Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : Mavis Beacon is a fictional character created for the Mavis Beacon Teaches Typing software. Context_2 : Mavis Wilton (also Riley) is a fictional character from the British ITV soap opera, "Coronation Street", played by Thelma Barlow. A long-running series regular, Mavis appeared in the show for 26years from 1971 to 1997. Introduced for a one-off cameo appearance, she proved popular with producers and viewers and subsequently became a regular. Context_3 : Richard Rory is a fictional character in the Marvel Universe. He initially was a sort of author surrogate or alter ego for writer Steve Gerber, though Gerber is also shown to exist in the Marvel Universe. He was introduced in "Man-Thing" Volume 1, #2, a bit of a loner who rather easily befriended the nearly mindless monster. When in rural areas, he was frequently belittled for having a college education and a rather left-wing perspective. Later, under the pen of David Anthony Kraft, he became friends with She-Hulk, with slight romantic overtones that went nowhere. The character is named after Richard Cory, a nearly opposite character whose song was playing on the radio when Gerber created the character. Context_4 : Pumuckls Abenteuer (Pumuckl's Adventures) is a German television series. It is based on the fictional character Pumuckl created by Ellis Kaut. It is a sequel series to 1980s TV series Meister Eder und sein Pumuckl (Master [carpenter] Eder and his Pumuckl) and the cinematric movie Pumuckl und der blaue Klabauter (Pumuckl and the blue Klabauter). Due to his dead in 1993 actor Gustl Bayrhammer could not reprise his role of Meister Eder (Master [carpenter] Eder). Instead of recasting the character the producers decided to feature characters which had been new introduced in the cinematric movie, making the movie sort of a pilot to this series, bridging the gab between the events of first series and this one. Context_5 : The Skipper is the title and nickname of Jonas Grumby, a fictional character from the 1960s situation comedy "Gilligan's Island". Played by Alan Hale, Jr., the Skipper (the character's actual name was rarely used after the show's pilot episode) was the owner and captain of the S. S. "Minnow" on its "three-hour tour" in Hawaii when he, first mate Gilligan (portrayed by Bob Denver), and their tourist passengers were caught in a violent storm and stranded on a deserted island. He acts often in his legal role as the group's leader, albeit with a decidedly collegial and democratic bent; the only individual whom he routinely orders about is Gilligan. In times of crisis, the Skipper tends to defer to the more level-headed and educated passenger, Professor Roy Hinkley (portrayed by Russell Johnson). He is sort of a strongman succumbed to lack of exercise, despite doing most of the physical work on the island or making Gilligan do it. He is also the most superstitious castaway, sometimes putting him in conflict with the Professor's rationalism. Context_6 : Big Ears is a fictional character from Noddy series books by Enid Blyton. In "Noddy Goes to Toyland" he introduces himself as a brownie "or a sort of a hob, or hobgoblin". He explains that though he "hobnobbed" with Noddy who lived in Toytown, he lived in the "hilly, lumpy, bumpy part of town outside of town". He describes his ears as too big, and his striped trousers with the cap which was "either too pointy or not pointy enough". Together with his brother Little-Ears, he is the only non toy in Toyland and Noddy's helper and father-figure. He is described as having a white beard, red cap, blue jacket, red-and-white striped jumper and yellow-and-green trousers. His catchphrase is "You funny little Noddy!" Context_7 : Mavis Beacon Teaches Typing is an application software program for teaching touch typing. Context_8 : Norris Benjamin Cole is a fictional character from the British soap opera "Coronation Street", played by Malcolm Hebden. He made his first screen appearance during the episode broadcast on 11 March 1994. Hebden had previously played the role of Carlos, Mavis Riley's (Thelma Barlow) Spanish lover, in 1974. Norris appeared on a recurring basis, until he was written out in April 1997 by Brian Park. However two years later, the character was reintroduced on a regular basis. He has lived for several years with fellow character, Emily Bishop (Eileen Derbyshire) at 3 Coronation Street, first as a lodger, and more recently as the house owner. Context_9 : Glenn R. Wichman (born in 1960 in Bay City, Michigan) is a software developer who is best known as one of the original authors of the computer game "Rogue", along with Michael Toy, Ken Arnold and Jon Lane. Wichman has also contributed to many other commercial software programs, including Microsoft Bookshelf, Mavis Beacon Teaches Typing and Quicken. He is the creator of the Macintosh shareware games "Toxic Ravine" and "Mombasa". Context_10 : Kerry Bishop is a fictional character from the Australian soap opera "Neighbours", played by Linda Hartley-Clark. She made her first screen appearance during the episode broadcast on 1 February 1989. Kerry is Mavis and Harold Bishop's (Ian Smith) only daughter and David Bishop's (Kevin Harrington) sister. Kerry left home when she was young to travel the world. She met Eric (John Ley) and fell pregnant with their daughter, Sky (Stephanie McIntosh). Following her arrival in Erinsborough, Kerry began a relationship with Joe Mangel (Mark Little) and they eventually married. Kerry adopted Joe's son and fell pregnant again. However, while out protesting a duck hunt, Kerry was shot and she and her unborn child died. Kerry departed on 10 September 1990, but Hartley-Clark returned in 2004 to record a voice-over and again in 2005 as Kerry's look-alike. fact_1 : Mavis Beacon is a fictional character created for the Mavis Beacon Teaches Typing software. fact_2 : Mavis Beacon Teaches Typing is an application software program for teaching touch typing. Question: What sort of typing is taught by the software in which Mavis Beacon is a fictional character?
Output:
touch typing