input: As Hurricane Katrina approached New Orleans in August 2005, Domino chose to stay at home with his family, partly because his wife, Rosemary, was in poor health. His house was in an area that was heavily flooded. Domino was rumored to have died, and his home was vandalized when someone spray-painted the message "RIP Fats. You will be missed". On September 1, the talent agent Al Embry announced that he had not heard from Domino since before the hurricane struck. Later that day, CNN reported that Domino had been rescued by a Coast Guard helicopter. Until then, even family members had not heard from him since before the storm. Embry confirmed that Domino and his family had been rescued. The family was then taken to a shelter in Baton Rouge, after which they were picked up by JaMarcus Russell, the starting quarterback of the Louisiana State University football team, and the boyfriend of Domino's granddaughter. He let the family stay in his apartment. The Washington Post reported that on September 2, they had left Russell's apartment after sleeping three nights on the couch. "We've lost everything," Domino said, according to the Post. By January 2006, work to gut and repair Domino's home and office had begun (see Reconstruction of New Orleans). In the meantime, the Domino family resided in Harvey, Louisiana. President George W. Bush made a personal visit and replaced the National Medal of Arts that President Bill Clinton had previously awarded Domino. The gold records were replaced by the RIAA and Capitol Records, which owned the Imperial Records catalogue.

Answer this question "did his mother survive?"
output: The Washington Post reported that on September 2, they had left Russell's apartment after sleeping three nights on the couch.

input: Burr appeared in more than 50 feature films between 1946 and 1957, creating an array of villains that established him as an icon of film noir. Film historian Alain Silver concluded that Burr's most significant work in the genre is in these ten films: Desperate (1947), Sleep, My Love (1948), Raw Deal (1948), Pitfall (1948), Abandoned (1949), Red Light (1950), M (1951), His Kind of Woman (1951), The Blue Gardenia (1953) and Crime of Passion (1957). Silver described Burr's private detective in Pitfall as "both reprehensible and pathetic", a characterization also cited by film historian Richard Schickel as a prototype of film noir, in contrast with the appealing television characters for which Burr later became famous. "He tried to make you see the psychosis below the surface, even when the parts weren't huge," said film historian James Ursini. "He was able to bring such complexity and different levels to those characters, and create sympathy for his characters even though they were doing reprehensible things." Other titles in Burr's film noir legacy include Walk a Crooked Mile (1948), Borderline (1950), Unmasked (1950), The Whip Hand (1951), FBI Girl (1951), Meet Danny Wilson (1952), Rear Window (1954), They Were So Young (1954), A Cry in the Night (1956) and Affair in Havana (1957). Beyond noir, Burr's villains were also seen in Westerns, period dramas, horror films and adventure films. "I was just a fat heavy," Burr told journalist James Bawden. "I split the heavy parts with Bill Conrad. We were both in our twenties playing much older men. I never got the girl but I once got the gorilla in a 3-D picture called Gorilla at Large. I menaced Claudette Colbert, Lizabeth Scott, Paulette Goddard, Anne Baxter, Barbara Stanwyck. Those girls would take one look at me and scream and can you blame them? I was drowned, beaten, stabbed and all for my art. But I knew I was horribly overweight. I lacked any kind of self esteem. At 25 I was playing the fathers of people older than me." Burr's occasional roles on the right side of the law include the aggressive prosecutor in A Place in the Sun (1951). His courtroom performance in that film made an impression on Gail Patrick and her husband Cornwell Jackson, who had Burr in mind when they began casting the role of Los Angeles district attorney Hamilton Burger in the CBS-TV series Perry Mason.

Answer this question "What was his role in the film industry?"
output: Burr appeared in more than 50 feature films

input: In 1947, Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on August 7, 1947, after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech.

Answer this question "Did they find anything interesting once they arrived?"
output:
Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety,