Some context: Joseph Arthur (born September 28, 1971) is an American singer-songwriter and artist from Akron, Ohio, United States. He is best known for his solo material, and as a member of Fistful of Mercy and RNDM. Combining poetic lyrics with a layered sonic palette, Arthur has built his reputation over the years through critically acclaimed releases and constant touring; his unique solo live performances often incorporate the use of a number of distortion and loop pedals, and his shows are recorded live at the soundboard and made available to concertgoers immediately following the show on recordable media. Arthur was discovered by Peter Gabriel in the mid-1990s, and signed to Gabriel's Real World label as the first North American artist on the label's roster.
Arthur signed a new recording contract with Vector Recordings and began recording his fourth studio album, Our Shadows Will Remain across New Orleans, New York City, London, and Prague. The album was released in September 2004, and was Arthur's first album to feature string arrangements, provided by the City of Prague Philharmonic. The album was released to widespread critical acclaim; Allmusic's Thom Jurek awarded the album 4.5 out of 5 stars, praising that, "Arthur is in a class of his own and Our Shadows Will Remain is a monstrous, memorable outing, his finest moment in a career that is thus far full of them." Entertainment Weekly gave the album an A rating, hailing the album as "especially forceful and cohesive"; The Guardian hailed that Joseph "might just be a genuine mad genius"; Stylus Magazine gave the album an A- rating; and Chris Rubin of Rolling Stone named Our Shadows Will Remain as the number 1 album of the year 2004 in the year-end critics' pick list. Arthur toured the US alone and with Joan Wasser to promote the album, and a new EP called And the Thieves Are Gone, which collected unreleased tracks from the Shadows recording sessions, came out in December. Shortly afterward, Arthur went on a brief tour of Europe with R.E.M.. Our Shadows Will Remain was picked up by 14th Floor Records for distribution in the United Kingdom in 2005, which yielded the release of four singles: "Can't Exist" in July, "Even Tho" in September, "Devil's Broom" in February 2006 to coincide with his first headlining appearance at London's Shepherds Bush Empire, and a reissue of "Can't Exist" in May 2006, although none of the singles charted on the UK Singles Chart. In August 2006, Joseph was invited to help launch the project A River Blue, where a group of young people in northern Uganda were brought together to participate in a music, drama, and art festival. Joseph also recorded the song "A River Blue" for the foundation.
What was Our Shadows Will Remain an single or album name?
A: fourth studio album, Our Shadows Will Remain
Some context: Godflesh are an English industrial metal band from Birmingham. They were formed in 1988 by Justin Broadrick (guitar, vocals and programming) and G. C. Green (bass). Melding heavy metal with industrial music and later with electronic music and dub, Godflesh's innovative music is widely regarded as a foundational influence on other industrial metal and post-metal acts. Signing to Earache Records in the late 1980s, the band released their influential debut album, Streetcleaner (1989), to critical acclaim.
After a year of minimal activity in 1993, Godflesh briefly found themselves with major record label Columbia for the release of the EP Merciless in 1994, the title track of which was originally a Fall of Because song. Later that same year, the band released their third album, Selfless, representing a shift in the group to a more high-end production approach and to a bigger focus on traditional heavy metal riffs. Despite being the band's best-selling record with approximately 180,000 copies sold, Selfless was deemed commercial disappointment, leading to the end of Godflesh's collaboration with Columbia. Feeling abandoned after being abruptly dropped by Columbia, Godflesh was briefly directionless in 1995. In 1996, the band returned to Earache and released their fourth studio album, Songs of Love and Hate, which marked Godflesh's first music made with a human drummer since the early Fall of Because days. Bryan Mantia of Praxis provided the aggressive, non-mechanical drumming. When it came time for the album's 1996 tour, Mantia made the move to join Primus, and Godflesh brought Ted Parsons of Prong and Swans to perform on the tour in his place. Along with the album's followup remix release, Love and Hate in Dub (1997), Songs of Love and Hate moved away from Godflesh's industrial roots into experimentation with conventional verse-chorus format, hip hop, dub and drum and bass. This experimentation continued and increased with Godflesh's next album, 1999's Us and Them. While live drumming was dropped again in favor of percussive machines, Us and Them saw the group going further with electronics and drum-and-bass-oriented sound than ever before. Broadrick was quick to admit that he "hated" the album and that it was an "identity crisis". Retrospectively, though, he revised his thoughts, saying that his hatred was overstated despite him still having issues with the album. Shortly after releasing Us and Them in 1999, Godflesh began work on a proposed remix album, Us and Them in Dub. While this album was never released, two tracks from it appear on the 2001 compilation In All Languages. Also in 1999, Life Is Easy, an album compiling Godflesh's recordings as Fall of Because, was released on the Alleysweeper label and distributed via Martin Atkins' Invisible Records label.
What else is happening in this article?
A:
in 1999, Life Is Easy, an album compiling Godflesh's recordings as Fall of Because, was released on the Alleysweeper label