input: Flutie played football for Boston College, the only Division I-A school to recruit him, from 1981 to 1984, and won the Heisman Trophy, Maxwell Award, and the Davey O'Brien National Quarterback Award in his senior year (1984). Flutie became the first quarterback to win the Heisman since Pat Sullivan in 1971. Flutie left school as the NCAA's all-time passing yardage leader with 10,579 yards and was a consensus All-American as a senior. He earned Player of the Year awards from UPI, Kodak, The Sporting News, and the Maxwell Football Club. The quarterback coach for Boston College from 1981 - 1983 was Tom Coughlin. Flutie gained national attention in 1984 when he led the Eagles to victory in a high-scoring, back-and-forth game against the Miami Hurricanes (led by QB Bernie Kosar). The game was nationally televised on CBS the day after Thanksgiving and thus had a huge audience. Miami staged a dramatic drive to take the lead, 45-41, in the closing minute of the game. Boston College then took possession at its own 22-yard line with 28 seconds to go. After two passes moved the ball another 30 yards, only 6 seconds remained. On the last play of the game, Flutie scrambled away from the defense and threw a "Hail Mary pass" that was caught in the end zone by Gerard Phelan, giving BC a 47-45 win. Flutie won the Heisman trophy a week later, but the voting had finished before the game; Flutie said, however, that "without the Hail Mary pass I think I could have been very easily forgotten". The subsequent rise in applications for admission to Boston College after Flutie's "Hail Mary" gave rise to the admissions phenomenon known as the "Flutie Effect". This idea essentially states that a winning sports team can increase the recognition value of a school enough to make it more attractive to potential applicants. In addition to his collegiate athletic achievement, Flutie maintained a distinguished academic record at Boston College. He was a candidate for a Rhodes Scholarship, for which he was named a finalist in 1984. Upon graduating, Flutie won a National Football Foundation post-graduate scholarship. In November 2008, Flutie was honored by Boston College with a statue of him throwing his famous "Hail Mary" pass outside of Alumni Stadium. His number, 22, has been retired by the Boston College football program.

Answer this question "What position did he play in college?"
output: quarterback

input: In 1994, musicians Christian Jacobs, Chad Larson and former member Boyd Terry formed The Aquabats in Brea, California. Influenced as much by cartoons and camp television as theatrical bands like Devo and Oingo Boingo, The Aquabats gained instant notoriety in the Orange County music scene for their eccentric persona in which they claimed to be a band of superheroes on a quest to save the world and their elaborate stage shows which regularly featured scripted fights with costumed villains alongside similar stunts and comedy sketches. The Aquabats' second studio album, 1997's The Fury of The Aquabats!, proved to be a minor commercial breakthrough for the group, charting on the Billboard 200 and bringing them exposure through such venues as MTV, leading Jacobs - a former child actor with ties in the industry - to develop the concept of adapting the band's mythology for television. In 1998, Buena Vista Television helped produce a live-action mini-pilot directed by comedian Bobcat Goldthwait titled simply The Aquabats!, following the comic misadventures of the then-eight member band in an over-the-top camp style similar to Saturday morning cartoon shows. The pilot, which has yet to be made available for public viewing, failed to generate any network interest and was ultimately even disowned by the band themselves. Undeterred, The Aquabats made an attempt at a second pilot the following year, using a music video budget granted by their record label Goldenvoice Records for their 1999 album The Aquabats vs. the Floating Eye of Death!. Independently directed and produced by Jacobs and his creative partner Scott Schultz, the result was a five-minute promo video entitled The Aquabats in Color!. In contrast to the wackier tone of the previous pilot, The Aquabats in Color! was a more action-oriented superhero series modeled after Japanese tokusatsu shows such as Kamen Rider. According to Jacobs, the Fox Family Channel reportedly expressed interest in the series and ordered production on a proper pilot episode, though following the channel's acquisition by Disney in 2001, the project was cancelled.

Answer this question "What did Jacobs do?"
output: to develop the concept of adapting the band's mythology for television.

input: Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis. Ashford & Beard, along with then-lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, shortened to four. After another member left the group, she was replaced by Alabama-born vocalist Martha Reeves, who had been a member of a rival group, the Fascinations and had also been a member of another group, the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know". The record flopped. The group then recorded for Checkmate Records, a subsidiary of Chess Records, recording their first take of "There He Is (At My Door)". That record, featuring Williams on lead vocals, also flopped. Briefly separated, Reeves returned to a solo career performing under the name Martha LaVaille, in hopes of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson noticed Reeves singing at a prominent Detroit club, he offered her his business card for an audition. Reeves showed up at Motown on a wrong date (Motown auditions were held at Thursdays, while Reeves showed up to Motown's Hitsville USA studios on a Tuesday). Stevenson, initially upset, told Reeves to look out for clients and other matters. Soon Reeves became Stevenson's secretary and later was responsible for helping acts audition for the label. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals - and Martha's lead vocals in the song - that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves renamed themselves The Vandellas, after Detroit's Van Dyke Street and Reeves' favorite singer, Della Reese.

Answer this question "How did Reeves audition go?"
output:
Reeves showed up at Motown on a wrong date (Motown auditions were held at Thursdays, while Reeves showed up to Motown's Hitsville USA studios on a Tuesday).