In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Men Don't Leave is a 1990 American comedy-drama film starring Jessica Lange as a housewife who, after the death of her husband, moves with her two sons to Baltimore. Chris O'Donnell, Arliss Howard, Joan Cusack, Charlie Korsmo and Kathy Bates also co-star in this film. The film, directed by Paul Brickman and co-written with Barbara Benedek, is a remake of the French film "". The original music score was composed by Thomas Newman. Warner Brothers released the film on DVD for the first time on September 15, 2009, as part of the "Warner Archive Collection". Context_2 : Joan Cusack ( , born October 11, 1962) is an American actress. She received Academy Award nominations for Best Supporting Actress for her roles in the romantic comedy-drama "Working Girl" (1988) and the romantic comedy "In & Out" (1997), as well as one Golden Globe nomination for her performance in the latter. She is also known as the voice of Jessie in the "Toy Story" franchise. Context_3 : Forsaking All Others is a 1934 American romantic comedy-drama film directed by W.S. Van Dyke, and starring Joan Crawford, Clark Gable, and Robert Montgomery. The screenplay was written by Joseph L. Mankiewicz, which was based upon a 1933 play by Edward Barry Roberts and Frank Morgan Cavett starring Tallulah Bankhead. Context_4 : The Piven Theatre Workshop is located in Evanston, Illinois and was founded by Joyce and Byrne Piven. For over 30 years, it has existed both as a professional theatre company and a training center for children and adults. Famous alumni to come out of the program include Jeremy Piven, John Cusack, Joan Cusack, Ann Cusack, Aidan Quinn, Laurel Holloman, Lili Taylor, and Kate Walsh. Context_5 : Working Girl is a 1988 romantic comedy-drama film directed by Mike Nichols and written by Kevin Wade. It tells the story of a Staten Island-raised secretary, Tess McGill (Melanie Griffith), working in the mergers and acquisitions department of a Wall Street investment bank. When her boss, Katharine Parker (Sigourney Weaver), breaks her leg skiing, Tess uses Parker's absence and connections, including her errant beau Jack Trainer (Harrison Ford), to put forward her own idea for a merger deal. Context_6 : Grandview, U.S.A. is a 1984 American comedy film directed by Randal Kleiser and starring Jamie Lee Curtis, Patrick Swayze, C. Thomas Howell, Jennifer Jason Leigh, Carole Cook, Ramon Bieri, John Cusack, Joan Cusack, M. Emmet Walsh, Michael Winslow, Troy Donahue and Steve Dahl. The original music score is composed by Thomas Newman. It was filmed on location in Pontiac, Illinois. Context_7 : Broadcast News is a 1987 romantic comedy-drama film written, produced and directed by James L. Brooks. The film concerns a virtuoso television news producer (Holly Hunter), who has daily emotional breakdowns, a brilliant yet prickly reporter (Albert Brooks) and his charismatic but far less seasoned rival (William Hurt). It also stars Robert Prosky, Lois Chiles, Joan Cusack, and Jack Nicholson (billed only in the end credits) as the evening news anchor. Context_8 : In & Out is a 1997 American romantic comedy film directed by Frank Oz and starring Kevin Kline, Tom Selleck, Joan Cusack, Matt Dillon, Debbie Reynolds, and Wilford Brimley. It is an original story by screenwriter Paul Rudnick. Joan Cusack was nominated for an Academy Award for Best Supporting Actress for her performance. Context_9 : Hunting Venus is a British television comedy-drama starring Martin Clunes and Neil Morrissey as former members of a 1980s new romantic pop group. The one-off drama was broadcast on ITV on 31 March 1999, and was produced by Buffalo Pictures for Yorkshire Television. Context_10 : Joshua Seftel (born July 17, 1968) is an American filmmaker.[1] He currently lives in New York City and is represented by Creative Artists Agency in Los Angeles. Seftel began his career in documentaries at age 22 with his Emmy-nominated film, "Lost and Found," about Romania's orphaned children. He followed this with several films including the political campaign film "Taking on the Kennedys", selected by Time Magazine as one of the "ten best of the year"; the underdog sports film "The Home Team" which premiered at SXSW, and the behind-the-scenes film about Annie's Broadway revival "It's the Hard Knock Life" which the New York Times called "delightful." Seftel's first foray into comedy, "Breaking the Mold", gained cult status on the film festival circuit and caught the attention of filmmaker Alexander Payne, who championed him as a director. Seftel went on to direct the political satire War, Inc. starring John Cusack, Marisa Tomei, Hilary Duff, Joan Cusack, and Ben Kingsley which premiered at the Tribeca Film Festival. Seftel continues his work both in documentary film, mini-series, and commercial branded content with pieces such as his most recent series, "The Secret Life of Muslims." fact_1 : She received Academy Award nominations for Best Supporting Actress for her roles in the romantic comedy-drama "Working Girl" (1988) and the romantic comedy "In & Out" (1997), as well as one Golden Globe nomination for her performance in the latter. fact_2 : Working Girl is a 1988 romantic comedy-drama film directed by Mike Nichols and written by Kevin Wade. Question: Who directed the 1988 romantic comedy-drama starring Joan Cusack?
Answer:
Mike Nichols