Problem: Background: Keith Carradine was born in San Mateo, California. He is the son of actress and artist Sonia Sorel (nee Henius), and actor John Carradine. His paternal half-brothers are Bruce and David Carradine, his maternal half-brother is Michael Bowen, and his full brothers are Christopher and Robert Carradine. His maternal great-grandfather was biochemist Max Henius, and his maternal great-grandmother was the sister of historian Johan Ludvig Heiberg.
Context: Carradine's first notable film appearance was in director Robert Altman's McCabe & Mrs. Miller (1971). His next film, Emperor of the North Pole (1973), was re-released with a shorter title Emperor of the North. Carradine played a young aspiring hobo. The film was directed by Robert Aldrich and also starred Lee Marvin and Ernest Borgnine. Carradine then starred in Altman's film Thieves Like Us (1974), then played a principal character, a callow, womanizing folk singer, Tom Frank, in Altman's critically acclaimed film Nashville (1975; see "Music and song writing"). He had difficulty shaking the image of Tom Frank following the popularity of the film. He felt the role gave him the reputation of being "a cad." In 1977, Carradine starred opposite Harvey Keitel in Ridley Scott's The Duellists. Pretty Baby followed in 1978. He has acted in several offbeat films of Altman's protege Alan Rudolph, playing a disarmingly candid madman in Choose Me (1984), an incompetent petty criminal in Trouble in Mind (1985), and an American artist in 1930s Paris in The Moderns (1988). He appeared with brothers David and Robert as the Younger brothers in Walter Hill's film The Long Riders (1980). Keith played Jim Younger in that film. In 1981, he appeared again under Hill's direction in Southern Comfort. In 1994, he had a cameo role as Will Rogers in Rudolph's film about Dorothy Parker, Mrs. Parker and the Vicious Circle. He co-starred with Daryl Hannah as homicidal sociopath John Netherwood in the thriller The Tie That Binds (1995). In 2011, he starred in Cowboys and Aliens, an American science fiction western film directed by Jon Favreau also starring Daniel Craig, Harrison Ford, and Olivia Wilde. Carradine traveled to Tuscany in 2012 to executive produce and star in John Charles Jopson's Edgar Allan Poe inspired film 'Terroir'. In 2013, he starred in Ain't Them Bodies Saints, which won the 2013 Sundance Film Festival award for cinematography. In 2016 Keith played Edward Dickinson father of Emily Dickinson in A Quiet Passion the biographical film directed and written by Terence Davies about the life of the American poet. In 2016 Carradine returned to star in his fourth Alan Rudolph film Ray Meets Helen alongside actress Sondra Locke.
Question: What was his biggest film?
Answer: Carradine then starred in Altman's film Thieves Like Us (1974),

Background: Saint Isidore of Seville (; Latin: Isidorus Hispalensis; c. 560 - 4 April 636), a scholar and, for over three decades, Archbishop of Seville, is widely regarded as the last of the Fathers of the Church, as the 19th-century historian Montalembert put it in an oft-quoted phrase, "The last scholar of the ancient world." At a time of disintegration of classical culture, and aristocratic violence and illiteracy, he was involved in the conversion of the Arian Visigothic kings to Catholicism, both assisting his brother Leander of Seville, and continuing after his brother's death. He was influential in the inner circle of Sisebut, Visigothic king of Hispania. Like Leander, he played a prominent role in the Councils of Toledo and Seville.
Context: Isidore was the first Christian writer to try to compile a summa of universal knowledge, in his most important work, the Etymologiae (taking its title from the method he uncritically used in the transcription of his era's knowledge). It is also known by classicists as the Origines (the standard abbreviation being Orig). This encyclopedia -- the first such Christian epitome--formed a huge compilation of 448 chapters in 20 volumes. In it, as Isidore entered his own terse digest of Roman handbooks, miscellanies and compendia, he continued the trend towards abridgements and summaries that had characterised Roman learning in Late Antiquity. In the process, many fragments of classical learning are preserved which otherwise would have been hopelessly lost; "in fact, in the majority of his works, including the Origines, he contributes little more than the mortar which connects excerpts from other authors, as if he was aware of his deficiencies and had more confidence in the stilus maiorum than his own" his translator Katherine Nell MacFarlane remarks; Some of these fragments were lost in the first place because Isidore's work was so highly regarded--Braulio called it quecunque fere sciri debentur, "practically everything that it is necessary to know"-- that it superseded the use of many individual works of the classics themselves, which were not recopied and have therefore been lost: "all secular knowledge that was of use to the Christian scholar had been winnowed out and contained in one handy volume; the scholar need search no further". The fame of this work imparted a new impetus to encyclopedic writing, which bore abundant fruit in the subsequent centuries of the Middle Ages. It was the most popular compendium in medieval libraries. It was printed in at least ten editions between 1470 and 1530, showing Isidore's continued popularity in the Renaissance. Until the 12th century brought translations from Arabic sources, Isidore transmitted what western Europeans remembered of the works of Aristotle and other Greeks, although he understood only a limited amount of Greek. The Etymologiae was much copied, particularly into medieval bestiaries.
Question: What were the fruit subsequent too?
Answer:
It was the most popular compendium in medieval libraries. It was printed in at least ten editions between 1470 and 1530, showing Isidore's continued popularity in the Renaissance.