Problem: Canby was born in Piatt's Landing, Kentucky, to Israel T. and Elizabeth (Piatt) Canby. He attended Wabash College, but transferred to the United States Military Academy, from which he graduated in 1839. He was commissioned a second lieutenant in the 2nd U.S. Infantry and served as the regimental adjutant. Although often referred to as Edward Canby, a biographer has suggested that he was known as "Richard" during childhood and to some friends for most of his life.

During his early career, Canby served in the Second Seminole War in Florida and saw combat during the Mexican-American War, where he received three brevet promotions, including to major for Contreras and Churubusco, and lieutenant colonel for Belen Gates. He also served at various posts, including Upstate New York and in the adjutant general's office in California from 1849 until 1851, covering the period of the territory's transition to statehood. Against his wishes, he was assigned to what was supposed to be the civilian post of custodian of the California Archives from March 1850 until he left California in April 1851. The Archives included records of Spanish and Mexican governments in California, as well as Mission records and land titles. Evidently, Canby had some knowledge of the Spanish language, which was extremely useful as the government was trying to unravel land titles. (The Filson Historical Society in Louisville, Kentucky holds what appears to be a document written in Canby's hand in Spanish, in which he identifies himself as "Edwardo [sic] Ricardo S. Canby.") Canby served in Wyoming and Utah (then both part of the Utah Territory) during the Utah War (1857-1858). During this period, he served on the panel of judges for the court martial of Captain Henry Hopkins Sibley. Sibley was acquitted. Subsequently, Canby wrote an endorsement for a teepee-like army tent which Sibley had adapted from the American Indian style. Both officers were later assigned to New Mexico, where in 1860 Canby coordinated a campaign against the Navajo, commanding Sibley in a futile attempt to capture and punish Navajo for "depredations" against the livestock of settlers. The campaign ended in frustration, with Canby and Sibley rarely sighting Navajo raiders. Usually they saw the Navajo at a distance and never got close to them.

What part of the military was he in?

Answer with quotes: where he received three brevet promotions, including to major for Contreras and Churubusco,

Problem: Frederick II (26 December 1194 - 13 December 1250; Sicilian: Fidiricu, Italian: Federico, German: Friedrich) was King of Sicily from 1198, King of Germany from 1212, King of Italy and Holy Roman Emperor from 1220 and King of Jerusalem from 1225. His mother Constance was Queen of Sicily and his father was Henry VI of the Hohenstaufen dynasty. Frederick's reign saw the Holy Roman Empire reaching its all time territorial peak.

Historians rate Frederick II as a highly significant European monarch of the Middle Ages. This reputation was present even in Frederick's era. Lansing and English, two British historians, argue that medieval Palermo has been overlooked in favor of Paris and London: One effect of this approach has been to privilege historical winners, [and] aspects of medieval Europe that became important in later centuries, above all the nation state.... Arguably the liveliest cultural innovation in the 13th century was Mediterranean, centered on Frederick II's polyglot court and administration in Palermo.... Sicily and the Italian South in later centuries suffered a long slide into overtaxed poverty and marginality. Textbook narratives therefore focus not on medieval Palermo, with its Muslim and Jewish bureaucracies and Arabic-speaking monarch, but on the historical winners, Paris and London. Modern medievalists no longer accept the notion, sponsored by the popes, of Frederick as an anti-Christian. They argue that Frederick understood himself as a Christian monarch in the sense of a Byzantine emperor, thus as God's "viceroy" on earth. Whatever his personal feelings toward religion, certainly submission to the pope did not enter into the matter in the slightest. This was in line with the Hohenstaufen Kaiser-Idee, the ideology claiming the Holy Roman Emperor to be the legitimate successor to the Roman Emperors. 20th century treatments of Frederick vary from the sober (Wolfgang Sturner) to the dramatic (Ernst Kantorowicz). However, all agree on Frederick II's significance as Holy Roman Emperor. In the judgment of British historian Geoffrey Barraclough, Frederick's extensive concessions to German princes--which he made in the hopes of securing his base for his Italian projects--undid the political power of his predecessors and postponed German unity for centuries. However, the modern approach to Frederick II tends to be focused on the continuity between Frederick and his predecessors as Kings of Sicily and Holy Roman Emperors, and the similarities between him and other thirteenth-century monarchs. David Abulafia, in a biography subtitled "A Medieval Emperor," argues that Frederick's reputation as an enlightened figure ahead of his time is undeserved, and that Frederick was mostly a conventionally Christian monarch who sought to rule in a conventional medieval manner.

What is the Evaluation of Frederick II?

Answer with quotes: Historians rate Frederick II as a highly significant European monarch of the Middle Ages.

Problem: Sir Henry Irving (6 February 1838 - 13 October 1905), born John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood, indicating full acceptance into the higher circles of British society. Irving is widely acknowledged to be one of the inspirations for Count Dracula, the title character of the 1897 novel Dracula whose author, Bram Stoker, was business manager of the theatre.

In 1878, Irving entered into a partnership with actress Ellen Terry and re-opened the Lyceum under his own management. With Terry as Ophelia and Portia, he revived Hamlet and produced The Merchant of Venice (1879). His Shylock was as much discussed as his Hamlet had been, the dignity with which he invested the vengeful Jewish merchant marking a departure from the traditional interpretation of the role. After the production of Tennyson's The Cup and revivals of Othello (in which Irving played Iago to Edwin Booth's title character) and Romeo and Juliet, there began a period at the Lyceum which had a potent effect on the English stage. Much Ado about Nothing (1882) was followed by Twelfth Night (1884); an adaptation of Goldsmith's Vicar of Wakefield by W. G. Wills (1885); Faust (1886); Macbeth (1888, with incidental music by Arthur Sullivan); The Dead Heart, by Watts Phillips (1889); Ravenswood by Herman, and Merivales' dramatic version of Scott's Bride of Lammermoor (1890). Portrayals in 1892 of the characters of Wolsey in Henry VIII and of the title character in King Lear were followed in 1893 by a performance of Becket in Tennyson's play of the same name. During these years, too, Irving, with the whole Lyceum company, paid several successful visits to the United States and Canada, which were repeated in succeeding years. As Terry aged, there seemed to be fewer opportunities for her in his company; that was one reason she eventually left, moving on into less steady but nonetheless beloved stage work, including solo performances of Shakespeare's women.

What was his role at the Lyceum?

Answer with quotes:
re-opened the Lyceum under his own management.