In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: i must admit that i was a tad skeptical of " good will hunting " , based both on the previews and the first fifteen minutes of the film , in which the main character will hunting ( matt damon ) , an mit janitor in his early twenties , is discovered to be an einstein - level closet genius when he solves two extraordinarily difficult math problems overnight .
the only problem is that will is a tough street kid who 's had his share of run - ins with the law , and before long he 's being hauled in for assault after a parking lot fight .
professor lambeau ( stellan skarsgard ) , who had brought up the math problems in his lectures , tracks him down and strikes a deal with the police : will is to be released , provided he works with lambeau on his math research regularly and attends therapy sessions .
this sounds like the formula for mildly charming fluff , but " good will hunting " rises above its fairly mundane premise to deliver a poignant and clever drama .
a conflict gradually emerges between lambeau and will 's therapist sean mcguire ( robin williams ) - lambeau wants to get will to use his brain , while sean wants him to listen to his heart , both of which he has been largely neglecting .
will finds that the former is much easier than the latter , so much so , in fact , that he gets bored with it and grows increasingly resistant to lambeau 's attempts to recruit him into the academic lifestyle .
he also has his share of problems with his girlfriend skylar ( minnie driver ) , an mit student who is moving to california at the end of the school year and would like a reluctant will to come with her .
what makes " good will hunting " work so well , aside from the strong performances ( especially from damon and williams ) , is the depth of characterization and the representation of the conflicts in will 's life .
the script 's sympathies seem to lie more with sean mcguire than with lambeau , but neither of them is presented as completely right or wrong .
lambeau , while he may seem a little cold at times , is still written well enough that we like him as a character even when we 're not sure if we like what he has to say .
and sean , for all his warm - heartedness , has , as lambeau and later will point out , not lived up to his full intellectual potential either ; the therapy sessions turn out to be just as revelatory for sean as they do for will .
will 's reaction to this situation , and the way in which he slowly becomes more receptive to skylar and to sean , is presented in a believable fashion and in a way that forces the audience to consider all the characters ' opinions , rather than setting up an obvious " right " and " wrong " side and beating them over the head with it .
for a film with such an extraordinary character , " good will hunting " presents itself as remarkably ordinary ; it achieves the difficult task of making the next albert einstein into an everyman , a character to whom the audience can easily relate and who must make choices similar to those that almost everyone faces at one time or another .
this film gives us real drama when it so easily could have given us merely melodrama , by having the government kidnap will to use him in covert spy missions or introducing some other equally far - fetched situation .
"
good will hunting
" also has its share of fun humor , such as when will , in an early therapy session , pretends to be hypnotized and smoothly parodies the alien abduction scenarios that have become so well known in popular culture .
and in the one scene in which government agents do in fact appear , will blows them off with a hilariously scathing accusation of human rights violations in africa .
will 's relationship with his friends , most notably chucky ( ben affleck ) , is usually rather amusing , if somewhat crude ( the film has 100 +
uses of the ' f ' word , which was most likely the reason for its r - rating ) , and lends itself well to the development of will 's character .
add all this to the fact that " good will hunting " even manages to pull off an uplifting happy ending without getting excessively sentimental , and you might be wondering why i have n't given this film four stars .
well , for one thing , no matter how well damon and affleck , who wrote the screenplay , and director gus van sant pull it off , the story is still rather contrived and not particularly original .
there are also a few scenes that did feel a bit formulaic , including one that was supposed to be emotional but really just seemed like the obligatory crying scene for any movie involving therapy sessions .
still , " good will hunting " takes its premise a lot farther than i thought it would , and is definitely one of the better personal dramas
i have seen in the last few years , and as of right now it stands as one of the top five on my list of ' 97 films .
Example Output: P

Example Input: susan granger 's review of " the musketeer " ( universal pictures ) hollywood launches another assault on classic literature with this $ 50 million adaptation of alexandre dumas 's novel
that 's strong on action
but weak on drama , fusing hong kong martial arts with 17th century swordplay .
the story chronicles the adventures of the dashing d'artagnan ( justin chambers ) as he leaves his village of gascogne , headed for paris , to join king louis xiii 's elite guard , the royal musketeers , and to search for the man who killed his parents 14 years earlier .
this puts him in conflict with the formidable febre ( tim roth ) , vicious henchman for conniving cardinal richelieu ( stephen rea ) .
the traditional musketeer trio - aramis ( nick moran ) , athos ( jan gregor kremp ) and porthos ( steve speirs ) - do n't offer much help
so he turns to the feisty francesca ( mena suvari ) , chambermaid to the queen of france ( catherine deneuve ) .
scripter gene quintano and director - cinematographer peter hyams are primarily interested in the derring - do , as evidenced by choreographer xin - xin xiong 's elaborate - but not original - stunts , including a fast - paced stagecoach chase , a tavern brawl on rolling barrels , high - wire acrobatics with the combatants dangling from ropes , and a ladder - fight sequence . filmed in southern france , the scenery , sets and costumes are spectacular , but the lighting is too dark and editing is filled with choppy , restless mtv'ish cuts .
as the swashbuckling d'artagnan , bland calvin klein model justin chambers buckles where he should be swashing , totally lacking on - screen charisma , not to mention acting skill .
mena suvari , so impressive in " american beauty , " seems like a contemporary interloper in the royal court .
on the granger movie gauge of 1 to 10 , " the musketeer " is a cinematic but shallow 3 .
" all for one and one for all " ?
not this time ' round .
Example Output: N

Example Input: steven spielberg 's second epic film on world war ii is an unquestioned masterpiece of film .
spielberg , ever the student on film , has managed to resurrect the war genre by producing one of its grittiest , and most powerful entries .
he also managed to cast this era 's greatest answer to jimmy stewart , tom hanks , who delivers a performance that is nothing short of an astonishing miracle .
for about 160 out of its 170 minutes , " saving private ryan " is flawless .
literally .
the plot is simple enough .
after the epic d - day invasion ( whose sequences are nothing short of spectacular )
, capt .
john miller ( hanks )
and his team are forced to search for a pvt .
james ryan ( damon ) , whose brothers have all died in battle .
once they find him , they are to bring him back for immediate discharge so that he can go home .
accompanying miller are his crew , played with astonishing perfection by a group of character actors that are simply sensational .
barry pepper , adam goldberg , vin diesel , giovanni ribisi , davies , and burns
are the team sent to find one man , and bring him home .
the battle sequences that bookend the film are extraordinary .
literally .
there is nothing in film that has ever been recorded that will prepare you for the sheer onslaught of terrorizing violence in the film 's first 20 minutes .
spielberg films almost the entire movie without music , leaving it up to the characters to generate emotion , and they do to perfection .
the sequences in france , all of them , beginning with the battle and ending with the battle , are fabulous , especially the dialogues between the men as they walk through the hills and countrysides , trying to save private ryan .
there are no words i can use to describe the true horror and power of these sequences .
this is what coppola was looking for in " apocalypse now " , but could n't create .
the sheer horror of these sequences all but condemn war .
the performance by hanks as the leader of this gang is also extraordinary .
he is head and shoulders above of the rest of the actors in the world , with his comic timing , dramatic flair , his quiet emotion that stirs an entire nation to tears .
hanks is this country 's finest actor , and he proves it here .
however , spielberg almost destroys his own masterpiece .
with a chance to make it the one of the greatest films of all time , spielberg creates 10 minutes of purely worthless film .
the sequence involving army chief - of - stafff george marshall and mrs .
ryan is decent , but does n't hold up to the rest of the film , relying on wartime cliches to power it .
but that is forgivable .
what is n't is the bookends of the film , the cemetary sequences .
the first one is quite good , a decent introduction into the lives of these men .
the last sequence is atrocious .
the forced emotion , accompanied by a ridiculous piece of music , is simply horrible compared to the rest of the magical film .
these flaws are what downgrade " ryan " from the greatest film of our era , to the greatest war film of our era .
spielberg should have trusted his own material , and he should have trusted hanks to deliver the most chilling line of the movie , to end his masterpiece right there .
the use of the flag , though patriotic , is in contrast to the movie 's theme .
the power of the bulk of the film , however , is astonishing .
spielberg has truly made a wondrous work of art , that persists even after first viewing of the film , is extraordinary .
this is the film of the year .
Example Output:
P