In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
The answer to this example can be: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

OK. solve this:
Context_1 : Through a Blue Lens is a documentary film produced by the National Film Board of Canada. The film follows interactions between police officers and drug addicts and documents the extreme poverty and suffering many addicts endure. Context_2 : A box camera is a simple type of camera, the most common form being a cardboard or plastic box with a lens in one end and film at the other. They were very popular in the late 19th and early 20th centuries. The lenses are often single element designs meniscus fixed focus lens, or in better quality box cameras a doublet lens with minimal (if any) possible adjustments to the aperture or shutter speeds. Because of the inability to adjust focus, the small lens aperture and the low sensitivity of the sensitive materials available, these cameras work best in brightly lit day-lit scenes when the subject is within the hyperfocal distance for the lens and of subjects that move little during the exposure. Eventually, box cameras with photographic flash, shutter and aperture adjustment were introduced, allowing indoor photos. Context_3 : A-scan ultrasound biometry, commonly referred to as an A-scan (short for Amplitude scan), is routine type of diagnostic test used in optometry or ophthalmology. The A-scan provides data on the length of the eye, which is a major determinant in common sight disorders. The most common use of the A-scan is to determine eye length for calculation of intraocular lens power. Briefly, the total refractive power of the emmetropic eye is approximately 60. Of this power, the cornea provides roughly 40 diopters, and the crystalline lens 20 diopters. When a cataract is removed, the lens is replaced by an artificial lens implant. By measuring both the length of the eye (A-scan) and the power of the cornea (keratometry), a simple formula can be used to calculate the power of the intraocular lens needed. There are several different formulas that can be used depending on the actual characteristics of the eye. All the information here is not valid for medical purposes. Context_4 : An anti-scratch or scratch-resistant coating is a film or coating that can be applied to optical surfaces, such as the faces of a lens or photographic film. The coating does not interfere with how the lens functions and does not affect vision, but creates a permanent bond with the lens that reduces the appearance of hairline scratches which is common to eyeglass lenses. Though an anti-scratch coating is not 100% scratch-proof, it helps to prevent minor scratches that can easily happen to a regular lens. These minor scratches can damage the surface of the lens and impair vision. An anti-scratch coating acts as a protective layer thus making the lenses more durable and safe. Context_5 : Microbial corneal infection is the most serious and "most common vision threatening" complication of contact lens wear, which is believed to be strongly associated with contact lens cases. Such infections "are being increasingly recognized as an important cause of morbidity and blindness" and "may even be life-threatening." While the cornea is believed to be the most common site for fungal eye infections, other parts of the eye such as the orbit, sclera, eyelids, and more may also be involved. Contact lens cases are recognized as a "potential source of pathogens associated with corneal ulcers" and according to Moorfields Eye Hospital, contact lens wear is "the most prevalent risk factor for new cases of corneal ulcers." Contaminants "isolated from contact lens associated corneal ulcers have often been shown to be" the same as found in the patient's contact lens case, thus providing evidence contaminated contact lens cases may be a "replenishable source of pathogenic microbes." Context_6 : Intraocular lens (IOL) is a lens implanted in the eye as part of a treatment for cataracts or myopia. The most common type of IOL is the pseudophakic IOL. These are implanted during cataract surgery, after the cloudy eye's natural lens (colloquially called a cataract) has been removed. The pseudophakic IOL provides the same light focusing function as the natural crystalline lens. The second type of IOL, more commonly known as a phakic intraocular lens (PIOL), is a lens which is placed over the existing natural lens, and is used in refractive surgery to change the eye's optical power as a treatment for myopia, or nearsightedness. IOLs usually consist of a small plastic lens with plastic side struts, called haptics, to hold the lens in place within the capsular bag inside the eye. IOLs were conventionally made of an inflexible material (PMMA), although this has largely been superseded by the use of flexible materials. Most IOLs fitted today are fixed monofocal lenses matched to distance vision. However, other types are available, such as multifocal IOLs which provide the patient with multiple-focused vision at far and reading distance, and adaptive IOLs which provide the patient with limited visual accommodation. Context_7 : Capsulotomy is a type of eye surgery in which an incision is made into the capsule of the crystalline lens of the eye. In modern cataract operations, the lens capsule is usually not removed. The most common forms of cataract surgery remove nearly all of the crystalline lens but do not remove the crystalline lens capsule (the outer "bag" layer of the crystalline lens). The crystalline lens capsule is retained and used to contain and position the intraocular lens implant (IOL). Context_8 : The Plasmat lens is a widely used and long-established lens type invented by Paul Rudolph in 1918, especially common in large-format photography. It provides high correction of aberrations with a moderate maximum aperture (e.g. f/5.6 ). It is a specific instance of the Dagor type double-meniscus anastigmat. Double-meniscus anastigmats use widely separated positive and negative surfaces, generally thick meniscus lenses, to achieve a flat field. The most basic form is two sharply curved meniscus elements located symmetrically about a stop. Further refinement of the form replaces the two simple meniscus lenses with achromats for chromatic correction. The Dagor type further refines these achromats into triplets with the following design parameters: a high-index, doubly convex (DCX) lens cemented to a medium-index, doubly concave (DCV) lens cemented to a low-index meniscus lens. Up to this point, all refinements have maintained symmetry about the stop. The Plasmat further refines the Dagor form by uncementing the meniscus, allowing for placement away from the first two elements and removing the criterion of symmetry. Context_9 : There is No Authority But Yourself is a Dutch film directed by Alexander Oey documenting the history of anarchist punk band Crass. The film features archive footage of the band and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher. As well as reflecting on the band's past the film focusses on their current activities, and includes footage of Rimbaud performing with Last Amendment at the Vortex jazz club in Hackney, a compost toilet building workshop and a permaculture course held at Dial House in the spring of 2006. Context_10 : The Reisekamera, meaning a "travel camera", is a large-format wooden bellows tailboard view camera of almost standardised design, unlike the much lighter and more flexible field camera, but not as cumbersome as the studio camera. A sturdy tripod is always brought along, but it might just as well be placed on a tabletop. It has equally sized rectangular front and back panels on a full-width double-extension baseboard that is hinged near the front. The front panel, holding the lens plate, has horizontal and vertical movements, while the back is tilt-suspended on brass standards running on brass tracks on either side of the baseboard, providing rack and pinion focusing on the film plane. An almost non-tapering calico double-extension bellows is employed; allowing the projected image to freely reach the photographic plate regardless of lens offset position. The camera folds flat, after the back panel is brought forward to the lens panel, by folding the hinged base board up, and thus conveniently protecting the focusing screen. For insertion of the wooden dark slide plate cassette, the hinged focusing screen is swung up and away. The Reisekamera was made available for several plate sizes; most common are the 1318cm, 1824cm and 2430cm versions. Shutter and lens were normally not part of the original delivery. However, some were made available with a spectacular focal-plane shutter, recognisable by the brass mechanisms either side of the back panel. fact_1 : Through a Blue Lens is a documentary film produced by the National Film Board of Canada. fact_2 : There is No Authority But Yourself is a Dutch film directed by Alexander Oey documenting the history of anarchist punk band Crass. Answer: documentary
Answer:
What do Through a Blue Lens and There Is No Authority But Yourself have in common?