instruction:
In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.
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Question: Which town where Missoni did work or showed their work was the largest? Passage:The business was founded in 1953, when Ottavio and Rosita Missoni set up a small knitwear workshop in Gallarate, Italy. They presented their first collection under the Missoni label in Milan in 1958. The business prospered, with the support of fashion editor Anna Piaggi, then at Arianna magazine. Rosita met the French stylist Emmanuelle Khanh in New York in 1965, which led to a collaboration and a new collection the following year. In April 1967, they were invited to show at the Pitti Palace in Florence. Rosita told the models to remove their bras, supposedly because they were the wrong color, and showed through the thin lame blouses. The material became transparent under the lights and caused a sensation. The Missonis were not invited back the following year, but the business grew; a new factory in Sumirago was built in 1969. Missoni designs were championed in the USA by Diana Vreeland, editor of American Vogue, and a Missoni boutique was opened in Bloomingdales.

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The business was founded in 1953, when Ottavio and Rosita Missoni set up a small knitwear workshop in Gallarate, Italy

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Question: Does the team Carter signed with in 1988 still exist today? Passage:Carter started his career as an apprentice at Brighton & Hove Albion but failed to make the grade for the first team. He made his first team debut in April 1987 in a 11 draw with Blackburn Rovers, coming on as a substitute and almost scoring with his first touch. He subsequently dropped down to the Isthmian League where he spent a season with Billericay Town. He was signed by Fourth Division side Leyton Orient in July 1988 and remained a first team regular in his seven-year spell at the club, which included promotion to the Third Division in his first season with via the play-offs. In June 1995, he joined newly relegated Second Division side Peterborough United for a fee of 25,000. He was a first team regular in his first season with the club but dropped out of the side in his second season as the club narrowly avoided relegation twice. Following his release he spent time on trial at Cambridge United and Wycombe Wanderers, however, both were unsuccessful in earning a full-time contract. He subsequently signed for Welsh Premier League side Barry Town, where he spent two seasons and made a total of sixty league appearances, scoring ten goals. He later joined Southern League Premier side Merthyr Tydfil in 1999 and spent six seasons with the club making over 200 appearances. He was also the club captain. In the summer of 2005 he signed for newly promoted Welsh Premier League side Cardiff Grange Harlequins but only made eight league appearances and the side couldn't avoid relegation at the first attempt.

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He was signed by Fourth Division side Leyton Orient in July 1988 and remained a first team regular in his seven-year spell at the club, which included promotion to the Third Division in his first season with via the play-offs

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Question: Despite Gilberts and Sullivan's partnership collapsing after the production in 1889, how many performances were there before it closed at the Savoy Theatre? Passage:When the Gilbert and Sullivan partnership collapsed after the production of The Gondoliers in 1889, their producer Richard D'Oyly Carte struggled to find successful new works to show at the Savoy Theatre. Carte produced Sullivan's grand opera, Ivanhoe at another theatre, and afterwards, he turned to Sullivan to create more comic operas for the Savoy. With Sydney Grundy, Sullivan wrote the nostalgic and sentimental Haddon Hall (1892) then, reunited with W. S. Gilbert, he produced Utopia, Limited (1893). He next returned, with his earlier collaborator F. C. Burnand, with The Chieftain (1894) and collaborated for the last time with Gilbert on The Grand Duke (1896). None of these had proved to be more than modestly successful, and Carte's other new pieces for the Savoy in the 1890s had done no better. Following the success of Sullivan's ballet Victoria and Merrie England in 1897, Carte asked Sullivan to work on another new opera for the Savoy.

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When the Gilbert and Sullivan partnership collapsed after the production of The Gondoliers in 1889, their producer Richard D'Oyly Carte struggled to find successful new works to show at the Savoy Theatre