input: After three hours of deliberations, the jury presented a unanimous guilty verdict. In the sentencing phase of the trial, Abu-Jamal read to the jury from a prepared statement. He was cross-examined about issues relevant to the assessment of his character by Joseph McGill, the prosecuting attorney. In his statement, Abu-Jamal criticized his attorney as a "legal trained lawyer" who was imposed on him against his will and who "knew he was inadequate to the task and chose to follow the directions of this black-robed conspirator, Albert Sabo, even if it meant ignoring my directions." He claimed that his rights had been "deceitfully stolen" from him by Sabo, particularly focusing on the denial of his request to receive defense assistance from non-attorney John Africa and being prevented from proceeding pro se. He quoted remarks of John Africa, and said: Does it matter whether a white man is charged with killing a black man or a black man is charged with killing a white man? As for justice when the prosecutor represents the Commonwealth the Judge represents the Commonwealth and the court-appointed lawyer is paid and supported by the Commonwealth, who follows the wishes of the defendant, the man charged with the crime? If the court-appointed lawyer ignores, or goes against the wishes of the man he is charged with representing, whose wishes does he follow? Who does he truly represent or work for? ... I am innocent of these charges that I have been charged of and convicted of and despite the connivance of Sabo, McGill and Jackson to deny me my so-called rights to represent myself, to assistance of my choice, to personally select a jury who is totally of my peers, to cross-examine witnesses, and to make both opening and closing arguments, I am still innocent of these charges. Abu-Jamal was sentenced to death by the unanimous decision of the jury. Amnesty International has objected to the introduction by the prosecution of statements from his youth at the time of sentencing. It also protested the politicization of the trial, noting a documented recent history in Philadelphia of police abuse and corruption including fabricated evidence and use of excessive force. Amnesty International concluded "that the proceedings used to convict and sentence Mumia Abu-Jamal to death were in violation of minimum international standards that govern fair trial procedures and the use of the death penalty."

Answer this question "what were the prosecution statements from his youth?"
output:

input: Prior to the start of the 2010-11 season, Durant announced via Twitter that he had signed a five-year contract extension with the Thunder worth approximately $86 million. For the second consecutive year, he led the NBA in scoring, averaging 27.7 points a game. Behind his leadership, the Thunder won 55 games and earned the fourth seed in the Western Conference. In the playoffs, Oklahoma City defeated the Denver Nuggets and Memphis Grizzlies en route to a Conference Finals match-up versus the Dallas Mavericks, losing in five games. On February 19 of the lockout-shortened 2011-12 season, Durant recorded his first career 50-point game, scoring 51 points against the Denver Nuggets. At the All-Star Game, he scored 36 points and was awarded the NBA All-Star Game Most Valuable Player Award. He finished the year with a scoring average of 28 points per game, representing his third straight scoring title. Behind his play, the Thunder won 47 games and entered the playoffs as the Western Conference's second seed. In Game 1 of the first round against the Mavericks, Durant hit a game-winner with 1.5 seconds remaining. Oklahoma City would go on to defeat Dallas, the Lakers, and the San Antonio Spurs before losing to the Miami Heat in the Finals. For the NBA Finals, Durant led all players with 30.6 points per game, doing so on a 54.8 shooting rate. With a scoring average of 28.1 points per game to finish the 2012-13 season, Durant failed to defend his scoring title; however, with a 51 percent shooting rate, a 41.6 percent three point shooting rate, and a 90.5 free throw shooting rate, he became the youngest player in NBA history to join the 50-40-90 club. Finishing the year with a 60-22 record, Oklahoma City earned the first seed in the Western Conference. In the first round of the playoffs against the Houston Rockets, Russell Westbrook tore his meniscus, forcing him to miss the remainder of the postseason. Without Westbrook, Durant was given more responsibility, averaging a career-high 30.8 points per game throughout the playoffs, but Oklahoma City were eventually eliminated in the second round by the Memphis Grizzlies in five games.

Answer this question "Was this his best in terms of scoring?"
output: Durant recorded his first career 50-point game, scoring 51 points against the Denver Nuggets.

input: Composers of the late 18th century became fascinated with the new possibilities of the symphony and other instrumental music, and generally neglected choral music. Mozart's choral works, though not as numerous as his works for other media, stand out as some of his greatest (such as the "Great" Mass in C minor and Requiem in D minor, the latter of which is often considered the greatest Requiem Mass of all time). Haydn became more interested in choral music near the end of his life following his visits to England in the 1790s, when he heard various Handel oratorios performed by large forces; he wrote a series of masses beginning in 1797 and his two great oratorios The Creation and The Seasons. Beethoven wrote only two masses, both intended for liturgical use, although his Missa solemnis is probably suitable only for the grandest ceremonies due to its length, difficulty and large-scale scoring. He also pioneered the use of chorus as part of symphonic texture with his Ninth Symphony and Choral Fantasia. In the 19th century, sacred music escaped from the church and leaped onto the concert stage, with large sacred works unsuitable for church use, such as Berlioz's Te Deum and Requiem, and Brahms's Ein deutsches Requiem. Rossini's Stabat mater, Schubert's masses, and Verdi's Requiem also exploited the grandeur offered by instrumental accompaniment. Oratorios also continued to be written, clearly influenced by Handel's models. Berlioz's L'enfance du Christ and Mendelssohn's Elijah and St Paul are in the category. Schubert, Mendelssohn, and Brahms also wrote secular cantatas, the best known of which are Brahms's Schicksalslied and Nanie. A few composers developed a cappella music, especially Bruckner, whose masses and motets startlingly juxtapose Renaissance counterpoint with chromatic harmony. Mendelssohn and Brahms also wrote significant a cappella motets. The amateur chorus (beginning chiefly as a social outlet) began to receive serious consideration as a compositional venue for the part-songs of Schubert, Schumann, Mendelssohn, Brahms, and others. These 'singing clubs' were often for women or men separately, and the music was typically in four-part (hence the name "part-song") and either a cappella or with simple instrumentation. At the same time, the Cecilian movement attempted a restoration of the pure Renaissance style in Catholic churches.

Answer this question "Any particularly notable musics from this style/era?"
output:
A few composers developed a cappella music,