Please answer this: Found the following article online, use it to answer the question: Who are the pursuers the stooges are hiding from when they find themselves in a lion's den.? The Stooges are stowaways on a boxcar carrying a furniture consignment to Hollywood. Fully expecting for no good reason to get a job and become movie stars, and dressed for the occasion, the Stooges sneak into a movie studiowhere they are mistaken for three new executives who are due to take over the facility. Given the authority, they promptly abuse it and take over the production of a movie set in hopes of shooting a blockbuster movie. Curly gets off on the wrong foot when, unable to light his match for a smoke, spots an actress receiving a pedicure (silent star Mildred Harris). He then strikes the match on the sole of her bare foot, startling her. Angered, she is about to storm off the set until the trio convince her to stay. The trio then act out the love scene as they want it filmed, leading its stars to abandon the set. Another telegram arrives with the news that three actual executives were delayed by a storm. Angered at the deception, the studio boss and the film's crew go after the Stooges, who flee the scene. After the trio is able to hide from their pursuers, they soon find themselves in a lion's den. The three quickly get into a nearby car, but the lion catches up and attacks them, leaving the car to go out of control down a nearby street.
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Answer: the studio boss and the film's crew
Problem: Found the following article online, use it to answer the question: What is the name of the person who said that "perhaps the drink helped me to be a bit freer," and to whom life and art were intertwined? The paintings depict isolated figures enclosed in spaces that are undefined, overwhelmingly claustrophobic, reductive and eerie. Coming early in Bacon's career, they are uneven in quality, but show a clear progression especially in how they utilise and present ideas he was still clearly developing and coming to terms with. Head I (actually begun in the winter of 1948) and Head II show formless pieces of flesh that broadly resemble human heads; they have half-open eyes and a pharynx, though it is positioned much higher than would be expected in a human. Heads III, IV and V show fully formed busts recognisable as men, and are characterised by a haunted atmosphere. These two broad ideas coalesce in Head VI, which is as physiologically tortured as the first two paintings, and as spectral as the middle three. In Head VI the figure has developed and is now shown wearing vestments, the first indication in Bacon's work of the influence of Velazquez, while the focus has become the open mouth and the study of the human scream.Bacon said that chance played a significant role in his work, and that he often approached a canvas without having a clear idea of what might emerge. This was especially the case in the mid- to late 1940s, a period when he was drinking heavily and spending most nights in Soho casinos and poker rooms. The following morning he would often approach his canvas "in a bad mood of drinking ... under tremendous hangovers and drink; I sometimes hardly knew what I was doing." He incorporated his appetite for chance into his work: an image often would morph midway through into something quite different from what he had first intended. He actively sought out this freedom and felt it crucial to his progression as an artist. To him, lifestyle and art were intertwined; he said that "perhaps the drink helped me to be a bit freer." This is very evident in the 1949 series, which began as a rather morbid study of a collapsed head, but evolved over the six surviving panels into a reworking of Velazquez masterpieces,...

A: Bacon
Q: Found the following article online, use it to answer the question: What is the name of the movie that grossed more than 200,000 in the UK? During a Fitzroy Football Club benefit concert with other Neighbours cast members, Minogue performed "I Got You Babe" as a duet with actor John Waters, and "The Loco-Motion" as an encore. She was subsequently signed to a recording contract with Mushroom Records in 1987. Her first single, "The Locomotion", spent seven weeks at number one on the Australian singles charts and became the country's highest-selling single in the 1980s. She received the ARIA Award for the year's highest-selling single. Its success resulted in Minogue travelling to England with Mushroom Records executive Gary Ashley to work with producers Stock, Aitken & Waterman. They knew little of Minogue and had forgotten that she was arriving; as a result, they wrote "I Should Be So Lucky" while she waited outside the studio. The song reached number one in the United Kingdom, Australia, Germany, Finland, Switzerland, Israel and Hong Kong. Minogue won her second consecutive ARIA Award for the year's highest-selling single, and received a "Special Achievement Award". Minogue's debut album, Kylie was released in July 1988. The album was a collection of dance-oriented pop tunes and spent more than a year on the UK Albums Chart, including several weeks at number one. The album went gold in the United States, and the single, "The Locomotion", reached number three on the US Billboard Hot 100 chart, and number one on the Canadian Singles Chart. The single "Got to Be Certain" became her third consecutive number one single on the Australian music charts. Later in the year, she left Neighbours to focus on her music career. Minogue also collaborated with Jason Donovan for the song "Especially for You", which peaked at number-one in the United Kingdom and in December 2014 sold its one millionth copy in the UK. Minogue was sometimes referred to as "the Singing Budgie" by her detractors over the coming years. In a review of the album Kylie for AllMusic, Chris True described the tunes as "standard, late-80s ... bubblegum", but added, "her cuteness makes these...
A:
The Delinquents