Background: Albrecht Durer (; German: ['albRect 'dy:Ra]; 21 May 1471 - 6 April 1528) was a painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Durer established his reputation and influence across Europe when he was still in his twenties due to his high-quality woodcut prints. He was in communication with the major Italian artists of his time, including Raphael, Giovanni Bellini and Leonardo da Vinci, and from 1512 he was patronized by emperor Maximilian I. Durer is commemorated by both the Lutheran and Episcopal Churches.
Context: Despite the regard in which he was held by the Venetians, Durer returned to Nuremberg by mid-1507, remaining in Germany until 1520. His reputation had spread throughout Europe and he was on friendly terms and in communication with most of the major artists including Raphael, Giovanni Bellini and--mainly through Lorenzo di Credi--Leonardo da Vinci. Between 1507 and 1511 Durer worked on some of his most celebrated paintings: Adam and Eve (1507), The Martyrdom of the Ten Thousand (1508, for Frederick of Saxony), Virgin with the Iris (1508), the altarpiece Assumption of the Virgin (1509, for Jacob Heller of Frankfurt), and Adoration of the Trinity (1511, for Matthaeus Landauer). During this period he also completed two woodcut series, the Great Passion and the Life of the Virgin, both published in 1511 together with a second edition of the Apocalypse series. The post-Venetian woodcuts show Durer's development of chiaroscuro modelling effects, creating a mid-tone throughout the print to which the highlights and shadows can be contrasted. Other works from this period include the thirty-seven woodcut subjects of the Little Passion, published first in 1511, and a set of fifteen small engravings on the same theme in 1512. Indeed, complaining that painting did not make enough money to justify the time spent when compared to his prints, he produced no paintings from 1513 to 1516. However, in 1513 and 1514 Durer created his three most famous engravings: Knight, Death, and the Devil (1513, probably based on Erasmus's treatise Enchiridion militis Christiani), St. Jerome in his Study, and the much-debated Melencolia I (both 1514). Further outstanding pen and ink drawings of Durer's period of art work of 1513 were drafts for his friend Willibald Prickheimer. These drafts were later used to design the famous chandeliers lusterweibchen. In 1515, he created his woodcut of a Rhinoceros which had arrived in Lisbon from a written description and sketch by another artist, without ever seeing the animal himself. An image of the Indian rhinoceros, the image has such force that it remains one of his best-known and was still used in some German school science text-books as late as last century. In the years leading to 1520 he produced a wide range of works, including the woodblocks for the first western printed star charts in 1515 and portraits in tempera on linen in 1516.
Question: Who were his influences in his art?
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Background: Boyz II Men is an American R&B vocal group from Philadelphia, Pennsylvania, best known for emotional ballads and a cappella harmonies. They are currently a trio composed of baritone Nathan Morris alongside tenors Wanya Morris and Shawn Stockman. During the 1990s, Boyz II Men found fame on Motown Records as a quartet including bass Michael McCary, who left the group in 2003 due to health issues. During the 1990s, Boyz II Men gained international success.
Context: Motown issued The Remix Collection, a compilation of remixes of various Boyz II Men songs from Cooleyhighharmony and II. The group itself had opposed the release of the collection, because they felt the compilation did not represent Boyz II Men's best work. After the label released the album without their permission, there was a dispute between the company and the group. Boyz II Men initiated their own recording company Stonecreek (which released material by artists such as Uncle Sam), and they arranged for Stonecreek's distribution by Epic Records, not Motown. Boyz II Men's third studio album, Evolution, was released during 1997 to mixed reviews and sold three million copies, far below the stratospheric success of II's (12 million copies) and Cooleyhighharmony (9 million). Only one of Evolution's singles, the Jam/Lewis-penned "Four Seasons of Loneliness", reached number 1 on the Hot 100 chart. The second single, the Babyface-helmed "A Song for Mama" (the theme song to the Babyface-produced film Soul Food) was a Top 10 success, but the follow-up "Can't Let Her Go" underperformed. The global tour began in 1997 to promote Evolution was very successful in terms of ticket sales, but behind the scenes, Boyz II Men was wracked by conflicts with their record label and internal conflicts among the members of the group. Making matters worse, health problems began to take their toll on the group as well. While on tour to support the Evolution album, Wanya Morris developed a polyp on his vocal cords, and the group was forced to postpone part of the tour until he recovered. McCary's scoliosis meant that he was unable to participate in most of the group's dance routines. Boyz II Men were nominated for 2 Grammys in 1998: Best R&B Album for Evolution and Best R&B Vocal Performance by a Duo or Group for "A Song for Mama".
Question: Did Boys ll men sue the label?
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Background: Nancy Elizabeth Lieberman (born July 1, 1958), nicknamed "Lady Magic", is a former professional basketball player who played and coached in the Women's National Basketball Association (WNBA) and currently works as an assistant coach for the Sacramento Kings of the National Basketball Association (NBA, as well as head coach of the Power in the BIG3. Lieberman is regarded as one of the greatest figures in American women's basketball. In 2000, she was inducted into the Nassau County Sports Hall of Fame. Lieberman is a member of the Basketball Hall of Fame, the Women's Basketball Hall of Fame and the Virginia Sports Hall of Fame.
Context: From 1976 to 1980, Lieberman attended Old Dominion University in Norfolk, Virginia, and played on the women's basketball team there. During that time, she and her team won two consecutive AIAW National Championships (1979, 1980) and one WNIT (Women's National Invitation Tournament) Championship in 1978. She was the first two-time winner of the prestigious Wade Trophy, a national "player of the year" award in college women's basketball, and was selected as the Broderick Award winner for basketball as the top women's player in America. Lieberman also won three consecutive Kodak All-America awards (1978, '79, '80). Lieberman was one of six young adults to win the Young American Award from the Boy Scouts of America in 1980. Lieberman earned the nickname "Lady Magic," a nod to Earvin "Magic" Johnson of NBA fame. Lieberman set a school record for career assists (961) that still stands today. She led the team in assists each of the four years she was on the team--in her sophomore year she averaged 8.9 per game. Lieberman amassed 2,430 points along with 1,167 rebounds in her collegiate career, producing an average of 18.1 points per game. Lieberman achieved a triple double (40 points, 15 rebounds, 11 assists) against Norfolk State in her sophomore year. Lieberman stole the ball 562 times and assisted a basket 961 times in her college career, believed to be modern records. She is the holder of several single-game and single-season records, including best free-throw shooting percentage in her freshman and sophomore years. Lieberman earned her degree in Interdisciplinary Studies from Old Dominion University on May 6, 1980. She was inducted into the ODU Sports Hall of Fame in 1985.
Question: Does Lieberman win any awards?
Answer:
she and her team won two consecutive AIAW National Championships