Question: Natan-Zada was born to an Israeli-Jewish family that had immigrated to Israel from Iran and Yemen. Natan-Zada's parents describe him as having been a "bright and studious Israeli schoolboy" prior to his becoming involved with the Jewish extremist Kahanism movement, to which he was introduced via the Internet. He then began spending weekends in Kfar Tapuach, an Orthodox West Bank settlement. During his national service in the Israel Defense Forces (IDF), Natan-Zada deserted the army and hid in Kfar Tapuach to avoid further service.

Natan-Zada's funeral was a controversial matter. Jewish law requires a swift burial, but nationwide outrage against his attacks left his body without a willing resting place for two days. An initial agreement between IDF officials and the Natan-Zada family would have allowed burial in a military cemetery, but with no military honors such as a 21-gun salute or placement of the Israeli flag upon his coffin. However, Meir Nitzan, the mayor of Rishon LeZion intervened before the funeral. The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest. Residents of Kfar Tapuach were divided on the issue. Kfar Tapuach resident Moshe Meirsdorf said Natan-Zada's connection to the community "has been destructive for us. We totally reject everything he did." Meirsdorf claimed that Natan-Zada and other extremist youth were not official community members, despite the fact that Natan-Zada had legally updated his address to Kfar Tapuach. "He was never accepted by the absorption committee," said Meirsdorf, whose wife is a member of the committee. Others supported Natan-Zada, including four teenagers from Tapuach who were arrested following the incident. Most locals, however, voiced opinions in line with Tapuach leader David Haivri, who expressed pain over the loss of Natan-Zada and emphasized the tragedy of his death. Some Israeli media outlets initially suggested that Natan-Zada be buried in the West Bank settlement of Kiryat Arba, where Baruch Goldstein, who committed Cave of the Patriarchs massacre 11 years earlier, is buried. Natan-Zada's body resided for two days in the Abu-Kabir morgue, pending an appeal to Prime Minister Sharon by his parents. On 7 August 2005, the Prime Minister's Bureau overruled Meir Nitzan's ban against burial in Rishon LeZion, and decreed that Zada should be buried in the civilian cemetery there. He was buried in the Gordon neighborhood. Because of the delays, Natan-Zada was buried two days after Jewish law allows. Three of the hundreds of mourners at the burial were arrested with administrative arrest orders, including "New Kach" leader Efraim Hershkovits, American citizen Saadia Herskof, and former Kach activist Tiran Pollack's son Gilad.

Using a quote from the above article, answer the following question: Did he get buried in a time frame acceptable to the Jewish culture?
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Answer: The morgue which housed Natan-Zada's body, Abu Kabir Forensic Institute, refused to release the body to friends and fellow Kahane activists to bury, resulting in a bitter protest.

Question: "Free as a Bird" is a song originally composed and recorded in 1977 as a home demo by John Lennon. In 1995, a studio version of the recording, incorporating contributions from Paul McCartney, George Harrison and Ringo Starr, was released as a single by the Beatles. It was released 25 years after the break-up of the band and 15 years after the death of Lennon. The single was released as part of the promotion for The Beatles Anthology video documentary and the band's Anthology 1 compilation album.

George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks. The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song. Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo. The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now." McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon.

Using a quote from the above article, answer the following question: What were their roles in the song?
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Answer:
chosen to engineer the new tracks.