Background: Harel Skaat was born on 8 August 1981, in Kfar Saba, Israel, to a family of Yemenite-Jewish and Iraqi-Jewish descent. When he was six years old, he won a national children's festival competition entitled "A Star for the Evening - Singing Big" in his hometown and while still a child he appeared in an episode of a popular Israeli television show called Parpar Nehmad (prpr nkhmd, Nice Butterfly). Throughout his youth, he continued to appear at festivals and television shows, and at the age of 15 he was the lead singer of both the Kfar Saba city band and his high school band. At 18, he sang with the Israel Defense Forces' Communications Corps.
Context: Skaat released his debut album, Harel Skaat (hrl sq't), in July 2006. Reviews of the album were mixed. A review in The Jerusalem Post criticized the lack of spontaneity of the album, and the inclusion of dance-tracks which the critic claimed undercut the singer's talents, but praised Skaat's soothing vocals and his ability to move listeners. In a review of the album for Ynet, Roman Singer compared Skaat to a cultured rose without the thorns. Another review claimed that Skaat was "trapped" singing "romantic stories", but praised his warm singing of "Ve'at", and his singing talents which the writer claimed allows him to "express at higher levels". Harel Skaat produced a string of "chart-leading hits", including "Kama Od Efshar" ("kmh 'vd pshr", "How Much More is Possible"), "Mashehu Mimeni" ("mshhv mmny", "Something from Me"), "Kol Hatziporim" ("kl htsypvrym", "All the Birds"), "Im Hu Yelech" ("m hv ylk", "If He Goes"), and the award-winning, romantic ballad, "Ve'at" ("vt", "And You"), which stayed number one on the major Israeli music charts for seven weeks and finished as the number one song of the year on the Reshet Gimmel's and Galgalatz's year-end music charts for 2006, and also on the BBC Israeli regional radio annual poll for 2006 ("Mashehu Mimeni" and "Kama Od Efshar" finished fourth and tenth respectively on the same poll). Skaat was named "Male Singer of 2006" by both Reshet Gimmel and Galgalatz. He also won "Singer of the Year" and "Song of the Year" for "Ve'at" in the Music 24 Channel's Israel Music Awards (AMI). In addition, "Im Hu Yelech" was named the best music video of the year by the Israeli Music Channel. Produced by veteran record producer, Izhar Ashdot, the album was certified gold less than one month after its release and eventually achieved platinum status. (Because of its small market size, the Israeli music industry certifies an album to be gold when it sells 20,000 copies.) The album's commercial success was not only important to Skaat's burgeoning career, but it also proved helpful in launching the careers of three young singer-songwriters, Keren Peles, Dor Daniel, and Kfir Epstein, who each wrote hit songs on the album, and went on to release successful debut albums of their own. Skaat co-wrote one song on the album, "Afilu Shesreifot" ("pylv shhshrypvt", "Even Though it's Burning").
Question: What countries was he most popular in?
Answer: Im Hu Yelech" was named the best music video of the year by the Israeli Music Channel.

Background: John Bruce "Jack" Thompson (born July 25, 1951) is an American activist and disbarred attorney, based in Coral Gables, Florida. Thompson is known for his role as an anti-video-game activist, particularly against violence and sex in video games. During his time as an attorney, Thompson focused his legal efforts against what he perceives as obscenity in modern culture. This included rap music, broadcasts by shock jock Howard Stern, the content of computer and video games and their alleged effects on children.
Context: Thompson has heavily criticized a number of video games and campaigned against their producers and distributors. His basic argument is that violent video games have repeatedly been used by teenagers as "murder simulators" to rehearse violent plans. He has pointed to alleged connections between such games and a number of school massacres. According to Thompson, "In every school shooting, we find that kids who pull the trigger are video gamers." Also, he claims that scientific studies show teenagers process the game environment differently from adults, leading to increased violence and copycat behavior. According to Thompson, "If some wacked-out adult wants to spend his time playing Grand Theft Auto: Vice City, one has to wonder why he doesn't get a life, but when it comes to kids, it has a demonstrable impact on their behavior and the development of the frontal lobes of their brain." Thompson has described the proliferation of games by Sony, a Japanese company, as "Pearl Harbor 2". According to Thompson, "Many parents think that stores won't sell an M-rated game to someone under 17. We know that's not true, and, in fact, kids roughly 50 percent of that time, all the studies show, are able to walk into any store and get any game regardless of the rating, no questions asked." Thompson has rejected arguments that such video games are protected by freedom of expression, saying, "Murder simulators are not constitutionally protected speech. They're not even speech. They're dangerous physical appliances that teach a kid how to kill efficiently and to love it," as well as simply calling video games "mental masturbation". In addition, he has attributed part of the impetus for violent games to the military, saying that it was looking "for a way to disconnect in the soldier's mind the physical act of pulling the trigger from the awful reality that a life may end". Thompson further claims that some of these games are based on military training and simulation technologies, such as those being developed at the Institute for Creative Technologies, which, he suggests, were created by the Department of Defense to help overcome soldiers' inhibition to kill. He also claims that the PlayStation 2's DualShock controller "gives you a pleasurable buzz back into your hands with each kill. This is operant conditioning, behavior modification right out of B. F. Skinner's laboratory." Although his efforts dealing with video games have generally focused on juveniles, Thompson got involved in a case involving an adult on one occasion in 2004. This was an aggravated murder case against 29-year-old Charles McCoy, Jr., the defendant in a series of highway shootings the previous year around Columbus, Ohio. When McCoy was captured, a game console and a copy of The Getaway were in his motel room. Although not representing McCoy and over the objections of McCoy's lawyers, Thompson succeeded in getting the court to unseal a search warrant for McCoy's residence. This showed, among other things, the discovery of additional games State of Emergency, Max Payne, and Dead to Rights. However, he was not allowed to present the evidence to McCoy, whose defense team was relying on an insanity defense based on paranoid schizophrenia. In Thompson's estimation, McCoy was the "functional equivalent of a 15-year-old," and "the only thing insane about this case is the (insanity) defense".
Question: Was Thompson able to show the games influenced the defendant?
Answer:
he was not allowed to present the evidence to McCoy, whose defense team was relying on an insanity defense based on paranoid schizophrenia.