Q: Read the following paragraph and extract the answer for the question: Who worked on transition from plane to volumetric suprematism? At this point Lissitzky subscribed fully to suprematism and, under the guidance of Malevich, helped further develop the movement. In 19191920 Lissitzky was a head of Architectural department at the People's Art School where with his students, primarily Lazar Khidekel, he was working on transition from plane to volumetric suprematism. Lissitzky designed On the New System of Art by Malevich, who responded in December 1919: "Lazar Markovich, I salute you on the publication of this little book". Perhaps the most famous work by Lissitzky from the same period was the 1919 propaganda poster "Beat the Whites with the Red Wedge". Russia was going through a civil war at the time, which was mainly fought between the "Reds" (communists, socialists and revolutionaries) and the "Whites" (monarchists, conservatives, liberals and other socialists who opposed the Bolshevik Revolution). The image of the red wedge shattering the white form, simple as it was, communicated a powerful message that left no doubt in the viewer's mind of its intention. The piece is often seen as alluding to the similar shapes used on military maps and, along with its political symbolism, was one of Lissitzky's first major steps away from Malevich's non-objective suprematism into a style his own. He stated: "The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything that is already finished, already made, or already existent in the world it is a symbol of a new world, which is being built upon and which exists by the way of the people."In January 17, 1920, Malevich and Lissitzky co-founded the short-lived Molposnovis (Young followers of a new art), a proto-suprematist association of students, professors, and other artists. After a brief and stormy dispute between "old" and "young" generations, and two rounds of renaming, the group reemerged as UNOVIS (Exponents of the new art) in February. Under the leadership of Malevich the group worked on a "suprematist ballet", choreographed by Nina Kogan and on the...
A: Lissitzky

Q: Read the following paragraph and extract the answer for the question: What are the Muslim names of Gladys' sons? In the city of Pittsburgh where Hamza Perez is seen walking through the streets while narrating about his two recurring life prophecies that would come to him in dreams. One of his dreams was experiencing death at the age of 21, the second was him being in jail. Later he reveals both prophecies had come true. Hamza explains that at the age of 21 he became a Muslim, therefore he experienced a death of all his past doings. According to Hamza, one day while he was on the street smoking marijuana, a sheikh approached him to talk about Islam and that is when he knew things were going to change. While Hamza visits his brother Suliman to cook Boricua Halal cooking (Puerto Rican Kosher cooking) the two brothers talk about their cultural hybridity and how they communicate through Arabic spanglish ebonics since they don't speak Arabic, English, or Spanish fluently. In a family gathering, Hamza and Suliman's mother Gladys expresses her hesitation about the religion since both brothers were brought up in a Catholic home and attended private Catholic school. Gladys reveals that Hamza's birth given name is Jason, and although she is still unsure about the religion Gladys has accepts the decision of her two sons. The two brothers travel to Harlem to conduct an interview for a radio station where they talk about their music and religious message. While still in New York, Hamza visits the projects where he reaches out to young since he works for a social service agency as an anti-drug counselor.
A: Suliman

Q: Read the following paragraph and extract the answer for the question: What is the name of the ship under which it was sometimes possible to discern a sea well by the end of August? When the ship passed Cape Adare, the direction of drift changed to north-westerly. On 10 August Stenhouse estimated that they were 45 nautical miles (83 km) north-east of the Cape, and that their daily drift was averaging just over 20 nautical miles (37 km). A few days later Stenhouse recorded that the ship was "backing and filling", meaning that it was drifting back and forth without making progress. "However, we cannot grumble and must be patient", he wrote, adding that from the crow's nest a distinct impression of open water could be seen. With the possibility that the edge of the pack was nearby, work on the construction of a jury rudder began. This first involved the removal of the wreckage of the smashed rudder, a task largely carried out by Engineer Donnelly. The jury rudder was constructed from makeshift materials, and by 26 August was ready for use as soon as Aurora cleared the ice. It would then be lowered over the stern and operated manually, "like a huge oar". On 25 August Hooke began picking up occasional radio signals being exchanged between Macquarie Island and New Zealand. By the end of August open leads were beginning to appear, and sometimes it was possible to discern a sea-swell under the ship. Severe weather returned in September, when a hurricane-force wind destroyed the wireless aerial and temporarily halted Hooke's efforts. On 22 September, when Aurora was in sight of the uninhabited Balleny Islands, Stenhouse estimated that they had travelled over 700 nautical miles (1,300 km) from Cape Evans, in what he called a "wonderful drift". He added that regular observations and records of the nature and direction of the ice had been maintained throughout: "It [the drift] has not been in vain, and [...] knowledge of the set and drift of the pack will be a valuable addition to the sum of human knowledge".Aurora's circumstances changed little during the following months. Stenhouse worked hard to maintain morale, keeping the crew working whenever possible and organising leisure activities,...
A:
Aurora