Background: Gary Wright was born and raised in Cresskill, New Jersey. A child actor, he made his TV debut at the age of seven, on the show Captain Video and His Video Rangers, filmed in New York. Among other acting work, he appeared in TV and radio commercials, before being offered a part in the 1954 Broadway production of the musical Fanny. Wright played the role of Cesario, the son of Fanny, who was played by future Brady Bunch matriarch Florence Henderson.
Context: Wright has described his initial musical influences as "early R&B" - namely, Ray Charles, Aretha Franklin, James Brown and Bobby Bland - along with rock 'n' roll artists Elvis Presley and Jerry Lee Lewis, and the Beatles. While in Europe in 1967, Wright abandoned his plans to become a doctor and instead toured locally with a band he had formed, the New York Times. When the latter supported the English group Traffic - at Oslo in Norway, according to Wright - he met Island Records founder Chris Blackwell. Wright recalls that he and Blackwell had a mutual friend in Jimmy Miller, the New York-born producer of Island acts such as the Spencer Davis Group and Traffic. Blackwell invited Wright to London, where he joined English singer and pianist Mike Harrison and drummer Mike Kellie in their band Art (formerly the VIPs). The group soon changed its name to Spooky Tooth, with Wright as joint lead vocalist and Hammond organ player. While noting the band's lack of significant commercial success over its career, The New Rolling Stone Encyclopedia of Rock & Roll describes Spooky Tooth as "a bastion of Britain's hard-rock scene". Spooky Tooth's first album was It's All About, released on Island in June 1968. Produced by Miller, it contained the Wright-composed "Sunshine Help Me" and six songs he co-wrote with either Miller, Harrison or Luther Grosvenor, the band's guitarist. Spooky Two, often considered the band's best work, followed in March 1969, with Miller again producing. Wright composed or co-composed seven of the album's eight songs, including "That Was Only Yesterday" and "Better By You, Better Than Me". Spooky Two sold well in America but, like It's All About, it failed to place on the UK's top 40 albums chart. The third Spooky Tooth album was Ceremony, a Wright-instigated collaboration with French electronic music pioneer Pierre Henry, released in December 1969. Songwriting for all the tracks was credited to Henry and Wright, after the latter had passed the band's recordings on to Henry for what The New Rolling Stone Encyclopedia terms "processed musique concrete overdubs". Although Wright had traditionally provided an experimental influence within Spooky Tooth, he regretted the change of musical direction, saying in a 1973 interview: "We should have really taken off after Spooky Two but we got into the absurd situation of letting Pierre Henry make the Ceremony album. Then he took it back to France and remixed it." With bass player Greg Ridley having already left the band in 1969 to join Humble Pie, Wright departed in January 1970 to pursue a solo career.
Question: Why was the name changed?
Answer: Blackwell invited Wright to London, where he joined English singer and pianist Mike Harrison and drummer Mike Kellie in their band Art (formerly the VIPs

Problem: Background: Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, the band was pivotal in the development of funk, soul, rock, and psychedelic music. The group's core line-up was led by singer-songwriter, producer, and multi-instrumentalist Sly Stone, and included Stone's brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. The band was the first major American rock group to have a racially integrated, male and female lineup.
Context: In 1966, Sly Stone formed a band called Sly & the Stoners, which included acquaintance Cynthia Robinson on trumpet. Around the same time, Freddie founded a band called Freddie & the Stone Souls, which included Gregg Errico on drums, and Ronnie Crawford on saxophone. At the suggestion of Stone's friend, saxophonist Jerry Martini, Sly and Freddie combined their bands, creating Sly and the Family Stone in November 1966. At first the group was called Sly Brothers and Sisters but after their first gig at the Winchester Cathedral, a night club in Redwood City, California, they changed the name to Sly & the Family Stone. Since both Sly and Freddie were guitarists, Sly appointed Freddie the official guitarist for the Family Stone, and taught himself to play the electronic organ. Sly also recruited Larry Graham to play bass guitar. Vanetta Stewart wanted to join the band as well. She and her friends, Mary McCreary and Elva Mouton, had a gospel group called The Heavenly Tones. Sly recruited the teenagers directly out of high school to become Little Sister, Sly and the Family Stone's background vocalists. After a gig at the Winchester Cathedral, CBS Records executive David Kapralik signed the group to CBS's Epic Records label. The Family Stone's first album, A Whole New Thing, was released in 1967 to critical acclaim, particularly from musicians such as Mose Allison and Tony Bennett. However, the album's low sales restricted their playing venues to small clubs, and caused Clive Davis and the record label to intervene. Some musicologists believe the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly and the Family Stone. Davis talked Sly into writing and recording a record, and he and the band reluctantly provided the single "Dance to the Music". Upon its February 1968 release, "Dance to the Music" became a widespread ground-breaking hit, and was the band's first charting single, reaching #8 on the Billboard Hot 100. Just before the release of "Dance to the Music", Rose Stone joined the group as a vocalist and a keyboardist. Rose's brothers had invited her to join the band from the beginning, but she initially had been reluctant to leave her steady job at a local record store. The Dance to the Music album went on to decent sales, but the follow-up, Life, was not as successful commercially . In September 1968, the band embarked on its first overseas tour, to England. It was cut short after Graham was arrested for possession of marijuana and because of disagreements with concert promoters.
Question: Did they have any other hits that charted?
Answer:
the Abaco Dream single "Life And Death In G & A", recorded for A&M Records in 1967 and peaking at #74 in September 1969, was performed by Sly