Some context: Harry Dexter White was born in Boston, Massachusetts, the seventh and youngest child of Jewish Lithuanian immigrants, Joseph Weit and Sarah Magilewski, who had settled in America in 1885. In 1917 he enlisted in the U.S. Army, and was commissioned as lieutenant and served in France in a non-combat capacity in World War I. He did not begin his university studies until age 30, first at Columbia University, then at Stanford University, where he earned a first degree in economics. After completing a Ph.D. in economics at Harvard University at 38 years of age, White taught four years at Lawrence University in Wisconsin.
Senator William Jenner's Interlocking Subversion in Government Departments Investigation by the Senate Internal Security Subcommittee (SISS) looked extensively into the problem of unauthorized and uncontrolled powers exercised by non-elected officials, specifically White. Part of its report looked into the implementation of Roosevelt administration policy in China and was published as the Morgenthau Diary. The report stated, The concentration of Communist sympathizers in the Treasury Department, and particularly the Division of Monetary Research, is now a matter of record. White was the first director of that division; those who succeeded him in the directorship were Frank Coe and Harold Glasser. Also attached to the Division of Monetary Research were William Ludwig Ullman, Irving Kaplan, and Victor Perlo. White, Coe, Glasser, Kaplan, and Perlo were all identified as participants in the Communist conspiracy ... The committee also heard testimony by Henry Morgenthau's speechwriter, Jonathan Mitchell, that White had tried to persuade him that the Soviets had developed a system that would supplant capitalism and Christianity. In 1953, Senator Joseph McCarthy and Eisenhower administration Attorney General Herbert Brownell Jr. revealed that the FBI had warned the Truman administration about White before the President appointed him to the IMF. Brownell made public the FBI's November 8, 1945 letter to the White House warning about White and others, and revealed that the White House had received the FBI report on "Soviet Espionage in the United States," including the White case, six weeks before Truman nominated White to the IMF. Although he does not dispute that the FBI sent these and other warnings to Truman, Sen. Daniel Patrick Moynihan wrote in his introduction to the 1997 Moynihan Commission report on government secrecy that Truman was never informed of Venona. In support of this, he cited a statement from the official NSA/CIA history of Venona that "no definitive evidence has emerged to show" that Truman was informed of Venona.
Are there any other interesting aspects about this article?
A: The concentration of Communist sympathizers in the Treasury Department, and particularly the Division of Monetary Research, is now a matter of record.
Some context: Snow Patrol are a Northern Irish rock band formed in 1993, consisting of Gary Lightbody (vocals, guitar), Nathan Connolly (guitar, backing vocals), Paul Wilson (bass guitar, backing vocals), Jonny Quinn (drums), and Johnny McDaid (piano, guitar, backing vocals). Initially an indie rock band, the band rose to prominence in the early-mid 2000s as part of the post-Britpop movement. The band were founded at the University of Dundee in 1993 by Lightbody, Michael Morrison, and Mark McClelland as Shrug. After briefly using the name Polarbear and released the EP Starfighter Pilot (1997) and losing Morrison as a member, the band became Snow Patrol in 1997 and added Quinn to its line-up.
Snow Patrol said they would enter its "next phase" with their sixth album. The band took a new musical direction, and Connolly advised fans to keep an open mind regarding the new material. On 12 January 2011, Lightbody launched a blog to give details about the progress of the next release from the band. Snow Patrol released the single "Called Out in the Dark" (remixed by Fatboy Slim) for radio airplay on Thursday 21 July 2011 on BBC Radio 1 on Zane Lowe's radio show. According to official sources, the single itself would be released independently and as part of an EP later on and the UK release date was said to be 4 September. More details on the EP were announced on 3 August, when the group's website revealed the artwork and track list contents. Along with the new single, the release contained three new tracks entitled "My Brothers", "I'm Ready", and "Fallen Empires". In addition, it was revealed that the EP was intended to be a digital release limited to the UK and Ireland. Shortly after the premiere of the new lead single, the quintet's official website confirmed the news that the name of the new album would be Fallen Empires. Fallen Empires was released on 14 November 2011 in the UK and was launched at O2 Shepherd's Bush Empire. Singer-songwriter Johnny McDaid joined the band during the recording of the album. The second single from Fallen Empires was "This Isn't Everything You Are", released on 13 November 2011.
Did they ever go on a tour?
A:
Some context: The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene.
The nucleus of the band first met at the private boys school Caulfield Grammar School, in suburban Melbourne, in the early seventies. A rock group was formed in 1973, with Nick Cave (vocals), Mick Harvey (guitar), and Phill Calvert (drums), with other students John Cocivera, Brett Purcell and Chris Coyne (on guitar, bass and saxophone respectively). Most were also members of the school choir. The band played under various names at parties and school functions with a mixed repertoire of David Bowie, Lou Reed, Roxy Music, Alice Cooper and the Sensational Alex Harvey Band, among others. After their final school year in 1975 the band decided to continue as a four-piece group, with friend Tracy Pew picking up the bass. Greatly affected by the punk explosion of 1976 which saw Australian bands The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called, began performing punk and proto-punk cover versions, such as "Blitzkrieg Bop" and "Gloria", and a few original songs. By November 1977 their set was dominated by fast original new wave material, such as "Sex Crimes" and "Masturbation Generation". The Boys' second guitarist, Rowland S. Howard, joined in 1978, and about this time, the group's sound changed dramatically. The addition of Howard's guitar was certainly a catalyst (his later use of audio feedback being a hallmark of the group) but there were other changes, as well: their sound drew upon punk, rockabilly, free jazz and the rawest blues, but defied concise categorization. Many songs were driven by prominent, repetitive basslines and frenetic, yet minimalist, drumming. Though the band was tightly rehearsed, the instrumentalists often sounded as if they were on the verge of collapse, this quality only emphasising the newfound mania of Cave's singing, and his expressionist lyrics. In producer/engineer Tony Cohen they found a willing accomplice to their experimentation and their refusal to repeat themselves; and in manager Keith Glass they found an enthusiastic financial backer. Glass' label Missing Link Records released all of the early Birthday Party records.
Who came up with The Boys Next Door?
A:
The Saints and Radio Birdman making their first recordings and tours, The Boys Next Door, as they were now called,