Answer the question at the end by quoting:

Mae Carol Jemison was born in Decatur, Alabama, on October 17, 1956, the youngest child of Charlie Jemison and Dorothy Green. Her father was a maintenance supervisor for a charity organization, and her mother worked most of her career as an elementary school teacher of English and math at the Beethoven School in Chicago. The family moved to Chicago, Illinois, when Jemison was three years old, to take advantage of the better educational and employment opportunities there. Jemison says that as a young girl growing up in Chicago she always assumed she would get into space.
Jemison is an active public speaker who appears before private and public groups promoting science and technology as well as providing an inspirational and educational message for young people. "Having been an astronaut gives me a platform," says Jemison,"but I'd blow it if I just talked about the Shuttle." Jemison uses her platform to speak out on the gap in the quality of health-care between the United States and the Third World. "Martin Luther King [Jr.] ... didn't just have a dream, he got things done." Jemison sometimes appears at charity events. In 2007, Jemison walked the runway, wearing Lyn Devon, at the Red Dress Heart Truth fashion show during Fashion Week in New York to help raise money to fight heart disease. Also in 2007, in May, Jemison was the graduation commencement speaker and only the 11th person in the 52-year history of Harvey Mudd College to be given an honorary degree. She was awarded a doctor of engineering degree. On February 17, 2008, Jemison was the featured speaker for the 100th anniversary of the founding of the Alpha Kappa Alpha Sorority. Jemison paid tribute to Alpha Kappa Alpha by carrying the sorority's banner with her on her shuttle flight. Jemison's space suit is a part of the sorority's national traveling Centennial Exhibit. Jemison is an honorary member of Alpha Kappa Alpha, a sorority founded in 1908 at Howard University to address the social issues of the time and promote scholarship among black women. The Des Moines Register interviewed Jemison on October 16, 2008 and reported that she has mixed feelings about the term "role model". "Here's the deal: Everybody's a role model.... Role models can be good or bad, positive or negative." Jemison participated with First Lady, Michelle Obama, in a forum for promising girls in the Washington, D.C. public schools in March 2009. In 2014, Jemison also appeared at Wayne State University for their annual Dr. Martin Luther King, Jr. Tribute Luncheon. In 2016, she partnered with Bayer Corporation to promote and advance science literacy in schools, emphasizing hands-on experimentation. She took part in the Michigan State University's lecture series, "Slavery to Freedom: An American Odyssey," in February 2017. In May 2017, Jemison gave the commencement speech at Rice University. She discussed the 100 Year Plan, science and education and other topics at Western Michigan University also in May 2017.

Did she make any public appearances in other countries?

Answer the question at the end by quoting:

George Michael Cohan (July 3, 1878 - November 5, 1942), known professionally as George M. Cohan, was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and producer. Cohan began his career as a child, performing with his parents and sister in a vaudeville act known as "The Four Cohans." Beginning with Little Johnny Jones in 1904, he wrote, composed, produced, and appeared in more than three dozen Broadway musicals. Cohan published more than 300 songs during his lifetime, including the standards "Over There", "Give My Regards to Broadway", "The Yankee Doodle Boy" and "You're a Grand Old Flag".
Cohan appeared in 1930 in a revival of his tribute to vaudeville and his father, The Song and Dance Man. In 1932, Cohan starred in a dual role as a cold, corrupt politician and his charming, idealistic campaign double in the Hollywood musical film The Phantom President. The film co-starred Claudette Colbert and Jimmy Durante, with songs by Rodgers and Hart, and was released by Paramount Pictures. He appeared in some earlier silent films but he disliked Hollywood production methods and only made one other sound film, Gambling (1934), based on his own 1929 play and shot in New York City. A critic called Gambling a "stodgy adaptation of a definitely dated play directed in obsolete theatrical technique." It is considered a lost film. Cohan earned acclaim as a serious actor in Eugene O'Neill's only comedy, Ah, Wilderness! (1933), and in the role of a song-and-dance President Franklin D. Roosevelt in Rodgers and Hart's musical I'd Rather Be Right (1937). The same year, he reunited with Harris to produce a play called Fulton of Oak Falls, starring Cohan. His final play, The Return of the Vagabond (1940), featured a young Celeste Holm in the cast. In 1940, Judy Garland played the title role in a film version of his 1922 musical Little Nellie Kelly. Cohan's mystery play Seven Keys to Baldpate was first filmed in 1916 and has been remade seven times, most recently as House of Long Shadows (1983), starring Vincent Price. In 1942, a musical biopic of Cohan, Yankee Doodle Dandy, was released, and James Cagney's performance in the title role earned the Best Actor Academy Award. The film was privately screened for Cohan as he battled the last stages of abdominal cancer; Cohan's comment on Cagney's performance was, "My God, what an act to follow!" Cohan's 1920 play The Meanest Man in the World was filmed in 1943 with Jack Benny.

What was the song and dance man

his father,

Answer the question at the end by quoting:

Charles Lutwidge Dodgson (; 27 January 1832 - 14 January 1898), better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon, and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky", and the poem The Hunting of the Snark - all examples of the genre of literary nonsense.
In 1856, Dodgson took up the new art form of photography under the influence first of his uncle Skeffington Lutwidge, and later of his Oxford friend Reginald Southey. He soon excelled at the art and became a well-known gentleman-photographer, and he seems even to have toyed with the idea of making a living out of it in his very early years. A study by Roger Taylor and Edward Wakeling exhaustively lists every surviving print, and Taylor calculates that just over half of his surviving work depicts young girls, though about 60% of his original photographic portfolio is now missing. Dodgson also made many studies of men, women, boys, and landscapes; his subjects also include skeletons, dolls, dogs, statues, paintings, and trees. His pictures of children were taken with a parent in attendance and many of the pictures were taken in the Liddell garden because natural sunlight was required for good exposures. He also found photography to be a useful entree into higher social circles. During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Julia Margaret Cameron, Michael Faraday, Lord Salisbury, and Alfred, Lord Tennyson. By the time that Dodgson abruptly ceased photography (1880, over 24 years), he had established his own studio on the roof of Tom Quad, created around 3,000 images, and was an amateur master of the medium, though fewer than 1,000 images have survived time and deliberate destruction. He stopped taking photographs because keeping his studio working was too time-consuming. He used the wet collodion process; commercial photographers who started using the dry-plate process in the 1870s took pictures more quickly. Popular taste changed with the advent of Modernism, affecting the types of photographs that he produced.

Did he take photos of any others?
He also found photography to be a useful entree into higher social circles. During the most productive part of his career,