input: Hutson has been honored in a variety of ways. He was elected to the Wisconsin Athletic Hall of Fame as a charter member in 1951, and the Alabama Sports Hall of Fame in 1968, also as an initial member. His number 14 was the first number retired by the Packers, in a public ceremony at a game at City Stadium on December 2, 1951. Hutson Street in the Packerland Industrial Park in Green Bay is named for him, and in 1994 the Packers named their new state-of-the-art indoor practice facility across the street from Lambeau Field the "Don Hutson Center." Hutson was inducted as a charter member of both the College Football Hall of Fame in 1951, and Pro Football Hall of Fame in 1963. His college career made him a unanimous choice for the Associated Press Southeast Area All-Time football team 1920-1969 era. Hutson is a member of the Green Bay Packers Hall of Fame, inducted in 1972 along with his quarterbacks, Arnie Herber and Cecil Isbell. There is a park named after him in his hometown of Pine Bluff, Arkansas. On the occasion of his 75th birthday he performed the ceremonial coin toss of Super Bowl XXII to end the pregame ceremonies. Hutson was named to the NFL's 1930s All-Decade Team and 50th Anniversary Team in 1970, and in 1994 he was named to the NFL 75th Anniversary All-Time Team. In 1999, he was ranked sixth on The Sporting News list of the 100 Greatest Football Players, the highest-ranking Packer and the highest-ranking pre-World War II player. In 2012, the NFL Network named Hutson the greatest Green Bay Packer of all time. In 2005, the Flagstad family of Green Bay donated to the Green Bay Packers Hall of Fame an authentic Packers No. 14 jersey worn by Hutson. The jersey was found in a trunk of old uniforms in 1946 at the Rockwood Lodge, the Packers' summer training camp from 1946 to 1949, owned by Melvin and Helen Flagstad. The jersey, a rare NFL artifact valued at over $17,000, was donated by son Daniel Flagstad in memory of his parents. Hutson's most productive seasons were from 1942 to 1945, a time in which the NFL was severely depleted with many of its most talented players and prospective college athletes serving in the military during World War II. Hutson was classified I-A for the military draft, but had three daughters, so was able to avoid conscription. On the notion that Hutson exploited watered-down defenses, former Packers running back Paul Hornung responded as such: "I'm a believer. Am I a believer! You know what Hutson would do in this league today? The same things he did when he played."

Answer this question "What was he honored for?"
output: He was elected to the Wisconsin Athletic Hall of Fame as a charter member in 1951,

input: Supported by Guggenheim and university grants, Partch took up residence at the University of Wisconsin from 1944 until 1947. This was a productive period, in which he lectured, trained an ensemble, staged performances, released his first recordings, and completed his book, now called Genesis of a Music. Genesis was completed in 1947 and published in 1949 by the University of Wisconsin Press. He left the university, as it never accepted him as a member of the permanent staff, and there was little space for his growing stock of instruments. In 1949, pianist Gunnar Johansen allowed Partch to convert a smithy on his ranch to a studio. Partch worked there with support from the Guggenheim Foundation, and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings. In spring 1951, Partch moved to Oakland for health reasons, and prepared for a production of King Oedipus at Mills College, with the support of designer Arch Lauterer. Performances of King Oedipus in March were extensively reviewed, but a planned recording was blocked by the Yeats estate, which refused to grant permission to use Yeats's translation. In February 1953, Partch founded the studio Gate 5 in an abandoned shipyard in Sausalito, California, where he composed, built instruments and staged performances. Subscriptions to raise money for recordings were organized by the Harry Partch Trust Fund, an organization put together by friends and supporters. The recordings were sold via mail order, as were later releases on the Gate 5 Records label. The money raised from these recordings became his main source of income. Partch's three Plectra and Percussion Dances, Ring Around the Moon (1949-1950), Castor and Pollux, and Even Wild Horses, premiered on Berkeley's KPFA radio in November 1953. After completing The Bewitched in January 1955, Partch tried to find the means to put on a production of it. Ben Johnston introduced Danlee Mitchell to Partch at the University of Illinois; Mitchell later became Partch's heir. In March 1957, with the help of Johnston and the Fromm Foundation, The Bewitched was performed at the University of Illinois, and later at Washington University in St. Louis, though Partch was displeased with choreographer Alwin Nikolais's interpretation. Later in 1957, Partch provided the music for Madeline Tourtelot's film Windsong, the first of six film collaborations between the two. From 1959 to 1962, Partch received further appointments from the University of Illinois, and staged productions of Revelation in the Courthouse Park in 1961 and Water! Water! in 1962. Though these two works were based, as King Oedipus had been, on Greek mythology, they modernized the settings and incorporated elements of popular music. Partch had support from several departments and organizations at the university, but continuing hostility from the music department convinced him to leave and return to California.

Answer this question "Did he produce any albums?"
output:
and did recordings, primarily of his Eleven Intrusions (1949-1950). He was assisted for six months by composer Ben Johnston, who performed on Partch's recordings.