Problem: Mohanlal Viswanathan was born in the village of Elanthoor in the Pathanamthitta district on 21 May 1960. He is the youngest child of Viswanathan Nair, a former bureaucrat and law secretary with the Kerala Government, and Santhakumari. He grew up at Mudavanmugal, Poojappura, at his paternal house in Thiruvananthapuram. Mohanlal studied at Government Model Boys Higher Secondary School, Thiruvananthapuram and graduated with a Bachelor of Commerce degree from Mahatma Gandhi College in Thiruvananthapuram.

Mohanlal had acted in several amateur plays before entering into films. In 2001, he debuted in professional drama playing Karna (a character from the Indian epic Mahabharata) in Karnabharam, a Sanskrit-language play directed by Kavalam Narayana Panicker. It premiered at the Siri Fort Auditorium in New Delhi on 29 March 2001 as part of the National Theatre Festival of the National School of Drama. The play depicts Karna's mental agony a day before the Kurukshetra War, as he thinks about his past and his faith. Mohanlal said: "You cannot compare Kavalam's play with the amateur plays I did. Though there are other characters in the play, the theme revolves around Karna. It is almost like a solo performance. Some of the scenes are really touching and challenging". He acted without payment, saying: "I performed for the joy of it ... for my love of our history". Kadhayattam was a presentation enacted by Mohanlal, performing ten classic characters and situations from Malayalam literature, selected from ten Malayalam novels written by O. Chandu Menon, C. V. Raman Pillai, S. K. Pottekkatt, Thakazhi Sivasankara Pillai, P. Kesavadev, Vaikom Muhammad Basheer, Uroob, O. V. Vijayan, M. Mukundan, and M. T. Vasudevan Nair over a 100-year period. The play, directed by T. K. Rajeev Kumar premiered at the Senate Hall of University of Kerala on 1 November 2003, and later was staged in Kozhikode, Bangalore, Chennai and Delhi. In 2008, Mohanlal along with Mukesh performed in Chayamukhi, written and directed by Prasanth Narayanan. Mohanlal and Mukesh portrayed Bheeman and Keechakan respectively, the characters from Mahabharata. It had a play within a play narrative style. It premiered at the Lulu International Convention Centre in Thrissur on 12 March 2008, and later was staged in Thiruvananthapuram, Bangalore, Kollam, Kochi, and Kozhikode. A critic from The Hindu wrote: "Chayamukhi is, arguably, the finest work on Malayalam stage in recent times". In the same year, Mohanlal voiced Hanuman in the English ballet Maya Ravan, directed by Shobana. In 2014, Mohanlal and musician Ratheesh Vegha formed the music band Lalisom - The Lal Effect. Its maiden show was at the 2015 National Games of India. The band drew flak from social media initially for charging an amount of Rs1.63 crore and later for lip-syncing. Following the criticism, Mohanlal returned the amount to the government, which they refused stating that the government's morality would not allow to take back the money and Mohanlal had not personally benefited from the amount which he received, since it was meant to meet the stage expenses and remuneration for the artistes. Despite that, Mohanlal did not take back the money he dispatched. In 2015, he collaborated once again with Mukesh for Naga, but this time as the narrator. The play, based on Girish Karnad's Kannada play Nagamandala, was directed by Suveeran. Naga was a combination of myth, superstition, fact, and fantasy. It was premiered at the Parish Hall of St. George Church, Kalady on 9 August 2015.

What other stage performance did he collaborate with Mukesh?

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Problem: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.

A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season. Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame. After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.

What made it so famous?

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It is regarded as having changed the way that photographers look at sports,