Background: Stuart Pearce, MBE (born 24 April 1962) is an English football manager and player. He is an assistant manager to David Moyes at West Ham United. Pearce was the manager of the England national under-21 team from 2007 to 2013 and also managed the Great Britain Olympic football team at the 2012 Olympics. As a player, Pearce played as a defender and appeared for Wealdstone, Coventry City, Newcastle United, West Ham United and Manchester City, but is best known for his spell at Nottingham Forest, where he regularly captained the team and became the club's most capped International, making 76 of his 78 appearances for England while with the club and captaining the national side on nine occasions.
Context: Pearce joined Newcastle United along with fellow veterans John Barnes and Ian Rush in the 1997-98 season under Kenny Dalglish, and played in the 1998 FA Cup final, though again he emerged on the defeated side. He scored once during his spell at Newcastle, in a UEFA Champions League tie against Dynamo Kyiv. Eventually Pearce was isolated, along with other players including Rob Lee and John Barnes, upon Dalglish's sacking after Ruud Gullit took over. A number of players were treated coldly by Gullit, and Pearce along with Barnes and Lee were made to train with the reserves despite cumulatively having over 150 England caps between them. Both Pearce and Barnes assert in their autobiographies Gullit felt threatened by the senior players in the squad, and they felt they were being sidelined to prevent them challenging him for the manager's position should it arise. Pearce claims also that he once kicked Gullit up in the air during a training session, and a number of other players sniggered at this due to Gullit's poor relationship with them. Pearce went on to play for West Ham United, a year after falling out of favour with Newcastle manager Ruud Gullit. He made his debut on 7 August 1999 in a 1-0 home win against Tottenham Hotspur. His first goal came on 21 October 2000 in a 2-1 home defeat to Arsenal. He made 50 appearances in all competitions, scoring three goals and in 2001 he was named Hammer of the Year. In the summer of 2001, he was Kevin Keegan's first signing for Manchester City for what would be the final season in his career. He captained the club to the First Division championship and scored direct from a free-kick on his debut, against Watford. In the final game of his career, against Portsmouth, he had the aim to reach 100 career goals. He took a penalty kick for City four minutes into injury time, but missed it along with the chance to reach his target. Throughout his career, Pearce was given the nickname of "Psycho" for his unforgiving style of play. This was initially a tag afforded to him only by Forest fans, though later it was adopted by England supporters as well. Former England teammate Matthew Le Tissier has since described him as his scariest opponent in his book, Taking Le Tiss. Former Nottingham Forest teammate Roy Keane said Pearce was a "man amongst boys" at Forest. In recognition of his talents and his support for various charities, he was made a Member of the Order of the British Empire by Queen Elizabeth II in January 1999.
Question: Which of his fellow player's name was mentioned in his career?
Answer: Ruud Gullit.

Background: Carroll Baker was born and raised in Johnstown, Pennsylvania, in a Roman Catholic family, the daughter of Edith Gertrude (nee Duffy) and William Watson Baker, a traveling salesman. She is of Polish descent, which has given rise to a rumor that her birth name was Karolina Piekarski. However, this currently cannot be substantiated by known records. Baker's parents separated when she was eight years old, and she moved with her mother and younger sister, Virginia, to Turtle Creek, Pennsylvania.
Context: Baker portrayed a pacifist Quaker schoolteacher in John Ford's Cheyenne Autumn (1964), and received critical acclaim for the role. She then had a supporting role as Saint Veronica in George Stevens' The Greatest Story Ever Told (1965), and portrayed a cynical, alcoholic movie star in The Carpetbaggers (1964), which brought her a second wave of notoriety in spite of the film's lackluster reviews. The New York Times called the film "a sickly sour distillation" of the source novel, but said Baker's performance "brought some color and a sandpaper personality as the sex-loaded widow." The film was the top moneymaker of that year, with domestic box-office receipts of $13,000,000, and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine. Based on her Carpetbaggers performance, Levine began to develop Baker as a movie sex symbol, and she appeared posing in the December 1964 issue of Playboy. She was subsequently cast by Levine in the title roles of two 1965 potboilers-- Sylvia, as an ex-prostitute and con artist, and as Jean Harlow in Harlow. Baker appeared on the cover of the Saturday Evening Post on their November 2, 1963, issue dressed as Harlow, promoting the film's upcoming production. In 1965, she became an official celebrity spokesperson for Foster Grant sunglasses and appeared in advertisements for the company. Baker likened this era of her career to "being a beauty contest winner [as opposed to] an actress." Despite much prepublicity, Harlow received a lukewarm response from critics: Variety referred to Baker's portrayal of Harlow as "a fairly reasonable facsimile, although she lacks the electric fire of the original." Relations between Baker and Levine soured; in a 1965 interview, Baker sardonically commented: "I'll say this about Joe Levine: I admire his taste in leading ladies," which led the press to suspect a rift between the actress and producer. Baker sued Levine over her contract with Paramount Pictures in 1966, and was ultimately fired by Paramount and had her paychecks from Harlow frozen amid the contentious legal dispute; this left Baker hundreds of thousands of dollars in debt (however, she was eventually awarded $1 million in compensation). In an interview with Rex Reed in his book People Are Crazy Here (1974), Baker revealed that she had felt pressure in both her working relationship with Levine, and her domestic life with her husband, the latter of whom she said wanted to maintain an expensive lifestyle: "We'd been very poor when we started out at the Actors Studio in New York," she told Reed. "I was under contract to Joe Levine, who was going around giving me diamonds and behaving like he owned me. I never slept with him or anything, but everyone thought I was his mistress." In the spring of 1966, Baker returned to theatre, performing in a production of Anna Christie at the Huntington Hartford Theater in Los Angeles. The production was directed by Garfein. The production was heralded as the "theatre event of the week" in Los Angeles, though its reception was middling. Cecil Smith of The Los Angeles Times wrote of the production: "The beautiful Miss Baker's vehicle becomes a hearse." The play was also performed at the Tappan Zee Playhouse in Nyack, New York in June 1966.
Question: Did she have any other sex symbol roles?
Answer:
She was subsequently cast by Levine in the title roles of two 1965 potboilers-- Sylvia, as an ex-prostitute and con artist,