Question: Swans () are an American experimental rock band formed in 1982 by singer, songwriter and multi-instrumentalist Michael Gira. One of few acts to emerge from the New York City-based no wave scene and stay intact into the next decade, Swans have become recognized for a unique, ever-changing sound which has contributed to the development of genres such as noise rock, post-punk, industrial and post-rock. Initially, their music was known for its sonic brutality and misanthropic lyrics. Following the addition of singer, songwriter and keyboardist Jarboe, who first appeared on the 1986 single "Time Is Money (Bastard)" and debuted as a songwriter on the 1987 album Children of God, Swans began to incorporate more melody and intricacy into their music.

Kane compares Swans to blues icon Chester Burnett, a.k.a. Howlin' Wolf. Some similarities worth noting--the music of early Swans was often based on a single riff, played repeatedly to hypnotic effect. Some of Burnett's songs--especially the songs penned by Burnett himself--have a similar structure and quality. Their early music was typified by slow and grinding guitar noise, and pounding drums, punctuated by Gira's morbid and violent lyrics (inspired by Jean Genet and Marquis de Sade), usually barked or shouted. Critics have described Swans' early recordings as "aggressive beyond words". Their first full-length release, Filth (1983), featured driving, choppy rhythms and abrasive drums. The whole is reminiscent of earlier no wave bands, such as Mars, and the work of Swans' contemporaries, like Sonic Youth's Confusion Is Sex and Kill Yr Idols; but critic Ned Raggett contends that "early Swans really is like little else on the planet before or since". Filth was the first album to feature guitarist Norman Westberg, who would play a vital role in much of Swans' music and would feature on every subsequent studio album apart from Love of Life. Cop (1984) and the originally untitled Young God EP were both released in 1984 and re-released together on CD in 1992. Young God has been known by several names, usually by one of its two A-sides, such as "I Crawled" or, notoriously, as "Raping a Slave". This release is often confused with their self-titled debut. The music continues in the same vein as Filth, and is again vaguely reminiscent of heavy metal music played in extreme slow motion. Swans were, in this era, Gira on vocals, Westberg on guitar, Harry Crosby on bass guitar and Roli Mosimann on drums. Gira's vocals had changed slightly, becoming slowly more melodic, although the snarl still remained. Some of the songs on the EP, particularly "Young God" and "I Crawled", have an actual vocal melody, if rudimentary, hinting at the sounds of future releases. Young God is considered by many to be the best of their early releases for this reason. Justin Broadrick shared this impression of the group:

Using a quote from the above article, answer the following question: What other artists are the Swans compared to?
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Problem: Herbert Sutcliffe (24 November 1894 - 22 January 1978) was an English professional cricketer who represented Yorkshire and England as an opening batsman. Apart from one match in 1945, his first-class career spanned the period between the two world wars. His first-class debut was delayed by the First World War until 1919 and his career was effectively terminated in August 1939 when he was called up for military service in the imminent Second World War. He was the first cricketer to score 16 centuries in Test match cricket.

As a specialist opening batsman, Sutcliffe's rivals on the field were the opposing bowlers and especially fast bowlers, though he encountered many outstanding spin bowlers too on turning or sticky wickets. By the time Sutcliffe began his Test career, the formidable fast bowling partnership of Jack Gregory and Ted McDonald had ended, though Sutcliffe faced Gregory in Test matches and was opposed to McDonald in "Roses matches" between Yorkshire and Lancashire. Gregory by 1924-25 was no longer able to "frighten batsmen with sheer speed" but he still commanded respect and Jack Hobbs specifically told Sutcliffe to exercise caution against Gregory at the start of an innings. Sutcliffe regarded McDonald as "one of the best bowlers I ever met". He commented on McDonald's trick of "resting" by making himself seem tired and then "hurling himself into (a very fast delivery) like a demon". As Sutcliffe said, he never knew which ball would be the fast one and McDonald was a dangerous opponent. But Sutcliffe was quoted as saying that he had "never played finer fast bowling" than that of the West Indians Learie Constantine, George Francis, Herman Griffith and Manny Martindale. Among the best English bowlers he faced in county cricket were some of his colleagues in England teams, such as Harold Larwood, Maurice Tate and Tich Freeman. One of the toughest competitors he faced was the Australian leg spinner Clarrie Grimmett, "a tiny gnome of a man", who bowled with a roundarm action and made his Test debut at the age of 34, taking 11 wickets in his first match. Grimmett bowled "like a miser" and "begrudged every run", whereas his leg spin partner Arthur Mailey was the type of bowler who would "buy" his wickets by conceding runs and then, having boosted the batsman's confidence, snaring him with a "wrong 'un" (i.e., a googly). On Sutcliffe's first tour of Australia, he commented that he "was troubled most of the time by Arthur Mailey" but eventually he learned how to "differentiate between Mailey's leg breaks and his wrong 'uns".

What happened during the game?

Answer with quotes:
eventually he learned how to "differentiate between Mailey's leg breaks and his wrong 'uns".