Q: What's an example of a movie review?
An example of a movie review is here: Late, great Grade Z drive-in exploitation filmmaker par excellence Al Adamson really outdoes himself with this gloriously ghastly sci-fi soft-core musical comedy atrocity which plumbs deliciously dismal and dopey depths in sheer celluloid silliness and jaw-dropping stupidity. In the grim totalitarian future of 2047 sex has been deemed an illegal act by the Big Brother-like impotent bumbling idiot the Controller (an amusingly goofy Erwin Fuller). However, sweet'n'sexy Cinderella (radiant blonde cutie pie Catherine Erhardt) remains determined to change things for the better. With the help of her effeminate Fairy Godfather (a flamboyantly campy Jay B. Larson), Cinderella attends a grand gala ball with the specific plan of seducing handsome stud Tom Prince (the dorky Vaughn Armstrong) and teaching everyone that making love is a positive, pleasurable and wholly acceptable activity.

Adamson directs this ridiculous yarn with his customary all-thumbs incompetence, staging the incredibly awful'n'inept song and dance sequences with a totally sidesplitting lack of skill and flair. The uproariously abysmal "We All Need Love" number with people in absurd animal costumes awkwardly prancing about the forest is a hilariously horrendous marvel; ditto the equally abominable "Mechnical Man" routine featuring a bunch of clumsily cavorting robots. Louis Horvarth's crude, static cinematography, the tacky plastic miniatures, Sparky Sugerman's groovy throbbing disco score, the copious gratuitous nudity (ravishing brunette hottie Sherri Coyle warrants special praise in this particular department), the brain-numbingly puerile attempts at leering lowbrow humor (Roscoe the Robot law enforcer is especially irritating), and the uniformly terrible performances (Renee Harmon's outrageously hammy portrayal of Cinderella's wicked overbearing stepmother cops the big booby prize here) further enhance the strikingly abundant cheesiness to be savored in this delectably dreadful doozy.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Contains spoilers The movie plot can be summarized in a few sentences: Three guys go hunting in the forest. Two of them along other people get shot in the head without explanation. The last guy can stand in the clear, shout and do anything without getting shot. He gets to walk through an old factory and has the evil people walk right into his scope without a struggle. The villains are conveniently dressed in black and look like villains.

That is the whole story, not summarized but in detail. Everything is drawn out with a guy standing ringing a door bell. We wait with him. Long shot of guys being bored in the woods and sleeping. We can take a nap with them. The one drawn out shot of following a female jogger could have been redeeming, if we could see her butt or boobs bouncing.

There dialog is less then Terminator and it is not because there is so much action. The characters just don't talk. And, then they don't even have something corny to say like 'I'll be back.' If my buddy shot this on the weekend, I'd cheer for him, because it is quite a feat to figure out the camera controls. To pay money to rent this as a DVD is totally inappropriate.

The one thing that is a little funny is the extra with the director telling, how they local police didn't realize that they were shooting and treated them like a random guy walking around with a gun. If they'd have filmed that, I'd be sure it would be more fun to watch then the movie.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: I wanted to like this film, I really did. It's got some good actors but ultimately it falls flat. It tries too hard to be funny in some places (the daughters over zealous cooking attempts), over reaches in others (the scene where they clean up someone's yard, so he agrees to join the team) and has some scenes that, while mildly interesting, are really just filler (all the work scene's). And I didn't find the "villians" intimidating, or worth hating, so much as I found them to be childishly annoying.

I've met people like those in the film while playing church ball. And I will say the referee's are spot on, Still, in the end, I really didn't care all that much about the characters, or their quest for church ball glory. Maybe because they were all so one dimensional, which I might not have minded so much if the film were funnier or seemed to flow a little more smoothly overall.

Kurt Hale, and Halestorm entertainment, has made some good films, but this is not one of them.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I wouldn't call it awful, but nothing at all shines in this movie, and it is encumbered with some seriously unbelievable basic plot development. It starts out well, but once the main hit is done, it devolves into a long subplot around a young girl which is not compelling, and some action scenes which are theatre of the absurd unrealistic. For example there is a prolonged shootout at the airport in which the lighting is all stroboscopic. No explanation for that. How credible is it that a airport storage area is going to have lights that flash on and off confusingly, and just enough to let Snipes do his incredible escape schtick? This is one of far too few action scenes punctuated by pointlessly drawn out set ups that just fails to draw one into suspending belief.

In addition, the whole premise seems to be that the United States CIA team can shoot the place up but get away with it by saying "national security" to the Brits. This gimmick relies on a stereotype that is to far afield from reality to be satisfying.

There are a lot better action movies out there. Better formulated, better executed. This one is entertaining at times but there is just not enough meat on the bone and after a while it becomes downright boring -- something that should never happen in a good action movie.
Q: What's an example of a movie review?
An example of a movie review is here:
Rod Serling was, of course, a genius and his wonderful, playful, creative mind left something of the period in which he lived and examples of television at that state of development. There are no such shows now, but rather "Housewife" sluts ala Eva Longoria or Terri Hatcher, or the pitiful stabs at humor and witty banter that litter our high-tech screens.

Jack Elam edged into the episode with such acting precision and with his usual craziness that I can't help but think that Rod Serling was tailoring that long ago week's show around Elam, even though he was an ancillary to the flow of the story. This episode ends with a twist, as usual, but shock and humor are mixed with especially "Serlingesque" dexterity.

Rex Lewis Field