Question:
Drake's father, Rodney Shuttleworth Drake (1908-1988), had moved to Rangoon, Burma, in the early 1930s to work as an engineer with the Bombay Burmah Trading Corporation. There, in 1934, his father met the daughter of a senior member of the Indian Civil Service, Mary Lloyd (1916-1993), known to her family as "Molly". Rodney Drake proposed to her in 1936, though they had to wait a year until she turned 21 before her family allowed them to marry. In 1950 they returned to England to live in Warwickshire at their home, "Far Leys", in Tanworth-in-Arden, south of Birmingham, the city where Rodney Drake worked from 1952 as the Chairman and Managing Director of Wolseley Engineering.
In the months following Pink Moon's release, Drake became increasingly asocial and distant from those close to him. He returned to live at his parents' home in Tanworth-in-Arden, and while he resented the regression, he accepted that his illness made it necessary. "I don't like it at home," he told his mother, "but I can't bear it anywhere else." His return was often difficult for his family; as his sister Gabrielle explained, "good days in my parents' home were good days for Nick, and bad days were bad days for Nick. And that was what their life revolved around, really." He lived a frugal existence, his only source of income being a PS20-a-week retainer he received from Island Records (equivalent to PS222 in 2016). At one point he could not afford a new pair of shoes. He would often disappear for days, sometimes turning up unannounced at friends' houses, uncommunicative and withdrawn. Robert Kirby described a typical visit: "He would arrive and not talk, sit down, listen to music, have a smoke, have a drink, sleep there the night, and two or three days later he wasn't there, he'd be gone. And three months later he'd be back." Nick's supervision partner at Cambridge, John Venning, once saw him on a tube train in London and felt he was seriously clinically depressed. "There was something about him which suggested that he would have looked straight through me and not registered me at all. So I turned around." Referring to this period, John Martyn (who in 1973 wrote the title song of his album Solid Air for and about Drake) described him as the most withdrawn person he had ever met. He would borrow his mother's car and drive for hours without purpose on occasion, until he ran out of petrol and had to ring his parents to ask to be collected. Friends have recalled the extent to which his appearance had changed. During particularly bleak periods of his illness, he refused to wash his hair or cut his nails. Early in 1972, Drake had a nervous breakdown, and was hospitalized for five weeks. In February 1974, Drake contacted John Wood, stating he was ready to begin work on a fourth album. Boyd was in England at the time, and agreed to attend the recordings. The initial session was followed by further recordings in July. In his 2006 autobiography, the producer recalled being taken aback at Drake's anger and bitterness: "[He said that] I had told him he was a genius, and others had concurred. Why wasn't he famous and rich? This rage must have festered beneath that inexpressive exterior for years." Both Boyd and Wood noticed a discernible deterioration in Drake's performance, requiring him to overdub his voice separately over the guitar. However, the return to Sound Techniques' studio raised Drake's spirits; his mother later recalled, "We were so absolutely thrilled to think that Nick was happy because there hadn't been any happiness in Nick's life for years."
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Are there any other interesting aspects about this article?

Answer:
In February 1974, Drake contacted John Wood, stating he was ready to begin work on a fourth album.

Question:
Vampire Weekend are an American rock band from New York City, formed in 2006. They are currently signed to Columbia Records. The band consists of lead vocalist and guitarist Ezra Koenig, drummer and percussionist Chris Tomson and bassist and backing vocalist Chris Baio. The band's first album Vampire Weekend (2008) - which included the singles "Mansard Roof", "A-Punk", "Oxford Comma", "Cape Cod Kwassa Kwassa" and "The Kids Don't Stand a Chance" - was acclaimed by critics for its world music influences.
On November 11, 2011, it was revealed that Vampire Weekend had been in the studio, writing and recording material for their third album. On April 26, 2012, Rolling Stone reported that the new album could be released by the end of the year. Koenig said, "We do have a ton of stuff. It would be cool if it was [released] this year...We just never want to be in a position [where] when we put out something, we feel could've benefited from more time." Until its release, the band was discreet about the details of the next album, stating that a band "can give a bunch of interviews when they're working on stuff" but they "don't want something [they] said six months ago to influence how people hear it when it's done." Modern Vampires of the City was released in May 2013, and written and recorded in various locations including SlowDeath Studios in New York, Echo Park "Back House" in Los Angeles, Vox Recording Studios in Hollywood, Rostam Batmanglij's New York apartment and a guest house on Martha's Vineyard. The album was co-produced by Batmanglij and Ariel Rechtshaid. After Batmanglij produced the first two albums himself, this marked the first time the band worked with an outside producer on any of their records. In an interview for the February 2013 edition of Q (released in mid-January), Koenig described the upcoming album as "darker and more organic" and "very much the last of a trilogy". Says Koenig, "Things that we might have found boring in the past, we've started to find more fresh. This album has more piano and acoustic guitar and organ." Modern Vampires of the City also marks the band's first use of digital voice modulation, as heard in the songs "Diane Young" and "Ya Hey." (first use was actually in the song "California English" on the Contra album) The album was recorded and co-produced by Ariel Rechtshaid in his Los Angeles Studio (alongside Batmanglij). The band discussed the album with The FADER and appeared on the cover of the magazine's 84th issue. On March 16, 2013, the band played the closing show at Stubbs on the last day of the SXSW festival in Austin, Texas. In the show they played two new songs from the upcoming album: "Diane Young" and "Ya Hey". On March 18, 2013, Vampire Weekend released a double-sided single, "Diane Young"/"Step". On May 11, 2013, Vampire Weekend were featured as the musical guest on Saturday Night Live with Kristen Wiig hosting, their third time on the show. Released on May 14, 2013, the album debuted at #1 on the Billboard chart, marking the second time Vampire Weekend has achieved the feat: its second album Contra also debuted at #1 in 2010, making this the first time an independent rock band has entered at #1 with two consecutive releases. Modern Vampires of the City also shattered the previous record for first week vinyl sales, moving nearly 10,000 units on vinyl alone and debuting at #1 on the Soundscan Vinyl Charts. Additionally, the band charted #1 at Indie, Alternative, Digital and the top 200. In 2014, Modern Vampires of the City won a Grammy for Best Alternative Music Album.
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WHat was it called

Answer:
Modern Vampires of the City