Problem: "Bohemian Rhapsody" is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. It is a six-minute suite, consisting of several sections without a chorus: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. The song is a more accessible take on the 1970s progressive rock genre.

A rapid series of rhythmic and harmonic changes introduces a pseudo-operatic midsection, which contains the bulk of the elaborate vocal multi-tracking, depicting the narrator's descent into hell. While the underlying pulse of the song is maintained, the dynamics vary greatly from bar to bar, from only Mercury's voice accompanied by a piano to a multi-voice choir supported by drums, bass, piano and Timpani. The choir effect was created by having May, Mercury, and Taylor repeatedly sing their vocal parts, resulting in 180 separate overdubs. These overdubs were then combined into successive submixes. According to Roger Taylor, the voices of May, Mercury and himself combined created a wide vocal range: "Brian could get down quite low, Freddie had a powerful voice through the middle, and I was good at the high stuff." The band wanted to create "a wall of sound, that starts down and goes all the way up". The band used the bell effect for lyrics "Magnifico" and "Let me go". Also, on "Let him go", Taylor singing the top section carries his note on further after the rest of the "choir" have stopped singing. Lyrical references in this passage include Scaramouche, the fandango, Galileo Galilei, Figaro, Beelzebub and Bismillah, as rival factions fight over the narrator's soul. The section concludes with a full choral treatment of the lyric "Beelzebub has a devil put aside for me!", on a block B major chord. Roger Taylor tops the final chord with a falsetto B in the fifth octave (B5). Using the 24-track technology available at the time, the "opera" section took about three weeks to finish. Producer Roy Thomas Baker said "Every time Freddie came up with another 'Galileo', I would add another piece of tape to the reel." Baker recalls that they kept wearing out the tape, which meant having to do transfers.

Why is part of the song in Opera?

Answer with quotes: " The band wanted to create "a wall of sound, that starts down and goes all the way up

Problem: Guillermo Barros Schelotto (Spanish pronunciation: [gi'yermo 'baros eske'loto]; Italian: [ske'lotto] born 4 May 1973) is an Argentine former football forward, and the current manager of Boca Juniors. Barros Schelotto played 16 years of his professional career in the Argentine Primera Division (6 with Gimnasia y Esgrima La Plata and 10 with Boca Juniors). With these two teams, he won a total 17 official titles (one with Gimnasia and 16 with Boca). In 2007, Barros Schelotto left Boca Juniors for Columbus Crew in the Major League Soccer, therefore having his first experience outside his native country.

Born with a twin brother, Gustavo, Barros Schelotto was hence nicknamed El Mellizo ("the twin"). He started playing professionally at the end of 1991 with his hometown team Gimnasia y Esgrima de La Plata, where he scored 45 goals in 181 matches in five seasons and in 1993 won the AFA Centenario Cup. On 14 September 1997 he transferred to Primera Division Argentina powerhouse Boca Juniors, for whom he played for almost 10 years. He was considered an idol by Boca fans and in his later years at the club showed his experience whenever he stepped on the pitch. Barros Schelotto remains one of Boca's top scorers in international matches with 25 goals, just one goal behind former teammate Martin Palermo. In 1996, he was offered to play for River Plate, but after club icon Enzo Francescoli was not happy with the potential signing, the deal collapsed. In mid-1997, Boca Juniors showed interest for him and his brother Gustavo. It was like that that Barros Schelotto twins arrived to Boca teaming up to a former rival: Martin Palermo, Gimnasia's archrival Estudiantes de La Plata former player. The three of them were repeatedly recommended to Boca by Diego Maradona, who was playing his last season for the Buenos Aires team, retiring on October the same year. Once in Boca, he made his debut as a substitute for Claudio Caniggia, scoring on 14 September 1997 against Newell's Old Boys in a 2-1 victory. With Carlos Bianchi as Boca Juniors' coach, Barros Schelotto got his traditional 7 shirt and kept it until 2006-07 season. He and former rival Martin Palermo became a successful attacking duo, who highly contributed in the 1998-99 title-winning season. He missed the 2001 and 2003 clubs international achievements due to injuries. In 2003, he was a key piece in the winning Copa Libertadores side, with his peak performance at the Round of 16 match against Brazilian team Paysandu, where he scored a hat-trick and assisted Marcelo Delgado's goal. In the second half of 2003 he again suffered from injuries and could only play for 46 minutes in the Copa Intercontinental winning match against AC Milan, when he replaced Carlos Tevez. With Alfio Basile as Boca coach, his participation in the first team was gradually lowering. He even was out of some first team matches and had to play for the second team to maintain his performance level. He scored 87 goals in 302 games for Boca Juniors.

did he win any awards while in Argentina?

Answer with quotes:
he made his debut as a substitute for Claudio Caniggia, scoring on 14 September 1997 against Newell's Old Boys in a 2-1 victory.