TASK DEFINITION: This task is about creating an unanswerable question based on a given passage. Construct a question that looks relevant to the given context but is unanswerable. Following are a few suggestions about how to create unanswerable questions:
(i) create questions which require satisfying a constraint that is not mentioned in the passage
(ii) create questions which require information beyond what is provided in the passage in order to answer
(iii) replace an existing entity, number, date mentioned in the passage with other entity, number, date and use it in the question
(iv) create a question which is answerable from the passage and then replace one or two words by their antonyms or insert/remove negation words to make it unanswerable.
PROBLEM: Passage: At the 1912 Salon d'Automne an architectural installation was exhibited that quickly became known as Maison Cubiste (Cubist House), signed Raymond Duchamp-Villon and Andre Mare along with a group of collaborators. Metzinger and Gleizes in Du "Cubisme", written during the assemblage of the "Maison Cubiste", wrote about the autonomous nature of art, stressing the point that decorative considerations should not govern the spirit of art. Decorative work, to them, was the "antithesis of the picture". "The true picture" wrote Metzinger and Gleizes, "bears its raison d'etre within itself. It can be moved from a church to a drawing-room, from a museum to a study. Essentially independent, necessarily complete, it need not immediately satisfy the mind: on the contrary, it should lead it, little by little, towards the fictitious depths in which the coordinative light resides. It does not harmonize with this or that ensemble; it harmonizes with things in general, with the universe: it is an organism...". "Mare's ensembles were accepted as frames for Cubist works because they allowed paintings and sculptures their independence", writes Christopher Green, "creating a play of contrasts, hence the involvement not only of Gleizes and Metzinger themselves, but of Marie Laurencin, the Duchamp brothers (Raymond Duchamp-Villon designed the facade) and Mare's old friends Leger and Roger La Fresnaye". La Maison Cubiste was a fully furnished house, with a staircase, wrought iron banisters, a living roomthe Salon Bourgeois, where paintings by Marcel Duchamp, Metzinger (Woman with a Fan), Gleizes, Laurencin and Leger were hungand a bedroom. It was an example of L'art decoratif, a home within which Cubist art could be displayed in the comfort and style of modern, bourgeois life. Spectators at the Salon d'Automne passed through the full-scale 10-by-3-meter plaster model of the ground floor of the facade, designed by Duchamp-Villon. This architectural installation was subsequently exhibited at the 1913 Armory Show, New York, Chicago and Boston, listed in the catalogue of the New York exhibit as Raymond Duchamp-Villon, number 609, and entitled "Facade architectural, plaster" (Facade architecturale).

SOLUTION: What type of boat was La Maison Cubist?

PROBLEM: Passage: In this equation, a dimensional constant is used to describe the relative strength of gravity. This constant has come to be known as Newton's Universal Gravitation Constant, though its value was unknown in Newton's lifetime. Not until 1798 was Henry Cavendish able to make the first measurement of using a torsion balance; this was widely reported in the press as a measurement of the mass of the Earth since knowing could allow one to solve for the Earth's mass given the above equation. Newton, however, realized that since all celestial bodies followed the same laws of motion, his law of gravity had to be universal. Succinctly stated, Newton's Law of Gravitation states that the force on a spherical object of mass due to the gravitational pull of mass is

SOLUTION: What is used to describe the weakness of gravity?

PROBLEM: Passage: The Saxon Garden, covering the area of 15.5 ha, was formally a royal garden. There are over 100 different species of trees and the avenues are a place to sit and relax. At the east end of the park, the Tomb of the Unknown Soldier is situated. In the 19th century the Krasinski Palace Garden was remodelled by Franciszek Szanior. Within the central area of the park one can still find old trees dating from that period: maidenhair tree, black walnut, Turkish hazel and Caucasian wingnut trees. With its benches, flower carpets, a pond with ducks on and a playground for kids, the Krasinski Palace Garden is a popular strolling destination for the Varsovians. The Monument of the Warsaw Ghetto Uprising is also situated here. The azienki Park covers the area of 76 ha. The unique character and history of the park is reflected in its landscape architecture (pavilions, sculptures, bridges, cascades, ponds) and vegetation (domestic and foreign species of trees and bushes). What makes this park different from other green spaces in Warsaw is the presence of peacocks and pheasants, which can be seen here walking around freely, and royal carps in the pond. The Wilanow Palace Park, dates back to the second half of the 17th century. It covers the area of 43 ha. Its central French-styled area corresponds to the ancient, baroque forms of the palace. The eastern section of the park, closest to the Palace, is the two-level garden with a terrace facing the pond. The park around the Krolikarnia Palace is situated on the old escarpment of the Vistula. The park has lanes running on a few levels deep into the ravines on both sides of the palace.

SOLUTION:
What garden was formally only for running?