input: Jean and other musicians formed a group in the 1980s under the name Tranzlator Crew. After they signed with Ruffhouse Records and Columbia Records in 1993, they renamed their group as Fugees - an abbreviation of "refugees", and also a reference to Haitian immigrants. The group's debut album, Blunted on Reality, was released in 1994. It achieved limited commercial success, peaking at number 62 on the US Top R&B/Hip-Hop Albums chart. The album peaked at number 122 on the UK Albums Chart in 1997, and it was certified gold by the Syndicat National de l'Edition Phonographique (SNEP). Blunted on Reality spawned three singles: "Boof Baf", "Nappy Heads" and "Vocab." "Nappy Heads" was the Fugees' first single to be ranked on the US Billboard Hot 100, charting at number 49. In 1996, the Fugees released their second album, titled The Score. The album achieved significant commercial success in the United States, topping the US Billboard 200. It was later certified as six-times platinum by the Recording Industry Association of America (RIAA). It performed well in several overseas nations, topping the Austrian, Canadian, French, German and Swiss albums charts, while also peaking at number two in Sweden and the United Kingdom. Four commercially successful singles were released from The Score; "Fu-Gee-La", the first single from the album, peaked at number 29 on the Billboard Hot 100 and was certified gold by the RIAA and by the Bundesverband Musikindustrie (BVMI). The other three singles - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" - did not appear on the Billboard Hot 100 as they were not released for commercial sale, making them ineligible to appear on the chart, although they all received sufficient airplay to appear on the Hot 100 Airplay and Hot R&B/Hip-Hop Airplay charts. "Killing Me Softly", a cover of the Roberta Flack song "Killing Me Softly with His Song", performed strongly in other territories, topping the singles charts in Australia, Austria, Germany and the United Kingdom, among several others. "Ready or Not" peaked at number one in the UK and at number three in Sweden. "No Woman, No Cry" - a cover of the Bob Marley & The Wailers song of the same name - topped the singles chart in New Zealand. Fugees collaborated with singer Bounty Killer on the single "Hip-Hopera" and recorded the single "Rumble in the Jungle" for the soundtrack to the film When We Were Kings in 1997: although they have not released any studio albums since The Score, a compilation album, Greatest Hits, was released in 2003, and spawned the single "Take It Easy".

Answer this question "What singles were on that album?"
output: - "Killing Me Softly", "Ready or Not" and "No Woman, No Cry" -

input: Baum embarked on his lifetime infatuation--and wavering financial success--with the theater. A local theatrical company duped him into replenishing their stock of costumes on the promise of leading roles coming his way. Disillusioned, Baum left the theater -- temporarily -- and went to work as a clerk in his brother-in-law's dry goods company in Syracuse. This experience may have influenced his story "The Suicide of Kiaros", first published in the literary journal The White Elephant. A fellow clerk one day was found locked in a store room dead, probably from suicide. Baum could never stay away long from the stage. He performed in plays under the stage names of Louis F. Baum and George Brooks. In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them. The Maid of Arran proved a modest success, a melodrama with songs based on William Black's novel A Princess of Thule. Baum wrote the play and composed songs for it (making it a prototypical musical, as its songs relate to the narrative), and acted in the leading role. His aunt Katharine Gray played his character's aunt. She was the founder of Syracuse Oratory School, and Baum advertised his services in her catalog to teach theater, including stage business, play writing, directing, translating (French, German, and Italian), revision, and operettas. On November 9, 1882, Baum married Maud Gage, a daughter of Matilda Joslyn Gage, a famous women's suffrage and feminist activist. While Baum was touring with The Maid of Arran, the theater in Richburg caught fire during a production of Baum's ironically titled parlor drama Matches, destroying the theater as well as the only known copies of many of Baum's scripts, including Matches, as well as costumes.

Answer this question "What other performances did he have?"
output: In 1880, his father built him a theater in Richburg, New York, and Baum set about writing plays and gathering a company to act in them.

input: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, with whom keyboardist Gregg Rolie could share lead vocal duties. The band hired Robert Fleischman and transitioned to a more popular style, akin to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977 and together the new incarnation of the band wrote the hit "Wheel in the Sky"; however, management differences resulted in Fleischman leaving within the year. In late 1977, Journey hired Steve Perry as their new lead singer. Herbie Herbert, the band's manager, also hired Roy Thomas Baker as a producer to add a layered sound approach as Baker had done with his previous band, Queen. With their new lead singer and talented new producer, Journey released their fourth album, Infinity (1978). This album set Journey on their road to stardom with their first RIAA-certified platinum album. This album, with their hit song "Wheel in the Sky" (#57 U.S.), set Journey on a new path with a more mainstream sound to make their highest chart success to date. In late 1978, manager Herbie Herbert fired drummer Aynsley Dunbar, who joined Bay Area rivals Jefferson Starship shortly thereafter. He was replaced by Berklee-trained jazz drummer Steve Smith. Perry, Schon, Rolie, Smith and Valory recorded Evolution (1979), which gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'" (#16); and Departure (1980), which reached No. 8 on the album charts. Journey's newfound success brought the band an almost entirely new fan base. During the 1980 Departure world tour, the band recorded a live album, Captured. Keyboardist Gregg Rolie then left the band, the second time in his career he left a successful act. Keyboardist Stevie "Keys" Roseman was brought in to record the lone studio track for Captured, "The Party's Over (Hopelessly in Love)," but Rolie recommended pianist Jonathan Cain of The Babys as the permanent replacement. With Cain's replacement of Rolie's Hammond B-3 organ with his own synthesizers, the band was poised for a new decade in which they would achieve their greatest musical success.

Answer this question "Did it do well on the music charts?"
output:
set Journey on a new path with a more mainstream sound to make their highest chart success to date.