Answer the question at the end by quoting:

Louis Farrakhan Sr. (born Louis Eugene Walcott; May 11, 1933), formerly known as Louis X, is an American religious leader, black nationalist, activist, and social commentator. He is the leader of the religious group Nation of Islam (NOI) and served as the minister of major mosques in Boston and Harlem, and was appointed by longtime NOI leader Elijah Muhammad as the National Representative of the Nation of Islam. After Warith Deen Muhammad disbanded the NOI and started the orthodox Islamic group American Society of Muslims, Farrakhan started rebuilding the NOI.
In 2008, Farrakhan publicly criticized the United States and supported then-Senator Barack Obama who was campaigning at the time to become the president of the United States of America. Farrakhan and Obama had met at least once before. The Obama campaign quickly responded to convey his distance from the minister. "Senator Obama has been clear in his objections to Farrakhan's past pronouncements and has not solicited the minister's support," said Obama spokesman Bill Burton. Obama "rejected and denounced" Farrakhan's support during an NBC presidential candidate debate. Conservative internet sites such as World Net Daily reported that during his February 24, 2008, "Saviours' Day" speech Farrakhan had called Obama "the Messiah". What Farrakhan actually said is "Sen. Obama is not the Messiah for sure, but anytime, he gives you a sign of uniting races, ethnic groups, ideologies, religions and makes people feel a sense of oneness, that's not necessarily Satan's work, that is I believe the work of God." Following the 2008 presidential election, Farrakhan explained, during a BET television interview, that he was "careful" never to endorse Obama during his campaign. "I talked about him--but, in very beautiful and glowing terms, stopping short of endorsing him. And unfortunately, or fortunately, however we look at it, the media said I 'endorsed' him, so he renounced my so-called endorsement and support. But that didn't stop me from supporting him." As of 2012, Farrakhan no longer supports Obama, whom he has since called the "first Jewish president", due to Obama's support for the 2011 military intervention in Libya, which Farrakhan strongly opposed due to his own support for Muammar Gaddafi. At a March 31, 2011 press conference held at the Mosque Maryam, Farrakhan warned that the United States could be "facing a major earthquake as part of God's divine judgment against the country for her evil".

how did he feel about Obama becoming president?

the media said I 'endorsed' him, so he renounced my so-called endorsement and support. But that didn't stop me from supporting him."

IN: The Incredible String Band (sometimes abbreviated as ISB) were a psychedelic folk band formed by Clive Palmer, Robin Williamson and Mike Heron in Scotland in 1966. The band built a considerable following, especially in the British counterculture, notably with their albums The 5000 Spirits or the Layers of the Onion, The Hangman's Beautiful Daughter, and Wee Tam and the Big Huge. They became pioneers in psychedelic folk and, through integrating a wide variety of traditional music forms and instruments, in the development of world music. Following Palmer's early departure, Williamson and Heron performed as a duo, later augmented by other musicians.

1968 was the band's annus mirabilis with the release of their two most-celebrated albums, The Hangman's Beautiful Daughter and the double LP Wee Tam and the Big Huge (issued as two separate albums in the US). Hangman's reached the top 5 in the UK album charts soon after its release in March 1968 and was nominated for a Grammy in the US. Robert Plant of Led Zeppelin said his group found their way by playing Hangman's and following the instructions. A departure from the band's previous albums, the set relied heavily on a more layered production, with imaginative use of the then new multitrack recording techniques. The album featured a series of vividly dreamlike Williamson songs, such as "The Minotaur's Song", a surreal music-hall parody told from the point of view of the mythical beast, and its centrepiece was Heron's "A Very Cellular Song", a 13-minute reflection on life, love and amoebas, its complex structure incorporating a Bahamian spiritual ("I Bid You Goodnight"). Williamson and Heron in this album had added their girlfriends, Licorice McKechnie and Rose Simpson, to the band to contribute additional vocals and various instruments, including organ, guitar and percussion. Despite their initially rudimentary skills, Simpson swiftly became a proficient bass guitarist, and some of McKechnie's songs were recorded by the band. By early 1968 the group were capable of filling major venues in the UK. They left behind their folk club origins and embarked on a nationwide tour incorporating a critically acclaimed appearance at the London Royal Festival Hall. Later in the year they performed at the Royal Albert Hall, at open-air festivals, and at prestigious rock venues, such as the Fillmore auditoriums in San Francisco and New York. After their appearance at the Fillmore East in New York they were introduced to the practice of Scientology by David Simons (aka "Rex Rakish" and "Bruno Wolfe", once of Jim Kweskin's Jug Band). Joe Boyd, in his book White Bicycles: Making Music in the 1960s and elsewhere, described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist, persuaded them to enrol in his absence. The band's support for Scientology over the next few years was controversial among some fans and seemed to coincide with what many saw as the beginning of a decline in the quality of their work. In an interview with Oz magazine in 1969 the band spoke enthusiastically of their involvement with it, although the question of its effect on their later albums has provoked much discussion ever since. Their November 1968 album Wee Tam and the Big Huge, recorded before the US trip, was musically less experimental and lush than Hangman's but conceptually even more avant-garde, a full-on engagement with the themes of mythology, religion, awareness and identity. Williamson's otherworldly songs and vision dominate the album, though Heron's more grounded tracks are also among his very best, and the contrast between the two perspectives gives the record its uniquely dynamic interplay between a sensual experience of life and a quest for metaphysical meaning. The record was released as a double album and also simultaneously as two separate LPs, a strategy which lessened its impact on the charts.

Are there any other interesting aspects about this article?

OUT:
described how he was inadvertently responsible for their "conversion" when he introduced the band to Simons, who, having become a Scientologist,