In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: This couldn't have been better. The strong restraints on Mike Sullivan's expressions couldn't have been portrayed in any other way. Tom Hanks delivers the best performance of his career. Young Tyler Hoechlin drives an emotional wheel; playing the basis character for the story. And veteran Paul Newman gives one of his best character performances in a long time.This film is based on a bold graphic novel by Max Allan Collins and Richard Piers Rayner. This is a father/son story which basically employs the two candidates solely unfit for the roles. Mike Sullivan had no father as a child, so John Rooney took him in. Although a generous man, Mr. Rooney involved himself in organized crime. Therefore, the debt of Sullivan was only to be paid off in involving himself in the business. Now, Sullivan has a wife and two children and is trying to keep his children safe, but at the same time pay back his boss. The events to follow, will test Sullivan's loyalty and embrace his family's fate.With a great adaptation by David Self, the dialogue comes out seldomly, but yet very virtuous. The story unfolds in a beautiful 1930's setting (Brilliant Art Direction by Richard L. Johnson & Nancy Haigh) covered with a dark rainy (snow on the ground) exterior. Driving the story, is Thomas Newman's wonderful Irish score, settling in only when necessary.But the most important technical element in the film is Conrad L. Hall's beautiful photography. This is some of the best cinematography I've seen; and I watch a lot of films. The scene when Mike and Michael are in the car, entering Chicago is quite impressive. The shot starts at the front of the car, revealing Mike(Hanks) through the windshield. It subsequently dollys around to the side of the car, to see Michael(Hoechlin) awakening and peering out his side window. As it continues, it trucks sideways and dollys back, completely around the car and reveals a gorgeous scenic 1930's Chicago.With a great cast and crew, the principle man creates a brazenly amazing film. I'm talking about Sam Mendes, who made his feature film debut in 1999 with American Beauty. (won him various awards) Before American Beauty, Mendes worked as a play director for the British Theater, but decided that he wanted to move on saying that there was nothing new for him in theater. With only two films, Sam Mendes has marked himself in my book as one of the great directors (In a list of about twenty-five).The film illuminates a brazen genre that has its hits and misses and expresses the true theme brilliantly. The photography, acting and story is phenominal. I'm still waiting for Scorcesee's Gangs of New York, but for now, I'm fully confident in saying that this is the "Best Film of the Year". Considering it's competition (Signs, Insomnia, Minority Report) thats a strong statement. Question: is it a negative review?
[EX A]: no

[EX Q]: Review: THE MAN IN THE MOON is a warm and moving coming of age drama centering around a farming family in the 1950's. The main story follows a 14-year old girl (Reese Witherspoon) who develops a crush on a 17-year old neighbor (Jason London) who ends up falling for her older sister (Emily Warfield) and how an unexpected tragedy alters this family's dynamics forever. The 1950's are lovingly evoked here and the screenplay gives you characters you come to care about almost immediately. Witherspoon already begins to show the Oscar-winning talent she would develop in this early role and London makes a charming leading man. Warfield lends a quiet maturity to the role of the older sister that is effective as well. Kudos to Sam Waterston and Tess Harper who play the girls' parents and Gail Strickland, who plays London's mom. I was unexpectedly moved by this quiet and affecting drama that stirs up strong emotions and gives deeper meaning to the phrase "family ties." Question: is it a positive review?
[EX A]: yes

[EX Q]: Review: Genghis Cohn is a (very) mildly entertaining British movie about a German police commissioner in the late 1950's who is haunted by the ghost of a Jewish comedian that he killed 15 years earlier while serving under Hitler in the SS. The ghost comes back and wants his killer to live as a Jew to atone for the murders he committed.Otto, the German policeman actually knows this ghost's name because, the last thing he did before he died was said, in Yiddish, 'Kiss my ass'. The policeman didn't speak Yiddish, so he asked around until he found the meaning. The 'kiss my ass' left such an impression that everybody involved with that killing learned and remembered the comedian's name, Genghis Cohn.There are a bunch of men who are murdered in the jurisdiction of the police commissioner, and there are no helpful clues. The men are murdered with a set of knives that are missing from the local butcher. The butcher announces that his knives are missing while the commissioner is in the store to get a liver and onion sandwich, so the commissioner is a suspect. The first man is killed while making love to the butcher's wife, so the butcher is a suspect. But the butcher maintains that he would be very busy if he killed every man that slept with his wife. All the men are killed immediately after the climax of lovemaking.I think I might be a bit angrier than the ghost of Genghis Cohn if I was killed like he was. He seems to be very good-natured about it, as if he was just in a mild car accident. I can only guess that it is because it is a British movie and they are known for being a very polite people. He uses some of his material from his stand-up routing, and I just didn't find it very funny.I gave this movie a 4 because it was just kind of goofy. I thought it should have been a little more serious than it was. The movie turns out to be a murder mystery (where did this come from?), and it seemed that Genghis should have been more helpful than he was. The movie gave me a tiny look into Jewish culture, but was only skin-deep. Do all Jews love liver and onion sandwiches? Do they all say 'shtoop' and 'meshuganah' in their daily vocabulary? Isn't there more important stuff that we should know about the culture?I saw this movie at a Jewish community center in Berkeley, CA, and I was the only person in the room whose hair was not fully gray or white. (I have no gray or white hair.) There were 18 of us, and after the movie they stayed for about 20 minutes to discuss the movie. There were 2 main concerns expressed there: 1. The movie was way too light-hearted and future generations might not understand the gravity of what happened and 2. As the Holocaust survivors are dying off, future generations will not know what really happened. I thought that this second concern was ridiculous and I told them I thought they didn't need to worry because there is tons of literature out there and there will always be people who like to watch movies, like myself. The murder of 6,000,000 people by a very bad man will not ever be forgotten. I write this last paragraph because they charged me with telling others about my experience that day. Question: is it a positive review?
[EX A]:
no