Build a movie plot around this: What are Bob and Shirley looking for? a cemetery
Ans: The film opens to two muscle-bound men dressed in loincloths approaching a crypt. They open the doors, revealing a coffin. They remove the lid and exit the crypt, then the inhabitant of the coffin (Criswell) sits up to deliver an opening narration.The opening credits feature the image of "an immobile young woman clad in gold". The image was probably inspired by a memorable scene of Goldfinger (1964).Following the credits, the camera shifts to a lone Chevrolet Corvair driving down a California desert road. Its passengers Bob (William Bates) and Shirley (Pat Barrington) are arguing over the decision to use this night to search for a cemetery. Bob is a horror writer who hopes that the scene of a cemetery at night will bring him inspiration. The conversation ends when Bob accidentally drives the car off the road and over a cliff. The next scene opens to a nocturnal image of a fog-shrouded cemetery. The lonely figure of the Emperor (Criswell) walks towards a marble altar, sits, and then summons his "Princess of the Night", the Black Ghoul (Fawn Silver), who appears and bows before him. The Emperor warns that if the night's entertainment fails to please him, he will banish the souls of the entertainers to eternal damnation, indicating that he is an all-powerful demonic being.As the full moon appears, the Black Ghoul summons the first dancer of the night, a Native American woman (Bunny Glaser). The Black Ghoul explains that this woman loved flames, and that both she and her lovers died in flames. The woman dances and strips before the flames of the cemetery. The Black Ghoul then introduces the second dancer of the night, a street walker in life. While the woman dances, Bob and Shirley make their way to the cemetery and start observing the dance from a distance. Shirley suspects that they are observing a college initiation, though Bob seriously doubts her theory.The Emperor himself summons the third dancer, a woman who worshiped gold above else. The Golden Girl (Pat Barrington) dances in her turn, and the Emperor...

Build a movie plot around this: Who is yelling and screaming? Robert
Ans: At the New York Bulletin newspaper, its owner, Robert Drexel Gow (Charles Coburn), receives a teletype story that the newspaper's thirty-nine-year-old editor, Max Wharton (Alexander Knox), is resigning to enlist in the army. Robert is livid, both at the news and the method that he found out about the news. There is a second story on the teletype: Max's wife, the famous novelist Paula Wharton (Irene Dunne) (whom Max calls Paulie), is in Hollywood adapting her latest book into a movie screenplay. Max wants to do his duty as a citizen and responsible journalist to be close to the war (World War II). Robert's view is that without Max, the newspaper will fold because Max *is* the newspaper.From Hollywood, Paulie telephones Max and congratulates him on his decision. After Max informs her of the plan of basic training then possibly officer's candidate school, Paulie decides that she will move to where ever that school is to be close to him.After completion of basic training, Max sends Paulie a telegram that officer's candidate school is in Tetley Field, Florida. She doesn't quite understand Max's motivations, but she wants to see her husband succeed in this passion.Paulie arrives at Palmetto Court looking for bungalow 26D and meets the last tenant, Jan Lupton (Jeff Donnell), whose husband Roy has just graduated to second lieutenant. Jan gives Paulie the lowdown on life in 26D, and that life for the enlisted at Tetley Field is all work, work, work. With school, Jan relays a story she heard where once you're over 21 years of age, your brain doesn't absorb the material taught anymore. Max comes by the bungalow surprised to see his wife there already. They have a loving reunion. The Luptons say goodbye to the Whartons, who can now have a proper reunion.Max and Paulie discuss their upcoming life. Paulie wants to be just like all the other army wives living in the complex. With his difficulties in school, Max is concerned if he is doing the right thing for himself, for the country and for the...

Build a movie plot around this: What prevented the cop's son from being able to physically pass the test that would allow him to follow in his father's footsteps? an eye problem
Ans: Let's see how do I start by describing the awesome production; well alright first of all I know some peoples said that that this movie is in some way sending the wrong message about Christmas; but people let's be honest here; no matter what we think or want to believe in life there is all sort of peoples and wheather they are bad or good in maybe not as important as when thoses bad peoples get better and I think that this film is probably what the the message that they wanted to pass along. A cop's son who wanted to follow in his father's footsteps didn't passed his physical because of a problem in one of his eyes couldn't become a cop so got a job for a company as a security guard. On the other hand, this girl who promessed a dying person that she would take good care of her little girl and didn't had the money or the job or provide for her so she started to seal. Sealing is worng but the reason she was doing it was right, remember the love in her heart for that little girl mattered more here. One day she got caught by this bad man; well if you watch the movie I'm sure you will agree that that security guard's boss was defenetively even badder than the girl who stole. He made this security guard do things that no one agreeed but in the end love wins. I could say that this production is one of the most heart warming I ever seen and strongely encourage you to watch it. It might birng back the Christmas spirit that you may of lost along the way. I give a two tumbs up on this one.

Build a movie plot around this: Who mentions some of the pseudonyms that he's used over the years, including the name of Will's father? John
Ans: The film begins with Professor John Oldman (David Lee Smith) packing his belongings onto his truck, preparing to move to a new home. His colleagues show up to give him an impromptu farewell party: Harry (John Billingsley), a biologist; Edith (Ellen Crawford), an art history professor and devout Christian; Dan (Tony Todd), an anthropologist; Sandy (Annika Peterson), a historian who is in love with John; Dr. Will Gruber (Richard Riehle), a psychiatrist; Art (William Katt), an archaeologist; and his student Linda (Alexis Thorpe).As John's colleagues press him to explain the reason for his departure, he slowly, and somewhat reluctantly, reveals that he is a prehistoric caveman who has lived for more than 14 millennia, and that he relocates every ten years to keep others from realizing that he does not age. He begins his tale under the guise of a possible science-fiction story, but eventually stops speaking in hypotheticals and begins answering questions from a first-person perspective. His colleagues refuse to believe his story. John continues his tale, relating how he was a Sumerian for 2000 years, a Babylonian, and eventually went east to become a disciple of Gautama Buddha. He claims to have been given a chance to sail with Christopher Columbus (admitting that at the time he still believed the earth was flat) and to have befriended Van Gogh (one of whose original paintings he apparently owns, a gift from the artist himself).In the course of the conversation, each of John's colleagues questions his story based on knowledge from his or her own academic specialty. Harry, the biologist, struggles with how biology could allow for the possibility of a human being living for so long. Art, the archaeologist, questions John about events in prehistory. He exclaims that John's answers, though correct, could have come from any textbook. Will, the psychiatrist, questions if John feels guilt for outliving everyone he has ever known and loved, and threatens John with a gun (which ends up being unloaded) before temporarily...