In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
--------
Question: Passage: Bryant identified "Son of Three" as an example of "when the Breeders set out to rock", noting "the chugging guitars and stomping drums." The Breeders re-recorded "Son of Three" in July 2002 for its release as Title TK's third single; this version is faster than the album track, and reflects the speed they were playing the song in concert that year. The lyrics of both "Son of Three" and "The She" suggest extended road trips with unknown outcomes. The album's next song, "Put on a Side", has a distinctive bassline and a cramped, repressive feel. Berger wrote that Kim Deal's "voice grinds sweetly, weariedly, sloppily inside your brain," as she repeats twelve words over the course of the song: "Better I better I stayed up / Better mono, put on a side."An earlier version of "Full on Idle", Title TK's eighth track, was released on the Amps' Pacer in 1995. In a 1997 interview, Deal expressed an interest in redoing multiple Amps songs, partially because she did not feel Pacer was well recorded. Bryant opined that both versions of "Full on Idle" sound almost the same, but The Village Voice's Jessica Grose wrote that the Breeders' rendition is noticeably slower. In Cibula's view, this version contains elements of country music, cumbia, and ska. The Guardian's Betty Clarke cited the line "Obey your colorist, bleach it all away" as an example of Title TK's amusing, off-center lyrics. On "Sinister Foxx", Deal repeatedly sings "Has anyone seen the iguana?" She has explained this as being a reference to buying marijuana: "Have you ever bought a bag of weed? You walk in, and the pot dealer's got an empty terrarium ... Every time I go to a pot dealer's house, there's no iguana." Another line, "I'm in beer class every Thursday night", refers to the alcohol awareness classes that Richard Presley attended after being caught driving while drunk. Phares described the song as having a "sexy menace", and Berger compared the drum part to gunshots and door-knocking.Moores identified in "Forced to Drive" the "quiet-LOUD-quiet" dynamic for which Deal's former band, the Pixies, are famous. Berger noticed a similar contrast between the song's "pop verses" and "the gloom of a twisty, malignant chorus". For Abbott, this four-chord chorus "approaches exuberance" in its mixture of catchy melody and grunge. The penultimate track, "T and T", was described by Bryant as an instrumental introduction leading into "Huffer". Kelley Deal has stated that these two songs share a thematic union: the latter is about the negative side of inhaling paint or other substances, while the former stands for "Toil and Trouble", also about the hardships that inhaling chemicals can cause. "Huffer" is, according to Moores, a lively, poppy track, and critics have commented on its "da-da-da" and "ah-ah" chorus.
Question: What was the name of the song that had a reference to buying marijuana in it?

Answer: Sinister Foxx.

Question: Passage: Monteverdi was an established court composer in the service of Duke Vincenzo Gonzaga in Mantua when he wrote his first operas, L'Orfeo and L'Arianna, in the years 160608. After falling out with Vincenzo's successor, Duke Francesco Gonzaga, Monteverdi moved to Venice in 1613 and became director of music at St Mark's Basilica, a position he held for the rest of his life. Alongside his steady output of madrigals and church music, Monteverdi continued to compose works for the stage, though not actual operas. He wrote several ballets and, for the Venice carnival of 162425, Il combattimento di Tancredi e Clorinda ("The Battle of Tancred and Clorinda"), a hybrid work with some characteristics of ballet, opera and oratorio.
In 1637 fully-fledged opera came to Venice with the opening of the Teatro San Cassiano. Sponsored by the wealthy Tron family, this theatre was the first in the world specifically devoted to opera. The theatre's inaugural performance, on 6 March 1637, was L'Andromeda by Francesco Manelli and Benedetto Ferrari. This work was received with great enthusiasm, as was the same pair's La Maga fulminata the following year. In rapid succession three more opera houses opened in the city, as the ruling families of the Republic sought to express their wealth and status by investing in the new musical fashion. At first, Monteverdi remained aloof from these activities, perhaps on account of his age (he was over 70), or perhaps through the dignity of his office as maestro di capella at St. Mark's. Nevertheless, an unidentified contemporary, commenting on Monteverdi's silence, opined that the maestro might yet produce an opera for Venice: "God willing, one of these nights he too will step onto the stage." This remark proved prescient; Monteverdi's first public contribution to Venetian opera came in the 163940 carnival season, a revival of his L'Arianna at the Teatro San Moise.L'Arianna was followed in rapid succession by three brand new Monteverdi operas, of which Il ritorno was the first. The second, Le nozze d' Enea in Lavinia ("The Marriage of Aeneas to Lavinia"), was performed during the 164041 carnival; Monteverdi's music is lost, but a copy of the libretto, of unknown authorship, survives. The last of the three, written for the 164243 carnival, was L'incoronazione di Poppea ("The Coronation of Poppea"), performed shortly before the composer's death in 1643.
Question: Where did Monteverdi perform his first opera?

Answer: Teatro San Moise.

Question: Passage: In November of 1948, Bob Corey is an American soldier badly wounded at the end of World War II, and undergoing a number of surgical operations on his spine at the Birmingham Veterans Hospital in Van Nuys, California. He is tended by a nurse, Julie Benson, and they have fallen in love. Corey's military pal, Steve Connolly, arrives in early November to discuss plans for the ranch in Scottsdale, Arizona, they plan to purchase and operate together once Corey is out of the hospital. The two men pool their G.I. benefits (totaling $40,000) to do so. Corey's final surgery is in mid-December, but Connolly does not appear at the hospital afterward to see his friend. By Christmas, Corey is still in recovery but Connolly still remains absent. One night, as Corey lies semi-conscious in bed after being administered a sleeping drug, a woman with a Swedish accent appears at his bedside. She says Connolly has been in a horrible accident; his spine is shattered and he wants to die, but she has refused to help him commit suicide. The woman asks Corey what to do, and he advises her to do nothing to harm Steve, and just to wait. Corey slips into unconsciousness, and the woman disappears.
After New Year's Day, Corey is released from the hospital. He is immediately stopped by police detectives and then questioned by Captain Garcia of the Los Angeles Police, who tells him that Connolly is wanted for the murder of Solly Blayne, a local high-stakes gambler and racketeer murdered at his home in Los Feliz. Corey denies that Connolly would be mixed up in anything criminal.
Question: What is the full name of the person that had a Swedish lady at his bedside?

Answer:
Bob Corey.