Question:
Norquist grew up in Weston, Massachusetts. He is the son of Carol (nee Lutz) and Warren Elliott Norquist (a vice president of Polaroid Corporation), and is of Swedish ancestry. His brother, David Norquist has served in senior posts in Republican administrations at both the United States Department of Defense and the United States Department of Homeland Security. Norquist became involved with politics at an early age when he volunteered for the 1968 Nixon campaign, assisting with get out the vote efforts.
Norquist is best known for founding Americans for Tax Reform (ATR) in 1985, which he says was done at the request of then-President Ronald Reagan. Referring to Norquist's activities as head of ATR, Steve Kroft, in a 60 Minutes episode that aired on November 20, 2011, claimed that "Norquist has been responsible, more than anyone else, for rewriting the dogma of the Republican Party." The primary policy goal of Americans for Tax Reform is to reduce government revenues as a percentage of the GDP. ATR states that it "opposes all tax increases as a matter of principle." Americans for Tax Reform has supported Taxpayer Bill of Rights (TABOR) legislation and transparency initiatives, while opposing cap-and-trade legislation and efforts to regulate health care. In 1993, Norquist launched his Wednesday Meeting series at ATR headquarters, initially to help fight President Clinton's healthcare plan. The meeting eventually became one of the most significant institutions in American conservative political organizing. The meetings have been called "a must-attend event for Republican operatives fortunate enough to get an invitation", and "the Grand Central station of the conservative movement." Medvetz (2006) argues that the meetings have been significant in "establishing relations of...exchange" among conservative subgroups and "sustaining a moral community of conservative activists." As a nonprofit organization, Americans for Tax Reform is not required to disclose the identity of its contributors. Critics, such as Sen. Alan Simpson, have asked Norquist to disclose his contributors; he has declined but has said that ATR is financed by direct mail and other grassroots fundraising efforts. According to CBS News, "a significant portion appears to come from wealthy individuals, foundations and corporate interests."
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Were the americans successful in requesting their tax reform?

Answer:
in a 60 Minutes episode that aired on November 20, 2011, claimed that "Norquist has been responsible, more than anyone else, for rewriting the dogma of the Republican Party."

Question:
Verity Ann Lambert (27 November 1935 - 22 November 2007) was an English television and film producer. She was the founding producer of the science-fiction series Doctor Who and she had a long association with Thames Television. Her many credits include Adam Adamant Lives!
Later in 1974 Lambert became Head of Drama at Thames Television. During her time in this position she oversaw several high-profile and successful contributions to the ITV network, including The Naked Civil Servant (1975), Rock Follies (1976-77), Rumpole of the Bailey (1978-92) and Edward and Mrs Simpson (1978). In 1976 she was also made responsible for overseeing the work of Euston Films, Thames' subsidiary film production company, at the time best known as the producers of The Sweeney. In 1979 she transferred to Euston full-time as the company's Chief Executive, overseeing productions such as Quatermass (1979), Minder (1979-94) and Widows (1983). At Thames and Euston, Lambert enjoyed the most sustained period of critical and popular success of her career. The Naked Civil Servant won a British Academy Television Award (BAFTA) for its star John Hurt as well as a Broadcasting Press Guild Award and a prize at the Prix Italia; Rock Follies won a BAFTA and a Royal Television Society Award, while Widows also gained BAFTA nominations and ratings of over 12 million--unusually for a drama serial, it picked up viewers over the course of its six-week run. Minder went on to become the longest-running series produced by Euston Films, surviving for over a decade following Lambert's departure from the company. Television historian Lez Cooke described Lambert's time in control of the drama department at Thames as "an adventurous period for the company, demonstrating that it was not only the BBC that was capable of producing progressive television drama during the 1970s. Lambert wanted Thames to produce drama series 'which were attempting in one way or another to tackle modern problems and life,' an ambition which echoed the philosophy of her mentor Sydney Newman." Howard Schuman, the writer of Rock Follies, also later praised the bravery of Lambert's commissioning. "Verity Lambert had just arrived as head of drama at Thames TV and she went for broke," he told The Observer newspaper in 2002. "She commissioned a serial, Jennie: Lady Randolph Churchill, for safety, but also Bill Brand, one of the edgiest political dramas ever, and us ... Before we had even finished making the first series, Verity commissioned the second." Lambert's association with Thames and Euston Films continued into the 1980s. In 1982, she rejoined the staff of parent company Thames Television as director of drama, and was given a seat on the company's board. In November 1982 she left Thames, but remained as chief executive at Euston until leaving in November of the following year to take up her first post in the film industry, as director of production for Thorn EMI Screen Entertainment. Her job here was somewhat frustrating as the British film industry was in one of its periodic states of flux, but she did produce several feature films, including Clockwise (1986). Lambert later expressed some regret on her time in the film industry in a feature for The Independent newspaper. "Unfortunately, the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of--Dennis Potter's Dreamchild, and Clockwise with John Cleese--it was terribly tough and not a very happy experience." Lambert was Chair of the British Film Institute Production Board from 1981-82.
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What were the thames television shows?

Answer:
The Naked Civil Servant (1975), Rock Follies (1976-77), Rumpole of the Bailey (1978-92) and Edward and Mrs Simpson (1978).

Question:
Simple Plan is a Canadian rock band from Montreal, Quebec. The band has released five studio albums: No Pads, No Helmets...Just Balls (2002), Still Not Getting Any...
In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record. The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte. In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything". In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date.
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Did it contain any singles?

Answer:
I'm Just a Kid, I'd Do Anything,