Read the following context and answer the question. Context: Countess Nicolette de Gobignon pressed a wet cloth tothe King's brow. Though he lay there helpless, still she found him an awesome figure, like a fallen cathedral tower. Only two other men are as tall, she thought. Amalric and Orlando. She felt a pang of guilt. How could she be thinking about the troubadour here where her royal master lay slowly dying? She fixed her eyes on Louis, and on the ivory and wood crucifix that rose and fell on his chest with his labored breathing. Nicolette felt as if she, too, could hardly breathe. Across the crowded room a fire roared in a huge stone-lined fireplace. The air was stifling. She resented all that made it so, down to the woolen draperies and wall hangings and the thick carpets that sealed in the heat. But she knew that this northern chateau, Pontoise-les-Noyons, a day's ride from Paris, had had to be built to withstand cold, its walls thick and its windows tiny ? so totally unlike the bright, airy Languedoc manor she had grown up in. Sweat trickled down her brow and stung her eyes. Her breath was coming in little gasps. She felt as if she would faint if she couldn't go outside soon. Dozens of people, the King's family and courtiers, had packed themselves uselessly into the room, making it even more suffocating. Their whispers, like the buzzing of mosquitoes, irritated Nicolette. Almost all of them, she was sure, worried more about their own welfare than about the King's. And even Louis's wife and mother, though they grieved for him, were too distracted to do much to alleviate his suffering. She saw the King's lips quiver, and quickly she bent close to him. Any last words could be terribly important. "Jerusalem," he mumbled. "Towers - golden. Gates of pearl. Crystal waters." Then he panted heavily. "Hush, sire," she whispered. "Rest easy." Question: What Nicolette thought about King's welfare? Answer:
OPTIONS:
- He was slowly dying
- His health has newer been better
- There was nothing to worry about
- not enough information

Answer: He was slowly dying

Question: Read the following context and answer the question. Context: Jenny turned her nose up at me as I sat down, sniffing loudly and filling her nostrils with the strong alcohol stink I was emitting. "So have you been drinking already this morning, or are you just still drunk from last night?" "A little of both," I said. She peered at me disapprovingly over her iced latte. We were sitting at a table in front of a strip mall coffee shop. Jenny was wearing huge gold-rimmed sunglasses and had a decent collection of shopping bags gathered at her feet. "Busy afternoon?" I asked. "Just picking up a few things for Mexico. We leave tomorrow morning." My attention was drawn away by a group of men in black jumpsuits standing around in the parking lot next to a white van with the red Asterion logo painted on its side. It was hard to tell, but I thought one of them was the same guy I'd seen on the Light Rail a couple days before, the one who'd been reading the paper. Jenny seemed to notice my distraction and followed my gaze. "Is something wrong?" "No, it's just those Asterion guys seem to be everywhere now. I guess business must be booming." "Yeah, we hired them last month to archive our old financial records," Jenny replied. "They came in and hauled everything away, I was so happy to get all that empty space back. Of course it doesn't really matter now, since I'm going to have to find a new job when I get back from the honeymoon. "Anyways, I'm rambling," she admitted good-naturedly. "So what did you want to talk to me about?" "I wanted to ask you about someone I met last night." She bared her teeth ecstatically in a knowing grin. "Really? A woman, I presume." "Settle down, it's not like that. She's just a girl who said she can help introduce me to Dylan Maxwell." "Was it Natalie?" she asked. "I don't know. She was wearing a motley dress and a black veil." "Yep, that's Natalie," Jenny confirmed. Question: Immeditely after the end of the text, the narrator probably feel: Answer:
OPTIONS:
- Ready to start a new job
- Ready to go shopping
- not enough information
- Tired, but excited for the trip
Answer: Tired, but excited for the trip

Question: Read the following context and answer the question. Context: Ironically, J. Paul Getty never saw the Getty Villa. He died two years after his museum opened to the public in January 1974 in a new building modeled on an ancient Roman luxury home. It was not until after Getty's death in June 1976 that he returned from his estate in England to his "ranch" on the Pacific Coast: he is buried there at the edge of the property on a private plot overlooking the ocean, alongside his eldest and youngest sons, George and Timothy, both of whom predeceased him. Following a renovation and reinstallation of the galleries, the Getty Villa opens a new chapter in its history. Although Getty never set eyes on his creation, the story of how he built the Villa and assembled his collection pervades the galleries even today. A suite of revamped roomsGalleries 105 to 108share this history. Featuring ancient works of art Getty bought himself along with archival documents, the new displays place the objects in their cultural contexts and shed light on Getty's personal relationship to his museum and final resting place. From a Ranch House to an Ancient Villa Getty bought the 64-acre ranchonce part of the Rancho Boca de Santa Monica, an early-nineteenth-century 6,656-acre Mexican land grantjust after the end of World War II, intending it as a weekend retreat where his fifth wife Theodora ("Teddy") could ride horses and he could display his growing art collection. He knew the area well, for he already owned a small house on the beach in nearby Santa Monica, just steps from the sprawling complex his friend and rival collector William Randolph Hearst had built for the actress Marion Davies. (The Davies estate is now the Annenberg Community Beach House, while Getty's beach house has been replaced by a large modern condo complex, 270 Palisades Beach Road.) Question: After the story, how do artists probably view J. Paul Getty? Answer:
OPTIONS:
- with negativity
- with disgust
- with respect and admiration most likely
- not enough information
Answer:
with respect and admiration most likely