Input: The rally took place on October 17, the shooting on February 29. Again, standard filmmaking techniques are interpreted as smooth distortion: "Moore works by depriving you of context and guiding your mind to fill the vacuum -- with completely false ideas. It is brilliantly, if unethically, done." As noted above, the "from my cold dead hands" part is simply Moore's way to introduce Heston. Did anyone but Moore's critics view it as anything else? He certainly does not "attribute it to a speech where it was not uttered" and, as noted above, doing so twice would make no sense whatsoever if Moore was the mastermind deceiver that his critics claim he is. Concerning the Georgetown Hoya interview where Heston was asked about Rolland, you write: "There is no indication that [Heston] recognized Kayla Rolland's case." This is naive to the extreme -- Heston would not be president of the NRA if he was not kept up to date on the most prominent cases of gun violence. Even if he did not respond to that part of the interview, he certainly knew about the case at that point. Regarding the NRA website excerpt about the case and the highlighting of the phrase "48 hours after Kayla Rolland is pronounced dead": This is one valid criticism, but far from the deliberate distortion you make it out to be; rather, it is an example for how the facts can sometimes be easy to miss with Moore's fast pace editing. The reason the sentence is highlighted is not to deceive the viewer into believing that Heston hurried to Flint to immediately hold a rally there (as will become quite obvious), but simply to highlight the first mention of the name "Kayla Rolland" in the text, which is in this paragraph.
"Who was president of the NRA on February 29?" is "Rolland"?
Output: no
Input: Oscar-winning actress Joan Fontaine died Sunday, her longtime friend Noel Beutel said Monday. She was 96. Fontaine died "very peacefully" in her sleep of natural causes, Beutel said. She was in her Carmel, California, home. She is survived by her older sister, actress Olivia de Havilland -- with whom she had not spoken for decades. Fontaine was born Joan de Beauvoir de Havilland in 1916 in Tokyo, Japan, where her British father was a patent lawyer and teacher. She and her sister moved to Saratoga, California, with their mother in 1919 when her parents separated. Fontaine was a teenager when she began her acting career as Joan Burfield in the 1935 film "No More Ladies." She later adopted the stage name Fontaine -- the name of her mother's second husband. She wrote in her 1978 autobiography, "No Bed of Roses," that her mother, who was an actress, began encouraging the rivalry with her older sister at an early age. The feud extended to their careers when both sisters were nominated for best actress Oscars in 1942. Fontaine, who was nominated for Alfred Hitchcock's "Suspicion," beat her sister Olivia de Havilland, who was nominated for "Hold Back the Dawn." De Havilland won the first of her two Oscars in 1947 when she was given the best actress award for "To Each His Own." De Havilland and Fontaine remain the only sisters who have best-actress Academy Awards. The long-standing feud with de Havilland was at such a peak during one Oscar winners' reunion in 1979 that they had to be seated on opposite ends of the stage. "I was shocked and saddened to learn of the passing of my sister, Joan Fontaine ... and I appreciate the many kind expressions of sympathy that we have received," a statement released by Olivia de Havilland to CNN said.
"Which two countries did Fontaine live in?" is "Tokyo"?
Output: no
Input: I had drunk too much, I confess, though we all had. Somehow, Tasha and I began to argue the worth of Solevgrad jazz, as inconsequential a topic as I can imagine. She had studied it in school, so she thought herself as an expert. I once had a neighbor who played it constantly, loudly, and badly, so I thought I knew it better. Malaquez tried to mediate, but I saw him as siding with Tasha. So, I think, did she. The subject shifted from music to Tasha's obsession with fame, undoubtedly by a leap that I made. She had no choice but to follow. (I do not remember any of this well, just now, nor do I care to. Those who are truly curious may look at the last act of "Captured Moments.") I remember suggesting, with characteristic tact, that she add Emil to her small list of major accomplishments. Malaquez glanced away, embarrassed. Tasha looked at me as if to say, "I will." She said, "I feel sorry for you, Nardo. I'll see Emil home." "Yes," I said, "Do that," and did not care what she did, or why. Emil asked, "You're all right?" I muttered something he must have interpreted as assent. They both walked up to Emil's home while I watched the scarlet moonlight ripple on distant waves. Disgusted with Tasha but more disgusted with myself, I finally realized she would not return that night and went into The Sleeping Flamingo to drink myself to sleep. She had not come home when I woke in mid-morning.
"Why was Tasha arguing about the worth of Solevgrad jazz" is "She was the only person who wasn't drunk and wanted to explain"?
Output:
no