input: Edgar Froese arrived in West Berlin in the mid-1960s to study art. His first band, the psychedelic rock-styled The Ones, disbanded after releasing only one single. After The Ones, Froese experimented with musical ideas, playing smaller gigs with a variety of musicians. Most of these performances were in the famous Zodiak Free Arts Lab, although one grouping also had the distinction of being invited to play for the surrealist painter Salvador Dali. The music was partnered with literature, painting, early forms of multimedia, and more. It seemed as though only the most outlandish ideas attracted any attention, leading Froese to comment, "In the absurd often lies what is artistically possible." As members of the group came and went, the direction of the music continued to be inspired by the Surrealists, and the group came to be called by the surreal-sounding name of Tangerine Dream, inspired by the line "tangerine trees and marmalade skies" from The Beatles' track "Lucy in the Sky with Diamonds." Froese was fascinated by technology and skilled in using it to create music. He built custom-made instruments and, wherever he went, collected sounds with tape recorders for use in constructing musical works later. His early work with tape loops and other repeating sounds was the obvious precursor to the emerging technology of the sequencer, which Tangerine Dream quickly adopted upon its arrival. The first Tangerine Dream album, Electronic Meditation, was a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for. The line-up for the album was Froese, Klaus Schulze, and Conrad Schnitzler. Electronic Meditation was published by Ohr in 1970, and began the period known as the Pink Years (the Ohr logo was a pink ear). But starting with their second album, Alpha Centauri, the group has been a trio or occasionally duo of electronic instruments, commonly augmented by guitar from Froese (or, much later, other musicians as well), and occasionally also other instruments. Of these, drums from Christopher Franke and organ from Steve Schroyder (on Alpha Centauri) or Peter Baumann (on subsequent releases) feature prominently in the band's music during the early 70s. They also started their heavy usage of the Mellotron during this period.

Answer this question "was their second album sucessful?"
output:

input: Hitchens joined the Conservative Party in 1997, but left in 2003. He challenged Michael Portillo for the Conservative nomination in the Kensington and Chelsea seat in 1999, accusing Portillo of "washy moderation". However, he says that he had "no interest in securing the nomination" and "no chance" of doing so, his real reasons having been to gain book publicity and "to draw attention to Michael Portillo's non-conservative politics". Hitchens believes that no party he could support will be created until the Conservative Party disintegrates, an event he first began calling for in 2006. From 2008, he claimed that what would facilitate such a collapse would be for the Conservative Party to lose the 2010 general election. In 2012, Hitchens announced he was once more considering standing as a Member of Parliament and called for British citizens to form "small exploratory committees in existing constituencies, under the Justice and Liberty motto". Hitchens mainly comments on political and religious issues, and generally espouses a social conservative viewpoint. He is deeply pessimistic about recent, present and future Britain and sees himself as Britain's obituarist, writing about what he sees as the death of Britain for future historians to look back on. In 2010 Michael Gove, writing in The Times, asserted that, for Hitchens, what is more important than the split between the Left and the Right is "the deeper gulf between the restless progressive and the Christian pessimist", and in 2010 Hitchens himself wrote "in all my experience in life, I have seldom seen a more powerful argument for the fallen nature of man, and his inability to achieve perfection, than those countries in which man sets himself up to replace God with the State." In 2009, Anthony Howard wrote of Hitchens, "the old revolutionary socialist has lost nothing of his passion and indignation as the years have passed us all by. It is merely the convictions that have changed, not the fervour and fanaticism with which they continue to be held.".

Answer this question "What does he think is going wrong in Britain?"
output: the deeper gulf between the restless progressive and the Christian pessimist", and in 2010 Hitchens himself wrote "in all my experience in life,

input: Whereas the poll tax of 1381 was the spark of the Peasants' Revolt, the root of the conflict lay in tensions between peasants and landowners precipitated by the economic and demographic consequences of the Black Death and subsequent outbreaks of the plague. The rebellion started in Kent and Essex in late May, and on 12 June, bands of peasants gathered at Blackheath near London under the leaders Wat Tyler, John Ball, and Jack Straw. John of Gaunt's Savoy Palace was burnt down. The Archbishop of Canterbury, Simon Sudbury, who was also Lord Chancellor, and the king's Lord High Treasurer, Robert Hales, were both killed by the rebels, who were demanding the complete abolition of serfdom. The king, sheltered within the Tower of London with his councillors, agreed that the Crown did not have the forces to disperse the rebels and that the only feasible option was to negotiate. It is unclear how much Richard, who was still only fourteen years old, was involved in these deliberations, although historians have suggested that he was among the proponents of negotiations. The king set out by the River Thames on 13 June, but the large number of people thronging the banks at Greenwich made it impossible for him to land, forcing him to return to the Tower. The next day, Friday, 14 June, he set out by horse and met the rebels at Mile End. The king agreed to the rebels' demands, but this move only emboldened them; they continued their looting and killings. Richard met Wat Tyler again the next day at Smithfield and reiterated that the demands would be met, but the rebel leader was not convinced of the king's sincerity. The king's men grew restive, an altercation broke out, and William Walworth, the mayor of London, pulled Tyler down from his horse and killed him. The situation became tense once the rebels realised what had happened, but the king acted with calm resolve and, saying "I am your captain, follow me!", he led the mob away from the scene. Walworth meanwhile gathered a force to surround the peasant army, but the king granted clemency and allowed the rebels to disperse and return to their homes. The king soon revoked the charters of freedom and pardon that he had granted, and as disturbances continued in other parts of the country, he personally went into Essex to suppress the rebellion. On 28 June at Billericay, he defeated the last rebels in a small skirmish and effectively ended the Peasants' Revolt. Despite his young age, Richard had shown great courage and determination in his handling of the rebellion. It is likely, though, that the events impressed upon him the dangers of disobedience and threats to royal authority, and helped shape the absolutist attitudes to kingship that would later prove fatal to his reign.

Answer this question "what did they do there?"
output:
John of Gaunt's Savoy Palace was burnt down.