IN: The King and I is the fifth musical by the team of composer Richard Rodgers and dramatist Oscar Hammerstein II. It is based on Margaret Landon's novel, Anna and the King of Siam (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit.

The first revival of The King and I in New York was presented by the New York City Center Light Opera Company in April and May 1956 for three weeks, starring Jan Clayton and Zachary Scott, directed by John Fearnley, with Robbins' choreography recreated by June Graham. Muriel Smith reprised her London role of Lady Thiang, and Patrick Adiarte repeated his film role, Chulalongkorn. This company presented the musical again in May 1960 with Barbara Cook and Farley Granger, again directed by Fearnley, in another three-week engagement. Atkinson admired the purity of Cook's voice and thought that she portrayed Anna with "a cool dignity that gives a little more stature to the part than it has had before." He noted that Granger brought "a fresh point of view - as well as a full head of hair". Joy Clements played Tuptim, and Anita Darian was Lady Thiang. City Center again presented the show in June 1963, starring Eileen Brennan and Manolo Fabregas, directed by Fearnley. Clements and Darian reprised Tuptim and Thiang. In the final City Center Light Opera production, Michael Kermoyan played the King opposite Constance Towers for three weeks in May 1968. Darian again played Lady Thiang. For all of these 1960s productions, Robbins' choreography was reproduced by Yuriko, who had played the role of Eliza in the original Broadway production and reprised the role in the City Center productions. The Music Theatre of Lincoln Center, with Rodgers as producer, presented the musical in mid-1964 at the New York State Theater, starring Rise Stevens and Darren McGavin, with Michael Kermoyan as the Kralahome. Lun Tha, Tuptim and Thiang were played by Frank Porretta, Lee Venora and Patricia Neway. Costumes were by Irene Sharaff, the designer for the original productions and the film adaptation. The director was Edward Greenberg, with the Robbins choreography again reproduced by Yuriko. This was Music Theatre's debut production, a five-week limited engagement. The King and I was revived at London's Adelphi Theatre on October 10, 1973, running for 260 performances until May 25, 1974, starring Sally Ann Howes as Anna and Peter Wyngarde as the King. Roger Redfarn directed, and Sheila O'Neill choreographed. The production, which began in June 1973 with a tour of the English provinces, earned mixed to warm reviews. Michael Billington in The Guardian called the revival "well played and well sung". Although he was enthusiastic about Howes as Anna, Billington thought Wyngarde "too fragile to be capable of inspiring unholy terror". He praised Redfarn's production - "whipped along at a good pace and made a sumptuous eyeful out of the interpolated ballet on 'Uncle Tom's Cabin'." Less favorably, Robert Cushman in The Observer thought the production "scenically and economically under-nourished". He liked Wyngarde's King ("a dignified clown") but thought Howes not formidable enough to stand up to him as Anna. He noted that "she sings beautifully and the songs are the evening's real justification".

Did any of the early revivals run a long time?

OUT: October 10, 1973, running for 260 performances until May 25, 1974,

IN: Rose was born April 14, 1941, in Cincinnati, Ohio, one of four children born to Harry Francis "Pete" and LaVerne Rose. He was a member of the Order of DeMolay as a young boy and was encouraged by his parents to participate in sports. He played baseball and football at Western Hills High School. Although Rose was small for his age, he earned the starting running back position on his freshman football team.

During a spring training game against the Chicago White Sox in 1963, the Reds' regular second baseman, Don Blasingame, pulled a groin muscle; Rose got his chance and made the most of it. During another spring training game against the New York Yankees, Whitey Ford gave him the derisive nickname "Charlie Hustle" after Rose sprinted to first base after drawing a walk. Despite (or perhaps because of) the manner in which Ford intended it, Rose adopted that nickname as a badge of honor. In Ken Burns' documentary Baseball, Mickey Mantle claimed that Ford gave Rose the nickname after Rose, playing in left field, made an effort to climb the fence to try to catch a Mantle home run that everyone could see was headed over everything. Rose made his major league debut on April 8, 1963 (Opening Day) against the Pittsburgh Pirates and drew a walk in his first plate appearance. After going 0-for-11, Rose got his first Major League hit on April 13, a triple off Pittsburgh's Bob Friend. He hit .273 for the year and won the National League Rookie of the Year Award, collecting 17 of 20 votes. Rose entered the US Army Reserves after the 1963 baseball season. He was assigned to Fort Knox for six months of active duty, which was followed by six years of regular attendance with a 478th Engineering Battalion USAR at Fort Thomas, Kentucky. At Fort Knox, he was a platoon guide and graduated from United States Army Basic Training January 18, 1964, one week before his marriage to Karolyn. Rose then remained at Fort Knox to assist the sergeant in training the next platoon and to help another sergeant train the Fort's baseball team. Later in his Fort Thomas service, Rose served as company cook which entailed coming in early for the one weekend/month meeting so that he could get out early enough to participate in local Reds games. Other Reds players in the unit included Johnny Bench, Bobby Tolan and Darrel Chaney.

What did he do in the reserves

OUT:
Fort Knox for six months of active duty, which was followed by six years of regular attendance with a 478th Engineering Battalion USAR at Fort Thomas, Kentucky.