Problem: Manorialism was an essential element of feudal society. It was the organizing principle of rural economy that originated in the Roman villa system of the Late Roman Empire, and was widely practiced in medieval western and parts of central Europe. It was slowly replaced by the advent of a money-based market economy and new forms of agrarian contract. Manorialism was characterised by the vesting of legal and economic power in a Lord of the Manor, supported economically from his own direct landholding in a manor (sometimes called a fief), and from the obligatory contributions of a legally subject part of the peasant population under the jurisdiction of himself and his manorial court.

The term is most often used with reference to medieval Western Europe. Antecedents of the system can be traced to the rural economy of the later Roman Empire (Dominate). With a declining birthrate and population, labor was the key factor of production. Successive administrations tried to stabilise the imperial economy by freezing the social structure into place: sons were to succeed their fathers in their trade, councilors were forbidden to resign, and coloni, the cultivators of land, were not to move from the land they were attached to. The workers of the land were on their way to becoming serfs. Several factors conspired to merge the status of former slaves and former free farmers into a dependent class of such coloni: it was possible to be described as servus et colonus, "both slave and colonus". Laws of Constantine I around 325 both reinforced the semi-servile status of the coloni and limited their rights to sue in the courts; the Codex Theodosianus promulgated under Theodosius II extended these restrictions. The legal status of adscripti, "bound to the soil", contrasted with barbarian foederati, who were permitted to settle within the imperial boundaries, remaining subject to their own traditional law. As the Germanic kingdoms succeeded Roman authority in the West in the fifth century, Roman landlords were often simply replaced by Germanic ones, with little change to the underlying situation or displacement of populations. The process of rural self-sufficiency was given an abrupt boost in the eighth century, when normal trade in the Mediterranean Sea was disrupted. The thesis put forward by Henri Pirenne, while disputed widely, supposes that the Arab conquests forced the medieval economy into even greater ruralization and gave rise to the classic feudal pattern of varying degrees of servile peasantry underpinning a hierarchy of localised power centers.

What other effects did manoralism have?

Answer with quotes: With a declining birthrate and population, labor was the key factor of production.

Problem: Dick was born on December 21, 1965 in Charleston, South Carolina. He was adopted at birth by Allen and Sue Dick, and named Andrew Roane Dick. He was brought up Presbyterian. His father was in the Navy, As a child, he spent time living with his family in Connecticut, Pennsylvania, New York, and Yugoslavia before moving to Chicago in 1979.

One of his earliest film roles was a fictional version of himself the film adaptation of video game Double Dragon. In 1993, Dick played himself in the mockumentary The Making of... And God Spoke. He also starred alongside MTV comedian Pauly Shore in the 1994 war comedy film In the Army Now. In 1997, Dick had a supporting role alongside Luke Wilson and Jack Black in Bongwater, as Luke Wilson's gay friend who gives him a place to stay after his house burns to the ground. In 1999, Dick played a warm-hearted yet cowardly scientist that helped Dr. Claw in the movie Inspector Gadget. In 2000, he made a cameo role in the motion picture Dude, Where's My Car?. That same year, he also appeared in the teenage comedy film Road Trip, playing a motel clerk. In 2001, Dick made a cameo in Ben Stiller's comedy Zoolander as Olga the Masseuse (Dick also made a cameo in Stiller's directorial debut, Reality Bites, back in 1994). In 2002, he was featured in the band Ash's music video "Envy" as a taxi cab driver. In 2003, he appeared in Will Ferrell's Old School as a gay sex education teacher, and as a villainous Santa in the movie The Hebrew Hammer. In 2005, Dick was featured in the documentary The Aristocrats. In 2006, he appeared in the film Employee of the Month as Lon, the optician who is strongly nearsighted. He also provided the voice Mombo in 2007's Happily N'Ever After and the voice of Boingo in Hoodwinked!. His feature film directing debut was the 2006 film Danny Roane: First Time Director. In late December 2008, Dick announced on his official website that he had finished writing a script for a film starring his alter-ego Daphne Aguilera titled, Daphne Aguilera: Get Into It.

Did he direct it?

Answer with quotes:

Problem: Robert Anson Heinlein (; July 7, 1907 - May 8, 1988) was an American science fiction writer. Often called the "dean of science fiction writers", his sometimes controversial works continue to have an influential effect on the genre, and on modern culture more generally. Heinlein became one of the first American science fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered the "Big Three" of English-language science fiction authors.

Heinlein decisively ended his juvenile novels with Starship Troopers (1959), a controversial work and his personal riposte to leftists calling for President Dwight D. Eisenhower to stop nuclear testing in 1958. "The "Patrick Henry" ad shocked 'em," he wrote many years later. "Starship Troopers outraged 'em." Starship Troopers is a coming-of-age story about duty, citizenship, and the role of the military in society. The book portrays a society in which suffrage is earned by demonstrated willingness to place society's interests before one's own, at least for a short time and often under onerous circumstances, in government service; in the case of the protagonist, this was military service. Later, in Expanded Universe, Heinlein said that it was his intention in the novel that service could include positions outside strictly military functions such as teachers, police officers, and other government positions. This is presented in the novel as an outgrowth of the failure of unearned suffrage government and as a very successful arrangement. In addition, the franchise was only awarded after leaving the assigned service, thus those serving their terms--in the military, or any other service--were excluded from exercising any franchise. Career military were completely disenfranchised until retirement. The name Starship Troopers was licensed for an unrelated, B movie script called Bug Hunt at Outpost Nine, which was then retitled to benefit from the book's credibility. The resulting film, entitled Starship Troopers (1997), which was written by Ed Neumeier and directed by Paul Verhoeven, had little relationship to the book, beyond the inclusion of character names, the depiction of space marines, and the concept of suffrage earned by military service. Fans of Heinlein were critical of the movie, which they considered a betrayal of Heinlein's philosophy, presenting the society in which the story takes place as fascist. Likewise, the powered armor technology that is not only central to the book, but became a standard subgenre of science fiction thereafter, is completely absent in the movie, where the characters use World War II-technology weapons and wear light combat gear little more advanced than that. In Verhoeven's movie of the same name, there is no battle armor. Verhoeven commented that he had tried to read the book after he had bought the rights to it, in order to add it to his existing movie. However he read only the first two chapters, finding it too boring to continue. He thought it was a bad book and asked Ed Neumeier to tell him the story because he couldn't read it.

was it successful?

Answer with quotes:
failure of unearned suffrage government and as a very successful arrangement. In addition, the franchise