Question: A friend asked me to answer this question: What is the name of the person that had rolls of film smuggled to the west?, using the article: Tomas, a successful brain surgeon in Communist Czechoslovakia, is pursuing an affair with Sabina, an equally care-free artist in Prague. Dr Tomas takes a trip to a spa town for a specialized surgery. There, he meets dissatisfied waitress Tereza, who desires intellectual stimulation. She tracks him down in Prague and moves in with him, complicating Tomas's affairs. Tomas asks Sabina to help Tereza find work as a photographer. Tereza is fascinated and jealous as she grasps that Sabina and Tomas are lovers, but feels affection for Sabina. Nevertheless, Tomas marries Tereza, in a simple ceremony with both perpetually laughing, followed by her double standard distress about Tomas' promiscuity. Although she considers leaving Tomas, she becomes more attached to Tomas when the Soviet Army invades Czechoslovakia. Amidst the confusion, Tereza photographs demonstrations against the Soviet forces, then hands the rolls of film to foreigners to smuggle to the West. Facing the stultifying reality that replaced the Prague Spring, Tomas, Sabina and Tereza flee Czechoslovakia for Switzerland: first Sabina, then the hesitant Tomas and Tereza. In Geneva, Sabina encounters Franz, a married university professor: they begin a love affair. After some time, he decides to abandon his wife and family for her. After hearing the declaration, Sabina abandons Franz, feeling he would emotionally weigh her down. Meanwhile, Tereza and Tomas attempt to adapt to Switzerland, whose people Tereza finds inhospitable. When she discovers that Tomas continues womanizing, she leaves him and returns to Czechoslovakia. Upset by her leaving, Tomas follows Tereza to Czechoslovakia, where his passport is confiscated, trapping him in-country: nevertheless, his return elates Tereza. They are re-united., what would be the answer ?
Answer: Tereza
[Q]: A friend asked me to answer this question: What is the full name of the person who was able to take up part-time teaching posts at her old school, Eothen, and at Roedean School?, using the article: With her scholarship funds exhausted, Holst needed a job, and in June 1931 took charge of music at the Citizen House arts and education centre in Bath. She disliked the disciplines imposed by an unsympathetic and unyielding superior, but stayed until the end of the year, by which time Citizen House had relocated to Hampstead. She worked briefly as a freelance conductor and accompanist before joining the staff of the EFDS early in 1932. The organisation had by now expanded to become the "English Folk Dance and Song Society" (EFDSS) and was based in new headquarters at Cecil Sharp House. The duties, mainly teaching, were not full-time, and she was able to take up part-time teaching posts at her old school, Eothen, and at Roedean School. Although she composed little original music during these years, she made many instrumental and vocal arrangements of traditional folk melodies.Gustav Holst's health had been poor for years; in the winter of 193334 it deteriorated, and he died on 25 May 1934. Imogen Holst privately determined that she would establish and protect her father's musical legacy. On 24 March 1935 she took part in a Gustav Holst memorial concert, in which she conducted her own arrangement of one of her father's brass band suites. Meanwhile, her own music was beginning to attract attention. Her carol arrangement "Nowell and Nowell" was performed in a 1934 Christmas concert in Chichester Cathedral, and the following year saw the premiere of her Concerto for Violin and Strings, with Elsie Avril as the soloist. In 1936 she paid a visit to Hollywood, where she stayed with her uncle (Gustav's brother), the actor Ernest Cossart. Back in England, Holst worked on recorder arrangements of music by the neglected 16th-century composer Pelham Humphrey. These were published in 1936 to a positive critical reception.In 1938 Holst published a biography of her father. Among many positive comments from friends and critics, the composer Edmund Rubbra praised her for producing a book that was not "clouded by..., what would be the answer ?
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[A]: Imogen Holst
input: Please answer the following: A friend asked me to answer this question: What publication that the man who rose to national attention in 1956 was a "...a genuine cultural force"?, using the article: Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture. As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude. With its racially mixed originsrepeatedly affirmed by Presleyrock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture. In this regard, Little Richard said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music." Al Green agreed: "He broke the ice for all of us." President Jimmy Carter remarked on his legacy in 1977: "His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country." Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: at the age of 21, within a year of his first appearance on American network television, he was one of the most famous people in the world.Presley's name, image, and voice are instantly recognizable around the globe. He has inspired a legion of impersonators. In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans. "Elvis Presley is the greatest cultural force in the twentieth century", said composer and conductor Leonard Bernstein. "He introduced the beat to everything and he changed everythingmusic, language, clothes. It's a whole new social revolutionthe sixties came from it." In the words of John Lennon, "Nothing really affected me until Elvis." Bob Dylan described the sensation of first hearing Presley as "like busting out of jail". On the 25th anniversary..., what would be the answer ?
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output:
The New York Times