Question:
William Harold Southworth (March 9, 1893 - November 15, 1969) was an American right fielder, center fielder and manager in Major League Baseball (MLB). Playing in 1913 and 1915 and from 1918 to 1929, he batted left-handed and threw right-handed. Southworth managed in 1929 and from 1940 through 1951.
Southworth was born in Harvard, Nebraska, to Orlando and Marriah Southworth. He was raised in Columbus, Ohio. He had four older brothers who played baseball. Before he was old enough to play with them, Southworth would give his old socks to his brothers so they could create makeshift balls. Southworth decided to play baseball against his father's wishes. Orlando Southworth had wanted his son to attend college. At the age of 19, he signed a contract with the Portsmouth team in the Ohio State League. He joined the Cleveland Indians in 1913, but only appeared in one game, entering as a replacement on defense. In 1914, Southworth married Lida Brooks. She was a minister's daughter and they had met while Southworth was playing for Portsmouth. The couple's son, William Brooks Southworth, was born during Southworth's early playing career. Billy Southworth, Jr. later became a professional baseball player for several seasons. The elder Southworth returned to the Cleveland Indians in 1915 and appeared in 60 games. He played for the Birmingham Barons in 1917 and part of 1918, when he made the Pittsburgh Pirates and played in 64 major league games. Southworth played more regularly in 1919, appearing in 121 games and leading the league with 14 triples. With the exception of two seasons, Southworth played in at least that many games through 1926. In 1926, Southworth's offensive production increased and he finished the season with a .320 batting average, 16 home runs and 99 RBI. He ran into difficulty with New York manager John McGraw that year, as Southworth's independent style became incompatible with McGraw's strict leadership. He was traded from the New York Giants to the St. Louis Cardinals in the middle of the season. Southworth suffered a 1927 rib injury that limited his playing time. The Cardinals' leadership began to look for a role for Southworth beyond his playing career.
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What was his batting average towards the end?

Answer:
he finished the season with a .320 batting average, 16 home runs and 99 RBI.

Question:
Ogilvie was born on 5 December 1962 in Calgary, Alberta, Canada. From a young age, he had imagined working in a studio as a singer, describing it as his own "manifest destiny". He was also interested in magic and had attempted to become a magician, even joining the International Brotherhood of Magicians. He would entertain his parents with magic shows, noting that his tricks would often fail humorously.
Ogre's first collaboration with Al Jourgensen was in 1987 during the recording of the song "Show Me Your Spine" for the film RoboCop. The song was recorded by PTP, a side project of Jourgensen's alongside Ministry cohort Paul Barker. Jourgensen explained that he "didn't even know who he [Ogre] was, but somebody said he was some singer from somewhere, so I just said "hey man, make yourself useful, get in here and sing". Ogre would later go on tour with Ministry to promote their album The Land of Rape and Honey in 1988. Ogre asked Jourgensen if he would produce the 1989 Skinny Puppy album Rabies, a job he accepted. Jourgensen noted that there were "bad vibes" in studio since it had been Ogre, not Key and Goettel, who asked for assistance on the record; "Sometimes bad vibes make for great, tension-filled music, and that's what Skinny Puppy thrived on". Ogre next worked with Jourgensen on the Ministry album The Mind Is a Terrible Thing to Taste, receiving credit as a writer on the song "Thieves". Ogre introduced Jourgensen to Toronto native Angelina Lukacin whose voice was recorded for the album closer "Dream Song". Ogre joined Ministry on tour contributing guitars, keyboards, and vocals. He said that "Playing with Ministry was insane everywhere, especially during the tour for The Mind Is a Terrible Thing to Taste, which had the cage set up at the front of the stage. It became all you saw, the cage separating you from the raging mass of people in front of you". The single "Burning Inside" featured a live cover of the Skinny Puppy song "Smothered Hope", with Ogre contributing vocals. Ogre had also worked with Jourgensen in the industrial group Revolting Cocks, originally as a touring member. Ogre mentioned that he "had a gas" while on tour, referring to it as an initiation; "My brain was rotating about four feet above my head". He continued to work with the group by providing vocals for their 1990 effort Beers, Steers, and Queers. However, Ogre declined the invitation to go on tour, noting that there were some tensions between Jourgensen and himself. "There were a few things that happened between me and him [Jourgensen] that really made me question our whole friendship and his reason for having me down there. So I decided to bow out of the Revolting Cocks tour. If I hadn't, I would have come back totally addicted to heroin".
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what collaborations did he do?

Answer:
Al Jourgensen

Question:
The Ronettes () were an American girl group from New York City. One of the most popular groups from the 1960s, they placed nine songs on the Billboard Hot 100, five of which became Top 40 hits. The trio from Spanish Harlem, New York, consisted of lead singer Veronica Bennett (later known as Ronnie Spector), her older sister Estelle Bennett, and their cousin Nedra Talley. Among the Ronettes' most famous songs are "Be My Baby",
As the British Invasion took full force on the American music scene in 1964, the Ronettes were one of the few groups that were able to maintain their relevance. When they toured the UK in January 1964, they had been asked by John Lennon to accompany the Beatles on their flight to America on February 7, 1964, but Spector denied them the opportunity to do so. Instead, throughout 1964, the group appeared on numerous television shows such as Shindig!, American Bandstand, Hullabaloo, and British TV show Ready, Steady, Go! As the popularity of other groups such as The Crystals, The Marvelettes, and The Angels began to wane, that of the Ronettes continued to grow. In the summer of 1964, Ronnie went into the studio to record her lead on the group's next single, "Walking in the Rain". She later recalled that the writers - Phil Spector, Barry Mann, and Cynthia Weil - were still adjusting the lyrics right up to the minute she recorded it. Ronnie recalled Phil placing headphones on her and telling her to listen closely. "Everything was quiet," she later wrote, "Then all of a sudden I heard a low rumble, like there was thunder coming from every corner of the room." The thunder was used for the introduction and was featured prominently throughout the remainder of the song, the only one of which Ronnie recorded in a single take. "Walking in the Rain" became the group's most successful single since "Be My Baby" (released over a year earlier) and peaked at #23 on the Billboard Hot 100. Following the successful release of "Walking in the Rain", Philles Records released the group's first studio album, Presenting the Fabulous Ronettes featuring Veronica, in late 1964. The album proved to be slightly successful, peaking at #96 on the Billboard charts, but it is notable for being the first evidence of Phil Spector publicly promoting lead singer Veronica "Ronnie" Bennett over Estelle Bennett and Nedra Talley. Every Ronettes single after this referred to the group as "The Ronettes featuring Veronica" on the record labels.
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Is Walking in the rain a song or an album?

Answer:
In the summer of 1964, Ronnie went into the studio to record her lead on the group's next single, "Walking in the Rain".