Question: Information: - Thomas Merton, O.C.S.O. (January 31, 1915 December 10, 1968) was an American Catholic writer and mystic. A Trappist monk of the Abbey of Gethsemani, Kentucky, he was a poet, social activist, and student of comparative religion. In 1949, he was ordained to the priesthood and given the name Father Louis. - Cesar Abraham Vallejo Mendoza (March 16, 1892 April 15, 1938) was a Peruvian poet, writer, playwright, and journalist. Although he published only three books of poetry during his lifetime, he is considered one of the great poetic innovators of the 20th century in any language. He was always a step ahead of literary currents, and each of his books was distinct from the others, and, in its own sense, revolutionary. Thomas Merton called him "the greatest universal poet since Dante". The late British poet, critic and biographer Martin Seymour-Smith, a leading authority on world literature, called Vallejo "the greatest twentieth-century poet in "any" language." He was a member of the intellectual community called North Group formed in the Peruvian north coastal city of Trujillo. - A Swedish Love Story is a 1970 Swedish romantic drama directed by Roy Andersson, starring Ann-Sofie Kylin and Rolf Sohlman as two teenagers falling in love. Inspired by the Czechoslovak New Wave, the film was Andersson's feature film debut and was successful in Sweden and abroad. - The Academy Award for Best Foreign Language Film is one of the Academy Awards handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences (AMPAS). It is given to a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track. - A film director is a person who directs the making of a film. Generally, a film director controls a film's artistic and dramatic aspects, and visualizes the script while guiding the technical crew and actors in the fulfillment of that vision. The director has a key role in choosing the cast members, production design, and the creative aspects of filmmaking. Under European Union law, the director is viewed as the author of the film. - Roy Arne Lennart Andersson (born 31 March 1943) is an acclaimed Swedish film director, best known for "A Swedish Love Story" (1970) and his "Living trilogy," which includes "Songs from the Second Floor" (2000), "You, the Living" (2007) and "A Pigeon Sat on a Branch Reflecting on Existence" (2014). "Songs from the Second Floor", more than any other, cemented and exemplified his personal style which is characterized by long takes, absurdist comedy, stiff caricaturing of Swedish culture and Felliniesque grotesque. He has spent much of his professional life working on advertisement spots, directing over 400 commercials and two short films, but only directing six feature-length films in six decades. His 2014 film "A Pigeon Sat on a Branch Reflecting on Existence" won the Golden Lion award at 71st Venice International Film Festival, making Andersson the only Swedish director and the second Scandinavian director to win the award in the history of the festival, after Danish Carl Theodor Dreyer won in 1955. Anderson is considered one of the most important living European film directors, having four films officially submitted for the Academy Award for Best Foreign Language Film as Swedish entries. - Songs from the Second Floor ( Swedish : Sanger fran andra vaningen ) is a 2000 surrealistic Swedish film written and directed by Roy Andersson . It presents a series of disconnected vignettes that together interrogate aspects of modern life . The film uses many quotations from the work of the Peruvian poet Cesar Vallejo as a recurring motif . It is the first film in a trilogy , followed by You , the Living ( 2007 ) and A Pigeon Sat on a Branch Reflecting on Existence ( 2014 ) . Given the information above, choose from the list below the object entity that exhibits the relation 'country of origin' with the subject 'songs from the second floor'. Choices: - european union - kentucky - sweden - united states of america
Answer: sweden

Question: Information: - Max Beckmann (February 12, 1884 December 27, 1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. In the 1920s, he was associated with the New Objectivity ("Neue Sachlichkeit"), an outgrowth of Expressionism that opposed its introverted emotionalism. - Alexander Kanoldt ( 29 September 1881 -- 24 January 1939 ) was a German magic realist painter and one of the artists of the New Objectivity . Kanoldt was born in Karlsruhe . His father was the painter Edmond Kanoldt , a late practitioner of the Nazarene style . After studies at the Academy of Fine Arts Karlsruhe in Karlsruhe he went to Munich in 1908 , where he met a number of modernists such as Alexei Jawlensky , Wassily Kandinsky and Gabriele Munter . He became a member of the Munich New Secession in 1913 , with Jawlensky and Paul Klee . After military service in World War I from 1914 to 1918 , the still lifes Kanoldt painted show the influence of Derain and an adaptation of cubist ideas . By the early 1920s Kanoldt developed the manner for which he is best known , a magic realist rendering of potted plants , angular tins , fruit and mugs on tabletops . He also painted portraits in the same severe style , as well as geometrical landscapes . In 1925 he was made a professor at Breslau Academy , a post he held until 1931 . During this time he came into conflict with the Bauhaus faction at the Academy , and he was increasingly at odds with the avant garde . From 1933 until his resignation in 1936 he was the director of the State School of Art in Berlin . With the rise of the Nazi regime in 1933 Kanoldt attempted accommodation , painting in a romantic style , but nonetheless many of his works were seized by the authorities as degenerate art in 1937 . He died in Berlin in 1939 . - George Grosz (July 26, 1893 July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1956 he returned to Berlin where he died. - The New Objectivity (in ) was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artistswho included Max Beckmann, Otto Dix, and George Groszrejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism. Given the information above, choose from the list below the object entity that exhibits the relation 'movement' with the subject 'alexander kanoldt'. Choices: - expressionism - new objectivity
Answer:
expressionism