Question: Fairport Convention are a British folk rock band. Formed in 1967, they are widely regarded as a key group in the English folk rock movement. Their seminal album Liege & Lief is considered to have launched the British folk rock movement, which provided a distinctively English identity to rock music and helped awaken much wider interest in traditional music in general. The band have drawn heavily on the Child Ballads, songs of the British Isles from the later medieval period until the 19th century.

The new band began a hectic schedule of performing in Britain and the World and prepared material for a new album. The result was the all-instrumental Expletive Delighted! (1986). This showcased the virtuosity of Sanders and Allcock, but perhaps inevitably was not popular with all fans. This was followed by the recording In Real Time: Live '87 which managed to capture the energy and power of the new Fairport on stage, despite the fact that it was recorded in the studio with audience reactions dubbed on. In this period the band were playing to larger and larger audiences, both on tour and at Cropredy, and it was very productive in terms of recording. Fairport had the considerable composing and arranging skills of Allcock and, to fill the gap created by a lack of a songwriter in the band, they turned to some of the most talented available in the contemporary folk scene. The results were Red & Gold (1989) The Five Seasons (1990) and Jewel in the Crown (1995), the last of which was judged 'their bestselling and undoubtedly finest album in years.' At this point, with Mattacks busy with other projects, the band shifted to an acoustic format for touring and released the unplugged Old, New, Borrow Blue as 'Fairport Acoustic Convention' in 1996. For a while the four-piece acoustic line-up ran in parallel with the electric format. When Allcock left the band, he was replaced by Chris Leslie on vocals, mandolin and fiddle, who formerly worked with Swarbrick in Whippersnapper, and had a one-off stint with the band replacing Ric Sanders for 1992 Cropredy Festival. This meant that for the first time since reforming, the band had a recognized songwriter who contributed significantly to the band's output on the next album Who Knows Where the Time Goes (1997), particularly the rousing 'John Gaudie'. By the time of the 1997 thirty-year anniversary Festival at Cropredy, the new Fairport had been in existence for over a decade and contributed a significant chapter to the history of the band.

Using a quote from the above article, answer the following question: What are some of the songs of this album?
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Answer: Red & Gold (1989) The Five Seasons (1990) and Jewel in the Crown (1995),

Problem: Thomas Simpson (30 November 1937 - 13 July 1967) was one of Britain's most successful professional cyclists. He was born in Haswell, County Durham and later moved to Harworth, Nottinghamshire. Simpson began road cycling as a teenager before taking up track cycling, specialising in pursuit races. He won a bronze medal for track cycling at the 1956 Summer Olympics and a silver at the 1958 British Empire and Commonwealth Games.

In April 1959, Simpson left for France with PS100 savings and two Carlton bikes, one road and one track, given in appreciation of his help promoting the company. His last words to his mother before the move were, "I don't want to be sitting here in twenty years' time, wondering what would have happened if I hadn't gone to France". The next day, his National Service papers were delivered; although willing to serve before his move, he feared the call-up would put his potential career at risk. His mother returned them, with the hope they would understand this. He applied to local cycling clubs, and joined Club Olympique Briochin, racing with an independent (semi-professional) licence from the British Cycling Federation. When settled with the Murphy family, 21-year-old Simpson met 19-year-old Helen Sherburn, an au pair from Sutton, Yorkshire. Simpson began attracting attention, winning races and criteriums. He was invited to race in the eight-day stage race Route de France by the Saint-Raphael VC 12e, the amateur club below the professional team Saint-Raphael-R. Geminiani-Dunlop. Simpson won the final stage, breaking away from the peloton and holding on for victory. After this win, he declined an offer to ride in the Tour de France for the professional team. Simpson had contract offers from two professional teams, Mercier-BP-Hutchinson and Saint-Raphael-R. Geminiani-Dunlop, which had a British cyclist, Brian Robinson; opting for the latter team, on 29 June he signed a contract for 80,000 francs (PS80 a month). On Simpson's return to Harworth for Christmas, the RAF were notified and the press ran stories on his apparent draft avoidance. He passed a medical in Sheffield, but history repeated itself and the papers arrived the day after his departure for his team's training camp in Narbonne in southern France. The French press, unlike the British, found the situation amusing.

If he accepted the race, did he win?

Answer with quotes: Simpson won the final stage, breaking away from the peloton and holding on for victory.

Problem: At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "

The band devised the cover idea for At Fillmore East rather than leaving it in the hands of Atlantic executives (Allman was particularly disgusted with the artwork for Sam & Dave's Hold On, I'm Comin' album). Initially, the album cover was to be shots of the band taken in front of the Fillmore East with their names on the marquee above them, but no one was satisfied with the results. The band's main purpose for the cover was that it be as "meat and potatoes" as the band's ethos and performing, and someone suggested the band make it a photograph of the band in an alley waiting with their gear to go onstage. The image was shot by photographer Jim Marshall one morning in the band's home of Macon, Georgia. The group were not very happy about being woken up early to shoot ("we figured it didn't make a damn bit of difference what the cover was or what time we took it," said guitarist Dickey Betts). Normally the band hated being photographed; the cover of later retrospective release The Fillmore Concerts shows them displaying terminal boredom. However, during the session, Duane spotted a dealer friend, raced over and grabbed a bag of contraband, then returned to his seat, discreetly clutching the stash in his lap. This made the whole band laugh, resulting in a memorable image. Marshall stenciled the album title on one of the road cases, which were stacked in front of the wall. The back cover shows their road crew gathered in the same spot with 16 oz cans of Pabst Blue Ribbon beer provided by the photographer as a reward to the roadies for lugging out and stacking the band's heavy equipment for the shoot. Among the crew on the back cover are Joseph "Red Dog" Campbell, Kim Payne, Mike Callahan, Joe Dan Petty and Willie Perkins (the last two the newest additions to the crew at the time). The idea to have the crew on the back cover was Duane Allman's idea, as all involved viewed them the "unsung heroes" in the operation. A photo of Lyndon, then in jail awaiting his trial, was superimposed to the wall behind the crew.

What did the artwork on the front cover consist of?

Answer with quotes:
band make it a photograph of the band in an alley waiting with their gear to go onstage.