IN: Mao Asada (Qian Tian Zhen Yang , Asada Mao, born September 25, 1990) is a former Japanese competitive figure skater. She is the 2010 Olympic silver medalist, a three-time World champion (2008, 2010, 2014), a three-time Four Continents champion (2008, 2010, 2013), and a four-time Grand Prix Final champion (2005-06, 2008-09, 2012-13, 2013-14). She is the only female figure skater who has landed three triple Axel jumps in one competition, which she achieved at the 2010 Winter Olympics.

Asada moved from Japan to the United States in August 2006 to train with Rafael Arutyunyan in Lake Arrowhead, California. There she was able to escape the overcrowding of Japanese rinks and the pressure of the Japanese media. At her first event, the 2006 Skate America, Asada won the bronze medal behind Miki Ando and Kimmie Meissner. Asada had won the short program, but was fourth in the free skating, finishing with a total score 171.23 points. She was 21.36 points out of first place. Asada won her second event, the 2006 NHK Trophy with 199.52 points, setting the highest combined score in a Ladies' competition under the ISU Judging System and consequently, a world record. Her margin of victory was 20.21 points ahead of silver medalist Fumie Suguri. Asada went into the 2006-07 Grand Prix Final as the reigning champion. She placed second with 172.52 points, 11.68 behind gold medalist Yuna Kim. Asada had won the short program, but placed fourth in the free skating. Asada won the 2006-07 Japan Championships by 26.11 points ahead of silver medalist Miki Ando. At the 2007 Worlds Championships, Asada was fifth in the short program, 10.03 points behind Yuna Kim, who placed first in that section of the competition with a score of 71.95 points, setting a new world record for the highest short program score. Asada won the free skating with a score of 133.13 points, setting a new world record for the highest free skating score, a record which stood for eight months. During her free skating, she successfully landed a triple axel, a triple flip-triple loop combination, a double axel, a triple lutz, a triple flip, and a triple lutz-double loop-double loop combination but under-rotated the second jump of a double axel-triple toe loop combination. She won the silver medal at her first Senior World Championships appearance, earning an overall of 194.95 points, 0.64 behind gold medalist Miki Ando and 8.31 ahead of Yuna Kim, who won the bronze.
QUESTION: did she win
IN: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch). Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era. After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).
QUESTION:
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