[Q]: Question: "Hydrogen sulfide from hydrothermal vents is not ideal because it is not?" Context: "The gut is generally an almost straight tube supported by the mesenteries (vertical partitions within segments), and ends with the anus on the underside of the pygidium. However, in members of the tube-dwelling family Siboglinidae the gut is blocked by a swollen lining that houses symbiotic bacteria, which can make up 15% of the worms' total weight. The bacteria convert inorganic matter such as hydrogen sulfide and carbon dioxide from hydrothermal vents, or methane from seeps to organic matter that feeds themselves and their hosts, while the worms extend their palps into the gas flows to absorb the gases needed by the bacteria." Answer:
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[A]: organic

input: Please answer the following: Question: "What is spoken in Iran" Context: "All Iranian languages are descended from a common ancestor, Proto-Iranian. In turn, and together with Proto-Indo-Aryan and the Nuristani languages, Proto-Iranian descends from a common ancestor Proto-Indo-Iranian. The Indo-Iranian languages are thought to have originated in Central Asia. The Andronovo culture is the suggested candidate for the common Indo-Iranian culture ca. 2000 BC." Answer:
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output: Iranian

Please answer this: Question: "What was the view of the study?" Context: "European comics studies began with Topffer's theories of his own work in the 1840s, which emphasized panel transitions and the visualverbal combination. No further progress was made until the 1970s. Pierre Fresnault-Deruelle then took a semiotics approach to the study of comics, analyzing textimage relations, page-level image relations, and image discontinuities, or what Scott McCloud later dubbed "closure". In 1987, Henri Vanlier introduced the term multicadre, or "multiframe", to refer to the comics a page as a semantic unit. By the 1990s, theorists such as Benoit Peeters and Thierry Groensteen turned attention to artists' poietic creative choices. Thierry Smolderen and Harry Morgan have held relativistic views of the definition of comics, a medium that has taken various, equally valid forms over its history. Morgan sees comics as a subset of "les litteratures dessinees" (or "drawn literatures"). French theory has come to give special attention to the page, in distinction from American theories such as McCloud's which focus on panel-to-panel transitions. Since the mid-2000s, Neil Cohn has begun analyzing how comics are understood using tools from cognitive science, extending beyond theory by using actual psychological and neuroscience experiments. This work has argued that sequential images and page layouts both use separate rule-bound "grammars" to be understood that extend beyond panel-to-panel transitions and categorical distinctions of types of layouts, and that the brain's comprehension of comics is similar to comprehending other domains, such as language and music." Answer:
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Answer: emphasized panel transitions and the visualverbal combination

Problem: Question: "Which artist is listed first" Context: "Similarly, movies and television often revert to standard, cliched snatches of classical music to convey refinement or opulence: some of the most-often heard pieces in this category include Bach's Cello Suite No. 1, Mozart's Eine kleine Nachtmusik, Vivaldi's Four Seasons, Mussorgsky's Night on Bald Mountain (as orchestrated by Rimsky-Korsakov), and Rossini's William Tell Overture." Answer:

A: Bach

Problem: Given the question: Question: "what language is mentioned second to last?" Context: "In Latin, papyri from Herculaneum dating before 79 AD (when it was destroyed) have been found that have been written in old Roman cursive, where the early forms of minuscule letters "d", "h" and "r", for example, can already be recognised. According to papyrologist Knut Kleve, "The theory, then, that the lower-case letters have been developed from the fifth century uncials and the ninth century Carolingian minuscules seems to be wrong." Both majuscule and minuscule letters existed, but the difference between the two variants was initially stylistic rather than orthographic and the writing system was still basically unicameral: a given handwritten document could use either one style or the other but these were not mixed. European languages, except for Ancient Greek and Latin, did not make the case distinction before about 1300.[citation needed]" Answer:
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The answer is:
Ancient Greek

Problem: Question: "What happened to the philosophies of the 1700's and the biblical analysis of the 1800's?" Context: "Davies identifies Paine's The Age of Reason as "the link between the two major narratives of what Jean-Francois Lyotard calls the narrative of legitimation": the rationalism of the 18th-century Philosophes and the radical, historically based German 19th-century Biblical criticism of the Hegelians David Friedrich Strauss and Ludwig Feuerbach. "The first is political, largely French in inspiration, and projects 'humanity as the hero of liberty'. The second is philosophical, German, seeks the totality and autonomy of knowledge, and stresses understanding rather than freedom as the key to human fulfilment and emancipation. The two themes converged and competed in complex ways in the 19th century and beyond, and between them set the boundaries of its various humanisms. Homo homini deus est ("The human being is a god to humanity" or "god is nothing [other than] the human being to himself"), Feuerbach had written." Answer:

A:
The two themes converged and competed