Problem: Background: The Hereditary peers form part of the peerage in the United Kingdom. As of 1999, there were about 800 peers holding titles that could be inherited. Not all hereditary titles are titles of the peerage. For instance, baronets and baronetesses may pass on their titles, but they are not peers.
Context: Until 1963 peers could not disclaim their peerage in order to sit in the House of Commons, and thus a peerage was sometimes seen as an impediment to a future political career. In 1999, the House of Lords Act abolished the automatic right of hereditary peers to sit in the House of Lords. Out of about 750 hereditary peers, only 92 may sit in the House of Lords. The Act provides that 90 of those 92 seats are to be elected by other members of the House: 15 by vote of the whole house (including life peers), 42 by the Conservative hereditary peers, two by the Labour hereditary peers, three by the Liberal Democrat hereditary peers, and 28 by the crossbench hereditary peers. Elections were held in October and November 1999 to choose those initial 90 peers, with all hereditary peers eligible to vote. Hereditary peers elected hold their seats until their death, resignation or exclusion for non-attendance (the latter two means introduced by the House of Lords Reform Act 2014), at which point by-elections are held to maintain the number at 92. The remaining two hold their seats by right of the hereditary offices of Earl Marshal and Lord Great Chamberlain. These offices are hereditary in themselves, and in recent times have been held by the Dukes of Norfolk and the Marquesses of Cholmondeley respectively. These are the only two hereditary peers whose right to sit is automatic. The Government reserves a number of political and ceremonial positions for hereditary peers. To encourage hereditary peers in the House of Lords to follow the party line, a number of Lords-in-Waiting (government whips) are usually hereditary peers. This practice was not adhered to by the Labour government of 1997-2010 due to the small number of Labour hereditary peers in the House of Lords.
Question: What is the role of a hereditary peer?
Answer: peerage was sometimes seen as an impediment to a future political career.

Background: Frankie Goes to Hollywood (FGTH) were a British band formed in Liverpool, England, in 1980. The group was fronted by Holly Johnson (vocals), with Paul Rutherford (vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar), and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single.
Context: On the B-side to the group's first single, Johnson explained that the group's name derived from a page from The New Yorker magazine, featuring the headline "Frankie Goes Hollywood" and a picture of Frank Sinatra, although the magazine page Johnson referred to was actually a pop art poster by Guy Peellaert. The original group named "Frankie Goes to Hollywood" dates from 1980. The nucleus of the group emerged from the late 1970s Liverpool punk scene. Lead singer Johnson had played bass with Big in Japan and had also released two solo singles. Local musicians Peter Gill (drums), Jed O'Toole (bass), and O'Toole's cousin Brian Nash (guitar) initially joined Johnson, calling themselves the Sons of Egypt. This line-up secured a number of small local gigs before disbanding. The group was reprised when Johnson joined Mark O'Toole (bass) and Peter "Ped" Gill to form FGTH. During a particularly fluid period of personnel changes, Jed O'Toole joined FGTH on guitar, and a female vocalist, Sonia Mazumder, was also a band member for the first Frankie gig at the Leeds nightclub "The Warehouse", supporting Hambi & The Dance. Paul Rutherford - a member of the headline act who had also sung in seminal Liverpool punk band The Spitfire Boys - apparently got so caught up in Frankie's performance that he effectively replaced Mazumder that very night. The new all-male musical line-up subsequently toured locally with a leather-clad female duo known as "The Leatherpets" and managed to fund promotional videos and demos, despite being eventually turned down by both Arista Records and Phonogram Inc. In October 1982, the group recorded a John Peel Session for BBC Radio 1, comprising the originals "Krisco Kisses", "Two Tribes", "Disneyland", and "The World Is My Oyster". Around this time Jed O'Toole left the group, to be replaced by the returning Brian Nash. In February 1983, the group was invited to record a video for "Relax" by the Channel 4 show The Tube at the Liverpool State Ballroom. After the broadcast, the Peel session was repeated on radio, and a new session recorded for the BBC, comprising "Welcome to the Pleasuredome", "The Only Star in Heaven" and "Relax". These performances, along with a repeat of the Tube video, convinced Trevor Horn to sign the group for his new label, ZTT Records, in May 1983.
Question: Were they influences by anyone?
Answer:
the group's name derived from a page from The New Yorker magazine, featuring the headline "Frankie Goes Hollywood" and a picture of Frank Sinatra,