IN: Howard was born as Moses Harry Horwitz on June 19, 1897, in the Brooklyn, New York City neighborhood of Bensonhurst to Solomon Horwitz and Jennie Gorovitz, the fourth-born of five brothers of Lithuanian Jewish ancestry. He was named Moe when he was younger and later called himself Harry. Howard's parents and brothers, Benjamin and Irving, were not involved in show business, but his older brother Shemp Howard, younger brother Curly Howard, and he all eventually became known as members of the Three Stooges. He loved to read as older brother Jack recalled: "I had many Horatio Alger books, and it was Moe's greatest pleasure to read them.

Ted Healy and His Stooges were on the verge of hitting the big time and made their first movie, Soup to Nuts (1930)--featuring Healy and his four Stooges: Moe (billed as "Harry Howard"), Shemp, Larry, and Fred Sanborn (Sanborn had been with Healy's troupe since January 1929, as one of the stooges in "A Night in Venice")--for Fox Films (later 20th Century Fox). A disagreement with Healy led Moe, Larry, and Shemp to strike out on their own as "Howard, Fine and Howard," and on August 28, 1930, they premiered that act at L.A.'s Paramount Theatre. Joining the RKO vaudeville circuit, they toured for almost two years, eventually dubbing themselves as "Three Lost Souls" and taking on Jack Walsh as their straight man. In July 1932, Moe, Larry, and Shemp were approached by Healy to rejoin him for the new Shubert Broadway revue Passing Show of 1932, and the three accepted the offer. On August 16, 1932, during Passing rehearsals in New York, Ted walked out on the Shuberts over a contract dispute. On August 19, 1932, Shemp gave his notice having not seen eye-to-eye with the hard-drinking and sometimes belligerent Healy, and decided to remain with Passing which closed in September after pan reviews of its first roadshow performances in Detroit and Cincinnati. Shemp landed at Vitaphone Studios in Brooklyn in May 1933, where he stayed for almost four years. On August 20, the day after Shemp's departure, Moe suggested adding his youngest brother Jerome ("Babe" to Moe and Shemp) to the act; contrary to some sources, no search for a replacement was conducted. Healy originally passed on Jerry, but Jerry was so eager to join the act that he shaved off his luxuriant auburn mustache and hair and ran on stage during Healy's routine. That finally got Healy to hire Jerry, who took the stage name Curly. The new lineup of Moe, Larry, and Curly premiered with Ted on stage at Cleveland's RKO Palace on August 27, 1932. Early 1933 during appearances in Los Angeles, Healy and the Stooges were hired by Metro-Goldwyn-Mayer as "nut" comics to liven up feature films and short subjects with their antics.
QUESTION: Are there any other interesting aspects about this article?
IN: William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.

In 1743-1745, Hogarth painted the six pictures of Marriage a-la-mode (National Gallery, London), a pointed skewering of upper-class 18th-century society. This moralistic warning shows the miserable tragedy of an ill-considered marriage for money. This is regarded by many as his finest project and may be among his best-planned story serials. Marital ethics were the topic of much debate in 18th-century Britain. The many marriages of convenience and their attendant unhappiness came in for particular criticism, with a variety of authors taking the view that love was a much sounder basis for marriage. Hogarth here painted a satire - a genre that by definition has a moral point to convey - of a conventional marriage within the English upper class. All the paintings were engraved and the series achieved wide circulation in print form. The series, which is set in a Classical interior, shows the story of the fashionable marriage of Viscount Squanderfield, the son of bankrupt Earl Squander, to the daughter of a wealthy but miserly city merchant, starting with the signing of a marriage contract at the Earl's mansion and ending with the murder of the son by his wife's lover and the suicide of the daughter after her lover is hanged at Tyburn for murdering her husband. William Makepeace Thackeray wrote: This famous set of pictures contains the most important and highly wrought of the Hogarth comedies. The care and method with which the moral grounds of these pictures are laid is as remarkable as the wit and skill of the observing and dexterous artist. He has to describe the negotiations for a marriage pending between the daughter of a rich citizen Alderman and young Lord Viscount Squanderfield, the dissipated son of a gouty old Earl ... The dismal end is known. My lord draws upon the counselor, who kills him, and is apprehended while endeavouring to escape. My lady goes back perforce to the Alderman of the City, and faints upon reading Counsellor Silvertongue's dying speech at Tyburn (place of execution in old London), where the counselor has been 'executed for sending his lordship out of the world. Moral: don't listen to evil silver-tongued counselors; don't marry a man for his rank, or a woman for her money; don't frequent foolish auctions and masquerade balls unknown to your husband; don't have wicked companions abroad and neglect your wife, otherwise you will be run through the body, and ruin will ensue, and disgrace, and Tyburn.
QUESTION:
what does marriage a la mode mean