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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Pankaj Mullick, also known as Pankaj Kumar Mullick ("Pongkoj Kumar Mollik"; 10 May 1905 19 February 1978), was a Bengali Indian music director, who was a pioneer of film music in Bengali cinema and Hindi cinema at the advent of playback singing, as well as an early exponent of Rabindra Sangeet. Context_2 : Eric Rosenthal is the Founder and Executive Director of Disability Rights International (DRI). Since establishing DRI in 1993, Rosenthal has trained human rights and disability activists and provided assistance to governments and international development organizations worldwide. Context_3 : Tarun Majumdar (born 1931) (also often credited as Tarun Mazumdar) (Bengali: "Torun Mojumdar") is a Bengali Indian film director who makes films in Bengali and is notable for his depiction of Bengali culture and society. Many of his films are literature-based. He has recreated classics written by Bimal Kar, Sharadindu Bandyopadhyay, Bibhutibhushan Bandopadhyay, and Tarashankar Bandopadhyay on celluloid. Another feature of many of his films is the ample use of songs written and composed by Rabindranath Tagore to convey a range of emotions. Although often lacking in critical acclaim as some of his peers like Tapan Sinha, Satyajit Ray, Ritwik Ghatak and Mrinal Sen, he has consistently produced box-office hits for over forty years. Context_4 : Srabani Sen, also spelt as "Sraboni Sen" (Bengali: ), is a Bengali Indian exponent of Rabindra Sangeet and Bengali songs. She is a daughter of Sumitra Sen and sibling of the prolific artiste, Indrani Sen. She is an able successor to the gharana, which has contributed immensely to the spread of Tagore's music across the world. Srabani's tutelage commenced under her mother's able guidance followed by her rigorous training at Geetabitan Music Institute from where she came out with flying colours. Context_5 : Vipin Reshammiya is an Indian music director. He was the first music director to incorporate electronic instruments into Indian music. He is the father of singer and actor Himesh Reshammiya. He has worked with several music directors such as RD Burman, Laxmikant-Pyarelal, Shankar Jaikishan and his son Himesh. He also was the music director for the Hindi movies "Adalat Ke Bahar" and "Insaf Kaa Suraj". Context_6 : Sapan Chakraborty, also variously cited as Swapan Chakraborty, Sapan Chakravorty, Sapan Chakravarty (Bengali: ) or simply Sapan, is a Bengali Indian music composer who composed music for Bollywood Hindi and Bengali films. He was also a music assistant of Rahul Dev Burman and an occasional playback singer. He also penned a number of lyrics for songs in Burman's Bengali film and Durga Puja special albums, along with those in films for which he was the composer. In terms of compositional style, the eclectic influences of his guru Rahul Dev Burman are present in his creations. Sapan Chakraborty is not to be confused with Sapan Dasgupta of the Sapan-Jagmohan composer duo. Context_7 : Usha Khanna (Hindi: ; born 7 October 1941) is an Indian music director in Hindi cinema. She is the third female music director to enter the Indian film industry, after Jaddan Bai and Saraswati Devi and is one of the most commercially successful music directors in the male dominated music industry. She is most known for songs like "Chodo kal ki baatein", "Shaayad meri shaadi ka khayal", "Zindagi pyaar ka geet hai" and "Aap to aise na the". She remained active for more than 3 decades from 1960s to 1980s. She is still active making some music for some movies and television-serials, more than 40 years after her debut as music director in Dil Deke Dekho (1959). She received a Filmfare Award nomination for composing the songs for the huge hit film "Souten "(1983). She was married to director, producer, lyricist, Sawan Kumar Tak, from whom she separated later on. Context_8 : Alma E. Foerster (1885-1967) was an American nurse who worked in both civilian and military care. She began her career as a public health nurse in Chicago and during the First World War helped establish hospitals in Kiev, for which she received the Cross of Saint Anna. She worked in Romania, receiving the Order of the Cross of Queen Marie for her service, before being sent on a humanitarian mission to Archangel, Russia. As one of only two American Red Cross nurses in Archangel, she provided assistance at the military surgical hospital, while the other nurse assisted with civilian nursing. She was one of the inaugural recipients of the Florence Nightingale Medal in 1920. After her return to the United States, she worked in the United States Public Health Service as a nurse, instructor and director of nursing in Chicago, Mobile, Ann Arbor and Racine, before returning to Chicago where she ended her career. Context_9 : Perry Mark Stratychuk (born in Winnipeg, Manitoba) is an independent Canadian filmmaker, writer, musician, poet, and actor. Described as a "natural artist", he is a film director, cinematographer, and producer in several genres such as experimental short films, music videos, and documentaries, his 1987 production, the first science-fiction feature film produced in Winnipeg "Savannah Electric (1987 movie)" was reviewed by Geoff Pevere in movie periodical Cinema Canada. Perry Mark Stratychuk spent several years at The National Film Board of Canada's English Production Studio in Winnipeg where, as Technical Coordinator, he provided assistance to local independent filmmakers, such as Guy Maddin, as part of the NFB's PAFPS program and worked on several NFB productions, for most of which he received no film credit. One exception was the film "The Crown Prince" where he received a film credit from the director Aaron Kim Johnston. Stratychuk also played the character of Curtis in "A Way Out" (1986 TV Drama) by the Canadian Broadcasting Corporation. Context_10 : Karodpati also called "Millionaire" is a Hindi/Urdu 1936 comedy film directed by Hemchander Chunder. The film was produced by New Theatres Ltd. Calcutta, and the music was composed by R. C. Boral with the assistance of Pankaj Mullick. The lyrics were written by Kidar Sharma who also acted in the film. The film starred K. L. Saigal, Sardar Akhtar, Molina Devi, Pahari Sanyal, Nawab, Trilok Kapoor, Rajkumari, and Kidar Sharma. The film showcased K. L. Saigal performing a farcical-comedy role which was a different format from his normal tragedy based stories. The story revolves around a cinema-crazy young man who wins a lottery, leading to a series of comedic situations when his friends join him. fact_1 : Karodpati also called "Millionaire" is a Hindi/Urdu 1936 comedy film directed by Hemchander Chunder. fact_2 : Calcutta, and the music was composed by R. C. Boral with the assistance of Pankaj Mullick. fact_3 : Pankaj Mullick, also known as Pankaj Kumar Mullick ("Pongkoj Kumar Mollik"; 10 May 1905 19 February 1978), was a Bengali Indian music director, who was a pioneer of film music in Bengali cinema and Hindi cinema at the advent of playback singing, as well as an early exponent of Rabindra Sangeet. Answer: Pankaj Mullick
Solution:
Which Bengali Indian music director provided assistance in the composition of music to the film Karodpati?