Problem: Monty Kip Sopp (born November 11, 1963), better known by his ring name Billy Gunn, is an American professional wrestler, former professional bull rider, and singercurrently working for New Japan Pro Wrestling (NJPW). Gunn is best known for his appearances in the World Wrestling Federation/Entertainment (WWF/E) from 1993 to 2004 and from 2012 to 2015. He also served as a coach on WWE's Tough Enough, and was a trainer in its developmental branch, NXT. He is also known for his appearances with Total Nonstop Action Wrestling (TNA) from 2005 to 2009.

On February 13, 2005, Sopp debuted in Total Nonstop Action Wrestling (TNA) without a name (as Billy Gunn is a WWE trademark, although announcers recognized him as such) at Against All Odds with the same gimmick, helping Jeff Jarrett retain the NWA World Heavyweight Championship in a match with Kevin Nash. Sopp, using the name The New Age Outlaw, then formed a stable with Jarrett and Monty Brown known as Planet Jarrett. However, WWE threatened TNA with legal action if Sopp continued the use of the name "The New Age Outlaw", so he shortened his name to The Outlaw. Due to the legal issues with WWE, all TNA DVD releases featuring footage with Sopp as "The Outlaw" (and presumably also as "The New Age Outlaw") have had the name on on-screen graphics blurred, the name silenced out of the audio, and match commentary completely replaced to reflect a retroactive name change to "Kip James". One such DVD is the pay-per-view Lockdown, included in the "TNA Anthology: The Epic Set" box set, in which the silencing of the name during a segment where Dusty Rhodes picks his name from a lottery leaves DVD viewers in the dark as to who just got picked. The Outlaw began a campaign to make former ally B.G. James leave the 3Live Kru and defect to Planet Jarrett, reforming the old tag team with Outlaw. At No Surrender (2005), he renamed himself Kip James and was announced as "wrestling out of Marietta, Georgia" (the family seat of the Armstrong family) as a psychological ploy. As a result of his campaign, Kip attracted the ire of 3Live Kru members Ron Killings and Konnan, leading to a series of tag team matches pitting Kip and Monty Brown against Killings and Konnan, with a conflicted James unwilling to take sides. Kip's efforts ultimately proved futile; James, the guest referee in a final match between Brown and Kip versus Konnan and Killings at Sacrifice (2005), attacked Kip enabling a 3Live Kru victory. In September at Unbreakable, Kip teamed with Brown to defeat the team of Apolo and Lance Hoyt. There was clear tension between the partners because Brown was unhappy at the series of losses at the hands of the 3Live Kru, and Kip was irked by Brown's decision to leave Planet Jarrett. Despite the victory, the partners argued after the match. On the October 8, 2005 episode of Impact!, Kip rekindled his feud with the 3Live Kru, running to the ring after a bout between the 3LK and Team Canada in order to prevent Team Canada captain Petey Williams from beating down B.G. James. He saved James, and then engaged in a staredown with Konnan and Killings. Kip saved James from Team Canada once again at Bound for Glory. Though Killings showed signs of gratitude, Konnan remained skeptical as to his true intentions. Later that night, Kip took part in an over-the-top-rope gauntlet match for the number one contendership to the NWA World Heavyweight Championship. After he was eliminated, he tried in vain to prevent Killings from being eliminated as well, before being sent away from ringside by the referees.

What did He do after that?

Answer with quotes: WWE threatened TNA with legal action if Sopp continued the use of the name "The New Age Outlaw",

Problem: Led Zeppelin is the eponymous debut studio album by English rock band Led Zeppelin. It was first released on 12 January 1969 in the United States and on 31 March 1969 in the United Kingdom by Atlantic Records. Featuring integral contributions from each of the group's four members, the album was recorded in October 1968 at Olympic Studios in London, and established their fusion style of both blues and rock music. It also attracted a large and devoted following to the band; Zeppelin's take on the emerging hard rock sound endeared them to parts of the counterculture on both sides of the Atlantic Ocean.

In a 1990 interview, Page said that the album took only about 36 hours of studio time (over a span of a few weeks) to create (including mixing), adding that he knew this because of the amount charged on the studio bill. One of the primary reasons for the short recording time was that the material selected for the album had been well-rehearsed and pre-arranged by the band on Led Zeppelin's tour of Scandinavia in September 1968. As Page explained, "[the band] had begun developing the arrangements on the Scandinavian tour and I knew what sound I was looking for. It just came together incredibly quickly." In addition, since the band had not yet signed their deal with Atlantic Records, Page and Zeppelin's manager Peter Grant paid for the sessions entirely themselves, meaning there was no record company money to waste on excessive studio time. In another interview, Page revealed that the self-funding was to ensure artistic freedom: "I wanted artistic control in a vise grip, because I knew exactly what I wanted to do with these fellows. In fact, I financed and completely recorded the first album before going to Atlantic ... It wasn't your typical story where you get an advance to make an album - we arrived at Atlantic with tapes in hand ... Atlantic's reaction was very positive - I mean they signed us, didn't they?" The group reportedly recorded their songs for PS1,782. Led Zeppelin archivist Dave Lewis noted that "[w]ith the possible exception of the 12 hours that the Beatles took to record their first album at Abbey Road, rarely has studio time been used so economically. Led Zeppelin's debut album went on to gross more than PS3.5 million, just short of 2,000 times more than they invested!" For the recordings, Page played a psychedelically painted Fender Telecaster, a gift from Jeff Beck after Page recommended his boyhood friend to the Yardbirds in 1965 as a potential replacement for Eric Clapton on lead guitar. This was a different guitar from those he favoured for later albums (most notably a Gibson Les Paul). Page played the Telecaster through a Supro amplifier. He also used a Gibson J-200, borrowed from Big Jim Sullivan, for the album's acoustic tracks. For "Your Time Is Gonna Come" he used an out-of-tune Fender 10-string steel guitar. Two other songs from the sessions, "Baby Come on Home" and "Sugar Mama" both appeared on the 2015 Coda reissue (although "Baby Come on Home" was first released on the 1993 compilation Boxed Set 2.)

Why did it only take 36 hours?

Answer with quotes:
material selected for the album had been well-rehearsed