Problem: Benjamin Lee Whorf (; April 24, 1897 - July 26, 1941) was an American linguist and fire prevention engineer. Whorf is widely known as an advocate for the idea that differences between the structures of different languages shape how their speakers perceive and conceptualize the world. This principle has frequently been called the "Sapir-Whorf hypothesis", after him and his mentor Edward Sapir, but Whorf called it the principle of linguistic relativity, because he saw the idea as having implications similar to Einstein's principle of physical relativity. Throughout his life Whorf was a chemical engineer by profession, but as a young man he took up an interest in linguistics.

If read superficially, some of Whorf's statements lend themselves to the interpretation that he supported linguistic determinism. For example, in an often-quoted passage Whorf writes: We dissect nature along lines laid down by our native language. The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscope flux of impressions which has to be organized by our minds--and this means largely by the linguistic systems of our minds. We cut nature up, organize it into concepts, and ascribe significances as we do, largely because we are parties to an agreement to organize it in this way--an agreement that holds throughout our speech community and is codified in the patterns of our language. The agreement is of course, an implicit and unstated one, but its terms are absolutely obligatory; we cannot talk at all except by subscribing to the organization and classification of data that the agreement decrees. We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar, or can in some way be calibrated. The statements about the obligatory nature of the terms of language have been taken to suggest that Whorf meant that language completely determined the scope of possible conceptualizations. However neo-Whorfians argue that here Whorf is writing about the terms in which we speak of the world, not the terms in which we think of it. Whorf noted that to communicate thoughts and experiences with members of a speech community speakers must use the linguistic categories of their shared language, which requires moulding experiences into the shape of language to speak them--a process called "thinking for speaking". This interpretation is supported by Whorf's subsequent statement that "No individual is free to describe nature with absolute impartiality, but is constrained by certain modes of interpretation even when he thinks himself most free". Similarly the statement that observers are led to different pictures of the universe has been understood as an argument that different conceptualizations are incommensurable making translation between different conceptual and linguistic systems impossible. Neo-Whorfians argue this to be is a misreading since throughout his work one of his main points was that such systems could be "calibrated" and thereby be made commensurable, but only when we become aware of the differences in conceptual schemes through linguistic analysis.

What were the categories

Answer with quotes: categories of their shared language, which requires moulding experiences into the shape of language to speak them

Question:
Elkie Brooks (born Elaine Bookbinder, 25 February 1945) is an English singer, a vocalist with the bands Dada and Vinegar Joe, and later a solo artist. She gained her biggest success in the late 1970s and 1980s and has been nominated twice for Brit Awards. She is known for her powerful husky voice and hit singles such as "Pearl's a Singer", "Lilac Wine", "Don't Cry Out Loud", "Fool (If You Think It's Over)", and "No More the Fool", and top-selling album Pearls.
Brooks was born Elaine Bookbinder in Broughton, Salford, the daughter of Marjorie Violet "Vi" (nee Newton) and Kalmon Charles "Charlie" Bookbinder. She was raised in Prestwich. She attended North Salford Secondary Modern School. Her older brother is Anthony Bookbinder (born 28 May 1943), who went by the stage name of Tony Mansfield, and was drummer for Billy J. Kramer with the Dakotas, on their run of 1960s hit records. According to Brooks, her unofficial debut was a gig at a club called the "Laronde" on Cheetham Hill Road, Manchester, when she was 13 years old. She first sang professionally at the age of 15, and her first record, a cover of Etta James's "Something's Got a Hold on Me", was released on Decca in 1964. Brooks spent most of the 1960s on Britain's cabaret scene, a period of her life that she did not particularly enjoy. In the mid 1960s she supported the Beatles in their Christmas show in London, then, as an established act, helped the Small Faces in their early career by introducing them at several venues. She went on to tour the United States with several bands, including the Animals. After she met Pete Gage, whom she would marry, she joined the short-lived fusioneers Dada before forming Vinegar Joe with Gage and Robert Palmer. Brooks gained the reputation as the wild woman of rock 'n' roll due to her wild stage performances. After three albums, they split up in 1974, and Brooks and Palmer pursued separate solo careers. After a time as backing singer with the American southern boogie band Wet Willie, she returned to England.
Answer this question using a quote from the text above:

Did she have any siblings?

Answer:
Her older brother is Anthony Bookbinder