input question: Select the correct sentiment of the following review: First off, I'd like to make a correction on another review of this film which said that the last musical to win the Best Picture Academy Award was 'Gigi' in 1958. That is misinformation as 'West Side Story' won in 1962, 'My Fair Lady' won in 1965 and 'Sound of Music' won the year after that. That said, this film is absolutely fantastic! The story from the novel has been somewhat altered, but that's more because of the limitations that they had on a stage that they just didn't change back for a filmed version. However, I don't mind. In fact, I rather think the whole production flows better than the novel does. I like Nancy bringing Oliver to the bridge with her and being killed there instead of later in the apartment. The subtle things in this film are the ones that make me laugh. I love the moment Mr. Bumble and Mrs. Bumble start coming out at the beginning from the governors office. The underscore for that moment is brilliant. My three favorite actors for this film were Jack Wild, who plays the best Dodger in any film version of the story, Ron Moody, a playful and humorous Fagin (this character is worked out much better than he is in the book), and Shani Wallis, who is the strongest, most distressed version of Nancy. The only reason I'm giving this film a 9 instead of a 10 is because of the two big production numbers which are 'Concider Yourself' and 'Who Will Buy.' I always hate when the choreography in musicals in meant to look like people doing everyday chores and jobs. It looks awful and cheesy, especially when they're dancing at the London Meat Co. They should've just done regular choreography for these scenes. However, this film is a rare treasure that will stay with us, hopefully, forever.
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output answer: positive

input question: Select the correct sentiment of the following review: "The Bourne Ultimatum" begins recklessly mid-chase and in pulse-pounding fashion explodes from there as Jason Bourne (Matt Damon, absolutely superb) tracks down the masterminds behind the CIA black-ops that turned him into the perfect killer in a final attempt to learn his true identity. A devastatingly icy David Strathairn as the "man behind the curtain" is added to the returning cast of regulars including Joan Allen (excellent) and Julia Stiles (non-existent).

Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.

With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
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output answer: positive

input question: Select the correct sentiment of the following review: The first time I came upon Delirious, I only heard it. I listened to the entire comedic performance and never have I laughed so much in my life. Eddie's ability to paint hilarious pictures in our minds and do great imitation is captivating. When I finally got to see him perform this act, I had to have it. Eddie Murphy's performance on Delirious shows his genius! With it being the new millennium, his acts in 1983 is just as funny today as it was then. My parents loved it as teenagers and I (age eighteen) love it as well. From that point on, I had to view Murphy's other movies such as Coming To America and Harlem Nights. There will be no other comedian like Eddie.
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output answer:
positive