Problem: William Harold Southworth (March 9, 1893 - November 15, 1969) was an American right fielder, center fielder and manager in Major League Baseball (MLB). Playing in 1913 and 1915 and from 1918 to 1929, he batted left-handed and threw right-handed. Southworth managed in 1929 and from 1940 through 1951.

Southworth was born in Harvard, Nebraska, to Orlando and Marriah Southworth. He was raised in Columbus, Ohio. He had four older brothers who played baseball. Before he was old enough to play with them, Southworth would give his old socks to his brothers so they could create makeshift balls. Southworth decided to play baseball against his father's wishes. Orlando Southworth had wanted his son to attend college. At the age of 19, he signed a contract with the Portsmouth team in the Ohio State League. He joined the Cleveland Indians in 1913, but only appeared in one game, entering as a replacement on defense. In 1914, Southworth married Lida Brooks. She was a minister's daughter and they had met while Southworth was playing for Portsmouth. The couple's son, William Brooks Southworth, was born during Southworth's early playing career. Billy Southworth, Jr. later became a professional baseball player for several seasons. The elder Southworth returned to the Cleveland Indians in 1915 and appeared in 60 games. He played for the Birmingham Barons in 1917 and part of 1918, when he made the Pittsburgh Pirates and played in 64 major league games. Southworth played more regularly in 1919, appearing in 121 games and leading the league with 14 triples. With the exception of two seasons, Southworth played in at least that many games through 1926. In 1926, Southworth's offensive production increased and he finished the season with a .320 batting average, 16 home runs and 99 RBI. He ran into difficulty with New York manager John McGraw that year, as Southworth's independent style became incompatible with McGraw's strict leadership. He was traded from the New York Giants to the St. Louis Cardinals in the middle of the season. Southworth suffered a 1927 rib injury that limited his playing time. The Cardinals' leadership began to look for a role for Southworth beyond his playing career.

What was his batting average towards the end?

Answer with quotes: he finished the season with a .320 batting average, 16 home runs and 99 RBI.

Problem: Pink Floyd - The Wall is a 1982 British live-action/animated musical drama film directed by Alan Parker with animated segments by political cartoonist Gerald Scarfe, and is based on the 1979 Pink Floyd album of the same name. The film centers around a confined rocker named Pink, who, after being driven into insanity by the death of his father and many depressive moments during his lifetime, constructs a metaphorical (and sometimes physical) wall to be protected from the world and emotional situations around him. When this coping mechanism backfires he puts himself on trial and sets himself free. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters.

In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences: Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad. Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre.

What is the concept of the wall?

Answer with quotes: Waters was also dismayed by the "executive approach

Problem: Marie Charlotte Carmichael Stopes (15 October 1880 - 2 October 1958) was a British author, palaeobotanist and campaigner for eugenics and women's rights. She made significant contributions to plant palaeontology and coal classification, and was the first female academic on the faculty of the University of Manchester. With her second husband, Humphrey Verdon Roe, Stopes founded the first birth control clinic in Britain. Stopes edited the newsletter Birth Control News, which gave explicit practical advice.

Around the start of her divorce proceedings in 1913, Stopes began to write a book about the way she thought marriage should work. In July 1913, she met Margaret Sanger, who had just given a talk on birth control at a Fabian Society meeting. Stopes showed Sanger her writings and sought her advice about a chapter on contraception. Stopes' book was finished by the end of 1913. She offered it to Blackie and Son, who declined. Several publishers refused the book because they thought it too controversial. When Binnie Dunlop, secretary of the Malthusian League, introduced her to Humphrey Verdon Roe--Stopes' future second husband--in 1917, she received the boost that helped her publish her book. Roe was a philanthropist interested in birth control; he paid Fifield & Co. to publish the work. The book was an instant success, requiring five editions in the first year, and elevated Stopes to national prominence. Married Love was published on 26 March 1918; that day, Stopes was visiting Humphrey Roe, who had just returned with a broken ankle from service during the First World War after his aeroplane crashed. Less than two months later they were married and Stopes had her first opportunity to practise what she preached in her book. The success of Married Love encouraged Stopes to provide a follow-up; the already written Wise Parenthood: a Book for Married People, a manual on birth control that was published later that year. Many readers wrote to Stopes for personal advice, which she energetically endeavoured to give. The following year, Stopes published A Letter to Working Mothers on how to have healthy children and avoid weakening pregnancies, a condensed version of Wise Parenthood aimed at the poor. It was a 16-page pamphlet and was to be distributed free of charge. Stopes's intended audience had--until this work--been the middle classes. She had shown little interest in, or respect for, the working classes; the Letter was aimed at redressing her bias. On 16 July 1919, Stopes--pregnant and a month overdue--entered a nursing home. Stopes and the doctors clashed over the method of birth--she was not allowed to give birth on her knees. The child was stillborn; the doctors suggested the incident was due to syphilis, but an examination excluded the possibility. Stopes was furious and said her baby had been murdered. She was 38 years old.

/what are some other interesting aspects about this article?

Answer with quotes:
Humphrey Verdon Roe--Stopes' future second husband