In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it, i.e., the proper nouns in the passage. Your job is to determine whether information from more than one term is needed to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

[Q]: Question: Who was the leader of the Republic? Passage:Fort Ino was constructed in 1909-1916 on Cape Inoniemi on the Karelian Isthmus, within the borders of Viipuri Province of the autonomous Grand Duchy of Finland. It was intended to protect the capital city of Petrograd (Saint Petersburg) and the naval base at Kronstadt, and was served by a railroad and a harbor. As Finland had become independent, on March 1, 1918, during the Finnish Civil War, in a friendship treaty the Finnish Red Guards' Edvard Gylling and Oskari Tokoi in the name of the Finnish Socialist Workers' Republic ceded the fortress to Soviet Russia in exchange for the city of Petsamo. However, the Finnish White Guards, who ultimately came out victorious in the civil war, demanded the fortress back, without offering a similar return of Petsamo, and on April 24 the 5th Jaeger Regiment under Major Hugo Viktor Osterman laid siege to it. On May 8 Germany demanded Soviet Russia return the fort to Finland, and the Soviet government for fear of violating the Treaty of Brest-Litovsk withdrew its support to the crew. On May 14, 1918, the Soviet crew destroyed the batteries and evacuated to Kronstadt aboard the battleship Respublika. With the Treaty of Tartu in 1920, Finland undertook to disarm it completely within a year.

[A]: b

[Q]: Question: Was Forbes or the Guardian founded first? Passage:"The Lazy Song" has received generally mixed reviews from contemporary music critics. Eric Henderson of Slant Magazine noted that in song Mars "paints a portrait of Al Bundy as a young man" and Andy Gill of The Independent classified the song as a "laidback acoustic groove". Tim Sendra of AllMusic said it was one of the tracks from Doo-Wops & Hooligans that captured the laid-back groove. Scott Mervis of the Pittsburgh Post-Gazette described the song as a "Jason Mraz/Sugar Ray-style reggae." Sean Fennessey, a reviewer of The Washington Post, felt the song was written in a "quality that is both endearing and damning". A mixed review came from Digital Spy reviewer Lewis Corner, who commented that the song is a "summery ditty more head-boppable than a Churchill nodding dog, which, given his current state of mind, is probably about all he could muster", giving it three stars out of five. and from Blues & Soul magazine who called it "reggae tinged" and found it to be "somewhat of a filler but for the likes of Peter Andre" is great. Entertainment Weeklys Leah Greenblatt considered that "other modes suit him less well; The Lazy Song is perhaps better left to Jason Mraz". Alexis Petridis of The Guardian, gave the song a negative review, writing that "The Lazy Song" "gets no further than the second verse before Mars nothing if not keen to keep his fans abreast of his every activity in a world of 360-degree connectivity announces that he's planning on having a wank". Nick Messitte writing for Forbes criticized the single for copying the "happy-go-lucky meanderings of Jason Mraz's "I'm Yours", but also using the same pattern as Travie McCoy and Mars' "Billionaire" (2011).

[A]: a

[Q]: Question: What age was John McCormack the year that DGOS was founded? Passage:The Dublin Grand Opera Society (DGOS) was founded in 1941 by Captain (later Colonel) William O'Kelly and a group of opera enthusiasts with John McCormack as its patron. The shows were cast with local singers and a volunteer chorus. Initially the music was provided by the orchestra of the Irish Army music school, and later by the Radio Eireann Symphony Orchestra. The Society put on two one-week seasons of opera throughout the years of World War II. After the war ended the DGOS presented performances by European opera companies such as the Opera-Comique, Hamburg Opera and the Netherlands Opera. From the mid 1950s to 1966, the Society, concentrated on Italian opera with the help of sponsorship from the Italian government. During that time numerous Italian stars and rising stars of the day appeared there, including Luciano Pavarotti who sang in Rigoletto, La traviata, and La boheme. The Italian sponsorship ended in 1966, but the Arts Council of Ireland and the Bord Failte (Ireland's tourist board) continued to provide guarantees for any financial losses. New opera companies were brought in, including the Romanian National Opera and the Prague National Theatre.

[A]:
b