Background: Sun Ra (born Herman Poole Blount, legal name Le Sony'r Ra; May 22, 1914 - May 30, 1993) was an American jazz composer, bandleader, piano and synthesizer player, and poet known for his experimental music, "cosmic" philosophy, prolific output, and theatrical performances. For much of his career, Ra led "The Arkestra", an ensemble with an ever-changing name and flexible line-up. Born and raised in Alabama, Blount eventually became involved in the Chicago jazz scene during the 1940s. He soon abandoned his birth name, taking the name Sun Ra (after Ra, the Egyptian God of the Sun) and developing a complex persona and mythology that would make him a pioneer of Afrofuturism: he claimed he was an alien from Saturn on a mission to preach peace, and throughout his life he consistently denied any ties to his prior identity.
Context: According to Szwed, Sun Ra's view of his relationship to black people and black cultures "changed drastically" over time. Initially, Sun Ra identified closely with broader struggles for black power, black political influence, and black identity, and saw his own music as a key element in educating and liberating blacks. But by the heyday of Black Power radicalism in the 1960s, Sun Ra was expressing disillusionment with these aims. He denied feeling closely connected to any race. In 1970 he said: I couldn't approach black people with the truth because they like lies. They live lies... At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns of some greater force, which has been using them... Some force is having a good time [manipulating black and white people] and looking, enjoying itself up in a reserved seat, wondering, "I wonder when they're going to wake up." Sun Ra is considered to be an early pioneer of the Afrofuturist movement due to his music, writings and other works. The influence of Sun Ra can be seen throughout many aspects of black music. He grounded his practice of Afrofuturism in a musical tradition of performing blackness that remains relevant today. Sun Ra lived out his beliefs of Afrofuturism in his daily life by embodying the movement not only in his music, but also in his clothes and actions. This embodiment of the narrative allowed him to demonstrate black nationalism as a counternarrative to the present culture. It was in Chicago, as well, in the mid-fifties, that Ra began experimenting with extraterrestriality in his stage show, sometimes playing regular cocktail lounges dressed in space suits and ancient Egyptian regalia. By placing his band and performances in space and extraterrestrial environments Sun Ra built a world that was his own view of how the African diaspora connected.
Question: What were Ra's views of the world?
Answer: At one time I felt that white people were to blame for everything, but then I found out that they were just puppets and pawns

Background: Reilly was born in The Bronx, New York City, New York, United States, North America, the son of Charles Joseph Reilly, an Irish Catholic commercial artist, and Signe Elvera Nelson, a Swedish Lutheran. When young, he would often make his own puppet theater to amuse himself. His mother, foreshadowing his future as an entertainer, often would tell him to "save it for the stage". At age 13, he survived the 1944 Hartford Circus Fire, which killed 169 people in Connecticut.
Context: From 1976 on, Reilly primarily taught acting and directing for television and theater, including directing Julie Harris (with whom he had acted in Skyscraper in 1965-66), who was portraying Emily Dickinson in her one-woman Broadway play The Belle of Amherst, by William Luce. In 1979, he directed Ira Levin's play Break a Leg on Broadway. Despite the previous year's success of Levin's Deathtrap, Break a Leg closed after one performance. Reilly earned a 1997 Tony Award nomination as Best Director of a Play for the revival of The Gin Game, starring Julie Harris. In 1990, he directed episodes of Evening Shade. Reilly also made guest appearances in the 1990s on The Drew Carey Show, The Larry Sanders Show, Family Matters, Second Noah, and as eccentric writer Jose Chung in the television series The X-Files ("Jose Chung's From Outer Space"), Millennium ("Jose Chung's Doomsday Defense"), and occasionally as the voice of "The Dirty Bubble" in the animated series SpongeBob SquarePants, before he was replaced by Tom Kenny. Reilly was nominated for Emmy Awards in 1998 and 1999 for his performances in The Drew Carey Show and Millennium, respectively. Reilly was a longtime teacher of acting at HB Studio, the acting studio founded by Herbert Berghof and made famous by Berghof and his wife, the renowned stage actress Uta Hagen. His acting students included Lily Tomlin, Bette Midler, and Gary Burghoff. Reilly had a voice role in three films by Don Bluth: All Dogs Go to Heaven as Killer in 1989, Rock-a-Doodle as Hunch in 1991, and A Troll in Central Park as King Llort in 1994. In each one, he played the villain's dim-witted sidekick.
Question: How long was he a teacher at the HB Studio
Answer:
a longtime