Problem: OPTIONS:
- negative
- positive negative
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Answer: This is possibly the worst film I've ever seen. The fact that it has a flimsy storyline is bad enough, that they've hooked it around the subject of football violence makes it 100 times worse.

I had severe doubts about the premise of this film even before I started watching, but went into it open minded enough even to accept the way that the writers saw fit to introduce Elijah Wood's character Matt into the hooligan scene.

But the film throws up inaccuracy after inaccuracy, to the point that by the middle of the film each one makes you cringe harder than the time before.

Let's clear up a few things: Hooligans don't tend to virtually smash up their own pub before a run-of-the-mill league game; they don't set out to kill each other; they don't ONLY wear Stone Island (and others in the crowd, hooligans or not, do). They most certainly don't, when having taken exception to a new firm member, trot off to their rival firms territory for pie and mash. And I'd love to meet the hool who would go and grass on his firm's top boy to the rival firm. (Although you can scratch what I said about setting to out kill each other if one does exist).

Don't get me wrong,I'm yet to see a film on the subject that doesn't contain some fantasy whims, but this is on a par with The Firm for cluelessness.

I found it ironical that Wood's American nemesis is morally condemned by his character for being a cocaine user, when this is part and parcel of the British hooligan scene. The film chooses not to challenge Wood's morals and instead steers clear of any of the firm using coke.

I could go on, but I think I've made my point.

As for the plot, it's highly unimaginative, and I'm sure if I hadn't spent the entire film bemoaning the points, and more, made above then I would have guessed what was going on sooner than I did. And believe me, I was well in front.

I get the distinct impression this film is aimed at men, with the hope that women will enjoy the injection of emotional issues that are raised.

If I'm right, then the makers have failed completely. It's too unrealistic to be enjoyed by anyone who knows about the scene, and I can't believe the kind of female who looks for emotive films would give a damn about any of the characters given their violent tendencies.

Are there any good points? Maybe the fight scenes are well choreographed and filmed, but I'm rarely impressed by slow-mo action, certainly not when it's a fight as the point is a ruck is rousing enough anyway.

There are some funny, if unrealistic moments. Wood's trip to school did raise a smile for me. But a few mildly funny moments hardly make up for watching two hours of complete fabricated dross.

If you're British avoid like the plague, if only not to further develop misconceptions of the scene if you're not in the know. If you're American, you may enjoy it, as it's clearly tailored to the market. But no one can deny the plot is flimsy, predictable and ultimately over the top.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Although she is little known today, Deanna Durbin was one of the most popular stars of the 1930s, a pretty teenager with a perky personality and a much-admired operatic singing voice. This 1937 was her first major film, and it proved a box-office bonanza for beleaguered Universal Studios.

THREE SMART GIRLS concerns three daughters of a divorced couple who rush to their long-unseen father when their still-faithful mother reveals he may soon remarry--with the firm intention of undermining his gold-digger girlfriend and returning him to their mother. Although the story is slight, the script is witty and the expert cast plays it with a neat screwball touch. Durbin has a pleasing voice and appealing personality, and such enjoyable character actors as Charles Winninger, Alice Brady, Lucile Watson, and Mischa Auer round out the cast. A an ultra-light amusement for fans of 1930s film.

Gary F. Taylor, aka GFT, Amazon Reviewer
Q: What's an example of a movie review?
An example of a movie review is here: When "Girlfight" came out, the reviews praised it, but I didn't get around to seeing it. I finally saw it when it got released on video, and understand the glowing reviews.

The movie opens in a high school in the middle of a ghetto. We quickly get introduced to student Diana Guzman (Michelle Rodriguez). She has a bad-ass expression on her face, and any idea about Diana that we might derive from this expression soon gets corroborated when she gets in a fight. As Diana gets in trouble for this, we then meet her father, an aggressive type in his own right; clearly we can't totally blame Diana for her attitude.

But then the movie really picks up, as a new thought germinates in Diana's mind: boxing as a way to escape this grim existence. Her older brother has already gotten into boxing, but her father most likely won't approve. Only Diana herself can decide what to do.

Just the first few minutes alone identified that I was in for a very gritty, non-Hollywood movie, but the brief appearance of John Sayles in a supporting role truly affirmed that. Even before they get to any boxing scenes, you feel like you're getting pounded in the face at seeing the ugly life that Diana lives. And when they finally arrive at the film's main story, there's no turning back.

All in all, I definitely recommend this movie. I will admit that using boxing as a means to show someone trying to make something of himself/herself has been sort of a cliche in cinema for many years ("Rocky", "Million Dollar Baby"), but I still think that they did a great job with it here. In fact, this may have brought the genre to its apex. Really good. Too bad that Michelle Rodriguez wasted herself in Hollywood movies after this one.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Being a Film studies graduate I would like to think that I have seen a diverse range of films, some good and some bad, but I would have to say that 'Summer rain' is by far the worse film I have ever seen! I chose the film in the hope that it was going to be a great British classic such as 'Secrets and Lies' or 'Lockstock' but oh no this was so bad that my flat mates and I ended up laughing and cringing at the ridiculous acting and cheesy script (reminded me of a bad 'theatre in education' school production). The main characters Michelle and Gary began to annoy us from the start. 'Michelle' the main character who lives with her two friends has the type of face that you would never get tired of slapping and Gary was so wet (he kept breaking down in tears every 5 minutes) that by the end of the film I really didn't give a damn about either of them. All I could think was ' I paid 3 for this pile'. I have never written a review before but after watching this film it has spurred me on to warn people of this disastrous production. So please avoid at all costs. Thanks for reading.
Problem: OPTIONS:
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- positive negative
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Answer: I managed to sneak away one night and go to the movie theater to see this one, thinking I was in for a treat. Boy, was I wrong. Considering the talent involved, this has to be one of the worst movies I've ever seen. Everyone in it was miscast, and I find it incredible to read on this site that there are people out there who actually liked it.
Problem: OPTIONS:
- negative
- positive positive
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Answer:
There are good ways to make a movie and bad ways and this very much the former. This short caper exacts nothing more than what it gives to the audience. It presents a simple story, told very plainly with enough wisecracks to keep you going, then just gets better and better. Clooney's cameo is funny and very welcome but the leads including Sam Rockwell and Luiz Guzman can easily make it on their own. Likeable and funny, hilariously so towards the end, Welcome to Collinwood is a welcome addition to the heist genre.