Problem: This review is like what?

Review:This is the first Guinea Pig film from Japan and this is the sickest, in my opinion. A bunch of guys torture a girl for several days before finally killing her. And at this point, I will say that these films are NOT real! They are faked horror films which try to be as realistic as possible.

The scenes are sickening but also unrealistic in many cases. For example, when they kick the girl in the floor, we can clearly see how they kick and stump the floor near the girl! And how stupid this looks! The sound effects are also unrealistic and don't make sense. Other scenes include animal intestines thrown on the girl, the girl exposed to loud noises for many hours, the ripping off of fingernails, worms placed on the wounds in the girl's body, the eye pierced and mutilated in horrific detail and stuff like that. Very sick and mean spirited film and has absolutely nothing valuable or cinematically significant. This first entry is the sickest and most amateurish Guinea Pig, although it is not as bloody as the next part, Flowers of Flesh and Blood, which tries to be as shocking as possible.

Guinea Pig: Devil's Experiment is perhaps the sickest thing I've seen and the closest thing to snuff there is. This is still (of course) faked s(n/t)uff, the only difference to genuine "snuff film" is that no one dies or hurts for real in this film. I cannot recommend this to anyone since thi s is so s****y and repulsive. They who consider this is a great horror film understand nothing about cinema and the real meaning of it. I watched this as a curiosity (as the other parts in the series) and now I know how insignificant trash these are. They work only in shock level and that's not too valuable cinematic achievement. Devil's Experiment is perhaps the sickest film I've seen and Mermaid in a Manhole (Guinea Pig 4) is perhaps the most disgusting film I've seen. So these are pretty extreme in my book, but that's all they are.
+++++++++
A: negative

Problem: This review is like what?

Review:Another one for the Babes & Bullets crowd. The story is much edgier than any other musical I have seen: cannons hidden up the missing legs of females, and places each generatively in the other in a way that comes closer to intelligent comment than we might expect for the locale. More effective than contemporary 'drama.' It is hard identify with a woman who keeps a cannon up her pants -- in lue of leggage. Pretty remarkable if you consider the context.

Despite the cannon up the leg thing providing 90% of the surprises, this film also chronicles how greed supersedes all other considerations in the lives of a group of yakuzas who pursue a woman who keeps up her leg a concealed cannon/rocket-launcher (hence no group shower scenes or thongs) The hidden projectile-launcher which is pulled out from the behind the protagonists back, seemingly from nowhere, in miike's Dead or Alive (1999), The torch brought forth out of thin air by the heroine towards the end of the original Tomie (2000), or the harrowing flame-thrower scene in Sunny Gets Blue (1992), all testify to an almost third-world Cantinflas-esquire influence in the contemporary Japanese cinema, of which I am at a loss to explain, but cannot complain.

You won't see good quality movies of this essence made in Hollywood, its all but extinct and with cheap crap they pump out for a cheap thrill, is all but laughable. This is a true film and while its great in its entirety, the ending is a brilliant, if not unblatant rip-off of certain Sergio Leon pictures, involving cannons where legs should be, and certainly is appropriate!
+++++++++
A: positive

Problem: This review is like what?

Review:The men can slaver over Lollo, if they like (or her lollos--she gave her name to a slang terms for breasts in French), but the ladies have an even tastier morsel in the divine Gerard Philipe, who is not only beautiful but can act. Don't be deterred if your version has no subtitles because in this simple, dashing story of love and war, in which all is fair, they are not needed. All you need know is that, at the beginning of the film, Lollobrigida reads Philipe's palm and tells him he will marry the daughter of the king. Thereafter the story is quite plain from the Gallic gestures and the running, jumping, and swordplay.

On the minus side, the obviousness of the story and the heavy-handed facetiousness of the tone become somewhat wearying, and it is annoying that the French apparently consider themselves too superior to Hollywood to bother even attempting the plausibility of its exciting stunts. And of course the non-French-speaker misses the occasional bit of ooh-la-la, such as: Virtuous girl: I must tell you that my heart belongs to Fanfan. Seducer: My dear, what made you think I was interested in that bagatelle?
+++++++++
A: positive

Problem: This review is like what?

Review:This movie has it all. It is a classic depiction of the events that surrounded the migration of thousands of Cuban refugees. Antonio Montana(played by Al Pacino), is just one of the thousands to get a chance to choose his destiny in America. This cinematic yet extremely accurate depiction of Miamis' Drug Empire is astonishing. Brian DePalma does an amazing job directing this picture, so much that, the viewer becomes involved with both the storyline, as well as every character in the cast. With Tony's characters' pressence being so believable and strong, Brian DePalma brang out the raw talent exposed by Steven Bauer(Manny, Tony's best Friend), Mary Elizabeth Mastantonio(Gina, Tony's Sister), Robert Loggia(Frank, Tony's Boss)and Michelle Pfeiffer(Elvira, Frank's Wife). I enjoyed every minute watching this movie, and still watch it on a weekly basis. On this year, the 20th Anniversary of this classic crime movie, I for one am a true believer that in another 20 years people will still refer to this movie in astonishing numbers. With other crime movies being so dramatic I find, this movie is a shock to the system.
+++++++++
A:
positive