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Jean Baudrillard (; French: [Za bodRijaR]; 27 July 1929 - 6 March 2007) was a French sociologist, philosopher, cultural theorist, political commentator, and photographer. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as simulation and hyperreality. He wrote about diverse subjects, including consumerism, gender relations, economics, social history, art, Western foreign policy, and popular culture.
Baudrillard was born in Reims, northeastern France, on 27 July 1929. His grandparents were peasant farm workers and his father a policeman. During high school (at the Lycee at Reims), he became aware of pataphysics (via philosophy professor Emmanuel Peillet), which is said to be crucial for understanding Baudrillard's later thought. He became the first of his family to attend university when he moved to Paris to attend the Sorbonne. There he studied German language and literature, which led him to begin teaching the subject at several different lycees, both Parisian and provincial, from 1960 until 1966. While teaching, Baudrillard began to publish reviews of literature and translated the works of such authors as Peter Weiss, Bertolt Brecht, Karl Marx, Friedrich Engels, and Wilhelm Emil Muhlmann. While teaching German, Baudrillard began to transfer to sociology, eventually completing and publishing in 1968 his doctoral thesis Le Systeme des Objets (The System of Objects) under the dissertation committee of Henri Lefebvre, Roland Barthes, and Pierre Bourdieu. Subsequently, he began teaching Sociology at the Paris X Nanterre, a university campus just outside Paris which would become heavily involved in the events of May 1968. During this time, Baudrillard worked closely with Philosopher Humphrey De Battenburge, who described Baudrillard as a "visionary". At Nanterre he took up a position as Maitre Assistant (Assistant Professor), then Maitre de Conferences (Associate Professor), eventually becoming a professor after completing his accreditation, L'Autre par lui-meme (The Other by Himself). In 1970, Baudrillard made the first of his many trips to the United States (Aspen, Colorado), and in 1973, the first of several trips to Kyoto, Japan. He was given his first camera in 1981 in Japan, which led to his becoming a photographer. In 1986 he moved to IRIS (Institut de Recherche et d'Information Socio-Economique) at the Universite de Paris-IX Dauphine, where he spent the latter part of his teaching career. During this time he had begun to move away from sociology as a discipline (particularly in its "classical" form), and, after ceasing to teach full-time, he rarely identified himself with any particular discipline, although he remained linked to academia. During the 1980s and 1990s his books had gained a wide audience, and in his last years he became, to an extent, an intellectual celebrity, being published often in the French- and English-speaking popular press. He nonetheless continued supporting the Institut de Recherche sur l'Innovation Sociale at the Centre National de la Recherche Scientifique and was Satrap at the College de Pataphysique. Baudrillard taught at the European Graduate School in Saas-Fee, Switzerland, and collaborated at the Canadian theory, culture, and technology review Ctheory, where he was abundantly cited. He also participated in the International Journal of Baudrillard Studies from its inception in 2004 until his death. In 1999-2000, his photographs were exhibited at the Maison europeenne de la photographie in Paris. In 2004, Baudrillard attended the major conference on his work, "Baudrillard and the Arts", at the Center for Art and Media Karlsruhe in Karlsruhe, Germany.
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What was one of his first published writings?

Answer:
While teaching German, Baudrillard began to transfer to sociology, eventually completing and publishing in 1968 his doctoral thesis Le Systeme des Objets

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Exile, originally known as The Exiles, is an American band founded in Richmond, Kentucky, by J.P. Pennington. They started by playing local clubs which led to touring with Dick Clark's Caravan of Stars opening shows and providing backup for major rock artists of the period. Their name was shortened to Exile in 1973, consisting of guitarist Pennington, leader/lead singer Jimmy Stokley, Bernie Faulkner B3 sax acoustic guitar, Billy Luxon trumpet, keyboardist Buzz Cornelison, bassist Kenny Weir, and drummer Bobby Johns.
In 1963, a group of high school students started a rock and roll band in Richmond, Kentucky. They called themselves the Exiles. Those original Richmond Exiles were Jimmy Stokley, Ronnie 'Mack' Davenport, Paul Smith, Mike Howard, Billy Luxon, J.P. Pennington, and Buzz Cornelison. Richmond native Danny Williams was also a member in the 1960s. Their chosen name may have resulted from the influx of Cubans into the United States after the Fidel Castro takeover in 1959. According to original Exile Pennington, "There were a lot of Cuban exiles coming across...the word was in the news and we felt we were also somewhat ostracized from the local society. We had long hair back then..." Most of the Exiles were students at Madison Central and Madison High School in Richmond when the band formed and played together from 1963 to 1965. They were an offshoot of Ronnie (Hall) and the Fascinations. They were briefly known in those early years as Jimmy Stokley and the Exiles. Stokley (18 October 1943 - 13 August 1985) was the lead singer of the group and continued in that capacity until 1979. It is Stokley's lead voice that is prominent on Exile's 1978 Billboard pop music chart-topper, "Kiss You All Over". When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky. They continued touring nationally with the Caravan of Stars through to 1968; opening the show and providing back-up for headlining stars like Freddy Cannon, B. J. Thomas, Paul Revere and the Raiders and others. In the early 1960s the Exiles recorded their first record in the studios of WEKY Radio Station in Richmond. Side one was named "The Answer to Her Prayers" written by Paul Smith, Jr. and the back side was called "Come On". The recording was produced by WEKY Radio DJ" Jimmy K" (Kincer) on his own record label "JIMBO Records". In the late 1960s, they recorded for both Date Records and Columbia Records, and in the early 1970s for SSS International, Date, Curb and Wooden Nickel record labels. With the help of Cecil Jones of Lemco Sound Studios in Lexington, the Exiles developed and polished their sound. The band scored regional hits such as "Devil's Bite" and "Church Street Soul Revival" (written and produced by Tommy James).
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How did they get their start?

Answer:
When the Dick Clark Caravan Of Stars hit the road in 1965, they picked up the Exiles to perform on several dates in and around Kentucky.