input: Please answer the following: The answer to the question: What is the name of the person that informs Lady Jean she is free to remarry? is inside the article: The story opens with Linet chasing something she believes to be an elf fairy. Meanwhile, a Wolf tracks her. Linet climbs a tree over a river and nearly falls. She calls for help. but recovers and makes it back to land. As she senses the Wolf watching her, she is discovered by a woodsman, Peter, who scolds her for being foolish. As they walk back, Peter asks Linet why she can't stay home and be a good little girl. Linet answers how good little girls hardly ever see the world (Lost in the Woods). When they arrive at the house, Lady Jean raises an eyebrow at Linet's disheveled condition. Linet apologizes, but tells her mother how she came close to actually seeing an elf; and if she doesn't look, then she'll never know for sure. As Lady Jean sends her inside to change, Peter comments to her how Linet is growing up and shows no fear. They then talk about how when her husband, Lord Percival, was in the castle, there was no danger. But since Percival's disappearance, his evil twin brother, Lord Godfrey, has taken over, and no one in the castle is safe, which is why Jean and Linet live in the country. As Jean stands, she suddenly sees Godfrey approaching, and Peter leaves. Godfrey notes to Jean that today was the day her husband went off to war, and it has been seven years since, meaning that she is legally free to remarry. He sternly implores that it is the right thing for Jean to marry him, but Jean flatly refuses and explains she still loves Percival. Godfrey wonders, as Percival's exact twin, how Jean could not love him when it is clear she doesn't. He offers her riches and beauty, by proposing to enable her to resume her role as lady of the castle, but she refuses. Godfrey loudly proclaims that, as far as he is concerned, she is the only candidate for lady of the castle, meaning that she WILL be his wife., can you guess it ?
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output: Lord Godfrey

input: Please answer the following: The answer to the question: Who became influential members of the Sydney Art Group? is inside the article: Bellette and Haefliger returned to Australia just before the outbreak of World War II. Shortly after her arrival, Bellette held an exhibition at Sydney's Macquarie Galleries. The couple became influential members of the Sydney Art Group, a network of "fashionable" moderns whose membership included William Dobell and Russell Drysdale. Bellette painted and held regular shows "a solo show every second year and a group show every year at the Macquarie Galleries". Her husband served as art critic for The Sydney Morning Herald for a decade and a half.In 1942, Bellette won the Sir John Sulman Prize with For Whom the Bell Tolls. She won it again in 1944 with her painting Iphigenia in Tauris, inspired by Euripides' play. The composition is set in a dry, open landscape, with several riders on horses whose appearance suggests "the Australian present, rather than Greek antiquity". The judge awarding the prize actually preferred another of her entries, Electra, depicting the sister of Iphigenia also prominent in Greek tragedy but it failed to meet the size requirements. Both Iphigenia in Tauris and Electra were among the many works created by Bellette in the 1940s that were inspired by the tragedies of Euripides, Sophocles and Homer. Her choice of subject matter and approach placed her at odds with mainstream modernism, while she seemed to shun explicit links between the classical and the Australian. Bellette reasoned that she preferred to choose her palette and the spatial arrangements of her compositions to evoke a place's atmosphere. Critics identified the influence of European modernists Aristide Maillol and Giorgio de Chirico, as well as Italian Quattrocento painters Masaccio and Piero della Francesca, about some of whom Bellette wrote articles in the journal Art in Australia.The most distinctive feature of the artist's work was this choice of classical subjects. In 1946, Bellette's paintings were hung in at least four separate exhibitions. Reviewers commented on her synthesis of "the impulsiveness of romanticism..., can you guess it ?
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output: Bellette

input: Please answer the following: The answer to the question: What is the title of the man that proposed a strategy that involved the Mediterranean being abandoned? is inside the article: The 1919 plans incorporated a Mobile Naval Base Defence Organisation (MNBDO) which could develop and defend a forward base. The MNBDO had a strength of 7,000 and included a brigade of antiaircraft artillery, a brigade of coastal artillery and a battalion of infantry, all drawn from the Royal Marines. In one paper exercise, the Royal Marines occupied Nakagusuku Bay unopposed and the MNBDO developed a major base there from which the fleet blockaded Japan. Actual fleet exercises were conducted in the Mediterranean in the 1920s to test the MNBDO concept. However, the Royal Marines were not greatly interested in amphibious warfare, and lacking organisational backing, the techniques and tactics of amphibious warfare began to atrophy. By the 1930s the Admiralty was concerned that the United States and Japan were well ahead of Britain in this field and persuaded the Army and RAF to join with it in establishing the Inter-Service Training and Development Centre, which opened in July 1938. Under its first commandant, Captain Loben Edward Harold Maund, it began investigating the problems of amphibious warfare, including the design of landing craft.Nor was this the only field in which the Royal Navy was lagging in the 1930s. In the 1920s, Colonel the Master of Sempill led the semi-official Sempill Mission to Japan to help the Imperial Japanese Navy establish an air arm. At the time the Royal Navy was the world leader in naval aviation. The Sempill mission taught advanced techniques such as carrier deck landing, conducted training with modern aircraft, and provided engines, ordnance and technical equipment. Within a decade, Japan had overtaken Britain. The Royal Navy pioneered the armoured flight deck, which enabled carriers to absorb damage, but resulted in limiting the number of aircraft that a carrier could operate. The Royal Navy had great faith in the ability of ships' antiaircraft batteries, and so saw little need for high performance fighters. To maximise the benefit of the small numbers of aircraft that could be..., can you guess it ?
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output:
Minister for Coordination of Defence