In this task, you're given a passage, further information available on a particular linked term from the statement, and a question. Your job is to generate the answer to the question by using the information provided. If there is no clear answer obtainable, output 'none'.

Passage: In 1975 his orchestral Fourth Sonata (written 197475) won the Scottish National Orchestra's Ian Whyte Award. Subsequent orchestral works include the widely performed Night Music (1976), Sonata No. 5: Landscape (197781), and a First Cello Concerto, commissioned by the BBC for the 1984 Proms: these last two have been recorded by Unicorn-Kanchana. In 1989 Cortege was given its first performance by the Orchestra of the Royal Opera House under Bernard Haitink, and Quatrain by the London Symphony Orchestra and Michael Tilson Thomas. This was the first of a series of LSO commissions, followed by Machines and Dreams for their 1991 Childhood Festival, Memorial in 1993 with Mstislav Rostropovich as conductor, and a Second Cello Concerto for Rostropovich in 1996. In 1990 he made a setting of three comic poems by Wendy Cope, Strugnell's Haiku. Matthews was Associate Composer with the LSO from 1992 until 1999. The orchestral version of Hidden Variables was a joint commission for the LSO and the New World Symphony Orchestra, who gave the American premiere in Miami under Michael Tilson Thomas in 1992; in the same year the Cleveland Orchestra gave the American premiere of Machines and Dreams. Collins Classics released a CD of Matthews' LSO commissions in 1996 to celebrate his 50th birthday.
Link Information: In 1891, the orchestra was recognised formally as the Scottish Orchestra Question: How many years had the Scottish National Orchestra been playing for the year Matthews Fourth Sonata won the Ian Whyte Award?
Answer: 84

Passage: In 1991, Makharadze's role was to manage the relations between the federal government and the various regional administrations of Russia, as a member of Boris Yeltsin's team. He was also involved in removing former Communist officials for suspected corruption as the Yeltsin administration's chief inspector, including what was referred to as "nomenklatura privatization." In March 1992 he was appointed as one of the Deputy Prime Ministers in Yeltsin's cabinet, being in charge of managing relations between the regions and the government in Moscow. As part of this, Makharadze and nationality minister Valery Tishkov signed an agreement with the German government to help resettle Volga Germans in their native region. Among his other tasks was to oversee the implementation of economic reforms begun by the central government in the regions. However, when Boris Yeltsin was making concessions to conservative opposition factions in order to gain approval for his economic privatization policies, despite the resignation of Deputy Prime Minister Mikhail Poltoranin it was expected the Makharadze would be forced to resign too. He suggested during this time that a stronger presidential administration was needed. Makharadze was removed from the position of deputy prime minister in December 1992, upon the formation of the new cabinet.
Link Information: Boris Yeltsin was born on 1 February 1931 in the village of Butka, Talitsky District, Sverdlovsk, then in the Russian Soviet Federative Socialist Republic, one of the constituent republics of the Soviet Union. Question: What city was the leader of the administration where Valery mediated between the federal government and regional organizations born in?
Answer: the village of Butka,

Passage: It opens with two club-driven tracks: an interlude titled "Bridge to the Sky", and the promotional titular song. "Disco-munication" is the second interlude on the album, blending "sophisticated" electric guitars with electronic music. "Energize" is another electronic track, and is one of the only numbers on the album that include English phases ("Put your hands up together, keep your heads up forever, let me sing forever,"). The fifth track "Sparkle" was noted as a club song with an electronic arrangement, similar to the follow-up song "Rollin'". Both tracks feature autotune and vocoder pro-tools, a first for Hamasaki. The album's sixth track, "Green", shows a departure from the album's earlier electronic style; it focuses more on older traditional Japanese sound, alongside instrumentation of electric guitars and drums. The album's third interlude, "Load of the Shugyo", was described as an "atmospheric" number with heavy rock instruments in its composition. Rock music is then influenced on the following tracks "Identity"a song that discusses about self-confidencethe single "Rule", and the tune "Love 'n' Hate", which talks about the effects of lust. The album's fourth and final interlude "Pieces of Seven" was noted for its "atmospheric" sounds of an ocean, until the second half of the track diverges into a harder rock style. "Days" is the album's first pop ballad, and is described as a love song. It closes with the ballad "Curtain Call", which features a choir and piano riffs throughout its composition.
Link Information: none Question: Did Hamasaki's pop ballad or more rocking song have a better chart position?
Answer: none