Problem: Background: The Cars are an American rock band that emerged from the new wave scene in the late 1970s. The band originated in Boston, Massachusetts, in 1976, with singer, rhythm guitarist, and songwriter Ric Ocasek; singer, songwriter and bassist Benjamin Orr; lead guitarist Elliot Easton; keyboardist Greg Hawkes; and drummer David Robinson. The Cars were at the forefront in merging 1970s guitar-oriented rock with the new synthesizer-oriented pop that was then becoming popular and which would flourish in the early 1980s. Robert Palmer, music critic for The New York Times and Rolling Stone, described the Cars' musical style by saying: "they have taken some important but disparate contemporary trends--punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop--and mixed them into a personal and appealing blend."
Context: Before the Cars, members of the band performed together in several different incarnations. Ric Ocasek and Benjamin Orr met in Cleveland, Ohio in the 1960s after Ocasek saw Orr performing with his band the Grasshoppers on the Big 5 Show, a local musical variety program. The two were in various bands in Columbus, Ohio and Ann Arbor, Michigan before re-locating to Boston in the early 1970s. In Boston, Ocasek and Orr, along with lead guitarist Jas Goodkind, formed a Crosby, Stills and Nash-style folk rock band called Milkwood. They released one album, How's the Weather, on Paramount Records in 1973 that failed to chart. After Milkwood, Ocasek and Orr formed the group Richard and the Rabbits, whose name was suggested by Jonathan Richman. The band included Greg Hawkes, who had studied at the Berklee School of Music and had played saxophone on Milkwood's album. Hawkes left to tour with Martin Mull and His Fabulous Furniture, a musical comedy act in which Mull played a variety of instruments. Ric Ocasek and Ben Orr then performed as an acoustic duo called simply Ocasek and Orr at the Idler coffeehouse in Cambridge. Some of the songs they played became the early Cars songs. Later, Ocasek and Orr teamed up with guitarist Elliot Easton (who had also studied at Berklee) in the band Cap'n Swing. Cap'n Swing also featured drummer Glenn Evans, later followed by Kevin Robichaud, and a jazzy bass player, which clashed with Ocasek's more rock and roll leanings. Benjamin Orr was the lead vocalist and did not play an instrument. Cap'n Swing soon came to the attention of WBCN disc jockey Maxanne Sartori, who began playing songs from their demo tape on her show. After being rejected by several record labels, Ocasek got rid of the bass player and drummer and decided to form a band that better fit his style of writing. Orr took over on bass and Robichaud was replaced by David Robinson, best known for his career with the Modern Lovers. Robinson had also played in DMZ and the Pop! Hawkes returned to play keyboards and the band became "The Cars," a name suggested by Robinson, whose sense of fashion would have a strong influence on the band's image.
Question: Who was their producer?
Answer:

IN: Barclay was born in Chicago Heights, Illinois. He attended La Lumiere School, a private college preparatory boarding school in La Porte, Indiana. On scholarship, he was one of the first African-Americans to attend the school, Barclay went on to Harvard College, where he was extremely active in student musical theatre productions and the a cappella singing group The Harvard Krokodiloes.

Following his graduation from Harvard, he worked as a copywriter and creative supervisor at Grey, BBDO, Cunningham & Walsh, and Marsteller. Barclay then moved into music video directing and production through his own company, Black & White Television. He directed music videos for Bob Dylan ("It's Unbelievable"), the New Kids On The Block ("Games" ), Janet Jackson and Luther Vandross ("The Best Things in Life Are Free" ). Most notably, he created eight videos for LL Cool J, including "Mama Said Knock You Out", which won awards from both MTV and Billboard--and went on to be listed by The Rock and Roll Hall of Fame as one of the 500 songs that shaped rock and roll. In 2013, Complex Magazine ranked "Mama Said Knock You Out" as one of the top 50 rap videos of the 1990s, crediting it with creating "one of the most crucial links in establishing the cultural bridge between boxing and rap." Barclay was often hired to direct videos for films, introducing audiences to House Party (1990), White Men Can't Jump (1992), Mo' Money (1992), Posse (1993), and Cool Runnings (1993), among others. In 2012, Barclay directed his first music video in 16 years, working once again with LL Cool J and R&B star Joe on the video for "Take It". Also drawing on his music video experience was Barclay's episode ("The Coup") of the Steven Spielberg-produced NBC series Smash, in which TV Fanatic said that the Barclay-directed number for the original song "Touch Me" (written by OneRepublic's Ryan Tedder) "pushed the boundaries from traditional Broadway show to music video level."

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OUT: Also drawing on his music video experience was Barclay's episode ("The Coup") of the Steven Spielberg-produced NBC series Smash,

Background: Marvin Neil Simon (born July 4, 1927) is an American playwright, screenwriter and author. He has written more than 30 plays and nearly the same number of movie screenplays, mostly adaptations of his plays. He has received more combined Oscar and Tony nominations than any other writer. Simon grew up in New York during the Great Depression, with his parents' financial hardships affecting their marriage, giving him a mostly unhappy and unstable childhood.
Context: Simon's characters are typically portrayed as "imperfect, unheroic figures who are at heart decent human beings", according to Koprince, and she traces Simon's style of comedy to that of Menander, a playwright of ancient Greece. Menander, like Simon, also used average people in domestic life settings, the stories also blending humor and tragedy into his themes. Many of Simon's most memorable plays are built around two-character scenes, as in segments of California Suite and Plaza Suite. Before writing, Simon tries to create an image of his characters. He says that the play, Star Spangled Girl which was a box-office failure, was "the only play I ever wrote where I did not have a clear visual image of the characters in my mind as I sat down at the typewriter." Simon considers "character building" as an obligation, stating that the "trick is to do it skillfully". While other writers have created vivid characters, they have not created nearly as many as Simon: "Simon has no peers among contemporary comedy playwrights," states biographer Robert Johnson. Simon's characters often amuse the audience with sparkling "zingers," believable due to Simon's skill with writing dialogue. He reproduces speech so "adroitly" that his characters are usually plausible and easy for audiences to identify with and laugh at. His characters may also express "serious and continuing concerns of mankind ... rather than purely topical material". McGovern notes that his characters are always impatient "with phoniness, with shallowness, with amorality", adding that they sometimes express "implicit and explicit criticism of modern urban life with its stress, its vacuity, and its materialism." However, Simon's characters will never be seen thumbing his or her nose at society."
Question: were these characters from a tv show?
Answer:
Many of Simon's most memorable plays