input question: Build a movie plot around this: Who confronts Liz alone? Martin???
output answer: In a warehouse, a handful of men regain consciousness; they have no idea who they are or what happened to them. One is tied to a chair (Joe Pantoliano), another has been handcuffed and shot (Jeremy Sisto), a third has a broken nose (Greg Kinnear), and the other two are also wounded (Jim Caviezel and Barry Pepper). Caviezel's character wakes up first. He makes sure everyone is alive, then discovers that the windows are barred and the only door has a mechanized lock. He finds a ringing phone and picks it up. The caller asks what is going on and Caviezel tells the caller that everyone is fine. The Caller tells him he will return in a few hours. Somewhere else, a money drop off is occurring. Mr. Coles has been kidnapped.In the warehouse, Pantoliano's character asks to be untied. As Caviezel prepares to untie him, Pepper's character convinces him not to, telling Caviezel that Pantoliano is not on the same side, or he would not have been tied up. As Caviezel and Pepper look for the keys to release Sisto from the handcuffs and treat his wound, Kinnear wakes up and fights with Caviezel and Pepper. At the drop off, the signal in the money bag goes silent; the cops enter to find the money gone.In the warehouse, the men find a newspaper featuring a story about the kidnapping of a wealthy businessman named Coles. The men suspect that they were involved with the kidnapping, but do not know what their involvement was. They begins to experience flashbacks.A gun is recovered, and Caviezel wins possession of it. Various attempts to free themselves, including trying to attract attention through a hole in the wall, and shooting out a window, fail. The men decide to work together to fight off the criminals who are coming, so all of them can go their separate ways.Sisto's character recalls a harrowing incident from his childhood when he was comforted by his friend. He claims Caviezel is his friend, but Caviezel cannot verify this. Sisto's character dies from his wounds.The police piece together who they believe the...
Build a movie plot around this: Who in the audience looks up when the spy walks in? Thelma Schoonmaker
----
Answer: The film begins with framing device, wherein Scorsese, playing himself, describing how he discovered three and a half pages of an unproduced Alfred Hitchcock film, "The Key to Reserva". As part of this film preservation work he plans to film the script as Hitchcock would have filmed it.The film, which contains no dialogue, shows Roger Thornberry (Simon Baker) arriving at a box seat during an orchestra performance. He sees a key hidden with the box's light bulb, and goes to retrieve it. He is noticed by one of the performers, Leonard, who signals to his accomplice Louis Bernard (Michael Stuhlbarg), who is holding Roger's wife Grace hostage in the audience. Leonard then goes to stop Roger. The two fight and Leonard falls from the box seat, presumably to his death. Roger uses the key to open a locked case which contains a bottle of Freixenet with top secret files hidden inside.The film abruptly stops, as Scorsese explains that a page is missing, so he simply filmed the concluding paragraph of the script which shows Louis Bernard arrested, as Roger and his wife reunite over a glass of Freixenet.Scorsese then discusses with the interviewer possible future projects. The camera pans back to reveal Scorsese, Thelma Schoonmaker, and the interviewer in an office in a tower block, meanwhile crows flock around the building.
Q: Build a movie plot around this: what does the boy in the hospital wake up next to? Several corpses
A: Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Var Tids Hjalte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.A young nurse, Alma (portrayed by Bibi Andersson), is summoned by the head doctor and charged with the care of stage actress Elisabet Vogler (portrayed by Liv Ullmann), who has, despite the lack of any diagnosed impairment, become mute. The hospital administrator (portrayed by Margaretha Krook) offers her own seaside cottage as a place for Alma to nurse Elisabet back to health. Though Elisabet is nearly catatonic when the film begins, she does react with extreme panic upon seeing a Vietnamese Buddhist monk's self-immolation on television, and laughs mockingly at Alma's radio soap opera. As the two women leave the hospital together, Alma reads aloud a letter Elisabet's husband has sent her, which includes a photograph of her young son.Together in the administrator's cottage, Elisabet begins to relax, though she remains completely silent and non-responsive. Alma speaks constantly to break the silence, at first about books she is reading and trivial matters, then increasingly about her own anxieties and relationship with her fiance, Karl-Henrik, who scolds her for lacking ambition "though not with my career, I suppose in some greater way." Alma constantly compares herself to Elisabet and begins to grow attached to her. As the act closes, Alma confesses to cheating on her fiance in a menage a quatre with underage boys. She became pregnant, and had Karl-Henrik's friend abort the baby; "and...
Problem: Given the question: Build a movie plot around this: What does Najaf beg Memar to lend him? Money
++++++++++++++++++++++++++++++++
The answer is:
It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide.As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds.From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers.Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard...