Answer the question at the end by quoting:

Kurt Julian Weill (March 2, 1900 - April 3, 1950) was a German composer, active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose.
Back in Berlin, Weill had an interview with Ferruccio Busoni in December 1920. After examining some of Weill's compositions, Busoni accepted him as one of five master students in composition at the Preussische Akademie der Kunste in Berlin. From January 1921 to December 1923, Weill studied music composition with him and also counterpoint with Philipp Jarnach in Berlin. During his first year he composed his first symphony, Sinfonie in einem Satz, as well as the lieder Die Bekehrte (Goethe) and two Rilkelieder for voice and piano. To support his family in Leipzig, he also worked as a pianist in a Bierkeller tavern. In 1922, Weill joined the November Group's music faction. That year he composed a psalm, a divertimento for orchestra, and Sinfonia Sacra: Fantasia, Passacaglia, and Hymnus for Orchestra. On November 18, 1922, his children's pantomime Die Zaubernacht (The Magic Night) premiered at the Theater am Kurfurstendamm; it was the first public performance of any of Weill's works in the field of musical theatre. Out of financial need, Weill taught music theory and composition to private students from 1923 to 1925. Among his students were Claudio Arrau, Maurice Abravanel, Heinz Jolles (later known as Henry Jolles), and Nikos Skalkottas. Arrau, Abravenel, and Jolles remained members of Weill's circle of friends thereafter, and Jolles's sole surviving composition predating the rise of the Nazi regime in 1933 is a fragment of a work for four pianos he and Weill wrote jointly. Weill's compositions during his last year of studies included Quodlibet, an orchestral suite version of Die Zaubernacht, Frauentanz, seven medieval poems for soprano, flute, viola, clarinet, French horn, and bassoon, and Recordare for choir and children's choir to words from the Book of Lamentations. Further premieres that year included a performance of his Divertimento for Orchestra by the Berlin Philharmonic under the direction of Heinz Unger on April 10, 1923, and the Hindemith-Amar Quartet's rendering of Weill's String Quartet, Op. 8, on June 24, 1923. In December 1923, Weill finished his studies with Busoni.

What did Busoni think of Weill's compositions?

That year he composed a psalm, a divertimento for orchestra, and Sinfonia Sacra: Fantasia, Passacaglia,

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Thomas Edward Lawrence was born on 16 August 1888 in Tremadog, Carnarvonshire (now Gwynedd), Wales in a house named Gorphwysfa, now known as Snowdon Lodge. His Anglo-Irish father Thomas Chapman had left his wife Edith after he fell in love and had a son with Sarah Junner, a young Scotswoman who had been engaged as governess to his daughters. Sarah was the daughter of Elizabeth Junner and John Lawrence, who worked as a ship's carpenter and was a son of the household in which Elizabeth had been a servant. She was dismissed four months before Sarah was born.
The chief elements of the Arab strategy, developed chiefly by Faisal and Lawrence, were firstly to avoid capturing Medina, and secondly to extend northwards through Maan and Deraa to Damascus and beyond. The Emir Faisal wanted to lead regular attacks against the Ottomans, which Lawrence persuaded him to drop. Lawrence wrote about the Bedouin as a fighting force: "The value of the tribes is defensive only and their real sphere is guerilla warfare. They are intelligent, and very lively, almost reckless, but too individualistic to endure commands, or fight in line, or to help each other. It would, I think, be possible to make an organized force out of them...The Hejaz war is one of dervishes against regular forces-and we are on the side of the dervishes. Our text-books do not apply to its conditions at all". Medina was an attractive target for the revolt as Islam's second-holiest site, and because its Ottoman garrison was weakened by disease and isolation. It became clear that it was advantageous to leave it there rather than try to capture it, while continually attacking, but not permanently breaking, the Hejaz railway south from Damascus. This prevented the Ottomans from making effective use of their troops at Medina, and forced them to dedicate many resources to defending and repairing the railway line. The movement north to Damascus and eventually Aleppo is interesting in the context of the Sykes-Picot agreement. While it is not known when Lawrence learned the details of Sykes-Picot, nor if or when he briefed Faisal on what he knew, there is good reason to think that both these things happened, and earlier rather than later. In particular, the Arab strategy of northward extension makes perfect sense given the Sykes-Picot language that spoke of an independent Arab entity in Syria, which would only be granted if the Arabs liberated the territory themselves. The French, and some of their British Liaison officers, were specifically uncomfortable about the northward movement, as it would weaken French colonial claims.

What did Lawrence think of the enemy?
The Emir Faisal wanted to lead regular attacks against the Ottomans, which Lawrence persuaded him to drop. Lawrence wrote about the Bedouin as a fighting force: