Question: What is the name of the studio that asked the expatriate to provide music for a 1932 film? Answer the above question based on the context below: In the first years of the silent film era, from the 1890s, films were generally accompanied by live music, often improvised, provided by piano or pump organ. In the early 20th century, larger cinemas began to use orchestras, which would accompany the film with out-of-copyright classical pieces or, increasingly, with original compositions. The score for the 1916 classic The Birth of a Nation, compiled by Joseph Carl Breil from various classical works and some original writing, was a landmark in film music, and inspired notable composers of the day to provide scores for silent films. Among these were the Americans Victor Herbert and Mortimer Wilson, from France Darius Milhaud and Arthur Honegger, and the Germans Gottfried Huppertz and Edmund Meisel.In 1927 developments in sound technology brought the arrival of "talking pictures". In these, accompanying music was originally recorded on a disc, separately from the film images, but within two years the "Movietone" system enabled sound to be captured on the film itself. Music could now be aligned specifically with the film's on-screen actionthe so-called "diegetic" approach. Early pioneers of this method were the Germans Friedrich Hollaender and Karol Rathaus, who provided the music for The Blue Angel (1930) and The Murderer Dimitri Karamazov (1931) respectively. By this time in the Soviet Union, the young Dimitri Shostakovich had already begun his prolific career as a composer of film sound-tracks, with The New Babylon in 1929 and Alone in 1931.When planning their proposed film Lieutenant Kije in 1932, the Belgoskino studios of Leningrad asked the expatriate Prokofiev to write the accompanying music. In some respects Prokofiev was a surprising choice; he was at this stage better known abroad than in the Soviet Union, and had acquired a reputation for dissonance. Moreover, his ballet Le pas d'acier had fared badly at Moscow's Bolshoi Theatre in 1929. The composer's first response was to refuse the commission; a member of the production team recalled that...
Answer: Belgoskino
[Q]: What two people sing of how their souls will soon be united in heaven Answer the above question based on the context below: In his tent on the beach, Zurga notes that the storm has abated, as has his rage; he now feels remorse for his anger towards Nadir ("L'orage est calme"). Leila is brought in; Zurga is captivated by her beauty as he listens to her pleas for Nadir's life, but his jealousy is rekindled. He confesses his love for her, but refuses mercy ("Je suis jaloux"). Nourabad and some of the fishermen enter to report that the funeral pyre is ready. As Leila is taken away, Zurga observes her giving one of the fishermen her necklace, asking for its return to her mother. With a shout, Zurga rushes out after the group and seizes the necklace. Outside the temple, Nadir waits beside the funeral pyre as the crowd, singing and dancing, anticipates the dawn and the coming double execution ("Des que le soleil"). He is joined by Leila; resigned now to their deaths, the pair sing of how their souls will soon be united in heaven. A glow appears in the sky, and Zurga rushes in to report that the fishermen's camp is ablaze. As the men hurry away to save their homes, Zurga frees Leila and Nadir. He returns the necklace to Leila, and reveals that he is the man she saved when she was a child. He recognises now that his love for her is in vain, and tells her and Nadir to flee. As the couple depart, singing of the life of love that awaits them, Zurga is left alone, to await the fishermen's return ("Plus de crainte...Reves d'amour, adieu!"). (In the revised version of the ending introduced after the opera's 1886 revival, Nourabad witnesses Zurga's freeing of the prisoners and denounces him to the fishermen, one of whom stabs Zurga to death as the last notes sound of Leila and Nadir's farewell song. In some variations Zurga meets his death in other ways, and his body is consigned to the pyre.)
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[A]: Nadir
input: Please answer the following: Which of five auditoriums within the city limits hosts the Stambaugh Youth Concert Band? Answer the above question based on the context below: The community's culture center is Powers Auditorium, a former Warner Brothers movie palace that serves as the area's primary music hall while providing a home for the Youngstown Symphony Orchestra. This downtown landmark is one of five auditoriums within the city limits. Ford Recital Hall was built in 2006 as an addition to newly renovated Powers Auditorium. Imposing and neo-classical Stambaugh Auditorium, on the city's north side, has served for decades as a site of concerts and is often rented for private events. The facility also hosts the Stambaugh Youth Concert Band. Bruce Springsteen, who sang about the decline of Youngstown's steel industry and its adverse effects on local workers in his ballad "Youngstown", played at Stambaugh Auditorium on January 12, 1996, as part of his solo Ghost of Tom Joad Tour.The Youngstown Playhouse, Mahoning County's primary community theater, has served the area for more than 80 years, despite intermittent financial problems. Believed by some observers to be the oldest continuously operating community theater in the country, the Youngstown Playhouse was the only community theater in Ohio to ever receive major institutional support from the Ohio Arts Council. The Oakland Center for the Arts, formerly in the downtown area, was a well-known venue for locally produced plays before announcing its closure in 2015 due to poor management.Well known theatrical personalities from the Youngstown area include comedic actor Joe Flynn, screen actress Elizabeth Hartman, singer and Broadway performer Maureen McGovern, and television and screen actor Ed O'Neill.
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output: Stambaugh Auditorium
input: Please answer the following: What is the full name of the person who hires a babysitter to look after her son? Answer the above question based on the context below: A serial killer named Karl Hochman is known as "The Address Book Killer" due to his habit of stealing address books and choosing his victims from them. While he is working at a computer store, he obtains Terry Munroe's (Karen Allen) address book after another employee, who is demonstrating a scanner, copies a page of her address book into the computer. On a rainy night while heading home, Karl collides into a truck, which causes his car to go off the road and swerve down a trail in a cemetery as he laughs. In the emergency room he is put into an MRI machine. A surge from an electrical storm manages to transfer his soul into a computer. Now as a network-based entity, Karl continues to plot his killing spree using various objects connected to the electrical grid and computer networks. Karl opens the scanned page from Terry's address book and begins to kill all the names he finds there. Her co-worker, Frank Mallory, becomes the first victim when his microwave oven explodes. Another friend, Elliot Kastner, gets burned to death when a hand dryer turns into a flamethrower. Terry hires a babysitter, Carol Maibaum, to look after her son Josh. However, Carol becomes the third victim, electrocuted by an exploding dishwasher in the kitchen. The police do not believe the theory that Karl is on a killing spree after his death, but Josh realizes the order of the killings is related to a list of contacts from Terry's address book. Terry, along with computer hacker Bram Walker, unplugs everything in her house.
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output:
Terry Munroe