Problem: Background: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
Context: In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004. George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide. The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building. Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
Question: Any one else fund the movie?
Answer: He then mortgaged his own house in Los Angeles in order to make the film.

IN: Antonio Ramiro Romo (born April 21, 1980) is an American football television analyst and former quarterback who played 14 seasons with the Dallas Cowboys of the National Football League (NFL). He played college football for Eastern Illinois University, where he won the Walter Payton Award in 2002, and led the Panthers to an Ohio Valley Conference championship in 2001. He signed as an undrafted free agent with the Cowboys in 2003. Beginning his career as a holder, Romo became the Cowboys' starting quarterback during the 2006 season.

The Cowboys signed Romo to a 6-year extension worth $108 million, with 55 million guaranteed and $25 million in bonuses, thus securing him for the rest of his career and relieving the pressure from the salary cap, which was reported to have less than $25,000 space before the deal was struck. In the middle of April 2013, he underwent back surgery to remove a cyst. Although it was characterized as a minor procedure by the team, he would end up missing all of the mini-camp and organized team activities. Romo opened the season with a win over the New York Giants, passing for 263 yards and two touchdowns. He briefly left the game with a rib injury, but returned after halftime and finished the game. After Week 7, his 100th career start, Romo had thrown for 27,485 yards, the most by a quarterback in his first 100 starts since 1960. In Week 16, against the Washington Redskins, with the Cowboys trailing in the fourth quarter and needing to win to keep its playoff hopes alive, he led the team to a touchdown drive with 1:08 remaining in a 24-23 victory, with what was later diagnosed as a season-ending herniated disk injury. Head coach Jason Garrett would later say: "He might have had his finest hour ... We talk about mental toughness, being your best, regardless of circumstances. Somehow, some way, he helped us win that ballgame." Romo underwent back surgery on December 27, 2013, and was placed on the Cowboys' injured reserve list. Garrett announced that Kyle Orton as the starting quarterback for the Week 17 game against the Philadelphia Eagles, which the team lost 24-22, to miss the playoffs for a fourth straight year.

Who was coaching for the 2013 season?

OUT:

Background: Stephen Russell Davies was born on 27 April 1963 at Mount Pleasant Hospital in Swansea. His father, Vivian Davies (1925-2015), and his mother, Barbara (1929-1999), were teachers. Davies was the youngest of three children and their only son. Because he was born by C-section, his mother was placed on a morphine drip and was institutionalised after an overdose resulted in a psychotic episode.
Context: Davies' next project was The Grand, a period soap drama set in a Manchester hotel during the interwar period. It was designed to be a valuable show in a ratings war with the BBC and was scheduled at 9 pm on a Friday night. After the original writer abandoned the series, Granada approached him to write the entire show. His scripts for the first series reflect the pessimism of the period; each episode added its own emotional trauma on the staff, including a soldier's execution for desertion, a destitute maid who threatens to illegally abort her unborn child to survive, and a multi-episode storyline centred on the chambermaid, Monica Jones (Jane Danson), who kills her rapist in self-defence, is arrested, and eventually hanged for murder. The show was renewed for a second series despite the first's dark tone. The second series had a lighter tone and greater emphasis on character development, which Davies attributed to his friend Sally, who had previously warned him of the adult humour in Breakfast Serials; she told him that his show was too bleak to be compared to real life. He highlighted the sixth and eighth episodes of the second series as a time of maturity as a writer: for the sixth, he utilised then-unconventional narrative devices such as flashbacks to explore the hotel barman's closeted homosexuality and the societal attitudes towards sexuality in the 1920s; and he highlighted the eighth as when he allowed the series to "take on its own life" by deliberately inserting plot devices such as McGuffins to enhance the comic relief of the series. Although well received, the series' ratings were not high enough to warrant a third series. After its cancellation in September 1997, Davies had an existential crisis after almost dying from an accidental overdose; the experience persuaded him to detoxify and make a name for himself by producing a series that celebrated his homosexuality.
Question: Did the show do well ?
Answer:
It was designed to be a valuable show in a ratings war with the BBC and was scheduled at 9 pm on a Friday night.