input: Prior to the group's debut, some of the members were already involved in the entertainment industry. Yoona had gone through about 200 auditions for music videos, dramas, and movies before becoming a singer for Girls' Generation. Sooyoung was exposed to the Japanese music scene as a member of a pop duo named Route th, which disbanded one year after its debut in 2002. The first member of the group to join S.M. Entertainment's training system was Jessica in 2000, after she and her sister, Krystal Jung, were scouted in a mall in South Korea during a family vacation. That same year, members Sooyoung and Hyoyeon were cast into S.M.'s training system through the 2000 S.M. Open Audition, in which Hyoyeon danced for her audition. Yuri was the next Girls' Generation member to become an S.M. trainee after coming second in the 2001 S.M. Youth Best Dancer competition. Yoona was cast the following year through the 2002 S.M. Saturday Open Casting Audition, where she sang and danced to her favorite singers, BoA and Britney Spears. Seohyun, the group's youngest member, was scouted in the subway by an S.M. scout; she then auditioned in 2003, singing children's songs. The group's leader, Taeyeon, was cast in 2004 after winning first place in the S.M. Youth Singing Competition. That same year, member Tiffany auditioned at S.M.'s Starlight Casting System in Los Angeles, and joined the company in October 2004. The final member of the group to be added was Sunny, who had become an S.M. trainee in 1998 and trained for five years before moving to another company, Starworld. At Starworld, she trained to debut in a duo named Sugar, which never debuted. In 2007, on the recommendation of Korean-Japanese singer IconiQ, Sunny moved back to S.M. Entertainment and became a member of Girls' Generation. In July 2007, Girls' Generation had their first stage performance on Mnet's School of Rock, where the group performed their first single, "Into the New World" (dasi mannan segye; Dasi mannan segye). On August 5, 2007, the group officially made their debut on SBS's Inkigayo, where they performed the same song. Girls' Generation subsequently released their self-titled debut studio album in November 2007, which was preceded by the singles "Girls' Generation" (sonyeosidae; Sonyeo sidae)--a remake of Lee Seung-cheol's 1989 song, and "Kissing You". Girls' Generation became the twelfth best-selling album of 2007 in South Korea, selling 56,804 copies. The album has sold over 120,000 copies in the country as of 2009. In March 2008, the album was re-released under the title Baby Baby. The album was preceded by a single with the same name, which was released on digital music sites on March 17, 2008.

Answer this question "How did the performance go?"
output:

input: The book for which Thompson gained most of his fame had its genesis during the research for Strange Rumblings in Aztlan, an expose for Rolling Stone on the 1970 killing of the Mexican-American television journalist Ruben Salazar. Salazar had been shot in the head at close range with a tear gas canister fired by officers of the Los Angeles County Sheriff's Department during the National Chicano Moratorium March against the Vietnam War. One of Thompson's sources for the story was Oscar Zeta Acosta, a prominent Mexican-American activist and attorney. Finding it difficult to talk in the racially tense atmosphere of Los Angeles, Thompson and Acosta decided to travel to Las Vegas, and take advantage of an assignment by Sports Illustrated to write a 250-word photograph caption on the Mint 400 motorcycle race held there. What was to be a short caption quickly grew into something else entirely. Thompson first submitted to Sports Illustrated a manuscript of 2,500 words, which was, as he later wrote, "aggressively rejected." Rolling Stone publisher Jann Wenner was said to have liked "the first 20 or so jangled pages enough to take it seriously on its own terms and tentatively scheduled it for publication -- which gave me the push I needed to keep working on it", Thompson later wrote. The result of the trip to Las Vegas became the 1972 book Fear and Loathing in Las Vegas, which first appeared in the November 1971 issues of Rolling Stone as a two-part series. It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney", to cover a narcotics officers' convention and the "fabulous Mint 400". During the trip, Duke and his companion (always referred to as "my attorney") become sidetracked by a search for the American Dream, with "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers ... and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether, and two dozen amyls." Coming to terms with the failure of the 1960s countercultural movement is a major theme of the novel, and the book was greeted with considerable critical acclaim, including being heralded by The New York Times as "by far the best book yet written on the decade of dope". "The Vegas Book", as Thompson referred to it, was a mainstream success and introduced his Gonzo journalism techniques to a wide public.

Answer this question "what is the book about?"
output: It is written as a first-person account by a journalist named Raoul Duke on a trip to Las Vegas with Dr. Gonzo, his "300-pound Samoan attorney",

input: In 1960, Indianapolis Mayor Charles Boswell appointed Jones director of the Human Rights Commission. Jones ignored Boswell's advice to keep a low profile, finding new outlets for his views on local radio and television programs. When the mayor and other commissioners asked Jones to curtail his public actions, he resisted and was wildly cheered at a meeting of the NAACP and Urban League when he yelled for his audience to be more militant, and then climaxed with, "Let my people go!" During this time, Jones also helped to racially integrate churches, restaurants, the telephone company, the police department, a theater, an amusement park, and the Methodist Hospital. After swastikas were painted on the homes of two African-American families, Jones personally walked the neighborhood comforting local black people and counseling white families not to move, in order to prevent white flight. Jones set up stings to catch restaurants refusing to serve black customers and wrote to American Nazi leaders and then leaked their responses to the media. When Jones was accidentally placed in the black ward of a hospital after a collapse in 1961, he refused to be moved; he began to make the beds and empty the bed pans of black patients. Political pressures resulting from Jones' actions caused hospital officials to desegregate the wards. Jones received considerable criticism in Indiana for his integrationist views. White-owned businesses and locals were critical of him. A swastika was placed on the Temple, a stick of dynamite was left in a Temple coal pile, and a dead cat was thrown at Jones' house after a threatening phone call. Other incidents occurred, though some suspect that Jones himself may have been involved in at least some of them.

Answer this question "What else did he integrate?"
output:
Jones set up stings to catch restaurants refusing to serve black customers and wrote to American Nazi leaders and then leaked their responses to the media.