Background: Morbid Angel is an American death metal band based in Tampa, Florida formed in 1983 by guitarist and sole remaining original member Trey Azagthoth, vocalist and bassist Dallas Ward, and drummer Mike Browning. Widely considered as one of the most influential bands in the genre and important in the transition of death metal from its thrash metal roots, they were one of the first bands to incorporate guttural vocals, up-tempo blast beats, multiple tempo changes and dark atmosphere. They have been described as one of "the most influential and emulated bands in death metal", alongside Obituary and Cannibal Corpse, and have been cited as an influence by many later bands. They were also the first death metal band to experience mainstream success in connection with being signed to Giant Records in 1992, heavy rotation of their music videos on MTV, and having the music video for the song "God of Emptiness" shown on an episode of Beavis and Butt-head.
Context: 1991 saw the release of their second album, Blessed Are the Sick, which was met with widespread critical acclaim, and is considered by many to be a landmark release in the death metal genre. The album differed from its predecessor, showcasing a more "sludgy" side to the band. Following the success of Altars of Madness' and 'Blessed are the Sick', in the Spring of 1992 Morbid Angel were signed by Irving Azoff to Giant Records for one album, with the option of five more. Later that same year, second guitarist Richard Brunelle was kicked out of the band due to alleged substance abuse. On June 22, 1993 the band released their third full-length album 'Covenant', which went on to sell over 150,000 copies in the United States alone. Their record label dedicated promotional resources to the album, and commissioned music videos for the songs 'Rapture' and 'God of Emptiness'. These music videos were put on heavy rotation by MTV, and the latter also appeared on the television show Beavis and Butt-head. The success of the album enabled the band to tour with Black Sabbath and Motorhead across the United States from February through March of 1994, which David Vincent credits with helping the band significantly expand their audience. The band released its fourth studio album, Domination, on May 9, 1995, which featured new guitarist Erik Rutan of Ripping Corpse. It proved to be a somewhat controversial album among fans, featuring a slower, more atmospheric and experimental sound than on previous albums. Music critic describes the album's sound as "more groove-oriented". The album has gone on to sell over 100,000 copies in the United States alone. Regardless, following the release of the album their record label dropped them from their roster.
Question: any other drug influences
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Question:
Depeche Mode are an English electronic band formed in Basildon, Essex in 1980. The group consists of founders Dave Gahan (lead vocals, co-songwriting), Martin Gore (keyboards, guitar, chief songwriting), and Andy Fletcher (keyboards). Depeche Mode released their debut album Speak & Spell in 1981, bringing the band onto the British new wave scene. Original band member Vince Clarke, left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year.
1987's Music for the Masses saw further alterations in the band's sound and working methods. For the first time a producer not related to Mute Records, Dave Bascombe, was called to assist with the recording sessions, although, according to Alan Wilder, Bascombe's role ended up being more that of engineer. In making the album, the band largely eschewed sampling in favour of synthesizer experimentation. While chart performance of the singles "Strangelove", "Never Let Me Down Again" and "Behind the Wheel" proved to be disappointing in the UK, they performed well in countries such as Canada, Brazil, West Germany, South Africa, Sweden and Switzerland, often reaching the top 10. Record Mirror described Music for the Masses as "the most accomplished and sexy Mode album to date". The album also made a breakthrough in the American market. The Music for the Masses Tour began 22 October 1987. On 7 March 1988, with no previous announcement that they would be the headlining act, Depeche Mode played in the Werner-Seelenbinder-Halle, East Berlin, becoming one of the few Western groups to perform in the Communist East Germany. They also performed concerts in Budapest and Prague in 1988, both at the time also Communist. The world tour ended 18 June 1988 with a concert at the Pasadena Rose Bowl with paid attendance of 60,453, the highest in eight years for the venue. The tour was a breakthrough for the band and a massive success in the United States. It was documented in 101 - a concert film by D. A. Pennebaker and its accompanying soundtrack album. The film is notable for its portrayal of fan interaction. Alan Wilder is credited with coming up with the title, noting that the performance was the 101st and final performance of the tour. On 7 September 1988, Depeche Mode performed "Strangelove" at the 1988 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles.
Answer this question using a quote from the text above:

what were some of the alterations?

Answer:
For the first time a producer not related to Mute Records, Dave Bascombe, was called to assist with the recording sessions,

Problem: Background: Richard Charles "Dick" Lewontin (born March 29, 1929) is an American evolutionary biologist, mathematician, geneticist, and social commentator. A leader in developing the mathematical basis of population genetics and evolutionary theory, he pioneered the application of techniques from molecular biology, such as gel electrophoresis, to questions of genetic variation and evolution. In a pair of seminal 1966 papers co-authored with J.L. Hubby in the journal Genetics, Lewontin helped set the stage for the modern field of molecular evolution. In 1979 he and Stephen Jay Gould introduced the term "spandrel" into evolutionary theory.
Context: Along with others, such as Gould, Lewontin has been a persistent critic of some themes in neo-Darwinism. Specifically, he has criticised proponents of sociobiology and evolutionary psychology such as Edward O. Wilson and Richard Dawkins, who attempt to explain animal behaviour and social structures in terms of evolutionary advantage or strategy. He and others criticize this approach when applied to humans, as he sees it as genetic determinism. In his writing, Lewontin suggests a more nuanced view of evolution is needed, which requires a more careful understanding of the context of the whole organism as well as the environment. Such concerns about what he views as the oversimplification of genetics has led Lewontin to be a frequent participant in debates, and an active life as a public intellectual. He has lectured widely to promote his views on evolutionary biology and science. In books such as Not in Our Genes (co-authored with Steven Rose and Leon J. Kamin) and numerous articles, Lewontin has questioned much of the claimed heritability of human behavioral traits, such as intelligence as measured by IQ tests. Some academics have criticized him for rejecting sociobiology for non-scientific reasons. Edward Wilson (1995) suggested that Lewontin's political beliefs affected his scientific view. Robert Trivers described Lewontin as "...a man with great talents who often wasted them on foolishness, on preening and showing off, on shallow political thinking and on useless philosophical rumination while limiting his genetic work by assumptions congenial to his politics." Lewontin has at times identified himself as Marxist, and admitted that his ideological views have affected his scientific work (Levins and Lewontin 1985). Others such as Kitcher (1985) have countered that Lewontin's criticisms of sociobiology are genuine scientific concerns about the discipline. He wrote that attacking Lewontin's motives amounts to an ad hominem argument.
Question: is there any other interesting aspects of the article that you liked?
Answer:
Some academics have criticized him for rejecting sociobiology for non-scientific reasons.