Problem: Background: Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.
Context: Timmons left Blakey for the second time in June 1961, encouraged by the success of his compositions, including jukebox plays of "Dat Dere", which Oscar Brown had recorded after adding lyrics. Timmons then formed his own bands, initially with Ron Carter on bass and Tootie Heath on drums. They toured around the US, including the West Coast, but played most in and around New York. In the initial stages of this trio, Timmons liked the group sounds of the trios led by Red Garland and Ahmad Jamal. According to Tootie Heath, Timmons was at the peak of his fame at that point, but was addicted to heroin, and used a lot of the money that the band was paid maintaining his habit. In 1963 Timmons' playing, with Lewis Powers on bass and Ron McCurdy on drums, was described by a Washington Post reviewer as "flexible and adventuresome [...] Glossing over everything is an undeniable sheen of church music and spirituals." In 1965 the same reviewer commented that Timmons was employing musicians who were of much lower ability: "Timmons lacks a certain passion but I wonder if this is not the fault of his sidemen." Timmons started playing vibes in the mid-1960s. He occasionally played organ, but recorded only one track on that instrument - a 1964 version of "Moanin'" on From the Bottom. Recordings as a leader continued, usually as part of a trio or quartet, but, after joining Milestone Records around 1967, Timmons' album Got to Get It! featured him as part of a nonet, playing arrangements by Tom McIntosh. Timmons' career declined quickly in the 1960s, in part because of drug abuse and alcoholism and partly as a result of frustration at being typecast as a composer and player of seemingly simple pieces of music. In 1968 he made his second, final, recording for Milestone, Do You Know the Way? In the following year he played in a quartet led by Sonny Red, with Dexter Gordon on one of the saxophonist's temporary returns to the US from Europe, and in a trio backing vocalist Etta Jones. Timmons continued to play in the early 1970s, mostly in small groups or in combination with other pianists, and mainly in the New York area. According to saxophonist Jimmy Heath, Timmons joined Clark Terry's big band for a tour of Europe in 1974. He was unwell and drank on the plane to Sweden, and fell while drinking at the bar before the band's first concert, in Malmo. Susceptible to blood clotting, he was flown back to the US. On March 1, 1974, he died from cirrhosis, at the age of 38, at St Vincent's Hospital in New York. He had been in hospital for a month. He was buried in Philadelphia, and was survived by his wife, Estelle, and son, also Bobby.
Question: What did timmons do after that trio broke up
Answer: In 1963 Timmons' playing, with Lewis Powers on bass and Ron McCurdy on drums, was described by a Washington Post reviewer as "flexible and adventuresome

Problem: Background: Yen was born in Guangzhou, China. His mother, Bow-sim Mark, is a Fu Style Wudangquan (internal martial arts) and Tai Chi grandmaster, while his father, Klyster Yen (Zhen Yun Long ), is a newspaper editor. When he was two years old, his family moved to Hong Kong and then to Boston when he was 11. His younger sister, Chris Yen, is also a martial artist and actress, and appeared in the 2007 film Adventures of Johnny Tao: Rock Around the Dragon.
Context: Donnie Yen was considered as one of the premiere action choreographers in the world, having been invited by Hollywood to choreograph blockbusters such as Blade II, Highlander: Endgame, and Shanghai Knights. In Asia, he is the action choreographer for most of his movies and has won multiple awards for his action choreography. Yen's most famous works include films such as Flash Point and SPL: Sha Po Lang. He has mentioned that the main differences in filmmaking in Asia and Hollywood are with regards to freedom and control. In Asia, the action choreographer takes over the scene during the fight scene. This means that for action scenes filmed in Asia, the choreographer becomes the director and is in full control over camera placements, camera angles, and the relationship between the drama and the action; therefore the main director is not needed at all. While in Hollywood, on the other hand, Yen explains that the action choreographer simply choreographs the actions with the director, who still maintains full control of such settings and camera angles. Yen's work as a choreographer won him "Best Action Choreography" awards at the 27th Hong Kong Film Awards and the 2008 and 2011 Golden Horse Film Awards. Yen was the fight choreographer for the 2010 film Legend of the Fist: The Return of Chen Zhen. For this film, Yen mentioned that he included Jeet Kune Do elements as a tribute to Bruce Lee, who played Chen Zhen in the 1972 film Fist of Fury. Furthermore, he incorporated many MMA elements in the film, coupled with the utilisation of Wing Chun. Yen also stated that the concept behind Bruce Lee's Jeet Kune Do is similar to that of MMA, hence the incorporation of many forms of martial arts was a necessity in the film. He won the Hong Kong Film Award for Best Action Choreography 4 times, being one of the most frequent winners of this coveted award. He has won awards for his choreography in films such as The Twins Effect, SPL: Sha Po Lang, Flash Point, and Kung Fu Jungle. Although uncredited, Donnie Yen was also action co-choreographer for Hong Kong Film Award winners such as Ip Man, Ip Man 2, and Bodyguards and Assassins.
Question: What is Action Choreography?
Answer:
the action choreographer takes over the scene during the fight scene.