input question: Select the correct sentiment of the following review: On an overnight flight from Los Angeles to Miami, Lisa Reisert (Rachel McAdams) meets a charming man who turns out to be a hired killer who demands her help killing a businessman or else her own father will die.

Red Eye is a terrific thriller that keeps the audience on the edge of their seats. The premise is similar to Cellular and Phone Booth but Red Eye is better than both of those films. Almost everything about Red Eye is above average including the suspense, the acting and the direction. Most of the film does take place on a plane but that doesn't slow down the movie. The film is very fast pace and exciting with no slow or boring spots. Wes Craven does a really good job behind the camera. Instead of focusing on the thrills, he focuses on the story and the characters. The movie does have its share of suspenseful moments but that's not what the film is really about. I also like the way Wes Craven focuses on the other passengers and the small details that become important later on. Red Eye really shows his skills at storytelling.

Red Eye also works well because of its young and talented cast. Rachel McAdams gives a very engaging performance and her character is hard to hate. You may even end up cheering for her out loud. Cillian Murphy gives a very creepy and effective performance as the villain. The way he acts charming at first but then turns psycho is especially impressive. The supporting actors are also pretty good which include Brain Cox and Jayma Mays.

The movie is also very stylish and it has this overall creepy vibe to it. The setting works well since there is an obvious fear of isolation and no escape. Overall, the tone of the film is consistently creepy. The screenplay isn't as strong as everything else though. There are a few unrealistic moments that may distract the viewer. Most of them didn't bother me but there were of few that left me shaking my head. Also, the ending is disappointing. It isn't a bad ending just a very simple one and a different approach would have been better. Since the movie focuses on the characters, there is really no scream moments maybe just a few jumps. If you expect a horror movie then you will end up disappointed. In the end, Red Eye is an engaging thriller and it's one of the best movies of the summer. Rating 8/10
OPTIONS:
- negative
- positive
....
output answer: positive

input question: Select the correct sentiment of the following review: I hate this movie! It was NOTHING like the book, and just thinking about it makes me mad. If you watch the movie before reading the book, then yeah, it's a good movie. But King's book was AMAZING and this movie was nothing like it. I mean, the general meaning might be sort of similar but most aspects of the movie are completely different. The ending for example! So in the book it is extremely intense and Danny and Wendy escape seconds before the hotel explodes. but in this horrible movie version jack like takes them through a stupid maze... yeah, there is no maze in the book and there is no reason for it. Another part that made me angry was that jack just kills Mr. Halloran! what the heck, he is basically the hero of the book and they just kill him off like he wasn't important. Overall, it was just bad that the movie was so extremely off.
OPTIONS:
- negative
- positive
....
output answer: negative

input question: Select the correct sentiment of the following review: Robin Williams gave a fine performance in The Night Listener as did the other cast members. However, the movie seems rushed and leaves too many loose ends to be considered a "must see." I think the problem happens because there isn't a strong enough relationship established between the caller and the Gabriel Noon(I had to spell it this way, because IMDb wants to auto correct the right spelling to "No one") character. The movie runs a little over 01:30 and within the first 15 minutes, or so it seems, Noon begins his search for Pete Logande, the boy caller.

This happens after he talks to the mysterious caller about 3 or 4 times. The conversations aren't too in-depth mostly consisting of how are you... I'm in the hospital...why did you boyfriend move out... etc. In the book, the kid almost becomes Noon's shrink and vice versa and the reader understands why he goes in search of this boy, once he finds out the kid disappears and thinks he might be a hoax.

In the movie, Noon becomes obsessed with finding Logande, but the audience is left to wonder why? Since there really isn't a strong enough bond established between Noon and the caller, why bother? Who cares if the caller doesn't exist?

I know there's a difference between a book and a movie, but those calls and that relationship was critical to establish on screen, because it provides the foundation for the rest of the movie. Since it doesn't, the movie falls apart.

This is surprising because of Maupin's other work, Tales of the City. When it was made into a mini-series, it worked beautifully.
OPTIONS:
- negative
- positive
....
output answer:
negative