Question: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.

Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers. By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper: While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer: Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music.

Question: Raven was born in Lorenskog, Norway; her father is a teacher. She has an older brother and two younger sisters. Her surname is of Norse origin, with Ravn meaning Raven, which she adopted as her stage name Marion Raven as well as her trademark raven logo. Raven enjoyed singing from a young age, sometimes writing lyrics for the songs she sang.

In 1995, Raven's father arranged for her to make a demo in a studio in Oslo, together with her childhood friend, Marit Larsen. The duo got a record deal with EMI Norway and formed M2M. A year later, they produced children album titled, "Marit og Marion synger kjente barnesanger" which means "Marit and Marion Sing Well-Known Children Songs". M2M was nominated for the Norwegian Grammy, Spellemannprisen, the following year. In 1998, M2M started recording pop demos in English and struck a record deal with Atlantic Records. The two collaborated with many songwriters from around the world and produced their multi-platinum debut album, Shades of Purple, that was released in 2000, with the lead single, "Don't Say You Love Me" featuring on the soundtrack of Pokemon: The First Movie. The song was co-produced by Jimmy Bralower and Peter Zizzo (Celine Dion), and mixed by Tom Lord-Alge. It peaked on the Billboard Hot 100 at No. 21, selling 39,000 units in a week, according to SoundScan. Their second album, The Big Room, which was recorded in a studio in Bearsville in Woodstock, New York, was released in 2002. After world tours to promote The Big Room ended, M2M joined Jewel on her world tour as an opening act. M2M later disbanded in September 2002. Raven was offered a recording contract with Atlantic Records, though the offer was later revoked. She co-wrote "Pointless Relationship" that was the lead single of Australian singer, Tammin Sursok's debut album, 'Whatever Will Be'. She also collaborated on the track "That Day", a song released by Norwegian pop singer, Maria Arredondo, from Arredondo's 2004 follow-up album Not Going Under, and co-wrote the song "Disconnected", a song included on Lindsay Lohan's debut album "Speak" in 2004.

Using a quote from the above article, answer the following question: what is M2M?
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Answer: The duo got a record deal with EMI Norway and formed M2M.

Question: Luzzatti was born of Jewish parents in Venice on 11 March 1841. After completing his studies in law at the University of Padua, he attracted the attention of the Austrian police by his lectures on political economy, and was obliged to emigrate after starting a mutual aid society among gondoliers. In 1863 he obtained a professorship at the Milan Technical Institute; in 1867 he was appointed professor of constitutional law at Padua, whence he was transferred to the University of Rome. Gifted with eloquence and energy, he popularized the economic ideas of Franz Hermann Schulze-Delitzsch in Italy, worked for the establishment of a commercial college at Venice, and contributed to the spread of people's banks on a basis of limited liability throughout the country.

He was minister of agriculture in the second Sonnino Cabinet (December 2, 1909 - March 21, 1910), and on the resignation of the latter was called upon to form a cabinet himself. His administration, which lasted until March 18, 1911, was not very successful and fell over a proposed electoral reform. Although a man of first-class financial ability, great honesty and wide culture, he had not the strength of character necessary to lead a government: he showed lack of energy in dealing with opposition and tried to avoid all measures likely to make him unpopular. Furthermore, he never realized that with the chamber, as it was then constituted, he only held office at Giolitti's good pleasure. During the First World War, he was consistently pro-Ally and strongly supported Italian intervention, but his tone was on the whole pessimistic. Although he did not take office while the war lasted, he was always consulted on all financial matters, and his sound advice was generally followed. He became treasury minister in the second incarnation of the Nitti cabinet (March 12 - May 10, 1920), but did not resume office in the third. At the general elections of May 1921, he decided not to stand for parliament again, and was made a senator. In spite of his advanced age, he continued to write on economic and financial problems with his accustomed lucidity and soundness of judgment, insisting on the necessity for Italy to return to free trade and to reduce government interference in business matters to a minimum.

Using a quote from the above article, answer the following question: Did he have high approval ratings?
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Answer:
His administration, which lasted until March 18, 1911, was not very successful