In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Ryo Kimura ( , Kimura Ryo , born September 23, 1988) is a Japanese actor who debuted in 2002. His first movie was Moonlight Jellyfish, in which he co-starred with Tatsuya Fujiwara. He played the role of Michio, a mentally challenged 15-year-old boy diagnosed with an incurable skin disease called XP (Xeroderma Pigmentosum). Context_2 : Kei Fujiwara ( , Fujiwara Kei , born March 12, 1957) is a Japanese actress, cinematographer, editor, writer and film director. Her first role was in the American film, "The Neptune Factor", but she is perhaps best known for starring in the Japanese cult film, "". Recently she has devoted her time to writing and directing, and is known for her surreal and violent experimental films. Context_3 : Masahiko Fujiwara (Japanese: "Fujiwara Masahiko"; born July 9, 1943 in Shinkyo, Manchukuo ) is a Japanese mathematician, who is best known as an essayist. Context_4 : Boku Dake ga Inai Machi ( , lit. "The Town Where Only I Am Missing") is a 2016 Japanese thriller fantasy mystery film adaptation of the manga series of the same name featuring Tatsuya Fujiwara as Satoru Fujinuma. It premiered in cinemas throughout Japan on March 19, 2016. The theme song is "Hear ~Shinjiaeta Akashi~" (Hear , lit. Hear ~A proof that you could trust~ ) by Chise Kanna. The trailer was released on 14 January 2016. Context_5 : Tatsuya Fujiwara ( , Fujiwara Tatsuya , born May 15, 1982) is a Japanese actor. Internationally, he is best known for his leading roles as Shuya Nanahara in the "Battle Royale" films, Light Yagami in the "Death Note" films, Kaiji Ito in the "Kaiji" films, and Rikuhiko Yuki in Hideo Nakata's "The Incite Mill". In 2014, he portrayed the villain Shishio Makoto in the live action "Rurouni Kenshin" films. Context_6 : Arrietty, titled The Borrower Arrietty (Japanese: , Hepburn: Kari-gurashi no Arietti ) in Japan and The Secret World of Arrietty in North America, is a 2010 Japanese animated fantasy film produced by Studio Ghibli and directed by Hiromasa Yonebayashi as his feature film debut as a director. The novel was adapted as a screenplay by Hayao Miyazaki and Keiko Niwa, based on "The Borrowers" by Mary Norton, an English author of children's books, about a family of tiny people who live secretly in the walls and floors of a typical household, borrowing items from humans to survive. The film stars the voices of Mirai Shida, Ryunosuke Kamiki, Shinobu Otake, Keiko Takeshita, Tatsuya Fujiwara, Tomokazu Miura, and Kirin Kiki, and tells the story of a young Borrower (Shida) befriending a human boy (Kamiki), while trying to avoid being detected by the other humans. Context_7 : Battle Royale II: Requiem (II , "Batoru rowaiaru tsu: "Rekuiemu"" ) , abbreviated as BRII ("Bii aru tsu"), is a 2003 Japanese dystopian action film. It is a sequel to the 2000 film, "Battle Royale", which in turn was based upon a controversial 1999 novel of the same title by Koushun Takami. An extended version of the film is titled Battle Royale II: Revenge. Context_8 : Tobaku Mokushiroku Kaiji ( , lit. "Gambling Apocalypse Kaiji" ) , also known as "Ultimate Survivor Kaiji", is a Japanese manga series about the art of gambling, written by Nobuyuki Fukumoto. It is published by Kodansha in "Young Magazine". The first part of the manga (13 volumes), was adapted as a 26-episode anime television series called Gyakkyo Burai Kaiji: Ultimate Survivor ( Ultimate Survivor , lit. "Suffering Outcast Kaiji: Ultimate Survivor" ) , which began airing October 2007. A live-action 'Kaiji' movie was released October 10, 2009 in Japan with Tatsuya Fujiwara playing the role of Kaiji. Context_9 : Battle Royale ( , Batoru Rowaiaru ) is a 2000 Japanese dystopian film adapted from the 1999 novel of the same name by Koushun Takami. It is the final film directed by Kinji Fukasaku, the screenplay written by his son Kenta, and stars Takeshi Kitano. The film takes place in a dystopian Japan and it follows the story of Shuya Nanahara, a high-school student, and his classmates. Their class has been chosen by the government to take part in an annual game where all the students of the class must fight to the death until only one remains alive. The film aroused both domestic and international controversy and was either banned outright or deliberately excluded from distribution in several countries. Context_10 : Burst City ( , "Bakuretsu Toshi" ) is a Japanese dystopian punk rock musical / action film. Released in 1982, the film was directed by Sogo Ishii. Primarily a showcase for both various specific punk rock bands of the time, such as The Roosters, The Rockers, and The Stalin, the film is also purely demonstrative of the culture and attitude of the punk rock community of Japan in the mid-to-late 1970s and the early 1980s. The film was distributed by the Toei studio. fact_1 : Internationally, he is best known for his leading roles as Shuya Nanahara in the "Battle Royale" films, Light Yagami in the "Death Note" films, Kaiji Ito in the "Kaiji" films, and Rikuhiko Yuki in Hideo Nakata's "The Incite Mill". fact_2 : It is the final film directed by Kinji Fukasaku, the screenplay written by his son Kenta, and stars Takeshi Kitano. Question: Who directed the 2000 Japanese dystopian film for which Tatsuya Fujiwara is best known for his leading role?
A:
Kinji Fukasaku