In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Shoal Lake 39 First Nation is an Ojibwa or Anishinaabe First Nation, located along the northwestern shores of Shoal Lake, Ontario. It is officially known as Iskatewizaagegan #39 Independent First Nation. The total registered population of this First Nation is 585, of which 297 live on its own reserves. They are governed by a chief and council, with their current Chief Gerald Lewis having been elected in March 2016 for a two-year term. Context_2 : North Caribou Lake First Nation or Weagamow First Nation, sometimes also known as Round Lake First Nation, is an Oji-Cree First Nation band government who inhabit the Kenora District in northern Ontario, Canada. It is approximately 320km or 202 air miles north of Sioux Lookout, Ontario. As of January 2008, the First Nation had a registered population of 928 people, of which their on-Reserve population was 677. Context_3 : The indigenous peoples of Yukon were the sole inhabitants of the Arctic coastal territories prior to arrival of Europeans. The indigenous people of Yukon are part of the Aboriginal people of Canada. Traditionally, the Yukon indigenous peoples are hunters and gatherers with close connections to the land, the rivers and the seasons. Their history is recorded and passed down generations in an oral tradition. European contact brought many changes to the indigenous people of Yukon including land loss and non-traditional governance and education. However, the Yukon indigenous peoples continue their connections with the land in seasonal wage labour such as fishing and trapping. In Yukon First Nation organisations the people are aim for maintenance and development of indigenous education, language, culture, spirituality and Aboriginal rights. Context_4 : Ginoogaming First Nation (formerly the Long Lake 77 First Nation) is a small Anishinaabe (Ojibway) First Nation reserve located in Northern Ontario, located approximately 40km east of Geraldton, Ontario, Canada, on the northern shore of Long Lake, immediately south of Long Lake 58 First Nation and the community of Longlac, Ontario. As of September, 2006, their total registered population was 773 people, of which their on-Reserve population was 168. Context_5 : The Curve Lake First Nation is Mississauga Ojibway First Nation located in Peterborough County of Ontario. The Curve Lake First Nation occupies three reserves; Curve Lake First Nation 35, Curve Lake 35A, and Islands in the Trent Waters Indian Reserve 36A. The last of these reserves is shared with the Hiawatha First Nation and the Scugog First Nation. The Curve Lake First Nation registered a population on these three reserves of 741, with an additional 1,050 registered band members living off-reserve. Context_6 : The Ojibwe, Ojibwa, or Chippewa are an Anishinaabeg group of indigenous peoples in North America. They live in Canada and the United States and are one of the largest Indigenous ethnic groups north of the Rio Grande. In Canada, they are the second-largest First Nations population, surpassed only by the Cree. In the United States, they have the fourth-largest population among Native American tribes, surpassed only by the Navajo, Cherokee, and Lakota-Dakota-Nakota people. Context_7 : "Mitaanjigamiing" First Nation, formerly known as Stanjikoming First Nation, is an Ojibwe First Nation band government who inhabit 16 km north of Fort Frances, Ontario, along the shores of Stanjikoming Bay of Rainy Lake. As of November, 2011, the First Nation had a total registered population of 142, of which 99 lived on their own reserve. Context_8 : The Muskoday First Nation (formerly the John Smith First Nation) is a First Nation band government in Saskatchewan, Canada, composed of Cree and Saulteaux peoples. The First Nation has a registered population of 1,828 people as of September 2014, of which approximately 623 members of the First Nation live on-reserve, and approximately 1204 live off-reserve. Muskoday's territory is located in the aspen parkland biome. It is bordered by the rural municipalities of Birch Hills No. 460 and Prince Albert No. 461. Context_9 : Sandy Lake First Nation (or Negaw-zaaga'igani Nitam-Anishinaabe, Oji-Cree: ) is an independent Oji-Cree First Nations band government. The First Nations community, in the west part of Northern Ontario, is located in the Kenora District, 227 km northeast of Red Lake, Ontario. Its registered population in June 2007 was 2,474. As of December 2015 the total registered population reached 3,034. Sandy Lake First Nation maintains an affiliation with Nishnawbe Aski Nation, as a signatory to the Treaty 5. Context_10 : Wuskwi Sipihk First Nation is a Swampy Cree First Nations band government whose reserve community is located northeast Birch River, Manitoba, along the western shores of Swan Lake. The Rural Municipality of Mountain (North) forms the western and southern borders of the reserve. As of April, 2011, the First Nation had a total registered population of 623 people, of which 197 people lived on their own Indian Reserve. The current Chief for the First Nation is Elwood Zastre. fact_1 : "Mitaanjigamiing" First Nation, formerly known as Stanjikoming First Nation, is an Ojibwe First Nation band government who inhabit 16 km north of Fort Frances, Ontario, along the shores of Stanjikoming Bay of Rainy Lake. fact_2 : As of November, 2011, the First Nation had a total registered population of 142, of which 99 lived on their own reserve. fact_3 : The Ojibwe, Ojibwa, or Chippewa are an Anishinaabeg group of indigenous peoples in North America. fact_4 : They live in Canada and the United States and are one of the largest Indigenous ethnic groups north of the Rio Grande. Question: Along the shores of which lake will you find the 'Mitaanjigamiing' First Nation, a group of indigenous peoples who live in Canada and the United States with a registered population of only 142?
A:
Rainy Lake