input: In 1971, Children's Television Workshop created the show The Electric Company, meant to help teach reading to children who had outgrown Sesame Street. Raposo served as the musical director of the show for its first three seasons, and contributed songs throughout the show's run, until 1977. Raposo performed joke characters for film segments on The Electric Company similar in style to what he had done on Sesame Street. One segment showed him attempting to get dressed in jacket and necktie against a white wall under the word "dressing", until the prefix "un-" appears and attaches itself to the prior word, forcing him to engage in a mock striptease which ends with him modestly hopping off-screen and tossing the remainder of his clothing into an empty chair left on-screen. In a variation of this film, he is shown packing a suitcase when the "un-" prefix returns and pesters him using the behavior of a meddling fly until, exasperated, Raposo strikes the word with a hammer, knocking it unconscious into the suitcase, which he then triumphantly slams shut with a smirk. Raposo enjoyed doing animation voicework. Other forays of his into the craft included both the tenor singing role of "master pickler" Gil Gickler in DePatie-Freleng's Dr. Seuss cartoon program Pontoffel Pock, Where Are You? and Gickler's spoken dialogue. Raposo also performed at least three other character voices in the cartoon, including a Groogen musician whose "flugel bugle" is destroyed by Pontoffel in an attack flyover, as the ancient Senior Fairy above McGillicuddy who oversees the fairy squadron's worldwide search for the missing Pock and his piano, and as an angry Groogen dairywoman spilt milk upon by a too-close fly-by of Pontoffel's. The HBO animated adaptation of Madeline, for which Raposo composed the music and songs (with writer/lyricist Judy Rothman), aired four months after Raposo's death; the cartoon The Smoggies, for which Raposo wrote the theme song, premiered in Canada.

Answer this question "Did he work with any famous people on the show?"
output:

input: Allman moved to Richmond Hill, Georgia, in 2000, purchasing five acres on the Belfast River. The last incarnation of the Allman Brothers Band was well-regarded among fans and the general public, and remained stable and productive. The band released their final studio album, Hittin' the Note (2003), to critical acclaim. Allman co-wrote many songs on the record with Haynes, and he regarded it as his favorite album by the group since their earliest days. The band continued to tour throughout the 2000s, remaining a top touring act, regularly attracting more than 20,000 fans. The decade closed with a successful fortieth anniversary celebration at the Beacon Theater, where the band would hold residencies most years during their reunion. In 2014, the Allman Brothers Band performed their final concerts, as Haynes and Derek Trucks desired to depart the group. Allman struggled with health problems during the last years of his life. He was diagnosed with hepatitis C in 2007, which he attributed to a dirty tattoo needle. By the next year, they had discovered three tumors within his liver. He went on a waiting list and after five months, he underwent a successful liver transplant in 2010. In 2011, Allman went public about his battle with hepatitis C. He headlined Merck and the American Liver Foundation's "Tune In to Hep C Campaign" to raise awareness and urge baby boomers to get tested and treated. As part of Tune In to Hep C, The Allman Brothers Band headlined a hepatitis C fundraiser and awareness concert at the Beacon Theater in New York. The concert raised $250,000 to benefit the National Viral Hepatitis Roundtable and the American Liver Foundation for education and awareness efforts. The National Viral Hepatitis Roundtable in October 2017 created the Gregg Allman Hepatitis C Leadership Award - an annual award to posthumously honor Allman and others who work on behalf of people living with hepatitis C. Michael Lehman, Allman's longtime manager, accepted the award on his behalf. Allman's seventh album, Low Country Blues, was produced by T-Bone Burnett. Upon its release in January 2011, it represented Allman's highest-ever chart peak in the U.S., debuting at number five. He promoted the album heavily in Europe, until he had to cancel the rest of the trip due to an upper respiratory infection. This led to lung surgery later in 2011, and rehab in 2012 for addiction following his treatments. That year, Allman released his memoir, My Cross to Bear, which was thirty years in the making. In 2014, a tribute concert was held celebrating his career; it was later released as All My Friends: Celebrating the Songs & Voice of Gregg Allman.

Answer this question "Did they record any albums?"
output: band released their final studio album, Hittin' the Note (2003),

input: In January 1938, Guggenheim opened a gallery for modern art in London featuring Jean Cocteau drawings in its first show, and began to collect works of art. Guggenheim often purchased at least one object from each of her exhibitions at the gallery. After the outbreak of World War II, she purchased as much abstract and Surrealist art as possible. Her first gallery was called Guggenheim Jeune, the name being ingeniously chosen to associate the epitome of a gallery, the French Bernheim-Jeune, with the name of her own well known family. The gallery on 30 Cork Street, next to Roland Penrose's and E. L. T. Mesens' show-case for the Surrealist movement, the London Gallery, proved to be successful, thanks to many friends who gave advice and who helped run the gallery. Marcel Duchamp, whom she had known since the early 1920s, when she lived in Paris with her first husband Laurence Vail, had introduced Guggenheim to the art world; it was through him that she met many artists during her frequent visits to Paris. He taught her about contemporary art and styles, and he conceived several of the exhibitions held at Guggenheim Jeune. The Cocteau exhibition was followed by exhibitions on Wassily Kandinsky (his first one-man-show in England), Yves Tanguy, Wolfgang Paalen and several other well-known and some lesser-known artists. Peggy Guggenheim also held group exhibitions of sculpture and collage, with the participation of the now classic moderns Antoine Pevsner, Henry Moore, Henri Laurens, Alexander Calder, Raymond Duchamp-Villon, Constantin Brancusi, Jean Arp, Max Ernst, Pablo Picasso, Georges Braque and Kurt Schwitters. She also greatly admired the work of John Tunnard (1900-1971) and is credited with his discovery in mainstream international modernism.

Answer this question "What else did she do?"
output:
She also greatly admired the work of John Tunnard (1900-1971) and is credited with his discovery in mainstream international modernism.