IN: Leonardo, nicknamed Leo, is a fictional character and one of the four main characters in Teenage Mutant Ninja Turtles comics and all related media. He is often depicted wearing a blue eye mask. His signature weapons are two katanas. Leonardo is the most serious, the most spiritual, the most disciplined, and the most in-line with Splinter's teachings and thoughts, and is the leader of the Turtles.

Leonardo again leads the team in Nickelodeon's 3D computer-animated series. He was voiced by actor Jason Biggs up until "The Wrath of Tiger Claw", Dominic Catrambone for the remainder of the second season and Seth Green beginning in the third season. In this latest version, Leonardo seems to be more experienced and still perfecting his fighting skills and leadership abilities to make more solid decisions and gain more trust from his three younger brothers. He regularly watches an animated science fiction show called Space Heroes (a parody of Star Trek: The Animated Series) and uses it as a guide for his leadership skills, often attempting to quote from the show in an attempt to sound intimidating and heroic, even if most of his attempts fall flat due to him sounding overly cliche. Leonardo immediately developed romantic feelings for Karai since their first encounter, even though she is his adoptive sister by Splinter; she was taken in by the Shredder after her mother's death and was tasked with destroying her birth family (including Leo) before changing sides upon discovering her true heritage as his adopted sister. His weapons here are purely dual katanas, which he uses in the Niten Ryu style of kenjutsu, making him an excellent swordsman. Despite the fact the other three turtles have added traits in this series, Leonardo is almost completely normal but now has blue eyes. Upon the sudden demise of his adopted father and master, he reluctantly steps up as sensei in addition to being leader, which puts even more pressure on him. He is visited, on occasion, by the spirit of Splinter who encourages him to lead his family and friends to stopping new evils. In addition to his natural ninjitsu skills, he eventually developed the strong innate ability to heal via an enchanted mantra known as "the healing hands." By chanting the incantation and making the right hand seals, Leo is fully capable of revitalizing his inner strength and counteract even the most lethal of poisons and venom of "the healing hands." He managed to develop and utilize it to counteract the lethal venom of Karai, and attempted to use it on her to release her from the Shredder's control but failed. He then succeeded in saving Casey and Michelangelo from death. According to Splinter, he shows great gifts as a healer, and that being at the edge of his life had given him "a power that few martial artists can tap."
QUESTION: Did he defeat karai?
IN: Sir Pelham Grenville Wodehouse (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.

There had been films of Wodehouse stories since 1915, when A Gentleman of Leisure was based on his 1910 novel of the same name. Further screen adaptations of his books were made between then and 1927, but it was not until 1929 that Wodehouse went to Hollywood where Bolton was working as a highly paid writer for Metro-Goldwyn-Mayer (MGM). Ethel was taken with both the financial and social aspects of Hollywood life, and she negotiated a contract with MGM on her husband's behalf under which he would be paid $2,000 a week. This large salary was particularly welcome because the couple had lost considerable sums in the Wall Street Crash of 1929. The contract started in May 1930, but the studio found little for Wodehouse to do, and he had spare time to write a novel and nine short stories. He commented, "It's odd how soon one comes to look on every minute as wasted that is given to earning one's salary." Even when the studio found a project for him to work on, the interventions of committees and constant rewriting by numerous contract authors meant that his ideas were rarely used. In a 2005 study of Wodehouse in Hollywood, Brian Taves writes that Those Three French Girls (1930) was "as close to a success as Wodehouse was to have at MGM. His only other credits were minimal, and the other projects he worked on were not produced." Wodehouse's contract ended after a year and was not renewed. At MGM's request, he gave an interview to The Los Angeles Times. Wodehouse was described by Herbert Warren Wind as "politically naive [and] fundamentally unworldly," and he caused a sensation by saying publicly what he had already told his friends privately about Hollywood's inefficiency, arbitrary decision-making, and waste of expensive talent. The interview was reprinted in The New York Times, and there was much editorial comment about the state of the film industry. Many writers have considered that the interview precipitated a radical overhaul of the studio system, but Taves believes it to have been "a storm in a teacup", and Donaldson comments that, in the straitened post-crash era, the reforms would have been inevitable. Wind's view of Wodehouse's naivete is not universally held. Some biographers suggest that his unworldliness was only part of a complex character, and that in some respects he was highly astute. He was unsparing of the studio owners in his early-1930s short stories set in Hollywood, which contain what Taves considers Wodehouse's sharpest and most biting satire.
QUESTION:
Can you name another film he worked on?