Background: Mitchell William "Mitch" Miller (July 4, 1911 - July 31, 2010) was an American oboist, conductor, recording producer and recording industry executive. He was involved in almost all aspects of the industry, particularly as a conductor, and artist and repertoire (A&R) man. Miller was one of the most influential people in American popular music during the 1950s and early 1960s, both as the head of A&R at Columbia Records and as a best-selling recording artist with an NBC television series, Sing Along with Mitch. A graduate of the Eastman School of Music of the University of Rochester in the early 1930s, Miller began his musical career as an accomplished player of the oboe and English horn, making numerous highly regarded classical and popular recordings, but he is best remembered as a choral conductor on television and as a recordings executive.
Context: As a record producer, Miller gained a reputation for both innovation and gimmickry. Although he oversaw dozens of chart hits, his relentlessly cheery arrangements and his penchant for novelty material -- for example, Come On-a My House (Rosemary Clooney), "Mama Will Bark" (Frank Sinatra and Dagmar) -- has drawn criticism from some admirers of traditional pop music. Music historian Will Friedwald wrote in his book Jazz Singing (Da Capo Press, 1996) that Miller exemplified the worst in American pop. He first aroused the ire of intelligent listeners by trying to turn -- and darn near succeeding in turning -- great artists like Sinatra, Clooney, and Tony Bennett into hacks. Miller chose the worst songs and put together the worst backings imaginable -- not with the hit-or-miss attitude that bad musicians traditionally used, but with insight, forethought, careful planning, and perverted brilliance. At the same time, Friedwald acknowledges Miller's great influence on later popular music production: Miller established the primacy of the producer, proving that even more than the artist, the accompaniment, or the material, it was the responsibility of the man in the recording booth whether a record flew or flopped. Miller also conceived the idea of the pop record "sound" per se: not so much an arrangement or a tune, but an aural texture (usually replete with extramusical gimmicks) that could be created in the studio and then replicated in live performance, instead of the other way around. Miller was hardly a rock 'n' roller, yet without these ideas there could never have been rock 'n' roll. "Mule Train", Miller's first major hit (for Frankie Laine) and the foundation of his career, set the pattern for virtually the entire first decade of rock. The similarities between it and, say, "Leader of the Pack", need hardly be outlined here. While some of Columbia's performers, including Harry James, Frank Sinatra and Rosemary Clooney, resented Miller's methods, the label maintained a high hit-to-release ratio during the 1950s. Sinatra particularly blamed his temporary fall from popularity while at Columbia on Miller; the crooner felt that he was forced by Miller to record material like "Mama Will Bark" and "The Hucklebuck". Miller countered that Sinatra's contract gave him the right to refuse any song.
Question: Who was an artist he worked with?
Answer: Sinatra,

Background: Antoine Dominique "Fats" Domino Jr. (February 26, 1928 - October 24, 2017) was an American pianist and singer-songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Between 1955 and 1960, he had eleven Top 10 hits. His humility and shyness may be one reason his contribution to the genre has been overlooked.
Context: As Hurricane Katrina approached New Orleans in August 2005, Domino chose to stay at home with his family, partly because his wife, Rosemary, was in poor health. His house was in an area that was heavily flooded. Domino was rumored to have died, and his home was vandalized when someone spray-painted the message "RIP Fats. You will be missed". On September 1, the talent agent Al Embry announced that he had not heard from Domino since before the hurricane struck. Later that day, CNN reported that Domino had been rescued by a Coast Guard helicopter. Until then, even family members had not heard from him since before the storm. Embry confirmed that Domino and his family had been rescued. The family was then taken to a shelter in Baton Rouge, after which they were picked up by JaMarcus Russell, the starting quarterback of the Louisiana State University football team, and the boyfriend of Domino's granddaughter. He let the family stay in his apartment. The Washington Post reported that on September 2, they had left Russell's apartment after sleeping three nights on the couch. "We've lost everything," Domino said, according to the Post. By January 2006, work to gut and repair Domino's home and office had begun (see Reconstruction of New Orleans). In the meantime, the Domino family resided in Harvey, Louisiana. President George W. Bush made a personal visit and replaced the National Medal of Arts that President Bill Clinton had previously awarded Domino. The gold records were replaced by the RIAA and Capitol Records, which owned the Imperial Records catalogue.
Question: Did he and his family leave New Orleans after Hurricane Katrina?
Answer: CNN reported that Domino had been rescued by a Coast Guard helicopter.

Background: The Powhatan People (sometimes Powhatans) (also spelled Powatan) are an Indigenous group traditionally from Virginia. In some instances, The Powhatan, may refer to one of the leaders of the people. This is most commonly the case in historical writings by the English. The Powhatans have also been known as Virginia Algonquians, as the Powhatan language is an eastern-Algonquian language also known as Virginia Algonquian.
Context: The capital village of "Powhatan" was believed to be in the present-day Powhatan Hill section of the eastern part of Richmond, Virginia, or perhaps nearby in a location which became part of Tree Hill Farm. Another major center of the confederacy about 75 miles (121 km) to the east was called Werowocomoco. It was located near the north bank of the York River in present-day Gloucester County. Werowocomoco was described by the English colonists as only 15 miles (24 km) as the crow flies from Jamestown, but also described as 25 miles (40 km) downstream from present-day West Point, measurements which conflict with each other. In 2003 archaeologists initiated excavations at a site in Gloucester County that have revealed an extensive indigenous settlement from about 1200 (the late Woodland period) through the early Contact period. Work since then has added to their belief that this is the location of Werowocomoco. The site is on a farm bordering on Purtain Bay of the York River, about 12 nautical miles (22 km) from Jamestown. The more than 50 acres (200,000 m2) residential settlement extends up to 1,000 feet (300 m) back from the river. In 2004, researchers excavated two curving ditches of 200 feet (60 m) at the far edge, which were constructed about 1400 CE. In addition to extensive artifacts from hundreds of years of indigenous settlement, researchers have found a variety of trade goods related to the brief interaction of Native Americans and English in the early years of Jamestown. Around 1609, Wahunsunacock shifted his capital from Werowocomoco to Orapakes, located in a swamp at the head of the Chickahominy River, near the modern-day interchange of Interstate 64 and Interstate 295. Sometime between 1611 and 1614, he moved further north to Matchut, in present-day King William County on the north bank of the Pamunkey River, not far from where his brother Opechancanough ruled one of the member tribes at Youghtanund.
Question: Are there any other interesting aspects about this article?
Answer:
Another major center of the confederacy about 75 miles (121 km) to the east was called Werowocomoco.