Problem: Given the following context: Poulenc made his debut as a composer in 1917 with his Rapsodie negre, a ten-minute, five-movement piece for baritone and chamber group; it was dedicated to Satie and premiered at one of a series of concerts of new music run by the singer Jane Bathori. There was a fashion for African arts in Paris at the time, and Poulenc was delighted to run across some published verses purportedly Liberian, but full of Parisian boulevard slang. He used one of the poems in two sections of the rhapsody. The baritone engaged for the first performance lost his nerve on the platform, and the composer, though no singer, jumped in. This jeu d'esprit was the first of many examples of what Anglophone critics came to call "leg-Poulenc". Ravel was amused by the piece and commented on Poulenc's ability to invent his own folklore. Stravinsky was impressed enough to use his influence to secure Poulenc a contract with a publisher, a kindness that Poulenc never forgot. In completely arbitrary fashion Collet chose the names of six composers, Auric, Durey, Honegger, Poulenc, Tailleferre and myself, for no other reason than that we knew each other, that we were friends and were represented in the same programmes, but without the slightest concern for our different attitudes and our different natures. Auric and Poulenc followed the ideas of Cocteau, Honegger was a product of German Romanticism and my leanings were towards a Mediterranean lyrical art ... Collet's article made such a wide impression that the Groupe des Six had come into being. Cocteau, though similar in age to Les Six, was something of a father-figure to the group. His literary style, "paradoxical and lapidary" in Hell's phrase, was anti-romantic, concise and irreverent. It greatly appealed to Poulenc, who made his first setting of Cocteau's words in 1919 and his last in 1961. When members of Les Six collaborated with each other, they contributed their own individual sections to the joint work. Their 1920 piano suite L'Album des Six consists of six separate and unrelated pieces.... answer the following question: What is the name of the group, also known as Groupe des Six, whose 1920 piano suite L'Album des Six consists of six separate and unrelated pieces?

A: Les Six

Problem: Given the following context: In 1916, childhood best friends, Bob Wilson and Fred von Bergen, are test pilots working for an American company that builds bombers for the European allies. Since he is German-born and faces prejudice against his heritage, Fred loses his job and, unable to find other employment, decides to return to Germany to fight for his homeland. Although he has no special attachment to the German cause, Bob quits the aviation company and joins his friend in Germany. On their way to a German airfield, Red Cross nurse Alida Hoffman accidentally runs Bob and Fred off the road, Both men are immediately drawn to Alida, especially Bob although Fred is more shy. After Bob's first unsuccessful mission, Captain Wolters, the squadron's tyrannical leader, expresses his doubt about his loyalty but, desperate for pilots, gives him another chance. As the United States is drawn into the war, instead of sending him into a crucial air battle, Wolters arrests Bob. Fred, heartbroken that Alida has chosen Bob, quarrels with his friend, calling him a coward. Later, however, Fred allows his friend to escape from a firing squad and flee to the Allied lines. To prove his allegiance, Bob leads British bombers to the German base, while Fred is told by Wolters that he must shoot down Bob to prove his loyalty. Neither man is capable of killing the other, and, in the end, Fred sacrifices his life for Bob. After the war, Bob returns to Germany to marry Alida. The newly married couple then returns to the United States, and pay their respects to Fred's mother. answer the following question: What is the first name of the person that helps the arrested man escape to Allied lines?

A: Fred

Problem: Given the following context: The vocals were taped in Britannia Row and Protocol studios between May and June 1991, the first time vocalist Bilinda Butcher was involved in the recording. Shields and Butcher hung curtains on the window between the studio control room and the vocal booth, and only communicated with the engineers when they would acknowledge a good take by opening the curtain and waving. According to engineer Guy Fixsen, "We weren't allowed to listen while either of them were doing a vocal. You'd have to watch the meters on the tape machine to see if anyone was singing. If it stopped, you knew you had to stop the tape and take it back to the top." On most days, the couple arrived without having written the lyrics for the song they were to record. Dutt recalled: "Kevin would sing a track, and then Bilinda would get the tape and write down words she thought he might have sung".In July 1991, Creation agreed to relocate the production to Eastcote studio, following unexplained complaints from Shields. However, the cash-poor Creation Records was unable to pay the bill for their time at Britannia Row, and the studio refused to return the band's equipment. Dutt recalled, "I don't know what excuse Kevin gave them for leaving. He had to raise the money himself to get the gear out." Shields' unpredictable behaviour, the constant delays, and studio changes were having a material effect on Creation's finances and the health of their staff. Dutt later said he had been desperate to leave the project, while Creation's second-in-command Dick Green had a nervous breakdown. Green recalled, "It was two years into the album, and I phoned Shields up in tears. I was going 'You have to deliver me this record'."Shields and Butcher became afflicted with tinnitus, and had to delay recording for further weeks while they recovered. Concerned friends and band members suggested this was a result of the unusually loud volumes the group played at their shows, which Shields dismissed as "Ill-informed hysteria." Although Alan McGee was still positive about... answer the following question: What is the last name of the person who claimed that the album represented only four months' work over two years?

A:
Shields