input: In March 1860, the House created the Covode Committee to investigate the administration for evidence of offenses, some impeachable, such as bribery and extortion of representatives in exchange for their votes. The committee, with three Republicans and two Democrats, was accused by Buchanan's supporters of being nakedly partisan; they also charged its chairman, Republican Rep. John Covode, with acting on a personal grudge (since the president had vetoed a bill that was fashioned as a land grant for new agricultural colleges, but was designed to benefit Covode's railroad company). However, the Democratic committee members, as well as Democratic witnesses, were equally enthusiastic in their pursuit of Buchanan, and as pointed in their condemnations, as the Republicans. The committee was unable to establish grounds for impeaching Buchanan; however, the majority report issued on June 17 exposed corruption and abuse of power among members of his cabinet, as well as allegations (if not impeachable evidence) from the Republican members of the Committee, that Buchanan had attempted to bribe members of Congress in connection with the Lecompton constitution. (The Democratic report, issued separately the same day, pointed out that evidence was scarce, but did not refute the allegations; one of the Democratic members, Rep. James Robinson, stated publicly that he agreed with the Republican report even though he did not sign it.) Buchanan claimed to have "passed triumphantly through this ordeal" with complete vindication. Nonetheless, Republican operatives distributed thousands of copies of the Covode Committee report throughout the nation as campaign material in that year's presidential election.

Answer this question "what is the covode committee?"
output: the House created the Covode Committee to investigate the administration for evidence of offenses,

input: In 1970, Chicago decided to teach full-time at Fresno State College, hoping to teach women the skills needed to express the female perspective in their work. At Fresno, she planned a class that would consist only of women, and she decided to teach off campus to escape "the presence and hence, the expectations of men." She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program, a full 15-unit program, in the spring of 1971. This was the first feminist art program in the United States. Fifteen students studied under Chicago at Fresno State College: Dori Atlantis, Susan Boud, Gail Escola, Vanalyne Green, Suzanne Lacy, Cay Lang, Karen LeCocq, Jan Lester, Chris Rush, Judy Schaefer, Henrietta Sparkman, Faith Wilding, Shawnee Wollenman, Nancy Youdelman, and Cheryl Zurilgen. Together, as the Feminist Art Program, these women rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno. Here they collaborated on art, held reading groups, and discussion groups about their life experiences which then influenced their art. All of the students and Chicago contributed $25 per month to rent the space and to pay for materials. Later, Judy Chicago and Miriam Schapiro reestablished the Feminist Art Program at California Institute of the Arts. After Chicago left for Cal Arts, the class at Fresno State College was continued by Rita Yokoi from 1971 to 1973, and then by Joyce Aiken in 1973, until her retirement in 1992. Chicago is considered one of the "first-generation feminist artists," a group that also includes Mary Beth Edelson, Carolee Schneeman, and Rachel Rosenthal. They were part of the Feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Chicago became a teacher at the California Institute for the Arts, and was a leader for their Feminist Art Program. In 1972, the program created Womanhouse, alongside Miriam Schapiro, which was the first art exhibition space to display a female point of view in art. With Arlene Raven and Sheila Levrant de Bretteville, Chicago co-founded the Los Angeles Woman's Building in 1973. This art school and exhibition space was in a structure named after a pavilion at the 1893 World's Colombian Exhibition that featured art made by women from around the world. This housed the Feminist Studio Workshop, described by the founders as "an experimental program in female education in the arts. Our purpose is to develop a new concept of art, a new kind of artist and a new art community built from the lives, feelings, and needs of women." During this period, Chicago began creating spray-painted canvas, primarily abstract, with geometric forms on them. These works evolved, using the same medium, to become more centered around the meaning of the "feminine". Chicago was strongly influenced by Gerda Lerner, whose writings convinced her that women who continued to be unaware and ignorant of women's history would continue to struggle independently and collectively.

Answer this question "did she receive any awards"
output:

input: The New York Rangers acquired Bure on March 18, 2002, along with Florida's second-round pick in the 2002 draft (Lee Falardeau) for Igor Ulanov, Filip Novak, as well as the Rangers' first and second-round choices in the 2002 draft (Petr Taticek and Rob Globke, respectively) and a fourth-round choice in the 2003 draft. The Rangers had shown interest in Bure when he requested a trade from the Canucks in 1997. After losing their initial bid for Bure, Wayne Gretzky, who retired the same season Bure was dealt to Florida, announced prior to the 1999-2000 season he would have extended his career had the Rangers been able to pull off the trade. Bure made his Rangers debut against the Vancouver Canucks the day after his trade on March 19, scoring a goal against his former team. He scored 12 goals and 20 points in 12 games after being traded, bettering his pace with Florida that season. Between the two teams, he finished the season with 34 goals and 69 points. Bure suffered another knee injury in the 2002-03 pre-season; combined with a case of strep throat, he missed the first three games of the regular season. After returning to play, he had 14 goals and 21 points in his first 27 games, including two goals and an assist in his first game back, before a knee-on-knee collision in December forced him back out. After undergoing surgery 10 days later, it was revealed that there was no damage to the ACL as previously feared, but instead a tear to the meniscus in his left knee, which was repaired. Bure returned that season to appear in 39 games, managing 19 goals and 30 points. Even after two operations, Bure did not play in 2003-04 due to the lingering effects of the knee injury. He failed a pre-season physical and was declared medically unable to play. Left with his fully insured $10 million salary (80 percent of which would be reimbursed to the team), the Rangers left him unprotected in the NHL's Waiver Draft, where he was unclaimed.

Answer this question "who was he traded from before the new york rangers"
output:
Canucks