Background: Isabella I (Spanish: Isabel, 22 April 1451 - 26 November 1504) reigned as Queen of Castile from 1474 until her death. Her marriage to Ferdinand II of Aragon became the basis for the political unification of Spain under their grandson, Charles I. After a struggle to claim her right to the throne, she reorganized the governmental system, brought the crime rate to the lowest it had been in years, and unburdened the kingdom of the enormous debt her brother had left behind.
Context: Isabella received the title of Catholic Monarch by Pope Alexander VI, a pope of whose behavior and involvement in matters Isabella did not approve. Along with the physical unification of Spain, Isabella and Ferdinand embarked on a process of spiritual unification, trying to bring the country under one faith (Roman Catholicism). As part of this process, the Inquisition became institutionalised. After a Muslim uprising in 1499, and further troubles thereafter, the Treaty of Granada was broken in 1502, and Muslims were ordered to either become Christians or to leave. Isabella's confessor, Cisneros, was named Archbishop of Toledo. He was instrumental in a program of rehabilitation of the religious institutions of Spain, laying the groundwork for the later Counter-Reformation. As Chancellor, he exerted more and more power. Isabella and her husband had created an empire and in later years were consumed with administration and politics; they were concerned with the succession and worked to link the Spanish crown to the other rulers in Europe. By early 1497, all the pieces seemed to be in place: The son and heir John, Prince of Asturias, married a Habsburg princess, Margaret of Austria, establishing the connection to the Habsburgs. The eldest daughter, Isabella of Aragon, married King Manuel I of Portugal, and the younger daughter, Joanna of Castile, was married to a Habsburg prince, Philip I of Habsburg. However, Isabella's plans for her eldest two children did not work out. Her only son, John of Asturias, died shortly after his marriage. Her daughter Isabella of Aragon, whose son Miguel da Paz died at the age of two, died in childbirth. Queen Isabella I's crowns passed to her third child Joanna and her son-in-law, Philip I. Isabella did, however, make successful dynastic matches for her three youngest daughters. The death of Isabella of Aragon created a necessity for Manuel I of Portugal to remarry, and Isabella's third daughter, Maria of Aragon, became his next bride. Isabella's youngest daughter, Catherine of Aragon, married England's Arthur, Prince of Wales, but his early death resulted in her being married to his younger brother, King Henry VIII of England. Isabella officially withdrew from governmental affairs on September 14, 1504 and she died that same year on 26 November at the Medina del Campo Royal Palace. It is said that she had truly already been in decline since the death of her son Prince John of Asturias in 1497. She is entombed in Granada in the Capilla Real, which was built by her grandson, Charles V, Holy Roman Emperor (Carlos I of Spain), alongside her husband Ferdinand, her daughter Joanna and Joanna's husband Philip I; and Isabella's 2-year-old grandson, Miguel da Paz (the son of Isabella's daughter, also named Isabella, and King Manuel I of Portugal). The museum next to the Capilla Real holds her crown and scepter.
Question: Why were they concerned with the succession?
Answer: Isabella and her husband had created an empire and in later years were consumed with administration and politics;

Problem: Background: Dunham was born in New York City. Her father, Carroll Dunham, is a painter, and her mother, Laurie Simmons, is an artist and photographer, and a member of The Pictures Generation, known for her use of dolls and dollhouse furniture in her photographs of setup interior scenes. Her father is Protestant and of mostly English ancestry, and her mother is Jewish; Dunham has described herself as feeling "very culturally Jewish, although that's the biggest cliche for a Jewish woman to say." The Dunham family are cousins of the Tiffany family, prominent in the jewelry trade.
Context: Upon release, Girls was met with criticism regarding the all-white main cast in the otherwise culturally diverse setting of New York City (the only black actors in the pilot were a homeless man and a taxi driver, and the only Asian actress had the sole trait of being good at Photoshop). Agreeing that there is a lack of racial diversity on Girls, a comment from The Huffington Post argued that the issue is the industry as a whole. Lesley Arfin, a writer for the show, responded sarcastically to the controversy with the tweeted comment about a movie that highlights an African-American girl's rise from incestuous sexual abuse while living in Harlem: "What really bothered me most about Precious was that there was no representation of ME." Arfin later deleted the comment following criticism on social media claiming her tweet was racist. Dunham spoke publicly about the issues on several occasions. In an interview with IndieWire, she said: I am a half-Jew, half-WASP, and I wrote two Jews and two WASPs. Something I wanted to avoid was tokenism in casting. If I had one of the four girls, if, for example, she was African-American, I feel like -- not that the experience of an African-American girl and a white girl are drastically different, but there has to be specificity to that experience [that] I wasn't able to speak to. I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me. And only later did I realize that it was four white girls. As much as I can say it was an accident, it was only later as the criticism came out, I thought, 'I hear this and I want to respond to it.' And this is a hard issue to speak to because all I want to do is sound sensitive and not say anything that will horrify anyone or make them feel more isolated, but I did write something that was super-specific to my experience, and I always want to avoid rendering an experience I can't speak to accurately. Donald Glover guest starred as Sandy, a black Republican and Hannah's love interest, in the first two episodes of season two, which was criticized as tokenism in response to the initial backlash from the first season.
Question: How did she respond to that?
Answer:
I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me.