Problem: Background: Paul Verhoeven was born on 18 July 1938, the son of a school teacher, Wim Verhoeven, and a hat maker, Nel van Schaardenburg. Although he was born in Amsterdam, the family lived in the village of Slikkerveer. In 1943 the family moved to The Hague, the location of the German headquarters in the Netherlands during World War II. The Verhoeven house was near a German military base with V1 and V2-rocket launchers, which was repeatedly bombed by allied forces.
Context: Verhoeven is a member of the Jesus Seminar, and he is the only member who does not have a degree in biblical studies. He graduated with a degree in mathematics and physics from the University of Leiden. Since he is not a professional biblical exegete, his membership in the Jesus Seminar has occasionally been cited by opponents of the Seminar as a sign that this group is less scholarly than it claims. For example, Luke Timothy Johnson criticizes the Jesus Seminar's methods on exegetical grounds, and also criticizes what he perceives to be a dependence on the theatrical and an attempt to manipulate the mainstream media. He singles out Verhoeven as a key player in the media activities of the Jesus Seminar. On the other hand, some Jesus Seminar members were unhappy with Verhoeven's portrayal of Jesus as an eschatological prophet. In 2007 Verhoeven wrote the book Jesus of Nazareth (Dutch: Jezus van Nazaret) about the life of Jesus of Nazareth. The book reviews the ideas of Jesus of Nazareth and the alleged corruption of these same ideas over the last 2,000 years. Co-written with Verhoeven's biographer Rob Van Scheers, the book is the culmination of the research Verhoeven conducted in preparation for Jesus: The Man, a motion picture about the life of Christ. The book tells about the Jewish uprising against Roman rule and characterizes Jesus as a radical political activist, downplaying any supernatural events and miracles as unproved or unprovable. Jesus of Nazareth: A Realistic Portrait was released in September 2008 in Dutch and was published in English in May 2010 by Seven Stories Press. Robert J. Miller, author of Born Divine, said about Jesus of Nazareth, "Verhoeven breaks down the gospels...and reassembles them into a unique...reconstruction of the historical Jesus." In April 2010, Verhoeven hinted that his next potential film project would be an adaptation of a "Hitchcockian" computer game set in 1914. Although he would not reveal the title, there was speculation that the project might be an adaptation of The Last Express, a 1997 game designed by Prince of Persia creator Jordan Mechner. In October 2011, Verhoeven confirmed The Last Express as the identity of the game in question, and revealed that he is even considering filming it in 3D. Mechner has gone on record as saying he is a fan of Verhoeven's Jesus of Nazareth (JON). Verhoeven's interpretation of JON will reportedly include Jesus as an exorcist, and a believer in the Kingdom of God on Earth.
Question: What other acticities did paul do?
Answer: Verhoeven is a member of the Jesus Seminar, and he is the only member who does not have a degree in biblical studies. He graduated with a degree

Problem: Background: Andy Samuel Griffith (June 1, 1926 - July 3, 2012) was an American actor, comedian, television producer, Southern gospel singer, and writer, whose career spanned seven decades of music and television. Known for his southern drawl, his characters with a folksy-friendly personality, and his gruff, gregarious voice, Griffith was a Tony Award nominee for two roles, and gained prominence in the starring role in director Elia Kazan's film A Face in the Crowd (1957) before he became better known for his television roles, playing the lead roles of Andy Taylor in the sitcom The Andy Griffith Show (1960-1968) and Ben Matlock in the legal drama Matlock (1986-1995).
Context: Griffith's early career was as a monologist, delivering long stories such as What It Was, Was Football, which is told from the point of view of a naive country preacher trying to figure out what was going on in a football game. The monologue was released as a single in 1953 on the Colonial Records label, and was a hit for Griffith, reaching number nine on the charts in 1954. Griffith starred in Ira Levin's one-hour teleplay version of No Time for Sergeants (March 1955) -- a story about a country boy in the United States Air Force -- on The United States Steel Hour, a television anthology series. He expanded that role in Ira Levin's full-length theatrical version of the same name (October 1955) on Broadway in New York City. The role earned him a "Distinguished Supporting or Featured Dramatic Actor" nomination at the 1956 Tony Awards, losing to Ed Begley. He did win the 1956 Theatre World Award, however, a prize given for debut roles on Broadway. "Mr. Griffith does not have to condescend to Will Stockdale" (his role in the play), wrote Brooks Atkinson in The New York Times. "All he has to do is walk on the stage and look the audience straight in the face. If the armed forces cannot cope with Will Stockdale, neither can the audience resist Andy Griffith." Griffith later reprised his role for the film version (1958) of No Time for Sergeants; the film also featured Don Knotts, as a corporal in charge of manual-dexterity tests, marking the beginning of a lifelong association between Griffith and Knotts. No Time for Sergeants is considered the direct inspiration for the later television situation comedy Gomer Pyle, U.S.M.C. His only other New York stage appearance was the titular role in the 1959 musical Destry Rides Again, co-starring Dolores Gray. The show, with a score by Harold Rome, ran for 472 performances and more than a year. Griffith was nominated for "Distinguished Musical Actor" at the 1960 Tony Awards, losing to Jackie Gleason. He also portrayed a US Coast Guard sailor in the feature film Onionhead (1958); it was neither a critical nor a commercial success.
Question: What was it about?
Answer:
a story about a country boy in the United States Air Force --