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Steven Noel Wariner was born on Christmas Day of 1954 in Noblesville, Indiana. Influenced at an early age by George Jones and Chet Atkins, Wariner started performing in his father's band, and later moved on to playing in local clubs. By age 17, he had been hired by Dottie West as a bass guitarist, and played on her single "Country Sunshine". He also worked with Glen Campbell, who he has cited as a major influence on his work.
When Wariner signed to MCA Records in 1984, he began a string of consecutive Top 10 hits that lasted into the 1990s. The first of these was the No. 3 "What I Didn't Do", the first of three singles from his 1984 album One Good Night Deserves Another. Following it were the No. 8 "Heart Trouble" and his second No. 1, "Some Fools Never Learn". He also collaborated with pop singer Nicolette Larson on her Top 10 country hit "That's How You Know When Love's Right", her only Top 40 country single. It was also during this time that Steve recorded the theme song for the ABC television sitcom, Who's the Boss?. Wariner's version of "Brand New Life", used from 1986 to 1990, is the most widely recognized rendition of the song. His next album, Life's Highway, accounted for two consecutive Number 1s in "You Can Dream of Me" and the title track, while all three singles from the next album (1987's It's a Crazy World) went to No. 1 as well: "Small Town Girl", "The Weekend" and "Lynda". Wariner also sang duet vocals on Glen Campbell's 1987 single "The Hand That Rocks the Cradle". I Should Be with You was Wariner's fourth release for MCA. Although none of its singles went to Number 1, the album accounted for consecutive No. 2s in "Baby I'm Yours" and its title track. 1989's I Got Dreams produced the chart-toppers "Where Did I Go Wrong" and its title track, and by the end of the decade, Wariner had eight Number Ones on the country singles charts. Laredo, released in 1990, was his final release for MCA. Lead-off single "The Domino Theory" peaked at No. 7, followed by the Mac McAnally co-write "Precious Thing" at No. 8 and "There for Awhile" at No. 17, his first single since 1984 not to reach Top 10. After this single, he exited MCA.

Did he win any awards ?

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Marguerite "Peggy" Guggenheim (August 26, 1898 - December 23, 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who would establish the Solomon R. Guggenheim Foundation. Peggy Guggenheim created a noted art collection in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it and in 1949, settled in Venice, where she lived and exhibited her collection for the rest of her life.
In January 1938, Guggenheim opened a gallery for modern art in London featuring Jean Cocteau drawings in its first show, and began to collect works of art. Guggenheim often purchased at least one object from each of her exhibitions at the gallery. After the outbreak of World War II, she purchased as much abstract and Surrealist art as possible. Her first gallery was called Guggenheim Jeune, the name being ingeniously chosen to associate the epitome of a gallery, the French Bernheim-Jeune, with the name of her own well known family. The gallery on 30 Cork Street, next to Roland Penrose's and E. L. T. Mesens' show-case for the Surrealist movement, the London Gallery, proved to be successful, thanks to many friends who gave advice and who helped run the gallery. Marcel Duchamp, whom she had known since the early 1920s, when she lived in Paris with her first husband Laurence Vail, had introduced Guggenheim to the art world; it was through him that she met many artists during her frequent visits to Paris. He taught her about contemporary art and styles, and he conceived several of the exhibitions held at Guggenheim Jeune. The Cocteau exhibition was followed by exhibitions on Wassily Kandinsky (his first one-man-show in England), Yves Tanguy, Wolfgang Paalen and several other well-known and some lesser-known artists. Peggy Guggenheim also held group exhibitions of sculpture and collage, with the participation of the now classic moderns Antoine Pevsner, Henry Moore, Henri Laurens, Alexander Calder, Raymond Duchamp-Villon, Constantin Brancusi, Jean Arp, Max Ernst, Pablo Picasso, Georges Braque and Kurt Schwitters. She also greatly admired the work of John Tunnard (1900-1971) and is credited with his discovery in mainstream international modernism.

Where did she store her purchased objects?

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, Malcolm Denzil Marshall (18 April 1958 - 4 November 1999) was a West Indian cricketer. Primarily a fast bowler, Marshall is regarded as one of the finest and fastest pacemen ever to have played Test cricket. His Test bowling average of 20.94 is the best of anyone who has taken 200 or more wickets. He achieved his bowling success despite being, by the standards of other fast bowlers, a short man - he stood at 5 feet 11 inches (1.80 m), while most of the great quicks have been well above 6 feet (1.8 m) and many great West Indian fast bowlers, such as Joel Garner, Curtly Ambrose and Courtney Walsh, were 6 feet 6 inches (1.98 m) or above.
Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League. Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career. In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid.

Was Hampshire his coach?
Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.