IN: In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a sound recording in a different song or piece. Sampling was originally developed by experimental musicians working with musique concrete and electroacoustic music, who physically manipulated tape loops or vinyl records on a phonograph. By the late 1960s, the use of tape loop sampling influenced the development of minimalist music and the production of psychedelic rock and jazz fusion. Hip hop music was the first popular music genre based on the art of sampling - being born from 1970s DJs who experimented with manipulating vinyl on two turntables and an audio mixer.

Whereas loops are usually a phrase played on a musical instrument, this type of sample is usually a single note. Music workstations and samplers use samples of musical instruments as the basis of their own sounds, and are capable of playing a sample back at any pitch. Many modern synthesizers and drum machines also use samples as the basis of their sounds. (See sample-based synthesis for more information.) Most such samples are created in professional recording studios using world-class instruments played by accomplished musicians. These are usually developed by the manufacturer of the instrument or by a subcontractor who specializes in creating such samples. There are businesses and individuals who create libraries of samples of musical instruments. Of course, a sampler allows anyone to create such samples. Possibly the earliest equipment used to sample recorded instrument sounds are the Chamberlin, which was developed in the 1940s, and its better-known cousin, the Mellotron, marketed in England in the 1960s. Both are tape replay keyboards, in which each key pressed triggers a prerecorded tape recording of a single note. Musicians can reproduce the same samples of break beats like the "Amen" break which was composed, produced and mastered by The Winstons in 1960s. Producers in the early 1990s have used the whole 5.66 second sample, but music workstations like the Korg Electribe Series (EM-1, ES-1; EMX-1 and the ESX-1) have used the "Amen" kick, hi hat and snare in their sound wave libraries for free use. Sampler production companies have managed to use these samples for pitch, attack and decay and DSP effects to each drum sound. These features allow producers to manipulate samples to match other parts of the composition. Most sample sets consist of multiple samples at different pitches. These are combined into keymaps, that associate each sample with a particular pitch or pitch range. Often, these sample maps may have different layers as well, so that different velocities can trigger a different sample. Samples used in musical instruments sometimes have a looped component. An instrument with indefinite sustain, such as a pipe organ, does not need to be represented by a very long sample because the sustained portion of the timbre is looped. The sampler (or other sample playback instrument) plays the attack and decay portion of the sample followed by the looped sustain portion for as long as the note is held, then plays the release portion of the sample.
QUESTION: What other things did they use
IN: Shepard was born on November 5, 1943, in Fort Sheridan, Illinois. He was named Samuel Shepard Rogers III after his father, Samuel Shepard Rogers, Jr., but his nickname was "Steve Rogers". His father was a teacher and farmer who served in the United States Army Air Forces as a bomber pilot during World War II; Shepard characterized him as "a drinking man, a dedicated alcoholic". His mother, Jane Elaine (nee Schook), was a teacher and a native of Chicago.

When Shepard first arrived in New York City, he roomed with Charlie Mingus, Jr., a friend from his high school days and the son of jazz musician Charles Mingus. He then lived with actress Joyce Aaron. From 1969 to 1984, he was married to actress O-Lan Jones, with whom he had one son, Jesse Mojo Shepard (born 1970). From 1970 to 1971, Shepard was involved in an extramarital affair with musician Patti Smith, who remained unaware of Shepard's identity as a multiple Obie Award-winning playwright until it was divulged to her by Jackie Curtis. According to Smith, "Me and his wife still even liked each other. I mean, it wasn't like committing adultery in the suburbs or something." After ending his relationship with Smith, Shepard relocated with his wife and son to London in the early 1970s. Returning to the U.S. in 1975, he moved to the 20-acre Flying Y Ranch in Mill Valley, California, where he raised a young colt named Drum and used to ride double with his young son on an appaloosa named Cody. Shepard met Academy Award-winning actress Jessica Lange on the set of the film Frances, in which they were both acting. He moved in with her in 1983, and they were together for nearly 30 years; they separated in 2009. They had two children, Hannah Jane (born 1985) and Samuel Walker Shepard (born 1987). In 2003, his elder son, Jesse, wrote a book of short stories that was published in San Francisco; Shepard appeared with him at a reading to introduce the book. Despite having a longstanding aversion to flying, Shepard allowed the real Chuck Yeager to take him up in a jet plane in 1982, while preparing to play the test pilot in The Right Stuff. Shepard described his fear of flying as a source for a character in his 1966 play Icarus's Mother. He went through an airliner crash in the film Voyager, and according to one account, he vowed never to fly again after a very rocky trip on an airliner coming back from Mexico in the 1960s. In the early morning hours of January 3, 2009, Shepard was arrested and charged with speeding and drunken driving in Normal, Illinois. He pled guilty to both charges on February 11, 2009, and was sentenced to 24 months probation, alcohol education classes, and 100 hours of community service. On May 25, 2015, Shepard was arrested again, this time in Santa Fe, New Mexico, for aggravated drunk driving. His 50-year friendship with Johnny Dark (stepfather to O-Lan Jones) was the subject of the documentary Shepard & Dark (2013) by Treva Wurmfeld. A collection of Shepard and Dark's correspondence, Two Prospectors, was also published that year.
QUESTION:
was cody the young colt he raised ?