input: Frusciante was born in Queens, New York, on March 5, 1970. His father, John Sr., is a Juilliard-trained pianist, and his mother Gail was a promising vocalist who gave up her career to be a stay-at-home mother. Frusciante's family moved to Tucson, Arizona, and then Florida, where his father served as a Broward County judge until October 2010. His parents separated, and he and his mother moved to Santa Monica, California. Frusciante is of Italian descent; his paternal great-grandfather Generoso Frusciante emigrated from Benevento. A year later, Frusciante and his mother moved to Mar Vista, Los Angeles with his new stepfather who, he says, "really supported me and made me feel good about being an artist." Like many young people in the area, he became intimately involved in the L.A. punk rock scene. At nine he was infatuated with the Germs, wearing out several copies of their record (GI). By ten, he had taught himself how to play most of (GI)'s songs. He has stated that he did not really know what he was doing, and that he would play every chord with a single-finger barre. Frusciante began studying guitarists like Jeff Beck, Jimmy Page, David Gilmour and Jimi Hendrix at eleven. He discovered Frank Zappa, whose work he would study for hours. Frusciante first heard of the Red Hot Chili Peppers around 1984 when his guitar instructor was auditioning as a guitarist for that band. He dropped out of high school at sixteen with the permission of his parents and completion of a proficiency test. With their support, he moved to Los Angeles to develop his musicianship. He began taking classes at the Guitar Institute of Technology, but turned to punching in without actually attending and left shortly thereafter.

Answer this question "When was he born?"
output: Frusciante was born in Queens, New York, on March 5, 1970.

input: McKernan was close friends with American singer-songwriter Janis Joplin due to common musical influences and lifestyles, particularly a shared love of alcohol over other drugs; a poster from the early 1970s showed them together at 710 Ashbury. Joplin joined McKernan on stage at the Fillmore West on June 7, 1969, with the Grateful Dead to sing his signature "Turn On Your Love Light," reprising this duet on July 16, 1970, at the Euphoria Ballroom in San Rafael, California. He developed a close friendship with fellow keyboardist Tom Constanten based on their mutual aversion to psychedelics and eventually served as best man at Constanten's first wedding. While his bandmates and friends were using cannabis, LSD, and other hallucinogenic drugs, McKernan preferred alcoholic beverages such as Thunderbird and Southern Comfort. Ironically, McKernan was arrested and fined after the cannabis bust on November 9, 1967, at 710 Ashbury Street, the Dead's communal home, even though he did not use the drug. The event was covered in the first issue of Rolling Stone, where the reporter noted McKernan had a substantial rifle collection and McKernan's picture appeared on a contemporary report in the San Francisco Chronicle. Because neither took illegal drugs, McKernan and Constanten were the only members of the band not arrested on the January 31, 1970, bust that inspired the lyrics of the band's song "Truckin'". In the early years of the Grateful Dead, McKernan was easily recognisable by his biker image, making him a minor celebrity. In 1969, the band's record company, Warner Bros., ran a "Pigpen Look-Alike Contest".

Answer this question "Who won"
output:

input: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'". In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored. When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen." Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog."

Answer this question "Did this song chart or get popular?"
output:
an apparent testament to the stature of "Hound Dog."