Problem: Background: Gilbert Ray Hodges, ne Hodge (April 4, 1924 - April 2, 1972) was an American Major League Baseball (MLB) first baseman and manager who played most of his 18-year career for the Brooklyn and Los Angeles Dodgers. He was inducted into the New York Mets Hall of Fame in 1982. Hodges is generally considered to be the best defensive first baseman in the 1950s. He was an All-Star for eight seasons and a Gold Glove Award winner for three consecutive seasons.
Context: After 11 games with the Mets in 1963, during which he batted .227 with no homers and was plagued by injuries, he was traded to the Washington Senators in late May for outfielder Jimmy Piersall so that he could replace Mickey Vernon as Washington's manager. Hodges immediately announced his retirement from playing in order to clearly focus on his new position. The Giants' Willie Mays had passed him weeks earlier on April 19 to become the NL's home run leader among right-handed hitters; Hodges' last game had been on May 5 in a doubleheader hosting the Giants (who had moved to San Francisco in 1958). Hodges managed the Senators through 1967, and although they improved in each season they never achieved a winning record. One of the most notable incidents in his career occurred in the summer of 1965, when pitcher Ryne Duren - reaching the end of his career and sinking into alcoholism - walked onto a bridge with intentions of suicide; his manager talked him away from the edge. In 1968 Hodges was brought back to New York to manage the perennially woeful Mets, and while the team only posted a 73-89 record it was nonetheless the best mark in their seven years of existence up to that point. In 1969, he led the "Miracle Mets" to the World Series championship, defeating the heavily favored Baltimore Orioles; after losing Game 1, they came back for four straight victories, including two by 2-1 scores. Finishing higher than ninth place for the first time, the Mets became not only the first expansion team to win a World Series, but also the first team ever to win the Fall Classic after finishing at least 15 games under .500 the previous year. Hodges was named The Sporting News' Manager of the Year, in skillfully platooning his players, utilizing everyone in the dugout, keeping everyone fresh. Hodges continued as manager through the 1971 season. He died before the opening of the 1972 season and was succeeded by Yogi Berra. In the second game of doubleheader on July 30, 1969, the Houston Astros, after scoring 11 runs in the ninth inning of the first game, were in the midst of a 10-run third inning, hitting a number of line drives to left field. When the Mets' star left fielder Cleon Jones failed to hustle after a ball hit to the outfield, Hodges removed him from the game, but rather than simply signal from the dugout for Jones to come out, or delegate the job to one of his coaches, Hodges left the dugout and slowly, deliberately, walked all the way out to left field to remove Jones, and walked him back to the dugout, which was a resounding message to the whole team. Jones reportedly never again had to be reminded to hustle. Ralph Kiner retold that story dozens of times during Mets broadcasts, both as a tribute to Hodges, and as an illustration of his quiet but disciplined character.
Question: Which teams did he manage?
Answer: Hodges managed the Senators through 1967, and although they improved in each season they never achieved a winning record.

Problem: Background: Anton Grigorevich Rubinstein (Russian: Anton Grigor'evich Rubinshtein, tr. Anton Grigorevich Rubinshteyn; November 28 [O.S. November 16] 1829 - November 20 [O.S. November 8] 1894) was a Russian pianist, composer and conductor who became a pivotal figure in Russian culture when he founded the Saint Petersburg Conservatory. He was the elder brother of Nikolai Rubinstein who founded the Moscow Conservatory. As a pianist, Rubinstein ranks among the great 19th-century keyboard virtuosos.
Context: By 1867, ongoing tensions with the Balakirev camp, along with related matters, led to intense dissension within the Conservatory's faculty. Rubinstein resigned and returned to touring throughout Europe. Unlike his previous tours, he began increasingly featuring the works of other composers. In previous tours, Rubinstein had played primarily his own works. At the behest of the Steinway & Sons piano company, Rubinstein toured the United States during the 1872-3 season. Steinway's contract with Rubinstein called on him to give 200 concerts at the then unheard-of rate of 200 dollars per concert (payable in gold--Rubinstein distrusted both United States banks and United States paper money), plus all expenses paid. Rubinstein stayed in America 239 days, giving 215 concerts--sometimes two and three a day in as many cities. Rubinstein wrote of his American experience, May Heaven preserve us from such slavery! Under these conditions there is no chance for art--one simply grows into an automaton, performing mechanical work; no dignity remains to the artist; he is lost.... The receipts and the success were invariably gratifying, but it was all so tedious that I began to despise myself and my art. So profound was my dissatisfaction that when several years later I was asked to repeat my American tour, I refused pointblank... Despite his misery, Rubinstein made enough money from his American tour to give him financial security for the rest of his life. Upon his return to Russia, he "hastened to invest in real estate", purchasing a dacha in Peterhof, not far from Saint Petersburg, for himself and his family.
Question: When he started his American tour?
Answer:
At the behest of the Steinway & Sons piano company, Rubinstein toured the United States during the 1872-3 season.