Question: Simple Plan is a Canadian rock band from Montreal, Quebec. The band has released five studio albums: No Pads, No Helmets...Just Balls (2002), Still Not Getting Any...

In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record. The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte. In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything". In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date.

Using a quote from the above article, answer the following question: Was it a hit?
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Answer: sell over four million copies worldwide,

Question: George General Grice Jr. was born in Pensacola, Florida on November 28, 1925. His family's strong emphasis on music, manners, and discipline had a tremendous effect on him as a child and into his later career. Grice's parents were of modest means, his mother a seamstress and his father the owner of a small cleaning and pressing service. The family belonged to the African Methodist Episcopal Church and attended services diligently.

After graduating with a degree in composition in 1952, Gryce relocated to New York City, where he would enjoy much success in the mid fifties. In 1953 Max Roach recorded one of Gryce's charts with his septet, and soon after Gryce recorded with Howard McGhee and wrote for Horace Silver's sextet as well. Gryce was influenced by Tadd Dameron, with whom he played in 1953 at the Paradise Club. Gryce had not yet reached his peak as a musician or soloist, but was developing a reputation as a versatile and talented composer and arranger. Later in 1953 Gryce also contributed a tune, "Up in Quincy's Place" to Art Farmer's Prestige recordings. While this recording was rather inconsequential, Farmer would become one of Gryce's closest colleagues. One of the most important connections Gryce made in New York was with Quincy Jones, who encouraged Lionel Hampton to hire Gryce for his band in the summer of 1953. After playing with Hampton's band in the States, Gryce was invited to join the band for their European tour. While the style of the Hampton band was outdated and overly commercialized in Gryce's eyes, the opportunities and connections made on the European tour were largely what propelled Gryce into success as an artist. In Hampton's band, Gryce played with Anthony Ortega, Clifford Solomon (tenor saxophone), Clifford Scott, Oscar Estelle (baritone saxophone), Walter Williams (trumpet), Art Farmer, Clifford Brown, Quincy Jones, Al Hayse, Jimmy Cleveland, George "Buster" Cooper, William "Monk" Montgomery, and Alan Dawson. Gryce became particularly close friends with Clifford Brown, with whom he found much in common. The Hampton tour did not pay well, and Gryce and others frequently sought recording opportunities on the side, particularly in Stockholm and Paris, where Europeans were eager to record touring Americans. There was already some tension in the band between young bebop-influenced musicians and the more established swing musicians (including Hampton himself), and Hampton did not react well when he heard his musicians were recording on the side. The recordings Gryce made with Clifford Brown and others on the tour were often hurried and done on the fly, yet they were instrumental in building his career, particularly as a composer. Notable of these European recordings were "Paris the Beautiful", featuring tonal centers a third apart and a Parker-influenced solo by Gryce; "Brown Skins", a concerto for a large jazz ensemble; "Blue Concept", recorded by the Gryce-Brown sextet; and "Strictly Romantic", which oscillates between A flat and G major. In addition, Henri Renaud recorded an entire album exclusively of Gryce's work, which did a great deal to build his reputation.

Using a quote from the above article, answer the following question: Was he actively in a band?
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Answer: In 1953 Max Roach recorded one of Gryce's charts with his septet, and soon after Gryce recorded with Howard McGhee and wrote

Question: Fred McFeely Rogers (March 20, 1928 - February 27, 2003) was an American television personality, musician, puppeteer, writer, producer, and Presbyterian minister. Rogers was famous for creating, hosting and composing the theme music for the educational preschool television series Mister Rogers' Neighborhood (1968-2001), which featured his kind-hearted grandfatherly personality, and direct connection to his audiences. Originally trained and ordained as a minister, Rogers was displeased with the way television addressed children at the time, and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. Rogers developed his own show on WQED in 1968, and it was distributed nationwide by Eastern Educational Television Network.

Rogers was born in Latrobe, Pennsylvania, 40 miles (65 km) southeast of Pittsburgh, to James and Nancy Rogers; he had one sister, Elaine. Early in life, he spent much of his free time with his maternal grandfather, Fred McFeely, who had an interest in music. He would often sing along as his mother would play the piano, and he himself began playing at five. He obtained a pilot's license while still in high school. Rogers graduated from Latrobe High School (1946). He studied at Dartmouth College (1946-48), then transferred to Rollins College in Winter Park, Florida, where he earned a B.A. in Music Composition in 1951. Rogers was also a trained general aviation pilot. At Rollins, he met Sara Joanne Byrd (born c. 1928), an Oakland, Florida, native; they married on June 9, 1952. They had two sons, James (b. 1959) and John (b. 1961). In 1963, Rogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the United Presbyterian Church in the U.S.A. Rogers had an apartment in New York City and a summer home on Nantucket island in Massachusetts. Rogers was red-green color blind, swam every morning, and neither smoked nor drank. He was a vegetarian on ethical grounds, stating "I don't want to eat anything that has a mother." Despite recurring rumors, he never served in the military. His office at WQED Pittsburgh famously did not have a desk, only a sofa and armchairs, because Rogers thought a desk was "too much of a barrier".

Using a quote from the above article, answer the following question: what did he do instead of serving in the military?
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Answer:
Rogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the United Presbyterian Church in the U.S.A.