Problem: Background: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.
Context: Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.
Question: What show did he begin his career?
Answer: he appeared in Meredith Willson's Here's Love and the short-lived Bajour.

Problem: Background: Hatfield was born in Wiscasset, Maine, the daughter of Philip M. Hatfield, a radiologist, and Julie Hatfield, a former Boston Globe features, society, travel writer, and fashion critic who currently works as a freelance travel writer. Hatfield grew up in the Boston suburb of Duxbury. Although well known for the early 1990s hit, "My Sister", Hatfield has two brothers, but no sisters. Hatfield's father claimed his family were descendants of the West Virginia Hatfields of the Hatfield-McCoy feud following the Civil War.
Context: In 2014 The Juliana Hatfield Three was reformed after two decades of hiatus, and Hatfield, drummer Todd Philips, and bassist Dean Fisher began practicing new material for an album. The album marked the band's first release in twenty two years, since their LP Become What You Are in 1993. Stated Hatfield about the new album, "We haven't totally reinvented the wheel or anything," and that the tracks exhibit the "stuff I am sort of known for, I guess. But I am a lot more confident now than I was then with the first album. And I had more fun recording this one." The twelve tracks for Whatever, My Love were recorded at Nuthouse Recording in Hoboken, New Jersey, with Beaujour and Hatfield co-producing the project. The lead single from the album, "If I Could," was released in December 2014, and was premiered in publications such as Rolling Stone. That month the album was made available for pre-order on American Laundromat Records, with an announced release date for Whatever, My Love on February 17, 2015. The band announced they would tour the United States in support of the album throughout February, hitting cities on both coasts and the midwest, as well as venues such as the Bowery Ballroom in New York city and The Roxy Theatre in Los Angeles in late March. In late December 2014, Stereogum named the album "one of their most anticipated albums of 2015," and on January 4, 2015, Consequence of Sound named it "one of the 50 most anticipated albums of 2015." On January 9, 2015, Hatfield was featured at Nylon.com, who wrote that the upcoming album came off as "unforced, and with its sly lyrics and mega-hooky coffeehouse-grunge aesthetic." The album's second single "Ordinary Guy" premiered on Consequence of Sound on January 14, 2015.
Question: What were the hit songs from the album Reformation?
Answer: The lead single from the album, "If I Could,"

Problem: Background: Arthur Irwin was born in 1858 in Toronto, Ontario, to an Irish blacksmith and a Canadian mother. As a child, he moved with his family to Boston and attended school there. He played local amateur baseball from 1873 until he was recruited by the Worcester Ruby Legs of the National Association in 1879. In late 1879, manager Frank Bancroft took Irwin and most of the other Worcester players on a baseball tour which included visits to New Orleans and Cuba.
Context: Irwin's major league career began when the Ruby Legs moved into the National League (NL) in 1880. He led the league in assists in his rookie season, and remained with the team through 1882, when it folded due to poor attendance. Irwin next spent three seasons with the Providence Grays, and was captain and starting shortstop of the 1884 Providence team that became world champions. The 1884 Grays featured star pitchers Charles Radbourn and Charlie Sweeney; the two hurlers did not get along well, and Sweeney left the team in the middle of the season. The club folded after a fourth-place finish in 1885. Irwin moved on to the newly formed Philadelphia Quakers in 1886. Tragedy struck the Philadelphia squad in 1888 when pitcher Charlie Ferguson developed typhoid fever, dying at Irwin's home. During the 1889 season, Irwin went to the Washington Nationals for his first opportunity as player-manager, although the team folded at the end of the season. He next played for the Boston Reds in the Players' League in 1890. That same year, Irwin coached the baseball team at Dartmouth College. While Irwin served as a player-manager for Boston in 1890, he was able to focus on the managerial role for the team in 1891. That year the team signed his brother, John Irwin, on May 21. Newspapers brought accusations of nepotism and criticized John's mediocre play. John Irwin was released by Boston on July 16, and his major league playing career was over by the next month. Although Irwin's regular playing career ended after the 1890 season, he appeared in six games while managing the Boston team after it moved to the American Association in 1891. He also played in one game while managing the 1894 Philadelphia Phillies. A left-handed hitter, Irwin finished his playing career with 1,015 games played and batted .241 in 4,190 plate appearances. He tallied 396 runs batted in and 552 runs scored. Stolen bases were not awarded until 1886, but Irwin tallied 93 stolen bases in his last 532 games. He recorded an .878 career fielding percentage, committing 647 errors in 5,317 fielding chances. Irwin played 947 games at shortstop and 56 games at third base. He also appeared at second base, pitcher and catcher.
Question: What is the first team that Arthur Irwin played for?
Answer:
Irwin's major league career began when the Ruby Legs moved into the National League (NL) in 1880.