input: This movie is of almost generation-defining importance to some of us born in the early post-war years in that (and especially if you were born between 1946 and 1953 and loved spending Saturday afternoons at your neighborhood movie house) you almost certainly saw it. And the memory of seeing it has probably stayed with you. It's style is the stuff of a brief and somehow gloriously exciting moment in our growing up days.

It had a modern, space-age storyboard for the audiences of it's time. The set was any town with a supermarket and a movie theater that would be packed for a Friday midnight show. It has hot rods and rebellious youth, but in the 'why can't they let us have fun' way rather than the disturbed, histrionic rebel-without-a-cause way. All characters were identifiable to us - teens, parents, the old man, the doctor, the nurse, the mechanic, the boy, the puppy, even the cops - were sympathetic to us. We could relate to them all

It had a singularly horrifying monster. It's first victim is heard moaning 'it hurts.....it hurts' and we were convinced and frightened. The menace grows continually throughout the story. There are intense periods of suspense, colourful effects, a fabulous lead in McQueen, and moments of humour, both intended and not. It even had an almost over-the-top sad part to make the more sensitive of us feel like crying.

I saw it in summer, age 9 or so, double billed with 'I Married A Monster From Outer Space', and was so thrilled by the experience of this particular double feature that I went back a couple more times before it left. Everyone I knew saw it. Everyone I knew loved it.

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input: Where do they get the money to make films like this? I mean, there's nothing redeeming about this film. None of the actors are known, the writing is terrible, the photography is blurry, the story wanders between being a bad version of Repo Man and a nicklodeon western and the acting is unbelievable. For someone who watches all kinds of film, good and bad, I must admit that this film is about the worst I've seen since Attack of the Eye People back in the 50's. I don't really like to trash the effort of people trying to create some entertainment or, heaven forbid, art but this film would seem to appeal to no one. The story bends on a mystical contamination of a person who's a bad version of the Celtic Soul eater, although he functions more like a male succubus without the sexual overtones. The bad guys have to team up with the good guys in a town where they are unable to escape from. Take it from there as that, alas, is the best part. My advice is that unless you are into bad mythology, amateurish writing, unconvincing acting and tedious settings, you will best be served by leaving this one on the shelf when you're out renting videos.

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input: Sandler is amazing again... I have already become a Sandler fan. This movie is the saddest Sandler story. Its expression is fantastic. I cried more watching Click but there are some similar points. To consider the value of the family before losing it and to be able to say 'I love you' are a few of the most impressive truths in life... It is tough, it is real... and actually there is a real owner of this success, Binder. I don't think another director could give these emotions in such a way.

Cheadle and Burrows are also amazing... Cheadle is one of my favorites since Crash. Don't expect laughing or much positive atmosphere... If you are ready to face the realities of life, don't miss this movie.

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input: If you want your vision of Chaplin limited to a lovable tramp and you get your belly laughs from pathos, watch something else. If, however, you love slapstick comedy as performed by one of the best, do watch this one.

The image is of the tramp who really cannot get the girl. He spots another couple kissing on a park bench, and he has a blast ruining their fun.

This is one of Chaplin's "park comedies," filmed in Mack Sennett's park, with pickpockets and cops and couples. These shorts work, as the format allows Chaplin to shine as he weaves through predicaments.

I checked the box, as this could be considered a spoiler, though it's not if you've seen these films. Everyone ends up in the pond except Chaplin. He gets the girl, who in this case was played by Minta Durfee, a.k.a. Mrs. Roscoe "Fatty" Arbuckle.

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positive