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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Britt Synnve Johansen (born 23 June 1970 in Haugesund, Rogaland, Norway) is a Norwegian female singer. She started by singing in a choir for 7 years. She participated in a talent contest for new singers and got to the final. In 1989, she won the "Melodi Grand Prix" performing the song "Venners nrhet". Despite finishing 17th in the Eurovision Song Contest, she didn't finish her musical career. She participated in several shows like that in the Rogaland theater. She also performed in theatrical shows like "Schrooge en julefortelling". Context_2 : The Eurovision Song Contest 2003 was the 48th annual Eurovision Song Contest. The contest took place in Riga, Latvia on 24 May 2003, following Marie N's win in the 2002 contest with the song "I Wanna". It was the first win and hosting of the competition for Latvia with only their third participation after debuting at the 2000 contest. Latvijas Televizija (LTV) chose the Skonto Hall as the venue after conducting a bidding process among several cities and venues in Latvia. The hosts for the contest were the previous year's winner Marie N and former Latvian representative at the 2000 contest, Renars Kaupers, who competed in the contest as part of the band Brainstorm. The design of the contest was built around the theme "Magical rendez-vous", which represented the meeting of the various European nations coming to Latvia and encountering Latvia's versatile landscapes. Twenty-six countries participated, which saw the return of Iceland, Ireland, Netherlands, Norway and Poland after having been relegated from competing the previous year, Portugal returning to the contest after withdrawing the previous year, while Ukraine participated in the contest for the first time. Denmark, Finland, Lithuania, Macedonia and Switzerland were required to withdraw due to their poor results in the 2002 contest. Context_3 : The Junior Eurovision Song Contest 2013 was the 11th annual Junior Eurovision Song Contest. It took place in Kiev, Ukraine on 30 November 2013. The venue for the contest was announced on 10 April 2013, as the Palace "Ukraine". Ukrainian broadcaster National Television Company of Ukraine (NTU) was the host broadcaster for the event. It was the second time the contest was held in Kiev, the first being the 2009 contest . It was also the second time in the history of the Junior Eurovision Song Contest that the event took place in last year's winning country, as well as the first time that the event was held in the same city twice. A total of twelve countries participated, with Macedonia and Malta making a return, and Albania , Belgium and Israel choosing to withdraw. San Marino made their debut in the contest. Cyprus was originally the thirteenth country to take part but pulled out the last minute. Context_4 : The Eurovision Song Contest 2010 was the 55th annual Eurovision Song Contest, broadcast from the Telenor Arena in Brum, Greater Oslo, Norway. Norway gained the rights to host the contest after achieving a record breaking victory in Moscow the previous year. It was the third time Norway had hosted the contest, having previously done so in 1986 and 1996. The 2010 winner was Germany with Lena singing "Satellite", written by American Julie Frost and Denmark's John Gordon. It was Germany's first win in twenty-eight years, its second since the Contest's inception, and its first win as a unified country. It was also the first time a "Big Four" country won the contest since the rule's introduction in 2000. Context_5 : The Eurovision Song Contest 1989 was the 34th annual Eurovision Song Contest. It was held on 6 May 1989 in Lausanne, Switzerland, after Celine Dion's victory in Dublin the previous year. The program was presented by Lolita Morena and Jacques Deschenaux. Riva, representing the now-defunct Yugoslavia, won with the song "Rock Me". This was the only victory for Yugoslavia as a unified state. Context_6 : The Eurovision Song Contest 1972 was the 17th annual Eurovision Song Contest. Context_7 : The use of a Kids' Jury in the Junior Eurovision Song Contest was first introduced at the Junior Eurovision Song Contest 2012, in Amsterdam, Netherlands, as part of a new voting system for the Junior Eurovision Song Contest following discussions between the European Broadcasting Union (EBU), KidsRights Foundation, and the Junior Eurovision Song Contest 2012 host broadcaster Algemene Vereniging Radio Omroep (AVRO). Three of the four spokespersons who announced the jury points at each annual contest were former winners of the Junior Eurovision Song Contest. As of 2016, the results of each country's Kids' Jury have been integrated with the adult jury to give out two sets of 1-8, 10, and 12 points per country. Context_8 : The Eurovision Song Contest 2005 was the 50th annual Eurovision Song Contest. The contest took place at the Palace of Sports in Kiev, Ukraine, following Ruslana's win in the 2004 Contest with the song "Wild Dances". The contest consisted of two shows: the semi-final and final, which took place on 19 and 21 May 2005, respectively. The shows were hosted by Maria Efrosinina and Pavlo Shylko. Thirty-nine countries participated, including the debuts of Bulgaria and Moldova and the return of Hungary, which was last represented in 1998. Context_9 : The participation of Portugal in the Junior Eurovision Song Contest first began at the Junior Eurovision Song Contest in 2006 which took place in Bucharest, Romania. Radio e Televisao de Portugal (RTP), a member of the European Broadcasting Union (EBU), were responsible for the selection process of their participation. Portugal used a national selection format, broadcasting a show entitled ""Festival da Cancao Junior"", for their participation at the contests. This was a junior version of Festival da Cancao, the national music competition organised by broadcaster RTP to choose the Portuguese entry for the Eurovision Song Contest. The first representative to participate for the nation at the 2006 contest was Pedro Madeira with the song "Deixa-me sentir", which finished in second-last place out of fifteen participating entries, achieving a score of twenty-two points. Portugal withdrew from competing in the Junior Eurovision Song Contest in 2008, and will return for the Junior Eurovision Song Contest 2017 in Tbilisi, Georgia. Context_10 : "Venners nrhet" ("The closeness of friends") was the Norwegian entry in the Eurovision Song Contest 1989, performed in Norwegian by Britt Synnve Johansen. fact_1 : Despite finishing 17th in the Eurovision Song Contest, she didn't finish her musical career. fact_2 : The Eurovision Song Contest 1989 was the 34th annual Eurovision Song Contest. fact_3 : It was held on 6 May 1989 in Lausanne, Switzerland, after Celine Dion's victory in Dublin the previous year. Question: when was he 34th annual Eurovision Song Contest which Britt Synnve Johansen finished in 17th position held
Solution:
6 May 1989