In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: it happens every year -- the days get longer , the weather gets warmer and the studios start releasing their big - budget blockbusters .
this year 's crop already seems inferior to that of past summers , even 1997 's lackluster trio of batman & robin , the fifth element and the lost world .
the marketing blitz in 1998 has been centered on godzilla ( " heeere , lee - zerd , lee - zerd . . . " ) , which does n't make me optimistic about future summers .
godzilla is , of course , based on a series of cult movies ( translation : really bad movies only a few people can tolerate ) from japan that turn up really late at night on ted turner - owned cable stations .
that this big - budget remake wo n't rise above its roots is fairly obvious .
the credits show us the origin of godzilla .
in five words : nuclear explosion creates giant lizard .
sounds like an enquirer headline , does n't it ?
the mushroom cloud is followed by the inevitable " discovery " sequence .
this time , a japanese guy is eating noodles with chopsticks while watching sumo wrestling ( if that ai n't a stereotype . . . )
when he discovers the telltale radar blip .
people die .
cut to our protagonist , played by matthew broderick .
he makes his first appearance wearing headphones , warbling along to " singin ' in the rain .
"
it 's a none - too - subtle sign that he wishes he were in a classier movie .
no dice , bueller .
from the beginning , poor matthew has to do embarassing things like fondle giant earthworms and stand in godzilla 's enormous footprint .
every disaster movie has to have a know - it - all scientist , and this time broderick is it .
as the world 's leading expert on radiated earthworms ( and would n't you love to have that printed on your business card ? ) , broderick is invaluable to the government .
he immediately dispels vicki lewis ' theory that godzilla is a dinosaur because , hey , you ca n't take seriously the intellectual arguments of " newsradio " cast members .
broderick instead hits the nail on the head , announcing godzilla is a radiated lizard .
"
the radiation is n't an anamoly , " he announces , and lightning strikes .
"
i believe this is a mutated abberation , " he continues , and lightning strikes again .
it 's vocabulary lightning , you see ,
activated by words of four syllables or more .
meanwhile , we 're introduced to our new york cast , headed by an ambitious broadcast journalist ( maria patillo ) , broderick 's former love .
gee , what are the odds their paths will cross again at a dramatically important time ?
poor patillo has been trying to get ahead in the news business for years but has been held down by heartless anchorman harry shearer .
italian cameraman hank azaria tells her she 's not ruthless enough : " nice does n't get you anywhere in this town .
it 's dog eat dog .
"
actually , it 's lizard eat city , as godzilla emerges from the atlantic to begin a rampage on the big apple 's core .
the filmmakers provide us with a one - note drunk fisherman who hooks godzilla .
"
i think i 've got a bite , " he announces as a gigantic tidal wave begins rushing toward him .
you can guess what happens next .
similar reactions spring forth as the monster prowls the city .
hearing the rumble of approaching footsteps , one new yorker remarks , " please do n't tell me that 's another parade .
" please do n't tell me that 's the best line you could come up with .
mayor ebert is not pleased . played by the principal from " head of the class , " he continually makes the wrong decision when given an option , and bickers with his assistant gene .
i guess the filmmakers knew they 'd be getting two thumbs down from the critics and did n't even bother to kiss ass .
the problem is , if you 're going to attack siskel and ebert , you should at least make it funny .
dialogue like , " did n't we agree that we were n't going to have any sweets until after the election ?
" followed by , " back off , gene , " just does n't work for me .
other lame running jokes include everyone mispronouncing the broderick character 's last name and frenchman jean reno 's inability to find a good cup of coffee in new york .
there 's even more fun to be had as godzilla progresses .
as the beast heads back into hiding , broderick suggests the military lure it out with food .
cue twelve dump trucks , all dropping fish into a new york intersection .
( broderick :
that 's a lot of fish . )
that ambush fails , but broderick soon figures out why godzilla came to new york by buying $ 50 worth of home pregnancy tests and running lizard blood through them .
yep , godzilla 's with children , which makes you wonder just what kind of creature would be horny enough to have sex with godzilla .
that 's until broderick explains that godzilla reproduces asexually , like linda tripp .
godzilla comes to us from the makers of independence day , so
it has a lot of dumb action scenes , destructive special effects and shallow subplots .
look no further than patillo 's betrayal of broderick
( patillo : what have i done , animal ?
what have i become ? ) and the climactic " godzilla 's nest " sequence in madison square garden .
the main difference is , independence day was about the experience .
it had a real global , patriotic element to it , and some genuinely fun characters .
godzilla has lots of rain and lightning , reptilian action ripped off from jurassic park and endless product placement from the likes of kodak , blockbuster , juicy fruit , swatch , sprint and bumble bee tuna .
yes , bumble bee actually paid to be known as the official tuna of godzilla .
that fact alone is twice as interesting as anything in the movie .

Answer: N

Question: " living out loud , " is the type of motion picture we do n't often see : it is a film about mature , intelligent adults , instead of the usual american film , in which children basically dress up in grown - up clothing and parade around acting like immature seven - year - olds .
judith ( holly hunter ) , a fortysomething living in new york city , has been having a difficult time with life lately .
she is extremely depressed about her recent divorce to her husband ( martin donovan ) , who had been cheating on her .
she can not sleep , haunted by terrible memories , often imagines off - the - wall things to try and make the world seem like a better place , and
the only place she can really go to feel happy is to hear one of her favorite singers , liz bailey ( queen latifah ) , perform at a local club .
judith 's life does start to brighten a little when , one night when she gets home to her apartment late , strikes up a conversation with the elevator operator , pat ( danny devito ) , a lonely man in his fifties whom has lost his daughter recently .
both of them create a sort of emotional connection with each other , seeking comfort with the other person , but while pat starts to form a deep love for her , judith only wants to remain friends . " living out loud , " which was written by richard lagravenese ( " the bridges of madison county " ) , who is also making his directing debut here , is a wonderful film from beginning to end , one that is honest , genuinely funny , and poignant .
the three central characters , that of judith , pat , and liz , are all written to be free - thinking , complex human beings , and are all likable , but flawed , people who are constantly interesting , as is the film itself .
one highly original element of the film is that judith occasionally imagines things occuring in her mind in the way she wishes they would happen .
sometimes it results in comedy , and sometimes it turns out to be subtle and truly touching .
one sequence that stands out is when judith is at a restaurant by herself , reading a novel .
an older woman comes over to her , mentions that that is a great book she is reading , and then goes over to join her own friends .
as the woman sits down , she looks over to see judith by herself , and motions for her to come join them .
instantly , we realize this was simply in judith 's mind , as we see the same woman just sit down at the table and begin talking to her friends .
holly hunter and danny devito
both give the performances of their careers here .
hunter , of course , was brilliant in 1993 's " the piano , " for which she won an academy award , but in this film she is even better
, i think .
she finds the right note for each scene and holds it . and devito has never had such a humanistic role before , which i was surprised about
.
usually he is used as the butt of a joke , or as a caricature , but in this film , has a living - and - breathing , sympathetic person to play .
topping it all off is latifah , also a singer , who is quickly turning into a respectable actress herself , and has a juicy , natural supporting role
as , in some ways , judith 's role model .
another joy of the film is that it does not somehow form a contrived , " happy " ending , but , in staying with its realistic tone , manages to be upbeat , but truthful .
the last shot is an especially powerful image .
nothing is said , but just the image of someone walking down a sidewalk says it all .
the relationship that results between judith and pat is true - to - life and sincere .
as we watch these two people talk , and get to know each other , all that we wish for them both is to be happy , even if that does not include for them to become romantically involved .
and as , " living out loud , " which is one of the best films of the year , proves ,
sometimes a friendship is the strongest bond anyone could possibly ask for .

Answer: P

Question: best remembered for his understated performance as dr .
hannibal lecter in michael mann 's forensics thriller , manhunter , scottish character actor brian cox brings something special to every movie he works on .
usually playing a bit role in some studio schlock ( he dies halfway through the long kiss goodnight ) , he 's only occasionally given something meaty and substantial to do .
if you want to see some brilliant acting , check out his work as a dogged police inspector opposite frances mcdormand in ken loach 's hidden agenda .
cox plays the role of big john harrigan in the disturbing new indie flick l .
i .
e . , which lot 47 picked up at sundance when other distributors were scared to budge .
big john feels the love that dares not speak its name , but he expresses it through seeking out adolescents and bringing them back to his pad .
what bothered some audience members was the presentation of big john in an oddly empathetic light .
he 's an even - tempered , funny , robust old man who actually listens to the kids ' problems ( as opposed to their parents and friends , both caught up in the high - wire act of their own confused lives . )
he 'll have sex - for - pay with them only after an elaborate courtship , charming them with temptations from the grown - up world .
l .
i .
e . stands for long island expressway , which slices through the strip malls and middle - class homes of suburbia .
filmmaker michael cuesta uses it as a ( pretty transparent ) metaphor of dangerous escape for his 15-year old protagonist , howie ( paul franklin dano ) .
in his opening voice - over , howie reveals a morbid preoccupation with death on the road , citing the l .
i .
e .
highway deaths of filmmaker alan
j .
pakula , songwriter harry chapin , and his own mother on exit 52 .
he 's both fascinated and disturbed by the l .
i .
e . , and those feelings are projected onto big john ( who follows howie around in his bright red car , but never makes a move to force the boy to do something he does n't want to do .
this makes him much more complex than the usual child molesters seen in movies -- he 's a beast , but ashamed of it . )
l .
i .
e . would have worked best as a half - hour short film about howie 's ill - advised foray into big john 's haven .
there is unnecessary padding with howie 's miserable dad ( bruce altman ) in the hot seat for a white - collar crime , degenerate youngsters who get their kicks from robbing middle - class houses , and some homoerotic shenanigans with wise - ass gary terrio ( billy kay ) , a handsome artful dodger . rather than add to the themes of suburban ennui ( not that we needed another movie on that subject ) , these awkward subplots pad out the running time to adequate feature length .
concurrently , the relationship between howie and big john is evenly paced and exceptionally well acted .
cox , sporting a baseball cap and a faded marine tattoo , is all bluff and bluster .
dano is quiet and at first glance seems so withdrawn as to be transparent .
we 're so used to child actors whose dramatic choices are broad and obvious ( calling haley joel ! ) , it 's surprising to see one who actually listens throughout any given scene .
the restraint is admirable .
but l . i .
e . 's
screenplay does n't always give them the best material .
when howie reads big john a walt whitman poem , the moment feels a bit too precious .
director michael cuesta lingers on an ecstatic reaction shot of big john , who may as well be hearing glenn gould performing bach 's goldberg variations .
it 's too much .
there are also some obvious dramatic contrivances involving big john 's other boy toy ( walter masterson ) , jealous over the newbie .
this plot thread predictably leads to violence .
not content to be a haunting , observational portrait of teen alienation in a royally screwed up world ( like terry zwigoff 's superb ghost world ) , cuesta lacks the confidence in his own work to end on an ambivalent note .
it 's typical of unimaginative cinema to wrap things up with a bullet , sparing the writers from actually having to come up with a complex , philosophical note .
in this regard
, l . i .
e .
( and countless other indie films ) share something in common with blockbuster action films : problems are solved when the obstacle is removed .
how often does real life work this way ? to extend the question : if a movie is striving for realism , do dramatic contrivances destroy the illusion ?

Answer:
N