In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[EX Q]: Question: When did the person who voices Itchy begin acting professionally? Passage:The Itchy & Scratchy Show (often shortened as Itchy & Scratchy) is a fictional animated television series featured in the American animated television series The Simpsons. It appears as a part of The Krusty the Clown Show. Itself an animated cartoon, The Itchy & Scratchy Show depicts a blue mouse, Itchy (voiced by Dan Castellaneta), who repeatedly kills a black cat, Scratchy (voiced by Harry Shearer). The cartoon first appeared in The Tracey Ullman Show short "The Bart Simpson Show", which aired November 20, 1988. The cartoon's first appearance in The Simpsons was in the 1990 episode "There's No Disgrace Like Home". Typically presented as 15- to 60-second-long cartoons, the show is filled with gratuitous violence that almost invariably prompts uproarious laughter from Bart and Lisa. The Simpsons also occasionally features characters who are involved with the production of The Itchy & Scratchy Show, including Roger Meyers Jr. (voiced by Alex Rocco, and, later, Hank Azaria), who runs the studio and produces the show.
Links: a. Reset button technique b. The Simpsons shorts c. Dan Castellaneta d. Story within a story
[EX A]: c

[EX Q]: Question: How many seasons did the television show that Earl Gaines appeared on air? Passage:Breaking away from the confines of the group, Gaines became part of the 1955 R&B Caravan of Stars, with Bo Diddley, Big Joe Turner, and Etta James. Their tour culminated with an appearance at New York's Carnegie Hall. Without any tangible success, Gaines recorded for the Champion and Poncello labels for another few years, as well as joining Bill Doggett's band as lead vocalist. In 1963, he joined Bill "Hoss" Allen's repertoire of artists, and by 1966 had issued the album The Best of Luck to You, seeing the title track reach the Top 40 in the US R&B chart. He appeared on the television program The !!!! Beat, and later released material for King and Sound Stage 7, including his cover version of "Hymn Number 5". Recordings made between 1967 and 1973 for De Luxe were reissued in 1998. On many of his De Luxe recordings in the late 1960s and early 1970s, Gaines was backed by Freddy Robinson's orchestra.
Links: a. Abu Talib (musician) b. Big Joe Turner c. The !!!! Beat d. Champion Records
[EX A]: c

[EX Q]: Question: Was the publication that employed Peter Travers in operation before 1965? Passage:Film critic Roger Ebert wrote that the film was "kind of sweet and kind of goofy, and works because its heart is in the right place". Hal Hinson of The Washington Post said that the film "is hopelessly syrupy, preposterous and more than a little bit lame, but, still, somehow it got to me". Vincent Canby of The New York Times, said that the film "is to the mind what freshly discarded chewing gum is to the sole of a shoe: an irritant that slows movement without any real danger of stopping it". Entertainment Weekly gave the film a "B" rating and Owen Gleiberman praised Tomei's performance: "With her flashing dark eyes and libidinous overbite, Tomei is adorable she looks like a flirtatious bunny rabbit but what's astonishing is the range of expression that passes over those delectable features". Rolling Stone magazine's Peter Travers wrote, "The Rain Man-Dying Young elements in Tom Sierchio's script are pitfalls that Slater dodges with a wonderfully appealing performance. His love scenes with the dazzling Tomei have an uncommon delicacy". In his review for The New Yorker, Anthony Lane praised Tomei for bringing "startling high spirits to a dullish role. She snatches moments of happiness out of the air and shares them out to anyone who's around". Mike Clark, in his review for USA Today, wrote, "Director Tony Bill (My Bodyguard) is adept both in the yarn's meticulous buildup and in his handling of the actors".
Links: a. Peter Travers b. Rolling Stone c. Peter Travers d. The New York Times
[EX A]:
b