input: Please answer the following: Given the below context: Former model Maria Wyeth, who comes from a Nevada town with a population of 28, is now a successful actress. But she is unhappily married to, and separated from, temperamental producer Carter Lang and also chronically depressed and institutionalized. Reflecting back on what brought her here, Maria recalls driving around Los Angeles in her yellow Chevrolet Corvette and spending time with her closest friend, B.Z. Mendenhall, an unhappy man who is gay. Maria has a brain-damaged daughter, Kate, who is being kept in a sanitarium at the insistence of Carter, who resents Maria visiting the girl so frequently. Maria's secret desire is to live somewhere with Kate and find some kind of joy in life together. Maria has been having an affair with Les Goodwin, a screenwriter. When she tells Carter she is pregnant, he demands she get an abortion. Maria goes to Las Vegas and has a fling with a mob-connected lawyer, Larry Kulik, and later returns to L.A. and has a one-night stand with Johnny Waters, a television star who needs to watch his own show on TV to get in the mood. Bored and depressed, Maria steals Johnny's car and speeds off. When she is stopped by police, drugs are found in the car and she is placed under arrest. Her spirits at an all-time low, Maria returns to Las Vegas and finds that B.Z. is equally unhappy. When he swallows a handful of pills and washes them down with vodka, rather than call for help, Maria cradles him and watches him die. Back at her institution, a psychiatrist asks why she keeps on playing, when knowing what 'nothing' (nihilism) means. Maria replies, "Why not?" Guess a valid title for it!
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output: Play It as It Lays (film)

input: Please answer the following: Given the below context: At this point Lissitzky subscribed fully to suprematism and, under the guidance of Malevich, helped further develop the movement. In 19191920 Lissitzky was a head of Architectural department at the People's Art School where with his students, primarily Lazar Khidekel, he was working on transition from plane to volumetric suprematism. Lissitzky designed On the New System of Art by Malevich, who responded in December 1919: "Lazar Markovich, I salute you on the publication of this little book". Perhaps the most famous work by Lissitzky from the same period was the 1919 propaganda poster "Beat the Whites with the Red Wedge". Russia was going through a civil war at the time, which was mainly fought between the "Reds" (communists, socialists and revolutionaries) and the "Whites" (monarchists, conservatives, liberals and other socialists who opposed the Bolshevik Revolution). The image of the red wedge shattering the white form, simple as it was, communicated a powerful message that left no doubt in the viewer's mind of its intention. The piece is often seen as alluding to the similar shapes used on military maps and, along with its political symbolism, was one of Lissitzky's first major steps away from Malevich's non-objective suprematism into a style his own. He stated: "The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything that is already finished, already made, or already existent in the world it is a symbol of a new world, which is being built upon and which exists by the way of the people."In January 17, 1920, Malevich and Lissitzky co-founded the short-lived Molposnovis (Young followers of a new art), a proto-suprematist association of students, professors, and other artists. After a brief and stormy dispute between "old" and "young" generations, and two rounds of renaming, the group reemerged as UNOVIS (Exponents of the new art) in February. Under the leadership of Malevich the group worked on a "suprematist ballet", choreographed by Nina Kogan and on the... Guess a valid title for it!
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output: El Lissitzky

input: Please answer the following: Given the below context: The historian Homer H. Dubs speculated in 1941 that Roman prisoners of war who were transferred to the eastern border of the Parthian empire might later have clashed with Han troops there.After a Roman army under the command of Marcus Licinius Crassus decisively lost the battle of Carrhae in 54 BC, an estimated 10,000 Roman prisoners were dispatched by the Parthians to Margiana to man the frontier. Some time later the nomadic Xiongnu chief Zhizhi established a state further east in the Talas valley, near modern-day Taraz. Dubs points to a Chinese account by Ban Gu of about "a hundred men" under the command of Zhizhi who fought in a so-called "fish-scale formation" to defend Zhizhi's wooden-palisade fortress against Han forces, in the Battle of Zhizhi in 36 BC. He claimed that this might have been the Roman testudo formation and that these men, who were captured by the Chinese, founded the village of Liqian (Li-chien, possibly from "legio") in Yongchang County.There have been attempts to promote the Sino-Roman connection for tourism, but Dubs' synthesis of Roman and Chinese sources has not found acceptance among historians, on the grounds that it is highly speculative and reaches too many conclusions without sufficient hard evidence. DNA testing in 2005 confirmed the Indo-European ancestry of a few inhabitants of modern Liqian; this could be explained by transethnic marriages with Indo-European people known to have lived in Gansu in ancient times, such as the Yuezhi and Wusun. A much more comprehensive DNA analysis of more than two hundred male residents of the village in 2007 showed close genetic relation to the Han Chinese populace and great deviation from the Western Eurasian gene pool. The researchers conclude that the people of Liqian are probably of Han Chinese origin. The area lacks archaeological evidence of a Roman presence. Guess a valid title for it!
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output:
Sino-Roman relations