Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : The Second Hundred Years' War (c. 1689 - c. 1815) is a periodization or historical era term used by some historians to describe the series of military conflicts between Great Britain and France that occurred from about 1689 (or some say 1714) to 1815. The Second Hundred Years' War is named after the Hundred Years War, when the England-France rivalry began in the 14th century. The term appears to have been coined by J. R. Seeley in his influential work "The Expansion of England: Two Courses of Lectures" (1883). Context_2 : Joris of the Rock is a fantasy novel by Leslie Barringer, the second book in his three volume Neustrian Cycle. It is set around the fourteenth century in an alternate medieval France called Neustria (historically an early division of the Frankish kingdom). The book was first published in the United Kingdom by Heinemann in 1928; an American edition followed from Doubleday in 1929. Its significance was recognized by its republication by the Newcastle Publishing Company as the ninth volume of the celebrated Newcastle Forgotten Fantasy Library series in September, 1976. The Newcastle edition was reprinted by Borgo Press in 1980 and 2010. Context_3 : Know Ye Not Agincourt? by Leslie Barringer is a historical novel set in fifteenth century England and France. It concerns the adventures of an English squire and his friends, their taking part in the month-long Siege of Harfleur and the Battle of Agincourt, and its bitter consequences for all of them. It ends with a brief and unknowing meeting with the young Joan of Arc. The book was published by Nelson in 1936 and has not been republished since. Although written for younger readers, it exhibits some of the high literary quality of the Neustrian trilogy. Context_4 : Leslie Barringer (18951968) was an English editor and author of historical novels and historical fantasy novels, best known for the latter. Context_5 : The Battle of Agincourt ( ; in French, Azincourt ] ) was a battle of the Hundred Years' War that resulted in a English victory. The battle took place on 25 October 1415 (Saint Crispin's Day) in the County of Saint-Pol, Artois, some 40 km south of Calais (now Azincourt in northern France). Context_6 : Sir Nigel is a historical novel set during the early phase of the Hundred Years' War, spanning the years 1350 to 1356, by British author Sir Arthur Conan Doyle and written in 1906. It is the background story to Doyle's earlier novel "The White Company", and describes the early life of that book's hero Nigel Loring, a knight in the service of King Edward III in the first phase of the Hundred Years' War. Context_7 : Shy Leopardess is a fantasy novel by Leslie Barringer, the third and last book in his three volume Neustrian Cycle. It is set around the 14th century in an alternate medieval France called Neustria (historically an early division of the Frankish kingdom). The book was first published in the United Kingdom by Methuen in 1948. Its significance was recognized by its republication in the United States by the Newcastle Publishing Company as the thirteenth volume of the celebrated Newcastle Forgotten Fantasy Library series in October, 1977. The Newcastle edition was reprinted by Borgo Press in 1980. Context_8 : Shetland literature reflects the history of Shetland: five hundred years of Norse rule, followed by five hundred years of Scottish and British - this, in very simple terms, is the political reality of the last millennium. Before the Norse, millennia of mysterious peoples and an immediately precedent Christian Celtic period; prior to and into the British age, three hundred years of Hanseatic trade with "Dutchies" (usually Dutch, sometimes, Germans). All of these aspects of history have inspired and influenced Shetland's writers - just as the unchanging landscape of the 'Auld Rock', its weather, seasons, its flora and fauna, have provided a touchstone in the midst of sometimes tumultuous change; as the land itself is refuge from that other great favourite subject - the sea. Context_9 : Gerfalcon is a fantasy novel by Leslie Barringer, the first book in his three volume Neustrian Cycle. It is set around the fourteenth century in an alternate medieval France called Neustria (historically an early division of the Frankish kingdom). The book was first published in 1927 by Heinemann in the United Kingdom and Doubleday in the United States. Its significance was recognized by its republication in 1973 by Tom Stacey in the UK and in March, 1976 by the Newcastle Publishing Company in the US, as the seventh volume of its celebrated Newcastle Forgotten Fantasy Library series. This Newcastle edition was reprinted twice, once by Newcastle itself in 1977 and once by Borgo Press in 1980. Context_10 : Kay the Left-Handed is a historical novel by Leslie Barringer set in twelfth century England. It was first published in the United Kingdom by Heinemann in 1935; an American edition from Doubleday followed later the same year. fact_1 : It concerns the adventures of an English squire and his friends, their taking part in the month-long Siege of Harfleur and the Battle of Agincourt, and its bitter consequences for all of them. fact_2 : The Battle of Agincourt ( ; in French, Azincourt ] ) was a battle of the Hundred Years' War that resulted in a English victory. Answer: The Battle of Agincourt
Answer:
Which battle of the Hundred Years War is the subject of Leslie Barringers historical novel?