Q: What is the answer for the question: What is the full name of the singer that Pepe impersonates to try and romance Penelope? from the following article ? In the Paris Zoo, Penelope Pussycat is starving and tries to beg the local zookeeper to give her some of the lions' food but he gently, though firmly, refuses. She then deliberately paints a white stripe on her back, disguising herself as a skunk, so as to be fed. The ploy works, but unfortunately for Penelope, she is discovered by Pepe, who immediately mistakes her for "le petite femme skunk" and pursues her affections. Suddenly however, Pepe remembers his plan of a rendezvous. He sets up a makeshift house, serving Penelope champagne. She escapes Pepe, who (of course,) pursues, believing her to be playing the "lovers' chase", to which he obliges. While looking for Penelope, he (unintentionally) scares off a French Poodle in the process. He later finds Penelope near a corner, and she hits him with a mallet. Pepe recovered from the blow and called her a "Flirt." Pepe follows his "lover" into a tunnel of love, but at the other side, he is smooching and hugging a dumbfounded man, mistaking him for Penelope. Once Pepe realizes he got the wrong person, he angrily declares that the man shall hear from his "second", to which the man (mechanically) replies by joining the French Foreign Legion and saluting before fainting. Penelope climbs a wall, running into Pepe once more, who acts like Maurice Chevalier, singing "Babyface" in an attempt to woo her. When that didn't quite work, he pursues her across Paris and caught her, and then Pepe dances with Penelope in a forceful French Apache dance, but she instinctively bashes him over the head with a club. Pepe was seeing multiple Penelopes in a daze, saying that one may remain, while the rest of them, another day. But, just as the chase was about to resume, the zookeeper then finally catches Pepe, who regretfully waves goodbye to Penelope, and is soon put back in his cage. It may turn out to be a headache for Pepe, but he closes the cartoon saying with a simple, "Vive l'amour."
A: Maurice Chevalier
Question: What is the answer for the question: What is the full name of the person who is approached by someone's relatives outside the police station? from the following article ? The film centers around Carolyn, a five-year-old black girl who falls into an abandoned, overgrown well while picking flowers on her way to school one morning. Her parents seek assistance from Sheriff Ben Kellogg to help find her. Carolyn's disappearance causes anger and confusion in the community, and various rumors quickly spread amongst the white and black populations when a white stranger, Claude Packard, is arrested on suspicion of it. Packard, a mining engineer, is in town visiting his uncle, Sam Packard, a well-known local businessman, who attempts to use his influence to get his nephew out of police custody. This inflames the racial tension further, and when he is approached by Carolyn's relatives outside the police station, he suffers a heart attack, which is reported among the white population as a racial attack. Things quickly get out of hand as various black and white gangs start attacking one another. The Sheriff requests that the mayor order state assistance to put down the potentially serious disturbances and readies voluntary deputies to break up the growing white mob at Sam Packard's warehouse. Before events can spiral completely out of control, Carolyn is found alive in the well but can't be easily extracted. It takes the combined efforts of all the townsfolk, and Claude Packard, to safely rescue her and return her to her family.
Answer: Sam Packard
[Q]: What is the answer for the question: What is the name of the person that completed his apprenticeship with Michael Wolgemut? from the following article ? Albrecht the Elder was 62 or 63 when his panel was painted early in 1490. Barbara's portrait may have been completed soon after, when she would have been around 39. Their son was around 18 and had just completed his apprenticeship with Michael Wolgemut, and would soon leave for Nuremberg to travel as a journeyman painter. The father panel was painted first; for aesthetic reasons Durer may have waited a year or two until his mother looked older.The sitters are presented in three-quarter view before flat, nondescript lacquer-like green backgrounds, which although lushly coloured, are thinly layered. Each has a white ground and light red imprimatura with lead content. The sitter's form and pose echo and in many ways counterbalance each other. Brand Philip draws attention to the similarities of the panels' linear construction, especially the manner in which the folds and lines of their clothing form triangular shapes. The train of Barbara's headdress across her chest corresponds with the opening of Albrecht's fur-lined coat. It was more usual in pendant portraits of this type for the male to be on the left-hand side; the positioning here may be an indication that Durer originally intended his father's panel to stand alone, given that Barbara's was painted some time later.Albrecht the Elder's panel is regarded as the superior of the two works. This may in part be attributed to differing contemporary treatments of male and female portraits; men were allowed more individuality, while female portraits were bound by stereotypes and were not as daring, for example showing evidence of ageing. In either case, the father painting is far more closely detailed, especially in the lining of clothing, which is summary in Barbara's panel, compared to the long seam of her husband's gown. This contrast in detail can also be seen in the treatment of the rosaries, which are given prominence and a glowing red colour in his panel, but are small and relegated in hers.Albrecht the Elder's panel is usually, but not always, thought to...
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[A]: Durer
Question: What is the answer for the question: What city has more than 500 licensed premises? from the following article ? The night-time economy of Manchester has expanded significantly since about 1993, with investment from breweries in bars, public houses and clubs, along with active support from the local authorities. The more than 500 licensed premises in the city centre have a capacity to deal with more than 250,000 visitors, with 110130,000 people visiting on a typical weekend night, making Manchester the most popular city for events at 79 per thousand people. The night-time economy has a value of about 100 million and supports 12,000 jobs.The Madchester scene of the 1980s, from which groups including New Order, The Smiths, The Stone Roses, the Happy Mondays, Inspiral Carpets, 808 State, James and The Charlatans emerged, was based on clubs such as the world-famous The Hacienda. The period was the subject of the film 24 Hour Party People. Many of the big clubs suffered problems with organised crime at that time; Haslam describes one where staff were so completely intimidated that free admission and drinks were demanded (and given) and drugs were openly dealt. Following a series of drug-related violent incidents, The Hacienda closed in 1998. In 1988, Manchester was often referred to as Madchester for its rave scene. Owned by Tony Wilson's Factory Records, it was given the catalogue number FAC51 and official club name, FAC51 The Hacienda. Known for developing many talented 1980s influential acts, it also influenced the graphic design industry via Factory artists such as Peter Saville (PSA), Octavo (8vo), Central Design Station, etc. The memorabilia from this club holds a high value among collectors and fans of these artists and the club. Peter Saville was most notable for his minimalistic influence that still affects contemporary graphic design everywhere.
Answer:
Manchester