Problem: Anna May Wong (January 3, 1905 - February 3, 1961) was an American actress. She is considered to be the first Chinese American movie star, as well as the first Chinese American actress to gain international recognition. Her long and varied career spanned silent film, sound film, television, stage, and radio.

After the major disappointment of losing the role in The Good Earth, Wong announced plans for a year-long tour of China, to visit her father and his family in Taishan. Wong's father had returned to his hometown in China with her younger brothers and sister in 1934. Aside from Mei Lanfang's offer to teach her, she wanted to learn more about the Chinese theater and through English translations to better perform some Chinese plays before international audiences. She told the San Francisco Chronicle on her departure, "... for a year, I shall study the land of my fathers. Perhaps upon my arrival, I shall feel like an outsider. Perhaps instead, I shall find my past life assuming a dreamlike quality of unreality." Embarking in January 1936, she chronicled her experiences in a series of articles printed in U.S. newspapers such as the New York Herald Tribune, the Los Angeles Examiner, the Los Angeles Times, and Photoplay. In a stopover in Tokyo on the way to Shanghai, local reporters, ever curious about her romantic life, asked if she had marriage plans, to which Wong replied, "No, I am wedded to my art." The following day, however, Japanese newspapers reported that Wong was married to a wealthy Cantonese man named Art. During her travels in China, Wong continued to be strongly criticized by the Nationalist government and the film community. She had difficulty communicating in many areas of China because she was raised with the Taishan dialect rather than Mandarin. She later commented that some of the varieties of Chinese sounded "as strange to me as Gaelic. I thus had the strange experience of talking to my own people through an interpreter." The toll of international celebrity on Wong's personal life manifested itself in bouts of depression and sudden anger, as well as excessive smoking and drinking. Feeling irritable when she disembarked in Hong Kong, Wong was uncharacteristically rude to the awaiting crowd, which then quickly turned hostile. One person shouted: "Down with Huang Liu Tsong - the stooge that disgraces China. Don't let her go ashore." Wong began crying and a stampede ensued. After she left for a short trip to the Philippines, the situation cooled and Wong joined her family in Hong Kong. With her father and her siblings, Wong visited his family and his first wife at the family's ancestral home near Taishan. Conflicting reports claim that she was either warmly welcomed or met with hostility by the villagers. She spent over 10 days in the family's village and some time in neighboring villages before continuing her tour of China. After returning to Hollywood, Wong reflected on her year in China and her career in Hollywood: "I am convinced that I could never play in the Chinese Theatre. I have no feeling for it. It's a pretty sad situation to be rejected by Chinese because I'm 'too American' and by American producers because they prefer other races to act Chinese parts." Wong's father returned to Los Angeles in 1938.

Did she suffer from depression during her tour of China?

Answer with quotes: Feeling irritable when she disembarked in Hong Kong, Wong was uncharacteristically rude to the awaiting crowd, which then quickly turned hostile.

Question:
Born Lucille Fay LeSueur in San Antonio, Texas, the youngest and third child of Anna Bell (Johnson) and Thomas E. LeSueur, a laundry laborer. She was of English, French Huguenot, Swedish, and Irish ancestry. Crawford's elder siblings were sister Daisy LeSueur, who died before Lucille's birth, and brother Hal LeSueur. Crawford's father abandoned the family a few months before her birth, reappearing later in 1930 in Abilene, Texas, reportedly working as a construction laborer.
On May 8, 1977, Crawford gave away her beloved Shih Tzu, "Princess Lotus Blossom," being too weak to care for her. Crawford died two days later at her New York apartment of a heart attack. A funeral was held at Campbell Funeral Home, New York, on May 13, 1977. In her will, which was signed on October 28, 1976, Crawford bequeathed to her two youngest children, Cindy and Cathy, $77,500 each from her $2,000,000 estate. She explicitly disinherited the two eldest, Christina and Christopher: "It is my intention to make no provision herein for my son, Christopher, or my daughter, Christina, for reasons which are well known to them". She also bequeathed nothing to her niece, Joan Lowe (1933-1999; born Joan Crawford LeSueur, the only child of her estranged brother, Hal). Crawford left money to her favorite charities: the U.S.O. of New York, the Motion Picture Home, the American Cancer Society, the Muscular Dystrophy Association, the American Heart Association, and the Wiltwyck School for Boys. A memorial service was held for Crawford at All Souls' Unitarian Church on Lexington Avenue in New York on May 16, 1977, and was attended by, among others, her old Hollywood friend Myrna Loy. Another memorial service, organized by George Cukor, was held on June 24 in the Samuel Goldwyn Theater at the Academy of Motion Picture Arts and Sciences in Beverly Hills. Crawford was cremated and her ashes were placed in a crypt with her fourth and final husband, Alfred Steele, in Ferncliff Cemetery, Hartsdale, New York. Joan Crawford's handprints and footprints are immortalized in the forecourt of Grauman's Chinese Theater on Hollywood Boulevard in Hollywood. She has a star on the Hollywood Walk of Fame at 1752 Vine Street for her contributions to the motion picture industry. Playboy listed Crawford as #84 of the "100 Sexiest Women of the 20th century". Crawford was also voted the tenth greatest female star of the classic American cinema by the American Film Institute.
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What else did the media cover?

Answer:
Crawford was also voted the tenth greatest female star of the classic American cinema by the American Film Institute.