Problem: Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Context: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
Question: What were the results she published?
Answer: Carter rejected claims that students had stolen the Oscar

Problem: Background: Nando Reis (Portuguese pronunciation: ['nadu 'Rejs], born Jose Fernando Gomes dos Reis; January 12, 1963) is a Brazilian musician and producer, best known as the former bassist and one of the lead singers of Brazilian rock band Titas and for his successful solo career, with his own band called Os Infernais. He has also produced a few albums, including some related to Cassia Eller, who has made several significant partnerships with him, and Marisa Monte. In 2012, Nando Reis was listed among the top ten Brazilian artists at the ECAD list of artists who earned the most from copyright in the first semester of that year.
Context: Nando Reis was born in Sao Paulo to Cecilia Leonel and Jose Carlos Galvao Gomes dos Reis. He was given his prename "Jose" just like his brothers, Jose Carlos, the oldest of the children, and Jose Luiz (who is deaf), the younger. His two sisters also shared the same prenames: Maria Cecilia, the older, and Maria Luiza, the youngest of the five, which developed cerebral palsy. His mother was an acoustic guitar teacher and his father was an engineer. Jose Carlos taught him a little bit of Rock 'n' Roll, showing him Rolling Stones's album Between the Buttons. Maria Cecilia taught him to play the acoustic guitar and took him to a show of Gal Costa and Gilberto Gil. He was given his first acoustic guitar by his grandmother, at the age of 7, and was taught his first chords by his sister. However, most of his skills were acquired alone, when he learned songs of Caetano Veloso all by himself. Some friends of Jose Carlos played in a rock band. Once, he took Nando to a small performance at the garage of the bassist house. Impressed with the solos of the guitarist, he asked him to teach him, but he never made it. He also tried the drums, but gave up. He decided then to play the bass guitar, as his attempts to play the electric guitar and the drums failed. Other artists, such as The Beatles, Led Zeppelin and Alice Cooper kept joining his main influences. At the age of eleven, he had classes of classic guitar and harmony with Alexandre ("Maranhao"), a friend of Jose Carlos. His first compositions were all based on poems. Most of them were long, showing his appreciation for long songs. In 1978, he entered Equipe School. There, he formed a band called "Os Camaroes" (The Shrimps) with some friends, and managed to win a local music festival. When he met Paulo Miklos and Arnaldo Antunes, who took part of the festival, he made the first compositions with what would later become Titas. When the high school was over, he waited three years to pass the Mathematics vestibular. Even though Titas where already planning their first show, the university occupied most of his time. Therefore, he decided to quit it.
Question: Did he have siblings?
Answer:
He was given his prename "Jose" just like his brothers, Jose Carlos, the oldest of the children,