Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Blue Rhythm is a 1931 American animated short film produced by Walt Disney Productions and released by Columbia Pictures. The cartoon stars Mickey Mouse and depicts a multifaceted performance of W. C. Handy's "St. Louis Blues." It was directed by Burt Gillett and features the voices of Walt Disney as Mickey and Marcellite Garner as Minnie Mouse. Context_2 : Land of Illusion Starring Mickey Mouse, released in Japan as Mickey Mouse no Maho no Crystal ( ) , and in Brazil as Mickey Mouse 2, is a platform game released by Sega for the Sega Master System in 1992 and Sega Game Gear in 1993. It is a sequel to "Castle of Illusion Starring Mickey Mouse", which was also released for Sega Genesis. Context_3 : Mickey's Choo-Choo is a 1929 Mickey Mouse cartoon. Ub Iwerks was the animator. "Mickey's Choo-Choo" was released at the same time as "Springtime", the third "Silly Symphony" to appear. It was one of the series of early Disney cartoons that led Mickey Mouse to become a national fad by the end of 1929.Originally in black and white, this cartoon was of the ten Mickey Mouse cartoons colorized by the Walt Disney Company in 1991. Context_4 : The Mickey Mouse universe is a fictional shared universe which is the setting for stories involving Disney cartoon characters Mickey and Minnie Mouse, Pluto, Goofy and many other characters. The universe originated from the "Mickey Mouse" animated short films produced by Disney starting in 1928, but its first consistent version was created by Floyd Gottfredson in the "Mickey Mouse" newspaper comic strip. Real-world versions also exist in Disneyland and Tokyo Disneyland, called Mickey's Toontown. Context_5 : Mickey Mouse Adventures was a comic book first published by Disney Comics from 1990 to 1991. It featured Mickey Mouse as the main character along with other characters from the Mickey Mouse universe. Somewhat similar in style to the animated series "DuckTales", it was based on the continuity of earlier print material starring Mickey, mainly Floyd Gottfredson's stories in the comic strip. These stories usually featured Mickey, with the help of longtime friends Goofy, Donald Duck, Pluto, Minnie Mouse, Horace Horsecollar, and Clarabelle Cow, having adventures in or out of Mouseton against adversaries such as The Phantom Blot, Big Bad Pete, Emil Eagle, and even newcomer villains like Wiley Wildbeest, Ms. Vixen, and Prince Penguin. The main feature was written by contemporary writers such as Michael T. Gilbert, Marv Wolfman, and others. The back-up features were reprints of classic Mickey Mouse comic stories. The comic ran for 18 issues from April 1990 to September 1991. Context_6 : Mickey's Mouse Tracks is an American animated television series on The Disney Channel which ran from 1992 to 1995, and featured Disney cartoons and animated short films, dating from before the advent of The Disney Channel. A similar show was "Donald's Quack Attack". The show premiered on November 2, 1992, along with "Donald's Quack Attack", on The Disney Channel. The show was made to replace "Good Morning, Mickey!". A show identical to this show called "Mickey Mouse and Friends" premiered in 1994. It was not possible to know what episode was going to be shown on any given day, but the show "did" feature showings of some shorts that do not show up on "The Ink and Paint Club" along with some shorts made by the "Fleischer" brothers, and clips from the animated features, such as "Snow White and the Seven Dwarfs", "Pinocchio", "Dumbo", "Cinderella", and "Alice in Wonderland". In 1996, the show was replaced by "Mickey Mouse Works", later given a plot as "House of Mouse". In between each cartoon, a short segment featured a small clip of a Mickey Mouse cartoon, accompanied by the "Mouse Tracks" logo. In addition to airing on The Disney Channel from 1992 to 1996, the show also ran on Toon Disney from 1998 to 1999. Context_7 : Mickey Mouse: Magic Wands!, known in Japan as Mickey Mouse V: Mahou no Stick (V , lit. "Mickey Mouse V: The Magical Stick" ) and known in Europe as Mickey Mouse V: Zauberstabe!, is a 1998 puzzle/action game hybrid developed and published by Kemco in Japan on December 22, 1993. It was later published in North America by Nintendo in May 1998 in a version featuring the Super Game Boy support. It is the fifth game in Kemco's Mickey Mouse-based video games on their "Crazy Castle" series and the only title to be released in North America under its original title. Context_8 : Donald's Quack Attack is an American television series which ran on The Disney Channel and was later rerun on Toon Disney. It premiered on November 2, 1992, along with "Mickey's Mouse Tracks", on The Disney Channel. It featured Disney animated short films, especially those with Mickey Mouse, Donald Duck, and Goofy. Each episode lasted about 2228 minutes, leaving some time for commercials.. A similar Mickey Mouse version was called "Mickey's Mouse Tracks", however, unlike "Mouse Tracks", "Quack Attack" was run with a manic energy. In between the cartoon shorts, a screen would appear with a random background color (pink, blue, green, etc.) With a clip in the corner from a random Donald Duck cartoon. There was a thermometer with Donald's head on the bottom. When the clip showed Donald getting angry, the head on the thermometer would go up and make a dinging sound. This was called the "Quack Attack Meter." This 10-25 second clip would appear 2 to 4 times per show, depending on how long the shorts were. The credits for the show did not name anyone. Instead, it stated, "The cartoons in this program are the work of the animators from THE WALT DISNEY COMPANY over the past 60 years." When the show premiered in 1992, it was meant to replace "Donald Duck Presents". It was not possible to know what episode was going to be shown on any given day, but the show did feature showings of some shorts that do not show up on "The Ink and Paint Club" along with some shorts made by the "Fleischer" brothers, and clips from the animated features, such as "Snow White and the Seven Dwarfs", "Pinocchio", "Peter Pan", and "Lady and the Tramp". "Donald's Quack Attack" aired on The Disney Channel from 1992 to 2000, and on Toon Disney from 1998 to December 2002. From April 2001 to December 2002, "Quack Attack" usually aired weekdays at 5 a.m., and every night at midnight. When "Quack Attack" aired on Toon Disney, there were short commercial breaks in between each cartoon, unlike the airings on The Disney Channel. On some episodes, the first cartoon was cut from the episode to make room for commercial breaks. Context_9 : Walter Elias Disney ( ; December 5, 1901December 15, 1966) was an American entrepreneur, animator, voice actor and film producer. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, Disney holds the record for most Academy Awards earned by an individual, having won 22 Oscars from 59 nominations. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress. Context_10 : Mickey Mouse is an American animated children's comedy television series produced by Disney Television Animation. It features classic cartoon characters Mickey Mouse, Minnie Mouse, Donald Duck, Daisy Duck, Goofy and Pluto in contemporary settings such as Paris, Venice, Tokyo and New York. The series has the slapstick feel of classic "Mickey Mouse" shorts, while providing a modern update with the extensive use of Toon Boom and Flash animation, and "presents Mickey in a broad range of humorous situations that showcase his pluck and rascality, along with his long-beloved charm and good heartedness". The animation is being provided by the Canadian studio, Mercury Filmworks. fact_1 : It was directed by Burt Gillett and features the voices of Walt Disney as Mickey and Marcellite Garner as Minnie Mouse. fact_2 : Walter Elias Disney ( ; December 5, 1901December 15, 1966) was an American entrepreneur, animator, voice actor and film producer. Answer: Walter Elias Disney
Solution:
Blue Rhythm features the voice of which animator and voice actor as Mickey Mouse?