In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Opus is the sixth studio album by Austrian pop rock band Opus. It was released in 1987. It peaked at #7 on the O3 Austria Top 40 Longplay. The first single "Whiteland", peaked at #3 on the O3 Austria Top 40 Singles and #2 on the O3-Hitparade. The second single, "Faster and Faster", peaked at #12 on the O3 Austria Top 40 Singles and #2 on the O3-Hitparade. The third single, "Will You Ever Know Me", peaked at #24 on the O3-Hitparade. Context_2 : "More Than You'll Ever Know" is a song written and recorded by American country music artist Travis Tritt. It was released in July 1996 as the lead-off single from his album "The Restless Kind". It peaked at number 3 in the United States, and number 7 in Canada. Context_3 : Charles Kent "Charlie" Wilson (born January 29, 1953), also known as Uncle Charlie, is an American R&B singer, songwriter, producer and the former lead vocalist for The Gap Band. As a solo artist he has been nominated for eleven Grammy awards and six NAACP Image Awards (including one win), received a 2009 Soul Train Icon Award, and was a recipient of a BMI Icon Award in 2005. In 2009, he was named "Billboard" magazine's No. 1 Adult R&B Artist, and his song "There Goes My Baby" was named the No. 1 Urban Adult Song for 2009 in "Billboard" Magazine. Context_4 : Lisa Charise Brooks ("nee", Page; born November 23, 1963) is an American urban contemporary gospel, traditional black gospel, and gospel music recording artist and musician. She started her music career, in 1986, with her quartet, Witness. Her solo music career began in 1997, while she has since released four solo studio albums, "More Than You'll Ever Know" in 1997, "Lisa Page Brooks" in 2001, "Strong" in 2009, and "Ready" in 2013. Three of those albums charted on the "Billboard" magazine charts. Context_5 : The Restless Kind is American country artist Travis Tritt's fifth album, released on Warner Bros. Records in 1996. The tracks "More Than You'll Ever Know", "Helping Me Get over You" (a duet with Lari White), "She's Going Home with Me", and "Where Corn Don't Grow" were released as singles, all peaking in the Top 40 on the country charts. "Where Corn Don't Grow" was previously recorded by Waylon Jennings on his 1990 album "The Eagle", and was a #67-peaking single for him that year. "Double Trouble" was a duet with Tritt's long-time friend and recording partner Marty Stuart Context_6 : Tell Me Why is the debut album by country music artist Jann Browne. Three singles from the album rose to positions on the Billboard Country Singles charts: "You Ain't Down Home" at #19, "Tell Me Why" at #18, and "Louisville" at #75. Also featured on the album is a cover of The Davis Sisters' "I Forgot More Than You'll Ever Know," a duet with veteran rockabilly artist Wanda Jackson. Emmylou Harris provides backing vocals on "Mexican Wind." The album rose to #46 on the Billboard Country Albums chart. Context_7 : Donny Edward Hathaway (October 1, 1945 January 13, 1979) was an American jazz, blues, soul and gospel singer, songwriter, arranger and pianist. Hathaway signed with Atlantic Records in 1969 and with his first single for the Atco label, "The Ghetto", in early 1970, "Rolling Stone" magazine "marked him as a major new force in soul music." His enduring songs include "The Ghetto", "This Christmas", "Someday We'll All Be Free", "Little Ghetto Boy", "I Love You More Than You'll Ever Know", signature versions of "A Song for You" and "For All We Know", and "Where Is the Love" and "The Closer I Get to You", two of many collaborations with Roberta Flack. "Where Is the Love" won the Grammy Award for Best Pop Performance by a Duo or Group with Vocals in 1973. At the height of his career Hathaway was diagnosed with paranoid schizophrenia and was known to not take his prescribed medication regularly enough to properly control his symptoms. On January 13, 1979, Hathaway's body was found outside the luxury hotel Essex House in New York City; his death was ruled a suicide. Context_8 : No One Can Ever Know is the third studio album by Scottish indie rock band The Twilight Sad, released by FatCat Records on 6 February 2012 in the UK, and a day later in the US. The album was produced by the band with assistance and advice from producer Andrew Weatherall, who helped the band in experimenting with analog synthesizers. "No One Can Ever Know" marks a shift in the band's "wall of sound" approach towards a darker, more industrial-influenced sound. Guitarist Andy MacFarlane describes the album's sound as "sparser... with a colder, slightly militant feel," inspired by artists such as Cabaret Voltaire, Public Image Ltd, Can, Liars, Autechre, and Magazine. Context_9 : Twenty is the tenth studio album by American R&B group Boyz II Men. The album was released in the United States on October 25, 2011. The first single was "More Than You'll Ever Know" featuring Charlie Wilson. As of September 2011, the single was the most added song to radio sets on urban adult contemporary radio stations. The album featured 13 new material songs and nine rerecorded Boyz II Men classics. It was produced Tim & Bob, Babyface, Jimmy Jam and Terry Lewis, and Teddy Riley. The album debuted at number 20 on the "Billboard" 200, selling 18,400 copies in its first week. Context_10 : "Mama He's Crazy" is a song written by Kenny O'Dell, and recorded by American country music duo The Judds. It was released in April 1984 as the second from the album "Wynonna & Naomi". The song was The Judds' second country hit and the first of fourteen number one country hits. The single went to number one for one week and spent a total of fourteen weeks on the country chart. It was only the second country number one sung by a female duo ever; previously only The Davis Sisters featuring Skeeter Davis had made it to number one on the country chart in 1953 with their song "I Forgot More Than You'll Ever Know". fact_1 : The first single was "More Than You'll Ever Know" featuring Charlie Wilson. fact_2 : Charles Kent "Charlie" Wilson (born January 29, 1953), also known as Uncle Charlie, is an American R&B singer, songwriter, producer and the former lead vocalist for The Gap Band. Question: In what year was the artist featured on the single "More Than You'll Ever Know" born?
A:
1953