Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : The Detroit Film Critics Society is a film critic organization based in Detroit, Michigan, United States. It was founded in 2007 and comprises a group of over twenty film critics. To become a member, the critic must have reviewed at least twelve films a year in an established publication with no more than two per publication admitted. It presents annual awards at the end of the year, for the best films of the preceding year. Context_2 : Aquashow was the debut album by singer-songwriter Elliott Murphy and was reviewed by Paul Nelson in Rolling Stone along with Bruce Springsteen's "The Wild, the Innocent and the E Street Shuffle" under the headline "He's the Best Dylan since 1968" which earned them both the "New-Dylan" tag. When "Aquashow" was released on CD in 1988 it was reviewed by Robert Hilburn in the LA Times under the title "A Compelling Aquashow" and in 2006, thirty-three years after the original release, the album was called an "Album Classic" in a full-page review in UNCUT magazine. Context_3 : Fangoria is an internationally distributed American horror film fan magazine, in publication since 1979. At the height of its popularity in the 1980s and early '90s it was the most prominent horror publication in the world. Context_4 : Where There's a Will is the eighth Nero Wolfe detective novel by Rex Stout. Prior to its publication in 1940 by Farrar & Rinehart, Inc., the novel was abridged in the May 1940 issue of "The American Magazine", titled "Sisters in Trouble." The story's magazine appearance was "reviewed" by the FBI as part of its surveillance of Stout. Context_5 : You Are Not Alone is the second album from hip-hop group and songwriting duo Kinetics & One Love. Released on August 28, 2012, the album features guest appearances from Termanology, Wynter Gordon, Nitty Scott, Jon Bellion, Time Out Club's KTSB and the Lower East Side-based rapper and poet Accent. It also features guest production from Kenna Okoye. Within its first two hours on sale, the album broke the top ten on the iTunes hip-hop chart and climbed to #55 on the all albums iTunes chart. It also charted at No. 57 on "Billboard Magazine"'s R&B/Hip-Hop chart and No. 32 on its Heatseekers chart. Upon its release, "You Are Not Alone" was reviewed by "Billboard Magazine", MTV's Buzzworthy, "Vibe Magazine", "Complex Magazine","The Source Magazine" and "XXL Magazine". Context_6 : TEN is a 2014 thriller/horror film directed by Sophia Cacciola and Michael J. Epstein. The film had its world premiere on March 30, 2014 at the Boston Underground Film Festival and features an all-female ensemble cast. Michael Gingold of Fangoria described TEN as, "up to something a little different, looking to subvert audience expectations...and while TEN contains the scenario's requisite blood and nudity, it veers off in directions you likely won't see coming, both in narrative terms and in the way it explores questions of female identity." Lauren Shiro of Curve (magazine) wrote, "deeper still, the movie takes on a political and sociological stance, examining stereotypes, identity, and also the subtext and themes behind story lines." Jed Gottlieb of the Boston Herald described TEN, "imagine Scream crossed with The Usual Suspects...The art comes with meticulously framed shots full of color, the enjoyment with puzzling out the crazy plot twists." Context_7 : In academic publishing, a scientific journal is a periodical publication intended to further the progress of science, usually by reporting new research. Articles in scientific journals are mostly written by active scientists such as students, researchers and professors instead of professional journalists. There are thousands of scientific journals in publication, and many more have been published at various points in the past (see list of scientific journals). Most journals are highly specialized, although some of the oldest journals such as "Nature" publish articles and scientific papers across a wide range of scientific fields. Scientific journals contain articles that have been peer reviewed, in an attempt to ensure that articles meet the journal's standards of quality, and scientific validity. Although scientific journals are superficially similar to professional magazines, they are actually quite different. Issues of a scientific journal are rarely read casually, as one would read a magazine. The publication of the results of research is an essential part of the scientific method. If they are describing experiments or calculations, they must supply enough details that an independent researcher could repeat the experiment or calculation to verify the results. Each such journal article becomes part of the permanent scientific record. Context_8 : Maria Lalou (born in 1977) is a Greek visual artist and researcher focusing on the topic of view by sculptural installations as extensions of architecture. She is including the viewer's perspective in the completion of the works' significance, rooting her medium as Performance Art. From her early stage in the Arts, yet initially educated in Interior Architecture and Design and later in Fine Arts, she started composing performance-installations within the content of pseudo-scientific environments. Significant tool in her works is that particular identity of the white coat. The way Lalou is using the visual perception of the audience is making her work political and critical to the forms and cultural norms. In her research on the topic of view she has been including her article written for Roehampton University peer reviewed magazine and her first book publication [] in 2015. In parallel, since 2012 she has an ongoing collaboration with the Danish architect Skafte Aymo-Boot, on their archival research in the un-finished concrete volumes of 'polyktoikia' in the city of Athens. Since the early 2004 Lalou is sharing her time within the two cities of Athens and Amsterdam. Context_9 : Michael Gingold is an American journalist, screenwriter and the former editor-in-chief of "Fangoria" magazine. He joined "Fangoria" In 1990 as the managing editor and became the editor in chief in October 2015. On May 24th 2016 he announced via Facebook that he was no longer working for Fangoria. A month later, he was hired by Rue Morgue Magazine as their "east coast editor" and blogger. Context_10 : Timothy Hallinan (born 1949) is an American thriller writer, based in Southern California and Southeast Asia. In the 1990s, Hallinan created the erudite private eye Simeon Grist, who appeared in a total of six novels, all set in Los Angeles. The series was widely and well reviewed, with some titles appearing on critics "Ten Best" lists for the year in which they appeared, such as that of the Drood Review of Mystery, but did not achieve widespread popularity. Hallinan returned to publication in 2007 with a second series, set in Bangkok, where he has lived off and on since the early 1980s. The new series features a rough-travel writer named Philip ("Poke") Rafferty, who has settled in the Thai capital and is in the process of trying to cobble together a family comprising Rose, the former go-go dancer he loves, and a precocious street urchin named Miaow. The first book in the series is "A Nail Through the Heart" (William Morrow). In 2011 he launched a third series starring Junior Bender, private detective to Los Angeles' underworld elite. fact_1 : Michael Gingold of Fangoria described TEN as, "up to something a little different, looking to subvert audience expectations...and while TEN contains the scenario's requisite blood and nudity, it veers off in directions you likely won't see coming, both in narrative terms and in the way it explores questions of female identity." fact_2 : Fangoria is an internationally distributed American horror film fan magazine, in publication since 1979. Answer: 1979
Student:
Since what year has the magazine where Michael Gingold reviewed TEN been in publication?