In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: well , i 'll admit when i first heard about this film ( which was before dante 's peak ) i could just smell what ' twister ' had started .
so now it seems that we 're in a full fledged return to the ' 70 's disaster film era .
with ' twister ' , ' dante 's peak ' , ' volcano ' and soon ' flood ' and james cameron 's extremly expensive ' titanic ' i 'll say first off
i enjoyed ' volcano ' much more than i did ' dantes peak ' .
part of that is just being biased as
i usually enjoy anything that tommy lee jones appears in .
i 've been reading a lot about the movie being ' cheezy ' or ' hokey ' and really did n't see or think that once during the entire film .
i get bored easily and this film did n't bore me for a minute .
another thing , and boy am i bitching today !
, that bothers me is when critics and such go on about
" well that s not really possible .
"
you know what ?
i could n't give a bloody damn if it 's possible or not , really i could n't .
it 's a freaking movie and i do n't want reality thrown in my face .
i want to be able to see the impossible , the all might " what if " to many reviewers have seen one to many movies !
the special effects are the second star to this feature .
they are so amazing that i found it hard sometimes to believe they were indeed fx
and la was was not burning to the ground .
they did an incredible job and come oscar time ( if they remember ) some notice better be thrown there way .
[EX A]: P

[EX Q]: romeo is bleeding wants to carry the unusual flavor of reservoir dogs or bad lieutenant .
with director peter medak , whose previous credits include the good films let him have it and the krays , and top - notch character actors gary oldman and lena olin , they seemed likely to be a successful combination .
those mentioned films , however , brought something to the screen that romeo is bleeding
did not : a solid , well - written screenplay .
call me cynical , but the jobs of writer and producer do n't seem to mix well .
gary oldman plays jack grimaldi , a good cop turned bad , selling information to the mob and cheating on his wife .
his cheating is obvious enough to obtain his nickname , although the name does n't provide any insight or analogy to the shakespearean character .
jack has become addicted to " feeding the hole " , a hole in the ground where he stores his payoff money .
when he realizes his colleagues are being shot , he feebly attempts to get out .
gary oldman 's performance is disappointingly weak ; he seems nearly bored .
in the process , he also gets tangled - up with mona demarkov , a russian mobsterette who wants to take over the territory from top boss falcone , played adequately by roy scheider .
demarkov , played by lena olin , is a tough but tremendously sexy woman with seemingly no problems maneuvering within the mob world .
this character is combination of both linda hamilton and arnold schwarznegger from terminator 2 .
i ca n't remember seeing a character quite like her .
after being shot , handcuffed , and thrown in the back seat of a car , she still manages to cause an accident , kick out the windshield with her legs , grab a suitcase full of money ( plus some important documentation ) , climb through the rubble , land on her shot leg , and still succeed at running for safety .
what a woman ! lena olin 's performance is the only glimmer in this dismal film .
anabella sciorra is wasted in her role as romeo 's wife .
there is little insight into her character .
she 's depressed , she makes obvious references , she mopes around the house .
juliette lewis , as romeo 's girlfriend , is treated with the same cliche attitudes , although ms .
lewis ' portrayal certainly did n't improve it .
both women were anything but sexy or attractive .
poorly developed characters aside , the screenplay also suffers from several logistical problems .
it is so discouraging to watch a film and want to shout at the main character ( not ) to do something .
for example , jack and his friends attend a funeral to hang in the background to scope - out the mob scene .
fine .
jack spots the big boss with his goons by the gravesite .
fine .
what does jack proceed to do ?
he brushes his friends off by telling them he is n't feeling well , then strolls over to the boss .
why ?
the boss had all ready threatened him ; falcone simply takes the opportunity to issue more threats by ordering his goons to take off some of jack 's toes by the gravesite .
i guess they were n't worried about any federal agents lingering around after the funeral . . .
.
or here 's another : demarkov set - up her own death by cutting off her arm with a circular saw .
she proceeded to set the place on fire .
would n't the flames burn off the fingerprints ?
are n't dental records more important ?
as bright and resourceful as she was supposed to be , could n't she come up with a better plot ?
( and it took her no time at all to get a good - fitting , functional prosthesis . ) lack of attention to detail
certainly adds up in a film .
this film does n't even add up the large details .
there is little or no consistency in the story - line .
not much makes sense .
the direction lacks cohesion , surprising from a director whose previous credits are impeccable .
the moods shift , the styles shift , and no one can seem to decide if it is a serious film or satire of one .
so while it certainly is n't reservoir dogs , it certainly is n't diva .
there 's plenty more to tear apart in this film .
my advice to someone who has n't seen it to to wait until it comes on video .
there are some quotable lines that would provide a campy evening if not taken seriously .
it 's not a boring film ,
just not a good one . or an intelligent one .
[EX A]: N

[EX Q]: with many big - budget science fiction films , great ideas are often wasted by bad scripts , cheesy plot twists , and , terrible acting .
the fifth element , the abyss , and godzilla had great concepts squandered by bad acting , writing , or both .
at first glance , the matrix , larry & andy wachowski 's sci - fi / kung - fu / shoot - em - up spectacular , looks like a prime candidate to join the list of high - concept bad movies , especially with dopey keanu reeves in the leading role .
but despite high levels of cheese and gaudy dialogue , the matrix works .
it 's an uncanny blend of action and surreal fantasy that borrows from dozens of other films ( most obviously the terminator films , star wars , and total recall ) , but remains refreshingly original and interesting throughout
.
reeves plays neo , a computer hacker who stumbles into an initially bewildering set of encounters with " trinity " ( carrie - anne moss ) , a rival hacker who has supernatural powers and stunning good looks , a unseen , omniscient cult figure known as " morpheus " ( lawrence fishburne ) , and a trio of creepy men in dark suits who act like irs agents from hell .
neo quickly learns that the world he has known all his life is not what it seems .
moreover , he discovers that the grim , bleak world he is introduced to has been waiting for him to save it .
neo is reluctant to assume the role of messiah , with grave doubts that he is actually " the one " prophesized to come and save the world .
reluctant or not , what follows is a mix of hong kong - style slow - motion shootouts , surreal dream sequences , high speed chases , and comic book kung - fu fights .
the film also raises interesting philosophical questions about reality .
how exactly do you know what is real and what is in your mind ?
and if the real world were much harsher and grim than a fantasy one you were living in , would you want to face the true world or continue to live in a more comfortable illusion ?
unfortunately , the matrix does n't provide many answers to the questions it raises , but at least it puts some ideas behind all the explosions , shoot - outs , and flying roundhouse kicks . perhaps stealing the entire show in the matrix is australian actor hugo weaving , who plays agent smith , the leader of the creepy agents in sunglasses and suits who seem capable of being anywhere and doing anything to stop neo and friends from destabilizing the matrix .
weaving 's stony appearance , deadpan voice , and chilling comments put a grim human face on the haunting , evil technological force that controls the matrix .
like robert patrick as the shapeshifting t-1000 terminator in terminator 2 : judgement day , weaving is more frightening than any monstrous alien or homicidal robot because , despite his power and seeming invincibility , he looks ordinary , even scrawny .
weaving embodies his role with a memorably chilling presence .
the film features some truly breathtaking special effects and stylish cinematography .
it seems to be deliberately kitchy , with stylized fight sequences directed by hong kong stunt specialist wo ping that reportedly required months of martial arts training by the actors .
in a few scenes , the posing and posturing is unintentionally funny .
just seeing keanu reeves engaging in serious kung fu is a bit jarring .
however , with the comic - book style and tone of the film , you can sustain willing disbelief long enough to enjoy the ride without losing patience .
the matrix is n't a classic .
its open - ended and confusing conclusion raises more questions than it answers .
it fails to resolve many of its own plot twists and philosophical questions .
it also relies on some conventional sentimentality to save the hero - the kind of shmaltzy feel - good goo that most of the film avoids .
reportedly , the producers have high hopes for the film being the first in a trilogy and have already begun work on the story for the sequel .
unfortunately , audiences deserve a little more than a vague sense that the story will continue in the future .
the matrix is an fun , enjoyable diversion , like a big puff of cotton candy at a carnival .
just do n't be surprised half an hour later when you still feel a little hungry .
[EX A]:
P