Background: Guttermouth is an American punk rock band formed in 1988 in Huntington Beach, California and currently recording for Rude Records/Bird Attack Records. They have released nine full-length studio albums and two live albums and have toured extensively, including performances on the Vans Warped Tour. They are infamous for their outrageous lyrics and behavior which are deliberately explicit, offensive and intended to shock, though usually in a humorous and sarcastic manner. This behavior has sometimes resulted in high-profile problems for the band, such as being banned from performing in Canada for eighteen months and leaving the 2004 Warped Tour amidst controversy over their political views and attitudes towards other performers.
Context: The following year found the band returning home to California and experiencing a lineup change. Clint Weinrich married in the spring of 1995, and to fill in for him on a European tour the band recruited Steve "Stever" Rapp, a college friend of Nunn's who was playing in a band called The Grabbers. Things worked out well with Rapp on this tour and he soon became the band's permanent bass player. The new lineup entered the studio and recorded their third album Teri Yakimoto. By all accounts the recording process was plagued with problems, and at one point most of the recordings were scrapped and re-recorded with a new producer. The result was an album that continued the fast and sarcastic Guttermouth tradition but was more melodic and pop-influenced than their previous albums. The band continued to tour and expand their fan base, and filmed a music video for the song "Whiskey." With their popularity growing Nitro Records re-released Full Length in CD format with bonus tracks under the title The Album Formerly Known as Full Length LP. In 1997 the band recorded Musical Monkey, an album which captured their chaotic energy and sharp sense of humor. It is considered by many to be the best representation of their "classic" sound, and songs such as "Lucky the Donkey," "Do the Hustle," "Lipstick" and "Perfect World" became staples in their live set. The following year they released Live From the Pharmacy, a recording of a live show from 1994 that also included four new songs engineered by Vandals guitarist Warren Fitzgerald and liner notes written by Nunn recounting the band's history. In 1998 Guttermouth was banned from performing in Canada for one year on charges of public indecency after Adkins exposed himself onstage in Saskatoon. According to Adkins: "oh, I was guilty [...] What I would do is grab two young girls out of the audience and I would have them hold up this sheet in front of me, and Jamie, the drummer at the time, would say this magical incantation, if you will, and I would be standing there stark naked." Combined with a drunk driving charge from the United States, the incident led Adkins to be arrested on immigration charges, detained for five days, and then deported, though Guttermouth would return to Canada a few years later. After obtaining a full pardon from the Canadian judicial system known as the crown. No record remains on file. Rapp left the band in 1999, at which point Nunn moved from drums to bass and new drummer William "Ty" Smith was brought in. That year the band recorded and released Gorgeous, their most aggressive album to date and their final album for Nitro.
Question: What did they do at this point?
Answer: at one point most of the recordings were scrapped and re-recorded with a new producer.

Background: "Eight Miles High" is a song by the American rock band the Byrds, written by Gene Clark, Jim McGuinn (a.k.a. Roger McGuinn), and David Crosby and first released as a single on March 14, 1966 (see 1966 in music). Musically influenced by Ravi Shankar and John Coltrane, "Eight Miles High", along with its McGuinn and Crosby-penned B-side "Why", was influential in developing the musical styles of psychedelic rock, raga rock, and psychedelic pop. Accordingly, critics often cite "Eight Miles High" as being the first bona fide psychedelic rock song, as well as a classic of the counterculture era. The song was subject to a U.S. radio ban shortly after its release, following allegations published in the broadcasting trade journal the Gavin Report regarding perceived drug connotations in its lyrics.
Context: The song's lyrics are, for the most part, about the group's flight to London in August 1965 and their accompanying English tour, as hinted at by the opening couplet: "Eight miles high and when you touch down, you'll find that it's stranger than known." Although commercial airliners fly at an altitude of six to seven miles, it was felt that "eight miles high" sounded more poetic than six and also recalled the title of the Beatles' song "Eight Days a Week". According to Clark, the lyrics were primarily his creation, with a minor contribution being Crosby's line, "Rain grey town, known for its sound"--a reference to London as home to the British Invasion, which was then dominating the U.S. music charts. Other lyrics in the song that explicitly refer to the Byrds' stay in England include the couplet: "Nowhere is there warmth to be found/Among those afraid of losing their ground", which is a reference to the hostile reaction of the UK music press and to the English group the Birds serving the band with a copyright infringement writ, due to the similarities in name. In addition, "Round the squares, huddled in storms/Some laughing, some just shapeless forms" describes fans waiting for the band outside hotels, while the line "Sidewalk scenes and black limousines" refers to the excited crowds that jostled the band as they exited their chauffeur-driven cars. Although the basic idea for the song had been discussed during the band's flight to England, it didn't actually begin to take shape until the Byrds' November 1965 tour of the U.S. To alleviate the boredom of traveling from show to show during the tour, Crosby had brought along cassette recordings of Ravi Shankar's music and the John Coltrane albums Impressions and Africa/Brass, which were on constant rotation on the tour bus. The influence of these recordings on the band would manifest itself in the music of "Eight Miles High" and its B-side "Why". Clark began writing the song's lyrics on November 24, 1965, when he scribbled down some rough ideas for later development, following a discussion with guitarist Brian Jones, before the Byrds made a concert appearance supporting the Rolling Stones. Over the following days, Clark expanded this fragment into a full poem, eventually setting the words to music and giving them a melody. Clark then showed the song to McGuinn and Crosby, with the former suggesting that the song be arranged to incorporate Coltrane's influence. Since Clark's death, however, McGuinn has contended that it was he who conceived the initial idea of writing a song about an airplane ride and that he and Crosby both contributed lyrics to Clark's unfinished draft. In his book, Mr. Tambourine Man: The Life and Legacy of the Byrds' Gene Clark, author John Einarson disputes this claim and ponders whether McGuinn's story would be the same were Clark still alive.
Question: Was there anything else interesting in the article?
Answer:
McGuinn has contended that it was he who conceived the initial idea of writing a song about an airplane ride