In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
the job of the film critic is to see a movie and write a review of it that tells you what it 's about and why it 's good or bad .
i feel kind of embarrassed to admit this , but i after having seen " get carter
" i really ca n't tell you what it 's about although i could go on and on about how and why it 's a bad movie .
" get carter " falls into that category of ?
movies that continue to be made for reasons unknown to anyone outside of a hollywood executive board room .
you might call them the " steven seagal / mickey rourke / jean - claude van damme / wesley snipes school of mediocre action / crime thrillers .
"
you know - the potboilers that are heavy on fistfights , shoot - outs and car chases but really light on plot and character development .
they have stories where the so - called hero just keeps running into characters who have some connection to one of the other characters who are all antagonists without a reason for being in the movie other than to give the protagonist someone to fight , chase or shoot at .
sylvester stallone stars as jack carter , a las vegas - based mob enforcer who returns home
* for his brother 's funeral .
he believes his brother ?
richie was " taken out " and did n't die from a dwi accident .
carter 's one of the most cliche bad - asses ever captured on celluloid .
his face alone is pretty intimidating and there 's quite a few scenes in which he leans on both regular citizens and criminal lowlives simply by staring them down and speaking with confidence in his " rambo - on - testosterone - therapy " voice .
stallone 's performance in this movie is so forced and unnatural
he does n't realize he 's mocking himself .
the actual story involves carter 's investigation into his brother richie 's death .
he 's in a town that 's not his
but somehow the local top dogs know him very well .
mickey rourke co - stars as one of these characters , a sort of crime boss who has something to do with running a porno web site and blackmailing a young internet tycoon
( played by alan cummings looking and acting a lot like pee wee herman ) .
there 's also another plot involving richie 's mistress , a secret cd - rom with some convicting and disturbing evidence on it and something terrible involving one of carter 's still - living relatives .
i 'm rolling my eyes
just thinking about trying to critique all this in a way that could be remotely comprehendible .
i could just rip the screenplay to shreds , plus the direction or the editing or the production values but that would require discussion of nearly every scene in order to explain it all .
i do n't like to put spoliers in my reviews either intentionally or accidentally .
yes , " get carter " is just that complicated and complex .
and what 's worse is that it 's not this intricate to make it seem smart like " the usual suspects " for example - just the opposite .
you get the feeling whoever wrote this script
did it in short intervals spaced far apart
and they probably did n't remember what had already happened and did n't figure out how each scene would lead in to the next one or how the major plot points would work towards the climax .
all you really need to know is that most of the film is just scenes of carter tracking down one scumbag or supposed witness after another , asking them what they know , getting information and then realizing that if he was n't a complete idiot he could have figured it out in the first five minutes .
although the supporting characters are equally stupid themselves since they tell him everything which comes back to haunt them in one violent way or another .
making a movie entirely about criminals does n't necessarily mean they have to be unlikable and cliche cutout characters .
mel gibson starred in " payback " a few years ago
that had a story not unlike this one but had such a good screenplay you could n't help
but like him even though he was just as bad a guy as jack carter .
so ultimately " get
carter " fails for pretty much every selling point it has
. carter is not a likable character and you really do n't care if he gets revenge or not .
the action sequences are not at all exciting or original .
the enemies and their massive conspiracy are not threatening at all ( c'mon , you know who 's going to win every brawl and shoot - out and car chase ) .
in the end you do n't feel nearly satisfied with the results .
the filmmakers did a good job in doing everything as unoriginal as possible .
*
the city is never mentioned by name
but i assume it 's seattle since all the cars have washington license plates
and it 's always raining .

Ex Output:
N

Ex Input:
in double jeopardy , the stakes are high .
think of the plot as a rehash of sleeping with the enemy , and then rearrange the details and the gender of the stalker .
the finished product , although able to maintain the viewer 's attention , is
a predictable and unexciting thriller with an idiotic script .
' alex , i 'll take homicide for $ 400 . . . '
libby parsons ( ashley judd ) is a happily married mom leading a normal life .
one night , her husband nick ( bruce greenwood ) takes her out for a romantic escape on a sailboat .
libby awakens in the middle of the night to find she is covered in blood and nick has strangely disappeared .
she follows a trail of bloody footprints up to the deck , where she handles a fallen knife ( like any stupid character ) and is spotted by the coast guard , who are responding to a distress signal sent earlier in the evening .
nick is presumed dead , and although she pleads her innocence , libby is tried and convicted for the murder of her husband .
now , please do n't think i 'm spoiling any vital plot details , because the informative trailer has already spilled most of the beans . if you have n't seen this preview , do n't read any further .
but seriously , the inane screenplay by douglas
weisberg and douglas s
.
cook is so elementary that the average viewer will be two or three steps ahead of the characters .
during the most vital scenes in the movie , i was anticipating every twist or ' surprise ' that eventually popped up on the screen .
i imagine the writers presume their core audience for double jeopardy is a very naive group of individuals .
most , unfortunately , will be too distracted by the moronic plot to appreciate the few positive aspects of the production .
one is tommy lee jones , who plays travis lehman , a parole officer given the tedious task of watching over libby after she serves her sentence in prison .
jones is always wonderful as an authority figure , and he 's certainly familiar with this sort of role ( as he played so well in the fugitive and us marshals ) .
judd , as a likable heroin with gusto , also has a chance to flex her acting abilities .
while emotionally unconvincing , the actress is tremendously fun in her juvenile role , perking up the movie like an injection of anti - depressant .
the actors , and their relationship together , present the one - two punch that prevents double jeopardy from derailing itself entirely .
and now , back to the plot .
while behind bars , libby learns an interesting little bit of information : a person ca n't be convicted of the same crime twice .
this law , called ' double jeopardy ' , could be her motive for hunting down her husband .
.
. who may still be alive .
yes , you heard right .
the movie degenerates into a cross - country chase , where everything you expect to happen . . .
does .
the final scenes , which could have redeemed the film , are poorly handled by director bruce beresford - whose previous work centers highly around drama ( driving miss daisy , paradise road ) .
ironically , it is those elements - like the driving force of libby to reunite with her son - that do n't quite work here .
at least double jeopardy is paced well enough to satisfy diehard fans of the two stars .
unfortunately , jones lacks some of the edge that he had as sam gerard in the fugitive , and the real depth of his character is only skin deep .
but he and ashley judd are more than welcome considering the material , and both have some memorable comic moments .
judd , in particular , has a hilarious scene in which she wards off an oncoming male by explaining she has to check in with her ' parole officer ' .
hmmm .
. .
perhaps this would have made a good comedy .
it is disappointing , because there are the makings of a competent action film here .
it 's nicely shot and choreographed in downtown vancouver , and will entertain those who are n't turned off by the woeful story - line .
?
tis a shame that double jeopardy is an adult thriller that would n't fool most children .

Ex Output:
N

Ex Input:
after the simple looking little spacecraft lands in a automobile wrecking yard , out steps a steel - gray , human - like creature with aquamarine eyes and clad in a muscular suit .
spencer , the boy who observes this , having seen his fill of science fiction flicks , figures this thing must be a robot from outer space .
with the exception of disney and a few others , most studios view children 's films as a way to ship a cheap and unimaginative product and thereby make a quick profit .
star kid stands out as that rare kids ' film that is undoubtedly low - budget but is also highly imaginative .
remember , the robot ?
it was n't one at all but rather a " phase one assault cyborsuit .
"
the cyborsuit is actually a prototype combat enhancer developed by the trelkins and jettisoned for latter retrieval when they are under attack from the invading broodwarriors .
the significant twist in the story is that spencer gets to go inside the cyborsuit , and the cyborsuit , nicknamed cy , has plenty of spunk .
cy keeps questioning the kid about everything including words like " cool .
" upon hearing that " command , " cy starts rapidly decreasing the temperature in the cyborsuit until spencer screams for him to stop .
and when cy speaks , we see spencer 's view , the backside of cy 's lips and eyes .
as 12-year - old spencer , joseph mazzello from the jurassic park film series gives a remarkably good performance as a wimpy and initially tongue - tied kid .
even when enclosed in his powerful new cyborsuit , he has his fears but he learns to overcome them .
"
if you run away , things do n't get better , whether it 's bullies , spiders , or girls , " his science teacher advises him after he has difficulties dealing with all three .
turbo ( joey simmrin ) , the school 's chubby bully , beats up on him , spiders frighten him , and , most embarrassing of all , he ca n't speak when in the presence of his would - be girlfriend .
with his cyborsuit on , he learns some bravery that transcends his time inside cy .
spencer lives with his dad and his older teenage sister stacey , played by a smart - mouthed ashlee levitch , who looks like a younger sarah jessica parker .
stacey derides her brother , whom she barely tolerates , by referring to him only as " the fungus .
"
this whole setup for spencer 's downtrodden and delightfully funny life makes his acquisition of some superhuman powers a source of mirth and empowerment .
the beauty of mazzello 's performance is that you can vicariously experience his fear and share in his enjoyment when he goes after the bully to teach him a lesson he 'll not soon forget .
the ensuing mayhem has some of the home alone antics , but the slapstick is kept tightly under control by writer and director manny coto so that one never feels embarrassed to be laughing .
the romantic angle is handled ever so delicately . when cy wishes to know if spencer wants to mate with the object of his desire , michelle ( lauren eckstrom ) , his eyes open wide in revulsion .
" mate with her ! " spencer exclaims .
" pllllleeeeease , i just like her
that 's all .
"
the show has many funny twists .
in one , cy sees a man in a barney - like costume and begins firing at him , thinking he is an alien life - form .
soon things get way out of hand , and cy and spencer have to beat a hasty retreat .
as proof positive of the show 's class , it actually contains tasteful bathroom humor
-- thought that was an oxymoron in a kids ' picture , did n't you ?
cy can not allow spencer to leave the cyborsuit , and what happens when he needs to urinate becomes both sweet and hilarious .
the director 's staging of this sequence is one of the film 's more charming moments .
oh , and eating is pretty funny too .
spencer , whose idol is the comic book character " midknight warrior , " gets to face the challenge of a lifetime when a broodwarrior comes to capture the cyborsuit .
spencer 's valiant battle gives him a chance to find his mettle .
and the action sequences in the battle
manage to be quite respectable for a kids ' show full of inventiveness and lacking the usual repetition .
for a family movie mixing humor , fantasy , and action , star kid delivers .
although it 's probably not the sort of movie you 'd want to see without kids , with them
you 'll have a magical time with a relatively straightforward but well developed story
.
you 'll be rooting for and laughing with spencer and his buddy cy all the way through .
star kid runs 1 : 41 .
it is rated pg for fantasy combat .
although the basically cartoonish broodwarrior might scare the littlest kids , i saw none of this in evidence in our packed screening , so i would say the show is fine for kids five and up , and possibly the younger ones .
my son jeffrey , age 8 , got really excited about the picture .
he called it " an especially good movie " and gave it
*
* * * .
when i asked him to tell me his favorite characters , he mentioned almost everyone in it from the boy to the cyborsuit to the bully .

Ex Output:
P