Read the below conversation. W: Lucy told me she would meet you at the gate of the station. What would the listener say?
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Answer: M: This time I will not make a mistake again.
Q: Read the below conversation. W: May I help you? M: Yes. We have reservations for lunch. The name is Morgan. What would the listener say?
A: W: Yes, Mr. Morgan. I've been expecting you. We've reserved a very nice table for you. Please follow me.
Question: Read the below conversation. M: This machine has so many buttons. I can't figure out which one makes it run. What would the listener say?
Answer: W: You'd better read the instructions first. Pressing the buttons randomly may cause the machine to break down.
[Q]: Read the below conversation. M: Excuse me, how can I get to the Riverside Theater? W: Sorry I didn't earth what you said. M: Please show me where the Riverside Theater is. W: Can you speak French? I'm a foreigner here. M: Oh, wonderful! I come from Paris. Is there a Riverside Theater? W: OK, let me show you. Walk along the river and take the fourth turn on the left and go down until you reach the second traffic light. Tuna fight, at the end of the road, you'll see the theater. M: Good heavens! What a long way! W: Yes, you can take a taxi if you can't remember what I told you or if you don't want to walk a long way. M: Well, I like walking. It's a fine day for walking, isn't it? And Shakespeare's play is worth such a day and such a long way! W: It sounds reasonable. I like Shakespeare! M: Thank you very much. What would the listener say?
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[A]: W: It's a pleasure.
input: Please answer the following: Read the below conversation. W: Your father and Sally have gone to get the car. Let's wait for them here on the bench. M: It's nice to sit down. We've been walking for hours. W: Did you like the White House? M: Oh, yes. I thought it was beautiful. I wanted to stay longer. W: I did, too. But we've got a lot of things to see. M: The line wasn't long this morning, was it? W: No, it wasn't. We were lucky. M: I wonder if the president and his family use the rooms we saw. They look more like a museum than somebody's house. W: Yes. They are the public rooms. The President's family lives upstairs. M: What do they use the public rooms for? W: For important affairs. The President usually entertains members of the government and visitors from other countries. M: I hope I could get a reception at the White House some time. What would the listener say?
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output: W: Well, if you do something important when you grow up, maybe you will. Who knows?
Read the below conversation. W: You're the editor of Public Eye. What kind of topics does your program cover? M: Well, there are essentially domestic stories. We don't cover international stories. We don't cover party politics or economics. We do issues of general social concern to our British audience. They can be anything from the future of the health service to the way the environment is going downhill. W: How do you choose the topic? Do you choose one because it's what the public wants to know about or because it's what you feel the public ought to know about? M: I think it's a mixture of both. Sometimes you have a strong feeling that something is important and you want to see it examined and you want to contribute to a public debate. Sometimes people come to you with things they are worried about and they can be quite small things. They can be a story about corruption in local government, something they cannot quite understand, why it doesn't seem to be working out properly, like they are not having their litter collected properly or the dustbins emptied. W: How do you know that you've got a really successful program? One that is just right for the time? What would the listener say?
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Answer:
M: I think you get a sense about it after working in it in a number of years. You know which stories are going to get the attention. They are going to be published just the point when the public are concerned about that.