In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : "That Still Small Voice" is the fifth episode of the American fairy tale/drama television series "Once Upon a Time". The series takes place in the fictional seaside town of Storybrooke, Maine, in which the residents are actually characters from various fairy tales that were transported to the "real world" town by a powerful curse. In this episode, Henry (Jared S. Gilmore) becomes upset when told by Archie (Raphael Sbarge) that his fairy tale theories are delusions; Henry places himself in danger when he investigates a mysterious sinkhole, forcing a regretful Archie to save him. Meanwhile, the backstory of Jiminy Cricket (Sbarge) is revealed he yearns to leave his con artist parents and become a good person, but accidentally hurts an innocent couple along the way. Context_2 : Eddie Carroll (September 5, 1933 April 6, 2010) was a Canadian-American actor and voice actor who is best known as the second performer to provide the voice for Jiminy Cricket, a role he played for over 35 years. Context_3 : Jiminy Cricket is the Walt Disney version of The Talking Cricket (Italian: "Il Grillo Parlante" ), a fictional character created by Carlo Collodi for his children's book "The Adventures of Pinocchio", which Disney adapted into the animated film "Pinocchio" in 1940. Originally an unnamed, minor character in Collodi's novel, he was transformed in the Disney version into a comical and wise partner who accompanies Pinocchio on his adventures, having been appointed by the Blue Fairy (known in the book as The Fairy with Turquoise Hair) to serve as Pinocchio's official conscience. His design is different from real crickets, which are black or dark brown, with very long antennae. Since his debut in "Pinocchio", he has become a recurring iconic Disney character and has made numerous other appearances. Context_4 : Disney's Villains' Revenge is a video game developed and released by Disney Interactive for Microsoft Windows and Macintosh in 1999. The gameplay is a simple interactive "point-and-click" method in various forms, featuring the player helping Jiminy Cricket save the happy endings of several of the Walt Disney Company's animated films from the vengeful Disney Villains. Context_5 : Mickey's Magical World is a 1988 home video compilation from Walt Disney Home Video, originally released on November 1, 1988, as released as part of the Walt Disney Mini-Classics series, in honor to celebrate Mickey Mouse's 60th anniversary. Jiminy Cricket hosted this show with clips from the following classic Disney cartoon shorts: Context_6 : From All of Us to All of You is an animated television Christmas special, produced by Walt Disney Productions and first presented on December 19, 1958 on ABC as part of the "Walt Disney Presents" anthology series. Hosted by Jiminy Cricket along with Mickey Mouse and Tinker Bell, the special combines newly produced animation with clips from vintage animated Disney shorts and feature films, presented to the viewer as "Christmas cards" from the various characters starring in each one. Context_7 : Clifton Avon Edwards (June 14, 1895 July 17, 1971) known as "Ukulele Ike" was an American singer, actor and voice actor who enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes. He had a number-one hit with "Singin' In The Rain" in 1929. He also did voices for animated cartoons later in his career, and is best known as the voice of Jiminy Cricket in Walt Disney's "Pinocchio" (1940) and Fun and Fancy Free (1947). Context_8 : Disney Sing-Along Songs is a series of videos, laserdiscs and DVDs with musical moments from various Disney films, TV shows and attractions. Lyrics for the songs are displayed on-screen with the Mickey Mouse icon as a "bouncing ball". Early releases open with a theme song introduction (written by Patrick DeRemer) containing footage featuring Professor Owl and his class, seen originally in 1953 in two Disney shorts, "Melody" and "Toot, Whistle, Plunk, and Boom" (voiced then by Bill Thompson). Professor Owl (now voiced by Corey Burton) hosts some of the videos, while either Ludwig Von Drake or Jiminy Cricket host others, and later volumes, as well as the two Christmas videos, had no host at all. The footage of Von Drake and Jiminy Cricket were taken from several television programs (including the Walt Disney anthology television series, and "Mickey Mouse Club") featuring the characters in the 1950s and 1960s. Context_9 : "When You Wish Upon a Star" is a song written by Leigh Harline and Ned Washington for Walt Disney's 1940 adaptation of "Pinocchio". The original version was sung by Cliff Edwards in the character of Jiminy Cricket, and is heard over the opening credits and in the final scene of the film. The song has since become the representative song of The Walt Disney Company. The recording by Cliff Edwards and Chorus was released by Victor Records as catalogue number 261546 and 26477A (in the US) and by EMI on the His Master's Voice Label as catalogue number BD 821. Context_10 : This is a list of all four Jiminy Cricket educational serials that originally aired on "The Mickey Mouse Club" TV series. The serials feature Jiminy Cricket, Pinocchio's conscience, providing general education and science information in an entertaining and accessible manner. The serials also have a strong focus on the importance of books and learning on one's own. The "I'm No Fool" and "You" series were later updated in the 1980s and 1990s as stand-alone shorts, and were shown in schools and occasionally on the Disney Channel. fact_1 : "When You Wish Upon a Star" is a song written by Leigh Harline and Ned Washington for Walt Disney's 1940 adaptation of "Pinocchio". fact_2 : The original version was sung by Cliff Edwards in the character of Jiminy Cricket, and is heard over the opening credits and in the final scene of the film. fact_3 : Clifton Avon Edwards (June 14, 1895 July 17, 1971) known as "Ukulele Ike" was an American singer, actor and voice actor who enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes. fact_4 : He also did voices for animated cartoons later in his career, and is best known as the voice of Jiminy Cricket in Walt Disney's "Pinocchio" (1940) and Fun and Fancy Free (1947). Question: Who is the American singer, actor, and voice actor who originally sung the song "When You Wish Upon a Star" and did the voice for Jiminy Cricket in Walt Disney's "Pinocchio"?
A:
Cliff Edwards