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Born to Alexander Beaton Ferguson, a plater's helper in the shipbuilding industry, and his wife, Elizabeth (nee Hardie), Alex Chapman Ferguson was born at his grandmother's home on Shieldhall Road in Govan on 31 December 1941, but grew up in a tenement at 667 Govan Road (which has since been demolished), where he lived with his parents as well as his younger brother Martin. Ferguson attended Broomloan Road Primary School and later Govan High School. He began his football career with Harmony Row Boys Club in Govan, before progressing to Drumchapel Amateurs, a youth club with a strong reputation for producing senior footballers.
Ferguson was manager of St Mirren from 1974 until 1978, producing a remarkable transformation of a team in the lower half of the old Second Division watched by crowds of just over 1,000, to First Division champions in 1977, discovering talent like Billy Stark, Tony Fitzpatrick, Lex Richardson, Frank McGarvey, Bobby Reid and Peter Weir while playing superb attacking football. The average age of the league winning team was 19 and the captain, Fitzpatrick, was 20. St Mirren have the distinction of being the only club ever to sack Ferguson. He claimed wrongful dismissal against the club at an industrial tribunal but lost and was given no leave to appeal. According to a Billy Adams Sunday Herald article on 30 May 1999, the official version is that Ferguson was sacked for various breaches of contract including unauthorised payments to players. He was counter-accused of intimidating behaviour towards his office secretary because he wanted players to get some expenses tax free. He did not speak to her for six weeks, confiscated her keys and communicated only through a 17-year-old assistant. The tribunal concluded that Ferguson was "particularly petty" and "immature". It was claimed during the tribunal by St Mirren chairman, Willie Todd, that Ferguson had "no managerial ability". On 31 May 2008, The Guardian published an interview with Todd (then aged 87), who had sacked Ferguson many years earlier. Todd explained that the fundamental reason for the dismissal was a breach of contract relating to Ferguson having agreed to join Aberdeen. Ferguson told journalist Jim Rodger of the Daily Mirror that he had asked at least one member of the squad to go to Aberdeen with him. He told the St Mirren staff he was leaving. Todd expressed regret over what happened but blamed Aberdeen for not approaching his club to discuss compensation. In 1977, Ferguson turned down the manager's job at Aberdeen. The role went to Billy McNeill, who returned to Celtic after only a year, leaving the role available for Ferguson once again.

What does it mean by "sack" ferguson

wrongful dismissal against the club

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Anton Friedrich Wilhelm (von) Webern (German: ['anton 've:ban] ( listen); 3 December 1883 - 15 September 1945) was an Austrian composer and conductor. Along with his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was in the core of those in the circle of the Second Viennese School, including Ernst Krenek and Theodor W. Adorno. As an exponent of atonality and twelve-tone technique, Webern exerted influence on contemporaries Luigi Dallapiccola, Krenek, and even Schoenberg himself.
Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music; this is evidenced by anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction, many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors and associations everywhere throughout his sketches. As both a composer and conductor he was one of many (e.g., Wilhelm Furtwangler, Dimitri Mitropoulos, Hermann Scherchen) in a contemporaneous tradition of conscientiously and non-literally handling notated musical figures, phrases, and even entire scores so as to maximize expressivity in performance and to cultivate audience engagement and understanding. This aspect of Webern's work had been typically missed in his immediate post-war reception, however, even as it may radically affect the music's reception. For example, Boulez's "complete" recording of Webern's music yielded more to this aesthetic the second time after largely missing it the first; but Eliahu Inbal's rendition of Webern's symphony with the hr-Sinfonieorchester is still far more within the spirit of the late Romantic performance tradition (which Webern seemingly intended for his music), nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work. Gunter Wand's 1966 recording of the Cantata No. 1 (1938-40), op. 29, with the Symphonieorchester des Bayerischen Rundfunks et al., may likewise be contrasted with both of Boulez's renditions.

What types of markings are in his scores?

anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze

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The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibitions and rodeo in the world. It also includes one of the richest regular-season rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003. It was previously held in the Astrodome.
One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is run independently of the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, but the winnings do not count towards the competitors' qualification for the PRCA National Finals Rodeo. RodeoHouston is an invitational, featuring 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. On the final evening, the rodeo hosts the Cinch SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. The finals and the SuperShoot are televised on Fox Sports. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Tejano music night generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts.

Are the concerts outside?
A rotating stage is then brought into the arena for the nightly concert.