Problem: Background: Departures (Japanese: okuribito, Hepburn: Okuribito, "one who sends off") is a 2008 Japanese drama film directed by Yojiro Takita and starring Masahiro Motoki, Ryoko Hirosue, and Tsutomu Yamazaki. Loosely based on Coffinman, a memoir by Shinmon Aoki, the film follows a young man who returns to his hometown after a failed career as a cellist and stumbles across work as a nokanshi--a traditional Japanese ritual mortician. He is subjected to prejudice from those around him, including from his wife, because of strong social taboos against people who deal with death. Eventually he earns their respect and learns the importance of interpersonal connections through the beauty and dignity of his work.
Context: Japanese funerals are highly ritualized affairs which are generally--though not always--conducted in accordance with Buddhist rites. In preparation for the funeral, the body is washed and the orifices are blocked with cotton or gauze. The encoffining ritual (called nokan), as depicted in Departures, is rarely performed, and even then only in rural areas. This ceremony is not standardized, but generally involves professional morticians (Na Guan Shi , nokanshi) ritually preparing the body, dressing the dead in white, and sometimes applying make-up. The body is then put on dry ice in a casket, along with personal possessions and items necessary for the trip to the afterlife. Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement). After coming into contact with the dead, individuals must cleanse themselves through purifying rituals. People who work closely with the dead, such as morticians, are thus considered unclean, and during the feudal era those whose work was related to death became burakumin (untouchables), forced to live in their own hamlets and discriminated against by wider society. Despite a cultural shift since the Meiji Restoration of 1868, the stigma of death still has considerable force within Japanese society, and discrimination against the untouchables has continued. Until 1972, most deaths were dealt with by families, funeral homes, or nokanshi. As of 2014, about 80% of deaths occur in hospitals, and preparation of the bodies is frequently done by hospital staff; in such cases, the family often does not see the body until the funeral. A 1998 survey found that 29.5% of the Japanese population believed in an afterlife, and a further 40% wanted to believe; belief was highest among the young. Belief in the existence of a soul (54%) and a connection between the worlds of the living and the dead (64.9%) was likewise common.
Question: Are there any other interesting aspects about this article?
Answer: Despite the importance of death rituals, in traditional Japanese culture the subject is considered unclean as everything related to death is thought to be a source of kegare (defilement).

Problem: Background: Raven was born in Lorenskog, Norway; her father is a teacher. She has an older brother and two younger sisters. Her surname is of Norse origin, with Ravn meaning Raven, which she adopted as her stage name Marion Raven as well as her trademark raven logo. Raven enjoyed singing from a young age, sometimes writing lyrics for the songs she sang.
Context: In 1995, Raven's father arranged for her to make a demo in a studio in Oslo, together with her childhood friend, Marit Larsen. The duo got a record deal with EMI Norway and formed M2M. A year later, they produced children album titled, "Marit og Marion synger kjente barnesanger" which means "Marit and Marion Sing Well-Known Children Songs". M2M was nominated for the Norwegian Grammy, Spellemannprisen, the following year. In 1998, M2M started recording pop demos in English and struck a record deal with Atlantic Records. The two collaborated with many songwriters from around the world and produced their multi-platinum debut album, Shades of Purple, that was released in 2000, with the lead single, "Don't Say You Love Me" featuring on the soundtrack of Pokemon: The First Movie. The song was co-produced by Jimmy Bralower and Peter Zizzo (Celine Dion), and mixed by Tom Lord-Alge. It peaked on the Billboard Hot 100 at No. 21, selling 39,000 units in a week, according to SoundScan. Their second album, The Big Room, which was recorded in a studio in Bearsville in Woodstock, New York, was released in 2002. After world tours to promote The Big Room ended, M2M joined Jewel on her world tour as an opening act. M2M later disbanded in September 2002. Raven was offered a recording contract with Atlantic Records, though the offer was later revoked. She co-wrote "Pointless Relationship" that was the lead single of Australian singer, Tammin Sursok's debut album, 'Whatever Will Be'. She also collaborated on the track "That Day", a song released by Norwegian pop singer, Maria Arredondo, from Arredondo's 2004 follow-up album Not Going Under, and co-wrote the song "Disconnected", a song included on Lindsay Lohan's debut album "Speak" in 2004.
Question: What albums did the group release?
Answer:
Shades of Purple,