input: Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet's recording of "Cherokee" in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman's first band, nicknamed the First Herd, borrowed from progressive jazz, while the Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During the 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects. As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich, Gene Krupa, Lionel Hampton, Earl Hines, Les Brown, Clark Terry, and Doc Severinsen. Progressive bands were led by Dizzy Gillespie, Gil Evans, Carla Bley, Toshiko Akiyoshi and Lew Tabackin, Don Ellis, and Anthony Braxton. Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane (on the album Ascension from 1965) and bass guitarist Jaco Pastorius introduced cool jazz, free jazz and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary European jazz ensembles play mostly avant-garde jazz using the instrumentation of the big bands. Examples include the Vienna Art Orchestra, founded in 1977, and the Italian Instabile Orchestra, active in the 1990s. In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again. Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment. Typically the most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles.

Answer this question "Was there any modern bands?"
output: In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again.

Question: Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website.

Using a quote from the above article, answer the following question: What happened after she made that statement?
HHHHHH
Answer:
After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race."