In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Nilanjana Sudeshna "Jhumpa" Lahiri (Bengali: ; born on July 11, 1967) is an American author. Lahiri has been selected as the winner of the 29th PEN/Malamud Award for Excellence in the Short story. Lahiri's debut short story collection "Interpreter of Maladies" (1999) won the 2000 Pulitzer Prize for Fiction, and her first novel, "The Namesake" (2003), was adapted into the popular film of the same name. She was born Nilanjana Sudeshna but goes by her nickname Jhumpa. Lahiri was a member of the President's Committee on the Arts and Humanities, appointed by U.S. President Barack Obama. (She resigned from the President's Committee in August, 2017, co-signing a letter of resignation that said in reference to President Trump, "Ignoring your hateful rhetoric would have made us complicit in your words and actions.") Her book "The Lowland", published in 2013, was a nominee for the Man Booker Prize and the National Book Award for Fiction. Lahiri is currently a professor of creative writing at Princeton University. Context_2 : The First Minute of a New Day is an album by American jazz vocalist Gil Scott-Heron and keyboardist Brian Jackson, released in January 1975 on Arista Records. Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland. It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort "Winter in America". "The First Minute of a New Day" was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release. The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998. Context_3 : "Who Will Survive in America" is the final track of the standard edition of American rapper Kanye West's album "My Beautiful Dark Twisted Fantasy". The piece, featuring no vocals from West himself, serves as the album's coda and is built on a sample of Gil Scott-Heron's "Comment No. 1", a blunt, surrealist piece delivered by Scott-Heron in spoken word about the African-American experience and the faded idealism of the American dream. Scott-Heron's poem, which criticized the 1960s Revolutionary Youth Movement for failing to recognize the more basic needs of the African-American community, is edited to a reduced version on the track that, according to music writer Greg Kot, "retains its essence, that of an African-American male who feels cut off from his country and culture". By contrast, Sean Fennessey interprets it as "a too-serious denouement for an album that is more about the self's little nightmares than some aching societal rejection". West had previously sampled Scott-Heron on "My Way Home", a track from his 2005 album "Late Registration". Context_4 : Gilbert "Gil" Scott-Heron (April 1, 1949 May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues". His music, most notably on "Pieces of a Man" and "Winter in America" in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul. In fact, Scott-Heron himself is considered by many to be the first rapper/MC ever, a recognition also shared by fellow American MC Coke La Rock. Context_5 : "The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves is a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards. Context_6 : A New Black Poet - Small Talk at 125th and Lenox, also known simply as Small Talk at 125th and Lenox, is the debut album of recording artist Gil Scott-Heron, released in 1970 on Flying Dutchman Records. Recording sessions for the album were originally said to have taken place live at a New York nightclub located on the corner of 125th Street and Lenox Avenue, but liner notes included in the 2012 box set "The Revolution Begins: The Flying Dutchman Masters", Scott-Heron himself insists that a small audience was brought to 'the studio' and seated on 'folding chairs'. By the time of the recordings, Scott-Heron had published a volume of poetry and his first novel, "The Vulture". Well received by music critics who found Scott-Heron's material imaginative, "Small Talk at 125th and Lenox" has been described as "a volcanic upheaval of intellectualism and social critique" by Allmusic editor John Bush. Context_7 : Unaccustomed Earth is a collection of short stories from Pulitzer Prize winning author Jhumpa Lahiri. This is her second collection of stories, the first being the Pulitzer-winning "Interpreter of Maladies". As with much of Lahiri's work, "Unaccustomed Earth" considers the lives of Bengali American characters and how they deal with their mixed cultural environment. Context_8 : The Best Of Gil Scott-Heron is a 1984 compilation album by American recording artist Gil Scott-Heron, released on the Arista label. Context_9 : We're New Here is a remix album by American recording artist Gil Scott-Heron and English music producer Jamie xx, released on February21,2011, by Young Turks and XL Recordings. A longtime fan of Scott-Heron, Jamie xx was approached by XL label head Richard Russell to remix Scott-Heron's 2010 studio album "I'm New Here". He worked on the album while touring with his band The xx in 2010 and occasionally communicated with Scott-Heron through letters for his approval to rework certain material. Context_10 : The Mind of Gil Scott-Heron (subtitled "A Collection of Poetry and Music") is a 1978 album by spoken word and rap pioneer Gil Scott-Heron. Like many of Scott-Heron's albums, the album's content primarily addresses political and social issues; however, "The Mind of Gil Scott-Heron" relies far more on his spoken word delivery than his other albums. Whereas much of the artist's earlier albums contained backup jazz-funk music from Brian Jackson, many of these tracks, which address contemporary issues such as Watergate, the pardon of Richard Nixon and the Attica Prison riot, are either live recordings or studio-recorded songs with little more than sparse drum backing or occasional instrumentation. Many of the tracks featured were included on previous Gil Scott-Heron albums. fact_1 : Gilbert "Gil" Scott-Heron (April 1, 1949 May 27, 2011) was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. fact_2 : Nilanjana Sudeshna "Jhumpa" Lahiri (Bengali: ; born on July 11, 1967) is an American author. Question: Did Gil Scott-Heron and Jhumpa Lahiri same the same nationality?
A:
yes