Problem: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.

The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period. Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns. Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid. After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art.

Did a lot of the Animal Style art survive?

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Problem: Martin Sandberg (born 26 February 1971), known professionally as Max Martin, is a Swedish songwriter, record producer and singer. He rose to prominence in the second half of the 1990s after making a string of major hits for artists such as the Backstreet Boys, Britney Spears and NSYNC. Some of his earlier hits include "...Baby One More Time" (1998)

Sandberg was born in Stockholm and grew up in the suburb Stenhamra, Ekero Municipality. As a child, Martin was a student of Sweden's public music-education program, and once said he had "public music education to thank for everything." Other alumni of the program include Andreas Carlsson, Rami Yacoub, and Anders Bagge. As a teenager he sang in a variety of bands before joining a glam-style metal band called It's Alive in 1985 as their singer and frontman. It's Alive were formed by ex-LAZY members Per Aldeheim and Kim Bjorkgren on guitars, and John Rosth who had been a member of Lineout. Martin eventually dropped out of high school to pursue a career in music with his band under the nickname "Martin White." In 1988 they participated in the national rock championships and played as the in-house band at a disco in Cyprus. The band got a breakthrough in 1991, as Dave Constable of Megarock Records offered them to make a demo-record. The later debut album was originally pressed in 1,000 copies and later on given away as a free cover tape in the UK by the Metal Forces magazine. The decision to focus on a music career paid off as they landed a record deal on producer Denniz PoP's label Cheiron Records, a BMG affiliate. After recording their second album Earthquake Visions, they released three singles in conjunction with the record and toured through Europe in 1994 supporting Kingdom Come. Earthquake Visions eventually sold a disappointing 30,000 copies, despite being released in as many as 30 countries. More importantly though, Martin also began collaborating on songs with PoP. Recognizing a talent for writing pop songs in the young rocker, PoP renamed his new protege Max Martin and eventually became Martin's mentor.

Is this when he began his career?

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Problem: Dennis Coles (born May 9, 1970), better known by his stage name Ghostface Killah, is an American rapper and member of the Wu-Tang Clan. After the group achieved breakthrough success in the aftermath of Enter the Wu-Tang (36 Chambers), the members went on to pursue solo careers to varying levels of success. Ghostface Killah debuted his solo-career with Ironman in 1996, which was well received by music critics. He has continued his success over the following years with critically acclaimed albums such as Supreme Clientele (2000) and Fishscale (2006).

A roommate of Wu-Tang founder RZA, Ghostface helped bring together the other seven members. In 1995, Ghostface guest-starred extensively on fellow Clan member Raekwon's debut album, Only Built 4 Cuban Linx..., appearing on almost every song and receiving nearly equal billing. He also contributed songs to the Sunset Park and Don't Be a Menace to South Central While Drinking Your Juice in the Hood soundtracks, which would be included on his first solo LP, Ironman, in 1996. The album, which debuted at #2 on the Billboard 200, had a more pronounced soul influence (particularly 1970s soul) than previous Wu-Tang releases, and Ghostface's future albums would continue to feature this stylistic trait. In 2000, he released his second studio album Supreme Clientele. The album was well received by critics and peaked #7 on the Billboard 200. It included "Apollo Kids", a popular single which featured Raekwon and had a sample of "Cool Breeze" by Solomon Burke. "Cherchez LaGhost", another single off the album, became a minor club hit. Supreme Clientele would be a turning point in RZA's influence on his sound, as only six songs are produced by the RZA, compared to Ironman, its predecessor where every song but one is produced by him. Though he contributed fewer beats to the project, RZA personally oversaw the mixing and production of the album as a whole, contributing to Supreme Clientele's unified sound. Ghostface wasted little time in recording his next album, the heavily R&B-influenced Bulletproof Wallets, released a year after Supreme Clientele. Its feature single, "Never Be the Same Again", featured Carl Thomas and Raekwon. He had another minor club hit with "Flowers", which featured guest vocals from fellow Wu-Tang members Method Man and Raekwon, and a popular single "Ghost Showers" which featured Madame Majestic, who also sung on the popular Wu-Tang track "Gravel Pit".

did he contribute songs to any other album?

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Only Built 4 Cuban Linx..., appearing on almost every song and receiving nearly equal billing.