input: Sorkin got the inspiration to write his next play, a courtroom drama called A Few Good Men, from a phone conversation with his sister Deborah (who had graduated from Boston University Law School and signed up for a three-year stint with the U.S. Navy Judge Advocate General's Corps). Deborah told Sorkin that she was going to Guantanamo Bay to defend a group of Marines who came close to killing a fellow Marine in a hazing ordered by a superior officer. Sorkin took that information and wrote much of his story on cocktail napkins while bartending at the Palace Theatre. He and his roommates had purchased a Macintosh 512K so when he returned home he would empty his pockets of the cocktail napkins and type them into the computer, forming a basis from which he wrote many drafts for A Few Good Men. In 1988, Sorkin sold the film rights for A Few Good Men to producer David Brown before it premiered, in a deal that was reportedly "well into six figures". Brown had read an article in The New York Times about Sorkin's one-act play Hidden in This Picture and found out Sorkin also had a play called A Few Good Men that was having Off Broadway readings. Brown produced A Few Good Men on Broadway at the Music Box Theatre. It starred Tom Hulce and was directed by Don Scardino. After opening in late 1989, it ran for 497 performances. Sorkin continued writing Making Movies and in 1990 it debuted Off-Broadway at the Promenade Theatre, produced by John A. McQuiggan, and again directed by Don Scardino. Meanwhile, David Brown was producing a few projects at TriStar Pictures and tried to interest them in making A Few Good Men into a film but his proposal was declined due to the lack of star actor involvement. Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film. Rob Reiner, a Castle Rock producing partner, opted to direct it.

Answer this question "Did David Brown ever use the film rights to make the movie ?"
output: Brown later got a call from Alan Horn at Castle Rock Entertainment who was anxious to make the film.

input: Auden attended St Edmund's School, Hindhead, Surrey, where he met Christopher Isherwood, later famous in his own right as a novelist. At thirteen he went to Gresham's School in Norfolk; there, in 1922, when his friend Robert Medley asked him if he wrote poetry, Auden first realised his vocation was to be a poet. Soon after, he "discover(ed) that he (had) lost his faith" (through a gradual realisation that he had lost interest in religion, not through any decisive change of views). In school productions of Shakespeare, he played Katherina in The Taming of the Shrew in 1922, and Caliban in The Tempest in 1925, his last year at Gresham's. His first published poems appeared in the school magazine in 1923. Auden later wrote a chapter on Gresham's for Graham Greene's The Old School: Essays by Divers Hands (1934). In 1925 he went up to Christ Church, Oxford, with a scholarship in biology; he switched to English by his second year. Friends he met at Oxford include Cecil Day-Lewis, Louis MacNeice, and Stephen Spender; these four were commonly though misleadingly identified in the 1930s as the "Auden Group" for their shared (but not identical) left-wing views. Auden left Oxford in 1928 with a third-class degree. Auden was reintroduced to Christopher Isherwood in 1925 by his fellow student A. S. T. Fisher. For the next few years Auden sent poems to Isherwood for comments and criticism; the two maintained a sexual friendship in intervals between their relations with others. In 1935-39 they collaborated on three plays and a travel book. From his Oxford years onward, Auden's friends uniformly described him as funny, extravagant, sympathetic, generous, and, partly by his own choice, lonely. In groups he was often dogmatic and overbearing in a comic way; in more private settings he was diffident and shy except when certain of his welcome. He was punctual in his habits, and obsessive about meeting deadlines, while choosing to live amidst physical disorder.

Answer this question "Did he recieve any cristism?"
output: often dogmatic and overbearing

input: Arashi began 2002 by releasing their first single under J Storm. "A Day in Our Life" was used as the theme song for Sakurai's comedy drama Kisarazu Cat's Eye and debuted atop of the Oricon weekly singles chart selling 226,480 copies. Their subsequent releases of the year, "Nice na Kokoroiki" and "Pikanchi", were used as the theme songs for the anime Kochira Katsushika-ku Kameari Koen-mae Hashutsujo and Arashi's movie Pikanchi Life is Hard Dakedo Happy (pikanchi Life is HarddakedoHappy, Pikanchi Life is Hard But Happy) respectively. Starting in 2003, the group would only release two singles every year until 2007. Both singles released in 2003, "Tomadoi Nagara" and "Hadashi no Mirai/Kotoba Yori Taisetsu na Mono", debuted at number two on the charts. The song "Kotoba Yori Taisetsu na Mono" marked the first time a member contributed to the penning of a single, as many of the group's songs are produced by other lyricists, composers, or musicians. Sakurai, who is the designated rapper of Arashi, has since written all the incorporated rap lyrics of the group's releases. 2004 was Arashi's fifth anniversary since debut. They began the year by releasing their twelfth single, "Pikanchi Double", in February as the theme song for their second movie Pikanchi Life is Hard Dakara Happy (pikanchi Life is HarddakaraHappy, Pikanchi Life is Hard Thus Happy). Selling 89,106 copies in the first week, it is Arashi's lowest-selling single to date. In celebration of their anniversary, the group released a greatest hits album 5x5 The Best Selection of 2002-2004, which included their second 2004 single "Hitomi no Naka no Galaxy/Hero". In 2005, on New Year's Day, Arashi released their first concert DVD since How's It Going? in 2003 titled 2004 Arashi! Iza, Now Tour!!. From July 26 to August 24, they embarked on a summer tour titled One to support their album of the same name. One of the highlights of the tour included the live performance their first single of the year, "Sakura Sake", on top of "Johnny's Moving Stage" (ziyanizumubingusutezi, Janizu Mubingu Suteji), a transparent stage that travels over the top of the audience. Invented by Matsumoto, "Johnny's Moving Stage" has since been used in a majority of Arashi's concerts to allow them to move closer to the audience seated at a distance from the main stage. In November, Arashi released a theme song for the manga-based drama Hana Yori Dango, which starred Matsumoto as one of the lead actors. "Wish" went on to sell an estimated 178,000 copies in its first week and over 300,000 copies by the end of its chart run, making it their first single to sell over 300,000 copies in total in nearly three years since "A Day in Our Life" in 2002.

Answer this question "Where did they tour with this stage?"
output:
From July 26 to August 24, they embarked on a summer tour titled One to support their album of the same name.