Input: Read this: The use of diversionary techniques such as fires had to be made carefully. The fake fires could only begin when the bombing started over an adjacent target and its effects were brought under control. Too early and the chances of success receded; too late and the real conflagration at the target would exceed the diversionary fires. Another innovation was the boiler fire. These units were fed from two adjacent tanks containing oil and water. The oil-fed fires were then injected with water from time to time; the flashes produced were similar to those of the German C-250 and C-500 Flammbomben. The hope was that, if it could deceive German bombardiers, it would draw more bombers away from the real target.
Question: What did these flashes simulate?

Output: German C-250 and C-500 Flammbomben

Input: Read this: General Electric switched to use the ASA scale in 1946. Meters manufactured since February 1946 were equipped with the ASA scale (labeled "Exposure Index") already. For some of the older meters with scales in "Film Speed" or "Film Value" (e.g. models DW-48, DW-49 as well as early DW-58 and GW-68 variants), replaceable hoods with ASA scales were available from the manufacturer. The company continued to publish recommended film values after that date, however, they were now aligned to the ASA scale.
Question: What were models pre-1946 labeled with?

Output: unanswerable

Input: Read this: The end for the Laemmles came with a lavish version of Show Boat (1936), a remake of its earlier 1929 part-talkie production, and produced as a high-quality, big-budget film rather than as a B-picture. The new film featured several stars from the Broadway stage version, which began production in late 1935, and unlike the 1929 film was based on the Broadway musical rather than the novel. Carl, Jr.'s spending habits alarmed company stockholders. They would not allow production to start on Show Boat unless the Laemmles obtained a loan. Universal was forced to seek a $750,000 production loan from the Standard Capital Corporation, pledging the Laemmle family's controlling interest in Universal as collateral. It was the first time Universal had borrowed money for a production in its 26-year history. The production went $300,000 over budget; Standard called in the loan, cash-strapped Universal could not pay, Standard foreclosed and seized control of the studio on April 2, 1936.
Question: Who granted Universal the production loan?

Output: the Standard Capital Corporation

Input: Read this: From 2002 through 2008, the Bush Administration denied funding to UNFPA that had already been allocated by the US Congress, partly on the refuted claims that the UNFPA supported Chinese government programs which include forced abortions and coercive sterilizations. In a letter from the Undersecretary of State for Political Affairs Nicholas Burns to Congress, the administration said it had determined that UNFPA's support for China's population program "facilitates (its) government's coercive abortion program", thus violating the Kemp-Kasten Amendment, which bans the use of United States aid to finance organizations that support or take part in managing a program of coercive abortion of sterilization.
Question: What amendment did the administration believe the UNFPA funding supported?

Output:
unanswerable