input: In 2002, the band started to be managed and published by Jazz Summers of Big Life. Guitarist Nathan Connolly, previously a member of the band File Under Easy Listening had been working in an HMV store room in Belfast at the time. Connolly and the band had a mutual friend, who introduced them to him. Connolly moved to Glasgow to join the band in the spring of 2002. During Lightbody and McClelland's years at the University of Dundee, they had been noticed by Richard Smernicki, a senior student. Through Richard, brother Paul too had come to know the band. Richard graduated in 1996, two years before Lightbody and McClelland, to become Polydor's Scottish A&R representative. Paul became Polydor's Press and Artist Development Manager and Fiction's label manager. Later, Jim Chancellor, an A&R executive for Fiction, and fellow talent scout Alex Close approached the band in Glasgow to listen to their demos, and judged them on "the quality of the songs", according to Lightbody. Chancellor introduced them to producer Jacknife Lee, who despite having been a guitarist in 90s punk rock band Compulsion had no rock production experience at that point, being known at the time for his work with Basement Jaxx and Eminem. Final Straw was released on 4 August 2003, under Black Lion, a subsidiary of Polydor Records. Its music was along the same lines as the band's first two albums, and no attempt was made to change the sound to something more radio-friendly. The album, along with "Run" (which debuted at No. 5 in the UK Singles Chart), gave the band their first taste of mainstream success. The record peaked at No. 3 in the UK Albums Chart. They followed the success of "Run" up with three more singles from the album: "Chocolate", as well as a re-release of "Spitting Games", both reaching the top 30, and "How to Be Dead" reaching number 39. The release of Final Straw in the United States in 2004 saw the album sell more than 250,000 copies and become the 26th most popular album in the UK of that year. In mid-2005, during their tour to support Final Straw, the band toured with U2 as an opening act on U2's Vertigo Tour in Europe. The band then returned to the United States to continue touring in support of Final Straw. That summer also saw Snow Patrol playing a short set in London at the worldwide benefit concert Live 8. After finishing their opening act duties and extensive 2-year tour of Final Straw in late July, the band took a few weeks off and began writing and recording songs for a new album. Snow Patrol's new version of John Lennon's "Isolation" was released on 10 December 2005 as part of the Amnesty International campaign, Make Some Noise. The song was later issued on the 2007 John Lennon tribute album, Instant Karma: The Amnesty International Campaign to Save Darfur.

Answer this question "Did they collaborate with anyone on the album?"
output: Polydor Records.

input: Once was met with extremely positive reviews from critics. Upon its March 2007 release in Ireland, RTE's Caroline Hennessy gave the film 4 out of 5 stars and termed it "an unexpected treasure". About the acting, this Irish reviewer commented, "Once has wonderfully natural performances from the two leads. Although musicians first and actors second, they acquit themselves well in both areas. Irglova, a largely unknown quantity alongside the well-known and either loved or loathed Hansard, is luminous." Michael Dwyer of The Irish Times gave the film the same rating, calling it "irresistibly appealing" and noting that "Carney makes the point - without ever labouring it - that his protagonists are living in a changing city where the economic boom has passed them by. His keen eye for authentic locations is ... evident". In May, on Ebert & Roeper, both Richard Roeper and guest critic Michael Phillips of the Chicago Tribune gave enthusiastic reviews. Phillips called it, "the most charming thing I've seen all year", "the Brief Encounter for the 21st century", his favorite music film since 1984's Stop Making Sense and said, "It may well be the best music film of our generation". Roeper referred to the film's recording studio scene as "more inspirational and uplifting than almost any number of Dreamgirls or Chicago or any of those multi-zillion dollar musical showstopping films. In its own way, it will blow you away." Once won very high marks from U.S. critics; it is rated 97% "fresh" by the film review aggregation site Rotten Tomatoes and scored a grade of 88 ("universal acclaim") according to Metacritic. In late 2007, Amy Simmons of Time Out London wrote, "Carney's highly charged, urban mise-en-scene with its blinking street lamps, vacant shops and dishevelled bed-sits provides ample poetic backdrop for the film's lengthy tracking shots, epitomised in a sequence where the Girl walks to the corner shop in pyjamas and slippers while listening to one of the Guy's songs on her personal stereo. With outstanding performances from Hansard and new-comer Irglova, Carney has created a sublime, visual album of unassuming and self-assured eloquence." The Telegraph's Sukhdev Sandhu said, "Not since Before Sunset has a romantic film managed to be as touching, funny or as hard to forget as Once. Like Before Sunset, it never outstays its welcome, climaxing on a note of rare charm and unexpectedness." The film appeared on many North American critics' top ten lists of the best films of 2007: In 2008, the film placed third on Entertainment Weekly's "25 Best Romantic Movies of the Past 25 Years".

Answer this question "Was it popular"
output: The film appeared on many North American critics' top ten lists of the best films of 2007:

input: Nijinsky spent his summer after graduation rehearsing and then performing at Krasnoe Selo in a makeshift theatre with an audience mainly of army officers. These performances frequently included members of the Imperial family and other nobility, whose support and interest were essential to a career. Each dancer who performed before the Tsar received a gold watch inscribed with the Imperial Eagle. Buoyed by Nijinsky's salary, his new earnings from giving dance classes, and his sister Bronia's employment with the ballet company, the family moved to a larger flat on Torgovaya Ulitsa. The new season at the Mariinsky theatre began in September 1907, with Nijinsky employed as coryphee on a salary of 780 roubles per year. He appeared with Sedova, Lydia Kyasht and Karsavina. Kchessinska partnered him in La Fille Mal Gardee, where he succeeded in an atypical role for him involving humour and flirtation. Designer Alexandre Benois proposed a ballet based upon Le Pavillon d'Armide, choreographed by Fokine to music by Nikolai Tcherepnin. Nijinsky had a minor role, but it allowed him to show off his technical abilities with leaps and pirouettes. The partnership of Fokine, Benois and Nijinsky was repeated throughout his career. Shortly after, he upstaged his own performance, appearing in the Bluebird pas de deux from the Sleeping Beauty, partnering Lydia Kyasht. The Mariinsky audience was deeply familiar with the piece, but exploded with enthusiasm for his performance and his appearing to fly, an effect he continued to have on audiences with the piece during his career. In subsequent years, Nijinsky was given several soloist roles. In 1910, Mathilde Kschessinska selected Nijinsky to dance in a revival of Petipa's Le Talisman. Nijinsky created a sensation in the role of the Wind God Vayou.

Answer this question "Did Vaslov go to dancing school?"
output:
Nijinsky spent his summer after graduation rehearsing