In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

Ex Input:
Passage: Stalybridge is a town in the Metropolitan Borough of Tameside in Greater Manchester, England. It lies on the course of the River Tame and the Huddersfield canal, on undulating land in the foothills of the Pennines. Historically a part of Cheshire, it is east of Manchester city centre and northwest of Glossop. The road from Oldham, to the pennine passes: the Snake pass and Woodhead, bridges the river at this point. Stalybridge was the junction of three early railway companies. The Ashton, Stalybridge and Liverpool Junction Railway Company was formed on 19 July 1844 and the railway was connected to Stalybridge on 5 October 1846. On 9 July 1847 the company was acquired by the Lancashire and Yorkshire Railway. On 1 August 1849 the Manchester, Stockport and Leeds Railway connected Stalybridge to Huddersfield and later to Stockport. This line later became part of the London and North Western Railway.
Link Information: The London and North Western Railway (LNWR, L&NWR) was a British railway company between 1846 and 1922. Answer: 1846

Ex Output:
What year was the London and North Western Railway founded?

Ex Input:
Passage: Born in 1954, Brammer was educated at the Alpha Boys School. After initially working under the name Prince Glen, he began working under the stage name Trinity, taken from the spaghetti western character. After working as a deejay on several Kingston sound systems, he made his debut recording in March 1976 with "Set Up Yourself" for producer Joseph Hoo Kim. "Words of The Prophet" followed for Yabby You, who also produced his debut album, Shanty Town Determination. Late in 1976, he joined up with Dillinger for the "Crank Face" single, and the Clash album, produced by UK-based producer Clement Bushay. 1977 saw the deejay in great demand, recording more than 20 singles for a variety of producers, including Winston Riley, Tommy Cowan, Joe Gibbs, and Yabby You, his biggest hit coming with "Three Piece Suit" for Gibbs, featuring Trinity toasting over a new version of Alton Ellis's "I'm Still In Love With You" rhythm, with a lyric that anticipated the move from 'cultural' lyrics to more material/carnal concerns of the dancehall era. This prompted an answer record from Althea & Donna using the same rhythm, in the form of the UK-chart topping "Uptown Top Ranking". Trinity recorded "Slim Thing" in response, but failed to match Althea & Donna's success. 1977 also saw the release of the Uptown Girl album, produced by Bunny Lee, and strong albums in 1978 in the form of Three Piece Chicken and Chips (with Ranking Trevor) and Showcase. In 1978, Trinity also performed at the One Love Peace Concert in Kingston. In the later 1970s, Trinity began producing both himself and other artists, starting his own Flag Man label. In 1979, he recorded the duet "Funny Feeling" with Dennis Brown, and joined up with Barrington Levy for "Lose Respect" and "I Need a Girl" in 1979 and 1980 respectively. Subsequent albums met with diminishing commercial success, and Trinity switched from deejaying to singing, releasing the albums Telephone Line and Hold Your Corner in 1987 under the name Junior Brammer.
Link Information: In 1972, impressed by the rootsy style of producer Bunny Lee, Joseph decided to set up the Channel One Studios Answer: 4

Ex Output:
How long had Joseph Hoo Kim been a producer when he collaborated with Trinity?

Ex Input:
Passage: From the mid-1970s, DJs in early discotheques were performing similar tricks with disco songs (using loops and tape edits) to get dancers on the floor and keep them there. One noteworthy figure was Tom Moulton who invented the dance remix as we now know it. Though not a DJ (a popular misconception), Moulton had begun his career by making a homemade mix tape for a Fire Island dance club in the late 1960s. His tapes eventually became popular and he came to the attention of the music industry in New York City. At first Moulton was simply called upon to improve the aesthetics of dance-oriented recordings before release ("I didn't do the remix, I did the mix"Tom Moulton). Eventually, he moved from being a "fix it" man on pop records to specializing in remixes for the dance floor. Along the way, he invented the breakdown section and the 12-inch single vinyl format. Walter Gibbons provided the dance version of the first commercial 12-inch single ("Ten Percent", by Double Exposure). Contrary to popular belief, Gibbons did not mix the record. In fact his version was a re-edit of the original mix. Moulton, Gibbons and their contemporaries (Jim Burgess, Tee Scott, and later Larry Levan and Shep Pettibone) at Salsoul Records proved to be the most influential group of remixers for the disco era. The Salsoul catalog is seen (especially in the UK and Europe) as being the "canon" for the disco mixer's art form. Pettibone is among a very small number of remixers whose work successfully transitioned from the disco to the House era. (He is certainly the most high-profile remixer to do so.) His contemporaries included Arthur Baker and Francois Kevorkian.
Link Information: April 2, 1954 Answer: 22

Ex Output:
How old was Walter Gibbons when he provided the dance re-edit of the first commercial 12-inch single?