Some context: Vincent Kennedy McMahon was born on August 24, 1945 in Pinehurst, North Carolina, the younger son of Victoria (Askew) and Vincent James McMahon. His father left the family when McMahon was still a baby and took his elder son Rod with him, therefore McMahon did not meet him until age twelve. McMahon's paternal grandfather was promoter Roderick James "Jess" McMahon, whose parents were Irish emigrants from County Galway. His paternal grandmother, Rose Davis, was also of Irish descent.
McMahon first met the promoter for Capitol Wrestling Corporation, his father Vincent J. McMahon, at the age of 12. At that point, McMahon became interested in following his father's professional wrestling footsteps and often accompanied him on trips to Madison Square Garden. McMahon wanted to be a wrestler, but his father would not let him, explaining that promoters did not appear on the show and should stay apart from their wrestlers. In 1968, McMahon graduated from East Carolina University with a business degree and after a nondescript career as a traveling salesman, he was eager to assume a managerial role in his father's World Wide Wrestling Federation promotion (although the elder McMahon was not thrilled with the idea of his son entering the business). In 1969, McMahon made his debut as an in-ring announcer for the WWWF's All-Star Wrestling. In 1971, he was assigned to a small territory in Maine, where he promoted his first card. He later became the play-by-play commentator for television matches after he replaced Ray Morgan in 1971, a role he regularly maintained until November 1997. Throughout the 1970s, McMahon became the prominent force in his father's company and, over the next decade, assisted his father in tripling TV syndication. He pushed for the renaming of the company to the World Wrestling Federation (WWF). The younger McMahon was also behind the Muhammad Ali versus Antonio Inoki match of 1976. In 1979, the younger McMahon and his wife Linda founded their own company, Titan Sports, which was incorporated in the following year and in 1982 - when McMahon was aged 37 - acquired control of the Capitol Wrestling Co. from his ailing father (who died in May 1984).
Who were some popular wrestlers at the time?
A: The younger McMahon was also behind the Muhammad Ali versus Antonio Inoki match of 1976.
Some context: Jane Jacobs (born Jane Butzner; May 4, 1916 - April 25, 2006) was an American-Canadian journalist, author, and activist who influenced urban studies, sociology, and economics. Her book The Death and Life of Great American Cities (1961) argued that urban renewal did not respect the needs of city-dwellers. It also introduced the sociological concepts "eyes on the street" and "social capital". Jacobs organized grassroots efforts to protect neighborhoods from "slum clearance", in particular Robert Moses' plans to overhaul her own Greenwich Village neighborhood.
In 1935, during the Great Depression, she moved to New York City with her sister Betty. Jane Butzner took an immediate liking to Manhattan's Greenwich Village, which did not conform to the city's grid structure. The sisters soon moved there from Brooklyn. During her early years in the city, Jacobs held a variety of jobs working as a stenographer and freelance writer, writing about working districts in the city. These experiences, she later said, "... gave me more of a notion of what was going on in the city and what business was like, what work was like." Her first job was for a trade magazine as a secretary, then an editor. She sold articles to the Sunday Herald Tribune, Cue magazine, and Vogue. She studied at Columbia University's School of General Studies for two years, taking courses in geology, zoology, law, political science, and economics. About the freedom to pursue study across her wide-ranging interests, she said: For the first time I liked school and for the first time I made good marks. This was almost my undoing because after I had garnered, statistically, a certain number of credits I became the property of Barnard College at Columbia, and once I was the property of Barnard I had to take, it seemed, what Barnard wanted me to take, not what I wanted to learn. Fortunately my high-school marks had been so bad that Barnard decided I could not belong to it and I was therefore allowed to continue getting an education.
Did she graduate?
A:
Some context: Vaslav Nijinsky (also Vatslav; Russian: Vatslav Fomich Nizhinskii; Russian: ['vatsl@f f@'mjitc njI'zinskjIj]; Polish: Waclaw Nizynski; 12 March 1889/1890 - 8 April 1950) was a ballet dancer and choreographer cited as the greatest male dancer of the early 20th century.
Nijinsky spent his summer after graduation rehearsing and then performing at Krasnoe Selo in a makeshift theatre with an audience mainly of army officers. These performances frequently included members of the Imperial family and other nobility, whose support and interest were essential to a career. Each dancer who performed before the Tsar received a gold watch inscribed with the Imperial Eagle. Buoyed by Nijinsky's salary, his new earnings from giving dance classes, and his sister Bronia's employment with the ballet company, the family moved to a larger flat on Torgovaya Ulitsa. The new season at the Mariinsky theatre began in September 1907, with Nijinsky employed as coryphee on a salary of 780 roubles per year. He appeared with Sedova, Lydia Kyasht and Karsavina. Kchessinska partnered him in La Fille Mal Gardee, where he succeeded in an atypical role for him involving humour and flirtation. Designer Alexandre Benois proposed a ballet based upon Le Pavillon d'Armide, choreographed by Fokine to music by Nikolai Tcherepnin. Nijinsky had a minor role, but it allowed him to show off his technical abilities with leaps and pirouettes. The partnership of Fokine, Benois and Nijinsky was repeated throughout his career. Shortly after, he upstaged his own performance, appearing in the Bluebird pas de deux from the Sleeping Beauty, partnering Lydia Kyasht. The Mariinsky audience was deeply familiar with the piece, but exploded with enthusiasm for his performance and his appearing to fly, an effect he continued to have on audiences with the piece during his career. In subsequent years, Nijinsky was given several soloist roles. In 1910, Mathilde Kschessinska selected Nijinsky to dance in a revival of Petipa's Le Talisman. Nijinsky created a sensation in the role of the Wind God Vayou.
did he spend a lot of time with the royal family?
A:
These performances frequently included members of the Imperial family and other nobility,