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The painters of the early Renaissance used two traditional lake pigments, made from mixing dye with either chalk or alum, kermes lake, made from kermes insects, and madder lake, made from the rubia tinctorum plant. With the arrival of cochineal, they had a third, carmine, which made a very fine crimson, though it had a tendency to change color if not used carefully. It was used by almost all the great painters of the 15th and 16th centuries, including Rembrandt, Vermeer, Rubens, Anthony van Dyck, Diego Velazquez and Tintoretto. Later it was used by Thomas Gainsborough, Seurat and J.M.W. Turner.
What would to the carmine pigment if not used diligently?
A: change color

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The system's launch represented not only a new product, but also a reframing of the severely damaged home video game market segment as a whole. The video game market crash of 1983 had occurred in significant part due to a lack of consumer and retailer confidence in video games, which had in turn been due partially to confusion and misrepresentation in the marketing of video games. Prior to the NES, the packaging of many video games presented bombastic artwork which exaggerated the graphics of the actual game. In terms of product identity, a single game such as Pac-Man would appear in many versions on many different game consoles and computers, with large variations in graphics, sound, and general quality between the versions. By stark contrast, Nintendo's marketing strategy aimed to regain consumer and retailer confidence, by delivering a singular platform whose technology was not in need of heavy exaggeration and whose qualities were clearly defined.
Nintendo's marketing strategy aimed at what aspect of the consumer via realism?
A: confidence

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Cardinals have in canon law a "privilege of forum" (i.e., exemption from being judged by ecclesiastical tribunals of ordinary rank): only the pope is competent to judge them in matters subject to ecclesiastical jurisdiction (cases that refer to matters that are spiritual or linked with the spiritual, or with regard to infringement of ecclesiastical laws and whatever contains an element of sin, where culpability must be determined and the appropriate ecclesiastical penalty imposed). The pope either decides the case himself or delegates the decision to a tribunal, usually one of the tribunals or congregations of the Roman Curia. Without such delegation, no ecclesiastical court, even the Roman Rota, is competent to judge a canon law case against a cardinal. Cardinals are, however, subject to the civil and criminal law like everybody else.
What does the privilege of democracy guarantee cardinals and popes?
A: unanswerable

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Throughout the 18th century, the watchword of translators was ease of reading. Whatever they did not understand in a text, or thought might bore readers, they omitted. They cheerfully assumed that their own style of expression was the best, and that texts should be made to conform to it in translation. For scholarship they cared no more than had their predecessors, and they did not shrink from making translations from translations in third languages, or from languages that they hardly knew, oras in the case of James Macpherson's "translations" of Ossianfrom texts that were actually of the "translator's" own composition.
If a translator didn't understand something in a text or thought it too boring to present to readers, what did they do with it?
A:
omitted