Question: What was the name of the song that was Jeff Hanneman and Kerry King's favorite? Answer the above question based on the context below: The album was recorded in Los Angeles, California with Reign in Blood producer Rick Rubin. PopMatters reviewer Adrien Begrand observed that Rubin's production "shoves [Dave] Lombardo's drumming right up front in the mix". Guitarist Jeff Hanneman has since said that South of Heaven was the only album the band members discussed before writing the music. Aware that they "couldn't top Reign in Blood", and that whatever they recorded would be "compared to that album", he believed they "had to slow down", something Slayer had never done on albums before, or since. Guitarist Kerry King cited the need to "keep people guessing" as another reason for the musical shift. "In order to contrast the aggressive assault put forth on Reign in Blood, Slayer consciously slowed down the tempo of the album as a whole", according to Slayer's official biography. "They also added elements like undistorted guitars and toned-down vocal styles not heard on previous albums."King has since been critical of his performance, which he describes as his "most lackluster". King attributes this to the fact he had recently married, and moved to Phoenix, Arizona. Describing himself as "probably the odd man out at that point", he stated he "didn't participate as much because of that". Hanneman said: "We go through dry spells sometimes, but the good thing about having two guitar players that can write music is that you are never gonna go without. I guess at that time, Kerry was hitting a dry spell." King has also been critical of the album in general, describing it as one of his least favorite Slayer albums. He feels vocalist Tom Araya moved too far away from his regular vocal style, and "added too much singing". Drummer Dave Lombardo has since observed: "There was fire on all the records, but it started dimming when South of Heaven came into the picture. And that's me personally. Again, I was probably wanting something else."Judas Priest's "Dissident Aggressor" is the first cover version to appear on a Slayer studio album. The song was chosen...
Answer: Dissident Aggressor
[Q]: Who are the lamplighter and his wife seeing off? Answer the above question based on the context below: The movie opens with Isabella Ford in a pathetic state, traveling alone from Selmouth to Addisford on foot although she will be having a baby in a short while. In a deserted cabin on the way, she gives birth to a stillborn baby. She buries it and continues her journey to Addisford. She arrives there late in the evening and meets Ben Wainwright, the lamplighter at Addisford. He asks her about herself and if she has any relatives in Addisford. Bella replies that she does not have any and she came looking for a man by the name of Arch Wilson. Ben does not know him and seeing her plight, takes her to his house. He tells his wife to get Bella washed up. Bella, now clean and dry, sits at the dinner table while Ben introduces his family. Ben has three children. Matty, Con and Jedd. Matty, the youngest, is a shoemaker, Jedd is a soldier, and Con does not have a specific profession. He does the household chores and helps his parents around. Bella is unable to eat anything during the dinner, starts crying, and faints when she stands up to go to bed. Mrs. Wainwright puts Bella to bed and feeds her some soup after a while. Bella refuses to have more and falls asleep. She wakes up in the midnight and remembers the intimate moments with her lover, Arch. She falls asleep again and wakes up in the morning. From the window, she sees Mr and Mrs. Wainwright seeing off Jedd, who is going back to the army. After Jedd is gone, Bella prepares to leave. Mrs. Wainwright gives Bella her daughter's coat and tells her that she died of rheumatic fever. She asks about Bella's family and learns that she has nowhere to go. She tells her that she can stay and she will have to do her share of household work, if she chooses to stay. She also suggests she fetch leather from the factory for the shoes. Bella agrees to stay.
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[A]: Jedd
input: Please answer the following: Who had not heard a single Symphony or Overture in one concert since June? Answer the above question based on the context below: On Bennett's return to London he took up a teaching post at the RAM which he held until 1858. During his second long stay in Germany, from October 1838 to March 1839, he played his Fourth Piano Concerto (Op. 19, in F minor) and the Wood Nymphs Overture, Op. 20. Returning to England, he wrote to his Leipzig publisher Friedrich Kistner in 1840, bemoaning the difference between England and Germany (and hoping that a German would redress the situation): You know what a dreadful place England is for music; and in London I have nobody who I can talk to about such things, all the people are mad with [Sigismond] Thalberg and [Johann] Strauss [I], and I have not heard a single Symphony or Overture in one concert since last June. I sincerely hope that Prince Albert ... will do something to improve our taste. On Bennett's third trip, from January to March 1842, in which he also visited Kassel, Dresden and Berlin, he played his Caprice for piano and orchestra, Op. 22, in Leipzig. Despite his then-pessimistic view of music in England, Bennett missed his chance to establish himself in Germany. The musicologist Nicholas Temperley writes One might guess that the early loss of both parents produced in Bennett an exceptionally intense need for reassurance and encouragement. England could not provide this for a native composer in his time. He found it temporarily in German musical circles; yet, when the opportunity came to claim his earned place as a leader in German music, he was not quite bold enough to grasp it.
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output:
Bennett