input: CHAPTER I

ON THE HOUSEBOAT

"Say, Tom, what's that big thing coming down the river?"

"I'm sure I don't know, Sam. It's big enough to be a house." replied Tom Rover.

"Maybe it is a house," came from Dick Rover, who was standing beside his brothers on the rear deck of the houseboat which was taking them down the Mississippi River.

"A house?" broke in a distinctly German voice. "Did you mean to said dere vos a house floating der rifer town, Dick Rofer?"

"Why not, Hansy, my boy?" replied fun-loving Tom Rover, before his big brother could answer. "Hasn't a house got a right to take a float if it wants to? Perhaps it's out for its health."

"Ach, you vos choking, Tom!" cried Hans Mueller. "Of a house been der rifer on, dere peen somedings wrong mit him alretty."

"It's a lumber raft, Hans," said Dick. "And a whopping big one, too," he added, as he took another look at the object that was approaching the houseboat.

"Hope it doesn't give us such a close shave as that raft we met two days ago," said Sam anxiously. "I was almost certain they were going to run into us."

"They have got no business to run so close to this houseboat," grumbled Tom. "They know well enough that we can't turn out of our course very well. I think some of those lumbermen are the toughest kind of citizens."

"If they get too close, I'll shout a warning through the megaphone," went on Dick, after a brief pause. "It certainly does look as if they intended to crowd us," he continued anxiously. 1. What was it they saw in the disatance
2. What did they think it was?
3. What were they on when they saw it?
4. And where was it?
5. Who was first to suggest what it might be?
6. Who was first to agree with him?
7. Did anyone doubt the were right?
8. Who disagreed?
9. What was Tom's relation to Dick?
10. Who was older?
11. What was Sam's mood?
12. Why ?
13. Who tried to calm his fears? Return numbered answers in your output.

output: 1. A lumber raft.
2. A house
3. A houseboat
4. the Mississippi River.
5. Tom Rover
6. Dick Rover
7. Yes
8. Hansy
9. His brother.
10. unknown
11. Anxious.
12. He feared they would run in to them.
13. Dick

input: CHAPTER XXI

A FIGHT WITH POLAR BEARS

"Look out, he's coming for you!" shouted Barwell Dawson.

Both Chet and Andy heard the words, but paid no attention. Their guns were raised, and each was aiming at the bear nearest to him. Crack! went Andy's firearm, and the polar bear was halted by a wound in the forepaw.

Chet was not so fortunate, as his gun failed to go off. The next instant the polar bear leaped on him and bore him to the ice. As boy and beast went down, Barwell Dawson opened fire, and the bear was hit in the side, a wound that made him more savage than ever.

Although Chet was sent sprawling, he did not lose his presence of mind. As quick as a flash he rolled over, from under the very forepaws of the polar bear, and continued to roll, down a slight hill to one side.

By this time Andy and Mr. Dawson were firing again, and Olalola, coming up, used several spears with telling effect. At the increase in noise,--the Esquimau adding his yells to the cracks of the weapons,--one after another of the bears turned and commenced to run away.

"Don't go after them!" sang out Barwell Dawson. "They may turn again, if you do. Shoot them from a distance."

Once more he discharged his gun, and Andy did likewise. Then Chet scrambled up and used his firearm, the piece this time responding to the touch on the trigger.

Another of the bears was now killed outright, while the largest of the group was badly wounded in the hind quarters. This bear dropped behind the others and, drawing closer, Chet let him have a shot in the ear that finished him. The other beasts disappeared behind a hummock of ice, and that was the last seen of them. 1. Are they playing with animals?
2. Are they having fun?
3. What kind of animals are there?
4. Only one?
5. What are they doing with them?
6. With what?
7. Did they kill any?
8. All of them?
9. Who yelled a warning?
10. Who ignored him?
11. What were they busy doing?
12. Which one was more successful?
13. Did the other one die?
14. Then what happened?
15. Did someone use a different weapon?
16. Who?
17. What kind of weapon?
18. Did someone yell for them to chase the animals?
19. Was it recommended that they shoot from close or far away?
20. Where did the animals scamper off to? Return numbered answers in your output.

output: 1. Yes
2. No
3. polar bear
4. no
5. Fighting them
6. guns
7. Yes
8. no
9. Barwell Dawson.
10. Chet and Andy
11. Shooting the bear
12. Andy
13. no
14. the polar bear leaped on him and bore him to the ice.
15. Yes
16. Olalola
17. spears
18. No
19. Far away
20. behind a hummock of ice

input: (CNN) -- The year is 1969 and Britain is at the peak of its counter-culture revolution -- a time of sex, drugs and rock 'n' roll. The Beatles are putting together their final album while a relatively unknown musician, David Bowie is making waves with his track "Space Oddity."

Meanwhile, in Liverpool, a 15-year-old schoolgirl is headed for trouble.

Though academically gifted, Jude Kelly is bored at school and overcome with a mix of teenage angst and a vivid imagination. She's beginning to hang around with a rough crowd and soon finds herself in trouble with the law. But one person has taken notice of her downward spiral -- her high school principal.

"The headmaster said to me, 'I don't care if you do maths or biology or whatever, it doesn't matter ... but make sure that you use your imagination for creative good rather than self-destruction'," recalls Kelly.

Fast forward several decades and she's done just that. Today Kelly, 59, is the artistic director of Britain's beloved cultural institution -- London's Southbank Centre.

Looking back, it's clear how defining that very moment was.

"As soon as he said it, I knew he was right -- I feel very strongly that young people deserve help, time, space and permission to be expressive."

His advice spurred Kelly to form a drama club with her fellow classmates including Clive Barker, the now bestselling British horror author, and comedian Les Dennis.

After high school, her passion for the arts continued to flourish. Studying Drama at Birmingham University, she decided to become a director. It was a bold career choice for women in the 1970s -- but by age 22, she defied naysayers by becoming one of the youngest artistic directors in the country. 1. what year was sex drugs and rock and roll
2. who was making waves with space oddity
3. who noticed jude kellys downward spiral
4. how old was jude
5. what was kellys job at 59
6. who was the british horror author
7. what did headmaster say
8. who was the comedian
9. who did she defy at 22
10. what album were the beatles putting together in 1969 Return numbered answers in your output.

output:
1. 1969
2. David Bowie
3. her high school principal.
4. 15
5. artistic director
6. Clive Barker
7. 'I don't care if you do maths or biology or whatever, it doesn't matter ... but make sure that you use your imagination for creative good rather than self-destruction'
8. Les Dennis
9. naysayers
10. their final album while