You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
The Wrongs of Woman begins in medias res with the upper-class Maria's unjust imprisonment by her husband, George Venables. Not only has he condemned Maria to live in an insane asylum, but he has also taken their child away from her. She manages to befriend one of her attendants in the asylum, an impoverished, lower-class woman named Jemima, who, after realizing that Maria is not mad, agrees to bring her a few books. Some of these have notes scribbled in them by Henry Darnford, another inmate, and Maria falls in love with him via his marginalia. The two begin to communicate and eventually meet. Darnford reveals that he has had a debauched life; waking up in the asylum after a night of heavy drinking, he has been unable to convince the doctors to release him.
Jemima tells her life story to Maria and Darnford, explaining that she was born a bastard. Jemima's mother died while she was still an infant, making her already precarious social position worse. She was therefore forced to become a servant in her father's house and later bound out as an apprentice to a master who beat her, starved her, and raped her. When the man's wife discovers that Jemima is pregnant with his child, she is thrown out of the house. Unable to support herself, she aborts her child and becomes a prostitute. She becomes the kept woman of a man of some wealth who seems obsessed with pleasure of every kind: food, love, etc. After the death of the gentleman keeping her, she becomes an attendant at the asylum where Maria is imprisoned.
In chapters seven through fourteen (about half of the completed manuscript), Maria relates her own life story in a narrative she has written for her daughter. She explains how her mother and father loved their eldest son, Robert, more than their other children and how he ruled "despotically" over his siblings. To escape her unhappy home, Maria visited that of a neighbor and fell in love with his son, George Venables. Venables presented himself to everyone as a respectable and honorable young man; in actuality, he was a libertine. Maria's family life became untenable when her mother died and her father took the housekeeper as his mistress. A rich uncle who was fond of Maria, unaware of Venables' true character, arranged a marriage for her and gave her a dowry of 5,000.
Maria quickly learned of her husband's true character. She tried to ignore him by cultivating a greater appreciation for literature and the arts, but he became increasingly dissolute: he whored, gambled, and bankrupted the couple. Maria soon became pregnant after unwanted sexual encounters with her husband. As Maria's uncle is leaving for the continent, he warns Maria of the consequences should she leave her husband. This is the first that separation or divorce are discussed in the novel and Maria seems to take his words as inspiration rather than the warning they are meant to be. After Venables attempts to pay one of his friends to seduce Maria (a man referred to only as 'Mr. S') so that he can leave her for being an adulteress, Maria tries to leave him. She initially escapes and manages to live in several different locations, often with other women who have also been wronged by their husbands, but he always finds her. When she tries to leave England with her newborn child and the fortune her now deceased uncle has left them, her husband seizes the child and imprisons Maria in the asylum. At this point the completed manuscript breaks off.

Ex Output:
Whose mother died when she was an infant?

Ex Input:
In the first incarnation, which appears to be a caveman, a man's family is taken from him by raiders due to his cowardice and hesitation. Before his wife is taken away, she says, "Don't lose the children!"
The next incarnation is in Ancient Rome in which he, Hector, is a slave to a "foolish master" who loses his fortune and is compelled to kill himself by his creditors and orders Hector to join him. Hector longs to be free to find the children and wife he had before he became a slave, but he has fallen in love with another slave and forgets his waiting family.
Third incarnation: He is a Scottish crusader on his way home to his children. The master from his life in Rome as a slave is now a crusader trying to decide whether to become a priest. They travel together until Hector finds his soul mate from the life in Rome. She is a widow and wishes Hector to join her family, but his duties to the children in Scotland pull at him.
Fourth incarnation: Hector is finally forced to confront his capacity for cowardly indecision. He is a Portuguese man in The Renaissance shipwrecked on the coast of Africa. He is the master in this life, his wife from the first incarnation shipwrecked with him as his spurned lover, and the raider who spirited her away is her steadfast friend.
Fifth incarnation: He is a modern man in New York, paying the consequences of cowardly indecision and gaining the strength to address the children he lost lifetimes ago. He is joined in this life by his master/slave/friend/soul mate, and former wife Janet and her husband/raider from lifetimes past. They support him but are people who are trying to find their own way, just as in the past lives.

Ex Output:
Where does the fifth incarnation take place?

Ex Input:
Stuart "Stu" Shepard (Colin Farrell) is an arrogant New York City publicist who has been courting a woman named Pam (Katie Holmes) behind his wife Kelly (Radha Mitchell). He uses the last remaining public phone booth in the city to contact Pam. During the call, he is interrupted by a pizza delivery man, who attempts to deliver a free pizza to him, but Stu rudely turns him away by insulting his weight. As soon as Stu completes his call to Pam, the phone rings. Stu answers, to find that The Caller, who knows his name, warns him not to leave the booth, and says he will say hello to Pam for him. He also says he will call Kelly, leaving Stu panicked.
The caller tells Stu that he has tested two previous individuals who have done wrong deeds in a similar manner (one was a pedophile, the other was a company insider who cashed out his stock options before the share price collapsed), giving each a chance to reveal the truth to those they wronged, but in both cases, neither agreed and were killed. To demonstrate the threat, the caller fires a suppressed sniper rifle at a toy robot sold by a nearby vendor; the damage is unseen by anyone but Stu, the caller, and the vendor. The caller demands that Stu confess his feelings for Pam to both Kelly and Pam to avoid being killed. The caller contacts Pam, and puts her on line with Stu, who reveals that he is married. The caller then hangs up, telling Stu to call Kelly himself.
As Stu hesitates, the booth is approached by three prostitutes demanding to use the phone. Stu refuses to leave, having been warned by the caller to stay in the booth and not reveal the situation. Leon (John Enos III), the prostitutes' pimp, joins his charges, smashes the side of the booth, grabs at Stu in a headlock and starts punching him. The caller offers to "make him stop" and asks if Stu can hear him, which Stu just answers positively, causing the caller to misunderstand Stu and shoot Leon. Leon staggers away before collapsing dead in the street. The prostitutes immediately blame Stu, making a scene over Leon's body, accusing him of having a gun as the police and news crews converge on the location.
Police Captain Ed Ramey (Forest Whitaker), already suspecting Stu of being the killer, seals off the streets with police roadblocks and starts trying to negotiate to get him to leave the booth, but Stu refuses, telling the caller that there is no way they can incriminate him; the caller proves him wrong, calling his attention to a handgun that was planted in the roof of the phone booth. Both Kelly and Pam soon arrive on the scene. The caller demands that Stu tell Kelly the truth, which he does. The caller then orders Stu to choose between Kelly and Pam, and the woman he does not choose will be killed.
While on the phone with the caller, Stu secretly uses his cell phone to call Kelly, allowing her to overhear his conversation with the caller. She, in turn, quietly informs Captain Ramey of this. Meanwhile, Stu continues to confess to everyone that his whole life is a lie, to make himself look more important than he really is or even feels. Stu's confession provides sufficient distraction to allow the police to trace the payphone call to a nearby building, and Ramey uses coded messages to inform Stu of this. Stu warns the caller that the police are on the way, and the caller replies that if he is caught, then he will kill Kelly. Panicked, Stu grabs the handgun and leaves the booth, screaming for the sniper to kill him instead of Kelly. The police fire upon Stu, while a smaller force breaks into the room that the caller was tracked to, only to find the gun and a man's corpse.
Stu regains consciousness to find the police fired only rubber bullets at him, stunning but not harming him. Stu and Kelly happily reunite. As the police bring down the body, Stu identifies it as the pizza delivery man from earlier. Stu gets medical treatment at a local ambulance; as he does, a man with a briefcase (Kiefer Sutherland) passes by and says that he regrets killing the pizza deliverer and warns Stu that if his new-found honesty does not last, he will be hearing from him again. The man disappears into the crowd with Stu unable to call out due to being sedated by the paramedics. As he does, someone else is being called from that same line. The audience could only hear him say, "Hello?" and the film ends.

Ex Output:
What is the prostitutes pimps name?