Problem: Thomas Lanier "Tennessee" Williams III (March 26, 1911 - February 25, 1983) was an American playwright. Along with Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama. After years of obscurity, he became suddenly famous with The Glass Menagerie (1944), a play that closely reflected his own unhappy family background. This heralded a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959).

Characters in his plays are often seen as representations of his family members. Laura Wingfield in The Glass Menagerie was understood to be modeled on his sister Rose. Some biographers believed that the character of Blanche DuBois in A Streetcar Named Desire is also based on her. Amanda Wingfield in The Glass Menagerie was generally seen to represent Williams' mother, Edwina. Characters such as Tom Wingfield in The Glass Menagerie and Sebastian in Suddenly, Last Summer were understood to represent Williams himself. In addition, he used a lobotomy operation as a motif in Suddenly, Last Summer. The Pulitzer Prize for Drama was awarded to A Streetcar Named Desire in 1948 and to Cat on a Hot Tin Roof in 1955. These two plays were later filmed, with great success, by noted directors Elia Kazan (Streetcar), with whom Williams developed a very close artistic relationship, and Richard Brooks (Cat). Both plays included references to elements of Williams's life such as homosexuality, mental instability, and alcoholism. Although The Flowering Peach by Clifford Odets was the preferred choice of the Pulitzer Prize jury in 1955 and Cat on a Hot Tin Roof was at first considered the weakest of the five shortlisted nominees, Joseph Pulitzer Jr., chairman of the Board, had seen Cat on a Hot Tin Roof and thought it worthy of the drama prize. The Board went along with him after considerable discussion. Williams wrote The Parade, or Approaching the End of a Summer when he was 29 and worked on it sporadically throughout his life. A semi-autobiographical depiction of his 1940 romance with Kip Kiernan in Provincetown, Massachusetts, it was produced for the first time on October 1, 2006, in Provincetown by the Shakespeare on the Cape production company, as part of the First Annual Provincetown Tennessee Williams Festival. His last play went through many drafts as he was trying to reconcile what would be the end of his life. There are many versions of it, but it is referred to as In Masks Outrageous and Austere.

Did his work recieve any awards after his death?

Answer with quotes: A semi-autobiographical depiction of his 1940 romance with Kip Kiernan in Provincetown, Massachusetts,

Problem: Indigenous languages of the Americas are spoken by indigenous peoples from Alaska and Greenland to the southern tip of South America, encompassing the land masses that constitute the Americas. These indigenous languages consist of dozens of distinct language families, as well as many language isolates and unclassified languages. Many proposals to group these into higher-level families have been made, such as Joseph Greenberg's Amerind hypothesis. This scheme is rejected by nearly all specialists, due to the fact that some of the languages differ too significantly to draw any connections between them.

Although both North and Central America are very diverse areas, South America has a linguistic diversity rivalled by only a few other places in the world with approximately 350 languages still spoken and an estimated 1,500 languages at first European contact. The situation of language documentation and classification into genetic families is not as advanced as in North America (which is relatively well studied in many areas). Kaufman (1994: 46) gives the following appraisal: Since the mid 1950s, the amount of published material on SA [South America] has been gradually growing, but even so, the number of researchers is far smaller than the growing number of linguistic communities whose speech should be documented. Given the current employment opportunities, it is not likely that the number of specialists in SA Indian languages will increase fast enough to document most of the surviving SA languages before they go out of use, as most of them unavoidably will. More work languishes in personal files than is published, but this is a standard problem. It is fair to say that SA and New Guinea are linguistically the poorest documented parts of the world. However, in the early 1960s fairly systematic efforts were launched in Papua New Guinea, and that area - much smaller than SA, to be sure - is in general much better documented than any part of indigenous SA of comparable size. As a result, many relationships between languages and language families have not been determined and some of those relationships that have been proposed are on somewhat shaky ground. The list of language families, isolates, and unclassified languages below is a rather conservative one based on Campbell (1997). Many of the proposed (and often speculative) groupings of families can be seen in Campbell (1997), Gordon (2005), Kaufman (1990, 1994), Key (1979), Loukotka (1968), and in the Language stock proposals section below.

Overall, what was the outcome?

Answer with quotes: SA Indian languages will increase fast enough to document most of the surviving SA languages before they go out of use, as most of them unavoidably will.

Problem: Andrew Gary Johns (born 19 May 1974) is an Australian former professional rugby league footballer of the 1990s and 2000s. He is considered by many to be one of the greatest players of all time. Hailed as the best halfback in the world for many years, he captained the Newcastle Knights in the National Rugby League and participated in the team's only two premiership victories in 1997 and 2001, playing a club record 249 games for the Knights. Johns also represented his country at two World Cups, and on one Kangaroo tour, playing in total 21 Test matches for the national side.

On 26 August 2007 Johns was arrested for fare evasion on the London Underground, and subsequently found to be in possession of one ecstasy tablet. He was cautioned and released with no further charges. Johns initially claimed that an unknown person had pushed the tablet into his pocket which he later forgot to remove before leaving the crowded venue. This initial statement was met with a great deal of cynicism from both the press and the public. On 30 August, Johns revealed, live on the Footy Show, that he had regularly taken ecstasy throughout his playing career, mainly during the off-season. He claimed he had suffered from depression and bipolar disorder and the drugs helped him in dealing with the high level of psychological 'pressure' associated with his career as an elite sportsman. Not long after the incident he released his 'tell-all' autobiography that went into further details regarding his depression and drug use while playing in the NRL. The ARU released a press statement shortly after the controversy arose, stating that Johns' drug use was known to the ARU and was a key factor in its decision to not proceed with contractual negotiations in 2004. Brett Robinson, then high-performance unit manager, said that, as well as Johns' age and injury history, the knowledge of his drug taking had been influential in the ARU making its final decision. When Johns was named the Best Player of the Last 30 Years in early 2008, the accolade allayed concern that Johns' shock drug admission the year before had tarnished his remarkable efforts on the field for Newcastle, NSW and Australia. On receiving the award he was quoted as saying his health was now in great shape. "I'm at the best place I have been in a long time," he said. "It's not until you step away that I realise all the pressure I was under, I'm not going to miss playing at all."

What did he do after this?

Answer with quotes:
"It's not until you step away that I realise all the pressure I was under, I'm not going to miss playing at all."