In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Input: Consider Input: Passage: Colour lies at the heart of Messiaen's music. He believed that terms such as "tonal", "modal" and "serial" are misleading analytical conveniences. For him there were no modal, tonal or serial compositions, only music with or without colour. He said that Claudio Monteverdi, Mozart, Chopin, Richard Wagner, Mussorgsky and Stravinsky all wrote strongly coloured music.In some of Messiaen's scores, he notated the colours in the music (notably in Couleurs de la cite celeste and Des canyons aux etoiles...)the purpose being to aid the conductor in interpretation rather than to specify which colours the listener should experience. The importance of colour is linked to Messiaen's synaesthesia, which he said caused him to experience colours when he heard or imagined music (he said that he did not perceive the colours visually). In his multi-volume music theory treatise Traite de rythme, de couleur, et d'ornithologie ("Treatise of Rhythm, Colour and Birdsong"), Messiaen wrote descriptions of the colours of certain chords. His descriptions range from the simple ("gold and brown") to the highly detailed ("blue-violet rocks, speckled with little grey cubes, cobalt blue, deep Prussian blue, highlighted by a bit of violet-purple, gold, red, ruby, and stars of mauve, black and white. Blue-violet is dominant").When asked what Messiaen's main influence had been on composers, George Benjamin said, "I think the sheer ... colour has been so influential, ... rather than being a decorative element, [Messiaen showed that colour] could be a structural, a fundamental element, ... the fundamental material of the music itself.".
Question: What is the name of the person who said Monteverdi, Mozart, Chopin, Wagner, Mussorgsky, and Stravinsky all wrote strongly coloured music?

Output: Messiaen.

Input: Consider Input: Passage: Hotshot ensign Alan Drake, fresh from the flying academy at Pensacola, Florida, gets off to a bad start with the pilots of an elite squadron, nicknamed the "Hellcats", to which he has been posted in San Diego. Making a nearly disastrous landing attempt in heavy fog against orders and disqualifying the squadron during a competitive shooting exercise by colliding with the target drogue does not endear him to his fellow pilots. He also asks out a woman he has met, Lorna, not knowing that she is the squadron commander Billy Gary's (Walter Pidgeon) wife.
However, Drake is earnest and contrite. He mixes with the Hellcats at the Garys' large house, which the sociable couple have opened as an unofficial officers' club. His flying and his social errors are forgiven, and his fellow pilots accept him, nicknaming him "Pensacola".
Drake further proves himself when he helps Lieutenant Jerry Banning solve a problem in a blind-landing apparatus he is developing. Just after Commander Gary is sent out of town on assignment, Banning decides the apparatus is ready to test in fog but it fails and Banning is killed. Working with Banning's assistant, Drake soon identifies the problem, but no further testing is allowed until Commander Gary's return.
Banning had been a childhood friend of Lorna Gary, and is not her first friend to die. She sinks into a deep depression. She also knows that Gary will expect her to hide her feelings and carry on, something that is very much not in her nature. Drake, appreciating the help the Garys gave him when he arrived, visits her at her home, and convinces her she should not suffer alone. They go for walks, drives, and tennis; he amuses her with jokes. Finally, at a restaurant she reaches for his hand and in doing so realizes she is falling for him. She quickly breaks away, and says she cannot see him any more.
Question: What is the last name of the person that Lorna realizes that she can't see anymore?

Output: Drake.

Input: Consider Input: Passage: Lancashire mill-girls Jenny Hawthorne and Mary Hollins go on holiday to Blackpool during the annual wakes week in their hometown of Hindle. They run into Alan Jeffcote, the son of the owner of the mill in which they work, who has also traveled to Blackpool with a group of friends while his fiancee is detained on business in London. Jenny and Alan hit it off immediately, and he persuades her to leave Blackpool to spend the week with him at Llandudno in North Wales. To cover her tracks, Jenny leaves a postcard with Mary, asking her to send it to her parents (Edmund Gwenn and Sybil Thorndike) later in the week. She and Alan leave their friends and set off for Wales.
Shortly afterwards, Mary is involved in a serious road accident and is killed. Her possessions are returned to Hindle and the unmailed postcard is found in her luggage. Jenny's parents are already suspicious and concerned by the fact that Jenny has not returned to Hindle as they would have expected in view of such a tragic turn to her holiday, and the discovery of the postcard increases their fears. Jenny returns at the end of the week. Her parents ask about her holiday, and allow her to dig a hole for herself as her fictitious account shows she is unaware of Mary's death and has clearly not spent the week in Blackpool. When confronted with the truth, Jenny admits to where she has been, and with whom, and defiantly refuses to be made to feel guilty or immoral.
Question: What is the full name of the character unaware of Mary's death?
Output: Jenny Hawthorne.