Problem: Kevin Patrick Shields was born on 21 May 1963 in Jamaica Hospital in Queens, New York City, United States. He is the eldest of five siblings born to Irish parents; his mother was a nurse and his father was an executive in the food industry. Shields' parents had emigrated to the United States from Ireland in the 1950s, when the couple were teenagers. Shields attended Christ the King, a Roman Catholic primary school which he described as "a really horrible school run by psychopathic nuns".

Shields' guitar sound has been cited as one of the most recognisable aspects of My Bloody Valentine's music. His sound uses "texture more than technique to create vivid soundscapes". He has been listed at number 95 and 2 on Rolling Stone's and Spin's 100 Greatest Guitarists of All Time list. During the late 1980s, Shields began customising the tremolo systems for his Fender Jaguars and Jazzmaster guitars; he extended the tremolo arm and loosened it considerably, to allow him to manipulate the arm while strumming chords, which resulted in significant pitch bending. Shields used a number of alternate and open tunings that together with his tremolo manipulation, according to Rolling Stone's Michael Azerrad, achieved "a strange warping effect that makes the music wander in and out of focus". Among Shields' notable effects is digital reverse reverb, sourced from a Yamaha SPX90 effects unit. Together with the tremolo manipulation and distortion, he created a technique known as "glide guitar". Shields effects rig, which is composed largely of distortion, graphic equalisers and tone controls, consists of at least 30 effects pedals. His rig is connected to a large number of amplifiers which are often set to maximum volume to increase sustain. During live performances with My Bloody Valentine - particularly during the closing "You Made Me Realise" - Shields creates a blend of noise and excessive feedback, known as "the holocaust", which has often lasted for half an hour and often reached 130db. "It was so loud it was like sensory deprivation," he remarked. "We just liked the fact that we could see a change in the audience at a certain point." Shields' sound and performance have been regarded as influential, with musicians including Billy Corgan and J Mascis citing him as an influence. "Kevin Shields achieved something on Loveless that only the great guitarists achieve: he achieved a wholeness and a unity," observed Living Colour's Vernon Reid. "He created his own sound."

What was special about the guitar sound?

Answer with quotes: has been cited as one of the most recognisable aspects of My Bloody Valentine's music.

Problem: "Stark Raving Dad" is the first episode in the third season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on September 19, 1991. In the episode, main character Homer Simpson is mistaken for a "free-thinking anarchist" and sent to a mental institution, where he shares a room with a large white man named Leon Kompowsky who pretends to be American pop star Michael Jackson. Meanwhile, because he normally forgets her birthday, Bart promises his sister Lisa that he will get her the best present ever.

The January 30, 1992 rerun of the episode featured a brief alternate opening, which was written in response to a comment made by the then President of the United States, George Bush, three days earlier. The show had previously had a "feud" with the President's wife Barbara Bush when, in the October 1, 1990 edition of People, she called The Simpsons "the dumbest thing [she] had ever seen". The writers decided to respond by privately sending a polite letter to Bush in which they posed as Marge Simpson. Bush immediately sent a reply in which she apologized. Later, on January 27, 1992, George Bush made a speech during his re-election campaign which included the statement "we are going to keep on trying to strengthen the American family, to make American families a lot more like the Waltons and a lot less like the Simpsons." The writers decided that they wanted to respond quickly like Barbara Bush had to them. However, each episode of The Simpsons takes more than six months to produce, so it is difficult for the show to comment on current events. The writers therefore decided to add a brief response to the next broadcast of The Simpsons, which was a rerun of "Stark Raving Dad" on January 30. Nancy Cartwright, the voice of Bart, was quickly called in so she could record a line. The broadcast included a new tongue-in-cheek opening. The scene begins in the Simpsons' living room where the family is watching Bush's speech. When Bush says "to make American families a lot more like the Waltons and a lot less like the Simpsons", Bart replies, "Hey, we're just like the Waltons. We're praying for an end to the Depression, too." The opening is featured on the season four DVD boxset.

what can you tell me about the different opening?

Answer with quotes: we are going to keep on trying to strengthen the American family, to make American families a lot more like the Waltons and a lot less like the Simpsons.

Problem: The Replacements were an American rock band formed in Minneapolis, Minnesota in 1979. Initially a punk rock band, they are considered pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its career. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson left the band in 1986, and Slim Dunlap joined as lead guitarist.

The Replacements' history began in Minneapolis in 1978, when nineteen-year-old Bob Stinson gave his eleven-year-old brother Tommy Stinson a bass guitar to keep him off the streets. That year Bob met Mars, a high school dropout. With Mars playing guitar and then switching to drums, the trio called themselves "Dogbreath" and began covering songs by Aerosmith, Ted Nugent and Yes without a singer. One day as Westerberg, a janitor in U.S. Senator David Durenberger's office, was walking home from work, he heard a band playing in the Stinsons' house. After being impressed by the band's performance, Westerberg regularly listened in after work. Mars knew Westerberg and invited him over to jam. Westerberg was unaware Mars drummed in Dogbreath. Dogbreath auditioned several vocalists, including a hippie who read lyrics off a sheet. The band eventually found a vocalist, but Westerberg wanted to be the singer and took him aside one day to say, "The band doesn't like you." The vocalist soon left and Westerberg replaced him. Before Westerberg joined the band, Dogbreath often drank and took various drugs during rehearsals, playing songs as an afterthought. In contrast to the rest of the band, the relatively disciplined Westerberg appeared at rehearsals in neat clothes and insisted on practicing songs until he was happy with them. After the band members discovered first-generation English punk bands like the Clash, the Jam, the Damned and the Buzzcocks, Dogbreath changed its name to the Impediments and played a drunken performance without Tommy Stinson at a church hall gig in June 1980. After being banned from the venue for disorderly behavior, they changed the name to the Replacements. In an unpublished memoir, Mars later explained the band's choice of name: "Like maybe the main act doesn't show, and instead the crowd has to settle for an earful of us dirtbags....It seemed to sit just right with us, accurately describing our collective 'secondary' social esteem".

How was the band formed

Answer with quotes:
nineteen-year-old Bob Stinson gave his eleven-year-old brother Tommy Stinson a bass guitar to keep him off the streets.