QUES: The hygiene hypothesis attempts to explain the increased rates of asthma worldwide as a direct and unintended result of reduced exposure, during childhood, to non-pathogenic bacteria and viruses. It has been proposed that the reduced exposure to bacteria and viruses is due, in part, to increased cleanliness and decreased family size in modern societies. Exposure to bacterial endotoxin in early childhood may prevent the development of asthma, but exposure at an older age may provoke bronchoconstriction. Evidence supporting the hygiene hypothesis includes lower rates of asthma on farms and in households with pets.

Why are people less likely to want to live on a farm?
What is the answer?
ANS: unanswerable
QUES: By 1836, the Duchess's brother, Leopold, who had been King of the Belgians since 1831, hoped to marry his niece to his nephew, Prince Albert of Saxe-Coburg and Gotha. Leopold, Victoria's mother, and Albert's father (Ernest I, Duke of Saxe-Coburg and Gotha) were siblings. Leopold arranged for Victoria's mother to invite her Coburg relatives to visit her in May 1836, with the purpose of introducing Victoria to Albert. William IV, however, disapproved of any match with the Coburgs, and instead favoured the suit of Prince Alexander of the Netherlands, second son of the Prince of Orange. Victoria was aware of the various matrimonial plans and critically appraised a parade of eligible princes. According to her diary, she enjoyed Albert's company from the beginning. After the visit she wrote, "[Albert] is extremely handsome; his hair is about the same colour as mine; his eyes are large and blue, and he has a beautiful nose and a very sweet mouth with fine teeth; but the charm of his countenance is his expression, which is most delightful." Alexander, on the other hand, was "very plain".

Who disapproved of the proposed marriage between Victoria and Albert?
What is the answer?
ANS: William IV
QUES: As the initial punk movement dwindled, vibrant new scenes began to coalesce out of a variety of bands pursuing experimental sounds and wider conceptual territory in their work. Many of these artists drew on backgrounds in art and viewed their music as invested in particular political or aesthetic agendas. British music publications such as the NME and Sounds developed an influential part in this nascent post-punk culture, with writers like Jon Savage, Paul Morley and Ian Penman developing a dense (and often playful) style of criticism that drew on critical theory, radical politics and an eclectic variety of other sources.

What professional is Ian Penman known from?
What is the answer?
ANS:
writers