Question:
Linda Maria Ronstadt was born in 1946 in Tucson, Arizona, daughter to Gilbert Ronstadt (1911-1995), a prosperous machinery merchant who ran the F. Ronstadt Co., and Ruth Mary (Copeman) Ronstadt (1914-1982), a homemaker. Ronstadt was raised on the family's 10-acre (4 ha) ranch with her siblings Peter (who served as Tucson's Chief of Police for 10 years, 1981-1991), Michael J., and Gretchen (Suzy). The family was featured in Family Circle magazine in 1953. Linda's father came from a pioneering Arizona ranching family and was of German, English, and Mexican ancestry.
Ronstadt's early family life was filled with music and tradition, which influenced the stylistic and musical choices she later made in her career. Growing up, she listened to many types of music, including Mexican music, which was sung by her entire family and was a staple in her childhood. Ronstadt has remarked that everything she has recorded on her own records - rock 'n' roll, jazz, rhythm and blues, gospel, opera, country, choral, and mariachi - is all music she heard her family sing in their living room, or heard played on the radio, by the age of 10. She credits her mother for her appreciation of Gilbert and Sullivan and her father for introducing her to the traditional pop and Great American Songbook repertoire that she would, in turn, help reintroduce to an entire generation. Early on, her singing style had been influenced by singers such as Lola Beltran and Edith Piaf; she has called their singing and rhythms "more like Greek music ... It's sort of like 6/8 time signature ... very hard driving and very intense." She also drew influence from country singer Hank Williams. She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league. That's it. Period. I learn more ... about singing rock n roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays. ... She's the greatest chick singer ever." She admires Callas for her musicianship and her attempts to push 20th-century singing, particularly opera, back into the bel canto "natural style of singing". A self-described product of American radio of the 1950s and 1960s, Ronstadt is a fan of its eclectic and diverse music programming.
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did she influence anyone else?

Answer:
She has said that "all girl singers" eventually "have to curtsy to Ella Fitzgerald and Billie Holiday". Of Maria Callas, Ronstadt says, "There's no one in her league.

Question:
Raven was born in Lorenskog, Norway; her father is a teacher. She has an older brother and two younger sisters. Her surname is of Norse origin, with Ravn meaning Raven, which she adopted as her stage name Marion Raven as well as her trademark raven logo. Raven enjoyed singing from a young age, sometimes writing lyrics for the songs she sang.
In early 2006, it was announced that Raven quit her contract with Atlantic Records due to "artistic differences". Raven later confirmed that she was now signed to indie label Eleven Seven Music, which was created by her management 10th Street Entertainment. Raven later performed a duet with rock musician Meat Loaf on a version of the song "It's All Coming Back to Me Now", released as the lead single from Loaf's tenth studio album Bat Out of Hell III: The Monster Is Loose in October 2006. The track peaked at No. 1 in Norway and reached the top ten in Germany and the United Kingdom. Raven later joined Loaf on an extensive tour through Canada and Europe in February 2007. In 2007 she also recorded the theme song for the US dub of W.I.T.C.H., a Jetix animated series based on the same name comic. Raven later confirmed that her new album would contain new and old tracks from her Norwegian debut as well as re-recorded tracks such as "Heads Will Roll", which received the help of American musician Nikki Sixx and was released as an EP in October 2006. Prior to the release of Raven's album Set Me Free in March 2007, she toured around The Netherlands, Germany and the United Kingdom to help promote it. Raven later embarked on another promotional tour across the UK and performed in British schools. Later between later July and August, she became a supporting act on American singer-songwriter Pink's I'm Not Dead Tour in Germany. The album was later released in June 2007 and sprawled two singles; "Falling Away" and a re-release of her previous single "Break You" from her Norwegian debut album.
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What is "Set Me Free"?

Answer:
Raven's album Set Me Free

Question:
Cronin was born in Excelsior District of San Francisco, California. The 1906 San Francisco earthquake had cost his Irish Catholic parents almost all of their possessions. Cronin attended Sacred Heart High School. He played several sports as a child and he won a city tennis championship for his age group when he was 14.
At the end of the 1947 season, Cronin succeeded Eddie Collins as general manager of the Red Sox and held the post for over 11 years, through mid-January 1959. The Red Sox challenged for the AL pennant in 1948-49 (finishing second by a single game both seasons) thanks to Cronin's aggressive trades. In his first off-season, he acquired shortstop Vern Stephens and pitchers Ellis Kinder and Jack Kramer from the St. Louis Browns; all played major roles in Boston's contending 1948 season, and Kinder and Stephens were centerpieces of the Red Sox' 1949-50 contenders as well. But the Red Sox began a slow decline during the 1950s and did not seriously contend after 1950. With the exception of Ted Williams (who missed most of the 1952-53 seasons while serving in the Korean War), the 1946-50 core of the team aged quickly and the Red Sox faced a significant rebuilding job starting in 1952. Cronin's acquisition of future American League Most Valuable Player Jackie Jensen from Washington in 1954 represented a coup, but the club misfired on several "bonus babies" who never lived up to their potential. Most attention has been focused on Cronin and Yawkey's refusal to integrate the Red Sox roster; by January 1959, when Cronin's GM term ended, the Red Sox were the only team in the big leagues without an African-American or Afro-Caribbean player. Notably, Cronin once passed on signing a young Willie Mays and never traded for an African-American player. The Red Sox did not break the baseball color line until six months after Cronin's departure for the AL presidency, when they promoted Pumpsie Green, a utility infielder, from their Triple-A affiliate, the Minneapolis Millers, in July 1959.
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What year did he become the general manager for the Red Sox?

Answer:
At the end of the 1947 season, Cronin succeeded Eddie Collins as general manager of the Red Sox