Question:
Odissi (Odia: odd'ishii Odisi), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha - an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism (Vishnu as Jagannath). Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism, Buddhism and Jainism.
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.
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Was Odissi popular form of dancing during the Medieval era?

Answer:
Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue

Question:
Armando Christian Perez (born January 15, 1981), known by the stage name Pitbull or Mr. Worldwide, is an American rapper. His first recorded mainstream performance was on a solo track from Lil Jon's 2002 album Kings of Crunk. In 2004, Pitbull released his debut album M.I.A.M.I. under TVT Records. It included production producers Lil Jon and Jim Jonsin.
In January 2006, Pitbull guest-starred in UPN's South Beach. Pitbull recorded "Nuestro Himno" in collaboration with Wyclef Jean, Carlos Ponce, and Olga Tanon. On Listennn... the Album, the debut album by Terror Squad member and Miami radio personality DJ Khaled, Pitbull performed on three singles: "Holla at Me" and "Born-N-Raised" alongside other Southern-based rappers. He dedicated the album to his father, who died in May of that year. Along with the usual party-oriented tracks, Pitbull also included politically themed tracks in El Mariel. The album was released on October 31, 2006, and included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix)". El Mariel topped the Billboard independent albums chart and peaked at No. 17 on the Billboard 200 and No. 2 on the rap chart. Pitbull's third album, titled The Boatlift, was released in November 2007, spawned by the single "Secret Admirer" featuring Lloyd on the chorus. Earlier, Pitbull announced that this album would have a more gangsta rap edge than his earlier albums. Subsequent singles included "Go Girl" featuring Trina, and "The Anthem" featuring and produced Lil Jon, that song sampling the hook from the song "El Africano" by Wilfrido Vargas and the beat from the song "Calabria" by Rune RK. "Go Girl" peaked at No. 80 on the Billboard Hot 100 and No. 36 on the Hot Rap Tracks chart; "The Anthem" No. 36 on the Hot 100 and No.11 on the Hot Rap Tracks. His variety show, Pitbull's La Esquina, debuted May 2007 and ran through 2009 on the mun2 cable network. Pitbull also appeared on DJ Laz' "Move Shake Drop" and DJ Felli Fel's "Feel It".
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Did it have any singles?

Answer:
included singles "Bojangles", "Ay Chico (Lengua Afuera)", "Fuego", and duet with Puerto Rican singer Ken-Y, "Dime (Remix