Bryan C. Keene and Alexandra Kaczenski of the Getty Museum's Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of "green spaces" such as gardens, vistas, and their relation to the divine. In particular, Bryan and Alexandra focus on the ways in which artists during the European Middle Ages and Renaissance embedded the pages of illuminated manuscripts with depictions of the natural world so that nature could guide prayer, chant, and meditation. For Bryan, this project represents a continuation of his interest in sacred gardens that began with his graduate work on the garden imagery that influenced Botticelli's Agony in the Garden painting. In 2013 he curated the exhibition and authored the accompanying book Gardens of the Renaissance. For Alexandra, interest in this subject stems from her scholarly focus on Flemish manuscripts and their relation to Flemish landscape paintings. She brought to the project a complementary interest in issues of environmental and landscape destruction, which also were themes of the exhibition and publication. Though floral and nature studies of the Renaissance and Early Modern periods have been extensively investigatedthe scientific notebooks of Leonardo da Vinci, for example, are well documentedthis exhibition turns its focus on landscape and the divine. Curatorial research has shed new light on subjects such as the seemingly "scattered" floral arrangements represented within the pages of these books and their relationship to humoral theory and religion. Bryan adds, "The tension that we find in these borders is, on the one hand, intricately rendered leaf and petal structures of plants or flowers, and on the other, hidden whimsical elements, all of which combine to create a rich tapestry of meaning, both symbolic and scientific. Alex and I will continue to explore the potential meaning within this botanical and arboreal chaos." Sacred... According to the above context, choose the correct option to answer the following question. Question: Alexandra believes that: Options: - not enough information - Flemish manuscripts and landscape paintings are of interest - Iraq manuscripts are of interest - Iran's architecture is of interest
Flemish manuscripts and landscape paintings are of interest

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I don't reckon the sun's ever come up quite the same since the day it happened. I've been watching it for years now and to me it still don't look right somehow. Maybe it's just me thinking it, sending myself doolally after what I've done. But I swear every morning it creeps up and it's looking at me, all knowing like. And when you reckon the sun's acting like that over you there isn't a right lot you can do about it, beyond burying yourself away like a mole in the soil. That's what I've been doing more or less in the score or so years that have gone by since. But however tight I shut them curtains to stop that damn sun lighting me up, it still don't stop the inside of my head from pounding out the truth. No way it's ever going to stop harassing me neither, not unless the deaf and dumb lass was to happen right back on my doorstep and give me the chance to tell her that it wasn't never meant to work out this way. The deaf and dumb lass went by the name of Mitzi Barker. Her being deaf and dumb, she was the kind of lass you went up the lane with if you didn't want no-one shouting their gob off about it after. Funny but it's the small things I recall best about her, like the way her hair reeked of bonfires and how that little old checkered dress of hers rode right up her thigh with no help from me. After we'd finished our business we'd head over the trout farm and I'd hunker down and poach us up a couple of rainbows for our tea. That Mitzi Barker, she was thin as an ear of barley and I always figured a good nosh-up was the least I could do for her troubles. According to the above context, choose the correct option to answer the following question. Question: Who said Mitzi was as thin as an ear of barley? Options: - Mitzi - the reader - not enough information - the author
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the author

Ques:Michael Morzeny put his hands into the pockets of his overcoat and hugged the fabric tighter around his body. The winter wind hurried down Columbus Avenue and the hem of his coat flapped around his knees letting little pockets of cold waft up to invade the warmth his body had spent so much time preparing and storing around his torso. With a bitter squeeze of his hands, his knuckles now getting cold, Morzeny bowed his square shoulders to the wind and continued walking. At sixty-seven years old the New York winters bothered Morzeny more than he cared to admit. And, although no doctor would admit it to him, he was positive that the first faint hints of arthritis tweaking through his hands were made worse by the cold. At every cross street the setting sun flashed through to the avenue in shades of crisp pink and red. Morzeny didn't want to be working right now. But these outings were the price he paid for having a hybrid job, owning buildings and brokering as many of his own leases as possible. When he had first come to the city he had been told that he needed a job, not for income, his providers took care of that, but for his own sanity. Something to keep him going. He had asked for something in real estate and had never bothered to wonder what other paths he might have taken. He had always been able to focus to the point of blindness. It helped him in every aspect of his work. He arrived at the brownstone building housing the apartment he was to show tonight. His building was tucked into a short row of buildings that squatted over the street, their steps reaching towards the curb like stunted growths. More to prove to himself that he could do it than anything else, Morzeny took the front steps two at a time. According to the above context, choose the correct option to answer the following question. Question: Why did Morzeny become involved in real estate? Options: - not enough information - For his sanity - He needed the job - He was fired from his job

Ans:
For his sanity