Question: Erich Honecker (German: ['e:RIc 'honeka]; 25 August 1912 - 29 May 1994) was a German politician who, as the General Secretary of the Socialist Unity Party, led the German Democratic Republic (East Germany) from 1971 until the weeks preceding the fall of the Berlin Wall in 1989. From 1976 onward he was also the country's official head of state as chairman of the State Council following Willi Stoph's relinquishment of the post. Honecker's political career began in the 1930s when he became an official of the Communist Party of Germany, a position for which he was imprisoned during the Nazi era. Following World War II, he was freed and soon relaunched his political activities, founding the youth organisation the Free German Youth in 1946 and serving as the group's chairman until 1955.

Honecker was married three times. After being liberated from prison in 1945 he married the prison warden Charlotte Schanuel (nee Drost), nine years his senior, on 23 December 1946. She died suddenly from a brain tumour in June 1947. Details of this marriage were not revealed until 2003, well after his death. By the time of her death, Honecker was already romantically involved with the Free German Youth official Edith Baumann, whom he met on a trip to Moscow. With her he had a daughter, Erika (b. 1950), who later gave him his granddaughter Anke. Sources differ on whether Honecker and Baumann married in 1947 or 1949, but in 1952 he fathered an illegitimate daughter, Sonja (b. December 1952), with Margot Feist, a People's Chamber member and chairperson of the Ernst Thalmann Pioneer Organisation. In September 1950, Baumann wrote directly to Walter Ulbricht to inform him of her husband's extramarital activity in the hope of him pressuring Honecker to end his relationship with Feist. Following his divorce and reportedly under pressure from the Politburo, he married Feist, however sources again differ on both the year of his divorce from Baumann and of his marriage to Feist; depending on the source, the events took place either in 1953 or 1955. For more than twenty years, Margot Honecker served as Minister of National Education. In 2012 intelligence reports collated by West German spies alleged that both Erich and his wife had secret affairs but did not divorce for political reasons, however, his bodyguard Bernd Bruckner in a book about his time spent in Honecker's service, refuted the claims. Honecker had three grandchildren from his daughter Sonja, who had married the Chilean-born exile Leonardo Yanez Betancourt; Roberto, (b. 1974) Mariana, (b. 1985) who died in 1988 at the age of two leaving Honecker himself heartbroken, and Vivian (b. 1988). Roberto's origins are debated; he is claimed to be the illegally adopted son of Mrs. Heidi Stein, Dirk Schiller, born on 13 June 1975 in Gorlitz, who disappeared in March 1979, due to alleged physical similarities between Dirk and Leonardo Mrs Stein suspecting that her son might have been kidnapped at 3 years old by Stasi agents for Honecker's younger daughter. Honecker's daughter, (who divorced Leonardo in 1993) grandson and granddaughter still live in Santiago.

Using a quote from the above article, answer the following question: From whom?
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Answer: Feist.

Question: Pierrot (French pronunciation: [pjeRo]) is a stock character of pantomime and commedia dell'arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comedie-Italienne; the name is a diminutive of Pierre (Peter), via the suffix -ot. His character in contemporary popular culture--in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall--is that of the sad clown, pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim, more rarely with a conical shape like a dunce's cap.

He is sometimes said to be a French variant of the sixteenth-century Italian Pedrolino, but the two types have little but their names ("Little Pete") and social stations in common. Both are comic servants, but Pedrolino, as a so-called first zanni, often acts with cunning and daring, an engine of the plot in the scenarios where he appears. Pierrot, on the other hand, as a "second" zanni, is a static character in his earliest incarnations, "standing on the periphery of the action", dispensing advice that seems to him sage, and courting--unsuccessfully--his master's young daughter, Columbine, with bashfulness and indecision. His origins among the Italian players in France are most unambiguously traced to Moliere's character, the lovelorn peasant Pierrot, in Don Juan, or The Stone Guest (1665). In 1673, probably inspired by Moliere's success, the Comedie-Italienne made its own contribution to the Don Juan legend with an Addendum to "The Stone Guest", which included Moliere's Pierrot. Thereafter the character--sometimes a peasant, but more often now an Italianate "second" zanni--appeared fairly regularly in the Italians' offerings, his role always taken by one Giuseppe Giaratone (or Geratoni, fl. 1639-1697), until the troupe was banished by royal decree in 1697. Among the French dramatists who wrote for the Italians and who gave Pierrot life on their stage were Jean Palaprat, Claude-Ignace Brugiere de Barante, Antoine Houdar de la Motte, and the most sensitive of his early interpreters, Jean-Francois Regnard. He acquires there a very distinctive personality. He seems an anomaly among the busy social creatures that surround him; he is isolated, out of touch. Columbine laughs at his advances; his masters who are in pursuit of pretty young wives brush off his warnings to act their age. His is a solitary voice, and his estrangement, however comic, bears the pathos of the portraits--Watteau's chief among them--that we will encounter in the centuries to come.

Using a quote from the above article, answer the following question: Who banished the troupe?
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Answer:
royal decree in 1697.