Problem: Article: Look on the website to see what the directors are looking for from the audition. When auditioning for a theater company, make sure you know some background information (past shows, date established, awards won, etc.) on the company. The casting people will be pleased to hear something different than "Not much" if they ask you what you know about the company. Some things to look for include: Overview of the show/event: If you can, learn as much about the play, commercial or scene as possible. Being able to talk convincingly about why you want the part will help you get the part. The Director/Casting Agent: You're not going to get details on their personal life, but learn about their requirements and expectation of you. You need to know what the director or casting agent expects from you and give them more then they expect from you. Your Role Are you supposed to be funny? Dark and serious? Oftentimes this is said up front, but you may need to do some character research, especially if it is a play or event that's already been shown. The Logistics: When are you needed for practice or performances? Nothing hurts your reputation like earning a role, but turning it down because you can't actually play the part. Know that, in the room, it is okay to check your notes every now and then, but you'll always be more convincing if you have the words mostly memorized. This lets you focus more on acting and less on reading. If the audition requires you to memorize a monolog, make sure you have it completely memorized and are ready to act it out. If the part has multiple characters, get a few friends to practice with you. While you could just practice your lines, having someone to help with timing and reactions will make you stronger. Don't just read the lines blindly -- pick a way to read the lines (cold, happy, funny, depressed, professional, etc.) that fits the character and practice reading the script in this tone. All good monologues have movement -- meaning the character is in a different place emotionally than when they finish than when they started talking. If you can practice this transition the role is yours. A cold read is when the crew give you a piece to audition that you've never read and has you perform it on the spot. Cold reads are tricky, but just remember that everyone starts from scratch, too. The best way to nail a cold read is to practice -- grab a book of monologues, pick one at random, and just start acting. You can even practice with magazine or newspaper articles. Focus first on reading each word clearly and calmly. Your first goal is to make sure all the lines get out clearly. When given a cold read, pick a mood or tone and just roll with it. Don't try to get the perfect mood, just trust your guts and commit. before the audition and make sure you eat something in the morning. You don't want to yawn or have your stomach rumble during the audition. If you are singing, avoid dairy, caffeine or anything else that you know will dry out your voice or cause phlegm. If this audition includes singing or speaking it is recommended to stay away from chocolate and dairy products that will make your mouth too moist. Instead, try to drink some warm tea with lemon and honey. Aim to look professional and make a good first impression. A clean buttoned shirt and jeans or a plain dress are good choices. Don't try to make a statement or match the character's clothing -- your goal is to blend into the character before their eyes, and the more unique your clothing, the harder this will be. Some auditions require dance, so wear something comfortable to move in. For shoes, you can wear running shoes or flats. Make sure you're comfortable! Also, if there is dancing, you may want to bring jazz or character shoes. For example, even if you think the character would look better blond/brunette, etc., don't dye your hair or cut it. Many things can be done to "reshape" you later if they think this is necessary. If you'd like, add your willingness to make changes on your written audition paper, but don't do something radical before you've even gotten the part. At best, you'll make it a little easier on the makeup department if you get the part, but at worst you'll present a version of the character that doesn't even match the directors, instantly losing the part. If you are underage, ask your parent or guardian if it's okay for you to make changes should you get the role. Don't just "assume" that your super cool mom will say yes. There is nothing worse than having an angry director because your parents wouldn't let you do the thing you said you would. Read the notice for the audition and make sure to check out any scripts or contracts you're sent fully. If this is your first audition, know that the procedure is pretty simple. You check in when you arrive, and will be called in when it is your turn. There may be one person watching you, there could be five, but they will all be kind and supportive. Depending on the audition, you may be asked to: Deliver your prepared monologue Perform a song of your choosing Cold read a brand new scene or monologue Improvise line with others
Summary: Do your homework on the gig. Run through the materials back and forth, until you can perform the audition without a script or notes. Practice reading monologues from scratch, or "cold reading" to get used to auditioning under pressure. Get a good night's sleep Wear presentable, neutral clothing. Do not change your appearance for an audition. Have an idea what to expect to avoid any surprises.

Problem: Article: This iron supplement should be available from your local pharmacy, clinic, hospital, etc. Add it to the bowl of teabag contents and mix well. Allow the remnants of the tea and tablet to dissolve in the water. Mix until the liquid appears brown in color. You may use a spoon or simply swirl the container or bowl.
Summary: Crush one iron tablet into a fine powder. Add 500 mL/16.9 fl oz of water. Mix well for approximately 3 to 5 minutes.

Problem: Article: Place dried seasonings in a small bowl and stir them with a little bit of oil until they're combined. The seasoning includes flavorful ingredients (like onion and garlic powders) and paprika, which will give the turkey breast a little color as it bakes. For the seasoning, mix together: 1 teaspoon (5 g) of garlic powder 1 teaspoon (4 g) of onion powder 1 teaspoon (2 g) of paprika 2 teaspoons (11 g) of salt 5 grinds of black pepper 1.5 tablespoons (22mL) of olive oil Remove 1 fresh or thawed turkey breast from the package. It should weigh around 4 pounds (1.8kg) and have the skin on. Pat the turkey breast with paper towels until it is dry. Cover the turkey breast with the seasoning rub. Use your hands or a pastry brush to spread it along the sides and top of the turkey. Most turkey breasts will come with the bones, but you can also cook a boneless turkey breast. Cut 1 head of garlic in half horizontally and place it cut-side down in the slow cooker. Take 1 unpeeled garlic and cut it in half as well. Set the onion cut-side down in the slow cooker. Add 5 sprigs of fresh thyme or 2 teaspoons (3 g) of dried thyme. There's no need to chop or mince the fresh thyme. Leaving the springs whole will make it easier to remove them once the turkey has cooked. Lay the seasoned turkey breast directly onto the garlic, onion, and thyme in the bottom of the slow cooker. The garlic and onion should raise the turkey up so that it's not touching the bottom of the slow cooker. Turn the slow cooker on low and cook it for 6 to 7 hours. If your turkey breast weighs more or less than 4 pounds (1.8kg), use these guidelines: 5 hours on low for a 2lb (0.91kg) turkey breast 6 to 7 hours on low for a 4 to 6lb (1.8 to 2.7kg) turkey breast 8 to 9 hours on low for an 8 to 10lb (3.6 to 4.5kg) turkey breast
Summary:
Make the seasoning rub. Dry the turkey and rub it with seasoning. Place the garlic, onion, and thyme in the slow cooker. Cook the turkey breast.