You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Example Input: The commercial spacecraft Nostromo is on a return trip to Earth with a seven-member crew in stasis: Captain Dallas, Executive Officer Kane, Navigator Lambert, Science Officer Ash, Warrant Officer Ripley, and Engineers Parker and Brett. Detecting a mysterious transmission, possibly a distress signal, from a nearby planetoid, the ship's computer, MUTHR, awakens the crew. Following standard company policy for such situations, the Nostromo lands on the planetoid and Dallas, Kane, and Lambert head out to investigate, damaging their ship upon landing in dust. They discover the signal is coming from a derelict alien spacecraft. Inside, they find the remains of a large alien creature whose ribcage appears to have exploded from the inside.
On the Nostromo, Ripley determines that the transmission is not a distress signal but a warning. In the alien ship, Kane discovers a chamber containing hundreds of eggs. As he inspects one, a creature springs out, spits acid through his space helmet and attaches itself to his face. Dallas and Lambert carry the unconscious Kane back to the Nostromo. As acting senior officer, Ripley refuses to let them aboard, citing quarantine regulations, but Ash violates protocol by overriding Ripley's lock and letting them in. The crew are unable to remove the creature from Kane's face, as its grip is strong and its blood is an extremely corrosive acid. It eventually lets go, crawls away, and dies.
The crew repair the ship and lift off. Kane awakens and seems healthy, but during the crew's final meal before re-entering stasis, he chokes and convulses in pain before a small alien creature bursts from his chest, killing him, and escapes into the depths of the ship to molt. Since attacking the creature with conventional weapons could result in its corrosive blood breaching the ship's hull, the crew attempts to locate and capture it with motion trackers, nets, electric prods, and flamethrowers.
Brett is sent to look for the crew's cat, Jones, and the now fully grown alien attacks him and disappears with his body into the air shafts. After a heated discussion, the group devises a plan to jettison the creature out of the ship. Dallas enters the Nostromo's labyrinthine ventilation shafts, intending to force the alien into an airlock, but it ambushes him. Lambert, realizing the alien is killing the crew one by one, implores the others to escape in the ship's shuttle. Now in command, Ripley explains that the shuttle will not support four people, and recommends that they continue with Dallas' plan of flushing the alien out.
Accessing MUTHR, Ripley discovers that Ash has secretly been ordered to return the alien to the crew's employers, who consider the crew expendable. When Ripley confronts Ash, he tries to choke her to death. Parker intervenes and knocks off Ash's head, revealing him to be an android. Parker reanimates Ash's head, and Ripley interrogates him. They learn he was assigned to the Nostromo to convince the crew to capture the creature and return it for analysis, even at the expense of the human personnel. Ash taunts them about their chances of survival against the "perfect organism." Parker turns a flamethrower on Ash.
Ripley, Lambert and Parker agree to set the Nostromo to self-destruct and escape in the shuttle. However, Parker and Lambert are ambushed and killed by the alien while gathering life-support supplies. Ripley initiates the self-destruct sequence and heads for the shuttle with Jones, but the alien blocks her path. She retreats and unsuccessfully attempts to abort the self-destruct sequence, then returns to retrieve Jones, finding the alien gone. She narrowly escapes in the shuttle as the Nostromo explodes.
As she prepares to enter stasis, Ripley discovers the Alien is aboard the shuttle. She dons a spacesuit and opens the shuttle's airlock, causing explosive decompression which forces the Alien into the shuttle's open doorway. She propels it into space by shooting it with a grappling hook, but the gun catches in the closing door, tethering the alien to the shuttle. Ripley activates the engines, blasting the alien into space. After recording the ship's final log entry, she places herself and Jones into stasis for the voyage home.
Example Output: Who is MUTHR?

Example Input: The work has a recognizable structure, for the most part indicated by the author himself, which can be summarized as follows:The Prince starts by describing the subject matter it will handle. In the first sentence Machiavelli uses the word "state" (Italian stato which could also mean "status") in order to neutrally cover "all forms of organization of supreme political power, whether republican or princely". The way in which the word state came to acquire this modern type of meaning during the Renaissance has been the subject of many academic discussions, with this sentence and similar ones in the works of Machiavelli being considered particularly important.
Machiavelli said that The Prince would be about princedoms, mentioning that he has written about republics elsewhere (possibly referring to the Discourses on Livy although this is debated), but in fact he mixes discussion of republics into this in many places, effectively treating republics as a type of princedom also, and one with many strengths. More importantly, and less traditionally, he distinguishes new princedoms from hereditary established princedoms. He deals with hereditary princedoms quickly in Chapter 2, saying that they are much easier to rule. For such a prince, "unless extraordinary vices cause him to be hated, it is reasonable to expect that his subjects will be naturally well disposed towards him". Gilbert (1938:19 23), comparing to traditional presentations of advice for princes, stated that the novelty in chapters 1 and 2 is the "deliberate purpose of dealing with a new ruler who will need to establish himself in defiance of custom". Normally, these types of works were addressed only to hereditary princes. He thinks Machiavelli may have been influenced by Tacitus as well as his own experience, but finds no clear predecessor for this.
This categorization of regime types is also "un-Aristotelian" and apparently simpler than the traditional one found for example in Aristotle's Politics, which divides regimes into those ruled by a single monarch, an oligarchy, or by the people, in a democracy. He also ignores the classical distinctions between the good and corrupt forms, for example between monarchy and tyranny.
Xenophon, on the other hand, made exactly the same distinction between types of rulers in the beginning of his Education of Cyrus where he says that, concerning the knowledge of how to rule human beings, Cyrus the Great, his exemplary prince, was very different "from all other kings, both those who have inherited their thrones from their fathers and those who have gained their crowns by their own efforts".
Machiavelli divides the subject of new states into two types, "mixed" cases and purely new states.
Example Output: What type of prince will a population most easily accept?

Example Input: On 6 October 1971, American soldier Jacob Singer is with the 1st Air Cavalry Division, deployed in a village in the Mekong Delta during the Vietnam War, when his close-knit unit comes under attack. As many of Jacob s comrades are killed or wounded, others exhibit abnormal behavior, including catatonia and a bloody seizure. A terrified Jacob flees into the jungle, only to be bayoneted in the gut.
Jacob awakens in 1975, on a New York City Subway, with the novel The Stranger. Despite having a PhD, Jacob works as a postal clerk and lives in a rundown apartment in Brooklyn with his seductive girlfriend, Jezzie. Jacob misses his wife and their three sons, especially the youngest, Gabe, who died before the war. He is increasingly beset by disturbing experiences, including inexplicably locked subway exits, faceless vibrating people, a car trying to run him down, a nurse with grotesque teeth on the top of her head, and a bat-like monster penetrating Jezzie at a party, where Jacob collapses with a dangerous fever.
The comrade who had gone catatonic, Paul, contacts him to reveal having had similar terrifying experiences, but is immediately killed when his car explodes. Commiserating after the funeral, the platoon-mates confess that all but one have also been living a nightmare. Jacob explains that the army must have done something to them, and they hire a lawyer to investigate. The lawyer backs out after reading military files documenting that the soldiers were never in combat and were discharged for psychological reasons. Jacob s comrades also back out, looking scared, as Jacob demands they tell him who got to them. Jacob himself is later thrown into a car with intimidating men in suits who tell him to stop nosing around in military business, but he is able to jump from the moving car. Taken to the hospital, he finds himself strapped to a stretcher being wheeled over bloody body parts, past demented, disfigured inmates. Trapped with doctors wielding barbaric metal instruments, he is told he is already dead, but denies it.
He is taken out of the hospital by his friend Louis, who quotes the 14th century Christian mystic Meister Eckhart:
Eckhart saw Hell too. He said: The only thing that burns in Hell is the part of you that won t let go of life, your memories, your attachments. They burn them all away. But they re not punishing you , he said. They re freeing your soul. So, if you re frightened of dying and ... you re holding on, you ll see devils tearing your life away. But if you ve made your peace, then the devils are really angels, freeing you from the earth.
Jacob is approached by a distressed Michael Newman, the man who treated his wound in a medevac helicopter in Vietnam and who dragged him away from Paul s burning car. Newman tells a story of having been a chemist with the Army s chemical warfare division in Saigon. He designed the Ladder , a drug that massively increased aggression, taking people straight to their most primal urges. A dose was secretly given to Jacob s unit, who then turned on each other in a homicidal frenzy.
At various times Jacob experiences the aftermath of his attack, such as being found gutted in the jungle and being evacuated under fire. At one point he awakens in his home before the war with his wife and all three sons, telling his wife he had a dream he was living with another woman, Jezzie. Eventually he re-experiences the traumatic moment, where it is a fellow American soldier who bayonets him.
Finally given knowledge of what happened to him and why, in a calmer place, Jacob returns to his family's apartment. He sorts through his mementos, including his combat dog tags and honorable discharge. He is surprised to see his son Gabe at the foot of the stairwell, who takes him by the hand and leads him up the steps into a bright light. In a wartime triage tent, military doctors declare Jacob dead after putting up quite a fight . He has an expression of peace on his face, implying that he is finally dead.
Example Output:
During which war was Jacob deployed?