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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Grevillea glauca, commonly known as bushman's clothes peg, cobblers peg tree or the beefwood tree, is a shrub or small tree that is native to Papua New Guinea and north-eastern Queensland, Australia. It usually grows to a height of between 2 and 10 metres and has leaves that are 6 to 20cm long and 1 to 6.5cm wide. Flowers are cream or greenish white and appear between April and August in the species native range. These are followed by rounded follicles that are 2.4 to 4cm long. Context_2 : "Follow the Drinking Gourd" is an American folk song first published in 1928. The "Drinking Gourd" is another name for the Big Dipper asterism. Folklore has it that fugitive slaves in the United States used it as a point of reference so they would not get lost. According to legend, the song was used by a conductor of the Underground Railroad, called Peg Leg Joe, to guide some fugitive slaves. While the song may possibly refer to some lost fragment of history, the origin and context remain a mystery. A more recent source challenges the authenticity of the claim that the song was used to help slaves escape to the North and to freedom. Context_3 : The Peg Poowler, otherwise known as 'Peggy Powler the nice nan', is a dragon from English folklore with red scales, short hair and big teeth who is said to inhabit the River Tees. It bites the ankles of those who wander too close to the water's edge, especially nice children, and pulls them under the water and drowns them; in Middleton In Teesdale this is referred to as the High Green ghost. It is highly similar to the Dutch folklore figure Haantje Pik, the Slavic water spirit Vodyanoy, Kalle met de Haak from West-Flanders and the German water spirit Hastrman. Grindylows and Jenny Greenteeth are similar water spirits. Context_4 : The cadejo (] ) is a supernatural character from Central American and southern Mexican folklore. There is a good white cadejo and an evil black cadejo. Both are spirits that appear at night to travelers: the white to protect them from harm during their journey, the black (sometimes an incarnation of the devil) to kill them. The colors of the cadejo are sometimes exchanged according to local tradition. In some places, the black cadejo is seen as the good one and the white cadejo the evil one. They usually appear in the form of a large (up to the size of a cow), shaggy dog with burning red eyes and a goat's hooves, although in some areas they have more bull-like characteristics. According to the stories, many have tried to kill the black cadejo but have failed and perished. It is also said that if a cadejo is killed, it will smell terrible for several days, and then its body will disappear. Some Guatemalan folklore also tells of a cadejo that guards drunks against anyone who tries to rob or hurt them. When the cadejo is near, it is said to bring about a strong goat-like smell. Most people say never to turn your back to the creature because otherwise you will go crazy. Speaking to the cadejo will also induce insanity. Context_5 : Canadian folklore is the traditional material that Canadians pass down from generation to generation, either as oral literature or "by custom or practice". It includes songs, legends, jokes, rhymes, proverbs, weather lore, superstitions, and practices such as traditional food-making and craft-making. The largest bodies of folklore in Canada belong to the aboriginal and French-Canadian cultures. English-Canadian folklore and the folklore of recent immigrant groups have added to the country's folk. Context_6 : Jenny Greenteeth is a figure in English folklore. A river hag, similar to Peg Powler or a grindylow, she would pull children or the elderly into the water and drown them. The name is also used to describe pondweed or duckweed, which can form a continuous mat over the surface of a small body of water, making it misleading and potentially treacherous, especially to unwary children. With this meaning the name is common around Liverpool and southwest Lancashire. Context_7 : Gerdes Folk City (sometimes spelled Gerde's Folk City) was a music venue in the West Village, part of Greenwich Village, Manhattan, in New York City. Initially opened as a restaurant called Gerdes, by owner Mike Porco, it eventually began to present occasional incidental music. First located at 11 West 4th Street (in a building which no longer exists), it moved in 1970 to 130 West 3rd Street. It closed in 1987. On January 26, 1960, Gerdes turned into a music venue called The Fifth Peg, in cooperation with Izzy Young, the director of the Folklore Center. The Fifth Peg's debut bill was gospel folk singer Brother John Sellars and Ed McCurdy, writer of the anti-war classic "Last Night I Had the Strangest Dream". Porco and Young had a falling-out, and on June 1, 1960, Gerdes Folk City was officially born with a bill featuring folksingers Carolyn Hester and Logan English. At this time Gerdes Folk City was booked by a folk enthusiast Charlie Rothschild (who later became Judy Collins' longtime manager) and English. Gerdes Folk City was suddenly one of the central music venues of the era. It became one of the most influential American music clubs, before finally losing its lease in 1987. ""Rolling Stone" Book of Lists" called Folk City one of the three top music venues in the world, along with The Cavern and CBGB. Folk City helped to launch the careers of several world-renowned musical stars from Bob Dylan to Sonic Youth, and showcased numerous music styles from folk to alternative rock. Context_8 : The Argentine Currency Board pegged the Argentine peso to the U.S. dollar between 1991 and 2002 in an attempt to eliminate hyperinflation and stimulate economic growth. While it initially met with considerable success, the board's actions ultimately failed. In contrast to what most people think, this peg actually did not exist, except only in the first years of the plan. From then on, the government never needed to use the foreign exchange reserves of the country in the maintenance of the peg, except when the recession and the massive bank withdrawals started in 2000. Context_9 : Jennifer Oxley is the creative director of "Wonder Pets" and "3rd & Bird", children's television series that were head written by "Welcome to the Wayne" creator Billy Lopez and appear on Nick Jr., Noggin, and CBeebies. She is the co-creator of the PBS children's program "Peg + Cat", which Lopez is also a head writer for. She has won an Emmy Award and a Humanitas Award for her work on the Nick Jr. show "Little Bill". Context_10 : A grindylow or grundylow is a folkloric creature that originated from folktales in the English counties of Yorkshire and Lancashire. The name is thought to be connected to Grendel, a name or term used in "Beowulf" and in many Old English charters where it is seen in connection with meres, bogs and lakes. fact_1 : The Peg Poowler, otherwise known as 'Peggy Powler the nice nan', is a dragon from English folklore with red scales, short hair and big teeth who is said to inhabit the River Tees. fact_2 : A grindylow or grundylow is a folkloric creature that originated from folktales in the English counties of Yorkshire and Lancashire. Answer: English
Solution:
Peg Powler and grindylow both appear in which countrys folklore?