TASK DEFINITION: In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
PROBLEM: Review: This movie was so bad I couldn't sit through it without doing something else. There was no plot and no point. I was thoroughly bored and for a film about a stand up comedian, I couldn't recall one joke or funny line worthy of the description. Politicians with no charisma speaking technical jargon could not be less entertaining.So how was this made? Is there no quality control in film? Watching the girls in bikinis was the only distraction during this horrible experience.It's hard to imagine that Adam Sandler who has become popular and has appeared in fine comedies was able to survive after this kind of exposure. He was not funny in the least in this movie so it proves that the writing is so vital in effective comedy. Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: STRANGER THAN FICTION angered me so much, I signed up on IMDb just to write this review. STRANGER THAN FICTION is a surprisingly complex, touching and thought-provoking movie until the very end. Once you suspend multiple lapses of logic (why didn't Will Ferrell hear Emma Thompson's voice 10 years ago when she fist started writing her book? "The phone rang. The phone rang again." How could she not know it's him calling? etc.), the movie challenges one's thoughts about mortality, fate, and sacrifice.The brief history of literary themes provided by Dustin Hoffman should especially entertain former English majors. And Maggie Gyllenhaal is always a pleasure, even though Will Ferrell might just as easily be an ax murderer as a bumbling soul. Her quick trust of him is a mighty big leap of faith.Ah, but the ending. Until the very end, I would have given 9 out of 10 stars to this movie. The movie as a metaphor for life's journey, as a tribute to the notion of 'writing true,' as a reminder that great literature is either comedy or tragedy, but not both, is outstanding. The entire movie leads the viewer to understand and accept the moment of Will Ferrell's fate. And no matter how endearing a character he may have become, we know full well why we will accept the ending. The last act occurs, the screen goes white, the credits roll. A profound and powerful end to an almost perfect film. An end that would have been debated for weeks.NO!!!!!!!!!! No credits rolled. Say it isn't so. Say Hollywood didn't tack on another 10 minutes of crap that completely undermined the integrity and heart of the movie. Dustin Hoffman got it right when he said, "It's no longer a masterpiece; it's OK." An apt review of the movie. Except to me, it wasn't even OK. I was so offended about the betrayal of 'writing true,' about the decision to pander the film that I actually burst into angry tears explaining this on the ride home from the movie. I don't often cry. I could care less about most movies, but I am still angry about this one.My questions for Zack Helm, the writer, are this: did the original movie end when the screen went white? And were you forced by the vapid movie powers-that-be to tack on an ending unfaithful to the core of the movie? Or did you tack that maudlin ending on yourself? I've read you're brilliant. I hope your original script ended the movie the first time.I know Zack Helm will never see this review, and I've been unable to find a contact for him to ask myself. But, please, movie-goers, am I the only one who feels this way about STRANGER THAN FICTION? One good thing came from me seeing this movie: I doubly admire LOST IN TRANSLATION now. Question: is it a positive review?

SOLUTION: no

PROBLEM: Review: I didn't know the real events when I sat down to watch this, just the fact that this was based upon a true story. After the death of the kid's father, Rhonda tries to help her daughter Desiree(... I did not know anyone actually named their offspring that) cope with the loss. This is really made for children, as is often the case with "family" flicks(with that said, go ahead and get everyone together for a viewing, though I'd keep teenagers out of it, unless you're sure they're gonna buy the concept), but it doesn't downplay the sting that the death of a parent is, and it doesn't really talk down to anyone. The plot is sufficiently interesting, and moves along well enough. Acting varies, with the excellent Burstyn outshining most of her fellow cast, Mathis following that pretty well, and Ferland and her peers(with a few exceptions) being the least convincing of the bunch(and frankly, they're irritating; then again, I'm not really in the intended audience for this thing). The editing and cinematography are standard, and certainly not less than that. While humor is limited to a handful of amusing lines or so, the tone is not an unpleasant one. There is an intense scene or two in this. I recommend this to fans of these types of movies. 7/10 Question: is it a positive review?

SOLUTION:
yes