Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Eric Freeman (born July 13, 1965) is an American actor best known for his role as Ricky Caldwell in the 1987 film "Silent Night, Deadly Night Part 2". Context_2 : Meyer Mishkin (d 1999) was a Hollywood agent. His clients included Jeff Chandler, Richard Dreyfuss, Tom Skerritt, Lee Marvin Jim Davis (actor) and Gary Busey. He was credited with helping discover Tyrone Power, Gregory Peck, Jeff Chandler, Richard Dreyfuss, Charles Bronson and James Coburn. Context_3 : John Todd Terlesky (born May 30, 1961) is an American actor, film director, television director and screenwriter. As an actor, he is best known for his titular role in the 1987 film "Deathstalker II". Context_4 : Miguel Jose Ferrer (February 7, 1955 January 19, 2017) was an American actor and voice actor. His breakthrough role was the OCP Vice President Bob Morton in the 1987 film "RoboCop". Other film roles include Commander Harbinger in "Hot Shots! Part Deux" (1993), Shan Yu in "Mulan" (1998), Eduardo Ruiz in "Traffic" (2000) and Vice President Rodriguez in "Iron Man 3" (2013). Context_5 : William Gary Busey ( ; born June 29, 1944) is an American actor of film and television. A prolific character actor, Busey has appeared in over 150 films, including "Lethal Weapon" (1987), "Predator 2" (1990), "Point Break" (1991), "Under Siege" (1992), "The Firm" (1993), "Carried Away" (1996), "Black Sheep" (1996), "Lost Highway" (1997), "Fear and Loathing in Las Vegas" (1998), "The Gingerdead Man" (2005) and "Piranha 3DD" (2012). Busey also made guest appearances on television shows such as "Gunsmoke", "Walker, Texas Ranger", "Law & Order", "Scrubs", and "Entourage". Context_6 : William E. "Billy" Wirth (born June 23, 1962) is an American actor, film producer, and artist, perhaps best known for his role as Dwayne in the 1987 film, "The Lost Boys." Context_7 : Emile Meyer (August 18, 1910 March 19, 1987) was an American actor (born in New Orleans) usually known for tough, aggressive, authoritative characters in Hollywood films from the 1950s era, mostly in westerns or thrillers. Meyer was plucked from a crowd scene by Elia Kazan in his "Panic in the Streets" (1950) to play an uncredited small speaking role as a sea captain in that film. He provided such noteworthy performances as Rufus Ryker the cattle baron who makes a strong case for the open range in "Shane" (1953), as the belligerent Mr Halloran in "The Blackboard Jungle" (1955), cast against type by Stanley Kubrick as Father Dupree in "Paths of Glory" (1957) and the corrupt cop Harry Kello who intends to 'chastise' Tony Curtis in "Sweet Smell of Success" (1957). He appeared in an episode of the 1961 series "The Asphalt Jungle". Context_8 : "The Look of Love" is a song by American singer Madonna from the soundtrack album to the 1987 film "Who's That Girl". It was the third and final single release from the album and was released on November 25, 1987 by Sire Records. While shooting for the film, then called "Slammer", Madonna had requested that producer Patrick Leonard develop a downtempo song that captured the nature of her film persona. She later wrote the lyrics and melody to the backing track developed by Leonard, and the song became "The Look of Love". Madonna was also inspired by actor James Stewart's performance in the 1954 film "Rear Window" when writing the song. Context_9 : Richard Allen Burks (July 27, 1960 - February 19, 1989) was an American Musician and Actor. Burks was born in Oakland California. He is most notable for his portrayal of Michael Tutman in the 1987 horror/comedy film "Blood Diner". Produced by Jimmy Maslon and Directed by Jackie Kong. He also made a minor appearance in the 1987 film "The Underachievers" and the 1988 film "Wicked Stepmother". He was also in numerous music videos; David Bowie's "Day-In Day-Out", Brenda Russell's "Piano In The Dark", Gladys Knight's "Livin On Next To Nothin", and Neil Young's "Hey Hey, My My". Context_10 : Lar Park Lincoln (born May 12, 1961) is an American actress. She appeared in the 1987 film "" as Kate, the 1988 horror film "" as Tina Shepard., and a 1988 episode of the anthology horror series "Freddy's Nightmares" as Karyn. Lincoln starred in the television series "Knots Landing" from 1987 to 1991. fact_1 : His clients included Jeff Chandler, Richard Dreyfuss, Tom Skerritt, Lee Marvin Jim Davis (actor) and Gary Busey. fact_2 : William Gary Busey ( ; born June 29, 1944) is an American actor of film and television. fact_3 : A prolific character actor, Busey has appeared in over 150 films, including "Lethal Weapon" (1987), "Predator 2" (1990), "Point Break" (1991), "Under Siege" (1992), "The Firm" (1993), "Carried Away" (1996), "Black Sheep" (1996), "Lost Highway" (1997), "Fear and Loathing in Las Vegas" (1998), "The Gingerdead Man" (2005) and "Piranha 3DD" (2012). Answer: Lethal Weapon
Answer:
In which 1987 film did this American actor of film and television and a client of Meyer Mishkin appear?