At the inception of the Premier League in 199293, just eleven players named in the starting line-ups for the first round of matches hailed from outside of the United Kingdom or Ireland. By 200001, the number of foreign players participating in the Premier League was 36 per cent of the total. In the 200405 season the figure had increased to 45 per cent. On 26 December 1999, Chelsea became the first Premier League side to field an entirely foreign starting line-up, and on 14 February 2005 Arsenal were the first to name a completely foreign 16-man squad for a match. By 2009, under 40% of the players in the Premier League were English.
How many of the original Premier League players in the 1992-93 season hailed from outside the UK or Ireland?
eleven

Black people is a term used in certain countries, often in socially based systems of racial classification or of ethnicity, to describe persons who are perceived to be dark-skinned compared to other given populations. As such, the meaning of the expression varies widely both between and within societies, and depends significantly on context. For many other individuals, communities and countries, "black" is also perceived as a derogatory, outdated, reductive or otherwise unrepresentative label, and as a result is neither used nor defined.
Can the term "black people" have different meanings?
the meaning of the expression varies widely both between and within societies, and depends significantly on context.

Almost all of the composers who are described in music textbooks on classical music and whose works are widely performed as part of the standard concert repertoire are male composers, even though there has been a large number of women composers throughout the classical music period. Musicologist Marcia Citron has asked "[w]hy is music composed by women so marginal to the standard 'classical' repertoire?" Citron "examines the practices and attitudes that have led to the exclusion of women composers from the received 'canon' of performed musical works." She argues that in the 1800s, women composers typically wrote art songs for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed to be not notable as composers. In the "...Concise Oxford History of Music, Clara Shumann [sic] is one of the only [sic] female composers mentioned." Abbey Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts."
What gender are most composers described in music textbooks?
male