input question: Given the following context: This is not to say that Sicily was completely isolated from trends elsewhere in Europe. Architecture in the island's major cities was strongly influenced by the family of the sculptor Domenico Gagini, who arrived from Florence in 1463. This family of sculptors and painters decorated churches and buildings with ornate decorative and figurative sculpture. Less than a century after his family had begun to cautiously decorate the island's churches (153137), Antonio Gagini completed the proscenium-like arch of the "Capella della Madonna" in the "Santuario dell'Annunziata" at Trapani. This pedimented arch to the sanctuary has pilasters not fluted, but decorated heavily with relief busts of the saints; and, most importantly in terms of architecture, the pediment is adorned by reclining saints supporting swags linked to the central shield that crowns the pediment. This ornate pediment, although still unbroken, was one of the first signs that Sicily was forming its own style of decorative architecture. Similar in style is the Chiesa del Gesu (Illustration 14), constructed between 1564 and 1633, which also shows early signs of the Sicilian Baroque. Thus a particular brand of Baroque architecture had begun to evolve in Sicily long before the earthquake of 1693. While the majority of those buildings that can be clearly classified as Baroque in style date from around 1650, the scarcity of these isolated, surviving examples of Sicily's 17th-century architectural history makes it hard to fully and accurately evaluate the architecture immediately before the natural disaster: the earthquake destroyed not only most of the buildings, but also most of their documentation. Yet more information has been lost in subsequent earthquakes and severe bombing during World War II. The earliest example of Baroque on the island is Giulio Lasso's Quattro Canti, an octagonal piazza, or circus, constructed around 1610 at the crossroads of the city's two principal streets. Around this intersection are four open sides, being the streets, and... answer the following question: What is the name of the pediment adorned by reclining saints????
output answer: Capella della Madonna

input question: Given the following context: Somewhere in the 17th century, after attacking and boarding one of the Kingdom of Monterria's ships, the pirate Robert the Terrible captures the Prince Alexander and sends his men in search of Princess Eloise. Eluding the pirates, Eloise and her servant Willory emerge and send a device that the king made, called a "Helpseeker," to find heroes to save Alexander. In modern times, three misfits: the "yes man" George, the lazy Sedgewick, and the timid Elliot (Larry the Cucumber) are employees at a dinner theater. Although they want to be seen as heroes by their loved ones, as lowly cabin boys they think their dream is unattainable. After wrecking the show, they are fired and thrown into the alley, where the Helpseeker locates them. Elliot activates the device, transporting them to Monterria. Meeting Eloise and Willory, the group sets off to Jolly Joe's Tavern where they learn that Robert, the brother of the king, has kidnapped Alexander in the hopes of exacting revenge on his brother, who banished him. Setting sail in search of the whereabouts of Robert's hideout, the pirate's men capture Eloise and Willory. As George and Elliot continue on their quest, a cowardly Sedgewick decides to stay behind in a cave filled with "cheese curls", afraid to face Robert. After the two leave, however, Sedgewick discovers the curls are living worm-like creatures and is chased out of the cave, overcoming his fear and laziness along the way. answer the following question: Who was banished????
output answer: Robert

input question: Given the following context: The White House is connected to The Barn (originally The Stables), a red-brick building built in 1926. The archway in the centre of the building was originally an open passageway. It now houses the reception area for the Training and Event Centre. The first floor of the building was used as training rooms for Cub Scout Leaders. The clock on the front of the building was a gift from a former Japanese Chief Scout, Count Sano, who was present at an early training course at Gilwell Park. The weather vane on the roof depicts Dick Turpin, who was rumoured to live on the site. Close to the estate entrance, The Lodge was built in 1934 as the Camp Chief's (later succeeded by the Director of Programme and Development) home. The building is now used to accommodate Scout Association staff and host internal meetings. The Gilwell Farm is the oldest building on the site still standing, dating from the 1600s. The building started as two separate cottages. In the grounds of the building is the last remaining well on site, known as Gil Well. The Farm was refurbished from its derelict site, opening in 2015 as the new offices and reception of Scout Adventures Gilwell Park . Close by, The Leopard Gates mark the original entrance to Gilwell Park, and were carved by Gilwlel master craftsman Don Potter in 1928. The Lid, which originally consisted of a roof but no walls, was a wet weather shelter built in 1967. In 2009, the building was renovated and now consists of a large activity hall, two classrooms, staff space and a large store room added The activity hall houses all the indoor activities on-site, including an archery range and climbing walls. In front of The Lid, is the Tait McKenzie Statue, gifted by the Boy Scouts of America in 1966. The Barnacle was built in 1950 as a First Aid centre, which quickly became a volunteer-run cottage hospital for visitors and the local community. It houses a 6-bed ward, isolation room, dental surgery, X-ray room and operating theatre. In the late 1980s the building became volunteer... answer the following question: What building now houses the reception area for the Training and Event Centre????
output answer:
The Barn