Question: Read the following context and answer the question. Context: Let's rewind to January 2013 for a moment. It's a sunny and warm day in Los Angelesa bit of a weather shock to me after 11 years of Seattle's cold and rain. I've been officially on the job in the web department for all of 12 hours. I'm sitting in a conference room at a big wooden table, surrounded by my new coworkers and team members in the Getty's web group. A big monitor is displaying the prototype of the newly designed and almost-built Getty Iris. We're discussing The Iris logo you see at the top of this page, its multiple iterations, and, quite frankly, the pain involved in trying to get it to look right. Wait-wait-wait, let's pause for a moment. My name is Will Lanni. I'm a Web production specialist at the Getty, which is a complex way of saying I'm a developer and designer, which is a nice way of saying that I'm basically a "web monkey." Before I started at the Getty, I worked as a partner in a small web design and development firm for several years. I had some experience working for the GettyI built the Pacific Standard Time at the Getty site, the Pacific Standard Time Festival site, as well as the interactive Getty Impact map. And, at the time of my hiring, I was not only working on the new design and build of The Iris, due to go live in only a month, but also the soon-to-be-launched website for Pacific Standard Time Presents: Modern Architecture in L.A. So I wasn't exactly new to projects at the Getty, even though I was a brand-spanking-new full-time employee. OK. Now that you know who I am, let's get back to that moment. The Iris logo, and the hair-pulling it was causing for all of uswhich is a pretty good representation of the steps that Web projects go through as we move from idea, to execution, to setback, to solution. Question: Who is Will meeting? Answer:
OPTIONS:
- his new partner in the company
- his boss
- a group of fellow employees
- not enough information
Answer: a group of fellow employees

input with options: Read the following context and answer the question. Context: I already gave this example in another post but I think it was a really interesting situation with an interesting outcome so I'm going to repeat it. When I was 21 years old I produced a play. It was actually my second. The first was really successful. With the second I bit off a lot more than I could chew and I got too big for my britches and I ended up with a sprawling money eating disaster that caused me to have to move to a poor part of town and to go to court with my publicist and to be in debt for a couple of years. I could have absolutely let this ruin me and discourage me. And I realized this was a very delicate situation for my creativity and my sense of hope for the future. So I said to myself one day, "let me take a walk to the park and have this situation out with myself once and for all." Two blocks from my house was this wonderful neo classical park with beautiful stairs leading from level to level. I walked up and down the stairs and basically said to myself "this was a failure. I am having a failure experience. But I have a choice of how I look at this. And the big Takeaway for me with this experience is that I have talent and there is a big creative future for me. And I have hope. I have to slow down. I have to make sure I don't get ahead of myself. I definitely have to clean up this mess and be patient for however long it takes . But bottom line the big take away from this experience is that I have talent and I have a future and I have Hope." It was one of the most amazing moments I've ever had with myself. There are about 100 other experiences in my life where I wish I had had a conversation like this. This one was a treasure. Question: When did the author have to move to a poor part of town? Answer:
OPTIONS:
- after they went to court with their publicist
- after taking a walk in a neo classical park close to home
- after producing their second play which was unsuccessful
- not enough information
output: after producing their second play which was unsuccessful

Q: Read the following context and answer the question. Context: Marnie Sleightholme was well chuffed when she got the chance to be carnival queen, and she couldn't give a shit if it was true what folk were saying about her only getting picked because she'd had her right arm ripped off. Ever since the accident, Deborah Bullock had been using twice as much make-up to disguise her rage. Marnie being picked as carnival queen had only made her pile it on even thicker. Deborah Bullock told anyone who would listen how it was a complete piss-take to give the job to a cripple. 'Imagine getting a wedding cake covered in frosty decorations and shit like that, but it's already got a big chunk bitten out of it. Well, that's exactly how it is.' Deborah Bullock had dreamed of being carnival queen since more or less the start of primary school. She used to tear their pictures out of the newspaper and dress up to look like them, and tell Marnie she never could because she was too fat and ugly even to pretend. It was Deborah Bullock's on-off boyfriend who'd been driving the car Marnie had been sitting in when it veered off the road and crashed into a tree halfway down Back South Lane. It was pointless trying to hide the truth. There was only one reason anybody went down Back South Lane at that time of night, and the flashing blue lights illuminated the exact location for the whole town to see. When Marnie came round in a hospital bed, the first face she saw was Deborah Bullock's. She felt an ache in her side and blinked her eyes. The room was bare and cold. There was an empty chair in the corner. Deborah Bullock slapped some cheap flowers down on the bed and leaned in. She smelled of talcum powder and nicotine. 'Do you want the good news or the bad news? The good news is you've finally lost some weight. The bad news is, they've chopped your right arm off. So you're still a fat bitch.' Question: Deborah stayed at the hospital: Answer:

OPTIONS:
- not enough information
- few years
- few weeks
- few days

A:
few days