Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : The Videotron Centre (French: "Centre Videotron") is an indoor arena in Quebec City, Quebec, Canada. The 18,259-seat arena replaced Colisee Pepsi as Quebec City's primary venue for indoor events. The new arena is primarily used for ice hockey, serving as the home area of the Quebec Remparts of the QMJHL and has been prospected as a venue for a new or re-located National Hockey League team in Quebec City, and as part of a Winter Olympic Games bid. The building opened on September 8, 2015. It is now the seventh-largest indoor arena in Canada. Context_2 : Arena Ugra is an indoor sporting arena located in Khanty-Mansiysk, Russia. It is used for various indoor events and is the home arena of the ice hockey team Yugra Khanty-Mansiysk which plays in the Kontinental Hockey League (previously it played in Russian Major League and lower leagues). The capacity of the arena is 5,500 spectators. Context_3 : Ryogoku Kokugikan ( , Ryogoku Kokugikan ) , also known as Ryogoku Sumo Hall, is an indoor sporting arena located in the Yokoami neighborhood (bordering to the Ryogoku neighborhood) of Sumida, one of the 23 wards of Tokyo in Japan, next to the Edo-Tokyo Museum. It is the third building built in Tokyo associated with the name "kokugikan". The current building was opened in 1985 and has a capacity of 11,098 people. It is mainly used for sumo wrestling tournaments ("honbasho") and hosts the "Hatsu" (new year) "honbasho" in January, the "Natsu" (summer) "honbasho" in May, and the "Aki" (autumn) "honbasho" in September. It also houses a museum about sumo. The venue is also used for other indoor events, such as boxing, pro wrestling, and music concerts. In past years, it has hosted the finals of New Japan Pro Wrestling's annual G1 Climax tournament as well as the Invasion Attack and King of Pro-Wrestling events. On July 4, 2015, WWE hosted its The Beast in the East event in the arena. Context_4 : The SNHU Arena is an indoor events arena in Manchester, New Hampshire, and seats 9,852 for ice hockey, 11,140 for basketball and up to 11,770 for concerts. Context_5 : Citizens Business Bank Arena (originally Ontario Community Events Center) is a multi-purpose arena, in Ontario, California, USA. It hosts local sporting events and concerts. Construction officially began on March 7, 2007, and the arena was opened on October 18, 2008. It is suitable for indoor events, including basketball, ice hockey, ice shows, boxing, graduation ceremonies and concerts. The arena's basketball capacity is 10,832. It also seats 9,736 for hockey and its full capacity is 11,089. The 225000 sqft venue also has 36 luxury suites on two levels. It is the biggest and most modern arena within the Inland Empire region of California. Context_6 : JQH Arena is a basketball and special events arena in Springfield, in the U.S. state of Missouri. Constructed at a cost of $67 million, the arena opened in 2008. It is located on the campus of Missouri State University and is the home of the Missouri State Bears and Lady Bears basketball teams; it is often referred to by MSU students as "the Q." JQH Arena has a maximum seating capacity of 11,000. Included in the seating capacity are 9,637 chairback seats, 122 seats for permanently disabled guests, 114 loge seats and 22 private suites. Fifty-five courtside seats are arranged for basketball games and 1,363 bleacher back seats in the end zones are reserved for students. There are 166 public restroom stations (98 for women and 70 for men), six concession stands with 42 points-of-sale plus twelve additional portable locations, and 2 elevators. Located just off the main lobby area is a team store selling Missouri State University apparel and souvenirs. Maximum seating for concerts with an end stage is 10,542. Context_7 : The Manchester Monarchs were a professional ice hockey team in the American Hockey League (AHL). They played in Manchester, New Hampshire, at the Verizon Wireless Arena. They have been the AHL affiliate of the National Hockey League (NHL) Los Angeles Kings since 2001. For the 201516 season, the Monarchs traded places with the Kings' affiliate in the ECHL, the Ontario Reign; the AHL franchise moved to Ontario, California, and play at Citizens Business Bank Arena where they became the new Ontario Reign, while the ECHL team moved to New Hampshire retaining the Manchester Monarchs name. Context_8 : The Manchester Monarchs are a professional ice hockey team in the ECHL which began play in the 201516 season. Based in Manchester, New Hampshire and affiliated with the National Hockey League's Los Angeles Kings, the team plays its home games at the SNHU Arena. Context_9 : The Ontario Reign were a professional ice hockey team from Ontario, California that played in the ECHL. Their home arena was the Citizens Business Bank Arena. They were affiliated with two National Hockey League teams: the Los Angeles Kings were the team's primary affiliate, and the Winnipeg Jets were the secondary affiliate. In 2015, the franchise moved to Manchester, New Hampshire to become the Manchester Monarchs while the Monarchs of the American Hockey League moved to Ontario and became the Reign as part of the AHL's plan to create a Pacific Division. Context_10 : The Ontario Reign are a professional ice hockey team in the American Hockey League (AHL) which began play in the 201516 season. Based in Ontario, California and affiliated with the National Hockey League's Los Angeles Kings, the team plays its home games at the Citizens Business Bank Arena. The franchise is a relocation of the former Manchester Monarchs AHL franchise when several other franchises created a Pacific Division in 2015. fact_1 : The Manchester Monarchs are a professional ice hockey team in the ECHL which began play in the 201516 season. fact_2 : Based in Manchester, New Hampshire and affiliated with the National Hockey League's Los Angeles Kings, the team plays its home games at the SNHU Arena. fact_3 : The SNHU Arena is an indoor events arena in Manchester, New Hampshire, and seats 9,852 for ice hockey, 11,140 for basketball and up to 11,770 for concerts. Answer: 11,770
Solution:
What was the number of sits of the indoor events arena in Manchester for concerts in which the Manchester Monarchs team plays its home games?