input: Originally known as A Day in the Life, their first record was a demo entitled Four Bullets for One Girl. After one album (Nine Reasons to Say Goodbye), an EP, Paper Chromatography: The Fade from Dark to Light (which was later re-released as part of the compilation From Ohio With Love), and significant line-up changes, the band changed its name to Hawthorne Heights. On the DVD portion of The Silence in Black and White, drummer Eron Bucciarelli states that the band took their current name from the author Nathaniel Hawthorne. Vocalist and guitarist JT Woodruff is the only original member. Their first album The Silence in Black and White, was recorded over a four-week period, and was released in 2004. The album was slow to build sales at first; however, soon the video for the song "Ohio Is for Lovers" began getting airplay on MTV, and the band enjoyed breakout success at radio as well as a growing nationwide fan base, and the album became Victory Records' highest selling debut. The Silence in Black and White peaked at number 56 on the Billboard charts. The singles "Niki FM" and "Silver Bullet" were released in 2005. When their second album If Only You Were Lonely was released on Feb 28, 2006, it debuted at number 3 on the Billboard charts, powered by the lead single "Saying Sorry" which has received regular airplay on MTV, VH1 and Fuse. The Legion of Doom remixed a song from the album, entitled "Where Can I Stab Myself in the Ears?" and it appeared on the Underworld: Evolution Original Motion Picture Soundtrack. The remix was re-titled "Where Do I Stab Myself in the Ears". The band performed on the 2006 Nintendo Fusion Tour. A live CD/DVD was intended to be recorded from this tour, but was cancelled, likely due to complications with Victory.

Answer this question "What happened in 2005"
output: The singles "Niki FM" and "Silver Bullet" were released in 2005.

input: Hornsby played more than 100 shows with the Grateful Dead from 1988 until Jerry Garcia's death in 1995. At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. Starting in the fall of 1990, he played piano (and frequently accordion) at many gigs following the death of longtime Grateful Dead keyboardist Brent Mydland, who died suddenly in July 1990. Mydland's place was filled in September 1990 by Vince Welnick, who became the sole keyboardist by March 1992, although Hornsby still sat in with the band on occasion. Hornsby's own music evolved significantly during this time period. Critics have suggested that the Dead's vibrant tradition of melding folk music and the blues with psychedelic rock in "loose-knit expressions" and extended jamming "further pushed [Hornsby] outside the confines of mainstream pop." Critics have also commented upon the "close musical connection" formed between Hornsby and Jerry Garcia, suggesting that Hornsby's particular style of jazz-fueled improvisation added to the band's repertoire, and helped to revitalize and refocus Jerry Garcia's guitar solos in the band's sound. Hornsby's friendship with Garcia continued, both inside and outside the band, as the two "challenged" each other to expand their musicianship through several other album and live collaborations. Above all, Hornsby's musical versatility and ability to slip in and out of extended freeform jams won over longtime Grateful Dead fans. Since his first involvement with the Grateful Dead, Hornsby's live shows have drawn Deadheads and Hornsby has commented: "I've always liked the group of fans that we've drawn from the Grateful Dead time, because those fans are often adventurous music listeners." He has performed a number of their songs at his concerts and as homages on studio and live albums, while Hornsby originals "The Valley Road," and "Stander on the Mountain," appeared several times in the Dead's setlists. Hornsby also co-performed the improvisation "Silver Apples of the Moon" for the Grateful Dead's Infrared Roses. Hornsby was the presenter when the Grateful Dead were inducted into the Rock and Roll Hall of Fame in 1994 and in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia. He continues to work with Dead-related projects, such as Bob Weir's Ratdog, Mickey Hart's solo projects. He performed as part of The Other Ones in 1998 and 2000, and on occasion sat in with The Dead. Hornsby continues to be involved in the Grateful Dead and Furthur community, having opened All Good Music Festival in 2012 featured with Bob Weir on rhythm guitar. In mid-2013, Hornsby performed with Grateful Dead-influenced bluegrass group Railroad Earth. Hornsby reunited with surviving members of the Grateful Dead along with Trey Anastasio from Phish and Jeff Chimenti at Levi's Stadium in Santa Clara, California, and later at Soldier Field in Chicago, Illinois, in July 2015.

Answer this question "Did him and Jerry get along?"
output: in 2005 he participated in "Comes a Time", a tribute concert to Jerry Garcia.

input: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.

Answer this question "Who had the Oscar after she died?"
output:
Howard University