IN: Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens.

In the 1991-92 NHL season, Brodeur spent most of his time with Saint-Hyacinthe in the QMJHL, but was called up to the NHL on an emergency basis for four games when New Jersey goaltenders Chris Terreri and Craig Billington became injured. Brodeur won his NHL debut against the Boston Bruins, 4-2, and played in one playoff game that season. Brodeur spent the following season with the Utica Devils of the American Hockey League (AHL). However, in the 1993-94 season, Brodeur returned to the NHL permanently and gained recognition when he won the Calder Trophy, an annual award for the best rookie in the NHL. He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs, where they lost to the New York Rangers in seven games. He finished 2nd in goals against average (GAA) (2.40) and 4th in save percentage (.915) in 47 games played during the regular season, helping him eventually land the starting job over Terreri. In the 1994-95 NHL season, which was shortened to 48 games due to an extended lockout, the Devils finished tied for 9th overall, 5th in their conference. With the leadership of Brodeur, they defeated the Boston Bruins in the 1st round, shutting them out in three of their four wins. In the second round against the Pittsburgh Penguins, Brodeur gave up only nine goals and helped the Devils defeat the Penguins in five games. In the third round, the Devils defeated the Philadelphia Flyers in six games, giving them their first Stanley Cup Final appearance in franchise history, against the heavily favoured Detroit Red Wings. The strong play of Brodeur and the Devils' "trap" method of defence made the series lopsided in favour of New Jersey, who swept the Red Wings 4 games to 0 while holding them to just seven goals in four games. Brodeur won a Stanley Cup in only his second full season in the NHL. After the victory, he was quoted as saying: In the last game against Detroit, the time from ten minutes left to one minute left was probably the longest nine minutes of my life. But from one to zero was probably the greatest time I've ever had. I didn't want the clock to run out. It was such a great feeling: people crying in the stands, people jumping up and down, people cheering. Guys couldn't even sit up on the bench. It was probably the best minute of my life.
QUESTION: How did he play in those games?
IN: Nehemiah Curtis "Skip" James (June 9, 1902 - October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was "rediscovered" in 1964 by blues enthusiasts, helping further the blues and folk music revival of the 1950s and early 1960s.

In early 1931, James auditioned for the record shop owner and talent scout H. C. Speir in Jackson, Mississippi. Speir placed blues performers with various record labels, including Paramount Records. On the strength of this audition, James traveled to Grafton, Wisconsin, to record for Paramount. His 1931 records are considered idiosyncratic among prewar blues recordings and formed the basis of his reputation as a musician. As was typical of his era, James recorded various styles of music - blues, spirituals, cover versions and original compositions - frequently blurring the lines between genres and sources. For example, "I'm So Glad" was derived from a 1927 song, "So Tired", by Art Sizemore and George A. Little, recorded in 1928 by Gene Austin and by Lonnie Johnson (Johnson's version was entitled "I'm So Tired of Livin' All Alone"). James's biographer Stephen Calt, echoing the opinion of several music critics, considered the finished product totally original, "one of the most extraordinary examples of fingerpicking found in guitar music". Several other recordings from the Grafton session, such as "Hard Time Killing Floor Blues", "Devil Got My Woman", "Jesus Is a Mighty Good Leader", and "22-20 Blues" (the basis of Robert Johnson's better-known "32-20 Blues"), have been similarly influential. Very few original copies of James's Paramount 78 rpm records have survived. The Great Depression struck just as James's recordings were hitting the market. Sales were poor as a result, and he gave up performing the blues to become the choir director in his father's church. James was later an ordained minister in Baptist and Methodist churches, but the extent of his involvement in religious activities is unknown.
QUESTION: Did he receive any awards?
IN: Steeleye Span are an English folk rock band formed in 1969. Still active today, along with Fairport Convention, they are amongst the best known acts of the British folk revival, and were among the most commercially successful, thanks to their hit singles "Gaudete" and "All Around My Hat". They had four Top 40 albums and achieved a certified gold record with sales of "All Around My Hat". Throughout their history, Steeleye Span have seen many personnel changes.

In 1995, almost all the past and present members of the band reunited for a concert to celebrate the 25th Anniversary of the band (which would later be released as The Journey). The only former members not present were founding member Terry Woods, Mark Williamson, and Chris Staines. A by-product of this gig was founding vocalist Gay Woods rejoining the band full-time, partly because Prior was experiencing vocal problems, and for a while Steeleye toured with two female singers, and released the album Time 1996, their first new studio album in seven years. There were doubts over the future of the band when Prior announced her departure in 1997, but Steeleye continued in a more productive vein than for many years, with Woods as lead singer, releasing Horkstow Grange (1998), and then Bedlam Born (2000). Fans of Steeleye's "rock" element felt that Horkstow Grange was too quiet and folk-oriented, while fans of the band's "folk" element complained that Bedlam Born was too rock-heavy. Woods received considerable criticism from fans, many of whom did not realise that she was one of the founding members and who compared her singing style unfavourably to Prior's. There was also disagreement among the band about what material to perform; Woods advocated performing old favourites such as "All Around My Hat" and "Alison Gross", while Johnson favoured a set that emphasised their newer material. Liam Genockey had also left the band in 1997, and on these albums the drum kit was manned by Dave Mattacks, who was not an official member of the band.
QUESTION:
Why did Prior leave the band?