Article: Jones comments that "Chopin's unique position as a composer, despite the fact that virtually everything he wrote was for the piano, has rarely been questioned." He also notes that Chopin was fortunate to arrive in Paris in 1831"the artistic environment, the publishers who were willing to print his music, the wealthy and aristocratic who paid what Chopin asked for their lessons"and these factors, as well as his musical genius, also fuelled his contemporary and later reputation. While his illness and his love-affairs conform to some of the stereotypes of romanticism, the rarity of his public recitals (as opposed to performances at fashionable Paris soirees) led Arthur Hutchings to suggest that "his lack of Byronic flamboyance [and] his aristocratic reclusiveness make him exceptional" among his romantic contemporaries, such as Liszt and Henri Herz.

Question: Who were two of Chopin's contemporaries?
Ans: Liszt and Henri Herz

Article: The modern Conservative Party was created out of the 'Pittite' Tories of the early 19th century. In the late 1820s disputes over political reform broke up this grouping. A government led by the Duke of Wellington collapsed amidst dire election results. Following this disaster Robert Peel set about assembling a new coalition of forces. Peel issued the Tamworth Manifesto in 1834 which set out the basic principles of Conservatism; the necessity in specific cases of reform in order to survive, but an opposition to unnecessary change, that could lead to "a perpetual vortex of agitation". Meanwhile, the Whigs, along with free trade Tory followers of Robert Peel, and independent Radicals, formed the Liberal Party under Lord Palmerston in 1859, and transformed into a party of the growing urban middle-class, under the long leadership of William Ewart Gladstone.

Question: What was the modern Conservative party created from?
Ans: the 'Pittite' Tories

Article: Jerusalem with its many holy places probably had the highest concentration of mosaic-covered churches but very few of them survived the subsequent waves of destructions. The present remains do not do justice to the original richness of the city. The most important is the so-called "Armenian Mosaic" which was discovered in 1894 on the Street of the Prophets near Damascus Gate. It depicts a vine with many branches and grape clusters, which springs from a vase. Populating the vine's branches are peacocks, ducks, storks, pigeons, an eagle, a partridge, and a parrot in a cage. The inscription reads: "For the memory and salvation of all those Armenians whose name the Lord knows." Beneath a corner of the mosaic is a small, natural cave which contained human bones dating to the 5th or 6th centuries. The symbolism of the mosaic and the presence of the burial cave indicates that the room was used as a mortuary chapel.

Question: When was the Armenian Mosaic re-discovered?
Ans: 1894

Article: Until the death of Sigismund II Augustus, the last king of the Jagiellonian dynasty, monarchs could be elected from within only the royal family. However, starting from 1573, practically any Polish noble or foreigner of royal blood could become a PolishLithuanian monarch. Every newly elected king was supposed to sign two documentsthe Pacta conventa ("agreed pacts")a confirmation of the king's pre-election promises, and Henrican articles (artykuy henrykowskie, named after the first freely elected king, Henry of Valois). The latter document served as a virtual Polish constitution and contained the basic laws of the Commonwealth:

Question: After 1573 who could become a polish-lithuanian monarch?
Ans:
any Polish noble or foreigner of royal blood