Answer the question at the end by quoting:

Terry Eugene Bollea was born in Augusta, Georgia on August 11, 1953, the son of construction foreman Pietro "Peter" Bollea (December 6, 1913 - December 18, 2001) and homemaker and dance teacher Ruth V. (nee Moody; 1922 - January 1, 2011). He is of French, Italian, Panamanian, and Scottish descent. When he was one and a half years old, his family moved to Port Tampa, Florida. As a boy, he was a pitcher in Little League Baseball.
On April 2, 2005, Hogan was inducted into the WWE Hall of Fame class of 2005 by actor and friend Sylvester Stallone. At WrestleMania 21 on April 3, Hogan came out to rescue Eugene, who was being attacked by Muhammad Hassan and Khosrow Daivari. The build-up to Hogan's Hall of Fame induction and preparation for his WrestleMania angle was shown on the first season of Hogan Knows Best. The next night on Raw, Hassan and Daivari came out to confront and assault fan favorite Shawn Michaels. The following week on Raw, Michaels approached Raw General Manager Eric Bischoff demanding a handicap match with Hassan and Daivari. Bischoff refused, but told Michaels if he found a partner he would be granted a tag team match. Michaels then made a plea for Hogan to team with him. On the April 18 episode of Raw, Hassan again led an attack on Michaels until Hogan appeared, saving Michaels and accepting his offer. At Backlash, Hassan and Daivari lost to Hogan and Michaels. Hogan then appeared on July 4 episode of Raw, as the special guest of Carlito on his talk-show segment Carlito's Cabana. After being asked questions by Carlito concerning his daughter Brooke, Hogan attacked Carlito. Kurt Angle then also appeared, making comments about Brooke, which further upset Hogan, who was eventually double teamed by Carlito and Angle, but was saved by Shawn Michaels. Later that night, Michaels and Hogan defeated Carlito and Angle in a tag team match; during the post-match celebration, Michaels performed the Sweet Chin Music on Hogan and walked off. The following week on Raw, Michaels appeared on Piper's Pit and challenged Hogan to face him one-on-one for the first time. Hogan appeared on Raw one week later and accepted the challenge. The match took place at SummerSlam, which Hogan won. After the match, Michaels extended his hand to him, telling him that he "had to find out for himself", and Hogan and Michaels shook hands as Michaels left the ring to allow Hogan to celebrate with the crowd. Prior to WrestleMania 22 in April 2006, Hogan inducted friend and former announcer "Mean" Gene Okerlund into the WWE Hall of Fame class of 2006. Hogan returned on the July 15 episode of Saturday Night's Main Event with his daughter Brooke. During the show, Randy Orton kayfabe flirted with Brooke and later attacked Hogan in the parking lot. He later challenged Hogan to a match at SummerSlam, which Hogan won.

What prompted him to make his return?

Hogan came out to rescue Eugene, who was being attacked by Muhammad Hassan and Khosrow Daivari.

Answer the question at the end by quoting:

Herman Northrop Frye (July 14, 1912 - January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symmetry (1947), which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism (1957), one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that Anatomy established Frye as "the foremost living student of Western literature."
Once asked whether his critical theory was Romantic, Frye responded, "Oh, it's entirely Romantic, yes" (Stingle 1). It is Romantic in the same sense that Frye attributed Romanticism to Blake: that is, "in the expanded sense of giving a primary place to imagination and individual feeling" (Stingle 2). As artifacts of the imagination, literary works, including "the pre-literary categories of ritual, myth, and folk-tale" (Archetypes 1450) form, in Frye's vision, a potentially unified imaginative experience. He reminds us that literature is the "central and most important extension" of mythology: ". . . every human society possesses a mythology which is inherited, transmitted and diversified by literature" (Words with Power xiii). Mythology and literature thus inhabit and function within the same imaginative world, one that is "governed by conventions, by its own modes, symbols, myths and genres" (Hart 23). Integrity for criticism requires that it too operates within the sphere of the imagination, and not seek an organizing principle in ideology. To do so, claims Frye, . . . leaves out the central structural principles that literature derives from myth, the principles that give literature its communicating power across the centuries through all ideological changes. Such structural principles are certainly conditioned by social and historical factors and do not transcend them, but they retain a continuity of form that points to an identity of the literary organism distinct from all its adaptations to its social environment (Words with Power xiii). Myth therefore provides structure to literature simply because literature as a whole is "displaced mythology" (Bates 21). Hart makes the point well when he states that "For Frye, the story, and not the argument, is at the centre of literature and society. The base of society is mythical and narrative and not ideological and dialectical" (19). This idea, which is central in Frye's criticism, was first suggested to him by Giambattista Vico.

did he have any other works?
(Words with Power xiii