QUES: The polyphony of Christian a cappella music began to develop in Europe around the late 15th century, with compositions by Josquin des Prez. The early a cappella polyphonies may have had an accompanying instrument, although this instrument would merely double the singers' parts and was not independent. By the 16th century, a cappella polyphony had further developed, but gradually, the cantata began to take the place of a cappella forms. 16th century a cappella polyphony, nonetheless, continued to influence church composers throughout this period and to the present day. Recent evidence has shown that some of the early pieces by Palestrina, such as what was written for the Sistine Chapel was intended to be accompanied by an organ "doubling" some or all of the voices. Such is seen in the life of Palestrina becoming a major influence on Bach, most notably in the aforementioned Mass in B Minor. Other composers that utilized the a cappella style, if only for the occasional piece, were Claudio Monteverdi and his masterpiece, Lagrime d'amante al sepolcro dell'amata (A lover's tears at his beloved's grave), which was composed in 1610, and Andrea Gabrieli when upon his death it was discovered many choral pieces, one of which was in the unaccompanied style. Learning from the preceding two composeres, Heinrich Schutz utilized the a cappella style in numerous pieces, chief among these were the pieces in the oratorio style, which were traditionally performed during the Easter week and dealt with the religious subject matter of that week, such as Christ's suffering and the Passion. Five of Schutz's Historien were Easter pieces, and of these the latter three, which dealt with the passion from three different viewpoints, those of Matthew, Luke and John, were all done a cappella style. This was a near requirement for this type of piece, and the parts of the crowd were sung while the solo parts which were the quoted parts from either Christ or the authors were performed in a plainchant.

How many of Schutz's Easter pieces were in the A cappella style?
What is the answer?
ANS: three
QUES: The Gospel of John and particularly the first chapter demonstrates the Divinity of Jesus. This Gospel in itself is the greatest support of Athanasius's stand. The Gospel of John's first chapter began to be said at the end of Mass, we believe as a result of Athanasius, and his life's stand, but quietly. The Last Gospel of The Mass, The Eucharist, St John[1:114], together with the prayer; "Placeat tibi", the Blessing, are all private devotions that have been gradually absorbed by the liturgical service. The beginning of John's Gospel was much used as an object of special devotion throughout the Middle Ages. Nevertheless, the practice of saying it at the altar grew; eventually Pius V made this practice universal for the Roman Rite in his edition of the Missal (1570). It became a firm custom with exceptions in using an other Gospel in use from 1920. So the Missals showed different last Gospel for certain Feast days. A Prayer Card for the St John's Gospel. Also:

What does this Gospel show that Athanasius also believed?
What is the answer?
ANS: the Divinity of Jesus
QUES: The first extant Estonian book is a bilingual German-Estonian translation of the Lutheran catechism by S. Wanradt and J. Koell dating to 1535, during the Protestant Reformation period. An Estonian grammar book to be used by priests was printed in German in 1637. The New Testament was translated into southern Estonian in 1686 (northern Estonian, 1715). The two languages were united based on northern Estonian by Anton thor Helle.

Who wrote in Eastern Estonian?
What is the answer?
ANS:
unanswerable