In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : "Peter Piper" is an English-language nursery rhyme and well-known alliteration tongue-twister. It has a Roud Folk Song Index number of 19745. Context_2 : United States customary units are a system of measurements commonly used in the United States. The United States customary system (USCS or USC) developed from English units which were in use in the British Empire before the U.S. became an independent country. However, the United Kingdom's system of measures was overhauled in 1824 to create the imperial system, changing the definitions of some units. Therefore, while many U.S. units are essentially similar to their Imperial counterparts, there are significant differences between the systems. However, in the U.S. the term "imperial" is commonly used when one is referring to a U.S. customary unit. Context_3 : Miles per hour (abbreviated mph, MPH or mi/h) is an imperial and United States customary unit of speed expressing the number of statute miles covered in one hour. Miles per hour is the standard unit for speed limits in the United States, the United Kingdom, Antigua & Barbuda and Puerto Rico, other nations use kilometres per hour. Context_4 : A ser is an obsolete unit of dry volume in India. In 1871 it was defined as being exactly 1litre (1.06quarts). After metrication in the mid-20th century, the unit became obsolete. Context_5 : A cullishigay is an obsolete unit of dry volume used on the Malabar coast of southern India approximately equal to 1.25imperial bushels (44litres). It was a third of a mudi or moray, a larger unit of dry volume. After metrification in the mid-20th century, the unit became obsolete. Context_6 : Mots D'Heures: Gousses, Rames: The D'Antin Manuscript ("Mother Goose's Rhymes"), published in 1967 by Luis d'Antin van Rooten is purportedly a collection of poems written in archaic French with learned glosses. In fact, they are English-language nursery rhymes written homophonically as a nonsensical French text (with pseudo-scholarly explanatory footnotes); that is, as an English-to-French homophonic translation. The result is not merely the English nursery rhyme but that nursery rhyme as it would sound if spoken in English by someone with a strong French accent. Even the manuscript's title, when spoken aloud, sounds like "Mother Goose's Rhymes" with a strong French accent. Context_7 : A peck is an imperial and United States customary unit of dry volume, equivalent to 2 gallons or 8 dry quarts or 16 dry pints (9.09 (UK) or 8.81 (US) liters). Two pecks make a kenning (obsolete), and four pecks make a bushel. Although the peck is no longer widely used, some produce, such as apples, is still often sold by the peck. Despite being referenced in the well-known Peter Piper tongue twister, pickled peppers are so rarely sold by the peck that any association between pickled peppers and the peck unit of measurement is considered humorous in nature. Context_8 : A bushel (abbreviation: bsh. or bu.) is an imperial and US customary unit of weight or mass based upon an earlier measure of dry capacity. The old bushel was equal to 2kennings (obsolete), 4pecks or 8gallons and was used mostly for agricultural products such as wheat. In modern usage, the volume is nominal, with bushels denoting a mass defined for each commodity differently. Context_9 : The quart (abbreviation qt.) is an English unit of volume equal to a quarter gallon. It is divided into two pints or four cups. Historically, the exact size of the quart has varied with the different values of gallons over time and in reference to different commodities. Presently, three kinds of quarts remain in use: the liquid quart and dry quart of the US customary system and the imperial quart of the British imperial system. All are roughly equal to one metric liter. Context_10 : Radical 68 meaning "dipper" is 1 of 34 Kangxi radicals (214 radicals total) composed of 4 strokes. , sometimes represented by alone, is also the symbol for a Chinese traditional measurement of dry volume equaling about 10 liters, which is ~18.16 pints, ~2.27 gallons, ~610.2 cubic inches, or ~0.3531 cubic feet. fact_1 : Despite being referenced in the well-known Peter Piper tongue twister, pickled peppers are so rarely sold by the peck that any association between pickled peppers and the peck unit of measurement is considered humorous in nature. fact_2 : "Peter Piper" is an English-language nursery rhyme and well-known alliteration tongue-twister. Answer: Peter Piper
A:
A peck is an imperial and United States customary unit of dry volume, equivalent to 2 gallons or 8 dry quarts or 16 dry pints, despite being referenced in which wellknown Englishlanguage nursery rhyme and wellknown alliteration tonguetwister?