The old axiom that bored people are boring people is well demonstrated in "Women in Love." The script, taken from D. H. Lawrence's novel, contains an endless flow of concepts that are, at best, sophomoric.

What a pity so much effort went into so vacuous an exercise; what an empty array of characters given such attention. In spite of high production values, this film comes across as tedious as its personnel.

A revisit in 2001 merely confirms a 1969 impression of juvenille minds in adult bodies, dawdling nowhere, and fumbling every step of the way.
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