Problem: Build a movie plot around this: How does Verne attack the creature? Shoots it twice with a rifle

A: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (February 2016) (Learn how and when to remove this template message)Tracking two lost lumberjacks through the night, a rescue team nearly follows a hound over a cliff. Two men rappel down to retrieve the fallen hound, but they are killed. The third, hearing screams down below, rappels down to investigate where he finds his teammates dead and is killed by an unseen creature.Dr. Robert Verne (Robert Foxworth) is fed up with dealing with the squalor of city tenements, where he feels he isn't making a difference. He accepts a job from the Environmental Protection Agency to write a report on a logging operation near the Androscoggin River in Maine. The loggers are in a dispute with the local American Indian "Opies" (i.e., "O.P.s"), the original people. Dr. Verne's wife Maggie (Talia Shire) accompanies him on the trip. She is pregnant, but is apprehensive to tell her husband as he against having children. When flying in, they meet Travis Nelson (Burke Byrnes) and his two children Paul and Kathleen who are embarking on a trek into the wilderness. They also meet paper mill director Bethel Isely (Richard A. Dysart), who is to be their host. He tells them about his missing rescue team and lays the blame at Opies. The latter have their own explanation; Katahdin, a vengeful spirit of the forest that has been awakened by the activities of the loggers, which Isely describes as "larger than a dragon with the eyes of a cat". As Isely drives the couple to their cabin, their path is barred by a party of Opies who refuse to let Isely's people pass and a fight ensues between the leader of the Opies John Hawks (Armand Assante) and Kelso (Everett Creach), one of Isely's heavies. The heavy is armed with a chainsaw while Hawks has only a double-bit axe. The scuffle ends with Hawks laid on the ground with the chainsaw nearly at his throat, causing the Opies to relent and let the...

Problem: Given the question: Build a movie plot around this: Who is Nicola's right hand man? Killer #2
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The answer is:
In a hyperreal, hyper-saturated, hyper-driven dystopia, guns are banned upon pain of death and the sword is now king.Nicola the Woodcutter is the most powerful man east of the Atlantic, a shadowy crime boss who rules with an iron fist with the help of his lady Alexandra, a femme fatale with a secret past, and nine diverse assassins and the Red Gang, a force not to be trifled with. His right-hand man is Killer #2, a cold-hearted, smooth-talking, toe-tapping murderer dressed in red and wielding a deadly blade without remorse. The citizens live in fear of this pack of wolves, and wait for the hero who can overthrow the tyrant.One night, a mysterious drifter walks into the Horseless Horseman Saloon of the local insurgent bartender and desires two things: a shot of whisky and to kill Nicola. Soon, another stranger enters the bar, a samurai named Yoshi. Yoshi wants to avenge his father by taking back a talisman that Nicola stole from his clan. Armed with crossed destinies and incredible fighting skills and guided by the wisdom of the bartender, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola and set out on a journey, breaking bones and cracking heads in search for Nicola.In an amalgam of samurai film, spaghetti western and chop socky and using a stylish blend of neo-noir, German expressionism and Russian futurism, characters in the world of Bunraku spin and ricochet against a backdrop that resembles a pop-up-book made of origami, ever-changing and whirring like a steam driven Victorian theatre set. It is a universe driven by pugilistic force, delivered in a brash style of amazing physical combat sequences.

input question: Build a movie plot around this: What flowered between Amit and Chandni? An eloquent love???
output answer: Far away from suspicions and self-love, somewhere close, very close to trust. Heart woke up with a mirage that she loves me.Is it love or a dream?Amit's dream - the sequence of dreams, the sequence of love. One face, one hope, one smile. A search, a poignancy, a happiness, the world, a voice, a song. One dream, one illusion, one faith.Everything merged into a face - a face called Chandni. Chandni and Amit, between them flowered an eloquent love - the music vibrated. Both set out step by step on a journey as co-travellers, but the idyll did not last.Amit approached Shobha to wipe her tears, gave up all his happiness. Now he had nothing except live embers of memories. Every heart beat of Amit was coaxing him to remember some and forget the others. Shobha had stepped into his life. Shobha - silence personified, a summit, a worship. She was not a dream but a reality - truth, a faith.Amit, Shobha and Chandni were not just three names - but three directions, three human beings bound by love - three facets of love. Dreams of these three were scattered by the mists of life.What does it matter if some dream ends in a calamity?Time cannot minimise the intensity of feelings, distance does not strangle self-awareness. Down memory lane, the happenings of the past, on deserted paths, the forgotten promises. How can one recall?The sequence of memories began pulsating in one's veins. Each one now lived a cloistered life - some for himself, some for others. Their decisions were dwarfed by high walls of rumination. Society imposed its own barriers. Time brooding between the past and future stood up on uncertain legs and the three of them became aware of man's insignificance- in keeping with the world's negation from beginning to end.Only love implies mutual trust.It is a never-ending sequence

[Q]: Build a movie plot around this: Whose fingers get cut off by a slamming door? Emory.
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[A]:
Red Rose is Stephen King's take on the often repeated story of an academic taking a group of people into a haunted house to see what makes it tick and then suddenly bad things start to happen.In this case the house is an early 20th Century behemoth in Seattle named "Red Rose" built by industrialist John P. Rimbauer (John Procaccino) for his new wife Ellen(Julia Campbell). In a flashback, we see that while the house was under construction John takes Ellen on a world tour. When she gets deathly sick in Africa, Ellen is nursed back to heath by local woman, Sukeena (Tsidii Leloka), who Ellen brings back with her as her maid to the couple's new home in Seattle.Red Rose seems like it has a bad nature from the beginning. A foreman is murdered during construction and Ellen and John's five year-old daughter mysteriously disappears without a trace. Later John himself commits suicide by throwing himself out a window at the top of Red Rose's tallest tower.Over the years a number of men are killed in the house and a larger number of women simply disappear. Ellen continues to add rooms to the rambling mansion throughout her life until she also disappears mysteriously in 1950s. The Rimbauer family continues to own the house, though their fortunes decline and they are forced to support it with public tours until too many of the tourists go mysteriously missing on the property.The film story starts properly in modern times when our academic, Professor Joyce Reardon, (Nancy Travis), decides that she is going to use Red Rose to prove that psychic phenomena is real. She is dating Steve Rimbauer (Matt Keeslar), the last of the family. He has decided to tear the place down and put up condos, but he will let Joyce have a weekend to prove her theories before the wrecking ball moves in on it.Reardon thinks that by bringing a collection of psychically active people to the house she can reactive what she calls a "dead cell" and get the readings she needs on her scientific equipment to prove her theories. To that end she recruits Emery...