input: Much of the period, from late 1840 to autumn 1842, Ruskin spent abroad with his parents, principally in Italy. His studies of Italian art were chiefly guided by George Richmond, to whom the Ruskins were introduced by Joseph Severn, a friend of Keats (whose son, Arthur Severn, married Ruskin's cousin, Joan). He was galvanised into writing a defence of J. M. W. Turner when he read an attack on several of Turner's pictures exhibited at the Royal Academy. It recalled an attack by critic, Rev John Eagles, in Blackwood's Magazine in 1836, which had prompted Ruskin to write a long essay. John James had sent the piece to Turner who did not wish it to be published. It finally appeared in 1903. Before Ruskin began Modern Painters, John James Ruskin had begun collecting watercolours, including works by Samuel Prout and, from 1839, Turner. Both painters were among occasional guests of the Ruskins at Herne Hill, and 163 Denmark Hill (demolished 1947) to which the family moved in 1842. What became the first volume of Modern Painters (1843), published by Smith, Elder & Co. under the anonymous but authoritative title, "A Graduate of Oxford," was Ruskin's response to Turner's critics. An electronic edition is available online. Ruskin controversially argued that modern landscape painters--and in particular Turner--were superior to the so-called "Old Masters" of the post-Renaissance period. Ruskin maintained that Old Masters such as Gaspard Dughet (Gaspar Poussin), Claude, and Salvator Rosa, unlike Turner, favoured pictorial convention, and not "truth to nature". He explained that he meant "moral as well as material truth". The job of the artist is to observe the reality of nature and not to invent it in a studio--to render what he has seen and understood imaginatively on canvas, free of any rules of composition. For Ruskin, modern landscapists demonstrated superior understanding of the "truths" of water, air, clouds, stones, and vegetation, a profound appreciation of which Ruskin demonstrated in his own prose. He described works he had seen at the National Gallery and Dulwich Picture Gallery with extraordinary verbal felicity. Although critics were slow to react and reviews were mixed, many notable literary and artistic figures were impressed with the young man's work, notably Charlotte Bronte and Elizabeth Gaskell. Suddenly Ruskin had found his metier, and in one leap helped redefine the genre of art criticism, mixing a discourse of polemic with aesthetics, scientific observation and ethics. It cemented Ruskin's relationship with Turner. After the artist died in 1851, Ruskin catalogued the nearly 20,000 sketches Turner gave to the British nation.

Answer this question "What was Modern Painters I?"
output: What became the first volume of Modern Painters (1843), published by Smith, Elder & Co. under the anonymous but authoritative title, "A Graduate of Oxford,

input: In 1831 a runaway convict named George Clarke, who had lived with Aborigines in the area for several years, claimed that a large river called Kindur flowed north-west from the Liverpool ranges in New South Wales to the sea. Charles Sturt believed that the Murray-Darling system formed the main river system of New South Wales and Mitchell wanted to prove Sturt wrong. Mitchell formed an expedition consisting of himself, assistant surveyor George Boyle White and 15 convicts who were promised remission for good conduct. Mitchell took 20 bullocks, three heavy drays, three light carts and nine horses to carry supplies, and set out on 24 November 1831 to investigate the claim. On reaching Wollombi in the Hunter Valley, the local assistant surveyor, Heneage Finch, expressed a desire to join the expedition. He had established his credentials by surveying a route from Sydney to Wollombi, so Mitchell approved his request, provided he obtained extra supplies and men, and he followed along later. The expedition continued northward, climbed the Liverpool Range on 5 December, and made Quirindi on 8 December. Shortly afterwards Finch arrived but inexplicably had not brought provisions, so Mitchell immediately sent him back to get them. By 11 December the expedition had reached Wallamoul Station near Tamworth, the northern extent of white settlement at the time. Mitchell continued his northward push into new territory, taking local Kamilaroi people to assist in finding water and to express his peaceful intentions. By early January 1832 he was in the vicinity of the present town of Narrabri, reached the Gwydir River in mid-January, and found the Barwon by the end of the month, where he set up camp. Mitchell left the main party and made a reconnaissance down the Barwon until he found its junction with the Gwydir. After Mitchell returned to the main camp, Finch arrived with tragic news. He had been travelling with three convicts and provisions but, because of a shortage of water, the group had separated. He left two men behind while he attempted to locate the main expedition. Having failed to do that, on the second day he returned to the campsite to discover that it had been ransacked. Supplies were scattered and beneath the wreckage were two dead men. The immediate effect was that Mitchell decided to abandon the expedition and return south. The party reached the Gwydir on 8 February and was near the site of the attack on 17 February. Mitchell buried the two bodies and salvaged some equipment. Once back at Wallamoul, Mitchell placed White in charge of the main party, while he returned hastily to Sydney. He was satisfied that there was no truth about the river Kindur claimed by Clarke. Fourteen years after the attack, Mitchell revealed that the convicts had indulged in sexual relations with Aboriginal women.

Answer this question "Where did they go on their first expedition?"
output: On reaching Wollombi in the Hunter Valley, the local assistant surveyor, Heneage Finch, expressed a desire to join the expedition.

input: Kevin Thornton left the group in October 1998 to pursue the ministry. He became a licensed minister, and has since served as an evangelist, youth pastor and worship leader at his home church, Without Walls Church, in Fort Worth, Texas. He operates Kevin Thornton Ministries in Texas. In 2008, he released a solo album, Conversions, blending contemporary hip-hop/rap with gospel and soul music. Sam Watters pursued a career as a record producer, achieving success producing for Jessica Simpson, Celine Dion, Fantasia, Anastacia, Natasha Bedingfield, Kelly Clarkson, 98 Degrees, Blake Lewis, and others. Watters is a member of the production/songwriting team The Runaways, which also includes Rico Love, Wayne Wilkins, Ryan Tedder, and Louis Biancaniello. He married R&B singer and former American Idol contestant Tamyra Gray in 2006. Mark Calderon worked with artists such as Stevie Brock, whose 2002 remake of "All 4 Love" reached number 1 on the Disney charts; and with IPV, who is signed with Wright Entertainment and had songs played on the television series House and Knight Rider. In 1992, Calderon married Lisa Smedley-Calderon, who was formerly Color Me Badd's fashion stylist. In 2001, Bryan Abrams released a solo album entitled Welcome to Me. In 2007, he co-starred on the VH1 reality TV series Mission: Man Band, which also included former boy band members Jeff Timmons of 98 Degrees, Chris Kirkpatrick of *NSYNC and Rich Cronin of Lyte Funkie Ones, seeing if they could make it as a new group. The show was canceled after seven episodes. In 2007, after being approached by Violent J and Shaggy 2 Dope, Abrams co-wrote and recorded an appearance on the Insane Clown Posse song "Truth Dare", which was released on the compilations Psychopathics from Outer Space 3 (2007) and Featuring Freshness (2011). In 2010, Abrams wrote three songs for Kool & the Gang, singing lead on all three tracks. On August 22, 2000, Giant Records released the compilation album The Best of Color Me Badd.

Answer this question "What else did they work on during this time?"
output:
In 2001, Bryan Abrams released a solo album entitled Welcome to Me.