Question: Generate a question about the following movie plot: The film can be seen as an allegory of post-World War II Eastern European political systems - told as a black-and-white cinematic poem with 39 long, single-camera takes. It examines the brutalization of a society, its political systems and ethics through the metaphor of a decaying circus whale and its star performer. It is set in a desolate, isolated small town in Hungary during Soviet times. The film starts with Janos Valuska, a simple person, conducting a poem and dance with drunken bar patrons. The dance is of the total eclipse of the sun, which disturbs, then silences the animals. It finishes with the grand return of the warm sunlight. One of the significant reoccurring characters in this plot is the subtle transitions between light and darkness. The first appearance of this motif is a lamp in the bar, moving to a door into the darkness. The circus arrives like a Trojan Horse in the darkness of night. A window is opened as a glimmer of hope and dressed to shut out the world. The antagonist is only ever seen as a shadow. Janos' uncle Gyorgy is a composer, and therefore one of the intelligentsia. Gyorgy observes the imperfection and compromise of the musical scale (as defined by Andreas Werckmeister a historical theorist). Gyorgy proposes changes to the scale to make it more harmonious. This utopian approach to music represents a flawed, naive idealism that never can be achieved; it is not developed any further in the film or the book. It is just a statement indicating that human governance will always be flawed. Gyorgy's estranged wife tries to leverage her political and social status by giving Gyorgy a list of names to recruit for the "clean up the town movement" (with the blessing of the police chief). However, a stuffed smelly circus whale and its star performer, Prince, come to town in the silence and darkness of night. This is a metaphor for a bloated political system and the unseen Prince who represents the power of politically inspired, emotive dogma. Janos philosophizes about God and the...
Answer: What kind of dogma does the metaphor describe?

[Q]: Generate a question about the following movie plot: Vianne Rocher (Juliette Binoche), an expert chocolatier, drifts across Europe with her daughter Anouk (Victoire Thivisol). In the winter of 1959, they travel to a tranquil French village that closely adheres to tradition, as led by the village mayor, Comte Paul de Reynaud (Alfred Molina). Vianne opens a Chocolaterie just as the villagers begin observing the forty days of Lent, much to the chagrin of Reynaud. Vianne, who wears more provocative clothing, does not go to church, and has an illegitimate child, does not fit in well with the town's people, but is nevertheless optimistic about her business. Her friendly and alluring nature begins to win the villagers over one by one, causing Reynaud to openly speak against her for tempting the people during a time of abstinence and self-denial.One of the first to fall under the spell of Vianne and her confections is Armande (Judi Dench), her elderly, eccentric landlady. Armande laments that her cold, devoutly pious daughter Caroline (Carrie-Anne Moss) will not let Armande see her grandson Luc because Caroline thinks Armande is a "bad influence". Vianne arranges for Luc and his grandmother to see each other in the chocolaterie, where they develop a close bond. Caroline later reveals to Vianne that her mother is a diabetic, though Armande continues to indulge in the chocolate despite her condition.Vianne also develops a friendship with a troubled woman, Josephine (Lena Olin), who is a victim of brutal beatings by her alcoholic husband Serge (Peter Stormare). After a particularly brutal blow to the head, Josephine leaves her husband and moves in with Vianne and Anouk. As she begins to work at the chocolaterie and Vianne teaches her craft, Josephine becomes a self-confident, changed woman. Under the instruction of Reynaud, Serge seemingly changes into a better man and he asks Josephine to come back to him. Finally happy and fulfilled, Josephine declines. A drunken Serge breaks into the chocolaterie later that night and attempts to attack both women before Josephine, in a...
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[A]: Who plays Armande?

input: Please answer the following: Generate a question about the following movie plot: Johnny Farrell (Glenn Ford) and Gilda (Rita Hayworth) "Gilda, are you decent?" Johnny Farrell (Glenn Ford), a small-time American gambler newly arrived in Buenos Aires, Argentina, narrates. When he wins a lot of money cheating at craps, he has to be rescued from a robbery attempt by a complete stranger, Ballin Mundson (George Macready). Mundson tells him about an illegal high-class casino, but warns him not to practice his skills there. Farrell ignores his advice, cheats at blackjack, and is taken by two men to see the casino's owner, who turns out to be Mundson. Farrell talks Mundson into hiring him and quickly gains his confidence. However, the unimpressed washroom attendant, Uncle Pio (Steven Geray), keeps calling him "Mr. Peasant". One day, Mundson returns from a trip with a beautiful and spirited new wife, Gilda (Rita Hayworth). It is immediately apparent that Johnny and Gilda have a history together, though both deny it when Mundson questions them. Johnny visits Gilda alone in the bedroom she shares with her husband, and the two have an explosive confrontation that elucidates both their past romantic relationship, which ended badly, and their lovehate dynamic. While it is unclear just how much Mundson knows of Gilda and Johnny's past relationship, he appears to be in ignorance when he assigns Farrell to keep an eye on Gilda. Johnny and Gilda are both consumed with their hatred of each other, as Gilda cavorts with men at all hours in increasingly more blatant efforts to enrage Johnny, and he grows more abusive and spiteful in his treatment of her. Mundson is visited by two German businessmen. Their secret organization had financed a tungsten cartel, with everything put in Mundson's name to hide their connection to it. However, when they decide it is safe to take over after the end of World War II, Mundson refuses to transfer ownership to his backers. The Argentine police are interested in the Germans; government agent Obregon (Joseph Calleia) introduces himself to Farrell to try to obtain...
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output:
Who does Gilda have loyalty to?