IN: Francis "Frank" Hague, born in Jersey City, was the fourth of eight children to John D. and Margaret Hague (nee Fagen), immigrants from County Cavan, Ireland. He was raised in Jersey City's Second ward, an area known as The Horseshoe due to its shape which wrapped around a railroad loop. The ward was created when the Republican-controlled legislature gerrymandered a district within Jersey City in 1871 to concentrate and isolate Democratic, and mostly Catholic, votes. By age 14, Hague was expelled from school prior to completing the sixth grade for poor attendance and unacceptable behavior.

In 1913, the first election for the city commission saw 91 men on the ballot competing for five available seats on the commission. Hague finished fourth with 17,390 votes and was elected to the first City Commission of Jersey City. The only Wittpenn-supported candidate, A. Harry Moore, was also elected. As a result of having garnered the most votes (21,419) former mayor Fagan became the first mayor under this new form of government, and the only Republican to hold that title in Jersey City for the following 75 years. Hague was named public safety commissioner, with control over the police and fire departments. In the same year, Hague cemented his control of the Hudson County political machine by securing for himself the leadership of the Hudson County Democratic Organization Executive Committee. Hague immediately set about reshaping the corrupt Jersey City police force with tough Horsehoe recruits. Hague spearheaded crackdowns on prostitution and narcotics trafficking, earning him favor with religious leaders. These enforcement acts went as far as Hague himself marching across local Vaudeville stages personally directing the shut down of "girlie shows." At the heart of this change was an inner cadre of officers known as the Zeppelin Squad or "zepps" who were personally loyal to Hague alone. The "zepps" would spy on, and report back to Hague about other members of the department. Eventually, Jersey City had one patrolman for every 3,000 residents, causing a marked decline in the city's once-astronomical crime rate. Hague took steps to curb the police department's lackadaisical work ethic, punishing offenses that had gone unpunished for years. He also made much-needed improvements to the fire department; at the time he took office Jersey City's fire insurance rates were among the highest in the nation. Upon discovering in early 1916 that millions of pounds of munitions were being stockpiled on the Jersey City waterfront, Hague travelled to Washington, D.C. to register concerns for the safety of his constituents. His meetings with Congressmen resulted in no action, Congress having decided that Jersey City was an "appropriate port." Hague's concerns were shown to be valid in July 1916 when the Black Tom explosion sent shrapnel flying across the city. In 1917, Hague, with his reputation as the man who cleaned up the police force, ran for reelection. He put together a commission ticket called "The Unbossed." The ticket consisted of him, Parks Commissioner Moore, Revenue Commissioner George Brensinger, ex-judge Charles F.X. O'Brien and City Clerk Michael I. Fagan. It swept all five spots on the commission. Moore topped the poll, and traditional practice called for him to be appointed mayor. However, when the commission met for the first time on May 11, Hague was chosen as the new mayor.
QUESTION: What else did Hague do as commissioner that was significant?
IN: Fibber McGee and Molly was an American radio comedy series. A staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, the prime time situation comedy ran as a standalone series from 1935 to 1956, then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s. Fibber McGee and Molly, which followed up the Jordans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife

Fibber McGee and Molly spun two supporting characters off into their own shows. By far the most successful and popular was Harold Peary's Gildersleeve, spun into The Great Gildersleeve in 1941. This show introduced single parenthood of a sort to creative broadcasting: the pompous, previously married Gildersleeve now moved to Summerfield, became single (although the missing wife was never explained), and raised his orphaned, spirited niece and nephew, while dividing his time between running his manufacturing business and (eventually) becoming the town water commissioner. In one episode, the McGees arrived in Summerfield for a visit with their old neighbor with hilarious results: McGee inadvertently learns Gildersleeve is engaged, and he practically needs to be chloroformed to perpetuate the secret a little longer. Peary returned the favor in a memorable 1944 Fibber McGee & Molly episode in which neither of the title characters appeared: Jim Jordan was recovering from a bout of pneumonia (this would be written into the show the following week, when the Jordans returned), and the story line involved Gildersleeve and nephew Leroy hoping to visit the McGees at home during a train layover in Wistful Vista, but finding Fibber and Molly not at home. At the end of the episode, Gildersleeve discovers the couple had left in a hurry that morning when they received Gildy's letter saying he would be stopping over in Wistful Vista. Marlin Hurt's Beulah was also spun off, leading to both a radio and television show that would eventually star Hattie McDaniel and Ethel Waters. Jim and Marian Jordan themselves occasionally appeared on other programs, away from their Fibber and Molly characters. One memorable episode of Suspense ("Backseat Driver", 02-03-1949) cast the Jordans as victims of a car-jacking; Jim Jordan's tense, interior monologues were especially dramatic.
QUESTION:
What is notable about that film?