Please answer this: The following article contains an answer for the question: What is the full name of the writer who wrote the state anthem of Karnataka? , can you please find it? Kannada is the official language of the state of Karnataka, as the native language of 66.54% of its population as of 2011 and is one of the classical languages of India. Other linguistic minorities in the state were Urdu (10.83%), Telugu (5.84%), Tamil (3.45%), Marathi (3.38%), Hindi (3.3%), Tulu (2.61%), Konkani (1.29%), Malayalam (1.27%) and Kodava Takk (0.18%).Kannada played a crucial role in the creation of Karnataka: linguistic demographics played a major role in defining the new state in 1956. Tulu, Konkani and Kodava are other minor native languages that share a long history in the state. Urdu is spoken widely by the Muslim population. Less widely spoken languages include Beary bashe and certain languages such as Sankethi. Some of the regional languages in Karnataka are Tulu, Kodava, Konkani and Beary.Kannada features a rich and ancient body of literature including religious and secular genre, covering topics as diverse as Jainism (such as Puranas), Veerashaivism (such as Vachanas), Vaishnavism (such as Haridasa Sahitya) and modern literature. Evidence from edicts during the time of Ashoka (reigned 274232 BCE) suggest that Buddhist literature influenced the Kannada script and its literature. The Halmidi inscription, the earliest attested full-length inscription in the Kannada language and script, dates from 450 CE, while the earliest available literary work, the Kavirajamarga, has been dated to 850 CE. References made in the Kavirajamarga, however, prove that Kannada literature flourished in the native composition meters such as Chattana, Beddande and Melvadu during earlier centuries. The classic refers to several earlier greats (purvacharyar) of Kannada poetry and prose.Kuvempu, the renowned Kannada poet and writer who wrote Jaya Bharata Jananiya Tanujate, the state anthem of Karnataka was the first recipient of the "Karnataka Ratna" award, the highest civilian award bestowed by the Government of Karnataka. Contemporary Kannada literature has received considerable acknowledgement in the arena of...
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Answer: Kuvempu

Please answer this: The following article contains an answer for the question: What person used pseudonym Robert Milkwood Thomas? , can you please find it? In the early 1970s, critics charged that Dylan's output was varied and unpredictable. Rolling Stone writer Greil Marcus asked "What is this shit?" on first listening to Self Portrait, released in June 1970. It was a double LP including few original songs, and was poorly received. In October 1970, Dylan released New Morning, considered a return to form. This album included "Day of the Locusts", a song in which Dylan gave an account of receiving an honorary degree from Princeton University on June 9, 1970. In November 1968, Dylan had co-written "I'd Have You Anytime" with George Harrison; Harrison recorded "I'd Have You Anytime" and Dylan's "If Not for You" for his 1970 solo triple album All Things Must Pass. Dylan's surprise appearance at Harrison's 1971 Concert for Bangladesh attracted media coverage, reflecting that Dylan's live appearances had become rare.Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock, a small studio in Greenwich Village, to record with Leon Russell. These sessions resulted in "Watching the River Flow" and a new recording of "When I Paint My Masterpiece". On November 4, 1971, Dylan recorded "George Jackson", which he released a week later. For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin State Prison that year. Dylan contributed piano and harmony to Steve Goodman's album, Somebody Else's Troubles, under the pseudonym Robert Milkwood Thomas (referencing the play Under Milk Wood by Dylan Thomas and his own previous name) in September 1972.In 1972, Dylan signed to Sam Peckinpah's film Pat Garrett and Billy the Kid, providing songs and backing music for the movie, and playing "Alias", a member of Billy's gang with some historical basis. Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" became one of Dylan's most covered songs.Also in 1972, Dylan protested the move to deport John Lennon and Yoko Ono, who had been convicted of possessing cannabis, by sending...
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Answer: Dylan

Please answer this: The following article contains an answer for the question: What is the name of the specific interior room that is described as a Chinese-style saloon enhanced by Queen Mary? , can you please find it? Between 1847 and 1850, when Blore was building the new east wing, the Brighton Pavilion was once again plundered of its fittings. As a result, many of the rooms in the new wing have a distinctly oriental atmosphere. The red and blue Chinese Luncheon Room is made up from parts of the Brighton Banqueting and Music Rooms with a large oriental chimney piece designed by Robert Jones and sculpted by Richard Westmacott. It was formerly in the Music Room at the Brighton Pavilion. The ornate clock, known as the Kylin Clock, was made in Jingdezhen, Jiangxi Province, China, in the second half of the 18th century; it has a later movement by Benjamin Vulliamy circa 1820. The Yellow Drawing Room has wallpaper supplied in 1817 for the Brighton Saloon, and a chimney piece which is a European vision of how the Chinese chimney piece may appear. It has nodding mandarins in niches and fearsome winged dragons, designed by Robert Jones.At the centre of this wing is the famous balcony with the Centre Room behind its glass doors. This is a Chinese-style saloon enhanced by Queen Mary, who, working with the designer Sir Charles Allom, created a more "binding" Chinese theme in the late 1920s, although the lacquer doors were brought from Brighton in 1873. Running the length of the piano nobile of the east wing is the great gallery, modestly known as the Principal Corridor, which runs the length of the eastern side of the quadrangle. It has mirrored doors, and mirrored cross walls reflecting porcelain pagodas and other oriental furniture from Brighton. The Chinese Luncheon Room and Yellow Drawing Room are situated at each end of this gallery, with the Centre Room obviously placed in the centre.The original early 19th-century interior designs, many of which still survive, included widespread use of brightly coloured scagliola and blue and pink lapis, on the advice of Sir Charles Long. King Edward VII oversaw a partial redecoration in a Belle epoque cream and gold colour scheme.When paying a state visit to Britain, foreign heads of state...
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Answer:
Centre Room