An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I *loved* the original Scary Movie. I'm a huge fan of parody- it is my favorite form of humor. It is sometimes regarded as the most intelligent form of humor. The Wayans boys seemed to grasp that concept perfectly in the original film, then temporarily forgot it when making the sequel. I think the Wayans' are a family of comical geniuses. Alas, even geniuses make mistakes.

The movie begins with promise. I liked "The Exorcist" parody, especially the "come on out, ma" gag. Now, that's Wayans-quality material. But, other than that, I can only think of two other times I laughed: 1) when Tori Spelling is seduced in the middle of the night by a spirit, then becomes clingy and starts talking about marriage with him. Meanwhile, he's saying, "It was just a booty call!!" That was kinda funny. 2) The "Save the Last Dance" parody where the Cindy character inadvertently beats up a girl while practicing her new moves. But even the short-lived giggles are no match for the side-splitting laughs of the first Scary Movie.

The rest of the movie is pure trash, filled with cheap gross-out gags. Jokes from the first movie which were subtle or implied are magnified and overdone. For example, in Scary Movie I, several innuendos are made to imply that the character Ray is gay. This was hilarious. But, in Scary Movie II, the whole penis-strangulation scene with Ray under the bed was mind-numbing and incredibly unfunny. This is the pattern of the whole film. Shock humor *alone* doesn't take a movie very far. This was a trend in 2000 and 2001, unfortunately.

As much as it pains me to rate a Wayans movie so low, I have to give this one a 2 out of 10.
Q: What's an example of a movie review?
An example of a movie review is here: Margret Laurence probably didn't intend on having any of her novels adopted for film, let alone the Stone Angel. Hagar, as a character, was one who constantly challenged the social norm (Gainsay who dare, anyone?), and ended up nearly sacrificing her humanity in the process. The symbols in the book (the Stone Angel, Silver Thread, etc, etc.) are constant reminders of this struggle of the old and new, and the carnage (so to speak) along the way.

While the film is reasonably faithful to the plot of the book (but it isn't really a plot kind-of storytelling, is it?), I think it missed the point on capturing the spirit of the film. Hagar's defiance (for the sake of defiance) was not there. Bram could have been a lot more crude than portrayed, and Hagar's father could have been played more "traditionally", so to speak. If the filmmaker would insisted on stronger portrayals, the film would drive the point straight to home.

Along the same vein, why should we see cell phones, organic produce, and other modernizations? Are we trying make some points for the sake of making some points (e.g., the Muslim girlfriend and the Native people). Hagar and co. are everything but politically correct in the book, so why should we see that in the film version. Modernization may be an excuse for a low-budget operation, but using that as an excuse to send subliminal politically-correct messages that are totally irrelevant to the novel (and the film) seems like throwing punches below the intellect.

There is also the audience. It seems that we have been conditioned to see bitter old people as cute and lovable. Why should be laugh every time Hagar is at her tantrums? I doubt Magaret Laurence wanted her readers to laugh at, or with, Hagar. These people are frustrated and are full of angst, and all we do is to laugh at them. I don't think it did Hagar and other folks in her situation any justice.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: This movie is a crappy and forgettable Sean Connery vehicle. The performances are generally crappy especially by Capshaw, Fishburne, and the usually solid Ed Harris. Connery seems miscast as a Harvard Academic. The movie absolutely gets worse as it goes along. It is a third rate mystery that becomes extremely contrived by the time it unravels. The movie squanders an excellent supporting cast. George Plimpton also turns up in a minor role to add some gravitas to Connery as they debate the death penalty. The violence and the atmosphere pepper a third rate mystery/thriller that is manipulation to the highest degree. The scripting and direction are extremely poor. Connery's charisma and screen presence are the film's only virtue. Manipulative, Violent, and Ridiculous. 2/10 Avoid It.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: This film concerns the story of Eddy as mentioned in the title and his homecoming to old friends in a seaside community. The plot involves the group of friends as it comes to light that Eddy left as a means to deal with death of a friend in which he feels in some way responsible. But this is inconsequential, as the choices made in the production are extremely poor and not fully realized. Screenplays not always need be 'chatty', but they should at least assist the development of the story. Here one line attempts such as "he just took off" or "I know you don't have love in heart" just do fully evoke something worth the audience's time. Also whenever the writer feels at a loss to where to go to next he cuts to a music montage of the protagonist walking through fields to some indie mood music. Talk about trying to hard. If you are interested in a good film, the type that gives quality and substance over just style then this is not the film for you.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Daniel Day Lewis is one of the best actors of our time and one of my favorites. It is amazing how much he throws himself in each of the characters he plays making them real.

I remember, many years ago, we had a party in our house - the friends came over, we were sitting around the table, eating, drinking the wine, talking, laughing - having a good time. The TV was on - there was a movie which we did not pay much attention to. Then, suddenly, all of us stopped talking and laughing. The glasses did not clink, the forks did not move, the food was getting cold on the plates. We could not take our eyes off the screen where the young crippled man whose entire body was against him and who only had a control over his left foot, picked up a piece of chalk with his foot and for what seemed the eternity tried to write just one word on the floor. When he finished writing that one word, we all knew that we had witnessed not one but three triumphs - the triumph of a human will and spirit, the triumph of the cinema which was able to capture the moment like this on the film, and the triumph of an actor who did not act but who became his character.

Jim Sheridan's "My Left Foot" is an riveting, unsentimental bio-drama about Christy Brown, the man who was born with cerebral palsy in a Dublin slum; who became an artist and a writer and who found a love of his life.

I like every one of Day Lewis's performances (I have mixed feelings about his performance in GONY) but I believe that his greatest role was Christy Brown in "My Left Foot"
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:
A film without conscience. Drifter agrees to kill a man for a mobster for money. Then they double cross him. Meanwhile he falls in love with the dead man's wife, and, without her knowing he's the killer, moves in with her. Then he "accidentally" kills her when she finds out. Then, in a WALKING TALL kind of heroism, he gets revenge on the mobsters who double crossed him. The first problem is that, by agreeing to take on the murder by hire assignment, the drifter loses all sense of sympathy, worthiness, and heroism. We can't accept any goodness in him and as a result the rest of the has no moral center. We just can't care about that kind of guy. And the wife (nicely played by the fetching Kari Wuhrer - the sheriff in EIGHT LEGGED FREAKS), a high class lady who runs a mission for homeless people, similarly loses a degree of sympathy by jumping right into bed with the homeless drifter (despite her evidently weakened state after the death of her husband). And, when she finds out he's the guy what does she do? She locks him inside her house (as if ALL houses had locks you can't open from INSIDE) with her and proceeds to berate him. Stoo-pid. George Wendt, however, is terrific in a role as a beefy thug. Director Stuart Gordon did so much better with RE-ANIMATOR and DAGON.