On the day of your tanning appointment, skip the cosmetics. The same goes for lotions and moisturizers, except where specified by the tanning specialists before your session. Anything extra on your skin can act as a barrier and prevent the tanning solution from getting through. Pack some makeup remover wipes if you're planning on heading to the salon after another engagement. Deodorant and antiperspirant often contain traces of aluminumit's possible for them to react with the chemicals in the tanning solution and turn your armpits a greenish hue. How embarrassing! When you arrive at the salon, you'll be shown to a private room where you can get undressed. Be sure to take off any watches, jewelry, or other accessories in addition to your clothes. These could be ruined by the tanning solution or leave behind unwanted tan lines. In most salons, you have the option of wearing a swimsuit or going completely nude for better coverage. If you decide to stick to a swimsuit, wear an old or dark-colored one in case the solution stains. If you have long hair, pull it back and tuck it into one of the plastic caps provided by the salon to keep it out of the way. Step into the booth and plant yourself directly in the middle. There, you'll be just the right distance away from the nozzles that disperse the tanning solution. When there's only 1 row of nozzles, the center of the booth is where most of the spray will be concentrated. Look down to see if there are markings on the floor that indicate where you should place your feet. Somewhere on the inside of the booth you should see a sign telling you which wall to turn towards. It will usually be the one where the spray nozzles are located, but some booths might have you start facing the opposite wall to do your backside first. In smaller booths, you'll face each wall by the time the session is over so the nozzles can make multiple passes. Once you get situated, you'll hear a prerecorded voice come over the speaker to tell you where to look, how to position yourself, and when to turn or adjust your stance. Be sure to listen carefullythis voice will be your guide throughout your first spray tanning experience. Try to follow the instruction to the letter. If you get off your mark, you could end up with uneven coloring. If you're having spray tanner applied by a trained technician rather than an automated booth, there will be much less guesswork involved. These professionals are there to walk you through the process step-by-step and make sure you're comfortable.

Summary: Avoid wearing makeup and skip moisturizers. Avoid putting on deodorant or antiperspirant before your session. Remove all clothing and accessories. Stand in the center of the booth. Face the specified direction. Listen for cues on how to stand.

Now that you've collected all the footage for your documentary, you need to organize it in an order that is interesting, coherent, and will keep the viewers' attention. Make a detailed shot-by-shot outline to guide the editing process. Provide a coherent narrative for the audience to follow that proves your viewpoint. Decide which footage will go at the beginning, which will go in the middle, which will go at the end, and which won't go in the film at all. Showcase the most interesting footage, while cutting anything that seems meandering, boring, or pointless. In our classic car documentary, we might start with exciting or amusing ride-along footage to ease the viewers into the world of classic car aficionados. We'd then dive into the opening credits, followed by interview footage, clips from car shows, etc. The end of your documentary should be something that ties the film's information together in an interesting way and reinforces your key theme - this can be a striking final image or a great, memorable comment from an interview. In our car documentary, we might choose to end on footage of a beautiful classic car being scrapped for parts - a commentary on the fact that appreciation for classic cars is dying. Many documentaries use audio narration as a running thread throughout the film, linking the film's interview and real-life footage in a coherent narrative. You can record a voiceover yourself, enlist the help of a friend, or even hire a professional voice actor. Make sure your narration is clear, concise, and understandable. Generally, an audio voiceover should play over footage where the audio isn't important - you don't want the audience to miss anything. Lay your voiceover over establishing shots, B-roll, or real-life footage where the audio isn't necessary to grasp the importance of what's going on. Some documentaries use static or animated graphics to convey facts, figures, and statistics directly to the viewer in the form of text. If your documentary is trying to prove a certain argument, you may want to make use of these to relay facts that prove your argument. In our car documentary, we might want to use on-screen text to convey specific statistics about, for instance, declining membership in classic car clubs in Austin and nationwide. Use these with restraint - don't constantly bombard your audience with textual and numerical data. It can be exhausting for the audience to have to read mountains of text, so use this direct method only for the most important information. A good rule of thumb is to, whenever possible, "show, not tell." Try to employ local musicians and musical talent in your projects. Avoid copyrighted music by creating your own. Or, you can find music on a public domain site or from a musician willing to share their talents. You have all the pieces - now it's time to put them all together! Use a commercial editing program to assemble your footage into a coherent film on your computer (many computers are now sold with basic video editing software.). Remove everything that doesn't logically fit into the theme of your film - for instance, you might remove the parts of your interviews that don't directly deal with your film's topic. Take your time during the editing process - allow yourself plenty of time to get it just right. When you think you're done, sleep on it, then watch the entire film again and make any other edits you think are necessary. Remember Ernest Hemingway's thoughts on first drafts. Make your film as lean as possible, but be a reasonable and ethical editor. For instance, if, while filming, you encountered strong evidence that goes against your film's viewpoint, it's a little disingenuous to pretend it doesn't exist. Instead, modify the message of your film or, better yet, find a new counter-argument!

Summary: Make a new outline for your finished film. Record a voiceover. Create graphical/animated inserts. Think music (original) as you are in production. Edit your film.

Press the Power button at the top to shut your phone off. On the LG VS950, it is on the left side. Use a SIM card from the other network you want to use, like AT&T or Sprint, for instance. You can also use international or foreign SIM cards. Once it's on, wait for it to finish loading. Instead of the usual home screen, a different screen will be displayed where you will be asked to enter a code. Once you're done, press "Okay" to enter the code. A confirmation message will then be displayed on the screen telling you that you've successfully unlocked the phone.
Summary: Turn off your phone. Open the SIM card slot. Insert a SIM card from a different network. Switch on your phone. Type in the unlock code using the on-screen keypad.