IN: Victoria Wood, (19 May 1953 - 20 April 2016) was an English comedian, actress, singer and songwriter, screenwriter, producer and director. Wood wrote and starred in dozens of sketches, plays, musicals, films and sitcoms over several decades, and her live comedy act was interspersed with her own compositions, which she performed on the piano. Much of her humour was grounded in everyday life and included references to quintessentially "British" activities, attitudes and products. She was noted for her skills in observing culture and in satirising social classes.

On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew. For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929. It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously. Although the characters are imaginary, the choir sang with the Halle Orchestra in Manchester's Free Trade Hall on a record that sold more than a million copies. Apart from the pieces on the 1929 recording (Purcell's "Nymphs and Shepherds" and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood. On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show. On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto, the centre of a scandal over the authenticity of her recordings and her role in the hoax. In April 2013, Wood produced a documentary about the history of tea named Victoria Wood's Nice Cup of Tea. In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland's Case Histories starring Jason Isaacs. She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I'm Sorry I Haven't a Clue during the show's 60th series. In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street. On 5 December 2014 Wood was a guest on BBC's The Graham Norton Show. On 26 December 2014, a television adaptation of That Day We Sang, starring Michael Ball and Imelda Staunton, was shown on BBC Two. In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode. She co-starred with Timothy Spall in Sky television's three-part television adaptation of Fungus the Bogeyman, which was first shown on 27, 28 & 29 December 2015, her last acting project and final role.

Did she play any roles in 2011?

OUT: On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.

input: Standing six feet tall, O'Neill was compared to Don Bradman upon his entry into Test cricket. At his best, he was a dynamic stroke maker who was a crowd favourite because of his ability to score at a high pace, in particular with his power off the back foot. He was noted for his nimble footwork, which he used to negate spin bowling; however this slowed in his later career as he put on weight. O'Neill particularly liked to sweep the slower bowlers. He often put too much emphasis on his right hand, allowing a large space between his hands on the bat handle, and then turning his right shoulder too square towards the bowler. The renowned English batsman and captain Wally Hammond said that O'Neill was the best all-round batsman he had seen since World War II. O'Neill's tall build, strength and good looks also drew comparison to his boyhood idol Keith Miller. Despite the comparisons to Bradman, O'Neill was much taller and broader, and was often impetuous whereas Bradman was known for his patience and lack of rashness. O'Neill was also criticised for hitting across the line early in his innings. O'Neill was highly regarded for his style and entertainment values. Teammate Alan Davidson said "once set he was the most exhilarating player you'd ever want to see--he was dynamite. He'd play attacking shots off balls other people would only think of defending. He had wonderful skill and technique. His shots off the back foot down the ground off fast bowlers--you can't really describe how good they were." His captain for Australia and New South Wales, Richie Benaud said that he was "one of the greatest entertainers we've had in Australian cricket". O'Neill's style led the British writer EW Swanton to say "the art of batting, he reminded us, was not dead, merely inexplicably dormant" Wisden opined that "A high innings by O'Neill is a thing of masterful beauty. His stroking is delectable, immense in its power." Later in his career, O'Neill became a nervous and superstitious batsman, particular at the start of an innings. He wrote "batting is a lonely business" in his 1964 autobiography Ins and Outs, opining that he sometimes found first-class cricket to be "depressing and lonely". He was regarded as an excellent fieldsman at cover, with a powerful and accurate throw, described by Wisden as a "dream throw" honed from a junior career as a baseballer. He was named as utility player in the 1957 All Australian baseball team, and his ability was such that he was approached by Major League Baseball scouts. Before the retirement of Neil Harvey, he and O'Neill fielded in tandem in the covers and the pair were regarded as the finest fielding combination of the time.

Answer this question "Did any of his teammates comment about his play style?"
output:
Teammate Alan Davidson said "once set he was the most exhilarating player you'd ever want to see--he was dynamite.