Q: Generate a question that has the following answer: salaryman (main character) for the following movie plot: Kimihiko Onizuka (Sadao Abe) is a salaryman infatuated with Maiko (apprentice geisha) and whose greatest goal in life is to play a party game called "yakyuken" with one. Upon being transferred to his company's Kyoto branch, he dumps his coworker girlfriend Fujiko Osawa (Kou Shibasaki) and makes his first ever visit to a geisha house. However, when the realization of Kimihiko's lifelong dream is rudely interrupted by a professional baseball star named Kiichiro Naito (Shinichi Tsutsumi), he vows revenge by becoming a pro baseball player himself. Meanwhile, Fujiko decides to become an apprentice geisha. A success war between Kimihiko and Naito ensues where they try to out-do each other by subsequently becoming professional baseball players, K-1 fighters, chefs, actors and even politicians.
A: Who is Kimihiko Onizuka?
Question: Generate a question that has the following answer: In front of their billboard for their movie. for the following movie plot: Don Lockwood (Kelly) is a popular silent film star with humble roots as a singer, dancer and stuntman. Don barely tolerates his vain, shallow leading lady, Lina Lamont (Hagen), though their studio, Monumental Pictures, links them romantically to increase their popularity. Lina herself is convinced they are in love, despite Don's protestations otherwise. At the premiere of his newest film, The Royal Rascal, Don tells the gathered crowd an exaggerated version of his life story, including his motto: "Dignity, always dignity." His words are humorously contradicted by flashbacks alongside his best friend Cosmo Brown (O'Connor). Gene Kelly dancing while singing the title song "Singin' in the Rain" To escape from his fans after the premiere, Don jumps into a passing car driven by Kathy Selden (Reynolds). She drops him off, but not before claiming to be a stage actress and sneering at his "undignified" accomplishments as a movie star. Later, at a party, the head of Don's studio, R.F. Simpson (Millard Mitchell), shows a short demonstration of a talking picture,[a] but his guests are unimpressed. To Don's amusement, Kathy pops out of a mock cake right in front of him, revealing herself to be a chorus girl. Furious at Don's teasing, she throws a real cake at him, only to hit Lina right in the face. She runs away. Don is smitten with her and searches for her for weeks. Lina tells him while filming a love scene that she had Kathy fired. Don finally finds Kathy working in another Monumental Pictures production. She confesses to having been a fan of his all along. After a rival studio has an enormous hit with its first talking picture, The Jazz Singer (1927), R.F. decides he has no choice but to convert the next Lockwood and Lamont film, The Duelling Cavalier, into a talkie. The production is beset with difficulties, but by far the worst is Lina's grating voice and strong New York accent. An exasperated diction coach tries to teach her how to speak properly, but to no avail. The Duelling Cavalier's test screening is a...
Answer: Where do Don and Kathy kiss?
Question: Generate a question that has the following answer: 3 for the following movie plot: Sheltering from a rainstorm in the ruins of the Rashomon gatehouse, a woodcutter (Takashi Shimura) and a priest (Minoru Chiaki) sit dejected. A commoner (Kichijiro Ueda) joins them, and wants to hear the "strange story" they have just heard at a murder enquiry in the courthouse garden. The story has horrified the priest. Even though "year after year, it's been nothing but disasters," he has "never heard a story as horrible as this." The woodcutter is utterly confounded, and hopes the commoner can help him understand it.The woodcutter begins the narration, telling the commoner that three days earlier he had gone "into the mountains to get wood."The woodcutter is walking through the woods, carrying his axe. Sunlight filters through the foliage, dappling everything with a mix of sun and sharp shadows. He sees a woman's hat caught on a bush. Further along, he picks up a samurai's hat and some cut up rope. He sees something small amongst the leaves on the ground, and goes towards it, but does not notice the corpse right in front of him until he trips over it. He screams and, dropping everything (including his axe), runs away. He says, "I ran as fast as I could to tell the police. Then, three days later--today--I was called to testify."The woodcutter is seated in the sunlit courthouse garden, addressing the court, unseen and unheard behind the camera. He testifies that he is the one who found the body. Asked if he saw "a sword or something," he protests emphatically that he found "nothing at all" but the hats, rope, and "a shiny amulet case." And here he lets slip two additional details: the rope was "near the body" and the amulet case had "a red lining."The priest is seated in the courthouse garden. He testifies that he saw the man three days earlier, travelling on the road with a woman on a horse, and armed with a sword and bow and arrows. [There is a brief shot of the samurai passing on the road, turning to smile at his wife.] The priest comments on the fragility of life and offers condolences to someone off...
Answer:
How many stories were falsehoods?