IN: James Thomas Fallon was born in the Bay Ridge neighborhood of Brooklyn, New York on September 19, 1974, the son of Gloria (nee Feeley) and James W. Fallon. He is of German, Irish, and Norwegian descent. His paternal grandmother, Luise Schalla, was a German immigrant from Osterholz-Scharmbeck, while one of his maternal great-grandfathers, Hans Hovelsen, was a Norwegian immigrant from Fredrikstad. Another set of great-great-grandparents were Thomas Fallon, an Irishman from County Galway, and Louisa Stickever, the daughter of an Irishman born in France and his Irish wife.

Late Night with Jimmy Fallon premiered in March 2009 to mixed reviews. Producer Michael Shoemaker felt that the show's style solidified when it used Susan Boyle as a joke. While other late-night programs had centered on her appearance, Fallon's Late Night debuted a sketch in which Boyle's emotional performances could "salve any affliction." It was this style of humor, that Adam Sternbergh of New York dubbed "the comedy of unabashed celebration", that led to the program's success. Fallon proved himself different from other late-night hosts, with more of a reliance on music, dancing, impersonations, and games. Between Fallon's own musical sensibilities and the recruitment of his house band, hip-hop collective The Roots, his incarnation of Late Night "evolved into the most deeply musical of TV's musical-comedy variety programs", with sketches in which he parodies Neil Young and Bruce Springsteen going viral online. Coincidentally, it was during the Tonight Show debacle that Fallon's show found its footing. Another component built into the program was its association with social media and the Internet. The first majorly successful online clip was of Fallon and Justin Timberlake performing a "History of Rap". Online interaction and its presence on the show soon became crucial to its success. As of August 2013, Fallon was earning a salary of $11 million a year for his work on Late Night. Fallon also hosted the 62nd Primetime Emmy Awards in 2010. In 2012, Fallon released his second comedy album, Blow Your Pants Off, which compiles many of his musical performances on Late Night. The album won a Grammy in 2013 for Best Comedy Album. Discussions for Fallon to take over The Tonight Show began in early 2013.
QUESTION: What did he do upon his return?
IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic. Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album. When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
QUESTION: what was special about the conception?
IN: Melanie Jayne Chisholm was born in Whiston, Lancashire, as the only child in the family. She later moved to Widnes, Cheshire, at a young age. Her parents married on 12 January 1971 and separated in 1978, when young Chisholm was four-and-a-half years old. Her father, Alan Chisholm, worked as a fitter at the Otis Elevator Company.

Chisholm's music is generally pop and rock. She also released an album of show tunes. Chisholm has received co-writing credits for most of the songs recorded with Spice Girls and her solo efforts. The main concept of the Spice Girl albums centred on the idea of Girl Power, embodying a feminist image, as both Madonna and Bananarama had employed before, and every track deals with different aspects of this notion. Other central themes in the writing of the group were the union, solidarity, friendship, independence, love, loss of virginity, sex, contraception, the relationship with parents during adolescence, vulnerability and fame. Many of these themes were carried out even during her solo career, but with a more mature writing, intense style and in some songs a more raw and direct language. Added to these were social issues such as homelessness, and introspective themes. Having co-written 11 UK number 1s, more than any other female artist, she remains the only female performer to top the charts as a solo artist, as part of a duo, quartet and quintet. With 12 UK Number 1 singles, including the charity single as part of the Justice Collective, she is the second female artist - and the first British female artist - with the most singles at number 1 in the UK, and with a total of 14 songs that have risen to number 1 in Britain (including the double A-sides), Chisolm is the first artist with most number 1 songs in the UK ranking history. On 1 January 2004, Virgin Records dismissed Chisholm after the conflict in previous years about the direction in her solo career. In April 2004, she founded her own label, Red Girl Records, to record and release her own projects. All of Chisolm's activities are decided upon and funded by herself, alongside her business partner and manager, Nancy Phillips. The name was inspired by the colours of the football Liverpool F.C., which Chisholm is supporter.
QUESTION:
Are there any other interesting aspects about this article?