Question: Boris Nikolayevich Yeltsin (Russian: Boris Nikolaevich El'tsin, IPA: [ba'rjis njIka'laIvjItc 'jeljtsin] ( listen); 1 February 1931 - 23 April 2007) was a Soviet and Russian politician and the first President of the Russian Federation, serving from 1991 to 1999. Originally a supporter of Mikhail Gorbachev, Yeltsin emerged under the perestroika reforms as one of Gorbachev's most powerful political opponents. During the late 1980s, Yeltsin had been a candidate member of the Politburo, and in late 1987 tendered a letter of resignation in protest. No one had resigned from the Politburo before.

Just days after the dissolution of the Soviet Union, Boris Yeltsin resolved to embark on a program of radical economic reform. Unlike Gorbachev's reforms, which sought to expand democracy in the socialist system, the new regime aimed to completely dismantle socialism and fully implement capitalism--converting the world's largest command economy into a free-market one. During early discussions of this transition, Yeltsin's advisers debated issues of speed and sequencing, with an apparent division between those favoring a rapid approach and those favoring a gradual or slower approach. On 2 January 1992, Yeltsin, acting as his own prime minister, ordered the liberalization of foreign trade, prices, and currency. At the same time, Yeltsin followed a policy of 'macroeconomic stabilization,' a harsh austerity regime designed to control inflation. Under Yeltsin's stabilization program, interest rates were raised to extremely high levels to tighten money and restrict credit. To bring state spending and revenues into balance, Yeltsin raised new taxes heavily, cut back sharply on government subsidies to industry and construction, and made steep cuts to state welfare spending. In early 1992, prices skyrocketed throughout Russia, and a deep credit crunch shut down many industries and brought about a protracted depression. The reforms devastated the living standards of much of the population, especially the groups dependent on Soviet-era state subsidies and welfare entitlement programs. Through the 1990s, Russia's GDP fell by 50 percent, vast sectors of the economy were wiped out, inequality and unemployment grew dramatically, while incomes fell. Hyperinflation, caused by the Central Bank of Russia's loose monetary policy, wiped out a lot of personal savings, and tens of millions of Russians were plunged into poverty. Some economists argue that in the 1990s Russia suffered an economic downturn more severe than the United States or Germany had undergone six decades earlier in the Great Depression. Russian commentators and even some Western economists, such as Marshall Goldman, widely blamed Yeltsin's economic program for the country's disastrous economic performance in the 1990s. Many politicians began to quickly distance themselves from the program. In February 1992, Russia's vice president, Alexander Rutskoy denounced the Yeltsin program as "economic genocide." By 1993 conflict over the reform direction escalated between Yeltsin on the one side, and the opposition to radical economic reform in Russia's parliament on the other.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: On 2 January 1992, Yeltsin, acting as his own prime minister, ordered the liberalization of foreign trade, prices, and currency.

Question: Sylvia Plath (; October 27, 1932 - February 11, 1963) was an American poet, novelist, and short-story writer. Born in Boston, she studied at Smith College and Newnham College at the University of Cambridge before receiving acclaim as a poet and writer. She married fellow poet Ted Hughes in 1956, and they lived together in the United States and then in England. They had two children, Frieda and Nicholas, before separating in 1962.

In 1963, after The Bell Jar was published, Plath began working on another literary work titled Double Exposure. It was never published and disappeared around 1970. Theories about what happened to the unfinished manuscript are repeatedly brought up in the book Sylvia Plath's Fiction: A Critical Study by Luke Ferretter. Ferretter also claims that the rare books department at Smith College in Massachusetts has a secret copy of the work under seal. Ferretter believes that the draft of Double Exposure may have been destroyed, stolen, or even lost. He presumes in his book that the draft may lie unfound in a university archive. The Colossus received largely positive UK reviews, highlighting Plath's voice as new and strong, individual and American in tone. Peter Dickinson at Punch called the collection "a real find" and "exhilarating to read", full of "clean, easy verse". Bernard Bergonzi at the Manchester Guardian said the book was an "outstanding technical accomplishment" with a "virtuoso quality". From the point of publication she became a presence on the poetry scene. The book went on to be published in America in 1962 to less glowing reviews. Whilst her craft was generally praised, her writing was viewed as more derivative of other poets. It was Plath's publication of Ariel in 1965 that precipitated her rise to fame. As soon as it was published, critics began to see the collection as the charting of Plath's increasing desperation or death wish. Her dramatic death became her most famous aspect, and remains so. Time and Life both reviewed the slim volume of Ariel in the wake of her death. The critic at Time said: "Within a week of her death, intellectual London was hunched over copies of a strange and terrible poem she had written during her last sick slide toward suicide. 'Daddy' was its title; its subject was her morbid love-hatred of her father; its style was as brutal as a truncheon. What is more, 'Daddy' was merely the first jet of flame from a literary dragon who in the last months of her life breathed a burning river of bile across the literary landscape. [...] In her most ferocious poems, 'Daddy' and 'Lady Lazarus,' fear, hate, love, death and the poet's own identity become fused at black heat with the figure of her father, and through him, with the guilt of the German exterminators and the suffering of their Jewish victims. They are poems, as Robert Lowell says in his preface to Ariel, that 'play Russian roulette with six cartridges in the cylinder.'" Some in the feminist movement saw Plath as speaking for their experience, as a "symbol of blighted female genius." Writer Honor Moore describes Ariel as marking the beginning of a movement, Plath suddenly visible as "a woman on paper", certain and audacious. Moore says: "When Sylvia Plath's Ariel was published in the United States in 1966, American women noticed. Not only women who ordinarily read poems, but housewives and mothers whose ambitions had awakened [...] Here was a woman, superbly trained in her craft, whose final poems uncompromisingly charted female rage, ambivalence, and grief, in a voice with which many women identified." The United States Postal Service introduced a postage stamp featuring Plath in 2012.

Using a quote from the above article, answer the following question: did she publish any other books?
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Answer:
Her dramatic death became her most famous aspect, and remains so. Time and Life both reviewed the slim volume of Ariel in the wake of her death.