In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : Peter Bergen (born December 12, 1962) is an American journalist, author, documentary producer, professor, think tank executive, and CNN's national security analyst. Bergen has written or edited seven books: "Holy War, Inc.: Inside the Secret World of Osama bin Laden" (2001), "" (2006), "" (2011), "" (2012), "Talibanistan: Negotiating the Borders Between Terror, Politics, and Religion" (2013), "Drone Wars: Transforming Conflict, Law, and Policy" (2014), and "" (2016). Three of the books were "New York Times" bestsellers, four of the books were named among the best non-fiction books of the year by the "Washington Post" and they have been translated into twenty languages. Bergen produced the first television interview with Osama bin Laden in 1997. The interview, which aired on CNN, marked the first time that bin Laden declared war against the United States to a Western audience. Context_2 : Deacon of Death is a 2004 Dutch documentary film by film director Jan van den Berg and was produced by DRS Films. The film introduces Sok Chea, a victim of the Khmer Rouge in Cambodia in the 70s, as she confronts Karoby, the man she remembers killing her family and others in their village when she was a child. Karoby has never been brought to trial and still lives in the village where the atrocities took place. Context_3 : Dishonorable Disclosures is a 2012 American documentary film purporting to show that the administration of President Barack Obama has endangered lives by allegedly leaking information about the U.S. military raid that killed Osama bin Laden in 2011. Context_4 : Surviving the Tsunami - My Atomic Aunt is a 2013 documentary film written, directed, and co-produced by Kyoko Miyake remembers the Fukushima nuclear disaster that occurred on March 11, 2011 by focusing on how the disaster has affected her home town of Namie, Fukushima, Japan. The film develops into a personal reflection on how the Fukushima disaster has affected not only the world, but Miyake herself and the family she once knew. Context_5 : Being Osama is an award-winning documentary produced in 2004 by Tim Schwab and Mahmoud Kaabour. Director Mahmoud Kaabour is the founder and managing director of Veritas Films, now based in the United Arab Emirates. Co-director Tim Schwab is an Associate Professor of film at Concordia University. Context_6 : One Survivor Remembers is a 1995 documentary short film by Kary Antholis in which Holocaust survivor Gerda Weissmann Klein recounts her six-year ordeal as a victim of Nazi cruelty, including the loss of her parents, brother, friends, home, possessions, and community. Context_7 : Manhunt: The Search for Bin Laden is a 2013 documentary film directed by Greg Barker that explores the Central Intelligence Agency's investigation of Osama bin Laden, starting from 1995 until his death in 2011. It premiered on HBO on May 1, 2013, two years after the mission that killed bin Laden. The documentary features narratives by many of the CIA analysts and operatives who worked over a decade to understand and track bin Laden, and includes archival film footage from across Washington, D.C., Pakistan, Saudi Arabia and elsewhere in the Middle East. It also features extensive and rarely seen footage of Al-Qaeda training and propaganda videos, including video suicide notes from various terrorists who later worked as suicide bombers. Context_8 : Sam Abell (born 1945 in Sylvania, Ohio) is an American photographer known for his frequent publication of photographs in "National Geographic". He first worked for "National Geographic" in 1967, and is one of the more overtly artistic photographers among his magazine peers. Sam Abell's style of photography is documentary in the sense that his major avenue, the "National Geographic" magazine, is a publication of record. However, his best work is known for its transcendent qualities, starting at the documentary level yet open to interpretation on an aesthetic level. One of his favorite photographs (based on how often he mentions it when asked about his work) is of the tree viewed through a Japanese window, which graces the cover of his book "Seeing Gardens". It's a documentary photograph of a tree, but due to a combination of light and Abell's inclusion in his composition of roof tiles in the background, the photograph takes on the transcendent, illusory quality of a stained glass window. Abell rarely uses flash, preferring a pure relationship with light. He has said that he could be perfectly happy with his photography even if his only subject was light itself. Context_9 : Luboml: My Heart Remembers is a 2003 documentary film produced by Eileen Douglas and Ron Steinman and funded by The Aaron Ziegelman Foundation. It compiles survivor interviews, archival photographs and film footage to reconstruct a sense of life in Luboml, one of the five thousand small shtetls (Jewish market towns) that were destroyed by the Holocaust. The film explores the vibrant Jewish life that once central to European Jewry is now forever lost. Made in 2003, "Luboml: My Heart Remembers" was called a "must see gem" by "The Forward". Context_10 : The Tree That Remembers is a 2002 animated documentary by Iranian filmmaker Masoud Raouf, exploring the lives of former political prisoners like himself who had been active in the democratic movement during the days of the Shah of Iran, only to face imprisonment and torture under the Islamic regime after the 1979 Iranian revolution. fact_1 : The Tree That Remembers is a 2002 animated documentary by Iranian filmmaker Masoud Raouf, exploring the lives of former political prisoners like himself who had been active in the democratic movement during the days of the Shah of Iran, only to face imprisonment and torture under the Islamic regime after the 1979 Iranian revolution. fact_2 : Being Osama is an award-winning documentary produced in 2004 by Tim Schwab and Mahmoud Kaabour. Answer: The Tree That Remembers
Solution:
Which documentary was animated, The Tree That Remembers or Being Osama?