In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The Dial was an American magazine published intermittently from 1840 to 1929. In its first form, from 1840 to 1844, it served as the chief publication of the Transcendentalists. In the 1880s it was revived as a political magazine. From 1920 to 1929 it was an influential outlet for modernist literature in English. Context_2 : Punch; or, The London Charivari was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Context_3 : William Mudford (8 January 1782 10 March 1848), was a British writer, essayist, translator of literary works and journalist. He also wrote critical and philosophical essays and reviews. His 1829 novel "The Five Nights of St. Albans: A Romance of the Sixteenth Century" received a good review from John Gibson Lockhart, an achievement which was considered a rare distinction. Mudford also published short fictional stories which were featured in periodicals such as "Blackwood's Edinburgh Magazine", "Fraser's Magazine", and "Bentley's Miscellany". His short story "The Iron Shroud", about an iron torture chamber which shrinks through mechanical action and eventually crushes the victim inside, was first published in August 1830 by "Blackwood's Edinburgh Magazine", and later republished separately in 1839 and 1840 with the subtitle ""Italian Revenge"". Edgar Allan Poe is considered to have been influenced by "The Iron Shroud" when he wrote "The Pit and the Pendulum" having got his idea for the shrinking chamber from Mudford's story. Mudford was born in London, where his father made a living as a shopkeeper in Piccadilly. He was influenced by John Milton, Joseph Addison, Samuel Johnson, William Cowper, William Collins, Mark Akenside, Thomas Gray, and Oliver Goldsmith. Context_4 : The Friend is a weekly Quaker magazine published in London, UK. It is the only Quaker weekly in the world, and has been published continuously since 1843. It began as a monthly and in January 1892 became a weekly. It is one of the oldest continuously published publications in the world still in operation. Others (e.g. "Punch") which began publication before "The Friend" have had lengthy interruptions in publication and/or have closed down. Context_5 : The Journal of Natural History is a scientific journal published by Taylor & Francis focusing on entomology and zoology. The journal was established in 1841 under the name Annals and Magazine of Natural History (Ann. Mag. Nat. Hist.) and obtained its current title in 1967. The journal was formed by the merger of the Magazine of Natural History (18281840) and the Annals of Natural History (18381840; previously the Magazine of Zoology and Botany, 18361838) and Loudon and Charlesworth's Magazine of Natural History). Context_6 : The Chiswick Press was founded by Charles Whittingham I (17671840) in 1811. The management of the Press was taken over in 1840 by the founder's nephew Charles Whittingham II (17951876). The name was first used in 1811, and the Press continued to operate until 1962. C. Whittingham I gained notoriety for his popularly priced classics, but the Chiswick Press became very influential in English printing and typography under C. Whittingham II who, most notably, published some of the early designs of William Morris. The Chiswick Press deserves conspicuous credit for the reintroduction of quality printing into the trade in England when in 1844 it produced "The Diary of Lady Willoughby". Context_7 : Matilda Marian Pullan (1819Feb. 19, 1862)also writing under the pen names Mrs. Pullan and Aiguillette was a prolific and influential 19th century British writer on needlework who contributed columns to a wide selection of periodicals in the 1840s and 1850s. She was the author of numerous books on needlework, especially the decorative forms known as fancywork, and she wrote a comprehensive encyclopedia on the subject. She was also an extremely successful businesswoman who ran a needlework supply shop that expanded to become a mail order business. Towards the end of her life (cut short by cancer), she moved to America, where she opened a consulting business whose clients included the actor Laura Keene. Context_8 : Karl Friedrich von Savigny (19 September 1814 11 February 1875) was a Prussian diplomat, politician, and a leading member of the Centre Party. His father was the jurist Friedrich Karl von Savigny, who was then privy councillor of the court of appeals, member of the Prussian council of State, and professor at the University of Berlin, and his mother was Kunigunde Brentano, sister of the poet Clemens Brentano. The father was a Protestant, but the mother was a Catholic, and the children were allowed to follow the religion of the mother. Karl Friedrich was first taught at home, then attended the French Gymnasium at Berlin, the Collegium Romanum at Rome, and the Collegium Sebastianum at Naples. He studied law at Berlin, Munich, and Paris. In 1836 he became an auscultator at Berlin; in 1837 he was a referendar in the court at Aachen, in 1840 secretary of legation at London and Dresden, in 1842 at Lisbon, in 1848 at London. In 1849 he was councillor of legations and member of the ministry of foreign affairs, and in 1850 ambassador at Karlsruhe. While here he was able to win over the Government of Baden for the Prussian policy, and, as Bismarck testified, "by cautious and tactful bearing to win a commanding position at Karlsruhe for the Prussian government." Context_9 : Benjamin Ogle Tayloe (May 21, 1796 February 25, 1868) was an American businessman, bon vivant, diplomat, and influential political activist in Washington, D.C. during the first half of the 19th century. Although he never held elective office, he was a prominent Whig and influential in presidential electoral politics in the 1840s and 1850s. His home, the Tayloe House, became a salon for politically powerful people in the federal government and socially influential individuals in the United States and abroad. Tayloe was also a party in the important 1869 contract law case, "Willard v. Tayloe", 75 U.S. 557. Context_10 : The New-York Tribune was a very influential important American newspaper, first established in 1841 by editor/publisher Horace Greeley (1811-1872). Between 1842 and 1866, the newspaper bore the name New-York Daily Tribune. From the 1840s through the 1860s it was the dominant Whig Party and then Republican newspaper in the United States. The paper achieved a circulation of approximately 200,000 during the decade of the 1850s, making it the largest daily paper then in New York City and perhaps the nation. The "Tribune"s editorials were widely shared, copied in other city newspapers, read and helped shape national American opinion. It was one of the foremost papers in the North to send many reporters/correspondents / illustrators to cover the campaigns of the American Civil War (1861-1865). fact_1 : The Friend is a weekly Quaker magazine published in London, UK. fact_2 : Others (e.g. "Punch") which began publication before "The Friend" have had lengthy interruptions in publication and/or have closed down. fact_3 : Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Question: Which magazine was published in London and was influential in the 1840s and 1850s?
Solution:
Punch