In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Dave Carter (August 13, 1952 July 19, 2002) was an American folk singer-songwriter who described his style as "post-modern mythic American folk music." He was one half of the duo Dave Carter and Tracy Grammer, who were heralded as the new "voice of modern folk music" in the months before Carter's unexpected death in July 2002. They were ranked as number one on the year-end list for "Top Artists" on the "Folk Music Radio Airplay Chart" for 2001 and 2002, and their popularity has endured in the years following Carter's death. Joan Baez who went on tour with the duo in 2002 spoke of Carter's songs in the same terms that she once used to promote a young Bob Dylan: Context_2 : Rosalie Sorrels (June 24, 1933 June 11, 2017) was an American folk singer-songwriter. She began her public career as a singer and collector of traditional folksongs in the late 1950s. During the early 1960s she left her husband and began traveling and performing at music festivals and clubs throughout the United States. She and her five children traveled across the country as she worked to support her family and establish herself as a performer. Along the way she made many lifelong friends among the folk and beat scene. Her career of social activism, storytelling, teaching, learning, songwriting, collecting folk songs, performing, and recording spanned six decades. Context_3 : Gil Turner (born Gilbert Strunk; May 6, 1933 September 23, 1974) was an American folk singer-songwriter, magazine editor, Shakespearean actor, political activist, and for a time, a lay Baptist preacher. Turner was a prominent figure in the Greenwich Village scene of the early 1960s, where he was master of ceremonies at New York's leading folk music venue, Gerde's Folk City, as well as co-editor of the protest song magazine "Broadside". He also wrote for "Sing Out!", the quarterly folk music journal. Context_4 : Jules Halfant (June 23, 1909 in New York City, New York May 5, 2001 in Berkeley Heights, New Jersey) is an American painter and printmaker. He is notable as a Federal Art Project (FAP) artist during the Great Depression of the 1930s in both mural and easel categories of the New York Works Progress Administration (WPA). While in the WPA, he worked alongside such well-known artists as Jackson Pollock, Mark Rothko, Milton Avery and Stuart Davis. From 1953 to 1988 Jules Halfant was Art Director of Vanguard Records where he designed albums featuring Joan Baez, Tom Paxton, Country Joe and the Fish, Buffy Sainte-Marie and many other musicians. Context_5 : Thomas Richard Paxton (born October 31, 1937) is an American folk singer-songwriter who has had a music career spanning more than fifty years. In 2009, Paxton received a Grammy Lifetime Achievement Award. He is noteworthy as a music educator as well as an advocate for folk singers to combine traditional songs with new compositions. Context_6 : Martha Wainwright (born May 8, 1976) is a Canadian-American folk-rock singer-songwriter. She is the daughter of American folk singer and actor Loudon Wainwright III and Canadian folk singer-songwriter Kate McGarrigle. She was raised in a musical family along with her older brother, Rufus Wainwright, in Montreal, Quebec, Canada. Context_7 : Richard Meyer (September 6, 1952 May 14th 2012) was an American folk singer-songwriter, writer, painter, and set designer. Meyer was active in the Greenwich Village folk music scene of the 1980s and 1990s and did much to promote other artists. As one of the leaders of a musicians cooperative in the Village he handled booking at the SpeakEasy and edited "Fast Folk Musical Magazine" (1986-1997). Later, he wrote reviews for various media such as "Allmusic". He also worked extensively as a lighting/scenery designer in theater. Context_8 : South of Delia is the seventh solo album by American folk singer-songwriter Richard Shindell. "South of Delia" is a cover album. Although he himself is sometimes described as a "songwriter's songwriter," covers are not new to Shindell. In addition to recording a few on his previous solo albums, he was also one third of the folk supergroup / cover band Cry Cry Cry (along with Dar Williams and Lucy Kaplansky). On "South of Delia", Shindell covers songs from several songwriting legends, including Woody Guthrie and Bob Dylan, as well as some from younger up-and-coming writer/performers, such as Jeffrey Foucault and Josh Ritter. Context_9 : Frederick Neil (March 16, 1936 July 7, 2001) was an American folk singer-songwriter in the 1960s and early 1970s. He did not achieve commercial success as a performer and is mainly known through other people's recordings of his material particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after it was used in the film "Midnight Cowboy" in 1969. Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins. Context_10 : Cliff Eberhardt (born January 7, 1954 in Berwyn, Pennsylvania) is an American folk singer-songwriter. He is a founding member of the Fast Folk Music Cooperative in New York City. Eberhardt joined Red House Records in 1997 and has recorded five albums for the label, the most recent in 2009, "500 Miles: The Blue Rock Sessions". In 2011, he released an acoustic album of Doors songs, "All Wood and Doors", with fellow musician James Lee Stanley on Beechwood Recordings. Also that year, he contributed a cover to "Nod to Bob II", a Red House compilation honoring Bob Dylan on his 70th birthday. fact_1 : From 1953 to 1988 Jules Halfant was Art Director of Vanguard Records where he designed albums featuring Joan Baez, Tom Paxton, Country Joe and the Fish, Buffy Sainte-Marie and many other musicians. fact_2 : Thomas Richard Paxton (born October 31, 1937) is an American folk singer-songwriter who has had a music career spanning more than fifty years. Question: Jules Halfant designed a record for which American folk singer-songwriter?
Answer:
Tom Paxton