Problem: Plains Indians, Interior Plains Indians or Indigenous people of the Great Plains and Canadian Prairies are the Native American tribes and First Nation band governments who have traditionally lived on the greater Interior Plains (i.e. the Great Plains and the Canadian Prairies) in North America. Their historic nomadic culture and development of equestrian culture and resistance to domination by the government and military forces of Canada and the United States have made the Plains Indian culture groups an archetype in literature and art for American Indians everywhere. Plains Indians are usually divided into two broad classifications which overlap to some degree. The first group became a fully nomadic horse culture during the 18th and 19th centuries, following the vast herds of buffalo, although some tribes occasionally engaged in agriculture.

The nomadic tribes historically survived on hunting and gathering, and the American Bison was one primary resource for items which people used for everyday life, including food, cups, decorations, crafting tools, knives, and clothing. The tribes followed the seasonal grazing and migration of buffalo. The Plains Indians lived in teepees because they were easily disassembled and allowed the nomadic life of following game. When horses were obtained, the Plains tribes rapidly integrated them into their daily lives. People in the southwest began to acquire horses in the 16th century by trading or stealing them from Spanish colonists in New Mexico. As horse culture moved northward, the Comanche were among the first to commit to a fully mounted nomadic lifestyle. This occurred by the 1730s, when they had acquired enough horses to put all their people on horseback. The Spanish explorer Francisco Vasquez de Coronado was the first European to describe the Plains Indian culture. While searching for a reputedly wealthy land called Quivira in 1541, Coronado came across the Querechos in the Texas panhandle. The Querechos were the people later called Apache. According to the Spaniards, the Querechos lived "in tents made of the tanned skins of the cows (bison). They dry the flesh in the sun, cutting it thin like a leaf, and when dry they grind it like meal to keep it and make a sort of sea soup of it to eat....They season it with fat, which they always try to secure when they kill a cow. They empty a large gut and fill it with blood, and carry this around the neck to drink when they are thirsty." Coronado described many common features of Plains Indians culture: skin tepees, travois pulled by dogs, Plains Indian Sign Language, and staple foods such as jerky and pemmican. The Plains Indians found by Coronado had not yet obtained horses; it was the introduction of the horse that revolutionized Plains culture. By the 19th century, the typical year of the Lakota and other northern nomads was a communal buffalo hunt as early in spring as their horses had recovered from the rigors of the winter. In June and July the scattered bands of the tribes gathered together into large encampments, which included ceremonies such as the Sun Dance. These gatherings afforded leaders to meet to make political decisions, plan movements, arbitrate disputes, and organize and launch raiding expeditions or war parties. In the fall, people would split up into smaller bands to facilitate hunting to procure meat for the long winter. Between the fall hunt and the onset of winter was a time when Lakota warriors could undertake raiding and warfare. With the coming of winter snows, the Lakota settled into winter camps, where activities of the season ceremonies and dances as well as trying to ensure adequate winter feed for their horses. On the southern plains, with their milder winters, the fall and winter was often the raiding season. Beginning in the 1830s, the Comanche and their allies often raided for horses and other goods deep into Mexico, sometimes venturing 1,000 miles (1,600 km) south from their homes near the Red River in Texas and Oklahoma.

what game did they hunt?

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Problem: Rouvas was born on 5 January 1972 in the village of Mandoukion, near Corfu City on the island of Corfu, the eldest of four sons of Konstantinos "Kostas" Rouvas (an ambulance driver) and the teenaged Anna-Maria Panaretou (a duty-free shop clerk at the local airport). He has three brothers: Billy (b. Vasilios), Tolis (b. Apostolos, 1975) and Nikos (b. Nikolaos, 1991). The family was poor, and Rouvas began taking care of his brothers at age five. At age four, he exhibited athletic ability and took ballet classes as a child.

After moving to Patras, Rouvas continued to look for performance opportunities until he met Dakis (a popular Greek artist who was the first person to help him professionally). Rouvas moved to Athens, and made his first professional appearance in 1991 at the Show Centre. His showmanship attracted the attention of music executives such as Nikos Mouratidis, who encouraged songwriter Giorgos Pavrianos to produce him. Rouvas, singing Michael Jackson's "Man in the Mirror" was discovered by PolyGram executives who signed him to his first recording contract. After moving to Athens he lived with an older English woman named Sally, with whom he had begun a relationship on Corfu. Their relationship ended when Psinakis became Rouvas' manager, and the singer became more career-oriented. The media has speculated about Rouvas' personal life and relationships with model Zeta Logotheti, Sofi Kantarou (a Corfu bar manager) and singer Elli Kokkinou. Several months later he debuted at the Thessaloniki Song Festival, losing Best Vocal Performance to Giorgos Alkaios but singing the Best Composition ("Par'ta"; "Take Them", with music by Nikos Terzis and lyrics by Giorgos Pavrianos). There was a brief earthquake during the festival. Rouvas released his eponymous debut album, which topped the Greek Albums Chart, the day after the festival. "Par'ta" became a radio hit, and other songs of the album such as "1992", "Ego S'agapo" ("I Love You") and "Gia Fantasou" ("Imagine") also became popular. In September 1992 Rouvas released his second album, Min Andistekese (Don't Resist), also composed by Nikos Terzis. It produced the singles "Gyrna" ("Return"), "Min Andistekese", "Na Ziseis Moro Mou" ("Live, My Baby") and "Me Kommeni Tin Anasa" ("Breathless"), with a music video of the title track. The album's success helped establish Rouvas at the top of the Greek music scene. In October 1993 Rouvas released his third album, Gia Sena (For You), with music by Alexis Papadimitriou and lyrics by Eleni Giannatsoulia and Evi Droutsa. The single "Kane Me" ("Make Me") became a radio hit, with "To Xero Eisai Moni" ("I Know You Are Alone") and "Xehase To" ("Forget It") also receiving airplay.

Was the song a hit?

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The album's success helped establish Rouvas at the top of the Greek music scene.