[Q]: Suggest a movie title for the following movie plot: This movie--based on a true story that shocked Canadians and dominated headlines--opens in Oct 2000 with Karla Homolka approaching the 8 year mark of a 12 year manslaughter sentence and up for parole. Under Canadian law, parole would usually be virtually automatic, but Karla's case is no ordinary case. Karla has been sent to Saskatoon to meet with a prison appointed psychiatrist, Dr. Arnold, to evaluate her suitability for parole. Most of the movie is told from the vantage point of Karla and Dr. Arnold examining the past actions that landed her in prison with a view to making a decision on parole.Karla begins by discussing how she and her ex-husband Paul Bernardo first met. At age 18, Karla is working in a veterinary clinic and is sent to Toronto by her employer to attend a veterinary convention. However, she is also interested in meeting men. Karla and a female colleague are in a hotel restaurant when they are approached by Paul and a male friend. There is an almost immediate strong attraction between Paul and Karla, and they soon find themselves making love in Karla's hotel room. Karla's colleague and Paul's friend are also in the room and feel quite uncomfortable.Karla and Paul begin a relationship which, at first, seems quite happy and successful. Karla gives Paul a pair of handcuffs for use in sex play. However, while having sex, Paul introduces the possibility that he might be a rapist. In looking back at this incident with Dr. Arnold, Karla claims she thought this was just innocent sex talk on Paul's part.Paul's true meaning, however, is quickly shown to the viewer to be something far more sinister: Paul is, in fact, the notorious Scarborough rapist, who has been terrorizing women with frequent and brutal assaults. However, the police and the general public do not yet know the true identity of the Scarborough rapist, and Karla also claims not to have known at this time. A police sketch of the Scarborough rapist is published in a Toronto newspaper. This looks enough like Paul that people who know him...
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[A]: Karla

[Q]: Suggest a movie title for the following movie plot: The film is set in the year 2026, in the extraordinary Gothic skyscrapers of a corporate city-state, the Metropolis of the title. Society has been divided into two rigid groups: one of planners or thinkers, who live in luxury on the surface of Earth, and another of workers who live underground toiling to sustain the lives of the privileged up above. The city is run by Johann 'Joh' Fredersen (Alfred Abel).The beautiful and evangelical figure Maria (Brigitte Helm) takes up the cause of the workers. She advises the desperate workers not to start a revolution, and instead wait for the arrival of "The Mediator", who, she says, will unite the two halves of society. The son of Fredersen, Freder (Gustav Frohlich), becomes infatuated with Maria, and follows her down into the working underworld. In the underworld, he experiences firsthand the toiling lifestyle of the workers, and observes the casual attitude of their employers (he is disgusted after seeing an explosion at the "M-Machine", when the employers bring in new workers to keep the machine running before taking care of the men wounded or killed in the accident). Shocked at the workers' living conditions, he joins her cause.Meanwhile his father Fredersen consults with the scientist Rotwang (Rudolf Klein-Rogge), an old companion and rival. Fredersen learns that the papers found with dead workers are plans of the catacombs and witnesses a speech by Maria. He also learns that Rotwang has built a robotic gynoid. Rotwang wants to give the robot the appearance of Hel, his former lover who left him for Fredersen and died giving birth to Freder. Fredersen persuades him to give the robot Maria's appearance, as he wants to use the robot to tighten his control over the workers. Rotwang complies out of ulterior motives: he knows of Freder's and Maria's love and wants to use the robot to deprive Fredersen of his son.The real Maria is imprisoned in Rotwang's house in Metropolis, while the robot Maria is first showcast as an exotic dancer in the upper city's Yoshiwara...
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[A]: Metropolis

[Q]: Suggest a movie title for the following movie plot: Larry Lipton (Woody Allen) and his wife Carol (Diane Keaton), both in their late forties, come back from a hockey game to their apartment in Manhattan, and, in the elevator, they meet their next-door neighbors Paul (Jerry Adler) and Lilian (Lynn Cohen) House, who are both in their sixties, and whom they actually hardly know. Carol and Lilian discover they go to the same gym club, and Lilian invites Larry and Carol for a drink in her apartment. We learn that Larry work in the publishing business, and that Paul owns an old cinema, which is being redone. Carol doesn't work but she would like to open a restaurant. Even though they have been married twenty-eight years, Paul and Lilian don't have any children, but Larry and Carol have a son, who is away in college.The next night, Larry and Carol go to a movie theater with their friends Sy (Ron Rifkin) and Marilyn (Joy Behar), to watch Billy Wilder's "Double Indemnity". When they come back home, they find the Houses' door open and a crowd of neighbors gathered around the door. Lilian has just died from a heart attack. Larry and Carol are surprised by this death because Lilian seemed so healthy.A couple of days later, on their way to the Met, Larry and Carol meets Paul in the street and Carol finds Paul's cheerfulness slightly suspicious. Later in the evening, in a restaurant, she talks about it with their friends Ted (Alan Alda), Sy and Marilyn. Ted is just divorced, and Larry thinks he is in love with Carol. Carol explains that Lilian House didn't seem to have a heart condition. And Ted says that Paul could have killed her to run off with his "tootsie". But Larry is very doubtful about it, and just thinks that Paul is a strong guy, who tries to hide his true feelings.Knowing he likes sweet food, Carol makes floating islands for Paul and bring them to him. While Paul and Larry are talking in the living-room, Carol is making coffee in the kitchen and she finds a funerary urn hidden in a cupboard, seeming to refute Paul's claim that Lilian was buried. Carol becomes...
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[A]:
Manhattan Murder Mystery