IN: She was born Rosa Ponzillo on January 22, 1897, in Meriden, Connecticut, the youngest of three children. The family lived on the city's west side in a neighborhood chiefly populated by immigrants from the south of Italy, first at the corner of Lewis Avenue and Bartlett Street, then on Foster Street, where Ponselle was born, moving when she was three to Springdale Avenue. Her parents were Italian immigrants from Caiazzo, near Caserta. Ponselle had an exceptionally mature voice at an early age and, at least in her early years, sang on natural endowment with little, if any, vocal training.

Rosa Ponselle made her Metropolitan Opera debut on November 15, 1918, just a few days after the Great War had finished, as Leonora in Verdi's La forza del destino, opposite Caruso. It was her first performance on any opera stage. She was quite intimidated for being in the presence of Caruso, and in spite of an almost paralyzing case of nervousness (which she suffered from throughout her operatic career), she scored a tremendous success, both with the public and with the critics. New York Times critic James Huneker wrote: "...what a promising debut! Added to her personal attractiveness, she possesses a voice of natural beauty that may prove a gold mine; it is vocal gold, anyhow, with its luscious lower and middle tones, dark, rich and ductile, brilliant in the upper register." In addition to Leonora, Ponselle's roles in the 1918/19 season included Santuzza in Cavalleria rusticana, Rezia in Weber's Oberon, and Carmelita in the (unsuccessful) world premiere of Joseph Carl Breil's The Legend. In the following Met seasons, Ponselle's roles included the lead soprano roles in La Juive (opposite Caruso's Eleazar, his last new role before he died), William Tell, Ernani, Il trovatore, Aida, La Gioconda, Don Carlos, L'Africaine, L'amore dei tre re, Andrea Chenier, La vestale, and in 1927 the role that many considered her greatest achievement, the title role in Bellini's Norma. In addition to her operatic activities, which were centered at the Met, Ponselle had a lucrative concert career. A tour of the West coast included an appearance at the Lobero Theatre in Santa Barbara on March 14, 1927 in the Artist Series of the Community Arts Association's Music Branch, accompanied by pianist Stuart Ross.
QUESTION: Did she do anything or sing anything in particular at her debut?
IN: Alexisonfire (pronounced "Alexis on fire") is a five-piece Canadian post-hardcore band that formed in St. Catharines, Ontario in 2001. The band consists of George Pettit (unclean vocals), Dallas Green (clean vocals, rhythm guitar, piano), Wade MacNeil (lead guitar, vocals), Chris Steele (bass guitar), and Jordan Hastings (drums, percussion). They describe their music as "the sound of two Catholic high-school girls in mid-knife-fight" (a reference to their song "A Dagger Through the Heart of St. Angeles", also the inspiration for their debut album cover art).

Dallas Green informed the rest of the band of his intention to leave Alexisonfire in 2010. Green agreed not to announce his departure until the rest of the band decided on their future plans. On February 14, 2011, on their official Twitter page, Alexisonfire announced they had been writing new music for their fifth studio album, describing it as "so heavy it's going to make Dog's Blood look like a ska record". However, on August 5, 2011, Alexisonfire announced their intent to break up. In the statement, George Pettit cited Dallas Green's departure from the band to focus solely on City and Colour, Wade MacNeil's departure to join another band, later revealed to be as the new vocalist for Gallows, and other personal issues among the remaining members as reasons for breaking up. Pettit also described the break up as not being "amicable". Alexisonfire had planned on celebrating their tenth anniversary with one last headlining Canadian tour and "a series of releases", although Green had initially expressed reluctance to take part in any further shows with the band at the time. For Record Store Day 2012, Alexisonfire and Dine Alone re-issued Math Sheet Demos, which featured demo recordings of songs prepared in the pre-production of their self-titled debut album. In July 2012, Green stated he had been in contact with other ex-Alexisonfire members, and that he and MacNeil had been "starting to talk about doing some final [Alexisonfire] shows, because when we did play our last show nobody knew it was our last show." In December 2012-15 months after the band's breakup announcement--Alexisonfire embarked on their international, farewell tour with stops in Canada, UK, Australia and Brazil, originally announced to be a nine-date tour. Due to demand, the tour was later extended to 15 dates. In December an EP entitled Death Letter was released, featuring new interpretations of songs spanning the band's previous four albums.
QUESTION: When did he announce his departure?
IN: The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.

After that the group lasted another four years, although there was a gradual decline in their status and commercial success after 1970. Joe Boyd, whose skillful handling of the band had contributed much to their international success, stopped managing them and returned to the US. The group left Elektra Records and signed with Island, for whom they recorded five albums. The first was a soundtrack to the "Be Glad..." film, and this was followed by the eclectic Liquid Acrobat as Regards the Air, regarded as their best album for some time. The band continued to tour and record. Rose Simpson left in 1971 and was replaced by Malcolm Le Maistre, formerly of the Stone Monkey troupe. Mike Heron took time out to record a well-received solo album, Smiling Men with Bad Reputations, which, in contrast to the ISB's self-contained productions, featured a host of session guests, among them Pete Townshend, Ronnie Lane, Keith Moon, John Cale and Richard Thompson. The following year, Licorice left, and was replaced by Gerard Dott, an Edinburgh jazz musician and friend of both Heron and Williamson who had contributed to Smiling Men. Williamson also recorded a solo album, Myrrh, which featured some of his most extraordinary vocal performances. The group's changing lineup, adding Stan Schnier (aka "Stan Lee") on bass, Jack Ingram on drums, and Graham Forbes on electric guitar reflected moves toward a more conventional amplified rock group. Their final albums for Island were received disappointingly, and the label dropped them in 1974. By then, disagreements between Williamson and Heron about musical policy had become irreconcilable, and they split up in October 1974.
QUESTION:
anything else that is interesting?