In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : The 1953 NCAA football season finished with the Maryland Terrapins capturing the AP, INS, and UPI national championship after Notre Dame held the top spot for the first nine weeks. The #4 Oklahoma Sooners defeated Maryland in the Orange Bowl, but there was no further polling after the November 30 results were released. However, Notre Dame was selected as the National Champions by 10 other polls and the Oklahoma Sooners received first in 2 polls. However, despite the team receiving National Championship rings, the University of Notre Dame does not recognize this title due to their policy of only recognizing AP or coaches' poll titles during the polling era (1936-present). Maryland was also the first champion of the Atlantic Coast Conference, which had been formed earlier in 1953 by seven colleges formerly with the Southern Conference. The year 1953 also saw the Michigan State Spartans, previously an independent, join the Big Nine Conference, which then became the Big Ten; MSU won the conference title in that first year and was the conference representative to the Rose Bowl, which it won 28-20 over UCLA. Context_2 : The Badgeman were a four-piece indie rock band from Salisbury, Wiltshire formed in 1988, although music journalist Pete Frame claims in his book "Rockin Around Britain" that the band hailed from Melksham. The band has been variously categorised as Alternative rock, shoegazing, indie rock, psychedelic rock, and post punk. The band released two albums on Paperhouse Records, and appeared on two compilation releases, along with artists such as Nirvana, Lee Ranaldo of Sonic Youth, Echo and The Bunnymen, and The Wedding Present. Context_3 : Matt and Kim (sometimes stylized Matt & Kim) are an American indie electronic duo from Brooklyn, New York. The group formed in 2004 and consists of Matt Johnson (vocals/keyboards) and Kim Schifino (drums). The duo is known for its upbeat dance music and energetic live shows which often incorporate samples from other artists. Although they started their career playing shows in lofts and other close-quarters venues, they have since performed at numerous festivals, including Bonnaroo, Coachella, and the Firefly Music Festival. Context_4 : Ian Catt is a British record producer and multi-instrumentalist associated with several popular indie groups, including Saint Etienne, with whom he has been a touring member. He has also collaborated with Saint Etienne's vocalist Sarah Cracknell on her solo album, "Lipslide". Catt also produced several albums for Heavenly and is a long-standing collaborator of Bobby Wratten, working with his groups The Field Mice, Northern Picture Library, Trembling Blue Stars and Occasional Keepers. He was also an official member of the latter group for a short time. His solo project, Katmandu, released a single and album on the Vinyl Japan label in 1994. Context_5 : The Wedding Present are a British indie rock group originally formed in 1985 in Leeds, England, from the ashes of the Lost Pandas. The band's music has evolved from fast-paced indie rock in the vein of their most obvious influences The Fall, Buzzcocks and Gang of Four to more varied forms. Throughout their career, they have been led by vocalist and guitarist David Gedge, the band's only constant member. Context_6 : Trotsky Icepick is an American indie rock band. Their active period was 1983 through 1994. During that time they released six albums, all on SST Records. Members included alumni from LA indie groups, The Last, Urinals (100 Flowers), Middle Class and Leaving Trains. Context_7 : The Dr. Abram Jordan House (also known as the Wedding Present House) is located along the NY 23 state highway in Claverack, New York, United States. It is a brick Federal style house, with some Greek Revival decorative touches, built in the 1820s as a wedding present from a local landowner to his daughter and son-in-law. Context_8 : Neil Taylor (born 1959), was an English music journalist. He was born in Sutton Coldfield, West Midlands, and worked for music magazine the "NME" from approximately 1983 to 1987. Taylor is most closely associated with the "Indie" rock of that period. His early work on such bands as The Jesus & Mary Chain, the Wedding Present, Primal Scream, Bogshed, Big Flame, We've Got A Fuzzbox... and others helped cement the fledgling indie scene in 1984 and 1985, culminating in the release of the NME cassette tape C86. His influence on the paper at this time was such that he was once lampooned in a Ray Lowry cartoon for his indie stance. Context_9 : The Old Soul is a Canadian indie rock band formed in 2003 in Toronto. The ensemble was founded and is led by Luca Maoloni. They perform an eclectic variety of instruments in the same vein as other big band style indie groups such as The Arcade Fire. In Torontonian circles, they are known for live lyrical and musical variations on album standards. Context_10 : Beachbuggy were a rock group formed in early 1992 in Doncaster by Jack Straker (guitar/vocals), Jim VeVee (drums) and A.D (bass). The band's name reflected singer and main songwriter Jack's obsession with classic cars, drag racing and Americana. Musically, their earliest influences were UK indie bands such as The Fall, The Wedding Present and Cud and American rock groups such as Buffalo Tom and Sonic Youth. fact_1 : The Wedding Present are a British indie rock group originally formed in 1985 in Leeds, England, from the ashes of the Lost Pandas. fact_2 : Matt and Kim (sometimes stylized Matt & Kim) are an American indie electronic duo from Brooklyn, New York. Answer: The Wedding Present
Solution:
Between indie groups, The Wedding Present and Matt and Kim, which group formed earlier?