Problem: Background: Herbert George Wells (21 September 1866 - 13 August 1946), usually referred to as H. G. Wells, was an English writer. He was prolific in many genres, writing dozens of novels, short stories, and works of social commentary, satire, biography, and autobiography, including even two books on war games. He is now best remembered for his science fiction novels and is often called a "father of science fiction", along with Jules Verne and Hugo Gernsback. During his own lifetime, however, he was most prominent as a forward-looking, even prophetic social critic who devoted his literary talents to the development of a progressive vision on a global scale.
Context: In 1891, Wells married his cousin Isabel Mary Wells. The couple agreed to separate in 1894 when he fell in love with one of his students, Amy Catherine Robbins (later known as Jane), with whom he moved to Woking, Surrey in May 1895. They lived in a rented house, 'Lynton', (now No.141) Maybury Road in the town centre for just under 18 months and married at St Pancras register office in October 1895. His short period in Woking was perhaps the most creative and productive of his whole writing career, for while there he planned and wrote The War of the Worlds and The Time Machine, completed The Island of Dr Moreau, wrote and published The Wonderful Visit and The Wheels of Chance, and began writing two other early books, When The Sleeper Wakes and Love and Mr Lewisham. In late summer 1896, Wells and Jane moved to a larger house in Worcester Park, near Kingston upon Thames for two years until his poor health took them to Sandgate, near Folkestone, where in 1901 he constructed a large family home: Spade House. He had two sons with Jane: George Philip (known as "Gip") in 1901 (died 1985) and Frank Richard in 1903 (died 1982). With his wife Jane's consent, Wells had affairs with a number of women, including the American birth control activist Margaret Sanger, adventurer and writer Odette Keun, Soviet spy Moura Budberg and novelist Elizabeth von Arnim. In 1909, he had a daughter, Anna-Jane, with the writer Amber Reeves, whose parents, William and Maud Pember Reeves, he had met through the Fabian Society; and in 1914, a son, Anthony West (1914-1987), by the novelist and feminist Rebecca West, 26 years his junior. After Beatrice Webb voiced disapproval of Wells' "sordid intrigue" with the daughter of veteran Fabian Sidney Olivier, he responded by lampooning Beatrice Webb and her husband Sidney Webb in his 1911 novel The New Machiavelli as 'Altiora and Oscar Bailey', a pair of short-sighted, bourgeois manipulators. In Experiment in Autobiography (1934), Wells wrote: "I was never a great amorist, though I have loved several people very deeply". David Lodge's novel A Man of Parts (2011) - a 'narrative based on factual sources' (author's note) - gives a convincing and generally sympathetic account of Wells's relations with the women mentioned above, and others. Director Simon Wells (born 1961), the author's great-grandson, was a consultant on the future scenes in Back to the Future Part II (1989).
Question: What did this help him with
Answer: he planned and wrote The War of the Worlds and The Time Machine, completed The Island of Dr Moreau, wrote and published The Wonderful Visit and The Wheels of Chance,

Problem: Background: Public Enemy is an American hip hop group consisting of Chuck D, Flavor Flav, Professor Griff, Khari Wynn, DJ Lord, and the S1W group. Founding member DJ Terminator X left the group in 1999. Formed on Long Island, New York, in 1986, they are known for their politically charged music and criticism of the American media, with an active interest in the frustrations and concerns of the African American community. Their first four albums during the late 1980s and early 1990s were all certified either gold or platinum and were, according to music critic Robert Hilburn in 1998, "the most acclaimed body of work ever by a hip hop act".
Context: Carlton Ridenhour (Chuck D) and William Drayton (Flavor Flav) met at Long Island's Adelphi University in the mid-1980s. Developing his talents as an MC with Flav while delivering furniture for his father's business, Chuck D and Spectrum City, as the group was called, released the record "Check Out the Radio", backed by "Lies", a social commentary--both of which would influence RUSH Productions' Run-D.M.C. and Beastie Boys. Chuck D put out a tape to promote WBAU (the radio station where he was working at the time) and to fend off a local MC who wanted to battle him. He called the tape Public Enemy #1 because he felt like he was being persecuted by people in the local scene. This was the first reference to the notion of a public enemy in any of Chuck D's songs. The single was created by Chuck D with a contribution by Flavor Flav, though this was before the group Public Enemy was officially assembled. Around 1986, Bill Stephney, the former Program Director at WBAU, was approached by Ali Hafezi and offered a position with the label. Stephney accepted, and his first assignment was to help fledgling producer Rick Rubin sign Chuck D, whose song "Public Enemy Number One" Rubin had heard from Andre "Doctor Dre" Brown. According to the book The History of Rap Music by Cookie Lommel, "Stephney thought it was time to mesh the hard-hitting style of Run DMC with politics that addressed black youth. Chuck recruited Spectrum City, which included Hank Shocklee, his brother Keith Shocklee, and Eric "Vietnam" Sadler, collectively known as the Bomb Squad, to be his production team and added another Spectrum City partner, Professor Griff, to become the group's Minister of Information. With the addition of Flavor Flav and another local mobile DJ named Terminator X, the group Public Enemy was born." According to Chuck, The S1W, which stands for Security of the First World, "represents that the black man can be just as intelligent as he is strong. It stands for the fact that we're not third-world people, we're first-world people; we're the original people." Hank Shocklee came up with the name Public Enemy based on "underdog love and their developing politics" and the idea from Def Jam staffer Bill Stephney following the Howard Beach racial incident, Bernhard Goetz, and the death of Michael Stewart: "The Black man is definitely the public enemy." Public Enemy started out as opening act for the Beastie Boys during the latter's Licensed to Ill popularity, and in 1987 released their debut album Yo! Bum Rush the Show.
Question: Where was the local scene?
Answer:
Chuck D put out a tape to promote WBAU (the radio station where he was working at the time)