input: After he was made a Johnny's Jr. member in 2000, Akanishi was part of a number of groups like Musical Academy Dancing, J2000 and B.A.D., before being drafted into a six-member unit in 2001 with other juniors Kazuya Kamenashi, Junnosuke Taguchi, Koki Tanaka, Tatsuya Ueda and Yuichi Nakamaru. Though the group was originally meant to only be backup dancers for Koichi Domoto of KinKi Kids, the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN, an acronym formed by the first letter of the members' surnames. Despite the group's popularity (they even released DVDs of their live concerts in 2003 and 2005--a first for Johnny's groups that hadn't debuted), they were not allowed to make their bow until five years later in 2006, to immense success. Much to the Japanese public's surprise, Akanishi announced in a press conference on October 13, 2006, that he was leaving the country to study English abroad for an indefinite amount of time. Despite his absence, KAT-TUN were obliged to continue its activities Akanishi finally returned from Los Angeles in the United States after six months on April 19, 2007. He quickly resumed work by joining his bandmates on their nationwide tour on April 21. Akanishi was also a songwriter for the group, having written songs for KAT-TUN and for himself, including "Hesitate", "Love or Like" (from Cartoon KAT-TUN II You), "Lovejuice" (B-side of the limited edition 2 of "Don't U Ever Stop"), "Care" (from Break the Records: By You & For You), and "Wonder". The song "Wonder" is a collaboration with R&B artist, Crystal Kay in 2009, and Akanishi also featured in her song "Helpless Night". He can play the guitar and has composed both music and lyrics for "Murasaki (murasaki)", "ha-ha" and "Pinky". He also collaborated with bandmate Ueda to create the song, "Butterfly" (from Best of KAT-TUN).

Answer this question "Were they successful?"
output: the sextet's unexpected popularity led their agency to allow them to expand into a separate group called KAT-TUN,

input: Louis Bobet was born one of three children above his father's baker's shop in the rue de Montfort, Saint-Meen-le-Grand, near Rennes. His father gave him a bicycle when he was two and after six months he could ride it 6 km. Bobet's father was also called Louis and the son was called Louison - little Louis - to avoid confusion The ending -on is a diminutive in French but outside Brittany Louison refers more usually to a girl. He was known as Louis in his early years as a rider, even as a professional, until the diminutive Louison gained in popularity. His sister played table tennis, his brother Jean football, although he also became a professional cyclist. Louison played both table tennis and football and became Brittany champion at table tennis. It was his uncle, Raymond, who was president of a cycling club in Paris who persuaded him to concentrate on cycling. Bobet's first race was a 30 km event when he was 13. He came second in a sprint finish. He raced in his local area and won four events for unlicensed riders in 1941. He qualified for the final of the unofficial youth championship, the Premier Pas Dunlop in 1943 at Montlucon and came sixth. The winner was Raphael Geminiani, who would become a professional team-mate and rival. Bobet is said to have carried messages for the Resistance during the second world war. After D-Day he joined the army and served in eastern France. He was demobilised in December 1945.

Answer this question "Are there any other interesting aspects about this article?"
output: His father gave him a bicycle when he was two and after six months he could ride it 6 km.

input: Mendes was born in Niteroi, Brazil, the son of a physician. He attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late 1950s just as bossa nova, a jazz-inflected derivative of samba, was emerging. Mendes played with Antonio Carlos Jobim (regarded as a mentor) and many U.S. jazz musicians who toured Brazil. Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Sergio Mendes & Brasil '65 group name with Capitol Records and Atlantic Records. Sergio became full partners with Richard Adler, a Brooklyn-born American who had previously brought Bossa Tres plus two dancers, Joe Bennett and a Brazilian partner, to appear on The Ed Sullivan Show, in 1963. He was also accompanied by Jobim; Flavio Ramos, and Aloisio Olivera, a record and TV producer from Rio. The Musicians Union only allowed this group to appear on one TV show and one club appearance (Basin Street East) before ordering them to leave the U.S. When the new group, Brasil '65 was formed, Shelly Manne, Bud Shank and other West Coast musicians got Sergio and the others into the local musicians union. Adler and Mendes formed Brasil '65, which consisted of Wanda Sa and Rosinha de Valenca, as well as the Sergio Mendes Trio. The group recorded albums for Atlantic and Capitol.

Answer this question "Did he always want to play jazz?"
output:
He attended the local conservatory with hopes of becoming a classical pianist.