Problem: Background: Monty Kip Sopp (born November 11, 1963), better known by his ring name Billy Gunn, is an American professional wrestler, former professional bull rider, and singercurrently working for New Japan Pro Wrestling (NJPW). Gunn is best known for his appearances in the World Wrestling Federation/Entertainment (WWF/E) from 1993 to 2004 and from 2012 to 2015. He also served as a coach on WWE's Tough Enough, and was a trainer in its developmental branch, NXT. He is also known for his appearances with Total Nonstop Action Wrestling (TNA) from 2005 to 2009.
Context: After The Smoking Gunns disbanded, Gunn took some time off to nurse an injury. At WrestleMania 13, he defeated Flash Funk catching the attention of The Honky Tonk Man, who made Gunn his protege. During this time, he adopted a new gimmick, Rockabilly, and had a short-lived feud with "The Real Double J" Jesse James. On Shotgun Saturday Night, James realized both of their careers were going nowhere and suggested that they became a tag team. Gunn agreed and smashed a guitar over the Honky Tonk Man's head to solidify their new alliance. James and Rockabilly were quickly rebranded as "Road Dogg" Jesse James and "Badd Ass" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws. This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks and won the Tag Team Championship from the Legion of Doom on November 24. They also defeated the LOD in a rematch at In Your House: D-Generation X. The Outlaws slowly began to align themselves with D-Generation X, who were impressed with their new attitude. At the Royal Rumble, the New Age Outlaws interfered in a Casket match to help Shawn Michaels defeat The Undertaker. At No Way Out Of Texas, the Outlaws teamed up with Triple H and Savio Vega (who replaced the injured Shawn Michaels) to face Chainsaw Charlie, Cactus Jack, Owen Hart, and Steve Austin. They were, however, defeated. On February 2, The Outlaws locked Cactus and Chainsaw in a dumpster and pushed it off the stage. This led to a Dumpster match at WrestleMania XIV where Cactus and Chainsaw defeated the Outlaws for the Tag Titles. The next night on Raw, the New Age Outlaws won the Tag Team Championship for a second time by defeating Chainsaw and Cactus in a Steel cage match, but only after interference from Triple H, Chyna, and X-Pac. After the match, the Outlaws officially became members of D-Generation X (DX). Upon becoming an official member of DX, Gunn gained a tendency of mooning opponents (a trait used by the original incarnation of DX, as well as its 2006 revival), a precursor to the later "Mr. Ass" gimmick. After joining DX, the Outlaws successfully defended their Tag Team Title against the Legion of Doom 2000 at Unforgiven. DX began to feud with Owen Hart, and his new stablemates, The Nation. At Over The Edge, the Outlaws and Triple H were defeated by Nation members Owen, Kama Mustafa, and D'Lo Brown in a Six Man Tag Match. The Outlaws would also successfully defend their title against The New Midnight Express (Bombastic Bob and Bodacious Bart) at King of the Ring. During this time, the Outlaws began a feud with Kane and Mankind. Although Kane and Mankind won the Tag Team Championship, they could not get along. At SummerSlam, Mankind faced the Outlaws in a Handicap match after Kane no-showed the title defense. The Outlaws defeated Mankind to win the titles for the third time. The Outlaws then helped X-Pac in his feud with Jeff Jarrett and Southern Justice. In December, the Outlaws lost the title to The Big Boss Man and Ken Shamrock from The Corporation.
Question: Did they ever get the title again?
Answer: The Outlaws defeated Mankind to win the titles for the third time.

Background: Marian Anderson (February 27, 1897 - April 8, 1993) was an African-American contralto and one of the most celebrated singers of the twentieth century. Music critic Alan Blyth said: "Her voice was a rich, vibrant contralto of intrinsic beauty." Most of her singing career was spent performing in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting.
Context: In 1933, Anderson made her European debut in a concert at Wigmore Hall in London, where she was received enthusiastically. She spent the early 1930s touring throughout Europe where she did not encounter the racial prejudices she had experienced in America. In the summer of 1930, she went to Scandinavia, where she met the Finnish pianist Kosti Vehanen who became her regular accompanist and her vocal coach for many years. She also met Jean Sibelius through Vehanen after he had heard her in a concert in Helsinki. Moved by her performance, Sibelius invited them to his home and asked his wife to bring champagne in place of the traditional coffee. Sibelius commented to Anderson of her performance that he felt that she had been able to penetrate the Nordic soul. The two struck up an immediate friendship, which further blossomed into a professional partnership, and for many years Sibelius altered and composed songs for Anderson to perform. He created a new arrangement of the song "Solitude" and dedicated it to Anderson in 1939. Originally The Jewish Girl's Song from his 1906 incidental music to Belshazzar's Feast, it later became the "Solitude" section of the orchestral suite derived from the incidental music. In 1934, impresario Sol Hurok offered Anderson a better contract than she previously had with Arthur Judson. He became her manager for the rest of her performing career and through his persuasion she came back to perform in America. In 1935, Anderson made her first recital appearance in New York at Town Hall, which received highly favorable reviews by music critics. She spent the next four years touring throughout the United States and Europe. She was offered opera roles by several European houses but, due to her lack of acting experience, Anderson declined all of those offers. She did, however, record a number of opera arias in the studio, which became bestsellers. Anderson, accompanied by Vehanen, continued to tour throughout Europe during the mid-1930s. She visited Eastern European capitals and Russia and returned again to Scandinavia, where "Marian fever" had spread to small towns and villages where she had thousands of fans. She quickly became a favorite of many conductors and composers of major European orchestras. During a 1935 tour in Salzburg, the conductor Arturo Toscanini told her she had a voice "heard once in a hundred years". In the late 1930s, Anderson gave about 70 recitals a year in the United States. Although by then quite famous, her stature did not completely end the prejudice she confronted as a young black singer touring the United States. She was still denied rooms in certain American hotels and was not allowed to eat in certain American restaurants. Because of this discrimination, Albert Einstein, a champion of racial tolerance, hosted Anderson on many occasions, the first being in 1937 when she was denied a hotel before performing at Princeton University. She last stayed with him months before he died in 1955.
Question: Did she remain in Europe after that?
Answer:
Vehanen, continued to tour throughout Europe during the mid-1930s.