Answer the question at the end by quoting:

Stephen Ray Vaughan (October 3, 1954 - August 27, 1990) was an American musician, singer, songwriter, and record producer. In spite of a short-lived mainstream career spanning seven years, he was one of the most influential guitarists in the revival of blues in the 1980s. AllMusic describes him as "a rocking powerhouse of a guitarist who gave blues a burst of momentum in the '80s, with influence still felt long after his tragic death." Born and raised in Dallas, Texas, Vaughan began playing guitar at the age of seven, inspired by his older brother Jimmie.
In May 1969, after leaving the Brooklyn Underground, Vaughan joined a band called the Southern Distributor. He had learned The Yardbirds' "Jeff's Boogie" and played the song at the audition. Mike Steinbach, the group's drummer, commented: "The kid was fourteen. We auditioned him on 'Jeff's Boogie,' really fast instrumental guitar, and he played it note for note." Although they played pop rock covers, Vaughan conveyed his interest in the addition of blues songs to the group's repertoire; he was told that he wouldn't earn a living playing blues music and the band parted ways. Later that year, bassist Tommy Shannon walked into a Dallas club and heard Vaughan playing guitar. Fascinated by the skillful playing, which he described as "incredible even then", Shannon borrowed a bass guitar and the two jammed. Within a few years, they began performing together in a band called Krackerjack. In February 1970, Vaughan joined a band called Liberation, which was a nine-piece group with a horn section. Having spent the past month briefly playing bass with Jimmie in Texas Storm, he had originally auditioned as bassist. Impressed by Vaughan's guitar playing, Scott Phares, the group's original guitarist, modestly became the bassist. In mid-1970, they performed at the Adolphus Hotel in downtown Dallas, where ZZ Top asked them to perform. During Liberation's break, Vaughan jammed with ZZ Top on the Nightcaps song "Thunderbird". Phares later described the performance: "They tore the house down. It was awesome. It was one of those magical evenings. Stevie fit in like a glove on a hand." Attending Justin F. Kimball High School during the early 1970s, Vaughan's late-night gigs contributed to his neglect in his studies, including music theory; he would often sleep during class. His musical career pursuit was disapproved by many of the school's administrators, but he was also encouraged by many people to strive for a career in art, including his art teacher. In his sophomore year, he attended an evening class for experimental art at Southern Methodist University, but bailed when it conflicted with rehearsal. Vaughan later spoke of his dislike of the school and stated that he had to receive a daily note from the principal about his grooming.

Did he think of pursuing this route?

bailed when it conflicted with rehearsal.

Answer the question at the end by quoting:

Wilhelm was one of eleven children born to poor tenant farmers John and Ethel (nee Stanley) Wilhelm in Huntersville, North Carolina. He played baseball at Cornelius High School in Cornelius, North Carolina. There, he began experimenting with a knuckleball after reading about pitcher Dutch Leonard.
After his retirement as a player, Wilhelm managed two minor league teams in the Atlanta Braves system for single seasons. He led the 1973 Greenwood Braves of the Western Carolinas League to a 61-66 record, then had a 33-33 record with the 1975 Kingsport Braves of the Appalachian League. He also worked as a minor league pitching coach for the New York Yankees for 22 years. As a coach, Wilhelm said that he did not teach pitchers the knuckleball, believing that people had to be born with a knack for throwing it. He sometimes worked individually with major league players who wanted to improve their knuckleballs, including Joe Niekro. The Yankees gave Wilhelm permission to work with Mickey Lolich in 1979 even though Lolich pitched for the San Diego Padres. Wilhelm was on the ballot for the Baseball Hall of Fame for eight years before he was elected. After Wilhelm failed to garner enough votes for induction in 1983, sportswriter Jim Murray criticized the voters, saying that while Wilhelm never had the look of a baseball player, he was "the best player in history at what he does." He fell short by 13 votes in 1984. Wilhelm was inducted into the Baseball Hall of Fame in 1985. At his induction ceremony, he said that he had achieved all three of his initial major league goals: appearing in a World Series, being named to an All-Star team, and throwing a no-hitter. He and his wife Peggy lived in Sarasota, Florida. They raised three children together: Patti, Pam, and Jim. Wilhelm died of heart failure in a Sarasota nursing home in 2002.

Did he ever become a coach?

As a coach,

Answer the question at the end by quoting:

The Turkana are a Nilotic people native to the Turkana District in northwest Kenya, a semi-arid climate region bordering Lake Turkana in the east, Pokot, Rendille and Samburu people to the south, Uganda to the west, and South Sudan and Ethiopia to the north. They refer to their land as Turkan. According to the 2009 Kenyan census, Turkana number 855,399, or 2.5% of the Kenyan population, making the Turkana the third largest Nilotic ethnic group in Kenya, after the Kalenjin and the Luo, slightly more numerous than the Maasai, and the tenth largest ethnicity in all of Kenya. Although this figure was initially controversial and rejected as too large by Planning Minister Wycliffe Oparanya, a court ruling (Feb 7, 2012) by Justice Mohammed Warsame (judge) stated that the Kenyan government accepts the 2009 census figures for Turkana.
Traditionally, both men and women wear wraps made of rectangular woven materials and animal skins. Today, these cloths are normally purchased, having been manufactured in Nairobi or elsewhere in Kenya. Often, men wear their wraps similar to tunics, with one end connected with the other end over the right shoulder, and carry wrist knives made of steel and goat hide. Men also carry stools (known as ekicholong) and will use these for simple chairs rather than sitting on the hot midday sand. These stools also double as headrests, keeping one's head elevated from the sand, and protecting any ceremonial head decorations from being damaged. It is also not uncommon for men to carry several staves; one is used for walking and balance when carrying loads; the other, usually slimmer and longer, is used to prod livestock during herding activities. Women will customarily wear necklaces, and will shave their hair completely which often has beads attached to the loose ends of hair. Men wear their hair shaved. Women wear two pieces of cloth, one being wrapped around the waist while the other covers the top. Traditionally leather wraps covered with ostrich egg shell beads were the norm for women's undergarments, though these are now uncommon in many areas. The Turkana people have elaborate clothing and adornment styles. Clothing is used to distinguish between age groups, development stages, occasions and status of individuals or groups in the Turkana community. Today, many Turkana have adopted western-style clothing. This is especially prominent among both men and women who live in town centers throughout Turkana.

was there special robes for cheiftains?
Clothing is used to distinguish between age groups, development stages, occasions and status of individuals or groups in the Turkana community.