input: With their star now conspicuously ascendant, the band brought in producer Mike Batt (best known for his musical association with the Wombles and, more recently, Katie Melua) to work on their eighth album, All Around My Hat, and their biggest success would come with the release of the title track as a single - it reached number 5 in the UK Charts in late 1975. The single was also released in other European countries and gave them a breakthrough in the Netherlands and Germany. Other well-known tracks on the album included "Black Jack Davy" (sampled by rappers Goldie Lookin Chain on their track "The Maggot") and the rocky "Hard Times of Old England". But while All Around My Hat was the height of the band's commercial success, the good times were not to last long. Despite touring almost every year since 1975, they have not had another hit single, nor any success in the album chart since the late 1970s. The follow-up album Rocket Cottage (1976), also produced by Batt, proved to be a commercial flop, despite having much in common musically with its immediate predecessor. The opening track, "London", was penned by Rick Kemp as a follow-up to "All Around My Hat", in response to a request from the record label that Kemp describes as "we'll have another one of those, please", and released as a single. The song failed to make the UK Chart, in complete contrast to "All Around My Hat", despite having much in common with its predecessor - a 12/8 time signature, upbeat tempo, solo verses and full harmony chorus. Rocket Cottage also included experimental tracks "Fighting for Strangers" (with sparse vocals singing concurrently in a variety of keys) and, on the final track, excerpts of studio banter between the band members and a seemingly impromptu rendition of "Camptown Races", in which Prior gets the lyrics wrong. But while their seventh album, Commoners Crown, was one of their most interesting and varied, including the epic "Long Lankin", the advent of punk saw the mainstream market turning away from folk rock almost overnight, heralding a downturn in commercial fortunes for the band. However, as a thank you to their committed fans (and also to possibly to garner some publicity for their underperforming album), Steeleye Span showered attendees of a November 1976 concert in London, England, with the then-equivalent of US$13,600 in British pound notes. The unannounced idea was Maddy Prior's, and--remarkably--no-one was injured in the rush to grab the falling bills. Indeed, contemporary press reports indicated that it took some time for the crowd to even realise what was happening. Thanks to their connection with Mike Batt, band members appeared in Womble costumes on Top of the Pops, performing the Wombles hit "Superwomble".

Answer this question "What happened after the song reached number 5 in the UK charts?"
output: Other well-known tracks on the album included "Black Jack Davy" (sampled by rappers Goldie Lookin Chain on their track "The Maggot")

input: One of Swift's earliest musical memories is listening to her maternal grandmother, Marjorie Finlay, sing in church. As a child, she enjoyed Disney film soundtracks: "My parents noticed that, once I had run out of words, I would just make up my own". Swift has said she owes her confidence to her mother, who helped her prepare for class presentations as a child. She also attributes her "fascination with writing and storytelling" to her mother. Swift was drawn to the storytelling of country music, and was introduced to the genre by "the great female country artists of the '90s"--Shania Twain, Faith Hill and the Dixie Chicks. Twain, both as a songwriter and performer, was her biggest musical influence. Hill was Swift's childhood role model: "Everything she said, did, wore, I tried to copy it". She admired the Dixie Chicks' defiant attitude and their ability to play their own instruments. The band's "Cowboy Take Me Away" was the first song Swift learned to play on the guitar. Swift also explored the music of older country stars, including Patsy Cline, Loretta Lynn, Dolly Parton and Tammy Wynette. She believes Parton is "an amazing example to every female songwriter out there". Alt-country artists such as Ryan Adams, Patty Griffin and Lori McKenna have inspired Swift. Swift lists Paul McCartney, The Rolling Stones, Bruce Springsteen, Emmylou Harris, Kris Kristofferson, and Carly Simon as her career role models: "They've taken chances, but they've also been the same artist for their entire careers". McCartney, both as a Beatle and a solo artist, makes Swift feel "as if I've been let into his heart and his mind ... Any musician could only dream of a legacy like that". She admires Springsteen for being "so musically relevant after such a long period of time". She aspires to be like Harris as she grows older: "It's not about fame for her, it's about music". "[Kristofferson] shines in songwriting ... He's just one of those people who has been in this business for years but you can tell it hasn't chewed him up and spat him out", Swift says. She admires Simon's "songwriting and honesty ... She's known as an emotional person but a strong person". Swift has also been influenced by many artists outside the country genre. As a pre-teen, she enjoyed bubblegum pop acts including Hanson and Britney Spears; Swift has said she has "unwavering devotion" for Spears. In her high school years, Swift listened to rock bands such as Dashboard Confessional, Fall Out Boy, and Jimmy Eat World. She has also spoken fondly of singers and songwriters like Michelle Branch, Alanis Morissette, Ashlee Simpson, Fefe Dobson and Justin Timberlake; and the 1960s acts The Shirelles, Doris Troy, and The Beach Boys. Swift's fifth album, the pop-focused 1989, was influenced by some of her favorite 1980s pop acts, including Annie Lennox, Phil Collins and "Like a Prayer-era Madonna".

Answer this question "Did her mother do anything else for her?"
output:
She also attributes her "fascination with writing and storytelling" to her mother.