Some context: Led Zeppelin is the eponymous debut studio album by English rock band Led Zeppelin. It was first released on 12 January 1969 in the United States and on 31 March 1969 in the United Kingdom by Atlantic Records. Featuring integral contributions from each of the group's four members, the album was recorded in October 1968 at Olympic Studios in London, and established their fusion style of both blues and rock music. It also attracted a large and devoted following to the band; Zeppelin's take on the emerging hard rock sound endeared them to parts of the counterculture on both sides of the Atlantic Ocean.
Led Zeppelin was produced by Jimmy Page and engineered by Glyn Johns, both of whom had known each other since teenagers in the suburb of Epsom. According to Page, "The first album is a live album, it really is, and it's done intentionally in that way. It's got overdubs on it, but the original tracks are live." Page reportedly used natural room ambience to enhance the reverb and recording texture on the record, demonstrating the innovations in sound recording he had learned during his session days. Up until the late 1960s, most music producers placed microphones directly in front of the amplifiers and drums. For Led Zeppelin, Page developed the idea of placing an additional microphone some distance from the amplifier (as far as twenty feet) and then recording the balance between the two. By adopting this "distance equals depth" technique, Page became one of the first producers to record a band's "ambient sound": the distance of a note's time-lag from one end of the room to the other. Another notable feature of the album was the "leakage" on the recordings of Plant's vocals. In a 1998 Guitar World interview, Page stated that "Robert's voice was extremely powerful and, as a result, would get on some of the other tracks. But oddly, the leakage sounds intentional." On "You Shook Me", Page used the "backward echo" technique. It involves hearing the echo before the main sound (instead of after it), and is achieved by turning the tape over and recording the echo on a spare track, then turning the tape back over again to get the echo preceding the signal. The album was one of the first albums to be released in stereo-only form; at the time, the practice of releasing both mono and stereo versions was the norm.
did it make it big?
A:
Some context: Phineas P. Gage (1823-1860) was an American railroad construction foreman remembered for his improbable[B1]:19 survival of an accident in which a large iron rod was driven completely through his head, destroying much of his brain's left frontal lobe, and for that injury's reported effects on his personality and behavior over the remaining 12 years of his life--effects sufficiently profound (for a time at least) that friends saw him as "no longer Gage". [H]:14 Long known as the "American Crowbar Case"--once termed "the case which more than all others is calculated to excite our wonder, impair the value of prognosis, and even to subvert our physiological doctrines" --Phineas Gage influenced 19th-century discussion about the mind and brain, particularly debate on cerebral localization, [M]:ch7-9[B] and was perhaps the first case to suggest the brain's role in determining personality, and that damage to specific parts of the brain might induce specific personality changes. [M]:1,378[M2]:C :1347 :56
Despite his own optimism, Gage's convalescence was long, difficult, and uneven. Though recognizing his mother and uncle (summoned from Lebanon, New Hampshire, 30 miles away)[H]:12[M]:30 on the morning after the accident, on the second day he "lost control of his mind, and became decidedly delirious". By the fourth day, he was again "rational ... knows his friends", and after a week's further improvement Harlow entertained, for the first time, the thought "that it was possible for Gage to recover ... This improvement, however, was of short duration." Beginning 12 days after the accident,[M]:53 Gage was semi-comatose, "seldom speaking unless spoken to, and then answering only in monosyllables", and on the 13th day Harlow noted, "Failing strength ... coma deepened; the globe of the left eye became more protuberant, with ["fungus"--deteriorated, infected tissue][M]:61,283 pushing out rapidly from the internal canthus [as well as] from the wounded brain, and coming out at the top of the head." By the 14th day, "The exhalations from the mouth and head [are] horribly fetid. Comatose, but will answer in monosyllables if aroused. Will not take nourishment unless strongly urged. The friends and attendants are in hourly expectancy of his death, and have his coffin and clothes in readiness." Galvanized, Harlow "cut off the fungi which were sprouting out from the top of the brain and filling the opening, and made free application of caustic [i.e. crystalline silver nitrate][M]:54[H1]:392 to them. With a scalpel I laid open the [frontalis muscle, from the exit wound to the top of the nose][H1]:392 and immediately there were discharged eight ounces [250 ml] of ill-conditioned pus, with blood, and excessively fetid." ("Gage was lucky to encounter Dr. Harlow when he did", wrote Barker. "Few doctors in 1848 would have had the experience with cerebral abscess with which Harlow left [Jefferson Medical College] and which probably saved Gage's life." [B]:679-80 See SS Factors favoring Gage's survival, below.) On the 24th day, Gage "succeeded in raising himself up, and took one step to his chair". One month later, he was walking "up and down stairs, and about the house, into the piazza", and while Harlow was absent for a week Gage was "in the street every day except Sunday", his desire to return to his family in New Hampshire being "uncontrollable by his friends ... he went without an overcoat and with thin boots; got wet feet and a chill". He soon developed a fever, but by mid-November he was "feeling better in every respect ... walking about the house again". Harlow's prognosis at this point: Gage "appears to be in a way of recovering, if he can be controlled".
Did he fully recover?
A:
walking about the house again". Harlow's prognosis at this point: Gage "appears to be in a way of recovering, if he can be controlled".