The definition makes no declaration about the Church's belief that the Blessed Virgin was sinless in the sense of freedom from actual or personal sin. However, the Church holds that Mary was also sinless personally, "free from all sin, original or personal". The Council of Trent decreed: "If anyone shall say that a man once justified can sin no more, nor lose grace, and that therefore he who falls and sins was never truly justified; or, on the contrary, that throughout his whole life he can avoid all sins even venial sins, except by a special privilege of God, as the Church holds in regard to the Blessed Virgin: let him be anathema."
What important announcement was made by the ecumenical council in regards to the decision on Mary ?
let him be anathema."

Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China.
What was the typical main focus of rooms?
chimneypiece

Modern standard Italian itself is heavily based on the Latin-derived Florentine Tuscan language. The Tuscan-based language that would eventually become modern standard Italian had been used in poetry and literature since at least the 12th century, and it first became widely known in Italy through the works of authors such as Dante Alighieri, Giovanni Boccaccio, Niccolo Machiavelli, and Petrarch. Dante's Florentine-Tuscan literary Italian thus became the language of the literate and upper class in Italy, and it spread throughout the peninsula as the lingua franca among the Italian educated class as well as Italian traveling merchants. The economic prowess and cultural and artistic importance of Tuscany in the Late Middle Ages and the Renaissance further encouraged the diffusion of the Florentine-Tuscan Italian throughout Italy and among the educated and powerful, though local and regional languages remained the main languages of the common people.
During what century did Florentine Tuscan begin to be used in poetry?
12th