Question: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964. While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes. In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death. In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape. During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.

Using a quote from the above article, answer the following question: Where did she start her career?
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Answer: While in grad school, Chicago's created a series that was abstract,

Problem: Alice in Chains is an American rock band formed in Seattle, Washington, in 1987 by guitarist/vocalist Jerry Cantrell and drummer Sean Kinney, who then recruited bassist Mike Starr and lead vocalist Layne Staley. Mike Starr was replaced in 1993 by Mike Inez. The band took its name from Staley's previous group, the glam metal band Alice N' Chains. Although widely associated with grunge music, the band's sound incorporates heavy metal elements.

In March 1992, the band returned to the studio. With new songs written primarily on the road, the material has an overall darker feel than Facelift, with six of the album's thirteen songs dealing with the subject of addiction. "We did a lot of soul searching on this album. There's a lot of intense feelings." Cantrell said, "We deal with our daily demons through music. All of the poison that builds up during the day we cleanse when we play". On September 29, 1992, Alice in Chains released its second album, Dirt. The album peaked at number six on the Billboard 200 and since its release has been certified quadruple platinum by the RIAA, making Dirt the band's highest selling album to date. The album was a critical success, with Steve Huey of Allmusic praising the album as a "major artistic statement, and the closest they ever came to recording a flat-out masterpiece". Chris Gill of Guitar World called Dirt "huge and foreboding, yet eerie and intimate", and "sublimely dark and brutally honest". Dirt spawned five top 30 singles, "Would?", "Rooster", "Them Bones", "Angry Chair", and "Down in a Hole", and remained on the charts for nearly two years. Alice in Chains was added as openers to Ozzy Osbourne's No More Tours tour. Days before the tour began, Layne Staley broke his foot in an ATV accident, forcing him to use crutches on stage. Starr left the band shortly after the Hollywood Rock concert in Rio de Janeiro in January 1993, stating that he wanted to spend more time with his family. Staley told Rolling Stone in 1994 about Starr leaving the band, "It was just a difference in priorities. We wanted to continue intense touring and press. Mike was ready to go home." Years later, Starr claimed that he was fired due to his drug addiction. Starr was replaced by former Ozzy Osbourne bassist Mike Inez. In 1993, the band recorded two songs with Inez, "What the Hell Have I" and "A Little Bitter", for the Last Action Hero soundtrack. During the summer of 1993, Alice in Chains toured with the alternative music festival Lollapalooza, their last major tour with Staley.

Did it reach bill board charts>?

Answer with quotes:
The album peaked at number six on the Billboard 200