Q: Question: What does Ruppert call his unique interpretation? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Collapse Context: Americans generally like to hear good news. They like to believe that a new president will right old wrongs, that clean energy will replace dirty oil and that fresh thinking will set the economy straight. American pundits tend to restrain their pessimism and hope for the best. But is anyone prepared for the worst?Meet Michael Ruppert, a different kind of American. A former Lost Angeles police officer turned independent reporter, he predicted the current finacial crisis in his self-published newsletter. From the Wilderness, at a time when most Wall Street and Washington analysts were still in denial. Director Chris Smith has shown an affinity for outsiders in films like American Movie and The Yes Men. In Collapse, he departs stylistically from his past documentaries by interviewing Ruppert in a format that recalls the work of Errol Morris and Spalding Gray.Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He draws upon the same news reports and data available to any Internet user, but he applies a unique interpretation. He is especially passionate about the issue of "peak oil," the concern raised by scientists since the seventies that the world will eventually run out of fossil fuel. While other experts debate this issue in measured tones, Rupperts doesn't hold back at sounding an alarm, portraying an apocalyptic future. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway back and forth on what to make of the extremism. Smith lets viewers form their own judgments.Collapse also serve as a portrait of a loner. Over the years, Ruppert has stood up for what he believes in despite fierce opposition. He candidly describes the sacrifices and motivators in his life. While other observers analyze details of the economic crisis, Ruppert views it as symptomatic of nothing less than the collapse of industrial civilization itself.
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Q: Question: What does Emmeline toss the oar at? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Blue Lagoon Context: It is the Victorian era in the South Pacific. Two young children, cousins Richard and Emmeline Lestrange (Glenn Kohan and Elva Josephson) are sailing with Richard's father, Arthur (William Daniels), to San Francisco. When the ship suddenly catches fire, the ship's cook, Paddy Button (Leo McKern), gathers the children in a lifeboat and rows away from the wreck. However, due to dense smoke, heavy fog, and general chaos, they are separated from the children's father, who has escaped on a separate dinghy, and drift out to sea. After a day or two afloat, they arrive on the shores of a lush, tropical island. Paddy assumes responsibility for the children and, over an indeterminable amount of time, teaches them how to find food and build shelter, though he can't deter them from taking their shirts off and running about half naked.One day he discovers a stone altar covered in blood and the remains of what appear to be a human sacrifice. He warns the children to stay away from that place, telling them it's 'the law' and that the boogeyman lives there. He also tells them to never eat a certain scarlet berry that Emmeline finds, presumably to keep them from eating anything uncertain. He calls them 'never-wake-up berries'. The memory of having the berries temporarily in her mouth haunts Emmeline for the rest of the film. Because Paddy talks of being 'dead n' buried' if they eat the berries, Emmeline associates the words with them and renames them 'dead n' berries'.One day, Paddy discovers a barrel of rum or whiskey washed ashore from the sunken ship. He and the children have a little fun that night, dancing around a fire, though Paddy is obviously inebriated. When the children fall asleep, he takes the barrel and swims to a smaller, nearby island. The children wake up in the morning and take the rowboat out to where they see Paddy lying in the sand. Thinking he's merely asleep, they flip him over to see that he's died in a drunken binge. A crab crawls out of his mouth and Emmeline faints. Richard brings her back to the...
A: Insufficient information to provide an answer.

Q: Question: How does Sean's vendetta against Castor culminate ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Face/Off Context: September 1991:In a flashback, FBI Special Agent Sean Archer (John Travolta) is taking his six year old son Michael for a ride on the Griffith Park carousel in downtown Los Angeles. As they ride around, Archer runs his hand over Michael's face and smiles.Meanwhile, Castor Troy (Nicolas Cage) sets up a suppressed sniper rifle on the hill overlooking the carousel. He takes aim at Archer, waits until he gets a clean shot, and fires. The bullet hits Archer in the back, and he and his son fall off the horse, leaving a noticeable bloodstain on the horse's mane. Three balloons are seen drifting away into the sky.Moments later, Archer is shown lying on his stomach, in pain, the bullet having gone cleanly through his body as bystanders rush over to him. Though bleeding, he sees Michael lying a few feet away, dead, the bullet having struck him in the head. Tears stinging his eyes, Archer crawls over and holds his dead son's body while Castor looks up from the scope of his rifle, stunned to see that he has just killed a child. The carousel horse Archer was riding on spins round and round and quickly fades out.Six Years Later:Archer is the field agent in charge of the FBI's Los Angeles field office and has been relentlessly pursuing Castor ever since the assassination attempt. Castor is a career terrorist, responsible for countless terrorist bombings, aircraft hijackings, and political assassinations, among other crimes. Archer looks at a wall documenting a long list of commendations given to him for his years of dedicated hard work and service, then somberly holsters his pistol and approaches his coworkers. We see that Archer carries the burden of his son's death on his shoulders at all times from his walk. He is agitated that his closest agents, Tito Blondi (Robert Wisdom), Wanda (Margaret Cho), Buzz (James Denton), and Loomis (Matt Ross) have no information on Castor's latest whereabouts.Meanwhile, Castor poses as a minister to sneak into the Los Angeles Convention Center, where he assembles and arms a big bomb called...
A:
When archer had to break out of prison