Please answer this: What are the first names of the people Richard visits a local jazz club with? Answer the above question based on the context below: Sitting in deckchairs and touring churches is not the holiday 17-year-old Richard wants, but his parents insist on taking him. They are staying at the Tregarron guesthouse in the (fictional) seaside town of Easton in Suffolk. This traditional English boarding house is owned and run by the formidable Miss Wilbraham. On arrival, Richard befriends Edwin, who is girl-crazy and takes Richard under his wing. In search of girls, Richard and Edwin attend a beach service organized by the local church youth group. After the type of evening one might expect at such a gathering, they enjoy a brief tryst with the twin daughters of the minister. The following evening another visitor, Julia, agrees to a date with Edwin but only on condition that Anna, her Dutch foreign exchange student friend, can join them. Edwin persuades Richard to join them to make up a foursome. Escaping from his parents on the pretence that the quartet is heading to the youth group's Sausage Sizzle, Richard and his friends visit a local jazz club instead. Anna attempts to sneak away with some local bikers and Richard gives chase. As Anna rides away on the back of one biker's machine, Richard jumps on the other. The bikes race off into the sand dunes; where Richard and Anna fall off the pillions and into each other's arms. Richard is annoyed but Anna finds the whole affair amusing. Reaching for a handkerchief to clean a cut on his head, Richard also pulls out a condom that he has taken from Edwin's room. Julia and Edwin, meanwhile, have been to fetch help. Julia's father, Richard's parents and the minister from the youth group set off to rescue Richard and Anna. A lady walking her dog along the beach stumbles across Richard and Anna as it becomes clear that Richard has experienced sexual initiation. The parents and the minister round the corner just in time to catch the teenagers in flagrante delicto. Both families make excuses to end their holidays early and head for home.
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Answer: Edwin
Problem: What is the name of the person who asked the publisher Bessel to forward a copy to Balakirev? Answer the above question based on the context below: Tchaikovsky finished his final revision of Romeo and Juliet in 1880, and felt it a courtesy to send a copy of the score to Balakirev. Balakirev, however, had dropped out of the music scene in the early 1870s and Tchaikovsky had lost touch with him. He asked the publisher Bessel to forward a copy to Balakirev. A year later Balakirev replied. In the same letter that he thanked Tchaikovsky profusely for the score, Balakirev suggested "the programme for a symphony which you would handle wonderfully well", a detailed plan for a symphony based on Lord Byron's Manfred. Originally drafted by Stasov in 1868 for Hector Berlioz as a sequel to that composer's Harold en Italie, the program had since been in Balakirev's care. Tchaikovsky declined the project at first, saying the subject left him cold. Balakirev persisted. "You must, of course, make an effort", Balakirev exhorted, "take a more self-critical approach, don't hurry things". Tchaikovsky's mind was changed two years later, in the Swiss Alps, while tending to his friend Iosif Kotek and after he had re-read Manfred in the milieu in which the poem is set. Once he returned home, Tchaikovsky revised the draft Balakirev had made from Stasov's program and began sketching the first movement.The Manfred Symphony would cost Tchaikovsky more time, effort and soul-searching than anything else he would write, even the Pathetique Symphony. It also became the longest, most complex work he had written up to that point, and though it owes an obvious debt to Berlioz due to its program, Tchaikovsky was still able to make the theme of Manfred his own. Near the end of seven months of intensive effort, in late September 1885, he wrote Balakirev, "Never in my life, believe me, have I labored so long and hard, and felt so drained by my efforts. The Symphony is written in four movements, as per your program, althoughforgive meas much as I wanted to, I have not been able to keep all the keys and modulations you suggested ... It is of course dedicated to you".Once he had finished the...

A: Tchaikovsky
Q: Which romantic interest crossed the line between good advice and intrusion in their private ways? Answer the above question based on the context below: Following the death of his wife in a car accident, a college professor decides to teach English Literature at an Italian University in Genova. He is accompanied by his two daughters, aged 16 and 10. The trio occupies a flat in the crowded Genova streets and soon adapt to the local way of life, taking day trips to the beach and hiring an Italian tutor in musical composition. The elder daughter begins dating a local Italian teenager, surreptitiously making dates with him behind her father's back. The younger daughter remains close to her father, and still deals with painful memories of her mother's death. A passenger in the car herself when her mother was killed, she was directly responsible for the accident and remains haunted by her image. The Professor, while enjoying life in Genova, has to deal with the demands of being a single parent while also balancing his re-emergent love life. One romantic interest is a colleague at the university (played by Catherine Keener) with whom he shared a brief romantic relationship back at Harvard when both were students. The colleague tries to get close to the family, helping with translation and their day-to-day needs in Genova, but crossing the thin line between good advice and intrusion in their private ways in the process. Another romantic interest is a young Italian student in the professor's literature class. She is brash and idealistic and quickly makes her intentions known to the suddenly single professor.
A:
The colleague