input: Cash (Now played by Khrystyne Haje in for Angelina Jolie) has wandered to a post apocalypse wasteland (after her protector has died from old age, said protector was played by Elias Koteas, an actual decent actor) and now she finds that people wander through the rubble looking for cyborgs to trade for scrap metal and cash. She leads a group of burned out cyborgs (That includes William Katt, Evan Lurie and a human scientist played by Zach Galligan) against bounty hunter Richard Lynch. Malcolm McDowell has two minutes of screen time as Lynch's employer. Cyborg 3 does manage to be better than the other two entries but it still is a largely dull feature. The problem this time is that the ideas with potential are never used well, the action sequences are routine and the name cast such as McDowell, Katt and Galligan are given little to do. Haje is indeed a whiny heroine and Lynch is too over the top(as usual) and the film lacks the inspiration or ambition to be as fun-bad as it's hilarious predecessor. (The one with Van Damme, the second one is just dull.) Also disappointing is the science fiction angle which almost aggressively resists any good idea it has. As an action flick this is routine and by the numbers B-movie stuff and it is competently made, that's the only thing positive I can say about it.

*1/2 out of 4-(Poor)

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input: This movie is probably the worst I have seen. Bad acting, bad script, bad everything. Comparing it to mainly two other movies in the same genre and from approximately the same time is interesting. Both Cyborg (Van Damme, 1989) and Nemesis (Olivier Gruner, 1993) are much better and seems more robust in both story and directing and still it's Albert Pyun who has directed these two as well!

The story is not original. The world has become a terrible place, possibly due to an environmental disaster or a nuclear war, and people live under medieval circumstances. A special breed of robots (cyborgs) live on human blood and there's the story... The cyborgs need to get a lot of humans to fulfill there "prophecy" and the humans need someone to stop them. One girl together with a robot (Kris Kristofferson) built by the creator of the cyborgs has been appointed by destiny to save mankind.

In this movie the director tries some Hong-Kong stylish fighting scenes with the participants flying high and leaping far. The movie fails miserably in this attempt.

I recommend this film with the only reason that most people will get a new "worst ever" movie to relate to. And to fans of the genre I recommend "Cyborg" since I think it's a very underestimated movie with quite a high entertaining factor. And if you can't stand Van Damme then check out "Nemesis".

I rated this movie 1/10.

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input: At first glance, it would seem natural to compare Where the Sidewalk Ends with Laura. Both have noirish qualities, both were directed by Otto Preminger, and both star Dana Andrews and Gene Tierney. But that's where most of the comparisons end. Laura dealt with posh, sophisticated people with means who just happen to find themselves mixed-up in a murder. Where the Sidewalk Ends is set in a completely different strata. These are people with barely two nickels to rub together who are more accustomed to seeing the underbelly of society than going to fancy dress parties. Where the Sidewalk ends is a gritty film filled with desperate people who solve their problems with their fists or some other weapon. Small-time hoods are a dime-a-dozen and cops routinely beat confessions out of the crooks. Getting caught-up in a murder investigation seems as natural as breathing.

While I haven't seen his entire body of work, based on what I have seen, Dana Andrews gives one of his best performances as the beat-down cop, Det. Sgt. Mark Dixon. He's the kind of cop who is used to roughing up the local hoods if it gets him information or a confession. One night, he goes too far and accidentally kills a man. He does his best to cover it up. But things get complicated when he falls for the dead man's wife, Morgan Taylor (Tierney), whose father becomes suspect number one in the murder case. As Morgan's father means the world to her, Dixon's got to do what he can to clear the old man without implicating himself.

Technically, Where the Sidewalk Ends is outstanding. Besides the terrific performance from Andrews, the movie features the always delightful Tierney. She has a quality that can make even the bleakest of moments seem brighter. The rest of the cast is just as solid with Tom Tully as the wrongly accused father being a real standout. Beyond the acting, the direction, sets, lighting, and cinematography are all top-notch. Overall, it's an amazingly well made film.

If I have one complaint (and admittedly it's a very, very minor quibble) it's that Tierney is almost too perfect for the role and her surroundings. It's a little difficult to believe that a woman like that could find herself mixed-up with some of these unsavory characters. It's not really her fault, it's just the way Tierney comes across. She seems a little too beautiful, polished, and delicate for the part. But, her gentle, kind, trusting nature add a sense of needed realism to her portrayal.

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input: I saw this movie on Thursdays night after having a really boring day. I had no expectations, those I had were rather negative. Being that the only movie I've ever watched Jimmy in is the American version of Taxi with Queen Latifah(?)...don't ask why! But seriously..this movie is so cute! Drew Barrymore is always sweet, but I almost fell in love with Fallon's character. Why can't I meet a cute nerd like that. :) Movies like that are excellent. Simple, sweet and necessary. Sunday on a Thursdays. I'm not even a sports fan, but it's something about American movies with baseball that fascinates me. Probably the fact that we don't have that sport here in Norway.

(My first comment ever.) Haha

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positive