Information: - Gregorio Pagani (3 December 1558 1605) was an Italian painter of the late Mannerist period, active mainly in Florence. He was the son of the painter Francesco Pagani, then became a pupil of Santi di Tito, then entered the studio of Ludovico Cigoli. He painted the "St. Helena finding the Cross" for Santa Maria del Carmine, which was lost in the fire at the church in 1771. He painted a "Nativity" for the cathedral of Santa Maria del Fiore. Among his pupils were Cristofano Allori and Matteo Rosselli. - The Baroque (or ) is often thought of as a period of artistic style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, architecture, literature, dance, theater, and music. The style began around 1600 in Rome and Italy, and spread to most of Europe. - " Santi di Tito (March 6, 1536 July 23, 1603) was one of the most influential and leading Italian painters of the proto-Baroque style what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. - Lodovico Cardi (21 September 1559 8 June 1613), also known as Cigoli, was an Italian painter and architect of the late Mannerist and early Baroque period, trained and active in his early career in Florence, and spending the last nine years of his life in Rome. - Cristofano Allori ( 17 October 1577 -- 1 April 1621 ) was an Italian portrait painter of the late Florentine Mannerist school . Allori was born at Florence and received his first lessons in painting from his father , Alessandro Allori , but becoming dissatisfied with the hard anatomical drawing and cold coloring of the latter , he entered the studio of Gregorio Pagani , who was one of the leaders of the late Florentine school , which sought to unite the rich coloring of the Venetians with the Florentine attention to drawing . Allori also appears to have worked under Cigoli . His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution . His technical skill is shown by the fact that several copies he made of Correggio 's works were thought to be duplicates by Correggio himself . His extreme fastidiousness limited the number of his works . Several examples are to be seen at Florence and elsewhere . His most famous work , in his own day and now , is Judith with the Head of Holofernes . It exists in at least two versions by Allori , of which the prime version is perhaps that in the British Royal Collection , dated 1613 , with various pentimenti . A version of 1620 in the Palazzo Pitti in Florence is the best known and there are several copies by studio and other hands . According to the near - contemporary biography by Filippo Baldinucci , the model for the Judith was his former mistress , the beautiful '' La Mazzafirra '' , who is also represented in his Magdalene , the head of Holofernes is a self - portrait , and the maid is '' La Mazzafirra '' 's mother . - Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 1535 22 September 1607) was an Italian portrait painter of the late Mannerist Florentine school. - Matteo Rosselli (10 August 1578 18 January 1650) was an Italian painter of the late Florentine Counter-Mannerism and early Baroque. He is best known however for his highly populated grand-manner historical paintings. After reading the paragraphs above, we are interested in knowing the entity with which 'cristofano allori' exhibits the relationship of 'movement'. Find the answer from the choices below. Choices: - baroque - mannerism - portrait painter
A:
mannerism