Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Example Input: CONTEXT: Lucy didn't turn herself into a USB stick. She changed into a kind of 'super magic quantum computer' thing to convert her gained knowledge over time and space into a digital form current day scientists can use. USB stick is easily recognizable to the viewership as a data storage device, and why she didn't give a 'better' more scifi thing such as a tesseract. After this, she disappears, entering a new plane of existence. Which also allowed her to text the police officer "I am everywhere" She has become omnipotent, omniscient and omnipresent. IE, All powerful, all knowing, and all present. The USB is full of information for humanity to use. <sep> Q: Why did Lucy convert herself into a USB at the end of the film? A: Lucy didn't turn herself into a USB stick <sep> FOLLOWUP_Q: What did she turn herself into?
Example Output: Yes

Example Input: CONTEXT: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area. Most car scenes are recorded with chroma just for pratical reasons. In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control. With a studio setting you get full control of the lights, the movements, etc. in one word, the scene. And of course, you minimize the hitches that can occurs in the real world (also safety concers). However you should film outdoor shots to enrich and give credibility to your scene. <sep> Q: Why are most scenes in a car recorded with chroma? A: Most car scenes are recorded with chroma just for pratical reasons Q: What reasons are those? A: In a professional production you look for "quality" and you can achieve it only if you have control. It's all about control Q: Is it illegal to film while driving in a public place? A: Of course this changes from country to country, but generally speaking it's not illegal to film on the streets, since it's a public area Q: Are there any safety concerns when filming? A: you minimize the hitches that can occurs in the real world (also safety concers <sep> FOLLOWUP_Q: Is there anything else you can tell me on this subject?
Example Output: Yes

Example Input: CONTEXT: Well, in answer to the first part: Yes, the water in which John Loomis (Chiwetel Ejiofor) was swimming/bathing when Ann Burden (Margot Robbie) came up to him is irradiated. Without getting too "spoilery", the area in which Ann lives seems to be one of very few (if not the only) radiation-free zones at the time of the story. However, the water in which John was swimming comes from outside of that area (the waterfall). As for the beneficial effects of the bath, I think the link to the "Silkwood Shower" reference by @Will-Feldman is probably as good an explanation as any. Try to get as much of the irradiated water off of the body as possible. John is obviously still going to be affected by his exposure, but there's no reason to allow more of the radiation to seep in if it can be prevented. <sep> Q: Why does Margot Robbie wash Chiwetel Ejiofor in Z for Zachariah? A: the water in which John was swimming comes from outside of that area (the waterfall Q: Is there radiation in the water? A: irradiated Q: What does irradiated mean? A: irradiated Q: Does Margo have to wash anyone else? A: John <sep> FOLLOWUP_Q: What happens after Margot washes Chiwetel?
Example Output:
Yes