In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

[Q]: In 1942, 10-year-old Sarah Starzynski (Melusine Mayance) hides her younger brother from French police by locking him in a secret closet and telling him to stay there until she returns. She takes the key with her when she and her parents are transported to the Velodrome d'Hiver, where they are held in inhuman conditions by the Paris Police and French Secret Service.The deportees are transferred to the French-run Beaune-la-Rolande internment camp. The adults are deported to the Auschwitz concentration camp, leaving the children in the camp. When Sarah tries to escape with a friend, Rachel, a sympathetic Paris police guard spots them. When Sarah begs him to let them go so she can save her brother, he hesitates then lifts the barbed wire to let them out.Sarah and Rachel fall asleep in a dog house at a farm where they are discovered by the farmers, Jules and Genevieve Dufaure. Despite knowing who they are and the associated danger, the Dufaures decide to help the girls. Rachel is dying, and when they call attention to themselves by calling in a doctor, a skeptical German officer asks them if they know anything about a second Jewish child. The officer begins a search for the second child, only to be interrupted when the French physician carries out the dead body of Rachel. Days later, the Dufaures take Sarah back to her family's apartment building in Paris. Sarah runs up to her apartment, knocking on the door furiously. A boy, 12 years old, answers. She rushes in to her old room and unlocks the cupboard. Horrified by what she finds, she starts screaming hysterically.After the war, Sarah continues to live as a family member with the Dufaures and their two grandsons. When she turns 18, she moves to the United States, hoping to put everything that happened behind her. She stops corresponding with the Dufaures when she gets married and has a son, William. When her son is nine, Sarah still despondent and blaming herself for her brother's death - drives her car into the path of an oncoming truck. It's explained to her son that her death was an accident.In the present, the French husband of journalist Julia (Kristin Scott Thomas) inherits the apartment of his grandparents (his elderly father was the boy who opened the door to Sarah in August 1942). Having previously done an article on the Vel' d'Hiv Roundup, Julia finds her interest piqued when she learns that the apartment came into her husband's family at about the time of the Roundup and she begins to investigate what happened nearly 70 years earlier. Her father-in-law tells Julia what he knows so she will quit prying.Julia begins an obsessive quest to find any trace of Sarah, eventually learning of her life in Brooklyn and finally locating William in Italy. She meets with him and asks him for information about his mother, but learns to her surprise that William does not know his mother's history or even that she was a Jew, believing only that she had been a French farm girl. Listening in amazement, William rejects the story and dismisses Julia. Later, everything is confirmed to William by his dying father, Richard, including Sarah's suicide. He gives William Sarah's journals and notes, telling him Sarah immediately had William baptized right after his birth, fearing that "being Jewish" was a threat to him and explaining that "...we're all a product of our history." The key to the cupboard is among the items handed to him by his father.Julia, having given up hope of having another child after years of unsuccessful attempts to conceive, discovers she's pregnant. Her husband loves their life with their 12-year-old daughter, Zoe, as it is and does not want to have another child at this point in life. Julia ultimately decides against an abortion, has another daughter, divorces her husband and eventually moves with her new baby daughter to New York City.Two years later, William, having contacted Julia, meets her for a late lunch in a restaurant favored by Sarah and gives her additional information about his mother that the Dafaures had. Julia is amazed and happy for him, and has brought her young daughter along to the meeting. William breaks into tears when Julia tells him her daughter's name is Sarah. Julia comforts him as they both look at little Sarah.
[A]: Where did sarah and her parents transported?

[Q]: The film opens on a woodcutter (; Kikori, played by Takashi Shimura) and a priest (; Tabi Hoshi, Minoru Chiaki) sitting beneath the Rajomon city gate to stay dry in a downpour. A commoner (Kichijiro Ueda) joins them and they tell him that they have witnessed a disturbing story, which they then begin recounting to him. The woodcutter claims he found the body of a murdered samurai three days earlier while looking for wood in the forest; upon discovering the body, he says, he fled in a panic to notify the authorities. The priest says that he saw the samurai with his wife traveling the same day the murder happened. Both men were then summoned to testify in court, where they met the captured bandit Tajomaru (), who claimed responsibility for killing the samurai and raping his wife.The bandit's story[edit]Tajomaru (Toshiro Mifune), a notorious brigand, claims that he tricked the samurai to step off the mountain trail with him and look at a cache of ancient swords he discovered. In the grove he tied the samurai to a tree, then brought the samurai's wife there. She initially tried to defend herself with a dagger, but was eventually "seduced" by the bandit. The woman, filled with shame, then begged him to duel to the death with her husband, to save her from the guilt and shame of having two men know her dishonor. Tajomaru honorably set the samurai free and dueled with him. In Tajomaru's recollection they fought skillfully and fiercely, but in the end Tajomaru was the victor and the woman ran away. At the end of the story to the court, he is asked about an expensive dagger owned by the samurai's wife: he says that, in the confusion, he forgot all about it, and that it was foolish of him to leave behind such a valuable object.The wife's story[edit]The samurai's wife (Machiko Kyo) tells a different story to the court. She says that Tajomaru left after raping her. She begged her husband to forgive her, but he simply looked at her coldly. She then freed him and begged him to kill her so that she would be at peace. He continued to stare at her with a look of loathing. His expression disturbed her so much that she fainted with dagger in hand. She awoke to find her husband dead with the dagger in his chest. She attempted to kill herself, but failed in all her efforts.The samurai's story[edit]The court then hears the story of the deceased samurai (Masayuki Mori), told through a medium (; miko, Noriko Honma). The samurai claims that Tajomaru, after raping his wife, asked her to travel with him. She accepted and asked Tajomaru to kill her husband so that she would not feel the guilt of belonging to two men. Tajomaru, shocked by this request, grabbed her, and gave the samurai a choice of letting the woman go or killing her. "For these words alone," the dead samurai recounted, "I was ready to pardon his crime." The woman fled, and Tajomaru, after attempting to recapture her, gave up and set the samurai free. The samurai then killed himself with his wife's dagger. Later, somebody removed the dagger from his chest.The woodcutter's story[edit]Back at Rashomon gate (after the trial), the woodcutter explains to the commoner that all three stories were falsehoods. The woodcutter had actually witnessed the rape and murder, he says, but just did not want to get too involved at the trial. According to the woodcutter's new story, Tajomaru begged the samurai's wife to marry him, but the woman instead freed her husband. The husband was initially unwilling to fight Tajomaru, saying he would not risk his life for a spoiled woman, but the woman then criticized both him and Tajomaru, saying they were not real men and that a real man would fight for a woman's love. She spurred the men to fight one another, but then hid her face in fear once they raised swords; the men, too, were visibly fearful as they began fighting. They began a duel that was much more pitiful than Tajomaru's account had made it sound, and Tajomaru ultimately won through a stroke of luck. After some hesitation he killed the samurai, who begged for his life on the ground, and the woman fled in horror. Tajomaru could not catch her, but took the samurai's sword and left the scene limping.Climax[edit]At the gate, the woodcutter, priest, and commoner are interrupted from their discussion of the woodcutter's account by the sound of a crying baby. They find the baby abandoned in a basket, and the commoner takes a kimono and an amulet that have been left for the baby. The woodcutter reproaches the commoner for stealing from the abandoned baby, but the commoner chastises him. Having deduced that the reason the woodcutter did not speak up at the trial was because he was the one who stole the dagger from the scene of the murder, the commoner mocks him as "a bandit calling another a bandit". The commoner leaves Rashomon, claiming that all men are motivated only by self-interest.These deceptions and lies shake the priest's faith in humanity. He is brought back to his senses when the woodcutter reaches for the baby in the priest's arms. The priest is suspicious at first, but the woodcutter explains that he intends to take care of the baby along with his own children, of whom he already has six. This simple revelation recasts the woodcutter's story and the subsequent theft of the dagger in a new light. The priest gives the baby to the woodcutter, saying that the woodcutter has given him reason to continue having hope in humanity. The film closes on the woodcutter, walking home with the baby. The rain has stopped and the clouds have opened revealing the sun in contrast to the beginning where it was overcast.
[A]: Who was the woodcutter talking to?

[Q]: The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Gunther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state.
[A]:
Are these pleasant times?