Article: When I walk through the streets, I pass strange rooms where people are doing strange things. Some are biking madly. Others are holding metal bars to keep them from dropping down. Still others are jumping around while someone is shouting at them. It looks like something out of Dante's Inferno (<<>> <<>> ). But what is the most amazing is that people pay for these sufferings! The strange rooms are gyms. It is reported that some 41 million Americans are gym members. 12% of the memberships are born in January, as they are determined to knock off the holiday fat. Maybe it is good to exercise in the gym. However, should they know they can keep in good shape, spending little money, would they still agree with its necessity? At the age of 23, I joined a gym. I lifted weights twice a week in Muscle's Gym. I paid as little as $200 per year. You can't find such gyms in every city any more. Too often, the gym is fancy with lots of equipment. If you ask how much it costs to join it, the person at the front desk often won't tell you straight. Instead, he'll let you meet with a fitness consultant , who will provide you with a great number of reasons and suggestions, such as losing weight and getting healthier, just in order to put pressure on you to spend much money joining the gym and becoming a member there. Working out with the help of equipment at home has problems, too. In the early 2000's, I bought a spinning bike at a cost of $700 for home use. I tried a few times only to find that it brought me a neck problem. Now I'm back to my old way. I do Yoga every morning and evening. Total cost: $60 for an exercise mat . I'm enjoying fitness. Question: From the text we can infer that _ . Yes or no, is the answer "many Americans put on weight after Christmas and New Year's Day"?
No

Article: When you close your eyes and try to think of the shape of your own body, what you imagine (or rather, what you feel) is quite different from what you see when you open your eyes and look in the mirror. The image you feel is much vaguer than the one you see. And if you lie still, it is quite hard to imagine yourself as having any particular size or shape. When you move, when you feel the weight of your arms and legs and the natural resistance of the objects around you, the "felt" image of yourself starts to become clearer. It is almost as if it were created by your own actions and the feelings they cause. The image you create for yourself has rather strange proportions ; certain parts feel much larger than they look. If you get a hole in one of your teeth, it feels enormous; you are often surprised by how small it looks when you inspect it in the mirror. Although the "felt" image may not have the shape you see in the mirror, it is much more important. It is the image through which you recognize your physical existence in the world. In spite of its strange proportions, it is all one piece, and since it has a consistent right and left and a top and bottom, it allows you to locate new feelings when they occur. It allows you to find your nose in the dark and point to a pain. If the felt image is damaged for any reason--if it is cut in half or lost as it often is after certain strokes which wipe out recognition of one entire side -these tasks become almost impossible. What is more, it becomes hard to make sense of one's own visual appearance. If one half of the "felt" image is wiped out or injured, the patient stops recognizing the affected part of his body. It is hard for him to find the location of feelings on that side, and, although he feels the doctor's touch, he locates it as being on the undamaged side. Question: If a man loses the ability to recognize his right side, _ . Yes or no, is the answer "he can't locate the doctor's touch on his right side"?
No

Q: Article: One evening after dinner, Mr. and Mrs. Tisich called a family meeting. "We've had to make a difficult decision," Mr. Tisich announced. "You see, your mother has been offered a post as co-director of a television station in Chicago. Unfortunately, the station is not here. After thinking long and hard about it, we've concluded that the right decision is to move to Chicago." Marc looked shocked, while his sister Rachel breathlessly started asking when they'd be moving. "It's surprising, but exciting!" she said. Marc simply said, "We can't go--I can't leave all my friends. I'd rather stay here and live with Tommy Lyons!" The Tisichs hoped that by the time they moved in August, Marc would grow more used to the idea of leaving. However, he showed no signs of accepting the news, refusing to pack his belongings. When the morning of the move arrived, Marc was nowhere to be found. His parents called Tommy Lyon's house, but Mrs. Lyons said she hadn't seen Marc. Mrs. Tisich became increasingly concerned, while her husband felt angry with their son for behaving so irresponsibly. What they didn't know was that Marc had started walking over to Tommy's house, with a faint idea of hiding in Lyons's attic for a few days. But something happened on the way as Marc walked past all the familiar landscape of the neighborhood: the fence that he and his mother painted, the tree that he and his sister used to climb, the park where he and his father often took evening walks together. How much would these mean without his family, who make them special in the first place? Marc didn't take the time to answer that question but instead hurried back to his house, wondering if there were any moving cartons the right size to hold his record collection. Question: The reason for Marc's going home was that _ . Yes or no, is the answer "he realized his family was important to him"?
A: No

*Question*
Article: Jean-Michael Lourdis was a promising young pianist. But when the young man played, it seemed to him, as if his hands were iron. He worried so much about his playing that he became oversensitive to the comments of his playing. Unfortunately, in those days, a critic was not considered a critic, unless he found something wrong. This attitude of the critics would often leave the young man ready to give up his dream and return home. He was invited to play in Helsinki. The rich, the famous, the leaders of State were all there. Jean-Michael had one of those days when everything went wrong. That night as he played, he felt as if it were the worst concert of his young life. The next day, in the newspapers, some of the comments were so unkind. The young musician was painful. That day, as he sat in his hotel room in total despair , there came a knocking at his door. He had a visitor.The famous Finnish composer Jean Sibelius had come by to congratulate the young pianist on his performance. Jean-Michael asked how he thought of that and began to quote some of the newspaper critics. " Hands of iron. No imagination. Little skill. No joy. Don't you hear what they say?" he asked. Jean Sibelius looked at young Jean-Michael and said, "Remember, son, there is no city in the world where they have erected a statue for a critic." Question: A critic in those days usually _ . Yes or no, is the answer "found fault with musicians' performances"?
**Answer**
Yes