In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: robert benton has assembled a stellar , mature cast for his latest feature , twilight , a film noir mystery set amid the fading stars of hollywood .
paul newman stars as retired detective harry ross .
harry has spent the last couple of years doing odd jobs for jack and catherine ames ( gene hackman and susan sarandon ) , a pair of married actors who have fallen from the limelight .
when jack sends him on a routine delivery job , however , the old instincts kick in .
soon , harry is wading through a mystery where friendships and lives are on the line , and he no longer knows who to trust .
there are plenty of familiar faces throughout twilight , in addition to newman , hackman and sarandon .
james garner plays raymond hope , a former cop and one of harry 's best friends .
stockard channing plays verna , harry 's former partner , and possibly a former love interest .
reese witherspoon is mel , the distrustful daughter of the ames ' , and liev schrieber is her scuzzy boyfriend .
giancarlo esposito appears as harry 's bumbling detective protigi , and john spencer is a suspicious police captain .
with a cast like that , it 's almost worth watching twilight just to stargaze .
luckily , there 's more to the film than some sort of actor 's recognition ceremony .
twilight has a solid film noir - ish plot .
it may not have as many twists and turns as some of the classics , but it has much more than a lot of what passes for film these days .
the major cast members all deliver strong performances , as can be expected of their caliber .
however , none of them have that little extra oomph which would make them memorable .
the supporting cast is enjoyable , if a little underdrawn .
stockard channing 's character , in particular , is a cipher .
there 's more to her character than the film takes the time to describe .
it 's a minor , but irritating , flaw .
with a solid cast , and a good plot
, there 's a lot to recommend about twilight .
it 's biggest flaw is actually its short running time .
at a slim 94 minutes , there 's a lot of stuff that 's packed into an awfully small package .
still , the chance to see newman , sarandon and hackman working together is worth a cramp or two .
[EX A]: P

[EX Q]: an entertaining 2 hours awaits the audience in this film set in the early 80 's . sevigny and beckinsale play disco chicks alice and charlotte , who are on the lookout for love .
alice is mousy , shy , intellectual , charlotte is bitchy , out - going and fun .
we join their adventures as they go through a variety of adventures , and men , all to the background of the local disco .
whit stillman has both written and directed an interesting and believable story .
alice and charlotte are both well written characters , and the actresses who play them are n't bad aswell .
sevigny delivers an honest performance , and makes the audience feel for her character .
beckinsale plays extreme bitch personified , yet her character never becomes completely unlikeable .
the huge supporting cast also play a part in making sure this movie is thoroughly entertaining .
the dialogue is sharp and well written ,
with many funny set pieces .
for example , there 's a great discussion about lady & the tramp by the main characters .
the disco tunes playing in the background also make sure that this admittedly long film is good fun .
the direction is good , bringing out the drama and comedy in the scenes .
but their are slight flaws with the movie .
firstly , although it is supposedly set in the 80 's , the characters are very , very 90 's .
the way they dress and act have a very 90 's feel to them .
although the male hairstyles look slightly 80 's , frankly the 80 's atmosphere just was n't conveyed , which is a shame .
also , as mentioned above , the film is too long , and some parts do lag .
the charm of the characters do help these moments , but generally the editing could of been a bit tighter .
the plot also side - tracks into a silly cocaine dealing bust , which seemed out of place in this movie .
finally , their are almost too many characters in the film , and despite the running time , the film never really spends enough time on them .
some of the characters are very slight , which is a shame .
the conclusion , while funny , is also surprisingly weak , and certainly not strong enough . but despite these qualms , the last days of disco is a funny , warm movie , which is certainly worth seeing , and is a fitting homage to the disco era of the 80 's . worth a look .
overall rating= review by david wilcock ?
1998
" you know , for kids " - norville barnes
[EX A]: P

[EX Q]: you 've seen this moment before , recently : a particularly troubled character senses danger of the paranormal kind when the room temperature inexplicably plummets to below freezing .
the difference is that when it happens to lili taylor 's nell in the haunting , we do n't care .
the hero of the sixth sense , a young boy named cole , is a rich creation , and we wish nothing more than for the ghosts who haunt him to take a hike .
the seasons have changed since an ex - patient shot jaded child psychologist malcolm crowe ( willis ) in the comfort of his own bedroom .
desperate to get his career back on track , even at the expense of his crumbling marriage ( to williams , of rushmore )
, malcolm councils the deeply troubled cole ( osment ) .
the preteen displays all the quirks of malcolm 's would - be killer :
scars on his body ; antisocial behaviour ; and the reluctance to reveal a big secret .
only after cole is locked in a closet by some bullies ( and hospitalized as a result ) does he divulge to malcolm , in a spine - tingling scene , that he sees dead people walking among us , all the time .
malcolm assumes , and given his profession , reasonably so , that cole is schizophrenic , not psychic , but the sincerity in cole 's anguished confession prevents the doctor from taking drastic measures .
he will instead pursue the supernatural angle , becoming a kind of surrogate father to cole ( who lives with his single mother , lynn ( collette ) ) in the process .
the sixth sense has more in common with ghost than poltergeist .
( though shyamalan does , somewhat unforgiveably , crib the self - rearranging kitchen business from the latter . )
it 's far more heartwarming than frightening , and the film would be none the worse for wear without its few pulp shocks .
cole attracts the dead for reasons unknown , but they 're not out to harm him , really - they just want to be heard , even if it means scaring the bejesus out of the innocent gradeschooler .
perhaps the apparitions seem more ghastly to us , at first , than they really are because we 're looking at the situation through the eyes of an eight - year - old .
that 's right : willis , for the first time in years , gives up the spotlight to his costar .
we appreciate malcolm 's domestic dilemma , but we identify with cole , recalling our fears of the bogeyman or the closet monster or the thing under the bed .
both actors deliver immensely likable performances , and their dynamic is manifest .
willis convinces us that he 's a doctor , something he was unable to do as a horndog shrink in the overheated color of night .
osment is phenomenal , a true professional who resists mugging for the camera like some child stars with too much experience in television commercials do .
the sixth sense ( atmospherically shot by the silence of the lambs ' cinematographer , tak fujimoto ) is actually a drama - its spooky , effective ad campaign is misleading .
only because i was expecting something different
did i notice - rather , feel - the movie 's running time , which is just shy of two hours .
the story unfurls slowly but engrossingly ; its unexpected finish is definitely worth the wait .
i 'm not sure said big twist ending is bulletproof , but i admired its audacity .
[EX A]:
P