Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : People Are Wrong is a 2004 Off-Broadway musical written by Robin Goldwasser and Julia Greenberg, and stars John Flansburgh, Robin Goldwasser's husband, from the band They Might Be Giants. It played Off-Broadway at the Vineyard Theatre from October 22, 2004 until December 11, 2004. The production starred John Flansburgh, Erin Hill, David Driver, Robin Goldwasser, Chris Anderson and Maggie Moore. Context_2 : Coffee With Conscience is a monthly concert series based in Westfield, New Jersey which raises money for local charities by hosting touring musical performers with a focus on singer-songwriters. It is sponsored in part by the Westfield Service League, and it began in 2000 and has run every year since then. Charities it sponsors include Homefirst, Habitat for Humanity, Contact We Care, the Community Food Bank of NJ and the Keith Knost Special Needs Trust. Performances happen in downtown Westfield, New Jersey. In the past it has supported charities such as the Eric Johnson House in Morristown, The Central Jersey Chapter of the Names Project, and others. It features seven performances annually. Past performers have included David Wilcox, Beaucoup Blue, Modern Man, Anais Mitchell, Red Molly, Christine Lavin, Greg Greenway, John Flynn, Reggie Harris, Don White, Pat Wictor, Toby Walker, John McCutcheon, the Guy Mendilow Band, The Bobs, Pat Wictor & Toby, Ginny Johnston, Jessica Schoenberg, Greg Greenway, David Roth, Dayna Kurtz, Bob Malone, Carla Ulbrich, Justin Roth, Cheryl Wheeler, Catie Curtis, The Kennedys, KJ Denhert, guitarist Glenn Alexander and many others. It was founded by the former minister of the Springfield Emanuel Methodist Church, Jeff Markay, and has been managed by artistic director and host Ahrre Maros, and staffed by a team of volunteers. Context_3 : Hadestown is a 2016 stage musical adaptation of a 2010 folk opera concept album by the same name, written by Anais Mitchell. It premiered off-Broadway at New York Theatre Workshop on May 6, 2016 and ran through July 31. The show was developed for the stage and directed by Rachel Chavkin. Context_4 : Hymns for the Exiled is the second album by American folksinger Anais Mitchell, released in 2004 on Waterbug Records. It was recorded at The Bristmill in Bristol, Vermont and produced by Michael Chorney. Context_5 : Little Shop of Horrors is a 1986 American rock musical horror comedy film directed by Frank Oz. It is a film adaptation of the off-Broadway musical comedy of the same name by composer Alan Menken and writer Howard Ashman about a nerdy florist shop worker who finds out his venus fly trap can speak. Menken and Ashman's Off-Broadway musical was based on the low-budget 1960 film "The Little Shop of Horrors", directed by Roger Corman. The 1986 film stars Rick Moranis, Ellen Greene, Vincent Gardenia, Steve Martin, and Levi Stubbs as the voice of Audrey II. The film also featured special appearances by James Belushi, John Candy, Christopher Guest, and Bill Murray. It was produced by David Geffen through The Geffen Company and released by Warner Bros. on December 19, 1986. Context_6 : This Is the New That is the fourth album by American singer-songwriter Jonathan Byrd. It was officially released March 21, 2007, although online availability began in late December 2006. While Byrd's earlier recordings have been in more of a traditional folk vein ranging at times from bluegrass to world music, this release places Byrd's song craft in somewhat more of a rock setting. According to Byrd, some of his diverse influences here include Bob Dylan, Anais Mitchell, The Beatles & Merle Haggard. Context_7 : The Song They Sang... When Rome Fell is the 2002 debut release by Vermont-based American singer-songwriter Anais Mitchell. The album was made during the singer's 6-month stay in Austin, Texas, and was recorded in a single afternoon. It consists of Mitchell playing her acoustic guitar and singing with sparse production. Context_8 : Jack Harris (born 1986) is a Welsh-born folk singer-songwriter, musician, and poet. He is multi-award-winning, most notably winning the 2005 New Folk Songwriting Competition at Kerrville Folk Festival in Texas, the first non-American to do so. Jack Harris has been described as "a priest of song" by singer Anais Mitchell. Context_9 : The Brightness is the third album by American folksinger Anais Mitchell, released February 13, 2007 on Righteous Babe Records. It was recorded at The Bristmill in Bristol, Vermont and produced by Michael Chorney. In December 2012, the song 'Of a Friday Night' was played as the Weather on episode 12 of Welcome to Night Vale, "The Candidate", but was mislabeled as 'The Brightness'. Context_10 : Amber Gray is an American actress and singer best known for portraying Helene Kuragina in the 2016 Broadway musical "Natasha, Pierre, & the Great Comet of 1812." Gray also played Persephone in the 2016 Off-Broadway musical "Hadestown," which received favorable reviews. fact_1 : Gray also played Persephone in the 2016 Off-Broadway musical "Hadestown," which received favorable reviews. fact_2 : Hadestown is a 2016 stage musical adaptation of a 2010 folk opera concept album by the same name, written by Anais Mitchell. Answer: Hadestown
Solution:
Amber Gray was in what 2016 OffBroadway musical written by Anais Mitchell?