Problem: Given the below context: White Lies is a story about the nature of identity: those who deny it and those who strive to protect it. Paraiti is a medicine woman. She is the healer and midwife of her rural, tribal people - she believes in life. But new laws are in force prohibiting unlicensed healers. On a rare trip to the city, she is approached by Maraea, the servant of a wealthy woman, Rebecca, who seeks her knowledge and assistance in order to hide a secret which could destroy Rebecca's position in European settler society. If the secret is uncovered a life may be lost, but hiding it may also have fatal consequences. So Paraiti, Maraea and Rebecca become players in a head on clash of beliefs, deception and ultimate salvation.In the Extras of the DVD, Witi Ihimaera, tells how his mother took him to Paraiti, a tohunga/healer who cured him of a breathing problem. In writing the story, he wanted to honour the various tohunga in Maori life. In 1907, the New Zealand government brought in The Tohunga Suppression Act, thus outlawing natural healing for Maori. Some people believe the author of the book drew on the life of Anglo-Indian actress Merle Oberon, and the hiding of her true ethnic origin. Guess a valid title for it!

A: White Lies (2013 New Zealand film)

Problem: Given the below context: "Don't Stop the Music" was written and produced by the Norwegian production duo StarGate, with additional songwriting by Tawanna Dabney. Michael Jackson received a songwriting credit for the sampling of the line "Mama-say, mama-sa, ma-ma-ko-ssa" from his 1983 single "Wanna Be Startin' Somethin'". Tim Sturges and Phillip Ramos provided additional production for the song. It was recorded at Battery Studios in New York City and Westlake Recording Studios in Los Angeles by Mikkel S. Eriksen and Al Hemberger. Phil Tan and Josh Houghkirk mixed the single, and StarGate provided vocal production and instrumentation.In February 2009, Cameroonian musician Manu Dibango filed a lawsuit claiming that "Don't Stop the Music" and "Wanna Be Startin' Somethin'" used the "Mama-say, mama-sa, ma-ma-ko-ssa" hook without his permission. According to Dibango, the line is from his 1972 single "Soul Makossa". Agence France-Presse reported that Jackson admitted that he borrowed the line for "Wanna Be Startin' Somethin'" and settled out of court. When Rihanna asked Jackson in 2007 for permission to sample the line, he allegedly approved the request without contacting Dibango beforehand. Dibango's attorneys brought the case before a court in Paris, demanding 500,000 in damages and asking for Sony BMG, EMI and Warner Music to be "barred from receiving 'mama-say mama-sa'-related income until the matter is resolved". The judge ruled that Dibango's claim was inadmissible: a year earlier, a different Paris-area judge had required Universal Music to include Dibango's name in the liner notes of future French releases of "Don't Stop the Music", and at the time of this earlier court appearance, Dibango had withdrawn legal action, thereby waiving his moral right to seek further damages."Don't Stop the Music" was the fourth single from Rihanna's third album, Good Girl Gone Bad (2007). Before its release, two promotional remixes of the song (Solitaire's More Drama and the Wideboys Club Mix) were added to digital outlets in Canada and the United... Guess a valid title for it!

A: "Don't Stop the Music" (Rihanna song)

Problem: Given the below context: With the ending of the Gupta Dynasty in northern India in the early 6th century, major changes began taking place in the Deccan south of the Vindyas and in the southern regions of India. These changes were not only political but also linguistic and cultural. The royal courts of peninsular India (outside of Tamilakam) interfaced between the increasing use of the local Kannada language and the expanding Sanskritic culture. Inscriptions, including those that were bilingual, demonstrate the use of Kannada as the primary administrative language in conjunction with Sanskrit. Government archives used Kannada for recording pragmatic information relating to grants of land. The local language formed the desi (popular) literature while literature in Sanskrit was more marga (formal). Educational institutions and places of higher learning (ghatikas) taught in Sanskrit, the language of the learned Brahmins, while Kannada increasingly became the speech of personal expression of devotional closeness of a worshipper to a private deity. The patronage Kannada received from rich and literate Jains eventually led to its use in the devotional movements of later centuries.Contemporaneous literature and inscriptions show that Kannada was not only popular in the modern Karnataka region but had spread further north into present day southern Maharashtra and to the northern Deccan by the 8th century. Kavirajamarga, the work on poetics, refers to the entire region between the Kaveri River and the Godavari River as "Kannada country". Higher education in Sanskrit included the subjects of Veda, Vyakarana (grammar), Jyotisha (astronomy and astrology), Sahitya (literature), Mimansa (Exegesis), Dharmashastra (law), Puranas (ritual), and Nyaya (logic). An examination of inscriptions from this period shows that the Kavya (classical) style of writing was popular. The awareness of the merits and defects in inscriptions by the archivists indicates that even they, though mediocre poets, had studied standard classical literature in Sanskrit. An... Guess a valid title for it!

A: Rashtrakuta dynasty

Problem: Given the below context: In 1937 Mississippi during the Great Depression, three convicts, Ulysses Everett McGill, Pete Hogwallop, and Delmar O'Donnell, escape from a chain gang and set out to retrieve a supposed treasure Everett buried, before its locale is flooded to make a lake and provide electricity for the state. The three get a lift from a blind man driving a handcar on a railway. He tells them, among other prophecies, that they will find a fortune but not the one they seek. The trio make their way to the house of Wash, Pete's cousin. They sleep in the barn, but Wash reports them to Sheriff Cooley, who, along with his men, torches the barn. After Pete angrily blows up Cooley's police van, Wash's son helps them escape. Pete and Delmar are baptized by a group of Christians at a river. The group then picks up Tommy Johnson, a young black man, who claims he has sold his soul to the devil in exchange for the ability to play the guitar. In need of money, the four stop at a radio broadcast tower where they record a song as The Soggy Bottom Boys. That night, the trio part ways with Tommy after their car is discovered by the police. Unbeknownst to them, the recording becomes a major hit. The trio inadvertently fall in with bank robber George "Baby Face" Nelson, and help him with a heist, before he leaves them with his share of the loot. The next day, the group hears singing. They see three ladies washing clothes in a river and singing. The ladies drug them with corn liquor and they lose consciousness. Upon waking, Delmar finds Pete's clothes lying next to him, empty except for a toad. Delmar is convinced the ladies were Sirens and transformed Pete into the toad. Later, one-eyed Bible salesman Big Dan Teague invites them for a picnic lunch, then mugs them and kills the toad. Guess a valid title for it!

A:
O Brother, Where Art Thou?