IN: Carradine was born on December 8, 1936 as John Arthur Carradine, in Hollywood, California, the oldest child of actor John Carradine and his wife Ardanelle Abigail (McCool). He was a half-brother of Bruce, Keith, Christopher, and Robert Carradine, and an uncle of Ever Carradine and Martha Plimpton, most of whom are also actors. Primarily of Irish descent, he was a great-grandson of Methodist evangelical author Beverly Carradine and a grandnephew of artist Will Foster. Called Jack by his family, Carradine's childhood was turbulent.

On June 3, 2009, at the age of 72, David Carradine was found dead in his room at the Swissotel Nai Lert Park Hotel on Wireless Road, near Sukhumvit Road, in central Bangkok, Thailand. He was in Bangkok to shoot his latest film, titled Stretch. A police official said that Carradine was found naked, hanging by a rope in the room's closet, causing immediate speculation that his death was suicide. However, reported evidence suggested that his death was accidental, the result of autoerotic asphyxiation. Two autopsies were conducted, one involving the celebrity pathologist Pornthip Rojanasunan, and both concluded that the death was not a suicide. The cause of death became widely accepted as "accidental asphyxiation." Immediately following his death, two of Carradine's former wives, Gail Jensen and Marina Anderson, stated publicly that his sexual interests included the practice of self-bondage. Anderson, who had plans to publish a tell-all book about her marriage to Carradine, said in an interview with Access Hollywood, "There was a dark side to David, there was a very intense side to David. People around him know that." Previously, in her divorce filing, she had claimed that "it was the continuation of abhorrent and deviant sexual behavior which was potentially deadly." Photographs of Carradine at the death scene, as well as photographs of his autopsied body, were circulated in newspapers and on the Internet. His family, represented by his brothers, Keith and Robert, pleaded with the public and the press to let them mourn their loved one in peace. Carradine's funeral was held on June 13, 2009, in Los Angeles. His bamboo casket was buried at Forest Lawn Memorial Park. Among the many stars and family members who attended his private memorial were Tom Selleck, Lucy Liu, Frances Fisher, James Cromwell, Steve Railsback, and Chris Potter. His grave was marked on December 3, 2009. The monument proclaimed him to be "The Barefoot Legend" and included a quote from "Paint", a song he wrote and performed as the theme to Sonny Boy, as an epitaph.
QUESTION: What else is notable about his death?
IN: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.

When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there. From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media. Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado.
QUESTION: Did the Songs get any recognition?
IN: The Algonquin Round Table was a group of New York City writers, critics, actors, and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country. Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively.

Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff. No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play." The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood. With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances.
QUESTION:
What songs were in the play?