You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

The story concerns two young French women, Louise de Chaulieu (1805 1835) and Ren e de Maucombe (born 1807), who become close friends during their novitiate at the Carmelite convent of Blois. When they leave the convent, however, their lives follow two very different paths. Louise chooses a life of romance, whereas Ren e takes a much more pragmatic approach; but their friendship is preserved through their correspondence, which continues for a dozen years from 1823 through 1835.
Louise is expected to sacrifice herself for her two brothers and take the veil, but the young girl refuses to submit to such a fate. Her dying grandmother intercedes on her behalf and bequeaths her her fortune, thereby rescuing her from the enclosed life of a Carmelite nun and leaving her financially independent. Free to assist her brothers financially without having to sacrifice her own ambitions, Louise settles in Paris and throws herself into a life of Italian operas, masqued balls and romantic intrigues. She falls in love with an unbecoming but noble Spaniard, Felipe H narez, Baron de Macumer. Banished from Spain, he lives incognito in Paris where he is forced to support himself by teaching Spanish. When he regains his fortune and noble standing, he woos Louise with a romantic fervour that finally wins her over. The pair are married in March 1825. They live a life of carefree happiness, but Louise's jealousy embitters him and leads to his physical break-down. He dies in 1829, leaving a grieving widow of twenty-four.
Ren e de Maucombe's attitude to love and life are in marked contrast to those of Louise. When she leaves the convent at Blois Ren e moves to Provence, where she marries an older man of little wealth or standing whom she can hardly be said to love. She bears Louis de L'Estorade three children, and over the course of the next decade she devotes herself body and soul to the happiness of her family. Gradually she grows to love her husband in her own way, and with her encouragement he makes a career for himself in local politics, which culminates in his becoming a peer of France and a grand officer of the Legion of Honour. During this time Ren e is quite scathing in her criticisms of Louise, whom she sees as a selfish and self-indulgent coquette. True happiness for a woman lies in motherhood and devotion to her family.
Meanwhile, four years after the death of Felipe, Louise falls in love again. This time the object of her love is a poor poet and playwright Marie Gaston, who is several years younger than she is. As though taking a leaf out of Ren e's book, Louise sells her Parisian property, moves to a chalet in Ville d'Avray (a small village near Paris) and lives a life of seclusion with her new husband. But Ren e is not fooled by this masquerade. Louise, she warns, is still living a life devoted to selfishness and self-indulgence, while true happiness lies only in self-sacrifice to one's husband and children - Louise remains childless.
After a few years of apparent bliss, Louise detects a change in her husband. He becomes solicitous about the financial success of his plays, and a large sum of money goes missing. Suspecting him of having an expensive mistress, Louise makes enquiries and comes to the shocking conclusion that he has another family in Paris an Englishwoman known by the name Madame Gaston, and two children, who look remarkably like Marie. Louise confides her feelings of despair to Ren e and announces her determination to commit suicide rather than to submit to such a fate. Ren e's husband makes enquiries and discovers the truth of the situation. Madame Gaston is the widow of Marie's brother. The death of her husband has left her financially destitute and Marie has taken it upon himself to assist her and his two nephews, but he is ashamed to ask his wife for money. Rene writes to Louise to inform her of the truth and rushes to the chalet, but she is too late. Louise has contracted consumption by lying out in the dew overnight and she dies a few days later.
How old is Louise when her first husband dies?

At the story's start, Twinkle and Chubbins are lost in a "great forest." They encounter a "tuxix" a creature that looks like a spiny turtle, but is in reality "a magician, a sorcerer, a wizard, and a witch all rolled into one...and you can imagine what a dreadful thing that would be." The evil tuxix casts a spell on the children, transforming them into little bird-like beings, with their own heads but the bodies of skylarks. (They resemble the human-headed, bird-bodied sirins, alkonosts, and gamayuns of Russian folklore.) Policeman Bluejay, the force of order in the avian world of the forest, leads the two child-larks on a flight through the sky; he esconces them in an abandoned thrush's nest in a maple tree, and with the help of a friendly eagle he retrieves their picnic basket (so that they don't have to eat bugs, worms, and grubs).
Twinkle and Chubbins learn of their new maple-tree neighbors, a squirrel, an owl, and an o'possum; and Policeman Bluejay introduces them to the community of birds. The children see that the world of living beings in the forest has structure, relationships, and conflict. They hear stories of human cruelty to animals and soon they witness it firsthand, when hunters enter the forest. The hunters kill Mrs. 'Possum and Mrs. Hootaway and Wisk the squirrel; Twinkle tries to protest, but she can only make a skylark's chirp. The hunters' dog almost catches Twinkle but she and Chubbins are rescued by their friend the eagle, who swoops down, kills the dog, and leads them to safety.
Or relative safety, at least: the eagle takes the two lark-children up to his eyrie, where his hungry hatchlings want to eat them for breakfast. (Baum acknowledges that animals, to survive, have to prey upon each other. Yet he maintains that "love" is the Grand Law of the forest.) Policeman Bluejay escorts the children to a safer location. Soon he takes them to the Paradise of Birds, where the contentions and violence of the forest never penetrate. The children are given a tour of its splendors, and meet the King Bird of Paradise. In the "suburbs" of Paradise, the child-larks are introduced to the community of bees, and meet the Queen Bee; and they witness a spectacular flight of butterflies.
Beyond Paradise, in "the coarse, outer world," there is trouble in birdland; Policeman Bluejay must cope with a rebellion among the rooks, who would make the other birds their slaves. By uniting, the smaller birds beat the rooks in a battle. The King Bird of Paradise and his Royal Necromancer have told the children that they can restore themselves to human form by eating a fruit called "tingle-berries." They do so, and return to their normal bodies though Chubbins almost gets stuck halfway. Their adventure done, the children make their way home in the waning light of evening.
Who rescues the children from the hunting dog?

The setting is a society in which aging has been cured, individuals have indefinite lifespans, and population control is used to limit the population of the United States to forty million. This is maintained through a combination of infanticide and government-assisted suicide - in short, in order for someone to be born, someone must first volunteer to die. As a result, births are few and far between, and deaths occur primarily by accident.
The scene is a waiting room at the Chicago Lying-In Hospital, where Edward K. Wehling, Jr. is faced with the situation that his wife is about to give birth to triplets, but he has found only one person - his maternal grandfather - who will volunteer to die. A painter on a stepladder is redecorating the room with a mural depicting famous doctors and nurses - in particular, Dr. Benjamin Hitz, the hospital's Chief Obstetrician. Leora Duncan, from the Service Division of the Federal Bureau of Termination, arrives to pose for the mural. The mural is a picture of a garden that's well taken care of. It is a metaphor for the United States at that time. Later, Dr. Hitz enters the scene, conversing with everyone but the painter of the mural.
It becomes apparent to all that Wehling is in a state of despair, wanting not to send his grandfather and two of his children to death. Dr. Hitz questions Wehling's belief in the system, and tries to make Wehling feel better by explaining how the surviving child will "live on a happy, roomy, clean, rich planet." Suddenly, Wehling draws a revolver and kills Dr. Hitz, Leora Duncan, and himself - "making room for all three children."
The painter, who is about two hundred years old, is left to reflect on the scene, and thinks about life, war, plague, and starvation. Descending the stepladder, he initially takes the revolver, intending to kill himself, but he can't do it. The last line is from the receptionist at the Bureau:
"Thank you, sir," said the hostess. "Your city thanks you; your country thanks you; your planet thanks you. But the deepest thanks of all is from all of the future generations."
What country is the story set?