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Jane Jacobs (born Jane Butzner; May 4, 1916 - April 25, 2006) was an American-Canadian journalist, author, and activist who influenced urban studies, sociology, and economics. Her book The Death and Life of Great American Cities (1961) argued that urban renewal did not respect the needs of city-dwellers. It also introduced the sociological concepts "eyes on the street" and "social capital". Jacobs organized grassroots efforts to protect neighborhoods from "slum clearance", in particular Robert Moses' plans to overhaul her own Greenwich Village neighborhood.
In 1935, during the Great Depression, she moved to New York City with her sister Betty. Jane Butzner took an immediate liking to Manhattan's Greenwich Village, which did not conform to the city's grid structure. The sisters soon moved there from Brooklyn. During her early years in the city, Jacobs held a variety of jobs working as a stenographer and freelance writer, writing about working districts in the city. These experiences, she later said, "... gave me more of a notion of what was going on in the city and what business was like, what work was like." Her first job was for a trade magazine as a secretary, then an editor. She sold articles to the Sunday Herald Tribune, Cue magazine, and Vogue. She studied at Columbia University's School of General Studies for two years, taking courses in geology, zoology, law, political science, and economics. About the freedom to pursue study across her wide-ranging interests, she said: For the first time I liked school and for the first time I made good marks. This was almost my undoing because after I had garnered, statistically, a certain number of credits I became the property of Barnard College at Columbia, and once I was the property of Barnard I had to take, it seemed, what Barnard wanted me to take, not what I wanted to learn. Fortunately my high-school marks had been so bad that Barnard decided I could not belong to it and I was therefore allowed to continue getting an education.

What was her fist love

Jane Butzner took an immediate liking to Manhattan's Greenwich Village,

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Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle. Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems. Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development. In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world." Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."

What were some of these productions he oversaw ?

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Thomas Stanley Raymond Hafey (5 August 1931 - 12 May 2014) was an Australian rules football Victorian Football League player and coach. Hafey played for Richmond between 1953 and 1958, and coached four clubs--Richmond, Collingwood, Geelong and Sydney--between 1966 and 1988, leading Richmond to a total of four premierships: 1967, 1969, 1973 and 1974. Hafey was an inaugural inductee into the Australian Football Hall of Fame in 1996, named coach of Richmond's team of the century in 1998, and given the AFL Coaches Association "Coaching Legend Award" in 2011. He was renowned for his fitness and toughness even in his elderly years when he would still run rings around his juniors.
After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton in the Goulburn Valley area of northern Victoria. His tenacious attitude and devotion to fitness turned the club into a winner. Shepparton lost the Grand Final to Tongala in 1961, then won three straight from 1963 to 1965. Meanwhile, Hafey acted as a recruiting agent for the Tigers, recommending potential players from his region. Hafey's performance drew the attention of Tiger secretary Graeme Richmond. When coach Len Smith had a heart attack in 1965, the club appointed Jack Titus to serve as interim coach until a replacement could be found. Hafey was encouraged to apply, and the decision came down to Hafey and former club captain Ron Branton. Many expected Branton to get the job. However, Graeme Richmond saw something special in Hafey and he was appointed coach for the 1966 season. On his return to Richmond, Hafey found the team had acquired a number of young, high quality players. He later recalled feeling some apprehension about his youth and that he would be coaching some ex-teammates. Even so, he quickly put his stamp on the club, bringing intensity and desire to reach the top. Although he acknowledged the ideas and tactical approach of Len Smith (who remained at the club as a selector and consultant), Hafey opted for what became his trademark style: kick the ball long and quickly into the forward line. He raised the bar for fitness among his players, extending pre-season training and introducing a third training night during the week. Richmond quickly became known for being the fittest team in the competition. Richmond began 1966 strongly. A month before the finals, they hit the top of the ladder for the first time since 1951 and seemed certain to play in September. However, two losses dropped the Tigers to fifth place with thirteen wins and a draw. They became the best performing team to miss the finals since the inception of the McIntyre finals system in 1931. Richmond dismissed a number of players, replacing them with new players such as Royce Hart and Francis Bourke.

when did he start his coaching career?
After the 1959 season, Hafey left the city of Richmond, taking a job as playing coach of Shepparton