Question:
Robert Charles Benchley (September 15, 1889 - November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at The Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from his peers at the Algonquin Round Table in New York City to contemporaries in the burgeoning film industry. Benchley is best remembered for his contributions to The New Yorker, where his essays, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and through his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent (1940) and Nice Girl?
Benchley had continued to receive positive responses from his performing, and in 1925 he accepted a standing invitation from film producer Jesse L. Lasky for a six-week term writing screenplays at $500. While the session did not yield significant results, Benchley did get writing credit for producing the title cards on the Raymond Griffith silent film You'd Be Surprised (released September 1926), and was invited to do some titling for two other films. Benchley was also hired to help with the book for a Broadway musical, Smarty, starring Fred Astaire. This experience was not as positive, and most of Benchley's contributions were excised and the final product, Funny Face, did not have Benchley's name attached. Worn down, Benchley moved to his next commitment, an attempt at a talkie version of "The Treasurer's Report". The filming went by quickly, and though he was convinced he was not good, The Treasurer's Report was a financial and critical success upon its release in 1928. Benchley participated in two more films that year: a second talking film he wrote, The Sex Life of the Polyp, and a third starring but not written by him, The Spellbinder, all made in the Fox Movietone sound-on-film system and released by Fox Films. The films enjoyed similar success and were critically acclaimed, and Benchley was signed to a deal to produce more films before heading back to New York to continue writing. As Life would say following his eventual resignation in 1929, "Mr. Benchley has left Dramatic Criticism for the Talking Movies". During the time that Benchley was filming various short films, he also began working at The New Yorker, which had started in February 1925 under the control of Benchley's friend Harold Ross. While Benchley, along with many of his Algonquin acquaintances, was wary of getting involved with another publication for various reasons, he completed some freelance work for The New Yorker over the first few years, and was later invited to be newspaper critic. Benchley initially wrote the column under the pseudonym Guy Fawkes (the lead conspirator in the English Gunpowder Plot), and the column was well received. Benchley tackled issues ranging from careless reporting to European fascism, and the publication flourished. He was invited to be theatre critic for The New Yorker in 1929, leaving Life, and contributions from Woollcott and Parker became regular features in the magazine. The New Yorker published an average of forty-eight Benchley columns per year during the early 1930s. With the emergence of The New Yorker, Benchley was able to stay away from Hollywood work for a number of years. In 1931, he was persuaded to do voice work for RKO Radio Pictures for a film that would eventually be titled Sky Devils, and he acted in his first feature film, The Sport Parade (1932) with Joel McCrea. The work on The Sport Parade caused Benchley to miss the fall theatre openings, which embarrassed him (even if the relative success of The Sport Parade was often credited to Benchley's role), but the lure of filmmaking did not disappear, since RKO offered him a writing and acting contract for the following year for more money than he was making writing for The New Yorker.
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what was the new yorker call about?

Answer:
The New Yorker published an average of forty-eight Benchley columns per year during the early 1930s.

Question:
Edson Arantes do Nascimento (Brazilian Portuguese: ['etso (w)a'ratSiz du nasi'metu]; born 23 October 1940), known as Pele ([pe'le]), is a Brazilian retired professional footballer who played as a forward. He is widely regarded as the greatest football player of all time. In 1999, he was voted World Player of the Century by the International Federation of Football History & Statistics (IFFHS). That same year, Pele was elected Athlete of the Century by the International Olympic Committee.
Pele arrived in Sweden sidelined by a knee injury but on his return from the treatment room, his colleagues stood together and insisted upon his selection. His first match was against the USSR in the third match of the first round of the 1958 FIFA World Cup, where he gave the assist to Vava's second goal. He was the youngest player of that tournament, and at the time the youngest ever to play in the World Cup. Against France in the semifinal, Brazil was leading 2-1 at halftime, and then Pele scored a hat-trick, becoming the youngest in World Cup history to do so. On 29 June 1958, Pele became the youngest player to play in a World Cup final match at 17 years and 249 days. He scored two goals in that final as Brazil beat Sweden 5-2 in Stockholm, the capital. His first goal where he flicked the ball over a defender before volleying into the corner of the net, was selected as one of the best goals in the history of the World Cup. Following Pele's second goal, Swedish player Sigvard Parling would later comment; "When Pele scored the fifth goal in that Final, I have to be honest and say I felt like applauding". When the match ended, Pele passed out on the field, and was revived by Garrincha. He then recovered, and was compelled by the victory to weep as he was being congratulated by his teammates. He finished the tournament with six goals in four matches played, tied for second place, behind record-breaker Just Fontaine, and was named best young player of the tournament. It was in the 1958 World Cup that Pele began wearing a jersey with number 10. The event was the result of disorganization: the leaders of the Brazilian Federation did not send the shirt numbers of players and it was up to FIFA to choose the number 10 shirt to Pele who was a substitute on the occasion. The press proclaimed Pele the greatest revelation of the 1958 World Cup, and he was also retroactively given the Silver Ball as the second best player of the tournament, behind Didi.
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Was there anything else interesting about the 1958 World Cup?

Answer:
It was in the 1958 World Cup that Pele began wearing a jersey with number 10.