Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Aristotle's Poetics (Greek: , Latin: "De Poetica" ; c. 335 BCE) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory in the West. This has been the traditional view for centuries. However, recent work is now challenging whether Aristotle focuses on literary theory per se (given that not one poem exists in the treatise) or whether he focuses instead on dramatic musical theory that only has language as one of the elements. Context_2 : Hatata (Ge'ez: "hatata" "inquiry") is a 1667 ethical philosophical treatise by tigrian born in axum philosopher Zera Yacob, written at the request of his patron's son Walda Heywat. The philosophy is theistic in nature and came during a period when African philosophical literature was significantly oral in character. It has often been compared by scholars to Descartes' "Discours de la methode" (1637). Context_3 : Simulacra and Simulation (French: "Simulacres et Simulation" ) is a 1981 philosophical treatise by Jean Baudrillard, in which he seeks to examine the relationships among reality, symbols, and society. Context_4 : Cicero's De Divinatione (Latin, "Concerning Divination") is a philosophical treatise in two books written in 44BC. It takes the form of a dialogue whose interlocutors are Marcus (speaking mostly in BookII) and his brother Quintus. Context_5 : On Nature is the name of a philosophical treatise written by the Ancient Greek philosopher Epicurus. It was a 37-volume work. While no complete copies exist, substantial fragments have been found among the charred papyrus fragments at the Villa of the Papyri at Herculaneum. Context_6 : On Nature is a philosophical treatise written by Heraclitus. According to Diogenes, it was divided into three discourses; one on the universe, another on politics (and ethics), and one on theology. Theophrastus says (in Diogenes) "...some parts of his work are half-finished, while other parts make a strange medley." Context_7 : Fasl al-Maqal fi ma bayn al-Hikma wa al-Shariah min Ittisal (Arabic: " " often translated as On the Harmony of Religions and Philosophy or The Decisive Treatise, Determining the Nature of the Connection between Religion and Philosophy, with the latter often shortened to The Decisive Treatise) is an Islamic philosophical treatise written by Andalusian Muslim polymath and philosopher Ibn Rushd (Averroes) (11261198), in which the author "critically examine[s] the alleged tension between philosophy and religion" and concludes that philosophy (in particular, Aristotelian philosophy) is not in opposition toand in fact, works in tandem withIslamic thought. In the work, Averroes argues that some Muslims have an obligation to study philosophy, and that the subject should be considered an Islamic science. The work also contains several other unique ideas, including Averroes' assertion that the Qur'an should sometimes be read in a non-literal way. According to William Theodore De Bary and Ainslie Embree, "On the Harmony of Religions and Philosophy" represents a "classic attempt to reconcile religion and philosophy." Context_8 : The Limits Of State Action is a philosophical treatise by Wilhelm von Humboldt, which is a major work of the German Enlightenment and the most significant source for the ideas which John Stuart Mill popularized in his essay "On Liberty". Humboldt defines the criteria by which the permissible limits of the state's activities may be determined. His basic principle, like that of Mill, is that the only justification for government interference is the prevention of harm to others. He discusses in detail the role and limits of the state's responsibility for the welfare, security and morals of its citizens. Context_9 : New Libertarian Manifesto is a libertarian philosophical treatise by Samuel Edward Konkin III. It is the first explanation of agorism, a philosophy created by Konkin. Konkin proffers various arguments of how a free society would function as well as examples of existing gray and black markets. It contains criticisms of using political (i.e. activist or legislative) or violent means and advocates non-politics with non-voting as a strategy. Finally, Konkin describes the steps of using the black market to dismantle the state, a strategy known as counter-economics. Context_10 : The Map and the Territory (French: La carte et le territoire , ] ) is a novel by French author Michel Houellebecq. The narrative revolves around a successful artist, and involves a fictional murder of Houellebecq. It was published on 4 September 2010 by Flammarion and received the Prix Goncourt, the most prestigious French literary prize, in 2010. The title is a direct quote from Jean Baudrillard's text "Simulacra and Simulation", which itself refers to the Jorge Luis Borges short story "On Exactitude in Science". fact_1 : The Map and the Territory (French: La carte et le territoire , ] ) is a novel by French author Michel Houellebecq. fact_2 : The title is a direct quote from Jean Baudrillard's text "Simulacra and Simulation", which itself refers to the Jorge Luis Borges short story "On Exactitude in Science". fact_3 : Simulacra and Simulation (French: "Simulacres et Simulation" ) is a 1981 philosophical treatise by Jean Baudrillard, in which he seeks to examine the relationships among reality, symbols, and society. Question: From what 1981 philosophical treatise did Houellebecq get the name of The Map and the Territory?
Solution:
Simulacra and Simulation