Background: Indigenous languages of the Americas are spoken by indigenous peoples from Alaska and Greenland to the southern tip of South America, encompassing the land masses that constitute the Americas. These indigenous languages consist of dozens of distinct language families, as well as many language isolates and unclassified languages. Many proposals to group these into higher-level families have been made, such as Joseph Greenberg's Amerind hypothesis. This scheme is rejected by nearly all specialists, due to the fact that some of the languages differ too significantly to draw any connections between them.
Context: Although both North and Central America are very diverse areas, South America has a linguistic diversity rivalled by only a few other places in the world with approximately 350 languages still spoken and an estimated 1,500 languages at first European contact. The situation of language documentation and classification into genetic families is not as advanced as in North America (which is relatively well studied in many areas). Kaufman (1994: 46) gives the following appraisal: Since the mid 1950s, the amount of published material on SA [South America] has been gradually growing, but even so, the number of researchers is far smaller than the growing number of linguistic communities whose speech should be documented. Given the current employment opportunities, it is not likely that the number of specialists in SA Indian languages will increase fast enough to document most of the surviving SA languages before they go out of use, as most of them unavoidably will. More work languishes in personal files than is published, but this is a standard problem. It is fair to say that SA and New Guinea are linguistically the poorest documented parts of the world. However, in the early 1960s fairly systematic efforts were launched in Papua New Guinea, and that area - much smaller than SA, to be sure - is in general much better documented than any part of indigenous SA of comparable size. As a result, many relationships between languages and language families have not been determined and some of those relationships that have been proposed are on somewhat shaky ground. The list of language families, isolates, and unclassified languages below is a rather conservative one based on Campbell (1997). Many of the proposed (and often speculative) groupings of families can be seen in Campbell (1997), Gordon (2005), Kaufman (1990, 1994), Key (1979), Loukotka (1968), and in the Language stock proposals section below.
Question: What were those languages that did not have a positive outlook?
Answer: Campbell (1997

Background: "Jesus Is Just Alright" is a gospel song written by Arthur Reid Reynolds and first recorded by Reynolds' own group, The Art Reynolds Singers, on their 1966 album, Tellin' It Like It Is. The song's title makes use of the American slang term "all-right", which during the 1960s was used to describe something that was considered 'cool' or very good. The song has been covered by a number of bands and artists over the years, including The Byrds, Underground Sunshine, The Doobie Brothers, Alexis Korner, The Ventures, DC Talk, Stryper, Shelagh McDonald, and Robert Randolph (featuring Eric Clapton). The first cover version of the song was recorded by the Los Angeles band The Byrds on their 1969 album, Ballad of Easy Rider.
Context: The Doobie Brothers' version of "Jesus Is Just Alright" was first released on their second album, Toulouse Street, in 1972. It was subsequently released in November 1972 as the second single from the album (b/w "Rockin' Down the Highway") and went on to become a U.S. hit, peaking at No. 35 on the Billboard Hot 100 in February 1973. The single featured a shorter, edited version of the song compared to the one included on the album. The Doobie Brothers' version of "Jesus Is Just Alright" was one of a number of religiously themed songs to reach the U.S. charts between 1969 and 1973, along with "Spirit in the Sky" by Norman Greenbaum, "Put Your Hand in the Hand" by Ocean, "Superstar" by Murray Head, "Morning Has Broken" by Cat Stevens, "Jubilation" by Paul Anka, "Speak to the Sky" by Rick Springfield, "Jesus Was a Capricorn" by Kris Kristofferson, "My Sweet Lord" by George Harrison and "I Knew Jesus (Before He Was a Star)" by Glen Campbell. The song, along with its B-side, continue to be a staple of playlists on classic rock radio stations. The band first became aware of "Jesus Is Just Alright" after hearing The Byrds' version and before long the song had been added to The Doobie Brothers' own live repertoire. As a result, the song's musical arrangement is very similar to the one used by The Byrds, although The Doobie Brothers' rendition does include an extra bridge that the band added themselves. Although none of the individual band members were religiously inclined, the song went on to become very popular among Christians during the early 1970s, particularly those within the hippie counterculture that were involved with the Jesus movement. In addition to its appearance on Toulouse Street, the song can also be found on a number of Doobie Brothers' compilations, including Best of The Doobies, Listen to the Music: The Very Best of The Doobie Brothers, Long Train Runnin': 1970-2000, Greatest Hits, and The Very Best of The Doobie Brothers. Live recordings of the song appear on the Farewell Tour, Rockin' down the Highway: The Wildlife Concert, and Live at Wolf Trap albums.
Question: When did they become aware of the song Jesus is Just Alright?
Answer:
The band first became aware of "Jesus Is Just Alright" after hearing The Byrds' version