Problem: Background: The Sweet (also known as Sweet) is a British glam rock band that rose to worldwide fame in the 1970s. Their best known line-up consisted of lead vocalist Brian Connolly, bass player Steve Priest, guitarist Andy Scott, and drummer Mick Tucker. The group was originally called Sweetshop. The band was formed in London in 1968 and achieved their first hit, "Funny Funny", in 1971 after teaming up with songwriters Nicky Chinn and Mike Chapman and record producer Phil Wainman.
Context: The Sweet made their UK television debut in December 1970 on a pop show called Lift Off, performing the song "Funny Funny". A management deal was signed with the aforementioned songwriting team of Nicky Chinn and Mike Chapman. Phil Wainman resumed his collaboration with Sweet, as executive producer. This management deal also included a worldwide (the U.S. excepted) record contract with RCA Records (in the United States and Canada Bell Records issued the group's music until late 1973; followed by Capitol Records). In March 1971 RCA issued "Funny Funny", written by Chinn and Chapman, which became the group's first international hit, climbing to the Top 20 on many of the world's charts. EMI reissued their 1970 single "All You'll Ever Get from Me" (May 1971) and it again failed to chart. Their next RCA release "Co-Co" (June 1971) went to number two in the U.K. and their follow up single, "Alexander Graham Bell" (October 1971), only went to #33. These tracks still featured session musicians on the instruments with the quartet providing only the vocals. The Sweet's first full LP album, Funny How Sweet Co-Co Can Be, was released in November 1971. A collection of the band's recent singles supplemented by some new Chinn/Chapman tunes (including "Chop Chop" and "Tom Tom Turnaround") and pop covers (such as the Lovin' Spoonful's "Daydream" and the Supremes' "Reflections"), the album, recorded at Nova Studios in London, was produced by Phil Wainman and engineered by Richard Dodd and Eric Holland. It was not a serious contender on the charts. Their albums' failure to match the success of their singles was a problem that would plague the band throughout their career.
Question: did they win any awards?
Answer:

Problem: Background: Sparks are an American pop and rock band formed in Los Angeles in 1972 by brothers Ron (keyboards) and Russell Mael (vocals). The duo formed in 1968 under the name Halfnelson. Known for their quirky approach to songwriting, Sparks' music is often accompanied by intelligent, sophisticated, and acerbic lyrics, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. They are also noted for Russell Mael's distinctive falsetto voice and Ron Mael's intricate and rhythmic keyboard playing style.
Context: Brothers Ron and Russell Mael grew up in Pacific Palisades, in western Los Angeles County, California, during the "Golden Age" of the LA club scene, with the Doors, Love and the Standells regularly playing the Whisky a Go Go on Sunset Strip and the Beach Boys playing the afternoon event Teenage Fair. Both Ron and Russell Mael are seen in the audience during the Ronettes' section of the concert film The Big T.N.T. Show, filmed in 1966. Both attended UCLA, Ron studying cinema and graphic art, Russell theatre arts and filmmaking. Detesting the folk music scene, which they considered "cerebral and sedate and we had no time for that", they developed a particular taste in English bands of the time such as the Who, Syd Barrett's Pink Floyd, the Kinks and the Move, which led to their description of themselves as "Anglophiles". Forming Halfnelson in 1968, they soon came to the attention of producer Todd Rundgren, at whose urging Albert Grossman signed the band to his Bearsville record label. Their eponymous debut album - with the line-up consisting of college friend Earle Mankey on guitar, Mankey's brother James on bass, Harley Feinstein on drums and Rundgren producing - sold poorly, but after switching labels to Warner Bros. Records and renaming themselves Sparks, a play on the Marx Brothers, the re-issued debut spawned the minor regional hit "Wonder Girl". Their follow-up album, A Woofer in Tweeter's Clothing, led to a tour of the United Kingdom, including a residency at the Marquee Club in London, These London appearances helped them to secure a significant cult following. An appearance on the BBC Television's The Old Grey Whistle Test led to wider interest where host Bob Harris compared the band to a cross between Frank Zappa's Mothers of Invention and the Monkees.
Question: Did they play any concerts?
Answer: Their follow-up album, A Woofer in Tweeter's Clothing, led to a tour of the United Kingdom,

Problem: Background: George Edward Foreman (born January 10, 1949) is an American former professional boxer who competed from 1969 to 1977, and from 1987 to 1997. Nicknamed "Big George", he is a two-time world heavyweight champion and an Olympic gold medalist. Outside the sport he is an ordained minister, author, and entrepreneur. After a troubled childhood Foreman took up amateur boxing and won a gold medal in the heavyweight division at the 1968 Summer Olympics.
Context: In 1987, after 10 years away from the ring, Foreman surprised the boxing world by announcing a comeback at the age of 38. In his autobiography, he wrote that his primary motive was to raise money to fund the youth center he had created, which had required much of the money he had earned in the initial phase of his career. Another stated ambition was to fight Mike Tyson. For his first fight, he went to Sacramento, California, where he beat journeyman Steve Zouski by a knockout in four rounds. Foreman weighed 267 lb (121 kg) for the fight and looked badly out of shape. Although many thought his decision to return to the ring was a mistake, Foreman countered that he had returned to prove that age was not a barrier to people achieving their goals (as he said later, he wanted to show that age 40 is not a "death sentence"). He won four more bouts that year, gradually slimming down and improving his fitness. In 1988, he won nine times. Perhaps his most notable win during this period was a seventh-round knockout of former Light Heavyweight and Cruiserweight Champion Dwight Muhammad Qawi. Having always been a deliberate fighter, Foreman had not lost much mobility in the ring since his first "retirement", although he found it harder to keep his balance after throwing big punches and could no longer throw rapid combinations. He was still capable of landing heavy single blows, however. The late-round fatigue that had plagued him in the ring as a young man now seemed to be unexpectedly gone, and he could comfortably compete for 12 rounds. Foreman attributed this to his new, relaxed fighting style (he has spoken of how, earlier in his career, his lack of stamina came from an enormous amount of nervous tension). By 1989, while continuing his comeback, Foreman had sold his name and face for the advertising of various products, selling everything from grills to mufflers on TV. For this purpose his public persona was reinvented, and the formerly aloof, ominous Foreman had been replaced by a smiling, friendly George. He and Ali had become friends, and he followed in Ali's footsteps by making himself a celebrity outside the boundaries of boxing. Foreman continued his string of victories, winning five more fights, the most impressive being a three-round win over Bert Cooper, who went on to contest the Undisputed Heavyweight title against Evander Holyfield.
Question: WHo else did he fight?
Answer:
Another stated ambition was to fight Mike Tyson.