input: Producer Norman Whitfield recorded "I Heard It Through the Grapevine" with various Motown artists. The first known recording is with the Miracles on August 6, 1966, though there may also have been a recording with the Isley Brothers, or at least Whitfield intended to record it with them; however a track has not turned up - some Motown historians believe that a session may have been scheduled but cancelled. The Miracles' version was not released as a single due to Berry Gordy's veto during Motown's weekly quality control meetings; Gordy advised Whitfield and Strong to create a stronger single. The Miracles version later appeared on their 1968 Special Occasion album, and a slightly different take, possibly from the same session but unreleased, appeared on the 1998 compilation album, Motown Sings Motown Treasures. Marvin Gaye's version was recorded in spring 1967, and is the second known recording, though was also rejected by Gordy as a single, and would also later go onto an album, In the Groove. The third recording was in 1967 with Gladys Knight and the Pips in a new, faster arrangement. Gordy accepted the new arrangement and the Gladys Knight version was released as a single in September 1967, reaching number 2 in the charts. When Gaye's album with his version of Grapevine was released in August 1968, radio disc jockeys were playing the song, so Gordy had it released as a single in October, and it went to number one in December. In 1968, Bobby Taylor & the Vancouvers recorded a version for their debut album based on Gladys' recent hit; however, after hearing the Marvin Gaye version, they felt they'd made the wrong choice. In 1969, Whitfield produced a version for the Temptations "psychedelic soul" album, Cloud Nine, in which he "brought compelling percussion to the fore, and relegated the piano well into the wings". In 1971, the Undisputed Truth recorded the song in a Marvin-styled version as did Bettye Lavette on her 1982 Motown album, Tell Me a Lie.

Answer this question "What was the next recording?"
output: Marvin Gaye's version was recorded in spring 1967, and is the second known recording,

input: On February 26, 2014, Combs premiered "Big Homie", featuring Rick Ross and French Montana, as the first single from his mixtape MMM (Money Making Mitch), which was originally scheduled to be released that year. The song was released for digital download on March 24, and two days later the trailer for the music video was released. The full version of the music video was released on March 31. Combs used his former stage name Puff Daddy for the album. MMM was released as a free mixtape album of 12 tracks on November 4, 2015. In 2014 Combs and Guy Gerber announced that their joint album 11 11 would be available for free download. A new single called "Finna Get Loose" featuring Combs and Pharrell Williams was released on June 29, 2015. In July 2015, Bad Boy Entertainment artist Gizzle told the press that she is collaborating with Combs on what she describes as his last album, titled No Way Out 2, a sequel to his 1997 debut. She describes the music as unique: "The mindset is to just be classic and to be epic. And to really live up to that ... we know it's a tall order, but we welcome the challenge." In April 2016, Combs announced that after this last album and tour, he plans to retire from the music industry to focus on acting. On May 20 and 21, 2016, Combs launched a tour of Bad Boy Records' biggest names to celebrate the 20th anniversary of the label. The documentary Can't Stop, Won't Stop: A Bad Boy Story, covering the two shows at the Barclays Center in Brooklyn as well as behind-the-scenes events, was released on June 23, 2017. The show toured to an additional twenty venues across the United States and Canada. On November 5, 2017, Combs announced that he would be going by the name Love, stating "My new name is Love, aka Brother Love". Two days later, he told the press he had been joking, but on January 3, 2018, he announced on Jimmy Kimmel Live! that he had changed his mind again, and will be using the new name after all.

Answer this question "Is "Love" an album?"
output: On November 5, 2017, Combs announced that he would be going by the name Love, stating "My new name is Love, aka Brother Love".

input: While attending the University of Southern California, she agreed to write songs for a friend. A demo session was scheduled for the songs to be recorded by another singer, but the vocalist failed to appear, so Gray recorded them herself. I started forming bands and writing songs just for fun and then I really got into it and got attached to it. Then a friend of mine asked me to be a singer in his jazz band. He gave me all these jazz CDs and I studied all these different singers and I kind of taught myself how to sing for a gig, but I didn't take it seriously until later. She then met writer-producer Joe Solo while working as a cashier in Beverly Hills. Together, they wrote a collection of songs and recorded them in Solo's studio. The demo tape gave Gray the opportunity to sing at jazz cafes in Los Angeles. Although Gray did not consider her unusual voice desirable for singing, Atlantic Records signed her. She began recording her debut record but was dropped from the label upon the departure of A&R man Tom Carolan, who had signed her to the label. Macy returned to Ohio but in 1997 Los Angeles based Zomba Publishing Senior VP A&R man Jeff Blue, convinced her to return to music and signed her to a development deal, recording new songs based on her life experiences, with a new sound, and began shopping her to record labels. In 1998, she landed a record deal with Epic Records. She performed on "Love Won't Wait", a song on the Black Eyed Peas' debut album Behind the Front.

Answer this question "How did working with Joe Solo help Macy's musical career ?"
output:
Atlantic Records signed her.