Input: In actual practice, however, we act too often as if we only cared for economic values. If we are to live up to our educational profession, we must look our aim in the face and honestly practise what we believe. While training of character and conduct is the accepted aim for education in general, to make this useful and practical each teacher must fix her attention on how this ultimate aim affects her own special part of the whole work. By watching the free child she will discover how best she can help him: he knows his own business, and when unfettered by advice or command shows plainly that he is chiefly concerned with _gaining experience_. He finds himself in what is to him a new and complex world of people and things; actual experience is the foundation for a complete living, and the stronger the foundation the better the result of later building. _The first vital principle then is that the teacher of young children must provide life in miniature; that is, she must provide abundant raw material and opportunities for experience_.
"Why is the free child being chiefly concerned with gaining experience so important for later building?" is "Because the building of a character is the premise for later gaining of experience"?

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- yes
Output: no
Input: "What goes up must come down." You have probably heard that statement before. At one time this statement was true, but no longer. Since the 1960s, we have sent many spacecraft into space. Some are still traveling away from Earth. So it is possible to overcome gravity. Do you need a giant rocket to overcome gravity? No, you actually overcome gravity every day. Think about when you climb a set of stairs. When you do, you are overcoming gravity. What if you jump on a trampoline? You are overcoming gravity for a few seconds. Everyone can overcome gravity. You just need to apply a force larger than gravity. Think about that the next time you jump into the air. You are overcoming gravity for a brief second. Enjoy it while it lasts. Eventually, gravity will win the battle.
"What's an example refuting "What goes up must come down"?" is "Since the 1960s, we have sent many spacecraft into space"?

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- no
- yes
Output: yes
Input: (CNN) -- Horror-meister, Stephen King calls George Pelecanos "perhaps the greatest living American crime writer." His stories are set in Pelecanos' hometown of Washington, D.C., but this is not the side of the U.S. capitol that you see portrayed on TV with white marble monuments, lawyers and lobbyists. Pelecanos is more interested in working families struggling to get by, the racial tensions in its ethnic neighborhoods and the low-lifes on the edges. His crime-writing peers call Pelecanos the "undisputed poet" of Washington's gritty side. The best-selling and award-winning author is out this week with his 17th and latest novel, "The Cut." It's the first in a new series featuring Iraq war veteran and private investigator Spero Lucas. When he's not working for a Washington defense attorney, Lucas recovers stolen property for a 40% cut. Now, a high-profile crime boss hires Lucas to find out who's been stealing from him, and it could turn out to be Lucas' biggest payday or an untimely end. While Pelecanos made his bones in the noir tradition, there's a definite "Western" feel to "The Cut." The new novel takes place in a morally gray and often violent world. It's peppered with pitch-perfect dialogue and captures the sights, sounds and taste of Washington in rich detail. In short, Pelecanos reads like the real deal. Pelecanos knows a thing or two about capturing the authenticity of urban America with an ethnically and socially diverse cast. In addition to his success as a novelist, Pelecanos is a producer and writer for HBO's New Orleans-set, "Treme." He was previously a producer and Emmy-nominated writer on the hit series "The Wire" and the miniseries "The Pacific." Read an excerpt from "The Cut" CNN recently spoke to Pelecanos about his new novel. The following is an edited transcript. CNN: Tell me more about your new character, Spero Lucas.
"What is one reason for why George Pelecanos might be "perhaps the greatest living American crime writer?"" is "Pelecanos knows how to capture the authenticity of urban America with an ethnically and socially diverse cast"?

OPTIONS:
- no
- yes
Output:
yes