[Q]: Build a movie plot around this: Who is the wisest of the three mothers? Mater Suspiriorum
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[A]: The film begins with members of the Catholic Church digging up the body of a 19th-century church official, whose casket has a box-shaped urn chained to it. Inside the box they discover artifacts belonging to Mater Lachrymarum (Moran Atias), the last surviving member of the Three Mothers; an ancient trio of powerful black witches. In particular, the box contains a magic cloak that, when worn by Mater Lachrymarum, increases her powers significantly.The urn is shipped to the Museum of Ancient Art in Rome where Sarah Mandy (Asia Argento), an American studying art restoration, works. Sarah is dating the curator Michael Pierce, a single father who is away from the museum that night. With help from the assistant curator, Sarah opens the box and finds the cloak, a dagger, and three statues representing the three witches. Sending Sarah to her office to retrieve tools to help her translate the text on the artifacts, the curator is promptly attacked by the demonic agents of Mater Lachrymarum. Sarah arrives too late to save her boss (who is being disembowelled by the monsters) and starts to flee the museum. Unfortunately, she is pursued by Mater Lachrymarum's familiar (a baboon) and is only able to escape when a disembodied voice magically throws open a series of locked doors keeping her trapped inside the museum. Sarah tells the police what happened as she spends the night with Michael and his son. Michael visits the Cardinal who sent him the urn only to find out that, shortly after mailing the urn to him, he had a severe stroke and is now in a coma. An assistant of the priest gives Michael a piece of paper, which the Cardinal was writing on before collapsing. On it is scrawled the name "Mater Lachrymarum". As he leaves the hospital, a pair of witches observe Michael leaving the building.Back in Rome, chaos descends as a wave of mass suicides, murder, and violence engulfs the city. Sarah continues her own research only to be summoned by Michael to his apartment. The witches have kidnapped his young son and won't...

input: Please answer the following: Build a movie plot around this: Who is the director? Martin Sheen
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output: It's the mid 1960s and for getting drunk and going AWOL after his father dies, Army Private Bean (Charlie Sheen), stationed in West Germany, gets 90 days in the stockade. Bean discovers that he is the only white in a block of black prisoners imprisoned for various crimes, some extremely serious.Master Sergeant McKinney (Martin Sheen, who also makes his directorial debut in this movie) commands the stockade and soon develops a dislike for Bean because Bean will not take sides against his fellow prisoners.Each day the prisoners are trucked to work on land near the stockade. In a corner of a field is a broken windmill which Bean becomes intrigued with and gets permission to repair during work breaks. Soon some of the other prisoners from the block start helping Bean with the windmill.But Sergeant McKinney's dislike of Bean keeps growing. The harder McKinney pushes, the more Bean digs in. Clearly things must come to a head. But who will come out on top?

Please answer this: Build a movie plot around this: Is RAHMAT an old man? no
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Answer: It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard...

Problem: Build a movie plot around this: christoffer urged by whom christoffer urged by his mother.

A:
Christoffer (Ulrich Thomsen) used to work with his father in a family-owned steel company but left when the occupation took a toll on his health and is now happily married to Maria (Lisa Werlinder) a promising stage actress. Christoffer owns a successful restaurant and is in the process of opening a new establishment when he receives word that his father has hung himself. When Christoffer returns home he discovers that the family steel business is on the verge of collapse and that a new leader needs to move in immediately, but when he is urged by his mother (Ghita Norby) to take the reins he does so with trepidation as he must subvert the promotion of his brother-in-law Ulrik (Lars Brygmann), and driving a wedge between himself and Maria and his sister Benedikte (Karina Skands). Christoffer is forced to make drastic decisions to save the business and the mantle of corporate power that he must wear erodes his personality and slowly charges his relationship with all those he interacts with as he attempts to save his business and those workers who depend on it for their livelihood.