Problem: Background: The Hereditary peers form part of the peerage in the United Kingdom. As of 1999, there were about 800 peers holding titles that could be inherited. Not all hereditary titles are titles of the peerage. For instance, baronets and baronetesses may pass on their titles, but they are not peers.
Context: The ranks of the Peerage in most of the United Kingdom are, in descending order of rank, duke, marquess, earl, viscount and baron; the female equivalents are duchess, marchioness, countess, viscountess and baroness respectively. In the Scottish peerage, the lowest rank is lordship of Parliament, the male holder thereof being known as a lord of Parliament. A Scottish barony is a feudal rank, and not of the Peerage. The barony by tenure or feudal barony in England and Wales was similar to a Scottish feudal barony, in being hereditary, but is long obsolete, the last full summons of the English feudal barons to military service having occurred in 1327. The Tenures Abolition Act 1660 finally quashed any remaining doubt as to their continued status. Peerage dignities are created by the Sovereign by either writs of summons or letters patent. Under modern constitutional conventions, no peerage dignity, with the possible exception of those given to members of the Royal Family, would be created except upon the advice of the Prime Minister. Many peers hold more than one hereditary title; for example, the same individual may be a duke, an earl, a viscount and a baron by virtue of different peerages. If such a person is entitled to sit in the House of Lords, he still only has one vote. However, until the House of Lords Act 1999 it was possible for one of the peer's subsidiary titles to be passed to his heir before his death by means of a writ of acceleration, in which case the peer and his heir would have one vote each. Where this is not done, the heir may still use one of the father's subsidiary titles as a "courtesy title", but he is not considered a peer.
Question: What is the highest?
Answer:

IN: Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

The outbreak of the Franco-Prussian War in July 1870 compelled Alma-Tadema to leave the continent and move to London. His infatuation with Laura Epps played a great part in his relocation to England and Gambart felt that the move would be advantageous to the artist's career. In stating his reasons for the move, Tadema simply said "I lost my first wife, a French lady with whom I married in 1863, in 1869. Having always had a great predilection for London, the only place where, up till then my work had met with buyers, I decided to leave the continent and go to settle in England, where I have found a true home." With his small daughters and sister Atje, Alma-Tadema arrived in London at the beginning of September 1870. The painter wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871. Laura, under her married name, also won a high reputation as an artist, and appears in numerous of Alma-Tadema's canvases after their marriage (The Women of Amphissa (1887) being a notable example). This second marriage was enduring and happy, though childless, and Laura became stepmother to Anna and Laurence. Anna became a painter and Laurence became a novelist. He would initially adopt the name Laurence Alma Tadema instead of Lourens Alma Tadema and later adopt the more English Lawrence for his forename, and incorporate Alma into his surname so that he appeared at the beginning of exhibition catalogues, under "A" rather than under "T". He did not actually hyphenate his last name, but it was done by others and this has since become the convention.

What did he do when he arrived there?

OUT: The painter wasted no time in contacting Laura, and it was arranged that he would give her painting lessons.

Background: Ronald Charles McKernan (September 8, 1945 - March 8, 1973), known as Pigpen, was an American singer and musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972. McKernan grew up heavily influenced by African-American music, particularly the blues, and enjoyed listening to his father's collection of records and taught himself how to play harmonica and piano. He began socializing around the San Francisco Bay Area, becoming friends with Jerry Garcia.
Context: McKernan was close friends with American singer-songwriter Janis Joplin due to common musical influences and lifestyles, particularly a shared love of alcohol over other drugs; a poster from the early 1970s showed them together at 710 Ashbury. Joplin joined McKernan on stage at the Fillmore West on June 7, 1969, with the Grateful Dead to sing his signature "Turn On Your Love Light," reprising this duet on July 16, 1970, at the Euphoria Ballroom in San Rafael, California. He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and eventually served as best man at Constanten's first wedding. While his bandmates and friends were using cannabis, LSD, and other hallucinogenic drugs, McKernan preferred alcoholic beverages such as Thunderbird and Southern Comfort. Ironically, McKernan was arrested and fined after the cannabis bust on November 9, 1967, at 710 Ashbury Street, the Dead's communal home, even though he did not use the drug. The event was covered in the first issue of Rolling Stone, where the reporter noted McKernan had a substantial rifle collection and McKernan's picture appeared on a contemporary report in the San Francisco Chronicle. Because neither took illegal drugs, McKernan and Constanten were the only members of the band not arrested on the January 31, 1970, bust that inspired the lyrics of the band's song "Truckin'". In the early years of the Grateful Dead, McKernan was easily recognisable by his biker image, making him a minor celebrity. In 1969, the band's record company, Warner Bros., ran a "Pigpen Look-Alike Contest".
Question: What happen with the keyboardist
Answer:
eventually served as best man at Constanten's first wedding.