In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
synopsis : lifelong friends rafe ( affleck ) and danny ( hartnett )
join the us air force and are stationed at pearl harbor , hawaii .
rafe goes to england to fight alongside british pilots and is seemingly killed in action .
danny falls in love with rafe 's girlfriend , evelyn ( beckinsale ) , but rafe survives and returns to confront his former friend .
meanwhile , the japanese sneak attack is imminent . . .
review : " pearl harbor " is a perfect example of movies as product rather than as art .
it is little more than a crassly - calculated attempt to woo the masses , enticing them with big stars , big effects , and a big setting -- but no heart .
it is difficult to criticise the actors , because they do everything the movie demands of them . sadly ,
this amounts to barely more than reciting dialogue of such sheer banality that it makes one eager to see the script randall wallace wrote with his right hand at the same time as he was writing " pearl harbor " with his left .
the plot here is pure cliche , and the wartime setting simply a convenient backdrop .
there is no genuine exploration of what pearl harbor meant to the united states , and no insight into its vital role in inciting that country to join world war ii . instead , there is just an assembly - line love triangle , some empty patriotic rhetoric , and a laughable attempt to placate japanese viewers via the inclusion of some reticent imperial commanders ( when one intones , " i fear all we have done is to awaken a sleeping giant " , i nearly fell out of my seat ) .
to the movie 's credit , it does include a fantastic portrayal of the attack itself , an exciting and dizzying hour which plunges viewers into the war .
if only the remaining two hours had been crafted with such skill , perhaps this memorial day non - event would have been worth watching .

Ex Output:
N

Ex Input:
toward the bottom of the ' 80s action movie barrel lies action jackson , the only movie in hollywood history to show sharon stone and vanity topless within a span of ten minutes .
this carl " apollo creed
" weathers vehicle features the traditional cop vs .
evil establishment crook , and relies on all the ' 80s trappings , from the token heroin addict who needs a fix to the shouting superior officer .
somewhere in between come the explosions and boobs , although there is a curious lack of exploding boobs .
weathers is action jackson , a detroit cop known for all sorts of crazy vigilante techniques .
speaking of one past criminal apprehension , jackson 's superior yells , " you tore his arm off !
" jackson replies , " he had a spare .
"
jackson has been busted down to a desk job because of past problems with auto manufacturer dellaplane ( craig t . nelson ) and now has to act as department liaison to a dinner honoring nelson .
after hearing what jackson thinks of him , stone says , " i take it
you 're not one of dellaplane 's friends . "
" not unless they changed the definition , " jackson glowers .
and of course it turns out stone is mrs .
dellaplane .
faux pas , jackson . .
.
not everything is happy in motown ; people are being killed and dellaplane has evil plans for the awa .
it 's all up to jackson to stop it , and his only lead lies in vanity ( not his own ) .
wherever she left off with prince in terms of exchanging sexual favors for career advancement she picks up in action jackson .
she plays the heroin addict and chanteuse in dellaplane 's nightclub .
after singing one particularly sultry number for him , she saunters over and complains , " i expected a standing ovation .
"
he responds , " you 're getting one , " and it 's damn clever because he 's sitting down at the time .
prince would n't even let out an innuendo that lame
and he 's the king of the horndogs .
. .
or at least the prince .
it 's a testament to the ' 80s that sharon stone is killed off within the first 30 minutes but vanity survives the whole movie .
action jackson is another variation on the " unlikely partners " buddy action flick , with jackson lugging junkie vanity around .
this leads to some of the worst paired acting of the me decade , and with the dialogue they 're given , there 's not much room for improvement .
my favorite is when vanity , feeling the effects of drug withdrawal , says , " i feel like my teeth are hollow , my gums are made of dry rubber and someone 's trying to start a bonfire in the back of my bloody head .
"
jackson 's response is , " i think i felt that way once .
they called it love .
"
you 'll understand when i say watch this at your own risk . serving the world for nearly 1/25th of a century !

Ex Output:
N

Ex Input:
the verdict : spine - chilling drama from horror maestro stephen king , featuring an outstanding , oscar - winning performance from kathy bates .
geez , french and saunders had a field day when they set to work on parodying this !
sorry , non - british readers may not be familiar with french and saunders - my apologies .
the pair are british comediennes ( jennifer saunders later went on to become edina monsoon in " absolutely fabulous " ) , who did a series of film spoofs a few years back , including alien , the exorcist and misery .
needless to say , amidst her chucklesome impersonation of kathy bates ( the resemblance was quite uncanny ! ) , dawn french got pretty nasty with her sledgehammer when in reach of jennifer saunder 's legs ! but despite the lingering memory of their sketch , and although i 've now seen the film a couple of times now , that " hobbling " scene was no less disturbing !
i 'm still left screaming at the telly in revulsion !
that may be the most memorable scene , but it 's certainly not the only worth watching .
stephen king , whose film and tv adaptations tend to vary in quality , strikes gold with this simple yet strikingly compelling tale .
it 's a nicely crafted psychological horror , which effortlessly succeeds in drawing you into the plight of writer phil sheldon ( james caan ) .
rescued from a car accident by annie wilkes ( bates ) , who introduces herself as the writer 's " number one fan " , he soon becomes her prisoner .
both the script and kathy bates ' beautifully masterful performance
( for which she won an oscar ) work arm - in - arm as we quickly begin to realise that beyond her bubbly exterior the woman is basically as nutty as a fruit - cake ( or is that fruity as a nut - cake ? ) .
bates relishes her demanding role , and her performance is nothing short of a masterpiece .
at times she seems like an innocent victim of her own obsessive behaviour , at times she 's a rather tragic character , and more often than not she 's just damned scary !
this is basically a very simple tale , but it achieves a large degree of eloquence in its simplicity .
it 's an involving , engrossing experience - and considering it 's basically a two - hander , mainly set in one locale
, it 's a remarkable piece of cinema .
there are no jazzy special effects or cheesy action sequences - this one relies solely upon rob reiner 's stylish directing and the wonderful performances of bates and caan .
oh , i have n't really mentioned caan yet - he does a good job as the writer who 's a prisoner of his own success
( annie is obsessed with him and his books ) .
but , as you no doubt gathered from the above - bates is well and truly the star of the show .
along with the pig , of course !
anyway , the tension is built - up with masterful aplomb , and some scenes are almost agonisingly tense .
there 's the dinner scene where seldon goes to nerve - shattering lengths to poison her wine .
he succeeds , but . . .
she knocks the glass over !
i bet you threw a pillow at the screen as well !
in the immortal words of homer
j .
simpson - " d'oh ! !
"
other nerve - wracking scenes include the bit where annie has gone off to town and sheldon starts snooping around the house .
we cut to annie in her car -
she 's on her way home .
. .
he realises this and tries to get back to his room . . .
cut to the car again , she 's getting near . . .
will he make it ?
ok , so these sequences are n't exactly original , nor perhaps unpredictable - but they work !
boy , do they work !
if a film has you on the edge of your couch , biting your nails and shouting at the screen in suspense , then it 's doing something right !
of course , the most nauseating sequence is the aforementioned " hobbling " !
annie realises her captive has been out of his room , and she 's going to stop him once
and for all .
cue a block of wood placed strategically between his ankles and a huge sledgehammer , and . . .
i feel ill just thinking about it !
nasty .
it all builds up nicely to the final scene where sheldon finally gets the upper hand , and once and for all tries to kill the crazy psycho !
and then we 're given one of the most ridiculously over - the - top fight scenes i 've ever seen .
she gets hit over the head with a typewriter , set on fire , head smashed against the wall - and she just wo n't die !
sheldon is n't in terribly good shape either .
if it were n't so gorey it would almost be laughable .
but it 's a terrifically effective film , and therefore the daft climax is easily overlooked .
misery is a tight , tense , intense and chillingly entertaining thriller .
the directing is first - rate , and the performances - bates in particular - contribute to making this a suitably nightmarish little gem .
wonderful stuff .
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Ex Output:
P