An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: The only thing worse than surfers without any waves is a film about surfers without any waves. For viewers who love surfing this film will be a gigantic disappointment since the total number of minutes of surfing footage struggles to reach three.

The story is a slice of life about beached surfers who are waiting not for the perfect wave, but for any wave at all. J.C. (Sean Pertwee) is an aging super surfer who is flirting with a commitment with his girlfriend Chloe (Catherine Zeta Jones). Just as he is about to find grown up bliss with the woman he loves, three old surfing friends turn up and convince him to hit the beach looking for monster waves at the Bone Yard. The trouble is, there are no waves until the very end of the film, so most of the story dissipates itself on a meandering succession of disconnected beach happenings.

The acting is mostly mediocre. Sean Pertwee has a few comical moments, but mostly his acting was mundane. Ewan McGregor was decent as the drug dealing wild man, by far the most interesting and peculiar character of the bunch. Probably the funniest performance was turned in by Peter Gunn as Terry who turned his corpulent body into a continual sight gag. Catherine Zeta-Jones was sexy as usual, but her character didn't really have enough meat for her to show much acting ability.

There is really not much here on which to comment. I rated it a 3/10. It's a real beach bummer.
Q: What's an example of a movie review?
An example of a movie review is here: This is Not a Love Song.

My one word summary of this film would be 'Excellent'.

It probably won't appeal to the mass movie watching public it's a

film that forces you to participate. You observe, think, and question.

Comparisons could be made with Deliverance (Topic/Theme) and

perhaps with The Blair Witch Project for overall filming style.

However this film stands unique against both.

The cinematography effects (solarisation, freeze frame, blur etc)

have been seen before but they are used most effectively in this

film to underpin the natural tension of the story.

Acting is raw, menacing and utterly believable.

The real theme of the film is about friendship; the title really gives

the game away. It's probably not the kind of friendship that most of

us have experienced or indeed would want to.

It is a love song.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: I don't remember "Barnaby Jones" being no more than a very bland, standard detective show in which, as per any Quinn Martin show, Act I was the murder, Act II was the lead character figuring out the murder, Act III was the plot twist (another character murdered), Act IV was the resolution and the Epilogue was Betty (Lee Meriwether) asking her father-in-law Barnaby Jones (Buddy Ebsen) how he figured out the crime and then someone saying something witty at the end of the show.

One thing I do remember was the late, great composer Jerry Goldsmith's excellent theme song. Strangely, the opening credit sequence made me want to see the show off and on for the seven seasons the show was on the air. I will also admit that it was nice to see Ebsen in a role other than Jed Clampett despite Ebsen being badly miscast. I just wished the show was more entertaining than when I first remembered it.

Update (1/11/2009): I watched an interview with composer Jerry Goldsmith on YouTube through their Archive of American Television channel. Let's just say that I was more kind than Goldsmith about the show "Barnaby Jones."
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Hines and Goforth, the perpetrators of this crime, begin on the wrong foot first step, by assuming that Wells wrote Gothic horror and that all of his lines are meant to be taken seriously. That simply isn't true. Wells was very much an inheritor of the Enlightenment, and his main concern was that Victorian self-satisfaction might leave the British unprepared for the world the new technology could produce - both the good and the bad.

Two terrible consequences follow - the protagonist is portrayed as a wimpy screamer (I was reminded of Fay Wray in the original King Kong), rather than a man struggling to live out the ironies of an unbelievable catastrophe; and the dialog reeks of 'Victorianisms' uttered seriously that Welles clearly meant to be taken tongue in cheek.

All of this looks suspiciously like Ed Wood with an enormous budget to waste on CGI effects - which by the way are so poorly accomplished, the Warner Bros. cartoon factory of the 1940s could have done a better job. (Gobs of spattered blood looked like red balloons, I expected them to float away any minute.) Think The Yellow Submarine as done by the old EC Comics.

Worse yet is the loss of theme, which robs the film of any reason to exist. Although the makers of this film return the story to its Victorian era, they utterly miss the uncanny way Wells' story predicted many of the horrors of the First World War - a fact not unnoticed by Wells himself, who, after the war, reworked the theme in The Shape of Things to Come.

Without any theme, all we have here are a lot of people running around getting blasted into cartoon balloons, when they're not trying out for a high school production of a drunken student's rewrite of Macbeth.

Really, this is the worst, most senseless piece of drivel I have suffered through since a friend talked me into seeing the Eastern European cartoon "Fantastic Planet" thirty years ago. That film was so pretentiously dull, my friend and I and two total strangers gave up ridiculing it about half-way through, and sat near the screen playing cards, using the movie as light by which to see the cards - its only usefulness, as far as any of us could tell.

But I already have electric lighting in my apartment, so I didn't need this put-down of Wells for anything.

Do not avoid this film - steal every copy you can (don't pay a cent) and burn each and every one of them. God in his wisdom created us just for this purpose.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Its too bad a lot of people didn't understand this and the next episode.

But don't worry! ill explain it too you :)

This episode is split in 2 parts.

first part is Tony's "Dream" in his coma. Second part is what happens in real life.

now what people didn't understand is that Tony's dream is more then just a dream. in this episode its about his preparation for his Death. He loses his own identity and eventually even forgets himself, thus he disconnects all his bindings with this world. You will notice what I'm saying at the doctor scene, where tony says he has lost his briefcase which contains "his life". They makers really did a superb job of interpreting they're own thoughts of what happens when you die.

If you understand the whole plot you will find this and the next episode an unique thing, with great spiritual meanings.

Like every sopranos episode the acting and filming is superb.

Only thing i didn't understand was what the role where of the monks. gonna re watch it till i get this.

anyways this episode really touched me, and i don't think anyone else can make a better view of what happens in a almost death experience.

10/10 no doubt.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
The Maxx is a deep psychological introspective lightly camouflaged as a weird-out superhero story. Julie Winters is a "freelance social worker" in an unnamed filthy city, ridden with crime, and she and everyone she knows has a lot of issues to work through. The Maxx is her friend and client, a street bum who thinks he's a costumed superhero - or is it the other way around?

The Maxx is not to be missed for the artwork, the story itself, or the excellent voice work - particularly the late Barry Stigler's deliciously urbane, drippingly evil voicing of the main villain, Mr. Gone.

If you get the chance to see this, don't miss it.