input: Please answer the following: What is the name of the group that in 2015 destroyed large parts of the city that reached the apex of its power in the 260s? Answer the above question based on the context below: Palmyra (; Palmyrene: Tadmor; Arabic: Tadmur) is an ancient Semitic city in present-day Homs Governorate, Syria. Archaeological finds date back to the Neolithic period, and documents first mention the city in the early second millennium BC. Palmyra changed hands on a number of occasions between different empires before becoming a subject of the Roman Empire in the first century AD. The city grew wealthy from trade caravans; the Palmyrenes became renowned as merchants who established colonies along the Silk Road and operated throughout the Roman Empire. Palmyra's wealth enabled the construction of monumental projects, such as the Great Colonnade, the Temple of Bel, and the distinctive tower tombs. Ethnically, the Palmyrenes combined elements of Amorites, Arameans, and Arabs. The city's social structure was tribal, and its inhabitants spoke Palmyrene (a dialect of Aramaic), while using Greek for commercial and diplomatic purposes. Greco-Roman culture influenced the culture of Palmyra, which produced distinctive art and architecture that combined eastern and western traditions. The city's inhabitants worshiped local Semitic deities, Mesopotamian and Arab gods. By the third century AD Palmyra had become a prosperous regional center. It reached the apex of its power in the 260s, when the Palmyrene King Odaenathus defeated Persian Emperor Shapur I. The king was succeeded by regent Queen Zenobia, who rebelled against Rome and established the Palmyrene Empire. In 273, Roman emperor Aurelian destroyed the city, which was later restored by Diocletian at a reduced size. The Palmyrenes converted to Christianity during the fourth century and to Islam in the centuries following the conquest by the 7th-century Rashidun Caliphate, after which the Palmyrene and Greek languages were replaced by Arabic. Before AD 273, Palmyra enjoyed autonomy and was attached to the Roman province of Syria, having its political organization influenced by the Greek city-state model during the first two centuries AD. The city became a...
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output: Islamic State of Iraq and the Levant
Please answer this: Who vanishes and turns up dead? Answer the above question based on the context below: So Dark the Night is the story of a detective, Henri Cassin from Paris, who, while on a long overdue vacation, falls in love with innkeeper Pierre Michaud's daughter Nanette. She is a country girl with a jealous boyfriend. Nonetheless, the detective becomes engaged to her. Then, the night of her engagement party, the girl vanishes and later turns up dead. Cassin believes that the obvious suspect is Leon, the old boyfriend, but soon he is also found killed. Soon after Mama receives a warning that she will be the next to die, she is found strangled. Pierre, fearing for his safety, decides to sell the inn. Henri returns to Paris and, because of his investigative skill, he is able to come up with a sketch of the killer by expanding and elaborating on information provided by a footprint found beside Leon's body. To Henri's astonishment, the sketch bears the exact likeness of himself, and when he fits his shoe into the footprint, he realizes that he is undoubtedly the killer. After making a full confession to the police commissioner, Henri is evaluated by a psychiatrist, who determines that he is schizophrenic. Though placed under watch of a guard, Henri escapes back to St. Margot, where he tries to strangle Pierre. However, the police commissioner, who has followed Henri to the village, catches the detective in the act and shoots him.
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Answer: Nanette
input question: What is the last name of the person who struggled through his lifetime for recognition from the British musical establishment? Answer the above question based on the context below: Alan Dudley Bush (22 December 1900 31 October 1995) was a British composer, pianist, conductor, teacher and political activist. A committed communist, his uncompromising political beliefs were often reflected in his music. He composed prolifically across a range of genres, but struggled through his lifetime for recognition from the British musical establishment, which largely ignored his works. Bush, from a prosperous middle-class background, enjoyed considerable success as a student at the Royal Academy of Music (RAM) in the early 1920s, and spent much of that decade furthering his compositional and piano-playing skills under distinguished tutors. A two-year period in Berlin in 1929 to 1931, early in the Nazi Party's rise to power, cemented Bush's political convictions and moved him from the mainstream Labour Party to the Communist Party of Great Britain which he joined in 1935. He wrote several large-scale works in the 1930s, and was heavily involved with workers' choirs for whom he composed pageants, choruses and songs. His pro-Soviet stance led to a temporary ban on his music by the BBC in the early years of the Second World War, and his refusal to modify his position in the postwar Cold War era led to a more prolonged semi-ostracism of his music. As a result, the four major operas he wrote between 1950 and 1970 were all premiered in East Germany. In his prewar works, Bush's style retained what commentators have described as an essential Englishness, but was also influenced by the avant-garde European idioms of the inter-war years. During and after the war he began to simplify this style, in line with his Marxism-inspired belief that music should be accessible to the mass of the people. Despite the difficulties he encountered in getting his works performed in the West he continued to compose until well into his eighties. He taught composition at the RAM for more than 50 years, published two books, was the founder and long-time president of the Workers' Music Association, and served as chairman and...???
output answer:
Bush