In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

[Q]: Sonny James 20 All Time Greatest Hits . Received the CD in a timely fashion. It was just what I wanted
[A]: POS

[Q]: The best of all . I have heard several Bohemes in my time - my favorites being the versions with Pav and Freni; Tebaldi and Bergonzi; and this one. Neither of the first two can match this recording in overall effect. Karajan with Pav/Freni, while firmly in possession of his own wonder, misses by a hair Beecham's sensuous conducting logic. Also Pav is not the best Rodolfo: he sings too opulently to convey a blue, starving poet. The Tebaldi/Bergonzi set is a sure contender, and might have stood right with this one if its sound weren't so bad. Now as for this set itself - three words say it: Bjoerling with Beecham. These were two of the finest artists of the last century, and it is a blessing to have this record of their collaboration. Jussi, while perhaps not as romantic as Bergonzi, was a Rodolfo for all time. That ringing golden tenor truly could build castles in air. And hell, he was romantic enough for comfort. Add Beecham, and, if you please, you've got glory. His pacing is perfect. Just listen to about midway through "che gelida manina," where Bjoerling soars and Beecham expands the tempo to let Jussi's voice raise the rafters and burn deep. And I tell you what, Jussi could burn. The quantity of air that man had was astonishing at the least, and he didn't waste it: his phrases are easy, well-drawn, and thrilling. I have no important complaints about anyone else in the cast. I actually prefer de Los Angeles's Mimi, though I think she sometimes doesn't support high notes with enough air. As for the orchestra, there are a few mishaps where accurate entrances with the singers are concerned, but that is hardly surprising - the ensemble was assembled in roughly two days and its memebers had barely played with one another or with Beecham. The sound of the set isn't as good as one might expect from the Great Recordings series, but it is acceptable, and a well-informed ear can fill in any lacking overtones. Buy it. You'll love it for many years, and then pass down through your family
[A]: POS

[Q]: Another step forward for the mighty Sepultura! . Dante XXI What a fantastic album! A huge achievement by a band that continues to produce excellent music despite a huge amount of criticism from fans of Cavalera-era Sepultura. It's surprising that people can't get over the fact that Max Cavalera left a whole decade ago. Since then Sep have moved on and I doubt they would have made Dante XXI had Max still been at the helm. Frankly, bands should be applauded for pushing the boundaries of themselves and their fans. If you follow a band, it's sometimes worth having a little faith in them, I feel. I guess we fall in love with a band after hearing a couple of albums and that those albums become the band. But the band themselves have a totally different perspective! The music they produce is a product of the dynamics of the members of the band, their abilities, relative strengths, experience, musical preferences etcetera. All of these factors can change over time; indeed SHOULD change over time. Hence, aspects of Sep's music have changed also. How sad would it be to say that Sepultura had learnt nothing new in the last 10 years? That their music had been influenced by nothing that has happened to them? Why would anyone want them to keep copying the sound of their earlier work? Would you really want Sepultura to just regurgitate Arise and Chaos AD tracks? Wouldn't that just put them on a par with bands like Status Quo? How utterly tragic that would be. When playing live, they play a huge number of older songs because they know we want to hear them too. So, if you want older stuff, don't expect it on a new album - go see them live. They're better live than on a disc any day! Dante XXI is certainly more consistently thrashy than their other post-Cavalera output. (So, if you've been missing that aspect of Sepultura: here it is!) Green's vocals are awesome; there are terrific riffs and fantastic rhythm. It's hard to pick a favourite, but if pressed, I'd recommend you listen to 'Fighting On' - and turn it up VERY LOUD! With Dante XXI, Sepultura continue to successfully broaden the musical boundaries of both themselves and their fans. So, set aside your preconceptions and give this album a good listen - you'll love it.
[A]:
POS