instruction:
In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
question:
Walt Disney & his 9 Old Men put their own 1950 spin on the classic fairy tale of Cinderella, which I guess you could say helps form an unofficial "fairy tale princess trilogy" from the classic Disney years.THE PLOT: Cinderella is a nice girl who can't catch a break. She is the daughter of a nice, wealthy widower who loved her dearly, but her mother passed away when Cinderella was very young, and Cindy's father felt she needed a mother figure, so he eventually married the woman who would become known as Lady Tremaine, herself a widow with two daughters about the same age as Cinderella, Anastasia and Drizella. At first they all seemed to get along, but then Cinderella's father died, and Lady Tremaine's true nature was revealed - she was a cold, cruel, callous, heartless, mean spirited woman, and she passed those traits on to her daughters, who were spoiled, bratty, and equally mean spirited. Anastasia & Drizella hate Cinderella because they know deep down that she's better looking and an overall nicer, more attractive lady than themselves (i.e., more appealing to men), and their mother, Lady Tremaine, hates Cindy for pretty much the same reasons. As the years passed Lady Tremaine began to squander the family fortunes in a stubborn but futile quest to improve/refine her awkward, unattractive daughters (to call them "homely" would be an insult to homely people everywhere) while all three relegated Cinderella to being the multi-tasking servant of the house, abusing her, mistreating her and humiliating her every chance they get (they are particularly fond of increasing her already absurd workload). That brings us to Cinderella in the present, where she has blossomed into a good looking young lady who somehow manages to remain kind hearted and nice despite her abusive step family and holds on to the hope that one day the tables will turn in her favor. Cinderella gets her shot at freedom & happiness when a royal ball is held to introduce the local prince to an eligible young maiden so that he can take her as a wife, settle down, start a family, etc. Naturally, her step family tries to keep her from attending, even going so far as to physically assault her and rip up the dress she had procured for herself (with a little help from her mice friends - the dress belonged to her biological mother). Finally pushed beyond her breaking point, Cinderella runs out into the courtyard and cries in despair. It is at that point that her Fairy Godmother, a short, plump, jolly woman, arrives and provides Cinderella with transportation and a transformed dress (after all, Cinderella wouldn't make a very good impression at the ball if she entered the scene looking like she had just gotten gang raped). Cindy arrives at the ball, the Prince falls hard for her, but that pesky midnight rule gets in the way, forcing her to flee, but leaving behind a glass slipper. Make a long story short - after a long harrowing quest to find the mystery girl via trying on the glass slipper, Cinderella is found and she and the prince get married, giving her the happy ending she deserves.Overall, an enjoyable Disney classic. Not without its flaws, the most glaring of which is that the Prince is little more than a MacGuffin to help push the plot along - he has very little screen time and even less dialogue, so we never get to know him very well or get a good look at his relationship with Cinderella (which is unfortunate since, according to the making of documentary, the Prince was originally meant to play a bigger role), and a few additional scenes to help flesh out Cinderella herself might have been helpful (there was a song that showed her fantasizing of turning into an army of maids to clean up the house as well as eavesdropping on her step-family post ball to show her amusement at their jealousy, which was cut because Walt himself thought it made her look spiteful). Still, Cinderella herself is a likable enough heroine, even if she is upstaged by her mice friends, and there's a sweetness to the film that is becoming harder to find these days. Of course, if this were being made now, Cinderella would probably put up more of a struggle against her family during the dress ripping scene and would probably free herself in the climax (either by picking the lock herself or making an impractical yet exciting jump down from her window) but this is beside the point.And for all those who say Cinderella sets a bad example for young girls, well, consider this - at least Cinderella didn't go around getting publicly drunk and indecently exposed, unlike some modern day "princesses" (you know who I mean).
answer:
positive

question:
Well where do i start? i think it's very insulting to the original Annie with Aileen Quimnn. I love the film Annie, and i was expecting this to be a brilliant film, but i was so disappointed! the acting is awful, the original Annie came out a few years before i was born, I'm now 25 and Annie is still one of my favourite films, So i was really excited to see Annie 2. The acting was awful in the film, were any of the characters original? very badly written, directed and acted. This is not a film i wish to see again, and any Annie lover i recommend that you don't watch this film because it will only leave you very disappointed. The young girls singing isn't bad but still doesn't compare to the original
answer:
negative

question:
New York, I Love You finally makes it to our shores, but its 10 short stories on love somehow didn't find reason enough to be released over Valentine's, probably due to the fact that this year's festival also falls on Lunar New Year, and with that comes the usual LNY blockbuster films from the likes of Jackie Chan (no, not The Spy Next Door) and local filmmaker Jack Neo who has traditionally released his latest film over that period to resounding success. So why fix a formula that hasn't been broken?Continuing in concept where Paris, Je T'aime had begun in spawning the City of Love Franchise (Shanghai will be next, so says the end of the closing credits here), the buzz here is definitely about the intertwining stories set in one of the cities of the world to allow for various interpretations from filmmakers all over to come up with stories based on love as a theme, although someone probably forgot to tell Scarlett Johansson some of the finer points in the sandbox ground rules, and her short was unceremoniously dropped from the theatrical edition for being unable to fit into everything else (well, it was shot in black and white), but here's hoping that it would make it to the DVD at least.Structurally, this series is less compartmentalized compared to its predecessor, which if memory serves me right had individual stories set within its own confines and never really breaking out of its artificial borders created. Here a little more leeway is given, where characters from various stories interact in short filler segments used to bridge scenes together, and not just solely reliant on pick up shots made up of buildings and landscapes, in hopes of making things look a little bit more serendipitous with the idea of chance encounters amongst strangers, though one story craftily adopted this mindset for its own narrative to deliver a surprise, though already seen in Paris.One of the top draws for sitting through a film like this one, is definitely the creative forces behind the stories, from writers, directors and cinematographers from various geographies and backgrounds mirroring the makeup of the cosmopolitan city, coming together for a concept film. And what more the star-studded cast too, with big names amongst the lesser known ones all upping the ante through picture perfect performances, be it for the entire length of the short, or as a support to build upon. You can't deny the initial star-gazing in recognizing the notables, from Irrfan Khan to Natalie Portman (who also had writing and directing duties), Rachel Bilson (looking quite like Bardot) to Spielberg's blue eye boy Shia LaBeouf, who surprisingly can act, and shows off more in his few minutes here than his entire filmography to date.Story wise, like any anthology, you'll find some which will automatically appeal to you, and with others that don't. Some are straightforward in nature, while others have to come up with gimmicky twists that thankfully worked. But these 10 stories plus 1 (because Randall Balsmeyer was given duties to integrate everything together for a more organic feel instead of just plain pick up shots of lesser known areas and established landmarks) somehow lacked the more "anything goes" spirit from its predecessor, with stories more rooted in reality, compared to some fantastical elements in the previous film (Elijah Wood's dalliance with a vampire anyone?), or even less adventurous with its narrative style (Christopher Doyle's, and Tom Tykwer's starring Natalie Portman). Here it seemed that the filmmakers opted very much for safe, with none venturing into that spirit of adventure and experiment.Minor quibbles aside, I still enjoyed almost all the shorts here, contrary to what many others have felt about it. The short film format is still very much alive, and having them strung together into a feature under the City of Love banner works fine, and left me wondering which other cities are or have been included in its lineup. I am hoping that perhaps the franchise will catch on and spread its influence here. We surely have enough prolific filmmakers to be stringing together a Singapore, I Love You, so here's crossing my fingers that maybe something will materialize down the road. Otherwise there's always the Sawasdee Bangkok route of just making it without any attachments to franchise house rules.
answer:
positive