An example of a movie review. positive (OPTIONS:
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A: The tweedy professor-types thought they had it all figured out. Today's peoples who inhabit Polynesia descended from migratory Asians, intrepidly moving from the Far East, island to island, eastward into Tahiti and all the other exotic tropic isles of the South Pacific over thousands of years. But the established thinking just didn't sit well with young Norwegian ethnographer Thor Heyerdahl. If that explanation were true, how come some folks born and bred in those islands have traditions, artwork, and physical features resembling not those from Asia, but South America? How can the vegetation of Ecuador, Peru and Chile look so much like what you'd find on the island several thousand miles away? Is it just a coincidence that the Islanders point out to sea in the direction of South America and say that is where their ancestors came from, led by Tiki, their equivalent of Adam? Meanwhile, how is it Norwegians speak of Scandanavian forerunners who were chased from the South American continent they had colonized, and, together with some of the native peoples they befriended, set off over the sea -- heading WEST? It's all too much to be a coincidence to Heyerdahl. With an amazing amount of moxie, a handful of crewmen, and the local know-how for traditional raft-building, an expedition begins. It's as much a trip into the human imagination as it is a pseudo-scientific demonstration that such a journey is possible with only the very basics of tools and seamanship. The Oscar-winning documentary may be dated in its tone and Anglo-ethnocentric approach, but it soars with a spirit of adventure besting even the space program that launched a decade later, as men are willing to risk it all to test a theory they think is true. Wonderful. Do yourself a favor and read the book first. It is an amazing page-turner and the perfect setup for the newsreel-style movie.

An example of a movie review. positive (OPTIONS:
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A: In a future society, the military component does not have to recruit; rather, their candidates are chosen at birth, culled from nurseries and designated to spend their entire lives in the service of the government. They are given over to the war machine, body and soul, for no reason other than to protect and serve; they have no personal identity other than a name and rank, and no autonomy whatsoever. This is the fate of those whose destiny is predetermined for them in 'Soldier,' directed by Paul Anderson and starring Kurt Russell. The scenario is hard and bleak as the movie begins by depicting the training of the soldiers during advancing periods of time, from preadolescence to adulthood. Russell is Sergeant Todd, the best of the best, and we glimpse his career as he discharges his duties in an exemplary manner in campaign after campaign; he is what he was born to be, a soldier. But even the best cannot go on forever, and the day arrives when Todd and his peers are no longer the elite. A new generation of soldiers has been created, products of advanced genetics and technology, and Todd's generation is suddenly obsolete. What follows is the story of a man who must fight for his life, while struggling to discover his own sense of humanity and individuality, traits new to a soldier who has known only two things his entire life: Fear and discipline. Russell gives a commanding performance as Todd, the soldier who above all else must obey orders without question while suppressing all emotion and individual thoughts. He has few lines in this movie, but Russell speaks volumes with his eyes. This role demonstrates that he is, in fact, one of the under-appreciated actors of our times; that he can disappear so entirely into the character of Todd is a credit to his ability, and with this part he has created someone quite different from any he's done before. And he's given Todd a depth and credibility that someone of lesser talent could easily have rendered as nothing more than a pretentious and superficial stereotype. Notable performances are also turned in here by Connie Nielsen (Sandra) and Jason Isaacs (Colonel Mekum). Rounding out the supporting cast are Jason Scott Lee, memorable as Caine 607, one of the new generation of soldiers; Sean Pertwee (Mace); Gary Busey (Captain Church); Michael Chiklis (Jimmy Pig); and Mark Bringleson (Rubrick). Anderson has delivered an action film with a message, a cautionary tale that transcends the genre of science-fiction. 'Soldier' reminds us of the importance of keeping the humanity of our lives intact. It's an entertaining way of making us consider the alternatives, like a bleak future and a world in which good movies just wouldn't make a whole lot of difference. Much like '1984,' and 'Mad Max,' this movie, which is ultimately uplifting, is going to make you take pause and think about the kind of Universe in which we all must live together and share. I rate this one 7/10.

An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Opening credits: great. Music: just right for this film. Cinematography: sleazy to great effect.

Harrowing excitement in a train-wreck sort of way. This is how out of control some lives can become. "Wonderland" depicts drug-induced wildness (and its consequences) not as an aberration, but shows how it really does happen in our society. It is better than depictions of another wild group -Manson's- because all Manson films, books etc concentrate so much on Manson's insane mind rather than the overall picture of the cheap fame and randomness that is so pervasive nowadays.

If you want to see some of the best "Method-acting" on film, watch Kilmer in this movie. He shows how "The Method" can be riveting in the right role.

The filmmakers here succeed in raising "out-of-control" to the level of an art form, not just for the sake of giving us cheap thrills.