Q: Kadin loved the desert. Many creatures lived in the desert. Some learned to survive within her harsh burning grip. Some even learned to thrive in her, building stone monuments to themselves and living their lives surrounded in the lavish luxuries of Gods. How puny their monuments were compared to the desert herself. Where they had castles surrounded by dry moats, the desert had mountains surrounded by thousand year sandstorms. Where they had silks and the most beautiful slaves serving their every greatest desire, she had dunes that stretched for a thousand leagues and a sun that burned huge and deep crimson in the violet sky. Where desert kings, the Danken, dined on the finest food and drank the finest wine, the desert drank every drop of water from the air itself and feasted on men. Kadin knew the desert. He knew her voice whispering in the dark of night like a dangerous lover. The sound he heard now was not her voice but a cry from one trapped within the desert's teeth. It was the cry of a woman. Kadin rose from his makeshift bed in the dip of two dunes. He stood quickly, tying the leather straps of his knife belt around his waist. He pulled on his boots and silently mounted White Ash. THe mare felt his soft touch and made no sound. Kadin listened and heard the cry again. He studied the dunes in the darkness of night. THe blood moon painted the desert a deep red. He felt the echos and turned White Ash towards their origin. He rode quietly into the night. Kadin saw the glow of torchlight long before cresting the hill. He guessed four riders from the sound of their horses and confirmed it when he rose above them. Three men, now on foot, chased a woman in black across the dune. Their horses stood back, panting from a hard ride. The woman's own stallion lay dead, a black arrow buried in its flank. Why did Kadin love the desert? A. not enough information B. He loved it because he was a desert king. C. He loved it because of lavish luxuries. D. He loved it because he knew it and he found it beautifil.
A: D

Q: U.S. President Donald Trump is not expected to meet the leaders of Cuba and Venezuela when he attends the Summit of the Americas next week, according to White House officials. However, there will still be opportunities for interactions between Trump and his Latin and North American counterparts at the two-day summit that begins April 13 in Lima, Peru. The gathering takes place as Trump finalizes plans to send the military to the U.S. border with Mexico and threatens to withdraw from the North American Free Trade Agreement, or NAFTA. In addition, Trump's recently imposed steel and aluminum tariffs have sparked criticism from many of the attendees at the summit, though some countries have received temporary exemptions. Despite all the turbulence, White House officials outlined a fairly traditional agenda for the summit. "A win for this president at this summit will be a strong speech focused on regional governance, leadership on Venezuela and promoting reciprocal trade," a senior administration official said. The official would not say whether Trump will continue to "speak his mind" during the summit on sensitive issues such as immigration. Trump has repeatedly portrayed immigration from South and Central America as both a national security and economic threat. During his presidential campaign, Trump accused Mexico of sending rapists, drug dealers and criminals across the border. Trump has also clashed with Mexican President Enrique Pena Nieto over the funding of a border wall between the U.S. and Mexico. The president has long insisted that Mexico will pay for the wall. The disagreement become so heated earlier this year that Pena Nieto canceled plans to visit the White House. It is not clear whether Trump will hold a one-on-one meeting with Pena Nieto during the summit, U.S. officials said. But Trump will not meet with Cuban leader Raul Castro or anyone from the Venezuelan delegation, White House officials said. "Obviously the Cubans will be participating in the summit, so there will be a mixing of regional... After the end of the story how does Mexico feel toward U.S? A. thrilled B. mad C. happy D. not enough information
A: B

Q: Larisa Grollemond is conducting a comparative study of illuminations in the Mirror of History (Speculum historiale, Miroir historial) as a graduate intern in the Manuscripts Department of the Getty Museum. The massive text, compiled in the 1200s by friar Vincent of Beauvais and translated into French in the 14th century by Jean de Vignay, attempts to compile all of world history from creation to the present into a single source. "If our twenty-first-century way of understanding everything is to put it on the Internet," she says, "the medieval way of understanding was to create big encyclopedic texts that try to encompass all of human history and biblical history in an organized way." Larisa, who recently completed her PhD at the University of Pennsylvania with a focus on 15th-century French manuscript culture, is focusing on the Getty volumes' unique program of illuminations. The French translation of the Miroir historial exists in some 40 known copies, and while the text remains mostly unchanged from copy to copy, the illuminations vary dramatically, both in how scenes are depicted and in which episodes artists choose to depict. Larisa has decided to focus on the evolution of depictions of India and its inhabitants across these various copies, because the Getty copy, which dates to 1475, contains images that are different from earlier illuminated versions. While other copies don't dedicate more than one or two illustrations to India, the Getty copy has several that draw upon the medieval tradition of the "monstrous peoples" as well as knowledge of geography, materials, and customs newly gained through trade. This work ties into broader scholarly efforts to shed light on globalization in the Middle Ages. "Scholars of medieval art have generally thought of Western Europe as the center and non-European places as the periphery. There has now been a revision of that view," says Larisa. "These manuscripts provide an interesting glimpse into how late-medieval Europeans made sense of their world, including... How does Larisa feel about her time spent at the University of Pennsylvania? A. not enough information B. She had a good time and met great people during her time there. C. She thought it was very hard, but inspiring for her future works. D. She loved it and learned a lot.
A: A

Q: Hello I have been chased by a couple of angry dogs. I was visiting one of my clients, when, suddenly, out of the bushes, two snarling dogs attacked me. They weren't necessarily mad, as in crazy, but they were very angry. They were large dogs, and they attacked my legs, knocking me down. I knew it was very dangerous to be down on the ground, as I was most vulnerable. I covered my genitalia, my neck and my face, as I struggled to regain my feet. Fortunately, during my fall, I saw a large tree branch on the ground near me. I grabbed it, and starting beating the dogs with it. I managed to land a few good hits. As I was hitting the dogs, their owner (my client) came outside, stood on her porch and laughed at me. When she saw me hitting her dogs with a stick, she called the dogs off of me. I asked her why her dogs attacked me, and why she laughed at me. She said that she had just given her dogs a big steak bone and they were upset when I came near and attacked me. I asked her why she would set me up in this way when she knew I was on the way over. She admitted that she wanted to see what happened, and she said that when she saw what happened she thought that it was funny. I did not keep the appointment with her. My trousers were torn, and my ankles, legs, and hands were bleeding. I told her that I would not be back, and left. Later that night, her husband called to apologize on her behalf. I told him that I appreciated the call, but he wasn't the one who needed to apologize. Peace After the story, the narrator probably: A. not enough information B. went to the hospital C. accepted an apology from the client D. worked with the client again
A: B