Problem: Background: Sir Donald George Bradman, AC (27 August 1908 - 25 February 2001), often referred to as "The Don", was an Australian international cricketer, widely acknowledged as the greatest batsman of all time. Bradman's career Test batting average of 99.94 has been cited as the greatest achievement by any sportsman in any major sport. The story that the young Bradman practised alone with a cricket stump and a golf ball is part of Australian folklore. Bradman's meteoric rise from bush cricket to the Australian Test team took just over two years.
Context: In addition to acting as one of South Australia's delegates to the Board of Control from 1945 to 1980, Bradman was a committee member of the SACA between 1935 and 1986. It is estimated that he attended 1,713 SACA meetings during this half century of service. Aside from two years in the early 1950s, he filled a selector's berth for the Test team between 1936 and 1971. Cricket saw an increase in defensive play during the 1950s. As a selector, Bradman favoured attacking, positive cricketers who entertained the paying public. He formed an alliance with Australian captain Richie Benaud, seeking more attractive play, with some success. He served two high-profile periods as chairman of the board of Control, in 1960-63 and 1969-72. During the first, he dealt with the growing prevalence of illegal bowling actions in the game, a problem that he adjudged "the most complex I have known in cricket, because it is not a matter of fact but of opinion". The major controversy of his second stint was a proposed tour of Australia by South Africa in 1971-72. On Bradman's recommendation, the series was cancelled. Cricket journalist Michael Coward said of Bradman as an administrator: Bradman was more than a cricket player nonpareil. He was...an astute and progressive administrator; an expansive thinker, philosopher and writer on the game. Indeed, in some respects, he was as powerful, persuasive and influential a figure off the ground as he was on it. In the late 1970s, Bradman played an important role during the World Series Cricket schism as a member of a special Australian Cricket Board committee formed to handle the crisis. He was criticised for not airing an opinion, but he dealt with World Series Cricket far more pragmatically than other administrators. Richie Benaud described Bradman as "a brilliant administrator and businessman", warning that he was not to be underestimated. As Australian captain, Ian Chappell fought with Bradman over the issue of player remuneration in the early 1970s and has suggested that Bradman was parsimonious: I...thought to myself, 'Ian, did you just ask Bradman to fill your wallet with money?' Bradman's harangue confirmed my suspicions that the players were going to have a hard time extracting more money from the ACB.
Question: Are there any other interesting aspects about this article?
Answer: Bradman was a committee member of the SACA

Background: Dario Fo (Italian pronunciation: ['da:rjo 'fo]; 24 March 1926 - 13 October 2016) was an Italian actor-playwright, comedian, singer, theatre director, stage designer, songwriter, painter, political campaigner for the Italian left-wing and the recipient of the 1997 Nobel Prize in Literature. In his time he was "arguably the most widely performed contemporary playwright in world theatre". Much of his dramatic work depends on improvisation and comprises the recovery of "illegitimate" forms of theatre, such as those performed by giullari (medieval strolling players) and, more famously, the ancient Italian style of commedia dell'arte. His plays have been translated into 30 languages and performed across the world, including in Argentina, Chile, Iran, the Netherlands, Poland, Romania, South Africa, South Korea, Spain, Sri Lanka Sweden, the UK and Yugoslavia.
Context: An eldest child, Fo was born at Sangiano, in Lombardy's Province of Varese, near the eastern shore of Lago Maggiore. His younger brother Fulvio would become a theatre administrator, their younger sister Bianca Fo Garambois, a writer. Their mother, Pina Rota Fo, from a peasant background, wrote a book of reminiscences of the area between the wars, Il paese delle rane (Land of Frogs, 1978). Their father, Felice, was a station master for the Italian state railway, and the family frequently moved along the Swiss border when Felice was transferred to new postings. Felice, a socialist, was also an actor, appearing for an amateur theatre company in works by Ibsen among others. Fo learned storytelling from his maternal grandfather and Lombard fishers and glassblowers. Among the places in which Fo lived during his early years was Porto Valtravaglia, a glassblowing colony in which, it has been claimed, resided the highest percentage of insane people in Italy. In 1942, Fo moved to Milan to study at the Academy Brera Academy. However, the Second World War intervened. Fo joined the fascist army of Mussolini's Repubblica Sociale Italiana. Years later, Fo did not deny this affiliation but supported this moot thesis: he did it to avoid arousing suspicion, because his family was active in the anti-fascist Resistance and Fo helped his father to smuggle refugees and Allied soldiers to Switzerland by disguising them as Lombard peasants. His father is also thought to have helped smuggle Jewish scientists to the safety of Switzerland. As the end of the war approached, Fo joined an anti-aircraft division of the navy, anticipating an immediate discharge due to a shortage of munitions. He was mistaken and was instead dispatched to a camp in Monza at which Benito Mussolini himself arrived. Fo soon deserted with the aid of false documents and wandered for a while before joining a parachute squadron. He then deserted this as well, prompting a further unsuccessful search for the Resistance movement during which he slept rough in the countryside. After the war Fo returned to the Brera Academy, also taking up architectural studies at the Politecnico di Milano. He started a thesis on Roman architecture, but becoming disillusioned by the cheap impersonal work expected of architects after the war, he left his studies before his final examinations. He had a nervous breakdown; a doctor told him to spend time doing that which brought him joy. He began to paint and became involved in the piccoli teatri (small theatres) movement, in which he began to present improvised monologues. He considered his artistic influences to include Beolco, Brecht, Chekhov, De Filippo, Gramsci, Mayakovsky, Moliere, Shaw and Strehler.
Question: Who are Dario Fo's parents?
Answer:
mother, Pina Rota Fo,