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Arnold Jacob Auerbach was one of the four children of Marie and Hyman Auerbach. Hyman was a Russian-Jewish immigrant from Minsk, Russia, and Marie Auerbach, nee Thompson, was American-born. Auerbach Sr. had left Russia when he was 13, and the couple owned a delicatessen store and later went into the dry-cleaning business. Little Arnold spent his whole childhood in Williamsburg, Brooklyn, playing basketball.
Auerbach was one of four children of American-born Marie Auerbach and Russian Jewish immigrant Hyman Auerbach in Brooklyn. His brother Zang Auerbach, four years his junior, was a respected cartoonist and portraitist at the Washington Star. He married Dorothy Lewis in the spring of 1941. The couple had two daughters, Nancy and Randy. Auerbach was known for his love for cigar smoking. Because Red made his victory cigars a cult in the 1960s, Boston restaurants would often say "no cigar or pipe smoking, except for Red Auerbach". In addition, Auerbach was well known for his love of Chinese food. In an interview shortly before his death, he explained that since the 1950s, Chinese takeout was the most convenient nutrition: back then, NBA teams travelled on regular flights and had a tight time schedule, so filling up the stomach with heavier non-Chinese food meant wasting time and risking travel-sickness. Over the years, Auerbach became so fond of this food that he even became a part-owner of a Chinese restaurant in Boston. Despite a heart operation, he remained active in his 80s, playing racquetball and making frequent public appearances. Despite his fierce nature, Auerbach was popular among his players. He recalled that on his 75th birthday party, 45 of his former players showed up; and when he turned 80, his perennial 1960s victim Wilt Chamberlain showed up, a gesture which Auerbach dearly appreciated. In an interview with ESPN, Auerbach stated that his all-star fantasy team would consist of Bill Russell--who in the former's opinion was the ultimate player to start a franchise with--as well as Bob Pettit, Elgin Baylor, Oscar Robertson and Jerry West, with John Havlicek as the sixth man. Regarding greatest basketballers of all time, Auerbach's candidates were Russell, Larry Bird, Magic Johnson, Kareem Abdul-Jabbar, Michael Jordan, and Robertson."

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Boston restaurants would often say "no cigar or pipe smoking, except for Red Auerbach".

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Devika Rani Chaudhuri, usually known as Devika Rani (30 March 1908 - 9 March 1994), was an actress in Indian films who was active during the 1930s and 1940s. Widely acknowledged as the first lady of Indian cinema, Devika Rani had a successful film career that spanned 10 years. Born into a wealthy, anglicized Indian family, Devika Rani was sent to boarding school in England at age nine and grew up in that country. In 1928, she met Himanshu Rai, an Indian film-producer, and married him the following year.
Najm-ul-Hassan was also Devika's co-star in the studio's next venture, Jeevan Naiya. The two co-stars developed a romantic relationship, and during the shooting schedule of Jeevan Naiya, Devika eloped with Hassan. Himanshu was both enraged and distraught. Since the leading pair were absent, production was stalled. A significant portion of the movie had been shot and a large sum of money, which had been taken as credit from financers, had been spent. The studio therefore suffered severe financial losses and a loss of credit among bankers in the city while the runaway couple made merry. Sashadhar Mukherjee, an assistant sound-engineer at the studio, had a brotherly bond with Devika Rani because both of them were Bengalis and spoke that language with each other. He established contact with the runaway couple and managed to convince Devika Rani to return to her husband. In the India of that era, divorce was legally almost impossible and women who eloped were regarded as no better than prostitutes and were shunned by their own families. In her heart of hearts, Devika Rani knew that she could not secure a divorce or marry Hassan under any circumstances. She negotiated with her husband through the auspices of Sashadhar Mukherjee, seeking the separation of her finances from those of her husband as a condition for her return. Henceforth, she would be paid separately for working in his films, but he would be required to single-handedly pay the household expenses for the home in which both of them would live. Himanshu agreed to this, in order to save face in society and to prevent his studio from going bankrupt. Devika Rani returned to her marital home. However, things would never be the same between husband and wife again, and it is said that thenceforth, their relationship was largely confined to work and little or no intimacy transpired between them after this episode. Despite the additional expense involved in re-shooting many portions of the film, Himanshu Rai replaced Najm-ul-Hassan with Ashok Kumar, who was the brother of Sashadhar Mukherjee's wife, as the hero of Jeevan Naiya. This marked the debut, improbable as it may seem, of Ashok Kumar's five-decade-long career in Hindi films. Najm-ul-Hassan was dismissed from his job at Bombay Talkies (this was the period in which actors and actresses were paid regular monthly salaries by one specific film studio and could not work in any other studio). His reputation as a dangerous cad established, he could not find work in any other studio. His career was ruined and he sank into obscurity.

Was there a problem with them eloping?
Devika Rani returned to her marital home.