Problem: This review is like what?

Review:I haven't seen this movie in about 5 years, but it still haunts me.

When asked about my favorite films, this is the one that I seem to always mention first. There are certain films (works of art like this film, "Dark City", and "Breaking the Waves") that seem to touch a place within you, a place so protected and hidden and yet so sensitive, that they make a lifelong impression on the viewer, not unlike a life-changing event, such as the ending of a serious relationship or the death of a friend... This film "shook" me when I first saw it. It left me with an emotional hangover that lasted for several days.
+++++++++
A: positive

Problem: This review is like what?

Review:This has long been one of my favourite adaptations of an Austen novel. Although it is definitely not in the same category as the spectacular "Pride and Prejudice," "Emma" is a lush and relatively faithful TV version of Austen's novel -- especially considering its short length. The biggest change between the novel and the movie is a good one, as the unnecessary snobbishness that Austen exhibits at the end of the story is removed here and replaced with someone much more akin to Emma's character in the rest of the book. I thought the characters chosen to portray the roles were well-picked. Kate Beckinsale walks the fine line between girlishness and the social snob with a grace completely lost in Gwyneth Paltrow's '96 version. Samantha Morton's wispy blonde locks suit her attitude and character as the simper that accompanies her role in previous characterisations is replaced with the Harriet we know from the book. Mister Knightly's role is carried out extremely well in my opinion; both the seriousness and the gentle compassion that the hero is painted with in the novel are present here in this much-neglected, sumptuous film.
+++++++++
A: positive

Problem: This review is like what?

Review:This movie deserves credit for its original approach. It combines elements of theater, film, and epic storytelling. Unfortunately, it falls flat on all levels. The films biggest weakness is it's unwillingness to commit to anything; it has camp, moralistic, and epic elements without ever committing to any of them. As for the story itself, Chretien de Troyes is spinning in his grave at this horrible adaptation which turns the lovable, unbearably innocent Percival into a most ungallant and rude churl.

Most likely two types of people will see this, francophiles or Arthuriophiles. Speaking as one of the latter, I found the movie unwatchable and an incredibly shabby, disrespectful treatment of a beautiful story.
+++++++++
A:
negative