input question: Select the correct sentiment of the following review: I first saw this as a child living in East London. The scars of Hitlers Luftwaffe were all too evident and the landscape of the movie was reminiscent of our street. I remember having nightmares after seeing it. The odd thing is, it really hasn't dated if viewed as a piece of social history in Cinema fiction.

Apart from a globally destructive war, the scale of the machines was badly awry, more Nano-Technology now, but overall, an excellent and well-crafted work. It was interesting to see how space travel was perceived back then. I would think that firing a spacecraft from a gigantic gun would almost certainly kill the astronauts. However, much was right. Mans desire for war, mans inhumanity to man. The means of war as a catalyst for development.

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output answer: positive

input question: Select the correct sentiment of the following review: I have loved this movie ever since it's debut in 1981! I have lost track of how many times I have seen it! It never fails to make me laugh or cheer me up if i am feeling down. The three leads are fantastic and the script is priceless, plus how do you not get nostalgic hearing the theme song? I think I quote this movie without realizing it. I basically know the entire script, so when someone is watching it for the first time I have to hold back saying something about how funny the next line it. I can't even narrow it down, although, Sir John's character probably gets the most memorable ones. The famous "I'll alert the media" when Arthur announces his intention to take a bath is still priceless, but the list is truly endless. The scene's at Arthur's soon to be fiance's father's house are a scream, particularly his interactions with the moose. Do yourself a favour and see this movie!
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output answer: positive

input question: Select the correct sentiment of the following review: I am currently on vacation in Israel for summer, and so was able to see this incredible film. A bit of a warning before I begin writing: I speak fluent Hebrew, and so the Hebrew parts were no problem; however, about a quarter (a bit less) of the film is in Arabic, and I was unable to understand a bit of this subtitled bit. This did not detract from my understanding of the film, but did cause me to miss a few jokes which evoked some strong laughs in the theater.

After a year of American Cinema which many hailed as one of the greatest years for homosexual cinema and relationships, it takes something truly special to stand head and shoulders above the rest; yet, "The Bubble" surpasses all others with its blend of excellent acting, witty dialogue, and relevant political climate.

The film opens on a checkpoint on the Israeli-Palestinian border; For the first few moments, we are unsure about the type of movie we have walked in on. Yet, this is an important element of this film's strength. The political situation, and the extreme tension in the air is constantly in the background. Most importantly, Tel Aviv serves as a character of its own in this film. It is constantly referenced. Street names and restaurant names are constantly exchanged. The skyline and city development is critiqued quite harshly, and ultimately the city evolves along with the film The film focuses on the love between Noam (Ohad Knoller) and a Palestinian immigrant, Ashraf(Yousef 'Joe' Sweid), with the societies of Tel Aviv and Palestine serving as a constant foil. We always know that their relationship is forbidden, and this creates a sense of urgency rarely present in cinema. The love is incredibly strong, and stands as the centerpiece of the film. The secondary relationships and friendships are equally strong: flamboyant restaurant owner Yelli's ( Yousef 'Joe' Sweid) relationship with the ultra-butch and grating golani solider, Golan (Zohar Liba), is particularly a source of amusement. The love scenes which abound in this film are all exquisite, fine crafted works of art, and the cinematography is astounding: In the first love scene of the film, the camera pans down as a male character gives oral sex to Lulu (Daniela Virtzer), and dissolves into a shot of Noam and Ashraf. This shot any many others lead the viewer to realize that all of these relationships are expressions of the very same form of love.

To give away more of the storyline would be a tragedy, but know that there is a lot of political tension and tragedy which touches onto the current world political climate, so I will instead focus on the witty dialogue. Even when watching this movie in my second language, I could not stop laughing throughout. Lines of particular amusement include the question of whether gay suicide bombers receive virgin women or men in heaven, and an analogy of Sampson from the bible as the worlds first suicide bomber. This dialogue shows a particular sense of purity and reality which is rarely seen in Cinema. The music used in the film is also particularly powerful. Music is only used in times when characters legitimately could or should be listening to it, and in one scene the music weakens when a character removes one earphone and stops when he removes the other. Little elements like this truly elevate the film.

I could not give greater recommendation to a film; this is a superb work of cinema which is catharthic as well as extremely well crafted.
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output answer:
positive