Please answer this: This article: Paul Blart lives in West Orange, New Jersey, with his teenage daughter, Maya, and mother, Margaret. Aspiring to join the New Jersey State Police, he trains at the police academy, but his hypoglycemic medical condition causes him to collapse, therefore failing the exam. To shape up for his career, Blart works as a security guard at the fictional West Orange Pavilion Mall. Blart patrols the mall on a Segway to assure that things are safe and clean. He also trains Veck Simms, who is new but uninterested in the job. Meanwhile, Blart becomes acquainted with Amy Anderson, the vendor of a new kiosk. He meets her one evening at a party at Joe's American Bar and Grill with other mall employees. Things initially go well, but Blart is sidetracked when he decides to participate in a nacho-eating contest with his friend Leon. The hot and spicy salsa is more than Blart can handle, causing him to inadvertently drink several alcoholic beverages. He ruins the party and makes a wild exit by falling through a window. Two days later, on the night of Black Friday, an organized gang of thugs disguised as Santa's Village employees begin what appears to be a bank heist inside the mall. They take Amy and other customers in the bank hostage. Simms is revealed as the gang's leader his mall security job was a ploy to gather intelligence. They are keeping the hostages as insurance for the gang's escape. The crew force shoppers to exit the mall and strategically place motion sensors around each entrance to detect any attempt to enter or exit the building. contains an answer for the question: At what building does Amy Anderson work?, what is it ?
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Answer: West Orange Pavilion Mall

Problem: This article: Holst's absorption of folksong, not only in the melodic sense but in terms of its simplicity and economy of expression, helped to develop a style that many of his contemporaries, even admirers, found austere and cerebral. This is contrary to the popular identification of Holst with The Planets, which Matthews believes has masked his status as a composer of genuine originality. Against charges of coldness in the music, Imogen cites Holst's characteristic "sweeping modal tunes mov[ing] reassuringly above the steps of a descending bass", while Michael Kennedy points to the 12 Humbert Wolfe settings of 1929, and the 12 Welsh folksong settings for unaccompanied chorus of 193031, as works of true warmth.Many of the characteristics that Holst employed unconventional time signatures, rising and falling scales, ostinato, bitonality and occasional polytonality set him apart from other English composers. Vaughan Williams remarked that Holst always said in his music what he wished to say, directly and concisely; "He was not afraid of being obvious when the occasion demanded, nor did he hesitate to be remote when remoteness expressed his purpose". Kennedy has surmised that Holst's economy of style was in part a product of the composer's poor health: "the effort of writing it down compelled an artistic economy which some felt was carried too far". However, as an experienced instrumentalist and orchestra member, Holst understood music from the standpoint of his players and made sure that, however challenging, their parts were always practicable. According to his pupil Jane Joseph, Holst fostered in performance "a spirit of practical comradeship ... none could know better than he the boredom possible to a professional player, and the music that rendered boredom impossible". contains an answer for the question: What was the last name of the person who said Holst was not afraid of being obvious when the occasion demanded?, what is it ?

A: Williams

Problem: Given the question: This article: The earliest version of "This Charming Man" was recorded on 14 September 1983, in Maida Vale Studio 4, for John Peel's radio programme (first broadcast: 21 September 1983). Produced by Roger Pusey, and assisted by Ted De Bono, this version of the song was first included on the 1984 compilation Hatful of Hollow. On 28 October 1983, the "Manchester" version was released in the UK in 7" and 12" formats, reaching number 25 in the UK charts. The record sleeve uses a still frame from Jean Cocteau's 1949 film Orphee, featuring French actor Jean Marais. The song was later included as a bonus track on the cassette version of the band's debut album The Smiths in the UK, and subsequently on all American versions. Following the 1989 bankruptcy of Rough Trade, WEA Records purchased the Smiths' back catalogue. In 1992 WEA re-issued the band's catalogue, and all subsequent pressings of The Smiths have incorporated "This Charming Man". WEA re-released the single itself in 1992 to support the Best... I compilation album. The reissued single reached number 8 on the British singles chart, the band's highest chart placing.In December 1983, DJ Francois Kevorkian released a "New York" mix of the single on Megadisc records. Kevorkian geared the song for nightclub dancefloors. The track was intended to be pressed in limited numbers for New York club DJs. However, Rough Trade boss Geoff Travis liked the mix and gave the release wide distribution in the UK. Morrissey publicly disowned the mix, and urged fans not to purchase copies. Travis later claimed, "it was my idea, but they agreed. They said 'Go ahead', then didn't like it so it was withdrawn." He also said, "Nothing that ever happened in the Smiths occurred without Morrissey's guidance; there's not one Smiths record that went out that Morrissey didn't ask to do, so there's nothing on my conscience." contains an answer for the question: What is the full name of the individual who said, "Nothing that ever happened in the Smiths occurred without Morrissey's guidance"?, what is it ?
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The answer is:
Geoff Travis

Q: This article: Following a life-threatening drug addiction that developed after leaving the Chili Peppers in 1992, Frusciante completed a month of drug rehabilitation at Las Encinas in Pasadena in 1998. Shortly thereafter he was asked to rejoin the band. After several months of writing and recording, the Chili Peppers' next album, Californication was released. The album went on to sell more than 15 million copies worldwide, becoming the Chili Peppers' most successful recording to date. Frusciante's return generated much response from critics, who recognized the album as a commercial revitalization from their previous record, One Hot Minute. A two-year-long, international tour followed, which included several festival appearances, including Woodstock 1999 and Rock in Rio. The writing and formation of By the Way began immediately following the culmination of Californication's world tour, in the spring of 2001. As with Californication, much of the creation took place in the band members' homes and other practice locations, such as a recording studio stage. Kiedis recalled of the situation: "We started finding some magic and some music and some riffs and some rhythms and some jams and some grooves, and we added to it and subtracted from it and pushed it around and put melodies to it." Frusciante and Kiedis would collaborate for days straight, discussing guitar progressions and sharing lyrics. For Kiedis, "writing By the Way...was a whole different experience from Californication. John was back to himself and brimming with confidence." Prior to recording By the Way, the Chili Peppers decided that they would again have Rick Rubin produce the album. Rubin had, in the past, granted the Chili Peppers creative freedom on their recording material; this was something they thought essential for the album to be unique, and could only occur with his return. contains an answer for the question: What is the name of the person whose return was important because their creative freedom was essential?, what is it ?
A:
Rick