In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: I like my Ronald Colman dashing and debonair, the fellow you see in such films as If I Were King and Kismet. I like him as the epitome of civilization as in The Lost Horrizon and Random Harvest. A brooding Colman isn't a favorite of mine.But in A Double Life precisely because his part as actor Anthony John is so offbeat for him, Colman was recognized with a Best Actor Oscar for 1947. It became his best known part.Colman is an actor who really does take the Method quite seriously. He's just finished a successful run in a comedy of manners and he's quite the jovial fellow. For a change of pace now that that play has concluded its Broadway run, Colman is bringing a revival of Othello to New York. About as opposite a part as you can get.His leading lady in both is his former wife Signe Hasso who loves him dearly, but can't take his change of moods when he's at work. Colman loves her dearly as well and wants her back. But he's heading for a mental breakdown when he starts confusing himself with the jealous Moor Othello and Hasso with her role as Desdemona.Unfortunately Shelley Winters as a poor waitress who a depressed Colman picks up gets in the way of his madness and she winds up like poor Desdemona in the play. Killed in the same manner and now it's a matter for homicide cop Joe Sawyer.Colman's performance is so good that one does kind of wonder is this an occupational hazard with actors? I'd shudder to think so, were there any unsolved homicides in or around Laurence Olivier and Orson Welles then they essayed Othello. I could never quite buy the story for that reason, but I certainly do applaud Ronald Colman and what he did with the part. I'm sure there was a tinge of regret in him winning the Oscar though because one of the other nominees was his good friend William Powell for Life With Father. Others in the running that year were Gregory Peck for Gentlemen's Agreement, John Garfield for Body and Soul, and Michael Redgrave for Mourning Becomes Electra.Colman gets able support from the rest of the cast including Edmond O'Brien who finds himself in the unwanted part of Cassio in Colman's jealous fantasy. Still you will find no Iago equivalent in A Double Life, no one prodding the jealousy, it's all in his own mind.And that from one of the most cultivated and civilized minds of the last century. Question: is it a positive review?
[EX A]: yes

[EX Q]: Review: The plot of The Thinner is decidedly thin. And gross. An obese lawyer drives over the Gypsy woman, and the Gypsy curse causes him to lose and lose weight... to the bone. OK, Gypsy curses should be entertaining, but the weight-losing gone bad? Nope. Except Stephen King thinks so. And Michael McDowell, other horror author and the screenwriter of this abysmal film, does so, too. The lawyer is not only criminally irresponsible, he is fat too, haha! The Thinner is like an immature piece of crap for a person who moans how he/she has never seen anything so disgusting than fatness. Hey, I can only say: Well, look at the mirror. Question: is it a negative review?
[EX A]: yes

[EX Q]: Review: POPEYE AND BIG FOOT **; POPEYE'S ENGINE COMPANY **; GETTING POPEYE'S GOAT **1/2I used to lap these up as a kid but, catching an episode of the series comprising three cartoons back-to-back now i.e. several years later (they preceded the theatrical screening of the pirate yarn RAIDERS OF THE SEVEN SEAS [1953]), I can see how they don't hold up all that well! The character of Popeye isn't exactly sympathetic to begin with, Olive Oyl distinctly overbearing and Bluto's antics failed to elicit much interest either in short, the scripts were alarmingly thin, fairly awful and generally unfunny to boot. They're strictly juvenile fare, yet I doubt today's kids would even have the patience to stick with them!; furthermore, the animation style is unattractive.Taking each short per se, I guess they improved from one to the other: after the initial shock, one adapted to its mediocre quality as it were, so that the third cartoon easily results in being the most enjoyable of the lot Popeye is entrusted with a mascot army goat whose immense appetite causes him no end of mischief (hardly original, I know, but always an amusing ploy). One interesting element here was that the shorts were bookended with Popeye delivering moralistic bits of wisdom to the kids in the audience. Question: is it a positive review?
[EX A]:
no