Problem: Build a movie plot around this: What is the final line of the movie? Papa spoke to me.

A: "Through a Glass Darkly," originally titled "The Wallpaper," is the first part in a film trilogy, the start to a new direction taken by Ingmar Bergman: "chamber films," so named for their analogy to chamber music.First Movement. The film opens with the mirroring of a gloomy sky on the placid Baltic Sea waters at the Faro Island shores, near Gotland's northernmost tip. Four bathers, all in a jovial mood, splashing and joking, are returning from a swim in the cold sea. As they reach the jetty, the youngest members of the quartet, Karin (Harriet Andersson) and her teenage brother, Fredrik, known as Minus (Lars Passgard), are sent off to get some milk at a nearby farm, while Karin's physician husband, Martin (Max von Sydow), and her father, David (Gunnar Bjorstrand), a writer, go and set up their fishing nets. David has just returned from Switzerland, where he was finishing writing his latest novel, and their task gives them a private opportunity to discuss Karin's status, whose schizophrenia has been diagnosed as most likely incurable.On the way to the farm, Minus expresses his hope that their father will be successful with his latest novel's publication. On the way back, Minus confides in his sister his sexual apprehensions, which eventually degenerates into his admonishment of Karin for the (maybe) too intimate attention she keeps showing toward him. But most importantly, he confesses how much he wishes he could communicate with his father.The quartet is reunited for the evening dinner around a table in front of their cottage. Again, a festive atmosphere prevails, but soon turns sour. David confesses that while he was anxious to return to his family after his long absence, that he is about to leave again, in spite of his earlier promise to his children not to travel so often. Somewhat guiltily, and seeking forgiveness, David distributes some presents, all of them turning out to be unsuitable. He goes into the house under the pretense of getting his pipe tobacco, but it is only to release his pent-up anguish at...

Problem: Build a movie plot around this: Who rescues Max? Gyro Captain

A: Against a backdrop of vintage documentary footage and clips from the movie Mad Max and other archival footage of war, a narrator's voice (Harold Baigent) in the near future remembers the time of chaos after the collapse of the oil-based economy, and the apocalyptic world war that followed. The narrator relates how gangs of scavengers took over the roads, pillaging for fuel, and how ordinary men were broken in the decay: men like Max Rockatansky (Mel Gibson), the Road Warrior, who lost his wife and infant child to the gangs, and became an empty "shell of a man."Max and his dog are being chased down an Australian Outback road, two cars and a motorbike pursuing Max's V8 Interceptor. Max deploys his booster and outruns his pursuers, wrecking the two cars. The motorbike riders pull up as Max is collecting fuel from one of the wrecked cars, and the bike's driver, Wez (Vernon Wells), pulls an arrow from his own arm, screaming defiance at Max. Wez rides off, leaving Max on his own. Searching the wrecked truck, Max finds the mutilated body of a dead child, and picks up the child's tiny music box, amused by the tune it plays. Max drives off a short time later.Max spots a gyrocopter by the side of the road. He approaches cautiously, but when he catches the snake guarding the 'copter, a man camouflaged with sand bursts from the ground, aiming a crossbow at him. The Gyro Captain (Bruce Spence) has been using the 'copter to attract the curious, and get their fuel once the snake has done its work. Max warns him the Interceptor's full tanks are booby-trapped. The Gyro Captain orders Max to disarm the bomb. When the Captain opens the passenger door, Max's dog attacks the Gyro Captain and the tables are turned. To save his own skin, the Gyro Captain offers to show Max an oil-refinery not far away, suggesting that the group that lives there will give Max all the fuel he needs. Max takes the man prisoner and drives to the refinery.They arrive on a hill next to the refinery to find it under siege from a gang using all sorts of...

Problem: Build a movie plot around this: What is Garrincha doing when Blood and Snake find him? flogging the boy after he sees the kite signal

A: South Texas Border, the 1850s. A poor man and his young son arrive exhausted at a small outpost. There, the man confronts Luke Fletcher (Donald O'Brien), a sneering crook in the employ of a rich and powerful landowner called Barret. The man tells Fletcher that Barret has swindled him and his son out of money for some non-existent land. The bitter altercation ends with the man shot dead right in front of his son. As the killer laughs sadistically, the little boy picks up his father's gun and shoots Fletcher dead. Impassively, the boy mounts Fletcher's horse, claiming it along with its ornate silver-trimmed saddle, and rides off.Several years later, the young boy has grown up into a rugged bounty hunter named Roy Blood (Giuliano Gemma) who rides into the Texan town of Cerriotts on his silver-saddled horse, accompanied by Two-Strike Snake (Geoffrey Lewis), an amusing but treacherous man he recently met. Snake tells Roy that many have heard the story of the Silver Saddle, and its owner, the boy who avenged his father. He also knows that Roy Blood seems to leave a trail of dead men in his wake. This is why he wants to tag along: Snake collects items of value from the frequent corpses encountered at every turn in the Wild West. Roy's arrival is also noted by Turner, a mysterious blond-haird cowboy (Gianni De Luigi).Roy meets with Shiba (Licinia Lentini), a well-to-do madam of the town's local whorehouse, who is also an old flame who wants more. She tells Roy that a man called Shep is extorting money from her, for a Mexican named Grenache (Aldo Sambrell). Her business will be ruined unless she pays up the following day. Roy obligingly shoots Shep and some of his cronies. Once again Snake turns up, shadowing Roy for spoils. The blond cowboy appears and makes a deal with Snake who offers it to Roy: $2,000 for a hit on one Thomas Barret, to be executed in a graveyard out of town. Roy is suspicious, but accepts the murder contract when he hears the name of Barret.At the graveyard, Roy is crouching with a rifle aiming at...

Problem: Build a movie plot around this: WHO PAINTED THE PAINTINGS? Theophanes

A:
Note: The following synopsis refers to the original, 205 minute version of the film.Andrei Rublev is divided into eight chapters, with a prologue and an epilogue only loosely related to the main film. The main film charts the life of the great icon painter through several episodes of his life. The background is 15th century Russia, a turbulent period characterized by fighting between rival princes and the Tatar invasions.The film's prologue shows the preparations for a hot air balloon ride. The balloon is tethered to the spire of a church next to a river, with a man named Yefim (Nikolay Glazkov) attempting to make the flight by use of a harness roped beneath the balloon. At the very moment of his attempt an ignorant mob arrive from the river and attempt to thwart the flight, putting a firebrand into the face of one of the men on the ground assisting Yefim. In spite of this the balloon is successfully released and Yefim is overwhelmed and delighted by the view from above and the sensation of flying, but he can not prevent a crash landing shortly after. He is the first of several creative characters, representing the daring escapist, whose hopes are easily crushed. After the crash, a horse is seen rolling on its back by a pond, a symbol of life one of many horses in the movie.Fresco Bosom of Abraham by the historical Daniil Chyorny (c. 13601430)I. The Jester (Summer 1400)Andrei (Anatoly Solonitsyn), Daniil (Nikolai Grinko) and Kirill (Ivan Lapikov) are wandering monks and religious icon painters, looking for work. The three represent different creative characters. Andrei is the observer, a humanist who searches for the good in people and wants to inspire and not frighten. Daniil is withdrawn and resigned, and not as bent on creativity as on self-realization. Kirill lacks talent as a painter, yet still strives to achieve prominence. He is jealous, self-righteous, very intelligent and perceptive. The three have just left the Andronikov Monastery, where they have lived for many years, heading to...