QUES: The mandolin has been used occasionally in rock music, first appearing in the psychedelic era of the late 1960s. Levon Helm of The Band occasionally moved from his drum kit to play mandolin, most notably on Rag Mama Rag, Rockin' Chair, and Evangeline. Ian Anderson of Jethro Tull played mandolin on Fat Man, from their second album, Stand Up, and also occasionally on later releases. Rod Stewart's 1971 No. 1 hit Maggie May features a significant mandolin riff. David Grisman played mandolin on two Grateful Dead songs on the American Beauty album, Friend of the Devil and Ripple, which became instant favorites among amateur pickers at jam sessions and campground gatherings. John Paul Jones and Jimmy Page both played mandolin on Led Zeppelin songs. The popular alt rock group Imagine Dragons feature the mandolin on a few of their songs, most prominently being It's Time. Dash Crofts of the soft rock duo Seals and Crofts extensively used mandolin in their repertoire during the 1970s. Styx released the song Boat on the River in 1980, which featured Tommy Shaw on vocals and mandolin. The song didn't chart in the United States but was popular in much of Europe and the Philippines.
When did the mandolin first appear in rock music?

ANS: psychedelic era of the late 1960s

QUES: In the mid 1970s, various American groups (some with ties to Downtown Manhattan's punk scene, including Television and Suicide) had begun expanding on the vocabulary of punk music. Midwestern groups such as Pere Ubu and Devo drew inspiration from the region's derelict industrial environments, employing conceptual art techniques, musique concrete and unconventional verbal styles that would presage the post-punk movement by several years. A variety of subsequent groups, including New York-based Talking Heads and Boston-based Mission of Burma, combined elements of punk with art school sensibilities. In 1978, the former band began a series of collaborations with British ambient pioneer and ex-Roxy Music member Brian Eno, experimenting with Dada-influenced lyrical techniques, dance music, and African polyrhythms. San Francisco's vibrant post-punk scene was centered around such groups as Chrome, the Residents and Tuxedomoon, who incorporated multimedia experimentation, film and ideas from Antonin Artaud's Theater of Cruelty.
What region's post-punk scene incorporated ideas from Theater of Cruelty?

ANS: San Francisco's

QUES: In Australia, the formal ceremony of granting assent in parliament has not been regularly used since the early 20th century. Now, the bill is sent to the governor-general's residence by the house in which it originated. The governor-general then signs the bill, sending messages to the President of the Senate and the Speaker of the House of Representatives, who notify their respective houses of the governor-general's action. A similar practice is followed in New Zealand, where the governor-general has not personally granted the Royal Assent in parliament since 1875.
Who are the leaders of each house given the responsibility of informing their group of the governor-generals actions?

ANS: President of the Senate and the Speaker of the House of Representatives

QUES: The early synapsid mammalian ancestors were sphenacodont pelycosaurs, a group that produced the non-mammalian Dimetrodon. At the end of the Carboniferous period, this group diverged from the sauropsid line that led to today's reptiles and birds. The line following the stem group Sphenacodontia split-off several diverse groups of non-mammalian synapsidssometimes referred to as mammal-like reptilesbefore giving rise to the proto-mammals (Therapsida) in the early Mesozoic era. The modern mammalian orders arose in the Paleogene and Neogene periods of the Cenozoic era, after the extinction of the non-avian dinosaurs 66 million years ago.
When did sphenacodont pelycosaurs become extinct?

ANS:
unanswerable