In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : In 1991, seven years after meeting in a summer stock production of "Joseph and the Amazing Technicolor Dreamcoat" in Shamokin Dam, Pennsylvania, Dan Murphy and Sharon Maroney (married), along with fellow performer Matthew Ryan (a native of Tigard, OR) and his partner Joseph Morkys, decided to move from New York City to start a summer stock theatre in Tigard. The team pooled their savings of $21,000 and in November 1991, Broadway Rose Theatre Company was incorporated as a 501(c)(3). In the summer of 1992, the first season of Broadway Rose Theatre Company was performed at the Deb Fennell Auditorium at Tigard High School. The company produced five mainstage shows and a children's show in eight weeks, with an average audience of 32 people per performance. The company lost $8,700 in its first season, but the following year the fledgling company received a $3,000 grant from the Metropolitan Arts Commission (a forerunner of the Regional Arts & Culture Council), to help bring the organization out of debt. In 1993, the company produced "Oklahoma!" with no fundsputting the entire payroll on Dan's personal credit card. The situation resolved itself as audiences picked up. In 1994, the company received a $4,000 grant from the Metropolitan Arts Commission. Audiences averaged 132 people per performance that yeara 313 percent increase from 1992. In 1995, The Collins Foundation provided the company a $5,000 grant, allowing Sharon Maroney to become the company's first paid employee. Platt Electric Supply became Broadway Rose's first title sponsor in 1996, providing a new level of stable funding (they would stay on as a title sponsor through 2012 when Harvey Platt sold the company). In 1997, co-founders Matthew Ryan and Joe Morkys left Broadway Rose and returned to New York. That year Broadway Rose held its first drama camp for young performers aged 811. Also in 1997, Shoshana Bean, who would later become famous for portraying Elphaba on Broadway in the musical "Wicked""," starred in the Broadway Rose production of "Bye Bye Birdie." The company's offices moved from Dan and Sharon's home to a Platt Electric Supply branch office in 1999. Later that year, the Sherwood Arts Council contracted Broadway Rose to produce "Broadway Goes Hollywood", a fundraiser for SAC held at the historic Robin Hood Theater in Sherwood, OR. Broadway Rose's annual budget rose to around $175,000 with ticket sales accounting for just under half of the total, and Dan's general manager position officially became funded, making him an employee rather than a volunteer. Context_2 : California Musical Theatre is the largest nonprofit arts organization (primarily producing musical theatre) in the state of California and the city of Sacramento's oldest professional performing arts organization. Its summer stock theatre, Music Circus, has been producing Broadway-style musicals since 1951. Context_3 : Summer stock theatre is any theatre that presents stage productions only in the summer. The name combines the season with the tradition of staging shows by a resident company, reusing stock scenery and costumes. Summer stock theatres frequently take advantage of seasonal weather by having their productions outdoors or under tents set up temporarily for their use. Context_4 : The Kenley Players was an Equity summer stock theatre company which presented hundreds of productions featuring Broadway, film, and television stars in Midwestern cities between 1940 and 1996. "Variety" called it the "largest network of theaters on the straw hat circuit." Founded by and operated for its entire lifespan by John Kenley, it is credited with laying the groundwork for Broadway touring companies. Context_5 : Peninsula Players is a summer theater program located in Fish Creek, Wisconsin. Founded in 1935 by Richard and Caroline Fisher, it is known as "America's Oldest Professional Resident Summer Theatre." Context_6 : Glasgow Repertory Theatre was a short-lived Scottish professional theatre founded in Glasgow in 1909 by Arthur Wareing. Its aim, directly inspired by the example of Dublin's Abbey Theatre (which had brought its first tour to Glasgow in 1907 with plays by JM Synge and WB Yeats), was to break Scotland's theatrical dependence on London. Over the previous thirty years, Scottish theatrical activity had been increasingly dominated by touring London companies using transport by rail to bring their productions north, a situation that had effectively contributed to the demise of the country's own stock theatre companies, which had had growing success in the mid-nineteenth century. Context_7 : Paul Gilmore (1873 1962) was a popular stage actor of the late 19th and early 20th centuries who also appeared in no fewer than 10 silent films. Additionally, he owned and managed for many years the Cherry Lane Theatre in New York City giving work to such future stars as Robert Walker Sr., Jennifer Jones and Carl Reiner. In his declining years, he and his daughter, Virginia, operated the Gilmore Summer Stock Theatre in Duluth, Minnesota. Context_8 : Mountain Playhouse is Pennsylvania's oldest professional summer stock theatre company and is located in Jennerstown, Pennsylvania. Housed in a restored 1805 gristmill, the theatre was founded by James Stoughton in 1939. It produces musicals, farces, and dramas each summer and also hosts productions by Theatreworks USA. As stated on its website, the theatre employs "actors from Actors' Equity Association, directors from the Stage Directors and Choreographers Society, and musicians from the American Federation of Musicians." Mountain Playhouse has employed many actors from the nearby Pittsburgh theatre scene, New York City, and Washington, D.C. Context_9 : The College Light Opera Company (CLOC) is an educational summer stock theatre company based in Falmouth, Massachusetts on Cape Cod. It produces and performs 9 operettas and musicals during a 9 week season each summer with performances taking place in Falmouth's historic Highfield Theatre. Context_10 : The Southern Appalachian Repertory Theatre (SART) is a not-for-profit summer stock theatre company that performs in the Owen Theatre at Mars Hill College in Mars Hill, North Carolina. It also hosts an annual playwright's conference known as ScriptFEST. It was founded in 1975 by Jim "T" Thomas, Chairman of the Fine Arts Department of Mars Hill College. The current Artistic Director is Bill Gregg, who also teaches theatre at Mars Hill College. It combines the performing talents of Equity Actors, local professionals and students from the college. fact_1 : Peninsula Players is a summer theater program located in Fish Creek, Wisconsin. fact_2 : Founded in 1935 by Richard and Caroline Fisher, it is known as "America's Oldest Professional Resident Summer Theatre." fact_3 : Summer stock theatre is any theatre that presents stage productions only in the summer. Question: Which town is home to Peninsula Players, a summer stock theatre founded in 1935?
A:
Fish Creek, Wisconsin