input: Joy Division's style quickly evolved from their punk roots. Their sound during their early inception as Warsaw was described as generic and "undistinguished punk-inflected hard-rock". Critic Simon Reynolds observed how the band's originality only "really became apparent as the songs got slower", and their music took on a "sparse" quality. According to Reynolds, "Hook's bass carried the melody, Bernard Sumner's guitar left gaps rather than filling up the group's sound with dense riffage and Steve Morris' drums seemed to circle the rim of a crater." According to music critic Jon Savage, "Joy Division were not punk but they were directly inspired by its energy". In 1994 Sumner said the band's characteristic sound "came out naturally: I'm more rhythm and chords, and Hooky was melody. He used to play high lead bass because I liked my guitar to sound distorted, and the amplifier I had would only work when it was at full volume. When Hooky played low, he couldn't hear himself. Steve has his own style which is different to other drummers. To me, a drummer in the band is the clock, but Steve wouldn't be the clock, because he's passive: he would follow the rhythm of the band, which gave us our own edge." By Closer, Curtis had adapted a low baritone voice, drawing comparisons to Jim Morrison of the Doors (one of Curtis's favourite bands). Sumner largely acted as the band's director, a role he continued in New Order. While Sumner was the group's primary guitarist, Curtis played the instrument on a few recorded songs and during a few shows. Curtis hated playing guitar, but the band insisted he do so. Sumner said, "He played in quite a bizarre way and that to us was interesting, because no one else would play like Ian". During the recording sessions for Closer, Sumner began using self-built synthesisers and Hook used a six-string bass for more melody. Hannett "dedicated himself to capturing and intensifying Joy Division's eerie spatiality". Hannett believed punk rock was sonically conservative because of its refusal to use studio technology to create sonic space. The producer instead aimed to create a more expansive sound on the group's records. Hannett said, "[Joy Division] were a gift to a producer, because they didn't have a clue. They didn't argue". Hannett demanded clean and clear "sound separation" not only for individual instruments, but even for individual pieces of Morris's drumkit. Morris recalled, "Typically on tracks he considered to be potential singles, he'd get me to play each drum on its own to avoid any bleed-through of sound". Music journalist Richard Cook noted that Hannett's role was "crucial". There are "devices of distance" in his production and "the sound is an illusion of physicality".

Answer this question "why did she come to this conclusion?"
output: "Hook's bass carried the melody,

input: In 1959 King got to know Sonny Thompson, a pianist, producer, and A&R man for Cincinnati's King Records. King's owner, Syd Nathan, signed King to the subsidiary Federal Records in 1960. King recorded his debut single for the label on August 26, 1960: "Have You Ever Loved a Woman" backed with "You've Got to Love Her with a Feeling" (again credited as "Freddy" King). From the same recording session at the King Studios in Cincinnati, Ohio, King cut the instrumental "Hide Away," which the next year reached number 5 on the R&B chart and number 29 on the Pop chart, an unprecedented accomplishment for a blues instrumental at a time when the genre was still largely unknown to white audiences. It was originally released as the B-side of "I Love the Woman". "Hide Away" was King's melange of a theme by Hound Dog Taylor and parts by others, such as "The Walk", by Jimmy McCracklin, and "Peter Gunn", as credited by King. The title of the tune refers to Mel's Hide Away Lounge, a popular blues club on the West Side of Chicago. Willie Dixon later claimed that he had recorded King performing "Hide Away" for Cobra Records in the late 1950s, but such a version has never surfaced. "Hide Away" became a blues standard. After their success with "Hide Away," King and Thompson recorded thirty instrumentals, including "The Stumble," "Just Pickin'," "Sen-Sa-Shun," "Side Tracked," "San-Ho-Zay," "High Rise," and "The Sad Nite Owl". They recorded vocal tracks throughout this period but often released the tunes as instrumentals on albums. During the Federal period, King toured with many notable R&B artists of the day, including Sam Cooke, Jackie Wilson, and James Brown.

Answer this question "Did he get picked up by Federal Records?"
output: King's owner, Syd Nathan, signed King to the subsidiary Federal Records in 1960.

input: In November 1609, Captain John Ratcliffe was invited to Orapakes, Powhatan's new capital. After he had sailed up the Pamunkey River to trade there, a fight broke out between the colonists and the Powhatan. All of the English ashore were killed, including Ratcliffe, who was tortured by the women of the tribe. Those aboard the pinnace escaped and told the tale at Jamestown. During that next year, the tribe attacked and killed many Jamestown residents. The residents fought back, but only killed twenty. However, arrival at Jamestown of a new Governor, Thomas West, 3rd Baron De La Warr, (Lord Delaware) in June 1610 signalled the beginning of the First Anglo-Powhatan War. A brief period of peace came only after the capture of Pocahontas, her baptism, and her marriage to tobacco planter John Rolfe in 1614. Within a few years both Powhatan and Pocahontas were dead. Powhatan died in Virginia, but Pocahontas died while in England. Meanwhile, the English settlers continued to encroach on Powhatan territory. After Wahunsunacawh's death, his younger brother, Opitchapam, briefly became chief, followed by their younger brother Opechancanough. In 1622 (Indian massacre of 1622) and 1644 he attacked the English to force them from Powhatan territories. Both these attempts were met with strong reprisals from the English, ultimately resulting in the near destruction of the tribe. The Second Anglo-Powhatan War that followed the 1644 incident ended in 1646, after Royal Governor of Virginia William Berkeley's forces captured Opechancanough, thought to be between 90 and 100 years old. While a prisoner, Opechancanough was killed, shot in the back by a soldier assigned to guard him. He was succeeded as Weroance by Necotowance, and later by Totopotomoi and by his daughter Cockacoeske. The Treaty of 1646 marked the effective dissolution of the united confederacy, as white colonists were granted an exclusive enclave between the York and Blackwater Rivers. This physically separated the Nansemonds, Weyanokes and Appomattox, who retreated southward, from the other Powhatan tribes then occupying the Middle Peninsula and Northern Neck. While the southern frontier demarcated in 1646 was respected for the remainder of the 17th century, the House of Burgesses lifted the northern one on September 1, 1649. Waves of new immigrants quickly flooded the peninsular region, then known as Chickacoan, and restricted the dwindling tribes to lesser tracts of land that became some of the earliest Indian reservations. In 1665, the House of Burgesses passed stringent laws requiring the Powhatan to accept chiefs appointed by the governor. After the Treaty of Albany in 1684, the Powhatan Confederacy all but vanished.

Answer this question "Who won that war?"
output:
The residents fought back, but only killed twenty.