CHAPTER XXVIII

DREAMS AND DRESS-MAKING

Tato was now one of the family. They left Taormina the next day, and Frascatti drove all the girls in his victoria to the station.

"You must come again, signorini," said he, looking regretful at their departure. "Next year the fountain of the ice cream soda will be in operation, like those you have in Chicago, which is America. Our culture increases with our civilization. It is even hinted that Il Duca is to abandon our island forever. He has been interesting to us, but not popular, and you will not miss him when you come again to find he is not here. If this time he has caused you an inconvenience, I am sorry. It is regrettable, but,--"

"But it is so!" said Patsy, laughing.

Tato was again transformed. Patricia, who was the smallest of the three nieces, though not especially slim, had quickly altered one of her own pretty white gowns to fit the child, and as she was deft with her needle and the others had enthusiastically assisted her, Tato now looked more like a fairy than ever.

It was really wonderful what a suitable dress could do for the tiny Sicilian maid. She had lost her free and boyish manner and become shy and retiring with strangers, although when in the society of the three nieces she was as sweet and frank as ever. She wore her new gown gracefully, too, as if well accustomed to feminine attire all her life. The only thing now needed, as Patsy said, was time in which to grow her hair, which had always been cut short, in boyish fashion. What are the answers to this following set of questions: 1. Where did they leave?
2. Where to?
3. Who was driving?
4. Who did he drive?
5. Did anyone laugh?
6. Who?
7. About what?
8. What did Tato look like?
9. Why?
10. Did she wear it well?
11. What did she still had to do to complete the transformation?
12. What would it take to do that?
13. Was style was it now?
Answer: 1. Taormina
2. to the station
3. Frascatti
4. all the girls
5. Yes
6. Patsy
7. unknown
8. like a fairy
9. she was wearing a pretty white gown
10. Yes
11. grow her hair
12. time
13. cut short, in boyish fashion

Productores de Musica de Espana (Spanish Music Producers) (shortened as Promusicae, sometimes stylised PROMUSICAE) is the organisation responsible for the Spanish Albums Chart and other music charts. It is a trade association that represents more than 90 percent of the Spanish recorded music industry. It is the International Federation of the Phonographic Industry (IFPI) group for Spain.

Promusicae was born in 1958 as a representative of the IFPI in Spain under the name of the Spanish Group of the International Federation of the Phonographic Industry (), although not officially an association, since Spanish law during the Franco regime did not recognize the right of association until 1977. In 1978, it was registered as an association under the name Spanish Phonographic Association () (AFE). In 1982, with the emergence and popularization of the music video, the AFE changed its name to Phonographic and Videographic Association of Spain () (AFYVE). Finally, in 2004, AFYVE partners by General Assembly decided to change to its current name, Spanish Music Producers () (Promusicae, which is also a pun with the Latin expression "pro musicae", which means "for / in favor of the music").

Since 30 April 2003, Antonio Guisasola has been president of Promusicae, replacing Carlos Grande. What are the answers to this following set of questions: 1. What organization is this about?
2. What does that mean in English?'
3. What is its smaller form?
4. What is their mission?
5. What does it represent?
6. All of it?
7. How much does it represent?
8. When was it created?
9. What was its original name?
10. Who was Spain's leader then?
11. Was it an association?
12. What was its second name?
13. What acronym did it use?
14. How many more name changes did it go through?
15. When was the next name change?
16. To what?
17. With what acronym?
18. Why this name change?
19. And the last name change?
20. When?
Answer:
1. Productores de Musica de Espana
2. Spanish Music Producers
3. Promusicae
4. responsible for the Spanish Albums Chart
5. the Spanish recorded music industry.
6. no
7. 90 percent
8. 1958
9. the Spanish Group of the International Federation of the Phonographic Industry
10. Franco
11. no
12. Spanish Phonographic Association
13. AFE
14. two
15. 1982
16. Phonographic and Videographic Association of Spain
17. AFYVE
18. emergence and popularization of the music video
19. Spanish Music Producers
20. 2004