IN: Drazen Petrovic (pronounced [draZen petrovitc]; October 22, 1964 - June 7, 1993) was a Croatian professional basketball player. A shooting guard, he initially achieved success playing professional basketball in Europe in the 1980s, before joining the National Basketball Association (NBA) in 1989. A star on multiple stages, Petrovic earned two silver medals and one bronze in Olympic basketball, a gold and a bronze in the FIBA World Cup, a gold and a bronze in the FIBA EuroBasket, and two EuroLeague titles. He represented Yugoslavia's national team and, later, Croatia's national team.

After spending a year serving the mandatory time in the military, Petrovic followed his brother's footsteps and moved to Cibona to form, at that time, the best backcourt duo in Europe. The very first year in Cibona he won both the Yugoslav League championship and the Yugoslav National Cup. To top it all off, the 87-78 victory over the Spanish League club Real Madrid, to which Petrovic contributed with 36 points, brought him and Cibona their first European Cup title. The second came the following year, as Petrovic scored 22 points and Cibona defeated the USSR Premier League club Zalgiris Kaunas, which starred the legendary Arvydas Sabonis. The same year brought another Yugoslav national cup title for Cibona, seeing Petrovic score 46 against the old rival Bosna. In 1987, Petrovic earned his third European trophy: a 2nd-tier European Cup Winners' Cup title against the Italian League club Scavolini Pesaro, whose net he filled with 28 points. Petrovic's scoring average during the four years with Cibona stood at 37.7 points in the Yugoslavian first division and 33.8 in all of the European wide competitions that he played in, with personal one-time bests of 112 (40/60 FG, 10/20 3Pts, 22/22 FT) in the Yugoslavian League, and 62 points in the 3rd-tier European league, the Korac Cup, respectively. His scoring sheet was often known to show 40, 50, even 60 in a single game; in a 1985-86 season European League game against Limoges, Petrovic scored ten 3-pointers, including seven in a row during a first half stretch, for a final tally of 51 points and 10 assists; the same season he scored 45 points and dished out 25 assists against the reigning Italian League champions Simac Milano. Petrovic needed new challenges, which Cibona and the Yugoslavian League could not offer. Across the Atlantic, the Portland Trail Blazers of the NBA had already used their third round pick on young Petrovic in 1986. However, he decided to postpone his departure to the United States. In 1988, he signed with Real Madrid instead, for at that time a hefty sum of around US$4 million. The transfer wasn't without controversy as the Yugoslav sporting laws stipulated that players weren't allowed to professionally move abroad until reaching 28 years of age, while Petrovic was still only 23 when he signed with the famous Madrid club. In 2014, Jose Antonio Arizaga, the sports agent who played a key role in Petrovic's summer 1988 transfer from Cibona to Real, recalled a few details from this transaction: "I spoke to Mirko Novosel, Drazen's coach at Cibona, and he told me two things. One, every problem in Yugoslavia can be taken care of with the right amount of money, and two, if Drazen leaves, every other player under 28 will be leaving and it'll be chaos. So, you can imagine all the individuals I had to bribe and all the places where I had to pay up in order to circumvent this law".

What was his scoring average?

OUT: Petrovic's scoring average during the four years with Cibona stood at 37.7 points in the Yugoslavian first division and 33.8 in all of the European wide competitions

IN: Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,

Any other song?

OUT:
"Baby Don't Scold Me"