In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Q: Passage: The opera begins without any prelude; the opening chords of the Scarpia motif lead immediately to the agitated appearance of Angelotti and the enunciation of the "fugitive" motif. The sacristan's entry, accompanied by his sprightly buffo theme, lifts the mood, as does the generally light-hearted colloquy with Cavaradossi which follows after the latter's entrance. This leads to the first of the "Grand Tunes", Cavaradossi's "Recondita armonia" with its sustained high B flat, accompanied by the sacristan's grumbling counter-melody. The domination, in that aria, of themes which will be repeated in the love duet make it clear that though the painting may incorporate the Marchesa's features, Tosca is the ultimate inspiration of his work. Cavaradossi's dialogue with Angelotti is interrupted by Tosca's arrival, signalled by her motif which incorporates, in Newman's words, "the feline, caressing cadence so characteristic of her." Though Tosca enters violently and suspiciously, the music paints her devotion and serenity. According to Budden, there is no contradiction: Tosca's jealousy is largely a matter of habit, which her lover does not take too seriously.After Tosca's "Non la sospiri" and the subsequent argument inspired by her jealousy, the sensuous character of the love duet "Qual'occhio" provides what opera writer Burton Fisher describes as "an almost erotic lyricism that has been called pornophony". The brief scene in which the sacristan returns with the choristers to celebrate Napoleon's supposed defeat provides almost the last carefree moments in the opera; after the entrance of Scarpia to his menacing theme, the mood becomes sombre, then steadily darker. As the police chief interrogates the sacristan, the "fugitive" motif recurs three more times, each time more emphatically, signalling Scarpia's success in his investigation. In Scarpia's exchanges with Tosca the sound of tolling bells, interwoven with the orchestra, creates an almost religious atmosphere, for which Puccini draws on music from his then unpublished Mass of 1880. The final scene in the act is a juxtaposition of the sacred and the profane, as Scarpia's lustful reverie is sung alongside the swelling Te Deum chorus. He joins with the chorus in the final statement "Te aeternum Patrem omnis terra veneratur" ("Everlasting Father, all the earth worships thee"), before the act ends with a thunderous restatement of the Scarpia motif.

A: What is the name of the opera that the first of the "Grand Tunes" is "Recondita armonia"?
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Q: Passage: In early 1969, Quaife told the band he was leaving. The other members did not take his statement seriously, until an article appeared in New Musical Express on 4 April featuring Quaife's new band, Maple Oak, which he had formed without telling the rest of the Kinks. Ray Davies pleaded with him to return for the sessions for their upcoming album, but Quaife refused. Davies immediately called up John Dalton, who had filled in for Quaife in the past, as a replacement. Dalton remained with the group until 1977, when the album Sleepwalker was released.Ray Davies travelled to Los Angeles in April 1969 to help negotiate an end to the American Federation of Musicians' ban on the group, opening up an opportunity for them to return to touring in the US. The group's management quickly made plans for a North American tour, to help restore their standing in the US pop music scene. Before their return to the US, the Kinks recorded another album, Arthur (Or the Decline and Fall of the British Empire). As with the previous two albums, Arthur was grounded in characteristically English lyrical and musical hooks. A modest commercial success, it was well received by American music critics. Conceived as the score for a proposed but unrealised television drama, much of the album revolved around themes from the Davies brothers' childhood; their sister Rosie, who had migrated to Australia in the early 1960s with her husband, Arthur Anning, the album's namesake; and life growing up during the Second World War. The Kinks embarked on their tour of the US in October 1969. The tour was generally unsuccessful, as the group struggled to find cooperative promoters and interested audiences; many of the scheduled concert dates were cancelled. The band did, however, manage to play a few major venues such as the Fillmore East and Whisky a Go Go.

A: What is the first name of the person who called John Dalton as a replacement?
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Q: Passage: Multiple eruptions of silica-rich rhyolite from 40,000 to 600 years ago built the Mono Craters. Black Point, today on the north shore of Mono Lake, is a flattened volcanic cone of basaltic debris that formed under the surface of a much deeper Mono Lake about 13,300 years ago, during the most-recent glacial period. Several eruptive episodes from 1,600 to 270 years before present in Mono Lake formed Negit Island. The magma reservoir feeding the Mono Lake Volcanic Field is unrelated to the Mono Craters magma reservoir.Basaltic andesite lava built the Red Cones, two small cinder cones 6.2 miles (10 km) southwest of Mammoth Lakes, around 8,500 before present. The five Mammoth Mountain Craters are a set of explosion pits that trend west-north-west for 1.6 miles (2.5 km) near the northern flank of Mammoth Mountain.None of the Mono Craters near the lake show the effects of wave erosion, but a hill at the southern end of the field shows what Israel Russell called a "beach line". The present elevation of this beach line is the level of the Mono Lake high stand before the formation of the northern Mono Craters, plus any surface deformation that has happened since that time. Stream-rounded stones are found on the volcanoes, and were lifted up as the volcanoes grew. Although glaciers were present throughout the Sierra Nevada, they did not reach as far down as the Mono Craters.
The most recent eruptive episode on the Mono Craters occurred sometime between the years 1325 and 1365. A vertical sheet-like mass of magma, called a dike, caused groundwater to explosively flash to steam, creating a line of vents 4 miles (6 km) long. A mix of ash and pulverized rock, called tephra, covered about 3,000 square miles (8,000 km2) of the Mono Lake region. The tephra were carried by the wind and deposited in a layer 8 inches (20 cm) deep 20 miles (32 km) from the vents and 2 inches (5 cm) deep 50 miles (80 km) away.Pyroclastic flows of hot clouds of gas, ash and pulverized lava erupted from these vents in narrow tongues that extended up to 5 miles (8 km) away and covered 38 square miles (100 km2). Rhyolite lava oozed out of the vents to form several steep-sided domes, including Panum Dome and the much larger North Coulee flow. The youngest domes and coulees are 600 to 700 years old and are, therefore, the youngest mountains in North America.

A:
Between what years was the most recent eruptive episode of the craters that show no effect of wave erosion?
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