You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
Loss and Gain describes the religious climate of Oxford University during the 1840s, a time of great contention between various factions within the Church of England. Some factions advocated Protestant doctrines, renouncing the development of doctrine through tradition and instead emphasising private interpretation of scripture. Against these and other liberal religious factions, the Oxford Movement, of which Newman was a leading member, advocated a Catholic interpretation of the Church of England, claiming that the Church and its traditions were authoritative. Amongst all of these thinkers, however, the Roman Catholic Church was despised as having abdicated its claim to doctrinal authority by introducing superstition into its practice. Accordingly, when Newman converted to Roman Catholicism in 1845, he met with vehement criticism. In Loss and Gain, Newman's first publication after his conversion, he expressed the intellectual and emotional development that led him to Roman Catholicism and the response his conversion elicited. Newman was in his 40s and was an esteemed theologian at the time of his conversion, but in the novel he displaces his experience onto Charles Reding, a young student entering Oxford and experiencing its intellectual climate for the first time. Although Charles attempts to follow a conventional path and avoid being influenced by "parties" (i.e. cliques advocating trendy sectarian views), he soon discovers that he is inclined towards Roman Catholicism. He struggles against this inclination but eventually decides he must convert, a decision that causes great consternation to his family and friends but leads to personal fulfilment.Charles Reding arrives at Oxford University planning to follow the advice and example of his father, and to submit to the teachings of the Church of England without becoming involved in any factious parties. Reding is inclined towards a form of Latitudinarianism, following the maxim "Measure people by what they are, and not by what they are not." His conversations with his friend Sheffield convince him, however, that there must be right and wrong answers in doctrinal matters. To follow the right views, Reding seeks a source of Church authority, and is disappointed to find only party dissension and the Protestant doctrine of Private Judgment, which locates interpretive authority in the individual and thereby leads (in Newman's view) to the espousal of contradictory views. Furthermore, Reding begins to have doubts about the Thirty-nine Articles, to which he must subscribe to take his degree. His doubts are briefly dispelled following the death of his father, but return soon afterward. In particular, several brief encounters with Willis, a former Oxford peer who converted to Roman Catholicism, greatly excite and trouble him. Suspicious of his speculations, Jennings forces Reding to live away from Oxford while studying for his exams, so as not to corrupt other students. Reding confesses his doubts to his sister Mary, who does not understand them and loses trust in her brother. When Reding finally decides he must convert, Mary, his mother, and several family friends express resentment and anger. He travels to London, on the way receiving encouragement from a Catholic priest (perhaps Newman himself), the first he has ever met. While in London Reding is confronted by emissaries from various religious and philosophical sects who, hearing about his departure from the Anglican Church, want to recruit him for their own causes. Ultimately, however, Reding arrives at the Passionists Convent, where he joins the Roman Catholic Church.

Ex Output:
When were the religious tensions occurring at Oxford University?

Ex Input:
9 is a sentient rag doll who appears to be the scientist last creation and the last of his kind, living in the ruins of a decaying, post-apocalyptic Earth. He is first seen making simple constructs out of refuse a swinging armature of scrap metal, an upright book with string tied around it, and a dummy rag doll full of tar, though the purpose behind these things is unclear at first. Hunting 9 relentlessly is the Cat Beast, a mechanical monster wearing a cat's skull for a head. It appears to be guided by a small glowing talisman which it holds in its claws. Sitting quietly, 9 stares into the mirrored surface of his own strange talisman and has a flashback.
In the flashback, 9 searches the ruins with his mentor 5, a one-eyed rag doll. They gather useful bits and pieces and store them in the cloth linings of their own skin. With 9's help, 5 is able to salvage a light bulb and operate it using pieces of wire. 5 gives the functional bulb to 9 for safe-keeping.
Almost immediately after, 5 draws the mirrored talisman from inside his chest. It glows green, warning of danger. 5 gives the talisman to 9 then pushes him into cover. Extending a homemade folding spear, 5 steps out to confront the threat. But the Cat Beast circles behind him and snatches him up with a metal pincer, shearing off his right arm. Though he struggles, 5 can not break free, and the Cat Beast sucks 5's soul out through his mouth using its talisman leaving 5 lifeless. Horrified, 9 escapes in panic, almost giving away his location to the Cat Beast by scraping the light bulb against a rock.
9 is woken from the memory by the warning green glow of the mirrored talisman. Taking the light bulb, which he has attached to the end of a staff, 9 flees into a ruined house. The Cat Beast follows and we see that it has not just taken the other rag dolls' souls: it also wears their numbered skins like a garment. The number 5 shows prominently on its back.
The Beast pounces on what it thinks is 9, but which turns out to be a marionette the dummy created by 9 at the beginning of the film. The Beast's claws stick in the tar and 9 is able to hop onto its back and steal the Beast's talisman. 9 leads the Beast on a panicked chase through the house and finally runs out onto the end of a broken plank, which extends over a several-story drop. Thinking it has 9 cornered, the Beast walks out onto the plank. But it has fallen into 9's trap.
Nearby is the metal armature, and the upright book. 9 leaps off the plank onto the armature, which swings him around to the book. He kicks it and it falls into the pit. The string, tied at one end to the book, has its other end tied to the plank. The weight of the falling book drags the plank into the pit, and the Beast with it. The Beast crashes through a hole in the cellar floor and is presumably impaled by the sharp end of the falling plank. This all reveals that all the things that 9 has built was a cleverly made trap for the Beast.
Now free from fear, 9 salvages the skins of the other rag dolls and prepares them to be ceremonially burned. As he looks sadly at the skin of 5, the two talismans begin to glow. 9 realizes that they are two halves of a whole and puts them together. A beam of green light erupts from the united talisman, and the spirits of the eight slain rag dolls 1, 2, 3, 4, 5, 6, 7 and 8 emerge, returning to their rag doll skins to be at peace. Before disappearing, 5's soul turns to 9 and nods in approval.
In the morning, when the ashes have cooled, 9 bearing the light bulb staff, a symbol of the persistent light of knowledge and learning walks off into the wasteland, leaving the empty talisman behind in the sand.

Ex Output:
How is 5 able to operate the light bulb?

Ex Input:
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord challenges Mephistopheles, the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed of science with natural means, attempts and fails to gain knowledge of nature and the universe by magical ones. The dejected Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins his assistant Wagner for an Easter walk in the countryside, among the celebrating people, and is followed home by a poodle. Back in the study, the poodle transforms itself into Mephistopheles, who offers Faust a contract: he will do Faust's bidding on earth, and Faust will do the same for him in hell (if, as Faust adds in an important side clause, Mephisto can get him to be satisfied and to want a moment to last forever). Faust signs in blood, and Mephisto first takes him to Auerbach's tavern in Leipzig, where the devil plays tricks on some drunken revellers. Having then been transformed into a young man by a witch, Faust encounters Margaret (Gretchen) and she excites his desires. Through a scheme involving jewellery and Gretchen's neighbour Marthe, Mephisto brings about Faust's and Gretchen's liaison. After a period of separation, Faust seduces Gretchen, who accidentally kills her mother with a sleeping potion Faust had given her. Gretchen is pregnant, and her torment is further increased when Faust and Mephisto kill her enraged brother in a sword fight. Mephisto seeks to distract Faust by taking him to the witches' sabbath of Walpurgis Night, but Faust insists on rescuing Gretchen from the death sentence she has been given after going insane and drowning her newborn child. In the dungeon, Faust in vain tries to persuade Gretchen to follow him to freedom. At the end of the drama, as Faust and Mephisto flee the dungeon, a voice from heaven announces Gretchen's salvation.

Ex Output:
What prevents Faust from committing suicide?