input question: Select the correct sentiment of the following review: This movie was exactly what I expected, not great, but also not that bad either. In my opinion PG13 movies aren't scary enough so that's why I already knew I was going to be bored throughout the entire film. Sure there were scary things going on in the hotel room, but nothing we all haven't already seen. I guess I didn't like it because I thought there were too many twists and turns happening; it got old and repetitive. I also didn't understand if all the things Cusack was experiencing in the room was real or not. There is no explanation for any of the events that occurred. The movie just drags on and when it finally does come to an end you want it to keep going because you are still waiting around for someone to tell you what the whole movie was about. What I did like was the special effects. Other than that there wasn't much enjoyment from it. Maybe its just me but I thought this was below average.
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output answer: negative

input question: Select the correct sentiment of the following review: I've recently went back and watched this movie again from not seeing it in years. When I first seen the movie I was too young to understand what the movie was about. Now that I've seen it again I couldn't believe what I've missed all these years. For me being able to see movies for what they are, I think that this movie was great. Most people feel as though the music are the best part, but I don't think that's true. Most people don't realize how good the story is because it's judge by the acting. The truth of the matter is that no one in the movie were really trying to act rather they were just being themselves. The entire main cast were just playing themselves. They weren't trying to be anyone else, but themselves.

I've actually watched and analyzed the work and effort put into the movie. Now from my perspective, the situations shown in the movie are pretty much based on what actually went on musically in Minneapolis at the time and it's most of the things that happen are actually true events that happened in Prince's career and who can tell it better than him? The music that was coming from the city at the time was starting to be recognized and be revolutionary. It was interesting to see how the music was very influential mainly at the club "First Avenue & 7th St Entry" where in fact Prince, among other musicians, got their career started. It's also a known fact that Prince and Morris Day always had a competition with each other in real life, but it was a friendly competition. They were always friends. So the story basically plays off of that competition aspect of their rivalry rather than their friendship which shows the true competitive side of what occurred at club "First Avenue" for it's time.

Another reason why this movie is good is due to the fact that some of the situations that occur in the movie are actually based on events that Prince has gone through in his life with the music aspect and the personal. To me, this made the movie more realistic as far as the emotion because he's telling his trials and tribulations pre-superstardom. Plus, his dedication he puts into his performances is phenomenal. Prince made sure that every moment in the movie was done perfectly. Anytime you hear a song play in the movie it's in perfect sync with the situation at hand.

Prince is in all a musical genius and he has proved it on many occasions. This movie is what really put Prince on the map officially and he hasn't slowed down since. Anyone who has watched this movie or still (unbelieveably) hasn't watched it yet, when you sit down and view this film you have have to watch it with intellect or you will miss the whole aspect of the movie. If you really love music this is definitely the movie to watch. Above what anyone else says I think it's a great movie to watch and own.
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output answer: positive

input question: Select the correct sentiment of the following review: Neither the total disaster the UK critics claimed nor the misunderstood masterpiece its few fanboys insist, Revolver is at the very least an admirable attempt by Guy Ritchie to add a little substance to his conman capers. But then, nothing is more despised than an ambitious film that bites off more than it can chew, especially one using the gangster/con-artist movie framework. As might be expected from Luc Besson's name on the credits as producer, there's a definite element of 'Cinema de look' about it: set in a kind of realistic fantasy world where America and Britain overlap, it looks great, has a couple of superbly edited and conceived action sequences and oozes style, all of which mark it up as a disposable entertainment. But Ritchie clearly wants to do more than simply rehash his own movies for a fast buck, and he's spent a lot of time thinking and reading about life, the universe and everything. If anything its problem is that he's trying to throw in too many influences (a bit of Machiavelli, a dash of Godard, a lot of the Principles of Chess), motifs and techniques, littering the screen with quotes: the film was originally intended to end with three minutes of epigrams over photos of corpses of mob victims, and at times it feels as if he never read a fortune cookie he didn't want to turn into a movie. Rather than a commercial for Kabbalism, it's really more a mixture of the overlapping principles of commerce, chess and confidence trickery that for the most part pulls off the difficult trick of making the theosophy accessible while hiding the film's central (somewhat metaphysical) con.

The last third is where most of the problems can be found as Jason Statham takes on the enemy (literally) within with lots of ambitious but not always entirely successful crosscutting within the frame to contrast people's exterior bravado with their inner fear and anger, but it's got a lot going for it all the same. Not worth starting a new religion over, but I'm surprised it didn't get a US distributor. Maybe they found Ray Liotta's intentionally fake tan just too damn scary?
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output answer:
positive