Answer the question at the end by quoting:

Clara Ann Fowler was born on November 8, 1927, in Claremore, Oklahoma (although some sources give Muskogee) into a large and poor family. Her father, B.A. Fowler, worked on the MKT railroad, while her mother, Margaret, and older sisters picked cotton. As she recalled on television many years later, the family lived without electricity, and therefore she could not read after dark. She was raised in Foraker, Hardy, Muskogee and Avant, Oklahoma, before attending Daniel Webster High School in Tulsa, from which she graduated in 1945.
Before releasing "Hush...Hush, Sweet Charlotte," Page signed with Columbia Records, where she remained until the end of the decade. She released a few studio albums for Columbia in the 1960s. In 1970, her singles began to chart on the Hot Adult Contemporary Tracks chart. Many of these singles became hits, peaking in the Top 20, including cover versions of "You Can't Be True, Dear," "Gentle on My Mind" and "Little Green Apples" (the latter being her last pop chart entry). Page, who was a fan of country music, recorded many country songs over the years. Some of these were recorded for Columbia and were released as Adult Contemporary singles, including David Houston's "Almost Persuaded" and Tammy Wynette's "Stand by Your Man." Page left Columbia in 1970, returning to Mercury Records and shifting her career away from pop and into country music. In 1973, she returned to working with her former record producer, Shelby Singleton. Working for Mercury, Columbia, and Epic in the 1970s, Page recorded a series of country singles, beginning with 1970's "I Wish I Had a Mommy Like You," which became a Top 25 hit, followed by "Give Him Love," which had similar success. In 1971, she released a country music album, I'd Rather Be Sorry, for Mercury records. In 1973, a duet with country singer Tom T. Hall titled, "Hello, We're Lonely" was a Top 20 hit, reaching No. 14 on the Billboard Country Chart. In 1973, Page returned to Columbia Records' affiliate Epic Records. In 1974 and 1975, she released singles for Avco Records including "I May Not Be Lovin' You" and "Less Than the Song," both of which were minor country hits. After a five-year hiatus, she recorded for Plantation Records in 1980. She had a Top 40 hit with Plantation in 1981 titled "No Aces," followed by a series of minor country hits, "My Man Friday," which reached No. 80 In the early 1980s, she performed with major symphony orchestras in Cincinnati, Ohio, and Mexico City, Mexico. .

Did she do any duets during that time?

In 1973, a duet with country singer Tom T. Hall titled, "Hello, We're Lonely" was a Top 20

Answer the question at the end by quoting:

Maelgwn Gwynedd (Latin: Maglocunus; died c. 547) was king of Gwynedd during the early 6th century. Surviving records suggest he held a pre-eminent position among the Brythonic kings in Wales and their allies in the "Old North" along the Scottish coast. Maelgwn was a generous supporter of Christianity, funding the foundation of churches throughout Wales and even far beyond the bounds of his own kingdom. Nonetheless, his principal legacy today is the scathing account of his behavior recorded in De excidio
In his work On the Ruin and Conquest of Britain written c. 540, Gildas makes an allegorical condemnation of 5 British kings by likening them to the beasts of the Book of Revelation, 13-2: the lion, leopard, bear, and dragon, with the dragon supreme among them. He says that Maelgwn is the "dragon of the island", and goes on with a litany of moral accusations, in the process describing him almost as a regional high king over the other kings (the power-giving dragon of the Apocalypse). The Isle of Anglesey was the base of power of the kings of Gwynedd, so describing Maelgwn as the "dragon of the island" is appropriate. Gildas restricts his attention to the kings of Gwynedd (Maelgwn), Dyfed (Vortiporius), Penllyn (probable, as its king Cuneglasus/Cynlas appears in royal genealogies associated with the region), Damnonia/Alt Clud (Constantine), and the unknown region associated with Caninus. The Welsh kingdoms are all associated with the conquest of the Gaels by Cunedda, while Alt Clud had a long and ongoing relationship with Gwynedd and its kings. In the course of his condemnations, Gildas makes passing reference to the other beasts mentioned in the Apocalypse, such as the eagle, serpent, calf, and wolf. The reason for Gildas' disaffection for these individuals is unknown. He was selective in his choice of kings, as he had no comments concerning the kings of the other British kingdoms that were thriving at the time, such as Rheged, Gododdin, Elmet, Pengwern/Powys, or the kingdoms of modern-day southern England. That he chose only the kings associated with one king's pre-eminence (Maelgwn, the "dragon") suggests a reason other than his claim of moral outrage over personal depravity. Neither outrage nor a doctrinal dispute would seem to justify beginning the condemnation of the five kings with a personal attack against the mother of one of the kings, calling her an "unclean lioness".

Are there any other interesting aspects about this article?
He says that Maelgwn is the "dragon of the island", and goes on with a litany of moral accusations,