Question:
Faye Deborah White, MBE (born 2 February 1978) is a former English footballer who captained Arsenal Ladies in the FA Women's Super League and was the longest serving captain of England to date, overtaking the 26-year-old record previously held by Carol Thomas. One of the most recognised and respected players in the women's game, Faye was a commanding presence at the heart of the Arsenal and England teams from the late 1990s until her retirement in 2013. Faye was recognised for services to Sport in the Queen's New Year's Honours List 2007, being appointed a Member of the Order of the British Empire (MBE) In recognition of her achievements she was inducted into the English Football Hall of Fame in 2015.
Her football journey began when, aged ten, she joined in the training sessions of her brother's team Horley Town. After three years of playing with her brother and his teammates Faye decided to go to an all-girls coaching session and it was here that her path to the Arsenal Ladies team began, as she met Jim Muir, the coach of a local girls' side Horsham Ladies. Faye very quickly worked her way into the reserves and became a first-team player aged just 14. It was while at Horsham, still aged just 16, that White became the first female player outside of the top flight to be called up for the national team by Ted Copeland In the 1996-97 season Faye signed for Vic Akers and Arsenal Ladies, it didn't take her long to make another big impact, earning her first international cap vs Scotland. White broke into the first team, cementing a position at the heart of Arsenal's central defence. She collected her first trophy that year, the FA Women's Premier League. In 1997-98, due to White's performances in north London she was named the Premier League Player of the Year. Arsenal won the FA Women's Cup and Premier League Cup. Faye achieved major success despite suffering numerous injuries including two cruciate ligament injuries, which kept her out of the game she loved for 9 months each time. During her prolific career White amassed a collection of 31 major trophies at club competition level, winning the inaugural FA Women's Super League in 2011, the FA Women's Premier League 10 times (including seven consecutive years from 2003-04 to 2009-10), the FA Women's Cup nine times and the League Cup six times. Remarkably, all these trophies were achieved with one club. Whilst club captain, Arsenal won "The Quadruple" (UEFA Women's Cup, Premier League, FA Cup, League Cup), two "trebles" (all three major domestic competitions) and four "doubles" (League title & FA Cup). The UEFA Women's Cup victory in 2007 remains the only victory by an English team since the tournament's inception.
Answer this question using a quote from the text above:

What can you tell me about Faye White's Club career?

Answer:
During her prolific career White amassed a collection of 31 major trophies at club competition level,

Question:
Memoirs of a Geisha is a 2005 American epic drama film based on the novel Memoirs of a Geisha, produced by Steven Spielberg's Amblin Entertainment and Spyglass Entertainment and by Douglas Wick's Red Wagon Productions. Directed by Rob Marshall, the film was released in the United States on December 9, 2005 by Columbia Pictures and DreamWorks Pictures; the latter was given studio credit only. It stars Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Youki Kudoh, Suzuka Ohgo, and Samantha Futerman. Production took place in southern and northern California and in several locations in Kyoto, including the Kiyomizu temple and the Fushimi Inari shrine.
Memoirs of a Geisha received mixed reviews from western critics. Illinois' Daily Herald said that the "[s]trong acting, meticulously created sets, beautiful visuals, and a compelling story of a celebrity who can't have the one thing she really wants make Geisha memorable". The Washington Times called the film "a sumptuously faithful and evocative adaption" while adding that "[c]ontrasting dialects may remain a minor nuisance for some spectators, but the movie can presumably count on the pictorial curiosity of readers who enjoyed Mr. Golden's sense of immersion, both harrowing and [a]esthetic, in the culture of a geisha upbringing in the years that culminated in World War II". The film scored a 35% "Rotten" rating on Rotten Tomatoes; the consensus stated "Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera." On Metacritic, the film was given a 54/100 meaning "mixed or average review." In the United States, the film managed $57 million during its box office run. The film peaked at 1,654 screens, facing off against King Kong, The Chronicles of Narnia, and Fun with Dick and Jane. During its first week in limited release, the film screening in only eight theaters tallied up an $85,313 per theater average which made it second in highest per theater averages behind Brokeback Mountain for 2005. International gross reached $158 million. The New Statesman criticized Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another" and says that the film version "abandons the original's scholarly mien to reveal the soap opera bubbling below". The Journal praised Zhang Ziyi, saying that she "exudes a heartbreaking innocence and vulnerablity" but said "too much of the character's yearning and despair is concealed behind the mask of white powder and rouge". London's The Evening Standard compared Memoirs of a Geisha to Cinderella and praised Gong Li, saying that "Li may be playing the loser of the piece but she saves this film" and Gong "endows Hatsumomo with genuine mystery". Eighteen days later, The Evening Standard put Memoirs of a Geisha on its Top Ten Films list. Glasgow's Daily Record praised the film, saying the "geisha world is drawn with such intimate detail that it seems timeless until the war, and with it the modern world comes crashing in".
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Were there any specific things that the reviewers did not like?

Answer:
Memoirs of a Geisha's plot, saying that after Hatsumomo leaves, "the plot loses what little momentum it had and breaks down into one pretty visual after another"