IN: Schoendienst was born in Germantown, Illinois, approximately 40 miles (64 km) east of downtown St. Louis to Joe and Mary Schoendienst, one of seven children. His father was a coal miner, and the family lived without running water or electricity. Schoendienst showed a marked aptitude for baseball at a young age. In school he would handicap himself by hitting left-handed.

Keane resigned the day following the Cardinals' 1964 World Series victory over the Yankees, and Schoendienst was named as his replacement. Three years later, the Cardinals defeated the Boston Red Sox--Schoendienst's fourth World Series title, and third as a Cardinal. His managerial record over 12 full seasons (1965-76) and two subsequent stints as interim manager (1980 and 1990) was 1,041 victories and 955 defeats (.522). After two years as a coach for the 1977-78 Oakland Athletics, Schoendienst returned to the Cardinals as coach and special assistant to the general manager. He won his fifth Series title in 1982. He remains an employee of the Cardinals organization with the title of Special Assistant Coach, and in 2017 completed his 72nd consecutive season as a Major League player, coach, or manager. Schoendienst was a member of five winning World Series teams, all of which were won in seven games: as a player with the Cardinals and Braves in 1946 and 1957 respectively; as the Cardinals manager in 1967; and as a Cardinals coach in 1964 and 1982. He was also a member of three teams that lost the Series after leading three games to one: the 1958 Milwaukee Braves (to the Yankees), the 1968 Cardinals (to the Detroit Tigers), and the 1985 Cardinals (to the Kansas City Royals). Schoendienst was elected to the Baseball Hall of Fame in 1989 by the Veterans Committee. The Cardinals retired his number 2 in 1996. In 1998 he was inducted into the St. Louis Walk of Fame. The Cardinals named Schoendienst, among 21 other former players and personnel, to be inducted into the St. Louis Cardinals Hall of Fame Museum for the inaugural class of 2014.
QUESTION: Are there any other interesting aspects about this article?
IN: The Algonquin Round Table was a group of New York City writers, critics, actors, and wits. Gathering initially as part of a practical joke, members of "The Vicious Circle", as they dubbed themselves, met for lunch each day at the Algonquin Hotel from 1919 until roughly 1929. At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country. Daily association with each other, both at the luncheons and outside of them, inspired members of the Circle to collaborate creatively.

Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff. No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play." The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood. With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances.
QUESTION: Who said it first?
IN: "My Happiness" is a song by Australian rock band Powderfinger. It was released on record label Universal Music Australia on 21 August 2000 as the first single from the band's fourth album, Odyssey Number Five. The single is Powderfinger's most successful; it peaked at number four on the Australian ARIA Singles Chart, and charted in the United States on the Hot Modern Rock Tracks chart--the first Powderfinger song to do so. Powderfinger frontman Bernard Fanning wrote the lyrics for "My Happiness" as a reflection on the time the band spent touring to promote their work, and the loneliness that came as a result.

If you can't cop a bit of emotional stuff then you should go and get the lamp shade extracted from your arse. If you don't think there is enough rock in your life then let me know and I will personally come around to your house and chuck stones at you. --Bernard FanningIn response to "My Happiness" being described by fans as "like Lauryn Hill, bland and boring Top 40 bullshit". The lyrics for "My Happiness" were written by Bernard Fanning, Powderfinger's lead singer and songwriter. The rest of the band are co-credited with Fanning for composing the track. The song describes feelings of love and separation; Sain's Pennie Dennison said it described "the pining feeling you experience when you spend time away from the one you love". Fanning called it "a sad story of touring and the absence loneliness that comes with it". The extensive time spent touring took its toll on the band, and it was on the back of this that Fanning wrote "My Happiness". Thus, he expressed confusion at its being considered a romantic song. "My Happiness" was attacked by some fans as being "like Lauryn Hill, bland and boring Top 40 bullshit"; guitarist Ian Haug rebutted by pointing out that the song was an example of the new emotional level on which Powderfinger made music, while Fanning was more aggressive in his defence of the song. In response to being dubbed "Mr Miserable" by The Sun-Herald's Peter Holmes for the lyrics of "My Happiness" and "These Days", Fanning pointed out that the songs could be construed either as melancholy, or as part of "the most hopeful record ... in a long time". Much of Fanning's writing is inspired by non-rock music, and "My Happiness" is no exception. Gospel and soul music that is "unashamedly about love and how good it makes you feel" was common during the Odyssey Number Five recording sessions. Powderfinger worked hard in those sessions to ensure a more polished work than Internationalist; guitarist Darren Middleton concluded that "My Happiness", "The Metre", and "Up & Down & Back Again" were more "complete" because of the band's efforts. The lighter elements of "My Happiness" in comparison to some of the band's earlier work saw Fanning reveal his passion for several other musicians, such as James Taylor--something that "five years ago ... would have been an embarrassing thing to say".
QUESTION:
What is the song about?