Answer the question at the end by quoting:

Buffalo Springfield was a Canadian-American rock band active from 1966 to 1968 whose most prominent members were Stephen Stills, Neil Young, and Richie Furay. The band released three albums and several singles, including "For What It's Worth". The band combined elements of folk and country music with British invasion and psychedelic-rock influences, and, along with the Byrds, were part of the early development of folk-rock. With a name taken from a brand of steamroller, Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Dewey Martin (drums, vocals), Bruce Palmer (electric bass), Furay (guitar, vocals), and Young (guitar, harmonica, piano, vocals).
Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with the Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, the Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. In early 1966 in Toronto, Young met Bruce Palmer, a Canadian who was playing bass for a group called the Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews--James Ambrose Johnson, Jr., later known as Rick James--was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal canceled, Young and Palmer headed for Los Angeles, where they encountered Stills. Drummer Dewey Martin, who had played with garage rock group the Standells and country artists such as Patsy Cline and the Dillards, joined at the suggestion of the Byrds' manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on April 11, 1966, at The Troubadour in Hollywood. A few days later, they began a short tour of California as the opening act for the Dillards and the Byrds.

Where did Buffalo Springfield first begin their career?

in Thunder Bay, Ontario.

Answer the question at the end by quoting:

Gong are an international progressive rock band that incorporates elements of jazz and space rock into their musical style. The group was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth. Band members have included Didier Malherbe, Pip Pyle, Steve Hillage, Mike Howlett, Pierre Moerlen, Bill Laswell and Theo Travis. Others who have played on stage with Gong include Don Cherry, Chris Cutler, Bill Bruford, Brian Davison, Dave Stewart and Tatsuya Yoshida.
1972 saw the start of increasing line-up disruption for Gong. Laurie Allan left in April to be replaced by Mac Poole, then Charles Hayward and then Rob Tait, before returning again late in the year. Gilli Smyth left for a time, returning to Deia to look after she and Daevid Allen's baby son, and was replaced by Diane Stewart, who was the partner of Tait and the ex-wife of Graham Bond. Christian Tritsch moved to guitar and was replaced on bass by former Magma member Francis Moze, while the band's sound was expanded with the addition of synthesizer player Tim Blake. In October they were one of the first acts to sign to Richard Branson's fledgling Virgin Records label, and in late December traveled to Virgin's Manor Studio in Oxfordshire, England, to record their third album, Flying Teapot. As they settled in, they were played a rough mix of Mike Oldfield's Tubular Bells, then already in production. Towards the end of their recording sessions they were joined by English guitarist Steve Hillage, whom they had met a few weeks earlier in France playing with Kevin Ayers, and who had replaced Oldfield in Ayers' band. He arrived too late to contribute much to the album, but would soon become a key component in the Gong sound. Flying Teapot was released on 23 May 1973, the same day as Tubular Bells, and was the first installment of the Radio Gnome Invisible trilogy, which expounded upon the (previously only hinted at) Gong mythology developed by Allen. The second part, Angel's Egg, followed in December, now featuring the 'classic' rhythm section of Mike Howlett on bass and Pierre Moerlen on drums. In early 1974 Moerlen left to work with the French contemporary ensemble Les Percussions de Strasbourg and Smyth left to give birth to she and Allen's second son. They were replaced once again by Rob Tait and Diane Stewart, and the band moved from its French base at Pavillon du Hay to an English one at Middlefield Farm, near Witney, Oxfordshire. Moerlen, and later Smyth, returned in order to complete the trilogy with the album You, but by the time of its release, in October 1974, Moerlen was back with Les Percussions de Strasbourg and Smyth had settled permanently in Deia with her young sons. Prior to touring in support of You, Allen visited Smyth and the boys in Deia, while the rest of the band, including the departed Moerlen, recorded the basic tracks for Hillage's first solo album, Fish Rising. Moerlen was initially replaced in Gong by a succession of stand-ins (Chris Cutler, Laurie Allan and Bill Bruford) until former Nice and Refugee drummer Brian Davison took the job in early 1975. Smyth had already been replaced by Hillage's partner Miquette Giraudy. In June 1974, Camembert Electrique was given a belated UK release by Virgin, priced at 59p, the price of a typical single at the time; a promotional gimmick which they had used before for Faust and would use again for a reggae compilation in 1976. These ultra-budget albums sold in large quantities because of the low price, but the pricing made them ineligible for placement on the album charts. The hope was that new fans would be encouraged to buy the groups' other albums at full price.

what happened in 1974?
In June 1974, Camembert Electrique was given a belated UK release by Virgin, priced at 59p,