Q: What's an example of a movie review?
An example of a movie review is here: The Write Word

What you see is what you get. Not really! What Madhur Bhandarkar's brave and brilliant 'Page 3' does is destroy the myth attached to the glam and glitterati that colour the pages of our newspapers and whose lives(read party habits) we follow with such maniacal fervour which only our intrinsic voyeuristic streak can explain.

The page 3 phenomenon is as deplorable as it is enigmatic. How exactly did it gain such control over the printed word and when did it start to encroach into the front page is subject for another debate. Bhandarkar cleverly avoids that. He is concerned only with the mechanisms of this grotesque existence. And in doing that, he pieces together the various elements of this way of life. Like Robert Altman(although I'm not comparing Bhandarkar to Altman's genius), Bhandarkar uses myriad characters to further his motive. Whether it is a page 3 wannabe NRI, the gate-crashers, the newly-rich, an upcoming model, a socialite politician or an erotic novella authoress; all the characters are introduced with an objective and each of them has a separate character-sketch, even if their parts may be miniscule. And therein lays the film's appeal.

Konkona Sen Sharma plays Madhavi Sharma, a young and talented journalist who covers page 3 for Nation Today. Initially content with her job, she soon begins to see the ugliness of this underbelly that is covered by its fake and cosmetic profligacy. But Bhandarkar resists the temptation to make this subject into a moral-policing movie and avoids concentrating on one character alone. Hence the movie is not only about Madhavi, but also equally about Deepak Suri(Boman Irani)- Madhavi's editor who passively accepts his role as a cog of a larger machinery, Anjali Thapar(Soni Razdan)- a socialite suffocating from the social pollution, Abhijeet(Rehan Engineer)- a homosexual make-up artist and Madhavi's roommates Pearl(Sandhya Mridul)- the sassy airhostess and Gayatri(Tara Sharma)-an aspiring actress. It seems like an impossible task to assimilate so many characters(and more) in one story, but full credit to Nina Arora and Manoj Tyagi for penning a tight screenplay. The dialogues by Sanjeev Datta and Bhandarkar have been written with great attention to detail.

Any narrative, no matter how good, can fall flat with the lack of genuine performances. Thankfully, 'Page 3' brims with actors and not stars. Konkona goes through her author-backed role with effortless ease. Ditto Boman. Sandhya Mridul gets the best written part, but almost overdoes it. Atul Kulkarni is wasted though with an underwritten character. At times, the director seems too keen to incorporate as much as possible(paedophilia, homosexuality, etc.). But the contexts in which they are used do not make them look rushed.

Ultimately, Bhandarkar's attempt is to satiate our voyeurism, but he takes it a step further. He takes us inside the photographs and exposes us to the gruesome realities of this sect of humanity that strangely seems to be living in a different and remote world. These are the same people that indulged in new-year's revelry while a few hundred kilometers away their fellow countrymen had been ravaged by nature's ferocity! Clever writing, skillfully incorporated songs, able performances and a genuine feeling of sincerity are what make this film worthy in spite of its lack of finesse and poor production values. 'Page 3' is an optimum way to enter a new year of cinema.

- Abhishek Bandekar

Rating- ****

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29th January, 2005

Q: What's an example of a movie review?
An example of a movie review is here: Being half-portuguese doesn't render me half-blind (nor half-prejudiced) when discussing portuguese films. Not that I get to do that very often anyway. But this film was such a rush of adrenaline! Yes, that's right - it was mostly accurate as far as history went/goes - but it pulled no punches on venturing beyond usual portuguese-film territory: things like using real locations in the middle of traffic-congested Lisbon and recruiting a real crowd to stand in for the real crowd of almost 30 years ago. And by God did they get it right! OK, to sum it up: very emotional if you've lived through it, but you'll spot minor improvements that could have been made as well as plot necessities that were. If you're just watching it randomly, you're in for a good historical romp, only of the very recent History kind and a bit more thought-proving than usual. Even by European standards, yes.

Q: What's an example of a movie review?
An example of a movie review is here: Who would've imagined -- Hal Hartley creates a filmic corollary to Syriana while retaining his signature idiosyncratic style. The fusion is highly entertaining.

Having not seen a Hal Hartley film for about a decade, I approached this one with some caution. His brilliant productions of the nineties had impressed critics and audiences with their unique style and dialog. The director's earlier films featured colorful characters and offered close observations of life -- often in the region of Long Island, New York or in New York City itself -- that were offbeat and insightful.

My initial caution stemmed from the description of this movie as a "spy thriller". To my pleasant surprise, Hartley manages to mesh his well established style and focus to produce a highly original drama of international intrigue. It works in more ways than one might imagine. Hartley's film retains the dialog and character focus that are his trademarks, along with a singular cinematographic style.

Moreover it is highly appropriate given the current situation in the world and the state of war that has been fostered by dark elements on all sides. Hartley has brought all his skills to something new -- a political film worthy of being mentioned in the same breath as Syriana. Truly he is coming into his own. The cast does a fine job of interpreting Hartley's vision and style. Fans of Parker Posey will see her in full bloom here, still with us and more ripe and gorgeous than before.

Q: What's an example of a movie review?
An example of a movie review is here:
Divorced lawyer Rick Magruder (Branagh) stumbles drunk out of a party hosted by his firm one night and has a chance meeting with a woman named Mallory Doss (Davidtz), who was a waitress at the party and seems to have lost her car. Rick drives the woman to her home and there they discover that her car has been already parked there, seemingly by her father, Dixon Doss (Duvall). Rick and Mallory walk into the house arguing about the situation when Mallory carelessly undresses in front of Rick, and he then spends the night with her.

Rick wakes up in the morning and Mallory encounters him later in the day, asking him to file suit against her father because of his dangerous behavior. Rick, now obsessed with Mallory and willing to do anything for her, is successful in having Dixon put on trial and sent to prison, but when he is freed by his local friends, Rick finds himself in a trouble, trying to protect himself and his children from the danger he has unknowingly brought to life.