input: As early as 2009, Testament commenced writing new material for their tenth album. In an interview with Metalheadz, guitarist Eric Peterson stated that there were about four songs written and that "there's other guys in the band who like to play the more rock melodic style but the next one is gonna be a bit heavier." In a January 2011 interview during the 70000 Tons of Metal cruise, frontman Chuck Billy revealed that Testament had been working on six new songs, with four or five "maybe left to write," and would begin recording their new album by early March. On 18 May 2011, guitarist Alex Skolnick posted an update on his Twitter, saying, "Another tune done! My riffs from last week [plus] some of [fellow Testament guitarist Eric Peterson's plus] new ones we wrote today. Planning one more, then we've got more than we need." Testament began recording their tenth studio album on June 20, 2011. Drummer Paul Bostaph was unable to take part in the recording due to a "serious injury", although he was expected to rejoin when the band tours to support the album. Gene Hoglan, who played drums on the band's 1997 album Demonic, filled in for Bostaph. It was also reported that Lamb of God drummer Chris Adler would make a special guest appearance on a couple of bonus tracks. Testament appeared at the California dates of the summer 2011 Rockstar Energy Drink Mayhem Festival, replacing In Flames. On 14 July 2011, it was announced that the tenth Testament studio album would be called Dark Roots of Earth, which, after many delays, was released on July 27, 2012. Dark Roots of Earth debuted at No. 12 on Billboard 200, the band's highest chart position to date. Prior to the album's release, the band toured in the fall of 2011 with Anthrax and Death Angel. Overkill was invited to the tour, but due to the pre-production of their sixteenth studio album The Electric Age, they did not participate. It was announced on 1 December 2011 that Paul Bostaph had left Testament. Gene Hoglan recorded the drum tracks for Dark Roots of Earth and continues to play live with the band. In interviews, Testament have expressed pleasure in Hoglan's playing, and hope that he would continue playing with the band for the foreseeable future.

Answer this question "What was his injury"
output:

input: At Fillmore East was recorded over two nights -- March 12 and 13, 1971 -- for which the band was paid $1250 each show. The shows were typical performances for the band, and regarded as slightly above average by drummer Jai Johanny Johanson. Ads for the shows read: "Bill Graham Presents in New York -- Johnny Winter And, Elvin Bishop Group, Extra Added Attraction: Allman Brothers." While Winter was billed as headliner, by the third night the Allman Brothers were closing the show. Tom Dowd produced At Fillmore East; he had previously worked on their second studio album, Idlewild South. He had recently returned from Africa from working on the film Soul to Soul, and stayed in New York several days to oversee the live recording. "It was a good truck, with a 16-track machine and a great, tough-as-nails staff who took care of business," recalled Dowd. He gave the staff suggestions and noted the band had two lead guitarists and two drummers, "which was unusual, and it took some foresight to properly capture the dynamics." Things went smoothly until the band unexpectedly brought out saxophonist Rudolph "Juicy" Carter, an unknown horn player, and longstanding "unofficial" band member Thom Doucette on harmonica. "I was just hoping we could isolate them, so we could wipe them and use the songs, but they started playing and the horns were leaking all over everything, rendering the songs unusable," said Dowd. He rushed to Duane during the break to tell him to cut the horn players; while Duane loved the players, he put up no fight with Dowd. The final show was delayed because of a bomb scare, and did not end until 6 am. Each night following the shows, the musicians and Dowd would "grab some beers and sandwiches" and head to Manhattan's Atlantic Studios to go over the performances. Set lists for following shows were crafted by listening to the recordings and going over what they could keep and what they would need to capture once more. "We wanted to give ourselves plenty of times to do it because we didn't want to go back and overdub anything, because then it wouldn't have been a real live album," said Gregg Allman, and in the end, the band only edited out Doucette's harmonica when it didn't fit. "That was our pinnacle," said Dickey Betts later. "The Fillmore days are definitely the most cherished memories that I have. If you asked everybody in the band, they would probably say that." On June 27, the Fillmore East closed, and the band were invited to play a final, invitation-only concert, along with Edgar Winter, the Beach Boys and Country Joe McDonald. The Beach Boys initially refused to perform unless they headlined the event, but Graham refused, telling them that the Allman Brothers would be closing the show, and they were free to leave if they disagreed. The Allman Brothers' performance was used for additional tracks when an expanded version of At Fillmore East, The Fillmore Concerts, was reissued on CD.

Answer this question "how did the horns start leaking?"
output: He rushed to Duane during the break to tell him to cut the horn players;

input: In 1991, Palmer attempted a comeback with the Orioles. Palmer said that he wanted to make sure that he had not retired too early. ESPN, which was trying to cut expenses, had asked him to take a pay cut and to sign a three-year contract. Palmer said he would sign a one-year contract for less pay, but ESPN refused. "I wouldn't be here today if the broadcasting climate had been more to my liking. That was really my prime motivation, the fact that I no longer had that obligation", Palmer said during spring training. Covering Palmer's spring training workouts, Richard Hoffer of Sports Illustrated said that Palmer's comeback was not entirely about money. He wrote that "it is fair to suspect that a certain vanity is involved." Hoffer said that Palmer "has failed to excite either ridicule or astonishment. He's in fabulous condition, no question. But no matter whom he lines up with on the row of practice mounds, there is more pop in the gloves of catchers other than his." While working out at the University of Miami during his comeback attempt, Palmer was approached by Miami assistant coach Lazaro Collazo. Collazo reportedly told him, "You'll never get into the Hall of Fame with those mechanics." "I'm already in the Hall of Fame", Palmer replied. To help Palmer's pitching motion, Collazo and Palmer completed unusual drills that involved Palmer placing a knee or foot on a chair as he tossed the ball. After giving up five hits and two runs in two innings of a spring training game, he retired permanently. Palmer said that he tore his hamstring while warming up for the game, commenting, "I'm not saying I wouldn't like to continue, but I can't", he said. "I heard something pop in my leg yesterday. It wasn't a nice sound. I don't know what that means, but I think it's going to play havoc with my tennis game." He retired with a 268-152 win-loss record and a 2.86 ERA.

Answer this question "Did he accept the pay cut?"
output:
Palmer said he would sign a one-year contract for less pay, but ESPN refused.