IN: John Richard Pilger (; born 9 October 1939) is an Australian journalist and documentary film maker mainly based in the United Kingdom since 1962. Pilger has been a strong critic of American, Australian and British foreign policy, which he considers to be driven by an imperialist agenda. Pilger has also criticised his native country's treatment of Indigenous Australians. His career as a documentary film maker began with The Quiet Mutiny (1970), made during one of his visits to Vietnam, and has continued with over fifty documentaries since then.

William Shawcross wrote in his book The Quality of Mercy: Cambodia, Holocaust and Modern Conscience (1984) about Pilger's series of articles about Cambodia in the Daily Mirror during August 1979: "A rather interesting quality of the articles was their concentration on Nazism and the holocaust. Pilger called Pol Pot 'an Asian Hitler' -- and said he was even worse than Hitler . . . Again and again Pilger compared the Khmer Rouge to the Nazis. Their Marxist-Leninist ideology was not even mentioned in the Mirror, except to say they were inspired by the Red Guards. Their intellectual origins were described as 'anarchist' rather than Communist". Ben Kiernan, in his review of Shawcross's book, notes that Pilger did compare Pol Pot's Khmer Rouge to Stalin's terror, as well as to Mao's Red Guards. Kiernan notes instances where other writers' comparisons of Pol Pot to Hitler or the Vietnamese to the Nazis are either accepted by Shawcross in his account, or not mentioned. Shawcross wrote in The Quality of Mercy that "Pilger's reports underwrote almost everything that refugees along the Thai border had been saying about the cruelty of Khmer Rouge rule since 1975, and that had already appeared in the books by the Readers Digest and Francois Ponchaud. Nonetheless, the reaction to the stories in Britain was as if they were something quite new." Oliver Kamm asserted in 2006: "Pilger's documentaries are full of falsehoods. They operate by misdirection, simultaneously denouncing one form of injustice while ignoring or denying others". In Heroes, Pilger disputes Francois Ponchaud and Shawcross's account of Vietnamesse atrocities during the Vietnamese invasion and near famine as being "unsubstantiated". Ponchard had interviewed members of anti-communist groups living in the Thai refugee border camps. According to Pilger, "At the very least the effect of Shawcross's 'expose'" of Cambodian's treatment at the hands of the Vietnamese "was to blur the difference between Cambodia under Pol Pot and Cambodia liberated by the Vietnamese: in truth. a difference of night and day". In his book, Shawcross himself doubted that anyone had died of starvation.

What was Ben Kiernan's response?

OUT: notes that Pilger did compare Pol Pot's Khmer Rouge to Stalin's terror,

Answer the question at the end by quoting:

Dame Helen Lydia Mirren, (nee Mironoff; born 26 July 1945) is an English actor. Mirren began her acting career with the Royal Shakespeare Company in 1967, and is one of the few performers who have achieved the Triple Crown of Acting. She won the Academy Award for Best Actress in 2007 for her performance as Queen Elizabeth II in The Queen and received the Olivier Award for Best Actress and Tony Award for Best Actress in a Play for the same role in The Audience. Mirren's other Academy Award nominations include The Madness of King George (1994), Gosford Park (2001) and The Last Station (2009).
As a result of her work for the National Youth Theatre, Mirren was invited to join the Royal Shakespeare Company (RSC). While with the RSC, she played Castiza in Trevor Nunn's 1966 staging of The Revenger's Tragedy, Diana in All's Well That Ends Well (1967), Cressida in Troilus and Cressida (1968), Rosalind in As You Like It (1968), Julia in The Two Gentlemen of Verona (1970), Tatiana in Gorky's Enemies at the Aldwych (1971), and the title role in Miss Julie at The Other Place (1971). She also appeared in four productions, directed by Braham Murray for Century Theatre at the University Theatre in Manchester, between 1965 and 1967. In 1970, the director/producer John Goldschmidt made a documentary film, Doing Her Own Thing, about Mirren during her time with the Royal Shakespeare Company. The film was made for ATV and shown on the ITV Network in the UK. In 1972 and 1973, Mirren worked with Peter Brook's International Centre for Theatre Research, and joined the group's tour in North Africa and the US, during which they created The Conference of the Birds. She then rejoined the RSC, playing Lady Macbeth at Stratford in 1974 and at the Aldwych Theatre in 1975. Sally Beauman reported, in her 1982 history of the RSC, that Mirren--while appearing in Nunn's Macbeth (1974), and in a highly publicised letter to The Guardian newspaper--had sharply criticised both the National Theatre and the RSC for their lavish production expenditure, declaring it "unnecessary and destructive to the art of the Theatre," and adding, "The realms of truth, emotion and imagination reached for in acting a great play have become more and more remote, often totally unreachable across an abyss of costume and technicalities..." According to Beauman, there were no discernible repercussions for this rebuke of the RSC.

Did she have any role models or influences?

input: 1987's Music for the Masses saw further alterations in the band's sound and working methods. For the first time a producer not related to Mute Records, Dave Bascombe, was called to assist with the recording sessions, although, according to Alan Wilder, Bascombe's role ended up being more that of engineer. In making the album, the band largely eschewed sampling in favour of synthesizer experimentation. While chart performance of the singles "Strangelove", "Never Let Me Down Again" and "Behind the Wheel" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. Record Mirror described Music for the Masses as "the most accomplished and sexy Mode album to date". The album also made a breakthrough in the American market. The Music for the Masses Tour began 22 October 1987. On 7 March 1988, with no previous announcement that they would be the headlining act, Depeche Mode played in the Werner-Seelenbinder-Halle, East Berlin, becoming one of the few Western groups to perform in the Communist East Germany. They also performed concerts in Budapest and Prague in 1988, both at the time also Communist. The world tour ended 18 June 1988 with a concert at the Pasadena Rose Bowl with paid attendance of 60,453, the highest in eight years for the venue. The tour was a breakthrough for the band and a massive success in the United States. It was documented in 101 - a concert film by D. A. Pennebaker and its accompanying soundtrack album. The film is notable for its portrayal of fan interaction. Alan Wilder is credited with coming up with the title, noting that the performance was the 101st and final performance of the tour. On 7 September 1988, Depeche Mode performed "Strangelove" at the 1988 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles.

Answer this question "was it successful?"
output:
The world tour ended 18 June 1988 with a concert at the Pasadena Rose Bowl with paid attendance of 60,453, the highest in eight years for the venue.