Question: Build a movie plot around this: What does Bowie pose as in order to spring Chickamaw from jail? A sheriff's deputy
Answer: Bowie, a youthful convicted murderer and bank robbers Chicamaw and T-Dub escape from a Mississippi chain gang in the 1930s. They hole up with a series of colorful associates and continue robbing banks. While hiding out at the home of Mattie and her two children, Bowie unwittingly insults Mattie by comparing her with his mother during an exchange that initially sounds like a pick-up. The insult, combined with the lascivious attention of the much older T-Dub toward Mattie's daughter Lula, and Bowie's later return with the young Keechie (now pregnant with Bowie's child) in tow inspires Mattie's revenge against Bowie.Bowie is injured in an auto accident and takes refuge with the daughter of the gas station attendant, Keechie. They become romantically involved but their relationship is strained by Bowie's refusal to turn his back on crime. Chicamaw is eventually recaptured and T-Dub is killed while waiting in his car for his wife. Bowie poses as a sheriff's deputy to spring Chickamaw from jail but he quickly becomes disgusted with the violent, raving Chicamaw and abandons him on the side of the road. The Texas Rangers catch up with Bowie, who is betrayed by Mattie and meets a violent end. Keechie carries on, pregnant with Bowie's baby. (In Anderson's novel, she too is killed by the Texas Rangers.)

Question: Build a movie plot around this: What scene did Eli choose to show Nina's parents? He didn't
Answer: Cameron (Steve Railsback), a Vietnam vet who's wanted for attempted murder, is caught by the police but escapes. Crossing a bridge, he dodges an antique car that seems to be trying to run him down; when he turns around, the car has disappeared. While he wonders whether it went into the river, a helicopter flies close to the bridge and a man inside looks intently at Cameron. Later, Cameron is attracted to a movie shoot -- a World War I battle scene -- on the beach. After the scene, he notices an old woman who walks through the set greeting the actors, then falls in the water. Cameron dives in to rescue her and is horrified when she pulls off her face -- a mask. She's not an old woman, but the movie's leading lady, Nina Franklin (Barbara Hershey), testing the costume and make-up for the scenes set late in her character's life.The director, Eli Cross (Peter O'Toole), descends from the sky on his camera crane. This is his second entrance from on high; Eli is the same man who stared at Cameron from the helicopter. He offers Cameron a job, explaining that their last stunt man just ran a car off a bridge. They haven't found the body, and Eli can't afford the production delays that will result if the police get involved. The local police chief is aware of the accident on the bridge and Eli has to do some fast talking to convince him that Cameron is Burt, the stunt man who went off the bridge into the river. (Eli claims divers pulled him out of the car, and Cameron is convincingly damp, having just pulled Nina out of the ocean.) Cameron's job is to pretend to be Burt and do his stunts -- a role within a role that allows both Eli and Cameron to avoid entanglements with the police.Cameron is rechristened "Lucky." Denise (Sharon Farrell), the film's hair stylist, dyes his hair and makes a pass at him. Ostensibly the color change is to make him resemble the blond leading man, Raymond Bailey (Adam Roarke) -- Lucky is Ray's stunt double -- but of course it also, conveniently, makes him harder to recognize. There's a running...

Question: Build a movie plot around this: What story is told? The Family History
Answer:
This synopsis is from the UNRATED VERSION.A girl (Jane Powell) (Isabelle Almgren-Dore) is running through snowy woods near her house in Boston, Massachusetts. Something unseen is chasing her. She approaches the house and tries to open a double door. It opens and she rushes in, closing it and an inner door which she latches shut. She looks around, picking up a letter opener and leaves the room. The door is forced open by the unseen force. She runs upstairs into her bedroom, bolting the door. The doorknob is rattled as the unseen tries to get in. The noise stops and there is silence. The girl cautiously approaches the door when suddenly the ghostly image of a girl (Betsy Bell) (Rachel Hurd-Wood) appears beside her. She screams and at that moment awakens from a dream, sitting up in bed in hysterics. She is comforted by her mother (Elizabeth Powell) (Susan Almgren) who tells her she had a bad dream again. She suggests a nice warm bath, which is rejected by Jane, saying maybe later. The mother tells her she must get ready to be picked up by her father (David Powell) (Howard Rosenstein) for the weekend. She acknowledges this. Elizabeth picks up some clothes from the floor, noticing a bundle of old things which she asks Jane about. Telling her mother they are from the attic, Jane is told you know the attic is off-limits. Jane apologizes and is told just dont do it again as the mother exits. Jane goes into a fetal position on her bed.Elizabeth goes into the study carrying the old doll and things from the attic. Pouring herself a drink from a vodka bottle, she looks painfully at a family photo that includes her, Jane and her ex-husband David. She picks up the doll (having a cracked face) and says to it I know how you feel. Picking up an envelope marked The truth of our family history, she removes the paper from it and begins reading November 1848. I had hoped no one would ever find cause to open this letter. If you have, I must assume that unexplainable or even supernatural events have begun to occur. The story of the...