input: In 1932 the conductor Sir Thomas Beecham had founded the London Philharmonic Orchestra (LPO), which, with the backing of rich supporters, he ran until 1940, when finances dried up in wartime. Beecham left to conduct in Australia and then the US; the orchestra continued without him after reorganising itself as a self-governing body. On Beecham's return to England in September 1944 the LPO welcomed him back, and in October they gave a concert together that drew superlatives from the critics. Over the next months Beecham and the orchestra gave further concerts with considerable success, but the LPO players, now their own employers, declined to give him the unfettered control he had exercised in the 1930s. If he were to become chief conductor again it would be as a paid employee of the orchestra. Beecham responded, "I emphatically refuse to be wagged by any orchestra ... I am going to found one more great orchestra to round off my career." In 1945 he conducted the first concert of Walter Legge's new Philharmonia Orchestra, but was not disposed to accept a salaried position from Legge, his former assistant, any more than from his former players in the LPO. His new orchestra to rival the Philharmonia would, he told Legge, be launched in "the most auspicious circumstances and eclat". In 1946 Beecham reached an agreement with the Royal Philharmonic Society: his new orchestra would replace the LPO at all the Society's concerts. He thus gained the right to name the new ensemble the "Royal Philharmonic Orchestra", an arrangement approved by George VI. Beecham arranged with the Glyndebourne Festival that the RPO should be the resident orchestra at Glyndebourne seasons. He secured backing, including that of record companies in the US as well as Britain, with whom lucrative recording contracts were negotiated. The music critic Lyndon Jenkins writes: Naturally, it quickly became known that he was planning another orchestra, at which the cry "He'll never get the players!" went up just as it had done in 1932. Beecham was unmoved: "I always get the players," he retorted. "Among other considerations, they are so good they refuse to play under anybody but me".

Answer this question "What happened next?"
output: In 1946 Beecham reached an agreement with the Royal Philharmonic Society: his new orchestra would replace the LPO at all the Society's concerts.

Question: Margaret LeAnn Rimes was born in Jackson, Mississippi. She is the only child of Wilbur Rimes and Belinda Butler. The family moved to Garland, Texas when she was six. She was enrolled in vocal and dance classes, and was performing at local talent shows at the age of 5.

In January 2005, Rimes released her seventh studio album, This Woman, her first album of contemporary country music in many years. Although the album received mixed reviews from magazines and critics, it was Rimes's best-selling album in over five years, reaching No. 3 on the Billboard 200 and No. 2 on the Top Country Albums chart in 2005, selling more than 100,000 copies within its first week. Rimes explained to the Chicago Sun-Times that the album helped mature her as a person, "I have 10 years of experience, so it's tough to get anything past me in this business. I've become a very strong woman because of all I've gone through, good and bad." This Woman would eventually be certified "Gold" later in 2005, after selling more than 500,000 units nationwide. The album's singles were Rimes's first Top 10 hits on the Hot Country Songs chart in five years. The three singles released from the album--"Nothin' 'Bout Love Makes Sense", "Probably Wouldn't Be This Way", and "Something's Gotta Give"--all peaked within the Top 5 on the country charts between 2005 and 2006. From the album, Rimes was nominated for a Grammy award for Best Female Country Vocal Performance for "Something's Gotta Give". In addition, she was also nominated for an American Music Award for "Favorite Female Country Artist." In 2006, Rimes recorded a cover version of Barbara Mandrell's "If Loving You Is Wrong (I Don't Want to Be Right)", for a tribute album to Mandrell's career titled, She Was Country When Country Wasn't Cool: A Tribute to Barbara Mandrell. Rimes also would record a track for Disneyland's 50th anniversary celebration album titled, "Remember When." In summer 2006, Rimes released the studio album Whatever We Wanna, which was released exclusively outside of the United States and Canada. It was originally planned on being released in North America, however due to the success of This Woman, it was never released. The album spawned three singles, "And It Feels Like", a duet with Brian McFadden titled, "Everybody's Someone" and "Strong". The album leaned more towards Pop Rock and R&B music instead of country. Rimes would release one final single in the US from her album This Woman in August 2006 called "Some People" which would peak at 34 on the US country charts.

Using a quote from the above article, answer the following question: How were the reviews from the critics about this album?
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Answer:
the album received mixed reviews from magazines and critics,