input: At times, Moby has been reluctant to use the word "Christian" to define himself, due to its ambiguity, but self-identified as a Christian in a 2003 BBC interview. In the BBC interview, Moby spoke about his encounter with the Gospels: "In about 1985 I read the teachings of Christ and was instantly struck by the idea that Christ was somehow divine. When I say I love Christ and love the teachings of Christ, I mean that in the most simple and naive and subjective way. I'm not saying I'm right, and I certainly wouldn't criticize anyone else's beliefs." Also in 2003, in an interview with Amazon.com, Moby said, "I can't really know anything. Having said that, though, on a very subjective level I love Christ. I perceive Christ to be God, but I predicate that with the knowledge that I'm small and not nearly as old as the universe that I live in. I take my beliefs seriously for myself, but I would be very uncomfortable trying to tell anyone that I was right." In a September 20, 2006 audio interview with Sojourners magazine, he says, "I read the New Testament, specifically the gospels and I was struck at their divinity, feeling that humans could not have figured this out on their own. We're just not bright enough." He also discusses his faith on his own blog. On January 19, 2007, in his reaction to seeing Alexandra Pelosi's Friends of God, a film about evangelicalism in the United States, Moby writes, "The movie reminded me just how utterly disconnected the agenda of the evangelical Christian right is from the teachings of Christ." In a 2014 interview with Mother Jones, he was asked if he identifies as a Christian and said that he has been "led ... away from any sort of conventional Christianity," but that he "still love[s] the teachings of Christ." Moby explained to Mother Jones that if he needed to label himself, it would be as a "Taoist-Christian-agnostic quantum mechanic." Moby's 2016 book Porcelain: A Memoir introduces him as a "devout Christian, a vegan, and a teetotaler" and discusses the evolution of his spiritual views.

Answer this question "Does he teach his faith?"
output:

input: He published an autobiography, Fatso, in 1987. He was noted as a jovial and humorous person during his playing career and capitalized on that with television and speaking appearances after retiring as a player. He owned and managed a country club near Baltimore. Donovan also appeared ten times on the Late Show with David Letterman, telling humorous stories about his old playing days and about other "old school" footballers he played with and against. He relayed a story that he played without a helmet and in fact is shown on football cards without a helmet. Letterman wore Donovan's No. 70 Colts jersey in the famous Super Bowl XLI commercial with Oprah Winfrey and Jay Leno. Donovan guest-starred in the Nickelodeon show The Adventures of Pete & Pete in the episode "Space, Geeks, and Johnny Unitas". He also appeared as a guest commentator at the WWF King of the Ring tournament in 1994. Donovan's appearance at the 1994 King of the Ring event would become infamous among wrestling fans for being seemingly uninformed about the product as well as generally befuddled behavior such as repeatedly asking how much certain wrestlers weighed. He was joined by Gorilla Monsoon on play-by-play, who inadvertently referred to Donovan several times as "Art O'Donnell", and Randy Savage. He was co-host of the popular 1990s program Braase, Donovan, Davis and Fans on WJZ-TV in Baltimore with Colt teammate Ordell Braase. The trio talked more about Art Donovan's fabled stories than contemporary NFL football, but the show held high ratings in its time slot. He was also a pitchman for the Maryland State Lottery and ESPN.

Answer this question "Was the autobiograpghy a hit"
output:

input: Olivier had intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building. By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term. His next major role, and his last appearance in a Shakespeare play, was as Shylock in The Merchant of Venice, his first appearance in the work. He had intended Guinness or Scofield to play Shylock, but stepped in when neither was available. The production by Jonathan Miller, and Olivier's performance, attracted a wide range of responses. Two different critics reviewed it for The Guardian: one wrote "this is not a role which stretches him, or for which he will be particularly remembered"; the other commented that the performance "ranks as one of his greatest achievements, involving his whole range". In 1969 Olivier appeared in two war films, portraying military leaders. He played Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding in Battle of Britain. In June 1970 he became the first actor to be created a peer for services to the theatre. Although he initially declined the honour, Harold Wilson, the incumbent prime minister, wrote to him, then invited him and Plowright to dinner, and persuaded him to accept. After this Olivier played three more stage roles: James Tyrone in Eugene O'Neill's Long Day's Journey into Night (1971-72), Antonio in Eduardo de Filippo's Saturday, Sunday, Monday and John Tagg in Trevor Griffiths's The Party (both 1973-74). Among the roles he hoped to play, but could not because of ill-health, was Nathan Detroit in the musical Guys and Dolls. In 1972 he took leave of absence from the National to star opposite Michael Caine in Joseph L. Mankiewicz's film of Anthony Shaffer's Sleuth, which The Illustrated London News considered to be "Olivier at his twinkling, eye-rolling best"; both he and Caine were nominated for the Academy Award for Best Actor, losing to Marlon Brando in The Godfather. The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974). By the time of Eden End, he was no longer director of the National Theatre; Peter Hall took over on 1 November 1973. The succession was tactlessly handled by the board, and Olivier felt that he had been eased out--although he had declared his intention to go--and that he had not been properly consulted about the choice of successor. The largest of the three theatres within the National's new building was named in his honour, but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome, which Hall privately described as the most successful part of the evening.

Answer this question "who were the military leaders he played?"
output:
Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding