Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : "Magical Girl Lyrical Nanoha" is a fantasy adventure anime and manga series written by Masaki Tsuzuki. Set in a fictional universe, its storyline follows several different users of magic as they become involved with incidents related to powerful ancient artifacts. Four anime series have been produced by Seven Arcs between 2004 and 2009 with music direction by Toshiki Kameyama. The first season anime television series titled "Magical Girl Lyrical Nanoha" directed by Akiyuki Shinbo was broadcast in 2004 spanning thirteen episodes. The second season of the anime series titled "Magical Girl Lyrical Nanoha A's" directed by Keizo Kusakawa was broadcast in 2005 spanning thirteen episodes. A third season of the anime series titled "Magical Girl Lyrical Nanoha StrikerS" directed by Keizo Kusakawa was broadcast in 2007 spanning twenty-six episodes. An anime film readaptation of the first season of the anime series was released in 2010. The discography for these series consist of ten soundtrack albums, three compilation albums, nine maxi singles, one studio album, and fourteen drama CDs. Context_2 : This is a complete list of chapters for the three manga series released for "Blood+". "Blood+" is a fifty-episode anime series produced by Production I.G and Aniplex that originally aired in Japan from October 8, 2005 through September 23, 2006. To lead up the premiere of the series, Production I.G commissioned the creation of three different manga series to tie into the anime. The first manga series, also titled "Blood+", and written by Asuka Katsura, is a five-volume series that first premiered in "Beans Ace Magazine" in July 2005. It covers the same story events as the anime series. "Blood+: Adagio" was written by Kumiko Suekane. It is a two-volume series that premiered in the September 2005 issue of "Shonen Ace" and follows Saya and Hagi's experiences during the Russian Revolution. The third series, "Blood+: Kowloon Nights", released in Japan as "Blood+ Yakojoshi" (BLOOD+ , Blood+ Nocturnal Castle City ) , is a single tankobon series by Hirotaka Kisaragi. It premiered in the September issue of "Asuka Ciel". Set in Shanghai, it follows Hagi as he searches for Saya and the complications he must deal with. Unlike the other "Blood+" manga adaptations, which are "seinen" and "shonen" works respectively, "Blood+: Kowloon Nights" is a "shojo" manga, particularly of the "shonen-ai" (or Boy's Love) genre. Context_3 : Boys Be... (Japanese: , Hepburn: Boizu Bi ) is a manga created and written by Masahiro Itabashi and illustrated by Hiroyuki Tamakoshi, which was in 2000 adapted into a 13 episode anime series by Hal Film Maker. Context_4 : "Yu-Gi-Oh!" ( , Yugio , lit. "Game King") has one original manga series ("Yu-Gi-Oh!"), two anime series based on the manga ("Yu-Gi-Oh!", and "Yu-Gi-Oh! Duel Monsters"), and a spin-off manga based on the original manga ("Yu-Gi-Oh! R"). Yu-Gi-Oh! also has five different spin-off anime series ("Yu-Gi-Oh! GX", "Yu-Gi-Oh! Capsule Monsters", "Yu-Gi-Oh! 5D's", "Yu-Gi-Oh! Zexal", and "Yu-Gi-Oh! Arc-V"). The franchise also has four movies based on 3 of the anime series ("Yu-Gi-Oh!", "", ""), and "" as well as a manga based on a spin-off anime ("Yu-Gi-Oh! GX"). Context_5 : Gacha Gacha (Japanese: , Hepburn: Gachagacha ) is a "shonen" manga by Hiroyuki Tamakoshi. As of November 2008, the first 13 volumes have been published in North America by Del Rey Manga. However, according to the Anime News Network, the series ended in Japan at volume 11 of the second season. The reason for this discrepancy is likely because the series is broken up into two story arcs, essentially two different, unrelated stories, the first being "Capsule", and the second being "Secret". An interview with David Ury, the series' translator for Del Rey, shows that they were planning to release all of both arcs. Context_6 : The Qwaser of Stigmata (Japanese: , Hepburn: Seikon no Kueisa ) is an action manga and anime series authored by Hiroyuki Yoshino featuring art by Kenetsu Sato. The series is notable for its violence, fan service, and the use of breast milk as a central plot device. The manga series is published in Japan in the "shonen" and "seinen" manga magazines "Champion Red" and "Champion Red Ichigo", starting in 2006 and continuing as of 2016. A 24-episode anime television series was produced with the same title as the manga series and broadcast in Japan on Biglobe in 2010. An OVA adaptation titled "The Qwaser of Stigmata: Portrait of the Empress" (: , Seikon no Kweisa: Jotei no Shozo ) was also produced and released on DVD with the manga series volume 10. A 12-episode second season was produced with the title "The Qwaser of Stigmata II" ( II , Seikon no Kweisa Tsu ) and was broadcast in Japan between April and June, 2011. Context_7 : Hiroyuki Tamakoshi ( , Tamakoshi Hiroyuki ) is a Japanese manga artist. His manga are mostly of the comedy ecchi boy's harem romance theme. Most of his work has appeared in Weekly Shonen Magazine, with "Boys Be..." and "Gacha Gacha" his best-known titles. Context_8 : Hiroyuki ( , born April 23, 1982) is a Japanese manga creator from Ishikawa, Japan. He is notable for the creation of the four-panel comic strip manga "Dojin Work" which is the first of his works to be adapted into an anime. He also created the four-panel manga series "The Comic Artist and Assistants", which was serialized from 2008 to 2012, with a sequel serialized from August 2013, and adapted into an anime television series which aired in 2014. Hiroyuki has also created dojinshi based on the Type-Moon visual novels "Tsukihime" and "Fate/stay night". His older sister, Kouji Megumi ( , Megumi Koji ) , is also a manga author. Context_9 : Yu-Gi-Oh!, known in Japan as Yu-Gi-Oh! Duel Monsters ( , Yugio Dyueru Monsutazu ) , is a Japanese anime series animated by Studio Gallop, based on the "Yu-Gi-Oh!" manga series written by Kazuki Takahashi. It is the second anime adaptation of the manga following the 1998 anime television series produced by Toei Animation, and begins from the Duelist Kingdom arc. Like the manga and the first anime series, this series revolves around a boy named Yugi Mutou who battles opponents in various games; in this version, the main game played is the "Duel Monsters" card game. The series originally aired in Japan on TV Tokyo from April 2000 to September 2004, running for 224 episodes. A remastered version, highlighting certain duels, began airing in Japan in February 2015. An English-language adaptation of the series by 4Kids Entertainment aired in North America from September 29, 2001 to June 10, 2006 on Kids WB, and was also released in other countries. The English version of the series was retitled Yu-Gi-Oh! Rulers of the Duel for the second season, Yu-Gi-Oh! Noah's Arc for the first 24 episodes of the third, Yu-Gi-Oh! Enter the Shadow Realm for the remainder of the third, Yu-Gi-Oh! Waking the Dragons for the fourth, Yu-Gi-Oh! Grand Championship for the first 14 episodes of the fifth, and Yu-Gi-Oh! Dawn of the Duel for the remainder of the fifth. The series spawned a spinoff miniseries entitled "Yu-Gi-Oh! Capsule Monsters," set between "Grand Championship" and "Dawn of the Duel" and only released in the English version, as well as five other spinoff series: "Yu-Gi-Oh! GX", "Yu-Gi-Oh! 5D's", "Yu-Gi-Oh! Zexal", "Yu-Gi-Oh! Arc-V", and Yu-Gi-Oh! VRAINS. Based on the success of the series, 4Kids also commissioned three animated films: "", "" and "". Context_10 : Respect Gundam ( ) is a mini compilation of Gundam-related work created by Hiroyuki Tamakoshi, Kenki Fujioka, Tohru Fujisawa, Hiro Mashima, Minoru Sugiyama. It was published on the Gundam Magazine bundled with the November 2006 issue of Comic Bom Bom. fact_1 : Most of his work has appeared in Weekly Shonen Magazine, with "Boys Be..." and "Gacha Gacha" his best-known titles. fact_2 : Boys Be... (Japanese: , Hepburn: Boizu Bi ) is a manga created and written by Masahiro Itabashi and illustrated by Hiroyuki Tamakoshi, which was in 2000 adapted into a 13 episode anime series by Hal Film Maker. Answer: Boys Be...
Student:
Hiroyuki Tamakoshi is the author of what manga, turned into an anime series in 2000?