Q: Deeply emotional. It can't leave you neutral.

Yes it's a love story between 2 18 years old boys. But it's only the body of this movie. And it's been removed. You only feel what happened with these boys. You feel the soul of the movie. With of course some action, some sex, but this is no pornography, too many feelings.

It was only a summer "story", and it became, from love to hate, almost to death, the most important time of their lives. I loved it, you will too, whatever your feelings are.
A: positive
Q: "Everything a great documentary could be"?? Yeah, if one is deaf, dumb, and blind. Everything but meaning, wit, visual style, and interesting subject matter. Aside from that. . .

Seriously, volken. This is a movie that is completely inauthentic. An adventure doc with no adventure, a war doc with no feeling for war, a campy send-up with no trace of wit. It means nothing, feels like nothing, and carries the implicit message that absolutely nothing matters. No wonder it has so many IMDb fans! Of course, going in you know a movie starring the great Skip Lipman will have no culture, no intelligence, no wit (other than a corrosive adolescent jokiness), and no recognizable human emotion just adrenaline. "Darkon" isn't a movie -- it's a panic attack! Avoid. There too many real documentaries and too little time in life to waste it on toilet build-up such as "Darkon".
A: negative
Q: In all my 60 years of age, I have learned that when we watch a movie there is an identification (whether we want it or not) implicit with an specific character.

Sometimes because the character executes certain gesture, sometimes because the character speaks determinate word, or sentence that we use or that we would like to use in determinate situation.

The movie in question, should be seen by this point of view. Who now find a parking space in a mall,downtown, or in the street - taken by a car whose driver can't remember to think that he is not the only driver in the world?

Who hasn't the urge to "rubber out" the ill mannered spat?

Haven said that I ask: - Did you identify with DELLA (played by Kim Bassinger)? If your answer is: YES!, then try not to find absurd details comparatively with life's reality in the movie, because you'll certainly find the movie ridiculous.

Abstractions made, you will see that the movie has moments of surprise, such as: 1- In the sequence in which Della grabs the box of tools in the trunk (does that box contains a gun, and does she haves the guts to use it?); 2- In the sequence in which Terry dies whilst falling; 3- In the sequence in which Della gets attracted by Chuckie's "mermaid's call".

If you have already seen the movie, or if are planning seeing, keep in mind that there are "realistic" movies, "fiction" movies, "political" movies, and movies in which you can "wash your soul" To exemplify the last one, we can quote: "Tropa de Elite".

According to newspaper's , there was unanimous applause when BOPE officials take certain attitudes. (As I have seen the movie in DVD, I could not ascertain the audience's reaction)

As for the direction part (Susan Monford), interpretations (Kim Bassinger, Lukas Haas, Craig Scheffer, etc. Edition (William M. Anderson 'Dead Poets Society', 'Green Card' exceptional edition, 'Robocop 2', etc. It is well situated in context. In a scale of 1(Awful) to 10(Master Piece), I rate "When She Was Out" a 7(Regular).
A: positive
Q: In Paris, the shy and insecure bureaucrat Trelkovsky (Roman Polanski) rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule (Dominique Poulange), committed suicide. The unfriendly concierge (Shelley Winters) and the tough landlord Mr. Zy (Melvyn Douglas) establish stringent rules of behavior and Trekovsky feels ridden by his neighbors. Meanwhile he visits Simone in the hospital and befriends her girlfriend Stella (Isabelle Adjani). After the death of Simone, Trekovsky feels obsessed for her and believes his landlord and neighbors are plotting a scheme to force him to also commit suicide.

The weird "Le Locataire" is a disturbing and creepy tale of paranoia and delusion. The story and the process of madness and loss of identity of the lonely Trelkovsky are slowly developed in a nightmarish atmosphere in the gruesome location of his apartment, and what is happening indeed is totally unpredictable. The performances are awesome and Isabelle Adjani is extremely beautiful. My vote is eight.

Title (Brazil): "O Inquilino" ("The Tenant")
A: positive