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Asking about open positions in person is a little different than asking in writing. You won't have time to revise what you say, so you should prepare ahead of time. Practice what you'll say, including your education level, experience, and why you're interested in that company. You might not get an interview right away, but if you have this information prepared, it can go a long way toward impressing a hiring manager. You should dress for these types of encounters the same way you would if you were going in for an interview. The first impression is the most important, and you want the hiring manager to take you seriously. It also shows that you'd reflect well on their company, since you dressed appropriately just to ask if there are any openings. Hiring managers are usually not out on the floor of businesses or stores. Ask the nearest employeeor the receptionist if there is oneif you could speak to the hiring manager. If they ask why, explain that you're interested in any open positions at the company. If the hiring manager isn't available, politely inquire when would be a better time to return to speak to them. In some cases, you may be able to procure an application from the employee you speak to. When the hiring manager comes out, act professionally. This means shaking hands, making eye contact, and being polite. Explain who you are, and why you're there. The hiring manager may ask for your resume after they meet you. You should have at least one copy with you. If the hiring manager says there are no current openings, you can ask if you can leave your resume for future consideration. Carry your resume in a wrinkle-proof, waterproof case. Avoid handing over a resume that is folded, creased, wrinkled, or damp, as this makes a poor impression.

summary: Prepare what you'll say. Dress appropriately. Ask for the hiring manager. Shake hands. Bring your resume.

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Take one of the edges of the triangle that's on top of the spaceship and fold it so it lines up with the point. Crease the paper slightly so it comes up at a slight angle. Fold the other side of the top triangle so the center edges are aligned. These folds will look like windows on your spaceship's cockpit. Locate the 2 wings on the back of the ship. Grab the end of the wing and fold it back about 12in (1.3cm). Make sure the back edge stays lined up so the folds form triangles. Repeat the process on the other side to add points to your wings and make your spaceship look faster. You can also keep the wings straight if you want. Slightly bend the edge on the back of the ship up so it looks like tailfins. You can also hold onto the back edge of the ship to play with it and pretend that it's flying.

summary: Fold the edges of the top-most piece to make the windows of your spaceship. Bend the tips of the wings up. Crease the back of the ship to create a spoiler.

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Spend a lot of time with the beat you're trying to rap over, internalizing the sound and the rhythm of it, to find your flow before you start coming up with lyrics. Like you write the melody in a traditional song first, you have to find the flow first in a rap song. Some rappers will do a similar "nonsense word" technique, just spitting rhythmically without saying actual words. Try to record yourself doing this, even if it sounds silly, because something good might leap out. Good rapping is as much about flow as good rhymes. If you stay on beat, it's better than if you lose the beat and Try to force awkward or overly complicated rhymes into the structure of the song. Like you might do a freewrite to start getting poetry out, trying some freestyles is a good way to get started and find a starting line to use for a song. Or, if you're Riff Raff, just record your freestyle and call it a song. There's no rule that rhymes need to come at the end of each line, especially in hip-hop, or that the rhyming word needs to be the end of the sentence. Vary the placement of the rhymes. Embed rhymes internally and skip rhymes entirely to add variation to your flow. You don't have to rhyme at the end of each line to rap well. In "Duel of the Iron Mic," GZA creates a particularly strong break in the lines, using a well placed and surprising break in the beat to surprise us: I ain't particular, I bang like vehicular / homicides, on July 4th in Bed-Stuy Familiarize yourself with the greats, listening to a wide variety of rhymers to begin learning the craft. Listen to: Nas, who jumped on the scene as a teenager with his classic album Illmatic, which featured these lines: It drops deep as it does in my breath / I never sleep, cause sleep is the cousin of death. Eminem, whose intricate and well-crafted rhymes have made him a bona-fide king of the rap game: I'm Slim, the Shady is really a fake alias / to save me with in case I get chased by space aliens. Rakim, one of the most influential MCs in hip-hop: Even if it's jazz or the quiet storm / I hook a beat up, convert it into hip-hop form.
summary: Listen to the beat and find your flow. Freestyle. Learn and use enjambment to your advantage. Listen to expert hip-hop rhymers for inspiration.