TASK DEFINITION: In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
PROBLEM: "Gandhi as a husband and father?" has always been discussed by people in India. 'Gandhi...my father' is a story that only a few would have known to such details. Surely an insight into Gandhi's personal life.Overall, I liked the movie for story and cinematography. Jariwala, Akshay Khanna, and Shefali Shah have all done a good job. Most scenes of the movie would be nice desktop wallpapers...commendable job. Traditional Indian folk music as background score during certain parts of the movie gives a good feel of the happenings.However, what I didn't quite like was the narration style. At several points, I found the tone over-dramatized.Overall, good work by Anil Kapoor Productions. I would recommend it as "must-watch-once". 8/10

SOLUTION: positive

PROBLEM: This movie had some andrenaline kickers, but it's an old story that simply could never happen. Navy protocols could never break down that much that a crew much less an XO could ever go that far against the Captain. I'll take Dr. Strangelove any day if I wish to see this plot. Sidenote--the US Navy did not support this film.

SOLUTION: negative

PROBLEM: One is tempted to define the genre of Gert de Graaff's movie as 'event of the thought' following the example of Merab Mamardashvili. The nominal storyline is a certain Bart Klever's torturous quest for that ephemeral substance which constitutes the essence of personality. The script for his new movie is taking shape simultaneously on his computer and in his own imagination. This film-monologue originated as a response to Fellini's '8 ' and cost Gert de Graaff 13 years of work. Excitedly playing with real and fictional characters as well as with the audience, it reveals the whimsical interconnection of the real and imaginary, the paradoxical co-existence in two different galaxies: that of Guttenberg and that of MacLhuen. For some time we are apt to side with the script writer, who believes that the cause of all misfortune is the damned stereotypes of mass mentality ('man', 'catholic', 'window washer'). And together with him we fall into a trap when the author-creator is finally faced with the insoluble dilemma: how can one eliminate from the future movie. Bart Klever? Just five minutes before the finale thanks to the common petty reproaches of the wife of the creator, who is deeply immersed in work, we realize that together with the main character we have again been 'framed'. Really, what is the price of the art for the sake of which it is acceptable to renounce one's own name and the day-to-day care for the young daughter?So who is he, this Bart Klever? Is he a brilliant prophet or someone possessed like Frenhoffer from Balzac's masterpiece (just like the latter the script writer in the end erases from the computer memory everything has written)? Gert de Graaff suggests that we answer this question ourselves.

SOLUTION:
positive