input: Bananarama were founded in London in 1981 by Fahey, Woodward and Dallin, the latter two having been childhood friends in Bristol since the age of four, and attending St. George's School for Girls together. Dallin and Fahey met in 1979 while studying fashion journalism at the London College of Fashion. They became friends because they both dressed more radically than the other students. The trio were ardent followers of the punk rock and post-punk music scene during the late 1970s and early 1980s and often performed impromptu sets or backing vocals at gigs for such bands as The Monochrome Set, Iggy Pop, The Jam, Department S and The Nipple Erectors. In 1981, Bananarama's members were living above the rehearsal room that was used by former Sex Pistols members Steve Jones and Paul Cook. With their help, Bananarama recorded their first demo "Aie a Mwana" (UK #92, a cover of a song by Black Blood, sung in Swahili). The demo was heard at Demon Records, who consequently offered Bananarama their first deal. The song was an underground hit and Bananarama were signed by Decca (later London Records) and remained on the label until 1993. During this early period Bananarama were approached by Malcolm McLaren, who offered to manage the group. McLaren, manager of the Sex Pistols and Bow Wow Wow, and notorious for generating scandal, proposed some new material that was sexually suggestive, and did not fit with what at the time was the band's tomboyish and straightforward image. Bananarama passed on both the material and McLaren as their manager. UK fashion magazine The Face featured an article on Bananarama after the release of their first single. This caught the attention of ex-Specials member Terry Hall, who invited them to collaborate with his new vocal group Fun Boy Three on the track "It Ain't What You Do It's The Way That You Do It". In 1982, the song hit the Top 5 in the UK and gave Bananarama their first significant mainstream success. Fun Boy Three then guest starred on Bananarama's single, "Really Saying Something", later that year.

Answer this question "Are there any other interesting aspects about this article?"
output: Dallin and Fahey met in 1979 while studying fashion journalism at the London College of Fashion.

input: Gerry was from an early time a vocal opponent of Parliamentary efforts to tax the colonies after the French and Indian War ended in 1763. In 1770 he sat on a Marblehead committee that sought to enforce importation bans on taxed British goods. He frequently communicated with other Massachusetts opponents of British policy, including Samuel Adams, John Adams, Mercy Otis Warren, and others. In May 1772 he won election to the Great and General Court of the Province of Massachusetts Bay (its legislative assembly). There he worked closely with Samuel Adams to advance colonial opposition to Parliamentary colonial policies. He was responsible for establishing Marblehead's committee of correspondence, one of the first to be set up after that of Boston. However, an incident of mob action prompted him to resign from the committee the next year. Gerry and other prominent Marbleheaders had established a hospital for performing smallpox inoculations on Cat Island; because the means of transmission of the disease were not known at the time, fears amongst the local population led to protests which escalated into violence that wrecked the facilities and threatened the proprietors' other properties. Gerry reentered politics after the Boston Port Act closed that city's port in 1774, and Marblehead became a port to which relief supplies from other colonies could be delivered. As one of the town's leading merchants and Patriots, Gerry played a major role in ensuring the storage and delivery of supplies from Marblehead to Boston, interrupting those activities only to care for his dying father. He was elected as a representative to the First Continental Congress in September 1774, but refused, still grieving the loss of his father.

Answer this question "Did the hospital and inoculations help?"
output: because the means of transmission of the disease were not known at the time, fears amongst the local population led to protests

input: LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter. A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it". On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated: We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform.

Answer this question "What else does she consider a distraction?"
output:
recording, photographs, and other electronic distractions