Background: Jones was born in Toulminville, Alabama, on April 10, 1968. His father was a professional baseball player for the Philadelphia Phillies. He moved to Mauldin, South Carolina, when he was a teen and graduated from Mauldin High School in 1985. One of his early acting experiences involved playing a werewolf in a haunted house to help raise money for the junior/senior prom.
Context: After leaving MADtv, Jones expanded his cinema resume. He appeared in a bit part in his first big screen film, In Harm's Way (1991), Jones then joined Larry David in the feature Sour Grapes (1998), playing the character of an itinerant man. Subsequently, he appeared in Woo (1990), Mike Judge's Office Space (1999), alongside fellow MADtv alumnus David Herman, and in Barry Levinson's praised drama, Liberty Heights (1999). Since then, Jones has appeared in Magnolia (1999), New Jersey Turnpikes (1999) and in Harold Ramis' Bedazzled (2000). During the 2000s, Jones' career began to branch out. In addition to his witty appearances in the 7-Up campaigns, Jones played the role of Clifford Franklin in The Replacements (2000) and the horror film From Dusk till Dawn 3: The Hangman's Daughter (2003). In 2002, Jones landed the lead role of Daryl Chase in the action-dramedy Double Take (2001), alongside Eddie Griffin, and worked with Seann William Scott and Julianne Moore in Ivan Reitman's sci-fi comedy, Evolution (2001). Jones was also in the 2009 film Cirque du Freak: The Vampire's Assistant and he appeared as the computer Vox 114 in The Time Machine (2002). His other more recent films includes Biker Boyz (2003), Godzilla (2005), Runaway Jury (2003) and Primeval (2004). Jones appeared in an uncredited cameo and played in Grindhouse Planet Terror (2007 film). In 2011 Jones appeared in the documentary film Looking for Lenny in which he talks about Lenny Bruce and freedom of speech. In 2012, Jones starred in Mystery Guitar Man's original interactive thriller series Meridian created in conjunction with Fourth Wall Studios.
Question: Any more films?
Answer: His other more recent films includes Biker Boyz (2003), Godzilla (2005), Runaway Jury (2003) and Primeval (2004).

Background: Richard Hirschfeld Williams (May 7, 1929 - July 7, 2011) was an American left fielder, third baseman, manager, coach and front office consultant in Major League Baseball. Known especially as a hard-driving, sharp-tongued manager from 1967 to 1969 and from 1971 to 1988, he led teams to three American League pennants, one National League pennant, and two World Series triumphs. He is one of seven managers to win pennants in both major leagues, and joined Bill McKechnie in becoming only the second manager to lead three franchises to the Series. He and Lou Piniella are the only managers in history to lead four teams to seasons of 90 or more wins.
Context: When another perennial loser, the Seattle Mariners, lost 19 of their first 28 games in 1986 under Chuck Cottier, Williams came back to the American League West on May 6 for the first time in almost a decade. The Mariners showed some life that season and almost reached .500 the following season. However, Williams' autocratic managing style no longer played with the new generation of ballplayers. Williams was fired on June 8, 1988 with Seattle 23-33 and in sixth place. It would be his last major-league managing job. Williams' career won-loss totals were 1,571 wins and 1,451 losses over 21 seasons. In 1989, Williams was named manager of the West Palm Beach Tropics of the Senior Professional Baseball Association, a league featuring mostly former major league players 35 years of age and older. The Tropics went 52-20 in the regular season and ran away with the Southern Division title. Despite their regular season dominance, the Tropics lost 12-4 to the St. Petersburg Pelicans in the league's championship game. The Tropics folded at the end of the season, and the rest of the league folded a year later. He remained in the game, however, as a special consultant to George Steinbrenner and the New York Yankees. In 1990, Williams published his autobiography, No More Mister Nice Guy. His acrimonious departure in 1969 distanced Williams from the Red Sox for the remainder of the Yawkey ownership period (through 2001), but after the change in ownership and management that followed, he was selected to the team's Hall of Fame in 2006. Williams's number was recently retired by the Fort Worth Cats. The Cats were a popular minor league team in Fort Worth and Williams played there while he was working his way through the Dodgers system. The Cats merged/disbanded around 1960 but in recent years returned as an independent minor league team. The "New" Cats retired Williams' number.
Question: Why didn't it work for the new generation?
Answer:

Background: Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. Beginning his professional career with Buffalo Springfield, he composed one of their few hits "For What It's Worth," which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You
Context: Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s.
Question: What albums did the band release?
Answer:
Buffalo Springfield, Buffalo Springfield Again, and Last Time Around,