Question: Build a movie plot around this: Who's on the sick bed? dying widower named Kiyuro Takazawa
Answer: Roujin Z is set in early 21st century Japan. A group of scientists and hospital administrators, under the direction of the Ministry of Public Welfare, have developed the Z-001: a computerized hospital bed with robotic features.[2][3] The Z-001 takes complete care of the patient: it can dispense food and medicine, remove excretory waste, bathe and exercise the patient lying within its frame. The bed is driven by its own built-in nuclear power reactorand in the event of an atomic meltdown, the bed (including the patient lying within) would become automatically sealed in concrete.[4] The first patient to be "volunteered" to test the bed is a dying widower named Kiyuro Takazawa. He is an invalid who is cared for by a young nursing student named Haruko.[5] The electronic elements within the Z-001 somehow manage to transcribe Takazawa's thoughts through Haruko's office computer, and he uses the communication to cry for help.[4] Although she objects to such treatment of elderly patients, Haruko begrudgingly seeks the aid of a group of computer hackers in the hospital's geriatric ward to create and install a vocal simulation of Takazawa's deceased wife in the Z-001.[2][3] However, once Takazawa wishes to go to the beach, the Z-001 detaches itself from its moorings and escapes from the hospital with the man in its grasp.[2][6] Haruko's fears are then justified, as it is discovered that the bed is actually a government-designed, experimental weapons robot.[3][5]

Question: Build a movie plot around this: Who did Claire Smith bring to Verona? Son
Answer: The movie begins with Sophie (Amanda Seyfried) walking through downtown New York while on the phone, trying to track down several individuals to see where they were on the day they found out WWII was over. In her hand she has a picture of the famous kiss that took place between a sailor and a nurse, and she's trying to confirm if it was staged or spontaneous. As she's in Times Square, where the picture was taken, she finds the right person who can verify her question.She meets with her boss at the New Yorker who asks her to be very certain that the information is correct, which she is, and he compliments her on her work. She asks him if she can start to submit some stories to him as she really wants to write, but he says she's such a good fact checker that there is no need to want more. He then asks her about the trip she is going on. Sophie and her fiance Victor (Gael Garcia Bernal) are leaving on a pre-honeymoon trip to Verona, Italy, because he will be opening up a restaurant in a few weeks and there will be no time to go after the wedding.She heads to the restaurant to find Victor unhappy because she can't write like she wants to, and finds that instead of packing, he's in the kitchen reinventing the noodle. She's annoyed because they're leaving for Italy in 12 hours, but he sweeps her off her feet and makes her smile and forgive him.They fly to Italy and stay at a hotel in Verona, where their room has a small balcony. They are both so excited to be there but for different reasons. Victor has been called by his manager, who has arranged for him to meet with some of their suppliers while he's there, and they spend the first day traipsing around the countryside meeting with suppliers at the wineries and in the cheese shops. Victor speaks fluent Italian and Sophie doesn't, so she's left out of most of the conversations. She's visibly getting more and more annoyed and finally snaps a little when Victor says that they are now ready to go on to the forest 125 kilometers away to see his truffle supplier. Sophie...

Question: Build a movie plot around this: Can anyone else see or hear Rachel? Eventually Greta and then Marge can.
Answer:
Hannah (Sharon Gless) is spending her final years in a nursing home, recalling memories from her past, all built around the relationship with her one true love, Rachel. Unable to walk and confined to her bed, Hannah recalls her childhood with Rachel back on a farm in Michigan. Now Rachel is comatose and being kept down the hall in the same home as Hannah, yet Rachels family will not allow Hannah to see her lover of so many years.Throughout the story, Hannah speaks to a younger image of Rachel in her room, and reflects on distraught episodes in earlier years when she left Rachel, such as her time stationed with the WAC in New Mexico during WWII, and when she felt she needed time to be alone by living in Alaska. Those times apart still plague their past: as we later learn, domestic Rachel was married to a man and quite repressed about her love for Hannah, and the butch Hannah felt she needed to escape the religious and sexual repression that surrounded Rachel, so she took another lover in the WAC and found solitude by fishing in Alaska.In the present, Hannah continues to plead with Rachels family represented by her inhibited granddaughter Marge to see the comatose Rachel. Marge coldly tells Hannah that she was always the source of trouble in Rachels life, especially since she travelled away so often, and does not want Hannah to upset her any further.A high school student named Greta shows up for a typical assignment of interviewing the elderly about their past. Hannah rattles off some basic facts about growing up during the Great Depression and serving as a WAC in WWII, as well as some of her many travels. Hannah rather casually invites Greta in on her conversations with the fantasy Rachel, and Greta relates somewhat to her situation since her mother died, and she still talks to her. Having made a connection, which they both sense is augmented by their lesbian identities, Greta tells Hannah she will help her visit Rachel later that night.As promised, Greta arrives in the middle of the night, helps Hannah into a...