Problem: Background: Mitchell William "Mitch" Miller (July 4, 1911 - July 31, 2010) was an American oboist, conductor, recording producer and recording industry executive. He was involved in almost all aspects of the industry, particularly as a conductor, and artist and repertoire (A&R) man. Miller was one of the most influential people in American popular music during the 1950s and early 1960s, both as the head of A&R at Columbia Records and as a best-selling recording artist with an NBC television series, Sing Along with Mitch. A graduate of the Eastman School of Music of the University of Rochester in the early 1930s, Miller began his musical career as an accomplished player of the oboe and English horn, making numerous highly regarded classical and popular recordings, but he is best remembered as a choral conductor on television and as a recordings executive.
Context: As a record producer, Miller gained a reputation for both innovation and gimmickry. Although he oversaw dozens of chart hits, his relentlessly cheery arrangements and his penchant for novelty material -- for example, Come On-a My House (Rosemary Clooney), "Mama Will Bark" (Frank Sinatra and Dagmar) -- has drawn criticism from some admirers of traditional pop music. Music historian Will Friedwald wrote in his book Jazz Singing (Da Capo Press, 1996) that Miller exemplified the worst in American pop. He first aroused the ire of intelligent listeners by trying to turn -- and darn near succeeding in turning -- great artists like Sinatra, Clooney, and Tony Bennett into hacks. Miller chose the worst songs and put together the worst backings imaginable -- not with the hit-or-miss attitude that bad musicians traditionally used, but with insight, forethought, careful planning, and perverted brilliance. At the same time, Friedwald acknowledges Miller's great influence on later popular music production: Miller established the primacy of the producer, proving that even more than the artist, the accompaniment, or the material, it was the responsibility of the man in the recording booth whether a record flew or flopped. Miller also conceived the idea of the pop record "sound" per se: not so much an arrangement or a tune, but an aural texture (usually replete with extramusical gimmicks) that could be created in the studio and then replicated in live performance, instead of the other way around. Miller was hardly a rock 'n' roller, yet without these ideas there could never have been rock 'n' roll. "Mule Train", Miller's first major hit (for Frankie Laine) and the foundation of his career, set the pattern for virtually the entire first decade of rock. The similarities between it and, say, "Leader of the Pack", need hardly be outlined here. While some of Columbia's performers, including Harry James, Frank Sinatra and Rosemary Clooney, resented Miller's methods, the label maintained a high hit-to-release ratio during the 1950s. Sinatra particularly blamed his temporary fall from popularity while at Columbia on Miller; the crooner felt that he was forced by Miller to record material like "Mama Will Bark" and "The Hucklebuck". Miller countered that Sinatra's contract gave him the right to refuse any song.
Question: Who was an artist he worked with?
Answer: Sinatra,

Background: Cold is an American rock band, formed in 1986 in Jacksonville, Florida. With two gold-albums, Cold has sold over one million records in the US alone. On November 17, 2006, it was announced on MySpace that, after a period of uncertainty since that February, the group had decided to disband. In July 2008, it was announced that the original line-up would reunite for a tour in early 2009.
Context: With the success of 13 Ways to Bleed on Stage, Geffen financed their third major album titled Year of the Spider, which was released in 2003. The album has been to date the band's most commercially successful album, debuting at No. 3 on the Billboard Album charts, with over 101,000 copies of the album sold in its first week of release.[2] The album's first single, "Stupid Girl," has been the only Cold single to crack the Billboard Hot 100, peaking at No. 87. Following the release of the album's second single "Suffocate" to radio stations, plans were set-forth for a video to accompany the song. However, a music video was not made due to Geffen not giving approval. The stalemate with the label led to frustrations within the band, and in early 2004 Terry Balsamo departed, replacing Ben Moody in Evanescence. Balsamo was later replaced by ex-Darwin's Waiting Room guitarist Eddie Randini. In 2004, guitarist Kelly Hayes quit the band as well. A week later, Hayes officially confirmed his position as the guitarist in the Jacksonville hard rock outfit Allele, a move that had been in the works from the time Terry Balsamo left the band. The band made efforts to release another single, "Wasted Years" from Year of the Spider. However, Geffen continued to not support the album any further. Subsequently, in mid-2004 the band asked to be released from the Geffen label. Around this time, Cold recorded the soundtrack for the video game Psi-Ops: The Mindgate Conspiracy featuring the songs "With My Mind", "Came All the Way" a b-side from Year of the Spider, "Just Got Wicked (Chris Vrenna Remix)", and "Go Away (Chris Vrenna Eye Socket Remix)" and embarked on a short tour with Sevendust in support of "With My Mind", the single released from the CD. They also performed at E3 to promote the game; however, the song was never released on any of their albums.
Question: Are there any other interesting aspects about this article?
Answer:
Following the release of the album's second single "Suffocate" to radio stations, plans were set-forth for a video to accompany the song.