Background: Farmer was born on September 19, 1913 in Seattle, Washington, the daughter of Lillian (nee Van Ornum 1873-1955), a boardinghouse operator and dietician and Ernest Melvin Farmer, a lawyer. Farmer was the youngest of four children; she had two older sisters, and one older brother. At age four, Farmer's parents separated, and her mother relocated with the children from their home in North Seattle to Los Angeles, where her sister lived. Two years later, Farmer and her siblings were sent back to Seattle to live with their father.
Context: As a result of the guilt she felt over her illegal abortion, Farmer had for years avoided contact with children. At this period of her life she became attached to the five young daughters of a friend, and this helped to ease her guilt. In the summer of 1958, one of the girls, nestling against her, whispered in her ear, "I love you so much, because you're good." Farmer was deeply moved: "No one had ever said that to me before. No one had probably ever thought it, for that matter, and it was there, at that moment, that a heart chiseled of stone melted." When the girl left, Farmer burst into tears and it seemed to her that all the evil that had surrounded her was being washed away. She felt that God had come into her life and sensed that she "would have to find a disciplined avenue of faith and worship". Shortly after, she found herself sitting in St. Joan of Arc Catholic church and petitioned that very day to begin her instructions and in 1959 was baptized into the Roman Catholic faith. Farmer had a great affection for St. Joan of Arc Church and attended services there regularly. During this period, she gave up drinking. During the early 1960s Farmer was actress-in-residence at Purdue University and appeared in some campus productions. By 1964 her behavior had turned erratic again. Farmer was fired, re-hired and fired from her television program. The manager of that television station later suggested (in a 1983 interview) that her turn for the worse was triggered by an appearance he had arranged for her on NBC's The Today Show. He had hoped to get her good publicity but believed Farmer had been stressed by being asked on national television about her years of institutionalization. Farmer and Jean Ratcliffe attempted to start a small company producing cosmetics, but although their products were successfully field-tested, the project failed after their funds were embezzled by the man who handled their investment portfolio. Farmer's last acting role was in The Visit at Loeb Playhouse on the Purdue University campus in West Lafayette, Indiana, which ran from October 22 to October 30, 1965.
Question: Who said that to her?
Answer: one of the girls, nestling against her, whispered in her ear, "I love you so much, because you're good."

Background: Patsy Cline (born Virginia Patterson Hensley; September 8, 1932 - March 5, 1963) was an American country music singer and part of the Nashville sound during the late 1950s and early 1960s. She successfully "crossed over" to pop music and was one of the most influential, successful, and acclaimed vocalists of the 20th century. She died at age 30 in the crash of a private airplane. Cline was known for her rich tone, emotionally expressive and bold contralto voice, and her role as a country music pioneer.
Context: Bill Peer, her second manager, gave her the name Patsy, from her middle name, Patterson. (Bill Peer, who had a country music band in Brunswick, MD, also had an infant daughter named Patsy). In 1955 he gained a contract for her at Four Star Records, the label he was then affiliated with. Four Star was under contract to the Coral subsidiary of Decca Records. Patsy signed with Decca at her first opportunity three years later. Her first contract allowed her to record compositions only by Four Star writers, which Cline found limiting. Later, she expressed regret over signing with the label, but thinking that nobody else would have her, she took the deal. Her first record for Four Star was "A Church, A Courtroom & Then Good-Bye," which attracted little attention, although it led to appearances on the Grand Ole Opry. As these performances were not "records" per se, they were not governed by her contract, and she could sing what she wanted, within reason. This somewhat eased her "stifled" feeling. Between 1955 and 1957, Cline recorded honky tonk material, with songs like "Fingerprints," "Pick Me Up On Your Way Down," "Don't Ever Leave Me Again," and "A Stranger In My Arms." Cline co-wrote the last two. None of these songs gained notable success. She experimented with rockabilly. According to Decca Records producer Owen Bradley, the Four Star compositions only hinted at Patsy's potential. Bradley thought that her voice was best-suited for pop music, but Cline sided with Peer and the other Four Star producers, insisting that she could only record country songs, as her contract also stated. Every time Bradley tried to get her to sing the torch songs that would become her signature, she would panic, missing her familiar country fiddle and steel guitar. She often rebelled, only wishing to sing country and yodel. She recorded 51 songs with Four Star.
Question: When did she leave Four Star Records?
Answer:
Patsy signed with Decca at her first opportunity three years later.