Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input case for you: Context_1 : Some of the recording artists mentioned in this list are no longer signed by Barsuk, including Death Cab for Cutie, Rilo Kiley and SMOOSH. Death Cab For Cutie have signed to the major label Atlantic Records, but continue to release vinyl versions of their records through Barsuk. Context_2 : The Revolutionary Hydra were an indie rock band on Barsuk Records based in Washington. It had a rotating cast of members, including Bart Sharp, Joe Chilcote, Jay Chilcote, Benjamin Gibbard (of Death Cab for Cutie), Chris Walla (also of Death Cab for Cutie), Allisyn Levy, Robbie Skrocki, Nathan Good, and Herbert Bergel. Context_3 : Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997. The band comprises Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Dave Depper (guitar, keyboards, vocals), Zac Rae (keyboards, guitar), and Jason McGerr (drums). In 2014, founding guitarist and producer Chris Walla announced that he would be departing from the band after recording their eighth studio album, "Kintsugi". Context_4 : Directions: The Plans Video Album is a Grammy-nominated video album from Death Cab for Cutie, corresponding to their major-label debut album Plans. It was released on April 11, 2006 on Atlantic Records/Warner Music Group. Conceptualized by executive producers Aaron Stewart-Ahn and the band's bass player Nick Harmer proposals from around the world were submitted to Death Cab for Cutie, and a budget was allowed for 12 finalists to create videos that would translate their visions of every song from "Plans". "Directions" also includes an interview with the band, directors' statements, treatments and profiles, animatics, and artwork, along with two bonus videos, "Jealousy Rides With Me" and "Talking Like Turnstiles." Context_5 : Caifanes is a Spanish-language rock en espanol band from Mexico City. Formed in 1987, the group achieved international fame during the late 1980s and early 1990s. The original lineup consisted of Saul Hernandez (vocals & guitar), (lead guitar) Sabo Romo (bass guitar), (drums), and (keyboards and saxophone). Caifanes' style can be described as a hybrid of British new wave, progressive rock and Latin percussion underscored by deep, somber, and Latin American-Mexican-Spanish-influenced lyrics and the vocal style of Saul Hernandez. Members of Caifanes have cited King Crimson and Teresa Escogido as a major influence. Context_6 : Michael Schorr is the former drummer of Death Cab for Cutie with whom he recorded "The Photo Album" and two of their EPs "The Forbidden Love E.P." and "The Stability E.P.". He has also played for The Long Winters. Speaking of Schorr in 2003, Benjamin Gibbard noted that Death Cab for Cutie "parted ways with our last drummer [Michael Schorr] because let's just call them creative differences. It was nothing sinister, evil or violent." Context_7 : Kintsugi is the eighth studio album by American indie rock band Death Cab for Cutie, released on March 31, 2015, on Atlantic Records. Recorded at Eldorado Recording Studios, in Burbank, California, "Kintsugi" is produced by Rich Costey, and is the first Death Cab for Cutie album to feature an outside producer. The album was nominated for Best Rock Album at the 58th Grammy Awards. Context_8 : The Prom is a piano-driven indie band. Chris Walla (of Death Cab for Cutie) has done mixing for The Prom (the 3-song EP "Saloon Song") and they are on the Barsuk label which Death Cab For Cutie was with until 2005. The core of their sound is electric bass, piano and drums but their recordings sometimes also include organ, toy piano, synthesizer, guitar, violin, cello, flute, trumpet, and trumpet. The three members all contribute on vocals and on the organ. Context_9 : iTunes Originals Death Cab for Cutie (2005) is an iTunes Originals release from the band Death Cab for Cutie. It features exclusive live studio versions of songs spanning Death Cab For Cutie's career, including "Underwater!", "Amputations", and "Soul Meets Body". It includes an interview with Ben Gibbard and Chris Walla and video footage from the recording session. Context_10 : Death Cab for Cutie has released eight studio albums, five extended plays (EPs), a demo tape, a digital album, one live album, fifteen singles, nine music videos, and two DVDs. Death Cab for Cutie is an American indie rock group from Bellingham, Washington and was formed in 1997 by Ben Gibbard as a side project from Pinwheel. After releasing a demo tape, he added guitarist Chris Walla, bassist Nick Harmer, and drummer Nathan Good to the band. Death Cab signed to Barsuk Records and released four extended plays (EPs) and four studio albums through the label. The fourth album, "Transatlanticism", reached number 97 on the "Billboard" 200 and was eventually certified gold in the United States. The group also issued nine singles and a demo tape through Barsuk. fact_1 : Death Cab for Cutie is an American alternative rock band, formed in Bellingham, Washington in 1997. fact_2 : Caifanes is a Spanish-language rock en espanol band from Mexico City. Answer: no
Output:
Were the bands Death Cab for Cutie and Caifanes formed in the same city?