In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Qin Guan (; 1049 c. 1100) was a Chinese writer and poet of the Song Dynasty. His courtesy name was Shaoyou (). Taixu was also his courtesy name. His pseudonym was Huaihai Jushi () and Hangou Jushi (). He was honored one of the "Four Scholars of Sumen" () along with Huang Tingjian, Zhang Lei () and Chao Buzhi (). The style of his poetry-writing is subtle, graceful, and restrained; and he was famous for love-poem writing. His writing style of "ci", was classified into the Wanyue School, most works of which are subtle and concise. His talent was greatly appreciated by Su Shi, one of the greatest poet in Song Dynasty. His most famous verse is "If the two hearts are united forever, why do the two persons need to stay togetherday after day, night after night?" (,, see the full poem and its translation in The Weaver Girl and the Cowherd). Context_2 : Nora Nadjarian is an ArmenianCypriot poet and short story writer. She writes in English and Armenian, as well as Greek. Her writing mostly centres on the island of Cyprus, especially the partition of Cyprus into North and South, though there are numerous works of universal themes. A frequent participant in international competitions, poetry festivals, literary conferences and other projects, her poems and short stories have also appeared in numerous anthologies around the world including Cyprus, United Kingdom, United States of America, Germany, India, New Zealand and Israel. The writer has said that her work is inspired by Sylvia Plath and Yehuda Amichai. Paul Celan, Pablo Neruda and Sharon Olds are a few other idols that she has mentioned. Context_3 : Yehuda Amichai (Hebrew: ; 3 May 1924 22 September 2000) was an Israeli poet. Amichai is considered by many, both in Israel and internationally, as Israel's greatest modern poet. He was also one of the first to write in colloquial Hebrew. Context_4 : Richard Ford (born February 16, 1944) is an American novelist and short story writer. His best-known works are the novel "The Sportswriter" and its sequels, "Independence Day", "The Lay of the Land" and "Let Me Be Frank With You", and the short story collection "Rock Springs", which contains several widely anthologized stories. Context_5 : Muriel Rukeyser (December 15, 1913 February 12, 1980) was an American poet and political activist, best known for her poems about equality, feminism, social justice, and Judaism. Kenneth Rexroth said that she was the greatest poet of her "exact generation". Context_6 : Struga Poetry Evenings (SPE) (Macedonian: , ; tr. "Struski veceri na poezijata", "SVP") is an international poetry festival held annually in Struga, Macedonia. During the several decades of its existence, the Festival has awarded its most prestigious award, the Golden Wreath, to some of the most notable international poets, including: Mahmoud Darwish, Sachchidananda Hirananda Vatsyayan Agyey, W. H. Auden, Joseph Brodsky, Allen Ginsberg, Bulat Okudzhava, Pablo Neruda, Eugenio Montale, Leopold Sedar Senghor, Artur Lundkvist, Hans Magnus Enzensberger, Nichita Stanescu, Ted Hughes, Ko Un, Adunis, Makoto Ooka, Miroslav Krleza, Yehuda Amichai, Seamus Heaney, Tomas Gosta Transtromer, Bei Dao, and domestic authors such as Blaze Koneski, Mateja Matevski. Context_7 : Laxmi Prasad Devkota (Nepali: , 12 November 1909 14 September 1959) was a Nepali poet, :playwright, and novelist. Honoured with the title of "Maha Kavi" (literal translation: 'Great Poet') in Nepali literature, Devkota is by and large regarded as the greatest poet in the history of Nepal and Nepali language. Some of his popular works include "Muna Madan", "Kunjini", and "Sakuntala." Context_8 : Adam Bernard Mickiewicz ( ; 24 December 179826 November 1855) was a Polish poet, dramatist, essayist, publicist, translator, professor of Slavic literature, and political activist. He is regarded as national poet in Poland, Lithuania and Belarus. A principal figure in Polish Romanticism, he is counted as one of Poland's "Three Bards" (""Trzej Wieszcze"") and is widely regarded as Poland's greatest poet. He is also considered one of the greatest Slavic and European poets and has been dubbed a "Slavic bard". A leading Romantic dramatist, he has been compared in Poland and Europe to Byron and Goethe. Context_9 : Golden Age of Russian Poetry is the name traditionally applied by Russian philologists to the first half of the 19th century. It is also called the Age of Pushkin, after its most significant poet (in Nabokov's words, the greatest poet this world was blessed with since the time of Shakespeare). Mikhail Lermontov and Fyodor Tyutchev are generally regarded as two most important Romantic poets after Pushkin. Vasily Zhukovsky and Konstantin Batyushkov are the best regarded of his precursors. Pushkin himself, however, considered Evgeny Baratynsky to be the finest poet of his day. Context_10 : Vicente Tomas Medina (] ; 27 October 1886 17 August 1937) was a Spanish poet, dramatist and editor, and a symbol of local identity for the Murcia region of southeastern Spain. His best-known work, "Aires murcianos" ("Murcian airs"), was taken up as a reference point for local cultural and social criticism, and was widely praised by contemporaries. In his time Medina was considered in Spain to be one of the country's most important writers, referred to as "the great contemporary Spanish poet" and "the Spanish poet of poets". His fame has since declined, and he is now little read; but he remains an important figure as the greatest poet to have written in the Murcian dialect. fact_1 : Yehuda Amichai (Hebrew: ; 3 May 1924 22 September 2000) was an Israeli poet. fact_2 : Richard Ford (born February 16, 1944) is an American novelist and short story writer. Question: Who is the greatest poet, Yehuda Amichai or Richard Ford?
Solution: Yehuda Amichai