input: Santorum served in the United States Senate representing Pennsylvania from 1995 to 2007. From 2001 until 2007, he was the Senate's third-ranking Republican. He was first elected to the Senate during the 1994 Republican takeover, narrowly defeating incumbent Democrat Harris Wofford, 49% to 47%. The theme of Santorum's 1994 campaign signs was "Join the Fight!" During the race, he was considered an underdog, as his opponent was 32 years his senior. He was reelected in 2000, defeating U.S. Congressman Ron Klink by a 52-46% margin. In his reelection bid of 2006, he lost to Democrat Bob Casey, Jr. by a 59-41% margin. After his election to the Senate in 1994, Santorum sought to "practice what [he] preached" and hired five people for his staff who were on welfare, food stamps, or other government aid. In 1996, Santorum served as Chairman of the Republican Party Task Force on Welfare Reform, and contributed to legislation that became the Personal Responsibility and Work Opportunity Act. Santorum was an author and the floor manager of the bill. In 1996, Santorum endorsed moderate Republican Arlen Specter in his short-lived campaign for president. Reporters have observed that though Santorum and Specter differed on social policy, Specter provided him with key political staff for his successful run in 1994. The National Taxpayers Union, a fiscal conservative organization, gave Santorum an "A-" score for his votes on fiscal issues, meaning that he was one of "the strongest supporters of responsible tax and spending policies" during his tenure, and ranked fifth in the group's rankings out of 50 senators who served at the same time.

Answer this question "What were his views on welfare?"
output: The National Taxpayers Union, a fiscal conservative organization, gave Santorum an "A-" score for his votes on fiscal issues,

input: Edgar Froese arrived in West Berlin in the mid-1960s to study art. His first band, the psychedelic rock-styled The Ones, disbanded after releasing only one single. After The Ones, Froese experimented with musical ideas, playing smaller gigs with a variety of musicians. Most of these performances were in the famous Zodiak Free Arts Lab, although one grouping also had the distinction of being invited to play for the surrealist painter Salvador Dali. The music was partnered with literature, painting, early forms of multimedia, and more. It seemed as though only the most outlandish ideas attracted any attention, leading Froese to comment, "In the absurd often lies what is artistically possible." As members of the group came and went, the direction of the music continued to be inspired by the Surrealists, and the group came to be called by the surreal-sounding name of Tangerine Dream, inspired by the line "tangerine trees and marmalade skies" from The Beatles' track "Lucy in the Sky with Diamonds." Froese was fascinated by technology and skilled in using it to create music. He built custom-made instruments and, wherever he went, collected sounds with tape recorders for use in constructing musical works later. His early work with tape loops and other repeating sounds was the obvious precursor to the emerging technology of the sequencer, which Tangerine Dream quickly adopted upon its arrival. The first Tangerine Dream album, Electronic Meditation, was a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for. The line-up for the album was Froese, Klaus Schulze, and Conrad Schnitzler. Electronic Meditation was published by Ohr in 1970, and began the period known as the Pink Years (the Ohr logo was a pink ear). But starting with their second album, Alpha Centauri, the group has been a trio or occasionally duo of electronic instruments, commonly augmented by guitar from Froese (or, much later, other musicians as well), and occasionally also other instruments. Of these, drums from Christopher Franke and organ from Steve Schroyder (on Alpha Centauri) or Peter Baumann (on subsequent releases) feature prominently in the band's music during the early 70s. They also started their heavy usage of the Mellotron during this period.

Answer this question "Did they win awards for their music?"
output: using the technology of the time rather than the synthesized music they later became famous for.

input: In January 1945, the Cleveland Rams selected Hirsch in the first round (fifth overall pick) of the 1945 NFL Draft. In May, he announced that he would not sign a contract with the Rams, stating that he intended to return to the University of Wisconsin after his discharge from the military. He ultimately opted not to play in the NFL, instead playing for the Chicago Rockets of the All-America Football Conference (AAFC). Hirsch chose the Rockets because they were coached by Dick Hanley, who had been Hirsch's coach with the El Toro Marines team. Hirsch played three seasons with the Rockets from 1946 to 1948. During those three years, the Rockets compiled a 7-32 record and won only one game in each of the 1947 and 1948 seasons. Hirsch later said the decision to sign with the Rockets was the worst decision he ever made. In a remarkable display of versatility, Hirsch appeared in all 14 games for the Rockets in 1946, contributing 1,445 yards: 384 kickoff return yards and one touchdown; 347 receiving yards and three receiving touchdowns; 235 punt return yards and one touchdown; 226 rushing yards and one rushing touchdown; 156 passing yards and one passing touchdown; and 97 return yards on six interceptions. In September 1947, Hirsch caught a 76-yard touchdown pass for an AAFC record. However, injuries limited Hirsch to five games in 1947. He was described in December 1947 as probably "the highest paid waterboy in pro football." In the fifth game of the 1948 season, Hirsch sustained a fracture on the right side of his skull after being kicked in the head during a game against the Cleveland Browns. Hirsch did not return to action during the 1948 season, totaling 101 receiving yards and 93 rushing yards in five games.

Answer this question "Did he receive any recognition?"
output:
He was described in December 1947 as probably "the highest paid waterboy in pro football."