input question: Read the following paragraph and extract the answer for the question: What is the full name of the person noted for his attention to detail in administrative affairs? Little documentary evidence of the games remains; contemporary and near-contemporary writings mostly record the major details and concentrate on the opening days. The poet Martial gives the most complete and only truly contemporary account in the form of his De Spectaculis ("On the Spectacles"), a somewhat sycophantic series of epigrams detailing the individual events of the games as an illustration of Titus' power and benevolence. Much of the work is concerned with praising Titus, and there have been difficulties with authenticating, dating and translating various portions, but Martial does give details of events not covered by other sources and the only known surviving complete record of a gladiatorial combat in the arena.The historian Suetonius was born in about AD 70, and started writing around AD 100. He was a child at the time of the games, but it is possible that he was born and raised in Rome, so he may have witnessed the inaugural games first-hand. His De Vita Caesarum (Lives of the Caesars, known also as The Twelve Caesars or Lives of the Twelve Caesars) probably completed around AD 117 to 127, includes some detail on the opening days of the games. Later in his history of Titus he reveals further information about the games. Suetonius' histories of the early Caesars have been criticised for being based on rumour and gossip rather than accurate historical sources, and he often reports from sources which contradict each other without attempting to analyse their quality or accuracy. However, he is generally regarded as a thorough scholar and has been praised for his balanced treatment of his subjects.The only other major source of information on the games is Cassius Dio who lived in the latter second and early third centuries. His History of Rome spans 80 books written in 22 years, but much of which are only fragments. He is noted for his attention to detail in administrative affairs, but for major events his writing can be merely impressionistic, with a greater emphasis put on his interpretation of...???
output answer: Cassius Dio

input question: Read the following paragraph and extract the answer for the question: Who is "Fingers"'s older brother? The start of the movie flashes back to 1962 when Benny becomes Benny "the Jet" Rodriguez. The main part of the movie is set in 1972, ten years after the events of The Sandlot. The new Sandlot crew of nine kids have moved into the neighborhood of San Fernando Valley in Los Angeles. They have started playing baseball in the Sandlot. The previous kids have all grown up and moved away. The crew's chief officer, Johnnie Smalls, the little brother of Scott Smalls, has heard the legend of "The Great Fear" (a beastly mutated dog, as he puts it when he later on tells the group about The Beast) owned by Mr. Mertle, who lives behind the Sandlot. A no-nonsense boy named David Durango is the leader and captain of the crew, consisting of Johnnie, the panicky sergeant Mac, the fun-loving general Tarqell, the smart admiral Saul and his little brother, the cute navigator Sammy (referred to as "Fingers", because he does sign language). Behind the Sandlot, next to Mr. Mertle's home, lives the Goodfairer family. David's rival and the school bully, Hayley Goodfairer, the daughter and her two friends (who are her henchmen) initially befriend the other boys in a census to share the Sandlot, but their relationship burgeons potently into a friendship when they find themselves in a big problem with The Beast next door, despite Hayley calling David a little baby, and David calling Hayley a spoiled brat.???
output answer: Saul

input question: Read the following paragraph and extract the answer for the question: What is the last name of the person who incorporated his appetite for chance into his work? The paintings depict isolated figures enclosed in spaces that are undefined, overwhelmingly claustrophobic, reductive and eerie. Coming early in Bacon's career, they are uneven in quality, but show a clear progression especially in how they utilise and present ideas he was still clearly developing and coming to terms with. Head I (actually begun in the winter of 1948) and Head II show formless pieces of flesh that broadly resemble human heads; they have half-open eyes and a pharynx, though it is positioned much higher than would be expected in a human. Heads III, IV and V show fully formed busts recognisable as men, and are characterised by a haunted atmosphere. These two broad ideas coalesce in Head VI, which is as physiologically tortured as the first two paintings, and as spectral as the middle three. In Head VI the figure has developed and is now shown wearing vestments, the first indication in Bacon's work of the influence of Velazquez, while the focus has become the open mouth and the study of the human scream.Bacon said that chance played a significant role in his work, and that he often approached a canvas without having a clear idea of what might emerge. This was especially the case in the mid- to late 1940s, a period when he was drinking heavily and spending most nights in Soho casinos and poker rooms. The following morning he would often approach his canvas "in a bad mood of drinking ... under tremendous hangovers and drink; I sometimes hardly knew what I was doing." He incorporated his appetite for chance into his work: an image often would morph midway through into something quite different from what he had first intended. He actively sought out this freedom and felt it crucial to his progression as an artist. To him, lifestyle and art were intertwined; he said that "perhaps the drink helped me to be a bit freer." This is very evident in the 1949 series, which began as a rather morbid study of a collapsed head, but evolved over the six surviving panels into a reworking of Velazquez masterpieces,...???
output answer:
Bacon