In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : The Schlieffen Plan (German: "Schlieffen-Plan" , ] ) was the name given after World War I to the thinking behind the German invasion of France and Belgium on 4 August 1914. Field Marshal Alfred von Schlieffen, the Chief of the Imperial Army German General Staff from 1891 to 1906, devised a deployment plan for a war-winning offensive, in a one-front war against the French Third Republic from 190506. After the war, the German official historians of the "Reichsarchiv" and other writers, described the plan as a blueprint for victory. German historians claimed that the plan had been ruined by "Generaloberst" (Colonel-General) Helmuth von Moltke the Younger, the Commander-in-Chief of the German army after Schlieffen retired in 1906, who was dismissed after the First Battle of the Marne (512 September 1914). Context_2 : The Battle of Elchingen, fought on 14 October 1805, saw French forces under Michel Ney rout an Austrian corps led by Johann Sigismund Riesch. This defeat led to a large part of the Austrian army being invested in the fortress of Ulm by the army of Emperor Napoleon I of France while other formations fled to the east. Soon afterward, the Austrians trapped in Ulm surrendered and the French mopped up most of the remaining Austrians forces, bringing the Ulm Campaign to a close. Context_3 : The 9th Light Infantry Regiment (9e regiment d'infanterie legere) was a French army regiment. One of the most notable infantry regiments in the Napoleonic Wars, it was awarded the title "Incomparable" by Napoleon Bonaparte after their brilliant performance at the Battle of Marengo on 14 June 1800. The regiment went on to serve with distinction in the [Ulm Campaign], at the Battle of Durenstein (11 November 1805), the Jena Campaign (1806), and the Battle of Friedland (14 June 1807). The regiment then served in the Peninsular War taking a notable role at the Battle of Talavera 2728 July 1809 and the Siege of Badajoz (1812). Battalions from the regiment also fought on the Wagram Campaign (1809), at the Battle of Leipzig (1619 October 1813), and Napoleon's campaigns in France (1814). During the Hundred Days the 9th Light fought at Battle of Ligny (16 June 1815) and the Battle of Wavre (1819 June 1815). The regiment was disbanded in the aftermath of the Bourbon Restoration. Context_4 : The Ulm Campaign was a series of French and Bavarian military maneuvers and battles to outflank and capture an Austrian army in 1805 during the War of the Third Coalition. It took place in the vicinity of and inside the Swabian (then Bavarian) city of Ulm. The French Grande Armee, led by Napoleon Bonaparte, comprised 210,000 troops organized into seven corps, and hoped to knock out the Austrian army in the Danube before Russian reinforcements could arrive. Through rapid marching, Napoleon conducted a large wheeling maneuver that captured an Austrian army of 23,000 under General Mack on 20 October at Ulm, bringing the total number of Austrian prisoners in the campaign to 60,000. The campaign is generally regarded as a strategic masterpiece and was influential in the development of the Schlieffen Plan in the late 19th century. Context_5 : In the Battle of Wertingen (8 October 1805) Imperial French forces led by Marshals Joachim Murat and Jean Lannes attacked a small Austrian corps commanded by Feldmarschall-Leutnant Franz Xaver von Auffenberg. This action, the first battle of the Ulm Campaign, resulted in a clear French victory. Wertingen lies 28 km northwest of Augsburg. The combat was fought during the War of the Third Coalition, part of the Napoleonic Wars. Context_6 : Three ships of the French Navy have borne the name Donawerth, in honour of the battle of Donauworth during the Ulm Campaign : Context_7 : The Reserve Cavalry Corps or Cavalry Reserve of the "Grande Armee" was the name of a French military formation that existed during the Napoleonic Wars. In 1805, Emperor Napoleon appointed Marshal Joachim Murat to command all the cavalry divisions that were not directly attached to the Army Corps. During the Ulm Campaign, Murat led his horsemen in successfully hunting down many Austrian Empire units that escaped the Capitulation of Ulm. Murat's horsemen fought at Austerlitz in December 1805. Under Murat, the Cavalry Reserve played a prominent role in the destruction of the Kingdom of Prussia's armies after the Battle of Jena-Auerstadt in 1806. Five dragoon divisions of the corps were employed in the Peninsular War starting in 1808 and placed under the overall command of Marshal Jean-Baptiste Bessieres. The Cavalry Reserve was reassembled in 1809 to fight Austria with Bessieres still in command. In 1812 the Reserve Cavalry Corps was split up into the I, II, III, and IV Cavalry Corps for the French invasion of Russia. Context_8 : Johann Sigismund Graf von Riesch (2 August 1750 2 November 1821) joined the army of Habsburg Austria as a cavalry officer and, during his career, fought against the Kingdom of Prussia, Ottoman Turkey, Revolutionary France, and Napoleon's French Empire. He became a general officer during the French Revolutionary Wars and held important commands during the War of the Second Coalition. He displayed a talent for leading cavalry formations, but proved less capable when given corps-sized commands. During the 1805 Ulm Campaign in the Napoleonic Wars, the French badly defeated his corps and forced it to surrender soon afterward. From 1806 to his death in 1821, he was the Proprietor (Inhaber) of an Austrian cavalry regiment. Context_9 : The Battle of Ulm on 1619 October 1805 was a series of skirmishes, at the end of the Ulm Campaign, which allowed Napoleon I to trap an entire Austrian army under the command of Karl Freiherr Mack von Leiberich with minimal losses and to force its surrender near Ulm in the Electorate of Bavaria. Context_10 : The Trachenberg Plan was a campaign plan created by Allied commanders in the 1813 German Campaign during the War of the Sixth Coalition of the Napoleonic Wars, and named for the conference held at the palace of Trachenberg. The plan advocated avoiding direct engagement with the French emperor, Napoleon I. This resulted from fear of the Emperor's now legendary prowess in battle. Consequently, the Allies planned to engage and defeat the French Marshals and Generals separately, and thus weaken his army while they built up an overwhelming force even he could not defeat. It was decided upon after a series of defeats and near disasters by the Coalition at Napoleon's hands at the battles of Lutzen, Bautzen and Dresden. The plan ultimately worked and at the Battle of Leipzig, where the Allies had a considerable numerical advantage, the Emperor was soundly defeated and driven out of Germany, across the Rhine back into France itself. The plan was an amalgam of two prior works: The Trachenberg Protocol and the Reichenbach Plan, authored by the Austrian chief of staff of the allied coalition, Radetzky and the Swedish Crown Prince Charles John (formerly Napoleon's marshal Jean Baptiste Bernadotte) whose experience with the tactics and methods of the French Army, as well as personal insight on the mind of Napoleon, proved invaluable. The combined, modified version of the two prior plans became known as the Trachenberg Plan. fact_1 : The campaign is generally regarded as a strategic masterpiece and was influential in the development of the Schlieffen Plan in the late 19th century. fact_2 : The Schlieffen Plan (German: "Schlieffen-Plan" , ] ) was the name given after World War I to the thinking behind the German invasion of France and Belgium on 4 August 1914. Answer: World War I
Solution:
Ulm Campaign was influential in the development of a plan during which war?