IN: Wladyslaw Gomulka (Polish: [vwa'diswaf go'muwka]; 6 February 1905 - 1 September 1982) was a Polish communist politician. He was the de facto leader of post-war Poland until 1948. Following the Polish October he became leader again from 1956 to 1970. Gomulka was initially very popular for his reforms; his seeking a "Polish way to socialism"; and giving rise to the period known as "Gomulka's thaw".

Wladyslaw Gomulka was born on 6 February 1905 in Bialobrzegi Franciszkanskie village on the outskirts of Krosno, into a worker's family living in the Austrian Partition (the Galicia region). His parents had met and married in the United States, where each had emigrated in search of work in the late 19th century, but returned to occupied Poland in the early 20th century because Wladyslaw's father Jan was unable to find gainful employment in America. Jan Gomulka then worked as a laborer in the Subcarpathian oil industry. Wladyslaw's older sister Jozefa, born in the US, returned there upon turning eighteen to join her extended family, most of whom had emigrated, and to preserve her US citizenship. Wladyslaw and his two other siblings experienced a childhood of the proverbial Galician poverty: they lived in a dilapidated hut and ate mostly potatoes. Wladyslaw received only rudimentary education before being employed in the oil industry of the region. Gomulka attended schools in Krosno for six or seven years, until the age of thirteen, when he had to start an apprenticeship in a metalworks shop. Throughout his life Gomulka was an avid reader and accomplished a great deal of self-education, but remained a subject of jokes because of his lack of formal education and demeanor. In 1922, Gomulka passed his apprenticeship exams and began working at a local refinery. The re-established Polish state of Gomulka's teen years was a scene of growing political polarization and radicalization. The young worker developed connections with the radical Left, joining the Sila (Power) youth organization in 1922 and the Independent Peasant Party in 1925. Gomulka was known for his activism in the metal workers and, from 1922, chemical industry unions. He was involved in union-organized strikes and in 1924, during a protest gathering in Krosno, participated in a polemical debate with Herman Lieberman. He published radical texts in leftist newspapers. In May 1926 the young Gomulka was for the first time arrested, but soon released because of worker demands. The incident was the subject of a parliamentary intervention by the Peasant Party. In October 1926, Gomulka became a secretary of the managing council in the Chemical Industry Workers Union for the Drohobych District and remained involved with that communist-dominated union until 1930. He around this time learned on his own basic Ukrainian.

Is there any other activities in his life?

OUT: Gomulka was an avid reader and accomplished a great deal of self-education,

IN: A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.

"Death on Two Legs" can be referred to as Freddie Mercury's hate letter to Queen's first manager, Norman Sheffield, who for some years was reputed to have mistreated the band and abused his role as their manager from 1972 to 1975. Sheffield denied the allegations in his 2013 autobiography entitled "Life on Two Legs: Set The Record Straight", and referred to copies of the original 1972 management contracts between Sheffield and Queen, which were included in the book as proof of his defence. Though the song never makes direct reference to him, after listening to a playback of the song at Trident Studios during the time of album release, Sheffield was appalled, and sued the band and the record label for defamation, which resulted in an out-of-court settlement, but also confirmed his connection to the song. During live performances, Mercury would usually rededicate the song to "a real motherfucker of a gentleman", although this line was censored on the version that appeared on their Live Killers album in 1979. Other than on the live album, he said it was dedicated to a "motherfucker I used to know". In the Classic Albums documentary about the making of A Night at the Opera, Brian May stated that the band was somewhat taken aback at first by the bitterness of Mercury's lyrics, and described by Mercury as being "so vindictive that he [May] felt bad singing it". After the song came together, it was agreed that the "author should have his way", and the song was recorded as written. As with "Bohemian Rhapsody", most of the guitar parts on this song were initially played on piano by Mercury, to demonstrate to May how they needed to be played on guitar. "Death on Two Legs" remained on the setlist until, and well into, The Game Tour in 1980, and was then dropped. However, the piano introduction was played during the Hot Space and Works tours.

why was he angry with Norman?

OUT:
some years was reputed to have mistreated the band and abused his role as their manager