Question: Read the following context and answer the question. Context: U.S. Attorney General Loretta Lynch visited Orlando, Florida, on Tuesday, nine days after what she called a "shattering attack" at a gay nightclub. Lynch told the city's devastated gay community, "We stand with you in the light." She also announced a $1 million emergency grant to help Florida law enforcement pay for overtime costs related to the shooting, and she met with prosecutors, first responders and victims of the worst mass shooting in modern U.S. history. Her visit comes as investigators continue to dig into the background of Omar Mateen, the gunman who killed 49 people and injured dozens more on June 12 at the Pulse nightclub. Lynch said it was a "cruel irony" that the lesbian, gay, bisexual and transgender community one defined almost entirely by love is so often a target of hate. She told the LGBTQ community, "We stand with you to say that the good in the world far outweighs the evil; that our common humanity transcends our differences; and that our most effective response to terror and hatred is compassion, unity and love." Also Tuesday, Orlando police reopened streets near the nightclub and wound down their investigation at the crime scene. A makeshift memorial that went up nearby shortly after the massacre was still standing Tuesday, with chalk messages on the sidewalk and utility poles. Among them are drawings of hearts, the message "God bless'' and the hashtag "#Orlandostrong.'' Lynch declined to answer questions about the investigation and whether authorities are looking to charge anyone else in connection with the case. She said investigators will "go back ... and see if there's anything we could have missed or anything we could have done better'' in terms of spotting Mateen as a threat. She said "people often act out of more than one motivation,'' adding that a motive may never be known. Mateen was shot and killed by police during the attack. Question: What is probably true about the shooter? Answer:
OPTIONS:
- He did not believe in using guns
- He was a kind person
- not enough information
- He did not like gay people
Answer: He did not like gay people

input with options: Read the following context and answer the question. Context: Kurt Vonnegut, writer and famous speech giver at US university graduation ceremonies, made this point to one group of soon-to-be-non-students: If this isn't nice, I don't know what is. It is the end of a story about his grandpa who, on a summer's afternoon, would find the shade of a tree under which he could rest with a glass of homemade lemonade. The family didn't have a lot of cash, the grandpa worked hard every day of his life, but no matter how relentless the day-to-day was, he would always repeat this phrase as a reminder to those around him that, at the end of the day, this is all still amazing to be part of. This kind of optimism, as you might call it, can often disappear in a flash in the busy-ness of business or school. Things become impossible, hardgoing, relentless(ly difficult). And the reasons we give for that busyness nearly always involve someone or something else - the system, the job, the weather... For many years, people would ask the salutary "how are you?" and my answer was a stock one: "I'm tired." It was my wife who pointed it out to me, presumably because everyone else was too polite to express their boredom with my reply. The fact is, most people feel tired most of the time, until they make a switch in their life. That switch is deciding that the only person who can turn that frown upside down, who can make crazy stuff happen (or attempt to, and enjoy the process), is you. And in Vonnegut's case, that switch came from saying out loud the one phrase that brings us back to the good elements in what we or our team or our family is doing at any given moment: If this isn't nice, I don't know what is. Question: Who does the author believe is responsible for changing his attitude? Answer:
OPTIONS:
- not enough information
- himself
- Kurt
- his wife
output: himself

Q: Read the following context and answer the question. Context: Bryan C. Keene and Alexandra Kaczenski of the Getty Museum's Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of "green spaces" such as gardens, vistas, and their relation to the divine. In particular, Bryan and Alexandra focus on the ways in which artists during the European Middle Ages and Renaissance embedded the pages of illuminated manuscripts with depictions of the natural world so that nature could guide prayer, chant, and meditation. For Bryan, this project represents a continuation of his interest in sacred gardens that began with his graduate work on the garden imagery that influenced Botticelli's Agony in the Garden painting. In 2013 he curated the exhibition and authored the accompanying book Gardens of the Renaissance. For Alexandra, interest in this subject stems from her scholarly focus on Flemish manuscripts and their relation to Flemish landscape paintings. She brought to the project a complementary interest in issues of environmental and landscape destruction, which also were themes of the exhibition and publication. Though floral and nature studies of the Renaissance and Early Modern periods have been extensively investigatedthe scientific notebooks of Leonardo da Vinci, for example, are well documentedthis exhibition turns its focus on landscape and the divine. Curatorial research has shed new light on subjects such as the seemingly "scattered" floral arrangements represented within the pages of these books and their relationship to humoral theory and religion. Bryan adds, "The tension that we find in these borders is, on the one hand, intricately rendered leaf and petal structures of plants or flowers, and on the other, hidden whimsical elements, all of which combine to create a rich tapestry of meaning, both symbolic and scientific. Alex and I will continue to explore the potential meaning within this botanical and arboreal chaos." Sacred... Question: How did Alexandra get interested in the artists of the European Middle Ages and Renaissance era? Answer:

OPTIONS:
- reading scientific notebooks of Leonardo da Vinci
- Her scholarly focus on Flemish manuscripts and their relation to landscape paintings
- not enough information
- through the depiction of the natural world

A:
Her scholarly focus on Flemish manuscripts and their relation to landscape paintings