In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: the love for family is one of the strongest driving forces in any man 's life , especially for those who have fostered their family under precarious circumstances .
thematically in cinema , love for family has been used frequently and emphatically to highlight more abstract aspects of characters ; it is rare , however , for it to develop as outstandingly as it does in roberto benigni 's neo - classic drama , life is beautiful .
through a central cast of father , mother , and son , benigni demonstrates the wonderful , undying love that a family shares in the best of times and the worst of times .
life
* is * beautiful for guido orefice ( roberto benigni , directing himself here for the sixth time in his career ) , an italian jew , master con man , and aspiring waiter extraordinaire .
living in 1930 's italy , he lives a carefree life of good fortune ; it is made even better when he happens upon a pretty schoolteacher named dora ( nicoletta braschi ) .
although dora is already engaged , guido manages to sweep her off her feet and persuades her to marry him instead ; the two have a child named joshua ( giorgio cantarini ) .
unfortunately for the happy family , the third reich and its nazi minions occupy italy and imprison all jews in work camps .
it is after the movie takes this dramatic turn that the movie 's theme of family love becomes the strongest .
although prior to this turning point benigni plays guido with a sort of goofy charm , he relaxes the role to ensure his son 's happiness .
now , instead of awkwardly seducing the sweet dora , he constantly reassures his son that everything will be all right .
benigni 's performance is truly a well - rounded one , and certainly one of the more fluid turns all year .
the supports are all strong as well , but the movie truly excels in its script .
life is beautiful is a self - proclaimed fable , one which tells its story in grand , two - part fashion .
in certain parts it manages to sink to the level of a " saturday night live " spinoff -- a number of humorous skits connected by a token plot -- but in the movie 's second half the script 's circular nature becomes admirably obvious .
characters make reprise appearances in fine form , and certain events which are intially curious become critically linked to the plot 's outcome .
in all , fans of foreign film will see this as a memorable motion picture , and novice movie - watchers may take this opportunity to see their first " artsy " film .
life is beautiful is an artsy movie by convention but
easily accessible to everyone , and above all is a fine thematic picture .

Answer: P

Question: porter stoddard ( warren beatty ) is a successful architect married to successful fabric designer ellie ( diane keaton ) for twenty - five years .
they and best friends mona ( goldie hawn ) and griffin ( garry shandling ) are about to face marital crises in a film most well known for its torturous path to the screen , " town and country .
" " town and country " has a pedigree befitting it 's title with an all star cast photographed by oscar nominated cinematographer william fraker and mouthing the words of screenwriter buck henry ( " the graduate " ) under the direction of peter chelsom ( " funny bones " ) .
after years of reports of budget overruns and reshoots and the racking up twelve different release dates , the media has been prepped for beatty 's next " ishtar .
"
so , is it that bad ?
the answer is no .
but it 's not very good either .
the major problem with " town and country " is that it 's unstructured and random .
stoddard is immediately established as a philanderer , having just bedded a flaky cellist ( nastassja kinski ) .
next scene finds him and ellie celebrating their anniversary in paris with mona and griffin .
then mona spies griffin hustling a redhead into a motel and begins divorce proceedings ( buck henry cameos as both couples ' divorce lawyer ) .
ellie thinks she 's overeacting , but sends porter to support mona on a trip to check out her family 's mississippi manse .
the two childhood friends end up in bed together , making us wonder why they 'd never become a couple to begin with . back home , their second coupling is interrupted by ellie bursting in to tell mona
she thinks porter 's cheating on her .
porter goes off on a trip with griffin to sun valley , idaho to have more comic misadventures with wacky women as griffin attempts to tell him that he 's gay .
the four friends , along with every woman porter 's dallied with , all end up back in new york city somewhat happily ever after .
although the film begins promisingly , resembling a woody allen take on new york city wasps , too many strands drift off into nowhere .
the stoddard household is huge , containing two adult children ( josh hartnett , " the virgin suicides " and tricia vessey , " kiss the girls " ) , their colorful bedmates and a maid who 's just imported her shirtless boyfriend from the rainforest back home .
after an amusing early scene that has porter overhearing three bouts of lovemaking while in search of a nocturnal snack , the six supporting players are dropped except for an out - of - nowhere appearance by the formerly forgotten son .
porter 's romantic misadventures with women ( other than mona ) are equally mishandled .
once the marital discord begins , the film seems as if it was editted with a machete , stopping and starting , never regaining its rhythm .
while beatty gets off a few tart observations , his character is mostly passive and bemused .
maybe we 're supposed to feel sympathy for an adulterer who does n't initiate his own sex romps ?
keaton 's ellie has a trusting nature that 's a result of her own self involvement resulting in an unlikeable character .
hawn smartly recycles her mature sex kitten wives of " the out of towners " and " the first wives ' club " while shandling 's relegated to true second banana status .
kinski is bland and unmotivated .
andie macdowell takes a weirdly unappealing role and does what she can with the screenplay 's most bizarre subplot , which finds charlton heston as her rifle toting , billionaire daddy and marian seldes as her alcoholic , wheelchair - bound , foul - mouthed mother .
heston and seldes are fun , as is jenna elfman as a sun valley bait and tackle salesgirl who brings porter and griffin to a halloween party .
oscar nominatored cinematographer william fraker gives the film a nice look , but director chelsom shows none of the quirkily and blackly humorous depth
he brought to films like " hear my song " and " funny bones .
"
the script is this film 's weakest link - it 's telling that most of the ( few ) laughs come from old - fashioned physical slapstick and the sight of beatty in a bear suit .
while " town and country " is n't exactly painful to sit through , it mostly just lays there .

Answer: N

Question: there 's a good , and timely , story trapped deep within the excess of murder in the first , a new movie about the abuses of our prison system .
with a country wrapped up in feverish debate over the crime issue and the rights of the accused and the incarcerated in jeopardy , this expose would offer something rare to recent american movies -- a point of view .
but director marc rocco makes it clear from the beginning
that pretentious , often nauseating , camera movements and slick , mtv- style lighting and editing are far more important .
there 's not a moment in the picture where he surrenders technique for pure storytelling .
and everything suffers .
christian slater and kevin bacon star as defense attorney and alcatraz inmate , respectively .
after spending an unprecedented amount of time in an isolated cell for attempting to escape , bacon murders another prisoner and faces trial .
his young lawyer ( slater ) is fresh out of law school but determined to " put alcatraz on trial " for the abuses of it warden ( gary oldman ) .
the result is the usual courtroom theatrics- imagine a stanley kramer production shot by hyperactive film school students .
there 's very little to praise here outside of kevin bacon 's earnest overacting and the appropriate story .
there 's a lot of overacting from everyone -- you know
you 're in trouble right away
when r .
lee ermey ( the drill sergeant in full metal jacket ) is cast as a judge , the center of reason and moderation .
slater has never been convincing and certainly is n't here
and oldman is on a bad streak of hammy performances .
but the worst feeling you get while watching murder in the first is that the man behind the camera could care less about telling a good story .
there are long exchanges of dialogue where the camera is not even moving near the characters , let alone with them .
how frustrating it must be for actors to work under these conditions .
if there 's anything that has alway distinguished american films over the rest of the world , it is our ability to tell a good story .
have we forgotten ?

Answer:
N