In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
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Question: Passage: Sydney Morning Herald commentator Bernard Zuel described Dream Days at the Hotel Existence as Powderfinger's first dull album, noting that on numerous songs "It promises to become exciting but never quite gets there." He complained that most of the songs were uneventful, or uninspiring, and that they do not "lift you as a listener." PerthNow's Jay Hanna disagreed, claiming the album was "rippling with emotions". He said the album contained some "incredible moments", praising "Head Up in the Clouds", and calling "Nobody Sees" "Powderfinger at their devastating best", while giving the album four stars.Cameron Adams of Herald Sun HiT stated that the album contained no new directions for the band, and was highly consistent. He noted that the album contained less "rough edges and attitude" than predecessor Vulture Street, and likening the album more to Odyssey Number Five. Sputnikmusic's James Bishop agreed, claiming the band should be concerned by the "lack of experimentation or ambition" on the album. He again stated that the album was consistent, noting that "there actually isn't a bad song present". The review, which gave the album three and a half stars, commented that it seemed the band were trying to move towards the bluegrass genre, and "edging their way into the adult-contemporary section" of a music store, something they had not shown on their previous works.AllMusic's Clayton Bolger drew comparisons to Internationalist in his review, which gave the album 3 and a half stars. He said the album contained "all the trademarks of classic Powderfinger", praising Fanning's vocals, Middleton and Haug's "twin-guitar attack", Collins' basslines and Coghill's "powerhouse drum work". While praising "I Don't Remember" as an excellent anthem, and "Surviving" for containing "a sonic blast of rock", he was critical of "Lost and Running", which he said felt "tired and sluggish", while "Ballad of a Dead Man" was described as "tedious".

Answer: What is publication does the critic who claimed the album had "all the trademarks of classic Powderfinger" write for?

Question: Passage: Although A&M did not consider a full concert tour to promote Jackson's album, the label funded a three-week promotional tour across the United States in 13 cities following its release. In addition to the studio release, a remix album, Control: The Remixes, was released in select countries in November, 1987. Jackson's lyrical expression has been noted as one of the key elements of the album's success. Author Dave Marsh in The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made (1999) comments: "Certainly, Janet must have written her own lyrics, which went after menin particular, not very well disguised stand-ins for her father and former husbandmore venomously than another guy would have dared. Control, the resulting album, was one of the best-sellers of 19861987, producing five hit singles."Jesus Garber, then-director of A&M's black music marketing and promotion, noted that in addition to crossover promotion from black to pop music charts, music video was utilized to launch Jackson into super stardom. Eric Henderson of Slant Magazine credits the release of Control as "the birth of Janet the music video star, as six of the nine tracks were turned into popular videos that all but announced her as queen of the production dance number." Henderson commented that Jackson's dancing ability, trained by a then-unknown Paula Abdul, only served to propel her into further stardom. Charlie Minor, then-senior vice president of promotion for A&M stated: "The images completed the image of Janet Jackson with the buyer ... They gave her a face, dance, action identity with the songs, and a visual image of her as a rock 'n' roll star." Jonathan Cohen of Billboard magazine commented "[Jackson's] accessible sound and spectacularly choreographed videos were irresistible to MTV, and helped the channel evolve from rock programming to a broader, beat-driven musical mix." The video for "Nasty" received three nominations for the fifth annual 1987 MTV Video Music Awards, winning Best Choreography for Paula Abdul.

Answer: What is the full name of the person whose lyrics went after men?

Question: Passage: For thousands of years, salmon was a reliable food source for Native Americans living along the Rogue. Salmon migrations were so huge that early settlers claimed they could hear the fish moving upstream. These large runs continued into the 20th century despite damage to spawning beds caused by gold mining in the 1850s and large-scale commercial fishing that began shortly thereafter. The fishing industry fed demands for salmon in the growing cities of Portland and San Francisco and for canned salmon in England.
By the 1880s, Robert Deniston Hume of Astoria had bought land on both sides of the lower Rogue River and established such a big fishing business that he became known as the Salmon King of Oregon. His fleet of gillnetting boats, controlling most of the anadromous fish population of the river, plied its lower 12 miles (19 km). During his 32-year tenure, Hume's company caught, processed, and shipped hundreds of tons of salmon from the Rogue. Upriver commercial fishermen also captured large quantities of fish. On a single day in 1913, Grants Pass crews using five drift boats equipped with gill nets caught 5,000 pounds (2,300 kg) of salmon.In 1877, in connection with his commercial fishery, Hume built a hatchery at Ellensburg (Gold Beach), which released fish into the river. In its first year of operation, Hume collected 215,000 salmon eggs and released about 100,000 fry. After the first hatchery was destroyed by fire in 1893, Hume built a new hatchery in 1895, and in 1897 he co-operated with the United States Fish Commission in building and operating an egg-collecting station at the mouth of Elk Creek on the upper Rogue. In 1899, he built a hatchery near Wedderburn, across the river from Gold Beach, and until the time of his death in 1908 he had salmon eggs shipped to it from the Elk Creek station.Based on variations in the size of the yearly catch, Hume and others believed his methods of fish-propagation to be successful. However, as salmon runs declined over time despite the hatcheries, recreational fishing interests began to oppose large-scale operations. In 1910, a state referendum banned commercial fishing on the Rogue, but this decision was reversed in 1913. As fish runs continued to dwindle, the state legislature finally closed the river to commercial fishing in 1935.As of 2010, the Oregon Department of Fish and Wildlife (ODFW) operates the Cole M. Rivers Hatchery near the base of the dam at Lost Creek Lake, slightly upstream of the former RogueElk Hatchery built by Hume. It raises rainbow trout (steelhead), Coho salmon, spring and fall Chinook salmon, and summer and winter steelhead. The United States Army Corps of Engineers (USACE) built the hatchery in 1973 to offset the loss of fish habitat and spawning grounds in areas blocked by construction of the Lost Creek Dam on the main stem and the Applegate and Elk Creek dams on Rogue tributaries. It is the third-largest salmon and steelhead hatchery in the United States.

Answer:
What is the first name of the person whose company caught, processed, and shipped hundreds of tons of salmon from the Rogue?