Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Just don't bother. I thought I would see a movie with great supspense and action.

But it grows boring and terribly predictable after the interesting start. In the middle of the film you have a little social drama and all tension is lost because it slows down the speed. Towards the end the it gets better but not really great. I think the director took this movie just too serious. In such a kind of a movie even if u don't care about the plot at least you want some nice action. I nearly dozed off in the middle/main part of it. Rating 3/10.

derboiler.
Problem: OPTIONS:
- negative
- positive negative
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Answer: The original book of this was set in the 1950s but that won't do for the TV series because most people watch for the 1930s style. Ironically the tube train near the end was a 1950s train painted to look like a 1930s train so the Underground can play at that game too. Hanging the storyline on a plot about the Jarrow March was feeble but the 50s version had students who were beginning to think about the world around them so I suppose making them think about the poverty of the marchers is much the same thing. All the stuff about Japp having to cater for himself was weak too but they had to put something in to fill the time. This would have made a decent half hour show or they could have filmed the book and made it a better long show. It is obvious this episode is a victim of style over content.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Flat out the funniest spoof of pretentious art house films ever made.

This flick exposes all the cliches, and then some! Excruciatingly bad (Downs-Syndrome!) actors. Terribly heavy self important dialog. Scenes that are supposed to shock but fall flat. Jarring editing. Pointless plot points. All wrapped up in a kind of smirky miasma of disrespect for the audience and vague psych-drivel.

It achieves exactly what it was designed to. A hilarious satire of those tedious movies made by spoiled teenage trust-funders, to show to their parents when they ask them what they've been doing for the last two years! After "What Is It?" received its Cannes award, presenter Werner Herzog was rumored to have been told that the film was in fact a spoof, in part of his own films! He supposedly blew up at the info. To this day he refuses to discuss the incident.

Anyway, see it and laugh, this will be a classic of humor for many years to come.
Q: What's an example of a movie review?
An example of a movie review is here: What an empty and lack lustre rendition of the classic novel. I do wish people would stop messing about with classics when they clearly have no idea of the real intention or point of the original. This version is no different. I felt that the Ralph Fiennes version is much worse though as the casting of Juliette brioche as Kathy has got to be the worst casting decision EVER...anyway back to this version. It aims to make the story relevant to a contemporary setting and in a musical style. It succeeds in both but high art it is nit. Throwaway viewing for a rainy day maybe...The direction was average and the editing abysmal. Worse than the old Quincy. Deepak Verma does a great turn as Hindley and is in fact one of Britains wasted talents. The part of Heath was played with great charm and belief and I think that the casting is the strongest point of this project. Although a more talented director would have made better use of the facilities he had. Its clear that he was a director for hire and didn't instill the project with the passion that it deserved.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: After watching the rather sloppy WW1 spy thriller, Madam Lili (1969)starring Julie Andrews on tv this afternoon, I suddenly thought I had seen a far superior WW1 spy thriller. All I could remember was that it was produced by Dino De Laurentis. It only took a short search on IMDB to find Fraulein Doktor. Once I recognised the title the memories came flooding back. It is, for its time, a reasonably well crafted story revolving around true events such as the death of Kitchener and the German offensives of 1918.It also has a female spy who is much more believable than Julie Andrews! As with other reviewers the first and strongest memory was of the well produced battle scenes and of men and horses in gas masks. If you have an interest in war films and particularly WW1 it is a film well worth seeing if you have the opportunity.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer:
I can't come up with appropriate enough words to describe the horror I felt sitting in that cinema watching Ramgopal Varma Ki Aag, the director's half-hearted attempt to pay tribute to that classic Bollywood western, Sholay. The biggest problem with Varma's remake is that he doesn't even try to make a credible film. It's evident in every single frame of this movie that Varma's heart is just not in it. What you see on screen is a bad joke at best, a gimmick on the part of the filmmaker, and it pains you to see what little regard he actually shows for a film he claims he's been a fan of all his life.I've seen several bad films over the years, but I can't remember one that's been as much of a torture to sit through as this one. Consider yourself very brave if you're able to survive the entire film, because it tests your patience like few films have before.Varma may borrow his plot and characters from the original film, but his version is trite and hollow and doesn't have any of the spirit and energy of Sholay. Ramgopal Varma Ki Aag is actually a mockery of that timeless gem because it turns out to be everything that the original film was not - way-over-the-top, too-long-too-boring, and entirely mindless. Much-loved moments from Sholay are parodied by Varma and for that you want to wring his neck. One of the most memorable scenes in Sholay in which Dharmendra as Veeru climbs up the watertank and threatens to jump down to his death is turned around in this film with Ajay Devgan playing Hero, pulling a pistol to his head threatening to shoot himself. How you wish he'd pulled the trigger and spared us all the agony.Not only does Ramgopal Varma Ki Aag fail as a remake of Sholay, it's a pretty bad effort even as a stand-alone film. The eardrum-damaging background score sounds more like someone clanging vessels in the kitchen, and the camera-work alternates between dramatic and head-spinning. Partners in this terrible crime of bringing this ridiculous film to screen are the film's mostly dead-as-wood actors. Sushmita Sen as Devi the widow takes both her role and the film too seriously, punctuating her lines with pauses, staring into camera for effect, and generally performing like her life depends upon it. Mohanlal as Narsimha, struggles with his Hindi dialogue and looks embarrassed to be delivering some of the stupidest lines in his illustrious career. Newcomer Prashant Raj playing Jai-equivalent Raj has no acting chops to speak of and can't strum up any of the brooding intensity Amitabh Bachchan brought to the part in the original film.As Hero, the new-age Veeru, Ajay Devgan is entirely hopeless, failing miserably in his attempts at comedy. But the film's weakest link, easily the most shocking casting decision is Nisha Kothari as Ghunghroo, who steps into the shoes of Hema Malini as Basanti, the endearing airhead from Sholay. Nisha Kothari is not only the worst actress in this country, but possibly the worst actress in this whole wide world, she gives the word annoying a whole new meaning, and she makes you want to slit your wrists every time she's on screen. And then, there is Amitabh Bachchan playing Babban Singh, Ramgopal Varma's version of Hindi cinema's most popular villain Gabbar Singh. The only actor in this ensemble who recognises the film's over-the-top tone and plays along accordingly, Bachchan constructs a menacing character who is a treat to watch. He's meant to be a comic book villain who snarls and sneers and hisses and hams, and he does all of that to good effect. But because he's trapped in such a doomed enterprise, his performance doesn't really help elevate the film in any way.No surprises here, I'm going with zero out of ten and two thumbs down for Ramgopal Varma Ki Aag, it one's of those painful movie-watching experiences you wouldn't subject even an enemy to. It's not like Varma hasn't handled a remake before. With Sarkar he gave us a smart, gripping take on The Godfather, and it's a pity he's made this Sholay bhature out of such a much-loved classic. Ramgopal Varma Ki Aag is his worst career decision ever, it's also a dark spot on his resume he'll be embarrassed of forever. I suspect this film will go down in movie history as Ramgopal Varma Ka Daag.