Article: Jot down a title if you canmay be a source of inspiration. However, it's not essential at this stage. If the title just isn't coming to you, skip this step and wait for the story itself to suggest a title to you. Think of a key image you may want to convey. For instance, in "To Kill a Mockingbird", the mockingbird is mentioned only a few times, but because it was mentioned in the title, it has a greater meaning than it normally would. First, you'll need to get some inspiration. Reading books about the subject you're writing about may help you to come up with a list of inspiring ideas for your own writing. Use such material to get yourself thinking about stories and plots and what you're writing about. Go into a dark and silent room (it's best when you're home alone), stuff your face into a pillow, and just think. Bring a notebook, and whatever comes to your mind, write it down. (Or speak it into that audio machine.) Once you have several good ideas you like, it's time to work on plotting. Take your favorite idea, and work with it. Develop a plot and an outline, characters, and never forget to always put in crazy plot twist. Keep your readers on the edge of their seats. If you're looking for a program that will help with outlining, Scrivener is a useful writing program that helps with outlining. Think about what you're writing about. If it's about animals, spend time around the animal you're writing about (or, any animal), and study it, and how it acts. As for researching it, look it up, read books about it, and so forth. This can only do you good. Say you're writing about some brainiac computer people who code websites and games and stuff. In that case, learn everything about computers that you can, learn the code language they use, and so on. This is the really fun part. Name the characters. A name can be anything. It can be random gibberish you make (put together letters you like), the meaning can have something to do with the story, or, it can simply be a name that sounds pretty, to you. Once you have your name, start visualizing your character. What do they look like? What do they talk like? What do they like to do? And, the most important, and hardest question: What are they like? What's their personality? Personalization (the art of making personalities for characters) is both fun, and, hard. Don't make them too much like you. They have to have faults. They have to be really unique.
Question: What is a summary of what this article is about?
Think of a title. Know the plot ahead of time. Brainstorm. Create the plot. Do your research. Develop the characters.

Problem: Article: The affected ear should be facing up, with your other ear facing the ground. You can make yourself more comfortable by lying down or placing your head against a cushion. It's best to use an eyedropper to avoid adding too much. It doesn't matter which option you choose, as all will work. However, saline solution and peroxide are sterile, which means they're less likely to cause an infection if they get stuck in your ear. Do not put any fluid into your ear if you may have an infection or perforated eardrum. Gravity will pull the fluid down into your ear, where it will soften the wax. It only takes a minute or so for this to happen. Don't wait longer than a few minutes, as the liquid could travel further into your ear. The loosened wax should start to drain from your ear with the help of gravity. You may want to place a towel under the ear to catch it. If you're lying down, simply turn over. As an alternative, you could use a bulb syringe to suck out the loosened wax. The doctor can examine your ear to make sure that it's just earwax. They can also use a more precise technique to remove the wax, if necessary. If you've tried to remove ear wax using items like cotton swabs, then it's possible that you've accidentally made it more compacted. The doctor can help with this.
Summary: Tilt your head to the side. Drip 2-3 drops of water, saline solution, or peroxide into your ear. Wait at least a minute for the fluid to drip down into your ear. Tilt your head to the other side to allow the wax to drain. See your doctor if your ear is still congested.

These photos will help you tell the story you want to tell. The clientele should be excited and intrigued by what they see in the brochure. Some good examples include: A smiling visitor hugging a dolphin at a sea life attraction, or a woman relaxing with a massage in an open-air spa that overlooks the tropical sunset. Make sure the photos are in color, and have a high-quality resolution. Do not use stock photos which generally look fake, and off-putting. Use real life images, or photos you have taken yourself at the location. People enjoy seeing others having fun, so try to include photos of people enjoying themselves at your destination rather than showing an empty hotel room or deserted beach. This will invite readers to project themselves into the photo. Each vacation will have a different feel/tone. You will want to convey whether your destination is relaxing, exciting, or somewhere in between. To convey a relaxed feeling appropriate for a spa, use muted pastel tones. Children's destinations are best marketed with bright, bold colors. Historical site brochures can be given an "antique" feeling with sepia and earth tones. For each panel of the brochure, use the same color. If there are different colors for each panel, it can become distracting and gaudy. While you never want to distract the viewer too much, these three things can help in the aid of the story you are trying to tell. Use a thin border to contain each of the panels in your brochure. A thick border can become distracting. The border should be a color that is a slightly darker/lighter shade of the tone that you use for the rest of the brochure. If you want to highlight key points of your story, use bullet points or asterisks. Generally, 3-4 is the range you want to stay in. Try to highlight things that are not written about in the sentences. Designs can also help, such as stars, rainbows, arrows, etc. Add these where and when you see fit. Once more, do not overuse these, and bog down the viewer in the visuals. The clientele should want to read more, not necessarily look more. The 3-4 sentence sections should match what the visuals are saying. For example, if you are talking about restaurants in your section, use a picture of a restaurant. If you are a student, a standard folded piece of paper will work just fine. However, professionals should look into printing brochures at facilities that specialize in printing. Tell the printing company that you want the brochures printed on high-quality paper. Cheap, flimsy paper can easily be torn, ripped, or water-damaged. Thick, coated paper provides resistance to accidents, and can be carried around mush easier. If you wind up needing to use your home or business printer, just make sure to use thick, heavy paper. The settings of your printer should be set to the highest pixel quality so that your pictures come out clean and crisp. Make sure the printing company has not dramatically changed/altered the layout or design of the brochure. For both professionals and students, this is a great time to go back and proofread one more time.
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One-sentence summary --
Choose eye-catching photos. Consider the color scheme carefully. Add in borders, asterisks, and designs. Organize the brochure so the copy and visuals work together. Invest in a professional printing company. Provide a final copy proof.