input: Main article; M.I.A. After hearing one of his songs in 2004, M.I.A. approached Diplo when he was DJing one night at the Fabric Club in London. Coincidentally, Diplo was playing her songs "Galang" and "Fire Fire" as she entered the club, which he got from a worker at i-D magazine. Diplo added, "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs and she just thought I was right up her alley. Besides me being a white dude from Florida and her being a Sri Lankan girl in England, everything else was the same: [We were both] film graduates, [listened to] all the same music when we were kids, were going in the same direction right now in music, it was amazing... I always wanted to make a beat with her, but all my beats were really shitty at the time." The two eventually collaborated on a mixtape, Piracy Funds Terrorism Vol. 1., where Arular track acapellas were mashed with other artists' songs and was mentioned as 'Albums of the Year' from the New York Times and Pitchfork Media. The two continued to work together after the release. He was the tour DJ on her 2005 Arular Tour. Diplo continued to work with M.I.A. and, through her, met London DJ Switch. Together, they created the Grammy-nominated track "Paper Planes", peaking at number 4 on the Billboard Hot 100. In 2015, during an interview with Rolling Stone, M.I.A said that Diplo resented her rise to fame in 2005, that he tried to hold her back, and fought with her about becoming successful.

Answer this question "What were his feelings of her approaching him in the beginning?"
output: "She came through and she wanted to meet me 'cause she'd heard my single and the funk mix from one of her A&Rs

input: Most accounts of recording Blonde on Blonde, including those by Dylan scholars Clinton Heylin and Michael Gray, agree that there were two blocks of recording sessions: February 14-17 and March 8-10, 1966. This chronology is based on the logs and files kept by Columbia Records. Dylan and the Hawks performed concerts in Ottawa, Montreal, and Philadelphia in February and March, and then Dylan resumed recording in Nashville on March 8. On that date, Dylan and the musicians recorded the take of "Absolutely Sweet Marie" that Dylan selected for the album. Historian Sean Wilentz observed that "with the sound of 'Sweet Marie', Blonde on Blonde entered fully and sublimely into what is now considered classic rock and roll". The same day saw the successful takes of "Just Like a Woman", and "Pledging My Time", the latter "driven by Robertson's screaming guitar". According to Wilentz the final recording session, on March 9-10, produced six songs in 13 hours of studio time. The first number to be recorded to Dylan's satisfaction was "Most Likely You Go Your Way and I'll Go Mine", when McCoy reinforced on trumpet a musical phrase Dylan played on his harmonica, changing the sound of the song radically. Dylan and his band then quickly recorded "Temporary Like Achilles". The session atmosphere began to "get giddy" around midnight when Dylan roughed out "Rainy Day Women #12 & 35" on the piano. Johnston recalled commenting; "That sounds like the damn Salvation Army band". Dylan replied; "Can you get one?" Johnston then telephoned trombonist Wayne Butler, the only additional musician required, and Dylan and the band, with McCoy again on trumpet, played a high-spirited version of the song. In quick succession Dylan and the musicians then recorded "Obviously 5 Believers" and a final take of "Leopard-Skin Pill-Box Hat" powered by Robertson's lead guitar. The session concluded with "I Want You" on which, as Wilentz notes, "Wayne Moss's rapid-fire sixteenth notes on the guitar" are an impressive element of the recording.

Answer this question "what happened in 1966?"
output: two blocks of recording

input: William Patrick Corgan Jr. was born at Columbus Hospital in Chicago's Lincoln Park neighborhood on March 17, 1967 as the oldest son of William Corgan Sr., a blues/rock guitarist, and Martha Louise Maes Corgan Lutz. He was raised Catholic. His parents had one more son, Ricky, before divorcing in 1970. His father was soon remarried to a flight attendant, and Corgan and his brother went to live with them in Glendale Heights, Illinois. During this time, Corgan alleges he was subject to much physical and emotional abuse by his stepmother. Corgan also developed a protective bond with his younger paternal half-brother, who had special needs as a child. When Corgan's father and stepmother separated, all three boys would live alone with the stepmother, with both of Corgan's birth parents living separately within an hour's drive. Corgan, who grew much faster than his fellow students, was a strong athlete in elementary school. In addition to being a member of his Marquardt Middle School baseball team, he collected baseball cards (amassing over 10,000) and listened to every Chicago Cubs game. However, by the time he began attending Glenbard North High School in Carol Stream, Illinois, he had become only an average athlete. He decided to start playing guitar when he went over to a friend's house and saw his friend's Flying V. Corgan gave his savings to his father, who bought him a used Les Paul knock-off. Corgan, Sr. steered his son stylistically, encouraging him to listen to Jeff Beck and Jimi Hendrix, but offered little other support, and the younger Corgan taught himself to play the instrument. His musical interests in his formative years included hard rock like Guts-era John Cale, heavy metal pioneers Black Sabbath, and mainstream rock like Queen, Boston, ELO, Rush, and Cheap Trick. In high school, Corgan discovered alternative rock through Bauhaus and The Cure. Corgan performed in a string of bands in high school, and graduated as an honor student. Despite grant and scholarship offers from a number of schools, and a tuition fund left by his grandmother, Corgan decided to pursue music full-time. Not finding the Chicago music scene to his liking, he moved from Chicago to St. Petersburg, Florida in 1985 with his first major band, The Marked (so named for the conspicuous birthmarks of both Corgan and drummer Ron Roesing). Not finding success in St. Petersburg, the band dissolved; Corgan moved back to Chicago to live with his father. Corgan performed with Wayne Static in Static's first band Deep Blue Dream, in 1987/88.

Answer this question "Was that the first band he was part of?"
output:
Corgan performed in a string of bands in high school,