Question: Instead, he formulated the spearhead model of evolution, a version of genetic pluralism. According to this model, living organisms themselves have goals, and act according to these goals, each guided by a central control. In its most sophisticated form, this is the brain of humans, but controls also exist in much less sophisticated ways for species of lower complexity, such as the amoeba. This control organ plays a special role in evolutionit is the "spearhead of evolution". The goals bring the purpose into the world. Mutations in the genes that determine the structure of the control may then cause drastic changes in behaviour, preferences and goals, without having an impact on the organism's phenotype. Popper postulates that such purely behavioural changes are less likely to be lethal for the organism compared to drastic changes of the phenotype.
Is there an answer to this question: In which model do living organisms not have goals?

Answer: unanswerable

Question: While medieval pageants and festivals such as Corpus Christi were church-sanctioned, Carnival was also a manifestation of medieval folk culture. Many local Carnival customs are claimed to derive from local pre-Christian rituals, such as elaborate rites involving masked figures in the SwabianAlemannic Fastnacht. However, evidence is insufficient to establish a direct origin from Saturnalia or other ancient festivals. No complete accounts of Saturnalia survive and the shared features of feasting, role reversals, temporary social equality, masks and permitted rule-breaking do not necessarily constitute a coherent festival or link these festivals. These similarities may represent a reservoir of cultural resources that can embody multiple meanings and functions. For example, Easter begins with the resurrection of Jesus, followed by a liminal period and ends with rebirth. Carnival reverses this as King Carnival comes to life, a liminal period follows before his death. Both feasts are calculated by the lunar calendar. Both Jesus and King Carnival may be seen as expiatory figures who make a gift to the people with their deaths. In the case of Jesus, the gift is eternal life in heaven and in the case of King Carnival, the acknowledgement that death is a necessary part of the cycle of life. Besides Christian anti-Judaism, the commonalities between church and Carnival rituals and imagery suggest a common root. Christ's passion is itself grotesque: Since early Christianity Christ is figured as the victim of summary judgement, is tortured and executed by Romans before a Jewish mob ("His blood is on us and on our children!" Matthew 27:2425). Holy Week processions in Spain include crowds who vociferously insult the figure of Jesus. Irreverence, parody, degradation and laughter at a tragicomic effigy God can be seen as intensifications of the sacred order. In 1466, the Catholic Church under Pope Paul II revieved customs of the Saturnalia carnival: Jews were forced to race naked through the streets of the city of Rome. "Before they were to run, the Jews were richly fed, so as to make the race more difficult for them and at the same time more amusing for spectators. They ran amid Rome's taunting shrieks and peals of laughter, while the Holy Father stood upon a richly ornamented balcony and laughed heartily", an eyewitness reports.
Is there an answer to this question: What is the gift of King Carnival?

Answer: acknowledgement that death is a necessary part of the cycle of life

Question: Modern treaties, regardless of subject matter, usually contain articles governing where the final authentic copies of the treaty will be deposited and how any subsequent disputes as to their interpretation will be peacefully resolved.
Is there an answer to this question: Which copies of a treaty have their locations outlined in most modern treaties?

Answer: the final authentic copies

Question: The standard SNES controller adds two additional face buttons (X and Y) to the design of the NES iteration, arranging the four in a diamond shape, and introduces two shoulder buttons. It also features an ergonomic design by Lance Barr, later used for the NES-102 model controllers, also designed by Barr. The Japanese and PAL region versions incorporate the colors of the four action buttons into system's logo. The North American version's buttons are colored to match the redesigned console; the X and Y buttons are lavender with concave faces, and the A and B buttons are purple with convex faces. Several later consoles derive elements of their controller design from the SNES, including the PlayStation, Dreamcast, Xbox, and Wii Classic Controller.
Is there an answer to this question: What color are the US SNES controllers' A and B buttons?

Answer:
purple