Question: Cabaret is a 1972 American musical drama film which was directed by Bob Fosse and which starred Liza Minnelli, Michael York, and Joel Grey. Situated in Berlin during the Weimar Republic in 1931, under the presence of the growing Nazi Party, the film is loosely based on the 1966 Broadway musical Cabaret by Kander and Ebb, which was adapted from the novel The Berlin Stories / Goodbye to Berlin (1939) by Christopher Isherwood and the 1951 play I Am a Camera adapted from the same book. Only a few numbers from the stage score were used for the film; Kander and Ebb wrote new ones to replace those that were discarded. In the traditional manner of musical theater, called an "integrated musical", every significant character in the stage version sings to express his or her own emotion and to advance the plot.

In 1995, Cabaret was the ninth live-action musical film selected by the Library of Congress for preservation in the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant". Cabaret is cited on TV Guide's greatest films on TV and Video, and in Movieline magazine as one of the 100 Best Movies Ever. It was included in FilmFour's 100 Greatest Films of All Time at number 78 and in San Francisco Chronicle's film critics' "Hot 100 Films of the Past", being hailed as "The last great musical. Liza Minnelli plays Sally Bowles, an American adrift in pre-Nazi Berlin, in Bob Fosse's stylish, near-perfect film." David Benedict from The Observer has written about Cabaret's influence in musical films: "Back then, musicals were already low on filmgoers' lists, so how come it was such a success? Simple: Cabaret is the musical for people who hate them. Given the vibrancy of its now iconic numbers - Liza Minnelli in bowler and black suspenders astride a bentwood chair belting out 'Mein Herr' or shimmying and shivering with pleasure over 'Money' with Joel Grey - it sounds strange to say it but one of the chief reasons why Cabaret is so popular is that it's not shot like a musical." The film has been listed as one of the most important for queer cinema for its depictions of homosexuality, revolutionary at the time of its release. It turned Liza Minnelli into a gay icon. Film blogs have elected it as "the gayest winner in the history of the Academy".

Using a quote from the above article, answer the following question: Was the legacy sucessful?
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Answer: Cabaret is cited on TV Guide's greatest films on TV and Video, and in Movieline magazine as one of the 100 Best Movies Ever.

Question: Zheng He (Chinese: Zheng He ; 1371-1433 or 1435) was a Chinese mariner, explorer, diplomat, fleet admiral, and court eunuch during China's early Ming dynasty. He was originally born as Ma He in a Muslim family, later adopted the conferred surname Zheng from Emperor Yongle. Zheng commanded expeditionary voyages to Southeast Asia, South Asia, Western Asia, and East Africa from 1405 to 1433. His larger ships stretched 120 meters or more in length.

In the decades after the last voyage, Imperial officials minimized the importance of Zheng He and his expeditions throughout the many regnal and dynastic histories they compiled. The information in the Yongle and Xuande Emperors' official annals was incomplete and even erroneous; other official publications omitted them completely. Although some have seen this as a conspiracy seeking to eliminate memories of the voyages, it is likely that the records were dispersed throughout several departments and the expeditions - unauthorized by (and in fact, counter to) the injunctions of the dynastic founder - presented a kind of embarrassment to the dynasty. State-sponsored Ming naval efforts declined dramatically after Zheng's voyages. Starting in the early 15th century, China experienced increasing pressure from the surviving Yuan Mongols from the north. The relocation of the capital north to Beijing exacerbated this threat dramatically. At considerable expense, China launched annual military expeditions from Beijing to weaken the Mongolians. The expenditures necessary for these land campaigns directly competed with the funds necessary to continue naval expeditions. Further, in 1449, Mongolian cavalry ambushed a land expedition personally led by the Zhengtong Emperor at Tumu Fortress, less than a day's march from the walls of the capital. The Mongolians wiped out the Chinese army and captured the emperor. This battle had two salient effects. First, it demonstrated the clear threat posed by the northern nomads. Second, the Mongols caused a political crisis in China when they released the emperor after his half-brother had already ascended and declared the new Jingtai era. Not until 1457 and the restoration of the former emperor did political stability return. Upon his return to power, China abandoned the strategy of annual land expeditions and instead embarked upon a massive and expensive expansion of the Great Wall of China. In this environment, funding for naval expeditions simply did not happen. However, missions from Southeast Asia continued to arrive for decades. Depending on local conditions, they could reach such frequency that the court found it necessary to restrict them: the History of Ming records imperial edicts forbidding Java, Champa, and Siam from sending their envoys more often than once every three years.

Using a quote from the above article, answer the following question: why did they say he was not important
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Answer: State-sponsored Ming naval efforts declined dramatically after Zheng's voyages.

Question: Thomas Sowell (; born June 30, 1930) is an American economist, social theorist, political philosopher, and author. He is currently Senior Fellow at the Hoover Institution, Stanford University. Sowell was born in North Carolina, but grew up in Harlem, New York.

Sowell has also written a trilogy of books on ideologies and political positions, including A Conflict of Visions, where he speaks about the origins of political strife; The Vision of the Anointed, where he compares the conservative/libertarian and liberal/progressive worldviews; and The Quest for Cosmic Justice, where, as in many of his other writings, he outlines his thesis of the need for intellectuals, politicians and leaders to fix and perfect the world in utopian, and ultimately he posits, disastrous fashions. Separate from the trilogy, but also in discussion of the subject, he wrote Intellectuals and Society, where, building on his earlier work, he discusses what he argues to be the blind hubris and follies of intellectuals in a variety of areas. Sowell challenges the notion that black progress is due to progressive government programs or policies, in The Economics and Politics of Race, (1983), Ethnic America (1981), Affirmative Action Around the World (2004), and other books. He claims that many problems identified with blacks in modern society are not unique, either in terms of American ethnic groups, or in terms of a rural proletariat struggling with disruption as it became urbanized, as discussed in his book Black Rednecks and White Liberals (2005). In Affirmative Action Around the World Sowell holds that affirmative action covers most of the American population, particularly women, and has long since ceased to favor blacks. Sowell described his serious study of Karl Marx in his autobiography. He opposes Marxism, providing a critique in his book Marxism: Philosophy and Economics (2011). Sowell also favors decriminalization of all drugs.

Using a quote from the above article, answer the following question: What year did his first book come out
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Answer:
The Economics and Politics of Race, (1983),