Problem: Background: The Midnight Express was a professional wrestling tag team of changing members, mostly under the management of Jim Cornette. The group started in the early 1980s with Dennis Condrey and Randy Rose (and originally Norvell Austin). The late 1980s saw a new incarnation, consisting of Bobby Eaton and Stan Lane, compete in JCP and WCW and shortly feuding with "The Original Midnight Express" of Condrey and Rose. In the 1990s, the World Wrestling Federation (WWF) combined Bob Holly and Bart Gunn as "The New Midnight Express".
Context: Due to various differences over the direction of the Midnight Express, Cornette, Lane and Eaton also left JCP for a short while, around the time that Ted Turner bought out Jim Crockett and began promoting the federation under the name World Championship Wrestling (WCW). When the issues were resolved, Cornette and the Midnight Express returned to the promotion. In the tournament to determine new World tag team champions, the Midnight Express advanced to the finals before losing to the Freebirds with some assistance from the Samoan Swat Team. They engaged in a feud with the Freebirds and Samoans until the 1989 Great American Bash, where they teamed up with the Road Warriors and Dr. Death Steve Williams to defeat the Freebirds and Samoans in a War Games match. The Midnight Express soon turned heel as a result of a feud with the Dynamic Dudes (Johnny Ace & Shane Douglas). Jim Cornette duped the Dudes into thinking he wanted to be their manager but then turned on them during their match against the Midnight Express at Clash of the Champions IX in New York. The Dynamic Dudes gained a measure of revenge when the Midnight Express laid out an open challenge for any team for $10,000. After dispatching of a couple of no-name teams, the Express was challenged by the masked Dynamic Duo, billed from Gotham City, who pinned the Express and unmasked as Ace and Douglas. The feud soon lost steam and was forgotten soon after. After returning to their cheating ways, the Midnight Express started a feud with the up-and-coming team of Flyin' Brian and "Z-Man" Tom Zenk over the United States Tag team titles. The Express won the titles from the young team in early 1990, but lost them to The Steiner Brothers (Rick and Scott) three months later. After a loss at Halloween Havoc 1990, the Midnight Express split up when Jim Cornette and Stan Lane left the federation. For the first time in almost a decade there was no Midnight Express.
Question: Did anybody leave the team?
Answer: Due to various differences over the direction of the Midnight Express, Cornette, Lane and Eaton also left JCP for a short while,

Problem: Background: Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.
Context: In June 2009, the band played a short set to launch This Book Is Broken at the North by Northeast festival. They played a mix of new songs from their then-upcoming album and old favourites, and were joined by Feist, who also joined them on their second visit to Mexico City in October. During the band's free performance at the Harbourfront Centre on July 11, 2009, they were joined by nearly all past contributors, including Feist, Emily Haines and James Shaw, Amy Millan and Evan Cranley, John Crossingham, Jason Collett and Julie Penner. This revue-like show celebrated other projects by members as well as including material from the then-upcoming album. Emcee Bruce McDonald announced the filming of a documentary directed by him and written by Don McKellar, Titled This Movie Is Broken, it includes concert footage and a fictional romance. Although McDonald announced at the concert that film submitted by fans would be used in the movie, the final cut of the movie included only one submission, a front-row recording of "Major Label Debut". Broken Social Scene released their fourth full-length album on May 4, 2010. Entitled Forgiveness Rock Record, it was recorded at Soma in Chicago, with John McEntire producing, and in Toronto at the studio of Sebastian Grainger and James Shaw. For the first time, Amy Millan, Emily Haines, and Leslie Feist recorded a track together (albeit at different times). This album was short-listed for the 2010 Polaris Music Prize. In August 2010, Broken Social Scene initiated their "All to All" remix series, which included seven different versions of the track from Forgiveness Rock Record. Every Monday a new remix was released and available for 24 hours via a different online partner. The first version, "All to All (Sebastien Sexy Legs Grainger Remix)", by Sebastien Grainger, was released August 9 via Pitchfork.
Question: What else did you find interesting?
Answer: In August 2010, Broken Social Scene initiated their "All to All" remix series,

Problem: Background: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.
Context: Since 1999, Akita has used computers in his recordings, having first acquired a Macintosh to work on art for the Merzbox. Also at this time he began referring to his home studio as "Bedroom, Tokyo". At live performances, Akita has produced noise music from either two laptop computers or combination of a laptop and analog synthesizers/guitar pedals. Reiko A. and Bara left Merzbow during this time, Reiko Azuma now has a solo career. Since 2001, Jenny Akita (nee Kawabata) started being credited for artwork on various releases. Since 2001, Akita started utilising samples of animal sounds in various releases starting with Frog. Around 2002, Akita became a vegan, he stated how it began: I started raising four bantams, the little ornamental chickens. With this experience as a start, I gradually started to be concerned and care about chickens and all the barn animals I used to eat without giving it a second thought before. So I started reading books and researching on the internet about Animal Rights and that triggered an awareness of "evil" that human society has done. During this period, Akita also became a supporter of PETA which is reflected in his animal-themed releases. An example of this is Minazo Vol. 1 and Vol. 2, dedicated to an elephant seal he visited often at the zoo and Bloody Sea, a protest against Japanese whaling. He has also produced several works centered around recordings of his pet chickens (notably Animal Magnetism and Turmeric). Also in 2002, Akita released Merzbeat, which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to Aqua Necromancer (1998) which features samples of progressive rock drumming. Merzbird (2004) and Merzbuddha (2005) followed in a similar vein with sampled beats combined with Merzbow's signature harsh noise.
Question: Does he sing?
Answer:
utilising samples of animal sounds in various releases starting with Frog.