Problem: Background: Oscar Gutierrez (born December 11, 1974), better known by his ring name Rey Mysterio Jr. or simply Rey Mysterio (Spanish for "King Mystery"), is an American professional wrestler who is currently wrestling on the independent circuit. Mysterio is best known for his appearances with Extreme Championship Wrestling, World Championship Wrestling and WWE between 1995 and 2015, becoming a three-time world champion in the latter. Widely regarded as the greatest cruiserweight wrestler of all time,, Mysterio is known for his high-flying Lucha libre wrestling style, which is credited with having helped kick-start the emergence of cruiserweight wrestling in the United States in the mid-1990s. Championships held by Mysterio over the course of his career include WWE's World Heavyweight Championship, the WWE Championship, WCW/WWE Cruiserweight Championship, WCW World Tag Team Championship, WCW Cruiserweight Tag Team Championship, WWC World Junior Heavyweight Championship, WWE Tag Team Championship, and WWE Intercontinental Championship.
Context: In 1999, after the two factions of nWo reformed, they demanded that the LWO disband. Mysterio refused to take off his LWO colors and was attacked by the nWo as a result. This led to a match at SuperBrawl IX where Mysterio and tag partner Konnan lost a "Hair vs. Mask match" against Kevin Nash and Scott Hall, forcing Mysterio to remove his mask. After the match, he phoned his uncle to tell him the news. Mysterio has publicly expressed his disappointment over being unmasked: Mysterio later became a "giant killer" by defeating large opponents such as Kevin Nash, Bam Bam Bigelow, and Scott Norton. He faced Nash at Uncensored in a match where Lex Luger interfered and helped Nash in winning the match. Although he participated in several notable matches with some of the heavyweight top card wrestlers, it was made very clear to him that he would never receive a push to become a main eventer. This was due to Eric Bischoff utilizing cruiserweights as alternative, mid-card entertainment as opposed to the more conventional style that led WCW programming. The next night on the March 15 Nitro, he defeated Billy Kidman to win his fifth Cruiserweight Championship. On the March 22 Spring Breakout episode of Nitro, Mysterio got his first shot at the WCW World Heavyweight Championship against champion Ric Flair when the names of (allegedly) nearly everyone in the company were put into a hat and a lottery was held. El Dandy was the lottery winner, but he was injured, and Mysterio took the shot instead. The match ended with a disqualification win for Flair, even though Arn Anderson's interference on Flair's behalf should have theoretically disqualified Flair. The following week, Mysterio and Kidman teamed with each other and defeated Flair's Four Horsemen stablemates Chris Benoit and Dean Malenko to win the WCW World Tag Team Championship, making Mysterio a double champion. Mysterio successfully defended his Cruiserweight Championship against his tag team partner Kidman at Spring Stampede before losing the title on the April 19 episode of Nitro to Psicosis in a Fatal Four-Way match that also involved Juventud Guerrera and Blitzkrieg. On the following episode of Nitro, he defeated Psicosis to win his fifth Cruiserweight Championship. At Slamboree, Mysterio and Kidman lost the World Tag Team titles to Raven and Perry Saturn in a Triangle match, also involving former champions Benoit and Malenko.
Question: why was he a giant killer
Answer: Mysterio later became a "giant killer" by defeating large opponents such as Kevin Nash, Bam Bam Bigelow, and Scott Norton.

Problem: Background: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
Context: He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle. Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems. Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development. In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world." Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."
Question: What did the work as office secretary lead to ?
Answer:
and later became personal secretary to the studio's founder and president,