Nanjing has some of the oldest and finest museums in China. Nanjing Museum, formerly known as National Central Museum during ROC period, is the first modern museum and remains as one of the leading museums in China having 400,000 items in its permanent collection,. The museum is notable for enormous collections of Ming and Qing imperial porcelain, which is among the largest in the world. Other museums include the City Museum of Nanjing in the Chaotian Palace, the Oriental Metropolitan Museum, the China Modern History Museum in the Presidential Palace, the Nanjing Massacre Memorial Hall, the Taiping Kingdom History Museum, Jiangning Imperial Silk Manufacturing Museum, Nanjing Yunjin Museum, Nanjing City Wall Cultural Museum, Nanjing Customs Museum in Ganxi House, Nanjing Astronomical History Museum, Nanjing Paleontological Museum, Nanjing Geological Museum, Nanjing Riverstones Museum, and other museums and memorials such Zheng He Memorial, Jinling Four Modern Calligraphers Memorial.
What city contains some of the finest and oldest museums in all of China?
Nanjing

The Maurya Empire (322185 BCE) was the first empire to unify India into one state, and was the largest on the Indian subcontinent. At its greatest extent, the Mauryan Empire stretched to the north up to the natural boundaries of the Himalayas and to the east into what is now Assam. To the west, it reached beyond modern Pakistan, to the Hindu Kush mountains in what is now Afghanistan. The empire was established by Chandragupta Maurya in Magadha (in modern Bihar) when he overthrew the Nanda Dynasty. Chandragupta's son Bindusara succeeded to the throne around 297 BC. By the time he died in c. 272 BC, a large part of the subcontinent was under Mauryan suzerainty. However, the region of Kalinga (around modern day Odisha) remained outside Mauryan control, perhaps interfering with their trade with the south.
Who formed the Maurya Empire in Magadha?
Chandragupta Maurya

Instructions are also embedded in fonts to tell the operating system how to properly output different character sequences. A simple solution to the placement of combining marks or diacritics is assigning the marks a width of zero and placing the glyph itself to the left or right of the left sidebearing (depending on the direction of the script they are intended to be used with). A mark handled this way will appear over whatever character precedes it, but will not adjust its position relative to the width or height of the base glyph; it may be visually awkward and it may overlap some glyphs. Real stacking is impossible, but can be approximated in limited cases (for example, Thai top-combining vowels and tone marks can just be at different heights to start with). Generally this approach is only effective in monospaced fonts, but may be used as a fallback rendering method when more complex methods fail.
Can real stacking be accomplished?
Real stacking is impossible