Answer the question at the end by quoting:

Hunter was born in New York City, the son of Gertrude (nee Gelien) and Charles Kelm. His mother, from Hamburg, was a German Roman Catholic immigrant, and his father was Jewish. Hunter's father was reportedly abusive, and within a few years of his birth, his parents divorced. Tab grew up in California with his mother, older brother Walter, and maternal grandparents, John Henry and Ida (nee Sonnenfleth)
One of Hunter's first films for Warners was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1955). It was a solid hit and Hunter began to get more notice. His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads. In September 1955 the tabloid magazine Confidential reported Hunter's 1950 arrest for disorderly conduct. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing his more prominent client Rock Hudson's sexual orientation to the public. Not only did this have no negative effect on Hunter's career, a few months later he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations. In 1956, he received 62,000 Valentines. Hunter, James Dean and Natalie Wood were the last of the actors placed under exclusive studio contract to Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two back-to-back films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warner's attempt to make Tab and Natalie the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955-1959.

did he play in anything else

His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry.

Some context: McLaglen claimed to have been born in Tunbridge Wells, Kent, although his birth certificate records Stepney in the East End of London as his true birthplace. His father, Andrew Charles Albert McClaglen, later a bishop of the Free Protestant Episcopal Church of England, moved the family to South Africa when McLaglen was a child. One of ten siblings, he had eight brothers and a sister. Four of his brothers also became actors: Arthur (1888-1972), an actor and sculptor, and Clifford (1892-1978), Cyril (1899-1987) and Kenneth (circa 1901-1979).
McLaglen returned to Britain for We're Going to Be Rich (1938) with Gracie Fields. Back in Hollywood he did some films for RKO: Pacific Liner (1939) and Gunga Din (1939). The latter, with Cary Grant and Douglas Fairbanks Jr., was an adventure epic loosely based on Rudyard Kipling's poem that served as the template decades later for Indiana Jones and the Temple of Doom (1984). He supported Nelson Eddy in Let Freedom Ring (1939) at MGM and was in Ex-Champ (1939). He supported Brian Aherne in Captain Fury (1939) and starred in Full Confession (1939) for John Farrow at RKO, the latter film being a semi-remake of The Informer. At Universal McLaglen teamed with Basil Rathbone in Rio (1939) and Jackie Cooper in The Big Guy (1939). He was top billed in Edward Small's South Seas adventure, South of Pago Pago (1940). He remained top billed for Diamond Frontier (1940), and Broadway Limited (1941). McLaglen and Lowe reprised their roles from What Price Glory? in the radio program Captain Flagg and Sergeant Quirt, broadcast on the Blue Network (28 September 1941 - 25 January 1942, and on NBC 13 February 1942 - 3 April 1942). McLaglen and Lowe then played basically the same roles but under different names in Call Out the Marines (1942) at RKO. He starred in Powder Town (1942) and went to Fox to support Gene Tierney in China Girl (1942). He was one of many stars in Forever and a Day (1943) and had a support role in Tampico (1943), and Roger Touhy, Gangster (1944). McLaglen was a villain in Bob Hope's The Princess and the Pirate (1944) and he could be seen in Rough, Tough and Ready.
How is this connected to Victor?
A:

IN: Batman is a fictional superhero appearing in American comic books published by DC Comics. The character was created by artist Bob Kane and writer Bill Finger, and first appeared in Detective Comics #27 (1939). Originally named the "Bat-Man", the character is also referred to by such epithets as the Caped Crusader, the Dark Knight, and the World's Greatest Detective.

Batman was one of the few superhero characters to be continuously published as interest in the genre waned during the 1950s. In the story "The Mightiest Team in the World" in Superman #76 (June 1952), Batman teams up with Superman for the first time and the pair discover each other's secret identity. Following the success of this story, World's Finest Comics was revamped so it featured stories starring both heroes together, instead of the separate Batman and Superman features that had been running before. The team-up of the characters was "a financial success in an era when those were few and far between"; this series of stories ran until the book's cancellation in 1986. Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham's book Seduction of the Innocent in 1954. Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth. Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers. Wertham's criticisms raised a public outcry during the 1950s, eventually leading to the establishment of the Comics Code Authority, a code that is no longer in use by the comic book industry. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code. Scholars have suggested that the characters of Batwoman (in 1956) and the pre-Barbara Gordon Bat-Girl (in 1961) were introduced in part to refute the allegation that Batman and Robin were gay, and the stories took on a campier, lighter feel. In the late 1950s, Batman stories gradually became more science fiction-oriented, an attempt at mimicking the success of other DC characters that had dabbled in the genre. New characters such as Batwoman, Ace the Bat-Hound, and Bat-Mite were introduced. Batman's adventures often involved odd transformations or bizarre space aliens. In 1960, Batman debuted as a member of the Justice League of America in The Brave and the Bold #28 (Feb. 1960), and went on to appear in several Justice League comic series starting later that same year.

What kind of science fiction elements were added?

OUT:
Batman's adventures often involved odd transformations or bizarre space aliens.