QUES: Xiamen dialect, sometimes known as Amoy, is the main dialect spoken in the Chinese city of Xiamen and its surrounding regions of Tong'an and Xiang'an, both of which are now included in the Greater Xiamen area. This dialect developed in the late Ming dynasty when Xiamen was increasingly taking over Quanzhou's position as the main port of trade in southeastern China. Quanzhou traders began travelling southwards to Xiamen to carry on their businesses while Zhangzhou peasants began traveling northwards to Xiamen in search of job opportunities. It is at this time when a need for a common language arose. The Quanzhou and Zhangzhou varieties are similar in many ways (as can be seen from the common place of Henan Luoyang where they originated), but due to differences in accents, communication can be a problem. Quanzhou businessmen considered their speech to be the prestige accent and considered Zhangzhou's to be a village dialect. Over the centuries, dialect leveling occurred and the two speeches mixed to produce the Amoy dialect.
When was Quanzhou taking over Xiamen's position as the main port of trade?

ANS: unanswerable

QUES: In 1914, Japan joined the Entente during World War I and captured various German Empire colonies, including several in Micronesia. On September 29, 1914, Japanese troops occupied the Enewetak Atoll, and on September 30, 1914, the Jaluit Atoll, the administrative centre of the Marshall Islands. After the war, on June 28, 1919, Germany signed (under protest) the Treaty of Versailles. It renounced all of its Pacific possessions, including the Marshall Islands. On December 17, 1920, the Council of the League of Nations approved the South Pacific Mandate for Japan to take over all former German colonies in the Pacific Ocean located north of the Equator. The Administrative Centre of the Marshall Islands archipelago remained Jaluit.
When was the South Pacific Mandate for Japan approved?

ANS: December 17, 1920

QUES: Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisaw Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while travelling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present and future of his native Poland."
On what date did Frederic begin his journey into Western Europe?

ANS: 2 November 1830

QUES: Carolingian art was produced for a small group of figures around the court, and the monasteries and churches they supported. It was dominated by efforts to regain the dignity and classicism of imperial Roman and Byzantine art, but was also influenced by the Insular art of the British Isles. Insular art integrated the energy of Irish Celtic and Anglo-Saxon Germanic styles of ornament with Mediterranean forms such as the book, and established many characteristics of art for the rest of the medieval period. Surviving religious works from the Early Middle Ages are mostly illuminated manuscripts and carved ivories, originally made for metalwork that has since been melted down. Objects in precious metals were the most prestigious form of art, but almost all are lost except for a few crosses such as the Cross of Lothair, several reliquaries, and finds such as the Anglo-Saxon burial at Sutton Hoo and the hoards of Gourdon from Merovingian France, Guarrazar from Visigothic Spain and Nagyszentmiklos near Byzantine territory. There are survivals from the large brooches in fibula or penannular form that were a key piece of personal adornment for elites, including the Irish Tara Brooch. Highly decorated books were mostly Gospel Books and these have survived in larger numbers, including the Insular Book of Kells, the Book of Lindisfarne, and the imperial Codex Aureus of St. Emmeram, which is one of the few to retain its "treasure binding" of gold encrusted with jewels. Charlemagne's court seems to have been responsible for the acceptance of figurative monumental sculpture in Christian art, and by the end of the period near life-sized figures such as the Gero Cross were common in important churches.
Along with carved ivories, what religious works of the Early Middle Ages were common?

ANS:
illuminated manuscripts