In this task, you are given books product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Example Input: A Delight . The names Ty Cobb, Babe Ruth and Honus Wagner don't resonate as much as they used to. As the decades go by even the old-timers among us haven't been around long enough to remember them. They've pretty much become historical, iconic figures, like the stoic-looking George Washington on a dollar bill. It's a bit of a sad reminder of the inexorable march of time, but what a great relief to know that this treasure chest of a book is around to keep their memories alive. The author got the idea for it in 1961 when he read that Ty Cobb had died. Realizing that many of Cobb's contemporaries would soon suffer the same fate, he set out to meet as many of them as he could and record--literally with a tape recorder--their stories for posterity. Twenty six of them are recounted here. Some of these guys are hall-of-famers, some of them not even close, but all of them--every single one--had a load of interesting tidbits to share. Baseball was a different game back then. America was a different place. The first great thing about the book is that you get at least several takes on the great ballplayers. One of the fellows, for example, playing Detroit, talked about being a little nervous about Cobb, whom they had all heard would sharpen his spikes. A Detroit player, however, mentioned that Cobb never sharpened his spikes. Not that they didn't discourage the other team from thinking so. Walter Johnson had an arm like a bullwhip, but he was a nice enough guy and a friend of Sam Crawford. Late in the game, if his team was ahead by enough runs, he'd toss a meatball in to Crawford and let him belt it. He never did that for Cobb, though, who he hated. Cobb could never figure out why Crawford was able to hit him. Honus Wagner is recalled by many as the best of all of them, with great quickness, great hitting and great fielding. A couple of the fellows recall that you could usually count on bits of gravel to be flung at you along with the ball he had just scooped up. Tommy Leach described him as the best fielding third-baseman, shortstop, first-baseman and outfielder in the league--he played all of them--and since he won the batting title eight times between 1900 and 1911 you couldn't really argue that he wasn't the best hitter in the league, either. For some odd reason, there aren't that many memorable gems about the great Babe Ruth, although there are at least a few. Harry Hooper (a guy I'd never heard of and a hall-of-famer) remembers Ruth in the first year he came up with Boston as a, "big, overgrown, green pea." "Nineteen years old, poorly educated, only lightly brushed by the social veneer we call civilization, he was gradually transformed into the idol of American youth and the symbol of baseball the world over . . . If somebody had predicted that back on the Boston Red Sox in 1914, he would have been thrown into the lunatic asylum." Along with these detailed sketches, including a ton of characters I haven't even mentioned--Germany Schaeffer, Rube Waddell (who didn't like to wear underwear), Lefty O'Doul, Dazzy Vance--the book is also, naturally, loaded with baseball anecdotes. Some of the more famous plays of the time, for example, are recounted in different ways and with different perceptions. Take the "Bonehead" Merkle play. For those of you who don't know, what happened was this. The Giants were tied with the Cubs for first place with one week to go in the season. In a game against each other, in the bottom of the ninth of a 1-1 game, the Giants had men on first and third with two outs. Merkle was on first. Birdwell hit a single to center, McCormack scored from third, and Merkle . . . ran to the clubhouse. Without touching second. The Cubs retrieved the ball from center field, Evers tagged second, and the run didn't count. Because of the crowd on the field the game had to be replayed on a later date. The Giants lost it, and lost the pennant. From then on and forever more, Fred Merkle became "Bonehead" Merkle. But it's actually a little more complicated than that. For one thing, Merkle was only nineteen. It was the first game he'd ever started for the Giants. And running into the clubhouse when the game was over was something all the guys did--whether touching second was necessary or not--because of the crowd pouring onto the field after the ushers opened the gates at the end of the game. The players ran off to get away from them. And Evers never did tag second base with the ball that was hit out to center because someone had heaved it into the left field stands. Fred Snodgrass doesn't think he ever tagged second with any ball at all. The umpires weren't around to know this, though; they had already left the field! Funny how the mists of history tend to simplify things. The detail in this book brings these stories back to life. And there are a ton of them recounted. Along with all of this baseball lore, you get a pretty good glimpse of America a hundred years ago, too. People were more humble, but in general confident, and much more direct. It's fascinating just to consider their nicknames: "Wee Willie" was the nickname for a short guy, "Specs" was the guy who wore glasses, "Chief," (at least two of them) were American Indians, and, "Dummy" was the guy who was deaf and dumb. Nobody meant anything by it; nobody apparently took offense. Stuff like these speaks volumes. Here's Jimmy Austin: " . . . they didn't have clubhouses in most parks, especially not for the visiting team. We'd get into uniform at the hotel and ride out to the ball park in a bus drawn by four horses. They used to call it a tally-ho in those days. We'd sit on seats along the sides and ride, in uniform, to the ballpark and back. "That ride was always a lot of fun. Kids running alongside as we went past, and rotten tomatoes once in a while. Always lots of excitement when the ball club rode by, you know." Yep. Thanks in part to this book, we know all right.
Example Output: POS

Example Input: Sham not shaman . After reading the book Medicine Woman and the San Francisco Review of Books on the back which says this is an Autobiographical I have to question a few things. I come from Manitoba and have lived there over 50 years. I've never heard of a Crowley and the Cree First Nations in Manitoba that I was raised with would not be seeing a Kokopelli or a Kachina. It's not part of their culture. The last and final huge mistake is the fact that most of this story could not have taken place outside without huge huge bottles of mosquitoe repellant as anyone who lives in the bush in Manitoba knows especially those who may have a reason to go naked in the woods. Perhaps Lynn shouldn't be peddling her strange brand of spiritualism as true when it's not. There are enough charlatans in the world without one stealing someone's culture and calling it her own for the sake of the almight dollar. Carol
Example Output: NEG

Example Input: "She thinks last of her child." . Nora Roberts, writing as J.D. Robb, has created a successful series based on a few basic principles. The first, and in my opinion, most important aspect is a fascinating heroine, who presents different layers that the author has been revealing in each installment and will certainly continue to do so. Lieutenant Eve Dallas is a tough cop, who is relentless in her pursue of justice and feels as if the victims were hers to save. On the other hand, she is the wife of the billionaire Roarke, and has to deal with parties and charity events in which she is expected to mingle and maintain polite chit-chat with the guests. She has been adjusting slowly to this area of her life and even though she does not like it, she has learned to accept it. The fact that Eve was abused by her father when she was a child and had to kill him in order to escape also plays an important role in the development of the story and in almost every case Eve faces. Her husband also has a complex past, involving an abusing father who killed Roarke's mother and then lied to him about who his real mother was. Only recently did the billionaire learned the truth about this and reunited with what was left of his family. Besides the two main characters, Robb has created a supporting cast that adds appeal to the series and which I consider to be the second factor in its success. Peabody is Eve's former aide and current partner who has recently made detective and who usually adds a good part of humor to the narration with her witty comments. She is in love with McNabb, a policeman working in the Electronic Detectives Division, and they are in the process of moving together to a new apartment. There are other interesting characters: Feeney, Eve's trainer and mentor, Mavis, Eve's best friend, Nadine Furst, a reporter for Channel 75 who has become a close friend with Eve, Charles, a licensed companion who is now dating a doctor, and several others. One of the most appealing aspects of the series has to do with the development of the stories of each of these people, and that is why I recommend reading the series in order. The third and final element that helps create a superb series is the cleverly crafted world in which the action takes place: New York in the year 2059. The setting presents several characteristics that make it very different from our world, like cars that fly, drones that take care of household chores, the ban on firearms, the anticancer vaccine, the legalization of prostitution, the difficulty for getting real coffee, etc. Also, the advances in terms of technology require criminals to be more clever and careful when committing their crimes, and we usually end up reading about complex mysteries. In this novel, Eve is summoned to the scene of a ghastly murder. The victim was raped and strangled using a red ribbon and before leaving, the killer took out her eyes as a memento. The poor woman had a four-year-old kid and worked as hired help for a wealthy couple, and there is nothing that indicates that someone would have wanted to hurt her. Everything is business as normal until Celina Sanchez shows up wanting to talk to Eve and claiming she has information about the murder. Celina is a psychic and claims that she saw the killing in a vision. Even though Eve does not really believe in this stuff, she goes along with it following Peabody's advice and realizing that if it does not help at least it will not hurt either. This is not the first time Robb uses supernatural events in the series, but in her previous attempt she went too far making it hardly believable. In the present try the results were much better, and since the case Eve is facing is one of the best mysteries in the series so far, the overall quality of the novel benefits even more. As usual, Robb creates a good balance between the police procedural and the development of the personal stories of the characters in the series. Of course, the romantic scenes are still present through the narration, but without overdoing it. I was very pleased with this installment, and I am looking forward to the next one. A final word of advice, the publisher's blurb gives out important information regarding events towards the end of the novel. I would have preferred to read the book without knowing these facts. The good thing is that even if you read them, there will be a surprise waiting for you
Example Output:
POS