IN: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.

Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists. In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector. After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some device like a magic lantern, which Eakins then took pains to cover up with oil paint. Eakins' methods appear to be meticulously applied, and rather than shortcuts, were likely used in a quest for accuracy and realism. An excellent example of Eakins' use of this new technology is his painting A May Morning in the Park, which relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers. But in typical fashion, Eakins also employed wax figures and oil sketches to get the final effect he desired. The so-called "Naked Series", which began in 1883, were nude photos of students and professional models which were taken to show real human anatomy from several specific angles, and were often hung and displayed for study at the school. Later, less regimented poses were taken indoors and out, of men, women, and children, including his wife. The most provocative, and the only ones combining males and females, were nude photos of Eakins and a female model (see below). Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature, the sheer quantity of the photos and Eakins' overt display of them may have undermined his standing at the Academy. In all, about eight hundred photographs are now attributed to Eakins and his circle, most of which are figure studies, both clothed and nude, and portraits. No other American artist of his time matched Eakins' interest in photography, nor produced a comparable body of photographic works.

Did he use them for anything other than anatomy and motion studies?

OUT: were often hung and displayed for study at the school.

Answer the question at the end by quoting:

Johnnie Mae Young was born in Sand Springs, Oklahoma on March 12, 1923. She was the youngest of eight children (one died at birth). Her mother Lilly Mae Young was a single mother (her partner left to find work and never returned) living during the Great Depression. Young's oldest sister Inie was severely disabled by whooping cough at a very young age.
On the July 29, 2002 episode of Raw, Young returned along with longtime friend The Fabulous Moolah to promote Moolah's new book: "The Fabulous Moolah: First Goddess of the Squared Circle" before being attacked by 3-Minute Warning by orders of general manager, Eric Bischoff. On the September 15, 2003 episode of Raw, she accompanied Moolah into which came to be her last wrestling singles match before passing away, where she defeated Victoria before being attacked by Randy Orton and an infuriated Victoria. On June 15 at Bad Blood, Young appeared during a segment along with Stone Cold and Eric Bischoff where she stripped herself in the ring and performed a bronco buster on Bischoff before receiving an Stone Cold Stunner from Cold. In 2004, Young was inducted into the Professional Wrestling Hall of Fame and Museum as part of their Lady wrestler category class of that year. On the September 23 episode of SmackDown!, Young teamed with Moolah and defeated Dawn Marie and Torrie Wilson. On March 23, 2005, Moolah and Young appeared on the Late Night with Conan O'Brien show to promote their 2005 documentary in which they starred in an about their 1950s heyday along with several other lady wrestlers of their era. On January 8, 2006 at New Year's Revolution, Young re-appeared along with Moolah during a bra & panties gauntlet match where she stripped herself before being attacked by Victoria as she left the ring, which led to both women retaliate and rip off Victoria's shirt. At WrestleMania 22 on April 2, Young appeared along with Moolah during a backstage segment with Snitsky. At WrestleMania 23 on April 1, 2007, Young appeared during a backstage segment along with several other WWE superstars and hall of famers. On the August 24 episode of SmackDown!, Young made a special appearance winning a Divas bikini contest. Mae's last appearance with Moolah before her death came at SummerSlam in August 2007, both appeared during a backstage segment along with Vince McMahon and Raw's general manager, William Regal, two months prior to her friend's death.

Who was Mae Young?

Young was inducted into the Professional Wrestling Hall of Fame and Museum as part of their Lady wrestler category class

input: Libby was born to an affluent Jewish family in New Haven, Connecticut; his late father, Irving Lewis Liebowitz, was an investment banker. Libby graduated from the Eaglebrook School, in Deerfield, Massachusetts, a middle school, in 1965. The family lived in the Washington region, Miami and Connecticut prior to Libby's graduation from Phillips Academy, in Andover, Massachusetts, in 1968. He and his elder brother, Hank, a retired tax lawyer, were the first in the family to graduate from college. Libby matriculated at Yale University in New Haven, Connecticut, in Fall 1968, graduating magna cum laude in 1972. As Yale Daily News reporter Jack Mirkinson observes, "Even though he would eventually become a prominent Republican, Libby's political beginnings would not have pointed in that direction. He served as vice president of the Yale College Democrats and later campaigned for Michael Dukakis when he was running for governor of Massachusetts." According to Mirkinson: "Two particular Yale courses helped guide Libby's future endeavors. One of these was a creative writing course, which started Libby on a 20-year mission to complete a novel ... [later published as] The Apprentice ... [and] a political science class with professor and future Deputy Secretary of Defense Paul Wolfowitz. In an interview with author James Mann, Libby said Wolfowitz was one of his favorite professors, and their professional relationship did not end with the class." Wolfowitz became a significant mentor in his later professional life. In 1975, as a Harlan Fiske Stone Scholar, Libby received his Juris Doctor (J.D.) degree from Columbia Law School.

Answer this question "Where is Libby from?"
output:
in New Haven, Connecticut;