Q: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Context_1 : "God Save the Queen" (alternatively "God Save the King", depending on the gender of the reigning monarch) is the national or royal anthem in a number of Commonwealth realms, their territories, and the British Crown Dependencies. The author of the tune is unknown and it may originate in plainchant, but a 1619 attribution to John Bull is sometimes made. Context_2 : Ping Shan Leng Yan () is a classic novel of the "caizi jiaren" genre written in 1658 in early Qing Dynasty China. The title of the book is derived from the surnames of the two couples featured in the book. The novel is sometimes attributed to Di An Shanren (), but the authorship is uncertain. It is often attributed to Tianhua Zang Zhuren ( ), a pseudonym meaning "Master of the Heavenly Flower Sutra". "Yu jiao li" and "Ping Shan Leng Yan" were both written by the same Tianhua Zang Zhuren according to a style analysis by caizi jiaren scholar Qing Ping Wang. Classical Chinese scholar and Yale professor Chloe Starr lists "Ping Shan Leng Yan" along with "Yu jiao li" and "Haoqiu zhuan" as one of the three best-known examples of the caizi jiaren genre. Context_3 : In music and jazz improvisation, a melodic pattern (or sequence) is a repetitive pattern or figure that can be used with any scale. It is used primarily for use in solos because, when practiced enough, it can be extremely useful when improvising. "Sequence" refers to the repetition of a part at a higher or lower pitch, and melodic sequence is differentiated from harmonic sequence. One example of melodic sequence are the pitches of the first line, "Send her victorious," repeated, a step lower, in the second line, "Happy and glorious," from "God Save the Queen". Context_4 : Wild Man Blues is a 1997 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen. The film takes its name from a jazz composition sometimes attributed to Jelly Roll Morton and sometimes to Louis Armstrong and recorded by both (among others). Allen's love of early 20th century New Orleans music is depicted through his 1996 tour of Europe with his New Orleans Jazz Band. Allen has played clarinet with this band for over 25 years. Context_5 : "Happy, Happy Birthday Baby" is a 1957 song written by Margo Sylvia & Gilbert Lopez. "Happy, Happy Birthday Baby" was originally performed by The Tune Weavers, who had their only hit with this song. Both Margo Sylvia and Gilbert Lopez were members of The Tune Weavers. The single went to number four on the R&B chart and went to number five on the Hot 100. The B-side of "Happy, Happy Birthday Baby, was The Tune Weavers version of "Ol' Man River" Context_6 : Jean II de Trie ("c". 1225 12981304) was the first of his name (John I) and second of his house to be Count of Dammartin. He succeeded his father, Mathieu, in Dammartin and as lord of Trie and Mouchy, on the latter's death in 1272. He is the same person as the trouvere Jehan de Trie, to whom two surviving "chansons courtoises" have been attributed. One of these, "Bone dame me prie de chanter", is also sometimes attributed to Theobald I of Navarre or Gace Brule. The other, "Li lons consirs et la grans volentes", is undisputed. Both are isometric, decasyllabic, Dorian and set in bar form, and begin with the leading-tone (the seventh degree). At one place in "Bone dame" there occurs the highly unusual octave leap downwards. Context_7 : Dres ] or dresiarz ] (plural "dresy" [drs] or "dresiarze" [dra] ) is a term used in Poland to describe a specific subculture or class of young males. Dresiarze stereotypically live in urban tower blocks or tenement houses. They are usually portrayed as undereducated, unemployed, aggressive and anti-social. The "dresiarz" phenomenon was first observed in the 1990s, and is sometimes compared to the British chav, although is perhaps more similar to the Eastern European Gopnik. It would later partially merge with the hooligan subcultures, and sometimes attributed to football hooligans. Context_8 : Three Fantastic Variations on Lilliburlero for Two Pianos is a composition by the British composer Madeleine Dring, published in 1948. Maurice Hinson describes it as being an octatonic work comprising three mildly contemporary, moderately difficult conventional variations in common time that rely too heavily on triplets. The composition takes as its theme Lilliburlero, a dance tune sometimes attributed to Henry Purcell, who published it in his "Musick's Handmaid" (1689). Context_9 : The Guoyu (), usually translated Discourses of the States, is an ancient Chinese text that consists of a collection of speeches attributed to rulers and other men from the Spring and Autumn period (771476). It comprises a total of 240 speeches, ranging from the reign of King Mu of Zhou (r. 956918) to the execution of the Jin minister Zhibo in 453. Its author is unknown, but it is sometimes attributed to Zuo Qiuming, a contemporary of Confucius. "Guoyu" was probably compiled beginning in the 5th century BC and continuing to the late 4th century BC. The earliest chapter of the compilation is the "Discourses of Zhou". Context_10 : "Happy Birthday to You", more commonly known as simply "Happy Birthday", is a song that is traditionally sung to celebrate the anniversary of a person's birth. According to the 1998 "Guinness World Records", "Happy Birthday to You" is the most recognized song in the English language, followed by "For He's a Jolly Good Fellow". The song's base lyrics have been translated into at least 18 languages. The melody of "Happy Birthday to You" comes from the song "Good Morning to All", which has traditionally been attributed to American sisters Patty and Mildred J. Hill in 1893, although the claim that the sisters composed the tune is disputed. fact_1 : One example of melodic sequence are the pitches of the first line, "Send her victorious," repeated, a step lower, in the second line, "Happy and glorious," from "God Save the Queen". fact_2 : The author of the tune is unknown and it may originate in plainchant, but a 1619 attribution to John Bull is sometimes made. Question: Who is sometimes attributed with the tune of the song that has the lines "Send her victorious" and "Happy and glorious" in it?
A:
John Bull