IN: Pfeiffer was born in Santa Ana, California, the second of four children of Richard Pfeiffer, an air-conditioning contractor, and Donna (nee Taverna), a housewife. She has one elder brother, Rick (born 1955), and two younger sisters, Dedee Pfeiffer (born 1964), a television and film actress, and Lori Pfeiffer (born 1965). Her parents were both originally from North Dakota. Her paternal grandfather was of German ancestry and her paternal grandmother was of English, Welsh, French, Irish, and Dutch descent, while her maternal grandfather was of Swiss-German descent and her maternal grandmother of Swedish ancestry.

Pfeiffer's subsequent career choices have met with varying degrees of success. After The Age of Innocence, she played the role of Laura Alden opposite Jack Nicholson in Wolf (1994), a horror film that garnered a mixed critical reception. The New York Times wrote: "Ms. Pfeiffer's role is underwritten, but her performance is expert enough to make even diffidence compelling". The movie grossed US$65 million (equivalent to $107.3 million) at the domestic box office and US$131 million worldwide (equivalent to $216.3 million). Her next role was that of high school teacher and former US Marine LouAnne Johnson in the surprise box office hit Dangerous Minds (1995), which was co-produced under Pfeiffer's film production company Via Rosa Productions. She appeared as her character in the music video for the soundtrack's lead single, "Gangsta's Paradise" by Coolio (featuring L.V.), which was used by the producer Jerry Bruckheimer for television advertising. A 60-second version was aired on music channels, while a 30-second cut was aired in the rest of the networks. The song won the 1996 Grammy Award for Best Rap Solo Performance, and the video won the MTV Video Music Award for Best Rap Video. In 1996, she turned down the Golden Globe Award-winning role of Eva Peron in the biopic Evita, which went to Madonna. Pfeiffer then portrayed Sally Atwater in the romantic drama Up Close & Personal (1996) opposite Robert Redford. The film's screenplay, co-written by husband and wife team John Gregory Dunne and Joan Didion, was intended to be a biographical account of the career of news anchor Jessica Savitch, but the final version had almost nothing to do with Savitch's life, leading Dunne to write an expose of his eight-year battle with the Hollywood producers, Monster: Living Off the Big Screen. She took the role of Gillian Lewis in To Gillian on Her 37th Birthday (1996), which was adapted by her husband David Kelley from Michael Brady's play of the same name. Pfeiffer and her producing partner Guinzburg were on a winning streak of producing three back to back films next under their Via Rosa Productions header that included, One Fine Day (1996), A Thousand Acres (1997) and The Deep End of the Ocean (1998). She served as an executive producer and starred as the divorced single mother architect Melanie Parker in the romantic comedy One Fine Day (1996) opposite George Clooney, Subsequent performances included Rose Cook Lewis in the film adaptation of Jane Smiley's Pulitzer Prize-winning novel A Thousand Acres (1997) with Jessica Lange and Jennifer Jason Leigh; Beth Cappadora in The Deep End of the Ocean (1998) about a married couple who found their son who was kidnapped nine years ago; Titania the Queen of the Fairies in A Midsummer Night's Dream (1999) with Kevin Kline, Rupert Everett and Stanley Tucci; and Katie Jordan in Rob Reiner's comedy-drama The Story of Us (1999) opposite Bruce Willis.
QUESTION: What were some of her other triumphs during this period?
IN: The Daily Show is an American late-night talk and news satire television program. It airs each Monday through Thursday on Comedy Central. Describing itself as a fake news program, The Daily Show draws its comedy and satire from recent news stories, political figures, media organizations, and often uses self-referential humor as well. The half-hour-long show premiered on July 21, 1996, and was first hosted by Craig Kilborn until December 17, 1998.

The monologue segment is often followed by a segment featuring an exchange with a correspondent--typically introduced as the show's "senior" specialist in the subject at hand--either at the anchor desk with the host or reporting from a false location in front of a greenscreen showing stock footage. Their stated areas of expertise vary depending on the news story that is being discussed, and can range from relatively general (such as Senior Political Analyst) to absurdly specific (such as Senior Religious Registry Correspondent). The cast of correspondents is quite diverse, and many often sarcastically portray extreme stereotypes of themselves to poke fun at a news story, such as "Senior Latino Correspondent", "Senior Youth Correspondent" or "Senior Black Correspondent". They typically present absurd or humorously exaggerated takes on current events against the host's straight man. While correspondents stated to be reporting abroad are usually performing in-studio in front of a greenscreen background, on rare occasions, cast members have recorded pieces on location. For instance, during the week of August 20, 2007, the show aired a series of segments called "Operation Silent Thunder: The Daily Show in Iraq" in which correspondent Rob Riggle reported from Iraq. In August 2008, Riggle traveled to China for a series of segments titled "Rob Riggle: Chasing the Dragon", which focused on the 2008 Beijing Olympics. Jason Jones traveled to Iran in early June 2009 to report on the Iranian elections, and John Oliver traveled to South Africa for the series of segments "Into Africa" to report on the 2010 FIFA World Cup. In March 2012, John Oliver traveled to Gabon, on the west African coast, to report on the Gabonese government's decision to donate $2 million to UNESCO after the United States cut its funding for UNESCO earlier that year. On July 19, 2016, Roy Wood Jr. reported live from the Republican National Convention and talked about Donald Trump's African-American support. Correspondent segments feature a rotating supporting cast, and involve the show's members travelling to different locations to file comedic reports on current news stories and conduct interviews with people related to the featured issue. Topics have varied widely; during the early years of the show they tended toward character-driven human interest stories such as Bigfoot enthusiasts. Since Stewart began hosting in 1999, the focus of the show has become more political and the field pieces have come to more closely reflect current issues and debates. Under Kilborn and the early years of Stewart, most interviewees were either unaware or not entirely aware of the comedic nature of The Daily Show. However, as the show began to gain popularity--particularly following its coverage of the 2000 and 2004 presidential elections--most of the subjects now interviewed are aware of the comedic element.
QUESTION:
Is there anything else significant about the correspondent segments?