Q: The following article contains an answer for the question: The jewelry shop manager's life changes suddenly when what two men become interested in her? , can you please find it? Chinggay, a jewelry shop manager, is one of the single women in their 30's who feels the pressure to find love. She goes out on dates with men but none of them seem to make the cut. You may blame her high standards but the pain from her previous relationship could also be affecting her judgment on men. Now, her love life is suffering a drought for seven years. Everything changes when suddenly, two men are interested to be with her. Ryan bought an engagement ring from Chinggay only to be rejected by his girlfriend. Chinggay helps Ryan to get back with his girlfriend but they end up losing the ring and becoming good friends. On the other hand, Chinggay's ex-boyfriend Frank is persistent to redeem himself and to prove that he deserves a second chance with Chinggay. Chinggay finds herself torn between two kinds of love. A guy who she still loves, and a guy she now loves. Will she choose one over the other? Or will she realize that the love that she needs won't come from either?
A: Frank
Question: The following article contains an answer for the question: Who finds a way to attend the wedding? , can you please find it? Patrick is a charming yet troubled man. He meets Tara at her bachelorette party. They have a one night stand, and when she comes back home, he goes into a psychotic rage, imagining that he is in love with her; he even goes as far as tattooing her name, Tara, on his arm. Patrick has her smartphone, so he starts cancelling the wedding plans, the venue, the florist, etc. Tara is able to reverse all the cancellations. Her friend gets a private investigator who finds out that he has had some similar episodes in the past. He had fallen in love with his baby sitter when he was younger and wanted to set fire to the house. But he is obsessed, he has hallucinations of Tara loving him. At one point, he finds Tara's sister and befriends her and his way to the wedding party. Tara's friend arranges for the investigator to attack Patrick at the wedding party, but Patrick manages to recover and crash the honeymoon. He attacks Tara's newlywed husband, confronts Tara at the beach and holds her at knife point. She fights him off and sets him on fire, but he recovers again. She finds Michael, but Patrick is relentless and goes on looking for Tara. Patrick attacks Michael, but Tara finally is able to choke Patrick to death. In the final scene, Tara and her husband recover at a hospital, but the doctor lets her know that she is pregnant, when the shock is revealed that she is carrying Patrick's baby.
Answer: Patrick
[Q]: The following article contains an answer for the question: What is the first name of the person who went on a two-month expedition with Broadhead? , can you please find it? Upon returning to Toronto, Jackson published an article about his and Thomson's experience in the Park in the Toronto Sunday World, included in which were several illustrations. After this initial experience, Thomson and another colleague, William Broadhead, went on a two-month expedition, going up the Spanish River and into Mississagi Forest Reserve (today Mississagi Provincial Park). Thomson's transition from commercial art towards his own original style of painting became apparent around this time. Much of his artwork from this trip, mainly oil sketches and photographs, was lost during two canoe spills; the first was on Green Lake in a rain squall and the second in a series of rapids.In fall 1912, Albert Robson, Grip's art director, moved to the design firm Rous & Mann. A month after returning to Toronto, Thomson followed Robson and left Grip to join Rous & Mann too. They were soon joined by Varley, Carmichael and Lismer. Robson later spoke favourably of Thomson's loyalty, calling him "a most diligent, reliable and capable craftsman". Robson's success in attracting great talent was well understood. Employee Leonard Rossell believed that the key to Robson's success "was that the artists felt that he was interested in them personally and did all he could to further their progress. Those who worked there were all allowed time off to pursue their studies ... Tom Thomson, so far as I know, never took definite lessons from anyone, yet he progressed quicker than any of us. But what he did was probably of more advantage to him. He took several months off in the summer and spent them in Algonquin Park."
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[A]: Tom
Question: The following article contains an answer for the question: What altar's original location is unknown? , can you please find it? Altar 1 is found at the base of Stela 1. It is rectangular in shape with carved molding on its side.Altar 2 is of unknown provenance, having been moved to outside the administrator's house on the San Isidro Piedra Parada plantation. It is 1.59 metres (63 in) long, about 0.9 metres (35 in) wide and about 0.5 metres (20 in) high. It represents an animal variously identified as a toad and a jaguar. The body of the animal was sculptured to form a hollow 85 centimetres (33 in) across and 26 centimetres (10 in) deep. The sculpture was broken into three pieces.Altar 3 is a roughly worked flat, circular altar about 1 metre (39 in) across and 0.3 metres (12 in) high. It was probably associated originally with a stela but its original location is unknown, it was moved near to the manager's house on the San Isidro Piedra Parada plantation.Altar 5 is a damaged plain circular altar associated with Stela 2.Altar 7 is near the southern edge of the plaza on Terrace 3, where it is one of five monuments in a line running east-west.Altar 8 is a plain monument associated with Stela 5, positioned on the west side of Structure 12.Altar 9 is a low four-legged throne placed in front of Structure 11.Altar 10 was associated with Stela 13 and was found on top of the large offering of ceramics associated with that stela and the royal tomb in Structure 7A. The monument was originally a throne with cylindrical supports that was reused as an altar in the Classic period.Altar 12 is carved in the early Maya style and archaeologists consider it to be an especially early example dating to the first part of the Late Preclassic. Because of the carvings on the upper face of the altar, it is supposed that the monument was originally erected as a vertical stela in the Late Preclassic, and was reused as a horizontal altar in the Classic. At this time 16 hieroglyphs were carved around the outer rim of the altar. The carving on the upper face of the altar represents a standing human figure portrayed in profile, facing left. The figure is flanked by...
Answer:
Altar 3