Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input case for you: Context_1 : Jake Sinclair (born March 7, 1985) is an American record producer, audio engineer, mixing engineer, multi-instrumentalist, vocalist, and songwriter. His production, engineering, songwriting, and mixing credits include Weezer, Fall Out Boy, Panic! at the Disco, 5 Seconds of Summer, Pink, New Politics, Andrew McMahon in the Wilderness, Gin Wigmore, and Train. Sinclair co-wrote and produced Panic! at the Disco's "Death of a Bachelor" album (which debuted at number one on the US Billboard 200) and produced Weezer's 2016 "Weezer (White Album)". Both were nominated for Best Rock Album at the 59th Annual Grammy Awards. He co-wrote and produced "Uma Thurman" by Fall Out Boy, which debuted at number one on the U.S. iTunes Chart, reached number 22 on the Billboard Hot 100, and was certified 2X Platinum by the RIAA in December 2015. Sinclair received a Grammy nomination for Album of the Year for his work as engineer and bassist on Taylor Swift's "Everything Has Changed" alongside producer Butch Walker. He co-wrote and produced the debut single, "She Looks So Perfect" by 5 Seconds of Summer that peaked at number one in over five countries and won "Song of the Year" at the 2014 ARIA Awards. Sinclair is the former bassist of the indie/pop rock band The Films and the lead singer and producer of the indie pop duo Alohaha. Context_2 : Dallon James Weekes (born May 4, 1981) is an American singer, songwriter, and musician. He is best known as a long-time contributor for Panic! at the Disco. Since 2009, Weekes has performed in the band as a bassist, keyboardist, backing vocalist, and songwriter. He was also the lead vocalist and multi-instrumentalist for the rock band and later solo musical project The Brobecks. Context_3 : Enemymine was a Washington-state-based indie rock band known for their very loud and abrasive music. The band consisted of three members; two bass guitarists and a drummer. Mike Kunka of godheadSilo played bass and provided vocals on all songs, while Zak Sally from Low also played bass and Danny Sasaki played drums. Ryan Baldoz also played bass. Enemymine has played shows with Jucifer, Melvins, Mindless Self Indulgence, Burning Brides, the Rapture, Melt Banana, among others. Context_4 : Macdonald Duck Eclair (sometimes spelled Mac Donald Duck Eclair and usually written in Latin script) is a Japanese "pico-pico" or picopop band associated with such groups as Micro Mach Machine and Miss Wonda and sounding similar to such groups as DAT politics etc. Based in Tokyo, they have been making music since 1999. The lead vocalist, known only as "Michi", has also worked with the girl group "Spoochy." The two other members are Yuki Shimamura and Toyomu Futamata, both of whom compose. Their unique sound combines electronic elements with French pop style vocals, noisy punk guitars and poppy keyboard melodies. They are signed to the Japanese Indie label Usagi Chang Records and have released two full-length albums to date. They first became known for their high energy single "Mac Teenage Riot" on the Usagi Chang Records sampler, "Killer Killer Usagi Chang" in 2003. The single is a tribute to the group Atari Teenage Riot both stylistically and in that it extensively quotes songs from the album "60 Second Wipeout". Their first album, "Short Short", was released in 2004 and their second, darker album, "The Genesis Songbook" was released in 2005. They have also collaborated with Valvola, Kylie Minogue, Iggy Pop, and Hong Kong Counterfeit among others to create the electroclash and disco album "The Electronic Tomato" released in 2004 on SHADO records. Their slogan is "Lolli, pico'tte, macin' rock." Context_5 : Panic! at the Disco is an American rock band from Las Vegas, Nevada, formed in 2004 and featuring the current lineup of lead vocalist Brendon Urie, accompanied on tour by bassist Dallon Weekes, lead guitarist Kenneth Harris, and drummer Dan Pawlovich. The group was originally formed by former members Spencer Smith and Ryan Ross. The band has gone through multiple line-up changes in their career spanning five albums. There have been six official members of Panic! at the Disco, six touring members and twenty-six session members. Context_6 : Score is the debut album by American recording artist Carol Lloyd, released in 1979 through Casablanca Records and Earmarc Records. Following Lloyd's signing with Earmarc, a new label division of Casablanca, she began recording material for the record throughout the latter half of 1979. A disco album, "Score" was one of the first projects to be released from the label which specialized solely in disco music. All six of the tracks on the record were produced by Michael Forte and Bruce Weeden, with the former individual also contributing lyrics to four of the aforementioned songs. Context_7 : Too Weird to Live, Too Rare to Die! is the fourth studio album by American rock band Panic! at the Disco, released on October 8, 2013 on Decaydance and Fueled by Ramen. Recorded as a three-piece, the album was produced by Butch Walker, and is the first and only album to feature bassist Dallon Weekes as an official member and the last to feature drummer Spencer Smith. Context_8 : Death of a Bachelor is the fifth studio album by American rock band Panic! at the Disco, released January 15, 2016 on Fueled by Ramen and DCD2. It is the follow-up to the band's fourth studio album, "Too Weird to Live, Too Rare to Die!" (2013), with the entire album written and recorded by lead vocalist/multi-instrumentalist Brendon Urie, among external writers. It is the band's first album to not feature drummer Spencer Smith and also follows bassist Dallon Weekes' departure from the official line-up, subsequently becoming a touring member once again. Context_9 : This House Is Not for Sale is the thirteenth studio album by American rock band Bon Jovi. It was released on November 4, 2016, by Island Records. It is their first studio album without former lead guitarist Richie Sambora and the first album to feature the band's new lead guitarist Phil X and it is also the first album where bass guitarist Hugh McDonald is credited as an official member, even though he has played bass for the band since 1994. Context_10 : Gordon Copley, born in Pasadena, California, is a bassist who briefly played bass for Black Sabbath. He played bass on the Black Sabbath song "No Stranger to Love" on their album "Seventh Star". Bassist Dave Spitz played bass on the rest of the songs on the album. Copley was also the bassist for Lita Ford's band in early 1985 and joined her on tour after featuring on Seventh Star, leaving Sabbath. Copley would then later feature on Bill Ward's 1990 album . fact_1 : Too Weird to Live, Too Rare to Die! fact_2 : is the fourth studio album by American rock band Panic! fact_3 : at the Disco, released on October 8, 2013 on Decaydance and Fueled by Ramen. fact_4 : Recorded as a three-piece, the album was produced by Butch Walker, and is the first and only album to feature bassist Dallon Weekes as an official member and the last to feature drummer Spencer Smith. fact_5 : Dallon James Weekes (born May 4, 1981) is an American singer, songwriter, and musician. fact_6 : He is best known as a long-time contributor for Panic! fact_7 : at the Disco. fact_8 : Since 2009, Weekes has performed in the band as a bassist, keyboardist, backing vocalist, and songwriter. fact_9 : He was also the lead vocalist and multi-instrumentalist for the rock band and later solo musical project The Brobecks. Answer: Spencer Smith
Output:
What was the name of the drummer on the Panic at The Disco album where the former lead vocalist among other titles for the Brobecks played bass?