In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: First let me say the director has some wonderful use of titles in his establishing shots. I really enjoyed them. I really enjoyed this movie but I got to say next to Pierce Brosnan, Greg Kinear is pretty lackluster. Brosnan melts into this character so well, that it is really hard to remember that this is the same guy that played bond. It also shows his range and depth as an actor. It is kinda of an indie flick and was really nice to see especially with all of the mainstream movies that flood the movies at this time of the year. I found the characters to be well crafted. The twist in the middle I felt was especially good. I also liked how the characters come off realistically. So many times we have in film these caricatures of people that are not really characters but walking-stereotypes... I like the different approaches this movie takes. I think of sideways when I think of this movie but I think this is more watchable and a better movie overall...

Output: positive

Input: Consider Input: Although this show has been off the air since 1973, after viewing a DVD set I borrowed at our library, I felt compelled to say a bit about it.I can remember when it was the only color show on television in the 1960s, and sometimes there would be a little "Sunday Night Party" with friends to watch this on NBC on one of the few color televisions.I really enjoy history not so much for the names and dates but how it influences us today and how so much can be so profound based on the most inconsequential actions of the time. Case in point: Virginia City, Nevada, which became one of the richest cities in the world because of the silver, got its name from a character named "Old Virginny", who, in the town's early days, stumbled out of a saloon, fell and broke his whiskey bottle.Old Virginny didn't want to waste the occasion so as the precious liquid was seeping into the dirt he decided to christen the town "Virginia Town". The area became known as the Comstock Lode because another character, Henry Comstock, had the reputation of trying to jump everyone's claim and the area became known as the Comstock Lode.I just watched an early episode that dealt with these 2 subjects. Other episodes dealt with Mark Twain's literary rise while a reporter for the Territorial Enterprise...It was wholesome (and frequently educational) family entertainment. As someone else remarked, each episode would really be considered a movie in its own right - rich scripts and characters. One thing it twisted the truth on was the proximity to Virginia City and the Ponderosa. In truth, to ride from the Ponderosa (all of Northern Lake Tahoe), one would have to ride his horse about 3,000 feet (1,000 meters) down the Spooner Summit to the high desert (3,000-4,000 feet) of the Carson Valley then another 30-40 miles to Virginia city.Needless to say the Cartwrights would have some sore rear ends doing this on a regular basis. But every writer should have some leeway with the truth.How I miss that show, even today.

Output: positive

Input: Consider Input: Samuel Fuller brings his customary playful and stylish direction to this seedy, pulpy story and manages to create one of the undiscovered gems of 1950s cinema.Richard Widmark plays a petty thief tough guy (a role he perfected over the course of many movies), who snatches a young lady's (Jean Peters) wallet on a New York subway and with it a piece of much-wanted microfilm. This is 1953, so of course the microfilm is property of Commie spies who will stop at nothing to get it back. When the girl shows up at Widmark's waterfront shack, sent by an abusive boyfriend to reclaim the film, Widmark senses the opportunity to shake her and her "comrades" down for big money. The plot thickens, people start dying, and Widmark and Peters fall in love.Fuller handles the love story clumsily, but more from a sense of indifference than bad writing or direction. It's as if he included a love story under duress, and so made it intentionally unbelievable, as love stories so frequently were and still are in Hollywood films. Peters gives a remarkable performance as a tough New Yawk cookie, part gangster moll and part damsel in distress. When violence occurs against her, we genuinely care about her well being, and it's typical of Fuller's renegade, ahead-of-his-time style that a happy ending is not necessarily a foregone conclusion.But the ultimate success of "Pickup on South Street" rests squarely on the world-weary shoulders of Thelma Ritter, who plays Moe, a feisty lady who makes money any way she can, whether that be selling neckties or acting as a police informant. Ritter gives the performance of her career; in a breathtaking monologue, she conveys without ever directly addressing it the entire sad trajectory of her character's life, and the hopelessness she feels waking up every morning to a world of struggle, crime and hardship. It's as if every character Ritter ever played converges for one brief instant to give vent to all of the emotions they weren't given a chance to vent in those other movies. The scene is the highlight of Fuller's film, and a highlight of 50s cinema, period.Grade: A+
Output: positive