Question: Norman Percevel Rockwell (February 3, 1894 - November 8, 1978) was a 20th-century American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem

Rockwell's family moved to New Rochelle, New York, when Norman was 21 years old. They shared a studio with the cartoonist Clyde Forsythe, who worked for The Saturday Evening Post. With Forsythe's help, Rockwell submitted his first successful cover painting to the Post in 1916, Mother's Day Off (published on May 20). He followed that success with Circus Barker and Strongman (published on June 3), Gramps at the Plate (August 5), Redhead Loves Hatty Perkins (September 16), People in a Theatre Balcony (October 14), and Man Playing Santa (December 9). Rockwell was published eight times on the Post cover within the first year. Ultimately, Rockwell published 323 original covers for The Saturday Evening Post over 47 years. His Sharp Harmony appeared on the cover of the issue dated September 26, 1936; it depicts a barber and three clients, enjoying an a cappella song. The image was adopted by SPEBSQSA in its promotion of the art. Rockwell's success on the cover of the Post led to covers for other magazines of the day, most notably the Literary Digest, the Country Gentleman, Leslie's Weekly, Judge, Peoples Popular Monthly and Life magazine. When Rockwell's tenure began with The Saturday Evening Post in 1916, he left his salaried position at Boys' Life, but continued to include scouts in Post cover images and the monthly magazine of the American Red Cross. He resumed work with the Boy Scouts of America in 1926 with production of his first of fifty-one original illustrations for the official Boy Scouts of America annual calendar, which still may be seen in the Norman Rockwell Art Gallery at the National Scouting Museum in the city of Irving near Dallas, Texas. During World War I, he tried to enlist into the U.S. Navy but was refused entry because, at 140 pounds (64 kg), he was eight pounds underweight for someone 6 feet (1.8 m) tall. To compensate, he spent one night gorging himself on bananas, liquids and doughnuts, and weighed enough to enlist the next day. He was given the role of a military artist, however, and did not see any action during his tour of duty.

Using a quote from the above article, answer the following question: why did he stop painting
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Answer: During World War I, he tried to enlist into the U.S. Navy but was refused entry

Question: Henry Franklin Winkler was born on October 30, 1945 on the West Side of Manhattan, New York, the son of homemaker Ilse Anna Marie (nee Hadra; 1913-2002) and lumber company president Harry Irving Winkler (1903-1995). His parents were German Jews who emigrated from Berlin to the U.S. in 1939, on the eve of World War II. Winkler said that his parents came to the U.S. for a six-month business trip but knew they were never going back. His father smuggled the only assets the family had left (family jewels disguised as a box of chocolates) that he carried under his arm.

Winkler's audition for the Yale School of Drama was to be a Shakespeare monologue, which he promptly forgot, so he made up his own Shakespeare monologue. Out of a class of 25 actors, 11 finished. During summers, he and his classmates opened a summer stock theater called New Haven Free Theater, putting on various plays including Woyzeck, and an improv night. The company put on a production of The American Pig at the Joseph Papp Public Theater for the New York Shakespeare Festival in New York City. In June 1970, after graduating from Yale, Winkler was asked to be part of the Yale Repertory Theatre company, which included James Naughton and Jill Eikenberry. During his time there, Cliff Robertson, who had seen him perform in East Hampton, offered him a part in his film The Great Northfield Minnesota Raid. Winkler had to decline because he had no understudy for his current role, and thus was unable to leave. He stayed with the Yale Repertory Theatre for a year and a half. In 1971, Winkler got a job at the Arena Stage in Washington, D.C. to work on the play, Moonchildren, but was fired by director, Alan Schneider. In 1977, Winkler appeared in a TV special, "Henry Winkler Meets William Shakespeare," part of the CBS Festival of Lively Arts for Young People instructional series for children. With the assistance of Tom Aldredge as Shakespeare, Winkler, as himself, introduced an audience of children to Romeo and Juliet, The Taming of the Shrew, Hamlet, and Henry IV and explained to them how Shakespeare's plays were produced at the Globe Theatre in London in the 17th century. He also played Romeo in the scene from Romeo and Juliet in which Romeo slays Tybalt in a sword duel.

Using a quote from the above article, answer the following question: Where was that located?
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Answer:
New York City.