Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Wordplay is a 2006 documentary film directed by Patrick Creadon. It features Will Shortz, the editor of the "New York Times" crossword puzzle, crossword constructor Merl Reagle, and many other noted crossword solvers and constructors. The second half of the movie is set at the 2005 American Crossword Puzzle Tournament (ACPT), where the top solvers compete for a prize of $4000. Context_2 : Riverside Park was a ballpark located in Austin, TX and was the home to many Austin teams since 1888 when the Austin Hix, the city's initial baseball team, combined with the Austin Red Sox to exist as the first edition of the Austin Senators. The ballpark was located southeast of Congress Avenue Bridge. It was also the place of the largest shutout in Texas League history on July 23, 1907 between the Austin Senators and the San Antonio Bronchos in the second game of a doubleheader. In the early 20th century, Austin and San Antonio were bitter rivals, and this was no exception. During the first game, an Austin baserunner who had overslid 3rd base was tagged but was called safe by the umpire. (At the time, there was only one umpire who made the decisions of "out," "safe," "strike," and "ball.") The Bronchos felt slighted that day by the umpire in-charge on many calls and tried to get the call changed. The umpire did not change his call, and the Bronchos left the field in protest forfeiting the game to Austin. Because a forfeit was not viable due to potential hefty fines levied by the league offices, San Antonio came up with a form of retaliation for the 2nd game. Infielder Art Griggs was the starting pitcher; Griggs was relieved by another infielder Ike Pendleton soon after and followed by George "Cap" Leidy. The Senators batted in order the whole game while the Bronchos batted whenever they wanted to and batted out of order also. Austin stole 23 bases, scored 44 runs on 36 hits due to San Antonio's sloppy defense, which made nine errors, and farcical pitching. The final score was Austin 44, San Antonio 0; the score looked more like a football score than baseball score. Context_3 : Source selection criteria describes properties that are crucial for a purchaser when deciding on a supplier. Criteria can be subjective or objective. Individual judgment can be biased, which may require balancing with objective measures. One approach is to identify a list of criteria such as cost and financial stability, assign a weight to each one and to score each vendor on each criteria. Then multiply the score by the weight and sum to get a final score. . Context_4 : Final Score (formerly FSN Final Score) was the nightly sports news program that aired across the United States on Fox Sports Net. Context_5 : The soundtrack to the film Deep Red was mainly composed and performed by the Italian progressive rock band Goblin. Director Dario Argento had originally contacted jazz pianist and composer Giorgio Gaslini to score the film, but he was unhappy with his output, deeming it "awful". After failing to get Pink Floyd to write music for the film, Argento turned back to Italy and found Goblin. In the final score, only three of Gaslini's original themes were retained; however, in the film's original theatrical release, Gaslini was given full composer credit for the entire score, while Goblin were wrongly credited only as performers [i.e. "Music by Giorgio Gaslini, performed by Goblin"]. This was corrected in subsequent home video releases. Context_6 : Pablo Carrera (born 2 August 1986, Bilbao, Spain) is a Spanish sport shooter who competes in the men's 10 metre air pistol and the 50 m pistol. At the 2012 Summer Olympics, he finished 4th in the qualifying round of the 10 metre air pistol, reaching the final with a score of 585. He finished 6th in the final round with a final score of 683.3. He also competed in the 50 m pistol, finishing in 22nd place. Context_7 : Final Score (Thai: 365 or "365 Wan Tam Tid Cheewit Dek Ent") is a 2007 Thai documentary film directed by Soraya Nagasuwan and produced by Jira Maligool. The film follows four Mattayom 6 students for one year as they take their university entrance exams. Context_8 : "Jump in the Pool" is the second single by Friendly Fires taken from the band's self-titled debut album "Friendly Fires". It was first made available as a single on iTunes on 1 September 2008, the same day the album was released, along with a promotional video. There was also a hand numbered, one sided white label 7" (limited to 250 copies). It was released as a 12" vinyl and a download EP on 18 May 2009. It is the theme tune to the BBC's Final Score for the 2009/10 Football Season. Australian singer Lenka also recorded a cover for BBC Radio 1's Live Lounge, which was then put on the album "Live Lounge 4". The song has been used in the introduction for BBC's Final Score football programme. Context_9 : Final Score is a BBC Television football news and results programme produced by BBC Sport. The programme is broadcast on late Saturday afternoons in England, Wales and Northern Ireland, usually on BBC One. BBC Northern Ireland opts away during the last ten minutes to cover local results. BBC Scotland runs a different programme altogether "Sportscene Results". "Final Score" is also broadcast on Boxing Day and New Year's Day and sometimes on either Good Friday or Easter Monday. A special Sunday edition is broadcast on the final day of the Premier League season. Context_10 : The 2013 Liga Indonesia Premier Division Final is a scheduled football match played on 14 September 2013 at the Manahan Stadium in Surakarta, Indonesia, to determine the winner of 2013 Liga Indonesia Premier Division. This round will bring together two of the best teams the East Java club Persebaya Surabaya with his opponent from Papua Perseru Serui. Persebaya advanced to the finals after conquering Persikabo Bogor with a score of 4-1, while Perseru overcame Persik Kediri in a shootout with the final score ending 5-4 after extra time when normal and half ended with the score 2-2. fact_1 : Final Score (Thai: 365 or "365 Wan Tam Tid Cheewit Dek Ent") is a 2007 Thai documentary film directed by Soraya Nagasuwan and produced by Jira Maligool. fact_2 : Wordplay is a 2006 documentary film directed by Patrick Creadon. Answer: film
Answer:
What type of media does Final Score and Wordplay have in common?