input: Montana was traded to the Kansas City Chiefs in April 1993. His trade, along with the free-agent signing of star Los Angeles Raiders running back Marcus Allen to the Chiefs, generated much media attention and excitement in Kansas City. The Chiefs mailed three jerseys to Montana. One was number 3, his number from Notre Dame which the Chiefs had retired in honor of Hall of Fame kicker Jan Stenerud, who offered to let him wear it. Another was number 19, which he wore in youth football and also briefly in training camp of the 1979 season with San Francisco, and the third was number 16, which Hall of Fame quarterback Len Dawson offered to let Montana wear since the organization had retired it. Montana declined Dawson's and Stenerud's offers and wore 19 instead and signed a $10 million contract over three years. Montana was injured for part of the 1993 season, but was still selected to his final Pro Bowl and led the Chiefs in two come-from-behind wins in the 1993 playoffs, reaching the AFC Championship Game where Kansas City lost to the Buffalo Bills. In their Wild Card win over the Pittsburgh Steelers, he threw a 7-yard fourth down touchdown pass to send the game into overtime. Then against the Houston Oilers, he led the team to 28 second half points, including three touchdown passes to earn the 29th fourth quarter comeback win of his career. Including their two playoff victories that year (the Chiefs only had one prior playoff win since 1970 Super Bowl IV), the 1993 Chiefs won 13 games, tying the franchise record for wins in a season. Montana returned healthy to the Chiefs in 1994, starting all but two games. His highlights included a classic duel with John Elway (which Montana won, 31-28) on Monday Night Football, and a memorable game in week 2 when Montana played against his old team, the 49ers and Steve Young. In a much-anticipated match-up, Montana and the Chiefs prevailed and defeated the 49ers, 24-17. Montana led his team to a final playoff appearance in 1994.

Answer this question "What happened in 1993?"
output: Montana was traded to the Kansas City Chiefs in April 1993.

input: In June 2009, the band played a short set to launch This Book Is Broken at the North by Northeast festival. They played a mix of new songs from their then-upcoming album and old favourites, and were joined by Feist, who also joined them on their second visit to Mexico City in October. During the band's free performance at the Harbourfront Centre on July 11, 2009, they were joined by nearly all past contributors, including Feist, Emily Haines and James Shaw, Amy Millan and Evan Cranley, John Crossingham, Jason Collett and Julie Penner. This revue-like show celebrated other projects by members as well as including material from the then-upcoming album. Emcee Bruce McDonald announced the filming of a documentary directed by him and written by Don McKellar, Titled This Movie Is Broken, it includes concert footage and a fictional romance. Although McDonald announced at the concert that film submitted by fans would be used in the movie, the final cut of the movie included only one submission, a front-row recording of "Major Label Debut". Broken Social Scene released their fourth full-length album on May 4, 2010. Entitled Forgiveness Rock Record, it was recorded at Soma in Chicago, with John McEntire producing, and in Toronto at the studio of Sebastian Grainger and James Shaw. For the first time, Amy Millan, Emily Haines, and Leslie Feist recorded a track together (albeit at different times). This album was short-listed for the 2010 Polaris Music Prize. In August 2010, Broken Social Scene initiated their "All to All" remix series, which included seven different versions of the track from Forgiveness Rock Record. Every Monday a new remix was released and available for 24 hours via a different online partner. The first version, "All to All (Sebastien Sexy Legs Grainger Remix)", by Sebastien Grainger, was released August 9 via Pitchfork.

Answer this question "How many members were in the group?"
output:

input: Upon release, Girls was met with criticism regarding the all-white main cast in the otherwise culturally diverse setting of New York City (the only black actors in the pilot were a homeless man and a taxi driver, and the only Asian actress had the sole trait of being good at Photoshop). Agreeing that there is a lack of racial diversity on Girls, a comment from The Huffington Post argued that the issue is the industry as a whole. Lesley Arfin, a writer for the show, responded sarcastically to the controversy with the tweeted comment about a movie that highlights an African-American girl's rise from incestuous sexual abuse while living in Harlem: "What really bothered me most about Precious was that there was no representation of ME." Arfin later deleted the comment following criticism on social media claiming her tweet was racist. Dunham spoke publicly about the issues on several occasions. In an interview with IndieWire, she said: I am a half-Jew, half-WASP, and I wrote two Jews and two WASPs. Something I wanted to avoid was tokenism in casting. If I had one of the four girls, if, for example, she was African-American, I feel like -- not that the experience of an African-American girl and a white girl are drastically different, but there has to be specificity to that experience [that] I wasn't able to speak to. I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me. And only later did I realize that it was four white girls. As much as I can say it was an accident, it was only later as the criticism came out, I thought, 'I hear this and I want to respond to it.' And this is a hard issue to speak to because all I want to do is sound sensitive and not say anything that will horrify anyone or make them feel more isolated, but I did write something that was super-specific to my experience, and I always want to avoid rendering an experience I can't speak to accurately. Donald Glover guest starred as Sandy, a black Republican and Hannah's love interest, in the first two episodes of season two, which was criticized as tokenism in response to the initial backlash from the first season.

Answer this question "How did she respond to that?"
output:
I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me.