Answer the question at the end by quoting:

Reasoner was born at First Street North in Dakota City, Iowa; he and his older sister, Esther, were the children of Eunice (Nicholl) and Harry Ray Reasoner, who married in 1911. Reasoner was taught to read by his parents before entering school, gaining a strong vocabulary from his mother. Reasoner attended West High School in Minneapolis. During his time at the school, Reasoner developed his interest in journalism.
Reasoner took part in covering the John F. Kennedy assassination on Friday, November 22, 1963. Walter Cronkite and Charles Collingwood had been switching back and forth to report on the incident for about four hours after Cronkite initially broke the news at 1:40 p.m. EST. Reasoner took over the anchor chair after Collingwood tossed it to him at 5:49 p.m. EST and opened with the repeat of an announcement by Frank Stanton, the president of CBS, which had already been relayed by Collingwood: He later reported on the arrival of Kennedy's body in Washington, D.C., and provided details regarding Lee Harvey Oswald (who was then accused only of killing Dallas Police Officer J. D. Tippit; he would be accused of killing the president only hours later). Reasoner left the desk when Cronkite returned to anchor CBS Evening News at 6:35 p.m. EST. He reappeared in another studio, approximately two hours later, to narrate a special program called "John F. Kennedy -- A Man of This Century", and he talked about Kennedy's career and the new president, Lyndon B. Johnson and announced the conclusion of CBS's coverage for that day. (Reasoner also anchored the final coverage of the next day, with a CBS News special titled "A Day to Mourn".) Reasoner's next appearance came two days later, Sunday, and as Reasoner was at the anchor desk, Oswald was shot by Jack Ruby while being moved in the Dallas City Jail. At that very moment, Roger Mudd was filing a report from Washington, describing the President's funeral arrangements. At this point, CBS abruptly cut back to Reasoner at the newsroom anchor desk with breaking news. At the time CBS picked up KRLD's live feed of the city jail basement, Oswald was lying on the floor and Dallas Police were apprehending Ruby. KRLD's reporter on the scene, Bob Huffaker, was heard to say, "Oswald has been shot, Oswald has been shot". After the ambulance carrying Oswald sped out of the jail en route to Parkland Hospital, KRLD switched back to CBS in New York, where Reasoner replayed the tape from the beginning so the viewers could see Ruby shooting Oswald. Several minutes later, he reported that the Dallas Police had released Ruby's name. (Reasoner was not at the anchor desk when Oswald was declared dead since he had been replaced by Cronkite.)

what else did reasoner cover up

He reappeared in another studio, approximately two hours later, to narrate a special program called "John F. Kennedy -- A Man of This Century", and he talked about Kennedy's career

Answer the question at the end by quoting:

George Orson Welles was born May 6, 1915, in Kenosha, Wisconsin, son of Richard Head Welles (b. Richard Hodgdon Wells, November 12, 1872, near St. Joseph, Missouri; d. December 28, 1930, Chicago, Illinois) and Beatrice Ives Welles (b. Beatrice Lucy Ives, September 1, 1883, Springfield, Illinois; d. May 10, 1924, Chicago).
Breaking with the Federal Theatre Project in 1937, Welles and Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. Welles was executive producer, and the original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Arlene Francis, Martin Gabel, John Hoyt, Norman Lloyd, Vincent Price, Stefan Schnabel and Hiram Sherman. "I think he was the greatest directorial talent we've ever had in the [American] theater," Lloyd said of Welles in a 2014 interview. "When you saw a Welles production, you saw the text had been affected, the staging was remarkable, the sets were unusual, music, sound, lighting, a totality of everything. We had not had such a man in our theater. He was the first and remains the greatest." The Mercury Theatre opened November 11, 1937, with Caesar, Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar -- streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage wall was painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Lloyd. Beginning January 1, 1938, Caesar was performed in repertory with The Shoemaker's Holiday; both productions moved to the larger National Theatre. They were followed by Heartbreak House (April 29, 1938) and Danton's Death (November 5, 1938). As well as being presented in a pared-down oratorio version at the Mercury Theatre on Sunday nights in December 1937, The Cradle Will Rock was at the Windsor Theatre for 13 weeks (January 4-April 2, 1938). Such was the success of the Mercury Theatre that Welles appeared on the cover of Time magazine, in full makeup as Captain Shotover in Heartbreak House, in the issue dated May 9, 1938--three days after his 23rd birthday.

What role did Houseman play?

Answer the question at the end by quoting:

For the theatre adaptation, see Shakespeare in Love (play). Shakespeare in Love is a 1998 American romantic period comedy-drama film directed by John Madden, written by Marc Norman and playwright Tom Stoppard. The film depicts an imaginary love affair involving Viola de Lesseps (Gwyneth Paltrow) and playwright William Shakespeare (Joseph Fiennes) while he was writing Romeo and Juliet. Several characters are based on historical figures, and many of the characters, lines, and plot devices allude to Shakespeare's plays.
After the film's release, certain publications, including Private Eye, noted strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love and finding inspiration for his later plays. In a foreword to a subsequent edition of No Bed for Bacon (which traded on the association by declaring itself "A Story of Shakespeare and Lady Viola in Love") Ned Sherrin, Private Eye insider and former writing partner of Brahms', confirmed that he had lent a copy of the novel to Stoppard after he joined the writing team, but that the basic plot of the film had been independently developed by Marc Norman, who was unaware of the earlier work. The film's plot can claim a tradition in fiction reaching back to Alexandre Duval's "Shakespeare amoureux ou la Piece a l'Etude" (1804), in which Shakespeare falls in love with an actress who is playing Richard III. The writers of Shakespeare in Love were sued in 1999 by bestselling author Faye Kellerman. She claimed that the plotline was stolen from her 1989 novel The Quality of Mercy, in which Shakespeare romances a Jewish woman who dresses as a man, and attempts to solve a murder. Miramax Films spokesman Andrew Stengel derided the claim, filed in the US District Court six days before the 1999 Academy Awards, as "absurd", and argued that the timing "suggests a publicity stunt". An out-of-court settlement was reached but the sum agreed between the parties indicates that the claim was "unwarranted".

what was the plot precedents?
strong similarities between the film and the 1941 novel No Bed for Bacon, by Caryl Brahms and S. J. Simon, which also features Shakespeare falling in love