An example of a movie review. positive.

A: How could I possibly pass up the chance to see Orlando Bloom and Heath Ledger together? Well, I couldn't and so, I rented this mess of a movie.

I had never heard of Ned Kelly and was surprised by what I found out about this young man's legend. I was also surprised at how mediocre this movie was. Perhaps the fact that it was very, very late and at the end of a 4 hour movie marathon or maybe it was because it really is a little slow, I found this story difficult to follow. Not because the story is complicated, but because it is slow. Even with a slow story, Ledger and Bloom managed to create interesting, dimensional characters.

Though I flounder to recommend this as a must see, it is a great story of Australian history (considering how young the country is, this is very rare and should be appreciated) and the film does have some good actions sequences.

6/10 see it for historical value....(yeah right...and that's the only reason to see it... ;) )

An example of a movie review. positive.

A: Cinematically, this film stinks. So does a lot of the acting. But I

don't care. If there is a strong representation of what the 80's were

like(For a lot of us in the innercity anyways) and what hip-hop, Zulu

nation, and break dancing were really like.Great music, great

dancing! It almost seems like a documentary of a time now past

when hip-hop was a way of life. It's also interesting to see New

York looking like ground zero from a nuclear attack. Some viewers

may be too young to remember that It was a poor, run down city

during the 70's and 80's. This is the best of all the hip-hop/break

dancing movies that came out around that period. Of course the

80's are considered a joke now with all the bad tv shows and

movies, but those of us who lived through it will always remember

it fondly for a time when music, dancing, and graffiti were fresh, yo!

An example of a movie review. positive.

A:
Since September of last year, I have been borrowing four to six films each week from the Harold Washington Library, which boasts an impressive DVD collection. (The HWL truly is a circulating library: three-quarters of its films are out at any given time!) Recently, I was thrilled to find The Short Films of David Lynch. Yesterday, knowing little about the animated series, I picked up Dumbland. I'm here to report that, for David Lynch fans, watching the eight episodes is half an hour well-spent.

The most remarkable feature of these brief pieces are their soundtracks. Each episode has its own rhythm. Respiratory and digestive systems provide percussion. Outrageous voices accent pauses' ends. Physical violence supplies the beats. Chirping birds and buzzing sockets brush along the edges. Many other elements fill out the orchestra. The pacing of the crude animation often keeps in sync with the sound, but the soundtrack itself struck me as Lynch's primary interest in creating and disseminating this work. In a way, these eight shorts are unique Lynchian rhythms.

That said, the situations are odd, ugly, profound, dumb and funny as hell. And there's enough space within them to reflect on how absurd we humans can be. I can't say that I'll watch the collection again, but for anyone who revelled in the movements that is the suite Inland Empire, Dumbland is worth half an hour of your time.