Answer the question at the end by quoting:

McGinnity's father, Peter, was born in Dublin, Ireland. His last name was McGinity before he came to United States. He changed it by adding an "n" after he emigrated to the United States in 1861. Peter worked in coal mines and on the farm owned by John and Rebecca Denning, and they accepted him, allowing him to move in with them in their Henry County farm.
McGinnity purchased the Newark Indians of the Class-A Eastern League (EL) for $50,000 ($1,361,852 in current dollar terms) in 1909 from Frank J. Farrell. The press reported that McGinnity would operate the team as a farm team of the Giants, though he denied these reports. When McGinnity could not retain manager Harry Wolverton, he stepped in as player-manager for the Indians. That season, he had a 29-16 record. His 422 innings pitched and 11 shutouts set EL single-season records. He also won both games of doubleheaders on August 27, 1909, and July 23, 1912. McGinnity played for and managed the Indians through 1912. The Indians finished second in the EL in 1909 and 1910. McGinnity sold his interests in the Indians to Ebbets and Ed McKeever and purchased the Tacoma Tigers of the Class-B Northwestern League for $8,500 ($215,548 in current dollar terms), spending another $50,000 ($1,267,931 in current dollar terms) on the franchise in renovating the stadium. He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager, hiring Russ Hall to serve as manager in June. McGinnity sold stock in the team in 1915 in order to afford operating expenses. He also briefly played for the Venice Tigers of the Class-A Pacific Coast League in 1914. McGinnity sold the Tigers and purchased the Butte Miners of the Northwestern League in 1916, serving as player-manager and bringing with him several players from Tacoma. In June 1917, he sold his stock in the team and secured his release. He played for the Great Falls Electrics of the Northwestern League for the remainder of the 1917 season. He later became the manager of the A. E. Staley factory baseball team. McGinnity served as player-manager of the Danville Veterans of the Class-B Illinois-Indiana-Iowa League in the 1922 season and Dubuque Climbers of the Class-D Mississippi Valley League during the 1923 season. With Dubuque, McGinnity won 15 games at age 52. One of those wins was a shutout, pitched in a record one hour and seven minutes. Two years later, he returned to play for Dubuque and Springfield Senators of the Illinois-Indiana-Iowa League during the 1925 season. He pitched in his final professional game on July 28, 1925, after participating in an old-timers game earlier in the day. McGinnity joined the coaching staff of former teammate Wilbert Robinson, along with Kelley, for the Brooklyn Dodgers during the 1926 MLB season. McGinnity and Kelley were not retained after the season.

What did he do after selling?

He served as player-manager the Tigers at the start of the 1913 season, but stepped down as manager,

Answer the question at the end by quoting:

Robertson was born Jaime Royal Robertson on July 5, 1943. He was an only child. His mother was Rose Marie Chrysler, a Cayuga and Mohawk woman who was raised on the Six Nations Reserve southwest of Toronto, Ontario. Chrysler lived with an aunt in the Cabbagetown neighborhood, and worked at a jewelry plating factory.
In late 1967, Dylan left to record his next album, John Wesley Harding (1967). After recording the basic tracks, Dylan asked Robertson and Garth Hudson about playing on the album to fill out the sound. However, when Robertson heard the tracks, he liked the starkness of the sound and recommended that Dylan leave the songs as they were. Dylan worked with the members of the Hawks once again when they appeared as his backup band at two Woody Guthrie memorial concerts at Carnegie Hall in New York City in January 1968. Three of these performances were later released by Columbia Records on the LP A Tribute to Woody Guthrie, Vol. 1 (1972). Over the course of the "Basement Tapes" period, the group had developed a sound of their own, and Grossman went to Los Angeles to shop the group to a major label, securing a contract with Capitol Records. The group went to New York to begin recording songs with music producer John Simon. Capitol brought the group to Los Angeles to finish the album. The resulting album, Music From Big Pink, was released in August 1968. Robertson wrote four of the songs on Music From Big Pink, including "The Weight", "Chest Fever", "Caledonia Mission," and "To Kingdom Come". Robertson is listed in the songwriting credits as "J.R. Robertson". Robertson sang lead vocal on the track "To Kingdom Come"; he would not sing on another Band song released to the public until "Knockin' Lost John" on 1977's Islands. Two of Robertson's compositions for the album, "The Weight" and "Chest Fever", would become important touchstones in the group's career. "The Weight" was influenced by the films of director Luis Bunuel, in particular Nazarin (1959) and Viridiana (1961), and reflects the recurring theme in Bunuel's films about the impossibility of sainthood. The song portrays an individual who attempts to take a saintly pilgrimage, and becomes mired down with requests from other people to do favors for them along the way. The mention of "Nazareth" at the beginning of the song refers to Nazareth, Pennsylvania, where the C. F. Martin & Company guitar manufacturer is located; it was inspired by Robertson seeing the word "Nazareth" in the hole of his Martin guitar. Although "The Weight" reached #21 on the British radio charts, it did not fare as well on the American charts, initially stalling at #63. However, the song gained traction due to more successful covers by Jackie DeShannon (US #55, 1968), Aretha Franklin (US #19, 1969), and The Supremes with The Temptations (US #46, 1969), as well as to the song's inclusion in the movie Easy Rider (1969), which became a runaway success. "The Weight" has since become The Band's best known song. It has been covered by many artists, appeared in dozens of films and documentaries, and has become a staple in American rock music. When Music from Big Pink was released in 1968, The Band initially avoided media attention, and discouraged Capitol Records from promotional efforts. They also did not immediately pursue touring to support the album, and declined to be interviewed for a year. The resulting mystery surrounding the group led to speculation in the underground press. Music from Big Pink received excellent reviews, and the album influenced many well-known musicians of the period.

Are there any other interesting aspects about this article?
Over the course of the "Basement Tapes" period, the group had developed a sound of their own,