In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Lamont Coleman (May 30, 1974 February 15, 1999), best known by his stage name Big L, was an American hip hop recording artist. Coleman embarked on his career in rapping, with the hip hop trio, Three the Hard Way. His first notable appearance came on Lord Finesse's "Yes You May (Remix)". Coleman released his debut album, "Lifestylez ov da Poor & Dangerous", in 1995 and significantly contributed to the underground hip hop scene. In 1998, he founded Flamboyant Entertainment, his own indie label, through which he released one of his most popular singles, "Ebonics" (1998). Context_2 : ALIF (Attaque liberatoire de l'infanterie feministe, English: Liberation Attack of the Feminist Infantry) is the pioneer female hip hop trio of Hip Hop Galsen. Emerging in the late mid-1990s, ALIF offered a feminine and feminist flavour to Hip Hop Galsen encouraging women to play their part in the movement. The group split beginning of 2010 after thirteen years of a memorable career. Context_3 : Illuminati X (AKA!! Street Team Balkan Beasts!!!) is a Serbian-Canadian hip hop trio composed of rappers Luxie and Lochie Max and Kreemie Yung. The group's members were all born in the former Yugoslavia, and emigrated to Canada in the mid-90's after the outbreak of civil war. They gained a little buzz locally in Niagara Falls while still in their teens due to family connections and style of hip hop amongst local serbians, which involved combining hip hop beats with serbian folk samples and nationalistic lyrics. Today, the group's music is mostly sample-free. They rap mostly in the English language. These 3 young balkan rappers are simply legendary. Their creative beats go along with their wicked lyrics and make an amazing combo. Context_4 : De La Soul is an American hip hop trio formed in 1987 on Long Island, New York. The group is best known for their eclectic sampling, quirky lyrics, and their contributions to the evolution of the jazz rap and alternative hip hop subgenres. The members are Posdnuos, Dave and Maseo. The three formed the group in high school and caught the attention of producer Prince Paul with a demo tape of the song "Plug Tunin'". With its playful wordplay, innovative sampling, and witty skits, the band's debut album, "3 Feet High and Rising", has been called "a hip hop masterpiece." Context_5 : Warp 9, a science fiction themed electro-funk and hip hop trio, best known for their influential singles "Nunk," "Light Years Away," and "Beat Wave," ranks among the most iconic groups of the electro hip hop era. Described as the "perfect instance of hip hop's contemporary ramifications," Warp 9 was the brainchild of writer-producers Lotti Golden and Richard Scher. The duo wrote and recorded under the moniker Warp 9, a production project at the forefront of the electro movement. Warp 9 evolved from a studio concept into a band when Prism Records expressed interest in releasing Nunk as a single. Golden & Scher invited drummer Chuck Wansley and percussionist Boe Brown to perform the male vocals and rhymes. Later, a female vocalist was added to the group; Ada Dyre performed vocals and rhymes for Warp 9's second single, "Light Years Away." The group released two albums, "It's a Beat Wave" (1983), (Island Records), a street themed testament exploring the topics of science fiction, hip hop and mixing, and "Fade In, Fade Out" (Motown), (1986), a soul R&B oriented montage. Warp 9's image is best described on the cover of their 12" single "Light Years Away," with Milton (Boe) Brown (Warp 9's lead singer), Chuck Wansley and session singer Ada Dyer in their trademark sci-fi space suits. Context_6 : The Cactus Al/Bum (also known as The Cactus Cee/D and The Cactus Cas/Ette depending on release format) is the debut album by hip hop trio 3rd Bass, released on Def Jam Recordings on November 14, 1989. The album received positive reviews from the hip hop press, and the group gained some publicity by being arguably the second white group to achieve hip hop credibility, after the Beastie Boys. It was certified gold by the RIAA on April 24, 1990, the same day as Biz Markie's "The Biz Never Sleeps", which was released two weeks prior to "The Cactus Album". Context_7 : Herbert Brown, better known by his stage name McGruff (also known as Herb McGruff) is an American Hip hop recording artist from Harlem, New York City, New York. Brown started rapping in his early teens. He embarked on his music career in the hip hop group Bronx Most Wanted, alongside rappers Jay Q and Tee U.B. Brown later became a member of the hip hop collective Children of the Corn. As a member of Children of the Corn, Brown worked alongside Big L, Cam'ron, Bloodshed and Mase, all of whom would go on to have successful careers in the music industry. After the group disbanded without releasing any material, Brown made his first appearance on Big L's debut album, "Lifestylez ov da Poor & Dangerous" (1995), on the tracks "8 Iz Enuff" and "Dangerzone". Eventually, Brown signed a deal with popular hip hop label, Uptown Records and began recording his debut album, "Destined to Be". In early 1998, the album's lead single "Before We Start" became a minor hit, charting on several "Billboard" charts. In the Summer of 1998, "Destined to Be" was released but failed to sell many copies, only peaking at 169 on the "Billboard" 200, and Brown was released from his contract. Brown would make appearances with Heavy D on his album, "Waterbed Hev" and the "Woo" soundtrack. In 2009, Brown appeared on Mase's mixtape "I Do the Impossible". In 2010, he was featured heavily on The Diplomats mixtape, "The D.I.P. Agenda." In 2014, DJ Kay Slay, enlisted Brown, along with Raekwon, Fat Joe, Ghostface Killah, Sheek Louch, N.O.R.E., Lil' Fame, Prodigy and Rell, for a song titled "90s Flow". Context_8 : Are You In?: Nike+ Original Run (a pun on "R-U-N") is an iTunes exclusive mixtape by hip hop trio De La Soul, in association with Nike. The album is produced by Flosstradamus. In the past, De La Soul collaborated with Nike to make designer shoes, and months later was picked to be a part of Nike's "Original Run" series, aimed at runners. "Are You In?" was the first album by De La Soul in five years and is one long continuous mixtape released on iTunes with an additional digital booklet. It was generally well received by music and hip hop critics and was reviewed by "Wired", "Urb", and the "Hip Hop DX" online magazine. Context_9 : The Hard Way is the only studio album from American hip hop trio 213, which consisted of Snoop Dogg, Warren G and Nate Dogg. The reunion of the group first appeared as 213 in Warren G's "The Return of the Regulator" in the track "Yo' Sassy Ways". In 2003, Snoop Dogg, released his series of mixtapes, from which the second compilation "Welcome to tha chuuch, Vol. 2" included the first version of "So Fly", which is a parody of the then chart-running hit single by Monica, So Gone. Missy Elliott, a co-producer of the song (with Spike & Jamahl), got to hear the tape and was very impressed by it. She agreed with Snoop to cede the right of the sample for the upcoming 213 project in exchange for their rapping on Tamia's "Can't Go for That" remix. In the end it came out to be the first unofficial radio single of "The Hard Way" and was performed live at BET's 106 & Park. The album version differs from the mixtape version in a way that it is five seconds shorter and misses Snoop's intro where he gives the shootouts "Welcome to tha chuuch Vol. 2...exclusive 213". The official debut retail single was "Groupie Luv", which was also accompanied by a promo video. It was directed by Chris Robinson and was filmed in Snoop Dogg's own house (see also Still a G Thang). It is also the video debut for dancer Criscilla Crossland. Context_10 : The Score is the second and final studio album by the hip hop trio Fugees, released worldwide February 13, 1996 on Columbia Records. The album features a wide range of samples and instrumentation, with many aspects of alternative hip hop that would come to dominate the hip hop music scene in the mid-late 1990s. "The Score"'s production was handled mostly by the Fugees themselves and Jerry Duplessis, with additional production from Salaam Remi, John Forte, Diamond D, and Shawn King. The album's guest raps are from Outsidaz members Rah Digga, Young Zee and Pacewon, as well as Omega, John Forte, and Diamond D. Most versions of the album feature four bonus tracks, including three remixes of "Fu-Gee-La", and a short acoustic Wyclef Jean solo track entitled "Mista Mista". fact_1 : As a member of Children of the Corn, Brown worked alongside Big L, Cam'ron, Bloodshed and Mase, all of whom would go on to have successful careers in the music industry. fact_2 : Coleman embarked on his career in rapping, with the hip hop trio, Three the Hard Way. Question: Who has McGruff works alongside who started with the hip hop trio, Three the Hard Way?
Answer:
Big L