Article: One way to sidestep the issue is to say that you don't ever give out personal information to strangers as a way of staying safe. Of course, this has an element of truth for most people, so you're really not lying. You could say, "I'm sorry, I don't give out my number to strangers. I've had some bad experience with doing that in the past, so I don't give out my number anymore." If you make it so he realizes it's a general rule, he won't feel so personally rejected. Even if you don't have a boyfriend, you could pretend to have a boyfriend to make the rejection easier. If the guy thinks you have a boyfriend, then it's nothing personal against him. As an example, you could say, "I can't give you my number. I have a boyfriend." Most guys will walk away without another thought at that point. Another way to sidestep the issue is to ask for his number instead. That way, the power is in your hands, and you can do with it what you want. Just make sure to take the number yourself. Don't hand him your phone, as he could use it to give himself your number. It may seem cruel to take a number just to blow the guy off later. However, if a guy won't leave you alone, it's a good way to get him to stop. Don't be afraid to walk away if you need to do so. If a guy turns hostile after rejection, get security involved and then leave where you are as soon as possible. It's always better to be safe than sorry. If you're not in a place that has security, tell management or call the police if you feel your safety is threatened. It's also a good idea to go out in groups. While guys don't limit asking girls out to clubs, when you are going out to the club, take some friends with you.
Question: What is a summary of what this article is about?
Use safety as an excuse. Use a boyfriend as an excuse. Turn the tables. Stay safe.

Problem: Article: Always check to be sure that the weapon is unloaded and that the safety is on. Keep your gun pointed toward the ground when you are not firing. You should also get in the habit of wearing earplugs and safety glasses when shooting. As you step up to the shooting block, breathe air deeply into your lungs and let it out in a smooth exhale. Repeat this a few more times until you feel any nervousness dissipate. You can do this every time before you call for the clays to be released. One leg should be placed a bit in front the other and slightly bent. Keep your rear leg as straight as possible. Bend a little at your waist, but not enough to be hunched over. You should feel as if you are angled just a tad bit forward, as if you are leaning into the shot. Maintaining this position for every shot will make it easier to manage your gun's recoil. It will also let you stay flexible enough to track the clay bird in the sky. Since the clay bird will be moving across the sky, you'll need to track it with both of your eyes. If you close one of your eyes, you'll eventually lose sight of the target and miss your shot. However, be aware that one of your eyes will be more dominant than the other. This means that you may need to slightly squint the less dominant eye if you are consistently missing shots. Slowly and smoothly place the butt of the stock against your shoulder until it feels secure, but not painful. The more contact the butt of the stock has with your shoulder, the less you'll feel the recoil. Use your hands to hold the gun firmly and adjust your shooting elbow until it is horizontal with the ground. Your cheek should rest solidly against the comb (top of the stock) of your gun. This will also help to minimize the recoil. If this is uncomfortable, try securing a towel or other padding to the comb. " When you are comfortably in position, loudly and clearly call out "pull." This will result in the release of a clay bird from the trap house located in the center of the target field. When the clay bird is released, move the front of your shotgun until it closely follows the movement of the target. It's important to track the bird from the start, otherwise you run the risk of losing it in the sky. You'll also see that clay birds follow 1 of 3 possible tracks in the sky: left, straight, or right. After you take a shot, keep moving your gun in the same trajectory. Only stop when you have confirmed that the target has fallen from the sky. Establish the trajectory of the bird. Then, aim your shot for just a little bit ahead of the bird's current location in the sky. This allows your shot to align with the bird's continual movement. If you keep missing targets, it's likely that you are either shooting too high for a target or you are lagging behind it. A great part of trap shooting is that you don't have to hit the center of the target. In a competition, you'll be credited with a hit even if you just chip the bird. A bird that stays intact is considered "lost."
Summary: Follow basic safety practices. Take a deep, calming breath. Position yourself in a boxer's stance. Use both eyes to track the bird. Hold your gun in position against your shoulder. Call out "pull. Track the target with your gun's muzzle. Shoot ahead of the target.

Turns go at the end of a quick, quick, slow, slow set. After you complete a set, the lead will twirl the follower. The turn will replace a set of steps so that the pattern of the dance isn't affected. You and your partner will hold hands throughout the turn. However, the lead will remove their hand from the follower's shoulder blade, and the follower will let go of the lead's arm. As you turn, raise your joined hands so that it will be easier for the follower to twirl. It's okay to temporarily release each other's hands during the turn if necessary. Don't twist your wrist as you turn. If you're the follower, quickly turn as you count out your quick, 1 beat steps. If you're leading, take 2 quick steps forward but make sure you're giving your partner enough room to turn. It's still up to the lead to keep the dance moving forward at the right pace. After the turn, get back into your dancing frame. Then, take 2 slow steps to complete the set. Continue into your next set of steps.
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One-sentence summary --
Add the turn after you complete a set of steps. Keep holding hands but release each other's shoulder and bicep. Turn on the 2 quick steps if you're following. Return to your dancing position on the slow steps.