IN: UFO are an English rock band that was formed in London in August 1969. They became a transitional group between early hard rock and heavy metal and the new wave of British heavy metal. The band's current lineup includes vocalist Phil Mogg, lead guitarist Vinnie Moore, bass guitarist Rob De Luca, keyboardist and rhythm guitarist Paul Raymond and drummer Andy Parker. They have gone through several line-up changes, leaving Mogg as the only constant member, and had two hiatuses (1983-1984 and again from 1989 to 1991).

Tensions had begun to grow between Mogg and Schenker in the late 1970s, possibly from Schenker often leaving before or during shows. Soon after UFO's show in Palo Alto, California on 29 October 1978, Schenker left the band. He made a brief return to the Scorpions before going on to form his own Michael Schenker Group. After Schenker's exit, UFO rehired Paul "Tonka" Chapman on guitar who brought over unused track ideas from Lone Star's drummer Dixie Lee. Shortly after, they released their next LP, No Place to Run in January, 1980. Produced by former Beatles producer George Martin, No Place To Run failed to match up to the success of its predecessors, though it fractionally missed the UK Top 10. Paul Raymond left the band at the end of the No Place To Run tour and was replaced by John Sloman from Uriah Heep for a couple of months and then by former Wild Horses guitarist and keyboardist Neil Carter, who helped fill the void in the songwriting left by Schenker's departure. Carter debuted with UFO on stage at the three-day Reading Festival on 23 August 1980, when the band played as the Saturday night headline act. At the beginning of the following year, UFO released the self-produced The Wild, the Willing and the Innocent, which had a lighter pop rock sound, which was popular at the time. The album achieved mild success in the UK, reaching the UK Top 20, and the single "Lonely Heart" was released. In February 1982 the band released Mechanix. It was very successful in the UK, where it reached No.8, the band's highest ever placing. Later that year, founding member Pete Way left the band to form Fastway with Motorhead guitarist "Fast" Eddie Clarke and then his own band, Waysted. He was replaced by Talas bassist, Billy Sheehan. UFO released Making Contact in 1983, but the album was a critical and commercial failure. Thus, that March, UFO decided to disband. The band played a UK farewell tour with Paul Gray (ex Eddie and the Hot Rods and The Damned bassist). However, there was a hint that this might not be permanent, when UFO released a compilation album featuring songs by UFO (as well as other groups featuring ex-members of UFO) entitled Headstone, the sleeve of which showed a headstone, denoting UFO with their formation date but an incomplete end date. This proved to be a short hiatus as, just short of two years later, in late 1984, Mogg assembled a new UFO line-up, featuring Paul Gray on bass again, ex-Diamond Head drummer Robbie France (replaced in 1985 by former Magnum drummer Jim Simpson), and Atomik Tommy M (Tommy McClendon), a former roadie who also wrote lyrics for Loudness, on guitar, with Paul Raymond rejoining shortly after and released Misdemeanor. This was followed by the 1988 EP Ain't Misbehavin. Despite the renewed activity of the band, neither release was financially successful and they officially disbanded again in 1989 after a string of guitarists replacing McClendon: Myke Gray of Jagged Edge in late 1987, in 1988 former Legs Diamond guitarist Rik Sanford and Tony Glidewell, while Pete Way rejoined on bass, and finally in 1989 future Cold Sweat guitarist Erik Gamans.
QUESTION: what followed this release for UFO?
IN: The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

In assigning instruments for purposes of the television show, a dilemma arose as to which of the four would be the drummer. Both Nesmith (a skilled guitarist and bassist) and Tork (who could play several stringed and keyboard instruments) were peripherally familiar with the instrument but both declined to give the drum set a try. Jones knew how to play the drums and tested well enough initially on the instrument, but the producers felt that, behind a drum kit, the camera would exaggerate his short stature and make him virtually hidden from view. Thus, Dolenz (who only knew how to play the guitar) was assigned to become the drummer. Tork taught Dolenz his first few beats on the drums, enough for him to fake his way through filming the pilot, but he was soon taught how to play properly. Thus, the lineup for the TV show most frequently featured Nesmith on guitar, Tork on bass, Dolenz on drums and Jones as a frontman, singer and percussionist. This, however, is in opposition to the lineup which would have made the most sense based upon the members' musical strengths. For example, Tork was actually a more experienced guitar player than Nesmith, while Nesmith had at one time specifically trained on the bass. While Jones certainly had a strong lead voice and sings lead on several Monkees recordings, Dolenz's voice is regarded, particularly by Nesmith, as one of the most distinctive in popular music history and a hallmark of the Monkees' sound. This theoretical lineup was actually depicted once, in the music video for the band's song "Words", which shows Jones on drums, Tork playing lead guitar, Nesmith on bass and Dolenz fronting the group. In concert appearances Tork also took much of the guitar duties, even in appearances with Nesmith, and Dolenz often plays rhythm guitar on stage. Unlike most television shows of the time, The Monkees episodes were written with many setups, requiring frequent breaks to prepare the set and cameras for short bursts of filming. Some of the "bursts" are considered proto-music videos, inasmuch as they were produced to sell the records. The Monkees Tale author Eric Lefcowitz noted that the Monkees were--first and foremost--a video group. The four actors would spend 12-hour days on the set, many of them waiting for the production crew to do their jobs. Noticing that their instruments were left on the set unplugged, the four decided to turn them on and start playing. After working on the set all day, the Monkees (usually Dolenz or Jones) would be called into the recording studio to cut vocal tracks. As the band was essential to this aspect of the recording process, there were few limits on how long they could spend in the recording studio, and the result was an extensive catalogue of unreleased recordings.
QUESTION:
What happened with The Monkees were on television?