input: Prior to the November 2012 election, 238 of 242 House Republicans and 41 out of 47 Senate Republicans had signed ATR's "Taxpayer Protection Pledge", in which the pledger promises to "oppose any and all efforts to increase the marginal income tax rate for individuals and business; and to oppose any net reduction or elimination of deductions and credits, unless matched dollar for dollar by further reducing tax rates." The November 6, 2012 elections resulted in a decline in the number of Taxpayer Protection Pledge signatories in both the upper and lower houses of the 113th Congress: from 41 to 39 in the Senate, and from 238 to "fewer than ... 218" in the House of Representatives. According to journalist Alex Seitz-Wald, losses in the election by Norquist supporters and the "fiscal cliff" have emboldened and made more vocal critics of Norquist. In November 2011, Senate Majority leader Harry Reid (D-NV) blamed Norquist's influence for the Joint Select Committee on Deficit Reduction's lack of progress, claiming that Congressional Republicans "are being led like puppets by Grover Norquist. They're giving speeches that we should compromise on our deficit, but never do they compromise on Grover Norquist. He is their leader." Since Norquist's pledge binds signatories to opposing deficit reduction agreements that include any element of increased tax revenue, some Republican deficit hawks now retired from office have stated that Norquist has become an obstacle to deficit reduction. Former Republican Senator Alan Simpson (R-WY), co-chairman of the National Commission on Fiscal Responsibility and Reform, has been particularly critical, describing Norquist's position as "[n]o taxes, under any situation, even if your country goes to hell."

Answer this question "was it a successful pledge?"
output: "[n]o taxes, under any situation, even if your country goes to hell.

input: In 1993, Brooks, who had criticized music stores selling used CDs since it led to a loss in proper royalty payments, persuaded Capitol Records to not ship his 1993 album, In Pieces, to stores which engaged in this practice. This led to several anti-trust lawsuits against the record label, ending with Capitol shipping the albums to the stores anyway. Despite the delay in shipping, In Pieces was another success, peaking at No. 1 on both the Billboard 200 and Top Country Albums charts, and selling a total of nearly 10 million copies. After a delay in its worldwide release, the album also peaked at No. 2 on the United Kingdom Albums Chart. That same year, "The Red Strokes" became Brooks' first single to make the UK Singles Chart, reaching a high of No. 13; it was followed by "Standing Outside the Fire", which reached No. 23. Previous albums No Fences, Ropin' the Wind and The Chase also remained in the top 30 in the UK Albums Chart. Brooks' first world tour began in 1993, reaching the UK after many domestic concerts. Brooks sold out venues such as Birmingham's National Exhibition Centre and London's Wembley Arena, a feat never accomplished by an American country music artist. He also began the London radio station, Country 1035. Despite the disdain of the British media, Brooks' overall popularity in the country was evident, with a top disc jockey, Nick Barraclough, referring to Brooks as Garth Vader (a play on Darth Vader) for his "invasion" of the charts and his success in the country genre. Unlike Alan Jackson, who refused to return to the UK after being treated in a similar negative manner by the press, Brooks would later return in 1996 for more performances. Brooks also took is World Tour to other regions throughout Europe, as well as Brazil, the Far East, Australia, and New Zealand. In 1994, Brooks paid homage to one of his musical influences, Kiss, appearing on the tribute compilation, Kiss My Ass: Classic Kiss Regrooved, a collection of songs performed by popular artists from various genres. The unlikely collaboration of Brooks and Kiss' rendition of "Hard Luck Woman" was performed live on The Tonight Show with Jay Leno, and despite its hard-rock appeal, Brooks' version appeared on the Billboard Hot Country Songs chart.

Answer this question "What was Garth Brooks doing in 1993?"
output: persuaded Capitol Records to not ship his 1993 album,

input: When interviewing for jobs after graduation, Ford said that he had attended The New School's Parsons division, but concealed that he graduated in architecture, and that his work at Chloe was a low-level public relations position. Despite his lack of experience in fashion, Ford called American designer Cathy Hardwick every day for a month in hopes of securing a job at her sportswear company. Hardwick eventually agreed to interview him. She later recalled the incident: "I had every intention of giving him no hope. I asked him who his favorite European designers were. He said, 'Armani and Chanel.' Months later I asked him why he said that, and he said, 'Because you were wearing something Armani'. Is it any wonder he got the job?" Ford worked as a design assistant for Hardwick for two years. In 1988, Ford moved to Perry Ellis, where he knew both Robert McDonald, the company's president, and Marc Jacobs, its designer, socially. He worked at the company for two years, but grew tired of working in American fashion. In a later interview with The New York Times, he commented, "If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style." At the time, Italian fashion house Gucci was struggling financially and was seeking to strengthen its women's ready-to-wear presence as a part of a brand overhaul. The company's creative director, Dawn Mello said, "no one would dream of wearing Gucci". In 1990, Mello hired Ford as the brand's chief women's ready-to-wear designer and Ford moved to Milan. "I was talking to a lot of people, and most didn't want the job," Mello said. "For an American designer to move to Italy to join a company that was far from being a brand would have been pretty risky." Ford and his longtime partner, fashion journalist Richard Buckley, relocated to Milan that September. Ford's role at Gucci rapidly expanded; he was designing menswear within six months, and shoes soon after that. When Richard Lambertson left as design director in 1992, Ford took over his position, heading the brand's ready-to-wear, fragrances, image, advertising, and store design. In 1993, when he was in charge of designing eleven product lines, Ford worked eighteen-hour days. During these years, there were creative tensions between Ford and Maurizio Gucci, the company's chairman and 50% owner. According to Mello, "Maurizio always wanted everything to be round and brown, and Tom wanted to make it square and black." Though Maurizio Gucci wanted to fire Ford, Domenico De Sole insisted that he remain. Nonetheless, Ford's work during the early 1990s was primarily behind the scenes; his contributions to Gucci were overshadowed by those of Mello, who was the company's public face.

Answer this question "What did he do at Perry Ellis"
output:
He worked at the company for two years, but grew tired of working in American fashion.