Q: "That's Glenn Miller," my father said. "But it can't be." He had the back of the hospital bed cranked upright, the lower lid of his left eye creeping up in a warning signal I'd learned to recognize as a child. My older sister Ann had settled deep in the recliner, and she glared at me too, blaming me for winding him up. The jam box sat on the rolling tray table and my father was working the remote as he talked, backing up my newly burned CD and letting it spin forward to play a few seconds of low fidelity trombone solo. "You know the tune, of course," he said. "'King Porter Stomp.'" Those childhood years of listening to him play Glenn Miller on the console phonograph were finally paying off. "He muffed the notes the same way on the Victor version." "So why can't it be Miller?" I asked. "He wouldn't have played with a rabble like that." The backup musicians teetered on the edge of chaos, playing with an abandon somewhere between Dixieland and bebop. "They sound drunk." My father had a major emotional investment in Miller. He and my mother had danced to the Miller band at Glen Island Casino on Long Island Sound in the summer of 1942, when they were both sixteen. That signature sound of clarinet and four saxes was forever tied up for him with first love and the early, idealistic months of the war. But there was a better reason why it couldn't have been Miller playing that solo. If the date on the original recording was correct, he was supposed to have died three days earlier. The date was in India ink on a piece of surgical tape, stuck to the top of a spool of recording wire. The handwritten numerals had the hooks and day-first order of Europe: 18/12/44. I'd won it on eBay the week before as part of a lot that included a wire recorder and a stack of 78s by French pop stars like Charles Trenent and Edith Piaf. What is the most likely duration of the old song? - Just a few seconds - not enough information - about 15 minutes - under 5 minutes
A: under 5 minutes

Q: Jenny and I were twins, and we were always close growing up despite our very different personalities. Besides a birthday and a couple dead parents, there wasn't much else we shared in common. She was an over-achiever and a bit of a kiss-ass, always trying to make mom and dad proud, which she seemed to pull off with ease. She was the girl in high school who played every sport, joined every club, ran the student council, and somehow still managed to pull A's without breaking a sweat. Intense doesn't even begin to describe her. I could never compete with that, so instead I decided to build an identity for myself as the rebel. Unfortunately, I somehow equated rebelling with turning into a giant asshole. We grew up in a middle-class suburban family. Our father was a teacher and our mother an architect. They were the kind of couple that kept a date night to go dancing every Friday for the 31 years they were married. They died when Jenny and I were twenty-two. We sold the house where we grew up and split the cash; neither of us wanted to set foot in it again. Jenny used the money to pay for her Master's. After school she went to work for James McPherson, one of the most powerful and richest men in the city. Aside from owning the St. Augustine, McPherson had interests in real estate, land development, venture capital, and other things I really should've known more about. The McPherson family was old money here going back to when this valley was nothing but orchards. If I said that at one time or another the McPherson family had owned every single square foot of land in our city, I'd probably be exaggerating - but not much. Jenny ran the McPhersons' charitable foundation, which basically meant that not only did they have so much money that they had to start giving it away, but they even had to hire someone else just to get rid of it for them. The main character believes her sister is what kind of person? - Over-achiever - Under-achiever - not enough information - Average person
A: Over-achiever

Q: Jon's back ached. Frost had come early this year and the ground broke like stone. Jon had spent eight seasons breaking this ground to plant spring's crops and every year it got harder. Sweat beaded on his brow and he felt his cotton shirt stick to his skin under his coat. Jon took off his soft-brimmed hat and wiped his forehead. He examined the hat as he let his breath return. The hat had kept the burning sun and beating rain off his head for as long as Jon owned the farm. He wore it every day. It had been a gift given to him on the day he married Alasandra but he could not remember who gave it to him. Jon put it back on his head and pushed the tiller deep into the stubborn earth. Daven ran over the hill and down the cart path leading to their small cobblestone house. The boy had only left a short while ago and he held no sack with the bread and cheese his mother had told him to buy. Jon furrowed his brow. The boy continued to run and soon the wind carried his cry to his father's ears. "Papa! A carriage is coming! Two horses!" Jon's furrowed brow remained. Surely the boy meant a cart from a neighboring farm. No carriage made it out this far. "It's from the city! A soldier drives it!" Jon felt ice water flow over him. He turned to the house. "Sandra! Get the musket out of the pantry!" Jon saw his wife's face appear at one foggy window. Jon gestured wildly at her. "Get it!" They were too late. As Daven reached Jon, the black carriage already approached. A single figure sat on the bench, guiding the two brown horses down Jon's path. Immediately after the end of this text, Jon is: - single - not enough information - divorced - married
A: married

Q: Went straight from a facility that deals with homeless children (492 1st Ave, Manhattan, New York) to the extreme outskirts of Queens near Kennedy Airport about 20 miles away. It was winter and I had no coat. I had my book bag and my sole Trader Joe's bag of clothing and was loaded into a van with three social workers. During the long drive in traffic, I fell asleep, so waking up at my new home, I couldn't make out any street signs and the numbering on the houses did not indicate whether I was in a home in the Bronx or Eastern Queens (which share the same street numbering in certain instances). My foster parents showed me my room and left a plate of food on the table. They barricaded themselves in their bedroom quite like how pilots barricade themselves behind the fortified cockpit door. However, my room didn't have a lock, and neither did the bathroom. There were bars on my windows with a view of a church parking lot. I took great care to avoid waking a significantly older teen (I was 14, so he must have been 1920) sleeping on the other bed. I heard two other kids (my foster siblings) in the other room playing music and giggling loudly at 3 in the morning. At 4 in the morning, my foster father started reading the Quran pretty loudly, and then he goes back to bed. In the morning, my foster parents are gone. My foster siblings are all sleeping. I got up at 7, but I don't know how far I am from my high school, what buses/train will take me there, and still don't know anything about anything about my new home. I don't even know the names of those I'm relegated to living with. The unnerving strangeness and disorientation hat comes with knowing that your life has changed and the culture shock that comes with that is so scary and desensitizes you on that first day. How did the foster child feel about moving into the new home? - happy - not enough information - Scared - wonderful
A: Scared