What names does Mandy give herself and Dick when she awakens? Answer the above question based on the context below: A happy vacation along California's rocky coast for a pregnant Mandy Anthony, her husband Dick (Arthur Franz) and her sister Kate Hazelton is ruined when Mandy has a seizure, loses consciousness and miscarries. Worse, when she awakens, she says that she is "Felicia" and calls Dick "Dickens." A stunned Dick tells an uncomprehending Kate that Felicia was his first wife and Dickens was her pet name for him - and that he's never told Mandy of his first marriage, Dickens or Felicia's death six years earlier! Felicia demands to visit the Bradleys, an elderly couple whom Dick says that Mandy doesn't know. They're Felicia's parents. She convinces them that she is indeed Felicia, back from the dead. Mrs. Bradley is delighted; Mr. Bradley is horrified. Dick, upset by the reunion, tells Kate that Mrs. Bradley "was a strange, evil woman - Felicia, too" and that he was a fool to not face the truth. Meanwhile, Mr. Bradley says to Mrs. Bradley, "God will punish you for this." Mrs. Bradley contemptuously replies, "You believe in your god. I'll believe in mine." Dick invites his friends John Mitchell and Molly Prentiss to the vacation house for cocktails. Afterwards, Felicia tries to gas Kate in her bedroom - Kate survives when Mandy's voice awakens her - then goes outside and kills their dog, Copper, who loved Mandy but hates Felicia. The next day, Kate is at John's house when neighbor Nancy Cordell drops by. She casually tells Kate that she and the Bradleys are members of Maitre Renault's (Otto Reichow) devil cult, as was Felicia. Kate expresses an interest and Nancy arranges for Kate to meet Renault.
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Answer: Dickens
Q: What were the name of the two movements discovered by Spencer and Tillett? Answer the above question based on the context below: A five-movement ballet occurred somewhere in Act II, staged by W. H. Payne. A heading in the libretto, "Chorus and Ballet", attaches it to the last section of the finale but does not indicate how it figured in the plot. Most press accounts placed it at about this point, although some placed it slightly earlier in the act. At some performances, the ballet was performed in Act I, but it was certainly in Act II on opening night, and it seems finally to have settled there.In 1990, Roderick Spencer and Selwyn Tillett discovered the ballet from Act II of Thespis. Two of the five movements, in the same hand that had copied the score of "Climbing over rocky mountain", were found together with the surviving performance materials for Sullivan's 1864 ballet, L'Ile Enchantee. Another section was found in the material for his 1897 ballet, Victoria and Merrie England. The page numbering of the surviving three sections gave approximate lengths for the missing pieces, and a contemporary engraving, seen at left, along with other circumstantial evidence, allowed plausible identifications of the two remaining movements: a dragon costume, used nowhere in the libretto, is presumably from the ballet, and the harp visible in the orchestra pit was an unusual instrument for the Gaiety's orchestra. Movements of appropriate length that made sense of these oddities were found in Sullivan's other ballets, and the reconstructed ballet has been recorded twice on CD. Sullivan tended to re-use his ballet music. Of the five movements that Tillett and Spencer identified, only one (the Waltz, No. 3) is not known to have been used in any other work. Three of the movements had previously been used in L'Ile Enchantee. Two of those, and one other, were eventually re-used in Victoria and Merrie England. One was also used in his incidental music to Macbeth. Sullivan was asked in 1889 to supply a ballet for a French-language production of The Mikado in Brussels, which he duly did. Tillett suggests that the Thespis ballet was almost certainly the music...
A: Climbing over rocky mountain
What was Sissinghurst Castle used for during the Seven Year War? Answer the above question based on the context below: Sissinghurst Castle Garden, at Sissinghurst in the Weald of Kent in England, was created by Vita Sackville-West, poet and writer, and her husband Harold Nicolson, author and diplomat. It is among the most famous gardens in England and is designated Grade I on Historic England's register of historic parks and gardens. It was bought by Sackville-West in 1930, and over the next thirty years, working with, and later succeeded by, a series of notable head gardeners, she and Nicolson transformed a farmstead of "squalor and slovenly disorder" into one of the world's most influential gardens. Following Sackville-West's death in 1962, the estate was donated to the National Trust for Places of Historic Interest or Natural Beauty. It is one of the Trust's most popular properties, with nearly 200,000 visitors in 2017. The gardens contain an internationally respected plant collection, particularly the assemblage of old garden roses. The writer Anne Scott-James considered the roses at Sissinghurst to be "one of the finest collections in the world". A number of plants propagated in the gardens bear names related to people connected with Sissinghurst or the name of the garden itself. The garden design is based on axial walks that open onto enclosed gardens, termed "garden rooms", one of the earliest examples of this gardening style. Among the individual "garden rooms", the White Garden has been particularly influential, with the horticulturalist Tony Lord describing it as "the most ambitious ... of its time, the most entrancing of its type."The site of Sissinghurst is ancient and has been occupied since at least the Middle Ages. The present-day buildings began as a house built in the 1530s by Sir John Baker. In 1554 Sir John's daughter Cecily married Thomas Sackville, 1st Earl of Dorset, an ancestor of Vita Sackville-West. By the 18th century the Baker's fortunes had waned, and the house, renamed Sissinghurst Castle, was leased to the government to act as a prisoner-of-war camp during the Seven Years' War. The prisoners...
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Answer:
prisoner-of-war camp