QUES: In 1966, Shmuel Yosef Agnon shared the Nobel Prize in Literature with German Jewish author Nelly Sachs. Leading Israeli poets have been Yehuda Amichai, Nathan Alterman and Rachel Bluwstein. Internationally famous contemporary Israeli novelists include Amos Oz, Etgar Keret and David Grossman. The Israeli-Arab satirist Sayed Kashua (who writes in Hebrew) is also internationally known.[citation needed] Israel has also been the home of two leading Palestinian poets and writers: Emile Habibi, whose novel The Secret Life of Saeed the Pessoptimist, and other writings, won him the Israel prize for Arabic literature; and Mahmoud Darwish, considered by many to be "the Palestinian national poet." Darwish was born and raised in northern Israel, but lived his adult life abroad after joining the Palestine Liberation Organization.[citation needed]

Shmuel Yosef Agnon shared the Nobel Prize with who in 1966?
What is the answer?
ANS: Nelly Sachs
QUES: Further along these lines, The ethical problems brought up by IP rights are most pertinent when it is socially valuable goods like life-saving medicines are given IP protection. While the application of IP rights can allow companies to charge higher than the marginal cost of production in order to recoup the costs of research and development, the price may exclude from the market anyone who cannot afford the cost of the product, in this case a life-saving drug. "An IPR driven regime is therefore not a regime that is conductive to the investment of R&D of products that are socially valuable to predominately poor populations".:11089

Who might a higher price exclude from the market?
What is the answer?
ANS: anyone who cannot afford the cost of the product
QUES: The MPEG-1 standard does not include a precise specification for an MP3 encoder, but does provide example psychoacoustic models, rate loop, and the like in the non-normative part of the original standard. At present, these suggested implementations are quite dated. Implementers of the standard were supposed to devise their own algorithms suitable for removing parts of the information from the audio input. As a result, there are many different MP3 encoders available, each producing files of differing quality. Comparisons are widely available, so it is easy for a prospective user of an encoder to research the best choice. An encoder that is proficient at encoding at higher bit rates (such as LAME) is not necessarily as good at lower bit rates.

What were implementers of the standard supposed to devise?
What is the answer?
ANS:
their own algorithms