Problem: Background: Burt Freeman Bacharach ( BAK-@-rak; born May 12, 1928) is an American composer, songwriter, record producer, pianist, and singer who has composed hundreds of popular hit songs from the late 1950s through the 1980s, many in collaboration with popular lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. As of 2014, he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music.
Context: In 1998, Bacharach co-wrote and recorded a Grammy-winning album with Elvis Costello, Painted from Memory, on which the compositions began to take on the sound of his earlier work. In 2003, he teamed with singer Ronald Isley to release the album Here I Am, which revisited a number of his 1960s compositions in Isley's signature R&B style. Bacharach's 2005 solo album At This Time was a departure from past works in that Bacharach penned his own lyrics, some of which dealt with political themes. Guest stars on the album included Elvis Costello, Rufus Wainwright, and hip-hop producer Dr. Dre. In 2008, Bacharach opened the BBC Electric Proms at The Roundhouse in London, performing with the BBC Concert Orchestra accompanied by guest vocalists Adele, Beth Rowley and Jamie Cullum. The concert was a retrospective look back at his six-decade career. In early 2009, Bacharach worked with Italian soul singer Karima Ammar and produced her debut single Come In Ogni Ora, which became a #4 hit. In June, 2015, Bacharach performed in the UK at the Glastonbury Festival, and a few weeks later appeared on stage at the Menier Chocolate Factory to launch 'What's It All About? Bacharach Reimagined', a 90-minute live arrangement of his hits. In 2016, Bacharach, at 88 years old, composed and arranged his first original score in 16 years for the film A Boy Called Po (along with composer Joseph Bauer). The score was released on September 1, 2017. The entire 30-minute score was recorded in just two days at Capitol Studios. The theme song Dancing With Your Shadow, was composed by Bacharach, with lyrics by Billy Mann, and performed by Sheryl Crow. After seeing the film, a true story about a child with Autism, Bacharach decided he wanted to write a score for it, as well as a theme song, in tribute to his daughter Nikki -- who had gone undiagnosed with Asperger syndrome, and who committed suicide at the age of 40. Bacharach asked Director John Asher to see the film and offered to score it. "It touched me very much," the composer says. "I had gone through this with Nikki. Sometimes you do things that make you feel. It's not about money or rewards."
Question: Did he write or record any other albums after 1990?
Answer: In 2003, he teamed with singer Ronald Isley to release the album Here I Am,

Problem: Background: Bernard Herrmann (born Max Herman; June 29, 1911 - December 24, 1975) was an American composer best known for his work in composing for motion pictures. As a conductor, he championed the music of lesser-known composers. An Academy Award-winner (for The Devil and Daniel Webster, 1941; later renamed All That Money Can Buy), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other movies, including Citizen Kane, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver.
Context: Herrmann's music is typified by frequent use of ostinati (short repeating patterns), novel orchestration and, in his film scores, an ability to portray character traits not altogether obvious from other elements of the film. Early in his life, Herrmann committed himself to a creed of personal integrity at the price of unpopularity: the quintessential artist. His philosophy is summarized by a favorite Tolstoy quote: 'Eagles fly alone and sparrows fly in flocks.' Thus, Herrmann would only compose music for films when he was allowed the artistic liberty to compose what he wished without the director getting in the way: the cause of the split with Hitchcock after over a decade of composing scores for the director's films. His philosophy of orchestrating film was based on the assumption that the musicians were selected and hired for the recording session -- that this music was not constrained to the musical forces of the concert hall. For example, his use of nine harps in Beneath the 12 Mile Reef created an extraordinary underwater-like sonic landscape; his use of four alto flutes in Citizen Kane contributed to the creepy opening, only matched by the use of 12 flutes in his unused Torn Curtain score; and his use of the serpent in White Witch Doctor is possibly the first use of that instrument in a film score. Herrmann said: "To orchestrate is like a thumbprint. I can't understand having someone else do it. It would be like someone putting color to your paintings." Herrmann subscribed to the belief that the best film music should be able to stand on its own legs when detached from the film for which it was originally written. To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.
Question: was it well-received?
Answer: To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.

Problem: Background: David Thompson was born in Westminster, Middlesex, to recent Welsh migrants David and Ann Thompson. When Thompson was two, his father died. Due to the financial hardship with his mother without resources, Thompson and his older brother were placed in the Grey Coat Hospital, a school for the disadvantaged of Westminster. Thompson graduated to the Grey Coat mathematical school, where he was introduced to basic navigation skills.
Context: Thompson arrived in Churchill (now in Manitoba) and was put to work as a secretary, copying the personal papers of the governor of Fort Churchill, Samuel Hearne. The next year he was transferred to nearby York Factory, and over the next few years spent time as a secretary at Cumberland House, Saskatchewan, and South Branch House before arriving at Manchester House in 1787. During those years he learned to keep accounts and other records, calculate values of furs (It was noted that he also had several expensive beaver pelts at that time even when a secretary's job would not pay terribly well), track supplies and other duties. On 23 December 1788, Thompson seriously fractured his leg, forcing him to spend the next two winters at Cumberland House convalescing. It was during this time that he greatly refined and expanded his mathematical, astronomical, and surveying skills under the tutelage of Hudson's Bay Company surveyor Philip Turnor. It was also during this time that he lost sight in his right eye. In 1790, with his apprenticeship nearing its end, Thompson requested a set of surveying tools in place of the typical parting gift of fine clothes offered by the company to those completing their indenture. He received both. He entered the employ of the Hudson's Bay Company as a fur trader. In 1792 he completed his first significant survey, mapping a route to Lake Athabasca (where today's Alberta/Saskatchewan border is located). In recognition of his map-making skills, the company promoted Thompson to surveyor in 1794. He continued working for the Hudson's Bay Company until 23 May 1797 when, frustrated with the Hudson's Bay Company's policies over promoting the use of alcohol with indigenous people in the fur trade, he left. He walked 130 kilometres (80 mi) in the snow in order to enter the employ of the competition, the North West Company. There he continued to work as a fur trader and surveyor.
Question: What was Hudson's Bay Company?
Answer:
He entered the employ of the Hudson's Bay Company as a fur trader.