Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: obviously has some talent attached, Maria Bello is always great. but this is just a dreary wast of time, portraying every character as someone to be loathed and exploited so someone could make a movie out of an 'interesting' story. well, i hope they got it out of their systems. unfortunately for the audience, there is no insight, no sensitivity, no context, and really no humanity. which would all be fine, except it has no humor, no horror, no context, and nothing constructive to say about the story it's trying to tell. bad things happen, you sit and watch it, you don't care, so what? 99% of the time, the words 'based on a true story' constitute an unintentional warning to the audience. it means the director and screenwriter are lazy and fascinated by some events they heard about somewhere, so they just throw them up on the screen and expect the 'true' nature of the story to make the audience feel something without the filmmakers having to do any of the work. i hope they had a great time making this movie. it stinks on ice.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: Surely one of the mysteries of the modern world!! - this film is NOT considered to be within the top 100 films of all time????

If you watched this film and thought it was anything other than wonderful please let me know how? - Al Pacino's performance is as good as it gets!
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This film has to be viewed in the right frame of mind. First, the central father-son relationship makes it pretty clear that the film was intended as a prequel to his Wong Fei Hung film "Drunken Master" (ideas from this film recur in "Drunken Master II), and not "Young Master"; that Chan backed away from this plan and renamed the characters indicates that he himself was not convinced the material was coming together properly; and, indeed, the film conveys a sense of being incomplete; for instance, the romantic relationship around which half the plot turns is left utterly hanging at the end of the film. "Young Master", from the same period, also feels underdone, but at least all its central threads are tied together at the end. This film feels as though Chan wrestled with the plot and characters trying to find his central theme, only to abandon the effort, possibly due to time and budget.

Or perhaps the film is simply over-ambitious. This is an important turning point film in Chan's career, because he commits himself to development of the central character above all other concerns - which is why there's such a lack of kung fu throughout the film. Chan wants to make an historical romantic comedy that just happens to have kung fu in it. But both the historical element and the romantic element come across as little more than plot-twists.

That leaves us with the comedy. Since Chan's concern is character-development, the comedy is largely character driven - as in the conflict between Chan's character and his best friend, an argument over a girl. But there's plenty of slapstick as well. Frankly, I find the comedy amusing enough to forgive the incompleteness of the plot.

This film represents an effort on Chan's part to find a viable formula that he can use and develop over time. It doesn't quite work, and Chan would only find that formula after abandoning the historical elements of his earlier films, with the making of the contemporary action comedy "Police Story". But going back to view this film is still very informative as to how Chan worked his way through the historical genre, and perhaps why he abandoned it.
Q: What's an example of a movie review?
An example of a movie review is here: I wholeheartedly disagree with the other viewers of this wretched film. The only reason why I didn't rate it 1 for awful was due to the great talent of Carmen Miranda. The beginning and end are the best parents due to her gifted singing and dancing.

The problem is with the rest of the picture. Alice Faye comes off quite hollow. Don Ameche has a great singing voice but with the wretched writing material, he comes off so terribly corny.

The plot is a real stiff here with Ameche assuming two parts as a song and dance man and a baron not happily married to Faye.

It seems that by playing the song and dance man, Ameche's marriage gets a second change to reignite. Some silly nonsense about the baron having to clear up business and being away allows him to play both parts.

S.Z. Sakal is given little to do here and so his comedic gifts are not given the opportunity to shine. Ditto for J. Carrol Naish who actually appears uncomfortable in his role.

This is a chica chica boom bomb of a film.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: I havent seen that movie in 20 or more years but I remember the attack scene with the horses wearing gas-masks vividly, this scene ranks way up there with the best of them including the beach scene on Saving private Ryan, I recommend it strongly.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
I have been an admirer of Edward Burtynsky's work for years, and it was such a pleasure to be able to see the man at work, thanks to Jennifer Baichwal's documentary. The severe beauty of the ship-breaking yard in Bangladesh, the stone quarry in Vermont, the enormous assembly plant in China, the beleaguered old neighbourhoods in Shanghai that are just waiting to be torn down: these landscapes are captured so well by the photographer and the filmmaker.

At times I thought of old TV documentaries on abandoned coal mines and plastic-mold factories; the sort of stuff I grew up watching. Burtynsky's work has the great value of pointing out how the industrial activity has only shifted to Asia, it has not stopped. The strangest scene for me was the computer scrap-yard somewhere in China--the waste had a threatening air about it, while the workers were very jovial.