input: Composers of the late 18th century became fascinated with the new possibilities of the symphony and other instrumental music, and generally neglected choral music. Mozart's choral works, though not as numerous as his works for other media, stand out as some of his greatest (such as the "Great" Mass in C minor and Requiem in D minor, the latter of which is often considered the greatest Requiem Mass of all time). Haydn became more interested in choral music near the end of his life following his visits to England in the 1790s, when he heard various Handel oratorios performed by large forces; he wrote a series of masses beginning in 1797 and his two great oratorios The Creation and The Seasons. Beethoven wrote only two masses, both intended for liturgical use, although his Missa solemnis is probably suitable only for the grandest ceremonies due to its length, difficulty and large-scale scoring. He also pioneered the use of chorus as part of symphonic texture with his Ninth Symphony and Choral Fantasia. In the 19th century, sacred music escaped from the church and leaped onto the concert stage, with large sacred works unsuitable for church use, such as Berlioz's Te Deum and Requiem, and Brahms's Ein deutsches Requiem. Rossini's Stabat mater, Schubert's masses, and Verdi's Requiem also exploited the grandeur offered by instrumental accompaniment. Oratorios also continued to be written, clearly influenced by Handel's models. Berlioz's L'enfance du Christ and Mendelssohn's Elijah and St Paul are in the category. Schubert, Mendelssohn, and Brahms also wrote secular cantatas, the best known of which are Brahms's Schicksalslied and Nanie. A few composers developed a cappella music, especially Bruckner, whose masses and motets startlingly juxtapose Renaissance counterpoint with chromatic harmony. Mendelssohn and Brahms also wrote significant a cappella motets. The amateur chorus (beginning chiefly as a social outlet) began to receive serious consideration as a compositional venue for the part-songs of Schubert, Schumann, Mendelssohn, Brahms, and others. These 'singing clubs' were often for women or men separately, and the music was typically in four-part (hence the name "part-song") and either a cappella or with simple instrumentation. At the same time, the Cecilian movement attempted a restoration of the pure Renaissance style in Catholic churches.

Answer this question "Significance of a choir in classical or romantic music?"
output: Mozart's choral works, though not as numerous as his works for other media, stand out as some of his greatest (

input: On 5 February 1971, Dench married British actor Michael Williams. They had their only child, Tara Cressida Frances Williams, an actress known professionally as Finty Williams, on 24 September 1972. Dench and her husband starred together in several stage productions and on the Bob Larbey British television sitcom, A Fine Romance (1981-84). Michael Williams died from lung cancer in 2001, aged 65. They have one grandchild, Finty's son Sam Williams (born in 1997). Dench has been in a relationship with conservationist David Mills since 2010. During a 2014 interview with The Times magazine, she discussed how she never expected to find love again after her husband's death, "I wasn't even prepared to be ready for it. It was very, very gradual and grown up ... It's just wonderful." In early 2012, Dench discussed her macular degeneration, with one eye "dry" and the other "wet", for which she has been treated with injections into the eye. She said that she needs someone to read scripts to her. She also underwent knee surgery in 2013, but stated that she recovered from the procedure well and "It's not an issue for me." Dench has been critical of prejudice in the movie industry against older actresses. She stated in 2014, "I'm tired of being told I'm too old to try something. I should be able to decide for myself if I can't do things and not have someone tell me I'll forget my lines or I'll trip and fall on the set"; and "Age is a number. It's something imposed on you ... It drives me absolutely spare when people say, 'Are you going to retire? Isn't it time you put your feet up?' Or tell me [my] age." In 2013, she spoke about her personal religious faith. Dench, a Quaker, said "I think it informs everything I do ... I couldn't be without it".

Answer this question "When was Tara born?"
output: 24 September 1972.

input: As a teenager, Nas enlisted his best friend and upstairs neighbor Willy "Ill Will" Graham as his DJ. Nas initially went by the nickname "Kid Wave" before adopting his more commonly known alias of "Nasty Nas". In the late-1980s, he met up with the producer Large Professor and went to the studio where Rakim and Kool G Rap were recording their albums. When they were not in the recording studio, Nas would go into the booth and record his own material. However, none of it was ever released. In 1991, Nas performed on Main Source's "Live at the Barbeque". In mid-1992, Nas was approached by MC Serch of 3rd Bass, who became his manager and secured Nas a record deal with Columbia Records during the same year. Nas made his solo debut under the name of "Nasty Nas" on the single "Halftime" from MC Serch's soundtrack for the film Zebrahead. Called the new Rakim, his rhyming skills attracted a significant amount of attention within the hip-hop community. In 1994, Nas's debut album, Illmatic, was finally released. It was awarded best album of 1994 by The Source. It also featured production from Large Professor, Pete Rock, Q-Tip, LES and DJ Premier, as well as guest appearances from Nas's friend AZ and his father Olu Dara. The album spawned several singles, including "The World Is Yours", "It Ain't Hard to Tell", and "One Love". Shaheem Reid of MTV News called Illmatic "the first classic LP" of 1994. In 1994, Nas also recorded the song "One on One" for the soundtrack to the film Street Fighter. In his book To the Break of Dawn: A Freestyle on the Hip Hop Aesthetic, William Jelani Cobb writes of Nas's impact at the time: Nas, the poetic sage of the Queensbridge projects, was hailed as the second coming of Rakim--as if the first had reached his expiration date. [...] Nas never became 'the next Rakim,' nor did he really have to. Illmatic stood on its own terms. The sublime lyricism of the CD, combined with the fact that it was delivered into the crucible of the boiling East-West conflict, quickly solidified [his] reputation as the premier writer of his time. Steve Huey of AllMusic described Nas's lyrics on Illmatic as "highly literate" and his raps "superbly fluid regardless of the size of his vocabulary", adding that Nas is "able to evoke the bleak reality of ghetto life without losing hope or forgetting the good times". Reviewing Nas's second album It Was Written, Leo Stanley of allmusic believed the rhymes to be not as complex as those in Illmatic but still "not only flow, but manage to tell coherent stories as well". About.com ranked Illmatic as the greatest hip-hop album of all time, and Prefix magazine praised it as "the best hip-hop record ever made".

Answer this question "What were his hits?"
output:
The album spawned several singles, including "The World Is Yours", "It Ain't Hard to Tell", and "One Love".