Problem: Background: Broadmoor Hospital is a high-security psychiatric hospital at Crowthorne in Berkshire, England. It is the best known and oldest of the three high-security psychiatric hospitals in England, the other two being Ashworth Hospital near Liverpool and Rampton Secure Hospital in Nottinghamshire. The Broadmoor complex houses about 210 patients, all of whom are men since the female service closed in September 2007, with most of the women moving to a new service in Southall and the remainder moving to Rampton and elsewhere. At any one time there are also approximately 36 patients on trial leave at other units.
Context: Much of Broadmoor's architecture is still Victorian, including the Grade 1 listed gatehouse, which has a clock tower. Following long-standing reports that the old buildings were unfit for purpose (for therapy or safety), planning permission was granted in 2012 for a PS242 million redevelopment, involving a new unit comprising 10 wards to adjoin the existing 6 wards of the modern Paddock Unit, resulting in total bed numbers of 234. Building company Kier reported in 2013 a sum of PS115m for the new unit of 162 beds, ready to accept patients by the start of 2017, and PS43m for a separate new medium secure unit for men nearby.[1][2][3][4][5] A new unit called the Paddock Centre already opened on 12 December 2005 to contain and treat patients classed as having a 'dangerous severe personality disorder' (DSPD). This was a new and much debated category invented on behalf of the UK government, based on an individual being considered a 'Grave and Immediate Danger' to the general public, and meeting some combination of criteria for personality disorders and/or high scores on the Hare Psychopathy Check list - Revised. The Paddock Centre was designed to eventually house 72 patients, but never opened more than four of its six 12-bedded wards. The Dept of Health and Ministry of Justice National Personality Disorder Strategy published in October 2011 concluded that the resources invested in the DSPD programme should instead be used in prison based treatment programmes and the DSPD service at Broadmoor was required to close by 31 March 2012. The patients were transferred either back to prison, on to medium secure units to continue treatment, on to the residual national DSPD service at the Peaks Unit in Rampton, or to elsewhere in Broadmoor in the Personality Disorder directorate. The Paddock now, in 2013, provides general admission wards and high dependency wards for both the mental illness and personality disorder directorates, and all 72 beds are in use.
Question: What other wings were in the buildings?
Answer: The Paddock now, in 2013, provides general admission wards and high dependency wards for both the mental illness and personality disorder

Problem: Background: Mortimer was born in Hampstead, London, the only child of Kathleen May (nee Smith) and Clifford Mortimer, a barrister who became blind in 1936 when he hit his head on the door frame of a London taxi but still pursued his career. Clifford's loss of sight was not acknowledged openly by the family. John Mortimer was educated at the Dragon School in Oxford and Harrow School, where he joined the Communist Party, forming a one-member cell. Originally Mortimer intended to be an actor (his lead role in the Dragon's 1937 production of Richard II gained glowing reviews in The Draconian) and then a writer, but his father persuaded him against it, advising: "My dear boy, have some consideration for your unfortunate wife...
Context: Mortimer was called to the Bar (Inner Temple) in 1948, at the age of 25. His early career consisted of testamentary and divorce work, but on taking silk in 1966, he began to undertake work in criminal law. His highest profile, though, came from cases relating to claims of obscenity, which, according to Mortimer, were "alleged to be testing the frontiers of tolerance." He has sometimes been incorrectly cited as a member in the Lady Chatterley's Lover obscenity trial defence team, though this is inaccurate. Mortimer did however successfully represent publishers John Calder and Marion Boyars in their 1968 appeal against their conviction for publishing Hubert Selby, Jr.'s Last Exit to Brooklyn. He assumed a similar role three years later, this time unsuccessfully, for Richard Handyside, the English publisher of The Little Red Schoolbook. Mortimer was also defence counsel at the Oz conspiracy trial later in 1971. In 1976, he defended Gay News editor Denis Lemon (Whitehouse v. Lemon) for the publication of James Kirkup's "The Love that Dares to Speak its Name" against charges of blasphemous libel; Lemon was convicted with a suspended prison sentence, later overturned on appeal. His defence of Virgin Records in the 1977 obscenity hearing for their use of the word bollocks in the title of the Sex Pistols album Never Mind the Bollocks, Here's the Sex Pistols, and the manager of the Nottingham branch of the Virgin record shop chain for the record's display in a window and its sale, led to the defendants' being found not guilty. Mortimer retired from the bar in 1984.
Question: What was the case about?
Answer: he defended Gay News editor Denis Lemon (Whitehouse v. Lemon) for the publication of James Kirkup's "The Love that Dares to Speak its Name"

Problem: Background: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.
Context: Since 1999, Akita has used computers in his recordings, having first acquired a Macintosh to work on art for the Merzbox. Also at this time he began referring to his home studio as "Bedroom, Tokyo". At live performances, Akita has produced noise music from either two laptop computers or combination of a laptop and analog synthesizers/guitar pedals. Reiko A. and Bara left Merzbow during this time, Reiko Azuma now has a solo career. Since 2001, Jenny Akita (nee Kawabata) started being credited for artwork on various releases. Since 2001, Akita started utilising samples of animal sounds in various releases starting with Frog. Around 2002, Akita became a vegan, he stated how it began: I started raising four bantams, the little ornamental chickens. With this experience as a start, I gradually started to be concerned and care about chickens and all the barn animals I used to eat without giving it a second thought before. So I started reading books and researching on the internet about Animal Rights and that triggered an awareness of "evil" that human society has done. During this period, Akita also became a supporter of PETA which is reflected in his animal-themed releases. An example of this is Minazo Vol. 1 and Vol. 2, dedicated to an elephant seal he visited often at the zoo and Bloody Sea, a protest against Japanese whaling. He has also produced several works centered around recordings of his pet chickens (notably Animal Magnetism and Turmeric). Also in 2002, Akita released Merzbeat, which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to Aqua Necromancer (1998) which features samples of progressive rock drumming. Merzbird (2004) and Merzbuddha (2005) followed in a similar vein with sampled beats combined with Merzbow's signature harsh noise.
Question: Do people enjoy his music?
Answer:
credited for artwork on various releases.