In this task, you will be shown an extract from a movie plot and a question. You need to provide the correct answer for it. Short answers containing words that are present in the passage are preferred.
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Question: During a shootout against Chinese Triads at a San Francisco dock warehouse, FBI agents John Crawford (Jason Statham) and Tom Lone (Terry Chen) stumble across the notorious assassin Rogue (Jet Li), a former CIA assassin who now works for the Japanese Yakuza. Rogue ambushes Crawford and is about to execute him when Lone appears and shoots Rogue in the face, causing him to fall into the water. Rogue's body was never found and he is presumed dead. However, Rogue survives and retaliates against Lone, his wife and his daughter. He kills them, burns down the house, and leaves their three corpses in the ashes of their home.Three years later, Rogue re-appears, working under Chinese Triad boss Li Chang (John Lone). Rogue is assisting Chang against Chang's arch-enemy and Rogue's former employer, the leader of the Japanese Yakuza, Shiro Yanagawa (Ryo Ishibashi). Rogue first attacks a club run by the Yakuza by killing the gangsters and later on the runners in order to recover a pair of antique gold horses, family heirlooms of Chang. However, Rogue is secretly setting the Yakuza and the Triads against each other, in order to push the two factions toward all-out war.Now the head agent of the FBI's Asian Crime Task Force, Crawford is determined to hunt Rogue down and exact revenge for Lone's death. Crawford's obsessive pursuit of Rogue has taken a toll on his personal life causing him to be estranged from his family. Crawford comes close to catching Rogue in the wake of Rogue's various killing sprees against the Triads and Yakuza, but Rogue always manages to stay one step ahead.Ultimately, Rogue's actions have gained the trust of both Chang and Yanagawa. Rogue succeeds in betraying Chang, but spares Chang's wife and child, turning on the Yakuza. With Chang dead, Yanagawa is finally ready to come to America, where he intends to take over and expand Yakuza business operations. However, he is confronted by Crawford and the FBI; Crawford presents Yanagawa with proof that Rogue has betrayed him and spared Chang's family, but Yanagawa refuses to assist Crawford in locating Rogue.Later, Rogue delivers the horses to Yanagawa personally. Knowing of Rogue's betrayal, Yanagawa captures Rogue and demands the location of Chang's family. Rogue turns the tables on Yanagawa's men and kills them all, and engages in a sword fight against Yanagawa himself. Yanagawa discovers that Rogue is actually FBI agent Tom Lone (who, after undergoing plastic surgery, changed his voice to obtain a Japanese accent); and killed the real Rogue, assuming the assassin's identity. Rogue/Lone reveals that his actions have all been designed to bring him face-to-face with Yanagawa, so he could kill the man who ordered the death of his family. Yanagawa reveals that Crawford was in his pocket that whole time and responsible for leaking Tom Lone's identity and home address to the real Rogue. Angered, Rogue/Lone disarms and decapitates Yanagawa.Meanwhile, Chang's wife receives a package from Rogue/Lone, containing one of the two golden horses that belongs to Chang's family and a message reading, "Make a new life". Yanagawa's daughter also receives a package with the same message and inside the box is her father's head. Rogue/Lone then calls Crawford as he is packing up his office, asking him to meet him at the dock warehouse where they last made their investigation. Before going to the warehouse, Crawford enlists the help of Goi (Sung Kang), an FBI sniper that aided Crawford throughout the investigation.At the warehouse, Crawford and Rogue/Lone battle each other in an intense hand-to-hand fight in which Rogue/Lone reveals who he really is to Crawford.When Rogue/Lone reveals his true identity, a devastated Crawford reveals that it was true that he was working for Yanagawa at the time but had no idea that Rogue was still alive. He was then blackmailed and gave Yanagawa Lone's address thinking that Yanagawa's men were only going there to "rough him up a bit". Ever since, Crawford was angry at himself and wanted revenge against Rogue and everyone else involved in what he thought was his partner's death.However, Crawford begs Lone for forgiveness, but Lone denies him, coldly replying "Tom Lone is dead, my name is Rogue". As Rogue takes out a gun to shoot Crawford, Goi takes aim at him. Crawford jumps in Goi's line of fire, and allowing Rogue the opportunity to shoot him in the back, killing him. The next day, Rogue/Lone later drives out of town to start a new life., Question: Who is the FBI sniper that aided Crawford?

Answer: Answer: Goi

Question: The film opens to the sound of a gramophone playing Axxon N, "the longest-running radio play in history". Meanwhile, a young prostitute, identified in the credits as the "Lost Girl", cries while watching television in a hotel room, following an unpleasant encounter with her client. The Lost Girl's television displays a family of surrealistic anthropomorphic rabbits who speak in cryptic statements and questions. Occasionally, there are laugh track responses within these Rabbit scenes. These three elements become recurring motifs throughout Inland Empire.The main plot follows an actress named Nikki Grace (Dern), who has applied for a comeback role as Sue in a film entitled On High in Blue Tomorrows. The day before the audition, Nikki is visited by an enigmatic old woman (Zabriskie) who says she is her neighbor; she predicts that Nikki will get the role, and recounts two folk tales. One tells of a boy who, sparking a reflection after passing through a doorway, "caused evil to be born." The other tells of a girl who, wandering through an alleyway behind a marketplace, "discovers a palace." The old woman presses Nikki for details on her new film, asking whether the story is about marriage and involves murder. Nikki denies both, but her neighbor disagrees. Disregarding Nikki's offended response, the old woman comments on the confusion of time, claiming that were this tomorrow, Nikki would be sitting on a couch adjacent to them. The film then pans to where the neighbor is pointing, and we see Nikki and two girlfriends sitting on the couch. Her butler (Ian Abercrombie) walks into the living room with a phone call from her agent, announcing that she has won the role. Ecstatic, Nikki and her friends celebrate while her husband Piotrek (Peter J. Lucas) ominously surveys them from atop a nearby staircase.Some time later, Nikki and her co-star Devon Berk (Theroux) receive an interview on a talk show. The host (Ladd) asks them both whether they are having an affair, to which each of them respond negatively. Devon is warned by his entourage that Nikki is out of bounds, due to her husband's power and influence. Later, on the set being built for the film, Nikki and Devon rehearse a scene with the director, Kingsley Stewart (Irons). They are interrupted by a disturbance, but upon investigation Devon finds nothing. Shaken by the event, Kingsley confesses that they are shooting a remake of a German feature entitled 47. Production was abandoned after both leads were murdered, creating rumors of the film being cursed.Immersed in her character, while the film is being shot, "Sue" / Nikki appears to begin an affair with Devon / "Billy". A strange scene follows based on what the old woman had described: Nikki appears in a mysterious alley walking to her car, carrying a bag of groceries, but then she notices a door in the alley marked Axxon N, and enters. It leads her back to soundstage where the earlier rehearsal took place. She witnesses that rehearsal from across the roomshe herself was what had interrupted it earlier. This time, when Devon seeks to discover who's observing them, she disappears from the rehearsal scene, and flees among the half-built backgrounds and into the house of a character named Smithy (possibly her husband in the film's story, but this is never made clear). Despite the set being merely a wooden facade, Nikki enters to find an illuminated suburban house inside. Devon looks through the windows, but sees only darkness, not hearing her frantic cries of his character's name, "Billy."At this point, the film takes a drastic stylistic turn. Various plotlines and scenes begin to entwine and complement each other. The chronological order is often confused or nonexistent. Inside the house, Nikki sees her husband (whether it's "Smithy" or Piotrek is unclear) in bed. Hiding from him, she enters a different room and encounters a troupe of prostitutes. One of the women advises her to burn a hole through silk with a cigarette and look through the hole. Nikki complies and witnesses several strange happenings, many of which seem to revolve around her, or alternate versions of herself.Prior to these scenes, the woman who plays Billy's wife tells a policeman that she had been hypnotised to murder someone with a screwdriver, but finds the screwdriver embedded in her own side. A mysterious organization claims to have captives from Inland Empire. A parallel plotline involves Polish circus artists in the present day, as well as Polish prostitutes in odz during the 1930s, who are confronted by strange pimps while murder permeates their city. Nikki, having become one of the group of present-day prostitutes, wanders the streets while her companions ask, "Who is she?" Both Nikki and her prostitutes frequently ask people to look at them and "say whether you've known me before." In a parallel plotline, Sue climbs the dark staircase behind a nightclub to deliver long monologues to an unidentified man touching upon her childhood sexual abuse, disastrous relationships, and retaliations. Her husband Smithy seems to be connected with both the pimps and the organization, and then is hired by a circus from Poland because he is said to be "good with animals." There is much talk of the Phantom, an elusive hypnotist. Convinced she's being stalked by a red-lipped man, Sue arms herself with a screwdriver.Finally, Sue walks down Hollywood Boulevard, and is startled to see her doppelganger across the street. Before Sue can investigate, Doris arrives and attempts to kill her, having been hypnotized by The Phantom. Sue is brutally stabbed in the stomach with her own screwdriver, causing her to stagger down the street and eventually collapse next to some homeless people on the corner of Hollywood and Vine. One woman remarks that Sue is dying, then proceeds to debate with another, younger homeless woman about taking a bus to Pomona. Her companion talks at length about a friend named Niko, a prostitute whose blond wig makes her look like a movie star, thus allowing her to walk through the rich district without drawing attention. The older woman comforts Sue by holding a lighter in front of her face until she finally dies, promising her "no more blue tomorrows." Off-camera, Kingsley yells "Cut!" and the camera pans back to show this has merely been a film scene.As the actors and film crew wrap for the next scene, Sue slowly arises, Nikki once more. Kingsley announces that her scenes for the film are complete. In a daze, Nikki wanders off set and into a nearby cinema, where she sees not only On High in Blue Tomorrowsencompassing some of the subplots of the filmbut events that are currently occurring. She wanders to the projection room, but finds an apartment building marked "Axxon N". Eventually, Nikki confronts the red-lipped man from earlier, now known to be the Phantom. She shoots him, which causes his face to morph first into a distorted copy of Nikki's own face, and then an even more distorted face bleeding from its mouth.Nikki flees into a nearby roomRoom 47, which houses the rabbits on television, though she fails to see them. Elsewhere in the building, Nikki finds the Lost Girl, who has been watching and crying all along. The two women kiss, before Nikki fades away into the light along with the rabbits. The Lost Girl runs out of the hotel and into Smithy's house, where she happily embraces a man and child.Nikki is then seen back home, smiling at the old woman from the beginning of the film. The concluding scene takes place at her house, where she sits with many other people, among them Laura Harring, Nastassja Kinski, and Ben Harper. A one-legged woman who was mentioned in Sue's monologue looks around and says, "Sweet!" Niko, the girl with the blonde wig and monkey, can also be seen. The end credits roll over a group of women dancing to Nina Simone's "Sinner Man" while a lumberjack saws a log to the beat., Question: What news does Nikki get by her agent on the phone?

Answer: Answer: she got the role

Question: An encounter in the bar of the Mexico City branch of the Camino Real Hotels, between tired businessman Danny Wright (Greg Kinnear), hoping to land a life-saving contract in Mexico, and jaded, falling-apart-at-the-seams assassin Julian Noble (Pierce Brosnan), leads both men into an awkward friendship. Julian is confronting the immorality of his profession and experiencing a mid-life crisis that causes him to freeze on a job; Danny is fearing that a vitally important deal will fall through and cost him his job. After an uncomfortable-at-times conversation, Danny leaves the bar. Julian apologizes and invites him to see a bullfight. During the spectacle, Julian reveals the kind of work he truly does, and when Danny is skeptical, takes Danny through the steps of murdering a portly spectator in the arena bathroom. Danny is shocked at how easily Julian can get within inches of the man, even though Julian ends the "tutorial" without going through with the murder.Later, while at an outdoor cafe, Julian asks Danny to assist him in "facilitating a fatality"; Danny flatly refuses and Julian leaves. On leaving the idea seems to be that Julian has had enough of Danny and their friendship has just ended. That evening Julian appears at Danny's hotel room, knocking on the door, pleading to be let in; Julian wants to apologize for attempting to involve Danny in his work. Danny sits within looking undecided, and the scene fades to black without revealing what happened next. There is the sound of glass breaking once the screen goes dark.The film picks up again six months later, during the Christmas season. Danny and his wife, Bean (Hope Davis) are relaxing at their home when Julian arrives, looking for a place to stay. Danny and Bean have reservations about the situation, but decide to let him in. The grateful Julian notices that Danny has framed the ticket from the bullfight, an act that affects Julian profoundly. That night, he shares the real reason for his visit: he needs help with one last job. Julian convinces Danny to go along with the plan because, he tells Danny, "you owe me." After much internal struggle and with Danny talking him through it, Julian completes the task at a Tucson horse race track.On the plane back from Tucson, Julian reveals that the man he just killed was his boss. Killing the boss means now Julian can retire and spend the rest of his life in Greece. Danny is surprised, then amused at Julian's craftiness, but is reminded of Julian's lethal personality when he lightly punches Julian in the shoulder and is sternly warned by Julian, "Don't ever hit me again." Danny remembers his friend is still a killer and immediately apologizes. A split flashback sequence during the flight home (memories triggered by a statement Danny makes), shows what took place a year prior when Danny let Julian into his hotel room: Julian talked Danny out of commissioning a hit on a rival to win the Mexico City business deal.Later, Danny and Bean are shown at the grave of their son, something they do together every year. Julian watches respectfully from a distance, places plane tickets for Greece (his intended place of retirement) on their car windshield, then slips away., Question: What does Julian invite Danny to see?

Answer:
Answer: Bullfight