In one sentence, describe what the following article is about: Because the lactic acid in the yogurt can make your skin sensitive to the sun, it's best not to use it during the day. Apply it in the evening before you go to sleep for the best results. If you have sensitive skin, start out using the cream every other night or just a few times a week. The lactic acid and vitamin skin may irritate your skin, so it's best to go slow until your skin is used to it. Be sure to wash off the cream in the morning with warm water and a gentle cleanser. Apply sunscreen before heading outdoors.
Summary: Smooth the cream on before bed.

Do some research into beat-making and explore the way your favorite DJs and producers make beats, adding sounds and textures from a variety of sources. If your ultimate goal is to battle or just to make cool analog songs, you need to learn from the greats. RZA pioneered the lo-fi use of classic soul and samurai film samples, incorporating a few elements into unforgettable beats for the early run of Wu-Tang albums and solo projects from the individual members. Check out Raekwon's "Ice Cream," which features a sped-up easy-listening guitar sample, a beat, and nothing else. Madlib's use of jazz records and 80's ephemera makes him one of the most sought-out modern producers, fusing old and new in surprisingly fresh ways. Check out Madvillainy, his project with MF Doom, and his record with Freddie Gibbs for great examples of turntablist technique. It's very important to match the beat of one sample to the beat of another, or your music is going to sound chaotic and, frankly, bad. Use a metronome as you're messing around to get a sense of the beats-per-minute of the different samples that you like using and match one to the other. Build music by matching the beats. Many DJs will mark the BPMs on the record sleeves themselves, making it easy to quickly build beats and songs while you're working. Experiment and play around with a variety of sounds and textures to make music that sounds good. For some DJs, the ultimate goal is to take little samples from the most unexpected sources: latin jazz, spoken word recordings, or easy listening lounge music. Turn it into danceable awesomeness. Turntablist rule of thumb: Combined with a drum track by the Meters, almost anything sounds cool. Don't be contained to playing a track at the exact same speed to match the beats. RZA sampled a corny Earl Klugh guitar track, sped up and pitched up, to create the distinctive sample that runs all throughout "Ice Cream." The only limit on your music making is your imagination. Nobody wants to hear a DJ who spends an entire set making scratch noises on the records. Think of it as a little seasoning for the song, not as a primary way of making music. There's usually only one or two guitar solos in a rock song, and there should only be one or two scratches in a DJ beat. A turntablist is a percussionist, which means you need to have a good understanding of rhythm. You will be practicing scratching to music and then eventually making music using records. When you are scratching to a beat, you are scratching out a rhythm. If you have a complete understanding of rhythm, you can develop your skills to recreate these rhythms properly. Most hip-hop and dance music is in 4/4. That means for each bar of music there are 4 beats to the bar. Each beat can be subdivided in only a finite amount of ways. Count these out loud while you listen to music. Each beat will be place between [brackets]: [1] [2] [3] [4] [1 and] [2 and] [3 and] [4 and] [1 e and a] [2 e and a] [3 e and a] [4 e and a] [1 trip let] [2 trip let] [3 trip let] [4 trip let] [1 trip let and trip let] [2 trip let and trip let] [3 trip let and trip let] [ 4 trip let and trip let] A good way to introduce yourself to beats is to play the snare drum. You can go to the Vic Firth website listed below to get a feel for how beats are subdivided, and how the subdivisions that include rests sound. Once you can sing these rhythms or at least some of them out loud, you can start using these as a foundation for the scratches you develop.
++++++++++
One-sentence summary -- Listen closely to some beat-makers. Learn to beat-match on the fly. Layer different sounds to create music. Play records at different speeds. Don't over-scratch. Learn some basic music theory. Learn how to count these to the beats of songs you already like.

Q: Find out all you need to know about the child before starting the role. For example, find out what health issues the child might have, such as allergies, asthma, epilepsy, anger management issues, etc. Also find out all the things the child likes and ways that the parents use to distract the child. Write down the important information. Other things to find out include: Expected bedtime Bedtime story favorites Snacks allowed; meals required (including dietary preferences) Food likes and dislikes Diaper needs or toileting issues Fears the child might have Visitor policy Faith observance Always be prepared for any allergic reactions - what procedures are required to perform if this happens? Have this in sight near the telephone during the babysitting. In particular, have the parent's cell phone contact details readily available. Always ask if it is okay to bring along your own toys, games and snacks. Some parents may prefer that you only use what is in the house. If they do let you bring things, the novelty factor can make it easier to care for the children. This is useful for emergencies but also for texting any questions that aren't urgent but might be concerning you, such as where to find a pacifier, etc. You can also use the phone's alarm to remind you of bedtime for the children.
A: Know the child's needs. Ask the parents to compile a list of emergency call numbers. Pack some activities and maybe some snacks. Bring your cell phone.

Problem: Article: These scenes don't necessarily need to end up in your story; they are just meant to help you get to know your characters better. These scenes could involve another character asking the character you are trying to get to know about themselves. You could also create scenes where a character is presented with an interesting situation. Your goal is to determine what the character would do next, given his or her personality. One scene you could create is one where you (or a different character) begin to interview the character you are trying to get to know. For instance, you could create a journalist character to interview the character you are learning more about. Pose questions to your character on paper (either directly or through another character's voice). Answer these questions in the voice and style of the character you are trying to understand. Take notes and add details to your character's biography page as you expand the character more. Imagine how your character would react in different situations. What does that reaction tell you about him or her? Include those characteristics on his or her character page. You can use a scene from your everyday life, find one online, or just make something up, such as: "Your character walks into a bar to find a woman totally naked sitting at the bar. No one is paying her any attention. What does your character do next?". Another idea is: "Your character is sitting alone at bench. A car drives slowly by, and something is thrown out of the car. What does your character do next?" Or: "Your character is alone at night and hears a noise outside. He finds a small kitten sitting on the porch, obviously malnourished. What does your character do with the kitten?"
Summary:
Write short scenes that involve each of your characters. Create an 'interview' with your character. Create an interesting situation for your character.