In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Q: This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other."Oh."Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East.Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we won't see again, far as I know, until the film version of Len Deighton's "The Ipcress File," starring Michael Caine.)So, naturally the would-be swap winds up with the GI back on capitalist soil, the commies empty-handed, and the dissimulating female shattered and exposed, deprived of both Peck's love and her personal freedom (that's to say, she is taken off to jail). And Broderick Crawford finds out that a son's love is far more important than golf.

A: What kind of swap does Peck organize to reveal that Hoffy cannot be trusted?
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Q: Bess McNeill is a pretty young Scottish woman with a history of psychological problems. She marries atheist oil rig worker Jan Nyman, despite disapproval from her community and her Free Scottish Presbyterian Calvinist church. Bess is steadfast and pure of heart, but extremely simple and childlike in her beliefs. During her frequent visits to the church, she prays to God and carries on conversations with Him using her own voice, believing that He is responding directly through her.Bess has difficulty living without Jan when he is away on the oil platform. Jan makes occasional phone calls to Bess in which they express their love and sexual desires. Bess grows needy and prays for his immediate return. The next day, Jan is severely injured in an industrial accident and is flown back to the mainland. Bess believes her prayer was the reason the accident occurred, that God was punishing her for her selfishness in asking for him to neglect his job and come back to her. No longer able to perform sexually and mentally affected by the paralysis, Jan asks Bess to find a lover. Bess is devastated and storms out. Jan then attempts to commit suicide and fails. He falls unconscious and is readmitted to hospital.Jan's condition deteriorates. He urges Bess to find another lover and tell him the details, as it will be as if they are together and will revitalize his spirits. Though her sister-in-law Dodo constantly reassures her that nothing she does will affect his recovery, Bess begins to believe these suggestions are the will of God and in accordance with loving Jan wholly. Despite her repulsion and inner turmoil to be with other men, she perseveres in her own sexual debasement as she believes it will cure her husband. Bess throws herself at Jan's doctor, but when he rebuffs her, she takes to picking up men off the street and allowing herself to be brutalized in increasingly cruel sexual encounters. The entire village is scandalized by these doings, and Bess is excommunicated. In the face of being cast out from her church, she proclaims, "You cannot love words. You cannot be in love with the Word. You can only love a human being."Dodo and Jan's doctor agree the only way to keep Bess safe from herself is to have her committed, and as far away from her husband as possible. It is then that Bess decides to make what she thinks is the ultimate sacrifice for Jan: she unflinchingly goes out to a derelict ship full of barbarous sailors, who rape and violently attack her, to which she ultimately succumbs. The church refuses to give a funeral for her and damns her soul to hell. Unbeknownst to the church elders, Jan and his friends have substituted bags of sand for Bess's body inside the sealed coffin. Jan is later shown burying her in the ocean, in deep grief but fully restored to health. The film ends as church bells ring in the sky.

A: What is actually inside the sealed coffin?
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Q: Professor Henry Jarrod (Vincent Price) is a talented wax figure sculptor with a wax museum in 1890s New York City. He specializes in historical figures, featuring sculptures of John Wilkes Booth, Joan of Arc, and one of Marie Antoinette, which he considers his masterpiece. When his business partner Matthew Burke (Roy Roberts) demands more sensational exhibits to increase profits, Jarrod refuses. Jarrod then gives a private tour to renowned art critic Sidney Wallace. Wallace, deeply impressed with Jarrod's sculptures, agrees to buy Burke out, but will not be able to do so until after he returns from a continental trip.That same night, Burke deliberately sets the museum on fire, intending to claim the insurance money. In the process, he fights off Jarrod, who is desperately attempting to save his precious sculptures. Burke splashes kerosene over Jarrod's body and leaves him to die in the fire.Miraculously, Jarrod survives, but with severe injuries including crippled hands. He builds a new House of Wax with help from deaf-mute sculptor Igor (Charles Bronson) and another assistant named Leon Averill. Jarrod now concedes to popular taste and includes a "Chamber of Horrors" that showcases both historical crimes and recent events, such as the apparent suicide of his former business partner Burke. In reality, Burke was murdered by a cloaked, disfigured killer who then staged the death as a suicide. Burke's fiancee, Cathy Gray (Carolyn Jones), is murdered soon afterward. Her body mysteriously disappears from the morgue.Cathy's friend Sue Allen (Phyllis Kirk) visits the museum and is troubled by the strong resemblance of the Joan of Arc figure to her dead friend. Jarrod explains he used photographs of Cathy when he made the sculpture. Unsatisfied, Sue returns after hours and uncovers the horrifying truth behind the House of Wax: many of the figures are wax-coated corpses, including Cathy and Burke. Sue is confronted by Jarrod, who proclaims her his new "model" for a sculpture of Marie Antoinette (both Jarrod and Wallace had earlier noted Sue's striking resemblance to the original sculpture). She fights him off, striking his face, which is revealed to be a wax mask that shatters and exposes fire-scarred flesh beneath. He subdues her and nearly succeeds in making her into a wax figure. The police, having learned the whole truth from Averill, arrive in time to save her. Jarrod tries to escape, but gets into a fight with a policeman who knocks him into a vat of molten wax.

A:
Which sculpture does Henry Jarrod consider his masterpiece?
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