input: Appearing in the lead role in Scott's Gladiator and Robin Hood, Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers." Paul M. Sammon, in his book Future Noir: The Making of Blade Runner, commented in an interview with Brmovie.com that Scott's relationship with his actors has improved considerably over the years. More recently during the filming of Scott's 2012 film, Prometheus, Charlize Theron praised the director's willingness to listen to suggestions from the cast for improvements in the way their characters are portrayed on screen. Theron worked alongside the writers and Scott to give more depth to her character during filming. Scott's work is identified for its striking visuals, with heroines also a common theme. His visual style, incorporating a detailed approach to production design and innovative, atmospheric lighting, has been influential on a subsequent generation of filmmakers. Scott commonly uses slow pacing until the action sequences. Examples include Alien and Blade Runner; the LA Times critic Sheila Benson, for example, would call the latter "Blade Crawler" "because it's so damn slow". Another technique he employs is use of sound or music to build tension, as heard in Alien, with hissing steam, beeping computers and the noise of the machinery in the space ship. Scott claims to have an eidetic memory, which he says aids him in visualising and storyboarding the scenes in his films. Scott has developed a method for filming intricate shots as swiftly as possible: "I like working, always, with a minimum of three cameras. [...] So those 50 set-ups [a day] might only be 25 set-ups except I'm covering in the set-up. So you're finished. I mean, if you take a little bit more time to prep on three cameras, or if it's a big stunt, eleven cameras, and - whilst it may take 45 minutes to set up - then when you're ready you say 'Action!', and you do three takes, two takes and is everybody happy? You say, 'Yeah, that's it.' So you move on." Artificial intelligence is a unifying theme throughout Scott's career as a director, particularly in Blade Runner, Alien, and Prometheus. The recent book The Culture and Philosophy of Ridley Scott identifies Alan Turing and John Searle, a professor at the University of California, as presenting relevant models of testing artificial intelligence known as the Turing test and the Chinese Room Thought Experiment, respectively, in the chapter titled "What's Wrong with Building Replicants," which has been a recurring theme for many of Scott's films. The chapter titled "Artificial Intelligence in Blade Runner, Alien, and Prometheus," concludes by citing the writings of John Stuart Mill in the context of Scott's Nexus-6 Replicants in Blade Runner (Rutger Hauer), the android Ash (Ian Holm) in Alien, and the android David 8 (Michael Fassbender) in Prometheus, where Mill is applied to assert that measures and tests of intelligence must also assess actions and moral behaviour in androids to effectively address the themes which Scott explores in these films.

Answer this question "Were there others who commented about Scott's approach as a director/producer?"
output: Russell Crowe commented, "I like being on Ridley's set because actors can perform [...] and the focus is on the performers."

input: In 1986, Norman's 11 worldwide victories that year included four wins in Australia and two regular PGA Tour events; the Panasonic Las Vegas Invitational and the Kemper Open (for the second time) but 1986 is remembered for the Norman Slam or the Saturday Slam. Norman held the lead for all four majors through 54 holes. This meant he played in the final group for every major and had perhaps the best chance in history of winning the single season Grand Slam. However, the only major victory Norman earned that year was in the 1986 Open Championship at Turnberry. At the 1986 Masters, Norman started with the lead until he double-bogeyed the 10th hole. After making four consecutive birdies on holes 14 to 17, Norman was tied with Jack Nicklaus going to the 18th. Norman missed a par putt on the 18th that would have sent the two into a sudden death playoff. At the 1986 U.S. Open at Shinnecock Hills, Norman again led after 54 holes. However, Norman faltered on the final day, finishing with a final round 75 placing him six strokes behind the winner, Raymond Floyd. Norman finally broke through at the 1986 Open Championship for his first major title. Norman shot an efficient second round of 63 on Friday at Turnberry. Only 15 players broke par in the second round. Tom Watson described Norman's feat as "the greatest round ever played in a tournament in which I was a competitor." Norman survived the weekend's brutal conditions at Turnberry, with a final round of 69 to win The Open by five shots. After being presented with the Claret Jug trophy, Norman said: "Outside of Australia, Britain was the first place that accepted me as a professional golfer. To win my first Open in front of the British public is the greatest feeling ever." Norman was again in contention at the 1986 PGA Championship. He was in the lead on the final day, but shot a final round 76 to finish 2 strokes behind the eventual winner, Bob Tway. Norman's four wins in Australia in 1986 helped him to finish top of the Australian Order of Merit for the fifth time. He also topped the U.S. PGA Tour money list for the first time that year. In September 1986, Norman won the Panasonic European Open at Sunningdale Golf Club and the following month he had another victory in England, winning his third World Match Play Championship at Wentworth. Norman ended 1986 with eleven worldwide victories and was officially ranked number 1 in the brand new Official World Golf Rankings.

Answer this question "What locations did he win at in 1986?"
output:
1986 Open Championship at Turnberry.