In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Nuclear Furniture is an album by the American rock band Jefferson Starship. It was the last album released by the band until 1998's "Windows of Heaven", and was also the final album by the band before the departure of leader Paul Kantner and the formation of the offshoot band Starship. It was released in 1984 and spawned the Top 40 single "No Way Out", which was also the first single by any incarnation of the band to hit #1 on the Mainstream Rock Tracks chart. The album itself reached #28. Produced by Ron Nevison, the album was arranged with the help of Peter Wolf, who had worked with Grace Slick on her solo album, "Software". Wolf also contributed keyboard and synthesizer work to the album, although not an official part of the band. Peter Wolf (not the singer of the same name) and Ina Wolf also wrote the single "No Way Out", the first of many songs penned by the husband and wife duo that took "Starship" in a more commercial direction. As the album was being recorded, Paul Kantner became frustrated with the album's direction. Before the sessions came to a close, he stole the master tapes, put them in his car and drove around San Francisco for a few days and wouldn't bring them back until the band mixed the album in a way more to his liking. Shortly after the release of the album, Kantner left the band, and he only appears in the first promotional video produced, "No Way Out." After the departure of Kantner the band lost the "Jefferson" moniker and morphed into Starship; there would not be another studio album released under the Jefferson Starship name until after Kantner reformed the band in 1992. Context_2 : Storm & Grace is the third studio album from American singer/songwriter Lisa Marie Presley. It was released on May 15, 2012 in the United States and Canada. It is the singer's first album in seven years, since the release of "Now What". "Storm & Grace" is also her first album released as part of Universal Republic, after leaving her previous label, Capitol. The album was produced by T Bone Burnett. The first single to be released from the album was "You Ain't Seen Nothin' Yet". Context_3 : "Forthenight" is the lead single from Musiq's third album "Soulstar". It was released as a 12" single on October 7, 2003. Context_4 : "Good for Me" is a 1992 single by Christian music singer Amy Grant. It was released as the sixth single from the "Heart In Motion" album, but only the fourth song from the album released as a pop radio single. Its melody, lyrics, and rhythm make it the most comparable song on "Heart In Motion" to "Baby Baby". It was her fourth consecutive Top Five Adult Contemporary single and Top Ten Hot 100 single in the United States, reaching #4 and #8, respectively, but only matched the lukewarm success of her previous single, "That's What Love Is for" in the UK, peaking at #60. Context_5 : "House of Cards" is a song written by Lynsey de Paul and Barry Blue and is one of their most covered songs. It was first released as a single by Chris Kelly (who went on to become the lead singer for Blackwater Junction) on the CBS label on 7 April 1972, credited as being written by Rubin (de Paul) and Green (Blue). A few weeks later it was also released as a single by the UK artist Heart on RCA. The UK born but New Zealand based singer, Rob Guest (formerly a member of the groups The Apparition and Shore Thing), also released his version of "House of Cards" as his first solo single on Polydor in 1972. The song also appeared as an track on the self-named Tony Blackburn album released by the BBC radio DJ in 1972 on RCA. It was released for the first time on CD in 2012 on the Tony Blackburn compilation album "The Singles Collection 1965-1980". Context_6 : Reset is the tenth studio album released by Australian singer and songwriter Tina Arena on 18 October 2013. The first single, "You Set Fire to My Life" was released on 26 September 2013. Despite not being released as a single, "Only Lonely" charted in the top 50 in late November due to being used in an advertisement for the Australian soap opera "Home and Away". "Reset All" was released as the second official single on 18 December. "Reset" is Arena's sixth top 10 album in Australia. "Reset" was released in the United Kingdom on 3 November 2014. Context_7 : Me and You is the third album released by country music singer Kenny Chesney. It was released in 1996. Although its lead-off single "Back in My Arms Again" failed to make Top 40, the album's title track and "When I Close My Eyes" both reached number 2 on the "Billboard" Hot Country Singles & Tracks (now Hot Country Songs) charts in 1996. The title track was reprised from Chesney's previous album. "Back Where I Come From" is a cover of Mac McAnally's 1990 single from his album "Simple Life", while "When I Close My Eyes" had been recorded by Restless Heart lead singer Larry Stewart on his 1993 debut album "Down the Road", and by Keith Palmer before that. "It's Never Easy To Say Goodbye" had been recorded by singer Wynonna Judd on her eponymous debut album. Context_8 : "Ti Voglio Qui" is the second single by Australian pop singer Tina Arena from her 1997 album "In Deep" and the Italian version of its hit lead single Burn. As an alternate language version of a hit single, this release lacked substantial mainstream appeal and therefore failed to make any significant commercial or chart impact unlike its highly successful English counterpart. Despite being released at the same time, the two songs are often credited as the first and second singles from the "In Deep" album. It is credited as a single released from this album due to its connection to "Burn" and the two songs' simultaneous releases, despite being a non-album track. This quickly made its limited CD Single a highly sought-after collector's item, as it was the only way to obtain this song until it was re-released on the limited edition 2CD version of the "Greatest Hits 1994-2004" album. Although this version of the album is now out of print, the song can still be purchased from a number of Australian legal music download services. A Spanish version of "Burn" was also recorded and released as a bonus track on the versions of the "In Deep" album released in a number of South American countries. Context_9 : Taalib Johnson, professionally known as Musiq Soulchild or Musiq ( ; born September 16, 1977) is an American singer and songwriter whose style blends R&B, funk, blues, jazz, gospel influences fused with hip hop. Context_10 : Tabula Rasa (Latin: "Blank Slate") is the fourth studio album by Nigerian singer Brymo, released independently on October 30, 2014. It is the follow-up to his third studio album, "Merchants, Dealers & Slaves" (2013). Moreover, it is the second album released by the singer since the Federal High Court of Lagos lifted Chocolate City's injunction against him. The album was preceded by the single "Fe Mi", which was released in the month leading to the album's release. The LP's material includes the recurring theme of freedom. Critical reception to "Tabula Rasa" was overwhelmingly positive, with many critics deeming it a "classic". fact_1 : "Forthenight" is the lead single from Musiq's third album "Soulstar". fact_2 : Taalib Johnson, professionally known as Musiq Soulchild or Musiq ( ; born September 16, 1977) is an American singer and songwriter whose style blends R&B, funk, blues, jazz, gospel influences fused with hip hop. Answer: American
Solution: Forthenight was a single from the album released by the singer of what nationality?