Problem: In spring 1987, a protest movement arose against new phosphate mines in Estonia. Signatures were collected in Tartu, and students assembled in the university's main hall to express lack of confidence in the government. At a demonstration on May 1, 1987, young people showed up with banners and slogans despite an official ban. On August 15, 1987, former political prisoners formed the MRP-AEG group (Estonians for the Public Disclosure of the Molotov-Ribbentrop Pact), which was headed by Tiit Madisson. In September 1987, the Edasi newspaper published a proposal by Edgar Savisaar, Siim Kallas, Tiit Made, and Mikk Titma calling for Estonia's transition to autonomy. Initially geared toward economic independence, then toward a certain amount of political autonomy, the project, Isemajandav Eesti ("A Self-Managing Estonia") became known according to its Estonian acronym, IME, which means "miracle". On October 21, a demonstration dedicated to those who gave their lives in the 19181920 Estonian War of Independence took place in Voru, which culminated in a conflict with the militia. For the first time in years, the blue, black, and white national tricolor was publicly displayed.
Who was in charge of the MRP-AEG group?
The answer is the following: Tiit Madisson

Problem: The official published membership statistics, such as those mentioned above, include only those who submit reports for their personal ministry; official statistics do not include inactive and disfellowshipped individuals or others who might attend their meetings. As a result, only about half of those who self-identified as Jehovah's Witnesses in independent demographic studies are considered active by the faith itself. The 2008 US Pew Forum on Religion & Public Life survey found a low retention rate among members of the religion: about 37% of people raised in the religion continued to identify themselves as Jehovah's Witnesses.
Only about half all Jehovah's Witnesses are actually considered what in the faith itself?
The answer is the following: active

Problem: Non-religious Umayyad mosaic works were mainly floor panels which decorated the palaces of the caliphs and other high-ranking officials. They were closely modeled after the mosaics of the Roman country villas, once common in the Eastern Mediterranean. The most superb example can be found in the bath house of Hisham's Palace, Palestine which was made around 744. The main panel depicts a large tree and underneath it a lion attacking a deer (right side) and two deers peacefully grazing (left side). The panel probably represents good and bad governance. Mosaics with classical geometric motifs survived in the bath area of the 8th-century Umayyad palace complex in Anjar, Lebanon. The luxurious desert residence of Al-Walid II in Qasr al-Hallabat (in present-day Jordan) was also decorated with floor mosaics that show a high level of technical skill. The best preserved panel at Hallabat is divided by a Tree of Life flanked by "good" animals on one side and "bad" animals on the other. Among the Hallabat representations are vine scrolls, grapes, pomegranates, oryx, wolves, hares, a leopard, pairs of partridges, fish, bulls, ostriches, rabbits, rams, goats, lions and a snake. At Qastal, near Amman, excavations in 2000 uncovered the earliest known Umayyad mosaics in present-day Jordan, dating probably from the caliphate of Abd al-Malik ibn Marwan (685705). They cover much of the floor of a finely decorated building that probably served as the palace of a local governor. The Qastal mosaics depict geometrical patterns, trees, animals, fruits and rosettes. Except for the open courtyard, entrance and staircases, the floors of the entire palace were covered in mosaics.
Any mosaic having secular designs were likely what?
The answer is the following: floor panels

Problem: In 2001, Lee was inducted into the Alabama Academy of Honor. In the same year, Chicago mayor Richard M. Daley initiated a reading program throughout the city's libraries, and chose his favorite book, To Kill a Mockingbird, as the first title of the One City, One Book program. Lee declared that "there is no greater honor the novel could receive". By 2004, the novel had been chosen by 25 communities for variations of the citywide reading program, more than any other novel. David Kipen of the National Endowment of the Arts, who supervised The Big Read, states "people just seem to connect with it. It dredges up things in their own lives, their interactions across racial lines, legal encounters, and childhood. It's just this skeleton key to so many different parts of people's lives, and they cherish it."
By 2004, how many communities were using the book as part of their reading programs?
The answer is the following:
25