input: In November 1947, Lawton was sold to Notts County of the Third Division South for a British record transfer fee of PS20,000 (equivalent to PS718,100 in 2016). He made the surprise decision to drop down two divisions so as to be reunited with manager Arthur Stollery, his former masseur and friend at Chelsea, and because he was promised a job outside of football upon his retirement by vice-chairman Harold Walmsley. Walmsley told the Nottingham Guardian Journal that "we are prepared to spend to the limit to put this old club back where it belongs". He scored two goals on his home debut, a 4-2 win over Bristol Rovers in front of 38,000 spectators at Meadow Lane - a huge increase on previous home games of typically 6,000 to 7,000 supporters. He ended the 1947-48 season with 24 goals in as many games, though was resented by the club's directors after he insisted on pay rises for his teammates and stopped the practice of director's friends and family travelling to away games on the team coach. He formed a productive forward partnership with Jackie Sewell in the 1948-49 campaign, and scored 23 goals in 40 league and cup appearances. County finished in mid-table despite scoring 102 goals, 15 more than champions Swansea. Stollery was sacked and upon Lawton's suggestion the club appointed Eric Houghton as manager after Lawton turned down the role as player-manager. Lawton and Sewell's understanding grew throughout the 1949-50 campaign, and Lawton finished as the division's top-scorer with 31 goals in 37 league games as County won promotion as champions, seven points ahead of second-placed Northampton Town. Promotion was secured with a 2-0 win over local rivals Nottingham Forest at Meadow Lane on 22 April. However he struggled with poor form during the 1950-51 season as his first marriage was coming to an end and he came into increasing conflict with his teammates. He was angered when the club sold Jackie Sewell to Sheffield Wednesday in March 1951 - breaking Lawton's own transfer record in the process - as he felt the move showed a lack of ambition from the club's directors. He also found that the well paid job he was promised outside of football did not transpire. His tally of nine goals in 31 games in 1950-51 and 13 goals in 31 games in 1951-52 was disappointing, and he was made available for transfer.

Answer this question "Why was his marriage ending?"
output: He was angered when the club sold Jackie Sewell to Sheffield Wednesday in March 1951 - breaking Lawton's own transfer record in the process -

input: Although the song does not technically contain a theremin, "Good Vibrations" is the most frequently cited example of the instrument's use in pop music. Upon release, the single prompted an unexpected revival in theremins and increased the awareness of analog synthesizers. The notion that "Good Vibrations" features a theremin has been erroneously repeated in books, CD liner notes, and quotes from the recording's participants. While having a similar sound, a theremin is an aerial-controlled instrument, unlike the Electro-Theremin. When the Beach Boys needed to reproduce its sound onstage, Wilson first requested that Tanner play the Electro-Theremin live with the group, but he declined due to commitments. Tanner recalls saying to Wilson, "I've got the wrong sort of hair to be on stage with you fellas", to which Wilson replied: "We'll give you a Prince Valiant wig." The Beach Boys then requested the services of Walter Sear, who asked Bob Moog to design a ribbon controller, since the group was used to playing the fretboards of a guitar. Sears remembers marking fretboard-like lines on the ribbon "so they could play the damn thing." Moog began manufacturing his own models of theremins. He later noted: "The pop record scene cleaned us out of our stock which we expected to last through Christmas." In Steven M. Martin's 1993 documentary Theremin: An Electronic Odyssey, in which Wilson makes an appearance, it was revealed that the attention being paid to the theremin due to "Good Vibrations" caused Russian authorities to exile its inventor, Leon Theremin.

Answer this question "did it become popular?"
output:

input: The Osmond Brothers' career began in 1958 when Alan, Wayne, Merrill and Jay began singing barbershop music for local audiences in and around Ogden. In their made-for-TV movie Inside the Osmonds, they explain that they originally performed to earn money to support Virl and Tom in buying hearing aids and serving missions for the church. Despite their young ages (Alan was 9, Wayne 7, Merrill 5, and Jay 3) and within a few years, the boys' talent and stage presence were strong enough that their father, George Osmond, took them to audition for Lawrence Welk in California. Welk was unable to meet with them, but on the same trip, they visited Disneyland. Tommy Walker, Disneyland's Director of Entertainment and Customer Relations from 1955 to 1966, found the Osmond Brothers singing with The Dapper Dans on Main Street. Walker hired the Osmonds to perform on a segment of "Disneyland After Dark". This episode aired on 4/15/62 and 7/01/62. While the Osmond Brothers were performing on a televised Disney special, Andy Williams's father saw them and was so impressed he told his son to book them for his television show. Andy did, and the Osmond Brothers were regulars on the show from 1962 to 1969, where they earned the nickname "one-take Osmonds" among staff due to their professionalism and tireless rehearsing. Donny soon joined them on the show, making the Osmond Brothers a 5-member group. Marie and Jimmy were also introduced on the show as the years went by. During this time, the Osmonds also toured Europe, performing with Sweden's most popular singer, Lars Lonndahl, and even releasing a single where they sang a Swedish version of "Two Dirty Little Hands" ("Fem smutsiga sma fingrar"). The Andy Williams Show ended its first run in 1967, after which the Osmond Brothers were signed to The Jerry Lewis Show, staying with that show until it was canceled (and, coincidentally, The Andy Williams Show returned for a second run) in 1969. but soon decided they wanted to perform popular music and shed their variety-show image. They wanted to become a rock and roll band. The change was a difficult one for their father, who was suspicious of rock and roll, but he was persuaded and the boys began performing as a pop band. To this end, the Osmonds recorded a single, "Flower Music", for UNI records in 1967. They achieved only modest success at first, but they found fame in 1971.

Answer this question "How did that show do?"
output:
The Andy Williams Show returned for a second run) in 1969.