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A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.

Are there any examples of that

Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche.

Answer the question at the end by quoting:

Beckham was born at Whipps Cross University Hospital in Leytonstone, London, England. He is the son of Sandra Georgina (nee West; b. 1949), a hairdresser, and David Edward Alan "Ted" Beckham (b. Edmonton, London, July-September 1948), a kitchen fitter, who married at the London Borough of Hackney in 1969. He has an older sister, Lynne Georgina, and a younger sister, Joanne Louise. He regularly played football in Ridgeway Park, Chingford, as a child, and attended Chase Lane Primary School and Chingford County High School.
In November 2009, after the end of 2009 MLS season, it was confirmed that Beckham would return to Milan for a second loan period beginning in January 2010. On 6 January 2010, Beckham made a winning return in a Milan shirt, playing 75 minutes of a 5-2 victory over Genoa. On 16 February 2010, Beckham played against Manchester United for the first time since he left the club in 2003. He played 76 minutes of the match at the San Siro - which ended 3-2 to Manchester United - before being substituted for Clarence Seedorf. Beckham returned to Old Trafford for the second leg of the tie on 10 March 2010; he did not start the match, but was brought on for Ignazio Abate in the 64th minute to a positive reception from the Manchester United fans. The score was 3-0 for United at that point and the tie was all but decided. The match was the first time Beckham had played against Manchester United at Old Trafford and saw him create several scoring opportunities via crosses and corner kicks, but Manchester United dominated Milan and beat them 4-0, winning the tie 7-2. Following the final whistle, he aroused a bit of controversy by draping the green-and-gold scarf around his neck that was given to him by the Manchester United supporters protesting against club owner Malcolm Glazer. As the fan protests against Glazer by the people gathered around Manchester United Supporters' Trust gained steam in 2010, the green-and-gold scarf had come to be seen as an anti-Glazer symbol, and by extension many saw Beckham's decision to publicly put it on as gesture of support. When asked about it later, however, Beckham responded that protests are not his business. In Milan's next game, against Chievo, Beckham suffered a torn left Achilles tendon, causing him to miss the World Cup as well as the MLS season due to the injury, which took him out of action for the next five months. Doctor Sakari Orava performed surgery on Beckham's tendon in Turku, Finland, on 15 March 2010. After the operation, Orava affirmed that, "it went quite fine. The prognosis is he needs a rehabilitation for the next few months, and the plaster cast is the next six to eight weeks. I would say that [it will be] maybe four months before he's running, but six months before he's jumping and kicking."

Did they win the game?
He played 76 minutes of the match at the San Siro - which ended 3-2 to Manchester United - before being substituted for Clarence Seedorf.