input: In January 2016, Lauper announced she would release a new album on the May 6, 2016. This composed of her interpretations of early country classics entitled Detour. The announcement was supported by a release of her version of Harlan Howard's "Heartaches by the Number" and a performance on Skyville Live with Kelsea Ballerini and Ingrid Michaelson. On February 17, 2016 she released her version of Wanda Jackson's "Funnel of Love". In February 2016, Lauper was nominated for an Olivier Award for her contribution to the UK production of Kinky Boots along with Stephen Oremus, the man responsible for the arrangements. In January 2017, this production's album was nominated for the Grammy Award for Best Musical Theater Album. In May 2016, Lauper was featured on "Swipe to the Right" off of Electronica 2: The Heart of Noise from French producer Jean-Michel Jarre. This second album of the Electronica project is based on collaborations with artists related to electronic music (Tangerine Dream, Moby, Pet Shop Boys, etc.). In October 2016, her son Dex Lauper was the opening act for her Scottsdale, Arizona and Las Vegas, Nevada dates on her Detour Tour. In January 2017, Lauper was featured on Austin City Limits' 42nd season performing some of her classic songs alongside country tunes from Detour. The episode aired on PBS. In October 2017 she released a new song, "Hope", in honor of World Psoriasis Day. "I know first-hand the impact psoriasis can have and my goal is to give a voice to the millions of Americans who may struggle with their psoriasis," said Lauper.

Answer this question "What is she currently doing?"
output: In January 2017, Lauper was featured on Austin City Limits' 42nd season performing some of her classic songs alongside country tunes from Detour.

input: Koolhaas's next landmark publications were a product of his position as professor at Harvard University, in the Design school's "Project on the City"; firstly the 720-page Mutations, followed by The Harvard Design School Guide to Shopping (2002) and The Great Leap Forward (2002). All three books involved Koolhaas's students analysing what others would regard as "non-cities", sprawling conglomerates such as Lagos in Nigeria, west Africa, which the authors argue are highly functional despite a lack of infrastructure. The authors also examine the influence of shopping habits and the recent rapid growth of cities in China. Critics of the books have criticised Koolhaas for being cynical - as if Western capitalism and globalization demolish all cultural identity - highlighted in the notion expounded in the books that "In the end, there will be little else for us to do but shop". However, such cynicism can alternatively be read as a "realism" about the transformation of cultural life, where airports and even museums (due to finance problems) rely just as much on operating gift shops. When it comes to transforming these observations into practice, Koolhaas mobilizes what he regards as the omnipotent forces of urbanism into unique design forms and connections organised along the lines of present-day society. Koolhaas continuously incorporates his observations of the contemporary city within his design activities: calling such a condition the 'culture of congestion'. Again, shopping is examined for "intellectual comfort", whilst the unregulated taste and densification of Chinese cities is analysed according to "performance", a criterion involving variables with debatable credibility: density, newness, shape, size, money etc. For example, in his design for the new CCTV headquarters in Beijing (2009), Koolhaas did not opt for the stereotypical skyscraper, often used to symbolise and landmark such government enterprises, but instead designed a series of volumes which not only tie together the numerous departments onto the nebulous site, but also introduced routes (again, the concept of cross-programming) for the general public through the site, allowing them some degree of access to the production procedure. Through his ruthlessly raw approach, Koolhaas hopes to extract the architect from the anxiety of a dead profession and resurrect a contemporary interpretation of the sublime, however fleeting it may be. In 2003, Content, a 544-page magazine-style book designed by &&& Creative and published by Koolhaas, gives an overview of the last decade of OMA projects including his designs for the Prada shops, the Seattle Public Library, a plan to save Cambridge from Harvard by rechanneling the Charles River, Lagos' future as Earth's third-biggest city, as well as interviews with Martha Stewart and Robert Venturi and Denise Scott Brown.

Answer this question "Did he include his own research in the books?"
output: All three books involved Koolhaas's students

input: In April 2010, Portugal. The Man announced their signing to Atlantic Records. During the summer of 2010, the band went back into the studio to record their new album with producer John Hill. They recorded the album in El Paso, Texas, London, England, and San Diego, California. Andy Wallace mixed the album. During their fall tour in 2010, Portugal. The Man played a new song known as "We Got It All". At SXSW 2011, they debuted another song titled "Senseless". Starting on April 7, 2011, Portugal. The Man began releasing one 30 second clip every week from their new album via their YouTube channel. The songs were "Once Was One", "All Your Light (Times Like These)" and "So American". On April 29, 2011, the first full track was released entitled "Got It All (This Can't Be Living Now)". They released their second song on May 5 entitled "Sleep Forever". The full album, In the Mountain in the Cloud, was released on July 19, 2011. Portugal. The Man's short film, "Sleep Forever", directed by Michael Ragen, clocks in at over 13 minutes and was shot entirely in Gourley's hometown of Willow, Alaska. "Sleep Forever" premiered via IFC on June 6, 2011. Portugal. The Man made their second appearance at the Bonnaroo Music and Arts Festival for the festival's 10th year anniversary in June 2011, as well as another Lollapalooza appearance in August. On August 8, 2011, after their Lollapalooza show, the band's van and trailer were stolen. The van and trailer contained all of the band's instruments and performance gear. On August 9, the van was recovered, but the contents of the trailer were missing. A list of the missing equipment was made available by the band. John Gourley was reported saying that, "Basically every bit of money Portugal. The Man has made over the last five years was in that trailer." On August 12, much of the band's gear was recovered from the home of a man who claimed to have purchased it at a flea market, and the band subsequently posted a thank you note on their website saying, "it is more than just a win for PTM, it is also a win for Twitter, the world of social media, the Chicago police, and old school journalism." The man was charged with one felony count of theft for purchasing the stolen equipment. In the fall of 2011, Portugal. The Man went on a US headlining tour with the addition of guitarist Noah Gersh to the band. They also went on to tour Europe in January, opening for The Black Keys and going on to Australia to headline and perform at St Jerome's Laneway Festival. In the spring of 2012, they headlined the Norman Music Festival in Norman, Oklahoma, as well as the Jagermeister Music Tour with The Lonely Forest. On April 3, 2012, it was announced via Facebook that keyboardist Ryan Neighbors would be leaving the band to pursue his own music career with his new project Hustle and Drone. He was replaced by Kyle O'Quin. Drummer Jason Sechrist was replaced by former child actor and drummer Kane Ritchotte shortly after Neighbors' departure.

Answer this question "What was in the mountain in the cloud?"
output:
The full album, In the Mountain in the Cloud, was released on July 19, 2011.