IN: Joshua Lawrence Chamberlain (born Lawrence Joshua Chamberlain, September 8, 1828 - February 24, 1914) was an American college professor from the State of Maine, who volunteered during the American Civil War to join the Union Army. He became a highly respected and decorated Union officer, reaching the rank of brigadier general (and brevet major general). He is best known for his gallantry at the Battle of Gettysburg, for which he was awarded the Medal of Honor. Chamberlain was commissioned a lieutenant colonel in the 20th Maine Volunteer Infantry Regiment in 1862 and fought at the Battle of Fredericksburg.

Chamberlain became most famous for his achievements during the Battle of Gettysburg. On July 2, the second day of the battle, Union forces were recovering from initial setbacks and hastily regrouping into defensive positions on a line of hills south of the town. Sensing the momentary vulnerability of the Union forces, the Confederates began an attack against the Union left flank. Chamberlain's brigade, commanded by Col. Strong Vincent, was sent to defend Little Round Top by the army's Chief of Engineers, Brig. Gen. Gouverneur K. Warren. Chamberlain found himself and the 20th Maine at the far left end of the entire Union line. He quickly understood the strategic significance of the small hill, and the need for the 20th Maine to hold the Union left at all costs. The men from Maine waited until troops from the 15th Regiment Alabama Infantry, commanded by Col. William C. Oates, charged up the hill, attempting to flank the Union position. Time and time again the Confederates struck, until the 20th Maine was almost doubled back upon itself. With many casualties and ammunition running low, Col. Chamberlain recognized the dire circumstances and ordered his left wing (which was now looking southeast, compared to the rest of the regiment, which was facing west) to initiate a bayonet charge. From his report of the day: "At that crisis, I ordered the bayonet. The word was enough." While battlefield conditions make it unlikely that many men heard Chamberlain's order, most historians believe he initiated the charge. The 20th Maine charged down the hill, with the left wing wheeling continually to make the charging line swing like a hinge, thus creating a simultaneous frontal assault and flanking maneuver, capturing 101 of the Confederate soldiers and successfully saving the flank. This version of the battle was popularized by the book The Killer Angels and the movie Gettysburg, but there is debate on the historical validity of this account. Chamberlain sustained two slight wounds in the battle, one when a shot hit his sword scabbard and bruised his thigh, and another when his right foot was hit by a spent bullet or piece of shrapnel. Chamberlain also personally took a Confederate prisoner with his saber during the charge. After initiating the maneuver, he came upon a Confederate Officer wielding a revolver who quickly fired, narrowly missing his face. Chamberlain remained steadfast, and with his sword at the officer's throat accepted the man's arms and surrender. The pistol Chamberlain captured at Gettysburg can still be seen on display in the Civil War exhibit of the Maine State Museum. For his tenacity at defending Little Round Top, he was known by the sobriquet Lion of the Round Top. Prior to the battle, Chamberlain was quite ill, developing malaria and dysentery. Later, due to this illness, he was taken off active duty until he recovered. For his "daring heroism and great tenacity in holding his position on the Little Round Top against repeated assaults, and carrying the advance position on the Great Round Top", Chamberlain was awarded the Medal of Honor.
QUESTION: Did Joshua Chamberlain participate in the Battle of Gettsyburg?
IN: James Stanley Brakhage ( BRAK-@j; January 14, 1933 - March 9, 2003), better known as Stan Brakhage, was an American non-narrative filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal in the particular, exploring themes of birth, mortality, sexuality, and innocence.

When Brakhage's early films had been exhibited in the 1950s, they had often been met with derision, but in the early 1960s Brakhage began to receive recognition in exhibitions and film publications, including Film Culture, which gave awards to several of his films, including The Dead, in 1962. The award statement, written by Jonas Mekas, a critic who would later become an influential experimental filmmaker in his own right, cited Brakhage for bringing to cinema "an intelligence and subtlety that is usually the province of the older arts." Writer/critic Guy Davenport, an ardent admirer of Brakhage, invited him to the University of Kentucky in March 1964 and tried to get him a residency there. From 1961 to 1964, Brakhage worked on a series of 5 films known as the Dog Star Man cycle. The Brakhages moved to Lump Gulch, Colorado in 1964, though Brakhage continued to make regular visits to New York. During one of those visits, the 16mm film equipment he had been using was stolen. Brakhage couldn't afford to replace it, instead opting to buy cheaper 8mm film equipment. He soon began working in the format, producing a 30-part cycle of 8mm films known as the Songs from 1964 to 1969. The Songs include one of Brakhage's most acclaimed films, 23rd Psalm Branch, a response to the Vietnam War and its presentation in the mass media. Brakhage began teaching film history and aesthetics at the School of the Art Institute of Chicago in 1969, commuting from his home in Colorado.
QUESTION:
When was Brakhage recognized?