Some context: Patti Ann LuPone (born April 21, 1949) is an American actress and singer, best known for her work in stage musicals. She is a two-time Grammy Award winner and a two-time Tony Award winner. She is also a 2006 American Theater Hall of Fame inductee. LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973.
LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter. A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it". On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated: We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform.
Why does she oppose recording?
A: "Where's the elegance?"

Question: Indigenous peoples of Mexico (Spanish: pueblos indigenas de Mexico), Native Mexicans (Spanish: nativos mexicanos), or Mexican Native Americans (Spanish: nativo america mexicanos), are those who are part of communities that trace their roots back to populations and communities that existed in what is now Mexico prior to the arrival of Europeans. According to the National Commission for the Development of Indigenous Peoples (Comision Nacional para el Desarrollo de los Pueblos Indigenas, or CDI in Spanish) and the INEGI (official census institute), in 2015, 25,694,928 people in Mexico self-identify as being indigenous of many different ethnic groups, which constitute 21.5% of Mexico's population.

Generally, indigenous Mexicans live more poorly than non-indigenous Mexicans however, social development varies between states, different indigenous ethnicities and between rural and urban areas. In all states indigenous people have higher infant mortality, in some states almost double of the non-indigenous populations. Some indigenous groups, particularly the Yucatec Maya in the Yucatan peninsula and some of the Nahua and Otomi peoples in central states have maintained higher levels of development while indigenous peoples in states such as the Guerrero or Michoacan are ranked drastically lower than the average Mexican citizen in these fields. Despite certain indigenous groups such as the Maya or Nahua retaining high levels of development, the general indigenous population lives at a lower level of development than the general population. Literacy rates are much lower for the indigenous, particularly in the southwestern states of Guerrero and Oaxaca due lack of access to education and a lack of the educational literature available in indigenous languages. Literacy rates are also much lower, with 27% of indigenous children between 6 and 14 being illiterate compared to a national average of 12%. The Mexican government is obligated to provide education in indigenous languages, but many times fails to provide schooling in languages other than Spanish. As a result, many indigenous groups have resorted to creating their own small community educational institutions. The indigenous population participate in the workforce longer than the national average, starting earlier and continuing longer. A major reason for this is that significant number of the indigenous practice economically under productive agriculture and receive no regular salaries. Indigenous people also have less access to health care.

Using a quote from the above article, answer the following question: Are the indigenous open to tourists?
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Answer:

Some context: Merman was born in her maternal grandmother's house located at 359 4th Avenue in Astoria, Queens in New York City in 1908, though she would later emphatically insist that it was actually 1912. Her father, Edward Zimmermann (1879-1977), was an accountant with James H. Dunham & Company, a Manhattan wholesale dry-goods company, and her mother, Agnes (Gardner) Zimmermann (1883-1974), was a teacher. Edward Zimmermann had been raised in the Dutch Reformed Church and his wife was Presbyterian.
Merman was married and divorced four times. Her first marriage, in 1940, was to theatrical agent William Smith. They were divorced in 1941. Later that same year, Merman married newspaper executive Robert Levitt. The couple had two children: Ethel (July 20, 1942 - 1965) and Robert, Jr. (born August 11, 1945) Merman and Levitt were divorced in 1952. In March 1953, Merman married Robert Six, the president of Continental Airlines. They separated in December 1959 and were divorced in 1960. Merman's fourth and final marriage was to actor Ernest Borgnine. They were married in Beverly Hills on June 27, 1964. They separated on August 7 and Borgnine filed for divorce on October 21. Merman filed a cross-complaint shortly thereafter charging Borgnine with extreme cruelty. She was granted a divorce on November 18, 1964. Borgnine later told fellow actor Frank Wilson that he spent most of his short marriage arguing with Merman. By the end, he recounted how she came back from a film one day and said, "The director said I looked sensational. He said I had the face of a 20-year-old, and the body and legs of a 30-year-old!" Borgnine replied, "Did he say anything about your old cunt?" "No," replied Merman, "he didn't mention you at all." In a radio interview, she said of her many marriages: "We all make mistakes. That's why they put rubbers on pencils, and that's what I did. I made a few lulus!" In her autobiography Merman (1978), the chapter entitled "My Marriage to Ernest Borgnine" consists of one blank page. Ethel Levitt, her daughter, died on August 23, 1967, of a drug overdose that was ruled accidental. Her son Robert, Jr. was married to actress Barbara Colby who was, while estranged from Robert, shot and killed along with her boyfriend in a parking garage in Los Angeles in July 1975 by apparent gang members who had no clear motive.
Did she re-marry?
A:
Merman's fourth and final marriage was to actor Ernest Borgnine.