In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

[Q]: Question: Of all Edmund's commands, which division obtained the most glory in their battles? Passage:During the Second World War Hakewill-Smith initially served as Commanding Officer (CO) of the 5th Battalion, Devonshire Regiment, for several months from May 1940 and from September that year, as the CO of the 4th/5th Battalion, Royal Scots Fusiliers, as an acting lieutenant colonel. He was promoted to temporary brigadier on 30 March 1941, and commanded the 157th Infantry Brigade until late March 1942. He then became Director of Organization at the War Office before assuming command of the 155th Infantry Brigade in mid-February 1943. On 26 December 1943, promoted to temporary major general, he assumed command of the mountain warfare-trained 52nd (Lowland) Infantry Division from Major-General Neil Ritchie as its General Officer Commanding (GOC). He commanded the 52nd Division during the campaign in North-West Europe, from October 1944 until May 1945.

[A]: He was promoted to temporary brigadier on 30 March 1941, and commanded the 157th Infantry Brigade until late March 1942

[Q]: Question: In what year did Porter handle the sound duties for Ann-Margret? Passage:In December 1969, Presley called Porter to ask him to fix the sound for him in the main showroom at the International Hotel (renamed the Las Vegas Hilton two years later); he said he could not hear himself the last time he sang there, and a new run was scheduled for January. Porter went to see Presley's first rehearsal there, and found three stage monitors hanging high above the stage, with only one working. The hotel's engineers did not get the other two to work, so Porter had some of his own Shure Vocal Master loudspeakers brought over from the recording studio. He laid the column loudspeakers on their sides at the front lip of the stage and propped them up to aim at Presley, who was very happy with the result. Presley insisted upon having Porter mix his live show in January even though he was a recording engineer with no previous experience in live sound. Porter quickly learned about acoustic feedback during the first song, but backstage after the show, film stars and musical artists kept complimenting Presley, telling him that Porter's concert sound was "just like the album". Porter mixed Presley's live concerts from then on. Presley paid Porter well for a touring sound engineer; a 1974 contract for nearly two weeks of touring during SeptemberOctober netted Porter $2,600, an amount equivalent to $ in current value. Porter recorded several of these shows in the mid-1970s, released as albums, and witnessed firsthand Presley's physical decline from drug abuse. In 1975, Presley's doctors advised him to exercise more, so he had a racquetball court built at his mansion Graceland. Porter designed and supervised the installation of a powerful high-fidelity Electro-Voice loudspeaker sound system for the racquetball court and an adjoining lounge. On tour, Porter specified the best-sounding, most roadworthy equipment that existed: he used a Midas PRO4 mixing console and UREI equalizers. The tour was supported by Clair Brothers, who supplied all the audio gear and a monitor engineer, Bruce Jackson, who designed a powerful stage monitor system for Presley's show. In August 1977, Porter was changing planes in Boston to fly to Portland, Maine, to mix a Presley concert when he received a phone call informing him that the singer had died. He attended Presley's heavily guarded funeral ceremony at Graceland. Between Presley appearances, Porter also handled sound duties for Ann-Margret in Las Vegas and on the road, under the business name Captain Audio Productions. He consulted on television specials for Ann-Margret and for Bob Hope in 19721973.

[A]: Between Presley appearances, Porter also handled sound duties for Ann-Margret in Las Vegas and on the road, under the business name Captain Audio Productions

[Q]: Question: Which North American city hall building that used Superblocks was completed first? Passage:Superblocks are also used when functional units such as rail yards or shipyards, inherited from the 19th and early 20th centuries, are too big to fit in an average city block. A contemporary function which reflects ancient practices that also requires larger than typical blocks is the sports stadium or arena. Just as the Colosseum in ancient Rome, sports complexes require superblocks. The Providence Park stadium in Portland, for example, takes up four normal city blocks as does the equally large Greensboro Coliseum in North Carolina. Other contemporary institutions, establishments or functions that use superblocks are: city halls like Government Center, Boston and Toronto City Hall; regional general hospitals or specialized medical centres; convention and exhibition centers, such as Exhibition Place in Toronto and the Boston Convention and Exhibition Center; and downtown enclosed Shopping Malls such as Eaton Centre in Toronto, echoing the large gallerias of the 19th century. Cultural complexes, such as the Lincoln Center in New York City, often occupy a superblock achieved through the consolidation of regular city blocks. A recent superblock user is the merchandise distribution centre, which can range in area from one to ten city blocks.

[A]:
Other contemporary institutions, establishments or functions that use superblocks are: city halls like Government Center, Boston and Toronto City Hall; regional general hospitals or specialized medical centres; convention and exhibition centers, such as Exhibition Place in Toronto and the Boston Convention and Exhibition Center; and downtown enclosed Shopping Malls such as Eaton Centre in Toronto, echoing the large gallerias of the 19th century