Problem: Background: Augusta Ada King-Noel, Countess of Lovelace (nee Byron; 10 December 1815 - 27 November 1852) was an English mathematician and writer, chiefly known for her work on Charles Babbage's proposed mechanical general-purpose computer, the Analytical Engine. She was the first to recognise that the machine had applications beyond pure calculation, and published the first algorithm intended to be carried out by such a machine. As a result, she is sometimes regarded as the first to recognise the full potential of a "computing machine" and the first computer programmer. Ada Lovelace was the only legitimate child of the poet Lord Byron, and his wife Anne Isabella "Annabella" Milbanke, Lady Wentworth.
Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote: [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent. This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine. According to the historian of computing and Babbage specialist Doron Swade: Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper.
Question: Are there any other interesting aspects about this article?
Answer: the fundamental transition from calculation to computation--to general-purpose computation

Problem: Background: Lucas was born and raised in Modesto, California, the son of Dorothy Ellinore Lucas (nee Bomberger) and George Walton Lucas, Sr., who owned a stationery store. He is of German, Swiss-German, English, Scottish, and distant Dutch and French descent. Growing up, Lucas had a passion for cars and motor racing, which later inspired his films 1:42.08 and American Graffiti. Long before Lucas became obsessed with filmmaking, he yearned to be a race-car driver, and he spent most of his high school years racing on the underground circuit at fairgrounds and hanging out at garages.
Context: In 1969, Lucas married film editor Marcia Lou Griffin, who went on to win an Academy Award for her editing work on the original Star Wars film. They adopted a daughter, Amanda Lucas, in 1981, and divorced in 1983. Lucas subsequently adopted two more children as a single parent: daughter Katie Lucas, born in 1988, and son Jett Lucas, born in 1993. His three eldest children all appeared in the three Star Wars prequels, as did Lucas himself. Following his divorce, Lucas was in a relationship with singer Linda Ronstadt in the 1980s. Lucas began dating Mellody Hobson, president of Ariel Investments and chair of DreamWorks Animation, in 2006. Lucas and Hobson announced their engagement in January 2013, and married on June 22, 2013, at Lucas's Skywalker Ranch in Marin County, California. They have one daughter together, Everest Hobson Lucas, who was born via gestational carrier on August 12, 2013. Lucas was born and raised in a Methodist family. The religious and mythical themes in Star Wars were inspired by Lucas's interest in the writings of mythologist Joseph Campbell, and he would eventually come to identify strongly with the Eastern religious philosophies he studied and incorporated into his films, which were a major inspiration for "the Force". Lucas has come to state that his religion is "Buddhist Methodist". He resides in Marin County. Lucas is a major collector of the American illustrator and painter Norman Rockwell. A collection of 57 Rockwell paintings and drawings owned by Lucas and fellow Rockwell collector and film director Steven Spielberg were displayed at the Smithsonian American Art Museum from July 2, 2010 to January 2, 2011 in an exhibition titled Telling Stories. Lucas has said that he is a fan of Seth MacFarlane's hit TV show Family Guy. MacFarlane has said that Lucasfilm was extremely helpful when the Family Guy crew wanted to parody their works.
Question: Does he have a family?
Answer:
In 1969, Lucas married film editor Marcia Lou Griffin,