Some context: M. Bison, also known as Dictator, is a video game character created by Capcom. First introduced in Street Fighter II: The World Warrior, he is a recurring character and villain in the Street Fighter series of fighting games, acting as one of the series' primary antagonists. A would-be world dictator and megalomaniac, M. Bison's ultimate ambition is to control the world's governments through his covert crime syndicate, Shadaloo (shiyadoru, Shadoru, sometimes spelled as "Shadoloo", "Shadowloo" or "Shadowlaw"). He serves as the host of Street Fighter II's fighting tournament and is the last opponent fought in the game.
In some versions of Street Fighter games, the player will face an alternate version of M. Bison, usually as a computer controlled opponent in the game's single-player mode. In Street Fighter Alpha 3, a more powerful form of M. Bison with stronger abilities and fewer weaknesses appears as the final boss for every character except Evil Ryu, who fights Shin Akuma, and M. Bison himself, who fights Ryu. Should the player lose and not continue, an edited version of M. Bison's ending will play, and the game will end. There also are some minor differences with this form aside from damage output. His fierce punch attacks send out a wave of energy and his Psycho Crusher Super Combo fills the whole screen with a devastating streak of blue flames. This improved Psycho Crusher is much faster and stronger than its normal counterpart, cannot be blocked in the air, and inflicts severe damage even when blocked; it is the most powerful move in the game. The player is also able to choose this version of M. Bison as a 4th ISM, dubbed Shadaloo-ISM (or S-ISM), in the console versions of Street Fighter Alpha 3, by choosing Bison with the select button. In Street Fighter EX2 Plus for the arcade and PlayStation, another version of Bison appears called "Bison II" (or "Vega II") as a secret final opponent in single-player mode. If the player defeats the regular version of Bison at the end, Bison will resurrect himself as Bison II and challenge the player. Bison II can be distinguished from the regular version of Bison by the white-colored outfit he wears back in EX2, and the background which changes to a colorful light stream coming out of the floor in a pure black room. In EX3 he sports a black uniform, gold plates, and has orange-tinted skin. Like Alpha 3 M. Bison, the player cannot continue after losing against Bison II in EX2. In Street Fighter EX3, Bison II returns as a playable secret character. His move set is identical to that of his normal counterpart, with the exception of two additional Psycho Cannon attacks. A third, computer-controlled only version of the character, known as "Shin-Bison" (or "True Vega"), is also included in EX3. Shin-Bison appears with pale, purple-tinted skin, blue-green plates, and a white uniform. In addition to an overall speed increase, he has an infinite amount of SC energy, the ability to cancel most of his attacks, and a new Knee Press Nightmare Meteor combo where he creates three copies of himself, one above and two beside him, which gives the move a massive range boost. This incarnation is considered to be his most formidable.
What did the other look like
A: a more powerful form of M. Bison with stronger abilities and fewer weaknesses appears as the final boss for every character
Some context: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity.
In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham. Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience). In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University. He was a music education major, studying composition, orchestration, and music theory. He dropped out after a year.
What about the South?
A:
They often played for elite white society audiences (though they were typically forbidden from associating with the audience).