Q: What's an example of a movie review?
An example of a movie review is here: This film is an excellent military movie. It may not be an excellent Hollywood Movie, but that does not matter. Hollywood has a reputation of sacrificing accuracy for good entertainment, but that is not the case with this movie. Other reviewers have found this movie to be too slow for their taste, but as a retired Soldier I appreciate the pace the movie crew deliberately took to tell their story as completely as possible given the two hours and nine minutes allotted. The story itself has been told and retold several times over, but it remains for a professional soldier and an African American at that to report on the story as presented by the movie crew, and as it presents the US Navy to the world. The story of Brashear's work to become a Navy Diver, and his life as a Navy Diver beyond his graduation, is not the only story that is presented. There I also the story of how Master Chief Petty Officer Sunday defied the illegal order of his Commanding Officer that Petty Officer 2nd Class Brashear not be passed in his test dive no matter how well he did, and paid the price of a loss of one Stripe and a change of assignment. It also told the true story how Brashear found the third Hydrogen Bombs lost in the Atlantic Ocean off the coast of Spain in the 1950's, and how he saved the life of another seaman who was in the line of the snapped running line that would have snapped him in two if Brashear had not shoved him out of the way and took the shot himself. This was a complex story that was worth telling, and I will admit that two hours and nine minutes was not enough to tell the full story, and I can tell from the deleted scenes on the DVD that the crew tried their best to tell a story as full as possible. As a professional soldier, I was proud to see such a great story told in such a comprehensive manner, and to see the traditions and honor of the navy preserved in such a natural and full manner.

Q: What's an example of a movie review?
An example of a movie review is here: Unfortunately, Jean Eustache (1938-1981) belongs like so many once leading French film makers nowadays to the great unknown ones whose movies are hard to find and are not released on international DVDs. Since we have a good old-fashioned video-store in Tucson, I had the chance to watch this 3 1/2-hour marathon masterwork that is not boring for ten seconds.

Since we speak here about one of the most discussed (and most controversially discussed) movies of all times, let me tell you my impression that the endless dialogs, originally typical for the early "Nouvelle Vague" of a Jacques Rivette or Alain Resnais appear almost ridiculous in this movie. The dialogs are basically monologues, mainly the longest ones spoken by Jean-Pierre Leaud. The most characteristic feature is that the intersections of the speeches of two people is almost zero. Leaud, or his character, Alexandre, pleases to tell more about himself than about the topics he is seemingly to speak. Therefore, one can hardly speak about communication in this movie. It is well possible that the director had a gargantuan satire in mind against the idle running of the once so hotly discussed political and sociological ideas, but the type of man Alexandre exists to all times, we find him already in Petron's "Satiricon", which work has actually great resemblance with "The Mother and the Whore".

Alexandre does not only nothing, but he has developed an own kind of metaphysics about the absence of acting, at least acting in the sense of responsibility toward the society whose part he is. He mocks at the people who run to work at 7 c'clock in the morning, when he is just busy having his last drink before he goes to bed in the apartment of one of his girlfriends from whose money he lives. He is unable to speak one sentence without quoting one of the leading thinkers between Nietzsche and Bernanos. Especially Sartre who is shown quickly in the French intellectual cafe "Aux Deux Magots", where Alexandre, too, is sitting all day, must serve as excuse for the life-style of Alexandre and his colleagues, because they suffer existential crisis from bourgeois nausea. However, the intellectual speeches of Alexandre seem to be rather pseudo-intellectual, and the sentences and quips he cites seem to come rather from a dictionary of quotations than from his actual reading of the respective books.

It is true: This movie demands an extremely broad European knowledge, especially the connoisseurship of French existentialist philosophy and there consequences to the 68 student revolution movement, but if you have this knowledge, than you will enjoy 215 minutes of your life by staring amazed into the TV and crying out with laughing like you have probably not done it since a long time.

Q: What's an example of a movie review?
An example of a movie review is here: I'm beginning to see a pattern in the movies I give a 1 to. They are almost all movies that my wife made me watch. Maybe I should stop having faith in her taste in movies. Anyway, this is typical drivel aimed at pre-teen girls but done even more poorly than usual. Once again, the writer broke the cardinal rule of any movie. He/she made the main character unlikable. She starts off by being a complete b*tch to her friend at the beginning, and then finds out when she becomes 30, that she's basically a sh*tty person (having affairs, etc.). Why the F would we feel for this person? OK, let's say we can get past that. Jennifer Garner is about as far from attractive as you can get without having some sort of deformity. I don't know if it's her or the writer's fault, but her character goes well beyond my threshold for annoyance. Here's a tip for future filmmakers: 13 year olds are NOT entertaining, they're annoying. Far and away the most embarrassing moment in the movie came when they danced to "Thriller". Holy crap that was painful. It showed her practicing that dance at the beginning. That explains why she knows it, but an entire club full of people?!? Argh!!! The Macarena would be more believable! All of a sudden she's completely incompetent and has no clue how to do her job and no one notices? At least Tom Hanks' character on "Big" had a job that made sense to a child. These body-switching/child becoming adult overnight movies are really getting out of hand, and this is by far the worst one yet.

Q: What's an example of a movie review?
An example of a movie review is here:
I usually enjoy Loretta Young's early movies: her acting back then was light and breezy, and she sure knew how to wear clothes. But this one is just a loser from the word go except for a funny supporting turn by Glenda Farrell. Young is a hatcheck girl who talks her writer-husband (Paul Lukas) into becoming a championship bridge player. It's not the most cinematic of games, and the long, talky middle part in which their marriage falls apart just about kills the film.

There's one interesting bit though. As Lukas and Ferdinand Gottschalk start their climactic game, a series of quick shots show airplanes, trains, football games, even a diver in mid-air, freezing in anticipation of the event. It's the earliest use of a freeze frame I've seen in an American film. Wish the rest of it were that inventive-and funny.