In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
The answer to this example can be: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

OK. solve this:
Context_1 : The Nine Peahens and the Golden Apples ("Zlatna jabuka i devet paunica") is a Serbian epic poetry. It was published for the first time as a fairy tale by Vuk Stefanovic Karadzic in 1853. Later on it was published as a Bulgarian fairy tale by A. H. Wratislaw in his "Sixty Folk-Tales from Exclusively Slavonic Sources", number 38 in 1890. Andrew Lang included it in "The Violet Fairy Book", as a translation from a German version of Karadzic's original tale. Ruth Manning-Sanders included it in "". It is Aarne-Thompson type 400*, the swan maiden. Context_2 : Howard Elliott Ashman (May 17, 1950 March 14, 1991) was an American playwright and lyricist. He collaborated with Alan Menken on several works and is most widely known for several animated feature films for Disney, for which Ashman wrote the lyrics and Menken composed the music. Ashman and Menken began their collaboration with the musical "God Bless You, Mr. Rosewater" (1979), for which Ashman directed and wrote both book and lyrics. Their next musical, "Little Shop of Horrors" (1982) for which Ashman again directed and wrote both book and lyrics, became a long-running success and led to a 1986 feature film. The partnership's first Disney film was "The Little Mermaid" (1989), followed by "Beauty and the Beast" (1991). After his death, some of Ashman's songs were included in another Disney film, "Aladdin" (1992). Context_3 : The Buried Moon or The Dead Moon is a fairy tale included by Joseph Jacobs in "More English Fairy Tales". It is a striking unusual tale, with few variants, and often appearing more mythological than is common for fairy tales. It was collected by Mrs. Balfour from the North Lincolnshire Carrs in the Ancholme Valley; its unusual characteristics made many people doubt its origins as a fairy tale. However, when Mrs. Balfour published her notes, they were generally found reliable, and the Fens proved to have many other unusual legends. The story may be evidence of moon worship. Context_4 : Tangled is a Disney media franchise started by the 2010 American animated feature "Tangled", which was directed by Nathan Greno and Byron Howard from a screenplay by Dan Fogelman and produced by Roy Conli, with songs by Alan Menken and Glenn Slater. Walt Disney Animation Studios' chief creative officer John Lasseter served as the film's executive producer. The original film was inspired by the German fairy tale "Rapunzel" in the collection of folk tales published by the Brothers Grimm. Context_5 : Tangled is a 2010 American 3D computer-animated musical fantasy-comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. Loosely based on the German fairy tale "Rapunzel" in the collection of folk tales published by the Brothers Grimm, it is the 50th Disney animated feature film. Featuring the voices of Mandy Moore, Zachary Levi and Donna Murphy, the film tells the story of a lost, young princess with long magical hair who yearns to leave her secluded tower. Against her mother's wishes, she accepts the aid of an intruder to take her out into the world which she has never seen. Context_6 : Stan Bolovan is a Romanian fairy tale collected in "Rumanische Marchen" by Mite Kremnitz (1882). Fairy tale collector Andrew Lang included it in his "The Violet Fairy Book" (1901). Versions of the tale were later retold by Ruth Manning-Sanders in "A Book of Dragons" (1965) and "A Choice of Magic" (1971), and by Christopher Rawson in "The Usborne Book of Dragons" (1979). Context_7 : The Tale of the Fisherman and the Fish (Russian: , "Skazka o rybake i rybke") is a fairy tale in verse by Alexander Pushkin. Pushkin wrote the tale in autumn 1833 and it was first published in the literary magazine "Biblioteka dlya chteniya" in May 1835. The tale is about a fisherman who manages to catch a "Golden Fish" which promises to fulfill any wish of his in exchange for its freedom. The storyline is similar to the Russian fairy tale "The Greedy Old Wife" (according to Vladimir Propp) and the Brothers Grimm's tale "The Fisherman and His Wife". Context_8 : Alan Irwin Menken (born July 22, 1949) is an American musical theatre and film score composer and pianist. Menken is best known for his scores for films produced by Walt Disney Animation Studios. His scores for "The Little Mermaid" (1989), "Beauty and the Beast" (1991), "Aladdin" (1992), and "Pocahontas" (1995) have each won him two Academy Awards. He also composed the scores for "Little Shop of Horrors" (1986), "Newsies" (1992), "The Hunchback of Notre Dame" (1996), "Hercules" (1997), "Home on the Range" (2004), "Enchanted" (2007), "Tangled" (2010) and "Sausage Party" (2016), among others. He is also known for his work on musical theatre works for Broadway and elsewhere. Some of these are based on his Disney films, but other stage hits include "Little Shop of Horrors" (1982), "A Christmas Carol" (1994) and "Sister Act" (2009). Context_9 : New Fairy Tales (Danish: "Nye Eventyr" ) is a collection of four fairy tales written by Hans Christian Andersen and published by C. A. Reitzel in Copenhagen, Denmark on 10 November 1843. As was customary at the time however, the title page is dated 1844. The tales are completely Andersen's invention, owe no debt to folk or fairy lore, and are the most autobiographical of his several fairy tale collections. The collection was received enthusiastically by the Danish critics and public and became Andersen's break-through in the fairy tale genre. "The Nightingale" and "The Ugly Duckling" have been adapted to various forms of drama. Context_10 : Kashchey the Deathless (Russian: , "Kashchey bessmertniy"), Kashchey the Immortal, is a one-act opera in three scenes (styled a "little autumnal fairy tale") by Nikolai Rimsky-Korsakov. The libretto was written by the composer, and is based on a Russian fairy tale about Koschei the Deathless, an evil, ugly old wizard, who menaced principally young women. A similar fairy tale was also used by Igor Stravinsky (Rimsky-Korsakov's pupil) and Michel Fokine to create their iconic ballet, "The Firebird". fact_1 : He also composed the scores for "Little Shop of Horrors" (1986), "Newsies" (1992), "The Hunchback of Notre Dame" (1996), "Hercules" (1997), "Home on the Range" (2004), "Enchanted" (2007), "Tangled" (2010) and "Sausage Party" (2016), among others. fact_2 : Loosely based on the German fairy tale "Rapunzel" in the collection of folk tales published by the Brothers Grimm, it is the 50th Disney animated feature film. Answer: Rapunzel
Answer:
What fairy tale inspired the 2010 Disney film scored by Alen Menken?