input question: Select the correct sentiment of the following review: At the point in time that The Lady from Shanghai was being made, the marriage of Orson Welles and Rita Hayworth was disintegrating. The film was as much an effort by Welles to rekindle the old flames as it was to make a classic noir. Not received well at the time, The Lady from Shanghai has gotten more and more critical acclaim as years pass. Gotten better with age so to speak.

Welles is Irish seaman Michael O'Hara who on a fateful night rescues the beautiful Rita Hayworth from three muggers in Central Park. Sparks do fly, but then comes the rub, turns out the lady is married to crippled, but brilliant criminal attorney Everett Sloane. Nevertheless Sloane takes an apparent liking to Welles and hires him to skipper his yacht.

So far this film is starting to sound a lot like Gilda. If Orson had seen Gilda and was not at this point thinking with his male member, he would have skedaddled back to the seaman's hiring hall in Lower Manhattan. Instead he gets himself involved in a lovely web or intrigue and finds himself pegged for two murders and Sloane as his eminent counsel.

Welles for whatever reason decided that his wife would be a blond in this film. Supposedly Harry Cohn hit the roof as Rita was internationally known for her coppery red hair. This may have soured him on the picture as he joined the legion of studio bosses who saw Welles's vision of independent film making a threat to their power.

Stage actor Glenn Anders plays Sloane's partner Grisby who is one slimy dude, he winds up a corpse. The other corpse to be here is Ted DeCorsia, a bottom feeding private detective who tries to go in business for himself.

It's a good noir thriller, showing Rita at her glamorous best even if she was a blond here. The final shoot out in the hall of mirrors is beautifully staged, but I wouldn't recommend seeing it if one is on any controlled substance.
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output answer: positive

input question: Select the correct sentiment of the following review: A handful of nonprofessional actors are terrorized by a prehistoric creature. This creature appears in about thirty seconds of marginal stop-motion animation, but oh how you will long for that margin when for the rest of the movie the animation is replaced by production assistants waving around an inner tube with teeth. No time for terror when this movie is hijacked halfway through by these comic relief boat rental doofuses, who suddenly become the lead characters; but again you gotta admit watching them try to be funny is better than plodding around after the sheriff. Only at the end one of them gets eaten and the other one is left sitting on a rock crying tears of loneliness - that's no fun!
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output answer: negative

input question: Select the correct sentiment of the following review: I loved this film, seen this evening on a movie theatre big screen! The audience laughed out loud at some very interesting things, and the fast pace was most enjoyable.

I do, as a singer and musical director, question one section of Roby Keeler's vocal in "By a Waterfall." The key modulated, and she was suddenly singing much lower, in a very mellow voice that bore no resemblance to the somewhat tin-like higher twitter voice she used in all her other vocals.

Does anyone know if this was overdubbed by another singer? It sounds it to me. I would love to know.

Thanks so much.
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output answer:
positive