In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : The flag of the state of Hawaii (Hawaiian: " ") is the official flag symbolizing Hawaii as a U.S. state. The same flag had also previously been used by the kingdom, protectorate, republic, and territory of Hawaii. It is the only U.S. state flag to feature the flag of a foreign country, the Union flag of the United Kingdom, a remnant of the British Empire's influence on Hawaiian history. Context_2 : Both the civil and state flag of the German state of Saxony feature a bicolour of white over green, similar to the Austrian province of Styria. The state flag is similar to the civil flag, except it is defaced in the centre with the coat of arms of Saxony. The colours of both flags were officially decided as state colours in 1815. The aristocracy used mostly and in first time the quadrangular and later the rectangular form. Context_3 : The 20th century German Nazi Party made extensive use of graphic symbolism, especially the "Hakenkreuz" (swastika), which was used as its principal symbol and, in the form of the swastika flag, became the state flag of Nazi Germany. Context_4 : The flag of Mongolia (Mongolian: , state flag of Mongolia) consists of three equal bands, of alternating red, blue and red, with the Soyombo national symbol centering the first red band in yellow. The central blue band is described as the eternal blue sky, while the side red bands represent the ability of Mongolia to thrive in its harsh environment. The Soyombo is a columnar arrangement of abstract and geometric representations of fire, sun, moon, earth, water, and the "taijitu" or yin-yang symbol. The current flag was adopted on February 12, 1992, after the transition of Mongolia to a liberal democracy. It is similar to the flag of 1940, except for the removal of the socialist star on top of the Soyombo. Context_5 : The state flag of Moldova is a vertical tricolour of blue, yellow, and red, charged with the coat of arms of Moldova (an eagle holding a shield charged with an aurochs) on the center bar. The obverse is mirrored. The flag ratio is 1:2. Until further provisions, the State Flag of Moldova is used as the national flag and ensign as well, that is, civil, state and war flag and ensign. Context_6 : Goldwork is the art of embroidery using metal threads. It is particularly prized for the way light plays on it. The term "goldwork" is used even when the threads are imitation gold, silver, or copper. The metal wires used to make the threads have never been entirely gold; they have always been gold-coated silver ("silver-gilt") or cheaper metals, and even then the "gold" often contains a very low percent of real gold. Most metal threads are available in silver and sometimes copper as well as gold; some are available in colors as well. Context_7 : The flag of the Commonwealth of Massachusetts is the subnational flag of Massachusetts. It has been represented by official but limited-purpose flags since 1776, though until 1908 it had no state flag "per se" to represent its government. A variant of the white flag with blue seal was carried by each of the Massachusetts volunteer regiments during the Civil War alongside the National Colors. An exception were the two "Irish regiments" (the 9th and 28th Volunteers), each of which was permitted to carry an alternative green flag with a harp symbol. The state currently has three official flags: a state flag, a "naval and maritime flag" (despite it no longer having its own navy), and a governor's flag. Context_8 : The White Rod, White Wand, Rod of Inauguration, or Wand of Sovereignty, in the Irish language variously called the slat na righe (rod of kingship) and slat tighearnais (rod of lordship), was the primary symbol of a Gaelic king or lord's legitimate authority and the principal prop used in his inauguration ceremony. First documented in the 12th century "Life of Maedoc of Ferns", but assumed to have been used long before then, it is last documented in Ireland in the early 17th century. In Scotland the rod was used into the 13th century for the inauguration of its last Gaelic kings, and for the Norse-Gaelic Lords of the Isles into the 15th. Context_9 : The flags of the counties of the United States of America exhibit a wide variety of regional influences and local histories, as well as widely different styles and design principles. For example, some Floridian and Alabamian municipality flags feature a saltire, due to saltires being used on their state flags. Some Maryland county flags feature the coat of arms of the Calvert family, as it is featured on the Maryland state flag, and due to the Calvert family's prominence in Maryland history. Many counties went decades without a flag, until a certain event, such as a local sesquicentennial or the American bicentennial, spurred the creation of a flag. Frederick County, Maryland is one example, in 1976, it hosted a contest, asking the public to submit their designs to a commission. A panel then reviewed the five winning entries, choosing one to become the official county flag. Frederick County's example is typical of the flag adoption processes that many counties undertook with their flags. The 250th anniversary of Augusta County, Virginia's founding also spurred the creation of a flag, in 1988. Some flags, such as the flags of Montgomery County, Maryland, and Loudoun County, Virginia, were created by foreign entities, such as the College of Arms in the United Kingdom. Context_10 : The German "Strafgesetzbuch" (Criminal Code) in 86a outlaws "use of symbols of unconstitutional organizations" outside of the contexts of "art or science, research or teaching". This concerns Nazi symbolism in particular and is part of the denazification efforts following the fall of the Third Reich. fact_1 : The German "Strafgesetzbuch" (Criminal Code) in 86a outlaws "use of symbols of unconstitutional organizations" outside of the contexts of "art or science, research or teaching". fact_2 : The 20th century German Nazi Party made extensive use of graphic symbolism, especially the "Hakenkreuz" (swastika), which was used as its principal symbol and, in the form of the swastika flag, became the state flag of Nazi Germany. Answer: swastika
Solution:
What is the name of the primary symbol, which is now outlawed outside of the context of art or science, and was widely used even on the state flag?