In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: Winged and soaring to the celestial . I see Wynton Marsalis mesmerized, James Brown befuddled, Aretha astounded, Mariah mortified, Beyonce blushing, Eric Clapton clapping, and Pelham Goodard (Peegee) gasping. Ahhh yes! The seven-layer salad of song (jazz-funk-soul-pop-r&b-rock-calypso)...The Magic Johnson of music. My fav...TTD's Recurring Dream. I luv the metaphysical stories, Jimi Hendrix-like wa-wa guitar sound, and that cowbell sounding percussion. Mad props to We don't have...great calypso, Holding on to you, Supermodel Sandwich w/cheese...so, so funky, as well as all the others. It's too bad many slept on this work of art. But many slept on Ray Charles until just recently. Although the album title doesn't indicate what the song or album is about, nevertheless, it is less than flattering. No other complaints though. Definitely an album for the thinking person and introspective. I genuflect out of courtesy and respect.
[A]: POS

[Q]: Some good songs . For the money this cd is great. Some good songs, #'s:1,2,8,9,10 and the NOFX song at the end is great. Its definitelyworth the money. But if it were 13 bucks I would be so sur
[A]: POS

[Q]: Inconsistent. . Following up a critically acclaimed debut is probably one of the hardest things that an artist can do, and more often than not, the album falls well short of expectations, because they're so highly elevated. "Whip-Smart" is a decent, albeit somewhat inconsistent album, but its pales in comparison to "Exile in Guyville", and that unfortunately is how it will always be thought. Probably the most important thing about "Whip-Smart" is that its not Exile Part 2, while some songs maintain that sort of lo-fi sound/overt lyric gig that the previous record got so much mileage from ("X-Ray Man", "Crater Lake"), the album actually does best when it drifts further away from the territory of Exile-- from the noise guitar over the familiar melody of "Chopsticks" to the haunting, moody, "Shane', where the tension is almost palpable to the brilliant, chugging "Jealousy". Like Exile, it excels when the tension is at its highest, unlike Exile, its a lot brighter sounding. Still, for all the good stuff on here, it sounds like Phair wasn't quite ready to issue a followup. Several experiments in different veins sound incomplete ("Alice Springs"), fall apart ("Support System", "Go West") or are plain irritating ("Cinco de Mayo", "May Queen"). Its got its moments, but "Whip-Smart" is largely disposable-- start with Phair's debut, "Exile in Guyville", its everything its regarded as
[A]:
NEG