Background: Haydn Austin Bunton (born 5 April 1937) is a former Australian rules footballer and coach. The son of the legendary Haydn Bunton Sr., Bunton Jr. played for North Adelaide and Norwood in the South Australian National Football League (SANFL), as well as Swan Districts and Subiaco in the Western Australian National Football League (WANFL). Bunton was regarded as a tough and skilful player in both South Australia and Western Australia, but it was as a coach that he cemented a reputation alongside his father as one of Australian football's greatest identities. Bunton was inducted into the coaches section of the Australian Football Hall of Fame in 1996, as well as the Western Australian Institute of Sport Hall of Champions in 2003 and was made an inaugural member of the WA Football Hall of Fame in 2004 and the SA Football Hall of Fame in 2002.
Context: Born in Caulfield, Victoria, Bunton Jr. moved with his father first to Western Australia and then to South Australia. Bunton was hospitalised for two years from the age of three due to a fractured pelvis and Perthes disease in his hip. He wore leg braces and used crutches until he was aged ten. Haydn Bunton junior made his debut for North Adelaide at the age of 17, and two years seasons later was named an All-Australian player. In 1955, Bunton senior was killed in a car crash, but the following year, the younger Bunton showed his class as a player by finishing runner-up for the Magarey Medal to Dave Boyd. The following year, Haydn "stood out" as a player due to a transfer dispute with North Adelaide, who would not clear him, but amazingly served as a non-playing coach of Norwood. From 1958 to 1960, he played for Norwood, in spite of a serious knee injury sustained in a car accident in Tasmania in 1959. Bunton had another strong year in 1961, when he was recruited by Swan Districts in the West Australian Football League (WAFL) as captain-coach. At the time Swan Districts were the Cinderella side of the WAFL, having never won more than seven games in a season since 1945, and were generally regarded with "pity or scorn". Swan Districts had lost their last sixteen games of 1960, but improved immediately under Bunton's coaching. They won 12 and drew two of twenty-one matches to finish second, but after a loss to raging hot premiership favourite East Perth in the second semi final they were not considered a serious threat. However, after overcoming Subiaco in the preliminary, Bunton developed an ingenious tactic to counter Royals' champion Polly Farmer by using both Keith Slater and Fred Castledine in the ruck contests. Though this ploy was technically illegal, it was accepted by the umpires, and Swan Districts won by 24 points for their first WAFL premiership. In the process of lifting Swan Districts from cellar-dwellers to premiers, Bunton developed a use of handball that was far ahead of its time and also discouraged the use of the erratic drop kick. The following year Bunton won the Sandover Medal for the league's "fairest and best", completing a rare father-and-son achievement. Swan Districts took their first minor premiership and won both the second semi and grand finals against East Fremantle. Despite finishing fourth after the home-and-away rounds, Swan Districts managed to win three finals and a hat-trick of premierships in 1963; however, 1964 saw the team collapse to sixth of eight clubs with only nine wins. Bunton returned to Norwood as playing coach from 1965 until 1967, bringing his total number of games for Norwood to 97. In his first season the club played off in the finals, but they slowly declined in 1966 and 1967 finishing seventh of ten teams.
Question: Did Bunton play for other clubs?
Answer: he was recruited by Swan Districts in the West Australian Football League

Problem: Background: Arabic weddings (Arabic: zff, frH, or 'rs) have changed greatly in the past 100 years. Original traditional Arabic weddings are supposed to be very similar to modern-day Bedouin weddings and rural weddings, and they are in some cases unique from one region to another, even within the same country. it must be mentioned that what some people today call "Bedouin" wedding is in fact the original true traditional Arab Islamic wedding without foreign influence. The marriage process usually starts with meetings between the couple's families, and ends with the wedding's consummation (leilat al-dokhla).
Context: In Old Palestine, the henna night was a night used to prepare all the necessary wedding decorations and last minute arrangements. It was also a chance for the families to celebrate together before the wedding. The groom's family would sahij or dance through the streets of the village until reaching the house of the bride. Once there, the family would mix henna together, which would then be used to decorate the bride and grooms hands (with the groom's being merely the initials of his bride and himself), and then offer the bride her mahr (usually gold as it does not decline in value like other wealth). The families would then dance and sing traditional Palestinian music. In modern times, particularly those not living in Palestine, the henna night remains traditional in customs, but is very similar to a bachelorette party; the bride's female friends and relatives join her in celebrating, which includes food, drinks, and a lot of dancing. A women's group plays Arabic music, sometimes Islamic music, while everyone dances. A woman draws henna or mehndi, a temporary form of skin decoration using henna, on the bride and guests' skin -- usually the palms and feet, where the henna color will be darkest because the skin contains higher levels of keratin there, which binds temporarily to lawsone, the colorant of henna. The men will also have a party, in which the groom's family and friends will dance to traditional Palestinian music. In some village customs, the groom's face is shaven by a close family member or friend in preparation for his wedding. The tradition of giving the bride her gold is also still used. The groom will enter where the bride is, they well both get their henna done, and the groom will then offer the bride her mahr. Thus, the wedding being merely dancing and celebration. An important element of the henna night in both traditional and non-traditional henna parties, is the dress adorned by the Palestinian women and the groom. The women dress in traditional (usually hand embroidered) gowns, known as Palestinian ithyab. The brides thobe would be extravagant and exquistely embroidered. The groom will wear the usual traditional Arab men's thobe and hata (head covering).
Question: Is there music and dancing?
Answer:
food, drinks, and a lot of dancing. A women's group plays Arabic music,