My mother's first career was as a beautician. Growing up, she cut everyone in our family's hair; she dyed mine whenever I wanted, and whatever crazy color I wanted, too. Until I was a senior in high school, I had never been to a salon. I don't even remember why I went this time. Mom was going to have her hair done, and I had tagged along. She asked if I wanted a cut too and I said why not? So while Mom was getting her hair done I looked through the books and picked out a cute pageboy style that I liked. Finally it was my turn and after talking with the stylist and showing her what I wanted, she led me to the shampoo station. Now, as everybody who has ever been to a salon knows, you sit back in the chair with your neck in the indentation and they wash your hair. But I had never been to a salon. When mom washed my hair after dyeing it, I always leaned over the sink. So I started to climb into the chair and lean over the sink here, too. My mom was mortified and the stylist couldn't figure out what in the heck I was doing. Mom calls out, "No, Jennifer you sit in the chair." I look over my shoulder at her and then realize what I've done. Red-faced, I stand up and then turn around to sit and lean back in the chair. I honestly wanted to die right there. I'm pretty sure the stylist thought I was developmentally delayed or something because she talked to me for the rest of the time like one would talk to a three-year-old. Mom tried to explain that I'd never been to a salon before, but I think that just made the situation worse. Thankfully I've been to many salons now and understand how everything works, but I've never returned to THAT one. The stylists probably feels: Pick the correct answer from the following options: - bored - not enough information - angry - surprised
surprised

(Question)
The sound of the clacking grew unbearable, so we turned the volume down. "Mute it." We muted it. "Turn it up; we might miss something." It's a silent movie. We won't miss anything. The sound of clacking gradually fills the room as my brother reluctantly turns up the volume. I can tell he's pressing hard on the button, jamming his thumb down in defiance or muted anger. He doesn't like for anyone to tell him what to do with the remote. But my grandmother wants the volume up, so we turn it up. We're all sitting along the edges of the tiny living room, staring at the fuzzy black-and-white images as they hazily walk across the television screen. I can hear a siren outside, barely discernable and then gone entirely. "Who's that?" my brother asks, evidently past his momentary and barely-noticeable indignation over the remote. "Uncle Arehl, and maybe his sister, Edna," my grandmother says, leaning in closer. "I think it's Edna," she says, in the tone of a doctor diagnosing a disease, as if the verdict was somehow relevant to someone who has only the vaguest idea who Arehl's sister is, or was. Uncle Arehl (I don't know precisely whose uncle he is, or for what the two initials of his name once stood) saunters slowly across a dry, patchy lawn, and the camera follows him. For some reason I'm more interested in the lawn--if it can be called that--than in the people on it. The sun in the movie is blazing, and everyone filmed looks only briefly at the camera before averting their faces once again to look at the stubbly grass. The camera pans once again and I can see an incredibly rutted path leading from the porch to the fence at the edge of the yard, broken pieces of concrete amid deep tire tracks fossilized in sun-baked mud. The fence is low, wire like a chain-link, but lower, with metal stakes holding it up instead of tubes. What is it like outside in the movie? Pick the correct answer from the following options: - There are ambulances - There are police cars - not enough information - It is dry and hot.
(Answer)
It is dry and hot.

Question: Ironically, J. Paul Getty never saw the Getty Villa. He died two years after his museum opened to the public in January 1974 in a new building modeled on an ancient Roman luxury home. It was not until after Getty's death in June 1976 that he returned from his estate in England to his "ranch" on the Pacific Coast: he is buried there at the edge of the property on a private plot overlooking the ocean, alongside his eldest and youngest sons, George and Timothy, both of whom predeceased him. Following a renovation and reinstallation of the galleries, the Getty Villa opens a new chapter in its history. Although Getty never set eyes on his creation, the story of how he built the Villa and assembled his collection pervades the galleries even today. A suite of revamped roomsGalleries 105 to 108share this history. Featuring ancient works of art Getty bought himself along with archival documents, the new displays place the objects in their cultural contexts and shed light on Getty's personal relationship to his museum and final resting place. From a Ranch House to an Ancient Villa Getty bought the 64-acre ranchonce part of the Rancho Boca de Santa Monica, an early-nineteenth-century 6,656-acre Mexican land grantjust after the end of World War II, intending it as a weekend retreat where his fifth wife Theodora ("Teddy") could ride horses and he could display his growing art collection. He knew the area well, for he already owned a small house on the beach in nearby Santa Monica, just steps from the sprawling complex his friend and rival collector William Randolph Hearst had built for the actress Marion Davies. (The Davies estate is now the Annenberg Community Beach House, while Getty's beach house has been replaced by a large modern condo complex, 270 Palisades Beach Road.) When did J. Paul Getty die? Pick the correct answer from the following options: - not enough information - 2 years after his museum opened to the public - 4 years after his museum opened to the public - 5 years after his museum opened to the public
Answer:
2 years after his museum opened to the public