Q: I was excited to hear that Cesar Montano had decided to make a movie in the Cebuano language. (Not 'dialect' as most Filipinos will incorrectly refer to it as. As Cebuano and Tagalog are as mutually unintelligible as French and Spanish are to each other.) But I was greatly disappointed when i saw this movie. Being a Canadian, of Cebuano parents, I was optimistic about the revival of the Visayan film industry when I heard about this film. I was further excited to hear that it wasn't another stupid action movie or melodrama as Filipinos love these types of movies. But alas, I was short-changed.

Panaghoy serves as an ego trip for Cesar Montano. Montano of course plays the hero of the movie. And when I say 'hero' I mean in the most stereotypical of manners; his function is to win the heart of a girl and lead the Bol-anons to victory against the Japanese. His character has no depth or complexity. He just fits the hero mold. The rest of the characters are one dimensional; they all fit their cookie cutter roles.

I'm all for slow-moving/meditative movies but this movie was just slow moving. It didn't really meditate on anything. Just because a movie is historically-themed, a drama and slow-moving doesn't make it a well-made film.

Particularly annoying is the American actor Philip Anthony. His performance was embarrassing.

If Montano wanted to revive the Visayan film industry he should have really thought this through. He said he wanted to make Visayan movies that could compete at Cannes and Toronto etc. but really, this movie would have been booed and hissed at at such festivals. To get Visayan films into the mainstream consciousness he should have at least made a movie that would have attracted audiences, even if it meant sacrificing quality. Obviously he didn't think about or get information on what kind of movies garner awards at Cannes so an audience-attracting movie would have been at least a foot in the door.

I'm afraid now that Visayan movies will not be made for a long time again because of this movie. If ever I said to a Filipino that I want to see more Visayan movies of course I'd get an answer like, "Visayans don't make good movies. Didn't you see Panaghoy Sa Suba?" Of course this is ludicrous as it is one example of a Visayan movie and probably the only example that anyone nowadays would be likely to see.

An example of movies that are meditative, not just slow moving, are the Tagalog film Blackout or David Lynch's The Straight Story. I hate to promote the Tagalog language as it is endlessly and unfairly promoted and shoved down the throats of non-Tagalog Filipinos but for the sake of calling a spade a spade I say that Blackout is a VERY good movie. These movies rely heavily on what Hitchcock called 'pure cinema'. Images without words are used to convey the story. But I bend the definition a bit for the sake of these two movies in that these movies use images without words to convey the mood of the movie. and they do it very well. Panaghoy thinks that if they simply take sweeping shots of the landscape then they have established the mood.

And what's with so many Filipino movies featuring a dying mother or grandmother???
A: negative
Q: this is what you would get if you allowed a 10 year old (manic American) to write a story of a moon trip. Absolute garbage with no redeeming qualities Maybe it held some fascination in the 3D dept. but as a narrative and entertaining animation it held nothing to make wasting an hour and a half worth while. Save your time and money and watch BOLT instead

Damn. Not enough lines, yet I feel that sums it up... well, I agree with an above review - this is like a cold-war propaganda story. Maybe it would have been more interesting if they had made it about the flies uncovering the hoax of the moon landing, or if the flies had died in the first minute. BTW - why were all the main character flies deformed? - not one had the full compliment of limbs!
A: negative
Q: The Rookie suffers from so much. There are the random musical songs interspersed through the movie, the long pointless script and enough grating slapstick to make Jerry Lewis blush. Noonan and Leavitt just don't know when to quit. It takes a full hour before the story finally gets to the main plot and the characters are shipwrecked. Then the guys start playing Japanese sailors with the standard racist caricature of the day. It is a shame the funniest parts of the movie are when Noonan and Leavitt are playing the stupid, stereotyped Japanese guys. But, it gets pretty tiring after switching back and forth between two sets of characters. Then it just abruptly ends. Even a naked Julie Newmar in a towel can't save this one.

There is really little charm in the movie and it is over a half hour too long. The story just flounders along trying to set up funny situations and failing. Stick to Martin & Lewis. At least Deano had charm and Jerry had that animated face.
A: negative
Q: Lady in Cement - PI spoof with ole Blue Eyes.Frank Sinatra is a shamus on a houseboat in Miami in this rarely funny "comedy".Burdened by an annoying and repetitious Hugo Montenegro score and bunch of misfiring punchlines this 1968 flick just never rises above slightly too bawdy to be on TV made for television movie status.Dan Blocker is effective in the Mike Mazurski/Ted De Corsia big galoot role and Raquel Welch should thank her personal trainer.The only thing that makes the DVD worth keeping or seeing is the collection of cheesy trailers for Welch flicks like Bandolero,Fantastic Voyage , Mother ,Jugs & Speed and Myra Breckinridge.Even if you get the DVD-skip the predictable movie and go for the trailer library in the special features.Besides tons of mysoginistic asides-Sinatra lisps @ the homosexual owners of the local Go-Go bar.A relic that needs to be put back in the time capsule. D
A: negative