Article: In addition to freelancing resource sites, consider searching advertising sites such as Craigslist where individuals outside the field of publishing may be seeking writing assistance. Ensure you understand your client's expectations before taking on a project -- and verify they understand that you are a writer and not a literary agent. You might be able to offer advice to your client, but you won't be formally "representing" their publishing needs. Always sign a written agreement with your client before undertaking a ghostwriting project. At minimum, this contract should itemize the work you'll be doing, how much you'll be paid, when you'll be paid, your deadline, and who will retain copyright (usually this will be your client). It's a good idea to seek legal assistance in composing or evaluating a contract. Make you have an author's Web site and/or blog, and specify on your site that you are interested in ghostwriting. Mention your ghostwriting services in your email signature, and let editors, story sources, and colleagues know you're ghostwriting. Experience helps, but promote what you have. Seek ghostwriting opportunities in fields where you bring special skills. A background working in the computing field, for example, may make you an attractive ghostwriter for someone seeking a writer conversant with technological jargon. Ghostwriting generally means you will not receive personal credit for your work. You do, however, gain multiple advantages. First, ghostwriters are not responsible for publicizing their work -- simply fulfill the terms of your writing contract and you're done. Second, you will spend less time on research and preparation, as your client is generally responsible for providing background material, or at minimum pointing you in the right direction. In addition, you may enjoy the opportunity work as part of a team in what is often a very solitary profession. A typical ghostwriting contract is paid entirely in advance. If a publication is likely to generate substantial sales, however, you may consider accepting a smaller advance and a cut of the profits. In cases where your name appears on a title as co-author or editor, you may determine that the prestige of the association merits accepting a lower fee, perhaps in combination with a percentage of the book's royalties.
Question: What is a summary of what this article is about?
Search online resources to find opportunities. Advertise your services. Analyze the strengths and weaknesses of each ghostwriting opportunity.

Problem: Article: A cello's varnish is more than just an aesthetic choice; it affects the way an instrument sounds and how that sound will continue to change over the years. If it is applied too heavily, the instrument will be unable to "open up," preventing a musician from making notes that fully resonate and in fact diminish as you play. In this case, less varnish is considered more. The color of the varnish is purely personal preference; there is no agreed upon hierarchy among musicians. The kind of wood that the cello is made of matters: spruce tops and maple ribs and bottoms will produce good, quality sound. Meanwhile, laminated wood is probably best left for flooring due to its poor ability to conduct sound. Look for good grains: the ebony parts should ideally have very tight grains, so close they might actually appear to be perfectly smooth, and the spruce portions should have a grain that is tight in the center that grows wider toward the bouts. A good, dense flame (the horizontal bar of contrast underneath the varnish, located in the wood itself) is generally indicative of the wood's expense. Avoid wood that has an iridescent flame, wherein the light and dark bars change when the instrument is moved, as this is a sign that the flame has been artificially created. These pieces are interconnected, so it makes sense to check them both at the same time. Be sure the fingerboard feels smooth and dimple-, bubble-, and pit-free especially as you play. Do at test to make sure both components are even: with the scroll held next to your chin, look down the fingerboard to make sure the light is even all the way across. A fingerboard that has been planed well will have a scoop at the mid point a string. The neck should be treated with an oil finish instead of varnish. A bridge should be straight with a slight curve when viewed from the side, and the feet of it should exactly fit the instrument's belly. The cello's strings should fit into the grooves of the bridge, just deep enough to hold them securely without impeding vibration. An ideal bridge will be made of maple, have a tight grain, and be highly flamed. Be sure that you like the strings of the instrument by trying them out. If you or your mentor feel they're inappropriate, ask to try a different set. You also want to be sure that the strings are approximately .9 mm away from the fingerboard on the treble side and 1mm-1.4mm on the bass side. The fittings refer to pegs, endpins, and tailpieces as a group. Sometimes less scrupulous dealers may try to pass off an inferior cello by using fittings that look nice but are of poor quality. Your pegs should not be too tight or too loose so that they turn and stay in tune easily. They shouldn't extend too far from the scroll, and the ends of them should be flush with the scroll head. Endpins come in 18 or 20 inch sizes and a variety of metals; be sure yours suits your needs, sets firmly, and retracts without any issues. Preferably you want a tailpiece that is made of ebony (plastic will resound less than it or composite materials) and come with a built-in fine tuner (as this reduces the weight), but the tailpiece absolutely must be the right size for the instrument. To locate the sound post, you must look through the f-hole. You want to be sure that it's uncracked, splinter free, and positioned correctly. It should be about a finger's width from the bridge, just behind the right bridge foot. It should not distort the f-hole's shape, shouldn't lean, or dimple the top of the cello.
Summary: Examine the cellos' varnish. Check for quality wood. Inspect the flame. Check the fingerboard and neck. Look at the bridge. Test the strings. Inspect the fittings. Look at the sound post.

Plug the charging end of the iPad's charger cable into the bottom of the iPad, then plug the USB end of the cable into one of your computer's USB ports. Double-click the iTunes app icon, which resembles a multicolored musical note on a white background. It's important to run iTunes before attempting to transfer photos, as iTunes makes your iPad visible to your computer. If you don't have iTunes on your computer, install it before proceeding. If iTunes prompts you to update it, click Download iTunes when prompted. You'll have to restart your computer after the download finishes. After a few seconds, you should see an iPad-shaped icon appear in the upper-left side of the iTunes window. Once this icon appears, you can proceed. You may have to click Trust This Computer or some other prompt before the icon will appear. Click the Windows logo in the bottom-left corner of the screen. If you don't see Photos in the menu, type photos into the text box at the bottom of the Start menu and then click Photos at the top of the menu. This tab is in the upper-right side of the Photos window. A drop-down menu will appear. It's in the drop-down menu. Your computer will begin looking for photos on your iPad. Uncheck any photos that you don't want to import from your iPad onto your computer, or click Unselect all and then click each photo that you want to import. It's at the bottom of the window. This option is near the bottom of the window. Doing so prevents the photos from being deleted off of your iPad. It's at the bottom of the window. Your iPad's photos will begin importing onto your computer. Once the importing is complete, you'll receive a notification in the bottom-right corner of the screen.
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One-sentence summary --
Connect your iPad to your PC. Open iTunes. Wait for the iPad's icon to appear. Open Start . Click Photos. Click Import. Click From a USB device. Select photos. Click Import Selected. Uncheck the "Delete items from my device after I import them" checkbox. Click Import.