Background: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.
Context: After his early career efforts, Latour shifted his research interests to focus on laboratory scientists. Latour rose in importance following the 1979 publication of Laboratory Life: the Social Construction of Scientific Facts with co-author Steve Woolgar. In the book, the authors undertake an ethnographic study of a neuroendocrinology research laboratory at the Salk Institute. This early work argued that naive descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice. In the laboratory, Latour and Woolgar observed that a typical experiment produces only inconclusive data that is attributed to failure of the apparatus or experimental method, and that a large part of scientific training involves learning how to make the subjective decision of what data to keep and what data to throw out. Latour and Woolgar argued that, for untrained observers, the entire process resembles not an unbiased search for truth and accuracy but a mechanism for ignoring data that contradicts scientific orthodoxy. Latour and Woolgar produced a highly heterodox and controversial picture of the sciences. Drawing on the work of Gaston Bachelard, they advance the notion that the objects of scientific study are socially constructed within the laboratory--that they cannot be attributed with an existence outside of the instruments that measure them and the minds that interpret them. They view scientific activity as a system of beliefs, oral traditions and culturally specific practices-- in short, science is reconstructed not as a procedure or as a set of principles but as a culture. Latour's 1987 book Science in Action: How to Follow Scientists and Engineers through Society is one of the key texts of the sociology of scientific knowledge in which he famously wrote his Second Principle as follows: "Scientist and engineers speak in the name of new allies that they have shaped and enrolled; representatives among other representatives, they add these unexpected resources to tip the balance of force in their favor." Some of Latour's position and findings in this era provoked vehement rebuttals. Gross and Leavitt argue that Latour's position becomes absurd when applied to non-scientific contexts: e.g., if a group of coworkers in a windowless room were debating whether or not it were raining outside and went outdoors to discover raindrops in the air and puddles on the soil, Latour's hypothesis would assert that the rain was socially constructed. Similarly, philosopher John Searle argues that Latour's "extreme social constructivist" position is seriously flawed on several points, and furthermore has inadvertently "comical results."
Question: what other findings did he have
Answer: Some of Latour's position and findings in this era provoked vehement rebuttals.

Question:
Winchell was born Paul Wilchinsky in New York City on December 21, 1922, to Solomon Wilchinsky and Clara Fuchs. His father was a tailor; his grandparents were Jewish immigrants from Russian Poland and Austria-Hungary. Winchell's initial ambition was to become a doctor, but the Depression wiped out any chance of his family's ability to afford medical school tuition. At age 13, he contracted polio; while recovering, he happened upon a magazine advertisement offering a ventriloquism kit for ten cents.
Winchell was a pre-med student at Columbia University. He graduated from The Acupuncture Research College of Los Angeles in 1974, and became an acupuncturist. He also worked as a medical hypnotist at the Gibbs Institute in Hollywood. He developed over 30 patents in his lifetime. He invented an artificial heart with the assistance of Dr. Henry Heimlich, inventor of the Heimlich Maneuver, and held an early but not the first U.S. patent for such a device. The University of Utah developed a similar apparatus around the same time, but when they tried to patent it, Winchell's heart was cited as prior art. The university requested that Winchell donate the heart to the University of Utah, which he did. There is some debate as to how much of Winchell's design Dr. Robert Jarvik used in creating Jarvik's artificial heart. Dr. Heimlich states, "I saw the heart, I saw the patent and I saw the letters. The basic principle used in Winchell's heart and Jarvik's heart is exactly the same." Jarvik denies that any of Winchell's design elements were incorporated into the device he fabricated for humans -- the Jarvik-7, which was successfully implanted into Barney Clark in 1982. Winchell established more medical patents while working on projects for the Leukemia Society (now known as the Leukemia & Lymphoma Society) and the American Red Cross. Other devices which he invented and patented include a disposable razor, a blood plasma defroster, a flameless cigarette lighter, an "invisible" garter belt, a fountain pen with a retractable tip, and battery-heated gloves.
Answer this question using a quote from the text above:

were any of his patents successful?

Answer:
a fountain pen with a retractable tip, and battery-heated gloves.

Problem: Background: Goldfrapp are an English electronic music duo from London, formed in 1999. The duo consists of Alison Goldfrapp (vocals, synthesizer) and Will Gregory (synthesizer). Despite favourable reviews and a short-listing for the Mercury Prize, their 2000 debut studio album Felt Mountain did not chart highly. Goldfrapp's second album Black Cherry, which incorporated glam rock and synthpop sounds into their music, was released in 2003.
Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013. "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors. In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album.
Question: Did the album win any awards?
Answer:
The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album