Problem: Background: Schoendienst was born in Germantown, Illinois, approximately 40 miles (64 km) east of downtown St. Louis to Joe and Mary Schoendienst, one of seven children. His father was a coal miner, and the family lived without running water or electricity. Schoendienst showed a marked aptitude for baseball at a young age. In school he would handicap himself by hitting left-handed.
Context: Keane resigned the day following the Cardinals' 1964 World Series victory over the Yankees, and Schoendienst was named as his replacement. Three years later, the Cardinals defeated the Boston Red Sox--Schoendienst's fourth World Series title, and third as a Cardinal. His managerial record over 12 full seasons (1965-76) and two subsequent stints as interim manager (1980 and 1990) was 1,041 victories and 955 defeats (.522). After two years as a coach for the 1977-78 Oakland Athletics, Schoendienst returned to the Cardinals as coach and special assistant to the general manager. He won his fifth Series title in 1982. He remains an employee of the Cardinals organization with the title of Special Assistant Coach, and in 2017 completed his 72nd consecutive season as a Major League player, coach, or manager. Schoendienst was a member of five winning World Series teams, all of which were won in seven games: as a player with the Cardinals and Braves in 1946 and 1957 respectively; as the Cardinals manager in 1967; and as a Cardinals coach in 1964 and 1982. He was also a member of three teams that lost the Series after leading three games to one: the 1958 Milwaukee Braves (to the Yankees), the 1968 Cardinals (to the Detroit Tigers), and the 1985 Cardinals (to the Kansas City Royals). Schoendienst was elected to the Baseball Hall of Fame in 1989 by the Veterans Committee. The Cardinals retired his number 2 in 1996. In 1998 he was inducted into the St. Louis Walk of Fame. The Cardinals named Schoendienst, among 21 other former players and personnel, to be inducted into the St. Louis Cardinals Hall of Fame Museum for the inaugural class of 2014.
Question: When did he start?
Answer: 1964

Problem: Background: Lopes was born in Philadelphia, Pennsylvania, the daughter of Wanda Denise (nee Andino), a seamstress, and Ronald Lopes Sr., a US Army staff sergeant, of Portuguese background. She had a younger brother, Ronald Jr., and a younger sister, Raina Anitra (who professionally goes by Reigndrop). Lopes said her father was "very strict, very domineering" and that he treated the family like they were in "boot camp". He was a "talented musician" and played the harmonica, clarinet, piano, and saxophone.
Context: In 1998, Lopes hosted the short-lived MTV series, The Cut, in which a handful of aspiring pop stars, rappers, and rock bands competed against each other in front of judges. The show's winner, which ended up being a male-female rap duo named Silky, was promised a record deal and funding to produce a music video, which would then enter MTV's heavy rotation. A then-unknown Anastacia finished in third place, but ended up securing a record deal after Lopes and the show's three judges were impressed by her performance. After the release of FanMail, Lopes began to expand her solo career. She became a featured rapper on several singles, including Spice Girl Melanie C's "Never Be the Same Again", which topped the charts in 35 countries, including the United Kingdom. She was also featured on "U Know What's Up", the first single from Donell Jones' second album, Where I Wanna Be, and she rapped a verse in "Space Cowboy" with NSYNC on their 2000 album, No Strings Attached. On October 4, 2000, Lopes co-hosted the UK's MOBO Awards with Trevor Nelson, where she also performed "U Know What's Up" with Jones. She also collaborated on "Gimme Some" by Toni Braxton for her 2000 album The Heat. She had previously featured on Keith Sweat's song "How Do You Like It". In 2001, she appeared in a commercial for Gap. In July 2001, Lopes appeared on the singers' edition of Who Wants to Be a Millionaire along with Joey McIntyre, Tyrese, Nick Lachey, and Lee Ann Womack. She dropped the $125,000 question and won $32,000 for her charity. After her death in 2002, the episode she appeared in was shown and was dedicated to her. Lopes created "Left Eye Productions" to discover new talent. She mentored the R&B trio Blaque, and helped them secure a record deal with Columbia Records. Their self-titled debut album was executive-produced by Lopes, who also made a cameo appearance in their music video "808" and also rapped in their second music video "I Do". Lopes was also developing and promoting another new band called Egypt. They worked with Lopes on her second album under her new nickname, N.I.N.A., meaning New Identity Not Applicable. In 1996, Lopes created the UNI Studios for the purpose of recording solo projects. Lopes' family opened the studio to the public. Her brother Ronald is the general manager of the studio. Lopes had a dream of making new artists able to record music at a low cost, in a high-end studio at her house. Her family continues to operate it and fill it with new equipment.
Question: What did she do first to pursue her solo career?
Answer: After the release of FanMail, Lopes began to expand her solo career. She

Problem: Background: Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."
Context: Jose Marti is usually honored as a great poet, patriot and martyr of Cuban Independence, but he was also a translator of some note. Although he translated literary material for the sheer joy of it, much of the translating he did was imposed on him by economic necessity during his many years of exile in the United States. Marti learned English at an early age, and had begun to translate at thirteen. He continued translating for the rest of his life, including his time as a student in Spain, although the period of his greatest productivity was during his stay in New York from 1880 until he returned to Cuba in 1895. In New York he was what we would call today a "freelancer" as well as an "in house" translator. He translated several books for the publishing house of D. Appleton, and did a series of translations for newspapers. As a revolutionary activist in Cuba's long struggle for independence he translated into English a number of articles and pamphlets supporting that movement. In addition to fluent English, Marti also spoke French, Italian, Latin and Classical Greek fluently, the latter learned so he could read the Greek classical works in the original. There was clearly a dichotomy in Marti's feeling about the kind of work he was translating. Like many professionals, he undertook for money translation tasks which had little intellectual or emotional appeal for him. Although Marti never presented a systematic theory of translation nor did he write extensively about his approach to translation, he did jot down occasional thoughts on the subject, showcasing his awareness of the translator's dilemma of the faithful versus the beautiful and stating that "translation should be natural, so that it appears that the book were written in the language to which it has been translated".
Question: Did he know any other languages?
Answer:
he undertook for money translation tasks which had little intellectual or emotional appeal for him.