instruction:
In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
question:
stars : armand assante ( mike hammer ) , barbara carrera ( dr . charlotte bennett ) , laurene landon ( velda ) , alan king ( charles kalecki ) , geoffrey lewis ( joe butler ) , paul sorvino ( detective pat chambers ) , judson scott ( charles hendricks ) , barry snider ( romero ) , julia barr ( norma childs ) / mpaa rating :
r / review : in the 1982 updating of mickey spillane 's 1947 novel " i , the jury , " hard - boiled detective mike hammer is a vietnam vet who drives a shiny bronze trans am , dresses like don johnson in " miami vice " with less pastels , and has sworn off alcohol .
however , he still smokes his lucky strikes , detests all forms of authority , and kills at a whim .
beyond that , the updated film retains little or no resemblance to the original pulpy page - turner by spillane , probably the most infamous and often reviled of all mystery writers .
the movie starts off with a bang : a howler of an opening credits sequence that is a cheap steal from the james bond series , complete with cheesy graphics and an overbearing jazz score by bill conti ( " rocky " ) .
after that , the movie and the book begin the same , with the murder of jack williams ( frederick downs ) , a one - armed detective and hammer 's best friend .
hammer declares that he will seek vengeance for jack 's death , and with the help of his devoted secretary , the blond and shapely velda ( laurene landon ) , and the alternately friendly / antagonistic police chief pat chambers ( paul sorvino ) , he is immediately on the killer 's trail .
here the movie splits completely from the book , and dives into a convoluted and improbable tale of government conspiracy and mind control tactics involving the mafia , the cia , one of hammer 's vietnam vet buddies , and a kinky sex clinic .
many of the same characters from the book appear in the movie , but they take on slightly different roles .
for instance , charles kalecki ( alan king ) , a numbers runner and narcotics dealer in the book , turns into a suave mob boss .
and , more importantly , hammer 's suspicious love interest , charlotte bennett ( barbara carrera ) , morphs from a run - of - the - mill psychiatrist into the coordinator and founder of the sex clinic .
"
i , the jury " is one of several cinematic renditions of spillane 's books ( including a 1953 version which was made in 3-d ) , but this film differs from those earlier versions in one major way :
it includes all of the sex and violence spillane wrote about that could never be given screen treatment due to hollywood 's production code .
although this takes the 1982 version of " i , the jury " closer to the core of the original subject matter , it is in this aspect that the film received the most criticism , because it took this new license to extremes that many argued surpassed what was in the book .
rest assured , the movie not only includes a great deal of nudity , but it is thoroughly violent , especially toward women .
it features one woman having her neck slashed , a set of twins forced to strip before being stabbed to death by a psychotic sexual deviant programmed by the cia ( judson scott ) , and another woman shot point - blank in the belly by hammer himself .
no one would deny that spillane 's writing has a definite misogynistic nature , but the movie seems to take it a step further by giving it such glorious screen treatment ; its constant equation of sex and violence , much of which is played with the intention of being erotic , is quite unsettling .
it 's no surprise that the movie , like the book , fades to black with a dead woman on the floor .
"
i , the jury " had a troubled production and was not well - supported by the studio that made it , which is one explanation why it did n't do well in theaters and many people have forgotten that it was ever made .
the script was written by larry cohen , who is best known for his creatively cheesy but nonetheless effective monster movies , like " it 's alive " ( 1974 ) and its two sequels , " q " ( 1981 ) , and " the stuff " ( 1985 ) .
cohen wrote the script thinking he was going to helm the project as well , but he was yanked from the director 's chair after only a week 's worth of shooting because he was already $ 100 , 000 over budget .
he was quickly replaced by richard t. heffron , who has worked for the last three decades on a handful of undistinguished movies and dozens of television projects .
heffron was obviously brought in not for his talent , but because he could make the movie rapidly and efficiently .
it shows in the final product .
cohen had personal interest in the updated version of hammer , but heffron has none .
he shot the movie quickly and clumsily , and although some scenes ring true , most of them are flat , trite , and invariably dull .
the movie features numerous car chases , shoot - outs , and stunts , but heffron 's background in television is the dominant tone ; despite the graphic violence and full - frontal nudity , " i , the jury , " takes on the air of a made - for - tv quickie , with no real punch or depth . but the problems in " i , the jury " run deeper than the technical .
the central fault in this updating is mike hammer , whose character was lost in the shuffle while updating from the fifties to the eighties .
because spillane wrote all his hammer mysteries in the first person , hammer 's character is central to the tale because all the events are filtered through his persona .
we never really get that impression in the movie -- there is no first - person voice - over narration and some scenes do n't have hammer in them at all .
consequently , a great deal of the texture of spillane 's storytelling is lost .
the period updating turns out to be a detrimentally bad idea because much of hammer 's moral code is thrown to the wind .
despite his characterization as a hard - nosed , violent , misogynistic killer , hammer always stuck fervently to his own moral code .
the title itself , " i , the jury , " refers to his anti - establishment notion of being his own law .
unlike private eyes who seek out the bad guys and then turn them over the police
, hammer both pursues the criminal and exacts the punishment .
in this way , he can be seen as " above the law , " but he still adheres strictly to her own personal code of conduct , his own morality .
the movie forgoes that aspect of his character , and hammer comes off not only as amoral in society 's terms , but in any terms , especially his own .
if anything , hammer always had his professionalism , but the movie does away with that in the first three minutes by showing him rolling in the sack with the wife of a client who had paid him to find out if that wife was being unfaithful .
maybe the scene was intended for laughs , but it only cheapens hammer 's character and is , by all accounts , a lousy way to start the movie .
the blame for hammer 's character ca n't be laid on assante 's shoulders , because despite some unnecessary marlon brandon - like mumbling , he delivers a fine performance .
spillane never once described hammer 's physical attributes in any
of the dozen books in which he appeared
, so any actor could conceivably portray him .
of course , because of the lack of written description , those who have read spillane 's books will have a strong personal notion of what hammer looks like , and therefore almost any screen incarnation will somehow fall short of expectations ( spillane , who played the character himself in 1963 's
" the girl hunters , " is generally considered the best of the film hammers ) .
the rest of actors are most un - noteworthy .
with the exceptions of alan king and paul sorvino , everyone who appeared in " i , the jury " were up - and - comers who basically went nowhere .
many of them ended up working in television ( like carrera , who had a short stint on " dallas " in the mid - eighties ) , which only adds to the made - for - tv atmosphere of the film .
maybe someday , someone will manage to get the right elements together and make an effective film rendition of a spillane book , but this is certainly not it .
answer:
N

question:
"
an intimate , character - driven drama about a troubled youth at a crossroads in his life , " read the press notes for _
reach_the_rock
_ .
i 'm not really sure what film that statement is describing because those words bear little resemblance to the slow , completely uninvolving bore i saw --
at least , it certainly does not describe what goes on for most of the film .
alessandro nivola plays robin fleming , a troubled , directionless 21-year - old who has a penchant for breaking storefront windows in a small town .
police sergeant phil quinn ( william sadler ) takes him in , and what ensues for the first 70 minutes is a tedious series of sneak - outs and sneak - ins where robin slips out of his jail cell , breaks a window , then returns , all without quinn ever noticing .
also added to the pointless proceedings is some would - be humorous shenanigans involving quinn 's dimwitted deputy ernie attempting to engage in clandestine patrol car sex with his girlfriend donna ( karen sillas ) .
with a half hour ( if even that long ) remaining , director william ryan and writer john hughes ( yes , john hughes of ' 80s youth films
and _ home_alone _ ) finally approach something close to a point .
turns out robin still pines for his high school sweetheart lise ( brooke langton ) , who has long gone on with her life , and hughes 's main concern at long last reveals itself as a tired " live in the present and for the future " message .
most moviegoers , however , will likely be asleep by that time .
wide awake , however , is the cast , who individually tackle their showcase dramatic scenes with energy and skill -- thus revealing the _ real _ purpose behind
this listless enterprise : to serve as a series of acting exercises .
such a glorified workshop may have its rewards for the actors , but it leaves audiences with a booby prize .
( opens october 16 )
answer:
N

question:
lisa cholodenko 's " high art ,
" is an intelligent , quiet drama .
its strongest quality , aside from the top - notch central performances , is the perceptive way in which the film , also written by cholodenko , observes its characters .
they are all flawed people , some more troubled than others , but they are not judged .
judging the characters in this picture would be a creative misstep on the filmmakers ' parts , because no one , no matter how bad off they are , deserve to be negatively judged if they are involved in some serious problems that they can not break free of .
syd ( radha mitchell ) , a 24-year - old woman living with her longtime boyfriend james ( gabriel mann ) , has recently been awarded an ideal job at the high - profile photography magazine , " frame .
"
she very much enjoys where her career is headed , but is often not taken very seriously by her managers , who are always giving her petty jobs to do , when she knows she could be doing more important things .
one night , while taking a bath , syd notices a leak coming from the apartment above hers , so when she goes up there to inform them of it , she meets lucy beliner ( ally sheedy ) , a thin , worn - out , and unhappy woman , who lives with her drug - addicted german girlfriend , greta ( patricia clarkson ) , a pathetic former actress who is usually so out - of - it that she often is in and out of conciousness .
syd quickly strikes up a conversation with lucy , and discovers that she used to be an acclaimed photographer ten years before .
lucy claims she does n't want to get back into the profession , but syd manages to convince the " frame " editors to do a piece on her work .
all the while , syd begins to grow deep feelings for lucy , even though she has never previously been attracted to a woman , and lucy starts a battle with her personal demons . " high art , " is such an effective motion picture because it is never suger - coated or idealized , but instead an honest and convincing portrait of a handful of unhappy people whose lives are going nowhere , while syd 's luck begins to rise .
the film in no way is about lesbianism , but about love , which was a refreshing change of pace from the usual stereotypical portraits of homosexuality .
as lucy and syd grow closer and closer together , we really do believe that they are falling in love with each other , even if the relationship might be doomed .
with this picture , ally sheedy 's star has risen once again , thanks to her touching , nearly flawless portrtayal of lucy , a woman who , in the course of a decade , has found her life consumed almost entirely by drugs , which has taken away her once - blossoming career .
her characted really is tragic , and one particular scene involving lucy and her mother , in which lucy admits to her that she has a drug problem , and her mother matter - of - factly responds by saying she ca n't help her , is heartbreaking .
although not autobiographical , sheedy has had drug problems in her past , and i suspect she brought that knowledge of already being in lucy 's footsteps to her role .
also very good is radha mitchell as syd , who previously starred in the slight 1997 australian comedy , " love and other catastrophes ,
" wh caught me by surprise with her performance .
easily being able to pass as christina ricci 's older sister , mitchell obtains the same natural charisma that has made ricci so popular recently .
as accurate as almost
every detail is in , " high art , " i wish the relationship had been more tightly written involving syd and james , who , played by gabriel mann , is left with a throwaway role .
by the time he finds out about syd and lucy , he disappears from the film , and i wish there had been another scene where they confronted each other .
this is a very minor fault , however , in a film that is full of riches .
although many of the characters are stuck in a hopeless pit of despair , syd and lucy are intelligent people who recognize their problems .
the character of dominique ( anh duong ) , the " frame " editor who decides to give syd a chance with her ideas , was also written to be far more mature than expected .
and the one sex scene in the film was beautifully and originally done .
for once , it did not invlove steaminess , or violent sexual activity , or gratuitous nudity , but focused on the actual characters , who love each other , and their insecurities involved in making the decision to actually have sex . " high art , " which won the screenwriting award at the 1998 sundance film festival , marks the superior feature film debut of cholodenko , as well as sheedy 's strongest , and best , role to date .
answer:
P