In this task, you're given a question, a context passage, and four options which are terms from the passage. After reading a passage, you will get a brief understanding of the terms. Your job is to determine by searching and reading further information of which term you can answer the question. Indicate your choice as 'a', 'b', 'c', or 'd'. If you think more than one option is plausible, choose the more probable option to help you answer the question.
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Question: Question: What was the time span between the release of Nue Propriete and Private Lessons? Passage:Lafosse studied at the IAD (Institut des arts de diffusion) at Louvain-la-Neuve between 1997 and 2001. His graduation film Tribu, a 24-minute short, won the best Belgian short subject category at the 2001 Namur Film Festival. His first full-length feature, Folie Privee (2004), won the FIPRESCI award at the Bratislava International Film Festival., and the semi-autobiographical Ca rend heureux (2006) took the Grand Prix at the 2007 Premiers Plans d'Angers festival. 2006 also saw the release of Nue Propriete, starring Isabelle Huppert and brothers Jeremie and Yannick Renier, which debuted at the Venice Film Festival where it was nominated for the Golden Lion and won a SIGNIS award. The film received the Andre Cavens Award for Best Film by the Belgian Film Critics Association (UCC). For his film Private Lessons (Eleve libre), he was nominated for two Magritte Awards in the category of Best Director and Best Screenplay.
Links: a. Jeremie Renier b. 63rd Venice International Film Festival c. Golden Lion d. Private Lessons (2008 film)

Answer: d

Question: Question: Who made more money the year Armstrong recorded with the Hot Seven, Pete Briggs or Art Hodes? Passage:Dodds gained a reputation as a top young drummer in New Orleans. In 1918, Dodds left Sonny Celestin's outfit to play in Fate Marable's riverboat band. A young Louis Armstrong also joined the band, and the two of them were on the boats for three years (from 1918 to 1921). The band played on four different boats, and usually left New Orleans in May and travel to St. Louis, though they also sometimes traveled further north. They played jazz, popular, and classical music while on the boats. Dodds and Armstrong left Fate Marable's band in 1921 due to a disagreement about musical style, and Dodds soon joined King Oliver's Creole Jazz Band. At this time, the personnel in Oliver's band were Joe "King" Oliver on cornet, Baby Dodds' brother Johnny Dodds on clarinet, Davey Jones on alto saxophone, Honore Dutrey on trombone, Lil Hardin on piano, Jimmy Palao on violin, and Eddie Garland on bass fiddle. They moved to California in 1921 to work with Oliver there, and they played together for about fifteen months. In 1922, the band, excepting Garland, Palao, and Jones, followed Oliver to Chicago, which would be his base of operations for several years. They began playing at the Lincoln Gardens, and Louis Armstrong also joined this outfit. Dodds describes playing with this band as "a beautiful experience". Dodds recorded with Louis Armstrong, Jelly Roll Morton, Art Hodes, and his brother Johnny Dodds. Dodds played in Louis Armstrong's Hot Five and Hot Seven groups. In May 1927 Armstrong recorded with the Hot Seven, which consisted of Johnny Dodds, Johnny St. Cyr, Lil Hardin Armstrong, John Thomas, Pete Briggs, and Baby Dodds. From September to December 1927 the Hot Five Armstrong assembled consisted of Johnny Dodds, Kid Ory, Johnny St. Cyr, Lonnie Johnson, and Baby Dodds.
Links: a. Art Hodes b. Art Hodes c. Louis Armstrong d. Chicago

Answer: a

Question: Question: How old was Lippisch when the Keinkel He 176 first flew? Passage:At the same time that Walter was developing submarine engines, he was also applying his ideas to rocketry. The high-pressure gas mixture created by the rapid decomposition of hydrogen peroxide could not only be used in a turbine, but if simply directed out of a nozzle, created considerable thrust. Wernher von Braun's rocketry team working at Peenemunde expressed interest in Walter's ideas, and in 1936 began a programme of installing Walter rockets into aircraft. The experimental results obtained by von Braun created interest among Germany's aircraft manufacturers, including Heinkel and Messerschmitt, and in 1939, the Heinkel He 176 became the first aircraft to fly on liquid-fuelled rocket power alone. This type of engine went on to become the cornerstone of the Messerschmitt Me 163 rocket-powered fighter, when married to Alexander Lippisch's revolutionary airframe design. Throughout the course of World War II, Walter's aircraft engines became increasingly powerful and refined. The original design of simply decomposing hydrogen peroxide was soon changed to its use as an oxidizer (much like dinitrogen tetroxide would be used later) when combined with a hydrazine/methanol true rocket fuel designated C-Stoff, into the hot, high-pressure gases, and in later, never-deployed developments, a second, 400kg (880 lb) thrust "cruising" combustion chamber, nicknamed a Marschofen, was added below the main chamber to allow for more precise control of the engine. Versions of this engine were intended to power a variety of aircraft design proposals and missile projects and was also licence-built in Japan (see HWK 109-509).
Links: a. Turbine b. Japan c. Heinkel He 176 d. World War II

Answer:
c