TASK DEFINITION: In this task, you're expected to write answers to questions involving multiple references to the same entity. The answer to the question should be unambiguous and a phrase in the paragraph. Most questions can have only one correct answer.
PROBLEM: Passage: Danielle, a rich, elderly woman, accompanied by her nephew, Luke, goes to a beauty parlor to get her hair done. While she is there, she begins to struggle breathing, due to two-thirds of her lungs being missing. When Danielle's beauty girl, Kassia Lancaster, sees this, she calls Danielle's other nephew, Wylie, who is with a girl when she comes to pick him up. Kassia takes Wylie to her parlor and explains that after she saw Danielle, or Danny as Wylie calls her, collapse, she got the idea to kill Aunt Danny by shutting off the oxygen supply in the oxygen tent she uses every night. Wylie agrees to do it, and then he hears a cat, which he is deathly afraid of after one attacked him when he was a child. Suddenly, Kassia sees an orange cat and tries to stop it, but it jumps onto Wylie, who throws it into a machine, electrocuting the cat.
The next day, Wylie goes to see Aunt Danny, but leaves her room when he sees cats everywhere. He then talks to his brother, Luke, who has been caring for Aunt Danny, despite the fact that she hates him. Luke thinks that Wylie is there so that he can get Aunt Danny's inheritance when she dies, but Wylie just brushes it off. Wylie gets angry at Kassia for sending him to a house full of cats, but she says that she didn't know about them. Wylie forgives her, and the two sleep together. Luke finds out that Aunt Danny is going to leave all of her money to her cats, which shocks Wylie, and he convinces Danny to make him her heir and to get rid of the cats, which Luke does by luring them into a car with a bowl of meat. Later, Danny overhears Wylie talking to Kassia about her murder, but when she confronts Wylie he plays it off as a joke. Meanwhile, the cats begin to return.
Question: What is the full name of the character who sleeps with Wylie?

SOLUTION: Kassia Lancaster.

PROBLEM: Passage: A five-movement ballet occurred somewhere in Act II, staged by W. H. Payne. A heading in the libretto, "Chorus and Ballet", attaches it to the last section of the finale but does not indicate how it figured in the plot. Most press accounts placed it at about this point, although some placed it slightly earlier in the act. At some performances, the ballet was performed in Act I, but it was certainly in Act II on opening night, and it seems finally to have settled there.In 1990, Roderick Spencer and Selwyn Tillett discovered the ballet from Act II of Thespis. Two of the five movements, in the same hand that had copied the score of "Climbing over rocky mountain", were found together with the surviving performance materials for Sullivan's 1864 ballet, L'Ile Enchantee. Another section was found in the material for his 1897 ballet, Victoria and Merrie England. The page numbering of the surviving three sections gave approximate lengths for the missing pieces, and a contemporary engraving, seen at left, along with other circumstantial evidence, allowed plausible identifications of the two remaining movements: a dragon costume, used nowhere in the libretto, is presumably from the ballet, and the harp visible in the orchestra pit was an unusual instrument for the Gaiety's orchestra. Movements of appropriate length that made sense of these oddities were found in Sullivan's other ballets, and the reconstructed ballet has been recorded twice on CD.
Sullivan tended to re-use his ballet music. Of the five movements that Tillett and Spencer identified, only one (the Waltz, No. 3) is not known to have been used in any other work. Three of the movements had previously been used in L'Ile Enchantee. Two of those, and one other, were eventually re-used in Victoria and Merrie England. One was also used in his incidental music to Macbeth. Sullivan was asked in 1889 to supply a ballet for a French-language production of The Mikado in Brussels, which he duly did. Tillett suggests that the Thespis ballet was almost certainly the music that Sullivan provided, given that it was the only ballet that he wrote for use in an opera, and that three weeks after producing The Gondoliers he is unlikely to have written something original.
Question: What were the name of the two movements discovered by Spencer and Tillett?

SOLUTION: Climbing over rocky mountain.

PROBLEM: Passage: In the late 1970s Tippett produced three single-movement instrumental works: the Symphony No. 4 (1977), the String Quartet No. 4 (1978), and the Triple Concerto for violin, viola and cello (1979). The symphony, written in the manner of the tone poem or symphonic fantasia exemplified by Sibelius, represents what Tippett describes as a birth-to-death cycle, beginning and ending with the sounds of breathing. This effect was initially provided by a wind machine, although other means have been tried, with mixed resultsaccording to Bowen "the sounds emitted can turn out to be redolent of a space-fiction film or a bordello". The Fourth String Quartet, Tippett explains, is an exercise in "finding a sound" that he first encountered in the incidental music to a television programme on Rembrandt. In the Triple Concerto, which is thematically related to the Fourth Quartet and quotes from it, the three solo instruments perform individually rather than as a formal grouping. The work acknowledges Tippett's past with quotations from The Midsummer Marriage.

Tippett described the longest and most ambitious of his late works, the oratorio The Mask of Time (1982), as "a pageant of sorts with an ultimately lofty message". Mellers called the work "a mind-boggling cosmic history of the universe". Paul Driver, who had been a critic of Tippett's new style, wrote that the Mask revealed "the authentic early Tippett", with a return to the lyricism of The Midsummer Marriage and multiple acknowledgements of his early compositions.Tippett had intended The Ice Break to be his final opera, but in 1985 he began work on New Year. Bowen saw this work as a summary of ideas and images that had attracted Tippett throughout his working life. Donal Henahan was dismissive of the music: "... the score generally natters along in the numbing, not-quite-atonal but antimelodic style familiar from other Tippett works." In Byzantium (1990), Tippett set the five stanzas of W. B. Yeats's poem, with added orchestral interludes. By this time he was professing little interest in his own work beyond its creation; performance and reception had become irrelevant to him. In 1996 he told an interviewer: "I'm outside the music I've made, I have no interest in it". After the String Quartet No. 5 (1991), which connects thematically with earlier works, Tippett closed his main output with The Rose Lake (1993), described in Tippett's Daily Telegraph obituary as "of luminous beauty ... a worthy ending to a remarkable career".
Question: What was the title of the work that Mellers called a mind-boggling comic history of the universe?

SOLUTION:
The Mask of Time.