Q: Write a multi-choice question for the following article, with the given choices and answer: Article: What is funny? The short answer is: Who knows? The joke that causes a burst of laughter from one listener might be met with a puzzled look from another. In general, you should avoid jokes at any business or social gathering where there are more than two people in your conversational group. If there are only two people -- and they consist of you and your best friend -- go ahead and tell it. Admittedly, a few people possess a perfect sense of timing, appropriateness, and joke delivery. You are probably not one of them. You might be quite funny and have many great jokes. But there's a place for jokes -- over dinner with family, hiking with friends, but business or social affairs with colleagues and acquaintances are not it. It takes a whole other level of joke-telling ability to put a joke into the more formal conversations. The best jokes come into the conversation so that by the time listeners realize a joke is in progress, the punchline that produces humour is being delivered -- to their surprise and delight. Jokes don't translate well when you're in a group with mixed backgrounds: those whose first language is not English, those who might not understand a special term or an "in" expression, young people who wouldn't catch a reference to some bit of culture familiar to older people -- and vice versa . Never joke about another person in the group -- about their name, habits, hometown, profession, appearance, or past. It's not a question of whether the joke is cheery or appropriate. No one enjoys being singled out this way. When you are the subject of the joke, the laughter doesn't feel good no matter how hard you try to tell yourself they're not laughing at you. Because that's what it feels like. What do you say if you realize your joke upset someone? Apologize as briefly and as sincerely as you can, and hope that someone changes the subject. Try saying: "I'm sorry. I should have known better" or "I'm sorry. I wasn't thinking." What do you do if people don't get your joke or don't appear to find it as funny... Options: A Nobody knows what makes a joke funny. B We should not tell jokes unless we are asked to do so. C Joke-telling is a very complex thing. D Jokes should be told only to friends and family members. Answer: C Joke-telling is a very complex thing. Question:
A: Which of the following best describes the writer's opinion on joke-telling?

Question: Write a multi-choice question for the following article, with the given choices and answer: Article: One silly question I simply can't understand is "How do you feel?" Usually the question is asked of a man's action-- a man on the go, walking along the street or busily working at his desk. So what do you expect him to say? He'll probably say," Fine, I'm all right.", but you've put a bug in his ear. ---Maybe now he's not sure. If you have a good friend, you may have seen something in his face, or his walk, that he overlooked that morning. It starts him worrying a little. First thing you know, he looks in a mirror to see if everything is all right, while you go merrily on your way asking someone else. "How do you feel?" Every question has its time and place. It's perfectly acceptable, for example, to ask "How do you feel?" if you're visiting a close friend in hospital. But if the fellow is walking on both legs, hurrying take a train, or sitting at his desk working, it's no time to ask him that silly question. [:Z _ xx _ k.Com] When George Bernard Shaw, the famous writer of plays, was in his eighties, someone asked him, "How do you feel?" Shaw put him in his place. "When you reach my age," he said, "either you feel all right or you're dead." Options: A be praised for his efforts. B never be asked any question. C not be bothered . D be discouraged from working so hard. Answer: C not be bothered . Question:
Answer: The writer seems to feel that a busy man should _ .

Question: Write a multi-choice question for the following article, with the given choices and answer: Article: It's every child's dream:you find yourself in a sweet shop without owners and can finally eat as many candies as you like. Tokyo's all-you-can-eat"cheap candy"bars make that childhood dreams come true,giving Japanese under stress a chance to relive the good old days when their biggest problem was deciding between fizzy sticks and sour plums . The "cheap candy" bar in Tokyo's fashion Ebisu neighborhood is decorated like an old corner shop with dark wooden walls lined with glass jars full of Japanese childhood favorite food.Faded posters and a black-and-white TV bring back that special 1960s nostalgic feeling. "This is good old Japan,something I haven't even seen myself because we've passed that period,"said 24-year-old Natsuko Kohashi,a consultant, as she sat with a glass of beer and a basket of sugary candies."People dream about this peaceful time,20 years after the war, when things were kind of slow but people had hope,"she said."The economy started to recover and everyone got richer." Tokyo has many places which satisfy the needs of depressed office workers who have a desire for the years before the financial bubble of the 1980s,when stock markets and property prices went up quickly and then collapsed,leaving Japan in a depression for most of the next decade. There are cafes where waitresses dressed as maids play childish games with customers,and theme parks that recreate school cafeterias and 1960s living rooms. At another table at Ebisu's bar, a lively group of men and women in their 20s,some wearing suits,picked at a selection of sweets."I used to eat sweets as a child,"one of the men said."Now we are under great stress.When we were children,there was no stress,so we're comforting each other." Options: A satisfy customers'feeling B attract more lovely children C make customers buy more D help customers realize their dreams Answer: A satisfy customers'feeling Question:
Answer:
Waitresses dressed as maids play childish games at cafes to _ .