Question: Camillo Golgi (Italian: [ka'millo 'goldZi]; 7 July 1843 - 21 January 1926) was an Italian physician and pathologist known for his works on the central nervous system. He studied medicine at the University of Pavia (where he later spent most of his professional career) between 1860 and 1868 under the tutelage of Cesare Lombroso. Inspired by pathologist Giulio Bizzozero, he pursued research in nervous system. His discovery of a staining technique called black reaction (sometimes called Golgi's method or Golgi's staining in his honour) in 1873 was a major breakthrough in neuroscience.

Central nervous system was difficult to study during Golgi's time because the cells were hard to identify. The available tissue staining techniques were useless for studying nervous tissue. While working as chief medical officer at the Hospital of the Chronically Ill, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). In the early 1873, he discovered a method of staining nervous tissue that would stain a limited number of cells at random in their entirety. He first treated the tissue with potassium dichromate to harden it, and then with silver nitrate. Under microscope, the outline of the neuron became distinct from the surrounding tissue and cells. The silver chromate precipitate, as a reaction product, only selective stains some cellular components randomly, sparing other cell parts. The silver chromate particles create a stark black deposit on the soma (nerve cell body) as well as on the axon and all dendrites, providing an exceedingly clear and well-contrasted picture of neuron against a yellow background. This makes it easier to trace the structure of the nerve cells in the brain for the first time. Since cells are selective stained in black, he called the process la reazione nera ("the black reaction"), but today it is called Golgi's method or the Golgi stain. On 16 February 1873, he wrote to his friend Niccolo Manfredi: I am delighted that I have found a new reaction to demonstrate, even to the blind, the structure of the interstitial stroma of the cerebral cortex. His discovery was published in the Gazzeta Medica Italiani on 2 August 1873.

Using a quote from the above article, answer the following question: what year did this begin
HHHHHH
Answer: In the early 1873, he discovered a method

Question: Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators.

By 1987, the band's membership was down to just Jeczalik and Dudley. That year saw the release of their album In No Sense? Nonsense! The album featured Jeczalik's most advanced rhythmic collages to date, plus lush string arrangements, pieces for boys' choir, and keyboard melodies from Dudley. It did not produce any hits, although their record label made efforts to push remixes of "Dragnet" into the dance clubs and the single reached No. 60 on the UK charts. In 1987, The Art of Noise provided the score for two movies, Hiding Out and Dragnet, and one particular movement was used in both films. Their brass-based connecting passage between sections from the original Dragnet television show's theme song was used as incidental music during a dramatic scene--an armed chase through the rafters of a gymnasium--near the end of Hiding Out. In 1988, a one-off collaboration with singer Tom Jones (a cover of Prince's "Kiss"--a staple in Jones' stage shows) renewed the public's interest in the Art of Noise and provided the group's biggest hit in the mainstream. The track appeared on several albums by Jones, and China Records included the song on the greatest hits compilation The Best of The Art of Noise, the first edition of which also contained tracks licensed from ZTT. The follow-up album, Below the Waste, failed to achieve much success upon its release in 1989. While it did spawn the memorable single "Yebo!" (featuring the unique vocals of Zulu performers Mahlathini and the Mahotella Queens). Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme". In 1990, Dudley and Jeczalik declared that the Art of Noise had officially disbanded.

Using a quote from the above article, answer the following question: Were there other songs from this album?
HHHHHH
Answer: Both cassette and CD versions include two bonus tracks in the form of "Robinson Crusoe", and the "James Bond Theme".

Question: Irfan Khan Pathan ( pronunciation ; born 27 October 1984) is an Indian cricketer who plays all formats of the game. He made his debut for India in the 2003/04 Border-Gavaskar Trophy, and was a core member of the national team until a decline in form set in during 2006, forcing him out of the team. Since then, he has been in and out of the limited-overs teams (ODIs and T20Is), and has only sporadic appearances in Test cricket. Pathan played his last Test in April, 2008 at the age of 24.

Under the guidance of former Indian captain Datta Gaekwad, Pathan rose to get selected in the Under-14 Baroda cricket team, and when he was selected at Under-15 level to represent Baroda in a national tournament, he was finally presented with a full set of cricket equipment, having before been restricted to second-hand gear due to his family's limited economic means. In December 1997, Pathan broke into the Baroda Under-16 team, less than two months after turning 13. He took a total of 1/35 and scored 1 and 11 against Gujarat and was dropped immediately afterwards. He did not play again for the Under-16s for two years, and in November 1999, less than a month after turning 15, he made his next appearance, this time for Baroda Under-19s against Maharashtra. He scored 61 and 9 and took a total of 3/41 in a victory, but was immediately dropped back to the Under-16s for the next match, and spent the rest of the 1999-2000 season there. He bowled short spells in the younger division, taking four wickets at 38.00 in six matches, averaging less than seven overs an innings. He had more success with the bat, scoring 253 runs at 31.62 including a best of 72 against Mumbai. Pathan was then selected for the India Under-15 team in mid-2000 to play a series of matches against their colleagues from other countries. He took 15 wickets at 12.66 in ten matches, including a best of 3/2 against Thailand, and scored 15 runs at 7.50. India won all but one of the matches, most by enormous margins.

Using a quote from the above article, answer the following question: Is there anything else notable?
HHHHHH
Answer:
after turning 15, he made his next appearance, this time for Baroda Under-19s against Maharashtra. He scored 61 and 9 and took a total of 3/41 in a victory,