Question:
Harriet Tubman (born Araminta Ross, c. 1822 - March 10, 1913) was an American abolitionist. Born into slavery, Tubman escaped and subsequently made some thirteen missions to rescue approximately seventy enslaved people, family and friends, using the network of antislavery activists and safe houses known as the Underground Railroad. She later helped abolitionist John Brown recruit men for his raid on Harpers Ferry.
Tubman was born Araminta "Minty" Ross to slave parents, Harriet ("Rit") Green and Ben Ross. Rit was owned by Mary Pattison Brodess (and later her son Edward). Ben was held by Anthony Thompson, who became Mary's second husband, and who ran a large plantation near Blackwater River in Madison, Maryland. As with many slaves in the United States, neither the exact year nor place of Araminta's birth is known, and historians differ as to the best estimate. Kate Larson records the year as 1822, based on a midwife payment and several other historical documents, including her runaway advertisement, while Jean Humez says "the best current evidence suggests that Tubman was born in 1820, but it might have been a year or two later." Catherine Clinton notes that Tubman reported the year of her birth as 1825, while her death certificate lists 1815 and her gravestone lists 1820. In her Civil War widow's pension records, Tubman claimed she was born in 1820, 1822, and 1825, an indication, perhaps, that she had only a general idea of when she was born. Modesty, Tubman's maternal grandmother, arrived in the United States on a slave ship from Africa; no information is available about her other ancestors. As a child, Tubman was told that she seemed like an Ashanti person due to her character traits, though no evidence exists to confirm this lineage. Her mother Rit (who may have had a white father) was a cook for the Brodess family. Her father Ben was a skilled woodsman who managed the timber work on Thompson's plantation. They married around 1808 and, according to court records, they had nine children together: Linah, Mariah Ritty, Soph, Robert, Minty (Harriet), Ben, Rachel, Henry, and Moses. Rit struggled to keep her family together as slavery threatened to tear it apart. Edward Brodess sold three of her daughters (Linah, Mariah Ritty, and Soph), separating them from the family forever. When a trader from Georgia approached Brodess about buying Rit's youngest son, Moses, she hid him for a month, aided by other slaves and free blacks in the community. At one point she confronted her owner about the sale. Finally, Brodess and "the Georgia man" came toward the slave quarters to seize the child, where Rit told them, "You are after my son; but the first man that comes into my house, I will split his head open." Brodess backed away and abandoned the sale. Tubman's biographers agree that stories told about this event within the family influenced her belief in the possibilities of resistance.
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Did she have any family other than her parents ?

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Gilliam was born in Minneapolis, Minnesota, the son of Beatrice (nee Vance) and James Hall Gilliam. His father was a travelling salesman for Folgers before becoming a carpenter. Soon after, they moved to nearby Medicine Lake, Minnesota. The family moved to the Los Angeles neighbourhood of Panorama City in 1952.
Gilliam was a part of Monty Python's Flying Circus from its outset, credited at first as an animator (his name was listed separately after the other five in the closing credits) and later as a full member. His cartoons linked the show's sketches together and defined the group's visual language in other media (such as LP and book covers and the title sequences of their films). His animations mix his own art, characterised by soft gradients and odd, bulbous shapes, with backgrounds and moving cutouts from antique photographs, mostly from the Victorian era. In 1978, Gilliam published Animations of Mortality, an illustrated, tongue-in-cheek, semi-autobiographical how-to guide to his animation techniques and the visual language in them. Roughly 15 years later, between the release of the CD-ROM game Monty Python's Complete Waste of Time in 1994, which used many of Gilliam's animation templates, and the making of Gilliam's film Fear and Loathing in Las Vegas (1998), Gilliam was in negotiations with Enteractive, a software company, to tentatively release in the autumn of 1996 a CD-ROM under the same title as his 1978 book, containing all of his thousands of 1970s animation templates as license-free clip arts for people to create their own flash animations, but the project hovered in limbo for years, probably because Enteractive was about to downsize greatly in mid-1996 and changed its focus from CD-ROM multimedia presentations to internet business solutions and web hosting in 1997 (in the introduction to their 2004 book Terry Gilliam: Interviews, David Sterrit and Lucille Rhodes claimed that the internet had overwhelmed the "computer-communications market" and gave this as the reason that the Animations of Mortality CD-ROM never materialised). Around the time of Gilliam's film The Imaginarium of Doctor Parnassus (2009), the project had changed into the idea of releasing his 1970s animation templates as a license-free download of Adobe After Effects or similar files. Besides creating the animations, he also appeared in several sketches, though he rarely had main roles and did considerably less acting in the sketches. He did, however, have some notable sketch roles, such as Cardinal Fang of the Spanish Inquisition; the bespectacled commenter who said, "I can't add anything to that!" in the sketch "Election Night Special"; Kevin Garibaldi, the brat on the couch shouting "I want more beans!" in the sketch "Most Awful Family in Britain 1974" (episode 45); the Screaming Queen in a cape and mask in The Visitors; and Percy Bysshe Shelly in Ant Poetry Reading. More frequently, he played parts that no one else wanted to play, generally because they required a lot of makeup or uncomfortable costumes (such as the recurring character of a knight in armour who ended sketches by walking on and hitting one of the other characters over the head with a plucked chicken). He took a number of small roles in the films, including Patsy in Monty Python and the Holy Grail (which he co-directed with Terry Jones; Gilliam was responsible for photography, while Jones guided the actors' performances) and the jailer in Monty Python's Life of Brian. He also designed the covers of most of the Monty Python albums, including Another Monty Python Record, The Monty Python Matching Tie and Handkerchief and Monty Python Live at Drury Lane, and their film soundtrack albums.

What did Terry do in Monty Python?
credited at first as an animator (