Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

[EX Q]: CONTEXT: In reality people often do strange or unusual things when they suffer a traumatic, and in Mike's case, a mortal injury. Their mind continues to work as it does and they realize that they need to DO something. However, after a short period of time, their injury overcomes their adrenaline rush and they are forced to halt whatever it is that they are doing. In Mike's case, being a trained professional, he would have tried to flee since he knew that he was wounded and that he was unable to defend himself. It seemed though that his body wouldn't allow him to go much further than it did and he simply sat down a short distance from the car where he'd been shot. When this occurred, he probably realized that his wound was a mortal one and he simply resigned himself to his fate. There's also the reality which may have occurred to Mike that there was no place for him to go. Even if Walt had called an ambulance and they arrived before he bled to death, he would have been arrested and gone on trial for at least the distribution of the money to his criminal conspirators if not been tried along with them for the events which occurred during the Fring drug organization. Sitting by a river and dying there may have been a far more pleasant option for him than spending the remainder of his adult life in prison. <sep> Q: Why did Mike get out of the car after being shot? A: In reality people often do strange or unusual things when they suffer a traumatic, and in Mike's case, a mortal injury. Their mind continues to work as it does and they realize that they Q: Wouldnt he want to conserve his energy? A: In Mike's case, being a trained professional, he would have tried to flee since he knew that he was wounded and that he was unable to defend himself <sep> FOLLOWUP_Q: What about the river drew him in his final moments
[EX A]: Yes

[EX Q]: CONTEXT: There's an entry in UrbanDictionary.com for shoto. This seems to be a fairly family friendly forum so I'll just say that the definition is sexually explicit and the makers may have wanted to avoid any association with it - particularly for a child character. This is a guess based only on a google search for "shoto". <sep> Q: Why was the character Shoto in the book change to Sho for the movie? A: I'll just say that the definition is sexually explicit and the makers may have wanted to avoid any association with it - particularly for a child character <sep> FOLLOWUP_Q: What type of sexual connection does it have?
[EX A]: No

[EX Q]: CONTEXT: I'd always wondered exactly why we got so much of the little relationship details between Butch and Fabienne. I decided that the subtext of the scenes was that she was pregnant. It explains a lot, including that Butch was getting out of boxing and getting serious about settling down, and why he dreamed of his father's gold watch before the fight. After rewatching the film, I decided that she probably was, and that was part of the point of seeing those scenes. I then decided to look up what the name Fabienne means, because of the theory that all the names in Pulp Fiction mean something, except for Esmarelda the Cab driver, who tells us that all names mean something. Fabienne is a female version of the Roman family name Fabius, which means 'Bean Grower'. Pregnant. <sep> Q: Is there a deeper meaning to Fabienne's pot belly talk? A: the subtext of the scenes was that she was pregnant <sep> FOLLOWUP_Q: What else makes you think she is pregnant?
[EX A]:
Yes