In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

Input: Consider Input: Review: I watched this movie last week sometime and had the biggest laugh i've had in a long while. The plot of the film is pretty dumb and convoluted in a badly crafted way. The only plus to be found anywhere in the film are Corey Savier's impressive abs. Alexandra Paul (i think that's her name) is horrendous as the preacher's wife who has a history of depression. Ted McKenzie is gross and his character's a twit on top of it all. And as if the fact that you think she's having sex with her son isn't enough, they throw in needless sax solos at every opportunity! The end and climax of this film is absolutely abysmal and also laughable. I mean who the hell wants to carry the child of a con who tried to make you think he was your son and that you were having an incestuous relationship with him! Question: is it a positive review?

Output: no

Input: Consider Input: Review: Sure, he became rapidly uneven after this film, but from "Knife In the Water" up till "The Tenant", Roman Polanski could always be counted on to deliver something fascinating and unique. Despite many running themes (alienation, paranoia), no two of his films are really alike. The story of this is somewhat similar to his own "Repulsion" from ten years earlier, but the tone is completely different. "The Tenant" manages to balance darker than dark absurdity (I'm a bit hesitant on calling it humor, even though the protagonists bizarre behavior and dialog was occasionally funny) with some truly suspenseful paranoia. Polanski was always a master at building unease, and moments in this film are almost unbearably creepy. The overall weirdness of the film is also a plus.In addition to Polanski's exquisite as usual direction, the rest of the cast and crew offer great contributions. Polanski the actor is often overshadowed by Polanski the director, but his performance here truly captures his characters awkwardness and sense of being an outcast. The themes of social discrimination make this film more than just strangeness for the sake of being strange. The rest of the cast offers strong performances also, especially Isabelle Adjani's sympathetic turn, and Melyvn Douglas and Shelley Winters' appropriately annoying ones. "The Tenant" is often underrated because of how ready people are to heap praise on both "Repulsion" and "Rosemary's Baby", but its just as brilliant as either of those classics. (9/10) Question: is it a negative review?

Output: no

Input: Consider Input: Review: The script for this TV soap opera is so bad that even A. Hopkins at some point had to play like an undergrad drama-student so as to bring some life in his script-dead character. I do not know whether this was the purpose of the director, but Hopkins' Ciano reeked nothing but vanity, fear and lack of self-esteem. The real Ciano possibly was all that but then, why make a movie about him? Mussolini was a bit more convincing, and his long way down was as if closer to the truth. Edda Mussolini was plain ridiculous (not because of Sarandon, but because of the impotent script), while she had to be the central character of this alleged familial drama. Watch it only if you enjoy Venezuelan soap opera. Question: is it a positive review?
Output: no