Question:
Page Joseph Falkinburg, the eldest of three children, was born in Point Pleasant, New Jersey, the son of Sylvia (nee Seigel) and Page Falkinburg Sr. Falkinburg was raised by his father during his early years, after his parents divorced. The name "Dallas" came from his love of the Dallas Cowboys. His brother, Rory, and sister, Sally, were raised by their maternal grandmother.
When WCW was purchased by WWF owner Vince McMahon in 2001, Page was one of the few major WCW stars (along with Booker T and Buff Bagwell) who accepted buyouts of their AOL Time Warner contracts in order to immediately sign with McMahon. He debuted in the World Wrestling Federation (WWF) on the edition of June 18, 2001 of Raw when he unveiled himself as the stalker of The Undertaker's wife, Sara. Page revealed he didn't care about Sara; he only did it to make an impact and wanted to take on the biggest dog in the yard. Page soon joined the Alliance during the WCW Invasion. At King of the Ring, he fought The Undertaker in an unsanctioned brawl that was never announced as an official match. Page and Chris Kanyon reunited on the edition of August 6, 2001 of Raw when Kanyon helped Page attack The Undertaker backstage. Three days later on edition of August 9, 2001 of SmackDown!, Page and Kanyon defeated the APA to win the WWF Tag Team Championship. The feud with the Undertaker went on for the best part of three months and ended when Undertaker and Kane defeated Page and Kanyon at SummerSlam on August 19, 2001 in a Steel cage match for the WWF Tag Team Championship, where Page got injured which kept him out of action until late October 2001. He became known for his catchphrase "Yo! It's me, it's me, it's DDP!" While Page was injured he developed a new gimmick in September 2001 to become a motivational speaker, something he did in real life, in what came to be known as his Positively Page character. The name came from the title of his autobiography that was published during his WCW days. The character, who Page developed after attending the Tony Robbins Results 2000 seminar in October 2000, involved Page constantly smiling and acting optimistic, with his trademark phrase "That's not a bad thing... that's... a good thing". His return televised match was on November 3, 2001 at Rebellion losing to Big Show. After the Alliance lost at Survivor Series DDP along with the rest of the alliance members bar Test kayfabe lost their jobs.
Answer this question using a quote from the text above:

who else was involved in the alliance

Answer:
Booker T and Buff Bagwell

Question:
Sir Pelham Grenville Wodehouse (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
A third milestone in Wodehouse's life came towards the end of 1915: his old songwriting partner Jerome Kern introduced him to the writer Guy Bolton, who became Wodehouse's closest friend and a regular collaborator. Bolton and Kern had a musical, Very Good Eddie, running at the Princess Theatre in New York. The show was successful, but they thought the song lyrics weak and invited Wodehouse to join them on its successor. This was Miss Springtime (1916), which ran for 227 performances--a good run by the standards of the day. The team produced several more successes, including Leave It to Jane (1917), Oh, Boy! (1917-18) and Oh, Lady! Lady!! (1918), and Wodehouse and Bolton wrote a few more shows with other composers. In these musicals Wodehouse's lyrics won high praise from critics as well as fellow lyricists such as Ira Gershwin. Unlike his original model, Gilbert, Wodehouse preferred the music to be written first, fitting his words into the melodies. Donaldson suggests that this is the reason why his lyrics have largely been overlooked in recent years: they fit the music perfectly, but do not stand on their own in verse form as Gilbert's do. Nonetheless, Donaldson adds, the book and lyrics for the Princess Theatre shows made the collaborators an enormous fortune and played an important part in the development of the American musical. In the Grove Dictionary of American Music Larry Stempel writes, "By presenting naturalistic stories and characters and attempting to integrate the songs and lyrics into the action of the libretto, these works brought a new level of intimacy, cohesion, and sophistication to American musical comedy." The theatre writer Gerald Bordman calls Wodehouse "the most observant, literate, and witty lyricist of his day". The composer Richard Rodgers wrote, "Before Larry Hart, only P.G. Wodehouse had made any real assault on the intelligence of the song-listening public." In the years after the war, Wodehouse steadily increased his sales, polished his existing characters and introduced new ones. Bertie and Jeeves, Lord Emsworth and his circle, and Ukridge appeared in novels and short stories; Psmith made his fourth and last appearance; two new characters were the Oldest Member, narrating his series of golfing stories, and Mr Mulliner, telling his particularly tall tales to fellow patrons of the bar at the Angler's Rest. Various other young men-about-town appeared in short stories about members of the Drones Club. The Wodehouses returned to England, where they had a house in London for some years, but Wodehouse continued to cross the Atlantic frequently, spending substantial periods in New York. He continued to work in the theatre. During the 1920s he collaborated on nine musical comedies produced on Broadway or in the West End, including the long-running Sally (1920, New York), The Cabaret Girl (1922, London) and Rosalie (1928, New York). He also wrote non-musical plays, including The Play's the Thing (1926), adapted from Ferenc Molnar, and A Damsel in Distress (1928), a dramatisation of his 1919 novel. Though never a naturally gregarious man, Wodehouse was more sociable in the 1920s than at other periods. Donaldson lists among those with whom he was on friendly terms writers including A.A. Milne, Ian Hay, Frederick Lonsdale and E. Phillips Oppenheim, and stage performers including George Grossmith, Jr., Heather Thatcher and Dorothy Dickson.
Answer this question using a quote from the text above:

What was his best success?

Answer:
the long-running Sally (1920, New York),