input: Although Winterbottom is best known as the England team manager, it is in coaching that he made important contributions to the development of English football. He made no secret of his belief that his job as Director of Coaching was the more important of his two roles at the FA. When he joined the FA in 1946, club directors, managers and players were cynical about the need for coaching but Winterbottom had a passion for coaching and a vision of how it should develop. He soon created a national coaching scheme with summer residential courses at Lilleshall, Shropshire, and persuaded some of his international players to take the courses that led to exams for the FA preliminary and full coaching badges. This gave the scheme credibility. They developed their teaching skills by coaching in schools and then moved into part-time coaching positions in junior clubs. He gathered around him a cadre of young FA staff coaches: men like Bill Nicholson, Don Howe, Alan Brown, Ron Greenwood, Dave Sexton, Malcolm Allison, Joe Mercer, Vic Buckingham, Jimmy Hill and Bobby Robson. Over time a new breed of managers emerged in the League clubs and began to change attitudes to coaching. Winterbottom's courses were expanded to include professional players, referees, school masters, club trainers, schoolboys and youth leaders. In addition to Lilleshall they were held at Loughborough College, Carnegie College, Bisham Abbey and Birmingham University. In 1947 three hundred had taken the full coaching award and the numbers of qualified coaches grew each year. The courses attracted international participation and praise. Winterbottom was regarded by many as a leading technical thinker and exponent of association football, of his generation, in the world and lectured internationally. He inspired a new generation of managers, most notably Ron Greenwood and Bobby Robson, who graduated through every level of coaching, both eventually becoming England team manager.

Answer this question "Who were some of the new managers?"
output: Ron Greenwood and Bobby Robson,

input: Fleetwood was a self-taught drummer from his early childhood, after moving from a lacklustre academic performance at school to a love of music encouraged by his family, who bought him his first drum kit. His first years were heavily influenced by Tony Meehan and the Everly Brothers, and during his formative years in London during the late 1960s, Green helped Fleetwood through bouts of "rhythmic dyslexia" during live performances when Fleetwood panicked and lost the beat. He often sang filled pauses along to songs to help keep the beat. Green also instilled in Fleetwood an ability to follow and predict the lead guitarist, enabling him to meet the guitar with the drum rhythm as well as allowing him to know a good guitarist when he saw one - which would in part lead him later in his career to select Lindsey Buckingham. Bob Brunning recalled from his early involvement with Fleetwood Mac that Fleetwood was "very open to playing with different people as long as he didn't have to change his style. He was, and is, a completely straightforward drummer, and it works with a lot of different styles. I don't s'pose [sic] he's played a traditional drum solo in his life!" Biographer Carroll highlights this ability as integral to the success of Fleetwood Mac, arguing that Fleetwood was not a virtuoso, but his disciplined and in-distractable manner of play allowed him to hold together a band of strong leading personalities without impinging upon their expression. Caillat, in contrast, cites Fleetwood as "still one of the most amazing drummers I've ever met. He had his rack of tom drums arranged back to front. Most drummers place them from high to low (in pitch) from their left to right, but Mick chose to place his mid, high, low. I think perhaps this helped him develop his unique style. He hit his drums very hard, except for his kick drum. For some reason, when he played his high hat, it distracted him. He would keep perfect beat with his kick, but he played it so softly that we could hear his mouth noises through his kick mic."

Answer this question "Did he do anything else beside play music/drums?"
output: Fleetwood was not a virtuoso, but his disciplined and in-distractable manner of play allowed him to hold together a band of strong leading personalities without impinging upon their expression.

input: In January 2004, Hamilton announced she wanted to take a hiatus from the group and devote more time to her young son. Atomic Kitten released the double A-side single Someone like Me/"Right Now 2004" as a "goodbye" to their fans, but were reunited on Valentine's Day 2005 to release the charity single "Cradle 2005", a new version of the original song from their album Right Now which was a number-one hit in Asia back in 2000. "Cradle 2005" peaked at number ten, selling 35,000 copies worldwide, with proceeds going to World Vision. In 2005, Atomic Kitten were featured on the soundtrack of Disney's Mulan II with the song "(I Wanna Be) Like Other Girls". In 2005, they also performed together in Krakow on 28 August at the Coca-Cola SoundWave Festival. In 2006, they released a cover version of The Farm song "All Together Now". It became a charity single for the 2006 FIFA World Cup and was released only in German-speaking countries. It peaked inside the German Top 20. The group reunited in December 2006 for The Nokia New Year's Eve Music Festival, performing in Hong Kong on 31 December 2006. They once again reunited to perform at The Number One Project at the Liverpool Echo Arena on 19 January 2008, which celebrated Liverpool's year as European Capital of Culture and the fact that Liverpudlian artists have had a collective 56 UK number-one singles. Also to mark the event, in the same month the group released a cover of "Anyone Who Had a Heart", which peaked at number 78 on the UK Singles Chart. Although a reunion was due to surface after reuniting in 2008, it never materialised and the girls continued with solo projects: Hamilton gave birth to her third son Alfie in June 2010, Frost presented the first four series of Snog Marry Avoid?, and McClarnon presented Hotter Than My Daughter and also appeared at the Liverpool Empire in December 2012 alongside Coleen Nolan in Cinderella.

Answer this question "Anything really interesting happen during this tme?"
output:
Although a reunion was due to surface after reuniting in 2008, it never materialised