Some context: Hasek started playing hockey at the age of six in his native Czechoslovakia. As he explains: They held a tryout for 5-year-old boys and my father took me there. I didn't even have real skates. I had those blades that you screwed onto the soles of your shoes, but I was tall, and the 9-year-olds didn't have a goalie, so they put me in with them and thats where I fell in love with the game of hockey.
After his contract with the Red Wings expired, Hasek announced his intention to play for a Stanley Cup contender, and specifically named the Ottawa Senators as a possibility. On July 6, 2004, after trading Patrick Lalime to the St. Louis Blues, the Senators signed Hasek to a one-year deal. During the 2004-05 NHL lockout, Hasek toured with the Primus Worldstars. Similar to the tour Wayne Gretzky and IMG formed during the 1994-95 NHL lockout, the Primus Worldstars Tour ran December 7-23, playing in seven different countries (Riga, Latvia; Moscow and St Petersburg, Russia; Bratislava, Slovakia; Bern, Switzerland; Karlstad, Jonkoping and Linkoping, Sweden; Oslo, Norway; Katowice, Poland) in ten scheduled games. The tour competed against all-star teams or club teams of each country. Hasek played increasingly well for the Senators up until the 2006 Winter Olympics in Turin. During the season, he reached 300 career wins, and his GAA and save percentage were the second-best in the league. Upon departure to Turin, Hasek's equipment was accidentally left behind in Ottawa. This caused Hasek to miss a number of practices with the Czech national team. At the Winter Olympics, he injured his right adductor muscle while making a save in the first qualifying match against Germany, forcing him to leave the game after only 9 minutes and 25 seconds. Hasek's injury caused him to miss the rest of the regular season and post-season, despite several rumours that he would return in time for the playoffs. He said that if he were to be re-signed, he would play for a base salary of $500,000 with bonuses. After the Senators were eliminated in the second round, they opted not to re-sign Hasek.
did he set any records?
A: During the season, he reached 300 career wins,

Some context: Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.
Timmons moved to New York in 1954. He played with Kenny Dorham in 1956, making his recording debut with the trumpeter in a live set in May of that year. He went on to play and record with Chet Baker in 1956-57 (bassist Scott LaFaro was part of this band for a time), Sonny Stitt in 1957, and Maynard Ferguson in 1957-58. He also recorded as a sideman with hornmen Curtis Fuller, Hank Mobley, and Lee Morgan, all for Blue Note Records in 1957. Timmons became best known as a member of Art Blakey's band the Jazz Messengers, which he was first part of from July 1958 to September 1959, including for a tour of Europe. He was recruited for the Messengers by saxophonist Benny Golson, who said that "He was inventive, [...] He could play bebop and he could play funky - he could play a lot of things, and I thought it was the element that Art needed. He hadn't had anybody quite like Bobby, who could go here or go there, rather than walking in a single corridor." By late 1958 Timmons was sharing bandmate Morgan's East Sixth Street apartment and the pair had bought a piano, allowing Timmons to practice and Morgan to work on composing. From around the time he joined Blakey, Timmons, along with some of his fellow band members, was a heroin user. After leaving Blakey, Timmons joined Cannonball Adderley's band, in October 1959. Timmons was also known as a composer during this period: The Encyclopedia of Jazz states that his compositions "Moanin'" (from the 1958 album of the same title), "This Here", and "Dat Dere" "helped generate the gospel-tinged 'soul jazz' style of [the] late '50s and early '60s." The first was written when Timmons was first with Blakey; the others were composed when he was with Adderley. "This Here" (sometimes "Dis Here") was a surprise commercial success for Adderley: recorded in concert in 1959, it was released as part of The Cannonball Adderley Quintet in San Francisco album while the band was still on tour, and they discovered its popularity only when they arrived back in New York and found crowds outside the Village Gate, where they were due to play. Timmons was reported to be dissatisfied with the money he had received from "This Here", and was enticed in February 1960 into leaving Adderley and returning to Blakey's band by the offer of more pay. Timmons then appeared on further well-known albums with the drummer, including A Night in Tunisia, The Freedom Rider and The Witch Doctor. His own recording debut as sole leader was This Here Is Bobby Timmons in 1960, which contained his first versions of his best-known compositions. In the same year, he played on recordings led by Nat Adderley, Arnett Cobb, and Johnny Griffin, among others; on the first of these, Work Song, Timmons did not appear on all of the tracks, because he had been drinking heavily.
Did he play with anyone else?
A:
play and record with Chet Baker in 1956-57 (bassist Scott LaFaro was part of this band for a time), Sonny Stitt in 1957, and Maynard Ferguson in 1957-58.