Q: What is the answer for the question: What composition did Nielsen been pretentious presenting the lyrics in Latin rather than Danish? from the following article ? Nielsen's two operas are very different in style. The four-act Saul og David (Saul and David), written in 1902 to a libretto by Einar Christiansen, tells the Biblical story of Saul's jealousy of the young David while Maskarade (Masquerade) is a comic opera in three acts written in 1906 to a Danish libretto by Vilhelm Andersen, based on the comedy by Ludvig Holberg. Saul and David received a negative press when it was premiered in November 1902 and did no better when it was revived in 1904. By contrast, in November 1906 Masquerade was a resounding success with an exceptional run of 25 performances over its first four months. Generally considered to be Denmark's national opera, in its home country it has enjoyed lasting success and popularity, attributable to its many strophic songs, its dances and its underlying "old Copenhagen" atmosphere.Nielsen wrote a considerable number of choral works but most of them were composed for special occasions and were seldom reprised. Three fully-fledged cantatas for soloists, orchestra and choir have, however, entered the repertoire. Nielsen composed Hymnus amoris (Hymn of Love), Op. 12 (1897) after studying early polyphonic choral style. Writing in the newspaper Dannebrog, Nanna Liebmann referred to the work as "a decisive victory" for Nielsen, and Angul Hammerich of Nationaltidende welcomed its improved clarity and purity. But the Berlingske Tidende reviewer H.W. Schytte thought Nielsen had been pretentious presenting the lyrics in Latin rather than Danish. Svnen (The Sleep), Op. 18, Nielsen's second major choral work, sets to music the various phases of sleep including the terror of a nightmare in its central movement which, with its unusual discords, came as a shock to the reviewers at its premiere in March 1905. Fynsk Foraar (Springtime on Funen), Op. 42, completed in 1922, has been cited as the most Danish of all Nielsen's compositions as it extols the beauty of Funen's countryside.
A: Hymnus amoris

Q: What is the answer for the question: What are the nicknames of the people who lost touch with one another? from the following article ? Two childhood friends are reunited after many years and discover their feelings for one another have taken a new turn in this drama. Raymond, known to his friends as 'Rag', was born in London to parents who were expatriates from Jamaica, and as a child his best mate was Tagbo, or 'Tag' for short, whose folks were emigres from Nigeria. When Rag was sent to live with his Grandmother, he and Tag lost touch with one another, and went on to live different lives as adults. Rag, a hustler with a great ability to break in through windows, leaves behind an ex-girlfriend and child in Birmingham to move back to London, looking to reconnect with his best friend. While Tag has graduated with honors from law school and is looking for work while dating Olivia, a white political activist, and still living at home. Rag finds Tag, and despite their differences they soon become fast friends again. Rag and Tag seem to understand one another and connect on a level others do not, and when Tag brings Rag along for a trip to Nigeria, their friendship moves to the next level. While Rag realizes their true feelings and attraction, Tag is still reluctant to actually go through the "last" step. However, and through it all, they will do all they can do to take care and watch each other's back.
A: Rag

Q: What is the answer for the question: What were the last names of the two people whose song borrowed heavily from "On the Banks of the Wabash, Far Away" in the chorus, both musically and lyrically from the following article ? A year after the song was published Dresser's brother Theodore, who later became a famous novelist, privately claimed to have authored its lyrics. In 1917, after Dresser's 1906 death, Theodore made his controversial claim public in a newspaper article. Already a controversial figure because of his open support for communism and tendency to make negative comments about his home state, Theodore's claims were ridiculed in many papers and by prominent Hoosiers who dismissed it as a hoax. Although Theodore never retracted his assertion that he wrote the first verse and chorus of the song, he downplayed the importance of his alleged contribution in later years. It is possible that Theodore did give his brother the idea for the song, and may have even authored a portion of the lyrics, some of which reflect his writing style. The line stating "where I first received my lessons, nature's school" is a possible link, reflecting Theodore's obsession with nature during his youth and his belief that it held the answers to life, a topic he wrote of on several occasions.Dresser died penniless after his publishing business failed. Known for his generosity, he also had a tendency to overspend and give money to his friends and family. In addition, copyrights to Dresser's music were poorly managed after the Haviland and Dresser Company went bankrupt in 1905. Maurice Richmond Music, who purchased the bankrupt company's copyrights, gave Ballard MacDonald and James Hanley permission to use two bars from Dresser's ballad in a song they published in 1917. MacDonald and Hanley's "Back Home Again in Indiana" has since eclipsed "On the Banks of the Wabash, Far Away" in public use. Their song borrowed heavily from "On the Banks of the Wabash, Far Away" in the chorus, both musically and lyrically, using far more than just the two bars granted to them. Twenty-six bars from the last two lines of the chorus are copied almost identically. The lyrics of these same lines, "Through the sycamores the candle lights are gleaming, On the banks of...
A:
MacDonald