input question: What is the answer for the question: Whose cryptic approach characterized the lyrics that often dealt with themes of existentialism, love, hedonism, spirituality and Christianity? from the following article ? Audioslave's musical style has generally been regarded as hard rock, alternative metal, post-grunge, and alternative rock. By combining '70s style hard rock riffing with alternative rock, Audioslave created a distinctive sound. This mix was driven by Cornell's wide vocal range, Morello's innovative guitar solos and the robust rhythm section of Wilk and Commerford. Morello, although stating he "never felt musically limited" in Rage Against the Machine, did say that he had "a lot more scope to explore with Audioslave" and a "wider musical territory." This meant that the instrumentalists had the opportunity to write slow and melodic songs, something they had not done before. As opposed to de la Rocha's lyrics, Cornell's were mostly apolitical; Morello referred to them as "haunted, existential poetry." They were characterised by his cryptic approach, often dealing with themes of existentialism, love, hedonism, spirituality and Christianity. Audioslave's first two albums drew influences from 1970s hard rock and heavy metal such as Led Zeppelin and Black Sabbath and from the members' previous bands (the grunge sound of Soundgarden and the funk metal sound of Rage Against the Machine). For Revelations, which was influenced by 1960s and '70s funk, soul and R&B music, Morello used vintage guitars and amplifiers and Cornell adopted his "seventies funk and R&B-flavor vocals." The guitarist also cited Sly & the Family Stone, James Brown and Funkadelic as a reason for the funk overtones on the album.Just as Rage Against the Machine did, Audioslave also included the statement "All sounds made by guitar, bass, drums and vocals" in their albums' booklets as Morello's guitar work often caused listeners to believe that the band used samples, synthesiser effects or different turntable techniques to produce certain sounds.???
output answer: Cornell

input question: What is the answer for the question: Who were said to be "making the psychedelic route"? from the following article ? In July, two singles were issued on the Brother imprint: "Heroes and Villains" and "Gettin' Hungry". The former peaked at number 12 on the Billboard Hot 100. The latter was not credited to the Beach Boys, but instead to Brian Wilson and Mike Love. On September 18, 1967, Smiley Smile was released in the US. The LP peaked at number 41 on the Billboard charts, making it their worst-selling album to that date. It spent most of its 21-week chart time bubbling under 100 and 197. When released in the UK in November, it performed better, reaching number 9 of the UK Albums Chart.Critics and fans were generally underwhelmed by the album and controversy involving whether the band was to be taken as a serious rock group ensued. A review in Hit Parader praised the album for "probably [having] more a cappella harmony than on any album since the fall of the singing-group era in the late 1950s", but that they "still like Pet Sounds better". NME wrote of the album: "By the standards which this group has set itself, it's more than a grade disappointing." Hi Fidelity said: "... they are making the psychedelic route ... perhaps in the unforgettable city of Fresno. Until they reach the San Francisco Bay Bridge or return to the shores of Malibu ... their work can only receive partial approval." Rolling Stone referred to it as a "disaster" and an "abortive attempt to match the talents of Lennon and McCartney." On December 14, 1967, the magazine's editor and co-founder Jann Wenner printed an influential article that denounced Wilson's "genius" label, which he called a "promotional shuck", and the Beach Boys themselves, which he called "one prominent example of a group that has gotten hung up on trying to catch The Beatles". He wrote that "for some reason, [Smiley Smile] just doesn't make it ... [the songs] just don't move you. Other than displaying Brian Wilson's virtuosity for production, they are pointless."The Milwaukee Sentinel praised the LP as "probably the most valuable contribution to rock since the Beatles Revolver" and...???
output answer: the Beach Boys

input question: What is the answer for the question: What other number-one song besides "Don't" did Leiber and his partner write for Presley? from the following article ? Presley undertook three brief tours during the year, continuing to generate a crazed audience response. A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed." Villanova students pelted him with eggs in Philadelphia, and in Vancouver the crowd rioted after the end of the show, destroying the stage. Frank Sinatra, who had famously inspired the swooning of teenage girls in the 1940s, condemned the new musical phenomenon. In a magazine article, he decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore." Asked for a response, Presley said, "I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago."Leiber and Stoller were again in the studio for the recording of Elvis' Christmas Album. Toward the end of the session, they wrote a song on the spot at Presley's request: "Santa Claus Is Back in Town", an innuendo-laden blues. The holiday release stretched Presley's string of number-one albums to four and would become the best-selling Christmas album ever in the United States, with eventual sales of over 20 million worldwide. After the session, Moore and Blackdrawing only modest weekly salaries, sharing in none of Presley's massive financial successresigned. Though they were brought back on a per diem basis a few weeks later, it was clear that they had not been part of Presley's inner circle for some time. On December 20, Presley received his draft notice. He was granted a deferment to finish the forthcoming King Creole, in which $350,000 had already been invested by Paramount and producer Hal Wallis. A couple of weeks into the new year, "Don't", another Leiber and Stoller...???
output answer:
"Santa Claus Is Back in Town"