Input: Unfortunately, because the zooming is rather fast, it is easy to miss the rest of the sentence, so as you correctly note, some viewers got an incorrect impression. It would have been fair for Moore to point out this possible misinterpretation on his website. However, the claim of deliberate distortion is ludicrous for several reasons: a) Moore clearly states that "before he came to Flint", Heston gave an interview. In the excerpt from said interview, we can see that it is from March. If Moore wanted to deceive his viewers, why would he say this, and show the month the interview was published? b) Why should Moore leave the words "Clinton is on the Today Show" visible in the text, which is necessary to correctly interpret the highlighted part? I reviewed the sequence several times and it is perfectly possible to see this text without pausing. c) Both the "soccer mom" interview and the sequences showing the NRA rally make no effort to distort the fact that this rally happened months after the fact. The camera lingers on Bush/Cheney posters, and the protestor is quoted as saying that "we wanted to let the NRA know that we haven't forgotten about Kayla Rolland". You make the hysterical claim that the interview "may be faked" (on the basis that no name is shown for the interviewee), but if Moore had faked it, why the hell should he put this sentence in the protestor's mouth, which directly contradicts the conclusion that the rally happened hours after Kayla's death? Why did Moore, the masterful deveiver, not edit this sequence out? This makes no sense. Opinions may vary on how tasteless it was for Heston to hold a pro gun rally on the location of the nation's youngest school shooting months after the fact, but this sequence of "Bowling" is without doubt the most unfair to Heston. The claims of deliberate distortion don't hold up when viewing the whole scene, though -- as "Hanlon's Razor" states, one should never attribute to malice what can be attributed to incompetence. The somewhat inept editing of the NRA press release has led some viewers to wrong conclusions, which is unfortunate, but Moore's critics have no interest in viewing the matter fairly. Had they done so, Moore himself would probably have apologized for the gaffe. In any case, at no point does Moore make a false statement, in contradiction to claims by critics that his documentary is "full of lies".
"What text gave viewers the wrong impression" is "Clinton is on the Today Show"?
Output: yes
Input: Grim disappeared upstairs himself, and returned about ten minutes later in the uniform of a Shereefian officer--that is to say, of Emir Feisul's Syrian army. Nothing could be smarter, not anything better calculated to disguise a man. Disguise, as any actor or detective can tell you, is not so much a matter of make- up as suggestion. It is little mannerisms--unstudied habits that identify. The suggestion that you are some one else is the thing to strive for, not the concealment of who you really are. Grim's skin had been sun-tanned in the Arab campaign under Lawrence against the Turks. The Shereefian helmet is a compromise between the East and West, having a strip of cloth hanging down behind it as far as the shoulders and covering the ears on either side, to take the place of the Arab head-dress. The khaki uniform had just enough of Oriental touch about it to distinguish it from that of a British officer. No man inexperienced in disguise would dream of choosing it; for the simple reason that it would not seem to him disguise enough. Yet Grim now looked so exactly like somebody else that it was hard to believe he was the same man who had been in the room ten minutes before. His mimicry of the Syrian military walk--blended of pride and desire not to seem proud--was perfect.
"What was Grim striving to mimic?" is "The military stare"?
Output: no
Input: Late on the next Sunday afternoon Gifford had gone for a country walk which he had arranged to bring him round in time for the evening service at the little village church of Wynford standing just outside the park boundary. His way took him by well-remembered field-paths which, although towards the end of his walk darkness had set in, he had no difficulty in tracing. The last field he crossed brought him to a by-road joining the highway which ran through Wynford, the junction being about a quarter of a mile from the church. As he neared the stile which admitted to the road he saw, on the other side of the hedge and showing just above it, the head of a man. At the sound of his footsteps the man quickly turned, and, as for a moment the fitful moonlight caught his face, Gifford was sure he recognized Gervase Henshaw. But he took no notice and kept on his way to the stile, which he crossed and gained the road. As he did so he glanced back. A horse and trap was waiting there with Henshaw in it. He was now bending down, probably with the object of concealing his identity, and had moved on a few paces farther down the road.
"At what time of evening did Gifford reach the last field" is "Late Night"?
Output:
no