In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Space Shuttle "Enterprise" (Orbiter Vehicle Designation: OV-101) was the first orbiter of the Space Shuttle system. Rolled out on September 17, 1976, it was built for NASA as part of the Space Shuttle program to perform atmospheric test flights after being launched from a modified Boeing 747. It was constructed without engines or a functional heat shield, and was therefore not capable of spaceflight. Context_2 : The cult of the Holy Spirit (Portuguese: "Culto do Divino Espirito Santo" ), also known as the cult of the Empire of the Holy Spirit ("Culto do Imperio do Divino Espirito Santo"), is a religious sub-culture, inspired by Christian millenarian mystics, associated with Azorean Catholic identity, consisting of iconography, architecture, and religious practices that have continued in many communities of the archipelago as well as the broader Portuguese diaspora. Beyond the Azores, the Cult of the Holy Spirit is alive in parts of Brazil (where it was established three centuries ago) and pockets of Portuguese settlers in North America. The cult of the Holy Spirit involves traditional rituals and religious celebrations of these faith communities. Context_3 : In Christian theology, pneumatology refers to the study of the Holy Spirit. "Pneuma" () is Greek for "breath", which metaphorically describes a non-material being or influence. The English word comes from two Greek words: ("pneuma", spirit) and ("logos", teaching about). Pneumatology would normally include study of the person of the Holy Spirit, and the works of the Holy Spirit. This latter category would normally include Christian teachings on new birth, spiritual gifts (charismata), Spirit-baptism, sanctification, the inspiration of prophets, and the indwelling of the Holy Trinity (which in itself covers many different aspects). Different Christian denominations have different theological approaches. Context_4 : The Chapel of the Holy Spirit is a church in Rhode Island, United States. The church was formerly named Church of the Holy Paraclete. In May 2016, the parish council voted to change the name of the church to an English translation. The theology of the parish is the same. Holy Paraclete (Gr. , Lat. "paracletus") means holy advocate or holy helper. In Christianity, the term most commonly refers to the Holy Spirit. The Church has Spanish Colonial architecture mixed with New England Fieldstone. It is a mission church in the tradition of the Old Catholic Church founded in America by Fr. Charles Chiniquy and Bishop Joseph Rene Vilatte of the American Catholic Church (No longer in existence). This community is not in union with the Episcopal Church, the Union of Utrecht, or any of the so-called Episcopi vagantes. The community strives after union with the Union of Utrecht, through the help of the Episcopal Church. The Mission Church houses a reliquary with the altar bells of Saint Damien of Molokai and a 17th-century Spanish Colonial Tabernacle. Context_5 : The Chapel of the Holy Spirit is in Rhode Island. The parish was founded in 2009 by the Little Brothers of Jesus Caritas, an ecumenical community following the inspiration of Bl. Charles de Foucauld. The parish community began at the locally famous Brooklyn Coffee and Tea House and after two years purchased the Carcieri property at 155 Douglas Avenue. The building was first constructed in 1910 and was part of a larger estate which was used as a front for illegal gambling and bootlegging. During the building's time of operation, prior to its religious use, pieces of the Space Shuttle Enterprise were produced in the building by C & C Engineering. Context_6 : Veni Sancte Spiritus (Come, Holy Spirit), K. 47, is a sacred composition for choir and orchestra by Wolfgang Amadeus Mozart. He wrote it in Vienna in 1768 at age 12. He scored the work in C major for mixed choir SATB with a few solo lines, orchestra and organ. The text is a Pentecostal antiphon, "Ad invocandum Spiritum Sanctum " (For invoking the Holy Spirit), which begins with the same words as the sequence "Veni Sancte Spiritus ", but continues differently. Mozart added the subtitle "Offertorium", mentioning the intended use during the offertory of a church service. The beginning of the words suggests Pentecost, but the general call for the Holy Spirit seems more likely to have been composed in the fall. Context_7 : Whether the earliest Church Fathers believed in the Trinity or not is a subject for debate. Some of the evidence used to support an early belief in the Trinity are triadic statements (referring to the Father, Son and Holy Spirit) from the New Testament and the Church Fathers. The view that the Son was 'of the essence of the Father, God of God...very God of very God' was formally ratified at the First Council of Nicaea in 325 AD. The Holy Spirit was included at the First Council of Constantinople (381 AD), where the relationship between the Father, Son and Holy Spirit as one substance ("ousia") and three co-equal persons ("hypostaseis") was formally ratified. Context_8 : The Holy Spirit plays a key role in the Acts of the Apostles, leading to the use of the titles "Book of the Holy Spirit" or the "Acts of the Holy Spirit" for that book of the New Testament. Of the about seventy occurrences of the word "Pneuma" in Acts, fifty five refer to the Holy Spirit. Context_9 : Holy Spirit National High School (HSNHS) is a public high school located in Barangay Holy Spirit in Quezon City, Philippines. It was founded on 2003 as Commonwealth High School Holy Spirit Annex, the annex school of Commonwealth High School in Barangay Commonwealth, Quezon City. In 2008, it was renamed as Holy Spirit National High School after getting its independence. Context_10 : The Missionary Sisters Servants of the Holy Spirit, also known as Holy Spirit Missionary Sisters, or simply Holy Spirit Sisters (SSpS Latin: "Servae Spiritus Sancti") is a religious congregation within the Catholic Church. The group has 4,000 members in 49 different countries. The congregation was founded by Saint Arnold Janssen in 1889 in Steyl, the Netherlands. Janssen selected Maria Helena Stollenwerk (18521900) and Hendrina Stenmanns, called Mother Josepha (18521903) as first leaders and granted them the title of co-foundresses. Helena Stollenwerk became also the Co-Foundress of the Congregation Holy Spirit Adoration Sisters (officially called Servants of the Holy Spirit of Perpetual Adoration). Jannsen also founded (in 1875) a male missionary congregation called Divine Word Missionaries. fact_1 : During the building's time of operation, prior to its religious use, pieces of the Space Shuttle Enterprise were produced in the building by C & C Engineering. fact_2 : Space Shuttle "Enterprise" (Orbiter Vehicle Designation: OV-101) was the first orbiter of the Space Shuttle system. fact_3 : Rolled out on September 17, 1976, it was built for NASA as part of the Space Shuttle program to perform atmospheric test flights after being launched from a modified Boeing 747. fact_4 : It was constructed without engines or a functional heat shield, and was therefore not capable of spaceflight. Answer: September 17, 1976
A:
Chapel of the Holy Spirit, in its previous use, made pieces of the first orbiter for NASA, rolled out on what date?