Background: Kim Antonie Lode Clijsters (Dutch pronunciation: [kIm 'kleist@rs] ( listen); born 8 June 1983) is a Belgian former professional tennis player. Clijsters is a former world No. 1 in both singles and doubles. Clijsters won 41 singles and eleven doubles titles. She won four Grand Slam singles titles: three at the US Open, in 2005, 2009, and 2010 and one at the Australian Open in 2011.
Context: Clijsters had won the Belgian Junior Championship by the age of 11 and joined an academy in Antwerp two years later. It was there she met Carl Maes, her coach for the first and last stages of her professional career. Clijsters was an accomplished junior player. In singles, she finished as runner-up in the 1998 Wimbledon junior event, finishing 11th in the year-end singles ranking. In the same year in doubles, Clijsters won the French Open title with Jelena Dokic, defeating Elena Dementieva and Nadia Petrova in the final, as well as the US Open with Eva Dyrberg, defeating former partner Dokic in the final. Clijsters ended the season as no. 4 in the International Tennis Federation junior doubles world ranking. In 1999, Clijsters made her breakthrough professionally. At her first WTA tournament in Antwerp, she qualified and lost to the eventual finalist Sarah Pitkowski-Malcor in the quarterfinal, after failing to convert a match point. She also reached the doubles quarterfinals of the same event with India's Nirupama Vaidyanathan, defeating Vanessa Menga and Miho Saeki 7-5, 6-4. Playing through the qualifying rounds at Roehampton, she made it to the main draw of Wimbledon. Clijsters won six matches in a row, while only losing 25 games. She defeated no. 10 Amanda Coetzer en route to the fourth round, during which Clijsters lost to her childhood idol, Steffi Graf, in straight sets, in difficult rainy circumstances. Later that summer, Clijsters reached the third round of the US Open, losing to eventual champion Serena Williams after serving for the match. In the autumn, Clijsters won her first Women's Tennis Association (WTA) singles title in Luxembourg. She followed up with her first WTA doubles title in Bratislava, partnering Laurence Courtois. At the end of the year, she was granted the WTA Most Impressive Newcomer award, the only Belgian player to have received this trophy.
Question: how did she perform?
Answer: Clijsters won six matches in a row, while only losing 25 games.

Background: Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.
Context: Webern published little of his early work in particular; like Brahms, though perhaps for not entirely the same reasons, Webern was characteristically meticulous and revised extensively. Many juvenilia remained unknown until the work and findings of the Moldenhauers in the 1960s, effectively obscuring and undermining formative facets of Webern's musical identity, highly significant even more so in the case of an innovator whose music was crucially marked by rapid stylistic shifts. Thus when Boulez first oversaw a project to record "all" of Webern's music, not including the juvenilia, the results fit on three rather than six CDs. Webern's earliest works consist primarily of lieder, the genre that most belies his roots in Romanticism, specifically German Romanticism; one in which the music yields brief but explicit, potent, and spoken meaning manifested only latently or programmatically in purely instrumental genres; one marked by significant intimacy and lyricism; and one which often associates nature, especially landscapes, with themes of homesickness, solace, wistful yearning, distance, utopia, and belonging. Robert Schumann's "Mondnacht" is an iconic example; Eichendorff, whose lyric poetry inspired it, is not far removed from the poets (e.g., Richard Dehmel, Gustav Falke, Theodor Storm) whose work inspired Webern and his contemporaries Alban Berg, Max Reger, Arnold Schoenberg, Richard Strauss, Hugo Wolf, and Alexander Zemlinsky. Wolf's Morike-Lieder were especially influential on Webern's efforts from this period. But well beyond these lieder alone, all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner. Other works include the orchestral tone poem Im Sommerwind (1904) and the Langsamer Satz (1905) for string quartet. Webern's first piece after completing his studies with Schoenberg was the Passacaglia for orchestra (1908). Harmonically, it is a step forward into a more advanced language, and the orchestration is somewhat more distinctive than his earlier orchestral work. However, it bears little relation to the fully mature works he is best known for today. One element that is typical is the form itself: the passacaglia is a form which dates back to the 17th century, and a distinguishing feature of Webern's later work was to be the use of traditional compositional techniques (especially canons) and forms (the Symphony, the Concerto, the String Trio, and String Quartet, and the piano and orchestral Variations) in a modern harmonic and melodic language.
Question: What event occurred in 1899?
Answer:
all of Webern's music may be said to possess such concerns and qualities, as is evident from his sketches, albeit in an increasingly symbolic, abstract, spare, introverted, and idealized manner.