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The Maronites are a Christian group who adhere to the Syriac Maronite Church with the largest population around Mount Lebanon in Lebanon. The Maronite Church is an Eastern Catholic sui iuris particular church in full communion with the Pope and the Catholic Church, with self-governance under the Code of Canons of the Eastern Churches, one of more than a dozen individual churches in full communion with the Holy See. They derive their name from the Syriac Christian saint Maron, whose followers migrated to the area of Mount Lebanon from their previous location of residence around the area of Antioch, establishing the nucleus of the Syriac Maronite Church. Some Maronites argue that they are of Mardaite ancestry, but most historians reject such claims.
Phoenicianism is an identity on the part of Lebanese Christians that has developed into an integrated ideology led by key thinkers, but there are a few who have stood out more than others: Charles Corm, Michel Chiha, and Said Aql in their promotion of Phoenicianism. In post civil-war Lebanon since the Taif agreement, politically Phoenicianism is restricted to a small group. Among leaders of the movement Etienne Saqr, Said Akl, Charles Malik, Camille Chamoun, and Bachir Gemayel have been notable names, some going as far as voicing anti-Arab views. In his book the Israeli writer Mordechai Nisan, who at times met with some of them during the war, quoted Said Akl, a famous Lebanese poet and philosopher, as saying; Akl believes in emphasizing the Phoenician legacy of the Lebanese people and has promoted the use of the Lebanese dialect written in a modified Latin alphabet, rather than the Arabic one, although both alphabets have descended from the Phoenician alphabet. In opposition to such views, Arabism was affirmed at the March 1936 Congress of the Coast and Four Districts, when the Muslim leadership at the conference made the declaration that Lebanon was an Arab country, indistinguishable from its Arab neighbors. In the April 1936 Beirut municipal elections, Christian and Muslim politicians were divided along Phoenician and Arab lines in the matter of whether the Lebanese coast should be claimed by Syria or given to Lebanon, increasing the already mounting tensions between the two communities. Phoenicianism is still disputed by many Arabist scholars who have on occasion tried to convince its adherents to abandon their claims as false, and to embrace and accept the Arab identity instead. This conflict of ideas of identity is believed to be one of the pivotal disputes between the Muslim and Christian populations of Lebanon and what mainly divides the country to the detriment of national unity. In general it appears that Muslims focus more on the Arab identity of the Lebanese history and culture whereas the older, long-standing Christian communities, especially the Maronites focus on their history, and struggles as an ethnoreligious group in an Arab world, while also reaffirming the Lebanese identity, and refraining from Arab characterization as it would deny them their striving achievement of having fended off the Arabs and Turks physically, culturally, and spiritually since their conception. The Maronite perseverance lead to their existence even today.
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Are there any other interesting aspects about this article?

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refraining from Arab characterization as it would deny them their striving achievement of having fended off the Arabs and Turks physically, culturally, and spiritually since their conception.

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Paul Cezanne (US: or UK: ; French: [pol sezan]; 19 January 1839 - 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cezanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cezanne's intense study of his subjects.
The Cezannes came from the commune of Saint-Sauveur (Hautes-Alpes, Occitania). Paul Cezanne was born on 19 January 1839 in Aix-en-Provence. On 22 February, he was baptized in the Eglise de la Madeleine, with his grandmother and uncle Louis as godparents, and became a devout Catholic later in life. His father (1798-1886), a native of Saint-Zacharie (Var), was the co-founder of a banking firm (Banque Cezanne et Cabassol) that prospered throughout the artist's life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance. His mother, Anne Elisabeth Honorine Aubert (1814-1897), was "vivacious and romantic, but quick to take offence". It was from her that Cezanne got his conception and vision of life. He also had two younger sisters, Marie and Rose, with whom he went to a primary school every day. At the age of ten Cezanne entered the Saint Joseph school in Aix. In 1852 Cezanne entered the College Bourbon (now College Mignet), where he became friends with Emile Zola, who was in a less advanced class, as well as Baptistin Baille--three friends who came to be known as "les trois inseparables" (the three inseparables). He stayed there for six years, though in the last two years he was a day scholar. In 1857, he began attending the Free Municipal School of Drawing in Aix, where he studied drawing under Joseph Gibert, a Spanish monk. From 1858 to 1861, complying with his father's wishes, Cezanne attended the law school of the University of Aix, while also receiving drawing lessons. Going against the objections of his banker father, he committed himself to pursuing his artistic development and left Aix for Paris in 1861. He was strongly encouraged to make this decision by Zola, who was already living in the capital at the time. Eventually, his father reconciled with Cezanne and supported his choice of career. Cezanne later received an inheritance of 400,000 francs from his father, which rid him of all financial worries.
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who were his parents

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His mother, Anne Elisabeth Honorine Aubert (1814-1897), was "vivacious and romantic, but quick to take offence".