In one sentence, describe what the following article is about: Establish your main character in the first scene of the script. Open with dialogue that shows the viewer the character. Place the main character in the setting and have them interact or reflect on the setting. Give the viewer a sense of the main character so they can feel immersed in the story. For example, you may open with a scene where your main character goes to work at their job on Mars, showing their daily routine to introduce them to the reader. Or you may open with dialogue of a fight between the main character and their partner, showing their complicated relationship. The conflict can be something the main character wants, but has a difficult time getting due to obstacles or issues. It can also be a conflict between the main character and another character, where neither character can agree or find common ground. The conflict can also come from an outside factor, such as a bad boss, a mean teacher, or a natural disaster. For example, you may focus on a simple conflict like the main character doesn't want to go to school that day. You can then come up with what the main character would do instead if they skipped school, focusing on the weird or strange things they might do. Bring the setting to life by including details that make it unique and visually engaging. Make the setting particular by including certain objects in a room. Decide what the climate or weather is in the setting. Include buildings and structures that add to the world of the story. For example, you may set your script in a carnival that caters to aliens. You may then include rides that blast the rider to another galaxy or carnival foods that aliens might enjoy. Dialogue in your script should always be doing two things: exploring character and building conflict. Avoid dialogue like "Hi, how are you?" or "Nice day today." Write dialogue that cuts to the chase and tells the reader something about the character. For example, you may give one character a catchphrase that they say whenever they feel stressed or surprised, such as Homer Simpson's famous "D'oh!" You can also have one character with a more casual way of speaking and another character with a more formal way of speaking to create contrast. For example, one character may say, "Sup, alien?" and another character may respond, "Hello there, my illustrious alien friend, how lovely to see you."
Summary: Introduce the main character. Include conflict that involves the main character. Keep the setting engaging. Write dialogue that explores character and conflict.

In one sentence, describe what the following article is about: If you haven't already shaved the sides of your hair, you're going to need to do this for a real mohawk. You'll need clippers, the right size guard, and some rubber bands or masking tape. Visualize the strip that will be left behind and what will be shaved. Make sure the strip is wide enough to support the finished style, usually about 2-3 inches in width, centered on your head. If your hair is shorter use tape to mark off where you want the mohawk: put the tape anywhere that you want hair to be left. If your hair is long, try using rubber bands. Use a comb to section off the hair that will make up your mohawk, then rubber band all of it into small ponytails or buns where the clippers can't reach it. Test the guard size to make sure it's the right length, then adjust if it's too long. Start shaving against the grain, starting with the front and moving to the back of your head. Shaving the front will be easy because you can see it as you shave, but for the back you'll either need help, or a mirror positioned behind you. No one likes itchy hairs all over, and washing will give you a chance to get rid of any hairs that are still clinging to your scalp. Once you're done, return to the mirror and check to see that your cuts are straight and everything looks good. Blow dry again, then get ready to style. Pick up a section in the middle of your head with your non-dominant hand. Keep holding the section and don't move. Spray deep into the roots and throughout the top. Don't be worried about using too much product: your hair will feel wet and sticky, but you're going to blow dry it soon. The bottom of your hair is going to hold the weight, so you want it to be extra stiff. You're already holding the hair with your non-dominant hand, so set down the hair spray and pick up the blow dryer with your dominant hand. While keeping your hair held tight, blow dry until you feel the hair becoming stiff. Let go after 30-45 seconds. Move towards the back of your head and pick up the section of hair directly behind of the one standing up. Hold it with your non-dominant hand again, and make sure it lines up with the section in front of it. Hair spray it, again paying special attention to the roots of your hair. Using the same technique as the last section of hair, blow dry the section of hair again. As it firms up, use your free hand to adjust the two sections to meet: you don't want any gaps in your mohawk. Use the same technique again for the final sections of your mohawk: lifting, spraying and then blow drying. But while you can see the front in the mirror, the back is a little trickier to manage. Position a mirror behind you, or take frequent breaks as you're styling to check out the hawk from the side. Use the same technique for each section of hair: lift, spray and blow dry. Don't change your technique for any of the sections, even if your hands get tired from so much lifting. Take a break if you feel your arms getting fatigued. When you're finished, check the mohawk out from both sides and make any adjustments that you need to. If there are big gaps or open holes in your hair, carefully close the sections together, apply more hairspray, and blow dry again. Repeat for any remaining gaps. Use some gel to solidify and connect the outside edge of your mohawk if you want.
Summary: Cut or trim your hair first. Map out your hair. Clip the exposed sides. Wash up. Lift the first section. Spray the first section. Blow dry the section. Lift and spray the next section. Blow dry the section. Work towards the back. Finish all remaining sections. Touch up the mohawk.

In one sentence, describe what the following article is about: Before you begin the process of haltering your horse, you'll need to prepare the halter. If your horse is acting up, it can be hard to prepare the halter in the moment. Unbuckle or unsnap the crown piece. This is the strap of the halter that goes behind the horse's ears. It should have a buckle or snap somewhere on it. Have your halter clipped to your lead line ahead of time. You want to be able to halter your horse and immediately lead him where he needs to go. You clip the lead line onto a ring at the bottom of the noseband. The noseband is the portion of a halter that slips around a horse's nose. Call your horse as you approach him. This helps alert your horse to your presence. This way, he's less likely to get spooked by your approach. Call out his name or call out something like, "I'm coming in!" to let him know you're entering his pasture or stall. Make sure you have your halter in your left hand as you approach. You will be haltering the horse from the left side. You want to make sure your horse knows what's happening. If you try to deceive the horse by hiding the halter, he'll learn to be distrustful of your intent. This can lead to a bad relationship between you and the horse. When haltering a horse, you should always approach from the left side. Halters are designed to be buckled on the left. You should approach your horse so you're standing near his head on the left side of his body. You do not want to put the halter on instantly. This can startle your horse. When you are a foot or so away from your horse's head, allow him to sniff your hand. This way, your horse will also familiarize himself with your scent. He'll be able to differentiate your smell from the smell of potential predators in other situations down the road. A nervous horse may benefit from having treats as a reward for staying calm.
Summary:
Prepare your halter. Call the horse. Approach with the halter in your left hand. Walk slowly to the horse's left side. Allow your horse to sniff your hand.