In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

[EX Q]: Passage: While walking by Minnie Mouse's house one day, Mickey Mouse is enticed by the aroma of a cake Minnie is baking. Promised a slice if he cleans the yard, Mickey immediately jumps into raking up the fall leaves littering Minnie's lawn. While working in the yard, a small tornado as tall as Mickey comes along and makes his work more complicated: first the youngster hops into the basket and leaps over Mickey countless times before he pounds the basket in place, shaking it to check if it's snared. After he throws the leaves in, the child pounces on him, spins him around, grabs his hat, and taunts him. Angered, Mickey pounces on the youngster, who spins him around and scoots away, leaving Mickey's hat on his head. Both Mickey and the youngster have a tug'o'war on the basket until it shatters on Mickey, who is entangled. Then, the child makes an army of leaves and marches around the house. Mickey manages to trap the child with a sack, which he ties and punts away. The tornadoling retaliates with just 2 punches, then attempts to get away, with Mickey hot on his heels. As Mickey chases him with a rake the terrified child calls out for help. The mother tornado, unamused with Mickey tormenting her offspring (and unaware of what her child has been doing to Mickey), furiously pursues him with a look of relentlessness on her face. Her angry rampage causes chaos and destruction through the farm fields and grasslands until she lifts the lower portion of her gigantic body and slows Mickey's movement.
When the twister finally sucks Mickey in, he is sent for a spin until he ends up falling into Minnie's water fountain. After the two tornados leave, Minnie, unaware of the whole incident finds her garden in a complete mess causing Mickey to get her cake thrown in his face which he proceeds to eat.
[EX A]: What is the first name of the person who is promised a slice of cake if they clean the yard?

[EX Q]: Passage: When Thriller and "Billie Jean" were searching to reach their market demographic, MTV and cable TV had a smaller market share than the much larger reach of broadcast television stations in the United States. A national broadcast TV audience on ABC, NBC and CBS affiliate stations, as well as major independent TV stations, was desired by CBS/Epic Records to promote Thriller. The national broadcast TV premiere of the Thriller album's first video, "Billie Jean", was during the week of Halloween in October 1984 and was the idea of Video Concert Hall executive producers Charles Henderson and Jerry Crowe. Video Concert Hall, the first nationwide music video TV network, taped the one-hour special in Hollywood and Atlanta, where the TV studios of Video Concert Hall were located. The Thriller TV special was hosted by Thriller video co-star Vincent Price, distributed by Henderson-Crowe Syndications, Inc. and aired in the top 20 TV markets and much of the United States, including TV stations WNEW (New York), WFLD (Chicago), KTTV (Los Angeles), WPLG (Miami), WQTV (Boston) and WXIA (Atlanta), for a total of 150 TV stations.From the moment Thriller was released, it set the standard for the music industry: artists, record labels, producers, marketers and even choreographers. The music video was ahead of its time and it is considered a monumental onenot only in Jackson's career, but also in the history of pop music. Epic Records' approach to creating a song and video that would appeal to the mass market ended up influencing the way that professionals now market and release their songs. John Landis' production of a mini-movie, rather than the usual short music video, would raise the bar for other directors and producers.
[EX A]: What music video was ahead of its time and it is considered a monumental one in the history of pop music?

[EX Q]: Passage: Davis is a successful investment banker at a firm founded and run by his father-in-law Phil. His wife, Julia, is driving them when they are struck by another vehicle, killing Julia. Recovering in the hospital, he attempts to purchase some candy from a vending machine which malfunctions. Davis drafts a complaint to the vending machine manufacturer that includes some venting of his personal experiences. This leads to a series of anonymous conversations with a customer service representative, Karen Moreno, in which they end up sharing details of each other's life burdens. Karen appears to be the only one he talks to, though tells his stories in an understated and unemotional style. He brings this same unemotional process to work, which he has returned to much earlier than anyone expected. Davis does tell one other person, a fellow commuter train rider that he realizes that he didn't love Julia because he doesn't feel "...sad, or pain, or hurt...".
Davis's changing emotional state causes him to behave erratically. He notices that he is being followed by a green station wagon. The only thing Davis seems to connect with is trying to understand what's inside things, using a small toolkit to dismantle his household appliances, his work computer, a bathroom stalleventually telling Phil that he has an urge to dismantle a 120-year-old grandmother clock in Phil's office.
Karen follows Davis, talking with him on his commuter train without revealing her identity. She mistakenly leaves some identification, and Davis is sufficiently moved to track her down at home, where she lives with her boyfriend and boss, Carl, and her 15-year old troublemaker son, Chris. When Carl goes on a long business trip, Davis bunks at her house, where they develop a deep platonic friendship. Chris initially dislikes Davis, but later grows not only to like him but to help Davis cope, while Davis becomes his mentor in return.
[EX A]:
Who is the customer service representative's boss?