Detailed Instructions: In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
Problem:Question: How many other albums did Phil Ramone work with Joel on? Passage:By 1976, Joel had formed a reliable touring band consisting of Doug Stegmeyer on bass, Liberty DeVitto on drums and Richie Cannata on saxophone, flute, clarinet and organ. Joel grew to heavily appreciate this group of musicians, finding that they had a high-energy, rough-around-the-edges feel that Joel hoped to capture in his studio albums. During the production of Turnstiles, Joel had tried working with veteran producer Jim Guercio, who tried to have him work with members of Elton John's band, but was dissatisfied with the results, instead opting to self-produce the album using the same band that he had formed while touring. With a handful of new written material, Joel wanted to use his touring band in the studio for his next album as he had done on Turnstiles, so he sought out a new producer who would be able to cultivate the style that he was looking for. Joel initially looked to famed Beatles producer George Martin; as a long-time fan of The Beatles, he wanted him to produce his new record. Martin showed interest after the two had met, but did not want to use Joel's band, wishing instead to bring in session players. Joel, who had mostly worked with session players for his first three albums with only scattered contributions from his own backup musicians and strongly disliked the polished sound that they gave off as a result, was adamant in making use of his newly-formed band, and ultimately declined. Ultimately, Joel turned to Phil Ramone, a veteran New York City sound engineer and record producer who had recently worked with Paul Simon, another singer-songwriter, on the album Still Crazy After All These Years. According to Joel, he and Ramone met with each other at Fontana di Trevi, an Italian restaurant located near Carnegie Hall where Joel had been playing at the time. The restaurant would eventually go on to inspire the setting of "Scenes from an Italian Restaurant", a song on The Stranger. According to Joel, Ramone expressed an appreciation for Joel's band and their energy, and understood the reasoning behind Joel's attitude towards recording, which ultimately led him to choose Ramone as the producer for his next album.

Solution:
Ultimately, Joel turned to Phil Ramone, a veteran New York City sound engineer and record producer who had recently worked with Paul Simon, another singer-songwriter, on the album Still Crazy After All These Years