input: Her next effort, the more mainstream and self-titled album Stacie Orrico, was released in 2003 and charted on the US Billboard 200 (debuting at No. 67), Australian ARIA Albums Chart and the UK Albums Chart. The first mainstream single from this album was "Stuck", which became a worldwide hit, reaching the Top 5 on the majority of the world's charts. This was followed by the single "(There's Gotta Be) More to Life", which peaked in the top 20 in Australia (No. 11) and the UK (No. 12), although, overall, "Stuck" charted better, the exception being in the US. This was then followed by "I Promise", written by Orrico (top 30 in the UK), and the final mainstream single "I Could Be the One" (top 40 in the UK on June 2004). Both singles were given limited releases and limited promotion, meaning they did not fare as well as the first two singles. The last three singles were only released to Christian radio in addition to "Strong Enough", which reached No. 1 as the CD's very first single. Stacie Orrico sold over 500,000 copies in the US, enough sales for a Gold certification. The album also sold 600,000 in Japan and an estimated 3.4 million copies worldwide. In 2004, Orrico's songs "(There's Gotta Be) More to Life" and "Stuck" appeared on the Barbie Hit Mix. She was nominated in 2004 for the first time at the 46th Annual Grammy Awards in the category Best Pop/Contemporary Gospel Album, but the award was given to Michael W. Smith.

Answer this question "Is there anything else interesting?"
output: In 2004, Orrico's songs "(There's Gotta Be) More to Life" and "Stuck" appeared on the Barbie Hit Mix.

input: On June 22, 2007, they released their second full-length album, Church Mouth, again produced by Casey Bates, and set out on a full U.S. headline tour with support from The Photo Atlas, Play Radio Play, Tera Melos and The Only Children among others. They then toured Europe and followed it up with another US headlining tour with support from Rocky Votolato and Great Depression during September and October. Following this tour, they joined Thursday on a short east coast tour in November alongside Circle Takes The Square. In 2008, the band left their label, Fearless Records, and added Ryan Neighbors, their touring keyboardist, as an official member and replacement for Wes Hubbard. On July 30, 2008, it was announced that Portugal. The Man was releasing Censored Colors under its independent record label, Approaching AIRballoons, in partnership with Equal Vision Records. It was released September 16. Zoe Manville, a musician and graphic designer, was involved with this album and has an active involvement on all albums since 2008 including vocals on many of the tracks on Woodstock. John Gourley was also chosen as the recipient of the 2008 AP Magazine's "Best Vocalist of the Year". In 2009, Portugal. The Man played at Bonnaroo and also at Lollapalooza in Grant Park, Chicago. On April 9, the band announced the next album, The Satanic Satanist, which was released on July 21, 2009. The Satanic Satanist is themed around memories and stories from singer John Gourley's youth in Alaska. The album was recorded with the help of record producer Paul Q. Kolderie of Pixies and Radiohead fame. On February 11, 2010, Gourley announced that American Ghetto, the band's fifth studio album, would be released on March 2. In order to avoid another leak, no copies of the album were solicited until the release date.

Answer this question "what were the independent years?"
output:

input: Magazine and newspaper profiles of Reilly throughout the 1970s and 1980s did not mention his personal life or sexuality. Many years after the cancellation of Match Game, he revealed his homosexuality in his theatrical one-man show, Save It for the Stage: The Life of Reilly. Much like fellow game-show regular Paul Lynde of the same era, despite Reilly's off-camera silence, he gave signals on-camera of a campy persona. In many episodes of Match Game, he lampooned himself by briefly affecting "YO!" in a deep voice and the nickname "Chuck" and self-consciously describing how "butch" he was. Many years after his game show career ended, he mentioned in a 2002 interview with Entertainment Tonight that he felt no need to explain his joke about "Chuck", and that he never purposely hid being gay from anyone. Patrick Hughes III, a set decorator and dresser, was Reilly's domestic partner; the two met backstage while Reilly appeared on the game show Battlestars, although their partnership was not revealed publicly. They lived together in Beverly Hills. Despite sporting what appeared to be a full head of hair for most of the prime of his television career, Reilly was in fact bald, wearing a toupee throughout most of his appearances in the 1970s and 1980s. During the taping of Match Game 74, his toupee became the joke of the filming when Reilly had to go to New York City to have his toupee adjusted. During the taping of several episodes, Reilly was seen wearing different hats because his toupee was back in New York waiting for him to be fitted. This was the start of the long-running jokes on Match Game about his hair. He abandoned the toupee in the late 1990s and appeared bald in public for the rest of his life. He dramatized the experience in his stage show The Life of Reilly. In one episode of Match Game '78, he took off his toupee and gave it to a bald contestant by putting it on his head. One can briefly see Reilly's bald head as he rushed back to his seat and put on a hat to cover up. In one of his several appearances on The Tonight Show, Reilly publicly discussed having to fix or adjust his toupee before going out for the evening. Among his revelations to Carson while a guest on the show were: that he had nothing to wear but a specific tuxedo; his stories as a director of a play; and how wonderful many of the other guests on that night's panel were when Reilly had worked with them, either in film or in the theater.

Answer this question "How did this effect his work?"
output:
explain his joke about "Chuck", and that he never purposely hid being gay from anyone.