Answer the question at the end by quoting:

Sir Arthur John Evans (8 July 1851 - 11 July 1941) was an English archaeologist and pioneer in the study of Aegean civilization in the Bronze Age. He is most famous for unearthing the palace of Knossos on the Greek island of Crete. Evans continued Heinrich Schliemann's concept of a Mycenaean civilization, but found that he needed to distinguish another civilization, the Minoan, from the structures and artifacts found there and throughout the eastern Mediterranean. Evans was also the first to define Cretan scripts Linear A and Linear B, as well as an earlier pictographic writing.
Arthur matriculated on 9 Jun 1870 and attended Brasenose College, Oxford. His housemaster at Harrow, F. Rendall, had eased the way to his acceptance with the recommendation that he was "a boy of powerful original mind." At Brasenose he chose to read modern history, a new curriculum, which was nearly a disaster, as his main interests were in archaeology and classical studies. His summertime activities with his brothers and friends were perhaps more important to his subsequent career. Having been given an ample allowance by his father, he went looking for adventure on the continent, deliberately seeking out circumstances that might be considered dangerous by some. In June 1871, he and Lewis visited Hallstatt, where his father had excavated in 1866, adding some of the artifacts to his collection. Arthur had made himself familiar with these. Subsequently, they went on to Paris and then to Amiens. The Franco-Prussian War had just concluded the month before. Arthur had been told at the French border to remove the dark cape he was wearing so that he would not be shot for a spy. Amiens was occupied by the Prussian army. Arthur found them prosaic and preoccupied with souvenir-hunting. He and Lewis hunted for stone-age artifacts in the gravel quarries, Arthur remarking that he was glad the Prussians were not interested in flint artifacts. In 1872 he and Norman adventured into Ottoman territory in the Carpathians, already in a state of political tension. They crossed borders illegally at high altitudes, "revolvers at the ready." This was Arthur's first encounter with Turkish people and customs. He bought a complete set of clothes of a wealthy Turkish man, complete with red fez, baggy trousers and embroidered, short-sleeved tunic. His detailed, enthusiastic account was published in Fraser's Magazine for May 1873. In 1873 he and Balfour tramped over Lapland, Finland, and Sweden. Everywhere he went he took copious anthropological notes and made numerous drawings of the people, places and artifacts. During the Christmas holidays of 1873, Evans cataloged a coin collection being bequeathed to Harrow by John Gardner Wilkinson, the father of British Egyptology, who was too ill to work on it himself. The headmaster had suggested "my old pupil, Arthur John Evans - a remarkably able young man."

What did he do in the summer

In June 1871, he and Lewis visited Hallstatt, where his father had excavated in 1866,

Answer the question at the end by quoting:

John Richard Pilger (; born 9 October 1939) is an Australian journalist and documentary film maker mainly based in the United Kingdom since 1962. Pilger has been a strong critic of American, Australian and British foreign policy, which he considers to be driven by an imperialist agenda. Pilger has also criticised his native country's treatment of Indigenous Australians. His career as a documentary film maker began with The Quiet Mutiny (1970), made during one of his visits to Vietnam, and has continued with over fifty documentaries since then.
Pilger's film The Coming War on China premiered in the UK on Thursday 1 December 2016, and was shown on ITV at 10.40pm on Tuesday 6 December and on the Australian public broadcaster SBS on 16 April 2017. In the documentary, according to Pilger, "the evidence and witnesses warn that nuclear war is no longer a shadow, but a contingency. The greatest build-up of American-led military forces since the Second World War is well under way. They are on the western borders of Russia, and in Asia and the Pacific, confronting China. Like the renewal of post-Soviet Russia, the rise of China as an economic power is declared an 'existential threat' to the divine right of the United States to rule and dominate human affairs". "The first third told, and told well, the unforgivable, unconscionable tale of what has overtaken the Marshall Islanders since 1946, when the US first nuked the test site on Bikini Atoll" beginning an extended series of tests, wrote Euan Ferguson in The Observer. "Over the next 12 years they would unleash a total of 42.2 megatons. The islanders, as forensically proved by Pilger, were effectively guinea pigs for [the] effects of radiation". Ferguson wrote that the rest of the film "was a sane, sober, necessary, deeply troubling bucketful of worries". Peter Bradshaw in The Guardian wrote: "This is a gripping film, which though it comes close to excusing China ... does point out China's insecurities and political cruelties". Although admiring the early sequences on the Marshall Islands, Kevin Maher in The Times was more dismissive. "Abandoning any interest in nuance or subtlety", Pilger claims "that American bases in the region are threatening China with a 'giant noose' around its neck". For Pilger, he writes, China is "a brilliant place with just some 'issues with human rights', but let's not go into that now" and his film's "lack of complexity is depressing".

Did Pilger write it
In the documentary, according to Pilger, "the evidence and witnesses warn that nuclear war is no longer a shadow, but a contingency.