Problem: Background: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.
Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat. Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes. At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes. It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.
Question: What kind of works did Eakins produce in his early career?
Answer: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all,

Problem: Background: Anti-Flag are an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for politically charged lyrics and activism, focusing on anti-war activism, anti-imperialism, class struggle, human rights, and various sociopolitical sentiments. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band; later members are guitarist Chris Head, and singer/bassist Chris Barker (#2) who replaced Jamie "Cock" Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International.
Context: In 1996, the band released their first album, Die For the Government, on New Red Archives. Andy Flag left the band in the summer of 1996 because of personal disputes between himself and Justin. For a brief time after Andy's departure in 1996, Sean Whelan of Pittsburgh band the Bad Genes filled in on bass. It was during this time that Sean was also playing in another band (57 Defective) with guitarist Chris Head, whom he introduced to the band. In early 1997, Pittsburgh guitarist Chris Head began filling in on bass. In late 1997, Jamie Cock took over as the new bassist, moving Chris Head over to second guitar, which he preferred. The current line-up finalized in 1999 when Chris Barker, also known as Chris No. 2, replaced Jamie Cock on bass. In 1998, the band released their second full-length release, Their System Doesn't Work For You. The album contained all nine Anti-Flag songs from the 1996 Anti-Flag/d.b.s. split album North America Sucks, as well as 10 new unreleased songs. The band decided to release the album independently, and Their System Doesn't Work For You became the debut release for the band's own A-F Records. In 1999, Anti-Flag released the album A New Kind of Army on Go-Kart Records/A-F Records. The album addressed topics such as abortion, political corruption, racism, fascism, troubled youth, police brutality, and unity within the American youth. The cover art page unfolded into a poster featuring the phrase "Too smart to fight. Too smart to kill. Join now. A new kind of army." In addition to this, the band had a disclaimer at the bottom of its album cover saying,"Anti-Flag does not mean Anti-American. Anti-Flag means anti-war. Anti-Flag means unity."
Question: And what is the name of this 3rd album?
Answer: A New Kind of Army

Problem: Background: Smith was born Vickie Lynn Hogan in 1967 in Houston, Texas, and raised in Mexia, Texas. She was the daughter of Donald Eugene Hogan (1947-2009) and Virgie Mae Arthur (nee Tabers; b. 1951), who married on February 22, 1967 and divorced on November 4, 1969. She had five half siblings: Donna Hogan, David Tacker Jr., Donnie Hogan, Amy Hogan, and Donald Hart. Smith was raised by her mother and aunt.
Context: Smith appeared on the cover of the March 1992 issue of Playboy magazine, with her name given as Vickie Smith. She later appeared as the Playboy Playmate of the Month in a pictorial shot by Stephen Wayda for the May 1992 issue. Smith then secured a contract to replace supermodel Claudia Schiffer in a Guess jeans ad campaign featuring a series of sultry black-and-white photographs. During the Guess campaign Smith changed her name to Anna Nicole Smith. Guess photographers noticed Smith bore a striking resemblance to bombshell Jayne Mansfield and showcased her in several Mansfield-inspired photo sessions. In 1993 before Christmas, she modeled for the Swedish clothing company H&M. This led to her being pictured on large billboards in Sweden and Norway. In addition to Playboy, Smith appeared on the cover of German Marie Claire magazine, photographed by Peter Lindbergh A photograph of Smith was used by New York magazine on the cover of its August 22, 1994, issue titled White Trash Nation. In the photo, she appears squatting in a short skirt with cowboy boots as she eats chips. In October 1994, her lawyer, T. Patrick Freydl, initiated a $5 million lawsuit against the magazine, claiming that Smith did not authorize the use of her photo; the suit also alleged that the article damaged her reputation. Her lawyer stated Smith was under the impression that she was being photographed to embody the "all-American look." Editor Kurt Andersen said that the photo was one of dozens taken for the cover, further stating "I guess they just found the picture we chose unflattering." The lawsuit was reported to be settled.
Question: What did she do in her modeling career?
Answer:
Smith then secured a contract to replace supermodel Claudia Schiffer in a Guess jeans ad campaign featuring a series of sultry black-and-white photographs.