Problem: Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Context: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
Question: What were the results she published?
Answer: Carter rejected claims that students had stolen the Oscar

Background: Mickey Charles Mantle (October 20, 1931 - August 13, 1995), nicknamed The Commerce Comet and The Mick, was an American professional baseball player. Mantle played his entire Major League Baseball (MLB) career with the New York Yankees as a center fielder and first baseman, from 1951 through 1968. Mantle was one of the best players and sluggers, and is regarded by many as the greatest switch hitter in baseball history. Mantle was inducted into the National Baseball Hall of Fame in 1974 and was elected to the Major League Baseball All-Century Team in 1999.
Context: Mantle was invited to the Yankees instructional camp before the 1951 season. After an impressive spring training, Yankees manager Casey Stengel decided to promote Mantle to the majors as a right fielder instead of sending him to the minors. Mickey Mantle's salary for the 1951 season was $7,500. Mantle was assigned uniform #6, signifying the expectation that he would become the next Yankees star, following Babe Ruth (#3), Lou Gehrig (#4) and Joe DiMaggio (#5). Stengel, speaking to SPORT, stated "He's got more natural power from both sides than anybody I ever saw." Bill Dickey called Mantle "the greatest prospect [he's] seen in [his] time." After a brief slump, Mantle was sent down to the Yankees' top farm team, the Kansas City Blues. However, he was not able to find the power he once had in the lower minors. Out of frustration, he called his father one day and told him, "I don't think I can play baseball anymore." Mutt drove up to Kansas City that day. When he arrived, he started packing his son's clothes and, according to Mantle's memory, said "I thought I raised a man. I see I raised a coward instead. You can come back to Oklahoma and work the mines with me." Mantle immediately broke out of his slump, going on to hit .361 with 11 homers and 50 RBIs during his stay in Kansas City. Mantle was called up to the Yankees after 40 games with Kansas City, this time wearing uniform #7. He hit .267 with 13 home runs and 65 RBI in 96 games. In the second game of the 1951 World Series, New York Giants rookie Willie Mays hit a fly ball to right-center field. Mantle, playing right field, raced for the ball together with center fielder Joe DiMaggio, who called for the ball (and made the catch). In getting out of DiMaggio's way, Mantle tripped over an exposed drain pipe and severely injured his right knee. This was the first of numerous injuries that plagued his 18-year career with the Yankees. He played the rest of his career with a torn ACL.
Question: Did it keep him from playing?
Answer:
He played the rest of his career with a torn ACL.