In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.

[Q]: Question: How old was Derow's teacher and lasting influence at Oxford when Derow graduated from Oxford? Passage:Born in Newport, Rhode Island, Derow obtained his secondary education at The Roxbury Latin School in West Roxbury, Massachusetts. After an A.B. degree at Amherst (with Peter K. Marshall), he read for Greats as a second B.A. degree at Oxford in 19651967, achieving a First. At Oxford he was taught by, among others, W. G. (George) Forrest, who was a lasting influence. He completed a Ph.D. at Princeton on 'Rome and the Greek world from the earliest contacts to the end of the first Illyrian war', for which Professor J. V. A. Fine was his Advisor; in the preface to that work, he acknowledges the additional inspiration he had drawn from T. J. Luce and the historian and epigrapher C. Bradford Welles. After a spell of teaching at the University of Toronto, he returned to succeed Forrest at Wadham in 1977 when the latter was elected to the Wykeham Professorship of Ancient History at New College. In 20022005 Derow was also Director of Graduate Studies in ancient history for the Oxford Faculty of Classics.
Links: a. George Forrest (historian) b. Roxbury Latin School c. Roxbury Latin School d. Princeton University
[A]: a

[Q]: Question: In what city did the group of artists painting in Bamboccio's manner operate? Passage:Pieter van Laer (1599 c. 1642) was a Dutch Golden Age painter of genre scenes, active for over a decade in Rome, where his nickname was Il Bamboccio. Artists working in his style, who often painted just such scenes of everyday life as Pliny lists, became known as the Bamboccianti, painters in Bamboccio's manner. Peiraikos is often mentioned in the controversies over the Bamboccianti, for example by Salvator Rosa in his Satires, and later by the Dutch biographer of artists, Samuel Dirksz van Hoogstraten in his Inleyding tot de Hooge Schoole der Schilderkonst (Introduction to the Academy of Painting), Rotterdam 1678. As genre painting became an important element of Dutch Golden Age painting, Peiraikos was used to provide classical precedent for such work, in the relatively few discussions of the appropriateness of such art by Karel van Mander in his Schilder-boeck (1604) and Arnold Houbraken in his The Great Theatre of Dutch Painters (17181719). Having originally been often rather cheap, by the late 17th century the best Dutch genre scenes became sought after by collectors across Europe at very high prices, a development following Pliny's account of Peiraikos that was bemoaned by Lessing in his Laocoon (1763), mentioning Dutch painting specifically.
Links: a. The Great Theatre of Dutch Painters b. Salvator Rosa c. Bamboccianti d. Rotterdam
[A]: c

[Q]: Question: What major river runs through the city where Al-Maqrizi was born? Passage:Al-Maqrizi was born in Fatimid Cairo and spent most of his life in Egypt, When he presents himself in his books he usually stops at the 10th forefather although he confessed to some of his close friends that he can trace his ancestry to Al-Mu'izz li-Din Allah -first Fatimid caliph in Egypt and the founder of al-Qahirah- and even to Ali ibn Abi Talib. He was trained in the Hanafite school of law. Later, he switched to the Shafi'ite school and finally to the Zahirite school. Maqrizi studied theology under one of the primary masterminds behind the Zahiri Revolt, and his vocal support and sympathy with that revolt against the Mamluks likely cost him higher administrative and clerical positions with the Mamluk regime. The name Maqrizi was an attribution to a quarter of the city of Baalbek, from where his paternal grandparents hailed. Maqrizi confessed to his contemporaries that he believed that he was related to the Fatimids through the son of al-Muizz. Ibn Hajar preserves the most memorable account: his father, as they entered the al-Hakim Mosque one day, told him "My son, you are entering the mosque of your ancestor." However, his father also instructed al-Maqrizi not to reveal this information to anyone he could not trust; Walker concludes:
Links: a. Hanafi b. Shafi'i c. Cairo d. Ibn Hajar al-Asqalani
[A]:
c