[Q]: Given the following context: Multiple eruptions of silica-rich rhyolite from 40,000 to 600 years ago built the Mono Craters. Black Point, today on the north shore of Mono Lake, is a flattened volcanic cone of basaltic debris that formed under the surface of a much deeper Mono Lake about 13,300 years ago, during the most-recent glacial period. Several eruptive episodes from 1,600 to 270 years before present in Mono Lake formed Negit Island. The magma reservoir feeding the Mono Lake Volcanic Field is unrelated to the Mono Craters magma reservoir.Basaltic andesite lava built the Red Cones, two small cinder cones 6.2 miles (10 km) southwest of Mammoth Lakes, around 8,500 before present. The five Mammoth Mountain Craters are a set of explosion pits that trend west-north-west for 1.6 miles (2.5 km) near the northern flank of Mammoth Mountain.None of the Mono Craters near the lake show the effects of wave erosion, but a hill at the southern end of the field shows what Israel Russell called a "beach line". The present elevation of this beach line is the level of the Mono Lake high stand before the formation of the northern Mono Craters, plus any surface deformation that has happened since that time. Stream-rounded stones are found on the volcanoes, and were lifted up as the volcanoes grew. Although glaciers were present throughout the Sierra Nevada, they did not reach as far down as the Mono Craters. The most recent eruptive episode on the Mono Craters occurred sometime between the years 1325 and 1365. A vertical sheet-like mass of magma, called a dike, caused groundwater to explosively flash to steam, creating a line of vents 4 miles (6 km) long. A mix of ash and pulverized rock, called tephra, covered about 3,000 square miles (8,000 km2) of the Mono Lake region. The tephra were carried by the wind and deposited in a layer 8 inches (20 cm) deep 20 miles (32 km) from the vents and 2 inches (5 cm) deep 50 miles (80 km) away.Pyroclastic flows of hot clouds of gas, ash and pulverized lava erupted from these vents in narrow tongues that extended up... answer the following question: Between what years was the most recent eruptive episode of the craters that show no effect of wave erosion?
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[A]: 1325

input: Please answer the following: Given the following context: Rolling Stone critic Alan di Perna praised Gilmour's guitar work as an integral to Pink Floyd's sound, and described him as the most important guitarist of the 1970s, "the missing link between Hendrix and Van Halen". Rolling Stone ranked Gilmour number 14 in their list of "100 Greatest Guitarists of All Time". In 2006, Gilmour said of his technique: "[My] fingers make a distinctive sound ... [they] aren't very fast, but I think I am instantly recognisable ... The way I play melodies is connected to things like Hank Marvin and the Shadows". Gilmour's ability to use fewer notes than most to express himself without sacrificing strength or beauty drew a favourable comparison to jazz trumpeter Miles Davis.In 2006, Guitar World writer Jimmy Brown described Gilmour's guitar style as "characterised by simple, huge-sounding riffs; gutsy, well-paced solos; and rich, ambient chordal textures." According to Brown, Gilmour's solos on "Money", "Time" and "Comfortably Numb" "cut through the mix like a laser beam through fog." Brown described the "Time" solo as "a masterpiece of phrasing and motivic development ... Gilmour paces himself throughout and builds upon his initial idea by leaping into the upper register with gut-wrenching one-and-one-half-step 'over bends', soulful triplet arpeggios and a typically impeccable bar vibrato." Brown described Gilmour's phrasing as intuitive, singling it out as perhaps his best asset as a lead guitarist. Gilmour explained how he achieved his signature tone: "I usually use a fuzz box, a delay and a bright EQ setting ... [to get] singing sustain ... you need to play loudat or near the feedback threshold. It's just so much more fun to play ... when bent notes slice right through you like a razor blade." answer the following question: What is the name of the person that uses a fuzz box, a delay and a bright EQ setting?
++++++++++
output: Gilmour

Problem: Given the following context: In writing Young Modern, Johns tried to make the music sound very simple, despite a complex musical structure. The lyrics were written after the music was created, sometimes as late as the day of recording. As Johns dreads writing lyrics, he suggested that the band could produce an instrumental album at some stage in the future. Johns is the band's primary songwriter, and notes that while Joannou and Gillies do not have significant influence on what he writes, they are key to the band's overall sound. For that album, Hamilton co-wrote four songs with Johns including the APRA Award-winning "Straight Lines". Joannou believed that Young Modern was simpler than Diorama but "still as complex underneath with simple pop song elements". He said that much of the band's success resulted from trying to push themselves harder in recording and writing. Self-producing has allowed the band to do so without the pressures of a record label.Gillies notes that Silverchair will often "run the risk of losing fans" with their work, and this was evident in the changes in musical direction in Diorama and Young Modern. However, he described this as a good thing, describing the fact "that we haven't been pigeonholed, and people really don't know what to expect" as one of the attractive elements of the band. Despite the ups and downs of success at a young age, Gillies says the band "appreciate what we've achieved and what we've got" in their careers. The band have received six APRA Awards with Johns winning three songwriting awards at the 2008 ceremony. answer the following question: What is the name of the band for which Joannou and Gillies are key to its overall sound?

A:
Silverchair