input: Safin held the No. 1 ATP ranking for 9 weeks during 2000 (making him the tallest No. 1 ranked player of all time) when he won his first Grand Slam tournament at the US Open, becoming the only Russian in history to win this tournament in the men's singles draw, by defeating Pete Sampras in straight sets. He barely missed finishing the year as #1, the top spot being overtaken by Gustavo Kuerten at the last match of the season, the final of the 2000 Tennis Masters Cup and ATP Tour World Championships (3-0 win over Andre Agassi). Safin reached three more Grand Slam finals, all at the Australian Open (2002, 2004, and 2005). He has cited nervousness as the reason for his loss in the 2002 event, and physical exhaustion for the 2004 loss. He defeated Lleyton Hewitt in the 2005 final to secure his second Grand Slam in five years. En route to this final, he defeated top-ranked Roger Federer in a five-set semifinal match. Safin described the match as "a brain fight." He also defeated future world No. 1 Novak Djokovic, who was making his first appearance in the main draw of a Grand Slam tournament, in the first round losing just three games. His best result at Wimbledon was reaching the semifinals in 2008, beating world No. 3 Novak Djokovic en route. He often lost in the first or second rounds in other years, although he made the quarterfinals in 2001, losing in four sets to eventual champion Goran Ivanisevic. Safin dismissed his performance in the 2001 tournament as a result of luck. Safin disliked playing on grass. Safin has said: "It's difficult to [break serve]. It's difficult to play off the baseline because [of] a lot of bad bounces." With Safin's semifinal performance at Wimbledon in 2008, he became the fourth of five active players at the time to reach the semifinals in all four Grand Slams, joining Roger Federer, David Nalbandian, and Novak Djokovic. Other active players have since then joined the list.

Answer this question "Is he considered a good player?"
output: he became the fourth of five active players at the time to reach the semifinals in all four Grand Slams,

input: In 2001, it was announced that all original members of the band would return to the studio to record the song "On the Inside" for The Very Best of Winger. In 2002, all five members embarked on a reunion tour of the U.S. and Canada on a bill with Poison. According to Kip Winger, in a 2008 interview with rock and roll comic C.C. Banana, it was important to include all five members because "it was the big, long-awaited reunion so I wanted to include everybody who had ever been in the band." In 2003, it was confirmed that activity had been halted due to Reb Beach's touring commitment with Whitesnake as well as his solo album "Masquerade" and involvement with "supergroup" project The Mob with King's X frontman Doug Pinnick and Night Ranger drummer Kelly Keagy. On July 16, 2005, it was announced that Kip Winger would perform as the lead singer for the Alan Parsons Live Project at the Common Ground Music Festival in Lansing, Michigan. In May 2006, it was confirmed that Winger had reformed without one of its original members Paul Taylor, to record another album and tour Europe. The album, IV, was released in Europe in October and the nine-country "Winger IV Tour" ran in the last two weeks of the same month. On February 25, 2008, the band performed in Providence, Rhode Island, as part of a benefit for survivors of the Station nightclub fire. The concert, along with other artists was debuted on VH1 Classic on March 23, 2008. In late 2009, it was confirmed that Winger would record a fifth album Karma, with a tour to support it. Most recently, John Roth became the guitarist for Giant and will appear on their latest album Promise Land set for release in February/March 2010. Winger released their sixth studio album titled, Better Days Comin' in April 2014, after teasers were published on Kip Winger's website and on the official Winger Facebook page as well.

Answer this question "Did Winger perform with any one else?"
output: The concert, along with other artists was debuted on VH1 Classic

input: In August 1941, Alan Lomax went to Stovall, Mississippi, on behalf of the Library of Congress to record various country blues musicians. "He brought his stuff down and recorded me right in my house," Muddy recalled for Rolling Stone magazine, "and when he played back the first song I sounded just like anybody's records. Man, you don't know how I felt that Saturday afternoon when I heard that voice and it was my own voice. Later on he sent me two copies of the pressing and a check for twenty bucks, and I carried that record up to the corner and put it on the jukebox. Just played it and played it and said, 'I can do it, I can do it.'" Lomax came back in July 1942 to record him again. Both sessions were eventually released by Testament Records as Down on Stovall's Plantation. The complete recordings were reissued by Chess Records on CD as Muddy Waters: The Complete Plantation Recordings. The Historic 1941-42 Library of Congress Field Recordings in 1993 and remastered in 1997. In 1943, Muddy Waters headed to Chicago with the hope of becoming a full-time professional musician. He lived with a relative for a short period while driving a truck and working in a factory by day and performing at night. Big Bill Broonzy, then one of the leading bluesmen in Chicago, had Muddy Waters open his shows in the rowdy clubs where Broonzy played. This gave Muddy Waters the opportunity to play in front of a large audience. In 1944, he bought his first electric guitar and then formed his first electric combo. He felt obliged to electrify his sound in Chicago because, he said, "When I went into the clubs, the first thing I wanted was an amplifier. Couldn't nobody hear you with an acoustic." His sound reflected the optimism of postwar African Americans. Willie Dixon said that "There was quite a few people around singing the blues but most of them was singing all sad blues. Muddy was giving his blues a little pep." Three years later, in 1946, he recorded some songs for Mayo Williams at Columbia Records, with an old-fashioned combo consisting of clarinet, saxophone and piano; they were released a year later with Ivan Ballen's Philadelphia-based 20th Century label, billed as James "Sweet Lucy" Carter and his Orchestra - Muddy Waters' name was not mentioned on the label. Later that year, he began recording for Aristocrat Records, a newly formed label run by the brothers Leonard and Phil Chess. In 1947, he played guitar with Sunnyland Slim on piano on the cuts "Gypsy Woman" and "Little Anna Mae". These were also shelved, but in 1948, "I Can't Be Satisfied" and "I Feel Like Going Home" became hits, and his popularity in clubs began to take off. Soon after, Aristocrat changed its name to Chess Records. Muddy Waters's signature tune "Rollin' Stone" also became a hit that year.

Answer this question "what year did he move to chicago?"
output:
1943, Muddy Waters headed to Chicago