Problem: Background: Brown was born in Mineola, a small segregated town in east Texas marked by racial tensions, to Minnie Collins Boyd and Lewis Brown. Brown was the fourth of five children. During Brown's childhood, mob violence periodically erupted in Mineola, keeping African- Americans from voting. His first job was a shoeshine boy in a whites-only barber shop.
Context: In 1995, Brown ran for Mayor of San Francisco. In his announcement speech, Brown said San Francisco needed a "resurrection" and that he would bring the "risk-taking leadership" the city needed. Brown placed first in the first round of voting, but because no candidate received 50 percent of the vote, he ran against incumbent Frank Jordan in the December runoff. Brown gained the support of Supervisor Roberta Achtenberg who had placed third in the first round of voting. Brown campaigned on working to address poverty and problems with Muni. He called Jordan the "inept bumbler" and criticized his leadership. Jordan criticized Brown for his relations with special interests during his time in the State Assembly. Brown easily defeated Jordan in the runoff. Brown's inaugural celebration included an open invitation party with 10,000 attendees and local restaurants providing 10,000 meals to the homeless. President Bill Clinton called Brown to congratulate him, and the congratulations were broadcast to the crowd. He delivered his inaugural address without notes and led the orchestra in "Stars and Stripes Forever". He arrived at the event in a horse-drawn carriage. According to the New York Times, Brown was one of the nation's few liberal big city mayors when he was elected in 1996. In 1996, more than two thirds of San Franciscans approved of Brown's job performance. As mayor, Brown made several appearances on national talk shows. Brown called for expansions to the San Francisco budget to provide for new employees and programs. In 1999, Brown proposed hiring 1,392 new city workers and proposed a second straight budget with a US$100 million surplus. He helped to oversee the settling of a two-day garbage strike in April 1997. During Brown's tenure, San Francisco's budget increased to US$5.2 billion and the city added 4,000 new employees. Brown tried to develop a plan for universal health care, but there wasn't enough in the budget to do so. Brown put in long days as mayor, scheduling days of solid meetings and, at times, conducting two meetings at the same time. Brown opened City Hall on Saturdays to answer questions. He would later claim of his mayorship that he helped restore the city's spirit and pride. Brown's opponents in his 1999 mayoral reelection campaign were former Mayor Frank Jordan and Clint Reilly. They criticized Brown for spending the city's US$1 billion in budget growth without addressing the city's major problems and creating an environment in city hall of corruption and patronage. Tom Ammiano was a late write-in candidate and he faced Brown in the runoff election. Brown won reelection by a 20 percent margin. He was supported by most major developers and business interests. Ammiano campaigned on a promise that he would raise the minimum wage to US$11 per hour and scrutinize corporate business taxes. Brown repeatedly claimed that Ammiano would raise taxes. President Clinton recorded a telephone message on Brown's behalf. Brown's campaign spent US$3.1 million to Ammiano's US$300,000. The 1999 mayoral race was the subject of the documentary See How They Run.
Question: What else did he say?
Answer: Brown called for expansions to the San Francisco budget to provide for new employees and programs.

Problem: Background: The Ronettes () were an American girl group from New York City. One of the most popular groups from the 1960s, they placed nine songs on the Billboard Hot 100, five of which became Top 40 hits. The trio from Spanish Harlem, New York, consisted of lead singer Veronica Bennett (later known as Ronnie Spector), her older sister Estelle Bennett, and their cousin Nedra Talley. Among the Ronettes' most famous songs are "Be My Baby",
Context: After their night at the Apollo, Ira, Elaine, and Diane left the group. After the curious renaming of the group to "Ronnie and the Relatives", Ronnie, Estelle, and Nedra began taking singing lessons two afternoons per week. Appearing at local bar mitzvahs and sock hops, they met Phil Halikus, who introduced them to Colpix Records producer Stu Phillips. According to Ronnie, Phillips played the piano while the women auditioned for him, singing "What's So Sweet About Sweet Sixteen". The audition was successful, and the group was brought into the studio in June 1961 and recorded four tracks: "I Want a Boy", "What's So Sweet About Sweet Sixteen", "I'm Gonna Quit While I'm Ahead", and "My Guiding Angel". Colpix released "I Want a Boy" in August 1961 and "I'm Gonna Quit While I'm Ahead" in January 1962, the first singles credited to Ronnie and the Relatives. While both singles failed to chart on the Billboard Top 100, fate intervened in advancing the group's success. A fortuitous case of mistaken identity led to Ronnie and the Relatives making their debut - as dancers rather than a singing act - at New York City's hip The Peppermint Lounge in 1961. It was the height of the Twist craze, and under-aged Nedra and Ronnie disguised themselves to get in. The girls' mothers showed them how to put on make-up and fix their hair to make them look at least 23. When they arrived outside the club, its manager mistook Ronnie, Estelle, and Nedra for the trio supposed to dance behind house band Joey Dee and the Starliters for the evening. He led them in and put them onstage to perform in their place. During the show, Starliter David Brigati even handed the mic over to Ronnie when she started to sing Ray Charles' "What'd I Say". Soon afterward, Ronnie and the Relatives became a permanent act at The Peppermint Lounge, each earning $10 per night to dance The Twist and usually sing a song at some point in the show. Ronnie and the Relatives soon became "The Ronettes". Colpix issued the first two singles credited to the Ronettes, "Silhouettes" and a re-issue of "I'm Gonna Quit While I'm Ahead", on its May label in April and June 1962, respectively. Both singles disappointingly failed to chart. Later that year, they were flown to Miami to open a Florida branch of The Peppermint Lounge. After their performance at the Miami gala, radio host Murray the K came backstage and introduced himself to them. He asked the women to begin appearing at his shows at The Brooklyn Fox in New York. They agreed, taking the Fox stage in 1962 and completing a transition from Murray the K's "Dancing Girls", to back-up singing for other acts, to performing as the Ronettes before year's end. It was during this time that the women evolved their iconic look, wearing ever more exaggerated eye make-up while teasing their hair to impossible proportions. "We'd look pretty wild by the time we got out onstage," Ronnie later recalled, "and the kids loved it." Colpix's May label issued a final single by the Ronettes in March 1963. When "Good Girls" failed to chart, the women decided to look elsewhere for studio work.
Question: Did they have success with Colpix?
Answer:
both singles failed to chart on the Billboard Top 100,