In one sentence, describe what the following article is about: Try glamming up your look at night by wearing more of it and wearing bolder colors. Or, have fun makeover parties with friends (or by yourself) where you try out bolder and more vivid colors that you might be too timid to wear during the day. All-over foundation can look very caked-on and unnatural in the sun's harsh light. At night, under artificial lights, you can feel a little more free to apply foundation all over for more complete coverage. Apply it the same as you would concealer or BB cream. Dab it all over your face, and blend it gently with your fingers or a blending sponge. If you put on too much at this point, don't worry. Just wash your face and start again. Highlight your face by applying a highlighting powder on the areas of your face that light from above would naturally illuminateyour forehead, your nose, the tops of your cheekbones, and your chin. To [Apply Contour Makeup|Contour]], on the other hand, apply dark makeup under your cheekbones or jawline to create shadows that add definition to these areas. It takes some practice to get really good at highlighting and contouring, but once you have it down, you will be able to create some dramatic looks. Instead of the neutral and nude eyeshadows that you'd use for a natural look, try out some bright colors or sparkly shadows. Try out some bright blues, purples, or even rainbow-colored. Or, apply a glittery shadow to your eyelid for a really fun look. Use a dark eyeliner pencil to make your eyes really stand out. To apply basic eyeliner, draw a line from the inner part of your top eyelid, just above your lashes, all the way to the outer edge of your eye. You can stop there, or you can apply it to your lower lid as well, just below the lashes. Or, practice creating a dramatic look like a cat's eye style or winged style. Instead of your clear lip gloss, experiment with bold and dark colors. Try on some reds, purples, or even bolder shades like black or orange.
Summary: Wear bolder-looking makeup for parties, dates, or just for fun around the house. Apply foundation all over your face to mask any problem areas and even out color. Experiment with highlighting and contouring. Make your eyes pop with a bright-colored eyeshadow. Create show-stopping eyes with dark eyeliner. Be bold with a deep-colored lipstick.

In one sentence, describe what the following article is about: This will give you an opportunity to hear how it sounds. You can make changes based on what you hear as well as what you read. Allow a little time to go by after you've written the dialogue to read it, otherwise your brain will fill in what you were going for rather than what is actually on the page. Have a trusted friend or family member go over your dialogue. A fresh pair of eyes can tell you whether your dialogue is natural sounding, or needs work. There is nothing more irritating to a reader (including and especially, publishers and agents) than punctuation that is being abused, especially in dialogue. There should be a comma after the end of the dialogue and the closing quotation mark. For example: "Hello. I'm Jane," said Jane. If you add action to the middle of a piece of dialogue, you'll either capitalize the second half of the dialogue, or not. For example: "I can't believe he killed my father," Jane said, her eyes filling with tears. "It's just not like him." or "I can't believe he killed my father," Jane said, her eyes filling with tears, "since it's just not like him." If there's no said, only an action, then there's a period in place of a comma in the closing quotation mark. For example: "Goodbye, Aunt Agatha." Jane slammed the phone down. Sometimes, less dialogue is more. When people talk, they are not overly verbose. They say things in short, simple ways and you'll want to reflect that in your dialogue. For example, instead of "I cannot believe that after all these many years, it was Uncle Red that put the poison in my father's evening cocktail and murdered him," said Jane, you might say "I can't believe Uncle Red poisoned my father!" Each character should have her own sound and voice, but too much of an accent or a drawl will become annoying or even offensive to readers. Also, using a dialect you aren't familiar with can end up employing stereotypes and being incredibly offensive to the natural speakers of the dialect. Establish where characters come from in other ways. For example, use regional terms such as "soda" versus "pop" to establish geography. Make sure if you're writing a character from a specific geographic area (like England or America) that you use the appropriate slang and terminology (pants in England, underwear in America, for example).
Summary:
Read your dialogue out loud. Punctuate your speech correctly. Cut out any unnecessary words or phrases. Use dialect carefully.