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In addition to the classical restaurants, Paris has several other kinds of traditional eating places. The cafe arrived in Paris in the 17th century, when the beverage was first brought from Turkey, and by the 18th century Parisian cafes were centres of the city's political and cultural life. The Cafe Procope on the Left Bank dates from this period. In the 20th century, the cafes of the Left Bank, especially Cafe de la Rotonde and Le Dome Cafe in Montparnasse and Cafe de Flore and Les Deux Magots on Boulevard Saint Germain, all still in business, were important meeting places for painters, writers and philosophers. A bistro is a type of eating place loosely defined as a neighbourhood restaurant with a modest decor and prices and a regular clientele and a congenial atmosphere. Its name is said to have come in 1814 from the Russian soldiers who occupied the city; "bistro" means "quickly" in Russian, and they wanted their meals served rapidly so they could get back their encampment. Real bistros are increasingly rare in Paris, due to rising costs, competition from cheaper ethnic restaurants, and different eating habits of Parisian diners. A brasserie originally was a tavern located next to a brewery, which served beer and food at any hour. Beginning with the Paris Exposition of 1867; it became a popular kind of restaurant which featured beer and other beverages served by young women in the national costume associated with the beverage, particular German costumes for beer. Now brasseries, like cafes, serve food and drinks throughout the day.
What type of eating place is defined as a neighborhood restaurant?
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The answer: bistro

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In 1845, the Neapolitan architect Gaetano Genovese installed in the Royal Palace of Caserta the "Flying Chair", an elevator ahead of its time, covered with chestnut wood outside and with maple wood inside. It included a light, two benches and a hand operated signal, and could be activated from the outside, without any effort on the part of the occupants. Traction was controlled by a motor mechanic utilizing a system of toothed wheels. A safety system was designed to take effect if the cords broke. It consisted of a beam pushed outwards by a steel spring.
At what location was the "Flying Chair" installed in 1845?
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The answer: Royal Palace of Caserta

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The existence of the early state of Shu was poorly recorded in the main historical records of China. It was, however, referred to in the Book of Documents as an ally of the Zhou. Accounts of Shu exist mainly as a mixture of mythological stories and historical legends recorded in local annals such as the Chronicles of Huayang compiled in the Jin dynasty (265420), with folk stories such as that of Emperor Duyu () who taught the people agriculture and transformed himself into a cuckoo after his death. The existence of a highly developed civilization with an independent bronze industry in Sichuan eventually came to light with an archaeological discovery in 1986 at a small village named Sanxingdui in Guanghan, Sichuan. This site, believed to be an ancient city of Shu, was initially discovered by a local farmer in 1929 who found jade and stone artefacts. Excavations by archaeologists in the area yielded few significant finds until 1986 when two major sacrificial pits were found with spectacular bronze items as well as artefacts in jade, gold, earthenware, and stone. This and other discoveries in Sichuan contest the conventional historiography that the local culture and technology of Sichuan were undeveloped in comparison to the technologically and culturally "advanced" Yellow River valley of north-central China. The name Shu continues to be used to refer to Sichuan in subsequent periods in Chinese history up to the present day.
When was the site believed to be ancient city of Shu discovered, and by whom?
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The answer: a local farmer in 1929

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Devotions to artistic depictions of Mary vary among Christian traditions. There is a long tradition of Roman Catholic Marian art and no image permeates Catholic art as does the image of Madonna and Child. The icon of the Virgin Theotokos with Christ is without doubt the most venerated icon in the Orthodox Church. Both Roman Catholic and Orthodox Christians venerate images and icons of Mary, given that the Second Council of Nicaea in 787 permitted their veneration with the understanding that those who venerate the image are venerating the reality of the person it represents, and the 842 Synod of Constantinople confirming the same. According to Orthodox piety and traditional practice, however, believers ought to pray before and venerate only flat, two-dimensional icons, and not three-dimensional statues.
In the Orthodox church, what types of icons are allowed to be venerated and prayed before?
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The answer:
flat, two-dimensional icons