Answer the question at the end by quoting:

Patrick Michael Rafter (born 28 December 1972) is an Australian former professional tennis player. He reached the Association of Tennis Professionals (ATP) world No. 1 singles ranking on July 26, 1999. His career highlights include consecutive US Open titles in 1997 and 1998 and consecutive runner-up at Wimbledon in 2000 and 2001.
1998 was a particularly strong year for Rafter, who won the Canadian Open and Cincinnati in a row (only Andre Agassi, in 1995, Andy Roddick, in 2003, and Rafael Nadal, in 2013 also have won both these tournaments in the same year). Rafter defeated ninth ranked Richard Krajicek in the Toronto final and second ranked Pete Sampras in the Cincinnati final. When asked about the difference between himself and Rafter following their titles, Sampras stated "10 grand slams", and that a player has to come back and win a Grand Slam again in order to be considered great. Following his title at Cincinnati, Rafter won a US Open warm-up tournament in Long Island, New York. Entering the US Open as the defending champion, he reached the final again by defeating Hicham Arazi, Hernan Gumy, David Nainkin, Goran Ivanisevic and Jonas Bjorkman before defeating Sampras in a five-set semifinal. Rafter pointedly took issue with Sampras' refusal to show him respect in defeat: "That is what really upsets me about him", Rafter said, "and the reason why I try to piss him off as much as I can." Rafter then defended his U.S. Open title by defeating fellow Australian Mark Philippoussis in four sets, committing only five unforced errors throughout the match. When asked about Sampras' earlier comments about having to win another Grand Slam in order to be considered great, Rafter replied: "Maybe you can ask him that question, if he thinks that now. For me, I won another Slam, and it hasn't sunk in yet. It's very, very exciting for me, especially to repeat it". Altogether, Rafter won six tournaments in 1998, finishing the year #4 in the world.

What were his best years in the game?

1998 was a particularly strong year for Rafter, who won the Canadian Open and Cincinnati in a row

Answer the question at the end by quoting:

Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff, Khari Wynn, DJ Lord, and the S1W group. Founding member DJ Terminator X left the group in 1999. Formed on Long Island, New York, in 1986, they are known for their politically charged music and criticism of the American media, with an active interest in the frustrations and concerns of the African American community. Their first four albums during the late 1980s and early 1990s were all certified either gold or platinum and were, according to music critic Robert Hilburn in 1998, "the most acclaimed body of work ever by a hip hop act".
Carlton Ridenhour (Chuck D) and William Drayton (Flavor Flav) met at Long Island's Adelphi University in the mid-1980s. Developing his talents as an MC with Flav while delivering furniture for his father's business, Chuck D and Spectrum City, as the group was called, released the record "Check Out the Radio", backed by "Lies", a social commentary--both of which would influence RUSH Productions' Run-D.M.C. and Beastie Boys. Chuck D put out a tape to promote WBAU (the radio station where he was working at the time) and to fend off a local MC who wanted to battle him. He called the tape Public Enemy #1 because he felt like he was being persecuted by people in the local scene. This was the first reference to the notion of a public enemy in any of Chuck D's songs. The single was created by Chuck D with a contribution by Flavor Flav, though this was before the group Public Enemy was officially assembled. Around 1986, Bill Stephney, the former Program Director at WBAU, was approached by Ali Hafezi and offered a position with the label. Stephney accepted, and his first assignment was to help fledgling producer Rick Rubin sign Chuck D, whose song "Public Enemy Number One" Rubin had heard from Andre "Doctor Dre" Brown. According to the book The History of Rap Music by Cookie Lommel, "Stephney thought it was time to mesh the hard-hitting style of Run DMC with politics that addressed black youth. Chuck recruited Spectrum City, which included Hank Shocklee, his brother Keith Shocklee, and Eric "Vietnam" Sadler, collectively known as the Bomb Squad, to be his production team and added another Spectrum City partner, Professor Griff, to become the group's Minister of Information. With the addition of Flavor Flav and another local mobile DJ named Terminator X, the group Public Enemy was born." According to Chuck, The S1W, which stands for Security of the First World, "represents that the black man can be just as intelligent as he is strong. It stands for the fact that we're not third-world people, we're first-world people; we're the original people." Hank Shocklee came up with the name Public Enemy based on "underdog love and their developing politics" and the idea from Def Jam staffer Bill Stephney following the Howard Beach racial incident, Bernhard Goetz, and the death of Michael Stewart: "The Black man is definitely the public enemy." Public Enemy started out as opening act for the Beastie Boys during the latter's Licensed to Ill popularity, and in 1987 released their debut album Yo! Bum Rush the Show.

Why did they shorten the name from Public Enemy #1?

" Hank Shocklee came up with the name Public Enemy based on "underdog love and their developing politics"

Answer the question at the end by quoting:

Jeanette Anna MacDonald (June 18, 1903 - January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (The Love Parade, Love Me Tonight, The Merry Widow and One Hour With You) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (
In the mid-1950s, MacDonald toured in summer stock productions of Bitter Sweet and The King and I. She opened in Bitter Sweet at the Iroquois Amphitheater, Louisville, Kentucky, on July 19, 1954. Her production of The King and I opened August 20, 1956, at the Starlight Theatre. While performing there, she collapsed. Officially, it was announced as heat prostration, but in fact it was a heart seizure. She began limiting her appearances and a reprisal of Bitter Sweet in 1959 was her last professional appearance. MacDonald and her husband, Gene Raymond, toured in Ferenc Molnar's The Guardsman. The production opened at the Erlanger Theater, Buffalo, New York, on January 25, 1951, and played in 23 northeastern and midwestern cities until June 2, 1951. Despite less than enthusiastic comments from critics, the show played to full houses for virtually every performance. The leading role of "The Actress" was changed to "The Singer" to allow MacDonald to add some songs. While this pleased her fans, the show still closed before reaching Broadway. In the 1950s, talks with respect to a Broadway return occurred. In the 1960s, MacDonald was approached about starring on Broadway in a musical version of Sunset Boulevard. Harold Prince recounts in his autobiography, visiting MacDonald at her home in Bel Air to discuss the proposed project. Composer Hugh Martin also wrote a song for the musical entitled, "Wasn't It Romantic?". MacDonald also made a few nightclub appearances. She sang and danced at The Sands and The Sahara in Las Vegas in 1953, The Coconut Grove in Los Angeles in 1954, and again at The Sahara in 1957, but she never felt entirely comfortable in the smoky atmosphere.

When were some of her performances?
In the mid-1950s, MacDonald toured in summer stock productions