In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

An archaeological team, digging in a remote village and led by an old professor, unearths an old Roman artifact, a gravestone bearing some mysterious inscriptions. When realizing that they have stumbled upon something precious, he collapses with a heart attack. Seemingly dead for people around him, he finds himself in a sort of afterlife state and realizes that the stone marked a passage into the classical underworld so he starts mingling with the antique spirits of the dead. The spirits themselves appear just as silly and petty as the peasants from the village above them, and in their desire to see what happened to their descendants, they find themselves surprised by the modern world of the living.
How are the spirits described?

The film takes place mostly in a mental institution filled with an eclectic menagerie of patients. Young-goon, a young woman working in a factory constructing radios and who believes herself to be a cyborg, is institutionalized after cutting her wrist and connecting it with a power cord to a wall outlet in an attempt to "recharge" herself, an act that is interpreted as a suicide attempt. Her delusion is characterized by refusing to eat (she instead licks batteries and attempts to administer electric shocks to herself), conversing almost solely with machines and electrical appliances and obsessively listening to her tube radio at night for instruction on how to become a better cyborg. Her apathetic mother is interviewed by the institute's head doctor, to determine the roots of Young-goon's psychosis; despite claiming ignorance of her daughter's delusion (it is later learnt she knew but was too busy to make her seek help), she reveals that Young-goon's mentally ill grandmother had previously been institutionalized for delusions of being a mouse, a trauma that sparks Young-goon's own lapses from reality. As a result, she frequently fantasizes of finding her grandmother and seeking revenge on the "men in white" who took her away.Il-soon, a young male patient hospitalized for anti-social behavior and kleptomania (stemming from schizophrenia) becomes fascinated with Young-goon; he is described as having "no sympathy" for his fellow man, believes he can "steal" other people's souls/attributes, and frequently wears handmade rabbit masks. He fears that he will eventually "shrink into a dot" and is seen compulsively brushing his teeth when nervous or upset. His habit of covertly taking the traits of his fellow inmates makes him the frequent target of scorn, but he only takes the traits willingly and returns them to their owners after he is done.When Young-goon persuades Il-soon to take away her "sympathy" in order for her to be able to kill the men in white, she has a hallucination of going on a rampage, slaughtering the doctors and orderlies of the hospital. When she is given shock treatment owing to her refusal to eat, she believes that she has been recharged. In reality, her physical condition begins to deteriorate rapidly, and the doctors begin force-feeding her to keep her alive. Il-soon, now wracked with sympathy for Young-goon, hatches an elaborate plan to get Young-goon to eat, convincing her that he can install a food-to-electrical-energy conversion unit (a "rice-megatron", as he calls it) in her back. After eating her first meal at the hospital, and confiding her secrets to the head doctor, Young-goon ponders the meaning of a recurring dream in which her grandmother explains to her the purpose of her existence. Interpreting the lip-read message as that she is in fact a "nuke bomb" that requires a bolt of lightning to detonate, she goes out into a horrendous storm with Il-soon, intending to use her radio's antenna as a lightning rod.In the middle of the storm, the wind blows their tent away, prompting them to hastily protect their food supplies. Il-soon, hearing Young-goon's complaints about the opened wine collecting rain, plugs it with his little finger. Unknown to Young-goon, it is shown Il-soon placed the missing cork atop the makeshift lightning rod, protecting her from lightning; similarly to using the 'rice megatron' to make her eat, Il-soon did so to protect her without discouraging. Sitting together as the sun rises, the duo soon embrace under a rainbow.
What does the young woman believe she is ?

Bette Davis as Margo ChanningAt an awards dinner, Eve Harrington (Anne Baxter)the newest and brightest star on Broadwayis being presented the Sarah Siddons Award for her breakout performance as Cora in Footsteps on the Ceiling. Theatre critic Addison DeWitt (George Sanders) observes the proceedings and, in a sardonic voiceover, recalls how Eve's star rose as quickly as it did.The film flashes back a year. Margo Channing (Bette Davis) is one of the biggest stars on Broadway, but despite her success she is bemoaning her age, having just turned forty and knowing what that will mean for her career. After a performance one night, Margo's close friend Karen Richards (Celeste Holm), wife of the play's author Lloyd Richards (Hugh Marlowe), meets besotted fan Eve Harrington in the cold alley outside the stage door. Recognizing her from having passed her many times in the alley (as Eve claims to have seen every performance of Margo's current play, Aged in Wood), Karen takes her backstage to meet Margo. Eve tells the group gathered in Margo's dressing roomKaren and Lloyd, Margo's boyfriend Bill Sampson (Gary Merrill), a director who is eight years her junior, and Margo's maid Birdie (Thelma Ritter)that she followed Margo's last theatrical tour to New York after seeing her in a play in San Francisco. She tells a moving story of growing up poor and losing her young husband in the recent war. Moved, Margo quickly befriends Eve, takes her into her home, and hires her as her assistant, leaving Birdie, who instinctively dislikes Eve, feeling put out.Anne Baxter in wig and costume as Eve Harrington, Margo Channing's understudyEve is gradually shown to be working to supplant Margo, scheming to become her understudy behind her back, driving wedges between her and Lloyd and Bill, and conspiring with an unsuspecting Karen to cause Margo to miss a performance. Eve, knowing in advance that she will be the one appearing that night, invites the city's theatre critics to attend that evening's performance, which is a triumph for her. Eve tries to seduce Bill, but he rejects her. Following a scathing newspaper column by Addison, Margo and Bill reconcile, dine with the Richardses, and decide to marry. That same night at the restaurant, Eve blackmails Karen into telling Lloyd to give her the part of Cora, by threatening to tell Margo of Karen's role in Margo's missed performance. Before Karen can talk with Lloyd, Margo announces to everyone's surprise that she does not wish to play Cora and would prefer to continue in Aged in Wood. Eve secures the role and attempts to climb higher by using Addison, who is beginning to doubt her. Just before the premiere of her play at the Shubert in New Haven, Eve presents Addison with her next plan: to marry Lloyd, who, she claims, has come to her professing his love and his eagerness to leave his wife for her. Now, Eve exults, Lloyd will write brilliant plays showcasing her. Unseen but mentioned in dialogue, Karen has begun to suspect Eve as a threat to her own marriage to Lloyd, and so she and Addison meet for lunch and help each other put the pieces about Eve together. Addison is infuriated that Eve has attempted to use him and reveals that he knows that her back story is all lies. Her real name is Gertrude Slojinski, she was never married, and she had been paid to leave her hometown over an affair with her boss, a brewer in Wisconsin. Addison blackmails Eve, informing her that she will not be marrying Lloyd or anyone else; in exchange for Addison's silence, she now "belongs" to him.The film returns to the opening scene in which Eve, now a shining Broadway star headed for Hollywood, is presented with her award. In her speech, she thanks Margo, Bill, Lloyd and Karen with characteristic effusion, while all four stare back at her coldly. After the awards ceremony, Eve hands her award to Addison, skips a party in her honor, and returns home alone, where she encounters a young fan (Barbara Bates)a high-school girlwho has slipped into her apartment and fallen asleep. The young girl professes her adoration and begins at once to insinuate herself into Eve's life, offering to pack Eve's trunk for Hollywood and being accepted. "Phoebe", as she calls herself, answers the door to find Addison returning with Eve's award. In a revealing moment, the young girl flirts daringly with the older man. Addison hands over the award to Phoebe and leaves without entering. Phoebe then lies to Eve, telling her it was only a cab driver who dropped off the award. While Eve rests in the other room, Phoebe dons Eve's elegant costume robe and poses in front of a multi-paned mirror, holding the award as if it were a crown. The mirrors transform Phoebe into multiple images of herself, and she bows regally, as if accepting the award to thunderous applause, while triumphant music plays.
What award is Eve being presented?