An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Paperhouse is the most moving and poignant film I've ever seen. Often classed as a "horror movie" this, I believe, is a grave error. Some journo once called it "the thinking person's Nightmare on Elm Street" and while I accept the logic of his conclusion I can't help but think it's a tag that is ill deserved and misleading. Those that can only see horror are truly missing out here and only serves to demonstrate they're really not thinking at all.

In fact, just attempting to classify this wonderful work is probably a bad idea. Quite simply, Paperhouse is perfect in every exquisite detail and will always have a special place in my heart. As someone wiser than me once said, "the film hits you on a completely emotional level", which may go some way to explaining why my comments are so unrelentingly gushing. To be honest, I make no apology for this so if you feel my words are too saccharine for your taste, stop reading now because there's more to come.

It's so rare to find a film that has at its heart the pain and heartache of childhood and the struggle to overcome the dreadful feelings of isolation and loneliness that can completely overwhelm us at this fragile time in our lives. Even more unusual to find child actors who can actually play their roles with the sensitivity and intelligence required to make it all work. In Charlotte Burke and Elliott Spiers we had an inspired piece of casting and the lasting impact of Paperhouse owes much to their ability to portray the melancholy and alienation of childhood (often overlooked) in a seamless and convincing way.

And yet both of these brilliant young stars seemed to have slipped through the grasp of the studios and have somehow faded away.

Add to all this an incredibly talented director (Bernard Rose), imaginative cinematography and the most beautiful and haunting soundtrack you're ever likely to hear and you may start to get an inkling of why I have such affection and affinity for this film that no amount of words can express.

Q: What's an example of a movie review?
An example of a movie review is here: William Wyler was to have directed this adaptation of Moss Hart's hit Broadway play with music/ recruiting poster-vivant, but his own military commitments intervened and it went to a most unlikely helmsman: George Cukor. The "women's director" has a sure touch on the many documentary-like sequences of Air Corps training, and he invests it with more unhackneyed humanity than the genre generally allowed, particularly in wartime. Sure, the gee-whiz (and entirely white, save for one unbilled Chinese-American recruit) bunch of newbies are nicer and more wholesome than in real life, and the speechifying about home and Mom and the wife and kid gets pretty thick, but it's efficient propaganda and undeniably stirring. Notable, too, for the all-military male cast, several of whom didn't reemerge for years: Lon McAllister, Edmond O'Brien, Martin Ritt, Red Buttons (in drag, as an Andrews Sister), Peter Lind Hayes, Karl Malden, Kevin McCarthy, Gary Merrill, Lee J. Cobb, and Don Taylor. Also for a very early glimpse of Judy Holliday, who doesn't show up till an hour and a half into the picture but has some good little sequences as O'Brien's worried-sick Brooklyn spouse. Too bad its rights are in a tangle and the only print anyone knows of is 16mm; evidently, after Twentieth Century Fox released it (to considerable success), the rights reverted to the Army, and if there's a good 35mm print out there, it probably lies somewhere in the bowels of the Pentagon. It's disingenuous and corny in spots, but it also captures the rigors of military training and the terrors of war vividly, and it deserves to be more widely seen.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: I can't think of much to say about this film.

This was an awful movie...I can't even tell you what made me decide to view it. It had SO few redeeming qualities that I don't even know where to begin.

The plot moved from implausible to downright absurd. My entire body was tense throughout the duration of the movie because I could not wait for the awful thing to be over and done. By the end of the movie, I found myself feeling beyond relieved.

The editing was poor, the acting was sub-par, and the storyline was weak. Francoise Robinson was cast as a Native American, even though she does not even closely resemble someone of Native American heritage.

If a movie is going to be this idiotic, it should be laughably stupid -- at the very least. It wasn't. It was just pathetic.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: Although i am inclined to agree with the other comments made by people who have seen this movie, i am ashamed to say i rather like it. Not often can such a huge pile of 80s pap be found outside of a Wham! video, so it is most definitely worth a viewing (0.79 a night in my local store!). Watch out for the insanely obvious seams and zip on the monster's costume, the fact that the 'hero' looks a lot like Keith Chegwin and such classic lines as the following: Evil Wizard-Type Bloke: "At last we meet Kor..." Kor: "Thrilling, isn't it?"

Amazing!!I also like the fact that although the video box looks quite exciting with images of a castle surrounded by raging seas and a dangerous falcon-like bird carrying a handsome hero to safety (among other such 'interesting and engaging' suggestions of what goes on in the actual film, none of them actually happen. No, I'm not joking...there really isn't a raging sea or a ferocious bird, it's just trying to make you interested...classic in my opinion. This film gets 10 for pure entertainment value!!
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
A much undervalued film that tells the story of a young musician caught in an ever-declining spiral of domestic violence.

At times difficult to watch, while Morris Day is portrayed as the misogynist, Prince as the knight on (motorcycle) steed, he is still called upon to twice beat a woman as part of the screenplay. That he can do this and still emerge as a flawed but vindicated hero is credit to the writing. Prince is so free of ego in this film that not only does he portray himself as a narcissistic megalomaniac who beats women, but his most famous song is fictionalised as being written by his father and Wendy & Lisa. Even further, two of his compositions - Computer Blue (admittedly the album's weakest track) and Darling Nikki - are shown as being songs that kill off an audience. Perhaps the only concession to the Princely ego is a card that lists the (slightly shorter than Prince) Apollonia as 5'6.

The nearly complete-amateur cast are mainly band members playing themselves (and reviewers who slate the actors on the terms that they've never appeared in other movies are completely missing the point), and do perfectly well under the direction. Morris Day gets most of the plaudits for his likable ham, though Jerome Benton must also get credit for bouncing off him well, particularly their stage act, which is hilarious. Day and Benton even go so far as to make an Abbott and Costello routine funny, which takes some doing.

Lastly, there's Prince. While I admit to bias, I do actually think he's a pretty good actor in terms of being able to portray a low-key version of himself. Acting ISN'T his profession, this was a film made for entertainment, so anyone pointing out that the guy in the lead role isn't Robert DeNiro and thinking they're making a point is sadly deluded. I don't want this review to be a derisory attack of other people's comments, but I've even this film slated as having a low budget and being darkly lit. How would a film about domestic violence be shot, then? With full overhead spotlights and a CGI dinosaur walking into frame?

The film acts almost as a perfect snapshot of the neon light and skinny tie era until you remember that it was actually made in a world of curly perms and tinny synths, and this isn't some retro-recreation. Prince's best film with Oscar-winning music, it sees him at his zenith, and it's saddening to realise that, even though he would make some fine albums, he would never again capture this high.