Problem: Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.

Cancer Bats was founded in May 2004 by singer Liam Cormier and guitarist Scott Middleton, a former member of Toronto heavy metal band At the Mercy of Inspiration. The two wanted to form a project that combined their favorite parts of bands like Entombed, Refused, Black Flag, Led Zeppelin and Down, among others. The lineup was completed with the addition of Andrew McCracken on bass and Joel Bath on drums, with Cormier moving to vocals. The four-piece wrote and recorded songs for a self-released demo that saw light in January 2005, and led to Canadian independent record label Distort Entertainment signing the band. The story is that the band considered the names Cancer Bats and Pneumonia Hawk after deciding that a combination of illness and animal name would give the best band name. Soon after, Mike Peters replaced Bath on the drums and the band began playing throughout Southern Ontario, playing live shows with bands like Billy Talent, Every Time I Die, Nora, Alexisonfire, Haste the Day, It Dies Today, Bane, Comeback Kid, Buried Inside, Attack in Black, Misery Signals, This Is Hell, Rise Against, The Bronx and Gallows. On June 2, 2006, the band took part in a short interview and then played a free CD release show at The Edge 102.1 (CFNY-FM) and then on June 6 Birthing the Giant was released into major record stores. The album includes guest vocals by George Pettit of Alexisonfire. On June 7, 2006 they hosted All Things Rock, a show on MTV Canada, and had their own video played at the end of the show.

How many did it go on to sell?

Answer with quotes:

Problem: Bobby Darin (born Walden Robert Cassotto; May 14, 1936 - December 20, 1973) was an American singer, songwriter, multi-instrumentalist, and actor in film and television. He performed jazz, pop, rock and roll, folk, swing, and country music. He started his career as a songwriter for Connie Francis.

In the fall of 1959, Darin played "Honeyboy Jones" in an early episode of Jackie Cooper's CBS military sitcom/drama, Hennesey set in San Diego, California. In 1960, he appeared twice as himself in NBC's short-lived crime drama Dan Raven, starring Skip Homeier and set on the Sunset Strip of West Hollywood. In the same year, he was the only actor ever to have been signed to five major Hollywood film studios. He wrote music for several films in which he appeared. His first major film, Come September (1961), was a teenager-oriented romantic comedy with Rock Hudson and Gina Lollobrigida and featuring 18-year-old actress Sandra Dee. They first met during the production of the film, fell in love, and got married soon afterwards. Dee gave birth to a son, Dodd Mitchell Darin (also known as Morgan Mitchell) on December 16, 1961. Dee and Darin made a few films together with moderate success. They divorced in 1967. In 1961 he starred in Too Late Blues, John Cassavetes' first film for a major Hollywood studio, as a struggling jazz musician. Writing in 2012, Los Angeles Times critic Dennis Lim observed that Darin was "a surprise in his first nonsinging role, willing to appear both arrogant and weak." In 1962, Darin won the Golden Globe Award for "New Star of the Year - Actor" for his role in Come September. The following year he was nominated for the Golden Globe Award for "Best Performance by an Actor in a Motion Picture - Drama" (Best actor) in Pressure Point. In 1963, he was nominated for an Academy Award for Best Supporting Actor for his role as a shell-shocked soldier in Captain Newman, M.D.. At the Cannes Film Festival he won the French Film Critics Award for best actor. In October 1964, he appeared as a wounded ex-convict who is befriended by an orphan girl in "The John Gillman Story" episode of NBC's Wagon Train western television series.

How was his acting received?

Answer with quotes: a surprise in his first nonsinging role, willing to appear both arrogant and weak."

Problem: Van Sant was born in Louisville, Kentucky, the son of Betty (nee Seay) and Gus Green Van Sant, Sr; Gus's father was a clothing manufacturer and traveling salesman who rapidly worked his way into middle class prosperity, holding executive marketing positions that included being president of the White Stag Manufacturing Company's Apparel Operation. As a result of his father's job, the family moved continually during Van Sant's childhood. His paternal family is of partial Dutch origin; the name "Van Sant" is derived from the Dutch name "Van Zandt".

After spending time in Europe, Van Sant went to Los Angeles in 1976. He secured a job as a production assistant to writer/director Ken Shapiro, with whom he developed a few ideas, none of which came to fruition. In 1981, Van Sant made Alice in Hollywood, a film about a naive young actress who goes to Hollywood and abandons her ideals. It was never released. During this period, Van Sant began to spend time observing the denizens of the more down-and-out sections of Hollywood Boulevard. He became fascinated by the existence of this marginalized section of L.A.'s population, especially in context with the more ordinary, prosperous world that surrounded them. Van Sant would repeatedly focus his work on those existing on society's fringes, making his feature film directorial debut Mala Noche. It was made two years after Van Sant went to New York to work in an advertising agency. He saved $20,000 during his tenure there, enabling him to finance the majority of his tale of doomed love between a gay liquor store clerk and a Mexican immigrant. The film, which was taken from Portland street writer Walt Curtis' semi-autobiographical novella, featured some of the director's hallmarks, notably an unfulfilled romanticism, a dry sense of the absurd, and the refusal to treat homosexuality as something deserving of judgment. Unlike many gay filmmakers, Van Sant--who had long been openly gay--declined to use same-sex relationships as fodder for overtly political statements, although such relationships would frequently appear in his films. Shot in black-and-white, the film earned Van Sant almost overnight acclaim on the festival circuit, with the Los Angeles Times naming it the year's Best Independent Film. The film's success attracted Hollywood interest, and Van Sant was briefly courted by Universal; the courtship ended after Van Sant pitched a series of project ideas (including what would later become Drugstore Cowboy and My Own Private Idaho) that the studio declined to take interest in. Van Sant moved back to Portland, Oregon, where he set up house and began giving life to the ideas rejected by Universal. He directed Drugstore Cowboy about four drug addicts robbing pharmacies to support their habit. The film met with great critical success and revived the career of Matt Dillon.

what did he do with ken?

Answer with quotes:
assistant to writer/director Ken Shapiro, with whom he developed a few ideas, none of which came to fruition.