In this task, you're given a question, along with three passages, 1, 2, and 3. Your job is to determine which passage can be used to answer the question by searching for further information using terms from the passage. Indicate your choice as 1, 2, or 3.

Question: When was the place built that Kozlowsa debuted as Lieu at? Passage 1:In the months following up to the September 11 attacks, officials at the Czech Interior Ministry asserted that Atta made a trip to Prague on April 8, 2001, to meet with an Iraqi intelligence agent named Ahmed Khalil Ibrahim Samir al-Ani. This piece of information was passed on to the FBI as "unevaluated raw intelligence". Intelligence officials have concluded that such a meeting did not occur. A Pakistani businessman named Mohammed Atta had come to Prague from Saudi Arabia on May 31, 2000, with this second Atta possibly contributing to confusion. The Egyptian Mohamed Atta arrived at the Florenc bus terminal in Prague, from Germany, on June 2, 2000. He left Prague the next day, flying on Czech Airlines to Newark, New Jersey, U.S. In the Czech Republic, some intelligence officials say the source of the purported meeting was an Arab informant who approached the Czech intelligence service with his sighting of Atta only after Atta's photograph had appeared in newspapers all over the world. United States and Czech intelligence officials have since concluded that the person seen with Ani was mistakenly identified as Atta, and the consensus of investigators has concluded that Atta never attended a meeting in Prague.
Passage 2:She first gained international attention by winning the first prize at the Benson and Hedges International Voice Competition in London, which was followed by winning second prize at the International Vocal Competition in Rio de Janeiro. Early on she got a long-term contract with The Grand Theatre in her home town Poznan to which she was closely linked from 1984 to 1998. Already in January 1986 her international career started and she debuted as Liu at the Royal Opera House, Covent Garden, and thereafter sung at the most prestigious opera houses of Europa and America. In Italy she performed at Teatro alla Scala in Milan, at Teatro La Fenice in Venice and at the Maggio Musicale Fiorentino, in Austria at the Graz Opera and at the Vienna State Opera, in Germany at the Bavarian State Opera of Munich, at the Hamburg State Opera and at the Deutsche Oper in Berlin, in Paris at the Theatre du Chatelet, in Geneva at the Grand Theatre, in Brussels at the Theatre de la Monnaie and in Buenos Aires at the Teatro Colon. In the United States she earned high acclaim as Sandrina in Mozart's La finta giardiniera at the Brooklyn Academy of Music, as Donna Elvira at the Los Angeles Opera and as Alice Ford in a concert version with the Minnesota Orchestra under Jeffrey Tate. At the Atlanta Opera she stunned public and press in the title role of Puccini's Madama Butterfly.
Passage 3:The Locust Music releases (curated and designed by Dawson Prater) showcase the full range of his musical interests from minimalism, hillbilly country and garage rock. "C Tune" (Locust, 2002) documents a 1980 live improvisation with Catherine Christer Hennix on tamboura and Flynt on electric violin. "Raga Electric: Experimental Music 1963-1971" (Locust, 2002) is the seminal anthology of Flynt's most challenging avant-garde work that includes "Raga Electric" (1966) and "Free Alto" (1964). "Back Porch Hillbilly Blues - Volume 1" (Locust, 2003), with "Acoustic Hillbilly Jive" and "Blue Sky Highway and Tyme", and "Back Porch Hillbilly Blues Volume 2" (Locust) showcase a meeting of Henry Flynt's vision of rural roots music and American minimalism. "I Don't Wanna" (Locust Music, 2004) documents a garage-punk band, the Insurrections, that Flynt led in 1966 with Walter De Maria and Paul Breslin. "Purified by the Fire" (Locust, 2005), recorded in December 1981, repeats the format of "C Tune": Catherine Christer Hennix on tamboura and Flynt on electric violin. The 41-minute raga is dominated by the languid phrases of the violin that tests the border between melodic fragments and distorted tones. The "Indian" element is the background of hypnotic tamboura drones, but Flynt's improvisation at the violin betrays the influence of jazz music."Henry Flynt & Nova'Billy" (Locust, 2007) collects material recorded between 1974 and 1975 by his rock band Nova'Billy. "Dharma Warriors" (Locust, 2008) showcases another meeting between Catherine Christer Hennix & Flynt recorded in 1980 in Woodstock, New York.
2