Article: The 2000 U.S. Census in the write-in response category had a code listing which standardizes the placement of various write-in responses for automatic placement within the framework of the U.S. Census's enumerated races. Whereas most responses can be distinguished as falling into one of the five enumerated races, there remains some write-in responses which fall into the "Mixture" heading which cannot be racially categorized. These include "Bi Racial, Combination, Everything, Many, Mixed, Multi National, Multiple, Several and Various".

Question: How many race options were there?
Ans: five enumerated races

Article: Of all the questions on the scale, Sell considered those assessing sexual attraction to be the most important as sexual attraction is a better reflection of the concept of sexual orientation which he defined as "extent of sexual attractions toward members of the other, same, both sexes or neither" than either sexual identity or sexual behavior. Identity and behavior are measured as supplemental information because they are both closely tied to sexual attraction and sexual orientation. Major criticisms of the SASO have not been established, but a concern is that the reliability and validity remains largely unexamined.

Question: What questions did Sell consider the most important on the KInsey scale?
Ans: those assessing sexual attraction

Article: In Lebanon, a part of the Christian population considers "Lebanese" to be in some sense a distinct language from Arabic and not merely a dialect. During the civil war Christians often used Lebanese Arabic officially, and sporadically used the Latin script to write Lebanese, thus further distinguishing it from Arabic. All Lebanese laws are written in the standard literary form of Arabic, though parliamentary debate may be conducted in Lebanese Arabic.

Question: In what language are Lebanese laws written?
Ans: Arabic

Article: Seattle was also the home base of impresario Alexander Pantages who, starting in 1902, opened a number of theaters in the city exhibiting vaudeville acts and silent movies. His activities soon expanded, and the thrifty Greek went on and became one of America's greatest theater and movie tycoons. Between Pantages and his rival John Considine, Seattle was for a while the western United States' vaudeville mecca. B. Marcus Priteca, the Scottish-born and Seattle-based architect, built several theaters for Pantages, including some in Seattle. The theaters he built for Pantages in Seattle have been either demolished or converted to other uses, but many other theaters survive in other cities of the U.S., often retaining the Pantages name; Seattle's surviving Paramount Theatre, on which he collaborated, was not a Pantages theater.

Question: Who was Pantages competitor in the theater business?
Ans:
John Considine