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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Henry FitzRoy (born c. 1100-1104, died 1158) was an illegitimate son of Henry I of England by Nest, daughter of Rhys ap Tewdwr, last king of Deheubarth (d. 1093), and his wife, Gwladys ferch Rhiwallon ap Cynfyn. Context_2 : Nest ferch Rhys (c. 1085 before 1136) (popularly called Nesta or "Princess Nesta") was the only legitimate daughter of Rhys ap Tewdwr, last king of Deheubarth in Wales, by his wife, Gwladys ferch Rhiwallon ap Cynfyn of Powys. Her family is of the House of Dinefwr. Nest was the wife of Gerald de Windsor (c. 1075 1135), constable of Windsor Castle in Berkshire, by whom she was the ancestress of the FitzGerald dynasty and of the prominent Carew family, of Moulsford in Berkshire, Carew Castle in Pembrokeshire (in the Kingdom of Deheubarth) and of Mohuns Ottery in Devon (see Baron Carew, Earl of Totnes and Carew baronets). Context_3 : Bleddyn ap Cynfyn (Old Welsh: "Bledynt uab Kynyn" ; 1073), sometimes spelled Blethyn, was an 11th-century Welsh king. He was installed by Harold and Tostig Godwinson as king of Gwynedd in 1063 on his father's death, during their destruction of the kingdom of Bleddyn's half-brother, Gruffydd ap Llywelyn. He became king of Powys on his brother Rhiwallon's death in 1069. His descendants continued to rule Powys as the House of Mathrafal. Context_4 : Rhirid Flaidd (sometimes called Rhirid ap Gwrgenau) (fl. 1160), according to Welsh tradition, was the son of Gwrgenau, who is supported by an obscure and doubtful pedigree going back to Cunedda Wledig, the progenitor of the House of Cunedda which had provided the kings of Gwynedd from the end of Roman Britain until 825. The appellation of "blaidd" (wolf) was inherited from his maternal grandmother, Haer, daughter and heiress of Cynfyn, son of Cillyn y Blaidd Rhudd (meaning "Cillyn the Bloody Wolf") of Gest in Eifionydd. He was related through his grandmother to Bleddyn ap Cynfyn, king of Powys who rewarded Gwrgenau with land, presumably for his loyalty and service. Context_5 : lfgar (died c. 1060) was the son of Leofric, Earl of Mercia, by his famous mother Godgifu (Lady Godiva). He succeeded to his father's title and responsibilities on the latter's death in 1057. He gained the additional title of Earl of East Anglia, but also was exiled for a time. Through the first marriage of his daughter he would become father-in-law of the Welsh king Gruffydd ap Llywelyn; a few years after his death, his daughter would become a widow and marry English King Harold. Context_6 : Rhiwallon ap Cynfyn (c.1020 c.1069 ) was a Welsh King. the son of Cynfyn ap Gwerstan and brother of King Bleddyn of Powys. Through his mother Angharad, he was half-brother to King Gruffydd ap Llywelyn as well. Following the 1063 invasion of Wales by Harold and Tostig Godwinson that overthrew Gruffydd, Rhiwallon and Bleddyn jointly received Powys and Gwynedd on condition of faithfully serving Edward the Confessor "everywhere by water and by land". Context_7 : Tostig Godwinson ( 1026 25 September 1066) was an Anglo-Saxon Earl of Northumbria and brother of King Harold Godwinson. After being exiled by his brother, Tostig supported the Norwegian king Harald Hardrada's invasion of England, and was killed at the Battle of Stamford Bridge. Context_8 : Cynfyn ap Gwerystan (born c. 990) sometimes spelled Kynvyn, Kynwyn, Cynvyn, or Kynfyn was a Welsh nobleman, principally known on account of his son Bleddyn ap Cynfyn, who established the House of Mathrafal over Powys as a consequence of a Saxon invasion in 1063. Context_9 : Rhiryd ap Bleddyn (10491088) was a Welsh king of Powys. He was a son of Bleddyn ap Cynfyn and Haer verch Cillin. Context_10 : The Battle of Stamford Bridge took place at the village of Stamford Bridge, East Riding of Yorkshire, in England on 25 September 1066, between an English army under King Harold Godwinson and an invading Norwegian force led by King Harald Hardrada and the English king's brother Tostig Godwinson. After a bloody battle, both Hardrada and Tostig along with most of the Norwegians were killed. Although Harold Godwinson repelled the Norwegian invaders, his army was defeated by the Normans at Hastings less than three weeks later. The battle has traditionally been presented as symbolising the end of the Viking Age, although major Scandinavian campaigns in Britain and Ireland occurred in the following decades, such as those of King Sweyn Estrithson of Denmark in 10691070 and King Magnus Barefoot of Norway in 1098 and 11021103. fact_1 : Following the 1063 invasion of Wales by Harold and Tostig Godwinson that overthrew Gruffydd, Rhiwallon and Bleddyn jointly received Powys and Gwynedd on condition of faithfully serving Edward the Confessor "everywhere by water and by land". fact_2 : Tostig Godwinson ( 1026 25 September 1066) was an Anglo-Saxon Earl of Northumbria and brother of King Harold Godwinson. Question: Rhiwallon ap Cynfyn, was a Welsh King, following the 1063 invasion of Wales by Harold and Tostig Godwinson, he was an Anglo-Saxon Earl of which location, that overthrew Gruffydd, Rhiwallon and Bleddyn jointly?
Solution:
Northumbria