Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : "Say It Isn't So" is a song by American duo Daryl Hall & John Oates written by Daryl Hall. It was released by RCA Records in October 1983 as the first of two new singles from their compilation album "Rock 'n Soul Part 1", released that same year (see 1983 in music). The song was remixed as a "special extended dance mix" by John "Jellybean" Benitez, which topped "Billboard" magazine's Hot Dance Club Play chart. The song peaked at number 2 on the "Billboard" Hot 100 for four weeks, coincidentally behind "Say Say Say" by Paul McCartney and Michael Jackson. Context_2 : Rodrigo y Gabriela is the second studio album by Mexican musical duo Rodrigo y Gabriela. It was first released in Ireland on February 17, 2006, where it debuted at #1 on the Irish Albums Chart. The album included covers of Led Zeppelin's "Stairway to Heaven" and Metallica's "Orion", two artists who the duo say influenced their music. Context_3 : Say Africa is the seventh studio album by South African musician Vusi Mahlasela. The title song of the album "Say Africa" was originally written and performed by South African musician Dave Goldblum in 1997 and released on Dave's album Valley Road, however Dave receives little recognition for his work. The song was performed by Vusi Mahlasela at the opening of the 2010 FIFA World Cup, where Vusi gave full credit to Dave Goldblum for having written the song. However, the song is still publicly recognised as Vusi's own. Context_4 : "We'll Never Have to Say Goodbye Again" is a song by Jeffrey Comanor from the album "A Rumor in His Own Time", which debuted in September 1976. Written by Comanor, the song describes a couple who spend a night together, one which the narrator wishes would "never end". Both the song, which Epic Records released as a single, and album failed to chart. Discovered four months later by Arista Records President Clive Davis, "We'll Never Have to Say Goodbye Again" was covered by soft rock duo Deardorff & Joseph for their eponymous debut album, released on Arista. After Deardorff & Joseph disbanded, Marcia Day, who managed Maureen McGovern, became the manager of Deardorff, while Susan Joseph, who managed England Dan & John Ford Coley, became the manager of Joseph. Both McGovern and England Dan & John Ford Coley released covers of "We'll Never Have to Say Goodbye Again" in February 1978; while McGovern's failed to chart, Dan & Coley's spent six weeks at number one on the "Billboard" US Easy Listening chart, reached number two on the "RPM" Canada Adult Contemporary chart, and went to numbers nine and eleven on the magazines' respective overall charts. Context_5 : "The Girl Is Mine" is a song recorded by Michael Jackson and Paul McCartney. The track was written by Jackson and produced by Jackson and Quincy Jones. It was released as the first single for Jackson's sixth solo album, "Thriller" (1982). The song was recorded at Westlake Studios, Los Angeles, from April 14 to 16, 1982. The year before, Jackson and McCartney had recorded "Say Say Say" and "The Man" for the latter's fifth solo album, "Pipes of Peace" (1983). Although it was released as a single, Jackson never performed the song live. Context_6 : Pipes of Peace is the fourth studio album by English singer-songwriter Paul McCartney using his own name, released in 1983. As the follow-up to the popular "Tug of War", the album came close to matching the commercial success of its predecessor in Britain but peaked only at number 15 on America's "Billboard" 200 albums chart. While "Pipes of Peace" was the source of international hit singles such as "Say Say Say" (recorded with Michael Jackson) and the title track, the critical response to the album was less favourable than that afforded to "Tug of War". Context_7 : "Say Say Say (Waiting 4 U)" is a song by Dutch house group Hi_Tack, released on 6 December 2005. It samples the 1983 song "Say Say Say" by Paul McCartney and Michael Jackson. The song peaked at number three in Finland, number four in the United Kingdom, and number eight in Ireland. It also charted in countries such as the Netherlands, Denmark, Belgium and France. Context_8 : "Say Yes" is a song recorded by American recording artist Michelle Williams, taken from her fourth studio album "Journey to Freedom" (2014). It features Williams' former Destiny's Child groupmates Beyonce and Kelly Rowland. The song was written by Williams, Carmen Reece, Al Sherrod Lambert and Harmony Samuels who also produced it. E1 Music released "Say Yes" as the album's third single on June 2, 2014. "Say Yes" marks the third time the trio collaborated as solo artists following the disbandment of their group in 2006. Context_9 : Spain participated in the Eurovision Song Contest 2016 with the song "Say Yay!" written by Barbara Reyzabal, Ruben Villanueva and Victor Pua Vivo. The song was performed by Barei. The Spanish broadcaster Television Espanola (TVE) organised the national final "Objetivo Eurovision" in order to select the Spanish entry for the 2016 contest in Stockholm, Sweden. Six artists and songs competed in the televised show where an in-studio jury, an international jury and a public televote selected "Say Yay!" performed by Barei as the winner. Context_10 : "Say Say Say" is a song written and performed by Paul McCartney and Michael Jackson, released in 1983. The track was produced by George Martin for McCartney's album, "Pipes of Peace". The song was recorded during production of McCartney's 1982 "Tug of War" album, about a year before the release of "The Girl Is Mine", the pair's first duet from Jackson's album "Thriller" (1982). fact_1 : The song peaked at number 2 on the "Billboard" Hot 100 for four weeks, coincidentally behind "Say Say Say" by Paul McCartney and Michael Jackson. fact_2 : "Say Say Say" is a song written and performed by Paul McCartney and Michael Jackson, released in 1983. Question: Say Say Say, released in 1983, was written and performed by which two artists?
Output:
Paul McCartney and Michael Jackson