Question:
The Osmonds are an American family music group with a long and varied career. The Osmond Brothers began as a barbershop quartet consisting of brothers Alan, Wayne, Merrill and Jay Osmond. They were later joined by younger siblings Donny and Jimmy, both of whom enjoyed success as solo artists as well. With the addition of Donny, the group became known as The Osmonds, and enjoyed its greatest success as both a boy band and a hard rock ensemble.
Donny, and to a lesser extent, Marie and Jimmy, soon began to emerge as solo artists. Jimmy was becoming "big in Japan", and in 1972 had a #1 hit in the United Kingdom with "Long Haired Lover from Liverpool". Marie, then 13 years old, hit #1 on the US country chart in 1973 with "Paper Roses" (a song originally recorded by Anita Bryant a decade prior). Donny had a string of pop hits with a string of covers of earlier teen-pop songs, including "Go Away Little Girl" (#1, originally by Steve Lawrence), "Puppy Love" (#3, a Paul Anka composition) and "The Twelfth of Never" (#8, originally recorded by Johnny Mathis). From 1971 to 1976, he had 12 Top 40 hits, including 5 in the Top 10; for most of these, the Osmonds were still performing as a full band, but backing and giving star billing to Donny for songs on which he sang lead. Donny's popularity, and his numerous solo hits, have led many to assume he was the group's lead. Merrill was nevertheless the usual lead singer; Donny would usually sing the choruses on songs billed to The Osmonds, thus being a "co-lead". (The family resemblance between Donny and Merrill at the time likely made the confusion worse; in later years, Merrill grew out his beard and let his hair go gray to distinguish the two.) Donny's emergence as a solo star and the record company's desire to appeal to the teen-girl audience often thrust Donny out in front of the group. By now the family was touring, recording, creating and producing for five technically separate artists: The Osmonds, Donny Osmond, Marie Osmond and Jimmy Osmond -- plus Donny and Marie had begun recording duets and had hits with "I'm Leaving It Up to You" (#4) and "Morning Side of the Mountain" (#8). Through all the stress and pressures created by these many efforts, the family hung together. The 2001 ABC-TV movie Inside the Osmonds depicts the family mottoes as being "It doesn't matter who's out front, as long as it's an Osmond" family, faith, and career. In that order". The original Osmonds as a group still produced hits. In 1974, "Love Me for a Reason" reached #10 in the US and #1 in the UK. The Irish boy band Boyzone took the song to #2 in the UK in 1994.
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Why was he becoming big?

Answer:
", and in 1972 had a #1 hit in the United Kingdom with "Long Haired Lover from Liverpool".

Answer the question at the end by quoting:

James Vernon Taylor (born March 12, 1948) is an American singer-songwriter and guitarist. A five-time Grammy Award winner, he was inducted into the Rock and Roll Hall of Fame in 2000. He is one of the best-selling music artists of all time, having sold more than 100 million records worldwide. Taylor achieved his breakthrough in 1970 with the No. 3 single "Fire and Rain" and had his first No. 1 hit the following year with "
Simon announced her separation from Taylor in September 1981 saying, "Our needs are different; it seem[s] impossible to stay together" and their divorce finalized in 1983. Their breakup was highly publicized. At the time, Taylor was living on West End Avenue in Manhattan and on a methadone maintenance program to cure him of his drug addiction. Over the course of four months starting in September 1983, spurred on in part by the deaths of his friends John Belushi and Dennis Wilson and in part by the desire to be a better father to his children Sally and Ben, he discontinued methadone and overcame his heroin habit. Taylor had thoughts of retiring by the time he played the Rock in Rio festival in Rio de Janeiro in January 1985. He was encouraged by the nascent democracy in Brazil at the time, buoyed by the positive reception he got from the large crowd and other musicians, and musically energized by the sounds and nature of Brazilian music. "I had... sort of bottomed-out in a drug habit, my marriage with Carly had dissolved, and I had basically been depressed and lost for a while," he recalled in 1995. "I sort of hit a low spot. I was asked to go down to Rio de Janeiro to play in this festival down there. We put the band together and went down and it was just an amazing response. I played to 300,000 people. They not only knew my music, they knew things about it and were interested in aspects of it that to that point had only interested me. To have that kind of validation right about then was really what I needed. It helped get me back on track." The song "Only a Dream in Rio" was written in tribute to that night, with lines like I was there that very day and my heart came back alive. The October 1985 album, That's Why I'm Here, from which that song came, started a series of studio recordings that, while spaced further apart than his previous records, showed a more consistent level of quality and fewer covers, most notably the Buddy Holly song "Everyday", released as a single reached No. 61. On the album track "Only You," the backing vocals were performed by an all star duo of Joni Mitchell and Don Henley. Taylor's next albums were partially successful; in 1988, he released Never Die Young, highlighted with the charting title track, and in 1991, the platinum New Moon Shine provided Taylor some popular songs with the melancholic "Copperline" and the upbeat "(I've Got to) Stop Thinkin' About That", both hit singles on Adult Contemporary radio. In the late 1980s, he began touring regularly, especially on the summer amphitheater circuit. His later concerts feature songs spanning his career and are marked by the musicianship of his band and backup singers. The 1993 two-disc Live album captures this, with a highlight being Arnold McCuller's descants in the codas of "Shower the People" and "I Will Follow". In 1995, Taylor performed the role of the Lord in Randy Newman's Faust.

What was one of his new beginnings?
Taylor's next albums were partially successful; in 1988, he released Never Die Young,