IN: David Howell Evans was born at the Barking Maternity Hospital, in the county of Essex in England, on 8 August 1961. He is the second child of Welsh parents Garvin and Gwenda Evans, who originated in Llanelli, a coastal town in South Wales. Garvin was an engineer who worked for the local electricity board, and then took a job with the electronics company Plessey. The Edge has an elder brother Richard (often called Dik) and a younger sister called Gillian.

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of Vox AC30s) that he achieves with extensive use of delay effects and reverb. The repeat delay is often set to a dotted eighth note, and the feedback gain is adjusted until a note played repeats two or three times. In 1987's The Joshua Tree, The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style, I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way. His first guitar was an old acoustic guitar that his mother bought him at a local flea market for a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument. He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that." The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the Achtung Baby era onwards, although much of the band's 1980s material made heavy use of echos.
QUESTION: How unique was the guitar playing?
IN: Daniel Barenboim (born 15 November 1942) is an Argentine-Israeli pianist and conductor who is a citizen of Argentina, Israel, Palestine, and Spain. He is the general music director of the Berlin State Opera, and the Staatskapelle Berlin; he previously served as Music Director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West-Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories. Barenboim has received many awards and prizes, including an honorary Knight Commander of the Order of the British Empire, France's Legion d'honneur both as a Commander and Grand Officier, and the German Grosses Bundesverdienstkreuz and Willy Brandt Award.

Daniel Barenboim was born in 1942 in Buenos Aires, Argentina, to Argentinian-Jewish parents Aida (nee Schuster) and Enrique Barenboim. He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher. On 19 August 1950, at the age of seven, he gave his first formal concert in his hometown, Buenos Aires. In 1952, Barenboim's family moved to Israel. Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes. During that summer he also met and played for Wilhelm Furtwangler, who has remained a central musical influence and ideal for Barenboim. Furtwangler called the young Barenboim a "phenomenon" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a child of Jewish parents to be performing in Berlin. In 1955 Barenboim studied harmony and composition with Nadia Boulanger in Paris. On 15 June 1967, Barenboim and British cellist Jacqueline du Pre were married in Jerusalem at a Western Wall ceremony, Du Pre having converted to Judaism. Acting as one of the witnesses was the conductor Zubin Mehta, a long-time friend of Barenboim. Since "I was not Jewish I had to temporarily be renamed Moshe Cohen, which made me a 'kosher witness'," Mehta recalled. Du Pre retired from music in 1973, after being diagnosed with multiple sclerosis (MS). The marriage lasted until du Pre's death in 1987. In the early 1980s, Barenboim began an affair with the Russian pianist Elena Bashkirova, with whom he had two sons born in Paris before du Pre's death: David Arthur, born 1983, and Michael, born 1985. Barenboim worked to keep his relationship with Bashkirova hidden from du Pre, and believed he had succeeded. He and Bashkirova married in 1988. Both sons are part of the music world: David is a manager-writer for the German hip-hop band Level 8, and Michael Barenboim is a classical violinist.
QUESTION:
Did he go to school?