IN: Spacemen 3 were an English alternative rock band, formed in 1982 in Rugby, Warwickshire by Peter Kember and Jason Pierce. Their music is known for its brand of "minimalistic psychedelia". Spacemen 3 had their first independent chart hits in 1987, gaining a cult following, and going on to have greater success towards the end of the decade. However, they disbanded shortly afterwards, releasing their final studio album post-split in 1991 after an acrimonious parting of ways.

In November 1985, Spacemen 3 played a gig at a leisure centre in Coventry to an audience of fewer than ten people. Nevertheless, encouraged by the support of Pat Fish, they determined that they ought to record a new demo tape. By this time they had reconfigured and honed their musical style, and their repertoire consisted of newer songs and re-worked older ones. "The band's sound had crystallised into the intense, hypnotic, overloaded psychedelia which characterised their early [record] output, and which would serve as a template for their live act throughout their existence" (Ian Edmond, Record Collector). At Pierce's instigation, Pete Bain rejoined the band on bass in order to fill out their sound. Despite being a 4-piece again, they would retain the name 'Spacemen 3'. Kember and Pierce opted to upgrade their guitar equipment ahead of recording the new demos. Kember purchased a Burns Jazz electric guitar and 1960s Vox Conqueror amplifier; whilst Pierce bought a Fender Telecaster and a 1970s HH amplifier. Both of their new amplifiers included distortion/fuzz and tremolo; these two effects were key components of Spacemen 3's signature sound. In January 1986, Spacemen 3 attended the home studio of Carlo Marocco at Piddington, outside Northampton, to record their new demo tape. They spent three-and-a-half days at the 16-track studio. Recording live as a group, with minimal overdubs, they managed to get demos for approximately seven songs. Kember and Pierce handled the production. These "fine set of performances" (Ned Raggett, AllMusic) would later be unofficially released as the vinyl album Taking Drugs to Make Music to Take Drugs To on the Father Yod label in 1990 (albeit described incorrectly as "rehearsals in Rugby"). Spacemen 3 managed to obtain a record deal shortly after producing their new demos. Pat Fish had given a copy of the demo tape to Dave Barker, the owner of the independent record label Glass Records, to whom Fish's band The Jazz Butcher were signed. Spacemen 3 signed a three-year, two-album recording contract with Glass Records in early 1986.

What did the group achieve?

OUT: 3 signed a three-year, two-album recording contract with Glass Records in early 1986.

input: Beginning in 1919, Hearst began to build Hearst Castle, which he never completed, on a 240,000 acres (97,000 hectares) ranch at San Simeon, California, which he furnished with art, antiques and entire rooms brought from the great houses of Europe. He also used the ranch for an Arabian horse breeding operation. San Simeon was also used in the 1960 film Spartacus as the estate of Marcus Licinius Crassus (played by Laurence Olivier). He also had a property on the McCloud River in Siskiyou County, in far northern California, called Wyntoon. Wyntoon was designed by famed architect Julia Morgan, who also designed Hearst Castle and worked in collaboration with William J. Dodd on a number of other projects. In 1947, Hearst paid $120,000 for an H-shaped Beverly Hills mansion, (located at 1011 N Beverly Dr, Beverly Hills CA 90210) on 3.7 acres three blocks from Sunset Boulevard. This home, known as Beverly House, was once perhaps the "most expensive" private home in the U.S., valued at $165 million (PS81.4 million). It has 29 bedrooms, three swimming pools, tennis courts, its own cinema and a nightclub. Lawyer and investor Leonard Ross has owned it since 1976. The estate went on the market for $95 million at the end of 2010. The property had not sold by 2012 but was then listed at a significantly increased asking price of $135 million. The Beverly House, as it has come to be known, has some cinematic connections. It was the setting for the gruesome scene in the film The Godfather depicting a horse's severed head in the bed of film-producer, Jack Woltz. The character was head of a film company called International, the name of Hearst's early film company. According to Hearst Over Hollywood, John and Jacqueline Kennedy stayed at the house for part of their honeymoon. They watched their first film together as a married couple in the mansion's cinema. It was a Hearst-produced film from the 1920s. In the early 1890s, Hearst began building a mansion on the hills overlooking Pleasanton, California on land purchased by his father a decade earlier. Hearst's mother took over the project, hired Julia Morgan to finish it as her home, and named it Hacienda del Pozo de Verona. After her death, it served as the clubhouse for Castlewood Country Club from 1925 to 1969, when it was destroyed in a massive fire.

Answer this question "Did he own any other properties?"
output:
on a 240,000 acres (97,000 hectares) ranch at San Simeon, California, which he furnished with art, antiques