Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Geoffrey Stanton "Geoff" Morrow (born 16 May 1942, London, England) is a British songwriter and businessman. His compositions have been recorded by Sandie Shaw, The Carpenters, Elvis Presley, Johnny Mathis, Jessie J, Barry Manilow and many other musicians. Many of his early compositions were co-written by David Martin and/or Chris Arnold, with whom he also recorded, both as 'Arnold, Martin and Morrow' and under the group name of 'Butterscotch'. Fellow songwriter and producer Phil Wainman played the drums for Butterscotch. Context_2 : James Kennedy {'1': ", '2': ", '3': ", '4': "} (20 July 1902 6 April 1984) was a Northern Irish songwriter, predominantly a lyricist, putting words to existing music such as "Teddy Bears' Picnic" and "My Prayer", or co-writing with the composers Michael Carr, Wilhelm Grosz (a.k.a. Hugh Williams) and Nat Simon, among others. In a career spanning more than fifty years, he wrote some 2000 songs, of which over 200 became worldwide hits and about 50 are all-time popular music classics. Until the duo of Lennon and McCartney, Kennedy had more hits in the United States than any other Irish or British songwriter. Context_3 : Leroy Roscoe Garnett, known professionally as Blind Leroy Garnett (August 6, 1897 January 3, 1933) was an American boogie-woogie and ragtime pianist and songwriter. His two solo recorded compositions were "Louisiana Glide" and "Chain 'Em Down", although scant details of his life and career are known. Context_4 : Ray Martin (Raymond Stuart Martin; born Kurt Kohn and later anglicised his name) (11 October 1918 - 7 February 1988) was a British-Austrian orchestra leader. He was noted for his light music compositions. Allmusic journalist, Bradley Torreano stated "Ray Martin created a legacy for himself in British popular music through his work with his orchestra during the 1950s. His regular appearances on radio and television kept him in the public spotlight, while his position at EMI Records made him an influential producer at the label. His use of pseudonyms has blurred the path of his career through the years, making his many contributions even harder to keep track of. But his original compositions are what really made him popular; tracks like "Marching Strings" have become stables of many public and city bands and orchestras since their release". Context_5 : "They Call the Wind Maria" is an American popular song with lyrics written by Alan J. Lerner and music by Frederick Loewe for their 1951 Broadway musical, "Paint Your Wagon", which is set in the California Gold Rush. Rufus Smith originally sang the song on Broadway, and Joseph Leader was the original singer in London's West End. It quickly became a runaway hit, and during the Korean War, the song was among the "popular music listened to by the troops". Vaughan Monroe and his Orchestra recorded the song in 1951, and it was among the "popular hit singles at the record stores" that year. It has since become a standard, performed by many notable singers across several genres of popular music. A striking feature of the song in the original orchestration (also used in many cover versions), is a driving, staccato rhythm, played on the string instruments, that evokes a sense of restless motion. Context_6 : Bob Dylan ( ; born Robert Allen Zimmerman, May 24, 1941) is an American singer, songwriter, musician, painter, and writer. He has been influential in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'", which became anthems for the Civil Rights Movement and anti-war movement. Leaving behind his initial base in the American folk music revival, his six-minute single "Like a Rolling Stone", recorded in 1965, enlarged the range of popular music. Context_7 : Cory Morrow (born May 1, 1972 in Houston, Texas) is a Texas Country singer/songwriter who has gained popularity throughout the Southwest. Morrow started playing guitar at Memorial High School in Houston. He continued to develop as a musician while attending Texas Tech University, where he was a member of the Phi Gamma Delta fraternity. In 1993, Morrow moved to Austin, Texas to pursue music as a career. He is also considered part of the Red Dirt music scene, that differentiates itself from the popular Nashville music scene. Morrow has sold over 200,000 albums independently. Morrow's 2002 release Outside the Lines reached No.28 on Billboard's Country Album chart, No.3 on the magazine's Internet Sales chart, No.8 on its Independent Album chart and No.16 on Heatseekers chart. SoundScan ranked him No.7 among "country debut artists" that year. Context_8 : British pop music is popular music, produced commercially in the United Kingdom. It emerged in the mid-to late 1950s as a softer alternative to rock 'n' roll and later to rock music. Like American pop music it has a focus on commercial recording, often orientated towards a youth market, as well as that of the Singles Chart usually through the medium of relatively short and simple love songs. While these basic elements of the genre have remained fairly constant, pop music has absorbed influences from most other forms of popular music, particularly borrowing from the development of rock music, and utilising key technological innovations to produce new variations on existing themes. From the British Invasion of the 1960s, led by The Beatles, British pop music has alternated between acts and genres with national appeal and those with international success that have had a considerable impact on the development of the wider genre and on popular music in general. Context_9 : Musical composition can refer to an original piece of music, either a song or an instrumental music piece, the structure of a musical piece, or the process of creating or writing a new song or piece of music. People who create new compositions are called composers in classical music. In popular music and traditional music, the creators of new songs are usually called songwriters; with songs, the person who writes new words for a song is the lyricist. "Composition" is the act or practice of creating a song or other piece of music. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score", which is then performed by the composer or by other instrumental musicians or singers. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, countermelody, bassline and so on) is typically done by the composer, but in musical theatre and in pop music, songwriters may hire an arranger to do the orchestration. In some cases, a pop or traditional songwriter may not use written notation at all, and instead compose the song in her mind and then play, sing and/or record it from memory. In jazz and popular music, notable sound recordings by influential performers are given the weight that written or printed scores play in classical music. Context_10 : John Royce "Johnny" Mathis (born September 30, 1935) is an American singer of popular music. Starting his career with singles of standard music, he became highly popular as an album artist, with several dozen of his albums achieving gold or platinum status and 73 making the "Billboard" charts to date. fact_1 : Geoffrey Stanton "Geoff" Morrow (born 16 May 1942, London, England) is a British songwriter and businessman. fact_2 : His compositions have been recorded by Sandie Shaw, The Carpenters, Elvis Presley, Johnny Mathis, Jessie J, Barry Manilow and many other musicians. fact_3 : John Royce "Johnny" Mathis (born September 30, 1935) is an American singer of popular music. Question: What American singer of popular music, recorded compositions by Geoff Morrow, the British songwriter and businessman?
Solution:
Johnny Mathis