IN: Portugal. The Man is an American rock band from Wasilla, Alaska, currently residing in Portland, Oregon. The group consists of lead singer John Baldwin Gourley, Gourley's partner & back-up singer Zoe Manville, Zach Carothers, Kyle O'Quin, Jason Sechrist and Eric Howk. Gourley and Carothers met and began playing music together in 2001 at Wasilla High School in Wasilla.

On June 22, 2007, they released their second full-length album, Church Mouth, again produced by Casey Bates, and set out on a full U.S. headline tour with support from The Photo Atlas, Play Radio Play, Tera Melos and The Only Children among others. They then toured Europe and followed it up with another US headlining tour with support from Rocky Votolato and Great Depression during September and October. Following this tour, they joined Thursday on a short east coast tour in November alongside Circle Takes The Square. In 2008, the band left their label, Fearless Records, and added Ryan Neighbors, their touring keyboardist, as an official member and replacement for Wes Hubbard. On July 30, 2008, it was announced that Portugal. The Man was releasing Censored Colors under its independent record label, Approaching AIRballoons, in partnership with Equal Vision Records. It was released September 16. Zoe Manville, a musician and graphic designer, was involved with this album and has an active involvement on all albums since 2008 including vocals on many of the tracks on Woodstock. John Gourley was also chosen as the recipient of the 2008 AP Magazine's "Best Vocalist of the Year". In 2009, Portugal. The Man played at Bonnaroo and also at Lollapalooza in Grant Park, Chicago. On April 9, the band announced the next album, The Satanic Satanist, which was released on July 21, 2009. The Satanic Satanist is themed around memories and stories from singer John Gourley's youth in Alaska. The album was recorded with the help of record producer Paul Q. Kolderie of Pixies and Radiohead fame. On February 11, 2010, Gourley announced that American Ghetto, the band's fifth studio album, would be released on March 2. In order to avoid another leak, no copies of the album were solicited until the release date.
QUESTION: what happened in 2007?
IN: Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in 1957 on Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz.

The nonet recorded twelve tracks for Capitol during three sessions over the course of nearly a year and a half. Davis, Konitz, Mulligan and Barber were the only musicians who played on all three sessions, though the instrumental lineup was constant (excepting the omission of piano on a few songs and the addition of Hagood on "Darn That Dream"). The first session occurred on January 21, 1949, recording four tracks: Mulligan's "Jeru" and "Godchild" as well as Lewis's "Move" and "Budo". Jazz critic Richard Cook hypothesizes that Capitol, wanting to get a good start, recorded these numbers first because they were the most catchy tunes in the nonet's small repertoire. That date Kai Winding replaced Zwerin on trombone, Al Haig replaced Lewis on piano, and Joe Shulman replaced McKibbon on bass. The second recording date came three months later on April 22, 1949 with Davis filling in for Fats Navarro in Tadd Dameron's band with Charlie Parker during the interim. The band returned to the studio with five substitutions in personnel: J. J. Johnson on trombone, Sandy Siegelstein on French horn, Nelson Boyd on bass, and Kenny Clarke on drums, and John Lewis returning to piano. At this session, the nonet recorded Mulligan's "Venus de Milo", Lewis's "Rouge", Carisi's "Israel", and "Boplicity", a collaboration between Davis and Evans, credited to the pseudonym "Cleo Henry". The band did not return to the studio again until March 9, 1950. Davis did not call the band for any rehearsals or live performances between the second and third recording dates. The March 1950 date featured Mulligan's "Darn That Dream", "Rocker", and "Deception", and Evans's arrangement of Chummy MacGregor's "Moon Dreams", which had been released in a jazz arrangement by Glenn Miller and the AAF Band in 1944 on V-Disc. The band saw more substitutions, with Gunther Schuller on French horn and Al McKibbon on bass. Kenny Hagood returned for vocals on "Darn That Dream".
QUESTION: Are there any other interesting aspects about this article?
IN: Alexandra Elene MacLean Denny (6 January 1947 - 21 April 1978) was an English singer-songwriter who was lead singer of the British folk rock band Fairport Convention. She has been described as "the pre-eminent British folk rock singer". After briefly working with the Strawbs, Denny joined Fairport Convention in 1968, remaining with them until 1969. She formed the short-lived band Fotheringay in 1970, before focusing on a solo career.

Her nursing career proved short-lived. In the meantime she had secured a place on a foundation course at Kingston College of Art, which she took up in September 1965, becoming involved with the folk club on campus. Her contemporaries at the college included guitarist and future member of Pentangle, John Renbourn. After her first public appearance at the Barge in Kingston upon Thames Denny started working the folk club circuit in the evenings with an American-influenced repertoire, including songs by Tom Paxton, together with traditional folk songs. Denny made the first of many appearances for the BBC at Cecil Sharp House on 2 December 1966 on the Folk Song Cellar programme where she accompanied herself on two traditional songs: "Fhir a Bhata" and "Green Grow the Laurels". Her earliest professional recordings were made a few months later in mid-1967 for the Saga label, featuring traditional songs and covers of folk contemporaries including her boyfriend of this period, the American singer-songwriter Jackson C. Frank. They were released on the albums Alex Campbell and His Friends and Sandy and Johnny with Johnny Silvo. These songs were collected on the 1970 album It's Sandy Denny where the tracks from Sandy and Johnny had been re-recorded with more accomplished vocals and guitar playing. The complete Saga studio recordings were issued on the 2005 compilation Where The Time Goes. By this time she had abandoned her studies at art college and was devoting herself full-time to music. While she was performing at The Troubadour folk club, a member of the Strawbs heard her, and in 1967, she was invited to join the band. She recorded one album with them in Denmark which was released belatedly in 1973 credited to Sandy Denny and the Strawbs: All Our Own Work. The album includes an early solo version of her best-known (and widely recorded) composition, "Who Knows Where the Time Goes?" A demo of that song found its way into the hands of American singer Judy Collins, who chose to cover it as the title track of an album of her own, released in November 1968, thus giving Denny international exposure as a songwriter before she had become widely known as a singer.
QUESTION:
What did she do there?