input: Not much of Lovecraft and Susie's activities from late 1908 to 1913 are recorded. Lovecraft mentions a steady continuation of their financial decline highlighted by a failed business venture of his uncle that cost Susie a large portion of their dwindling wealth. Accounts differ on how reclusive Susie and Lovecraft were during this time. A friend of Susie, Clara Hess, recalled a visit during which Susie spoke continuously about Lovecraft being "so hideous that he hid from everyone and did not like to walk upon the streets where people could gaze on him." Despite Hess' protest that this wasn't the case, Susie maintained this stance. In the same account though, Hess said she regularly saw Susie out and about riding streetcars. For his part, Lovecraft said he found his mother to be "a positive marvel of consideration." A next-door neighbor later pointed out that what others in the neighborhood often supposed were loud, nocturnal quarrels between mother and son, she recognized as being recitations of Shakespeare; an activity that seemed to delight mother and son. Susie had an adoration for French literature, having studied French in boarding school. Lovecraft, though he never matched his mother's admiration of French literature, admired her knowledge and devotion to it. Lovecraft recalls Susie also had a passion for painting landscapes of the surrounding countryside, though none of her work survives today. One of Lovecraft's later friends, C. M. Eddy Jr., became aware of Lovecraft due to his wife Muriel, whose mother-in-law attended a women's suffrage meeting where she met Susie. During this period Lovecraft revived his earlier scientific periodicals. He endeavored to commit himself to the study of organic chemistry, Susie buying the expensive glass chemistry assemblage he wanted. Lovecraft found his studies were hobbled by the mathematics involved, which he found boring and would cause headaches that would incapacitate him for a day. Lovecraft's first poem that wasn't self-published appeared in a local newspaper in 1912. Called "Providence in 2000 A.D.", the poem envisioned a future where proper people of English heritage were displaced by immigrants. Surviving unpublished poems from this period, most notoriously "On the Creation of Niggers", were also emblematic of the xenophobia and racism inherent in much of Lovecraft's later work. In 1911 Lovecraft's letters to editors began appearing in pulp and weird fiction magazines, most notably Argosy. A 1913 letter critical of Fred Jackson, a prominent writer for Argosy, started Lovecraft down a path that would greatly affect his life. Lovecraft described Jackson's stories as "trivial, effeminate, and, in places, coarse." Continuing, Lovecraft said that Jackson's characters exhibit the "delicate passions and emotions proper to negroes and anthropoid apes." This sparked a nearly year-long feud in the letters section of Argosy between Lovecraft, along with his occasional supporters, and the majority of readers critical of his view of Jackson. Lovecraft's biggest critic was John Russell, who often replied in verse, and to whom Lovecraft felt compelled to reply to because he respected Russell's writing skills. The most immediate effect of the feud was the recognition garnered from Edward F. Daas, then head editor of the United Amateur Press Association (also known as the UAPA). Daas invited Russell and Lovecraft to the organization and both accepted, Lovecraft in April 1914.

Answer this question "did it receive any criticism?"
output: Lovecraft's biggest critic was John Russell, who often replied in verse,

Question: O'Donnell, the third of five children, was born and raised in Commack, Long Island, New York. She is the daughter of homemaker Roseann Teresa (nee Murtha) and Edward Joseph O'Donnell, an electrical engineer who worked in the defense industry. O'Donnell's father had immigrated from County Donegal, Ireland, during his childhood, and her mother was Irish American; O'Donnell was raised Roman Catholic. Her older brother is Daniel J. O'Donnell, now a member of the New York State Assembly.

In 2011, O'Donnell began producing material for the Oprah Winfrey Network (OWN). In May 2011, The Doc Club with Rosie O'Donnell premiered, a show where O'Donnell moderates live panel discussions following premieres of OWN Documentaries. She has hosted specials for Becoming Chaz in May 2011 and Miss Representation in October 2011. In fall 2011, O'Donnell began full-time work on her new show, The Rosie Show, for OWN. The show taped at the Chicago studio formerly home to The Oprah Winfrey Show. The show debuted on October 10, 2011, to generally positive reviews. OWN canceled The Rosie Show on March 16, 2012, with the last show taped March 20, on the eve of O'Donnell's 50th birthday. The final show aired on OWN on March 29, 2012. In a statement, Oprah Winfrey said "I thank Rosie from the bottom of my heart for joining me on this journey. She has been an incredible partner, working to deliver the best possible show every single day. As I have learned in the last 15 months, a new network launch is always a challenge and ratings grow over time as you continue to gather an audience. I'm grateful to Rosie and the dedicated Rosie Show team for giving it their all." O'Donnell responded to the cancellation by thanking her viewers and the host city of Chicago: "I loved working with Oprah in the amazing city of Chicago. I was welcomed with open arms and will never forget the kindness of all I encountered. It was a great year for me--I wish the show was able to attract more viewers--but it did not. So I am headed back to my home in New York--with gratitude. On we go!"

Using a quote from the above article, answer the following question: What was the show about
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Answer:
a show where O'Donnell moderates live panel discussions following premieres of OWN Documentaries.