input: Please answer the following: Question: What does the film document? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Not Quite Hollywood: The Wild, Untold Story of Ozploitation! Context: Not Quite Hollywood documents the revival of Australian cinema during the Australian New Wave of the 1970s and '80s through B-movies including Alvin Purple, Barry McKenzie Holds His Own, Dead-End Drive In, Long Weekend, Mad Max, The Man from Hong Kong, Patrick, Razorback, Road Games, Stork and Turkey Shoot. From 1971 through to the late 1980s, Australian directors began to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over.[1] "Ozploitation"writer-director Mark Hartley's own portmanteau of "Australian exploitation"was a subgenre of the New Wave which accounted for the critically panned "gross-out comedies, sex romps, action and road movies, teen films, westerns, thrillers and horror films" of the era, commonly overlooked in Australia's "official film history".[2] The film addresses three main categories of "Ozploitation" films: sex, horror and action.[3]
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output: the revival of Australian cinema during the Australian New Wave of the 1970s and '80s

input: Please answer the following: Question: What country will the film about Columbus be shot in? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Even the Rain Context: Sebastian (Gael Garcia Bernal) and Costa (Luis Tosar), both in their mid thirties, are life long friends only in the way a warring couple might be. Sebastian is an obsessive idealist who has sworn to his inner self that he will direct a film about one of the worlds most iconic figures, Christopher Columbus (Karra Elejalde). Not for him the hypocritical lies of a genius sailor on a divine mission to win souls for Christ. He is determined to upturn the entire conservative myth of Western Civilization's arrival in the Americas as a force for good. Rather, his story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those Indians who fought back. His story is counterbalanced by the radical priests Bartolome de las Casas (Raul Arevalo) and Antonio Montestinos (Carlos Santos) who were the first to raise their voice in defence of the Indians, and ask the question, Are these men? Sebastian is also obsessed by the first Indian leader to resist - Hatuey (Carlos Aduviri), who was nailed to a cross and crucified as example to those who oppose the Christians. The talented and brilliant actor playing Columbus constantly challenges Sebastian and accuses him of agit prop and cheap manipulation. Costa doesn't give a shit. He cares little about what happened yesterday, never mind 500 years ago. The only thing that matters to him is his professional pride as a producer - that the film is made on time and within budget. Costa has come up with an insane idea, but the only way to get a difficult film made within the limitations of their modest budget. Despite Sebastian's fury, they will shoot in Bolivia, the cheapest and most Indian of Latin American countries.As the shoot progresses in and around the city of Cochabamba, so too does civil and political unrest simmer below the surface as the entire water supply of the city is privatized and sold to a British and American multinational. As Sebastian and Costa struggle with their film the violence in the...
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output: Bolivia

input: Please answer the following: Question: What does Daniel do with Jean's keys after hearing her complaint? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Crash Context: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (July 2016) (Learn how and when to remove this template message) Today The film begins with commentary by passenger Detective Graham Waters (Don Cheadle) having suffered a car accident with his partner Ria (Jennifer Esposito). He mentions that the citizens of Los Angeles have lost their "sense of touch." Ria and the driver of the other car, Kim Lee, exchange racially charged insults. When Waters exits the car, he arrives at a police investigation crime scene concerning the discovery of "a dead kid." Yesterday While purchasing a revolver at a gun store, Farhad (Shaun Toub), a Persian shop owner, and his daughter Dorri (Bahar Soomekh), argue in Persian over what box of bullets they should buy. The gun store owner grows impatient and degrades the two of them by referring to Farhad as "Osama". Farhad clarifies that he is an American citizen but the store owner continues exchanging racially stereotypical insults at Farhad and has the security guard escort him out of the store. Dorri demands the store owner to give her the gun or give her back the money. After the store owner gives the gun to Dorri, she asks for "the ones in the red box". The store owner asks why, but Dorri does not answer and insists on buying that particular box. In another part of town, two black men, Anthony (Ludacris) and Peter (Larenz Tate), argue over racial stereotyping of African Americans after Jean Cabot (Sandra Bullock), the wife of the local district attorney Rick Cabot (Brendan Fraser), walks in another direction whilst fearfully staring at them. Anthony and Peter carjack the married couple as they are about to enter their Lincoln Navigator. Later, at the Cabot house, Hispanic locksmith Daniel Ruiz (Michael Pena) is changing their locks when Jean notices his tattoos. She loudly complains to Rick about having been carjacked and now having to endure a Hispanic man changing their locks,...
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output:
Daniel leaves the keys on Jean's kitchen counter.