Q: Found the following article online, use it to answer the question: What is the first name of the person who stated that the B-side "was never intended to be on the album?" In 1993, Thomas Bangalter and Guy-Manuel de Homem-Christo presented a demo of their electronic music to DJ Stuart Macmillan at a rave at EuroDisney. The contents of the cassette were released on the single "The New Wave" on 11 April 1994, by Soma Quality Recordings, a Scottish techno and house label co-founded in 1991 by MacMillan's band Slam. Daft Punk returned to the studio in May 1995 to record "Da Funk", which was released later that year alongside "Rollin' & Scratchin'" under the Soma label. The increasing popularity of Daft Punk's singles led to a bidding war among record labels, resulting in the duo's signing to Virgin Records in 1996. Their departure was noted by Richard Brown of Soma, who affirmed that "we were obviously sad to lose them to Virgin but they had the chance to go big, which they wanted, and it's not very often that a band has that chance after two singles. We're happy for them." Virgin re-released "Da Funk" with the B-side "Musique" in 1996, a year before releasing Homework. Bangalter later stated that the B-side "was never intended to be on the album, and in fact, 'Da Funk' as a single has sold more units than Homework, so more people own it anyways [sic] than they would if it had been on the album. It is basically used to make the single a double-feature." The album was mixed and recorded in Daft Punk's studio, Daft House in Paris. It was mastered by Nilesh Patel at the London studio The Exchange.Bangalter stated that "to be free, we had to be in control. To be in control, we had to finance what we were doing ourselves. The main idea was to be free." Daft Punk discussed their method with Spike Jonze, director of the "Da Funk" music video. He noted that "they were doing everything based on how they wanted to do it. As opposed to, 'oh we got signed to this record company, we gotta use their plan.' They wanted to make sure they never had to do anything that would make them feel bummed on making music." Although Virgin Records holds exclusive distribution rights over Daft Punk's...
A: Thomas

Q: Found the following article online, use it to answer the question: What is the name of the trail that is adjacent to a vista with an elevation of 1750 feet? There are over 20 miles (32 km) of hiking trails at Worlds End State Park. Most of the trails are rocky and steep, so hikers are encouraged to wear proper footgear and to be prepared for icy conditions during the cold winter months. As John Young writes in Hike Pennsylvania, "If you want to do some hiking in the Worlds End region, you should know that hiking here means climbing". Worlds End State Park is open during the winter months for snow mobiling and cross-country skiing. Most of the trails are too steep or rugged for either activity, but the park roads are open, as are trails on surrounding state forest lands. Loyalsock Trail, often abbreviated LT, is a rugged 59.28-mile (95.40 km) hiking trail that stretches from near Loyalsockville, in Lycoming County on Pennsylvania Route 87 to north of Laporte in Sullivan County, just off U.S. Route 220. This trail follows the ridges and streams of the Loyalsock Creek watershed. The trail is primarily within the boundaries of Loyalsock State Forest and uses some old logging roads and abandoned railroad grades. The Loyalsock Trail was originally blazed in a yellow rectangle with a red stripe, and red can lids with a yellow "LT". Recently, the trail markers have been changed to a yellow disc with a red "LT". Link Trail is a moderate 8.5-mile (13.7 km) trail marked with a red X on a yellow circle blaze. The trail starts at the Cabin Bridge in the park and follows Loyalsock Creek before it branches off and follows Double Run. The trail then ascends to Canyon Vista and heads out into Loyalsock State Forest where it links up with the Loyalsock Trail at the 55.33-mile (89.05 km) post. The Loyalsock Trail can be followed back for a 17.62 miles (28.36 km) long loop. Canyon Vista Trail is a 3.5-mile (5.6 km) loop trail with blue blazes that passes through the eastern portion of the park and a stand of ash, sugar maple, and black cherry trees. This trail passes a maze-like jumble of blocky Pottsville Formation rocks known as the Rock Garden, adjacent to Canyon Vista. The vista...
A: Canyon Vista Trail

Q: Found the following article online, use it to answer the question: What is the band that started a substrate that still maintains its identity? With their love of the Beach Boys and late 1960s bubblegum pop, the Ramones paved the way to what became known as pop punk. In the late 1970s, UK bands such as Buzzcocks and the Undertones combined pop-style tunes and lyrical themes with punk's speed and chaotic edge. In the early 1980s, some of the leading bands in Southern California's hardcore punk rock scene emphasized a more melodic approach than was typical of their peers. According to music journalist Ben Myers, Bad Religion "layered their pissed off, politicized sound with the smoothest of harmonies"; Descendents "wrote almost surfy, Beach Boys-inspired songs about girls and food and being young(ish)". Epitaph Records, founded by Brett Gurewitz of Bad Religion, was the base for many future pop punk bands. Bands that fused punk with light-hearted pop melodies, such as the Queers and Screeching Weasel, began appearing around the country, in turn influencing bands like Green Day and the Offspring, who brought pop punk wide popularity and major record sales. Bands such as the Vandals and Guttermouth developed a style blending pop melodies with humorous and offensive lyrics. Eventually, the geographically large Midwest U.S. punk scene, anchored largely in places like Chicago and Minneapolis, would spawn bands like Dillinger Four who would take a catchy, hooky pop-punk approach and reinfuse it with some of punk's earlier grit and fury, creating a distinctive punk rock sound with a regional tag. This particular substrate still maintains an identity today. The mainstream pop punk of latter-day bands such as Blink-182 is criticized by many punk rock devotees; in critic Christine Di Bella's words, "It's punk taken to its most accessible point, a point where it barely reflects its lineage at all, except in the three-chord song structures."
A:
Dillinger Four