input: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, with whom keyboardist Gregg Rolie could share lead vocal duties. The band hired Robert Fleischman and transitioned to a more popular style, akin to that of Foreigner and Boston. Journey went on tour with Fleischman in 1977 and together the new incarnation of the band wrote the hit "Wheel in the Sky"; however, management differences resulted in Fleischman leaving within the year. In late 1977, Journey hired Steve Perry as their new lead singer. Herbie Herbert, the band's manager, also hired Roy Thomas Baker as a producer to add a layered sound approach as Baker had done with his previous band, Queen. With their new lead singer and talented new producer, Journey released their fourth album, Infinity (1978). This album set Journey on their road to stardom with their first RIAA-certified platinum album. This album, with their hit song "Wheel in the Sky" (#57 U.S.), set Journey on a new path with a more mainstream sound to make their highest chart success to date. In late 1978, manager Herbie Herbert fired drummer Aynsley Dunbar, who joined Bay Area rivals Jefferson Starship shortly thereafter. He was replaced by Berklee-trained jazz drummer Steve Smith. Perry, Schon, Rolie, Smith and Valory recorded Evolution (1979), which gave the band their first Billboard Hot 100 Top 20 single, "Lovin', Touchin', Squeezin'" (#16); and Departure (1980), which reached No. 8 on the album charts. Journey's newfound success brought the band an almost entirely new fan base. During the 1980 Departure world tour, the band recorded a live album, Captured. Keyboardist Gregg Rolie then left the band, the second time in his career he left a successful act. Keyboardist Stevie "Keys" Roseman was brought in to record the lone studio track for Captured, "The Party's Over (Hopelessly in Love)," but Rolie recommended pianist Jonathan Cain of The Babys as the permanent replacement. With Cain's replacement of Rolie's Hammond B-3 organ with his own synthesizers, the band was poised for a new decade in which they would achieve their greatest musical success.

Answer this question "Why did they change their musical direction?"
output: Journey's album sales did not improve and Columbia Records requested that they change their musical style and add a frontman, with whom keyboardist Gregg Rolie could share lead vocal duties.

input: After finishing school, Springfield sang with Tom in local folk clubs. In 1957 the pair worked together at holiday camps. The following year Springfield responded to an advertisement in The Stage to join The Lana Sisters, an "established sister act", with Iris 'Riss' Long (aka Riss Lana, Riss Chantelle) and Lynne Abrams (not actually sisters). She had changed her name to Shan, and "cut her hair, lost the glasses, experimented with makeup, fashion" to become one of the 'sisters'. As a member of the pop vocal trio, Springfield developed skills in harmonising and microphone technique and recorded, performed on TV, and played at live shows in the United Kingdom and at United States Air Force bases in continental Europe. In 1960, Springfield left The Lana Sisters and formed a pop-folk trio, The Springfields, with Tom and Reshad Feild (both ex-The Kensington Squares), who was replaced by Mike Hurst in 1962. The trio chose their name while rehearsing in a field in Somerset in the springtime and took the stage names of Dusty, Tom, and Tim Springfield. Intending to make an authentic US album, the group travelled to Nashville, Tennessee, to record Folk Songs from the Hills. The local music that Springfield heard during this visit, in particular "Tell Him," helped turn her style from folk and country towards pop music rooted in rhythm and blues. The band was voted the "Top British Vocal Group" by the New Musical Express poll in 1961 and 1962. During early 1963, The Springfields recorded their last UK Top 5 hit, "Say I Won't Be There". The group appeared on ITV Associated Rediffusion's popular music TV series Ready Steady Go!. Springfield left the band after their final concert in October 1963. After the Springfields disbanded, Tom continued songwriting and producing for other artists, including Australian folk-pop group The Seekers, mid-1960s hits "I'll Never Find Another You" and "The Carnival is Over" (lyrics only), and he co-wrote their "Georgy Girl". He also wrote additional tracks for Springfield and released his own solo material.

Answer this question "What happened in 1958?"
output: In 1957 the pair worked together at holiday camps. The following year Springfield responded to an advertisement

input: Juan Carlos's accession met with relatively little parliamentary opposition. Some members of the Movimiento Nacional voted against recognising him, and more against the 1976 Law for Political Reform. But even most Movimiento members supported both measures. Juan Carlos quickly instituted reforms, to the great displeasure of Falangist and conservative (monarchist) elements, especially in the military, who had expected him to maintain the authoritarian state. In July 1976, Juan Carlos dismissed prime minister Carlos Arias Navarro, who had been attempting to continue Francoist policies in the face of the king's attempts at democratisation. He instead appointed Adolfo Suarez, a former leader of the Movimiento Nacional, as prime minister, who would go on to win the following year's election and become the first democratically elected leader of the new regime. Further legitimacy was restored to Juan Carlos's position on 14 May 1977, when his father (whom many monarchists had recognized as the legitimate, exiled King of Spain during the Franco era) formally renounced his claim to the throne and recognized his son as the sole head of the Spanish Royal House, transferring to him the historical heritage of the Spanish monarchy, thus making Juan Carlos both de facto and de jure king in the eyes of the traditional monarchists. On 20 May 1977, the leader of the only recently legalized Spanish Socialist Workers' Party (PSOE), Felipe Gonzalez, accompanied by Javier Solana, visited Juan Carlos in the Zarzuela Palace. The event represented a key endorsement of the monarchy from Spain's political left, who had been historically republican. Left-wing support for the monarchy grew when the Communist Party of Spain was legalized shortly thereafter, a move Juan Carlos had pressed for, despite enormous right-wing military opposition at that time, during the Cold War. On 15 June 1977, Spain held its first post-Franco democratic elections. In 1978, the government promulgated a new constitution that acknowledged Juan Carlos as rightful heir of the Spanish dynasty and king; specifically, Title II, Section 57 asserted Juan Carlos's right to the throne of Spain by dynastic succession in the Bourbon tradition, as "the legitimate heir of the historic dynasty" rather than as the designated successor of Franco. The Constitution was passed by the democratically elected Constituent Cortes, ratified by the people in a referendum (6 December) and then signed into law by the King before a solemn meeting of the Cortes.

Answer this question "How did Carlos help restore the monarchy?"
output:
measures. Juan Carlos quickly instituted reforms, to the great displeasure of Falangist and conservative (monarchist) elements, especially in the military,