input: DEATHSTALKER is perfect for B-fantasy movie fans; this barely 80-minute travesty of film-making features everything hecklers can ask for--non-existent plotting, terrible acting (save for at least a raspy-sounding old lady), laughable scripting and schlock editing, and bargain-basement style background settings. There are no characters that come across as likable or interesting (in particular, the lead doesn't have ANYTHING appealing about him), and the actors assembled barely do anything to rise above the F-grade material. If that's not enough, then how about the lack of a compelling plot (which this movie has nothing of the sort) to make DEATHSTALKER qualify as a major turkey? I was also offended that the women in this movie barely serve any purpose other than to 1) be topless and/or scantily clad; 2) get raped; 3) have sex with the hero; 4) all of the above. In addition, the background music is hideous; a bizarre mess of electronic noise, cheesy choral bursts, and blaring orchestral cacophony. Ear numbing and eye numbing all in one packed with nary a thing to keep one interested, DEATHSTALKER is probably best suited for folks looking for something to laugh at (and believe me, there's plenty of that in here). Otherwise, I do not recommend this 100th-grade CONAN wanna-be to anyone in the least.

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input: A student filmmaker enlists a B-grade actress (a delectably diva-ish MOLLY RINGWALD!) to complete the horror film that her mother (a dreadfully dull Kylie Minogue!) tried to make 12 years ago. It's a curious plot choice to say the least, as any Aussie horror fan knows that the genre is sadly lacking in women directors. The film has a curse on it, because Molly had to kill some psycho murderer on the original set. But she's back, because she needs the exposure. Unfortunately, the curse is still there and people start dying on the "set." Cut is an Aussie attempt at the modern "slasher," but unfortunately it doesn't bring anything new or exciting to the table. In fact, it rips half of Wes Craven's 90s filmography. Lots of film-world name-dropping a la "Scream" (except it's Aussie name-dropping--Jane Campion...see how this isn't as funny) and lots of "is this real or is this a movie" a la "New Nightmare." The editing is bad, the music is annoying, the effects are laughable, almost everything is bad about this. Fortunately, the film can have a sense of humor: at one point, a well-dressed girl in the movie crew says to the owner of the house they are filming at: "Don't worry, we'll treat your house as if it were our own," to which he responds, "that doesn't mean anything to me, you look like you live in a dump!" Ha! And Molly's ridiculous one-liners were enough to not regret renting this one. "You got any diet coke in here?" (as she rides in the film professor's car) and "Does anyone know where I can buy any tofu?" (the first thing she mutters on the set) and "Where the hell is my agent?" (oh wait, that's what I was thinking for her.)

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input: It was all over with the slashers around 88 so it was time for the cheesy rip offs of those older movies. The Brain is well done, the script reminded me of Videodrome but then in a more cheesy way as said before. The acting can go through with it. But it's the effects that makes you laugh, the so called Brain is really a turkey and the blood is never shown. The opening sequence is what makes this movie worth watching, the hallucinations are really nicely done and reminded me of Nightmare on Elm Street, remember the telephone coming alive.... Some how you keep watching this flick, waiting what is happening next. It's viewable for all freaks out there cause there isn't any gore in it and as said the blood isn't there neither but there is nudity for the perverts. I have seen worser movies than this one, only wished they had made it bloodier...

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input: I can sit through this movie once, but I doubt I could make it through a second time. Mildly entertaining mainly for the physical presence of Lindsay Lohan. The fun of Matt Dillon(think Something About Mary), and the re-emergence of a more serious acting Micheal Keaton. This is not the fun romp The Love Bug was but it is watchable. One of my main detractions from the movie was the fact that Herbie had evolved into R2D2 antics for the most part. I was bored with the headlight eyes effects about the second time of the 30 or so times they were used and the bending front fender caused the same reaction from me. Go see this with your little ones, i.e. the "single digit bracket" kids and don't expect a lot from this film.

_X

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negative