input: In 2009, she gave this account of her 2005 selection: "Three weeks before the 2005 general election I, a council estate Scouser, was selected as the Conservative candidate to represent a southern rural constituency. Because the vacancy occurred so quickly and so close to D-day, the party provided my association with a shortlist of seventeen candidates, of which about five were women. Following a long day of interviews in hot sunny rooms, the list was whittled down to a shortlist of three ... I was informed that I had been selected outright on the first ballot ... That pride, that sense of achievement, the knowledge that I was selected on the basis of my performance and merit above all other candidates on that day is what enables me to hold my head up high in this place." Dorries's account of her own selection appears to contradict a news report which The Times ran at the time, reporting that Conservative Campaign Headquarters placed a majority of women on the shortlist and pressed for the selection of a female candidate: "Mrs Dorries, who has three teenage children, easily beat her 11 rivals and won the plum safe seat on the first ballot at the selection this weekend. Party officials were thrilled that the seat has gone to a woman. Previously, only two women had been selected in the 17 safe seats where sitting MPs have retired. Senior party figures had made clear to local dignitaries that they would like the seat to go to a woman and presented the constituency with a shortlist of seven women and five men to underline the point." In a debate on Woman's Hour, broadcast on 22 August 2001, Dorries (as Nadine Bargery) had advocated all-women shortlists if the behaviour of Conservative selection committees did not change. In 2009 though, Dorries was highly critical of David Cameron's proposal to consider using all-women shortlists, arguing against a move which would create "two classes of MPs". She wrote that "Sometimes I feel sorry for some of the Labour women who were selected via all-women shortlists. Everyone knows who they are. They are constantly derided."

Answer this question "Are there any other interesting aspects about this article?"
output: In 2009 though, Dorries was highly critical of David Cameron's proposal to consider using all-women shortlists, arguing against a move which would create "two classes of MPs".

input: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play. In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986. After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 ,

Answer this question "What happened leading up to the dissolution?"
output: Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members.

input: The script took Schaefer four years to write, but when it was finished, the film came together quickly. With the help of producers Alexandra Milchan and Robert Salerno, Schaefer cast Jared Leto as Mark David Chapman. For his role, Leto gained 67 pounds (30 kg) by drinking microwaved pints of ice cream mixed with soy sauce and olive oil every night. Gaining the weight, he said, was tougher than dieting himself into skeletal shape for his role as drug addict Harry Goldfarb in Requiem for a Dream (2000). The abruptness of Leto's weight gain gave him gout. He had to use a wheelchair due to the stress of the sudden increase in weight put on his body. After the shooting of the film, Leto quickly went on a liquid diet. He explained, "I've been fasting ever since. I've been doing this very strange, like, lemon and cayenne pepper and water fast. I didn't eat any food for 10 days straight; I think I lost 20 pounds that first 10 days." Losing the excess weight after Chapter 27 proved a challenge. "It took about a year to get back to a place that felt semi-normal," he said; "I don't know if I'll ever be back to the place I was physically. I'd never do it again; it definitely gave me some problems." Twenty-two years prior to this film's production, actor Mark Lindsay Chapman, while professionally using the name Mark Lindsay, had been almost cast as John Lennon in the biopic John and Yoko: A Love Story (1985). Yoko Ono had been deeply involved in the production and had herself been initially impressed with his audition and approved his casting prior to discovering his full name was Mark Lindsay Chapman. She then nixed his casting on the grounds it was "bad karma", and a great deal of press attention was given to his having almost gotten the role. The director of Chapter 27, Jarrett Schaefer, auditioned many Lennon impersonators, but was especially impressed with Mark Lindsay Chapman's tape because he conveyed the "tough town" street-smart quality of Lennon that the impersonators failed to convey, as they always played Lennon as larger-than-life. Schaefer described Lennon as having a "chip on his shoulder and always cracking these cynical one-liners", and felt that actor Chapman was best at conveying this quality. Schaefer had some difficulty negotiating the casting with the film's producers because of Chapman's name. After Chapman was cast, he asked Chapman how he should be billed to which Chapman replied "Mark fucking Lindsay Chapman. That's my fucking name." Schaefer remarks that this was so reflective of how Lennon talked, it just reinforced his sense that Chapman was right for the part.

Answer this question "Did he loose the weight after the filming was done?"
output:
The abruptness of Leto's weight gain gave him gout.