Please answer this: Read the following paragraph and extract the answer for the question: What is the name of the person whose most avant-garde of sacred compositions is Sept repons des tenebres, according to Ralph Thibodeau? Apart from a single early work for unaccompanied choir ("Chanson a boire", 1922), Poulenc began writing choral music in 1936. In that year he produced three works for choir: Sept chansons (settings of verses by Eluard and others), Petites voix (for children's voices), and his religious work Litanies a la Vierge Noire, for female or children's voices and organ. The Mass in G major (1937) for unaccompanied choir is described by Gouverne as having something of a baroque style, with "vitality and joyful clamour on which his faith is writ large". Poulenc's new-found religious theme continued with Quatre motets pour un temps de penitence (193839), but among his most important choral works is the secular cantata Figure humaine (1943). Like the Mass, it is unaccompanied, and to succeed in performance it requires singers of the highest quality. Other a cappella works include the Quatre motets pour le temps de Noel (1952), which make severe demands on choirs' rhythmic precision and intonation.Poulenc's major works for choir and orchestra are the Stabat Mater (1950), the Gloria (195960), and Sept repons des tenebres (Seven responsories for Tenebrae, 196162). All these works are based on liturgical texts, originally set to Gregorian chant. In the Gloria, Poulenc's faith expresses itself in an exuberant, joyful way, with intervals of prayerful calm and mystic feeling, and an ending of serene tranquillity. Poulenc wrote to Bernac in 1962, "I have finished Les Tenebres. I think it is beautiful. With the Gloria and the Stabat Mater, I think I have three good religious works. May they spare me a few days in Purgatory, if I narrowly avoid going to hell." Sept repons des tenebres, which Poulenc did not live to hear performed, uses a large orchestra, but in Nichols's view it displays a new concentration of thought. To the critic Ralph Thibodeau, the work may be considered as Poulenc's own requiem and is "the most avant-garde of his sacred compositions, the most emotionally demanding, and the most interesting musically,...
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Answer: Poulenc
Problem: Read the following paragraph and extract the answer for the question: What does Aunt Barn instruct Wally to return to the post office? Scene 1 ("Talk About A Child") The play starts out as Patti is checking out her house when she is dropping off Ruth's (Rhonda Davis) new foster children, Tay, Karen and Shannon. Patti tries to talk Ruth into getting more foster children since she moved in a bigger house. Her supervisor Clay stops by and checks on Patti. Tay comes in the living room and is introduce and Clay questions Tay about how he loves the new house. He says it's okay. Patti and Clay leaves to go check out a place and Clay gives Ruth his card if she wants to call him. Scene 2 Aunt Bam steps on her porch and tells Clay and Patti to get their boxes off her grass. They all get into a brief conversation and Clay gives Aunt Bam his card but she denies it saying she has 2 kids that are grown and they never come to see her. Clay and Patti leaves and Aunt Bam checks the boxes on her grass until Tay comes out of the house screaming at her. Ruth comes out of the house and tells him to not talk to her like that and he apologize to her and goes back in the house. Ruth introduce herself to Aunt Bam and they both have a conversation. Aunt Bam has been living in the neighborhood for 39 years. Wally the mailman comes and give Aunt Bam her monthly bills but denies them and she tells him to take them back to the post office. Wally Introduces himself to Ruth, Aunt Bam tries to hook Ruth and Wally up since his wife left him for another woman. Wally leaves and Aunt Bam tells the story of the woman who lived in Ruth's house had died and was living there for 45 years prior to her moving. Ruth goes in the house so she can put her boxes down but Aunt Bam rings the doorbell. Aunt Bam tries to question Ruth about her husband disappearance but she says she has to put the boxes inside. Aunt Bam tells Ruth if one of her foster children can come and move the boxes. Scene 3

A: her monthly bills
Q: Read the following paragraph and extract the answer for the question: Where does Cole meet the woman he eventually proposes to? As Cole shops, an armed robber demands that the cashier, Michael, hand over all the money in the safe. Michael empties the cash register and says that there is no safe in the shop. As the robber becomes increasingly agitated, Cole approaches him, calls him a coward, and dares the robber to shoot him. Michael intercedes and attempts to wrestle the gun away from the robber, only to be shot in the gut. After Cole calls an ambulance, he receives a phone call from a friend who invites him out to drinks. Cole accepts on the condition that it is not a house party. Cole is frustrated to learn that it is a house party, and he goes downstairs to drink alone, where he meets Maya, the host. The two discuss an approaching asteroid. Maya says that modern stress would evaporate in the face of the meaninglessness of certain doom, and Cole says that everything would matter in that circumstance. The two dance to Maya's favorite song and soon begin dating. A series of flashforwards depict life in post-apocalyptic Scotland after the asteroid has arrived as Cole and Maya hide from alien spaceships, mixed with scenes in the present of their relationship leading up to those events. When they discuss children, Cole says he does not want any, and Maya reveals she is incapable. As the asteroid grows closer, Cole asks Maya to marry him. Maya jokingly accepts, and Cole insists that he is serious; now serious, Maya again agrees. Although initially dismissive of the danger, scientists become increasingly worried about a collision. Various missions to divert the asteroid end in failure, putting the world on edge. In the flashforwards, Cole and Maya's relationship deteriorates in the face of their hardship in finding food and shelter.
A:
a house party