Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Example Input: CONTEXT: From what I can gather all sensates were born sensates, which is why people in the same cluster have the same birthday and take their first breaths together. It isn't until later when someone activates their connection to their other selves in the cluster that they become aware of them, which is what Angelica does. Will and Sarah are both sensates, who made eye contact with each other when they were children hence their connection, to one another, even though he is still unaware of the rest of his cluster, or knows what is happening. He doesn't make eye contact with Whispers or Jonas until he his older. A similar thing happens between Riley and Yrsa in Iceland when Riley was still a child. Yrsa made eye contact with her at some point which is what connected them and then used that connection to try and keep her safe from Whispers and the Biologic Preservation Organization. So even though both Will and Riley were unaware of the rest of the cluster, it is shown that they still have some sensate abilities. <sep> Q: Will and Sarah's connection A: people in the same cluster have the same birthday and take their first breaths together <sep> FOLLOWUP_Q: What does being in the same cluster mean?
Example Output: Yes

Example Input: CONTEXT: Elgar's Enigma variations - and Nimrod, in particular - have long been a part of the British consciousness. Interestingly, Elgar ended up writing 14 variations (Nimrod being number 9). Zimmer is trying to instil the patriotism that the variations have done for the British over the past century. Calling his own composition Variation 15 implies a continuation of Elgar's original works. <sep> Q: What is the significance of Nimrod to Dunkirk's original score?
Example Output: Yes

Example Input: CONTEXT: Voldemort didn't know that it held no useful information to defeat Harry. What he did know was that he had been defeated by a baby, who was the likely subject of the prophecy (Neville Longbottom being the other potential subject). He wanted the prophecy so that he could know fully what it said, in case it held any information that would have helped him. He was aware he had only heard part of the details, and given the "defeat" by Baby-Harry, was keen to know the rest in case it gave him a clue how to avoid a repeat of that outcome. He didn't know that it wouldn't help him; and Dumbledore quite possibly thought it worth keeping secret to try and force Voldemort to reveal himself to the public when he tried to get hold of it. <sep> Q: Why did Voldemort want the prophecy in Order of the Phoenix? A: Voldemort didn't know that it held no useful information to defeat Harry Q: If this is the case then why did he want it? A: He wanted the prophecy so that he could know fully what it said Q: When he found out what it said was it useful? A: He didn't know that it wouldn't help him <sep> FOLLOWUP_Q: What else can you tell me about it?
Example Output:
Yes