Q: What's an example of a movie review?
An example of a movie review is here: This movie is really bad. The acting is plain awful except Michael Ironside. I don't get the story. Richard Grieco is the only survivor after a fight between two Mc-gangs. He comes to a town and suddenly he is choosened to fight against the bad people who wants indian-land. At the cover it said he was a indian himself that returned too his home-town, I didn't hear that in the movie, if so it wasn't clear.

Richard Grieco was one hell of a bad actor. Stiff and ugly. He said his lines like it too. And we wouldn't talk about Sean Young, she hasn' been any of my favourite actors but in this movie she plays a indian women who falls in love with Bolt (Grieco). She is awful.

When I rented it I choosed between this and Subterfuge with Amanda Pays. I choosed this one because of Michael Ironside was in the cast. Maybe I should have taken Subterfuge.

Don't see this unless you think Richard Grieco looks tough on a motorbike with sunglasses.

I will soon uptade the cast-list because I have it at home. I wrote it down after I seen the movie.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: .......Playing Kaddiddlehopper, Col San Fernando, etc. the man was pretty wide ranging and a scream. I love watching him interact w/ Amanda Blake, or Don Knotts or whomever--he clearly was having a ball and I think he made it easier on his guests as well--so long as they Knew ahead of time it wasn't a disciplined, 19 take kind of production. Relax and be loose was clearly the name of the game there.

He reminds me of guys like Milton Berle, Benny Hill, maybe Jerry Lewis some too. Great timing, ancient gags that kept audiences in stitches for decades, sheer enjoyment about what he was doing. His sad little clown he played was good too--but in a touching manner.

Personally I think he's great, having just bought a two DVD set of his shows from '61 or so, it brings his stuff back in a fond way for me. I can remember seeing him on TV at the end of his run when he was winding up the series in 1971 or so.

Check this out if you are a fan or curious. He was a riot.
Problem: OPTIONS:
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Answer: I first heard about this film about 20 years ago when I was a kid in grade school(!), it just so happened that I was thumbing through the encyclopedias in the classroom one day, and under the entry for movies (or cinema, I don't remember), were several stills for different movies from mainstream to experimental, and one of them shown on the page was a still for OffOn. It really intrigued me, since it stood out the most on the page (it was a still from the film of the scene with the eye with other elements superimposed over it).

About 18 or so years later, the public library here where I live had available for checkout the whole 4-DVD set of "Treasures of American Film Archives" released by the National Film Preservation Foundation. So when I was reading the notes on the DVD cases for the set, I was quite pleasantly surprised to see that OffOn was on one of the discs. After all these years, I could finally see the film! After viewing it, it slightly wasn't was I was expecting it to be (it tended to be a more organic-looking film, not that that's a bad thing, but I was expecting it to have a more electronic aesthetic), but it was still an impressive film, IMHO, considering the techniques Scott Bartlett used to make the film, including hand-tinting the film itself, and using video equipment for some of the film's scenes (filmed off of a video monitor), giving it a more distressed, lo-res look.

Don't get me wrong, the techniques used in this film were quite ground-breaking for 1972. That's why it's still one of my favorite short/experimental films, and a creative inspiration for me as well...
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This was the second of the series of 6 "classic Tarzan" movies featuring Johnny Weismuller in the title role and Maureen O'Sullivan as Jane.

As usual, this was a wonderful film in this series; and perhaps stands out as an "in between" film in a progression that could almost exemplify the development of cinema from the early 1930s into the 1940s. As such, it displayed good pace, though not as good as subsequent films. Likewise, the cinematography is less accomplished than later Tarzan films in this series. The stock I saw was of uneven quality, containing some grainy scenery and some under-exposed and over-exposed scenes. The crisp display of later Tarzan films is lacking here. On the other hand, there is one scene, very early on, in which the jerky movements of a camera with foliage swishing in front of it as the camera backs up, showing safari men forging ahead into the jungle, was really almost modern in its style, and stands in strong contrast to the stationary shots that make up the rest of the movie.

Regarding plot, one interesting feature here was Jane's near-fickleness and inconstancy, when she was being subject to Martin's flirtations. The kiss and Jane's stunned, and partly guilty, reaction foreshadow something of the Jane we see in the future as well in these films. Compare, for example, in Tarzan Finds a Son! Jane's duplicitous actions tricking Tarzan and delivering Boy to his family. Later she admits to Tarzan that she was wrong. Here, nothing quite so explicit, but we have Jane "returning" to the Jane Parker of yesteryear, and in an almost repentant series of actions, stripping herself of the evening gown brought by Martin and Harry to entice her away from Tarzan.

There were a whole series of depictions and sequences that especially struck me in this viewing.

For one thing, the picture we get of the domestic life of Tarzan is here, as later, a combination of sensual idyll with always the nearby possibility of violent death. This to me is very much at the core of the Tarzan experience.

I was really surprised by some quite violent scenes even by today's standards.

There were a whole series of scenes that gave me special pleasure: Tarzan leading the elephants into the Valley of the Elephants' Graveyard; Tarzan being rescued from watery death by the hippo, and then nursed to health by the apes; Cheetah going to find Tarzan when Jane and the other men are trapped at the foot of the escarpment; Cheetah in particular crossing the river on the log. The final battle scenes of savages & lions on the ground and savages & apes in the trees. Jane, showing us that she is truly of Tarzan's world now, quickly displaying her enterprising woodcraft to work up a line of fire to keep the lions away.

The final series of scenes is splendid: suddenly Tarzan is on the scene, flinging savages from the trees and taking charge of the lions, and summoning the elephants to the rescue! That final cry of Tarzan in triumph, holding a happy Jane in his arms, with a dancing and delighted Cheetah beside them, is a memorably picture and really a fine summation of the story of Tarzan and Jane.

All in all, this is another wonderful classic Tarzan movie. I would recommend this movie strongly to anyone.
Q: What's an example of a movie review?
An example of a movie review is here:
This started bad, got worse, and by the time the girl attacked the old lady at the end i literally wanted to take the DVD to the person we borrowed it off and choke the C**T to death with it. Avoid this film, a little bit of good cinematography and some naked shots, would be almost acceptable if i was 14 and had not seen Jenna Jameson naked a million times. If anyone feels the need to watch this film, i would strongly recommend you spend the time more appropriately, as an example i would say trying to cram a Lego house into your bum with no lube would be a good start. I hear that this film was not the original version, i would very much like to view the original, as it seems that this cut version is devoid of all plot, and apparently most of the nudity, can someone please tell me how i can get in touch with Christian Viel he owes me an hour of my life back!