Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Hisab Nikas(Odia: ) (1982) is an Odia film was released in 1982. Produced, Directed, Story, Screenplay by Prashant Nanda, Music has been arranged by Prafulla Kar, the movie featured Prashant Nanda, Sriram Panda, Mahasweta Roy, Jharana Das, Biren Routray & Deepa Sahu. It was the first Cinemascope movie in Odia cinema history. Context_2 : Mehbooba is a 1976 Hindi film produced by Mushir-Riaz and directed by Shakti Samanta. The film stars Rajesh Khanna, Hema Malini and Prem Chopra. The story is based on reincarnation theme. The music is composed by Rahul Dev Burman. The film is noted for impressive performance by the lead pair and for its haunting melodies such as the solo song 'Mere naian sawan bhadon' sung by both Lata Mangeshkar and Kishore Kumar, Chalo Ri by Lata and the duet song Parbat Ke Peeche. The plot it is based on Gulshan Nanda's novel "Sisakate Saaz", and Nanda also wrote the screenplay himself. Upon its release the film was big hit in the metropolitan cities but was flop in the rural areas. This film has gained a cult following over the years and appreciation from audiences in its screening in television. Context_3 : Can Atilla (born in 1969) is a Turkish musician and composer of electronic, ethnic, orchestral and new age music. Graduated from Hacettepe University Ankara State Conservatory in 1990 with a BA degree in violin, he has composed several studio albums as well as numerous scores for films, plays and television series. Although his earlier works fall in the category of electronic music, starting from mid 2000's he started to compose in more traditional style and gained reputation with his epic Empire Pentalogy, which consists of 5 Ottoman-era themed albums (Cariyeler ve Geceler, 1453 - Sultanlar Askna, Ask- Hurrem, Altn Cag, 1453 - Fatih Askna) that he produced during the years between 2005 and 2012. Can Atilla is widely regarded as a pioneer in Turkish electronic and new age music. Context_4 : Swapna Sagara (Odia: ) (1983) is an Odia film was released in 1983. Produced, directed, story, and screenplay by Prashant Nanda and music by Akshaya Mohanty, the movie featured Dukhiram Swain, Prashant Nanda, Sriram Panda, Mahasweta Roy and Anita Das. It was the first 70mm movie in Odia cinema history. Context_5 : Bandhu is a 2007 Bengali film directed by Prashanta Nanda and produced by Kusum Dhanuka. The film features actors Prosenjit Chatterjee and Swastika Mukherjee in the lead roles. Music of the film has been composed by Prashanta Nanda and Shanti Raj Context_6 : Joroo Ka Ghulam ("Wife's Slave") is a 1972 Hindi-language comedy film. Directed by A. Bhimsingh, it stars Rajesh Khanna, Nanda, Om Prakash, Ramesh Deo and Jayshree T. The music is by Kalyanji Anandji.The movie was remade in Kannada as Anukoolakkobba Ganda. This movie was among the top 10 movies searched online of Khanna as of 2012. The pair of Nanda and Khanna had worked in the thriller "The Train" and suspense drama "Ittefaq" (1969). This was the pair's third box office hit. Context_7 : Goutham Nanda is a 2017 Telugu Action film, produced by J Bhagavan, J Pulla Rao under Sri Balaji Cine Media Banner and directed by Sampath Nandi. Starring Gopichand, Hansika Motwani, Catherine Tresa in the lead roles and music composed by S. Thaman. Context_8 : Ghantasala Sai Srinivas Thaman Siva Kumar, popularly known and credited as S.S.Thaman is an Indian film music composer who mainly composes music in Telugu and Tamil. Context_9 : Ittefaq (English: Coincidence) is a 1969 Hindi movie produced by B. R. Chopra and directed by his brother Yash Chopra. The film stars Rajesh Khanna, Nanda, Bindu, Madan Puri, Iftekhar and has music by Salil Choudhury. The film became a "semi-hit" at the box office. It was based on the Gujarati drama "Dhummas"starring Sarita Joshi. It was the fourth Bollywood film (after Naujawan, Munna and Kanoon) that did not have any songs in it. What was remarkable was that a previous production from the same production house i.e. B.R.Films, namely Kanoon, made in 1960 was also a song-less film and with the same leading lady Nanda. Another common feature of both Kanoon and 'Ittefaq' was that in both these song-less films Salil Chowdhary was the Music Director.This film is counted among the 17 consecutive hit films Rajesh Khanna between 1969 and 1971, by adding the two hero films Marayada and Andaz to the 15 consecutive solo hits he gave from 1969 to 1971. Context_10 : Vaareva is a 2011 Indian Telugu language romance film produced by Maheshwara Rao under the banner Movie Miracles written and directed by Kalyan Mantena . It stars Goutham, the son of famous comedian Brahmanandam, making a re-entry and newcomer Shambhavi in the lead roles. Ashish Vidyarthi plays an important role. The music is composed by Mahesh Shankar. The film was released on 29 January 2011. RKD Studios owns the film in Hindi and all other Northern Indian languages. fact_1 : Starring Gopichand, Hansika Motwani, Catherine Tresa in the lead roles and music composed by S. Thaman. fact_2 : Ghantasala Sai Srinivas Thaman Siva Kumar, popularly known and credited as S.S.Thaman is an Indian film music composer who mainly composes music in Telugu and Tamil. Answer: Telugu and Tamil.
Answer:
In which languages does the composer of the music for the film Goutham Nanda compose ?