Input: Napoleon
Napoleon institutionalised plunder of conquered territories: French museums contain art stolen by Napoleon's forces from across Europe. Artefacts were brought to the Musee du Louvre for a grand central museum; his example would later serve as inspiration for more notorious imitators. He was compared to Adolf Hitler most famously by the historian Pieter Geyl in 1947 and Claude Ribbe in 2005. David G. Chandler, a foremost historian of Napoleonic warfare, wrote in 1973 that, "Nothing could be more degrading to the former [Napoleon] and more flattering to the latter [Hitler]. The comparison is odious. On the whole Napoleon was inspired by a noble dream, wholly dissimilar from Hitler's... Napoleon left great and lasting testimonies to his geniusin codes of law and national identities which survive to the present day. Adolf Hitler left nothing but destruction."

Who compared Napoleon to Hitler in 1947?
Output: Pieter Geyl

Input: Article: The migrations and invasions of the 4th and 5th centuries disrupted trade networks around the Mediterranean. African goods stopped being imported into Europe, first disappearing from the interior and by the 7th century found only in a few cities such as Rome or Naples. By the end of the 7th century, under the impact of the Muslim conquests, African products were no longer found in Western Europe. The replacement of goods from long-range trade with local products was a trend throughout the old Roman lands that happened in the Early Middle Ages. This was especially marked in the lands that did not lie on the Mediterranean, such as northern Gaul or Britain. Non-local goods appearing in the archaeological record are usually luxury goods. In the northern parts of Europe, not only were the trade networks local, but the goods carried were simple, with little pottery or other complex products. Around the Mediterranean, pottery remained prevalent and appears to have been traded over medium-range networks, not just produced locally.

Now answer this question: Along with Naples, what city still traded African goods in the 7th century?

Output: Rome

Article: The campus also houses several performing arts facilities. The de Jong Concert Hall seats 1282 people and is named for Gerrit de Jong Jr. The Pardoe Theatre is named for T. Earl and Kathryn Pardoe. Students use its stage in a variety of theatre experiments, as well as for Pardoe Series performances. It seats 500 people, and has quite a large stage with a proscenium opening of 19 by 55 feet (17 m). The Margetts Theatre was named for Philip N. Margetts, a prominent Utah theatre figure. A smaller, black box theater, it allows a variety of seating and staging formats. It seats 125, and measures 30 by 50 feet (15 m). The Nelke Theatre, named for one of BYU's first drama teachers, is used largely for instruction in experimental theater. It seats 280.

Question: What building was named after prominent Utah theater figure Philip N. Margetts?
Ans: The Margetts Theatre

Here is a question about this article: Information had been kept on digital tape for five years, with Kahle occasionally allowing researchers and scientists to tap into the clunky database. When the archive reached its fifth anniversary, it was unveiled and opened to the public in a ceremony at the University of California, Berkeley.
What is the answer to this question: What medium was originally used to keep Internet Archive's data?
****
So... digital tape

The problem: Answer a question about this article:
Coulton Waugh attempted the first comprehensive history of American comics with The Comics (1947). Will Eisner's Comics and Sequential Art (1985) and Scott McCloud's Understanding Comics (1993) were early attempts in English to formalize the study of comics. David Carrier's The Aesthetics of Comics (2000) was the first full-length treatment of comics from a philosophical perspective. Prominent American attempts at definitions of comics include Eisner's, McCloud's, and Harvey's. Eisner described what he called "sequential art" as "the arrangement of pictures or images and words to narrate a story or dramatize an idea"; Scott McCloud defined comics "juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer", a strictly formal definition which detached comics from its historical and cultural trappings. R. C. Harvey defined comics as "pictorial narratives or expositions in which words (often lettered into the picture area within speech balloons) usually contribute to the meaning of the pictures and vice versa". Each definition has had its detractors. Harvey saw McCloud's definition as excluding single-panel cartoons, and objected to McCloud's de-emphasizing verbal elements, insisting "the essential characteristic of comics is the incorporation of verbal content". Aaron Meskin saw McCloud's theories as an artificial attempt to legitimize the place of comics in art history.
Who created a book about comics from a philosophical point of view?
****
The answer: David Carrier

The problem: Answer a question about this article:
Centered on Post Oak Boulevard and Westheimer Road, the Uptown District boomed during the 1970s and early 1980s when a collection of mid-rise office buildings, hotels, and retail developments appeared along Interstate 610 west. Uptown became one of the most prominent instances of an edge city. The tallest building in Uptown is the 64-floor, 901-foot (275 m)-tall, Philip Johnson and John Burgee designed landmark Williams Tower (known as the Transco Tower until 1999). At the time of construction, it was believed to be the world's tallest skyscraper outside of a central business district. The new 20-story Skanska building and BBVA Compass Plaza are the newest office buildings built in Uptown after 30 years. The Uptown District is also home to buildings designed by noted architects I. M. Pei, Cesar Pelli, and Philip Johnson. In the late 1990s and early 2000s decade, there was a mini-boom of mid-rise and high-rise residential tower construction, with several over 30 stories tall. Since 2000 more than 30 high-rise buildings have gone up in Houston; all told, 72 high-rises tower over the city, which adds up to about 8,300 units. In 2002, Uptown had more than 23 million square feet (2,100,000 m) of office space with 16 million square feet (1,500,000 m) of Class A office space.
What is the tallest building in Uptown Houston?
****
The answer:
Williams Tower