input: Please answer the following: The following article contains an answer for the question: Who presented a three-part series on The Grandeur That Was Rome? , can you please find it? Wheeler became famous in Britain as "the embodiment of popular archaeology through the medium of television". In 1952, Wheeler was invited to be a panelist on the new BBC television series, Animal, Vegetable, Mineral?. Based on the American quiz programme What in the World?, the show was hosted by Glyn Daniel and featured three experts in archaeology, anthropology, and natural history being asked to identify artefacts which had been selected from various museums. However, Wheeler is alleged to have prepared for the show by checking beforehand which objects had been temporarily removed from display. The show proved popular with British audiences, and would air for six more years. It brought Wheeler to public attention, resulting in a Television Personality of the Year award for him in 1954. He also appeared in an episode of Buried Treasure, an archaeology show also hosted by Daniel, in which the pair travelled to Denmark to discuss Tollund Man. In 1957, he appeared in a second episode of Buried Treasure, for which he travelled to Pakistan to discuss that nation's archaeology, and in 1958 again appeared in an episode, this time on the site of Great Zimbabwe in Southern Rhodesia. In 1959 he presented his own three-part series on The Grandeur That Was Rome, for which he travelled to Hadrian's Wall, Pompeii, and Leptis Magna; the show failed to secure high ratings, and was Wheeler's last major foray into television. Meanwhile, he also made appearances on BBC radio, initially featuring on the John Irving series The Archaeologist, but later presenting his own eight-part series on Roman Britain and also appearing on the series Asian Club, which was aimed primarily at newly arrived migrants from the Indian subcontinent.
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output: Wheeler

input: Please answer the following: The following article contains an answer for the question: What were the names of the two brothers? , can you please find it? The 1951 Festival production, by Siegfried's and Winifred's son Wieland, broke with tradition and featured an austere staging which replaced scenery and props with skilful lighting effects. The Rhinemaidens, along with all the other characters, were plainly dressed in simple robes, and sang their roles without histrionics. Thus the music and the words became the main focus of attention. Wieland was influenced by Adolphe Appia, whose Notes sur l'Anneau du Nibelungen (192425) had been dismissed by Cosima: "Appia seems to be unaware that the Ring was performed here in 1876. It follows that the staging is definitive and sacrosanct." However, Wieland and his brother Wolfgang praised Appia: "... the stylised stage, inspired by the music and the realisation of three-dimensional space constitute the initial impulses for a reform of operatic stagings which led quite logically to the 'New Bayreuth' style."The innovative centenary Bayreuth Ring, directed by Patrice Chereau, did away altogether with the underwater concept by setting the Rhinemaiden scenes in the lee of a large hydro-electric dam, as part of a 19th-century Industrial Revolution setting for the operas. For the scene with Siegfried in Gotterdammerung, Chereau altered the perpetual youth aspect of the Rhine Maidens by depicting them as "no longer young girls merrily disporting themselves; they have become tired, grey, careworn, and ungainly". Since this production "the assumption of unrestricted interpretive license has become the norm". For example, Nikolaus Lehnhoff, in his 1987 Bayerische Staatsoper production, placed the Rhinemaidens in a salon and had their lament at the end of Rheingold played on a gramophone by Loge.
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output: Wolfgang

input: Please answer the following: The following article contains an answer for the question: Who has a novelty gun? , can you please find it? Mammy Two Shoes stumbles upon entering the kitchen, which has been ransacked by Jerry, and berates the residents of the house, Tom and Butch. She warns them that the one who catches Jerry can stay, and the other will be kicked out. The two cats frantically search for Jerry, eventually realizing they were both unsuspectingly aided by him. They scramble to catch the mouse, but become tangled. They tiptoe across the floor until Jerry hits one of their feet with a log. Tom and Butch then grab Jerry together and decide to have a gun duel. Tom turns around early and shoots Butch, but finds out he has a novelty gun, allowing Butch to chase Tom into the wall. Tom sees the same brand name on it and assumes it is another novelty gun, but Butch shoots, with Tom barely dodging the bullet. Jerry then enters an oven. Tom and Butch slam the door and turn on the gas, but Jerry sneaks out, lights a match and drops it in the oven, leaving Tom and Butch in blackface. Jerry is then caught by both cats simultaneously. Jerry squeezes out, but is grabbed by Butch. Tom grabs his tail as he flees and after Tom bops Butch on the head, Butch slips the mouse into a box before continuing the fight. Jerry escapes and rings a gong, ending the fight momentarily, and coaches Tom and Butch to hit each other. After Jerry rings the gong, both cats realise they have been tricked and glance towards Jerry. Realising he is trapped, the mouse chooses Butch via counting-out and sits down in his hand.
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output: Tom

input: Please answer the following: The following article contains an answer for the question: What was the full name of the committee that delegated responsibility of uranium research to Thomson? , can you please find it? At Birmingham, Oliphant's team had reached a different conclusion. Oliphant had delegated the task to two German refugee scientists, Rudolf Peierls and Otto Frisch, who could not work on Oliphant's radar project because they were enemy aliens and therefore lacked the necessary security clearance. Francis Perrin had calculated the critical mass of uranium to be about 40 tonnes (39 long tons; 44 short tons). He reckoned that if a neutron reflector were placed around it, this might be reduced to 12 tonnes (12 long tons; 13 short tons). Peierls attempted to simplify the problem by using the fast neutrons produced by fission, thus omitting consideration of moderator. He too calculated the critical mass of a sphere of uranium in a theoretical paper written in 1939 to be "of the order of tons".Peierls knew the importance of the size of the critical mass that would allow a chain reaction to take place and its practical significance. In the interior of a critical mass sphere, neutrons are spontaneously produced by the fissionable material. A very small portion of these neutrons are colliding with other nuclei, while a larger portion of the neutrons are escaping through the surface of the sphere. Peierls calculated the equilibrium of the system, where the number of neutrons being produced equalled the number escaping.Niels Bohr had theorised that the rare uranium-235 isotope, which makes up only about 0.7% of natural uranium, was primarily responsible for fission with fast neutrons, although this was not yet universally accepted. Frisch and Peierls were thus able to revise their initial estimate of critical mass needed for nuclear fission in uranium to be substantially less than previously assumed. They estimated a metallic sphere of uranium-235 with a radius of 2.1 centimetres (0.83 in) could suffice. This amount represented approximately 1 kilogram (2.2 lb) of uranium-235. These results led to the FrischPeierls memorandum, which was the initial step in the development of the nuclear arms programme in Britain. This...
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output:
Committee for the Scientific Survey of Air Warfare