In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Science Fiction Adventures was an American digest-size science fiction magazine, published from 1956 to 1958 by Royal Publications as a companion to "Infinity Science Fiction", which had been launched the previous year. It was edited by Larry T. Shaw throughout its short run. "Science Fiction Adventures" focused on longer fiction than appeared in "Infinity"; these were often labelled as novels, though they were rarely longer than 20,000 words. Shaw declared in his first editorial that he wanted to bring back a "sense of wonder", and he printed straightforward action adventure stories. Robert Silverberg was a prolific contributor, under his own name and under the pseudonym "Calvin M. Knox", and he also collaborated with Randall Garrett, under the name "Robert Randall", on a story in the first issue. Other well-known writers occasionally appeared, including Cyril M. Kornbluth, Algis Budrys, and Harry Harrison. The magazine was cancelled because of disappointing sales; the final issue was dated June 1958. Context_2 : Science Fiction Adventures was a British digest-size science fiction magazine, published from 1958 to 1963 by Nova Publications as a companion to "New Worlds" and "Science Fantasy". It was edited by John Carnell. "Science Fiction Adventures" began as a reprint of the American magazine of the same name, "Science Fiction Adventures", but after only three issues the American version ceased publication. Instead of closing down the British version, which had growing circulation, Nova decided to continue publishing it with new material. The fifth issue was the last which contained stories reprinted from the American magazine, though Carnell did occasionally reprint stories thereafter from other sources. Context_3 : Frank Kelly Freas (August 27, 1922 January 2, 2005) was an American science fiction and fantasy artist with a career spanning more than 50 years. He was known as the "Dean of Science Fiction Artists" and he was the second artist inducted by the Science Fiction Hall of Fame. Context_4 : Final Blackout is a dystopic science fiction novel by author L. Ron Hubbard. The novel is set in the future and follows a man known as "the Lieutenant" as he restores order to England after a world war. First published in serialized format in 1940 in the science fiction magazine "Astounding Science Fiction", "Final Blackout" was published in book form in 1948 by The Hadley Publishing Co.. Author Services Inc. published a hardcover edition of the book in 1988, and in 1989 the Church of Scientology-affiliated organization Bridge Publications said that a film director named Christopher Cain had signed a contract to write and direct a movie version based on the book. Context_5 : Science Fiction Quarterly was an American pulp science fiction magazine that was published from 1940 to 1943 and again from 1951 to 1958. Charles Hornig served as editor for the first two issues; Robert A. W. Lowndes edited the remainder. "Science Fiction Quarterly" was launched by publisher Louis Silberkleit during a boom in science fiction magazines at the end of the 1930s. Silberkleit launched two other science fiction titles ("Science Fiction" and "Future Fiction) "at about the same time: all three ceased publication before the end of World War II, falling prey to slow sales and paper shortages. In 1950 and 1951, as the market improved, Silberkleit relaunched "Future Fiction" and "Science Fiction Quarterly". By the time "Science Fiction Quarterly" ceased publication in 1958, it was the last surviving science fiction pulp. Context_6 : Vargo Statten Science Fiction Magazine (later Vargo Statten British Science Fiction Magazine, The British Science Fiction Magazine and The British Space Fiction Magazine) was a British science fiction magazine which published nineteen issues between 1954 and 1956. It was initially published by Scion Press, with control passing to a successor company, Scion Distributors, after Scion went bankrupt in early 1954. At the end of 1954, as part payment for a debt, Scion Distributors handed control of the magazine to Dragon Press, who continued it for another twelve issues. E.C. Tubb and John Russell Fearn were regular contributors, and Kenneth Bulmer also published several stories in the magazine. Barrington Bayley's first published story, "Combat's End", appeared in May 1954. The editor was initially Alistair Paterson, but after seven issues Fearn took the helm: "Vargo Statten" was one of Fearn's aliases, and the magazine's title had been chosen because of his popularity. Neither Paterson nor Fearn had enough of a budget to attract good quality submissions, and a printing strike in 1956 brought an end to the magazine's life. Context_7 : Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. Ten issues were published of the 1950s version, with another six in the second run. It was founded in both instances as a companion to "The Magazine of Fantasy & Science Fiction"; Robert P. Mills edited the 1950s version, and Edward L. Ferman was editor during the second run. A British edition appeared for 28 issues between 1963 and 1965; it reprinted material from "The Magazine of Fantasy & Science Fiction" as well as from the US edition of "Venture". There was also an Australian edition, which was identical to the British version but dated two months later. Context_8 : The Hugo Awards are presented every year by the World Science Fiction Society for the best science fiction or fantasy works and achievements of the previous year. The award is named after Hugo Gernsback, the founder of the pioneering science fiction magazine "Amazing Stories", and was once officially known as the Science Fiction Achievement Award. The award has been described as "a fine showcase for speculative fiction" and "the best known literary award for science fiction writing". The Hugo Award for Best Fan Artist is given each year for artists of works related to science fiction or fantasy which appeared in low- or non-paying publications such as semiprozines or fanzines. A Hugo Award for professional artists is also given. The fan award was first presented in 1967 and has been awarded annually. Beginning in 1996, Retrospective Hugo Awards, or "Retro Hugos", have been available to be awarded for years 50, 75, or 100 years prior in which no awards were given. To date, Retro Hugo awards have been awarded for 1939, 1941, 1946, 1951, and 1954, although the 1939, 1941, and 1954 Retro Hugos received insufficient nominations for the Fan Artist Hugo to make the ballot. Context_9 : Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980. It was founded by a French-Italian company, World Editions by Cino Del Duca, which was looking to break into the American market. World Editions hired as editor H. L. Gold, who rapidly made "Galaxy" the leading science fiction (sf) magazine of its time, focusing on stories about social issues rather than technology. Context_10 : Science Fiction Adventures was an American digest-size science fiction magazine, published from 1952 to 1954 by Science Fiction Publications. It was edited by Lester del Rey, under the pseudonym "Philip St. John", and was targeted at a younger audience than its companion magazine, "Space Science Fiction". Contributors included Algis Budrys, Raymond Z. Gallun, Robert Sheckley, and del Rey himself, who published his novel "Police Your Planet" under the pseudonym "Erik van Lhin". Damon Knight contributed a book review column beginning with the fifth issue. Cyril M. Kornbluth's novel "The Syndic" was serialized in 1954. Artwork was provided by H.R. van Dongen, Kelly Freas, and Paul Orban, among others. fact_1 : Science Fiction Adventures was an American digest-size science fiction magazine, published from 1952 to 1954 by Science Fiction Publications. fact_2 : Artwork was provided by H.R. van Dongen, Kelly Freas, and Paul Orban, among others. fact_3 : He was known as the "Dean of Science Fiction Artists" and he was the second artist inducted by the Science Fiction Hall of Fame. Question: What digest-size science fiction magazine did the man known as the "Dean of Science Fiction Artists" provide artwork for?
Solution:
Science Fiction Adventures