Problem: Nina Simone (; born Eunice Kathleen Waymon; February 21, 1933 - April 21, 2003) was an American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Simone employed a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Born in North Carolina, the sixth child of a preacher, Waymon aspired to be a concert pianist.

Simone was known for her temper and frequent outbursts. Simone abandoned her daughter Lisa Simone Kelly for years in Mount Vernon after relocating to Liberia. When they reunited in West Africa, Simone became abusive. "She went from being my comfort to the monster in my life. Now she was the person doing the beating, and she was beating me." The abuse became so unbearable that Kelly became suicidal and moved back to New York to stay with her father, Andrew Stroud. In 1985, she fired a gun at a record company executive, whom she accused of stealing royalties. Simone said she "tried to kill him" but "missed". In 1995, she shot and wounded her neighbor's son with an air gun after the boy's laughter disturbed her concentration. According to a biographer, Simone took medication for a condition from the mid-1960s on. All this was only known to a small group of intimates, and kept out of public view for many years, until the biography Break Down and Let It All Out written by Sylvia Hampton and David Nathan revealed this in 2004, after her death. Singer-songwriter Janis Ian, a one-time friend of Simone's, related in her own autobiography, Society's Child: My Autobiography, two instances to illustrate Simone's volatility: one incident in which she forced a shoe store cashier, at gunpoint, to take back a pair of sandals she'd already worn; and another in which Simone demanded a royalty payment from Ian herself as an exchange for having recorded one of Ian's songs, and then ripped a pay telephone out of its wall when she was refused.

What was her temperament?

Answer with quotes: Simone took medication for a condition from the mid-1960s on.

Problem: Andre Roussimoff was born in Moliens, the son of Boris and Mariann Roussimoff. His parents were of Bulgarian and Polish descent. His nickname growing up was "Dede". As a child, he displayed symptoms of his gigantism very early, reaching a height of 191 cm (6 ft 3 in) and a weight of 94 kg (208 lb) by the age of 12.

At the age of 17, Roussimoff moved to Paris and was taught professional wrestling by a local promoter who recognised the earning potential of Roussimoff's size. He trained at night and worked as a mover during the day to pay living expenses. Roussimoff was billed as "Geant Ferre", a name based on the French folk hero Grand Ferre, and began wrestling in Paris and nearby areas. Canadian promoter and wrestler Frank Valois met Roussimoff in 1966, becoming his business manager and adviser. Roussimoff began making a name for himself wrestling in the United Kingdom, Germany, Australia, New Zealand, and Africa. He made his Japanese debut in 1970, billed as "Monster Roussimoff", wrestling for the International Wrestling Enterprise. Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion alongside Michael Nador. During his time in Japan, doctors first informed Roussimoff that he suffered from acromegaly. Roussimoff next moved to Montreal, Canada, where he became an immediate success, regularly selling out the Montreal Forum. However, promoters eventually ran out of plausible opponents for him and, as the novelty of his size wore off, the gate receipts dwindled. Roussimoff was defeated by Adnan Al-Kaissie in Baghdad in 1971, and wrestled numerous times in 1972 for Verne Gagne's American Wrestling Association (AWA) as a special attraction until Valois appealed to Vince McMahon Sr., founder of the World Wide Wrestling Federation (WWWF), for advice. McMahon suggested several changes. He felt Roussimoff should be portrayed as a large, immovable monster, and to enhance the perception of his size, McMahon discouraged Roussimoff from performing maneuvers such as dropkicks (although he was capable of performing such agile maneuvers before his health deteriorated in later life). He also began billing Roussimoff as "Andre the Giant" and set up a travel-intensive schedule, lending him to wrestling associations around the world, to keep him from becoming overexposed in any area. Promoters had to guarantee Roussimoff a certain amount of money as well as pay McMahon's WWWF booking fee.

Was he successful in Japan?

Answer with quotes: Wrestling as both a singles and tag-team competitor, he quickly was made the company's tag-team champion

Problem: Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Track Records/Polydor, and Reprise Records in North America. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album.

Recording sessions for the Jimi Hendrix Experience's third and final studio album, Electric Ladyland, began at the newly opened Record Plant Studios, with Chas Chandler as producer and engineers Eddie Kramer and Gary Kellgren. As recording progressed, Chandler became increasingly frustrated with Hendrix's perfectionism and his demands for repeated takes. Hendrix allowed numerous friends and guests to join them in the studio, which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix. Redding later recalled: "There were tons of people in the studio; you couldn't move. It was a party, not a session." Redding, who had formed his own band in mid-1968, Fat Mattress, found it increasingly difficult to fulfill his commitments with the Experience, so Hendrix played many of the bass parts on Electric Ladyland. The album's cover stated that it was "produced and directed by Jimi Hendrix". The double LP was the only Experience album to be mixed entirely in stereo. During the Electric Ladyland recording sessions, Hendrix began experimenting with other combinations of musicians, including Jefferson Airplane's Jack Casady and Traffic's Steve Winwood, who played bass and organ respectively on the fifteen-minute slow-blues jam, "Voodoo Chile". During the album's production, Hendrix appeared at an impromptu jam with B.B. King, Al Kooper, and Elvin Bishop. Electric Ladyland was released in October 1968, and by mid-November it had reached number one in the US, spending two weeks at the top spot. The double LP was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, spending 12 weeks on the chart. Hendrix's studio perfectionism was legendary - he and Mitch Mitchell recorded well over 50 takes of "Gypsy Eyes" over three sessions. Hendrix was generally insecure about his voice and often recorded his vocals hidden behind studio screens. Hendrix sang all the backing vocals himself on the title track and on "Long Hot Summer Night". He was said to be very happy with the vocal results on "Have You Ever Been (To Electric Ladyland)".

Did they get married?

Answer with quotes:
so Hendrix played many of the bass parts on Electric Ladyland.