TASK DEFINITION: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
PROBLEM: 2.8/10.0 . I can't fathom why anyone would enjoy this album. The lyrics must have come out of a Dadaist poetry circle, and (most of) the guitar work is completely without personality. What is the criterion of a good rock album? By any standards it must be a joy to play it. 6teen Stone misses the mark by such dimensions one must assume it was intentional. But it doesn't so much incite anger than it does disdain for Bush's attempts to emulate Nirvana. Where Nirvana has clearly enunciated guitar riffs and minimalist, evocative lyrics, Bush has dull, throbbing guitar drones that project nothing to the listener but a kind of malaise-inspired anger. There's not much more to say about 6teen Stone. I could tell you about the embarrassment of listening to the lyrics on songs like "Swim": Thinning ice / 14 Hairdryers / Swimming to you / Flame on earth desire." Or the artistic suicide of the last track, "X-Girlfriend", a song composed of a little guitar-wailing and a non-stop chorus that's about six words long. That's about all I can tell you. Mostly I figure I've done enough warning to let you make your own choice. If you do attempt this though, you ought to be told the little good news that there is: there are about 5 minutes of good music are contained on the album, split between "Machinehead" and "Glycerine." The first is an energetic, well-constructed song about control (you might have seen the music video for it about 11 years ago on Total Request Live), the second a serenade featuring over-dubbed guitars, a trembling cello, and a surprisingly coherent Rossdale. They hold the album; about as well as a couple of floor joists can hold a crumbling building.

SOLUTION: NEG

PROBLEM: Nostalgic, wimpy pop . I grew enamored with Eric Carmen's music, drawn in by not only the many honest, complicated emotions of his first two solo albums (especially Boats Against The Current) but also by the occasionally hard-hitting pop of The Raspberries. I got away from Carmen's work for a long time, but recently have been relistening to the old LP's and gave Change of Heart a spin. After hearing it again, I was surprised at three things. First, most songs seemed half-baked, with the chorus on most making a quick appearance and then repeating endlessly. These are short songs, devoid of development and any compositional reach. Second, the production seemed both overdone and timid at the same time. Overdone in the all-star backing musicians (Danny Kortchmar! Leland Sklar! Nigel Olsson! Burton Cummings! Jeff Porcaro!) playing very simple stuff. Overdone in the too-thick orchestration. Timid like the hand claps and piano glissandos on "Hey Deanie" and other examples throughout the album. Finally, I was surprised by the brevity. Only 8 tunes, with a syrupy orchestral variation on the title track. Again, underlining the overall theme of an uninspired, tired work

SOLUTION: NEG

PROBLEM: Top Notch . Allele = Top Notch nu-metal/hard rock. Easily one of the best rock records this year along side Breaking Benjamin and Flyleaf. Worth 10 bucks. BUY!

SOLUTION:
POS