input: Church is also remembered for his voting record as a strong progressive and environmental legislator, and he played a major role in the creation of the nation's system of protected wilderness areas in the 1960s. In 1964, Church was the floor sponsor of the national Wilderness Act. In 1968, he sponsored the Wild and Scenic Rivers Act and gained passage of a ten-year moratorium on federal plans to transfer water from the Pacific Northwest to California. Working with other members of Congress from northwestern states, Church helped establish the Hells Canyon National Recreation Area along the Oregon-Idaho border, which protected the gorge from dam building. He was also the primary proponent in the establishment of the Sawtooth Wilderness and National Recreation Area in central Idaho in 1972. Church also was instrumental in the creation of Idaho's River of No Return Wilderness in 1980, his final year in the Senate. This wilderness comprised the old Idaho Primitive Area, the Salmon River Breaks Primitive Area, plus additional lands. At 2.36 million acres (9,550 km2), over 3,600 square miles (9,300 km2), it is the largest wilderness area in the nation outside of Alaska. It was renamed the Frank Church-River of No Return Wilderness in 1984, shortly after the diagnosis of his pancreatic cancer. Idaho Senator Jim McClure introduced the measure in the Senate in late February, and President Reagan signed the act on March 14, less than four weeks before Frank Church's death on April 7. Frank Church was considered a progressive (remarkable considering that he represented one of the most conservative states in the nation), though he was a strong opponent of gun control. He, in 1979, was the first in Congress to disclose and protest the presence of Soviet combat troops in Cuba. According to the Christian Science Monitor, this stance somewhat disarmed his opponent's charge in the 1980 campaign that Church's performance on the Foreign Relations Committee had helped to weaken the US militarily. In 1974, Church joined Senator Frank Moss, D-Utah, to sponsor the first legislation to provide federal funding for hospice care programs. The bill did not have widespread support and was not brought to a vote. Congress finally included a hospice benefit in Medicare in 1982. In late 1975 and early 1976, a sub-committee of the U.S. Senate led by Church concluded that members of the Lockheed board had paid members of friendly governments to guarantee contracts for military aircraft in a series of illegal bribes and contributions made by Lockheed officials from the late 1950s to the 1970s. In 1976, it was publicly revealed that Lockheed had paid $22 million in bribes to foreign officials in the process of negotiating the sale of aircraft including the F-104 Starfighter, the so-called "Deal of the Century." Church also sponsored, along with Pennsylvania Republican John Heinz, the "conscience clause," which prohibited the government from requiring church-affiliated hospitals to perform abortions.

Answer this question "Who else was relevant in Churches political life?"
output: Frank Moss,

Question: She was born Marem-Ides Leventon (Russian name Adelaida Yakovlevna Leventon) in Yalta, Crimea, Russian Empire. Her stage name Alla Nazimova was a combination of Alla (a diminutive of Adelaida) and the surname of Nadezhda Nazimova, the heroine of the Russian novel Children of the Streets. She was widely known as just Nazimova, and also went under the name Alia Nasimoff. She was the youngest of three children of Jewish parents Yakov Abramovich Leventon, a pharmacist, and Sofia (Sara) Lvovna Horowitz, who moved to Yalta in 1870 from Kishinev.

Nazimova's theater career blossomed early; and by 1903 she was a major star in Moscow and Saint Petersburg. She toured Europe, including London and Berlin, with her boyfriend Pavel Orlenev, a flamboyant actor and producer. In 1905 they moved to New York City and founded a Russian-language theater on the Lower East Side. The venture was unsuccessful; and Orlenev returned to Russia while Nazimova stayed in New York. She was signed up by the American producer Henry Miller and made her Broadway debut in New York City in 1906 to critical and popular success. Her English-language premiere in November 1906 was in the title role of Hedda Gabler. She quickly became extremely popular (a theater was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen. Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess, whose mother taught Nazimova English. Nazimova had encouraged him to try out for movies and he later became a star. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. In 1927, she became a naturalized citizen of the United States. Nazimova soon felt confident enough in her abilities to begin producing and writing films in which she also starred. In her film adaptations of works by such notable writers as Oscar Wilde and Ibsen, she developed her own filmmaking techniques, which were considered daring at the time. Her projects, including A Doll's House (1922), based on Ibsen, and Salome (1923), based on Wilde's play, were critical and commercial failures. By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts, which the critic Pauline Kael later described as the greatest performance she had ever seen on the American stage. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film.

Using a quote from the above article, answer the following question: What did alla do for a career?
HHHHHH
Answer:
She was signed up by the American producer Henry Miller and made her Broadway debut in New York City in 1906