Problem: Read the following paragraph and extract the answer for the question: What is the profession of the person who was made a widow after Elsa was strangled to death? A group of ten people, strangers to one another, have all travelled to a hotel located deep in the deserts of Iran. Upon arrival they discover that their host is mysteriously absent. At dinner, they notice a display of figurines; the Ten Little Indians, as represented in the doggerel in each of their suites. They are accused via a tape recording by the host, U.N. Owen ("unknown"), someone none of them has ever met, of having committed various crimes in the past which went unpunished by the law. One by one, the guests start to die; first Michel Raven whose drink was poisoned. During the night, the housekeeper/cook, Elsa Martino, makes a mad dash to escape, only to be strangled against a pillar; a method of Ancient Persian execution, as noted by Hugh Lombard. A search of the hotel is intimated by General Salve who splits everyone into pairs. Not long after everyone separates from each other, Salve is stabbed to death in the hotel's catacombs. Their search reveals there is no one in the desert, except their seven selves, and that there is a killer in their midst who is one of them. The next morning, Elsa's husband, the butler, attempts to escape into the desert, only to expire from heat and exhaustion; his survival kit having been sabotaged. Ilona reveals her tragic past to the others, exposing the cause of her husband's suicide. Later, she is found dead, bitten by a venomous snake. The lights soon short out, leaving the five remaining guests in the dark, where at dinner, they reveal the nature of the crimes they stand accused of. Before Vera can offer her explanation, she leaves the others to return to her room. She screams, and the others rush to her. In the confusion, Judge Cannon is found dead in his bedroom, shot in the head.

A: butler
Problem: Given the question: Read the following paragraph and extract the answer for the question: What is the first name of the person who heads to the funeral service with Medina? Medina gets up after hearing a voice in her dreams. She prepares to go out, has a coffee, and does a quick breath relaxation exercise. Her friend, Sidonia, arrives and finds Medina, who is looking at herself in the mirror with a sad expression. Sidonia tries to lighten the moment, and reminds Medina that her friends and family are waiting for her. Medina gets herself together and they head off to the funeral service for Medina's fiance. Medina is with her friend Tesla, who tells her she is love with Medina's brother, Enzo, and is thinking of getting engaged. Medina is a bit surprised, but congratulates her. They try to visit an art exhibit, but the female security guard kicks them out, as she remembers the duo's wild reputation. Medine is upset, but Tesla invites her and Enzo for drinks. Tesla and Enzo cheer Medina up with their light conversation. Quinn looks depressed as he meets up with his friend Fera at the street. He tells her that Nilda left him and took everything, including his possessions. He shows her the "Dear John letter" composed on bath tissue. Fera's husband, Camden, arrives and they explain the situation. Fera and Camden console Quinn but he leaves to clear his mind. They follow Quinn to make sure he does not do something regretful. Tesla reminds Medina of an upcoming martial arts promotion test. Medina prepares by doing some stretching, practicing footwork, and twirling weapons including swords, staffs and spears. Meanwhile, Fera is increasingly concerned about Quinn. Camden notes that Fera and Quinn act like siblings, but for now, all they can do is continue to look after Quinn. They head to a show at the Lincoln Center.
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The answer is:
Sidonia
[Q]: Read the following paragraph and extract the answer for the question: What was praised at the Paris Salon of 1833? Portrait of Monsieur Bertin is an 1832 oil on canvas painting by Jean-Auguste-Dominique Ingres. It depicts Louis-Francois Bertin (17661841), the French writer, art collector and director of the pro-royalist Journal des debats. Ingres completed the portrait during his first period of success; having achieved acclaim as a history painter, he accepted portrait commissions with reluctance, regarding them as a distraction from more important work. Bertin was a friend and a politically active member of the French upper-middle class. Ingres presents him as a personification of the commercially minded leaders of the liberal reign of Louis Philippe I. He is physically imposing and self-assured, but his real-life personality shines through warm, wry and engaging to those who had earned his trust. The painting had a prolonged genesis. Ingres agonised over the pose and made several preparatory sketches. The final work faithfully captures the sitter's character, conveying both a restless energy and imposing bulk. It is an unflinchingly realistic depiction of ageing and emphasises the furrowed skin and thinning hair of an overweight man who yet maintains his resolve and determination. He sits in three-quarter profile against a brown ground lit from the right, his fingers are pronounced and highly detailed, while the polish of his chair reflects light from an unseen window. Ingres' portrait of Bertin was a critical and popular success, but the sitter was a private person. Although his family worried about caricature and disapproved, it became widely known and sealed the artist's reputation. It was praised at the Paris Salon of 1833, and has been influential to both academic painters such as Leon Bonnat and later modernists including Pablo Picasso and Felix Vallotton. Today art critics regard it as Ingres' finest male portrait. It has been on permanent display at the Musee du Louvre since 1897.
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[A]:
Portrait of Monsieur Bertin