Input: Read this: Despite occasional theoretical diversity, the actual practice of translation has hardly changed since antiquity. Except for some extreme metaphrasers in the early Christian period and the Middle Ages, and adapters in various periods (especially pre-Classical Rome, and the 18th century), translators have generally shown prudent flexibility in seeking equivalents "literal" where possible, paraphrastic where necessary for the original meaning and other crucial "values" (e.g., style, verse form, concordance with musical accompaniment or, in films, with speech articulatory movements) as determined from context.
Question: What kind of segregation has the practice of translation had?

Output: unanswerable

Input: Read this: Adjacent to the palace is the Royal Mews, also designed by Nash, where the royal carriages, including the Gold State Coach, are housed. This rococo gilt coach, designed by Sir William Chambers in 1760, has painted panels by G. B. Cipriani. It was first used for the State Opening of Parliament by George III in 1762 and has been used by the monarch for every coronation since George IV. It was last used for the Golden Jubilee of Elizabeth II. Also housed in the mews are the coach horses used at royal ceremonial processions.
Question: In what year was the Gold State Coach first used?

Output: 1762

Input: Read this: In 2010 there was an attempt to register a 51st State Party with the New Zealand Electoral Commission. The party advocates New Zealand becoming the 51st state of the United States of America. The party's secretary is Paulus Telfer, a former Christchurch mayoral candidate. On February 5, 2010, the party applied to register a logo with the Electoral Commission. The logo a US flag with 51 stars was rejected by the Electoral Commission on the grounds that it was likely to cause confusion or mislead electors. As of 2014[update], the party remains unregistered and cannot appear on a ballot.
Question: What is the logo of the Electoral Commission Party?

Output: unanswerable

Input: Read this: Birds have featured in culture and art since prehistoric times, when they were represented in early cave paintings. Some birds have been perceived as monsters, including the mythological Roc and the Maori's legendary Pouakai, a giant bird capable of snatching humans. Birds were later used as symbols of power, as in the magnificent Peacock Throne of the Mughal and Persian emperors. With the advent of scientific interest in birds, many paintings of birds were commissioned for books. Among the most famous of these bird artists was John James Audubon, whose paintings of North American birds were a great commercial success in Europe and who later lent his name to the National Audubon Society. Birds are also important figures in poetry; for example, Homer incorporated nightingales into his Odyssey, and Catullus used a sparrow as an erotic symbol in his Catullus 2. The relationship between an albatross and a sailor is the central theme of Samuel Taylor Coleridge's The Rime of the Ancient Mariner, which led to the use of the term as a metaphor for a 'burden'. Other English metaphors derive from birds; vulture funds and vulture investors, for instance, take their name from the scavenging vulture.
Question: John James Audubon later lent his name to which group?

Output:
National Audubon Society