Problem: Given the question: What are the names of Maria's three sisters? Answer the above question based on the context below: Upon receiving a key from her Uncle Max, Cabella travels to Italy where she discovers the key is related to a house named Cabella near a village. While traveling she stops near a waterfall to swim and loses the key, but a mysterious man returns the key. She then travels to the village, finds the house, and uses the key to open it. The next day she goes to the market where the mysterious man works and learns from his cousin Maria that his name is Leo and he is deaf and mute. Maria and Cabella become friends and Maria introduces her sisters Sophia and Giulia. Later that evening Maria tells Cabella that she has a crush on Lord Jai, a rich man from India that attended a boarding school. That night, Cabella has a conversation with a spirit named Angelo and has strange dreams about her mother. The next morning, Cabella finds a basket with goods such as eggs and apples sent by Leo. Maria then takes Cabella to her sister Ambrosia's funeral because she died from a heart attack. That night Angelo visits her and confesses that she must go to the cemetery to learn more information. At the cemetery, she meets Senior Bronzini, who, according to rumors, had a relationship with a nun when he was younger. Cabella decides to leave flowers for Chiara, a woman buried next to Ambrosia who has no flowers.
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The answer is:
Sophia

Problem: Given the question: What was the full name of the person Dylan played Sad-Eyed Lady of the Lowlands for shortly after recording it? Answer the above question based on the context below: "Sad Eyed Lady of the Lowlands"Written in the CBS recording studio in Nashville over the space of eight hours on the night of February 1516, "Sad Eyed Lady" eventually occupied the whole of side four of Blonde On Blonde. Critics have observed that "Lowlands" hints at "Lownds", and Dylan biographer Robert Shelton wrote that this was a "wedding song" for Sara Lownds, whom Dylan had married just three months earlier. In his paean to his wife, "Sara", written in 1975, Dylan amends history slightly to claim that he stayed "up for days in the Chelsea Hotel/ Writin' 'Sad-Eyed Lady of the Lowlands' for you".When Dylan played Shelton the song, shortly after recording it, he claimed, "This is the best song I've ever written." Around the same time, Dylan enthused to journalist Jules Siegel, "Just listen to that! That's old-time religious carnival music!" However, in 1969, Dylan confessed to Rolling Stone's editor, Jann Wenner, "I just sat down at a table and started writing ... And I just got carried away with the whole thing ... I just started writing and I couldn't stop. After a period of time, I forgot what it was all about, and I started trying to get back to the beginning [laughs]."Heard by some listeners as a hymn to an other-worldly woman, for Shelton "her travails seem beyond endurance, yet she radiates an inner strength, an ability to be reborn. This is Dylan at his most romantic." Wilentz comments that Dylan's writing had shifted from the days when he asked questions and supplied answers. Like the verses of William Blake's "Tyger", Dylan asks a series of questions about the "Sad Eyed Lady" but never supplies any answers.
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The answer is:
Robert Shelton

Problem: Given the question: What is the last name of the person who claims "I have always found inspiration in the calm beauty of Scotland"? Answer the above question based on the context below: Paul McCartney said he came up with the title "The Long and Winding Road" during one of his first visits to his property High Park Farm, near Campbeltown in Scotland, which he purchased in June 1966. The phrase was inspired by the sight of a road "stretching up into the hills" in the remote Highlands surroundings of lochs and distant mountains. He wrote the song at his farm in 1968, inspired by the growing tension among the Beatles. Based on other comments McCartney has made, author Howard Sounes writes, the lyrics can be seen as McCartney expressing his anguish at the direction of his personal life, as well as a nostalgic look back at the Beatles' history. McCartney recalled: "I just sat down at my piano in Scotland, started playing and came up with that song, imagining it was going to be done by someone like Ray Charles. I have always found inspiration in the calm beauty of Scotland and again it proved the place where I found inspiration."Once back in London, McCartney recorded a demo version of "The Long and Winding Road" during one of the recording sessions for The Beatles. Later, he offered the song to Tom Jones on the condition that the singer release it as his next single. In Jones' recollection, he was forced to turn it down since his record company were about to issue "Without Love" as a single.The song takes the form of a piano-based ballad, with conventional chord changes. McCartney described the chords as "slightly jazzy" and in keeping with Charles' style. The song's home key is E-flat major but it also uses the relative C minor. Lyrically, it is a sad and melancholic song, with an evocation of an as-yet unrequited, though apparently inevitable, love. In an interview in 1994, McCartney described the lyric more obliquely: "It's rather a sad song. I like writing sad songs, it's a good bag to get into because you can actually acknowledge some deeper feelings of your own and put them in it. It's a good vehicle, it saves having to go to a psychiatrist."The opening theme is repeated throughout. The...
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The answer is:
McCartney