Question: Kurt Julian Weill (March 2, 1900 - April 3, 1950) was a German composer, active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose.

In 1922 he joined the Novembergruppe, a group of leftist Berlin artists that included Hanns Eisler and Stefan Wolpe. In February 1924 the conductor Fritz Busch introduced him to the dramatist Georg Kaiser, with whom Weill would have a long-lasting creative partnership resulting in several one-act operas. At Kaiser's house in Grunheide, Weill first met singer/actress Lotte Lenya in the summer of 1924. The couple were married twice: in 1926 and again in 1937 (following their divorce in 1933). She took great care to support Weill's work, and after his death she took it upon herself to increase awareness of his music, forming the Kurt Weill Foundation. From November 1924 to May 1929, Weill wrote hundreds of reviews for the influential and comprehensive radio program guide Der deutsche Rundfunk. Hans Siebert von Heister had already worked with Weill in the November Group, and offered Weill the job shortly after becoming editor-in-chief. Although he had some success with his first mature non-stage works (such as the String Quartet, Op. 8, or the Concerto for Violin and Wind Orchestra, Op. 12), which were influenced by Gustav Mahler, Arnold Schoenberg and Igor Stravinsky, Weill tended more and more to vocal music and musical theatre. His musical theatre work and his songs were extremely popular with the wider public in Germany at the end of the 1920s and the beginning of the 1930s. Weill's music was admired by composers such as Alban Berg, Alexander von Zemlinsky, Darius Milhaud and Stravinsky, but it was also criticised by others: by Schoenberg, who later revised his opinion, and by Anton Webern. His best-known work is The Threepenny Opera (1928), a reworking of John Gay's The Beggar's Opera written in collaboration with Bertolt Brecht. Engel directed the original production of The Threepenny Opera in 1928. It contains Weill's most famous song, "Mack the Knife" ("Die Moritat von Mackie Messer"). The stage success was filmed by G. W. Pabst in two language versions: Die 3-Groschen-Oper and L'opera de quat' sous. Weill and Brecht tried to stop the film adaptation through a well publicised lawsuit--which Weill won and Brecht lost. Weill's working association with Brecht, although successful, came to an end over politics in 1930. Though Weill associated with socialism, after Brecht tried to push the play even further into a left wing direction, Weill commented, according to his wife Lotte Lenya, that he was unable to "set the communist party manifesto to music."

Using a quote from the above article, answer the following question: What else happen in their career
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Answer: ). She took great care to support Weill's work, and after his death she took it upon herself to increase awareness of his music, forming the Kurt Weill Foundation.

Question: Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.

Poidevin continued to play for New South Wales in 1982, and travelled to New Zealand for a three-match tour with the team now coached by former Wallaby Peter Crittle and containing a new manager - future Australian coach Alan Jones. New South Wales won their first match against Waikato 43-21, their second match against Taranaki 14-9, and their third and final match against Manawatu 40-13. Following the tour to New Zealand, Sydney played in a match against a World XV. However, because several European players withdrew, the World XV's forward pack was composed mainly of New Zealand forwards, including Graham Mourie, Andy Haden, Billy Bush and Hika Reid. Sydney won the game 31-13 with several of its players sustaining injuries. Poidevin was severely rucked across the forehead in the game and required several stitches to conceal the wound he sustained. All Black Andy Haden was later confronted by Poidevin at the post-match reception, where he denied culpability. Poidevin would later write that, "All evidence then seemed to point to [Billy] Bush, who was the other prime suspect. But years later Mourie told me that he had been shocked at the incident and, being captain, he spoken to Haden about it at the time. Haden's response? He accused the captain of getting soft." Public calls were made for an injury into the incident, with NSW Manager Alan Jones a prominent advocate for Poidevin. However, no action was taken. Poidevin would later write that with examination of videos and judiciary committees "the culprit(s) concerned would have spent a very long time out of the game." Following NSW's game against the World XV, the team was set to play two interstate games against Queensland - both scheduled to be played in Queensland to celebrate the Queensland Rugby Union's centenary year. Queensland won the first game 23-16. Following an injury to New South Wales captain Mark Ella in the first game, Poidevin was made captain of the team for the first time in his career for the second game, lost 7-41 to Queensland. Following the interstate series against Queensland, the Scotland national rugby union team toured Australia for the 1982 Scotland rugby union tour of Australia, which included two Tests. With eightman Mark Loane likely to be selected for the Australian team, Poidevin was faced with strong competition for the remaining two backrow positions at breakaway, with Tony Shaw, Gary Pearse, Peter Lucas and Chris Roche, all vying for national selection. Prior to New South Wales' provincial game against Scotland, a newspaper headline read "Poidevin Needs a Blinder". Scotland defeated New South Wales 31-7, and Poidevin missed-out on national selection, with newly appointed Australian coach Bob Dwyer selecting Queenslanders Chris Roche and Tony Shaw for the remaining backrow positions. This was the first time Poidevin was dropped from the Australia national rugby union team.

Using a quote from the above article, answer the following question: what happened after the lost
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Answer:
Following the interstate series against Queensland, the Scotland national rugby union team toured Australia