input: Hollywood was in the midst of a widely publicized search to find an actress to portray Scarlett O'Hara in David O. Selznick's production of Gone with the Wind (1939). At the time, Myron Selznick--David's brother and Leigh's American theatrical agent--was the London representative of the Myron Selznick Agency. In February 1938, Leigh made a request to Myron Selznick that she be considered to play the part of Scarlett O'Hara. David O. Selznick watched her performances that month in Fire Over England and A Yank at Oxford and thought that she was excellent but in no way a possible Scarlett because she was "too British". Leigh travelled to Los Angeles, however, to be with Olivier and to try to convince David Selznick that she was the person for the part. Myron Selznick also represented Olivier and when he met Leigh, he felt that she possessed the qualities that his brother was searching for. According to legend, Myron Selznick took Leigh and Olivier to the set where the burning of the Atlanta Depot scene was being filmed and stage-managed an encounter, where he introduced Leigh, derisively addressing his younger brother, "Hey, genius, meet your Scarlett O'Hara." The following day, Leigh read a scene for Selznick, who organized a screen test with director George Cukor and wrote to his wife, "She's the Scarlett dark horse and looks damn good. Not for anyone's ear but your own: it's narrowed down to Paulette Goddard, Jean Arthur, Joan Bennett and Vivien Leigh". The director, George Cukor, concurred and praised Leigh's "incredible wildness". She secured the role of Scarlett soon after. Filming proved difficult for Leigh. Cukor was dismissed and replaced by Victor Fleming, with whom Leigh frequently quarrelled. She and Olivia de Havilland secretly met with Cukor at night and at weekends for his advice about how they should play their parts. Leigh befriended Clark Gable, his wife Carole Lombard and Olivia de Havilland; but she clashed with Leslie Howard, with whom she was required to play several emotional scenes. Leigh was sometimes required to work seven days a week, often late into the night, which added to her distress; and she missed Olivier, who was working in New York City. On a long-distance telephone call to Olivier, she declared: "Puss, my puss, how I hate film acting! Hate, hate, and never want to do another film again!" Quoted in a 2006 biography of Olivier, Olivia de Havilland defended Leigh against claims of her manic behaviour during the filming of Gone with the Wind: "Vivien was impeccably professional, impeccably disciplined on Gone with the Wind. She had two great concerns: doing her best work in an extremely difficult role and being separated from Larry [Olivier], who was in New York." Gone with the Wind brought Leigh immediate attention and fame; but she was quoted as saying, "I'm not a film star - I'm an actress. Being a film star - just a film star - is such a false life, lived for fake values and for publicity. Actresses go on for a long time and there are always marvellous parts to play." The film won 10 Academy Awards including a Best Actress award for Leigh, who also won a New York Film Critics Circle Award for Best Actress.

Answer this question "What was her role in Gone with the Wind?"
output: the part of Scarlett O'Hara.

input: As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture. Bavitz began rapping in the early 1990s. He cites Public Enemy, BDP, KMD, and Run DMC as early influences. Bavitz also listened to rock acts such as Dead Kennedys, Fugazi, and Ministry; he was introduced to these groups by his older brother Chris. Bavitz started to play instruments such as the piano and bass at an early age. He then eventually acquired a sampler. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.com. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit. His early records were mostly produced by long-time friend Blockhead, and underground producer Dub-L. After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.

Answer this question "who else did Aesop work with?"
output: Production was split between Blockhead and Aesop himself, with one track by Omega One.

input: Dean graduated from Yale University with a Bachelor of Arts in political science in 1971. As a freshman, he requested specifically to room with an African-American. The university housing office complied and Dean roomed with two Southern black students and one white student from Pennsylvania. One of Dean's roommates was Ralph Dawson, the son of a sheet metal worker in Charleston, South Carolina and today a New York City labor lawyer. Dawson said of Dean: Unless you operated from a stereotypic understanding of the Yale white boy as rich, you wouldn't know that about Howard.... When it came to race- and I don't know whether this was a function of intent or just came naturally- Howard was not patronizing in any way. He was willing to confront in discussion what a lot of white students weren't. He would hold his ground. He would respect that I knew forty-two million times more about being black than he did. But that didn't mean he couldn't hold a view on something relating to civil rights that would be as valid as mine. There were lots of well-meaning people at Yale who wanted you to understand that they understood your plight; you'd get into a conversation and they would yield too soon, so we didn't get the full benefit of the exchange. Howard very much thought he was capable of working an issue through. He was inquisitive. And when he came to a conclusion he would be as strong as anybody else. I don't think he's stubborn. He's a guy who's always been comfortable in his own skin. That's something you still see in him today, and it gets him into some degree of controversy. Though eventually eligible to be drafted into the military, he received a deferment for an unfused vertebra. He explained to Tim Russert on Meet the Press, "I was really in no hurry to join the military." He briefly tried a career as a stockbroker before deciding on a career in medicine, completing pre-medicine classes at Columbia University. In 1974, Dean's younger brother Charlie, who had been traveling through southeast Asia at the time, was captured and killed by Laotian guerrillas, a tragedy widely reported to have an enormous influence in Dean's life; he wore his brother's belt every day of his presidential campaign.

Answer this question "What did Dean do at Yale?"
output:
As a freshman, he requested specifically to room with an African-American.