In this task, you're given an article, a question which often contains a blank, four options (associated with "A", "B", "C", "D") and the answer to that question. Your task is to classify whether the given answer is correct or not by providing "Yes" or "No", based on the article.

Q: Article: Things Your Pilot Won't Tell You You may not be getting the airline you paid for. You may go to an airline website and buy a ticket, and get onto an airplane that has a similar name painted on it, but half the time, you're really on a regional airline.The regionals aren't held to the same safety standards as the majors: their pilots aren't required to have as much training and experience, and the public doesn't know that. --Captain at a major airline If you're a nervous flier, book a morning flight. The heating of the ground later causes bumpier air, and it's much more likely to thunderstorm in the afternoon. --Jerry Johnson , pilot, Los Angeles The smoothest place to sit is often over or near the wing. The bumpiest place to sit is in the back.If you're in the middle, you don't move as much. --Patrick Smith, pilot, and author of Cockpit Confidential Sit in the front if you want fresher air. The general flow of air in any airplane is from front to back.So if you're really concerned about breathing the freshest possible air or not getting too hot, sit as close to the front as you can.Planes are generally warmest in the back. --Tech pilot at a regional airline, Texas You never know where the safest seat is. There is no safest place to sit.In one accident, the people in the back are dead; in the next, it's the people up front. --John Nance, aviation safety analyst and retired airline captain, Seattle I've been struck by lightning twice. Most pilots have.Airplanes are built to take it.You hear a big boom and see a big flash and that's it.You're not going to fall out of the sky. --Charlotte, pilot for a regional earner,.North Carolina People don't understand why they can't use their cell phones. Well, what can happen is 12 people will decide to call someone just before landing, and I can get a false reading on my instruments saying that we are higher than we ideally are. --Jim Tilmon, retired American Airlines pilot, Phoenix
Question: Jerry Johnson advises nervous fliers to _ .
Options: (A) sit in the back (B) fly in the morning (C) fly with major airlines (D) avoid flying in bad weather
Asnwer: C

A: No
****
Q: Article: My heart sank when the man at the immigration counter gestured to the back room. I was born and raised in America, and this was Miami, where I live, but they weren't quite ready to let me in yet. "Please wait in here, Ms. Abujaber," the immigration officer said. My husband, with his very American last name, accompanied me. He was getting used to this. The same thing had happened recently in Canada when I'd flown to Montreal to speak at a book event. That time they held me for 45 minutes. Today we were returning from a literary festival in Jamaica, and I was shocked that I was being sent "in back" once again. The officer behind the counter called me up and said, "Miss, your name looks like the name of someone who's on our wanted list. We're going to have to check you out with Washington." "How long will it take?" "Hard to say...a few minutes," he said, "We'll call you when we're ready for you." After an hour, Washington still hadn't decided anything about me. "Isn't this computerized?" I asked at the counter, "Can't you just look me up?" "Just a few more minutes," they assured me. After an hour and a half, I pulled my cell phone out to call the friends I was supposed to meet that evening. An officer rushed over. "No phones!" he said, "For all we know you could be calling a terrorist cell and giving them information." "I'm just a university professor," I said. My voice came out in a squeak. "Of course you are. And we take people like you out of here in leg irons every day." I put my phone away. My husband and I were getting hungry and tired. Whole families had been brought into the waiting room, and the place was packed with excitable children, exhausted parents, and even a flight attendant. I wanted to scream, to jump on a chair and shout: "I'm an American citizen; a novelist; I probably teach English literature to your children." After two hours in detention , I was approached by one of the officers. "You're free to go," he said. No explanation or apologies. For a moment, neither of us moved. We were still in shock. Then we leaped to our feet. "Oh, one more thing," he handed me a tattered photocopy with an address on it, "If you aren't happy with your treatment, you can write to this agency." "Will they respond?" I asked. "I don't know--I don't know of anyone who's ever written to them before." Then he added," By the way, this will probably keep happening each time you travel internationally." "What can I do to keep it from happening again?" He smiled the empty smile we'd seen all day, "Absolutely nothing." After telling several friends about our ordeal, probably the most frequent advice I've heard in response is to change my name. Twenty years ago, my own graduate school writing professor advised me to write under a pen name so that publishers wouldn't stick me in what he called "the ethnic ghetto"--a separate, secondary shelf in the bookstore. But a name is an integral part of anyone's personal and professional identity--just like the town you're born in and the place where you're raised. Like my father, I'll keep the name, but my airport experience has given me a whole new perspective on what diversity and tolerance are supposed to mean. I had no idea that being an American would ever be this hard.
Question: The author was held at the airport because _ .
Options: (A) she and her husband returned from Jamaica (B) her name was similar to a terrorist's (C) she had been held in Montreal (D) she had spoken at a book event
Asnwer: B

A: Yes
****
Q: Article: Before my first summer vacation at college, my roommate Ted asked to me to work with him on his father's farm in Argentina. The idea of spending two months in Argentine was exciting. Then I began having second thoughts. I had never been far from New England, and I had been homesick my first few weeks at college. What would it be like in a strange country? What about the language? The more I thought about it, the more the idea worried me. In the end I turned down the invitation. As soon as Ted asked somebody else to go, I began kicking myself. I had turned down something I wanted to do because I was scared, and had ended up feeling depressed. That unhappy summer taught me a valuable lesson out of which I developed a rule for myself: do what makes you anxious; don't do what makes you depressed. At the end of my senior year, I began to think about becoming a writer. But my professor was urging me to aim at teaching. I hesitated. The idea of trying to live by writing was a lot scarier than spending a summer in Argentina. Back and forth I went, making my decision, unmaking it. Suddenly I realized that every time I gave up the idea of writing, that downhearted feeling went through me. Giving up on what I really wanted to do depressed me. Right then I learned another lesson. To avoid that kind of depression meant having to bear a certain amount of worry and concern. When I first began writing articles, I was frequently required to interview big names. Before each interview I would get butterflies in the stomach and my hands would shake. One person I particularly admired was the great composer Duke Ellington. On the stage and on television, he seemed the very model of confidence. Then I learned Ellington still got stage fright. If the highly honored Ellington, who had appeared on the bandstand some 10,000 times over 30years, had anxiety attacks, who was I to think I could avoid them? I went on doing those frightening interviews. Then I realized to my astonishment that I was even looking forward to the interviews. What had happened to those butterflies? Well, in truth, they were still there, but there were fewer of them. I had benefited, I discovered, from a process psychologists call "extinction". If you put an individual in an anxious situation often enough, he will eventually learn that there isn't anything to be worried about, which brings me to a conclusion: you'll never get rid of anxiety by avoiding the things that caused it. The point is that the new, the different, is definitely scary. But each time you try something, you learn, and as the learning piles up, the world opens to you.
Question: We can infer from the passage that the author _ .
Options: (A) finds it difficult to make decision (B) has found out what causes anxiety (C) was inspired by Duke Ellington's stage fright (D) no longer feels anxious about new experiences
Asnwer: C

A:
Yes
****