In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: battlefield
long , boring and just plain stupid battlefield earth a film review by michael redman copyright 2000 by michael redman in my mid - teen years , i had a horrendous re - occurring nightmare .
behind the wheel of a car , i was driving down a straight road in the middle of a desert .
no scenery except the horizon line and the converging parallel lines of the highway .
no matter what i did , the view did n't change : travelling but not getting anywhere .
each time i awoke in a sweat , terrified .
you do n't have to be carl jung to understand that dream .
powerless to make changes , trapped in a boring situation with no hope of rescue
, this is the stuff of nightmares whether we are asleep or awake .
this is exactly how you will feel 15 minutes after " battlefield earth " begins .
for all of its flash and style , l . ron hubbard 's science fiction epic is the earliest and best entry for the dullest summer film of 2000 . dull " and " stupid
.
in the year 3000 , the psychlo aliens have ruled our planet for 1 , 000 years .
humans either work as slave labor in mining operations or live as barbarians .
there 's no hope .
the future is bleak .
then the psychlo make a mistake and capture feisty jonnie goodboy tyler ( barry pepper ) who organizes a revolution against chief of security terl ( john travolta ) and the alien race .
it 's an archetypal post - apocalyptic plot full of promise .
considering some of the talent involved and all the millions thrown at the screen , it 's difficult to see how it could have failed so miserably .
but it does .
the story is so full of holes that it falls apart within minutes of the opening credits .
are we really supposed to believe that after a millennium of looking for gold , the psychlo never discovered fort knox ? or that fighter planes are still in pristine condition after all that time -- and gassed up ? or that the cavemen become such expert pilots in seven days that they can easily down the advanced alien ships ? or that the psychlo spy cameras somehow do n't notice that their slaves are missing for days ?
travolta prances across the screen hamming it up for all he 's worth and is almost entertaining .
almost .
the rest of the actors are wooden mannequins trying not to laugh while delivering lines that no person -- " man - animal " or not -- would ever utter .
some of the film
_ looks
_ good , but it also looks so familiar .
a race of large hulking ape - like creatures has taken over the world while our cities lie in ruin .
sound like something charlton heston might be in ?
the psychlo look like overweight klingons in gear from " dune " .
the final air battle between the air force fighters and the psychlo ships in their high - tech city is something george lucas might have been associated with .
it 's too loud .
it 's too oppressive .
it 's too slow .
it 's too long .
. .
far too long .
and on it goes .
the list of the problems with " battlefield earth " is endless .
it 's difficult to find anything in the film that does work .
oh yeah .
the color scheme is nice .
the real question is how this movie ever got made .
could it have something to do with the fact that l . ron hubbard was the founder of scientology ?
and that john travolta is a member of the church .
that might explain why travolta bought the rights to the novel years ago .
but it does n't give us a clue as to why first - time screenwriter corey mandell 's atrocious script was used .
or why the high - profile project was entrusted with roger christian who had never before directed a major film .
or why no one looked at this thing before it was released and realized there might be problems .
the one bright spot is that no longer will kevin costner 's " the postman " ( which i begrudgingly admit as a guilty pleasure ) be " the " big budget science fiction failure .
" battlefield earth " has the honor sewed up .
often reviewers will recommend that you skip mediocre films and wait for the video .
that 's not the case here .
you can act now and make the decision to not see it on the big screen or on the small one .
do n't hesitate .
strike now while the iron is cold .
[EX A]: N

[EX Q]: from a major league baseball radio broadcast , featuring play - by- play man harry canary and color man whitey hashbrown , with special guest commentator james berardinelli .
hc : as we go to the top of the 8th , we 're joined in the booth by film critic james berardinelli , who 's here fresh from seeing the new baseball movie , major league : back to the minors , the third in the popular saga taking a lighter look at the majors .
nice to see you ,
jim . as a big baseball fan and a movie reviewer
, can you give us the scoop on the new flick ?
jb :
my opinion : the producers should have stopped while they were ahead , and that was nine years ago .
one entry was definitely enough , and i 'm surprised there was a third after the anemic showing and low quality of major league 2 . this latest installment has all the earmarks of something that should have been released direct - to - video .
it 's worse than a mediocre made - for - tv feature .
i should also mention that this movie likely wo n't play all that well in cleveland .
now that the real indians are perennial contenders , they have been replaced by the minnesota twins as the cinematic sadsacks .
actually , most of the action involves the twins ' aaa minor league club , the buzz , rather than the actual major league franchise .
hc : sorry to interrupt , jim , but we still have to do play - by - play for the game on the field .
leading off this inning is john warren .
he steps into the batter 's box and takes kent 's pitch low for ball one .
wh :
so , the story 's strictly minor league , right ?
what 's it about ?
jb :
scott bakula , the guy from quantum leap , plays career minor league pitcher gus cantrell .
when twins owner roger dorn , once again portrayed by corbin bernsen , needs a new manager for his aaa team , he offers the job to gus , who is now faced with two daunting tasks : turn the team around and groom hot prospect
downtown anderson ( played by walt goggins ) for a promotion to " the show .
" with the help of former major leaguers pedro cerrano ( dennis haysbert ) , rube baker ( eric bruskotter ) , and isuro tanaka ( takaaki ishibashi ) , gus gets the buzz on the right track .
in fact , he is so successful that he earns the enmity of the jealous manager of the big - league club , leonard huff ( played with over - the - top relish by ted mcginley ) .
soon , dorn has arranged an exhibition game that pits gus ' overachieving group against huff 's overpaid , last - place bunch .
wh : can we guess who wins ?
jb : the results have all the suspense of watching the videotape of a game when you 've already seen the box score .
on top of that , none of the mock - ups are presented with much flair .
they 're not just boring ; they 're lackluster .
but the major league movies have never been about drama or tension
; they 've been about using baseball situations to generate laughs .
hc : warren fouls off a fastball .
1 and 1 .
wh : are there lots of yuks in this one ?
jb : not one , from start to finish .
i enjoyed the first major league because it was reasonably fresh and funny .
okay , a lot of the jokes were sophomoric , but they made me laugh .
the two sequels have n't just been stale , but their humor quotient has been abysmally low .
even bob uecker 's once - sharp one - liners have turned lame , and they 're the closest the film comes to being even vaguely amusing .
hc : here 's the 1 - 1 pitch .
looooooong drive ? fair or foul ?
foul ball !
the count goes to 1 and 2 .
wh : does the film at least get the baseball details correct ?
jb :
yes .
there are n't any glaring errors
like there were in one of the best - ever baseball movies , the natural .
but i 'd gladly trade a technically accurate film for one with a good story , believable characters , or even a little genuine humor .
heck , the naked gun is a better baseball comedy than major league : back to the minors .
wh : it 's nice to see old friends one more time , is n't it ?
like cerrano , tanaka , and dorn .
jb : depends on whether you really care that anyone is back .
there are n't any real characters here ?
just an assortment of cliched oddballs .
yeah ,
the voodoo hitter , the catcher who ca n't throw back to the pitcher , the japanese player , and the conceited player - turned - owner have all returned , but who really cares ?
they have no depth .
notable absences include tom berenger 's veteran and charlie sheen 's " wild thing .
"
we do n't really miss them , though .
hc : breaking ball , low and outside .
2 and 2 .
wh
: so you 're saying that we should give this one a miss ?
jb
: that 's right .
to use baseball terminology , it 's a three - pitch strikeout .
if you 're looking for a good movie that involves baseball , try popping the natural , field of dreams , bull durham , or even the first major league into the vcr .
actually , this is an oddly - timed release , since baseball fans are likely to be spending more time in parks than in theaters .
even the minor league seasons are already underway .
do n't bother with major league : back to the minors .
it 's a wretched time- waster .
wh :
thanks for the advice .
jb
: you 're welcome .
hc : and here 's the 2 - 2 pitch .
fouled back , right into this booth .
hey , jim , heads up !
oops .
somebody better get him some ice for that .
he may be good at deflecting bad baseball movies , but he needs to learn not to duck into foul balls .
odd how warren seemed to aim that ball right at him , almost as if he has a grudge to settle .
anyway , back to the action on the field ?
[EX A]: N

[EX Q]: retrospective : city of the living dead ( 1980 )
a film review by mike watson copyright 1997
mike watson
i once heard someone describe the films of italian schlock horror director lucio fulci as " dim - witted " .
and by golly , just about all other words fail me when confronted with a dog like city of the living dead .
although the late fulci managed some rather good thrillers in his career , this is not one of them .
two points in the movie 's favour -
the impressive camerawork of sergio salvati and occasionally evocative score by fabio frizzi - keep things from falling totally into the abyss , but by and large city of the living dead is a failure .
and like most cinematic failures , it comes down to bad writing , dumb performances and lousy direction .
the story starts in new york when , during a seance , a medium ( katherine mccoll ) sees a vision of a priest hanging himself in the town of dunwich , massachusetts .
for reasons we wo n't go into here , this opens the gates of hell which must be closed by all saints day or the dead will rise and walk the earth .
the medium apparently dies of fright during the seance , but awakens in her coffin in the graveyard the next day and is rescued by a crusty old journalist ( christopher george ) .
that scene in itself is a howler
: why would you bust open a coffin with a large pick axe when you know someone is alive inside ?
and do n't cadavers have various things stuffed in them and drained out of them before they 're buried ?
anyway , off the two of them go to dunwich to save the world , where various grisly goings - on are already happening as all saints day approaches .
fulci 's
graphic gore is in evidence once again , but here it only serves to further highlight the film 's flimsy script and plodding direction .
the dialogue , in all manner of speaking , is unspeakable .
not bad in the quotable sense , like an ed wood film , but bad in its sheer dullness or blatantly obvious
" lets explain the plot " type approach .
mccoll does n't have a clue who her character is : deadly serious one minute , frivolous the next , she at times is genuinely hard to watch .
and the geezer ( the actor 's name escapes me ) who plays the town psychiatrist becomes even harder to stomach than mccoll as the film progresses .
christopher george 's performance is salvageable , but he gets his brains ripped out in the end by a zombie and we do n't care .
in fact we do n't care for anyone in city of the living dead , though in other fulci films that has n't mattered so much when he was on form as a stylist and an ideas man , as he was in the beyond .
as a director , some of fulci ' idiosyncrasies are incredibly silly and annoying here .
he constantly uses extreme close - ups of people 's eyes , a ridiculous technique which suggests an attempt to convey the emotion that his dialogue and actors are n't capable of .
and despite some gruesome violence , he barely manages a single scare in the entire film .
long - time collaborator fabio frizzi , talented but always erratic , offers a patchy soundtrack that veers between eerie , gothic death marches and woefully inappropriate electro - pop that 's quite frankly embarrassing
.
fulci 's other films of this period may be flawed - house by the cemetery ,
the beyond , the black cat - but they are nonetheless films with more inspiration , atmosphere and better dialogue than this turkey .
for completists
only .
[EX A]:
N