Answer the question at the end by quoting:

Pitchford was born in Honolulu, where he attended Catholic schools, graduating in 1968 from Saint Louis High School. He began his performance career as an actor and a singer with the Honolulu Community Theatre (now Diamond Head Theatre), the Honolulu Symphony Orchestra and the Honolulu Theatre for Youth, among others. While studying at Yale University, Pitchford performed with numerous campus drama groups, but his focus gradually turned off-campus, where he worked with the Wooster Square Revival, an experimental theatre company that offered acting opportunities to recovering addicts and alcoholics. In 1969, Pitchford returned to Honolulu as an assistant to authors Faye Hammel and Sylvan Levey in updating the popular guidebook Hawai'i on $5 and $10 A Day, and researching Trans World Airlines' Budget Guide to Hawai'i, the first of a series of guidebooks that would eventually turn into the popular series TWA Getaway Guides.
As a result of performing his early songwriting efforts in cabarets around Manhattan, he was invited to write with such composers as Stephen Schwartz, Alan Menken and Rupert Holmes. In 1979, he collaborated with recording artist and cabaret performer Peter Allen to write new songs for Allen's one-man Broadway revue, Up In One. With composer Michael Gore, Pitchford collaborated on three songs for Alan Parker's 1980 motion picture Fame; these were "Red Light," a disco hit for singer Linda Clifford; the symphonic/rock finale "I Sing the Body Electric;" and the title song "Fame," which became a multi-platinum, international best seller for Irene Cara. That song earned Gore and Pitchford an Oscar, a Golden Globe, and a Grammy nomination for Song of the Year (1981). They also received a Grammy nomination for Best Soundtrack Album for a Motion Picture, Television or Other Visual Media. When Pitchford was signed by Warner Brothers Publishing (1981) he began collaborating with a variety of songwriters. Among the first songs whose lyrics he wrote in collaboration with composer Tom Snow was "Don't Call It Love," which was first recorded by Kim Carnes on her 1981 album Mistaken Identity; the selection charted in the U.S. country singles top-ten for Dolly Parton in 1985 and was named the BMI Country Song of the Year. For the ill-fated 1981 movie The Legend of the Lone Ranger, Pitchford wrote a narrative ballad, "The Man In the Mask." This was spoken (throughout the movie) and sung (at its beginning and end) by Merle Haggard. "You Should Hear How She Talks About You," another Snow/Pitchford composition, was a Top 5 hit for Melissa Manchester for which she won the Grammy Award for Best Female Pop Vocal Performance in 1983. That same year, Pitchford, Kenny Loggins and Steve Perry wrote and composed "Don't Fight It," a Top 20 hit that was Grammy-nominated in the Best Pop Vocal Duo category. With musical director Michael Miller, he wrote the theme song for the weekly dance-music show Solid Gold (1980-88).

who else did he collaborate with?

Michael Gore,

Answer the question at the end by quoting:

Isaac Emmanuilovich Babel (Russian: Isaak Emmanuilovich Babel', IPA: ['babjIlj]; 13 July [O.S. 1 July] 1894 - 27 January 1940) was a Russian-language Journalist, Playwright, Literary Translator, Historian and Bolshevik Revolutionary. He is best known as the author of Red Cavalry, Story of My Dovecote, and Tales of Odessa, all of which are considered masterpieces of Russian literature.
In 1920 Babel was assigned to Komandarm (Army Commander) Semyon Budyonny's 1st Cavalry Army, witnessing a military campaign of the Polish-Soviet War of 1920. Poland was not alone in its newfound opportunities and troubles. Virtually all of the newly independent neighbours began fighting over borders: Romania fought with Hungary over Transylvania, Yugoslavia with Italy over Rijeka, and Poland with Czechoslovakia over Cieszyn Silesia, with Germany over Poznan, and with Ukrainians over Eastern Galicia (Galician War). He documented the horrors of the war he witnessed in the 1920 Diary (Konarmeiskii Dnevnik 1920 goda, Konarmeyskiy Dnevnik 1920 Goda), which he later used to write Red Cavalry (Konarmiia, Konarmiya), a collection of short stories such as "Crossing the River Zbrucz" and "My First Goose". The horrific violence of Red Cavalry seemed to harshly contrast the gentle nature of Babel himself. Babel wrote: "Only by 1923 I have learned how to express my thoughts in a clear and not very lengthy way. Then I returned to writing." Several stories that were later included in Red Cavalry were published in Vladimir Mayakovsky's LEF ("LEF") magazine in 1924. Babel's honest description of the brutal realities of war, far from revolutionary propaganda, earned him some powerful enemies. According to recent research, Marshal Budyonny was infuriated by Babel's unvarnished descriptions of marauding Red Cossacks and demanded Babel's execution without success. However, Gorky's influence not only protected Babel but also helped to guarantee publication. In 1929 Red Cavalry was translated into English by J. Harland and later was translated into a number of other languages. Argentine author and essayist Jorge Luis Borges once wrote of Red Cavalry, The music of its style contrasts with the almost ineffable brutality of certain scenes. One of the stories, -- "Salt" -- enjoys a glory seemingly reserved for poems and rarely attained by prose: many people know it by heart.

What were the stories about?
Babel's honest description of the brutal realities of war, far from revolutionary propaganda,