input: Now with a firm line-up, they began to play more gigs alongside The Strokes and The Vines in quick succession. This succeeded in spreading their name around the music press, with the NME taking a particular interest in them (an interest which continued throughout their career). Their first single was a double A-side of "What a Waster" and "I Get Along", produced by former Suede guitarist Bernard Butler. It was released on 3 June 2002 to a lukewarm media reception and received very little airplay due to its liberal use of profanities. A censored version appeared as BBC Radio 1 DJs Mark and Lard's single of the week. On the week the single came out, the Libertines featured on the cover of the NME for the first time. The single reached No. 37 in the UK Singles Chart. Their first album was recorded and produced by Mick Jones, formerly of The Clash. Entitled Up the Bracket, it was recorded at the RAK studios in St John's Wood, with mixing taking place at Whitfield studios. During this time, the band were playing as many gigs as possible (over 100 in 2002 alone) including support acts for the Sex Pistols and Morrissey. Their second single and title track from the album, "Up the Bracket", was released on 30 September and charted at No. 29. This was soon followed by the release on 21 October of the album, which charted at No. 35. They won Best New Band at the NME Awards for that year and Barat moved out of The Albion Rooms.

Answer this question "Did they have any hit tracks?"
output: Their second single and title track from the album, "Up the Bracket",

Problem: Background: George Bernard Shaw (26 July 1856 - 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
Context: On 5 September 1882 Shaw attended a meeting at the Memorial Hall, Farringdon, addressed by the political economist Henry George. Shaw then read George's book Progress and Poverty, which awakened his interest in economics. He began attending meetings of the Social Democratic Federation (SDF), where he discovered the writings of Karl Marx, and thereafter spent much of 1883 reading Das Kapital. He was not impressed by the SDF's founder, H. M. Hyndman, whom he found autocratic, ill-tempered and lacking leadership qualities. Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it--he preferred, he said, to work with his intellectual equals. After reading a tract, Why Are The Many Poor?, issued by the recently formed Fabian Society, Shaw went to the society's next advertised meeting, on 16 May 1884. He became a member in September, and before the year's end had provided the society with its first manifesto, published as Fabian Tract No. 2. He joined the society's executive committee in January 1885, and later that year recruited Webb and also Annie Besant, a fine orator. From 1885 to 1889 Shaw attended the fortnightly meetings of the British Economic Association; it was, Holroyd observes, "the closest Shaw had ever come to university education." This experience changed his political ideas; he moved away from Marxism and became an apostle of gradualism. When in 1886-87 the Fabians debated whether to embrace anarchism, as advocated by Charlotte Wilson, Besant and others, Shaw joined the majority in rejecting this approach. After a rally in Trafalgar Square addressed by Besant was violently broken up by the authorities on 13 November 1887 ("Bloody Sunday"), Shaw became convinced of the folly of attempting to challenge police power. Thereafter he largely accepted the principle of "permeation" as advocated by Webb: the notion whereby socialism could best be achieved by infiltration of people and ideas into existing political parties. Throughout the 1880s the Fabian Society remained small, its message of moderation frequently unheard among more strident voices. Its profile was raised in 1889 with the publication of Fabian Essays in Socialism, edited by Shaw who also provided two of the essays. The second of these, "Transition", details the case for gradualism and permeation, asserting that "the necessity for cautious and gradual change must be obvious to everyone". In 1890 Shaw produced Tract No. 13, What Socialism Is, a revision of an earlier tract in which Charlotte Wilson had defined socialism in anarchistic terms. In Shaw's new version, readers were assured that "socialism can be brought about in a perfectly constitutional manner by democratic institutions".
Question: How did he involve himself in it?
Answer: He joined the society's executive committee

Question: The White Stripes were an American rock duo formed in 1997 in Detroit, Michigan. The group consisted of Jack White (songwriter, vocals, guitar, piano, and mandolin) and Meg White (drums and vocals). After releasing several singles and three albums within the Detroit music scene, The White Stripes rose to prominence in 2002, as part of the garage rock revival scene. Their successful and critically acclaimed albums White Blood Cells and Elephant drew attention from a large variety of media outlets in the United States and the United Kingdom, with the single "Seven Nation Army" and its bass line becoming their signature song.

The White Stripes' third album, White Blood Cells, was released on July 3, 2001 on Sympathy for the Record Industry. The band enjoyed its first significant success the following year with the major label re-release of the album on V2 Records. Its stripped-down garage rock sound drew critical acclaim in the UK, and in the US soon afterward, making The White Stripes one of the most acclaimed bands of 2002. Several outlets praised their "back to basics" approach, with Daily Mirror calling them "the greatest band since The Sex Pistols." In 2002, Q magazine listed The White Stripes as one of "50 Bands to See Before You Die". After their first appearance on network TV (a live set on The Late Late Show With Craig Kilborn), Joe Hagan of the New York Times declared, "They have made rock rock again by returning to its origins as a simple, primitive sound full of unfettered zeal." White Blood Cells peaked at number 61 on the Billboard 200, reaching Gold record status by selling over 500,000 albums. It reached number 55 in the United Kingdom, being bolstered in both countries by the single "Fell in Love with a Girl" and its accompanying Lego-animation music video directed by Michel Gondry. The video won three awards at the 2002 MTV Video Music Awards: Breakthrough Video, Best Special Effects, and Best Editing, and the band played the song live at the event. It was also nominated for Video of the Year, but fell short of winning. Stylus Magazine rated White Blood Cells as the fourteenth greatest album of 2000-2005, while Pitchfork Media ranked it eighth on their list of the top 100 albums from 2000-2004. In 2002, George Roca produced and directed a concert film about the band titled Nobody Knows How to Talk to Children. It chronicles The White Stripes' four-night stand at New York City's Bowery Ballroom in 2002, and contains live performances and behind-the-scenes footage. Its 2004 release was suppressed by the band's management, however, after they discovered that Roca had been showing it at the Seattle Film Festival without permission. According to the band, the film was "not up to the standards our fans have come to expect"; even so, it remains a highly prized bootleg.

Using a quote from the above article, answer the following question: does it have any hit
HHHHHH
Answer:
It was also nominated for Video of the Year, but fell short of winning. Stylus Magazine rated White Blood Cells as the fourteenth greatest album