Problem: Background: Frankie Goes to Hollywood (FGTH) were a British band formed in Liverpool, England, in 1980. The group was fronted by Holly Johnson (vocals), with Paul Rutherford (vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar), and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single.
Context: "Relax" was released by ZTT in October 1983 and got a modicum of airplay, allowing it steady progress into the UK Top 40. Following a debut on the BBC's Top of the Pops on 5 January 1984 while at number 35, the single rose to number six the following week. On 11 January 1984, BBC Radio 1 disc jockey Mike Read was playing the record on his show when he noticed the front cover design (by Yvonne Gilbert). Read apparently became outraged by the "overtly sexual" nature of both the record sleeve and the printed lyrics, which prompted him to remove the disc from the turntable live on air, branding it "obscene". Two days later - almost three months after the single's initial release, and just eight days after the group's Top of the Pops appearance - the BBC banned the record from all its TV and radio outlets, with the exception of its Top 40 show. "Relax" immediately shot to Number One in the UK charts and stayed there for five weeks, during which time the BBC could not feature the nation's best-selling single on Top of the Pops. The original video was directed by Bernard Rose and depicted a gay S&M parlour where the band members were admired by muscular leathermen, a bleached blonde drag queen, and a large-bodied man dressed as a Roman emperor. The video featured a scene where one of the band members wrestled a live tiger, to the admiration of the clubgoers, and ended where the "emperor" was so excited he shimmied out of his toga. Filmed in the unused East London theatre Wilton's Music Hall, it was promptly banned by both the BBC and MTV, resulting in the production of a substitute video directed by filmmaker Brian De Palma to coincide with the release of his film Body Double. The BBC lifted its ban on "Relax" at the end of 1984 to allow the band to perform it on the Christmas edition of Top of the Pops (it had been, aside from Band Aid of which Holly Johnson was a participant, the biggest-selling single of the year).
Question: Where was the video filmed?
Answer: Filmed in the unused East London theatre Wilton's Music Hall,

Problem: Background: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.
Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences: Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad. Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.
Question: What is the concept of the wall?
Answer: Waters was also dismayed by the "executive approach

Problem: Background: Robert Dale Owen (November 7, 1801 - June 24, 1877) was a Scottish-born social reformer who immigrated to the United States in 1825, became a U.S. citizen, and was active in Indiana politics as member of the Democratic Party in the Indiana House of Representatives (1835-39 and 1851-53) and represented Indiana in the U.S. House of Representatives (1843-47). As a member of Congress, Owen successfully pushed through the bill that established Smithsonian Institution and served on the Institution's first Board of Regents. Owen also served as a delegate to the Indiana Constitutional Convention in 1850 and was appointed as U.S. charge d'affaires (1853-58) to Naples. Owen was a knowledgeable exponent of the socialist doctrines of his father, Robert Owen, and managed the day-to-day operation of New Harmony, Indiana, the socialistic utopian community he helped establish with his father in 1825.
Context: During the American Civil War, Owen served in the Ordnance Commission to supply the Union army; on March 16, 1863, he was appointed to the Freedman's Inquiry Commission. The commission was a predecessor to the Freedmen's Bureau. In 1862 Owen wrote a series of open letters to U.S. government officials, including President Abraham Lincoln and U.S. Secretary of the Treasury Salmon P. Chase, to encourage them to support general emancipation. Owen's letter of July 23, 1862, was published in the New York Evening Post on August 8, 1862, and his letter of September 12, 1862, was published in the same newspaper on September 22, 1862. In another open letter that Owen wrote to President Lincoln on September 17, 1862, he urged the president to abolish slavery on moral grounds. Owen also believed that emancipation would weaken the Confederate forces and help the Union army win the war. On September 23, 1862, Lincoln issued a preliminary version of the Emancipation Proclamation (as he had first resolved to do in mid-July). In Emancipation is Peace, a pamphlet that Owen wrote in 1863, he confirmed his view that general emancipation was a means to end the war. In The Wrong of Slavery, the Right of Emancipation, and the Future of the African Race, a report that Owen wrote in 1864, he also suggested that the Union should provide assistance to freedmen. Toward the end of his political career, Owen continued his effort to obtain federal voting rights for women. In 1865 he submitted an initial draft for a proposed Fourteenth Amendment to the U.S. Constitution that would not restrict voting rights to males. However, Article XIV, Section 2, in the final version of the Amendment, which became part of the U.S. Constitution in 1868, was modified to limit suffrage to males who were U.S. citizens over the age of twenty-one.
Question: Was there any other notable activities he was involved in?
Answer:
Owen also believed that emancipation would weaken the Confederate forces and help the Union army win the war.