Background: Pierce the Veil is an American rock band from San Diego, California. Formed in 2006, the band was founded by brothers Vic and Mike Fuentes after the disbandment of the group Before Today (formerly Early Times), which was formed out of the San Diego punk rock scene. Other members of the band include Jaime Preciado (bass) and Tony Perry (lead guitar). Pierce the Veil has released three studio albums and has toured worldwide since the release of their debut album, A Flair for the Dramatic in 2007.
Context: On September 23, 2013 the band announced plans to release a documentary on November 11 detailing their first world tour. The documentary included live footage from their world tour, three music videos, and additional content. The band released this statement on the documentary: "Our first world tour was absolutely the craziest experience of our lives.. and we filmed EVERYTHING! Follow along as we visit uncharted territories in search of the best shows and thrilling experiences we could absolutely find along the way. This DVD is for the fans and the fans only. Thank you for letting us travel the world and share this adventure with you!" - Vic, Mike, Tony, and Jaime On October 18, 2013 the band launched pre-orders for their documentary with a new release date of November 25. On July 21, Vic Fuentes and Kellin Quinn of Sleeping with Sirens announced a co-headlining world concert tour. The tour started on November 5, 2014 in Fresno. They first announced the first North America leg with 20 concerts with support from Beartooth and This Wild Life. A month later, on August 22, 2014 the band confirmed the second leg of the concert tour which took place in Europe. Between March 20, 2015 and April 11, 2015 Pierce the Veil played concerts in the Netherlands, Belgium, Sweden, Germany, and the UK. According to Epitaph Records, all concerts in Europe were sold out. Before heading to Europe the band played a second US leg with support from PVRIS and Mallory Knox.
Question: What was the albums title song
Answer: Thank you for letting us travel the world and share this adventure with you!" - Vic, Mike, Tony, and Jaime

Background: William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
Context: In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease. The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK. When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist.
Question: When did Hogarth paint Harlot's and Rake's Progresses?
Answer: ) before being published as engravings.

Background: Tom Ford was born on August 27, 1961, in Austin, Texas, the son of realtors Shirley Burton (nee Shirley Ann Thrasher) and Thomas David Ford. He spent his early life in the suburbs of Houston, Texas, and in San Marcos, outside Austin; his family moved to Santa Fe, New Mexico, when he was 11. In Santa Fe, he entered St. Michael's High School and later moved to Santa Fe Preparatory School, from which he graduated in 1979.
Context: When interviewing for jobs after graduation, Ford said that he had attended The New School's Parsons division, but concealed that he graduated in architecture, and that his work at Chloe was a low-level public relations position. Despite his lack of experience in fashion, Ford called American designer Cathy Hardwick every day for a month in hopes of securing a job at her sportswear company. Hardwick eventually agreed to interview him. She later recalled the incident: "I had every intention of giving him no hope. I asked him who his favorite European designers were. He said, 'Armani and Chanel.' Months later I asked him why he said that, and he said, 'Because you were wearing something Armani'. Is it any wonder he got the job?" Ford worked as a design assistant for Hardwick for two years. In 1988, Ford moved to Perry Ellis, where he knew both Robert McDonald, the company's president, and Marc Jacobs, its designer, socially. He worked at the company for two years, but grew tired of working in American fashion. In a later interview with The New York Times, he commented, "If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style." At the time, Italian fashion house Gucci was struggling financially and was seeking to strengthen its women's ready-to-wear presence as a part of a brand overhaul. The company's creative director, Dawn Mello said, "no one would dream of wearing Gucci". In 1990, Mello hired Ford as the brand's chief women's ready-to-wear designer and Ford moved to Milan. "I was talking to a lot of people, and most didn't want the job," Mello said. "For an American designer to move to Italy to join a company that was far from being a brand would have been pretty risky." Ford and his longtime partner, fashion journalist Richard Buckley, relocated to Milan that September. Ford's role at Gucci rapidly expanded; he was designing menswear within six months, and shoes soon after that. When Richard Lambertson left as design director in 1992, Ford took over his position, heading the brand's ready-to-wear, fragrances, image, advertising, and store design. In 1993, when he was in charge of designing eleven product lines, Ford worked eighteen-hour days. During these years, there were creative tensions between Ford and Maurizio Gucci, the company's chairman and 50% owner. According to Mello, "Maurizio always wanted everything to be round and brown, and Tom wanted to make it square and black." Though Maurizio Gucci wanted to fire Ford, Domenico De Sole insisted that he remain. Nonetheless, Ford's work during the early 1990s was primarily behind the scenes; his contributions to Gucci were overshadowed by those of Mello, who was the company's public face.
Question: Where did he start his career
Answer:
When interviewing for jobs after graduation,