Question: Funeral for a Friend were a Welsh post-hardcore band from Bridgend, formed in 2001. The band consisted of lead vocalist Matthew Davies-Kreye and guitarist Kris Coombs-Roberts for its entire history, with Darran Smith (guitar), Gareth Davies (bass) and Ryan Richards (drums and screaming vocals) completing the line-up for the band's first four studio albums. Between 2008 and 2012 the band transitioned towards its final line-up, which saw Davies-Kreye and Coombs-Roberts alongside guitarist and occasional vocalist Gavin Burrough, bassist Richard Boucher and drummer Pat Lundy (who left the band in 2014). Funeral for a Friend's popularity rose in the United Kingdom with the release of their debut album, Casually Dressed & Deep in Conversation (2003).

When Michael Davies, one of January Thirst's original vocalists, quit in December 2001, Matthew Evans (vocals) and Johnny Phillips (drums) invited Matt Davies (later Davies-Kreye) to try out for the vacated singer position. Soon afterward, the band reformed as Funeral for a Friend; the name is derived from a song by Planes Mistaken for Stars, one of Davies' favourite bands at the time. During the start of the New Year they parted ways with second guitarist Kerry Roberts (Kris Coombs-Roberts's brother) and found a suitable replacement in Darran Smith (ex-Tripcage). The band recorded four tracks at Mighty Atom Studios for a proposed self-financed EP with another Welsh band From This Moment On. Upon hearing the tracks, Mighty Atom Records approached the band and offered a two-album deal, resulting in their debut EP, Between Order and Model (2002). Before the EP's release, Andi Morris (bass) quit, with Phillips and Evans also leaving. The band then recruited Gareth Davies (later Ellis-Davies) on bass and Ryan Richards on drums. Matt Davies became the band's only primary vocalist, with Gareth Davies performing backing melodies and Richards taking over Evans' screaming role. In 2003, Funeral for a Friend recorded their second EP, Four Ways to Scream Your Name, produced and mixed by Colin Richardson. In mid-2003, the band secured their first Kerrang! award, winning the award for "Best UK Newcomer", beating The Darkness, who won in all other nominated categories. Funeral for a Friend's win was largely attributed to their fervent fan base, as the awards winner was decided by public vote online at the official Kerrang! Web site. In August 2003, Funeral for a Friend opened the Concrete Jungle stage at the Reading and Leeds Festivals.

Using a quote from the above article, answer the following question: what happened in 2001?
HHHHHH
Answer: When Michael Davies, one of January Thirst's original vocalists, quit in December 2001, Matthew Evans (vocals) and Johnny Phillips (drums) invited Matt Davies

Question: Bill Laswell (born February 12, 1955, Salem, Illinois, and raised in Albion, Michigan) is an American bassist, producer and record label owner. Laswell has been involved in hundreds of recordings with many collaborators from all over the world. Laswell's music draws upon many different genres, most notably funk, various world music, jazz, dub and ambient styles. He has also played or produced music from the noisier, more aggressive end of the rock spectrum, such as hardcore punk and metal.

Within a few years of moving to New York, Laswell founded a recording studio with producer/engineer Martin Bisi (of later indie rock renown) and hooked up with Jean Karakos and his fledgling label Celluloid Records. Under the Material moniker (now also a production unit consisting of Laswell and Beinhorn - Maher being long gone - and by 1984 consisting solely of Laswell) Laswell became the de facto house producer for Celluloid until the sale of the label in the later 1980s. During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B, featuring everyone from avant-jazz figures Henry Threadgill and Sonny Sharrock to Archie Shepp and pop star Whitney Houston) as well as projects such as Massacre, with Fred Frith and Fred Maher. His association with Celluloid allowed some of his first forays into this so-called "collision music" - the term was coined for Laswell by the British writer Chris May, then editor of Black Music & Jazz Review and later a Celluloid staff member - and forays into world music. Recordings with the Golden Palominos and production on albums by Shango, Toure Kunda and Fela Kuti all appeared on the label. Celluloid also released a slew of 12" devoted to Hip-Hop, becoming a precursor to the popularity the form enjoyed starting in the mid-1980s. Fab 5 Freddy, Phase II and Afrika Bambaataa all appeared on the label. Criminally forgotten, Laswell also put together the very successful 12" World Destruction which paired PiL's John Lydon with Afrika Bambaataa - years before the Run-D.M.C./Aerosmith collaboration broke down the rock/hip-hop barrier. 1982 also saw Laswell's solo debut, Baselines. Also recording a Laswell-helmed solo album for Celluloid was Ginger Baker, whom Laswell coaxed out of semi-retirement, giving the drummer's career a new boost. He likewise brought Sonny Sharrock out of semi-retirement and produced some of the guitarist's most acclaimed recordings, starting with the solo LP Guitar.

Using a quote from the above article, answer the following question: Who did he sign?
HHHHHH
Answer:
During this time in the early to mid-1980s, Laswell was able to record some of his Material excursions (which ran the gamut from experimental jazz/funk to pop and R&B,