IN: Haydn Austin Bunton (born 5 April 1937) is a former Australian rules footballer and coach. The son of the legendary Haydn Bunton Sr., Bunton Jr. played for North Adelaide and Norwood in the South Australian National Football League (SANFL), as well as Swan Districts and Subiaco in the Western Australian National Football League (WANFL). Bunton was regarded as a tough and skilful player in both South Australia and Western Australia, but it was as a coach that he cemented a reputation alongside his father as one of Australian football's greatest identities. Bunton was inducted into the coaches section of the Australian Football Hall of Fame in 1996, as well as the Western Australian Institute of Sport Hall of Champions in 2003 and was made an inaugural member of the WA Football Hall of Fame in 2004 and the SA Football Hall of Fame in 2002.

Born in Caulfield, Victoria, Bunton Jr. moved with his father first to Western Australia and then to South Australia. Bunton was hospitalised for two years from the age of three due to a fractured pelvis and Perthes disease in his hip. He wore leg braces and used crutches until he was aged ten. Haydn Bunton junior made his debut for North Adelaide at the age of 17, and two years seasons later was named an All-Australian player. In 1955, Bunton senior was killed in a car crash, but the following year, the younger Bunton showed his class as a player by finishing runner-up for the Magarey Medal to Dave Boyd. The following year, Haydn "stood out" as a player due to a transfer dispute with North Adelaide, who would not clear him, but amazingly served as a non-playing coach of Norwood. From 1958 to 1960, he played for Norwood, in spite of a serious knee injury sustained in a car accident in Tasmania in 1959. Bunton had another strong year in 1961, when he was recruited by Swan Districts in the West Australian Football League (WAFL) as captain-coach. At the time Swan Districts were the Cinderella side of the WAFL, having never won more than seven games in a season since 1945, and were generally regarded with "pity or scorn". Swan Districts had lost their last sixteen games of 1960, but improved immediately under Bunton's coaching. They won 12 and drew two of twenty-one matches to finish second, but after a loss to raging hot premiership favourite East Perth in the second semi final they were not considered a serious threat. However, after overcoming Subiaco in the preliminary, Bunton developed an ingenious tactic to counter Royals' champion Polly Farmer by using both Keith Slater and Fred Castledine in the ruck contests. Though this ploy was technically illegal, it was accepted by the umpires, and Swan Districts won by 24 points for their first WAFL premiership. In the process of lifting Swan Districts from cellar-dwellers to premiers, Bunton developed a use of handball that was far ahead of its time and also discouraged the use of the erratic drop kick. The following year Bunton won the Sandover Medal for the league's "fairest and best", completing a rare father-and-son achievement. Swan Districts took their first minor premiership and won both the second semi and grand finals against East Fremantle. Despite finishing fourth after the home-and-away rounds, Swan Districts managed to win three finals and a hat-trick of premierships in 1963; however, 1964 saw the team collapse to sixth of eight clubs with only nine wins. Bunton returned to Norwood as playing coach from 1965 until 1967, bringing his total number of games for Norwood to 97. In his first season the club played off in the finals, but they slowly declined in 1966 and 1967 finishing seventh of ten teams.
QUESTION: Did Bunton play for other clubs?
IN: Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens, and formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, dubstep, drum and bass, IDM, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, The Chemical Brothers and The Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres.

Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what would have been the debut MBM album were claimed to have been destroyed in a studio fire before it could be released (detailed in a publicity statement). The former founder of Sweat Box Records (Rob Deacon) said that the fire never happened. Jack Dangers confirmed the story of the fire in a 2010 interview. The pair then recorded the LP Storm The Studio, which got them pigeonholed as an industrial act because Sweat Box Records sold the rights to the LP to Wax Trax Records for release in the United States. In response, they released 99%, which was more techno-influenced, in May 1990. In August they released Armed Audio Warfare, which was an effort to re-create the lost tracks of the would-be debut album. The band's live show was conceived as an intense audio-visual experience, with dancers, led by choreographer Marcus Adams, in costumes and sets designed by artist Craig Morrison and video clips accompanying live instruments, sequenced electronic instruments, and live DJing. In the United States, they opened for Nine Inch Nails on their debut national tour in 1990. In 1991, they performed at The Limelight in Manhattan. Despite his contributions being nonmusical in nature, Adams was credited as a full band member and appeared in many of the band's record sleeves and promo photos until the release of Satyricon in 1992. Adams also appeared in several of MBM's early videos, such as "Strapdown" and "Psyche-Out". 1992's Satyricon continued to show Meat Beat adopting a more mainstream electronic sound, crediting influences of such newly popular dance bands as Orbital, The Shamen, and The Orb, all of whom had either remixed or been remixed by MBM. The album produced the hits "Mindstream" and "Circles". "Original Control (Version 2)", renamed "I Am Electro" in later compilations, is the best-known track from the album, featuring samples of recordings from the 1939 World's Fair exhibit Elektro The Robot, and was the opening song in MBM's 2005-2006 tour.
QUESTION:
What happened in the early years?