Article: If you Try to cut between some industrial remix of a Led Zeppelin tune mashed up with Biggie vocals and the new Katy Perry song, it's likely that you'll leave some heads scratching, even if the BPMs match. Try to make your stylistic transitions as smooth as possible, matching sounds, styles, energy, and beats. Don't do blatantly obvious mixing between tracks, mixing into another track if both are clearly audible. Cut some sound out of one track and slowly bring up the rest of it. Cut the bass and just leave the drums and slowly bring the bass up. Some tracks like Mickey Slim's remix of "Jump Around" change dramatically, so use that to your advantage. If the song slows down, mix a couple of slow tracks between it and then bring it back to where it was. If your set is going fast, keep it that way and only slow down if you want people to chill for a second. If you're speeding up, make it gradual, or surprising, not just some blatant full speed up halfway through a 90 bpm track to 125bpm so you can mix it into a house record. A good idea is to loop a standout line in the song and then slowly speed it up and mix to the next record. Don't confuse people, when it comes to changing speeds it's mainly faster, not slower, and always gradual, or surprising. Everybody wants to have a good time, including the DJ. But if you're not in a clear-headed place, it'll be too easy to lose track of the room. Save your free drink tickets until after your set is over and celebrate a job well done. Don't get bombed and think you can pull off a set made entirely of weird Finnish TV theme song mixes. That's weird, and sober-you would agree.
Question: What is a summary of what this article is about?
Make your transitions smooth. Make your mixes subtle. Maintain a consistent pace with subtle variations. Stay sober.

Problem: Article: The only way to accurately measure around your body is with a flexible, wrap-able tape measure. For professional results, which are not necessary for home testing, the World Health Organization suggests stretch-resistant tape with 100g of tension. Don't slouch or lean, as this can throw off the measurement. You also don't want to hold your breath or suck in your stomach, as this will give an inaccurate reading. You should be wearing very little or no clothing. Get your measurements as close to the skin as possible. This is going to get the most accurate measurement. Try to get the measurement in the space between finishing to exhale and beginning another inhalation. More often than not this is just above your belly button, up above the knobs of your hip bones. Keep the tape flat against your belly, not kinked or twisted. You don't want to squeeze or pull, just get a snug measurement. Write this measurement down as "Waist Circumference." For an example, say this is 26" It does not matter if you use inches or centimeters, so long as you use the same measurement for your hips, too. This is frequently the widest part of your butt, just below where your thighs hinge. Wrap your tape measure, again trying not to kink, twist, or pull tightly on it. Write this measurement down as "Hip Circumference." For an example, say this is 32" If you measured in inches for the waist, use inches again here. If you used centimeters before, use centimeters now, etc. This is the clinical standard, but if you're just curious for a rough figure you can skip this step. Doctors do this to ensure they get the most accurate reading possible. The result is your waist-to-hip ratio, or WHR. Simply pull up a calculator and divide the waist measurement by the hip measurement: For an example, assume your waist circumference is 26" and your hip circumference is 32" 26in32in{\displaystyle {
rac {26in}{32in}}} WHR = .8125
Summary: Get a tape measure. Stand up straight with your body relaxed and feet close together. Make both measurements just as you finish exhaling. Wrap a tape measure around the skinniest part of your waist. Use the tape measure around the widest part of your hips. Take both measurements a second time to account for any changes from breathing. Divide your waist circumference by your hip circumference.

Your kit should include food and water for a couple days, a radio, batteries, first aid supplies, and a flashlight. Your kit will not only provide you with items you may need during and after a tsunami event, but it will give you piece of mind while you are evacuating. Perhaps the most important part of preparing for a tsunami is creating evacuation routes to high points inland. By plotting several different evacuation routes, you'll limit the amount of time you may have to waste figuring out where to go during a tsunami. Create plans that will take you from: Work to a safe zone. Home to a safe zone. Likely places you may be in your community to a safe zone. Take the time to drive or walk the route several times in advance. Look for alternative ways to cross rivers, streets, or get around major buildings. By familiarizing yourself with your evacuation route, you'll be much more likely to be able to avoid dangers like downed power lines or damaged bridges. A contact plan will let you know how and when to communicate with friends or family after you have evacuated. You should also include a place to meet friends and family after authorities have signaled an all clear. Choose a location that is easily accessible and in a safety zone. Possible locations include a friend's house, a public park, or a landmark. Make sure you include a timeline for communication in your plan. For example, have a first contact time (maybe 1 to 3 hours after the event), a second contact point (6 to 12 hours after), and a third contact point (a day after the event).
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One-sentence summary --
Put together a tsunami preparedness kit. Plan evacuation routes. Familiarize yourself with the area around your evacuation route. Create a contact plan with your friends and family.