In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Input: Consider Input: The Ring was made from the only screenplay Hitchcock wrote himself and it deals, as many of his earliest pictures do, with a love triangle. At first glance, it looks like a more cynical update of the infidelity-themed morality comedies of Cecil B. De Mille, but more than that it is the first really competent Hitchcock picture. Even if he was not yet using the ideas and motifs of suspenseful thrillers, he was at least developing the tools with which to create suspense.As well as being a student of the German Expressionist style, the rhythmic editing style of Sergei Eisenstein had had its impact upon Hitchcock. But here he keeps tempo not just with the edits but with the content of the imagery. This is apparent from the opening shots, where spinning fairground rides brilliantly establish a smooth tempo. And like Eisenstein, the editing style seems to suggest sound for example when a split-second shot of the bell being rung is flashed in, we almost subconsciously hear the sound because the image is so jarring.There is also a contrast, particularly with silent films from the US, in that The Ring is not cluttered up with too many title cards. As much as possible is conveyed by imagery, and Hitch has enough faith in the audience to either lip-read or at least infer the meaning of the bulk of the characters' speech. And it's not done by contrived symbolism or overacting, it's all done by getting the right angles and the right timing, particularly with point-of-view shots, as well as some strong yet subtle performances. There are unfortunately a few too many obvious expressionist devices (particularly double exposures), many of which were unnecessary, but there is far less of this than there is in The Lodger.Let's make a few honourable mentions for the aforementioned actors. First up, the stunningly handsome and very talented Carl Brisson in the lead role. In spite of his talent I was at first a bit confused as to why he got the role, as to be honest he looks more like a ballet dancer than a pugilist! But that just goes to show how much I know, as it turns out Brisson was in fact a former professional boxer and inexperienced in acting. Playing his rival is the competent Ian Hunter, who would go on to have a lengthy career in supporting roles right up to the 60s. The most demanding role in The Ring has to be that given to Lillian Hall-Davis, torn between two lovers. She pulls it off very well however with an emotive, understated performance, and it's a shame her career never lasted in the sound era. And last but not least the great Gordon Harker provides some comic relief in what is probably his best ever role.The Ring's climactic fight scene is among the most impressive moments of silent-era Hitchcock. Martin Scorcese may have had his eye on The Ring when he directed the fight scenes in Raging Bull, as his watchword for these scenes was "Stay inside the ring". The fight in The Ring starts off with some fairly regular long shots, but when the action intensifies Hitchcock drops us right in the middle of it, with close-ups and point-of-view shots. Hitchcock's aim always seems to have been to involve his audience, and this was crucial in his later career where the secret of his success was often in immersing the viewer in the character's fear or paranoia.The Ring really deserves more recognition than the inferior but better known The Lodger. It's a much more polished and professional work than the earlier picture, and probably the best of all his silent features.

Output: positive

Input: Consider Input: I saw this gem of a film at Cannes where it was part of the directors fortnight.Welcome to Collinwood is nothing short of superb. Great fun throughout, with all members of a strong cast acting their socks off. It's a sometimes laugh out loud comedy about a petty crook (Cosimo, played by Luis Guzman) who gets caught trying to steal a car and sent to prison. While in prison he meets a 'lifer' who tells him of 'the ultimate bellini' which to you and me is a sure-fire get rich quick scheme. It turns out that there is a way through from a deserted building into the towns jewellers shop which could net millions. Sounds simple? well throw in all kinds of wacky characters and incidents along the way and you have got the ingredients for a one wild ride!! word passes from one low life loser to the next and soon a team of them are assembled to try and cash in on Cosimos 'bellini' lead by failed boxer Pero (Superbly played by Sam Rockwell surely a star in the making) and reluctant crook Riley (William H. Macy) who is forced to bring his baby along with him as his wife was locked up for fraud!!.Based on the Italian film I Soliti ignoti (Big Deal on Madonna street) which also inspired a similar film to 'Collinwood' 'Palookaville'. This knocks spots of the latter effort and although its written and directed by the Russo brothers it definitely has shades of the Coen Brothers about it. Produced by Steven Soderbergh and George Clooney, who has a small yet hilarious part as a crippled safe breaker.

Output: positive

Input: Consider Input: This is a splendidly done simplistic film that explores a theme, and gives each viewer something different that they take from it. The premise is simple: an unnamed celebrity actor (Morgan Freeman) decides to research for an upcoming role by visiting a store and watching people. He takes particular interest in the cashier at the "10 Items or Less" lane (Paz Vega), who he finds an amiable, strong, and curious presence.Both actors play off each other brilliantly and bring solid dimension to characters in what is a character study. Not a conventional character study; they each represent entire worlds. The cashier's life is mired in a harsh and frustrating "real world," while the actor is so enmeshed in his fantasy existence that he can't do simple tasks like remember phone numbers. He readily admits he's putting on a face when he talks to people, and the whole point of researching real people shows he's not one of them.But not only is the actor inspired by real people for his work; we see the reverse process as well. Several characters recognize "Him," and make reference to how he has inspired them with his movie roles.The cashier's favorite song "Al Pasar la Barca," about how a girl refuses to hide behind beauty and prefers instead to pay (ie: do honest work) for boat passage, couldn't have been chosen better. It parallels with the Vega character, the only store employee with any brains or ambition, who is willing to work hard to succeed. (That's quite an aspiration, for somebody who looks like Paz Vega.) It's an odd little film, probably made on a shoestring. If you don't mind slow pacing and a "talky" approach, this film will entertain. The characters are perfectly contrasted, and the effective acting makes them endearing. A nice watch.
Output: positive