Problem: Background: Keane was born into a working class family in Ballinderry Park, Mayfield, Cork. His father, Maurice, took work wherever he could find, which led to jobs at a local knitwear company and at Murphy's Irish Stout brewery, among others. His family were keen on sport, football especially, and many of his relatives had played for junior clubs in Cork, including Rockmount. Keane took up boxing at the age of nine and trained for a number of years, winning all of his four bouts in the novice league.
Context: Keane made headlines again in the 2001 Manchester derby, when five minutes from the final whistle, he was sent off for a blatant knee-high foul on Alf-Inge Haland in what was seen by many as an act of revenge. He initially received a three-match suspension and a PS5,000 fine from The Football Association (FA), but further punishment was to follow after the release of Keane's autobiography in August 2002, in which he stated that he intended "to hurt" Haland. Keane's account of the incident was as follows: I'd waited long enough. I fucking hit him hard. The ball was there (I think). Take that you cunt. And don't ever stand over me sneering about fake injuries. An admission that the tackle was in fact a premeditated assault, it left the FA with no choice but to charge Keane with bringing the game into disrepute. He was banned for a further five matches and fined PS150,000 in the ensuing investigation. Despite widespread condemnation, he later maintained in an interview that he had no regrets about the incident: "My attitude was, fuck him. What goes around comes around. He got his just rewards. He fucked me over and my attitude is an eye for an eye", and said he would probably do the same thing again. Haland later implied that the tackle effectively finished his playing career as he never played a full game afterwards. However, Haland did complete the match and played 68 minutes of the following game. He also played a friendly for Norway in between both matches. It was, in fact, a long-standing injury to his left knee that ended his career rather than his right.
Question: What else was his punishment?
Answer: He was banned for a further five matches and fined PS150,000 in the ensuing investigation.

Problem: Background: Troyal Garth Brooks (born February 7, 1962) is an American singer and songwriter. His integration of rock and roll elements into the country genre has earned him immense popularity in the United States. Brooks has had great success on the country single and album charts, with multi-platinum recordings and record-breaking live performances, while also crossing over into the mainstream pop arena. According to the RIAA, he is the best-selling solo albums artist in the United States with 148 million domestic units sold, ahead of Elvis Presley, and is second only to the Beatles in total album sales overall.
Context: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week. After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993. Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart.
Question: When did he released this album?
Answer:

Problem: Background: Toru Takemitsu (Wu Man Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
Context: In 1948, Takemitsu conceived the idea of electronic music technology, or in his own words, to "bring noise into tempered musical tones inside a busy small tube." During the 1950s, Takemitsu had learned that in 1948 "a French [engineer] Pierre Schaeffer invented the method(s) of musique concrete based on the same idea as mine. I was pleased with this coincidence." In 1951, Takemitsu was a founding member of the anti-academic Jikken Kobo (Shi Yan Gong Fang , "experimental workshop"): an artistic group established for multidisciplinary collaboration on mixed-media projects, who sought to avoid Japanese artistic tradition. The performances and works undertaken by the group introduced several contemporary Western composers to Japanese audiences. During this period he wrote Saegirarenai Kyusoku I ("Uninterrupted Rest I", 1952: a piano work, without a regular rhythmic pulse or barlines); and by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956). Takemitsu also studied in the early 1950s with the composer Fumio Hayasaka, perhaps best known for the scores he wrote for films by Kenji Mizoguchi and Akira Kurosawa, the latter of whom Takemitsu would collaborate with decades later. In the late 1950s chance brought Takemitsu international attention: his Requiem for string orchestra (1957 listen ), written as an homage to Hayasaka, was heard by Igor Stravinsky in 1958 during his visit to Japan. (The NHK had organised opportunities for Stravinsky to listen to some of the latest Japanese music; when Takemitsu's work was put on by mistake, Stravinsky insisted on hearing it to the end.) At a press conference later, Stravinsky expressed his admiration for the work, praising its "sincerity" and "passionate" writing. Stravinsky subsequently invited Takemitsu to lunch; and for Takemitsu this was an "unforgettable" experience. After Stravinsky returned to the U.S., Takemitsu soon received a commission for a new work from the Koussevitsky Foundation which, he assumed, had come as a suggestion from Stravinsky to Aaron Copland. For this he composed Dorian Horizon, (1966), which was premiered by the San Francisco Symphony Orchestra, conducted by Copland.
Question: what else did he produce?
Answer:
by 1955 Takemitsu had begun to use electronic tape-recording techniques in such works as Relief Statique (1955) and Vocalism A*I (1956).