IN: Review: My husband rented this from a video store thinking it was suspense. (He never reads the synopsis).

Well, it would be funny if the thing was watchable. It simply isn't. The same thing over and over, no intrigue, and WHERE did they find the leading man?. The leading man, Michael Des Barres, is not even feasibly good-looking, especially for this role he is given. Also, sexual harassment at work is something, if you want to see, rent Michael Crichton's "Disclosure". At least Michael Douglas looked good in the early 90's.

Alexandra Paul, who is usually watchable, plays an embarrassing scene here. There are also lighting effects cheaper than your at home web cam. Don't even waste time renting this. 0/10.
What is this review like?
OUT: negative

IN: Review: This film was the most longest film and the record breaking film for sure It had 30 actors After JAANI DUSHMAN(2002) i guess no one had the guts to do something like that

The film as the title suggests is based on the Kargil war but the problem is there are too many characters and the romantic subplots and the songs of many characters are boring

Even there are too many cinematic liberties like killing people with knifes, wonder which soldier does that?

Direction by JP Dutta pales front of BORDER Music is okay

Amongst the huge cast Ajay Devgan stands tall, Saif is very good in his part and also it's his first film with kareena, Abhishek is likable Manoj Bajpai has his moments Sanju is wasted, Suneil is okay Akshaye Khanna does his part well rest are passable Rani is good, Esha is okay rest are passable
What is this review like?
OUT: negative

IN: Review: New York, I Love You, or rather should-be-titled Manhattan, I Love Looking At Your People In Sometimes Love, is a precise example of the difference between telling a story and telling a situation. Case in point, look at two of the segments in the film, one where Ethan Hawke lights a cigarette for a woman on a street and proceeds to chat her up with obnoxious sexy-talk, and another with Orlando Bloom trying to score a movie with an incredulous demand from his director to read two Dostoyevsky books. While the latter isn't a great story by any stretch, it's at least something that has a beginning, middle and end, as the composer tries to score, gets Dostoyevky dumped in his lap, and in the end gets some help (and maybe something more) from a girl he's been talking to as a liaison between him and the director. The Ethan Hawke scene, however, is like nothing, and feels like it, like a fluke added in or directed by a filmmaker phoning it in (or, for that matter, Hawke with a combo of Before Sunrise and Reality Bites).

What's irksome about the film overall is seeing the few stories that do work really well go up against the one or two possible 'stories' and then the rest of the situations that unfold that are made to connect or overlap with one another (i.e. bits involving Bradley Cooper, Drea DeMatteo, Hayden Christensen, Andy Garcia, James Caan, Natalie Portman, etc). It's not even so much that the film- set practically always in *Manhattan* and not the New York of Queens or Staten Island or the Bronx (not even, say, Harlem or Washington Heights)- lacks a good deal of diversity, since there is some. It's the lack of imagination that one found in spades, for better or worse, in Paris J'taime. It's mostly got little to do with New York, except for passing references, and at its worst (the Julie Christie/Shia LaBeouf segment) it's incomprehensible on a level that is appalling.

So, basically, wait for TV, and do your best to dip in and out of the film - in, that is, for three scenes: the aforementioned Bloom/Christina Ricci segment which is charming; the Brett Ratner directed segment (yes, X-Men 3 Brett Ratner) with a very funny story of a teen taking a girl in a wheelchair to the prom only to come upon a great big twist; and Eli Wallach and Cloris Leachman as an adorable quite old couple walking along in Brooklyn on their 67th wedding anniversary. Everything else can be missed, even Natalie Portman's directorial debut, and the return of a Hughes brother (only one, Allan) to the screen. A mixed bag is putting it lightly: it's like having to search through a bag of mixed nuts full of crappy peanuts to find the few almonds left.
What is this review like?
OUT: negative

IN: Review: What a stinkeroo this turned out to be!!! At one time, much earlier in her career, Linda Darnell was one of my favorites - no great shakes as an Actress, but very beautiful and pleasant (particularly in films like "The Mark of Zorro" and "Blood and Sand") but when I saw this monstrosity, the memories of her golden days faded quickly. The story is unbelievable and farcical, the acting second-rate, the supporting cast insufferable. I cannot think of a more immature performance by anyone when compared to Tab Hunter, and Donald Gray had to be the most boring leading man they could have picked. Added to this, was the terrible photography (and I am not just referring to the color!) Everyone associated with this, must have shuddered whenever it was shown.
What is this review like?
OUT:
negative