Problem: Read the following paragraph and extract the answer for the question: What is the name of the location that provided the credits for the person that played flugelhorn? Credits are adapted from AllMusic. David Alsina bandoneon Gelipe Alvarez programming Gian Arias programming Paul Bushnell, Dave Carpenter, Chris Chaney bass guitar Jorge Calandrelli metales, orchestra director, string arrangements Juan Camatano assistant engineer Gustavo Celis mixing Gustavo Cerati composer, guest artist, guitar, keyboard, primary artist, producer, programming Luis Conte percussion Pete Davis keyboards, programming, trumpet Bruce Dukov Gary Foster flute Bryan Gallant assistant engineer Iker Gastaminza engineer Dan George project manager Serban Ghenea mixing Mauricio Guerrero engineer, mixing Victor Indrizzo drums, percussion Rob Jacobs engineer, mixing Humberto (Kiro) Judex, Frank Marocco accordion Steve Kajula flute Ben Kaplan assistant engineer Kevin Killen engineer Tim LeBlanc engineer Charles Loper, Bob McChensay trombone Warren Luening flugelhorn Terry Manning engineer Maria Paula Marulanda art direction David Massey A&R Farra Mathews A&R Vlado Meller mastering Lester Mendez composer, keyboards, producer, programming Jonathan Mover drums Teddy Mulet trumpet Luis Fernando Ochoa composer Carlos Paucar engineer Shawn Pelton drums, percussion Archie Pena percussion Tony Reyes guitar, keyboards Rick Rubin executive producer Alejandro Sanz composer, guest artist, guitar, primary artist, tres, vocal arrangement Shakira composer, vocals Mario Sorrenti photography Ramon Stagnaro, Rene Toledo, Lyle Workman guitar Jose DeJesus Rosales "Halcon Dorado" Torres production assistant, programming, remixing Dave Way mixing Joe Wohlmuth engineer

A: AllMusic

Problem: Read the following paragraph and extract the answer for the question: What was the full name of the person who chided Budge and Ullendorff for their postulation that the Aksumite civilization was founded by Semitic immigrants from South Arabia? Ethiopian historians such as Taddesse Tamrat (19352013) and Sergew Hable Sellassie have argued that modern Ethiopian studies were an invention of the 17th century and originated in Europe. Tamrat considered Carlo Conti Rossini's 1928 Storia d'Etiopia a groundbreaking work in Ethiopian studies. The philosopher Messay Kebede likewise acknowledged the genuine contributions of Western scholars to the understanding of Ethiopia's past. But he also criticized the perceived scientific and institutional bias that he found to be pervasive in Ethiopian-, African-, and Western-made historiographies on Ethiopia. Specifically, Kebede took umbrage at E. A. Wallis Budge's translation of the Kebra Nagast, arguing that Budge had assigned a South Arabian origin to the Queen of Sheba although the Kebra Nagast itself did not indicate such a provenience for this fabled ruler. According to Kebede, a South Arabian extraction was contradicted by biblical exegetes and testimonies from ancient historians, which instead indicated that the Queen was of African origin. Additionally, he chided Budge and Ullendorff for their postulation that the Aksumite civilization was founded by Semitic immigrants from South Arabia. Kebede argued that there is little physical difference between the Semitic-speaking populations in Ethiopia and neighboring Cushitic-speaking groups to validate the notion that the former groups were essentially descendants of South Arabian settlers, with a separate ancestral origin from other local Afroasiatic-speaking populations. He also observed that these Afroasiatic-speaking populations were heterogeneous, having interbred with each other and also assimilated alien elements of both uncertain extraction and negroid origin.

A: Messay Kebede

Problem: Read the following paragraph and extract the answer for the question: What is the name of the individual known from their highly regarded work with the Pixies? Pod was released in the UK on May 29, 1990 by 4AD. Watts-Russell planned the date to be not too close to the release of the Pixies' Bossanova two and a half months later, for more effective publicity of both albums. Watts-Russell believed the album would be better suited to a US independent distribution label rather than the Pixies' American distributor Elektra, and licensed Pod to Rough Trade America. When this division of Rough Trade went bankrupt, Elektra assumed distribution of Pod in the US. Deal has noted that the Breeders did not receive any royalties from initial US sales because of Rough Trade's bankruptcy.The album was widely anticipated by the British music press due to the involvement of Deal and Donellyknown from their highly regarded work with the Pixies and Throwing Muses, respectivelyand Albini, who likewise had a strong reputation for his previous engineering work. It reached number 22 in the UK, where it was promoted by a full-page ad in Melody Maker, and number 73 in the Netherlands. Pod sold moderately well, although Deal has noted it "never sold [anything]" compared to their next album, Last Splash (1993), which was certified platinum in the US and silver in the UK.Deal took the idea for the album's title from a painting that she saw in Boston; for her, the word "pod" evoked a uterus, which Wiggs has noted relates to the theme of fertility and the group's name. The cover art was designed by longtime 4AD album designer Vaughan Oliver and employs photography by Kevin Westenberg. Oliver, in an attempt to seduce Deal, whom he believed would appreciate the humor, attached a belt of dead eels over his underwear, which he intended as phallic symbols. He performed a fertility dance, while Westenberg took pictures of him using a long exposure to achieve the blurring and other visual effects.

A:
Deal