input: Please answer the following: This article: Wheeler spent three months in the Dominion of Pakistan during early 1949, where he was engaged in organising the fledgling Pakistani Archaeological Department with the aid of former members of the Archaeological Survey and new students whom he recruited. The Minister of Education, Fazlur Rahman, was sympathetic to Wheeler's plans, and the government agreed to establish a National Museum of Pakistan in Karachi, which opened in April 1950. Wheeler himself was appointed the first President of the Pakistani Museums Association, and found himself as a mediator in the arguments between India and Pakistan over the redistribution of archaeological and historic artefacts following the partition. He also wrote a work of archaeological propaganda for the newly formed state, Five Thousand Years of Pakistan (1950).To instruct new Pakistani students in the methods of archaeology, in early 1950 Wheeler ran a training excavation at Mohenjo-daro; there, he was joined by the British student Leslie Alcock, who spoke both Punjabi and Urdu and who was appointed a site supervisor by Wheeler. This excavation proved to be the only one for which Wheeler would not write and publish a full excavation report. Instead, he made reference to its findings in his book The Indus Civilization, published as part of the series The Cambridge History of India. His relationship with the Pakistani government had become strained, and so he declined to return to work for them for a third year.Wheeler had been keen to return to excavation in Britain. Based on the one he had organised in India, Wheeler developed an archaeological training course, which he ran at Verulamium in the summer of 1949 to instruct British students in the methodologies of excavation. In summer 1950, he was invited by the Royal Commission on Historical Monuments to direct a trial excavation at Bindon Hill in Dorset. It was a leisurely project which he treated as a seaside holiday. He was invited by the Ancient Monuments Department of the Ministry of Works to excavate the Stanwick... contains an answer for the question: When did Wheeler find himself acting as a mediator?, what is it ?
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output: following the partition

Please answer this: This article: By 1911, Winnipeg was Canada's third-largest city. However, the city faced financial difficulty when the Panama Canal opened in 1914. The canal reduced reliance on Canada's rail system for international trade; the increase in shipping traffic helped Vancouver to surpass Winnipeg in both prosperity and population by the end of World War I. More than 30,000 workers walked off their jobs in May 1919 in what came to be known as the Winnipeg general strike. The strike was a product of postwar recession, labour conditions, the activity of union organizers and a large influx of returning World War I soldiers seeking work. After many arrests, deportations, and incidents of violence, the strike ended on 21 June 1919 when the Riot Act was read and a group of Royal Canadian Mounted Police officers charged a group of strikers. Two strikers were killed and at least thirty others were injured on the day that became known as Bloody Saturday; the event polarized the population. One of the leaders of the strike, J. S. Woodsworth, went on to found Canada's first major socialist party, the Co-operative Commonwealth Federation, which later became the New Democratic Party.The Manitoba Legislative Building, constructed mainly of Tyndall stone, opened in 1920; its dome supports a bronze statue finished in gold leaf, titled "Eternal Youth and the Spirit of Enterprise" (commonly known as the "Golden Boy"). The stock market crash of 1929 and the Great Depression resulted in widespread unemployment, worsened by drought and low agricultural prices. The Depression ended after the start of World War II in 1939. contains an answer for the question: What current political party did J.S. Woodsworth find?, what is it ?
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Answer: New Democratic Party

input question: This article: The opening melody is played by a solo bassoon in a very high register, which renders the instrument almost unidentifiable; gradually other woodwind instruments are sounded and are eventually joined by strings. The sound builds up before stopping suddenly, Hill says, "just as it is bursting ecstatically into bloom". There is then a reiteration of the opening bassoon solo, now played a semitone lower. The first dance, "Augurs of Spring", is characterised by a repetitive stamping chord in the horns and strings, based on E dominant 7 superimposed on a triad of E, G and B. White suggests that this bitonal combination, which Stravinsky considered the focal point of the entire work, was devised on the piano, since the constituent chords are comfortable fits for the hands on a keyboard. The rhythm of the stamping is disturbed by Stravinsky's constant shifting of the accent, on and off the beat, before the dance ends in a collapse, as if from exhaustion. Alex Ross has summed up the pattern as follows: According to Roger Nichols (1978, p7) "At first sight there seems no pattern in the distribution of accents to the stamping chords. Taking the initial quaver of bar 1 as a natural accent we have for the first outburst the following groups of quavers: 9, 2, 6, 3, 4, 5, 3. However, these apparently random numbers make sense when split into two groups: Clearly the top line is decreasing, the bottom line increasing, and by respectively decreasing and increasing amounts Whether Stravinsky worked them out like this we shall probably never know. But the way two different rhythmic 'orders' interfere with each other to produced apparent chaos is a typically Stravinskyan notion." The "Ritual of Abduction" which follows is described by Hill as "the most terrifying of musical hunts". It concludes in a series of flute trills that usher in the "Spring Rounds", in which a slow and laborious theme gradually rises to a dissonant fortissimo, a "ghastly caricature" of the episode's main tune. Brass and percussion predominate as the... contains an answer for the question: What concludes in a series of flute trills that usher in the "Spring Rounds"?, what is it ????
output answer:
The "Ritual of Abduction"