Answer the question at the end by quoting:

Terry Eugene Bollea was born in Augusta, Georgia on August 11, 1953, the son of construction foreman Pietro "Peter" Bollea (December 6, 1913 - December 18, 2001) and homemaker and dance teacher Ruth V. (nee Moody; 1922 - January 1, 2011). He is of French, Italian, Panamanian, and Scottish descent. When he was one and a half years old, his family moved to Port Tampa, Florida. As a boy, he was a pitcher in Little League Baseball.
Hogan remained WWF World Heavyweight Champion for four years (1,474 days). In front of 33 million viewers, however, Hogan finally lost the title to Andre on the February 5 episode of The Main Event after a convoluted scam involving "The Million Dollar Man" Ted DiBiase and Earl Hebner (who assumed the place of his twin brother Dave Hebner, the match's appointed referee). After Andre delivered a belly to belly suplex on Hogan, Hebner counted the pin while Hogan's left shoulder was clearly off the mat. After the match, Andre handed the title over to DiBiase to complete their business deal. As a result, the WWF World Heavyweight Championship was vacated for the first time in its 25-year history because then WWF President Jack Tunney decreed the championship could not be sold from one wrestler to another. At WrestleMania IV, Hogan participated in a tournament for the vacant WWF World Heavyweight Championship to regain it; he and Andre were given a bye into quarter-finals, but their match resulted in a double disqualification. Later that night in the main event, Hogan came to ringside to stop Andre interfering which helped "Macho Man" Randy Savage defeat Ted DiBiase to win the title. Together, Hogan, Savage, and manager Miss Elizabeth formed a partnership known as The Mega Powers. After Savage became WWF World Heavyweight Champion at WrestleMania IV, they feuded with The Mega Bucks (Andre the Giant and Ted DiBiase) and defeated them at the main event of the first SummerSlam. They then went on to feud with Slick's Twin Towers: Akeem and Big Boss Man. In mid-1988, Hogan wrestled at house shows in singles competition with his "War Bonnet", a red and yellow gladiator helmet with a fist-shaped crest. This was notably used to give Bad News Brown his first WWF loss at a Madison Square Garden house show before it was discarded altogether. The War Bonnet gimmick was revisited in the WWE's online comedy series Are You Serious? in 2012. The Mega Powers began to implode due to Savage's burgeoning jealousy of Hogan and his paranoid suspicions that Hogan and Elizabeth were more than friends. At the Royal Rumble in 1989, Hogan eliminated Savage from the Royal Rumble match while eliminating Bad News Brown, which caused tension, only to be eliminated by The Twin Towers himself. In early 1989, the duo broke up while wrestling The Twin Towers on the February 3 episode of The Main Event, when Savage accidentally collided with Miss Elizabeth during the match, and Hogan took her backstage to receive medical attention, temporarily abandoning Savage, who slapped Hogan and left the ring, where Hogan eventually won the match by himself. After the match, Savage attacked Hogan backstage, which started a feud between the two. Their feud culminated in Hogan beating Savage for his second WWF World Heavyweight Championship at WrestleMania V.

What other feud did they have?

They then went on to feud with Slick's Twin Towers: Akeem and Big Boss Man.

Answer the question at the end by quoting:

The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.
The Kinks started out playing the then popular R&B and blues styles; then, under the influence of The Kingsmen's "Louie Louie" recording, developed louder rock and hard rock sounds -- due to their pioneering contribution to the field, they have often been labelled as "the original punks". Dave Davies was "really bored with this guitar sound - or lack of an interesting sound" so he purchased "a little green amplifier ... an Elpico" from a radio spares shop in Muswell Hill, and "twiddled around with it", including "taking the wires going to the speaker and putting a jack plug on there and plugging it straight into my AC30" (a larger amplifier), but didn't get the sound he wanted until he got frustrated and "got a single-sided Gillette razorblade and cut round the cone [from the centre to the edge] ... so it was all shredded but still on there, still intact. I played and I thought it was amazing." The jagged sound of the amplifier was replicated in the studio; the Elpico was plugged into the Vox AC30, and the resulting effect became a mainstay in The Kinks' early recordings--most notably on "You Really Got Me" and "All Day and All of the Night". From 1966 onwards, The Kinks came to be known for their adherence to traditions of English music and culture, during a period when many other British bands dismissed their heritage in favour of American blues, R&B and pop styles. Ray Davies recalled that at a distinct moment in 1965 he decided to break away from the American scene, and write more introspective and intelligent songs. "I decided I was going to use words more, and say things. I wrote 'Well Respected Man'. That was the first real word-oriented song I wrote. ... [I also] abandoned any attempt to Americanise my accent." The Kinks' allegiance to English styles was strengthened by the ban placed on them by the American Federation of Musicians. The ban cut them off from the American record buying public, the world's largest musical market, forcing them to focus on Britain and mainland Europe. The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, and creating some of the most influential and important music of the period. Beginning with Everybody's In Show-biz (1972), Ray Davies began exploring theatrical concepts on the group's albums; these themes became manifest on the 1973 album Preservation Act 1 and continued through Schoolboys In Disgrace (1976). The Kinks found little success with these conceptual works, and reverted to a traditional rock format throughout the remainder of the 1970s. Sleepwalker (1977), which heralded their return to commercial success, featured a mainstream, relatively slick production style that would become their norm. The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career.

what ban was placed on them?
The ban cut them off from the American record buying public,