Problem: De Ruyter was born on 24 March 1607 in Vlissingen, Netherlands, as the son of beer porter Adriaen Michielszoon and Aagje Jansdochter. Little is known about De Ruyter's early life, but he probably became a sailor at the age of 11. It is said that once, when he was a child, he climbed up ladders to get to the roof of his home town's church. Not knowing that De Ruyter was there, some workers then removed the ladders.

In July 1655, De Ruyter took command of a squadron of eight (of which the Tijdverdrijf [Pastime] was his flagship) and set out for the Mediterranean with 55 merchantmen in convoy. His orders were to protect Dutch trade. Meeting an English fleet under Robert Blake along the way, he managed to avoid an incident. Operating off the Barbary Coast, he captured several infamous corsairs. After negotiating a peace agreement with Sale, De Ruyter returned home May 1656. The same month, the States General, becoming ever more wary of Swedish King Charles X and his expansion plans, decided to intervene in the Northern Wars by sending a fleet to the Baltic Sea. The Swedes controlled this area after Charles had invaded Poland and made himself king there. De Ruyter once again embarked aboard the Tijdverdrijf, arriving at the Oresund 8 June; there he waited for Lieutenant-Admiral Jacob van Wassenaer Obdam to arrive. After Obdam had assumed command, De Ruyter and the Dutch fleet sailed to relieve the besieged city of Danzig/Gdansk on 27 July, without any bloodshed. Peace was signed a month later. Before leaving the Baltic, De Ruyter and other flag officers were granted an audience by Frederick III of Denmark. De Ruyter took a liking to the Danish king, who later became a friend. In 1658, the States General, on the advice of a leading member (Cornelis de Graeff, one of the mayors of Amsterdam), decided to once again send a fleet to the Baltic Sea to protect the important Baltic trade and to aid the Danes against Swedish aggression, which continued despite a peace settlement. In accordance with the States' balance-of-power political approach, a fleet under Lieutenant-Admiral Jacob van Wassenaer Obdam was sent, without De Ruyter, who at the time was blockading Lisbon. On 8 November, a bloody melee took place, the Battle of the Sound, which resulted in a Dutch victory, relieving Copenhagen. Still the Swedes were far from defeated and the States decided to continue their support. De Ruyter took command of a new expeditionary fleet and managed to liberate Nyborg in 1659. For this, he was knighted by King Frederick III of Denmark From 1661 until 1663, de Ruyter did convoy duty in the Mediterranean.

Who did he lead

Answer with quotes: 55 merchantmen in convoy. His orders were to protect Dutch trade. Meeting an English fleet under Robert Blake along the way,

Problem: Masami Akita (Qiu Tian Chang Mei , Akita Masami, born December 19, 1956), better known by his stage name Merzbow (merutsubau, Merutsubau), is a Japanese noise musician. He is best known for his style of harsh, confrontational noise exemplified on his 1996 release, Pulse Demon. Since 1980, he has released over 400 recordings, and has collaborated with various artists.

During the European tour in September-October 1989, Merzbow could only bring simple and portable gear; this led to the harsh noise style Merzbow became known for in the 1990s. Cloud Cock OO Grand (1990) was the first example of this new style, Merzbow's first digital recording (on DAT), and the first recording made for the CD format. It also includes live material recorded during the tour. But when I started live in late 1980s I didn't like to use tape on stage. I like only live electronics. So, my studio works changed to more live composition style. I'm still using many tapes in studio works, but difference is I treat tapes and instruments. Before, I used tapes as overdubbing concept. But now tapes are crashing together, no static overdub. I found that style on Cloud Cock OO Grand. Beginning in the mid-1990s, Merzbow began to be influenced by death metal and grindcore. Recordings from this time are mostly recorded at extreme volume, some mastered at levels far beyond standard (Noisembryo, Pulse Demon). In 1994, Akita acquired a vintage EMS synthesizer. From 1996, plans were made to release a "10 (or maybe 12)" CD box set on Extreme Records. In 2000, Extreme Records released the Merzbox, a fifty CD set of Merzbow records, twenty of them not previously released. Throughout most of the 1990s, Merzbow live was a trio with Reiko A. on electronics and Bara on voice and dance. Masami Akita occasionally played drums for Hijokaidan during the early-mid 1990s. In the early 1990s, Masami Akita composed the soundtracks to numerous kinbaku videos by Fuji Planning (Bu Er Qi Hua , Fuji Kikaku) and seppuku-themed videos by their sub-label Right Brain. Akita also directed Lost Paradise (Shi Le Yuan Cheng Ma Fu Nu Fu Qie ri, Shitsurakuen: Jobafuku onna harakiri) for Right Brain. Some of this music was included on Music for Bondage Performance and Music for Bondage Performance 2, co-credited to Right Brain Audile. Director Ian Kerkhof would use a Merzbow track for his 1992 film La sequence des barres paralleles, and Akita composed original music for Kerhof's 1994 film The Dead Man 2: Return of the Dead Man. Kerkhof made the documentary Beyond Ultra Violence: Uneasy Listening by Merzbow in 1998. Akita also created music for Ilppo Pohjola's Asphalto (1998) and Routemaster (2000).

Are there any other interesting aspects about this article?

Answer with quotes:
During the European tour in September-October 1989, Merzbow could only bring simple and portable gear;