In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Bad, Bad Bunny Trouble is a 1994 children's picture book written and illustrated by Hans Wilhelm. It is the second book of the Bunny Trouble trilogy, a series about Ralph, a soccer-loving rabbit who frequently causes trouble with his family and friends. It is preceded by "Bunny Trouble" and followed by "More Bunny Trouble". Context_2 : "I Knew You Were Trouble" is a song recorded by American singer-songwriter Taylor Swift for her fourth studio album, "Red" (2012). It was released on October 9, 2012, in the United States by Big Machine Records as the third promotional single from the album. Later, "I Knew You Were Trouble" was released as the third single from "Red" on November 27, 2012, in the United States. It was written by Swift, Max Martin and Shellback, with the production handled by the latter two. Context_3 : Chandan Ka Palna is a 1967 Bollywood film starring Dharmendra and Meena Kumari. No joy in the world can equal the happiness a man derives from watching his own child at play. Not all the riches in the world can compensate for the vacuum, the emptiness, created by the want of a child in a home. With a woman this yearning is a hundred times stronger and the outcome of her torment impossible beyond measure. Radha belonged to a rich family. Her sole aim in life after becoming a widow, was to see her sone Ajit happy and fulfil the promise she had given to her husband that the family name and tradition would be perpetuated. Finding Ajit deeply in love with Shobha, the Raisaheb's daughter who too loved him no less, Radha got them married, hoping that Shobha would prove an ideal wife and daughter-in-law and their home would soon resound with merry laughter of a child, if not children. Three years went by and Radha was still waiting for the new arrival in the family. Her patience was running out. Desperate, she took Shobha to a doctor who, after prolonged examination and treatment, told her that God alone could help her fulfill her yearning for a grandchild. Radha's sorrow knows no bounds. She could not think of the family chain breaking off. She had to have a grandchild and fulfil her promise to her late husband. As a last resort, she took Shobha to Gurudev, the spiritual soul revered by the family. Gurudev had pity on Radha's plight. Taking her into confidence, he told her: ""Look, I am no miracle worker. And, as far as my knowledge goes, I am certain that your daughter-in-law is destined to remain barren.""When Shobha heard this, she was in a daze. She knew her mother-in-law's craving for a grandchild and she knew also that woman would leave no stone unturned to accomplish her objective.Life seemed to Shobha without a ray of hope for her to live. She decided to put an end to it. It was better that way, she thought, than to suffer the humiliation of being branded for ever barren. She knew how deeply her husband loved her and she could very well imagine his dilemma when forced to marry again for the sake of a child.She started walking in the direction of the fatal plunge to end all problems, to end herself. But what mere mortal can meet his or her end according to his or her own design? Destiny had other things written down for Shobha. But let that be unfolded on the screen in ""Chandan Ka Palna"" lest further knowledge of the proceedings spoil full enjoyment of the drama. Context_4 : "The Trouble with Love Is" is a song by American singer-songwriter Kelly Clarkson, for her debut studio album "Thankful" (2003). The song was written by Clarkson with its producers Evan Rogers and Carl Sturken. It was released as the fourth and final single from the album, being first serviced to US contemporary hit radio on November 12, 2003. "The Trouble with Love Is" is an R&B and soul ballad, with elements of gospel music in its chorus. Lyrically, the song finds Clarkson explaining how love can be joyful and sorrowful at the same time. It received mostly positive reviews from music critics, who praised it for being "soulful" and "romantic", while also praising Clarkson's vocals, comparing them to those of Mariah Carey and Beyonce. Context_5 : "Johnny I Hardly Knew Ye" (also known as "Johnny We Hardly Knew Ye" or "Johnny I Hardly Knew Ya") is a popular traditional song, sung to the same tune as "When Johnny Comes Marching Home". First published in London in 1867 and written by Joseph B. Geoghegan, a prolific English songwriter and successful music hall figure, it remained popular in Britain and Ireland and the United States into the early years of the 20th century. The song was recorded by The Clancy Brothers & Tommy Makem on their self-titled album in 1961, leading to a renewal of its popularity. Context_6 : "State of Grace" is a song by American singer-songwriter Taylor Swift from her fourth studio album "Red" (2012). It was released to the iTunes Store on October 16, 2012, in the United States by Big Machine Records as the fourth and final promotional single from the album. It was the only promotional single from the album that was not re-issued as an official single, as "Begin Again", "Red", and "I Knew You Were Trouble", were all later re-issued as official singles. The song was written by Swift and produced by Nathan Chapman and Swift. Musically, the song is a departure from Swift's typical country pop, using influences of alternative rock while being compared to bands such as U2, Muse and The Cranberries. The song has received immense praise from music critics, who have complimented its broader sound in comparison with Swift's previous material. Context_7 : Souled is the title of the sixth studio album by singer-songwriter & producer Thomas Anders. It was released in 1995, and was produced by Peter Wolf (Starship). The album featured covers of The Beatles' "Michelle", Stephanie Mills' "Never Knew Love Like This Before" and a duet with The Pointer Sisters on "Feel for the Physical". "Road To Higher Love", "A Little Bit Of Lovin'" and "Never Knew Love Like This Before" were released as singles. Context_8 : Music for People in Trouble is the fifth studio album by Norwegian singer-songwriter Susanne Sundfr, released on 8 September 2017 through Bella Union. Sundfr collaborated with Jrgen Tren on the production of the album. "Music for People in Trouble" represents a departure from the synth-pop of "Ten Love Songs" (2015) in favor of a return to her roots as a folk singer-songwriter. Context_9 : Reaching for the Invisible God: What Can We Expect to Find? is a book written by Evangelical Christian writer Philip Yancey and published by Zondervan in September 2000. The popularity of Yancey's 1997 book "What's So Amazing About Grace?" helped boost the sales of "Reaching for the Invisible God" to the point that it appeared on religion bestseller lists immediately upon publication. Within a month, Zondervan reported sales of 94,000 copies. While preparing to write the book, Yancey asked several people how they knew that their trust in Jesus had changed their lives, and one Christian radio host responded, "I have no trouble believing God is good. My question is more, what good is he? ... I cry out to God for help, and it's hard to know just how he answers". "Reaching for the Invisible God" includes discussion of Yancey's bad experiences of growing up in a very judgmental church, a theme that he had previously discussed in "The Jesus I Never Knew" and "What's So Amazing About Grace?" and later returned to in "Soul Survivor". In November 2000, "Reaching for the Invisible God" became the first print book to be released as an e-book by Zondervan, appearing on Microsoft Reader. The book received the 2001 "Christianity Today" Book Award in the spirituality category. A "Topeka Capital-Journal" review called "Reaching for the Invisible God" "another accessible book from Yancey on a theologically complex subject for those who believe in God, and those who aren't sure if they can". David Crumm of the "Lincoln Journal Star" wrote a review of the book and said that Yancey's honesty about his own personal pursuit of God is remarkable. In a 2001 review in "The Christian Century", Peter Marty writes that Yancey "succeeds brilliantly [in] tell[ing] the truth about the Christian life 'without overselling it'". Context_10 : "Trouble Sleeping" is a song by English singer-songwriter Corinne Bailey Rae from her self-titled debut album (2006). It was written by Rae, John Beck and Steve Chrisanthou, and was released as the album's third single on 29 May 2006. Rae performed this song and "Like a Star" on the 27 November 2006 episode of the NBC comedy-drama series "Studio 60 on the Sunset Strip". "Trouble Sleeping" was also featured on the NBC medical drama "ER" and on the CBS police procedural drama "NCIS". fact_1 : "State of Grace" is a song by American singer-songwriter Taylor Swift from her fourth studio album "Red" (2012). fact_2 : "I Knew You Were Trouble" is a song recorded by American singer-songwriter Taylor Swift for her fourth studio album, "Red" (2012). Answer: Taylor Swift
Solution:
I Knew You Were Trouble and State of Grace are both written by what singersongwriter?