Problem: Background: Audrey Faith McGraw (born September 21, 1967) is an American singer and record producer. She is one of the most successful country artists of all time, having sold more than 40 million albums worldwide. Hill is married to American singer Tim McGraw, with whom she has recorded several duets. Hill's first two albums, Take Me as I Am (1993) and It Matters to Me (1995), were major successes and placed a combined three number ones on Billboard's country charts.
Context: Hill was born in Ridgeland, Mississippi, north of Jackson, Mississippi. She was adopted as an infant, and named Audrey Faith Perry. She was raised in the nearby town of Star, 20 miles outside of Jackson. Her adoptive parents, Edna and Ted Perry, raised her with their two biological sons in a devout Christian environment. Hill's vocal talent was apparent early, and she had her first public performance, at a 4-H luncheon, when she was seven. In 1976, a few days before her 9th birthday, she attended a concert by Elvis Presley at the State Fair Coliseum, in Jackson, which impressed her deeply. By the time she was a teenager, Hill was a regular performer at area churches, even those not in her own Baptist denomination. At 17, Hill formed a band that played in local rodeos. She graduated from McLaurin Attendance Center in 1986, and briefly attended college at Hinds Junior College (now Hinds Community College) in Raymond, Mississippi. At times, she sang for prisoners at the Hinds County Jail, her song of choice being "Amazing Grace". At age 19 she quit school to move to Nashville and pursue her dream of being a country singer. In her early days in Nashville, Hill auditioned to be a backup singer for Reba McEntire, but failed to secure the job. After a stint selling T-shirts, Hill became a secretary at a music publishing firm. Hill also landed a job at a local McDonald's restaurant franchise, which she disliked intensely. "Fries, burgers, cash register - I did it all, I hated it," she has said. In 1988, she married music publishing executive Daniel Hill (not to be confused with Canadian musician Dan Hill). A co-worker heard Hill singing to herself one day, and soon the head of her music publishing company was encouraging her to become a demo singer for the firm. She supplemented this work by singing backup vocals for songwriter Gary Burr, who often performed his new songs at Nashville's Bluebird Cafe. During one of those performances, Bob Saporiti, an executive from Warner Bros. Records was in the audience, and, impressed with Hill's voice, began the process of signing her to a recording contract. Shortly after the release of her album, Hill's marriage fell apart. She and Daniel Hill divorced in 1994.
Question: who were her parents?
Answer: Edna and Ted Perry,

Problem: Background: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.
Context: In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch). Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era. After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).
Question: what was it like with the count basie orchestra?
Answer:
His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins,