Question:
The Outfield were an English rock band based in London, England. The band achieved success in the mid-1980s and are best remembered for their hit single, "Your Love". The band's lineup consisted of guitarist John Spinks, vocalist and bassist Tony Lewis, and drummer Alan Jackman. They had an unusual experience for a British band in that they enjoyed commercial success in the US, but never in their homeland.
1987 saw the release of their second album, Bangin'. This album did not achieve the acclaim of Play Deep, but it did spawn a Top 40 single "Since You've Been Gone" (not to be confused with the 1970s Rainbow and Head East hit of the same name) and the minor radio/MTV hit "No Surrender", and the album was certified Gold in the US A US summer tour opening for Night Ranger followed. For the group's third album, 1989's Voices of Babylon, a new producer (David Kahne) and sound was evident. The title track was a Top 25 single and "My Paradise" was a mid-sized album-rock hit, but overall the group's popularity continued to decline. After the Babylon LP, Alan Jackman parted ways with the band and was replaced for a concert tour by Paul Read. Spinks and Lewis continued as a duo, switched labels and began recording Diamond Days for MCA. Playing drums on the disc was session drummer Simon Dawson. The LP, released in 1990, produced a Top 30 US hit, "For You". Quick to follow was "One Hot Country", included on the soundtrack for the 1991 action film If Looks Could Kill. The Outfield returned with 1992's Rockeye. Its leadoff single, "Closer to Me", was a near Top 40 hit, and a second release, "Winning It All", gained some notice due to extensive play during NBC's NBA Finals coverage, NBA Superstars series featuring Larry Bird, the 1992 Barcelona Summer Olympics and the film The Mighty Ducks. Simon Dawson, who played on Rockeye, would eventually become the band's official third member.
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What was the name of their third album?

Answer:
For the group's third album, 1989's Voices of Babylon,

input: Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan. Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing." Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU. On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame. In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus.

Answer this question "did he have a wife"
output: his wife Jackie

Answer the question at the end by quoting:

Kenneth Charles Loach (born 17 June 1936) is an English director of television and independent film. His socially critical directing style and socialist ideals are evident in his film treatment of social issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966) and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016) received the Palme d'Or at the Cannes Film Festival, making him the ninth filmmaker to win the award twice.
Loach was born in Nuneaton, Warwickshire, the son of Vivien (nee Hamlin) and John Loach. He attended King Edward VI Grammar School and went on to study law at St Peter's College, Oxford. He graduated with a law degree in 1957. After Oxford He spent 2 years in the Royal Air Force. Loach's ten contributions to the BBC's Wednesday Play anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967). They portray working-class people in conflict with the authorities above them. Three of his early plays are believed to be lost. His 1965 play Three Clear Sundays dealt with capital punishment, and was broadcast at a time when the debate was at a height in the United Kingdom. Up the Junction, adapted by Nell Dunn from her book with the assistance of Loach, deals with an illegal abortion while the leading characters in Cathy Come Home, by Jeremy Sandford, are affected by homelessness, unemployment, and the workings of Social Services. In Two Minds, written by David Mercer, concerns a young schizophrenic woman's experiences of the mental health system. Tony Garnett began to work as his producer in this period, a professional connection which would last until the end of the 1970s. During this period, he also directed the absurdist comedy The End of Arthur's Marriage, about which he later said that he was "the wrong man for the job". Coinciding with his work for The Wednesday Play, Loach began to direct feature films for the cinema, with Poor Cow (1967) and Kes (1969). The latter recounts the story of a troubled boy and his kestrel, and is based on the novel A Kestrel for a Knave by Barry Hines. The film was well received, although the use of Yorkshire dialect throughout the film restricted its distribution, with some American executives at United Artists saying that they would have found a film in Hungarian easier to understand. The British Film Institute named it No 7 in its list of best British films of the twentieth century, published in 1999.

What is the wednesday play?
anthology series include the docudramas Up the Junction (1965), Cathy Come Home (1966) and In Two Minds (1967).