IN: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers. By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper: While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.
QUESTION: Who did he work with on the recording?
IN: Armando Christian Perez (born January 15, 1981), known by the stage name Pitbull or Mr. Worldwide, is an American rapper. His first recorded mainstream performance was on a solo track from Lil Jon's 2002 album Kings of Crunk. In 2004, Pitbull released his debut album M.I.A.M.I. under TVT Records. It included production producers Lil Jon and Jim Jonsin.

In 2004, Pitbull released his debut album M.I.A.M.I., with the lead single being "Culo" produced by Lil Jon and the Diaz Brothers. It peaked at No. 32 on the Billboard Hot 100 chart and No. 11 on the Hot Rap Tracks chart. Other singles included "Dammit Man", "Back Up", "Toma", and "That's Nasty" (both featuring Lil Jon). He joined the Anger Management Tour, the 2000 hip-hop concert tour headlined by Eminem and 50 Cent. Pitbull also appeared on the Ying Yang Twins' single "Shake", which peaked at No.41 on the Hot 100 and No.12 on the rap chart, Adassa's chart topping single "Kamasutra" & Twista's "Hit the Floor" (#94 Hot 100, No. 20 Rap). Remix album Money Is Still a Major Issue was released in November 2005; it included new track "Everybody Get Up", a duet with hip-hop/R&B group Pretty Ricky. TVT Records, Pitbull's label at the time, and Slip-n-Slide Records disputed over the release of Welcome to the 305, an unreleased album by Slip-n-Slide that Pitbull had recorded in 2001. A Miami judge ruled that Slip-n-Slide had a legal right to release the album as it was recorded when Pitbull was a Slip-N-Slide artist, and prior to him signing with TVT Records. A U.S. District Court judge affirmed the decision further. TVT was then ordered in March 2007 to pay Slip-n-Slide $9.1 million for attempting to block the album's release to record stores and digital download entities. In 2005 Pitbull and rapper Sean 'Diddy' Combs co-founded Bad Boy Latino, a subsidiary of Combs' Bad Boy Records label. It primarily focuses on Latin hip hop, Latin soul, Latin pop and other tropical music and has offices in New York and Miami, Florida. Along with co-founding it, Perez currently heads the A&R division of the label.
QUESTION:
did it win any awards?