Problem: Given the below context: Carl Schaffner is a crooked British (previously German) businessman who flees to Mexico after stealing company funds. While travelling by train, Schaffner decides to evade authorities. He drugs and switches identities with fellow train passenger Paul Scarff, who looks like him and has a Mexican passport. He throws Paul Scarff off the train, injuring Scarff. Carl later discovers that Scarff is wanted in Mexico as a political assassin. Carl then tracks down Scarff, who is resting from his injuries, to get back his original passport. Carl arrives in Mexico and is captured by the local police, who mistake him for Scarff. Carl then fights to show his true identity to the local police. The plan seems foolproof until he is forced to care for the dog of Scarff's dog. The local police chief and Scotland Yard inspector Hadden conspire to keep him trapped in the Mexican border town of Katrina in an effort to get him to cross the bridge back into the U.S. and face justice. The misanthropic Schaffner has grown attached to Scarff's pet spaniel and is tricked into going across the dividing line of the bridge to get the dog. He is accidentally killed trying to escape the authorities. The final irony is that the discovery of his own humanity has cost the cynical, friendless Schaffner his life. Guess a valid title for it!

A: Across the Bridge (film)
Problem: Given the question: Given the below context: As described in a film magazine, Tommasso Longo, a poor artist making his living modeling plaster casts, proudly boasts that he is a cousin of Caroli (also Caruso), the great tenor, whom he greatly resembles. Tommasso is in love with Rosa Ventura, a cashier in her father's restaurant, and although she flirts with Roberto Lombardi, she loves Tommasso. They go to the opera together, and Roberto becomes jealous and ridicules Tommasso's claim of a relationship to the tenor. Caroli comes to the restaurant where Tommasso and Rosa are dining after the show. As Caroli leaves he fails to recognize a relative in Tommasso. Rosa becomes indigent at Tommasso and refuses listen any further to his vows of devotion. Determined to square himself in the eyes of his sweetheart, he goes to the apartment of the great tenor but is politely sent home. Ludovico, an errand boy in Tommasso's studio, goes to Caroli and reveals the truth to him. Caroli pays his cousin a visit at his studio and directs him to finish a bust of him. With the blessing of Caroli upon them, the love of Rosa is once more won. Guess a valid title for it!
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The answer is:
My Cousin
input question: Given the below context: Twenty-three year old Joanna Drayton's unannounced early return from her Hawaiian vacation causes a stir when she brings her new fiance to her upper-class family home in San Francisco. He is John Prentice: a 37-year-old black (the 1967 dialogue uses the term Negro throughout) physician and medical professor, whom she met just 10 days prior, whose first wife and young son were killed in a train accident eight years earlier. Joanna's parents newspaper publisher Matt Drayton and his wife, art gallery owner Christina are avowed liberals who have always instilled in her the idea of racial equality. Although they try to hide it, Joanna's parents and in particular her father are initially upset that she is planning to marry a Negro man. The Draytons' black maid for 22 years, Tillie, is even more horrified, telling Joanna that John is trying to "get above himself" by marrying a white woman, but Joanna asks why it is okay that she loves Tillie but she shouldn't love John, who is "just as black". The Draytons are unsettled by her engagement with John, since they never thought that her choice would be a Negro man, and further unsettled by John's decision that if Joanna's parents do not accept the engagement that day, then he will end it. Adding to the situation is that Joanna, at first intending to join John in a few weeks in Geneva for their planned marriage ceremony, has now decided that she will join him when he leaves after dinner to fly to a meeting in New York City, then onward to Switzerland, where he is an assistant director with the World Health Organization. She has also invited John's parents to fly up from Los Angeles for dinner, so they can all become acquainted. Due to this invitation, what was intended to be a sit-down steak dinner for two turns into a meet-the-in-laws dinner party. Furthermore, John is forced to reveal that he had not yet told his parents of his intention to marry a white woman. Guess a valid title for it!???
output answer: Guess Who's Coming to Dinner
[Q]: Given the below context: The central square in Covent Garden is simply called "Covent Garden", often marketed as "Covent Garden Piazza" to distinguish it from the eponymous surrounding area. Designed and laid out in 1630, it was the first modern square in Londonoriginally a flat, open space or piazza with low railings. From about 1635 onwards there were many private residents of note, including the nobility, living in the Great Piazza. A casual market started on the south side, and by 1830 the present market hall had been built. The space is popular with street performers, who audition with the site's owners for an allocated slot. The square was originally laid out when the 4th Earl of Bedford, Francis Russell, commissioned Inigo Jones to design and build a church and three terraces of fine houses around the site of a former walled garden belonging to Westminster Abbey. Jones's design was informed by his knowledge of modern town planning in Europe, particularly Piazza d'Arme, in Leghorn, Tuscany, Piazza San Marco in Venice, Piazza Santissima Annunziata in Florence, and the Place des Vosges in Paris. The centrepiece of the project was the large square, the concept of which was new to London, and this had a significant influence on modern town planning as the metropolis grew, acting as the prototype for the design of new estates, such as the Ladbroke Estate and the Grosvenor Estate. Isaac de Caus, the French Huguenot architect, designed the individual houses under Jones's overall design.The church of St Paul's was the first building, and was begun in July 1631 on the western side of the square. The last house was completed in 1637. Seventeen of the houses had arcaded portico walks organised in groups of four and six either side of James Street on the north side, and three and four either side of Russell Street. These arcades, rather than the square itself, took the name Piazza; the group from James Street to Russell Street became known as the "Great Piazza" and that to the south of Russell Street as the "Little Piazza". None of Inigo... Guess a valid title for it!
****
[A]:
Covent Garden