Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Example Input: CONTEXT: Her name, she just remembered earlier than everyone else. While the others used to take days to remember, her name came in hours or minutes. Could be also, since she was working for the wicked, that she just took a smaller portion of whatever they were working with to erase the memory. Now Thomas's name, I think she just had dreams/visions about him, just like Thomas had visions/dreams about her. <sep> Q: Why did Teresa know Thomas's and her name? A: Her name, she just remembered earlier than everyone else. While the others used to take days to remember, her name came in hours or minutes Q: It is called the maze runner A: Could be also, since she was working for the wicked, that she just took a smaller portion of whatever they were working with to erase the memory <sep> FOLLOWUP_Q: What did they take?
Example Output: No

Example Input: CONTEXT: Many reviews are calling this a black comedy or dark comedy, which is comedy that makes light of a serious subject or a comedy with gloomy or disturbing elements. If this film was just a drama, it would be a serious depiction of four girls going on spring break and the tragedy that unfolded when they got mixed up with a gangster. Instead, there are pink ski masks, bikinis in court, lots of sex, references to Britney Spears, the mere existence of a drug dealer named Alien who shows up to bail the girls out of jail... The basic premise is ridiculous, and the way that violence is interspersed with this ridiculousness sets up an uncomfortable edge that seems to keep audiences talking about this movie. Mostly the characters are flat and the story is not that gripping, but the edge that Harmony Korinne keeps the audience on - never knowing which direction it would go - seems to keep viewers engaged, whether they are engrossed or repelled. <sep> Q: How exactly is the movie a comedy? A: reviews are calling this a black comedy or dark comedy Q: What is a dark comedy? A: comedy that makes light of a serious subject or a comedy with gloomy or disturbing elements Q: Is the movie supposed to be funny? A: Many reviews are calling this a black comedy or dark comedy <sep> FOLLOWUP_Q: What is the movie classified as?
Example Output: Yes

Example Input: CONTEXT: Oskar does not become a vampire in the book. It is Hakan who becomes a vampire in the book. Also in the book, it is disclosed that Eli is a boy who was castrated years ago when he was converted to a vampire. In the movie, neither Hakan becomes a vampire nor is Eli disclosed to be a boy. Oskar and Eli flee. And as atm mentions in the comment, Oskar will grow old just like Hakan. <sep> Q: What happened to Eli and Oskar in Let the right one in? A: neither Hakan becomes a vampire nor is Eli disclosed to be a boy. Oskar and Eli flee. And as atm mentions in the comment, Oskar will grow old just like Hakan Q: Can you tell me anything else about this movie? A: Oskar will grow old just like Hakan <sep> FOLLOWUP_Q: Is there anything else you can tell me?
Example Output:
Yes