input: The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering was published in 2000. Here, Finkelstein argues that Elie Wiesel and others exploit the memory of the Holocaust as an "ideological weapon". The purpose, writes Finkelstein, is to enable the State of Israel, "one of the world's most formidable military powers, with a horrendous human rights record, [to] cast itself as a victim state"; that is, to provide Israel "immunity to criticism". He alleges what he calls a "double shakedown" by "a repellent gang of plutocrats, hoodlums and hucksters" seeking enormous legal damages and financial settlements from Germany and Switzerland, moneys which then go to the lawyers and institutional actors involved in procuring them, rather than actual Holocaust survivors. The book received a hostile reception in some quarters, with critics charging that it was poorly researched and/or allowed others to exploit it for antisemitic purposes. The German historian Hans Mommsen disparaged the first edition as "a most trivial book, which appeals to easily aroused anti-Semitic prejudices". Israeli Holocaust historian Israel Gutman called the book "a lampoon", stating "this is not research; it isn't even political literature... I don't even think it should be reviewed or critiqued as a legitimate book." The book was also harshly criticized by Brown University Professor Omer Bartov and University of Chicago Professor Peter Novick. However, preeminent Holocaust scholar Raul Hilberg said the book expressed views Hilberg himself subscribed to in substance, in that he too found the exploitation of the Holocaust, as Finkelstein describes, "detestable". Asked on another occasion if Finkelstein's analysis might play into the hands of neo-Nazis for antisemitic purposes, Hilberg replied: "Well, even if they do use it in that fashion, I'm afraid that when it comes to the truth, it has to be said openly, without regard to any consequences that would be undesirable, embarrassing". Other critics claim Finkelstein's evidence is highly selective and/or dubious and that his arguments would be based on a misinterpretation of history and a questionable use of sources. The historian David Cesarani maintains that Finkelstein absolves Swiss banks of serious misconduct towards Holocaust survivors and depicts the institutions as victims of a Jewish terror based on a sentence from an important report annex. He writes: "To support this amazing argument he quotes a statement from the authoritative Report of the Independent Committee of Eminent Persons that 'there was no evidence of systematic discrimination, obstruction of access, misappropriation, or violation of document retention requirements of Swiss law'."

Answer this question "did he create a holocaust industry?"
output:

input: The film was critically acclaimed upon release. It was named "Best Reviewed Film of 2005 in Limited Release" by Rotten Tomatoes, where it achieved a 93% positive review rating, based on reviews from 217 critics. The film received six Academy Award nominations, including Best Picture, Director (Clooney), and Actor (Strathairn). Roger Ebert, in his Chicago Sun-Times review, contends that "the movie is not really about the abuses of McCarthy, but about the process by which Murrow and his team eventually brought about his downfall (some would say his self-destruction). It is like a morality play, from which we learn how journalists should behave. It shows Murrow as fearless, but not flawless." Margaret Pomeranz and David Stratton from the ABC show At the Movies each gave the film five stars, making Good Night, and Good Luck the only other film besides Brokeback Mountain to receive such a score from the hosts in 2005. Both described the film as "beautiful" but also praised Clooney for the film's importance. Margaret commented that "[The film] is so important, because it's about things that are really vital today, like the responsibility of the press and examining the press' role in forming opinion." David noted "Though [the film] is in black-and-white, there's nothing monochromatic about Clooney's passion for his subject or the importance of his message." Jack Shafer, a libertarian-leaning columnist for the online magazine Slate, accused the film of continuing what he characterizes as the hagiography of Murrow. Clooney's film gives the impression that Murrow brought down McCarthy single-handedly, while Shafer notes that in reality much of the mainstream media, many Democrats and some of McCarthy's Republican peers were condemning him before Murrow. Furthermore, Shafer writes, evidence obtained via the declassified Venona espionage program confirmed that many Soviet agents and sympathizers were in fact in positions of influence in the U.S. government, a disclosure the film entirely overlooks: "Clooney and company ignore the material that might argue against their simple-minded thesis about Murrow, the era, and the press to produce an after-school special". One complaint about the film among test audiences was their belief that the actor playing McCarthy was too over the top, not realizing that the film used actual archive footage of McCarthy himself.

Answer this question "how mny copies were ssod"
output:

input: After remaining quiet following the conclusion of their Modern Vampires tour, on January 26, 2016, Rostam Batmanglij announced his departure from the band on Twitter. He noted that he and Koenig would continue to collaborate. Later the same day, Koenig announced that Vampire Weekend was in the studio working on their upcoming fourth album, with Batmanglij contributing to the record. The album's working title was revealed to be Mitsubishi Macchiato. In April 2016, the band briefly performed at a rally for presidential candidate Bernie Sanders in Washington Park Square. Koenig has been a well-known supporter of Sanders, after discussions on his Beats 1 radio show, Time Crisis. The band performed live with Dave Longstreth of the Dirty Projectors, which marked their first performance as a trio. In late 2016, Koenig was reportedly in talks to sign the band with Columbia Records, as he reportedly "hit it off" with executive, Rob Stringer. Initially, this news was regarded a rumour, until the band's website revamp in 2018, in which a Sony Music copyright appeared on the site. In March 2017, Koenig revealed in an elaborate Instragram update that during 2016 he had spent countless hours researching and writing music in libraries with grad students. Additionally, he revealed that the album would feature a more 'spring-time' vibe and one of the songs would be entitled Flower Moon. Koenig revealed that LP4 would be partially inspired by the songwriting of country singer, Kacey Musgraves, after he attended one of her shows in September 2016. In an interview with Stereogum, he stated, "I'm the type of person who has spent hours poring over the avant-garde poetic lyrics of certain songwriters, and there was something that felt so good [about how] from the first verse, you knew who was singing, who they were singing to, what kind of situation they were in. After the show I realized there's not a ton of Vampire Weekend songs where you could listen to the first verse and immediately answer the question of who's singing and who are they singing to." Furthermore, in a September 2017 interview with Zane Lowe, Ezra briefly spoke about LP4 and stated that it was "about 80% done." He mentioned that the album would feature lead producer, Ariel Rechtshaid, with additional "guest appearances", one of which being Batmanglij. Lowe pushed Koenig for a release date, sighting Q1 2018 as a likely candidate. The band's first show since their hiatus was confirmed on January 31, 2018, when it was announced that the band would be headlining the UK music festival End of the Road. The festival will run from August 31 to September 3 and mark Vampire Weekend's first return to the stage in 4 years. Additionally, it was announced that they would headline the 2018 Fuji Rock Festival, scheduled for July 27 to 29. The band will also be performing at Lollapalooza 2018, which runs from August 2-5, 2018.

Answer this question "What was LP4"
output:
Koenig revealed that LP4 would be partially inspired by the songwriting of country singer,