Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism. <sep> Q: Why is the audience sliding around in this scene from Le Temps retrouve? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account Q: A first person account of what exactly? A: That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story Q: Is this why we see the camera panning around a lot? A: There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality Q: That's interesting, what else can you tell me about the production? A: The source material is essentially a recollection of a life lived by an individual on his death bed <sep> FOLLOWUP_Q: When was this film made?
No

CONTEXT: A Song of Ice and Fire really sounds quite fantasy-ish, whereas Game of Thrones sounds medieval and more suitable for a show. Also, the name 'Game of Thrones' gives more information about what will happen in the TV series (politics and fight for the throne) than the name A song of ice and fire does. Game of Thrones is still a very suitable title, yes it is the title of the first book but the entire span of the series covers the game being played for the Iron Throne. A Song of Ice and Fire is sophisticated and poetic, but Game of Thrones is direct and exciting and very easily remembered. And that's what counts for the average person. Note also that the phrase is used in the other books and is perhaps even better than the series title at describing in one phrase the whole point of the books. <sep> Q: Why is the TV show titled "Game of Thrones" and not "A Song of Ice and Fire?" A: A Song of Ice and Fire really sounds quite fantasy-ish, whereas Game of Thrones sounds medieval and more suitable for a show Q: True, but the book series is called "A Song of Ice and Fire" don't you think that would attract more people who were fans of the book? A: he phrase is used in the other books Q: "Game of Thrones" is just the name of the first book, won't fans think show is about only that book instead of the whole series? A: A Song of Ice and Fire is sophisticated and poetic, but Game of Thrones is direct and exciting and very easily remembered. And that's what counts for the average person <sep> FOLLOWUP_Q: Do you think it might mislead the books fan into thinking the show is only about the first book?
Yes

CONTEXT: Maybe it's because with origami you can go from a simple non living material such as a simple sheet of paper and mold it into something that is a representation of a living thing. Although this might never get a true answer I like to think it has something to do with the artificial creation of something representing life or dreams. When thinking further along these lines it strikes me that indeed the origami are all artificial representations of something living, yet a unicorn can never be really alive which can then be some sort of an origami analogy for Deckard = Replicant. <sep> Q: What does the origami represent in Blade Runner? A: the origami are all artificial representations of something living <sep> FOLLOWUP_Q: Who is the main actor in Blade Runner?
No