input: Snow Patrol said they would enter its "next phase" with their sixth album. The band took a new musical direction, and Connolly advised fans to keep an open mind regarding the new material. On 12 January 2011, Lightbody launched a blog to give details about the progress of the next release from the band. Snow Patrol released the single "Called Out in the Dark" (remixed by Fatboy Slim) for radio airplay on Thursday 21 July 2011 on BBC Radio 1 on Zane Lowe's radio show. According to official sources, the single itself would be released independently and as part of an EP later on and the UK release date was said to be 4 September. More details on the EP were announced on 3 August, when the group's website revealed the artwork and track list contents. Along with the new single, the release contained three new tracks entitled "My Brothers", "I'm Ready", and "Fallen Empires". In addition, it was revealed that the EP was intended to be a digital release limited to the UK and Ireland. Shortly after the premiere of the new lead single, the quintet's official website confirmed the news that the name of the new album would be Fallen Empires. Fallen Empires was released on 14 November 2011 in the UK and was launched at O2 Shepherd's Bush Empire. Singer-songwriter Johnny McDaid joined the band during the recording of the album. The second single from Fallen Empires was "This Isn't Everything You Are", released on 13 November 2011.

Answer this question "How did the fans react to this?"
output:

input: Watts sometimes alluded to a group of neighbors in Druid Heights (near Mill Valley, California) who had endeavored to combine architecture, gardening, and carpentry skills to make a beautiful and comfortable life for themselves. These neighbors accomplished this by relying on their own talents and using their own hands, as they lived in what has been called "shared bohemian poverty". Druid Heights was founded by the writer Elsa Gidlow, and Watts dedicated his book The Joyous Cosmology to the people of this neighborhood. He later dedicated his autobiography to Elsa Gidlow, for whom he held a great affection. Regarding his intentions, Watts attempted to lessen the alienation that accompanies the experience of being human that he felt plagued the modern Westerner, and (like his fellow British expatriate and friend, Aldous Huxley) to lessen the ill will that was an unintentional by-product of alienation from the natural world. He felt such teaching could improve the world, at least to a degree. He also articulated the possibilities for greater incorporation of aesthetics (for example: better architecture, more art, more fine cuisine) in American life. In his autobiography he wrote, "... cultural renewal comes about when highly differentiated cultures mix". In his last novel, Island (1962), Aldous Huxley mentions the religious practice of maithuna as being something like what Roman Catholics call "coitus reservatus". A few years before, Watts had discussed the theme in his own book, Nature, Man and Woman, in which he discusses the possibility of the practice being known to early Christians and of it being kept secretly by the Church.

Answer this question "What influenced his view on aesthetics?"
output: In his autobiography he wrote, "... cultural renewal comes about when highly differentiated cultures mix".

input: In 1977, Phillips released her first and only solo album, Victim of Romance, produced by Jack Nitzsche for A&M Records. Commenting on the record, she said: "I didn't do it earlier because I never felt secure enough as a vocalist. I'm good, but Cass was always better." Phillips also commented on her involvement in its production, saying that she had been involved in "every aspect, from mixing to putting together the package and cover myself." Her first two solo singles from the album failed to make the U.S. music charts. The same year, she sang backup vocals with former stepdaughter Mackenzie Phillips on Zulu Warrior, for her ex-husband's second solo album, Pay Pack & Follow. The same year, she starred as Rudolph Valentino's second wife Natacha Rambova in Ken Russell's film Valentino (1977). The film received mixed reviews, with Time Out London saying: "Structured as a series of flashbacks from Valentino's funeral to his early years in America, the first hour or so of this biopic is Russell's sanest and most controlled work in several years, despite its hollow cynicism." In 1979, she appeared in the film adaptation of the Sidney Sheldon novel Bloodline (1979), a thriller starring Audrey Hepburn and Ben Gazzara. Released in June 1979, Bloodline received negative reviews from critics, and Phillips's performance (along with those of James Mason and Maurice Ronet) was criticized by Variety as being "drab." The same year, she recorded the song Forever for the movie soundtrack of California Dreaming the same year, a surf film that had nothing to do with her former group. Her other film credits during this period include roles in The Man with Bogart's Face (1980), Savage Harvest (1981) and American Anthem (1986). On television, Phillips played the mermaid princess Nyah in three episodes of Fantasy Island, and Leora Van Treas in Mike Hammer: Murder Takes All starring Stacy Keach in the title role, and appeared in TV miniseries such as Aspen (1977) and The French Atlantic Affair (1979). She has made guest appearances on series such as Spin City and Star Trek: The Next Generation (where she appeared in the episode We'll Always Have Paris as a former love-interest of Jean-Luc Picard). From 1983-1986 she joined the cast of Hotel as the concierge, the daughter of hotel owner Victoria Cabot's rival, who plants his daughter as a spy to further his aim of acquiring control of the St. Gregory.

Answer this question "were there any other co-stars?"
output:
Phillips's performance (along with those of James Mason and Maurice Ronet) was criticized by Variety as being "drab."