input question: Build a movie plot around this: Who suggests that Marion ask for the needed cash from her psychiatrist in exchange for sex? parish priest???
output answer: Harry Goldfarb (Jared Leto) and Tyrone Love (Marlon Wayans) are two friends who live in Brooklyn, New York. They regularly do various drugs paid for by such petty thefts as Harry pawning his mother's TV set. Sara Goldfarb (Ellen Burstyn), Harry's mother, is a widow living alone in Brighton Beach who must regularly buy back her TV set from the pawn shop owner, Abe Rabinowitz (Mark Margolis). Abe tries to get Sara to turn Harry in, but she doesn't have the heart for it, as Harry is all she has left after the death of her husband, Seymour, twenty years prior.Harry and Tyrone eventually come up with a plan to make money by reselling heroin on the street so that they can get away from their dead-end lives. Over the summer, they make a fair amount of money. They talk regularly about buying a pound of extremely pure heroin as their 'big score' that will give them comfortable lives when they invest that money in a legal business.Marion Silver (Jennifer Connelly), who is Harry's girlfriend, has a distant relationship with her parents (who are never seen on camera), but sometimes goes out with Arnold (Sean Gullette), her psychiatrist, in order to appease them. She, along with Harry and Tyrone, snort and shoot heroin and cocaine, drop speed, and talk a lot about their dreams for a better future. As Harry starts earning money, he and Marion talk about opening a clothing store where Marion can earn a living as a clothing designer.Meanwhile, Sara is a TV junkie, obsessed with an infomercial hosted by self-help guru Tappy Tibbons (Christopher McDonald), based on the acronym JUICE (Join Us In Creating Excitement). One day she receives a mysterious call from someone who claims that she has been selected to appear on a TV show. Thinking she's being invited to appear on the Tappy Tibbons infomercial, Sara is suddenly obsessed with the idea of flaunting Harry on the show before a national audience. She wants to wear a particular red dress that she wore at Harry's high school graduation; a dress that Seymour loved to see her in....
Build a movie plot around this: in what year were the girls placed at the settlement? 1931
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Answer: Set in 1931, two sisters, 14-year-old Molly and 8-year-old Daisy, and their 10-year-old cousin Gracie live in the Western Australian town of Jigalong. The town lies along the northern part of Australia's rabbit-proof fence, which runs for several thousand miles.Thousands of miles away, the official Protector of Western Australian Aborigines, A. O. Neville (called Mr. Devil by them), signs an order to relocate the three girls to his re-education camp. The children are referred to by Neville as "half-castes", because they have one white and one Aboriginal parent. Neville's reasoning is portrayed as: the Aboriginal peoples of Australia are a danger to themselves, and the "half-castes" must be bred out of existence. He plans to place the girls in a camp where they, along with all half-castes of that age range, will grow up. They will then presumably become labourers and servants to white families, regarded as a "good" situation for them in life. Eventually if they marry, it will be to white people and thus the Aboriginal "blood" will diminish. As such, the three girls are forcibly taken from Jigalong by a local constable, Riggs, and sent to camp at the Moore River Native Settlement, in the south.Map of the rabbit-proof fence showing the trip from Moore River to Jigalong.During their time at the camp, Molly notices a rain cloud in the sky and infers that if she, Gracie and Daisy were to escape and go back to Jigalong on foot, the rain will cover their tracks, making them difficult to follow. Gracie and Daisy decide to go along with Molly and the three girls sneak off without being noticed and run away. Moments after their escape, an Aboriginal tracker, Moodoo, is called in to find them. However, the girls are well trained in disguising their tracks. They evade Moodoo several times, receiving aid from strangers in the harsh Australian country they travel. They eventually find the rabbit-proof fence, knowing they can follow it north to Jigalong. Neville soon figures out their strategy and sends Moodoo and...
Q: Build a movie plot around this: When was the bra clasp photographed? During the first day
A: Amanda Knox is an American college student who arrives in Perugia, Italy in September 2007 to study foreign languages at the Stranieri (the University for Foreigners). She shares an upstairs flat, in a cottage on the edge of the hilltop town, with British student Meredith Kercher, and two Italian women, Filomena and Laura. In October, at a classical music concert, Amanda meets Raffaele Sollecito, a young Italian man studying computer engineering, and they began staying at his house each night.On November 2, 2007, the sudden death of Meredith, locked inside her bedroom, seemed to be a shock to everyone. Amanda thought back of how friendly Meredith had been to her, such as when Amanda asked her to "drop everything" and help support her at a job interview at the pub Le Chic, and Amanda got the job. Meredith had been charming to the pub's owner, Mr. Lumumba, and showed him a special way to mix a mojito, with diced limes and rum. In town, a memorial display was created for Meredith, with hundreds of red glowing candles lighting the night air.The police question both Amanda and Raffaele about recent events, trying to gain evidence about the murder. Under pressure, Amanda admitted that she and Raffaele had smoked "weed" during the evening of the murder, and they went to his house, watched a movie on his computer, and went to bed.Meanwhile, the head prosecutor of Perugia continues talking with the coroner and forensic investigators from Rome. The coroner mentions many bruises on Meredith's body, saying that she likely fought back, and the prosecutor asks if multiple people could have attacked her. The corner suggests that it is a possibility.The police call Raffaele back for questioning at the police station, and Amanda waited in the hall. Inside, a police officer shoved Raffaele and screamed that phone records seemed to show he called the emergency number "112" for help after, not before, the postal police had arrived at the cottage, and warned him that his wealthy, influential family could not save him....
Problem: Given the question: Build a movie plot around this: What did Anna cut her hand on? shards of glass i
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The answer is:
Erika Kohut (Isabelle Huppert) is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother (Annie Girardot); her father is a long-standing resident in a lunatic asylum. Throughout the film, the audience is gradually shown truths about Erika's private life. Behind her assured facade, she is a woman whose sexual repression verges into full-fledged desperation and is manifested in a long list of paraphilias, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.Upon meeting Walter Klemmer (Benoit Magimel), a charming 17-year-old engineering student from a bourgeois background, they begin to obsess one another. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted (if distinct) interpreter of Schumann and Schubert.She destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walter -- and also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of her coat pockets, permanently damaging Anna's hands and ruining her aspirations to play at the forthcoming jubilee concert. Erika is then wholly sympathetic when the girl's mother (Susanne Lothar) asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In what clearly qualifies, at that point of the film, as dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter is increasingly insistent in his desire to start a relationship with her. But when she finally acquiesces, Walter is unwilling to indulge her violent fantasies, which repulse him. The film climaxes, however, when he finally does. He attacks her in her...