Generate a question that has the following answer: Thelma Schoonmaker for the following movie plot: The film begins with framing device, wherein Scorsese, playing himself, describing how he discovered three and a half pages of an unproduced Alfred Hitchcock film, "The Key to Reserva". As part of this film preservation work he plans to film the script as Hitchcock would have filmed it. The film, which contains no dialogue, shows Roger Thornberry (Simon Baker) arriving at a box seat during an orchestra performance. He sees a key hidden with the box's light bulb, and goes to retrieve it. He is noticed by one of the performers, Leonard, who signals to his accomplice Louis Bernard (Michael Stuhlbarg), who is holding Roger's wife Grace hostage in the audience. Leonard then goes to stop Roger. The two fight and Leonard falls from the box seat, presumably to his death. Roger uses the key to open a locked case which contains a bottle of Freixenet with top secret files hidden inside. The film abruptly stops, as Scorsese explains that a page is missing, so he simply filmed the concluding paragraph of the script which shows Louis Bernard arrested, as Roger and his wife reunite over a glass of Freixenet. Scorsese then discusses with the interviewer possible future projects. The camera pans back to reveal Scorsese, Thelma Schoonmaker, and the interviewer in an office in a tower block, meanwhile crows flock around the building.
Ans: Who in the audience looks up when the spy walks in?

Generate a question that has the following answer: Dropped to their knees and lays down. for the following movie plot: We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...
Ans: How do they finally collapse?

Generate a question that has the following answer: Paris for the following movie plot: As a small child, Edith Piaf is crying on a stoop, near some other children on the streets of Paris. Her mother stands across the alley singing, panhandling for change. Edith's mother writes a letter to her child's father, the contortionist, who is in the trenches of World War 1. She explains that she's dropping Edith off at her mother's so she can pursue the life of the artist.He returns to Paris and scoops up Edith, covered in insect bites and sores, from under the blanket of a bed in a delapidated house. He drops her off at his mother's house, a bordello madame in Brittany.There, Edith is adopted informally by Titine, a young troubled redhead who sings to Edith, plays with her, and walks the streets of their small town. Titine and another prostitute are Edith's closest friends and they are repeatedly demeaned and abused by brothel customers. Screams of pain ring out one night, as Titine rushes down the hall to help her friend, who explains, "I let him play doctor and use his instruments on me." Edith enters the room, saying she cannot see. A doctor identifies it as keratitis, an inflammation of the eyes, and her eyes are wrapped in cloth. Titine and her visit St. Therese at Liseux, pray for vision. Later, as the members of the brothel pin up laundry in the backyard, Edith slowly pushes off her banage and reveals her eyes, and blinks up at the sky.Edith's father is discharged from the WW1 forces and takes Edith to live with him, at loud protests by Titine, who must be held back while he bundles Edith into a cart. Her father works in the circus as a contortionist. He cannot stand the manager, so they leave, performing on the streets of Paris. At one point a passerby asks if she is part of the show, and with prompting by her father to "do something," she sings the Marseillaise. More crowds gather around her and are obviously moved.She makes a friend from a factory job, Momone, and they wander the streets, glugging from a bottle of wine, and Edith occasionally sings for their supper, quite literally. After...
Ans: Where is "Non, je ne regrette rien" performed?