Problem: Background: Carl Franklin was raised outside of San Francisco, in Richmond, California. He never had the opportunity to know his biological father, who had died before Carl was born. Franklin was raised by his mother and stepfather. While Franklin speaks highly of his stepfather and has called him "very loving," he has spoken out about his stepfather's abusive tendencies, linking his outbursts to alcohol use.
Context: Franklin supports the portrayal of African-American history in films, and has been quoted as saying "I am interested in the universal values of the black experience." However, just because Franklin is a filmmaker who is African American does not mean that all of his films are racially motivated. Not all of his films revolve around a central theme of culture: some of his films cover racial issues, while others do not. Franklin maintains a wide subject range in his films, choosing not to focus solely on his heritage. As a prominent African-American filmmaker, Franklin stands apart from the rest in his careful selection of projects. While many of his most notable films touch on the subject of racial climates and the struggles that ensue, Franklin does not hide behind his race. Explaining to The L.A Times, "My ethnicity is a plus, a tool. It gives me ammunition in terms of the way I view the world. There are certain stories in the black community that inform us all." Combining his humanitarian instincts and personal experiences, Franklin stands out as a visionary for community improvement through his films. However, a large part of Franklin's remarkable journey revolves around the fact that he is black. Discussing the realities for African Americans in the television and film industry, Franklin said: "When I came up, the only legitimate dramatic actor was Sidney Poitier, the bankable star was Richard Pryor and the other choice roles were action parts that went to Jim Brown. Even someone as good as Billy Dee Williams had a couple of great moments and then couldn't get a decent part." With a very small window of opportunity for African Americans at the time that Franklin was getting his start, his skills and educational background contributed to his success. Franklin is a standout filmmaker regardless of his race, yet he is often praised for his ability to overcome adversity, and is recognized for his highly regarded opinion as well as his relevant contributions. In February 2000, Franklin was featured as a Black History Month guest speaker at Indiana University's ''Black Film Center/Archive''. The group hosted an event called A Night with Filmmaker Carl Franklin, which gave Franklin the opportunity to talk about his experience in the movie industry as well as show a preview of his film Devil in a Blue Dress. Franklin's appearance was highly regarded by many students who were honored to meet him in person.
Question: what awas the name of the short film he created in 1989?
Answer:

Problem: Background: James was born in Holton, Kansas; his mother, died in 1954 when he was five. His father was a janitor and a handyman. After four years at the University of Kansas residing at Stephenson Scholarship hall, James joined the Army in 1971. He was the last person in Kansas to be sent to fight in the Vietnam War, although he never saw action there.
Context: An aspiring writer and obsessive fan, James began writing baseball articles after leaving the United States Army in his mid-twenties. Many of his first baseball writings came while he was doing night shifts as a security guard at the Stokely-Van Camp's pork and beans cannery. Unlike most writers, his pieces did not recount games in epic terms or offer insights gleaned from interviews with players. A typical James piece posed a question (e.g., "Which pitchers and catchers allow runners to steal the most bases?"), and then presented data and analysis written in a lively, insightful, and witty style that offered an answer. Editors considered James's pieces so unusual that few believed them suitable for their readers. In an effort to reach a wider audience, James began self-publishing an annual book titled The Bill James Baseball Abstract beginning in 1977. The first edition, titled 1977 Baseball Abstract: Featuring 18 categories of statistical information that you just can't find anywhere else, presented 68 pages of in-depth statistics compiled from James's study of box scores from the preceding season and was offered for sale through a small advertisement in The Sporting News. Seventy-five people purchased the booklet. The 1978 edition, subtitled The 2nd annual edition of baseball's most informative and imaginative review, sold 250 copies. Beginning in 1979, James wrote an annual preview of the baseball season for Esquire, and continued to do so through 1984. The first three editions of the Baseball Abstract garnered respect for James's work, including a very favorable review by Daniel Okrent in Sports Illustrated. New annual editions added essays on teams and players. By 1982 sales had increased tenfold, and a media conglomerate agreed to publish and distribute future editions. While writers had published books about baseball statistics before (most notably Earnshaw Cook's Percentage Baseball, in the 1960s), few had ever reached a mass audience. Attempts to imitate James's work spawned a flood of books and articles that continues to this day.
Question: Why were his Baseball Abstracts successful?
Answer: Unlike most writers, his pieces did not recount games in epic terms or offer insights gleaned from interviews with players.

Problem: Background: Tamannaah Bhatia was born on 21 December 1989 in Mumbai, Maharashtra, India, to Santhosh and Rajani Bhatia. She has an elder brother, Anand. Her father is a diamond merchant. She is of Sindhi descent.
Context: In 2005, at the age of 15, she played the female lead in Chand Sa Roshan Chehra which was a commercial failure at the box office. The same year, she made her debut in Telugu cinema with Sri and in Tamil cinema with Kedi in 2006. IndiaGlitz in its review called Tamannaah as the "real scene-stealer" and stated that she "walks away with all honors", adding that her characters have shades of the characters played by Vijayashanti in Mannan (1992) and Ramya Krishnan in Padayappa (1999). Her first release of 2007 was Shakti Chidambaram's Viyabari in which she played the role of a journalist who wants to write an article about a successful entrepreneur played by S. J. Suryah. The film opened to negative reviews and flopped at the box office, but Tamannaah received praise for her performance. She got her breakthrough with Sekhar Kammula's Happy Days and Balaji Sakthivel's Kalloori, both of which featured Tamannaah as a college student. She won critical acclaim for her performances in both films. The commercial success of Happy Days and Kalloori established her career as an actress in both Telugu and Tamil films. Her performance in the latter earned her a nomination at the 56th Filmfare Awards South in the Best Tamil Actress category. Her first release of 2008 was the Telugu film Kalidasu directed by debutante G. Ravicharan Reddy. She was paired with debutante Sushanth, the grandson of actor Akkineni Nageswara Rao. Upon release, the film opened to moderate reviews and critics felt that she looked good and very romantic but had less scope to perform. The film was an average grosser at the box office. She later made a cameo appearance in the Telugu film Ready followed by another cameo appearance in the Telugu - Tamil bilingual Ninna Nedu Repu titled Netru Indru Naalai in Tamil.
Question: did she film any other movies?
Answer:
Her first release of 2007 was Shakti Chidambaram's Viyabari