Build a movie plot around this: Who is Davey preparing to fight ? Kid Rodriguez.
----
Answer: The drama begins with Davey in his apartment room, mentally preparing for a big fight against Kid Rodriguez. On the other side of the building across the courtyard, he gazes upon Gloria, an attractive taxi dancer, getting ready for work. As they both walk out of the building, they run into each other but say nothing. Gloria is picked up by her boss Vincent.As Davey is losing his fight, Gloria is dealing with her boss in his office as he tries to kiss her repeatedly. That evening Davey is awakened by screams coming from Gloria's apartment. As he looks across the courtyard, he sees that Gloria is being attacked by Vincent. He runs to her room, but Vincent has made his getaway. Davey comforts Gloria and she goes to sleep comfortable that Davey is in the room to protect her. However, Vincent is not deterred and proceeds to interfere in their lives. When they decide to leave town, Davey and Gloria arrange to get money they are each owed. Gloria tries to get money from Vincent at the dance hall, and Davey asks his manager to meet him there as well. When a street performer steals Davey's scarf, he chases after him. Davey's manager arrives but does not see Davey. Vincent sends two goons out to rough Davey up, but they mistake the manager for Davey and kill him in the alley.Vincent kidnaps Gloria and has his two goons hold her hostage. Davey returns to Gloria's apartment and sees the police across the courtyard in his apartment. They assume he killed his manager. Davey leaves to rescue Gloria, but he is captured and restrained as well, leading to a chase and confrontation in an abandoned warehouse full of mannequins. During the struggle, Davey kills Vincent and rescues Gloria. He and Gloria are cleared of all charges by the police, and Davey buys a train ticket back to the West Coast. At the train station, Davey assumes she will not join him, but at the last minute, Gloria rushes in, and they kiss.

Q: Build a movie plot around this: Who comes to life and leaps from the paintings? the women
A: Sonny Malone (Michael Beck) is a frustrated artist. He has tried to leave a job he hates--painting large display versions of record-album covers--but he shreds his efforts and throws them out the window. The pieces blow past a mural of nine dancing women. THE WOMEN GLOW INTO LIFE AND LEAP FROM THE PAINTING! They dance down the street and turn into streaks of neon light, with accompanying "whoosh" sounds. Sonny does not see this. He returns to his hated job. On the way there, he is kissed by one of the nine women (Olivia Newton-John).At work, his co-workers lovingly chide him. His tyrannical boss orders him to paint just what he is told and nothing more. He seems beat down, but his next assignment is an album cover ... with the kissing woman on it! He asks around--who is the kissing album-cover woman? A guy behind the desk says she's not on the payroll. The photographer can't explain how she got into the shoot for the album cover--of a hundred pictures, she's in only one. A guy on a porch hasn't seen her (but tries to set Sonny up with one of his daughters). Sonny goes to look for her at the scene of the kiss. He hears a clarinet played by an older gentleman who sits on a rock by the ocean. The older gent is Danny McGuire (Gene Kelly).One thing leads to another, Danny and Sonny become friends and decide to open a club together, and Sonny meets the kissing album-cover girl, who is named Kira. Sonny and Kira fall in love, but Kira reveals to him that she's a supernatural being, a muse. She's not supposed to fall in love with mortals. Rather, her purpose in the universe is to inspire people--men, it seems--to achieve a dream; then she moves on. So, sadly, she must leave. Sonny is glum, but Danny tells him not to accept this situation. Sonny finds the wall upon which Kira was, and is, a painting. He looks at the wall, then roller-skates quickly toward it and jumps into it! He crosses over into an unspecified but disco-y dimension and finds Kira. After politely protesting with Zeus about Kira's being separated from...

Question: Build a movie plot around this: What lavish number begins as Sam pours milk for six little boys in the archetypal costumes ? Milkshake
Answer: Songwriter Jack Morell (Steve Guttenberg)-a reference to Village People creator Jacques Morali-gets a break DJing at local disco Saddle Tramps. His roommate Sam Simpson (Valerie Perrine), a supermodel newly retired at the peak of her success, sees the response to a song he wrote for her ("Samantha") and agrees to use her connections to get him a record deal. Her connection, ex-boyfriend Steve Waits (Paul Sand), president of Marrakech Records (a reference to Village People record label Casablanca Records), is more interested in getting back with her than in Jack's music (and more interested in taking business calls than in wooing Samantha), but agrees to listen to a demo.Sam decides Jack's vocals won't do, and recruits neighbor and Saddle Tramps waiter/go-go boy Felipe Rose (the Indian), fellow model David "Scar" Hodo (the construction worker, who daydreams of stardom in the solo number "I Love You to Death"), and finds Randy Jones (the cowboy) on the streets of Greenwich Village, offering dinner in return for their participation. Meanwhile, Sam's former agent Sydney Channing (Tammy Grimes) orders Girl Friday Lulu Brecht (Marilyn Sokol) to attend, hoping to lure the star back. Ron White (Bruce Jenner[a]), a lawyer from St. Louis, is mugged by an elderly woman on his way to deliver a cake Sam's sister sent, and shows up on edge. Brecht gets Jack high, which unnerves him when her friend Alicia Edwards brings singing cop Ray Simpson, but Jack records the quartet on "Magic Night". Ron, pawed all night by the man-hungry Brecht, is overwhelmed by the culture shock of it all and walks out.The next day, Sam runs into Ron, who apologizes, proffers the excuse that he's a Gemini, and follows her home. Spilling leftover lasagna on himself, Sam and Jack help him off with his trousers before Jack leaves and Sam and Ron spend the night. Newly interested in helping, Ron offers his Wall Street office to hold auditions. There, Glenn M. Hughes, the leatherman climbs atop a piano for a rendition of "Danny Boy", and he and Alex...

Build a movie plot around this: Who is daughter of an Aristocratic MIssissippi family? Stella
----
Answer:
Elia Kazan,who directed the Broadway play on which the black and white film is based, invited Marlon Brando, the male lead, and Kim Hunter and Karl Malden, his supporting cast, to repeat their Broadway triumphs in the film remake.Brando plays Stanley, a poor boy who grew up tainted by ethnic slurs, made financially stable by the fortunes of the second world war. He does well as a blue collar travelling salesman, moves to New Orleans and marries Stella (Hunter), daughter of an Aristocratic MIssissippi family anxious to escape the war;s invitable destruction of her family's land, wealth, property and social status. Stanley has never met his sister-in-law Blanche, the female lead of the play ,Vivien Leigh in the movie remake. Blanche arranges a visit to see her sister in New Orleans and shows up on Stanley's doorstop obviously annoyed that there is neither a guest bedroom for herself nor a master bedroom for her sister and brother-in-law, in their cramped, dingy apartment in a bustling quarter of the city. The tensions of wartime emergency cohabitation of family members somehow forced to move in with each other in tight, cramped quarters because of the fortunes of war are noted when it is obvious that Blanche and Stanley immediately get on each others' nerves, especially when Blanche, who passes herself off as the only Aristocrat in her new neighborhood, is the only one in her new neighborhood who actually resorts to tough bar language and ethnic slurs in passing conversation. This becomes no ordinary domestic quarrel when their tensions escalate beyond a war of words to hurtful, spiteful deeds and then to climatic physical violence. Hollywood icons Marlon Brando and Vivien Leigh are given close, tight photography in their lengthy scenes of escalating conflict, played with such deep insight and such technical brilliance that the audience is given pause, from moment to moment. to decide whether one really has a point and the other should really be apprehended by the authorities. Stanley first wants to know why...