The mandolin's popularity in the United States was spurred by the success of a group of touring young European musicians known as the Estudiantina Figaro, or in the United States, simply the "Spanish Students." The group landed in the U.S. on January 2, 1880 in New York City, and played in Boston and New York to wildly enthusiastic crowds. Ironically, this ensemble did not play mandolins but rather bandurrias, which are also small, double-strung instruments that resemble the mandolin. The success of the Figaro Spanish Students spawned other groups who imitated their musical style and costumes. An Italian musician, Carlo Curti, hastily started a musical ensemble after seeing the Figaro Spanish Students perform; his group of Italian born Americans called themselves the "Original Spanish Students," counting on the American public to not know the difference between the Spanish bandurrias and Italian mandolins. The imitators' use of mandolins helped to generate enormous public interest in an instrument previously relatively unknown in the United States.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): When did the Estudiantina Figaro leave the US?
Ah, so.. unanswerable

On 22 August, one day after the talks broke down with France and Britain, Moscow revealed that Ribbentrop would visit Stalin the next day. This happened while the Soviets were still negotiating with the British and French missions in Moscow. With the Western nations unwilling to accede to Soviet demands, Stalin instead entered a secret NaziSoviet pact. On 24 August a 10-year non-aggression pact was signed with provisions that included: consultation, arbitration if either party disagreed, neutrality if either went to war against a third power, no membership of a group "which is directly or indirectly aimed at the other".
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Which Foreign Minister would agree to meet with Stalin on to sign a secret agreement?
Ah, so.. Ribbentrop

The library is based at two public sites: the Reading Room at the RIBA's headquarters, 66 Portland Place, London; and the RIBA Architecture Study Rooms in the Henry Cole Wing of the V&A. The Reading Room, designed by the building's architect George Grey Wornum and his wife Miriam, retains its original 1934 Art Deco interior with open bookshelves, original furniture and double-height central space. The study rooms, opened in 2004, were designed by Wright & Wright. The library is funded entirely by the RIBA but it is open to the public without charge. It operates a free education programme aimed at students, education groups and families, and an information service for RIBA members and the public through the RIBA Information Centre.
If it is possible to answer this question, answer it for me (else, reply "unanswerable"): Who is not meant to benefit from the teaching provided by the RIBA library?
Ah, so..
unanswerable