input: When WCW was purchased by WWF owner Vince McMahon in 2001, Page was one of the few major WCW stars (along with Booker T and Buff Bagwell) who accepted buyouts of their AOL Time Warner contracts in order to immediately sign with McMahon. He debuted in the World Wrestling Federation (WWF) on the edition of June 18, 2001 of Raw when he unveiled himself as the stalker of The Undertaker's wife, Sara. Page revealed he didn't care about Sara; he only did it to make an impact and wanted to take on the biggest dog in the yard. Page soon joined the Alliance during the WCW Invasion. At King of the Ring, he fought The Undertaker in an unsanctioned brawl that was never announced as an official match. Page and Chris Kanyon reunited on the edition of August 6, 2001 of Raw when Kanyon helped Page attack The Undertaker backstage. Three days later on edition of August 9, 2001 of SmackDown!, Page and Kanyon defeated the APA to win the WWF Tag Team Championship. The feud with the Undertaker went on for the best part of three months and ended when Undertaker and Kane defeated Page and Kanyon at SummerSlam on August 19, 2001 in a Steel cage match for the WWF Tag Team Championship, where Page got injured which kept him out of action until late October 2001. He became known for his catchphrase "Yo! It's me, it's me, it's DDP!" While Page was injured he developed a new gimmick in September 2001 to become a motivational speaker, something he did in real life, in what came to be known as his Positively Page character. The name came from the title of his autobiography that was published during his WCW days. The character, who Page developed after attending the Tony Robbins Results 2000 seminar in October 2000, involved Page constantly smiling and acting optimistic, with his trademark phrase "That's not a bad thing... that's... a good thing". His return televised match was on November 3, 2001 at Rebellion losing to Big Show. After the Alliance lost at Survivor Series DDP along with the rest of the alliance members bar Test kayfabe lost their jobs.

Answer this question "did they ever get their jobs back"
output:

input: He is sometimes said to be a French variant of the sixteenth-century Italian Pedrolino, but the two types have little but their names ("Little Pete") and social stations in common. Both are comic servants, but Pedrolino, as a so-called first zanni, often acts with cunning and daring, an engine of the plot in the scenarios where he appears. Pierrot, on the other hand, as a "second" zanni, is a static character in his earliest incarnations, "standing on the periphery of the action", dispensing advice that seems to him sage, and courting--unsuccessfully--his master's young daughter, Columbine, with bashfulness and indecision. His origins among the Italian players in France are most unambiguously traced to Moliere's character, the lovelorn peasant Pierrot, in Don Juan, or The Stone Guest (1665). In 1673, probably inspired by Moliere's success, the Comedie-Italienne made its own contribution to the Don Juan legend with an Addendum to "The Stone Guest", which included Moliere's Pierrot. Thereafter the character--sometimes a peasant, but more often now an Italianate "second" zanni--appeared fairly regularly in the Italians' offerings, his role always taken by one Giuseppe Giaratone (or Geratoni, fl. 1639-1697), until the troupe was banished by royal decree in 1697. Among the French dramatists who wrote for the Italians and who gave Pierrot life on their stage were Jean Palaprat, Claude-Ignace Brugiere de Barante, Antoine Houdar de la Motte, and the most sensitive of his early interpreters, Jean-Francois Regnard. He acquires there a very distinctive personality. He seems an anomaly among the busy social creatures that surround him; he is isolated, out of touch. Columbine laughs at his advances; his masters who are in pursuit of pretty young wives brush off his warnings to act their age. His is a solitary voice, and his estrangement, however comic, bears the pathos of the portraits--Watteau's chief among them--that we will encounter in the centuries to come.

Answer this question "Who was Jean Palaprat?"
output:

input: After his return to Australia, Macartney continued to play club cricket and turned out for a final first-class summer. At the start of the 1926-27 season, he captained a combined Sydney City team against a New South Wales country team, which included the then 18-year-old Bradman. Macartney scored 126 and Bradman 98 in a match viewed as a generational transition in Australian batting. He scored 114 in his opening first-class match of the season, and took wickets in each of his four matches. Macartney totalled 243 runs at 40.50 and took 11 wickets at 17.82. In mid-1927 he toured Singapore and Malaya with Bert Oldfield's team and played in a series of non-first-class matches against local teams. In October 1929, he played for a New South Wales Cricket Association team against a series of local teams in the state's rural west. In 1935-36, Macartney was vice-captain to Jack Ryder, on the tour of India organised by Frank Tarrant; he also wrote forthright columns for The Hindu, covering the trip. At the time, India had only received its first official tour, by England, and Australia was not keen on sending a Test team there. Thus, while the Test team were in South Africa, Tarrant's party consisted mainly of retired Test cricketers in their mid-40s and beyond. In his return to first-class cricket after nine years, Macartney took 5/17 and 3/42 in the first international match against India, which the Australians won by eight wickets. He went wicketless as the series was squared in the second match, before taking 3/52 and 6/41 in the final match. Despite his nine wickets, Australia lost by 34 runs. Other notable performances included an 85 against Bengal and 3/45 and 3/47 against Madras. In the latter match, Macartney added 39 as the Australians scraped home by one wicket.

Answer this question "any other interesting fact that you liked about the article?"
output:
In 1935-36, Macartney was vice-captain to Jack Ryder, on the tour of India organised by Frank Tarrant;