Some context: The Animals are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic No. 1 hit single, "House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "I'm Crying" and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles against rhythm and blues-orientated album material.
A group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch (bass) were formed under the name Eric Burdon and Animals (or sometimes Eric Burdon and the New Animals) in December 1966 and changed direction. The hard driving blues was transformed into Burdon's version of psychedelia as the former heavy drinking Geordie (who later said he could never get used to Newcastle "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation. Early performances of this group did not include any of the Animals hits for which the original Animals had become known. Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and "Sky Pilot". Their sound was much heavier than the original group. Burdon screamed more and louder on live versions of "Paint It Black" and "Hey Gyp". In 1968, they had a more experimental sound on songs like "We Love You Lil" and the 19-minute record "New York 1963 - America 1968". The songs had a style of being silent at the beginning and then becoming psychedelic and raw straight to the end with screaming, strange lyrics and "scrubbing" instruments. There were further changes to this lineup: Zoot Money was added in April 1968, initially as organist/pianist only, but upon McCulloch's departure he also took on bass and occasional lead vocals. In July 1968, Andy Summers replaced Briggs. Both Money and Summers were formerly of British psychedelic outfit Dantalian's Chariot, and much of this new lineup's set was composed of Dantalian's Chariot songs which caught Burdon's interest. Due to Money's multi-instrumental load, in live settings bass was played alternately by Weider and Summers. Summers was to eventually go on to great success as the guitarist for The Police. By December 1968, these Animals had dissolved, and both their double album Love Is and the singles "Ring of Fire" and "River Deep - Mountain High" were internationally released. Numerous reasons have been cited for the breakup, the most famous being an aborted Japanese tour. The tour had been scheduled for September 1968 but was delayed until November, due to difficulty obtaining visas. Only a few dates into the tour, the promoters - who, unbeknownst to the band, were yakuza - kidnapped the band's manager and threatened him at gunpoint to write an IOU for $25,000 to cover losses incurred by the tour's delay. The manager wrote out the IOU but, correctly surmising that none of his captors could read English, added a note that it was written under duress. The yakuza released him but warned that he and the band would have to leave Japan the next day or be killed. The Animals promptly fled the country, leaving all their tour equipment behind. Money and Summers both subsequently pursued solo careers (though this pursuit was swiftly aborted in Summers' case), Weider signed up with Family, and Burdon joined forces with a Latin group from Long Beach, California, called War.
Did they release any albums?
A: Some of this group's hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival), and "Sky Pilot". Their

Some context: Cheri Honkala was born in Minneapolis, Minnesota, in 1963. Her father, Maynard Duane Honkala, was of Finnish ancestry, and her mother had Cheyenne Native American ancestry. She grew up watching her mother suffer from domestic violence. Honkala's mother quietly endured this abuse for fear of losing her kids.
Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters." She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999). Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine. Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation.
Who wrote that book ?
A:
Mary Bricker-Jenkins,