[Q]: Found the following article online, use it to answer the question: What is the last name of the person who feels in part to be responsible for the "death of the guitar solo"? Grunge guitarists "flatly rejected" the virtuoso "shredding" guitar solos that had become the centerpiece of heavy metal songs, instead opting for melodic, blues-inspired solos focusing "on the song, not the guitar solo". Jerry Cantrell of Alice in Chains stated that solos should be to serve the song, rather than to show off a guitarist's technical skill. In place of the strutting guitar heroes of metal, grunge had "guitar anti-heroes" like Cobain, who showed little interest in mastering the instrument.In Will Byers' article "Grunge committed a crime against musicit killed the guitar solo", in The Guardian, he states that while the guitar solo managed to survive through the punk rock era, it was weakened by grunge. He states that when Kurt Cobain played guitar solos that were a restatement of the main vocal melody, fans realized that they did not need to be a Jimi Hendrix-level virtuoso to play the instrument; he says this approach helped to make music feel accessible by fans in a way not seen since the 1960s folk music movement. The producer of Nirvana's Nevermind, Butch Vig, stated that this album and Nirvana "killed the guitar solo". Soundgarden guitarist Kim Thayil stated he feels in part to be responsible for the "death of the guitar solo"; he said that his punk rocker aspects made him feel that he did not want to solo, so in the 1980s, he preferred to make noise and do feedback during the guitar solo. Baeble Music calls the grunge guitar solos of the 1990s "..raw", "sloppy" and "basic".Not all sources support the "grunge killed the guitar solo" argument. Sean Gonzalez states that Pearl Jam has plentiful examples of guitar solos. Michael Azerrad praises the guitar playing of Mudhoney's Steve Turner, calling him the "... Eric Clapton of grunge", a reference to the British blues guitarist who Time magazine has named as number five in their list of "The 10 Best Electric Guitar Players". Pearl Jam guitarist Mike McCready has been praised for his blues-influenced, rapid licks. The Smashing Pumpkins'...
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[A]: Thayil
input: Please answer the following: Found the following article online, use it to answer the question: What is the full name of the 3rd Marquess of Bute who was considered the richest man in Britain, if not the world? In 1865, Burges met John Patrick Crichton-Stuart, 3rd Marquess of Bute. This may have resulted from Alfred Burges's engineering firm, Walker, Burges and Cooper, having undertaken work on the East Bute Docks in Cardiff for the second Marquess. The 3rd Marquess became Burges's greatest architectural patron; both were men of their times; both had fathers whose industrial endeavours provided the means for their sons' architectural achievements, and both sought to "redeem the evils of industrialism by re-living the art of the Middle Ages".On his succession to the Marquessate at the age of one, Bute inherited an income of 300,000 a year, and, by the time he met Burges, he was considered the richest man in Britain, if not the world. Bute's wealth was important to the success of the partnership: as Burges himself wrote, "Good art is far too rare and far too precious ever to be cheap." But, as a scholar, antiquarian, compulsive builder and enthusiastic medievalist, Bute brought more than money to the relationship and his resources and his interests allied with Burges's genius to create what McLees considers to be "Bute's most memorable overall achievement." However occasioned, the connection lasted the rest of Burges's life and led to his most important works. To the Marquess and his wife, Burges was the "soul-inspiring one". The architectural writer Michael Hall considers Burges's rebuilding of Cardiff Castle and the complete reconstruction of the ruin of Castell Coch, north of the city, as representing his highest achievements. In these buildings, Crook contends that Burges escaped into "a world of architectural fantasy" which Hall describes as "amongst the most magnificent the Gothic Revival ever achieved."
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output: John Patrick Crichton-Stuart
Problem: Found the following article online, use it to answer the question: Whose great-nephew built Belton House? Until its acceptance by the National Trust, Belton House was always in the ownership of the family of its builder, though the failure of three generations to produce a son and heir caused the ownership to pass sideways and sometimes through the female line. The owners of Belton are buried in the village of Belton's parish church close to the house. Their tombs are collectively one of the most complete sets of family memorials in Englandcontinuous generation to generation for almost 350 years. The earliest Brownlow buried here is the founder of the family fortune the lawyer Richard Brownlow (15551638), and one of the most recent is the 6th Baron Brownlow (18991978). The owners of Belton House have been: Sir John Brownlow I (15941679) Bequeathed Belton to his great-nephew John Brownlow II. Sir John Brownlow II (16591697). Builder of Belton House Sir William Brownlow (16651702). Brother of Sir John Brownlow II, permitted his widowed sister-in-law Alice to retain Belton. Sir John Brownlow III (16901754). Created Viscount Tyrconnel in 1718. Nephew and son-in-law of Sir John Brownlow II. Sir John Cust, 3rd Baronet (17181770). Speaker of the House of Commons and nephew of Tyrconnel. Sir Brownlow Cust (17441807). Created Baron Brownlow in 1776. Son of Sir John Cust. John, 2nd Baron Brownlow (17791853). Created 1st Earl Brownlow in 1815. Son of Sir Brownlow Cust. John Egerton-Cust, 2nd Earl Brownlow (18421867) Grandson of John, 2nd Baron Brownlow. Adelbert, 3rd (and last) Earl Brownlow (18441921). Brother of John, 2nd Earl Brownlow. Adelbert Salusbury Cockayne Cust, 5th Baron Brownlow (18671927). Second cousin of Adelbert, 3rd Earl Brownlow. Peregrine Cust, 6th Baron Brownlow (18991978). Son of the 5th Baron Brownlow. Edward Cust, 7th Baron Brownlow (born 1936). Son of the 6th Baron Brownlow. The National Trust (1984 onwards).

A:
Sir John Brownlow I