input question: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What do they both do? Movie title: Gerry Movie plot: We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...???
output answer: Head off into the wilderness

input question: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Barbara was kind to Ruth, but Ruth was what to Barbara? Movie title: Patayin Sa Sindak Si Barbara Movie plot: Being the loving older sister, Barbara (Lorna Tolentino) has always been overly indulgent of her little sister Ruth's every whim. Years later, Barbara meets and instantly falls in love with Nick (Tonton Gutierrez), who is mutually smitten with her. But the spoiled Ruth (Dawn Zulueta) confesses to her older sister that she too is in love with Nick and threatens to kill herself if he does not marry her. So with a heavy heart, Barbara once again passively accommodates Ruth's demands and convinces Nick to court her younger sister instead. In a twisted act of devotion, Nick reluctantly agrees to marry Ruth, to prove his love for Barbara. After the wedding, Barbara then decides to start a new life abroad, to give Nick a chance to truly fall in love with Ruth and for Barbara to get over her feelings for him. Her past comes back to haunt her (in more ways than one) when Barbara receives news that her younger sister has killed herself and was witnessed by Ruth's only daughter Karen (Antoinette Taus). Barbara immediately returns to the Philippines to mourn her sister and comfort her unstable niece. But strange events happen upon Barbara's return and she learns the reason surrounding Ruth's mysterious death. Throughout their marriage, Ruth felt that Nick never really loved her, but instead still harboured feelings for her sister. In a state of paranoid delusion, she suspects that Nick was having an affair and used his business trips to the United States as an excuse to rendezvous with Barbara. In a jealous rage, she commits suicide and haunts the household and everyone she deemed who have wronged her. It was later revealed that ever since Barbara left her for the US, she indulged herself of everything that can ease her helplessness which includes witchcraft and spiritual medium sessions. Through this she learned that even after death she can return back to the world of the living on a limited time to haunt and exact revenge on anyone she wants. Maestra Beatriz, whom Barbara sought advise and also was responsible for...???
output answer: Ruth was selfish and self serving. She later haunts and tries to kill Barbara.

input question: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Who pitches the show to the Duke ? Movie title: Moulin Rouge! Movie plot: In the year 1900, a British writer suffering from depression named Christian (Ewan McGregor) begins writing on his typewriter ("Nature Boy"). As Christian narrates, the film flashes back to one year earlier upon Christian's move to the Montmartre district of Paris to become a writer among members of the area's Bohemian movement. He soon encounters that his neighbours are a loose troupe of performers led by Henri de Toulouse-Lautrec (John Leguizamo). Toulouse-Lautrec and the others ask for Christian's help, and his writing skills allow them to finish their proposed show, "Spectacular Spectacular", that they wish to sell to the owner of the Moulin Rouge, Harold Zidler (Jim Broadbent). The group arrives at the Moulin Rouge as Zidler and his "Diamond Dog Dancers" perform for the audience ("Zidler's Rap Medley"). Toulouse arranges for Christian to see Satine (Nicole Kidman), the star courtesan, in her private quarters to present the work, unaware that Zidler is promising Satine to the wealthy and unscrupulous Duke of Monroth (Richard Roxburgh), a potential investor in the cabaret ("Sparkling Diamonds"). Satine mistakes Christian for the Duke, and dances with him before retiring to her private chamber with him to discuss things privately ("Rhythm of the Night", "Meet Me in the Red Room"), but soon learns he is just a writer ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for "Spectacular Spectacular". With Zidler's help, Toulouse and the rest of the troupe pitch the show to the Duke with an improvised plot about an evil maharajah attempting to woo an Indian courtesan who loves a poor sitar player ("The Pitch (Spectacular Spectacular)"). The Duke backs the show on the condition that only he may see Satine. Satine contemplates on Christian and her longing to leave the Moulin Rouge to become "a real actress" ("One Day I'll Fly Away"). Christian goes back to Satine to convince her that they should be together, she eventually falls for him ("Elephant Love Medley"). As the...???
output answer:
Toulouse and the rest of the troupe.