Problem: Background: Martin Brodeur was born on May 6, 1972, in Montreal. He was one of five children of Denis and Mireille Brodeur. Denis played in the 1956 Olympics for Team Canada and won a bronze medal. After his playing career, Denis was a longtime photographer for the Montreal Canadiens.
Context: In the 1991-92 NHL season, Brodeur spent most of his time with Saint-Hyacinthe in the QMJHL, but was called up to the NHL on an emergency basis for four games when New Jersey goaltenders Chris Terreri and Craig Billington became injured. Brodeur won his NHL debut against the Boston Bruins, 4-2, and played in one playoff game that season. Brodeur spent the following season with the Utica Devils of the American Hockey League (AHL). However, in the 1993-94 season, Brodeur returned to the NHL permanently and gained recognition when he won the Calder Trophy, an annual award for the best rookie in the NHL. He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs, where they lost to the New York Rangers in seven games. He finished 2nd in goals against average (GAA) (2.40) and 4th in save percentage (.915) in 47 games played during the regular season, helping him eventually land the starting job over Terreri. In the 1994-95 NHL season, which was shortened to 48 games due to an extended lockout, the Devils finished tied for 9th overall, 5th in their conference. With the leadership of Brodeur, they defeated the Boston Bruins in the 1st round, shutting them out in three of their four wins. In the second round against the Pittsburgh Penguins, Brodeur gave up only nine goals and helped the Devils defeat the Penguins in five games. In the third round, the Devils defeated the Philadelphia Flyers in six games, giving them their first Stanley Cup Final appearance in franchise history, against the heavily favoured Detroit Red Wings. The strong play of Brodeur and the Devils' "trap" method of defence made the series lopsided in favour of New Jersey, who swept the Red Wings 4 games to 0 while holding them to just seven goals in four games. Brodeur won a Stanley Cup in only his second full season in the NHL. After the victory, he was quoted as saying: In the last game against Detroit, the time from ten minutes left to one minute left was probably the longest nine minutes of my life. But from one to zero was probably the greatest time I've ever had. I didn't want the clock to run out. It was such a great feeling: people crying in the stands, people jumping up and down, people cheering. Guys couldn't even sit up on the bench. It was probably the best minute of my life.
Question: Did he play well that season?
Answer: He led the Devils to the second-best record in the league and the Eastern Conference Finals in the playoffs,

Problem: Background: The Blues Brothers is a 1980 American musical comedy film directed by John Landis. It stars John Belushi and Dan Aykroyd as "Joliet" Jake and Elwood Blues, characters developed from "The Blues Brothers" musical sketch on the NBC variety series Saturday Night Live. The film's screenplay was written by Aykroyd and Landis. It features musical numbers by rhythm and blues (R&B), soul, and blues singers James Brown, Cab Calloway, Aretha Franklin, Ray Charles, and John Lee Hooker.
Context: The characters, Jake and Elwood Blues, were created by Belushi and Aykroyd in performances on Saturday Night Live. The name "The Blues Brothers" was the idea of Howard Shore. The fictional back story and character sketches of blood brothers Jake and Elwood were developed by Aykroyd in collaboration with Ron Gwynne, who is credited as a story consultant for the film. As related in the liner notes of the band's debut album, Briefcase Full of Blues, the brothers grew up in an orphanage, learned the blues from a janitor named Curtis, and sealed their brotherhood by cutting their middle fingers with a steel string said to have come from the guitar of Elmore James. Belushi had become a star in 1978 as a result of both the Blues Brothers' musical success and his role in National Lampoon's Animal House. At one point, he managed the triple feat of being the star of the week's top-grossing film, top-rated television show, and singing on the number-one album within a year. When Aykroyd and Belushi decided they could make a Blues Brothers film, the bidding war was intense. Universal Studios narrowly beat Paramount Pictures for the project. John Landis, who had directed Belushi in Animal House, was aboard as director. However, the project had neither a budget nor a script. On the former issue, Universal head Lew Wasserman thought the film could be made for $12 million; the filmmakers wanted $20 million. It would be impossible to settle on a specific amount without a screenplay to review, and after Mitch Glazer declined to help him, Aykroyd wrote one on his own. Aykroyd had never written a screenplay before, as he admitted in the 1998 documentary, Stories Behind the Making of The Blues Brothers, or even read one, and he was unable to find a writing partner. Consequently, he put together a very descriptive volume that explained the characters' origins and how the band members were recruited. His final draft was 324 pages, which was three times longer than a standard screenplay, written not in a standard screenplay format, but more like free verse. To soften the impact, Aykroyd made a joke of the thick script and had it bound with the cover of the Los Angeles Yellow Pages directory for when he turned it in to producer Robert K. Weiss. Landis was given the task of editing the script into a usable screenplay, which took him about two weeks. The overriding plot premise was unrealistic: religious groups and other not-for-profit organizations are typically exempt from federal or state taxes; although a legislative proposal to tax such property was under consideration in Illinois at the time.
Question: Was that successful as well?
Answer:
His final draft was 324 pages, which was three times longer than a standard screenplay,