In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The Seamour and Gerte Shavin House is a Frank Lloyd Wright designed Usonian home in Chattanooga, Tennessee. The house was added to the National Register of Historic Places in 1993. Context_2 : Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 April 9, 1959) was a first generation Welsh-American architect, interior designer, writer and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by the Fallingwater house (1935), which has been called "the best all-time work of American architecture". Context_3 : The Charles W. Merrill House is a 6,000-square-foot residence designed by regionally prominent architect Walter H. Ratcliff, of Berkeley, for mining engineer and San Francisco businessman Charles Washington Merrill. Built in 1938, the house's architecture reflects elements of the Spanish Colonial Revival, but with its two stories, low-pitched roofline, and second-story balcony on the front elevation, the house is most characteristic of the Monterey style popular in large California homes built between 1925 and 1940. The house and grounds were designed as a small country estate. The house occupies a hillside location and is sited on two stonework terraces, pierced by three stone staircases placed among gardens designed by landscape architect Mabel Symmes in 1938-1939. The house is significant under Criterion B for its association with the final stage of Charles W. Merrill's long and distinguished career. Merrill lived in the house during the period in which he presided over a highly diversified engineering corporation, with worldwide influence, that had grown from Merrill's pioneering patents and discoveries of the 1890s and 1900s. The house also is significant under Criterion C as an example of the eclecticism that architect Walter H. Ratcliff brought to his architecture. Built in the mature phase of Ratcliff's career, the Merrill House with its elements of Spanish Colonial Revival and Monterey styles reflect Ratcliff's distinctive blend of academic eclecticism and keen awareness of regional topography, climate, and setting. Context_4 : The Dwight Perkins House is a historic house located at 2319 Lincoln Street in Evanston, Illinois. The house was built in 1904 for architect Dwight H. Perkins and children's author and illustrator Lucy Fitch Perkins. Perkins designed his house in a style heavily influenced by the Prairie School and the Arts and Crafts Movement. The house was built from wood and stucco, materials characteristic of both styles which let the house blend into the surrounding nature. Its exterior decorative features include bracketed eaves, casement windows, trellises, and a half-timbered gable. Landscape architect Jens Jensen, a friend of the Perkinses, designed the house's surroundings, which include a reflecting pool. The inside of the house incorporates horizontal bands of windows which let in sunlight, unpainted wood features, and an open floor plan. Context_5 : Intheoaks, also known as In-the-oaks, is a historic estate and a national historic district located at Black Mountain, Buncombe County, North Carolina. The district encompasses nine contributing buildings, two contributing sites, seven contributing structures, and four contributing objects associated with a country estate of the 1920s. The main house was built in 1921-1923, and is a four-level, "U"-shaped Tudor country manor house with an oblique wing. It was designed by New York architect Frank E. Wallis, with a large recreation wing containing a ballroom, gymnasium, bowling alley, and indoor swimming pool designed by noted architect Richard Sharp Smith. Also on the property are the contributing Caretaker's Cottage (1923), agricultural and service outbuildings, main entrance gates designed by Smith and Carrier (1922), and landscape designed by noted landscape architect Chauncey Beadle The property is known as Camp Henry, a camp for young people and the Episcopal Diocese of Western North Carolina offices are located on the estate. Context_6 : The Robert P. Parker House is a house located in the Chicago suburb of Oak Park, Illinois, United States. The house was designed by American architect Frank Lloyd Wright in 1892 and is an example of his early work. Real-estate agent Thomas H. Gale had it built and sold it to Robert P. Parker later that year. The house was designed by Wright independently while he was still employed by Adler and Sullivan, something architect Louis Sullivan forbade. The Parker House is listed as a contributing property to a U.S. federally Registered Historic District. Context_7 : Obed Taylor (April 27, 1824 - August 2, 1881) was an architect who designed many notable buildings in early Utah that survive on the National Register of Historic Places. Taylor's works include the Salt Lake Assembly Hall on Temple Square, the Salt Lake 18th Ward meetinghouse, and Ogden's Z.C.M.I. and First National Bank Block. Though Thomas L. Allen has been credited with being the architect of the Summit Stake Tabernacle, Taylor approved of the plans and likely assisted Allen who was untrained as an architect. Obed Taylor worked in partnership with William H. Folsom on many projects including the Deseret National Bank, ZCMI's cast-iron storefront (1876), and the Feramorz Little residence. He died at the height of his architectural career in 1881. Funeral services were held in the Salt Lake 18th Ward meetinghouse which he had recently designed. The Walker Opera House as well as a building at the University of Deseret were designed by Taylor but completed after his death. Context_8 : The Thomas H. Gale House, or simply Thomas Gale House, is a house located in the Chicago suburb of Oak Park, Illinois, United States. The house was designed by famous American architect Frank Lloyd Wright in 1892 and is an example of his early work. The house was designed by Wright independently while he was still employed by Adler and Sullivan, something architect Louis Sullivan forbade. The house is significant because of what it shows about the architect's early development period. The Parker House is listed as contributing property to a U.S. federally Registered Historic District. The house was designated an Oak Park Landmark in 2002. Context_9 : The Andrew O. Anderson House, also known as the A. O. Anderson House, is a Prairie style house in the city of DeKalb, Illinois, United States. The house was designed by American architect John S. Van Bergen around 1913 and built around 1916. Van Bergen designed many Prairie homes and was an associate of famous architect Frank Lloyd Wright. Throughout its history the Anderson House has been mistaken for a residence designed by Wright. The Anderson House contains many elements common to both Prairie style in general as well as some of Wright's early Prairie designs. The house was constructed for DeKalb clothing merchant Andrew O. Anderson about 14 years after an original house project on the site fell through. Context_10 : David Richard Jones (1832-1915) was a Welsh-American architect and poet. fact_1 : The Seamour and Gerte Shavin House is a Frank Lloyd Wright designed Usonian home in Chattanooga, Tennessee. fact_2 : Frank Lloyd Wright (born Frank Lincoln Wright, June 8, 1867 April 9, 1959) was a first generation Welsh-American architect, interior designer, writer and educator, who designed more than 1,000 structures, 532 of which were completed. Answer: Frank Lloyd Wright
A:
Seamour and Gerte Shavin House was designed by which WelshAmerican architect?