input: While attending the University of Chicago Law School, Patsy met hydrologist John Mink while playing bridge at the International House. He would become her husband and lifelong partner. Unable to find work as a married, female, Asian-American attorney, she returned to her student job at the University of Chicago Law School library while her husband found work immediately with the United States Steel Corporation. In 1952, Patsy gave birth to daughter Gwendolyn (Wendy), who later became a prominent author and educator on labor and women's issues. The family soon moved Hawaii in August 1952. By law, Patsy was required to take the residency status of her husband after marriage and needed to re-establish her Hawaiian residency in order to prove that she was eligible to take the Hawaii bar exam. After challenging the statute as sexist, Hawaii's attorney general ruled that since she had not ever physically resided in Pennsylvania, she had not assumed her husband's Philadelphia residency status. After passing the bar exam in June 1953, Mink continued to face gender discrimination in finding work as an attorney in the private or public sector. She created a solo practice with the help of her father. She was the first Japanese woman to practice law in Hawaiian territory. Mink founded the Everyman Organization, a group that served as the hub of the Young Democrats club on Oahu. She was elected chairman of the territory-wide Young Democrats, "a group that would wield a remarkable influence over Hawaiian politics for several decades." In 1954, Patsy worked to help elect John A. Burns to Congress. The following year, she worked as staff attorney during the 1955 legislative session and drafted statutes and observed the inner-workings of the legislature. As the Territory of Hawaii debated statehood in 1956, Mink was elected to the Hawaii Territorial Legislature representing her district in the territorial House of Representatives. In 1958, she was elected to serve in the territorial Senate. In 1959, Hawaii became the 50th state of the Union. From 1962-1964, Mink served in the Hawaii State Senate. At the 1960 Democratic National Convention, a speech by Mink, a Hawaiian delegate, persuaded two-thirds of the party to keep their progressive stance on civil rights.

Answer this question "Where was her first job?"
output: returned to her student job at the University of Chicago Law School library

input: Steve Winwood left to form Traffic in 1967; his brother, Muff, moved into the music industry as A&R man at Island Records. In a joint venture the soundtrack to the film Here We Go Round the Mulberry Bush featured both the Spencer Davis Group and Traffic. After the Winwoods' departures, the Spencer Davis Group regrouped with the addition of guitarist Phil Sawyer (ex-Les Fleur de Lys) and keyboardist/vocalist Eddie Hardin (ex-A Wild Uncertainty). This line-up recorded several tunes for Here We Go Round The Mulberry Bush and released the "Time Seller" single in July 1967; the b-side, "Don't Want You No More," also received radio airplay. This was followed by "Mr. Second-Class" in late 1967, which received heavy airplay on Radio Caroline (at that time one of the two remaining pirate radio ships off the British coast), and the album "With Their New Face On" in 1968. At that time Ray Fenwick had replaced Phil Sawyer. The group's last minor hit, "After Tea", was released at the same time by the German band The Rattles, providing competition that led finally to a temporary stop to all activities of the band. The song was originally recorded by the Dutch group After Tea, which included guitarist/singer Fenwick amongst its members. After one further single ("Short Change"), at that time Eddie Hardin and Pete York had left to form the duo Hardin & York. They were replaced by future Elton John Band member Dee Murray on bass and Dave Hynes on drums. Nigel Olsson replaced Hynes, and this lineup produced the album "Funky" in 1969 (only released in the USA on DATE, a sub-label of CBS) before splintering.

Answer this question "Were any more songs/albums released?"
output: the album "With Their New Face On" in 1968.

input: Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis. Ashford & Beard, along with then-lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, shortened to four. After another member left the group, she was replaced by Alabama-born vocalist Martha Reeves, who had been a member of a rival group, the Fascinations and had also been a member of another group, the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know". The record flopped. The group then recorded for Checkmate Records, a subsidiary of Chess Records, recording their first take of "There He Is (At My Door)". That record, featuring Williams on lead vocals, also flopped. Briefly separated, Reeves returned to a solo career performing under the name Martha LaVaille, in hopes of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson noticed Reeves singing at a prominent Detroit club, he offered her his business card for an audition. Reeves showed up at Motown on a wrong date (Motown auditions were held at Thursdays, while Reeves showed up to Motown's Hitsville USA studios on a Tuesday). Stevenson, initially upset, told Reeves to look out for clients and other matters. Soon Reeves became Stevenson's secretary and later was responsible for helping acts audition for the label. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals - and Martha's lead vocals in the song - that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves renamed themselves The Vandellas, after Detroit's Van Dyke Street and Reeves' favorite singer, Della Reese.

Answer this question "did they record any music?"
output:
In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know