Chloe's house reminded Paul of a cross between a used bookstore, a computer repair shop, and a college dorm. A wall of bookcases dominated the living room, each shelf crammed with two, sometimes three layers of books, videotapes, CD's and DVD's. More stacks of books and magazines stood in every corner. Paul was certain they would have taken over all the other flat spaces as well, were it not for the half-assembled computers and three dusty old monitors occupying the coffee table, end tables, and everything in between. The only semi-open spaces were the two couches that faced each other from across the room. A large red and black checkered blanket covered one of them, while the other was cracked but still serviceable brown leather. Thrift store purchases both, Paul thought. "The computer stuff belongs to one of my roommates," Chloe said. "She's always fiddling with those things to get better performance or whatever. The books are mostly mine or my other roommate, Kurt's. Come on into the kitchen and we'll rustle up a sandwich." Paul followed her back into the open kitchen area, which (given that he was ostensibly here to have lunch) he was relieved to see was clean. There was clutter in there certainly, but no dirty dishes or leftover foodstuffs appeared in evidence. Along the left wall was a cheap, plastic patio table with long wooden benches on each side and miss-matched chairs at either end. Newspapers, books, and a laptop occupied most of its surface area, but the end closest to Paul seemed clear enough to see actual use as a place for dining. "Is peanut butter ok?" she asked, motioning him towards one of the chairs. "Sure," he said and sat down at the table. As she started to prepare a couple of peanut butter sandwiches on white bread she said, "So, tell me Paul, why are you getting fired tomorrow?" According to the above context, choose the correct option to answer the following question. Question: Who are Chloe's roommates? Options: - a Computer nerd - A professor who loves computers - not enough information - Someone who works at a thrift store
not enough information

I have known, and admired, Julia Busuttil Nishimura, for many years now and always felt connected through our love of Italian food, Tuscany (Julia lived in Florence and in Orbetello, just 10 minutes away from where we lived in Porto Ercole while I was writing Acquacotta) and Japan. So I have been eagerly awaiting her debut cookbook, Ostro: The Pleasure that Comes From Slowing Down and Cooking with Simple Ingredients, and it is a beauty it is full of food I want to make and eat. It's also a joy to look at, as it is presented so beautifully with photographs of Julia (and often her darling little boy Haruki) at home and tables full with food that look Caravaggesque. I have already made her everyday banana loaf, several times, after years of searching for my ideal everyday cake, it is now my go-to banana loaf. I tested her ricciarelli (soft almond cookies from Siena) and pork braised in milk (a classic Italian dish that I have always loved) when she was writing the book and I have long-known her absolutely wonderful, incredibly moist lemon olive oil cake (which is also divine with blood oranges). I absolutely love her homemade approach to everything, including all the wonderful handmade pasta like trofie and orecchiette (look at those beautiful dishes below), but also things like classic tiramisu homemade savoiardi, homemade mascarpone (yes and yes, I absolutely believe that for the freshest, most delicious mascarpone, it needs to be homemade especially if you live outside of Italy). Yes, these are all things you can also buy in a packet, but Julia's point is, it is a pleasure to make these things by hand, and the ingredients are so simple water, flour, cream, eggs, you probably have them all in your house already. She is a woman after my own heart. Her book inspires you to give it a go. According to the above context, choose the correct option to answer the following question. Question: When did the author meet Julia Busuttil Nishimura? Options: - after her book was released - not enough information - many years ago - last summer
many years ago

(Q).
The Good, The Bad and The Ugly is a great film, and often regarded as one of the greatest films of all time. I never much paid attention to how the film was lit, but on examination I don't know what I think of the lighting. Maybe i'm totally wrong, but the lighting seems quite obvious when you pay attention to it, which makes me thing it could have been done better? Certainly the lighting is masterfully done, in the way it properly exposes the characters faces and splashes off and around certain props and objects, adding a great deal of dimension to many of the shots. But it does look quite obvious, once you pay attention to it, especially when you can see multiple shadows coming from a single character. All that said, the lighting is still pretty masterful and I'm very intrigued to properly analyse it. The first shot of the scene has extremely beautiful (even though it is obvious 😉 ) lighting. As the cowboy stands in the hallway you can tell that there is a strong key light coming from the left of the frame, that will light his face once he steps out of the shadows. It seems like there is another light, maybe coming from high up near the roof, lighting the right hand side of the frame, near the back of the hallway. Most likely facing towards the character to light him from his right hand side, to seperate him from the background. The lighting setup of this shot is extremely beautiful the way it enhances the various pieces of wood and props within the frame, and how they've managed to keep the cowboy drenched in shadows as he sneaks around, even though there is quite a lot of light within the frame. It looks like they may have used a cutter to achieve that effect as its a very specific area, essentially just the top half of the cowboy thats drenched ins shadow. Theres also this curious black circular shadow which exists at the very top of the door near the cowboys head which permanently stays extremely dark, much darker than the rest of the shadows in the frame. I wonder how they achieved this effect? Maybe a... According to the above context, choose the correct option to answer the following question. Question: How long did it likely take the author to write their analysis? Options: - not enough information - he has been writing this article for years - it took less than an hour to write a summary - at least as long as the movie because he went scene by scene
(A).
at least as long as the movie because he went scene by scene