In this task, you're given an article and an answer. Your task is to generate the fill-in-the-blank question for this answer based on the given article. The blanks are always at the end of the question, and can be filled with more than one word or phrase.

Ex Input:
Article: I found the imagination of becoming a grandmother somewhat discouraging. I was younger than I thought a grandmother should be when I got the news that I was going to become one myself. I admit, it was not a role that I was emotionally ready to accept. I had been a young mother, and had certainly hoped my daughter would not face _ . I remarried when she was a teenager, and then had two more children. On getting the news that she was expecting , I remember thinking "What do I know about being a grandmother? --I haven't even finished raising my own kids yet!" I don't like to be unprepared, so I read a few books about grandparenting. That gave me a little help, but I was still uncertain. I thought about other grandmothers I knew, and got a few ideas I liked and a few more that I didn't. But I couldn't quite figure out what kind of grandmother I wanted to be. Then I thought about my own grandmother, Granny, as she's known by most people, and I knew I had the answer. I didn't realize it until that moment, but my own grandmother was the example for the kind of grandmother I wanted to be. I am fortunate that I got to spend a lot of time with my grandparents when I was a little kid. Here is what I learned from my Granny: Grandmothers always have a cookie jar. For my whole life, Granny always had a cookie jar full of cookies. When I was a little tiny girl, just at eye level with the counter, Granny would get the cookie jar down for me. When I was a little older I learned how to pull the chair over so I could reach. As I got taller, if I really stretched, I could reach the cookie jar with my finger tips and move it close enough to get it down off the counter to find out what kind of treat was inside. Always the first thing I did when I went to Granny's house was check the cookie jar, and there were always cookies in it. Many years later, I'll drive my own children to Granny's house and the first thing to do is get us all a cookie. So grandmothers must have a cookie jar, and on my granddaughter' s first Christmas,my daughter bought me my own cookie jar. She said when they came to see me,her daughter would find the treat the way she did and I did.
Answer: she was not emotionally ready to be one

Ex Output:
The writer thought it was a little discouraging to be a grandmother because _ .

Ex Input:
Article: This place was darker than I expected, and, in spite of the rain, dirtier. Used to the life of rural Puerto Rico , I had to adjust to the similarly arranged, aggressive two-dimensionality of New York. Everywhere I looked, my eyes met gray and brown straight-edged buildings with sharp corners and deep shadows. Every few blocks there was a cement playground surrounded by chain-link fence. A girl came out of the building next door, a jump rope in her hand, and she hopped over. "Are you Hispanic?" she asked. "No, I'm Puerto Rican." "Same thing. Puerto Rican, Hispanic. That's what we are here." She skipped a tight circle, stopped abruptly, and shoved the rope in my direction. "Want a turn?" "Sure." I hopped on one leg, then the other. "So, if you're Puerto Rican, they call you Hispanic?" "Yeah. Anybody who speaks Spanish." I jumped a circle, as she had done, but faster. "You mean, if you speak Spanish, you're Hispanic?" "Well, yeah. No . . . I mean your parents have to be Puerto Rican or Cuban or something." "Okay, your parents are Cuban, let's say, and you're born here, but you don't speak Spanish. Are you Hispanic?" "I guess so," she finally said. "It has to do with being from a Spanish country. I mean, you or your parents, like, even if you don't speak Spanish, you're Hispanic, you know?" She looked at me uncertainly. But I didn't know. I'd always been Puerto Rican, and it hadn't occurred to me that in New York I'd be someone else. Later, I asked. "Are we Hispanics, Mami?" "Yes, because we speak Spanish." "But a girl said you don't have to speak the language to be Hispanic." "What girl? Where did you meet a girl?" "Outside. She lives in the next building." "Who said you could go out to the sidewalk? This isn't Puerto Rico. Something could happen to you." I listened to Mami's lecture with depressed eyes and the necessary respect. But inside, I quaked. Two days in New York, and I'd already become someone else. It wasn't hard to imagine that greater dangers lay ahead.
Answer: an unavoidable result of movement to a new place

Ex Output:
For the author, being considered Hispanic represents _ .

Ex Input:
Article: More than a century ago, the composer and bandleader John Philip Sousa warned that technology would destroy music, who said, "These talking machines are going to ruin the artistic development of music in this country. When I was a boy ... in front of every house in the summer evenings you would find young people together singing the songs of the day or the old songs. Today you hear these terrible machines going night and day. We will not have a vocal cord left." Music has greatly changed in the past hundred years, which has been everywhere in our world: rivers of digital melody flow on the Internet or on disc; MP3 players with forty thousand songs can be put in a back pocket or a purse. Yet, for most of us, music is no longer something we do ourselves, or even watch other people do in front of us. It has become a radically virtual medium, an art without a face. Ever since Edison invented the phonograph cylinder , people have been assessing what the medium of recording has done for and to the art of music. Sousa was a spokesman for the party of doom; in the opposite corner are the utopians , who argue that technology has not imprisoned music but liberated it. Before Edison came along, Beethoven's symphonies could be heard only in select concert halls. Now the recordings carry the man from Bonn to the corners of the earth. Glenn Gould, after renouncing live performance in 1964, predicted that within the century the public concert would disappear into the electronic air. Having discovered much of my favorite music through LPs and CDs, I am not about to join Sousa's party. Modern urban environments are often so soulless or ugly that I'm grateful for the humanizing touch of electronic sound. But neither can I accept Gould's slashing futurism. I want to be aware of technology's effects, positive and negative. Fortunately, scholars and critics have been methodically exploring this _ for many decades, trying to figure out exactly what happens when we listen to music with no musicians in the room.
Answer: objective

Ex Output:
The author's attitude towards the recorded music may best be described as _ .