Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: I watched this movie a couple of days ago in a small independent cinema in Paris. It was my last evening in the French capital and the best good-bye I could have chosen. These twenty episodes made me relive the impressions I had collected in Paris in a heart-warming manner without drifting off into kitsch or sentimental schmaltz. Each episode is full of surprise, strong emotions and suggestive pictures and each short-film is directed according to the rules of a good short story. To me this kind of movie demands a lot more talent and qualities of a director and a story board writer than any epic two hours drama and all of them succeeded in their task excellently! The stories were chosen carefully with regard to their matching Arrondissement and express the respective flair perfectly. Each episode was seen from a different ankle, had a different topic, a different style and still the twenty stories result in a harmonic orchestra of films. The most outstanding advantage with the concept of an episode movie in my opinion is based in the fact that you can switch in between a large variety of feelings and moods without the danger of overload, just the other way round: the melange of sadness, melancholy, pure joy, despair, wrath, anxiety, curiosity or passion gives this movie a unique freshness and harmony. And not to forget the all over topic of love! Love between the characters, love between the characters and Paris and also the love of the directors and actors/actresses for this project. I don't want to go into the details of the episodes since there are so many, but I must highlight the range of world famous actors and actresses from all over the world and their approach to this project. Some played with their image, some broke it completely and some interpreted the stereotypes connected with their home country or the roles they had played before, so intertextuality was given all through the movie. All in all I can absolutely recommend this great collage and will be looking forward to its release on DVD.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: There are so many puns to play on the title of the spectacularly bad Valentine that I don't know where to begin. I will say this though; here is a movie that makes me long for the complexity of the Valentine cards we used to give out in elementary school. You know, the ones with Batman exclaiming "You're a super crime-fighting valentine!"

Valentine is a slasher movie without the slightest hint of irony, one of the few horror movies in recent years that ignores the influence of Scream. The villain is omniscient and nigh-invulnerable. The heroes are easily scared when people run around corners and grab them by the shoulders screaming "HeyIjustleftmycoatbehind!" The score is more overbearing than Norman Bates' mother.

The flimsy plot follows several childhood friends, now grown up and extremely curvaceous. Since the film gives them nothing else to do, they stand around and wait until a masked stalker kills them one by one. This stalker appears to be former nerd Jeremy Melton, who was constantly rejected by women and beaten by men in high school. With Valentine's Day approaching, the women begin receiving scary cards foretelling their doom. Melton seems like the obvious suspect. Only problem is, as numerous characters warns, in thirteen years Melton could have changed his appearance to look buff and handsome. So (insert terrified gasp here) everyone is a suspect!

Here's problem one. In order to have any sense of suspense while watching Valentine, you have to accept a reality in which a high school nerd is capable of becoming David Boreanaz. Nerds don't turn into Angel when they grown up, they turn into older, balder nerds. He's not a terrible actor, but the script, by no less than four writers, gives him and the rest of the cast nothing to do but scream and make out. Denise Richards (the bustiest actress in Hollywood never to star in Baywatch) is especially exploited; most shamefully in the blatant excuse to get her in a bathing suit just before a crucial suspense scene. Note to self: always bring a bathing suit to a Valentine's Day party. Just because it's February doesn't mean you might not feel like taking a little dip.

The slasher in Valentine dresses in head-to-toe black with a Cherub's mask. Here's problem number two. The filmmakers clearly thought this would be a disturbing image to have on the head of someone who's whacking people in the face with hot irons. Plain and simple, it's not. Instead, it just made me wonder how a guy with a mask that covers his entire face, including his eyes and ears, can move so stealthily without bumping his shins on chairs or tables. Then again, given the things the Cupid Killer does, maybe he can teleport and his eyes are on his hands.

Not only is the movie bad, it isn't even sure who the killer is; the final "twist" is more "Huh?" than "Hah!" When you're not scratching your head you're yawning, then groaning, then searching for the nearest exit. Do not watch this movie. Even if you're alone on Valentine's Day, find something, ANYTHING, else to do. You'll be glad you did.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This is the second movie based on the life and times of ultra hung porn star, John Curtis Estes, better known as John Holmes. Boogie Nights is also roughly based on his life. Maybe someday someone is going to do a movie on the life of Tommy Byron instead.

The problem is, that the story is not very well told. There are many Law & Order episodes that have more twists and turns than Wonderland, and the director never gets the criminal case going with any kind of gusto. Val Kilmer has two problems - he is not nearly as hung as Holmes is (and no prosthesis this time around, unlike in Boogie Nights), and he is much better looking than mope Holmes.

The director does not introduce one single likable individual among the cast. The racist, immature lowlifes he hangs out with, or his wife, and the police don't get much in the way of characterization.

The best part of the movie is Eric Bogosian telling Paris Hilton to "get lost".

Having said all that, anyone interested in the sleaziest side of the porn business in the 1980s or true crime shouldn't miss it.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer:
Sergio Leone spins in his grave... If there was any film that tramples upon a man's life work its this one. The lead character's "lone wolf" bravado is uninspiring and lame, and the script was apparently written by a monkey with an eight grade education. Whoever's idea this was should be horse whipped. The only reason I'm spending time trashing it is because there's a 10 line minimum. Sergio Leone's family should sue, not because its crap, but because now it's immortalized as crap by MST 3000. Shame. Disgust. I blame Hollywood...at least Gary Busey makes crap that wont offend anyone but cocaine users and weapon experts...this film is pure blasphemy.