Background: Joe Frazier was the 12th child born to Dolly Alston-Frazier and Rubin in Beaufort, South Carolina. He was raised in a rural community of Beaufort called Laurel Bay. Frazier said he was always close to his father, who carried him when he was a toddler "over the 10 acres of farmland" the Fraziers worked as sharecroppers "to the still where he made his bootleg corn liquor, and into town on Saturdays to buy the necessities that a family of 10 needed." Young Frazier was affectionately called "Billie Boy."
Context: In 1964 heavyweight representative Buster Mathis qualified but was injured so Frazier was sent as a replacement. At the Heavyweight boxing event, Frazier knocked out George Oywello of Uganda in the first round, then knocked out Athol McQueen of Australia 40 seconds into the third round. He was then into the semi-final, as the only American boxer left, facing the 6 foot 2, 214 lb. Vadim Yemelyanov of the Soviet Union. "My left hook was a heat-seeking missile, careening off his face and body time and again. Twice in the second round I knocked him to the canvas. But as I pounded away, I felt a jolt of pain shoot through my left arm. Oh damn, the thumb." Joe would say. Joe knew immediately the thumb of his left hand was damaged, though he wasn't sure as to the extent. "In the midst of the fight, with your adrenaline pumping, it's hard to gauge such things. My mind was on more important matters. Like how I was going to deal with Yemelyanov for the rest of the fight." The match ended when the Soviet's handlers threw in the towel at 1:49 in the second round, and the referee raised Joe's injured hand in victory. Now that Joe was into the final, he didn't mention his broken thumb to anyone. He went back to his room and soaked his thumb in hot water and Epsom salts. "Pain or not, Joe Frazier of Beaufort, South Carolina, was going for gold." Joe proclaimed. Joe would fight a 30-year-old German mechanic named Hans Huber, who failed to make it on the German Olympic wrestling team. By now Joe was used to fighting bigger guys, but he was not used to doing it with a damaged left hand. When the opening bell sounded on fight night, Joe came out and started swinging punches, he threw his right hand more than usual that night. Every so often he'd used his left hook, but nothing landed with the kind of impact he managed in previous bouts. Under Olympic rules, 5 judges judge a bout, and that night three voted for Joe.
Question: Why did he fight someone who wasn't on the Olympic team?
Answer:

Background: Louis Thomas Jordan (July 8, 1908 - February 4, 1975) was a pioneering American musician, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as "The King of the Jukebox", he was highly popular with both black and white audiences in the later years of the swing era. Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the most successful black recording artists according to Joel Whitburn's analysis of Billboard magazine's R&B chart. Though comprehensive sales figures are not available, he had at least four million-selling hits during his career.
Context: Jordan was born on July 8, 1908, in Brinkley, Arkansas, where his father, James Aaron Jordan, was a music teacher and bandleader for the Brinkley Brass Band and for the Rabbit Foot Minstrels. His mother, Adell, died when Louis was young. Jordan studied music under his father, starting out on the clarinet. In his youth he played in his father's bands instead of doing farm work when school closed. He also played the piano professionally early in his career, but alto saxophone became his main instrument. However, he became even better known as a songwriter, entertainer and vocalist. Jordan briefly attended Arkansas Baptist College, in Little Rock, and majored in music. After a period with the Rabbit Foot Minstrels (in which one of his colleagues was Leon "Pee Wee" Whittaker) and with local bands, including Bob Alexander's Harmony Kings, he went to Philadelphia and then New York. In 1932, Jordan began performing with the Clarence Williams band, and when he was in Philadelphia he played clarinet in the Charlie Gaines band. In late 1936 he was invited to join the influential Savoy Ballroom orchestra, led by the drummer Chick Webb. Based at New York's Savoy Ballroom, Webb's orchestra was renowned as one of the best big bands of its day and regularly beat all comers at the Savoy's legendary cutting contests. Jordan worked with Webb until 1938, and it proved a vital stepping-stone in his career--Webb (who was physically disabled) was a fine musician but not a great showman. The ebullient Jordan often introduced songs as he began singing lead; he later recalled that many in the audience took him to be the band's leader, which undoubtedly boosted his confidence further. This was the same period when the young Ella Fitzgerald was coming to prominence as the Webb band's lead female vocalist; she and Jordan often sang duets on stage, and they later reprised their partnership on several records, by which time both were major stars. In 1938, Webb fired Jordan for trying to persuade Fitzgerald and others to join his new band. By this time Webb was already seriously ill with tuberculosis of the spine. He died at the age of 34, after spinal surgery on June 16, 1939. Following his death, Fitzgerald took over the band.
Question: When did he start his musical career?
Answer:
In 1932, Jordan began performing with the Clarence Williams band,