Problem: Background: The Manchu (Manchu: manjU; Mollendorff: manju; Abkai: manju; simplified Chinese: Man Zu ; traditional Chinese: Man Zu ; pinyin: Manzu; Wade-Giles: Man3-tsu2) are an ethnic minority in China and the people from whom Manchuria derives its name. They are sometimes called "red-tasseled Manchus", a reference to the ornamentation on traditional Manchu hats. The Later Jin (1616-1636), and Qing dynasty (1636-1912) were established by Manchus, who are descended from the Jurchen people who earlier established the Jin dynasty (1115-1234) in China. Manchus form the largest branch of the Tungusic peoples and are distributed throughout China, forming the fourth largest ethnic group in the country.
Context: Octagonal drum is a type of Manchu folk art that was very popular among bannermen, especially in Beijing. It is said that octagonal drum originated with the snare drum of the Eight-banner military and the melody was made by the banner soldiers who were on the way back home from victory in the battle of Jinchuan. The drum is composed of wood surrounded by bells. The drumhead is made by wyrmhide with tassels at the bottom. The colors of the tassels are yellow, white, red, and blue, which represent the four colors of the Eight Banners. When artists perform, they use their fingers to hit the drumhead and shake the drum to ring the bells. Traditionally, octagonal drum is performed by three people. One is the harpist; one is the clown who is responsible for harlequinade; and the third is the singer. "Zidishu" is the main libretto of octagonal drum and can be traced back to a type of traditional folk music called the "Manchu Rhythm". Although Zidishu was not created by Han Chinese, it still contains many themes from Chinese stories, such as Romance of the Three Kingdoms, Dream of the Red Chamber, Romance of the West Chamber, Legend of the White Snake and Strange Stories from a Chinese Studio. Additionally, there are many works that depict the lives of Bannermen. Aisin Gioro Yigeng, who was pen named "Helu" and wrote the sigh of old imperial bodyguard, as the representative author. Zidishu involves two acts of singing, which are called dongcheng and xicheng. After the fall of the Qing dynasty, the influence of the octagonal drum gradually reduced. However, the Chinese monochord and crosstalk which derived from octagonal are still popular in Chinese society and the new generations. Many famous Chinese monochord performers and crosstalkers were the artists of octagonal drum, such as De Shoushan and Zhang Sanlu.
Question: What material was the drum made from?
Answer: The drumhead is made by wyrmhide with tassels at the bottom.

IN: Born in Sheffield, England, he was the eldest of five children of professional cricketer Samuel Wright and his wife, Annie Tone Wright. His family emigrated to the U.S. when he was nearly three years old, and his father found work as a bowler, coach, and groundskeeper at the St George's Cricket Club in New York. Harry dropped out of school at age 14 to work for a jewelry manufacturer, and worked at Tiffany's for several years. Both Harry and George, twelve years younger, assisted their father, effectively apprenticing as cricket "club pros".

From an invitation in 1870 by Ivers Whitney Adams, the founder and President of the Boston Red Stockings, Wright moved from managing the "Cincinnati Red Stockings" to work professionally with the first-ever base ball team in Boston, the "Boston Red Stockings". The team was to play in the newly formed National Association of Professional Base Ball Players, now known more often as simply the National Association. The Red Stockings finished third in the NA's inaugural season. Wright, now 36 years old and the second-oldest player in the league, was the team's regular center fielder, playing 30 of the team's 31 games at that position. He also pitched in nine games in relief of Albert Spalding, notching one win. In 1872, the Red Stockings won its first championship, beating the Baltimore Canaries by 7 1/2 games. They won again the next season, finishing four games ahead of the Philadelphia Athletics. 1874 turned out to be Wright's last year as the team's regular center fielder. He had been the oldest player in the NA for three years running. It was also his third straight championship as manager. That year, he organized what turned out to be a fairly disastrous attempt to take baseball back home to the British Isles. In 1875, the final year of the NA, the Red Stockings were an amazing 71-8, finishing a full 15 games ahead of the Athletics. Wright, now the oldest player in the league, continued to play regularly in center field for Boston until 1874. After that, he played in just three more games, one in each of the next three seasons.

What role did Wright play on his team?

OUT: center fielder.

Background: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity.
Context: In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham. Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience). In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University. He was a music education major, studying composition, orchestration, and music theory. He dropped out after a year.
Question: What did he start out as?
Answer:
who had organized a band to pursue a career as a singer.