TASK DEFINITION: Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.
PROBLEM: CONTEXT: The message of American History X is quite simple: violence begets violence. The whole film is a series of escalations based on revenge; Derek and Danny lose their father and hate consumes them. They win a basketball game against the black gang (and their turf in the process) and the gang try and steal their fathers' truck as revenge, Derek kills them over it. But then Derek's arrest interrupts this pattern, he goes off to prison and with the help of Dr. Sweeney he realises the pattern of behaviour and does what he can to prevent it from going any further. Derek has his catharsis and becomes a different person, and tries to help Danny do the same. But the problem is the same hasn't happened to those that he's wronged; there are still people out there from the black gang who have lost friends and blame them both for it, and in the end Danny pays the price. It is much more poignant and reflective of real life in this way, after years of fighting it's not so simple to drop everything and get the happy ending Hollywood has taught us is waiting. <sep> Q: Why did American History X end so unexpectedly? A: The message of American History X is quite simple: violence begets violence Q: But why did the movie end in such an unexpected way? A: there are still people out there from the black gang who have lost friends and blame them both for it Q: What was the central theme of the movie? A: The whole film is a series of escalations based on revenge Q: Does the movie portray revenge as a justified action? A: Derek's arrest interrupts this pattern, he goes off to prison and with the help of Dr. Sweeney he realises Q: What does he realize? A: the pattern of behaviour and does what he can to prevent it from going any further <sep> FOLLOWUP_Q: Is he successful at preventing it given the younger brother's death?

SOLUTION: Yes

PROBLEM: CONTEXT: Agent K (Tommy Lee Jones) witnessed the death of Agent J's (Will Smith) father, who was killed by an alien in an act that could have been prevented by Agent K. Considering the time travel elements of the third movie, and the fact that Agent K from the past was aware of his future after Agent J told him, he has essentially lived with the fact that the father of one of his only friends in the universe died because of his own failures. Since the "past" elements of the movie took place in 1969, this means he's lived with this memory for some 40 years. <sep> Q: What happened to Agent K to make him so grumpy and emotionless? A: Agent K (Tommy Lee Jones) witnessed the death of Agent J's (Will Smith) father <sep> FOLLOWUP_Q: So how did Agent J's father die?

SOLUTION: Yes

PROBLEM: CONTEXT: These days it is more common for people to 'buy' themselves a credit on TV and film productions through financial backing, sponsorship or other enabling methods. Traditionally (at least on film), the executive producer(s) coughed up the money to get the production rolling - they generally wouldn't have any other impact on the production. Of course, there are a few horror stories about executive producers only providing finances on the proviso that their terrible niece got a role, or they could sit in on the set (and interfere). In the case of AGT, I suspect that this roster of EPs is made up mostly of financial backers. <sep> Q: Why does America's Got Talent have so many executive producers? A: Traditionally (at least on film), the executive producer(s) coughed up the money to get the production rolling Q: Do they have anything to do with making the show? A: These days it is more common for people to 'buy' themselves a credit on TV Q: Are they all the same type of producer? A: I suspect that this roster of EPs is made up mostly of financial backers Q: They are making tons of money...do they need that many financial backers? A: people to 'buy' themselves a credit on TV and film productions through financial backing, sponsorship or other enabling methods Q: Do they do anything other than give money? A: there are a few horror stories about executive producers only providing finances on the proviso that their terrible niece got a role, or they could sit in on the set (and interfere <sep> FOLLOWUP_Q: Do you think since there are so many that most are just financial backers?

SOLUTION:
Yes