IN: Review: Kabei: Our Mother (2008) is a poetic and sublime beauty from Japan. A real weeper! I had heard great reviews for the film and rented it from Netflix. Am I glad I did! In many ways this film reminded me of the old style of Japanese classic film-making from the 1940's and 1950's that I've come to love so much, such as seen in Yasujiro Ozu pictures -- the title credits even begin in the same way, with the Japanese letters (characters) in red against neutral color burlap material. I immediately thought: this director loves Ozu. The same style was used too: mostly indoor sets with only a few outdoor scenes. Even a couple of "pillow shots", as Roger Ebert calls them. The strength of the film is built on the love of the characters for one another.

The story follows the lives of a Japanese family before, and during, and after, World War Two. The mother takes care of her growing girls the best she can after the father (a University professor) is arrested for anti-war sympathies. He's never freed and only has a few brief meetings with his wife in prison before he dies of starvation and disease. Meanwhile a former student of the professor comes by often to help take care of the mother and two girls. He begins to fall in love with the mother and is a substitute father for the two girls. But war starts and he's drafted and they have to say an abrupt farewell. Will they ever express their love for one another? Will he ever return from the war?

There is so much heart and gentle spirit in the performance of the lead actress, Sayuri Yoshinaga. She's almost a Madonna type, she's so beautiful! Big soulful eyes and flawless skin. The actor who plays the student is phenomenal as well: his name is Tadanobu Asano. What a sensitive performance. There is no macho in him at all; he's gentle and kind. I'd certainly love to see both of these two in other movies. I think I'll check to see what's available for them. The two little child actresses are wonderful too.

The film is just released on NTSC DVD for American audiences, with very easy to read English subtitles. I gave it a 10 out of 10 on the IMDb. I cried almost as much as with the Japanese film classic Twenty-Four Eyes (1954). Don't miss this film!
What is this review like?
OUT: positive

IN: Review: The 60s (1999) D: Mark Piznarski. Josh Hamilton, Julia Stiles, Jerry O'Connell, Jeremy Sisto, Jordana Brewster, Leonard Roberts, Bill Smitrovich, Annie Corley, Charles S. Dutton. NBC mini-series (later released to video/DVD as full length feature film) about the treacherous 1960s, as seen through the eyes of both a white family and a black family. The film's first half is driven by the excellent performance of Dutton as Reverend Willie Taylor and evenly spreads the storyline between the families. However, Dutton's character is killed halfway through and the black family is completely forgotten in a dull, incoherent, and downright awful 2nd half. RATING: 4 out of 10. Not rated (later rated PG-13 for video/DVD release).
What is this review like?
OUT: negative

IN: Review: Not only is this film entertaining, with excellent comedic acting, but also interesting politically. It was made at the end of the Soviet Union, but makes fun of the soviet mentality through and through. The story is set during the early days of the soviet union, and it questions the rationale behind the revolution both in cultural and practical terms. Of course, by the late 80s and early 90s, the bizarre strictures of soviet society are already relaxed, but the ideology and mentality is still alive and well and ready for some well-deserved deconstruction. Happily, all this deep philosophical commentary is wrapped in a funny and entertaining package!

Jur
What is this review like?
OUT: positive

IN: Review: I wouldn't recommend this unless you're keen on David Copperfield and want to "complete the set". There are some good performances (e.g. Uriah Heep) and well directed moments (e.g. the beating), but on the whole it really pales in comparison with the 1999 BBC version, as well as earlier versions.

There are inexplicable changes to the story that really serve no great purpose except, possibly, to dumb it down (the stolen jewels being a case in point). The American cast were poorly chosen: Sally Field is a good actress, but she is wrong as Betsy Trotwood, and her English accent is only slightly better than Dick Van Dyke's cockney. I can see why Michael Richards was chosen to play Mr Micawber; he hams it up rather too much, however, and becomes irritating. He also speaks his lines in an accent that goes beyond eccentric and becomes simply preposterous. Anthony Andrews is menacing as Mr Murdstone, but one almost expects him to don a black cape and tie David's mother to a railway line (though this is perhaps partly the fault of Dickens).

I got this for free with a newspaper. It helped pass a Sunday afternoon, but I felt more disappointed than charmed at the end of it
What is this review like?
OUT:
negative