Problem: OPTIONS:
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Answer: If you've seen other movies like this, they're probably better. The Omega Man comes to mind. To the studio's credit, they avoided the sprawling, unnecessary, big budget technofest that typifies movies of this ilk. Additionally, the set-up and premise were excellent: four people whose past is virtually irrelevant to us are trying to get away from an overwhelming infectious fatal disease. What's bad is EVERYTHING else! I get tired of endlessly stupid, careless, wimpy, ineffective, arrogant characters in a movie. That pretty much describes everyone in the movie at some point. I rented it, and found myself yelling at the TV repeatedly, "no, don't do that!", "why are you so stupid", "look out!", etcetera. A true lack of character development is evident about halfway in. A movie SHOULD give you a strong personal connection with at least some of the characters so that you actually care what happens to them. This one does not. Also,there should have been a longer, more involving end to the movie as well.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Like many here I grew up with Scooby-Doo. Unlike many here who did, I love this show! I think that it has been very well done and thought through. Everything about it marks it as a spin-off which isn't meant to be taken seriously. The formula is simple - it is a parody of other cartoons with a single bad guy trying to get the better of the good guy. By using the well known Shaggy and Scooby-Doo characters it is much easier to engage the viewer with the parody humour from the outset of each 30 minute episode.

There have always been Scooby-Doo spin-offs which have annoyed fans. The classic being the Scooby-Shaggy-Scrappy shorts from the 80's. These spin-offs had their place: They allowed new content to be sold, created new fans, and kept Scooby-Doo merchandise on the shelves. I would agree that "Shaggy & Scooby-Doo: Get a Clue!" doesn't fit in with this traditional role but it is probably what I had always wanted the Scooby-Shaggy-Scrappy shorts to be: an action packed show which focuses on the best/funniest Scooby-Doo characters! Good features of the show: the animation, the voices, the attention to detail, the bad-guys, the "Best Friend" relationship between Shaggy and Scooby-Doo, the constant humour! Bad features: None, although the revamped Mystery Machine is pretty close at times.

Well done Warner Bros. Animation! One of the cleverest cartoons in a long time!
Q: What's an example of a movie review?
An example of a movie review is here: I cannot believe that this movie was ever created. I think at points the director is trying to make it an artistic piece but this just makes it worse. The zombies look like they applied too much eye makeup. The zombies are only in the movie for a few minutes. Finally, there are maybe five or six zombies total, definitely not a nation. The best part of the movie, if there is one is definitely the credits because the painful experience was finally finished. Again to reiterate other user comments, the voodoo priestesses are strange and do not make much sense in the whole movie. Also, there is a scene with a snake and a romanian girl that just does not make sense at all. It is never explained.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: This is truly truly one of the best movies about love that I've ever seen. Closely followed by none other than "Before Sunset", which technically isn't another movie at all, since it's about the same two people and the same romance.

This is "love" in the real world. OK, that's only if most people are as intelligent and eloquent as the leads in the movie. Reading the other reviews, it pleases me to know how so many other folks are crazy over dialog-based movies as well. And this is what makes "Before Sunrise" so good. The dialog is perfect. It's so real, so engaging and funny. It's hardly a surprise that Jesse and Celine fall in love, 'coz you fall in love with them at the very same time.

My favorite scene is the one in the coffee shop, where they pretend to phone their best friends, with the other pretending to be said best friend. It's PERFECT. Brings you back to the very moment when you fell in love for the very first time in your life.

I must say that if you have a choice, do watch "Before Sunrise" before watching "Before Sunset". If like me, you watched "Sunset" first, it's hard to shake off the feeling of pity and sadness for the two young lovers throughout the entire show.

Once again, the greatest romantic movie in my books. Wonderful acting, excellent script, and beautiful locations. Young love, at it's best.
Problem: OPTIONS:
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Answer:
New York police detective Mark Dixon (Dana Andrews) is a guy who has to deal with his own demons on a daily basis at the same time as coping with the normal ups and downs of everyday life. The strain produced by his internal struggle and his intense hatred of criminals, leads him to make serious errors of judgement and to fail to recognise the need for any code of conduct to be adhered to in his dealings with people on the wrong side of the law. He has a track record of treating suspects and known criminals with gross brutality and this has brought him into conflict with his superior officers who have censured him for the amount of violence he has regularly used. Dixon cannot reconcile these calls for restraint with his own extreme and irrational hatred of all criminals. He is tormented by the fact that his father was a criminal and has been left with a powerful need to live down his father's reputation and to avoid fulfilling the low expectations that many people have of him as a consequence.

When a rich Texan is murdered following an evening's gambling run by gangster Tommy Scalise (Gary Merrill), Dixon is assigned to the case. Scalise tells Dixon's superior officer Detective Lieutenant Thomas (Karl Malden) that the victim had been accompanied by Ken Paine (Craig Stevens) and his wife Morgan (Gene Tierney) and that Paine had committed the murder. Dixon goes to Paine's apartment and questions the suspect who is both inebriated and uncooperative and when Paine punches him, Dixon retaliates and Paine collapses and dies. Dixon goes on to dispose of the body in a nearby river. Paine's wife is questioned and after describing what had happened at Scalise's place, adds that her father had gone to Paine's apartment later that night to take issue with him about the fact that she'd returned home with facial bruising. Paine had previously attacked her on a number of occasions and her father, Jiggs Taylor (Tom Tully), had threatened that if it happened again he would beat Paine up. This information leads to Taylor being arrested and charged with murder. Nobody accepts Dixon's explanation that Scalise had killed the Texan and then had Paine killed to eliminate him as a witness.

Dixon continues to make various attempts to get Scalise convicted but eventually realises that the only way to successfully achieve his goal is to write a confession about his own role in Paine's death and the cover up. He does this and also records that he is going alone to confront Scalise so that the police can arrest the gangster for Dixon's murder. The confrontation with Scalise and the eventual means by which Dixon achieves his own redemption, provide a tense and fitting conclusion to this gritty thriller.

Dana Andrews' strained and preoccupied expressions convey his character's perpetually troubled nature and his anxieties as he deals with a series of misfortunes which include and follow Paine's accidental death. Dixon, however, isn't the only one to experience misfortune as Morgan, a successful model loses her job because of all the trouble surrounding her. Her father, who'd some years earlier been awarded a diploma for assisting the police, unjustly finds himself charged with a crime he did not commit. Ken Paine who'd been a war hero had experienced unemployment and a loss of self esteem which led to alcoholism and wife beating and Scalise who'd been set up in business by Dixon's father also suffers his own misfortunes.

"Where The Sidewalk Ends" is a thoroughly engaging tale involving a group of interesting and diverse characters and a main protagonist who is the absolute personification of moral ambiguity.