In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.

Q: Passage: Living in Manhattan, Tom is a cook who has difficulty keeping a steady job. His wife, Sofia, is an attorney. When their first child is born, they agree that she will be a full-time mom and he will work hard to get a promotion. When Tom gets fired after defending his friend Paco, he takes a job in Ohio working at the ad agency where his father-in-law is the assistant director. Tom is assigned to report to Chip. Chip is a strict and hard-working paraplegic man who is coincidentally Sofia's ex-boyfriend from high school. Chip still carries an obsession with her, so he conspires to make Tom's work life miserable. As Tom's frustrations mount, Chip begins to sway Sofia to his side.
Tom begins to suspect that Chip isn't handicapped at all and goes through his desk. He finds a photo of Chip playing tennis and rushes to his in-laws' house to see his wife and show her the picture. He finds Chip having dinner with Sofia and her parents and holding Tom's child. Tom mercilessly tries to prove that Chip isn't actually paralyzed by dragging him up a flight of stairs and then throws him, expecting him to stand up to prevent falling. Chip doesn't stand up and Tom is humiliated in front of his family. Later, he confronts Chip outside his house and attacks him, where Chip reveals that he really can walk, but can't fight outside of his chair. After sitting back down, Chip beats him severely and reveals that he plans to sleep with Sofia, much to Tom's already-increased rage.
Question: Who's wife did the paraplegic man date in high school?

A: Tom.
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Q: Passage: Richard "Dick" Purcell, a taxi driver, aspires to achieve his dream of becoming a singer. After a couple of theatre critics discover him while riding in his cab, one of them recommends him to a radio producer. The producer's secretary, Alice Hughes, hears him sing and falls in love with him. She sets up an audition for Dick to sing for the sponsor, Mrs. Flaggenheim. He's late for his audition and blows his big chance.
Convinced she must go to Italy to find a good enough singer, with enough "romance" to represent her fine cheese products, Mrs. Flaggenheim takes Alice with her to find one in Venice. Dick watches as Alice boards the ship and manages to get on board and work for his passage to Italy. When in Venice, he looks up his friend and mentor from New York City, professor de Vinci, who had gone ahead to use his old connections to help Dick's singing career. They manage to score a couple of jobs as gondoliers for an upcoming event.
Dick uses the opportunity to showcase his voice. Mrs. Flaggenheim hears him and wants to sign him to a contract immediately, thinking he's an authentic Italian named "Ricardo Purcelli". Alice recognizes him, but they continue to hide his true identity and they all go back to New York, where he quickly becomes a radio sensation. Alice's jilted boyfriend finds out Ricardo Purcelli is actually just Dick and gives him an ultimatum. Dick must decide if he wants to continue masquerading as Ricardo and finally attain the fame and fortune he'd always dreamed of....or give it all up for Alice, the one he loves.
Question: In order to be with the radio producer's secretary, who must he stop pretending to be?

A: Ricardo Purcelli.
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Q: Passage: The Oceanides (Finnish title: Aallottaret, translated to English as Nymphs of the Waves or Spirits of the Waves; original working title Rondeau der Wellen; in English, Rondo of the Waves), Op. 73, is a single-movement tone poem for orchestra written in 191314 by the Finnish composer Jean Sibelius. The piece, which refers to the nymphs in Greek mythology who inhabited the Mediterranean Sea, premiered on 4 June 1914 at the Norfolk Music Festival in Connecticut with Sibelius conducting. Praised upon its premiere as "the finest evocation of the sea ... ever ... produced in music", the tone poem, in D major, consists of two subjects, said to represent the playful activity of the nymphs and the majesty of the ocean, respectively. Sibelius gradually develops this material over three informal stages: first, a placid ocean; second, a gathering storm; and third, a thunderous wave-crash climax. As the tempest subsides, a final chord sounds, symbolizing the mighty power and limitless expanse of the sea.
Stylistically, many commentators have described The Oceanides as either an outright example of Impressionism or somehow derivative of that art movement. Others have countered that Sibelius's active development of the two subjects, his sparing use of scales favored by Impressionists, and his prioritization of action and structure over ephemeral, atmospheric background distinguish the piece from quintessential examples, such as Debussy's La mer.
Aside from the definitive D major tone poem, two intermediate versions of The Oceanides survive: the first, a three-movement orchestral suite, in E major, that dates to 1913 (movement No. 1 lost); and the second, the initial single-movement "Yale" version of the tone poem, in D major, which Sibelius dispatched to America in advance of his journey but revised prior to the music festival. The Oceanides thus stands alongside En saga, the Lemminkainen Suite, the Violin Concerto, and the Fifth Symphony as one of Sibelius's most overhauled works. The suite and Yale version, never performed in the composer's lifetime, received their world premieres by Osmo Vanska and the Lahti Symphony Orchestra on 10 September and 24 October 2002, respectively. A typical performance of the final version lasts about 10 minutes, some 3 minutes longer than its Yale predecessor.
Question: What was the date of the premier of the suite version of The Oceanides?

A:
10 September.
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