input: The band planned to write and record their seventh studio album once they returned from touring. They planned to release the yet to be titled album anywhere from mid to late 2011, which bassist Ryan Wombacher explained in a November 2010 interview: Maybe mid-year; safe to say towards the end but not at the end, maybe like eight months or something like that. Best thing about it is we're going to do it whenever we want to do it. There is no deadline right now, we don't have any dates set, we don't have the studio, we're going to do the record ourselves. So we will literally go in and record it and it will be probably be done before we sign a contract. On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire". On November 30, 2011, the band announced that "The Great Fire" was complete, although no release date has been stated. On December 14, 2011, the band revealed The Great Fire's release date as January 31, 2012. On January 3, 2013 the band announced their upcoming tour in Europe would be their last, leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year. The band also stated that they would like to set up an Australian tour during the summer and singer Brandan Schieppati stated in a reply to an Instagram comment that the band would have a final U.S. tour possibly starting in September. November 2013 the band announced final west coast dates will take place in 2014. Former guitarist and founding member Scott Danough played with the band on the final tours in Australia, Europe and the U.S. He was added to the band's current lineup as of July 2014 on their Facebook page, which is led to believe he has rejoined Bleeding Through. The first show to kick off 2014 was their final appearance at New England Hardcore & Metal Fest at the Palladium in Worcester Massachusetts on April 17. The line up was made up of Brandan Schieppati, Scott Danough, Ryan Wombacher, Marta Peterson, Derek Youngsma and Dave Nassie's final appearance with the band in 2014. In May, the final nine west coast dates were announced with Winds of Plague and Scars of Tomorrow. A majority of the shows the band played were sold out. It was later announced in June that the first three of the west coast dates would be the "This Is Love This Is Murderous" line up which included Brian Leppke on guitar since he hasn't toured with Bleeding Through since 2010. Sacramento, Portland and Seattle shows featured Declaration era ex member Jona Weinhofen on guitar. In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast. The final show was on August 3. Brandan Schieppati's podcast he made it clear the final shows were very emotional and he realized how well they all played together. He said something may come from the band in the future.

Answer this question "What was the disbandment announcement"
output: This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year.

input: Olajuwon played for 20 consecutive seasons in Houston, first collegiately for the University of Houston Cougars and then professionally with the Houston Rockets. He is considered a Houston icon and one of city's most beloved athletes. Olajuwon has had great success in the Houston real estate market, with his estimated profits exceeding $100 million. He buys in cash-only purchases, as it is against Islamic law to pay interest. Olajuwon splits his time between Jordan, where he moved with his family to pursue Islamic studies, and his ranch near Houston. In the 2006 NBA offseason, Olajuwon opened his first Big Man Camp, where he teaches young frontcourt players the finer points of playing in the post. While Olajuwon never expressed an interest in coaching a team, he wishes to give back to the game by helping younger players. When asked whether the league was becoming more guard-oriented and big men were being de-emphasized, Olajuwon responded, "For a big man who is just big, maybe. But not if you play with speed, with agility. It will always be a big man's game if the big man plays the right way. On defense, the big man can rebound and block shots. On offense, he draws double-teams and creates opportunities. He can add so much, make it easier for the entire team." He runs the camp for free. Olajuwon has worked with several NBA players, including power forward Emeka Okafor, and center Yao Ming. In September, 2009, he also worked with Kobe Bryant on the post moves and the Dream Shake. More recently he has been working with Dwight Howard, helping him diversify his post moves and encouraging more mental focus. In the 2011 offseason, LeBron James flew to Houston and spent time working with Olajuwon. Olajuwon has also worked with Omer Asik, Donatas Motiejunas, Amar'e Stoudemire, Carmelo Anthony, JaVale McGee and Kenneth Faried. Olajuwon was inducted into the Naismith Memorial Basketball Hall of Fame as a member of the class of 2008. On April 10, 2008, the Rockets unveiled a sculpture in honor of him outside the Toyota Center. Olajuwon attended the 2013 NBA draft to bid farewell to retiring commissioner David Stern as Stern made his announcement for the final pick of the first round. Olajuwon was the first pick announced by Stern back in 1984. On August 1, 2015, Olajuwon made a special appearance for Team Africa at the 2015 NBA Africa exhibition game. He became a member of the FIBA Hall of Fame in 2016.

Answer this question "Has he taught anyone of note?"
output: Olajuwon has worked with several NBA players, including power forward Emeka Okafor, and center Yao Ming. In September, 2009, he also worked with Kobe Bryant

input: Evans' career began just before the rock explosion in the 1960s. During this decade, jazz was swept in a corner, and most new talents had few opportunities to gain recognition, especially in America. However, Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities. Evans never embraced new music movements; he kept his style intact. For example, he lamented watching Davis shift his style towards jazz fusion, and blamed the change on considerations of commerce. Evans commented "I would like to hear more of the consummate melodic master [Davis], but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music." However, Evans and Davis kept in touch throughout their lives. While Evans considered himself an acoustic pianist, from the 1970 album From Left to Right on, he also released some material with Fender-Rhodes piano intermissions. However, unlike other jazz players (e.g. Herbie Hancock) he never fully embraced the new instrument, and invariably ended up returning to the acoustic sound. "I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. (...) [It's] merely an alternate keyboard instrument, that offers a certain kind of sound that's appropriate sometimes. I find that it's a refreshing auxiliary to the piano--but I don't need it (...) I don't enjoy spending a lot of time with the electric piano. I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano." He commented that electronic music: "just doesn't attract me. I'm of a certain period, a certain evolution. I hear music differently. For me, comparing electric bass to acoustic bass is sacrilege."

Answer this question "How was he influenced by this?"
output:
Evans believed he had been lucky to gain some exposure before this profound change in the music world, and never had problems finding employers and recording opportunities.