input: Bruce Randall Hornsby was born in Williamsburg, Virginia, a son of Robert Stanley Hornsby (1920-1998), an attorney, real-estate developer and former musician, and his wife, nee Lois Saunier. Raised a Christian Scientist, he has two siblings: Robert Saunier "Bobby" Hornsby, a realtor with Hornsby Realty and locally known musician, and Jonathan Bigelow Hornsby, an engineer who has collaborated in songwriting. He graduated from James Blair High School in Williamsburg, Virginia, in 1973, where he played on the basketball team. He studied music at the University of Richmond, as well as Berklee College of Music and the University of Miami, from which he graduated in 1977. In the spring of 1974 Hornsby's older brother Bobby, who attended the University of Virginia, formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on Fender Rhodes and vocals. The band, which is listed in Skeleton Key: A Dictionary for Deadheads, performed covers of Allman Brothers Band, The Band, and predominantly Grateful Dead songs. Although Hornsby's collaboration with Bobby Hornsby would be relatively short-lived, Bobby's son R.S. was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle. His performances were often looked forward to by fans. R.S. Hornsby died on January 15, 2009 in a car accident near Crozet, Virginia. He was 28. Following his graduation from the University of Miami, in 1977, Hornsby returned to his hometown of Williamsburg, and played in local clubs and hotel bars. In 1980, he and his younger brother (and songwriting partner) John Hornsby moved to Los Angeles, where they spent three years writing for 20th Century Fox. Before moving back to his native southeastern Virginia, he also spent time in Los Angeles as a session musician. In 1982 Hornsby joined the band Ambrosia for their last album Road Island and can be seen in the band's video for the album's single "How Can You Love Me." After Ambrosia disbanded, he and bassist Joe Puerta performed as members of the touring band for pop star Sheena Easton. Hornsby can clearly be seen in the music video for Easton's 1984 hit single "Strut."

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Problem: Background: Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years.
Context: Shortly after the Cuban Revolution of 1959, newly elected Cuban President Manuel Urrutia Lleo, a devout Christian, began a program of closing gambling outlets, nightclubs, and other establishments associated with Havana's hedonistic lifestyle. This had an immediate impact on the livelihoods of local entertainers. As the Cuban government rapidly shifted towards the left in an effort to build a "classless and colourblind society", it struggled to define policy toward forms of cultural expression in the black community; expressions which had implicitly emphasized cultural differences. Consequently, the cultural and social centers were abolished, including the Afro-Cuban mutual aid Sociedades de Color in 1962, to make way for racially integrated societies. Private festivities were limited to weekend parties and organizers' funds were confiscated. The measures meant the closure of the Buena Vista Social Club. Although the Cuban government continued to support traditional music after the revolution, certain favor was given to the politically charged nueva trova, and poetic singer-songwriters such as Silvio Rodriguez and Pablo Milanes. The emergence of pop music and salsa, a style derived from Cuban music but developed in the United States, meant that son music became even less common. Cuban music experienced quite a radical change in the 1960s, as National Geographic notes: Cuban dance music also witnessed dramatic change beginning in the late 1960s, as groups explored the fusion of Cuban son with American rock, jazz and funk styles. Groups such as Los Van Van and Irakere established modern forms of Cuban music, paving the way for new rhythms and dances to emerge as well as fresh concepts in instrumentation. ... Cuba's dance music had already inspired a change from the older son-style dances, as younger Cubans broke free of step-oriented dances... The occurrence of these closures and the change in traditions is the simplest explanation of why many musicians were out of work, and why their style of music had declined before the Buena Vista Social Club made it popular again.
Question: Was the program to close these establishments successful?
Answer: This had an immediate impact on the livelihoods of local entertainers.

Question: Anti-Flag are an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for politically charged lyrics and activism, focusing on anti-war activism, anti-imperialism, class struggle, human rights, and various sociopolitical sentiments. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band; later members are guitarist Chris Head, and singer/bassist Chris Barker (#2) who replaced Jamie "Cock" Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International.

In 2000, Anti-Flag was invited to participate in Vans Warped Tour. During this time, the members of Anti-Flag met NOFX's Fat Mike, owner of the Fat Wreck Chords record label. This meeting spawned a friendship that would lead to Anti-Flag's release of two albums on the label. In 2001, Anti-Flag teamed with punk music producer Mass Giorgini to record the album Underground Network, released on Fat Wreck Chords. The release of the album is arguably the band's breakout from the hardcore underground to a more mainstream spotlight. The album continued to address the issues of fascism (specifically neo-Nazis infiltrating the "hardcore scene") and the United States' foreign policy. The album was the first to contain the now-commonplace booklet filled with essays from historians and political commentators, most notably Professor Howard Zinn. In February 2002, Anti-Flag released the album Mobilize on A-F Records. The album featured eight new studio tracks as well as eight live tracks of songs from other albums. In the wake of the September 11th terrorist attacks on the United States, Anti-Flag spoke out against the push for war with the album's title track "911 for peace". During this time, many music stores pulled Anti-Flag's records from shelves, as their music was labelled as "anti-American." In 2003, Anti-Flag released the album The Terror State on Fat Wreck Chords. The album primarily focused on criticizing the Bush Administration's handling of the War on Terrorism. Again, the album contained a booklet full of essays from the band as well as other political commentators. The album contains a song whose lyrics were originally written by Woody Guthrie entitled "Post-War Breakout." The track's music was arranged by the members of Anti-Flag, as Guthrie had never committed the arrangements to paper. On October 8, 2004, U.S. Representative Jim McDermott gave a speech in the House of Representatives, praising Anti-Flag for their work in encouraging young people to register and vote.

Using a quote from the above article, answer the following question: Why did they switch to that label?
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Answer:
This meeting spawned a friendship that would lead to Anti-Flag's release of two albums on the label.