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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Carpenter Brut is a French electronic music artist whose real name is Franck Hueso, based in Poitiers, France. Little personal information is known about him aside from his French nationality. His anonymity is a deliberate artistic choice in order to place more importance on the music itself rather than the identity of the musician behind it. To date he has released three EPs, which were collected together and released together under the title "Trilogy" in 2015. He has also contributed original music to a variety of soundtracks. He started writing music as Carpenter Brut with the intention of mixing sounds from horror films, metal, rock, and electronic music. He has toured the United States and Europe, and in 2016 he toured the US with the Swedish heavy metal band Ghost. He performs live with a guitarist and drummer. Context_2 : Lilly Goodman (born Liliana Goodman Meregildo, 19 December 1979) is a Dominican singer. She came from a musical family. She is known for singing Christian themed songs in Spanish. She has featured on a Grammy award winning album in this genre by Alex Campos. She has taken Venezuelan nationality. Context_3 : Born Dead is the second studio album by American heavy metal band Body Count. The album was released on September 6, 1994. Among other tracks, the album features a cover of Billy Roberts' "Hey Joe," performed in the style of Jimi Hendrix' recording of the song, as originally featured on the "Are You Experienced" album. Body Count's cover of the song was first featured on the Hendrix tribute album "". In the liner notes, Ice-T dedicates the album "to all the people of color throughout the entire world: Asian, Latino, Native American, Hawaiian, Italian, Indian, Persian, African, Aboriginal and any other nationality that white supremacists would love to see born dead." "Born Dead" peaked at #74 on the "Billboard" 200. Context_4 : Nymphetamine is the sixth studio album by English extreme metal band Cradle of Filth. Recorded between February and July 2004, it was released on 28 September by record label Roadrunner. "Nymphetamine" marks the first recorded appearance of guitarist James McIlroy (as "Germs Warfare") on a Cradle of Filth album. He would later record guitar for the band's 2010 release "Darkly, Darkly, Venus Aversa". "Nymphetamine" is also the band's final album to feature keyboardist Martin Powell. Context_5 : The 1995 BBC/PBS documentary "People's Century" interviewed over one hundred persons who witnessed key events during the 20th century, including several centenarians who could recall the First World War and even earlier. Most interviewees were not well known, but may be physically recognisable from a famous photograph or image. Below are listed by nationality those persons who were interviewed, along with their occupation(s) they were noted for, and the episode(s) in which they were featured. Context_6 : Excel is a punk-metal fusion band from Venice, California, founded in 1983 by singer Dan Clements and guitarist Adam Siegel. They were influenced by famous 1970s punk rock musicians like the Germs and Black Flag, and heavy metal bands like Black Sabbath, Trouble, Slayer, Corrosion of Conformity and Cryptic Slaughter. They were also influenced by street art, Excel is known for painting graffiti on the streets of the cities where they make their tours, hence there are many different logos of the band. Context_7 : Georg Albert Ruthenberg (born August 5, 1959), better known by the stage name Pat Smear, is an American guitarist and occasional actor. Smear was a founding member of the influential punk band the Germs, and was the additional live rhythm guitarist for the grunge band Nirvana. He currently plays guitar in the rock band Foo Fighters, with whom he has recorded three studio albums and a live album. Context_8 : The Germs were an American punk rock band from Los Angeles, California, United States, originally active from 1977 to 1980. The band's main early lineup consisted of singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom and drummer Don Bolles. They released only one album, 1979's "(GI)", produced by Joan Jett, and were featured the following year in Penelope Spheeris' documentary film "The Decline of Western Civilization", which chronicled the Los Angeles punk movement. Context_9 : Skin and Bones is a live acoustic album by Foo Fighters released on November 7, 2006. The 15-track set was recorded on August 29, 30 and 31, 2006 at the Pantages Theater in Los Angeles and spotlights an expanded eight-piece lineup featuring violinist/singer Petra Haden, former Germs/Nirvana/Foo Fighters guitarist Pat Smear, Wallflowers keyboardist Rami Jaffee, and percussionist Drew Hester. Haden and Jaffee had appeared as guest musicians on the band's previous studio album, "In Your Honor". A three-song encore consists of Grohl's solo performances of "Friend of a Friend", "Best of You", and "Everlong". The album debuted at number 21 on the "Billboard" 200, selling about 49,000 copies in its first week. This was also the album's peak position on the chart. Context_10 : Ruby Charlotte Margaret Hunter (31 October 195517 February 2010) was an Australian singer, songwriter and guitarist. She was a member of the Ngarrindjeri Aboriginal nationality, and often performed with her partner, Archie Roach AM, whom she met at the age of 16, while both were homeless teenagers. Born on the banks of the Murray River in South Australia, Hunter was forcibly taken from her family at the age of eight as part of the Stolen Generation. fact_1 : The band's main early lineup consisted of singer Darby Crash, guitarist Pat Smear, bassist Lorna Doom and drummer Don Bolles. fact_2 : Georg Albert Ruthenberg (born August 5, 1959), better known by the stage name Pat Smear, is an American guitarist and occasional actor. Question: Germs featured a guitarist who was of what nationality?
Solution:
American