Summarize the following:
You might have a family background where everyone married their high school sweethearts. Or, you might come from a culture where you don't have multiple boyfriends but court with the intention of marrying someone. Take note of your own personal background when deciding if it's time for a serious relationship with a boy. Your religion or culture might have specific opinions on things like sex or birth control. While it may sound fun to rock the boat and do something rebellious, keep in mind that the rules you know might be in place to keep you safe. Remember, you are your own person and can have your own ideas and opinions. However, it may be in your best interest to respect the rules and culture around you. Whether you choose to go along with what everyone around you is doing or go off on your own about having a boyfriend, keep in mind that your choices will still impact others. Your own town or school might have different ideas about dating or when it's best for someone to have a serious boyfriend. You can go along with those practices if you want, but keep in mind that just because everyone is doing something, doesn't mean that it's the best idea for you. For example, if all the boys in church group don't date until they want to get married, it's best to wait for them to ask you out instead of trying to force a relationship. Someone like a pastor, priest, or guidance counselor can be a good resource and person to talk to if you're ever in a difficult situation. Sometimes it's best to wait to have a boyfriend if marriage is the main focus of your family's culture or religion. Some organizations or even schools sometimes have rules about dating. It's best to respect those guidelines about relationships so you don't get yourself into trouble. It may seem fun to be rebellious or edgy, but having a boyfriend for the sake of breaking rules or making a point is unhealthy.

summary: Consider the culture you grew up in. Observe the area that you currently live in. Talk with a mentor about having a boyfriend.

Summarize the following:
We know that 10 * 100 = 1000. Written in terms of powers (or logarithms), 101 * 102 = 103. We also know that 1 + 2 = 3. In general, 10x * 10y = 10x + y. So, the sum of the logarithms of two different numbers is the logarithm of the product of those numbers. We can multiply two numbers of the same base by adding their powers. Use the method above to find the logarithms. For example, if you want to multiply 15.27 and 48.54, you would find the log of 15.27 to be 1.1838 and the log of 48.54 to be 1.6861. In this example, add 1.1838 and 1.6861 to get 2.8699. This number is the logarithm of your answer. You can do this by finding the number in the body of the table closest to the mantissa of this number (8699). The more efficient and reliable method, however, is to find the answer in the table of anti-logarithms, as described in the method above. For this example, you will get 741.1.

summary: Understand how to multiply numbers using their logarithms. Look up the logarithms of the two numbers you want to multiply. Add the two logarithms to find the logarithm of the solution. Look up the anti-logarithm of the result from the above step to find the solution.

Summarize the following:
Holding a mallet is like holding a drumstick or bike handle. Use your thumb to support the outside of the mallet. Wrap your index finger around the other side. This finger should not be on top of the mallet. Move your other fingers under your index finger. Your grip should be about halfway up the mallet shaft. One way to check your grip is to open up your hand. Try to balance the mallet on your index finger. The spot where the mallet feels balanced is where your grip should be. Stay relaxed as you move the mallets towards the glockenspiel. Hold the mallets about three inches (7.62 cm) above the keys at all times. Adjust your hands so that the mallets are level with the ground. Try striking one of the keys. Listen as the note vibrates cleanly. Striking near the ends of the bars produces a more muted sound. The key to good sound is a gentle strike. Don't use force. Instead, bring the mallet down gently and allow the impact with the bar to bounce it back into position. Striking too hard will also cause the bar to vibrate too much and produce a muted sound. Don't draw back when the mallet rebounds off the bar. Return it to a holding position right above the keys. As long as you keep the mallets about three inches above the keys, you'll be able to play notes in rapid succession. Strike the second note with your other hand. If you hit the first one with your left, hit the next one with your right. If you hit it with your right, switch to your left. You will need to cross over your arms as you play. As you advance, you may need to play two notes with the same hand. You do this to minimize crossovers between your hands. Alternating technique is needed for playing two nearby notes very quickly.
summary: Pick up the mallets between your thumb and index finger. Hold the mallets straight and over the glockenspiel. Aim for the middle of the bar. Bounce the mallet off the bar. Keep the mallet near the bars. Alternate hands when playing notes.