[Q]: Given the following context: Cookie Voltecki jumps the turnstiles with her friend and is caught by transit security who fine her and bring her to court. There she is defended from her charges by a lawyer she doesn't know and put in a car where she is taken to her estranged father, Dino Capisco, who is about to finish a thirteen-year prison sentence. To straighten Cookie out he sends her to work with an old associate of his named Carmine. Dino is successfully paroled and goes home with his wife Bunny, but shortly after goes to visit Cookie's mother Lenore Voltecki, Dino's longtime mistress. Cookie is disgusted with the way the married Dino treats her mother and Dino grows frustrated with Cookie, but at Lenore's urging the two go to a Christmas party at Carmine's. While there Cookie and Dino fight and leave early. Aware that he is being followed by the feds, who want to put him back in prison, Dino has Cookie shake their security detail. When pictures of them end up in newspapers Dino tells his wife that Cookie is his driver and begins using her as such. Dino reveals to Cookie he is actually mad with Carmine, who sold out his shares in a business they had together when Dino was in prison and now refuses to give him the money from the sale. To get revenge Dino calls the union on Carmine's sweatshop and also has some of his men ransack trucks containing Carmine's merchandise. In retaliation some of Carmine's men shoot at Dino's car while Cookie is driving it and later plant a bomb in Dino's car, though no one is harmed. A worried Cookie reaches out to the FBI, offering to give up her father's associates as long as he is put in witness protection. Dino vetoes the idea since he thinks Carmine's men will never stop hunting him down, but Cookie suggests they fake his death so that Carmine won't bother looking for him. answer the following question: What is the first name of the daughter of Bunny's husband?
****
[A]: Cookie

input: Please answer the following: Given the following context: Gloria Wandrous wakes up in the apartment of wealthy executive Weston Liggett and finds that he has left her $250. An insulted Gloria, whose dress is torn, takes Liggett's wife Emily's (Dina Merrill) mink coat to cover herself and scrawls "No Sale" in lipstick on the mirror, but she orders her telephone answering service, BUtterfield 8, to put Liggett through if he calls. Gloria visits a childhood friend, pianist Steve Carpenter, who chastises her for wasting her life on one-night stands but agrees to ask his girlfriend Norma to lend her a dress. Gloria leaves, and Norma tells Steve to choose between her and Gloria. Liggett takes a train to the countryside where his wife Emily is caring for her mother. A friend, Bingham Smith, advises him to end his adulterous relationships and return to Bing's law firm instead of working for the chemical business of Emily's father. Meanwhile, Gloria lies to her mother Annie, claiming to have spent the night at Norma's. Liggett returns home. Finding the lipstick and money, he phones Gloria to explain the money was meant for her to buy a new dress, to replace the one that he had torn. While drinking later that night, Liggett advises her to ask a high price for her lovemaking talents. She insists she does not take payment from her dates and claims she has been hired as a model to advertise the dress she is wearing at three bistros that night. Liggett follows Gloria, watching her flirt with dozens of men at several clubs. He then drives her to a run-down motel. After sleeping together, Liggett and Gloria decide to explore their relationship further. Together for five days, they grow closer, falling genuinely in love with one another and parting only upon the return of Liggett's wife. answer the following question: What's the last name of the man who Norma demands a choice from?
++++++++++
output: Carpenter

Please answer this: Given the following context: The "magnificent and accurate" Shakespeare edition which Boydell began in 1786 was to be the focus of his enterprisehe viewed the print folio and the gallery as offshoots of the main project. In an advertisement prefacing the first volume of the edition, Nicol wrote that "splendor and magnificence, united with correctness of text were the great objects of this Edition". The volumes themselves were handsome, with gilded pages that, unlike those in previous scholarly editions, were unencumbered by footnotes. Each play had its own title page followed by a list of "Persons in the Drama". Boydell spared no expense. He hired the typography experts William Bulmer and William Martin to develop and cut a new typeface specifically for the edition. Nicol explains in the preface that they "established a printing-house ... [and] a foundry to cast the types; and even a manufactory to make the ink". Boydell also chose to use high-quality wove Whatman paper. The illustrations were printed independently and could be inserted and removed as the purchaser desired. The first volumes of the Dramatic Works were published in 1791 and the last in 1805. Boydell was responsible for the "splendor", and George Steevens, the general editor, was responsible for the "correctness of text". Steevens, according to Evelyn Wenner, who has studied the history of the Boydell edition, was "at first an ardent advocate of the plan" but "soon realized that the editor of this text must in the very scheme of things give way to painters, publishers and engravers". He was also ultimately disappointed in the quality of the prints, but he said nothing to jeopardize the edition's sales. Steevens, who had already edited two complete Shakespeare editions, was not asked to edit the text anew; instead, he picked which version of the text to reprint. Wenner describes the resulting hybrid edition: The thirty-six plays, printed from the texts of Reed and Malone, divide into the following three groups: (1) five plays of the first three numbers printed from... answer the following question: What was the first name of the person who was ultimately disappointed in the quality of the prints?
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Answer: George

Problem: Given the following context: Twist's mother dies in childbirth in the middle of nowhere. Fearing blame, the locals bury her in an unmarked grave and drop the baby at a rural orphanage, where he is named Twist. Growing up in the dusty wastes of the Swartland, sold from orphanage into child labour on the farms, and later to a rural undertaker, Twist finally takes his fate into his own hands and escapes to Cape Town. Wide eyed at the wonders of the city, he falls in with Fagin - an ancient Ethiopian, Rastafarian, who runs a network of child thieves. His new friend Dodger teaches him the tricks of the trade, but the inexperienced Twist is caught trying to steal from Ebrahim Bassedien. Although neither understand it, there is a strange affinity between this old man - who has lost his daughter - and the young boy who never knew his mother. Bassedien takes the little stroller in and for a moment it seems that the trauma is over - as the little boy encounters love for the first time in his short and brutal life. Enter Monks - the only person who knows Twist's true identity. He is paying Fagin to keep the little boy marginalised. If he ends up in jail or dead on the street, so much the better, for Monks stands to lose his inheritance if anybody ever discovers that Twist is Bassedien's grandson. The brutal gangster Bill Sykes, and his prostitute girlfriend, Nancy, steal Twist back for Fagin, and the struggle for a little boy's soul begins in earnest. answer the following question: What person never knew his mother?

A:
Twist