Problem: Given the question: Given the below context: Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. Tosca premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the critics, the opera was an immediate success with the public. Musically, Tosca is structured as a through-composed work, with arias, recitative, choruses and other elements musically woven into a seamless whole. Puccini used Wagnerian leitmotifs to identify characters, objects and ideas. While critics have often dismissed the opera as a facile melodrama with confusions of plotmusicologist Joseph Kerman called it a "shabby little shocker"the power of its score and the inventiveness of its orchestration have been widely acknowledged. The dramatic force of Tosca and its characters continues to fascinate both performers and audiences, and the work remains one of the most frequently performed operas. Many recordings of the work have been issued, both of studio and live performances. Guess a valid title for it!
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The answer is:
Tosca
input question: Given the below context: The Sci-Fi Dine-In, located on Commissary Lane across from Star Tours and adjacent to ABC Commissary, opened on April 20, 1991 as one of the twenty new attractions opened at Walt Disney World to mark the complex's twentieth anniversary. The restaurant was created with a strong emphasis on theme, in emulation of the 50's Prime Time Cafe, which had opened two years prior. Disney hoped that the focus on theme would bring the Sci-Fi Dine-In the level of success that had been garnered by the 50's Prime Time Cafe. Within five weeks of opening, it was serving between 1,500 and 2,000 meals on a daily basis, just as the 50's Prime Time Cafe was doing. A year after opening, the Sci-Fi Dine-In had become the most popular restaurant in the park, serving more than 2,200 people per day at peak periods. Starting from its earliest days, the restaurant equipped its servers with point of sale mobile devices that relayed orders to a printer in the kitchen, which was considered at the time to be in keeping with the science fiction theme because the technology had been developed shortly prior.In 2003, there were twenty character meals offered at Walt Disney World, during which actors portraying various Disney characters would interact with guests while they ate at the parks' restaurants, and Disney was in the process of increasing the presence of costumed characters in the parks at the time. Nonetheless, Minnie Mouse character meals held at Hollywood & Vine were discontinued that year, and Robert Johnson of the Orlando Sentinel partially attributed this cancellation to competition from the Sci-Fi Dine-In, which he said "almost always has a line of customers waiting". Guess a valid title for it!???
output answer: Sci-Fi Dine-In Theater Restaurant
Given the below context: The architectural writer Geoffrey Tyack has written that Nuffield College was Oxford's "most important architectural project of the immediate post-war years". Opinions about the architecture merits of the college have varied, although most have been unfavourable. The authors of a 1961 booklet on the architecture of modern Oxford said that it was "Oxford's biggest monument to barren reaction". The Cotswold style was "taken absurdly out of context and mercilessly stretched", and did not "harmonise with the clumsy tower", whilst the spire "[perched] uneasily ... despite its elaborate base". An unnamed journalist wrote in The Times in 1959 that the main buildings of the quadrangles were "somewhat oddly wedded to small basins which irresistibly suggest a Lilliputian Versailles". The same writer said that the tower rose "Manhattan-wise for 10 storeys through the twentieth century, only to have a diminutive spire, escaped from the fifteenth, push through its top to steal the last laugh". Peter Sager, too, thought that the "high-rise library" could "easily stand on the Hudson". Sir Howard Colvin said that the "utilitarian function" of the tower "accorded ill with its original ornamental purpose", and that the architects had "failed to find a satisfactory solution" to the "repetitive uniformity of fenestration". Of the fleche, Colvin said that it "makes its contribution to the Oxford skyline without any overt reference to historical precedent". Geoffrey Tyack also disliked the tower, describing it as "an ungainly structure" that was "lit by a monotonous array of windows punched out of the wall surface"; however, he thought the hall was "an effective reinterpretation of the traditional collegiate pattern".The architectural historian Sir Nikolaus Pevsner compared the college unfavourably to the designs of the Danish architect Arne Jacobsen for St Catherine's College, Oxford, construction of which began in 1960 (the year that Nuffield College was completed): St Catherine's, in his view, was "the most perfect piece of... Guess a valid title for it!
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Answer: Buildings of Nuffield College, Oxford
Please answer this: Given the below context: Ladies' man and amateur crime solver Gay Laurence, the "Gay Falcon", reluctantly agrees to give up both habits to mollify his fiancee, Elinor Benford. He and his uncouth sidekick, Jonathan "Goldie" Locke, become unenthusiastic stockbrokers. When Elinor asks him to attend a party given by Maxine Wood to mingle with potential clients, he refuses to go to that much trouble. However, when Wood asks for his help via pretty assistant Helen Reed, he cannot resist. It seems that Wood's soirees have been plagued by jewel thefts, and she is particularly worried about the diamond of her guest, Vera Gardner. At the party, Elinor becomes annoyed when she figures out why Gay changed his mind about attending, and retaliates by dancing with Manuel Retana. In frustration, she grabs the flower from Retana's lapel and flings it at Gay. He calmly picks it up and attaches it to his lapel. Vera Gardner then insists on dancing with Gay; she hands him her diamond secretly, much to his puzzlement, then leaves the room. Moments later, a shot rings out, and she is dead. The killer is seen by Goldie as he makes his getaway. Police Detectives Bates and Grimes take Goldie to the police station on suspicion of murder. Gay persuades Inspector Mike Waldeck to release Goldie so he can flush out the real murderer. Then he and Helen go to see Maxine, leaving Goldie in the car. While they are gone, Goldie is abducted by Noel Weber, Gardner's killer. Weber orders Goldie to call Gay to offer to trade Goldie's life for the diamond. However, Weber is shot, and once again, Goldie is found by the police near a dead body. Guess a valid title for it!
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Answer:
The Gay Falcon