input: Alma-Tadema's output decreased with time, partly on account of health, but also because of his obsession with decorating his new home, to which he moved in 1883. Nevertheless, he continued to exhibit throughout the 1880s and into the next decade, receiving a plentiful amount of accolades along the way, including the medal of Honour at the Paris Exposition Universelle of 1889, election to an honorary member of the Oxford University Dramatic Society in 1890, the Great Gold Medal at the International Exposition in Brussels of 1897. In 1899 he was Knighted in England, only the eighth artist from the Continent to receive the honour. Not only did he assist with the organisation of the British section at the 1900 Exposition Universelle in Paris, he also exhibited two works that earned him the Grand Prix Diploma. He also assisted with the St. Louis World's Fair of 1904 where he was well represented and received. During this time, Alma-Tadema was very active with theatre design and production, designing many costumes. He also spread his artistic boundaries and began to design furniture, often modelled after Pompeian or Egyptian motifs, illustrations, textiles, and frame making. His diverse interests highlight his talents. Each of these exploits were used in his paintings, as he often incorporated some of his designed furniture into the composition, and must have used many of his own designs for the clothing of his female subjects. Through his last period of creativity Alma-Tadema continued to produce paintings, which repeat the successful formula of women in marble terraces overlooking the sea such as in Silver Favourites (1903). Between 1906 and his death six years later, Alma-Tadema painted less but still produced ambitious paintings like The Finding of Moses (1904). On 15 August 1909 Alma-Tadema's wife, Laura, died at the age of fifty-seven. The grief-stricken widower outlived his second wife by less than three years. His last major composition was Preparation in the Coliseum (1912). In the summer of 1912, Alma Tadema was accompanied by his daughter Anna to Kaiserhof Spa, Wiesbaden, Germany where he was to undergo treatment for ulceration of the stomach. He died there on 28 June 1912 at the age of seventy-six. He was buried in a crypt in St Paul's Cathedral in London.

Answer this question "Where did he exhibit the works?"
output: Not only did he assist with the organisation of the British section at the 1900 Exposition Universelle in Paris,

input: On New Year's Eve 1978, Iron Maiden recorded a demo, consisting of four songs, at Spaceward Studios in Cambridge. Hoping the recording would help them secure more gigs, the band presented a copy to Neal Kay, then managing a heavy metal club called "Bandwagon Heavy Metal Soundhouse", located in Kingsbury Circle, northwest London. Upon hearing the tape, Kay began playing the demo regularly at the Bandwagon, and one of the songs, "Prowler", eventually went to No. 1 in the Soundhouse charts, which were published weekly in Sounds magazine. A copy was also acquired by Rod Smallwood, who soon became the band's manager, and, as Iron Maiden's popularity increased, they released the demo on their own record label as The Soundhouse Tapes, named after the club. Featuring only three tracks (one song, "Strange World", was excluded as the band were unsatisfied with its production) all five thousand copies were sold out within weeks. In December 1979, the band secured a major record deal with EMI and asked Dave Murray's childhood friend Adrian Smith of Urchin to join the group as their second guitarist. Smith declined as he was busy with his own band, Urchin, so Iron Maiden hired guitarist Dennis Stratton instead. Shortly afterwards, Doug Sampson left due to health issues and was replaced by ex-Samson drummer Clive Burr at Stratton's suggestion on 26 December. Iron Maiden's first appearance on an album was on the Metal for Muthas compilation (released on 15 February 1980) with two early versions of "Sanctuary" and "Wrathchild". The release led to an ensuing tour which featured several other bands linked with the new wave of British heavy metal. Iron Maiden's eponymous 1980 release, Iron Maiden, debuted at No. 4 in the UK Albums Chart. In addition to the title track (a live version of which would be one of the first music videos aired on MTV), the album includes other early favourites such as "Running Free", "Transylvania", "Phantom of the Opera", and "Sanctuary" - which was not on the original UK release but appeared on the US version and subsequent remasters. The band set out on a headline tour of the UK, before opening for Kiss on their 1980 Unmasked Tour's European leg as well as supporting Judas Priest on select dates. Iron Maiden also appeared, to much acclaim, at the Reading Festival 1980. They were second to top of the bill on the Saturday, with UFO headlining. After the Kiss tour, Dennis Stratton was dismissed from the band as a result of creative and personal differences, and was replaced by Adrian Smith in October 1980. In 1981, Iron Maiden released their second album, entitled Killers. Containing many tracks written prior to their debut release, only two new songs were written for the record: "Prodigal Son" and "Murders in the Rue Morgue" (the latter's title was taken from the short story by Edgar Allan Poe). Unsatisfied with the production on their debut album, the band hired veteran producer Martin Birch, who would go on to work for Iron Maiden until his retirement in 1992. The record was followed by the band's first world tour, which included their debut performance in the United States, opening for Judas Priest at The Aladdin Casino, Las Vegas.

Answer this question "was the demo successful?"
output:
Featuring only three tracks (one song, "Strange World", was excluded as the band were unsatisfied with its production) all five thousand copies were sold out within weeks.