Problem: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences: Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad. Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.

who was it comprised ?

Answer with quotes: Pink Floyd

Problem: Georgette Heyer (; 16 August 1902 - 4 July 1974) was an English historical romance and detective fiction novelist. Her writing career began in 1921, when she turned a story for her younger brother into the novel The Black Moth.

Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames. Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta. George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism. When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine.

was her family supportive of her career?

Answer with quotes:
Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher