Answer the question at the end by quoting:

Iron Man is a fictional superhero appearing in American comic books published by Marvel Comics. The character was created by writer and editor Stan Lee, developed by scripter Larry Lieber, and designed by artists Don Heck and Jack Kirby. The character made his first appearance in Tales of Suspense #39 (cover dated March 1963). A wealthy American business magnate, playboy, and ingenious scientist, Anthony Edward "Tony" Stark suffers a severe chest injury during a kidnapping in which his captors attempt to force him to build a weapon of mass destruction.
The original Iron Man title explored Cold War themes, as did other Stan Lee projects in the early years of Marvel Comics. Where The Fantastic Four and The Incredible Hulk respectively focused on American domestic and government responses to the Communist threat, Iron Man explored industry's role in the struggle. Tony Stark's real-life model, Howard Hughes, was a significant defense contractor who developed new weapons technologies. Hughes was an icon both of American individualism and of the burdens of fame. Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor. Where earlier decades had seen important technological innovations come from famous individuals (e.g., Nikola Tesla, Thomas Edison, Alexander Graham Bell, the Wright brothers), the 1960s saw new technologies (including weapons) being developed mainly by the research teams of corporations. As a result, little room remained for the inventor who wanted credit for, and creative and economic control over, his/her own creations. Issues of entrepreneurial autonomy, government supervision of research, and ultimate loyalty figured prominently in early Iron Man stories -- the same issues affecting American scientists and engineers of that era. Tony Stark, writes Genter, is an inventor who finds motive in his emasculation as an autonomous creative individual. This blow is symbolized by his chest wound, inflicted at the moment he is forced to invent things for the purposes of others, instead of just himself. To Genter, Stark's transformation into Iron Man represents Stark's effort to reclaim his autonomy, and thus his manhood. The character's pursuit of women in bed or in battle, writes Genter, represents another aspect of this effort. The pattern finds parallels in other works of 1960s popular fiction by authors such as "Ian Fleming (creator of James Bond), Mickey Spillane (Mike Hammer), and Norman Mailer, who made unregulated sexuality a form of authenticity."

And what are some of the other themes?

Historian Robert Genter, in The Journal of Popular Culture, writes that Tony Stark specifically presents an idealized portrait of the American inventor.

IN: O'Neill was born in a hotel, the Barrett House, at Broadway and 43rd Street, on what was then Longacre Square (now Times Square). A commemorative plaque was first dedicated there in 1957. The site is now occupied by 1500 Broadway, which houses offices, retail, and ABC Studios. He was the son of Irish immigrant actor James O'Neill and Mary Ellen Quinlan, who was also of Irish descent.

O'Neill was married to Kathleen Jenkins from October 2, 1909 to 1912, during which time they had one son, Eugene O'Neill, Jr. (1910-1950). In 1917, O'Neill met Agnes Boulton, a successful writer of commercial fiction, and they married on April 12, 1918. They lived in a home owned by her parents in Point Pleasant, New Jersey, after their marriage. The years of their marriage--during which the couple lived in Connecticut and Bermuda and had two children, Shane and Oona--are described vividly in her 1958 memoir Part of a Long Story. They divorced in 1929, after O'Neill abandoned Boulton and the children for the actress Carlotta Monterey (born San Francisco, California, December 28, 1888; died Westwood, New Jersey, November 18, 1970). O'Neill and Carlotta married less than a month after he officially divorced his previous wife. In 1929, O'Neill and Monterey moved to the Loire Valley in central France, where they lived in the Chateau du Plessis in Saint-Antoine-du-Rocher, Indre-et-Loire. During the early 1930s they returned to the United States and lived in Sea Island, Georgia, at a house called Casa Genotta. He moved to Danville, California in 1937 and lived there until 1944. His house there, Tao House, is today the Eugene O'Neill National Historic Site. In their first years together, Monterey organized O'Neill's life, enabling him to devote himself to writing. She later became addicted to potassium bromide, and the marriage deteriorated, resulting in a number of separations, although they never divorced. In 1943, O'Neill disowned his daughter Oona for marrying the English actor, director, and producer Charlie Chaplin when she was 18 and Chaplin was 54. He never saw Oona again. He also had distant relationships with his sons. Eugene O'Neill, Jr., a Yale classicist, suffered from alcoholism and committed suicide in 1950 at the age of 40. Shane O'Neill became a heroin addict and moved into the family home in Bermuda, Spithead, with his new wife, where he supported himself by selling off the furnishings. He was disowned by his father before also committing suicide (by jumping out of a window) a number of years later. Oona ultimately inherited Spithead and the connected estate (subsequently known as the Chaplin Estate). In 1950 O'Neill joined The Lambs, the famed theater club.

What became of Shane after his addiction?

OUT:
addict and moved into the family home in Bermuda, Spithead, with his new wife, where he supported himself by selling off the furnishings.