Q: Effective instruction is simple. Don't use long, involved paragraphs. Instead, use short, clear sentences, bullet points, and visual aids. Instructions should be full of active, descriptive words. Start your steps with action verbs. This gives the reader a clear action to perform. Each step should read as a command and use the imperative mood. When defining or explaining, use as much descriptive language as possible. For example, say "Add two eggs" instead of "Two eggs should be added to the cake mix." When you include additional information, make sure that you are including only what is necessary. Ask yourself, "Does the reader need to know this definition to understand the instructions?" or "Does the reader need this tip to successfully complete this task?" Refrain from adding unnecessary information. Unneeded definitions, tips, steps, or information can confuse your readers, making it difficult to follow the instructions. When writing instructions, you should address the reader. Do this using the word "you." This helps lead the reader personally through the steps. When writing instructions, be as specific as possible. Outline exactly what they do. This includes which way they turn a wrench, how many feet they walk, or what the consistency of the cake should look like when they are done. Give all measurements exactly. If someone needs to cut off 5/8-inch of a board, say that. For example, if you are baking a cake, don't wait until step 4 to say, "Before mixing the ingredients, sift the flour and bring the eggs to room temperature." Transitions help connect the steps to each other. They also help relate the ideas. In instructions, you will use sequence and time transitions. This helps the reader understand the step-by-step instructions. Some common transitions are: first, next, then, finally, after, before.
A: Keep it simple. Use active words. Add only necessary information. Address the reader. Be specific. Use sequence and time transitions.

Q: Do both sides as desired.
A: Relax your neck completely, letting your chin sink to your chest. Take your head in 10-15 circles to one side, staying as relaxed as possible. Repeat on other side.

Q: This is a common rookie mistake in Blackjack. Splitting 10s essentially sacrifices a great hand for a very slim chance at an even better one. See below: If you play a pair of 10s, your hand has a value of 20, which is quite good. If you split 10s, you need to get an ace to improve your stance anything else will give you a hand that has an equal or lesser value. Statistically speaking, splitting tens is most likely to give you two hands worse than the first one. Some card-counting experts suggest splitting 10s in very specific situations. For example: if you're counting cards and know that there are lots of 10s left in the shoe, it can make sense to split 10s against a dealer showing 5 or 6 (which suggest a weak hand). This way, you stand a reasonable chance of getting at least one 20, while the dealer will have to get lucky to match or beat you. Splitting a pair of fours just gives you two weak hands, so it makes no sense. Remember that splitting requires you to double your original wager this means splitting fours is usually a money-losing proposition. When you hit on a pair of fours, it's impossible to bust out the highest you can go is 19 if you get an ace, which is a pretty decent hand. If you split your fours, you're likely to get left with a less-valuable hand (if you get a two or three) or a hand that is possible to bust out on if you hit (if you get an eight or higher). You need to get a five, six, or seven to be better off than you were originally. When you see a pair of 5s, forget that they're a pair and treat them like a single 10. Double down on a 10 against anything but a dealer's nine, 10 or ace. For these three possibilities, just hit. Splitting a pair of fives is like splitting fours, only worse you give up a strong starting hand for a very slim chance at getting something better. With a pair of fives, you can't bust out and you have a chance of getting 21 on the first hit. If you split, you'll be left with a weaker hand (if you get a two, three, or four) and/or a hand that it's possible to bust out on if you hit (if you get a six or above). There's really no way to come out ahead by splitting on fives.
A: Never split tens. Never split fours. Never split fives.

Q: The worst mistake you can make is to walk into a comedy set completely cold. This sets you up for nervously laughing at your own jokes! Even the best comedians need to spend some time preparing what they are going to say. Create a set list for yourself. Make a list of each joke you will tell. Think about transitions. How does one joke flow into the next? Is there some kind of logical progression? Keep in mind what kind of people you expect to see in the audience. Certain demographics will be more or less likely to enjoy certain types of jokes. An open mic at a church, for example, may not be the best place to try out very dirty material. Whether you're the type of comic who follows a script or one who tends to free-style, rehearsal will always make your set better. Plus, it is the most effective way to stop yourself from laughing at your own jokes. Set aside time to run through your entire set 2-3 times before you take the stage. The more times you rehearse your jokes, the more normalized they become, and the less likely you are to laugh. Be sure to time yourself. This way you'll ensure that you have the right amount of material, and you can move through your set without concerning yourself with time. before taking the stage. Taking the stage cold sets you up for nervous laughter. Before you take the stage, find a way to warm yourself up, and release any "silly energy." Put on your favorite song and dance around making funny noises and goofy faces in the mirror. Laugh at yourself. Move your body, use your voice, and wiggle the muscles in your face. All of these actions dispel nervous energy and prepare you to tell jokes on stage effectively, without bursting into laughter. If you do a good job of making the people around you laugh, you won't need to laugh to fill the silence. Prevent yourself from laughing at your own jokes by making other people laugh. Use vocal variation. Don't fall into a monotone delivery. Signal the punchline. Pause for a moment to let the audience know it's coming. Use a call-back. Reference something funny you said near the beginning of your set near the end. Audiences love this. If you really want to strengthen your comedy and prevent yourself from laughing at your own jokes, the only true remedy is spending as much time as you can telling jokes on stage. You can't perform once a month (or less) and expect to improve at your craft. Try to make it out 1-3 times per week. Begin by seeking out comedy open mics. You can find these advertised at coffee shops or bars, or in a local entertainment paper. Open mics are where you can practice, connect with other comics, and gain exposure. If you do well at open mics, you will be invited to perform at more regular gigs.
A:
Be prepared. Rehearse jokes. Warm up Sharpen your comedy skills. Perform regularly.