IN: Liuzzo was born Viola Fauver Gregg on April 1, 1925, in the small town of California, Pennsylvania, the elder daughter of Eva Wilson, a teacher, and Heber Ernest Gregg, a coal miner and World War I veteran. He left school in the eighth grade but taught himself to read. Her mother, Eva Wilson Gregg, had a teaching certificate from the University of Pittsburgh.

After the third march concluded on March 25, Liuzzo, assisted by Leroy Moton, a 19-year-old African American, continued shuttling marchers and volunteers from Montgomery back to Selma in her car. As they were driving along Route 80, a car tried to force them off the road. After dropping passengers in Selma, she and Moton headed back to Montgomery. As they were getting gas at a local filling station, they were subject to abusive calls and racist scorn. When Liuzzo stopped at a red light, a car with four members of the local Ku Klux Klan pulled up alongside her. When they saw a white woman and a black man in a car together, they followed Liuzzo as she tried to outrun them. Overtaking the Oldsmobile, they shot directly at Liuzzo, mortally wounding her twice in the head. The car veered into a ditch, crashing into a fence. Although Moton was covered with blood, the bullets missed him. He lay motionless when the Klansmen reached the car to check on their victims. After the Klansmen left, Moton began searching for help, and eventually flagged down a truck driven by Rev. Leon Riley. Like Moton and Liuzzo, Riley was shuttling civil rights workers back to Selma. Liuzzo's funeral was held at Immaculate Heart of Mary Catholic Church on March 30 in Detroit, with many prominent members of both the civil rights movement and government there to pay their respects. Included in this group were Dr. Martin Luther King, Jr.; NAACP executive director Roy Wilkins; Congress on Racial Equality national leader James Farmer; Michigan lieutenant governor William G. Milliken; Teamsters president Jimmy Hoffa; and United Auto Workers president Walter Reuther. She was buried at Holy Sepulchre Cemetery in Southfield, Michigan. Less than two weeks after her death, a charred cross was found in front of four Detroit homes, including the Liuzzo residence.
QUESTION: What was the aftermath of the killing?
IN: A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.

Although big bands are identified with the swing era, they continued to exist after those decades, though the music they played was often different from swing. Bandleader Charlie Barnet's recording of "Cherokee" in 1942 and "The Moose" in 1943 have been called the beginning of the bop era. Woody Herman's first band, nicknamed the First Herd, borrowed from progressive jazz, while the Second Herd emphasized the saxophone section of three tenors and one baritone. In the 1950s, Stan Kenton referred to his band's music as "progressive jazz", "modern", and "new music". He created his band as a vehicle for his compositions. Kenton pushed the boundaries of big bands by combining clashing elements and by hiring arrangers whose ideas about music conflicted. This expansive eclecticism characterized much of jazz after World War II. During the 1960s and '70s, Sun Ra and his Arketstra took big bands further out. Ra's eclectic music was played by a roster of musicians from ten to thirty and was presented as theater, with costumes, dancers, and special effects. As jazz was expanded during the 1950s through the 1970s, the Basie and Ellington bands were still around, as were bands led by Buddy Rich, Gene Krupa, Lionel Hampton, Earl Hines, Les Brown, Clark Terry, and Doc Severinsen. Progressive bands were led by Dizzy Gillespie, Gil Evans, Carla Bley, Toshiko Akiyoshi and Lew Tabackin, Don Ellis, and Anthony Braxton. Other bandleaders used Brazilian and Afro-Cuban music with big band instrumentation, and big bands led by arranger Gil Evans, saxophonist John Coltrane (on the album Ascension from 1965) and bass guitarist Jaco Pastorius introduced cool jazz, free jazz and jazz fusion, respectively, to the big band domain. Modern big bands can be found playing all styles of jazz music. Some large contemporary European jazz ensembles play mostly avant-garde jazz using the instrumentation of the big bands. Examples include the Vienna Art Orchestra, founded in 1977, and the Italian Instabile Orchestra, active in the 1990s. In the late 1990s, there was a swing revival in the U.S. The Lindy Hop became popular again and young people took an interest in big band styles again. Big bands maintained a presence on American television, particularly through the late-night talk show, which has historically used big bands as house accompaniment. Typically the most prominent shows with the earliest time slots and largest audiences have bigger bands with horn sections while those in later time slots go with smaller, leaner ensembles.
QUESTION:
Was there any other form of style with the big bands other than swings?