Q: What's an example of a movie review?
An example of a movie review is here: You know how sometimes you can watch a crappy movie with friends and laugh at all the shortcomings of the movie? Well this was beyond that. I bought the DVD at Tower Records because it was like $3.00 and I'd heard this was a movie you could laugh at. It is really nothing short of pathetic. About 30 minutes into the movie, my friends started asking me to turn it off. Around 45 minutes they begged me. After an hour, we compromised to fast forward to the end, so we could see how the conflict was resolved (and because we had been watching the whole time for Matt Walsh). Seriously, don't watch this movie. It is beyond painful.

Q: What's an example of a movie review?
An example of a movie review is here: "COSBY," in my opinion, is a must-see CBS hit! I'm not sure if I've never seen every episode, but I still enjoyed it. It's hard to say which one is my favorite. Also, I really loved the theme song. If you ask me, even though I liked everyone, it would have been nice if Madeline Kahn hadn't passed away during the show's run. Since that happened, I've always wondered what the show would have been like. Everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, even though it can be seen on TBS now, I strongly recommend you catch it just in case it goes off the air for good

Q: What's an example of a movie review?
An example of a movie review is here: I am curious of what rifle Beckett was using in the movie, and also the caliber of the bullet that he was suppose to be firing. If this is loosely based on Carlos Hathcock's sniping, I am guessing that it is a 7mm. round. I am also curious of the rifle itself. He also made a comment in the final Sniper movie about the rifle that the Vietnamese man let him use that belonged to his father. Beckett mentioned that he thought it was the best sniper rifle ever made. I would like to know which rifle that is also. I know that this particular rifle was made around WWII or beforehand. I just couldn't get a close enough look at it watching the movie to identify it.

As for Mr. Hathcocks kills, his longest shot was 1.47 miles, and he had 93 confirmed kills and 14 unconfirmed kills. After his wounds somewhat healed from being burned in Vietnam, he spent the rest of his career teaching snipers in the USMC the skills that they would need in the field. His sniping career is still mentioned to our brothers and sisters that train in the USMC. I found out his name from my friend who is a former Marine. Any information would be great.

Q: What's an example of a movie review?
An example of a movie review is here:
This is the 2nd time I've seen this movie in about 12 years. These remarks come from someone who finds Kane and Ambersons to be amazing, worthy films. But the remainder of Welles career is, unfortunately, squandered on material unworthy of his talent and too flimsy to withstand his filmic embroidering. And when he makes a potboiler like Shanghai, the lack of anything substantial to hang his filmic tricks on, is just kind of sad. I couldn't tell you what he was exploring here. It's all as mannered as Welle's godawful Irish brogue; which takes a lot of effort, but adds absolutely zero to the film. Several Welles projects became this overdeveloped and baroque. Mr Arkadin (pick a version, any version) is a similarly belabored project. The material is inconsequential. It just can't bear the weight of all this noodling. For a director trafficking in reality-based drama (as here), he never feels any pull to tie his bundle of conceits back to reality; or to a coherent story. The murder-for-hire scheme is ridiculous.

Kudos to Welles though, for having Hayworth cut her hair, and getting that performance out of her. The camera loves her. She's the classiest, most upscale, sultry and ravishing femme fatale ever put on film. But her treachery comes so late in the film it feels like some desperate decision, made so the movie will have some genre it fits into. The movie can't be saved by a noir convention deployed in the last 60 seconds.

When all is said and done in L.F.S., the convolutions are all for what?; to convince you you've seen something thoughtful? to give Welles more to do? to make you roll your eyes? Welles has no sensitivity to the scale of a story, or to telling a story directly. One wonders what Shanghai has to say to anyone who isn't a crippled billionaire, arranging a quadruple-cross murder-for-hire scheme, or a fanboy in love with filmic conceits devoid of meaning or substance.

Overwrought, preposterous, unengaging.