Answer the question at the end by quoting:

Curly Howard was born Jerome Lester Horwitz in the Bensonhurst section of the Brooklyn borough of New York City, on October 22, 1903. Of Lithuanian Jewish ancestry, he was the youngest of the five sons of Jennie (Gorovitz) and Solomon Horwitz. Because he was the youngest, his brothers called him "Babe" to tease him. The name "Babe" stuck with him all his life, although when his elder brother Shemp Howard married Gertrude Frank, who was also nicknamed "Babe", the brothers called him "Curly" to avoid confusion.
From an early age, Howard was always "in demand socially," as brother Moe put it. He married his first wife, Julia Rosenthal, on August 5, 1930, but the couple had their marriage annulled shortly afterwards. Howard's first on-stage break was as a comedy musical conductor in 1928 for the Orville Knapp Band. Moe later recalled that his performances usually overshadowed those of the band. Though he enjoyed the gig, he watched as older brothers Moe and Shemp (and partner Larry Fine) made it big as some of Ted Healy's "Stooges." Vaudeville star Healy had a very popular stage act, in which he would try to tell jokes or sing, only to have his stooges wander on stage and interrupt or heckle him and cause disturbances from the audience. Meanwhile, Healy and company appeared in their first feature film, Rube Goldberg's Soup to Nuts (1930). Shemp Howard, however, disliked Healy's abrasiveness, bad temper, and heavy drinking. In 1932, he was offered a contract at the Vitaphone Studios in Brooklyn. (Contrary to stories told by Moe, the role of "Knobby Walsh" in the Joe Palooka series did not come along until late 1935, after Shemp had been at Vitaphone for three years and had already appeared in almost thirty short subjects.) Shemp was thrilled to be away from Healy but, as was his nature, worried incessantly about brother Moe and partner Larry. Moe, however, told Shemp to pursue this opportunity. With Shemp gone, Moe suggested that Curly fill the role of the third Stooge. But Healy felt that, with his thick, chestnut hair and elegant waxed mustache, he did not "look funny" and was "too handsome". Howard left the room and returned minutes later with his head shaven (the mustache remained very briefly). Healy quipped, "Boy, don't you look girlie?" Moe misheard the joke as "curly", and all who witnessed the exchange realized that the nickname "Curly" would be a perfect fit. In one of the few interviews Howard gave in his lifetime, he complained about the loss of his hair: "I had to shave it off right down to the skin." In 1934, MGM was building Healy up as a solo comedian in feature films and Healy dissolved the act to pursue his own career. Like Shemp, the team of Howard, Fine, and Howard was tired of Healy's alcoholism and abrasiveness and renamed their act the "Three Stooges." That same year, they signed on to appear in two-reel comedy short subjects for Columbia Pictures. The Stooges soon became the most popular short-subject attraction, with Howard playing an integral part in the trio's work.

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From an early age, Howard was always "in demand socially," as brother Moe put it.

Answer the question at the end by quoting:

Clarence Edwin "Cito" Gaston (; born March 17, 1944) is a former Major League Baseball outfielder and manager. His major league career as a player lasted from 1967 to 1978, most notably for the San Diego Padres and the Atlanta Braves. He spent his entire managerial career with the Toronto Blue Jays, becoming the first African-American manager in Major League history to win a World Series title. Cito Gaston managed the Toronto Blue Jays from 1989 to 1997, and again from 2008 to 2010.
Gaston's fortunes, like those of the Blue Jays franchise as a whole, faded after the championship years. The World Series winning clubs had dissipated because of aging players, increased post-Series salary demands, and the failure of new owner Interbrew (which merged with founding owner Labatt in 1995) to raise the budget substantially. After Major League Baseball solved its labor problems in 1994, Pat Gillick and eventually Paul Beeston left the organization and annual attendance began to drop considerably. Yet, the Blue Jays were still trying to compete in the American League East and in 1997 signed free agent Roger Clemens. When the team could barely break the .500 mark all season, Gaston was fired by GM Gord Ash. He had failed to lead the team to a winning record since 1993 and seemed uninterested in keeping his position. Gaston forced Ash's hand by telling his boss that he was taking a vacation at season's end and would not be around for the usual post season evaluation process. He was replaced by then-pitching coach Mel Queen on an interim basis for the last week of the 1997 season. Joe Carter wore Gaston's No. 43 on his jersey for the remainder of the season in part to honor him and in part to express his displeasure at his firing. He finished his first stint as manager with a 683-636 regular season record and 18-16 post-season record. Gaston was a final candidate for the Detroit Tigers manager's job in the 1999-2000 season and was the runner-up in the Chicago White Sox manager position in the 2003-2004 off season. Sox GM Kenny Williams, a former Blue Jays player, had Gaston as one of two finalists for the job but decided to hire Ozzie Guillen. Gaston had several offers to rejoin major league teams as a hitting instructor, namely the Kansas City Royals, but declined offers. After interviewing unsuccessfully for several other managerial jobs, Gaston said that he would only manage again if he were hired directly without an interview. Gaston rejoined the team as a hitting coach after the 1999 season but was not retained after a disappointing 2001 campaign and the sale of the franchise to Rogers Communications. In 2002, he was hired by the Jays for a third time, as special assistant to president and chief executive officer Paul Godfrey.

was he a good coach?
but was not retained after a disappointing 2001 campaign