Answer the question at the end by quoting:

Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Young left the Basie band in late 1940. He is rumored to have refused to play with the band on Friday, December 13 of that year for superstitious reasons spurring his dismissal, although Young and drummer Jo Jones would later state that his departure had been in the works for months. He subsequently led a number of small groups that often included his brother, drummer Lee Young, for the next couple of years; live and broadcast recordings from this period exist. During this period Young accompanied the singer Billie Holiday in a couple of studio sessions (during 1937 - 1941 period) and also made a small set of recordings with Nat "King" Cole (their first of several collaborations) in June 1942. His studio recordings are relatively sparse during the 1942 to 1943 period, largely due to the recording ban by the American Federation of Musicians. Small record labels not bound by union contracts continued to record and he recorded some sessions for Harry Lim's Keynote label in 1943. In December 1943 Young returned to the Basie fold for a 10-month stint, cut short by his being drafted into the army during World War II (see below). Recordings made during this and subsequent periods suggest Young was beginning to make much greater use of a plastic reed, which tended to give his playing a somewhat heavier, breathier tone (although still quite smooth compared to that of many other players). While he never abandoned the cane reed, he used the plastic reed a significant share of the time from 1943 until the end of his life. Another cause for the thickening of his tone around this time was a change in saxophone mouthpiece from a metal Otto Link to an ebonite Brilhart. In August 1944 Young appeared alongside drummer Jo Jones, trumpeter Harry "Sweets" Edison, and fellow tenor saxophonist Illinois Jacquet in Gjon Mili's short film Jammin' the Blues.

What is Leaving Basie?

Young left the Basie band in late 1940.

IN: Born into a Bosniak family near Tuzla, SR Bosnia and Herzegovina, she grew up in Brcko, the youngest child of Abid Jahic (c. 1928 - 22 October 2010) and Ifeta (nee Smajlovic; 15 April 1934 - 21 November 2014). Both of her parents are originally from villages near Srebrenik; her father was born in Jezinac and her maternal family hailed from Cehaje. Fahreta grew up in a Muslim home with sister Faketa and brother Faruk. At the start of the Bosnian War in 1992, her sister Faketa escaped to Canada, where she lives today, while Brena stayed in Belgrade where she had been living since 1980.

In early 1980, at the age of 19, Fahreta began singing with a band called Lira Show when the group's original singer Spasa left the band because her husband, a boxer, did not want his wife to be a singer. Sasa Popovic, the band's frontman, was initially opposed to the idea that Fahreta should be the band's new singer, but later changed his opinion. She subsequently moved to Novi Sad and then to Belgrade. Brena's first performance with Lira Show occurred on 6 April 1980 in the hotel Turist in Backa Palanka. Lira Show changed their name to Slatki Greh (Sweet Sin) in 1981. Brena and Slatki Greh premiered their first studio album, Cacak, Cacak, on 3 February 1982. It was named after the Serbian city Cacak. The album was written mostly by Milutin Popovic-Zahar, and the career-manager was Vladimir Cvetkovic. Since her career began in 1980, she has become arguably the most popular singer of the former Yugoslavia, and a top-selling female recording artist with more than 40 million records sold. That same year Lepa Brena and Slatki Greh appeared in the first part of Yugoslav classic comedy film Tesna koza with popular comedian Nikola Simic and actress Ruzica Sokic, which raised their profile and brought them almost instant fame. They would again team up with songwriter Milutin Popovic-Zahar for their second studio album Mile voli disko, released 18 November 1982. In addition to the title song, the album had a couple of other hit songs: "Duge noge" and "Dama iz Londona". In 1983, Lepa Brena and Slatki Greh ended their collaboration with Milutin Popovic-Zahar and Vladimir Cvetkovic. That same year Lepa Brena and Slatki Greh participated in Jugovizija, the Yugoslav selection for the Eurovision Song Contest, with the song "Sitnije, Cile, sitnije". The song was released on an extended play of the same name, along with another song. Their appearance on Jugovizija caused confusion among the audience, since the competition was considered exclusively reserved for pop singers. Although they did not qualify for the prestigious European competition, Lepa Brena and Slatki Greh won the contest, gaining even more popularity.

Did she compete in any other competitions?

OUT:
did not