In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Example Input: At morning in Paris, Driss is driving Philippe's Maserati at high speed. They are chased through the streets by the police, and eventually cornered. Driss claims the quadriplegic Philippe must be urgently driven to the emergency room; Philippe pretends to have a seizure and the fooled police officers escort them to the hospital.The story of the friendship between the two men is then told as a flashback: Philippe, a wealthy quadriplegic who owns a luxurious hotel particulier, and his assistant Magalie, are interviewing candidates to be his live-in caregiver. Driss, a candidate, has no ambitions to get hired. He is just there to get a signature showing he was interviewed and rejected in order to continue receiving his welfare benefits. He is told to come back the next morning to get his signed letter.The next day, Driss returns and learns that he is on a trial period for the live-in caregiver job. Despite being uninterested in the job and his lack of professional experience, Driss does well caring for Philippe, even if his methods are unconventional. Driss learns the extent of Philippe's disability and accompanies Philippe in every moment of his life, assisting him in all the ways needed. A friend of Philippe's reveals Driss's criminal record which includes six months in jail for robbery. Philippe states he does not care about Driss's past because he is the only one that does not treat him with pity. He says he will not fire him as long as he does his job properly.Philippe discloses to Driss that he became disabled following a paragliding accident and that his wife died without bearing children. Gradually, Philippe is led by Driss to put some order in his private life, including being stricter with his adopted daughter Elisa. Driss discovers modern art, opera, and even takes up painting. For Philippe's birthday, a private concert of classical music is performed in his living room. Feeling that the concert is too boring, Driss plays Earth, Wind & Fire's "Boogie Wonderland", resulting in a less boring birthday for Philippe.Driss discovers that Philippe has a purely epistolary relationship with a woman called Eleonore, who lives in Dunkirk. Driss encourages him to meet her, but Philippe fears her reaction when she discovers his disability. Driss eventually convinces Philippe to talk to Eleonore on the phone. Philippe agrees with Driss to send a photo of him in a wheelchair to her, but he hesitates and asks his aide, Yvonne, to send a picture of him as he was before his accident. A date between Eleonore and Philippe is agreed. At the last minute, Philippe is too scared to meet Eleonore and leaves with Yvonne before Eleonore arrives. Philippe then calls Driss and invites him to travel with him in his private jet for a paragliding weekend.Adama, Driss's younger cousin, who is in trouble with a gang, comes to fetch Driss at Phillipe's mansion on the pretext of delivering mail. Overhearing, Philippe recognizes Driss's need to be supportive to his family and releases him from his job, suggesting he may not want to push a wheelchair all his life.Driss returns to his urban projects, joining his friends, and manages to help his younger cousin. In the meantime, Philippe has hired caregivers to replace Driss, but he is not happy with any of them. His morale is very low and he stops taking care of himself. Yvonne becomes worried and contacts Driss, who arrives and decides to drive Philippe in the Maserati, which brings the story back to the first scene of the film, the police chase. After they have eluded the police, Driss takes Philippe to the seaside. Upon shaving and dressing elegantly, Philippe and Driss arrive at a Cabourg restaurant with a great ocean view. Driss suddenly leaves the table and says good luck to Philippe for his lunch date. A few seconds later, Eleonore arrives. Emotionally touched, Philippe looks through the window and sees Driss outside, smiling at him. Driss bids Philippe farewell and walks away.The film ends with shots of Philippe Pozzo di Borgo and Abdel Sellou, the people on whom the film is based, together on a hillside, reminiscent of the paragliding scene earlier in the film. The closing caption states how the men remain close friends to this day.
Example Output: Who becomes worried and contacts Driss?

Example Input: In 1893 London, popular writer Herbert George Wells (Malcolm McDowell) displays a time machine to his skeptical dinner guests. After he explains how it works (including a "non-return key" that keeps the machine at the traveler's destination and a "vaporizing equalizer" that keeps the traveler and machine on equal terms), police constables arrive at the house searching for Jack the Ripper. A bag with blood-stained gloves belonging to one of Herbert's friends, a surgeon named John Leslie Stevenson (David Warner), leads them to conclude that Stevenson might be the infamous killer. Wells races to his laboratory, but the time machine is gone.Stevenson has escaped to the future, but because he does not have the "non-return" key, the machine automatically returns to 1893. Herbert uses it to pursue Stevenson to November 5, 1979, where the machine has ended up on display at a museum in San Francisco. He is deeply shocked by the future, having expected it to be an enlightened socialist utopia, only to find chaos in the form of airplanes, automobiles and a worldwide history of war, crime and bloodshed.Reasoning that Stevenson would need to exchange his British money, Herbert asks about him at various banks. At the Chartered Bank of London, he meets liberated employee Amy Robbins (Mary Steenburgen), who says she had directed Stevenson to the Hyatt Regency hotel.Confronted by his one-time friend Herbert, Stevenson confesses that he finds modern society to be pleasingly violent, stating: "Ninety years ago, I was a freak. Now... I'm an amateur." Herbert demands he return to 1893 to face justice, but Stevenson instead attempts to wrest the time machine's return key from him. Their struggle is interrupted and Stevenson flees, getting hit by a car during the frantic chase on foot. Herbert follows him to the San Francisco General Hospital emergency room and mistakenly gets the impression that Stevenson has died from his injuries.Herbert meets up with Amy Robbins again and she initiates a romance. Stevenson returns to the bank to exchange more money. Suspecting that it was Amy who had led Herbert to him, he finds out where she lives. Herbert, hoping to convince her of the truth, takes a highly skeptical Amy three days into the future. Once there, she is aghast to see a newspaper headline revealing her own murder as the Ripper's fifth victim.Herbert persuades her that they must go back it is their duty to attempt to prevent the fourth victim's murder, then prevent Amy's. However, they are delayed upon their return to the present and can do no more than phone the police. Stevenson kills again, and Herbert is arrested because of his knowledge of the killing. Amy is left alone, totally defenseless, and at the mercy of the "San Francisco Ripper."While Herbert unsuccessfully tries to convince the police of Amy's peril, she attempts to hide from Stevenson. When the police finally do investigate her apartment, they find the dismembered body of a woman. The police release a broken-hearted Wells. However, he is contacted by Stevenson, who has actually killed Amy's coworker and taken Amy hostage in order to extort the time machine key from Wells.Stevenson flees with the key and Amy as insurance to attempt a permanent escape in the time machine. While Herbert bargains for Amy's life, she is able to escape. As Stevenson starts up the time machine, Herbert removes the "vaporizing equalizer" from it. As Herbert had explained earlier, this causes the machine to remain in place while its passenger is sent travelling endlessly through time, with no way to stop; in effect he is destroyed.Herbert proclaims that the time has come to return to his own time, in order to destroy a machine that is he now knows is too dangerous for primitive mankind. Amy pleads with him to take her along (despite the repressed lifestyle she will face in Victorian England). As they depart to the past, she says that she is changing her name to Susan B. Anthony. The end credits reveal that the two later married.
Example Output: What year was it?

Example Input: Soft Landing[edit]The film's title sequence story opens with a space shuttle flying in orbit over Earth. The bay doors open, releasing a Corvette.[6] An astronaut seated in the Corvette then begins descending through Earth's atmosphere, landing in a desert canyon (both car and occupant miraculously unscathed by re-entry friction heat).CrewJimmy T. Murakami and John Bruno - DirectorsJohn Coates - ProducerDan O'Bannon - WriterThomas Warkentin - Art directionMusic"Radar Rider" by RiggsGrimaldi[edit]Leading directly from the title sequence, the film's framing story has the astronaut, Grimaldi, arriving at home where he is greeted by his daughter. He shows her something he brought back: a crystalline green sphere. When he opens the case, the orb rises out and melts the astronaut. It introduces itself to the terrified girl as "the sum of all evils". Looking into the orb, known as the Loc-Nar, the girl sees how it has influenced societies through time and spaceCastPercy Rodriguez (uncredited) as voice of the Loc-NarDon Francks as GrimaldiCaroline Semple as GirlCrewHarold Whitaker DirectorJohn Halas ProducerHarry Canyon[edit]In a dystopian New York City in the year 2031, cynical taxicab driver Harry Canyon narrates his day in film noir style, grumbling about his fares and occasional robbery attempts, which he thwarts with a disintegrator installed behind his seat. He stumbles into an incident where he rescues a girl from a gangster named Rudnick, who had murdered the girl's father. She tells him about her father's discovery: the Loc-Nar, an artifact over which people are killing each other. Harry takes the girl back to his apartment, where she climbs into his bed and has sex with him. The next day, one of his fares is Rudnick, who threatens Harry if he does not cooperate. The girl decides to sell the Loc-Nar to Rudnick and split the proceeds with Harry. He agrees to take her to the exchange, where Rudnick takes the Loc-Nar out of its isolation case and disintegrates. Meanwhile, the girl informs Harry that she's keeping the money for herself and pulls a gun on him. Harry is forced to use his disintegrator on her. He keeps the money and writes it up as a "two-day ride with one hell of a tip."CastPercy Rodriguez (uncredited) as voice of the Loc-NarJohn Candy as Desk SergeantMarilyn Lightstone as WhoreSusan Roman as Girl / SatelliteRichard Romanus as Harry CanyonAl Waxman as RudnickHarvey Atkin as Alien / HenchmanCrewPino Van Lamsweerde DirectorW.H. Stevens Jr. ProducerVic Atkinson ProducerDaniel Goldberg WriterLen Blum WriterMusic"Veteran of the Psychic Wars" by Blue Oyster Cult"True Companion" by Donald Fagen"Heartbeat" by Riggs"Blue Lamp" by Stevie Nicks"Open Arms" by JourneyDen[edit]A nerdy teenager finds a "green meteorite" and puts it in his rock collection. During a lightning experiment, the orb hurls the boy into the world of Neverwhere, where he transforms into a naked, bald muscle man called "Den", an acronym for his earth name, David Ellis Norman. He witnesses a strange ritual, rescuing a nubile young woman who was about to be sacrificed to Uhluhtc (H.P. Lovecraft's monster Cthulhu spelled backwards). Reaching safety, she introduces herself as Katherine Wells from the British colony of Gibraltar. While she demonstrates her gratitude with sexual favors, they are interrupted by the minions of Ard, an immortal man who wants to obtain the Loc-Nar for himself. He orders Den to get the Loc-Nar from the Queen, who performed the ritual. Den agrees, and infiltrates the palace, but is promptly caught by the Queen, who offers leniency if he has sex with her. He complies, distracting the Queen while the raiding party steals the Loc-Nar. Den escapes and races back to rescue Katherine from Ard. Recreating the lightning incident that drew him to Neverwhere, he is able to banish Ard and the Queen. Refusing the opportunity to take the Loc-Nar for himself, Den rides with Katherine into the sunset, content to remain in Neverwhere.CastPercy Rodriguez (uncredited) as voice of the Loc-NarJohn Candy as DenJackie Burroughs as KatherineMartin Lavut as ArdMarilyn Lightstone as QueenAugust Schellenberg as NorlCrewJack Stokes DirectorJerry Hibbert ProducerRichard Corben WriterCaptain Sternn[edit]On a space station, space captain Lincoln F. Sternn is on trial for numerous serious charges (and one moving violation) presented by the prosecutor. Pleading "not guilty" against the advice of his lawyer, Sternn explains that he expects to be acquitted because he bribed a witness, Hanover Fiste. Fiste takes the stand, but his perjury is subverted when the Loc-Nar, now the size of a marble, causes him to blurt out the truth about Sternn's evil deeds. Fiste rants with such fury that he changes into a muscled giant and chases Sternn throughout the station, breaking through bulkheads and wreaking havoc. Eventually, he corners Sternn, receives his promised payoff, and promptly shrinks back to his gangly original form. Sternn opens a trapdoor under Fiste, ejecting him into space. The Loc-Nar enters Earth's atmosphere with Fiste's flaming hand still clinging to it.CastPercy Rodriguez (uncredited) as voice of the Loc-NarRodger Bumpass as Hanover FisteJoe Flaherty as LawyerEugene Levy as Captain Lincoln F. SternnJohn Vernon as ProsecutorDouglas Kenney as RegolianCrewJulian Harris DirectorPaul Sebella DirectorBernie Wrightson WriterMusic"Reach Out" by Cheap TrickNeverwhere Land[edit]Because of time constraints, a segment called "Neverwhere Land" was cut; in the film, it would have connected "Captain Sternn" to "B-17".The story follows the influence of the Loc-Nar upon the evolution of a planet, from the Loc-Nar landing in a body of water, influencing the rise of the industrial age, and a world war. This original story was created by Cornelius Cole III.The original rough animatics are set to a loop of the beginning of Pink Floyd's "Time". The 1996 VHS release included this segment at the beginning of the tape. On the DVD release, this segment is included as a bonus feature. In both released versions, the sequence is set to the music of "Passacaglia" (from Magnificat), composed and conducted by Krzysztof Penderecki.B-17[edit]A World War II B-17 bomber nicknamed the "Pacific Pearl" makes a difficult bombing run with heavy damage and casualties. As the bomber limps home, the co-pilot goes back to check on the crew. Finding nothing but dead bodies, he notices the Loc-Nar trailing the plane. Informing the pilot, he heads back to the cockpit, when the Loc-Nar rams itself into the plane and reanimates the dead crew members as zombies. The co-pilot is killed, while the pilot parachutes away in time. He lands on an island where he finds a graveyard of airplanes from various times, along with the wrecked airplanes' zombified airmen.CastPercy Rodriguez (uncredited) as voice of the Loc-NarDon Francks as Co-Pilot (Holden)Zal Yanovsky as NavigatorGeorge Touliatos as Pilot (Skip)CrewBarrie Nelson DirectorW.H. Stevens Jr. ProducerDan O'Bannon WriterMusic"Heavy Metal (Takin' a Ride)" by Don FelderSo Beautiful and So Dangerous[edit]Dr. Anrak, a prominent scientist, arrives at the Pentagon for a meeting regarding mysterious mutations that are plaguing the United States. At the meeting, the doctor tries to dismiss the occurrences, but when he sees the Loc-Nar in the locket of Gloria, a beautiful buxom stenographer, he behaves erratically and attempts to sexually assault her. A colossal starship bursts through the roof and abducts the doctor and, by accident, Gloria. The ship's robot is irritated at Anrak, who is actually a malfunctioning android, but its mood changes when it sees Gloria. With the help of the ship's alien pilot and co-pilot, the robot convinces Gloria to stay on board and have "robot sex". Meanwhile, the pilots snort a massive amount of plutonian nyborg (a powdered substance resembling cocaine) before flying home, zoning out on the cosmos. Too intoxicated to fly straight, they crashland unharmed into a huge space station.CastPercy Rodriguez (uncredited) as voice of the Loc-NarRodger Bumpass as Dr. AnrakJohn Candy as RobotJoe Flaherty as GeneralEugene Levy as Male Reporter / EdselAlice Playten as GloriaHarold Ramis as ZekePatty Dworkin as Woman ReporterWarren Munson as SenatorCrewJohn Halas DirectorAngus McKie WriterMusic"I Must Be Dreamin'" by Cheap Trick"Queen Bee" by Grand Funk Railroad"Crazy? (A Suitable Case for Treatment)" by Nazareth"All of You" by Don Felder"Heavy Metal" by Sammy Hagar"Prefabricated" by TrustTaarna[edit]Original story by Daniel Goldberg and Len Blum; inspired by Moebius' Arzach stories.The Loc-Nar, now the size of a giant meteor, crashes into a volcano, changing a tribe of human outcasts into mutated barbarians who ravage a peaceful city. The elders desperately try to summon the last of a warrior race, the Taarakians. Taarna, a strong, beautiful, Taarakian warrior maiden, arrives too late to stop the massacre and resolves to avenge the city. Her search leads to the barbarians' stronghold, where she is captured, tortured, and left for dead. With the help of her Taarakian mount, she escapes and confronts the barbarian leader. Though wounded, she defeats him. With Taarna readying her final attack on the Loc-Nar, it tells her not to sacrifice herself, as she cannot destroy it. She does not relent, and her self-sacrifice destroys the Loc-Nar.CastPercy Rodriguez (uncredited) as voice of the Loc-NarDon Francks as BarbarianAugust Schellenberg as TaarakZal Yanovsky as BarbarianGeorge Touliatos as BarbarianVlasta Vrana as Barbarian leaderMavor Moore as ElderThor Bishopric as BoyLen Doncheff as BarbarianCedric Smith as BartenderJoseph Golland as CouncilmanCharles Joliffe as CouncilmanNed Conlon as CouncilmanMusic"The Mob Rules" by Black Sabbath"Through Being Cool" by Devo"Working in the Coal Mine" by Devo"E5150" by Black Sabbath is played at the beginning of the sequence. While it sounds like background, the track and "The Mob Rules" are played in the order they appear on the Mob Rules LP."Vengeance (The Pact)" by Blue Oyster Cult is a retelling of "Taarna", and describes the pact that a Defender makes.Epilogue[edit]As the final story ends, the Loc-Nar terrorizing the girl is similarly destroyed, blowing the mansion to pieces. Taarna's mount, reborn, appears outside and the girl happily flies away on it. It is then revealed that Taarna's soul has been reincarnated in the girl. The girl's hair color changes to that of Taarna, and she reveals a Taarakian mark on her neck.CastPercy Rodriguez (uncredited) as voice of the Loc-Nar
Example Output:
In which name the girl known?