In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The Khaburis Codex (alternate spelling Khaboris, Khabouris) is a medieval era Aramaic manuscript of the New Testament. The Khaburis Codex is the complete Peshitta New Testament containing 22 books, in comparison to the Western New Testament canon which contains 27 books. The missing books are known as the "Western Five," namely, 2 Peter, 2 John, 3 John, Jude and Revelation. Context_2 : The Concordant Version is an English translation of the Bible compiled by the Concordant Publishing Concern (CPC), which was founded by Adolph Ernst Knoch in 1909. The principal works of the CPC are the Concordant Literal New Testament with Keyword Concordance ("CLNT") and the Concordant Version of the Old Testament ("CVOT"). A. E. Knoch designed the Concordant Version in such a way as to put the English reader who lacks a formal knowledge of Koine Greek in possession of all the vital facts of the most ancient codices: Codex Vaticanus, Codex Sinaiticus, and Codex Alexandrinus. The CPC's efforts yielded a restored Greek text, titled The Concordant Greek Text, containing all of the important variant readings found in the codices mentioned above. This was done with the intent of conforming, as far as possible, to the original autograph manuscripts. An utterly consistent hyper-literal sub-linear based upon a standard English equivalent for each Greek element is to be found beneath each Greek word. The Concordant Greek Text forms the basis of the Concordant Literal New Testament, which is more idiomatic in its English than the hyper-literal sublinear. The Concordant Literal New Testament and the Concordant Greek Text are linked together and correlated for the English reader by means of an English concordancethe Keyword Concordanceand a complementary list of the Greek elements. Context_3 : Lobegott Friedrich Constantin (von) Tischendorf (18 January 1815 7 December 1874) was a world leading biblical scholar in his time. In 1844 he discovered the world's oldest and most complete disputed Bible dating from 325, with the complete New Testament not discovered before. This Bible is called Codex Sinaiticus, after the St. Catherine's Monastery at Mt. Sinai, where Tischendorf discovered it. The codex can be seen either in the British Library in London, or as a digitalised version on the Internet. Textual disputes are resolved when the two oldest books, Codex Sinaiticus (source aleph, 4th AD) and Codex Vaticanus (source beta, 4th AD), agree with each other. Tischendorf was made an Honorary Doctor by Oxford University on 16 March 1865, and an Honorary Doctor by Cambridge University on 9 March 1865 following this find of the century. While a student gaining his academic degree in the 1840s, he earned international recognition when he deciphered the "Codex Ephraemi Rescriptus", a 5th-century Greek manuscript of the New Testament. Context_4 : The Codex Fuldensis, also known as the Victor Codex (Hessian State Library, "Codex Bonifatianus I"), designated by F, is a New Testament manuscript based on the Latin Vulgate made between 541 and 546. The codex is considered the second most important witness to the Vulgate text; and is also the oldest complete manuscript witness to the order of the Diatessaron. It is an important witness in any discussion about the authenticity of 1 Corinthians 14:34-35 and the Comma Johanneum. It is one of the earliest dated manuscripts of the New Testament. It was corrected until 2 May, 546 AD. Context_5 : Seven trumpets are sounded, one at a time, to cue apocalyptic events that were seen in the vision of the "Revelation of Christ Jesus", by John of Patmos, as written in the Book of Revelation of the New Testament. The seven trumpets are sounded by seven angels and the events that follow are described in detail from Revelation Chapters 8 to 11. According to Revelation 8:1-2, the angels sound these trumpets after the breaking of the seventh seal. These seals secured the apocalyptic document, that was in the right hand of "Him" who sits on the main throne. The trumpets are referred to in Koine Greek as ("salpingos", salpinx); this was a straight, narrow bronze tube with a mouthpiece of bone and a bell; they do not resemble modern trumpets. Context_6 : The Rossano Gospels, designated by 042 or (in the Gregory-Aland numbering), 18 (Soden), at the cathedral of Rossano in Italy, is a 6th-century illuminated manuscript Gospel Book written following the reconquest of the Italian peninsula by the Byzantine Empire. Also known as Codex purpureus Rossanensis due to the reddish-purple ("purpureus" in Latin) appearance of its pages, the codex is one of the oldest surviving illuminated manuscripts of the New Testament. The manuscript is famous for its prefatory cycle of miniatures of subjects from the "Life of Christ", arranged in two tiers on the page, sometimes with small Old Testament prophet portraits below, prefiguring and pointing up to events described in the New Testament scene above. Context_7 : The Book of Revelation, often called the Revelation to John, the Apocalypse of John, The Revelation, or simply Revelation or Apocalypse, is a book of the New Testament that occupies a central place in Christian eschatology. Its title is derived from the first word of the text, written in Koine Greek: "apokalypsis", meaning "unveiling" or "revelation" (before title pages and titles, books were commonly known by their first words, as is also the case of the Hebrew Five Books of Moses (Torah)). The Book of Revelation is the only apocalyptic document in the New Testament canon (although there are short apocalyptic passages in various places in the Gospels and the Epistles). Context_8 : Papyrus 75 (formula_1, "Papyrus Bodmer XIV-XV") is an early Greek New Testament papyrus. It is generally described as "the most significant" papyrus of the New Testament to be discovered so far. This evaluation of the manuscript is a result of the early date that has usually been assigned to it (circa 175-225 CE) and the fact that its text so closely resembles that of the fourth century Codex Vaticanus, but the early date of formula_1, and therefore its importance for the textual criticism of the New Testament, has recently been called into question. Context_9 : Codex Porphyrianus designated by P or 025 (in the Gregory-Aland numbering), 3 (von Soden), is a Greek uncial manuscript of the Acts of Apostles, Pauline epistles, and General epistles, with some lacunae, dated paleographically to the 9th century. It is one of a few uncial manuscripts that include the Book of Revelation. Context_10 : Codex Sinaiticus and Codex Vaticanus, two of great uncial codices, representatives of the Alexandrian text-type, are considered excellent manuscript witnesses of the text of the New Testament. Most critical editions of the Greek New Testament give precedence to these two chief uncial manuscripts, and the majority of translations are based on their text. Nevertheless, there are many differences between these two manuscripts. According to Dean Burgon: "It is in fact easier to find two consecutive verses in which these two MSS differ the one from the other, than two consecutive verses in which they entirely agree." fact_1 : It is one of a few uncial manuscripts that include the Book of Revelation. fact_2 : Its title is derived from the first word of the text, written in Koine Greek: "apokalypsis", meaning "unveiling" or "revelation" (before title pages and titles, books were commonly known by their first words, as is also the case of the Hebrew Five Books of Moses (Torah)). fact_3 : The Book of Revelation is the only apocalyptic document in the New Testament canon (although there are short apocalyptic passages in various places in the Gospels and the Epistles). Answer: unveiling
A:
Codex Porphyrianus includes the only apocalyptic document in the New Testament that the name means what?