IN: We the Kings is an American rock band from Bradenton, Florida. The band's self-titled full-length debut album, released in 2007, included the platinum single "Check Yes Juliet", and went on to sell over 250,000 copies in the US. The group's second album Smile Kid (2009) included Top 40 singles "Heaven Can Wait" and "We'll Be a Dream" (featuring Demi Lovato), as well as the single "She Takes Me High".

Friends since childhood, the four bandmates (singer/guitarist Travis Clark, guitarist Hunter Thomsen, his bassist brother Drew Thomsen, and drummer Danny Duncan) formed the group while attending high school. The band got its name from the middle school that all the members attended called Martha B. King Middle School. Before the band was known as We the Kings, the group went by the name Broken Image. The band's first tour was with Don't Die Cindy in the summer of 2005 where the group went by Broken Image, then later went under the moniker De Soto. The band A Heartwell Ending (later renamed Call the Cops) supported for the final leg of the tour. While teaming with Bret Disend in Fall of 2005, We the Kings went on its first tour under that name as a five piece, with the then-unknown Boys Like Girls as the group supported the new release of the "Great Escape" music video. We the Kings played on its first headlining tour Long Hair Don't Care with Valencia, The Cab, Sing It Loud, and Charlotte Sometimes during late March and throughout April. In May and June, We the Kings supported Cute Is What We Aim For and Boys Like Girls on the group's UK tour. Under the guidance of manager Bret Disend, the band placed a number of tracks on the social networking site Purevolume in 2007 to build online buzz. Meanwhile, the band also pursued a deal with EMI's imprint S-Curve Records, which eventually signed the group. We the Kings' self-titled debut album was produced by Sam Hollander and mixed by Lou Giordano, and was released in October 2007. The album peaked at number 151 on the Billboard 200 and spent fifteen weeks on the chart. The second single from the album, "Check Yes Juliet", became a minor hit, peaking at number seventy on the Billboard Hot 100 and number twenty-five on the Pop Songs chart. The single was later released in Australia in 2011 where it peaked at number twenty-six and was certified platinum by the Australian Recording Industry Association (ARIA). The album was also released in 2011 and was certified platinum by the ARIA for sales of 70,000 copies. For part of the fall of 2007, the band played a tour called Tourzilla with headliner Boys Like Girls, All Time Low, and The Audition. The group toured in support of Cobra Starship in early 2008 along with Metro Station and The Cab. We the Kings performed all dates of the Warped Tour 2008. On August 30, 2008 the band was a part of The Rays Summer Concert Series, playing on the field after a Tampa Bay Rays game. In late 2008, after completion of the Warped Tour, the band toured the US and UK with The Academy Is... (the tour was known as Bill & Trav's Bogus Journey), along with supporting bands including The Maine, Hey Monday and Carolina Liar. The Kings Carriage are skits that We The Kings film and post on YouTube. The King's Carriage detail the band's life on the road and give the fans insight into the band members' lives. These skits have generated over 300 million views.

Where were they from?

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IN: Thomas Wesley Pentz (born November 10, 1978), better known by his stage name Diplo, is an American DJ, record producer, rapper and songwriter based in Los Angeles, California. He is the co-creator and lead member of the electronic dancehall music project Major Lazer, and along with producer and DJ Skrillex, part of the electronic duo Jack U. He founded and manages record company Mad Decent, as well as co-founding the non-profit organization Heads Decent. Among other jobs, he has worked as a school teacher in Philadelphia.

Diplo was born on November 10, 1978, in Tupelo, Mississippi, the son of Barbara Jean (nee Cox) and Thomas Pentz. He is of German and English descent. The influence of home-grown rap played a key role in helping shape his production style. He spent the majority of his youth in Miami, where he got a taste for the characteristic Miami bass. He began attending the University of Central Florida in 1997, and then moved to Philadelphia to continue his studies at Temple University, where he first garnered attention as a DJ. After frequently running into fellow DJ Low Budget, the two began throwing parties under the Hooked on Hollertronix moniker in 2003 as a way of maintaining control of what they were able to play during DJ gigs in Philadelphia. The success of these parties allowed the two to release mixtapes, both separate and together, gathering acclaim across the country. One such mixtape, Never Scared, was named one of the New York Times top ten albums of 2003, and the Hollertronix name became synonymous with parties featuring guests like Maluca Mala, Bun B, Spank Rock, M.I.A., among others. Hollertronix's sound has been described as "disparate genres to be smashed together for maximum attention-grabbing impact" an aesthetic which takes from the "organic, cohesive, whole" aesthetic of acts such as Bun B, Lil Jon, Drama, M.I.A., Bjork, Busta Rhymes, and others. Diplo accentuated the club aesthetic of his Hollertronix music for a more reflective sound on his solo debut, Florida, which was released on the Ninja Tune imprint, Big Dada Records. The album Florida was pressed twice, first with a CD and the second with a CD and DVD. The DVD was created by System D-128, another artist who has collaborated with Diplo on some audio and video projects. Before Florida's DVD accompaniment, another DVD surfaced called Diplo: "Banned in Libya" which was released by Money Studies, the first label to release a solo project by Diplo under his original DJ name Diplodocus. It was a 45 rpm record called "Thingamajawn" for which there is also a music video System D-128 directed. Similar to the Florida DVD, "Banned in Libya" is an experimental audio and video mix of some of Diplo's original music blended with a number of other unidentified sources. His particular affinity for one genre of music called baile funk, or favela funk, would spawn a series of mixtapes (Favela on Blast, Favela Strikes Back), which served to bring the Brazilian dance music of the ghettos to the United States. It was not long before his Hooked on Hollertronix parties would provide him the success necessary to move to the next logical step and build a studio where music would become his full-time focus. With this goal in mind, Diplo built "The Mausoleum," a video studio, recording studio, record label office, gallery, and event space in Philadelphia. Since its inception, The Mausoleum has become the home to recordings by artists like Christina Aguilera, Shakira, M.I.A., Santigold, Spank Rock, Plastic Little, Blaqstarr, Paper Route Gangstaz, and hosted concerts by Glass Candy, Skream, Boys Noize, Nicos Gun, and more.

Did the album do well?

OUT:
was named one of the New York Times top ten albums of 2003,