Question:
Tom Jenkinson grew up in Chelmsford, Essex. The first school he attended was affiliated with Chelmsford Cathedral giving him exposure to organ music, which he has subsequently acknowledged as an influence on his work. He took an interest in music very early in life, and simultaneously became interested in music reproduction equipment. Much of his early experience of music was from scanning through various radio stations for anything that caught his ear irrespective of style or genre, and he was also fascinated by radio static and amplitude modulation artefacts on the Short Wave band.
Using the same equipment from the sessions that produced the majority of Feed Me Weird Things Tom now set about working on the material for his first album for Warp. His broad conception for this record was "to push away from the jazz influence that was being felt at the time to a more soundtrack-type of sound". According to Tom he was listening to, amongst other things, early Lalo Schifrin and the "Deathwish" soundtrack by Herbie Hancock around this time. That said, the album also contains some abrupt diversions into quite different musical territory, evidenced in what Tom calls the "Industrial Psychedelia" of "Chin Hippy" and "Rustic Raver". Tom's electric bass work becomes very apparent on this record. He states that he was "still battling with the influence of Pastorius." He wanted to "make the styles interrogate each other, such that one track would question the premises of another and vice versa. As such I suppose it might indicate tentativeness, but in my mind at the time I liked the idea of bringing musical assumptions into question by smashing stylistically divergent elements into each other". In this he follows a precedent set by Frank Zappa, whom Tom claims is "always hovering in the background" for him. The sleeve artwork was generated from a set of images taken by Tom wandering about Chelmsford town centre. The front cover image is based on a view of the Gasometers situated at Wharf Road, near where he lived as a teenager. The 8-bit graphics reflect Tom's resurgence of interest in old video consoles and home computers at that time. This location was subsequently used in some of the press shots in the Hello Everything promotional campaign.
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Who were the personnel on the album HND?

Answer:

Question:
Exile, originally known as The Exiles, is an American band founded in Richmond, Kentucky, by J.P. Pennington. They started by playing local clubs which led to touring with Dick Clark's Caravan of Stars opening shows and providing backup for major rock artists of the period. Their name was shortened to Exile in 1973, consisting of guitarist Pennington, leader/lead singer Jimmy Stokley, Bernie Faulkner B3 sax acoustic guitar, Billy Luxon trumpet, keyboardist Buzz Cornelison, bassist Kenny Weir, and drummer Bobby Johns.
The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album. In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months. Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa. All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned. Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982.
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Did they release any other albums after the first one didn't do so great?

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Question:
Patrick Michael Rafter (born 28 December 1972) is an Australian former professional tennis player. He reached the Association of Tennis Professionals (ATP) world No. 1 singles ranking on July 26, 1999. His career highlights include consecutive US Open titles in 1997 and 1998 and consecutive runner-up at Wimbledon in 2000 and 2001.
His ranking had fallen to No. 21 by the time he reached the Wimbledon final in July 2000. In the semifinals, Rafter defeated Agassi 7-5, 4-6, 7-5, 4-6, 6-3. The match was hailed as a classic, particularly because of their contrasting playing styles, with Agassi playing primarily from the baseline and Rafter attacking the net. Rafter faced Sampras in the final, who was gunning for a record-breaking seventh Wimbledon title overall (and seven in the past eight years). While Rafter made a strong start to the match and took the first set, after the match he would claim that he had "choked" part way through the second set, and was then not able to get back into his game. Sampras won in four sets. In 2001, Rafter reached the semifinals of the Australian Open, but despite holding a two sets to one lead and having the support of the home crowd, Rafter lost the match to Agassi in five sets. Later in the year, Rafter again reached the Wimbledon final. For the third straight year, he faced Agassi in the semifinals and won in yet another five-setter, 2-6, 6-3, 3-6, 6-2, 8-6. Much like the previous year's semifinal, this match also received praise for the quality of play that the two men displayed. In the final, he squared off against Goran Ivanisevic, who had reached the Wimbledon final three times before but had slid down the rankings to World No. 125 following injury problems. In a five-set struggle that lasted just over three hours, Ivanisevic prevailed. He played his last match before his unexpected retirement at the Davis Cup final, winning the singles rubber but losing the doubles rubber. Rafter announced his retirement at the end of the year, stating that he had lost all motivation to compete at the top level, after not playing any matches during the season to recover from injuries.
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What were these semifinals for

Answer:
Wimbledon final