You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
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Question: In 1959, Alfred Hitchcock opens his latest film, North by Northwest, to considerable success, but is troubled by a reporter's insinuation that it is time to retire. Seeking to reclaim the artistic daring of his youth, Hitchcock turns down film proposals like adapting Casino Royale in favor of a horror novel called Psycho by Robert Bloch, which is based on the crimes of murderer Ed Gein. Gein appears in sequences throughout the film in which he seems to prompt Hitchcock's imagination regarding the Psycho story, or act as some function of Hitchcock's subconscious mind (for instance, drawing Hitchcock's attention to sand on his bathroom floor, the quantity of which reveals how much time his wife Alma has been spending at the beachhouse with Whitfield Cook).
Hitchcock's wife and artistic collaborator, Alma, is no more enthusiastic about the idea than his colleagues, especially since she is being lobbied by their writer friend, Whitfield Cook, to look at his own screenplay. However, she warms to Hitchcock's proposal, suggesting the innovative plot turn of killing the female lead early in the film. The studio heads at Paramount prove more difficult to persuade, forcing Hitchcock to finance the film personally and use his Alfred Hitchcock Presents television crew (over at competitor Revue/Universal) to produce the film. (As this film completed his contract with Paramount, all subsequent films were made at Universal.)
However, the pressures of the production, such as dealing with Geoffrey Shurlock of the Motion Picture Production Code, and Hitchcock's lecherous habits, such as when they confer with the female lead, Janet Leigh, annoy Alma. She begins a personal writing collaboration with Whitfield Cook on his screenplay at his beach house without Hitchcock's knowledge. Hitchcock eventually discovers what she has been doing and suspects her of having an affair. This concern affects Hitchcock's work on Psycho. Hitchcock eventually confronts Alma and asks her if she is having an affair. Alma angrily denies it.
Alma temporarily takes over production of the film when Hitchcock is bedridden after collapsing from overwork, but this sequence, which included a complicated process shot showing Arbogast's demise, with Alma's specification of a 35mm lens, instead of the 50mm lens preferred by Hitchcock for this film, proved to be the least effective in the film.
Meanwhile, Hitchcock expresses his disappointment to Vera Miles at how she didn't follow through on his plan to make her the next biggest star after Grace Kelly; but Miles says she is happy with her family life.
Hitchcock's cut of Psycho is poorly received by the studio executives, while Alma discovers Whitfield having sex with a younger woman at his beach house. Hitchcock and Alma reconcile and set to work on improving the film. Their renewed collaboration yields results, culminating in Alma convincing Hitchcock to accept their composer's suggestion for adding Bernard Herrmann's harsh strings score to the shower scene.
After maneuvering Shurlock into leaving the film's content largely intact, Hitchcock learns the studio is only going to exhibit the film in two theaters. Hitchcock arranges for special theater instructions to pique the public's interest such as forbidding admittance after the film begins. At the film's premiere, Hitchcock first views the audience from the projection booth, looking out through its small window at the audience (a scene which recalls his spying on his leading actresses undressing earlier in the film by looking through a hole cut in the dressing room wall which itself is a voyeuristic motif included in the film of Psycho). Hitchcock then waits in the lobby for the audience's reaction, conducting slashing motions to their reactions as they scream on cue. The film is rewarded with an enthusiastic reception.
With the film's screening being so well received, Hitchcock publicly thanks his wife afterward for helping make it possible and they affirm their love. At the conclusion at his home, Hitchcock addresses the audience noting Psycho proved a major high point of his career and he is currently pondering his next project. A raven lands on his shoulder as a reference to The Birds, before turning to meet with his wife.
The final title cards say that Hitchcock directed six more films after Psycho, none of which would eclipse its commercial success, and although he never won an Oscar, the American Film Institute awarded him its Life Achievement Award in 1979 - an award he claimed he shared, as he had his life, with his wife, Alma.

Answer: How many pictures did Hitchcock direct after Psycho?

Question: The Wonderful Visit tells how an angel spends a little more than a week in southern England. He is at first mistaken for a bird because of his dazzling polychromatic plumage, for he is "neither the Angel of religious feeling nor the Angel of popular belief," but rather "the Angel of Italian art." As a result, he is hunted and shot in the wing by an amateur ornithologist, the Rev. K. Hilyer, the vicar of Siddermoton, and then taken in and cared for at the vicarage. The creature comes from "the Land of Dreams" (also the angel's term for our world), and while "charmingly affable," is "quite ignorant of the most elementary facts of civilisation." During his brief visit he grows increasingly dismayed by what he learns about the world in general and about life in Victorian England in particular. As he grows increasingly critical of local mores, he is eventually denounced as "a Socialist."
The vicar, his host, meanwhile comes under attack by fellow clerics, neighbours, and even servants for harbouring a disreputable character (no one but the vicar believes he comes from another world, and people take to calling him "Mr. Angel"). The angel's one talent is his divine violin-playing, but he is discredited at a reception that Lady Hammergallow agrees to host when it is discovered that he cannot read music and confides to a sympathetic listener that he has taken an interest in the vicar's serving girl, Delia. Instead of healing, his wings begin to atrophy. The local physician, Dr. Crump, threatens to have him put in a prison or a madhouse. After the angel destroys some barbed wire on a local baronet's property, Sir John Gotch gives the vicar one week to send him away before he begins proceedings against him.
The Rev. Mr. Hilyer is regretfully planning how he will take the angel to London and try to establish him there when two catastrophes abort the plan. First, the angel, who "had been breathing the poisonous air of this Struggle for Existence of ours for more than a week," beats Sir John Gotch with Gotch's own whip in a fury after the local landowner insolently orders him off his land. Distraught to think (mistakenly) that he has killed a man, he returns to the village to find the vicar's house in flames. Delia, the serving girl, has entered the burning building in an attempt to rescue the angel's violin: this extraordinary act comes as a revelation to the angel. "Then in a flash he saw it all, saw this grim little world of battle and cruelty, transfigured in a splendour that outshone the Angelic Land, suffused suddenly and insupportably glorious with the wonderful light of Love and Self-Sacrifice." The angel attempts to rescue Delia, someone seems to see "two figures with wings" flash up and vanish among the flames, and a strange music that "began and ended like the opening and shutting of a door" suggests that the angel has gone back to where he came from, accompanied by Delia. An epilogue reveals that "there is nothing beneath" the two white crosses in Siddermorton cemetery that bear the names of Thomas Angel and Delia Hardy, and that the vicar, who never recovered his aplomb after the angel's departure, died within a year of the fire.

Answer: The angel was an angel of what?

Question: In The Flopsy Bunnies, Benjamin Bunny and Peter Rabbit are adults, and Benjamin has married his cousin Flopsy. The couple are the parents of six young rabbits generally called The Flopsy Bunnies. Benjamin and Flopsy are "very improvident and cheerful" and have some difficulty feeding their brood. At times, they turn to Peter Rabbit (who has gone into business as a florist and keeps a nursery garden), but there are days when Peter cannot spare cabbages. It is then that the Flopsy Bunnies cross the field to Mr. McGregor's rubbish heap of rotten vegetables.
One day they find and feast on lettuces that have shot into flower, and, under their "soporific" influence, fall asleep in the rubbish heap, though Benjamin puts a sack over his head. Mr. McGregor discovers them by accident when tipping grass-clippings down and places them in a sack and ties it shut then sets the sack aside while attending to another matter. Benjamin and Flopsy are unable to help their children, but a "resourceful" wood mouse called Thomasina Tittlemouse, gnaws a hole in the sack and the bunnies escape. Their parents fill the sack with rotten vegetables, and the animals hide under a bush to observe Mr. McGregor's reaction.
Mr. McGregor does not notice the substitution, and carries the sack home, continually counting the six rabbits. His wife claims the skins for herself, intending to line her old cloak with them, but when she reaches into the sack and discovers the rotten vegetables she becomes very, very, angry and accuses her husband of playing a trick on her. And then, Mr. Mc Gregor becomes very angry too, and he throws a rotten vegetable marrow out through the window, hitting the youngest of the eavesdropping bunnies who has been sitting on the window-sill (leaving the Mc Gregors to argue). Their parents decide it is time to go home. At Christmas, they send the heroic little wood mouse a quantity of rabbit-wool. She makes herself a cloak and a hood, and a muff and mittens.
Scholar M. Daphne Kutzer points out that Mr. McGregor's role is larger in The Flopsy Bunnies than in the two previous rabbit books, but he inspires less fear in The Flopsy Bunnies than in Peter Rabbit because his role as fearsome antagonist is diminished when he becomes a comic foil in the book's final scenes. Nonetheless, for young readers, he is still a frightening figure because he has captured not only vulnerable sleeping bunnies but bunnies whose parents have failed to adequately protect them.

Answer:
Benjamin and Flopsy are the parents of how many young bunnies?