Question: For the theatre adaptation, see Shakespeare in Love (play). Shakespeare in Love is a 1998 American romantic period comedy-drama film directed by John Madden, written by Marc Norman and playwright Tom Stoppard. The film depicts an imaginary love affair involving Viola de Lesseps (Gwyneth Paltrow) and playwright William Shakespeare (Joseph Fiennes) while he was writing Romeo and Juliet. Several characters are based on historical figures, and many of the characters, lines, and plot devices allude to Shakespeare's plays.

The original idea for Shakespeare in Love came to screenwriter Marc Norman in the late 1980s after a rudimentary pitch from his son Zachary. Norman wrote a draft screenplay which he presented to director Edward Zwick, which attracted Julia Roberts, who agreed to play Viola. However, Zwick disliked Norman's screenplay and hired the playwright Tom Stoppard to improve it (Stoppard's first major success had been with the Shakespeare-themed play Rosencrantz & Guildenstern Are Dead). The film went into production in 1991 at Universal, with Zwick as director, but although sets and costumes were in construction, Shakespeare had not yet been cast, because Roberts insisted that only Daniel Day-Lewis could play the role. Day-Lewis was uninterested, and when Roberts failed to persuade him, she withdrew from the film, six weeks before shooting was due to begin. The production went into turnaround, and Zwick was unable to persuade other studios to take up the screenplay. Eventually, Zwick got Miramax interested in the screenplay, but Miramax chose John Madden as director. Miramax boss Harvey Weinstein acted as producer, and persuaded Ben Affleck to take a small role as Ned Alleyn. The film was considerably reworked after the first test screenings. The scene with Shakespeare and Viola in the punt was re-shot, to make it more emotional, and some lines were re-recorded to clarify the reasons why Viola had to marry Wessex. The ending was re-shot several times, until Stoppard eventually came up with the idea of Viola suggesting to Shakespeare that their parting could inspire his next play. Among the locations used in the production were Hatfield House, Hertfordshire (for the fireworks scene), Broughton Castle, Oxfordshire (which played the role of the de Lesseps home), the beach at Holkham in Norfolk, the chapel at Eton College, Berkshire, and the Great Hall of Middle Temple, London.

Using a quote from the above article, answer the following question: Were there any more difficulties?
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Answer: The film was considerably reworked after the first test screenings.

Question: Oscar McKinley Charleston (October 14, 1896 - October 5, 1954) was an American center fielder and manager in Negro league baseball. In 1915, after serving three years in the U.S. Army, the Indianapolis, Indiana, native continued his baseball career as a professional with the Indianapolis ABCs; his career ended in 1954 as a player-manager for the Indianapolis Clowns. In addition to a forty-three-year career with more than a dozen teams, including the Homestead Grays and the Pittsburgh Crawfords, Negro league baseball's leading teams in the 1930s, he played nine winter seasons in Cuba and in numerous exhibition games against white major leaguers. Charleston was known for his strengths as a hitter and center fielder.

In early October 1954, Charleston fell ill due to a heart attack or stroke. He was admitted to a Philadelphia, Pennsylvania, hospital, and died on October 5, 1954, at the age of fifty-seven. Charleston's remains are buried at Floral Park Cemetery in Indianapolis, Indiana. Charleston was one of the early Negro league baseball stars. By 1920 he was generally considered as "the greatest center fielder and one of the most reliable sluggers in black baseball." A renowned players of his era, Charleston was recognized for his athletic skills as a powerful, hard-hitting slugger, his speed and aggressiveness as a base runner, and as a top outfielder. He was also an "intense" player with a "volatile temper." Charleston's observers often compared his play to his contemporaries, such as [[Ty Cobb], Tris Speaker, and Babe Ruth. Charleston ranks among Negro league baseball's top five players in home runs and batting averages, and its leader in stolen bases. Baseball writer Bill James, author of The New Bill James Historical Baseball Abstract (2001), reported that Charleston "did everything exceptionally well" and considered him one of the gam'es top centerfielders. James ranked Charleston as the fourth-best player of all-time behind Ruth, Honus Wagner, and Willie Mays. In addition, numerous baseball historians, sportswriters, and fellow players consider Charleston as possibly the greatest all-around Negro league ballplayer and one of the greatest players in history. In addition to James, these include former New York Giants manager John McGraw; Charleston's contemporaries, Juanelo Mirabal, Buck O'Neill, and Norman "Turkey" Stearnes; sportswriter Grantland Rice; and other baseball experts. The Sporting News list of the 100 greatest baseball players, which was published in 1998, ranked Charleston sixty-seventh. Only four other black ballplayers who played all or most of their careers in pre-1947 Negro leagues placed higher on the list: Josh Gibson, Satchel Paige, Buck Leonard, and Cool Papa Bell. In 1999 Charleston He was also nominated as a finalist for Major League Baseball's All-20th Century Team..

Using a quote from the above article, answer the following question: How successful was he?
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Answer:
By 1920 he was generally considered as "the greatest center fielder and one of the most reliable sluggers in black baseball."