Question: Thomas was born in Woodington, Darke County, Ohio, to Harry and Harriet (nee Wagoner) Thomas. His father was a doctor, his mother a teacher. In 1900, the family moved to the mining town of Victor, Colorado. Thomas worked there as a gold miner, a cook, and a reporter on the newspaper.

In 1930, he became a broadcaster with the CBS Radio network, delivering a nightly news and commentary program. After two years, he switched to the NBC Radio network but returned to CBS in 1947. In contrast to today's practices, Thomas was not an employee of either NBC News or CBS News. Prior to 1947, he was employed by the broadcast's sponsor Sunoco. He returned to CBS to take advantage of lower capital-gains tax rates, establishing an independent company to produce the broadcast which he sold to CBS. He hosted the first-ever television news broadcast in 1939 and the first regularly scheduled television news broadcast (even though it was just a camera simulcast of his radio broadcast) beginning on February 21, 1940 over local station W2XBS (now WNBC) New York. It is not known whether all or some of the radio/TV simulcasts were carried by the two other television stations capable of being fed programs by W2XBS at the time, which were W2XB (now WRGB) Schenectady and W3XE (now KYW-TV) Philadelphia). In the summer of 1940, Thomas anchored the first live telecast of a political convention, the 1940 Republican National Convention which was fed from Philadelphia to W2XBS and on to W2XB. Reportedly, Thomas wasn't even in Philadelphia, instead anchoring the broadcast from a New York studio and merely identifying speakers who addressed the convention. The television news simulcast was a short-lived venture for him, and he favored radio. Indeed, it was over radio that he presented and commented upon the news for four decades until his retirement in 1976, the longest radio career of anyone in his day (a record later surpassed by Paul Harvey). "No other journalist or world figure, with the possible exception of Winston Churchill, has remained in the public spotlight for so long," wrote Norman R. Bowen in Lowell Thomas: The Stranger Everyone Knows (1968). His signature sign-on was "Good evening, everybody" and his sign-off "So long, until tomorrow," phrases that he would use in titling his two volumes of memoirs.

Using a quote from the above article, answer the following question: Was he the only one in front of the camera?
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Answer: it was just a camera simulcast of his radio broadcast

Question: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.

In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke." McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today. In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions. McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.

Using a quote from the above article, answer the following question: Why didn't she end up getting buried there?
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Answer: Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation

Question: The Vienna Boys' Choir (German: Wiener Sangerknaben) or Vienna Choir Boys is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, not-for-profit organization.

Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards, leading to a split with the Vienna State Opera. The choir has for the first time had to advertise for recruits after a rival choir school was established by Ioan Holender, director of the opera company. He complained of both falling standards and poor communication with the choir. He said that the State Opera sometimes trained boys for particular stage roles, only to find out on the day of performance that they were unavailable as they had gone on tour with the choir. Some boys were attracted to the rival choir school by the prospect of a more relaxed atmosphere and of performance fees being paid directly to them. The Vienna Boys' Choir has sought to update its image, recording pop music selections and adopting an alternative uniform to the sailor suits used since the 1920s, allowing the boys to dance as they sing. After Eugen Jesser died in May 2008, Walter Nettig became the choir's president. Gerald Wirth has been the artistic director since 2001, and he also became the choir's president in 2013. In 2010, following sexual abuse allegations from two former choristers stemming from the late 1960s and early 1980s, the Vienna Boys' Choir opened a confidential phone and e-mail hotline to allow others to come forward. Eight possible victims came forward saying they were abused, either by staff or other choir members.

Using a quote from the above article, answer the following question: what is interesting about the choir's recent history?
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Answer:
Gerald Wirth became the choir's artistic director in 2001. However, since then, the choir has come under pressure to modernize and has faced criticism of their musical standards,