In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : The Royal Banner of the Royal Arms of Scotland, also known as the Royal Banner of Scotland, or more commonly the Lion Rampant of Scotland, and historically as the Royal Standard of Scotland, (Scottish Gaelic: "Bratach rioghail na h-Alba" , Scots: "Ryal banner o Scotland" ) or Banner of the King of Scots, is the Royal Banner of Scotland, and historically, the Royal Standard of the Kingdom of Scotland. Used historically by the King of Scots, the banner differs from Scotland's national flag, the Saltire, in that its correct use is restricted by an Act of the Parliament of Scotland to only a few Great Officers of State who officially represent the Sovereign in Scotland. It is also used in an official capacity at royal residences in Scotland when the Sovereign is not present. Context_2 : Royal standard, royal flag, or royal banner may refer to: Context_3 : The royal arms of Scotland was the official coat of arms of the King of Scots first adopted in the 12th century. With the Union of the Crowns in 1603, James VI inherited the thrones of England and Ireland and thus his arms in Scotland were now quartered with the arms of England (which was itself quartered with France) with an additional quarter for Ireland also added (the arms would continue to alter in later years). Though the kingdoms of England and Scotland would share the same monarch, the distinction in heraldry used in both kingdoms was maintained. When the kingdoms of Scotland and England were united under the Acts of Union 1707 to form the United Kingdom of Great Britain, no single arms were created and instead, the royal arms as used in either Scotland and the rest of the United Kingdom would continue to differ. Context_4 : The royal coat of arms of the United Kingdom, or the Royal Arms for short, is the official coat of arms of the British monarch, currently Queen Elizabeth II. These arms are used by the Queen in her official capacity as monarch of the United Kingdom. Variants of the Royal Arms are used by other members of the British royal family; and by the British government in connection with the administration and government of the country. In Scotland, there exists a separate version of the Royal Arms, a variant of which is used by the Scotland Office. The arms in banner form serve as basis for the monarch's official flag, known as the "Royal Standard". Context_5 : The Royal Standard of Spain ("Estandarte Real or Estandarte del Rey") is the official flag of the King of Spain. It comprises a crimson square, traditional colour of both Castilian and Spanish monarchs, with the coat of arms of the King in the center. It is raised over the official royal residence in Madrid, the Palacio de la Zarzuela and other Spanish royal sites, when the monarch is in residence and displayed on his official car as small flag. The current flag was adopted when Felipe VI acceded the throne as King of Spain on 19 June 2014. The Royal Standard is regulated by Rule 2 of Royal Decree 527/2014, 20 June, an amendment to Title II of Spanish Royal Decree 1511/1977 adopting Flags, Standards, Guidons, Insignia and Emblems Regulation. Context_6 : The monarchy of the United Kingdom, commonly referred to as the British monarchy, is the constitutional monarchy of the United Kingdom, its dependencies and its overseas territories. The current monarch and head of state, Queen Elizabeth II, ascended the throne on the death of her father, King George VI, on 6 February 1952. Context_7 : The Flag of Scotland (Scottish Gaelic: "bratach na h-Alba" ; Scots: "Banner o Scotland" ), also known as St Andrew's Cross or the Saltire, is the Flag of Scotland. As the national flag, the Saltire, rather than the Royal Standard of Scotland, is the correct flag for all individuals and corporate bodies to fly. It is also, where possible, flown from Scottish Government buildings every day from 8am until sunset, with certain exceptions. Context_8 : The Bearer of the Royal Banner is one of the Great Officers of the Royal Household in Scotland. The bearer participates in royal, state, and other ceremonial events when needed. Context_9 : The royal standards of England were narrow, tapering swallow-tailed heraldic flags, of considerable length, used mainly for mustering troops in battle, in pageants and at funerals, by the monarchs of England. In high favour during the Tudor period, the Royal English Standard was a flag that was of a separate design and purpose to the Royal Banner. It featured St George's Cross at its head, followed by a number of heraldic devices, a supporter, badges or crests, with a mottobut it did not bear a coat of arms. The Royal Standard changed its composition frequently from reign to reign, but retained the motto "Dieu et mon droit", meaning God and my right; which was divided into two bands: "Dieu et mon" and "Droyt". Context_10 : Derafsh Kaviani, or Derafsh Kavani, was the legendary royal standard (vexilloid) of Iran used since ancient times until fall of the Sasanian Empire. Following the defeat of the Sassanids at the Arab conquest of Persia, the Sassanid standard was recovered by one Zerar bin Kattab, who received 30,000 dinars for it. After the jewels were removed, Rashidun Caliph Umar is said to have burned the standard. The banner was also sometimes called the "Standard of Jamshid" ("Drafs-i Jamshid"), the "Standard of Fereydun" ("Drafs-i Freydun") and the "Royal Standard" ("Drafs-i Kayi"). fact_1 : Used historically by the King of Scots, the banner differs from Scotland's national flag, the Saltire, in that its correct use is restricted by an Act of the Parliament of Scotland to only a few Great Officers of State who officially represent the Sovereign in Scotland. fact_2 : The monarchy of the United Kingdom, commonly referred to as the British monarchy, is the constitutional monarchy of the United Kingdom, its dependencies and its overseas territories. Answer: monarchy of the United Kingdom
A:
The Royal Banner of the Royal Arms of Scotland, commonly the Lion Rampant of Scotland, and historically as the Royal Standard of Scotland, is the Royal Banner of Scotland, and historically, the Royal Standard of the Kingdom of Scotland, historically used by the King of Scots, the banner differs from Scotlands national flag, the Saltire, in that its correct use is restricted by an Act of the Parliament of Scotland to only a few Great Officers of State who officially represent the Sovereign in Scotland, which is called what, and is the constitutional monarchy of the United Kingdom, its dependencies and its overseas territories?