Some context: Patrick John Neshek (born September 4, 1980) is an American professional baseball pitcher for the Philadelphia Phillies of Major League Baseball (MLB). He previously played for the Minnesota Twins, San Diego Padres, Oakland Athletics, St. Louis Cardinals, Houston Astros, and Colorado Rockies. The Twins selected him in the sixth round of the 2002 MLB draft from Butler University. Neshek made his MLB debut for the Twins on July 7, 2006, and played for them until 2010, except 2009, which he missed due to Tommy John surgery.
Neshek has a very unorthodox style of delivery that transitions from starting at a submarine angle to finishing sidearm with an explosive thrusting motion. Near the release of the pitch, his torso and arm angle in a moderate "V" shape. He developed the delivery after being struck in the forearm with a ball in high school by C. J. Woodrow (a former Philadelphia Phillies farmhand). He then began to throw side arm and play shortstop due to his injury. When it healed, he could not change back to over the shoulder and his unique delivery stayed the way it is. He still has a lump in his forearm where he was struck. The delivery has earned mention on SportsCenter as well as Baseball Tonight. Professional baseball scouts have had a divided opinion on the issue. Some were worried that this violent-looking delivery would lead to arm problems. Others considered the delivery to be an asset, as right-handed batters have a very difficult time seeing the ball. For example, Jose Marzan, his former manager with the Single-A Fort Myers Miracle believes that one of Neshek's greatest strengths is his ability to have enough strength to throw hard from such an angle, as his fastball used to top out around 96 mph (154 km/h) prior to his Tommy John surgery. Neshek has had great success in both the minor and major leagues as a reliever, averaging more than a strikeout per inning pitched. After joining the Cardinals in 2014, Neshek's sinking fastball showed effectiveness well-above expectations through May 21. With a mean movement of 10.9 inches, it averaged more horizontal movement than any other pitch from any other reliever on the Cardinals staff, which was 1.3 inches more than Carlos Martinez' two-seam fastball. Martinez' own fastball has been heralded for its movement. Neshek's sinking fastball also averaged over 91 miles per hour (146 km/h) during that time, its highest velocity since 2007.
what was his pitching style
A: Neshek has a very unorthodox style of delivery that transitions from starting at a submarine angle to finishing sidearm with an explosive thrusting motion.
Some context: Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tene period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD.
The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival".
Where does Celtic art come from?
A:
Celtic art is associated with the peoples known as Celts;