In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : The Journal of World-Systems Research (JWSR) is a biannual, open access, peer-reviewed academic journal in the field of world-systems analysis, established in 1995 by founding editor Christopher Chase-Dunn at the Institute for World-System Research at the University of California at Riverside. As of 2015, it is published by the Political Economy of the World-System (PEWS) Section of the American Sociological Association and by the University Library System, University of Pittsburgh. The journal's current editor-in-chief is Jackie Smith (University of Pittsburgh). Context_2 : City Theatre is a professional theatre company located in Pittsburgh's South Side. It specializes in productions of new plays and has commissioned new works by playwrights on the national theatre scene, including Christopher Durang, Adam Rapp, and Jeffrey Hatcher. Established in 1975 as the City Players under the direction of Marjorie Walker, it was originally composed mainly of Carnegie Mellon graduates and was part of Pittsburgh's Department of Parks and Recreation, performing at schools, parks, and housing projects. Initially the group shared their performance space in the North Side's Allegheny Center with Pittsburgh Public Theater. In 1979, the group was offered a residency at the University of Pittsburgh and renamed itself City Theatre. "Homeless" for a brief period of time, the University of Pittsburgh theatre department offered to shelter the theater company in 1980. Attilo Favorini, head of the department, thought that, "The City Theater offered us [Pitt] the opportunity for Pitt's students to work a professional company."(Steele, Bruce "Artistic Struggles -The City Theater Company: A History of Bad Luck and Good Theater" pg. 27) In addition to receiving a new troupe of professional actors, funding of the CETA enabled the expansion of the company and the creation of the Three Rivers Shakespeare Festival in the summer of 1980. In 1981, under the artistic direction of Marc Masterson, the company moved to a new performance space on Bouquet Street in Oakland. The company again moved to a new performance space at the former Bingham United Methodist Church in the South Side in 1991, where in addition to its own season it acted as a host space for the earliest productions of the Pittsburgh New Works Festival. Marc Masterson became artistic director of Actors Theatre of Louisville in Kentucky, and Tracy Brigden became artistic director in 2001. Context_3 : Corvallis is a city in central western Oregon, United States. It is the county seat of Benton County and the principal city of the Corvallis, Oregon Metropolitan Statistical Area, which encompasses all of Benton County. As of the 2010 United States Census, the population was 54,462. Its population was estimated by the Portland Research Center to be 55,298 in 2013. Corvallis is the location of Oregon State University, a large Hewlett-Packard research campus, and Good Samaritan Regional Medical Center. Context_4 : Christopher Rose (born January 9, 1957) is a professor of engineering and associate dean of the faculty at Brown University in Rhode Island and a founding member of WINLAB at Rutgers University in New Jersey. He was educated at the Massachusetts Institute of Technology; SB'79, SM'81, Ph.D'85 all in Course VI (Electrical Engineering and Computer Science). On September 2, 2004, an article by Christopher Rose and Gregory Wright, titled "Inscribed matter as an energy-efficient means of communication with an extraterrestrial civilization", appeared on the cover of "Nature" with the headline "Dear ET...". Context_5 : Christopher Robin Elrington FRHistS FSA (20 January 1930 3 August 2009) was an English historian, known primarily for his work with the "Victoria County History". Elrington was born in Farnborough, as the second of three sons of Brigadier Maxwell Elrington, and his wife Beryl. Christopher's father died in active service in Germany, while the son was 15. Elrington was educated at Wellington College, Berkshire, before performing his military service. He later went to University College, Oxford, where he took a BA. After this he did his MA in medieval history at Bedford College, University of London. Context_6 : Christopher Jargocki (born Krzysztof Piotr Leopold Jargocki, , April 29, 1944 in Warsaw, Poland), also known by the pen name Christopher Jargodzki, is a Polish-born American physicist, author, and translator who is a Professor Emeritus of Physics at the University of Central Missouri, as well as the Director of the Center for Cooperative Phenomena. He held a previous academic appointment at Northeastern University in Boston. Context_7 : Christopher K. Chase-Dunn (born January 10, 1944, Corvallis, Oregon) is an American sociologist best known for his contributions to world-systems theory. Context_8 : Christopher Phelps (born 1965) is an American political and intellectual historian of the twentieth century. The subjects of his research and writing include philosophical pragmatism, concepts of class and labor in social thought, the fate of the American Left and the socialist ideal, and ideas of race in American and African American history. Phelps teaches in the School of American and Canadian Studies at the University of Nottingham in England, having previously taught history at the Ohio State University, the University of Oregon, and Simon Fraser University in Canada. He has received the Fulbright Award twice, to teach philosophy at the University of Pecs in Hungary in 2000 and American Studies at the University of odz in Poland in 2004-2005. Context_9 : Graham M. Schweig (born August 2nd, 1953 in Manhattan, New York) is Professor of Religion and , Director of Studies in Religion, and former inaugural Director of the Asian Studies program at Christopher Newport University. He is also Distinguished Teaching and Research Fellow at The Mira and Ajay Shingal Center for Dharma Studies of the Graduate Theological Union in Berkeley. Schweig did his graduate studies at the University of Chicago and Harvard University and earned his doctorate in Comparative Religion from Harvard University and was a resident fellow of the Center for the Study of World Religions at Harvard. Schweig was Lecturer at Duke University and later Visiting Associate Professor of Sanskrit at the University of Virginia. Since 2007, Schweig has presented over three dozen invited lectures in his field at the the Smithsonian Institution in Washington, DC.Schweig is an "experienced registered yoga teacher at the 500 hour level (ERYT-500 as well as YACEP)" with Yoga Alliance, and he has held numerous teacher training workshops in the areas of yoga philosophy, history of yoga, Sanskrit for yoga teachers, and advanced trainings in meditation for teachers of yoga. He has over one hundred publications, such as journal articles, encyclopedia articles, reviews, book chapters, along with several books in the field. His book, "Dance of Divine Love: India's Classic Sacred Love Story: The Rasa Lila of Krishna" (Princeton University Press, 2005) presents an introduction to, comprehensive treatment and translation of the Bhagavata Purana's five chapters on the Rasa Dance of Krishna with the cowherd maidens of Vraja. Another of his works is an introduction to, translation and interpretation of the Bhagavad-gita, entitled "Bhagavad Gita: The Beloved Lord's Secret Love Song" (Harper One / Harper Collins Publishers, 2010). His most recent work is "A Living Theology of Krishna Bhakti: Essential Teachings of A. C. Bhaktivedanta Swami Prabhupada", by Tamal Krishna Goswami, edited with an introduction and conclusion by Graham M. Schweig (Oxford University Press, New York, 2012). Context_10 : Brian Christopher (born June 16, 1987), of Springfield, Pennsylvania, was an All American lacrosse player for Johns Hopkins University in Division I college lacrosse. Christopher played for the Blue Jays from 2006 to 2009, leading the team to an NCAA tournament championship in 2007, and making third team All American. Over the Blue Jays last four games, Christopher scored the game winning overtime goal, including Hopkins' 2009 quarterfinal overtime 12-11 win over Brown. fact_1 : Christopher K. Chase-Dunn (born January 10, 1944, Corvallis, Oregon) is an American sociologist best known for his contributions to world-systems theory. fact_2 : Corvallis is the location of Oregon State University, a large Hewlett-Packard research campus, and Good Samaritan Regional Medical Center. Question: Christopher Chase-Dunn was born in the same city as what University?
A:
Oregon State University