Problem: Background: Georg Wilhelm Friedrich Hegel (; German: ['ge:oak 'vIlhelm 'fRi:dRIc 'he:
Context: In previous modern accounts of Hegelianism (to undergraduate classes, for example), especially those formed prior to the Hegel renaissance, Hegel's dialectic was most often characterized as a three-step process, "thesis, antithesis, synthesis"; namely, that a "thesis" (e.g. the French Revolution) would cause the creation of its "antithesis" (e.g. the Reign of Terror that followed), and would eventually result in a "synthesis" (e.g. the constitutional state of free citizens). However, Hegel used this classification only once, and he attributed the terminology to Kant. The terminology was largely developed earlier by Fichte. It was spread by Heinrich Moritz Chalybaus in accounts of Hegelian philosophy, and since then the terms have been used as descriptive of this type of framework. The "thesis-antithesis-synthesis" approach gives the sense that things or ideas are contradicted or opposed by things that come from outside them. To the contrary, the fundamental notion of Hegel's dialectic is that things or ideas have internal contradictions. From Hegel's point of view, analysis or comprehension of a thing or idea reveals that underneath its apparently simple identity or unity is an underlying inner contradiction. This contradiction leads to the dissolution of the thing or idea in the simple form in which it presented itself and to a higher-level, more complex thing or idea that more adequately incorporates the contradiction. The triadic form that appears in many places in Hegel (e.g. being-nothingness-becoming, immediate-mediate-concrete, abstract-negative-concrete) is about this movement from inner contradiction to higher-level integration or unification. For Hegel, reason is but "speculative", not "dialectical". Believing that the traditional description of Hegel's philosophy in terms of thesis-antithesis-synthesis was mistaken, a few scholars, like Raya Dunayevskaya, have attempted to discard the triadic approach altogether. According to their argument, although Hegel refers to "the two elemental considerations: first, the idea of freedom as the absolute and final aim; secondly, the means for realising it, i.e. the subjective side of knowledge and will, with its life, movement, and activity" (thesis and antithesis) he doesn't use "synthesis" but instead speaks of the "Whole": "We then recognised the State as the moral Whole and the Reality of Freedom, and consequently as the objective unity of these two elements." Furthermore, in Hegel's language, the "dialectical" aspect or "moment" of thought and reality, by which things or thoughts turn into their opposites or have their inner contradictions brought to the surface, what he called Aufhebung, is only preliminary to the "speculative" (and not "synthesizing") aspect or "moment", which grasps the unity of these opposites or contradiction. It is widely admitted today that the old-fashioned description of Hegel's philosophy in terms of thesis-antithesis-synthesis is inaccurate. Nevertheless, such is the persistence of this misnomer that the model and terminology survive in a number of scholarly works.
Question: What did historians say about Georg Wilhelm Friedrich Hegel?
Answer: Hegel's dialectic was most often characterized as a three-step process,

Problem: Background: Rowan & Martin's Laugh-In (often simply referred to as Laugh-In) is an American sketch comedy television program that ran for 140 episodes from January 22, 1968, to March 12, 1973, on the NBC television network. It was hosted by comedians Dan Rowan and Dick Martin. Laugh-In originally aired as a one-time special on September 9, 1967, and was such a success that it was brought back as a series, replacing The Man from U.N.C.L.E. on Mondays at 8 pm (ET). The title of the show was a play on the "love-ins" or "be-ins" of the 1960s hippie culture, terms that were, in turn, derived from "sit-ins", common in protests associated with civil rights and antiwar demonstrations of the time.
Context: The 1970-71 season brought new additions to the cast include tall, lanky, sad-eyed Dennis Allen, who alternately played quietly zany characters and straight man for anybody's jokes; comic actress Ann Elder, who also contributed to scripts, tap dancer Barbara Sharma, and Johnny Brown. Arte Johnson, who created many memorable characters, insisted on star billing, apart from the rest of the cast. The producer mollified him, but had announcer Gary Owens read Johnson's credit as a separate sentence: "Starring Dan Rowan and Dick Martin! And Arte Johnson! With Ruth Buzzi ..." This maneuver gave Johnson star billing, but made it sound like he was still part of the ensemble cast. Johnson left the show after the 1970-71 season. Henry Gibson also departed after the 1970-71 season. Johnson and he were replaced by former Hogan's Heroes stars Richard Dawson and Larry Hovis, both of whom had appeared occasionally in the first season. However, the loss of Johnson's many popular characters caused ratings to drop further. After winning the Academy Award for Best Supporting Actress in Cactus Flower, Goldie Hawn made a guest appearance in the third episode of the fourth season. She began the episode as an arrogant snob of an actress; however, a bucket of water thrown at her transformed her back to her giggling dumb blonde persona. The show celebrated its 100th episode during the 1971-72 season, with Carne, Worley, Johnson, Gibson, Graves, and Tiny Tim all returning for the festivities. John Wayne was on hand for his first cameo appearance since 1968.
Question: What happen in Season 5
Answer: The show celebrated its 100th episode during the 1971-72 season, with Carne,

Problem: Background: Raven was born in Lorenskog, Norway; her father is a teacher. She has an older brother and two younger sisters. Her surname is of Norse origin, with Ravn meaning Raven, which she adopted as her stage name Marion Raven as well as her trademark raven logo. Raven enjoyed singing from a young age, sometimes writing lyrics for the songs she sang.
Context: In early 2006, it was announced that Raven quit her contract with Atlantic Records due to "artistic differences". Raven later confirmed that she was now signed to indie label Eleven Seven Music, which was created by her management 10th Street Entertainment. Raven later performed a duet with rock musician Meat Loaf on a version of the song "It's All Coming Back to Me Now", released as the lead single from Loaf's tenth studio album Bat Out of Hell III: The Monster Is Loose in October 2006. The track peaked at No. 1 in Norway and reached the top ten in Germany and the United Kingdom. Raven later joined Loaf on an extensive tour through Canada and Europe in February 2007. In 2007 she also recorded the theme song for the US dub of W.I.T.C.H., a Jetix animated series based on the same name comic. Raven later confirmed that her new album would contain new and old tracks from her Norwegian debut as well as re-recorded tracks such as "Heads Will Roll", which received the help of American musician Nikki Sixx and was released as an EP in October 2006. Prior to the release of Raven's album Set Me Free in March 2007, she toured around The Netherlands, Germany and the United Kingdom to help promote it. Raven later embarked on another promotional tour across the UK and performed in British schools. Later between later July and August, she became a supporting act on American singer-songwriter Pink's I'm Not Dead Tour in Germany. The album was later released in June 2007 and sprawled two singles; "Falling Away" and a re-release of her previous single "Break You" from her Norwegian debut album.
Question: What is one of the songs on the album?
Answer:
"Falling Away" and a re-release of her previous single "Break You"