Question:
Molitor was born in Saint Paul, Minnesota. After graduating from Cretin High School, he was selected in the 28th round of the 1974 free agent draft as a pitcher by the St. Louis Cardinals, but opted instead to attend college at the University of Minnesota. He was a three-year starter for the Golden Gophers, earning All American honors as a shortstop for his sophomore and junior years. Between his junior and senior seasons, Molitor suffered a broken jaw.
Molitor began as a shortstop, then moved to second base when Robin Yount returned from a brief injury. He made his MLB debut in 1978, playing in 125 games and hitting .273 with 6 home runs, 45 RBIs and 30 stolen bases. In 1981, he spent time at center field and right field to avoid the injuries associated with infield play. Molitor was moved to third base before the 1982 season. Molitor was part of a young Milwaukee Brewers team that lost the 1982 World Series in seven games to the St. Louis Cardinals. Molitor batted .355 during the series. In Game 1, he had five hits, a World Series record. During the 1982 season, he hit .302 and led the American League (AL) with 136 runs scored. On May 12, he hit three home runs against the Royals in a 9-7 loss. Molitor struggled with injuries for much of his early career, being placed on the disabled list six times between 1980 and 1986. In 1984, Molitor struggled with elbow problems, played in only 13 games and ultimately underwent surgery in an attempt to salvage his career. He played in 140 games in 1985, hitting .297 with 10 home runs and 48 RBIs. He followed that with a .281 average, 9 home runs and 55 RBI in 1986. That year he suffered a hamstring injury, returned for a few days, then reinjured it. He played in 105 games that season. Molitor attracted national media attention in 1987 during his 39-game hitting streak. Near the end of the streak, columnist Mike Downey wrote that "the amazing thing about Paul Molitor's recent bat-o-rama is not that he has hit in 33 straight games but that he has played in 33 straight games." The streak ended with Molitor in the on-deck circle when Rick Manning got a game-ending hit to beat the Cleveland Indians on August 26, 1987. Fans booed Manning for driving in the winning run and thus depriving Molitor of one last chance to reach 40 games. The streak stands as the fifth-longest in modern-day baseball history, and remains the longest since Pete Rose's 44-game hit streak in 1978.
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How did he perform for the Brewers?

Answer:
Molitor batted .355 during the series. In Game 1, he had five hits, a World Series record.

Question:
The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.
In Icons of Rock: An Encyclopedia of the Legends Who Changed Music Forever, Scott Schinder and Andy Schwartz describe the Beatles' musical evolution: In their initial incarnation as cheerful, wisecracking moptops, the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts. Their initial impact would have been enough to establish the Beatles as one of their era's most influential cultural forces, but they didn't stop there. Although their initial style was a highly original, irresistibly catchy synthesis of early American rock and roll and R&B, the Beatles spent the rest of the 1960s expanding rock's stylistic frontiers, consistently staking out new musical territory on each release. The band's increasingly sophisticated experimentation encompassed a variety of genres, including folk-rock, country, psychedelia, and baroque pop, without sacrificing the effortless mass appeal of their early work. In The Beatles as Musicians, Walter Everett describes Lennon and McCartney's contrasting motivations and approaches to composition: "McCartney may be said to have constantly developed - as a means to entertain - a focused musical talent with an ear for counterpoint and other aspects of craft in the demonstration of a universally agreed-upon common language that he did much to enrich. Conversely, Lennon's mature music is best appreciated as the daring product of a largely unconscious, searching but undisciplined artistic sensibility." Ian MacDonald describes McCartney as "a natural melodist - a creator of tunes capable of existing apart from their harmony". His melody lines are characterised as primarily "vertical", employing wide, consonant intervals which express his "extrovert energy and optimism". Conversely, Lennon's "sedentary, ironic personality" is reflected in a "horizontal" approach featuring minimal, dissonant intervals and repetitive melodies which rely on their harmonic accompaniment for interest: "Basically a realist, he instinctively kept his melodies close to the rhythms and cadences of speech, colouring his lyrics with bluesy tone and harmony rather than creating tunes that made striking shapes of their own." MacDonald praises Harrison's lead guitar work for the role his "characterful lines and textural colourings" play in supporting Lennon and McCartney's parts, and describes Starr as "the father of modern pop/rock drumming".
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Are there any other interesting aspects about this article?

Answer:
the Fab Four revolutionised the sound, style, and attitude of popular music and opened rock and roll's doors to a tidal wave of British rock acts.