In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : Octavia Lenora Spencer (born May 25, 1972) is an American actress and author. She made her film debut in the 1996 drama film "A Time to Kill". Her breakthrough came in 2011, when she starred as Minny Jackson in the period drama film "The Help", for which she won the Academy Award, Golden Globe, SAG, BAFTA, and Critics' Choice Movie Award for Best Supporting Actress. She had a critically acclaimed performance in Ryan Coogler's drama "Fruitvale Station" (2013), for which she received the National Board of Review Award for Best Supporting Actress. Spencer has received acclaim for her work in the films "Smashed" (2012), "Snowpiercer" (2013), "Get on Up" (2014), "The Divergent Series" (2015-2016), "Zootopia" (2016) and "The Shape of Water" (2017). In 2017, she received Academy Award, Golden Globe, and SAG nominations for Best Supporting Actress for her performance as mathematician Dorothy Vaughan in the drama "Hidden Figures". Context_2 : Blythe Katherine Danner (born February 3, 1943) is an American actress. She won two Primetime Emmy Awards for Best Supporting Actress in a Drama Series for her role as Izzy Huffstodt on "Huff" (20042006), and a Tony Award for Best Featured Actress in a Play for her performance in "Butterflies Are Free" (19691972). Danner was nominated for two Primetime Emmy Awards for Outstanding Guest Actress in a Comedy Series for portraying Marilyn Truman on "Will & Grace" (20012006), and the Primetime Emmy Award for Outstanding Lead Actress in a Miniseries or a Movie for her roles in "We Were the Mulvaneys" (2002) and "Back When We Were Grownups" (2004). For the latter, she was also nominated for the Golden Globe Award for Best Actress Miniseries or Television Film. Context_3 : The Bad Seed is a 1956 American psychological horror-thriller film with elements of melodrama and film noir, directed by Mervyn LeRoy and starring Nancy Kelly, Patty McCormack, Henry Jones, and Eileen Heckart. Context_4 : The Empire Award for Best Supporting Actress is an Empire Award presented annually by the British film magazine "Empire" to honor an actress who has delivered an outstanding performance in a supporting role while working within the film industry. The Empire Award for Best Supporting Actress is one of two ongoing awards which were first introduced at the 19th Empire Awards ceremony in 2014 (along with Best Supporting Actor) with Sally Hawkins receiving the award for her role in "Blue Jasmine". Winners are voted by the readers of "Empire" magazine. Context_5 : The National Film Award for Best Supporting Actress (also known as the Rajat Kamal Award for the Best Supporting Actress) (] ), is an honour presented annually at the National Film Awards of India since 1984 to an actress for the best performance in a supporting role within Indian cinema. The National Film Awards were established in 1954 and are presented by the Directorate of Film Festivals, the organization set up by Ministry of Information and Broadcasting, India. The National Film Awards instituted the "Best Supporting Actress" category in 1984 as the "Rajat Kamal Award for the Best Supporting Actress". Context_6 : Kimiko Yo ( , Yo Kimiko , born 12 May 1956) is a Japanese actress. She was given Best Supporting Actress awards at the 2004 and the 2009 Yokohama Film Festival ceremonies. She won the award for best supporting actress at the 32nd and at the 33rd Japan Academy Prize for "Departures" and "Dear Doctor" respectively. Context_7 : Margaret Constance "Maisie" Williams (born 15 April 1997) is an English actress. She made her professional acting debut as Arya Stark in the HBO fantasy television series "Game of Thrones" in 2011, for which she won the EWwy Award for Best Supporting Actress in a Drama, the Portal Award for Best Supporting Actress Television and Best Young Actor, and the Saturn Award for Best Performance by a Younger Actor. In 2016, she was nominated for a Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series. Context_8 : Eileen Heckart (March 29, 1919 December 31, 2001) was an American actress of film, stage, and television. Primarily known as a character actress, her career spanned nearly 60 years. She first became known for her role as schoolteacher Rosemary Sydney in the original 1953 cast of William Inge's play "Picnic" on Broadway. She won an Academy Award for Best Supporting Actress for her performance as the overprotective mother of a blind adult son in "Butterflies Are Free" (1972), a role she originated on Broadway before playing it in the film. Context_9 : The British Independent Film Award for Best Supporting Actress is an annual award given to the Best Supporting Actress in a British film. The award was introduced at the 2008 ceremony. Previously, there had been a single award given for Best Supporting Actor/Actress starting in 2003. Context_10 : Diane Ladd (born November 29, 1932) is an American actress, film director, producer and author. She has appeared in over 120 film and television roles. For the 1974 film "Alice Doesn't Live Here Anymore", she won the BAFTA Award for Best Actress in a Supporting Role and was nominated for the Academy Award for Best Supporting Actress. She went on to win the Golden Globe Award for Best Supporting Actress on Television for "Alice" (198081), and to receive Academy Award nominations for "Wild at Heart" (1990) and "Rambling Rose" (1991). Her other film appearances include "Chinatown" (1974), "Ghosts of Mississippi" (1996), "Primary Colors" (1998), "28 Days" (2000), and "American Cowslip" (2008). Ladd is the mother of actress Laura Dern, with her ex-husband, actor Bruce Dern. fact_1 : The Bad Seed is a 1956 American psychological horror-thriller film with elements of melodrama and film noir, directed by Mervyn LeRoy and starring Nancy Kelly, Patty McCormack, Henry Jones, and Eileen Heckart. fact_2 : She won an Academy Award for Best Supporting Actress for her performance as the overprotective mother of a blind adult son in "Butterflies Are Free" (1972), a role she originated on Broadway before playing it in the film. Question: What directed the 1956 film featuring the Best Supporting Actress from "Butterflies Are Free"?
Solution:
Mervyn LeRoy