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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : 24 Frames is a 2017 Iranian experimental film directed by Abbas Kiarostami. It was his final feature film before his death in July 2016. It was posthumously shown in the 70th Anniversary Events section at the 2017 Cannes Film Festival. Context_2 : Digital video is a representation of moving visual images in the form of encoded digital data. This is in contrast to analog video, which represents moving visual images with analog signals. Digital video comprises a series of digital images displayed in rapid succession. In contrast, one of the key analog methods, motion picture film, uses a series of photographs which are projected in rapid succession. Standard film stocks such as 16 mm and 35 mm record at 24 frames per second. For video, there are two frame rate standards: NTSC, at about 30 frames per second, and PAL at 25 frames per second. Context_3 : The 70th Cannes Film Festival took place from 17 to 28 May 2017, in Cannes, France. Spanish film director and screenwriter Pedro Almodovar was the President of the Jury for the festival and Italian actress Monica Bellucci hosted the opening and closing ceremonies. "Ismael's Ghosts", directed by French director Arnaud Desplechin, was the opening film for the festival. Context_4 : VariCam is a brand name associated with the specialized Panasonic video cameras that are mostly used to imitate the look and feel of motion picture cameras. They have been used for many feature films. VariCams' main feature is that the framerate can be changed to anywhere between 1 frame per second to 60 frames per second, offering flexibility in creating rapid or slow motion effects. Film has traditionally been shot at 24 frames per second, while NTSC video uses 29.97 frames per second, therefore VariCams can be used for high end video production and film production. Although the cameras are not cheap, their low cost in use has made them popular among independent filmmakers, and they are often available to rent from professional film camera rental companies. The VariCam range has now matured into its latest generation, and is widely used in TV production, as well as film. Context_5 : Cieri Media International Corp. is a technology driven video production company. They specialize in high quality but price driven videos for small company's websites and commercials, artist videos, actor's reels, author's book videos, sizzle reels, original show production and video production for filmmakers and theater companies. They have been running NYC Independent Film Festival since 2010 and introduced Parody 48 Hour Film Contest in 2013. The film festival is a showcase for independent filmmakers and have multiple competitive categories. The contest is a 48 hour challenge where participating teams have to parody a film chosen by the organizers and script, shoot, edit and submit the film within that time frame. Context_6 : SEOUL International Women's Film Festival (SIWFF, previously International Women's Film Festival in Seoul, IWFFIS) first took place on April 1, 1997, which marked the second appearance of the international film festival in Korea following Busan International Film Festival launched in 1996. This was the time when there was no clear idea about how to define a film festival. At that time, SEOUL International Women's Film Festival came up with a catchphrase See the world through women's eyes, setting its main goal to introduce women's films that explore the "women's reality from the women's perspectives". Featuring films by women, for women, and of women, the 1st edition of SEOUL International Film Festival received a number of positive reviews from the audience, which was never anticipated this much. Thanks to continuous support from the audience, SEOUL International Film Festival that used to be happening every other year has become an annual event since the 3rd edition in 2001. For the 6th edition in 2004, SEOUL International Women's Film Festival looked for changes by relocating the festival office and venues to Sinchon, the street of youth and culture. For the 9th edition in 2007, the Queer Rainbow section was first introduced, presenting films about life and culture of gender minorities. In order to go beyond the gender boundaries based on biological sex and to reach out for solidarity, SEOUL International Women's Film Festival newly created the Open Cinema section encompassing feminist films made by male directors. Now in 2015, SEOUL International Film Festival attempts to build its new festival identity and become a cultural platform more approachable for a wide variety of audiences by changing the official English title of the festival from International Women's Film Festival in Seoul to SEOUL International Women's Film Festival as well as by retouching the festival logo used for last 17 years. Context_7 : In video technology, 24p refers to a video format that operates at 24 frames per second (typically, 23.976 frames/s when using equipment based on NTSC frame rates) frame rate with progressive scanning (not interlaced). Originally, 24p was used in the non-linear editing of film-originated material. Today, 24p formats are being increasingly used for aesthetic reasons in image acquisition, delivering film-like motion characteristics. Some vendors advertise 24p products as a cheaper alternative to film acquisition. Context_8 : 110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturised version of Kodak's earlier 126 film format. Each frame is 13 x , with one registration hole. There were 24 frames per cartridge that occasionally enabled the user to capture an extra image due to production variations. Context_9 : Three-two pull down (3:2 pull down) is a term used in filmmaking and television production for the post-production process of transferring film to video. Film runs at a standard rate of 24 frames per second, whereas NTSC video has a signal frame rate of 29.97 frames per second. Every interlaced video frame has two fields for each frame. The three-two pull down is where the telecine adds a third video field (a half frame) to every second video frame, but the untrained eye cannot see the addition of this extra video field. In the figure, the film frames A-D are true or original images since they have been photographed as a complete frame. The AB and D frames on the right, the NTSC footage, are original frames. The third and fourth frames have been created by blending movie fields from different frames. Context_10 : Founded in 2012 by Scott Cross, Sean Cross, Eduardo Sanchez-Navarro Redo, Alfonso Pasquel, Juan Gallardo Thurlow, Eduardo Sanchez-Navarro Rivera Torres, and Pablo Sanchez-Navarro, the Los Cabos International Film Festival is an international film festival that takes place annually in mid-November in Los Cabos, Mexico. The 2012 Los Cabos International Film Festival (formerly Baja International Film Festival) took place November 1417 in Los Cabos, Mexico. The 2013 Los Cabos International Film Festival took place November 1316 in Cabo San Lucas, Mexico. The 2014 Los Cabos International Film Festival took place November 1216, 2014 in Los Cabos, Mexico. The 2015 Los Cabos International Film Festival took place November 1115, 2015 in Los Cabos, Mexico. The 2016 Los Cabos International Film Festival took place November 913, 2016 in Los Cabos, Mexico. The 2017 festival will take place November 8-12, 2017. Held in one of Mexico's premier resort destinations, the festival draws attendees and filmmakers from across Mexico, the United States and around the world. fact_1 : It was posthumously shown in the 70th Anniversary Events section at the 2017 Cannes Film Festival. fact_2 : The 70th Cannes Film Festival took place from 17 to 28 May 2017, in Cannes, France. Answer: 17 to 28 May 2017
Solution:
24 Frames was posthumously showed at the film festival that took place during which time frame?