IN: Murray Newton Rothbard (; March 2, 1926 - January 7, 1995) was an American heterodox economist of the Austrian School, a historian, and a political theorist whose writings and personal influence played a seminal role in the development of modern right-libertarianism. Rothbard was the founder and leading theoretician of anarcho-capitalism, a staunch advocate of historical revisionism, and a central figure in the twentieth-century American libertarian movement.

Murray Rothbard's parents were David and Rae Rothbard, Jewish immigrants to the U.S. from Poland and Russia, respectively. David Rothbard was a chemist. Murray attended Birch Wathen, a private school in New York City. Rothbard later stated that he much preferred Birch Wathen to the "debasing and egalitarian public school system" he had previously attended in the Bronx. Rothbard wrote of having grown up as a "right-winger" (adherent of the "Old Right") among friends and neighbors who were "communists or fellow-travelers." Rothbard characterized his immigrant father as an individualist who embraced the American values of minimal government, free enterprise, private property, and "a determination to rise by one's own merits". "[A]ll socialism seemed to me monstrously coercive and abhorrent." He attended Columbia University, where he received a Bachelor of Arts degree in mathematics in 1945 and, eleven years later, his PhD in economics in 1956. The delay in receiving his PhD was due in part to conflict with his advisor, Joseph Dorfman, and in part to Arthur Burns rejecting his doctoral dissertation. Burns was a longtime friend of the Rothbard family and their neighbor at their Manhattan apartment building. It was only after Burns went on leave from the Columbia faculty to head President Eisenhower's Council of Economic Advisors that Rothbard's thesis was accepted and he received his doctorate. Rothbard later stated that all of his fellow students there were extreme leftists and that he was one of only two Republicans on the Columbia campus at the time. During the 1940s Rothbard became acquainted with Frank Chodorov and read widely in libertarian-oriented works by Albert Jay Nock, Garet Garrett, Isabel Paterson, H. L. Mencken and others, as well as Austrian economist Ludwig von Mises. In the early 1950s, when Mises was teaching at the Wall Street division of New York University Business School, Rothbard attended Mises' unofficial seminar. Rothbard was greatly influenced by Mises' book, Human Action. Rothbard attracted the attention of the William Volker Fund, a group that provided financial backing to promote various "right-wing" ideologies in the 1950s and early 1960s. The Volker Fund paid Rothbard to write a textbook to explain Human Action in a form which could be used to introduce college undergraduates to Mises' views; a sample chapter he wrote on money and credit won Mises's approval. For ten years, Rothbard was paid a retainer by the Volker Fund, which designated him a "senior analyst." As Rothbard continued his work, he enlarged the project. The result was Rothbard's book Man, Economy, and State, published in 1962. Upon its publication, Mises praised Rothbard's work effusively.

Did he receive a Masters degree?

OUT: eleven years later, his PhD in economics in 1956.

IN: Lionel Barrymore was born Lionel Herbert Blythe in Philadelphia, the son of actors Georgiana Drew Barrymore and Maurice Barrymore (born Herbert Arthur Chamberlayne Blyth). He was the elder brother of Ethel and John Barrymore, the uncle of John Drew Barrymore and Diana Barrymore and the great-uncle of Drew Barrymore, among other members of the Barrymore family. He attended private schools as a child, including the Art Students League of New York. While raised a Roman Catholic, Barrymore attended the Episcopal Academy in Philadelphia.

Reluctant to follow his parents' career, Barrymore appeared together with his formidable grandmother Louisa Lane Drew on tour and in a stage production of The Rivals at the age of 15. He later recounted that "I didn't want to act. I wanted to paint or draw. The theater was not in my blood, I was related to the theater by marriage only; it was merely a kind of in-law of mine I had to live with." Nevertheless, he soon found success on stage in character roles and continued to act, although he still wanted to become a painter and also to compose music. He appeared on Broadway in his early twenties with his uncle John Drew Jr. in such plays as The Second in Command (1901) and The Mummy and the Hummingbird (1902), the latter of which won him critical acclaim. Both were produced by Charles Frohman, who produced other plays for Barrymore and his siblings, John and Ethel. The Other Girl in 1903-04 was a long-running success for Barrymore. In 1905, he appeared with John and Ethel in a pantomime, starring as the title character in Pantaloon and playing another character in the other half of the bill, Alice Sit-by-the-Fire. In 1906, after a series of disappointing appearances in plays, Barrymore and his first wife, the actress Doris Rankin, left their stage careers and travelled to Paris, where he trained as an artist. He did not achieve success as a painter, and in 1909 he returned to the US. In December of that year, he returned to the stage in The Fires of Fate, in Chicago, but left the production later that month after suffering an attack of nerves about the forthcoming New York opening. The producers gave appendicitis as the reason for his sudden departure. Nevertheless, he was soon back on Broadway in The Jail Bird in 1910 and continued his stage career with several more plays. He also joined his family troupe, from 1910, in their vaudeville act, where he was happy not to worry as much about memorizing lines. From 1912 to 1917, Barrymore was away from the stage again while he established his film career, but after the First World War, he had several successes on Broadway, where he established his reputation as a dramatic and character actor, often performing together with his wife. He proved his talent in such plays as Peter Ibbetson (1917) (with brother John), The Copperhead (1918) (with Doris), The Jest (1919) (again with John) and The Letter of the Law (1920). Lionel gave a short-lived performance as MacBeth in 1921 opposite veteran actress Julia Arthur as Lady MacBeth, but the production encountered strongly negative criticism. His last stage success was in Laugh, Clown, Laugh, in 1923, with his second wife, Irene Fenwick; they met while acting together in The Claw the previous year, and after they fell in love he divorced his first wife. He also received negative notices in three productions in a row in 1925. After these, he never again appeared on stage.

How old was he when he started acting on stage?

OUT:
age of 15.