Question: Suggest a movie title for the following movie plot: Detective Ted Shayne (Warren William) is a happy-go-lucky man about town and ladies man who also happens to be a crack detective, and gets run out of town by a group of city fathers, so he returns to San Marino to his former partner Ames (Porter Hall), bringing with him some high-paying clients. When lovely blonde Valerie Purvis (Bette Davis) hires Shayne to track down Mme. Barabbas (Alison Skipworth) but doesn't tell him why, Shayne complies and is naturally curious particularly because Purvis pays a lot of money for the detecting job. Barabbas coincidentally wants Shayne to track down Purvis and retrieve an ancient horn that is filled with price-less jewels which she says was stolen from her. Along the way Shayne's apartment and office is ransacked by a dandy Englishman Anthony Travers (Arthur Treacher) who informs the detective that Purvis is not to be trusted. When Purvis sends a message for Shayne to meet her, Ames goes instead and is shot dead by the dangerous femme. Purvis asks Shayne to pick up a package from a ship from Asia, but when Shayne arrives the ship is burning, and the wounded Captain arrives to deliver the legendary gem-filled horn everyone is chasing. With the horn in his possession Shayne arranges it so that all the main culprits convene on the docks with the Police present to make an arrest, but the detective has one final thing to do to insure that the killer of his partner doesn't go free and he corners Purvis at his apartment to get to the bottom of things.
Answer: Satan Met a Lady

[Q]: Suggest a movie title for the following movie plot: The Lives of Others is at once a political thriller and a human drama. The film opens in East Berlin in 1984 with a sequence that alternates scenes from an interrogation with scenes from a training class for aspiring officers of the Stasi, or secret police. Stasi Captain Gerd Wiesler (Ulrich Muhe), code name HGW XX/7, is demonstrating his interrogation technique using audio of his own interrogation of a suspect. Wiesler instructs the students on how to tell whether a subject is lying. A student asks a question that Wiesler judges to be a bit too compassionate (read "bourgeois"), and the professor marks the student's name on the attendance record: surely this student has just flunked the course, or worse. During the feature's first thirty minutes, writer/director Florian Henckel von Donnersmarck draws a portrait of Wiesler that borders on caricature: Wiesler is a highly skilled officer of the Stasi, a proud, zealous, disciplined and entirely cold-blooded professional. He is one of the many cogs in the wheel of "the System," working anonymously and tirelessly, convinced that his efforts are building a better Socialist society.At the end of the class, Lieutenant-Colonel Anton Grubitz (Ulrich Tukur), Wiesler's old school friend (and probably his only friend), who has risen to the position of head of the Culture Department at Stasi, comes to invite Wiesler to a theatrical premiere. The play is by the celebrated East German playwright Georg Dreyman (Sebastian Koch), and its leading character is played by Dreyman's lover, Christa-Maria Sieland (Martina Gedeck), an actress of great reputation. Dreyman, who writes plays about the heroic proletariat, lives a rather comfortable life in a plush East Berlin apartment, enjoying a certain notoriety among DDR officials who value him because he's one of the few East German writers whose work is read in the west. He preserves the respect of the artistic community by using his (relatively) secure position for occasional interventions in favor of dissident fellow artists....
****
[A]: The Lives of Others

input: Please answer the following: Suggest a movie title for the following movie plot: An aged Henry Van Cleve (Don Ameche) enters the opulent reception area of Hell, to be personally greeted by "His Excellency" (Laird Cregar). Henry petitions to be admitted (fully aware of the kind of life he had led), but there is some doubt as to his qualifications. To prove his worthiness (or rather unworthiness), he begins to tell the story of his dissolute life. Born in Manhattan on October 25, 1872, Henry is the spoiled only child of stuffy, clueless, wealthy parents Randolph (Louis Calhern) and Bertha (Spring Byington). His paternal grandmother (Clara Blandick in an uncredited role) is also doting and naive, although his down-to-earth grandfather Hugo Van Cleve (Charles Coburn), a self-made millionaire, understands Henry quite well. Henry grows up an idle young man, with a taste for attractive showgirls. One day, Henry overhears a beautiful woman lying to her mother on a public telephone. Intrigued, he follows her into a Brentano's and pretends to be an employee to get to know her better. Despite learning that she is engaged, he begins making advances, finally confessing he does not work there, whereupon she hastily departs. Later, obnoxious cousin Albert (Allyn Joslyn) introduces the family to his fiancee, Martha (Gene Tierney), and her feuding parents, the Strables (Eugene Pallette, Marjorie Main). Henry is shocked to find that his mystery woman and Martha are one and the same. It turns out that Albert was the first suitor of whom both her parents approved. Fearful of spending the rest of her life as a spinster in Kansas City, Martha agreed to marry him. Henry convinces her to elope with him instead. Though everyone (except Grandpa Van Cleve) is scandalized, eventually they are received back into the family. Henry and Martha enjoy a happy marriage and become the proud parents of a boy. On the eve of their tenth anniversary, however, Martha finds out about Henry's continuing dalliances with other women and goes back to her parents. Henry and Grandpa follow her there. Sneaking into the Strabel house,...
++++++++++
output:
Heaven Can Wait