig then traveled to a different recording location in each city to record the songs. Each track features contributions from one or more musicians with ties to that city's musical history. The process was filmed for a companion television series, "", which was broadcast on HBO in the months surrounding the album's release. Context_9 : One by One is the fourth studio album by American rock band Foo Fighters, released on October 22, 2002 by RCA. The album is the first to feature guitarist Chris Shiflett. Production on the album was troubled, with initial recording sessions considered unsatisfying and raising tensions between the band members. They eventually decided to redo the album from scratch during a two-week period at frontman Dave Grohl's home studio in Alexandria, Virginia. The songs on the album, which include the successful singles "All My Life" and "Times Like These", have been noted for their introspective lyrics and a heavier and more aggressive sound compared to the band's earlier work, which Grohl said was intended to translate the energy of the Foo Fighters' live performances into a recording. Context_10 : Foo Fighters: Back and Forth is a 2011 rockumentary about the American rock band Foo Fighters, directed by filmmaker James Moll. The film documents the band's history, and gets its title from a track on the Foo Fighters' seventh studio album "Wasting Light". fact_1 : It is the fifth official single and third radio single from their eighth studio album, "Sonic Highways". fact_2 : It was produced by Butch Vig and was released on November 10, 2014, on RCA Records. Question: "Outside" is a song by the Foo Fighters from an album produced by who ?
Answer:
Butch Vig