Q: What could have been an engaging-and emotionally charged character study is totally undermined by the predictable factor. Fox is OK as Nathaniel Ayers, the Julliard trained musician who dreams of playing with the Walt Disney orchestra until his bouts with schizophrenia drive him into the street and ultimately skid row. Looking for a good story to boost his flagging career, reporter Steve Lopez {Robert "rehab" Downey } gets to know him and tells his story. Taking every element of the classic "how we hit the skids" movies, borrowing very liberally from "A Beautiful Mind", taking the bogus "feel good" attitude of films like "Rocky"-you pick the sequel number-and whipping up too much 1930s style melodrama all that is left on the screen is a burnt out shell of a movie. It is corny, trite, utterly predictable and plays way too often on our sentiments. I hate to say it, but this is the kind of movie that, if you say you hated it, people will give you bad looks. I really wish I could say something positive about this film, but I really can't. The acting redeems it somewhat, but not enough for me to give it more than one star. Strictly made for TV movie stuff. Not worth your time. OPTIONS:
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A: negative
Q: ...but a lousy film. As Maltin says this was Christopher Lee's attempt to make a serious horror film. Well, it is serious...TOO serious! The plot is silly and slow (something about old people inhabiting the bodies of young children to achieve immortality)...the film is all talk talk talk talk talk talk talk about the same things over and over again. I actually dozed off a few times! The film is sooooo dull! The cast sleepwalks through this with the sole exceptions of Peter Cushing and Lee...but this was probably a labor of love for both (they often complained about horror movies being too violent...well, this has NO violence!). Avoid at all costs...unless you have insomnia...this will put you to sleep! OPTIONS:
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A: negative
Q: This is like "Crouching Tiger, Hidden Dragon" in a more surreal, fantasy setting with incredible special effects and computer generated imagery that would put Industrial Light and Magic to shame. The plot may be hard to follow, but that is the nature of translating Chinese folklore to the screen; certainly the overall story would probably be more familiar to its native audience. However, an intelligent person should be able to keep up; moreover, the martial arts scenes potency are amplified by eye popping CGI. OPTIONS:
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A: positive
Q: Not so many people like the movies of Bertrand blier simply because they don't understand them. Simply because they are different kinds of people.

If you have not been living under a deep desperation intertwined with great personal hope it may be hard for you to enjoy the humor blier shown here.

And also the film of blier cannot be classified easily as black-comedy or cult etc. like those of pulp fiction etc. Because there is this delicacy which the audience of north-america frequently fail to appreciate.

When I looked at these two 'hooligans' dining with Jeanne moreau in the seaside restaurant, I felt they were more gentil than any gentleman can have been.

The urge to make love wildly like these is the normal reaction we feel under the unbearable pressure of meaningless being-symbolized by the camion suddenly emerges at the Carrefour.

SO, les valseuses is much better a name than going places. To dance a valse you need to be elegant, but going places you don't. OPTIONS:
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A: positive