Problem: Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.

Following Communication, Womack's profile was raised with two more albums, released in 1972. The first was Understanding, noted for the track "I Can Understand It", later covered by the funk band New Birth and a three-sibling lineup of Bobby's old group, the Valentinos, and two hit singles, "Woman's Gotta Have It" and "Harry Hippie". The latter song was written for Womack by Jim Ford in a country version, which Womack re-arranged in an R&B version. "Harry Hippie" later became Womack's first single to be certified gold. "Woman's Gotta Have It" became Womack's first single to hit number one on the R&B charts. Another hit album released after Understanding was the soundtrack to the blaxploitation film Across 110th Street. The title track became popular during its initial 1972 release and later would be played during the opening and closing scenes of the 1997 film, Jackie Brown. In 1973, Womack released another hit album, Facts of Life, and had a top 40 hit with "Nobody Knows You When You're Down and Out," an older song Sam Cooke had done years before. In 1974, Womack released his most successful single during this period with a remake of his first hit single, "Lookin' for a Love". His solo version of the song became even more successful than the original with the Valentinos, becoming his second number one hit on the R&B chart and peaking at number ten on the Billboard Hot 100, becoming his only hit to reach that high on the pop chart. The song was featured on the album Lookin' for a Love Again and featured the minor charted "You're Welcome, Stop on By", later covered by Rufus & Chaka Khan. Womack's career began stalling after Womack received the news of his brother Harry's death. Womack continued to record albums with United Artists through 1975 and 1976 but with less success than previous albums. In 1975, Womack collaborated with Rolling Stones member Ronnie Wood, on Wood's second solo album, Now Look. Womack languished with his own recordings during the late 1970s but continued to be a frequent collaborator with other artists, most notably Wilton Felder of the Crusaders. In 1980, Wilton Felder released on MCA Records, the album Inherit The Wind, featuring Bobby Womack, that became a jazz-funk classic, notably in the UK - Robbie Vincent at Radio London included the track as one of his all-time winners in October 1982. In 1981, Womack signed with Beverly Glen Records and had his first R&B top 10 single in five years - since the 1976 single "Daylight" - with "If You Think You're Lonely Now" that peaked at number three on the R&B singles chart. His accompanying album The Poet reached number one on the R&B album charts and is now seen as the high point of his long career, bringing him wider acclaim not only in the U.S. but also in Europe. He had two more R&B top 10 singles during the 1980s including the Patti LaBelle duet, "Love Has Finally Come at Last", and "I Wish He Didn't Trust Me So Much". He had a hit featuring on the Wilton Felder single "(No Matter How High I Get) I'll Still Be Looking Up to You".

Did he receive any awards during this time?

Answer with quotes: In 1975, Womack collaborated with Rolling Stones member Ronnie Wood, on Wood's second solo album, Now Look.

Problem: Asa Gray (November 18, 1810 - January 30, 1888) is considered the most important American botanist of the 19th century. His Darwiniana was considered an important explanation of how religion and science were not necessarily mutually exclusive. Gray was adamant that a genetic connection must exist between all members of a species. He was also strongly opposed to the ideas of hybridization within one generation and special creation in the sense of its not allowing for evolution, as he felt evolution was guided by a Creator.

Despite no longer having the burden of his professorial and garden duties, by the late 1870s the burden of maintaining himself as the pillar of American botany prevented Gray from the progress he desired on Synoptical Flora of North America, the follow-on to Flora of North America. This burden consisted of the fact that other scientists often only accepted Gray's word on a botanical matter, and the number of incoming specimens to identify was increasing vastly: numbers had to be assigned to them, collectors needed to be corresponded with, and preliminary papers had to be published. By the early 1880s, Gray's home was the center of everything to do with botany in America. Every aspiring botanist came to see him, even if just to look at him through his window. After turning over his non-research duties to Sargent, Goodale, Farlow, and Watson, Gray concentrated more on research and writing, especially on plant taxonomy, as well as lecturing around the country, largely promoting Darwinian ideas. Many of his lectures during this time were given at the Yale Divinity School. Liberty Hyde Bailey worked as Gray's herbarium assistant for two years during 1883-1884. In spring 1887 Gray and his wife made their last trip to Europe, this one for six months from April-October, primarily to see Hooker. Gray received the following advanced degrees: honorary degree of Master of Arts (1844) and Doctor of Laws (1875) from Harvard, and Doctor of Laws from Hamilton College (New York) (1860), McGill University (1884), and the University of Michigan (1887).

Where they received well?

Answer with quotes:
Every aspiring botanist came to see him, even if just to look at him through his window.