input: "Smily/Biidama" was her first single to be released after Love Jam. Both songs from the single were used for commercials. "Smily/Biidama" sold 110,512 copies during its debut week and charted at first place. "Smily/Biidama" sold a total of 308,338 copies in 2005, placing it as the twenty-sixth single of that year. It was during this time, in June 2005, that Otsuka made her acting debut with the drama Tokyo Friends. Unlike most dramas, the series was directly released on DVD and never aired on TV. The drama used three songs as its theme song, Boo Bee Benz's "To Me" and "Kimi to Iu Hana," as well the coupling song to her sixth single, "Friends: Sabakan Ver." All three tracks would eventually be included in the soundtrack for the drama's movie sequel. Otsuka released her tenth single in 2005, "Neko ni Fusen" in middle of the year in July. "Neko ni Fusen" was her lowest single that year, only reaching third on the chart and selling 111,324 copies. It placed ninety-second on the 2005 yearly charts. Otsuka's single "Planetarium", was released on September 20, 2005. This was her last single of that year. "Planetarium" sales of 315,669 was her second highest single second only to "Sakuranbo," before her third studio album was released. "Planetarium" was used as the insert song for the live action version of the drama Hana Yori Dango. Love Cook, her third studio album, came out on December 14, 2005. In its first week, it sold 335,000 copies. The promotional videos for this album were filmed as mini-dramas. She also hosts a radio show on JOQR Recomen!! AM1134hHz called Otsuka Ai no ai-r jack.

Answer this question "Are there any interesting aspects about this article?"
output: It was during this time, in June 2005, that Otsuka made her acting debut

input: Following a performance at the Greenville Memorial Auditorium in Greenville, South Carolina, on October 20, 1977, the band boarded a chartered Convair CV-240 bound for Baton Rouge, Louisiana, where they were scheduled to appear at LSU the following night. After running out of fuel they attempted an emergency landing before crashing in a heavily forested area five miles northeast of Gillsburg, Mississippi. Ronnie Van Zant and Steve Gaines, along with backup singer Cassie Gaines (Steve's older sister), assistant road manager Dean Kilpatrick, pilot Walter McCreary, and co-pilot William Gray were killed on impact; other band members (Collins, Rossington, Wilkeson, Powell, Pyle, and Hawkins), tour manager Ron Eckerman, and several road crew suffered serious injuries. The accident came just three days after the release of Street Survivors. Following the crash and the ensuing press, Street Survivors became the band's second platinum album and reached No. 5 on the U.S. album chart. The single "What's Your Name" reached No. 13 on the single charts in 1978. The original cover sleeve for Street Survivors had featured a photograph of the band, particularly Steve Gaines, engulfed in flames. Out of respect for the deceased (and at the request of Teresa Gaines, Steve's widow), MCA Records withdrew the original cover and replaced it with the album's back photo, a similar image of the band against a simple black background. Thirty years later, for the deluxe CD version of Street Survivors, the original "flames" cover was restored. Lynyrd Skynyrd disbanded after the tragedy, reuniting only on one occasion to perform an instrumental version of "Free Bird" at Charlie Daniels' Volunteer Jam V in January 1979. Collins, Rossington, Powell, and Pyle performed the song with Charlie Daniels and members of his band. Leon Wilkeson, who was still undergoing physical therapy for his badly broken left arm, was in attendance, along with Judy Van Zant, Teresa Gaines, JoJo Billingsley, and Leslie Hawkins.

Answer this question "Why were they going to Baton Rouge?"
output: they were scheduled to appear at LSU the following night.

input: Levine made his Metropolitan Opera (the "Met") debut at age 28 on June 5, 1971, leading a June Festival performance of Tosca. Following further appearances with the company, he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975. In 1983, he served as conductor and musical director for the Franco Zeffirelli screen adaptation of La Traviata, which featured the Met orchestra and chorus members. He became the company's first artistic director in 1986, and relinquished the title in 2004. In 2005, Levine's combined salary from the Boston Symphony Orchestra and the Met made him the highest-paid conductor in the country, at $3.5 million. During Levine's tenure, the Metropolitan Opera orchestra expanded its activities into the realms of recording, and separate concert series for the orchestra and chamber ensembles from The Met Orchestra at Carnegie Hall. Levine led the Metropolitan Opera on many domestic and international tours. For the 25th anniversary of his Met debut, Levine conducted the world premiere of John Harbison's The Great Gatsby, commissioned especially to mark the occasion. On his appointment as general manager of the Met, Peter Gelb emphasized that Levine was welcome to remain as long as he wanted to direct music there. Levine was paid $2.1 million by the Met in 2010. Following a series of injuries that began with a fall (see below), Levine's subsequent health problems led to his withdrawal from many Metropolitan Opera conducting engagements. Following a May 2011 performance of Die Walkure, Levine formally withdrew from all conducting engagements at the Met. After two years of physical therapy, Levine returned to conducting with a May 2013 concert with the Metropolitan Opera Orchestra at Carnegie Hall. On September 25, 2013, Levine conducted his first Met performance since May 2011, in a revival production of Cosi fan tutte. Levine was scheduled to conduct three productions at the opera house and three concerts at Carnegie Hall in the 2013-14 season. On April 14, 2016, Met management announced that Levine would step down from his position as Music Director at the end of the 2015-16 season. Levine was paid $1.8 million by the Met for the 2015/16 season. He assumed the new title of Music Director Emeritus, which he held until December 2017, when in the wake of allegations that Levine had sexually abused four young men, the Met suspended its relationship with him and cancelled all his future scheduled performances with the company.

Answer this question "Did he do anything else for them?"
output:
company, he was named principal conductor of the Metropolitan Opera