In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: plot :
jet li is a chinese cop asked to help some french policemen nab a bad guy .
but one thing leads to another , and the next thing you know
, li 's being chased by the same french cops with whom he was supposed to be working .
a lot of ass - kicking , face - whippings , gun fights
and . . . okay , a little more ass - kicking ensues .
critique : very cool !
now here 's a movie that gives you exactly what you 're looking for
, if what you 're looking for is kickass action , a palpable good cop / bad cop story line , some hardcore stunts and jet li slam - dunking everyone in sight !
the film also moves fast ( a mere 95 minutes ) , develops a certain " cute " chemistry between fonda and li , has nice surroundings
( paris , baby ! )
and gives us one of the best bad guys that i 've seen all year .
tcheky karyo is the devil incarnate in this film .
he is pure evil .
they should have called this movie bad lieutenant 2 as keitel has nothing on this man .
what a great , great monster !
my favorite line of tcheky 's was when li was explaining the whole " kiss of the dragon " thing to him
and he cut him off by saying " kiss my ass !
" pure action movie poetry .
anyway , other than him , jet li also handled his " acting " pretty well in this film , with very little real dialogue to say , but enough to make us believe his character .
actually , just looking into the man 's eyes generally tells you a lot .
fonda was also pretty good , despite playing one of the most trashy and abused women that i have seen in quite some time , but i still felt kinda bad for her
, so i guess she did her job
okay .
but in the end , nobody goes to see this kind of movie for oscar performances .
we go to see jet li movies because we want to see jet li kicking a lot of ass from side to side , and this film delivers gangbusters on that front .
and yes . . .
they have no wire - fu in this movie .
. .
i say again . . .
no wire - work , no bullshit stunts with li floating around in mid - air for over a minute .
it 's all straight action , fist to fist , boot to face and all around cool stunts .
if that 's what you 're looking for ,
i do n't see how you will be disappointed with this film .
yes , it 's not very original in plot ( just take luc besson 's own la femme nikita and mix in plenty of his own the professional et voila ! ) , does have an annoying hip - hoppy soundtrack that just got on my nerves after a while ( i also would have gotten rid of the whole acupuncture thang . . . ) and will have anyone not willing to restrain their disbelief , rolling their eyes all over the place .
but was i entertained ?
thoroughly .
does the film feature more gunplay , martial arts and over - the - top kills that most recent action flicks ?
yes , again .
does this sound interesting to you ?
well , the answer to that question is entirely up to you .
one thing that i would definitely recommend is , as jet li pointed out himself on his website , that you leave the kids at home for this one .
in fact , you might even wanna
leave yourself if you ca n't handle the more violent of sequences .
all in all , a rippin ' , roarin ' fun time !
where 's joblo coming from ?
black mask ( 5/10 )
- blade ( 7/10 ) - la femme nikita
( 8/10 ) - lethal weapon 4 ( 7/10 ) - the matrix ( 8/10 ) -
the professional ( 9/10 ) - romeo must die ( 3/10 ) - rush hour ( 7/10 ) - shanghai noon ( 6/10 )
Example Output: P

Example Input: godzilla is the ultimate culmination of the " who cares about plot " summer movie .
a loose remake of the 1954 " classic " japanese monster movie , godzilla , king of the monsters ( which is itself pretty thin in the story department ) , roland emmerich and dean devlin 's big - budget lizard - stomps - manhattan disaster flick has been written with the brain dead in mind .
the script is n't just " dumbed down , " it 's lobotomized .
godzilla lives and dies on special effects alone .
presumably , the primary target group for this film is teenage boys , the demographic most likely to shell out $ 7 repeatedly to see the same images of monster - instigated carnage .
that 's not to say that females and other age groups are immune to the special effects seduction ; they 're just not as readily susceptible .
this is the third straight movie in a row where emmerich and devlin have demonstrated that a mastery of computer - generated visuals is far more important for making money than the ability to write and direct for actors .
stargate was a financial success .
independence day was a runaway hit .
and , with godzilla already drowning in hype and merchandising tie - ins before it even opens , it 's virtually guaranteed at least $ 100 million .
nice numbers for a film that could have been penned by a not - too - precocious grade school kid .
godzilla is n't completely without merit , although it is close .
there 's a certain visceral thrill inherent in watching the giant lizard rip his way through manhattan ,
but it wears off quickly .
frankly
, while the special effects are competent , they 're not all that stunning .
there 's nothing new here
; it 's jurassic park meets aliens , with a little independence day thrown in for bad measure .
maybe it will require george lucas and his new star wars movie to take computer - generated visuals to the next level .
godzilla never really pushes the envelope , preferring to remain within a comfort zone .
the imagination of monster movies like king kong has been replaced by a crass , formulaic approach which disallows creativity .
( how disturbing is it to know that godzilla has been chosen to close the 51st cannes film festival ? ) worst of all , godzilla is n't even exciting .
with the possible exception of a mildly enjoyable car chase near the end , there is n't a sequence in this film that raises the pulse .
even the scenes with dozens of aircraft attacking the monster are so devoid of tension and suspense that they are yawn - provoking .
independence day may have been dumb , but it was full of " adrenaline moments " capable of getting the audience involved in the action .
in this aspect of its production , as in so many others , godzilla is lacking .
actually , part of the problem is that we 're never sure who we 're supposed to be rooting for : the green monster with an attitude or the paper - thin humans trying to stop him .
the plot , such as it is , can be summed up rather simply .
after sinking a few ships and leaving some footprints on tropical islands , godzilla shows up in the big apple .
he does some of the usual tourist things :
stops by madison square garden , visits the chrysler building , goes on a walk through central park , and takes the subway .
in the process , he knocks over a few buildings and steps on countless cabs , but he never has trouble with traffic jams .
on hand to stop him is an elite u.
s. army unit , led by a slightly less - arrogant - than - usual military man ( kevin dunn ) and a biologist named nick tatopoulos , who has a theory about godzilla .
in his opinion , the big guy is actually a lizard grown to enormous proportions as a result of the radiation given off by french atomic bomb tests in the south pacific .
in nick 's words , godzilla is " a mutated aberration ?
an incipient creature ?
the first of its kind .
"
as luck would have it , nick 's old girlfriend , audrey ( maria pitillo ) , is a reporter based at a new york tv station .
along with her cameraman friend , animal ( hank azaria ) , she decides to follow nick around as he trails godzilla .
then , just when the military has rejected nick 's theory about why godzilla is in new york , a member of the french secret service ( jean reno ) recruits him for a special assignment .
instead of stomping around tokyo this time , godzilla has chosen new york city .
unfortunately , manhattan has been destroyed so many times in recent disaster movies ( independence day , deep impact , armageddon ) that it 's becoming boring .
the whole tradition of monsters roaming around the city started with king kong , but the big ape was only about 30 feet tall .
he could climb the empire state building .
at ten times that height , godzilla would be more likely to knock it over .
godzilla contains a few lame attempts at humor .
there 's an ongoing feud between animal and his wife that plays like sit - com material , an unfunny and repetitive gag about how no one can pronounce nick 's last name properly , and a rather tame attack on film critics roger ebert and gene siskel .
both of the popular personalities have alter egos in the film : " ebert , " the mayor of new york , is played by michael lerner , and " gene " ( lorry goldman ) is his campaign manager .
ebert 's re - election slogan is , not surprisingly , " thumbs up for new york .
" the siskel / ebert stuff is amusing the first time it 's used , but , after a while , it grows tiresome .
and , although the " characters " do n't serve any real purpose , they keep popping up .
godzilla is saddled with an unimpressive cast .
this is largely because emmerich does n't want to risk a human performance upstaging his lizard .
that 's not to say that matthew broderick and jean reno are n't capable of good performances ( both have done their share of solid acting in the past ) , but they are n't a - list names .
then again , considering the quality of the writing , even pacino and deniro would have been hard- pressed to shine .
maria
pitillo ( dear god ) plays the love interest and hank azaria ( great expectations ) is on hand to present what is supposed to be comic relief .
ultimately , it does n't really matter what i ( or any other critic , for that matter ) have to say about the movie .
tristar has assumed that godzilla , like all self - proclaimed summer event motion pictures , is pretty much critic - proof .
it may also be word - of - mouth - proof .
those who want to see the movie will see it no matter what i write or their friends say .
so , when i go on record to assert that godzilla is one of the most idiotic blockbuster movies of all time , it 's like spitting into the wind .
emmerich and devlin are master illusionists , waving their wands and mesmerizing audiences with their smoke and mirrors .
it 's probably too much to hope that some day , movie - goers will wake up and realize that they 've been had .
Example Output: N

Example Input: shakespeare .
you hardly understood it in high school .
why would you want more of it now that your english grade does n't count on it ?
if this is your attitude , then i 'll say right off the bat that kenneth branagh 's hamlet is probably not for you , and you might as well stop reading right now .
if , however , you are a lover of the bard , or at the very least are open - minded about a challenging script , read on , for there is something rotten in the state of denmark .
namely , the king has died , and his widow the queen has we d
the king 's brother , claudius , but prince hamlet suspects foul play .
his suspicions are confirmed when the ghost of his father appears and relates the story of his murder at his own brother 's hands .
hamlet , enlisting the help of his friend
horatio , conspires to capture the conscience of the new king to expose his treachery . . .
.
and the game is afoot . . . .
the first things you notice about this production are the sets and costumes .
with external scenes filmed at blemheim palace in england ( also the one of the sites for the recent the avengers ) , the grandiose quality of the setting is immediately established .
interior scenes are similarly graced with intricate and flamboyant rooms and chambers .
the hamlet castle 's grand throne room is an impressive piece of work incorporating high ceilings , mirror - panel doors , and bridges which connect opposite sides of a second - story loft .
costuming is equally grand , drawing upon both history and imagination . .
not quite the denmark of the 1600 's , the characters ' attire is something of a cross between that era and turn of the century russia , very effectively giving the film more of a timeless feel .
it is not surprising that tim harvey and alexandra byrne were nominated for best art direction and best costume design oscars , respectively .
in addition to directing , kenneth branagh also plays the title character .
as the revenge - driven royal heir , branagh provides a riveting performance of emotional highs and lows .
from the anticipation of seeing his father 's ghost , to the melancholy of finding the burial site of his childhood jester , to his eventual wrath , branagh delivers in spades .
every scene truly revolves around hamlet , as much a tribute to branagh 's acting and directing
as to shakespeare 's manuscript .
hamlet seems to be a who 's who of shakespearean - trained actors , so watching them perform the craft for which they have much love is a delight in itself .
julie christie , as hamlet 's mother gertrude , and derek jacobi
as his murderous uncle claudius both fill the classic roles superbly , as do many of the supporting players .
kate winslet as hamlet 's lover ophelia , does an outstanding job demonstrating the character 's plummet to the depths of dispair and madness .
richard briers as ophelia 's father , polonius , and michael moloney as her brother , laertes , are equally convincing .
nicholas farrell as hamlet 's trusted friend horatio , and timothy spall and reece dinsdale as the two - timing rosencrantz and guildenstern round out the excellent core cast .
hamlet also seems to be a film in which someone tried to stuff as many well known actors as possible .
in some cases , this made for interesting scenes .
billy crystal is surprisingly good as the gravedigger who unearths the skull of yorick , whom hamlet knew quite well .
crystal proves himself able to deliver the lines with both the timing of a classic actor and the verbal countenance of a comedian , and the result is a very funny scene .
however , charleton heston , whom many might think would butcher shakespeare , is the biggest surprise of all .
as the player king , the leader of a troupe of traveling actors , he is absolutely breathtaking when narrating the story of priam and hecuba .
part of his monologue is overlaid with a visual enactment of the story ( with sir john gielgud and judi dench ) , but this is most unfortunate , for it robs heston of some of the attention which he deserves at this time .
his off - camera speaking , while gripping , sort of downplays the scene to a narration done by any other well - voiced actor .
i wish branagh had chosen to allow us to envision in our own minds the scene which heston lays out , and let the venerable actor have the attention .
unfortunately , there were some casting choices which led to poor distractions .
jack lemmon , an excellent actor , just ca n't do shakespeare .
as marcellus , the guard who sees the elder hamlet 's ghost , lemmon sadly underperforms and is shown up left and right by those around him .
gerard depardieu , another talented actor , is wasted when given little more than the utterances of " yes , my lord " and " no , my lord " in the role of reynaldo .
richard attenborough has a ( literally ) walk - on role , showing up at the eleventh hour as the english ambassador .
i think he had two lines .
then there is rufus sewell as fortinbras of norway .
when i went to see dangerous beauty earlier this year , two ladies behind me kept commenting about how handsome he was .
if bulging eyes are your idea of handsome , well i guess comic actor marty feldman was some kind of sex symbol to you .
hamlet is a complicated tale of treachery and revenge in which triumph and defeat become one .
branagh attempts to help us out with some of the intricacies by visually representing some of the more elusive stretches of dialogue by presenting them as flashback - type images .
this only works about half the time , and i wonder if it would have been just as well to do without them .
you do n't have to be some kind of genius to appreciate shakespeare , but it is quite difficult to understand unless you have the time to read or hear it carefully and repeatedly .
the alternate method of comprehension is that with which most of us are familiar , the high school english course .
in it , you are hopefully fortunate enough to have an educator willing to help you with the plot points and nuances essential to understanding a play written in the rigmarole known as the king 's english .
or i suppose you could just read the cliff notes .
Example Output:
P