input: In 1941, the Gregg family moved to Ypsilanti, Michigan, where her father sought a job assembling bombs at the Ford Motor Company. Viola's strong-willed nature led her to drop out of high school after one year, and elope at the age of 16. The marriage did not last and she returned to her family. Two years later the Gregg family moved to Detroit, Michigan, which was starkly segregated by race. Tension between whites and blacks in Detroit was very high and the early 1940s saw violence and rioting. Witnessing these horrific ordeals was a major motivator that influenced Viola's future civil rights work. In 1943, she married George Argyris, the manager of a restaurant where she worked. They had two children, Penny and Evangeline Mary, and divorced in 1949. She later married Anthony Liuzzo, a Teamsters union business agent. They had three children: Tommy, Anthony, Jr., and Sally. Liuzzo sought to return to school, and attended the Carnegie Institute in Detroit, Michigan. She then enrolled part-time at Wayne State University in 1962. In 1964, Liuzzo began attending the First Unitarian Universalist Church of Detroit, and joined the National Association for the Advancement of Colored People (NAACP). A large part of Viola's activism, particularly with the NAACP, was due to a close friendship with an African-American woman, Sarah Evans. After initially meeting in a grocery store where Liuzzo worked as a cashier, the two kept in touch. Evans eventually became the housekeeper of Liuzzo, while still maintaining a close, friendly relationship in which they shared similar views including support for the civil rights movement. In the aftermath of Liuzzo's death, Evans would go on to become the permanent caretaker of Liuzzo's five young children. Liuzzo so passionately believed in the fight for civil rights, that she helped organize Detroit protests, attended Civil Rights conferences, and worked with the NAACP. Liuzzo had a strong desire to make a difference on as large a scale as she could.

Answer this question "Did she have any children with her second husband?"
output: They had three children: Tommy, Anthony, Jr., and Sally.

input: In November 1956, Lewis traveled to Memphis, Tennessee, to audition for Sun Records. Label owner Sam Phillips was in Florida, but producer and engineer Jack Clement recorded Lewis's rendition of Ray Price's "Crazy Arms" and his own composition "End of the Road". In December 1956, Lewis began recording prolifically, as a solo artist and as a session musician for other Sun artists, including Carl Perkins and Johnny Cash. His distinctive piano playing can be heard on many tracks recorded at Sun in late 1956 and early 1957, including Carl Perkins's "Matchbox", "Your True Love", " and "Put Your Cat Clothes On" and Billy Lee Riley's "Flyin' Saucers Rock'n'Roll". Formerly, rockabilly had rarely featured piano, but it proved an influential addition, and rockabilly artists on other labels also started working with pianists. On December 4, 1956, Elvis Presley dropped in on Phillips to pay a social visit while Perkins was in the studio cutting new tracks with Lewis backing him on piano. Johnny Cash was also there watching Perkins. The four then started an impromptu jam session, and Phillips left the tape running. These recordings, almost half of which were gospel songs, have been released on CD as Million Dollar Quartet. Tracks also include Elvis Presley's "Don't Be Cruel" and "Paralyzed", Chuck Berry's "Brown Eyed Handsome Man", Pat Boone's "Don't Forbid Me" and Presley doing an impersonation of Jackie Wilson (who was then with Billy Ward and the Dominoes) on "Don't Be Cruel". Lewis's own singles (on which he was billed as "Jerry Lee Lewis and his Pumping Piano") advanced his career as a soloist during 1957, with hits such as "Whole Lotta Shakin' Goin' On" and "Great Balls of Fire", his biggest hit, bringing him international fame, despite criticism for the songs' overtly sexual undertones, which prompted some radio stations to boycott them. In 2005, "Whole Lotta Shakin' Goin' On" was selected for permanent preservation in the National Recording Registry of the Library of Congress. According to several first-hand sources, including Johnny Cash, Lewis, a devout Christian, was troubled by the sinful nature of his own material, which he believed was leading him and his audience to hell. This aspect of Lewis's character was depicted in Waylon Payne's portrayal of Lewis in the 2005 film Walk the Line, based on Cash's autobiographies. As part of his stage act, Lewis pounded the keys with his heel, kicked the piano bench aside and played standing, raking his hands up and down the keyboard for dramatic effect, sat on the keyboard and even stood on top of the instrument. Lewis told the Pop Chronicles that kicking over the bench originally happened by accident, but when it got a favorable response, he kept it in the act. His first TV appearance, in which he demonstrated some of these moves, was on The Steve Allen Show on July 28, 1957, where he played "Whole Lotta Shakin' Goin On". His dynamic performance style can be seen in films such as High School Confidential (he sang the title song from the back of a flatbed truck), and Jamboree. He has been called "rock & roll's first great wild man" and also "rock & roll's first great eclectic". Classical composer Michael Nyman has also cited Lewis's style as the progenitor of his own aesthetic.

Answer this question "Are there any other interesting aspects about this article?"
output:
"Great Balls of Fire", his biggest hit, bringing him international fame, despite criticism for the songs' overtly sexual undertones, which prompted some radio stations to boycott them.