input: The Utah Jazz began play in the 1979-80 season. Maravich moved with the team to Salt Lake City, but his knee problems were worse than ever. He appeared in 17 games early in the season, but his injuries prevented him from practicing much, and new coach Tom Nissalke had a strict rule that players who didn't practice were not allowed to play in games. Thus, Maravich was parked on the bench for 24 straight games, much to the dismay of Utah fans and to Maravich himself. During that time, Adrian Dantley emerged as the team's franchise player. The Jazz placed Maravich on waivers in January 1980. He signed with the Celtics, the top team in the league that year, led by rookie superstar Larry Bird. Maravich adjusted to a new role as part-time contributor, giving Boston a "hired gun" off the bench. He helped the team post a 61-21 record in the regular season, best in the league. And, for the first time since his early career in Atlanta, Maravich was able to participate in the NBA playoffs. He appeared in nine games during that postseason, but the Celtics were upended by Julius Erving and the Philadelphia 76ers in the Eastern Conference finals, four games to one. Realizing that his knee problems would never go away, Maravich retired at the end of that season. The NBA instituted the 3-point shot just in time for Maravich's last season in the league. He had always been famous for his long-range shooting, and his final year provided an official statistical gauge of his abilities. Between his limited playing time in Utah and Boston, he made 10 of 15 3-point shots, giving him a career 67% completion rate behind the arc. During his ten-year career in the NBA, Maravich played in 658 games, averaging 24.2 points and 5.4 assists per contest. In 1987, he was inducted into the Naismith Memorial Basketball Hall of Fame, and his No. 7 jersey has been retired by both the Jazz and the New Orleans Pelicans, as well as his No. 44 jersey by the Atlanta Hawks.

Answer this question "What happened to his number once he retired after his final season?"
output: his No. 7 jersey has been retired by both the Jazz and the New Orleans Pelicans, as well as his No. 44 jersey by the Atlanta Hawks.

input: In 1995, Raven's father arranged for her to make a demo in a studio in Oslo, together with her childhood friend, Marit Larsen. The duo got a record deal with EMI Norway and formed M2M. A year later, they produced children album titled, "Marit og Marion synger kjente barnesanger" which means "Marit and Marion Sing Well-Known Children Songs". M2M was nominated for the Norwegian Grammy, Spellemannprisen, the following year. In 1998, M2M started recording pop demos in English and struck a record deal with Atlantic Records. The two collaborated with many songwriters from around the world and produced their multi-platinum debut album, Shades of Purple, that was released in 2000, with the lead single, "Don't Say You Love Me" featuring on the soundtrack of Pokemon: The First Movie. The song was co-produced by Jimmy Bralower and Peter Zizzo (Celine Dion), and mixed by Tom Lord-Alge. It peaked on the Billboard Hot 100 at No. 21, selling 39,000 units in a week, according to SoundScan. Their second album, The Big Room, which was recorded in a studio in Bearsville in Woodstock, New York, was released in 2002. After world tours to promote The Big Room ended, M2M joined Jewel on her world tour as an opening act. M2M later disbanded in September 2002. Raven was offered a recording contract with Atlantic Records, though the offer was later revoked. She co-wrote "Pointless Relationship" that was the lead single of Australian singer, Tammin Sursok's debut album, 'Whatever Will Be'. She also collaborated on the track "That Day", a song released by Norwegian pop singer, Maria Arredondo, from Arredondo's 2004 follow-up album Not Going Under, and co-wrote the song "Disconnected", a song included on Lindsay Lohan's debut album "Speak" in 2004.

Answer this question "was there also another album released?"
output: The Big Room,

input: Although the song does not technically contain a theremin, "Good Vibrations" is the most frequently cited example of the instrument's use in pop music. Upon release, the single prompted an unexpected revival in theremins and increased the awareness of analog synthesizers. The notion that "Good Vibrations" features a theremin has been erroneously repeated in books, CD liner notes, and quotes from the recording's participants. While having a similar sound, a theremin is an aerial-controlled instrument, unlike the Electro-Theremin. When the Beach Boys needed to reproduce its sound onstage, Wilson first requested that Tanner play the Electro-Theremin live with the group, but he declined due to commitments. Tanner recalls saying to Wilson, "I've got the wrong sort of hair to be on stage with you fellas", to which Wilson replied: "We'll give you a Prince Valiant wig." The Beach Boys then requested the services of Walter Sear, who asked Bob Moog to design a ribbon controller, since the group was used to playing the fretboards of a guitar. Sears remembers marking fretboard-like lines on the ribbon "so they could play the damn thing." Moog began manufacturing his own models of theremins. He later noted: "The pop record scene cleaned us out of our stock which we expected to last through Christmas." In Steven M. Martin's 1993 documentary Theremin: An Electronic Odyssey, in which Wilson makes an appearance, it was revealed that the attention being paid to the theremin due to "Good Vibrations" caused Russian authorities to exile its inventor, Leon Theremin.

Answer this question "what is theremin?"
output:
the single prompted an unexpected revival in theremins and increased the awareness of analog synthesizers.