Background: Rivera was born and raised in Long Beach, California, to Rosa Saavedra and Pedro Rivera, who were from Mexico. Her parents raised Rivera and her sister and four brothers in a tight-knit, musical household; her brother Lupillo is also a regional Mexican musician. Rivera spoke both English and Spanish fluently. Her family introduced her to traditional Mexican music, including the genres of banda, nortena, and ranchera.
Context: She began to attain more substantial success with the record Parrandera, Rebelde y Atrevida, released in 2005, which peaked at No. 10 on the Billboard Top Latin Albums chart, since its release it has been certified double-platinum in the Latin field by the Recording Industry Association of America. The second single released from the album, "De Contrabando" became her first and only number--one song to hit the Latin Regional Mexican Airplay in the United States. It is also said to be one of her most known songs. In 2007, she released Mi Vida Loca, which debuted at number 1 on the Regional Mexican Albums chart and number 2 on the Top Latin Albums chart in the United States, the album garnered an award for Regional Mexican Album of the Year at the 2008 Latin Billboard Music Awards. In a 2011 interview with Billboard magazine she stated, "That was more of Jenni telling her story through music. My life has been so put out there by the media that I figured I might as well put it out there myself, in my own words and through my music. I wanted to clear up speculations about my private life." The album also garnered Rivera her first Lo Nuestro Award for Regional Mexican Female Artist of the Year, an award she would dominate for the rest of her life. The same year she released La Diva en Vivo, a live album that consisted of songs recorded with a mariachi band, which garnered her, her second Latin Grammy nomination for Best Ranchero Album. That year she was the only female singer nominated in that category. The album was recorded at The Gibson Amphitheater in Universal City, California, Rivera sold out the concert which led her to become the first female banda singer to do so. Her tenth studio album, Jenni released in 2008, became her first No. 1 record on the Billboard Top Latin Albums chart in the United States. The album led Rivera to win her second Lo Nuestro Award for Banda Artist of the Year, becoming the first female act to win the accolade. A feat that currently stands to date. In 2009, she changed course and recorded her first full mariachi studio album titled La Gran Senora, which garnered a Latin Grammy nomination for Best Ranchero Album, it peaked at No. 2 on the Billboard Top Latin Albums chart in the United States. In an interview Rivera said that releasing the album was very daring and marked her career in a positive way, she said she wanted to grow as an artist and the people that listen to banda will listen to mariachi if they find a good album that they feel is worth buying. She went on to say there are certain nationalities that will listen to mariachi and not banda. Those were the people that she was going after. She also stated, "Commercializing a ranchera album is much harder. There had not been a successful female mariachi artist in a long time. It was a big risk, but it was a risk that I was willing to take. La Gran Senora ended up being the biggest-selling [regional Mexican] album of 2010."
Question: Did she win any major awards during this period?
Answer: the album garnered an award for Regional Mexican Album of the Year at the 2008 Latin Billboard Music Awards.

Background: Good Night, and Good Luck is a 2005 American historical drama film directed by George Clooney and starring David Strathairn, George Clooney, Robert Downey, Jr., Patricia Clarkson and Jeff Daniels. The movie was written by Clooney and Grant Heslov (both of whom also have acting roles in the film) and portrays the conflict between veteran radio and television journalist Edward R. Murrow and U.S. Senator Joseph McCarthy of Wisconsin, especially relating to the anti-Communist Senator's actions with the Senate Permanent Subcommittee on Investigations. Although released in black and white, Good Night, and Good Luck was filmed on color film stock but on a greyscale set, and was color corrected to black and white during post-production. It focuses on the theme of media responsibility, and also addresses what occurs when the media offer a voice of dissent from government policy.
Context: In September 2005, Clooney explained his interest in the story to an audience at the New York Film Festival: "I thought it was a good time to raise the idea of using fear to stifle political debate." Having majored in journalism in college, Clooney was well-versed in the subject matter. His father, Nick Clooney, was a television journalist for many years, appearing as an anchorman in Cincinnati, Ohio, Salt Lake City, Utah, Los Angeles, California, and Buffalo, New York. The elder Clooney also ran for Congress in 2004. George Clooney was paid $1 each for writing, directing, and acting in Good Night, and Good Luck., which cost $7.5 million to make. Due to an injury he received on the set of Syriana a few months earlier, Clooney could not pass the tests to be insured. He then mortgaged his own house in Los Angeles in order to make the film. Dallas Mavericks owner Mark Cuban and former eBay president Jeff Skoll invested money in the project as executive producers. The film ultimately grossed more than $54 million worldwide. The CBS offices and studios seen in the movie were all sets on a soundstage. To accomplish a pair of scenes showing characters going up an elevator, different "floors" of the building were laid out on the same level. The "elevator" was actually built on a large turntable at the intersection of the two floor sets, and rotated once the doors were closed. When the doors reopened, the actors appeared to be in a different location. In doing so, the movie exercised a bit of dramatic license--the CBS executive offices at the time were located at 485 Madison Avenue. CBS News was located in an office building just north of Grand Central Terminal (demolished and now the site of the Met Life Building); and the See It Now studio was located in Grand Central Terminal itself, above the waiting room. For dramatic effect, all three areas were depicted as being in the same building. Clooney and producer Grant Heslov decided to use only archival footage of Joseph McCarthy in his depiction. As all of that footage was black-and-white, that determined the color scheme of the film. A young Robert Kennedy is also shown in the movie during McCarthy's hearing sessions. He was then a staff member on the Senate subcommittee chaired by McCarthy.
Question: Anything intresting about the movie?
Answer:
George Clooney was paid $1 each for writing, directing, and acting in Good Night,