IN: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis. Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End. Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.

what was his first movie

OUT: The Love Doctor

IN: Earth Crisis is an American metalcore band from Syracuse, New York, active from 1989 until 2001, reuniting in 2007. Since 1993 the band's longest serving members are vocalist Karl Buechner, guitarist Scott Crouse, bassist Ian Edwards and drummer Dennis Merrick. Their third guitarist Erick Edwards joined the band in 1998. The band has released eight studio albums, three compilations, two live albums and six music videos.

Earth Crisis had a huge impact on both the hardcore punk music and its ideals. MetalSucks said: "For anybody who was not in the hardcore scene back then, it is hard to describe the impact they had or how controversial they were. You either loved them or hated them for bringing both metal and veganism into the hardcore scene". Sociologist Ross Haenfler stated in The Vinyl Factory that "Earth Crisis became the face of straight edge throughout the 1990s" through "the convergence of 'radical' animal rights activism, a more aggressive 'metalcore' sound, and hardcore crews", becoming "one of the most controversial bands in the scene's history." Their albums Firestorm, Destroy the Machines and Gomorrah's Season Ends were particularly influential for the emerging metalcore genre. According to Andrew O'Neill, "Earth Crisis inspired a much more heavy metal sound in hardcore" and "the distinction between the two [genres] started to crumble" shortly after those records were released. To a large extent, Earth Crisis was responsible for the rising of vegan straight edge militancy in the mid- to late 90s, when veganism was rarely present in mainstream culture. Haenfler said that, while "earlier straight edge bands advocated vegetarianism - for example Youth of Today, Insted and Manliftingbanner", Earth Crisis "made animal rights (and environmentalism) central to the scene" as a "self-described 'vegan straight edge' band", "inspiring thousands of kids to give up animal products entirely." They also spawned many activists in the scene because their message "imparted the sense of urgency in a way that nothing else that ever come before had", according to Peter Daniel Young. Some of their songs went on to be considered by some as anthems, such as "Firestorm" for straight edge and "Ultramilitance" for eco-terrorists. They also drew major media attention, having been featured and interviewed by CNN, CBS and The New York Times, while lead singer Karl Buechner was invited to address the Congress about teens and substance abuse.

Did they influence other bands?

OUT: Their albums Firestorm, Destroy the Machines and Gomorrah's Season Ends were particularly influential for the emerging metalcore genre.

IN: Anton Grigorevich Rubinstein (Russian: Anton Grigor'evich Rubinshtein, tr. Anton Grigorevich Rubinshteyn; November 28 [O.S. November 16] 1829 - November 20 [O.S. November 8] 1894) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein who founded the Moscow Conservatory. As a pianist, Rubinstein ranks among the great 19th-century keyboard virtuosos.

Rubinstein's concert programs were often gargantuan. Hanslick mentioned in his 1884 review that the pianist played more than 20 pieces in one concert in Vienna, including three sonatas (the Schumann F sharp minor plus Beethoven's D minor and Op. 101 in A). Rubinstein was a man with an extremely robust constitution and apparently never tired; audiences apparently stimulated his adrenals to the point where he acted like a superman. He had a colossal repertoire and an equally colossal memory until he turned 50, when he began to have memory lapses and had to play from the printed note. Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music. Each of these programs was enormous. The second, devoted to Beethoven sonatas, consisted of the Moonlight, Tempest, Waldstein, Appassionata, E minor, A major (Op. 101), E major (Op. 109) and C minor (Op. 111). Again, this was all included in one recital. The fourth concert, devoted to Schumann, contained the Fantasy in C, Kreisleriana, Symphonic Studies, Sonata in F sharp minor, a set of short pieces and Carnaval. This did not include encores, which Rubinstein sprayed liberally at every concert. Rubinstein concluded his American tour with this series, playing the seven recitals over a nine-day period in New York City in May 1873. Rubinstein played this series of historical recitals in Russia and throughout Eastern Europe. In Moscow he gave this series on consecutive Tuesday evenings in the Hall of the Nobility, repeating each concert the following morning in the German Club for the benefit of students, free of charge.

Are there any other interesting aspects about this article?

OUT:
Rubinstein was most famous for his series of historical recitals--seven consecutive concerts covering the history of piano music.