Q: Forget that this is a "B" movie. Forget that it is in many ways outdated. Instead give writer-director Ida Lupino much deserved credit for addressing a subject which at the time (1950) was taboo in Hollywood. To my knowledge, this was the first film to address the subject of rape and the emotional and mental effects that that crime has upon its victims.

Although much of the cast's acting is pedestrian at best, Mala Powers, who at the time was eighteen or nineteen, gives an excellent performance throughout as the traumatized young woman, Ann, who tries to run away from her "shame." Based on her work in this film, I'm surprised that she did not have a more successful acting career. Tod Andrews, too, has some fine moments as the minister who reaches out to help her.

Ms Lupino, obviously working on a limited budget, was still able to create some memorable scenes such as the pursuit through the streets and alleys leading to the rape, and the police lineup following it. And, she created a bittersweet ending which left me wondering if Ann really could ever have a normal life again. OPTIONS:
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A: positive
Q: At the beginning we get to see the start of a secret council of some sorts. It all looks very promising from the get go. With some supernatural elements thrown in, the mystery gets more interesting by the minute. The main character who seems like a good bloke gets into trouble because of his claim for money he is entitled to (temptation) and other factors. You really empathize with the guy and you want to know what exactly is going on. Normally a person in his situation would have several options. Somehow he does not have those options. In this movie there only seems to be one solution even when it is clear it is not his fault. Out of the blue he encounters characters who talk about church,prayer and God. And they provide the answer for his problem. It should be obvious at a point in the movie what this solution is. Now let me say that there is nothing wrong with this message. Since it always is helpful. But was it really necessary to disguise this message. This religious element actually ruined the viewing experience for me. While the message is good,it's simplicity can't escape the fact that in real life more needs to happen to resolve issues presented in this movie. The mystery that is presented to us never gets solved. In stead you are forced to deal with another topic that essentially has nothing to do with the plot. Don't get fooled because of Malcolm Mcdowell. The once brilliant actor is adequate,but if you watch closely you will see that he is not serious at all. He really must be desperate for money. Otherwise what would posses an actor of his caliber to act in a movie like this. OPTIONS:
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A: negative
Q: In it's time, this movie had controversy written all over it (like most of Verhoeven's projects).

Containing very graphic depictions death-scenes; A parachute that doesn't open *smack* guys body on the floor. A guy being eaten by a Lion *chomp* teeth in the throat. And a guy being run over by a speedboat *zoom* bloody corpse going down.

But besides gore, this flick also contains some brilliant (and stunningly beautiful) scenes, filmed in the gray fisher's town that is Vlissingen;

Thousands of rosebuds flying over the screen, in a somewhat irrelevant part of the movie, a beautiful (holy) woman putting flowers in a milk-can, surrounded by slabs of blood-dripping meat and a steamy love scene between two male characters, in a graveyard.

The story is concluded in a frantic, but fulfilling 10 minutes, that don't disappoint, and will leave you sighing a breath of relief.

Of course with the pros come the cons, Some special-effects are too over-the-top, and are obviously done to see how far Verhoeven could push the gore-factor (e.g. the several eyeballs hanging out of their sockets). Also, while the two lead actors, (Jeroen Krabbe and Renee Soutendijk), do an excellent job of breathing life into their characters, the character of Herman (portrayed by the rather un-charming Thom Hoffman) just feels enormously underdeveloped, making him hard to care for, even after his tragic death.

I've done my best to give you a slight idea of what to expect of this amazing movie, and as you can see, it's not easily summed up in words. So do yourself a favor, if you happen to find this movie somewhere, watch it ! And enjoy the unique style and substance of this masterpiece. OPTIONS:
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A: positive
Q: Fritz Lang's German medieval saga continues in Die Nibelungen: Kriemhilds Rache (1924).Kriemhild (Margarete Schoen) wants to avenge her murdered husband, Siegfried.Her brother is too weak to bring the murdered, Hagen, to justice.Kriemhild marries Etzel, the King of the Huns (Rudolf Klein-Rogge).She gives birth to a child, and invites her brothers for a party.Etzel and the other Huns should kil Hagen, but he is protected by his brothers.We see a huge battle of life and death begins, and she sets the whole place on fire.Eventually Hagen is dead, and so is Kriemhild.These movies deal with great themes, such as revenge and undying love.Sure we have later seen some better movies made of those topics, but this was one of the early ones. OPTIONS:
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A: positive