Q: What's an example of a movie review?
An example of a movie review is here: This movie is bad. I don't just mean 'bad' as in; "Oh the script was bad", or; "The acting in that scene was bad".....I mean bad as in someone should be held criminally accountable for foisting this unmitigated pile of steaming crud onto an unsuspecting public. I won't even dignify it with an explanation of the (Plot??) if I can refer to it as that.I can think of only one other occasion in some 40-odd years of movie watching that I have found need to vent my spleen on a movie. I mean, after all, no one goes out to intentionally make a bad movie, do they? Well, yes. Apparently they do...and the guilty man is writer/director Ulli Lommel. But the worst of it is that Blockbusters is actually renting this to their customers! Be advised. Leave this crap where it belongs. Stuck on the shelf, gathering dust.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: The story: On the island Texel, photographer Bob, who makes a photo shoot for a magazine, meets the mysterious Kathleen. Her free spirit and lust for life intrigues Bob, who has suffered a very traumatic experience shortly before. Her life is not so simple as it seems, however. Through Kathleen, Bob gets entangled in a dangerous network. Will Kathleen be able to win his trust?

Review: The dialogue in this movie is very natural and the story unfolds nicely although it stays a bit on the surface and it would have been nice if the character's 'psychology' would have been worked out a little more. Why do these people do the things they do? What motivates their choices? This is what gives a movie depth and something to think about in my view. The story never reaches an emotional climax, even though the characters go through enough to justify that. So you don't get to know the characters on that deeper level. The actors deliver good work and play in a very natural and 'believable' way, but I think it would have suited the movie better if Kathleen had been played by a younger actress, as this character's naiveness doesn't quite work for a grown-up woman. Camera-work is nice, and there are some great shots of the nature on the island. I give the movie a 7/10.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: PUT THE CAMERA ON ME is a deceptively cute film. It is actually a complex glimpse at the psychology of children and offers interesting insights into the development of adults and an artist. On the surface this is a nostalgic look at some home movies made in the 80's by a group of upper class neighborhood kids. One of the film's directors, Darren Stein, had access to a video camera and quickly took over as the artistic leader for all of the movies. Sure, these are just some cute kids having fun. But, this is also much more. This is a look into some moments in time as children grapple with a number of confusing issues that all of us face in life --- fear, sexual awakening, unrequited love, loneliness and just trying to make sense of the adult world which seems to explode all around us. As we get older we tend to forget how overwhlelming the realities of life were when we were little.

What makes this film all the more valid is to watch a young Darren Stein turn into a little general of a filmmaker. It is clear that Darren is running this show and these little movies are his vision but they are all informed by his friends, their problems, the interpersonal dynamics and the general confusion regarding the horrors of adult life. A lot of children make home movies, but I've never heard of or seen children create "little" movies about the holocaust, homosexuality, nuclear war and the inability to fit in and make friends. These kids are confronting and dealing with some heavy stuff!

The power of this film is the way Stein and Shell pull various scenes together so tightly with running interviews with the kids --- all now adults and all still friends. This adds a new angle to the film. How many of us have stayed in touch with our childhood friends? These guys have. And, many of the issues with which they were dealing are still running between them two decades later.

Among the conflicts -- a confession of a crush reveals a heart still broken, a very normal childhood sexual experience continues to be a "sticky" subject between two of the men, some ongoing resentments over the dynamics of relationships and there is still a member of this team who remains very much in charge and in center stage! Which makes perfect sense as one watches these home movies progress over the course of a couple of years. Darren Stein is a director. No doubt about it.

Stein and Shell take turns chatting with each other from time to time and one can't help but imagine the awkwardness of allowing us to peek into the young lives of these people. This is particularly true for Stein who has gone on to a great deal of success in the entertainment industry as a film producer, writer and director. From the first moment of PUT THE CAMERA ON ME we can see the emergence of a gay little boy trying to figure it all out. We also see sides of the artistic mind and personality that are not always "nice" or "caring" --- and, this is a bold move for any artist to share with an audience.

There are so many revealing moments, but the most disturbing and complex moments involve a movie in which we see a Jewish concentration camp victim being tortured and killed by a Nazi. We discover thru interviews and narration that the Nazi is played by a Jewish child and the part of the victim is played by a gentile child. It is a painfully disturbing moment that glimpses into the darker side of fear and the way children work thru the horrors of the adult world that are beyond adult understanding much less that of a child.

This is much more than some home movies. This documentary captures the pain, beauty, joy and sadness of growing up. Powerful stuff --- and well worth seeing!

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An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Almost a two-person play, and as such the dialog and the performances of the leads will be important. Neither are particularly good. This might have been stronger, in fact, if it had first been crafted as a two-person play, and then worked into a film.

Anyway, a twitchy vampire who seems slightly autistic becomes infatuated with a stripper (as a result of watching too much porn in his crappy home). He wants to have her tell him about the daylight. He would have been better off finding someone with a day job, or someone who excels at painting a picture with words like a poet, but then they might not have a hot bod.

After he gets her to do whatever he wants (and he's not terribly good at it), he intends to feed on her at 6 AM, at which point the sun rises. Much is made of that deadline, despite the fact that he also says that he can go without feeding, it will just make him hungrier. Additionally, he claims he can't let the stripper go, since she knows about him, but he lets a number of other people go who learn what he is. There are a lot of inconsistencies.

Why this vampire chooses to live in a house so poorly boarded up that light from streetlamps and neighboring buildings pours in as if it were daytime, I'm not sure. With all the time in the world, you'd think he'd have done a better job, or fixed the place up a bit. He's clearly not a wealthy vampire.

This is supposedly a remake, and I'm curious to see the original version of this, Dance of the Damned. Although, that was directed by Katt Shea, and the other films she directed for Corman (Stripped to Kill, StK II) were pretty bad.
Q: What's an example of a movie review?
An example of a movie review is here:
This movie is well done on so many levels that I am in awe that the score is as low as it is (5.9/10(576 votes) as of this writing). This movie has incredible special effects, a true epic storyline, complex great character interaction, and mind-blowing battles - they have to be seen to be believed! The only complaint I have is the subtitles on the HK DVD version I got (some lines were not translated - ???).

I just don't understand when I read & hear from various sources: "it has a confusing plot....", "I couldn't follow the story...." or "Characters came from nowhere...". From the very 1st time I watched this movie, I understood it, followed it, knew why characters were there, and I absolutely loved it! I've watched it about 8 times already and each time it is pure enjoyment. Oh, and this is not just my opinion, because I've shown this movie to many fellow Americans (people who have never seen an HK film before) who feel the same way. Not one of them failed to follow the storyline and each person declared their love for this movie. Oh man, why can't we have stuff like this coming out of Hollywood? At least Lord of the Rings had a nice marriage of special effects, character development, and storyline.

This is not coming from a Asian film lover newbie either. I own an extensive library of Asian films and I must say that this movie is one of my greatest DVDs. When you watch it you will be blown away by the amazing special effects and epic feel of this movie. You will be drawn into this fantasy world and you won't want to leave! I've seen both the 1983 version and the 2001 (both done by Tsui Hark), and the 2001 is far better in comparison IMO.

Besides the subtitles, I have one additional complaint about this movie: I didn't want it to end.... I'm begging you Mr. Hark - can we please have a sequel?