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Answer: My wife and I both agree that this is one of the worst movies ever made. Certainly in the top ten of those I've watched all the way through. At least "Plan 9" was enjoyable.

I DID really enjoy "Christine", "The Dead Zone", "Firestarter", "Carrie", and some of his other films. I didn't care much for "Cujo" (only because the sound was so bad on versions I've seen and I often couldn't tell what people were saying), or "Pet Sematary (Pet Cemetery)".

But this mess was a total mistake in every way possible. The "creatures" themselves seemed designed by a 9-year-old. (No offense to 9-year-olds.)

Even the "one-liners" made us groan and weren't remotely amusing.

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Answer: Although I live in Minnesota, I have been studying in France lately and came across this bizarre gem of a film.

This movie was amazing, to say the least. A creative and unique film, the different directors each lent something different to their interpretation of love in the City of Light. The first instinct is to attempt to fit each one of these little stories into an overall storyline, much as can be done with 2003's Love Actually. This attempt, however, renders the magic of each individual segment obsolete. When taken at face value, with each of the short segments taken as its own individual film, the love stories together tell a beautiful message.

The film is strikingly bizarre at times -- often to the point of confusion -- and each individual segment can be hard to follow. Still, to a watcher who pays close attention to each of the segments, the short plot lines become clear after a short time. The confusion is almost intriguing; it keeps you on the edge of your seat waiting for what will come next. It leaves the viewer wondering "Did that really just happen?" yet also leaves them satisfied that it did, indeed, occur. It's the kind of movie where the viewer, upon leaving the theater, can't actually decide whether they loved it or they hated it. The initial reaction is to go and watch it again and again, just to see these individual lives blend together into a cinematic masterpiece.

The interesting decision to make the movie multilingual adds something to the spectrum of people who can relate. It adds to the reality of the film -- here, the American tourists speak English, the Parisians French, and so on. The number of people that the film encompasses leads to an understanding of the international language of love.

From sickness to the supernatural, the love of parents to the love of husbands, this film covers all the bases of romantic storytelling. In its beautiful and quirky way, each unique event somehow falls into place to tell a story: that of all types, sizes, nationalities, and shapes of love.

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Answer:
George Brent is a reporter sent to interview an heiress. She is supposedly the heir to a face cream fortune. He interviews her on her yacht. They fall for each other in bathing costumes.

It turns out (quite early) that she is not an heiress. She part of an advertising campaign for the cold cream.

The movie follows the ups and downs of their romance.

The supporting cast does little to buoy it up. Davis and Brent carry the picture. Though it's fairly predictable, it is also fairly entertaining. It's far from her best. But, especially considering its obscurity in her oeuvre, it's not one of her worst, either.