Q: Build a movie plot around this: Who has the hero's role in the movie? Hamilton
A: Mostly the same as the original biblical story, but with notable differences such as, once again, the expanded role of Delilah (Bauer), the introduction of the garrison commander (Stern) who is friends with Samson (Hamilton), more focus upon Samson's relationship with his first wife, a different handling of the 30 garments bet, and, perhaps the most crucial alteration is to the climax. In the original story, maintained in the 1949 film and the 1996 TV remake, is that Samson only regains his strength after his hair has grown long again, thus allowing him to tear down the Philistine temple. Here, however, Samson is taken to the Philistine temple just after his hair has been cut short, and he prays to God to restore his immense strength despite his short hair, and God complies, allowing Samson enough strength to tear down the stone pillars, thus destroying the temple.Unlike the 1949 and 1996 adaptations, Delilah survives to mourn Samson alongside his followers.

Q: Build a movie plot around this: Who does Macreedy try to telephone? The police
A: The time is 1945, just after the end of World War II. The great railroad train Streamliner stops at the town of Black Rock Arizona. The train discharges a single passenger with only one arm named John J. Macreedy.The conductor comments that this is the first time in four years that the train has stopped there. Macreedy replies that he is only staying for one day, and the conductor comments that "in a place like this a day can be a lifetime." The train departs. Macreedy is confronted by the stationmaster who complains that he had not been informed that the Streamliner was stopping, to which Macreedy replies "Maybe they didn't think it was important." Macreedy asks the stationmaster if he can get a cab to Adobe Flat. The stationmaster replies "no cab." Macreedy then asks if the hotel is open, and the stationmaster nods. Macreedy walks into town.When the townsfolk learn that Macreedy wants to visit nearby Adobe Flat, they react with extreme suspicion and hostility. Pete Wirth, the hotel keeper, tries using a bogus excuse about war restrictions to deny renting a room even though it is obvious the hotel has vacancies. After persistence, Macreedy rents a room, only to be harassed by a cowboy named Hector for no apparent reason. Macreedy's attempts to rent a car create further hostility, prompting another local, Reno Smith, to have a private detective he knows in Los Angeles check out Macreedy's background. Macreedy then visits the sheriff's office only to find that the sheriff, Tim Horn, is an ineffectual drunken sot. Macreedy mentions that he is trying to locate a farmer named Kumoko at Adobe Flat and Horn becomes as hostile as the rest of town. Smith then accosts Macreedy feigning friendliness. Macreedy asks about Kumoko, and Smith tells him that Kumoko was sent to an internment camp after the start of the war. Pete's sister Liz drives up in her jeep and rents it to Macreedy, who drives off to Adobe Flat. Despite Liz's assurance that Macreedy will find nothing and Horn's feeble attempts to assert his authority,...

Q: Build a movie plot around this: How was Nora decapitated? Malfunctioning elevator doors
A: It begins with a TV newsman talking about Flight 180 and its survivors and who got killed. Only one person survived, Clear Rivers (Ali Larter).Then we meet Kimberly (A.J. Cook), who is going on a road trip with her friends.They start their trip. She is driving with her one girl friend and two stoners in the back. Her dad calls her and tells her that her transmission fluid is low and to get it checked. She says ok and hangs up. Her friend tells her not to stop the car, though, when the warning light comes on. While driving, Kim sees a bus full of rowdy football players, a jocky looking guy, a cyclist, a mom and her son, a truck with logs, a guy drinking in a truck, a stoner, and a cop. Then, when the cop spills his coffee, the truck's cargo falls off. One of the logs goes through his window. The stoner's car flips over the cops, the cyclist falls off and his rammed by his motorcycle, the mom and son blowup, and the stoner gets hit by a truck. Kim's car flips and she thinks all is ok, until she sees the jocky looking guys car on fire. It gets hit by the other truck, which comes for her car, until she wakes up out of a dream.She pulls over, stopping some people. The cyclist (Eugene), mom and son (Tim and Nora), a pregnant mom, the jock aka lottery winner (Evan), the stoner (Rory), a rich girl (Kat), and the cop (Thomas). He stops and asks Kim why she is blocking traffic. She says that she saw an accident. He doesn't believe her, until the truck passes by. The cars start blowing up. Kim freaks out, Thomas runs to his cop car to alert the other cops, and runs back to save Kim from an oncoming truck, which hits her car, killing her friends. She cries and is taken back to the cop station with the others.They all talk about how coincidental it is that Kim saw it just like Alex did in the first film. (The highway was Highway 180). Eugene tells everyone about it, how everyone died. Thomas notes that one lived, Clear Rivers. They all talk about how they are going to die, and then leave. Kim's dad arrives and takes her...

Q: Build a movie plot around this: Where are they walking through? various landscapes
A:
We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...