Some context: Drazen Petrovic (pronounced [draZen petrovitc]; October 22, 1964 - June 7, 1993) was a Croatian professional basketball player. A shooting guard, he initially achieved success playing professional basketball in Europe in the 1980s, before joining the National Basketball Association (NBA) in 1989. A star on multiple stages, Petrovic earned two silver medals and one bronze in Olympic basketball, a gold and a bronze in the FIBA World Cup, a gold and a bronze in the FIBA EuroBasket, and two EuroLeague titles. He represented Yugoslavia's national team and, later, Croatia's national team.
After spending a year serving the mandatory time in the military, Petrovic followed his brother's footsteps and moved to Cibona to form, at that time, the best backcourt duo in Europe. The very first year in Cibona he won both the Yugoslav League championship and the Yugoslav National Cup. To top it all off, the 87-78 victory over the Spanish League club Real Madrid, to which Petrovic contributed with 36 points, brought him and Cibona their first European Cup title. The second came the following year, as Petrovic scored 22 points and Cibona defeated the USSR Premier League club Zalgiris Kaunas, which starred the legendary Arvydas Sabonis. The same year brought another Yugoslav national cup title for Cibona, seeing Petrovic score 46 against the old rival Bosna. In 1987, Petrovic earned his third European trophy: a 2nd-tier European Cup Winners' Cup title against the Italian League club Scavolini Pesaro, whose net he filled with 28 points. Petrovic's scoring average during the four years with Cibona stood at 37.7 points in the Yugoslavian first division and 33.8 in all of the European wide competitions that he played in, with personal one-time bests of 112 (40/60 FG, 10/20 3Pts, 22/22 FT) in the Yugoslavian League, and 62 points in the 3rd-tier European league, the Korac Cup, respectively. His scoring sheet was often known to show 40, 50, even 60 in a single game; in a 1985-86 season European League game against Limoges, Petrovic scored ten 3-pointers, including seven in a row during a first half stretch, for a final tally of 51 points and 10 assists; the same season he scored 45 points and dished out 25 assists against the reigning Italian League champions Simac Milano. Petrovic needed new challenges, which Cibona and the Yugoslavian League could not offer. Across the Atlantic, the Portland Trail Blazers of the NBA had already used their third round pick on young Petrovic in 1986. However, he decided to postpone his departure to the United States. In 1988, he signed with Real Madrid instead, for at that time a hefty sum of around US$4 million. The transfer wasn't without controversy as the Yugoslav sporting laws stipulated that players weren't allowed to professionally move abroad until reaching 28 years of age, while Petrovic was still only 23 when he signed with the famous Madrid club. In 2014, Jose Antonio Arizaga, the sports agent who played a key role in Petrovic's summer 1988 transfer from Cibona to Real, recalled a few details from this transaction: "I spoke to Mirko Novosel, Drazen's coach at Cibona, and he told me two things. One, every problem in Yugoslavia can be taken care of with the right amount of money, and two, if Drazen leaves, every other player under 28 will be leaving and it'll be chaos. So, you can imagine all the individuals I had to bribe and all the places where I had to pay up in order to circumvent this law".
What was Cibona?
A: Petrovic followed his brother's footsteps and moved to Cibona to form, at that time, the best backcourt duo in Europe.
Some context: Octavia Estelle Butler was born on June 22, 1947, in Pasadena, California, the only child of Octavia Margaret Guy, a housemaid, and Laurice James Butler, a shoeshine man. Butler's father died when she was seven, so Octavia was raised by her mother and maternal grandmother in what she would later recall as a strict Baptist environment. Growing up in the racially integrated community of Pasadena allowed Butler to experience cultural and ethnic diversity in the midst of racial segregation. She accompanied her mother to her cleaning work, where the two entered white people's houses through back doors, as workers.
Butler followed Clay's Ark with the critically acclaimed short story "Bloodchild" (1984). Set on an alien planet, it depicts the complex relationship between human refugees and the insect-like aliens who keep them in a preserve to protect them, but also to use them as hosts for breeding their young. Sometimes called Butler's "pregnant man story," "Bloodchild" won the Nebula, Hugo, and Locus Awards, and the Science Fiction Chronicle Reader Award. Three years later, Butler published Dawn, the first installment of what would become known as the Xenogenesis trilogy. The series examines the theme of alienation by creating situations in which humans are forced to coexist with other species to survive and extends Butler's recurring exploration of genetically-altered, hybrid individuals and communities. In Dawn, protagonist Lilith Iyapo finds herself in a spaceship after surviving a nuclear apocalypse that destroys Earth. Saved by the Oankali aliens, the human survivors must combine their DNA with an ooloi, the Oankali's third sex, in order to create a new race that eliminates a self-destructive flaw in humans--their aggressive hierarchical tendencies. Butler followed Dawn with "The Evening and the Morning and the Night" (1987), a story about how certain female sufferers of "Duryea-Gode Disease," a genetic disorder which causes dissociative states, obsessive self-mutilation, and violent psychosis, are able to control others afflicted with the disease. Adulthood Rites (1988) and Imago (1989) the second and the third books in the Xenogenesis trilogy, focus on the predatory and prideful tendencies that affect human evolution, as humans now revolt against Lilith's Oankali-engineered progeny. Set thirty years after humanity's return to Earth, Adulthood Rites centers on the kidnapping of Lilith's part-human, part alien child, Akin, by a human-only group who are against the Oankali. Akin learns about both aspects of his identity through his life with the humans as well as the Akjai. The Oankali-only group becomes their mediator, and ultimately creates a human-only colony in Mars. In Imago, the Oankali create a third species more powerful than themselves: the shape-shifting healer Jodahs, a human-Oankali ooloi who must find suitable human male and female mates to survive its metamorphosis and finds them in the most unexpected of places, in a village of renegade humans.
When was the trilogy published?
A:
1989