input: Assange was born in Townsville, Queensland, to Christine Ann Hawkins (b. 1951), a visual artist, and John Shipton, an anti-war activist and builder. The couple had separated before Assange was born. When he was a year old, his mother married Richard Brett Assange, an actor, with whom she ran a small theatre company. They divorced around 1979. Christine Assange then became involved with Leif Meynell, also known as Leif Hamilton, a member of Australian cult The Family, with whom she had a son before the couple broke up in 1982. Assange had a nomadic childhood, and had lived in over thirty Australian towns by the time he reached his mid-teens, when he settled with his mother and half-brother in Melbourne, Victoria. He attended many schools, including Goolmangar Primary School in New South Wales (1979-1983) and Townsville State High School, as well as being schooled at home. He studied programming, mathematics, and physics at Central Queensland University (1994) and the University of Melbourne (2003-2006), but did not complete a degree. While in his teens, Assange married a woman named Teresa, and in 1989 they had a son, Daniel Assange, now a software designer. The couple separated and initially disputed custody of their child. Assange was Daniel's primary caregiver for much of his childhood. In an open letter to French President Francois Hollande, Assange stated his youngest child lives in France with his mother. He also said that his family had faced death threats and harassment because of his work, forcing them to change identities and reduce contact with him.

Answer this question "What was jos job after college?"
output:

input: The nonet recorded twelve tracks for Capitol during three sessions over the course of nearly a year and a half. Davis, Konitz, Mulligan and Barber were the only musicians who played on all three sessions, though the instrumental lineup was constant (excepting the omission of piano on a few songs and the addition of Hagood on "Darn That Dream"). The first session occurred on January 21, 1949, recording four tracks: Mulligan's "Jeru" and "Godchild" as well as Lewis's "Move" and "Budo". Jazz critic Richard Cook hypothesizes that Capitol, wanting to get a good start, recorded these numbers first because they were the most catchy tunes in the nonet's small repertoire. That date Kai Winding replaced Zwerin on trombone, Al Haig replaced Lewis on piano, and Joe Shulman replaced McKibbon on bass. The second recording date came three months later on April 22, 1949 with Davis filling in for Fats Navarro in Tadd Dameron's band with Charlie Parker during the interim. The band returned to the studio with five substitutions in personnel: J. J. Johnson on trombone, Sandy Siegelstein on French horn, Nelson Boyd on bass, and Kenny Clarke on drums, and John Lewis returning to piano. At this session, the nonet recorded Mulligan's "Venus de Milo", Lewis's "Rouge", Carisi's "Israel", and "Boplicity", a collaboration between Davis and Evans, credited to the pseudonym "Cleo Henry". The band did not return to the studio again until March 9, 1950. Davis did not call the band for any rehearsals or live performances between the second and third recording dates. The March 1950 date featured Mulligan's "Darn That Dream", "Rocker", and "Deception", and Evans's arrangement of Chummy MacGregor's "Moon Dreams", which had been released in a jazz arrangement by Glenn Miller and the AAF Band in 1944 on V-Disc. The band saw more substitutions, with Gunther Schuller on French horn and Al McKibbon on bass. Kenny Hagood returned for vocals on "Darn That Dream".

Answer this question "Is there anything else significant about how it was recorded?"
output: The first session occurred on January 21, 1949, recording four tracks:

input: Initially, the Chess brothers would not allow Muddy Waters to use his working band in the recording studio; instead, he was provided with a backing bass by Ernest "Big" Crawford or by musicians assembled specifically for the recording session, including "Baby Face" Leroy Foster and Johnny Jones. Gradually, Chess relented, and by September 1953 he was recording with one of the most acclaimed blues groups in history: Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums, and Otis Spann on piano. The band recorded a series of blues classics during the early 1950s, some with the help of the bassist and songwriter Willie Dixon, including "Hoochie Coochie Man", "I Just Want to Make Love to You", and "I'm Ready". Along with his former harmonica player Little Walter Jacobs and recent southern transplant Howlin' Wolf, Muddy Waters reigned over the early 1950s Chicago blues scene, his band becoming a proving ground for some of the city's best blues talent. Little Walter continued a collaborative relationship long after he left Muddy Waters's band in 1952, appearing on most of the band's classic recordings in the 1950s. Muddy Waters developed a long-running, generally good-natured rivalry with Wolf. The success of his ensemble paved the way for others in his group to make their own solo careers. In 1952, Little Walter left when his single "Juke" became a hit, and in 1955, Rogers quit to work exclusively with his own band, which had been a sideline until that time. During the mid-1950s, Muddy Waters' singles were frequently on Billboard magazine's various Rhythm & Blues charts including "Sugar Sweet" in 1955 and "Trouble No More", "Forty Days and Forty Nights", and "Don't Go No Farther" in 1956. 1956 also saw the release of one of his best-known numbers, "Got My Mojo Working", although it did not appear on the charts. However, by the late 1950s, his singles success had come to an end, with only "Close to You" reaching the chart in 1958. Also in 1958, Chess released Muddy Waters' first album, The Best of Muddy Waters, which collected twelve of his singles up to 1956.

Answer this question "What helped Muddy Waters gain commercial success ?"
output:
he was recording with one of the most acclaimed blues groups in history: