In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Q: Review: NOTHING in this movie is funny. I thought the premise, giving a human the libido of a randy ram, was interesting and should provide for some laughs. WRONG! There is simply nothing funny about the movie. For example, the main character making a pass at a goat in heat in the middle of a farmer's yard is not funny, it borders on obscenity. They are toying around with bestiality in this film on one level, and it just aint funny.We all know that dogs will eat anything, anywhere, anytime. The main character doing this with everything, everywhere, everytime is also not funny. It becomes a cliche.Rob Schneider is, I guess, acceptable in the role. By this, I mean that he's not a bad actor, but with rotten material it's difficult to comment on quality. However, Coleen Haskell, the other half of the HUMAN-romantic leads (does one count the number of animals that the main character has interest in as romantic leads too?), seems embarrassed by the whole thing, as well she should be. She seems to be acting in some kind of vacuum, detached from all the other actors in the movie. See this film only if you wish to be bored by tasteless, dull, repetitive material. Question: is it a negative review?

A: yes
****
Q: Review: One of the most timely and engrossing documentaries, you'll ever watch. While the story takes place in the Venezuelan capital of Caracas, it provides an intimate look into political dynamics, that prevail throughout the western Hemisphere. While essentially another chapter in the story of the "U.S. backed, Latin American coup", this film chronicles in real-time, what can happen when the poorest people, are armed with unity, political savvy, and courage! The political insights offered by this film are invaluable. One gets clear examples of the private media, as a formidable force for mass deception and propaganda. We see the poor people of Caracas grappling with the brutal realities of "American politics". One gets a clear sense of impending doom, if the people fail to address the blatant tyranny, which has been abruptly, and illegally, thrust upon them by the conspirators. We also see the arrogance and fascism, of the CIA backed, private media, plutocrats, and generals, who've conspired to bring Venezuela back under Washington's domination. Though ably led by President Hugo Chavez, the people of Caracas are forced to act without him, after Chavez was forcibly kidnapped by renegade generals. Their response is the highpoint of the film. If one seeks an excellent portrait of what the U.S. government, Hugo Chavez, and revolutionary Venezuela, are all about, this movie is it! Question: is it a negative review?

A: no
****
Q: Review: The film portrays France's unresolved problems with its colonial legacy in Western (Francophone) Africa through the befuddled and complex psychoanalytical prism of a young woman, France (herein symbolically representing her nation). It is an often engaging and challenging portrait of a young woman's desire to come to terms with a traumatic moment in her past, in particular, and a nation's desire to reach out to the 'other' it once 'owned' and moulded. This is reflected in the way in which it centres entirely around the notion of travelling (or being in transit) from the present to the past; remembered realities to undeniable contemporary political and economic actualities.The characters all play a symbolic, albeit a limited and unconvincing role. France, meant to be a visual as well as a totemic representation of contemporary French society, leaves one indifferent to her plight as she seems still to be imbued with the same naivete she enjoyed as a child-in fact as a child she seems more in possession of her reality. The rest of the rag-tag ensemble is just forgettable. The black Africans are, to say the least, offencive impressionistic portraits of former colonised peoples now colonised by the director's poor handling of her material. They are no more than a dark and moribund backdrop against which the blythe-like France wonders seeking a world she never knew, and hoping for one that can never be found in Cameroon. Question: is it a negative review?

A:
yes
****