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Rancid is an American punk rock band formed in Berkeley, California in 1991. Founded by 1980s punk veterans Tim Armstrong, and Matt Freeman, who previously played in the highly influential ska punk band Operation Ivy, Rancid is often credited (along with Green Day and The Offspring) for reviving mainstream interest in punk rock in the United States and bringing punk rock into the mainstream during the mid-1990s. Over their 27-year career, Rancid remained signed to an independent record label and retained much of its original fan-base, most of which was connected to its underground roots. Rancid has had two lineup changes since its inception.
After two years of touring for ...And Out Come the Wolves, Rancid returned to the studio in 1997 to begin recording its fourth studio album, Life Won't Wait, which was released on June 30, 1998. The album branched out from Rancid's previous musical styles, and combined punk rock with elements of roots reggae, rockabilly, dub, hip-hop, and funk, drawing comparisons to the Clash's Sandinista!. Though the album did not achieve the success of ...And Out Come the Wolves, but has since garnered a strong cult following in recent times. In 1999, Rancid decided to end its seven-year relationship with Epitaph and signed with Armstrong's founded Hellcat Records (which is a sub-label of Epitaph). A second self-titled album was released on August 1, 2000 and would be its first album released through Hellcat. The album failed to achieve the success of Rancid's previous three albums and reached number 68 on the Billboard charts. On the album, the group largely abandoned its ska-punk influences, recording a more hardcore-influenced album. The three original members of Rancid released three songs under the name Devil's Brigade in 2002, one on the Give 'Em the Boot III compilation album, and two on a 12-inch vinyl record. In March of the same year, a split album with NOFX titled BYO Split Series Volume III was released, in which Rancid covered NOFX songs and NOFX covered Rancid songs. After a break from touring in 2001, Rancid returned to the studio with Gurewitz in 2002 to record its sixth studio album, Indestructible, which was released on August 19, 2003 and was their highest-charting album to date, reaching number 15. Unlike the band's previous albums, Indestructible was distributed by not only Epitaph/Hellcat but major record label, Warner Bros. Records, a move that received some backlash from the band's fans who questioned their loyalty to the independent scene. When released, the album didn't feature the Warner logo anywhere on the packaging, a move to ease tension among fans. The album was warmly received by most critics however met with mixed reviews from fans, some of which felt the album contained a "poppier" sound (some accusing Warner of having an influence on the music) while others felt it was a mixture of ..And Out Come the Wolves and Life Won't Wait. The album's music video for the first single, "Fall Back Down" was also met with some criticism from fans due to members of Good Charlotte and Kelly Osbourne making appearances.

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The album branched out from Rancid's previous musical styles,

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Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse.
From 1235, the point at which Wendover dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events. Among his informants were Richard, Earl of Cornwall and King Henry III, with whom he appears to have been on intimate terms. The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the Chronica majora gives so unfavourable an account of the king's policy. Henry Richards Luard supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the note offendiculum, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgment of his longer work, the Historia Anglorum (written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer. Naturalists have praised his descriptions of the English wildlife of his time, brief though they are: in particular his valuable description of the first irruption into England in 1254 of the common crossbill.

What was the plan?
He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events.