IN: Stan Kenton was born on December 15, 1911 in Wichita, Kansas; he also had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, had moved the family back to Colorado, then, finally in 1924 to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning piano as a teen from a local pianist and organist.

When composer/arranger Pete Rugolo joined the Stan Kenton Orchestra as staff arranger in late 1945 he brought with him his love of jazz, Stravinsky and Bartok. Given free rein by Kenton, he experimented constantly, creating a sound that was at the same time innovative and popular. Although Kenton himself was already creating somewhat experimental scores prior to Rugolo's tenure, it was Rugolo who brought to the band the extra-jazz influences and the ultra-experimental approach that were to dominate the band through much of its existence. During his first six months on the staff Rugolo tried to copy Kenton's sound. But on encouragement from the leader, he explored his own voice. By incorporating compositional techniques borrowed from the modern classical music he had studied, with the dramatic excitement of the Kenton sound, Rugolo helped catapult the Kenton band into one of its most fertile and creative periods. After a string of mostly arrangements, Rugolo turned out three originals that Kenton featured on the band's first album in 1946: (Artistry in Rhythm): "Artistry in Percussion", "Safranski" and "Artistry in Bolero". Added to this mix came "Machito", "Rhythm Incorporated", "Monotony" and "Interlude" in early 1947 (though some were not recorded until later in the year). These compositions, along with June Christy's voice, came to define the Artistry in Rhythm band. It was during this period that Cuban rhythms started infiltrating the Kenton sound. Rugolo's 1946 composition "Machito", named after the great Cuban band leader that had impressed Kenton, was a regular on concerts in 1947 and 1948. During the subsequent Progressive Jazz era the Cuban sound would become more profound, an influence that was to remain with Kenton until his death. The Artistry in Rhythm outfit was a powerful band, with outstanding soloists, but with one foot firmly in the tradition. By early 1947, the Stan Kenton Orchestra had reached its highest point of financial and popular success. They played in the best theaters and ballrooms in America, they had hit records ... and the schedule was killing Kenton. Dances at the many ballrooms were typically four hours a night. Theater dates generally involved playing mini concerts between each showing of the movie, sometimes five or six a day, stretching from morning to late night. Most days not on location were spent in buses or cars, racing from town to town. Days off from performing were rare. And for Kenton they just allowed for more record signing, radio station interviews, and pushing the Capitol brand. He was beat. Following an April performance in Tuscaloosa, he broke up the band.
QUESTION: Are there any other interesting aspects about this article?
IN: Jordan Haworth Peele (born February 21, 1979) is an American actor, comedian, writer, producer, and director. Peele appeared for five seasons as a cast member on Mad TV, and starred with Keegan-Michael Key in the Comedy Central sketch series Key & Peele. In 2014, he had a recurring role in the first season of the FX anthology series Fargo, based on the 1996 film of the same name. Peele's 2017 directorial debut, the horror film Get Out, earned critical acclaim and was a box office success.

Peele regularly performed at Boom Chicago in Amsterdam and The Second City in Chicago. He and Nicole Parker were well known for their musical duets at Boom Chicago. He portrayed a popular character called "Danish Supermodel Ute" during his time at Boom Chicago and hosted MTV's Comedy Weekend in 2002. In 2003, Peele joined the cast of Mad TV for its ninth season. Around the time Keegan-Michael Key joined the cast as a featured performer, it was assumed that Key would be chosen over Peele. The two of them ultimately were cast together after showing great comedic chemistry. Peele performed celebrity impersonations, which included favorites Caroll Spinney (as the voice of Big Bird from Sesame Street), Ja Rule, James Brown, Flavor Flav, Justin Guarini, Montel Williams, Morgan Freeman and Forest Whitaker. Peele was absent from the first four episodes of his second season on Mad TV. He made a cameo in "Weird Al" Yankovic's video "White & Nerdy" with Mad TV co-star Keegan-Michael Key. Peele was nominated for a 2008 Emmy Award for his song "Sad Fitty Cent", a music video parody about 50 Cent lamenting over his rivalry with Kanye West. The lyrics were, according to the music video, written by Peele, and he was involved in arranging its music. In 2009 he appeared in Little Fockers. Peele appeared in a viral video titled "Hillary vs Obama" (which was shown as a Mad TV sketch) where he and a Hillary Clinton supporter (played by short-term cast member Lisa Donovan) argue over whether Hillary Clinton or Barack Obama would make a better president, only to get upstaged by a Rudy Giuliani supporter (played by Donovan's brother, Ben). Peele auditioned to be a castmember for Saturday Night Live when SNL producers were looking for someone to play Barack Obama (around the time when SNL and Mad TV -- and other scripted shows -- were put on hiatus due to the 2007-2008 Writers Guild of America strike). Peele remained at Mad TV and the role went to Fred Armisen until September 2012, when Jay Pharoah took over the role. After five seasons on Mad TV, Peele left the cast at the end of the 13th season.
QUESTION:
Is that the only time he hosted Comedy Weekend?