input: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat. Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes. At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes. It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.

Answer this question "Are there any other interesting aspects about this article?"
output: in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten.

input: Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part. Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt, Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!' To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor." In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962.

Answer this question "What is wrong with them"
output: Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt,

input: Mae West was a shrewd investor, produced her own stage acts, and invested her money in large tracts of land in Van Nuys, a thriving suburb of Los Angeles. With her considerable fortune, she could afford to do as she liked. In 1976, she appeared on Back Lot U.S.A. on CBS, where she was interviewed by Dick Cavett and sang "Frankie and Johnny" along with "After You've Gone." That same year, she began work on her final film, Sextette (1978). Adapted from a 1959 script written by West, the film's daily revisions and production disagreements hampered production from the beginning. Due to the near-endless last-minute script changes and tiring production schedule, West agreed to have her lines signaled to her through a speaker concealed in her hair piece. Despite the daily problems, West was, according to Sextette director Ken Hughes, determined to see the film through. At 84, her now-failing eyesight made navigating around the set difficult, but she made it through the filming, a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut in 1911 at the age of 18. Time wrote an article on the indomitable star entitled "At 84, Mae West Is Still Mae West". Upon its release, Sextette was not a critical or commercial success, but remains notable for the diverse cast, and because none of West's contemporaries such as Dietrich, Garbo, etc., were still making films. The cast included some of West's first co-stars such George Raft (Night After Night, 1932), silver screen stars such as Walter Pigeon and Tony Curtis, and more contemporary pop stars such as The Beatles' Ringo Starr and Alice Cooper, and television favorites such as Dom DeLuise and gossip queen Rona Barrett. It also included cameos of some of her famed musclemen from her 1950s Las Vegas show, such as the still remarkably fit Reg Lewis. Sextette also reunited Mae West with Edith Head, her costume designer from 1933 in She Done Him Wrong. The film was a last hurrah and a Valentine from Mae West to her fans. In August 1980, West tripped while getting out of bed. After the fall, West was unable to speak and was taken to Good Samaritan Hospital in Los Angeles, where tests revealed that she had suffered a stroke. She died on November 22, 1980, at the age of 87. A private service was held in the Old North Church replica, in Forest Lawn, Hollywood Hills, on November 25, 1980. Bishop Andre Penachio, a friend, officiated at the entombment in the family mausoleum at Cypress Hills Abbey, Brooklyn, purchased in 1930 when her mother died. Her father and brother were also entombed there before her, and her younger sister, Beverly, was laid to rest in the last of the five crypts less than 18 months after West's death. For her contribution to the film industry, Mae West has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood. For her contributions as a stage actor in the theater world, she has been inducted into the American Theater Hall of Fame.

Answer this question "What was the theme of campy movie"
output:
a tribute to her self-confidence, remarkable endurance, and stature as a self-created star 67 years after her Broadway debut