Problem: Faryl Smith (born 23 July 1995) is a British soprano who rose to fame after appearing on the second series of the ITV television talent show Britain's Got Talent in 2008. She received praise throughout the competition, and although the favourite to win after the second round, she finished outside the top three in the live final on 31 May. During the competition, she was tutored by singing coach Yvie Burnett and received offers from various record labels. After the show, she, unlike other finalists, did not sign with Simon Cowell's Syco, although she did appear on fellow finalist Andrew Johnston's debut album, One Voice.

In July 2009 it was announced that Smith was hoping to release her second album later in the year. In an interview, she expressed surprise and pleasure that the label wanted her to do another album so soon after the first. In September, further details about the album were released, including its name, Wonderland, and planned release date, 30 November. Smith claimed that Faryl "was an introduction to me and an introduction for me to recording", while Cohen, producer of both Faryl and Wonderland, said Smith had "matured as an artist since the first album and I have no doubt that once again, people will be astonished and moved by her performances". The album, which was recorded at Sarm Studios in Notting Hill, London, was completed in early October, and is loosely based on Lewis Carroll's Alice in Wonderland. Wonderland was released on 30 November. To publicise the album, Smith appeared on numerous radio shows, as well as television appearances including Ready Steady Cook, Blue Peter, the BBC News Channel, The Alan Titchmarsh Show and Sky News Sunrise. Wonderland was well received by critics; Paul Callan, reviewing the album for the Daily Express, described it as "a joy". He compared it to other Christmas albums, saying that "[t]oo many are tired, much-repeated carol selections." He described Smith's "control, tone and warmth" as "very moving". Andy Gill, reviewing Wonderland for The Independent, gave a less positive review. He said that the influence of Alice in Wonderland was often hard to perceive and that Cohen and Smith had "sweetened the classical elements". However, he praised the arrangements of "Adiemus", "Barcarolle", "Merry Christmas, Mr Lawrence" and "Blow The Wind Southerly", but noted that on tracks including "Close To You", "the lack of emotional weight is telling." Overall, Gill gave Wonderland 3 out of 5. However, the album failed to perform as well as Faryl; it entered the British album charts at number 56 for the week ending 12 December before dropping to number 92 the following week and then out of the top 100. After Wonderland, Smith's contract with Universal ended, and she subsequently received less attention from the press. Smith described the break with the label as mainly her decision, as she needed to focus on her A levels, which would allow her to get to university, explaining in an interview that "It wasn't like it ended horribly." Smith performed at the 2009 Royal Variety Performance in front of Queen Elizabeth II, where she sang "God Save the Queen" with The Soldiers. She later said that the experience, including subsequently meeting the Queen, as the highlight of her year. Smith also performed elsewhere with The Soldiers, including at St Paul's Cathedral and Great Ormond Street Children's Hospital.

What songs or hit singles did the album have?

Answer with quotes: "Adiemus", "Barcarolle", "Merry Christmas,

Question:
Lewis was born in 1935 to the poor farming family of Elmo and Mamie Lewis in Ferriday, Concordia Parish, in eastern Louisiana. In his youth, he began playing piano with two of his cousins, Mickey Gilley (later a popular country music singer) and Jimmy Swaggart (later a popular television evangelist). His parents mortgaged their farm to buy him a piano. Lewis was influenced by a piano-playing older cousin, Carl McVoy (who later recorded with Bill Black's Combo), the radio, and the sounds from Haney's Big House, a black juke joint across the tracks.
Lewis's turbulent personal life was hidden from the public until a May 1958 British tour where Ray Berry, a news agency reporter at London's Heathrow Airport (the only journalist present), learned about Lewis's third wife, Myra Gale Brown. She was Lewis's first cousin once removed and was only 13 years old at the time. (Brown, Lewis, and his management all insisted that she was 15.) Lewis was 22 years old. The publicity caused an uproar, and the tour was cancelled after only three concerts. The scandal followed Lewis home to the United States; and, as a result, he was blacklisted from radio and almost vanished from the music scene. Lewis felt betrayed by numerous people who had been his supporters. Dick Clark dropped him from his shows. Lewis even felt that Sam Phillips had sold him out when the Sun Records boss released "The Return of Jerry Lee", a bogus "interview" spliced together by Jack Clement from excerpts of Lewis's songs that "answered" the interview questions, which made light of his marital and publicity problems. Only Alan Freed stayed true to Lewis, playing his records until Freed was removed from the air because of payola allegations. Lewis was still under contract with Sun Records, and kept recording, regularly releasing singles. He had gone from $10,000 a night for concerts to $250 a night for engagements in beer joints and small clubs. At the time he had few friends whom he felt he could trust. It was only through Kay Martin, the president of Lewis's fan club, T. L. Meade (also known as Franz Douskey), an occasional Memphis musician and friend of Sam Phillips, and Gary Skala, that Lewis went back to record at Sun Records. In 1960, Phillips opened a new state-of-the-art studio at 639 Madison Avenue in Memphis, abandoning the old Union Avenue studio where Phillips had recorded B.B. King, Howlin' Wolf, Elvis Presley, Roy Orbison, Carl Perkins, Lewis, Johnny Cash and others, and also opened a studio in Nashville. It was at the latter studio that Lewis recorded his only major hit during this period, a rendition of Ray Charles's "What'd I Say" in 1961. In Europe, other updated versions of "Sweet Little Sixteen" (September 1962 UK) and "Good Golly Miss Molly" (March 1963) entered the hit parade. On popular EPs, "Hang Up My Rock and Roll Shoes", "I've Been Twistin'", "Money" and "Hello Josephine" also became turntable hits, especially in nascent discotheques. Another recording of Lewis playing an instrumental boogie arrangement of the Glenn Miller Orchestra favorite "In the Mood" was issued on the Phillips International label under the pseudonym "The Hawk", but disc jockeys quickly figured out the distinctive piano style, and this gambit failed.
Answer this question using a quote from the text above:

What happened at the new studio?

Answer:
Lewis recorded his only major hit during this period,