Problem: Greece, together with Italy and Spain, is a major entry point for illegal immigrants trying to enter the EU. Illegal immigrants entering Greece mostly do so from the border with Turkey at the Evros River and the islands of the eastern Aegean across from Turkey (mainly Lesbos, Chios, Kos, and Samos). In 2012, the majority of illegal immigrants entering Greece came from Afghanistan, followed by Pakistanis and Bangladeshis. In 2015, arrivals of refugees by sea have increased dramatically mainly due to the ongoing Syrian civil war. There were 856,723 arrivals by sea in Greece, an almost fivefold increase to the same period of 2014, of which the Syrians represent almost 45%. An estimated 8% of the arrivals applied for asylum in Greece.
What percentage of sea immigrants asked for asylum in Greece?
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Answer: 8%

Problem: In 1644, Rene Descartes theorized that pain was a disturbance that passed down along nerve fibers until the disturbance reached the brain, a development that transformed the perception of pain from a spiritual, mystical experience to a physical, mechanical sensation[citation needed]. Descartes's work, along with Avicenna's, prefigured the 19th-century development of specificity theory. Specificity theory saw pain as "a specific sensation, with its own sensory apparatus independent of touch and other senses". Another theory that came to prominence in the 18th and 19th centuries was intensive theory, which conceived of pain not as a unique sensory modality, but an emotional state produced by stronger than normal stimuli such as intense light, pressure or temperature. By the mid-1890s, specificity was backed mostly by physiologists and physicians, and the intensive theory was mostly backed by psychologists. However, after a series of clinical observations by Henry Head and experiments by Max von Frey, the psychologists migrated to specificity almost en masse, and by century's end, most textbooks on physiology and psychology were presenting pain specificity as fact.
What theory perceives pain as being a specific sensation?
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Answer: Specificity

Problem: The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velazquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner.
What would to the carmine pigment if not used diligently?
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Answer:
change color