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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Fire support is long-range firepower provided to a front-line military unit. Typically, fire support is provided by artillery or close air support (usually directed by a forward observer), and is used to shape the battlefield or, more optimistically, define the battle. Warships, for example, have long provided naval gunfire support. Artillery observers allow adjusting fire. Fire support has been used since the advent of cannons in warfare as artillery. Fire support, as an extension, is the marriage of artillery to the forces in contact. It is the direct ability to properly use artillery. It is distinct from direct fire, which is provided by the forces in contact. Context_2 : Agordat was a torpedo cruiser of the Italian "Regia Marina" built in the late 1890s. She was the lead ship of the "Agordat" class , which had one other member, "Coatit" . The ship, which was armed with twelve 76 mm guns and two 450 mm torpedo tubes, was too slow and short-ranged to be able to scout effectively for the fleet, so her career was limited. She saw action during the Italo-Turkish War in 191112, where she provided gunfire support to Italian troops in North Africa. She assisted in the occupation of Constantinople in the aftermath of World War I, and in 1919 she was reclassified as a gunboat. In January 1923, "Agordat" was sold for scrapping. Context_3 : The Italo-Turkish or Turco-Italian War (Turkish: "Trablusgarp Savas" , "Tripolitanian War"; also known in Italy as "Guerra di Libia", "Libyan War") was fought between the Kingdom of Italy and the Ottoman Empire from September 29, 1911, to October 18, 1912. As a result of this conflict, Italy captured the Ottoman Tripolitania Vilayet (province), of which the main sub-provinces ("sanjaks") were Fezzan, Cyrenaica, and Tripoli itself. These territories together formed what became known as Italian Libya. Context_4 : The United States naval gunfire support debate is an ongoing debate among the United States Navy, Marine Corps, Congress, and independent groups like the "United States Naval Gunfire Support Association" over what role naval gunfire support and naval surface fire support (NSFS) should play within the navy and how such a role can best be provided. At the heart of the issue is the role that naval gunfire supportthe use of naval artillery to provide fire support for amphibious assault and other troops operating within their rangeshould play in the U.S. Navy of the 21st century. Context_5 : Naval gunfire support (NGFS) (also known as shore bombardment) is the use of naval artillery to provide fire support for amphibious assault and other troops operating within their range. NGFS is one of a number of disciplines encompassed by the term "Naval Fires". Modern naval gunfire support is one of the three main components of amphibious warfare assault operations support, along with aircraft and ship-launched land-attack missiles. Shipborne guns have been used against shore defences since the early days of naval warfare. Context_6 : Komintern was a Soviet light cruiser originally named "Pamiat' Merkuria" ("Memory of Mercury"), a "Bogatyr"-class protected cruiser built for the Imperial Russian Navy. She saw service during World War I in the Black Sea and survived the Russian Civil War, although heavily damaged. She was repaired by the Soviet Navy and put into service as a training cruiser. In 1941 she was reclassified as a minelayer and provided gunfire support and transported troops during the Siege of Odessa, Siege of Sevastopol, and the Kerch-Feodosiya Operation in the winter of 194142. She was damaged beyond repair at Poti by a German air attack on 16 July 1942. Afterwards she was disarmed and hulked. At some point she was towed to the mouth of the Khobi river and sunk there as a breakwater on 10 October 1942. Context_7 : Marco Polo was an armored cruiser built for the Royal Italian Navy ("Regia Marina") in the 1890s, the first of her type in Italian service. The ship spent the bulk of her career deployed in the Far East. Between deployments she participated in the Italo-Turkish War of 191112 during which she caused a diplomatic incident with the Austro-Hungarian Empire. After that affair "Marco Polo" was sent to Libya where she bombarded the towns of Homs, and Zuara and the defenses of the Dardanelles. In between these operations, the ship provided naval gunfire support to the Royal Italian Army in Libya. Due to her age, "Marco Polo" did not play a significant role in World War I, serving as an accommodation ship in Venice until she began conversion into a troopship in 1917. After a series of renamings in 192021, the ship was stricken from the naval register in 1922 and subsequently sold for scrap. Context_8 : The Banana Wars were the occupations, police actions, and interventions on the part of the United States in Central America and the Caribbean between the end of the SpanishAmerican War in 1898 and the inception of the Good Neighbor Policy in 1934. These military interventions were most often carried out by the United States Marine Corps, which developed a manual, "The Strategy and Tactics of Small Wars" (1921) based on its experiences. On occasion, the Navy provided gunfire support and Army troops were also used. Context_9 : Varese was a "Giuseppe Garibaldi"-class armored cruiser built for the Royal Italian Navy ("Regia Marina") in the 1890s. The ship made several deployments to the Eastern Mediterranean and the Levant before the start of the Italo-Turkish War of 191112. She supported ground forces in the occupations of Tripoli and Homs in Libya. "Varese" may have bombarded Beirut and did bombard the defenses of the Dardanelles during the war. She also provided naval gunfire support for the Italian Army in Libya. During World War I, the ship's activities were limited by the threat of Austro-Hungarian submarines and "Varese" became a training ship in 1920. She was struck from the naval register in 1923 and subsequently scrapped. Context_10 : Coatit was a torpedo cruiser of the Italian "Regia Marina" built in the late 1890s. She was the second and final member of the "Agordat"class . The ship, which was armed with twelve 76 mm guns and two 450 mm torpedo tubes, was too slow and short-ranged to be able to scout effectively for the fleet, so her career was limited. She saw action during the Italo-Turkish War in 191112, where she provided gunfire support to Italian troops in North Africa. She also caused a minor diplomatic incident from an attack on retreating Ottoman soldiers in Anatolia. "Coatit" was part of an international fleet sent to Constantinople when the city appeared to be at risk of falling to the Bulgarian Army during the First Balkan War. In 1919, she was converted into a minelayer and was sold for scrap in 1920. fact_1 : She saw action during the Italo-Turkish War in 191112, where she provided gunfire support to Italian troops in North Africa. fact_2 : The Italo-Turkish or Turco-Italian War (Turkish: "Trablusgarp Savas" , "Tripolitanian War"; also known in Italy as "Guerra di Libia", "Libyan War") was fought between the Kingdom of Italy and the Ottoman Empire from September 29, 1911, to October 18, 1912. Answer: Kingdom of Italy and the Ottoman Empire
Solution:
Italian cruiser Agordat: provided gunfire support when which empire and kingdom fought?