Background: Sir Curtly Elconn Lynwall Ambrose, KCN (born 21 September 1963) is a former cricketer from Antigua who played 98 Test matches for the West Indies. A fast bowler, he took 405 Test wickets at an average of 20.99 and topped the ICC Player Rankings for much of his career to be rated the best bowler in the world. His great height--he is 6 feet 7 inches (2.01 m) tall--allowed him to make the ball bounce unusually high after he delivered it; allied to his pace and accuracy, it made him a difficult bowler for batsmen to face. A man of few words during his career, he was notoriously reluctant to speak to journalists.
Context: During the 1991-92 season, West Indies played mainly one-day cricket, taking part in tournaments in Sharjah--where Ambrose took seven wickets, including an analysis of five for 53--and Australia, and took part in the World Cup in Australia and New Zealand. In this tournament, Ambrose took seven wickets in seven games at an average of 33.57 and was the seventh most economical bowler among those who played more than one game. West Indies finished sixth in the qualifying table and failed to reach the semi-finals. Ambrose returned home to play twice for the Leeward Islands in January 1992. In April 1992, South Africa toured West Indies for the first time, and played their first Test match for 22 years. Ambrose played in all three ODIs, all of which were won by West Indies. The Test match was the first time West Indies bowled under a new playing regulation which permitted only one bouncer per over; this seemed to affect the home bowlers, but Ambrose took two for 47 from 36 overs. South Africa began the final day of the match requiring 79 runs to win with just two batsmen out, but Ambrose and Courtney Walsh took the last eight wickets for 26 runs to bowl West Indies to a 52-run win. On a difficult pitch for batting, the ball bounced unevenly, and both bowlers concentrated on accuracy. Ambrose took six for 34 in the second innings, and was named joint man of the match; in just over 60 overs, he took eight for 81 in the match. Returning to play for Northamptonshire, he was less effective. Hampered by a knee injury, which necessitated surgery after the English season, and suffering from many dropped catches, he took 50 first-class wickets at an average of 26.14, but his performance compared unfavourably with other bowlers on the team. He was more effective in the NatWest Trophy, a one-day competition that Northamptonshire won that season, in which he conceded fewer than two runs per over across five games.
Question: what year was this
Answer: April 1992,

Background: James Black was born in Hackensack, New Jersey on 1 May 1800. James' mother died when he was very young and he had difficulty getting along with his stepmother. Black ran away from home to Philadelphia, Pennsylvania at age 8 and was apprenticed to a silversmith. At age 18 he migrated westward and took jobs on the Ohio and Mississippi rivers.
Context: In 1830, Black made the famous Bowie knife for Jim Bowie who was already famous for knife-fighting from his 1827 sandbar duel. Bowie's killing of three assassins in Texas and his death at the Battle of the Alamo made him, and Black's knife, legends. After Bowie's death in 1836, Black did a brisk business selling his knives to pioneers bound for Texas. Everyone seemed to want "Jim Bowie's knife." Black forged his knives behind a leather curtain and kept his process a secret. Black's knives were known to be exceedingly tough yet flexible. Many claimed that Black had rediscovered the process to make Damascus steel. James Black's wife Anne died in 1838; and in 1839, while Black was in bed from an illness, his father-in-law Shaw broke into Black's house and brutally attacked him with a club. Black's life was saved by the family dog; he survived, but his eyes were severely damaged by the attack. He went north to seek medical advice, where his eyes were further damaged by the inept ministrations of a Cincinnati, Ohio, physician. When Black returned to Arkansas he discovered that his father-in-law had sold his business and property, illegally, and disappeared with the cash. Black lived on a local plantation for a couple of years until Dr. Isaac Newton Jones took him into his home. Black lived with the Jones family for the next 30 years. He attempted to pass on his knife-making secrets to Daniel Webster Jones, but unfortunately he could not remember the technique. Jones would later become Governor of Arkansas. James Black died on 22 June 1872 in Washington, Arkansas. More skeptically, "...[T]here is no direct contemporary evidence to establish that James Black made a knife for James Bowie... The story rests solely on Black's claims made well after he had been adjudged mentally incompetent..." "...[T]he only time that [James Bowie] verifiably used a knife in a personal encounter was on the Sandbar in 1827..." "...[T]o this day there is no known knife bearing his name that is proven authentic, nor positively identified as the work of James Black. Neither is it proven beyond doubt that he even made a knife of any type!" Shifting the question (and the burden of proof) from people to knives, "...[T]he Black explanation remains the most logical way to understand this part of the Bowies' history."
Question: Where did he go after this trauma?
Answer: When Black returned to Arkansas he discovered that his father-in-law had sold his business and property, illegally, and disappeared with the cash.

Background: Sergio Santos Mendes (Portuguese pronunciation: ['seRZju 'satuZ 'medZiS]; born February 11, 1941) is a Brazilian musician. He has over 55 releases, and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Academy Award for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio. Mendes is married to Gracinha Leporace, who has performed with him since the early 1970s.
Context: Mendes was born in Niteroi, Brazil, the son of a physician. He attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late 1950s just as bossa nova, a jazz-inflected derivative of samba, was emerging. Mendes played with Antonio Carlos Jobim (regarded as a mentor) and many U.S. jazz musicians who toured Brazil. Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderley and Herbie Mann and played Carnegie Hall. Mendes moved to the U.S. in 1964 and cut two albums under the Sergio Mendes & Brasil '65 group name with Capitol Records and Atlantic Records. Sergio became full partners with Richard Adler, a Brooklyn-born American who had previously brought Bossa Tres plus two dancers, Joe Bennett and a Brazilian partner, to appear on The Ed Sullivan Show, in 1963. He was also accompanied by Jobim; Flavio Ramos, and Aloisio Olivera, a record and TV producer from Rio. The Musicians Union only allowed this group to appear on one TV show and one club appearance (Basin Street East) before ordering them to leave the U.S. When the new group, Brasil '65 was formed, Shelly Manne, Bud Shank and other West Coast musicians got Sergio and the others into the local musicians union. Adler and Mendes formed Brasil '65, which consisted of Wanda Sa and Rosinha de Valenca, as well as the Sergio Mendes Trio. The group recorded albums for Atlantic and Capitol.
Question: Did he tour?
Answer:
Touring Europe and the United States,