In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

It is projected that between 2000 and 2020, 68 million people will die prematurely as a result of AIDS. The projected toll is greatest in sub-Saharan Africa where 55 million additional deaths can be expected. Beyond the grim statistics are personal stories that we rarely hear about. Christophe Honore describes one of the most moving in Close to Leo, a film produced for French television as part of a series dealing with issues facing young people. Though fictional, it deals with a situation that is unfortunately too common -- the effect of a diagnosis of HIV on a loving close-knit family.When twenty one-year old Leo (Pierre Mignard) tells his parents and two teenage brothers, Tristan (Rodolphe Pauley) and Pierrot (Jeremie Lippmann) that he has AIDS, the family is devastated. Out of concern for his youth, they decide to withhold the information from his youngest brother, 12-year old Marcel (Yannis Lespert) but he overhears the conversation and begins to sulk and act erratically. When Leo goes to Paris for treatment, he takes Marcel with him but the young boy confronts Leo and demands to know the truth. Leo tells him that he is ill and Marcel is sad but accepting. When he brings Marcel along to meet some former gay friends, however, tension between them boils to the surface, setting the stage for a riveting conclusion. Although I was uncomfortable with scenes in bed involving physical contact between the brothers, I feel that the sincerity of Close to Leo and the brilliant performances by Lespert and Mignard more than tip the scales in its favor. Seeing events unfold from the young boy's perspective gives the film an authenticity that reminded me of the Quebecois film Leolo and Truffaut's The 400 Blows. Unlike some American films that dance around the anguish of AIDS, Close to Leo tells a harsh truth but does so in a way that is tender and wonderfully real.
positive

Those of the "Instant Gratification" era of horror films will no doubt complain about this film's pace and lack of gratuitous effects and body count. The fact is, "The Empty Acre" is a good a example of how independent horror films should be done.If you avoid the indie racks because you are tired of annoying teens or twenty somethings getting killed by some baddie whose back-story could have come off the back of a Count Chocula box, "The Empty Acre" is the movie for you.Set in the decaying remnants of the rural American dream, "The Empty Acre" is the tale of a young couple struggling with the disappearance of their six-month-old baby. As the couple's weak relationship falls apart, a larger story plays out in the background. At night, a shapeless dark mass seethes from a sun baked barren acre on their farm and seemingly devours anything in its path, leaving no sign that it was ever there.The film is loaded with enigmatic characters and visual clues as to what is happening, and ends with a well executed ending that resonates with just enough left over questions to validate the writer/director's faith in an intellectual audience.There seems to be a sub-text concerning the death of the American dream, but I would hardly call the film an allegory. Riveting, well acted, and technically astute, "The Empty Acre" is a fantastic little indie that thinking horror fans should love.
positive

The team of Merian Cooper and Ernest Schoedsack produced a documentary of 50,000 Bakhtiari people and their animals on the Summer migration to winter grazing. The basic worth of this film today is as a time capsule of a "forgotten people" and how they lived during what we in the West knew as the "roaring twenties." A more drastic contrast could not be imagined. Raging river and barefoot mountain crossings are brutally realistic and the animals that disappear under the water do in fact die. To make sure that the audience of the time believed that the story took place, a signed certificate of authenticity is offered up at the end. The version that I saw had fascinating Iranian music that can stand alone and be appreciated without the film. Having said all this, the film is probably of more value to the anthropologist than the casual viewer in search of a good evening's entertainment. The crew had just barely sufficient stock to take the shots that they recorded and there is no fancy camera work resulting from multiple re-takes. The Western inter-titles detract from the experience but are in fact a part of the record since they demonstrate how Hollywood tried to put their spin on the lives of an indigenous peoples lives so that they would be appreciated by the audience of the day. Off-duty entertainment by desert police becomes a "policeman's ball." The producers went on to make the docu-drama Chang (1927) and the totally commercial King Kong (1933). The migration theme is used again in People of the Wind (1976) and in Himalaya (1999). Recommended for those who know in advance what they are getting into -- and then highly recommended for them.
positive