input: Her music encompasses a wide range of styles. Autumn's vocal range is contralto, but also has the ability to perform in the dramatic soprano range. Her vocal work has been compared to Tori Amos, Kate Bush, and The Creatures. She has released two instrumental albums (On a Day... and Laced/Unlaced), and four featuring her vocals: Enchant, Opheliac, A Bit o' This & That, and "Fight Like A Girl". The 2003 album Enchant drew on "new age chamber music, trip hop baroque, and experimental space pop". Autumn layers her voice frequently, and incorporates electronics and electronic effects into her work on Enchant; she also combines strings and piano for some songs, while others feature mainly the piano or violin. The 2006 release Opheliac featured "cabaret, electronic, symphonic, new age, and good ol' rock & roll (and heavy on the theatrical bombast)". A classically trained musician, Autumn is influenced by plays, novels, and history, particularly the Victorian era. She enjoys the works of Shakespeare, Elizabeth Barrett Browning and her husband Robert, and Edgar Allan Poe. She incorporates sounds resembling Victorian machinery such as locomotives, which she noted was "sort of a steampunk thing". While a young Autumn cited Itzhak Perlman as an influence because of the happiness she believed he felt when he played, her main musical influence and inspiration is the English violinist Nigel Kennedy. Her favorite singer is Morrissey from The Smiths. She takes inspiration for her songs from her life experiences and mixes in "layers and layers of references, connections, other stories and metaphors". Autumn describes her music and style as "Psychotic Vaudeville Burlesque". She alternatively labels her music and style as "Victoriandustrial'", a term she coined, and glam rock because of her use of glitter onstage. According to Autumn, her music "wasn't meant to be cutesy" and is labeled as "industrial" mainly because of her use of drums and yelling. Her adaption of "O Mistress Mine" was praised by author and theater director Barry Edelstein as "a ravishing, guaranteed tearjerker". For her live performances, which she calls dinner theatre because of her practice of throwing tea and tea-time snacks offstage, Autumn makes use of burlesque--"a show that was mainly using humour and sexuality to make a mockery of things that were going on socially and politically"--to counterbalance the morbid topics such as abuse and self-mutilation. She incorporates handmade costumes, fire tricks, theatrics, and a female backing band, The Bloody Crumpets: Veronica Varlow, Jill Evyn (Moth), and formerly The Blessed Contessa, Lady Aprella, Little Lucina, Lady Joo Hee, Captain Vecona, Little Miss Sugarless, Mistress Jacinda, and the model Ulorin Vex. Another crumpet, Captain Maggot, has taken a leave. Her wish for the live shows is to be an "anti-repression statement" and empowerment.

Answer this question "Did she have a favorite author or novel?"
output: She enjoys the works of Shakespeare, Elizabeth Barrett Browning and her husband Robert, and Edgar Allan Poe.

Question: Francis Piol Bol Bok (born February 1979), a Dinka tribesman and native of South Sudan, was a slave for ten years but is now an abolitionist and author living in the United States. On May 15, 1986, he was captured and enslaved at the age of seven during an Arab militia raid on the village of Nyamlel in South Sudan during the Second Sudanese Civil War. Bok lived in bondage for ten years before escaping imprisonment in Kurdufan, Sudan, followed by a journey to the United States by way of Cairo, Egypt. Bok was aided by people of diverse cultures and faiths in his journey to freedom.

Seven-year-old Bok was captured by Giemma, a member of the slave hunting militia, who forced him to join a caravan of slaves, stolen produce, livestock and wares that the militia had captured in their raid of the Dinka settlement. When the members of the militia split up to return to their homes, Bok was taken by Giemma. Upon arriving at Giemma's residence, Francis was beaten by his captor's children with sticks and was called abeed. The word literally means "slave" and the stereotype is that of an inferior, demeaned, Negroid race. Francis was given quarters in a hovel near the pens of Giemma's livestock. Bok began a ten-year period of slavery at the hands of Giemma and his son Hamid. He was forced to tend the family's herds of livestock. He had to take them to pastures in the area and to local watering holes, where he saw other Dinka boys who were also forced to tend herds of livestock. He began to suspect that his life was going to change forever and that his father was not going to be able to save him. His attempts to speak to the other Dinka boys were futile, as they were speaking Arabic, which he could not understand; they also seemed afraid to speak to him. According to Bok, as he grew older, Giemma and Hamid began to place more trust in his abilities as a herdsman. Care of the cattle, horses and camels was passed to Bok and he was able to spend more time alone with the animals. Previously he had been under the careful supervision of Hamid and sometimes Giemma. In addition to having him serve as his slave, Giemma forced Francis to convert to Islam and to take the Arabic name of Abdul Rahman, meaning "servant of the compassionate one." In his autobiography, Francis states that although he was forced to convert to Islam, that he never stopped praying to God for strength to get him through his ordeal. Bok tried twice to flee from slavery at the age of 14. The first instance happened early one morning after he had been sent out with the cattle. Bok blindly ran down a road for several miles before he was captured by one of Giemma's fellow militia members. Giemma's peer returned Francis to the Giemma's compound, where he was beaten with a bullwhip. Bok attempted to escape once again just two days later, when he fled in the opposite direction of his previous escape. He once again fled for several miles, this time keeping to the forest. He stopped for water at a local stream crossing, where he was spotted by Giemma who happened to be there as well. Giemma forced Francis back to his home, this time promising to kill him. Francis was beaten again, but Giemma chose not to kill him, as Francis had become too valuable to the family as a slave.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer:
Seven-year-old Bok was captured by Giemma, a member of the slave hunting militia,