In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: The late 80's saw an inexplicable rash of supernatural horror films set in gloomy penitentiary settings. Renny Harlin's superbly gritty and moody "Prison" got the whole haunted hoosegow ball rolling; it was immediately followed by the markedly inferior "The Chair," John Saxon's enjoyably trashy "Death House," the passable psycho picture "Destroyer," and this hideously limp'n'lethargic exercise in hopelessly comatose tedium. Your usual annoying collection of horribly unsympathetic college student chowderheads lead by insufferably spineless tormented twerp Alex (the hugely unappealing Nicholas Celozzi) go to Alcatraz Island to investigate the bizarre circumstances surrounding the sudden gruesome death of up-and-coming rock star Sammy Mitchell (blandly played by Toni Basil of "Hey Micky" fame). Alex's brother becomes possessed by the evil demonic spirit of a vicious cannibalistic US Civil War cavalry commandant and goes on the expected killing spree, thus forcing wimpy Alex to overcome his passivity and make a stand against this ghoulish specter.Although slickly photographed by Nicholas Von Sternberg, with a few decent gore set pieces and a fair amount of spooky atmosphere (the film was shot on location in the dismal, rusty, rundown ruins of Alcatraz Island), "Slaughterhouse rock" nonetheless just doesn't cut it as a solid, effective fright feature. This is largely due to the uniformly obnoxious and unlikeable collegiate smartaleck characters, a tiresomely smirky bunch whose inane comic antics prove to be grating rather than amusing. The flat acting from a noticeably disinterested cast hurts matters all the more, with onetime "Playboy" playmate and undeniable blonde cutie pie hottie supreme Hope Marie Carlton doing an especially irritating Linnea Quigley impersonation as the token oversexed nympho bimbo. Dimitri Logothetis' direction displays a modicum of flashy visual style, but the tone is unevenly pitched between grim seriousness and goofy, horrendously sophomoric silliness, and, most damagingly, Ted Landon's sloppy, inconsistent, overly complicated and finally quite confusing script miserably fails to develop the necessary internal logic to make the far-fetched story even remotely plausible. In other words, this stinker sadly succeeds in making a scant 90 minutes seem like an excruciatingly drawn-out cinematic jail sentence. Question: is it a positive review?

Answer: no

Question: Review: This movie answers the question, how does a relationship survive when your girlfriend is codependent, clinging, needy, jealous .. and has powers and abilities far beyond those of mortal women?Without spoiling the movie, I can safely assure you it does not, but there's great fun to be had along the way. Uma Thurman is perfect as the mercurial super-heroine, an uber-babe, mysteriously named G-Girl, who unlike most in her sisterhood, is not *always* dedicated to truth, justice, and the American Way. Thurman is also believable as the thoroughly daft, yet somehow still fetching, curator Jenny. When she is dumped for a less endowed but more emotionally secure and well adjusted rival, G-Girl goes ballistic, and what follows is not pretty. It's funny, but it's not pretty ..It's a delightful premise, hell hath no fury like a super-heroine scorned, and those involved don't altogether carry it off, but it has its moments, and I think I'll get the DVD.I liked this movie .. Question: is it a positive review?

Answer: yes

Question: Review: "Laugh, Clown Laugh" released in 1928, stars the legendary Lon Chaney as a circus clown named Tito. Tito has raised a foundling (a young and beautiful Loretta Young) to adulthood and names her Simonetta. Tito has raised the girl in the circus life, and she has become an accomplished ballerina. While Chaney gives his usual great performance, I could not get past the fact that Tito, now well into middle age, has the hots for the young Simonetta. Although he is not her biological father, he has raised her like a daughter. That kind of "ick" factor permeates throughout the film. Tito competes for Simonetta's affections with a young and handsome 'Count' Luigi (Nils Asther). Simonetta clearly falls for the young man, but feels guilt about abandoning Tito (out of loyalty, not romantic love). The whole premise of the film is ridiculous, and I find it amazing that no one in the film tells Tito what a stupid old fool he is being (until he reveals it himself at the end). The film is noteworthy only because of Loretta Young, who would go on to have a great career. While I adore Chaney's brilliance as an actor, this whole film seems off to me and just downright creepy. Question: is it a negative review?

Answer:
yes