input: In early 1925, Cooper began his film career in silent pictures such as The Thundering Herd and Wild Horse Mesa with Jack Holt, Riders of the Purple Sage and The Lucky Horseshoe with Tom Mix, and The Trail Rider with Buck Jones. He worked for several Poverty Row studios, including Famous Players-Lasky and Fox Film Corporation. While his skilled horsemanship led to steady work in Westerns, Cooper found the stunt work--which sometimes injured horses and riders--"tough and cruel". Hoping to move beyond the risky stunt work and obtain acting roles, Cooper paid for a screen test and hired casting director Nan Collins to work as his agent. Knowing that other actors were using the name "Frank Cooper", Collins suggested he change his first name to "Gary" after her hometown of Gary, Indiana. Cooper immediately liked the name. Cooper also found work in a variety of non-Western films, appearing, for example, as a masked Cossack in The Eagle (1925), as a Roman guard in Ben-Hur (1925), and as a flood survivor in The Johnstown Flood (1926). Gradually, he began to land credited roles that offered him more screen time, in films such as Tricks (1925), in which he played the film's antagonist, and the short film Lightnin' Wins (1926). As a featured player, he began to attract the attention of major film studios. On June 1, 1926, Cooper signed a contract with Samuel Goldwyn Productions for fifty dollars a week. Cooper's first important film role was in The Winning of Barbara Worth (1926) with Ronald Colman and Vilma Banky, in which he plays a young engineer who helps a rival suitor save the woman he loves and her town from an impending dam disaster. Cooper's experience living among the Montana cowboys gave his performance an "instinctive authenticity", according to biographer Jeffrey Meyers. The film was a major success. Critics singled out Cooper as a "dynamic new personality" and future star. Goldwyn rushed to offer Cooper a long-term contract, but he held out for a better deal--finally signing a five-year contract with Jesse L. Lasky at Paramount Pictures for $175 a week. In 1927, with help from Clara Bow, Cooper landed high-profile roles in Children of Divorce and Wings, the latter being the first film to win an Academy Award for Best Picture. That year, Cooper also appeared in his first starring roles in Arizona Bound and Nevada--both films directed by John Waters. In 1928, Paramount paired Cooper with a youthful Fay Wray in The Legion of the Condemned and The First Kiss--advertising them as the studio's "glorious young lovers". Their on-screen chemistry failed to generate much excitement with audiences. With each new film, Cooper's acting skills improved and his popularity continued to grow, especially among female movie-goers. During this time, he was earning as much as $2,750 per film and receiving a thousand fan letters a week. Looking to exploit Cooper's growing audience appeal, the studio placed him opposite popular leading ladies such as Evelyn Brent in Beau Sabreur, Florence Vidor in Doomsday, and Esther Ralston in Half a Bride. That year, Cooper also made Lilac Time with Colleen Moore for First National Pictures, his first movie with synchronized music and sound effects. It became one of the most commercially successful films of 1928.

Answer this question "what was it called?"
output: Lilac Time with Colleen Moore for First National Pictures,

Question: Wilbur Charles "Weeb" Ewbank (May 6, 1907 - November 17, 1998) was an American professional football coach. He led the Baltimore Colts to NFL championships in 1958 and 1959 and the New York Jets to victory in Super Bowl III in 1969. He is the only coach to win a championship in both the National Football League (NFL) and American Football League (AFL).

Shortly after graduating from Miami in 1928, Ewbank took his first coaching job at Van Wert High School in Van Wert, Ohio, overseeing the football, basketball and baseball teams. He remained there until 1930, when he moved back to Oxford and took a position coaching football and basketball at McGuffey High School, a private institution run by Miami University. He also taught physical education at Miami. Ewbank took a break from coaching in 1932 to pursue a master's degree at Columbia University in New York City and filled in as Miami's basketball coach in 1939 after the previous coach left for another job, but otherwise held his coaching positions at McGuffey until 1943. Under his tutelage, the school's Green Devils football team had a win-loss record of 71-21 in thirteen seasons. This included a streak of three undefeated seasons between 1936 and 1939 and one season - 1936 - where the team did not allow any scoring by opponents. Ewbank joined the U.S. Navy in 1943 as American involvement in World War II intensified. He was assigned for training to Naval Station Great Lakes near Chicago, where Paul Brown, a former classmate who succeeded him as Miami's starting quarterback, was coaching the base football team. Brown had become a successful high school coach in Ohio before being named head football coach at Ohio State University in 1941. At Great Lakes, Ewbank was an assistant to Brown on the football team and coached the basketball team. Following his discharge from the Navy at the end of the war in 1945, Ewbank became the backfield coach under Charles "Rip" Engle at Brown University. He also was head coach of the basketball team in the 1946-47 season, his only one at Brown. Ewbank's next stop was as head football coach at Washington University in St. Louis for the 1947 and 1948 seasons. Ewbank guided the Washington University Bears to a 14-4 record in two seasons. The team had nine wins and just one loss in 1948.

Using a quote from the above article, answer the following question: When did Ewbank start coaching?
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Answer:
Shortly after graduating from Miami in 1928, Ewbank took his first coaching job at Van Wert High School