input: In the 1970s, Giannina Braschi was a student of literature in Madrid, Rome, Paris and London, before she settled in New York City. She obtained a PhD in Hispanic Literatures (State University of New York, Stony Brook, 1980) and has taught at Rutgers University, City University of New York, and Colgate University, where she served as a Distinguished Chair of Creative Writing (1997). She was a foreign correspondent for Grazie magazine (2001-2002). As an adolescent in San Juan, Giannina Braschi ranked first place in the U.S. Tennis Association's national tournament in Puerto Rico, becoming the youngest female tennis player to win the Women's Division (1966) on the island. Her father Euripides ("Pilo") Braschi was also a tennis champion. She was also a founding member of the San Juan Children's Choir ("Coro de ninos de San Juan") under music director Evy Lucio and a fashion model during her teen years. In the 1980s, Braschi's early writings were scholarly in nature and focused on the titans of the Spanish Golden Age, as well as the vanguard poets of Latin America and Spain. She published a book on the Romantic poet Gustavo Adolfo Becquer and essays on Cervantes, Garcilaso, Cesar Vallejo, Juan Ramon Jimenez and Federico Garcia Lorca. She later became obsessed with the dramatic and philosophical works of French, German, Polish, Irish, and Russian authors. Though categorized as novels, her later mixed-genre works are experimental in style and format and celebratory of foreign influences. In the 50th anniversary edition of Evergreen Review, Braschi notes that she considers herself "more French than Beckett, Picasso and Gertrude Stein", and believes that she is the "granddaughter of Alfred Jarry and Antonin Artaud, bastard child of Samuel Beckett and James Joyce, half-sister to Heiner Muller, kissing cousin of Tadeusz Kantor, and lover of Witkiewicz".

Answer this question "Was she influenced by other poets?"
output: considers herself "more French than Beckett, Picasso and Gertrude Stein", and

input: Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis. Ashford & Beard, along with then-lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, shortened to four. After another member left the group, she was replaced by Alabama-born vocalist Martha Reeves, who had been a member of a rival group, the Fascinations and had also been a member of another group, the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know". The record flopped. The group then recorded for Checkmate Records, a subsidiary of Chess Records, recording their first take of "There He Is (At My Door)". That record, featuring Williams on lead vocals, also flopped. Briefly separated, Reeves returned to a solo career performing under the name Martha LaVaille, in hopes of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson noticed Reeves singing at a prominent Detroit club, he offered her his business card for an audition. Reeves showed up at Motown on a wrong date (Motown auditions were held at Thursdays, while Reeves showed up to Motown's Hitsville USA studios on a Tuesday). Stevenson, initially upset, told Reeves to look out for clients and other matters. Soon Reeves became Stevenson's secretary and later was responsible for helping acts audition for the label. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals - and Martha's lead vocals in the song - that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves renamed themselves The Vandellas, after Detroit's Van Dyke Street and Reeves' favorite singer, Della Reese.

Answer this question "Who were the original members of the band?"
output:
Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis.