Q: so altogether i found this documentary to be strange and really pointless. i know it got awards and things, but i personally did not enjoy it too much. there was no humor or drama in it to keep you interested, just a bunch of wierdos and their jobs. some of the people in are rather different which isn't a bad thing, it just didn't leave a good impression on me. i was thoroughly bored by this movie, no offense to my creative writing teacher. the circus theme throughout the whole movie was kinda cool but i didn't get it, and robotics and lion taming is definitely not my thing. the green animals thing was neat, i really liked the garden lots of colorful flowers, but how did these four jobs connect? it just didn't make much sense to me why someone would make a movie about that. But if you are into stuff like this you might enjoy it. who am i to stand in your way. I am just forewarning you about possible suffering. OPTIONS:
- negative
- positive
A: negative
Q: This movie is utterly hilarious. Its cast clicks immediately with frame one and takes us on a wonderful ride through spoofing gangster films. The conflict of brother vs. brother appears when Johnny's brother becomes a do-gooder D.A. However, the best character is Johnny's crimelord rival, the overly accented Moroni. As Johnny says "That man should be arrested for butchering the English language."

Check it out on video. It's worth a look. OPTIONS:
- negative
- positive
A: positive
Q: i was greatly moved when i watched the movie.how jonny could keep such hope and faith was amazing. so many people only care about what they want , and fuss about all the things they don't have . and they are such small things ,like chothes,money a new car . i've seen people in tears because of a blemish. this movie brings everything back to the basics . love,hope the beauty of the simple but so important things in life.it makes our everyday problems seen for what they are Small and really unimportant. you watch this boy and you realize as long as you have been blessed with food ,a roof over your head and your loved ones around you .you are truly blessed.and the saying stop and smell the roses truly has a new meaning.and i know jonny will see this and i want to thank him so much for sharing such faith,strenght,and humor with me .thank you jonny i know you soar the heavens and bring much love and laughter to the heavens above. OPTIONS:
- negative
- positive
A: positive
Q: After watching two of his silent shorts, 'Elena and her Men (1956)' is my first feature-length film from French director Jean Renoir, and I quite enjoyed it. However, I didn't watch the film for Renoir, but for star Ingrid Bergman, who at age 41 still radiated unsurpassed beauty, elegance and charm. Throughout the early 1950s, following her scandalous marriage to Italian Roberto Rossellini, Bergman temporarily fell out of public favour. Her next five films, directed by her husband, were unsuccessful in the United States, and I suspect that Renoir's latest release did little to enhance Bergman's popularity with English-speaking audiences {however, she did regain her former success with an Oscar in the same year's 'Anastasia (1956)'}. She stars as Elena Sokorowska, a Polish princess who sees herself as a guardian angel of sorts, bringing success and recognition to promising men everywhere, before promptly abandoning them. While working her lucky charms to aid the political aspirations of the distinguished General Francois Rollan (Jean Marais), she finds herself falling into a love that she won't be able to walk away from. This vaguely-political film works well as either a satire or a romantic comedy, as long as you don't take it too seriously; it's purely lighthearted romantic fluff.

Filmed in vibrant Technicolor, 'Elena and her Men' looks terrific as well, a flurry of bright colours, characters and costumes. Bergman's Polish princess is dreamy and somewhat self-absorbed, not in an unlikable way, but hardly a woman of high principles and convictions. She is persuaded by a team of bumbling government conspirators to convince General Rollan to stage a coup d'etat, knowingly exploiting his love for her in order to satisfy her own delusions as a "guardian angel." Perhaps the film's only legitimately virtuous character is Henri de Chevincourt (Mel Ferrer, then Audrey Hepburn's husband), who ignores everybody else's selfish secondary motives and pursues Elena for love, and love alone. This, Renoir proudly suggests, is what the true French do best. 'Elena and her Men' also attempts, with moderate success, to expose the superficiality of upper-class French liaisons, through the clumsy philandering of Eugene (Jacques Jouanneau), who can't make love to his servant mistress without his fiance walking in on them. For these sequences, Renoir was obviously trying for the madcap sort of humour that you might find in a Marx Brothers film, but the film itself is so relaxed and laid-back that the energy just isn't there. OPTIONS:
- negative
- positive
A: positive