In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
how could a g - rated disney film based on meg cabot 's novel " the princess diaries " be anything but cute , harmless fun ?
easy .
take all the cute , harmless fun out of it .
and while you 're at it make it borrr - ring .
that 's what director garry marshall , screenwriter gina wendkos and , not to be outdone , producer whitney houston have done with the g - rated disney film " the princess diaries .
"
you could n't tell it from the audience though , a braintree , mass .
of growing , glowing pre - pubescent girls ( and the odd parental , popcorn perched about their persons ) , who positively cheered when the end credits rolled ( ah the film had struck a lovely nerve with them but not with fuddy - duddy old me ) .
well , i might have cheered that the utter tripe was now well and truly over , but that would have been too obvious .
too obvious is the least of the problems with marshall 's film ( garry made a couple of other " princess " movies-- " pretty woman " and " runaway bride
" --but this one 's way without julia roberts
so maybe
*
that 's * its problem ) .
in addition to being predictable as molasses , " the princess diaries " has hardly got a laugh in it
( it 's a comedy ) , could bore the pants off an abyssinian for long , long stretches , and is so sloppily edited the principals refer to scenes we have n't even seen yet ( and probably never will except , perhaps , in the dvd edition ) .
marshall should take virtually all of the blame here , since he 's been at this for some time and should know when a scene or two is n't working . . .
and hardly
* any * of " the princess diaries " works ( " works , " alas , implies cleverness and there 's none of that here either ) .
newcomer anne hathaway stars as mia thermopolis , a bright but socially invisible san franciscan teen who learns that her single mom ( a wacky artist played by the likable caroline goodall ) had a bit of a fling with some royal member of some miniscule european country nobody ever heard of ( the filmmakers go out of their way
* not * to call it serbia , which is pretty much what all miniscule
european countries are called in the movies mark my words ) and now she , mia , is next in line to rule " genovia " ( hence the headphones / tiara combo in the print ads ) .
julie andrews , with the luminous factor cranked to 11 , plays mia 's grandmother ( aka queen clarisse renaldi ) , who shows up out of the royal blue and lends mia much advice and direction in the eating , talking , and looking like a princess department ( although mia 's big makeover simply transforms her from ugly duckling to ugly swan ) .
does queen julie lose her dignity for the sake of a good laugh ?
not really .
consuming a corn dog is about the worst that it gets .
also on stereotypical hand are a brainless jock , an evil cheerleader , a dorky - looking best friend ( " welcome to the dollhouse " 's heather matarazzo ) , a sensitive auto mechanic / musician , and marshall mainstay hector elizondo as joe the driver , imparting wit and wisdom from the front seat of mia 's chauffeur - driven limousine at every intersection .
a non - animated g - rated movie is a rarity these days but the rating here reflects the fact that all the guts , all the good stuff , has been exorcised from the finished product .
lame , labored , and lamentable
, " the princess diaries " is recommended for eight - and - a - half year olds of the feminine persuasion * only * ; all others would do well to avoid it
( like potholes , the plague , and " the perfect storm " ) .

Ex Output:
N

Ex Input:
susan granger 's review of " legally blonde " ( m. g. m. )
it 's a " pretty in pink " / " clueless " coming - of - age story for the new millennium
as elle woods ( reese witherspoon ) , a perky southern california sorority queen , switches from fashion to law in order to win back her yuppy boyfriend
( matthew davis ) .
the girl - power story begins as this sweetheart of delta nu is unceremoniously dumped by a bonehead who says : " if i 'm going to be a senator by the time i 'm 30 .
..
i need to marry a jackie , not a marilyn .
" determined to prove she 's as smart a snobby brunette ( selma blair ) from country - club connecticut ,
elle not only applies to harvard law school but gets in , much to the amazement of family , friends and faculty .
once there , this flaxen - haired fish - out - of - water not only survives but tenaciously thrives , befriending a local manicurist ( jennifer coolidge ) , dazzling a professor ( victor garber ) and rescuing a defendant ( ali larter ) in a celebrated boston murder trial , plus finding a more worthy beau ( luke wilson ) .
in the tradition of teen - comedy film - maker john hughes and his disciple amy heckerling , there 's wit , cheerfulness , a fidelity of observation and a penchant for problem - solving .
first - time feature director robert luketic is blessed with reese witherspoon who 's joyously incandescent in this utterly formulaic light comedy written by karen mccullah lutz and kirsten smith , based on a soon - to - be - published novel by amanda brown .
the supporting cast is terrific , particularly raquel welch and holland taylor - and i particularly got a kick out of the gag of elle distributing scented resumes in pink ,
her signature color on the granger movie gauge of 1 to 10 , " legally blonde " is a frivolous , funny , feel - good 8 . filled with ditzy blonde ambition , it 's a movie for high - school kids that their parents would be happy to have them see .

Ex Output:
P

Ex Input:
after sixteen years francis ford copolla has again returned to his favorite project , making the third installment in the godfather - trilogy .
this new film has been underrated for no reason .
it is as intellectual and majestically made
as copolla 's pervious films .
it is also more psychological , pessimistic and more tragic than the first two .
the only regret is the unconvincing performance by the newcomer sofia copolla and some " unfinished " developments of some characters .
the film elegantly begins with nino rota 's recognizable musical score , the beautiful skyscrapers of new york and michael 's voice as he is writing a letter to his children : " the only wealth in this world is children .
more than all money and power on earth , you are my treasure " .
the year is 1979 and michael corleone has used the time since the ending of " part ii " to make his father 's dream come true - making the corleone family legitimate .
michael sold all his casinos and invests only in gambling .
constantly haunted by the past , his only reason to live is his children .
the family has amassed unimaginable wealth , and as the film opens michael corleone ( al pacino ) is being invested with a great honor by the church .
later that day , at a reception , his daughter announces a corleone family gift to the church and the charities of sicily , " a check in the amount of $ 100 million .
"
but the corleones are about to find , as others have throughout history , that you can not buy forgiveness .
sure , you can do business with evil men inside the church , for all men are fallible and capable of sin .
but god does not take payoffs .
the plot of the movie , concocted by coppola and mario puzo in a screenplay inspired by headlines , brings the corleone family into the inner circles of corruption in the vatican .
there is a moment in " godfather iii " where michael says : " all my life i have been trying to go up in society , where everything was legal .
but the higher i go , the crookier it becomes . . " .
visually this film is as spectacular as the first two .
gordon willis ' rich cinematography , carmine copolla 's beautiful composition and alex tavoularis ' wonderful art direction could not be better .
but copolla 's first two godfather - films were more famous for their deep , intellectual plots , tree dimensional characters and incredible acting , than for their visual perfection .
the third installment has only the plot and visuals .
some characters could be much more developed and the acting , although good , never accomplishes to reach the same height of the first two films .
the biggest miscasting is sofia copolla , who is so unconvincing and unemotional that she manages to ruin several scenes throughout the movie , that could have been grander and more emotional .
the best performance comes unsurprisingly from al pacino , who should have got a nomination for best actor at the oscars .
andy garcia is powerful as sonny 's son , strong , focused and loyal .
violence is natural to him .
he suffers no pangs of conscience when he takes revenge on his family 's behalf , and in this he is supposed to be strong in the uncomplicated way don vito corleone was .
however both kay ( diane keaton ) and connie ( talia shire ) are useless .
and characters like vito corleone and tom hagen are really missed .
the good part is that michael is again reunited with old friends , that you remember from the first and second films .
in the third film michael has become almost like his father , vito in the first film and vincenzo resembles michael when he was much younger .
this parallel could be more interesting if vincenzo 's character was more developed .
many have pointed out that making the third film , was unnecessary .
i disagree .
it is a beautiful film of great importance , completing the tragic saga of the corleone family .
the first film showed some horrible results of corleone 's life .
it showed michael making a choice ; the second showed a man damning himself for his choices and feeling the impact of changing times .
a man desperately trying to keep his balance , focus , family and sanity , while everything is crashing all around him .
the third film is a terrifying conclusion - a result of michael 's life .
the life he chose for himself is like quicksand - one wrong step and you are doomed .
there is no turning back .
and no matter how hard you try to get out of it , to free yourself , no matter how powerful and wealthy you are , you are helpless - sinking deeper and deeper till it swallows you completely .
the beautifully directed last sequence is also the powerful climax of the film , when michael is sitting alone in his chair , left by everyone , surrounded by emptiness and memories of his friends and family members long dead .
here he dies - alone , miserable and unforgiven

Ex Output:
P