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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : The Pakistan Anti-Hero is a book written by Pakistani author, journalist, cultural critic and satirist, Nadeem F.Paracha. It is his second book. His first book, "End of the Past" was published in 2016 by Vanguard Publications. His second book too is published by Vanguard. "The Pakistan Anti-Hero" is an extension of Paracha's first book in which he mapped the political evolution of Pakistani society. In his second book he attempts to navigate the evolution of Pakistani nationalism through the study of a number of Pakistani intellectuals, artistes, sportsmen, scholars and militants. Context_2 : Silver Spoons & Broken Bones is the debut album of the East Anglian band Stone Gods and was released on July 7, 2008 through Play It Again Sam. It is the band's first full-length album. Two of the songs, "Burn the Witch" and "You Brought a Knife to a Gunfight", were previously released on the limited edition "Burn the Witch EP". Context_3 : Jeanette Winterson, OBE (born 27 August 1959) is an award-winning English writer, who became famous with her first book, "Oranges Are Not the Only Fruit", a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Some of her other novels have explored gender polarities and sexual identity. Winterson is also a broadcaster and a professor of creative writing. She is a two-time winner of the Lambda Literary Award, which focuses on LGBT issues. Context_4 : Stone Gods were a British hard rock / heavy metal band formed by some ex-members of the UK hard rock band The Darkness. Their debut album, titled "Silver Spoons & Broken Bones", was released on 7 July 2008, with the first single "Knight of the Living Dead" being released on 23 June 2008. On 9 December 2010 they officially went on hiatus. Context_5 : The Stone Gods is a 2007 novel by Jeanette Winterson. It is mainly a post apocalyptic love story concerned with corporate control of government, the harshness of war, and the dehumanization that technology brings, among other themes. The novel is self-referential, where later characters in the story find and read earlier sections of the book itself, and where certain sets of characters' story arcs repeat, particularly those of a Robo 'Sapien' named Spike and her reluctant human companion, Billie. This technique sets the book in the postmodernist genre, though it is mainly used to warn against history's tendency to repeat itself, as well as humanity's inability to learn from past mistakes, even when these mistakes repeat across history, planets, and their respective evolutionary timelines. Context_6 : Oh. My. Gods. is a 2008 young adult fantasy novel by Tera Lynn Childs. The book follows the character of Phoebe, a young runner who discovers that the school she's attending is full of family and relatives of Greek gods and goddesses. "Oh. My. Gods." was the winner of Romance Writers of America's 2009 RITA award for "Best First Book". Context_7 : Jennie Erdal is a Scottish writer. She is the author of" Ghosting", a memoir of her childhood in a Fife mining village and of being the long-serving ghostwriter of Naim Attallah, the publisher and owner of Quartet Books. She worked for him for 20 years, first as a translator of Russian novels, then as a commissioning editor, starting the series "Quartet Encounters", and finally as unacknowledged ghostwriter. For Attallah, she researched, wrote the questions for, and edited in-depth interviews for the collection "Women", and eight further volumes of interviews. Other writing under his name included two novels, a weekly newspaper column, book reviews, letters, poems and even love letters. "Ghosting" was the first book written under her own name. Described by Boyd Tonkin, literary editor of "The Independent", as a "modest classic", it was chosen as a BBC Radio 4 "Book of the Week". Its literary merit led it to be shortlisted for the Saltire Society First Book Award and for the J. R. Ackerley Prize for Autobiography. Originally brought out by Canongate Books, it was published by Doubleday in Canada and the US, by Cossee in the Netherlands and by Aufbau in Germany. Context_8 : "A korao no New Zealand; or, the New Zealander's first book" was written by Anglican missionary Thomas Kendall in 1815, and is the first book written in the Maori language. The full title is "A korao no New Zealand, or, The New Zealander's first book : being an attempt to compose some lessons for the instruction of the natives". Context_9 : Burn the Witch is the first Limited edition EP by Stone Gods. It was released on February 25, 2008. According to the official Stone Gods website, the EP sold out within one day. Context_10 : "Don't Drink the Water" is the third single from Stone Gods, and the second song on their debut album, "Silver Spoons & Broken Bones". It was announced on September 2, 2008, on the official website blog, and released on 27 October 2008, and reached number 2 in the UK Rock Chart and 10 in the UK Indie Chart. Along with the title track came two B-sides, ("Making It Hard" and "Knight Of The Living Dead") recorded at Norwich Waterfront in June. They are both live. fact_1 : The Stone Gods is a 2007 novel by Jeanette Winterson. fact_2 : Jeanette Winterson, OBE (born 27 August 1959) is an award-winning English writer, who became famous with her first book, "Oranges Are Not the Only Fruit", a semi-autobiographical novel about a sensitive teenage girl rebelling against conventional values. Answer: Oranges Are Not the Only Fruit
Solution:
What the title of the first book written by the author of The Stone Gods?