Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : In physics, specifically electromagnetism, the magnetic flux (often denoted or ) through a surface is the surface integral of the normal component of the magnetic field B passing through that surface. The SI unit of magnetic flux is the weber (Wb) (in derived units: volt-seconds), and the CGS unit is the maxwell. Magnetic flux is usually measured with a fluxmeter, which contains measuring coils and electronics, that evaluates the change of voltage in the measuring coils to calculate the magnetic flux. Context_2 : The magnetic flux, represented by the symbol , threading some contour or loop is defined as the magnetic field B multiplied by the loop area S , i.e. = B S . Obviously, both B and S can be arbitrary and so is . However, if one deals with the superconducting loop or a hole in a bulk superconductor, it turns out that the magnetic flux threading such a hole/loop is quantized. Context_3 : In superconductivity, a semifluxon is a half integer vortex of supercurrent carrying the magnetic flux equal to the half of the magnetic flux quantum . Semifluxons exist in the 0- long Josephson junctions at the boundary between 0 and regions. This 0- boundary creates a discontinuity of the Josephson phase. The junction reacts to this discontinuity by creating a semifluxon. Vortex's supercurrent circulates around 0- boundary. In addition to semifluxon, there exist also an antisemifluxon. It carries the flux /2 and its supercurrent circulates in the opposite direction. Context_4 : Flux pinning is the phenomenon where a superconductor is pinned in space above a magnet. The superconductor must be a type-II superconductor because type-I superconductors cannot be penetrated by magnetic fields. The act of magnetic penetration is what makes flux pinning possible. At higher magnetic fields (above Hc1 and below Hc2) the superconductor allows magnetic flux to enter in quantized packets surrounded by a superconducting current vortex (see Quantum vortex). These sites of penetration are known as flux tubes. The number of flux tubes per unit area is proportional to the magnetic field with a constant of proportionality equal to the magnetic flux quantum. On a simple 76 millimeter diameter, 1-micrometer thick disk, next to a magnetic field of 28 kA/m, there are approximately 100 billion flux tubes that hold 70,000 times the superconductor's weight. At lower temperatures the flux tubes are pinned in place and cannot move. This pinning is what holds the superconductor in place thereby allowing it to levitate. This phenomenon is closely related to the Meissner effect, though with one crucial difference the Meissner effect shields the superconductor from all magnetic fields causing repulsion, unlike the pinned state of the superconductor disk which pins flux, and the superconductor in place. Context_5 : The gauss, abbreviated as G or Gs, is the cgs unit of measurement of magnetic flux density (or "magnetic induction") (B). It is named after German mathematician and physicist Carl Friedrich Gauss. One gauss is defined as one maxwell per square centimeter. The cgs system has been superseded by the International System of Units (SI), which uses the tesla (unit T) as the unit of magnetic flux density. One gauss equals 110 tesla (100 T), so 1 tesla = 10,000 gauss. Context_6 : Flux linkage is a property of a two-terminal element. Although it is often confused with magnetic flux, the flux linkage is actually an extension rather than an equivalent of magnetic flux. Flux linkage is defined as Context_7 : Flux pumping is a method for magnetising superconductors to fields in excess of 15 teslas. The method can be applied to any type II superconductor and exploits a fundamental property of superconductors. That is their ability to support and maintain currents on the length scale of the superconductor. Conventional magnetic materials are magnetised on a molecular scale which means that superconductors can maintain a flux density orders of magnitude bigger than conventional materials. Flux pumping is especially significant when one bears in mind that all other methods of magnetising superconductors require application of a magnetic flux density at least as high as the final required field. This is not true of flux pumping. Context_8 : An electromagnetic lock, magnetic lock, or maglock is a locking device that consists of an electromagnet and an armature plate. There are two main types of electric locking devices. Locking devices can be either "fail safe" or "fail secure". A fail-secure locking device remains locked when power is lost. Fail-safe locking devices are unlocked when de-energized. Direct pull electromagnetic locks are inherently fail-safe. Typically the electromagnet portion of the lock is attached to the door frame and a mating armature plate is attached to the door. The two components are in contact when the door is closed. When the electromagnet is energized, a current passing through the electromagnet creates a magnetic flux that causes the armature plate to attract to the electromagnet, creating a locking action. Because the mating area of the electromagnet and armature is relatively large, the force created by the magnetic flux is strong enough to keep the door locked even under stress. Context_9 : In quantum mechanics, the Byers-Yang theorem states that all physical properties of a doubly connected system (an annulus) enclosing a magnetic flux formula_1 through the opening are periodic in the flux with period formula_2 (the magnetic flux quantum). The theorem was first stated and proven by Nina Byers and Chen-Ning Yang (1961), and further developed by Felix Bloch (1970). Context_10 : Chen-Ning Frank Yang, also known as Yang Zhenning (; born October 1, 1922), is a Chinese physicist who works on statistical mechanics and particle physics. He and Tsung-dao Lee received the 1957 Nobel Prize in Physics for their work on parity nonconservation of weak interaction. The two proved theoretically that one of the basic quantum-mechanics laws, the conservation of parity, is violated in the so-called weak nuclear reactions, those nuclear processes that result in the emission of beta or alpha particles. The most important work of Yang is Yang-Mills theory. fact_1 : In quantum mechanics, the Byers-Yang theorem states that all physical properties of a doubly connected system (an annulus) enclosing a magnetic flux formula_1 through the opening are periodic in the flux with period formula_2 (the magnetic flux quantum). fact_2 : The theorem was first stated and proven by Nina Byers and Chen-Ning Yang (1961), and further developed by Felix Bloch (1970). fact_3 : Chen-Ning Frank Yang, also known as Yang Zhenning (; born October 1, 1922), is a Chinese physicist who works on statistical mechanics and particle physics. fact_4 : He and Tsung-dao Lee received the 1957 Nobel Prize in Physics for their work on parity nonconservation of weak interaction. Question: Who did the 1957 winner of the Nobel Prize in Physics work with on the problem of magnetic flux?
Answer:
Nina Byers