Some context: Sepultura (Portuguese pronunciation: [se.puw.'tu.ra], "grave") is a Brazilian heavy metal band from Belo Horizonte, Brazil. Formed in 1984 by brothers Max and Igor Cavalera, the band was a major force in the thrash metal and groove metal genres during the late 1980s and early 1990s, with their later experiments drawing influence from alternative metal, world music, nu metal, hardcore punk and industrial metal. Sepultura has had several changes in its lineup since its formation, with Max and Igor Cavalera departing in 1996 and 2006, respectively. Sepultura's current lineup consists of vocalist Derrick Green, guitarist Andreas Kisser, bassist Paulo Jr. and drummer Eloy Casagrande.
In early 1987, Jairo Guedes quit the band. Guedes was replaced by Sao Paulo-based guitarist Andreas Kisser, and they released their second studio album, Schizophrenia, in 1987. The album reflected a stylistic change towards a more thrash metal-oriented sound, while still keeping the death metal elements of Morbid Visions. Schizophrenia was an improvement in production and performance, and became a minor critical sensation across Europe and America as a much sought-after import. The band sent tapes to North America(USA) that made radio playlists at a time when they were struggling to book gigs because club owners were afraid to book them due to their style. The band gained attention from Roadrunner Records who signed them and released Schizophrenia internationally before seeing the band perform in person. The band's third studio album, Beneath the Remains, was released in 1989. The album was recorded in a rustic studio in Rio de Janeiro while the band communicated through translators with the American producer Scott Burns. It was an immediate success and became known in thrash metal circles as a classic on the order of Slayer's Reign in Blood. It is hailed by Terrorizer magazine as one of the all-time top 20 thrash metal albums, as well as a gaining a place in their all-time top 40 death metal records. AllMusic gave the album 4.5 stars out of 5 and said, "The complete absence of filler here makes this one of the most essential death/thrash metal albums of all time." A long European and American tour furthered the band's reputation, despite the fact that they were still very limited English speakers. Their first US show was held on October 31, 1989 at the Ritz in New York City, opening for Danish heavy metal band King Diamond. The band filmed its first video for the single "Inner Self". In January 1991, Sepultura played for more than 100,000 people at the Rock in Rio II festival. The band relocated from their native Brazil to Phoenix, Arizona in 1990, obtained new management, and recorded the album Arise at Morrisound Studios in Tampa, Florida. By the time the album was released in March 1991, the band had become one of the most critically praised thrash/death metal bands of the time. The first single "Dead Embryonic Cells" was a success, and the title track gained additional attention when its video was banned by MTV America due to its apocalyptic religious imagery. The album was critically acclaimed and their first to chart on the Billboard 200, reaching No. 119. Max Cavalera married the band's manager Gloria Bujnowski during this period. In 1992, Sepultura was part of two major tours: Helmet/Ministry and Alice in Chains/Ozzy Osbourne.
Where there any other members of the band?
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Some context: Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
Lucy Stone was born on August 13, 1818, on her family's farm at Coy's Hill in West Brookfield, Massachusetts. She was the eighth of nine children born to Hannah Matthews and Francis Stone; she grew up with three brothers and three sisters, two siblings having died before her own birth. Another member of the Stone household was Sarah Barr, "Aunt Sally" to the children- a sister of Francis Stone who had been abandoned by her husband and left dependent upon her brother. Although farm life was hard work for all and Francis Stone tightly managed the family resources, Lucy remembered her childhood as one of "opulence," the farm producing all the food the family wanted and enough extra to trade for the few store-bought goods they needed. Although Stone recalled that "There was only one will in our family, and that was my father's," she described the family government characteristic of her day. Hannah Stone earned a modest income through selling eggs and cheese but was denied any control over that money, sometimes denied money to purchase things Francis considered trivial. Believing she had a right to her own earnings, Hannah sometimes stole coins from his purse or secretly sold a cheese. As a child, Lucy resented instances of what she saw as her father's unfair management of the family's money. But she later came to realize that custom was to blame, and the injustice only demonstrated "the necessity of making custom right, if it must rule." From the examples of her mother, Aunt Sally, and a neighbor neglected by her husband and left destitute, Stone early learned that women were at the mercy of their husbands' good will. When she came across the biblical passage, "and thy desire shall be to thy husband, and he shall rule over thee," she was distraught over what appeared to be divine sanction of women's subjugation, but then reasoned that the injunction applied only to wives. Resolving to "call no man my master," she determined to keep control over her own life by never marrying, obtaining the highest education she could, and earning her own livelihood. Kerr writes "Stone's personality was striking: her unquestioning willingness to take responsibility for other peoples actions; her "workaholic" habits; her self doubt; her desire for control."
Why didn't she want a husband
A:
she was distraught over what appeared to be divine sanction of women's subjugation, but then reasoned that the injunction applied only to wives.