Question: Read the following paragraph and extract the answer for the question: What song does King attest everybody always wants to hear performed live? Two songs taken from the album ("Mandatory Suicide" and "South of Heaven") have become near constant fixtures in the band's live setlist, notching up appearances on the following: the live DVDs Live Intrusion, War at the Warfield, Still Reigning, Soundtrack to the Apocalypse's deluxe edition's bonus live disc, and the live double album Decade of Aggression. Lombardo guested with Finnish cellist group Apocalyptica on a live medley of the two tracks at 1998's Headbanger's Heaven festival in the Netherlands. Adrien Begrand of PopMatters described "South of Heaven" as "an unorthodox set opener in theory", noting "the song went over like a megaton bomb detonating the place: dozens of inverted crosses projected behind the high drum riser, the sinewy opening notes kicked in, followed by an overture of bass, cymbal crashes, and tom fills, leading up to the slowly building crescendo" in a concert review. Lombardo remembers listening to a live rendition of "South of Heaven" and thinking, "'Man! There's just so much groove in that song.' To my kids I was saying, 'Listen to that! Listen to how groovy that is!' And it's heavy." A live version of the track featured on the JAGERMUSIC Rarities 2004 promotional CD, given away to attendees at the Spring 2004 Jagermeister Music Tour. A live rendition of "South of Heaven" was also included on a bonus DVD which came with the group's 2007 re-release of ninth studio album Christ Illusion, shot in Vancouver, British Columbia during 2006's Unholy Alliance tour."Behind the Crooked Cross" is rarely played live as Hanneman hates the track, though King has always wanted to play it "because it's got a cool intro" despite it not being his favorite song. King said "that's fine" when speaking of the situation, noting "there are songs that he wants to play that I always shoot down". "Ghosts of War" isn't King's favorite song either, which he attests "everybody always wants to hear" performed live. He confessed; "I like the ending, you know, I like the big heavy part and I always say, 'Let's...
Answer: Ghosts of War

Question: Read the following paragraph and extract the answer for the question: At what studio did the band that released the album Kerplunk in 1992 remix their album that they worked with Cavallo on after they did not like the original mix? Following the underground success of the band's second studio album Kerplunk (1992), a number of major record labels became interested in Green Day. Representatives of these labels attempted to entice the band to sign by inviting them for meals to discuss a deal, with one manager even inviting the group to Disneyland. The band declined these advances until meeting producer and Reprise representative Rob Cavallo. They were impressed by his work with fellow Californian band The Muffs, and later remarked that Cavallo "was the only person we could really talk to and connect with".Eventually, the band left their independent record label, Lookout! Records, on friendly terms and signed to Reprise. Signing to a major label caused many of the band's original fans from the independent music club 924 Gilman Street to regard Green Day as sell-outs. The club has banned Green Day from entering since the major label signing. Reflecting back on the period, lead vocalist Billie Joe Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure [...] The only thing I could do was get on my bike and go forward."Cavallo was chosen as the main producer of the album, with Jerry Finn as the mixer. Green Day originally gave the first demo tape to Cavallo, and after listening to it during the car ride home he sensed that "[he] had stumbled on something big." The band's recording session lasted three weeks and the album was remixed twice. Armstrong claimed that the band wanted to create a dry sound, "similar to the Sex Pistols' album or first Black Sabbath albums." The band felt the original mix to be unsatisfactory. Cavallo agreed, and it was remixed at Fantasy Studios in Berkeley, California. Armstrong later said of their studio experience, "Everything was already written, all we had to do was play it."
Answer: Fantasy Studios

Question: Read the following paragraph and extract the answer for the question: What is the name of the person who must remain handcuffed to his father? Fifteen disparate African American men board a bus in Los Angeles bound for Washington, D.C., where they plan on attending the Million Man March. Other than their race, destination, and gender, the men have nothing in common: George is the trip organizer; Xavier is an aspiring filmmaker hoping to make a documentary of the March; Flip is the vain but charismatic and openly homophobic and sexist actor; Kyle and Randall are a homosexual couple; Gary, a biracial police officer; Jamal is a former gang banger turned devout Muslim who has evaded prosecution for the murders he committed; Evan Jr., is a petty criminal who has been permitted to break probation to attend the march on the condition that he remain handcuffed to his father, Evan Sr. As the bus travels across country, Xavier conducts interviews with the various attendees, allowing them to express their views on race, religion, and politics. The interviews often provoke outbursts from other men on the bus, invariably leading to many political confrontations. Jeremiah, the eldest member of the group, is an 80-year-old former alcoholic who lost his job and family, has found new meaning in life and is energized by the Million Man March, and embraces his African heritage; his philosophies on the black experience and stories of precolonial Africa serve to unite the men and ease tensions and the infighting among them. En route the bus breaks down and the men are forced to board another bus, driven by an ethnically Jewish white man named Rick. A couple of the passengers harass Rick as a white man, and Rick ultimately refuses to drive any further, citing the group's prejudice and his opposition to antisemitic remarks made by the leader of the march, Louis Farrakhan. George, himself a bus driver, accuses Rick of cultural racism, but begrudgingly agrees to cover for Rick who leaves. George takes over driving for the remainder of the trip, with help from Evan Sr.
Answer:
Evan Jr