input: In 1941, Auerbach began coaching basketball at the St. Albans School and Roosevelt High School in Washington, D.C. Two years later, he joined the US Navy for three years, coaching the Navy basketball team in Norfolk. There, he caught the eye of Washington millionaire Mike Uline, who hired him to coach the Washington Capitols in the newly founded Basketball Association of America (BAA), a predecessor of the NBA. In the 1946-47 BAA season, Auerbach led a fast break-oriented team built around early BAA star Bones McKinney and various ex-Navy players to a 49-11 win-loss record, including a standard-setting 17-game winning streak that stood as the single-season league record until 1969. In the playoffs, however, they were defeated by the Chicago Stags in six games. The next year the Capitols went 28-20 but were eliminated from the playoffs in a one-game Western Division tie-breaker. In the 1948-49 BAA season, the Caps won their first 15 games and finished the season at 38-22. The team reached the BAA Finals, but were beaten by the Minneapolis Lakers, who were led by Hall-of-Fame center George Mikan. In the next season, the BAA and the rival league National Basketball League merged to become the NBA, and Auerbach felt he had to rebuild his squad. However, owner Uline declined his proposals, and Auerbach resigned. After leaving the Capitols, Auerbach became assistant coach of the Duke Blue Devils men's basketball team. It was assumed that Auerbach would take over for head coach Gerry Gerard, who was battling cancer. During his tenure at Duke, Auerbach regularly worked with future All-American Dick Groat. Auerbach later wrote that he "felt pretty bad waiting for [Gerard] to die" and that it was "no way to get a job". Auerbach left Duke after a few months when Ben Kerner, owner of the Tri-Cities Blackhawks, gave him the green light to rebuild the team from scratch. Auerbach traded more than two dozen players in just six weeks, and the revamped Blackhawks improved, but ended the 1949-50 NBA season with a losing record of 28-29. When Kerner traded Auerbach's favorite player John Mahnken, an angry Auerbach resigned again.

Answer this question "How did his team do?"
output:

input: There had been films of Wodehouse stories since 1915, when A Gentleman of Leisure was based on his 1910 novel of the same name. Further screen adaptations of his books were made between then and 1927, but it was not until 1929 that Wodehouse went to Hollywood where Bolton was working as a highly paid writer for Metro-Goldwyn-Mayer (MGM). Ethel was taken with both the financial and social aspects of Hollywood life, and she negotiated a contract with MGM on her husband's behalf under which he would be paid $2,000 a week. This large salary was particularly welcome because the couple had lost considerable sums in the Wall Street Crash of 1929. The contract started in May 1930, but the studio found little for Wodehouse to do, and he had spare time to write a novel and nine short stories. He commented, "It's odd how soon one comes to look on every minute as wasted that is given to earning one's salary." Even when the studio found a project for him to work on, the interventions of committees and constant rewriting by numerous contract authors meant that his ideas were rarely used. In a 2005 study of Wodehouse in Hollywood, Brian Taves writes that Those Three French Girls (1930) was "as close to a success as Wodehouse was to have at MGM. His only other credits were minimal, and the other projects he worked on were not produced." Wodehouse's contract ended after a year and was not renewed. At MGM's request, he gave an interview to The Los Angeles Times. Wodehouse was described by Herbert Warren Wind as "politically naive [and] fundamentally unworldly," and he caused a sensation by saying publicly what he had already told his friends privately about Hollywood's inefficiency, arbitrary decision-making, and waste of expensive talent. The interview was reprinted in The New York Times, and there was much editorial comment about the state of the film industry. Many writers have considered that the interview precipitated a radical overhaul of the studio system, but Taves believes it to have been "a storm in a teacup", and Donaldson comments that, in the straitened post-crash era, the reforms would have been inevitable. Wind's view of Wodehouse's naivete is not universally held. Some biographers suggest that his unworldliness was only part of a complex character, and that in some respects he was highly astute. He was unsparing of the studio owners in his early-1930s short stories set in Hollywood, which contain what Taves considers Wodehouse's sharpest and most biting satire.

Answer this question "How did this affect him?"
output:

input: On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website.

Answer this question "What happened after she made that statement?"
output:
After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race."