Problem: Background: Shen Kuo (Chinese: Chen Gua ; 1031-1095), courtesy name Cunzhong (Cun Zhong ) and pseudonym Mengqi (now usually given as Mengxi) Weng (Meng Xi Weng ), was a Han Chinese polymathic scientist and statesman of the Song dynasty (960-1279). Excelling in many fields of study and statecraft, he was a mathematician, astronomer, meteorologist, geologist, zoologist, botanist, pharmacologist, agronomist, archaeologist, ethnographer, cartographer, encyclopedist, general, diplomat, hydraulic engineer, inventor, academy chancellor, finance minister, governmental state inspector, poet, and musician.
Context: Shen Kuo was born in Qiantang (modern-day Hangzhou) in the year 1031. His father Shen Zhou (Chen Zhou ; 978-1052) was a somewhat lower-class gentry figure serving in official posts on the provincial level; his mother was from a family of equal status in Suzhou, with her maiden name being Xu (Xu ). Shen Kuo received his initial childhood education from his mother, which was a common practice in China during this period. She was very educated herself, teaching Kuo and his brother Pi (Pi ) the military doctrines of her own elder brother Xu Tang (Xu Dong ; 975-1016). Since Shen was unable to boast of a prominent familial clan history like many of his elite peers born in the north, he was forced to rely on his wit and stern determination to achieve in his studies, subsequently passing the imperial examinations and enter the challenging and sophisticated life of an exam-drafted state bureaucrat. From about 1040 AD, Shen's family moved around Sichuan province and finally to the international seaport at Xiamen, where Shen's father accepted minor provincial posts in each new location. Shen Zhou also served several years in the prestigious capital judiciary, the equivalent of a federal supreme court. Shen Kuo took notice of the various towns and rural features of China as his family traveled, while he became interested during his youth in the diverse topography of the land. He also observed the intriguing aspects of his father's engagement in administrative governance and the managerial problems involved; these experiences had a deep impact on him as he later became a government official. Since he often became ill as a child, Shen Kuo also developed a natural curiosity about medicine and pharmaceutics. Shen Zhou died in the late winter of 1051 (or early 1052), when his son Shen Kuo was 21 years old. Shen Kuo grieved for his father, and following Confucian ethics, remained inactive in a state of mourning for three years until 1054 (or early 1055). As of 1054, Shen began serving in minor local governmental posts. However, his natural abilities to plan, organize, and design were proven early in life; one example is his design and supervision of the hydraulic drainage of an embankment system, which converted some one hundred thousand acres (400 km2) of swampland into prime farmland. Shen Kuo noted that the success of the silt fertilization method relied upon the effective operation of sluice gates of irrigation canals.
Question: Where was he born?
Answer: Shen Kuo was born in Qiantang (modern-day Hangzhou)

Background: Ed the Happy Clown is a graphic novel by Canadian cartoonist Chester Brown. Its title character is a large-headed, childlike children's clown who undergoes one horrifying affliction after another. The story is a dark, humorous mix of genres and features scatological humour, sex, body horror, extreme graphic violence, and blasphemous religious imagery. Central to the plot are a man who cannot stop defecating; the head of a miniature, other-dimensional Ronald Reagan attached to the head of Ed's penis; and a female vampire who seeks revenge on her adulterous lover who had murdered her to escape his sins.
Context: Ed spans a range of Brown's interests, from political skepticism to scatological humour to vampires and werewolves. The story is dark and surreal, desperate and humorous. Christian elements especially--largely sacriligeous--are prominent in the book. They are at first innocuous and unimportant: a zombie named Christian, another character who believes he has found Christ's face on a piece of adhesive tape. With the fourth issue of Yummy Fur, Brown's surreal take on Christianity becomes central: the cover depicts the Virgin Mary holding not just the infant Christ, but also a severed hand. Within is the story of Saint Justin, whose amputation becomes a key motif: Chet loses his own hand and finds another; his own appears mysteriously under Ed's pillow. Only by praying for forgiveness for his adultery and by murdering his lover is Chet's hand miraculously restored. According to the Lives of the Saints, the fictional Saint Justin severed his own hand, but in another version Brown presents, Justin's wife cuts it off with a woodaxe when she catches her husband masturbating after rejecting her advances. Despite Saint Justin's story's exposure to the reader as a fraud, Chet's faith in the official version restores his severed hand. The altered ending from 1992 has both Josie and Chet reunited in Hell, and the ghost of Chet's sister becomes a devil. As Brown mixes surreal sacrilege with the sort of moralism that compels him to condemn Josie for her bloody revenge, Brian Evenson calls Brown "deft at muddying the waters in a way that makes it very hard to pin him down as either belieever or satirist, as either anti-religionist or apologist". While not part of the Ed story, Brown had been serializing straight adaptations in Yummy Fur of the Gospels of Mark and of Matthew during most of Ed's run. R. Fiore called these adaptations "the best exploration of Christian mythology since Justin Green's Binky Brown", comparing Chet's excessive Christian guilt with the "almost childlike retelling" of Mark. Yummy Fur readers also found "I Live in the Bottomless Pit", a short strip in which a man discovers the Antichrist, who after millennia underground has forgotten his mission--a paradoxical one, as he states his orders were from God. Ed prominently features transgressive content including nudity, graphic violence, racist imagery, blasphemy, and profanity. Brown grew up in a strictly Baptist household in which he was not allowed to swear, as depicted in Brown's graphic novel I Never Liked You (1994). Brown challenged his own anxieties by tackling subjects such as scatological humour. Imagery such as the recurring Pygmy characters and their "ooga booga" language, Chris Lanier asserted, reinforce "old colonial imaging of 'third world natives' ".
Question: Does one of the characters represent Jesus?
Answer:
Christ's face on a piece of adhesive tape.