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Medieval writers divided history into periods such as the "Six Ages" or the "Four Empires", and considered their time to be the last before the end of the world. When referring to their own times, they spoke of them as being "modern". In the 1330s, the humanist and poet Petrarch referred to pre-Christian times as antiqua (or "ancient") and to the Christian period as nova (or "new"). Leonardo Bruni was the first historian to use tripartite periodisation in his History of the Florentine People (1442). Bruni and later historians argued that Italy had recovered since Petrarch's time, and therefore added a third period to Petrarch's two. The "Middle Ages" first appears in Latin in 1469 as media tempestas or "middle season". In early usage, there were many variants, including medium aevum, or "middle age", first recorded in 1604, and media saecula, or "middle ages", first recorded in 1625. The alternative term "medieval" (or occasionally "mediaeval") derives from medium aevum. Tripartite periodisation became standard after the German 17th century historian Christoph Cellarius divided history into three periods: Ancient, Medieval, and Modern.
What writer referred to the Christian period as new?
A: Petrarch

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Jordanes tells us that the Sclaveni had swamps and forests for their cities. Another 6th-century source refers to them living among nearly impenetrable forests, rivers, lakes, and marshes.
When did Sclaveni live in swamps?
A: unanswerable

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Literature grew to new heights in the Qing period. Poetry continued as a mark of the cultivated gentleman, but women wrote in larger and larger numbers and poets came from all walks of life. The poetry of the Qing dynasty is a lively field of research, being studied (along with the poetry of the Ming dynasty) for its association with Chinese opera, developmental trends of Classical Chinese poetry, the transition to a greater role for vernacular language, and for poetry by women in Chinese culture. The Qing dynasty was a period of much literary collection and criticism, and many of the modern popular versions of Classical Chinese poems were transmitted through Qing dynasty anthologies, such as the Quantangshi and the Three Hundred Tang Poems. Pu Songling brought the short story form to a new level in his Strange Stories from a Chinese Studio, published in the mid-18th century, and Shen Fu demonstrated the charm of the informal memoir in Six Chapters of a Floating Life, written in the early 19th century but published only in 1877. The art of the novel reached a pinnacle in Cao Xueqin's Dream of the Red Chamber, but its combination of social commentary and psychological insight were echoed in highly skilled novels such as Wu Jingzi's The Scholars (1750) and Li Ruzhen's Flowers in the Mirror (1827).
Who started writing poety during the Qing dynasty?
A: women

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Nueva Vizcaya (New Biscay) was the first province of northern New Spain to be explored and settled by the Spanish. Around 1528, a group of Spaniard explorers, led by Alvar Nunez Cabeza de Vaca, first entered the actual territory of what is now Chihuahua. The conquest of the territory lasted nearly one century, and encountered fierce resistance from the Conchos tribe, but the desire of the Spanish Crown to transform the region into a bustling mining center led to a strong strategy to control the area.
Which tribe resisted fiercely this conquest?
A:
Conchos tribe