Question:
The Amorites (; Sumerian MAR.TU; Akkadian Tidnum or Amurrum; Egyptian Amar; Hebrew mvry 'Emori; Ancient Greek: Amorraioi) were an ancient Semitic-speaking people from Syria who also occupied large parts of southern Mesopotamia from the 21st century BC to the end of the 17th century BC, where they established several prominent city states in existing locations, notably Babylon, which was raised from a small town to an independent state and a major city. The term Amurru in Akkadian and Sumerian texts refers to both them and to their principal deity. The Amorites are also mentioned the Bible as inhabitants of Caanan both before and after the conquest of the land under Joshua.
In the earliest Sumerian sources concerning the Amorites, beginning about 2400 BC, the land of the Amorites ("the Mar.tu land") is associated not with Mesopotamia but with the lands to the west of the Euphrates, including Canaan and what was to become Syria by the 3rd century BC, then known as The land of the Amurru, and later as Aram and Eber-Nari. They appear as an uncivilized and nomadic people in early Mesopotamian writings from Sumer, Akkad, and Assyria, especially connected with the mountainous region now called Jebel Bishri in northern Syria called the "mountain of the Amorites". The ethnic terms Mar.tu (Westerners), Amurru (likely derived from 'aburru', pasture) and Amar were used for them in Sumerian, Akkadian, and Ancient Egyptian respectively. From the 21st century BC, possibly triggered by a long major drought starting about 2200 BC, a large-scale migration of Amorite tribes infiltrated southern Mesopotamia. They were one of the instruments of the downfall of the Third Dynasty of Ur, and Amorite dynasties both usurped native rulers of long-extant Babylonian city-states such as Isin, Larsa, Eshnunna, and Kish and also established new ones, the most famous of which was to become Babylon, although it was initially a minor and insignificant state. Known Amorites wrote in a dialect of Akkadian found on tablets at Mari dating from 1800-1750 BC. Since the language shows northwest Semitic forms, words and constructions, the Amorite language is a Northwest Semitic language, and possibly one of the Canaanite languages. The main sources for the extremely limited knowledge about Amorite are the proper names, not Akkadian in style, that are preserved in such texts. The Akkadian language of the native Semitic states, cities and polities of Mesopotamia (Akkad, Assyria, Babylonia, Isin, Kish, Larsa, Ur, Nippur, Uruk, Eridu, Adab, Akshak, Eshnunna, Nuzi, Ekallatum, etc.), was from the east Semitic, as was the Eblaite of the northern Levant.
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did they have their own writing

Answer:
Known Amorites wrote in a dialect of Akkadian found on tablets at Mari dating from 1800-1750 BC.

Question:
Freddie King (September 3, 1934 - December 28, 1976) was an American blues guitarist and singer. He has been described as one of the "Three Kings" of electric blues guitar, along with Albert King and B.B. King. He was an influential guitarist with hits for Federal Records in the early 1960s. His soulful and powerful voice and distinctive guitar style inspired countless musicians, particularly guitarists (Eric Clapton is a notable example).
In 1959 King got to know Sonny Thompson, a pianist, producer, and A&R man for Cincinnati's King Records. King's owner, Syd Nathan, signed King to the subsidiary Federal Records in 1960. King recorded his debut single for the label on August 26, 1960: "Have You Ever Loved a Woman" backed with "You've Got to Love Her with a Feeling" (again credited as "Freddy" King). From the same recording session at the King Studios in Cincinnati, Ohio, King cut the instrumental "Hide Away," which the next year reached number 5 on the R&B chart and number 29 on the Pop chart, an unprecedented accomplishment for a blues instrumental at a time when the genre was still largely unknown to white audiences. It was originally released as the B-side of "I Love the Woman". "Hide Away" was King's melange of a theme by Hound Dog Taylor and parts by others, such as "The Walk", by Jimmy McCracklin, and "Peter Gunn", as credited by King. The title of the tune refers to Mel's Hide Away Lounge, a popular blues club on the West Side of Chicago. Willie Dixon later claimed that he had recorded King performing "Hide Away" for Cobra Records in the late 1950s, but such a version has never surfaced. "Hide Away" became a blues standard. After their success with "Hide Away," King and Thompson recorded thirty instrumentals, including "The Stumble," "Just Pickin'," "Sen-Sa-Shun," "Side Tracked," "San-Ho-Zay," "High Rise," and "The Sad Nite Owl". They recorded vocal tracks throughout this period but often released the tunes as instrumentals on albums. During the Federal period, King toured with many notable R&B artists of the day, including Sam Cooke, Jackie Wilson, and James Brown.
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what albums did he produce?

Answer:
King cut the instrumental "Hide Away,