Some context: Caitlyn Marie Jenner was born William Bruce Jenner on October 28, 1949, in Mount Kisco, New York, to Esther Ruth (nee McGuire) and William Hugh Jenner. Her father was an arborist. She has two sisters, Lisa and Pam. Her younger brother, Burt, was killed in a car accident in Canton, Connecticut on November 30, 1976, shortly after Jenner's success at the Olympic Games.
Jenner was the American champion in the men's decathlon event in 1974, and was featured on the cover of Track & Field News magazine's August 1974 issue. While on tour in 1975, Jenner won the French national championship, and a gold medal at the 1975 Pan American Games, earning the tournament record with 8,045 points. This was followed by new world records of 8,524 points at the U.S.A./U.S.S.R./Poland triangular meet in Eugene, Oregon on August 9-10, 1975, breaking Avilov's record, and 8,538 points at the 1976 Olympic trials, also in Eugene. The record in Eugene was a hybrid score because a timing system failure and wind aided marks. Still, Jenner was proud of "A nice little workout, huh?" "We got what we wanted. We scared the hell out of everybody in the world only a month away from the Games." Of the 13 decathlons Jenner competed in between 1973 and 1976, the only loss was at the 1975 AAU National Championships, when a "no height" in the pole vault marred the score. At the 1976 Olympic Games in Montreal, Jenner achieved five personal bests on the first day of the men's decathlon - a "home run" - despite being in second place behind Guido Kratschmer of West Germany. Jenner was confident: "The second day has all my good events. If everything works out all right, we should be ahead after it's all over." Following a rainstorm on the second day, Jenner watched teammate Fred Dixon get injured in the 110 meter hurdles, so took a cautious approach to the hurdles and discus, then had personal bests in the pole vault, when Jenner took the lead, and javelin. By that point, victory was virtually assured, but it remained to be seen by how much Jenner would improve the record. In the final event--the 1500 meters, which was seen live on national television--Jenner looked content to finish the long competition. Jenner sprinted the last lap, making up a 50-meter deficit and nearly catching the event favorite, Soviet Leonid Litvinenko, who was already well out of contention for the gold medal, but whose personal best had been eight seconds better than Jenner's personal best before the race. Jenner set a new personal best time and won the gold medal with a world-record score of 8,618 points. Olympic world record performance:
When did he join olympics?
A: Jenner was the American champion in the men's decathlon event in 1974,
Some context: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.
Following his blues fusion with gospel and jazz influences on his earlier Atlantic material, which had brought him much fame and controversy, Charles sought to experiment with country music. As noted by himself in the liner notes for What'd I Say (1959), Charles was influenced by the genre in his youth, stating that he "used to play piano in a hillbilly band" and that he believed that he "could do a good job with the right hillbilly song today." At Atlantic, he attempted to incorporate this style and influence with his cover of country singer Hank Snow's "I'm Movin' On". Charles later said about the song, "When I heard Hank Snow sing 'Moving On', I loved it. And the lyrics. Keep in mind, I'm a singer, so I like lyrics. Those lyrics are great, so that's what made me want to do it." The "I'm Movin' On" sessions were his last for Atlantic. Charles's recording of his acclaimed studio effort The Genius of Ray Charles (1959) brought him closer to expressing his jazz and pop crossover ambitions. Described by one music critic as "the most important of his albums for Atlantic", the record was the first to introduce Charles's musical approach of blending his brassy R&B sound with the more middle of the road, pop-oriented style, while performing in the presence of a big band ensemble. Recording of the album, as well his ABC-Paramount debut, The Genius Hits the Road (1960), a collection of place-name songs devoted to parts of the United States, expanded on Charles's thematic and conceptually-organized approach to albums rather than commercially successful singles production. Inspired by this approach and his recording of "I'm Movin' On", Charles originally made plans for a single-less concept album. When Charles had announced that he wanted to work on an album of country music in 1961, during a period of racial segregation and tension in the United States, he received generally negative commentary and feedback from his peers, including fellow R&B musicians and ABC-Paramount executives. The country album concept, however, meant more to Charles as a test of his record label's faith in him and respect for his artistic freedom than as a test of social tolerance among listeners amid racial distinctions of country and R&B. Fueled by his esteem for creative control, Charles pitched the idea of a country album to ABC representatives. Following the successful lobby of the concept and a contract renewal in early 1962, which was linked to the launching of his own Tangerine label, Charles prepared his band for the recording sessions that produced Modern Sounds in Country and Western Music.
Are there any other interesting aspects about this article?
A:
Charles sought to experiment with country music.