Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : John Watson, Jr. (February 3, 1935 May 17, 1996), known professionally as Johnny "Guitar" Watson, was an American blues, soul, and funk musician and singer-songwriter. A flamboyant showman and electric guitarist in the style of T-Bone Walker, Watson recorded throughout the 1950s and 1960s with some success. His creative reinvention in the 1970s with disco and funk overtones, saw Watson have hits with "Ain't That a Bitch", "I Need It" and "Superman Lover". His successful recording career spanned forty years, with his highest chart appearance being the 1977 song "A Real Mother For Ya". Context_2 : "Ti amo" (] ; Italian for "I love you") is a 1977 song recorded by Italian singer Umberto Tozzi from the album "E nell'aria...ti amo". It achieved success at the time, becoming a hit in many European countries, including Sweden and Switzerland where it topped the charts. A Spanish version was released as "Te Amo", and had a good success in Spain and Latin America. Within the German-speaking countries a German version by also received a great success in 1977, peaking at number two in Germany and number ten in Austria. In 2002, the song was overdubbed as duet with singer Lena Ka under the title "Ti amo (rien que des mots)", with Italian and French lyrics. This version was a success in France and Belgium (Wallonia), reaching the top three. At the time, the original version was re-released and achieved a moderate success in France. As of August 2014, it is the 52nd best-selling single of the 21st century in France, with 393,000 units sold. A French version of this song was recorded by Dalida in 1977. An English version was also recorded by Laura Branigan in 1984, which, most notably, was a hit in Australia (reaching #2). It should not be confused with the Gina G song of the same name from 1997. In 2011, Sergio Dalma took a Spanish-language version of the song to the Top 10 in Spain. Context_3 : "Desiree" is a 1977 song written and recorded by Neil Diamond and included as a track on Diamond's 1977 album, "I'm Glad You're Here with Me Tonight". The single peaked at number 16 on the "Billboard" Hot 100 and reached number one on the U.S. Easy Listening chart to become his fifth number one on that chart. The song likewise reached number one on the Canadian AC chart. Context_4 : "Apple Scruffs" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass". It was written as a tribute to the die-hard Beatles fans known as Apple scruffs, who would wait in certain London locations where the band members were likely to appear, even long after the group's break-up in April 1970. Context_5 : Ralph Korte Stadium, also known as "The Ralph", is a 4,000 seat stadium located on the campus of Southern Illinois University Edwardsville in Edwardsville, Illinois. It is home to the SIUE Cougars men's and women's soccer and outdoor track & field teams. In addition to the stands on the west side of the field, a berm was put in on the east side in 2011 to provide lawn seating for the tailgating fans known as "The East Siders." Context_6 : Uchiwa-e are a genre of Japanese "ukiyo-e" woodblock print, which appear on rigid, paddle-shaped hand fans known as "uchiwa" (). Ovoid images matching the outline of "uchiwa" were printed on rectangular sheets of "washi" rice paper, then cut along the margins and pasted onto a skeletal bamboo frame. Context_7 : "Ca plane pour moi " (] ) is a 1977 song by Plastic Bertrand. The music was composed by Lou Deprijck. Yvan Lacomblez wrote the lyrics. Despite being credited to Plastic Bertrand, the vocals were actually performed by the record's producer Lou Deprijck. "Jet Boy, Jet Girl", an adaptation recorded in November 1977 by Elton Motello, has the same backing track. The song was covered by many artists, though Plastic Bertrand's original recording was the most successful, reaching No. 8 on the UK charts in the summer of 1978. While mainly regarded as a punk song, "Ca plane pour moi " has also been described as parody punk and as new wave. Context_8 : The University of the Philippines Varsity Pep Squad, more popularly known as the UP Pep Squad or simply UP Pep, was formed in 1994. Beginning as a group of 5 UP basketball fans known as the "Hecklers", the squad eventually became the official cheerleading and cheerdance team of the University of the Philippines. The squad performs at the halftime of the basketball games of the UP Fighting Maroons in the University Athletic Association of the Philippines and represents the University in the UAAP Cheerdance Competition, where they were the champions for eight non-consecutive years (1999, 2000, 2001, 2007, 2008, 2010, 2011 and 2012). UP holds the unprecedented most number of podium finishes at 20 years straight. Context_9 : "Margaritaville" is a 1977 song by American popular music singer-songwriter Jimmy Buffett from the album "Changes in Latitudes, Changes in Attitudes". This song was written about a drink Buffett discovered at Lung's Cocina del Sur restaurant on Anderson Lane in Austin, Texas, and the first huge surge of tourists who descended on Key West, Florida around that time. He wrote most of the song that night at a friend's house in Austin, and finished it while spending time in Key West. In the United States "Margaritaville" reached number eight on the "Billboard" Hot 100 chart, and went to number one on the Easy Listening chart, also peaking at #13 on the Hot Country Songs chart. "Billboard" ranked it number 14 on its 1977 Pop Singles year-end chart. It remains Buffett's highest charting solo single. Context_10 : James William Buffett (born December 25, 1946) is an American musician, songwriter, author, actor, and businessman. He is best known for his music, which often portrays an "island escapism" lifestyle. Together with his Coral Reefer Band, Buffett has recorded hit songs including "Margaritaville" (ranked 234th on the Recording Industry Association of America's list of "Songs of the Century") and "Come Monday". He has a devoted base of fans known as "Parrotheads". fact_1 : "Margaritaville" is a 1977 song by American popular music singer-songwriter Jimmy Buffett from the album "Changes in Latitudes, Changes in Attitudes". fact_2 : He has a devoted base of fans known as "Parrotheads". Answer: Parrotheads
Solution:
Margaritaville is a 1977 song by a singersongwriter with a base of fans known as what ?