Problem: Background: The Royal Philharmonic Orchestra (RPO), based in London, was formed by Sir Thomas Beecham in 1946. In its early days the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961 the orchestra's fortunes declined steeply; it battled for survival until the mid-1960s, when its future was secured after an Arts Council report recommended that it should receive public subsidy; a further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. Since Beecham's death the RPO has had seven chief conductors, including Rudolf Kempe, Antal Dorati, Andre Previn and Vladimir Ashkenazy, and most recently Charles Dutoit.
Context: From the RPO's earliest days to the end of Beecham's life, they made numerous recordings for His Master's Voice, CBS and RCA. Among the works they recorded EMI chose several to be reissued at the end of the twentieth century in its "Great Recordings of the Century" series. They included a Delius programme; a Grieg programme; French ballet music; short works by Bizet, Chabrier, Faure and Saint-Saens; Tchaikovsky's Symphony No 4 and Nutcracker Suite; Mozart's Jupiter Symphony, Clarinet Concerto (Brymer) and Bassoon Concerto (Brooke); and Schubert's 3rd, 5th and 6th Symphonies. After Beecham's death the orchestra made many recordings for Decca, sometimes under pseudonyms such as the "Beecham Symphony Orchestra", the "London Festival Orchestra" and the "Metropolitan Symphony Orchestra". Among the conductors with whom the RPO recorded in the 1960s were Sir John Barbirolli, Fritz Reiner, Charles Munch, Georges Pretre, Kempe, Previn and Stokowski. Soloists included Earl Wild, Shura Cherkassky, Alan Civil and Luciano Pavarotti. Igor Stravinsky recorded his opera The Rake's Progress with the RPO in 1964. Colin Davis made some of his earliest recordings with the orchestra, including Mozart and Rossini overtures, Beethoven's Seventh Symphony, and Stravinsky's Oedipus rex. From 1964 to 1979 the RPO was engaged by Decca to record Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. The orchestra has also recorded for Deutsche Grammophon, Lyrita, Philips, Pye and Unicorn-Kanchana. In 1986, the orchestra launched RPO Records, claimed to be "the world's first record label to be owned by a symphony orchestra". Recordings available on the RPO label in 2013 ranged from core symphonic repertoire and Tchaikovsky ballet scores to film music by various composers, light music by Burt Bacharach and Richard Rodgers, and an album called "Symphonic Rock", described as "Over 3 hours of classic rock anthems and pop tracks with an orchestral twist".
Question: What other recording did other artist record or release?
Answer: an album called "Symphonic Rock", described as "Over 3 hours of classic rock anthems and pop tracks with an orchestral twist".

Background: Merman was born in her maternal grandmother's house located at 359 4th Avenue in Astoria, Queens in New York City in 1908, though she would later emphatically insist that it was actually 1912. Her father, Edward Zimmermann (1879-1977), was an accountant with James H. Dunham & Company, a Manhattan wholesale dry-goods company, and her mother, Agnes (Gardner) Zimmermann (1883-1974), was a teacher. Edward Zimmermann had been raised in the Dutch Reformed Church and his wife was Presbyterian.
Context: Merman was married and divorced four times. Her first marriage, in 1940, was to theatrical agent William Smith. They were divorced in 1941. Later that same year, Merman married newspaper executive Robert Levitt. The couple had two children: Ethel (July 20, 1942 - 1965) and Robert, Jr. (born August 11, 1945) Merman and Levitt were divorced in 1952. In March 1953, Merman married Robert Six, the president of Continental Airlines. They separated in December 1959 and were divorced in 1960. Merman's fourth and final marriage was to actor Ernest Borgnine. They were married in Beverly Hills on June 27, 1964. They separated on August 7 and Borgnine filed for divorce on October 21. Merman filed a cross-complaint shortly thereafter charging Borgnine with extreme cruelty. She was granted a divorce on November 18, 1964. Borgnine later told fellow actor Frank Wilson that he spent most of his short marriage arguing with Merman. By the end, he recounted how she came back from a film one day and said, "The director said I looked sensational. He said I had the face of a 20-year-old, and the body and legs of a 30-year-old!" Borgnine replied, "Did he say anything about your old cunt?" "No," replied Merman, "he didn't mention you at all." In a radio interview, she said of her many marriages: "We all make mistakes. That's why they put rubbers on pencils, and that's what I did. I made a few lulus!" In her autobiography Merman (1978), the chapter entitled "My Marriage to Ernest Borgnine" consists of one blank page. Ethel Levitt, her daughter, died on August 23, 1967, of a drug overdose that was ruled accidental. Her son Robert, Jr. was married to actress Barbara Colby who was, while estranged from Robert, shot and killed along with her boyfriend in a parking garage in Los Angeles in July 1975 by apparent gang members who had no clear motive.
Question: WHo was her 2nd husband?
Answer:
Later that same year, Merman married newspaper executive Robert Levitt.