In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[Q]: Passage: By 1627 the painting belonged to William Herbert, 3rd Earl of Pembroke (1580-1630), and was at Wilton House in Wiltshire. Either the 3rd or 4th earl presented it to King Charles I of England. After the English Civil War it was sold in one of the sales of the Royal Collection at Somerset House in London on 19 December 1651. Soon after it was in France. The painting was later a highlight of the Pierre Crozat collection which was acquired through Diderot's mediation by Catherine II of Russia in 1772. For a century and a half, the panel hung in the Imperial Hermitage Museum. It was one of the most popular paintings in the entire collection of the Tsars. In March 1931 it was part of the Soviet sale of Hermitage paintings, and bought by Andrew Mellon, as part of his founding donation to the National Gallery of Art in Washington D.C. This and other foundational artworks, including paintings by Jan van Eyck, Sandro Botticelli, and Titian, helped place the National Gallery among the most significant collections of Renaissance art.
Link Information: Andrew William Mellon (; March 24, 1855 August 26, 1937) Answer: 76
[A]: How old was Andrew Mellon when he acquired this painting?

[Q]: Passage: Etzel Cardena is the Thorsen Professor of Psychology (including parapsychology and hypnosis) at Lund University, Sweden where he is Director of the Centre for Research on Consciousness and Anomalous Psychology (CERCAP). A native of Mexico, Cardena studied at the Universidad Iberoamericana in Mexico and completed an MA in clinical psychology at York University in Toronto, Canada and an MA and PhD in Personality Psychology at the University of California, Davis. His doctoral thesis under the supervision of Charles Tart was on the phenomenology of deep states of hypnosis. He subsequently went on to do post-doctoral work in the area of dissociation and hypnosis at Stanford University under David Spiegel. Cardena has held academic posts at Georgetown University, the Uniformed Services University of the Health Sciences (USUHS) and the University of TexasPan American, among others. He has served as President of the Society of Psychological Hypnosis (APA Division 30) for 20002001, the Society for Clinical and Experimental Hypnosis for 20012003, and the Parapsychological Association for the year 2008-2009. He has expressed views in favour of the validity of some paranormal phenomena. In a recent paper in American Psychologist he wrote that "The evidence for psi is comparable to that for established phenomena in psychology and other disciplines, although there is no consensual understanding of them."
Link Information: none Answer: none
[A]: Which doctorate and post doctorate supervisor's that Cardena worked under was older?

[Q]: Passage: In the 18th century, England was famous for its woollen and worsted cloth. That industry, centred in the east and south in towns such as Norwich, jealously protected their product. Cotton processing was tiny: in 1701 only of cottonwool was imported into England, and by 1730 this had fallen to . This was due to commercial legislation to protect the woollen industry. Cheap calico prints, imported by the East India Company from Hindustan (India), had become popular. In 1700 an Act of Parliament passed to prevent the importation of dyed or printed calicoes from India, China or Persia. This caused demand to switch to imported grey cloth insteadcalico that had not been finisheddyed or printed. These were printed with popular patterns in southern England. Also, Lancashire businessmen produced grey cloth with linen warp and cotton weft, known as fustian, which they sent to London for finishing. Cottonwool imports recovered though, and by 1720 were almost back to their 1701 levels. Again the woollen manufacturers, in true protectionist fashion, claimed that the imports were taking jobs away from workers in Coventry. The Woollen, etc., Manufactures Act 1720 was passed, enacting fines against anyone caught wearing printed or stained calico muslins. Neckcloths and fustians were exempted. The Lancashire manufacturers exploited this exemption; coloured cotton weft with linen warp were specifically permitted by the 1736 Manchester Act. There now was an artificial demand for woven cloth.
Link Information: none Answer: none
[A]:
What is the difference between the two types of cloth England was famous for in the 18th century?