Please answer this: Given the below context: During the time of the restoration, conducted by UkrNIIProektRestavratsiya and headed by Natalia Kosenko, the workers unearthed the whole lower floor, which had been filled in during Soviet times to strengthen the building's foundation. Restoration of the elaborate decor of the interior had to be fully redone. In the courtyard, the restorers placed an artificial lake, fountains, and a miniature gardenall of which had been in Horodecki's original plans.The building was opened as a filial "Masterpieces of Ukrainian Art" of the National Museum of Arts in November 2004. It was expected that the building would serve a dual purpose as a museum and as the presidential meeting place for state visitors. In April 2005, the Kiev City Council submitted a bill for 104 million hryvnias (approx. US $20 million) to the Ukrainian Government for reconstruction and restoration of the House with Chimaeras. The Council also allowed the Ukrainian government to construct a new square (closing off all automobile traffic) in front of the building for use in official ceremonies.Since May 2005, the building has been an official presidential residence, used for official and diplomatic ceremonies. The House with Chimaeras was used as a meeting place between Ukrainian President Viktor Yushchenko and Russian President Vladimir Putin, when the latter visited Kiev on December 22, 2006. Included in the building are rooms for negotiations, tete-a-tete talks, the signing of official documents, as well as a special room for the press. Guess a valid title for it!
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Answer: House with Chimaeras
Problem: Given the below context: Stefan Lochner (the Dombild Master or Master Stefan; c. 1410 late 1451) was a German painter working in the late "soft style" of the International Gothic. His paintings combine that era's tendency toward long flowing lines and brilliant colours with the realism, virtuoso surface textures and innovative iconography of the early Northern Renaissance. Based in Cologne, a commercial and artistic hub of northern Europe, Lochner was one of the most important German painters before Albrecht Durer. Extant works include single-panel oil paintings, devotional polyptychs and illuminated manuscripts, which often feature fanciful and blue-winged angels. Today some thirty-seven individual panels are attributed to him with confidence. Less is known of his life. Art historians associating the Dombild Master with the historical Stefan Lochner believe he was born in Meersburg in south-west Germany around 1410, and that he spent some of his apprenticeship in the Low Countries. Records further indicate that his career developed quickly but was cut short by an early death. We know that he was commissioned around 1442 by the Cologne council to provide decorations for the visit of Emperor Frederick III, a major occasion for the city. Records from the following years indicate growing wealth and the purchase of a number of properties around the city. Thereafter he seems to have over-extended his finances and fallen into debt. Plague hit Cologne in 1451 and there, apart from the records of creditors, mention of Stephan Lochner ends; it is presumed he died that year, aged around 40. Lochner's identity and reputation were lost until a revival of 15th-century art during the early 19th-century romantic period. Despite extensive historical research, attribution remains difficult; for centuries a number of associated works were grouped and loosely attributed to the Dombild Master, a notname taken from the Dombild Altarpiece (in English cathedral picture, also known as the Altarpiece of the City's Patron Saints) still in Cologne Cathedral.... Guess a valid title for it!

A: Stefan Lochner
Problem: Given the question: Given the below context: A show composed of a concert, circus acts, and broadway is taking place at a theater in the city. One of the stars of the show is a lady cat dancer whom Oswald suddenly has affection for upon seeing a poster. For admission, patrons have to pay 50 cents. Unfortunately for Oswald, his pockets are empty. Oswald notices a stage entrance where performers and certain officials can come in, and admission is unnecessary. Because of this, Oswald comes up with an idea of impersonating a performer by bulging his chest (possibly pretending to be a stuntman). The guard by the door isn't deceived and prevents the penniless rabbit from coming in. After a bit of a struggle, Oswald ties the guard to a lamp post and proceeds toward the inside of the theater. However, he is forced back outside by the glaring performers. While thinking of a way to get back in, Oswald sees a man in a thick fur coat coming out of a taxi and heading towards the theater entrance. Oswald hides under the man's shadow. As the man with the coat enters, the guard becomes suspicious upon noticing a lump on the shadow. Thinking he made it inside undetected, Oswald comes out but doesn't notice the guard approaching him. When he realizes the guard was right behind him, Oswald quickly makes his move. Oswald prevails in losing the guard by going inside a cage. However, he is met with more trouble when the cage contains a jaguar. The jaguar chases him into the stage where acrobats are doing a balancing act with a long pole. Oswald climbs up the pole and grabs the ceiling for his safety. One of the acrobats also goes up the pole and clings onto the rabbit's legs. Bothered by having someone hanging under him, Oswald grabs a mallet and strikes off the acrobat. Oswald plunges down and drops on the jaguar. The jaguar is angered more than ever and the frightened Oswald flees the stage. Guess a valid title for it!
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The answer is:
Bright Lights (1928 film)
Q: Given the below context: The Annunciation draws heavily on van der Weyden's 1430s Louvre Annunciation, his c. 1455 Saint Columba altarpiece, and the Clugny Annunciation (c. 146575), which is attributed to either van der Weyden or Memling. Memling almost certainly was apprenticed to van der Weyden in Brussels until setting up his own workshop in Bruges sometime after 1465. Memling's Annunciation is more innovative, with motifs such as the attendant angels that were absent in the earlier paintings. According to Till-Holger Borchert, not only was Memling familiar with van der Weyden's motifs and compositions, but he might have assisted with the underdrawing in van der Weyden's workshop. The shutters on the right are copied from the Louvre panel, the knotted curtain appears in the Columba triptych's "Annunciation".A sense of movement is conveyed throughout. The trailing edges of Gabriel's garment fall outside the pictorial space, indicating his arrival. The Virgin's "serpentine" pose, with attendant angels supporting her, adds to the sense of flow. Memling's use of color achieves a startling effect. The traditional rays of light are replaced with light color indicators; the white clothes rendered in "icy" blue, the angel to the right in yellow patches seems "bleached by light", the left-hand angel appears to be steeped in shadow, dressed in clothes of lavender and bearing deep green wings. The effect is iridescent, according to Blum, who writes, "this shimmering surface gives [the figures] an unearthly quality, separating them from the more believable world of the bedchamber." The effect deviates from the pure naturalism and realism which typifies Early Netherlandish art, causing a "startling" juxtaposition, an effect that is "unsteadying" and contradictory. Guess a valid title for it!
A:
Annunciation (Memling)