Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:'.

Example input: CONTEXT: The balance of power had shifted considerably since the first set of quotes. King Joffrey is dead, and his younger brother Tommen is now king. Unlike his wild card of an elder brother, Tommen is gentler and more prone to manipulation by his new bride. The Lannisters impeccable image has also been shattered. They failed to prevent the assassination of their king in the midst of his own wedding day, and the suspected assassin is the king's Lannister uncle. Not only do they look incompetent, they are divided among themselves. On the other hand, the Tyrells' situation is much stronger now. Tommen is already wrapped around Margaery's pretty little finger, and she knows that the assassination was orchestrated in part by her own family. In Margaery's eyes, the Lannisters look disoriented and lost. Putting on a show trial for one of their own, whom she knows is innocent of any wrongdoing. Whatever power Cersei held over Margaery has now been diminished. <sep> Q: What was Margaery's motivation to call Cersei 'sister' again? A: Whatever power Cersei held over Margaery has now been diminished.
Example output: Why has it been diminished?
Example explanation: The question is valid since it is on the same topic and a follow-up of the previous answer in the conversation. The question asks about the reason why the power held over Margaery by Cersei have diminished.
Q: CONTEXT: The movie has altered the plot of One Shot in many significant ways. The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible (though this is a common trade-off in movies). The plot is simpler with fewer characters. The overall tone is not too far from the books, but the opportunity for cinematic additions has been taken. The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing). Some of the humorous dialogue, though, is true to Reacher's character in the book. I recall some inventive insults in the bar scene, for example, which are the sort of things he does say in the books as a result of his unshakeable confidence in dealing with people he has to fight. He really doesn't mind getting physical as he know he will win, so insulting his adversaries and goading them is a typical strategy. Overall the movie captures the spirit of the books reasonably well, but the slapstick scene sticks out as an anomaly. <sep> Q: Are the comedic elements in the film Jack Reacher evident in the novels on which it was based? A: The movie has altered the plot of One Shot in many significant ways Q: How has the movie altered the plot? A: The setting, for example, is a large city not a medium sized town, which makes it more cinematic but less coherent or credible Q: Why was this done if it makes the movie less credible? A: this is a common trade-off in movies Q: Why does the film have so much humour? A: The slapstick scene is pure cinema invention (I'm not even sure you can do slapstick like that in prose writing Q: Why do films feel like they need to add humorous elements that are not true to the book? A: Some of the humorous dialogue, though, is true to Reacher's character in the book
A:
Did the director choose to change anything else about the books?