Some context: John Aloysius Fahey (February 28, 1939 - February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been greatly influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate classical, Portuguese, Brazilian, and Indian music into his oeuvre.
During the later years of his life, Fahey painted a series of abstract paintings. Many of these were exhibited from July 10 - September 12, 2010, at The East Village, New York, presented by John Andrew and Audio Visual Arts (AVA). The exhibit featured 55 paintings, ranging in size from 6.75" by 9" to 22" by 29". The "sale sheet" for the exhibit listed prices from $750 for smaller works to $3,000 for the large paintings. The paintings were either framed or unframed. Audio Visual Arts describes Fahey's paintings as follows: Pulling inspiration from the 'French Primitive', untutored painters, Fahey often referred to his music as 'American Primitive. The same alluring, raw, roots, mysterious, power, grit, obscure, industrial, ambient, epic, and tranquilizing aesthetics that one finds in Faheys music and his writings are equally present in his paintings. The 90s proved to be a decade of regeneration for Fahey. Though he struggled with certain health problems, he was brimming with experimentation. Collaborating with noise artists and improvisational performers of the alternative movement, Fahey began to channel a new outlet for experimentation which included his return to painting; a hobby he abandoned when he took up the guitar. Fahey's works are evocative of action painters and abstract expressionists. He painted on found poster board and discarded spiral notebook paper. His painting studio floated from motel bed to motel bed and eventually ended up on the bed of his rental home in Salem, OR; occasionally painting with anti-freeze in the garage. He worked with tempera, acrylic, spray paint, and magic marker. Several of Fahey's paintings were sold on eBay by Michael R. Karn (Balcony Books and Music, Eugene, Oregon) in July 2001. Karn attested "John brought [these paintings] into the used book store I owned and operated, Balcony Books, located at 108 SW Third Street in Corvallis, Oregon, in December of 1998. John had been shopping and trading with me for several years. I originally became acquainted with him several years earlier when I operated a similar store in Salem, Oregon, where John lived at the time. John often brought in books or records he had scouted, and exchanged them for books and records from our stock. He also generously signed several records and posters from my personal collection for me, and even performed a couple of in-store concerts." Karn said he received several paintings "directly from John in exchange for a large collection of Duke Ellington records which I had recently obtained. He had recently taken up painting as a creative outlet. He was aware the paintings could be sold some day, even though he himself would not sell his paintings, but he understood the nature of the used book and record business, and gave his blessing to me to sell them in the store if I wished. I never did sell a painting in store, but recently [sold several] through auction at ebay."
wbat was the painting of?
A: The same alluring, raw, roots, mysterious, power, grit, obscure, industrial, ambient, epic, and tranquilizing

Some context: Allan Robert Border AO (born 27 July 1955) is a retired Australian cricketer. A batsman, Border was for many years the captain of the Australian team. His playing nickname was "A.B.". He played 156 Test matches in his career, a record until it was passed by fellow Australian Steve Waugh.
In 1981, Border made his first Ashes tour and scored a half-century in each of the first two Tests. "Border alone of the established players came through with reputation enhanced"; in the Fifth Test at Old Trafford when he batted with a fractured left finger. He reached a century in 377 minutes, the slowest Test hundred by an Australian, and remained unbeaten on 123 as Australia lost the match. In the final Test at The Oval, Border scored 106 not out and 84. During this latter sequence, he defied the English bowlers for more than 15 hours to score 313 runs before he was dismissed. Overall, he totalled 533 (at 59.22); this prompted Sir Leonard Hutton to call him the best left-handed batsman in the world and resulted in his selection as one of the Wisden Cricketers of the Year in 1982. Border's 1981-82 season was mixed. Against Pakistan, he made only 84 runs in three Tests, but against the West Indies, he scored a century and three half-centuries in 336 runs (at 67.20) to help Australia draw the series. On the tour of New Zealand, his three Tests brought only 44 runs at 14.67. After having the winter off, Border returned to Pakistan but was unable to repeat his performances of two years earlier. He scored 118 runs at 23.60 as Pakistan won all three Tests. After failing in the first three Tests of the 1982-83 Ashes series, Border's place in the Australian team was in jeopardy as Australia led the series 2-0. Border's effort in Australia's loss in the Fourth Test at the MCG is one of his best remembered Test innings. Australia had lost nine wickets and required 74 runs to win when Jeff Thomson joined Border at the crease. 18,000 spectators attended the final day's play as the pair slowly accumulated runs, before a juggling catch dismissed Thomson three runs short of the target. Border then scored pair of 80s in the Fifth Test to secure a drawn match and Australia regained the Ashes. His figures were 317 runs at 45.28 average.
Did he win any awards?
A:
resulted in his selection as one of the Wisden Cricketers of the Year in 1982.