Problem: Background: "Mr. Tambourine Man" is a song written, composed, and performed by Bob Dylan, who released his original version of it on his 1965 album Bringing It All Back Home. The Byrds also recorded a version of the song that they released in the same year as their first single on Columbia Records, reaching number 1 on both the Billboard Hot 100 chart and the UK Singles Chart, as well as being the title track of their debut album, Mr. Tambourine Man. The Byrds' recording of the song was influential in popularizing the musical subgenres of folk rock and jangle pop, leading many contemporary bands to mimic its fusion of jangly guitars and intellectual lyrics in the wake of the single's success.
Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015. The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror. A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981.
Question: What do you think Dylan's marijuana use created?
Answer:

Problem: Background: Crowded House are a rock band formed in Melbourne, Australia, in 1985. The founding members were New Zealander Neil Finn (vocalist, guitarist, primary songwriter) and Australians Paul Hester (drums) and Nick Seymour (bass). Later band members included Neil Finn's brother, Tim Finn, and Americans Mark Hart and Matt Sherrod. Originally active from 1985 to 1996, the band had consistent commercial and critical success in Australia and New Zealand and international chart success in two phases, beginning with their self-titled debut album, which reached number twelve on the US Album Chart in 1987 and provided the Top Ten hits
Context: In 2006 Neil Finn asked Nick Seymour to play bass on his third solo album. Seymour agreed and the two joined up with producer and multi-instrumentalist Ethan Johns to begin recording. As the recording sessions progressed it was decided that the album would be issued under the Crowded House band name, rather than as a Neil Finn solo album. In January 2007, the group publicly announced their reformation and on 23 February, after 20 days of auditions, former Beck drummer Matt Sherrod joined Finn, Seymour and Mark Hart to complete the new line up. As Sherrod and Hart had not participated in the initial sessions, four new tracks were recorded with producer Steve Lillywhite including the album's first single "Don't Stop Now". On 17 March 2007 the band played a live show at their rehearsal studio in front of around fifty fans, friends and family. The performance was streamed live as a webcast. The two-and-a-half-hour set included some new tracks, including "Silent House" co-written by Finn with the Dixie Chicks. A concert onboard The Thekla, moored in Bristol, followed on 19 March. Crowded House played at the Marquee Theatre in Tempe, Arizona on 26 April as a warm-up for their appearance at the Coachella Festival on 29 April in Indio, California. They also played at the Australian Live Earth concert in Sydney on 7 July. The next day, Finn and Seymour were interviewed on Rove Live and the band, with Hart and Sherrod, performed "Don't Stop Now" to promote the new album, which was titled Time on Earth. The single was a minor hit in Australia and the UK. The album was released worldwide in June and July. It topped the album chart in New Zealand and made number 2 in Australia and number 3 in the UK. On 6 December 2008 Crowded House played the Homebake festival in Sydney, with warm up gigs at small venues in Hobart, Melbourne and Sydney. For these shows the band were augmented by multi-instrumentalist Don McGlashan and Neil's younger son, Elroy Finn, on guitar. On 14 March 2009 the band joined Neil's older son, Liam Finn, on stage for three songs at the Sound Relief concert in Melbourne.
Question: WAs it well received?
Answer:
It topped the album chart in New Zealand and made number 2 in Australia and number 3 in the UK.