The answer to the question: What is the full name of the character whose daughter occasionally swims in a mermaid costume. is inside the article: Axel Nordstrom manages a glass-bottom boat tourist operation in the waters of Santa Catalina Island, California. His widowed daughter, Jennifer Nelson, occasionally helps by donning a mermaid costume and swimming underneath his boat for the passengers' amusement. One day, Jennifer accidentally meets Bruce Templeton when his fishing hook snags her costume. He reels in the bottom half, leaving the irate Jennifer floating in the water without pants. Jennifer later discovers that Templeton is a top executive at her new place of employment, a NASA aerospace research laboratory in Long Beach, where she works in public relations. Templeton later recognizes Jennifer at the research laboratory and hires her for a new full-time assignment: to be his biographer and write his life story. His real purpose is to win her affections. There is a problem: the laboratory's security chief, Homer Cripps, after observing her mysterious behavior and curious, code-like phone calls, concludes that Jennifer is a Soviet spy. To prove his suspicions, he has Jennifer put under surveillance by everyone at the lab. When she learns of this, Jennifer sets out to turn the tables on the bumbling Cripps by pretending that she is a spy, a charade that eventually exposes a real spy., can you guess it ?
Ans: Axel Nordstrom

The answer to the question: What band released "Mandatory Suicide" and "South of Heaven?" is inside the article: Two songs taken from the album ("Mandatory Suicide" and "South of Heaven") have become near constant fixtures in the band's live setlist, notching up appearances on the following: the live DVDs Live Intrusion, War at the Warfield, Still Reigning, Soundtrack to the Apocalypse's deluxe edition's bonus live disc, and the live double album Decade of Aggression. Lombardo guested with Finnish cellist group Apocalyptica on a live medley of the two tracks at 1998's Headbanger's Heaven festival in the Netherlands. Adrien Begrand of PopMatters described "South of Heaven" as "an unorthodox set opener in theory", noting "the song went over like a megaton bomb detonating the place: dozens of inverted crosses projected behind the high drum riser, the sinewy opening notes kicked in, followed by an overture of bass, cymbal crashes, and tom fills, leading up to the slowly building crescendo" in a concert review. Lombardo remembers listening to a live rendition of "South of Heaven" and thinking, "'Man! There's just so much groove in that song.' To my kids I was saying, 'Listen to that! Listen to how groovy that is!' And it's heavy." A live version of the track featured on the JAGERMUSIC Rarities 2004 promotional CD, given away to attendees at the Spring 2004 Jagermeister Music Tour. A live rendition of "South of Heaven" was also included on a bonus DVD which came with the group's 2007 re-release of ninth studio album Christ Illusion, shot in Vancouver, British Columbia during 2006's Unholy Alliance tour."Behind the Crooked Cross" is rarely played live as Hanneman hates the track, though King has always wanted to play it "because it's got a cool intro" despite it not being his favorite song. King said "that's fine" when speaking of the situation, noting "there are songs that he wants to play that I always shoot down". "Ghosts of War" isn't King's favorite song either, which he attests "everybody always wants to hear" performed live. He confessed; "I like the ending, you know, I like the big heavy part and I always say, 'Let's..., can you guess it ?
Ans: Slayer

The answer to the question: What are the names of the people that wrote the opera The Mikado? is inside the article: By the late 1950s, Covent Garden was gradually abandoning its policy of productions in the vernacular; such singers as Maria Callas would not relearn their roles in English. This made it easier for Tucker to point up the difference between the two London opera companies. While Covent Garden engaged international stars, Sadler's Wells focused on young British and Commonwealth performers. Colin Davis was appointed musical director in succession to Gibson in 1961. The repertoire continued to mix familiar and unfamiliar operas. Novelties in Davis's time included Pizzetti's Murder in the Cathedral, Stravinsky's Oedipus rex, Richard Rodney Bennett's The Mines of Sulphur and more Janacek. Sadler's Wells's traditional policy of giving all operas in English continued, with only two exceptions: Oedipus rex, which was sung in Latin, and Monteverdi's L'Orfeo, sung in Italian, for reasons not clear to the press. In January 1962, the company gave its first Gilbert and Sullivan opera, Iolanthe, on the day on which the Savoy operas came out of copyright and the D'Oyly Carte monopoly ended. The production was well received (it was successfully revived for many seasons until 1978) and was followed by a production of The Mikado in May of the same year.The Islington theatre was by now clearly too small to allow the company to achieve any further growth. A study conducted for the Arts Council reported that in the late 1960s the two Sadler's Wells companies comprised 278 salaried performers and 62 guest singers. The company had experience of playing in a large West End theatre, such as its 1958 sell-out production of The Merry Widow that had transferred to the 2,351-seat London Coliseum for a summer season. Ten years later, the lease of the Coliseum became available. Stephen Arlen, who had succeeded Tucker as managing director, was the primary advocate for moving the company. After intense negotiations and fund-raising, a ten-year lease was signed in 1968. One of the company's last productions at the Islington theatre was..., can you guess it ?
Ans: Gilbert