Background: Robert Charles Benchley (September 15, 1889 - November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from his peers at the Algonquin Round Table in New York City to contemporaries in the burgeoning film industry. Benchley is best remembered for his contributions to The New Yorker, where his essays, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and through his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent (1940) and Nice Girl?
Context: Robert grew up and attended school in Worcester and was involved in academic and traveling theatrical productions during high school. Thanks to financial aid from his late brother's fiancee, Lillian Duryea, he could attend Phillips Exeter Academy in Exeter, New Hampshire for his final year of high school. Benchley reveled in the atmosphere at the Academy, and he remained active in creative extracurricular activities, thereby damaging his academic credentials toward the end of his term. Benchley enrolled at Harvard University in 1908, again with Duryea's financial help. He joined the Delta Upsilon fraternity in his first year, and continued to partake in the camaraderie that he had enjoyed at Phillips Exeter while still doing well in school. He did especially well in his English and government classes. His humor and style began to reveal themselves during this time: Benchley was often called upon to entertain his fraternity brothers, and his impressions of classmates and professors became very popular. His performances gave him some local fame, and most entertainment programs on campus and many off-campus meetings recruited Benchley's talents. During his first two years at Harvard, Benchley worked with the Harvard Advocate and the Harvard Lampoon. He was elected to the Lampoon's board of directors in his third year. The election of Benchley was unusual, as he was the publication's art editor and the board positions typically fell to the foremost writers on the staff. The Lampoon position opened a number of other doors for Benchley, and he was quickly nominated to the Signet Society meeting club as well as becoming the only undergraduate member of the Boston Papyrus Club at the time. Along with his duties at the Lampoon, Benchley acted in a number of theatrical productions, including Hasty Pudding productions of The Crystal Gazer and Below Zero. He also held the position of krokodilos for the Pudding in 1912. Benchley kept these achievements in mind as he began to contemplate a career for himself after college. Charles Townsend Copeland, an English professor, recommended that Benchley go into writing, and Benchley and future Benchley illustrator Gluyas Williams from the Lampoon considered going into freelance work writing and illustrating theatrical reviews. Another English professor recommended that Benchley speak with the Curtis Publishing Company; but Benchley was initially against the idea, and ultimately took a position at a civil service office in Philadelphia. Owing to an academic failure in his senior year due to an illness, Benchley would not receive his Bachelor of Arts from Harvard until the completion of his credits in 1913. His shortcoming was the submission of a "scholarly paper" - which Benchley eventually rectified by a treatise on the U.S. - Canadian Fisheries Dispute, written from the point of view of a cod. He took a position with Curtis shortly after he received his diploma.
Question: Was he nominated for anything else?
Answer: Another English professor recommended that Benchley speak with the Curtis Publishing Company;

Background: Eskimo Joe is an Australian alternative rock band that was formed in 1997 by Stuart MacLeod, on lead guitar, Joel Quartermain, on drums and guitar, and Kavyen Temperley, on bass guitar and vocals, in East Fremantle, Western Australia, Australia. The band has released five additional albums since their debut album Girl was released in 2001: A Song Is a City, released in 2004; Black Fingernails, Red Wine, released in 2006; Inshalla, released in May 2009; Ghosts of the Past, released on 12 August 2011; and Wastelands, released on 20 September 2013. Eskimo Joe have won eight ARIA Music Awards; in 2006 the band achieved four wins--from nine nominations-- for work associated with Black Fingernails, Red Wine.
Context: In November 2006, Eskimo Joe played at the CMJ Music Festival in New York City, returning to Australia for Southbound in Western Australia and the Falls Festival in Victoria and Tasmania. They performed on all legs of the 2007 Big Day Out concerts. In July, they played at the Australian leg of Live Earth in Sydney. At the end of that month, they had a secret gig in Perth under a pseudonym, The Andy Callison Project, as a warm-up to their US tour. Joining Eskimo Joe's line-up for live shows were Lee Jones on keyboards and Shaun Sibbes on drums. In January 2008, Eskimo Joe performed in New York, Houston and Los Angeles as part of the annual G'day USA - Australia Week. Later that year, the group performed at both the East Coast and West Coast Blues & Roots Festivals (Byron Bay and Fremantle, respectively). In March 2009, Eskimo Joe performed at the Sound Relief concert at the Sydney Cricket Ground. Sound Relief was a benefit concert for victims of the Victorian Bushfire Crisis and the Queensland floods. Appearing with Eskimo Joe at the Sydney concert were, Coldplay, Hoodoo Gurus, Icehouse, Jet, Josh Pyke, Little Birdy, The Presets, Wolfmother, You Am I and additional artists. Prior to the benefit concert the band played in Perth as The Andy Callison Project. On 22 August 2012, the band was announced as the opening act for the launch of the Melbourne Spring Racing Carnival in Australia. The 'Winter Warmer' tour was announced in late May 2013 and the band explained that they would be playing acoustically at intimate and unusual venues across Australia. The tour will consist of two-hour acoustic-based shows in which the band will reinterpret a selection of songs from every album in the band's history. Temperley stated: "We've got a few a new songs that we're going to try out acoustically with some re-working of old songs too. We feel really lucky to have such a beautiful and unique venues to do this in." To commemorate the tenth anniversary of the Song Is A City album, described by Temperley as a "turning point for myself both personally and musically", Temperley announced a solo Australian tour in June 2014. Temperley explained, "I love it how the whole album works on just an acoustic guitar, and there are so many stories that now, from a safe distance, I'm ready to tell", in regard to the tour that will occur from July to September 2014. During the tour, Temperley will share the stories that influenced the songs and will also play cover versions of some songs that influenced the album.
Question: with who
Answer:
They performed on all legs of the 2007 Big Day Out concerts. In July, they played at the Australian leg of Live Earth in Sydney. At the end