Question:
Graham Douglas McKenzie (born 24 June 1941) - commonly called Garth McKenzie after the comic strip hero - is an Australian cricketer who played for Western Australia (1960-74), Leicestershire (1969-75), Transvaal (1979-80) and Australia (1961-71) and was a Wisden Cricketer of the Year in 1965. He succeeded Alan Davidson as Australia's premier fast bowler and was in turn succeeded by Dennis Lillee, playing with both at either end of his career. McKenzie was particularly noted for his muscular physique (hence his nickname) and ability to take wickets on good batting tracks. His father Eric McKenzie and uncle Douglas McKenzie played cricket for Western Australia and Garth was chosen for the Ashes tour of England in 1961 aged only 19.
The 1960-61 season began with McKenzie's third first-class match, against the West Indies. He did not bowl in the first innings but took 4/41 in the second to seal a 94 run win, prompting West Indies captain Frank Worrell to predict a bright future. Further strong performances during the Shield season saw him selected at age 19 for the 1961 Ashes tour under Richie Benaud. Following an injury to Benaud, Australia replaced him with a third seamer, allowing McKenzie to make his debut in the Second Test at Lord's during the "Battle of the Ridge". In his first innings, he made 34 on his twentieth birthday batting at number 10 on a difficult pitch. The last two wickets added 102 and Australia gained a lead of 134. In England's second innings, McKenzie captured the prized wickets of Ted Dexter and Peter May, and took the last three wickets in twelve balls to give 5/37 on debut. Australia went on to win by five wickets. After losing the Third Test at Headingley, Australia won the fourth Test at Old Trafford with McKenzie again making a valuable contribution with the bat. With a lead of only 177 with nine wickets down in the second innings, McKenzie joined Alan Davidson. He held his end for 32 runs while Davidson's powerful hitting saw 98 added for Australia's highest tenth wicket partnership on English soil. This allowed Benaud to bowl Australia to victory on the final day. The youngest member of the touring party, McKenzie was one of eight bowlers to take at least fifty wickets. When Dexter's Englishmen toured Australia in 1962-63, McKenzie was promoted to share the new ball with Davidson. Playing in all five Tests, he did not trouble the batsmen to the same extent as his partner, taking 20 wickets for 30.95. He was noted for his ability to contain the opposition by bowling long spells. Davidson retired at the end of the series and McKenzie became the pace spearhead when South Africa toured in 1963-64. He was Australia's leading bowler with 16 wickets at 43.06. In the Third Test in Sydney, he hit his highest Test score of 76.
Answer this question using a quote from the text above:

Who won the game?

Answer:
Australia

Answer the question at the end by quoting:

The Cult are a British rock band formed in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead singer Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band, with singles such as "She Sells Sanctuary", before breaking mainstream in the United States in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". According to music critic Stephen Thomas Erlewine, the band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of The Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock".
In 1991, Astbury and Duffy were writing again for their next album. During the demo recordings, Todd Hoffman and James Kottak played bass and drums respectively. During the actual album recording sessions, Curry was recruited again to play drums, with Charley Drayton on bass, and various other performers. Astbury and Duffy's working relationship had disintegrated by that time, with the two men reportedly rarely even being in the studio together during recording. The resulting album Ceremony was released to mixed responses. The album climbed to US No. 34, but sales were not as impressive as the previous three records, only selling around one million copies worldwide. Only two official singles were released from the record: "Wild Hearted Son" (UK No. 34, Canada No. 41) and "Heart of Soul" (UK No. 50), although "White" was released as a single only in Canada, "Sweet Salvation" was released as a single (as "Dulce Salvacion") in Argentina in 1992, and the title track "Ceremony" was released in Spain. The Cult's Ceremonial Stomp tour went through Europe in 1991 and North America in 1992. In 1991 the Cult played a show at the Marquee Club in London, which was recorded and released in February 1993, packaged with some vinyl UK copies of their first greatest hits release. Only a handful of CD copies of it were ever manufactured originally, however it was subsequently reissued on CD in 1999. An incomplete bootleg video of this show is also in circulation. The band were sued by the parents of the Native American boy pictured on the cover of Ceremony, for alleged exploitation and for the unauthorized use of the child's image. This image of the boy is also burned in the video for "Wild Hearted Son". This lawsuit delayed the release of Ceremony in many countries including South Korea and Thailand, which did not see the record's release until late 1992, and it was unreleased in Turkey until the Cult played several shows in Istanbul in June 1993. A world tour followed with backing from future Thin Lizzy drummer Michael Lee and bassist Kinley Wolfe, and keyboardist John Sinclair returning one last time, and the Gathering of the Tribes moved to the UK. Here artists such as Pearl Jam performed. The warm-up gig to the show, in a small nightclub, was dedicated to the memory of Nigel Preston, who had died a few weeks earlier at the age of 31. Following the release of the single "The Witch" (#9 in Australia) and the performance of a song for the 1992 Buffy the Vampire Slayer movie soundtrack entitled "Zap City", produced by Steve Brown and originally a B-side to "Lil' Devil", two volumes of remixes of "She Sells Sanctuary", called Sanctuary Mixes MCMXCIII, volumes one and two, and in support of Pure Cult: for Rockers, Ravers, Lovers, and Sinners, a greatest hits compilation which debuted at No. 1 on the British charts and later went to number one in Portugal, Astbury and Duffy fired the "backing band" and recruited Craig Adams (the Mission) and Scott Garrett for performances across Europe in 1993, with some shows featuring Mike Dimkich on rhythm guitar. This tour marked the first time the band performed in Turkey, Greece, and the Slovak Republic.

what was the cult lawsuit?
The band were sued by the parents of the Native American boy pictured on the cover of Ceremony,