input: The New York Rangers acquired Bure on March 18, 2002, along with Florida's second-round pick in the 2002 draft (Lee Falardeau) for Igor Ulanov, Filip Novak, as well as the Rangers' first and second-round choices in the 2002 draft (Petr Taticek and Rob Globke, respectively) and a fourth-round choice in the 2003 draft. The Rangers had shown interest in Bure when he requested a trade from the Canucks in 1997. After losing their initial bid for Bure, Wayne Gretzky, who retired the same season Bure was dealt to Florida, announced prior to the 1999-2000 season he would have extended his career had the Rangers been able to pull off the trade. Bure made his Rangers debut against the Vancouver Canucks the day after his trade on March 19, scoring a goal against his former team. He scored 12 goals and 20 points in 12 games after being traded, bettering his pace with Florida that season. Between the two teams, he finished the season with 34 goals and 69 points. Bure suffered another knee injury in the 2002-03 pre-season; combined with a case of strep throat, he missed the first three games of the regular season. After returning to play, he had 14 goals and 21 points in his first 27 games, including two goals and an assist in his first game back, before a knee-on-knee collision in December forced him back out. After undergoing surgery 10 days later, it was revealed that there was no damage to the ACL as previously feared, but instead a tear to the meniscus in his left knee, which was repaired. Bure returned that season to appear in 39 games, managing 19 goals and 30 points. Even after two operations, Bure did not play in 2003-04 due to the lingering effects of the knee injury. He failed a pre-season physical and was declared medically unable to play. Left with his fully insured $10 million salary (80 percent of which would be reimbursed to the team), the Rangers left him unprotected in the NHL's Waiver Draft, where he was unclaimed.

Answer this question "who was he traded from before the new york rangers"
output: Canucks

input: Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case.

Answer this question "Are there any other interesting aspects about this article?"
output: while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.

input: Holger Czukay and Irmin Schmidt were both pupils of Karlheinz Stockhausen, and Can inherited a strong grounding in his musical theory; the latter was trained as a classical pianist, while Michael Karoli was a pupil of Holger Czukay and brought the influence of gypsy music through his esoteric studies. Drummer Jaki Liebezeit had strong jazz leanings. The band's sound was originally intended to be based on the sound of ethnic music, so when the band decided to pick up the garage rock sound, original member David Johnson left. This world music trend was later exemplified on albums such as Ege Bamyasi (the name meaning "Aegean okra" in Turkish), Future Days and Saw Delight, and by incorporating new band members with different nationalities. A series of tracks on Can albums, known as "Ethnological Forgery Series", abbreviated to "E.F.S", demonstrated the band's ability to successfully recreate ethnic-sounding music. They constructed their music largely through collective spontaneous composition, sampling themselves in the studio and editing down the results; bassist and chief engineer Czukay referred to Can's live and studio performances as "instant compositions". The band's early rock influences include The Beatles and The Velvet Underground as well as Jimi Hendrix, Sly Stone and Frank Zappa. The band have admitted that the beginning of Can's "Father Cannot Yell" was inspired by the Velvet Underground's "European Son". Malcolm Mooney's voice has been compared to that of James Brown (an acknowledged hero of the band members) and their early style, rooted in psychedelic music, drew comparisons with Pink Floyd. Along with their peers in the krautrock scene, they were under the influence of the wider progressive rock movement taking place in England and elsewhere during the late 1960s and early 1970s. Czukay's extensive editing has occasionally been compared to the late-'60s music of trumpeter Miles Davis (such as In a Silent Way and Bitches Brew): Can and Davis both would record long groove-intensive improvisations, then edit the best bits together for their albums. Czukay and Teo Macero (Davis's producer and editor) both had roots in the musique concrete of the 1940s and '50s. Irmin Schmidt stated in a discussion with Michael Karoli in 1996 concerning the various citations of influences upon their music: "You know, it's funny that in spite of all the supposed influences on us that have been written about, the one overriding influence has never been mentioned: Michael von Biel." Damo Suzuki was a very different singer from Mooney, with a multilingual (he claimed to sing in "the language of the Stone Age") and often inscrutable vocal style. With Suzuki, the band made their most critically and commercially successful albums. The rhythm section's work on Tago Mago has been especially praised: one critic writes that much of the album is based on "long improvisations built around hypnotic rhythm patterns"; another writes that "Halleluhwah" finds them "pounding out a monster trance/funk beat".

Answer this question "Who do they cite as influences?"
output:
The band's early rock influences include The Beatles and The Velvet Underground as well as Jimi Hendrix, Sly Stone and Frank Zappa.