In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Input: Consider Input: Review: The late 80's saw an inexplicable rash of supernatural horror films set in gloomy penitentiary settings. Renny Harlin's superbly gritty and moody "Prison" got the whole haunted hoosegow ball rolling; it was immediately followed by the markedly inferior "The Chair," John Saxon's enjoyably trashy "Death House," the passable psycho picture "Destroyer," and this hideously limp'n'lethargic exercise in hopelessly comatose tedium. Your usual annoying collection of horribly unsympathetic college student chowderheads lead by insufferably spineless tormented twerp Alex (the hugely unappealing Nicholas Celozzi) go to Alcatraz Island to investigate the bizarre circumstances surrounding the sudden gruesome death of up-and-coming rock star Sammy Mitchell (blandly played by Toni Basil of "Hey Micky" fame). Alex's brother becomes possessed by the evil demonic spirit of a vicious cannibalistic US Civil War cavalry commandant and goes on the expected killing spree, thus forcing wimpy Alex to overcome his passivity and make a stand against this ghoulish specter.Although slickly photographed by Nicholas Von Sternberg, with a few decent gore set pieces and a fair amount of spooky atmosphere (the film was shot on location in the dismal, rusty, rundown ruins of Alcatraz Island), "Slaughterhouse rock" nonetheless just doesn't cut it as a solid, effective fright feature. This is largely due to the uniformly obnoxious and unlikeable collegiate smartaleck characters, a tiresomely smirky bunch whose inane comic antics prove to be grating rather than amusing. The flat acting from a noticeably disinterested cast hurts matters all the more, with onetime "Playboy" playmate and undeniable blonde cutie pie hottie supreme Hope Marie Carlton doing an especially irritating Linnea Quigley impersonation as the token oversexed nympho bimbo. Dimitri Logothetis' direction displays a modicum of flashy visual style, but the tone is unevenly pitched between grim seriousness and goofy, horrendously sophomoric silliness, and, most damagingly, Ted Landon's sloppy, inconsistent, overly complicated and finally quite confusing script miserably fails to develop the necessary internal logic to make the far-fetched story even remotely plausible. In other words, this stinker sadly succeeds in making a scant 90 minutes seem like an excruciatingly drawn-out cinematic jail sentence. Question: is it a positive review?

Output: no

Input: Consider Input: Review: This is definitely one of the best kung fu movies ever, and may be one of the best movies ever... It's got a great plot that functions like a puzzle, with lots of intrigue and suspense. This film is full of cat and mouse games and deceptions, with people hiding their identities and their natures. The characters in this film live and breath much more than your average kung fu movie characters. They are all interesting and compelling and the movie does a good job at giving them scenes to show their personality's and desires.The fight scenes play out like little stories and many of them are very original and exciting. It has cool training sequences and martial arts skills that are so awesome they enter the realm of fantasy. There are 5 members of the poison clan each one with his own style that mimics the special skill of a venomous animal. The styles of each of these characters are fun to watch and you can see the techniques they use in training applied during the film... When this happens, The director uses quick cutting back to the training scene to draw a parallel. These cuts are accompanied by music changes and sound effects and the whole thing really works nicely.One thing about this movie that is very original is the way it treats death. The director Chang Cheh was obviously very concerned that the film not trivialize death. This makes some of the scenes in the movie much more effective. We actually care when people are killed in this film. This is because the camera lingers on the horror of death even when the bad guys are killed. Some of the sequences in this movie are truly gut wrenching. When characters go in search of vengeance you really feel their anger and pain.At the same time, this is also a fun movie. It has all the typical things you expect from a traditional kung fu film. There is bad dubbing, The characters are willing to fight at the drop of a hat. Some of the sound effects are hilarious and at times the behavior of the characters is incredibly unrealistic... all this just adds to the greatness of the film.And lets not forget that this director was a visual stylist much more gifted than most of his contemporaries. If you watch this movie closely you will notice that the technical prowess on display is virtuostic. Everything goes by so fast (because of the quick cutting style and the rapid camera movements of the genre) that it is easy to overlook how beautiful the movie really is. The lighting and composition are spectacular at times. The camera work and movement is extremely sophisticated along with very interesting fast paced editing... In the scenes that portray suspense and intrigue for example, imagine Hitchcock moving at about twice the speed. Chang Cheh was truly a master craftsman and artist who knew his genre and was able to produce important material while working within it's confines. He doesn't rattle the boat of the kung fu genre film, but in a subtle way his skills permeate every scene and every shot and they add greatly to the quality of the work. He is an important filmmaker who continues to influence many people.This is the real package A kung fu movie that delivers on every level. It's art, it's trash, it's emotionally moving, and it's fun, it has a true sense of morality, but doesn't allow that morality to get in the way of delivering good action. I recommend it to everybody whether you are a fan of this genre or not. Question: is it a positive review?

Output: yes

Input: Consider Input: Review: One previous reviewer called this film "pure visual joy" I am wondering if s/he saw the same film that I did. "High Art" had to have the most relentlessly depressing interiors since "Seven". One can almost forgive Sheedy and Mitchell for the cliche of going to a B&B for their First Time. Of course, before they do that, one has to watch opium-den parties inhabited by people who are not apparently gainfully employed but can somehow support a flourishing drug habit. Not to mention the icy stares from those familiar movie types, the Girlfriend/Boyfriend At Start, who are well aware they're going to be thrown over sometime in the next 100 minutes or so. The movie also states that the Sheedy character has retired from professional photography for ten years now. What did she do, retire at age twenty? Question: is it a positive review?
Output: no