Problem: The following article contains an answer for the question: What are the names of the three concertos written by Nielsen? , can you please find it? Nielsen wrote three concertos: the Violin Concerto, Op. 33 is a middle-period work, from 1911, which lies within the tradition of European classicism, whereas the Flute Concerto (without opus number) of 1926 and the Clarinet Concerto, Op. 57 which followed in 1928 are late works, influenced by the modernism of the 1920s and, according to the Danish musicologist Herbert Rosenberg, the product of "an extremely experienced composer who knows how to avoid inessentials." Unlike Nielsen's later works, the Violin Concerto has a distinct, melody-oriented neo-classical structure. The Flute Concerto, in two movements, was written for the flautist Holger Gilbert-Jespersen, a member of the Copenhagen Wind Quintet which had premiered Nielsen's Wind Quintet (1922). In contrast to the rather traditional style of the Violin Concerto, it reflects the modernistic trends of the period. The first movement, for example, switches between D minor, E-flat minor and F major before the flute comes to the fore with a cantabile theme in E major. The Clarinet Concerto was also written for a member of the Copenhagen Wind Quintet, Aage Oxenvad. Nielsen stretches the capacities of instrument and player to the utmost; the concerto has just one continuous movement and contains a struggle between the soloist and the orchestra and between the two principal competing keys, F major and E major.The wind concertos present many examples of what Nielsen called objektivering ("objectification"). By this term he meant giving instrumentalists freedom of interpretation and performance within the bounds set out by the score.

A: the Clarinet Concerto, Op. 57
Problem: Given the question: The following article contains an answer for the question: What is the last name of the person who learned basic English and talked in what his friends called "Kerteszian?" , can you please find it? Toward the end of 1961, Kertesz broke his contract to Conde Nast Publishing after a minor dispute, and started doing his own work again. This later period of his life is often referred to as the "International period", when he gained worldwide recognition and his photos were exhibited in many countries. In 1962 his work was exhibited in Venice; in 1963, he was one of the invited artists of the IV Mostra Biennale Internazionale della Fotografia there and he was awarded a gold medal for his dedication to the photographic industry. Later in 1963, his work was shown in Paris at the Bibliotheque nationale de France. He later visited Argentina to see his younger brother Jeno for the first time in years. Kertesz experimented with color photographs, but only produced a few. In 1964, soon after John Szarkowski became the photography director at the Museum of Modern Art, he featured Kertesz in a solo show. With his work critically acclaimed, Kertesz gained recognition in the photographic world as an important artist. The work of Kertesz was featured in numerous exhibitions throughout the world in his later life, even into his early nineties. Due to his newfound success, in 1965 Kertesz was appointed as a member of the American Society of Media Photographers. His awards rapidly accumulated: 1974, Guggenheim Fellowship; 1974, Commander of the French Ordre des Arts et des Lettres; 1977, Mayor's Award of Honor for Arts and Culture in New York, 1980 the Medal of the City of Paris, and the first Annual Award of the Association of International Photography Art Dealers in New York; and 1981, honorary Doctorate of Fine Arts from Bard College, and the New York Mayor's Award of Honor for Arts and Culture that year.During this period, Kertesz produced a number of new books. He was able to recover some of the negatives he had left in France decades before. Despite his successes, Kertesz still felt unrecognised as a photographer. His last years were spent travelling to various locations around the globe for his exhibitions,...
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The answer is:
Kertesz
[Q]: The following article contains an answer for the question: What is the first name of the person whose brother is burned alive during a drug deal gone wrong? , can you please find it? Lyon Gaultier is a paratrooper in the French Foreign Legion, stationed in Djibouti, North Africa. His brother, who is married to an American woman in Los Angeles, is burned alive during a drug deal gone wrong and suffers third-degree burns, dying shortly afterward. Lyon deserts his legion when he finds out they have been withholding letters from his brother's wife and ultimately refuse to let him see his dying brother. He steals a jeep and escapes through the desert, finding work on a tramp steamer headed for the U.S. Meanwhile, the Legion Commandant travels to Paris, arriving at the government Consulate, where he is told that Lyon's desertion is ranked at low importance with the LAPD, so the Commandant suggests sending two of his own men to bring Gaultier back, which is approved. Lyon arrives pennyless in New York City and is attracted to an illegal street fighting match that is being run by a New Yorker called Joshua, a man who runs fights for money. Gaultier steps forward to take part in the next fight and destroys his opponent, leaving Joshua looking astounded at what he just saw. Joshua takes Lyon to meet a person called Cynthia, also known as 'The Lady' who organizes underground fights for the rich elite and she decides to sponsor him. Figuring that this would be the best way to earn the money he needs to get to L.A., Lyon fights in a no-holds-barred bare-knuckle fights to finance the trip. Once in L.A. Lyon goes to the hospital where his brother was taken. He learns that he cannot avenge his brother's murder, as he failed to identify his killers before dying. Grief-stricken, Lyon asks the help of Joshua who tracks down his brother's widow's address. However she refuses to accept any financial aid from him, even though she obviously needs it, because she is angry with Lyon for "deserting" his brother years ago. She threatens to call the cops and Lyon has no choice but to leave.
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[A]:
Lyon