IN: Wilhelm Justus Goebel was born January 4, 1856, in Albany Township, Bradford County, Pennsylvania, the son of Wilhelm and Augusta (Groenkle) Goebel, immigrants from Hanover, Germany. The first of four children, he was born two months premature and weighed less than three pounds. His father served as a private in Company B, 82nd Pennsylvania Infantry Regiment during the American Civil War, and Goebel's mother raised her children alone, teaching them much about their German heritage. Wilhelm spoke only German until the age of six, but embraced the culture of his birth country as well, adopting the English spelling of his name.

In 1887, James W. Bryan vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor. Goebel decided to seek election to the vacant seat representing the Covington area. His platform of railroad regulation and championing labor causes, combined with the influence of Stevenson, his former partner, should have given Goebel an easy victory, but this was not to be. A third political party, the Union Labor party, had risen to power in the area with a platform similar to Goebel's. However, while Goebel had to stick close to his allies in the Democratic party, the Union Labor party courted the votes of both Democrats and Republicans, and made the election close - decided in Goebel's favor by a mere fifty-six votes. With only the two years remaining in former senator Bryan's term to distinguish himself before a re-election bid, Goebel took aim at a large and popular target: the Louisville and Nashville Railroad. A proposal from pro-railroad legislators in the Kentucky House of Representatives to abolish Kentucky's Railroad Commission was passed and sent to the Senate. Senator Cassius M. Clay responded by proposing a committee to investigate lobbying by the railroad industry. Goebel served on the committee, which uncovered significant violations by the railroad lobby. Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate. These actions made him a hero in his district. He ran for a full term as senator unopposed in 1889, and won another term in 1893 by a three-to-one margin over his Republican opponent. In 1890, Goebel was a delegate to Kentucky's fourth constitutional convention, which produced the current Kentucky Constitution. Despite the high honor of being chosen as a delegate, Goebel showed little interest in participating in the process of creating a new constitution. The convention was in session for 250 days; Goebel was present for just 100 of them. He did, however, successfully secure the inclusion of the Railroad Commission in the new constitution. As a constitutional entity, the Commission could only be abolished by an amendment ratified by popular vote. This would effectively protect the Commission from ever being unilaterally dismantled by the General Assembly.
QUESTION: Was he known for anything in particular?
IN: Hedren was born on January 19, 1930, in New Ulm, Minnesota, to Bernard Carl and Dorothea Henrietta (nee Eckhardt) Hedren. For much of her career, Hedren's year of birth was reported as 1935. In 2004, however, she acknowledged that she was actually born in 1930 (which is consistent with the birth registration index at the Minnesota Historical Society). Her paternal grandparents were Swedish immigrants, while her maternal ancestry is German and Norwegian.

The Birds (1963) was Hedren's screen debut. Hitchcock became her drama coach, and gave her an education in film-making as she attended many of the production meetings such as script, music or photography conferences. Hedren said, "I probably learned in three years what it would have taken me 15 years to learn otherwise." She learned how to break down a script, to become another character, and to study the relationship of different characters. Hedren portrayed her role of Melanie Daniels as Hitchcock requested. She said, "He gives his actors very little leeway. He'll listen, but he has a very definite plan in mind as to how he wants his characters to act. With me, it was understandable, because I was not an actress of stature. I welcomed his guidance." During the six months of principal photography, Hedren's schedule was tight, as she was only given one afternoon off a week. At first, she found the shooting "wonderful". Hitchcock told a reporter, after a few weeks of filming, that she was remarkable, and said, "She's already reaching the lows and highs of terror." Nonetheless, Hedren recalled the week she did the final bird attack scene in a second-floor bedroom as the worst of her life. Before filming it, she asked Hitchcock about her character's motivations to go upstairs, and his response was, "Because I tell you to." She was then assured that the crew would use mechanical birds. Instead, Hedren endured five solid days of prop men, protected by thick leather gloves, flinging dozens of live gulls, ravens and crows at her (their beaks clamped shut with elastic bands). In a state of exhaustion, when one of the birds gouged her cheek and narrowly missed her eye, Hedren sat down on the set and began crying. A physician ordered a week's rest. Hitchcock protested, according to Hedren, saying there was nobody but her to film. The doctor's reply was, "Are you trying to kill her?" She said the week also appeared to be an ordeal for the director. Universal's executives, who did not back Hitchcock's decision to hire Hedren in the first place, were impressed with her performance and Wasserman described it as "remarkable". While promoting The Birds, Hitchcock was full of praise for his new protegee, and compared her to Grace Kelly. "Tippi has a faster tempo, city glibness, more humor [than Grace Kelly]. She displayed jaunty assuredness, pertness, an attractive throw of the head. And she memorized and read lines extraordinarily well and is sharper in expression." The film was screened out of competition in May at a prestigious invitational showing at the 1963 Cannes Film Festival. Hedren's performance was praised in Variety's review: "Aside from the birds, the film belongs to Hedren, who makes an auspicious screen bow. She virtually has to carry the picture alone for the first forty-five minute stretch, prior to the advent of the first wave of organized attackers from the sky. Miss Hedren has a star quality and Hitchcock has provided her with a potent vehicle to launch her career". Hedren received the Golden Globe Award for New Star of the Year, tied with Elke Sommer and Ursula Andress. Her role as Melanie Daniels was named by Premiere magazine as one of the greatest movie characters of all time.
QUESTION:
Did she receive any other awards?