Problem: James is an English rock band from Manchester, which was formed in 1982 and enjoyed popularity throughout the 1990s. The band's best-known singles include "Come Home", "Sit Down", "She's a Star" and "Laid", which also became a hit on American college radio. Following the departure of lead singer Tim Booth in 2001, the band became inactive, but reunited in January 2007 and has gone on to produce a further three albums, cementing their reputation as one of the most iconic live British bands. James's hit single Come Home was voted the greatest ever Manchester anthem in a radio poll.

In November 1988, drummer Whelan became involved in an on-stage fight with Booth and was asked to leave the band. He was replaced by David Baynton-Power a few months later. During the following year James greatly expanded their lineup and sound palette by hiring three new members -- guitarist-violinist-percussionist Saul Davies (whom Gott recruited from an amateur blues night), keyboard player Mark Hunter and onetime Diagram Brothers/ Dislocation Dance / The Cotton Singers Pale Fountains trumpeter/percussionist Andy Diagram (the latter a noted avant-garde musician). This new seven-piece line-up went into the studio to record the third James album. New singles "Sit Down" and "Come Home" became strong hits in the independent charts, and the latter featured on the compilation album Happy Daze. The album Gold Mother was intended to be released on Rough Trade but the owner of the label, Geoff Travis, believed James could only reach an audience of 20,000 to 30,000. The band believed they had more potential than this and bought the rights to the album from Rough Trade. A successful winter tour in 1989 attracted a deal with Fontana Records, and the band ended a difficult decade on an optimistic note. Gold Mother was released in June 1990, just as the 'Madchester' movement, with its wave of popular Manchester-based indie bands, focused public attention on James and won them mainstream recognition. Singles "How Was It for You", the remixed "Come Home" and "Lose Control" all made the Top 40, and the band's newfound success was re-affirmed when they played two sell-out dates at the Manchester G-Mex at the end of the year. In March 1991, when the popularity of "Sit Down" led to a re-recorded version being released as a single, reaching number 2 in the UK Singles Chart. Gold Mother was re-released to include "Sit Down" and previous single "Lose Control", and the album sold ten times more copies than Travis originally predicted. The song became one of the biggest-selling singles of the year. The band members spent the rest of the year recording their next album, Seven, which was released in February 1992. It reached number 2 in the UK Albums Chart (its lead single, "Sound", had followed "Sit Down" into the top 10 a few months earlier) and earned the band some recognition in the US as they embarked on their first Stateside tour. The band's activities culminated in a sell-out show to 30,000 people at the Alton Towers theme park in July, broadcast live on BBC Radio 1, following which Andy Diagram left the group.

did they have big concerts?

Answer with quotes: show to 30,000 people at the Alton Towers theme park in July,

Problem: Helloween are a German power metal band founded in 1984 in Hamburg, Northern Germany by members of bands Iron Fist and Gentry. Its first line-up consisted of singer and rhythm guitarist Kai Hansen, bass guitarist Markus Grosskopf, lead guitarist Michael Weikath, and drummer Ingo Schwichtenberg. After the release of a self-titled EP and their debut album Walls of Jericho in 1985, it expanded into a quintet with the addition of singer Michael Kiske, Hansen choosing to focus on guitar instead. Under this line-up, they released the Keeper of the Seven Keys albums (1987 and 1988), which established Helloween as a notable heavy metal band and led to the creation of the power metal subgenre.

Guitarist Kai Hansen unexpectedly left the band in 1989 soon after the European leg of the Keeper of the Seven Keys: Part II tour, due to ill-health, conflicts within the band, troubles with Noise International, and a growing dissatisfaction with life on tour. Weikath chose his friend Roland Grapow to replace him, including for the rest of the tour. Grapow, who was a car mechanic at the time, stated in 2017 that, if Weikath had not happened to ask him to join the band, he would have kept his job and given up on his dream of becoming a professional musician. In 1989, the band released a live album called Live in the U.K. (Keepers Live in Japan and I Want Out Live in the United States), featuring material from its 1988 European tour. The remaining members continued on but ran into label problems with Noise, and after litigation kept them from touring and releasing new material, they were eventually released from their contract. A new album would not appear until 1991 when, after several rumors about the band breaking up, they released Pink Bubbles Go Ape for their new record company, EMI. The album was less heavy and, with song titles such as "Heavy Metal Hamsters", "I'm Doing Fine, Crazy Man", and "Shit and Lobster", showed a shift toward - and an emphasis on - humor rather than the epic moods on previous releases. As a result, Pink Bubbles Go Ape failed both commercially and critically, and tensions started to build amongst the band members. The pop-influenced follow-up Chameleon was released in 1993. Instead of taking a heavier approach, the band ventured into new territory, eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, and swing. As with the previous album, Chameleon failed commercially and critically. Tensions within Helloween worsened, and the band split into three factions, with Michael Kiske and Ingo Schwichtenberg on one side, Michael Weikath and Roland Grapow on the other, and Markus Grosskopf in the middle, trying to keep peace between the four men. Shortly after, the band began to disintegrate. During the Chameleon tour, the band would often play to half-filled venues. Drummer Ingo Schwichtenberg fell ill due to mental and drug-related issues, and was eventually fired, replaced by session drummer Ritchie Abdel-Nabi. Meanwhile, the conflicts within the rest of the band worsened, with Michael Weikath refusing to work any longer with Michael Kiske. The decision was made to fire Kiske. Since his firing, Kiske has not spoken positively about Helloween. In May 2008, Kiske released Past in Different Ways; an album featuring most of his old Helloween songs, albeit rearranged and re-recorded acoustically. Commenting on Kiske's dismissal, Grosskopf later said: In addition to the firing of Kiske, Abdel-Nabi, whose inability to replicate Schwichtenberg's machine-gun style of drumming hindered Helloween's ability to play live fan-favorites like "Eagle Fly Free" and "How Many Tears", was let go by the band. 1993 would come to a close for Helloween with no singer, no drummer, and no record contract (EMI released the band from its agreement for the low sales numbers for Pink Bubbles Go Ape and Chameleon).

Did the musical direction change after they left?

Answer with quotes:
Instead of taking a heavier approach, the band ventured into new territory,