You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]: The film starts with the Polaroid photograph of a dead man. As the sequence plays backwards the photo reverts to its undeveloped state, entering the camera before the man is shot in the head. This is followed by sequences of black and white chronologically and color reverse-chronologically interspersed.
The black-and-white sequences begin with Leonard Shelby (Guy Pearce) in a motel room speaking to an unnamed telephone caller who is not shown on-screen. Leonard has anterograde amnesia and is unable to store recent memories, the result of an attack by two men. Leonard explains that he killed the attacker who raped and strangled his wife (Jorja Fox), but a second clubbed him and escaped. The police did not accept that there was a second attacker, but Leonard believes the attacker's name is John or James, with a last name starting with G. Leonard conducts his own investigation using a system of notes, Polaroids, and tattoos. As an insurance investigator, Leonard recalls one Sammy Jankis (Stephen Tobolowsky), also diagnosed with the same condition. Sammy's diabetic wife (Harriet Sansom Harris), who was not sure if his condition was genuine, repeatedly requested insulin injections to try to get him to break his act. As a result of these requests she overdoses, subsequently falling into a coma and dying.
The color sequences are shown reverse-chronologically. In the story's chronology, Leonard gets a tattoo, based on self-directed instructions, of John G's license plate. Finding a note in his clothes, he meets Natalie (Carrie-Anne Moss), a bartender who resents Leonard as he wears the clothes and drives the car of her boyfriend, Jimmy. After understanding his condition, she uses it to get Leonard to drive a man named Dodd (Callum Keith Rennie) out of town and offers to run the license plate to help his investigation. Meanwhile, Leonard meets with a contact, Teddy (Joe Pantoliano). Teddy helps with Dodd, but warns him about Natalie; Leonard finds a photo written to not trust him, however. Natalie provides Leonard the driver's license, which shows a John Edward Gammell, Teddy's full name. Confirming Leonard's information on "John G" and his warnings, Leonard meets Teddy and drives him to an abandoned building, killing him as shown in the opening.
In the final black-and-white sequence, prompted by the caller, Leonard meets Teddy in the motel lobby. Teddy is an undercover officer and has found Leonard's "John G," Natalie s boyfriend, Jimmy Grantz (Larry Holden), and directs Leonard to the same abandoned building outside of town. When Jimmy arrives, Leonard strangles him and takes a photo of the body. As it develops, the black-and-white transitions to color, thus beginning the color sequences. Leonard swaps clothes with Jimmy, hearing Jimmy whisper "Sammy." As Leonard has only told Sammy's story to those met, he doubts Jimmy is the attacker. Teddy arrives and asserts that Jimmy was John G. But when Leonard is not convinced, Teddy reveals that he helped Leonard find and kill the real attacker over a year ago, and he has been having Leonard kill troublesome people for him ever since. Jimmy was a police officer who was investigating them. Teddy points out that since "John G" is a common name, he will continually forget, beginning his search again and that even Teddy himself has a "John G" name. Further, Teddy claims that Sammy's story is actually Leonard's, and he has repressed the memory in order to escape his guilt.
After hearing Teddy's exposition, Leonard consciously burns Jimmy's photograph, drives off in Jimmy's car and has Teddy's license plate number tattooed on himself as the one of the second attacker, which will lead to the events of Teddy's death.
[EX A]: What type of camera does Leonard use to help with his memory?

[EX Q]: Chicago architect Sam Baldwin loses his wife Maggie to cancer. He and his eight-year-old son Jonah start anew in Seattle, Washington, but Sam continues to grieve. A year and a half later, on Christmas Eve 1992, Jonah who wants his father to find a new wife calls in to a radio talk show. Jonah persuades a reluctant Sam to go on the air to talk about how much he misses Maggie. Hundreds of women from around the country who hear the program and are touched by the story write to Sam. One of the listeners is Annie Reed, a Baltimore Sun reporter. She is engaged to amiable, suitable Walter but feels there is something missing from their cordial relationship, feeling no "magic". After watching the film An Affair to Remember, Annie impulsively writes a letter suggesting that Sam meet her on top of the Empire State Building on Valentine's Day. She does not intend to mail it, but her friend and editor Becky does it for her and agrees to send Annie to Seattle to "look into doing a story on those radio shows."
Sam begins dating a co-worker Victoria, whom Jonah dislikes. Jonah, a baseball fan, reads Annie's letter and likes that it mentions the Baltimore Orioles, but he fails to convince his father to go to New York to meet Annie. On the advice of his playmate Jessica, Jonah replies to Annie, agreeing to the New York meeting. While dropping Victoria off at the airport for a flight, Sam sees Annie exiting from her plane and is mesmerized by her, although he has no idea who she is. Annie later secretly watches Sam and Jonah playing on the beach together but mistakes Sam's sister for his girlfriend. He recognizes her from the airport and says "Hello," but Annie can only respond with another "Hello" before fleeing. She decides she is being foolish and goes to New York to meet Walter for Valentine's Day.
With Jessica's help, Jonah flies to New York without Sam's permission and goes to the Empire State Building searching for Annie. Distraught, Sam follows Jonah and finds him on the observation deck. Meanwhile, Annie sees the skyscraper from the Rainbow Room where she is dining with Walter and confesses her doubts to him, amicably ending their engagement. She rushes to the Empire State Building but is told that the observation deck is closed before the guard lets her go. She arrives at the top just moments after the doors to the down elevator close with Sam and Jonah inside.
In spite of the observation deck being deserted, Annie discovers a backpack that Jonah left behind. As she pulls out Jonah's teddy bear from the backpack, Sam and Jonah emerge from the elevator, and the three meet for the first time. On the advice of the elevator operator, Sam indicates they should go, momentarily making it unclear what his intentions are, and offers his hand to Annie. "Magic" is implied, because the couple keep holding hands as the three enter the elevator together. When the elevator door closes, the last thing we see is Jonah's beaming smile as he realizes his and Jessica's plan to bring Annie and his father together has worked.
[EX A]: What happens to Sam's wife?

[EX Q]: Two Bad Mice reflects Potter's deepening happiness in her professional and personal relationship with Norman Warne and her delight in trouncing the rigors and strictures of middle class domesticity. For all the destruction the mice wreak, it is miniaturized and thus more amusing than serious. Potter enjoyed developing a tale that gave her the vicarious thrill of the sort of improper behaviour she would never have entertained in real life.
The tale begins with "once upon a time" and a description of a "very beautiful doll's-house" belonging to a doll called Lucinda and her cook-doll Jane. Jane never cooks because the doll's-house food is made of plaster and was "bought ready-made, in a box full of shavings". Though the food will not come off the plates, it is "extremely beautiful".
One morning the dolls leave the nursery for a drive in their perambulator. No one is in the nursery when Tom Thumb and Hunca Munca, two mice living under the skirting board, peep out and cross the hearthrug to the doll's-house. They open the door, enter, and "squeak for joy" when they discover the dining table set for dinner. It is "all so convenient!" Tom Thumb discovers the food is plaster and loses his temper. The two smash every dish on the table "bang, bang, smash, smash!" and even try to burn one in the "red-hot crinkly paper fire" in the kitchen fireplace.
Tom Thumb scurries up the sootless chimney while Hunca Munca empties the kitchen canisters of their red and blue beads. Tom Thumb takes the dolls' dresses from the chest of drawers and tosses them out the window while Hunca Munca pulls the feathers from the dolls' bolster. In the midst of her mischief, Hunca Munca remembers she needs a bolster and the two take the dolls' bolster to their mouse-hole. They carry off several small odds and ends from the doll's-house including a cradle, however a bird cage and bookcase will not fit through the mouse-hole. The nursery door suddenly opens and the dolls return in their perambulator.
Lucinda and Jane are speechless when they behold the vandalism in their house. The little girl who owns the doll's-house gets a policeman doll and positions it at the front door, but her nurse is more practical and sets a mouse-trap. The narrator believes the mice are not "so very naughty after all": Tom Thumb pays for his crimes with a crooked sixpence placed in the doll's stocking on Christmas Eve and Hunca Munca atones for her hand in the destruction by sweeping the doll's-house every morning with her dust-pan and broom.
[EX A]:
What is the name of the vehicle that the dolls' possess?