input: hide joined X Japan (then called X) in February 1987, becoming the band's lead guitarist and occasional songwriter, going on to compose songs like "Celebration", "Joker" and the single "Scars". X released their first album Vanishing Vision, through drummer Yoshiki's own Extasy Records, on April 14, 1988 and toured extensively in support of the record. They would become one of the first Japanese acts to achieve mainstream success while on an independent label, and later widely credited as one of the pioneers of visual kei. X 's major label debut album, Blue Blood, was released on April 21, 1989 and debuted at number six on the Oricon chart. Its success earned the band the "Grand Prix New Artist of the Year" award at the 4th annual Japan Gold Disc Awards in 1990. Their third album Jealousy was released on July 1, 1991 and debuted at number one, selling over 600,000 copies. It was later certified million by the RIAJ. Shortly after the release of Art of Life, which also topped the Oricon, the members of X Japan took a break, to start solo projects. Around that time, the group also dropped most of its original visual kei aesthetics, except hide who would still perform in wildly colorful outfits and with his trademark red, later pink, hair. Dahlia, which would become the band's last album, was released on November 4, 1996 and once again, it reached the number one spot. In September 1997 it was announced that X Japan would disband, they performed their farewell show, aptly titled The Last Live, at the Tokyo Dome on December 31, 1997.

Answer this question "What happen in 1989"
output: 's major label debut album, Blue Blood, was released on April 21, 1989

input: Jones was considered by many to revolutionize the position of defensive end. He was credited with coining the phrase "sacking the quarterback". In 1999, Jones provided an L.A. Times reporter with some detailed imagery about his forte: "You take all the offensive linemen and put them in a burlap bag, and then you take a baseball bat and beat on the bag. You're sacking them, you're bagging them. And that's what you're doing with a quarterback." What separated Jones from every other defensive end was his speed and his ability to make tackles from sideline to sideline, which was unheard of in his time. He also was the first pass rusher to use the head slap, a move that he said was, "...to give myself an initial head start on the pass rush, in other words an extra step. Because anytime you go upside a man's head ... or a woman; they may have a tendency to blink they [sic] eyes or close they eyes. And that's all I needed. " "The head slap was not my invention, but Rembrandt, of course, did not invent painting. The quickness of my hands and the length of my arms, it was perfect for me. It was the greatest thing I ever did, and when I left the game, they outlawed it." Pro Football Weekly reported he accumulated 173 1/2 sacks over his career, which would be third on the all-time sack list. (Jones would have ranked first all-time at the time of his retirement, and since has been surpassed by two fellow Hall of Famers Bruce Smith and Reggie White.) In 1967, Jones had 21 1/2 sacks in only 14 games; he tallied 22 sacks in 14 games the following year. If official, this would have stood as an NFL record until Harvey Martin's 1977 campaign, in which he totaled 23 sacks. (The term "sack" had not yet been coined at the time, and official sack statistics were not recorded by the NFL until 1982.) (Source: St. Louis Rams, San Diego Chargers and Washington Redskins Media Guides)

Answer this question "what position did he play ?"
output: defensive end

input: In 1887, James W. Bryan vacated his seat in the Kentucky Senate to pursue the office of lieutenant governor. Goebel decided to seek election to the vacant seat representing the Covington area. His platform of railroad regulation and championing labor causes, combined with the influence of Stevenson, his former partner, should have given Goebel an easy victory, but this was not to be. A third political party, the Union Labor party, had risen to power in the area with a platform similar to Goebel's. However, while Goebel had to stick close to his allies in the Democratic party, the Union Labor party courted the votes of both Democrats and Republicans, and made the election close - decided in Goebel's favor by a mere fifty-six votes. With only the two years remaining in former senator Bryan's term to distinguish himself before a re-election bid, Goebel took aim at a large and popular target: the Louisville and Nashville Railroad. A proposal from pro-railroad legislators in the Kentucky House of Representatives to abolish Kentucky's Railroad Commission was passed and sent to the Senate. Senator Cassius M. Clay responded by proposing a committee to investigate lobbying by the railroad industry. Goebel served on the committee, which uncovered significant violations by the railroad lobby. Goebel also helped defeat the bill to abolish the Railroad Commission in the Senate. These actions made him a hero in his district. He ran for a full term as senator unopposed in 1889, and won another term in 1893 by a three-to-one margin over his Republican opponent. In 1890, Goebel was a delegate to Kentucky's fourth constitutional convention, which produced the current Kentucky Constitution. Despite the high honor of being chosen as a delegate, Goebel showed little interest in participating in the process of creating a new constitution. The convention was in session for 250 days; Goebel was present for just 100 of them. He did, however, successfully secure the inclusion of the Railroad Commission in the new constitution. As a constitutional entity, the Commission could only be abolished by an amendment ratified by popular vote. This would effectively protect the Commission from ever being unilaterally dismantled by the General Assembly.

Answer this question "What was his political career like"
output:
Goebel decided to seek election to the vacant seat representing the Covington area.