Problem: Background: Convy was born in St. Louis, Missouri, the son of Monica (nee Whalen) and Bernard Fleming Convy. Convy's family moved to Los Angeles when he was seven years old. He later attended North Hollywood High School where he was an all-around athlete. The Philadelphia Phillies offered him a contract when he was just 17 and he played two years of minor league baseball in 1951-52.
Context: In the 1960s and 1970s, Convy was a popular semi-regular panelist on several game shows, including What's My Line?, To Tell the Truth, Match Game (he would later star as the host of the pilot for Match Game '90 in 1989) and Password. He soon took the podium himself as host of several game shows, including the fourth edition of Password (called Super Password) (1984-1989) and Tattletales (1974-1978, 1982-1984), for which he was awarded an Emmy Award for Best Game Show Host in 1977. In 1979, he appeared on Password Plus with fellow celebrity contestants such as Elizabeth Montgomery, Carol Burnett, Phyllis Diller, Judy Norton Taylor, Marcia Wallace and Elaine Joyce. Convy and Burt Reynolds formed their own production company, Burt and Bert Productions, during the 1980s. Their first production was a game show based on Pictionary titled Win, Lose or Draw, which made its debut in 1987 as part of the NBC daytime lineup and in nightly syndication. Convy hosted the syndicated edition of Win, Lose or Draw for its first two seasons, then left the show to host another of his company's productions, the syndicated 3rd Degree. When 3rd Degree went to pilot, Peter Marshall was brought in to be the host. When the series was picked up for syndication, however, Convy decided to leave his position as the host of the syndicated edition of Win, Lose or Draw and take Marshall's place on 3rd Degree. Marshall filed a lawsuit against Convy for the action, but later dropped it after Convy's cancer diagnosis was made public. Around the time that 3rd Degree was cancelled, Convy was called upon by Mark Goodson Productions again to host a week's worth of pilot episodes for a revival of Match Game that Goodson was attempting to sell to ABC.
Question: Can you give me a little infomation adbout Bert Convy and the game shows?
Answer: In the 1960s and 1970s, Convy was a popular semi-regular panelist on several game shows,

IN: Sir Walter Winterbottom, CBE (31 March 1913 - 16 February 2002) was the first manager of the England football team (1946-1962) and FA Director of Coaching. He resigned from the FA in 1962 to become General Secretary of the Central Council of Physical Recreation (CCPR) and was appointed as the first Director of the Sports Council in 1965. He was knighted for his services to sport in 1978 when he retired. The Football Association marked the 100th anniversary of Winterbottom's birth by commissioning a bust which was unveiled by Roy Hodgson at St Georges Park on 23 April 2013 in recognition of his outstanding contribution to the development of English football.

Walter Winterbottom has the distinction of being England's first, youngest and longest serving England team manager; he is also the only England manager to have had no previous professional managerial experience. In all matches in which he was in charge, England played 139, won 78, drew 33, and lost 28; goals for 383, against 196. At home England lost six matches in sixteen years. England won the British championship in thirteen out of his sixteen seasons (seven times outright and six times sharing top place). In the World Cup tournament England qualified on all four occasions, reaching the quarter finals twice, playing 28 matches, winning 15, drawing 7 and losing 6; goals for 75 against 35 (including World Cup qualifying matches). Although he had coaching and managerial responsibilities, Winterbottom never had the power to pick his own team (it was chosen by a selection committee). Over time his technical knowledge increasingly influenced selectors. Finally, prior to Alf Ramsey's arrival in 1962, he convinced the FA that the team manager must have sole control of selection. During his time Winterbottom repeatedly warned the English football establishment that countries in Continental Europe and South America were overtaking England and that English football had to change. His sixteen years as England team manager helped greatly in creating a modern and competitive national team and four years after his departure in 1966 England won the World Cup. His innovations included the introduction of England B, Under 23, youth and schoolboy teams providing players with continuity and experience in international football before being selected for the full England team. Notable victories during his era were 10-0 away to Portugal in 1947, 4-0 away to Italy in 1948, 4-2 at home to Brazil in 1956 and 9-3 at home to Scotland in 1961. Notable defeats were losing 1-0 to the USA in the 1950 World Cup and 6-3 at home to Hungary in 1953 when England lost her unbeaten home record to a foreign team, followed by a 7-1 away defeat to the same team in 1954.

Did the team celebrate after their winnings?

OUT:

Background: Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died.
Context: Namdev's padas are not mere poems, according to Callewaert and Lath. Like other Bhakti movement sants, Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared". Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Namdev's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries. The musical genre of Namdev's literary works was a form of Prabandha - itself a very large and rich genre that includes dhrupad, thumri, tappa, geet, bhajan and other species. In some species of Indian music, it is the music that dominates while words and their meaning are secondary. In contrast, in Namdev's bhajan the spiritual message in the words has a central role, and the structure resonates with the singing and music. The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara (teacher-student tradition), within singing gharanas (family-like musical units). Callewaert and Lath state that, "each single song of Namdev is a musical and textual unit and this unit is the basis for textual considerations". The unit contained Antaras, which are the smallest independent unit within that can be shifted around, dropped or added, without affecting the harmony or meaning, when a bhajan is being sung with music. In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).
Question: Are there any other interesting aspects about this article?
Answer:
In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).