Problem: In 1943, at the age of 16, Elizabeth undertook her first solo public appearance on a visit to the Grenadier Guards, of which she had been appointed colonel the previous year. As she approached her 18th birthday, parliament changed the law so that she could act as one of five Counsellors of State in the event of her father's incapacity or absence abroad, such as his visit to Italy in July 1944. In February 1945, she joined the Women's Auxiliary Territorial Service as an honorary second subaltern with the service number of 230873. She trained as a driver and mechanic and was promoted to honorary junior commander five months later.
In what year was the Grenadier Guards started?
---
Answer: unanswerable

Problem: In 1972, the Presbyterian Church of England (PCofE) united with the Congregational Church in England and Wales to form the United Reformed Church (URC). Among the congregations the PCofE brought to the URC were Tunley (Lancashire), Aston Tirrold (Oxfordshire) and John Knox Presbyterian Church, Stepney, London (now part of Stepney Meeting House URC) these are among the sole survivors today of the English Presbyterian churches of the 17th century. The URC also has a presence in Scotland, mostly of former Congregationalist Churches. Two former Presbyterian congregations, St Columba's, Cambridge (founded in 1879), and St Columba's, Oxford (founded as a chaplaincy by the PCofE and the Church of Scotland in 1908 and as a congregation of the PCofE in 1929), continue as congregations of the URC and university chaplaincies of the Church of Scotland.
What did the Presbyterian Church of England unite with in 1971?
---
Answer: unanswerable

Problem: In 1841, Leon Escudier wrote of a recital given by Chopin that year, "One may say that Chopin is the creator of a school of piano and a school of composition. In truth, nothing equals the lightness, the sweetness with which the composer preludes on the piano; moreover nothing may be compared to his works full of originality, distinction and grace." Chopin refused to conform to a standard method of playing and believed that there was no set technique for playing well. His style was based extensively on his use of very independent finger technique. In his Projet de methode he wrote: "Everything is a matter of knowing good fingering ... we need no less to use the rest of the hand, the wrist, the forearm and the upper arm." He further stated: "One needs only to study a certain position of the hand in relation to the keys to obtain with ease the most beautiful quality of sound, to know how to play short notes and long notes, and [to attain] unlimited dexterity." The consequences of this approach to technique in Chopin's music include the frequent use of the entire range of the keyboard, passages in double octaves and other chord groupings, swiftly repeated notes, the use of grace notes, and the use of contrasting rhythms (four against three, for example) between the hands.
What writing of Chopin talks about everything about piano playing has to do with proper fingering?
---
Answer:
his Projet de methode