Please answer this: The following article contains an answer for the question: What is the name of the project that was "not at all a happy recording experience" according to Martin? , can you please find it? Although Let It Be was the Beatles' final album release, it was largely recorded before Abbey Road. The project's impetus came from an idea Martin attributes to McCartney, who suggested they "record an album of new material and rehearse it, then perform it before a live audience for the very first time on record and on film". Originally intended for a one-hour television programme to be called Beatles at Work, in the event much of the album's content came from studio work beginning in January 1969, many hours of which were captured on film by director Michael Lindsay-Hogg. Martin has said that the project was "not at all a happy recording experience. It was a time when relations between the Beatles were at their lowest ebb." Lennon described the largely impromptu sessions as "hell ... the most miserable ... on Earth", and Harrison, "the low of all-time". Irritated by both McCartney and Lennon, Harrison walked out for five days. Upon returning, he threatened to leave the band unless they "abandon[ed] all talk of live performance" and instead focused on finishing a new album, initially titled Get Back, using songs recorded for the TV special. He also demanded they cease work at Twickenham Film Studios, where the sessions had begun, and relocate to the newly finished Apple Studio. The other band members agreed, and the idea came about to salvage the footage shot for the TV production for use in a feature film. In an effort to alleviate tensions within the band and improve the quality of their live sound, Harrison invited keyboardist Billy Preston to participate in the last nine days of sessions. Preston received label billing on the "Get Back" single the only musician ever to receive that acknowledgment on an official Beatles release. At the conclusion of the rehearsals, the band could not agree on a location to film a concert, rejecting several ideas, including a boat at sea, a lunatic asylum, the Tunisian desert, and the Colosseum. Ultimately, what would be their final live performance was filmed on the...
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Answer: Let It Be
Problem: The following article contains an answer for the question: Who falls on terrain with soft bumps? , can you please find it? An 80-year-old man travels on a rural road in his single-seat car. When his radiator overheats, he heads to a nearby water pump to cool it. While he cools, someone comes and rides away with his vehicle. Not knowing what to do after his car was stolen, the man comes to a soft drink stand operated by a black civet. Despite the stand being labelled "soda", the beverages served there seem to give customers depressant-like effects such as drowsiness. The man orders a soda bottle, but is unable to open it. As an alternative, the civet offers soda in a glass. Upon drinking the beverage, he starts to twitch and lose consciousness. The man dreams of himself in space, being thrown from one rock to another. On one rock he meets an invisible entity wearing a hat, gloves, and boots. The entity sells the man a bottle of soda, but as he is about to drink, the bottle vanishes. When he goes on looking for it, another pair of boots approaches and kicks him from behind, sending him airborne. He lands on a rising umbrella, but trouble from a pesky bird causes him to fall off. He then falls onto some terrain with soft bumps that repeatedly expand and contract. After the bumps send him floating again, he is met again by the civet on a boat who tosses him a ring attached to a rope. When he tries to reach the boat, a meteor comes and strikes the vessel. With no aid left, he tries in vain to swim himself to safety. Finally waking up from his soda-manifested dream, the man finds himself being watched by the civet and various other stand patrons. He soon learns that the beverages are not good for consumption, and goes on to reveal himself as a sheriff by showing a brass star on his chest. The uncovered sheriff pulls out a gun and shoos away everybody at the scene.

A: The man
Q: The following article contains an answer for the question: What is the last name of the person who won the Medal of the City of Paris? , can you please find it? Toward the end of 1961, Kertesz broke his contract to Conde Nast Publishing after a minor dispute, and started doing his own work again. This later period of his life is often referred to as the "International period", when he gained worldwide recognition and his photos were exhibited in many countries. In 1962 his work was exhibited in Venice; in 1963, he was one of the invited artists of the IV Mostra Biennale Internazionale della Fotografia there and he was awarded a gold medal for his dedication to the photographic industry. Later in 1963, his work was shown in Paris at the Bibliotheque nationale de France. He later visited Argentina to see his younger brother Jeno for the first time in years. Kertesz experimented with color photographs, but only produced a few. In 1964, soon after John Szarkowski became the photography director at the Museum of Modern Art, he featured Kertesz in a solo show. With his work critically acclaimed, Kertesz gained recognition in the photographic world as an important artist. The work of Kertesz was featured in numerous exhibitions throughout the world in his later life, even into his early nineties. Due to his newfound success, in 1965 Kertesz was appointed as a member of the American Society of Media Photographers. His awards rapidly accumulated: 1974, Guggenheim Fellowship; 1974, Commander of the French Ordre des Arts et des Lettres; 1977, Mayor's Award of Honor for Arts and Culture in New York, 1980 the Medal of the City of Paris, and the first Annual Award of the Association of International Photography Art Dealers in New York; and 1981, honorary Doctorate of Fine Arts from Bard College, and the New York Mayor's Award of Honor for Arts and Culture that year.During this period, Kertesz produced a number of new books. He was able to recover some of the negatives he had left in France decades before. Despite his successes, Kertesz still felt unrecognised as a photographer. His last years were spent travelling to various locations around the globe for his exhibitions,...
A:
Kertesz