Question:
Primal Scream are a Scottish rock band originally formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie. The current lineup consists of Gillespie, Andrew Innes (guitar), Martin Duffy (keyboards), Simone Butler (bass) and Darrin Mooney (drums). Barrie Cadogan has toured and recorded with the band since 2006 as a replacement after the departure of guitarist Robert "Throb" Young. The band performed throughout 1982-1984, but their career did not take off until Gillespie left his position as drummer of The Jesus and Mary Chain.
The band were first introduced to the acid house scene by McGee in 1988. They were at first sceptical; Gillespie said: "I always remember being quite fascinated by it but not quite getting it." The band quickly developed a taste for it and began attending raves. The band met up with DJ Andrew Weatherall at a rave, and he was given a copy of "I'm Losing More Than I'll Ever Have", a track from Primal Scream, to remix for one of his shows. Weatherall added a drum loop from an Italian bootleg mix of Edie Brickell's "What I Am", a sample of Gillespie singing a line from Robert Johnson's "Terraplane Blues" and the central introductory sample from the Peter Fonda B-movie The Wild Angels. The resulting track, "Loaded", became the band's first major hit, reaching number 16 on the UK Singles Chart. This was followed by another single, "Come Together", which reached number 19. The band entered the studio with Weatherall, Hugo Nicolson, The Orb and Jimmy Miller producing, and Martin Duffy now full-time on keyboards. They released two more singles, "Higher Than The Sun" and "Don't Fight It, Feel It" which featured the lead vocals of Manchester singer Denise Johnson, both of which were successful. The album, Screamadelica, was released in late 1991 to positive reviews. Ink Blot Magazine said that the album was "both of its time and timeless." The album was also a commercial success, reaching number eight on the UK chart. The album won the first Mercury Music Prize, beating Gillespie's former band The Jesus and Mary Chain. The supporting tour kicked off in Amsterdam, and it included a performance at the Glastonbury festival before coming to an end in Sheffield. Throughout the tour the band and their increasingly large entourage gained notoriety for their large narcotic intake. Around this time, the band recorded the Dixie Narco EP. Some of the tracks had a more American blues rock sound than previously, and displayed a P-Funk influence.
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Did the band attend raves during this period?

Answer:
The band quickly developed a taste for it and began attending raves.

Question:
"Good King Wenceslas" is a Christmas carol that tells a story of a Bohemian king going on a journey and braving harsh winter weather to give alms to a poor peasant on the Feast of Stephen (December 26, the Second Day of Christmas). During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step, through the deep snow. The legend is based on the life of the historical Saint Wenceslaus I, Duke of Bohemia or Svaty Vaclav in Czech (907-935). The name Wenceslas is a Latinised version of the modern Czech language "Vaclav".
The tune is that of "Tempus adest floridum" ("It is time for flowering"), a 13th-century spring carol in 76 76 Doubled Trochaic metre first published in the Finnish song book Piae Cantiones in 1582. Piae Cantiones is a collection of seventy-four songs compiled by Jaakko Suomalainen, the Protestant headmaster of Turku Cathedral School, and published by Theodoric Petri, a young Catholic printer. The book is a unique document of European songs intended not only for use in church, but also schools, thus making the collection a unique record of the late medieval period. A text beginning substantially the same as the 1582 "Piae" version is also found in the German manuscript collection Carmina Burana as CB 142, where it is substantially more carnal; CB 142 has clerics and virgins playing the "game of Venus" (goddess of love) in the meadows, while in the Piae version they are praising the Lord from the bottom of their hearts. The text of Neale's carol bears no relationship to the words of "Tempus Adest Floridum". In or around 1853, G. J. R. Gordon, the British envoy and minister in Stockholm, gave a rare copy of the 1582 edition of Piae Cantiones to Neale, who was Warden of Sackville College, East Grinstead, Sussex and to the Reverend Thomas Helmore (Vice-Principal of St. Mark's College, Chelsea). The book was entirely unknown in England at that time. Neale translated some of the carols and hymns, and in 1853, he and Helmore published twelve carols in Carols for Christmas-tide (with music from Piae Cantiones). In 1854, they published a dozen more in Carols for Easter-tide and it was in these collections that Neale's original hymn was first published. The tune has also been used for the Christmas hymn Mary Gently Laid Her Child, by Joseph S. Cook (1859-1933); GIA's hymnal, Worship uses "Tempus Adest Floridum" only for Cook's hymn.
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what is temps adept floridum?

Answer:
The tune is that of "Tempus adest floridum" ("It is time for flowering"),