You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Q: After breaking out of jail in a small Mexican town, a ruthless criminal, nicknamed Azul, ventures off with a guitar case full of weapons and vows revenge on the local drug lord, Moco, who had had him arrested in the first place. Meanwhile, a young musician arrives in town carrying his own guitar case which contains his signature guitar. He hopes to find work in the town in order to pursue his dream of becoming a mariachi like his father.
From the confines of his heavily guarded villa on the outskirts of town, Moco sends a large group of hitmen to kill Azul. They are told to look for a man who is wearing black and carrying a guitar case, but because the Mariachi also matches this description, the hitmen mistake him for Azul and begin to pursue him. Only Moco, however, knows Azul's actual face. The Mariachi is then forced to kill four of the attackers in self-defense after being chased through the streets. As the Mariachi seeks refuge in a bar owned by a beautiful woman named Domin , he quickly falls in love with her. Unfortunately, Moco is not only financing the bar, but also has his own romantic interest in Domin .
When Azul visits the bar for a beer and information about Moco, he accidentally leaves with the Mariachi's guitar case. Moco's thugs capture Azul on the street but let him go when they learn that the case he is carrying contains only a guitar. A short time later, the Mariachi is captured and taken to Moco, who identifies him as the wrong man and sets him free.
Meanwhile, Azul, who has no directions to Moco's home, takes Domin with him and orders her to take him to Moco's, or Moco will kill the mariachi. Domin agrees in order to save the Mariachi's life. When they arrive at Moco's gated compound, Azul pretends to take Domin hostage in order to gain entry. Moco soon realizes that Domin has fallen for the Mariachi and, in a rage, shoots both her and Azul. Suddenly, the Mariachi arrives to find the woman he loves gunned down. Moco then shoots the Mariachi's left hand, rendering him useless as a guitar player, and proceeds to taunt and laugh at the Mariachi. Overcome with grief and rage, the Mariachi picks up Azul's gun with his right hand and kills Moco, taking revenge for Domin 's death. Moco's surviving henchmen, seeing their leader dead, walk off and leave Moco's body and the wounded Mariachi behind.
The Mariachi leaves the town on Domin 's motorbike, taking her pit bull and her letter-opener by which to remember her. His dreams to become a mariachi have been shattered, and his only protection for his future are Azul's former weapons which he takes along in the guitar case.

A: Why did Moco's thugs let Azul go after they captured him?
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Q: In Los Angeles, Lt. Parker Barnes and John Donovan are tracking down a serial killer named SID 6.7 at a restaurant in virtual reality. SID (short for Sadistic, Intelligent, Dangerous - a VR amalgam of the most violent serial killers throughout history) causes Donovan to go into shock, killing him. The director overseeing the project, before Commissioner Elizabeth Deane and her associate, William Wallace, orders the programmer in charge of creating SID, Dr. Darrel Lindenmeyer, to shut down the project. Barnes is a former police officer imprisoned for killing political terrorist Matthew Grimes, who killed Parker's wife and daughter. Barnes killed Grimes and innocent bystanders. This caused him to become a convicted killer and serve 17 years to life.
Barnes meets with criminal psychologist Dr. Madison Carter following a fight that Barnes and another prisoner, Big Red, got into. Meanwhile, Lindenmeyer tells SID that he is about to be shut down because of the fail-safe being tampered with. At SID's suggestion, Lindenmeyer convinces another employee, Clyde Reilly that a virtual reality prostitute, Shelia 3.2, another project created by Lindenmeyer, can be brought to life. Lindenmeyer replaces the Shelia 3.2 module with the SID 6.7 module. SID 6.7, now processed into the real world, kills Reilly.
Once word of SID being in the real world gets out, Deane and Los Angeles Police Department Chief William Cochran offer Barnes a deal: if he catches SID and brings him back to virtual reality, he will be released. Barnes agrees, and with help from Carter, they discover that Matthew Grimes, the terrorist that killed Barnes's wife and daughter, is a part of SID 6.7's personality profile. After killing a group of security guards, SID heads over to the Media Zone, a local nightclub, where he takes hostages. Barnes and Carter go to the nightclub to stop him, but SID escapes.
The next day, SID begins a killing spree at the Los Angeles Olympic Auditorium. Barnes arrives at the Stadium to capture SID, and finds him on a train, where another hostage is being held by SID. However, Barnes seemingly kills the hostage in front of a bunch of horrified witnesses. Carter having caught up with Barnes after the incident, tries to prove Barnes's innocence, but Barnes is sent back to prison. Barnes is freed from his prisoner transport by SID, who once again escapes. Wallace and Deane are about to have Barnes terminated via a fail-safe transmitter implanted in him but Cochran destroys the transmitter after being told by Carter that Barnes didn't kill the hostage on the train.
However, SID kidnaps Carter's daughter Karin and takes over a television studio. Lindenmeyer, having come out of hiding, sees what SID is doing and is impressed, but later held hostage by Carter. Barnes ultimately destroys SID, but is unable to learn where he hid Karin. They place SID back in VR to trick the location out of him. When SID discovers that he is back in virtual reality he goes into a rage. Cochran lets Carter out of VR, but Lindenmeyer kills Cochran before he can release Barnes. Barnes starts to go into the same shock that Donovan suffered, but Carter kills Lindenmeyer, and saves Barnes.
Barnes and Carter return to the building that SID took over in the real world, and save Karin from a booby trap set up by SID. After Karin is saved, Barnes destroys the SID 6.7 module.

A: Who is the criminal psychologist?
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Q: At a Sunset Boulevard mansion, the body of Joe Gillis floats in the swimming pool. In a flashback, Joe relates the events leading to his death.
Six months earlier, down-on-his-luck screenwriter Joe tries selling Paramount Pictures producer Sheldrake on a story he submitted. Script reader Betty Schaefer harshly critiques it in Joe's presence, unaware that he is the author. Later, while fleeing from repossession men seeking his car, Joe turns into the driveway of a seemingly deserted mansion. After concealing the car, he hears a woman calling him, apparently mistaking him for someone else. Ushered in by Max, her butler, Joe recognizes the woman as long-forgotten silent film star Norma Desmond. Learning he is a writer, she asks his opinion of a script she has written for a film about Salome. She plans to play the role herself in a comeback. Joe finds her script abysmal, but flatters her into hiring him as a script doctor.
Moved into Norma's mansion at her insistence, Joe resents but gradually accepts his dependent situation. He sees that Norma refuses to face the fact that her fame has evaporated and learns the fan letters she still receives are secretly written by Max, who tells him Norma is subject to depression and has made suicide attempts.
Norma lavishes attention on Joe and buys him expensive clothes. At her New Year's Eve party, he discovers he is the only guest and realizes she has fallen in love with him. He tries to let her down gently, but she slaps him and retreats to her room. Joe visits his friend Artie Green to ask about staying at his place. At Artie's party, he again meets Betty, who he learns is Artie's girl. Betty thinks a scene in one of Joe's scripts has potential, but Joe is uninterested. When Joe phones Max to have him pack his things, Max tells him Norma cut her wrists with his razor. Joe returns to Norma.
Norma has Max deliver the edited Salome script to her former director, Cecil B. DeMille, at Paramount. She starts getting calls from Paramount executive Gordon Cole, but petulantly refuses to speak to anyone except DeMille. Eventually, she has Max drive her and Joe to Paramount in her 1929 Isotta Fraschini. The older studio employees warmly greet her. DeMille receives her affectionately and treats her with great respect, tactfully evading her questions about Salome. Meanwhile, Max learns that Cole merely wants to rent her unusual car for a film.
Preparing for her imagined comeback, Norma undergoes rigorous beauty treatments. Joe secretly works nights at Betty's Paramount office, collaborating on an original screenplay. His moonlighting is found out by Max, who reveals that he was once a respected film director. He discovered Norma as a teenage girl, made her a star and was her first husband. After she divorced him, he found life without her unbearable and abandoned his career to become her servant.
Although Betty is engaged to Artie, she and Joe fall in love. Norma discovers a manuscript with Joe's and Betty's names on it. She phones Betty and insinuates what sort of man Joe really is. Joe, overhearing, invites Betty to come see for herself. When she arrives, he pretends he is satisfied being a kept man, but after she tearfully leaves, he packs to return to his old Ohio newspaper job. He disregards Norma's threat to kill herself and the gun she shows him to back it up. He bluntly tells her the public has forgotten her, there will be no comeback, and the fan letters are from Max. As Joe walks away, Norma shoots him three times. He falls into the pool.
The flashback ends. The house is filled with police and reporters. Norma, having lost touch with reality, believes the newsreel cameras are there to film Salome. Max and the police play along. Max sets up a scene for her and calls "Action!" As the cameras roll, Norma dramatically descends her grand staircase. She pauses and makes an impromptu speech about how happy she is to be making a film again, ending with: "All right, Mr. DeMille, I'm ready for my close-up."

A:
Why does Norma believe that the cameras are in her house?
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