IN: Kaine was born at Saint Joseph's Hospital in St. Paul, Minnesota. He is the eldest of three sons born to Mary Kathleen (nee Burns), a home economics teacher, and Albert Alexander Kaine, Jr., a welder and the owner of a small iron-working shop. He was raised Catholic. One of Kaine's great-grandparents was Scottish and the other seven were Irish.

After graduating from law school, Kaine was a law clerk for Judge R. Lanier Anderson III of the United States Court of Appeals for the Eleventh Circuit, in Macon, Georgia. Kaine then joined the Richmond law firm of Little, Parsley & Cluverius, P.C. In 1987, Kaine became a director with the law firm of Mezzullo & McCandlish, P.C. Kaine practiced law in Richmond for 17 years, specializing in fair housing law and representing clients discriminated against on the basis of race or disability. He was a board member of the Virginia chapter of Housing Opportunities Made Equal, which he represented in a landmark redlining discrimination lawsuit against Nationwide Mutual Insurance Co. arising from the company's practices in Richmond. Kaine won a $100.5 million verdict in the case; the judgment was overturned on appeal, and Kaine and his colleagues negotiated a $17.5 million settlement. Kaine did regular pro bono work. In 1988, Kaine started teaching legal ethics as an adjunct professor at the University of Richmond School of Law. Kaine taught at the University of Richmond for six years, and his students included future Virginia Attorney General Mark Herring. He was a founding member of the Virginia Coalition to End Homelessness. Kaine had a largely apolitical childhood, but became interested in politics in part due to the influence of his wife's family and his experience attending Richmond city council meetings. In May 1994, Kaine was elected to the city council of the independent city of Richmond, from the City's 2nd District. He defeated incumbent city councilman Benjamin P. A. Warthen by 97 votes. Kaine spent four terms on the council, the latter two as mayor.

What did he teach?

OUT: legal ethics as an adjunct professor

IN: Freddie King (September 3, 1934 - December 28, 1976) was an American blues guitarist and singer. He has been described as one of the "Three Kings" of electric blues guitar, along with Albert King and B.B. King. He was an influential guitarist with hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired countless musicians, particularly guitarists (Eric Clapton is a notable example).

According to his birth certificate he was named Fred King, and his parents were Ella Mae King and J. T. Christian. When Freddie was six years old, his mother and his uncle began teaching him to play the guitar. In autumn 1949, he and his family moved from Dallas to the South Side of Chicago. In 1952 King started working in a steel mill. In the same year he married another Texas native, Jessie Burnett. They had seven children. Almost as soon as he had moved to Chicago, King started sneaking into South Side nightclubs, where he heard blues performed by Muddy Waters, Howlin' Wolf, T-Bone Walker, Elmore James, and Sonny Boy Williamson. King formed his first band, the Every Hour Blues Boys, with the guitarist Jimmie Lee Robinson and the drummer Frank "Sonny" Scott. In 1952, while employed at a steel mill, the eighteen-year-old King occasionally worked as a sideman with such bands as the Little Sonny Cooper Band and Earl Payton's Blues Cats. In 1953 he recorded with the latter for Parrot Records, but these recordings were never released. As the 1950s progressed, King played with several of Muddy Waters's sidemen and other Chicago mainstays, including the guitarists Jimmy Rogers, Robert Lockwood Jr., Eddie Taylor, and Hound Dog Taylor; the bassist Willie Dixon; the pianist Memphis Slim; and the harmonicist Little Walter. In 1956 he cut his first record as a leader, for El-Bee Records. The A-side was "Country Boy", a duet with Margaret Whitfield. The B-side was a King vocal. Both tracks feature the guitar of Robert Lockwood, Jr., who during these years was also adding rhythm backing and fills to Little Walter's records. King was repeatedly rejected in auditions for the South Side's Chess Records, the premier blues label, which was the home of Muddy Waters, Howlin' Wolf, and Little Walter. The complaint was that King sang too much like B.B. King. A newer blues scene, lively with nightclubs and upstart record companies, was burgeoning on the West Side, though. The bassist and producer Willie Dixon, during a period of estrangement from Chess in the late 1950s, asked King to come to Cobra Records for a session, but the results have never been heard. Meanwhile, King established himself as perhaps the biggest musical force on the West Side. He played along with Magic Sam and reputedly played backing guitar, uncredited, on some of Sam's tracks for Mel London's Chief and Age labels, though King does not stand out on them.

When did he cut his first record?

OUT:
In 1956