Problem: Juan Sebastian Veron (Spanish pronunciation: ['xwan sebas'tjam be'ron]; born 9 March 1975) is a retired Argentine footballer who as the chairman for Estudiantes de La Plata, where he had served as Director of Sports. A former midfielder, Veron's career started in Estudiantes, continued in Argentina's Boca Juniors, and included stints in several clubs in the Italian Serie A (where he won the Scudetto with Lazio and with Internazionale, and a UEFA Cup with Parma), and England's Manchester United and Chelsea. In 2006, Veron returned to Estudiantes, where he remained until his retirement in 2014, aside from a brief spell with Brandsen. He has announced his short return to first team will occur in Copa Libertadores 2017.

Veron was called up for the 1998 FIFA World Cup in France, where Argentina was eliminated by the Netherlands in the quarter-finals. A rumour (never confirmed) that Veron had failed an internal doping test, and allegations of laziness hampered his relationship with the media and fans. He was called up again for the 2002 World Cup in Korea/Japan, where Veron was regarded as a key player and captained the side in place of the injured Roberto Ayala. Some fans held him personally responsible for Argentina's dismal performance, which included a loss to England and elimination in the group phase. After then-national coach Jose Pekerman omitted him from the 2006 World Cup squad, his replacement, Alfio Basile recalled Veron to the national squad in February 2007, based on his performance in Estudiantes's 2006 championship team. Veron was a starter in the Argentine team that reached the final of Copa America 2007. Due to injuries and Estudiantes's busy schedule, Veron did not feature in the immediate plans of national coach Diego Maradona, but was recalled to the Argentine squad as a second-half substitute in the 4-0 win over Venezuela on 28 March 2009, Maradona's first competitive game in charge of the national team. He also played in the starting XI in a 2010 FIFA World Cup qualifier against Colombia on 6 June 2009 and was selected by manager Diego Maradona in the final 23-man squad for the finals of the 2010 FIFA World Cup. Veron started Argentina's first group match against Nigeria, and provided the assist for Gabriel Heinze's goal. After missing the match against South Korea due to injury, Veron returned to the starting line-up against Greece and played the full 90 minutes as Argentina won 2-0. He came on as a substitute for Carlos Tevez in the 69th minute in Argentina's 3-1 victory over Mexico in the Round of 16, but did not feature during the quarterfinal loss to Germany. On 26 August 2010, Veron retired from international football. Nevertheless, Veron appeared again for Argentina in the 2011 Superclasico de las Americas, a two legged, non-FIFA sanctioned exhibition, between Argentina and Brazil's domestically-based players.

Did he play anywhere else?

Answer with quotes: Veron was a starter in the Argentine team that reached the final of Copa America 2007.

Background: Fun Lovin' Criminals are a band from New York City. Their musical style is eclectic, covering styles such as hip hop, rock, blues, jazz, R&B, punk, and funk. They are best known for their hit "Scooby Snacks", which features samples from films by Quentin Tarantino, and the song "Love Unlimited", which recalls Barry White's backing vocal group. Their songs often focus on life in New York City, as well as urban life in general.
Context: The band's third studio album, Loco, was released in early 2001. Back under EMI, the album had all new songs including the eponymous single which became their biggest hit yet, reaching No. 5 in the UK Singles Chart. It was the only single release from the album to reach the UK Top 40, and its success helped Loco to reach No. 5 in the UK Albums Chart. Their final album under EMI was a "best of" compilation called Bag of Hits released in 2002. It was released in both one and two disc versions, with the second disc featuring remixes of Fun Lovin' Criminals songs by other artists. EMI released this album against the wishes of the band, who were not happy with the two disc version. However, despite their objections it reached No. 11 in the UK Albums Chart. After parting company with EMI the band was picked up by Sanctuary Records in the UK, under which they released their fourth studio album Welcome to Poppy's (2003). While it received strong, but not fantastic, music reviews it failed to live up to the commercial success of any of the previous albums, peaking at No. 20 in the UK Albums Chart. The best-selling single from the album reached No. 61. EMI continued to release the band's back catalog, as well as unreleased songs on two more albums. The Fun Lovin' Criminals made no further releases until 2005 album Livin' in the City, still under Sanctuary Records. This was very much a love letter to New York with many songs extolling the virtues of the city. In June 2008 they made their second appearance at the Glastonbury Festival, this time on the Jazz World Stage.
Question: reaching what?
Answer: to reach the UK Top 40, and its success helped Loco to reach No. 5 in the UK Albums Chart.

Question:
William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease. The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK. When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist.
Answer this question using a quote from the text above:

Was his work well respected?

Answer:
When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers,