You will be given a definition of a task first, then an example. Follow the example to solve a new instance of the task.
In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.

Passage: Nearing London, Oliver encounters Jack Dawkins, a pickpocket more commonly known by the nickname the "Artful Dodger", and his sidekick, a boy of a humorous nature named Charley Bates, but Oliver's innocent and trusting nature fails to see any dishonesty in their actions. The Dodger provides Oliver with a free meal and tells him of a gentleman in London who will "give him lodgings for nothing, and never ask for change". Grateful for the unexpected assistance, Oliver follows the Dodger to the "old gentleman's" residence. In this way Oliver unwittingly falls in with an infamous Jewish criminal known as Fagin, the gentleman of whom the Artful Dodger spoke. Ensnared, Oliver lives with Fagin and his gang of juvenile pickpockets in their lair at Saffron Hill for some time, unaware of their criminal occupations. He believes they make wallets and handkerchiefs.
Solution: Who believes Fagin's gang make wallets and handkerchiefs?.
Why? This question is based on the following sentence in the passage "He believes they make wallets and handkerchiefs". It evaluates the understanding that the pronoun "he" refers to name "Oliver". You can ask questions like this one about most pronouns in a paragraph.

New input: Passage: In 1883 Faure married Marie Fremiet, the daughter of a leading sculptor, Emmanuel Fremiet. The marriage was affectionate, but Marie became resentful of Faure's frequent absences, his dislike of domestic life "horreur du domicile" and his love affairs, while she remained at home. Though Faure valued Marie as a friend and confidante, writing to her often sometimes daily when away from home, she did not share his passionate nature, which found fulfilment elsewhere. Faure and his wife had two sons. The first, born in 1883, Emmanuel Faure-Fremiet (Marie insisted on combining her family name with Faure's), became a biologist of international reputation. The second son, Philippe, born in 1889, became a writer; his works included histories, plays, and biographies of his father and grandfather.Contemporary accounts agree that Faure was extremely attractive to women; in Duchen's phrase, "his conquests were legion in the Paris salons." After a romantic attachment to the singer Emma Bardac from around 1892, followed by another to the composer Adela Maddison, in 1900 Faure met the pianist Marguerite Hasselmans, the daughter of Alphonse Hasselmans. This led to a relationship which lasted for the rest of Faure's life. He maintained her in a Paris apartment, and she acted openly as his companion.
About this time, or shortly afterwards, Faure's liaison with Emma Bardac began; in Duchen's words, "for the first time, in his late forties, he experienced a fulfilling, passionate relationship which extended over several years". His principal biographers all agree that this affair inspired a burst of creativity and a new originality in his music, exemplified in the song cycle La bonne chanson. Faure wrote the Dolly Suite for piano duet between 1894 and 1897 and dedicated it to Bardac's daughter Helene, known as "Dolly". Some people suspected that Faure was Dolly's father, but biographers including Nectoux and Duchen think it unlikely. Faure's affair with Emma Bardac is thought to have begun after Dolly was born, though there is no conclusive evidence either way.During the 1890s Faure's fortunes improved. When Ernest Guiraud, professor of composition at the Paris Conservatoire, died in 1892, Saint-Saens encouraged Faure to apply for the vacant post. The faculty of the Conservatoire regarded Faure as dangerously modern, and its head, Ambroise Thomas, blocked the appointment, declaring, "Faure? Never! If he's appointed, I resign." However, Faure was appointed to another of Guiraud's posts, inspector of the music conservatories in the French provinces. He disliked the prolonged travelling around the country that the work entailed, but the post gave him a steady income and enabled him to give up teaching amateur pupils.
Solution:
What were the three things Marie became resentful to Faure about?