[Q]: A friend asked me to answer this question: What is the first name of the person who had turned down Waters' offer of a role on the development of his new solo album?, using the article: In Waters' absence, Gilmour had been recruiting musicians for a new project. Months previously, keyboardist Jon Carin had jammed with Gilmour at his Hookend studio, where he composed the chord progression that became "Learning to Fly", and so was invited onto the team. Gilmour invited Bob Ezrin (co-producer of 1979's The Wall) to help consolidate their material; Ezrin had turned down Waters' offer of a role on the development of his new solo album, Radio K.A.O.S., saying it was "far easier for Dave and I to do our version of a Floyd record". Ezrin arrived in England in mid-1986 for what Gilmour later described as "mucking about with a lot of demos".At this stage, there was no commitment to a new Pink Floyd release, and Gilmour maintained that the material might become his third solo album. CBS representative Stephen Ralbovsky hoped for a new Pink Floyd album, but in a meeting in November 1986, told Gilmour and Ezrin that the music "doesn't sound a fucking thing like Pink Floyd". Gilmour later said that the new project was difficult without Waters. He experimented with songwriters such as Eric Stewart and Roger McGough, but eventually settled on Anthony Moore, who was credited as co-writer of "Learning to Fly" and "On the Turning Away". Whereas many prior Pink Floyd albums are concept albums, Gilmour settled for the more conventional approach of a collection of songs without a thematic link. By the end of that year, he had decided to make the material into a Pink Floyd project., what would be the answer ?
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[A]: Bob
input: Please answer the following: A friend asked me to answer this question: What are the full names of the people who have to convince someone's mother and uncle that they want to be together and get married?, using the article: Steve Hall is a young sprintcar driver from Toowoomba who has returned home to Sydney to team up with his dad Ted and his business partner Tomas in their towing and panel beating business "T&T Towing", as well as to team up with his dad who is also a Sprintcar driver at the local speedway. He arrives to find his dad has mysteriously disappeared and Tomas is being pressured to be part of an illegal "chop shop" ring. After continuing to resist joining the ring, Tomas is set-up and painfully discovers (having his arm broken by a tyre iron) the group of car thieves involved in "midnite spares" (the stealing and chopping of cars to send interstate) were responsible for Ted's untimely death. The thieves are headed by bent Police Detective Howard and dodgy businessmen Vincent and Sidebottom. Steve and Tomas' tow truck drivers Wimpy, Rabbit, and their friends pursue the criminals and attempt to capture them, following Tomas' advice to Steve "Don't get angry son, get even." Steve also meets and falls in love with Ruth Mintos and the pair have to convince her old fashioned mother Maria as well as her Uncle Harry that they want to be together and get married. Steve also tries to prove his prowess at the wheel of a sprintcar at Sydney's Parramatta City Raceway against Sydney and Australia's leading drivers including Garry Rush, George Tatnell, Rob Worthington (who also doubled as Steve when racing), Terry Becker, Bob Blacklaw and Steve Brazier., what would be the answer ?
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output: Steve Hall
Please answer this: A friend asked me to answer this question: What is the first name of the person who gained creative impetus from a year spent in Ireland, studying Celtic culture and language?, using the article: Philip Arnold Heseltine (30 October 1894 17 December 1930), known by the pseudonym Peter Warlock, was a British composer and music critic. The Warlock name, which reflects Heseltine's interest in occult practices, was used for all his published musical works. He is best known as a composer of songs and other vocal music; he also achieved notoriety in his lifetime through his unconventional and often scandalous lifestyle. As a schoolboy at Eton College, Heseltine met the British composer Frederick Delius, with whom he formed a close friendship. After a failed student career in Oxford and London, Heseltine turned to musical journalism, while developing interests in folk-song and Elizabethan music. His first serious compositions date from around 1915. Following a period of inactivity, a positive and lasting influence on his work arose from his meeting in 1916 with the Dutch composer Bernard van Dieren; he also gained creative impetus from a year spent in Ireland, studying Celtic culture and language. On his return to England in 1918, Heseltine began composing songs in a distinctive, original style, while building a reputation as a combative and controversial music critic. During 192021 he edited the music magazine The Sackbut. His most prolific period as a composer came in the 1920s, when he was based first in Wales and later at Eynsford in Kent. Through his critical writings, published under his own name, Heseltine made a pioneering contribution to the scholarship of early music. In addition, he produced a full-length biography of Frederick Delius and wrote, edited, or otherwise assisted the production of several other books and pamphlets. Towards the end of his life, Heseltine became depressed by a loss of his creative inspiration. He died in his London flat of coal gas poisoning in 1930, probably by his own hand., what would be the answer ?
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Answer: Philip
Problem: A friend asked me to answer this question: What is the first name of the person whose interest in the driving forces behind human personality reportedly crystallized in the opera Saul and David and the Second Symphony?, using the article: While travelling, Nielsen discovered and then turned against Richard Wagner's music dramas, heard many of Europe's leading orchestras and soloists and sharpened his opinions on both music and the visual arts. Although he revered the music of Bach and Mozart, he remained ambivalent about much 19th-century music. In 1891 he met the composer and pianist Ferruccio Busoni in Leipzig; they were to maintain a correspondence for over thirty years. Shortly after arriving in Paris in early March 1891 Nielsen met the Danish sculptor Anne Marie Brodersen, who was also travelling on a scholarship. They toured Italy together and married in St Mark's English Church, Florence, on 10 May 1891 before returning to Denmark. According to Fanning, their relationship was not only a "love match", but also a "meeting of minds"; Anne Marie was a gifted artist and a "strong-willed and modern-minded woman, determined to forge her own career". This determination would strain the Nielsens' marriage, as Anne Marie would spend months away from home during the 1890s and 1900s, leaving Carl, who was susceptible to opportunities with other ladies, to raise their three young children in addition to composing and fulfilling his duties at the Royal Theatre.Nielsen sublimated his anger and frustration over his marriage in a number of musical works, most notably between 1897 and 1904, a period which he sometimes called his "psychological" period. Fanning writes, "At this time his interest in the driving forces behind human personality crystallized in the opera Saul and David and the Second Symphony (The Four Temperaments) and the cantatas Hymnus amoris and Svnen". Carl suggested divorce in March 1905 and had considered moving to Germany for a fresh start, but despite several extended periods of separation the Nielsens remained married for the remainder of the composer's life.Nielsen had five children, two of them illegitimate. He had already fathered a son, Carl August Nielsen, in January 1888, before he met Anne Marie. In 1912, an illegitimate..., what would be the answer ?

A:
Carl