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Mary Mary are an American gospel duo composed of sisters Erica Atkins-Campbell and Trecina Atkins-Campbell. Formed in 1998, Mary Mary was launched into mainstream recognition following the release of their best-selling debut album, Thankful (2000), which contained the hit single "Shackles (Praise You)". Their followup album Incredible (2002), reached number one on the Top Gospel Albums chart. Their third album, Mary Mary (2005), which contains themes the public interpreted as a channel to the group's experience, contains the worldwide hits "Heaven", "The Real Party", and "Yesterday".
The Atkins sisters, born Erica Monique and Trecina Evette, grew up in a large family with seven siblings in Inglewood, California. Their mother, Thomasina Atkins, is an evangelist and choir director at the Church of God in Christ. Their father, Eddie A. Atkins, was also a member of the Church of God In Christ, and a youth counselor, before he died in 2013. Due to their proximity in age, the two sisters grew up closer to one another than to any of their siblings: Darrell Atkins (born 1965, the only living boy- the second boy died as a child), Maliea Atkins (born 1967), Erica (born 1972), Tina (born 1974), Delisa Atkins-Brown (born 1977), Thomasina Atkins (born 1979), Alana Atkins-Jamison (born 1985), and Shanta Atkins (born 1986). Later, they would work creatively with over half of their siblings; Thomasina, Alana, Delisa and Shanta Atkins all sing background on Mary Mary's albums and during stage performances and Delisa was originally a member of the group but left before they started recording professionally due to pursuing college. Eventually, all eight Atkins children united on the Bobby Jones Gospel show on BET. During this time, Erica and Trecina entered the world of church choirs, traveling gospel shows, and television productions. The sisters enrolled at El Camino College to study voice. There they encountered the division between rigorous academic study of music versus the popular musical world. "We had to study classical and sing arias, which was fine," Erica told Times, "but the teachers would tell us if we sang anything else it would damage our instrument." In 1995 the two toured with Michael Matthews' traveling gospel shows, Mama I'm Sorry and Sneaky. Each sister subsequently toured as a backup singer for a variety of R&B acts, including Brandy.

When did they decide to get into singing?

Delisa was originally a member of the group but left before they started recording professionally due to pursuing college.

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Ivor Armstrong Richards (26 February 1893 - 7 September 1979), known as I. A. Richards, was an English educator, literary critic, and rhetorician whose work contributed to the foundations of the New Criticism, a formalist movement in literary theory, which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained, self-referential aesthetic object. Richards' intellectual contributions to the establishment of the literary methodology of the New Criticism are presented in the books The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923), by C. K. Ogden and I. A. Richards, Principles of Literary Criticism (1926), Practical Criticism (1929), and The Philosophy of Rhetoric (1936).
The life and intellectual influence of I. A. Richards approximately corresponds to his intellectual interests; many endeavours were in collaboration with the linguist, philosopher, and writer Charles Kay Ogden (C.K. Ogden), notably in four books: I. Foundations of Aesthetics (1922) presents the principles of aesthetic reception, the bases of the literary theory of "harmony"; aesthetic understanding derives from the balance of competing psychological impulses. The structure of the Foundations of Aesthetics--a survey of the competing definitions of the term aesthetic--prefigures the multiple-definitions work in the books Basic Rules of Reason (1933), Mencius on the Mind: Experiments in Multiple Definition (1932), and Coleridge on Imagination (1934) II. The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism (1923) presents the triadic theory of semiotics that depends upon psychological theory, and so anticipates the importance of psychology in the exercise of literary criticism. Semioticians, such as Umberto Eco, acknowledged that the methodology of the triadic theory of semiotics improved upon the methodology of the dyadic theory of semiotics presented by Ferdinand de Saussure (1857-1913). III. Basic English: A General Introduction with Rules and Grammar (1930) and IV. the Times of India Guide to Basic English (1938) developed the Basic English program in effort to develop an international language, an interlanguage based upon a vocabulary of 850 English words. Richards' travels, especially in China, effectively situated him as the advocate for an international program, such as Basic English. Moreover, at Harvard University, to his international pedagogy, the instructor I. A. Richards began to integrate the available new media for mass communications, especially television.

what was the highlight of this collaboration?

aesthetic understanding derives from the balance of competing psychological impulses.

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Talking Heads were an American rock band formed in 1975 in New York City and active until 1991. The band comprised David Byrne (lead vocals, guitar), Chris Frantz (drums), Tina Weymouth (bass), and Jerry Harrison (keyboards, guitar). Described by critic Stephen Thomas Erlewine as "one of the most critically acclaimed bands of the '80s", the group helped to pioneer new wave music by integrating elements of punk, art rock, funk, and world music with avant-garde sensibilities and an anxious, clean-cut image. Former art school students, who became involved in the 1970s New York punk scene, Talking Heads released their debut
David Byrne, Chris Frantz, and Tina Weymouth were alumni of the Rhode Island School of Design in Providence, Rhode Island. There, Byrne and Frantz formed a band called "The Artistics" in 1973. Weymouth was Frantz's girlfriend and often provided transportation for the band. The Artistics dissolved the following year, and the three moved to New York, eventually sharing a communal loft. Unable to find a bass player in New York City, Frantz encouraged Weymouth to learn to play bass by listening to Suzi Quatro albums. They played their first gig as "Talking Heads" opening for the Ramones at CBGB on June 5, 1975. In a later interview, Weymouth recalled how the group chose the name Talking Heads: "A friend had found the name in the TV Guide, which explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit." Later that year, the trio recorded a series of demos for CBS, but the band was not signed to the label. They quickly drew a following and were signed to Sire Records in November 1976. The group released their first single in February that year, "Love - Building on Fire". In March 1977, they added Jerry Harrison (keyboards, guitar, backing vocals), formerly of Jonathan Richman's band The Modern Lovers. Their first album was released soon afterwards, Talking Heads: 77, which did not contain the earlier single. The album received considerable acclaim and spawned what became the group's first charted single, "Psycho Killer". The song was released to the radio just months after the serial killer known as the Son of Sam had been terrorizing New York City, prompting many to assume some eerie connection. However, it was later revealed that Byrne had written the song nearly four years earlier.

What were albums or songs they released?
The album received considerable acclaim and spawned what became the group's first charted single, "Psycho Killer".