In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: Mario Lanza, of course, is "The Great Caruso" in this 1951 film also starring Ann Blyth, Dorothy Kirsten, Eduard Franz and Ludwig Donath. This is a highly fictionalized biography of the legendary, world-renowned tenor whose name is known even today.The film is opulently produced, and the music is glorious and beautifully sung by Lanza, Kirsten, Judmila Novotna, Blanche Thebom, and other opera stars who appeared in the film. If you're a purist, seeing people on stage smiling during the Sextet from "Lucia" will strike you as odd - even if Caruso's wife Dorothy just had a baby girl. Also it's highly unlikely that Caruso ever sang Edgardo in Lucia; the role lay too high for him.In taking dramatic license, the script leaves out some very dramatic parts of Caruso's life. What was so remarkable about him is that he actually created roles in operas that are today in the standard repertoire, yet this is never mentioned in the film. These roles include Maurizio in Adriana Lecouvreur and Dick Johnson in "Girl of the Golden West," There is a famous photo of him posing with a sheet wrapped around him like a toga. The reason for that photo? His only shirt was in the laundry. He was one of the pioneers of recorded music and had a long partnership with the Victor Talking-Machine Company (later RCA Victor). He was singing Jose in Carmen in San Francisco the night of the earthquake.Instead, the MGM story basically has him dying on stage during a performance of Martha, which never happened. He had a hemorrhage during "L'Elisir d'amore" at the Met and could not finish the performance; he only sang three more times at the Met, his last role as Eleazar in La Juive. What killed him? The same thing that killed Valentino - peritonitis. His first role at the Met was not Radames in Aida, as indicated in the film, but the Duke in Rigoletto. So when it says on the screen "suggested by Dorothy Caruso's biography of her husband," that's what it was - suggested. What is true is that Dorothy's father disowned her after her marriage, and left her $1 of his massive estate. They also did have a daughter Gloria together (who died at the age of 79 on 10/7/2007). However, Caruso had four other children by a mistress before he married Dorothy.Some people say that Lanza's voice is remarkably like Caruso's, but just listen to Caruso sing in the film "Match Point" -- Caruso's voice is remarkably unlike Lanza's. In fact, from his sound, had he wanted to, Caruso could have sung as a baritone. He is thought to have had some trouble with high notes, further evidence of baritone leanings; and the role he was preparing when he died was Othello, a dramatic tenor role, which Lanza definitely was not. Lanza's voice deserved not to be compared with another. He made a unique contribution to film history, popularizing operatic music. He sings the music in "The Great Caruso" with a robust energy; he is truly here at the peak of what would be a short career. His acting is natural and genuine. Ann Blyth is lovely as Dorothy and gets to sing a little herself.Really a film for opera lovers and Lanza fans, which are probably one and the same. Question: is it a positive review?
[A]: yes

[Q]: Review: I was also on hand for the premiere in Toronto. This film was sort of a consolation when I thought I wouldn't be able to get in to see my first choice. Well, I was totally blown away. By the time I got to the theater I could remember little other than the basic plot of the movie (yes, I actually forgot who was even in it.) Terrific performances from the entire cast. Carrie-Anne Moss was great in a true departure from her days as Trinity. As for Billy Connolly, I think not since Chaplin has an actor played so brilliantly with no lines what-so-ever. The kids were also great. Definitely check this one out if you get the chance.And, by the way, I got to see my first choice anyway- and this was way better. Question: is it a negative review?
[A]: no

[Q]: Review: Marvelous James Stewart, Vera Miles vehicle. What makes this historical film dealing with the FBI so good is the family element that is involved during a 35 year career as depicted by Stewart in the film.The film shows a history of the great investigatory agency. It deals with airplane bomb plots, killing off of Indians in Oklahoma for real estate gain, fighting organized crime, Nazis and Communists in that order. The human element is never far behind as Stewart weds Vera Miles. They raise 3 children as Miles' heart goes out each time Stewart goes out on assignment.Look for a brief but memorable performance by Murray Hamilton. Years later, he appeared as Mr. Robinson in 1967's "The Graduate."The film has nothing but praise for J. Edgar Hoover. He certainly brought the FBI up to par.True, this could be viewed as right-wing propaganda, especially with Stewart's real-life Republican views, but it's well done, historically informative, and the view of the family so well depicted. Question: is it a negative review?
[A]:
no