input: Banks was capped twice for the England under-23 side, in matches against Wales and Scotland in 1961. Ron Springett was the goalkeeper for England as Banks rose to prominence, but after the 1962 World Cup in Chile, a new coach was appointed in former England right-back Alf Ramsey. Ramsey demanded sole control of the team and began looking towards the next World Cup. Banks won his first cap on 6 April 1963 against Scotland at Wembley, after Springett was dropped following a poor performance. England lost 2-1, though Banks was blameless as Scotland's goals came firstly from an error by Jimmy Armfield and then secondly from the penalty spot. He was picked for the next match against Brazil, which ended in a credible 1-1 draw after Bryan Douglas cancelled out Pepe's opener. Banks continued to play consistently to become established as England's first-choice goalkeeper. In 1963, he was picked to play against the Rest of the World, in a celebration match to mark 100 years of The Football Association. Banks also played in two of England's three games at the "Little World Cup" in Brazil in the summer of 1964, a 1-1 draw with Portugal and a 1-0 defeat to Argentina. Blackpool's Tony Waiters won five caps in the England goal in 1964, but found that his challenge to Banks' first team place came to an end after he conceded five goals to Brazil. During England's summer of 1965 tour he built up a solid understanding with his defenders - George Cohen, Jack Charlton, Bobby Moore, and Ray Wilson - as he only conceded two goals in four matches against Hungary, Yugoslavia, West Germany, and Sweden. They then played seven friendlies in 1966 in the build-up to the World Cup, though the team passed their biggest test of character in the British Home Championship, beating Scotland 4-3 in front of a crowd of over 130,000 at Hampden Park. Going into the competition, the only defeat in 21 matches since the "Little World Cup" came against Austria, in a game that Banks missed due to injury.

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input: In 1996, Smith worked on a script for a Superman movie. He wrote a couple of drafts but his script was dropped when Tim Burton was hired to direct and brought his own people in to work on the project. Smith still sees the whole experience on working on the Superman project as a positive one, however; he has said that he was well paid and it was a lot of fun. In April 2009, Smith discussed his Superman experiences at Clark University--a YouTube video that critic A.O. Scott of The New York Times called "extraordinary". In the end, neither Smith's nor Burton's vision for Superman was filmed. In the 2007 Direct-to-DVD animation release of Superman: Doomsday, Smith has a cameo as an onlooker in a crowd. After Superman defeats The Toyman's giant mechanical robot, Smith scoffs, "Yeah, like we really needed him to defeat that giant spider. Heh. Lame!" This was a reference to a giant spider that producer Jon Peters wanted Smith to put in the film when he was attached, that was later put into the 1999 feature film flop Wild Wild West, which Peters also produced. In 1997, Smith was hired by New Line to rewrite Overnight Delivery, which was expected to be a blockbuster teen movie. Smith's then-girlfriend Joey Lauren Adams almost took the role of Ivy in the movie, instead of the female lead in Chasing Amy. Eventually she lost out to Reese Witherspoon, and Overnight Delivery was quietly released directly to video in April 1998. Smith's involvement with the film was revealed on-line, but he remains uncredited. He has said that the only scene which really used his dialogue was the opening scene, which includes a reference to long-time Smith friend Bryan Johnson. In 2004, Smith wrote a screenplay for a new film version of The Green Hornet, and announced prematurely that he had originally intended to direct as well. The project, however died after the film was placed into turnaround following the poor box office of Jersey Girl. Smith's screenplay was later turned into a Green Hornet comic book miniseries.

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input: Lambert is best known for his theatrical performance style and meticulous attention to detail in all aspects of his personal presentation. He draws upon extensive stage experience in the ease with which he can refine and define his image through fashion and other imagery, which are essential to how he chooses to inhabit his songs, rivet his audiences and showcase his individuality. While a contestant on American Idol, Lambert's precise yet varied stagings of himself kept audiences and judges glued as much to his presentation as to his vocal talent. His signature flamboyance and glam rock styling was a break-out moment in men's fashion, duly noted by fashion publications and taste-makers, who compared him to Lady Gaga in terms of crossing style boundaries and being unabashedly individual. Lambert made three fashion related TV appearances at the close of 2010. He fused his passion for music and fashion on MTV's "Talk@Playground", appearing in discussion with Skingraft designer Jonny Cota. He was a guest judge on Project Runway, in an episode that styled a rock band for their upcoming Rolling Stone cover. He was the subject for whom the young designers of "All on the Line with Joe Zee" created a modern look, which he then critiqued along with the show's hosts. Lambert continued to grace the covers of magazines, moving more specifically into the fashion and culture space. Reflecting the mood and concept behind his album Trespassing, the Fault Magazine fashion shoot exemplified Lambert's commitment to aligning the elements of his artistic vision so that a cohesive narrative emerges. When Lambert appeared on the December 2012 cover of London-based high style magazine Fiasco's "Obsession" issue, he again took the opportunity to manipulate and provoke with his image and style. Sporting a sophisticated, minimalist look that recalled old Hollywood, Lambert played with male stereotypes and representations; and in the interview, emphasized that his fashion and presentation are often disparate from gay as well as straight regimes: "For the general audience, they look at the way I style myself and they go, 'Errrr, that's gay', but you ask a handful of gay guys and they're like, 'I would never wear that!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue. He discussed his natural shift towards a cleaner, more classic look; and reiterated that the intersection of music and fashion--the constant motion of trends--is a fascination and part of being a pop musician. Lambert is represented by London-based MiLK Management modelling agency as of July 2016.

Answer this question "what is the most important fact in this article?"
output:
!'" In August, 2015, he was one of four artists to appear on the cover of Billboard's "Music's Men of Style" issue.