In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

Input: Consider Input: Question: In what era did the architectural style of Ince Blundell Hall emerge? Passage:Ince Blundell Hall is in Georgian style. It is constructed in brick with sandstone dressings, and has an L-shaped plan. The main block faces southeast; it is in two storeys with an attic, and has a front of nine bays. Richard Pollard and Nikolaus Pevsner describe the front as being in late English Baroque style, and consider that it was "evidently inspired" by the front of Buckingham Palace, London. Between the upper storey and the attic is an entablature with a cornice and a panelled parapet. The central three bays project forward, the lower storeys are flanked by pairs of giant pilasters, and at the sides of the central doorway are giant columns. There are more pilasters at the ends of the building, and in the central three bays of the attic. All the pilasters and columns are Corinthian in style. The windows are sashes and are surrounded by architraves. The ground floor windows in the central bays have segmental heads with keystones, and those in the outer bays have friezes and pediments carried on consoles. Below the upper floor windows are panelled aprons and consoles. The central doorway has a segmental head and a keystone carved with the Blundell arms. At the corners of the front are quoins.
Links: a. Sash window b. Sandstone c. Nikolaus Pevsner d. Georgian architecture

Output: d

Input: Consider Input: Question: In which country is the seaport city of Porto located where the wine received its name "port"? Passage:Port is produced from grapes grown and processed in the demarcated Douro region. The wine produced is then fortified by the addition of a neutral grape spirit known as aguardente to stop the fermentation, leaving residual sugar in the wine, and to boost the alcohol content. The fortification spirit is sometimes referred to as brandy but it bears little resemblance to commercial brandies. The wine is then stored and aged, often in barrels stored in a Lodge (meaning "cellar") as is the case in Vila Nova de Gaia, before being bottled. The wine received its name, "port", in the later half of the 17th century from the seaport city of Porto at the mouth of the Douro River, where much of the product was brought to market or for export to other countries in Europe. The Douro valley where port wine is produced was defined and established as a protected region, and the name Douro thus an official appellation, in 1756, making it the third oldest, after Chianti (1716) and Tokaj (1730).
Links: a. Barrel b. Tokaji c. Vila Nova de Gaia d. Porto

Output: d

Input: Consider Input: Question: What is the area of the city where Ibrahim was born? Passage:Ibrahim was born in Cape Town on 9 October 1934, and was baptized Adolph Johannes Brand. He attended Trafalgar High School in Cape Town's District Six, and began piano lessons at the age of seven, making his professional debut at 15. He is of mixed-race heritage, making him a Coloured person according to the South African government. His mother played piano in a church, the musical style of which would remain an influence; in addition, he learned to play several genres of music during his youth in Cape Town, including marabi, mbaqanga, and American jazz. He became well known in jazz circles in Cape Town and Johannesburg. In 1959 and 1960, Ibrahim played with the Jazz Epistles group in Sophiatown, alongside saxophonist Kippie Moeketsi, trumpeter Hugh Masekela, trombonist Jonas Gwangwa (who were all in the orchestra of the musical King Kong that opened in Johannesburg in February 1959), bassist Johnny Gertze and drummer Makaya Ntshoko; in January 1960, the six musicians went into the Gallo studio and recorded the first full-length jazz LP by Black South African musicians, Jazz Epistle Verse One, with 500 copies being produced. Although the group avoided explicitly political activity, the apartheid government was suspicious of it and other jazz groups, and targeted them heavily during the increase in state repression following the Sharpeville massacre, and eventually, the Jazz Epistles broke up.
Links: a. Makaya Ntshoko b. Marabi c. Cape Town d. Makaya Ntshoko
Output: c