In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[EX Q]: Pierre Peders (Steve Buscemi) is a political journalist who has been assigned an interview with a popular soap opera star, Katya (Sienna Miller). She arrives an hour late, doesn't apologise and immediately succeeds in convincing the maitre d' (David Schechter) to give them the best table, which up to then was occupied. The couple on that particular table (Elizabeth Bracco and James Villemaire) complies and is happy to vacate the table for her. Later, another fan (Jackson Loo) asks her to autograph his i-pod. Pierre becomes so irritated with her attitude, full-mouthed, cocky, brainless, answering the ever-ringing mobile phone with a stupid dog tone, that he leaves the restaurant without the interview. However, she has immediately noticed that he hasn't seen any of Katya's films, and only has overheard about her sexual relationships with several men. When he leaves, he picks up a taxi. He watches as Katya talks for a while to the paparazzi waiting outside, and then leaves by foot. Pierre's taxi driver (Craig "muMs" Grant) starts talking to Katya, saying how much he loves her, that he likes her tits, so his taxi crashes into a van in front. Pierre bumps his head on the inside glass of the taxi, so Katya takes him home.After she tends to him, they drink a lot of alcohol, and keep on talking. Her mobile phone is always ringing. She says that she knows what men like in women, for example high-heels and fishnets, because that way, women look like easy prey. Pierre tries to ask her questions, but they are very stereotypical. He watches on the TV the political interview he should be doing at that moment, asking about the last sexual scandal of the politician of the moment. She laughs about him, and he finally admits that he has seen some of the horror films Katya has done.Pierre tells her a terrible story: his brother Robert (Michael Buscemi), a graphic journalist, had fallen in love with a prostitute in Bosnia, and got her pregnant. The local militia gang-raped her and killed her foetus, sending it to Robert in a bottle. Pierre reads Katya's net diary, where she expresses feelings of loneliness, depression, darkness inside of her. Pierre considers that this is proof that she realises her films are bad, her own lack of talent, the uselessness of her relationship with her boyfriend Ethan...Katya also seems to be intent in avoiding her boyfriend. She doesn't pick up his calls and doesn't open the door when he knocks. Pierre tries to lead her to express those feelings to him. When she refuses to acknowledge the existence of those feelings, he shows the computer diary. She gets really angry that he has read it. Pierre sends that diary to his own mobile phone and makes a deal with Katya. If she tells him her secret, he will tell her his secret.So Katya sits in front of Pierre's camcorder and tells him that she has cancer, and that it is probably deadly. She gets really emotional, and Pierre says that there is no way he's going to make that piece of news public. Afterwards, she insists that he tells her his secret. He admits that he exaggerated his brother's story, that he has started to invent his sources so that his editor doesn't trust him anymore, and then he admits in front of a camcorder to a murder: he and his wife had come back after their daughter died, and both had problems with alcohol because of their angst. One day, when he was completely drunk, he saw his wife fall to the floor, drunk and breathing heavily; he didn't even bother to check whether she was alive, and didn't phone for an ambulance. He just left and when the police came to talk to him, he played the sorry widower - tears and shock.Pierre picks the videotape from Katya's camcorder thinking that it is the recording in which he appears. Instead, he picks the videotape where Katya and Maggie (Tara Elders), a fellow star, prepare for the next instalment of City Girls, the stupid soap opera which they star in. Pierre phones his editor saying that he has Katya's private diary and that he got some exclusive smashing news: she's got cancer. When he hangs up, Katya phones him: she tells him that he's stolen the script for the episodes of City Girls she is recording - so he hasn't got her diary - and that the story of the cancer sickness is part of the new script and part of her character's feelings. Pierre is terrified: he realises that Katya has the videotape where he admits to the murder.Alone at her luxurious loft, Katya watches Pierre's videotape, and he cannot do anything about it.
[EX A]: Question: What does Pierre Peders do?, Answer: He is a war correspondent

[EX Q]: Several murders have taken place throughout Kolkata, for which a serial killer is believed responsible. The murderer strikes in accordance with verses of Bengali poetry, which he leaves next to the victims. The police are baffled; chief detective Abhijit Pakrashi (Parambrata Chatterjee) struggles to solve the case, which takes a toll on his relationship with girlfriend Amrita Mukherjee (Raima Sen). Pakrashi's superior brings back an ex-cop, Prabir (Prosenjit Chatterjee), to help solve the case. Prabir, earlier suspended for his violent methods, is notoriously ill-tempered and foul-mouthed. Prabir and Pakrashi work together, while Amrita (a television journalist) and colleague Surya Sinha (Abir Chatterjee) research serial killers for a series whose thirteenthand finalepisode will be about a contemporary murderer. Meanwhile, eccentric poet Nibaron Chakraborty (Gautam Ghosh)who considers himself part of the Hungry Generationwanders Kolkata at night reciting poems.Researching serial killers, Amrita visits a prison where the warden remembers Rafique Ahmed and his only confidant in 18 years of imprisonment: Nibaron Chakraborty. She and Surya go to Nibaron's house to question him; after being greeted by his servant, Swapan, they are convinced he is insane when Nibaron says he has a meeting with "Rabindranath". They almost succeed in learning about Rafique when Surya angers him by mentioning the book-fair arson for which he was imprisoned.While investigating the case, Pakrashi sees Amrita and Surya together. Jealous and drunk, Abhijit goes to Prabir's house and pours out his heart; he tells Prabir that he lost his father at a young age, and tries to avoid alcohol because of what it did to his father. Prabir tells Pakrashi that he went to work the day after losing his wife and child, encouraging him to be strong. Surya takes Amrita to a cemetery, telling her he would propose in a few days. They end up in a police station after a police officer sees them (and is slapped by Amrita). Pakrashi, still tipsy, rescues them when the inspector recognises Amrita as his girlfriend and they reconcile.The next day, while randomly discussing poets and poems, Prabir and Pakrashi deduce that the killer strikes on the death anniversaries of well-known Bengali poets. When they search all possible days the killer could strike, they discover that the next date is 29 June: Michael Madhusudan Dutt's death anniversary.Amrita tells Pakrashi what she and Surya have been doing, including the interview with Nibaron. This convinces him that Nibaron is the killer, especially when Swapan tells Prabir he is now afraid of his employer.Pakrashi and Prabir watch Nibaron's house on the fateful night. A hooded figure comes out; it is Swapan, fleeing. In the house they discover that Nibaron has committed suicide, and the case is closed.After a month or so, Rabindranath Tagore's death anniversary (Baishe Srabon) arrives. Prabir invites Pakrashi to meet a man named Rabindranath, and Pakrashi is surprised that "Swapan" is Prabir's servant Kaanai. Prabir admits that he was the mastermind behind the murders, with Kaanai (an ex-convict) carrying them out. He wanted to avenge the police force for his suspension, which he considered an insult to his hard work despite the loss of his family. After saying that today's would be the final killing, he shoots himself.
[EX A]: Question: What does the murderer leave behind with his victims?, Answer: Bengali poetry

[EX Q]: A narrator states that when President Lyndon Johnson was asked about the Kennedy Assassination and the Warren Commission report, he said he doubted the findings of the Commission. The narration ends with the mention that the segment did not run on television and was cut from a program about Johnson, at his own request.At a gathering in June 1963, shadowy industrial, political and former US intelligence figures discuss their growing dissatisfaction with the Kennedy administration. In the plush surroundings of lead conspirator Robert Foster (Robert Ryan), he and the others try to persuade Harold Ferguson (Will Geer), a powerful oil magnate dressed in white, to back their plans for an assassination of Kennedy. He remains unconvinced, saying, "I don't like such schemes. They're only tolerable when necessary, and only permissible when they work." James Farrington (Burt Lancaster), a black ops specialist, is also among the group: He shows Ferguson and others that a careful assassination of a U.S. President can be done under certain conditions, and refers to the murders of Abraham Lincoln, James Garfield, and William McKinley as examples, and includes assassination attempts of others including Roosevelt in 1933. He calls this "executive action".The film cuts to a desert, where a shooting team is doing target practice at a moving object. One of the shooters says they can only guarantee the operation's success by slowing down the target to 15miles per hour.The lead conspirators, Farrington and Foster, discuss preparations for the assassination. Obtaining Ferguson's approval is crucial to the conspirators, although Farrington proceeds to organize two shooting teams in anticipation that Ferguson will change his mind. Ferguson, meanwhile, watches news reports and becomes highly concerned at Kennedy's increasingly "liberal" direction: action on civil rights, Nuclear Test Ban Treaty, nuclear disarmament. The deciding moment comes when he is watching an anti-Kennedy news report on the deteriorating situation in South Vietnam. It is followed by Kennedy's October 1963 decision, National Security Action Memorandum #263[2] to withdraw all US advisers from Vietnam by the end of 1965, effectively ending America's direct involvement in the Vietnam War. Ferguson calls Foster and tells him he now supports their project.While the motives of the man in the white suit are clear, the film attempts to cast light on the murky paranoid fears of the conspirators through dialogues between Foster and Farrington. They are primarily concerned about the future of America and the security of ruling-class white people around the world. Foster forecasts the population of the world in 2000 at 7 billion, "Most of them yellow, brown or black. All hungry and all determined to love; they'll swarm out of their breeding grounds into Europe and North America." He sees victory in Vietnam as an opportunity to control the developing world and reduce its population to 550 million, adding that they can then apply the same "birth-control" methods to unwanted groups in the US: poor whites, blacks and Latinos. "I've seen the data," he emphasizes, although it is unclear whether he does it to reveal himself privy to plans known to the CIA, or to hint knowledge of even more secret information not even known to Ferguson.The scene of the shooting is described. As news of the assassination reaches the conspirators, the film describes the effects. Farrington and his assistant discuss the fallout from the assassination, especially how to deal with the fact that Oswald has survived. Farrington contacts nightclub owner Jack Ruby. Ruby stalks and kills Oswald.While the real assassins leave Dallas, the conspirators work to cover up the evidence. They discuss the political fallout in Washington, D.C., concerned about retribution from Robert F. Kennedy and the "believability" of the plot. Foster states that "Bobby Kennedy is not thinking as Attorney General but as a grieving brother. By the time he recovers it will be too late." The conspirators agree that people will believe in the story because "they want to believe the story." Soon after, Foster receives a call from Farrington's assistant: Farrington has died of a heart attack "at Parkland Hospital." The conspirators are now insulated from the link to the group that committed the killings.Their work is not quite finished. A photo collage is shown of 18 material witnesses, all but two of whom, it says, died from unnatural causes within three years of the assassination. A voice-over says that an actuary of the British newspaper The Sunday Times calculated the probability that all these people who witnessed the assassination would die within that period of time to be 100,000 trillion to one.[3]
[EX A]:
Question: What are Foster and Farrington primarily concerned about?, Answer: The future of America and the security of ruling-class white people around the world