Generate a question about the following movie plot: Judge Dan Haywood (Spencer Tracy) arrives in Nuremberg in 1948 to preside over the trial of four Nazi judges, each charged with having abused the court system to help cleanse Germany of the politically and socially undesirable, allegedly guilty of war crimes. The opening statement of the prosecuting attorney (Richard Widmark) is a vicious one, depicting the defendants as having been willing, evil, accomplices in Nazi atrocities, but Judge Haywood wonders if it is really that simple.Confounded at how one defendant, a renowned German champion of justice named Ernst Janning (Burt Lancaster), appears to have played the greatest role in molding Germany's Ministry of Justice into a destructive instrument of Nazism, Judge Haywood resolves to gain some perspective on the period in which the German legal system strayed from a course of entirely objective justice.Probing for the truth proves difficult, though, as nobody who lived in Germany during Nazism seems to admit to having much inside knowledge. He befriends Mrs. Bertholt (Marlene Dietrich), the widow of an executed Nazi army officer, but she offers few insights, more consumed by her personal experiences than the broader matters of Nazism. Mrs. Bertholt is focusing on being a catalyst for the cultural rebirth of Nuremberg, keen on remolding the image of a city that had become notorious as the site of the Nazi raliies. An attempt to discuss the period with his housekeepers, Mr. and Mrs. Halbestadt, who had lived near the Dachau concentration camp, proves equally fruitless for Judge Haywood, as they cannot help but focus on the loss of their child in the bombing and the fact that they nearly starved from poverty. Whether anyone knew anything mattered little, for Germans were looking forward, not backward, still grappling with, and recovering from, the hardships and losses that the war brought to them and their families.Only in the courtroom will Judge Haywood have the opportunity to gain insights into the realities of the period. First hand evidence of a) all...
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Answer: how many of the 99 defendants were still serving their sentence when the film was released?

Q: Generate a question about the following movie plot: The movie opens with a voiceover by Jane (Katherine Heigl) as she explains when she first discovered her "calling" in life. The scene is from her childhood when she, her younger sister Tess and their father attend a realtive's wedding. This is shortly following the death of their mother so Jane must act as a mother figure for her sister. When her father asks Jane to take Tess to the bathroom, she comes across a distraught bride who has torn a seam on her dress leaving a whole at the back of the bodice that shows the upper half of her rear end. Jane has a moment of epiphany and uses her sister's hair ribbon and sews up the back fo the dress in a becoming way. The ecstatic bride then asks Jane to carry her train down the aisle as a reward.Flash forward in time to the present -- Jane is in a bridal shop with seamstresses all around her hemming a wedding dress. A woman walks in and says "The bride is on the phone" where you discover that Jane is the same size as the bride and is doing her bridesmaid duty of having the wedding dress hemmed the morning of the wedding for the panicking bride. She leaves the store, dress in hand, wearing her bridesmaid dress and hurries to the nuptials making it in time for the bride to change and get ready for her ceremony.During the ceremony, Jane continuously looks at her watch and a guest at the wedding (played by James Marsden) notices her impatience. As soon as there is a break in the festivities, Jane rushes out and hails a taxi whose driver she offers $300 for the entire night if he agrees not to look in the rearview mirror or he will suffer a deduction from that sum. Jane proceeds to change into another dress which is revealed as a traditional Indian sari that is her bridesmaid's dress for another wedding on the same night. Throughout the remainder of the night, she speeds between weddings/receptions, changing in the taxi which is seen by Kevin (James Marsden).At the end of the night, Jane is at the first wedding preparing for the bouquet toss which comes straight for her...
A: Whose planner did Kevin look at?

Generate a question about the following movie plot: As the story opens, Jerry Ryan (Robert Mitchum) walking alone in lower Manhattan. Ryan was a lawyer in Lincoln, Nebraska, working in the law firm of his wife's father. No kids. After twelve years, she wants a divorce. Ryan leaves Lincoln while the divorce is pending and goes to New York to find himself. He is alone, living in a cheap room, and almost broke. He has an invitation from an old friend to an eclectic/beat party in Greenwich Village. He shows up and meets Gittel Mosca (Shirley MacLaine) at the party. Mosca is a Brooklynite who left home on her own and rented an apartment in Greenwich Village when she was fifteen. She works as a dancer of sorts, and has had a number of relationships. Ryan and Mosca hook up after a day or so and start a relationship. The core theme of the picture is how their relationship expands and develops their self-respect of themselves. The turning point for Mosca comes when she gets sick and, as Ryan is storming down the stairway, she leans over the railing and begs for help. Ryan takes her to the hospital and looks after her when she is released. Mosca discovers intimacy within love. Class rears its ugly head, but they get over it. They are acting like married people in love. Ryan receives notice that the divorce is final, but he is still conflicted about his ex (Tess). After the divorce is final, Tess calls and wants Jerry back. He agrees, but will work on his own in Lincoln and Tess must accept nothing from her father live in poverty with Jerry until his practice gets on its feet. In the final scene the couple have broken up and are in two separate sets in the same dual scene. This technique is used in the theater but rarely in movies. Ryan is leaving his room for the last time and Mosca is self-assured, self-respecting, and in control. This picture is a director's delight, with open dimensions in every scene. Robert Wise rises to the occasion.
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Answer:
What is Jerry Ryan's profession?