input: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career. After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship. This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum. A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display.

Answer this question "Had he done something similar before?"
output:

input: After a year of success, the Devils were in the middle of the pack for most of the 1995-96 season and barely missed the playoffs. Brodeur played in 74 of his team's 82 games, setting a single-season record for most minutes played by a goalie, while having the 2nd-most shutouts (6) in the league. He was named the starter in the All-Star Game for the Eastern Conference and stopped all 12 shots he faced. He finished fourth in voting for the Vezina Trophy, which is awarded to the league's top goaltender. Brodeur also played on Team Canada during the 1996 World Cup of Hockey, where Canada lost to the United States in the gold medal finals. In the 1996-97 season, the Devils finished 3rd in the NHL. Brodeur was runner-up for the Vezina Trophy, was named to the All-Star team, and had the lowest goals against average by a goalie in almost 30 years, earning him the Jennings Trophy. He also had 10 shutouts and a .927 save percentage. On April 17, 1997, in the first game of a first-round playoff matchup against the Montreal Canadiens, Brodeur fired the puck the length of the ice and into the Canadiens' empty net to ensure a 5-2 victory. It was only the second time in NHL history that a goaltender had scored in the playoffs, and the fifth time overall. The Devils went on to win that series, but lost in the second round to the rival New York Rangers. The following year, Brodeur had 43 wins and 10 shutouts in the regular season. The Devils finished first in the Eastern Conference, but lost in the first round of the playoffs to the eighth-seeded Ottawa Senators. Once again, Brodeur made the All-Star Team, finished as a runner-up for the Vezina Trophy, and won the Jennings Trophy. In the 1998-99 season, the Devils finished first in the Eastern Conference for the third straight year, with Brodeur winning 39 games. He was among the contenders for the Vezina Trophy and started in the All-Star game, making his fourth appearance. However, the Devils lost in the first round to the Penguins. It was Brodeur's worst playoff performance to date statistically, as he allowed 20 goals in seven games with an .856 save percentage.

Answer this question "Did his team win?"
output: where Canada lost to the United States in the gold medal finals.

input: Always one to be courting controversy due to his alleged radical treatment of music, Laswell released two albums of remixes from dead artists - Bob Marley's Dreams of Freedom on Axiom and Miles Davis Panthalassa. The first contained airy, ambient dub translations of some of Marley's Island catalog, largely sans Marley's voice. Chris Blackwell, largely the man responsible for bringing Marley to the masses in the 1970s, requested the album as part of a planned series of remix albums by various producers who were rooted in the reggae/dub tradition. Blackwell's departure from Island killed any further albums. For Panthalassa, Laswell took the tapes from Miles' "electric period" and re-imagined them, the impetus for the project being that the original releases were just mixes made by Teo Macero from long in-studio sessions. Nothing originally released was necessarily exactly what was done in the studio, but rather a cut-up and remix to begin with. Needless to say, critic and fan responses varied wildly, with Laswell and Macero conducting a public feud in the media. The late 1990s saw two other major changes. As noted before, Chris Blackwell left Island Records. Although he took the Axiom imprint with him to his new Palm Pictures label, the back catalog stayed with Island. Many of the albums are now out of print, and efforts to obtain master recordings and new distribution have been unsuccessful. The other change came in the form of studio space. Laswell, seeing that Greenpoint had turned into a sort of living space for hangers-on, moved his studio to West Orange, New Jersey, calling it Orange Music Sound Studios.

Answer this question "Is there anything else interesting?"
output:
The other change came in the form of studio space.