In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Val Lewton: The Man in the Shadows (also known as Martin Scorsese Presents: Val Lewton The Man in the Shadows) is a documentary tribute to Val Lewton, the producer of a series of distinctive low-budget horror films for RKO Radio Pictures, presented and narrated by director Martin Scorsese. Context_2 : Martin Scorsese Presents the Blues: Piano Blues is the soundtrack to the documentary film directed by Clint Eastwood. This is the seventh part of the critically acclaimed television documentary series "Martin Scorsese Presents The Blues" shown on PBS in September 2003. This collection of music represents what Clint said ""...in my film Piano Blues I'm trying to investigate who influenced everyone, and who the great players were."" Context_3 : Celina Murga (born December 1973) is an Argentinian filmmaker, screenwriter, and producer. Celina's prevalence within the cinematic industry benefited heavily from her second directorial project "Ana and the Others" (2003), the film was so well received, it even compelled a certain iconic filmmaker into action. After a screening of Murga's film, American film director Martin Scorsese extended an offer to Murga for her to join him on the set of his current motion picture at the time Shutter Island (2010). However, the invitation for a burgeoning filmmaker to become an assistant within his production is not unprecedented, screenwriter Amy Holden Jones was the first to gain this type of access in 1976, on the set of Martin Scorsese's "Taxi Driver". Context_4 : Alice Doesn't Live Here Anymore is a 1974 American comedy drama film directed by Martin Scorsese and written by Robert Getchell. It stars Ellen Burstyn as a widow who travels with her preteen son across the Southwestern United States in search of a better life, along with Alfred Lutter as her son and Kris Kristofferson as a man they meet along the way. This is Martin Scorsese's fourth film. The film co-stars Billy "Green" Bush, Diane Ladd, Valerie Curtin, Lelia Goldoni, Lane Bradbury, Vic Tayback, Jodie Foster (in one of her earliest film appearances), and Harvey Keitel. Context_5 : Shine a Light is a 2008 American biography drama film directed by Martin Scorsese documenting The Rolling Stones' 2006 Beacon Theatre performances on their A Bigger Bang Tour. The film also includes archive footage from the band's career and marked the first utilisation by Scorsese of digital cinematography for his films, with it being used for the backstage sequences. The film takes its title from the song of the same name, featured on the band's 1972 album "Exile on Main St." A soundtrack album was released in April 2008 on the Universal label. This is also the last movie by Paramount Classics, as the company merged into its sister company Paramount Vantage after the movie was released. Context_6 : Stanley Kubrick is regarded by film critics and historians as one of the most influential directors of all time. Leading directors, including Martin Scorsese, Steven Spielberg, George Lucas, James Cameron, Woody Allen, Terry Gilliam, the Coen Brothers, Ridley Scott, Paul Thomas Anderson, Christopher Nolan, David Lynch, and George A. Romero, have cited Kubrick as a source of inspiration, and in the case of Spielberg, collaboration. In an interview for the "Eyes Wide Shut" DVD release, Steven Spielberg comments that "nobody could shoot a picture better in history", and that Kubrick told stories in a way "antithetical to the way we are accustomed to receiving stories". Writing in the introduction to a recent edition of Michel Ciment's "Kubrick", film director Martin Scorsese notes most of Kubrick's films were misunderstood and under-appreciated when first released, only to be considered masterpieces later on. Context_7 : Catherine Scorsese (nee Cappa; April 16, 1912 January 6, 1997) was an American actress, and the mother of director Martin Scorsese. Of Italian descent, she began acting when her son Martin Scorsese cast her in his film "It's Not Just You, Murray!". She frequently played the role of an Italian mother, and is perhaps most well known for her appearance in her son's film "Goodfellas". She acted in films other than her son's. She was married to Charles Scorsese. Her father, Martin Cappa, was a stage co-ordinator and her mother, Domenica, was a shop owner. She published a recipe book, "Italianamerican: The Scorsese Family Cookbook". Context_8 : "The Hands That Built America" is a song by U2, released on the soundtrack to the film "Gangs of New York." It was one of two new songs on their "The Best of 19902000" compilation, with the other being "Electrical Storm." It was nominated for Best Original Song at the 75th Academy Awards, but lost to Eminem's "Lose Yourself." Context_9 : Martin Scorsese Presents the Blues: Jimi Hendrix is a ten track companion release to the critically acclaimed television documentary series "Martin Scorsese Presents The Blues" shown on PBS in September 2003. Context_10 : Gangs of New York is a 2002 American epic period drama film directed by Martin Scorsese, set in the mid-19th century in the Five Points district of New York City. The screenplay is by Jay Cocks, Steven Zaillian, and Kenneth Lonergan. It was inspired by Herbert Asbury's 1927 non-fiction book, "The Gangs of New York". It was made in Cinecitta, Rome, distributed by Miramax Films and nominated for numerous awards, including the Academy Award for Best Picture, among nine other Oscar nominations. fact_1 : "The Hands That Built America" is a song by U2, released on the soundtrack to the film "Gangs of New York." fact_2 : Gangs of New York is a 2002 American epic period drama film directed by Martin Scorsese, set in the mid-19th century in the Five Points district of New York City. Question: What song by U2 was featured in a movie directed by Martin Scorsese?
Answer:
The Hands That Built America