IN: Meredith was born in 1907 in Cleveland, Ohio, the son of Ida Beth (nee Burgess) and Dr. William George Meredith, a Canadian-born physician, of English descent. His mother came from a long line of Methodist revivalists, a religion to which he adhered throughout his lifetime. Meredith graduated from Hoosac School in 1926 and then attended Amherst College (class of 1931). He left Amherst, and became a reporter for the Stamford Advocate.

In 1929, he became a member of Eva Le Gallienne's Civic Repertory Theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile. He garnered critical acclaim in the 1935 Broadway revival of The Barretts of Wimpole Street starring Katharine Cornell. She subsequently cast him in several of her later productions. Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He played Hamlet in avant garde theatrical and radio productions of the play. A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960). In the late seventies, he directed Fionnula Flanagan's one-woman multi-role play "James Joyce's Women," which toured for several years.
QUESTION: How was Meredith involved in theatre?
IN: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.

William Ruhlmann, writing for the AllMusic Web site, has suggested the following interpretation of the song's lyrics: "The time seems to be early morning following a night when the narrator has not slept. Still unable to sleep, though amazed by his weariness, he is available and open to Mr. Tambourine Man's song, and says he will follow him. In the course of four verses studded with internal rhymes, he expounds on this situation, his meaning often heavily embroidered with imagery, though the desire to be freed by the tambourine man's song remains clear." While there has been speculation that the song is about drugs such as LSD or marijuana, particularly with lines such as "take me on a trip upon your magic swirling ship" and "the smoke rings of my mind", Dylan has always denied the song is about drugs. Though he was using marijuana at the time the song was written, Dylan was not introduced to LSD until a few months later. Other commentators have interpreted the song as a call to the singer's spirit or muse, or the singer's search for transcendence. In particular, biographer John Hinchey has suggested in his book Like a Complete Unknown that the singer is praying to his muse for inspiration; Hinchey notes that ironically the song itself is evidence the muse has already provided the sought-after inspiration. Mr. Tambourine Man has also been interpreted as a symbol for Jesus Christ and for the Pied Piper of Hamelin. The song may also reference gospel music, with Mr. Tambourine Man being the bringer of religious salvation. Dylan has cited the influence of Federico Fellini's movie La Strada on the song, while other commentators have found echoes of the poetry of Arthur Rimbaud. Author Howard Sounes has identified the lyrics "in the jingle jangle morning I'll come following you" as having been taken from a Lord Buckley recording. Bruce Langhorne, who performs guitar on the track, has been cited by Dylan as the inspiration for the tambourine man image in the song. Langhorne used to play a giant, four-inch-deep "tambourine" (actually a Turkish frame drum), and had brought the instrument to a previous Dylan recording session.
QUESTION: Was the song Mr. Tambourine Man recorded by other artists?
IN: Robert Montgomery Knight (born October 25, 1940) is a retired American basketball coach. Nicknamed "The General", Knight won 902 NCAA Division I men's college basketball games, the most all-time at the time of his retirement and currently third all-time, behind his former player and assistant coach Mike Krzyzewski of Duke University, and Jim Boeheim of Syracuse University. Knight is best known as the head coach of the Indiana Hoosiers from 1971 to 2000.

Knight was born in Massillon, Ohio, and grew up in Orrville, Ohio. Knight began playing organized basketball at Orrville High School. He continued at Ohio State in 1958 when he played for Basketball Hall of Fame coach Fred Taylor. Despite being a star player in high school, he played a reserve role as a forward on the 1960 Ohio State Buckeyes team that won the NCAA Championship and featured future Hall of Fame players John Havlicek and Jerry Lucas. The Buckeyes lost to the Cincinnati Bearcats in each of the next two NCAA Championship games, of which Knight was also a part. Due in part to the star power of those Ohio State teams, Knight usually received scant playing time, but that did not prevent him from making an impact. In the 1961 NCAA Championship game, Knight came off the bench with 1:41 on the clock and Cincinnati leading Ohio State, 61-59. In the words of then-Ohio State assistant coach Frank Truitt, Knight got the ball in the left front court and faked a drive into the middle. Then [he] crossed over like he worked on it all his life and drove right in and laid it up. That tied the game for us, and Knight ran clear across the floor like a 100-yard dash sprinter and ran right at me and said, 'See there, coach, I should have been in that game a long time ago!' To which Truitt replied, "Sit down, you hot dog. You're lucky you're even on the floor." In addition to lettering in basketball at Ohio State, it has been claimed that Knight also lettered in football and baseball; however, the official list of Ohio State football letter earners does not include Knight. Knight graduated with a degree in history and government in 1962.
QUESTION:
Why was this so uniquwe