Some context: Louis Leo Holtz (born January 6, 1937) is a former American football player, coach, and analyst. He served as the head football coach at The College of William & Mary (1969-1971), North Carolina State University (1972-1975), the New York Jets (1976), the University of Arkansas (1977-1983), the University of Minnesota (1984-1985), the University of Notre Dame (1986-1996), and the University of South Carolina (1999-2004), compiling a career record of 249-132-7. Holtz's 1988 Notre Dame team went 12-0 with a victory in the Fiesta Bowl and was the consensus national champion. Holtz is the only college football coach to lead six different programs to bowl games and the only coach to guide four different programs to the final top 20 rankings.
In 1986, Holtz left Minnesota to take over the then-struggling Notre Dame Fighting Irish football program. A taskmaster and strict disciplinarian, Holtz had the names removed from the backs of the players' jerseys when he took over at Notre Dame, wanting to emphasize team effort. With the exception of select bowl games, names have not been included on Notre Dame's jerseys since. Although his 1986 squad posted an identical 5-6 mark that the 1985 edition had, five of their six losses were by a combined total of 14 points. In the season finale against the archrival USC Trojans, Notre Dame overcame a 17-point fourth-quarter deficit and pulled out a 38-37 win. In his second season, Holtz led the Fighting Irish to an appearance in the Cotton Bowl Classic, where the Irish lost to the Texas A&M Aggies, 35-10. The following year, Notre Dame won all eleven of their regular season games and defeated the third-ranked West Virginia Mountaineers, 34-21, in the Fiesta Bowl, claiming the national championship. The 1989 squad also won their first eleven games (and in the process set a school record with a 23-game winning streak) and remained in the No. 1 spot all season until losing to Miami in the season finale. A 21-6 win over Colorado in the Orange Bowl gave the Irish a second-place ranking in the final standings, as well as back-to-back 12-win seasons for the first time in school history. Holtz's 1993 Irish team ended the season with an 11-1 record and ranked second in the final AP poll. Although the Florida State Seminoles were defeated by the Irish in a battle of unbeatens during the regular season and both teams had only 1 loss at season's end (Notre Dame lost to seventeenth-ranked Boston College), FSU was then voted national champion in the final 1993 AP and Coaches Poll. Between 1988 and 1993, Holtz's teams posted an overall 64-9-1 record. He also took the Irish to bowl games for nine consecutive seasons, still a Notre Dame record. Following an investigation in 1999, the NCAA placed Notre Dame on two years probation for extra benefits provided to football players between 1993 and 1999 by Kim Dunbar, a South Bend bookkeeper involved in a $1.4 million embezzlement scheme at her employer, as well as one instance of academic fraud that occurred under Holtz's successor, Bob Davie. The NCAA found that Holtz and members of his staff learned of the violations but failed to make appropriate inquiry or to take prompt action, finding Holtz's efforts "inadequate." On September 13, 2008 Lou Holtz was invited back to the campus where a statue of the former coach was unveiled. The ceremony took place during the weekend of the Notre Dame/Michigan game, almost twenty-two years to the day after Holtz coached his first Notre Dame team against the Wolverines.
Did they fair well?
A: were defeated by the Irish
Some context: Theodor Seuss Geisel ( ( listen); March 2, 1904 - September 24, 1991) was an American author, political cartoonist, poet, animator, book publisher, and artist, best known for authoring more than 60 children's books under the pen name Doctor Seuss (abbreviated Dr. Seuss) (). His work includes several of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death. Geisel adopted the name "Dr. Seuss" as an undergraduate at Dartmouth College and a graduate student at the University of Oxford. He left Oxford in 1927 to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications.
Geisel's early artwork often employed the shaded texture of pencil drawings or watercolors, but in his children's books of the postwar period, he generally made use of a starker medium--pen and ink--normally using just black, white, and one or two colors. His later books, such as The Lorax, used more colors. Geisel's style was unique - his figures are often "rounded" and somewhat droopy. This is true, for instance, of the faces of the Grinch and the Cat in the Hat. Almost all his buildings and machinery were devoid of straight lines when they were drawn, even when he was representing real objects. For example, If I Ran the Circus shows a droopy hoisting crane and a droopy steam calliope. Geisel evidently enjoyed drawing architecturally elaborate objects. His endlessly varied but never rectilinear palaces, ramps, platforms, and free-standing stairways are among his most evocative creations. Geisel also drew complex imaginary machines, such as the Audio-Telly-O-Tally-O-Count, from Dr. Seuss's Sleep Book, or the "most peculiar machine" of Sylvester McMonkey McBean in The Sneetches. Geisel also liked drawing outlandish arrangements of feathers or fur: for example, the 500th hat of Bartholomew Cubbins, the tail of Gertrude McFuzz, and the pet for girls who like to brush and comb, in One Fish, Two Fish, Red Fish, Blue Fish. Geisel's illustrations often convey motion vividly. He was fond of a sort of "voila" gesture in which the hand flips outward and the fingers spread slightly backward with the thumb up. This motion is done by Ish in One Fish, Two Fish, Red Fish, Blue Fish when he creates fish (who perform the gesture with their fins), in the introduction of the various acts of If I Ran the Circus, and in the introduction of the "Little Cats" in The Cat in the Hat Comes Back. He was also fond of drawing hands with interlocked fingers, making it look as though his characters were twiddling their thumbs. Geisel also follows the cartoon tradition of showing motion with lines, like in the sweeping lines that accompany Sneelock's final dive in If I Ran the Circus. Cartoon lines are also used to illustrate the action of the senses--sight, smell, and hearing--in The Big Brag, and lines even illustrate "thought", as in the moment when the Grinch conceives his awful plan to ruin Christmas.
lines that accompany what?
A:
that accompany Sneelock's final dive in If I Ran the Circus.