In this task, you will be given a passage to read. A fill in the blank question will be given to you. Your answer should fit the blank appropriately.

[EX Q]: The second stage of construction in the 17th and 18th centuries , when the tower was under the charge of the Vatican librarian , involved Mgr . Filippo Luigi Gilii , a clergyman of St. Peter 's Basilica . Earlier in 1797 , Pius VI gave approval to placing a Latin inscription Specula Vaticana at the entrance to the upper part of the tower , which was implemented by Cardinal Zelada with plans to enhance the instrumentation system in the tower 's observatory . The original observatory was then set up above the second level of the tower with the agreement of Pope Pius VI . Its instrumentation , apart from many normal devices ( such as meteorological and magnetic equipment , with a seismograph and a small transit and pendulum clock , ) was noted for the Dolland Telescope . The instrumentation facilitated recording of occurrences of eclipse , appearance of comets , Satellites of Jupiter and Mercury ' s transit . As an addition , under the patronage of Pope Pius X , four rotary observatory domes were also added at strategic locations on the 1 @,@ 300 feet ( 400 m ) long fortification walls , more than a thousand years old . Mgr . Gilii , highly respected as a polyglot with a knowledge of physics , biology , archeology and the Hebrew language , was in charge of the observatory from 1800 to 1821 . He carried out continuous meteorological observations ( twice a day at 6 AM and 2 PM ) conforming to the programme of the Mannheim Meteorological Society . While the observation records for seven years were published , the balance data in a manuscript form was preserved in the Vatican Library . Subsequent to Gilii 's death in 1821 , the observatory on the tower was discontinued and the instruments were moved to the observatory at the Roman College . Established in 1787 , it was considered more suitable for making observations than the Vatican . fill in the blank : The second stage of construction in the 17th and __________________ centuries , when the tower was under the charge of the Vatican librarian , involved Mgr .
[EX A]: 18th

[EX Q]: Franjo Klein , a Vienna @-@ born Zagreb architect , was commissioned to build the synagogue . Klein , a representative of romantic historicism , modeled the building on the Viennese Leopoldstadter Tempel ( 1858 ) , a Moorish Revival temple designed by Ludwig Forster . It became a prototype for synagogue design in Central Europe . Zagreb Synagogue used the already developed round arch style ( Rundbogenstil ) , but did not adopt Forster 's early oriental motifs . The composition of the main facade , with its dominant drawn @-@ out and elevated projection and the two symmetrical lower lateral parts , reflects the internal division into three naves . At ground @-@ floor level , the front was distinguished by the three @-@ arch entrance and bifora , whereas the first @-@ floor level had a high triforium with an elevated arch and the quadrifoliate rosettes on the staircases . The synagogue occupied the greater part of the plot , facing west . It receded from the street regulation @-@ line in accordance with the rule then still enforced in Austria Hungary , prohibiting non @-@ Catholic places of worship from having a public entrance from the street . The synagogue had a wider and slightly higher central nave and two narrower naves ; unlike Forster 's synagogue in Vienna , it did not have a basilical plan . Construction began in 1866 and was completed the following year . The synagogue was officially consecrated on September 27 , 1867 , a ceremony attended by representatives of city and regional authorities , Zagreb public figures , and many citizens . It was the first prominent public building in Zagreb 's lower town , and its architecture and scale aroused general admiration and praise . fill in the blank : Franjo __________________ , a Vienna @-@ born Zagreb architect , was commissioned to build the synagogue .
[EX A]: Klein

[EX Q]: Described as a masterpiece of Gupta @-@ Chalukyan art , the most important sculpture in the caves is the Trimurti , carved in relief at the back of the cave facing the entrance , on the north @-@ south axis . It is also known as Trimurti Sadashiva and Maheshmurti . The image , 6 m ( 20 ft ) in height , depicts a three @-@ headed Shiva , representing Panchamukha Shiva . The three heads are said to represent three essential aspects of Shiva : creation , protection , and destruction . The right half @-@ face ( west face ) shows him as a young person with sensuous lips , embodying life and its vitality . In his hand he holds an object resembling a rosebud , depicting the promise of life and creativity . This face is closest to that of Brahma , the creator or Uma or Vamadeva , the feminine side of Shiva and creator of joy and beauty . The left half @-@ face ( east face ) is that of a moustached young man , displaying anger . This is Shiva as the terrifying Aghora or Bhairava , the one whose anger can engulf the entire world in flames , leaving only ashes behind . This is also known as Rudra @-@ Shiva , the Destroyer . The central face , benign and meditative , resembles the preserver Vishnu . This is Tatpurusha , master of positive and negative principles of existence and preserver of their harmony or Shiva as the yogi Yogeshwar in deep meditation praying for the preservation of humanity . The aspects Sadyojata and Ishana ( not carved ) faces are considered to be at the back and top of the sculpture . The Trimurti sculpture , with the Gateway of India in the background , has been adopted as the logo of the Maharashtra Tourism Department ( MTDC ) . The Gangadhara image to the right of the Trimurti is an ensemble of divinities assembled around the central figures of Shiva and Parvati , the former bearing the River Ganges as she descends from heaven . The carving is 4 m ( 13 ft ) wide and 5 @.@ 207 m ( 17 @.@ 08 ft ) high . The image is highly damaged , particularly the lower half of Shiva seen seated with Parvati , who is shown with four arms , two of which are broken . From the crown , a cup with a triple @-@ headed female figure ( with broken arms ) , representing the three sacred rivers Ganges , Yamuna , and Sarasvati , is depicted . Shiva is sculpted and bedecked with ornaments . The arms hold a coiling serpent whose hood is seen above his left shoulder . Another hand ( partly broken ) gives the semblance of Shiva hugging Parvati , with a head of matted hair . There is a small snake on the right hand and a tortoise close to the neck , with a bundle tied to the back . An ornamented drapery covers his lower torso , below the waist . Parvati is carved to the left of Shiva with a coiffured hair dress , fully bedecked with ornaments and jewellery , also fully draped , with her right hand touching the head of a female attendant who carries Parvati 's dress case . The gods Brahma and Indra , with their mystic regalia and mounts , are shown to the right of Shiva ; Vishnu , riding his mount Garuda , is shown to the left of Parvati . Many other details are defaced but a kneeling figure in the front is inferred to be the king who ordered the image to be carved . There are many divinities and attendant females at the back . The whole setting is under the sky and cloud scenes , with men and women , all dressed , shown showering flowers on the deities . In the chamber to the east of the Trimurti is the four @-@ armed Ardhanarishvara carving . This image , which is 5 @.@ 11 m ( 16 @.@ 8 ft ) in height , has a headdress ( double @-@ folded ) with two pleats draped towards the female head ( Parvati ) and the right side ( Shiva ) depicting curled hair and a crescent . The female figure has all the ornamentation ( broad armlets and long bracelets , a large ring in the ear , jewelled rings on the fingers ) but the right male figure has drooping hair , armlets and wristlets . One of his hands rests on Nandi ' s left horn , Shiva 's mount , which is fairly well preserved . The pair of hands at the back is also bejewelled ; the right hand of the male holds a serpent , while the left hand of the female holds a mirror . The front left hand is broken but conjectured as holding the robe of the goddess . The central figure is surrounded by divinities . fill in the blank : Described as a masterpiece of Gupta @-@ Chalukyan art , the most important sculpture in the __________________ is the Trimurti , carved in relief at the back of the __________________ facing the entrance , on the north @-@ south axis .
[EX A]:
caves