Problem: Background: Lifehouse is an American rock band from Los Angeles comprising Jason Wade (lead vocals, guitar), Rick Woolstenhulme, Jr. (drums, percussion), and Bryce Soderberg (bass, vocals). The band came to mainstream prominence in 2001 with the hit single "Hanging by a Moment" from their debut studio album, No Name Face. The song was number one for three weeks on the Billboard Modern Rock Tracks chart and peaked at number 2 on the Billboard Hot 100 charts, and the single won a Billboard Music Award for Hot 100 Single of the Year, having spent twenty weeks in the top 10 and more than a year on the charts. In 2002, Lifehouse released their follow-up album Stanley Climbfall.
Context: Jason Wade and Rick Woolstenhulme remained the active members of Lifehouse. In September 2004, Bryce Soderberg (previously of AM Radio) signed on as Lifehouse's new bassist. On July 6, 2004, they went to Maryland to begin work on their eponymous third album, spending less than two months in the studio to record thirteen songs produced by John Alagia. Lifehouse was released on March 22, 2005. The album's first single, "You and Me", was released for airplay on January 18, 2005. It was written several years prior and was originally performed by Jason Wade for the 2000 independent film All Over Again. The song was a success and stayed on the U.S. Billboard Hot 100 for 62 weeks (the fifth longest-charted in history), peaking at No. 5. The song also appears on the soundtrack to Smallville. One episode, "Spirit", featured the band actually performing it and three other songs from the album ("Come Back Down", "Blind", and "Undone") on the show. The song has also appeared on Cold Case, Boston Legal, Gavin & Stacey, Everwood, Grey's Anatomy, The 4400 and Medium as well as the commercial for the final episode of Zoey 101. The song "All In All" was featured in Scrubs. The music video for the album's second single, "Blind", was released October 19, 2005. It starred Tina Majorino and featured several other up-and-coming young actors such as Sarch McClain, Stephen Cheung, Christopher Thien Duc Van and Andy Walters. In 2006, the newly-written song "Good Enough" was featured in the Disney film The Wild and was repeated over the end credits.
Question: Were the band members the originals at this time?
Answer: Bryce Soderberg (previously of AM Radio) signed on as Lifehouse's new bassist.

Problem: Background: Pierre Benjamin Monteux (pronounced [pjeR mo.to]; 4 April 1875 - 1 July 1964) was a French (later American) conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, Ravel's Daphnis et Chloe, and Debussy's Jeux. Thereafter he directed orchestras around the world for more than half a century.
Context: Monteux made a large number of recordings throughout his career. His first recording was as a violist in "Plus blanche que la blanche hermine" from Les Huguenots by Meyerbeer in 1903 for Pathe with the tenor Albert Vaguet. It is possible that Monteux played in the Colonne Orchestra's 20 early cylinders recorded around 1906-07. His recording debut as a conductor was the first of his five recordings of The Rite of Spring, issued in 1929. The first of these, with the OSP, is judged by Canarina to be indifferently played; recordings by Monteux of music by Ravel and Berlioz made in 1930 and 1931, Canarina believes, were more impressive. Stravinsky, who also recorded The Rite in 1929, was furious that Monteux had made a rival recording; he made vitriolic comments privately, and for some time his relations with Monteux remained cool. Monteux's final studio recordings were with the London Symphony Orchestra in works by Ravel at the end of February 1964. In the course of his career he recorded works by more than fifty composers. In Monteux's lifetime it was rare for record companies to issue recordings of live concerts, although he would much have preferred it, he said, "if one could record in one take in normal concert-hall conditions". Some live performances of Monteux conducting the Metropolitan Opera, and among others the San Francisco Symphony, Boston Symphony, BBC Symphony and London Symphony orchestras survive alongside his studio recordings, and some have been issued on compact disc. It has been argued that these reveal even more than his studio recordings "a conductor at once passionate, disciplined, and tasteful; one who was sometimes more vibrant than the Monteux captured in the studio, and yet, like that studio conductor, a cultivated musician possessing an extraordinary ear for balance, a keen sense of style and a sure grasp of shape and line." Many of Monteux's recordings have remained in the catalogues for decades, notably his RCA Victor recordings with the Boston Symphony and Chicago Symphony orchestras; Decca recordings with the Vienna Philharmonic; and Decca and Philips recordings with the LSO. Of Manon, one of his few opera recordings, Alan Blyth in Opera on Record states "Monteux had the music in his blood and here dispenses it with authority and spirit". He can be heard rehearsing in the original LP issues of Beethoven's Eroica Symphony with the Concertgebouw Orchestra (Philips 835132 AY) and Beethoven's 9th with the London Symphony (Westminster, WST 234). Video recordings of Monteux are scarcer. He is seen conducting Berlioz's Roman Carnival Overture and Beethoven's 8th symphony with the Chicago Symphony Orchestra, and Dukas' L'Apprenti sorcier with the London Symphony Orchestra in an "unshowy, deeply satisfying humane way".
Question: What was the reputation and repertoire?
Answer:
Monteux made a large number of recordings throughout his career.