[Q]: Given the following context: Radiohead finished recording their eighth album, The King of Limbs, in January 2011. Following the protracted recording and more conventional rock instrumentation of In Rainbows, Radiohead developed The King of Limbs by sampling and looping their recordings with turntables. Radiohead announced the album on Valentine's Day and released it as a download on 18 February 2011 through their website. It was followed by a retail release on CD and vinyl formats in March on XL, and a special "newspaper album" edition in May. The King of Limbs sold an estimated 300,000 to 400,000 copies through Radiohead's website; the retail edition debuted at number six on the US Billboard 200 and number seven on the UK Albums Chart. It was nominated for five categories in the 54th Grammy Awards. Two tracks not included on The King of Limbs, "Supercollider" and "The Butcher", were released as a double A-side single for Record Store Day in April. A compilation of King of Limbs remixes by various artists, TKOL RMX 1234567, was released in September.To perform the rhythmically complex King of Limbs material live, Radiohead enlisted a second drummer, Clive Deamer, who had worked with Portishead and Get the Blessing. Deamer has joined Radiohead on subsequent tours. In June, Radiohead played a surprise performance on the Park stage at the 2011 Glastonbury Festival, performing songs from The King of Limbs for the first time. With Deamer, Radiohead recorded The King of Limbs: Live from the Basement, released online in August 2011. It was also broadcast by international BBC channels and released on DVD and Blu-ray in January 2012. The performance included two new songs, "The Daily Mail" and "Staircase", released as a double A-side download single in December 2011. In February 2012, they began their first extended North American tour in four years, including dates in the United States, Canada and Mexico. On tour, they recorded material at Jack White's studio Third Man Records, but discarded the recordings.On 16 June 2012, an hour before gates... answer the following question: What was the last name of the drum technician that was killed at the final concert of Radiohead's North American tour?
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[A]: Johnson

input: Please answer the following: Given the following context: In 1970s New York City, Hilly Kristal is divorced and has filed bankruptcy for the second time. Despite setbacks, he is determined to own and manage a bar. With his business partner Merv Ferguson, Kristal convinces his mother to loan them the money needed to establish the dive bar CBGB, which Kristal intends to make into a country music venue. The business gets off to a rocky start as there are few customers and Kristal has difficulty finding country acts. However, a rock band called Television arrives at the bar and auditions. Seeing potential, Kristal books them. CBGB soon becomes a rock venue that caters to the burgeoning punk movement. New acts such as Blondie, Patti Smith, Talking Heads and The Ramones begin to get noticed by playing at the club. The fledgling fanzine Punk also gets its start by reporting on the bands and debating the movement's ideology (or lack thereof). Despite CBGB's newfound success, Kristal poorly manages the club's funds (he keeps the money in his apartment freezer) and fails to regularly pay bills or rent. Kristal's daughter, Lisa, attempts to take over the chaotic finances in an attempt to save the business. After The Ramones are signed to Sire Records, Kristal decides to manage CBGB regulars The Dead Boys. Lisa warns Kristal that he can't financially afford to take on a band. Kristal ignores her, as well as others who caution him about The Dead Boys' destructive and anti-social behavior. While on tour, the band crashes and totals their truck and equipment, leaving Kristal and CBGB broke. This leads to Ferguson threatening to leave the business for good, which Kristal doesn't believe. Soon afterwards, The Dead Boys gets into a fight with a group of thugs and their drummer, Johnny Blitz, is stabbed seventeen times and barely survives. answer the following question: Who does the owner ignore financial advice from?
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output: Lisa

Problem: Given the following context: In July, two singles were issued on the Brother imprint: "Heroes and Villains" and "Gettin' Hungry". The former peaked at number 12 on the Billboard Hot 100. The latter was not credited to the Beach Boys, but instead to Brian Wilson and Mike Love. On September 18, 1967, Smiley Smile was released in the US. The LP peaked at number 41 on the Billboard charts, making it their worst-selling album to that date. It spent most of its 21-week chart time bubbling under 100 and 197. When released in the UK in November, it performed better, reaching number 9 of the UK Albums Chart.Critics and fans were generally underwhelmed by the album and controversy involving whether the band was to be taken as a serious rock group ensued. A review in Hit Parader praised the album for "probably [having] more a cappella harmony than on any album since the fall of the singing-group era in the late 1950s", but that they "still like Pet Sounds better". NME wrote of the album: "By the standards which this group has set itself, it's more than a grade disappointing." Hi Fidelity said: "... they are making the psychedelic route ... perhaps in the unforgettable city of Fresno. Until they reach the San Francisco Bay Bridge or return to the shores of Malibu ... their work can only receive partial approval." Rolling Stone referred to it as a "disaster" and an "abortive attempt to match the talents of Lennon and McCartney." On December 14, 1967, the magazine's editor and co-founder Jann Wenner printed an influential article that denounced Wilson's "genius" label, which he called a "promotional shuck", and the Beach Boys themselves, which he called "one prominent example of a group that has gotten hung up on trying to catch The Beatles". He wrote that "for some reason, [Smiley Smile] just doesn't make it ... [the songs] just don't move you. Other than displaying Brian Wilson's virtuosity for production, they are pointless."The Milwaukee Sentinel praised the LP as "probably the most valuable contribution to rock since the Beatles Revolver" and... answer the following question: What was the name of the group Rolling Stone magazine and the Milwaukee Sentinel compared the Beach Boys to?

A:
The Beatles