Answer the question at the end by quoting:

Walter Leland Cronkite Jr. (November 4, 1916 - July 17, 2009) was an American broadcast journalist who served as anchorman for the CBS Evening News for 19 years (1962-1981). During the heyday of CBS News in the 1960s and 1970s, he was often cited as "the most trusted man in America" after being so named in an opinion poll. He reported many events from 1937 to 1981, including bombings in World War II; the Nuremberg trials; combat in the Vietnam War; the Dawson's Field hijackings; Watergate; the Iran Hostage Crisis; and the assassinations of President John F. Kennedy, civil rights pioneer Martin Luther King Jr., and Beatles musician John Lennon. He was also known for his extensive coverage of the U.S. space program, from Project Mercury to the Moon landings to the Space Shuttle.
He dropped out of college in his junior year, in the fall term of 1935, after starting a series of newspaper reporting jobs covering news and sports. He entered broadcasting as a radio announcer for WKY in Oklahoma City, Oklahoma. In 1936, he met his future wife, Mary Elizabeth "Betsy" Maxwell, while working as the sports announcer for KCMO (AM) in Kansas City, Missouri. His broadcast name was "Walter Wilcox". He would explain later that radio stations at the time did not want people to use their real names for fear of taking their listeners with them if they left. In Kansas City, he joined the United Press in 1937. He became one of the top American reporters in World War II, covering battles in North Africa and Europe. With his name now established, he received a job offer from Edward R. Murrow at CBS News to join the Murrow Boys team of war correspondents, relieving Bill Downs as the head of the Moscow bureau. CBS offered Cronkite $125 a week along with "commercial fees" amounting to $25 for almost every time Cronkite reported on air. Up to that point, he had been making $57.50 per week at UP, but he had reservations about broadcasting. He initially accepted the offer. When he informed his boss Harrison Salisbury, UP countered with a raise of $17.50 per week; Hugh Baillie also offered him an extra $20 per week to stay. Cronkite ultimately accepted the UP offer, a move which angered Murrow and drove a wedge between them that would last for years. Cronkite was on board USS Texas (BB-35) starting in Norfolk, Virginia, through her service off the coast of North Africa as part of Operation Torch, and thence back to the US. On the return trip, Cronkite was flown off Texas in one of her OS2U Kingfisher aircraft when Norfolk was within flying distance. He was granted permission to be flown the rest of the distance to Norfolk so that he could outpace a rival correspondent on USS Massachusetts (BB-59) to return to the US and to issue the first uncensored news reports to published about Operation Torch. Cronkite's experiences aboard Texas launched his career as a war correspondent. Subsequently, he was one of eight journalists selected by the United States Army Air Forces to fly bombing raids over Germany in a B-17 Flying Fortress part of group called the Writing 69th, and during a mission fired a machine gun at a German fighter. He also landed in a glider with the 101st Airborne in Operation Market Garden and covered the Battle of the Bulge. After the war, he covered the Nuremberg trials and served as the United Press main reporter in Moscow from 1946 to 1948.

Where else did he work?

In Kansas City, he joined the United Press in 1937. He became one of the top American reporters in World War II, covering battles in North Africa and Europe.

Answer the question at the end by quoting:

Harry Partch (June 24, 1901 - September 3, 1974) was an American composer, music theorist, and creator of musical instruments. He composed using scales of unequal intervals in just intonation, and was one of the first 20th-century composers in the West to work systematically with microtonal scales. He built custom-made instruments in these tunings on which to play his compositions, and described his theory and practice in his book Genesis of a Music (1947). Partch composed with scales dividing the octave into 43 unequal tones derived from the natural harmonic series; these scales allowed for more tones of smaller intervals than in standard Western tuning, which uses twelve equal intervals to the octave.
Partch made public his theories in his book Genesis of a Music (1947). He opens the book with an overview of music history, and argues that Western music began to suffer from the time of Bach, after which twelve-tone equal temperament was adopted to the exclusion of other tuning systems, and abstract, instrumental music became the norm. Partch sought to bring vocal music back to prominence, and adopted tunings and scales he believed more suitable to singing. Inspired by Sensations of Tone, Hermann von Helmholtz's book on acoustics and the perception of sound, Partch based his music strictly on just intonation. He tuned his instruments using the overtone series, and extended it past the twelfth partial. This allowed for a larger number of smaller, unequal intervals than found in the Western classical music tradition's twelve-tone equal temperament. Partch's tuning is often classed as microtonality, as it allowed for intervals smaller than 100 cents, though Partch did not conceive his tuning in such a context. Instead, he saw it as a return to pre-Classical Western musical roots, in particular to the music of the ancient Greeks. By taking the principles he found in Helmholtz's book, he expanded his tuning system until it allowed for a division of the octave into 43 tones based on ratios of small integers. Partch uses the terms Otonality and Utonality to describe chords whose pitch classes are the harmonics or subharmonics of a given fixed tone. These six-tone chords function in Partch's music much the same that the three-tone major and minor chords (or triads) do in classical music. The Otonalities are derived from the overtone series, and the Utonalities from the undertone series.

what was included in the book?
He opens the book with an overview of music history, and argues that Western music began to suffer from the time of Bach,