In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
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Question: Passage: A professor at a college in California, Dr. Peter Proud, begins to have recurring dreams. In one nightmare, Proud appears to see a man murdered by a woman in a rowboat while he is swimming naked. The murdered man repeatedly cries, "Marcia, don't!"
Proud is haunted by his dreams and seeks medical treatment. He attends a "sleep lab" to try to decipher his dreams. However, the dreams do not register as being dreams; in fact, they do not register at all. One evening while watching television, several of his "visions" play out before him on a local documentary entitled "The Changing Face of America". He sees the arch and the church that have been dominating his dreams, and calls the television station to discover the location. Upon learning that the location of his "visions" is in Massachusetts, Proud and his girlfriend Nora travel there. In Massachusetts, the couple drive from town to town, but are unsuccessful until they arrive in Springfield. It is here that Proud begins to see familiar sights from his dreams, such as the bridge, the church, the Puritan statue, and others. Eventually, Peter locates Marcia, the mystery woman from his nightmares, and befriends her daughter Ann at a local country club.
Marcia is suspicious of Peter and curious about his motives and how he knows so much about her life. Ann and Peter eventually fall in love, to Marcia's disapproval, when she is made aware that Peter Proud is a reincarnation of her deceased husband.
Peter had discovered earlier that by re-enacting his dreams, he would stop having that particular dream/vision. The Lake Dream was his last nightmare to be conquered. The film ends as Peter Proud is drawn to the lake where the original crime was committed years ago, and suffers the same fate he did in his previous life.
Question: What is the first name of the person that the mystery woman from Peter's nightmares is suspicious of?

Answer: Peter.

Question: Passage: Filmmaker Adam Green begins a documentary about artwork that features monsters. Green is surprised when William Dekker, a retired police officer, contacts him and claims to have proof of the existence of monsters. Green's wife reacts skeptically, but he reworks his documentary to focus on Dekker and his efforts to expose the monsters' underground home, which he calls "The Marrow". Green interviews Dekker at his house, who claims that he has seen many monsters and identified some of them through sketches. Dekker mentions his son once but diverts from the topic when Green inquires. The shooting crew of Green and his cameraman wait at the Marrow's entrance; a dug-up hole in the cemetery in the woods. On the first night they do not see anything although Dekker keeps claiming that he could see one of the monsters.
Question: What does the person contacted by the police officer do for a living?

Answer: Filmmaker.

Question: Passage: Blender described Jackson as the "late 20th century's preeminent pop icon", while The New York Times gave the opinion that he was a "musical phenomenon" and that "in the world of pop music, there is Michael Jackson and there is everybody else". Jackson changed the way the industry functioned: both as an artistic persona and as a financial, profitable entity. His attorney John Branca observed that Jackson achieved the highest royalty rate in the music industry to that point: approximately $2 (US$4.82 in 2018 dollars) for each album sold.
As a result, Jackson earned record-breaking profits from compact disc sales and from the sale of copies of the documentary, The Making of Michael Jackson's Thriller, produced by Jackson and John Landis. Funded by MTV, the film sold over 350,000 copies in its first few months. In a market then driven by singles, Thriller raised the significance of albums, yet its multiple hit singles changed perceived notions as to the number of successful singles that could be taken from an individual album. The era saw the arrival of novelties like the Michael Jackson doll, that appeared in stores in May 1984 at a price of $12 (US$29 in 2018 dollars). Thriller retains a position in American culture; biographer J. Randy Taraborrelli explains, "At some point, Thriller stopped selling like a leisure itemlike a magazine, a toy, tickets to a hit movieand started selling like a household staple".At the time of the album's release, a press statement from Gil Friesen, the then President of A&M Records, read that, "The whole industry has a stake in this success". Time magazine speculated that "the fallout from Thriller has given the [music] business its best years since the heady days of 1978, when it had an estimated total domestic revenue of $4.1 billion". Time summed up Thriller's impact as a "restoration of confidence" for an industry bordering on "the ruins of punk and the chic regions of synthesizer pop". The publication described Jackson's influence at that point as, "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too".
Question: What was the name of the documentary Jackson and Landis produced on together?

Answer:
The Making of Michael Jackson's Thriller.