input: The band released a song called "The Pessimist" as a free download on their Facebook page on March 27, 2012. The song was previously only available on the iTunes deluxe version of the soundtrack to Transformers: Dark of the Moon. They also released their first DVD Live at Brighton in the same year, capturing their performance on November 7, 2010. It was announced via Instagram on May 3, 2012 that bassist Shawn Economaki had parted ways with the band on amicable terms. He was replaced in the studio by current Skid Row bassist Rachel Bolan. Stone Sour started recording their fourth studio album in early 2012. Corey Taylor stated that the album would end up being a double album or concept album, and described the album's sound as "Pink Floyd's The Wall meets Alice in Chains's Dirt". It was later announced that the new material would be released as two separate albums. The first album, House of Gold & Bones - Part 1 was released worldwide on October 23, 2012, and the second album House of Gold & Bones - Part 2 was released worldwide on April 9, 2013. The project also has a 4-part graphic novel series that accompanies the albums, telling the linear storyline featured in the twin albums' lyrics. The first two songs from Part 1, "Gone Sovereign" and the first official single, "Absolute Zero" were released for radio airplay in mid/late August 2012. The first single from House of Gold & Bones Part 2 was "Do Me a Favor". It was released digitally on February 12. Guitarist Josh Rand stated in an interview with O2 Academy that there was a song recorded for Part 1, an instrumental which was deemed 'not up to par' by the band. The song will likely be released in the future once James Root and Josh Rand do 'some stuff to it guitar-wise'. On October 5, 2012, Johny Chow of Fireball Ministry and Cavalera Conspiracy was announced as the bassist for the band on the House of Gold & Bones tour cycle. Stone Sour subsequently played Soundwave Festival 2013 in Australia and on the Sunday at Download Festival 2013. Guitarist James Root did not tour with Stone Sour in the winter of 2013, as he had to take a brief hiatus from the group to work on .5: The Gray Chapter with Slipknot, although it was later revealed that he was fired from the band due to musical differences. He claimed that the band wanted to focus on "radio play and money," in which Root fought against, and that led to a split. Christian Martucci filled in for Root during that period.

Answer this question "Was the house of Gold and Bones an album"
output: The first album, House of Gold & Bones - Part 1 was released worldwide on October 23, 2012,

input: In 1885, Cellier composed a song, "There once was a time, my darling", for a piece produced by George Edwardes, Little Jack Sheppard (1885). Meanwhile he had composed what would become his greatest success, the comic opera Dorothy, with a libretto by B. C. Stephenson. To create the score, Cellier repurposed some of his music from his 1876 failure, Nell Gwynne, which had, nevertheless, received praise for its music. Dorothy had been announced for production at the Royalty Theatre in 1884, but ultimately Edwardes mounted it at his Gaiety Theatre on 25 September 1886. Cellier was in Australia from February 1886 to February 1887, conducting The Mikado and other Gilbert and Sullivan operas for the J. C. Williamson organization and was absent from London during the productions of The Carp, at the Savoy, and Dorothy. Neither the music nor the libretto of Dorothy initially attracted critical praise. The Times wrote, "Gentility reigns supreme, and with it unfortunately also a good deal of the refined feebleness and the ineptitude which are the defects of that quality." Stephenson rewrote the lyrics of one of Cellier's old songs, "Old Dreams" as "Queen of My Heart"; this helped the work to find success after it transferred in December to the Prince of Wales Theatre. The following year H. J. Leslie took over the production from Edwardes and introduced new stars, including Marie Tempest. Dorothy became an even greater success at the box office and transferred in December 1888 to the Lyric Theatre, built using the profits from the production, where it ran into 1889. Its initial run of a total of 931 performances was the longest of any piece of musical theatre up to that time, longer than even The Mikado, a fact that caused consternation to Cellier's friend Arthur Sullivan. Some critics reconsidered their earlier condemnation, the work became regarded as a classic Victorian piece, and the initially despised plot was traced seriously back to the Restoration playwrights David Garrick and Aphra Behn, and to Oliver Goldsmith and even Shakespeare. Its success led to revivals of some of Cellier's earlier works. Cellier returned to Australia in 1888 to conduct Dorothy and made a final brief visit there for health reasons in early 1891, together with Stephenson. His last comic operas, Doris (1889, with Stephenson) and The Mountebanks (with Gilbert, produced in January 1892, a few days after the composer's death), were both modestly successful. Also after Cellier's death, Rutland Barrington used some of his music in his 1902 adaptation of Water Babies. Often in ill health throughout his life, Cellier was unable to finish The Mountebanks, and Ivan Caryll completed the score. Cellier owed much to the influence of Sullivan. He was a fertile melodist, and his writing exhibited elegance and refinement, although he was not able to infuse his music with humour in the way that Sullivan did. Cellier died at his home in Bloomsbury, London, at the age of 47. He was buried in West Norwood Cemetery.

Answer this question "Are there any other interesting aspects about this article?"
output:
Dorothy had been announced for production at the Royalty Theatre in 1884,