Write an article based on this "Keep your lie simple. Avoid including other people in the lie. Make your lie plausible. Include something truthful in the lie. Lie before you have to."
article: Include details that make your lie seem legitimate, but not so many that it becomes complicated. An elaborate lie means more details that you have to keep track of and can often mean more explaining. A simple, straightforward lie is easier to maintain. For example, an elaborate lie might be, "I'm late because when I got onto I-70, it was so backed up that I had to reverse all the way down the entrance ramp and I ended up taking country roads instead." A simple version of that lie would be, "Traffic was pretty backed up on I-70." The simplicity of the lie can show that you don't have any other details to add to it. Using someone as a witness or alibi makes your lie more complicated than it needs to be. If the person you lie to checks your alibi, they may find out you lied. If you use someone else in your lie, be sure to tell them. Some people may not appreciate being part of your lie. If you are planning a lie ahead of time, at least talk to the person and see if they are willing to cover for you, as opposed to telling them after you already used them in a lie. When you lie, only include information that is believable. Don't exaggerate to a point where the listener will start to question what you are saying. Make your lie as realistic as possible. Be critical of your own lie and see if it seems reasonable. Don't use only your own judgment but think about if the person you are lying to will find it reasonable. For example, telling your wife that a bird flew in the house and broke her lamp is not a plausible lie. Telling her you stumbled over the dog and knocked the lamp over is more plausible. Completely false lies may be more easily detected, but if you sprinkle truth into the lie it is more believable. Find a way to show proof that part of your lie is true to strengthen the lie as a whole. It is easier to express real emotion when you tell the truth than it is when you lie. If you emphasize the true part you can mask your emotions. For example, you stayed out late with a group of friends that included your ex-girlfriend Holly. Tell your current girlfriend, "I was hanging out with Carl, Stacy, and Steve." It's true that you were with those people, but you're lying about Holly being there, too. You can avoid lying under pressure by initiating the conversation about the subject you are lying about. Lie voluntarily before you are asked anything. The listener may not think you are lying since you volunteered the information. If the person you are lying to is already upset or suspicious, they are more likely to be critical of the lie you offer. If they have not thought of the situation yet, they may be more likely to accept what you say without further questions. If you go see your friend's band and they sound terrible, go up to them after the set and say, "You guys rocked!" before they have a chance to ask you about it.

Write an article based on this "Remember Hendrix had a unique anatomy that allowed him to play the guitar in a unique way. Learn Jimi Hendrix unique "guitaristic" move. Practice learning the notes while learning the Hendrix Chords."
article: He had extremely large hands with long fingers. This allowed him to do some things that just cannot be imitated by all (example: he could wrap his right thumb {he was left hand dominant, so his right hand played the fret board} around the top of the neck and play the two low strings such as low E and A two frets below his first finger. This allowed him to play dominant 7 barre (or bar-) chords with a 7th and 3rd in the bass (as opposed to the typical 1 and 5, or "power chord" . Look at a more Conventional Barre Chord. Use the photographs to compare the Conventional Barre Chord to A La Jimi Chord. The first photo is the Conventional Chord which is a Barre Chord that most guitarists first learn. Now examine the A La Jimi Chord. This second photo is the Hendrix aka A La Jimi Hendrix Chord was a not a Conventional Barre Chord. Notice the different hand and finger positions. A note on left-hand technique: normally it would be a terrible technique for the wrist to be collapsed against the neck like this. Frankly doing it too often or in an unrelaxed manner is a great way to get carpal tunnel syndrome. But call this is an 'advanced technique,' and Hendrix himself had huge hands with long fingers. One does not need to play the 'Hendrix way' to sound very very close to the real thing. In general, the wrist should be straight, with the thumb gently against the neck allowing you to squeeze and also one rotates on the thumb like it's a lever when doing vibrato. He invented his own unique, highly "guitaristic" move whereby he placed his first finger on the first fret of the 2nd string, third finger on the third fret of the 4th, and fourth finger on the third fret of the 1st string, then played these, along with the open 3rd string, and rapidly slide this finger formation up and down. This can be heard in parts of 'Watchtower,' 'Castles Made of Sand,' among other places. (the Whole move with variations could be diagrammed with tablature). Use tablature or whatever means, and than play them the best you can according to your own gifts. Familiarizing oneself in the blues, esp. delta (Robert Johnson) and Chicago (Muddy Waters, Buddy Guy, Magic Sam) styles, can help too.

Write an article based on this "Use your network to ask around. Attend a professional-fundraising networking event. Search the websites of professional fundraising and grant-writing affiliations to find grant writers in your area. Place ads in more traditional sources."
article:
One of the more reliable ways to find a grant writer whose quality you will be happy with is to ask people you know and trust (be they colleagues, friends, family, etc.) if they have worked with any in the past that they would recommend. If someone whose opinion you value gives you a name, it is more likely that grant writer will be capable, professional, and reasonable when it comes to compensation. This can save you a lot of time and energy in the interview process, and afford you some confidence in your new hire before they write even a single word. If those around you haven't worked with a grant writer, or haven't worked with the type of grant writer your organization requires, try asking if they know of any reputable grant writers in your area. Even if the people in your network haven't directly worked with a grant writer in the past, perhaps someone they know has, and they can provide an indirect referral. You can also try asking around at organizations similar to yours that have launched successful fundraising efforts regarding grant writers with whom they have previously worked. If asking around amongst your own contacts doesn't yield any results, try attending a networking event for professional fundraisers in your area. Even if you don't find the perfect grant writer amongst the crowd, you and your organization will still benefit from meeting like-minded individuals, expanding your own network, and learning more about the industry as a whole. Check the websites of professional fundraising organizations, like the Association of Fundraising Professionals, for listings of these types of events and conferences. You can also consider joining one of these organizations to receive regular newsletters and updates, along with access to their publications and resources. These organizations compile lists of qualified individuals that may suit your needs, and looking for a grant writer in this fashion doesn't require any professional contacts or conference/travel fees. Try placing an ad for a grant writer in local newspapers, online job boards, or Craigslist. Make sure you detail exactly what you expect from the grant writer and how much you are willing to pay. Include contact information for your organization.