In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : "Flava in Ya Ear" is a single by American rapper Craig Mack. The original club mix single was released on 12" vinyl in July 1994 on the Bad Boy Entertainment record label, packaged with a series of additional remixes. According to the song's producer Easy Mo Bee, the track was originally intended for Apache, who was unable to record the song due to being on tour with the group Naughty by Nature at the time, and was not sure of future recordings at the time. As a result, Mo Bee gave the instrumental to Craig Mack after Bad Boy Records' founder Sean Combs gave him a substantial amount of money for the instrumental. Context_2 : "Love @ 1st Sight" is a song by American recording artist Mary J. Blige, performed along with rapper Method Man. It was written by Blige, Sean Combs, Mario Winans, Stevie Jordan, Clifford Smith, and Mechalie Jamison and produced by Combs, Winans and Jordan for her sixth studio album, "Love & Life" (2003). The song is built around a sample of "Hot Sex" (1992) by American hip-hop trio A Tribe Called Quest. Due to the inclusion of the sample, several other writers are credited as songwriters. Lyrically, it features the protagonist persistently wondering about a romantic attraction for a stranger on the first sight. Context_3 : No Way Out is the debut studio album by American hip hop recording artist, songwriter and record producer Puff Daddy. It was released on July 1, 1997, by his label Bad Boy. The label's official crediting as "The Family" featured guest appearances from his label-mates and other artists. The production on the album was provided by Puff Daddy (real name Sean Combs), alongside with a variety of the members from the production group called The Hitmen. Puff Daddy also served as an executive producer alongside The Notorious B.I.G. and D-Dot (of The Hitmen). It contains generally introspective content based on the shooting death of his friend and rapper The Notorious B.I.G., who died from the shooting on March 9, 1997, which affected Combs emotionally. The album's content consists largely of aggressive lyrics but also includes elements of positive emotion. Context_4 : "Alone in This World" is a song by American recording artist Faith Evans. It was written by Sean Combs, Mechalie Jamison, Michael Carlos Jones, Jack Knight, Herbert Magidson, Nashiem Myrick, Christopher Wallace, Mario Winans, Allie Wrubel and Evans for her third studio album "Faithfully" (2001). Produced by Combs, it samples 1995's "Who Shot Ya?" performed by The Notorious B.I.G. and Diddy. The ballad was released as the album's fifth and final single in 2002 and reached number 73 on the US "Billboard" Hot R&B/Hip-Hop Songs chart. Context_5 : "Talk That Talk" is a song recorded by Barbadian singer Rihanna for her 2011 studio album of the same name. It features a rap verse by American rapper Jay-Z, who had previously collaborated with Rihanna on her song "Umbrella" in 2007 and "Run This Town" in 2009. The song was written by Jay-Z, Ester Dean, Christopher Wallace, Anthony Best, Sean Combs, and Chucky Thompson together with the Norwegian production duo StarGate. Def Jam Recordings serviced the track to urban radio in the United States on January 17, 2012, as the third single from "Talk That Talk". It was released in France as a CD single on March 26. "Talk That Talk" is a hip hop song with R&B beats, rough drums and unrefined synths, and has a similar style to Rihanna's 2010 single "Rude Boy". Context_6 : Rogelio Mills, also known as Roger Mills, a North Carolina native, is a Puerto Rican/Black Hispanic American television personality, author, and recording artist, best known as the host of the celebrity entertainment show entitled "The Roger Mills Show" and author of the book "While Out of My Body I Saw God, Hell and the Living Dead." Mills made national headlines when he launched a lawsuit against rapper Sean Combs, then known as Puff Daddy. Combs had allegedly ordered an assault on Mills and his staff after they refused to turn over a taped interview in which Combs reacted angrily to a question regarding the death of fellow rapper, the Notorious B.I.G. Context_7 : "Come to Me" is a song by American rapper and producer Diddy from his fourth studio album "Press Play" (2006). It features guest vocals from American singer Nicole Scherzinger. The song was written by Sean Combs, Mike Winans, Scherzinger, Jacoby White, Shay Winans, Shannon "Slam" Lawrence, Roger Greene Jr., Richard Frierson and Yakubu Izuagbe with production held by Jai and Younglord. Context_8 : "Love Don't Cost a Thing" is a song recorded by American singer Jennifer Lopez for her second studio album, "J.Lo" (2001). It was released on December 2, 2000 by Epic Records as the lead single from the album. The song was written by Damon Sharpe, Georgette Franklin, Jeremy Monroe, Amille D. Harris, and Greg Lawson, and was produced by Ric Wake, Richie Jones, and Cory Rooney. At the time of the song's release, Lopez was transitioning into a sex symbol and in a relationship with American rapper Sean Combs. Lyrically, "Love Don't Cost a Thing" is described as an "exploration of love" in which Lopez is unhappy about her materialistic lover; provoking much media analysis as to whether or not it was an innuendo towards Combs. Ultimately, the pair's courtship ended shortly after its release. Described as "frothy" and "catchy" by critics, it was noted for its message about love and commercial appeal to women. Context_9 : Deleno Matthews, better known as his stage name Sean C is an American producer, DJ and "artists and repertoire" (A&R) specialist. Sean is a member of production duo Sean C & LV (Grind Music) which is affiliated with Sean Combs' Hitmen producers. As a DJ, Sean C co-founded the New York DJ crew The X-Men (renamed The X-Ecutioners) Sean worked as an A&R for Steve Rifkind's Loud Records and SRC Records imprints. He is credited as A&R and executive producer for Mobb Deep, Dead Prez, Big Pun, Terror Squad, Remy Ma and The X-Ecutioners. Sean C has produced songs for Jay-Z, Big Pun, Diddy, Jadakiss and Fabolous among others. He was nominated for best rap album Grammy awards for Jay Z's "American Gangster" and for Big Pun's debut "Capital Punishment". Context_10 : Christopher George Latore Wallace (May 21, 1972 March 9, 1997), better known by his stage names The Notorious B.I.G., Biggie, or Biggie Smalls, was an American rapper. He is ranked by "Billboard magazine" as among the ten greatest rappers of all time. fact_1 : "Alone in This World" is a song by American recording artist Faith Evans. fact_2 : It was written by Sean Combs, Mechalie Jamison, Michael Carlos Jones, Jack Knight, Herbert Magidson, Nashiem Myrick, Christopher Wallace, Mario Winans, Allie Wrubel and Evans for her third studio album "Faithfully" (2001). fact_3 : Christopher George Latore Wallace (May 21, 1972 March 9, 1997), better known by his stage names The Notorious B.I.G., Biggie, or Biggie Smalls, was an American rapper. Question: What is the stage name for the American rapper who worked on the song Alone in This World with Sean Combs?
Answer:
The Notorious B.I.G.