IN: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

Unger's critique of economics begins with the identification of a key moment in economic history, when the analysis of production and exchange turned away from social theory and engaged in a quest for scientific objectivity. In Unger's analysis, classical economics focused on the causal relations among social activities, which were connected with the production and distribution of wealth. Classical economists asked questions about the true basis of value, activities that contributed to national wealth, systems of rights, or about the forms of government under which people grow rich. In the late-nineteenth century, in response to attacks from socialist ideas and debates about how society works, and as a means to escape the conundrums of value theory and to answer how values could become prices, marginalist economics arose. This movement in economics disengaged economics from prescriptive and normative commitments to withdraw the study of economies from debates about how society worked and what kind of society we wanted to live in. For Unger, this moment in the history of economics robbed it of any analytical or practical value. Unger's critique of Marginalism begins with Walras' equilibrium theory, which attempted to achieve a certainty of economic analysis by putting aside normative controversies of social organization. Unger finds three weaknesses that crippled the theory: foremost, the theory claimed that equilibrium would be spontaneously generated in a market economy. In reality, a self-adjusting equilibrium fails to occur. Second, the theory puts forth a determinate image of the market. Historically, however, the market has been shown to be indeterminate with different market arrangements. Third, the polemical use of efficiency fails to account for the differences of distribution among individuals, classes, and generations. The consequences of the marginalist movement were profound for the study of economics, Unger says. The most immediate problem is that under this generalizing tendency of economics, there is no means by which to incorporate empirical evidence and thus to re-imagine the world and develop new theories and new directions. In this way, the discipline is always self-referential and theoretical. Furthermore, the lack of a normative view of the world curtails the ability to propose anything more than a policy prescription, which by definition always assumes a given context. The discipline can only rationalize the world and support a status quo. Lastly, Unger finds that this turn in economics ended up universalizing debates in macroeconomics and leaving the discipline without any historical perspective. A consequence, for example, was that Keynes' solution to a particular historical crisis was turned into a general theory when it should only be understood as a response to a particular situation.

He believed in scientific objectivity

OUT: engaged in a quest for scientific objectivity.

input: His screen debut occurred in the 2005 starring in the Robert Schwentke-directed German-American mystery-thriller Flightplan, opposite Jodie Foster. Bomer's character was a flight attendant. The film grossed $223.3 million dollars worldwide, becoming the seventeenth highest grossing film of the year and Bomer's most lucrative film so far. The film received mixed reviews, although the cast was chosen. In the slasher film The Texas Chainsaw Massacre: The Beginning (2006), the film's story takes place four years before the timeline of the 2003 film, directed by Jonathan Liebesman, Bomer portrayed Eric, a Vietnam War veteran who is driving across Texas to re-enlist after his brother is drafted. The brothers run afoul of Sheriff Hoyt and are taken captive by the Hewitt family. The film, cast, direction and screenplay were criticized by critics. Writing to Rolling Stones, Peter Travers said: "putridly written, directed and acted." The remake was in second place at the box office of American theaters in its first weekend of opening with $18.5 million. The film grossed $51.8 million worldwide. Acted in his first television film Amy Coyne (2006), where he plays Case. The film tells the story of a young woman who after her father's death inherits her sports agency. His first leading role was in the series Traveler (2007), along with Logan Marshall-Green, Aaron Stanford and Viola Davis, a short-lived midseason replacement television series which premiered on ABC on May 30, 2007, the series tells the story of two graduate students, become suspected of terrorism after a skateboarding race inside a museum. It was broadcast only one season of Traveler, the series was canceled in the middle of the fourth episode and received mixed criticism from television critics. He had a supporting role in the NBC action-comedy-spy-drama Chuck (2007-09), created by Josh Schwartz and Chris Fedak. The series is about an "average computer-whiz-next-door" named Chuck Bartowski (played by Zachary Levi), who receives an encoded e-mail from an old college friend now working for the Central Intelligence Agency (CIA). His character Bryce Larkin, was also a CIA agent, the series in its first season had very positive critics. In 2007, Bomer took on the role of Ernest Hemingway in a Williamstown Theatre Festival production of Crispin Whittell's play Villa America in Massachusetts, starring with Jennifer Mudge and Nate Corddry. 2009 marked a significant turning point in Bomer's career. Starring as the a con artist Neal Caffrey in the police procedural--drama series White Collar, he was part of an ensemble cast that included Tim DeKay, Willie Garson and Tiffani Thiessen and created by Jeff Eastin. White Collar premiered on August 23, 2009 on USA Network and was watched by more than 5.40 million people. His performance and that of the cast were praised; Mary McNamara of the Los Angeles Times wrote: "terrific acting, crackling dialogue and geek-hip crime are not the only things that make this the most electric drama to premiere this fall." She also praised the performance of the two leads together saying they "are so easy" and "perfect together". He won a People's Choice Award at the 2015 ceremony. In addition, Bomer produced 19 episodes of White Collar along with DeKay.

Answer this question "Was Flightplan a success?"
output:
The film grossed $223.3 million dollars worldwide, becoming the seventeenth highest grossing film of the year and Bomer's most lucrative film so far.