In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : On screen, George I of Great Britain has been portrayed by Peter Bull in the 1948 film "Saraband for Dead Lovers", Eric Pohlmann in the 1953 film "Rob Roy, the Highland Rogue", Otto Waldis in the 1954 film "The Iron Glove", and Steve Plytas in an episode of the Granada Television series "Rogues' Gallery" entitled "A Bed-Full of Miracles" (1969). Context_2 : Robin Hood: Men in Tights is a 1993 American musical adventure comedy film and a parody of the Robin Hood story. The film was produced and directed by Mel Brooks, co-written by Brooks, Evan Chandler, and J. David Shapiro based on a story by Chandler and Shapiro, and stars Cary Elwes, Richard Lewis, and Dave Chappelle in his film debut. It includes frequent comedic references to previous "Robin Hood" films (particularly "", upon which the plot is loosely structured, Disney's "Robin Hood", and the 1938 Errol Flynn adaptation, "The Adventures of Robin Hood"). Context_3 : Rob Roy, the Highland Rogue is a 1953 British-American action film, made by Walt Disney Productions. This film is about Rob Roy MacGregor, and it is also the final Disney film released through RKO Radio Pictures. Context_4 : Sir Guy of Gisbourne (also spelled Gisburne, Gisborne, Gysborne, or Gisborn) is a character from the Robin Hood legends of English folklore. He first appears in "Robin Hood and Guy of Gisborne" (Child Ballad 118), where he is a hired killer who attempts to kill Robin Hood but is killed by him. In later depictions, he has become a romantic rival to Robin Hood for Maid Marian's love. Context_5 : The Adventures of Robin Hood is a British television series comprising 143 half-hour, black and white episodes broadcast weekly between 1955 and 1959 on ITV. It stars Richard Greene as the outlaw Robin Hood and Alan Wheatley as his nemesis, the Sheriff of Nottingham. The show followed the legendary character Robin Hood and his band of merry men in Sherwood Forest and the surrounding vicinity. While some episodes dramatised the traditional Robin Hood tales, most episodes were original dramas created by the show's writers and producers. Context_6 : Robin Hood Daffy is a 1958 Warner Bros. Pictures, Inc theatrical cartoon comedy short, starring Daffy Duck (in the role of Robin Hood) and Porky Pig, as part of the Merrie Melodies series, directed by Chuck Jones and written by Michael Maltese. It was the last of Jones' parody cartoons with the duo, and the last appearance of Porky in a theatrical cartoon directed by Jones during the Golden Age of Animation. It was also the second parody of Robin Hood directed by Chuck Jones, after the 1949 Bugs Bunny short "Rabbit Hood". An edited version of "Robin Hood Daffy" was included in the theatrical film "The Bugs Bunny/Road Runner Movie" (1979). Context_7 : Robyn Hod and the Shryff off Notyngham is the manuscript fragment of a late medieval play about Robin Hood, the earliest known Robin Hood playscript and the only surviving medieval script of a Robin Hood play. The manuscript dates from c1475, that is it is approximately as old as the earliest copies of the ballads. In addition to being incomplete the script has no scene or stage directions, and does not identify speakers, so it offers uncertainties of interpretation. However it has been interpreted as telling essentially the same story as Robin Hood and Guy of Gisborne . If correct this would confirm the medieval origin of the Gisbourne story. The play is also important for containing the earliest reference to Friar Tuck,"ffrere Tuke", as a member of Robin Hood's band. Context_8 : Robin of Sherwood (retitled Robin Hood in the United States) is a British television series, based on the legend of Robin Hood. Created by Richard Carpenter, it was produced by HTV in association with Goldcrest, and ran from 1984 to 1986 on the ITV network. In America it was retitled "Robin Hood" and shown on the premium cable TV channel Showtime and, later, on PBS. The show starred Michael Praed and Jason Connery as two different incarnations of the title character. Unlike previous adaptations of the Robin Hood legend, "Robin of Sherwood" combined a gritty, authentic production design with elements of real-life history, 20th century fiction, and pagan myth. The series is also notable for its musical score by Clannad, which won a BAFTA award. Context_9 : The Story of Robin Hood and His Merrie Men is a 1952 live action Disney version of the Robin Hood legend made in Technicolor and filmed in Buckinghamshire, England. It was written by Lawrence Edward Watkin and directed by Ken Annakin. This is the second of Disney's complete live-action films, after "Treasure Island" (1950), and the first of four films Annakin directed for Disney. Context_10 : Robin Hood is a fictional character who is the protagonist in Walt Disney Productions series' 21st animated feature film Robin Hood (1973). Robin Hood is voiced by Shakespearean and Tony Award winning actor Brian Bedford. The film is based on the legends of Robin Hood and Reynard the fox, a 12th century Alsatian fairy tale character, but uses anthropomorphic animals rather than people. The story follows the adventures of Robin Hood, Little John and the inhabitants of Nottingham as they fight against the excessive taxation of Prince John, and Robin Hood wins the hand of Maid Marian. fact_1 : Rob Roy, the Highland Rogue is a 1953 British-American action film, made by Walt Disney Productions. fact_2 : The Story of Robin Hood and His Merrie Men is a 1952 live action Disney version of the Robin Hood legend made in Technicolor and filmed in Buckinghamshire, England. Question: Between the movies Rob Roy, the Highland Rogue or The Story of Robin Hood and His Merrie Men, which year was the first one produced?
A:
1952