Problem: Write a negative movie review.

Answer: As soon as it hits a screen, it destroys all intelligent life forms around ! But on behalf of its producers I must say it doesn't fall into any known movie category, it deserves a brand new denomination of its own ! It's a "Neurological drama" ! It saddens and depresses every single neuron inside a person's brain.

It's the closest thing one will ever get to a stroke without actually suffering one. It drives you speechless, all you members go numb, your mouth falls open and remains so, and the most strange symptom of all is that you get yourself wishing to go blind and deaf.

No small feat for such a sort of a "movie".

The only word that comes to my mind just having finished my ordeal is OUTRAGE !!!!!!

Problem: Write a positive movie review.

Answer: Despite excellent trailers for Vanilla Sky, I was expecting to be disappointed by the film because I'd heard that it did not get great reviews. However, I left the cinema completely in awe of how good Vanilla Sky is.

There was no bad acting at all in the whole film, every single character is believable. The romantic moments between Cruise's character, David Aames and Cruz's character, Sophia are tear-jerkingly realistic and intimate (probably due to the fact that they were a soon-to-be real-life couple).

The plot of Vanilla Sky will confuse you in the last third of the film and there's very little chance of you guessing the ending. However, ends are tied up towards the end, leaving you with a strange mixture of feelings consisting of sadness, shock and empathy for David Aames.

The film is intellectual and you have to pay attention throughout. This isn't that hard because chances are that you'll be completely drawn in to the film and won't take your eyes off the screen for one second.

I usually leave cinemas forgetting all about the film I just watch. But Vanilla Sky is still lingering in my mind days after watching it. I recommend it to anyone who wants a change from simple, shallow films.

Problem: Write a negative movie review.

Answer: "Boom" has garnered itself a something of a reputation. With heavyweights Taylor, Burton, Noel Coward, Tennessee Williams and Joseph Losey, one might be tempted to think, how bad could it be? Well, it's a lot worse than you could possibly imagine.

The sad and disturbing fact of "Boom" is that is seems to signal the decline and fall of the aforementioned heavyweights. It was only director Joseph Losey who having plummeted the depths with "Modesty Blaise" and "Boom" (some may wish to add "Secret Ceremony"), managed to recuperate and in 1970 create his best work, the wonderful "Go-Between".

Saddest of all is the work of Tennesee Williams. From the mid forties until the early sixties, Williams penned a number of plays which have gained classic status, remaining in theater repertory throughout the world, many becoming much praised films. When William's muse deserted him, probably owing to his notorious substance abuse, it deserted him for good. Williams at his best is an actor's dream providing many unforgettable performances. (Were Ava Gardner or Deborah Kerr ever better than in "Night of the Iguana" ? ) Taylor in particular, shone in both "Cat on a Hot Tin Roof" and "Suddenly Last Summer". There is an anecdote in which supposedly Taylor asks John Gielgud whether he would teach her to play Shakespeare, to which he replied "if you will teach me to play Tennessee Williams". Had Gielgud seen "Boom" he would have held his tongue. Taylor simply has never been worse, turning in a cringe inducing performance. Despite her face photographing well, she is decidedly podgy. Besides the physical decline, from this time onwards she would basically lose credibility as a serious actress with a string of completely forgettable (and worse) roles to her credit.

Much the same could be said of Burton. Following his short lived theatrical stardom, he won fame and fortune in Hollywood. But the body of his work from this point onwards (1968) would be unremarkable to say the least.

Noel Coward had long ceased being a force in the theater where his drawing room comedies had been replaced by the likes of Williams and the British "angry young men". He seems to be enjoying himself camping it up, but barely manages to amuses, that from the man who claimed such a talent.

The only cast member who maintains her dignity is young Joanna Shimkus, who in a few years would forego a promising screen career to become Mrs. Sidney Poitier.

"Boom" reeks of self indulgence; it's simply out of control. A rather sad pointer to careers gone wrong rather than a camp fun fest as some have suggested.

Problem: Write a negative movie review.

Answer:
Hip. Erotic. Wickedly sexy ... whatever. It's "The Terminator" with werewolves.

No, seriously. The cop saves the girl (waitress!) from the big monster and refers to himself as her 'protector'. The lead actor Ryan Alosio does a pretty good job of emulating Kyle Reese ... there's a massacre in a police precinct ... the bad guy is muscular with red eyes ... and it even contains dialogue along the lines of "You said it yourself, he won't ever stop. Never." The dire script comes from a first-time screenwriter who, thank God, hasn't sold anything since this, and it's all thrown together by famously bad director Richard Friedman.

The movie opens in a strip bar (always a good sign), and a mean-looking biker guy bursts in for no apparent reason, pursued by three cops. One of them is black, and (shock horror!) he's the one who gets killed in the first five minutes. The film goes downhill for the next hour or so, then picks up a little with some decent action sequences, before rounding it all up with an abysmal ending.

For the most part, the cast come across as competent actors doing what they can with a bad script and a director who's willing to settle for less. If nothing else they appear to be learning how to act in this movie and Alosio, along with some of the supporting cast, shows signs of talent. DarkWolf in his human form is played by gargantuan Kane Hodder -- famous for his numerous portrayals of Jason Vorhees in the 'Friday the 13th' movies. He's decent enough, especially considering he isn't used to speaking roles.

It's become famous amongst groups of horny teenage boys for the lesbian rooftop scene between Andrea Bogart and Sasha Williams, who gets her kit off a couple of times in the grand tradition of former 'Power Rangers' actresses. And it's unnervingly clear that the editor spent WAY too much time on that scene ... anyway, the main redeeming feature is that the physical werewolf effects are rather good, and the design of the wolf isn't bad at all.But the CGI is bad. Just plain bad. I mean seriously, if you can't reach some level of realism - why bother? Just throw a little extra money into the make-up! Aside from the terrible script, this movie does have it's moments, many of which are unintentionally funny. It's good for a laugh if you don't have anything better to do, but just don't spend any money on it. Please.