TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: We laughed our heads off. This script is so incredible you either zap to CNN or go to sleep.My dad was a sea captain for 30 years, he could not believe his eyes when he saw the movie.During his experience as an officer he once claimed command over the ship, the captain drunk 3 bottles of whiskey/daily and (sorry) s**t on his desk. Of course this was not on a nuclear mission.For instance, the fire in the kitchen, fire is the most important thing on any ship, nuclear or not. To give a drill at that time is just Hollywood script. When a captain is put under arrest, he IS under arrest, you take all his keys and open the safe where the guns are kept. This is stored within minutes in a well guarded room. He CANNOT escape, it's just like in prison.Funny thing is, my dad also had a dog on board, however, we see how Hackman let him pee in the control room. This is not done, ever. My dad cleaned all the mess the dog made wherever he was.Hackman and Washington make the three stars this movie is credited for, all the rest is bulls**t.When we do know that 23 people were still alive on the Koersk, this film gets an extra dimension.If you want to see a real thriller about a submarine rent: Thas Boat. Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: STRANGER THAN FICTION angered me so much, I signed up on IMDb just to write this review. STRANGER THAN FICTION is a surprisingly complex, touching and thought-provoking movie until the very end. Once you suspend multiple lapses of logic (why didn't Will Ferrell hear Emma Thompson's voice 10 years ago when she fist started writing her book? "The phone rang. The phone rang again." How could she not know it's him calling? etc.), the movie challenges one's thoughts about mortality, fate, and sacrifice.The brief history of literary themes provided by Dustin Hoffman should especially entertain former English majors. And Maggie Gyllenhaal is always a pleasure, even though Will Ferrell might just as easily be an ax murderer as a bumbling soul. Her quick trust of him is a mighty big leap of faith.Ah, but the ending. Until the very end, I would have given 9 out of 10 stars to this movie. The movie as a metaphor for life's journey, as a tribute to the notion of 'writing true,' as a reminder that great literature is either comedy or tragedy, but not both, is outstanding. The entire movie leads the viewer to understand and accept the moment of Will Ferrell's fate. And no matter how endearing a character he may have become, we know full well why we will accept the ending. The last act occurs, the screen goes white, the credits roll. A profound and powerful end to an almost perfect film. An end that would have been debated for weeks.NO!!!!!!!!!! No credits rolled. Say it isn't so. Say Hollywood didn't tack on another 10 minutes of crap that completely undermined the integrity and heart of the movie. Dustin Hoffman got it right when he said, "It's no longer a masterpiece; it's OK." An apt review of the movie. Except to me, it wasn't even OK. I was so offended about the betrayal of 'writing true,' about the decision to pander the film that I actually burst into angry tears explaining this on the ride home from the movie. I don't often cry. I could care less about most movies, but I am still angry about this one.My questions for Zack Helm, the writer, are this: did the original movie end when the screen went white? And were you forced by the vapid movie powers-that-be to tack on an ending unfaithful to the core of the movie? Or did you tack that maudlin ending on yourself? I've read you're brilliant. I hope your original script ended the movie the first time.I know Zack Helm will never see this review, and I've been unable to find a contact for him to ask myself. But, please, movie-goers, am I the only one who feels this way about STRANGER THAN FICTION? One good thing came from me seeing this movie: I doubly admire LOST IN TRANSLATION now. Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: Turned out to be a classy production with what must have been a low budget. The variety of characters is amazing, from axe-wielding dwarfs to 7ft ghouls! I enjoyed the relationship between the leads, not overly sentimental but romantic enough to keep the interest going. I also enjoyed the mix of humour (which can be very easy to get wrong, too much/not enough) which meant it didn't get too dark, nor too spoofy. It was a great step up from Eaves' other efforts, Hellbreeder and Sanitarium, in terms of storyline and production. They have a great website which is worth checking out. Can't wait for Bane, if the level of improvement continues, it should be fantastic. Question: is it a negative review?

SOLUTION:
no