Given the following context: A stagecoach bound for the town of Jericho is ambushed by Alex Flood, a lawman gone bad. Sharpshooting from a safe distance, Flood wounds the coach's driver, Ben Hickman, who is brought to town by the only passenger, a gambler named Dolan. Hickman is a former Santa Fe lawman and Dolan was once his deputy. They now are partners in the stage line with Molly Lang, whom they have come to Jericho to meet. She was once Flood's lover when he came to Jericho to restore law and order, but now she hates the man who has seized power in the town. Flood forms a lynch mob that hangs a man who dared confront one of his gang, then burns down the home of another townsman who tried to organize a secret meeting. While the wounded Hickman recovers from the gunshot, Dolan takes a liking to Molly and decides to help her when Flood's men try to take over her stagecoach line. He gets into a violent fight with Yarbrough, one of Flood's men. Dolan begins to create havoc in Flood's empire, stealing his cattle and causing explosions at Flood's ranch and gold mine. He is assisted by Hickman and by Jace, the town's former sheriff. Flood returns to Jericho seeking revenge. He shoots Hickman in the back, killing him. Dolan sets out after Flood for a final showdown in the hills. After Flood shoots Dolan in the arm, Dolan manages to throw his knife at Flood and kill him. answer the following question: Who gets into a violent fight with one of Flood's men?
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Answer: Dolan

Given the following context: In 1960 Solti signed a three-year contract to be music director of the Los Angeles Philharmonic from 1962. Even before he took the post the Philharmonic's autocratic president, Dorothy Chandler, breached his contract by appointing a deputy music director without Solti's approval. Although he admired the chosen deputy, Zubin Mehta, Solti felt he could not have his authority undermined from the outset, and he withdrew from his appointment. He accepted an offer to become musical director of Covent Garden Opera Company, London. When first sounded out about the post he had declined it. After 14 years of experience at Munich and Frankfurt he was uncertain that he wanted a third successive operatic post. Moreover, founded only 15 years earlier, the Covent Garden company was not yet the equal of the best opera houses in Europe. Bruno Walter convinced Solti that it was his duty to take Covent Garden on.The biographer Montague Haltrecht suggests that Solti seized the breach of his Los Angeles contract as a convenient pretext to abandon the Philharmonic in favour of Covent Garden. However, in his memoirs Solti wrote that he wanted the Los Angeles position very much indeed. He originally considered holding both posts in tandem, but later acknowledged that he had had a lucky escape, as he could have done justice to neither post had he attempted to hold both simultaneously.Solti took up the musical directorship of Covent Garden in August 1961. The press gave him a cautious welcome, but there was some concern that under him there might be a drift away from the company's original policy of opera in English. Solti, however, was an advocate of opera in the vernacular, and he promoted the development of British and Commonwealth singers in the company, frequently casting them in his recordings and important productions in preference to overseas artists. He demonstrated his belief in vernacular opera with a triple bill in English of L'heure espagnole, Erwartung and Gianni Schicchi. As the decade went on, however, more and more... answer the following question: What is the last name of the person who promoted the development of British and Commonwealth singers in the company?
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Answer: Solti

Given the following context: To have reached its enormous size within its relatively short (geologically speaking) 600,000 to 1,000,000 years of life, Mauna Loa would logically have had to have grown extremely rapidly through its developmental history, and extensive charcoal-based radiocarbon dating (perhaps the most extensive such prehistorical eruptive dating on Earth) has amassed a record of almost two hundred reliably dated extant flows confirming this hypothesis.The oldest exposed flows on Mauna Loa are thought to be the Ninole Hills on its southern flank, subaerial basalt rock dating back approximately 100 to 200 thousand years. They form a terrace against which younger flows have since banked, heavily eroded and incised against its slope in terms of direction; this is believed to be the result of a period of erosion because of a change in the direction of lava flow caused by the volcano's prehistoric slump. These are followed by two units of lava flows separated by an intervening ash layer known as the Pahala ash layer: the older Kahuka basalt, sparsely exposed on the lower southwest rift, and the younger and far more widespread Kau basalt, which appear more widely on the volcano. The Pahala ashes themselves were produced over a long period of time circa 13 to 30 thousand years ago, although heavy vitrification and interactions with post and pre- creation flows has hindered exact dating. Their age roughly corresponding with the glaciation of Mauna Loa during the last ice age, raising the distinct possibility that it is the product of phreatomagmatic interaction between the long-gone glaciers and Mauna Loa's eruptive activities.Studies have shown that a cycle occurs in which volcanic activity at the summit is dominant for several hundred years, after which activity shifts to the rift zones for several more centuries, and then back to the summit again. Two cycles have been clearly identified, each lasting 1,5002,000 years. This cyclical behavior is unique to Mauna Loa among the Hawaiian volcanoes. Between about 7,000 and 6,000... answer the following question: What is the name of the terraced subaerial balsat rock which is followed by two units of lava flows separated by an intervening ash layer known as the Pahala ash layer?
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Answer:
Ninole Hills