*Question*
The Marshall police were looking for the killer, but they had no evidence or witnesses. The case would go cold in a hurry. Carnie was ready to check out of her room--not because of any fear of getting caught--just from boredom. She hadn't sold the old lady's jewelry, but had plenty of cash anyway. Carnie flipped open her cell phone and dialed. "Hello?" "Hey, Sis, how are you doing?" "Fine. What's going on?" "How about if I come stay with you guys for a few days before the wedding?" "You mean now?" "Yeah. If you don't mind." "Uh...sure, that'll be fine." "Great. It'll be like old times." "No, no. I can't party all night and get drunk." Carsie laughed. "Okay. Maybe not exactly like old times. But we'll have fun. See you in thirty minutes." "Thirty minutes? Where are you?" But Carnie had already hung up. It was hard to believe that her sister, Carsie, had wormed her way into the heart of the wealthy doctor. Sis had a lot more patience than she did. She would have just slit his throat and skipped town with his fortune. Surely Carsie hadn't actually fallen in love with the nerd. Maybe her biological clock had started ticking too loud to ignore. Carsie was about to turn 31, and Carnie was only a year behind her. But unlike her sister, Carnie didn't need a man to support her and give her babies. Anything she needed she would get for herself, thank you very much. But it would be hysterical to watch Carsie go through the whole 'until death do we part' shtick. Would she actually have the balls to wear a white dress? If the color of the dress indicates the purity of the bride, maybe she should go with midnight black. According to the above context, choose the correct option to answer the following question. Question: Who said there was no evidence of the killer? Options: A. not enough information B. Carnie C. The doctor D. Police
**Answer**
D

*Question*
The filming was kind of a long process, but maybe it didn't need to be? Or maybe it did? The first night of filming at the Thornbury Bowls Club was for a test shoot with mine and Rosie's camera, to work out which one we wanted to use for her film. The second night of filming involved us getting establishing shots of the location. The third night of filming involved us mainly shooting Rosie's script. And the fourth night of shooting involved us mainly shooting Bell's script and getting any other shots we needed to get. Perhaps we didn't need an entire night of filming just to get establishing shots and filler shots, but it certainly made it a lot easier having multiple shots to choose from. For the two nights of shooting we certainly didn't get that much coverage, which meant in the edit we were somewhat stuck using certain shots because we didn't have other options. This was mainly because of time limitations with actors and batteries on cameras dying and such. I'm so neurotic I would have happily spent two nights shooting establishing shots and filler shots and two nights on each shoot, but not everyone wants to rearrange the rest of their life to fit around such projects. I get a tad obsessive if I'm allowed, which can often benefit me, although I do become a giant pain in everyone else's ass. The main thing I learnt from the filming process was that you can plan out exactly what you want to do, and how your going to do it, but once you get into the location with the actors this plan often changes however, you are still much better of having the plan than none at all! As the neurotic freak I am, I had all the shots I wanted to use storyboarded. I had originally planned to shoot all the establishing shots, stick them in a timeline and then also shoot the other shots (with fill in actors) and add them to the timeline to see how it looked. Of course no one else was interested in spending an entire night shooting the film but with them as stands in just so I could complete my psychotic endeavour of... According to the above context, choose the correct option to answer the following question. Question: Why do you likely think Rosie need a camera to film a script? Options: A. not enough information B. To tell a story on screen C. Probably but we need more data D. Probably not if they have a camcorder
**Answer**
B

*Question*
I've learnt a great amount throughout this studio, first and foremost I was taught: how the art world functions, how specific galleries such as Gertrude St Contemporary run and how artists earn a living. The studio also provided me with basic filmmaking skills such as how to: create a shooting schedule, write a shooting script, set up three-point lighting, conduct an interview, utilise visual storytelling and edit a short film. Throughout the shooting process with my artist I also developed my abilities regarding how to use a: Sony Zoom H2N (and other such handy recorders), a lapel mic, my own Canon EOS 60D and Adobe Premiere Pro editing software. Overall I think the studio functioned quite successfully, it was great to be in a studio with nineteen people who all were interested in the same topics as you. I felt that overall, the studios had a very happy and supportive environment, and you walked away knowing a great deal about the art world and how to make short documentaries. The project itself taught me a great deal about how to work with talent, as well as my group members. Having to work independently forced me to be completely all over every aspect of the shoot, whether that be choosing which questions to ask, deciding what to focus on, where I wanted the shoot to happen, deciding what gear to use, getting to the shoot, carrying all the gear, what I wanted to shoot, managing the audio, managing the lighting, managing the camera set-ups, managing the talent, editing the film, and finding a great soundtrack for it. I'm a pretty self-conscious person and I often doubt the decisions I make or ask someone else for their opinion (should I shoot this angle, or what do you think of this question etc.). Working independently pushed me to go with my gut instincts, to make decisions and to not seek others approval. It forced me to develop my aesthetic as a filmmaker and to own the work that I ended up producing, so ultimately I was really glad with how everything panned out. According to the above context, choose the correct option to answer the following question. Question: Why was the narrator self-conscience? Options: A. not enough information B. Because he was tird C. Because he was overwhelmed D. Because he doubted his decisions
**Answer**
D