Please answer this: Generate a question that has the following answer: they were African-American for the following movie plot: The film opens at The Buddy Holly Hayride presented by radio station KDAV in Lubbock, Texas in 1956. During the opening credits, Holly (Charles Hardin Buddy Holley's last name was misspelled on his recording contract, so he simply adopted the misspelling as his last name) and his fellow band members (The Crickets' names were changed to avoid legal action from Jerry Allison and Joe B. Mauldin. The group's rhythm guitarist, Niki Sullivan, was ignored by the film, as was the groups manager, Norman Petty), drummer Jesse Charles (Don Stroud) and bass player Ray Bob Simmons (Charles Martin Smith), set up their music instruments and test their sound equipment at Parker's Roller Rink.As the radio station prepares to broadcast live, a recording of country artist Lefty Frizzell singing "If You've Got the Money, Honey (I've Got the Time)" is heard on the radio. Holly's first number is a cover version of Les Paul and Mary Ford's recording of "Mockingbird Hill." During a commercial break, some of the younger members of the audience beg Buddy to play some bop. After the commercial Buddy Holly (Gary Busey) announces they will be performing the next number for the boppers ("Rock Around with Ollie Vee"). The youngsters enjoy it, but the older audience members cover their ears from the loud tone and one of the radio station's sponsors demands that Buddy be taken off the air or he will pull his advertising. The station's owner/disk jockey, Riley Randolph (Bill Jordan), actually thinks they sound pretty good and he likes the response from the youngsters. So, the guys perform another of their numbers, "That'll Be the Day."The next scene is in a church where the choir is sings "When the Roll Is Called Up Yonder." Buddy, his girlfriend, Cindy or Cindy Lou (Amy Johnston), and his parents are in the congregation. The minister comments on what took place the previous night at the roller rink. He declares that this new "jungle rhythm" music is un-Christian and un-American. As the pastor's harangue against music that he considers a...
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Answer: What has the booking agent expected?

Please answer this: Generate a question that has the following answer: Parvati's father objects to the relationship for the following movie plot: The son of Zamindar Narayan Mukherjee, Devdas was born with a silver spoon in his mouth. He grew up in the lush village of Taj Sonapur, where he spent his childhood, indulged by his lovely playmate Paro. They grew up sharing a special relationship, in which they existed only to each other. Oblivious of all the differences of status and background, a bond that would never break grew between them. Slowly, it changed to love but it was still unsaid. But the reverie was broken when his family sent Devdas to Calcutta for education. Paro's world crashed knowing that her Devdas would be gone and she lit a diya, for it signified the fast coming back of her loved one. Years passed and Devdas returned. Devdas was besotted by her stunning beauty and longed to have her back. But Zamindar Narayan Mukherjee, Devdas' father, met Paro's mother Sumitra's marriage proposal with condescending arrogance. It caused a rift between the families and even though Devdas tried to convince his father, only antagonism came his way. Finally, he moved away from Paro and wrote a letter to her, asking her to forget him. Only, he didn't realize that he would never be able to forget her ever. And much later, when he reached out to her, it was too late as she was far too humiliated. She scorned him for not standing by her and they parted forever with a heart-broken Paro entering into a chaste marriage with a wealthy, much older man, Zamindar Bhuvan, while a shattered Devdas walked towards anguish, alcoholism & Chandramukhi. Chandramukhi, a stunning courtesan instantly lost her heart to Devdas. A unique bond was formed between both as he could share with her the intense pain of his unfulfilled love for Paro. Meanwhile, Paro, on the other hand, performed her worldly duties sincerely, but inside her heart, she could never forget Devdas for a moment. Strange was the fate of Devdas. Intensely loved by two women, who were never meant to be his. One whom he could never love and one whom he could never stop loving
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Answer: Who prevents Devdas and Palo's relationship?

Please answer this: Generate a question that has the following answer: 1823. for the following movie plot: The story begins in 1823 as the elderly Antonio Salieri (F. Murray Abraham) attempts suicide by slitting his throat while loudly begging forgiveness for having killed Wolfgang Amadeus Mozart (Tom Hulce) in 1791. Placed in a lunatic asylum for the act, Salieri is visited by Father Vogler (Richard Frank), a young priest who seeks to hear his confession. Salieri is initially sullen and uninterested, but eventually warms to the priest and launches into a long "confession" about his relationship with Mozart. Salieri goes on telling his tale through the night, and into the next day. He reminisces about his youth, particularly about his devotion to God, and his love for music, despite his father's plans for him to go into commerce. He pledged to God to remain celibate as a sacrifice if he could somehow devote his life to music, and perceived his father's subsequent death as divine intervention to make this possible. Years later, Salieri is part of the 18th-century cultural elite in Vienna, the "city of musicians". He is respected, financially well-off, and has been appointed court composer for Holy Roman Emperor Joseph II (Jeffrey Jones). He is content, and believes his successes are God's rewards for his piety. The famous child prodigy Mozart arrives in Vienna, and Salieri goes to a performance hoping to meet him, convinced that Mozart's genius must be a gift from God. Salieri secretly observes Mozart, and is shocked to discover that rather than the paragon of virtue that he has imagined, Mozart is in fact boorish, irreverent, and lewd. Later, when Mozart meets the Emperor, Salieri presents Mozart with a "March of Welcome," which he had toiled to create. After hearing the march only once, Mozart plays it from memory, tactlessly critiques it, and effortlessly improvises a variation, transforming Salieri's "trifle" into what later would become the Non piu andrai march from his opera The Marriage of Figaro. Salieri reels at the notion of God speaking through the childish, petulant Mozart: nevertheless, he regards...
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Answer:
In what year does the story begin?