Background: Abner Doubleday (June 26, 1819 - January 26, 1893) was a career United States Army officer and Union general in the American Civil War. He fired the first shot in defense of Fort Sumter, the opening battle of the war, and had a pivotal role in the early fighting at the Battle of Gettysburg. Gettysburg was his finest hour, but his relief by Maj. Gen. George G. Meade caused lasting enmity between the two men.
Context: At the start of the Battle of Gettysburg, July 1, 1863, Doubleday's division was the second infantry division on the field to reinforce the cavalry division of Brigadier General John Buford. When his corps commander, Major General John F. Reynolds, was killed very early in the fighting, Doubleday found himself in command of the corps at 10:50 am. His men fought well in the morning, putting up a stout resistance, but as overwhelming Confederate forces massed against them, their line eventually broke and they retreated back through the town of Gettysburg to the relative safety of Cemetery Hill south of town. It was Doubleday's finest performance during the war, five hours leading 9,500 men against ten Confederate brigades that numbered more than 16,000. Seven of those brigades sustained casualties that ranged from 35 to 50 percent, indicating the ferocity of the Union defense. On Cemetery Hill, however, the I Corps could muster only a third of its men as effective for duty, and the corps was essentially destroyed as a combat force for the rest of the battle; it would be decommissioned in March 1864, its surviving units consolidated into other corps. On July 2, 1863, Army of the Potomac commander Maj. Gen. George G. Meade replaced Doubleday with Major General John Newton, a more junior officer from another corps. The ostensible reason was a false report by XI Corps commander Major General Oliver O. Howard that Doubleday's corps broke first, causing the entire Union line to collapse, but Meade also had a long history of disdain for Doubleday's combat effectiveness, dating back to South Mountain. Doubleday was humiliated by this snub and held a lasting grudge against Meade, but he returned to division command and fought well for the remainder of the battle. He was wounded in the neck on the second day of Gettysburg and received a brevet promotion to colonel in the regular army for his service. He formally requested reinstatement as I Corps commander, but Meade refused, and Doubleday left Gettysburg on July 7 for Washington. Doubleday's indecision as a commander in the war resulted in his uncomplimentary nickname "Forty-Eight Hours."
Question: who was his commanding officer?
Answer: Army of the Potomac commander Maj. Gen. George G. Meade

Background: Skyhooks were an Australian rock band formed in Melbourne in March 1973 by mainstays Greg Macainsh on bass guitar and backing vocals, and Imants "Freddie" Strauks on drums. They were soon joined by Bob "Bongo" Starkie on guitar and backing vocals, and Red Symons on guitar, vocals and keyboards; Graeme "Shirley" Strachan became lead vocalist in March 1974. Described as a glam rock band, because of flamboyant costumes and make-up, Skyhooks addressed teenage issues including buying drugs "Carlton (Lygon Street Limbo)", suburban sex "Balwyn Calling", the gay scene "Toorak Cowboy" and loss of girlfriends "Somewhere in Sydney" by namechecking Australian locales.
Context: For Skyhooks, the replacement of Hill by Strachan was a pivotal moment, as Strachan had remarkable vocal skills, and a magnetic stage and screen presence. Alongside Macainsh's lyrics, another facet of the group was the twin-guitar sound of Starkie and Symons. Adopting elements of glam rock in their presentation, and lyrics that presented frank depictions of the social life of young Australia in the 1970s, the band shocked conservative middle Australia with their outrageous (for the time) costumes, make-up, lyrics, and on-stage activities. A 1.2 metre (4 ft) high mushroom-shaped phallus was confiscated by Adelaide police after a performance. Six of the ten tracks on their debut album, Living in the 70's, were banned by the Federation of Australian Commercial Broadcasters for their sex and drug references, "Toorak Cowboy", "Whatever Happened to the Revolution?", "You Just Like Me Cos I'm Good in Bed", "Hey What's the Matter", "Motorcycle Bitch" and "Smut". Much of the group's success derived from its distinctive repertoire, mostly penned by bass guitarist Macainsh, with an occasional additional song from Symons--who wrote "Smut" and performed its lead vocals. Although Skyhooks were not the first Australian rock band to write songs in a local setting--rather than ditties about love or songs about New York or other foreign lands--they were the first to become commercially successful doing so. Skyhooks songs addressed teenage issues including buying drugs ("Carlton (Lygon Street Limbo)"), suburban sex ("Balwyn Calling"), the gay scene ("Toorak Cowboy") and loss of girlfriends ("Somewhere in Sydney") by namechecking Australian locales. Radio personality, Billy Pinnell described the importance of their lyrics in tackling Australia's cultural cringe: [Macainsh] broke down all the barriers [...] opening the door for Australian rock 'n' roll songwriters to write about local places and events. He legitimised Australian songwriting and it meant that Australians became themselves. The first Skyhooks single, "Living in the 70's", was released in August, ahead of the album, and peaked at #7 on the Australian Kent Music Report Singles Charts. Living in the 70's initially charted only in Melbourne upon its release on 28 October 1974. It went on to spend 16 weeks at the top of the Australian Kent Music Report Albums Charts from February to June 1975. The album was produced by Wilson, and became the best selling Australian album, to that time, with 226,000 copies sold in Australia. Skyhooks returned to the Sunbury Pop Festival in January 1975. They were declared the best performers by Rolling Stone Australia and The Age reviewers, and Gudinski now took over their management. The second single, "Horror Movie", reached #1 for two weeks in March. The band's success was credited by Gudinski with saving his struggling Mushroom Records and enabled it to develop into the most successful Australian label of its time. The success of the album was also due to support by a new pop music television show Countdown on national public broadcaster ABC Television, rather than promotion by commercial radio. "Horror Movie" was the first song played on the first colour transmission of Countdown in early 1975. Despite the radio ban, the ABC's newly established 24-hour rock music station Double Jay chose the album's fifth track, the provocatively titled "You Just Like Me Cos I'm Good in Bed", as its first ever broadcast on 19 January.
Question: How did the album do on the charts?
Answer:
peaked at #7 on the Australian Kent Music Report Singles Charts.