input question: Question: Who gets thrown into the pond? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Over the Edge Context: Carl (Michael Kramer) and his friends, Ritchie (Matt Dillon), Claude (Tom Fergus), and Johnny (Tiger Thompson) are hanging out at The Rec, a recreation center for the kids in New Grenada, a planned community full of condominiums and town homes. The Rec is pretty much the only thing in town for the children, as the Homeowners Association totally forgot about the fact that nearly 25% of the population of New Grenada is under the age of 15. So, naturally, the kids find themselves some other ways to have fun; sex, drugs, alcohol, vandalism, and rock n roll. One of the first scenes shown is Mark Perry (Vincent Spano), and his friend shooting his B.B. gun at oncoming cars on the overpass. However, when they hit a police cruiser, they laugh and cheer, and decide to leave before the cop sees them. They hop on their bikes, and ride down the road, passing Carl and Ritchie, who, when warned by the boys about cops, dive into the weeds behind an electric control box. The police car pulls up, and out steps Sgt. Doberman (Harry Northup), the most hated cop in town. He sees the boys, and, upon frisking them, finds a three-inch pocketknife on Ritchie. He take the boys to the station, and calls Carl's father, Fred Willat (Andy Romano), warning him about Carl's behavior.Fred is the local Cadillac salesman, an upper middle class job. Before getting Doberman's call, is talking to Jerry Cole (Richard Jamison), president of the Homeowners Association, about getting Mr. Sloan (Lane Smith), a wealthy Texas Landowner, to come to see the land across the street from The Rec, with hopes of building an industrial park there. Back at the police station, Doberman is questioning Ritchie and Carl about who had the gun, and Ritchie tells them that he has only 1 law; A kid who tells on another kid is a dead kid. Ritchie is then taken out of the room, and Doberman continues lecturing Carl about where hes going to end up if he keeps this up; The Hill, a correction center for the kids in the area. Then Carl and his father drive home, where Sandra...???
output answer: Tip

Question: What show increased Kaufman's fame? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Man on the Moon Context: At the beginning, Kaufman's foreign man comes on saying (due to massive editing) it is the end of the film and plays a record alongside the end credits before walking off. Kaufman then comes back on in his normal voice saying he "Had to get rid of the people who don't understand me, and don't want to try". He then proceeds to show the actual movie on a film projector starting with his childhood home, in Long Island, New York 1957.Flashing forwards to New York City, 1973, Andy Kaufman (Jim Carrey) is a struggling performer whose act fails in nightclubs because, while the audience wants comedy, he sings childrens songs and overuses his "foreign man" character. Just as it becomes clear that Kaufman may have no real talent, he puts on a rhinestone jacket and does a dead-on Elvis impersonation and song. The audience bursts into applause, realizing Kaufman had tricked them making his big Elvis payoff all the more enjoyable. This is the first of many times we see Kaufman trick the audience, as "fooling the audience" is his performance style.His autistic, eccentric style catches the eye of talent agent George Shapiro (Danny DeVito), who signs him as a client and immediately gets Kaufman on a new sitcom, 'Taxi' in 1975, much to the dismay of sitcom-hating Kaufman. Because of the money, visibility, and chance to do his own television special, Kaufman acts on Taxi, but secretly hates it and works a second menial job as a restaurant busboy. Around this time, he gains popularity by making successful guest appearances on the new show 'Saturday Night Live'.At a nightclub, Shapiro witnesses a performance from a rude, loud-mouthed lounge singer named Tony Clifton, whom Andy wants to guest-star several times on Taxi on his terms, and whose bad attitude is matched by his horrible appearance and demeanor. When Clifton meets Shapiro privately, Clifton takes off his sunglasses and we see that he is actually Kaufman. Clifton is a villain character created by Kaufman and his creative partner, Bob Zmuda (Paul Giamatti), both of whom...
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Answer: Saturday Night Live

Problem: Given the question: Question: What country does Amal decide to leave? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Cairo Exit Context: This section's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (August 2011) (Learn how and when to remove this template message) The story of Cairo Exit takes place in a small town in the outskirts of Cairo, Dar El Salaam, a city that inhabits mostly lower class, working class Egyptians. In the ancient time until the 60s this was the most fertile land but now it's slums inhabitant by all kinds of people. The town is close to Maadi an upper-class neighborhood and the local calls "the American Neignobourhood". The Nile runs through it. The city is one of the many slums that surround Cairo. In twenty minutes a person can leave old Cairo, the slums of Cairo that look like a medieval places to Zamalak or Maddi with their westernized hotels, houses and internet cafes. It's precisely the journey of the main Character, Amal, through Cairo from the slums, to modern Cairo, to Coptic and Islamic Cairo. This journey in the bewildering chaos of the city, the visual turmoil and disorder of color is all part of the frame in Cairo Exit. In this story everyone wants to leave and everyone has a secret of his or her own. Cairo is a city of layers, ancient civilizations crumbled over each other, covered by modern way of life. The challenge is to capture the light and dark contrasts of the city with fresh eyes to create a visceral, immediate experience for audiences, immersing them in the sweltering heat and small alleyways. Since we're shooting in the heart of the city's infamous but rarely explored slums, capturing their energy and urgency on-the-fly, with an unforced realism. By using a hand-held camera to reflect the urgency of the city, the disorder of details and to activate the perception of loneliness for the characters. With a distilled narrative and a closely attentive camera, the story offer up characters, often members of what might be called the struggling classes, who are humanized through their daily choices. Though the...
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The answer is:
Egypt