input: In a 1991 interview, Love stated that lyrics were "the most important" element of songwriting for her. Her lyrics explored a variety of themes throughout Hole's career, including body image, rape, child abuse, addiction, celebrity, suicide, elitism, and inferiority complex; all of which were addressed mainly from a female, and often feminist standpoint. This underlying feminism in Love's lyrics often led the public and critics to mistakenly associate her with the riot grrrl movement, of which Love was highly critical. In a 1991 interview with Everett True, Love said: "I try to place [beautiful imagery] next to fucked up imagery, because that's how I view things... I sometimes feel that no one's taken the time to write about certain things in rock, that there's a certain female point of view that's never been given space." Charles Cross has referred to her lyrics on Live Through This as being "true extensions of her diary," and she has admitted that a great deal of the lyrics from Pretty on the Inside were excisions from her journals. Throughout Hole's career, Love's lyrics were often influenced by literature: The title of the band's second album Live Through This, for example (as well as lyrics from the track "Asking for It") is directly drawn from Gone With the Wind; and the group's single "Celebrity Skin" (the title track to their 1998 album), contains quotes from Shakespeare's The Merchant of Venice and Dante Rossetti's poem A Superscription. Love had had a minor background in literature, having briefly studied English literature in her early twenties.

Answer this question "How did her fans perceive her lyrics?"
output: This underlying feminism in Love's lyrics often led the public and critics to mistakenly associate her with the riot grrrl movement,

input: As time has passed, the Amish have felt pressures from the modern world. Issues such as taxation, education, law and its enforcement, and occasional discrimination and hostility are areas of difficulty. The Amish way of life in general has increasingly diverged from that of modern society. On occasion, this has resulted in sporadic discrimination and hostility from their neighbors, such as throwing of stones or other objects at Amish horse-drawn carriages on the roads. The Amish do not usually educate their children past the eighth grade, believing that the basic knowledge offered up to that point is sufficient to prepare one for the Amish lifestyle. Almost no Amish go to high school and college. In many communities, the Amish operate their own schools, which are typically one-room schoolhouses with teachers (usually young, unmarried women) from the Amish community. On May 19, 1972, Jonas Yoder and Wallace Miller of the Old Order Amish, and Adin Yutzy of the Conservative Amish Mennonite Church were each fined $5 for refusing to send their children, aged 14 and 15, to high school. In Wisconsin v. Yoder, the Wisconsin Supreme Court overturned the conviction, and the U.S. Supreme Court affirmed this, finding the benefits of universal education were not sufficient justification to overcome scrutiny under the Free Exercise Clause of the First Amendment. The Amish are subject to sales and property taxes. As they seldom own motor vehicles, they rarely have occasion to pay motor vehicle registration fees or spend money in the purchase of fuel for vehicles. Under their beliefs and traditions, generally the Amish do not agree with the idea of Social Security benefits and have a religious objection to insurance. On this basis, the United States Internal Revenue Service agreed in 1961 that they did not need to pay Social Security-related taxes. In 1965, this policy was codified into law. Self-employed individuals in certain sects do not pay into or receive benefits from the United States Social Security system. This exemption applies to a religious group that is conscientiously opposed to accepting benefits of any private or public insurance, provides a reasonable level of living for its dependent members, and has existed continuously since December 31, 1950. The U.S. Supreme Court clarified in 1982 that Amish employers are not exempt, but only those Amish individuals who are self-employed.

Answer this question "What is an issue with th state"
output: Jonas Yoder and Wallace Miller of the Old Order Amish, and Adin Yutzy of the Conservative Amish Mennonite Church were each fined

input: The backstory and primary features of Georges Melies' life as depicted in the film are largely accurate: He became interested in film after seeing a demonstration of the Lumiere brothers' camera; he was a magician and toymaker; he experimented with automata; he owned a theatre (Theatre Robert-Houdin); he was forced into bankruptcy; his film stock was reportedly melted down for its celluloid; he became a toy salesman at the Montparnasse station, and he was eventually awarded the Legion d'honneur medal after a period of terrible neglect. Many of the early silent films shown in the movie are Melies's actual works, such as Le voyage dans la lune (1902). However, the film does not mention Melies' two children, his brother Gaston (who worked with Melies during his film-making career), or his first wife Eugenie, who was married to Melies during the time he made films (and who died in 1913). The film shows Melies married to Jeanne d'Alcy during their filmmaking period, when in reality they did not marry until 1925. The movie actually downplayed the number of movies Melies created, stating he had made "over 500 films." When, in actuality it was over 1500. The automaton's design was inspired by the Maillardet's automaton made by the Swiss watchmaker Henri Maillardet, which Selznick had seen in the Franklin Institute, Philadelphia, as well as the Jaquet-Droz automaton "the writer". A portion of the scene with Harold Lloyd in Safety Last! (1923), hanging from the clock, is shown when the main characters sneak into a movie theater. Later, Hugo, like Lloyd in Safety Last!, hangs from the hands of a large clock on a clock tower to escape from a pursuer. Several viewings of the film L'Arrivee d'un train en gare de La Ciotat are portrayed, depicting the shocked reaction of the audience--although this view is in doubt. Emil Lager, Ben Addis, and Robert Gill make cameo appearances as the father of Gypsy jazz guitar, Django Reinhardt, the Spanish surrealist painter, Salvador Dali, and the Irish writer James Joyce, respectively. The names of all three characters appear towards the end of the film's cast credit list. The book that Monsieur Labisse gives Hugo as a gift, Robin Hood le proscrit (Robin Hood the outlaw), was written by Alexandre Dumas in 1864 as a French translation of an 1838 work by Pierce Egan the Younger in England. The book is symbolic, as Hugo must avoid the "righteous" law enforcement (Inspector Gustave) to live in the station and later to restore the automaton both to a functioning status and to its rightful owner. The particular copy given to Hugo looks like the 1917 English-language edition (David McKay publisher, Philadelphia, United States) with cover and interior illustrations by N.C. Wyeth, but with "Le Proscrit" added to the cover by the prop department. There is also a depiction of the Montparnasse derailment, when at 4 pm on 22 October 1895, the Granville-Paris Express overran the buffer stop at its Gare Montparnasse terminus.

Answer this question "What era is the film based on?"
output:
He became interested in film after seeing a demonstration of the Lumiere brothers' camera;