In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : George Reynolds Hedges (February 26, 1952 March 10, 2009) was a lawyer with a list of celebrity clients including Mel Gibson and David Lynch who gained attention in the field of archeology for his discovery of the ancient city of Ubar. Context_2 : Zoe Saldana-Perego (born Zoe Yadira Saldana Nazario; June 19, 1978), known professionally as Zoe Saldana or Zoe Saldana, is an American actress, model, singer and dancer. Following her performances with the theater group Faces, Saldana made her screen debut in an episode of "Law & Order" (1999). Her film career began a year later with "Center Stage" (2000), where she played a struggling ballet dancer, followed by a role in "Crossroads" (2002). Saldana's breakthrough came in 2009 with the roles of Nyota Uhura in "Star Trek" and Neytiri in James Cameron's "Avatar" (2009). The latter film received widespread acclaim, and is the highest-grossing film of all time. Saldana continued her career with films such as "Colombiana" (2011), "Out of the Furnace" (2013), "Star Trek Beyond" (2016) and "Live by Night" (2016). Since 2014, she has portrayed Gamora in the Marvel Cinematic Universe, beginning with "Guardians of the Galaxy". Context_3 : Paul Patterson Timman (born September 26, 1972) is an American tattoo artist and award winning dinnerware designer. Paul's tribal designs, hand painted tattoo work in movies and celebrity clients have made him one of the "giants in the industry" called the 'Rembrandt of Sunset Strip' by the Wall Street Journal. Timman's work has been featured in tattoo magazines in the USA and internationally including: Inked (magazine), Tattoo Magazine, and Skin Art. Context_4 : Ted Gibson is a celebrity hairdresser with a salon in New York City. He is the hair expert on the cable show "What Not to Wear". Notable clients include Anne Hathaway, Renee Zellweger, Kate Gosselin, Zoe Saldana, Ashley Greene and the fashion houses Chanel and Prada. Context_5 : Shawnae Marie Dixon is an African-American professional chef, cookbook author, and owner of "SayGraceNYC". She was born Shawnae Marie Mosley McCombs in Staten Island, New York in 1976. Today Dixon is sought by celebrity clients worldwide to cater, host, and prepare her signature dishes for both private and public settings. Dixon speaks and appears as an celebrity chef for many syndicated radio and television programs in the U.S. Her first book, "With this Plate I Thee Wed...", with a foreword by Lamont Renzo Bracy, is set to be released in 2017 by Amazon Publishing. In addition to touring and book signings, Dixon is a regular guest chef on numerous TV shows with an reoccurring role as guest chef on Jack Thriller Party and Bullshit show. Context_6 : A celebrity bond is commercial debt security issued by a holder of fame-based intellectual property rights to receive money upfront from investors on behalf of the bond issuer and their celebrity clients in exchange for assigning investors the right to collect future royalty monies to the works covered by the intellectual property rights listed in the bond. Typically backed by music properties, the investment vehicle was pioneered in 1997 by rock and roll investment banker David Pullman through his $55 million David Bowie bond deal. Context_7 : The Compaq Evo was a series of business desktop and laptop PCs and thin clients made by Compaq and Hewlett-Packard (following the 2002 merger). The Evo brand was introduced by Compaq in May 2001 as a business-oriented brand, and replaced Compaq's Deskpro brand for its desktops and Armada for its notebooks. Context_8 : Lisa Bloom (born September 20, 1961) is an American civil rights attorney best known for utilizing her media and legal strategy to bring down accused sexual harasser Bill O'Reilly. Lisa was also known as anchor of "Lisa Bloom: Open Court", a two-hour live legal news program on truTv's In Session, from 2006 to 2009. Lisa founded and owns a prominent twelve attorney civil rights law firm, The Bloom Firm, representing celebrity clients like Kathy Griffin and Mischa Barton, as well as ordinary people seeking justice in all areas of civil litigation and family law, and especially victims of domestic violence, sexual harassment, race or sex discrimination, sexual assault, and police excessive force. Lisa has been chosen as a SuperLawyer for three years straight and has a perfect 10.0 rating on Avvo.com. The"Hollywood Reporter"recently named Lisa a top Hollywood "power lawyer" and she's appeared on countless ten best lists. Context_9 : The Gibson Victory was an electric guitar produced by Gibson Guitars from 1981 until 1983 (although some sources say production lasted until 1984). During the late 1970s and early 1980s, musicians watched Eddie Van Halen play his Frankenstrat and questioned and rethought everything about their instruments. They insisted on engineering advances allowing more speed and playability of skyscraping leads and rock crushing shred. The master luthiers in Kalamazoo responded to these demanding guitarists by designing the Victory. The Victory, a superstrat, was radical departure from Gibson's image as an old-fashioned guitar maker. MV stood for Multi-Voice. X stood for ten They were created by the Gibson research and development team in Kalamazoo, MI, with the body work by Chuck Burge, and the multi-voice electronics by Tim Shaw. The Victory MV's were available with an optional / special order Kahler Tremolo System. The Victory MV's had the first three-point top-adjust bridge designed by Rendal Wall and patent granted in June 1982. The three post holes in the underside allowed either side of the bridge unit to be moved forwards or backwards allowing intonation of ultra light to extremely heavy string gauges, and twelve interchangeable individually-adjustable saddles, six standard nylon saddles and 6 optional brass saddles for fine adjustment of intonation and to affect tone. String gauge affects sound and playability. If you are a professional with strong fingers, using heavier strings produces greater dynamic and timbral range, more sustain, & less buzzing using slide. Using lighter strings allows easier bending, easier hammer-ons, pull-offs & very fast solos. Victories were built tough and stiff to easily handle the high tension of using much heavier string gauges without a truss rod adjustment. The Victory MV's came with a series of specially designed Humbucker Pickups carefully made one at a time on the "center focused" KZ/LP115 PAF Pickup Winder, with high sensitivity and unique tonal signature with fewer turns of wire compared to newer high production winding machines that produce more scatter and a wider magnetic aperture, Each pickup across the range is different, and specifically designed for the role it was assigned. Most musicians adjust the height of the individual pole pieces so they mirror the radius of the fretboard and then fine adjust by ear. The location of the Victory MV's pickups were carefully calculated to provide full frequency response and minimize dead spots by avoidance of string nodal points. The majority of harmonics coincide with where the twenty fourth fret would be located. If you want to play your Victory above the 22nd fret, use a ring slide. Humbucker pickups are inherently low noise because the interference is significantly reduced via phase cancellation, however the Victory MV's have additional shielding connected to ground with the use of special electrically conductive black paint in the routed out area under the pickguard. Truly silent when it should be. The coil tap switch in the up position is humbucker; in the down position is single coil, indistinguishable from traditional unshielded single coils minus the noise. Victory MV's are totally immune from "Strat-Itis" (simultaneous multiple discordant frequency syndrome) In other single-coil pickups, strat-Itis is an annoying out-of-tune harmonic, oscillating/warbling /shriek/dissonant sound. Gibson had well established business agreements for over 100 years with the best wood suppliers in the world and Gibson Luthiers had first pick to craft the Victory MV's. The availability of premium old growth wood with tight grain was better in the 1980s than it is today because of new laws and limited natural resources. The Victory MV's body and tri-laminated quartersawn neck were crafted from solid eastern hard rock maple, with a Janka Hardness ranking of 1450 pound-force, a crushing strength of 7,830 pound-force per square inch , and a tensile elasticity modulus of 1,830,000 pound-force per square inch. Eastern Hard Rock Maple is extremely hard, dense, and stiff, producing earthquaking sustain. The stacked laminate opposing wood grain neck design strengthens the overall neck, gives more tuning stabilization, and allowed the luthiers to eliminate the scarf joint at the headstock. Contrasting mirror image graining angles provide the best resistance against impact cracking over single piece or scarf joint necks.. Wood improves with age, the polymerization of sap over decades, once the wood is removed from the living tree crystalizes. Aged wood also loses its ability to absorb moisture, causing the wood to become more stiff and stable as it ages the perfect recipe for a straight, high quality guitar neck, level fret board, and great sound. Victory MV's have binding along the edges of the fretboard that cover the unfinished fret tangs and fret slot end gaps, slightly covering the nibs on the fret ends that can protrude. Binding is tedious painstaking work and requires skill to install properly, but provides a slick smooth feel, is especially nice for sliding your hand along the fretboard, and gives a dressy look. Not to be confused with undercut, fret over binding. Using glue that is stronger than the wood itself, the Victory MV's mortise-and-tenon Set-in neck and silky smooth rock-hard quartersawn Madagascan ebony fret board required better tools, more time, accuracy, attention to detail, and skill to craft, but produces a warmer fuller tone and transfers resonant energy freely and immediately due to the tight permanent coupling, and facilitates ripples of vibrational energy that round out and thicken the sound. (Unlike other guitars with weak removable "screw-on" necks with a metal plate, adjustment shims, and a creaky neck pocket / body gap. So called "bolt-on" necks have no proper neck torque specs, over-tightening the screws crushes the wood, cracks the finish, and strips the holes or screw head, requiring a toothpick or dowel to be glued in the stripped hole). The Victory's elegant headstock shape has a fourteen degree non-scarfed break angle, and tuning machine alignment that allows for a "perfectly straight" symmetrical pull on the strings that provides optimum string down pressure on the nut for the string to seat in the nut slot but not pinch, bind, or rattle in the slot, transferring all the vibration into the nut instead of into the tuning machines. (Unlike other guitars that need junky string tree clips, retainers, or guides that cause friction and pings/cracking noise.) The Victories chamfered cutaway offers musicians with large hands better access to play in the top frets. The Gibson Victory MV's are not recommended for the weak, these sledge axes weigh a solid nine pounds but areperfectly balanced both on the strap or on the knee, Luthiers know guitars with more mass and density have more brilliance and sustain. According to Gibson, Victory MV's were only produced in Candy Apple Red, Antique Cherry Sunburst, & Twilight Blue. However sometimes a retailer who did a lot of business with Gibson would be able to ask for a small number of guitars with a special finish. Mention has been made of Roy Orbison's special order black Victory MVX. The Victory MV's came standard with a rugged black Gibson branded "8170" dual lock and key padded hard case with internal storage box. Decode the serial number on the back of the headstock to determine if your Victory was hand made by finding the location and the date of it's manufacture. Context_10 : West Coast Choppers (WCC) is a brand that began selling screen-printed T-shirts and stickers with the company's Iron cross/Maltese cross logo while founder and "master marketer" Jesse James was finishing high school, packaging the accoutrements of the chopper lifestyle long before any actual West Coast Choppers customs had been ordered or sold. Even after the company did begin building custom choppers, 60% of revenue still came from sales of WCC-branded marketing tie-ins such as clothing, beverages and tools. Yearly sales of approximately 1215 motorcycles at prices of around US$150,000 each actually lost money for the company, but attracted positive attention. Publicizing the names of celebrity clients, including Shaquille O'Neal, Kid Rock, Keanu Reeves, Ty Law of the Denver Broncos, wrestling star Bill Goldberg, actor Tyson Beckford, and NFL running back Jamal Anderson, was a central feature of the WCC marketing strategy. The other key to this strategy was the star power of Jesse James, presented mainly through television on the Discovery Channel in the "Motorcycle Mania" series and the 20022006 series Monster Garage. fact_1 : Notable clients include Anne Hathaway, Renee Zellweger, Kate Gosselin, Zoe Saldana, Ashley Greene and the fashion houses Chanel and Prada. fact_2 : Zoe Saldana-Perego (born Zoe Yadira Saldana Nazario; June 19, 1978), known professionally as Zoe Saldana or Zoe Saldana, is an American actress, model, singer and dancer. fact_3 : Following her performances with the theater group Faces, Saldana made her screen debut in an episode of "Law & Order" (1999). Answer: Zoe Saldana-Perego
Solution:
Which one of Ted Gibson celebrity clients made her screen debut in an episode of Law Order?