Context and question: Improvisation once played an important role in classical music. A remnant of this improvisatory tradition in classical music can be heard in the cadenza, a passage found mostly in concertos and solo works, designed to allow skilled performers to exhibit their virtuoso skills on the instrument. Traditionally this was improvised by the performer; however, it is often written for (or occasionally by) the performer beforehand. Improvisation is also an important aspect in authentic performances of operas of Baroque era and of bel canto (especially operas of Vincenzo Bellini), and is best exemplified by the da capo aria, a form by which famous singers typically perform variations of the thematic matter of the aria in the recapitulation section ('B section' / the 'da capo' part). An example is Beverly Sills' complex, albeit pre-written, variation of Da tempeste il legno infranto from Handel's Giulio Cesare.
What once played an important role in classical music?
Answer: Improvisation
Context and question: After the death of Menander (c. 130 BC), the Kingdom appears to have fragmented, with several 'kings' attested contemporaneously in different regions. This inevitably weakened the Greek position, and territory seems to have been lost progressively. Around 70 BC, the western regions of Arachosia and Paropamisadae were lost to tribal invasions, presumably by those tribes responsible for the end of the Bactrian kingdom. The resulting Indo-Scythian kingdom seems to have gradually pushed the remaining Indo-Greek kingdom towards the east. The Indo-Greek kingdom appears to have lingered on in western Punjab until about 10 AD when finally ended by the Indo-Scythians.
What kingdom forced the Indo-Greek kingdom to the east?
Answer: Indo-Scythian
Context and question: In Whitehead's view, then, concepts such as "quality", "matter", and "form" are problematic. These "classical" concepts fail to adequately account for change, and overlook the active and experiential nature of the most basic elements of the world. They are useful abstractions, but are not the world's basic building blocks. What is ordinarily conceived of as a single person, for instance, is philosophically described as a continuum of overlapping events. After all, people change all the time, if only because they have aged by another second and had some further experience. These occasions of experience are logically distinct, but are progressively connected in what Whitehead calls a "society" of events. By assuming that enduring objects are the most real and fundamental things in the universe, materialists have mistaken the abstract for the concrete (what Whitehead calls the "fallacy of misplaced concreteness").
How did Whitehead define the "fallacy of misplaced concreteness"?
Answer:
By assuming that enduring objects are the most real and fundamental things in the universe, materialists have mistaken the abstract for the concrete