input: Not much of Lovecraft and Susie's activities from late 1908 to 1913 are recorded. Lovecraft mentions a steady continuation of their financial decline highlighted by a failed business venture of his uncle that cost Susie a large portion of their dwindling wealth. Accounts differ on how reclusive Susie and Lovecraft were during this time. A friend of Susie, Clara Hess, recalled a visit during which Susie spoke continuously about Lovecraft being "so hideous that he hid from everyone and did not like to walk upon the streets where people could gaze on him." Despite Hess' protest that this wasn't the case, Susie maintained this stance. In the same account though, Hess said she regularly saw Susie out and about riding streetcars. For his part, Lovecraft said he found his mother to be "a positive marvel of consideration." A next-door neighbor later pointed out that what others in the neighborhood often supposed were loud, nocturnal quarrels between mother and son, she recognized as being recitations of Shakespeare; an activity that seemed to delight mother and son. Susie had an adoration for French literature, having studied French in boarding school. Lovecraft, though he never matched his mother's admiration of French literature, admired her knowledge and devotion to it. Lovecraft recalls Susie also had a passion for painting landscapes of the surrounding countryside, though none of her work survives today. One of Lovecraft's later friends, C. M. Eddy Jr., became aware of Lovecraft due to his wife Muriel, whose mother-in-law attended a women's suffrage meeting where she met Susie. During this period Lovecraft revived his earlier scientific periodicals. He endeavored to commit himself to the study of organic chemistry, Susie buying the expensive glass chemistry assemblage he wanted. Lovecraft found his studies were hobbled by the mathematics involved, which he found boring and would cause headaches that would incapacitate him for a day. Lovecraft's first poem that wasn't self-published appeared in a local newspaper in 1912. Called "Providence in 2000 A.D.", the poem envisioned a future where proper people of English heritage were displaced by immigrants. Surviving unpublished poems from this period, most notoriously "On the Creation of Niggers", were also emblematic of the xenophobia and racism inherent in much of Lovecraft's later work. In 1911 Lovecraft's letters to editors began appearing in pulp and weird fiction magazines, most notably Argosy. A 1913 letter critical of Fred Jackson, a prominent writer for Argosy, started Lovecraft down a path that would greatly affect his life. Lovecraft described Jackson's stories as "trivial, effeminate, and, in places, coarse." Continuing, Lovecraft said that Jackson's characters exhibit the "delicate passions and emotions proper to negroes and anthropoid apes." This sparked a nearly year-long feud in the letters section of Argosy between Lovecraft, along with his occasional supporters, and the majority of readers critical of his view of Jackson. Lovecraft's biggest critic was John Russell, who often replied in verse, and to whom Lovecraft felt compelled to reply to because he respected Russell's writing skills. The most immediate effect of the feud was the recognition garnered from Edward F. Daas, then head editor of the United Amateur Press Association (also known as the UAPA). Daas invited Russell and Lovecraft to the organization and both accepted, Lovecraft in April 1914.

Answer this question "what happened in 1908?"
output: Lovecraft mentions a steady continuation of their financial decline highlighted by a failed business venture of his uncle

Question: Focus are a Dutch rock band formed in Amsterdam in 1969 by keyboardist, vocalist, and flautist Thijs van Leer. The band have undergone numerous formations in its history; since December 2016 it has comprised van Leer, drummer Pierre van der Linden, guitarist Menno Gootjes, and bassist Udo Pannekeet. Past members include guitarist Jan Akkerman and bassist Bert Ruiter. They have sold one million RIAA-certified albums in the United States.

In mid-1983, both of Akkerman's managers came up with the idea of the guitarist reuniting with van Leer to record new music, to which Akkerman agreed. Van Leer immediately accepted the invitation, and went on to play the synthesiser on "Headbanger" on Akkerman's 1984 solo album From the Basement. After this initial collaboration, one executive at Phonogram Records suggested the pair work with producer Trevor Horn to release an album of re-recorded Focus tracks, but it was dismissed. In the following 15 months, the two wrote, rehearsed, and recorded new music with several additional musicians with engineer Theo Balijob. Their contract required the two to record as a duet, rather under the name Focus. During the recording, producer Ruud Jacobs was brought in to supervise the project due to the length of time taken to put the tracks down. Balijon claimed Jacobs cut corners and pushed for the strongest tracks to be completed quickly to save production costs, which "unintentionally increased the animosity between Jan and Thijs". In the 63 days they spent recording from April to May 1984, around 30 tracks were completed with several additional musicians. Focus was released in March 1985 by Vertigo Records which reached number 33 in the Netherlands. The pair followed the album with promotional videos and a local four-date tour. In 1988, EMI acquired the rights to the band's back catalogue and reissued their albums on compact disc for the first time. In 1990, the former line-up of van Leer, Akkerman, van der Linden, and Ruiter reunited for the first time since 1975. The four played a 40-minute set at the Americahal in Apeldoorn on 20 April that was broadcast as part of the Oud van Goud television special. It came about when producer Frans Meijer asked Akkerman to perform a gig with the group, and the fact that the guitarist's manager had not seen the band play in the 1970s, so "it was swatting two flies with one hit". The other three agreed at the opportunity, and they rehearsed for four hours in Wijchen several days prior to the concert. Ruiter said they "went very well"; van Leer said it was "fantastic". Following the concert, van Leer was keen to formally restart Focus with Akkerman, though the latter felt different though he was happy to reunite with van der Linden. On 17 May the group, minus Akkerman, mimed a performance of "House of the King" on the Service Salon television program on AVRO-TV. Originally the band were to perform "Hocus Pocus" with Akkerman, but the guitarist declined the offer made by the network, stating he reunited with Focus for Meijer and his manager. The appearance went ahead regardless. Van Leer and Akkerman shared the stage once more in 1993, performing Focus songs at the North Sea Jazz Festival. In 1999, van Leer attempted to reform Focus with Cleuver, Ruiter, and Dutch guitarist Menno Gootjes. They performed several live dates in the Netherlands, but disagreements between van Leer and Ruiter over material intended for release effectively split up the group.

Using a quote from the above article, answer the following question: Did they do any tours during this time frame?
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Answer:
Focus was released in March 1985 by Vertigo Records which reached number 33 in the Netherlands. The pair followed the album with promotional videos and a local four-date tour.