Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Maria Christina Henriette Desideria Felicitas Raineria of Austria, also known as Maria Christina Henrietta Desiree Felicite Reniere (21 July 1858 6 February 1929) was Queen of Spain as the second wife of King Alfonso XII. She was regent during the vacancy of the throne between her husband's death and her son's birth, and during the minority of their son, Alfonso XIII, between 1885 and 1902. Context_2 : Lord Dingwall is a title in the Peerage of Scotland. It was created in 1609 for Sir Richard Preston, with remainder to his heirs whatsoever. In 1619 he was further honoured when he was made Baron Dunmore and Earl of Desmond in the Peerage of Ireland, with remainder to heirs male. On his death in 1628 the Irish titles became extinct while he was succeeded in the Scottish lordship by his daughter Elizabeth, the second Lady Dingwall. She was the wife of James Butler, 1st Duke of Ormonde. Their eldest son Thomas Butler, Earl of Ossory, was summoned by writ to the English Parliament as Baron Butler, of Moore Park, in 1666. However, he predeceased his parents who were both succeeded by their grandson, the second Duke and third Lord Dingwall. He had already succeeded his father as second Baron Butler. However, the Duke was attainted in 1715 and his titles forfeited. In 1871, Francis Cowper, 7th Earl Cowper, managed to obtain a reversal of the attainder of the lordship of Dingwall and barony of Butler and became the fourth Lord Dingwall and third Baron Butler. He was the great-great-great-grandson of Henrietta Butler, Countess of Grantham (wife of Henry de Nassau d'Auverquerque, 1st Earl of Grantham), second daughter of Thomas Butler, Earl of Ossory and 1st Baron Butler, whose second daughter Lady Henrietta de Nassau d'Auverquerque married William Clavering-Cowper, 2nd Earl Cowper. In 1880 he also succeeded his mother as eighth Baron Lucas of Crudwell. For later history of the lordship of Dingwall and barony of Butler, see the Baron Lucas of Crudwell. Context_3 : Mary Rich, Countess of Warwick (8 November 1625 12 April 1678) was the seventh daughter of Richard Boyle, 1st Earl of Cork, and his second wife, Catherine Fenton (only daughter of Sir Geoffrey Fenton and Alice Weston). She was born in 1625 in Youghal, County Cork, and after her mother's death (1628) raised by relatives in Mallow before becoming a maid of honour to Queen Henrietta Maria. In 1641 she married Charles Rich, 4th Earl of Warwick , and they had two children who died young. Context_4 : Countess Henriette Adriana Maria Ludovica Flora d'Oultremont de Wegimont (28 February 1792 in Maastricht26 October 1864 at Rahe Castle in Aachen) was the second, morganatic, wife of the first Dutch king, William I. Context_5 : William I (Willem Frederik, Prince of Orange-Nassau; 24 August 1772 12 December 1843) was a Prince of Orange and the first King of the Netherlands and Grand Duke of Luxembourg. Context_6 : Prince Dipangkorn Rasmijoti (born 29 April 2005; Thai: ; rtgs:"Thipangkon Ratsamichot" ; ] ) is a member of the country's Chakri dynasty and heir presumptive to the throne of Thailand. He is the fifth son of King Vajiralongkorn. His mother is Srirasmi Suwadee, the king's third legal wife. His father also has a daughter by his first wife and five children (four sons and a daughter) by his second wife; all the children of the second wife were born before the then-crown prince married their mother but after the Crown Prince married her the 5 children were legitimised by marriage. After the Crown Prince divorced his second wife in 1996, he disowned her sons. Thus, Dipangkorn is the only recognised son of the king. Context_7 : Princess Palatine Benedicta Henrietta (Benedicta Henrietta Philippina; 14 March 1652 12 August 1730) was a German princess, the third and youngest daughter of Prince Palatine Edward and his French wife, the political hostess Anna Gonzaga. Benedicta became the Duchess of Brunswick-Luneburg, or of Hanover, by her marriage to Duke John Frederick. She was a descendant of the Paleologos and Angelos Byzantine emperors and an ancestor of Louis XVI of France and Louis Philippe I, King of the French, as well as the Habsburg-Lorraine dinasty from Francis I of Austria and of most Roman Catholic dynasties of Europe of the XIX, XX and XXI centuries. Context_8 : Henrietta of England (16 June 1644 O.S. (26 June 1644 N.S.) 30 June 1670) was the youngest daughter of King Charles I of England, Scotland and Ireland and his wife, Henrietta Maria of France. Fleeing England with her governess at the age of three, she moved to the court of her first cousin Louis XIV of France, where she was known as "Minette". After she married Philippe of France, brother of King Louis XIV, known as "Monsieur" at court, she became known as "Madame". Her marriage was marked by frequent tensions. Henrietta was instrumental in negotiating the Secret Treaty of Dover, in June 1670 early in the same month as her unexpected death. Jacobite claims to the throne of Great Britain following the death of Henry Benedict Stuart descend from her through her daughter Anne Marie, Queen of Sardinia. Context_9 : Maria Theresa of Austria (Maria Theresia Isabella; 31 July 1816 8 August 1867) was the second wife of Ferdinand II of the Two Sicilies. She was the eldest daughter of Archduke Charles, Duke of Teschen and Princess Henrietta of Nassau-Weilburg. Context_10 : Double Nude Portrait: The Artist and his Second Wife 1937 (also known as the Leg of mutton nude portrait) is an oil on canvas painting by British artist Stanley Spencer. It depicts Spencer and his soon-to-be second wife, Patricia Preece, beside a raw leg of lamb. The painting is sexually charged: Spencer's second wife was a lesbian in a long-term relationship when they married, and their marriage was never consummated. The painting is held by the Tate Gallery, which describes it as "probably now Spencer's most famous picture". fact_1 : Countess Henriette Adriana Maria Ludovica Flora d'Oultremont de Wegimont (28 February 1792 in Maastricht26 October 1864 at Rahe Castle in Aachen) was the second, morganatic, wife of the first Dutch king, William I. fact_2 : William I (Willem Frederik, Prince of Orange-Nassau; 24 August 1772 12 December 1843) was a Prince of Orange and the first King of the Netherlands and Grand Duke of Luxembourg. Answer: 1772
Answer:
Henrietta dOultremont was the second wife of a king born in what year?