Question:
The Mississippian culture was a mound-building Native American civilization archeologists date from approximately 800 CE to 1600 CE, varying regionally. It was composed of a series of urban settlements and satellite villages (suburbs) linked together by a loose trading network, the largest city being Cahokia, believed to be a major religious center. The civilization flourished from the southern shores of the Great Lakes at Western New York and Western Pennsylvania in what is now the Eastern Midwest, extending south-southwest into the lower Mississippi Valley and wrapping easterly around the southern foot of the Appalachians barrier range into what is now the Southeastern United States. The Mississippian way of life began to develop in the Mississippi River Valley (for which it is named).
The Caddoan Mississippian area, a regional variant of the Mississippian culture, covered a large territory, including what is now eastern Oklahoma, western Arkansas, northeastern Texas, and northwestern Louisiana. Archaeological evidence has led to a scholarly consensus that the cultural continuity is unbroken from prehistory to the present, and that the Caddo and related Caddo language speakers in prehistoric times and at first European contact are the direct ancestors of the modern Caddo Nation of Oklahoma. The climate in this area was drier than areas in the eastern woodlands, hindering maize production, and the lower population on the plains to the west may have meant fewer neighboring competing chiefdoms to contend with. Major sites such as Spiro and the Battle Mound Site are in the Arkansas River and Red River Valleys, the largest and most fertile of the waterways in the Caddoan region, where maize agriculture would have been the most productive. The sites generally lacked wooden palisade fortifications often found in the major Middle Mississippian towns. Living on the western edge of the Mississippian world, the Caddoans may have faced fewer military threats from their neighbors. Their societies may also have had a somewhat lower level of social stratification. The Caddoan people were speakers of one of the many Caddoan languages. The Caddoan languages once had a broad geographic distribution, but many are now extinct. The modern languages in the Caddoan family include Caddo and Pawnee, now spoken mainly by elderly people. Hernando de Soto led an expedition into the area in the early 1540s, he encountered several native groups now thought to have been Caddoan. Composed of many tribes, the Caddo were organized into three confederacies, the Hasinai, Kadohadacho, and Natchitoches, which were all linked by their similar languages.
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covered a large territory, including what is now eastern Oklahoma,

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The Blues Brothers is a 1980 American musical comedy film directed by John Landis. It stars John Belushi and Dan Aykroyd as "Joliet" Jake and Elwood Blues, characters developed from "The Blues Brothers" musical sketch on the NBC variety series Saturday Night Live. The film's screenplay was written by Aykroyd and Landis. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles, and John Lee Hooker.
The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James. Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director. However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own. Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks. The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time.
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The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume