Kurt Vonnegut Jr. (; November 11, 1922 - April 11, 2007) was an American writer. In a career spanning over 50 years, Vonnegut published 14 novels, three short story collections, five plays, and five works of non-fiction. He is most famous for his darkly satirical, best-selling novel Slaughterhouse-Five

On Cape Cod, Vonnegut made most of his money writing pieces for magazines such as Collier's, The Saturday Evening Post, and Cosmopolitan. He also did a stint as an English teacher, wrote copy for an advertising agency, and opened the first American Saab dealership, which eventually failed. In 1952, Vonnegut's first novel, Player Piano, was published by Scribner's. The novel has a post-Third World War setting, in which factory workers have been replaced by machines. Player Piano draws upon Vonnegut's experience as an employee at GE. He satirizes the drive to climb the corporate ladder, one that in Player Piano is rapidly disappearing as automation increases, putting even executives out of work. His central character, Paul Proteus, has an ambitious wife, a backstabbing assistant, and a feeling of empathy for the poor. Sent by his boss, Kroner, as a double agent among the poor (who have all the material goods they want, but little sense of purpose), he leads them in a machine-smashing, museum-burning revolution. Player Piano expresses Vonnegut's opposition to McCarthyism, something made clear when the Ghost Shirts, the revolutionary organization Paul penetrates and eventually leads, is referred to by one character as "fellow travelers". In Player Piano, Vonnegut originates many of the techniques he would use in his later works. The comic, heavy-drinking Shah of Bratpuhr, an outsider to this dystopian corporate United States, is able to ask many questions that an insider would not think to ask, or would cause offense by doing so. For example, when taken to see the artificially intelligent supercomputer EPICAC, the Shah asks it "what are people for?" and receives no answer. Speaking for Vonnegut, he dismisses it as a "false god". This type of alien visitor would recur throughout Vonnegut's literature. The New York Times writer and critic Granville Hicks gave Player Piano a positive review, favorably comparing it to Aldous Huxley's Brave New World. Hicks called Vonnegut a "sharp-eyed satirist". None of the reviewers considered the novel particularly important. Several editions were printed--one by Bantam with the title Utopia 14, and another by the Doubleday Science Fiction Book Club--whereby Vonnegut gained the repute of a science fiction writer, a genre held in disdain by writers at that time. He defended the genre, and deplored a perceived sentiment that "no one can simultaneously be a respectable writer and understand how a refrigerator works."

Was thsi novel a success?
The New York Times writer and critic Granville Hicks gave Player Piano a positive review,