input: In August 1783, Carleton was informed that Great Britain would grant the United States its independence. With his exit from New York imminent, Carleton asked to be relieved of his command. With this news, Loyalists began an exodus from the Thirteen Colonies and Carleton did his best to have them resettled outside the United States. At a meeting with George Washington, among others, to arrange for the implementation of those parts of the Treaty of Paris relating to the evacuation of New York City, then commanded by Carleton and still occupied by the British Army, many Loyalists and former slaves, Carleton refused to deliver over the human property to the Americans at the time of the British evacuation. Instead, he proposed a registry so that "the owners might eventually be paid for the slaves who were entitled to their freedom by British Proclamation and promises." Sir Guy noted that nothing could be changed in any Articles that were inconsistent with prior policies or National Honour. He added that the only mode was to pay for the Negroes, in which case justice was done to all, the former slaves and the owners. Carleton said that it would be a breach of faith not to honour the British policy of liberty to the Negro and declared that if removing them proved to be an infraction of the treaty, then compensation would have to be paid by the British government. To provide for such a contingency, he had a register kept of all Negroes who left, called the Book of Negroes, entering their names, ages, occupations, and names of their former masters. The Americans agreed to this, but as far as can be determined, the Crown never paid compensation. The British transported about 3,000 freedmen and other Loyalists to Nova Scotia for resettlement. As the colony struggled, some of the freedmen later chose in the early 1790s to go to Freetown, Sierra Leone, where the British set up a new colony, which included the Black Poor from London. Washington disagreed with Sir Guy's actions and wrote: "...the measure is totally different from the letter and spirit of the Treaty but waiving the specialty of the point, leaving this decision to our respective Sovereigns I find it my duty to signify my readiness in conjunction with you to enter into agreements, or take any measures which may be deemed expedient to prevent the future carrying away any Negroes or other property of the American people." On 28 November, the evacuation was finished, and Carleton returned to England. John Campbell of Strachur succeeded him as Commander-in-Chief, North America, although the post was then much reduced in scope.

Answer this question "What did he accomplish while in New York?"
output: Carleton asked to be relieved of his command.

input: "I'm in Love with My Car" is amongst Roger Taylor's most famous songs in the Queen catalogue. The song was initially taken as a joke by May, who thought that Taylor was not serious when he heard a demo recording. Taylor played the guitars in the original demo, but they were later re-recorded by May on his Red Special. The lead vocals were performed by Taylor on the studio version, and all released live versions. The revving sounds at the conclusion of the song were recorded by Taylor's then current car, an Alfa Romeo. The lyrics were inspired by one of the band's roadies, Johnathan Harris, whose Triumph TR4 was evidently the "love of his life". The song is dedicated to him, the album says: "Dedicated to Johnathan Harris, boy racer to the end". When it came down to releasing the album's first single, Taylor was so fond of his song that he urged Mercury (author of the first single, "Bohemian Rhapsody") to allow it to be the B-side and reportedly locked himself in a cupboard until Mercury agreed. This decision would later become the cause of much internal friction in the band, in that while it was only the B-side, it generated an equal amount of publishing royalties for Taylor as the main single did for Mercury. The song was often played live during the 1977-81 period. Taylor sang it from the drums while Mercury played piano and provided backing vocals. It was played in the Queen + Paul Rodgers Tour in 2005 and the Rock the Cosmos Tour in 2008. Taylor would again play the song for his concerts with The Cross and solo tours, where instead of drums he played rhythm guitar.

Answer this question "What album was it from?"
output: later re-recorded by May on his Red Special.

input: After the lukewarm, if not confused and sometimes dismissive, critical reaction Led Zeppelin III had received in late 1970, Page decided that the next Led Zeppelin album would not have a title, but would instead feature four hand-drawn symbols on the inner sleeve and record label, each one chosen by the band member it represents. "We decided that on the fourth album, we would deliberately play down the group name, and there wouldn't be any information whatsoever on the outer jacket," Page explained. "Names, titles and things like that do not mean a thing." Page has also stated that the decision to release the album without any written information on the album sleeve was contrary to strong advice given to him by a press agent, who said that after a year's absence from both records and touring, the move would be akin to "professional suicide." In Page's words: "We just happened to have a lot of faith in what we were doing." In an interview he gave to The Times in 2010, he elaborated: It wasn't easy. The record company were sort of insisting that the name go on it. There were eyes looking towards heaven if you like. It was hinted it was professional suicide to go out with an album with no title. The reality of it was that we'd had so many dour reviews to our albums along the way. At the time each came out it was difficult sometimes for the reviewers to come to terms with what was on there, without an immediate point of reference to the previous album. But the ethic of the band was very much summing up where we were collectively at that point in time. An untitled album struck me as the best answer to all the critics -- because we knew the way that the music was being received both by sales and attendance at concerts. Releasing the album without an official title has made it difficult to consistently identify. While most commonly called Led Zeppelin IV, Atlantic Records catalogues have used the names Four Symbols and The Fourth Album. It has also been referred to as ZoSo (which Page's symbol appears to spell), Untitled and Runes. Page frequently refers to the album in interviews as "the fourth album" and "Led Zeppelin IV", and Plant thinks of it as "the fourth album, that's it". Not only does the album have no title, but there is no text anywhere on the front or back cover, or even a catalogue number on the spine (at least, on the original vinyl LP release).

Answer this question "What did the symbols mean for each band member?"
output:
It has also been referred to as ZoSo (which Page's symbol appears to spell),