Build a movie plot around this: Who attempt to satisfy the strange requests of the dreaded Knights who say Ni? Arthur and Bedevere
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Answer: The credits are rolled to deeply ominous music with several false starts, interlaced with apologies for the inadequacies of each, during which numerous titlers are fired en masse. In the end, credits that are heavily laced with references to moose, llamas and other furry animals roll to highly festive Latin music.Little is to be seen but fog over a grassland while the sound of a galloping horsea sound that could only be made on cobblestone, but not grassis heard. From the fog emerge two pedestrians: King Arthur (Graham Chapman), dressed in chain mail, a tunic and a crown; and Patsy (Terry Gilliam), who appears to be fulfilling the role of beast of burden, and is using two half-coconuts percussively.They approach a castle and Patsy perfectly mimics the sound of a galloping horse coming to a stop. Two guards become barely visible atop the castle wall. Arthur announces that he is looking for knights to join him at Camelot, and wishes to recruit the master of the castle. Unfortunately, the two guards are immediately distracted by Patsy's half-coconuts. Arthur tries to return the conversation to the quest, but the guards are unable to turn their attentions from the possible causes for coconuts appearing in Mercia (England), as Arthur claims that they found them there, or how a bird, or a set of birds, might have brought one up from the tropics. Frustrated, Arthur and Patsy emulate riding off.The scene changes to a plague village. A cart is being drawn through the streets, and is attended by a disheveled man (Eric Idle) who strikes a triangle and calls for the residents to "bring out your dead." A peasant (John Cleese) tries to lay a decrepit man on the cart, without calling attention to the fact that he is still alive. The attendant refuses to accept living cargo (citing regulations). When the peasant tries to abstractly request a favour, the attendant looks up and down the street to make sure there are no witnesses, and strikes the elderly subject a deadly blow to the head, solving the problem. The cart and the...

Build a movie plot around this: What building do Stark and Stane fight on top of? Military outpost
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Answer: A convoy of military Humvees drives across the Afghanistan desert. In one of them is billionaire weapons developer Tony Stark (Robert Downey Jr.), riding with soldiers on duty. He is joking with some members of a convoy who seem to be genuinely amused by his persona and his flamboyant public image. Suddenly, the convoy is ambushed by unseen gunmen. The soldiers fight to defend themselves but are quickly killed. Tony flees the Humvee, taking refuge behind a large rock. Moments later, a missile lands nearby and explodes, but not before Tony sees the Stark Industries logo painted on it. Large amounts of shrapnel are lodged in Tony's chest despite the body armor he wears. Tony is captured and recorded on video by a group of masked terrorists.Las Vegas, 36 hours earlierTony Stark is about to receive the Apogee Award in Las Vegas. A presentation documents Tony's life story: born the son of legendary weapons developer Howard Stark, Tony is a child prodigy who built his first circuit board when he was four years old, his first V8 engine when he was six, and graduated summa cum laude from MIT when he was 17. His parents were killed in a car accident in 1991, and when he was 21, he became CEO of Stark Industries, where he is to this day. Colonel James "Rhodey" Rhodes (Terrence Howard) prepares to present Tony the award, but Tony is not in attendance. Tony's right-hand man (and his father's former partner) Obadiah Stane (Jeff Bridges) accepts the award in Tony's stead. Rhodey later finds Tony partying in a casino. On his way out, a reporter named Christine Everhart (Leslie Bibb) approaches Stark with some questions regarding the ethics of his weapons business. Stark deflects her questions with some swift quips and the two end up spending the night together at Tony's oceanfront house in Malibu.The next morning, Christine is awakened by a voice on a computer monitor. It's JARVIS (voice: Paul Bettany), the artificially intelligent program responsible for running Tony's house and his research lab. As Christine leaves the...

Build a movie plot around this: Who tried to open their door and discovered it was locked? Joyce
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Answer:
The movie opens with title and credits shown over a scene of a mangrove swamp. A Chrysler Imperial with Louisiana MD license plates pulls into a parking lot. It is the Doctors Only lot of the Webley Sanitarium. Doctor Eric Lorimer (Bruce Bennett) exits his car and enters the office of Dr. Wayne MacGregor (Douglas Kennedy). MacGregor is a neuropathologist. Eric is joining Wayne as a consultant on an interesting case. The case involves a nurse, Jane Marvin. Wayne explains, "That's the name she's using." Wayne is conducting research in narco-hypnosis techniques. Wayne calls his nurse to come into the office. Wayne introduces his nurse, Jane Marvin, aka Joyce Webster (Beverly Garland) to Eric Lorimer. Jane rests on the couch and Wayne injects her with a mild sedative and asks her to count backwards. The Pentothal acts quickly. In addition to a tape recorder, Wayne has a polygraph, or lie detector, set up to record the session. Wayne asks her name, and she replies, "Joyce Hatten...Joyce Hatten Webster." When he asks her if she is married she admits, "I was. I was Mrs. Paul Webster." Then she admits she is not sure. Wayne asks her to tell them her story. She starts by saying, "I met Paul overseas. He was a lieutenant. I was nursing in a hospital. We made plans to be married after we were both discharged." The tale is told in flashback.On a moving train, Joyce and her new husband, Paul Webster (Richard Crane) are sitting in a sleeping car. A train Porter (an uncredited Dudley Dickerson) opens a bottle of champagne and pours it into two glasses. Paul tips the Porter before he leaves and the happy couple share a kiss. Paul admits he was in an aircraft accident, but dismisses stories of how serious it was. Joyce tells him, "You wouldn't believe what that hospital doctor told me when I called. Well, according to him, you were more dead than alive. Almost every bone broken: completely torn, mangled, smashed." She notes that he has no marks or scars, therefore it couldn't have been that serious. Paul admits it was...