Answer the question at the end by quoting:

Between the Buried and Me is an American progressive metal band from Raleigh, North Carolina. Formed in 2000, the band consists of Tommy Giles Rogers Jr. (lead vocals, keyboards), Paul Waggoner (lead guitar, backing vocals), Dustie Waring (rhythm guitar), Dan Briggs (bass, keyboards), and Blake Richardson (drums). Their debut eponymous album was released through Lifeforce Records in 2002, shifting to Victory Records for subsequent releases until their signing to Metal Blade in 2011, where Between the Buried and Me released their first extended play, The Parallax: Hypersleep Dialogues that year, and its full-length follow-up The Parallax II: Future Sequence the following year. Their seventh studio album, Coma Ecliptic, was released in 2015.
In August 2003, Between the Buried and Me traveled to Q Division Studios in Somerville, Massachusetts to record their second record, The Silent Circus, released in October the same year. It was later re-released in 2006 with a live DVD of the band's performance at The Cat's Cradle in Chapel Hill, North Carolina on July 17, 2005. Mark Castillo played drums on The Silent Circus, replacing Goodyear. After the release of The Silent Circus, the band went through numerous members before the current lineup was assembled for their third album, Alaska. On drums, Mark Castillo was replaced by Jason Roe, and later by Blake Richardson. On guitar, Fletcher was replaced by Shane Blay, and later by Dustie Waring. And on bass, King was replaced by Kevin Falk, and later by Dan Briggs. This remains the current lineup. In the summer of 2005, Between the Buried and Me released Alaska. The album released the songs "Selkies: The Endless Obsession", "The Primer", and "Backwards Marathon" as singles. In the following year, the band released their first cover album, The Anatomy Of, a collection of covers of bands that influenced Between the Buried and Me, including Metallica, King Crimson, Pantera, Faith No More, Queen, Pink Floyd, Earth Crisis, Counting Crows, and Soundgarden. In early 2006, Between the Buried and Me was on tour supporting Bleeding Through along with Every Time I Die and Haste the Day. They were also on the Ozzfest 2006 Second Stage. In late 2006, they were on the Radio Rebellion Tour headlined by Norma Jean.

Are they all the original members?

the band went through numerous members before the current lineup was assembled for their third album,

Some context: He was born James Lablache Stewart in Old Brompton Road, Kensington, West London, the only son of Major James Stewart, OBE and his wife Frederica Eliza (nee Lablache). Granger was educated at Epsom College and the Webber Douglas Academy of Dramatic Art. He was the great-great-grandson of the opera singer Luigi Lablache and the grandson of the actor Luigi Lablache. When he became an actor, he was advised to change his name in order to avoid being confused with the American actor James Stewart.
Granger went over to Rank, for whom he made a series of historical dramas: Captain Boycott (1947), set in Ireland, directed by Frank Launder; Blanche Fury (1948), with Valerie Hobson; and Saraband for Dead Lovers (1948), an Ealing Studios production. Granger was cast as the outsider, the handsome gambler Philip Christoph von Konigsmarck who is perceived as 'not quite the ticket' by the established order, the Hanoverian court where the action is mostly set. Granger stated that this was one of his few films of which he was proud. However it was a disappointment at the box office, as was Blanche Fury. Granger wanted a change of pace and so appeared in Woman Hater (1948), a comedy with Edwige Feuillere. In 1949 Granger was reported as earning around PS30,000 a year. That year Granger made Adam and Evelyne, starring with Jean Simmons. The story, about a much older man and a teenager whom he gradually realises is no longer a child but a young woman with mature emotions and sexuality, had obvious parallels to Granger's and Simmons' own lives. Granger had first met the very young Jean Simmons when they both worked on Gabriel Pascal's Caesar and Cleopatra (1945). Three years on, Simmons had transformed from a promising newcomer into a star - and a very attractive young woman. They married the following year in a bizarre wedding ceremony organised by Howard Hughes - one of his private aircraft flew the couple to Tucson, Arizona, where they were married, mainly among strangers, with Michael Wilding as Granger's best man. Granger's stage production of Leo Tolstoy's The Power of Darkness (a venture he had intended as a vehicle for him to star with Jean Simmons) was very poorly received when it opened in London at the Lyric Theatre on 25 April 1949. (During the run two men attempted to cut some locks from Granger's hair.) The disappointment added to his dissatisfaction with the Rank Organisation, and his thoughts turned to Hollywood.
What was his most famous work from this period
A:

IN: Fibber McGee and Molly was an American radio comedy series. A staple of the NBC Red Network for the show's entire run and one of the most popular and enduring radio series of its time, the prime time situation comedy ran as a standalone series from 1935 to 1956, then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a real-life husband and wife team that had been working in radio since the 1920s. Fibber McGee and Molly, which followed up the Jordans' previous radio sitcom Smackout, followed the adventures of a working-class couple, the habitual storyteller Fibber McGee and his sometimes terse but always loving wife

Fibber McGee and Molly spun two supporting characters off into their own shows. By far the most successful and popular was Harold Peary's Gildersleeve, spun into The Great Gildersleeve in 1941. This show introduced single parenthood of a sort to creative broadcasting: the pompous, previously married Gildersleeve now moved to Summerfield, became single (although the missing wife was never explained), and raised his orphaned, spirited niece and nephew, while dividing his time between running his manufacturing business and (eventually) becoming the town water commissioner. In one episode, the McGees arrived in Summerfield for a visit with their old neighbor with hilarious results: McGee inadvertently learns Gildersleeve is engaged, and he practically needs to be chloroformed to perpetuate the secret a little longer. Peary returned the favor in a memorable 1944 Fibber McGee & Molly episode in which neither of the title characters appeared: Jim Jordan was recovering from a bout of pneumonia (this would be written into the show the following week, when the Jordans returned), and the story line involved Gildersleeve and nephew Leroy hoping to visit the McGees at home during a train layover in Wistful Vista, but finding Fibber and Molly not at home. At the end of the episode, Gildersleeve discovers the couple had left in a hurry that morning when they received Gildy's letter saying he would be stopping over in Wistful Vista. Marlin Hurt's Beulah was also spun off, leading to both a radio and television show that would eventually star Hattie McDaniel and Ethel Waters. Jim and Marian Jordan themselves occasionally appeared on other programs, away from their Fibber and Molly characters. One memorable episode of Suspense ("Backseat Driver", 02-03-1949) cast the Jordans as victims of a car-jacking; Jim Jordan's tense, interior monologues were especially dramatic.

What is notable about that film?

OUT:
This show introduced single parenthood of a sort to creative broadcasting: the pompous, previously married Gildersleeve now moved to Summerfield,