In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
and now the high - flying hong kong style of filmmaking has made its way down to the classics , and it is n't pretty .
this time out the nod to asia goes by way of france in the excruciating bland and lukewarm production of the musketeer , a version of dumas 's the three musketeers .
by bringing in popular asian actor / stunt coordinator xing xing xiong -- whose only prior american attempts at stunt choreography have been the laughable van damme vehicle double team and the dennis rodman cinematic joke simon sez -- our musketeers are thrown into the air to do their fighting .
the end result is a tepid and dull action / adventure rip - off that stinks of indiana jones and bad asian kung fu .
the story is so simple my grandmother could have adapted the screenplay .
d'artagnan ( justin chambers ) is the vengeful son of a slain musketeer .
he travels to paris to join the royal musketeers and find the man that killed his parents .
in paris , he meets the cunning cardinal richelieu ( stephen rea ) , who is trying to overthrow the king , and richelieu 's man - in - black associate febre ( tim roth ) , the killer of his folks .
he finds the musketeers in paris disbanded and drunk , so he rounds up aramis ( nick moran ) , athos ( jan gregor kremp ) and porthos ( steven spiers ) to free the musketeer 's wrongfully imprisoned leader treville from the king 's prison .
d'artagnan and his new frisky love interest / chambermaid francesca ( mena suvari ) play footsy and coo at each other as the cardinal hunts down the musketeers until finally the queen ( catherine deneuve ) ends up being captured by the menancing febre , forcing the musketeers to regroup , with d'artagnan leading the charge , and save the day .
director peter hyams ( end of days ) obviously wanted to blend eastern and western filmmaking styles , but here it 's a disaster .
one problem is that , in reality , most eastern films have taken their lead from western ones .
jet li 's high risk is a rip - off of die hard -- not the other way around .
ironically , there is awfully little swordplay or action in the film at all -- maybe ten minutes of swashbuckling spread over five scenes .
most asian action films carry the bulk of their production with 20- to 30-minute action sequences , because they know the scenes have to carry the picture .
the musketeer instead weighs itself down with a predictable and monotonous screenplay by gene quintano ( sudden death ) , horrible acting
by stephen rea and tim roth , and the prosaic attempt of justin chambers ( the wedding planner ) to deliver his mousy self as a leader .
chambers ' d'artangnan is n't a musketeer -- he 's a mouseketeer ! and hyam 's use of candles and torches to light the grime and filth of 17th century paris are well - noted , but that 's the only standout in
an overall flat production .

Ex Output:
N

Ex Input:
" holy man " boasts a sweet , gentle , comic performance from an unusually subdued eddie murphy and a few moderately funny skits .
unfortunately , to get to the good stuff you have to sit through a painfully long set - up , loads of tedious filler , interminable shots of jeff goldblum stammering and twitching ,
a superfluous romantic subplot and quite possibly the most annoying performance of robert loggia 's career .
if ever a movie screamed " wait for video so you can fast - forward through all the dull and annoying parts
, " this is it .
eddie murphy plays g , a robed nomadic pilgrim wandering the land enjoying the moment and spreading his spiritual message .
a chance meeting with ricky hayman ( goldblum ) ,
a stressed - out executive of a home - shopping channel , and kate newell ( kelly preston ) , a no - nonsense media analyst , results in physical injury to g . quicker than you can say " the odd couple ,
" g ends up rooming with an extremely leery ricky .
after some script gymnastics , g appears live on the air at the good buy shopping network , wreaking havoc on the cheesy product demonstrations , enraging network owner mr .
mcbainbridge ( loggia ) , and becoming a national media sensation .
" holy man " attempts to be several things at once .
it tries to satirize home shopping networks , but it 's difficult to effectively make fun of something that is already a self - parody .
the film attempts to teach us that collecting material possessions is merely a futile attempt to fill the spiritual holes in our hearts , but that 's common knowledge already .
" holy man " also tries to present a story of redemption , as ricky hayman tries to decide whether to exploit g 's good will to achieve financial security or do the right thing at the expense of his career .
anyone want to place a wager on his final decision ?
the one genuine asset in " holy man " is eddie murphy , who gives a charming performance , sharing love , good will and relevant advice to all those around him , while beaming his million dollar smile at just the right moments .
murphy is delightful and the film takes off whenever he 's onscreen .
unfortunately , he 's not onscreen enough .
jeff goldblum gets the lion 's share of screen time and his tired storyline weighs the proceedings down .
as his potential love interest , kelly preston tries to brighten things up , but she transforms from an all - business media shark to an empathic softy far too quickly and the abrupt change reeks of contrivance .
the other principal actor , robert loggia , wastes his talents in a one - note turn as a ruthless , screaming monster .
structurally unsound and way too long
, " holy man " is appealing when murphy is onscreen and dull
when he is n't . instead of dropping your money at the theater for this trifle , wait until it hits video and fast - forward past everything except the murphy scenes .
g suggests that we focus on enjoying the moment and that 's the best way to do so .

Ex Output:
N

Ex Input:
the king and i , a warner brothers animated , musical feature , recycles the classic story of a woman who challenges the heart of a king , with obvious results .
when anna ( miranda richardson ) , a british schoolteacher , travels to saim to educate the king 's ( martin vidnovic ) children , she learns that the king is treating his people unfairly , and must say something to the greedy ruler .
meanwhile , the king 's prime minister ( ian richardson ) , the stereotypical villain , plots to overthrow the king , taking the throne .
the last , and most predictable , main subplot deals with the king 's son ( allen d. hong ) , and his love for a servant , tuptim ( armi arabe ) , and how he conflicts with his feelings , and the ancient laws of saim . not even the lone strong character of anna can save the unbelievably horrible waste of talent , as the king and i 's problems could fill the blank pages of a journal .
i will only note the major difficulties , for it would take pages to elaborate on every detail .
the screenplay , written by arthur rankin , peter bakalian , jacqeline feather , and david seidler , which is based upon the play written by richard rodgers and oscar hammerstein , has some of the worst dialogue written in a film within recent memory ,
as every time the obnoxious king would shout , " etc , etc , etc , " i would cringe .
literally .
speaking of cringing-
i did quite a bit of this during the rather short film , which is a classic display of terrible filmmaking .
besides the repetitive dialogue from the king , on the whole , the songs seem out of place , and unlike the lyrics , are unmagical .
the sole song which is used cleverly is " getting to know you , " which is used as anna shows the children the great outdoors , which they have never been exposed to .
unlike disney animated features , the king and i 's songs do n't add to the film , and are as uneffective as could be .
take the following scenario as an example , as the sheer horror of the king
and i 's music is at its worst .
you 're being hunted by a dragon !
what do you do ! ?
sing a happy song !
martin vidnovic voices the king without effort or emotion-
you hear the saying two negatives do n't make a positive ? believe it !
with the terrible dialogue that the king has , along with his awful voice track , the king is completely unbelievable , only shows mild signs of any personality , and the only thing that changes in the king is that he says " etc . , etc . , etc . , " more and more as the film progresses .
no personality at the beginning of the movie , none at the end .
and where does this character 's personality change ?
hey , i thought anna was supposed to change him !
is n't that the whole plot ?
the prime minister 's hideous sidekick ( darrell hammond ) brings his share of cringes as well
- oh no !
another one of his teeth fell out !
hardy - har - har !
he is supposed to bring laughs for the kidlets , but even at age five i would have cringed while watching him .
by the way this review is going , you may think the reasoning for my hate for this film is due to not liking animated films- hence
why i hate this movie , because the king and i is a disgrace to animation .
animated films , such as 1994 's the lion king and 1998 's the prince of egypt , are among my favorite movies of all time .
the animation team does design their share of well animated settings , so this makes it easier to take my mind off of the annoying king , until i realize that day and night switch back in fourth within seconds .
i have not read the play , or seen the oscar winning , 1956 film adaption , but from what i can tell , the screenplay for the 1999 version completely butchers the play , for the king
and i is never magical , nor interesting .
if it was n't for miranda richardson , who voices anna with feeling , the king and i could earn the title , " worst movie of the decade .
" instead , the king and i will just go down as among the year 's worst .
the bottom line- avoid this movie at all costs .
not even young children , the target audience in this film , will enjoy it . not the slightest bit .

Ex Output:
N