In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: STRANGER THAN FICTION angered me so much, I signed up on IMDb just to write this review. STRANGER THAN FICTION is a surprisingly complex, touching and thought-provoking movie until the very end. Once you suspend multiple lapses of logic (why didn't Will Ferrell hear Emma Thompson's voice 10 years ago when she fist started writing her book? "The phone rang. The phone rang again." How could she not know it's him calling? etc.), the movie challenges one's thoughts about mortality, fate, and sacrifice.The brief history of literary themes provided by Dustin Hoffman should especially entertain former English majors. And Maggie Gyllenhaal is always a pleasure, even though Will Ferrell might just as easily be an ax murderer as a bumbling soul. Her quick trust of him is a mighty big leap of faith.Ah, but the ending. Until the very end, I would have given 9 out of 10 stars to this movie. The movie as a metaphor for life's journey, as a tribute to the notion of 'writing true,' as a reminder that great literature is either comedy or tragedy, but not both, is outstanding. The entire movie leads the viewer to understand and accept the moment of Will Ferrell's fate. And no matter how endearing a character he may have become, we know full well why we will accept the ending. The last act occurs, the screen goes white, the credits roll. A profound and powerful end to an almost perfect film. An end that would have been debated for weeks.NO!!!!!!!!!! No credits rolled. Say it isn't so. Say Hollywood didn't tack on another 10 minutes of crap that completely undermined the integrity and heart of the movie. Dustin Hoffman got it right when he said, "It's no longer a masterpiece; it's OK." An apt review of the movie. Except to me, it wasn't even OK. I was so offended about the betrayal of 'writing true,' about the decision to pander the film that I actually burst into angry tears explaining this on the ride home from the movie. I don't often cry. I could care less about most movies, but I am still angry about this one.My questions for Zack Helm, the writer, are this: did the original movie end when the screen went white? And were you forced by the vapid movie powers-that-be to tack on an ending unfaithful to the core of the movie? Or did you tack that maudlin ending on yourself? I've read you're brilliant. I hope your original script ended the movie the first time.I know Zack Helm will never see this review, and I've been unable to find a contact for him to ask myself. But, please, movie-goers, am I the only one who feels this way about STRANGER THAN FICTION? One good thing came from me seeing this movie: I doubly admire LOST IN TRANSLATION now. Question: is it a positive review?

Answer: no

Question: Review: Antonio Margheriti's "Danza Macabra" aka. "Castle Of Blood" of 1964 is a beautiful and incredibly haunting masterpiece of Italian Gothic Horror, and after Mario Bava's "La Maschera Del Demonio" (aka. "Black Sunday") of 1960 and Roger Corman's "Pit And The Pendulum" of 1961 (starring the great Vincent Price) another must-see that earned the wonderful Barbara Steele her more than deserved fame as the most important female Horror icon in the history of motion pictures. But not only is the beautiful and brilliant Barbara Steele one of my favorite actresses of all-time, the screenplay to "Danza Macabra" was co-written by no one less than the cinematic genius Sergio Corbucci, who directed such ingenious Spaghetti Western milestones as "Django" (1966) and "The Great Silence" (1968). Italy's number 2 in the field (right after Mario Bava), Director Antonio Margheriti is one of the all-time masters of Gothic Horror, and "Castle of Blood" is doubtlessly his greatest achievement. Hardly another film works so brilliantly in creating an incredibly haunting, yet beautiful atmosphere as it is the case with this creepy masterpiece. When he encounters the famous writer of brilliant macabre stories, Edgar Allen Poe, in a gloomy London tavern, young journalist Alan Foster (Georges Riviere) accepts a bet from a nobleman, that he can not spend a night in his haunted castle in the night of all souls' eve. As soon as Foster enters the eerie castle, mysterious things start to happen. After a little while, however, he encounters an enchanting resident of the castle, the stunningly beautiful Elisabeth Blackwood (Barbara Steele). The mysterious events so far, however, have only been forebodings of the terrors the castle bears, however...The eerie castle setting alone would be sufficient to create a gloomy mood, the excellent black and white cinematography and a great score by Riz Ortolani create an incredibly haunting atmosphere that is eerie beyond comparison. The wonderful Barbara Steele is fantastic as always, I simply can not find enough words to praise this wonderful actress. No other actress has ever been capable of uniting ravishing beauty with the uncanny as it is the case with Steele, and no actress ever will. Besides Steele, the movie's cast contains another stunning beauty, Margarete Robsahm, and she also delivers a great performance. George Riviere's performance as Alan Foster is great, and the rest of the performances are also very good. "Castle of Blood" is outstanding in many departments: Barbara Steele Delivers one of her best performances, the cinematography and locations are beautifully haunting beyond comparison, the atmosphere is incredibly eerie... The film simply is a perfect whole of atmosphere, Gothic beauty and the art of terror. In short: "Castle of Blood" is one of the most atmospheric and greatest Gothic Horror films ever made, and must not be missed by anyone interested in the genre! 10/10 Question: is it a negative review?

Answer: no

Question: Review: I'm not alone in admiring the first Superman movie, a film that Richard Donner executed masterfully. I am also not alone in scorning Richard Lester's Superman 2... which brings us to the Richard Donner cut of the same movie, sadly it is still an absolute abomination.Superman's world is one where suspension of disbelief is required in strong doses, but Superman 2 stretches things too far. It doesn't matter who directed Superman 2 because the script insults the intelligence of a first grader. In a sense there is no plot because the characters have zero motivation to act the way they do, unlike the original superman. With or without his powers, Superman's strength (or lack thereof) is handled in the least believable manner. There is too much to criticize, so I will not bother. I condemn this movie... perhaps the slapstick in the Lester version is more appropriate to the moronic script this movie is based on. Super-Duper bad. Question: is it a positive review?

Answer:
no