input: In 1928, the British government set up the Simon Commission to report on the political situation in India. Some Indian political parties boycotted the Commission because there were no Indians in its membership, and there were protests across the country. When the Commission visited Lahore on 30 October 1928, Lala Lajpat Rai led a march in protest against it. Police attempts to disperse the large crowd resulted in violence. The superintendent of police, James A. Scott, ordered the police to lathi charge (use batons against) the protesters and personally assaulted Rai, who was injured. Rai died of a heart attack on 17 November 1928. Doctors thought that his death might have been hastened by the injuries he had received. When the matter was raised in the Parliament of the United Kingdom, the British Government denied any role in Rai's death. Bhagat was a prominent member of the HRA and was probably responsible, in large part, for its change of name to HSRA in 1928. The HSRA vowed to avenge Rai's death. Singh conspired with revolutionaries like Shivaram Rajguru, Sukhdev Thapar, and Chandrashekhar Azad to kill Scott. However, in a case of mistaken identity, the plotters shot John P. Saunders, an Assistant Superintendent of Police, as he was leaving the District Police Headquarters in Lahore on 17 December 1928. Contemporary reaction to the killing differs substantially from the adulation that later surfaced. The Naujawan Bharat Sabha, which had organised the Lahore protest march along with the HSRA, found that attendance at its subsequent public meetings dropped sharply. Politicians, activists, and newspapers, including The People, which Rai had founded in 1925, stressed that non-co-operation was preferable to violence. The murder was condemned as a retrograde action by Mahatma Gandhi, the Congress leader, but Jawaharlal Nehru later wrote that: Bhagat Singh did not become popular because of his act of terrorism but because he seemed to vindicate, for the moment, the honour of Lala Lajpat Rai, and through him of the nation. He became a symbol, the act was forgotten, the symbol remained, and within a few months each town and village of the Punjab, and to a lesser extent in the rest of northern India, resounded with his name. Innumerable songs grew about him and the popularity that the man achieved was something amazing.

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output: Contemporary reaction to the killing differs substantially from the adulation that later surfaced.

input: The new band began a hectic schedule of performing in Britain and the World and prepared material for a new album. The result was the all-instrumental Expletive Delighted! (1986). This showcased the virtuosity of Sanders and Allcock, but perhaps inevitably was not popular with all fans. This was followed by the recording In Real Time: Live '87 which managed to capture the energy and power of the new Fairport on stage, despite the fact that it was recorded in the studio with audience reactions dubbed on. In this period the band were playing to larger and larger audiences, both on tour and at Cropredy, and it was very productive in terms of recording. Fairport had the considerable composing and arranging skills of Allcock and, to fill the gap created by a lack of a songwriter in the band, they turned to some of the most talented available in the contemporary folk scene. The results were Red & Gold (1989) The Five Seasons (1990) and Jewel in the Crown (1995), the last of which was judged 'their bestselling and undoubtedly finest album in years.' At this point, with Mattacks busy with other projects, the band shifted to an acoustic format for touring and released the unplugged Old, New, Borrow Blue as 'Fairport Acoustic Convention' in 1996. For a while the four-piece acoustic line-up ran in parallel with the electric format. When Allcock left the band, he was replaced by Chris Leslie on vocals, mandolin and fiddle, who formerly worked with Swarbrick in Whippersnapper, and had a one-off stint with the band replacing Ric Sanders for 1992 Cropredy Festival. This meant that for the first time since reforming, the band had a recognized songwriter who contributed significantly to the band's output on the next album Who Knows Where the Time Goes (1997), particularly the rousing 'John Gaudie'. By the time of the 1997 thirty-year anniversary Festival at Cropredy, the new Fairport had been in existence for over a decade and contributed a significant chapter to the history of the band.

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output: In this period the band were playing to larger and larger audiences,

input: ABC's Wide World of Sports was unwilling to pay the price Knievel wanted for the Snake River Canyon jump, so he hired boxing promoter Bob Arum's company, Top Rank Productions, to put the event on closed-circuit television and broadcast to movie theaters. Investors in the event took a substantial loss, including promoter Don E. Branker, as well as Vince McMahon of the World Wrestling Federation. Arum partnered with Invest West Sports, Shelly Saltman's company, to secure from Invest West Sports two things: first, the necessary financing for the jump, and second, the services of Saltman, long recognized as one of America's premier public relations and promotion men, to do publicity so that Knievel could concentrate on his jumps. Knievel hired subcontractor and aeronautical engineer Doug Malewicki to build him a rocket-powered cycle to jump across the Snake River, and called it the Skycycle X-1. Malwecki's creation was powered by a steam engine built by former Aerojet engineer Robert Truax. On April 15, 1972, the X-1 was launched to test the feasibility of the launching ramp. The decision was then made to have Truax build the Skycycle X-2 and have it take off and fly more like a rocket than a motorcycle. The launch took place at the south rim of the Snake River Canyon, west of Shoshone Falls (42.597degN 114.423degW / 42.597; -114.423), on Sunday, September 8, 1974, at 3:36 p.m. MDT. The steam that powered the engine was superheated to a temperature of 500 degF (260 degC). The drogue parachute prematurely deployed as the Skycycle left the launching rail and induced significant drag. Even though the craft made it all the way across the canyon to the north rim, the prevailing northwest winds caused it to drift back into the canyon. By the time it hit the bottom of the canyon, it landed only a few feet from the water on the same side of the canyon from which it had been launched. If he had landed in the water, Knievel likely would have drowned, due to a jumpsuit/harness malfunction which kept him strapped in the vehicle. He survived the jump with only minor injuries. Since the 1974 launch, seven daredevils have expressed interest in recreating the jump, including Knievel's two sons, Robbie and Kelly. In 2010 Robbie announced he would recreate the jump. Stuntman Eddie Braun announced he was working with Kelly and Robert Truax's son to recreate the jump using a replica of the Skycycle X-2. Braun's jump took place on September 16, 2016, and was completed successfully.

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output:
Stuntman Eddie Braun announced he was working with Kelly and Robert Truax's son to recreate the jump using a replica of the Skycycle X-2.