input: In 1997, he was featured on John Williams' soundtrack to the Hollywood film Seven Years in Tibet. In 2000, he was heard on the soundtrack of Crouching Tiger, Hidden Dragon and, in 2003, on that of Master and Commander: The Far Side of the World. He collaborated with Williams again on the original score for the 2005 film Memoirs of a Geisha. Ma has also worked with Italian composer Ennio Morricone and has recorded Morricone's compositions of the Dollars Trilogy including The Good, the Bad and the Ugly, Once Upon a Time in America, The Mission, and The Untouchables. He also has over 90 albums, 18 of which are Grammy Award winners. Ma is a recipient of the International Center in New York's Award of Excellence. Ma was named Peace Ambassador by then-UN Secretary-General Kofi Annan in January 2006. He is a founding member of the influential Chinese-American Committee of 100, which addresses the concerns of Americans of Chinese heritage. On November 3, 2009, President Obama appointed Ma to serve on the President's Committee on the Arts and Humanities. His music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman. In 2010, Ma was named Judson and Joyce Green Creative Consultant of the Chicago Symphony Orchestra. In partnership with the orchestra's music director, Riccardo Muti, he launched the Citizen Musician initiative. Yo-Yo Ma is represented by the independent artist management firm Opus 3 Artists. Also in 2010, he appeared on a solo album by guitarist Carlos Santana, Guitar Heaven : The Greatest Guitar Classics Of All Time, playing alonside Santana and singer India Arie on a Beatles' classic, While My Guitar Gently Weeps.

Answer this question "Are there any other interesting aspects about this article?"
output: On November 3, 2009, President Obama appointed Ma to serve on the President's Committee on the Arts and Humanities.

input: McIntyre, the only original remaining band member aside from lead singer Hucknall, left the group after the Life album, as did Pereira. From that time in 1996, Simply Red was essentially a trade name for Hucknall and a bevy of session musicians, which would vary from track to track (and gig to gig) as needed, although all post-1996 Simply Red albums and live shows did include contributions from sax player Ian Kirkham. Returning drummer Gota Yashiki (co-producing several album tracks) and backing vocalist Dee Johnson were also frequently involved with the band's later recordings and shows, as was new keyboardist/co-producer Andy Wright. The group issued the compilation album Greatest Hits in 1996, reportedly against Hucknall's wishes. The album featured one new track, a cover of the 1973 Aretha Franklin hit "Angel" which was co-produced with The Fugees (who also served as backing musicians). Released as a single, "Angel" reached #4 in the UK. 1998 saw the release of the cover-heavy Blue, which produced four UK top 40 singles, including the top 10 hits "Say You Love Me" and "The Air That I Breathe". The follow-up album, 1999's Love and the Russian Winter, was a relative disappointment, spawning two minor hits that failed to break the top 10. Simply Red were dropped from their label, East West Records in April 2000. Hucknall subsequently set up the website Simplyred.com to handle releases of new recordings; the new label/website venture proved to be quite successful, many of the band's Simplyred.com releases selling and charting almost as well as their earlier recordings.

Answer this question "What happened in 2000?"
output: Simply Red were dropped from their label, East West Records in April 2000.

input: From the 5th to the mid-9th centuries, the art of the Picts is primarily known through stone sculpture, and a smaller number of pieces of metalwork, often of very high quality; there are no known illuminated manuscripts. The Picts shared modern Scotland with a zone of Irish cultural influence on the west coast, including Iona, and the Anglo-Saxon kingdom of Northumbria to the south. After Christianization, Insular styles heavily influenced Pictish art, with interlace prominent in both metalwork and stones. Pictish stones are assigned by scholars to 3 classes. Class I Pictish stones are unshaped standing stones incised with a series of about 35 symbols which include abstract designs (given descriptive names such as crescent and V-rod, double disc and Z-rod, 'flower' and so on by researchers); carvings of recognisable animals (bull, eagle, salmon, adder and others), as well as the Pictish Beast, and objects from daily life (a comb, a mirror). The symbols almost always occur in pairs, with in about one-third of cases the addition of the mirror, or mirror and comb, symbol, below the others. This is often taken to symbolise a woman. Apart from one or two outliers, these stones are found exclusively in north-east Scotland from the Firth of Forth to Shetland. Good examples include the Dunnichen and Aberlemno stones (Angus), and the Brandsbutt and Tillytarmont stones (Aberdeenshire). Class II stones are shaped cross-slabs carved in relief, or in a combination of incision and relief, with a prominent cross on one, or in rare cases two, faces. The crosses are elaborately decorated with interlace, key-pattern or scrollwork, in the Insular style. On the secondary face of the stone, Pictish symbols appear, often themselves elaborately decorated, accompanied by figures of people (notably horsemen), animals both realistic and fantastic, and other scenes. Hunting scenes are common, Biblical motifs less so. The symbols often appear to 'label' one of the human figures. Scenes of battle or combat between men and fantastic beasts may be scenes from Pictish mythology. Good examples include slabs from Dunfallandy and Meigle (Perthshire), Aberlemno (Angus), Nigg, Shandwick and Hilton of Cadboll (Easter Ross). Class III stones are in the Pictish style, but lack the characteristic symbols. Most are cross-slabs, though there are also recumbent stones with sockets for an inserted cross or small cross-slab (e.g. at Meigle, Perthshire). These stones may date largely to after the Scottish takeover of the Pictish kingdom in the mid 9th century. Examples include the sarcophagus and the large collection of cross-slabs at St Andrews (Fife). The following museums have important collections of Pictish stones: Meigle (Perthshire), St Vigeans (Angus) and St Andrew's Cathedral (Fife) (all Historic Scotland), the Museum of Scotland, Edinburgh (which also exhibits almost all the major pieces of surviving Pictish metalwork), the Meffan Institute, Forfar (Angus), Inverness Museum, Groam House Museum, Rosemarkie and Tarbat Discovery Centre, Portmahomack (both Easter Ross) and Tankerness House Museum, Kirkwall, Orkney.

Answer this question "Are these in Scotland?"
output:
the Museum of Scotland, Edinburgh (which also exhibits almost all the major pieces of surviving Pictish metalwork),