Background: The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.
Context: After they had signed to Virgin Records, the Kooks were reluctant to record an album straight away, stating a desire to focus more on their live performances and songwriting. The band has said embarking on their first live tour instead of recording an album initially helped them develop their style and sound. As Pritchard claimed, "We didn't sit down with a blueprint. We just naturally developed and we didn't try to shape or mould ourselves to anything." As a result, they went into the studio with hundreds of songs from a variety of genres, and it took an "incredible amount of patience" from producer Tony Hoffer to shape the content into what would become the record. Following their first tour supporting the Thrills, the Kooks recorded their debut album, Inside In/Inside Out, at Konk studios in London in 2005. Though media attention was dominated by the release of the Arctic Monkeys debut album Whatever People Say I Am, That's What I'm Not on the same day, Inside In/Inside Out recorded first week sales of 19,098. Later, speaking to NME, Pritchard would thank the Arctic Monkeys for "shielding" The Kooks from the press' scrutiny. "God bless the Arctic Monkeys because if it wasn't for them we wouldn't have been so shielded. We were so overshadowed by the success [of Whatever People Say I Am, That's What I'm Not] because it was so monster and we crept in behind everybody's back." Entering the UK Albums Chart at number nine, it would eventually peak at number 2 for two weeks. Singles "Eddie's Gun", "Sofa Song", "You Don't Love Me", "Naive", "She Moves in Her Own Way" and "Ooh La" achieved chart success in the UK and Europe, while "Naive" and "She Moves in Her Own Way" put The Kooks in the top ten for the first time. Kev Kharas, in his review for Drowned in Sound, viewed the Kooks as "a less irreverent and more melodic Art Brut, swapping that band's caustic wit for a far nicer type of honesty." Kharas also noted traces of "emo" in the band's style. AllMusic's Tim Sendra noted that the band's direction was "heavily indebted to classic rock", in particular Thin Lizzy and the Dexys, ultimately though Sendra felt "the band sounds like the Kooks and no one else". Calling the Kooks "an important reminder that there are just as many mediocre bands in the UK as there are in the United States" reviewer Jenny Eliscu of Rolling Stone claimed the album was "utterly forgettable, shoddily produced retro rock that at its worst sounds like a Brighton-accented version of the Spin Doctors". Brian Belardi of Prefix gave a positive review, describing Inside In/Inside Out as "An almost-perfect blend of '60s-style Britpop, '90s-style Britpop, and the post-punk of the new millennium". The album went on to be certified quadruple platinum in the UK by the British Phonographic Industry (BPI) within a year and certified platinum across Europe by the International Federation of the Phonographic Industry (IFPI). The success of their debut album brought the band into mainstream media attention, winning the award for best UK and Ireland act at the MTV Awards in 2006 and picking up a Brit Awards nomination for "She Moves in Her Own Way", in 2007.
Question: what did the kooks do in 2005?
Answer: Kooks recorded their debut album, Inside In/Inside Out, at Konk studios in London in 2005.

Background: Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators.
Context: Although Dudley and Jeczalik had already dissolved the group, in 1990 they assisted in the promotion of the lightly remixed compilation The Ambient Collection, which the China label released to cash in on the burgeoning ambient house scene. Jeczalik approved the remixes that appeared on The FON Mixes the following year. The rest of the decade saw China Records releasing further Art of Noise compilations: The Drum and Bass Collection, Art Works, and reissues of Best of without the ZTT-era tracks. Some of these featured new remixes by other artists. According to an interview with J.J. Jeczalik reported in the ZTT fanzine Outside World in 1991, Jeczalik, Dudley and Langan were inspired by the commercial success of The FON Mixes and had discussed reuniting the group as a trio again. In preparation to record a new album, Jeczalik and Langan travelled to Cuba to gather new source material. However, no new recordings were produced with the new line-up, and the Art of Noise remained defunct. Dudley became well known for composing numerous film and television scores during the 1990s. The most famous of these is probably The Full Monty, which won an Academy Award for Original Music Score. She also collaborated with Killing Joke's Jaz Coleman on the 1990 album Songs from the Victorious City (inspired by a trip the two made to Egypt) and produced two tracks for the 1993 Deborah Harry album Debravation ("Strike Me Pink", which she also co-wrote and played keyboards on) and "Mood Ring"). She has scored orchestrations for dozens of pop releases over the years, and both scored and produced the album Voice for her neighbour Alison Moyet. Cathy Dennis added lyrics to one of Dudley's compositions and recorded it as "Too Many Walls", which became a US Top 10 hit in 1991. In 1995-1997, Jeczalik and In No Sense? Nonsense! coengineer Bob Kraushaar produced a number of instrumentals oriented toward dance clubs under the name Art of Silence, issuing an album titled artofsilence.co.uk. Jeczalik also embarked on a new career in trading in futures contracts. The Art of Noise also received a full writing credit for The Prodigy's "Firestarter", which samples the female "hey, hey" voice from "Close to the Edit". The Prodigy also contributed the remix "Instruments of Darkness (All of Us are One People)" to the 1991 compilation The FON Mixes. Also, an edited version of "Close to the Edit" is featured on the monthly educational Amiga game, Ready Robot Club. The Art of Noise are also credited for the music to the ITV series The Krypton Factor.
Question: did she work in any movies?
Answer:
Dudley became well known for composing numerous film and television scores