Q: What is the answer for the question: What is the last name of the person who was dismissed from his post? from the following article ? (English: "The Marriage of Thetis") After Duke Vincenzo's death in February 1612, Monteverdi found himself out of favour at the Mantuan court. Vincenzo's successor Francesco had no high regard for Monteverdi, and dismissed him from his post. Upon Francesco's sudden death in December 1612, the dukedom passed to his brother Ferdinando, but Monteverdi was not recalled to the court and was appointed maestro di capella in August 1613 at St Mark's, Venice. However, he remained in contact with Striggio and other highly placed Gonzaga courtiers, through whom he was able to secure occasional commissions to compose theatrical works for the Gonzaga court. Thus, late in 1616, Striggio asked him to set to music Scipione Agnelli's libretto Le nozze di Tetide, as part of the celebrations for Duke Ferdinando's forthcoming marriage to Catherine de' Medici. This story, based on the wedding of the mythical Greek hero Peleus to the sea-goddess Thetis, had previously been offered to the Mantuan court by Peri, whose setting of a libretto by Francesco Cini had been rejected in 1608 in favour of L'Arianna.Initially, Monteverdi had little enthusiasm for Le nozze di Tetide, and sought ways of avoiding or delaying work on it. He would accept the commission, he informed Striggio on 9 December 1616, because it was the wish of the duke, his feudal lord. However, the verses he was given were not, he felt, conducive to beautiful music. He found the tale difficult to understand, and did not think he could be inspired by it. In any event he was occupied for most of December in writing a Christmas Eve mass for St Mark's. On 29 December, perhaps hoping that the commission would be withdrawn, Monteverdi told Striggio that he was ready to begin work on Le Nozze di Tetide "if you tell me to do so". In January 1617, however, he became more enthusiastic on learning that the project had been scaled down and was now being projected as a series of intermedi. He informed Striggio that what he had first considered a rather monotonous piece he now thought...
A: Monteverdi

Q: What is the answer for the question: Who marries the man that gets severely injured? from the following article ? Lawrence Hammer and Dean Mazzoli are two Naval Officers undergoing the rigorous and demanding Navy BUD/s training program. Both men quest to become Navy SEALs. During the training Hammer is shown as cocky and not a true team player. Mazzoli is a natural leader who is respected by the other trainees. The two men clash over time due to Hammer's attitude making a bad name for everyone. The two men's feud eventually is seen by the training instructs and after being punished in a "military manner" the two become friends. On liberty Mazzoli takes an interest in Barbara, a known love interest and friend of Hammer's. Barbara and Mazzoli share a romantic moment under a capsized canoe but Mazzoli breaks away before anything further happens knowing that his friend Hammer has been "with" her for a while. Later that night Hammer and Barbara elope and Mazzoli is shocked but accepts the marriage. The two finish their BUD/s training and Mazzoli informs Hammer that he is completing his SDV training on the East Coast, not the West Coast as Hammer will be doing. A brief confrontation between the two occurs on the beach and subsides when Mazzoli says it is because of Barbara. Soon Iraq invades Kuwait and Hammer is seen on a reconnaissance mission with Bosco, who was Mazzoli's and Hammer's former lead training instructor. After coming under enemy fire Bosco is taken prisoner. Hammer and Mazzoli reunite when Mazzoli comes to aid in the rescue mission of Bosco. While preparing for the mission the two catch up, with Hammer talking about how Barbara and her son Josh both miss seeing him. He further goes on and tells of his infidelities and about Barbara knowing about his unfaithfulness. Hammer and Mazzoli successfully rescue Bosco but Hammer is severely injured during the mission.
A: Barbara

Q: What is the answer for the question: What is the name of the person among whose shortest masses is the relatively early Missa Ave maris stella? from the following article ? The paraphrase technique differs from the cantus-firmus technique in that the source material, though it still consists of a monophonic original, is embellished, often with ornaments. As in the cantus-firmus technique, the source tune may appear in many voices of the mass. Several of Josquin's masses feature the paraphrase technique, and they include some of his most famous work including the great Missa Gaudeamus. The relatively early Missa Ave maris stella, which probably dates from his years in the Sistine Chapel choir, paraphrases the Marian antiphon of the same name; it is also one of his shortest masses. The late Missa de Beata Virgine paraphrases plainchants in praise of the Virgin Mary; it is a Lady Mass, a votive mass for Saturday performance, and was his most popular mass in the 16th century.By far the most famous of Josquin's masses using the technique, and one of the most famous mass settings of the entire era, was the Missa pange lingua, based on the hymn by Thomas Aquinas for the Vespers of Corpus Christi. It was probably the last mass that Josquin composed. This mass is an extended fantasia on the tune, using the melody in all voices and in all parts of the mass, in elaborate and ever-changing polyphony. One of the high points of the mass is the et incarnatus est section of the Credo, where the texture becomes homophonic, and the tune appears in the topmost voice; here the portion which would normally set "Sing, O my tongue, of the mystery of the divine body" is instead given the words "And he became incarnate by the Holy Ghost from the Virgin Mary, and was made man."
A:
Josquin