Answer the question at the end by quoting:

James Anthony Traficant Jr. (May 8, 1941 - September 27, 2014) was a Democratic, and later independent, politician and member of the United States House of Representatives from Ohio. He represented the 17th Congressional District, which centered on his hometown of Youngstown and included parts of three counties in northeast Ohio's Mahoning Valley. He was expelled from the House after being convicted of taking bribes, filing false tax returns, racketeering and forcing his aides to perform chores at his farm in Ohio and houseboat in Washington, D.C.
In the House, Traficant was known for his flamboyant and eccentric style. He often dressed poorly, with narrow neckties (then out of style), wide-lapel sport-coats and an occasional denim suit. He also sported an unkempt pompadour, which he jokingly claimed he cut with a weed whacker (it was revealed, after his conviction, that he wore a toupee). His trademark closing lines while addressing the House were "Beam me up..." and "I yield back the fact..." His website featured a picture of him swinging a two-by-four with the words "Bangin' away in D.C." While in Congress, Traficant was a supporter of immigration reduction, and a strong opponent of illegal immigration. In the controversy surrounding the defeat of Congressman Bob Dornan (R-CA) by Democrat Loretta Sanchez, Traficant was the only Democratic member of Congress who advocated a new election, due to Dornan's allegations of voting in that race by undocumented immigrants (the allegations went unproven, and a new election was not held). Traficant's major legislative accomplishment in the House was the adoption of some of his proposals to constrain enforcement activities by the Internal Revenue Service against delinquent taxpayers. After the Republicans took control of the House in 1995, Traficant tended to vote more often with the Republicans than with his own party. On the issue of abortion, Traficant voted with the position of the National Right to Life Committee 95% of the time in the 105th Congress, and 100% of the time in the 106th and 107th Congresses. However, he voted against all four articles of impeachment against Bill Clinton. After he voted for Republican Dennis Hastert for Speaker of the House in 2001, the Democrats stripped him of his seniority and refused to give him any committee assignments. Because the Republicans did not assign him to any committees either, Traficant became the first member of the House of Representatives in over a century--outside the top leadership--to lack a single committee assignment.

what did he have to do with the house of representatives?

While in Congress, Traficant was a supporter of immigration reduction,

Some context: "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references. Bluesman Elmore James revived the song with recordings in 1954 and 1960-1961.
Little is known about Johnson's life and musical career, although his recordings are well documented. In October 1936, Johnson auditioned for music store owner and sometime talent scout H. C. Speir in Jackson, Mississippi; Speir passed on Johnson's contact information to Ernie Oertle, who was a representative for ARC Records. After a second audition, Oertle arranged for Johnson to travel to San Antonio, Texas, for a recording session. Johnson recorded 22 songs for ARC over three days from November 23 to 27, 1936. During the first session, he recorded his most commercially appealing songs. They mostly represented his original pieces and reflected current, piano-influenced musical trends. The songs include "Terraplane Blues" (his first single and most popular record) along with "Sweet Home Chicago" and "I Believe I'll Dust My Broom", which became blues standards after others recorded them. A second and third recording date took place in San Antonio after a two-day break. Johnson reached back into his long-standing repertoire for songs to record. The material reflects the styles of country blues performers Charley Patton and Son House, who influenced Johnson in his youth. The songs are among Johnson's most heartfelt and forceful, and music historian Ted Gioia sees a shift in the lyrical themes: At the close of the San Antonio session, the darker, more apocalyptic side of Johnson's work emerges ... [he] evokes the themes of damnation and redemption, darkness and light ... glimpses into the musician's inner life, and all its attendant turmoils. "Cross Road Blues" was recorded during Johnson's third session in San Antonio, on Friday November 27, 1936. The sessions continued at an improvised studio in Room 414 at the Gunter Hotel. ARC producers Art Satherley and Don Law supervised the recording and used a portable disc cutting machine. It is unknown what input, if any, they had into Johnson's selection of material to record or how to present it. Two similar takes of the song were recorded.
What was the difference between the takes
A:

IN: Hilltop Hoods are an Australian hip hop group that formed in 1994 in Blackwood, Adelaide, South Australia. The group was founded by Suffa (Matthew David Lambert) and MC Pressure (Daniel Howe Smith), who were joined by DJ Debris (Barry John M. Francis) after fellow founder, DJ Next (Ben John Hare), left in 1999. The group released its first extended play, Back

In 2005 the annual "Hilltop Hoods Initiative" was established in association with Arts SA, made possible by a donation from the Hilltop Hoods. Valued at A$10,000 (originally $3000), the Hilltop Hoods initiative helped young and emerging South Australian hip hop artists to manufacture and distribute a CD. The initiative also included two mentorship sessions with Hilltop Hoods' former manager, PJ Murton. It acknowledges the important role South Australian government assistance played in the development of the careers of the Hilltop Hoods. In 2009, the initiative became a national grant available to entry for any emerging Australian hip hop artist who have not issued a professional album. In a Hilltop Hoods newsletter, released on 4 December 2012, the group communicated the following announcement: In 2013 The Hilltop Hoods and APRA are teaming up again to give a career changing $10K to the most impressive emerging Hip Hop/Soul act in Australia. Aimed at helping fund the manufacturing and marketing of an album release, the grant is open to any act who hasn't yet released anything professionally. Applications will open in early 2013 along with details on how to enter. Past recipients are: General Knowledge, a three-piece group (2006); Subsketch, a solo artist (2007); Jimblah, a solo artist (2008); K21, a solo artist (2009); 1/6, a solo artist (2010); Koolta, a solo artist (2011); Run for Your Life, a musical collective (2012); Gold Coast, Queensland artist Chelsea Jane (2013); Brisbane, Queensland solo artist I AM D (2014); Sarah Connor, a solo artist (2015); Astro Travellers, a seven-piece group (2016) and MC Sinks, a solo artist from Melbourne, Victoria. (2017).

what was this?

OUT:
The initiative also included two mentorship sessions with Hilltop Hoods' former manager, PJ Murton.