input: After the break-up, Weasel and Jughead formed a new band called The Gore Gore Girls, and Ben briefly performed in the original incarnation of The Vindictives. In 1991, the members of Screeching Weasel reunited for what was intended as a one-off gig to pay off debts the band incurred from the recording of Boogadaboogadaboogada!. The line-up consisted of Ben, Jughead, Vapid, Vermin, and Ward. After the show, Vapid discussed the idea of reforming Screeching Weasel with Jughead. All of the band's members agreed to reform, with the exceptions of Brian Vermin and Douglas Ward. To replace Vermin, drummer Dan Panic (Dan Sullivan) was brought in. Before recording their third studio album, My Brain Hurts (1991) for Lookout! Records, Weasel decided that he wanted to focus on singing and would no longer be playing guitar in the band. Vapid switched instruments from bass to guitar, and former Gore Gore Girls bassist Dave Naked joined the band. The recording sessions for the album also produced the extended play Pervo Devo. After recording My Brain Hurts, Dave Naked was fired from the band and Scott "Gub" Conway, Panic's former bandmate, was brought in as the band's bassist to tour. After the tour, Johnny Personality of The Vindictives became the band's bassist, as Gub was committed to another band. By late 1992, the band had recorded the follow-up to My Brain Hurts, Wiggle, which also marked their first collaboration with producer Mass Giorgini, who went on to produce the vast majority of the Screeching Weasel catalog, and also became the bassist of the band from 1998 to 2004. Personality then left the band to focus on The Vindictives. Instead of adding a new member, Weasel moved back to guitar, and Vapid moved back to bass. The band was then asked to record a cover of an entire Ramones album, Ramones (1992), followed later that year by Anthem for a New Tomorrow. Shortly after the record's release, Weasel decided that he no longer wanted to perform live, and Vapid left after falling out with the rest of the band. Screeching Weasel enlisted the help of Green Day bassist Mike Dirnt to record what they intended to be their final studio album. After the release of How to Make Enemies and Irritate People (1994), the band broke up for the second time.

Answer this question "What is the most fascinating aspect of this article?"
output: The band was then asked to record a cover of an entire Ramones album, Ramones (1992),

input: The First World War took its toll on the Canadian Geological Survey, cutting funding for anthropology and making the academic climate less agreeable. Sapir continued work on Athabascan, working with two speakers of the Alaskan languages Kutchin and Ingalik. Sapir was now more preoccupied with testing hypotheses about historical relationships between the Na-Dene languages than with documenting endangered languages, in effect becoming a theoretician. He was also growing to feel isolated from his American colleagues. From 1912 Florence's health deteriorated due to a lung abscess, and a resulting depression. The Sapir household was largely run by Eva Sapir, who did not get along well with Florence, and this added to the strain on both Florence and Edward. Sapir's parents had by now divorced and his father seemed to suffer from a psychosis, which made it necessary for him to leave Canada for Philadelphia, where Edward continued to support him financially. Florence was hospitalized for long periods both for her depressions and for the lung abscess, and she died in 1924 due to an infection following surgery, providing the final incentive for Sapir to leave Canada. When the University of Chicago offered him a position, he happily accepted. During his period in Canada, Sapir came into his own as the leading figure in linguistics in North America. Among his substantial publications from this period were his book on Time Perspective in the Aboriginal American Culture (1916), in which he laid out an approach to using historical linguistics to study the prehistory of Native American cultures. Particularly important for establishing him in the field was his seminal book Language (1921), which was a layman's introduction to the discipline of linguistics as Sapir envisioned it. He also participated in the formulation of a report to the American Anthropological Association regarding the standardization of orthographic principles for writing Indigenous languages. While in Ottawa, he also collected and published French Canadian Folk Songs, and wrote a volume of his own poetry. His interest in poetry led him to form a close friendship with another Boasian anthropologist and poet, Ruth Benedict. Sapir initially wrote to Benedict to commend her for her dissertation on "The Guardian Spirit", but soon realized that Benedict had published poetry pseudonymously. In their correspondence the two critiqued each other's work, both submitting to the same publishers, and both being rejected. They also were both interested in psychology and the relation between individual personalities and cultural patterns, and in their correspondences they frequently psychoanalyzed each other. However, Sapir often showed little understanding for Benedict's private thoughts and feelings, and particularly his conservative gender ideology jarred with Benedict's struggles as a female professional academic. Though they were very close friends for a while, it was ultimately the differences in worldview and personality that led their friendship to fray. Before departing Canada, Sapir had a short affair with Margaret Mead, Benedict's protege at Columbia. But Sapir's conservative ideas about marriage and the woman's role were anathema to Mead, as they had been to Benedict, and as Mead left to do field work in Samoa, the two separated permanently. Mead received news of Sapir's remarriage while still in Samoa, and burned their correspondence there on the beach.

Answer this question "How did he do that?"
output: substantial publications

input: Following the Sex Pistols' break-up in 1978, photographer Dennis Morris suggested that Lydon travel to Jamaica with him and Virgin Records head Richard Branson, where Branson would be scouting for emerging reggae musicians. Branson also flew American band Devo to Jamaica, aiming to install Lydon as lead singer in the band. Devo declined the offer. Upon returning to England, Lydon approached Jah Wobble (ne John Wardle) about forming a band together. The pair had been friends since the early 1970s when they attended the same school in Hackney (both belonged to a circle of friends Lydon informally dubbed "The Gang of Johns" - John Lydon, John Wardle, John Gray, and John Simon Ritchie, a.k.a. Sid Vicious). Lydon and Wobble had previously played music together during the final days of the Sex Pistols. Both had similarly broad musical tastes, and were avid fans of reggae and world music. Lydon assumed, much as he had with Sid Vicious, that Wobble would learn to play bass guitar as he went. Wobble would prove to be a natural talent. Lydon also approached guitarist Keith Levene, with whom he had toured in mid-1976, while Levene was a member of the Clash. Lydon and Levene had both considered themselves outsiders even within their own bands. Jim Walker, a Canadian student newly arrived in the UK, was recruited on drums, after answering an ad placed in Melody Maker. PiL began rehearsing together in May 1978, although the band was still unnamed. In July 1978, Lydon officially named the band "Public Image" (the "Ltd" was not added until several months later), after the Muriel Spark novel The Public Image. PiL debuted in October 1978 with "Public Image", a song written while Lydon was still a member of the Sex Pistols. The single was well received and reached number 9 on the UK charts, and it also performed well on import in the US.

Answer this question "When did the band form?"
output:
1976,