Background: The Shadow is the name of a collection of serialized dramas, originally in 1930s pulp novels, and then in a wide variety of media, and it is also used to refer to the character featured in The Shadow media. One of the most famous adventure heroes of the 20th century United States, the Shadow has been featured on the radio, in a long-running pulp magazine series, in American comic books, comic strips, television, serials, video games, and at least five films. The radio drama included episodes voiced by Orson Welles. Originally simply a mysterious radio narrator who hosted a program designed to promote magazine sales for Street and Smith Publications, The Shadow was developed into a distinctive literary character, later to become a pop culture icon, by writer Walter B. Gibson in 1931.
Context: In 1994 the character was adapted once again into a feature film, The Shadow, starring Alec Baldwin as Lamont Cranston and Penelope Ann Miller as Margo Lane. As the film opens, Cranston has become the evil and corrupt Yin-Ko (literally "Dark Eagle"), a brutal warlord and opium smuggler in early 1930s Mongolia. Yin-Ko is kidnapped by agents of the mysterious Tulku, who begins to reform the warlord using the psychic power of his evolved mind to restore Cranston's humanity. The Tulku also teaches him the ability to "cloud men's minds" using psychic power in order to fight evil in the world. Cranston eventually returns to his native New York City and takes up the guise of the mysterious crime fighter "The Shadow", in payment to humanity for his past evil misdeeds: "Who knows what evil lurks in the hearts of men? The Shadow knows..." His nemesis in the film is adapted from the pulp series' long-running Asian villain (and for the film, a fellow telepath), the evil Shiwan Khan (John Lone), a descendant of Genghis Khan. He seeks to finish his ancestor's legacy of conquering the world by first destroying New York City, using a newly developed atomic bomb, in a show of his power. Khan nearly succeeds in this, but he is thwarted by The Shadow in a final psychic duel of death: Cranston, as The Shadow, imposes his will on, and defeats, Khan during a psychokinetically enhanced battle in a mirrored room, which has exploded into thousands of flying mirror shards. Focusing his mind's psychokinetic power, The Shadow flips a flying piece of jagged mirror in mid-air and then hurls it directly at a spot on Khan's forehead; this does not kill him, it renders him unconscious. To save both the warlord and the world, The Shadow secretly arranges with one of his agents, an administrative doctor at an unidentified New York asylum for the criminally insane, to have Khan locked away permanently in a padded cell; Khan's badly-injured frontal lobe, which controlled his psychic powers, having been surgically removed. The film combines elements from The Shadow pulp novels and comic books with the aforementioned ability to cloud minds described only on the radio show. In the film Alec Baldwin, as The Shadow, wears a red-lined black cloak and a long red scarf that covers his mouth and chin; he also wears a black, double-breasted trench coat and a wide-brimmed, black slouch hat; as in the pulp novels, he is armed with a pair of Browning .45-caliber semi-automatic pistols that for the film have longer barrels, are nickel-plated, and have ivory handles. The film also displays a first: Cranston's ability to conjure a false face whenever he is in his guise as The Shadow, in keeping with his physical portrayal in the pulps and the comics. The film was financially and critically unsuccessful.
Question: When did the movie premiere?
Answer: In 1994

Problem: Background: Steven Siro Vai (; born June 6, 1960) is an American guitarist, composer, singer, songwriter, and producer. He was voted the "10th Greatest Guitarist" by Guitar World magazine, and has sold over 15 million records. A three-time Grammy Award winner and fifteen-time nominee, Vai started his music career in 1978 at the age of 18 as a transcriptionist for Frank Zappa, and joined his band from 1980 to 1983. He embarked on a solo career in 1983 and has released eight solo albums to date.
Context: Steve Vai, a descendant of Italian immigrants, was born in Carle Place, New York on June 6, 1960. He is the fourth son of John and Theresa Vai. He described his first experiences with music as, "at the age of five I walked up to [a] piano, hit a note, and noticed that to the right the notes go higher and to the left the notes go lower. In that very moment, I had a full-on epiphany. I was flooded with the instinctual realization of how music was created and how it worked from a theoretical standpoint--the whole language of music was very obvious. I also understood immediately, instinctually, and unequivocally something that has only deepened through the years that the creation of music is an infinite personal expression. I realized that I could do this, I could make music, and it could be whatever I want." It was a year later, at the age of six, that Vai experienced his first introduction to the guitar, remembering that, "I saw this nine-year-old boy playing the guitar in my grade school auditorium, and that was another epiphany that I had. It was my first recognition of the instrument. When I saw that guitar and I saw this kid playing it, I knew instinctually that I was going to play the guitar someday, and that it would be my instrument. Don't ask me how I knew, I just knew. It was the coolest thing I had ever seen." As a young child, Vai was influenced by the music his parents had listened to. One album in particular that he cites as his "musical awakening" was the original motion picture soundtrack to the 1961 film West Side Story. At age eleven, Vai was introduced to the contemporary rock and progressive music of the era, and after hearing the guitar solo to Led Zeppelin's "Heartbreaker" at age twelve, decided to begin playing the guitar. In 1973, Vai began to take guitar lessons from fellow New York native Joe Satriani, and played in local bands (The Ohio Express, Circus, and Rayge) throughout his high school years. Vai cites artists such as Jimmy Page, Brian May, Ritchie Blackmore, Jeff Beck, Jimi Hendrix, as well as jazz fusion guitarists Allan Holdsworth and Al Di Meola as some of his major influences in that time period. In 1978, to further pursue his interest in music composition and theory, Vai attended Berklee College of Music in Boston, Massachusetts. While at Berklee, Vai began working for Frank Zappa as a transcriptionist, and in the middle of his fourth semester, moved to California to start his career as a session and touring artist for Zappa. Also while at Berklee, Vai met his future spouse Pia Maiocco, with whom he has been together since; they have two children. In 2000, Vai was awarded an Honorary Doctorate of Music from Berklee.
Question: Is there anything else interesting in this article?
Answer:
When I saw that guitar and I saw this kid playing it, I knew instinctually that I was going to play the guitar someday,