In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: We saw this at one of the local art movie theaters in the Montrose area of Houston, TX. It was a total surprise compared to the write-up in the theater's newsletter but we were both blown away by the artistry. It was beautifully done and (apparently) photographed in a schloss (German name for chateau) somewhere in the Munich area. It is a very explicit exploration of the sexual relationships of a group of twentyish men and women isolated from the day-to-day constraints. It is fantastic on more levels than I can remember. We came home after the movie and talked and talked until about 4 am the next morning.The version we saw was in English (mostly) so there must be at least two versions since the first reviewer saw the movie in (probably its original) German version. I searched and searched for a video tape version but never came up with anything. Would absolutely love to have a VHS or DVD version of this. It explores relationships at a fundamental level and is also a great tutorial on how to relate to your partner. If anyone knows the writer/director, please convince him to release again, preferably on DVD these days. I cannot even imagine getting tired of watching the candid performance of the actors who are now probably all in their forties. Please, please bring it back. Question: is it a positive review?
[EX A]: yes

[EX Q]: Review: Anyone who knows me even remotely can tell you that I love bad movies almost as much as I love great ones, and I can honestly say that I have finally seen one of the all-time legendary bad movies: the almost indescribable mess that is MYRA BRECKINRIDGE. An adaptation of Gore Vidal's best-selling book (he later disowned this film version), the star-studded MYRA BRECKINRIDGE is truly a movie so bad that it remains bizarrely entertaining from beginning to end. The X-rated movie about sex change operations and Hollywood was an absolute catastrophe at the box office and was literally booed off the screen by both critics and audiences at the time of it's release. Not surprisingly, the film went on to gain a near-legendary cult status among lovers of bad cinema, and I was actually quite excited to finally see for the first time.Director Michael Sarne (who only had two other previous directing credits to his name at the time), took a lot of flack for the finished film, and, in honesty, it really does not look like he had a clue about what he was trying to achieve. The film is often incoherent, with entire sequences edited together in such a half-hazzard manner that many scenes become nearly incomprehensible. Also irritating is the gimmick of using archival footage from the Fox film vaults and splicing it into the picture at regular intervals. This means that there is archival footage of past film stars such as Judy Garland and Shirley Temple laced into newly-film scenes of often lewd sexual acts, and the process just doesn't work as intended (this also caused a minor uproar, as actors such as Temple and Loretta Young sued the studio for using their image without permission).Perhaps Sarne is not the only one to blame, however, as the film's screenplay and casting will also make many viewers shake their heads in disbelief. For instance, this film will ask you to believe that the scrawny film critic Rex Reed (in his first and last major film role) could have a sex change operation and emerge as the gorgeous sex goddess Raquel Welch?! The film becomes further hard to follow when Welch as Myra attempts to take over a film school from her sleazy uncle (played by legendary film director John Huston), seduce a nubile female film student (Farrah Fawcett), and teach the school's resident bad boy (Roger Herren) a lesson by raping him with a strap-on dildo. Did everyone follow that? And it gets even better (or worse, depending upon your perspective)! I have yet to mention the film's top-billed star: the legendary screen sex symbol of the nineteen-thirties, Mae West! Ms. West was 77 year old when she appeared in this film (she had been retired for 26 years), and apparently she still considered herself to be a formidable sex symbol as she plays an upscale talent agent who has hunky men (including a young Tom Selleck) throwing themselves at her. As if this weren't bad enough, the tone-deaf West actually performs two newly-written songs about halfway through the film, and I think that I might have endured permanent brain damage from listening to them! Naturally, none of this even closely resembles anything that any person of reasonable taste would describe as "good," but I would give MYRA BRECKINRIDGE a 4 out of 10 because it was always morbidly entertaining even when I had no idea what in the hell was supposed to be going on. Also, most of the cast tries really hard. Raquel, in particular, appears so hell-bent in turning her poorly-written part into something meaningful that she single-handedly succeeds in making the movie worth watching. If she had only been working with a decent screenplay and capable director then she might have finally received some respect form critics.The rest of the cast is also fine. The endearingly over-the-top John Huston (who really should have been directing the picture) has some funny moments, Rex Reed isn't bad for a non-actor, and Farrah Fawcett is pleasantly fresh-faced and likable. Roger Herren is also fine, but he never appeared in another movie again after this (I guess he just couldn't live down being the guy who was rapped by Raquel Welch). And as anyone could guess from the description above, Mae West was totally out of her mind when she agreed to do this movie - but that's part of what makes it fun for those of us who love bad cinema. Question: is it a positive review?
[EX A]: no

[EX Q]: Review: What an insult to Olivia D'Abo who plays the film's heroine, Robin, to have Keanu Reeves appear so large on the box art of the film (and at least on recent reissues, to have only Reeves appear on the box), considering that she was the star. I realize that it is his name that will ultimately sell this long-forgotten After School Special, but at least give the woman some credit. Despite that, this has to be one of the worst teen sports-themed films that I have ever seen, and it strives very hard to add not only every teen and sports movie cliche from the class warfare between the feuding gymnasts to the teen romance. And, in striving to somehow deliver itself as an amateur alternative of Flashdance (with the music in one of the warehouse dance scenes is even quite close to Michael Sembello's notable 'Maniac' which was made famous by Flashdance, or was it the other way around?). It includes similar dance sequences and worse yet, even the 80s dance and sports traditions of corny dance-offs between the heroine and her antagonist(s), the one who doubts her successes and abilities on the team. We saw this in Trashin' (a vert ramp joust) and Rad (BMX dancing at the prom, although it wasn't much for competition, but rather for fun) for example. In fact, this movie is chock full of unrealistic corniness, such as the somewhat homo-erotic rolling in the clothes at the Salvation Army with Robin and her friend from the team.Nonetheless, the film is about a young girl who comes from a rather poor background. To top it off in a massive need to squeeze from audiences as much sympathy as possible, she lives with her ailing mother, her obnoxious sister, and her careless (and slightly abusive) stepfather. Needless to say, homelife is not so appealing. Add to the mix, a talent for gymnastics, but several obstacles to joining the team (including the nuisance of her arrogant, snobby teammates, and a coach who also eventually doubts her abilities to compete well). And, of course, we can't forget that she's got eyes for one of the pretty boy preppies who is dating one of the obnoxious teammates, nor that she doesn't have a steady boyfriend (although Keanu as Tommy later enters the picture). Could this kid be any more pathetic? And it seems that one mess after another comes along to embarrass herself in her painfully long, redundant, and cliched quest to prove her worth to everyone.But, even the major moments of cheesiness which comprise most of the film, are hardly worth mentioning considering that the biggest distraction to this film is the horrible acting and dialog. (I like how the gym coach suddenly appears at the diner in the middle of the dance-off to scold the teammates). It makes episodes of 'Amazing Stories' look like Shakespeare.I imagine anyone able to locate this film and watch it these days is probably drawn to it mostly because of the nostalgic factor. For that you might be satisfied, but it is also an incredibly forced drama. So, Caveat Emptour. Question: is it a positive review?
[EX A]:
no