input: When Storm became a professional singer, he changed his name to Rory Storm by deed poll, and changed the name of his family's home in Broadgreen to Stormsville. Storm was known for the extravagant clothes he wore and the cars he drove, once buying a pink Vauxhall Cresta for PS800 in cash. A young man was once caught by a porter at Bootle railway station writing "I love Rory" over the walls, and when questioned, it turned out to be Storm himself. The Hurricanes wore matching suits on stage, but Storm sometimes wore a pink suit and pink tie, and during concerts he would walk over to the piano and comb his blond hair with an oversized comb. Their stage wear changed from sunglasses and palm tree-decorated shirts to red (and blue) suits. Storm also wore an Elvis-style gold lame suit. When they first appeared at Butlins holiday camp Storm wore a turquoise suit with a gold lame shirt, while the group wore fluorescent suits. Rod Pont (also known as Steve Day in Steve Day and the Drifters) remembered Storm arriving at the Orrell Park Ballroom for a concert with a boil on his face. When told about it, Storm pulled out a black velvet hood which had slits for his eyes and mouth, and played the whole concert with the hood on. At one concert at Bankfield House Youth club, Garston, Liverpool, in 1965, the stage lighting failed between sets. Storm was upset until someone walked in with a torch, which Storm used to finish the concert. He occasionally used a pet monkey in some of the group's performances, as it attracted more people. At a New Brighton swimming baths performance for 1,600 people in 1963, Storm climbed to the top diving board, undressed to a pair of swimming trunks, and then dived into the water at the end of a song. In January 1964, during a performance at the Majestic Ballroom, Birkenhead, he climbed up one of the columns supporting the balcony, but slipped and fell 30 feet (9 m) to the floor below, fracturing his leg. At another performance on the New Brighton Pier, Storm made his way onto the Pavilion roof but fell through the glass skylight. Storm and the Hurricanes received the most votes in the first Mersey Beat magazine poll, but many votes were disqualified as they had been posted from the same place at the same time and were written in green ink; although never proven, it was thought that Storm had posted the votes. This meant that the Beatles reached the top position, with the Hurricanes coming fourth, even though the Beatles had also been sending in extra votes themselves. Storm was often photographed for the magazine, such as being surrounded by nurses when he left the hospital after breaking a leg during a performance, or playing for the Mersey Beat XI football team.

Answer this question "why would he be different?"
output: Storm and the Hurricanes

input: Wilson met his wife Lois Burnham during the summer of 1913, while sailing on Vermont's Emerald Lake; two years later the couple became engaged. He entered Norwich University, but depression and panic attacks forced him to leave during his second semester. The next year he returned, but was soon suspended with a group of students involved in a hazing incident. Because no one would take responsibility, and no one would identify the perpetrators, the entire class was punished. The June 1916 incursion into the U.S. by Pancho Villa resulted in Wilson's class being mobilized as part of the Vermont National Guard and he was reinstated to serve. The following year he was commissioned as an artillery officer. During military training in Massachusetts, the young officers were often invited to dinner by the locals, and Wilson had his first drink, a glass of beer, to little effect. A few weeks later at another dinner party, Wilson drank some Bronx cocktails, and felt at ease with the guests and liberated from his awkward shyness; "I had found the elixir of life," he wrote. "Even that first evening I got thoroughly drunk, and within the next time or two I passed out completely. But as everyone drank hard, not too much was made of that." Wilson married Lois on January 24, 1918, just before he left to serve in World War I as a 2nd Lieutenant in the Coast Artillery. After his military service, Wilson returned to live with his wife in New York. He failed to graduate from law school because he was too drunk to pick up his diploma. Wilson became a stock speculator and had success traveling the country with his wife, evaluating companies for potential investors. (During these trips Lois had a hidden agenda: she hoped the travel would keep Wilson from drinking.) However, Wilson's constant drinking made business impossible and ruined his reputation. In 1933 Wilson was committed to the Charles B. Towns Hospital for Drug and Alcohol Addictions in New York City four times under the care of Dr. William D. Silkworth. Silkworth's theory was that alcoholism was a matter of both physical and mental control: a craving, the manifestation of a physical allergy (the physical inability to stop drinking once started) and an obsession of the mind (to take the first drink). Wilson gained hope from Silkworth's assertion that alcoholism was a medical condition rather than a moral failing, but even that knowledge could not help him. He was eventually told that he would either die from his alcoholism or have to be locked up permanently due to Wernicke encephalopathy (commonly referred to as "wet brain").

Answer this question "How did alcohol impact his life?"
output: Wilson's constant drinking made business impossible and ruined his reputation.

input: Unlike his more famous contemporary Bob Fosse, Bennett was not known for a particular choreographic style. Instead, Bennett's choreography was motivated by the form of the musical involved, or the distinct characters interpreted. In Act 2 of Company, Bennett defied the usual choreographic expectations by deliberately taking the polish off the standard Broadway production number. The company stumbled through the steps of a hat and cane routine ("Side By Side") and thus revealed to the audience the physical limitations of the characters' singing and dancing. Bennett made the audience aware that this group had been flung together to perform, and that they were in over their heads. He intended the number to be not about the routine, but rather the characters behind it. The song "One" from A Chorus Line functions in a different way. The various phases of construction/rehearsal of the number are shown, and because the show is about professional dancers, the last performance of the song-and-dance routine has all the gloss and polish expected of Broadway production values. Bennett's choreography also reveals the cost of the number to the people behind it. Bennett was influenced by the work of Jerome Robbins. "What Michael Bennett perceived early in Robbins' work was totality, all the sums of a given piece adding to a unified whole". In Dreamgirls, Bennett's musical staging was described as a "mesmerizing sense of movement": The most thrilling breakthrough of the extraordinary show is that whereas in A Chorus Line Michael Bennett choreographed the cast, in Dreamgirls he has choreographed the set.... Bennett's use of [the plexiglass towers that dominated the set] was revolutionary. The towers moved to create constantly changing perspectives and space, like an automated ballet.... They energized the action, driving it forcefully along. It's why there were no set-piece dance routines in the show: Dance and movement were organic to the entire action. But Bennett had made the mechanical set his dancers."

Answer this question "Can you explain the Analysis?"
output:
Bennett was not known for a particular choreographic style.