Question: Kajol (born Kajol Mukherjee; 5 August 1974) is an Indian film actress, who predominantly works in Hindi cinema. Born in Mumbai to the Mukherjee-Samarth family, she is the daughter of actress Tanuja Samarth and filmmaker Shomu Mukherjee. One of India's most successful actresses, Kajol is the recipient of numerous accolades, including six Filmfare Awards, and alongside her aunt Nutan, she holds the record for most Best Actress wins at the ceremony, with five. In 2011, the Government of India awarded her with the Padma Shri, the fourth highest civilian honour of the country.

Kajol began dating fellow actor, Ajay Devgn, in 1994, while filming for Gundaraj. Members of the media, however, labelled them as an "unlikely pair" due to their contrasting personalities. Devgn explained their relationship by saying, "We never resorted to the usual 'I Love you' routine. A proposal never happened. We grew with each other. Marriage was never discussed, but it was always imminent". They subsequently got married on 24 February 1999 in a traditional Maharashtrian style ceremony at the Devgan house. The wedding was subject to wide media scrutiny, as certain members of the media criticised Kajol's decision to settle down at the "peak of her career". Kajol, however, maintained that she would not quit films, but would cut down on the amount of work that she did. Following her marriage, Kajol moved in with Devgan and his parents at the latter's ancestral house in Juhu. While media members speculated about a lack of compatibility between her in-laws and her, Kajol clarified that they were "like parents to me" and encouraged her to continue working in films. Tabloids have often romantically linked Devgan with other Bollywood actresses, and have reported about an imminent divorce. Refuting the rumours, Kajol stated, "I don't believe in those rumours because I know the way this industry functions. [...] You cannot continue a marriage without the basic trust. Frankly, I don't care for such talk." In 2001, Kajol was pregnant with her first child. However, due to an ectopic pregnancy, she suffered from a miscarriage. On 20 April 2003, Kajol gave birth to a daughter, Nysa. Seven years later, on 13 September 2010, she gave birth to a son, Yug. She described motherhood as "fab" and added that her kids brought out "the best in her".

Using a quote from the above article, answer the following question: Do her children act?
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Answer: She described motherhood as "fab" and added that her kids brought out "the best in her".

Problem: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.

Unlike his more famous contemporary Bob Fosse, Bennett was not known for a particular choreographic style. Instead, Bennett's choreography was motivated by the form of the musical involved, or the distinct characters interpreted. In Act 2 of Company, Bennett defied the usual choreographic expectations by deliberately taking the polish off the standard Broadway production number. The company stumbled through the steps of a hat and cane routine ("Side By Side") and thus revealed to the audience the physical limitations of the characters' singing and dancing. Bennett made the audience aware that this group had been flung together to perform, and that they were in over their heads. He intended the number to be not about the routine, but rather the characters behind it. The song "One" from A Chorus Line functions in a different way. The various phases of construction/rehearsal of the number are shown, and because the show is about professional dancers, the last performance of the song-and-dance routine has all the gloss and polish expected of Broadway production values. Bennett's choreography also reveals the cost of the number to the people behind it. Bennett was influenced by the work of Jerome Robbins. "What Michael Bennett perceived early in Robbins' work was totality, all the sums of a given piece adding to a unified whole". In Dreamgirls, Bennett's musical staging was described as a "mesmerizing sense of movement": The most thrilling breakthrough of the extraordinary show is that whereas in A Chorus Line Michael Bennett choreographed the cast, in Dreamgirls he has choreographed the set.... Bennett's use of [the plexiglass towers that dominated the set] was revolutionary. The towers moved to create constantly changing perspectives and space, like an automated ballet.... They energized the action, driving it forcefully along. It's why there were no set-piece dance routines in the show: Dance and movement were organic to the entire action. But Bennett had made the mechanical set his dancers."

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Answer with quotes:
Bennett defied the usual choreographic expectations by deliberately taking the polish off the standard Broadway production number.