Some context: Gordon Banks (born 30 December 1937) is a former England international football goalkeeper. He made 628 appearances during a 15-year career in the Football League, and won 73 caps for his country. Regarded as one of the greatest goalkeepers of all time, the IFFHS named Banks the second-best goalkeeper of the 20th century - after Lev Yashin (1st) and ahead of Dino Zoff (3rd). He was named FWA Footballer of the Year in 1972, and was named FIFA Goalkeeper of the Year on six occasions.
Banks was capped twice for the England under-23 side, in matches against Wales and Scotland in 1961. Ron Springett was the goalkeeper for England as Banks rose to prominence, but after the 1962 World Cup in Chile, a new coach was appointed in former England right-back Alf Ramsey. Ramsey demanded sole control of the team and began looking towards the next World Cup. Banks won his first cap on 6 April 1963 against Scotland at Wembley, after Springett was dropped following a poor performance. England lost 2-1, though Banks was blameless as Scotland's goals came firstly from an error by Jimmy Armfield and then secondly from the penalty spot. He was picked for the next match against Brazil, which ended in a credible 1-1 draw after Bryan Douglas cancelled out Pepe's opener. Banks continued to play consistently to become established as England's first-choice goalkeeper. In 1963, he was picked to play against the Rest of the World, in a celebration match to mark 100 years of The Football Association. Banks also played in two of England's three games at the "Little World Cup" in Brazil in the summer of 1964, a 1-1 draw with Portugal and a 1-0 defeat to Argentina. Blackpool's Tony Waiters won five caps in the England goal in 1964, but found that his challenge to Banks' first team place came to an end after he conceded five goals to Brazil. During England's summer of 1965 tour he built up a solid understanding with his defenders - George Cohen, Jack Charlton, Bobby Moore, and Ray Wilson - as he only conceded two goals in four matches against Hungary, Yugoslavia, West Germany, and Sweden. They then played seven friendlies in 1966 in the build-up to the World Cup, though the team passed their biggest test of character in the British Home Championship, beating Scotland 4-3 in front of a crowd of over 130,000 at Hampden Park. Going into the competition, the only defeat in 21 matches since the "Little World Cup" came against Austria, in a game that Banks missed due to injury.
What happened in British Home Championship?
A: beating Scotland 4-3 in front of a crowd of over 130,000 at Hampden Park.
Some context: Marguerite "Peggy" Guggenheim (August 26, 1898 - December 23, 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who would establish the Solomon R. Guggenheim Foundation. Peggy Guggenheim created a noted art collection in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it and in 1949, settled in Venice, where she lived and exhibited her collection for the rest of her life.
When Peggy Guggenheim realized that her gallery, although well received, had made a loss of PS600 in the first year, she decided to spend her money in a more practical way. A museum for contemporary arts was exactly the institution she could see herself supporting. Most certainly on her mind also were the adventures in New York City of her uncle, Solomon R. Guggenheim, who, with the help and encouragement of Hilla Rebay, had created the Solomon R. Guggenheim Foundation two years earlier. The main aim of this foundation had been to collect and to further the production of abstract art, resulting in the opening of the Museum of Non-objective Painting (from 1952: The Solomon R. Guggenheim Museum) earlier in 1939 on East 54th Street in Manhattan. Peggy Guggenheim closed Guggenheim Jeune with a farewell party on 22 June 1939, at which colour portrait photographs by Gisele Freund were projected on the walls. She started making plans for a Museum of Modern Art in London together with the English art historian and art critic Herbert Read. She set aside $40,000 for the museum's running costs. However, these funds were soon overstretched with the organisers' ambitions. In August 1939, Peggy Guggenheim left for Paris to negotiate loans of artworks for the first exhibition. In her luggage was a list drawn up by Herbert Read for this occasion. Shortly after her departure the Second World War broke out, and the events following 1 September 1939 made her abandon the scheme, willingly or not. She then "decided now to buy paintings by all the painters who were on Herbert Read's list. Having plenty of time and all the museum's funds at my disposal, I put myself on a regime to buy one picture a day." When finished, she had acquired ten Picassos, forty Ernsts, eight Miros, four Magrittes, three Man Rays, three Dalis, one Klee, one Wolfgang Paalen and one Chagall among others. In the meantime, she had also made new plans and in April 1940 had rented a large space in the Place Vendome as a new home for her museum. A few days before the Germans reached Paris, Peggy Guggenheim had to abandon her plans for a Paris museum, and fled to the south of France, from where, after months of safeguarding her collection and artist friends, she left Europe for New York in the summer of 1941. There, in the following year, she opened a new gallery which actually was in part a museum at 30 West 57th Street. It was called The Art of This Century Gallery. Three of the four galleries were dedicated to Cubist and Abstract art, Surrealism and Kinetic art, with only the fourth, the front room, being a commercial gallery. Peggy Guggenheim held important shows, such as the show for 31 Women artists, at the gallery as well. Her interest in new art was instrumental in advancing the careers of several important modern artists including the American painters Jackson Pollock and William Congdon, the Austrian surrealist Wolfgang Paalen, the sound poet Ada Verdun Howell and the German painter Max Ernst, whom she married in December 1941. She had assembled her collection in only seven years.
What type of museum did peggy plan to open?
A:
A museum for contemporary arts was exactly the institution she could see herself supporting.