Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : Diane Marie Jacobs (born 19 August 1943, Waimate), known as Dinah Lee, is a New Zealand-born singer who performed 1960s pop and then adult contemporary music. Her debut single from early 1964, "Don't You Know Yockomo?", achieved No.1 chart success in New Zealand and in the Australian cities, Brisbane and Melbourne. It was followed in September by her cover version of Jackie Wilson's, "Reet Petite", which also reached No.1 in New Zealand and peaked at No.6 in Melbourne. The Australian release was a double A-sided single with "Do the Blue Beat". On her early singles she was backed by fellow New Zealanders, Max Merritt & His Meteors. Lee appeared regularly on both New Zealand and Australian TV variety programs, including "Sing, Sing, Sing" and "Bandstand". She toured supporting Johnny O'Keefe, Ray Columbus & the Invaders and P.J. Proby. According to Australian rock music journalist, Ed Nimmervoll, in the 1960s, "Lee was the most successful female singer of in ["sic"] both her New Zealand homeland and Australia ... on stage and on record Dinah had all the adventure and exuberance for the time the boys had". Context_2 : Kim Jung-hwan (; born November 23, 1990), better known by his stage name Eddy Kim () is a South Korean singer, songwriter, and guitarist. He is known as the one of the Top 6 finalists of Mnet's "Superstar K4". On April 2, the singer released the music video to "2 Years Apart," the title track of his first mini album, "The Manual". He released "The Manual" on April 11, 2014. On 21 January 2015, he released his second fully self-composed mini album entitled "Sing Sing Sing". He is currently signed to Mystic89. He was featured in BoA's 8th album "Kiss My Lips". Context_3 : Kelly Green (born Elaine Annette Sherratt, 20 July 1947) is an Australian singer. Born in the United Kingdom, she migrated to Australia in 1956, her singing career began in Sydney at the age of 15. Green grew up in a musical family her father, Norman Sherratt, was a guitarist and her older twin sisters, Christine and Norma, were also singers. In the early 1960s Green appeared regularly on popular Australian music television shows, "Bandstand", "Six O'Clock Rock", and "Sing, Sing, Sing", building a fan base. During April and May 1968, Green was the lead singer for the first Perth-based entertainment troupe to visit allied forces in Vietnam during the war there. Context_4 : He was born into a Tamil family. Karthik developed an interest in music, early in his life. He is a trained Carnatic music vocalist and has been training since his school days. He was part of a college band and regularly participated in IIT Madras Fest "Saarang". An ardent fan of A. R. Rahman, Karthik's dream was to meet Rahman and sing for him. Playback singer Srinivas, who collaborated often with Rahman was Karthik's close friend's cousin. Srinivas encouraged Karthik to look at singing as a career, which prompted Karthik to resume his singing lessons. One year later, Srinivas recommended Karthik's name to Rahman, who needed fresh voices for backing vocalists for a song from "Pukar". Karthik eventually got the opportunity and recorded for the song. Having spent over a year being a backing vocalist, Karthik got his break during the re-recording of "One 2 Ka 4". For the background score, A. R. Rahman wanted a high-pitched alap and he eventually chose Karthik to sing the alap. Soon after, Rahman asked him to sing the song "Nendhukittaen" from the film "Star. Context_5 : Whatever Will Be is the debut studio album by Australian singer Tammin Sursok, released on May 22, 2005, by Sony BMG Music Entertainment. It debuted at number thirteen on the top 50 Australian ARIA Charts. It features the singles "Pointless Relationship", "Whatever Will Be" and "It's a Beautiful Thing". The album spent eleven weeks in the top 100. Context_6 : Arkady Pogodin (Russian: , born Arkady Piliver; 1901, Odessa, Russian Empire 1975, Moscow, USSR) was a Soviet singer who worked in variety theater and operetta. At 16 years of age, Pogodin started appearing on theater stage in small roles. In 1922 he moved to Moscow, where he started working in small variety theaters performing funny songs. In 1924 he was already appearing on the stage of the prestigious Hermitage Theater. In 1938 Pogodin was invited to sing the lead role of Albert in an operetta titled "Delicate Diplomacy" (" " by Johann Strauss) at the Moscow Theater of Miniatures; he performed at the theater in the 19381939 season. Then he accidentally met theater director A. Arnold who invited him to sing the lead role in the operetta "Chocolate Soldier" (based on a work by Bernard Shaw, with music by the Pokrass brothers) that was set to open the 1939 summer season in the CDKA park. The operetta, which played in the park for a month, featured many famous artists including the Alexander Tsfasman Jazz Orchestra, Maria Mironova, etc. After that Tsfasman invited Pogodin to perform with his orchestra in the Khudozestvenny movie theater and on Saturdays and Sundays after midnight on the radio. Pogodin also recorded a number of grammophone records. And here composer and friend Konstantin Listov offered Pogodin to become the first artist to sing a new song he wrote. The song, titled "V Parke Chair" (" "), instantly made "widely known in narrow circles" Pogodin a popular and trendy singer. In December 1939, he decided to take part in the first All-Russian Variety Artists Contest and became a Laureat along with such singers as Klavdiya Shulzhenko, Keto Dzhaparidze, etc. Since then he toured a lot and continued to sing on the radio. His grammophone records were very popular. Among his songs that were played everywhere were: "V Parke Chair", "Vozvrata Net" (" "), "Ya Zhdu Pisma" (" "), "Oglyanis" (""). Football matches at the time would usually open with his song "Schastlivy Dozhdik" (" "). Context_7 : "Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical "The Sound of Music". Within the story, it is used by Maria to teach the notes of the major musical scale to the Von Trapp children who learn to sing for the first time, even though their father disallowed frivolity after their mother's death. Each syllable of the musical solfege system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song. According to assistant conductor Peter Howard, the heart of the number in which Maria assigns a musical tone to each child, like so many Swiss bell ringers was devised in rehearsal by Rittmann (who was credited for choral arrangements) and choreographer Joe Layton. The fourteen note and tune lyric 'when you know the notes to sing...' were provided by Rodgers and Hammerstein; the rest, apparently, came from Rittmann. Howard: 'Rodgers allowed her to do whatever she liked. When we started doing the staging of it, Joe took over. He asked Trude for certain parts to be repeated, certain embellishments.' Context_8 : Jason Douglas Crabb (born March 3, 1977) is a Christian music singer and musician. He has been the lead vocalist for the group The Crabb Family. Context_9 : A one-man band or one-woman band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical and/or electronic contraptions. One person band musicians also often sing while they perform. The simplest type of "one-person band" a singer accompanying him/herself on acoustic guitar and playing a harmonica mounted in a metal "harp rack" below the mouth is often used by buskers and folk music singer-guitarists. More complicated setups may include wind instruments strapped around the neck, a large bass drum mounted on the musician's back with a beater which is connected to a foot pedal, cymbals strapped between the knees or triggered by a pedal mechanism, tambourines and maracas tied to the limbs, and a stringed instrument strapped over the shoulders (e.g., a banjo, ukulele or guitar). Since the development of Musical Instrument Digital Interface (MIDI) in the 1980s, musicians have also incorporated chest-mounted MIDI drum pads, foot-mounted electronic drum triggers, and electronic pedal keyboards into their set-ups. In the 2000s and 2010s, the availability of affordable digital looping pedals enables singer-musicians to record a riff or chord progression and then solo and/or sing over it. Context_10 : Whatever the Road is a studio album by Jason Crabb. Reunion Records released the album on September 18, 2015. Crabb worked with Jason Ingram and Paul Mabury, in the production of this album. fact_1 : Whatever the Road is a studio album by Jason Crabb. fact_2 : Jason Douglas Crabb (born March 3, 1977) is a Christian music singer and musician. Question: What type of music does the singer of Whatever the Road sing?
Output:
Christian music singer