Question: Filming temporarily returned to England to shoot scenes at Blenheim Palace in Oxfordshire, which stood in for a location in Rome, before moving on to the city itself for a five-week shoot across the city, with locations including the Ponte Sisto bridge and the Roman Forum. The production faced opposition from a variety of special interest groups and city authorities, who were concerned about the potential for damage to historical sites around the city, and problems with graffiti and rubbish appearing in the film. A car chase scene set along the banks of the Tiber River and through the streets of Rome featured an Aston Martin DB10 and a Jaguar C-X75. The C-X75 was originally developed as a hybrid electric vehicle with four independent electric engines powered by two jet turbines, before the project was cancelled. The version used for filming was converted to use a conventional internal combustion engine, to minimise the potential for disruption from mechanical problems with the complex hybrid system. The C-X75s used for filming were developed by the engineering division of Formula One racing team Williams, who built the original C-X75 prototype for Jaguar.
Is there an answer to this question: What two cars were featured in a chase scene along the banks of the Tiber River?

Answer: Aston Martin DB10 and a Jaguar C-X75

Question: Polemics about humanism have sometimes assumed paradoxical twists and turns. Early 20th century critics such as Ezra Pound, T. E. Hulme, and T. S. Eliot considered humanism to be sentimental "slop" (Hulme)[citation needed] or "an old bitch gone in the teeth" (Pound) and wanted to go back to a more manly, authoritarian society such as (they believed) existed in the Middle Ages. Postmodern critics who are self-described anti-humanists, such as Jean-Francois Lyotard and Michel Foucault, have asserted that humanism posits an overarching and excessively abstract notion of humanity or universal human nature, which can then be used as a pretext for imperialism and domination of those deemed somehow less than human. "Humanism fabricates the human as much as it fabricates the nonhuman animal", suggests Timothy Laurie, turning the human into what he calls "a placeholder for a range of attributes that have been considered most virtuous among humans (e.g. rationality, altruism), rather than most commonplace (e.g. hunger, anger)". Nevertheless, philosopher Kate Soper notes that by faulting humanism for falling short of its own benevolent ideals, anti-humanism thus frequently "secretes a humanist rhetoric".
Is there an answer to this question: Who had no interest in discussing Humanism?

Answer: unanswerable

Question: Spielberg served as an uncredited executive producer on The Haunting, The Prince of Egypt, Just Like Heaven, Shrek, Road to Perdition, and Evolution. He served as an executive producer for the 1997 film Men in Black, and its sequels, Men in Black II and Men in Black III. In 2005, he served as a producer of Memoirs of a Geisha, an adaptation of the novel by Arthur Golden, a film to which he was previously attached as director. In 2006, Spielberg co-executive produced with famed filmmaker Robert Zemeckis a CGI children's film called Monster House, marking their eighth collaboration since 1990's Back to the Future Part III. He also teamed with Clint Eastwood for the first time in their careers, co-producing Eastwood's Flags of Our Fathers and Letters from Iwo Jima with Robert Lorenz and Eastwood himself. He earned his twelfth Academy Award nomination for the latter film as it was nominated for Best Picture. Spielberg served as executive producer for Disturbia and the Transformers live action film with Brian Goldner, an employee of Hasbro. The film was directed by Michael Bay and written by Roberto Orci and Alex Kurtzman, and Spielberg continued to collaborate on the sequels, Transformers: Revenge of the Fallen and Transformers: Dark of the Moon. In 2011, he produced the J. J. Abrams science fiction thriller film Super 8 for Paramount Pictures.
Is there an answer to this question: Who did Spielberg collaborate with in 2006?

Answer: Robert Zemeckis

Question: The post-Mughal era was dominated by the rise of the Maratha suzerainty as other small regional states (mostly late Mughal tributary states) emerged, and also by the increasing activities of European powers. There is no doubt that the single most important power to emerge in the long twilight of the Mughal dynasty was the Maratha confederacy. The Maratha kingdom was founded and consolidated by Chatrapati Shivaji, a Maratha aristocrat of the Bhonsle clan who was determined to establish Hindavi Swarajya. Sir J.N. Sarkar described Shivaji as "the last great constructive genius and nation builder that the Hindu race has produced". However, the credit for making the Marathas formidable power nationally goes to Peshwa Bajirao I. Historian K.K. Datta wrote about Bajirao I:
Is there an answer to this question: The rise of what dynasty followed the era of the Mughals?

Answer:
Maratha suzerainty