Problem: This review is like what?

Review:I have just watched the whole 6 episodes on DVD. The acting throughout is excellent - no question. There was not quite enough action for me I must say. No real suspense as such, just plenty of first class character development. Nothing like Tinker Tailor in terms of "whodunnit". If you like a good story slowly and carefully told then this is for you. Peter Egan as the lead Magnus Pym is excellent.

The film portrayed the life of a traitor. A man who should have been a loyal member of the British Intelligence Service but who was so damaged psychologically by his unhappy childhood that deception became his way of life in all things. As a child he adored his father but his father was exposed time & time again as a crook and a con man. Pym betrayed not for ideology or money but because he needed to deceive those closest to him (wife, son, mentor). Pym is fatally damaged by his father's influence - it has eaten his moral fibre away. He has no real love or loyalty in him.

Heavy psychological stuff and not many light moments in the 6 hour series. Very well done though.
+++++++++
A: positive

Problem: This review is like what?

Review:First of all, I liked very much the central idea of locating the '' intruders'', Others in the fragile Self, on various levels - mainly subconscious but sometimes more allegorical. In fact the intruders are omnipresent throughout the film : in the Swiss-French border where the pretagonist leads secluded life; in the his recurring daydream and nightmare; inside his ailing body after heart transplantation.... In the last half of the film, he becomes intruder himself, returning in ancient french colony in the hope of atoning for the past.

The overall tone is bitter rather than pathetic, full of regrets and guilts, sense of failure being more or less dominant. This is a quite grim picture of an old age, ostensibly self-dependent but hopelessly void and lonely inside. The directer composes the images more to convey passing sensations of anxiety and desire than any explicit meanings. Some of them are mesmerizing, not devoid of humor though, kind of absurdist play only somnambulist can visualize.
+++++++++
A: positive

Problem: This review is like what?

Review:Towards the end of this thriller Ally Sheedy's gaunt latter-day image is used creatively to make up more than one hauntingly evil image. She convinces one that, if a nasty Bette Davis-type role were to come her way, she could carry it off brilliantly. Unfortunately, I can't find many other reasons for seeing this. If you've wondered what Sheedy looks like in a pair of old-fashioned glasses (but why should anyone?) then here's your answer. For the rest, Sally Kirkland's sex-starved crazy woman is really tiresome, and even if you like this sort of thing more than I do you'll have to admit that the tension sags badly during these scenes. Savage's drunken brute of an insurance agent is equally distasteful but at least it's a small role. Of the leading actors, Nicholas Walker inspires no sympathy at all for Paul Keller's plight and his acting is wooden. Dara Tomanovich is better and during her scenes with Sheedy the level rises a little. Sheedy's meticulous, understated performance (though she often seems to be on automatic pilot) is admirable in itself but out of context with the rest. The sets are drab, the camera-work undistinguished.
+++++++++
A: negative

Problem: This review is like what?

Review:I can't believe this movie managed to get such a relatively high rating of 6! It is barely watchable and unbelievably boring, certainly one of the worst films I have seen in a long, long time.

In a no-budget way, it reminded me of Star Wars Episodes I and II for the sheer impression that you are watching a total creative train wreck.

This film should be avoided at all costs. It's one of those "festival films" that only please the pseudo-intellectuals because they are so badly made those people think it makes it "different", therefore good.

Bad film-making is not "different", it's just bad film-making.
+++++++++
A:
negative