IN: Roberto Carlos da Silva Rocha (born 10 April 1973), more commonly known simply as Roberto Carlos, is a Brazilian retired professional footballer. He started his career in Brazil as a forward but spent most of his career as a left-back and has been described as the "most offensive-minded left-back in the history of the game". He was nicknamed El Hombre Bala ("The Bullet Man") due to his powerful bending free kicks, which have been measured at over 105 miles per hour (169 km/h). He is also known for his stamina, running speed, technical skills, crossing ability, long throw ins and 24-inch (61 cm) thighs.

Roberto Carlos began his professional career playing for Uniao Sao Joao, a football club based in Araras in the state of Sao Paulo. In 1992, despite playing at what was seen as a lesser club and only being 19 years old, he was called up for the Brazil national team. In August 1992, aged 19, he joined Atletico Mineiro on loan and went on the club's tour of Europe. The tour consisted of the B team, as the club was prioritising the first Copa CONMEBOL in South America at the same time. The tour served as a test for many players, and those who stood out could be integrated definitively to the main group. Roberto Carlos did not participate in the first two games in Italy but played the full match against Lleida in Spain on 27 August in a match for the Ciutat de Lleida Trophy. He remained in the team for the next two games, held in Logrono, against Logrones and Athletic Bilbao. Before retiring from football in 2014, Roberto Carlos thanked Atletico Mineiro for the opportunity. In 1993, Roberto Carlos joined Palmeiras, where he played for two seasons, winning two consecutive Brazilian league titles. After almost signing for Aston Villa side in 1995, Roberto Carlos chose a move to Inter Milan, in the Serie A, playing one season for the Nerazzurri. He scored a 30-yard free-kick on his debut in a 1-0 win over Vicenza but his season at Inter was unsuccessful, with the club finishing seventh in Serie A. In an interview with FourFourTwo in a May 2005 issue, Roberto Carlos said that the then-coach of Inter, Roy Hodgson, wanted him to play as a winger, but Carlos wanted to play as a left-back. Carlos spoke to Inter owner Massimo Moratti "to see if he could sort things out and it soon became clear that the only solution was to leave".
QUESTION: When did Roberto Carlos begin to play soccer?
IN: Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued ten LPs, one collaborative LP, numerous EPs and singles, and gained an international audience following extensive touring. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal."

In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists.
QUESTION:
Were they always into music