input: In 1896, when he was aged sixteen, Sadoveanu gave thought to writing a monograph on Moldavian Prince Stephen the Great, but his first literary attempts date from the following year. It was in 1897 that a sketch story, titled Domnisoara M din Falticeni ("Miss M from Falticeni") and signed Mihai din Pascani ("Mihai from Pascani"), was successfully submitted for publishing to the Bucharest-based satirical magazine Dracu. He started writing for Ovid Densusianu's journal Vieata Noua in 1898. His contributions, featured alongside those of Gala Galaction, N. D. Cocea, and Tudor Arghezi, include another sketch story and a lyric poem. Sadoveanu was however dissatisfied with Densusianu's agenda, and critical of the entire Romanian Symbolist movement for which the review spoke. He ultimately began writing pieces for non-Symbolist magazines such as Opinia and Pagini Literare. In parallel, he founded and printed by hand a short-lived journal, known to researches as either Aurora or Lumea. Sadoveanu left for Bucharest in 1900, intending to study Law at the University's Faculty of Law, but withdrew soon after, deciding to dedicate himself to literature. He began frequenting the bohemian society in the capital, but, following a sudden change in outlook, abandoned poetry and focused his work entirely on Realist prose. In 1901, Sadoveanu married Ecaterina Balu, with whom he settled in Falticeni, where he began work on his first novellas and decided to make his living as a professional writer. His first draft for a novel, Fratii Potcoava ("The Potcoava Brothers"), came out in 1902, when fragments were published by Pagini Alese magazine under the pseudonym M. S. Cobuz. The following year, Sadoveanu was drafted into the Romanian Land Forces, stationed as a guard near Targu Ocna, and inspired by the experience to write some of his first social criticism narratives. After that time, he spent much of his home in the country, where he raised a large family. Initially, the Sadoveanus lived in a house previously owned by celebrated Moldavian raconteur Ion Creanga, before they commissioned a new building, famed for its surrounding Gradina Linistii ("Garden of Quietude"). He was the father of eleven, among whom were three daughters: Despina, Teodora and Profira Sadoveanu, the latter of whom was a poet and a novelist. Of his sons, Dimitrie Sadoveanu became a painter, while Paul-Mihu, the youngest (born 1920), was author of the novel Ca floarea campului... ("Like the Flower of the Field...") which was published posthumously.

Answer this question "Did the couple have any children?"
output: where he raised a large family.

input: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line." While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts. Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out." When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough."

Answer this question "Are there any other interesting aspects about this article?"
output:
Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line.