instruction:
You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
question:
The work has a recognizable structure, for the most part indicated by the author himself, which can be summarized as follows:The Prince starts by describing the subject matter it will handle. In the first sentence Machiavelli uses the word "state" (Italian stato which could also mean "status") in order to neutrally cover "all forms of organization of supreme political power, whether republican or princely". The way in which the word state came to acquire this modern type of meaning during the Renaissance has been the subject of many academic discussions, with this sentence and similar ones in the works of Machiavelli being considered particularly important.
Machiavelli said that The Prince would be about princedoms, mentioning that he has written about republics elsewhere (possibly referring to the Discourses on Livy although this is debated), but in fact he mixes discussion of republics into this in many places, effectively treating republics as a type of princedom also, and one with many strengths. More importantly, and less traditionally, he distinguishes new princedoms from hereditary established princedoms. He deals with hereditary princedoms quickly in Chapter 2, saying that they are much easier to rule. For such a prince, "unless extraordinary vices cause him to be hated, it is reasonable to expect that his subjects will be naturally well disposed towards him". Gilbert (1938:19 23), comparing to traditional presentations of advice for princes, stated that the novelty in chapters 1 and 2 is the "deliberate purpose of dealing with a new ruler who will need to establish himself in defiance of custom". Normally, these types of works were addressed only to hereditary princes. He thinks Machiavelli may have been influenced by Tacitus as well as his own experience, but finds no clear predecessor for this.
This categorization of regime types is also "un-Aristotelian" and apparently simpler than the traditional one found for example in Aristotle's Politics, which divides regimes into those ruled by a single monarch, an oligarchy, or by the people, in a democracy. He also ignores the classical distinctions between the good and corrupt forms, for example between monarchy and tyranny.
Xenophon, on the other hand, made exactly the same distinction between types of rulers in the beginning of his Education of Cyrus where he says that, concerning the knowledge of how to rule human beings, Cyrus the Great, his exemplary prince, was very different "from all other kings, both those who have inherited their thrones from their fathers and those who have gained their crowns by their own efforts".
Machiavelli divides the subject of new states into two types, "mixed" cases and purely new states.
answer:
What type of prince will a population most easily accept?

question:
Ruth is a young orphan girl working in a respectable sweatshop for the overworked Mrs Mason. She is selected to go to a ball to repair torn dresses. At the ball she meets the aristocratic Henry Bellingham, a rake figure who is instantly attracted to her. They meet again by chance and form a secret friendship; on an outing together they are spotted by Mrs Mason who, fearing for her shop's reputation, dismisses Ruth.
Alone in the world, Ruth is whisked away by Bellingham to London where it is implied she becomes a fallen woman. They go on holiday to Wales together and there on a country walk Ruth meets the disabled and kind Mr Benson. Bellingham falls sick with fever and the hotel calls for his mother who arrives and is disgusted by her son's having lived in sin with Ruth. Bellingham is persuaded by his mother to abandon Ruth in Wales, leaving her some money.
A distraught Ruth attempts suicide but is spotted by Mr Benson who helps comfort her. When he learns of her past and that she is alone he brings her back to his home town, where he is a Dissenting minister, to stay with him and his formidable but kind sister Faith. When they learn that Ruth is pregnant they decide to lie to the town and claim that she is a widow called Mrs Denbigh, to protect her from a society which would otherwise shun her.
Ruth has her baby, whom she names Leonard. She is transformed into a Madonna type figure, calm and innocent once more. The rich local businessman Mr Bradshaw admires Ruth and employs her as a governess for his children, including his eldest daughter Jemima who is in awe of the beautiful Ruth.
Ruth goes away with the Bradshaws to a seaside house while one of Mr Bradshaw's children is convalescing from a long illness. Mr Bradshaw brings Mr Donne, a man whom he is sponsoring to become their local MP, to the seaside to impress him. Ruth recognises Mr Donne as actually being Mr Bellingham and the two have a confrontation on the beach. Bellingham offers to marry Ruth as he claims he still loves her and for the sake of their child, Ruth rejects him saying she will not let Leonard come in contact with a man like him.
From local gossip Jemima discovers about Ruth's past, though she is still unaware that it was Mr Donne who is Leonard's father. Jemima is headstrong and already jealous that her suitor Mr Farquhar, her father's business partner, seems to admire Ruth over her. The truth is Mr Farquhar is put off by Jemima's erratic behaviour, caused by her father's good intentioned interference. Jemima however decides to keep quiet over Ruth's past as she realises that she comes from a more privileged background and the same could well have happened to her, had she been in Ruth's situation.
Mr Bradshaw discovers also from local gossip however that Ruth is a fallen woman and despite Jemima's passionate defence of Ruth she is thrown out of the house and sacked. Ruth goes home and has to reveal to Leonard that he is in fact illegitimate; he is devastated and ashamed by the news. Mr Bradshaw also goes to his old friend Mr Benson and argues with him as he allowed the lie to be told and for Ruth to enter not only his but also Mr Bradshaw's house.
Jemima and Mr Farquhar marry and have their own child and form a good friendship with Ruth and Leonard but they are still on the outskirts of society. Ruth goes among the poor to work as a nurse to the sick and gains a good reputation there, making Leonard proud of his mother once more and restoring their relationship. Mr Bradshaw's son is found to have been embezzling the company's funds and his father disowns him. However, when his son is later involved in an accident, Mr Bradshaw is distraught and realises that his morals had been perhaps too heavy-handed in the past. His son recovers and Mr Bradshaw starts to rethink his life.
Ruth has to give up her work as there is a catching fever in the environment. A local doctor offers to sponsor Leonard's studies at a good school and the Farquhars offer to go away on holiday with Ruth and Leonard. However before Ruth has made a decision she hears that Mr Donne is very sick; she confides in the doctor the truth about who Mr Donne really is, and goes to him. He is delirious with fever and does not recognise her but she nurses him back to health.
Ruth however falls sick and dies from the illness. At the funeral many of the poor that Ruth had looked after praise her, and the chapel is full of people that loved Ruth, despite her being a fallen woman. Mr Donne comes to Mr Benson's house and sees Ruth dead, he is momentarily sad and offers money to Mr Benson who realises who he must be and throws him out of the house.
The novel ends with Mr Bradshaw finding a weeping Leonard at his mother's grave, whom he leads home to Mr Benson, and reforming his friendship with Mr Benson realising that as a member of the society that ostracised Ruth, he is also responsible for her death.
answer:
Whom does Jemima marry?

question:
The Small House at Allington concerns the Dale family, who live in the "Small House", a dower house intended for the widowed mother (Dowager) of the owner of the estate. The landowner, in this instance, is the bachelor Squire of Allington, Christopher Dale. Dale's mother having died, he has allocated the Small House, rent free, to his widowed sister-in-law and her daughters Isabella ("Bell") and Lilian ("Lily").
Lily has for a long time been secretly loved by John Eames, a junior clerk at the Income Tax Office, while Bell is in love with the local doctor, James Crofts. The handsome and personable, somewhat mercenary Adolphus Crosbie is introduced into the circle by the squire's nephew, Bernard Dale. Adolphus rashly proposes marriage to portionless Lily, who accepts him, to the dismay of John Eames. Crosbie soon jilts her in favour of Lady Alexandrina de Courcy, whose family is in a position to further his career. Lily meets her misfortune with patience, and remains single, continuing to reject Eames, though retaining his faithful friendship. Bell marries Dr Crofts, after refusing an offer of marriage from her cousin Bernard.
As with all of Trollope's novels, this one contains many sub-plots and numerous minor characters. Plantagenet Palliser (of the "Palliser" series) makes his first appearance, as he contemplates a dalliance with Griselda Grantly, the now-married Lady Dumbello, daughter of the Archdeacon introduced earlier in the Chronicles of Barsetshire.
answer:
What is John Eames job?