input: The original Animals line-up of Burdon, Price, Valentine, Chandler and Steel reunited for a benefit concert in Newcastle in December 1968 and re-formed in late 1975 to record again. Burdon later said nobody understood why they did this short reunion. They did a mini-tour in 1976 and shot a few videos of their new songs like "Lonely Avenue" and "Please Send Me Someone to Love". They released the album in 1977 aptly called Before We Were So Rudely Interrupted. The album received critical praise. Burdon and Valentine also recorded some demos at that time, which were never released. On 12 December 1982, Burdon performed together with Alan Price and a complete line-up, foreshadowing later events. All five original band members reunited again in 1983 for the album Ark and a world concert tour, supplemented by Zoot Money on keyboards, Nippy Noya on percussion, Steve Gregory on saxophone and Steve Grant on guitar. The first single "The Night" reached #48 at the US Pop Singles and #34 at the Mainstream Rock Charts, also gaining success in Greece. They released a second single called "Love Is For All Time". The Ark tour consisted of about one-third material from the original 1960s and two-thirds material from Ark or other songs. The latter included the songs "Heart Attack", "No More Elmore" (both released a year earlier by Burdon), "Oh Lucky Man" (from the 1973 soundtrack album to O Lucky Man! by Price), "It's Too Late", "Tango", and "Young Girls" (later released on Burdon's compilation, The Night). On 9 September, they had their first show in New York at the Mid-Hudson Civic Center, the tickets for which sold out. A Wembley Arena concert followed on 31 December (supporting The Police) which was released on the Rip it To Shreds live album in 1984 after they had disbanded again. Their concert at the Royal Oak Theatre in Royal Oak, Michigan on 29 November 1983 was released on 27 February 2008, as Last Live Show. A film about the reunion tour was shot but never released. Chas Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original line-up.

Answer this question "Do you know why they reunited?"
output: to record again.

input: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops. The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members. They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.

Answer this question "Did they have any hit songs?"
output: They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee.

input: Villa was famous during the Revolution and has remained so, holding a fairly mythical reputation in Mexican consciousness, but not officially recognized in Mexico until long after his death. As the "Centaur from the North" he was considered a threat to property and order on both sides of the border, feared, and revered, as a modern Robin Hood. In Mariano Azuela's novel The Underdogs, anti-federal soldiers talk about him as an archetype of an anti-authoritarian bandit: "Villa, indomitable lord of the sierra, the eternal victim of all governments... Villa tracked, hunted down like a wild beast... Villa the reincarnation of the old legend; Villa as Providence, the bandit, that passes through the world armed with the blazing torch of an ideal: to rob the rich and give to the poor. It was the poor who built up and imposed a legend about him which Time itself was to increase and embellish as a shining example from generation to generation." However, a little later, one character distrusts the rumors: "Anastasio Montanez questioned the speaker more particularly. It was not long before he realized that all this high praise was hearsay and that not a single man in Natera's army had ever laid eyes on Villa." Whatever the reality behind the legends, even after his defeat Villa remained a powerful character still lurking in the Mexican mind; in 1950 Octavio Paz wrote, in his morose but thoughtful book on the Mexican soul, The Labyrinth of Solitude, "The brutality and uncouthness of many of the revolutionary leaders has not prevented them from becoming popular myths. Villa still gallops through the north, in songs and ballads; Zapata dies at every popular fair. ... It is the Revolution, the magical word, the word that is going to change everything, that is going to bring us immense delight and a quick death." Pancho Villa remains a controversial figure in the United States. USA Today reported, "A terrorist in 1916, a tourist attraction in 2011. ... On Jan. 8, 1916, 18 U.S. businessmen were massacred by Villa's men in a train robbery in northern Mexico. It was not the first or last of Villa's atrocities; he personally shot a priest who begged for clemency for his villagers, as well as a woman who blamed him for her husband's death."

Answer this question "how was he like robin hood?"
output:
Villa tracked, hunted down like a wild beast...