Problem: Buzzi was born at Westerly Hospital, Westerly, Rhode Island, the daughter of Rena Pauline and Angelo Peter Buzzi, a nationally recognized stone sculptor. She was raised in Wequetequock, Connecticut, in a rock house overlooking the ocean at Wequetequock Cove, where her father owned Buzzi Memorials, a business still operated by her older brother, Harold. Her father was born in Arzo, Switzerland, in the Italian-speaking canton of Ticino. He carved the marble eagles at Penn Station in New York, the granite Leif Erikson memorial in Providence, Rhode Island, the animals seen in relief on the American Museum of Natural History in New York City, and made thousands of tombstones.

In the late 1960s, Ruth Buzzi appeared in every episode of The Steve Allen Show, a comedy-variety series starring Steve Allen. Her character parts in the Allen sketches led her to be cast for NBC's new show Rowan and Martin's Laugh-In. She was the only featured player to appear in every episode of Laugh-In including the pilot for the show and the Laugh-In television special. A versatile comedian and accomplished singer, Buzzi played everything from dowdy old women to tipsy drunks, from Southern belles to flashy hookers. Among her recurring characters on Laugh-In were Busy-Buzzi, a Hedda Hopper-type Hollywood gossip columnist; Doris Swizzler, a cocktail-lounge habituee who always got riotously smashed with husband Leonard (Dick Martin); and one of the Burbank Airlines Stewardesses, teaming with Debbie Reynolds as two totally inconsiderate flight attendants. Her most famous character was dowdy spinster Gladys Ormphby, clad in drab brown with her bun hairdo covered by a visible hairnet knotted in the middle of her forehead. Buzzi first used this look when she played Agnes Gooch in a school production of Auntie Mame. In most sketches, she used her lethal purse, with which she would flail away vigorously at anyone who incurred her wrath. On Laugh-In, Gladys most often appeared as the unwilling object of the advances of Arte Johnson's "dirty old man" character Tyrone F. Horneigh. In a typical exchange, Tyrone accosts Gladys and asks, "Do you believe in the hereafter?" "Of course I do!" Gladys retorts defensively. Delighted, Tyrone shoots back: "Then you know what I'm here after!" NBC collectively called these two characters The Nitwits when they went to animation in the mid-1970s as part of the series Baggy Pants and the Nitwits. Buzzi and Johnson both voiced their respective roles in the cartoon. Buzzi, as Gladys, was featured in most of the Dean Martin Roasts from the MGM Hotel in Las Vegas. Memorable shows included her intense comedic dialogue, ranting about notable roastees including Muhammad Ali, Frank Sinatra, and Lucille Ball, to name a few. In each case, Gladys Ormphby pugnaciously attacked the honoree with her flailing purse to the screams and howls of the Las Vegas audience. Martin would also suffer Gladys's purse assaults for his remarks about her unappealing looks and poor romantic prospects. In one such exchange, Gladys accusingly questioned Martin about who had been chasing her around a hotel room in the wee hours; Martin's response ("The exterminator!") earned him a beating as he broke up laughing along with the audience. Gladys then declared to the audience that, when Martin and other men looked at her, only one thing came to their minds. Martin, still laughing, could barely get out the answer: "Rabies!" This earned him an even fiercer beating from Gladys.

What was that show called?

Answer with quotes: Dean Martin Roasts from the MGM Hotel in Las Vegas.

Problem: Sutcliffe was born in Bingley in the West Riding of Yorkshire to a working-class family. He was given a Catholic upbringing by his parents, John William Sutcliffe and his wife Kathleen Frances (nee Coonan). Reportedly a loner, he left school aged fifteen and had a series of menial jobs, including two stints as a gravedigger in the 1960s. Between November 1971 and April 1973, Sutcliffe worked at the Baird Television factory on a packaging line.

West Yorkshire Police were criticised for being inadequately prepared for an investigation on this scale. It was one of the largest investigations by a British police force and predated the use of computers. Information on suspects was stored on handwritten index cards. Aside from difficulties in storing and accessing the paperwork (the floor of the incident room was reinforced to cope with the weight of the paper), it was difficult for officers to overcome the information overload of such a large manual system. Sutcliffe was interviewed nine times, but all information the police had about the case was stored in paper form, making cross-referencing difficult, compounded by television appeals for information which generated thousands more documents. Assistant Chief Constable George Oldfield was criticised for being too focused on a hoax confessional tape that seemed to indicate a perpetrator with a Wearside background, and for ignoring advice from survivors of Sutcliffe's attacks, and several eminent specialists including the FBI, plus dialect analysts such as Stanley Ellis and Jack Windsor Lewis, whom he had also consulted throughout the manhunt, that "Wearside Jack" was a blatant hoaxer. The investigation used it as a point of elimination rather than a line of enquiry and allowed Sutcliffe to avoid scrutiny, as he did not fit the profile of the sender of the tape or letters. The "Wearside Jack" hoaxer was given unusual credibility when analysis of saliva on the envelopes he sent showed he had the same blood group as the Yorkshire Ripper had left at crime scenes, a type shared by only 6% of the population. The hoaxer appeared to know details of the murders which had not been released to the press, but which in fact he had acquired from his local newspaper and pub gossip. The official response to the criticisms led to the implementation of the forerunner of the Home Office Large Major Enquiry System, the development of the Major Incident Computer Application (MICA), developed between West Yorkshire Police and ISIS Computer Services. In response to the police reaction to the murders, the Leeds Revolutionary Feminist Group organised a number of 'Reclaim the Night' marches. The group and other feminists had criticised the police for victim-blaming, especially the suggestion that women should remain indoors at night. Eleven marches in various towns across the United Kingdom took place on the night of 12 November 1977. They made the point that women should be able to walk anywhere without restriction and that they should not be blamed for men's violence. In 1988, the mother of Sutcliffe's last victim, Jacqueline Hill, during action for damages on behalf of her daughter's estate, argued in the High Court that the police had failed to use reasonable care in apprehending the murderer of her daughter in Hill v Chief Constable of West Yorkshire. The House of Lords held that the Chief Constable of West Yorkshire did not owe a duty of care to the victim due to the lack of proximity and therefore failing on the second limb of the Caparo test.

What had to happen to the floor

Answer with quotes:
the floor of the incident room was reinforced to cope with the weight of the paper