Problem: Ralph Bakshi (born October 29, 1938) is an American director of animated and live-action films. In the 1970s, he established an alternative to mainstream animation through independent and adult-oriented productions. Between 1972 and 2015, he directed ten theatrically released feature films, six of which he wrote. He has been involved in numerous television projects as director, writer, producer and animator.

In 1973, Bakshi and Ruddy began the production of Harlem Nights, which Paramount was originally contracted to distribute. While Fritz the Cat and Heavy Traffic proved that adult-oriented animation could be financially successful, animated films were still not respected, and Bakshi's pictures were considered to be "dirty Disney flicks" that were "mature" only for depicting sex, drugs and profanity. Harlem Nights, based on Bakshi's firsthand experiences with racism, was an attack on racist prejudices and stereotypes. Bakshi cast Scatman Crothers, Philip Michael Thomas, Barry White and Charles Gordone in live-action and voice roles, cutting in and out of animation abruptly rather than seamlessly because he wanted to prove that the two mediums could "coexist with neither excuse nor apology". He wrote a song for Crothers to sing during the opening title sequence: "Ah'm a Niggerman". Its structure was rooted in the history of the slave plantation: slaves would "shout" lines from poems and stories great distances across fields in unison, creating a natural beat. Bakshi has described its vocal style, backed by fast guitar licks, as an "early version of rap". Bakshi intended to attack stereotypes by portraying them directly, culling imagery from blackface iconography. Early designs in which the main characters (Brother Rabbit, Brother Bear and Preacher Fox) resembled figures from The Wind in the Willows were rejected. Bakshi juxtaposed stereotypical designs of blacks with even more negative depictions of white racists, but the film's strongest criticism is directed at the Mafia. Bakshi said, "I was sick of all the hero worship these guys got because of The Godfather." Production concluded in 1973. During editing, the title was changed to Coonskin No More..., and finally to Coonskin. Bakshi hired several African American animators to work on Coonskin, including Brenda Banks, the first African American female animator. Bakshi also hired graffiti artists and trained them to work as animators. The film's release was delayed by protests from the Congress of Racial Equality, which called Bakshi and his film racist. After its distribution was contracted to the Bryanston Distributing Company, Paramount canceled a project that Bakshi and Ruddy were developing, The American Chronicles. Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative; Playboy commented that "Bakshi seems to throw in a little of everything and he can't quite pull it together." Eventually, positive reviews appeared in The Hollywood Reporter, New York Amsterdam News (an African American newspaper) and elsewhere. The New York Times' Richard Eder said the film "could be [Bakshi's] masterpiece [...] a shattering successful effort to use an uncommon form--cartoons and live action combined to convey the hallucinatory violence and frustration of American city life, specifically black city life [...] lyrically violent, yet in no way [does it] exploit violence". Variety called it a "brutal satire from the streets". A reviewer for the Los Angeles Herald-Examiner wrote, "Certainly, it will outrage some and, indeed, it's not Disney. [...] The dialog it has obviously generated--if not the box office obstacles--seems joltingly healthy." Bakshi called Coonskin his best film.

Was the movie a success?

Answer with quotes: Coonskin, advertised as an exploitation film, was given limited distribution and soon disappeared from theaters. Initial reviews were negative;

Question:
The Goo Goo Dolls (originally Sex Maggot) are an American rock band formed in 1986 in Buffalo, New York, by vocalist and guitarist John Rzeznik, vocalist and bassist Robby Takac, and drummer George Tutuska. Mike Malinin was the band's drummer from January 1995 until December 27, 2013 (but not made an official member until 1998). Although renowned for their commercially successful 1998 single "Iris", they have had several other notable and popular singles including "Name" and "Naked" from 1995's A Boy Named Goo, "Slide", "Black Balloon", "Dizzy", and "Broadway" from 1998's Dizzy Up the Girl, "Here Is Gone" from 2002's Gutterflower, "Better Days", "Give a Little Bit", and "Stay with You" from 2006's
The band's original lineup included John Rzeznik (vocals, guitar), Robby Takac (vocals, bass), and George Tutuska (drums, percussion). Takac and Tutuska had been long-time friends in school and met Rzeznik while he was playing in the band The Beaumonts with Takac's cousin, Paul Takac and close friend Michael Harvey who was the inspiration for the band. The trio picked their name from a True Detective ad for a toy called a Goo Goo Doll. "We were young and we were a garage band not trying to get a deal. We had a gig that night and needed a name. It's the best we came up with, and for some reason it stuck. If I had five more minutes, I definitely would have picked a better name", John stated. With Takac as their lead singer, the band released their first album, Goo Goo Dolls in 1987 on Mercenary Records, but was picked up in 1988 by Celluloid Records, a larger record company. They played around Buffalo's underground music circuit opening for punk bands such as SNFU, Dag Nasty, ALL, The Dead Milkmen, Gang Green, Doughboys, and DRI and playing with fellow Buffalo bands. The band released its second album Jed in 1989. The band released its third album, Hold Me Up, in 1990 and featured Rzeznik as the lead vocalist on five tracks, including the single, "There You Are"--as well as their then concert favorite, "Two Days in February". After being embraced by local college radio and punk scenes (including playing such venues as CBGB), the Goo Goo Dolls' third release incorporated elements of heavy metal, pop rock, and punk rock. In 1991, the song "I'm Awake Now" was recorded for the soundtrack of Freddy's Dead: The Final Nightmare. Superstar Car Wash, released in 1993, received significant media attention. The critical success and encouraging sales of their last album resulted in a larger budget from Metal Blade Records. The album was partially recorded at Metalworks Studios in Mississauga, Ontario. "We Are the Normal" (the single for which Rzeznik asked frontman Paul Westerberg of The Replacements to write the lyrics) received a major push toward play on college and independent radio, while its video was displayed on MTV's 120 Minutes program. "Fallin' Down" made it onto the 1993 soundtrack of Pauly Shore's hit film Son in Law.
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is there any other intersting facts about the article that is significant?

Answer:
The trio picked their name from a True Detective ad for a toy called a Goo Goo Doll.