In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Input: Consider Input: In an aircraft hangar, against a gleaming plane, Catherine Ballard is seen having sex with a swarthy guy who takes her from behind. At the same time in a film set camera room, producer James Ballard is having sex with a camera girl over a table. Later that evening in the Ballards' high-rise apartment, they calmly discuss the respective trysts as part of their open marriage. When he tells her that he didn't come, she distantly replies, "Poor darling. Maybe next one, maybe next one...." Ballard takes Catherine and has rough sex with her from behind as she leans over the balcony of their apartment, set against the tiny Toronto freeway traffic below.Another evening later, as Ballard drives and riffles through papers, he loses control of his car, which jumps carriageways and smashes into another car head-on. The driver of the other car is killed as he plunges through his car's windshield and through Ballard's windshield; his hand bears the imprint of the bonnet insignia. The female passenger of the car fumbles with her seat belt, exposing her left breast. She and Ballard stare at each other in shock.Ballard is seen shuffling along a hospital corridor, his broken leg encased in steel pins and scaffolding. The female passenger, Dr. Helen Remington, gives him a withering look as she walks stiffly by with her own injuries. A man in white overalls, holding photographs of auto crash wounds, examines Ballard's injuries with great interest. In the isolated ward, Ballard and Catherine indulge in a spot of mutual masturbation as she describes the shattered wreck of his car.After going home, he scans traffic through his binoculars. Ballard says that there seems to be more traffic since the accident. Getting behind the wheel again of a rental car, Ballard drives to examine his car at a local impound lot. Helen Remington is also there. Ballard drives her to the airport, where she tells him her name and that she works in immigration. They almost get into another car accident when a car cuts in front of them. She suggests going to the airport garage, where they have frantic sex against a plane. After going home, Ballard then has sex with Catherine, which is getting more urgent as he takes her from behind again.Another few nights later, Helen meets with Ballard again where she takes him to an event staged by the enigmatic Vaughan: a reconstruction of James Dean's fatal 1955 crash in his racing Porsche, Little Bastard. Ballard recognizes Vaughan as the man from the hospital several weeks ago. The accident is restaged without safety gear for Vaughan or his two stunt drivers, Seagrave and Trask. Watched by a small crowd, the two cars impact head on at speed. Trask is okay. Vaughan struggles painfully from the wrecked Porsche, but Seagrave, who was driving him, is only semi-conscious. Over the PA speakers, Vaughan announces, "James Dean died of a broken neck and became immortal." Just then, police sirens are heard as the crowd scatters in all directions. Ballard and Helen run with Vaughan through the nearby woods, where they reach Vaughan's battered black Lincoln convertible. As he drives away from the scene, Vaughan fingers Helen while Ballard watches with curiosity.A short time later, Vaughan, Helen, and Ballard arrive at an unkempt communal house. Vera Seagrave attends to her husband's injuries while callipered crash victim Gabrielle offers everyone joints to smoke. Everyone is soon wasted on the pot. Vaughan talks to the concussed Seagrave about recreating Jane Mansfield's fatal crash. Producing an album of crashed photographs, he describes his project about re-enacting fatal auto crashes as the reshaping of the human body by modern technology.Another day later, Ballard and Catherine drive in separate cars. At an intersection, Vaughan draws up behind Catherine's silver sports car and follows aggressively before she pulls off the road. When Ballard takes her from the rear once more, she incorporates Vaughan into the act, asking if Ballard would like to sodomize him in his big car. Ballard backs away with slight disgust.At the airport garage, Ballard and Helen meet where they again have sex. Discussing her sexual exploits in cars, Helen admits to a fantasy of Vaughan photographing them as if they were in traffic accidents. Later, back at the commune house, Vaughan and his group smoke more joints and watch crash-test videos. They are all sexually turned on by the violence of the crashes on the screen.Driving around airport perimeter roads, Ballard connects Vaughan's Lincoln convertible with the 1963 JFK assassination. Vaughan tells him, "The car crash is a fertilizing rather than a destructive event--a liberation of sexual energy of those who have died, with an intensity that is impossible in any other form." It is clear that this Vaughan's real desire: the ultimate existential experience. He picks up an airport hooker and has sex with her in the back seat while Ballard drives and watches in the mirror.As Catherine and Ballard leave the studio for the day as he tells her more about Vaughan's underground sub-culture of crash victims, Vaughan arrives to pick them up when he is questioned by the police about the death of a pedestrian near the airport. He is shaken as Ballard drives his car.On the local freeway, Vaughan, Ballard, and Catherine encounter a multi-vehicle accident. Vaughan takes crash photographs, then stages more using Catherine as a model. The EMTs working on the wrecks are too busy to care. In the front wreck, Vaughan finds the dead Seagrave, dressed as Jayne Mansfield, complete with a scalped blond wig and a dead dog in the back seat. Vaughan is amazed that Seagrave went through and reenacted the fatal crash on his own.After Ballard finds blood on Vaughan's car, they go to a car wash. In the back seat, Vaughan has brutal sex with Catherine in the back seat under the gaze of an entranced Ballard, who later examines his bruises and scars on his healed leg in silence.In an auto showroom at a local car dealership, Gabrielle is helped into a Mercedes by an embarrassed salesman as Ballard looks on, amused by Gabrielle fondling the car, and saying how it turns her on. A little later at the airport garage, Ballard arranges Gabrielle's broken and scared body in order to access a healed crash-wound in her rear thigh.Vaughan phones Ballard to meet with him to witness his prophetic medical tattoo: a steering-column indentation on his torso. He encourages Ballard to have a small insignia on his thigh. Later, in a junkyard, Ballard and Vaughan finally have gay sex in the back seat of the Lincoln. Afterward, as Ballard sits behind the wheel of a wrecked car, Vaughan slams into it. The next day, Catherine's silver sports car has also been rammed.As Ballard drives around the airport perimeter, Vaughan's car launches out of nowhere; he is in a delirium as he toys with Ballard's sports car, ramming into it playfully before he accidentally swerves over a parapet and landing on a coach below. Ballard stops and surveys the carnage as Vaughan lies dead among the wreck.The next morning in the impound lot, Gabrielle and Helen arrive to look at Vaughan's wrecked Lincoln, where they begin making out with each other and they have lesbian sex in the back seat of the late Vaughan's car.Ballard decides to go to the pound to reclaim Vaughan's car. On the open road, he drives the Lincoln as recklessly as Vaughan, overtaking several vehicles in pursuit of Catherine whom is driving her car on the road ahead. He rams into her car, running it off the road and down an embankment. Ballard stumbles out of the Lincoln and painfully stumbles down the embankment. Catherine is lying on the ground, having been thrown from her car, alive but seriously wounded, with her skirt around her waist. Ballard lies down next to her, caresses her bloodied body, and when she says she's all right, he takes her from behind again, having sex with her on the grass embankment. He tells the semi-conscious Catherine as he climaxes: "Maybe the next one...."

Output: Question: Who is Hansen?, Answer: One of the police officers

Input: Consider Input: Dr. Frederick Frankenstein (Gene Wilder) is a respected lecturer at an American medical school and is more or less happily (though blandly) engaged to the tightly wound Elizabeth (Madeline Kahn). Frederick becomes exasperated when anyone brings up the subject of his grandfather, the famous mad scientist, to the point of insisting that his name is pronounced "Fronk'-en-steen".A solicitor informs Frederick that he has inherited his family's estate. Traveling to said estate in Transylvania, Frankenstein meets his comely new lab assistant Inga (Teri Garr), along with the household servants Frau Blucher (Cloris Leachman) and Igor (Marty Feldman) (who, after hearing Frederick claim his name is pronounced "Fronkensteen" counter-claims that his is pronounced "Eye'-gor.")Inga assists Frederick in discovering the secret entrance to his grandfather's laboratory. Upon reading his grandfather's private journals the doctor is inspired to resume his grandfather's experiments in re-animating the dead. He and Igor successfully exhume and spirit away the enormous corpse of a recently executed criminal, but Igor's attempt to steal the brain of a revered scientist from the local "brain depositary" goes awry, and he takes one labeled, "Do Not Use This Brain! Abnormal" instead.The doctor and reassembled monster (Peter Boyle) are elevated on a platform to the roof of the laboratory during a lightning storm. The experimenters are first disappointed when the electrically charged creature fails to come to life, but the reassembled monster eventually revives. The doctor assists the monster in walking but, frightened by Igor lighting a match, it attacks Frederick and must be sedated.Meanwhile, the local townspeople are uneasy at the possibility of Frederick continuing his grandfather's work. Most concerned is Inspector Kemp (Kenneth Mars), who visits the doctor and subsequently demands assurance that he will not create another monster. Upon returning to the lab, Frederick discovers that Frau Blucher is setting the creature free. After she reveals the monster's love of music, and her own romantic relationship with Frederick's grandfather, the creature is enraged by sparks from a thrown switch, and escapes from the Frankenstein castle.While roaming the countryside, the Monster has frustrating encounters with a young girl and a blind hermit (cameo by Gene Hackman); these scenes directly parody ones from the original Frankenstein movies. Frederick recaptures the monster, wins him over with flattery, and finally fully acknowledges his heritage.After a period of training, he offers a theater full of illustrious guests the sight of "The Creature" following simple commands. The demonstration continues with Frederick and the Monster launching into the musical number "Puttin' on the Ritz", complete with top hats and tails (and no small amount of clumsiness on the monster's part), which ends disastrously when a stage light explodes and frightens the monster. He becomes enraged and charges into the audience where he is captured and chained by police.After being tormented by a sadistic jailer who smiles, the Monster escapes again, then kidnaps and ravishes the not-unwilling Elizabeth when she arrives unexpectedly for a visit. Elizabeth falls in love with the creature due to his inhuman stamina and his enormous penis.The townspeople, led by Inspector Kemp, hunt for the Monster. Desperate to get the creature back and correct his mistakes, Frederick plays music and lures the Monster back to the castle. Just as the Kemp-led mob storms the laboratory, Dr. Frankenstein transfers some of his stabilizing intellect to the creature who, as a result, is able to reason with and placate the mob.The film ends happily, with Elizabeth married to the now erudite and sophisticated Monster, while Inga joyfully learns what her new husband Frederick got in return from the Monster during the transfer procedure (the Monster's gigantic penis).

Output: Question: Where does Dr Frederick Frankenstein work ?, Answer: Dr. Frederick Frankenstein is a respected lecturer at an American medical school.

Input: Consider Input: Joel [James Bond III] is almost to the end of ministry school when he feels the needfor a break before taking on the final plunge, so he calls his brother"K" [Kadeem Hardison], an aspiring actor in New York City, and asks "K" whether he can comestay with him for a little while. "K" is only too happy to show his littlebro around the wild city. First stop is the One Step Down club that "K"visited the night before. It was here that he met the girl of his dreams [Cynthia Bond],and he is hoping to run into her again. What "K" doesn't know is that sheis a demon succubus who picks up men in the bar, takes them home to herapartment, has wild sex with them, and then kills them.Before "K" can hook up with the girl again, she has already laid herlatches on Joel and pretends not to recognize "K". At first, "K" thinksshe's playing a joke on him, but it soon becomes apparent that she's not.The next day, when she drops by the apartment to pick up Joel, "K" noticesthat she casts no reflection in a mirror, and he becomes concerned. Heconsults his detective friend Dougy [Bill Nunn] and asks for advice. Turns out thatDougy has been following her for years. He's been watching her pick up menat the bar, and the men she picks up are never heard from again. Dougy hasa long list of her victims from as far back as the 1800s who all seem tohave been murdered by the same modus operandi, same satanic ritualsperformed before killing the victims, and fingerprints that are not human.Her file name is "Temptation".In order to gain more knowledge about Temptation, "K" and Dougy pay avisit to a psychic. Madam Sonya is able to tell them that Temptation, whomshe calls "It", exists to corrupt the part of man that seeks God and good."It" uses man's sexuality to place them in a state of lustful existence."It" incarnates periodically for the sole purpose of seducing anddestroying souls. "It" is an ancient demon, and she lured Joel to NewYork. As Madam Sonya [Melba Moore] is telling them how to destroy the demon, Temptationtakes over Madam Sonya's body and warns "K" and Dougy that she knows aboutthem and will not let them live."K" decides that it's time to take matters into his own hands. First,he tries to warn Joel about Temptation, but Joel insists that he can takecare of himself. Next, he calls their Grandma [Minnie Gentry] back in North Carolina, whohas been having bad dreams about Joel. Finally, "K" and Dougy head over tothe club to kill Temptation. They get the bartender to fix her a drinkusing holy water as the mixer. As Temptation lies thrashing on the floor,Dougy tries to thrust a knife through her heart, but she makes Dougy turnthe knife on himself. Fortunately, "K" is able to turn the knife away fromDougy. Knowing that they're fighting something bigger than they canhandle, "K" and Dougy run from the bar, but Temptation catches up withDougy."K" runs home, but Joel isn't there. "K" takes a drink from a sodabottle in the refrigerator and begins to hear voices. Grabbing a knife, hetracks down the voices to the television but, when he goes near, he issucked into it. Joel has gone to Temptation's house, where she is busytrying to get him to drink liquor and become sexually aroused. She kissesJoel, and he immediately passes out. Joel awakens to find himself lying inhis childhood bed next to Temptation, his deceased father [Samuel L. Jackson] standing overthem. Joel realizes that this cannot be his father just as Grandma burstsin the door, but Temptation belts her one, then does the same to Joel.Temptation transforms into her demon-self and tries to strangle Grandma.Joel crawls to where his Bible and cross have fallen, grabs the cross, andholds it up to Temptation until she explodes. Grandma and Joel hug eachother.Epilogue: A car drives up to the One Step Down. It is chauffeured by "K".Dougy gets out of the back seat and saunters into the club, putting on thesame act that Temptation used to use. Joel, walking down the street,assures himself that he and Temptation will meet again someday. [Original Synopsis by bj_kuehl.]
Output: Question: Who is Dougy?, Answer: The guy who has been tracking Temptation.