input: Christy once dreamed of a career in film after he saw Brad Pitt, from nearby Springfield, Missouri, in Interview with the Vampire. He hung up posters of Pitt in his New York City apartment, and once worked at a computer store owned by Pitt's parents. He has been a fan of horror films since his youth, and rates Halloween (1978) as his favourite. In the mid-1990s, while living in Missouri, he started to make his own independent, low budget films. His first, Evil Ned 2, a horror comedy was made in 1994. This was followed by its sequel, Evil Ned 3: The Return of Evil Ned 2 - Electric Boogaloo, in 1995, with a plot involving "dirty magazines, huge hog testicles, gay monsters, Amish erotica, and evil talking ducks". The film was produced for $250, "200 of which was spent on beer". The film premiered at a Missouri hotel, and was made available online in 2007. In 2001, Christy released his feature-length film, Leaving Grunion County. Its premiere was held at the Enzian Theater in Maitland, Florida that April. In 2006, Christy and Governale wrote, directed, and starred in the 30-minute comedy film Supertwink for Stern's on-demand digital cable service Howard Stern On Demand. It premiered at the Pioneer Theater in New York City on January 4, 2006. The film was reviewed by critic Richard Roeper, who panned it. In 2007, Christy appeared in Harold & Kumar Escape from Guantanamo Bay playing the role of a Ku Klux Klansman named Kenny. In the same year, he landed his first television role Rescue Me, portraying a "really creepy guy at end of bar". In 2009, he appeared as Caleb in the horror film Albino Farm. Also in 2009, Christy and Governale appeared in the 2009 horror novel Castaways, written by horror and crime novelist Brian Keene. Christy has recorded voiceovers for the Adult Swim shows Metalocalypse and Rick and Morty. He guest appeared on the Cartoon Network series Uncle Grandpa, playing Ric. Christy later made a cameo in Guardians of the Galaxy Vol. 2 as a character simply named "Down There!". Christy has written articles for Decibel magazine about his love for horror films, named "Richard Christy's Horrorscope".

Answer this question "Did he release any other film afterwards?"
output: Christy released his feature-length film, Leaving Grunion County.

Question: Jean-Philippe Rameau (French: [Zafilip Ramo]; (1683-09-25)25 September 1683 - (1764-09-12)12 September 1764) was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside Francois Couperin. Little is known about Rameau's early years, and it was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe.

Along with Francois Couperin, Rameau is one of the two masters of the French school of harpsichord music in the 18th century. Both composers made a decisive break with the style of the first generation of harpsichordists, who confined their compositions to the relatively fixed mould of the classical suite. This reached its apogee in the first decade of the 18th century with successive collections of pieces by Louis Marchand, Gaspard Le Roux, Louis-Nicolas Clerambault, Jean-Francois Dandrieu, Elisabeth Jacquet de la Guerre, Charles Dieupart, and Nicolas Siret. Rameau and Couperin have different styles. They seem not to have known one another (Couperin was one of the official court musicians while Rameau was still an unknown; fame would only come to him after Couperin's death). Rameau published his first book of harpsichord pieces in 1706 while Couperin (who was fifteen years his senior) waited until 1713 before publishing his first "ordres." Rameau's music includes pieces in the pure tradition of the French suite: imitative ("Le rappel des oiseaux," "La poule") and character ("Les tendres plaintes", "L'entretien des Muses") pieces and works of pure virtuosity that resemble Scarlatti ("Les tourbillons," "Les trois mains") as well as pieces that reveal the experiments of a theorist and musical innovator ("L'Enharmonique", "Les Cyclopes"), which had a marked influence on Daquin, Royer, and Jacques Duphly. The suites are grouped in the traditional way, by key. Rameau's three collections appeared in 1706, 1724 and 1726 or 1727, respectively. After this, he only composed a single piece for the harpsichord: "La Dauphine" (1747). Other works, such as "Les petits marteaux," have been doubtfully attributed to him. During his semiretirement in the years 1740 to 1744, he wrote the Pieces de clavecin en concert (1741), which some musicologists consider the pinnacle of French Baroque chamber music. Adopting a formula successfully employed by Mondonville a few years earlier, these pieces differ from trio sonatas in that the harpsichord is not simply there as basso continuo to accompany other instruments (the violin, flute or viol) playing the melody but has an equal part in the "concert" with them. Rameau also claimed that the pieces would be equally satisfying as solo harpsichord works--although this statement is far from convincing, since the composer took the trouble to transcribe five of them himself--those where the lack of other instruments would show the least.

Using a quote from the above article, answer the following question: What were some of his pieces?
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Answer:
("Le rappel des oiseaux," "La poule")