input question: Select the correct sentiment of the following review: Excellent film. I cried when she cried, I loved when they loved , I was frustrated when they were. This film touched my heart. It was a reality check for me since this is reality for me, a 19 year old soldier
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output answer: positive

input question: Select the correct sentiment of the following review: This may just be the most nostalgic journey back in time & through time to when one's childhood starts a journey to reminiscences back & forth onwards & upwards,forwards & backwards,up & down & all around.The boy Jimmy,H.R. Puffinstuff,Dr.Blinky,Cling & Clang,Ludicrous Lion,& even the evil Witchie Poo too through & through. The latter day inspirations of Lidsville,"The Brady Kids Saturday Morning Preview Special" Sigmund & the Sea Monsters,and Land of the lost both the new & old are what this very show bridged the gap to as well as The Donny & Marie Show,The Brady Bunch Variety Hour a.k.a. Brady Bunch Hour & Even The Paul Lynde Halloween Special. Maybe even other things in between & Beyond the Buck just keeps on moving on & on & even beyond expectations & as well as unexpected bounds.Now as we get updated in March of '06 we know that Jack Wild's gone & so now it make's it even more symbolic for us to really get nostalgic.Including now in August of '06 both when Jack Wild guest stars as himself on Sigmund and The Sea Monsters as well as when on a latter episode H.R.Puffinstuff does too and to recall all of the other nostalgic journeys of all the Syd & Marty Kroft Characters as well including The H.R.Puffinstuff Goodtime Club;The Donny and Marie Show;The Brady Bunch Variety Hour a.k.a. The Brady Bunch Hour;etc. Truthfully,Stephen "Steve" G. Baer a.k.a. "Ste" of Framingham,Ma.USA.
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output answer: positive

input question: Select the correct sentiment of the following review: Director / writer Michael Winner's feature is a better than expected offbeat supernatural horror film (although still schlock efficiently catered for), which really does by go unnoticed. Sure it might borrow ideas from other similar themed horror movies of this period, but still manages to bring its own psychological imprint to the smokescreen material (of good vs. evil) and a unique vision that has a fair share of impressively expansive, if somewhat exploitative set-pieces. As a whole it's sketchy, however remains intriguing by instilling an ominous charge without going gang-busters with the scares. Actually there's always something going on amongst its busy framework, but it's rather down-played with its shocks steering to soapy patterns and atmospheric tailoring, up until its vividly repellent and grisly climax with a downbeat revelation. Winner's dressed up craftsmanship might feel pedestrian, however it's the ensemble cast that really holds it together as you try to spot the faces. There's plenty too. Some having more to do with the scheme of things than others, but there's no doubts every one of them are committed, despite the ludicrously crude nature of it all. It's interesting to see names like Sylvia Miles (who's significantly creepy!), Beverly D'Angelo (likewise), Deborah Raffin, Eli Wallach, Christopher Walken, William Hickey (a neat cameo), Jeff Goldblum, Jerry Orbach and Tom Berenger in bit parts. Then you got a mild-mannered Chris Sarandon and movingly gorgeous Cristina Raines in the leads. Offering able support Jose Ferrer, Martin Balsam, Ava Gardner, John Carradine, Burgess Meredith and Arthur Kennedy. The script does throw around many characters, as well as notions but gets disjointedly sidetrack by trying to squeeze all of it in. However it's disorienting air works in its favour in establishing the suspicion and deception of what's really going on here. Is there a reason for all of this, and why is it surrounding Raines' character? The emphasis is mainly built upon that moody angle, as it begins to slowly shed light of her inner goings and that of the strange/worrying experiences she encounters when she's moves into her new apartment. This is where Winner tries to pull out the eerie shades, which projects some icy moments. Gil Melle was the man responsible for the grand, overpowering orchestral score that never misses a cue and Richard C. Kratina instruments the sweeping, scope-like photography.
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output answer:
positive