In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: i do n't expect much from eddie murphy these days .
for the past four years , the gods of cinema -- or the expansive payrolls of studio conglomerates -- have allowed him to make one bad movie after another .
such films as metro , doctor dolittle , holy man , life , and bowfinger have reduced a once great comedic persona to a living and breathing washed - up hack performing as a studio puppet for 20th century fox and universal pictures .
the biggest shame to fall on his shoulders is his newest film , nutty professor ii : the klumps .
the klumps once again revisits the life of sherman klump , an overweight university science professor looking for love in all the wrong places .
sherman has just invented a new " youth drink " that enables man or beast to become younger for a short period of time .
janet jackson is the love interest who chooses the lovable sherman for a soul mate rather than excel at her career as a university professor ( and for the most ridiculous reasons ) .
with love on his mind , sherman is determined to rid himself of his alter ego , buddy love from the first professor , who still resides with vigor inside his psyche and causes sherman to act like a bad imitation of vince vaughn from swingers .
with some convoluted mumbo - jumbo about dna extraction , sherman extracts the " buddy love " link in his dna and smartly deposits buddy into a handy - dandy lab beaker .
but one night , the beaker is knocked over and buddy love is regenerated . . .
because every movie like this needs an unnecessary villain to thwart the good guy .
then the klump family , all played by eddie murphy , step in for some comedic relief involving old people having sex , flabby breasts , a slew of fart and dick jokes , and enough fat people jokes that i lost count after the first thirty minutes .
and did i mention the part where larry miller gets anally raped by an overgrown hamster ?
the movie finally dissolves into a really bad hallmark family special about realizing who you are and what you can be in this world -- with enough soft lighting and people on the verge of tears in every scene .
pure and simple ,
the klumps is a failure .
its script was handled by not one but five screenwriters , and it really shows during the awkward transitions between scenes .
any sense of story and plot were lost in the rewrite process .
it 's more discerning to learn that chris weitz and paul weitz , the team behind one of the funniest films of the last decade , american pie , have their names stamped to this trash .
hey guys - quick
note - keep this movie off of your resumes .
the characterization of sherman 's family , the klumps , is one of the most ignorant stereotypes of a black family i have ever seen in cinema .
everyone member of the family is a large person who wipes the bins clean at a local buffet restaurant like pigs at a trough .
the grandma is an oversexed fiend who constantly talks of ways to pleasure her man and her sagging breasts .
the father is gruff , is fired from a blue - collar job , is sexually inadequate , and can not communicate with his family about his feelings .
the mother is ignorant of all the negativity around her and seems to hold no opinion about anything or anyone .
the brother is silent and brooding and resembles the ice cube gangster character from boyz in the hood .
sherman himself is terribly insecure and never conveys anything for the audience to become attached to .
but the main problem with the film is its inability to create any type of convincing conversational or situational comedy .
the family scenes from the first nutty professor worked so well because their conversations were short and direct .
and you got the feeling that these crass people could n't act like this all the time .
the sequel does the reverse and drives the negatives of the klumps right in to the hilt , making the first five minutes of their interaction enjoyable and the last 55 or so unbearable and pathetic .
after a while , their conversations just become a barrage of frustrated anger tinged with indecency and overworked premises that end up drawing energy away from any type of empathy one might feel for the central themes of the story .
its also a damn shame that the makeup magic of rick baker -- who worked on the original nutty professor and won an academy award for his work on an american werewolf in london -- and amazing digital special effects that enabled murphy to interact with himself in such beautiful motions are built around such a lame story line .
even the best effects ca n't seem to save the most pathetic of movies these days .
now that i think about it ,
the worst thing about this film has to be all the money that it will make .
people will be lined up around the block for it .
the studios will concoct the a sequel for release in the summer of 2002 .
eddie murphy will be signed up to take not just one role or five roles , but he 'll play every character in the movie .
i just ca n't wait to see eddie murphy in a love scene with himself .
[EX A]: N

[EX Q]: countries and legal systems that take the rule of law principle seriously , had forbidden judges and juries to make judgements in all matters that could involve them personally .
luckily , movie reviewers are n't burdened with such legislation .
otherwise , small pool of very special movies would be forever ignored by this reviewer .
in case of star wars , 1977 science fiction epic by george lucas , the consequences would be even more severe , because that film is very special for tens of millions , if not hundreds of millions of fans .
in any case , objectivity is something seldom seen in star wars reviews , because undisputed majority of reviewers rate it as one of the best , if not the best film of all times .
those who do n't usually have some difficulties in hiding their artistic snobbery .
the author of this review must also concede his inability to use cold , objective standards in reviewing this film .
like so many previous reviewers , i must note that i watched star wars for the first time twenty years ago , and that i remained enchanted by the experience ever since .
perhaps it was childlike fascination with , until then unimaginable , wonders that happened long time ago , in a galaxy far away .
or perhaps it was the rush i felt minutes before the opening shots , with my expectations already pumped up by serialised comic books and novelisation i had read before .
anyway , watching of star wars was one of the most important movie going experiences of my life .
and it was also unmatched for many years to come , because very few movies managed to have such a strong impact on me like george lucas ' epic .
star wars was n't just important movie for me ( or the millions of fans who probably share the same sentiment ) .
it was the defining moment in the history of modern cinema .
until than , american motion picture industry was in a limbo ; social turmoil in 1960s practically destroyed the old hollywood , and new authors filled the void , mostly by using hollywood 's financial and technical resources to create serious , " personal " or " artsy " movies . as a result , audience , traumatised of dark reality of vietnam and watergate , did n't want to see the same dark and serious content on the silver screen .
george lucas with its science fiction epic was among the first to come into rescue .
the audience responded with unprecedented enthusiasm , and huge financial success of the movie , later backed by supplement industry of toys , books , comics , role playing games and other merchandise , slowly began to change the face of hollywood . serious , adult movies with artistic ambitions faded into oblivion , and were replaced by industrial products of " blockbuster " philosophy .
one of the biggest casualties of that trend was the science fiction movie genre .
until 1977 , science fiction movies were mostly in b - production domain .
in late 1960s , bigger budgets for science fiction did n't look so strange anymore , thanks to the great success of 2001 : a space odyssey .
but the same success coincided with the surge of pesimism , and hollywood science fiction was as bleak as the rest of its production - mostly dark , dystopic movies .
however , in 1977 star wars showed once and for all that this genre can be inspiration for popular movies , even among the audience that usually does n't like it .
as a result , seriousness in cinematic science fiction began fading away , although some good , dark and cult quality sf and continued to be filmed until early 1980s .
after that , science fiction continued to be considered a synonym for family entertainment .
ironically , the man responsible for star wars was in its time considered to be member of " new hollywood " generation of young movie authors who made " artsy " and " personal " films in early 1970s .
george lucas established himself with the dystopic sf movie thx 1138 , and nostalgic drama american graffiti .
both movies were considered " personal " in its time , despite latter one becoming very popular .
in a sense , star wars is an also very " personal " film , and the thorny way to the final production shows that commercial considerations were against it , not for it .
but unlike many " personal " movies of the era , its " personality " was in line with the wishes of the general audience .
the plot , set " a long time ago , in a galaxy far away " , begins in a time of civil war .
the evil empire is threatened by rebels who want to restore the old republic .
in order to quash any opposition , the empire had built death star , superweapon powerful enough to destroy whole planets .
the information about death star , acquired by rebel intelligence , is being transported by princess leia organa ( carrie fisher ) when her ship gets intercepted by imperial cruiser .
princess is arrested by imperial warlord darth vader ( played by david prowse and voice by james earl jones ) , but the information is being sent to nearby desert planet of tatooine via two humanoid robots - c3po ( anthony daniels ) and r2d2 ( kenny baker ) .
those two robots are sold to the family of luke skywalker ( mark hamill ) , young restless man who wants to leave his farm and become space pilot .
his adventure begins when r2d2 escapes , because the information must reach mysterious local hermit obi wan kenobi ( alec guiness ) .
old man is actually the last surviving jedi knight , member of the ancient order that defended republic through the use of mystical force .
after some hesitation , luke agrees to join obi wan in his mission to save the princess , while the old man would teach him the ways of the force .
their small band comes to the colourful spaceport of moss eisely , where they hire the spaceship owned by rogue pilot han solo ( harrison ford ) and his furry sidekick chewbacca ( peter mayhew ) .
critics who do n't like the movie , especially those who ca n't forgive lucas for his contribution to the quashing of " new hollywood " , are prone to point the lack of originality .
on the surface , they might be right ; lucas himself admits that he found a lot of inspiration in the lore of old hollywood - westerns , wwii aviation movies , old sf cliffhanger serials of the 1930s and 1940s ; yet the most obvious element would be akira kurosawa 's samurai classic the hidden fortress .
on the other hand , those who had spent last two decades studying the movie to death would say that the inspiration for star wars went even further - into collective subconscious of western civilisation ( hinted by some mild tolkien references ) .
the others would find the author 's element within the story - star wars could be seen as an anti- establishment film ; young , long - haired , easy going , nature - loving heroes are fighting against old , uptight and oppressive forces who use supertechnology in most demonic purposes .
even out of its historical or social context , star wars is an impressive as a strictly technical piece of the seven art .
george lucas ' direction is very good , with the clever editing and a well - paced segments between action and dramatic buildup .
characters are well - drawn and deliver all the necessary ingredients , both for the space opera and hollywood blockbuster .
we have a " coming - of - age " hero , damsel - in - distress ( somewhat toned down due to the popular feminist trends of the time ) , reluctant helper , benevolent mentor , diabolical villain and , finally , comic relief in form of two non - human characters .
some of the actors are very good - alec guiness in his most famous role to date , james earl jones whose voice is enough to cause unease , peter cushing as an incarnation of pure evil in human form .
unfortunately , the same ca n't be said for the main leads - among the main trio of mark hamill , carrie fisher and harrison ford
, only the last one had the character three - dimensional enough to launch his further acting career .
the thing that looked like the most important segment of star wars phenomena during its initial release was the new level of special effects technology .
often comparisons with 2001 : space odyssey , another ground - breaking sf film , were citing the sheer number of effects as a proof of the lucas ' superiority over kubrick . however , the special effects by john dykstra and john stears are indeed impressive , even after two decades ( although 1997 special edition did improve them significantly ) , yet they are n't the most remembered trademark of the movie .
that honour should definitely go to the " oscar " -winning soundtrack by john williams , whose work on star wars is probably the brightest gem in his brilliant career
.
newer generations of viewers might be somewhat deprived of the enchantment that still holds those lucky enough to witness star wars original release .
yet , even if they are immune to the george lucas ' magic
they should watch this film nevertheless , perhaps only to become familiar with something that is essential part of contemporary culture .
[EX A]: P

[EX Q]: insane ( but inspired ) musical about alferd packer , the first man ever tried for cannibalism in america .
as the story unfolds we learn what events led to packer ( trey parker ) supposedly killing and eating the five men who got lost while accompanying him through the mountains of colorado in search of gold .
throughout , packer must contend with evil trappers bent on stealing his prized horse , a tribe of ' ute ' indians that does n't seem quite on the mark , and a terrible winter storm that leads to the eventual cannibalism .
parker obviously knows his musicals very well , because the viewer is also treated to some of the most maddeningly catchy songs to appear in a film
( he would accomplish this again in his post - cannibal ! musical motion picture , south park : bigger , longer , and uncut ) .
apart from the inherent interest of seeing a pre- " south park " parker and stone in their first effort , cannibal ! also offers up some pretty decent laughs .
the aforementioned ' ute ' indian tribe that packer 's group encounters is a definite highlight , as are two rousing musical numbers about snowmen ( one of which ends on a comedically deadly note ) .
stone 's humphrey character steals the show , especially when complaining about the prospect of having to ' eat butt ' or revealing what 's underneath his muff cap .
jason mchugh 's character of mr .
miller is the stand out performance though ,
as he offers a hilarious dissenting voice to the proceedings .
as i mentioned before , parker 's songs are very catchy .
you 'll be hard pressed to get ' it 's a shpadoinkle day ' out of your head once you 've heard it
( incidentally , the braniff logo that appears at the end of every " south park " episode is scored with a few notes from this song ) .
other songs you 'll find yourself humming include ' when i was on top of you ' ( a love ballad ) , ' the trapper 's song ' ( the villains leit motif ) , and ' hang the bastard ' ( the rousing finale ) .
thankfully , none of these songs are quite as embarrassing to find yourself singing in public as south park : bigger , longer & uncut 's songs are .
released as a pick - up through troma studios , the film is available on videocassette and dvd .
the videocassette includes an intro by the beautiful jane jensen and an interview segment with lloyd kaufman , discussing his admiration for parker and stone and the fact that they had been hired for a zucker brothers film ( which turned out to be the hilarious baseketball ) .
there are also multiple trailers for upcoming troma films .
as for the dvd .
..
well , that 's a different story .
probably one of the best dvd packages of the year ( and potentially of all time ) , cannibal !
the musical !
the dvd is a massive achievement .
presented in 1 .
33 : 1 ( full frame )
only , the disc has the usual troma inclusions : the tour of troma , the troma intelligence test 2 , trailers for upcoming releases , but where the disc truly shines is in its cannibal ! specific extras .
the first thing i must note is
, the transfer is about as beautiful as any i 've ever seen on any disc .
the picture is crisp , clear , and free from any noticeable artifacts . add to that one of the funniest commentary tracks i have ever heard , featuring trey parker , matt stone , jason mchugh , dian bachar , and andy kemler getting drunker and drunker as the track continues and you still have n't scratched the surface of the extras .
there 's also behind the scenes footage of the shooting of the film , a clip with trey , matt , and lemmy ( of the band motorhead ) from the film terror firmer , an index for easy location of all of the songs in the film , and finally , an index of all the songs as performed by the cast of a stage production of cannibal ! .
it 's good to see this film finally get the treatment it deserves .
kudos to the entire production staff at troma and aix for making one of the most entertaining dvds i have seen in a very long time .
[EX A]:
P