Problem: Given the following context: Caspar David Friedrich (5 September 1774 7 May 1840) was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic or megalithic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".Friedrich was born in the town of Greifswald on the Baltic Sea in what was at the time Swedish Pomerania. He studied in Copenhagen until 1798, before settling in Dresden. He came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J. M. W. Turner and John Constable sought to depict nature as a "divine creation, to be set against the artifice of human civilization".Friedrich's work brought him renown early in his career, and contemporaries such as the French sculptor David d'Angers spoke of him as a man who had discovered "the tragedy of landscape". Nevertheless, his work fell from favour during his later years, and he died in obscurity. As Germany moved towards modernisation in the late 19th century, a new sense of urgency characterised its art, and Friedrich's contemplative depictions of stillness came to be seen as the products of a bygone age. The early 20th century brought a renewed appreciation of his work, beginning in 1906 with an exhibition of thirty-two of his... answer the following question: What is the last name of the person who was said to be a man who had discovered the "tragedy of landscape"?

A: Friedrich

Problem: Given the following context: After losing her son Oliver in a car accident in India, Maria has not recovered from the tragedy. During the accident, Maria chose to save her youngest daughter, Lucy instead of Oliver and the guilt devastated her. One night, her husband Michael finds Maria unconscious after a suicide attempt. In the hospital, Maria is comforted by her housekeeper Piki. Piki asks Maria if she wants one final chance to say goodbye to Oliver. She explains that in her village, there is an abandoned temple where the line between the living and the dead is very thin. Maria must scatter her son's ashes at the temple steps and lock herself in. Oliver will speak to her once night falls. However, no matter what Oliver says, Maria must not open the temple door for him. Maria agrees and the pair have Oliver's body exhumed and burned. Maria notices some strange men covered in ash. Piki explains that they are shamans who consume the flesh of the dead and coat themselves in ash to strengthen their bonds between the worlds of the living and the dead. answer the following question: What is the name of the mother of the boy who died?

A: Maria

Problem: Given the following context: In France during the mid-17th century, Cardinal Richelieu receives a visit from the despicably charming young woman, Milady de Winter. Milady brings the Cardinal information regarding the notorious affair between the queen of France and the English Duke of Buckingham. Outside their window, the queen's seamstress, Constance Bonacieux, stands watching the conversation between the two characters, when she is attacked by Rochefort, one of the Cardinal's loyal men. She is rescued by the young musketeer d'Artagnan and taken away to his abode, where Constance briefly explains her troubles and asks for d'Artagnan's help. Cardinal Richelieu, wanting to convince King Louis XIII that his wife, the queen, is unfaithful to him and in love with the Duke of Buckingham, suggests that he should ask his wife to wear the diamonds he had given her for an upcoming ball. The queen, shocked and dismayed, confesses to Constance that she had sent the diamonds to the Duke of Buckingham, and her confidant goes to d'Artagnan for help. With the help of his companions, three of the finest musketeers in France, Athos, Porthos and Aramis, d'Artagnan makes his way to England to seek the Duke himself, so that he may recover the diamonds and restore the queen's honor. answer the following question: What is the name of the character who gave his wife diamonds?

A: King Louis XIII

Problem: Given the following context: The Stooges are key witnesses at a murder trial. Their friend and colleague, Gail Tempest, is a dancer at the Black Bottom cafe where the Stooges are musicians. She is accused of killing Kirk Robin (a play on "Who Killed Cock Robin?"). When the Stooges are called to the witness stand, they are nowhere to be found. The defense attorney goes out into the hall only to find the Stooges playing jacks and tic-tac-toe simultaneously on the floor. After considerable mutual frustration, the court finally swears in Curly, who begins to describe the events that took place on the night of the murder. He offers to show the court exactly what happened. The Stooges and Gail are part of a musical act; and the Stooges break into their musical routine to prove this, with Larry on violin, Moe harmonica, and Curly on both spoons and upright bass. Gail Tempest shrugs off her coat and reveals her dancer costume, to the great surprise of the jury. answer the following question: Who is the dancer at the cafe where the Stooges play on trial for killing?

A:
Kirk Robin