Problem: 2008 Sichuan earthquake:

Ye Zhiping, the principal of Sangzao Middle School in Sangzao, one of the largest in An County, has been credited with proactive action that spared the lives of all 2,323 pupils in attendance when the earthquake happened. During a three-year period that ended in 2007, he oversaw a major overhaul of his school. During that time he obtained more than 400,000 yuan (US$60,000) from the county education department, money used to widen and strengthen concrete pillars and the balcony railing of all four storeys of his school, as well as secure its concrete floors.

Where is the Sangzao Middle School?
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A: Sangzao

Problem: As a result, they broke up in 1979, but remained close friends. Then in 1984 they renewed their romance, and in November 1985, they married, already having had a son, Max Samuel. After three and a half years of marriage, however, many of the same competing stresses of their careers caused them to divorce in 1989. They agreed to maintain homes near each other as to facilitate the shared custody and parenting of their son.:403 Their divorce was recorded as the third most costly celebrity divorce in history.
Which celebrity got divorced in 1989?
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Answer: unanswerable

Q: What is a question about this article? If the question is unanswerable, say "unanswerable".
Later, the constitution was amended to state that the citizens of the 16 states had successfully achieved the unity of Germany in free self-determination and that the Basic Law thus applied to the entire German people. Article 23, which had allowed "any other parts of Germany" to join, was rephrased. It had been used in 1957 to reintegrate the Saar Protectorate as the Saarland into the Federal Republic, and this was used as a model for German reunification in 1990. The amended article now defines the participation of the Federal Council and the 16 German states in matters concerning the European Union.
Which state was Article 23 used to reintegrate?
A: Saar Protectorate

Context and question: Much of mandolin development revolved around the soundboard (the top). Pre-mandolin instruments were quiet instruments, strung with as many as six courses of gut strings, and were plucked with the fingers or with a quill. However, modern instruments are louderusing four courses of metal strings, which exert more pressure than the gut strings. The modern soundboard is designed to withstand the pressure of metal strings that would break earlier instruments. The soundboard comes in many shapesbut generally round or teardrop-shaped, sometimes with scrolls or other projections. There is usually one or more sound holes in the soundboard, either round, oval, or shaped like a calligraphic F (f-hole). A round or oval sound hole may be covered or bordered with decorative rosettes or purfling.
What is the most uncommon soundboard shape?
Answer: unanswerable

Question: Those involved in producing professional wrestling have developed a kind of global fraternity, with familial bonds, shared language and passed-down traditions. New performers are expected to "pay their dues" for a few years by working in lower-profile promotions and working as ring crew before working their way upward. The permanent rosters of most promotions develop a backstage pecking order, with veterans mediating conflicts and mentoring younger wrestlers. For many decades (and still to a lesser extent today), performers were expected to keep the illusions of wrestling's legitimacy alive even while not performing, essentially acting in character any time they were in public. Some veterans speak of a "sickness" among wrestling performers, an inexplicable pull to remain active in the wrestling world despite the devastating effects the job can have on one's life and health.
Is there an answer to this question: How did wrestlers have to act in public?

Answer: acting in character

QUES: The assertion that the Cubist depiction of space, mass, time, and volume supports (rather than contradicts) the flatness of the canvas was made by Daniel-Henry Kahnweiler as early as 1920, but it was subject to criticism in the 1950s and 1960s, especially by Clement Greenberg. Contemporary views of Cubism are complex, formed to some extent in response to the "Salle 41" Cubists, whose methods were too distinct from those of Picasso and Braque to be considered merely secondary to them. Alternative interpretations of Cubism have therefore developed. Wider views of Cubism include artists who were later associated with the "Salle 41" artists, e.g., Francis Picabia; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who beginning in late 1911 formed the core of the Section d'Or (or the Puteaux Group); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens; and painters such as Louis Marcoussis, Roger de La Fresnaye, Frantisek Kupka, Diego Rivera, Leopold Survage, Auguste Herbin, Andre Lhote, Gino Severini (after 1916), Maria Blanchard (after 1916) and Georges Valmier (after 1918). More fundamentally, Christopher Green argues that Douglas Cooper's terms were "later undermined by interpretations of the work of Picasso, Braque, Gris and Leger that stress iconographic and ideological questions rather than methods of representation."

Who was the main opponent that began to agree that the flat canvas did not support Cubism?
What is the answer?
ANS:
unanswerable