Read the following paragraph and extract the answer for the question: What is the name of the publication that supported the act designed to reduce immigration? In the 19th century the Russian Empire, then including Latvia, was home to about five million Jews, the largest Jewish community in the world at the time. Subjected to religious persecution and violent pogroms, many emigrated, and between 1875 and 1914 around 120,000 arrived in the United Kingdom, mostly in England. The influx reached its peak in the late 1890s when large numbers of Jewish immigrantsmostly poor and semi-skilled or unskilledsettled in the East End of London; the concentration of Jews in some areas of London was almost 100 per cent of the population. Because of the influx of Jews and Russians into one part of Tottenham in North London, the area gained the nickname Little Russia.Some of the expatriates were revolutionaries, and many were unable to adapt to life in London. The social historian William J. Fishman writes that "the meschuggena (crazy) Anarchists were almost accepted as part of the East End landscape"; the terms "socialist" and "anarchist" had been conflated by the British press to refer generally to those with revolutionary beliefs.Several revolutionary factions were active in East and North London. One tactic often employed by revolutionaries in Russia was the expropriation of private property to fund radical activities. The influx of emigres, and the associated rising rates of violent crime, led to widespread concerns and press coverage. As a result, the British government passed the Aliens Act 1905 in an attempt to reduce immigration. The popular press reflected the opinions of many; a leading article in the Manchester Evening Chronicle supported the bill to bar "the dirty, destitute, diseased, verminous and criminal foreigner who dumps himself on our soil". The journalist Robert Winder, in his examination of immigration into Britain, opines that the Act "gave official sanction to xenophobic reflexes which might ... have remained dormant".
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Answer: Manchester Evening Chronicle

Read the following paragraph and extract the answer for the question: What album did Gary Young play the drums on? Pavement was formed in 1989 in Stockton, California, by Stephen Malkmus and Scott Kannberg. Malkmus and Kannberg had previously performed together in the band Bag O' Bones. Pavement had its start playing at open mike nights at clubs and bars. The songs the band played during this time were mostly covers, although they also performed many original songs that would later be released on Slay Tracks. Malkmus recalls, "It was pretty reasonable to be able to make a single for $1,000, so we decided to go for it. We didn't have any real plans because we weren't a real band." Two local studios existed in Stockton, the cheaper and less professionally minded of which was Gary Young's Louder Than You Think Studio. The band decided to record at Young's studio due to their admiration of other local punk bands who had recorded there, including The Young Pioneers and The Authorities. Kannberg reportedly borrowed $800 from his father to record Slay Tracks.Slay Tracks was recorded during a four-hour session on January 17, 1989, at Young's studio. Kannberg, describing the studio and the recording process, said, "You go into his house and it's stuff everywhere, old dogs lying around, big pot plants everywhere, and Gary tells us that he got all his equipment by selling pot! It was us going in and pretty much just laying down the songs with a guide guitar and a detuned guitar through a bass amp and then we'd play drums over the top." Young, though bewildered by the band's sound, contributed by playing drums. He recalled, "[Malkmus and Kannberg] come in and they play this weird guitar noise and it just sounds like noise, with no background. My drums were in there so I said, 'Should I drum?' and they said 'Okay.'" Kannberg said, "We did it really fast. We probably spent one day tracking and one day mixing it." The title of the EP had been decided prior to its recording, and the pseudonyms S.M. and Spiral Stairs were used to credit Malkmus and Kannberg respectively.
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Answer: Slay Tracks

Read the following paragraph and extract the answer for the question: What is the first name of the person who said that Bowie "liked the idea of him reinventing himself"? Bowie's songs and stagecraft brought a new dimension to popular music in the early 1970s, strongly influencing both its immediate forms and its subsequent development. Bowie was a pioneer of glam rock, according to music historians Schinder and Schwartz, who credited Marc Bolan and Bowie with creating the genre. At the same time, he inspired the innovators of the punk rock music movement. When punk musicians were "noisily reclaiming the three-minute pop song in a show of public defiance", biographer David Buckley wrote that "Bowie almost completely abandoned traditional rock instrumentation." Bowie's record company promoted his unique status in popular music with the slogan, "There's old wave, there's new wave, and there's David Bowie".Musicologist James Perone credited Bowie with having "brought sophistication to rock music", and critical reviews frequently acknowledged the intellectual depth of his work and influence. The Human League founder Martyn Ware remarked that he had lived his life "as though he were an art installation." The BBC's arts editor Will Gompertz likened Bowie to Pablo Picasso, writing that he was "an innovative, visionary, restless artist who synthesised complex avant garde concepts into beautifully coherent works that touched the hearts and minds of millions". U2 lead singer Bono commented, "I like Bowie when he's evenly pulled in the direction of being a pop star and Picasso, where he's right down the middle. That's usually my favorite, when the songwriting is disciplined but the recording is not. I love when he's pulled equally in the directions of art and populism."Broadcaster John Peel contrasted Bowie with his progressive rock contemporaries, arguing that Bowie was "an interesting kind of fringe figure... on the outskirts of things". Peel said he "liked the idea of him reinventing himself... the one distinguishing feature about early-70s progressive rock was that it didn't progress. Before Bowie came along, people didn't want too much change". Buckley called the era "bloated,...
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Answer:
John