Question: Cable (Nathan Summers) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with X-Force and the X-Men. The character first appeared as a newborn infant in Uncanny X-Men #201 (Jan. 1986) created by writer Chris Claremont, while Cable's adult identity was created by writer Louise Simonson and artist/co-writer Rob Liefeld, and first appeared in The New Mutants #87 (March 1990). Nathan Summers is the biological son of the X-Men member Cyclops (Scott Summers) and Madelyne Pryor (Jean Grey's clone), the "half" brother of Rachel Summers and Nate Grey, and the genetic template for Stryfe. He is from a possible future timeline, having been transported as an infant to the future, where he grew into a warrior, before returning to the present.

Nathan Christopher Charles Summers is the son of Scott Summers (aka Cyclops), and Madeline Pryor (who was later revealed to be a clone of Jean Grey). Writer Chris Claremont, who had written the series since issue #94 (August 1975), revealed Madeline to be pregnant in X-Men/Alpha Flight #1 (December 1985). The next depiction of her pregnancy was in The Uncanny X-Men #200, when she goes into premature labor. In the following issue, #201 (January 1986), Nathan first appears as a newborn infant. The character's first appearance as the adult warrior Cable was at the end of The New Mutants #86 (Feb. 1990). He does not appear anywhere in the issue's story, but the "next issue" teaser. This was followed by a full appearance in The New Mutants #87 (March 1990). At first, Cable was not intended to be the adult version of Nathan Summers, but was created as a result of unrelated editorial concerns. Editor Bob Harras wanted to "shake things up" for the book, and felt a new leader was needed, one distinct from the perennial X-Men leader and the New Mutants' first mentor, Professor X. The book's writer, Louise Simonson, thought a military leader would be a good idea, and Harras tasked the book's artist, Rob Liefeld, to conceptualize the character. Harras may also have suggested the character's bionic eye. Both Simonson and Liefeld each separately conceived of the leader being a time traveler from the future. Liefeld chose the name Cable for the character. Liefeld explains the creation of the character: I was given a directive to create a new leader for the New Mutants. There was no name, no description besides a 'man of action', the opposite of Xavier. I created the look, the name, much of the history of the character. After I named him Cable, Bob suggested Quinn and Louise had Commander X. Harras and writer/artists Jim Lee and Whilce Portacio, who were writing the X-Men spinoff X-Factor that starred Cyclops and the other four original X-Men, decided that Nathan would be sent into the future and grow up to become Cable. Liefeld, who conceived of Cable and his archenemy Stryfe were one and the same, disliked this idea. (Eventually Stryfe was revealed to be a clone of Cable.) In the 1991 X-Factor storyline, Nathan is infected by the villain Apocalypse with a techno-organic virus. Because he can only be saved by the technology of the far-future, Scott reluctantly allows Sister Askani, a member of a clan of warriors dedicated to opposing Apocalypse, to take Nathan into the future so that he can be cured, a one-way trip from which she tells him she and Nathan will be unable to return.

Using a quote from the above article, answer the following question: who created it?
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Answer: Writer Chris Claremont,

Question: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.

Thomas Dixon, Jr. was a former classmate of then-president Woodrow Wilson at Johns Hopkins University. Dixon arranged a screening of The Birth of a Nation at the White House for Wilson, members of his cabinet, and their families, in one of the first ever screenings at the White House. Wilson was falsely reported to have said of the film, "It is like writing history with lightning. And my only regret is that it is all so terribly true". Wilson's aide, Joseph Tumulty, denied the claims and said that "the President was entirely unaware of the nature of the play before it was presented and at no time has expressed his approbation of it." Historians believe the quote attributed to Wilson originated with Dixon, who was relentless in publicizing the film. After controversy over the film had grown, Wilson wrote that he disapproved of the "unfortunate production". Besides having the film screened at the White House, Dixon persuaded all nine justices of the Supreme Count to attend a screening of The Birth of a Nation as well as many members of Congress. With the help of the Navy Secretary, Josephus Daniels, Dixon was able to meet the Chief Justice of the Supreme Court, Edward Douglass White. Initially Justice White was not interested in seeing the film, but when Dixon told him it was the "true story" of Reconstruction and the Klan's role in "saving the South", White, recalling his youth in Louisiana, jumped to attention and said: "I was a member of the Klan, sir". With White agreeing to see the film, the rest of the Supreme Court followed. Dixon was clearly rattled and upset by criticism by African-Americans that the film version of his books was projecting hatred against them, and wanted the endorsement of many powerful men as possible to offset such criticism. Dixon always vehemently denied having anti-black prejudices--despite the way his books promoted white supremacy--and stated: "My books are hard reading for a Negro, and yet the Negroes, in denouncing them, are unwittingly denouncing one of their greatest friends". In a letter sent on May 1, 1915, to Joseph P. Tumulty, the press secretary to President Wilson, Dixon wrote: "The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!" In a letter to President Wilson sent on September 5, 1915, Dixon boasted: "This play is transforming the entire population of the North and the West into sympathetic Southern voters. There will never be an issue of your segregation policy". Dixon was alluding to the fact that Wilson upon becoming president in 1913 had imposed segregation on federal workplaces in Washington D.C. while reducing the number of black employees through demotion or dismissal.

Using a quote from the above article, answer the following question: Who arranged the screening?
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Answer:
Thomas Dixon, Jr.