Question:
Gary Barlow OBE (born 20 January 1971) is an English singer, songwriter and record producer. He is best known as the lead singer of the British pop group Take That. Barlow also served as head judge of The X Factor UK in 2011, 2012 and 2013 and Let It Shine in 2017. Barlow is one of Britain's most successful songwriters, having written fourteen number one singles and twenty-four top 10 hits.
On 25 June 2013, it was announced that Barlow had been signed up to work on a new musical version of Finding Neverland and will co-write the score for the theatre project, which is being developed by Hollywood producer Harvey Weinstein. Barlow said of the project: "This is something I've always wanted to do so it's a real privilege to be involved. I'm really enjoying working with the team and I love the story; it's also great to be working with a legendary creative like Harvey Weinstein." Weinstein echoed the sentiment by expressing his admiration for Barlow, whom he described as "one of the finest songwriters in the world". On 1 March 2014, Barlow attended the Bob and Harvey Weinstein's pre-Academy Awards party at the Montage in Beverly Hills to perform a selection of songs from the musical score he had written for Finding Neverland. He played the lead role of Peter Pan author J. M. Barrie, and sung a duet with noted British musical actress Laura Michelle Kelly along with four back-up artists featured in the Oscar-nominated documentary 20 Feet from Stardom. Barlow's performance was well received, and after a successful performance run in Boston, Finding Neverland opened on Broadway in spring 2015. On its first Broadway preview, the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million. Gary has also co-written a musical alongside hometown friend Tim Firth, titled The Girls, which opened at the Phoenix Theatre, London in January 2017.
Answer this question using a quote from the text above:

Was Gary Barlow successful in Musical theatre?

Answer:
the show sold out the theatre and posted a box office performance that, if it continued for a whole week of performances, would have seen the show top $1 million.

input: The band first visited the United States in March 1967 to play nine dates at the RKO 58th Street Theatre in New York. There was little impact, as impresario Murray the K placed them at the bottom of a six-act bill that performed three times per date, eventually reducing the band to one song per concert. They returned to record Disraeli Gears in New York between 11 May and 15 May 1967. This, the band's second album, was released in November 1967 and reached the Top 5 in the charts on both sides of the Atlantic. Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain) and engineer Tom Dowd, it was recorded at Atlantic Studios in New York. Disraeli Gears is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues. In addition to "Strange Brew" and "Tales of Brave Ulysses", Disraeli Gears features "Sunshine of Your Love," which became the group's unofficial anthem. Bruce and Pete Brown came upon the idea in a state of near desperation in the wee hours. In a last-ditch attempt to salvage something from the long and fruitless night at his apartment, the bleary-eyed Bruce pulled out his double bass again and played a riff. At that point, Brown looked out the window and saw the sun was about to rise: "It's getting near dawn ...," he said to himself. Brown put the words on paper then thought some more: "When lights close their tired eyes". The album was originally slated for release in the summer of 1967, but the record label opted to scrap the planned cover and repackage it with a new psychedelic cover, designed by artist Martin Sharp, and the resulting changes delayed its release for several months. The album was remarkable for the time, with a psychedelic design patterned over a publicity photo of the trio. Although the album is considered one of Cream's finest efforts, it has never been well represented in the band's live sets. Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love," several songs from Disraeli Gears were quickly dropped from performances in mid-1967, favouring longer jams instead of short pop songs. "We're Going Wrong" was the only additional song from the album the group performed live. In fact, at their 2005 reunion shows in London, the band played only three songs from Disraeli Gears: "Outside Woman Blues", "We're Going Wrong," and "Sunshine of Your Love"; at their three October 2005 performances in New York, "Tales of Brave Ulysses" was also included in the setlist. In August 1967, they played their first headlining dates in the US, playing first at The Fillmore in San Francisco and later at The Pinnacle in Los Angeles. The concerts were a great success and proved very influential on both the band itself and the flourishing hippie scene surrounding them. Upon discovering a growing listening audience, the band began to stretch out on stage, incorporating more time in their repertoire, some songs reaching jams of twenty minutes. Long, drawn-out jams in numbers like "Spoonful", "N.S.U.", "I'm So Glad", and "Sweet Wine" became live favourites, while songs like "Sunshine of Your Love", "Crossroads", and "Tales of Brave Ulysses" remained reasonably short.

Answer this question "How did their style change?"
output: Disraeli Gears is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues.

Answer the question at the end by quoting:

Safin was born in Moscow to Tatar parents, Mubin ("Mikhail") Safin and Rauza Islanova. He speaks Russian, English, and Spanish as well as his native Tatar. His parents are former tennis players and coaches. His younger sister, Dinara, is a former world number one professional tennis player and silver medalist at the 2008 Olympic Games in Beijing.
A succession of injuries hindered Safin's progress throughout his career. In 2003, he missed the majority of the season due to a wrist injury. During the 2005 clay-court season, Safin suffered a knee injury, which he played through all the way up to Wimbledon with the help of pain killers and anti-inflammatories. Safin was subsequently defeated in the early rounds of each of the seven tournaments he played between the Australian Open and the French Open, culminating in an early round defeat at the French Open. Safin made a surprise finals appearance at the Wimbledon tune-up tournament in Halle on grass. He lost the final narrowly to the defending champion, Federer. He only played one tournament in the summer hard-court season, in Cincinnati, where he lost in the quarterfinals to Robby Ginepri. He also missed the Tennis Masters Cup. Injuries continued to bother Safin in 2006. Although Safin made appearances at the 2006 ATP Masters tournaments at Indian Wells, Miami, Monte Carlo, Rome and Hamburg, his ranking plummeted to as low as No. 104. He began to recover in time for the 2006 US Open, in which Safin defeated Argentine David Nalbandian, who was then world No. 4 in a riveting second-round match. Safin then lost in the fourth round to former world No. 2 German Tommy Haas, also in a fifth-set tiebreaker. Positive performances at the Thailand Open, where he was narrowly edged out by No. 7 seed, James Blake, and the Kremlin Cup in Moscow, the first all-Russian final at that event, losing to compatriot, Ukrainian-born Nikolay Davydenko, marked Safin's recovery. Despite the injury, Safin still posted 7 wins against top ten players in 2006, fourth-most on the ATP tour behind just Federer (19), Nadal (10), and Blake (8).

Did they prevent him from playing?
He began to recover in time for the 2006 US Open,