input: By 1830, 15.11% of the colonies' total population were Scots, which increased by the middle of the century to 25,000, or 20-25% of the total population. The Australian Gold Rush of the 1850s provided a further impetus for Scottish migration: in the 1850s 90,000 Scots immigrated to Australia, far more than other British or Irish populations at the time. Literacy rates of the Scottish immigrants ran at 90-95%. By 1860, Scots made up 50% of the ethnic composition of Western Victoria, Adelaide, Penola and Naracoorte. Other settlements in New South Wales included New England, the Hunter Valley and the Illawarra. Much settlement followed the Highland Potato Famine, Highland Clearances and the Lowland Clearances of the mid-19th century. In the 1840s, Scots-born immigrants constituted 12% of the Australian population. Out of the 1.3 million migrants from Britain to Australia in the period from 1861-1914, 13.5% were Scots. Just 5.3% of the convicts transported to Eastern Australia between 1789 and 1852 were Scots. A steady rate of Scottish immigration continued into the 20th century and substantial numbers of Scots continued to arrive after 1945. From 1900 until the 1950s, Scots favoured New South Wales, as well as Western Australia and Southern Australia. A strong cultural Scottish presence is evident in the Highland Games, dance, Tartan Day celebrations, clan and Gaelic-speaking societies found throughout modern Australia. According to the 2011 Australian census, 130,204 Australian residents were born in Scotland, while 1,792,600 claimed Scottish ancestry, either alone or in combination with another ancestry. This is the fourth most commonly nominated ancestry and represents over 8.9% of the total population of Australia.

Answer this question "what language did they speak until the 13th century?"
output:

input: In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks. Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage. Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968. The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix. Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).

Answer this question "What other characters were involved?"
output: spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade.

input: Tierney had reportedly started smoking after a screening of her first movie to lower her voice, because she felt, "I sound like an angry Minnie Mouse." She subsequently became a heavy smoker. With difficult events in her personal life, Tierney struggled for years with episodes of manic depression. In 1943, she gave birth to a daughter, Daria, who was deaf and mentally disabled, the result of a fan breaking a rubella quarantine and infecting the pregnant Tierney while she volunteered at the Hollywood Canteen. In 1953, she suffered problems with concentration, which affected her film appearances. She dropped out of Mogambo and was replaced by Grace Kelly. While playing Anne Scott in The Left Hand of God (1955), opposite Humphrey Bogart, Tierney became ill. Bogart's sister Frances (known as Pat) had suffered from mental illness, so he showed Tierney great sympathy, feeding her lines during the production and encouraging her to seek help. Tierney consulted a psychiatrist and was admitted to Harkness Pavilion in New York. Later, she went to the Institute of Living in Hartford, Connecticut. After some 27 shock treatments, intended to alleviate severe depression, Tierney fled the facility, but was caught and returned. She later became an outspoken opponent of shock treatment therapy, claiming it had destroyed significant portions of her memory. In late December 1957, Tierney, from her mother's apartment in Manhattan, stepped onto a ledge 14 stories above ground and remained for about 20 minutes in what was considered a suicide attempt. Police were called, and afterwards Tierney's family arranged for her to be admitted to the Menninger Clinic in Topeka, Kansas. The following year, after treatment for depression, she was released. Afterwards, she worked as a sales girl in a local dress shop with hopes of integrating back into society, but she was recognized by a customer, resulting in sensational newspaper headlines. Later in 1958, 20th Century-Fox offered Tierney a lead role in Holiday for Lovers (1959), but the stress upon her proved too great, so only days into production, she dropped out of the film and returned to Menninger for a time.

Answer this question "How did she attempt suicide?"
output:
Tierney, from her mother's apartment in Manhattan, stepped onto a ledge 14 stories above ground and remained for about 20 minutes in what was considered a suicide attempt.