In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
for about twenty minutes into mission impossible 2 director john woo ( the killer , hard boiled , face off ) appears to have made an exciting , elegant , charming spy thriller , kind of a post millennium james bond adventure with a strapping american ( read : unsophisticated ) hero more willing to drop kick villains than out fox them .
sadly , as the picture progresses , the final product begins to bear a closer resemblance to a souped up , two - hour long episode of magyuver .
and not a particularly good one at that .
what went wrong ?
mi2 begins flashily enough , that initial flash leading us to believe that it 'll soon give way to something of a plot , but it only gives way to more flash , then digresses further into a presumably unintentional parody of itself with much slo mo posturing and countless action set pieces wherein bad guys seem to deliberately leap into the way of tom cruise 's firing gun just so they can die really cool .
early on , during a car chase between soon to be lovers ethan hunt ( tom cruise ) and nyah nordoff - hall ( thandie newton ) , woo works some of his trademark magic .
in one hypnotic , though completely inexplicable sequence , the director slows the action down to a languid semi - stall as cruise and his stunning opponent stare into one and other 's eyes with come hither sexuality ? ? ?
just as their respective cars smash and spin in accordance , coming ever so close to toppling over a neighboring cliff .
prior to this we see the famed trailer opener of cruise climbing a steep mountain , sans scaffolding , then leaping from one jagged rock formation to another .
why ?
i have n't the foggiest .
i doubt even john woo could provide you with a logical reply .
with mi2 woo has become a slave to the summer movie machine , the one that jettisons logic for gravity defying effects and story for more gravity defying effects .
it 's possible that these " spies " could be adrenaline junkies climbing mountains and crashing into each other as means to get off , though of course this is never explored .
the scenes i 've described are really only included to titillate , not to give any insight into character .
god forbid .
woo certainly knows how to make each set piece energetic , but they remain individual set pieces never connecting to form anything more than splices of beer commercial - like visuals .
still in terms of crackerjack eye candy , the opening has much to cherish .
cruise and newton first meet during a vigorous flamenco dance featuring several welcome woo devices ( the graceful slow mo artistry of synchronized movement juxtaposed against the stage 1 romance of two attractive individuals discovering how attractive the other is ) .
between the frantic dancing , woo trains his camera on cruise and newton as they make with some sensuous eye contact .
the scene is a little over the top in a bon jovi music video circa 1988 kind of way , yet it has style and something of soul , and woo casts a bit of a spell on us .
sure it 's all smoke and mirrors , but we can see that there happens to be a talented maestro behind this particular product .
thandie and cruise later meet in a bathtub in a scene that 's about half as playfully charming as the jennifer lopez \ george cloony trunk meeting in out of sight .
they flirt and exchange obvious double entendres .
newton bats her eyes flirtatiously .
cruise grins a little too slyly .
the cruise character , ethan hunt , has been drastically altered since the first film .
here cruise plays him more as a hip , sexual dynamo than the square jawed robot he impersonated in part 1 .
he 's cool and dashing , which is precisely the kind of role we want to see cruise in after watching him sleep walk through eyes wide shut ( which might just be the longest episode of red show diaries ever committed to film ) , and blustered his way through magnolia ( quite possibly the most overrated performance of the 90 's ) .
sadly as the film progresses we see less of cruise 's initial " i 'm the man !
" charm and more slo - mo close - ups of his preening mug .
mi2 falls apart on nearly every level during its repetitious third act , which is essentially one hour long action sequence that just wo n't stop .
the whole thing commences with an utterly generic gun battle ( the first gun fight in the film ) , which really should be unheard of in a john woo film , but alas this particular battle could 've been staged by anyone from renny harlin to joseph merhi ( of course excepting the " symbolic " pigeons who seem to find their way into every john woo picture ) .
we 've all seen guys slide across the floor in slo mo while firing a gun in each hand .
it is n't done any differently here .
the action is pure hard target \ broken arrow theatrics with nothing to propel it but the apparent need to see tom cruise drop kick face less villains while his hair whips stylishly in the wind .
he 's cool for sure but
he 's made to be as empty as the movie .
the actor is n't used so much for his boyish appeal as for his chiseled looks ; he smiles narcissistically into the camera at literally any moment , be it during a gunfight , before one or after one .
when he 's not beaming away , he 's staring into the lens with cold eyes trying to look mad as hell , but woo 's editing seriously undermines the effort .
he fetishizes cruise 's angular face with such glee that it turns into a naked gun style spoof .
i half expected cruise to peel off his facemask and reveal that he 's really austin powers .
in a classic woo action moment , ethan hunt struts past a fiery doorway glaring at the baddies within its frame like a pin - up boy angel of death .
the gunfight turns into a daring escape which turns into a reckless mission which turns into a motorcycle attack in which bad guys seem to angle directly for cruise to kill them like some kind of mass suicide ritual ( one dumb bastard even jumps his bike over the gun toting cruise , basically inviting our handsome hero to shoot him in mid air which he does ) .
the lead bad guy ( played by the appropriately british dougray scott ) and cruise face off in a mentally deficient game of chicken ? ? ? on motorcycles .
though instead of jumping off to the side at the last moment , the two grown men leap directly into the other giving each other a mid air bear hug , only to fly about a hundred feet ( still in bear hug position ) , land on a beach below and begin a mano - e - mano fist fight that ends with the bad guy pulling a " so you thought i was dead . . .
"
.
not to worry , cruise takes care of the problem without even breaking a sweat .
what a hero !
you may have noticed that i opted not to describe an iota of mi2 's plot .
my reasoning is simple : i 'm not sure of any good it would do .
the film itself has absolutely no concern with story , only with hurtling forth to the next " special " effect .
i was n't kidding when i told a friend of mine that mi2 has less plot than the average aerosmith video .
nobody will go to this for the plot , and if they do they 'll surely regret it .
as summer movies evolve ( or devolve ) character and plot have become increasingly whittled down to nearly nothing .
in mi , the plot seemed to be built around brian de palma 's ( that film 's director ) stylistic flourishes , while in mi2 the plot only serves to give us an intermittent breather from woo 's non - stop masturbatory pandemonium .
it 's irrelevant in every sense , as is character .
all that ultimately matters are those pesky smoke and mirrors .

Ex Output:
N

Ex Input:
plot summary : the year is 2024 .
the ozone layer has long since gone and the earth is now protected from radiation by a shield invented by connor mccleod .
the shield , although saving lives , has made the atmosphere hot and humid .
connor is a mortal and a tired old man who has given up hope .
on returning from the opera one night connor is accosted by the leader of a " terrorist " organisation .
they have tried to find out what the company that now runs the shield unit are covering up .
connor is then attacked by two assassins sent by katana from the planet zeist ( like zeit -- get it ? ) .
they fail and connor becomes immortal again by chopping their heads off .
he then brings ramirez back to life in glencoe in scotland .
both ramirez and connor are rebel leaders back on zeist and have been sent to earth as punishment .
connor now has the option to return being the last one but opts to stay with his new found immortality and fight to find out about the company and the shield .
katana meanwhile , fearing connor would return , sets out himself to kill the highlander .
if you have never seen it . being a fan of highlander and mr .
connery , i was in the cinema as soon as i could to see highlander ii :
the quickening .
i wish it had been quicker .
i feel whatever else you can say about a film ( bad script bad music , etc . ) if you sit just plain bored through most of it then nothing much else needs to be said .
the film was short but in my opinion only twelve minutes or so
( the time mr .
connery is on the screen for ) is worth watching .
the plot sounds a little ridiculous but i was willing to give it a chance .
maybe they could pull it off .
instead , i find that the characters have completely changed from those in the first film .
it 's as if they are different people with the same names .
witness connor jumping into bed with the leader of the resistance -- where is the attitude of " who wants to live forever , when love must die " gone to ?
the love sub - plot
* must * have had footage cut out .
the highlander and ramirez both seemed aware of powers they had never mentioned before .
putting our heroes in deadly situations and then having them walk away because of some new power is very annoying .
i still want to know why connor 's coat becomes flame proof when he is immortal !
we are not given enough time on zeist to believe in it , nor are we told why advanced aliens still use swords to kill .
why not dynamite or laser saws or just plain bullets followed by a quick chop to the neck ?
i know the head needs to come off
but you could at least immobilise your opponent with laser rifles first .
to be fair one assassin tried this
but he must be the world 's worst shot .
meanwhile connor develops luke - skywalker - like powers of laser beam deflection .
as for " bad guys , " we see a rebellion on zeist , crushed easier than a grape and then the rest of the plot depends on katana being obsessed with killing mccleod in case he returns to zeist .
two assassins are sent , presumably they are meant to be good at killing but an aged connor kills them both with no problems .
no more assassins are sent .
katana , supposedly a very powerful man goes himself to kill connor .
has he no more assassins ?
has he no better ?
why was the rebellion crushed so easily then ?
michael ironside is totally unconvincing
( bring back the kurgan ) .
he seems like a cartoon character and really is n't that evil , just stupid and violent .
we see the hollywood trick of the chief nasty threatening a child again and killing lots of innocents .
yet he still seems like no threat -- perhaps because he seems too stupid to threaten connor , or maybe because his two best assassins would n't have been amiss with larry , curly and mo .
so much for plot and characters .
the music is atrocious .
it is at best intrusive and at worst annoying . bring back queen .
there was an audible sigh ( of relief ? )
when connor played a queen track in a juke box .
i believe this at least is to be corrected for the american release .
the acting is at best flat , except for mr .
connery .
lambert is uninteresting and when he delivered " there can be only one " this time around it
just made me wish there had only been one -- highlander .
michael ironside is unconvincing
; sorry , michael , i usually like you and everyone else was incredibly forgetable .
so why 2/10 ?
visually the film is interesting at all times .
it has a blade runner feel to it and some of the special effects are quite stunning .
add to this an irrepressible sean connery who smiles throughout the whole film -- or is he smirking to himself ?
his lines and delivery might make the film worthwhile
had it not been so obvious that he can not take the whole thing seriously at all
but hey
--
*
i 'd * have done it for 12 million .
oh , and i agree with a previous reviewer
, she * does * look like sharon stone but i believe it is her first film .
incidentally there is a line producer credited and i hear rumours of highlander iii : the wizard .

Ex Output:
N

Ex Input:
annie wilson ( cate blanchett ) , a widow who struggles to raise her children in a small town in georgia is asked for help by local authorities in solving the case of a missing woman .
annie is something of a psychic
, she has involuntary bouts with the supernatural where she can see the past and the future and physically feel the actions happenning to her she envisions .
her " gift " leads to the arrest of a nasty wife beater who may or may not have killed the pretty rich girl found in the swamp on his property .
in an ultra conservative backwoods town will her testimony based on her psychic visions hold up in court ?
do they even have the right man ?
what 's good about it : aside from keanu reeves giving one of the best performances of his career as the loathable redneck donnie barksdale , there is little else going for the film .
what 's not so good about it :
lame , unoriginal screenplay .
predictable ending .
suspense scenes that are just plain boring .
ridicously trite characterization makes the entire south out to be ingnorant , hateful goobers .
relentless in its emotional sensationaliztion .
overall critique :
" the gift " is one of those movies that makes you wonder where you 've seen this story before .
it 's a collection of every cliche and stereotype of the south ever made , and coming from a yankee like me who dislikes the south that 's really saying something .
for an established , talented director sam raimi is unable to provide any kind of originality to this film .
it 's predictable from the first scene , the screenplay is written like a rip - off of a photocopied bootlegged play .
you know that as nasty as the murder suspect is he did n't actually do it .
it 's no surprise either who the real villain turns out to be and what their motive was
.
sigh , how trite . for a supernatural thriller
this is neither scary nor intense because it 's so cliche .
"
the gift " is basically a glorified b - movie .

Ex Output:
N