Answer the question at the end by quoting:

Wilhelm was one of eleven children born to poor tenant farmers John and Ethel (nee Stanley) Wilhelm in Huntersville, North Carolina. He played baseball at Cornelius High School in Cornelius, North Carolina. There, he began experimenting with a knuckleball after reading about pitcher Dutch Leonard.
Though Wilhelm was primarily a starting pitcher in the minor leagues, he had been called up to a Giants team whose strong starting pitchers had led them to a National League (NL) pennant the year before. Giants manager Leo Durocher did not think that Wilhelm's knuckleball approach would be effective for more than a few innings at a time. He assigned Wilhelm to the team's bullpen. Wilhelm made his MLB debut with the Giants on April 18, 1952 at age 29, giving up a hit and two walks while only recording one out. On April 23, 1952, in his third game with the New York Giants, Wilhelm batted for the first time in the majors. Facing rookie Dick Hoover of the Boston Braves, Wilhelm hit a home run over the short right-field fence at the Polo Grounds. Although he went to bat a total of 432 times in his career, he never hit another home run. Pitching exclusively in relief, Wilhelm led the NL with a 2.43 ERA in his rookie year. He won 15 games and lost three. Wilhelm finished in the top ten in Most Valuable Player Award voting that season, becoming the first relief pitcher to finish that high. He finished second in the Rookie of the Year Award voting. Wilhelm made 69 relief appearances in 1953, his win-loss record decreased to 7-8 and he issued 77 walks against 71 strikeouts. Wilhelm was named to the NL All-Star team that year, but he did not play in the game because team manager Charlie Dressen did not think that any of the catchers could handle his knuckleball. The Giants renewed Wilhelm's contract in February 1954. In 1954, Wilhelm was a key piece of the pitching staff that led the 1954 Giants to a world championship. He pitched 111 innings, finishing with a 12-4 record and a 2.10 ERA. During one of Wilhelm's appearances that season, catcher Ray Katt committed four passed balls in one inning to set the major league record; the record has subsequently been tied twice. When Stan Musial set a record by hitting five home runs in a doubleheader that year, Wilhelm was pitching in the second game and gave up two of the home runs. The 1954 World Series represented Wilhelm's only career postseason play. He pitched 2 1/3 innings over two games, earning a save in the third game. The team won the World Series in a four-game sweep. Wilhelm's ERA increased to 3.93 over 59 games and 103 innings pitched in 1955, but he managed a 4-1 record. He finished the 1956 season with a 4-9 record and a 3.83 ERA in 89 1/3 innings. Sportswriter Bob Driscoll later attributed Wilhelm's difficulties in the mid-1950s to the decline in the career of Giants catcher Wes Westrum, writing that baseball was "a game of inches, and for Hoyt, Wes had been that inch in the right direction."

Are there any notable teams he played for or against?

Wilhelm made his MLB debut with the Giants on April 18, 1952 at age 29, giving up a hit and two walks while only recording one out.

IN: Carl August Nielsen (Danish: [ka:l 'nelsn]; 9 June 1865 - 3 October 1931) was a Danish musician, conductor and violinist, widely recognized as his country's most prominent composer. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. He initially played in a military band before attending the Royal Danish Academy of Music in Copenhagen from 1884 until December 1886.

While travelling, Nielsen discovered and then turned against Richard Wagner's music dramas, heard many of Europe's leading orchestras and soloists and sharpened his opinions on both music and the visual arts. Although he revered the music of Bach and Mozart, he remained ambivalent about much 19th-century music. In 1891 he met the composer and pianist Ferruccio Busoni in Leipzig; they were to maintain a correspondence for over thirty years. Shortly after arriving in Paris in early March 1891 Nielsen met the Danish sculptor Anne Marie Brodersen, who was also travelling on a scholarship. They toured Italy together and married in St Mark's English Church, Florence, on 10 May 1891 before returning to Denmark. According to Fanning, their relationship was not only a "love match", but also a "meeting of minds"; Anne Marie was a gifted artist and a "strong-willed and modern-minded woman, determined to forge her own career". This determination would strain the Nielsens' marriage, as Anne Marie would spend months away from home during the 1890s and 1900s, leaving Carl, who was susceptible to opportunities with other ladies, to raise their three young children in addition to composing and fulfilling his duties at the Royal Theatre. Nielsen sublimated his anger and frustration over his marriage in a number of musical works, most notably between 1897 and 1904, a period which he sometimes called his "psychological" period. Fanning writes, "At this time his interest in the driving forces behind human personality crystallized in the opera Saul and David and the Second Symphony (The Four Temperaments) and the cantatas Hymnus amoris and Sovnen". Carl suggested divorce in March 1905 and had considered moving to Germany for a fresh start, but despite several extended periods of separation the Nielsens remained married for the remainder of the composer's life. Nielsen had five children, two of them illegitimate. He had already fathered a son, Carl August Nielsen, in January 1888, before he met Anne Marie. In 1912, an illegitimate daughter was born - Rachel Siegmann, about whom Anne Marie never learned. With his wife Nielsen had two daughters and a son. Irmelin, the elder daughter, studied music theory with her father and in December 1919 married Eggert Moller (1893-1978), a medical doctor who became a professor at the University of Copenhagen and director of the polyclinic at the National Hospital. The younger daughter Anne Marie, who graduated from the Copenhagen Academy of Arts, married the Hungarian violinist Emil Telmanyi (1892-1988) in 1918; he contributed to the promotion of Nielsen's music, both as a violinist and a conductor. Nielsen's son, Hans Borge, was handicapped as a result of meningitis and spent most of his life away from the family. He died near Kolding in 1956.

Where did they stay at

OUT:
They toured Italy together and married in St Mark's English Church, Florence, on 10 May 1891 before returning to Denmark.