In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : John Paulding (April 5, 1883 April 15, 1935) was an American sculptor best remembered for his World War I memorials. Paulding was born in Darke County, Ohio. Context_2 : John Henri Isaac Browere (17901834) was an artist in New York in the early 19th century. He created life masks of Thomas Jefferson, Gilbert Stuart, Lafayette, John Quincy Adams, Edwin Forrest, Issac Van Wart, John Paulding, David Williams and other notables. Context_3 : Paulding is an unincorporated community in and one of the two county seats of Jasper County, Mississippi. It is the only unincorporated county seat in Mississippi. Settled in 1833, it was named by United States settlers in honor of Revolutionary War hero John Paulding. After its citizens refused to contribute to a new railroad, the community was bypassed in favor of Bay Springs, Mississippi, which was designated a railroad stop to the west and the second county seat. It attracted more development and industry. Context_4 : The Craighead County Courthouse is located at 511 Main Street, in the center of Jonesboro, Arkansas, the county seat of Craighead County. It is a two story brick structure with limestone trim, built in 1934, and is the city's only significant example of Art Deco architecture. The building has a stepped appearance, with a large central block that has an oversized second story, and is flanked by smaller two-story wings, from which single-story sections project to the front and back. Vertical panels of fluted limestone accentuate corner projections from the main block, a motif repeated near the roof line of that block. The main entrance is recessed in an opening flanked by similarly fluted panels. The courthouse is the fifth of the county to stand on the site. Near the entrance to the courthouse stands a copy of John Paulding's World War I memorial, "Over the Top", placed in 1920, and often confused with E. M. Viquesney's "Spirit of the American Doughboy". Context_5 : Over the Top to Victory, also known as Doughboy Statue and Their Country's Call Answered, is an outdoor bronze sculpture by John Paulding, formerly located at the Marion County Courthouse in Salem, Oregon, United States. The statue was commissioned by the American War Mothers and the Gold Star Mothers Club to commemorate the 87 men and one woman from Marion County who died in World War I. Context_6 : John Andre (2 May 1750 2 October 1780) was a British Army officer hanged as a spy by the Continental Army during the American Revolutionary War for assisting Benedict Arnold's attempted surrender of the fort at West Point, New York to the British. Context_7 : The Paragould War Memorial is a scaled-down replica of the Statue of Liberty, located in Courthouse Park near the Greene County Courthouse at the heart of Paragould, Arkansas. The statue is a bronze cast created by John Paulding, and was cast at the American Art Bronze Foundry in Chicago, Illinois, in 1920. The statue is 95 in high, and is mounted on a rectangular marble base 80 in high. It was erected to honor the city's soldiers who participated in World War I, and is the only statewide sculptural memorial from that war that is "not" a doughboy statue. Context_8 : John Paulding (October 16, 1758 February 18, 1818) was a militiaman from the state of New York during the American Revolution. In 1780, he participated in the capture of Major John Andre. Context_9 : Paulding County is a county located in the U.S. state of Ohio. As of the 2010 census, the population was 19,614. Its county seat is Paulding. The county was created in 1820 and later organized in 1839. It is named for John Paulding, one of the captors of Major John Andre in the American Revolutionary War. Context_10 : The Astoria Victory Monument, also known as the Doughboy Monument or Soldiers' Monument, is a monument located in Astoria, Oregon, in the United States. It is listed on the National Register of Historic Places. The concrete, Spanish Revival monument designed by Charles T. Diamond was constructed in 1926, incorporating a cast of a sculpture by John Paulding. The structure was recognized individually by the National Register of Historic Places in 1984 and as part of the UniontownAlameda Historic District in 1988. fact_1 : It is named for John Paulding, one of the captors of Major John Andre in the American Revolutionary War. fact_2 : John Andre (2 May 1750 2 October 1780) was a British Army officer hanged as a spy by the Continental Army during the American Revolutionary War for assisting Benedict Arnold's attempted surrender of the fort at West Point, New York to the British. Question: When did the man who John Paulding capture die?
Solution:
2 October 1780