Problem: What is the answer for the question: What building did Giovanni Battista Barbirolli make his cello concerto debut at? from the following article ? Giovanni Battista Barbirolli was born in Southampton Row, Holborn, London, the second child and eldest son of an Italian father and a French mother. He was a British national from birth, and as Southampton Row is within the sound of Bow Bells, Barbirolli always regarded himself as a Cockney. His father, Lorenzo Barbirolli (18641929), was a Venetian violinist who had settled in London with his wife, Louise Marie, nee Ribeyrol (18701962). Lorenzo and his father had played in the orchestra at La Scala, Milan, where they had taken part in the premiere of Otello in 1887. In London they played in West End theatre orchestras, principally that of the Empire, Leicester Square. The young Barbirolli began to play the violin when he was four, but soon changed to the cello. He later said that this was at the instigation of his grandfather who, exasperated at the child's habit of wandering around while practising the violin, bought him a small cello to stop him from "getting in everybody's way". His education at St. Clement Danes Grammar School overlapped, from 1910, with a scholarship at Trinity College of Music. As a Trinity student, he made his concert debut in a cello concerto in the Queen's Hall in 1911. The following year he won a scholarship to the Royal Academy of Music, which he attended from 1912 to 1916, studying harmony, counterpoint and theory under Dr. J. B. McEwen and the cello with Herbert Walenn. In 1914 he was joint winner of the academy's Charles Rube Prize for ensemble playing, and in 1916 The Musical Times singled him out as "that excellent young 'cello player, Mr Giovanni Barbirolli." The principal of the Academy, Sir Alexander Mackenzie, had forbidden students to play the chamber music of Ravel, which he regarded as "a pernicious influence". Barbirolli was keenly interested in modern music, and he and three colleagues secretly rehearsed Ravel's String Quartet in the privacy of a men's lavatory in the Academy.From 1916 to 1918 Barbirolli was a freelance cellist in London. He recalled, "My first...

A: Queen's Hall
Problem: Given the question: What is the answer for the question: Who renewed a truce with the Barons of Acre? from the following article ? Without support from the Europeans, some Franks in Outremer, particularly the Knights Hospitaller of the fortress of Marqab, and to some extent the Franks of Cyprus and Antioch, attempted to join in combined operations with the Mongols in 12801281. The death of the Egyptian leader Baibars in 1277 led to disorganization in the Muslim territories, making conditions ripe for a new action by other factions in the Holy Land. The Mongols seized the opportunity, organized a new invasion of Syria, and in September 1280 occupied Bagras and Darbsak, followed by Aleppo on October 20. The Mongol leader Abaqa, taking advantage of his momentum, sent envoys to Edward I of England, the Franks of Acre, King Hugh of Cyprus, and Bohemond VII of Tripoli (son of Bohemond VI), requesting their support for the campaign. But the Crusaders were not organized enough themselves to be of much help. In Acre, the Patriarch's Vicar replied that the city was suffering from hunger, and that the king of Jerusalem was already embroiled in another war. Local Knights Hospitaller from Marqab (in the area which had previously been Antioch/Tripoli) were able to make raids into the Beqaa Valley, as far as the Mamluk-held Krak des Chevaliers in 1280 and 1281. Hugh and Bohemond of Antioch mobilized their armies, but their forces were prevented from joining those of the Mongols by Baibars' successor, the new Egyptian Sultan Qalawun. He advanced north from Egypt in March 1281, positioned his own army between the Franks and Mongols, and then further divided the potential allies by renewing a truce with the Barons of Acre on May 3, 1281, extending it for another ten years and ten months (a truce he would later breach). He also renewed a second 10-year truce with Bohemond VII of Tripoli on July 16, 1281, and affirmed pilgrim access to Jerusalem.In September 1281 the Mongols returned, with 50,000 of their own troops, plus 30,000 others including Armenians under Leo III, Georgians, and 200 Knights Hospitaller from Marqab, who sent a contingent even though...
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The answer is:
Egyptian Sultan Qalawun
[Q]: What is the answer for the question: What is the last name of the person who claims they have always found inspiration in the calm beauty of Scotland? from the following article ? Paul McCartney said he came up with the title "The Long and Winding Road" during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road "stretching up into the hills" in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction of his personal life, as well as a nostalgic look back at the Beatles' history. McCartney recalled: "I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration."Once back in London, McCartney recorded a demo version of "The Long and Winding Road" during one of the recording sessions for The Beatles. Later, he offered the song to Tom Jones on the condition that the singer release it as his next single. In Jones' recollection, he was forced to turn it down since his record company were about to issue "Without Love" as a single.The song takes the form of a piano-based ballad, with conventional chord changes. McCartney described the chords as "slightly jazzy" and in keeping with Charles' style. The song's home key is E-flat major but it also uses the relative C minor. Lyrically, it is a sad and melancholic song, with an evocation of an as-yet unrequited, though apparently inevitable, love. In an interview in 1994, McCartney described the lyric more obliquely: "It's rather a sad song. I like writing sad songs, it's a good bag to get into because you can actually acknowledge some deeper feelings of your own and put them in it. It's a good vehicle, it saves having to go to a psychiatrist."The opening theme is repeated throughout. The...
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[A]:
McCartney