Problem: Background: Chapter 27 is a 2007 biographical drama film depicting the murder of John Lennon by Mark David Chapman. It was written and directed by Jarrett Schaefer, based on the book Let Me Take You Down by Jack Jones, produced by Robert Salerno, and stars Jared Leto as Chapman. The film takes place in December 1980, and is intended to be an exploration of Chapman's psyche. Its title is a reference to J. D. Salinger's novel The Catcher in the Rye, which has twenty-six chapters, and suggests a continuation of the book.
Context: The real Mark David Chapman is currently incarcerated at Wende Correctional Facility, on a guilty plea. Aside from two interviews with Larry King and Barbara Walters, both in 1992, he has not spoken with the media. However, Chapman did reveal the mechanics of his unraveling during those three days in New York City to journalist Jack Jones. The interviews were published in 1992 as Let Me Take You Down: Inside the Mind of Mark David Chapman, a book of Chapman's recollections of his act of violence. Chapter 27 is based on this text. The title "Chapter 27" suggests a continuation of J. D. Salinger's novel The Catcher in the Rye, which has twenty-six chapters, and which Chapman was carrying when he shot John Lennon. Chapman was obsessed with the book, to the point of attempting to model his life after its protagonist, Holden Caulfield. According to the British music magazine Mojo, the title was also inspired by Chapter 27 of Robert Rosen's book Nowhere Man: The Final Days of John Lennon (2000). Rosen's book explores the numerological meaning of the number 27, "the triple 9", a number of profound importance to John Lennon. Lennon was deeply interested in numerology, particularly Cheiro's Book of Numbers, along with nine and all its multiples. It was Chapman's goal, according to Rosen, to write Chapter 27 "in Lennon's blood". Like Chapman, Schaefer is a fan of both The Beatles and J.D. Salinger's novel The Catcher in the Rye, and said he began the script to try to understand "how someone could be inspired to kill anyone as a result of being exposed to this kind of beautiful art. It really bothered me, because Lennon and Salinger have always made me feel so much better, and so much less alone."
Question: Was Chapman interviewed for developing the movie?
Answer: Aside from two interviews with Larry King and Barbara Walters, both in 1992, he has not spoken with the media.

Problem: Background: Leonardo, nicknamed Leo, is a fictional character and one of the four main characters in Teenage Mutant Ninja Turtles comics and all related media. He is often depicted wearing a blue eye mask. His signature weapons are two katanas. Leonardo is the most serious, the most spiritual, the most disciplined, and the most in-line with Splinter's teachings and thoughts, and is the leader of the Turtles.
Context: In Teenage Mutant Ninja Turtles, Leonardo was fairly modest and sensitive, rarely issuing direct commands and seemingly much more relaxed around his brothers thinking of himself as more of an equal than a leader. It was he who first communicated telepathically with a kidnapped Splinter and seems the most anxious about Raphael's health after his ambush by the Foot Clan. He fought alongside his brothers against The Shredder in the climatic battle and was the only one of the four to actually injure The Shredder, but, like his brothers, could not defeat him. Due to the focus on Raphael in the film's plot, Leonardo's personality was rarely explored and his leader position in the team took a back seat. Leonardo was portrayed by David Forman and voiced by Brian Tochi. In The Secret of the Ooze, Leonardo was much more prominent and his leader position was brought to focus. He is seen on many occasions bickering with Raphael as their sibling rivalry begins to become much more serious. He, like his brothers, was astonished at the return of the Foot but he found that their current homelessness due to their last battle was a more pressing issue and soon he convinced his brothers that they needed to move. Leonardo is once again sensitive, caring, and humorous in this adaption but he now appears much more bossy and controlling. In Teenage Mutant Ninja Turtles III, after traveling back in time to feudal Japan, Leonardo leads his brothers to help a village in trouble from the villainous weapons trader, Walker, and to return home.
Question: What were the names of the Ninja Turtles?
Answer: Teenage Mutant Ninja Turtles,

Problem: Background: Alicia Christian "Jodie" Foster (born November 19, 1962) is an American actress, director, and producer. Foster began her professional career as a child model when she was three years old in 1965, and two years later she moved to acting in television series, when she debuted the sitcom Mayberry R.F.D. In the late 1960s and early 1970s, she worked in several primetime television series and starred in children's films. Foster's breakthrough came with Martin Scorsese's Taxi Driver (1976), in which she played a teenage prostitute and at the age of 14, received a nomination for the Academy Award for Best Supporting Actress.
Context: Foster's career began with an appearance as the Coppertone girl in a television advertisement in 1965, when she was only three years old. Her mother had originally intended only for her older brother Buddy to audition for the ad, but had taken Jodie with them to the casting call, where she was noticed by the casting agents. The television spot led to more advertisement work, and in 1968 to a minor appearance in the sitcom Mayberry R.F.D., in which her brother starred. In the following years Foster continued working in advertisements and appeared in over fifty television shows; she and her brother became the breadwinners of the family during this time. Although most of Foster's television appearances were minor, she had recurring roles in The Courtship of Eddie's Father (1969-1971) and Bob & Carol & Ted & Alice (1973), and starred opposite Christopher Connelly in the short-lived Paper Moon (1974), adapted from the hit film. Foster also appeared in films, mostly for Disney. After a role in the television film Menace on the Mountain (1970), she made her feature film debut in Napoleon and Samantha (1972), playing a girl who becomes friends with a boy, played by Johnny Whitaker, and his pet lion. She was accidentally grabbed by the lion on set, which left her with permanent scars on her back. Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972), the Western One Little Indian (1973), the Mark Twain adaptation Tom Sawyer (1973), and Martin Scorsese's Alice Doesn't Live Here Anymore (1974), in which she appeared in a supporting role as a "Ripple-drinking street kid". Foster has said she loved acting as a child, and values her early work for the experience it gave her: "Some people get quick breaks and declare, 'I'll never do commercials! That's so lowbrow!' I want to tell them, 'Well, I'm real glad you've got a pretty face, because I worked for 20 years doing that stuff and I feel it's really invaluable; it really taught me a lot.'"
Question: What did she do after Menace on the Mountain?
Answer:
), she made her feature film debut in Napoleon and Samantha (1972),