Problem: Write a negative movie review.

Answer: I sought out this film for one reason--Al Adamson. He is among the worst directors of all time--right up there with Ed Wood, Jr. and Ray Dennis Steckler and the pantheon of awfulness. However, I was a tad disappointed because although the film was indeed bad, it never approached the levels of awfulness of some of his earlier schlocky movies. Because of that, this film wasn't particularly fun to watch for us bad movie fans.

Now I was wary about watching this film, as the title "Naughty Stewardesses" makes the film sound like a pornographic film--something I wouldn't be reviewing on IMDb. However, this film appeared to be this at times--particularly the first 10 minutes. But, you could tell that the script underwent many changes, as for much of the film there isn't any titillation at all and towards the end of the movie there is a plot that comes out of no where that is violent and certainly NOT sexy! The result of all this is total confusion.

Sadly, none of the many parts are even good. For example, as a porn video, it shows surprisingly little AND it's incomprehensible why they would put a 71 year-old guy in some of the love scenes. Sure, for a 71 year-old Mr. Livingston looked pretty good--but he was still an old man and no one would want to see him getting it on with young nymphet! Then, when the final 20 minutes becomes very violent, as Livingston became a Rambo-like guy! Talk about weird and inappropriate.

Overall, there is little to recommend this sad movie. It's not bad enough or sexy enough to care about and the film manages to be rather boring even with such a crazy title like "Naughty Stewardesses".

Problem: Write a positive movie review.

Answer: There is indeed much to complain about this movie version of Molnar's mystical play --Farrell looks good in his title role, but his line readings, frankly, stink. This also suffers, in large part, from this being credited as the first movie that makes use of rear projection. The sets look phony.

There are two great strengths in this show, however: although the dialogue readings limp, the visual performances are perfect. Rose Hobart, as Julie, is little remembered today: mostly for ROSE HOBART, in which Joseph Cornell cut down the programmer EAST OF BORNEO to simply shots of her: credit Melford's stylish visual direction of the original. Her great beauty and simple (although stagy) performance help repair some of the damage to the earth-bound sections of this movie.

However, one of Borzage's themes is the mystical power of love, and it is the handling of the celestial sections that make this great, from the arrival of the celestial train to the journey to 'the Hot Place'. H.B. Warner's performance here is, as always, perfect.

So we have here a flawed but very interesting version. I think that Lang's 1934 version is better, as well as the celestial scenes in the Henry King version of CAROUSEL, the watered-down musical remake. But I still greatly enjoyed this version and think you should give it a chance.

Problem: Write a positive movie review.

Answer: This is another fantasy favorite from Ralph Bakshi; after watching it on YouTube that is. Set in the distant past after the Ice Age, it is a prehistoric sword-and-sorcery quest between good and evil. Nekron, Lord of the realm of Ice and his mother Queen Juliana, has set their sights on conquest of the known world. When their glaciers destroy's the village of a man named Larn, he (Larn) vows to avenge his people and kill the Ice Lord. Meanwhile, the sub-human minions of Nekron and Juliana capture Firekeep's King Jarol's sultry daughter Princess Teegra; but she manages to escape, and eventually meets with Larn, who promises to escort her back to Firekeep; if the sub-humans don't find them first.

This movie did very little box office (as did most of Ralph Bakshi's films), but has become a cult classic, partly for the quality of the art, a collaboration between Ralph Bakshi and the famed fantasy artist Frank Frazetta. Also, I have heard that the screenplay was written by Gerry Conway and Roy Thomas, the two men who had done Conan comic book stories, and the background painters included James Gurney, the illustrator of the Dinotopia novels; though admittedly I had never read Conan or Dinotopia. And also the painter Thomas Kinkade, noted for his artwork for figurines, music-boxes for The Bradford Exchange Company besides paintings. And like Bakshi's films The Lord of the Rings and American Pop, this movie was rotoscoped, but the process works better in this film than in the former.

So overall, I think it's one of the best animated fantasy movies ever made, and an awesome collaboration between two great minds - Ralph Bakshi and Frank Frazetta. With plenty of fantasy, sexual innuendo, and thrilling adventure.

Problem: Write a positive movie review.

Answer:
A young girl surviving as a prostitute.

A cheap hustler who wants to get the big score.

They meet each other in Thailand. You may think by the opening titles it's going to be a violent movie but it is also a story of love with two persons in their own struggle to get the money for a better way of life. This film feels like an essay sometimes because of its changes of images, but still refreshing. This story is also about Eros and Thanatos. "It's not an original joke but it is well told" says a character and that also applies to this one: We've seen the story but this way we see it. Thailand appears in hot tones, the photograph going from one colored to a multicolored place. And it captures the city as the cage of this imperfect persons. There is also a good use of the music to dot the actions.