Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Soap Opera about a small town married woman (Kay Francis) who works at the local newsstand, performs as leading lady in her local playhouse, but dreams of becoming a star on Broadway. When a famous actor who is a ham, a windbag, and a womanizer to boot, arrives in town she visits him in his room with dreams of him giving her tips to stardom - he pretends his valet is his "manager" tricking her into believing she has all it takes but "experience" to become a big star. Her husband finds out and punches the guy resulting in the actor's unexpected death - which leads to a murder trial and even more unexpected: a life prison sentence for hubby. Next thing you know she's joined a traveling Burlesque show in hopes of one day making it to Broadway and making enough money to get her man's freedom - all the while her baby is sleeping in a trunk!

This film has a pretty interesting plot, well, a bit far-fetched perhaps, but very melodramatic (with tons of melodramatic music to make sure you get it) - all *greatly* enhanced by the strong, emotional performance given by Kay Francis - she just makes this film. Also helping here is the well-done acting by Minna Gombell in her role as a "getting close to forty" older lady who works the burlesque and befriends Kay. Worth seeing, especially for Kay Francis fans.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: By far the most important requirement for any film following confidence tricksters is that they must, at least occasionally, be able to pull one over on us, as well as their dumb-witted marks, the cops, the mob and (ideally) each other. But this film NEVER pulls this off. Every scam can be seen coming a mile off (especially the biggen!) Neither are they very interesting, intricate or sophisticated. Perhaps Mammet hoped to compensate for this with snappy dialogue and complex psychological relationships. If so, he failed. The lines are alright, but they're delivered in such a stilted, unnatural, stylised way that I thought perhaps some clever point was being made about us all acting all the time... but it wasn't. As for the psychological complexity, the main character's a bit repressed and makes some ridiculously forced freudian slips about her father thinking she's a whore, but she gets over it. I really liked the street scenes though. Looked just like an Edward Hopper painting.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: The romance of the movie, which is also its main theme, is good and nicely presented. However, the surrounding of the love story is too lyric, graphical and unrealistic. Even worse, the psychology of the main character is weird and incomprehensible, exactly like the end of the movie. Don't hesitate to watch this movie, if it attracted your interest, but don't expect too much of it either.
Q: What's an example of a movie review?
An example of a movie review is here: If the makers of Atlantis had something to say in this film, its theme was (literally) drowned out by the emphasis on "special effects" over characterization. Almost as if in an attempt to "keep up" with the rest of the summer action blockbusters, Disney has ditched the character-driven, movie-with-a-message approach in favor of a Star Wars "shoot-'em-up" with stereotype heroes and villains.

The art is cartoony and the producers think that they can rely on computer generated images (CGI) of flying fish-craft and submarines to fill the gap. They are wrong, and the days of beautiful, handcrafted animation is fast flying out the window in favor of assembly-line CGI.

This movie is all spectacle with no heart. At times the film comes close to being a good, worthwhile movie, but frustratingly misses the mark so many times by copping out of talking about something meaningful and instead choosing to go with the glitz.

Another problem with the movie is the pacing. It starts confusingly and then begins to rocket along with a choppy story editing style that is not appreciated. The viewer is rushed out of the door along with Milo Thatch (voiced well by Michael J. Fox) and is left thinking "Gee there must be an awful lot of stuff that's going to happen once we get to Atlantis". Unfortunately, not much happens. The secret of Atlantis remains a secret with the story-tellers not really knowing how to explain the legendary island/continent. They are afraid to commit to saying where Atlantis is, even in a fictional story. Is it in the Atlantic? Is it in the Mediterranean Sea? Who knows? Nothing is hypothesized, even from a purely fantasy-based point of view. The viewer will leave the theatre asking themselves "Now what was that all about? What was the point of the movie? Why couldn't the surviving Atlantean's remember how to read when many of them lived through the disaster to the "present" day? And WHY did Atlantis sink?" and then promptly begin to forget about what they saw. There is nothing left to think about or mill over... except the loss of money in their wallets.

The characters and their motivations are equally unfathomable. From the eccentric zillionaire who founds the expedition with seemingly more money that existed on the entire planet in 1914, to the (spoiler) collective consciousness that enters Kida and VOLUNTARILY deserts its people!?! The crew are a collection of quirky, 2-dimensional people of anachronistically (for 1914) P.C. race and gender. The demolitions expert talks like he came right out of a Warner Brothers' Bugs Bunny short. Most of the jokes are gross one-liners that are largely missed by the audience for two reasons: They are delivered at lightning-speed pacing and usually mumbled. The way these supporting players do a moral turn-around near the end of the movie is hard to believe.

While we applaud Disney for trying to create animated movies for adults - and this is the first Disney not to have cute, talking animals or objects - it fails to make the transition. Younger children will be frightened by some of the action scenes and be left in the dark by the large amount of subtitles (when the characters speak Atlantean). In the first five minutes of the expedition, approximately 200 people are killed without a second thought. Obviously Disney thinks that if you didn't know who those people were, then why should you care? Again, the movie has no feelings on any level.

Mulan and Tarzan were the last animated movies produced by Disney that were done extremely well. Sadly, Atlantis harkens back to those failed attempts in the past such as the Black Cauldron and Hunchback of Notre Dame. Disney needs to get back to their roots. A sequel to Peter Pan is coming out shortly but one never knows what the results will be until you see it for yourself. And now that Disney has discovered Science Fiction one hopes that they will realize that that genre must have more than spectacle to it. We also hope that the upcoming "Treasure Planet", a sci-fi adaptation of Robert L. Stevenson's "Treasure Island", will have more heart to it than the unfathomable "Atlantis: The Lost Empire".
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
this was a fantastic episode. i saw a clip from it on YouTube, and i vowed that should it ever show on TV, i would glue myself to the set in order to watch. i wound up watching it with a friend of mine, who happens to be gay, and the two of us cried at the end. this was a truly well-written, heartfelt episode of the forbidden love between two cops who, i felt, really were (in Coop's words) "the Lucky Ones". it is episodes like this one that really make Cold Case one of the most captivating and much-loved works of television magic on CBS. i anxiously await more episodes, and a re-run of "Forever Blue" because i will always watch it again and again.