Input: Film speed
The standard specifies how speed ratings should be reported by the camera. If the noise-based speed (40:1) is higher than the saturation-based speed, the noise-based speed should be reported, rounded downwards to a standard value (e.g. 200, 250, 320, or 400). The rationale is that exposure according to the lower saturation-based speed would not result in a visibly better image. In addition, an exposure latitude can be specified, ranging from the saturation-based speed to the 10:1 noise-based speed. If the noise-based speed (40:1) is lower than the saturation-based speed, or undefined because of high noise, the saturation-based speed is specified, rounded upwards to a standard value, because using the noise-based speed would lead to overexposed images. The camera may also report the SOS-based speed (explicitly as being an SOS speed), rounded to the nearest standard speed rating.

What is the range for exposure latitude?
Output: from the saturation-based speed to the 10:1 noise-based speed

Input: Slavs
Specific studies of Slavic genetics followed. In 2007 Rebaa and colleagues studied several Slavic populations with the aim of localizing the Proto-Slavic homeland. The significant findings of this study are that:

When did Rebaa and colleagues studied several Slavic populations with the aim of localizing the Proto-Slavic homeland?
Output: 2007

Input: New York City
New York City has been described as the cultural capital of the world by the diplomatic consulates of Iceland and Latvia and by New York's Baruch College. A book containing a series of essays titled New York, culture capital of the world, 19401965 has also been published as showcased by the National Library of Australia. In describing New York, author Tom Wolfe said, "Culture just seems to be in the air, like part of the weather."

What institution of higher education has described New York as the cultural capital of the world?
Output: Baruch College

Input: Middle Ages
Romanesque art, especially metalwork, was at its most sophisticated in Mosan art, in which distinct artistic personalities including Nicholas of Verdun (d. 1205) become apparent, and an almost classical style is seen in works such as a font at Liege, contrasting with the writhing animals of the exactly contemporary Gloucester Candlestick. Large illuminated bibles and psalters were the typical forms of luxury manuscripts, and wall-painting flourished in churches, often following a scheme with a Last Judgement on the west wall, a Christ in Majesty at the east end, and narrative biblical scenes down the nave, or in the best surviving example, at Saint-Savin-sur-Gartempe, on the barrel-vaulted roof.

Who was a noted figure in Mosan art?
Output:
Nicholas of Verdun