input: Released in 1995, Wild Angels accounted for another top five hit in its lead single "Safe in the Arms of Love", which had previously been recorded by both Wild Choir and Baillie & the Boys, and was concurrently released in Canada by Michelle Wright at the time of McBride's version. The album's title track went on to become McBride's first No. 1 single on the country charts in early 1996. However, the three follow-ups,"Phones Are Ringin' All Over Town", "Swingin' Doors" and "Cry on the Shoulder of the Road" were less successful, reaching the lower regions of the top 40. In early 1997, after "Cry on the Shoulder of the Road" peaked, McBride released two duets. "Still Holding On", a duet with Clint Black which was the lead-off single to her album Evolution and his album Nothin' but the Taillights, and "Valentine", a collaboration with pop pianist Jim Brickman which appeared on his album Picture This. She also sang duet vocals on "Chances Are" with Bob Seger, featured on the soundtrack of the 1998 motion picture Hope Floats. She had her second number one on the country charts with "A Broken Wing", the second single from her album Evolution, in late 1997 This album went on to produce four more top ten hits at country radio: a re-release of "Valentine", "Happy Girl", "Wrong Again" (which also went to number one), and "Whatever You Say". Towards the end of 1998, the album was certified double platinum in sales by the Recording Industry Association of America for selling two million units. In addition, she also won the Country Music Association Awards' "Female Vocalist of the Year" award in 1999 and also performed for President Bill Clinton during the same time. Also in 1998, McBride released a Christmas album titled White Christmas, which featured a rendition of "O Holy Night" that first charted in 1997 and continued to re-enter the charts until 2001. She also sang a guest vocal on Jason Sellers' mid-1998 single "This Small Divide".

Answer this question "What television program was McBride on in 2006?"
output:

input: Humble was born in Nixon, Texas, a suburb of San Antonio, in 1921. His athletic career began at San Antonio's Brackenridge High School. Humble played as an end for two seasons and a fullback for a third season on the football team. He also played on the basketball, track and swimming teams before graduating and enrolling at Rice University in Houston, Texas in 1940. Humble began play on Rice's freshman team as an end in 1940. He advanced to the varsity team the next year. While he started as an end, coach Jess Neely switched him to guard before the first game of the season. He thrived in the new position, and was named a sophomore all-star by the Associated Press after the Rice Owls finished 1941 with a 6-3-1 win-loss-tie record. The following year, Humble earned All-Southwestern Conference honors and won the George Martin Award, given to Rice's most valuable player, as Rice put up a 7-2-1 record. Humble left Rice in 1943 for the University of Louisiana at Lafayette, then called Southwestern Louisiana Institute, to prepare for service in World War II in a V-12 U.S. Navy training program. As he trained, he played alongside enlistees from Tulane University, the University of Tulsa and Louisiana State University on a military team that won six straight games and was selected to play in the first Oil Bowl in Houston. Captained by Humble, Southwestern beat a service team from Randolph Air Force Base in San Antonio. After the season, Humble enlisted in the United States Marine Corps and was sent to fight in the Pacific War. He rose to the rank of first lieutenant and won a Bronze Star Medal. Upon his discharge in 1946, Humble returned to Rice. He lettered in football and track and field and was voted a consensus first-team All-American guard while captain of Rice's Southwestern Conference co-champion team. He was also named lineman of the week by the Associated Press in November for his strong tackling in a game against the Texas A&M Aggies. After finishing with an 8-2 record, Rice beat Tennessee in the Orange Bowl game in early 1947. Rice was ranked the 10th-best college team in the nation in the AP Poll.

Answer this question "Are there any other interesting aspects about this article?"
output: enlisted in the United States Marine Corps and was sent to fight in the Pacific War.

input: Keaton's personal life had stabilized with his 1940 marriage, and now he was taking life a little easier, abandoning Columbia for the less strenuous field of feature films. Throughout the 1940s, Keaton played character roles in both "A" and "B" features. He made his last starring feature El Moderno Barba Azul (1946) in Mexico; the film was a low budget production, and it may not have been seen in the United States until its release on VHS in the 1980s, under the title Boom in the Moon. Critics rediscovered Keaton in 1949 and producers occasionally hired him for bigger "prestige" pictures. He had cameos in such films as In the Good Old Summertime (1949), Sunset Boulevard (1950), and Around the World in 80 Days (1956). In In The Good Old Summertime, Keaton personally directed the stars Judy Garland and Van Johnson in their first scene together where they bump into each other on the street. Keaton invented comedy bits where Johnson keeps trying to apologize to a seething Garland, but winds up messing up her hairdo and tearing her dress. Keaton also had a cameo as Jimmy, appearing near the end of the film It's a Mad, Mad, Mad, Mad World (1963). Jimmy assists Spencer Tracy's character, Captain C. G. Culpepper, by readying Culpepper's ultimately-unused boat for his abortive escape. (The restored version of that film, released in 2013, contains a restored scene where Jimmy and Culpeper talk on the telephone. Lost after the comedy epic's "roadshow" exhibition, the audio of that scene was discovered, and combined with still pictures to recreate the scene.) Keaton was given more screen time in A Funny Thing Happened on the Way to the Forum (1966). The appearance, since it was released after his death, was his posthumous swansong. Keaton also appeared in a comedy routine about two inept stage musicians in Charlie Chaplin's Limelight (1952), recalling the vaudeville of The Playhouse. With the exception of Seeing Stars, a minor publicity film produced in 1922, Limelight was the only time in which the two would ever appear together on film. In 1949, comedian Ed Wynn invited Keaton to appear on his CBS Television comedy-variety show, The Ed Wynn Show, which was televised live on the West Coast. Kinescopes were made for distribution of the programs to other parts of the country since there was no transcontinental coaxial cable until September 1951.

Answer this question "Great. What else?"
output:
Sunset Boulevard (1950),