instruction:
In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.
question:
Question: Which of Hyam's male co-stars in Alias Jimmy Valentine was the oldest? Passage:She made her first film in 1924, and with her blonde hair, green eyes, delicate features, and good-natured demeanor, was cast in a string of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling the small roles she was assigned, and over a period of time, she came to be taken seriously as an actress. By 1928, she was playing starring roles, achieving success in MGM's first talkie release, Alias Jimmy Valentine (1928) opposite William Haines, Lionel Barrymore, and Karl Dane. The following year, she appeared in the popular murder mystery The Thirteenth Chair, a role that offered her the chance to display her dramatic abilities as a murder suspect. At Fox that same year, she appeared in director Allan Dwan's now lost romantic adventure The Far Call opposite Charles Morton. The quality of her parts continued to improve as the decade turned, including a role as Robert Montgomery's sister in the prison drama The Big House (1930) with Chester Morris and Wallace Beery, for which Hyams once again received positive reviews. She then appeared in Surrender (1931) in which Warner Baxter and Ralph Bellamy desperately competed for her attention.
Links: a. Lionel Barrymore b. Lionel Barrymore c. The Big House (1930 film) d. Alias Jimmy Valentine (1928 film)
answer:
d

question:
Question: What were the names of the parents of the musician Bolland particularly embraced? Passage:Growing up as "and only child in a house without culture," (Bolland says that his "mother and father had no use for art, literature or music"), he embraced the late 1960s pop culture explosion of "pirate radio stations, music (particularly Frank Zappa...), drug taking, psychedelia, "peace and love," "dropping out," the underground scene, Oz Magazine," and other aspects of hippy culture epitomised by underground comix such as Robert Crumb's Zap Comix. Having taken both O-Level and A-Level examinations in art, Bolland spent five years at art school (starting in 1969) learning graphic design and Art history. Learning to draw comics, however, was "more a self-taught thing," with Bolland eventually writing a 15,000-word dissertation in 1973 on Neal Adams an "artist [his teachers] had never heard of." He would later recall:
Links: a. Neal Adams b. Graphic design c. Zap Comix d. Frank Zappa
answer:
d

question:
Question: How many years did the owner of the private observatory live? Passage:It would seem that Gill's interests lay elsewhere since after a few years he sold the business, and then spent time equipping Lord Lindsay's private observatory at Dun Echt, Aberdeenshire. In 1874, Gill joined the expedition to Mauritius to observe the transit of Venus. Three years later he went to Ascension Island to observe a near approach of Mars and to calculate its distance. While carrying out these laborious calculations, he was notified of his appointment to the Cape Observatory, which, over the following 27 years he was to refurbish completely, turning it into a first-rate institution. Gill was a meticulous observer and had a flair for getting the best out of his instruments. His solar parallax observations with a heliometer and his calculations of distances to the nearer stars, are testimony to his outstanding work. He recruited Robert Innes to the Cape Observatory.
Links: a. South African Astronomical Observatory b. Aberdeenshire (historic) c. James Lindsay, 26th Earl of Crawford d. South African Astronomical Observatory
answer:
c