Problem: Eithne Padraigin Ni Bhraonain was born on 17 May 1961 in Dore, an area of the remote parish of Gweedore, County Donegal in northwestern Ireland. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how Eithne is pronounced in Irish; "Ni Bhraonain" translates to "daughter of Brennan". The fifth of nine children, Enya was born into a Roman Catholic family of musicians.

In 1997, Enya bought Manderley Castle, a Victorian Grade A listed castle home in Killiney, County Dublin for PS2.5 million at auction. Formerly known as Victoria and Ayesha Castle, she renamed the castle after the house from the book Rebecca by Daphne du Maurier. In 2009, during her three-year break from music, Enya purchased a home in southern France. Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck, stabbed himself outside her parents' pub after being ejected from the premises. In 2005, two people broke into her home; one attacked one of her maids and left with several of Enya's items. Enya raised the alarm in her safe room. The incident led Enya to spend roughly PS250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. Enya is known for keeping a low profile and very private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me ... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". Her relationship with a Spanish man ended in 1997, around the time when she considered taking time out of music to have a family, but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious ... I derive from religion what I enjoy." In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of PS75 million, and No. 95 in the Sunday Times Rich List of the richest 250 Irish people. The 2016 edition, which listed its top 50 "Music Millionaires of Britain and Ireland", she emerged as the richest female singer with a fortune of PS91 million for a place at No. 28. In 2017 a new species of fish, Leporinus enyae, found in the Orinoco River drainage area was named after Enya.

Can you tell me more about that experience?

Answer with quotes: she emerged as the richest female singer with a fortune of PS91 million for a place at No. 28.

Question:
Baudelaire was born in Paris, France, on April 9, 1821, and baptized two months later at Saint-Sulpice Roman Catholic Church. His father, Francois Baudelaire, a senior civil servant and amateur artist, was 34 years older than Baudelaire's mother, Caroline. Francois died during Baudelaire's childhood, in 1827. The following year, Caroline married Lieutenant Colonel Jacques Aupick, who later became a French ambassador to various noble courts.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness. This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations. Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connects it more closely to the work of the contemporary "Parnassians". As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetic pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of "symbols" (images that take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarme, who acknowledge Baudelaire as a pioneer in this regard. Beyond his innovations in versification and the theories of symbolism and "correspondences", an awareness of which is essential to any appreciation of the literary value of his work, aspects of his work that regularly receive much critical discussion include the role of women, the theological direction of his work and his alleged advocacy of "satanism", his experience of drug-induced states of mind, the figure of the dandy, his stance regarding democracy and its implications for the individual, his response to the spiritual uncertainties of the time, his criticisms of the bourgeois, and his advocacy of modern music and painting (e.g., Wagner, Delacroix). He made Paris the subject of modern poetry. He would bring the city's details to life in the eyes and hearts of his readers.
Answer this question using a quote from the text above:

What did this lead too

Answer:
This obsessive idea is above all a child of giant cities, of the intersecting of their myriad relations.