Problem: Background: Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Track Records/Polydor, and Reprise Records in North America. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album.
Context: According to music journalist David Stubbs, Electric Ladyland is "undoubtedly a rock album, albeit rock on the point of evolving into something else." Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album Band of Gypsys. During its recording, Kramer experimented with innovative studio techniques such as backmasking, chorus effect, echo, and flanging, which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album. Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", a UK single the previous summer (1967), the extended blues jam "Voodoo Chile", the New Orleans-style R&B of Earl King's "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", the social commentary of "House Burning Down", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff. "All Along the Watchtower" became the band's highest-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. The album also included one of Hendrix's most prominent uses of a wah-wah pedal, on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.
Question: Any other covers?
Answer: The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower",

Problem: Background: Nicholas Edward Cave (born 22 September 1957) is an Australian musician, singer-songwriter, author, screenwriter, composer and occasional film actor, best known as the frontman of the rock band Nick Cave and the Bad Seeds. Cave's music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with death, religion, love and violence. Born and raised in rural Victoria, Cave studied art before turning to music in the 1970s. As frontman of the Boys Next Door (later renamed the Birthday Party), he became a central figure in Melbourne's burgeoning post-punk scene.
Context: Cave was born on 22 September 1957 in Warracknabeal, a small country town in the state of Victoria, Australia, to Dawn Cave (nee Treadwell) and Colin Frank Cave. As a child, he lived in Warracknabeal and then Wangaratta in rural Victoria. His father taught English and mathematics at the local technical school; his mother was a librarian at the high school that Nick attended. Cave's father introduced him to literary classics from an early age, such as Crime and Punishment and Lolita, and also organised the first symposium on the Australian bushranger and outlaw Ned Kelly, with whom Nick was enamoured as a child. When Cave was 9 he joined the choir of Wangaratta's Holy Trinity Cathedral. At 13 he was expelled from Wangaratta High School. In 1970, having moved with his family to the Melbourne suburb of Murrumbeena, he became a boarder and later day student at Caulfield Grammar School. He was 19 when his father was killed in a car accident; his mother told him of his father's death while she was bailing him out of a St Kilda police station where he was being held on a charge of burglary. He would later recall that his father "died at a point in my life when I was most confused" and that "the loss of my father created in my life a vacuum, a space in which my words began to float and collect and find their purpose". After his secondary schooling, Cave studied painting at the Caulfield Institute of Technology in 1976, but dropped out the following year to pursue music. He also began using heroin around the time that he left art school. Cave attended his first music concert at Melbourne's Festival Hall. The bill consisted of Manfred Mann, Deep Purple and Free. Cave recalled: "I remember sitting there and feeling physically the sound going through me."
Question: Who was playing at his first concert
Answer: Manfred Mann, Deep Purple and Free.

Problem: Background: Alan Victor White (born 26 May 1972 in Lewisham, South London) is an English rock drummer, best known as being the drummer of the English rock band Oasis from 1995 to 2004. Before Oasis, he was the drummer of Starclub from 1991 to 1994. He is the longest serving drummer in Oasis's history, performing on four studio albums, two compilation albums and one live album during his tenure. He joined the band in May 1995 after the band's original drummer Tony McCarroll was removed from the band.
Context: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album. According to Oasis' spokesperson, there were some new tracks and demos with White's performances, which were made at the end of 2003 and early 2004 as the very first demos for their upcoming album, before his departure. In an interview, Noel Gallagher alluded to White's personal problems: "He's a ******* great guy, and he's one of the best drummers I've ever met in my life, but his personal life is ******* chaos. In the end he ****** ***, and we haven't seen him since." In an interview on Radio 1 with Chris Moyles (15 August 2008), Noel Gallagher stated that White was "kicked out" of the band. There is also evidence to suggest that White was upset that his drums were going down so low in the mix on top of the prevalence of drum loops ("Go Let It Out", "Gas Panic!", "The Hindu Times", "Better Man", "Force of Nature"). On one Q&A with Freddie Gee, he had said: "Well, I don't like that my drums get turned down with each successive mix we do of an album, but one mustn't grumble in this band." White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo particularly was cited as one of White's biggest drumming influences. Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording for Don't Believe the Truth (2005).
Question: What did he do after leaving Oasis?
Answer:
White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo