In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
The answer to this example can be: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

OK. solve this:
Context_1 : Jain temples and "tirtha" (pilgrimage sites) are present throughout the Indian subcontinent, many of which were built several hundred years ago. Many of these temples are classified according to Jain sects. Idols of tirthankaras are present in these temples. Many Jain temples are found in other areas of the world. This article lists and documents prominent Jain temples and Tirthas around the world. Context_2 : The Bhutanatha group of temples is a cluster of sandstone shrines dedicated to the deity Bhutanatha, in Badami town of Karnataka state, India. There are two major temples here. Temple No.1, on the east side of the lake, called the Bhutanatha temple has a superstructure that resembles early South Indian style or North Indian style with its open mantapa (hall or Veranda) extending into the lake, while the smaller Temple No.2 on the north-east side of the lake, sometimes called the Mallikarjuna group of temples, has a stepped superstructure, commonly found in Kalyani Chalukya constructions. The inner shrine and mantapa (hall) of Temple No.1 were constructed in the late 7th century, during the reign of the Badami Chalukyas. While the outer "mantapa", facing the Badami tank, was completed during the rule of the Kalyani Chalukyas of the 11th century. Hence the Bhutanatha temple contain architectural forms from different periods. Studies show that these Kalyani Chalukya architects could have belonged to the same early phase workshop, that later built the nearby Yellamma temple and the Mallikarjuna group of temples. Context_3 : Birla Mandir (Birla Temple) refers to different Hindu temples or Mandirs built by the Birla family, in different cities. All these temples are magnificently built, some of them in white marble or in sandstone. The temples are generally located in a prominent location, carefully designed to accommodate a large number of visitors. The worship and discourses are well organized. The first one was built in 1939 in Delhi collectively by Ghanshyamdas Birla and his brothers, as well his father. Later temples have been built by, and are managed by different branches of the family. Context_4 : The Temples of Humankind are a collection of subterranean temples buried 100 ft underground built by the Federation of Damanhur. They are decorated in several motifs stressing peaceful human collaboration. The Temples are located in the foothills of the Alps in northern Italy, 30 mi from Turin, in the valley of Valchiusella. Context_5 : The Puthia Temple Complex consists of a cluster of notable old Hindu temples in Puthia Upazila, Rajshahi District, Bangladesh. Located 23km to the east of Rajshahi city, it has the largest number of historic temples in Bangladesh. The temples were built by Hindu Zamindars Rajas of the Puthia Raj family who were noted philanthropists of Rajshahi. The temples have been built in terracotta in a variety of styles combining the typical Jor-bangla architecture with other influences. The Rajbari or Palace of the Raja of Puthia and the Dol Mancha are part of the complex. The temples are laid out around a lake with a sprawling lawn. Context_6 : In the Latter Day Saint movement, a temple is a building dedicated to be a house of God and is reserved for special forms of worship. A temple differs from a church meetinghouse, which is used for weekly worship services. Temples have been a significant part of the Latter Day Saint movement since early in its inception. Today, temples are operated by several Latter Day Saint denominations. The most prolific builder of temples of the Latter Day Saint movement is The Church of Jesus Christ of Latter-day Saints (LDS Church). There are 157 operating temples (which includes 2 previously dedicated, but closed for renovation), 12 under construction, and 13 announced (not yet under construction). Several other variations of the church have built or attempted to build temples. The Community of Christ operates two temples in the United States, which are open to the public and are used for worship services, performances, and religious education. Other denominations with temples are the Apostolic United Brethren, the Church of Christ, the Fundamentalist Church of Jesus Christ of Latter-Day Saints and the Righteous Branch of the Church of Jesus Christ of Latter-day Saints. Context_7 : Maluti temples are a group of 72 extant terracotta temples (out of the original number of 108), located in the Maluti village near Shikaripara in Dumka District on the eastern part of the Chota Nagpur Plateau, Indian state of Jharkhand. These temples, according to the Indian Trust for Rural Heritage and Development (ITRHD), were built between the 17th and 19th centuries. The kings of Baj Basanta dynasty built these temples in Maluti, their capital, inspired by goddess Mowlakshi, their family deity. Many of the temples are deified with different denominations of gods and goddesses, apart from the tutelary deity Mowlakshi, and others such as Shiva, Durga, Kali and Vishnu. The Global Heritage Fund (GHF) has proposed a conservation effort, which would increase tourism to the Maluti village. GHF has declared this site as one of the world's 12 most endangered cultural heritage sites. Context_8 : Iconography of Shiva temples in Tamil Nadu is governed by the Shaiva Agamas (IAST:Agama) that revere the ultimate reality as the Hindu deity, Shiva. Agama (Sanskrit: , Tamil:) in the Hindu religious context means a traditional doctrine or system which commands faith. Temple worship according to Agamic rules can be said to have started during the Pallava dynasty (551-901 A.D.) in South India, but they were fully under establishment during the Chola dynasty (848-1279 A.D.) The temples during the Chola period expanded to Sri Lanka and islands in South East Asia. The temple complex was expanding with niches for various deities on the stipulated sides of the sanctum. "Lingam" was universalised and "prakarams" (precincts) with subsequent deities came up. The temple "parivara"(deities related to primary deity) expanded considerably during the Chola period. The niches of following Agamic rules for building Shiva temples in Tamil Nadu, a South Indian state continues even in the modern era. Some of the prime images like that of "lingam", Vinayagar and Parvati are present in all the Shiva temples. Almost all the temples follow the same custom during festivals and worship methods with minor exceptions. Most of the Shiva temples in Tamil Nadu and Sri Lanka (like Munneswaram temple, Koneswaram temple, Tennavaram temple, Ketheeswaram temple, Naguleswaram) are built in Dravidian architecture. Context_9 : The Group of temples at Talakad, located about 45km south-east of the culturally important city of Mysore in the Karnataka state of India are ancient Hindu temples built by multiple South Indian dynasties. Archaeological excavations of the sand dunes at Talakad (or Talakadu) have shown the existence of several ruined temples built during the rule of the Western Ganga dynasty (c.345-999). However, according to historian I. K. Sarma, only two temples, the Pataleshvara (also spelt Patalesvara) and Maraleshvara (also spelt Maralesvara), built during the reign of King Rachamalla Satyavakya IV (r.975-986) are intact. According to the Archaeological Survey of India (ASI), the Vaidyeshvara temple (also spelt Vaidyesvara), the largest, the most intact and ornate of the group bears Ganga-Chola-Hoysala architectural features. Its consecration is assignable to the 10th century with improvements made up to the 14th century. According to the art historian Adam Hardy, the Kirtinarayana temple (also spelt Keertinarayana) was built in 1117 A.D. by the famous Hoysala King Vishnuvardhana to celebrate his victory over the Cholas in the battle of Talakad. It has currently been dismantled by the ASI for renovation. Only its "mahadwara" ("grand entrance") is intact. The Sand dunes of Talakad are protected by the Karnataka state division of the ASI. The Vaidyeshvara and Kirtinarayana temples are protected as monuments of national importance by the central Archaeological Survey of India. Context_10 : The Federation of Damanhur, often called simply Damanhur, is a commune, ecovillage, and spiritual community situated in the Piedmont region of northern Italy about 30 miles (50 km) north of the city of Turin. It is located in the foothills of the Alps in the Chiusella Valley, bordering on the Gran Paradiso National Park. The community has its own constitution and currency, the "Credito". fact_1 : The Temples of Humankind are a collection of subterranean temples buried 100 ft underground built by the Federation of Damanhur. fact_2 : The community has its own constitution and currency, the "Credito". Answer: the "Credito".
Answer:
What is the currency of the group that built The Temples of Humankind ?