Problem: Background: Aimee Semple McPherson (Aimee, in the original French; October 9, 1890 - September 27, 1944), also known as Sister Aimee or simply Sister, was a Canadian-American Pentecostal evangelist and media celebrity in the 1920s and 1930s, famous for founding the Foursquare Church. McPherson has been noted as a pioneer in the use of modern media, because she used radio to draw on the growing appeal of popular entertainment in North America and incorporated other forms into her weekly sermons at Angelus Temple, one of the first megachurches. In her time she was the most publicized Christian evangelist, surpassing Billy Sunday and her other predecessors. She conducted public faith healing demonstrations before large crowds; testimonies conveyed tens of thousands of people healed.
Context: McPherson's ability to draw crowds was also greatly assisted by her apparently successful faith healing presentations. According to Nancy Barr Mavity, an early McPherson biographer, almost by accident, the evangelist discovered when she laid hands on sick or injured persons, they got well. Mavity further wrote, describing the healing power "beyond her conscience [sic] control" and "profoundly troubling" however a phenomenon familiar to the psychiatrist although "none the less [sic] mysterious." During a 1916 revival meeting in Corona, Long Island, New York, a young woman in the advanced stages of rheumatoid arthritis was brought to the altar by friends. McPherson would have preferred to pray with her privately. However, the woman insisted upon immediate prayer. McPherson laid hands on her and prayed. Before the gathered parishioners, the woman walked out of the church without crutches. McPherson's reputation as a faith healer rapidly became known and the sick and injured people came to her by the tens of thousands. The Faith Healing Ministry of Aimee Semple McPherson was extensively written about in the news media and was a large part of her early career legacy. No one has ever been credited by secular witnesses with anywhere near the numbers of faith healings attributed to McPherson, especially during the years 1919 to 1922. Over time, though, she almost withdrew from the faith-healing aspect of her services, since it was overwhelming other areas of her ministry. Scheduled weekly and monthly healing sessions nevertheless remained highly popular with the public until her death in 1944.
Question: What is faith healing ministry?
Answer: the evangelist discovered when she laid hands on sick or injured persons, they got well.

Background: Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry.
Context: In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including El Topo and The Holy Mountain, which at the time had grey legal status. According to festival director Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down. Until 2007, Fando y Lis and Santa Sangre were the only Jodorowsky works available on DVD. Neither El Topo nor The Holy Mountain were available on videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, the website, announced that on 1 May 2007, Anchor Bay released a box set including El Topo, The Holy Mountain, and Fando y Lis. A limited edition of the set includes both the El Topo and The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK PAL DVD editions of El Topo, The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature Fando y Lis (with his 1957 short La cravate a.k.a. Les tetes interverties, included as an extra) and the 1994 feature-length documentary La constellation Jodorowsky. Notably, Fando y Lis and La cravate were digitally restored extensively and remastered in London during late 2006, thus providing the perfect complement to the quality restoration work undertaken on El Topo and The Holy Mountain in the States by Abkco, and ensuring that the presentation of Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored, bootleg copies of both El Topo and The Holy Mountain have been circulated on the Internet and on DVD. In the 1990s and early 2000s, Jodorowsky attempted to make a sequel to El Topo, called at different times The Sons of El Topo and Abel Cain, but could not find investors for the project. In an interview with Premiere Magazine, Jodorowsky said he intended his next project to be a gangster film called King Shot. In an interview with The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make King Shot, and instead would be entering preparations on Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers". In 2010, the Museum of Arts and Design in New York City staged the first American cinema retrospective of Alejandro Jodorowsky entitled Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky. Jodorowsky would attend the retrospective and hold a master class on art as a way of transformation. This retrospective would inspire the museum MOMA PS1 to present the exhibition Alejandro Jodorowsky: The Holy Mountain in 2011.
Question: What made his film more avaliable
Answer:
ABKCO