Q: Given the below context: In 1997, director Roger Allers asks British singer-songwriter Sting to help write the music to a new Disney animated feature titled Kingdom of the Sun. He is intrigued with the project as is the cast and crew who all voice their love over the epic story, the songs and the quirky tone it is taking. The crew then present what they have finished so far to executive producers Thomas Schumacher and Peter Schneider in the titular sweatbox, the room where they screen their half finished product. The producers are harshly dissatisfied and demand that the film be redone, though they underhandedly admit that they liked the "love song" and the "llama song". Allers and the crew are taken aback as they feel that all of their hard work has been for nothing. They concoct a new plot though the animators are concerned over the new direction with many worried that their contribution will not make it into the final film. Mark Dindal takes up the directing duties with the title now slightly changed to Kingdom in the Sun. One of the film's stars, Owen Wilson, is replaced with John Goodman and the Prince and the Pauper style story with magic elements is replaced with a comical farce. This ends up earning the approval of Schneider and Schumacher, though Sting is slightly miffed at the new changes. Sting continues to work on the film, though he feels that his role has been reduced somewhat. Nevertheless, his complaints about the film's ending (which went against his conservationist beliefs) actually manages to get through to the higher ups who agree with altering the ending slightly. He later discovers that the title has been changed once again to The Emperor's New Groove. While at first indifferent to the title, he warms up to it once he sees a clip from the almost finished product. The documentary ends with Don Hahn admitting that despite the hard work and disagreements over the project, he is mostly satisfied with how it turned out. Guess a valid title for it!
A: The Sweatbox
Question: Given the below context: Blood Sugar Sex Magik was written at a more rapid pace than the band's previous album. Before the Chili Peppers relocated into the mansion, Frusciante and Kiedis collaborated at each other's homes, in order to arrange song structures and guitar riffs. The band then presented ideas to Flea and Smith, and as a whole, they decided on what they would use for the bass, guitar, vocal and percussion ensembles. Kiedis focused lyrically on sexual references and innuendos, as they were frequently on his mind. Songs such as "Suck My Kiss", "If You Have to Ask", "Sir Psycho Sexy", "Give It Away" and "Blood Sugar Sex Magik" all contained various sexual links, with lyrics like "A state of sexual light / Kissing her virginity / My affinity" and "Glorious euphoria / Is my must / Erotic shock / Is a function of lust." The concept behind "The Greeting Song" was a request that Rubin had made. Rubin asked Kiedis to write a song solely about girls and cars. Although Kiedis disliked the concept, he wrote the song as Rubin requested and ended up disliking almost every one of the lyrics' aspects. Kiedis also began writing songs about anguish, and the self mutilating thoughts he experienced thanks to his addiction to both heroin and cocaine; he believed that his life had come to its lowest point under a bridge in downtown Los Angeles. Over a month later, Rubin stumbled upon a poem that eventually become the lyrics to "Under the Bridge". Also, he suggested that Kiedis would show it to the band's other members. However, Kiedis was apprehensive because he thought the lyrics were "too soft" and different from the band's style. After singing the verse to Frusciante and Smith, the band started working on the song's structure the next day. Both Rubin and Kiedis worked several hours on arranging the song's chords and melodies until they both accepted it as complete. Frusciante ultimately chose the chords he played in the intro so it could balance out the song's depressing atmosphere: "my brain interpreted it as being a really sad song so I... Guess a valid title for it!
Answer: Blood Sugar Sex Magik
Question: Given the below context: In the Hundred Acre Wood, Tigger searches for someone to bounce with him, but all of his friends are too busy getting ready for the upcoming winter. While he searches for a playmate, Tigger inadvertently destroys Eeyore's house with a boulder. He later damages the complex pulley system that Rabbit has rigged up to remove the boulder, much to the latter's frustration. The rest of Tigger's friends say that they are not quite as bouncy as he is because they are not Tiggers like him. Tigger sadly wanders off in loneliness, wishing there was somebody else like him. Wanting to play with Tigger, Roo asks if Tigger has a Tigger family he could bounce with. Tigger is fascinated by the idea, and the two go to visit Owl for advice on finding Tigger's family. Owl shows them portraits of his own family and mentions the concept of family trees; Tigger accidentally knocks the portraits over. When he quickly hangs them back up, all of Owl's ancestors appear to be perched on a single tree. Tigger concludes that his family tree must be a real tree, and he and Roo go searching for it. After searching the wood without turning up any giant, Tigger-striped trees, Tigger and Roo go back to Tigger's house to search for clues to his family's whereabouts. Tigger teaches Roo the awesome Whoop-de-Dooper-Loop-de-Looper-Alley-Ooper Bounce. They find a heart-shaped locket that Tigger hopes will contain a picture of his family, but it is empty. Roo suggests Tigger try writing a letter to his family, which Tigger does. Guess a valid title for it!
Answer:
The Tigger Movie