Found the following article online, use it to answer the question: What organization collaborated with the artist's heirs to create a foundation to preserve the work of the man who created a Soviet propaganda poster in 1941? Lazar Markovich Lissitzky (Russian: , listen ; November 23 [O.S. November 11] 1890 December 30, 1941), known as El Lissitzky (Russian: , Yiddish: ), was a Russian artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. His work greatly influenced the Bauhaus and constructivist movements, and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design.Lissitzky's entire career was laced with the belief that the artist could be an agent for change, later summarized with his edict, "das zielbewute Schaffen" (goal-oriented creation). Lissitzky, of Lithuanian Jewish rigin, began his career illustrating Yiddish children's books in an effort to promote Jewish culture in Russia. When only 15 he started teaching, a duty he would maintain for most of his life. Over the years, he taught in a variety of positions, schools, and artistic media, spreading and exchanging ideas. He took this ethic with him when he worked with Malevich in heading the suprematist art group UNOVIS, when he developed a variant suprematist series of his own, Proun, and further still in 1921, when he took up a job as the Russian cultural ambassador to Weimar Germany, working with and influencing important figures of the Bauhaus and De Stijl movements during his stay. In his remaining years he brought significant innovation and change to typography, exhibition design, photomontage, and book design, producing critically respected works and winning international acclaim for his exhibition design. This continued until his deathbed, where in 1941 he produced one of his last works a Soviet propaganda poster rallying the people to construct more tanks for the fight against Nazi Germany. In 2014, the heirs of the artist, in...
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Answer: Van Abbemuseum

Found the following article online, use it to answer the question: What are all of the ways the aircrew were convinced to talk? In 1944, German intelligence strives to find the target of an upcoming raid by the reputed "B-99 bomber". To achieve this end, they interrogate a recently shot-down aircrew from a B-99 reconnaissance mission that was shot down over Italy. The aircrew is sent to Dulag Luft POW camp. The German officers, commanded by Major von Behn use various methods to discover this information, some of them quite subtle. While interviewing Lieutenant Frank L. Williams, Jr. and Captain James Spencer, the two airmen at first resist any probing for information. Other members of the crew include Sergeant Alfred Mason. Though no physical brutality is used, the Germans at one point stage a mock execution to scare a prisoner. Another prisoner is subjected to isolation to heighten his fear. Red Cross officers and a nurse use their positions to extract information from the prisoners. Each airman eventually provides useful information because of their arrogance, fear or naivety. Some of what they say, which the enemy finds useful, seems innocuous but is used by the Germans as pieces to solve the larger puzzle. In the end, the Germans are able to determine the target of the raid and the B-99 bombing mission is intercepted. The intended target is spared heavy damage with 21 B-99s shot down and the loss of 105 aircrew. The U.S. intelligence officer (Lloyd Nolan) in his briefing to the surviving members of the raid, stresses not to talk under any circumstances, concerned that the danger of talking too much, even innocuous conversation can help the enemy. He also states not to let down one's guard, that everything in a prison camp is suspect, and to not try to outwit the enemy.
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Answer: stage a mock execution

Found the following article online, use it to answer the question: What is the name of the man who returns the key to Cabella? Upon receiving a key from her Uncle Max, Cabella travels to Italy where she discovers the key is related to a house named Cabella near a village. While traveling she stops near a waterfall to swim and loses the key, but a mysterious man returns the key. She then travels to the village, finds the house, and uses the key to open it. The next day she goes to the market where the mysterious man works and learns from his cousin Maria that his name is Leo and he is deaf and mute. Maria and Cabella become friends and Maria introduces her sisters Sophia and Giulia. Later that evening Maria tells Cabella that she has a crush on Lord Jai, a rich man from India that attended a boarding school. That night, Cabella has a conversation with a spirit named Angelo and has strange dreams about her mother. The next morning, Cabella finds a basket with goods such as eggs and apples sent by Leo. Maria then takes Cabella to her sister Ambrosia's funeral because she died from a heart attack. That night Angelo visits her and confesses that she must go to the cemetery to learn more information. At the cemetery, she meets Senior Bronzini, who, according to rumors, had a relationship with a nun when he was younger. Cabella decides to leave flowers for Chiara, a woman buried next to Ambrosia who has no flowers.
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Answer:
Leo