instruction:
In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.
question:
Some years after fighting Monroe "Undisputed" Hutchens in prison, former boxing champion George "Iceman" Chambers visits the Russian Federation for a series of boxing matches, where he is subsequently framed for possession of cocaine and once again sent to prison. There, he discovers a series of illegal mixed martial arts matches dominated by inmate Yuri Boyka. The prison officials arrange these fights and place large side-bets to make a personal profit, often at the expense of the fighters. Chambers shares a cell with Steven Parker, a British junkie.Mob boss Gaga and Warden Markov tell Chambers that if he fights Boyka, he will likely get an expedited appeal and early release. Chambers initially refuses, but after spending time in demeaning physical labor in the prison's sewer system and experiencing firsthand the brutality of the guards, he reluctantly agrees. He is rescued from both forms of humiliation by a wheelchair-bound inmate named Crot. Both fighters train hard for the match, though Chambers still relies on his boxing background while Boyka prepares a series of deadly kicks, throws, and grappling combinations designed to humiliate his opponent in the ring. Prior to the fight however, Boyka's gang force Steven, who is acting as Chambers' cornerman, to spike his water with a light sedative during the fight.During the fight, Chambers is somewhat taken by surprise at the flurry and variety of Boyka's attacks, but manages to hold his own through the first round by keeping his distance, staying calm, and dealing out painful punching combinations whenever possible. At the end of the first round, Chambers takes a few sips of the spiked water, causing him to lose on the second round when he loses consciousness and falls to Boyka's flying kick. Following the match, Steven hangs himself out of guilt. Later, Chambers confronts Boyka over the sedative incident; after Boyka learns that his gang spiked Chambers' water behind his back, Chambers demands a rematch to ensure his release. Chambers receives training in mixed martial arts from Crot, who was a former soldier and the one who trained Boyka in his fighting style.Once the rematch begins, it is apparent to all the viewers that the combatants are evenly matched and Chambers is more impressive in his style. The fight is long and intense, with flurries of combinations, grapples, and throws traded between the two. Eventually, Chambers realizes that Boyka will not lose consciousness, will not submit, and will likely knock him out if the fight goes on too long. Chambers alters his strategy and manages to get Boyka in a joint lock and ends the fight by breaking Boyka's leg, proving that he is the undisputed new champion of the prison. Shortly thereafter, Chambers is released from prison and uses his winnings to buy Crot's freedom as well. In a final scene, he wheels Crot to a train station to meet with his estranged niece in a happy reunion. Crot thanks Chambers for giving him the remainder of the winnings to start his life again, while Chambers expresses his gratitude for the help and training. Crot then meets with his long lost niece and the two embrace.
answer:
What kind of match is taking place?

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Prologue[edit]A young boy named Billy gets yelled at and slapped by his father, Stan, for reading a horror comic titled Creepshow. Stan reminds his wife that he had to be hard on Billy because he does not want their son to be reading such "crap". As Billy sits upstairs cursing his father with hopes of him rotting in Hell, he hears a sound at the window, which turns out to be a ghostly apparition in the form of The Creep from the comic book, beckoning him to come closer.Father's Day[edit](First story, written by King specifically for the film) Nathan Grantham, the miserly old patriarch of a family whose fortune was made through bootlegging, fraud, extortion, and murder-for-hire, is killed on Father's Day by his long-suffering spinster daughter Bedelia. Bedelia was already unstable as the result of a lifetime spent putting up with her father's incessant demands and emotional abuse, which culminated in his orchestrating the murder of her sweetheart, Peter.The sequence begins in 1980, when the remainder of Nathan's descendantsincluding Nathan's granddaughter Sylvia, his great-grandchildren Richard, Cass, and Cass' husband Hankget together for their annual dinner on the third Sunday in June.Bedelia, who typically arrives later than the others, stops in the cemetery outside the family house to lay a flower at the grave site and drunkenly reminisce about how she murdered her insufferable, overbearing father. When she accidentally spills her whiskey bottle in front of the headstone, it seems to have a reanimating effect on the mortal remains interred below. Suddenly, Nathan's putrefied, maggot-infested corpse emerges from the burial plot in the form of a revenant who has come back to claim the Father's Day cake he never got. Grantham slowly avenges himself on Bedelia and the rest of his idle, scheming, money-grubbing heirs, killing them off one by one (which includes some apparent supernatural abilities such as making a heavy tombstone move by will) before finally attaining his Father's Day cake, topped with Sylvia's severed head.The Lonesome Death of Jordy Verrill[edit]Based on the short story "Weeds". Jordy Verrill (played by Stephen King himself), a dimwitted backwoods yokel, thinks that a newly discovered meteorite will provide enough money from the local college to pay off his $200 bank loan. As the meteorite is too hot to touch, he douses it with water, causing it to crack open and spew a glowing green substance that comes into contact with his skin. He then finds himself being overcome by a rapidly spreading plant-like organism that begins growing on his body. Jordy is eventually cautioned by the ghost of his father not to take a bath. But when the itching from the growth on his skin becomes unbearable, Jordy succumbs to temptation and collapses into the bathwater. By the next morning, Jordy and his farm have been completely covered with dense layers of the hideous alien vegetation. In despair, he reaches for a shotgun and blows the top of his head off, thus killing himself. A radio weather forecast announces that heavy rains are predicted and the audience is left with the dire expectation that this will accelerate the spread of the extraterrestrial plant growth to surrounding areas.Something to Tide You Over[edit]Richard Vickers, a vicious, wealthy psychopath whose jocularity belies his cold-blooded murderousness, stages a terrible fate for his unfaithful wife, Becky, and her lover, Harry Wentworth, by separately luring them out to his secluded beach property and then, at gunpoint, burying them up to their necks below the high tide line. He explains that they have a chance of survivalif they can hold their breath long enough for the sand to loosen once the seawater covers them, they could break free and escape.Vickers sets up closed-circuit TV cameras so he can watch them die from the comfort of his well-appointed beach house. However, Richard is in for a surprise of his own when the two lovers he murdered return as a pair of waterlogged, seaweed-covered revenants intent on revenge. He tries to shoot them, but they remind him: "You can't shoot us dead, Richard, because we're already dead!" The final scene reveals that Richard is now the one buried in the beach, facing the approaching tide and the sight of two sets of footprints disappearing into the surf. While the tide is rising, he laughs hysterically, his sanity shattered by the experience, and screams: "I can hold my breath for a LOOONG TIME!" The frame freezes into animation and the flipping comic pages stop on the title of the next story, one of the longer entries at nearly 30 minutes.The Crate[edit]Based on the short story "The Crate". A college custodian, Mike, drops a quarter and finds a wooden storage crate, hidden under some basement stairs for 147 years. He notifies a college professor, Dexter Stanley, of the find. The two decide to open the crate and it is found to contain an extremely lethal creature[3] resembling a Yeti, or Abominable Snowman, which despite its diminutive size promptly kills and entirely devours Mike, leaving behind only his boot. Escaping, Stanley runs into a graduate student, Charlie Gereson, who is skeptical and investigates. The crate has been moved back under the stairs and Gereson is killed by the creature as he examines the crate. Stanley flees to inform his friend and colleague at the university, the mild-mannered Professor Henry Northrup.Stanley, now traumatized and hysterical, babbles to Northrup that the deadly monster must be disposed of somehow. Northrup sees the creature as a way to rid himself of his perpetually drunk, obnoxious and emotionally abusive wife, Wilma, whom he often daydreams of killing. He contrives a scheme to lure her near the crate, where the beast does indeed maul and eat her. Northrup secures the beast back inside its crate, then drops it into a nearby lake, where it sinks to the bottom. He returns to assure Stanley that the creature is no more. However, it is subsequently revealed to the audience that the beast has escaped from its crate, and is in fact alive and well.They're Creeping Up on You[edit]Upson Pratt is a cruel, ruthless businessman whose mysophobia has him living in a hermetically sealed apartment controlled completely with both electric locks and surveillance cameras. During a particularly severe lightning storm, he finds himself looking out over the concrete canyons of New York City, as a rolling blackout travels his way. When it hits his apartment tower, the terror begins for Mr. Pratt, who now finds himself helpless, when his flat becomes overrun by hordes of cockroaches. As the cockroaches begin to overrun him, he locks himself inside a panic room, only to find the cockroaches have already infested the room as well. With no way to escape, he is swarmed upon by the roaches which induce a fatal heart attack. Later, as electricity returns to the building, Pratt's corpse is shown in the panic room, now devoid of roaches. However, Pratt's body soon begins to contort, as roaches grotesquely burst out of his mouth and body, re-enveloping the panic room.Epilogue[edit]The following morning, two garbage collectors find the Creepshow comic book in the trash. They look at the ads in the book for X-ray specs and a Charles Atlas bodybuilding course. They also see an advertisement for a voodoo doll, but lament that the order form has already been redeemed. Inside the house, Stan complains of neck pain, which escalates and becomes deadly as Billy repeatedly and gleefully jabs the voodoo doll as he finally gets revenge on his accursed father for his past abuse.
answer:
WHat emerges from the burial plot?

question:
The film is structured as a largely non-linear series of key events from the life of Edith Piaf. [note 3] The film begins with elements from her childhood, and at the end with the events prior to and surrounding her death, poignantly juxtaposed by a performance of her song, "Non, je ne regrette rien".The film opens with Edith as a small child in 1918, crying after being teased by other children. Her mother stands across the alley singing, busking for change. Edith's mother writes to her child's father, the acrobat, who is fighting in the trenches of World War I battlefields, informing him that she is leaving Edith with her mother so she can pursue the life of the artist. Her father returns to Paris and scoops up a sick Edith, then in turn leaves the child with his own mother, who is a madam of a bordello in Normandy. Now living as a child in a brothel, surrounded by the often brutal and demeaning business of prostitution, Edith is taken under the wing of the women there, especially Titine, a young troubled redhead who becomes emotionally attached to the little girl. Titine sings to, plays with, and tenderly cares for Edith through travails including an episode of keratitis-induced blindness.Years later, Edith's father returns for her. Despite anguished protests from both Titine and Edith, he takes the child away to join him as he works as a circus acrobat. As Edith is outside cleaning up after dinner one night, she watches a fire eater practicing, and in the flames sees an apparition of St Therese, who assures her that she will always be with hera belief that she carries with her for the rest of her life.When Edith is nine years old, her father leaves the circus after an argument with the manager and begins performing on the streets of Paris. During a lackluster performance of her father's contortionist skills while Edith holds a hat for coins, a passerby asks if Edith is part of the show and, with prompting by her father to "do something" so the half-interested audience doesn't leave, she spontaneously sings "La Marseillaise" with raw emotion, mesmerizing the street crowd.Years later, a nightclub owner named Louis Leplee approaches Edith while she sings (and drinks) on the streets of Montmartre for supper money with her friend Momone. He invites her to his club for an informal audition. Impressed, he hires her, after creating for diminutive Edith (1.47m in height) a stage surname of Piaf, a colloquialism for sparrow.Soon, Leplee is shot dead, suspected by the police to be due to Edith's connections to the mafia through the pimp who has demanded a large portion of her street singing earnings. When Edith next attempts a show at a low grade cabaret, she is jeered and shouted off the stage by a hostile crowd. Things go from bad to worse when Momone is forcibly taken away to a convent for girls on orders from her mother. Desperate, Edith turns to Raymond Asso, a songwriter and accompanist. Through harsh means, he enlivens her performances by teaching her to gesture with her "great hands" while singing, and works with her on enunciation and other aspects of stage presence, including how to battle her initial fierce bouts of stage fright that almost prevent her from taking the stage for her first music hall performance.While performing in New York City, Edith meets Marcel Cerdan, a fellow French national who is a boxer competing for the World Champion title. Though she quickly learns from him that he has a wife, who runs their pig farm while he's away, Edith tells Momone that she is falling in love with Marcel. The affair that ensues (it begins shortly after he beats Tony Zale and becomes World Middleweight Champion), while supposedly secret, results in "La Vie En Rose" being played for Marcel wherever he goes. The morning after Edith has persuaded Marcel to fly from Paris and join her in New York, she wakes up to his kiss. She joyfully hurries to get him coffee and her gift to him of a watch, while she mocks and exasperatedly shouts at her oddly subdued entourage as they listlessly stand around her apartment. They finally break the news to her that Marcel's plane crashed. Edith hysterically searches for the ghost of Marcel that was lounging on her bed just a few moments before, crying out the name of her lost lover.The narrative bookends these scenes from Edith's middle life with repeated vignettes of an aged-looking Edith with frizzy red hair, being nursed and tended to. She spends much of her time sitting in a chair by the lakeside, and when she stands, she has the stooped posture and slowness of a much older person. Another set of fractured memories shows Edith with short curly hair, plastered to her face as though she is feverish, singing on stage and collapsing while she tries to sing, a moment when Edith herself realizes that her body is betraying her, when she is hosting a party at a Parisian bistro, and topples a bottle of champagne because of her developing arthritis, and to the morphine addiction that ultimately plays a large role in her demise, as she injects the drug with a young lover in her bedroom.After her husband, Jacques Pills, persuades her to enter rehabilitation for her addiction, she travels to California with him, and the audience sees the sober but manic-by-nature Edith being driven around in a convertible, laughing, joking, teasing her compatriots and generally being the life of the party, until she takes the wheel and promptly drives into a Joshua tree. The hilarity is uninterrupted as Edith gets out and pretends to hitchhikethe whole episode appearing to be a metaphor for her lifelong frantic efforts to be happy and distracted by entertaining others, through all manner of disasters.Years later, Piaf, now frail and hunched, squabbles with her entourage about whether or not she will be able to perform at the Olympia. No one but Edith thinks that she will be ready to attempt the feat, but she ultimately faces this reality herself. Then, a new songwriter and arranger shows up with a song, "Non, je ne regrette rien", and Edith exclaims: "You're marvelous! Exactly what I've been waiting for. It's incredible. It's me! That's my life, it's me." She announces that she will indeed perform it at the Olympia.Memories from prior to and during her last performance, when she collapses onstage, are interwoven through the film, foreshadowing the tragic end to a stellar but prematurely ended stage life. The memories appear to almost haunt Piaf. In one series, prior to what turns out to be her last performance, Edith is finally ready to go onstage after a series of delays, when she asks for the cross necklace that she always wears. As her staff rush away to get it, she sits and, in her quiet solitude, experiences more memories of her past, and after Edith puts on the retrieved cross and shuffles out onto the stage, the film presents more flashbacks as she is singing one of her signature songs, "Je ne regrette rien."She relives a sunny day on a beach with her knitting, when an older Edith with an obvious stoop graciously answers the simple and polite questions of an interviewer: what is her favorite color? (blue), her favorite food? (pot roast), and then more poignant questions that she also answers without hesitation, again showing the longings of her life. If you were to give advice to a woman, what would it be? "Love." To a young girl? "Love." To a child? "Love."As though he is carrying a swaddled infant, Louis easily carries Edith, tiny and wasted away at the age of 47, into her bedroom and tucks her into bed, while the subtitle removes any illusions that this is other than the last day of her life. She is afraid. She says she cannot remember things, but has a disjointed series of memories of the kind of small moments that somehow define all our lives more than the "big moments" doscrambled and fragmentary as a dying person might experienceher mother commenting on her "wild eyes," her father giving her a gift of a doll, and thoughts of her own dead child, Marcelle.The film ends with Edith performing "Non, je ne regrette rien" at the Olympia.
answer:
What is the name of nightclub owner?