Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Wow... what would you do with $33m? Let me give you a choice; you can either a) shred it and flush it down the toilet or b)make a film based on the premise of Whoopi Goldberg as a hard nut futuristic cop partnered with a rubber dinosaur who uses terms like "I didn't butt trumpet" and blows raspberries on the basis that this is funny. That's right, you would choose the option that has more merit - flushing down the toilet.

This has to be seen to be believed. I cannot even find the words to describe how bad this film is. It doesn't even fit into the "so bad - it's good" category. I actually have it on the television as I write - and whilst watching I felt the need to come onto IMDb and register my disgust.

Considering Jurassic Park was made a couple of years before, how on earth did they think that audiences would any longer tolerate a man dressed in a rubber suit? WG should have simply walked and damn the consequences. Everyone concerned will go to hell for this criminal waste of money.

I have to stop writing - I am about to implode.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: When I was flicking through the TV Guide, and came across "Twisted Desire" on the movie section, I read it's description. Three words caught my eye "Melissa Joan Hart" ...I find her role in "Sabrina: The Teenage Witch" absolutely vile, I hate those kind of programs, so I was just thinking that it was going to be a boring old, love story starring her...Little did I know.

It finally started on the television, I had my bucket ready in case I were to puke over it's cheesiness or soppiness, you know what I mean. At first, you think she's just a nice, ordinary girl who's in love, but has mean parents. Then when you find out she's manipulated her boyfriend into killing her parents, so she could be with her TRUE love, you're like "Whoa". You just don't expect this sort of role for that sort of actress. She played her role very well in my opinion, I never expected her to be able to act like such a bitch, and voila, she did it perfectly! Congrats to her, the movie was very good, I'd definitely watch it again and recommend it to others.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I'm a big fan of movies that make you think. I'm still thinking long and hard about this one, fully seven minutes after the credits have rolled. What's really confounding my neurons is the attempt to fathom the relevance to the plot of the naked girlie fondling her slick oily body, made extra-tacky by being filmed on cheap video. This happens three times and I was certain it would be explained in the end. I put my trust in the film-makers that this lurid attempt to lure viewers would be justified. It was not.

The movie has to be the most apathetic I've come across in the genre. The sets look like a cross between a 1970s Dr Who set and someone's ill-formed idea of a sponge-painted living room. The lighting is unimaginative (if your sets are going to be that bad, at least film them in semi-darkness to hide the plasterboard and create some ambiance). Of the abducted quartet, the girl stands out as being particularly lame, but none of them is given a personality. The aliens' plans for world domination are just plain silly - all they need is a birth control pill and their problems are solved. Most of the movie consists of people running down corridors. Yes, it really is that exciting. The "ray gun" special effect is ... curious, to say the least (what use is a weapon that takes a 15-second concentrated blast to kill, and even then the guy comes back for more?). The script is like a bad episode of The A-Team, and the ladies' hairstyles come from the same era, so they look like school teachers instead of an advance team of murderous alien invaders. When we finally get to see what the aliens really look like, they're in suspended animation and never even get out of their boxes. The resolution of the story - traitor alien simply has a few words with invading fleet commander and without a second thought he heads home - is truly the sign of a writer who's never had an idea more complex than a Saturday morning cartoon (I mean the bad ones with no plot, action, or characterization) in his or her life.

But seriously, what is with the naked chick?! Was it really just so they could justify putting flesh on the DVD cover to boost sales?
Q: What's an example of a movie review?
An example of a movie review is here: "Hotel du Nord " is the only Carne movie from the 1936-1946 era which has dialogs not written by Jacques Prevert,but by Henri Jeanson.Janson was much more interested in the Jouvet/Arletty couple than in the pair of lovers,Annabella/Aumont.The latter is rather bland ,and their story recalls oddly the Edith Piaf's song "les amants d'un jour",except that the chanteuse's tale is a tragic one.What's fascinating today is this popular little world ,the canal Saint-Martin settings.

This movie is dear to the French movies buffs for another very special reason.The pimp Jouvet tells his protegee Raymonde he wants a change of air(atmosphere) Because she does not understand the meaning of the world atmosphere,the whore Raymonde (wonderful Arletty)thinks it's an insult and she delivers this line,that is ,undeniably,the most famous of the whole French cinema:

In French :"Atmosphere?Atmosphere?Est-ce que j'ai une gueule d'atmosphere?" Translation attempt:"Atmosphere?atmosphere?Have I got an atmosphere face? This is our French "Nobody's perfect".
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: This was the first "Walking Tall" movie I saw, I think in a $2 movie theater along Hollywood Blvd. , so I didn't have any reference to the first installment done by Joe Don Baker. I remember being shocked at the corrupted system of McNairy County and the brutality of the "redneck gangs". I was also amazed at the fact that one man decided he's not going to let it slide, and went out to do something about it. Courageous ? I thought so - to a point where it sent shivers up my spine.

I think this movie is a great story about American courage to stand up and do something about a system that's only serving its own interest. I was pretty blown away about it, and think this is still one of the best movie of the hero/anti-hero genre, which one might laugh but includes recent movies like the "The Punisher", but even more so because it's a true story. The recent remake starring the "Rock" just doesn't do any justice to the real fire in the story of Buford Pusser.

A "classic" that I'm sure will resurface again in the future.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
Since starting to read the book this movie is based on, I'm having mixed feelings about the filmed result. I learned some time ago to see the movie adaptation of a book before I read the book, because I found that if I read the book first I was inevitably disappointed in the film. This would undoubtedly have been true here, whereas in the case of Atonement, which is probably the best filmed adaptation of a book I've ever seen, it would probably not have mattered.

I'm trying to figure out what the cause is, and I suspect that I have to point my finger squarely at Michael Cunningham. Much as I respect him for The Hours (which I have not read but which I saw and was awed by) I cannot escape the feeling that he not so much adapted Susan Minton's book as he did take a few of the characters and the basic premise and write his own movie out of it.

It's not that I dislike the movie. I actually love the movie, which is why, since I started reading the novel, I'm feeling disturbed about the whole thing. I feel disloyal to Ms. Minton for enjoying the movie which was so thooughly a departure from her work. Reading it, I can understand why she had such a struggle adapting it. Unlike what one reviewer of the movie said, it's not so much that some novels don't deserve to be a movie; it's more like some books just can't make the transition. Ms. Minton's novel operates on a level so personal and intimate to her central character, so internally, that it seems impossible to me to place it in a physical realm. Even though a lot of the book is memory of real events, it is memory, and so fragmented and ethereal as to be, I feel, not filmable. I think that Ms. Minton's work is a real work of literature, but cannot make the transition to film, which in no way detracts from its value.

I cannot yet report that Evening, the film, does not represent Evening, the novel, in any more than the most superficial way, since I'm only halfway through, but the original would have to make a tremendous leap to resemble the film that follows at this point. I guess I'm writing this because I feel that if you're going to adapt a novel, adapt it, but don't make it something else that it's not. I'm not sure if Michael Cunningham has done anything wholly original, but from what I can see so far the things he has done are all based on someone else's work. We would not have The Hours if Virginia Woolf had not written Mrs. Dalloway, and we would not have Evening, in its distressed form, if Susan Minton had not had so much trouble doing what probably should not have been attempted in the first place. But it's too much to say that it would be better if Ms. Minton had left well enough alone, because Evening, the film, is a satisfactory and beautiful work of its own.

Thus my confusion, mixed feelings, sense of disloyalty, and ultimate conclusion that, in this case, the novel cannot be the film and vice versa, and my eventual gratitude to both writers for doing what they did, so that we have both works as they are.