An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: This is one of those films that I remember being in the can for years before anything happening w/it. I don't think it's terrible, but it's not really good either. Alec Baldwin was pretty good, but the plot is it kind of flimsy at best. The cast is pretty good in what they're given, but again you are only as good as the script. Baldwin directing this although I could have sworn he didn't direct all of it, I thought I read somewhere or lots of re-shoots wasn't bad but he definitely has some potential in there. Although his work on "30 Rock" is nothing short of genius & should keep him busy for a little while longer. I just hope the show bows out gracefully a la Seinfeld, but maybe not even that long. 9 years it went. So if you want to see a film that you won't get much from, but won't really hate either well this is for you. I can't remember the last time a film had been wrapped so long before finally being released & only on DVD at that. It was nice to see Alec Baldwin & Anthony Hopkins again together since their excellent yet not much people have seen "The Edge." Now pick up that excellent film for some real entertainment.

An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Throughly enjoy all the musical numbers each time I see this movie. Never seem to tire of it. Fred and Ginger are always a pleasure to watch. Seeing "Lucy" and Betty Grable before they hit the big time, is fun to watch.

An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
At the time I recall being quite startled and amused by this movie. I referred to it as the most important movie I'd seen in ten years, and found myself bumping into people who said similar things.

Bernhard has an unusually perceptive behavioral notebook. And she has shaped the bitter adolescent personality that we all had, into a corrosive, adult world-view. The two together provide a startling mix which may be too edgy for some viewers. (Hi Skip. I wish you weren't my brother so I could **** you!)

Bernhards search for herself after returning to LA from New York, results in the immersive trying-on of various personas (all of which fit poorly) for our amusement, but enough of them involve acting out to appeal to a "black imperative" values system that the real barometer of her resituation is whether black culture accepts her. (It's been a while. Nina Simone comes to mind. And she has an impressive, solidly-built black lover in the movie) A pretty black girl attends the shows, and seems to be authorizing Sandra's faux-blackness, but ultimately rejects her.

Just as Catholics deem themselves lucky to suffer for Christ, here Sandra depicts herself suffering at the hands of a black culture in which she craves a place; as if she cherishes her worthiness and her rejection. It's the only value system implicated in the films world, outside of Bernhards arty confusion.

For a nation whose chief issues are racism and money, it's refreshing to see one of the 2 topics dealt with in an atypical way.