Background: Benny was born in Chicago, Illinois, and grew up in nearby Waukegan, Illinois. He was the son of Meyer Kubelsky and Emma Sachs Kubelsky. His parents were Jewish. Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland.
Context: Benny had been a minor vaudeville performer before becoming a national figure with The Jack Benny Program, a weekly radio show that ran from 1932 to 1948 on NBC and from 1949 to 1955 on CBS. It was among the most highly rated programs during its run. Benny's long radio career began on April 6, 1932, when the NBC Commercial Program Department auditioned him for the N.W. Ayer agency and their client, Canada Dry, after which Bertha Brainard, head of the division, said, "We think Mr. Benny is excellent for radio and, while the audition was unassisted as far as orchestra was concerned, we believe he would make a great bet for an air program." Recalling the experience in 1956, Benny said Ed Sullivan had invited him to guest on his program (1932), and "the agency for Canada Dry ginger ale heard me and offered me a job." With Canada Dry ginger ale as a sponsor, Benny came to radio on The Canada Dry Program, on May 2, 1932, on the NBC Blue Network and continuing for six months until October 26, moving to CBS on October 30. With Ted Weems leading the band, Benny stayed on CBS until January 26, 1933. Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934. He continued with sponsor General Tire through the end of the season. In October, 1934, General Foods, the makers of Jell-O and Grape-Nuts, became the sponsor strongly identified with Benny for 10 years. American Tobacco's Lucky Strike was his longest-lasting radio sponsor, from October 1944 through to the end of his original radio series. The show switched networks to CBS on January 2, 1949, as part of CBS president William S. Paley's notorious "raid" of NBC talent in 1948-49. It stayed there for the remainder of its radio run, ending on May 22, 1955. CBS aired repeat episodes from 1956 to 1958 as The Best of Benny.
Question: Did he work for any other radio shows
Answer: Arriving at NBC on March 17, Benny did The Chevrolet Program until April 1, 1934.

Background: Bjorn Borg was born in Stockholm, Sweden, on 6 June 1956, as the only child of Rune and Margaretha Borg. He grew up in nearby Sodertalje. As a child, Borg became fascinated with a golden tennis racket that his father won at a table-tennis tournament. His father gave him the racket, beginning his tennis career.
Context: Borg had one of the most distinctive playing styles in the Open Era. He played from the baseline, with powerful ground-strokes. His highly unorthodox backhand involved taking his racket back with both hands but actually generating his power with his dominant right hand, letting go of the grip with his left hand around point of contact, and following through with his swing as a one-hander. He hit the ball hard and high from the back of the court and brought it down with considerable topspin, which made his ground strokes very consistent. There had been other players, particularly Rod Laver and Arthur Ashe, who played with topspin on both the forehand and backhand, yet Laver and Ashe used topspin only as a way to mix up their shots to pass their opponents at the net easily. Borg was one of the first top players to use heavy topspin on his shots consistently. Complementing his consistent ground-strokes was his fitness. Both of these factors allowed Borg to be dominant at the French Open. One of the factors that made Borg unique was his dominance on the grass courts of Wimbledon, where baseliners since World War II did not usually succeed. Some experts attributed his dominance on this surface to his consistency, an underrated serve, equally underrated volleys, and his adaptation to grass courts. Against the best players, he almost always served-and-volleyed on his first serves (but he naturally played from the baseline after his second serves). Another trait usually associated with Borg is his grace under pressure. His calm court demeanor earned him the nickname of the "Ice Man" or "Ice-Borg." Borg's physical conditioning was legendary and unrivalled. He could outlast most of his opponents under the most grueling conditions. Contrary to popular belief, however, this wasn't due to his exceptionally low resting heart rate, often reported to be near 35 beats per minute. In his introduction to Borg's autobiography My Life and Game, Eugene Scott relates that this rumor arose from a medical exam the 18-year-old Borg once took for military service, where his pulse was recorded as 38. Scott goes on to reveal Borg's true pulse rate as "about 50 when he wakes up and around 60 in the afternoon." Borg is credited with helping to develop the style of play that has come to dominate the game today.
Question: Are there any other interesting aspects about this article?
Answer: a medical exam the 18-year-old Borg once took for military service, where his pulse was recorded as 38.

Background: The Grand Ole Opry is a weekly country-music stage concert in Nashville, Tennessee, which was founded on November 28, 1925, by George D. Hay as a one-hour radio "barn dance" on WSM. Currently owned and operated by Opry Entertainment (a division of Ryman Hospitality Properties, Inc.), it is the longest-running radio broadcast in US history. Dedicated to honoring country music and its history, the Opry showcases a mix of famous singers and contemporary chart-toppers performing country, bluegrass, Americana, folk, gospel, and comedic performances and skits. It attracts hundreds of thousands of visitors from around the world and millions of radio and Internet listeners.
Context: Following the departure of the Opry, Ryman Auditorium sat mostly vacant and decaying for twenty years. An initial effort by National Life & Accident to tear down the Ryman and use its bricks to build a chapel at Opryland USA was met with resounding resistance from the public, including the influential musicians of the time. The plans were abandoned, and the building remained standing with an uncertain future. Despite the absence of performances, the building still held such significance as an attraction that it would remain open for tours. In 1991 and 1992, Emmylou Harris performed a series of concerts there and released some of the recordings as an album entitled At the Ryman. The concert and album's high acclaim renewed interest in reviving Ryman Auditorium as an active venue. Beginning in September 1993, Gaylord Entertainment undertook a full renovation of the Ryman, restoring it into a world-class concert hall that reopened with a broadcast of A Prairie Home Companion on June 4, 1994. On Sunday, October 18, 1998, the Opry held a benefit show at Ryman Auditorium, marking its return to the venue for the first time since its final show on March 15, 1974. The show was well received by fans, performers, and management alike, and so the decision was made to host the Opry's regular shows there on January 15 & 16, 1999 as part of the celebration to commemorate 25 years at the new venue. Beginning in November 1999, the Opry was held at Ryman Auditorium for three months, partly due to the ongoing construction of Opry Mills. The Opry has returned to the Ryman for the three winter months every year since, allowing the show to acknowledge its roots while also taking advantage of a smaller venue during an off-peak season for tourism. While still officially the Grand Ole Opry, the shows there are billed as Opry At The Ryman. From 2002 to 2014, a traveling version of the Radio City Christmas Spectacular took up residence at the Grand Ole Opry House each holiday season while the Opry was away. It was replaced by Dr. Seuss' How the Grinch Stole Christmas! The Musical beginning in 2015.
Question: When did the Opry return to Ryman?
Answer:
Sunday, October 18, 1998,