(Question)
Creating a self portrait is not your typical selfie! When I taught in the traditional classroom, creating self portraits was something I had students do whether they were four or nine. In fact, I'd have them draw one on the first day of school and one toward the end of the year and to see the change over time was always so interesting. At least once during the year, likely toward the beginning, I would center a lesson around self portraits. In younger classes, there would be more than one. Creating a self portrait teaches students to be aware of themselves. Where is her head in relation to her body? Where are her feet in relation to her legs? It also teaches children spatial awareness. Where should he beginwith his feet or with his head? Where on the paper should his head be placed? How far down should his arms go? How can his whole body fit on a single piece of paper? A Lesson on Creating Self Portraits Whether you are in a classroom, or teaching a child at home, here is a simple lesson on creating self portraits geared toward young children, anywhere from age 2 through age 6. Keep in mind that their final product will show various levels of writing development, depending on what stage of writing they are in. (Basically, a two-year-old's drawing should look very different than that of a five-year-old.) The teacher will need to model how to draw a self portrait. Gather the children around an easel or board and clip a paper to it. Narrate the process as you walk through the steps. "I am going to draw a picture of myself. I am going to start with my head." Use your hands to show your actual head on yourself so students are aware of what you talking about. The visuals also help English Language Learners (if you're teaching in an English speaking classroom.) and build vocabulary for all students. What activity does the author describe broken down into stages? - How to teach about self portraits. - not enough information - How to teach English Language Learners - How to draw a self portrait.
(Answer)
How to draw a self portrait.

(Question)
That day, my mother picked me up from school, wearing the yellow sundress and shawl I remembered from our trip with Father the year before. She looked just like she did most days back then--a glamour queen, a movie star ("Just like Lena Horne," my friend Chloe had once said, "only darker--oh, sorry, Leah!"), but today her beauty somehow had a harder, more defiant edge to it. I could smell the expensive Dior perfume as soon as I opened the door, which surprised me, because my mom was usually fastidious about not getting perfume on her clothes. She was wearing her bug glasses--huge dark things with lenses that bulged out like fly eyes and reflected my face like a fun-house mirror. She had tied a yellow silk scarf around her hair and was taking deep pulls on a cigarette held between two immaculately manicured fingers. Only I knew about the nicotine stains she carefully covered with her special order "forest sable" cream each morning. Tiffany, a stupid but vicious senator's daughter who I had the misfortune of sharing a classroom with, suddenly dashed from inside the school, her face flushed. "Hello, Mrs. Wilson," she called. Before my mother could respond, she giggled and ran back to three of her friends waiting beyond the door. I could hear them laughing, but I was glad I couldn't understand their words. They were all fascinated with my mother--the black housekeeper who dressed like Katharine Hepburn and drove a Cadillac, whose daughter's "light toffee" skin indicated that she might just like her coffee with a lot of cream. Sometimes I hated those girls. "Get in the car, Leah," my mother said. Her already husky voice was pitched low, as though she'd been crying. That made me nervous. Why was she here? "Ma, Chloe was going to show me her dad's new camera. Can't I go home on the bus?" My mom pulled on the cigarette until it burned the filter, and then ground it into the car ashtray--already filled with forty or so butts. She always emptied out the ashtray each evening. Who was Tiffany? - A friend - A bully - not enough information - A daughter of somebody important
(Answer)
A daughter of somebody important

(Question)
There is no hiding from the impact agenda. The impact weighting of the Research Excellence Framework has been increased for 2021, and more recently the UK Government announced a new funding stream for knowledge exchange. But achieving impact isn't easy, especially for researchers early in their careers. If you ever have a spare week, or ten, it's worth reading through some of the 6,637 REF impact case studies on the HEFCE website. There are some brilliant and fascinating examples of how researchers have achieved impact, but what strikes me most is how different impact looks across different subjects. At the risk of being flippant, among many of the medical or technological examples there is a familiar pattern and a clear route to impact: make breakthrough; license drug/technology; save lives/millions. For social and political science (not to mention economics, languages, education, philosophy, etc.) the route to impact is much more fragmented. Among the 97 sociology case studies, for example, impact comes from numerous briefings of government officials and parliamentarians, before the academics join "networks" and "committees" discussing their research and wider issues. Their research is covered by national media, they meet even more people practitioners or third sector campaigning organisations to pass on their knowledge. And, after all that, and often a good deal more, sometimes there is a policy or practice change that can be pointed to as a direct impact, sometimes not. Central to much of the impact is "access". Prominent and experienced academics are more likely to get on the committees, know the right journalists and government officials, and have links into third sector organisations, etc. I worked with Professor Sir John Curtice, of election night fame, for a number of years. He didn't need much support. I advised and facilitated, but after 30 years in the game he knew Whitehall (and Holyrood) inside and out and they knew him. But many researchers, especially at the start of their careers, don't... What is probably true about the author? - not enough information - he doesn't care about the agenda of the research community - he doesn't believe the impact agenda can be beaten - he does believe the impact agenda can be beaten
(Answer)
he doesn't believe the impact agenda can be beaten