input: Durer was born on 21 May 1471, third child and second son of his parents, who had at least fourteen and possibly as many as eighteen children. His father, Albrecht Durer the Elder (originally Albrecht Ajtosi), was a successful goldsmith who in 1455 had moved to Nuremberg from Ajtos, near Gyula in Hungary. One of Albrecht's brothers, Hans Durer, was also a painter and trained under him. Another of Albrecht's brothers, Endres Durer, took over their father's business and was a master goldsmith. The German name "Durer" is a translation from the Hungarian, "Ajtosi". Initially, it was "Turer", meaning doormaker, which is "ajtos" in Hungarian (from "ajto", meaning door). A door is featured in the coat-of-arms the family acquired. Albrecht Durer the Younger later changed "Turer", his father's diction of the family's surname, to "Durer", to adapt to the local Nuremberg dialect. Albrecht Durer the Elder married Barbara Holper, the daughter of his master when he himself became a master in 1467. Durer's godfather was Anton Koberger, who left goldsmithing to become a printer and publisher in the year of Durer's birth and quickly became the most successful publisher in Germany, eventually owning twenty-four printing-presses and having many offices in Germany and abroad. Koberger's most famous publication was the Nuremberg Chronicle, published in 1493 in German and Latin editions. It contained an unprecedented 1,809 woodcut illustrations (albeit with many repeated uses of the same block) by the Wolgemut workshop. Durer may have worked on some of these, as the work on the project began while he was with Wolgemut. Because Durer left autobiographical writings and became very famous by his mid-twenties, his life is well documented by several sources. After a few years of school, Durer started to learn the basics of goldsmithing and drawing from his father. Though his father wanted him to continue his training as a goldsmith, he showed such a precocious talent in drawing that he started as an apprentice to Michael Wolgemut at the age of fifteen in 1486. A self-portrait, a drawing in silverpoint, is dated 1484 (Albertina, Vienna) "when I was a child", as his later inscription says. Wolgemut was the leading artist in Nuremberg at the time, with a large workshop producing a variety of works of art, in particular woodcuts for books. Nuremberg was then an important and prosperous city, a centre for publishing and many luxury trades. It had strong links with Italy, especially Venice, a relatively short distance across the Alps.

Answer this question "Did he move away when he began his apprenticeship?"
output: Wolgemut was the leading artist in Nuremberg at the time, with a large workshop

input: Radio was released to critical acclaim, both for production innovation and LL's powerful rap. Released November 18, 1985, on Def Jam Recordings in the United States, Radio earned a significant amount of commercial success and sales for a hip hop record at the time. Shortly after its release, the album sold over 500,000 copies in its first five months, eventually selling over 1 million copies by 1988, according to the Recording Industry Association of America. Radio peaked at number 6 on the Top R&B/Hip-Hop Albums chart and at number 46 on the Billboard 200 albums chart. It entered the Top R&B/Hip-Hop Albums chart on December 28, 1985, and remained there for forty-seven weeks, while also entering the Pop Albums chart on January 11, 1986. Radio remained on the chart for thirty-eight weeks. By 1989, the album had earned platinum status from the Recording Industry Association of America (RIAA), after earning a gold certification in the United States on April 14, 1986, with sales exceeding one million copies. "I Can't Live Without My Radio" and "Rock the Bells" were singles that helped the album go platinum. It eventually reached 1,500,000 in US sales. With the breakthrough success of his hit single "I Need a Beat" and the Radio LP, LL Cool J became one of the first hip-hop acts to achieve mainstream success along with Kurtis Blow and Run-D.M.C.. Gigs at larger venues were offered to LL as he would join the 1986-'87 Raising Hell tour, opening for Run-D.M.C. and the Beastie Boys. Another milestone of LL's popularity was his appearance on American Bandstand as the first hip hop act on the show, as well as an appearance on Diana Ross' 1987 television special, Red Hot Rhythm & Blues. The album's success also helped in contributing to Rick Rubin's credibility and repertoire as a record producer. Radio, along with Raising Hell (1986) and Licensed to Ill (1986), would form a trilogy of New York City-based, Rubin-helmed albums that helped to diversify hip-hop. Rubin's production credit on the back cover reads "REDUCED BY RICK RUBIN", referring to his minimalist production style, which gave the album its stripped-down and gritty sound. This style would serve as one of Rubin's production trademarks and would have a great impact on future hip-hop productions. Rubin's early hip hop production work, before his exit from Def Jam to Los Angeles, helped solidify his legacy as a hip hop pioneer and establish his reputation in the music industry.

Answer this question "What else did Radio do?"
output:
Radio peaked at number 6 on the Top R&B/Hip-Hop Albums chart and at number 46 on the Billboard 200 albums chart.