Background: Arthur Robert Morris MBE (19 January 1922 - 22 August 2015) was an Australian cricketer who played 46 Test matches between 1946 and 1955. An opener, Morris is regarded as one of Australia's greatest left-handed batsmen. He is best known for his key role in Don Bradman's Invincibles side, which made an undefeated tour of England in 1948. He was the leading scorer in the Tests on the tour, with three centuries.
Context: The 1951-52 season saw the second tour to Australia by the West Indies. Morris experimented with his stance during the winter in response to criticism about his footwork when facing Bedser. Morris felt that his problems had arisen because he attempted to play excessively on the leg side. He opened his season by punishing the Queenslanders with a score of 253 in a Shield match and then scored 210 against Victoria. In the first of these innings, Morris had been ill but he struck 253 of his team's 400, with the last 50 coming in only 17 minutes of batting. His Test form was unimpressive though; he started steadily, with 122 runs in the first two Tests, which were won by Australia. The Third Test in Adelaide was Morris's first Test as captain, after Hassett withdrew on match eve due to a strained hip muscle. Australia were already one batsman short after the Australian Board of Control had earlier vetoed the selection of Barnes "for grounds other than cricketing ability", which was widely believed to be a result of Barnes' previous clashes with authority. Under board's regulations at the time, a replacement player needed the approval of the entire board. Since it was the weekend, some of the members could not be contacted by phone, and as a result Hassett could not be replaced by another specialist batsman from outside the twelve man squad. Instead, his place was taken by a specialist bowler already in the squad. This left Morris leading an extremely unbalanced team with four specialist batsmen and Miller as the all-rounder. Morris had a long tail with wicketkeeper Gil Langley and five specialist bowlers all with batting averages less than 23, and was reportedly "in a state of shock". Morris won the toss and elected to bat on a sticky wicket. Because of a leak in the covers, one end of the pitch was dry and the other was wet. Australia were bowled out for a low score of 82 but managed to restrict the West Indies to 105. In all 22 wickets fell on the first day, the most in a Test on Australian soil in 50 years. Morris proceeded to reverse the batting order in the second innings, with bowler Ian Johnson and Langley opening the batting. They were followed by bowlers Geff Noblet and Doug Ring, in order to protect the batsmen from a wicket that was still wet. Ring made an unexpected 67 and Morris scored 45 as Australia compiled 255, but it was not enough; the West Indies reached the target with six wickets in hand. After scores of 6 and 12 in the Fourth Test, he missed the final Test due to injury, ending an unproductive Test summer in which he managed only 186 runs at 23.25. The series was noted for Morris' difficulties against the spin duo of Alf Valentine and Sonny Ramadhin, who bowled left-arm orthodox and leg spin respectively. The pair was responsible for five of his eight dismissals on the tour. Morris did not play a match after the new year and ended the season with 698 runs at 53.69. He topped his state's Shield batting averages, leading from the front as New South Wales regained the title.
Question: What did he do for a living?
Answer:

Background: Jo Elizabeth Stafford (November 12, 1917 - July 16, 2008) was an American traditional pop music singer and occasional actress, whose career spanned five decades from the late 1930s to the early 1980s. Admired for the purity of her voice, she originally underwent classical training to become an opera singer before following a career in popular music, and by 1955 had achieved more worldwide record sales than any other female artist. Her 1952 song "You Belong to Me" topped the charts in the United States and United Kingdom, the record becoming the first by a female artist to reach number one on the U.K. Singles Chart.
Context: While Stafford was still working for Dorsey, Johnny Mercer told her, "Some day I'm going to have my own record company, and you're going to record for me." She subsequently became the first solo artist signed to Capitol after leaving the Pied Pipers in 1944. A key figure in helping Stafford to develop her solo career was Mike Nidorf, an agent who first heard her as a member of the Pied Pipers while he was serving as a Captain with the United States Army. Having previously discovered artists such as Glenn Miller, Artie Shaw, and Woody Herman, Nidorf was impressed by Stafford's voice, and contacted her when he was demobilized in 1944. After she agreed to let him represent her, he encouraged her to reduce her weight and arranged a string of engagements that raised her profile, and confidence. The success of Stafford's solo career led to a demand for personal appearances, and from February 1945 she embarked on a six-month residency at New York's La Martinique nightclub. Her performance was well-received--an article in the July 1945 edition of Band Leaders magazine described it as "sensational"--but Stafford did not enjoy singing before live audiences, and it was the only nightclub venue she ever played. Speaking about her discomfort with live performances, Stafford told a 1996 interview with The New Yorker's Nancy Franklin, "I'm basically a singer, period, and I think I'm really lousy up in front of an audience--it's just not me." Stafford's tenure with the United Service Organizations (USO) during World War II--which often saw her perform for soldiers stationed in the U.S.--led to her acquiring the nickname "G.I. Jo". On returning from the Pacific theater, a veteran told Stafford that the Japanese would play her records on loudspeakers in an attempt to make the U.S. troops homesick enough to surrender. She replied personally to all the letters she received from servicemen. Stafford was a favorite of many servicemen during both World War II and the Korean War; her recordings received extensive airplay on the American Forces radio and in some military hospitals at lights-out. Stafford's involvement with servicemen led to an interest in military history and a sound knowledge of it. Years after World War II, Stafford was a guest at a dinner party with a retired naval officer. When the discussion turned to a wartime action off Mindanao, the officer tried to correct Stafford, who held to her point. He countered her by saying, "Madame, I was there". A few days after the party, Stafford received a note of apology from him, saying he had re-read his logs and that she was correct.
Question: Did Jo record for Capitol records?
Answer:
She subsequently became the first solo artist signed to Capitol