input: At the end of 1988, Love taught herself to play guitar and relocated to Los Angeles, where she placed an ad in a local music zine: "I want to start a band. My influences are Big Black, Sonic Youth, and Fleetwood Mac." Love recruited lead guitarist Eric Erlandson; Lisa Roberts, her neighbor, as bassist; and drummer Caroline Rue, whom she met at a Gwar concert. Love named the band Hole after a line from Euripides' Medea ("There is a hole that pierces right through me") as well as a conversation she had had with her mother, in which she told her that she couldn't live her life "with a hole running through her." Love continued to work at strip clubs in the band's formative stages, saving money to purchase backline equipment and a touring van, and rehearsed at a studio in Hollywood that was loaned to her by the Red Hot Chili Peppers. Hole played their first show in November 1989 at Raji's, a rock club in central Hollywood. The band's debut single, "Retard Girl", was issued in April 1990 through the Long Beach indie label Sympathy for the Record Industry, and was given airtime by Rodney Bingenheimer's show on local rock station KROQ. That fall, the band appeared on the cover of Flipside, a Los Angeles-based punk fanzine. In early 1991, the band released their second single, "Dicknail", through Sub Pop Records. With no wave, noise rock and grindcore bands being major influences on Love, Hole's first studio album, Pretty on the Inside, captured a particularly abrasive sound and contained disturbing lyrics, described by Q magazine as "confrontational [and] genuinely uninhibited." The record was released in September 1991 on Caroline Records, produced by Kim Gordon of Sonic Youth with assistant production from Gumball's Don Fleming; Love and Gordon had initially met when Hole opened for Sonic Youth during their promotional tour for Goo at the Whisky a Go Go in November 1990. In early 1991, Love sent Gordon a personal letter asking her to produce the record for the band, to which she agreed. Though Love would later say it was "unlistenable" and "[un]melodic," the album received generally positive critical reception from indie and punk rock critics and was labeled one of the twenty best albums of the year by Spin magazine. It also gained a following in the United Kingdom, charting at 59 on the UK Albums Chart, and its lead single, "Teenage Whore", entered the country's indie chart at number one. The underlying feminist slant of some of the album's songs led many to mistakenly tag the band as being part of the riot grrrl movement, a movement that Love did not associate with. The band toured in support of the record, headlining with Mudhoney in Europe; in the United States, they opened for The Smashing Pumpkins, and performed at CBGB in New York City.

Answer this question "How did the band Hole form originally?"
output: " Love recruited lead guitarist Eric Erlandson; Lisa Roberts, her neighbor, as bassist; and drummer Caroline Rue, whom she met at a Gwar concert.

input: Crosby was born on May 3, 1903 in Tacoma, Washington, in a house his father built at 1112 North J Street. In 1906, his family moved to Spokane, and in 1913, his father built a house at 508 E. Sharp Avenue. The house sits on the campus of Gonzaga University, his alma mater. He was the fourth of seven children: brothers Larry (1895-1975), Edward (1896-1966), Ted (1900-1973), and Bob (1913-1993); and two sisters, Catherine (1904-1974) and Mary Rose (1906-1990). His parents were Harry Lillis Crosby Sr. (1870-1950), a bookkeeper, and Catherine Helen "Kate" (nee Harrigan; 1873-1964). His mother was a second generation Irish-American. His father was of English descent; an ancestor, Simon Crosby, emigrated to America in the 17th century, and one of his descendants married a descendant of Mayflower passenger William Brewster (c. 1567 - April 10, 1644). In 1910, seven-year-old Harry Crosby, Jr. was forever renamed. The Sunday edition of the Spokesman-Review published a feature called "The Bingville Bugle". Written by humorist Newton Newkirk, The Bingville Bugle was a parody of a hillbilly newsletter, filled with gossip, minstrel quips, creative spelling, and mock ads. A Crosby neighbor, 15-year-old Valentine Hobart, enjoyed reading "The Bugle", and noting Harry's laugh, took a liking to him and called him "Bingo from Bingville". Eventually, the last vowel was dropped and the nickname stuck. In 1917, Crosby took a summer job as property boy at Spokane's "Auditorium," where he witnessed some of the finest acts of the day, including Al Jolson, who held him spellbound with ad libbing and parodies of Hawaiian songs. He later described Jolson's delivery as "electric." Crosby graduated from Gonzaga High School (today's Gonzaga Prep) in 1920 and enrolled at Gonzaga University. He attended Gonzaga for three years but did not earn a degree. As a freshman, he played on the university's baseball team. The university granted him an honorary doctorate in 1937.

Answer this question "where did he go to school?"
output: campus of Gonzaga University,

input: Earth Crisis had a huge impact on both the hardcore punk music and its ideals. MetalSucks said: "For anybody who was not in the hardcore scene back then, it is hard to describe the impact they had or how controversial they were. You either loved them or hated them for bringing both metal and veganism into the hardcore scene". Sociologist Ross Haenfler stated in The Vinyl Factory that "Earth Crisis became the face of straight edge throughout the 1990s" through "the convergence of 'radical' animal rights activism, a more aggressive 'metalcore' sound, and hardcore crews", becoming "one of the most controversial bands in the scene's history." Their albums Firestorm, Destroy the Machines and Gomorrah's Season Ends were particularly influential for the emerging metalcore genre. According to Andrew O'Neill, "Earth Crisis inspired a much more heavy metal sound in hardcore" and "the distinction between the two [genres] started to crumble" shortly after those records were released. To a large extent, Earth Crisis was responsible for the rising of vegan straight edge militancy in the mid- to late 90s, when veganism was rarely present in mainstream culture. Haenfler said that, while "earlier straight edge bands advocated vegetarianism - for example Youth of Today, Insted and Manliftingbanner", Earth Crisis "made animal rights (and environmentalism) central to the scene" as a "self-described 'vegan straight edge' band", "inspiring thousands of kids to give up animal products entirely." They also spawned many activists in the scene because their message "imparted the sense of urgency in a way that nothing else that ever come before had", according to Peter Daniel Young. Some of their songs went on to be considered by some as anthems, such as "Firestorm" for straight edge and "Ultramilitance" for eco-terrorists. They also drew major media attention, having been featured and interviewed by CNN, CBS and The New York Times, while lead singer Karl Buechner was invited to address the Congress about teens and substance abuse.

Answer this question "how did they influence hardcore punk music"
output:
O'Neill, "Earth Crisis inspired a much more heavy metal sound in hardcore"