Problem: Clarence Edwin "Cito" Gaston (; born March 17, 1944) is a former Major League Baseball outfielder and manager. His major league career as a player lasted from 1967 to 1978, most notably for the San Diego Padres and the Atlanta Braves. He spent his entire managerial career with the Toronto Blue Jays, becoming the first African-American manager in Major League history to win a World Series title. Cito Gaston managed the Toronto Blue Jays from 1989 to 1997, and again from 2008 to 2010.

Gaston's fortunes, like those of the Blue Jays franchise as a whole, faded after the championship years. The World Series winning clubs had dissipated because of aging players, increased post-Series salary demands, and the failure of new owner Interbrew (which merged with founding owner Labatt in 1995) to raise the budget substantially. After Major League Baseball solved its labor problems in 1994, Pat Gillick and eventually Paul Beeston left the organization and annual attendance began to drop considerably. Yet, the Blue Jays were still trying to compete in the American League East and in 1997 signed free agent Roger Clemens. When the team could barely break the .500 mark all season, Gaston was fired by GM Gord Ash. He had failed to lead the team to a winning record since 1993 and seemed uninterested in keeping his position. Gaston forced Ash's hand by telling his boss that he was taking a vacation at season's end and would not be around for the usual post season evaluation process. He was replaced by then-pitching coach Mel Queen on an interim basis for the last week of the 1997 season. Joe Carter wore Gaston's No. 43 on his jersey for the remainder of the season in part to honor him and in part to express his displeasure at his firing. He finished his first stint as manager with a 683-636 regular season record and 18-16 post-season record. Gaston was a final candidate for the Detroit Tigers manager's job in the 1999-2000 season and was the runner-up in the Chicago White Sox manager position in the 2003-2004 off season. Sox GM Kenny Williams, a former Blue Jays player, had Gaston as one of two finalists for the job but decided to hire Ozzie Guillen. Gaston had several offers to rejoin major league teams as a hitting instructor, namely the Kansas City Royals, but declined offers. After interviewing unsuccessfully for several other managerial jobs, Gaston said that he would only manage again if he were hired directly without an interview. Gaston rejoined the team as a hitting coach after the 1999 season but was not retained after a disappointing 2001 campaign and the sale of the franchise to Rogers Communications. In 2002, he was hired by the Jays for a third time, as special assistant to president and chief executive officer Paul Godfrey.

Anything else happen in the post series

Answer with quotes: Gaston rejoined the team as a hitting coach after the 1999 season but was not retained after a disappointing 2001 campaign

Problem: Charlyn Marie Marshall was born January 21, 1972 in Atlanta, Georgia, the second child of Charlie Marshall, a blues musician and pianist, and Myra Lee Marshall (nee Russell). She has one older sister, Miranda "Mandy." Her parents divorced in 1979 and remarried shortly thereafter. Her mother remarried and had a son Lenny, and the family travelled around often because of her stepfather's profession.

Around 2003 she bought a house in South Beach, Miami, from a high school friend. In 2009 Marshall moved to Los Angeles to share a house in Silver Lake, California with her then-boyfriend. They also had a rental house in Malibu where she had a studio. When Marshall was working as a waitress in Atlanta prior to becoming famous, her boyfriend died. She says this, coupled with the prevalence of heroin use amongst her friends and the loss of her best friend to AIDS, was the impetus for her moving to New York. A new boyfriend in New York helped her get a job in a restaurant, but she realised he was having an affair with the restaurant owner, a married woman with two children. In 2001, Marshall was romantically involved with a runway model, Daniel Currie. He separated her in 2003 at a time when she was drinking heavily and abusing other drugs. Marshall referred to him as "the ex-love of my life." According to an interview in January 2011, Marshall was in a relationship with actor Giovanni Ribisi beginning in 2006, and lived with Ribisi and his 14-year-old daughter in Los Angeles. In June 2012, it was reported that Marshall was no longer in a relationship with Ribisi. The completion of Marshall's album Sun coincided with their breakup: "I cut my hair off three days [after the breakup], got on a plane to France, and finished the shit." In April 2015, Marshall announced that she recently had a baby, but did not name the child's father.

What is important for the reader to know about her personal life?

Answer with quotes: In 2001, Marshall was romantically involved with a runway model, Daniel Currie.

Problem: Bernard Herrmann (born Max Herman; June 29, 1911 - December 24, 1975) was an American composer best known for his work in composing for motion pictures. As a conductor, he championed the music of lesser-known composers. An Academy Award-winner (for The Devil and Daniel Webster, 1941; later renamed All That Money Can Buy), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other movies, including Citizen Kane, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver.

Herrmann's music is typified by frequent use of ostinati (short repeating patterns), novel orchestration and, in his film scores, an ability to portray character traits not altogether obvious from other elements of the film. Early in his life, Herrmann committed himself to a creed of personal integrity at the price of unpopularity: the quintessential artist. His philosophy is summarized by a favorite Tolstoy quote: 'Eagles fly alone and sparrows fly in flocks.' Thus, Herrmann would only compose music for films when he was allowed the artistic liberty to compose what he wished without the director getting in the way: the cause of the split with Hitchcock after over a decade of composing scores for the director's films. His philosophy of orchestrating film was based on the assumption that the musicians were selected and hired for the recording session -- that this music was not constrained to the musical forces of the concert hall. For example, his use of nine harps in Beneath the 12 Mile Reef created an extraordinary underwater-like sonic landscape; his use of four alto flutes in Citizen Kane contributed to the creepy opening, only matched by the use of 12 flutes in his unused Torn Curtain score; and his use of the serpent in White Witch Doctor is possibly the first use of that instrument in a film score. Herrmann said: "To orchestrate is like a thumbprint. I can't understand having someone else do it. It would be like someone putting color to your paintings." Herrmann subscribed to the belief that the best film music should be able to stand on its own legs when detached from the film for which it was originally written. To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.

was it well-received?

Answer with quotes:
To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.