[Q]: Generate a question that has the following answer: yes for the following movie plot: Alba (Elena Anaya), a 30-something Spanish tourist in Rome, brings a younger Russian woman Natasha (Natasha Yarovenko) to her hotel room during their last night of vacation in Rome. The details of how they met in a club are left vague. Natasha is at first quite reluctant, insisting she's straight, but the clearly more experienced Alba handles deftly around Natasha's hesitance. Flattered and tempted by Alba, Natasha responds to her sexual advances, but continues to maintain that she is straight and has never had sex with a woman. Alba counters by claiming that she is a lesbian and has never had sex with a man. Alba and Natasha first get undressed and into bed, but Natasha is still very nervous. Alba suggests that they first lay side by side and only casually touch each other's faces. They do so until Alba becomes so relaxed that she falls asleep. Natasha quietly gets out of bed, gets dressed and leaves the room, wondering what would have happened if she stayed and consummated her curiosity and attraction to Alba. In her rush to leave, Natasha leaves her cell phone behind, and the ring-tone wakes up Alba. Natasha soon returns and asks Alba for her cell phone, but is reluctant to enter the room again. When a passing night-shift waiter named Max passes by, Alba grabs Natasha and takes her back into the room. While talking about the location of Natasha's hotel and looking at an old map of Rome from the 1st century, Alba continues to flirt with Natasha with her naked body. Natasha soon succumbs to her attraction and curiosity towards Alba, leading her to quickly get undressed once again and into bed where she and Alba have sex for the first time. Over the next 10 hours, Alba and Natasha grow closer to each other as Natasha becomes more relaxed and comfortable around Alba with their lovemaking. Alba and Natasha share stories, periodically stopping to illustrate their points with pictures on the Internet, talk about the artwork in the hotel room, and explore each other's nude bodies through sex. Alba first tells a...
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[A]: Do Natasha and Alba discuss abandoning their partners?

input: Please answer the following: Generate a question that has the following answer: Karin for the following movie plot: The Virgin Spring tells the story, set in medieval Sweden, of a prosperous Christian whose daughter, Karin (Birgitta Pettersson) is appointed to take candles to the church. Karin is accompanied by her pregnant foster sister, Ingeri (Gunnel Lindblom), who secretly worships the Norse deity Odin. Along their way through the forest on horseback, the two part, and Karin sets out on her own.Ingeri encounters a one-eyed man at a stream-side mill, converses briefly with him, and then flees in terror. Karin meets three herdsmen (two men and a boy), and invites them to eat her lunch with her. Eventually, the two older men rape and murder Karin (while Ingeri watches from a hidden distance). The trio then leave the scene with Karin's clothing.The herders then, unknowingly, seek shelter at the home of the murdered girl. Her parents, played by Max von Sydow and Birgitta Valberg, discover that the goat herders murdered their daughter when the goat herders offer to sell Karin's clothes to her mother. In a rage, the father locks the trio in the chamber and kills them.The next day, the parents set out to find their daughter's body, with the help of Ingeri. Her father vows that, although he cannot understand why God would allow such a thing to happen, he will build a church at the site of his daughter's death because his conscience is forcing him to atone. As her parents lift her head from the ground, a spring begins to flow from where she was lying. Her sister Ingeri then begins to wash herself with the water, and Karin's parents clean her muddied face.
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output: Who is appointed to take candles to the church?

Problem: Generate a question that has the following answer: Frank for the following movie plot: Frank Goode, a recently widowed retiree, is getting ready for his children to come visit him. One by one though, each of his children calls to cancel on him at the last minute. Feeling a bit down by the rejections, Frank decides to head out on a cross-country trip, visiting each of his kids. Despite warnings from his doctor, Frank takes a train to New York City, to see one of his sons, David. David doesn't appear to be home and never shows up so Frank leaves him a card and leaves town to see his other children. While he's waiting for David, he sees one of David's paintings in a nearby art gallery window. Next visit is to daughter Amy in Chicago, who tells him it's a bad time to visit. She had turned down her father's earlier invitation to visit, saying that her son Jack was sick. However, once he gets to Amy's house, Frank realizes Jack wasn't sick and Amy was just making up an excuse. Frank hits a few golf balls with Jack in the yard of their impressive suburban home. Dinner is uncomfortable with tension between Jack and his father. The next morning, Frank accompanies Amy to her fancy downtown office and hears her agency's pitch for a TV ad. She takes him to the train station to visit his son Robert in Denver. While waiting, Amy introduces her father to a male co-worker. As Frank travels to each of his children's homes, the film cuts to phone conversations between the siblings. David is in some type of trouble in Mexico, and Amy is going there to find out what is happening; the sisters and Robert agree to not tell their father about David until they know for sure. Frank arrives in Denver expecting to see Robert conduct the city's orchestra. It turns out Robert is "only" a percussionist. Robert also tells Frank his visit is at a bad time, as the orchestra is flying to Europe the next day, but this is only a lie. So within hours Frank prepares to take a bus to Las Vegas to visit his daughter Rosie. Frank is adamant that each visit be a surprise, but Robert calls Rosie to warn her of his arrival. In a lonely...

A:
Who has a heart attack on the plane?