IN: John James 'Sean' Kelly (born 24 May 1956) is an Irish former professional road bicycle racer. He was one of the most successful road cyclists of the 1980s, and one of the finest classics riders of all time. From turning professional in 1977 until his retirement in 1994, he won nine monument classics, and 193 professional races in total. He won Paris-

Kelly's first professional race was the Etoile de Besseges. It started on 7 February 1977 and lasted six days. Kelly came 10th on the first day. The Flandria team was in two parts: the strongest riders, such as the world champion Freddy Maertens, were in the main section, based in Belgium. Kelly rode with the second section, based more in France because Flandria wanted to sell more of its mopeds, scooters and bicycles there. The strongest riders in both camps came together for big races. Kelly was recruited as a domestique for Maertens in the main team for year's Paris-Nice - shortly afterwards he won his first race, the opening stage of the Tour of Romandy - and stayed in it for the Tour de France, in which he also won a stage. Kelly stayed with de Gribaldy for 1977 and 1978. Then in 1978 Michel Pollentier was disqualified from the Tour de France after cheating a drugs test on the afternoon that he took the race lead. He left the team at the end of the season and started his own, with a new backer, Splendor. Both Maertens and Pollentier wanted Kelly. Pollentier and Splendor offered Kelly more and made him a team leader. But Splendor was new and logistic problems became obvious. The bikes were in poor state - enough that Splendor decided not to ride Paris-Roubaix - and the manager, Robert Lauwers, was replaced. Kelly rose above it and rode for himself. The writer Robin Magowan said: Some people can do business on the committee system; others find that life is only fun when you are running the show. In Kelly's case it was to mean working for the collection of underpaid has-beens that de Gribaldy habitually assembled. But a smaller, less pretentious team can have its advantages for a rider of Kelly's sort. When you don't have to compete for a team's loyalty you can concentrate on winning races, and that's exactly what Kelly proceeded to do. In time the team improved. Kelly received few offers from elsewhere and Splendor matched those he did get. He was paid about PS30,000 plus bonuses in his last season. But strengthening the team had included bringing in another sprinter, Eddy Planckaert, and Kelly's role as a foreigner in the team was unclear. He heard that de Gribaldy was starting a new team and the two were reunited in 1982 at Sem-France Loire.

When was this race held ?

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IN: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.

In 1995, following the success of Become What You Are she released her follow-up album, Only Everything, in which she "turned up the volume and the distortion and had a lot of fun". One reviewer describes it as "a fun, engaging pop album". The album spawned another alternative radio hit for Hatfield in "Universal Heartbeat". The video featured Hatfield as an overly demanding aerobics instructor. Prior to the tour for Only Everything, Hatfield released Phillips and brought on Jason Sutter (American Hi-Fi, Chris Cornell, Jack Drag), as well as Ed Slanker (Thudpucker, Tinsel) on 2nd guitar, and Lisa Mednick on keyboards. Two weeks into the tour, Hatfield canceled the tour, which her publicist explained as due to "nervous exhaustion," and took a month-long break. In her memoir, Hatfield writes that in truth she was suffering from depression severe enough to the point of being suicidal. Hatfield disagreed with the decision not to be upfront about her depression. The drummer was, once again, replaced, this time by Phillips, and touring resumed with Jeff Buckley as the opening act. In 1996, she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album (third if not counting Become What You Are, which was recorded with the Juliana Hatfield Three), intended for 1997 release. After three failed attempts to satisfy requests from Atlantic Records to come up with a "single" that the label could release, Juliana requested she be released from her contract. The label obliged, but kept the rights to the songs produced during these sessions (Atlantic had reportedly paid $180,000 to that point on the recordings). Two tracks - "Mountains of Love" and "Fade Away" - were eventually released on a greatest hits collection entitled Gold Stars, while still another, "Can't Kill Myself," was available for download from Hatfield's official website. The remaining tracks have surfaced only as substandard bootleg versions (which do not meet Hatfield's approval) and she has rarely featured them in her subsequent live performances. In 1997 Hatfield toured with the first Lilith Fair, a prominent all-female rock festival founded by singer Sarah McLachlan.

Did anything unusual happen while on tour?

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IN: "Vogue" is a song by American singer Madonna from her second soundtrack album I'm Breathless (1990). It was released as the first single from the album on March 27, 1990, by Sire Records. Madonna was inspired by vogue dancers and choreographers Jose Gutierez Xtravaganza and Luis Xtravaganza from the Harlem "House Ball" community, the origin of the dance form, and they introduced "Vogueing" to her at the Sound Factory club in New York City. "

"Vogue" is a house song with notable disco influence. The song has been noted by Allmusic critic Stephen Thomas Erlewine to have a "deep house groove" and to have a "throbbing beat" by Mark Coleman of Rolling Stone. J. Randy Taraborrelli, in his book Madonna: An Intimate Biography, wrote that the song was a "pulsating dance track". According to sheet music published at Musicnotes.com at Alfred Publishing, the song is written in the key of A major, has a tempo of 116 beats per minute, and in it, Madonna's vocal range spans from C4 to E5. Lyrically, the song has a theme of escapism, and talks about how any person can enjoy themself. In the bridge, the song has a spoken rap section, in which Madonna references numerous "golden era" Hollywood celebrities. The lyrics of the song's rap section feature the names of 16 stars from the 1920s to the 1950s. In order of mention in the lyrics, they are: Greta Garbo, Marilyn Monroe, Marlene Dietrich, Joe DiMaggio, Marlon Brando, Jimmy Dean, Grace Kelly, Jean Harlow, Gene Kelly, Fred Astaire, Ginger Rogers, Rita Hayworth, Lauren Bacall, Katharine Hepburn, Lana Turner and Bette Davis. Ten of the stars mentioned in the song (namely Davis, Dean, Dietrich, DiMaggio, Garbo, Harlow, Rogers, Turner and both Kellys) were entitled to a royalty payment of $3,750 when Madonna performed "Vogue" at the Super Bowl XLVI halftime show in 2012 as their images were used in the 'set dressing' of the performance. At the time, Bacall was the lone living star. She died at the age of 89 in 2014.

What happen afterwards

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Madonna performed "Vogue" at the Super Bowl XLVI halftime show in 2012 as their images were used in the 'set dressing' of the performance.