Please answer this: The following article contains an answer for the question: What is the name of the character that crashed into a stork? , can you please find it? Bugs pops out in Golden Gate Park and encounters a man, who asks Bugs to hold his balloons while he ties his shoelaces. Bugs complies, but soon finds himself lifted in the air by the balloons and drifting off into the ocean. Eventually he clashes in midair with a stork delivering a kangaroo joey, leading to Bugs getting switched with the joey, brought to Australia, and dropped into a kangaroo's arms. Bugs refuses to be the kangaroo's baby, but feels guilty after the kangaroo starts crying and agrees to be its 'baby'. After a wild ride inside the kangaroo's pouch, Bugs gets out and is then struck by a boomerang thrown by an aborigine, whom Bugs later calls "Nature Boy". Bugs throws the boomerang away but it hits him again. Nature Boy confronts Bugs, who teases him into a yelling fit. Nature Boy throws his spear at Bugs, who runs and dives into a rabbit hole. Bugs tricks Nature Boy into thinking he's stabbing the rabbit down the hole, then kicks the man down into the hole. Later Nature Boy spies Bugs walking and attempts to shoot a poisonous fruit at him, but Bugs blows through his bamboo blowgun, causing the man to ingest the fruit instead. Nature Boy then chases Bugs in a canoe and then up a cliff where the two of them fight in the kangaroo's pouch. Finally, Bugs kicks Nature Boy out and the kangaroo kicks him off of the cliff. Then, the joey floats down from the sky into his mother's pouch. The kangaroo gives Bugs a ride back to the US, using an outboard motor to power the kangaroo across the sea.
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Answer: Bugs

Please answer this: The following article contains an answer for the question: What is the name of the person that created the G minor Piano Sonata? , can you please find it? By the time Smetana completed his schooling, his father's fortunes had declined. Although Frantisek now agreed that his son should follow a musical career, he could not provide financial support. In August 1843 Smetana departed for Prague with twenty gulden, and no immediate prospects. Lacking any formal musical training, he needed a teacher, and was introduced by Katerina Kolarova's mother to Josef Proksch, head of the Prague Music Institutewhere Katerina was now studying. Proksch used the most modern teaching methods, drawing on Beethoven, Chopin, Berlioz and the Leipzig circle of Liszt. In January 1844 Proksch agreed to take Smetana as a pupil, and at the same time the young musician's financial difficulties were eased when he secured an appointment as music teacher to the family of a nobleman, Count Thun.For the next three years, besides teaching piano to the Thun children, Smetana studied theory and composition under Proksch. The works he composed in these years include songs, dances, bagatelles, impromptus and the G minor Piano Sonata. In 1846 Smetana attended concerts given in Prague by Berlioz, and in all likelihood met the French composer at a reception arranged by Proksch. At the home of Count Thun he met Robert and Clara Schumann, and showed them his G minor sonata, but failed to win their approval for this workthey detected too much of Berlioz in it. Meanwhile, his friendship with Katerina blossomed. In June 1847, on resigning his position in the Thun household, Smetana recommended her as his replacement. He then set out on a tour of Western Bohemia, hoping to establish a reputation as a concert pianist.
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Answer: Smetana

Please answer this: The following article contains an answer for the question: What is the first name of the person whose preaching was listed as significant? , can you please find it? Although "Amazing Grace" set to "New Britain" was popular, other versions existed regionally. Primitive Baptists in the Appalachian region often used "New Britain" with other hymns, and sometimes sing the words of "Amazing Grace" to other folk songs, including titles such as "In the Pines", "Pisgah", "Primrose", and "Evan", as all are able to be sung in common meter, of which the majority of their repertoire consists. A tune named "Arlington" accompanied Newton's verses as much as "New Britain" for a time in the late 19th century. Two musical arrangers named Dwight Moody and Ira Sankey heralded another religious revival in the cities of the U.S. and Europe, giving the song international exposure. Moody's preaching and Sankey's musical gifts were significant; their arrangements were the forerunners of gospel music, and churches all over the U.S. were eager to acquire them. Moody and Sankey began publishing their compositions in 1875, and "Amazing Grace" appeared three times with three different melodies, but they were the first to give it its title; hymns were typically published using the first line of the lyrics, or the name of the tune such as "New Britain". A publisher named Edwin Othello Excell gave the version of "Amazing Grace" set to "New Britain" immense popularity by publishing it in a series of hymnals that were used in urban churches. Excell altered some of Walker's music, making it more contemporary and European, giving "New Britain" some distance from its rural folk-music origins. Excell's version was more palatable for a growing urban middle class and arranged for larger church choirs. Several editions featuring Newton's first three stanzas and the verse previously included by Harriet Beecher Stowe in Uncle Tom's Cabin were published by Excell between 1900 and 1910, and his version of "Amazing Grace" became the standard form of the song in American churches.
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Answer:
Dwight