Problem: Background: Kutcher was born in Cedar Rapids, Iowa, to Diane (nee Finnegan), a Procter & Gamble employee, and Larry M. Kutcher, a factory worker. His father is of Czech descent, while his mother is of Czech, German, and Irish ancestry. Kutcher was raised in a "relatively conservative" Catholic family. He has an older sister named Tausha and a fraternal twin brother named Michael, who had a heart transplant when the brothers were young children.
Context: Following his success in modeling, Kutcher moved to Los Angeles after his first audition. He was cast as Michael Kelso in the television series That '70s Show, from 1998 to 2006. Kutcher was cast in a series of film roles; although he auditioned but was not cast for the role of Danny Walker in Pearl Harbor (2001) (replaced by Josh Hartnett), he starred in several comedy films, including Dude, Where's My Car? (2000), Just Married (2003), and Guess Who (2005). He appeared in the 2003 family film Cheaper By The Dozen as a self-obsessed actor. In the 2004 drama film The Butterfly Effect, Kutcher played a conflicted young man who time travels. The film received mixed to negative reviews, but was a box office success. In 2003, Kutcher produced and starred as the host in his own series, MTV's Punk'd, that involved hidden camera tricks performed on celebrities. He is also an executive producer of the reality television shows Beauty and the Geek, Adventures in Hollyhood (based around the rap group Three 6 Mafia), The Real Wedding Crashers, and the game show Opportunity Knocks. Many of his production credits, including Punk'd, come through Katalyst Films, a production company he runs with partner Jason Goldberg. A 2004 interviewer described Kutcher as a "hunky young actor [who] is heading in all different directions at once", including "the hot L.A. restaurant Dolce": "If anything, I'm a trier," says Kutcher between puffs of filtered Lucky Strikes. "I think, more than anything, it comes from the fact that my father always had several irons in the fire. Also, I don't want to fail. If something doesn't work out--if That '70s Show got canceled or if I wasn't going to have a film career--I always wanted to have backup contingency plans. So I just started doing other things; and on a half-hour sitcom, you're really only working for 30 hours a week. It allows a lot of time for sitting around, which I always kind of filled with work." Because of scheduling conflicts with the filming of The Guardian, Kutcher was unable to renew his contract for the eighth and final season of That '70s Show, although he appeared in its first four episodes (credited as a special guest star) and returned for the series finale. Kutcher produced and starred in the 2010 action comedy, Killers, in which he played a hitman. In May 2011, Kutcher was announced as Charlie Sheen's replacement on the series Two and a Half Men. Kutcher's contract was for one year and was believed to be worth nearly $20 million. His debut as the character Walden Schmidt, entitled "Nice to Meet You, Walden Schmidt", was seen by 28.7 million people on September 19, 2011. The Nielsen ratings company reported that figure was more than any episode in the show's first eight seasons, when Sheen starred in it. Kutcher earned $750,000 an episode on the show. The show ended with a forty-minute series finale "Of Course He's Dead" on February 19, 2015.
Question: During this time, did he start to become a little more successful?
Answer: The film received mixed to negative reviews, but was a box office success.

Problem: Background: Sir Ridley Scott (born 30 November 1937) is an English film director and producer. Following his commercial breakthrough with the science-fiction horror film Alien (1979), further works include the neo-noir dystopian science fiction film Blade Runner, historical drama Gladiator (which won the Academy Award for Best Picture), and science fiction film The Martian. Scott's work has an atmospheric, highly concentrated visual style. Though his films range widely in setting and period, they frequently showcase memorable imagery of urban environments, whether 2nd century Rome (Gladiator), 12th century Jerusalem (Kingdom of Heaven), Medieval England (Robin Hood), contemporary Mogadishu (Black Hawk
Context: Appearing in the lead role in Scott's Gladiator and Robin Hood, Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers." Paul M. Sammon, in his book Future Noir: The Making of Blade Runner, commented in an interview with Brmovie.com that Scott's relationship with his actors has improved considerably over the years. More recently during the filming of Scott's 2012 film, Prometheus, Charlize Theron praised the director's willingness to listen to suggestions from the cast for improvements in the way their characters are portrayed on screen. Theron worked alongside the writers and Scott to give more depth to her character during filming. Scott's work is identified for its striking visuals, with heroines also a common theme. His visual style, incorporating a detailed approach to production design and innovative, atmospheric lighting, has been influential on a subsequent generation of filmmakers. Scott commonly uses slow pacing until the action sequences. Examples include Alien and Blade Runner; the LA Times critic Sheila Benson, for example, would call the latter "Blade Crawler" "because it's so damn slow". Another technique he employs is use of sound or music to build tension, as heard in Alien, with hissing steam, beeping computers and the noise of the machinery in the space ship. Scott claims to have an eidetic memory, which he says aids him in visualising and storyboarding the scenes in his films. Scott has developed a method for filming intricate shots as swiftly as possible: "I like working, always, with a minimum of three cameras. [...] So those 50 set-ups [a day] might only be 25 set-ups except I'm covering in the set-up. So you're finished. I mean, if you take a little bit more time to prep on three cameras, or if it's a big stunt, eleven cameras, and - whilst it may take 45 minutes to set up - then when you're ready you say 'Action!', and you do three takes, two takes and is everybody happy? You say, 'Yeah, that's it.' So you move on." Artificial intelligence is a unifying theme throughout Scott's career as a director, particularly in Blade Runner, Alien, and Prometheus. The recent book The Culture and Philosophy of Ridley Scott identifies Alan Turing and John Searle, a professor at the University of California, as presenting relevant models of testing artificial intelligence known as the Turing test and the Chinese Room Thought Experiment, respectively, in the chapter titled "What's Wrong with Building Replicants," which has been a recurring theme for many of Scott's films. The chapter titled "Artificial Intelligence in Blade Runner, Alien, and Prometheus," concludes by citing the writings of John Stuart Mill in the context of Scott's Nexus-6 Replicants in Blade Runner (Rutger Hauer), the android Ash (Ian Holm) in Alien, and the android David 8 (Michael Fassbender) in Prometheus, where Mill is applied to assert that measures and tests of intelligence must also assess actions and moral behaviour in androids to effectively address the themes which Scott explores in these films.
Question: Is there anything else interesting about his style?
Answer:
Another technique he employs is use of sound or music to build tension, as heard in Alien, with hissing steam, beeping computers and the noise of the machinery