input: From March to August 2008, and from January to April 2009, Three Days Grace recorded their third album at The Warehouse Studio in Vancouver, British Columbia, and in Los Angeles, again with producer Howard Benson who had worked with them on their previous releases. The album, entitled Life Starts Now, was released on September 22, 2009. Critics as well as band members have noted the album's departure from the angry tone of the band's previous releases into a lyrical style that is perceived as more optimistic. This album reflects the maturity of the band members as they overcome problems such as sickness and death within their families in which they stated, "We had to be inspired by it, but the outcome is this: It's a new beginning. It's life starting over." According to guitarist Barry Stock, the album's theme centres around "a new sense of freshness" and the idea that "you don't have to be stuck in whatever it is you're dealing with. Whether it's good or bad, it's your choice to make a change". Life Starts Now debuted at number three on the Billboard 200, Three Days Grace's highest chart position to date, and sold 79,000 copies in its first week. The album was met with mostly positive reviews. Ben Rayner of the Toronto Star gave the album a negative review, saying it possesses "no sound of its own, just a shallow range between Linkin Park and Nickelback". According to Allmusic reviewer James Christopher Monger, who gave the album three out of five stars, Life Starts Now "...continues the theme of One-X, Gontier's personal demons, but with a 'hint of sunlight'." He complimented the album, saying it "...treats the well-worn metal themes of anger, isolation, heartache, and redemption with the kind of begrudging respect they deserve, pumping out a competent flurry of fist-bump anthems and world-weary, mid-tempo rockers". The first single release from the album, "Break", was released on September 1, 2009. In support of the album, Three Days Grace embarked on a 20 date Canadian tour lasting through November and December 2009. They co-headlined a January-February 2010 tour of the U.S. with Breaking Benjamin and Flyleaf. Life Starts Now was nominated for "Best Rock Album" at the 2010 Juno Awards, but lost to Billy Talent III. Three Days Grace went on tour with Nickelback and Buckcherry on the "Dark Horse Fall 2010 Tour". They toured with My Darkest Days starting in March 2011.

Answer this question "Who contributed to the music?"
output: Three Days Grace recorded their third album at The Warehouse Studio in Vancouver, British Columbia, and in Los Angeles, again with producer Howard Benson

input: Attention in recent decades to women of the medieval Church has led to a great deal of popular interest in Hildegard's music. In addition to the Ordo Virtutum, sixty-nine musical compositions, each with its own original poetic text, survive, and at least four other texts are known, though their musical notation has been lost. This is one of the largest repertoires among medieval composers. One of her better known works, Ordo Virtutum (Play of the Virtues), is a morality play. It is uncertain when some of Hildegard's compositions were composed, though the Ordo Virtutum is thought to have been composed as early as 1151. The morality play consists of monophonic melodies for the Anima (human soul) and 16 Virtues. There is also one speaking part for the Devil. Scholars assert that the role of the Devil would have been played by Volmar, while Hildegard's nuns would have played the parts of Anima and the Virtues. In addition to the Ordo Virtutum, Hildegard composed many liturgical songs that were collected into a cycle called the Symphonia armoniae celestium revelationum. The songs from the Symphonia are set to Hildegard's own text and range from antiphons, hymns, and sequences, to responsories. Her music is described as monophonic, that is, consisting of exactly one melodic line. Its style is characterized by soaring melodies that can push the boundaries of the more staid ranges of traditional Gregorian chant. Though Hildegard's music is often thought to stand outside the normal practices of monophonic monastic chant, current researchers are also exploring ways in which it may be viewed in comparison with her contemporaries, such as Hermannus Contractus. Another feature of Hildegard's music that both reflects twelfth-century evolutions of chant and pushes those evolutions further is that it is highly melismatic, often with recurrent melodic units. Scholars such as Margot Fassler, Marianne Richert Pfau, and Beverly Lomer also note the intimate relationship between music and text in Hildegard's compositions, whose rhetorical features are often more distinct than is common in twelfth-century chant. As with all medieval chant notation, Hildegard's music lacks any indication of tempo or rhythm; the surviving manuscripts employ late German style notation, which uses very ornamental neumes. The reverence for the Virgin Mary reflected in music shows how deeply influenced and inspired Hildegard of Bingen and her community were by the Virgin Mary and the saints. The definition of viriditas or "greenness" is an earthly expression of the heavenly in an integrity that overcomes dualisms. This greenness or power of life appears frequently in Hildegard's works. Despite Hildegard's self-professed view that her compositions have as object the praise of God, one scholar has asserted that Hildegard made a close association between music and the female body in her musical compositions. According to him, the poetry and music of Hildegard's Symphonia would therefore be concerned with the anatomy of female desire thus described as Sapphonic, or pertaining to Sappho, connecting her to a history of female rhetoricians.

Answer this question "What style of music he made?"
output: sixty-nine musical compositions, each with its own original poetic text, survive, and at least four other texts are known, though their musical notation has been lost.

input: King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events, a "career Grand Slam." King also won a career Grand Slam in mixed doubles. In women's doubles, only the Australian Open eluded her. King won a record 20 career titles at Wimbledon - six in singles, 10 in women's doubles, and four in mixed doubles. King played 51 Grand Slam singles events from 1959 through 1983, reaching at least the semifinals in 27 and at least the quarterfinals in 40 of her attempts. King was the runner-up in six Grand Slam singles events. An indicator of King's mental toughness in Grand Slam singles tournaments was her 11-2 career record in deuce third sets, i.e., third sets that were tied 5-5 before being resolved. King won 129 singles titles, 78 of which were WTA titles, and her career prize money totaled US$1,966,487. In Federation Cup finals, King was on the winning United States team seven times, in 1963, 1966, 1967, and 1976 through 1979. Her career win-loss record was 52-4. She won the last 30 matches she played, including 15 straight wins in both singles and doubles. In Wightman Cup competition, King's career win-loss record was 22-4, winning her last nine matches. The United States won the cup ten of the 11 years that King participated. In singles, King was 6-1 against Ann Haydon-Jones, 4-0 against Virginia Wade, and 1-1 against Christine Truman Janes.

Answer this question "What does Billie Jean King do?"
output:
tennis