For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together they have organized a series of one-day mini-conferences designed to foster dialogue and collaboration among librarians, archivists, and curators at California institutions that house architecture archives. The goal of these semiannual meetings is to create a space for convergence among professionals who intersect with architectural archives in different ways. Architecture archives, often containing large drawings and scale models, present unique problems due to their size and fragility. CalArchNet participants are interested in improving the overall user experience for visitors to the archives by looking for solutions to obstacles to access. This space for an informal exchange of ideas provides an opportunity to be transparent about the challenges repositories face when managing and processing architecture holdings, as well as encourages investigation and experimentation into ways new technologies may help to solve accessibility issues, such as improved interaction with digitized collections via the IIIF protocol or 3D-scanned facsimile models and virtual walk-throughs. October 27 marked the third meeting of CalArchNet, held at the Palm Springs Art Museum, Architecture and Design Center, with representatives from 13 institutions in attendance. Topics discussed included historic site preservation research methodology, leveraging statewide resources to enhance discovery of collections, security considerations, GIS mapping technologies, and the use of linked open data to make connections between collections. The day concluded with a curator-led tour of the exhibition Albert Frey and Lina Bo Bardi: A Search for Living Architecture. If you're an archivist, librarian, or curator working with architecture... After the end of the story, Aimee probably Pick the correct answer from the following options: - had a new job - not enough information - sold her archive - had a better feeling of how to archive the information
had a better feeling of how to archive the information

The Trump administration's decision to add a question about citizenship to the 2020 census divided Capitol Hill on Tuesday, with Democrats saying the addition could skew the results and alter millions in government funding, while some Republicans praised it as a "commonsense" move. U.S. Commerce Secretary Wilbur Ross announced late Monday the next effort to count every resident in the country will include a question about citizenship status. The U.S. Census Bureau conducts the survey every 10 years, with the next set for 2020. The deadline for finalizing the questions is Saturday. In a memo late Monday, Ross said he chose to include the query at the urging of the Department of Justice, which said it needed the citizenship data to better enforce a law protecting minority voting rights. White House press secretary Sarah Huckabee Sanders defended the addition of the question, rejecting the notion that it might result in less federal aid to immigrant communities in the U.S. if immigrants are undercounted. Republicans on Capitol Hill welcomed the decision, which revives a practice that was abandoned in 1950, after being in place for more than 100 years, according to the Commerce Department. "It is imperative that the data gathered in the census is reliable, given the wide-ranging impacts it will have on U.S. policy. A question on citizenship is a reasonable, commonsense addition to the census," Senator Ted Cruz said in a statement Tuesday. But Democrats said the question would have the opposite effect discouraging undocumented immigrants and citizen family members from responding to the census, undermining the accuracy of the results. "We cannot accept an incomplete or unfair count in 2020 too much is at stake," Rep. Carolyn Maloney, co-chair of the Congressional Census Caucus, told VOA. "The census mandated by the [U.S.] Constitution affects the way that Federal and state funds are distributed and how district lines are drawn for both the city, state and Federal level." After the story, who mentioned likely changed their minds about the question? Pick the correct answer from the following options: - Nobody. - not enough information - Wilbur Ross. - Carolyn Maloney.
Nobody.

When asked to define ourselves we often use broad brushstrokes. Without thinking we consult our internal list of "things that make me, ME" and find ourselves recalling words like "creative, outgoing, photography, guitar" before we've even had a chance to fully process the question. But how much does this internal list define us? I believed that my internal list was the best representation of myself until I read a quote by Annie Dillard that states: "How we spend our days, is of course, how we spend our lives". This quote hit me like a punch in the gut, it's blatant truth so indisputable; how I spent my days, regardless of what I told myself about myself, was ultimately who I was. Or at the very least would be how I had spent my life. This is why, when completing my self portrait, I decided to focus on the everyday. Within my self portrait I wanted to present the viewer with a familiar yet abstract sense of reality through which we get to see amalgamated glimpses of the everyday acts that define me, rather than a linear narrative or a simple re-telling of 'a day in the life'. Thus combining to create a picture of: my daily life, through an abstracted version of 'the everyday'. To create a sense of 'the day' or linear progression of time I segmented my video with four still images of the sky in various stages of daylight (morning, midday, afternoon, evening) that match the lighting seen in each concurrent video segment. The everyday acts that define me were presented in a series of short video segments that include scenes of me catching the tram, recording music and riding my bike. To disrupt the sense of linear narrative the visual segments are bluntly edited together, with nothing linking the sequential shots and a quite abrupt ending. I also attempted to create an overall sense of confounded time and space by overlaying audio from certain video segments onto others. Long, singular focus, handheld shots were also used to enhance the sense of voyeuristic glimpses. What did Annie Dillard write about? Pick the correct answer from the following options: - not enough information - How we spend our lives - Who we are not - How we spend our months
How we spend our lives