input: Please answer the following: Given the following context: In 1870, concerned at the dominance of German music and the lack of opportunity for young French composers to have their works played, Saint-Saens and Romain Bussine, professor of singing at the Conservatoire, discussed the founding of a society to promote new French music. Before they could take the proposal further, the Franco-Prussian War broke out. Saint-Saens served in the National Guard during the war. During the brief but bloody Paris Commune that followed, his superior at the Madeleine, the Abbe Deguerry, was murdered by rebels; Saint-Saens was fortunate to escape to temporary exile in England where he arrived in May 1871. With the help of George Grove and others he supported himself while there, giving recitals. Returning to Paris in the same year, he found that anti-German sentiments had considerably enhanced support for the idea of a pro-French musical society. The Societe Nationale de Musique, with its motto, "Ars Gallica", had been established in February 1871, with Bussine as president, Saint-Saens as vice-president and Henri Duparc, Faure, Franck and Jules Massenet among its founder-members. As an admirer of Liszt's innovative symphonic poems, Saint-Saens enthusiastically adopted the form; his first "poeme symphonique" was Le Rouet d'Omphale (1871), premiered at a concert of the Societe Nationale in January 1872. In the same year, after more than a decade of intermittent work on operatic scores, Saint-Saens finally had one of his operas staged. La princesse jaune ("The Yellow Princess"), a one-act, light romantic piece, was given at the Opera-Comique, Paris in June. It ran for five performances.Throughout the 1860s and early 1870s, Saint-Saens had continued to live a bachelor existence, sharing a large fourth-floor flat in the Rue du Faubourg Saint-Honore with his mother. In 1875, he surprised many by marrying. The groom was approaching forty and his bride was nineteen; she was Marie-Laure Truffot, the sister of one of the composer's pupils. The marriage was not a success. In the words of the... answer the following question: What is the person who found on his return to Paris that found that anti-German sentiments had considerably enhanced support for the idea of a pro-French musical society?
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output: Saint-Saens

input: Please answer the following: Given the following context: Byzantines were avid players of tavli (Byzantine Greek: ), a game known in English as backgammon, which is still popular in former Byzantine realms, and still known by the name tavli in Greece. Byzantine nobles were devoted to horsemanship, particularly tzykanion, now known as polo. The game came from Sassanid Persia in the early period and a Tzykanisterion (stadium for playing the game) was built by Theodosius II (r. 408450) inside the Great Palace of Constantinople. Emperor Basil I (r. 867886) excelled at it; Emperor Alexander (r. 912913) died from exhaustion while playing, Emperor Alexios I Komnenos (r. 10811118) was injured while playing with Tatikios, and John I of Trebizond (r. 12351238) died from a fatal injury during a game. Aside from Constantinople and Trebizond, other Byzantine cities also featured tzykanisteria, most notably Sparta, Ephesus, and Athens, an indication of a thriving urban aristocracy. The game was introduced to the West by crusaders, who developed a taste for it particularly during the pro-Western reign of emperor Manuel I Komnenos. answer the following question: What are the full names of the people in the passage who died?
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output: Emperor Alexander

input: Please answer the following: Given the following context: Stefan Lochner (the Dombild Master or Master Stefan; c. 1410 late 1451) was a German painter working in the late "soft style" of the International Gothic. His paintings combine that era's tendency toward long flowing lines and brilliant colours with the realism, virtuoso surface textures and innovative iconography of the early Northern Renaissance. Based in Cologne, a commercial and artistic hub of northern Europe, Lochner was one of the most important German painters before Albrecht Durer. Extant works include single-panel oil paintings, devotional polyptychs and illuminated manuscripts, which often feature fanciful and blue-winged angels. Today some thirty-seven individual panels are attributed to him with confidence. Less is known of his life. Art historians associating the Dombild Master with the historical Stefan Lochner believe he was born in Meersburg in south-west Germany around 1410, and that he spent some of his apprenticeship in the Low Countries. Records further indicate that his career developed quickly but was cut short by an early death. We know that he was commissioned around 1442 by the Cologne council to provide decorations for the visit of Emperor Frederick III, a major occasion for the city. Records from the following years indicate growing wealth and the purchase of a number of properties around the city. Thereafter he seems to have over-extended his finances and fallen into debt. Plague hit Cologne in 1451 and there, apart from the records of creditors, mention of Stephan Lochner ends; it is presumed he died that year, aged around 40. Lochner's identity and reputation were lost until a revival of 15th-century art during the early 19th-century romantic period. Despite extensive historical research, attribution remains difficult; for centuries a number of associated works were grouped and loosely attributed to the Dombild Master, a notname taken from the Dombild Altarpiece (in English cathedral picture, also known as the Altarpiece of the City's Patron Saints) still in Cologne Cathedral.... answer the following question: What is the last name of the person whose paintings combine the Gothic era's tendency toward long flowing lines and brilliant colors with the realism, virtuoso surface textures and innovative iconography of the early Northern Renaissance?
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output:
Lochner