In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Thomas de Morley, 5th Baron Morley (13931435) was a baron in the Peerage of England, Lord of Morley, Hingham, Hockering, &c., in Norfolk, "de jure" Lord Marshall, hereditary Marshal of Ireland, and a Privy Councillor. He was the son of Sir Robert de Morley, Knt. (circa 1375 - before 12 November 1403), "d.v.p." (son of Thomas de Morley, 4th Baron Morley by first wife Joan de Hastings), and wife, married before August 1394, Isabel de Molines. Context_2 : Thomas de Kirkcudbright, also known as Thomas de Dalton [de Daltoun], was a medieval prelate from the Kingdom of Scotland. He was apparently a "nutritus", or foster son, of Robert V de Brus, Lord of Annandale, and seems to have been closely linked in some way to Adam de Kirkcudbright, the man who held the church of Dalton in Annandale. He was likely a native Galwegian or perhaps a native of Annandale. Context_3 : A medieval university is a corporation organized during the High Middle Ages for the purposes of higher learning. Context_4 : Thomas Wouldham (or Thomas de Wouldham or Thomas de Southflete) was a medieval Bishop of Rochester. Context_5 : Thomas de Cormont (born towards the end of the twelfth century) was a French Gothic Era master-mason and architect who worked on the Cathedral of Notre-Dame in Amiens following the death of its chief architect, Robert de Luzarches. There is speculation that Thomas may have been Robert's disciple. In addition to the Cathedral of Notre Dame in Amiens, he is also believed to have worked contributed to both the Saint-Germain-en-Laye and the Sainte-Chapelle. According to analysis and evidence, Thomas de Cormont was responsible for the completion of the upper nave, chevet aisle vaults and windows, and ambulatory sometime in the 1230s. His son, Renaud de Cormont, continued his work on Notre-Dame of Amiens in the 1240s. Context_6 : Thomas Bungay (Latin: "Thomas Bungeius" or "Bungeyensis "; c.1214 c.1294 ), also known as Thomas of Bungay (Latin: "Thomas de Bungeya" ; French: "Thomas de Bungeye" ) and formerly also known as Friar Bongay , was an English Franciscan friar, scholar, and alchemist. Context_7 : Thomas de Camville (died 1235) was a minor English nobleman and judge. He was the third son of William de Camville, brother of Gerard de Camville, and Albreda, daughter of Geoffrey Marmion. He "[was improperly presumed to be a different Thomas De Camvill (son of Hugh) that]" held the manors of Westerham in Kent and Senefield and Fobbing in Essex. Having taken the side of the barons in the civil war, he was deprived of his estates in 1215, but obtained restitution of them in 1217 on doing homage to Henry III. He acted as a justice in 1229. He died in 1235, leaving his widow Agnes, and a son Robert, who married a daughter of Hamo de Crevequer. Context_8 : Lord Thomas de Moulton (12761322) was the first Baron Multon of Gilsland. He married Eleanor de Burgh, daughter of Richard de Burgh 2nd Earl of Ulster; Richard's other daughter, Elizabeth de Burgh, married King Robert the Bruce of Scotland. On 26 August 1307, Thomas de Moulton was summoned to parliament as Baron Moulton of Gilsland, the only creation of that title in the Peerage of England. He was engaged in many of the Scottish wars and subsequently obtained many immunities from the crown in the shape of grants for fairs and markets upon his many manors. He died on 26 November 1313 leaving an only daughter and heiress, Margaret, who inherited the title and estates and was later nicknamed the "Flower of Gillesland". She married Ranulph (Ralph) de Dacre, whom she married because she found him chivalrous. Her father originally opposed the match, but relented when he discovered that the Dacre family was equal to his own in wealth and power, according to the Moulton Annals. Ranulph was later summoned to parliament as Lord Dacre in 1321. The title and estates after Margaret's death in 1361 were inherited by the Dacre family. Context_9 : Thomas de Canaberis (c.1250-?) was a French nobleman, served as teacher in the Medieval university of France. Context_10 : Jean-Francois Thomas de Thomon (April 12[O.S. April 1]1760 September 4[O.S. August 23]1813 ) was a French neoclassical architect who worked in Eastern Europe in 17911813. Thomas de Thomon was the author of Old Saint Petersburg Stock Exchange and Rostral Columns on the spit of Vasilievsky Island in Saint Petersburg and the first building of the Odessa Theatre, destroyed by fire in 1873. Thomas de Thomon, graduate of the French Academy in Rome, "imported" the high classicism practiced by this school in 1780s into Russia and thus contributed to the formation of Russian national variant of neoclassicism practiced during the reign of Alexander I. fact_1 : was a French nobleman, served as teacher in the Medieval university of France. fact_2 : A medieval university is a corporation organized during the High Middle Ages for the purposes of higher learning. Answer: High Middle Ages
Solution:
Thomas de Canaberis was a teacher in a corporation organized during which time period?