input: Jack Black and Kyle Gass initially met in Los Angeles in 1985, both members of the theatre troupe, The Actors' Gang. Black admits the duo did not see eye to eye due to animosity between the two, as Gass was the main musician for the Actor's Gang and felt threatened by Black. The Actor's Gang travelled to Edinburgh, Scotland for the Edinburgh Fringe in 1989. They were performing Tim Robbins' and Adam Simon's play Carnage. The two became friends during the trip, and eventually became best friends, with Black regularly visiting Gass' Cochran Avenue studio apartment, in the deal that Gass would teach Black to play guitar in return for food, mainly from fast-food chain Jack in the Box. Between 1989 and 1994, the two would work at The Actor's Gang together, and would collaborate in productions. Gass and Black wrote their first song in 1994 after Black had been dumped by a girlfriend, this song was scrapped aside from the pair playing it at later Tenacious D concerts as a joke and referencing it in interviews. Their second song came about when Black was listening to Metallica's "One" in 1994 and told Gass that it was the "best song in the world". Gass told Black that they couldn't write the best song in the world but Black put a twist on it and said they could write a tribute. Gass played an A minor chord at his apartment and the two spent three full days crafting the song, when it was done Gass mentioned "they knew they had something". The song made the duo realise their comedic potential. At their first concert, at Al's Bar (now an apartment complex), the band performed the live debut of "Tribute", their only song at the time, and the duo also gave the audience the chance to vote for their name. Black and Gass gave them the choice between "Pets or Meat", "Balboa's Biblical Theatre" and "The Axe Lords Featuring Gorgazon's Mischief" (Gass' personal favorite). "Tenacious D"--a basketball term used by commentators to describe robust defensive positioning in basketball --did not get the majority of votes, however, but according to Black "we forced it through". The venue had become a hotbed for upcoming bands due to the success of Nirvana and the Red Hot Chili Peppers, so much so that in attendance was David Cross who later cast Jack Black in his sketch comedy television series, Mr. Show. In 1995, the band supported the band, Tool, during their Californian leg. Black attended UCLA with director Jason Bloom, therefore, when Bloom was made the director of 1996's Bio-Dome, Black and Gass were invited to perform a short song in the film. The two wrote the song, "5 Needs", and this was their first on-screen appearance as Tenacious D. Black and Gass also performed their song "Jesus Ranch" in the 1998 film, Bongwater. Tenacious D recorded their songs "Tribute", "Kyle Quit the Band", "Krishna" and "History" and released them in a demo tape called Tenacious Demo, in the mid-1990s with Andrew Gross, distributing it to various record companies until HBO offered them a TV show based upon the tape and Black's work on Mr. Show.

Answer this question "how did they meet?"
output: both members of the theatre troupe,

input: In November 1954, Price made her recital debut at New York's Town Hall with a program that featured the New York premiere of Samuel Barber's cycle Hermit Songs, with the composer at the piano, and began her first recital tour in the Community Concerts series for Columbia Artists. Then, the door to opera opened through television, the NBC Opera Theater series. In February 1955, she sang Puccini's Tosca for the NBC Opera Theater, under music director Peter Herman Adler, becoming the first African American to appear in a leading role in televised opera. Several NBC affiliates (not all Southern) canceled the broadcast in protest. She returned in three other NBC Opera broadcasts, as Pamina (1956), Madame Lidoine in Poulenc's Dialogues of the Carmelites (1957), and Donna Anna in Don Giovanni (1960). In March 1955, she was auditioned at Carnegie Hall by the Austrian conductor Herbert von Karajan, who was then touring with the Berlin Philharmonic. Impressed with her singing of "Pace, pace, mio Dio" from Verdi's La forza del destino, Karajan reportedly leapt to the stage to accompany her himself. Calling her "an artist of the future" he asked her management for control of her future European career. Over the next three seasons, Price crossed the U.S. in recitals with her longtime accompanist, David Garvey, and in orchestral appearances. She also toured India (1956) and Australia (1957), under the auspices of the U.S. State Department. She sang a concert version of Aida--her first public performance of the role--at the May Festival in Ann Arbor, Michigan, on May 3, 1957. Her first appearance on the grand opera stage occurred in San Francisco on September 20, 1957, singing Madame Lidoine in the U.S. premiere of the Dialogues of the Carmelites. A few weeks later, Price sang her first on-stage Aida, stepping in for Italian soprano Antonietta Stella, who was suffering from appendicitis. The following May, she made her European debut, as Aida, at the Vienna Staatsoper on May 24, 1958, at Karajan's invitation and under his baton. Debuts followed at London's Royal Opera House, Covent Garden (replacing Anita Cerquetti), and at the Arena di Verona, both as Aida. The next season she returned to Vienna to sing Aida and her first onstage Pamina in The Magic Flute, repeated her Aida at Covent Garden, sang operatic scenes by R. Strauss on BBC Radio, and made her debut at the Salzburg Festival in Beethoven's Missa Solemnis, under Karajan. The close artistic understanding between Karajan and Price was reflected in many of her early career successes in the opera house (Mozart's Don Giovanni, Verdi's Il trovatore and Puccini's Tosca), in the concert hall (Bach's Mass in B minor, Beethoven's Missa Solemnis, Bruckner's Te Deum, and the Requiems of Verdi and Mozart), and in the recording studio (complete recordings of Tosca and Carmen, and a bestselling holiday music album, A Christmas Offering). Most of her recordings and many of her live performances have been released on CD. On May 21, 1960, Price made her first appearance at the Teatro alla Scala in Milan, again as Aida, becoming the first African American to sing a leading role in Italy's greatest opera house. (In 1958, Mattiwilda Dobbs had sung Elvira, the secondary lead soprano role in Rossini's L'italiana in Algeri.)

Answer this question "What was Emergence?"
output:
In November 1954, Price made her recital debut at New York's Town Hall