In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Impossible Cities: A Utopian Experiment is multidisciplinary play inspired by Italo Calvino's "Invisible Cities" and which deals with the fates of four different utopian communities in the United States. The play was staged by Walkabout Theater and premiered at Peter Jones Gallery. It grew out of a solo show by Seth Bockley, who also performs in the longer show. Context_2 : Transcendentalism is a philosophical movement that developed in the late 1820s and 1830s in the eastern United States. It arose as a reaction to or protest against the general state of intellectualism and spirituality at the time. The doctrine of the Unitarian church as taught at Harvard Divinity School was of particular interest. Context_3 : This is a chronology of Mormonism. In the late 1820s, founder Joseph Smith, founder of the Latter Day Saint movement, announced that an angel had given him a set of golden plates engraved with a chronicle of ancient American peoples, which he had a unique gift to translate. In 1830, he published the resulting narratives as the Book of Mormon and founded the Church of Christ in western New York, claiming it to be a restoration of early Christianity. Context_4 : Wilhelm Waiblinger ( ; 21 November 1804 17 or 30 January 1830) was a German romantic poet, mostly remembered today in connection with Friedrich Holderlin. After he had attended Gymnasium Illustre in Stuttgart, he was a student at the seminary of Tubingen in the 1820s, when Holderlin, already mentally ill, lived there as a recluse in a carpenter's house. Waiblinger, who used to visit the older poet and take him out for walks, left an account of Holderlin's life then, "Holderlins Leben, Dichtung und Wahnsinn" ("Holderlin's life, poetry and madness"). In the late 1820s, Waiblinger left Tubingen for Italy, dying at the age of 25 in Rome, where he is buried in the Protestant Cemetery. Context_5 : Katsukawa Shunsen ( ) , who is also known as Shunko II, was a designer of books and ukiyo-e style Japanese woodblock prints. He was born in 1762 and designed prints from about 1805 to about 1821. He initially studied with the Rimpa school artist Tsutsumi Torin III. In 1806 or 1807, Shunsen became a student of Katsukawa Shun'ei, and changed his name from "Kojimachi Shunsen" to "Katsukawa Shunsen". In 1820 he succeeded Katsukawa Shunko I, becoming Katsukawa Shunko II. In the late 1820s, he ceased producing woodblock prints and devoted himself to painting ceramics. He died about 1830. Context_6 : In dance, the galop, named after the fastest running gait of a horse (see gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a "glissade" with a "chasse" on alternate feet, ordinarily in a fast time. The "galop" was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odeon Theatre, 1840. In Australian bush dance, the dance is often called galopede. An even more lively, faster version of the galop called the can-can developed in Paris around 1830. Context_7 : The Anti-Masonic Party (also known as the Anti-Masonic Movement) was the first "third party" in the United States. It strongly opposed Freemasonry as a single-issue party, and later aspired to become a major party by expanding its platform to take positions on other issues. After emerging as a political force in the late 1820s, most of the Anti-Masonic Party's members joined the Whig Party in the 1830s, and the party disappeared after 1838. Context_8 : Brook Farm, also called the Brook Farm Institute of Agriculture and Education or the Brook Farm Association for Industry and Education, was a utopian experiment in communal living in the United States in the 1840s. It was founded by former Unitarian minister George Ripley and his wife Sophia Ripley at the Ellis Farm in West Roxbury, Massachusetts (9 miles outside of downtown Boston) in 1841 and was inspired in part by the ideals of Transcendentalism, a religious and cultural philosophy based in New England. Founded as a joint stock company, it promised its participants a portion of the profits from the farm in exchange for performing an equal share of the work. Brook Farmers believed that by sharing the workload, ample time would be available for leisure activities and intellectual pursuits. Context_9 : The Wayne Sentinel was a weekly newspaper published in Palmyra, New York beginning in 1823, and continuing at least until 1863. In the late 1820s, the newspaper was one of the first media sources to report on the spiritual claims that were made by Joseph Smith, founder of the Latter Day Saint movement. On 26 June 1829, the "Sentinel" reported on local rumors of a "Golden Bible" and reproduced the text of the title page of the Book of Mormon, which was not published until March 1830. The "Wayne Sentinel" and the Book of Mormon were published in Palmyra by E. B. Grandin. Context_10 : The Latter Day Saint movement (also called the LDS movement, LDS restorationist movement, or SmithRigdon movement) is the collection of independent church groups that trace their origins to a Christian primitivist movement founded by Joseph Smith in the late 1820s. Collectively, these churches have over 15 million members. The vast majority of adherents belong to The Church of Jesus Christ of Latter-day Saints (LDS Church), with their predominant theology being Mormonism. The LDS Church self-identifies as Christian. A minority of Latter Day Saint adherents, such as members of the Community of Christ, believe in traditional Protestant theology, and have distanced themselves from some of the distinctive doctrines of Mormonism. Other groups include the Remnant Church of Jesus Christ of Latter Day Saints, which supports lineal succession of leadership from Smith's descendants, and the more controversial Fundamentalist Church of Jesus Christ of Latter-Day Saints, which defends the practice of polygamy. fact_1 : Brook Farm, also called the Brook Farm Institute of Agriculture and Education or the Brook Farm Association for Industry and Education, was a utopian experiment in communal living in the United States in the 1840s. fact_2 : It was founded by former Unitarian minister George Ripley and his wife Sophia Ripley at the Ellis Farm in West Roxbury, Massachusetts (9 miles outside of downtown Boston) in 1841 and was inspired in part by the ideals of Transcendentalism, a religious and cultural philosophy based in New England. fact_3 : Transcendentalism is a philosophical movement that developed in the late 1820s and 1830s in the eastern United States. Answer: George Ripley
Solution: Who founded a utopian experiment which was inspired by the ideals of a philosophical movement developed in the late 1820s and 1830s?