Question: What is the name of the person who said the man with a well established international reputation is "a believer who struggled with doubt"? Answer the above question based on the context below: Until 1890, and especially after his friends had died, Friedrich's work lay in near-oblivion for decades. Yet, by 1890, the symbolism in his work began to ring true with the artistic mood of the day, especially in central Europe. However, despite a renewed interest and an acknowledgment of his originality, his lack of regard for "painterly effect" and thinly rendered surfaces jarred with the theories of the time. During the 1930s, Friedrich's work was used in the promotion of Nazi ideology, which attempted to fit the Romantic artist within the nationalistic Blut und Boden. It took decades for Friedrich's reputation to recover from this association with Nazism. His reliance on symbolism and the fact that his work fell outside the narrow definitions of modernism contributed to his fall from favour. In 1949, art historian Kenneth Clark wrote that Friedrich "worked in the frigid technique of his time, which could hardly inspire a school of modern painting", and suggested that the artist was trying to express in painting what is best left to poetry. Clark's dismissal of Friedrich reflected the damage the artist's reputation sustained during the late 1930s.Friedrich's reputation suffered further damage when his imagery was adopted by a number of Hollywood directors, such as Walt Disney, built on the work of such German cinema masters as Fritz Lang and F. W. Murnau, within the horror and fantasy genres. His rehabilitation was slow, but enhanced through the writings of such critics and scholars as Werner Hofmann, Helmut Borsch-Supan and Sigrid Hinz, who successfully rejected and rebutted the political associations ascribed to his work, and placed it within a purely art-historical context. By the 1970s, he was again being exhibited in major galleries across the world, as he found favour with a new generation of critics and art historians. Today, his international reputation is well established. He is a national icon in his native Germany, and highly regarded by art historians and art connoisseurs across the Western...
Answer: Vaughan
[Q]: What is the last name of the person who started to incorporate the electric guitar into his music? Answer the above question based on the context below: By the end of the 1960s, Ornette Coleman had become one of the most influential musicians in jazz after pioneering its most controversial subgenre, free jazz, which jazz critics and musicians initially derided for its deviation from conventional structures of harmony and tonality. In the mid-1970s, he stopped recording free jazz, recruited electric instrumentalists, and pursued a new creative theory he called harmolodics. According to Coleman's theory, all the musicians are able to play individual melodies in any key, and still sound coherent as a group. He taught his young sidemen this new improvisational and ensemble approach, based on their individual tendencies, and prevented them from being influenced by conventional styles. Coleman likened this group ethic to a spirit of "collective consciousness" that stresses "human feelings" and "biological rhythms", and said that he wanted the music, rather than himself, to be successful. He also started to incorporate elements from other styles into his music, including rock influences such as the electric guitar and non-Western rhythms played by Moroccan and Nigerian musicians.Of Human Feelings was a continuation of the harmolodics approach Coleman had applied with Prime Time, an electric quartet introduced on his 1975 album Dancing in Your Head. The group comprised guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Ronald Shannon Jackson and Denardo Coleman, Ornette Coleman's son. Tacuma was still in high school when Coleman enlisted him, and first recorded with Prime Time in 1975 for the album Body Meta, which was released in 1978. Tacuma had played in an ensemble for jazz organist Charles Earland, but Earland dismissed him as he felt audiences gave excessive attention to his playing. Coleman found Tacuma's playing ideal for harmolodics and encouraged him not to change. Although Coleman's theory initially challenged his knowledge and perception of music, Tacuma came to like the unconventional role each band member was given as a...
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[A]: Coleman
input: Please answer the following: What is the last name of the person who cast a lead statue of a Vestal Virgin from the wooden original? Answer the above question based on the context below: The focal point of the garden was originally four almond trees, encased in a canopy of the white rose, Rosa mulliganii. By the 1960s, the weight of the roses had severely weakened the trees, and they were replaced with an iron arbour designed by Nigel Nicolson. Beneath the arbour is sited a Ming dynasty vase bought in Cairo. A lead statue of a Vestal Virgin, cast by Toma Rosandic from the wooden original which is in the Big Room, presides over the garden. Sackville-West intended that the statue should be enveloped by a weeping pear tree, Pyrus salicifolia 'Pendula', and the present tree was planted after her original was destroyed in the Great Storm of 1987. Lord considers the White Garden "the most ambitious and successful of its time, the most entrancing of its type".A possibly apocryphal story records a visit by the colour-loving gardener Christopher Lloyd, during which he is supposed to have scattered seeds of brightly coloured nasturtiums across the lawn. Troy Scott Smith, the current head gardener, is undertaking a major research project on the history of the White Garden with the intention of recreating the original planting scheme in its entirety. This project has seen the number of plants being propagated in the Sissinghurst nursery rise from 400 to over 530.
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output: Rosandic
input: Please answer the following: What rank was the person who gave Raisa's husband a name? Answer the above question based on the context below: In 1933, a child orphaned during the Ukrainian Holodomor runs away from his orphanage and is taken in by a Red Army unit and adopted by its kindly commander, who gives him the name Leo Demidov. In 1945, now a sergeant with the unit, Leo becomes an icon across the Soviet Union when he is photographed planting the Soviet flag atop the Reichstag during the Battle of Berlin. He becomes a Hero of the Soviet Union. In 1953, Leo, now married to Raisa and living in Moscow, is a captain in the Ministry of State Security, commanding a unit tasked with tracking down and arresting dissidents. They arrest a veterinarian, Anatoly Brodsky, and during the arrest, one of Leo's subordinates, the cowardly but ambitious Vasili Nikitin, shoots a farmer, Semyon Okun, and his wife in whose barn Brodsky has been hiding, orphaning their two young daughters. Angry, Leo strikes Vasili, who harbours growing resentment against Leo and the other officer in the unit, Alexei Andreyev; all three were in Berlin together in 1945. Vasili is in charge of Brodsky's interrogation and execution, and one of the names he gives to their superior, Major Kuzmin, is that of Raisa, a primary school teacher, several of whose colleagues have recently been arrested for dissident views. Kuzmin orders Leo to investigate his own wife. Meanwhile, Alexei's young son, Jora, is found dead near a railway yard. Although the initial pathology report shows injuries consistent with torture, the surgically precise removal of organs, and drowning, the authorities declare that he was hit by a train, as Stalin has decreed that murder is a capitalist disease; there is no murder in a communist paradise. Alexei is forced to accept the official conclusions to save himself and the rest of his family.
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output:
commander