IN: Alison Maria Krauss was born in Decatur, Illinois, to Fred and Louise Krauss. Her father was a German immigrant who came to the United States in 1952 and taught his native language. Her mother, of German and Italian descent, is the daughter of artists. Krauss grew up in the college town of Champaign, home to the University of Illinois at Urbana-Champaign.

Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye". Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band. Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider". Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video.

How was Union Station formed?

OUT: Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail.

IN: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.

Unlike his more famous contemporary Bob Fosse, Bennett was not known for a particular choreographic style. Instead, Bennett's choreography was motivated by the form of the musical involved, or the distinct characters interpreted. In Act 2 of Company, Bennett defied the usual choreographic expectations by deliberately taking the polish off the standard Broadway production number. The company stumbled through the steps of a hat and cane routine ("Side By Side") and thus revealed to the audience the physical limitations of the characters' singing and dancing. Bennett made the audience aware that this group had been flung together to perform, and that they were in over their heads. He intended the number to be not about the routine, but rather the characters behind it. The song "One" from A Chorus Line functions in a different way. The various phases of construction/rehearsal of the number are shown, and because the show is about professional dancers, the last performance of the song-and-dance routine has all the gloss and polish expected of Broadway production values. Bennett's choreography also reveals the cost of the number to the people behind it. Bennett was influenced by the work of Jerome Robbins. "What Michael Bennett perceived early in Robbins' work was totality, all the sums of a given piece adding to a unified whole". In Dreamgirls, Bennett's musical staging was described as a "mesmerizing sense of movement": The most thrilling breakthrough of the extraordinary show is that whereas in A Chorus Line Michael Bennett choreographed the cast, in Dreamgirls he has choreographed the set.... Bennett's use of [the plexiglass towers that dominated the set] was revolutionary. The towers moved to create constantly changing perspectives and space, like an automated ballet.... They energized the action, driving it forcefully along. It's why there were no set-piece dance routines in the show: Dance and movement were organic to the entire action. But Bennett had made the mechanical set his dancers."

what did critics have to say about his style?

OUT: In Dreamgirls, Bennett's musical staging was described as a "mesmerizing sense of movement":

IN: Isbell was born in Green Hill, Alabama, two miles from the Alabama/Tennessee state line, the son of interior designer mother Angela Hill Barnett and house painter Mike Isbell. Isbell's mother was only 17 years old (and his father 19 years old) when he was born and is the subject of a song, "Children of Children". Isbell's parents divorced, and he has two much younger half-siblings, Chantry Barnett and Emily Isbell. Isbell grew up in rural North Alabama.

Jason Isbell released his first solo album, Sirens of the Ditch, on July 10, 2007. In 2012, Isbell supported singer-songwriter Ryan Adams on his tour. Both played solo acoustic sets. On June 11, 2013, Isbell released his fourth solo album, Southeastern. Produced by Dave Cobb and featuring accompanying vocals by Kim Richey and Isbell's wife, Amanda Shires, Southeastern received overwhelmingly positive critical reviews, earning a score of 87 on Metacritic. Southeastern led to Isbell's clean sweep of the 2014 Americana Music Awards. Southeastern won Album of the Year, Isbell was named Artist of the Year, and the song "Cover Me Up" was named Song of the Year. NPR rock critic Ken Tucker listed Southeastern at No. 1 on his top ten albums of 2013. Isbell's record received praise by artists like Bruce Springsteen and John Prine. Isbell's music video for the song "Traveling Alone" features the Jackson House, a historic home in Moulton, Alabama. In 2014, his song "Cover Me Up" was used as the weather for the Welcome to Night Vale episode "Visitor". Isbell's fifth solo record, Something More Than Free, was released on July 17, 2015, on Southeastern Records. Dave Cobb produced, continuing the partnership created with Isbell on Southeastern. They recorded the album at Nashville's Sound Emporium studio with a full band. During the summer of 2015, Isbell was on a North American tour to promote the album, with four consecutive sold-out nights at the Ryman Auditorium in Nashville at the end of October. In April 2016, Isbell appeared on the BBC live-music show Later With Jools Holland, singing "The Life You Chose", one of the tracks from Something More Than Free. Isbell said that compared to Southeastern, Something More Than Free has a feeling of celebration, which reflects his upcoming fatherhood and a forward-facing momentum. One track on the record, "To a Band I Loved", is a love-letter to the band Centro-Matic, a now defunct band from Denton, Texas, Isbell played with back in his Drive-By Truckers days. Something More Than Free debuted at number 1 on Billboard Magazine's rock, folk and country record charts. Although Isbell had had critical success in the Americana genre, this was the first time he received such high ranking across genres. The album was well received, winning two Grammy awards for Best Americana Album and Best American Roots Song ("24 Frames"). On May 11, 2016, Isbell, a four-time winner, was nominated for three more Americana Music Honors & Awards: Album of the Year (Something More Than Free), Song of the Year ("24 Frames"), and Artist of the Year. He won the first two, while Chris Stapleton won Artist of the Year.

Sold out nights where?

OUT:
at the Ryman Auditorium in Nashville at the end of October. In April 2016, Isbell appeared on