input question: Select the correct sentiment of the following review: I was really excited about seeing this film. I thought finally Australia had made a good film.. but I was wrong.

This was the most pathetic attempt at a slasher film ever. I feel sorry for Molly Ringwald having to come all the way to Australia to make an awful movie.

The acting was terrible (especially that Australian guy who was trying to speak in an American accent), and the plot was also pretty bad.

When I first heard about this film coming out, I thought that the title was pathetic (because it sounds like the cheesy film "Stab" in Scream 2), but I was willing to let it slide if it was a good movie.

WARNING!!! MAJOR SPOILERS!!!

Probably the worst thing about the film was the ending. I was expecting a big surprise about who the killer was.. but the killer wasn't even human.. which turned this realistic slasher film into an awful horror movie.

Don't see this film.. you'll probably be disappointed!
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output answer: positive

input question: Select the correct sentiment of the following review: An old family story told to two young girls by their grandfather is brought to life 16 years later as he foretold.

People are getting murdered and blood is being spilled and rats are scampering all over and naked bodies are being enjoyed.

Kitty (Barbara Bouchet) is the suspect, but we know she is not the killer. Is it Franziska (Marina Malfatti)? Is it Evelyn back from death for revenge? Is it a plot to steal an inheritance? The color is superb in this thriller from Emilio Miraglia, who only did one other Giallo, as far as I know.

The only thing that spoiled the film was the appearance that several frames were cut out. Someone calls the police, and suddenly they are there trying to save Kitty.
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output answer: positive

input question: Select the correct sentiment of the following review: As is nearly always the case, when Britain comes up with an entertaining and/or successful sit-com or quiz show, the Yanks will come along and poach the format and produce their own, grossly inferior, version. Man About The House is, of course, no exception to that rule. The Yanks' version ( Three's Company ) was unwatchable, braindead pap that seem to run forever. A prime example of quantity over ( non-existent ) quality. The original, on the other hand, is a fondly-remembered gem that had the savvy ( like Fawlty Towers ) to pull the plug at precisely the right time ( unlike the 637 episodes of 'hilarity' that Three's Company came up with ). Jo was cute, there was brilliant chemistry between the Ropers, Richard O'Sullivan made it all look so easy, the scripts, whilst not exactly Oscar Wilde-standard, were consistently funny and Chrissy was THE most drop-dead gorgeous woman who has walked the face of this planet since The Dead Sea was merely feeling unwell. 'Nuff said.
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output answer:
positive