In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Standard Oil Company of Iowa was created in 1885 as a subsidiary of the Standard Oil Trust to handle marketing along the Pacific Coast states of Idaho, Oregon, Washington, California, and Arizona. Though named for the midwestern state, it never included Iowa as one of its primary marketing areas. A prior company named Standard Oil of California had been formed in 1877, and was not associated with the Standard Oil Trust. In 1906, Standard Oil of Iowa was dissolved and its assets handed over to a new Standard Oil of California, later Chevron Oil Company, and now the Chevron Corporation. Standard Oil Company of Iowa is thus the original company that is now Chevron. Context_2 : The Victory III is the boat on which the St. Augustine Scenic Cruise is conducted. The boat is berthed at the St. Augustine Public Marina, which is in downtown St. Augustine, Florida. The Scenic Cruise and the "Victory III" are property of the Usina family. The Usinas have had a boat service since 1900. The scenic tour and other excursions have been conducted in St. Augustine since before World War I. The "Victory" and the "Victory II" preceded the current boat. Context_3 : The Ponce de Leon Hotel, also known as The Ponce, was an exclusive luxury hotel in St. Augustine, Florida, built by millionaire developer and Standard Oil co-founder Henry M. Flagler and completed in 1888. The hotel was designed in the Spanish Renaissance style as the first major project of the New York architecture firm Carrere & Hastings, which would go on to gain world renown. Context_4 : Northeast Florida Regional Airport (IATA: UST,ICAO: KSGJ,FAA LID: SGJ) , formerly St. Augustine Airport, is four miles (6km) north of St. Augustine, in St. Johns County, Florida. It is publicly owned by the St. Augustine St. Johns County Airport Authority. Context_5 : Dr. Andrew Anderson II (March 13, 1839 in St. Augustine, Florida December 2, 1924 in St. Augustine) was a physician, philanthropist, mayor and benefactor of St. Augustine, Florida. Anderson commissioned multiple works of art to adorn a variety of public spaces in the City of St. Augustine, including the two Medici lion statues places at the approach to the famed Bridge of Lions. Context_6 : St. Augustine Foot Soldiers Monument is located near the corner of King St. and Charlotte St. in the Southeast corner of the "Plaza de la Constitucion" (known as "the Plaza"), a historic public park in downtown St. Augustine, Florida. It is in remembrance of the people who engaged in various forms of peaceful protest in St. Augustine in the early 1960s to advance the cause of civil rights, contributing to the passage of the Civil Rights Act of 1964. The monument, commissioned by the St. Augustine Foot Soldiers Remembrance Project, Inc. (the "Project"), was installed and unveiled in May, 2011. Context_7 : The Golden Gimmick refers to a foreign tax credit deal enacted in November 1950 by the US Government under president Harry Truman between King Ibn Saud of Saudi Arabia and the Arabian-American Oil Company (ARAMCO), a consortium comprising Standard Oil of California (Chevron), Standard Oil of New Jersey (Exxon), Standard Oil of New York (Mobil) and Texaco. King Ibn Saud was being influenced by Juan Pablo Perez Alfonso of Venezuela who cut a similar 50/50 deal with New Jersey Standard Oil and Royal Dutch Shell. This 50/50 deal accorded the American oil companies a tax break equivalent to 50% of their profits on oil sales, with the other 50% to be diverted to King Ibn Saud via the US Treasury. The King agreed to this 50/50 splitting of Aramco's oil profits instead of nationalizing Aramco's oil facilities on Saudi soil. Venezuela eventually led the effort in forming OPEC and Saudi Arabia gained full control of Aramco by 1980. Context_8 : St. Augustine was founded by the Oblates and the Sisters of Divine Providence in 1927. It was named in honor of Aurelius Augustinus (also known as Augustine of Hippo or Saint Augustine), one of the most important figures in the development of Western Christianity. The original St. Augustine campus was located in downtown in San Agustin Historical District in Laredo, Texas. During the mid-1970s the school was relocated. Through 1999 the school was under the control of the Roman Catholic Diocese of Corpus Christi. In 2000 the Roman Catholic Diocese of Laredo was established and the control of the school transferred to it. St. Augustine School is accredited by the Texas Catholic Conference Education Department. Context_9 : Henry Morrison Flagler (January 2, 1830 May 20, 1913) was an American industrialist and a founder of Standard Oil. He was also a key figure in the development of the Atlantic coast of Florida and founder of what became the Florida East Coast Railway. He is known as the father of St. Augustine, Miami and Palm Beach, Florida. Context_10 : Saint Augustine's University Historic Chapel is a historic Episcopal chapel located on the campus of St. Augustine's University in Raleigh, North Carolina. The chapel was built with the patronage of the Episcopal Church Freemen's Bureau in 1895 near downtown Raleigh on the campus of St. Augustine's College. It is one of the oldest buildings on the campus of St. Augustine's and has been designated as a Raleigh Historic Landmark. The construction of the chapel was under the direction of the Episcopal priest Rev. Henry Beard Delany, who at the time was an instructor of carpentry and masonry, as well as a chaplain and musician. The chapel was built by students of the college. The stone the chapel is made from is all from the Raleigh area. The chapel houses the cathedra of the Episcopal Bishop of North Carolina, a memorial of Henry Delany's consecration as the first African American Episcopal Bishop in North Carolina. fact_1 : The Ponce de Leon Hotel, also known as The Ponce, was an exclusive luxury hotel in St. Augustine, Florida, built by millionaire developer and Standard Oil co-founder Henry M. Flagler and completed in 1888. fact_2 : The hotel was designed in the Spanish Renaissance style as the first major project of the New York architecture firm Carrere & Hastings, which would go on to gain world renown. fact_3 : Henry Morrison Flagler (January 2, 1830 May 20, 1913) was an American industrialist and a founder of Standard Oil. Answer: Carrere & Hastings
Solution:
The American industrialist and a founder of Standard Oil had a hotel built in St. Augustine, Florida by what architecture firm?