I have a test where I am given the following article, what is an answer for the question: What is the name of the song whose title was changd to "Boogaloo"? ? Most of Melodifestivalen's rules are dictated by those of the Eurovision Song Contest. However, regulations have been introduced by the Swedish broadcasters. The competition's official rules are released by SVT early in preparation for each year's Melodifestival, to ensure any changes are noted by songwriters and performers. There was a limit of six people on stage for each performance. This included the Melodifestivalen choir (huskoren, literally "the house choir"), a five-person group of flexible backing singers used by most participants. Artists could use some or all of the back-up singers, or use their own group. All vocals had to be completely live; human voices were not allowed on backing tracks. However, from 2009, the number of performers allowed on stage was eight, and voices were allowed on backing tracks. A live orchestra was used every year from the event's debut to 2000, except 1985 and 1986. Two orchestras were used between 1960 and 1963, a large orchestra and Gote Wilhelmsons kvartett, a jazz quartet. Since 2001, participants have performed to backing tracks. Entries cannot be publicly broadcast until the semi-finals are previewed on radio. Entries eliminated in the semi-finals may be broadcast as soon as the semi-final has finished. An embargo is placed on songs that qualify for the later rounds until the previews for the Second Chance are broadcast. After this, restrictions on the broadcast of contestant songs are lifted.Broadcasters sometimes make sweeping changes to winning songs before they go to Eurovision. For example, at Melodifestivalen 1961, Siw Malmkvist won with "April, April". Performing after her victory, she stumbled on the lyrics of the song and laughed out loud. The press criticised this as childish. SR replaced her with Lill-Babs for the Eurovision Song Contest. The 1987 winner "Fyra bugg och en Coca Cola", performed by Lotta Engberg, is another example; the song's title was changed to "Boogaloo" for Eurovision, as use of a brand name was against the Contest's rules. This...
Ans: Fyra bugg och en Coca Cola

I have a test where I am given the following article, what is an answer for the question: What is the last name of the person who was initially an early proponent of culture-historical archaeology? ? Vere Gordon Childe (14 April 1892 19 October 1957) was an Australian archaeologist who specialized in the study of European prehistory. He spent most of his life in the United Kingdom, working as an academic for the University of Edinburgh and then the Institute of Archaeology, London, and wrote twenty-six books during his career. Initially an early proponent of culture-historical archaeology, he later became the first exponent of Marxist archaeology in the Western world. Born in Sydney to a middle-class English migrant family, Childe studied classics at the University of Sydney before moving to England to study classical archaeology at the University of Oxford. There, he embraced the socialist movement and campaigned against the First World War, viewing it as a conflict waged by competing imperialists to the detriment of Europe's working class. Returning to Australia in 1917, he was prevented from working in academia because of his socialist activism, instead working for the Labor Party as the private secretary of the politician John Storey. Growing critical of Labor, he wrote an analysis of their policies and joined the far-left Industrial Workers of the World. Emigrating to London in 1921, he became librarian of the Royal Anthropological Institute and journeyed across Europe to pursue his research into the continent's prehistory, publishing his findings in academic papers and books. In doing so he introduced the continental European concept of an archaeological culturethe idea that a recurring assemblage of artefacts demarcates a distinct cultural groupto the British archaeological community. From 1927 to 1946 he worked as the Abercromby Professor of Archaeology at the University of Edinburgh, and then from 1947 to 1957 as the director of the Institute of Archaeology, London. During this period he oversaw the excavation of archaeological sites in Scotland and Northern Ireland, focusing on the society of Neolithic Orkney by excavating the settlement of Skara Brae and the chambered tombs of Maeshowe and...
Ans: Childe

I have a test where I am given the following article, what is an answer for the question: What specific place did Leto claim the song City of Angels was about? ? "City of Angels" is a synthrock song with influences and elements from experimental music. It opens with an instrumental section and "gently burbling" synthesizers. It follows with the sounds of drum beats, including taiko drums, then transitions into a piano melody. After the first verse, the chorus follows, with Leto singing, "Lost in the City of Angels / Down in the comfort of strangers / I found myself in the fire burned hills / In the land of a billion lights". During the bridge, he ornaments his vocal lines with melodic crescendos, affirming "I am home". After the final chorus, the song reaches a drum-heavy climax. Emily Zemler from Billboard cited "City of Angels" as an example of variety and experimentation in Love, Lust, Faith and Dreams. She described the song as a "pulsating, subtler track that employs a blipping electronic beat rather than the band's usual rock backdrop".In a preview of the record, Jeff Benjamin from Fuse acknowledged the 1980s influences that resonated throughout the track and noted that "hard rock guitars and percussion come crashing in on the chorus." Sarah O' Hara, while reviewing Love, Lust, Faith and Dreams for Lowdown, compared the song to "Kings and Queens", a track with a similar structure included on This Is War featuring sparse verses and slow atmospheric builds to the chorus. In an interview with Loudwire, Leto described "City of Angels" as a very personal song about a specific place. He said, "It's the story of my brother and I going to Los Angeles to make our dreams come true. It's a love letter to that beautiful and bizarre land." Leto later explained that the song could refer to any place a person goes to fulfill his or her own dreams. Mary Ouellette, writing for Loudwire, felt that the song "tells a passionate tale of finding comfort in calling the city of Los Angeles home."
Ans: Los Angeles