In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Ghent Kangri (or Mount Ghent, Ghaint I) is a high peak near the north end of the Saltoro Mountains, a subrange of the Karakoram range. It is located west of the Siachen Glacier in an area under Pakistan control, but very close to the Actual Ground Position Line with India. Context_2 : Malubiting (Urdu: ); also known as Malubiting West) is the second highest Context_3 : The mountains of Bhutan are some of the most prominent natural geographic features of the kingdom. Located on the southern end of the Eastern Himalaya, Bhutan has one of the most rugged mountain terrains in the world, whose elevations range from 160 m to more than 7,000 m above sea level, in some cases within distances of less than 100 km of each other. Bhutan's highest peak, at 7,554 m above sea level, is north-central Kula Kangri, close to the border with China; the second highest peak, Jomolhari, overlooking the Chumbi Valley in the west, is 7,314 m above sea level; nineteen other peaks exceed 7,000 m . Weather is extreme in the mountains: the high peaks have perpetual snow, and the lesser mountains and hewn gorges have high winds all year round, making them barren brown wind tunnels in summer, and frozen wastelands in winter. The blizzards generated in the north each winter often drift southward into the central highlands. Context_4 : Kangri Garpo () is a mountain range in eastern Tibet, located primarily in Nyingchi Prefecture as well as a portion of Qamdo Prefecture in the Tibet Autonomous Region, China. The mountain range lies to the east of the Himalayas and to the west of the Hengduan Mountains. The mountains are geographically a southern extension of the eastern Transhimalayas. Context_5 : The 1950 AssamTibet earthquake, also known as the Assam earthquake, occurred on 15 August and had a moment magnitude of 8.6. The epicentre was located in the Mishmi Hills, known in Chinese as the Qilinggong Mountains (), south of the Kangri Garpo and just east of the Himalayas in the North-East Frontier Agency part of Assam, India. This area, south of the McMahon Line and now known as Arunachal Pradesh, is today disputed between China and India. The earthquake was destructive in both Assam (India) and Tibet (China), and approximately 4,800 people were killed. The earthquake is notable as being the largest recorded quake caused by continental collision rather than subduction, and is also notable for the loud noises produced by the quake and reported throughout the region. Context_6 : Sherpi Kangri is a mountain peak in the Karakoram Range. It lies five km south of Ghent Kangri (7,380 m) and ten km northwest of Saltoro Kangri (7,742 m). Context_7 : Saltoro Kangri (Urdu: ) is the highest peak of the Saltoro Mountains, better known as the Saltoro Range, which is a part of the Karakoram. It is the 31st highest mountain in the world, but it is in a very remote location deep in the Karakoram. It is located on the Actual Ground Position Line between Indian controlled territory in the Siachen region and Pakistani-controlled territory west of the Saltoro Range. Context_8 : The Blackjack Mountains are a mountain range located in Gila County, Arizona. They have a maximum elevation of 6,942 ft at Apache Peaks and a prominence of 2,580 ft . The peak has a topographic isolation of 17.88 miles (29 km), with the nearest higher peak lying to the south in the Pinal Mountains. The Blackjack mountains are located within the Tonto National Forest and are north of Globe, Arizona. The high point of the range, Apache Peaks, is ranked 36th in prominence for Arizona's most prominent peaks. Context_9 : The Saltoro Mountains are a subrange of the Karakoram Range. They are located in the heart of the Karakoram, on the southwest side of the Siachen Glacier, one of the two longest glaciers outside of the polar regions. The name given to this range is shared with the Saltoro Valley which is located to the west of this range, downslope on the Pakistan side of the Actual Ground Position Line. Context_10 : The Mishmi Hills, known in China as the Qilinggong Mountains (), are a southern extension of the Kangri Garpo mountains and are claimed by India and China. The distinction between the Mishmi Hills and the Kangri Garpo is not well-defined, and may follow the McMahon Line. On the Indian side, the Mishmi Hills are located at the northeastern tip of the country, in central Arunachal Pradesh. On the Chinese side, they form the southern parts of Nyingchi Prefecture in the Tibet Autonomous Region. fact_1 : Malubiting (Urdu: ); also known as Malubiting West) is the second highest fact_2 : Ghent Kangri (or Mount Ghent, Ghaint I) is a high peak near the north end of the Saltoro Mountains, a subrange of the Karakoram range. Answer: Ghent Kangri (or Mount Ghent, Ghaint I) is a high peak near the north end of the Saltoro Mountains, a subrange of the Karakoram range.
A:
Is Ghent Kangri, located in the Saltoro Mountains, higher than Malubiting?