Problem: Daryl Franklin Hohl (born October 11, 1946), better known by his stage name Daryl Hall, is an American rock, R&B, and soul singer; keyboardist, guitarist, songwriter, and producer, best known as the co-founder and lead vocalist of Hall & Oates (with guitarist and songwriter John Oates). In the 1970s and early 1980s, Hall scored numerous Billboard chart hits and is regarded as one of the best soul singers of his generation. Guitarist Robert Fripp, who collaborated with him in the late 1970s and early 1980s, has written, "Daryl's pipes were a wonder. I have never worked with a more able singer."

Hall was born in Pottstown, a Pennsylvania borough 40 miles (64 km) from Philadelphia. His parents each had a background in music: his father was a professional singer and his mother was a vocal coach. He is of German descent. He started recording while still a student at Owen J. Roberts High School, from which he graduated in 1965. In college at Temple University in Philadelphia, he majored in music, while continuing to record, working with Kenny Gamble and Leon Huff as both an artist and a session musician. During his first semester at Temple, in the fall of 1965, he and four other white Temple University students formed the vocal harmony group the Temptones. They were popular additions to the largely black Philly soul scene, defeating both The Ambassadors and The Delfonics in a contest at the Uptown Theater. The Temptones recorded a handful of singles for Arctic Records, produced by Jimmy Bishop. While performing at the Uptown theatre, Hall formed creative affiliations with such artists as Smokey Robinson, The Temptations, and many other top soul singers of the 1960s. In 1967 Hall met John Oates, who was also an undergraduate at Temple University. According to Daryl Hall, they met when "We got in the middle of a fight at a dance - I have no idea what the fight was about. I guess the Greek letters on one gang's jackets didn't appeal to the other gang. We both beat it out the back and met on the elevator while leaving the place rather quickly." Hall was by then a senior, while Oates was a freshman. They played together until Oates transferred to a different school at age 19. Hall did not let Oates' departure discourage him from pursuing his own musical career: he dropped out of college in 1968 and worked with Tim Moore in a short-lived rock band, Gulliver, and released an album on the Elektra Records label. In 1969 Hall again began recording songs by other artists, which led to the duo signing their first record contract in early 1972.

What happened in Hall's early life?

Answer with quotes: He started recording while still a student at Owen J. Roberts High School, from which he graduated in 1965.

Question:
Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".
In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2". The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records. In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985. Once his fame as an arranger was established, Fischer also worked with pop musicians like Paul McCartney, Prince, Celine Dion and Robert Palmer. "I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical." Classical concert artist Richard Stoltzman commissioned him in 1983 to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The result, "The Duke, Swee'pea and Me", an eleven and a half minute orchestral work, was performed with a symphony orchestra and Stoltzman on clarinet all around the world.
Answer this question using a quote from the text above:

What languages did Clare Fischer perform in?

Answer:
"Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists.