In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

[EX Q]: Passage: Before the album's release, M.I.A. said that audiences found it hard to dance to political songs. This made her keen to produce music that sounded like pop but addressed important issues. "Sunshowers", with its lyrical references to snipers, murder and the PLO, was written in response to the Tamil Tigers being considered terrorists in some quarters. She said, "you can't separate the world into two parts like that, good and evil. America has successfully tied all these pockets of independence struggles, revolutions and extremists into one big notion of terrorism." The lyrics caused controversy; MTV censored the sounds of gunshots in the song and MTV US refused to broadcast the video unless a disclaimer that disavowed the lyrics was added. The BBC described the lyrics as "always fluid and never too rhetorical" and sounding like "snatches of overheard conversation". The songs deal with topics ranging from sex to drug dealing.Musically, the album incorporates elements of baile funk, grime, hip hop, and ragga. Peter Shapiro, writing in The Times, summed up the album's musical influences as "anything as long as it has a beat". Some tracks drew on Tamil film music, which M.I.A. listened to while growing up. Shapiro described her music as a "multi-genre pile-up" and likened it to her graphic art, calling it "vivid, gaudy, lo-fi and deceptively candyfloss". In a 2005 interview, when asked about the difficulty in categorising her sound, M.I.A. explained, "Influences are crossing over into each other's puddles. I just accept where I'm at, I accept where the world is at and I accept how we receive and digest information. I get that somebody in Tokyo is on the internet instant messaging, and someone in the favelas is on the internet. Everybody seems to know a little bit about everything and that's how we process information now. This just reflects that.".
[EX A]: What year did the artist who released the song "Sunshowers" say in an interview "I just accept where I'm at"?

[EX Q]: Passage: After the killing of his father (Count Dracula, the King of the Netherworld), by a mysterious assassin, Count Downe is summoned from his travels abroad by family advisor Merlin in order to prepare him to take over the throne. Baron Frankenstein is also on hand to help in any way he can. Problem is, Downe wants no part of this responsibility, and instead wishes to become human and mortal especially after meeting a girl named Amber, with whom he falls in love. He approaches old family nemesis Dr Van Helsing, who agrees to enable the Count's transformation, much to the dismay of the residents of the Netherworld.
Despite the best efforts of a host of monsters, as well as one traitorous figure who is dealt with by the trusted Merlin, Van Helsing performs the operation and removes Downe's fangs. He then informs the Count that he can now live out his days in the sunlight, with Amber at his side.
Keith Moon of The Who and John Bonham of Led Zeppelin both appear in the film, alternating as drummer in Count Downe's band. Other band members include Klaus Voormann (another old friend of Starr's), Peter Frampton, an uncredited Leon Russell, and the regular Rolling Stones horn section of Bobby Keys and Jim Price.
[EX A]: What responsibility does Count Downe want no part of?

[EX Q]: Passage: A small Myotis was captured at a cave in Latvia between 2007 and 2010; pending genetic testing, it is suspected to be M. alcathoe. However, this record had not been confirmed in the subsequent national report to EUROBATS in 2014.
Luxembourg
A single male was caught in 2011 and confirmed as M. alcathoe on the basis of genetic data. Elsewhere in the country it has been recorded on the basis of acoustic data.
Poland
The species was recorded in four caves in southern Poland in 2005 and 2006, and later at several other sites in the south of the country. It is known from 182 to 1,294 m (597 to 4,245 ft) above sea level, most often in beech forest (Fagus sylvatica), but also in several other forest types.
Romania
A single M. alcathoe was captured in 2007 in a nature reserve in the eastern Carpathians; the reserve contains riverine and conifer forest. The species was additionally recorded in a forested valley containing a small stream in Alba County.
Russian part of Caucasus
Bats collected in the Russian part of the Caucasus and in Abkhazia (a breakaway part of Georgia) from 2003 to 2009 may represent M. alcathoe. They are small and morphometrically distinct from other local Myotis mystacinus-like bats. The affinity of these bats to M. alcathoe has recently been confirmed by the genetic and morphological analyses.
Serbia
The species was reported on the basis of three specimens shortly before 2009, but is probably rare.
Slovakia
Here, M. alcathoe is known from a single site, a cave in old deciduous forest at 525 m (1,722 ft) altitude.
Slovenia
A single specimen was recorded in Slovenia in 2007, although it is not clear how many bats previously recorded as Myotis mystacinus belong to this species. Several additional specimens were later found in Kocevski Rog (SE Slovenia).
Spain.
[EX A]:
What was found in Kocevski Rog?