Q: Generate a question about the following movie plot: The scene opens in early colonial America, in Massachussets. A combination gallows/pyre has been constructed for an execution by both hanging and burning, and a man is shown roughly loading feral cats into a wicker basket. Village elders are entering a small tower being used as a prison; its door engraved with a hex mark. At the top of the tower, a man (Julian Sands) is chained, including a peculiar shackle that locks his thumbs to his big toes. The man is to be executed for 'trafficking with the Devil,' and is being offered a final chance to confess his sins before man and God. However, the warlock is completely unrepentant and does not speak to the jailer or elders. The elders leave to continue preparing for the execution.Entering the cell next is a stoic man named Redferne (Richard E. Grant), a witch hunter who helped capture the warlock. He gloats over the warlock's meeting a well-deserved fate, asking whether Satan would have saved the warlock yet, if he wanted to at all. The warlock slyly suggests that Satan may yet save them both. Redferns kicks him in the face, knocking him onto his back and says he'll watch the warlock die tomorrow. The warlock tells him to believe it on seeing it... tomorrow.As Redferns leaves, he warns the jailer that the thumb locks must not be removed from the warlock even during or after the execution; not until his corpse has completely finished burning to ash. But even as he speaks, there are sounds of a storm brewing. As Redferne exits the tower, a powerful, clearly unnatural storm breaks over the village, and Redferne notes it is centered over the warlock's prison tower. Redferne rushes into the cell to find the warlock free of his shackles and channeling a powerful spell. Redferne rushes at the warlock, trying to stop him, but the spell completes, and both Redferne and the warlock vanish.Cut to modern day Los Angeles. We hear a radio broadcast about a storm breaking; one nicknamed, 'The Devil's Wind.' A funnel of air is seen heading toward a suburban house. A blonde woman,...
A: Who takes the Warlock captive?

Q: Generate a question about the following movie plot: The opening scene is a brutal, muddy melee. At close quarters in that wet place, the men on whom the camera closes in are attacking one another with bayonets, swords, fists, or even by holding an enemy's face in the mud to drown him. Many of the combatants are black. A voice-over says that the rebels (Confederates, or rebs) "killed every negro soldier they captured at Poison Springs... so at Jenkins Ferry, we decided we weren't taking no reb prisoners." The camera cuts to show the speaker, a black soldier in an army camp talking to someone who after a few seconds is revealed to be President Abraham Lincoln (Daniel Day-Lewis). The soldier (Private Harold Green, Colman Domingo) and his comrade (Corporal Ira Clark, David Oyelowo) tell Lincoln their names, ranks, and where they're headed next (Wilmington). They're pleased that they're finally being paid as much as the white soldiers, but Clark complains about the lack of commissioned negro officers and sarcastically predicts that whites might be able to tolerate a negro colonel in 50 years -- and "in 100 years, the vote." A couple of white soldiers who heard Lincoln speak at Gettysburg come up; one repeats the beginning of the Gettysburg address and his friend recites the next lines. They're called away, but Corporal Clark finishes the speech as he walks off.In January 1865, the recently reelected Lincoln notes the imminence of the Civil War's end, wondering out loud what will become of the former slaves. He finds insufficiency, even hypocrisy, in his Emancipation Proclamation of 1863, which had freed most slaves as a war measure but had not made slavery illegal. Only a constitutional amendment illegalizing slavery, he realizes, will spell its permanent end in America.Debate rages even within his own cabinet, but as Lincoln sees it, the passage of the constitutional amendment cannot wait until the end of the war, for Southern slaves who had been freed as a war measure might fall into forced servitude once again. In an interview with a white couple from Missouri,...
A: In what year did dozens of Democrats lose their re-election campaigns?

Q: Generate a question about the following movie plot: Actor Role Franciosa, AnthonyAnthony Franciosa Neal, PeterPeter Neal Saxon, JohnJohn Saxon Bullmer, Bullmer Nicolodi, DariaDaria Nicolodi Anne, Anne Gemma, GiulianoGiuliano Gemma Giermani, DetectiveDetective Giermani D'Angelo, MirellaMirella D'Angelo Tilde, Tilde Steiner, JohnJohn Steiner Berti, ChristianoChristiano Berti Lario, VeronicaVeronica Lario McKerrow, JaneJane McKerrow Borromeo, ChristianChristian Borromeo Gianni, Gianni Wendel, LaraLara Wendel Alboretto, MariaMaria Alboretto Pieroni, AniaAnia Pieroni Manni, ElsaElsa Manni Banti, MirellaMirella Banti Marion, Marion Stagnaro, CarolaCarola Stagnaro Altieri, DetectiveDetective Altieri Robin's, EvaEva Robin's Girl on Beach, Girl on Beach Peter Neal, an American writer of violent horror novels, is in Italy to promote his latest work, Tenebrae. He is accompanied by his literary agent, Bullmer and his assistant, Anne. Neal is unaware that he has also been followed to Rome by his embittered ex-wife, Jane. Just before Neal arrived in Rome, Elsa, a young female shoplifter, was murdered with a razor by an unseen assailant. The murderer sends Neal a letter informing him that his books have inspired him to go on a killing spree. Neal is soon contacted by the police in the form of Detective Giermani and his female partner, Inspector Altieri. More killings take place. Tilde, a beautiful lesbian journalist, is murdered at her home along with her lover Marion. Maria, the young daughter of Neal's landlord, is later hacked to death with a axe after discovering the killer's lair. Neal notices that TV interviewer Christiano Berti has an unusually intense interest in his work. That night, Neal and his Italian assistant Gianni watch Berti's house. Gianni approaches the house alone to get a better view and sees an assailant hack Berti to death with an axe. However, Gianni is unable to see the murderer's face. He returns to Neal to find the novelist has been knocked unconscious on the lawn. Giermani discovers that Berti was obsessed...
A:
Who kills Neal?