Question: The Corrs are an Irish band that combine pop rock with traditional Irish themes within their music. The group consists of the Corr siblings; Andrea (lead vocals, tin whistle, ukulele); Sharon (violin, vocals); Caroline (drums, percussion, piano, bodhran, vocals) and Jim (guitar, piano, keyboards, vocals). They are from Dundalk, County Louth, Ireland. The Corrs have released seven studio albums and numerous singles, which have reached Platinum in many countries, and have sold 40 million albums worldwide.

Jason Flom, Atlantic Records's head of A&R, recommended that they meet David Foster, a Canadian musician, producer, composer and arranger. The Corrs played live for Foster and he agreed to sign them to Atlantic Records. They extended their stay in the US for over five months to record their debut album, Forgiven, Not Forgotten. It featured six instrumental selections among its Celtic-influenced tracks. The album sold well in Ireland, Australia, Japan, Norway and Spain. Major success in the US and the UK, however, was not immediately forthcoming. Eventually, the album reached Platinum status in the UK and Australia, and 4x Platinum in Ireland, making it one of the most successful debuts by an Irish group. The Corrs' next album, 1997's Talk on Corners, was produced by Glen Ballard, who was respected for his collaboration with Alanis Morissette. The Corrs also collaborated with Carole Bayer Sager, Oliver Leiber, Rick Nowels and Billy Steinberg. The album met with lukewarm response. It was successful in Ireland and entered the Australian album charts at number 3. After the band recorded a version of Dreams for a Fleetwood Mac tribute album, they re-released Talk on Corners, with new remixes of "What Can I Do?", "So Young" and "Runaway". The special edition topped the charts worldwide and again reached multi-Platinum status in the UK and Australia. In June 1998, The Corrs participated in the Pavarotti and Friends for the Children of Liberia charity concert. The concert was held in Modena, Italy and was hosted by Luciano Pavarotti. Other performers included Jon Bon Jovi, Celine Dion, Spice Girls and Stevie Wonder. The concert aimed to raise money to build the Pavarotti and Friends Liberian Children's Village, to provide refuge for children in Liberia. The following year, The Corrs received a BRIT Award for Best International Band. They performed live on MTV's Unplugged on 5 October 1999 at Ardmore Studios, Co. Wicklow, Ireland. The resulting CD and DVD sold 2.7 million copies and featured live performances of previously released songs, plus a new song, "Radio", later featured on their third album, In Blue.

Using a quote from the above article, answer the following question: Did the band toured?
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Question: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.

Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists. In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector. After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some device like a magic lantern, which Eakins then took pains to cover up with oil paint. Eakins' methods appear to be meticulously applied, and rather than shortcuts, were likely used in a quest for accuracy and realism. An excellent example of Eakins' use of this new technology is his painting A May Morning in the Park, which relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers. But in typical fashion, Eakins also employed wax figures and oil sketches to get the final effect he desired. The so-called "Naked Series", which began in 1883, were nude photos of students and professional models which were taken to show real human anatomy from several specific angles, and were often hung and displayed for study at the school. Later, less regimented poses were taken indoors and out, of men, women, and children, including his wife. The most provocative, and the only ones combining males and females, were nude photos of Eakins and a female model (see below). Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature, the sheer quantity of the photos and Eakins' overt display of them may have undermined his standing at the Academy. In all, about eight hundred photographs are now attributed to Eakins and his circle, most of which are figure studies, both clothed and nude, and portraits. No other American artist of his time matched Eakins' interest in photography, nor produced a comparable body of photographic works.

Using a quote from the above article, answer the following question: What did Eakins typically photograph?
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usually involving the nude figure,