Answer the question at the end by quoting:

Janet Damita Jo Jackson (born May 16, 1966) is an American singer, songwriter, dancer, and actress. Known for sonically innovative, socially conscious and sexually provocative records, and elaborate stage shows, she has been a prominent figure in popular culture for over thirty years. The youngest child of the Jackson family, she began her career with the variety television series The Jacksons in 1976 and went on to appear in other television shows throughout the 1970s and early 1980s, including Good Times and Fame. After signing a recording contract with A&M Records in 1982, she became a pop icon following the release of her third studio album Control (1986).
After her second album, Jackson terminated business affairs with her family, commenting "I just wanted to get out of the house, get out from under my father, which was one of the most difficult things that I had to do." Attempting a third album, Jackson teamed with producers Jimmy Jam and Terry Lewis. They set out to achieve crossover pop appeal, while also creating a strong foundation within the urban market. Within six weeks, Jackson and the duo crafted her third studio album, Control, released in February 1986. The album shot to No. 1 on the Billboard 200, and was certified fivefold platinum by the Recording Industry Association of America (RIAA), selling over ten million copies worldwide. Control was declared "remarkably nervy and mature" for a teenage act, also considered "an alternative to the sentimental balladry" which permeated radio, likening Jackson to Donna Summer's position of "unwilling to accept novelty status and taking her own steps to rise above it." The album spawned five top five singles, "What Have You Done for Me Lately", "Nasty", "When I Think of You", "Control", and "Let's Wait Awhile", and a top 15 hit with "The Pleasure Principle". "When I Think of You" became her first No. 1 hit on the Hot 100. Control received six Billboard Awards, including "Top Pop Singles Artist", and three Grammy nominations, most notably "Album of the Year". It also won four American Music Awards from twelve nominations, an unbroken record. At this point, Jackson was successfully "shaking off the experience of being a shadow Jackson child", becoming "an artist in her own right".. The album's lyrical content included several themes of empowerment, inspired by an incident of sexual harassment, with Jackson recalling "the danger hit home when a couple of guys started stalking me on the street and Instead of running to Jimmy or Terry for protection, I took a stand. I backed them down. That's how songs like 'Nasty' and 'What Have You Done for Me Lately' were born, out of a sense of self-defense." Its innovative fusion of dance-pop and industrial music with hip-hop and R&B undertones influenced the development of the new jack swing genre by bridging the gap between the latter two styles. The accompanying music videos shot for the album's singles became popular on MTV, and obtained a then-unknown Paula Abdul a recording contract for her choreography work with Jackson. Billboard stated "[Jackson's] accessible sound and spectacularly choreographed videos were irresistible to MTV, and helped the channel evolve from rock programming to a broader, beat-driven musical mix."

WHich of the singles on the album was a hit?

What Have You Done for Me Lately", "Nasty", "When I Think of You", "Control", and "Let's Wait Awhile", and a top 15 hit with

Answer the question at the end by quoting:

Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]
Wagner had completed Rienzi in 1840. With the strong support of Giacomo Meyerbeer, it was accepted for performance by the Dresden Court Theatre (Hofoper) in the Kingdom of Saxony and in 1842, Wagner moved to Dresden. His relief at returning to Germany was recorded in his "Autobiographic Sketch" of 1842, where he wrote that, en route from Paris, "For the first time I saw the Rhine--with hot tears in my eyes, I, poor artist, swore eternal fidelity to my German fatherland." Rienzi was staged to considerable acclaim on 20 October. Wagner lived in Dresden for the next six years, eventually being appointed the Royal Saxon Court Conductor. During this period, he staged there Der fliegende Hollander (2 January 1843) and Tannhauser (19 October 1845), the first two of his three middle-period operas. Wagner also mixed with artistic circles in Dresden, including the composer Ferdinand Hiller and the architect Gottfried Semper. Wagner's involvement in left-wing politics abruptly ended his welcome in Dresden. Wagner was active among socialist German nationalists there, regularly receiving such guests as the conductor and radical editor August Rockel and the Russian anarchist Mikhail Bakunin. He was also influenced by the ideas of Pierre-Joseph Proudhon and Ludwig Feuerbach. Widespread discontent came to a head in 1849, when the unsuccessful May Uprising in Dresden broke out, in which Wagner played a minor supporting role. Warrants were issued for the revolutionaries' arrest. Wagner had to flee, first visiting Paris and then settling in Zurich where he at first took refuge with a friend, Alexander Muller.

did he win awards?

Answer the question at the end by quoting:

Earl Kemp Long (August 26, 1895 - September 5, 1960) was an American politician and the 45th Governor of Louisiana, serving three non-consecutive terms. Long, known as "Uncle Earl", connected with voters through his folksy demeanor and colorful oratory. He departed from other southern politicians of his time by promoting a progressive agenda, including expanding school lunch programs, teacher pay, public works projects, and minority voting rights. His sometimes erratic behavior - including a liaison with New Orleans stripper Blaze Starr - did not affect his electoral success.
The colorful "Uncle Earl" (so-named because of his relatives, including nephew and U.S. Senator Russell Long) once joked that one day the people of Louisiana would elect "good government, and they won't like it!" But, beneath his public persona as a simple, plain-spoken rural Louisianan of little education, he had an astute political mind of considerable intelligence. Earl Long was a master campaigner, who attracted large crowds when his caravan crisscrossed the state. He would not allow a local person to introduce him or his ticket mates at a rally. Only out-of-parish people could do the honor. Long reasoned that nearly any local person would have made some political enemies who might reject Earl Long just because that person's "enemy" was pro-Long. Long was determined to get every vote possible and so tried to remain independent of local rivalries. Both Earl Long and his brother Huey had grown close to Earl Williamson, a local politician in Caddo Parish. Williamson's son, Don W. Williamson, later recalled Earl Long coming into their town of Vivian and picking up his father to join the Long entourage for a trip to Hot Springs, Arkansas, where they enjoyed buttermilk drinking and horse racing as well as illicit attractions in the resort city. Long demanded absolute loyalty among his inner circle, often saying that he did not need them to back him when he was right but when he was wrong. Long's erratic political behavior led the aspiring singer Jay Chevalier to compose in 1959 the song, "The Ballad of Earl K. Long".

How did he feel about the nickname?
once joked that one day the people of Louisiana would elect "good government, and they won't like it!"