Q: What's an example of a movie review?
An example of a movie review is here: Based on the average short story by horror writer Stephen King about so called 'Sleepwalkers' ancient and immortal cat-like creatures that suck the life out of virgins in order that this energy may sustain them They have supernatural abilities- they can make themselves 'dim' which means they become invisible and can create subliminal mirages to fool people.They have been fleeing humans for century's we are told and have one by one been picked off till there are only two left.The film starts when a beautiful mother and her son arrive in a sleepy town, they are the last of the sleepwalkers and they are on the prowl for virgins to feed on. The mother sends her son out to enrol at the local high school so he can find a virgin, he does (Madchen Amick) and proceeds to try to get her alone so he can suck her dry. It is not made clear why the mother cannot seek out virgins herself- it would make things easier one would imagine as teenage boys are much more apt to follow a older beautiful woman to a secluded area than a teen girl follow a teen boy. However his plans are thwarted as the girl fights back, jabbing a pencil in to his ear. The police are called and the hunt is on!. The son is sick from his injuries and so the mother goes on the rampage killing cops left and right in her hunt for the girl who hurt her son and spouting some painfully unfunny one liners amidst the gore. Finally the girl kills the mother- end of movie. This movie is rubbish!. The acting is variable, from the average Brian Krause to the excellent Alice Krige. The special effects are average,and showcase some early computer effects which is mildly interesting as it shows how far such things have progressed in such a short time. The direction is muddled and the film falls in to camp in places. The director seems unsure whether we are supposed to fear the sleepwalkers or sympathise with them and when in doubt allows the film to become hysterical. Stephen King makes a mildly amusing cameo as an annoying gardener as does Mark Hamill, as a puzzled cop. Alice Krige seems to shoulder the film, her character is given depth and she gives an indication of what the film could have been with a better screenplay and better direction.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Utterly tactical, strange (watch for the kinky moment of a drop-dead gorgeous blonde acting as pull-string doll for some rich folks), pointless but undoubtedly compelling late-night feature. This unhinged French production is a stew of perplexedly unfocused ideas and random plot illustrations centred on its very charismatic stars (if somewhat anti-heroes) Alain Delon and Charles Bronson. Really they don't get to do all that much, especially during the confined, lengthy mid-section where they hide themselves in a building during the Christmas break to crack a safe with 10,000 possible combinations. Oh fun! But this is when the odd, if intriguing relationship is formed between Delon and Bronson's characters. After a manipulative battle of wills (and childishly sly games against each other), the two come to an understanding that sees them honour each other's involvement and have a mutual respect. This would go on to play a further part in the twisty second half of the story with that undetectable curve-ball. Still their encounters early on suggest there's more, but what we get is vague and this is magnified by that 'What just happen there?' ending that might just make you jump. YEEEEAAAAAHHHHHHHHH! Glad to get that out of the system.

The pacing is terribly slow, but placidly measured for it and this seems purposely done to exhaust with its edgy, nervous underlining tension. Watch as the same process is repeated over and over again, and you know something is not quite right and the scheming eventually comes into play. Now everything that does happen feels too spontaneous, but the climax payoff is haunting. The taut, complex script is probably a little too crafty for its own good, but there are some neat novelties (Coins, glass and liquids try not spilling) and visual symbolisms. Jean Herman's direction is efficiently sophisticated and low-key, but get a tad artificial and infuse an unwelcoming icy atmosphere. The sound FX features more as a potent note, than that of Francois DeRoubaix's funky score that's mainly kept under wrapped after its sizzling opening. Top drawers Delon (who's quite steely) and Bronson (a jovial turn) are solid, and work off each tremendously. Bernard Fresson chalks up the attitude as the Inspector who knows there's more going on than what is being led on. An attractive female cast features able support by Brigitte Fossey and Olga Georges-Picot.

A cryptically directionless, but polished crime drama maintained by its two leads and some bizarre inclusions.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Tony Goldwyn is a good actor who evidently is trying his hand at directing. "A Walk on the Moon" appears to have borrowed from other, better made films. The present story takes place in the late sixties at a summer resort for working class Jews not far from Woodstock. The screen treatment by Pamela Gray doesn't have much going for it, so it's a puzzle why Mr. Goldwyn decided to tackle this film as his first attempt at direction.

The Kantrowitz family is spending some time at the resort. We see them arrive at the small bungalow that is going to be their temporary home. Marty, the father, comes only for the week-end; he works in what appears to be a family small appliance business repairing television sets, mostly. In a few days the first man will walk in space, so the excitement is evident.

The Kantrowitz women are left behind. Pearl, Marty's wife and her mother-in-law, Lilian, spend idle days in the place until the "blouse salesman" arrives. Pearl goes browsing and she finds much more than a shmatte; she gets the salesman as well. It appears that Pearl and Marty have no sexual life at all. After two children, Pearl, who appears to be sexy and with a high libido is ready for some extra marital fun.

That is the basic premise for the film, which becomes a soap opera when the young daughter, Alison, decides to play hooky and go to the Woodstock festival nearby where, horror of horrors, she witnesses her own mom making out with the blouse salesman! What's a girl to do? Well, stay tuned for the grand finale when all the parties are happily reunited by the little son's bedside when he is stung by wasps and the salesman comes to apply some home remedy, and daddy is called from the city, after knowing about Pearl's betrayal with the younger stud.

Poor Diane Lane, she went to make "Unfaithful" later on, which is the upscale version of this dud. Viggo Mortensen is the salesman who caters to his lonely female customers whispering little somethings in their ears! Liev Schreiber as Marty, the cuckolded husband, doesn't have much to do. Anna Paquin plays the rebellious Alison and Tovah Feldshuh is the unhappy Nana, who would like to have stayed in the city watching her soap operas instead of witnessing first hand one that is playing in her own backyard!

Watch it at your risk, or pop the DVD in the telly when you have a fun crowd at home and you really want to have a laugh, or two dishing the film.
Q: What's an example of a movie review?
An example of a movie review is here:
"The Luzhin Defence" is, in the foreground, a story of an idiosyncratic chess savant (Turturro) who becomes consumed by the game and, in the background via flashbacks, his boyhood life and the forces which created the man he has become. Factor in good and evil in the forms of his his love interest (Watson) and former "mentor" (Wilson) respectively and you have a plaintive drama laced with poignant and delicately humorous moments mingled with the rich scenic beauty of Italy's Lake Como and the intensity of high chess play. An excellent film for those into period dramas, the auteur's euphemistic chess play metaphor for orgasmic delight is an indication of the subtle wit behind the film.