Question: Gary Wright was born and raised in Cresskill, New Jersey. A child actor, he made his TV debut at the age of seven, on the show Captain Video and His Video Rangers, filmed in New York. Among other acting work, he appeared in TV and radio commercials, before being offered a part in the 1954 Broadway production of the musical Fanny. Wright played the role of Cesario, the son of Fanny, who was played by future Brady Bunch matriarch Florence Henderson.

In 1988, Wright released Who I Am on A&M-distributed Cypress Records. Among the album's contributors were Western musicians such as Harrison, White and Keltner, a group of South Indian percussionists, and Indian classical violinists L. Subramaniam and L. Shankar. The previous year, Wright had contributed to Harrison's album Cloud Nine (1987), for which he co-wrote "That's What It Takes" with Harrison and Jeff Lynne, and played keyboards on songs such as "When We Was Fab". One of the tracks from Who I Am, "Blind Alley", was used in the 1988 horror film Spellbinder. Wright's next solo album was First Signs of Life (1995), recorded in Rio de Janeiro and at his own High Wave Studios in Los Angeles, and issued on the Triloka/Worldly record label. The album combined Brazilian rhythms with elements of African vocal tradition, creating what AllMusic's reviewer describes as "an infectious worldbeat hybrid", where "the musicians' performances radiate sincerity and joy". First Signs of Life featured guest appearances from drummer Terry Bozzio, Brazilian guitarist Ricardo Silveira and Harrison. The song "Don't Try to Own Me", co-written with Duane Hitchings, was later included on Rhino Records' Best of Gary Wright: The Dream Weaver - a 1998 compilation spanning his solo career from 1970 onwards, and featuring extensive liner notes by Wright. Human Love (1999) included new versions of "Wildfire" and "The Wrong Time", as well as "If You Believe in Heaven", a song written with Graham Gouldman that had first appeared on Best of Gary Wright. The album was co-produced by German world-music producer Marlon Klein and released on the High Wave Music label. Contributors to the sessions, held at High Wave and at Exil Musik in Bielefeld, included Hindustani classical vocalist Lakshmi Shankar, Lynne and German composer Roman Bunka.

Using a quote from the above article, answer the following question: What were some of the singles on this album?
HHHHHH
Answer: Don't Try to Own Me", co-written with Duane Hitchings,

Question: The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".

With the same line-up still in place, the band released The Cult in October 1994, produced by Bob Rock. The self-titled 'Cult' album is commonly referred to as the 'Black Sheep' album by fans of the group. Astbury referred to the record as "very personal and very revealing" songs about his life, with the subject matter ranging from sexual abuse at the age of 15, to the death of Nigel Preston, to his directionless years spent in Glasgow in the late 1970s. The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK. Duffy remarked that he thought that the record wouldn't sell well due to the offensive lyrics. The record went to number one in Portugal also, but quickly dropped out of sight. The single "Coming Down (Drug Tongue)" was released with the band going on tour in support of the new album. Only one more single, "Star", was officially released with a live appearance on UK TV show The Word. "Star" began life in 1986 as "Tom Petty" and was recorded at the "Sonic Temple" demo sessions as "Starchild", being dropped by the band during rehearsals. In 1993 the song was resurrected and was finally completed for the record in 1994 as, just simply, "Star". When the band began the Beauty's On The Streets tour in winter 1994, they augmented the line up with James Stevenson on rhythm guitar. As with the Ceremony record several years earlier, no other official singles were released, but several other songs were released on a strictly limited basis: "Sacred Life" was released in Spain and the Netherlands, "Be Free" was issued in Canada and France, "Saints Are Down" was issued in Greece, but none of the songs gained much commercial success. During this tour, the Cult made their first ever appearance in Norway.

Using a quote from the above article, answer the following question: Did it sell very well?
HHHHHH
Answer: The record achieved little success, only reaching No. 69 in the US and No. 21 in the UK.

Question: Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.

Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows: I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries. An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again. Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.

Using a quote from the above article, answer the following question: What happened after the investigation was completed?
HHHHHH
Answer:
Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: