IN: Paolo Rossi (Italian pronunciation: ['pa:olo 'rossi]; born 23 September 1956) is a former Italian professional footballer, who played as a forward. In 1982, he led Italy to the 1982 FIFA World Cup title, scoring six goals to win the Golden Boot as top goalscorer, and the Golden Ball for the player of the tournament. Rossi is one of only three players to have won all three awards at a World Cup, along with Garrincha in 1962, and Mario Kempes in 1978. Rossi was also awarded the 1982 Ballon d'Or as the European Footballer of the Year for his performances.

Despite his ban, Rossi was purchased back by Juventus in 1981, and he returned to the starting line-up just in time for the end of the 1981-82 season to contribute to the club's 1981-82 Serie A title (scoring 1 goal in 3 appearances), and to take part in the 1982 FIFA World Cup, with Italy. Italian journalists and tifosi initially lamented that he was in very poor shape, however, and this view seemed to be confirmed by Italy's appalling performance in the three group matches, in which he was allegedly described as a "ghost aimlessly wandering over the field". Italy manager Enzo Bearzot, however, staunchly confirmed Rossi for the decisive round robin in the second round, in which his team was to face Argentina, the reigning World Champions, and Brazil, the biggest favourites to win the title, with a team consisting of world-class players such as Socrates, Zico, and Falcao. After Italy defeated Argentina 2-1, also thanks to the defensive work of Claudio Gentile and Gaetano Scirea, who shut down the young Argentinean star Diego Maradona, Rossi scored three memorable goals to defeat Brazil 3-2 to qualify for the semi-finals. In the semi-final match against Poland, Rossi's two goals won the match for Italy once again, granting them a place in the 1982 World Cup final. In the final against West Germany, Rossi scored the first of Italy's three goals, off of an indirect set-piece assist from Gentile, helping Italy to win the match 3-1, giving his team their third World Cup title. With six goals in total, he won the tournament's maximo goleador award -- the Golden Boot -- as the top scorer of the tournament, as well as the Golden Ball Award for the best player of the tournament, and he was named as part of the team of the tournament for the second consecutive time. Italian fans hung banners proclaiming him "Man of the match". Rossi's accomplishments in Spain gained him the title of European Footballer of the Year and World Player of the Year in 1982, as well as the 1982 Onze d'Or Award. Due to his notable goalscoring exploits during the 1982 World Cup in Spain, Paolo Rossi earned the nicknames "Pablito", and the "torero".

what happened in 1982?

OUT: Rossi's accomplishments in Spain gained him the title of European Footballer of the Year and World Player of the Year in 1982,

Answer the question at the end by quoting:

Rudolph Van Gelder (November 2, 1924 - August 25, 2016) was an American recording engineer who specialized in jazz. Regarded as the most important recording engineer of jazz by some observers, Van Gelder recorded several thousand jazz sessions, including many recognized as classics, in a career which spanned more than half a century. Van Gelder recorded many of the great names in the genre, including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Joe Henderson, Freddie Hubbard, Wayne Shorter, and Horace Silver, among many others. He worked with many record companies but was most closely associated with Blue Note Records.
In 1967, Alfred Lion retired from running Blue Note, and the company's owners, Liberty Records (from 1965), began to use other engineers more regularly. Prestige, too, had started to use other studios a few years earlier. Van Gelder remained active in music recording, working as the engineer for most of Creed Taylor's CTI Records releases, a series of proto-smooth jazz albums that were financially successful, but not always well received by critics. Though his output slowed, Van Gelder remained active as a recording engineer into the new century. In the late 1990s he worked as a recording engineer for some of the songs featured on the soundtrack to the TV Show Cowboy Bebop. From 1999, he remastered the analog Blue Note recordings he made several decades earlier into 24-bit digital recordings in its RVG Edition series and also a similar series of remasters of some of the Prestige albums he recorded for its current owners, Concord Records. He was positive about the switch from analog to digital technology. He told Audio magazine in 1995: The biggest distorter is the LP itself. I've made thousands of LP masters. I used to make 17 a day, with two lathes going simultaneously, and I'm glad to see the LP go. As far as I'm concerned, good riddance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don't like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engineer. That's why some digital recordings sound terrible, and I'm not denying that they do, but don't blame the medium. Van Gelder resided in Englewood Cliffs into this century. He died at his Engelwood Cliffs home on August 25, 2016.

What other groups and artists did he work with in the 1990s?

Van Gelder remained active in music recording, working as the engineer for most of Creed Taylor's CTI Records releases,

input: There was friction among band members after music industry media began singling out Hoffs as the lead singer of the group, a result of Columbia Records releasing mostly singles on which Hoffs sang lead vocal. In fact, singing duties on the group's albums were evenly divided among all of the band's members, all of whom wrote or co-wrote songs. Hoffs starred in the 1987 film The Allnighter, directed by her mother, Tamar Simon Hoffs, and was poorly reviewed by critics. That, and the firing of their manager Miles Copeland III, further exacerbated the dissent although they had another US hit with a remake of Simon & Garfunkel's "A Hazy Shade of Winter" (number two in April, 1988) from the soundtrack of the film Less Than Zero. The album Everything (1988) was produced by Davitt Sigerson, as the band had a negative reaction to working with David Kahne on Different Light. The album was another multi-platinum hit and included the top five hit "In Your Room" as well as their biggest-selling single, the soft ballad "Eternal Flame". Co-writer Billy Steinberg came up with the title after Susanna Hoffs told him about the band's recent trip to Memphis, Tennessee. The group visited Graceland, Elvis Presley's estate in Memphis. An "Eternal Flame" in memoriam to Presley is maintained on the site, but on the day the band visited, the flame had gone out and its clear-plastic enclosure was flooded. When they asked what was in the box, they were told, "That's the eternal flame". The single became their biggest worldwide hit ever and the biggest single by an all-female band ever. Hoffs was actually naked when she recorded the song, after being convinced by Sigerson that Olivia Newton-John got her amazing performances by recording everything while naked. By this point, the working relationships within the band had broken down, and the members went their separate ways shortly after. Hoffs began a solo career, and Vicki Peterson toured as a member of the Continental Drifters and as a fill-in member of The Go-Go's.

Answer this question "Was friction an album?"
output:
There was friction among band members