IN: Francois-Marie Arouet (French: [fRa.swa ma.Ri aR.we]; 21 November 1694 - 30 May 1778), known by his nom de plume Voltaire (; French: [vol.te:R]), was a French Enlightenment writer, historian and philosopher famous for his wit, his attacks on the established Catholic Church and Christianity as a whole and his advocacy of freedom of religion, freedom of speech and separation of church and state.

Francois-Marie Arouet was born in Paris, the youngest of the five children of Francois Arouet (19 August 1649 - 1 January 1722), a lawyer who was a minor treasury official, and his wife, Marie Marguerite Daumard (c. 1660 - 13 July 1701), whose family was on the lowest rank of the French nobility. Some speculation surrounds Voltaire's date of birth, because he claimed he was born on 20 February 1694 as the illegitimate son of a nobleman, Guerin de Rochebrune or Roquebrune. Two of his older brothers--Armand-Francois and Robert--died in infancy, and his surviving brother Armand and sister Marguerite-Catherine were nine and seven years older, respectively. Nicknamed "Zozo" by his family, Voltaire was baptized on 22 November 1694, with Francois de Castagnere, abbe de Chateauneuf, and Marie Daumard, the wife of his mother's cousin, standing as godparents. He was educated by the Jesuits at the College Louis-le-Grand (1704-1711), where he was taught Latin, theology, and rhetoric; later in life he became fluent in Italian, Spanish, and English. By the time he left school, Voltaire had decided he wanted to be a writer, against the wishes of his father, who wanted him to become a lawyer. Voltaire, pretending to work in Paris as an assistant to a notary, spent much of his time writing poetry. When his father found out, he sent Voltaire to study law, this time in Caen, Normandy. But the young man continued to write, producing essays and historical studies. Voltaire's wit made him popular among some of the aristocratic families with whom he mixed. In 1713, his father obtained a job for him as a secretary to the new French ambassador in the Netherlands, the marquis de Chateauneuf, the brother of Voltaire's godfather. At The Hague, Voltaire fell in love with a French Protestant refugee named Catherine Olympe Dunoyer (known as 'Pimpette'). Their affair, considered scandalous, was discovered by de Chateauneuf and Voltaire was forced to return to France by the end of the year. Most of Voltaire's early life revolved around Paris. From early on, Voltaire had trouble with the authorities for critiques of the government. As a result, he was twice sentenced to prison and once to temporary exile to England. One satirical verse, in which Voltaire accused the Regent of incest with his daughter, resulted in an eleven-month imprisonment in the Bastille. The Comedie-Francaise had agreed in January 1717 to stage his debut play, OEdipe, and it opened in mid-November 1718, seven months after his release. Its immediate critical and financial success established his reputation. Both the Regent and King George I of Great Britain presented Voltaire with medals as a mark of their appreciation. He mainly argued for religious tolerance and freedom of thought. He campaigned to eradicate priestly and aristo-monarchical authority, and supported a constitutional monarchy that protects people's rights.
QUESTION: Why did his dad want him to be a writer?
IN: Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improvisor. Probably best known for his guitar work, Frith first came to attention as one of the founding members of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre, and Skeleton Crew. He has collaborated with a number of prominent musicians, including Robert Wyatt, Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittova, Jad Fair, Kramer, the ARTE Quartett, and Bob Ostertag.

Fred Frith has used a number of different guitars, including homemade instruments, over the years, depending on the type of music he is playing. For the more structured and refined music he has often used a Gibson ES-345, for example on his solo album, Gravity. For the heavier "rock" sound, as in Massacre, he has used an old 1961 solid body Burns guitar, created by the British craftsman Jim Burns. On his landmark Guitar Solos album, Frith used a modified 1936 Gibson K-11 guitar (q.v. for details). For Frith's early unstructured music, as with Henry Kaiser on With Friends Like These, and his early table-top guitar solo performances, he used a homemade six- and eight-string double-neck guitar created by a friend, Charles Fletcher. Frith told DownBeat magazine in 1983: "It was the one and only guitar that he ever built ... he constructed it mainly out of old pieces from other guitars that I had, and for the body I think he used an old door." The possibilities offered by homemade instruments prompted Frith to start creating his own guitars, basically slabs of wood on which he mounted a pickup, a bridge, and strings stretched over metal screws. "The basic design of the instrument is supposed to be as rudimentary and flexible as possible," Frith said, "so I can use an electric drill to bore holes into the body of it to achieve certain sounds ... ." Frith uses a variety of implements to play guitar, from traditional guitar picks to violin bows, drum sticks, egg beaters, paint brushes, lengths of metal chain, and other found objects. Frith remarked: "It's more to do with my interest in found objects and the use of certain kinds of textures which have an effect on the string ... the difference between the touch of stone, the touch of glass, the touch of wood, the touch of paper - those kinds of basic elements that you're using against the surface of the strings which produce different sounds." In a typical solo improvising concert, Frith would lay a couple of his homemade guitars flat on a table and play them with a collection of found objects (varying from concert to concert). He would drop objects, like ball bearings, dried beans, and rice on the strings while stroking, scraping, and hitting them with whatever was on hand. Later he added a live sampler to his on-stage equipment, which he controlled with pedals. The sampler enabled him to dynamically capture and loop guitar sounds, over which he would capture and loop new sounds, and so on, until he had a bed of repeated patterns on top of which he would then begin his solo performance.
QUESTION:
What has his guitars sold for?