TASK DEFINITION: In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.
PROBLEM: Passage: Her artisan parents lost their jobs due to the industrialization in the region and so were forced to emigrate to the United States of America in 1902. Panas was left in the care of her paternal priest uncle Angelo who was a chaplain in Asiago and later the archpriest for Enego and who was living with his nurse sister Maria. Her schooling began under the Canossians in Feltre and later continued in Vicenza and on 5 August 1906 she made her First Communion. Panas remained in her uncle's care (receiving her initial education and religious formation from him) until her parents returned in 1910. Her parents returned with two new children Maximina and Rosa who had been born in the United States. In 1910 she moved to the Saint Alvise college in Venice and also attended the Nicolo Tommaseo Institute there before she graduated in 1913. It was following her graduation that she began teaching in the Conetta neighborhood of Cona close to Venice and it was there in 1914 that she met Father Luigi Fritz who would begin serving as her confidante and spiritual director until the end of their lives (which occurred within weeks of each other). It was also around this stage that Panas began keeping a journal and made the resolution that she would never write unless it was about or for Jesus Christ.
Link Information: none Answer: none

SOLUTION: Did Panas' uncle serve longer in Asiago or in Enego?

PROBLEM: Passage: Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. From 1958 to 1961, he was Peggy Lee's full-time accompanist and arranger for the albums Anything Goes:Cole Porter and Peggy Lee & the George Shearing Quartet. In 1962, he was hurt in a car crash, and while he recovered, Kapp Records asked him to work on writing potential hits in the then-hot genre of bossa nova. Harnell's biggest success was with his arrangement of "Fly Me to the Moon", which was a hit in the US in 1963 (number 14 Pop, number 4 AC) and which won a Grammy Award for Best Pop Instrumental Performance. The song also peaked at number 6 in Harnell's hometown, on WMCA in New York, on January 16, 1963. The album from which it was taken went to number 3 on the Billboard 200. Harnell would go on to release nearly 20 easy listening albums, on Kapp, Columbia, and Motown among others.
Link Information: Harnell's biggest success was with his arrangement of "Fly Me to the Moon", which was a hit in the US in 1963 (number 14 Pop, number 4 AC) and which won a Grammy Award for Best Pop Instrumental Performance. Answer: Fly Me to the Moon and the Bossa Nova Pops

SOLUTION: Which of Joe Harnell's albums reached 3 in the Billboard charts?

PROBLEM: Passage: Latinos, particularly Puerto Ricans, were at the forefront of the hip hop movement, however; they have often been forgotten in conversation. Nonetheless, we can see the presence and influence of Latinos in hip hop when we think about artist like: Africa Bambaataa & the members of the Zulu Nation (1960s), Latino DJ, DJ Disco Wiz (aka first Latino DJ in hip hop) & DJ Grandmaster Caz came together to form the Mighty Force (1974), DJ Charlie Chase of the Cold Crush Brothers (1975), Lee Quinones & Lady Pink (1970s), and various others have allowed for Latinos to have a part in hip hop culture and hip hop history. Latina's also had a huge role in hip hop, women who were not on the hip hop stage take part in: the influence and making of music and hip hop performance, dancing of music, and graffiti art. Today we see Latinas like: La Caballota aka Ivy Queen (1995), Ana Bijoux (1995), Angie Martinez: "The Voice of New York" (1996), Hurricane G aka Gloria Rodriguez (1997), Mala Rodriguez (1990s), Lisa M: "The Queen of Spanish Rap" (1988), Nina Dioz (2009), Snow Tha Product aka Claudia Feliciano (2011), Melony Redondo: MelyMel (2018) have been women who have all taken the stage and made their mark as Latina and Afro-Latina rappers/artist in the hip hop world.
Link Information: DJ Charlie Chase of the Cold Crush Brothers (1975) Answer: Weekend

SOLUTION:
What was a notable song of DJ Charlie Chase's group?