In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: What factions were involved in the Norman Invasion? Passage 1:The earliest evidence of human presence in Ireland is dated at 10,500 BC (12,500 years ago). Gaelic Ireland had emerged by the 1st century AD. The island was Christianised from the 5th century onward. Following the 12th century Norman invasion, England claimed sovereignty. However, English rule did not extend over the whole island until the 16th17th century Tudor conquest, which led to colonisation by settlers from Britain. In the 1690s, a system of Protestant English rule was designed to materially disadvantage the Catholic majority and Protestant dissenters, and was extended during the 18th century. With the Acts of Union in 1801, Ireland became a part of the United Kingdom. A war of independence in the early 20th century was followed by the partition of the island, creating the Irish Free State, which became increasingly sovereign over the following decades, and Northern Ireland, which remained a part of the United Kingdom. Northern Ireland saw much civil unrest from the late 1960s until the 1990s. This subsided following a political agreement in 1998. In 1973 the Republic of Ireland joined the European Economic Community while the United Kingdom, and Northern Ireland, as part of it, did the same.
Passage 2:In Morning, a lady makes her way to church, shielding herself with her fan from the shocking view of two men pawing at the market girls. The scene is the west side of the piazza at Covent Garden, indicated by a part of the Palladian portico of Inigo Jones's Church of St Paul visible behind Tom King's Coffee House, a notorious venue celebrated in pamphlets of the time. Henry Fielding mentions the coffee house in both The Covent Garden Tragedy and Pasquin. At the time Hogarth produced this picture, the coffee house was being run by Tom's widow, Moll King, but its reputation had not diminished. Moll opened the doors once those of the taverns had shut, allowing the revellers to continue enjoying themselves from midnight until dawn. The mansion with columned portico visible in the centre of the picture, No. 43 King Street, is attributed to architect Thomas Archer (later 1st Baron Archer) and occupied by him at the date of Hogarth's works. It was situated on the north side of the piazza, while the coffee house was on the south side, as depicted in Hogarth's original painting. In the picture, it is early morning and some revellers are ending their evening: a fight has broken out in the coffee house and, in the melee, a wig flies out of the door. Meanwhile, stallholders set out their fruit and vegetables for the day's market. Two children who should be making their way to school have stopped, entranced by the activity of the market, in a direct reference to Swift's A Description of the Morning in which children "lag with satchels in their hands". Above the clock is Father Time and below it the inscription Sic transit gloria mundi. The smoke rising from the chimney of the coffee house connects these portents to the scene below.
Passage 3:Michael Fitzgerald, a professor of child and adolescent psychiatry, published a cornucopia of pathographies of outstanding historical personalities, mostly stating that they had Asperger syndrome, which is on the autism spectrum. In his 2004 published anthology Autism and creativity, he classified Hitler as an "autistic psychopath". Autistic psychopathy is a term that the Austrian physician Hans Asperger had coined in 1944 in order to label the clinical picture that was later named after him: Asperger syndrome, which has nothing to do with psychopathy in the sense of an antisocial personality disorder. Fitzgerald appraised many of Hitler's publicly known traits as autistic, particularly his various obsessions, his lifeless gaze, his social awkwardness, his lack of personal friendships, and his tendency toward monologue-like speeches, which, according to Fitzgerald, resulted from an inability to have real conversations.
1