In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Texcoco ( ) is a city and municipality located in the State of Mexico, 25 km northeast of Mexico City. In the pre-Hispanic era, this was a major Aztec city on the shores of Lake Texcoco. After the Conquest, the city was initially the second most important after Mexico City, but its importance faded over time, becoming more rural in character. Over the colonial and post-independence periods, most of Lake Texcoco was drained and the city is no longer on the shore and much of the municipality is on lakebed. Numerous Aztec archeological finds have been discovered here, including the 125 tonne stone statue of Tlaloc, which now resides at the Museum of Anthropology in Mexico City. Context_2 : The Mengshan Giant Buddha () is a stone statue located in Taiyuan, built during the Northern Qi dynasty. Initially discovered in a 1980 census, the statue was found to have its head missing. From 2006 to 2008, people constructed a 12-meter tall head for the statue. The site opened to the public in October 2008. Context_3 : The Richard T. Foley Site is an archaeological site in Jackson Township, Greene County, Pennsylvania, United States, in the southwestern corner of the state. Located along Job Creek, the site was known since the late 1960s to local artifact collectors as a valuable collection location. Significant artifacts were discovered by landowner Richard T. Foley in 1971, when he began to plow part of the site to expand his garden. Having found bits of flint, bone, and pottery, Foley contacted local archaeologists, who soon began a three-year excavation of the property. A larger investigation was carried out by archaeologists from the Carnegie Museum of Natural History in 1982; they discovered that the area previously excavated was only the periphery of a larger campsite. Later in 1982, work led by James T. Herbstritt discovered a village site elsewhere on the property. Context_4 : Kume no Heinai-do ( ) is a small folk shrine located in Asakusa in Taito, Tokyo. The shrine houses a stone statue of Kume no Heinai, a samurai from the early Edo period (17th century). According to the Asakusa tourism bureau, there are few facts about the life of Kume no Heinai, but he is said to have died in 1683. Oral tradition holds that Heinai excelled in Kenjutsu, the martial art of swordsmanship, killing many people over the years. In the latter half of his life, he is said to have lived in the Senso-ji temple in Asakusa where he devoted himself to Zen-Buddhism and held religious services in honor of the people he killed. Shortly before his death he ordered his followers to carve his likeness on a stone and bury it near the Niomon the entrance to the Buddhist temple and a busy district in the city. His wish was to have his statue be stepped on by as many people as possible in order to expiate the crimes he committed in life. The statue was eventually retrieved and is now stored inside the shrine itself. It is because of this that the shrine initially carried the name "Fumitsuke" ( ) , which means "to tread on", but over time the meaning was lost and the shrine's name came to be spelled , which means "love letter". Both words are pronounced "Fumitsuke" and the shrine is now worshipped by the general public as a deity of marriage and match-making. Kume no Heinai-do was destroyed in March 1945 during World War II. The current temple was rebuilt in October 1978. Context_5 : The National Museum of Anthropology (Spanish: "Museo Nacional de Antropologia" , MNA) is a national museum of Mexico. It is the largest and most visited museum in Mexico. Located in the area between Paseo de la Reforma and Mahatma Gandhi Street within Chapultepec Park in Mexico City, the museum contains significant archaeological and anthropological artifacts from Mexico's pre-Columbian heritage, such as the Stone of the Sun (or the Aztec calendar stone) and the Aztec Xochipilli statue. Context_6 : Owo Museum is a museum in Owo, Nigeria. The museum was founded in 1968 to accommodate the antiquities which were formerly in the Olowo Palace. The museum contains significant archaeological artifacts and ethnographic materials discovered in the Owo area. Context_7 : The British Columbia Provincial Archives are located in Victoria, British Columbia, Canada. The BC Archives merged with the Royal BC Museum in 2003. The BC Archives contain the archives of the British Columbia government, and are valuable for both research and preservation activities. The BC archives have been archiving significant artifacts, documents, and records since 1894, including private historical manuscripts, maps, and government records. There is also a research library in the archives. Of note, the BC Archives website contains research guides to assist those interested in the material they house. Context_8 : The Leshan Giant Buddha () is a 71 m tall stone statue, built between 713 and 803 (during the Tang Dynasty), depicting Maitreya. It is carved out of a cliff face that lies at the confluence of the Min River and Dadu River in the southern part of Sichuan province in China, near the city of Leshan. The stone sculpture faces Mount Emei, with the rivers flowing below its feet. It is the largest and tallest stone Buddha statue in the world and it is by far the tallest pre-modern statue in the world. Context_9 : Obion Mounds (40 HY 14), also known as the "Work Farm Site", is an archaeological site of the Mississippian culture located north of Paris, Henry County, Tennessee, on the north fork of the Obion River. The site is the largest Mississippian site in western Tennessee and was probably inhabited by 1000 to 1100 CE. and abandoned by 1300. It consists of seven platform mounds surrounding a plaza measuring 200 ft by 900 ft . The largest mound at the site was 500 ft wide by 30 ft tall with a ramp leading to its summit. At one point the mounds and plaza were surrounded with a wooden palisade. The site also has 2 depressions thought to be borrow pits from which the soil to construct the mounds was taken. In 1845 the owner of the site, Solomon Hartsfield, was digging in one of the borrow pits when he discovered a stone statue. The statue was later damaged in a house fire during the late 19th century and only its head now remains. It is the only Mississippian site in western Tennessee to have produced such a statue. Context_10 : The Cromwell Museum in Huntingdon, England, is a museum containing collections exploring the life of Oliver Cromwell and to a lesser extent his son Richard Cromwell. Oliver Cromwell was born in Huntingdon in 1599 and lived there for more than half his life. The museum is located in the former grammar school building in which Cromwell received his early education. Founded in 1962, the museum contains significant artifacts, paintings and printed material relating to The Protectorate. The museum is currently run as part of a trust dedicated to Oliver Cromwell's legacy, previously been ran by the Cambridgeshire Libraries, Archives and Information Service, part of Cambridgeshire County Council. fact_1 : Texcoco ( ) is a city and municipality located in the State of Mexico, 25 km northeast of Mexico City. fact_2 : Numerous Aztec archeological finds have been discovered here, including the 125 tonne stone statue of Tlaloc, which now resides at the Museum of Anthropology in Mexico City. fact_3 : The National Museum of Anthropology (Spanish: "Museo Nacional de Antropologia" , MNA) is a national museum of Mexico. fact_4 : Located in the area between Paseo de la Reforma and Mahatma Gandhi Street within Chapultepec Park in Mexico City, the museum contains significant archaeological and anthropological artifacts from Mexico's pre-Columbian heritage, such as the Stone of the Sun (or the Aztec calendar stone) and the Aztec Xochipilli statue. Answer: Mexico's pre-Columbian heritage
A:
A 125 tonne stone statue of Tlaloc discovered in Texcoco now resides at a museum that contains significant artifacts from what?