Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Justo Arosemena Quesada (August 9, 1817 February 23, 1896) was a statesman, writer, lawyer and politician from Panama who lived during the period of union with Colombia. He dedicated his life to the cause of the autonomy of the Isthmus of Panama in and as a part of Colombia, and is regarded as "the most illustrious of the Panamanian and father of Panamanian nationality." Context_2 : Foxy Lady is the third studio album by South Korean singer Harisu, released on February 2, 2004, following an acrimonious split with her management company. It marked a change in her musical style, moving away from the techno sound of her previous albums and focusing more on hip hop and R&B. Working titles for the album included "Happy My Life", also the name of a song on "Liar", and "No. 1", to signify a new stage in her career. A music video was filmed for the title track, "Foxy Lady", but it failed to make the top 50 in the MIAK K-pop album chart. Context_3 : Taeko Kono ( , Kono Taeko , February 24, 1926 January 29, 2015) is one of the most important Japanese women writers of the second half of the twentieth century, someone whose influence on contemporary Japanese women writers is acknowledged to be immeasurable. Kono is one of a generation of remarkable women writers who made an appearance in Japan in the 1960s and 1970s and who include Kurahashi Yumiko, Mori Mari, Setouchi Harumi, and Takahashi Takako (Japanese name order). She also established a reputation for herself as an acerbic essayist, a playwright and a literary critic. By the end of her life she was a leading presence in Japan's literary establishment, one of the first women writers to serve on the Akutagawa Literary Prize committee. Oe Kenzaburo, Japan's Nobel Laureate, described her as the most "lucidly intelligent" woman writers writing in Japan, and the US critic and academic Masao Miyoshi identified her as among the most "critically alert and historically intelligent." US critic and academic Davinder Bhowmik assesses her as "one of the truly original voices of the twentieth century, beyond questions of gender or even nationality." A writer who deals with some quite dark themes, Kono is known to readers in English through the collection of short stories "Toddler-Hunting and Other Stories" (New Directions, 1996), which draws together her best writing from the 1960s. Context_4 : Lady Gaga: Queen of Pop is a biography of American singer Lady Gaga. It was written by Emily Herbert (pen name for Virginia Blackburn) and published in the United Kingdom by John Blake Publishing Ltd. The book was published by Overlook Press in the United States with the title Lady Gaga: Behind the Fame. Additional versions under the title "Lady Gaga: Queen of Pop" were published in 2010 by Wilkinson Publishing of Melbourne in Australia and by Gardners Books in the United Kingdom. The book discusses Gaga's early life when she was known as Stefani Joanne Angelina Germanotta from her birth in 1986, and chronicles her education at Convent of the Sacred Heart in New York, her early visits to nightclubs with her mother to perform at open-mic events, and her brief foray into the Tisch School of the Arts, leading up to her first experience of fame. Germanotta took the name "Lady Gaga" from the song "Radio Ga Ga" by the rock group Queen; she released her first album "The Fame" in 2008. "Lady Gaga: Queen of Pop" describes the musician's success in the industry, noting her business collaborations and appearance on the cover of "Rolling Stone" in 2009. Context_5 : Hillary Lindsey is an American singer-songwriter. She has written songs with or for several popular artists including Michelle Branch, Faith Hill, Martina McBride, Shakira, Lady Antebellum, Gary Allan, Sara Evans, Carrie Underwood, Kellie Pickler, Bon Jovi, Taylor Swift, Lady Gaga, Tim McGraw and Luke Bryan. Lindsey won a Grammy Award for Best Country Song for Carrie Underwood's "Jesus, Take the Wheel". In 2011, Lindsey received an Academy Award nomination for "Coming Home", recorded by Gwyneth Paltrow for the soundtrack of "Country Strong", in the Best Original Song category. "Coming Home" also received a Golden Globe that same year for Best Original Song along with "There's A Place For Us", making Lindsey a double nominee in 2011. As of 2015, she has had 15 number one singles as a writer. Context_6 : Rodney Lynn "Rod" Temperton (9 October 1949 September/October 2016) was an English songwriter, record producer and musician. He initially made his mark as the keyboardist and main songwriter for the 1970s R&B, funk and disco band Heatwave, whose hit songs included "Boogie Nights" and "Always and Forever". Context_7 : "Hey Lover" is the Grammy Award winning first single released from LL Cool J's sixth album, "Mr. Smith", featuring Boyz II Men. It was released on October 31, 1995 for Def Jam Recordings and was produced by The Trackmasters and LL Cool J. Johnny Kenaya was involved in the project. He had the title changed from Hey Brother to Hey Lover. Hey Lover would prove to be the most successful single from the album, making it to number three on both the "Billboard" Hot 100 and Hot R&B Singles charts. It sold 900,000 copies domestically and was certified platinum by the RIAA. It also reached number 17 on the UK Singles Chart. The song sampled Michael Jackson's "The Lady in My Life" from his 1982 hit album "Thriller", thus Rod Temperton, the writer of that song, was given credit as a writer of this song. On the B-side was the "I Shot Ya" remix. Context_8 : "Judas" is a song by American singer Lady Gaga, from her second studio album, "Born This Way" (2011). It was released four days ahead of schedule by Interscope Records on April 15, 2011. Written and produced by Lady Gaga and RedOne, "Judas" is a dance and electro house song about a woman in love with a man who betrayed her. It embodies the incidents that have haunted Gaga in the past, and its core meaning refers to the negative parts of her life that she cannot escape. Gaga has further explained that the song was also about honoring one's inner darkness in order to bring oneself into the light. The artwork for the single was designed by Gaga in Microsoft Word. In spite of a polarizing impact on several religious groups, the song was generally well received by critics, who likened the song to "Bad Romance" with some noting it should have been the album's lead single. Context_9 : "Lady Writer" is a 1979 song by Dire Straits, which appears on the band's second album "Communique". When asked what the song was about, Knopfler said that he was watching TV one day, and there was a lady writer on the TV, and that's basically where the idea for the song came from. Because the song says the writer is "talking about the Virgin Mary", some have speculated that the writer in question is Marina Warner, a view shared by Warner herself. Context_10 : Magdalen King-Hall (22 July 1904 1 January 1971) was an English novelist, journalist and children's fiction writer. Her novel, "Life And Death of the Wicked Lady Skelton" was made into a film, The Wicked Lady (1945), starring Margaret Lockwood and James Mason. fact_1 : The song sampled Michael Jackson's "The Lady in My Life" from his 1982 hit album "Thriller", thus Rod Temperton, the writer of that song, was given credit as a writer of this song. fact_2 : Rodney Lynn "Rod" Temperton (9 October 1949 September/October 2016) was an English songwriter, record producer and musician. Question: What is the nationality of the writer of the song The Lady in My Life ?
Student:
English