Problem: Background: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
Context: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical". There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella. The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.
Question: Did the concert get good reviews?
Answer: The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear."

Problem: Background: David Jon Gilmour, (born 6 March 1946) is an English guitarist, singer and songwriter best known as a longtime member of the progressive rock band Pink Floyd. He joined the group as guitarist and co-lead vocalist in 1968, effectively as a replacement for founder member Syd Barrett, who was dismissed from the band shortly afterwards. Pink Floyd subsequently achieved international success with the concept albums The Dark Side of the Moon, Wish You Were Here, Animals, and The Wall. By the early 1980s, they had become one of the most critically acclaimed and best-selling acts in the history of popular music; it was estimated that by 2012 the band had sold over 250 million records worldwide, including 75 million units sold in the United States.
Context: Gilmour was responsible for bringing Kate Bush to public attention. While she was still at school, her family produced a demo tape with over 50 of her compositions, which was turned down by record labels. Gilmour received a copy of the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped the sixteen-year-old Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies. Three tracks in total were recorded and paid for by Gilmour. The tape was produced by Gilmour's friend Andrew Powell (who would go on to produce Bush's first two albums) and sound engineer Geoff Emerick. Gilmour then arranged for EMI executive Terry Slater to hear the tape. Slater was impressed by the tape and signed her. Gilmour is credited as executive producer on two tracks on her debut album The Kick Inside, including her second single "The Man with the Child in His Eyes". He performs backing vocals on "Pull Out the Pin", on her fourth album, The Dreaming, and plays guitar on "Love and Anger" and "Rocket's Tail" on her sixth, The Sensual World. In March 1987, Bush, notorious for the rarity of her live performances, sang "Running Up That Hill" at The Secret Policeman's Third Ball with Gilmour on guitar. A three DVD set of The Secret Policeman's Balls benefit concerts that includes their performance was released in 2009. In 2002, she performed "Comfortably Numb", singing the part of the doctor, at Gilmour's concert at the Royal Festival Hall in London.
Question: What was her first album?
Answer: her debut album The Kick Inside,

Problem: Background: La Malinche (Spanish pronunciation: [la ma'lintSe]; c. 1496 or c. 1501 - c. 1529), known also as Malinalli [mali'nal:i], Malintzin [ma'lintsin] or Dona Marina ['dona ma'rina], was a Nahua woman from the Mexican Gulf Coast, who played a role in the Spanish conquest of the Aztec Empire, acting as an interpreter, advisor, and intermediary for the Spanish conquistador, Hernan Cortes. She was one of 20 women slaves given to the Spaniards by the natives of Tabasco in 1519. Later, she gave birth to Cortes' first son, Martin, who is considered one of the first Mestizos (people of mixed European and indigenous American ancestry). The historical figure of Marina has been intermixed with Aztec legends (such as La Llorona, a ghost woman who weeps for her lost children).
Context: The many uncertainties which surround Malinche's role in the Spanish conquest begin with her name and its several variants. At birth she was named Malinalli or Malinal after the Goddess of Grass, on whose name-day she was born. Later, her family added the name Tenepal which means "one who speaks much and with liveliness". After being baptized, the 20 slave girls were distributed by Cortes among his Spanish captains. Malinalli then took the Christian name of Marina, to which the soldiers of Cortes added the Dona, meaning lady. It is not known whether Marina was chosen because of a phonetic resemblance to her actual name, or chosen randomly from among common Spanish names of the time. A Nahuatl mispronunciation of Marina as Malin plus the reverential "-tzin" suffix, formed the compounded title of Malintzin, which the natives used for both Marina and Cortes, because he spoke through her. Today in Mexican Spanish the word malinchismo and malinchista is used to denounce Mexicans who are perceived as denying their own cultural heritage by preferring foreign cultural expressions. Some historians believe that La Malinche saved her people from the Aztecs, who held a hegemony throughout the territory and demanded tribute from its inhabitants. Some Mexicans also credit her with having brought Christianity to the New World from Europe, and for having influenced Cortes to be more humane than he would otherwise have been. It is argued, however, that without her help, Cortes would not have been successful in conquering the Aztecs as quickly, giving the Aztec people enough time to adapt to new technology and methods of warfare. From that viewpoint, she is seen as one who betrayed the indigenous people by siding with the Spaniards. Recently a number of feminist Latinas have decried such a categorization as scapegoating.
Question: Why was her name changed?
Answer:
Malinalli then took the Christian name of Marina, to which the soldiers of Cortes added the Dona, meaning lady.