Answer the question at the end by quoting:

Nomo was born into the working-class Osaka family of Shizuo, a fisherman and postal worker, and Kayoko, a part-time supermarket employee. As a youth, Nomo was shy and withdrawn, although passionate about baseball. He developed his corkscrew-style pitching motion in order to impress his father while playing catch. He believed that rotating from having his back turned to his target would help him add speed to his pitches.
Nomo began to struggle again in 2004. After undergoing shoulder surgery in October 2003, he was benched after going 4-11 with an 8.25 ERA for the Dodgers (the worst ERA in the history of baseball for a player with at least 15 decisions in a season). Before the start of spring training for 2005, he signed a $800,000 contract with the Tampa Bay Devil Rays. The contract also included a $700,000 incentive that kicked in if Nomo started 20 games. The stipulation was allegedly included because Devil Rays upper management was unsure if Nomo had fully recovered from his injury. After a poor start in which he posted a 7.24 ERA, he was released on July 25. Coincidentally or not, this was two days before he was slated to make his twentieth major league start. On July 27, Nomo was picked up off waivers by the New York Yankees, who signed him to a minor league contract, but never recalled him. Nomo was signed to a minor league contract by the Chicago White Sox during spring training in 2006 to play for the Triple-A Charlotte Knights of the International League, but the White Sox released him on June 7 of that year. In 2007, Nomo signed on with the Leones del Caracas of the Venezuelan Winter League, managed by his former catcher, Carlos Hernandez. His participation in the Venezuelan league was viewed as a first step toward an eventual Major League comeback. He made his debut on October 20, 2007, against Tiburones de La Guaira. Nomo pitched one inning, allowing one hit and no runs. On January 4, 2008, Nomo signed a minor league contract for 2008 with the Kansas City Royals. If added to the roster Nomo would have received a $600,000 one-year contract and the chance to earn $100,000 in performance bonuses. On April 5, his contract was bought by the Royals and was added to the 25-man roster. On April 10, Nomo made his first major league appearance since 2005. He faced the New York Yankees in relief. He was brought in to start the seventh inning of a game while the Yankees were leading 4-1. Nomo loaded the bases, but was able to retire his native countryman, Hideki Matsui, to strand all three runners. However, he later surrendered back-to-back homers to Alex Rodriguez and Jorge Posada in the ninth inning. On April 20, Nomo was designated for assignment. The Royals released him on April 29, 2008. On July 17, 2008, Nomo officially announced his retirement from Major League Baseball.

How did he perform?

However, he later surrendered back-to-back homers to Alex Rodriguez and Jorge Posada in the ninth inning.

Answer the question at the end by quoting:

Stanley Kirk Burrell (born March 30, 1962), better known by his stage name MC Hammer (or simply Hammer), is an American hip hop recording artist, dancer, record producer and entrepreneur. He had his greatest commercial success and popularity from the late 1980s, until the early 1990s. Remembered for his rapid rise to fame, Hammer is known for hit records (such as "U Can't Touch This" and "2 Legit 2 Quit"), flashy dance movements, choreography and eponymous Hammer pants. A multi-award winner, M.C. Hammer is considered a "forefather/pioneer" and innovator of pop rap (incorporating elements of freestyle music), and is the first hip hop artist to achieve diamond status for an album.
Before Hammer's successful music career (with his mainstream popularity lasting approximately between 1988 and 1998) and his "rags-to-riches-to-rags-and-back saga", Burrell formed a Christian rap music group with CCM's Jon Gibson (or "J.G.") called Holy Ghost Boys. Some songs produced were called "Word" and "B-Boy Chill". "The Wall", featuring Burrell (it was originally within the lyrics of this song he first identified himself as K.B. and then eventually M.C. Hammer once it was produced), was later released on Gibson's album Change of Heart (1988). This was Contemporary Christian music's first rap hit ever. Burrell also produced "Son of the King" at that time, releasing it on his debut album. "Son of the King" showed up on Hammer's debut album Feel My Power (1987), as well as the re-released version Let's Get It Started (1988). With exception to later remixes of early releases, Hammer produced and recorded many rap songs that were never made public, yet are now available on the Internet. Via his record labels such as Bust It Records, Oaktown Records and FullBlast, Hammer has introduced, signed and produced new talent including Oaktown's 3.5.7, Ho Frat Hoo!, the vocal quintet Special Generation, Analise, James Greer, One Cause One Effect, B Angie B, The Stooge Playaz, DASIT (as seen on ego trip's The (White) Rapper Show), Teabag, Common Unity, Geeman and Pleasure Ellis; both collaborating with him and producing music of their own during his career. At about the age of 12, Oakland native Keyshia Cole recorded with Hammer and sought career advice from him.

Where are they available?

yet are now available on the Internet. Via his record labels such as Bust It Records,

Answer the question at the end by quoting:

Jane Jacobs (born Jane Butzner; May 4, 1916 - April 25, 2006) was an American-Canadian journalist, author, and activist who influenced urban studies, sociology, and economics. Her book The Death and Life of Great American Cities (1961) argued that urban renewal did not respect the needs of city-dwellers. It also introduced the sociological concepts "eyes on the street" and "social capital". Jacobs organized grassroots efforts to protect neighborhoods from "slum clearance", in particular Robert Moses' plans to overhaul her own Greenwich Village neighborhood.
She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect. The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard. Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said: The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ...

Did she work for AMerika?
Jane continued to write for Amerika after the war,