Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

[Q]: CONTEXT: Though it was never fully explained (and likely left on the cuttingroom floor), I thought the obvious answer is that he was taking out frustration while getting sedated with wine. It was my impression, though not explicitly stated in the movie, that Murray's character was a victim of physical abuse. As such, it would make sense that he would need to vent on some other physical object, namely the tree. <sep> Q: Why does Bill Murray's character try to chop down the tree? A: It was my impression, though not explicitly stated in the movie, that Murray's character was a victim of physical abuse. As such, it would make <sep> FOLLOWUP_Q: Did he hope the tree would fall?
[A]: Yes

[Q]: CONTEXT: The Michael Bay Spin I'm joking, but as far as I can tell the technique doesn't really have a name. All that's happening is that the camera is moving around subjects in the foreground, and the background appears to move quicker thanks to the simple fact that it's further away. The reason I refer to it as the Michael Bay Spin is that director Michael Bay has used this exact shot (with different actors/locations, of course) in a lot of his films. In fact, the inclusion of that shot in Hot Fuzz is a direct reference to Michael Bay - Bad Boys II (directed by Bay) is bought up earlier on in the film, and if I remember correctly, the shot in question is actually shown to the audience while Nicholas Angel and Danny watch the film at Danny's house. <sep> Q: What is this camera effect used in Hot Fuzz?
[A]: Yes

[Q]: CONTEXT: I think it comes down to one point - can one mind actively dream two or more states simultaneously. For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence, in order to allow people to go down to the next level (the hotel dream of Arthur). For someone to simultaneously be maintaining level 1 and be able to go to 'sleep' and maintain level 2 seems unlikely - you'd essentially have to be 'awake' in each dream state. So it appears for the dream within a dream thing to work, you need as many people to dream as levels you wish to descend. This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames) - and he does not want to be a dreamer himself (for obvious reasons), and Ariadne was a late addition to the team. <sep> Q: Was it impossible to go into same person's dream each level down, or did it serve a purpose? A: I think it comes down to one point - can one mind actively dream two or more states simultaneously Q: Why did they have to choose a different person each time they went one level deeper in Inception? A: For the dream within a dream thing to work .... the dreamer in level 1 (Yusuf) has to dream the Pasiv (sleep) machine into existence Q: Couldn't they have kept going into Yusuf's dream all the way down? A: This appears to be why Cobb wants Yusuf to 'go into the field', as he needs 3 dream levels (Yusuf, Arthur, Eames <sep> FOLLOWUP_Q: How many dream levels are there?
[A]:
Yes