input: On 17 January 2013, Kim released his first solo EP titled I/MINE, a rock-themed album which Kim penned all the lyrics to. The album debuted at the top of both the Hanteo and Gaon weekly charts in Korea. It was also met with resounding success throughout Asia, topping Taiwan's Five Music's Korean and Japanese music chart, Japan's Shinseido weekly chart and Yin Yue Tai's V chart for K-pop. It also topped the iTunes rock charts in nine countries. Additionally, the pre-released single "One Kiss" and lead single "Mine" topped both domestic charts and foreign charts, including a German Asian music chart. On 26 and 27 January, Kim held two days of special concerts at the KINTEX Ilsan to celebrate the launch of the album, as well as his birthday. Kim then released a repackaged version of his album, titled Y which consists of contains two additional tracks: "Only Love" and "Kiss B" . The album was met with success and sold 50,000 copies upon release. His first full-length solo album, WWW was released on 29 October 2013. A single titled "Sunny Day" was released ahead of the album and topped the iTunes EP chart in Japan. A repackaged version of the album, WWW: Remove Makeup was subsequently released in January 2014 and included the title track "Heaven", a pop ballad with label-mate Gummy. To promote his first album, Kim embarked on his first Asia tour which traveled to regional countries like Japan, Taiwan and China. His second solo album, No.X was released on 12 February 2016. It topped iTunes charts of 39 countries around the world upon its release, and was named the most popular K-pop album in China for 2016.

Answer this question "what recognition does the second album receive?"
output: It topped iTunes charts of 39 countries around the world upon its release,

input: On September 16, 1996, Waltman was shown sitting in the front row for a live episode of Nitro. Later that night, he stood and used a remote control to release New World Order (nWo) propaganda from the ceiling, revealing himself as the newest member of the recently formed faction. He was called Syxx, because he was the sixth member of the nWo, and six is the sum of numbers in "1-2-3 Kid". In his first major angle, Syxx stole Eddie Guerrero's WCW United States Heavyweight Championship belt, leading to a ladder match for the title at Souled Out in January 1997, which Syxx lost. The next month, at SuperBrawl VII, Syxx pinned Dean Malenko for the WCW Cruiserweight Championship, after hitting him with the title belt, which he had grabbed from Guerrero at ringside. In June 1997, he lost the championship to Chris Jericho at a webcast house show in Los Angeles, California, minutes after successfully defending against Rey Mysterio, Jr. During a feud with Ric Flair, and a loss to him at Road Wild in August, Syxx disparagingly portrayed Flair as part of an nWo segment parodying his Four Horsemen group. This segment led to a WarGames match at Fall Brawl, where Syxx, Kevin Nash, Buff Bagwell and Konnan defeated The Four Horsemen (Flair, Steve McMichael, Chris Benoit and Curt Hennig) after Hennig betrayed the Horsemen and joined the nWo. In mid-1997, the nWo invoked "Wolfpac Rules", allowing Syxx to replace the injured Kevin Nash in defending the WCW World Tag Team Championship with Scott Hall. On October 13, 1997, Hall and Syxx lost the title to The Steiner Brothers (Rick and Scott). In October, a neck injury sidelined Waltman from wrestling, but he continued to appear on TV for several weeks after. While later recuperating at home, he was fired via Federal Express by WCW President Eric Bischoff. Waltman claims this was a power play aimed at his friends Hall and Nash, whose backstage influence was felt as a threat. Bischoff later said Waltman was a competent performer when sober, but sober periods were "few and far between", and "in many ways, Sean was lucky to even have a job".

Answer this question "When was Waltmans first match in the WCW?"
output: January 1997,

input: Fischer next lived in Detroit, Michigan, whereupon, after first hearing the vocal quartet The Hi-Lo's in a live performance, he promptly offered his services. Over the next five years, Fischer recorded several albums with the group, serving as pianist and, on occasion, arranger. In addition, he contributed several vocal arrangements, making his debut in that capacity; it was these arrangements that Herbie Hancock would later point to as a major influence: [T]hat's when I really learned some much farther-out voicings - like the harmonies I used on Speak Like a Child - just being able to do that. I really got that from Clare Fischer's arrangements for the Hi-Lo's. Clare Fischer was a major influence on my harmonic concept... I heard some of his last records, and he was still doing amazing harmonic stuff. And, of course, he was a wonderful pianist, too. But it was those vocal harmonies that were the first thing I heard. I was in awe of him. When Fischer moved to Hollywood in 1958, he went to East L.A. to play and learn more about Latin-Jazz. He started in a charanga group with Modesto Duran as leader and played with many different groups. On November 2, 1959, he made a particularly fruitful connection within this genre when he appeared with the Hi-lo's at the First Annual Los Angeles Jazz Festival on the same bill with the already popular Latin jazz group led by vibraphonist Cal Tjader. Both his playing and arranging made an immediate impression on Tjader, who went on to employ Fischer in both capacities on several recordings over the next three years; the two would reunite in the mid-seventies, leading eventually to the formation of Fischer's own Latin jazz unit, Salsa Picante. In 1961, Fischer became interested in Brazilian music through the recordings of Elizete Cardoso and Joao Gilberto. This discovery, coupled with his introduction to the music of Mexican composer Mario Ruiz Armengol, led to Fischer's subsequent collaboration with Cal Tjader, a 1962 LP devoted jointly to Armengol's music and that of assorted contemporary Brazilian composers. Over the following year, Fischer collaborated on two Bossa Nova-themed LPs with saxophonist Bud Shank, and arranged another for pianist George Shearing. While with The Hi-Lo's, Fischer arranged a record by trumpeter Donald Byrd, which, by virtue of Fischer's use of strings and harps, imbued well-known standards with an unaccustomed, melancholic quality. Although it would be twenty-five years before the album was finally released, September Afternoon paid immediate dividends when Byrd played a copy for Dizzy Gillespie. In turn, Gillespie hired Fischer to write arrangements for a small ensemble featuring brass and woodwinds for his own album, A Portrait of Duke Ellington, which was well received. In 1960 albums for vibraphonist Cal Tjader and pianist George Shearing followed, as did an eight-year career of writing music for commercials, as well as the signing of Fischer's first record contract.

Answer this question "What else did he do while in LA?"
output:
He started in a charanga group with Modesto Duran as leader and played with many different groups.