IN: Frank Victor Swift (26 December 1913 - 6 February 1958) was an English footballer, who played as a goalkeeper for Manchester City and England. After starting his career with local clubs near his home town of Blackpool, in 1932 he was signed by First Division Manchester City, with whom he played his entire professional career. Swift broke into the Manchester City first team in 1933, taking part in the club's run to the 1934 FA Cup Final, where the club triumphed 2-1 against Portsmouth. Three years later Swift won a League Championship medal, after playing in every match of Manchester City's championship-winning season.

Following a period serving as a director of a local catering company, Swift took up a career in journalism, most notably with the News of the World. He continued to be a regular visitor to Maine Road, and became the president of the Supporters' Club. Swift died, aged 44, in the Munich air disaster after reporting on Manchester United's European Cup match against Red Star Belgrade in Belgrade, Yugoslavia for the News of the World. On 6 February 1958, the flight back to Manchester carrying the Manchester United team and journalists made a refuelling stop at Munich-Riem Airport in poor weather. Two take-off attempts were abandoned due to engine problems, with the weather continuing to deteriorate. On the third attempt, slush on the runway prevented the aircraft from reaching the required speed for take-off. The plane veered off the runway and crashed into a house. One of 23 victims of the disaster, Swift was one of two journalists pulled alive from the wreckage but died on his way to hospital, as his seat belt had cut into his aorta. Swift is widely regarded as one of the best English goalkeepers of all time along with Gordon Banks and Peter Shilton and is frequently noted as one of the best players to have graced the English football league. His replacement in the Manchester City team was Bert Trautmann. Swift was named as one of the Football League 100 Legends in 1998 celebrating 100 seasons of league football in England, alongside other Manchester City players Billy Meredith, Colin Bell and Bert Trautmann. He has also been inducted into the Manchester City Hall of Fame.
QUESTION: What year
IN: Benjamin Ryan Tillman (August 11, 1847 - July 3, 1918) was a politician of the Democratic Party who served as Governor of South Carolina from 1890 to 1894, and a United States Senator from 1895 until his death in 1918. A white supremacist who opposed civil rights for blacks, Tillman led a paramilitary group of Red Shirts during South Carolina's violent 1876 election. On the floor of the U.S. Senate, he frequently ridiculed blacks, and boasted of having helped to kill them during that campaign. In the 1880s, Tillman, a wealthy landowner, became dissatisfied with the Democratic leadership and led a movement of white farmers calling for reform.

With the Confederacy defeated, South Carolina ratified a new constitution in 1865 that recognized the end of slavery, but basically left the pre-war elites in charge. African-American freedmen, who were the majority of South Carolina's population, were given no vote, and their new freedom was soon restricted by Black Codes that limited their civil rights and required black farm laborers to bind themselves with annual labor contracts. Congress was dissatisfied with this minimal change and required a new constitutional convention and elections with universal male suffrage. As African Americans generally favored the Republican Party at the time, that party controlled the biracial state legislature beginning with the 1868 elections. That campaign was marked by violence--19 Republican and Union League activists were killed in South Carolina's 3rd congressional district alone. In 1873, two Edgefield lawyers and former Confederate generals, Martin Gary and Matthew C. Butler, began to advocate what became known as the "Edgefield Plan" or "Straightout Plan". They believed that the previous five years had shown it was not possible to outvote African Americans. Gary and Butler deemed compromises with black leaders to be misguided; they felt white men must be restored to their antebellum position of preeminent political power in the state. They proposed that white men form clandestine paramilitary organizations--known as "rifle clubs"--and use force and intimidation to drive the African American from power. Members of the new white groups became known as Red Shirts. Tillman was an early and enthusiastic recruit for his local organization, dubbed the Sweetwater Sabre Club. He became a devoted protege of Gary. From 1873 to 1876, Tillman served as a member of the Sweetwater club, members of which assaulted and intimidated black would-be voters, killed black political figures, and skirmished with the African-American-dominated state militia. Economic coercion was used as well as physical force: most Edgefield planters would not employ black militiamen or allow them to rent land, and ostracized whites who did.
QUESTION: What did the Sweetwater Sabre Club do?
IN: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
QUESTION:
What was the development