input: After an unsuccessful season with Juventus, Laudrup decided it was time to leave, looking for a new experience after six years in Italy. In 1989, he joined Spanish club Barcelona on the premise that Netherlands legend Johan Cruyff, his childhood role model, had been assembling a team that was striving for success. Immediately, Laudrup enjoyed major success under Cruyff's leadership, citing the Dutchman's philosophy and perception of the game as one of the main assets that helped foster his talent. He was one of the restricted three foreign players allowed in the team, alongside Dutch defender Ronald Koeman and Bulgarian striker Hristo Stoichkov, who were the pillars of the Barca "Dream Team", along with rising stars Pep Guardiola, Jose Mari Bakero, and Txiki Begiristain. The Dream Team played attractive football that was comparable to the 1970s Ajax team, and won four consecutive La Liga championships from 1991 to 1994, as well as the 1991-92 European Cup, along with the 1992 UEFA Super Cup, 1989-90 Copa del Rey and 1991 and 1992 Supercopa de Espana titles. Laudrup was twice named the best player of the year in Spain during his Barcelona years. When Barca hired a fourth foreign star player, Brazilian striker Romario in 1993, it meant the four foreigners would rotate as the three foreign players allowed in each match, and when he was not selected for the 1994 European Cup final 0-4 loss to Milan (amid conflicts with Cruyff), his time at Barcelona was effectively over. Laudrup's departure from Barcelona was a huge blow for the fans and his teammates alike. Pep Guardiola was reportedly so upset by the news that he cried and begged Laudrup to change his mind. Reflecting on his time at Barcelona, Laudrup commented, "I think we played some very good football, and I think most of all we demonstrated that even without getting the ten best players in the world, you can have the best team. Because everybody talked about Begiristain, Bakero, Guardiola, Stoichkov, and Koeman, but when we started none of us was a best player, then we became maybe the best team in the world, together with AC Milan in that period."

Answer this question "What position did Laudrup play with Barcelona?"
output: main assets that helped foster his talent.

input: In 1969 Lynn Meredith, Don Montre, Dan Wright and Kerry Livgren (guitars, keyboards, synthesizers) were performing in a band called The Reasons Why in their hometown of Topeka, Kansas. After changing the band's name to Saratoga, they started playing Livgren's original material with Scott Kessler playing bass and Zeke Lowe on drums. In 1970 they changed the band's name to Kansas and merged with members of rival Topeka progressive rock group White Clover. White Clover members Dave Hope (bass) and Phil Ehart (drums, percussion) joined with Livgren, vocalists Meredith and Greg Allen, keyboardists Montre and Wright and saxophonist Larry Baker. This early Kansas group, which lasted until early 1971 when Ehart, Hope and some of the others left to re-form White Clover, is sometimes referred to as Kansas I. Ehart was replaced by Zeke Lowe and later Brad Schulz, Hope was replaced by Rod Mikinski on bass, and Baker was replaced by John Bolton on saxophone and flute. (This lineup is sometimes referred to as Kansas II, and 30 years later would re-form under the name Proto-Kaw). In 1972, after Ehart returned from England (where he had gone to look for other musicians), he and Hope once again re-formed White Clover with Robby Steinhardt (vocals, violin, viola, cello), Steve Walsh (vocals, keyboards, synthesizers, percussion) and Rich Williams (guitars). In early 1973 they recruited Livgren from the second Kansas group, which then folded. Eventually they received a recording contract with Don Kirshner's eponymous label, after Kirshner's assistant, Wally Gold, heard one of their demo tapes and came out to check out the band at one of their local gigs in March 1973. After signing with Kirshner, the group decided to return to using the name "Kansas".

Answer this question "what were some of their early successes?"
output:

input: A Canadian show, This Hour Has Seven Days, aired from 1964 to 1966 on CBC. Although partially inspired by That Was The Week That Was, the Canadian show mixed satirical aspects with more serious journalism. It proved controversial and was cancelled after two series amid allegations of political interference. This Hour Has 22 Minutes, created by Newfoundland comic Mary Walsh, has been running since 1992 although the two are not related. An Australian show, The Mavis Bramston Show, aired from 1964 to 1968 on the Seven Network. It grew out of the recent local theatrical tradition of topical satirical revue--most notably the popular revues staged at Sydney's Phillip Street Theatre in the 1950s and 1960s--but it was also strongly influenced by the British satire boom and especially TW3 and Not Only... But Also. The New Zealand show A Week Of It ran from 1977 to 1979, hosted by Ken Ellis, and featuring comedians David McPhail, Peter Rowley and Chris McVeigh and comedian/musicians Jon Gadsby and Annie Whittle. The series lampooned news and politics and featured songs, usually by McPhail and Gadsby, who continued with their own show, McPhail and Gadsby in similar vein. A Dutch version, Zo is het toevallig ook nog 's een keer, aired from November 1963 to 1966. It became controversial after the fourth edition, which included a parody of the Lord's Prayer ("Give us this day our daily television"). Angry viewers directed their protests especially against the most popular cast member: Mies Bouwman. After receiving several threats to her life she decided to quit the show. The show was praised as well: in 1966 it received the Gouden Televizier-ring, a prestigious audience award--though it turned out afterward that the election was rigged. An Indian version titled The Week That Wasn't was launched and hosted by Cyrus Broacha.

Answer this question "What was the show known for"
output:
The series lampooned news and politics and featured songs, usually by McPhail and Gadsby,