Problem: Steeleye Span are an English folk rock band formed in 1969. Still active today, along with Fairport Convention, they are amongst the best known acts of the British folk revival, and were among the most commercially successful, thanks to their hit singles "Gaudete" and "All Around My Hat". They had four Top 40 albums and achieved a certified gold record with sales of "All Around My Hat". Throughout their history, Steeleye Span have seen many personnel changes.

With their star now conspicuously ascendant, the band brought in producer Mike Batt (best known for his musical association with the Wombles and, more recently, Katie Melua) to work on their eighth album, All Around My Hat, and their biggest success would come with the release of the title track as a single - it reached number 5 in the UK Charts in late 1975. The single was also released in other European countries and gave them a breakthrough in the Netherlands and Germany. Other well-known tracks on the album included "Black Jack Davy" (sampled by rappers Goldie Lookin Chain on their track "The Maggot") and the rocky "Hard Times of Old England". But while All Around My Hat was the height of the band's commercial success, the good times were not to last long. Despite touring almost every year since 1975, they have not had another hit single, nor any success in the album chart since the late 1970s. The follow-up album Rocket Cottage (1976), also produced by Batt, proved to be a commercial flop, despite having much in common musically with its immediate predecessor. The opening track, "London", was penned by Rick Kemp as a follow-up to "All Around My Hat", in response to a request from the record label that Kemp describes as "we'll have another one of those, please", and released as a single. The song failed to make the UK Chart, in complete contrast to "All Around My Hat", despite having much in common with its predecessor - a 12/8 time signature, upbeat tempo, solo verses and full harmony chorus. Rocket Cottage also included experimental tracks "Fighting for Strangers" (with sparse vocals singing concurrently in a variety of keys) and, on the final track, excerpts of studio banter between the band members and a seemingly impromptu rendition of "Camptown Races", in which Prior gets the lyrics wrong. But while their seventh album, Commoners Crown, was one of their most interesting and varied, including the epic "Long Lankin", the advent of punk saw the mainstream market turning away from folk rock almost overnight, heralding a downturn in commercial fortunes for the band. However, as a thank you to their committed fans (and also to possibly to garner some publicity for their underperforming album), Steeleye Span showered attendees of a November 1976 concert in London, England, with the then-equivalent of US$13,600 in British pound notes. The unannounced idea was Maddy Prior's, and--remarkably--no-one was injured in the rush to grab the falling bills. Indeed, contemporary press reports indicated that it took some time for the crowd to even realise what was happening. Thanks to their connection with Mike Batt, band members appeared in Womble costumes on Top of the Pops, performing the Wombles hit "Superwomble".

What happened afterwards since they didn't have another single or success?

Answer with quotes: The follow-up album Rocket Cottage (1976), also produced by Batt, proved to be a commercial flop,

Question:
Jose Raul Capablanca y Graupera (19 November 1888 - 8 March 1942) was a Cuban chess player who was world chess champion from 1921 to 1927. A chess prodigy, he is considered by many as one of the greatest players of all time, widely renowned for his exceptional endgame skill and speed of play. Born in Havana, he beat Cuban champion Juan Corzo in a match two days before his thirteenth birthday on 17 November 1901.
Capablanca's skill in rapid chess lent itself to simultaneous exhibitions, and his increasing reputation in these events led to a US-wide tour in 1909. Playing 602 games in 27 cities, he scored 96.4% - a much higher percentage than, for example, Geza Maroczy's 88% and Frank Marshall's 86% in 1906. This performance gained him sponsorship for an exhibition match that year against Marshall, the US champion, who had won the 1904 Cambridge Springs tournament ahead of World Champion Emanuel Lasker and Dawid Janowski, and whom Chessmetrics ranks as one of the world's top three players at his peak. Capablanca beat Marshall by 15-8 (8 wins, 1 loss, 14 draws) - a margin comparable to what Emanuel Lasker achieved against Marshall (8 wins, no losses, 7 draws) in winning his 1907 World Championship match. After the match, Capablanca said that he had never opened a book on chess openings. Following this match, Chessmetrics rates Capablanca the world's third strongest player for most of the period from 1909 through 1912. Capablanca won six games and drew one in the 1910 New York State Championship. Both Capablanca and Charles Jaffe won their four games in the knock-out preliminaries and met in a match to decide the winner, who would be the first to win two games. The first game was drawn and Capablanca won the second and third game. After another gruelling series of simultaneous exhibitions, Capablanca placed second, with 9 1/2 out of 12, in the 1911 National Tournament at New York, half a point behind Marshall, and half a point ahead of Charles Jaffe and Oscar Chajes. Marshall, invited to play in a tournament at San Sebastian, Spain, in 1911, insisted that Capablanca also be allowed to play. According to David Hooper and Ken Whyld, San Sebastian 1911 was "one of the strongest five tournaments held up to that time", as all the world's leading players competed except the World Champion, Lasker. At the beginning of the tournament, Ossip Bernstein and Aron Nimzowitsch objected to Capablanca's participation because he had not fulfilled the entry condition of winning at least third prize in two master tournaments. Capablanca won brilliantly against Bernstein in the very first round, more simply against Nimzowitsch, and astounded the chess world by taking first place, with a score of six wins, one loss and seven draws, ahead of Akiba Rubinstein, Milan Vidmar, Marshall, Carl Schlechter and Siegbert Tarrasch, et al. His loss, against Rubinstein, was one of the most brilliant achievements of the latter's career. Some European critics grumbled that Capablanca's style was rather cautious, though he conceded fewer draws than any of the next six finishers in the event. Capablanca was now recognized as a serious contender for the world championship.
Answer this question using a quote from the text above:

What was the first tournament he played in?

Answer:
his increasing reputation in these events led to a US-wide tour in 1909.