Background: Gwen Renee Stefani (; born October 3, 1969) is an American singer, songwriter, fashion designer, and actress. She is a co-founder and the lead vocalist of the band No Doubt that experienced major success after their breakthrough studio album Tragic Kingdom (1995) along with various successful singles, including "Just a Girl"
Context: Throughout her career as a solo artist, Stefani has won several music awards, including one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards. With No Doubt, she has won two Grammy Awards. In 2005, Rolling Stone called her "the only true female rock star left on radio or MTV" and featured her on the magazine's cover. Stefani received the Style Icon Award at the first People Magazine Awards in 2014. Additionally in 2016, the singer was honored at the Radio Disney Music Awards with a Hero Award, which is given to artists based on their personal contributions to various charitable works. Stefani has been referred to as a "Pop Princess" by several contemporary music critics. In 2012, VH1 listed the singer at the number thirteen on their list of "100 Greatest Women in Music". Stefani's work has influenced a number of artists and musicians including Hayley Williams of Paramore, Best Coast, Katy Perry, Kesha, Marina and the Diamonds, Stefy, Rita Ora, Sky Ferreira, and Cover Drive. The latter group, a quartet of Barbados musicians, claimed that both Stefani and No Doubt had helped influence their music, to which the lead singer of the group, Amanda Reifer, admitted that she would "pass out" if she were to ever meet Stefani. The lead single from Love. Angel. Music. Baby., "What You Waiting For?", was considered by Pitchfork to be one of the best singles by Stefani, and would later place it at number sixteen on their "Top 50 Singles of 2004" list. Additionally, "Hollaback Girl" from the aforementioned album would go on to be the first song to digitally sell an excess of one million copies in the United States; it was certified platinum in both the United States and Australia, and peak at number forty-one on Billboard's decade-end charts for 2000-09. Since its release in 2005, "Hollaback Girl" has been called Stefani's "signature song" by Rolling Stone.
Question: What other hits?
Answer: "Hollaback Girl" from the aforementioned album would go on to be the first song to digitally sell an excess of one million copies

Question:
Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 - March 5, 1963) was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully "crossed over" to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer.
Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later. Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling. Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly. According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.
Answer this question using a quote from the text above:

Who was her manager at the time?

Answer:
Bill Peer, her second manager,

Problem: Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:
Context: On 7 October 1930 it was claimed by spiritualists that Eileen J. Garrett made contact with the spirit of Herbert Carmichael Irwin at a seance held with Price at the National Laboratory of Psychical Research two days after the R101 disaster, while attempting to contact the then recently deceased Arthur Conan Doyle, and discussed possible causes of the accident. The event "attracted worldwide attention", thanks to the presence of a reporter. Major Oliver Villiers, a friend of Brancker, Scott, Irwin, Colmore and others aboard the airship, participated in further seances with Garrett, at which he claimed to have contacted both Irwin and other victims. Price did not come to any definite conclusion about Garrett and the seances: It is not my intention to discuss if the medium were really controlled by the discarnate entity of Irwin, or whether the utterances emanated from her subconscious mind or those of the sitters. "Spirit" or "trance personality" would be equally interesting explanations - and equally remarkable. There is no real evidence for either hypothesis. But it is not my intention to discuss hypotheses, but rather to put on record the detailed account of a remarkably interesting and thought-provoking experiment. Garrett's claims have since been questioned. The magician John Booth analysed the mediumship of Garrett and the paranormal claims of R101 and considered her to be a fraud. According to Booth Garrett's notes and writings show she followed the building of the R101 and she may have been given aircraft blueprints by a technician from the airdrome. However, the researcher Melvin Harris who studied the case wrote no secret accomplice was needed as the information described in Garrett's seances were "either commonplace, easily absorbed bits and pieces, or plain gobbledegook. The so-called secret information just doesn't exist."
Question: What was the relationship with Eileen Garrett?
Answer:
On 7 October 1930 it was claimed by spiritualists that Eileen J. Garrett made contact with the spirit of Herbert Carmichael Irwin