Question: In 1981, when I was nine years old, my father took me to see Raiders of the Lost Ark. Although I had to squint my eyes during some of the scary scenes, I loved it in particular because I was fairly sure that Harrison Ford's character was based on my dad. My father was a palaeontologist at the University of Chicago, and I'd gone on several field trips with him to the Rocky Mountains, where he seemed to transform into a rock-hammer-wielding superhero. That illusion was shattered some years later when I figured out what he actually did: far from spending his time climbing dangerous cliffs and digging up dinosaurs, Jack Sepkoski spent most of his career in front of a computer, building what would become the first comprehensive database on the fossil record of life. The analysis that he and his colleagues performed revealed new understandings of phenomena such as diversification and extinction, and changed the way that palaeontologists work. But he was about as different from Indiana Jones as you can get. The intertwining tales of my father and his discipline contain lessons for the current era of algorithmic analysis and artificial intelligence (AI), and points to the value-laden way in which we "see" data. My dad was part of a group of innovators in palaeontology who identified as "palaeobiologists" meaning that they approached their science not as a branch of geology, but rather as the study of the biology and evolution of past life. Since Charles Darwin's time, palaeontology especially the study of the marine invertebrates that make up most of the record involved descriptive tasks such as classifying or correlating fossils with layers of the Earth (known as stratigraphy). Some invertebrate palaeontologists studied evolution, too, but often these studies were regarded by evolutionary biologists and geneticists as little more than "stamp collecting". How long was the movie Raiders of the Lost Ark Pick the correct answer from the following options: A. not enough information B. between 120 and 180 minutes C. 20 minutes D. 50 minutes
Answer: B

Question: That day, my mother picked me up from school, wearing the yellow sundress and shawl I remembered from our trip with Father the year before. She looked just like she did most days back then--a glamour queen, a movie star ("Just like Lena Horne," my friend Chloe had once said, "only darker--oh, sorry, Leah!"), but today her beauty somehow had a harder, more defiant edge to it. I could smell the expensive Dior perfume as soon as I opened the door, which surprised me, because my mom was usually fastidious about not getting perfume on her clothes. She was wearing her bug glasses--huge dark things with lenses that bulged out like fly eyes and reflected my face like a fun-house mirror. She had tied a yellow silk scarf around her hair and was taking deep pulls on a cigarette held between two immaculately manicured fingers. Only I knew about the nicotine stains she carefully covered with her special order "forest sable" cream each morning. Tiffany, a stupid but vicious senator's daughter who I had the misfortune of sharing a classroom with, suddenly dashed from inside the school, her face flushed. "Hello, Mrs. Wilson," she called. Before my mother could respond, she giggled and ran back to three of her friends waiting beyond the door. I could hear them laughing, but I was glad I couldn't understand their words. They were all fascinated with my mother--the black housekeeper who dressed like Katharine Hepburn and drove a Cadillac, whose daughter's "light toffee" skin indicated that she might just like her coffee with a lot of cream. Sometimes I hated those girls. "Get in the car, Leah," my mother said. Her already husky voice was pitched low, as though she'd been crying. That made me nervous. Why was she here? "Ma, Chloe was going to show me her dad's new camera. Can't I go home on the bus?" My mom pulled on the cigarette until it burned the filter, and then ground it into the car ashtray--already filled with forty or so butts. She always emptied out the ashtray each evening. When did mother tell Leah to get into the car? Pick the correct answer from the following options: A. After seeing Chloe's new camera B. not enough information C. After getting on the bus D. After Tiffany came by
Answer: D

Question: Ironically, J. Paul Getty never saw the Getty Villa. He died two years after his museum opened to the public in January 1974 in a new building modeled on an ancient Roman luxury home. It was not until after Getty's death in June 1976 that he returned from his estate in England to his "ranch" on the Pacific Coast: he is buried there at the edge of the property on a private plot overlooking the ocean, alongside his eldest and youngest sons, George and Timothy, both of whom predeceased him. Following a renovation and reinstallation of the galleries, the Getty Villa opens a new chapter in its history. Although Getty never set eyes on his creation, the story of how he built the Villa and assembled his collection pervades the galleries even today. A suite of revamped roomsGalleries 105 to 108share this history. Featuring ancient works of art Getty bought himself along with archival documents, the new displays place the objects in their cultural contexts and shed light on Getty's personal relationship to his museum and final resting place. From a Ranch House to an Ancient Villa Getty bought the 64-acre ranchonce part of the Rancho Boca de Santa Monica, an early-nineteenth-century 6,656-acre Mexican land grantjust after the end of World War II, intending it as a weekend retreat where his fifth wife Theodora ("Teddy") could ride horses and he could display his growing art collection. He knew the area well, for he already owned a small house on the beach in nearby Santa Monica, just steps from the sprawling complex his friend and rival collector William Randolph Hearst had built for the actress Marion Davies. (The Davies estate is now the Annenberg Community Beach House, while Getty's beach house has been replaced by a large modern condo complex, 270 Palisades Beach Road.) After the story, how do artists probably view J. Paul Getty? Pick the correct answer from the following options: A. with negativity B. with disgust C. with respect and admiration most likely D. not enough information
Answer:
C