Answer the question at the end by quoting:

Bring Me the Horizon, often known by the acronym BMTH, are a British rock band from Sheffield, South Yorkshire. Formed in 2004, the group now consists of vocalist Oliver Sykes, guitarist Lee Malia, bassist Matt Kean, drummer Matt Nicholls and keyboardist Jordan Fish. They are signed to RCA Records globally and Columbia Records exclusively in the United States. The style of their early work, including their debut album Count Your Blessings, has been described primarily as deathcore, but they started to adopt a more eclectic style of metalcore on later albums.
Bring Me the Horizon recorded their second studio album, Suicide Season, in Sweden with producer Fredrik Nordstrom. He was unimpressed with their first album and was initially absent from the recording sessions unless he needed to be there. Nordstrom later heard the new sound they were experimenting with during a recording session and became very involved in the record. It was promoted virally in the weeks before its release with the promotional tag line "September is Suicide Season." To promote Suicide Season the band embarked on their first headline tour of the United States, as well as appearing at the 2008 Warped Tour. In May 2008, Bring Me the Horizon was the main supporting band on I Killed the Prom Queen's farewell Australian tour with The Ghost Inside and The Red Shore. Suicide Season was released on 18 September 2008 in the United States on Epitaph and on 29 September in Europe through Visible Noise. In 2009, Bring Me the Horizon attended the 2009 Kerrang! Tour alongside Black Tide, Dir En Grey, In Case of Fire and Mindless Self Indulgence. They also joined Thursday, Cancer Bats, Four Year Strong and Pierce the Veil on the North American leg of the 2009 Taste of Chaos tour from February to April after the tour's organizer Kevin Lyman offered them the slot. During the Taste of Chaos tour in March of that year, guitarist Curtis Ward left the band. His relationship with the band had deteriorated as his stage performances were poor. He was abusive to audiences during the Taste of Chaos tour, and had contributed little to the writing of Suicide Season. Another reason for his departure was the worsening tinnitus in his one functioning ear. Ward was born deaf in one ear and admitted playing in the band worsened the ringing in his other ear to such a degree that he was unable to sleep at night. Ward offered to perform the rest of the tour dates, which the band rejected and instead asked their guitar technician, Dean Rowbotham, to substitute for him for the remaining performances. Lee Malia noted that Ward's departure helped improve everyone's mood as he had been very negative. Within a week of the tour finishing, Sykes began talking to Jona Weinhofen, at the time the guitarist of Bleeding Through. The band knew of him from his work with his former band I Killed the Prom Queen, and he was asked to join them. Ward has since worked on the TV show Top Gear, and has occasionally performed on stage with Bring Me The Horizon, playing "Pray For Plagues", most notably at Wembley Arena in 2015. In 2016, it was announced that Ward had joined the band Counting Days. In November 2009, Bring Me the Horizon released a remixed version of Suicide Season, titled Suicide Season: Cut Up! Musicians and producers featured on the album include: Ben Weinman, Skrillex, L'Amour La Morgue, Utah Saints and Shawn Crahan. Musically, the album incorporates many genres including: electronica, drum and bass, hip-hop and dubstep. The dubstep style of the record has been acknowledged in tracks by Tek-One and Skrillex while the hip-hop elements are found in Travis McCoy's remix of "Chelsea Smile".

Did they release any singles for the album?

IN: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity.

Sun Ra's world view was often described as a philosophy, but he rejected this term, describing his own manner as an "equation" and saying that while philosophy was based on theories and abstract reasoning, his method was based on logic and pragmatism. Many of the Arkestra cite Sun Ra's teachings as pivotal and for inspiring such long-term devotion to the music that they knew would never make them much money. His equation was rarely (if ever) explained as a whole; instead, it was related in bits and pieces over many years, leading some to doubt that he had a coherent message. However, Martinelli argues that, when considered as a whole, one can discern a unified world view that draws upon many sources, but is also unique to Sun Ra, writing: Sun Ra presents a unified conception, incorporating music, myth, and performance into his multi-leveled equations. Every aspect of the Sun Ra experience, from business practices like Saturn Records to published collections of poetry to his 35-year career in music, is a manifestation of his equations. Sun Ra seeks to elevate humanity beyond their current earthbound state, tied to outmoded conceptions of life and death when the potential future of immortality awaits them. As Hall has put it, "In this era of 'practical' things men ridicule even the existence of God. They scoff at goodness while they ponder with befuddled minds the phantasmagoria of materiality. They have forgotten the path which leads beyond the stars." He drew on sources as diverse as the Kabbalah, Rosicrucianism, channeling, numerology, Freemasonry, Ancient Egyptian Mysticism, and black nationalism. Sun Ra's system had distinct Gnostic leanings, arguing that the god of most monotheistic religions was not the creator god, not the ultimate god, but a lesser, evil being. Sun Ra was wary of the Bible, knowing that it had been used to justify slavery. He often re-arranged and re-worded Biblical passages (and re-worked many other words, names, or phrases) in an attempt to uncover "hidden" meanings. The most obvious evidence of this system was Ra's practice of renaming many of the musicians who played with him. Bassoonist/multireedist James Jacson had studied Zen Buddhism before joining Sun Ra and identified strong similarities between Zen teachings and practices (particularly Zen koans) and Ra's use of non sequiturs and seemingly absurd replies to questions. Drummer Art Jenkins admitted that Sun Ra's "nonsense" sometimes troubled his thoughts for days until inspiring a sort of paradigm shift, or profound change in outlook. Drummer Andrew Cyrille said Sun Ra's comments were "very interesting stuff... whether you believed it or not. And a lot of times it was humorous, and a lot of times it was ridiculous, and a lot of times it was right on the money." Some of Sun Ra's songs with words featured lyrics that although simple, were inspirational and philosophical. The most famous example was "Space Is the Place!" Another example was the song that went, "You made a mistake. You did something wrong. Make another mistake, and do something right!" Sometimes (typically at the end of a set) the entire Arkestra snaked out through the audience, playing and chanting something like this.

What were Sun Ra's teachings?

OUT:
Sun Ra presents a unified conception, incorporating music, myth, and performance into his multi-leveled equations.