In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The Holy Sonnetsalso known as the Divine Meditations or Divine Sonnetsare a series of nineteen poems by the English poet John Donne (15721631). The sonnets were first published in 1633two years after Donne's death. The poems are sonnets and are predominantly in the style and form prescribed by Renaissance Italian poet Petrarch (or Francesco Petrarca) (13041374) in which the sonnet consisted of two quatrains (four-line stanzas) and a sestet (a six-line stanza). However, several rhythmic and structural patterns as well as the inclusion of couplets are elements influenced by the sonnet form developed by English poet and playwright William Shakespeare (15641616). Context_2 : Stephen Romer, FRSL is an English poet, academic and literary critic. He was born in Hertfordshire in 1957 and educated at Trinity Hall, Cambridge. Since 1981 he has lived in France, where he is Maitre de Conferences in the English department of Tours University. He has been three times Visiting Professor in French at Colgate University, New York. Stephen Romer has four published collections of poetry with the Oxford Poets imprint of Carcanet Press and is the editor of the Faber anthology "Twentieth-Century French Poems". A selection of his recent poems appeared in the Carcanet Oxford Poets anthology 2001, and a book of his selected poems in French translation, Tribut, was published by Editions Le Temps qu'il fait in 2007. He regularly writes on French literature and modem poetry for the Guardian and the Times Literary Supplement. Context_3 : Horace (born Horatio) Smith (31 December 1779 12 July 1849) was an English poet and novelist, perhaps best known for his participation in a sonnet-writing competition with Percy Bysshe Shelley. It was of him that Shelley said: "Is it not odd that the only truly generous person I ever knew who had money enough to be generous with should be a stockbroker? He writes poetry and pastoral dramas and yet knows how to make money, and does make it, and is still generous." Context_4 : Amol Redij (Marathi: ) (born 18 September 1977) is an English poet, writer and creative content designer from Maharashtra, India. He also writes scripts for short films and theatre. Context_5 : "The Man in the Blue Flannel Pants" is the seventh episode of the twenty-third season of the American animated sitcom "The Simpsons". It first aired on the Fox network in the United States on November 27, 2011, and was seen by around 5.6 million people during this broadcast. In the episode, Homer becomes an account manager for Mr. Burns after successfully hosting a viral marketing event for Krusty the Clown. Meanwhile, Lisa is teaching Bart how to read classic novels like "Little Women". Homer's new job affects his family as he becomes more distant and in the end he has to choose between his family or his new job. The episode's title references "The Man in the Gray Flannel Suit". Context_6 : William Diaper (16851717) was an English poet of the Augustan era. Little is known about his life. He was born in Bridgwater, Somerset and attended Balliol College, Oxford as a pauper, where he took his BA in 1702. In 1709 he was ordained a deacon at Wells and became a curate in the parish of Brent, which he describes in disparaging terms in a poem of the same name, calling it "nature's gaol". By 1712, he had made contacts in the London literary world and become a protege of Jonathan Swift, who refers to the poet several times in his "Journal to Stella". In March 1712, Swift writes:Here is a young fellow has writ some Sea Eclogues, poems of Mermen, resembling pastorals of shepherds, and they are very pretty, and the thought is new. Mermen are he-mermaids; Tritons, natives of the sea. Do you understand me? I think to recommend him to our Society to-morrow. His name is Diaper. P on him, I must do something for him, and get him out of the way. I hate to have any new wits rise, but when they do rise I would encourage them; but they tread on our heels and thrust us off the stage.In December 1712, he continued his account of Diaper's progress:This morning I presented one Diaper, a poet, to Lord Bolingbroke, with a new poem, which is a very good one; and I am to give him a sum of money from my lord; and I have contrived to make a parson of him, for he is half one already, being in deacon's orders, and serves a small cure in the country; but has a sword at his a here in town. 'Tis a poor little short wretch, but will do best in a gown, and we will make Lord Keeper give him a living.In another letter, Swift refers to Diaper's being ill:I was to see a poor poet, one Mr. Diaper, in a nasty garret, very sick. I gave him twenty guineas from Lord Bolingbroke, and disposed the other sixty to two other authors, and desired a friend to receive the hundred pounds for poor Harrison, and will carry it to him to-morrow morning. I sent to see how he did, and he is extremely ill; and I very much afflicted for him, for he is my own creature, and in a very honourable post, and very worthy of it. I dined in the City. I am in much concern for this poor lad. His mother and sister attend him, and he wants nothing. Context_7 : Brian Moses (born 1950) is an English poet. He mainly writes for children, has over 200 published works and is a well known as a children's poet. His poetry books and anthologies for Macmillan have sold in excess of 1 million copies. Brian was asked by CBBC to write a poem for the Queen's 80th birthday. He is almost 67 years old. Context_8 : "The Blue Flannel Suit" is a poem by Ted Hughes published in 1998 in his book "Birthday Letters". The 30th of 88 poems in the collection, "The Blue Flannel Suit" is one of several in the series explicitly about his wife Sylvia Plath. Prior to the series, Hughes had rarely discussed their relationship or Plath's death or responded to claims by some critics that he bore some responsibility for her state of mind and death. Context_9 : Edward James Hughes, {'1': ", '2': ", '3': ", '4': "} (17 August 1930 28 October 1998) was an English poet and children's writer. Critics frequently rank him as one of the best poets of his generation, and one of the twentieth century's greatest writers. He served as Poet Laureate from 1984 until his death. In 2008 "The Times" ranked Hughes fourth on their list of "The 50 greatest British writers since 1945". Context_10 : Thomas Hood (23 May 1799 3 May 1845) was an English poet, author and humorist, best known for poems such as "The Bridge of Sighs" and "The Song of the Shirt". Hood wrote regularly for "The London Magazine", the "Athenaeum", and "Punch". He later published a magazine largely consisting of his own works. Hood, never robust, lapsed into invalidism by the age of 41 and died at the age of 45. William Michael Rossetti in 1903 called him "the finest English poet" between the generations of Shelley and Tennyson. Hood was the father of playwright and humourist Tom Hood (18351874). fact_1 : "The Blue Flannel Suit" is a poem by Ted Hughes published in 1998 in his book "Birthday Letters". fact_2 : Edward James Hughes, {'1': ", '2': ", '3': ", '4': "} (17 August 1930 28 October 1998) was an English poet and children's writer. Answer: 17 August 1930
A:
When is the English poet that writes The Blue Flannel Sui born