Question: What was the name of the person who was teaching students by the time he was 15? Answer the above question based on the context below: Lissitzky was born on November 23, 1890 in Pochinok, a small Jewish community 50 kilometres (31 mi) southeast of Smolensk, former Russian Empire. During his childhood, he lived and studied in the city of Vitebsk, now part of Belarus, and later spent 10 years in Smolensk living with his grandparents and attending the Smolensk Grammar School, spending summer vacations in Vitebsk. Always expressing an interest and talent in drawing, he started to receive instruction at 13 from Yehuda Pen, a local Jewish artist, and by the time he was 15 was teaching students himself. In 1909, he applied to an art academy in Saint Petersburg, but was rejected. While he passed the entrance exam and was qualified, the law under the Tsarist regime only allowed a limited number of Jewish students to attend Russian schools and universities. Like many other Jews then living in the Russian Empire, Lissitzky went to study in Germany. He left in 1909 to study architectural engineering at a Technische Hochschule in Darmstadt, Germany. During the summer of 1912, Lissitzky, in his own words, "wandered through Europe", spending time in Paris and covering 1,200 kilometres (750 mi) on foot in Italy, teaching himself about fine art and sketching architecture and landscapes that interested him. His interest in ancient Jewish culture had originated during the contacts with a Paris-based group of Russian Jews led by sculptor Ossip Zadkine, a lifetime friend of Lissitzky since early childhood, who exposed Lissitzky to conflicts between different groups within the diaspora. Also in 1912 some of his pieces were included for the first time in an exhibit by the St. Petersburg Artists Union; a notable first step. He remained in Germany until the outbreak of World War I, when he was forced to return home through Switzerland and the Balkans, along with many of his countrymen, including other expatriate artists born in the former Russian Empire, such as Wassily Kandinsky and Marc Chagall.Upon his return to Moscow, Lissitzky attended the Polytechnic...
Answer: Lissitzky
[Q]: What is the name of the person that starred in the film Sarafina!? Answer the above question based on the context below: Following growing pressure from the anti-apartheid movement both domestically and internationally, in 1990 State President Frederik Willem de Klerk reversed the ban on the African National Congress and other anti-apartheid organisations, and announced that Mandela would shortly be released from prison. Mandela was released in February 1990. He persuaded Makeba to return to South Africa, which she did, using her French passport, on 10 June 1990. Makeba, Gillespie, Simone, and Masekela recorded and released her studio album, Eyes on Tomorrow, in 1991. It combined jazz, R&B, pop, and traditional African music, and was a hit across Africa. Makeba and Gillespie then toured the world together to promote it. In November she made a guest appearance on a US sitcom, The Cosby Show. In 1992, she starred in the film Sarafina!, which centred on students involved in the 1976 Soweto uprising. Makeba portrayed the title character's mother, Angelina, a role which The New York Times described as having been performed with "immense dignity".On 16 October 1999, Makeba was named a Goodwill Ambassador of the Food and Agriculture Organization of the United Nations. In January 2000, her album, Homeland, produced by the New York City based record label Putumayo World Music, was nominated for a Grammy Award in the Best World Music Album category. She worked closely with Graca Machel-Mandela, the South African first lady, advocating for children suffering from HIV/AIDS, child soldiers, and the physically handicapped. She established the Makeba Centre for Girls, a home for orphans, described in an obituary as her most personal project. She also took part in the 2002 documentary Amandla!: A Revolution in Four-Part Harmony, which examined the struggles of black South Africans against apartheid through the music of the period. Makeba's second autobiography, Makeba: The Miriam Makeba Story, was published in 2004. In 2005 she announced that she would retire and began a farewell tour, but despite having osteoarthritis, continued to perform...
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[A]: Makeba
input: Please answer the following: What is the type of sheep that was left during evacuations by the people who had up to 2,000 different types of sheep? Answer the above question based on the context below: On the inaccessible island of Soay are sheep of a unique type, which lived as feral animals and belonged to the owner of the islands, not to the islanders. These Soay sheep are believed to be remnants of the earliest sheep kept in Europe in the Neolithic Era, and are small, short-tailed, usually brown with white bellies, and have naturally moulting fleeces. About 200 Soay sheep remain on Soay itself, and soon after the evacuation a second feral population of them was established on Hirta, which at that time had no sheep; these now number between 600 and 1,700. A few Soays have been exported to form breeding populations in other parts of the world, where they are valued for their hardiness, small size and unusual appearance. On Hirta and Soay, the sheep prefer the Plantago pastures, which grow well in locations exposed to sea spray and include red fescue (Festuca rubra), sea plantain (Plantago maritima) and sea pink (Armeria maritima).The St Kildans kept up to 2,000 of a different type of sheep on the islands of Hirta and Boreray. These were a Hebridean variety of the Scottish Dunface, a primitive sheep probably similar to those kept throughout Britain during the Iron Age. At the time of the evacuation all the islanders' sheep were removed from Hirta, but those on Boreray were left to become feral, and these are now regarded as a breed in their own right, the Boreray. The Boreray is one of the rarest British sheep, and is one of the few remaining descendants of the Dunface (although some Scottish Blackface blood was introduced in the nineteenth century).
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output:
Boreray