Please answer the following question: Build a movie plot around this: What type of emotion did Eli need from Nina in the traumatic scene. Humilitation
Answer:
Cameron (Steve Railsback) is a young veteran running from the police. He stumbles onto the set of a World War I movie and isn't sure if he has accidentally caused the death of one of the film's stunt men. The eccentric and autocratic director, Eli Cross (Peter O'Toole), agrees to hide Cameron from the police if he will take the dead man's place. Cameron soon begins to suspect that Cross is putting him in excessive danger. At a bar one night, another member of the production gets drunk and tells Cameron that Eli almost killed the helicopter pilot during the fatal accident Cameron caused, because he insisted he keep flying in order to get the shot. Cameron falls in love with Nina Franklin (Barbara Hershey), the film's star, and is devastated to find out that she and Eli slept together before he met her.The boundaries between reality and fiction become increasingly blurred as Cross exercises godlike control over the production. During a screening of some footage for Nina's parents who are visiting the production, a nude sex scene with Nina is shown. Eli appears to be mortified, but allows the footage to play anyway. He waits until Nina is just about to shoot a traumatic scene the next day to tell her that her parents have seen the footage of her naked. It causes her to cry with humiliation, which seems to be the exact emotion Eli needs from her in the scene.The final day of filming involves a complicated stunt where Cameron has to drive a vintage Duesenberg off a bridge. Nina has two other scenes to shoot as well, but Cameron is convinced Eli will rig the stunt so he will die. He persuades Nina to run away with him, but they are unable to leave the set, which is kept sealed from the neighboring town by the police on Eli's orders. Nina hides in the trunk of the Duesenberg, promising to slip away with Cameron during the stunt.Before the scene is shot, Eli points to the Duesenberg and explains it is the only copy of the vintage car that the production has. He therefore orders that no one interrupt the filming of...