I really struggle to feel bad for people who actively choose to be miserable and manipulative. I'm dorky and like to use little proverbs all the time. One of my favorites is this: "you can lead a horse to water, but you can't make him drink." At the end of the day, if someone has a problem, they can never resolve it if they don't truly wish to. You can give someone all the resources in the world, but you can't force them to utilize them. When I was 16, I dated a horrible guy. He was abusive verbally, emotionally, and sexually. He was an incredibly troubled young man and refused to seek help for his severe mental health issues. I eventually came to understand that he reveled in his misery. It was his identity. He acted like he wanted a cure and I'd set him up with resources, but he refused every single one. He may have struggled with serious mental illnesses, but being miserable perversely made him happy and he loved to use his struggles to justify his inexcusable behavior. He wanted to drag as many people into his fiery pit of anguish as possible. I later suffered from severe depression myself, and I never once used it as an excuse to hurt other people. My ex wasn't struggling with his mental health in terms of deliberating and carefully harming others. He was simply exhibiting a personality trait, one he chose to cultivate and it wasn't my problem. I ended up cutting him off completely in spite of all the threats. I will never feel bad for the awful plight he refuses to help himself out of. I have no patience for that type of person. Know what we call them? Toxic. Poison. A waste of time. How long did the author date her boyfriend at 16? - 1 year. - not enough information - 5 years. - 3 months.
5 years.

Cerberus just stared at me. The dog didn't blink, he didn't pant, he didn't move. He just sat in the passenger seat as I drove, relaxed, mouth hanging slightly open, looking at me the way someone examines a menu but can't decide on the chicken or the veal. The desert sky was on fire when the city came into view. Cerberus turned away from me and stuck his head out from the side of the jeep, his giant tongue flapping in the eighty mile an hour wind while I dialed Luna's number. The dog pulled his head back in, then rested his chin on top of the overhead roll-bar, his fur blowing back along his head like the spines of a porcupine. "Hello?" "Hey, Luna." "Dingo! Are you there yet?" "No, not yet. I'm just outside the city." Vegas flashed and blinked under the starless sky. "You get in touch with Mr. Waciejowski?" "Sure did. He's at the Denny's near the Excalibur. He's trying to stay away from the blackjack tables." "Yeah, good for him. He has the box?" I could hear Luna stuffing something disgustingly healthy in her mouth. "Mmm hmm." "He hasn't opened it, has he?" She swallowed. "Nah. I told him it was filled with old photos." Cerberus shifted in the seat and scratched behind his neck with such force that the whole Jeep shook; a rather unsettling motion at 80 miles an hour. "Hey Luna, I've got a question for you." I looked over to see the dog's nostrils flared out in the wind while his lips blew back and revealed his frightening set of teeth. "This, uh, this animal spirit guide you had me try to find. Do they ever show up, you know, in person?" Why did Luna swallow? - something stuck in her throat - she was nervous about the question - she thought about an answer to the question for too long - not enough information
she was nervous about the question

White House officials on Wednesday laid out plans to send National Guard troops to the United States' southern border with Mexico, as part of President Donald Trump's efforts to confront what he says is a growing problem with illegal immigrants. The decision to deploy the U.S. military to the border represents a major new aspect of Trump's wide-ranging immigration crackdown. But major parts of the move are unclear, including how many troops will be sent, when they will deploy, or what exactly they will do. "It will take time to have the details in place, but we are beginning today and are moving quickly," said Kirstjen Nielsen, secretary of the Department of Homeland Security. "We are anxious to have this support." In the U.S., the active duty military is generally restricted from domestic law enforcement functions, which would include apprehending border crossers. However, U.S. presidents have deployed the National Guard to the border to act in support roles. Nielsen said the National Guard troops will help with border surveillance and other "support functions." She declined to say how large the force would be, but she did say it would include "as many (troops) as is needed to fill the gaps today." A senior Trump administration official declined to say whether the National Guard troops will be armed, saying those details are still being worked out. But the official said the force would be effective. "Suffice it to say, for individuals looking to pay a smuggler to get in the United States right now, that would be a very unwise investment," the official said. Trump signed a proclamation authorizing the move Wednesday evening. But states must also approve the decision before deploying their guard members. Trump repeatedly has threatened to deploy the military to help secure the border, especially as a caravan of Central American migrants makes it way north through Mexico, with some headed for the U.S. Why did Trump to send the National Guard to the border of US and Mexico? - not enough information - riots - immigration illegally and drug smuggling - devastating mass shootings
immigration illegally and drug smuggling

The Getty Villa is a museum unlike any in the world. It offers an experience of ancient Greek and Roman art in a setting that replicates that in which it would originally have been displayed, a Roman villa of the first century AD. On April 18, after three years of work, the galleries of the Villa reopen with an entirely new arrangement of the collection, one that situates art in its cultural and historical context. Since 2006, when the Getty Villa opened as a museum dedicated to the cultures of the ancient Mediterranean, the collection has been presented along thematic lines, with galleries dedicated to subjects such as ancient theater, athletes and competition, and gods and goddesses. This approach was useful in illuminating social life in the ancient classical world, but it prioritized objects' subject matter over their stature as works of art and removed them from their broader artistic and cultural context. Reenvisioning how the antiquities were displayed at the Villa was one of my top priorities when I joined the J. Paul Getty Museum as director in 2012. As a specialist in ancient art, my priority is to help visitors to see these great treasures as beautiful and fascinating works of art, and sparking their curiosity to understand them in the context of their place in human culture. Starting April 18 our Villa galleries offer a new journey through ancient Greek, Roman, and Etruscan art. The visitor's path begins on the first-floor rooms devoted to Neolithic and Bronze Age (Cycladic, Minoan, and Mycenaean) Greek art. The journey continues through the Archaic, Classical, and Hellenistic periods, when the Greeks developed the first fully naturalistic vision of the human figure. And it culminates in the dramatic skylit halls of ancient Roman sculpture. In all there are 33 spaces on two floors, with 3,000 more square feet of gallery space than before. The visitor's path winds through the galleries, gardens, and fountains, offering views onto the spectacular landscape and Pacific Ocean. The gallery is probably: - Unfinished - Complete - Still in construction - not enough information
Complete