[Q]: Generate a question that has the following answer: Laundress for the following movie plot: Quills begins during the Reign of Terror, with the incarcerated Marquis de Sade (Geoffrey Rush) penning a story about the libidinous Mademoiselle Renare, an aristocrat who meets the preeminent sadist in her executioner.Several years later with the Marquis confined to the asylum at Charenton, overseen by the enlightened Abbe du Coulmier (Joaquin Phoenix). The Marquis has been publishing his work through laundress Madeleine "Maddy" LeClerc (Kate Winslet), who smuggles manuscripts through an anonymous horseman (Tom Ward) to a publisher. The Marquis' latest work, Justine, is published on the black market to great success. Napoleon (Ron Cook) orders all copies of the book burned and the author shot, but his advisor, Delbene (Patrick Malahide), tempers this contentious idea with one of his own: send traditionalist Doctor Royer-Collard (Michael Caine) to look in at Charenton and silence the Marquis.Dr. Royer-Collard arrives, informing the Abbe that the Marquis' "therapeutic writings" have been distributed for public consumption. Horrified, the Abbe rejects Royer-Collard's offers of several archaic "treatments" and asks to speak with the Marquis himself, who promptly swears obedience (winking at Madeleine through a peephole). Royer-Collard takes his leave for the time being and travels to the Panthemont Convent in Paris to retrieve his promised bride, the underage Simone (Amelia Warner). They are given a run-down chateau by the Emperor, with a handsome young architect, Prouix (Stephen Moyer) on hand for its renovation.The hasty marriage incites much gossip at the asylum, prompting the Marquis to write a farce to be performed at a public exhibition. The audacious play, titled "The Crimes of Love", is interrupted when the inmate Bouchon (British character actor Stephen Marcus) molests Madeleine off-stage, prompting her to hit him in the face with an iron. Royer-Collard shuts down the public theater and demands that the Abbe do more to control the Marquis. Infuriated, the Abbe confiscates the Marquis' quills and ink,...
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[A]: What is Madeleine's job at the asylum?

input: Please answer the following: Generate a question that has the following answer: Extra for the following movie plot: Judy (Theresa Randle) is at an audition with Quentin Tarantino. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course" and is requested to remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but walks out on the audition. Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well. Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, and working as an extra on a movie set. She checks the circulars for wanted ads, and seeing "friendly phone line", as well as, "mo money, mo money, mo money". She circles them both. At what turns out to be a phone sex office, Judy meets her new boss, Lil, who seems to be an assertive but friendly woman. The two click and the audition goes over just fine. Judy attends another interview, at a strip club/phone sex line with a relaxed boss (Madonna), that would have fewer restrictions on her, but required she have her own private telephone line. She decides to stick to her original application with Lil. Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on Judy, the newly christened Girl 6. She trusts her clients too much at times, and even agrees to meet one of her callers at one point, but he never shows, leaving her on a bench alone. It is visible to everybody, especially Lil and her neighbor and confidant Jimmy, that Judy is having a...
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output: What role did Judy play on a movie set?

Problem: Generate a question that has the following answer: Erika for the following movie plot: Erika Kohut is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother. Her father is a long-standing resident in a psychiatric asylum. The audience is gradually shown truths about Erika's private life. Behind her assured facade, she is a woman whose sexual repression is manifested in a long list of paraphilia, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation. When Erika meets Walter Klemmer, a charming 17-year-old engineering student from a middle class background, a mutual obsession develops. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted interpreter of Schumann and Schubert. Erika destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walterand also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of Anna's coat pockets, damaging her right hand and ruining her aspirations to play at the forthcoming jubilee concert. Erika then pretends to be sympathetic when Anna's mother asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In a moment of dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil. Walter pursues Erika into a lavatory immediately after she has secretly ruined her pupil's hand. Walter passionately kisses Erika even though she is rebuffing him. Erika finally responds to his passion, but insists on repeatedly controlling, humiliating and frustrating Walter. Walter is increasingly insistent in his desire to start a sexual relationship with Erika, but Erika is only willing if he will satisfy her masochistic fantasies,...

A:
Who is Walter hesitant to start a sexual relationship with?