input question: Build a movie plot around this: What kills Sam? a cannon???
output answer: In Kuwait, a military unit uncovers an American helicopter downed by friendly fire at least three years ago. As the wreckage is inspected, Master Sergeant Sam Harper, one of the burnt bodies within, springs to life and kills a sergeant and a major, and returns to an inert state after muttering, "Don't be afraid, it's only friendly fire!"Weeks later, Sam's body is delivered to his hometown of Twin Rivers, which is preparing for Independence Day. Sam's wife Louise is given custody of the casket containing Sam's remains, which are left in the home of Sam's estranged sister Sally, who lives with her patriotic young son, Jody. Sam reanimates in the early hours of the Fourth of July, and proceeds to kill and steal the costume of a perverted Uncle Sam. Sam then makes his way to a cemetery, where he murders two of three juvenile delinquents who had vandalized tombstones, and desecrated an American flag.During the Independence Day celebration (which a corrupt congressman is visiting) Sam beheads the third delinquent, kills Jody's teacher (who had opposed the Vietnam War) with a hatchet, and shoots Sally's unscrupulous lawyer boyfriend in the head. Despite these deaths, the festivities continue, but are thrown into disarray when Sam uses the fireworks gear to blow up the congressman, and a flagpole to impale Louise's deputy boyfriend. As this occurs, Jody is told by his mother and aunt that his supposedly heroic idol Sam was in fact an alcoholic psychopath who physically and sexually abused them, and only joined the military so he could get a "free pass" to kill people.Jody is told by Barry, another boy who has established an unexplained mental link with Sam, that the undead Sam is responsible for the deaths. With help from Sam's old mentor Jed, the boys goes to Jody's house, where they find the lecherous sergeant who had dropped Sam off dead, and stuffed inside Sam's coffin. Realizing that Sam will probably go after Louise, the boys and Jed go to her home, where Sam blames Jed (who had told him tales of how...

Build a movie plot around this: Who would Ellen feel guilty about abandoning? Jill
----
Answer: Jill Banford and Ellen March struggle to support themselves by raising chickens on an isolated farm in rural Canada. Dependent Jill tends to household chores and finances while the self-sufficient Ellen deals with heavier work, such as chopping wood, repairing fences, and stalking the fox that keeps raiding their coops, although she is hesitant about killing it. Jill seems content with their secluded existence, but the frustrated Ellen is less enchanted by the solitude.In the dead of winter, merchant seaman Paul Grenfel arrives in search of his grandfather, the now-deceased former owner of the farm. With nowhere else to go while on leave, he persuades the women to allow him to stay with them in exchange for helping with the work. Tension among the three slowly escalates when his attentions to Ellen arouse Jill's resentment and jealousy.Eventually Paul tracks and kills the fox. Just before his departure, he makes love to Ellen and asks her to leave with him, but she confesses she would feel guilty about abandoning Jill. After Paul returns to his ship, the women resume their regular routine. Paul returns unexpectedly while the two are chopping down a dying oak. He offers to complete the job and warns Jill to move away from the tree's potential path as it falls, but she refuses to listen and is killed when it crashes on her. Ellen sells the farm and she and Paul set off to start a new life together.

Q: Build a movie plot around this: Is tha antagonists face ever seen? no
A: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times.The film starts with Janos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight.One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow.Janos' uncle Gyorgy is a composer, and therefore one of the intelligentsia. Gyorgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). Gyorgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed.Gyorgy's estranged wife tries to leverage her political and social status by giving Gyorgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief).However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma.Janos philosophizes about God and the...

Problem: Given the question: Build a movie plot around this: Where do they find solace for the first time in years? Addis Ababa
++++++++++++++++++++++++++++++++
The answer is:
A Walk to Beautiful tells the story of five women in Ethiopia suffering from devastating childbirth injuries. Rejected by their husbands and ostracized by their communities, these women are left to spend the rest of their lives in loneliness and shame. We follow each of these women on their journey to a special hospital in Addis Ababa where they find solace for the first time in years, and we stay with them as their lives begin to change. Through the intimate experiences all five share, we are no longer in the heart of Africa - we are in the hearts of these women. The trials they endure and their attempts to rebuild their lives tell a universal story of hope, courage, and transformation.