input: Ibn Rushd looked to Aristotle as to whether the world was eternal. In his Physics, the Greek philosopher argues that everything that comes into existence does so from a substratum. Therefore, if the underlying matter of the universe came into existence, it would come into existence from a substratum. But the nature of matter is precisely to be the substratum from which other things arise. Consequently, the underlying matter of the universe could have come into evidence only from an already existing matter exactly like itself; to assume that the underlying matter of the universe came into existence would require assuming that an underlying matter already existed. As this assumption is self-contradictory, Aristotle argued, matter must be eternal. Because in his eyes, "Aristotle demonstrated the eternity of matter", Ibn Rushd "abandon[ed] belief in the creation out of nothing." This is not to say that Ibn Rushd denied the Creation; rather, he proposed an eternal creation. Oliver Leaman explains Ibn Rushd's argument as such: We [as humans] can decide to do something, we can wait for a certain time before acting, we can wonder about our future actions; but such possibilities cannot arise for [an eternal, omnipotent, omnipresent] God. In his case there is no gap between desire and action, nothing stands in the way of his activity; and yet we are told by al-Ghazali that God suddenly created the world. What differentiates one time from another for God? What could motivate him to create the world at one particular time as opposed to another? For us, different times are different because they have different qualitative aspects, yet before the creation of the world, when there was nothing around to characterize one time as distinct from another, there is nothing to characterize one time over another as the time for creation to take place.

Answer this question "Are there any important dates in the article?"
output:

Problem: Background: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Context: Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922. In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu. In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."
Question: Did she get married?
Answer: In 1926 Gingold divorced from Joseph. Later

Question: Tiaina Baul Seau Jr. (; SAY-ow; January 19, 1969 - May 2, 2012), better known as Junior Seau, was a linebacker in the National Football League (NFL). Known for his passionate play, he was a 10-time All-Pro, 12-time Pro Bowl selection, and named to the NFL 1990s All-Decade Team.

Seau announced his retirement at an emotional press conference on August 14, 2006. He called it his "graduation", because he was not going to stop working. He contended that he was merely moving on to the next phase of his life. Seau returned to football just four days later, signing with the New England Patriots. He started 10 of the first 11 games for the Patriots, recording 69 tackles before breaking his right arm while making a tackle in a game against the Chicago Bears. He was placed on injured reserve on November 27. On May 21, 2007, Seau re-signed with the New England Patriots for the 2007 season. In September 2007 Seau was named one of the Patriots' seven captains. He was a prominent contributor to the Patriots undefeated regular season that year. He started four of the 16 games he played in for the Patriots in 2007, and then started the Patriots' two playoff games before Super Bowl XLII against the New York Giants. New England's undefeated streak ended with a Super Bowl loss to the Giants. After the Patriots had a number of injuries late in the 2008 season, they re-signed Seau. He started two of four games he played. On December 22, 2008, a fan was arrested for trespassing and assault and battery for tackling Seau as he stood on the New England sideline during a home game against the Arizona Cardinals. Seau stated that he did not feel threatened by the fan; he thought that the fan was happy and excited and got carried away. On October 7, 2009, NFL Network reported that the New England Patriots had an "agreement in principle" with Seau for a fourth one-year deal; Seau took physicals and worked out with the team. He officially signed on October 13. He was active for 7 games for the Patriots in 2009, recording 14 tackles as a reserve linebacker.

Using a quote from the above article, answer the following question: Did he when any championships?
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Answer:
then started the Patriots' two playoff games before Super Bowl XLII against the New York Giants.