[Q]: Generate a question that has the following answer: the individual's constant negation of God's invitation to become one with the universe for the following movie plot: Waking Life is about an unnamed[3] young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanity, the film theory of Andre Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name. Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker, though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream. The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to...
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[A]: What is living?

[Q]: Generate a question that has the following answer: Journalist/filmmaker Thet Sambath for the following movie plot: A personal journey into the heart of the Killing FieldsOne of the most harrowing and compelling personal documentaries of our time, ENEMIES OF THE PEOPLE exposes for the first time the truth about the Killing Fields and the Khmer Rouge who were behind Cambodias horrific genocide. More than simply an inquiry into Cambodias experience, however, ENEMIES OF THE PEOPLE is a profound meditation on the nature of good and evil, shedding light on the capacity of some people to do terrible things and for others to forgive them.Winner of a dozen top documentary festival awards, including a Special Jury Prize at Sundance and the Grand Jury Award at the Full Frame Documentary Festival, this is a riveting film that takes audiences as close to witnessing evil as they are ever likely to get. It is also a personal journey into the heart of darkness by journalist/filmmaker Thet Sambath, whose family was wiped out in the Killing Fields, but whose patience and discipline elicits unprecedented on-camera confessions from perpetrators at all levels of the Khmer Rouge hierarchy. This is investigative journalism of the highest order.In 1974, Thet Sambaths father became one of the nearly two million people who were murdered by the Khmer Rouge when he refused to give them his buffalo. Sambaths mother was forced to marry a Khmer Rouge militiaman and died in childbirth in 1976, while his eldest brother disappeared in 1977. Sambath himself escaped Cambodia at age 10 when the Khmer Rouge fell in 1979.Fast forward to 1998, and Sambath, now a journalist, got to know the children of some senior Khmer Rouge cadre and gradually earned their trust. Then, for a decade, he spent weekends visiting the home of the most senior surviving leader, Nuon Chea, aka Brother Number Two under Pol Pot. But he never used to say anything different from what he told Western journalists, says Sambath, I was low-ranking, I knew nothing, I am not a killer. Then one day he said to me Sambath, I trust you, you are the person I would like to tell my story to. Ask me...
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[A]: Khoun and Suon take who to the scene of the massacre?

[Q]: Generate a question that has the following answer: Piano for the following movie plot: A train in New York City carries passengers to work, including Veronika Deklava (Sarah Michelle Gellar). We see Veronika walking the streets of Manhattan, working at her job, meeting a young man for a drink afterward, and finally going home. During this time, she gives a voiceover as if talking to a psychiatrist who she thinks will put her on antidepressants, and she gives a prediction of her life all the way to her old age.At home, Veronika pours herself a drink and takes a number of prescription medications out of her bathroom medicine cabinet. She arranges the bottles in a line on her coffee table, and then lays out a number of pills. Putting on some music, Veronika swallows the pills one by one, washing them down with her drink.As the pills take effect, Veronika starts to type out an email to her parents, ominously telling them that none of what is about to happen, is their fault. Deleting the email, she picks up a fashion magazine and instead begins to type out an email to the Village Voice, lambasting them over a fashion slogan she sees as a lie. In the email Veronika lashes out at media and corporate misleading of the public to things that Veronika believes, really matter in life... and that she's committing suicide as the only viable escape from a world she sees as unreal.But in signing her real name, Veronika has not reckoned with the power of the internet. Within minutes, viewers have shared and spread the email, and traced it back to her, and a man is banging on her door even as she collapses in her living room. Bursting into the apartment, the man bends over Veronika, feeling for a pulse, and yells for 911 to be called. The unconscious Veronika is hurried to a hospital where doctors work feverishly to save her life.Veronika is brought to a private care facility called Villette. As the ambulance brings her in, a young man named Edward (Jonathan Tucker) is sitting in a tree. Orderlies come to bring him to be seen by Villette's director, Dr. Blake (David Thewlis). Edward pauses to give a curious...
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[A]:
What does Veronika plays at the asylum?