Some context: Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
Following Communication, Womack's profile was raised with two more albums, released in 1972. The first was Understanding, noted for the track "I Can Understand It", later covered by the funk band New Birth and a three-sibling lineup of Bobby's old group, the Valentinos, and two hit singles, "Woman's Gotta Have It" and "Harry Hippie". The latter song was written for Womack by Jim Ford in a country version, which Womack re-arranged in an R&B version. "Harry Hippie" later became Womack's first single to be certified gold. "Woman's Gotta Have It" became Womack's first single to hit number one on the R&B charts. Another hit album released after Understanding was the soundtrack to the blaxploitation film Across 110th Street. The title track became popular during its initial 1972 release and later would be played during the opening and closing scenes of the 1997 film, Jackie Brown. In 1973, Womack released another hit album, Facts of Life, and had a top 40 hit with "Nobody Knows You When You're Down and Out," an older song Sam Cooke had done years before. In 1974, Womack released his most successful single during this period with a remake of his first hit single, "Lookin' for a Love". His solo version of the song became even more successful than the original with the Valentinos, becoming his second number one hit on the R&B chart and peaking at number ten on the Billboard Hot 100, becoming his only hit to reach that high on the pop chart. The song was featured on the album Lookin' for a Love Again and featured the minor charted "You're Welcome, Stop on By", later covered by Rufus & Chaka Khan. Womack's career began stalling after Womack received the news of his brother Harry's death. Womack continued to record albums with United Artists through 1975 and 1976 but with less success than previous albums. In 1975, Womack collaborated with Rolling Stones member Ronnie Wood, on Wood's second solo album, Now Look. Womack languished with his own recordings during the late 1970s but continued to be a frequent collaborator with other artists, most notably Wilton Felder of the Crusaders. In 1980, Wilton Felder released on MCA Records, the album Inherit The Wind, featuring Bobby Womack, that became a jazz-funk classic, notably in the UK - Robbie Vincent at Radio London included the track as one of his all-time winners in October 1982. In 1981, Womack signed with Beverly Glen Records and had his first R&B top 10 single in five years - since the 1976 single "Daylight" - with "If You Think You're Lonely Now" that peaked at number three on the R&B singles chart. His accompanying album The Poet reached number one on the R&B album charts and is now seen as the high point of his long career, bringing him wider acclaim not only in the U.S. but also in Europe. He had two more R&B top 10 singles during the 1980s including the Patti LaBelle duet, "Love Has Finally Come at Last", and "I Wish He Didn't Trust Me So Much". He had a hit featuring on the Wilton Felder single "(No Matter How High I Get) I'll Still Be Looking Up to You".
Did he collaborate with anyone else?
A: Wilton Felder single "(No Matter How High I Get) I'll Still Be Looking Up to You".

Some context: Cudi was born Scott Ramon Seguro Mescudi on January 30, 1984, in Cleveland, Ohio, and grew up in Shaker Heights and Solon. He is the youngest of four children, with two brothers, Domingo and Dean, and a sister, Maisha. His mother, Elsie Harriet (Banks), is a middle-school choir teacher at Roxboro Middle School in Cleveland Heights, Ohio. His father, Lindberg Styles Mescudi, was a house painter, substitute teacher and World War II Air Force veteran.
Kid Cudi's musical style has been described as "an atmospheric take on melodic rap, with a dollop of charming, off-key singing". He has also been called "introspective, with the ability to lay his insecurities on record and expose his fallibility." In 2015, Kris Ex of Billboard, wrote "he's always been an emotional artist, dealing with expansive and nebulous feelings in acute and often destructive ways." Kid Cudi's sound is what inspired and led Kanye West to create his cathartic 808s & Heartbreak (2008), with West later stating that he and Cudi were "the originators of the style, kinda like what Alexander McQueen is to fashion.... Everything else is just Zara and H&M." West also complimented Cudi by saying, "His writing is just so pure and natural and important." In March 2014, Cudi talked about wanting to provide guidance for young listeners with his music: "my mission statement since day one [...] all I wanted to do was help kids not feel alone, and stop committing suicide." In a 2013 article for The BoomBox, the author wrote: "On [A Kid Named Cudi], Cudi raps and croons over samples and interpolations of Gnarls Barkley, Paul Simon, Band of Horses, J Dilla, Nosaj Thing, N.E.R.D. and Outkast. He melded indie rock, electronica and dubstep seamlessly with hip-hop without pandering or reaching. Before Drake broke through with 2009's So Far Gone, rapping and singing over Swedish indie poppers Lykke Li and Peter Bjorn and John, Cudi tweaked with multi-genre covers and seamless transitions between singing and rapping." In a 2009 interview with HipHopDX, when speaking on his debut album Cudi stated: "Well one thing I wanted to do was combine sounds that really bring out intense moods." Kid Cudi's music has also been described as trip hop. Furthermore, he is known for harmonizing and humming in his music, which helps formulate his signature sound. On 2011's WZRD and 2015's Speedin' Bullet 2 Heaven, Cudi incorporated the use of screamed vocals, and can be heard yodeling on his 2016 album Passion, Pain & Demon Slayin'. Throughout the years he has also incorporated elements of psychedelia, R&B, electronica, synthpop and grunge, in his music.
How did they influence his style?
A:
Outkast. He melded indie rock, electronica and dubstep seamlessly with hip-hop without pandering or reaching.