Problem: Background: Thelonious Sphere Monk was born two years after his sister Marion on October 10, 1917, in Rocky Mount, North Carolina, and was the son of Thelonious and Barbara Monk. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius." It also did not list his middle name, taken from his maternal grandfather, Sphere Batts. A brother, Thomas, was born in January 1920.
Context: In his early teens, Monk toured with an evangelist, playing the church organ, and in his late teens he began to find work playing jazz. In the early to mid-1940s, he was the house pianist at Minton's Playhouse, a Manhattan nightclub. Much of Monk's style was developed during his time at Minton's, when he participated in after-hours cutting contests, which featured many leading jazz soloists of the time. Monk's musical work at Minton's was crucial in the formulation of bebop, which would be furthered along by other artists, including Dizzy Gillespie, Charlie Christian, Kenny Clarke, Charlie Parker, and, later, Miles Davis. Monk is believed to be the pianist featured on recordings Jerry Newman made around 1941 at the club. Monk's style at this time was later described as "hard-swinging," with the addition of runs in the style of Art Tatum. Monk's stated influences included Duke Ellington, James P. Johnson, and other early stride pianists. In the documentary Thelonious Monk: Straight, No Chaser, it is stated that Monk lived in the same neighborhood in New York City as Johnson and knew him as a teenager. Mary Lou Williams, who mentored Monk and his contemporaries, spoke of Monk's rich inventiveness in this period, and how such invention was vital for musicians, since at the time it was common for fellow musicians to incorporate overheard musical ideas into their own works without giving due credit. "So, the boppers worked out a music that was hard to steal. I'll say this for the 'leeches,' though: they tried. I've seen them in Minton's busily writing on their shirt cuffs or scribbling on the tablecloth. And even our own guys, I'm afraid, did not give Monk the credit he had coming. Why, they even stole his idea of the beret and bop glasses." In 1944 Monk made his first studio recordings with the Coleman Hawkins Quartet. Hawkins was one of the earliest established jazz musicians to promote Monk, and the pianist later returned the favor by inviting Hawkins to join him on a 1957 session with John Coltrane.
Question: What did they mean hard-swinging?
Answer: he participated in after-hours cutting contests,

Background: Arthur Wellesley, 1st Duke of Wellington, (1 May 1769 - 14 September 1852), was an Anglo-Irish soldier and statesman who was one of the leading military and political figures of 19th-century Britain, serving twice as Prime Minister. His defeat of Napoleon at the Battle of Waterloo in 1815 puts him in the first rank of Britain's military heroes. Wellesley was born in Dublin, into the Protestant Ascendancy in Ireland. He was commissioned as an ensign in the British Army in 1787, serving in Ireland as aide-de-camp to two successive Lords Lieutenant of Ireland.
Context: Despite his new promise, he had yet to find a job and his family was still short of money, so upon the advice of his mother, his brother Richard asked his friend the Duke of Rutland (then Lord Lieutenant of Ireland) to consider Arthur for a commission in the Army. Soon afterward, on 7 March 1787, he was gazetted ensign in the 73rd Regiment of Foot. In October, with the assistance of his brother, he was assigned as aide-de-camp, on ten shillings a day (twice his pay as an ensign), to the new Lord Lieutenant of Ireland, Lord Buckingham. He was also transferred to the new 76th Regiment forming in Ireland and on Christmas Day, 1787, was promoted to lieutenant. During his time in Dublin his duties were mainly social; attending balls, entertaining guests and providing advice to Buckingham. While in Ireland, he overextended himself in borrowing due to his occasional gambling, but in his defence stated that "I have often known what it was to be in want of money, but I have never got helplessly into debt". On 23 January 1788, he transferred into the 41st Regiment of Foot, then again on 25 June 1789, still a lieutenant, he transferred to the 12th (Prince of Wales's) Regiment of (Light) Dragoons and, according to military historian Richard Holmes, he also dipped a reluctant toe into politics. Shortly before the general election of 1789, he went to the rotten borough of Trim to speak against the granting of the title "Freeman" of Dublin to the parliamentary leader of the Irish Patriot Party, Henry Grattan. Succeeding, he was later nominated and duly elected as a Member of Parliament (MP) for Trim in the Irish House of Commons. Because of the limited suffrage at the time, he sat in a parliament where at least two-thirds of the members owed their election to the landowners of fewer than a hundred boroughs. Wellesley continued to serve at Dublin Castle, voting with the government in the Irish parliament over the next two years. He became a captain on 30 January 1791, and was transferred to the 58th Regiment of Foot. On 31 October, he transferred to the 18th Light Dragoons and it was during this period that he grew increasingly attracted to Kitty Pakenham, the daughter of Edward Pakenham, 2nd Baron Longford. She was described as being full of 'gaiety and charm'. In 1793, he sought her hand, but was turned down by her brother Thomas, Earl of Longford, who considered Wellesley to be a young man, in debt, with very poor prospects. An aspiring amateur musician, Wellesley, devastated by the rejection, burnt his violins in anger, and resolved to pursue a military career in earnest. He became a major by purchase in the 33rd Regiment in 1793. A few months later, in September, his brother lent him more money and with it he purchased a lieutenant-colonelcy in the 33rd.
Question: How was his personality was he a likable character?
Answer:
While in Ireland, he overextended himself in borrowing due to his occasional gambling, but