Problem: Background: The Ting Tings are an English indie pop duo from Salford, Greater Manchester. The band consists of Katie White (vocals, guitar, bass drums, bass guitar, cowbells) and Jules De Martino (drums, lead guitar, bass guitar, vocals, piano). The duo's debut studio album, We Started Nothing, was released on 19 May 2008 by Columbia Records and peaked at number one on the UK Albums Chart.
Context: The first single released on Columbia was "Great DJ", which received considerable airplay on BBC Radio 1 and XFM in the UK and praise from magazines such as NME. "Great DJ" reached top 40 on the UK Singles Chart. The band's debut album, We Started Nothing, was released in May 2008 and entered the UK Albums Chart at number one, following the single "That's Not My Name", which topped the singles chart. Subsequent singles were "Shut Up and Let Me Go", which peaked at number six, "Be the One" (number 28) and "We Walk" (number 58). We Started Nothing won an Ivor Novello Award for best album in May 2009. The Ting Tings recorded a cover version of Altered Images' "Happy Birthday" for the children's show Yo Gabba Gabba. In May 2008, the band performed a live set on the In New Music We Trust stage at Radio 1's Big Weekend in Maidstone, Kent, which was made available by the BBC's online video player application iPlayer. The Ting Tings performed at the iTunes Live London Festival in the KOKO nightclub in July 2008; the performance was released as a downloadable EP in the iTunes Store under the title iTunes Live: London Festival '08. In December 2008, they (along with numerous other singers and bands) performed on Jools Holland's Hootenanny show on BBC2. The band toured Australia and New Zealand in early 2009 as part of the Big Day Out Festival. They also toured in Singapore as part of that festival's night counterpart, Big Night Out. In June 2009, they returned to the Glastonbury Festival, playing the Other stage on Friday night, and appeared at the Isle of Wight Festival. In the United States, the single "Shut Up and Let Me Go" appeared in an Apple iPod commercial in late April 2008, helping the song peak at number 55 on the Billboard Hot 100. Tracks from the album were featured in various television shows, films and advertisements. The Ting Tings were one of four performers who played small interludes consisting of remixes of past hits throughout the 2008 MTV Video Music Awards, including a section from "Shut Up and Let Me Go" with Blink-182 drummer Travis Barker and DJ AM. They also won the award for Best UK Video for their single "Shut Up and Let Me Go". Columbia Records announced the U.S. release of the single "That's Not My Name" for January 2009, followed by a March/April U.S. concert tour. The duo also toured the country as a support act for Pink on her Funhouse Tour. In December 2009, the duo was nominated for Best New Artist at the 52nd Grammy Awards. The Ting Tings appeared as the musical guests on Saturday Night Live on the 16 January 2010 episode, hosted by Sigourney Weaver.
Question: what did they do after that album?
Answer: We Started Nothing won an Ivor Novello Award for best album in May 2009.

Problem: Background: Thompson was born into a middle-class family in Louisville, Kentucky, the first of three sons of Virginia Ray Davison (1908, Springfield, Kentucky - March 20, 1998, Louisville), who worked as head librarian at the Louisville Free Public Library and Jack Robert Thompson (September 4, 1893, Horse Cave, Kentucky - July 3, 1952, Louisville), a public insurance adjuster and World War I veteran. His parents were introduced to each other by a friend from Jack's fraternity at the University of Kentucky in September 1934, and married on November 2, 1935. Thompson's first name came from a purported ancestor on his mother's side, the Scottish surgeon John Hunter.
Context: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.
Question: Did it get good reviews?
Answer:
Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.