Question: Richard "Red" Skelton (July 18, 1913 - September 17, 1997) was an American comedy entertainer. He was best known for his national radio and television acts between 1937 and 1971, and as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show.

Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward.

Using a quote from the above article, answer the following question: Did they play other venues?
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Answer: While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre.

Question: This page is about the San Diego punk rock band Rocket from the Crypt. For the Cleveland protopunk band, see Rocket from the Tombs. Rocket from the Crypt is an American rock band from San Diego, California, originally active from 1989 to 2005, then active during 2011 and again from 2013 to the present. The band gained critical praise and the attention of major record labels after the release of their 1992 album Circa: Now!, leading to a recording contract with Interscope Records.

After the breakup of his post-hardcore band Pitchfork in 1990, singer/guitarist John Reis formed both Rocket from the Crypt and Drive Like Jehu. Envisioned as a punk-inspired rock and roll band, Rocket from the Crypt's original lineup consisted of Reis, guitarist Andy Stamets, bassist Pete Reichert, drummer Sean, and backing vocalist Elaina. The band took their name from the then defunct 1970s underground punk band Rocket from the Tombs. This lineup lasted roughly six months and recorded the band's debut album Paint as a Fragrance, released in 1991 on local label Cargo Music. At this time Reis began to use the pseudonym "Speedo" when working with the band. He was also simultaneously performing in Drive Like Jehu, who recorded their debut album around the same time. When Sean and Elaina moved away from San Diego, drummer Adam Willard joined the band under the stage name "Atom." The rest of the band also assumed stage monikers, with Stamets performing as "ND" and Reichert as "Petey X." The band soon added a horn section, recruiting saxophone player Paul "Apollo 9" O'Beirne. They developed a reputation for their creative and energetic live shows, taking unusual measures to encourage audience participation such as handing out homemade lyric booklets and noisemakers. They released many vinyl singles around this time and began to attract a dedicated underground following. Reis recalls: "It was really immediate; that's why we loved putting out singles early on. We recorded some songs for Sympathy for the Record Industry, and two weeks later, we had some finished copies of them. The turnaround time was amazing. And by the time people were able to get them, it was still under a month. They're hearing something that is completely fresh-this is something we're doing at the moment. We did that for, like, a three-year period." Their second album Circa: Now! was released in 1992, followed by their first tour and music videos for the songs "Ditchdigger" and "Sturdy Wrist." The band also added a second member to its horn section, bringing in trumpeter Jason "JC 2000" Crane. Around this time Reis announced in a fanzine that all fans with Rocket from the Crypt tattoos would be allowed into the band's shows for free, for life, causing tattoos of their logo to become an international phenomenon.

Using a quote from the above article, answer the following question: Did any one else join?
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Answer:
Rocket from the Crypt's original lineup consisted of Reis, guitarist Andy Stamets, bassist Pete Reichert, drummer Sean, and backing vocalist Elaina.