IN: Kurt Friedrich Godel (UK: , US: ; German: ['kUat 'go:dl] ( listen); April 28, 1906 - January 14, 1978) was an Austrian, and later American, logician, mathematician, and philosopher.

At the age of 18, Godel joined his brother in Vienna and entered the University of Vienna. By that time, he had already mastered university-level mathematics. Although initially intending to study theoretical physics, he also attended courses on mathematics and philosophy. During this time, he adopted ideas of mathematical realism. He read Kant's Metaphysische Anfangsgrunde der Naturwissenschaft, and participated in the Vienna Circle with Moritz Schlick, Hans Hahn, and Rudolf Carnap. Godel then studied number theory, but when he took part in a seminar run by Moritz Schlick which studied Bertrand Russell's book Introduction to Mathematical Philosophy, he became interested in mathematical logic. According to Godel, mathematical logic was "a science prior to all others, which contains the ideas and principles underlying all sciences." Attending a lecture by David Hilbert in Bologna on completeness and consistency of mathematical systems may have set Godel's life course. In 1928, Hilbert and Wilhelm Ackermann published Grundzuge der theoretischen Logik (Principles of Mathematical Logic), an introduction to first-order logic in which the problem of completeness was posed: Are the axioms of a formal system sufficient to derive every statement that is true in all models of the system? This became the topic that Godel chose for his doctoral work. In 1929, at the age of 23, he completed his doctoral dissertation under Hans Hahn's supervision. In it, he established the completeness of the first-order predicate calculus (Godel's completeness theorem). He was awarded his doctorate in 1930. His thesis, along with some additional work, was published by the Vienna Academy of Science.

How many years did he study in Vienna?

OUT:

Answer the question at the end by quoting:

Hippolytus of Rome (170 - 235 AD) was one of the most important 3rd-century theologians in the Christian Church in Rome, where he was probably born. Photios I of Constantinople describes him in his Bibliotheca (cod. 121) as a disciple of Irenaeus, who was said to be a disciple of Polycarp, and from the context of this passage it is supposed that he suggested that Hippolytus so styled himself. However, this assertion is doubtful.
As a presbyter of the church at Rome under Pope Zephyrinus (199 - 217 AD), Hippolytus was distinguished for his learning and eloquence. It was at this time that Origen of Alexandria, then a young man, heard him preach. He accused Pope Zephyrinus of modalism, the heresy which held that the names Father and Son are simply different names for the same subject. Hippolytus championed the Logos doctrine of the Greek apologists, most notably Justin Martyr, which distinguished the Father from the Logos ("Word"). An ethical conservative, he was scandalized when Pope Callixtus I (217 - 222 AD) extended absolution to Christians who had committed grave sins, such as adultery. Hippolytus himself advocated an excessive rigorism. At this time, he seems to have allowed himself to be elected as a rival Bishop of Rome, and continued to attack Pope Urban I (222 - 230 AD) and Pope Pontian ( 230 - 235 AD). G. Salmon suggests that Hippolytus was the leader of the Greek-speaking Christians of Rome. Allen Brent sees the development of Roman house-churches into something akin to Greek philosophical schools gathered around a compelling teacher. Under the persecution at the time of Emperor Maximinus Thrax, Hippolytus and Pontian were exiled together in 235 AD to Sardinia, likely dying in the mines. It is quite probable that, before his death there, he was reconciled to the other party at Rome, for, under Pope Fabian (236-250), his body and that of Pontian were brought to Rome. The so-called chronography of the year 354 (more precisely, the Catalogus Liberianus, or Liberian Catalogue) reports that on August 13, probably in 236 AD, the two bodies were interred in Rome, that of Hippolytus in a cemetery on the Via Tiburtina, his funeral being conducted by Justin the Confessor. This document indicates that, by about 255 AD, Hippolytus was considered a martyr and gives him the rank of a priest, not of a bishop, an indication that before his death the schismatic was received again into the Church.

who did he die with?

Pontian

input: The Kinks started out playing the then popular R&B and blues styles; then, under the influence of The Kingsmen's "Louie Louie" recording, developed louder rock and hard rock sounds -- due to their pioneering contribution to the field, they have often been labelled as "the original punks". Dave Davies was "really bored with this guitar sound - or lack of an interesting sound" so he purchased "a little green amplifier ... an Elpico" from a radio spares shop in Muswell Hill, and "twiddled around with it", including "taking the wires going to the speaker and putting a jack plug on there and plugging it straight into my AC30" (a larger amplifier), but didn't get the sound he wanted until he got frustrated and "got a single-sided Gillette razorblade and cut round the cone [from the centre to the edge] ... so it was all shredded but still on there, still intact. I played and I thought it was amazing." The jagged sound of the amplifier was replicated in the studio; the Elpico was plugged into the Vox AC30, and the resulting effect became a mainstay in The Kinks' early recordings--most notably on "You Really Got Me" and "All Day and All of the Night". From 1966 onwards, The Kinks came to be known for their adherence to traditions of English music and culture, during a period when many other British bands dismissed their heritage in favour of American blues, R&B and pop styles. Ray Davies recalled that at a distinct moment in 1965 he decided to break away from the American scene, and write more introspective and intelligent songs. "I decided I was going to use words more, and say things. I wrote 'Well Respected Man'. That was the first real word-oriented song I wrote. ... [I also] abandoned any attempt to Americanise my accent." The Kinks' allegiance to English styles was strengthened by the ban placed on them by the American Federation of Musicians. The ban cut them off from the American record buying public, the world's largest musical market, forcing them to focus on Britain and mainland Europe. The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, and creating some of the most influential and important music of the period. Beginning with Everybody's In Show-biz (1972), Ray Davies began exploring theatrical concepts on the group's albums; these themes became manifest on the 1973 album Preservation Act 1 and continued through Schoolboys In Disgrace (1976). The Kinks found little success with these conceptual works, and reverted to a traditional rock format throughout the remainder of the 1970s. Sleepwalker (1977), which heralded their return to commercial success, featured a mainstream, relatively slick production style that would become their norm. The band returned to hard rock for Low Budget (1979), and continued to record within the genre throughout the remainder of their career.

Answer this question "what was their greatest accomplishment?"
output:
The Kinks came to be known for their adherence to traditions of English music and culture, during a period when many other British bands dismissed their heritage