input: On the morning of January 15, 1947, Short's naked body was found severed in two pieces on a vacant lot on the west side of South Norton Avenue, midway between Coliseum Street and West 39th Street (at 34.0164degN 118.333degW / 34.0164; -118.333) in Leimert Park, Los Angeles. At the time, the neighborhood was largely undeveloped. Local resident Betty Bersinger discovered the body at approximately 10:00 a.m. while she was walking with her three-year-old daughter. Bersinger initially thought she had found a discarded store mannequin. When she realized it was a corpse, she rushed to a nearby house and telephoned the police. Short's severely mutilated body was completely severed at the waist and drained entirely of blood, leaving its skin a pallid white. Medical examiners determined that she had been dead for around ten hours prior to the discovery, leaving her time of death either sometime during the evening of January 14, or the early morning hours of January 15. The body obviously had been washed by the killer. Her face had been slashed from the corners of her mouth to her ears, creating an effect known as the "Glasgow smile". Short had several cuts on her thigh and breasts, where entire portions of flesh had been sliced away. The lower half of her body was positioned a foot away from the upper, and her intestines had been tucked neatly beneath her buttocks. The corpse had been "posed", with her hands over her head, her elbows bent at right angles, and her legs spread apart. Upon the discovery, a crowd of both passersby and reporters began to gather; Los Angeles Herald-Express reporter Aggie Underwood was among the first to arrive at the scene, and took several photos of the corpse and crime scene. Near the body, detectives located a heel print on the ground amid the tire tracks, and a cement sack containing watery blood was also found nearby.

Answer this question "What was the date of discovery?"
output: On the morning of January 15, 1947, Short's naked body was found

input: In the 1980s and early 1990s, Farrow's relationship with director Woody Allen resulted in numerous film collaborations. She appeared in nearly all of Allen's films during this period, including leading roles in Zelig, Broadway Danny Rose, The Purple Rose of Cairo, Hannah and Her Sisters, Radio Days and Alice (1990). Farrow played Alura, mother of Kara (Helen Slater), in Supergirl (1984) and voiced the title role in the animated film The Last Unicorn (1982). She narrated several of the animated Stories to Remember. Allen said that the way she played her character in Broadway Danny Rose was a "very, very brave thing for her to do," as she had to play her role without ever using her eyes. Citing the need to devote herself to raising her young children, Farrow worked less frequently during the 1990s. Nonetheless, she appeared in leading roles in several films, including the Irish film Widows' Peak (1994), Miami Rhapsody (1995) and Reckless (also 1995). She appeared in several independent features and made-for-television films throughout the late 1990s and early 2000s and wrote an autobiography, What Falls Away, in 1997. Farrow appeared as Mrs. Baylock, the Satanic nanny, in the remake of The Omen (2006). Although the film itself received a lukewarm critical reception, Farrow's performance was widely praised, with the Associated Press declaring "thank heaven for Mia Farrow" and calling her performance "a rare instance of the new Omen improving on the old one." Filmcritic.com added "it is Farrow who steals the show", and the Seattle Post-Intelligencer described her performance as "a truly delicious comeback role for Rosemary herself, Mia Farrow, who is chillingly believable as a sweet-talking nanny from hell." She worked on several films released in 2007, including the romantic comedy The Ex and the first part of director Luc Besson's trilogy of fantasy films, Arthur and the Invisibles. In 2008, in director Michel Gondry's Be Kind Rewind, she appeared opposite Jack Black, Mos Def and Danny Glover. In 2011, Farrow appeared in the film Dark Horse, directed by Todd Solondz. In September 2014, Farrow returned to Broadway in the play Love Letters. The play was well received by critics with the New York Times calling Farrow's performance "utterly extraordinary... as the flighty, unstable and writing-averse Melissa Gardner."

Answer this question "What is the name of a character that she played during this period?"
output:

input: Robertson continued to excel while at the University of Cincinnati, recording an incredible scoring average of 33.8 points per game, the third highest in college history. In each of his three years, he won the national scoring title, was named an All-American, and was chosen College Player of the Year, while setting 14 NCAA and 19 school records. Robertson's stellar play led the Bearcats to a 79-9 overall record during his three varsity seasons, including two Final Four appearances. However, a championship eluded Robertson, something that would become a repeated occurrence in his professional career. When Robertson left college he was the all-time leading NCAA scorer until fellow Hall of Fame player Pete Maravich topped him in 1970. It is interesting to note that Robertson took Cincinnati to national prominence during his time there, but the university's greatest success in basketball took place immediately after his departure, when the team won national titles in 1961, 1962, and just missed a third title in 1963. He continues to stand atop the Bearcats' record book. The many records he still holds include: points in one game, 62 (one of his six games of 50 points or more); career triple-doubles, 10; career rebounds per game, 15.2; and career points, 2,973. Robertson had many outstanding individual game performances, including 10 triple-doubles. His personal best might have been his line of 45 points, 23 rebounds and 10 assists vs. Indiana State in 1959. Despite his success on the court, Robertson's college career was soured by racism. In those days, southern university programs such as those of Kentucky, Duke, and North Carolina did not recruit black athletes, and road trips to segregated cities were especially difficult, with Robertson often sleeping in college dorms instead of hotels. "I'll never forgive them", he told The Indianapolis Star years later. Decades after his college days, Robertson's stellar NCAA career was rewarded by the United States Basketball Writers Association when, in 1998, they renamed the trophy awarded to the NCAA Division I Player of the Year the Oscar Robertson Trophy. This honor brought the award full circle for Robertson since he had won the first two awards ever presented.

Answer this question "what other interesting things happened during this time"
output:
Robertson's stellar play led the Bearcats to a 79-9 overall record during his three varsity seasons,