In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Ruth Elias was a Jewish woman who was born Ruth Huppert in Moravian Ostrava on 6 October 1922. After the German annexation of Czechoslovakia, she was sent to the Theresienstadt ghetto and then Auschwitz concentration camp where she survived experimentation by Dr Mengele. She subsequently went to Israel where she wrote a memoir, "Triumph of Hope". Context_2 : Ludek "Ludo" Miklosko (born 9 December 1961 in Prostejov) is a Czech retired football goalkeeper. Starting his career in his native Czechoslovakia, he played over 200 games for Banik Ostrava before moving to England where he played over 300 games for West Ham United. He later played for Queens Park Rangers where he was also goalkeeping coach; a role he later held with West Ham United. He played 40 games for Czechoslovakia and two games for the Czech Republic. Context_3 : The Runciman Report was issued at the conclusion of Lord Runciman's Mission to Czechoslovakia in September 1938. The purpose of the Mission was to mediate in a dispute between the Government of Czechoslovakia and the Sudeten German Party (SdP), representing German separatists within Czechoslovakia (in the so-called "Sudetenland"), which was threatening to plunge Europe into war. The report, published in the form of letters addressed to the British Prime Minister, Neville Chamberlain and the Czechoslovak President, Edvard Benes, on 21 September 1938, recommended the cession of the territory concerned to Nazi Germany, thus paving the way for the Munich Agreement of 30 September 1938. Context_4 : Karl Emil Oskar Beier (* 29 November 1893, Setzdorf; 12 May 1985, Fulda) was a German Nazi politician and SS-Sturmbannfuhrer (Major) during the German occupation of Czechoslovakia (19381945). From 1940 to 1945, he was the mayor of Ostrava, Czechoslovakia. Context_5 : Ota Filip (born 9 May 1930 in Slezska Ostrava, in the present-day Czech Republic), is a Czech novelist and journalist. He has written in both German and Czech. His novels have also been translated into French, Italian, Spanish and Polish. During the communist era government of Czechoslovakia his works were banned or censored by the authorities, and after the occupation of Czechoslovakia by the Warsaw Pact Armed Forces in 1968, he was sentenced for his dissident activities, and incarcerated between 1969-1971. This has been cited as the reason that he moved to Germany in 1974. Context_6 : Sudetendeutsches Freikorps (Sudeten German Free Corps, also known as the Freikorps Sudetenland, Freikorps Henlein and Sudetendeutsche Legion) was a paramilitary Nazi organization founded on 17 September 1938 in Germany on direct order of Adolf Hitler. The organization was composed mainly of ethnic German citizens of Czechoslovakia with pro-Nazi sympathies who were sheltered, trained and equipped by German authorities and who were conducting cross border terrorist operations into Czechoslovak territory from 1938 to 1939. They played an important part in Hitler's successful effort to occupy Czechoslovakia and annex the region known as Sudetenland into the Third Reich under Nazi Germany. Context_7 : Emanuel Chobot (] ; 1 January 1881 in Orowa 7 June 1944 in Moravska Ostrava) was a Polish trade union activist and politician from the region of Zaolzie, Czechoslovakia. He was the chairman of the Polish Socialist Workers Party, the social democratic party active amongst the Polish minority in interbellum Czechoslovakia. He was also the Director-General of the Consumers Association 'Gec' in Moravska Ostrava. Context_8 : The Munich Agreement was a settlement permitting Nazi Germany's annexation of portions of Czechoslovakia along the country's borders mainly inhabited by German speakers, for which a new territorial designation "Sudetenland" was coined. The agreement was signed in the early hours of 30 September 1938 (but dated 29 September) after being negotiated at a conference held in Munich, Germany, among the major powers of Europe, excluding the Soviet Union. Today, it is widely regarded as a failed act of appeasement toward Germany. The purpose of the conference was to discuss the future of the Sudetenland in the face of ethnic demands made by Adolf Hitler. The agreement was signed by Germany, France, the United Kingdom and Italy. Sudetenland was of immense strategic importance to Czechoslovakia, as most of its border defenses, and banks were situated there, as well as heavy industrial districts. Part of the borderland was occupied and annexed by Poland. Context_9 : The Reichsgau Sudetenland was an administrative division of Nazi Germany from 1939 to 1945. It comprised the northern part of the "Sudetenland" territory, which was annexed from Czechoslovakia according to the 1938 Munich Agreement. The "Reichsgau" was headed by the Sudeten German activist Konrad Henlein in the rank of a "Reichsstatthalter". The administrative capital was Reichenberg (Liberec). Context_10 : The German occupation of Czechoslovakia (19381945) began with the German annexation of Czechoslovakia's northern and western border regions, formerly being part of German-Austria known collectively as the Sudetenland, under terms outlined by the Munich Agreement. German leader Adolf Hitler's pretext for this action was the alleged privations suffered by the ethnic German population living in those regions. New and extensive Czechoslovak border fortifications were also located in the same area. fact_1 : Karl Emil Oskar Beier (* 29 November 1893, Setzdorf; 12 May 1985, Fulda) was a German Nazi politician and SS-Sturmbannfuhrer (Major) during the German occupation of Czechoslovakia (19381945). fact_2 : From 1940 to 1945, he was the mayor of Ostrava, Czechoslovakia. fact_3 : The German occupation of Czechoslovakia (19381945) began with the German annexation of Czechoslovakia's northern and western border regions, formerly being part of German-Austria known collectively as the Sudetenland, under terms outlined by the Munich Agreement. Question: During the last five years of the annexation of Czechoslovakia's Sudetenland, German Nazi politician and SS-Sturmbannfuhrer (Major) also held this office in Ostrava, Czechoslovakia.
A:
mayor