Q: Question: "Which of the following is not a characteristic of the Lombardi mandolin: wider, double steel strings, or shallower back?" Context: "Samuel Adelstein described the Lombardi mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. The Lombardi was tuned C, D, A, E, B, G. The strings were fastened to the bridge like a guitar's. There were 20 frets, covering three octaves, with an additional 5 notes. When Adelstein wrote, there were no nylon strings, and the gut and single strings "do not vibrate so clearly and sweetly as the double steel string of the Neapolitan."" Answer:
A: double steel string

Q: Question: "The main language spoken on the largest island in the Balearic Islands is?" Context: "In Eastern Catalan (except Majorcan), unstressed vowels reduce to three: /a e / > []; /o u/ > [u]; /i/ remains distinct. There are a few instances of unreduced [e], [o] in some words. Alguerese has lowered [] to [a]." Answer:
A: Catalan

Q: Question: "An art form at the ritual center of the ancient kingdom of the Achaemeids is?" Context: "The earliest examples of visual representations in Iranian history are traced back to the bas-reliefs of Persepolis, c. 500 BC. Persepolis was the ritual center of the ancient kingdom of Achaemenids, and the figures at Persepolis remain bound by the rules of grammar and syntax of visual language. The Iranian visual arts reached a pinnacle by the Sassanid Era. A bas-relief from this period in Taq Bostan depicts a complex hunting scene. Similar works from the period have been found to articulate movements and actions in a highly sophisticated manner. It is even possible to see a progenitor of the cinema close-up in one of these works of art, which shows a wounded wild pig escaping from the hunting ground." Answer:
A: figures

Q: Question: "Which of the following was not used to describe John: avaricious, inflexible or miserly?" Context: "One of John's principal challenges was acquiring the large sums of money needed for his proposed campaigns to reclaim Normandy. The Angevin kings had three main sources of income available to them, namely revenue from their personal lands, or demesne; money raised through their rights as a feudal lord; and revenue from taxation. Revenue from the royal demesne was inflexible and had been diminishing slowly since the Norman conquest. Matters were not helped by Richard's sale of many royal properties in 1189, and taxation played a much smaller role in royal income than in later centuries. English kings had widespread feudal rights which could be used to generate income, including the scutage system, in which feudal military service was avoided by a cash payment to the king. He derived income from fines, court fees and the sale of charters and other privileges. John intensified his efforts to maximise all possible sources of income, to the extent that he has been described as "avaricious, miserly, extortionate and moneyminded". John also used revenue generation as a way of exerting political control over the barons: debts owed to the crown by the king's favoured supporters might be forgiven; collection of those owed by enemies was more stringently enforced." Answer:
A:
inflexible