Problem: In addition to the cathedral, Strasbourg houses several other medieval churches that have survived the many wars and destructions that have plagued the city: the Romanesque Eglise Saint-Etienne, partly destroyed in 1944 by Allied bombing raids, the part Romanesque, part Gothic, very large Eglise Saint-Thomas with its Silbermann organ on which Wolfgang Amadeus Mozart and Albert Schweitzer played, the Gothic Eglise protestante Saint-Pierre-le-Jeune with its crypt dating back to the seventh century and its cloister partly from the eleventh century, the Gothic Eglise Saint-Guillaume with its fine early-Renaissance stained glass and furniture, the Gothic Eglise Saint-Jean, the part Gothic, part Art Nouveau Eglise Sainte-Madeleine, etc. The Neo-Gothic church Saint-Pierre-le-Vieux Catholique (there is also an adjacent church Saint-Pierre-le-Vieux Protestant) serves as a shrine for several 15th-century wood worked and painted altars coming from other, now destroyed churches and installed there for public display. Among the numerous secular medieval buildings, the monumental Ancienne Douane (old custom-house) stands out.
What is the Neo-Gothic church called?
The answer is the following: Saint-Pierre-le-Vieux Catholique

Problem: Many middle and small powers in Europe, unlike in the previous wars, tried to steer clear away from the escalating conflict, even though they had interests in the conflict or with the belligerents, like Denmark-Norway. The Dutch Republic, long-time British ally, kept its neutrality intact, fearing the odds against Britain and Prussia fighting the great powers of Europe, even tried to prevent Britain's domination in India. Naples, Sicily, and Savoy, although sided with Franco-Spanish party, declined to join the coalition under the fear of British power. The taxation needed for war caused the Russian people considerable hardship, being added to the taxation of salt and alcohol begun by Empress Elizabeth in 1759 to complete her addition to the Winter Palace. Like Sweden, Russia concluded a separate peace with Prussia.
What did Russian Empress Elizabeth use the proceeds of the tax on salt and alcohol for?
The answer is the following: the taxation of salt and alcohol begun by Empress Elizabeth in 1759 to complete her addition to the Winter Palace.

Problem: A series of low-lying annexes (largely hidden) flank both ends. Also in the square are the glass-faced Planalto Palace housing the presidential offices, and the Palace of the Supreme Court. Farther east, on a triangle of land jutting into the lake, is the Palace of the Dawn (Palacio da Alvorada; the presidential residence). Between the federal and civic buildings on the Monumental Axis is the city's cathedral, considered by many to be Niemeyer's finest achievement (see photographs of the interior). The parabolically shaped structure is characterized by its 16 gracefully curving supports, which join in a circle 115 feet (35 meters) above the floor of the nave; stretched between the supports are translucent walls of tinted glass. The nave is entered via a subterranean passage rather than conventional doorways. Other notable buildings are Buriti Palace, Itamaraty Palace, the National Theater, and several foreign embassies that creatively embody features of their national architecture. The Brazilian landscape architect Roberto Burle Marx designed landmark modernist gardens for some of the principal buildings.
What is in the Planalto Palace?
The answer is the following: presidential offices

Problem: The biographical tradition asserts that Virgil began the hexameter Eclogues (or Bucolics) in 42 BC and it is thought that the collection was published around 3938 BC, although this is controversial. The Eclogues (from the Greek for "selections") are a group of ten poems roughly modeled on the bucolic hexameter poetry ("pastoral poetry") of the Hellenistic poet Theocritus. After his victory in the Battle of Philippi in 42 BC, fought against the army led by the assassins of Julius Caesar, Octavian tried to pay off his veterans with land expropriated from towns in northern Italy, supposedly including, according to the tradition, an estate near Mantua belonging to Virgil. The loss of his family farm and the attempt through poetic petitions to regain his property have traditionally been seen as Virgil's motives in the composition of the Eclogues. This is now thought to be an unsupported inference from interpretations of the Eclogues. In Eclogues 1 and 9, Virgil indeed dramatizes the contrasting feelings caused by the brutality of the land expropriations through pastoral idiom, but offers no indisputable evidence of the supposed biographic incident. While some readers have identified the poet himself with various characters and their vicissitudes, whether gratitude by an old rustic to a new god (Ecl. 1), frustrated love by a rustic singer for a distant boy (his master's pet, Ecl. 2), or a master singer's claim to have composed several eclogues (Ecl. 5), modern scholars largely reject such efforts to garner biographical details from works of fiction, preferring to interpret an author's characters and themes as illustrations of contemporary life and thought. The ten Eclogues present traditional pastoral themes with a fresh perspective. Eclogues 1 and 9 address the land confiscations and their effects on the Italian countryside. 2 and 3 are pastoral and erotic, discussing both homosexual love (Ecl. 2) and attraction toward people of any gender (Ecl. 3). Eclogue 4, addressed to Asinius Pollio, the so-called "Messianic Eclogue" uses the imagery of the golden age in connection with the birth of a child (who the child was meant to be has been subject to debate). 5 and 8 describe the myth of Daphnis in a song contest, 6, the cosmic and mythological song of Silenus; 7, a heated poetic contest, and 10 the sufferings of the contemporary elegiac poet Cornelius Gallus. Virgil is credited[by whom?] in the Eclogues with establishing Arcadia as a poetic ideal that still resonates in Western literature and visual arts and setting the stage for the development of Latin pastoral by Calpurnius Siculus, Nemesianus, and later writers.
Virgil's loss of his famiyl farm and the attempt to regain his property though poetry was the inferred motive for which work?
The answer is the following:
Eclogues