input: Despite their short career, Joy Division have exerted a wide-reaching influence. John Bush of AllMusic argues that Joy Division "became the first band in the post-punk movement by [...] emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s." Joy Division have influenced bands as diverse as contemporaries U2 and the Cure to artists such as Radiohead, Nine Inch Nails, Neurosis, Interpol, Bloc Party, the Editors and rap artists. Rapper Danny Brown is known to have named one of his albums after the Joy Division song "Atrocity Exhibition", whose title was partially inspired by the 1970 J. G. Ballard collection of condensed novels of the same name. In 2005, both New Order and Joy Division were inducted into the UK Music Hall of Fame. The band's dark sound, which Martin Hannett described in 1979 as "dancing music with Gothic overtones", presaged the gothic rock genre. While the term "gothic" originally described a "doomy atmosphere" in music of the late 1970s, the term was soon applied to specific bands like Bauhaus that followed in the wake of Joy Division and Siouxsie and the Banshees. Standard musical fixtures of early gothic rock bands included "high-pitched post-Joy Division basslines usurp[ing] the melodic role" and "vocals that were either near operatic and Teutonic or deep, droning alloys of Jim Morrison and Ian Curtis." Joy Division have been dramatised in two biopics. 24 Hour Party People (2002) is a fictionalised account of the rise and fall of Factory Records in which members of the band served as supporting characters. Tony Wilson said of the film, "It's all true, it's all not true. It's not a fucking documentary", and that he favoured the "myth" over the truth. The 2007 film Control, directed by Anton Corbijn, is a biography of Ian Curtis (portrayed by Sam Riley) that uses Deborah Curtis's biography of her late husband, Touching from a Distance (1995), as its basis. Control had its international premiere on the opening night of Director's Fortnight at the 2007 Cannes Film Festival, where it was critically well received. That year Grant Gee directed the band documentary Joy Division.

Answer this question "did they tour with u2"
output:

input: Even before the original Pink Floyd album was recorded, a film was intended to be made from it. However, the concept of the film was intended to be live footage from the album's tour, with Scarfe's animation and extra scenes. The film was going to star Waters himself. EMI did not intend to make the film, as they did not understand the concept. Director Alan Parker, a Pink Floyd fan, asked EMI whether The Wall could be adapted to film. EMI suggested that Parker talk to Waters, who had asked Parker to direct the film. Parker instead suggested that he produce it and give the directing task to Gerald Scarfe and Michael Seresin, a cinematographer. Waters began work on the film's screenplay after studying scriptwriting books. He and Scarfe produced a special-edition book containing the screenplay and art to pitch the project to investors. While the book depicted Waters in the role of Pink, after screen tests, he was removed from the starring role and replaced with punk musician and frontman of the Boomtown Rats, Bob Geldof. In Behind the Wall, both Waters and Geldof later admitted to a story during casting where Geldof and his manager took a taxi to an airport, and Geldof's manager pitched the role to the singer, who continued to reject the offer and express his contempt for the project throughout the fare, unaware that the taxi driver was Waters' brother, who promptly proceeded to tell Waters about Geldof's opinion. Since Waters was no longer in the starring role, it no longer made sense for the feature to include Pink Floyd footage, so the live film aspect was dropped. The footage culled from the five Wall concerts at Earl's Court from 13-17 June 1981 that were held specifically for filming was deemed unusable also for technical reasons as the fast Panavision lenses needed for the low light levels turned out to have insufficient resolution for the movie screen. Complex parts such as "Hey You" still had not been properly shot by the end of the live shows. Parker also managed to convince Waters and Scarfe that the concert footage was too theatrical and that it would jar with the animation and stage live action. After the concert footage was dropped, Seresin left the project and Parker became the only director connected to The Wall.

Answer this question "Was there anything else significant?"
output: EMI suggested that Parker talk to Waters, who had asked Parker to direct the film.

input: Pele was born on 23 October 1940, in Tres Coracoes, Minas Gerais, Brazil, the son of Fluminense footballer Dondinho (born Joao Ramos do Nascimento) and Celeste Arantes. He was the elder of two siblings. He was named after the American inventor Thomas Edison. His parents decided to remove the "i" and call him "Edson", but there was a mistake on the birth certificate, leading many documents to show his name as "Edison", not "Edson", as he is called. He was originally nicknamed "Dico" by his family. He received the nickname "Pele" during his school days, when it is claimed he was given it because of his pronunciation of the name of his favorite player, local Vasco da Gama goalkeeper Bile, which he misspoke but the more he complained the more it stuck. In his autobiography, Pele stated he had no idea what the name means, nor did his old friends. Apart from the assertion that the name is derived from that of Bile, and that it is Hebrew for "miracle" (pe'le), the word has no known meaning in Portuguese. Pele grew up in poverty in Bauru in the state of Sao Paulo. He earned extra money by working in tea shops as a servant. Taught to play by his father, he could not afford a proper football and usually played with either a sock stuffed with newspaper and tied with a string or a grapefruit. He played for several amateur teams in his youth, including Sete de Setembro, Canto do Rio, Sao Paulinho, and Ameriquinha. Pele led Bauru Athletic Club juniors (coached by Waldemar de Brito) to two Sao Paulo state youth championships. In his mid-teens, he played for an indoor football team called Radium. Indoor football had just become popular in Bauru when Pele began playing it. He was part of the first Futebol de Salao (indoor football) competition in the region. Pele and his team won the first championship and several others. According to Pele, indoor football presented difficult challenges; he said it was a lot quicker than football on the grass and that players were required to think faster because everyone is close to each other in the pitch. Pele accredits indoor football for helping him think better on the spot. In addition, indoor football allowed him to play with adults when he was about 14 years old. In one of the tournaments he participated, he was initially considered too young to play, but eventually went on to end up top scorer with fourteen or fifteen goals. "That gave me a lot of confidence", Pele said, "I knew then not to be afraid of whatever might come".

Answer this question "Where was he taught by his father?"
output:
Pele grew up in poverty in Bauru in the state of Sao Paulo.