Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : "Do You Feel What I Feel?" is a song by British boy band JLS from their third studio album, "Jukebox". It was released as the album's third and final single on 30 December 2011. The song was written by Gloria Shayne Baker, Tebey, Julian Bunetta, Noel Regney, John Ryan, and it was produced by Julian Bunetta. The song samples Bing Crosby's classic festive hit "Do You Hear What I Hear?". The song charted at number 16 on the UK Singles Chart becoming their first single to miss the top 10. Context_2 : "Another Love" is a song by Ian Lloyd and Stories released on 18 October 1974. The song was written by Bobby Flax and Larry Lambert (who also wrote "All I Need Is Your Sweet Lovin'" for Gloria Gaynor) and produced by Kenny Kerner and Richie Wise. The bisexual theme of the song proved controversial, and the band disbanded the following year. Context_3 : Touch of Class was an American soul and R&B musical group from Philadelphia featuring four members: the brothers Gerald Jackson and Pete Jackson, as well as Herbert Brevard and Michael Hailstock. The band was active from the mid-1970s until mid-1980s recording for Midland International Records and affiliated RCA label and had a hit with their debut "I'm in Heaven" reaching #65 on Billboard Hot 100. It was also the title of their debut studio album. By 1979, Michael Hailstock had left to concentrate on songwriting and the band turned into a trio. Their second album, the self-titled "Touch of Class" included their version of "Turn the Beat Around", a song written by Gerald and Pete Jackson and recorded by Vicki Sue Robinson in 1976 that gained big recognition and a big hit for her. the song is considered a dance/disco classic. It was also re-recorded by Laura Branigan in 1990 and by Gloria Estefan in 1994. Context_4 : All the Way... A Decade of Song is the second one-off American television special by Canadian singer Celine Dion that was broadcast by CBS on 24 November 1999. The special was a promotion for her first English-language greatest hits album of the same name, "All the Way... A Decade of Song". The special was filmed on 7 October 1999 at the reopening of Radio City Music Hall in New York City. It featured Dion (backed by her touring band) performing some of her greatest hits and new songs. She was also joined by special guests Grammy winning Latin singing sensation Gloria Estefan and Pop Boyband NSYNC (who previously recorded their Oscar nominated duet "Music of My Heart"). The television special was the second-most-watched program in its time slot, with an 8.3 rating and a 14 share. It also marked Dion's final concert special for CBS before taking a 2-year break from the music industry. Context_5 : "Can't Stay Away from You" is the title of a 1988 single by singer Gloria Estefan, credited to Estefan and her former band, the Miami Sound Machine. The song was the third single released from their multi-platinum album, "Let It Loose". It became Estefan's (and her band's) fifth Top 10 hit in the United States, peaking at #6 on the "Billboard" Hot 100 chart; it was their second #1 hit on the adult contemporary chart, following 1986's "Words Get in the Way". The song originally peaked at #88 on the UK Singles Chart in May 1988, however the song was re-released after the success of its follow-up, "Anything for You", peaking at #7 in March 1989. Context_6 : "Angel" is a song recorded by the Cuban recording artist Jon Secada for his first studio album, "Jon Secada", and for his first Spanish-language album "Otro Dia Mas Sin Verte" (1992). It was released in 1993 as the second single from "Jon Secada" and from his Spanish-language album. The English version peaked at number 18 on the US "Billboard" Hot 100 and at number three on the US "Billboard" Hot Adult Contemporary chart. The Spanish version peaked at number one on the US "Billboard" Hot Latin Tracks chart. It was composed by Secada, Gloria Estefan and Joseph Stefano, and Emilio Estefan Jr. produced the piece. "Angel" is a rock ballad and was nominated for Pop Song of the Year at the 1993 Premio Lo Nuestro Awards. The song was the ninth best-performing Latin single on the "Billboard" Hot Latin Tracks chart of 1992. Context_7 : Them were a Northern Irish band formed in Belfast in April 1964, most prominently known for the garage rock standard "Gloria" and launching singer Van Morrison's musical career. The original five member band consisted of Morrison, Alan Henderson, Ronnie Milling, Billy Harrison and Eric Wrixon. The group was marketed in the United States as part of the British Invasion. Context_8 : "Gloria" is a song written by Northern Irish singer-songwriter Van Morrison and originally recorded by Morrison's band Them in 1964 and released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires. It is particularly memorable for its "Glooooria!" chorus. It is easy to play, as a simple three-chord song, and thus is popular with those learning to play guitar. Context_9 : The Hangmen were an American garage rock band from Rockville, Maryland who were active in the 1960s. In an effort to distinguish themselves from other American groups and tie-in with the popular British Invasion, they lured Scottish vocalist Dave Ottley to join the group. Eventually they became the most popular band in the Washington, DC area, having a huge regional hit with "What a Girl Can't Do", that appeared on Monument Records, but had actually been recorded by an earlier local group, the Reekers, whose membership included two future Hangmen, Tom Guernsey and Bob Berberich. The single was nonetheless credited to the Hangmen. The song became so popular that the band was greeted with near "Beatlemanic" adoration from fans, whose enthusiasm on one occasion erupted into a near riot. The group followed-up with the single "Faces", which featured more aggressive sound, replete with a snide vocal from Ottley and a razor-like fuzz-driven guitar riff. Ottley shortly thereafter departed from the band and was replaced by Tony Taylor. The group, now with Taylor, went to Nashville to record the album "Bittersweet", which displayed a more eclectic and relaxed approach, which, despite its closing song, a raucous version of Van Morrison's' Gloria", stood in marked contrast to their previous efforts. The album's opening cut was sitar-embellished version of "Dream Baby, which was also released as a single. After additional rounds of lineup changes and in an effort to emphasize their increasingly psychedelic orientation, the Hangmen changed their name to the Button. As the Button, they taped an unreleased set of songs for RCA Records in New York, but subsequently changed their name to Graffiti and recorded briefly for ABC Records. Context_10 : Gloria Owendi, commonly referred to as Gloria Muliro (Born 1 April 1980), is a Kenyan Gospel musician and songwriter. She debuted in 2005 when she released her first studio album titled "Omwami Aletsa" ("The Lord is Coming"). As of 2013, Muliro has four albums to her name, her most successful being "Kibali" (mandate) which has the popular song "Sitolia" (I Won't Cry) featuring Willy Paul. The album earned her six Groove Awards nominations. She went on to receive the female artist of the year award at the eighth Groove awards, an event that was attended by President of Kenya Uhuru Kenyatta. fact_1 : "Gloria" is a song written by Northern Irish singer-songwriter Van Morrison and originally recorded by Morrison's band Them in 1964 and released as the B-side of "Baby, Please Don't Go". fact_2 : Them were a Northern Irish band formed in Belfast in April 1964, most prominently known for the garage rock standard "Gloria" and launching singer Van Morrison's musical career. Question: What year does the song Gloria and the band Them have in common?
Output:
1964