In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: after a rather disappointing " mary railly " , stephen frears is now officially back in business with a comeback worthy of praise .
this is one of the best surprises of this season -- a sweet , small budget comedy with a big heart
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in fact it 's not even a comedy .
it 's a drama or even more precise -- a clever satire on human relationships and needs .
based on a 1995 critically acclaimed novel by british author nick hornby , ' ' high fidelity ' ' is a wry and likable story about a man 's quest for fulfillment and happiness .
rob gordon was a dj .
it seems that he could make everything spin -- except his own life .
now he owns championship vinyl , a little musical store , somewhere in new york .
when he suddenly gets dumped by his girlfriend , a gorgeous blond attorney , life suddenly looses every purpose .
decimated , humiliated and on the verge of a mental ( and emotional ) breakdown , he starts meditating over his life and the way it could have been -- about what 's right and what 's important .
he starts " categorizing " life , dividing it into " top 5 lists " .
and the most important is the " top 5 list " over the most painful breakups of his life , starting with 5th grade , when he found his young girlfriend with another boy .
though you might think that people change , grow more mature with age , it just does n't seem that way and all rob 's relationships were different versions of that first .
where did he go wrong ?
was it he that screwed up ?
or maybe life just stinks ?
while he is lost in his own self - pity , he must think of the " top 5 list " over his needs for the future , find the right elements and mix his life together .
with clever parallels to the cult of celebrity , music and with incredibly direct narration , it addresses the average audience member , in other words -- people like you and me .
although a lot of this honor should be addressed to the screenwriter
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_ _ and frears , the director , the acting is equally important as the written word .
and here john cusack should absolutely be mentioned .
he is simply superb .
it is as much his movie as it is frears ' .
the film would not be the same without him .
cusack -- whose character is sadder , wiser and 35 -- brings intelligence and warmth to post- mod irony .
most of his dialogue is delivered directly to the camera -- not an easy task -- but cusack pulls it off .
his interpretation feels so emotionally right , so incredibly realistic and precise
that frears ' message simply ca n't be ignored or overseen .
the other members of the cast do an equally remarkable job .
both
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_ and jack black are fabulous .
even catherine zeta jones appears in a role where she actually acts , not just looks beautiful .
however , the most unexpected pleasant surprises is provided by todd louiso who delivers a spectacular comic performance as rob 's co - worker and friend dick .
this is such an impressive achievement that it 's almost worth
a oscar - nomination .
he is simply a joy to behold .
otherwise , everyone are in their place , and at the right time -- all part of frears ' colorful blend .
pretty much like edward norton 's " keeping the faith " , this film does n't follow any formula or belong to any genre
-- it 's dramatic , tragic , sarcastic , comic and even cynical , but never bitter or angry .
it 's a little bit of everything , pretty much like life itself .
nothing seems unreal or staged .
it reflects reality as a mirror .
as you watch it , you go through the same emotional problems as the main character .
you feel and think and reflect .
this effect has become a rarity nowadays .
although it 's primarily about the perils of love , ' ' high fidelity ' ' is secondarily about pop music .
rob owns championship vinyl and his employees , timid dick ( todd louiso ) and overbearing barry ( jack black ) , are fellow music snobs .
music is the language in their lives , the measure by which they define themselves and mark the significant events of their lives .
and so does the movie .
it is as much a musical film as anything else , as rob 's journey is wonderfully portrayed through carefully inserted musical fragments .
in the end , you have gained something while watching it .
it 's not the film of the century or even of the year .
it 's not an special effects extravaganza .
it does n't require big explosions or digital creatures to succeed .
it 's a small movie about the big things .
and even though it does not contain heavy philosophy , you feel as if you have experienced something of significance , and you will experience that nice warm feeling for quite some time .
[EX A]: P

[EX Q]: if you do n't think kevin kline in drag is funny , wait ?
til you see will smith in drag - it 's even less funny .
by the time jim west ( smith ) disguised himself as a belly dancer to bail his captured comrade , artemus gordon ( kline ) , from the clutches of evil dr .
loveless ( branagh ) ,
i was unequivocally bored by wild wild west , the new summer blockbuster from men in black director barry sonnenfeld .
is the old west really a breeding ground for high comedy , anyway ?
( if your answer is no , then you recall rustler 's rhapsody or back to the future part iii ; if your answer is yes , you 're thinking of blazing saddles , but that movie was a parody of the western genre , not a nineteenth century romp . )
1869 .
jim west is a quick - draw lawman who teams up with brainiac federal agent gordon , under orders from president grant ( kline again , whose impression , for all we know , is dead - on ) , to apprehend legless loveless , the mad inventor who is plotting to divvy up the united states and sell it back to britain and spain .
how will loveless accomplish this ?
well , by hulking around the desert in an enormous , mechanical tarantula , of course .
bosomy dance hall girl rita escobar ( hayek ) , whose scientist father was kidnapped by loveless , joins west and gordon on their gadget - filled train .
( gordon first discovers rita in a cage , waiting to be rescued . )
racial politics obviously prevented the filmmakers from pairing dull rita romantically with west , despite the movie 's " hip " attitude toward the black thing .
( west automatically shoots anyone who calls him a " nigger " before that person can finish speaking the word .
super . )
at any rate , i kept waiting for rita to say something humourous , but she 's a walking dress - up toy .
( her single comic moment is also the best shot of the film : she bashfully reveals bare bumcheeks through the peek - a - boo flap of her pyjamas . )
jim west is the role that finally stymied will smith , whose comic timing has always been hit or miss , as episodes of " the fresh prince of bel - air " demonstrate .
smith 's a better reactor than actor , which is why he was so thoroughly engaging in men in black - he did n't start out a hero .
in wild wild west
he 's required to exude eastwood cool and amuse at the same time ( and from frame one ) , a difficult feat i 'm not sure any living performer could pull off .
smith is ill equipped , for example , to handle the moment in which jim west performs stand - up for some rednecks at his own hanging .
what attracted sonnenfeld to this material ?
this is n't the first time he has adapted a tv show for the big screen ( the addams family , anyone ? ) , but it 's the first big stinker of his career as a director .
wild wild west is poorly - paced bombast , full of doa gags
( ted levine shows up as a general who uses a gramophone horn for a hearing aid ; levine played buffalo bill in the silence of the lambs - he 's too intense to get an intentional laugh ) , lousy special effects
( the bluescreening is amateurish - foregrounds are never proportionate to the backgrounds ) , and frequent illogic .
( to wit , its ridiculous villain so badly wants jim west out of the way that he . . . drops him onto a steel platform to do battle with some generic , ugly henchmen , instead of shooting him at point blank rage with one of the many guns on board the tarantula . )
wild wild west 's bright spots , such as the cool opening credits sequence , bai ling 's all - too - brief appearance as a femme fatale , or the brilliant " his master 's voice " joke , are all part of the film 's first half , which is more clever and enjoyable , at least , than its second .
when , towards what seemed like the end of wild wild west , gordon proposes the idea of building an airplane and west rejects it , there was a collective groan among audience members : it meant we were going to have to sit through another loud action sequence before gordon builds the glider , the invention of which would inevitably lead to the proverbial whiz - bang finale .
[EX A]: N

[EX Q]: this is a stagy film adapted from roger rueff 's play " hospitality suite . ' ' its about three travelling salesmen attending an industrial convention , whose chicago company has sent them to wichita , where the company has paid all their expenses for them to rent a hospitality suite on the 16th floor of the hotel , where they aim to score a substantial account from the big kahuna , someone named dick fuller , who is the head of a big industrial corporation .
he is someone they have never met before , but they want to sell him industrial lubricants
and they want desperately to land this new account , it is their only reason for coming to the convention .
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the big kahuna " revels in salesmen - talk among the three white christian males , two of them , larry ( spacey ) and phil ( devito ) , who are veteran salesmen , having teamed together for the last twelve years , while bob ( facinelli ) is a young man who has just recently been hired by the firm and works in the research department .
these three are virtually imprisoned in their small hospitality suite waiting to meet the big kahuna , as the focus of this claustrophobic film is on their interactions in the hospitality suite .
the three salesmen have different things on their mind that is troubling them and a different attitude to their job , and they are each going through internal changes that are profoundly altering their life .
the outstanding cast tries to figure out in their own way what they are doing and why .
what comes into question is their opinions on life and death , on god and morality , and on how they make a living .
these are tough questions and the truth seems to be somewhere in their sales pitch .
their dialogue is acerbic , witty , and analytical .
following in the long tradition of salesmen films -- from death of a salesman , the tin men , and glengarry glen ross , as this film tries to get you to see what there is about salesmanship that gets these men high .
in this case , it is landing the big kahuna .
they each are trying to see why he 's on top and why they are chasing after him .
what makes this film different than the others , is its blatant religious message , comparing orthodox religion to what they do , as both must sell their product .
and how after each one 's psyche is stripped clean by the other , there is a pause and some lesson about life has sunk in that is pertinent to each .
the goal in the movie is not in literally landing the big kahuna , but in finding out what bill of goods they sold themselves that made them be salesmen .
larry and phil have one way of doing things and have no qualms of incorporating a sales pitch as part of their life .
bob thinks he is above the fray and he pitches every chance he can get about his belief in jesus christ .
his vacuous character and smug outlook on life are covered by a disarming smile and an eagerness for him to prove in his actions the words of jesus he literally believes in .
bob is a baptist , who takes a very non - questioning and literal attitude about religion .
to just look at another woman and lust after her is a sin , according to the way he reads the bible .
when asked by larry why he married his wife , he seems puzzled and ca n't even say because he loves her , only that marriage is something sacred to him .
the contrast in their personalities is stark .
larry is all business , he simply wants to close the sale .
he comes into the room pumped for the convention , using his attack mode to establish how serious he is about being a salesman .
he criticizes phil for being so placid , for getting such a small suite , for having the cheap food tray of carrot sticks rather than the one of stuffed shrimp , and for being burned - out .
he tells him to go on a vacation .
get a woman .
while phil is reflective on where all his best years have gone for him and is contemplating a career change , now that he is 52 and is painfully divorcing his wife , after having lived too lonely a life on the road for too long .
he now finds himself suffering from some troubling dreams and questioning what he believes in .
he has always been a charmer , shaking everyone 's hand , trying to please his clients while trying to make the sale .
larry is more aggressive as a salesman , he is always a heart attack away from every big sale .
in contrast , bob is only in his twenties and everything seems fresh to him .
this is his first time for him on the road .
when dick fuller does n't arrive at the party the salesmen throw , larry becomes confrontational and asks phil if he spoke to the man himself about the gathering .
when told that he spoke to the secretary , larry throws a tantrum and is resigned to going back to their home office without the new account .
but when they start talking to bob , whom they forced to act as the bartender , they are surprised to learn that fuller did indeed come but was wearing another man 's name tag and that bob spent the entire evening consoling the tycoon over his recently deceased dog and then talking to him about jesus .
bob then tells the boys about a private party fuller is attending afterwards , and that he invited bob to attend .
larry and phil ca n't fathom how bob did n't make a sales pitch .
but they soon take another tact and decide to prep bob on how to get fuller 's attention about their company 's product as they sent him off to meet fuller , and will await his return in the hotel room .
these two sharp salesmen are reduced to waiting for this smug kid to come back and tell them he saved their ass .
the irony of their situation is played out in the darkness of the hotel room , as they stay up late into the night trying to make sense out of their lives .
these three performers were outstanding , each understanding what their role called for , each coming through with a marvelous performance .
the only problem with the film , is that its more of a play than a cinematic experience .
but the insightful dialogue and refreshing dramatics , give it an intelligent selling point and make it a good product to see .
[EX A]:
P