IN: Alison Maria Krauss was born in Decatur, Illinois, to Fred and Louise Krauss. Her father was a German immigrant who came to the United States in 1952 and taught his native language. Her mother, of German and Italian descent, is the daughter of artists. Krauss grew up in the college town of Champaign, home to the University of Illinois at Urbana-Champaign.

Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye". Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band. Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider". Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video.
QUESTION: What did she do in 1985 ?
IN: The Hereditary peers form part of the peerage in the United Kingdom. As of 1999, there were about 800 peers holding titles that could be inherited. Not all hereditary titles are titles of the peerage. For instance, baronets and baronetesses may pass on their titles, but they are not peers.

The ranks of the Peerage in most of the United Kingdom are, in descending order of rank, duke, marquess, earl, viscount and baron; the female equivalents are duchess, marchioness, countess, viscountess and baroness respectively. In the Scottish peerage, the lowest rank is lordship of Parliament, the male holder thereof being known as a lord of Parliament. A Scottish barony is a feudal rank, and not of the Peerage. The barony by tenure or feudal barony in England and Wales was similar to a Scottish feudal barony, in being hereditary, but is long obsolete, the last full summons of the English feudal barons to military service having occurred in 1327. The Tenures Abolition Act 1660 finally quashed any remaining doubt as to their continued status. Peerage dignities are created by the Sovereign by either writs of summons or letters patent. Under modern constitutional conventions, no peerage dignity, with the possible exception of those given to members of the Royal Family, would be created except upon the advice of the Prime Minister. Many peers hold more than one hereditary title; for example, the same individual may be a duke, an earl, a viscount and a baron by virtue of different peerages. If such a person is entitled to sit in the House of Lords, he still only has one vote. However, until the House of Lords Act 1999 it was possible for one of the peer's subsidiary titles to be passed to his heir before his death by means of a writ of acceleration, in which case the peer and his heir would have one vote each. Where this is not done, the heir may still use one of the father's subsidiary titles as a "courtesy title", but he is not considered a peer.
QUESTION: is there any interesting aspects of the article that stood out to you
IN: Redd Foxx was born John Elroy Sanford on December 9, 1922, in St. Louis, Missouri and raised on Chicago's South Side. His father, Fred Sanford, an electrician and auto mechanic from Hickman, Kentucky, left his family when Foxx was four years old. He was raised by his half-Seminole Indian mother, Mary Hughes from Ellisville, Mississippi, his grandmother and his minister. Foxx attended DuSable High School in Chicago's Bronzeville neighborhood with future Chicago mayor Harold Washington.

Foxx achieved his most widespread fame starring in the television sitcom Sanford and Son, an adaptation of the BBC series Steptoe and Son. He used his starring role on Sanford and Son to help get jobs for his acquaintances such as LaWanda Page, Slappy White, Gregory Sierra, Don Bexley, Beah Richards, Stymie Beard, Leroy Daniels, Ernest Mayhand and Noriyuki "Pat" Morita. The series premiered on the NBC television network on January 14, 1972 and was broadcast for six seasons. The final episode aired on March 25, 1977. Foxx played the role of Fred G. Sanford ("Fred Sanford" was actually Foxx's father's and brother's name), while Foxx's co-star Demond Wilson played the role of his son Lamont. In this sitcom, Fred and Lamont were owners of a junk/salvage store in Watts who dealt with many humorous situations that would arise. The series was notable for its racial humor and overt prejudices which helped redefine the genre of black situation comedy. The show also had several running gags. When angry with Lamont, Fred would often say "You big dummy" or would often fake heart attacks by putting his hand on his chest and saying (usually while looking up at the sky) "It's the big one, I'm coming to join ya honey/Elizabeth" (referring to his late wife). Fred would also complain about having "arthur-itis" to get out of working by showing Lamont his cramped hand. Foxx depicted a character in his 60s, although in real-life he was a decade younger. Demond Wilson had responded if he kept in touch with everybody from Sanford & Son; esp. the series' star, himself, after the series was canceled: "No. I saw Redd Foxx once before he died, circa 1983, and I never saw him again. At the time I was playing tennis at the Malibu Racquet Club and I was approached by some producers about doing a Redd Foxx 50th Anniversary Special. I hadn't spoken to him since 1977, and I called the club where (Redd) was playing. And we met at Redd's office, but he was less than affable. I told those guys it was a bad idea. I never had a cross word with him. People say I'm protective of Redd Foxx in my book (Second Banana, Wilson's memoir of the Sanford years). I had no animosity toward Foxx for (quitting the show in 1977) because I had a million dollar contract at CBS to do Baby I'm Back. My hurt was that he didn't come to me about throwing the towel in - I found out in the hallway at NBC from a newscaster. I forgave him and I loved Redd, but I never forgot that. The love was there. You can watch any episode and see that."
QUESTION:
was fred's business successful?