Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: This UK psychological thriller is known in the United States as CLOSURE. Exploitation of X-Files' Gillian Anderson, who plays an attractive middle aged businesswoman of substance named Alice. She must attend a business party and invites Adam(Danny Dyer), who just installed a security system for her, to be her escort. On the way home, speeding through the woods on a narrow lane, Alice's auto collides with a deer. After pulling the wounded animal off the road, the couple is savagely attacked by a drunken gang of thugs. Adam is beat to a pulp; Alice is gang raped and both are emotionally and physically devastated by the ruthless attack. When the identities of their attackers are discovered, Alice and Adam set out to exact revenge...brutal revenge. The couple at times find themselves at odds on how to deal with the ruthless attackers. Their final decision is to avenge with no mercy. Let there be no mistake, payback IS hell. Also in the cast: Anthony Calf, Ralph Brown, Francesca Fowler and Antony Byrne. Brutal violence, disturbing images, nudity and graphic rape.
Problem: OPTIONS:
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- positive positive
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Answer: I am not a usual commenter on this website but seeing how underrated this movie is, I endeavour myself to write some comments and remarks about it. I had fun watching this movie, perhaps because Cat is everything I wish I could be, I am not going to post spoilers or reveal plots but there's are things that i really found amazing, the way she manipulates people it's just so divine. this is a very underrated movie, I lack of arguments here, I usually go enjoy and then speak little about it, when you go to the movies is to have fun, and i really enjoyed the 1h53 i stayed in the dark room. a must seen over and over again until the delight fades away. let's try not be so critical about it. thank you for reading.
An example of a movie review. positive (OPTIONS:
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- positive).

A: "The House That Dripped Blood" is one of the better anthology films of the time period.

**SPOILERS**

Tracking down a missing film star, Inspector Holloway, (John Bennett) finds that the last reported sighting was in a large mansion in the countryside. During the course of looking through the house, he is told four different stories about past residents of the house.

The Good Story(s): Method for Murder-Moving into the mysterious manor to get some peace and quiet while Charles pens his latest masterwork, Horror novelist Charles Hillyer, (Denholm Elliott) and his wife Alice, (Joanna Dunham) are thrilled with the story, which centers around a serial strangler named Dominic. After a series of strange accidents and experiences in the house, Charles begins to believe that the creation my have come to life and is haunting him and his wife. Probably one of the better entries in the film, it's easily the creepiest. The atmosphere here is what sets it apart. The scenes with the fictional character are genuinely creepy, the mystery surrounding him is really effective and there's always a classic creep-out moment. The classic moment is the kill in the psychiatrist's office, which is an all-time high for creepiness. The build-up to it, with the creaking sounds, quick flashes of a mysterious being, and the thunder and lightning in the back ground work well for this one's favor.

Sweets for the Sweet-Moving into a new house, widower John Reid, (Christopher Lee) hires former school teacher Ann Norton, (Nyree Dawn Porter) for his young daughter Jane, (Chloe Franks) while he's away on business. Ann gradually begins to unravel a dark secret from Jane's past, which John vehemently denies. When she learns the true nature of what has happened, it's far more shocking that what she could've thought possible. With the creepiest outright plot and the biggest twist of the stories, this is a quite pleasant entry. The mystery of the family is wonderfully played out, with small amounts of clues piled up here and there, and the final revelation is downright nerve-wracking. That part alone is the main reason why this one works, and Lee doesn't harm it either.

The Bad Story(s): Waxwork-Tortured by memories of his lost love, Phillip Grayson, (Peter Cushing) and his friend Neville Rogers, (Joss Ackland) both become infatuated with a statue of a woman in a Wax Museum, as the statue takes over their lives, they discover a shocking secret about the museum that haunts the both of them. There's a clever premise here, and it does provide an excuse to spend time in a wax museum, which are always creepy. This is no exception, and it looks eerie, which is helped by the florescent lighting on display on the sculptures. A dream sequence provides a great moment of suspense, but what ultimately kills this one is the slow pace. It takes a long time for events to unfold out, and most of the time is spent on exposition. It also builds up to a shock ending that can be seen coming from a mile away. Those really lower this one a bit. Had the twist been changed, it would've scored higher, the rest is acceptable.

The Cloak-Veteran horror film actor Paul Henderson, (Jon Pertwee) upset at the lack of realism on the set of his new film, goes off and buys a new vampire cloak from a specialty store. The cloak soon turns him into a vampire, going crazy on the set with co-star Carla, (Ingrid Pitt) and other vampiric acts at home. Unconvinced the cloak is the cause, he does everything he can to prove it's just in his imagination. This has a pretty decent premise, and there is plenty of opportunity for some decent scares, but what sinks it is several factors. First, it's just too goofy for it's own good. The plot twist at the end is a perfect example, which is so overdone that it's not really a shock at all, and just comes across as just plain silly. There's so few scenes of scares or attempted scares that it's just a bore to sit through. It's the weakest one in the film.

The Final Verdict: A quite decent omnibus film, there's a few small problems scattered through each of the stories that renders this a less than perfect but still highly watchable film. Highly recommended for those into the similar films at the time or who enjoy British horror films.

Today's Rating-PG-13: Violence
Q: What's an example of a movie review?
An example of a movie review is here: This is movie is very touching. I don't care what people say about this movie, this is a very good movie. The performances by Amitabh Bachchan's role has the dying father is great, because he wants to teach his son how to handle life in case something happens to him and Akshay Kumer was great in his role as the spoiled Aditya Thakur. The supporting role of Shefali Shetty who played the role of Sumitra Thakur was magnificent. Priyanka Chopra was good in her small role she had in the movie. Ragpal Yadav as the brain-dead servant and Boman Irani as the show-off father-in law have a very good connection and the comedy scene's were hilarious. The direction is very good.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
Coinciding with the start of the baby boom, the years after World War II saw an unprecedented exodus of Americans moving out of their city apartments into the suburbs where they can fulfill their dreams of owning their own homes. Directed by H.C. Potter and co-written by Norman Panama and Melvin Frank ("White Christmas"), this lightweight but surprisingly observant 1948 screwball comedy captures the feeling of that period very well. Of course, it helps to have a trio of expert farceurs Cary Grant, Myrna Loy and an especially acerbic Melvyn Douglas head the proceedings with their natural likability at odds with the escalating frustrations of home ownership. Even though the film is sixty years old now, there is a timeless quality to the Blandings' dream and the barriers they face in achieving it. Obviously, Hollywood thinks so since it's been remade at least twice - first as a very physical Tom Hanks comedy, 1986's "The Money Pit", and again last year with Ice Cube's "Are We Done Yet?". One look at HGTV's programming schedule will show you how the situations explored here still resonate today.

The plot begins with ad man Jim Blandings, his wife Muriel and their two daughters cramped into a two bedroom-one bath Manhattan apartment. Rather than pursue Muriel's idea to renovate the apartment for $7,000, Jim sees a photo of a Connecticut house in a magazine and realizes this is where they need to move. With the help of an opportunistic real estate agent and against the advice of their attorney and family friend Bill Cole, the Blandings decide to buy a ramshackle house badly in need of repair. However, the foundation sags so badly that the house needs to be torn down in favor of a new one. This sparks the Blandings to push the architect to design a house so excessive that the second floor is twice as big as the first. Costs rise with each new complication, tempers flare, and even a romantic triangle is imagined among, Jim, Muriel and Bill. Priorities finally sort themselves out but not before some funny slapstick scenes and clever dialogue that tweaks the not-so-blissful ignorance of the new homeowners.

With his double takes and flawless line delivery, Grant is infallible in this type of farce, and Jim Blandings epitomizes his more domesticated mid-career characters. In a role originally meant for Irene Dunne, Myrna Loy shows why she was Hollywood's perfect wife. She doesn't get many of the funnier lines, but she combines her special blend of flightiness and sauciness to make Muriel an appealing character on her own. Watch her deftly maneuver the overly agreeable house painter with her absurdly idiosyncratic color palette. As avuncular, pipe-smoking Bill ("ColeBill Cole"), Melvyn Douglas shows his natural, easy-going elan as Grant's foil. Smaller roles are filled expertly with particularly memorable turns by Harry Shannon as the laconic well-digger Mr. Tesander, Lurene Tuttle as Jim's officious assistant Mary, and Louise Beavers as the Blandings' lovable maid Gussie. The 2004 DVD provides some intriguing vintage material including two radio versions of the movie - the first a 1949 version that did end up pairing Grant and Dunne and then a second 1950 version coupling Grant with his then-wife, actress Betsy Drake. A most appropriate 1949 cartoon, "The House of Tomorrow", is also included giving us a comical tour of a futuristic dream house. The original theatrical trailers for ten of Grant's film classics complete the extras.