Question:
Mary Christine Brockert (March 5, 1956 - December 26, 2010), better known by her stage name Teena Marie, was an American singer-songwriter, and producer. She was known by her childhood nickname Tina before taking the stage name Teena Marie and later acquired the nickname Lady Tee (sometimes spelled Lady T), given to her by her collaborator and friend, Rick James. She was known for her distinctive soulful vocals, which caused many listeners to believe she was African-American. Her success in R&B and soul music, and loyalty to these genres would earn her the title Ivory Queen of Soul.
Mary Christine, or Tina as she was called, was the daughter of construction worker Thomas Leslie Brockert and his wife, home renovator Mary Anne. She spent her early childhood in Mission Hills, Calif. Her ethnic heritage was Portuguese, Italian, Irish, and American Indian. In 2005, while visiting Louisiana, she had discovered that her paternal ancestors once lived in New Orleans. She took to singing naturally, performing Harry Belafonte's Banana Boat Song by age two. She also developed a fondness for singing Motown songs, and her self-professed "gift from God" would become fine-tuned as the years progressed. When she was eight years old, her parents began sending Tina on auditions which, among other things, netted her an acting role on The Beverly Hillbillies, credited as Tina Marie Brockert. She also sang at the wedding of Jerry Lewis' son when she was 10 years old. Reared in a Roman Catholic household, she learned to play the piano under the tutelage of two nuns, and later taught herself the guitar, bass, and congas. She would go on to form a semi-professional R&B band with her younger brother Anthony and their cousin. In the early 1970s, after the family moved to Venice, Los Angeles, Brockert spent her adolescent years in the historically black Venice enclave of Oakwood, nicknamed "Venice Harlem". There, she would acquire a strong spiritual influence from neighborhood matriarch Berthalynn Jackson, a black woman who would become her godmother. While attending Venice High School, Brockert joined the Summer Dance Production and was the female lead in the school's production of The Music Man. She also fronted a local Venice rock band "Truvair" in 1974-1975; the band's members were her high school classmates. Following graduation, Brockert juggled auditioning for various record companies with studying English Literature at Santa Monica College. She credited her love of reading with helping her to write lyrics.
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When did she leave Mission Hills?

Answer:
In the early 1970s, after the family moved to Venice, Los Angeles,

input: Johnson and Larry Bird were first linked as rivals after Johnson's Michigan State squad defeated Bird's Indiana State team in the 1979 NCAA finals. The rivalry continued in the NBA, and reached its climax when Boston and Los Angeles met in three out of four NBA Finals from 1984 to 1987. Johnson asserted that for him, the 82-game regular season was composed of 80 normal games, and two Lakers-Celtics games. Similarly, Bird admitted that Johnson's daily box score was the first thing he checked in the morning. Several journalists hypothesized that the Johnson-Bird rivalry was so appealing because it represented many other contrasts, such as the clash between the Lakers and Celtics, between Hollywood flashiness ("Showtime") and Boston/Indiana blue collar grit ("Celtic Pride"), and between blacks and whites. The rivalry was also significant because it drew national attention to the faltering NBA. Prior to Johnson and Bird's arrival, the NBA had gone through a decade of declining interest and low TV ratings. With the two future Hall of Famers, the league won a whole generation of new fans, drawing both traditionalist adherents of Bird's dirt court Indiana game and those appreciative of Johnson's public park flair. According to sports journalist Larry Schwartz of ESPN, Johnson and Bird saved the NBA from bankruptcy. Despite their on-court rivalry, Johnson and Bird became close friends during the filming of a 1984 Converse shoe advertisement that depicted them as enemies. Johnson appeared at Bird's retirement ceremony in 1992, and described Bird as a "friend forever"; during Johnson's Hall of Fame ceremony, Bird formally inducted his old rival. In 2009, Johnson and Bird collaborated with journalist Jackie MacMullan on a non-fiction book titled When the Game Was Ours. The book detailed their on-court rivalry and friendship with one another.

Answer this question "What did the media say?"
output: With the two future Hall of Famers, the league won a whole generation of new fans, drawing both traditionalist adherents of Bird's dirt court Indiana game

Answer the question at the end by quoting:

The Stylistics are a Philadelphia soul group that achieved its greatest chart success in the 1970s. They formed in 1968, consisting of singers Russell Thompkins Jr., Herb Murrell, Airrion Love, James Smith, and James Dunn. All of their US hits were ballads characterized by the falsetto of Russell Thompkins Jr. and the production of Thom Bell. During the early 1970s, the group had twelve consecutive R&B top ten hits, including "Stop, Look, Listen", "
After signing to Avco, the record label approached producer Thom Bell, who had already produced a catalogue of hits for The Delfonics, to work with the group. The Stylistics auditioned for Bell, but he was initially unimpressed. He ultimately agreed to produce the group because he believed in the potential of lead singer, Russell Thompkins, Jr.'s distinctive, nasal high tenor & falsetto voice. Avco gave Bell complete creative control over the Stylistics and he proceeded to focus the group's sound exclusively around Thompkins's voice. On most of the group hits, Bell would have Thompkins sing virtually solo. The first song recorded with Bell and his collaborator, lyricist Linda Creed, was the lush "Stop, Look, Listen". Bell imported techniques he had perfected with The Delfonics and his musical arrangements worked perfectly with Thompkins' falsetto vocals. Their hits from this period --distilled from three albums-- included "Betcha by Golly, Wow" (U.S. #3), "I'm Stone in Love with You", "Break Up to Make Up" (U.S. #5), "You Make Me Feel Brand New" featuring Thompkins singing a rare lead vocal duet with Airrion Love, the aforementioned "Stop, Look, Listen", "You Are Everything", and the Top 20 Pop hit "Rockin' Roll Baby" (U.S. #14). "You Make Me Feel Brand New" was the group's biggest U.S. hit, holding at No. 2 for two weeks just as the spring of 1974 turned to summer, and was one of the group's five U.S. gold singles. The Stylistics' smooth sound also found an easier path on to adult contemporary airwaves than many other soul artists and the group made Billboard magazine's Easy Listening singles chart twelve times from 1971 to 1976, with three entries ("Betcha by Golly, Wow", "You Make Me Feel Brand New", and "You'll Never Get to Heaven (If You Break My Heart)") reaching the Top 10. Every single that Bell produced for the Stylistics was a Top Ten R&B hit, and several--"You Are Everything", "Betcha by Golly Wow!", "I'm Stone in Love with You", "Break Up to Make Up", and "You Make Me Feel Brand New"--were also Top Ten pop chart hits. The group also enjoyed commercial success with big hits with this material throughout Europe.

what happened during the Bell/Creed years?
The first song recorded with Bell and his collaborator, lyricist Linda Creed, was the lush "Stop, Look, Listen".