Extract the answer to the question from the following context. Question: What is the title of One thousand and one nights in Arabic? Context: The best known work of fiction from the Islamic world is One Thousand and One Nights (In Persian: hezar-o-yek sab > Arabic: alf-layl-at-wa-l'-layla= One thousand Night and (one) Night) or *Arabian Nights, a name invented by early Western translators, which is a compilation of folk tales from Sanskrit, Persian, and later Arabian fables. The original concept is derived from a pre-Islamic Persian prototype Hezar Afsan (Thousand Fables) that relied on particular Indian elements. It reached its final form by the 14th century; the number and type of tales have varied from one manuscript to another. All Arabian fantasy tales tend to be called Arabian Nights stories when translated into English, regardless of whether they appear in The Book of One Thousand and One Nights or not. This work has been very influential in the West since it was translated in the 18th century, first by Antoine Galland. Imitations were written, especially in France. Various characters from this epic have themselves become cultural icons in Western culture, such as Aladdin, Sinbad the Sailor and Ali Baba.
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Answer: alf-layl-at-wa-l'-layla

Q: Extract the answer to the question from the following context. Question: Which architecture style was more fancy? Context: Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture").
A: the Baroque style

Question: Extract the answer to the question from the following context. Question: What did the diplomatic corps have trouble with? Context: In the 20th century after decades of intense warfare and political turmoil terms such as "Near East", "Far East" and "Middle East" were relegated to the experts, especially in the new field of political science. The new wave of diplomats often came from those programs. Archaeology on the international scene, although very much of intellectual interest to the major universities, fell into the shadow of international relations. Their domain became the Ancient Near East, which could no longer be relied upon to be the Near East. The Ottoman Empire was gone, along with all the other empires of the 19th century, replaced with independent republics. Someone had to reconcile the present with the past. This duty was inherited by various specialized agencies that were formed to handle specific aspects of international relations, now so complex as to be beyond the scope and abilities of a diplomatic corps in the former sense. The ancient Near East is frozen in time. The living Near East is primarily what the agencies say it is. In most cases this single term is inadequate to describe the geographical range of their operations. The result is multiple definitions.
Answer: international relations

[Q]: Extract the answer to the question from the following context. Question: Why isn't Old Dutch the Original language of the Franks? Context: Old Low Franconian or Old Dutch is regarded as the primary stage in the development of a separate Dutch language. The "Low" in Old Low Franconian refers to the Frankish spoken in the Low Countries where it was not influenced by the High German consonant shift, as opposed to Central and high Franconian in Germany. The latter would as a consequence evolve with Allemanic into Old High German. At more or less the same time the Ingvaeonic nasal spirant law led to the development of Old Saxon, Old Frisian (Anglo-Frisian) and Old English (Anglo-Saxon). Hardly influenced by either development, Old Dutch remained close to the original language of the Franks, the people that would rule Europe for centuries. The language however, did experienced developments on its own, like final-obstruent devoicing in a very early stage. In fact, by judging from the find at Bergakker, it would seem that the language already experienced this characteristic during the Old Frankish period.
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[A]: experienced developments on its own

input: Please answer the following: Extract the answer to the question from the following context. Question: What is the benefit of forgoing the magnet? Context: LaserDiscs potentially had a much longer lifespan than videocassettes. Because the discs were read optically instead of magnetically, no physical contact needs to be made between the player and the disc, except for the player's clamp that holds the disc at its center as it is spun and read. As a result, playback would not wear the information-bearing part of the discs, and properly manufactured LDs would theoretically last beyond one's lifetime. By contrast, a VHS tape held all of its picture and sound information on the tape in a magnetic coating which is in contact with the spinning heads on the head drum, causing progressive wear with each use (though later in VHS's lifespan, engineering improvements allowed tapes to be made and played back without contact). Also, the tape was thin and delicate, and it was easy for a player mechanism, especially on a low quality or malfunctioning model, to mishandle the tape and damage it by creasing it, frilling (stretching) its edges, or even breaking it.
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output: no physical contact needs to be made between the player and the disc

Extract the answer to the question from the following context. Question: What was designed by two people with the same name? Context: The library is based at two public sites: the Reading Room at the RIBA's headquarters, 66 Portland Place, London; and the RIBA Architecture Study Rooms in the Henry Cole Wing of the V&A. The Reading Room, designed by the building's architect George Grey Wornum and his wife Miriam, retains its original 1934 Art Deco interior with open bookshelves, original furniture and double-height central space. The study rooms, opened in 2004, were designed by Wright & Wright. The library is funded entirely by the RIBA but it is open to the public without charge. It operates a free education programme aimed at students, education groups and families, and an information service for RIBA members and the public through the RIBA Information Centre.
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Answer:
Wright & Wright