IN: Lane was born Morton Donald Isaacson at the Manhattan "Flower Hospital" in New York City to a Jewish father (Jacob) and a Catholic mother (Dolly), who later converted to Judaism. Jacob "Jack" Isaacson was a sergeant in the New York City Police Department (NYPD) and Dolly was a homemaker. He was raised in The Bronx, where he attended DeWitt Clinton High School and was classmates with Judd Hirsch and Garry Marshall. By his mid-teens, due to his mother's influential personality, Isaacson had decided he wanted to be in show business.

In 1965 the Irish comedian Dave Allen presented a talk show on Sydney television for TCN-9. He was eventually sacked and Nine producer John Collins looked for replacement hosts to fill in for the rest of the season. After a series of temporary hosts, Collins found Lane working in The Dunes Nightclub in Hawaii. While in the United States, Collins asked Las Vegas performer Wayne Newton if there was anybody he should consider as a replacement; Newton's answer was "Don Lane". Lane was offered the job after filming and sending in an audition tape for the TCN-9 executives. He was given the host's chair for six weeks. He planned to base his version of the show on Johnny Carson's Tonight Show. Lane's run was variously referred to as The Tonight Show, Tonight with Don Lane and Sydney Tonight. Within a month, Nine settled on Lane as permanent host. After four weeks, his original six-week contract was extended to forty weeks. Tonight with Don Lane featured comedy sketches, interviews with visiting entertainers and musical numbers often performed by Lane with the Tonight Show Orchestra. The announcer for the show was Mike Walsh, who later went on to host his own successful variety show. Due to technical restrictions, Lane's tonight show was only broadcast throughout New South Wales, just as In Melbourne Tonight(IMT) was restricted to Victoria. Work on a coaxial cable linking Melbourne with Sydney had begun in June 1959 and was completed on 5 February 1963. On 7 July 1965, Lane appeared on a then-innovative live split-screen link with Graham Kennedy via the cable. Lane and Kennedy sang the song "Seventy-Six Trombones" as a duet. They took full advantage of the new technology and the duet included the performers throwing jugs of water and Kennedy holding up a sign saying "Go Home Yank", to which Lane laughed. Lane also performed another duet with Kennedy at the Logies ceremony in 1967. In March 1968, Lane was charged with importing marijuana into Australia. He was arrested at Sydney Airport and remanded in custody. He strenuously protested his innocence, claiming that the drugs were planted into his jacket pocket by a former business associate who wanted revenge. He was found not guilty on all charges, being defended by barrister Marcus Einfeld.
QUESTION: Was the show popular?
IN: "Hey Jude" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon-McCartney. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's son, Julian, during his parents' divorce. "Hey Jude" begins with a verse-bridge structure incorporating McCartney's vocal performance and piano accompaniment; further instrumentation is added as the song progresses. After the fourth verse, the song shifts to a fade-out coda that lasts for more than four minutes. "

Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August. Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park". In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off.
QUESTION:
When was the song mixed?