IN: Robert Leland Eubanks (born January 8, 1938) is an American disc jockey, television personality and game show host, best known for hosting the game show The Newlywed Game on and off since 1966. He also hosted the successful revamp version of Card Sharks from 1986 to 1989. Eubanks received a star on the Hollywood Walk of Fame for his television work in 2000. The star is in front of Grauman's Egyptian Theatre, where Eubanks worked during the first years of his broadcasting career.

Eubanks was born in Flint, Michigan, but was raised primarily in Pasadena, California, where he grew up listening to music, most notably favorites like Frank Sinatra and Doc Watson. His parents, John Otho Leland Eubanks (September 28, 1905 - April 11, 1995) and Gertrude Eubanks (nee McClure) (February 15, 1907 - July 24, 1997), were originally from Missouri. They moved to Flint during the Great Depression, where their only child was born, before moving on to California. The young boy became a child model, doing photo shoots for ads and meeting his idol, Gene Autry, when he was scheduled to do an ad photo shoot with him. He watched popular classic television and quiz game shows. Also growing up in the 1940s and 1950s, he was influenced by Cary Grant, Howard Hughes, Buddy Hackett and Bill Cullen. He attended Pasadena High School, where he graduated in 1955. After graduation from high school, he would become one of California's most popular disc jockeys. In 1956, his first radio exposure was at KACY Radio in Oxnard, California. He joined KRLA in Pasadena in 1960 to do the overnight show. In the spring of 1962 he was promoted to morning drive, then a year later moved to his long-running 6-9pm evening slot. During most of the 1960s, he was also a producer of concerts, such as The Beatles 1964 and 1965 Hollywood Bowl performances, The Rolling Stones, during the first two years of the American tour. While still in Los Angeles, he also produced such artists as Barry Manilow, The Supremes, Dolly Parton, Bob Dylan, Elton John and Merle Haggard, among others. Eubanks attended Pierce College in the early 60s, according to his commentary on a Card Sharks episode. Eubanks married Irma Brown, an avid athlete, ranch forewoman and artist, on September 10, 1969. They had three children: Trace, a retired firefighter; Corey, a stuntman; and Theresa. In 1970, the couple purchased a 20-acre (81,000 m2) portion of a working cattle ranch, and later expanded it to 26 acres (110,000 m2). The entire family enjoyed roping and riding, with Eubanks participating in rodeos during his spare time. Eubanks is a gold card member of the Professional Rodeo Cowboys Association. Irma handled interior decorating, landscaping, and mounting one to two equestrian shows a year. Irma died in 2002 after a prolonged illness. Around 2004, Eubanks married Deborah James. James is a wedding/events coordinator in Ventura, California and has her own company, Bella Vita Events. The couple has a young son, Noah. In October 2010, Eubanks and his wife put their Westlake Village, CA home on the market.

What did he major in?

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IN: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.

In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer Hans Goltz, whose influential gallery gave Klee major exposure, and some commercial success. A retrospective of over 300 works in 1920 was also notable. Klee taught at the Bauhaus from January 1921 to April 1931. He was a "Form" master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: "I also approve of these forces competing one with the other if the result is achievement." Klee was also a member of Die Blaue Vier (The Blue Four), with Kandinsky, Lyonel Feininger, and Alexej von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major monograph on Klee's work was published, written by Will Grohmann. Klee also taught at the Dusseldorf Academy from 1931 to 1933, and was singled out by a Nazi newspaper, "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew." His home was searched by the Gestapo and he was fired from his job. His self-portrait Struck from the List (1933) commemorates the sad occasion. In 1933-4, Klee had shows in London and Paris, and finally met Pablo Picasso, whom he greatly admired. The Klee family emigrated to Switzerland in late 1933. Klee was at the peak of his creative output. His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; it is also one of his largest, most finely worked paintings. He produced nearly 500 works in 1933 during his last year in Germany. However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years. His output in 1936 was only 25 pictures. In the later 1930s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso. Klee's simpler and larger designs enabled him to keep up his output in his final years, and in 1939 he created over 1,200 works, a career high for one year. He used heavier lines and mainly geometric forms with fewer but larger blocks of color. His varied color palettes, some with bright colors and others sober, perhaps reflected his alternating moods of optimism and pessimism. Back in Germany in 1937, seventeen of Klee's pictures were included in an exhibition of "Degenerate art" and 102 of his works in public collections were seized by the Nazis.

Was he successful with his teaching at the Bauhaus?

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He was a "Form" master