Problem: Extras is a British sitcom about extras working in television, film, and theatre. The series was co-produced by the BBC and HBO and was created, written, and directed by Ricky Gervais and Stephen Merchant, both of whom also starred in it. Extras follows the lives of Andy Millman (Gervais), his platonic friend Maggie Jacobs (Ashley Jensen), and Andy's substandard agent and part-time retail employee Darren Lamb (Merchant) as Millman muddles through life as an anonymous "background performer" who eventually finds success as a B-level sitcom star. Extras has two series of six episodes each as well as a Christmas Special.

There were some subtle changes between the UK and US versions, with references to the names of British celebrities often being changed to American celebrities for the US edition. In Season 2, episode 1, Keith Chegwin's anti-gay tirade includes the sentence "Men have knobs, women have fannies. Pop knob in fanny. Not up the arse." In British English "fanny" is a euphemism for vagina, while in American English "fanny" is a term for buttocks. A scene was shot, and aired in the US, in which Chegwin says "Men have dicks. Women have vaginas. Pop dick in vagina. Not up the bum." In Season 2, episode 3, in the scene where Darren Lamb tells Andy Millman about an offer that has come in for Andy to play a supporting role in a film, Lamb mistakenly says the film stars Billie Piper. For the American broadcast, an alternate take was used where Merchant's character says, "How do you fancy three days with Halle Berry?" In each case, Piper and Berry's names are mistaken for the name Harry Potter (actor Daniel Radcliffe guest stars in the episode). In Season 2, episode 4, a scene featuring UK TV presenter Moira Stuart was completely excised from the US version and a song by Coldplay frontman Chris Martin replaced it; the latter was featured as a deleted scene on the DVD releases. In the Christmas special the talking "Jade Goody" doll was replaced by a talking "Kramer" doll. (Both dolls parodied incidents where each celebrity said things publicly that were generally seen as racist.) The T-shirt in the studio audience depicting Victoria Wood and Asda is replaced in the US version by a T-shirt depicting Sigourney Weaver and DirectTV. A scene with George Michael was also truncated to remove references to UK celebrities Richard and Judy and Catherine Tate. A scene set in the Carphone Warehouse was edited to remove jokes referring to the long running BBC soap opera EastEnders.

Did people notice the differences?

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Problem: Ian Michael Chappell (born 26 September 1943) is a former cricketer who played for South Australia and Australia. He captained Australia between 1971 and 1975 before taking a central role in the breakaway World Series Cricket organisation. Born into a cricketing family--his grandfather and brother also captained Australia--Chappell made a hesitant start to international cricket playing as a right-hand middle-order batsman and spin bowler. He found his niche when promoted to bat at number three.

The first of three sons born in Adelaide,Unley to Martin and Jeanne (nee Richardson), Chappell was steeped in the game from an early age. His father was a noted Adelaide grade cricketer who put a bat in his hands as soon as he could walk, and his maternal grandfather was famous all-round sportsman Vic Richardson, who captained Australia at the end of a nineteen-Test career. Chappell was given weekly batting lessons from the age of five, as were younger brothers Greg and Trevor, who both also went on to play for Australia. Chappell grew up in the beachside suburb of Glenelg and attended the local St Leonard's Primary School where he played his first competitive match at the age of seven. He was later selected for the South Australian state schoolboys team. He then enrolled at Prince Alfred College, a private secondary school noted for producing many Test cricketers, including the Australian captains Joe Darling and Clem Hill. His other sporting pursuits included Australian football and baseball: Chappell's performances for South Australia in the Claxton Shield won him All-Australian selection in 1964 and 1966 as a catcher. He credits Vic Richardson, who had represented both SA and Australia in baseball during the 1920s, for his love of the sport. At the age of 18, his form in grade cricket for Glenelg led to his first-class debut for South Australia (SA) against Tasmania in early 1962. Chappell replaced West Indian Gary Sobers who was selected for a Test match in the Caribbean. The aggressive style of Sobers and South-Australia captain Les Favell heavily influenced Chappell during his formative years in senior cricket. In 1962-63, Chappell made his initial first-class century against a New South Wales team led by Australian captain Richie Benaud, who was bemused by the young batsman's habit of gritting his teeth as he faced up; to Benaud, it looked as if he was grinning. Chappell spent the northern summer of 1963 as a professional in England's Lancashire League with Ramsbottom and played a single first-class match for Lancashire against Cambridge University.

Did his family teach Ian to play?

Answer with quotes: Chappell was given weekly batting lessons from the age of five, as were younger brothers Greg and Trevor, who both also went on to play for Australia.

Problem: Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968 by Track Records/Polydor, and Reprise Records in North America. The double album was the only record from the band produced by Jimi Hendrix. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album.

According to music journalist David Stubbs, Electric Ladyland is "undoubtedly a rock album, albeit rock on the point of evolving into something else." Uncut magazine's John Robinson said that its music reconciles the psychedelic pop of Hendrix's earlier recordings with the aggressive funk he would explore on his 1970 album Band of Gypsys. During its recording, Kramer experimented with innovative studio techniques such as backmasking, chorus effect, echo, and flanging, which AllMusic's Cub Koda said recontextualized Hendrix's psychedelic and funk sounds on the album. Electric Ladyland is a cross-section of Hendrix's wide range of musical talent. It includes examples of several genres and styles of music: the psychedelic "Burning of the Midnight Lamp", a UK single the previous summer (1967), the extended blues jam "Voodoo Chile", the New Orleans-style R&B of Earl King's "Come On", the epic studio production of "1983... (A Merman I Should Turn to Be)", the social commentary of "House Burning Down", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange". The album also features an electric reworking of the Bob Dylan classic "All Along the Watchtower", which has been well received by critics as well as by Dylan himself, and also "Voodoo Child (Slight Return)", a staple of both radio and guitar repertoire. Rolling Stone's Holly George-Warren praised "Crosstown Traffic" for its hard rock guitar riff. "All Along the Watchtower" became the band's highest-selling single and their only US top 40 hit, peaking at number 20; it reached number five in the UK. The album also included one of Hendrix's most prominent uses of a wah-wah pedal, on "Burning of the Midnight Lamp", which reached number 18 in the UK charts.

Are there any other covers?

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", and the Sixties-era Britpop of Noel Redding's "Little Miss Strange".