instruction:
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
question:
Context_1 : "Eighteen Inches" is a song written by Carrie Underwood, Ashley Gorley and Kelley Lovelace and recorded by American country music artist Lauren Alaina. It was released in July 2012 as the third single from Alaina's debut album "Wildflower". Context_2 : "What Ifs" is a song recorded by American country music singer Kane Brown for his self-titled debut album, with Lauren Alaina featuring. The song was released with the album through RCA Nashville and was released on February 6, 2017. Context_3 : "Next Boyfriend" is a song by American country music singer Lauren Alaina. It is the first single from her 2015 self-titled EP and her second studio album, "Road Less Traveled". Context_4 : Lauren Alaina (born Lauren Alaina Kristine Suddeth; November 8, 1994) is an American country music singer and songwriter from Rossville, Georgia. Alaina was the runner-up on the tenth season of "American Idol". Her debut studio album, "Wildflower" was released on October 11, 2011. Her second album, "Road Less Traveled" was released January 27, 2017. She later achieved her first number one on the Country Airplay chart with its title track. Context_5 : "Barefoot and Buckwild" is a song by American country music singer Lauren Alaina. The song was written by Alaina with Chris DeStefano and Jon Nite. It was released May 7, 2013 through Mercury Nashville and 19 Recordings as a standalone single. Context_6 : "Like My Mother Does" is a song written by Nathan Chapman, Liz Rose, and Nikki Williams. It was first recorded by American country artist Kristy Lee Cook from her 2008 album, "Why Wait". It was later recorded and released as a single by country music singers Jesse Lee and Lauren Alaina in 2010 and 2011, respectively. Alaina's recording became the first version of the song to chart; it debuted at number 49 on the U.S. "Billboard" Hot Country Songs chart, and later reached a peak of number 36 on the chart in October 2011. Context_7 : "Road Less Traveled" is a song recorded by American country music singer Lauren Alaina for her 2015 self-titled EP. Alaina co-wrote the song with Jesse Frasure and Meghan Trainor. It was released to country radio through Mercury Nashville and Interscope Records on June 27, 2016 as the EP's second single and officially impacted the format on July 11, 2016. The song is also included on her second studio album of the same name (2017), and serves as the record's second single. Context_8 : The American Country Awards (ACA) is an annual country music awards show, entirely voted on by fans online. Created in 2010 by the Fox Network, the awards honor country music artists for singles, albums, music videos and touring categories. In 2012, "Song of the Year" was added with the nominations coming from the Nashville Songwriters International Association. In addition to the CMA Awards, the ACM Awards and the CMT Music Awards, it is the fourth major-awards show completely dedicated to the country music industry. The first two ceremonies took place at the MGM Grand Garden Arena in Las Vegas, Nevada on December 6, 2010 and December 5, 2011. The 2012 ceremony took place at the Mandalay Bay Events Center in Las Vegas, on December 10. Luke Bryan won nine awards, including artist and album of the year, while Miranda Lambert won three. Carrie Underwood won female artist of the year and Lauren Alaina won new artist of the year. The show was executive produced by Bob Bain, produced by Paul Flattery, Tisha Fein, Kelly Brock and Fletcher Foster and directed by Michael Dempsey. The Fox Network cancelled the American Country Awards in 2014 and replaced it with the American Country Countdown Awards from dick clark productions. The ratings for ACCA dropped dramatically compared to the 2013 American Country Awards. According to TV By The Numbers 18-49 Ratings/Share dropped from 1.4/4 to 0.9/3 and viewership dropped from 5.14 million to 3.39 million. Context_9 : "Doin' Fine" is a song written and recorded by American country music singer Lauren Alaina for her second studio album, "Road Less Traveled" (2017). Inspired by her parents' divorce, Alaina co-wrote the "semi-autobiographical" song with Emily Shackelton and the record's producer, busbee. It was released to American country radio May 22, 2017 as the album's third single. Context_10 : Lauren Alaina is the second extended play recorded by American country music singer Lauren Alaina, released to digital retailers on October 2, 2015 by Mercury Nashville, Interscope Records and 19 Recordings. It serves to promote Alaina's forthcoming second studio album and follow-up to 2011's "Wildflower". Alaina co-wrote all five tracks. fact_1 : It was released May 7, 2013 through Mercury Nashville and 19 Recordings as a standalone single. fact_2 : Lauren Alaina (born Lauren Alaina Kristine Suddeth; November 8, 1994) is an American country music singer and songwriter from Rossville, Georgia. Answer: May 7, 2013
answer:
Barefoot and Buckwild is a song by American country music singer Lauren Alaina, it was released on which date?

question:
Context_1 : A teen situation comedy, or teen sitcom, is a subgenre of comedic television programs targeted towards preteens and teenagers. In general, these type of programs focus primarily on characters between 13 and 19 years of age and routinely feature characters involved in humorous situations (either realistic or fantasy in style, depending on the program's plotline), and often focus on the characters' family and social lives. The primary plot of each episode often involves the lead character(s) that the program centers on, while secondary plotlines often focus on the character(s') parents, siblings (assuming the main character has any and they are not one of the leads) or friends although the secondary characters may also or instead be involved in the episode's main plot. Context_2 : Forum theatre is a type of theatre created by the innovative and influential practitioner Augusto Boal as part of what he calls his "Theatre of the Oppressed." Boal created Forum theatre as a forum for teaching people how to change their world. While practicing earlier in his career, Boal would apply 'simultaneous dramaturgy'. In this process the actors or audience members could stop a performance, often a short scene in which a character was being oppressed in some way. The audience would suggest different actions for the actors to carry out on-stage in an attempt to change the outcome of what they were seeing. This was an attempt to undo the traditional actor partition and bring audience members into the performance, to have an input into the dramatic action they were watching. Eventually this 'simultaneous dramaturgy' became Forum theatre when audience members were asked not just to suggest different actions, but to come on stage and perform their own interventions. Context_3 : In theatre, a farce is a comedy that aims at entertaining the audience through situations that are highly exaggerated, extravagant, and thus improbable. Farce is also characterized by physical humor, the use of deliberate absurdity or nonsense, and broadly stylized performances. Farces have been written for the stage and film. Furthermore, a farce is also often set in one particular location, where all events occur. Context_4 : Bizarro fiction is a contemporary literary genre, which often uses elements of absurdism, satire, and the grotesque, along with pop-surrealism and genre fiction staples, in order to create subversive, weird, and entertaining works. The term was adopted in 2005 by the independent publishing companies Eraserhead Press, Raw Dog Screaming Press, and Afterbirth Books. Much of its community revolves around Eraserhead Press, which is based in Portland, Oregon, and has hosted the BizarroCon yearly since 2008. The introduction to the first "Bizarro Starter Kit" describes Bizarro as "literature's equivalent to the cult section at the video store" and a genre that "strives not only to be strange, but fascinating, thought-provoking, and, above all, fun to read." According to Rose O'Keefe of Eraserhead Press: "Basically, if an audience enjoys a book or film primarily because of its weirdness, then it is Bizarro. Weirdness might not be the work's only appealing quality, but it is the major one." Context_5 : The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. Characterisation tends to be defined only vaguely and the plot gives the illusion of dynamic, constant movement. The German philosopher Hegel argued that characters pursue their aims in such comedies via the use of deception. The genre was first developed in the theatre of classical Rome by Plautus and Terence. Examples of comedies of intrigue include Niccolo Machiavelli's "The Mandrake" (1524), the anonymous Italian play "The Deceived Ones" (1531), Shakespeare's "The Merchant of Venice" (c. 1596) and "Much Ado About Nothing", Thomas Heywood's "The Wise Woman of Hoxton" (c. 1604), Moliere's "Scapin the Schemer" (1671), and the plays of Aphra Behn and Thomas D'Urfey. Context_6 : The term "Dialect comedy" was coined by David Marc in his essay, "Origins of the genre". Dialect comedies are a genre of radio (and later television) sitcoms that were popular between the 1920s and the 1950s. They relied on the exaggerated and highly stylized portrayal of stereotypes, usually based on ethnic humor. The genre has its roots on the vaudeville stage and in the minstrel shows that became popular in the 19th century. The ethnicities of the actual actors portraying the dialects did not have to match the characters; while much Jewish dialect comedy was created and portrayed by actual Jews, other dialect comedies, such as those involving blackface, were often not. Context_7 : Il Penseroso (The Serious Man) is a vision of poetic melancholy by John Milton, first found in the 1645/1646 quarto of verses "The Poems of Mr. John Milton, both English and Latin", published by Humphrey Moseley. It was presented as a companion piece to "L'Allegro", a vision of poetic mirth. The speaker of this reflective ode dispels "vain deluding Joys" from his mind in a ten-line prelude, before invoking "divinest Melancholy" to inspire his future verses. The melancholic mood is idealised by the speaker as a means by which to "attain / To something like prophetic strain," and for the central action of "Il Penseroso" which, like "L'Allegro", proceeds in couplets of iambic tetrameter the speaker speculates about the poetic inspiration that would transpire if the imagined goddess of Melancholy he invokes were his Muse. The highly digressive style Milton employs in "L'Allegro" and "Il Penseroso" dually precludes any summary of the poems' dramatic action as it renders them interpretively ambiguous to critics. However, it can surely be said that the vision of poetic inspiration offered by the speaker of "Il Penseroso" is an allegorical exploration of a contemplative paradigm of poetic genre. Context_8 : Spymonkey is an international comedy and physical theatre company, based in Brighton. Its members are Toby Park and Petra Massey, both British, Aitor Basauri, a Spaniard, and Stephan Kreiss, a German. According to the theatre director, Tom Morris, 'Spymonkey follow a rich comic tradition which runs from Tommy Cooper through Morecambe and Wise to Reeves and Mortimer. They are clowns supreme, the high priests of foolery.' For Julian Crouch of Improbable Theatre, they are 'groundbreaking and sharply brilliant, Spymonkey dance along the very boundary of artistic bravery. They take big risks in their work, and manage to be both true to a highly experimental process AND take their audience with them on that journey.' Context_9 : Scenario is an Artificial Intelligence (AI) computer graphic interactive installation, directed by the artist Dennis Del Favero, and developed in collaboration with scriptwriter Stephen Sewell, AI scientist Maurice Pagnucco working with computer scientists Anuraag Sridhar, Arcot Sowmya and Paul Compton. It is a 360-degree 3D cinematic work whose narrative is interactively produced by the audience and humanoid characters. The title is a Commedia dell'arte term (enarjo) referring to the way dramatic action is dependent on the way actors and audience interact. "Scenario" was developed at the iCinema Centre for Interactive Cinema Research at the University of New South Wales. Context_10 : Sex comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Chaucer may be considered sex comedies. fact_1 : The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and farcical humour and contrived or ridiculous dramatic situations are often employed. fact_2 : In theatre, a farce is a comedy that aims at entertaining the audience through situations that are highly exaggerated, extravagant, and thus improbable. Answer: farce
answer:
The comedy of intrigue, also known as the comedy of situation, is a genre of comedy in which dramatic action is prioritised over the development of character, complicated strategems and conspiracies drive the plot, and in theatre, which is a term that describes a comedy that aims at entertaining the audience through situations that are highly exaggerated, extravagant, and thus improbable?

question:
Context_1 : "Wearing the Inside Out" is a song from Pink Floyd's 1994 album, "The Division Bell". It is the first Pink Floyd song since "Time" from "The Dark Side of the Moon" where Richard Wright sings lead, as well as his final lead vocal on a Pink Floyd album. Additionally, it is the only song on the album for which David Gilmour receives no writing credit, and the only Pink Floyd song post-"Dark Side" to credit neither Roger Waters nor Gilmour. (Four instrumental tracks on The Endless River were however credited to Wright alone.) Context_2 : "Rise" is an instrumental written by Andy Armer and Randy Badazz Alpert, and first recorded by trumpeter Herb Alpert. The instrumental track was included on Alpert's solo album "Rise" and released as a single in 1979. It reached number one on the U.S. "Billboard" Hot 100 in October of that year and remained in the top position for two weeks. Herb Alpert thus became the first (and only) artist to reach the top of the Hot 100 with a vocal performance ("This Guy's in Love with You", 1968) as well as an instrumental performance. "Rise" also spent one week atop the adult contemporary chart. "Rise" was successful on the other charts, peaking at number four on the R&B chart and number seventeen on the disco chart. The recording also received a Grammy Award for Best Pop Instrumental Performance. Songwriters Andy Armer and Randy Badazz Alpert were both nominated for a Grammy Award for Best Instrumental Composition. Context_3 : "A Taste of Honey" is a pop standard written by Bobby Scott and Ric Marlow. It was originally an instrumental track (or recurring theme) written for the 1960 Broadway version of the 1958 British play "A Taste of Honey" (which was also made into the film of the same name in 1961). Both the original and a later recording by Herb Alpert in 1965 earned the song four Grammy Awards. A vocal version of the song, first recorded by Billy Dee Williams (and released in 1961 on the Prestige label), was recorded by the Beatles for their first album in 1963. Barbra Streisand had performed the song as part of her cabaret act during 1962, and recorded it for her debut album The Barbra Streisand Album on Columbia, which won a Grammy for Album of the Year (1963). Context_4 : "Louder than Words" is a song written by David Gilmour and Polly Samson. The song, featuring lyrics written by Samson to accompany a composition by Gilmour, was originally recorded by British rock band Pink Floyd as the closing track of their fifteenth studio album, "The Endless River". The track, which had its roots in the 1993 sessions for the band's previous studio album, "The Division Bell", features a posthumous appearance by former keyboardist and founding member of Pink Floyd, Richard Wright, and an appearance by electronic string quartet Escala. "Louder than Words" is the only song on the album with lyrics, sung by lead vocalist Gilmour. Context_5 : Spirit of the Boogie is the highly successful sixth studio album released in 1975 by Kool & the Gang. It can be seen as a follow-up to "Wild and Peaceful" (1973); The instrumental "Jungle Jazz" uses the same basic rhythm track heard in "Jungle Boogie", but lets the players improvise on their instruments (saxophone, trumpet and flute). Reminiscences or earlier works can be noticed ("Ride The Rhythm" contains the line: "making merry music...", which was the name of a song from their 1972 album, "Good Times"). "Spirit of the Boogie" features Donal Boyce, who was rapping on "Jungle Boogie". Some African influence can be felt, and the band even play in a West-Indian style on "Caribbean Festival", another instrumental track, with once more lots of room for improvisation. Context_6 : The Endless River is the fifteenth and final studio album by the English rock band Pink Floyd. It was released on 7 November 2014 in Friday-release countries and on 10 November elsewhere by Parlophone Records in the United Kingdom and by Columbia Records in the United States. It was the third Pink Floyd album led by guitarist and singer David Gilmour following Roger Waters' departure in 1985 and the first following the death of keyboardist Rick Wright in 2008, who appears posthumously. Context_7 : "Any Colour You Like" is the eighth track from English progressive rock band Pink Floyd's 1973 album, "The Dark Side of the Moon". It is an instrumental written by David Gilmour, Richard Wright and Nick Mason, making it one of three tracks on the album that Roger Waters did not receive writing credit for, the last Pink Floyd track that Waters had no part in writing while he was still a member, and the last Pink Floyd studio track credited to Mason until "The Endless River". Context_8 : "Traffic" is a track single which appeared in the album "Just Be" and "Parade of the Athletes" by Dutch DJ Tiesto. The track contains samples of Sean Deason's track "Psykofuk". When the album "Just Be" was released, his third single "Love Comes Again" was featured with it, "Traffic" turned into a B-side after having great success in Tiesto's concerts and having a music video made which was released in its original form as well as its radio edit version. It is the first instrumental track to reach the top spot in his homeland of the Netherlands in 23 years. Many DJ's did remixes for "Traffic". The track is recorded at 136 BPM. Context_9 : "Good Time" is a song written by Brian Wilson and Al Jardine for the American rock band the Beach Boys. The instrumental track and vocals were recorded by the group in early 1970 but was left unreleased by the group until the 1977 album "Love You". In 1972 American pop duo American Spring released "Good Time" as their second single, recording their voices atop the Beach Boys' instrumental track. Context_10 : "Duet" is a song from British indie pop band Everything Everything. The track was released in the United Kingdom on 24 March 2013 as the third single from the band's second studio album, "Arc" (2013). The track received its first play on 8 January 2013, with "Arc" having been selected as BBC Radio 1 DJ Zane Lowe's "Album of the Week". The single's B-side"+Pendolino"served as the band's first official instrumental track; having been originally recorded in 2011. fact_1 : "Any Colour You Like" is the eighth track from English progressive rock band Pink Floyd's 1973 album, "The Dark Side of the Moon". fact_2 : It is an instrumental written by David Gilmour, Richard Wright and Nick Mason, making it one of three tracks on the album that Roger Waters did not receive writing credit for, the last Pink Floyd track that Waters had no part in writing while he was still a member, and the last Pink Floyd studio track credited to Mason until "The Endless River". fact_3 : The Endless River is the fifteenth and final studio album by the English rock band Pink Floyd. Answer: Any Colour You Like
answer:
Which song is an instrumental track by the same band who recorded the album The Endless River?