Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: 'The Matrix' was an exciting summer blockbuster that was visually fantastic but also curiously thought provoking in its 'Twilight Zone'-ish manner. The general rule applies here- and this sequel doesn't match up to its predecessor. Worse than that, it doesn't even compare with it.

'Reloaded' explodes onto the screen in the most un-professional fashion. In the opening few seconds the first impression is a generally good one as Trinity is shot in a dream. Immediately after that, the film nose-dives. After a disastrous first 45 minutes, it gradually gains momentum when they enter the Matrix and the Agent Smith battle takes place. But it loses itself all speed when it reaches the 14-minute car chase sequence and gets even worse at the big groan-worthy twist at the end. Worst of all is the overlong 'Zion Rave' scene. Not only does it have absolutely nothing to do with the plot, but it's also a pathetic excuse for porn and depressive dance music.

The bullet-time aspect of 'The Matrix' was a good addition, but in ''Reloaded' they overuse to make it seem boring. In the first one there were interesting plot turns, but here it is too linear to be remotely interesting. The movie is basically, just a series of stylish diversions that prevent us from realising just how empty it really is. It works on the incorrect principle that bigger is better. It appears that 'The Matrix' franchise has quickly descended into the special effects drenched misfire that other franchises such as the 'Star Wars' saga have.

The acting standard is poor for the most part. The best character of course goes to Hugo Weaving's 'Agent Smith'- the only one to be slightly interesting. Keanu Reeves is the definitive Neo, but in all the special effects, there is little room to make much of an impact. Academy Award Nominee Laurence Fishburne is reduced to a monotonous mentor with poor dialogue. Carrie Ann Moss' part as the action chick could have been done much better by any other actress.

A poor, thrown-together movie, 'The Matrix Reloaded' is a disappointment. Those who didn't like the first one are unlikely to flock to it. This one's for die-hard fans only. Even in the movie's own sub-genre of special effect bonanzas (Minority Report, The Matrix etc.) this is still rather poor. My IMDb rating: 4.5/10.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: Get ready for it: This is one of my favourite films of all time. I am relatively unaware of David Mamet's (writer and director) other works but after having watched this film half a dozen times(it's always a joy to watch), I can say without hesitation that he is a genius. This film is extremely well written, and quickly draws you in to its milieu of deceit, con-artistry and back room hustles. The feel of the film is very similar to The Sting (1973) and it also pays homage to film noir.

It's quite a psychologically complex film and will definitely get you thinking about the various plot twists and motives of the shady characters. It is slightly predictable at times but the shocking climax is always exciting to watch.

Generally, the acting is superb- especially Joe Mantegna- but someone who I watched the film with remarked to me that it's not a good idea to have a heroine (Lindsay Crouse) who is not only a gambler, a smoker and a thief but also sports a bad 80's hairdo. I agree, but I think she is nevertheless outstanding in the role.

The less you know about the plot of this film, the better, just like Mamet's most recent film, The Spanish Prisoner, because the ending will be even more impressive. Just sit back and be prepared to be taken for a ride by a movie that comes dangerously close to brilliance.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Incredibly intriguing and captivating, I found it impossible to turn away once I began to watch. I am usually one of the harshest critics but to me this film was just brilliant, strange as this may sound I could almost smell the air and feel the textures of the locations.

From a cinematographic I thought there was great use of light and texture. From the orange glow of the summer light, down to the plastic wrapped couch all had a distinct air of realism to me.

From a character perspective I thought the notion of Victor Vargas as almost the glue that connects the story was quite inspired, each of the other members of the family having a more complete background simply caused greater intrigue in the main character himself.

Beyond that, having known someone just like the grandmother and having been on the receiving end of just such a situation, I can say the situation felt particularly realistic. The awkwardness, the accent, the cooking and even down to the comments made felt so authentic to me.

I think this film worked for me because I began to watch it with no expectations and found it completely immersing and brought back memories of teenage emotion, well worth a watch.
Q: What's an example of a movie review?
An example of a movie review is here: From the opening scene aboard a crowded train where a ruthless pickpocket is at work (RICHARD WIDMARK) stealing from a woman's purse (JEAN PETERS), PICKUP ON SOUTH STREET is relentlessly fascinating to watch. Partly it's because the acting is uniformly strong from the entire cast, the B&W photography is crisp and adds to the starkness of the story and characters, and because Samuel Fuller's direction puts him in the same league with the biggies like John (ASPHALT JUNGLE) Huston. In fact, it has the same urgency as the Huston film about a heist that goes wrong--but the payoff is not quite as strong.

JEAN PETERS is excellent as the hard-edged girl whom Widmark describes as being "knocked around a lot". She gives a lot of raw energy and sex appeal to her role of the not too bright woman carrying a micro-film in her purse for her boyfriend (RICHARD KILEY), something the FBI already knows about. They're on her trail when the theft occurs.

THELMA RITTER adds realism to her portrait of a woman called "Moe" who buys and sells anything to make a profit and ends up paying for it with her life. She's particularly touching in her final scene with Kiley.

This one is guaranteed to hold your attention through its one hour and twenty minute running time. Good noir from Fox and notable for the performances of Widmark, Peters and Ritter.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer:
I don't know what that other guy was thinking. The fact that this movie was independently made makes it no less terrible. You can be as big a believer as you want... the majority of this film is mindless drivel. I feel i have been insulted by having to watch the first 40 minutes of it. And that alone was no small feat. Not only is the acting terrible, but the plot is never even close to developed. There are countless holes in the story, to the point where you can hardly even call it a story anymore. I've never read the book, so I can't critique on that, but this is the first review that I've written here and it's purpose is solely to save all you viewers out there an hour and a half of your life. I can't remember the last time I couldn't even finish watching a movie. This one really takes the cake.