Q: What a shame that Alan Clarke has to be associated with this tripe. That doesn't rule it out however; get a group of lads and some Stellas together and have a whale of a time running this one again and again and rolling around on the floor in tears of laughter. Great wasted night stuff. Al Hunter homes in on a well publicised theme of the late 80s- that hooligans were well organised and not really interested in the football itself- often with respectable jobs (estate agent???). But how Clarke can convince us that any of the two-bit actors straying from other TV productions of low quality (Grange Hill) or soon to go on to poor quality drama (Eastenders) can for a nanosecond make us believe that they are tough football thugs is laughable. Are we really to believe that the ICF (on whom of course the drama is based) would EVER go to another town to fight with just SIX blokes?

The ICF would crowd out tube stations and the like with HUNDREDS. Andy Nicholls' Scally needs to be read before even contemplating a story of this nature. The acting is appalling and provides most of the laughs- Oldman is so camp it is unbelievable. Most of them look as though they should be in a bubble of bath of Mr Matey. A true inspiration to anyone with a digital video camera who thinks they can make a flick- go for it. OPTIONS:
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A: negative
Q: Of all the movies I have seen, and that's most of them, this is by far the best one made that is primarily about the U.S. Naval Airships (Blimps) during the WW-II era. Yes there are other good LTA related movies, but most use special effects more than any real-time shots. This Man's Navy has considerably more real-time footage of blimps etc. True, lots of corny dialog but that's what makes more interesting Hollywood movies, even today. P.S. I spent 10 years(out of 20) and have over 5,000 hours in Navy Airships of all types, from 1949 through 1959. Proud member of the Naval Airship Association etc. [ATC(LA/AC) USN Retired] OPTIONS:
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A: positive
Q: This movie is great! This movie is beautiful! Finally, a movie that portrays Moslems as PEOPLE, no stereotypes here. This movie is driven by the story, by the acting and above all by its theme, that of cultural affirmation and discovery. They may seem like cliches but they are not, at least not in this movie. The vista of the Grand Mosque of Mecca is absolutely stupendous and the audience is given a glimpse of a side of the Moslem world that is rarely of ever shown in the West. Here the people are caring, supportive, devout, tolerant and devoted to each other. What a welcomed and way overdue departure from the usual negative portrayals of Arabs. Outstanding movie. OPTIONS:
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A: positive
Q: All of the reviews here about how much ZP lacks plot, the acting is wooden, the orgy scene makes no sense, etc., all miss the main point.

Let's be honest. This is a movie made in the heady times of late 1960s and early 1970s Los Angeles. It is a movie meant to be watched while your are H-I-G-H out of your mind on some psychedelic substance.

Find some kind bud and smoke up, or get a mild hit of acid. Seriously, these straight and sober reviews of ZP miss the point. You can't get anything out of this movie in a straight frame of mind.

Until you've watched this movie on the big screen (which I am lucky to have done three times in the 1990s when ZP was quite rare) tripping out, you have no idea what this movie is all about.

If you insist on watching it not intoxicated, you can at least appreciate the ending when the crap blows up to the soundtrack of Pink Floyd's wonderful re-working of "Careful With That Axe, Eugene," "Come in Number 51, Your Time Is Up." OPTIONS:
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A: positive