input question: Select the correct sentiment of the following review: Of course, the story line for this movie isn't the best, but the dances are wonderful. This story line is different from other Astaire-Rogers movies in that neither one is "chasing" the other. The dancing of Fred and Ginger is what makes this movie.
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output answer: positive

input question: Select the correct sentiment of the following review: I'm working my way through the Horror Classics 50 Movie Pack Collection and REVOLT OF THE ZOMBIES is one of the movies in the set. I am watching them with my soon-to-be seven-year old daughter, which makes most of these movies a laugh riot.

I had high hopes for REVOLT OF THE ZOMBIES, after watching White Zombie, which is really the precursor to so much that is the mainstay of zombies in cinema (think Clive Barker's Serpent and the Rainbow and James Bond's Live and Let Die funeral scene, NOT Night of the Living Dead).

However, even though the title includes the word "zombies," it is little more than a love triangle, involving anthropologist Armand Louque, who is smitten with Claire Duval; who in turn is taken with his companion Clifford Grayson. What a yawn-fest, my daughter fell asleep half-way through.

I had a real hard time deciphering who these people worked for -- the allies or the axis; but, I guess that doesn't really matter.

I was shocked to see Bela Lugosi in the credits for this movie; but, of course those were his eyes (from White Zombie) serving as the mind-control device for the zombies.
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output answer: negative

input question: Select the correct sentiment of the following review: Just picked up this film for a buck at National Wholesale Liquidators, and after watching it, I feel like I got ripped-off.

I don't know that I've seen a worse film than this. Honestly. And I would never write a negative review of a film had I not such enormous respect for the subject matter, that is, Stephen Foster and his music.

First, what is it? It's a musical biography? Yeah, lot's of tunes by Foster then interspersed here and there are these pseudo-Broadway-Jerome Kern-type numbers that reek more than the Mississippi delta. I mean, somebody got PAID to write this drivel? Secondly, the REAL story of Foster is a fascinating one. Why not even come CLOSE to it? Thirdly, what did they have on the great Ray Middleton to get him to do this film? Pictures of him with small boys?? With communists? What a waste of a great talent.

So, friends of Foster, and the truth, and good entertainment, be afraid... be very, very, afraid.
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output answer:
negative