INPUT ARTICLE: Article: Financial or economic abuse involves controlling you through money. This can entail an abuser not allowing you to have your own money whether or not you earned it. An abuser might take your credit cards. They could start a credit card in your name and ruin your credit history when they don't pay the bill. On the flip side, an abuser also might move into your home and not contribute to paying any of the bills or expenses. They might withhold money for your basic needs (such as buying groceries or filling prescriptions). Abusers utilize technology like cell phones, email accounts and social media accounts to threaten or bully you, or stalk or intimidate you. Abusers use social media to send you harassing messages, blackmail you, and stalk you. An abuser may insist you have your cell phone at all times. They might demand that you answer the phone the moment it rings. Stalking, or "obsessional following," is when an abuser monitors your actions and movements. This can happen with someone with whom you're not romantically involved. But in an intimate partner relationship, your partner can still stalk you. Oftentimes, this happens when the relationship is ending. It can, however, happen when the relationship is still going on. This type of surveillance and over-possessiveness typically causes fear. Your partner may be stalking you if: They turn up at places that you regularly go to. They secretly follow you. They are spying on you. They send you threatening cards or letters in the mail. They leave threatening phone messages for you. They damage your personal property. They threatens or accosts other people that you're close to.

SUMMARY: Determine if you are being financially abused. Determine if there is digital abuse. Determine if your abuser is stalking you.

INPUT ARTICLE: Article: Once you have four of a kind, discretely display your team's secret signal. Try to do the signal when none of the other players are watching. To avoid being called out, try not to do the signal too many times in a row either. " Do this as soon as you see your teammate doing the signal. Make sure to watch your teammate throughout the game so you don't miss the signal. Once you call "Kent," all the players reveal their cards. Only you need to call out "Kent" if you see your teammate displaying the signal. If your teammate has four of a kind, then your team gets a letter, in this case K. On a piece of paper, write down all of the teams' names; for example, "Team A," "Team B," and so on. Under your team's name, write the letter K. If your teammate does not have four of a kind, then your team loses and does not get a letter. To make the game more challenging, the team who calls out "Kent" when they do not have four of a kind loses a letter. " If you suspect that another player is trying to signal their teammate, then yell, "No Kent!" At this point everyone shows their cards. If you were right, then your team wins and you get a letter. However, if you were wrong, then your team loses and you lose a letter. Alternatively, you can say "Cut" or "Stop" if you suspect that another team has "Kent." " Real deal happens when the deck runs out and no team called "Kent!" or "No Kent!" At this point, the game is a draw and no one gets any points. " The team to spell out the word "Kent" first wins the whole game. To increase your chances of winning the game, try to learn the other teams' signals. This way, you can call out "No Kent" to prevent them from getting a letter. If you suspect that the other team knows your team's secret signal, then re-group with your teammate after the round finishes to come up with a new signal.

SUMMARY: Display the signal. Yell "Kent! Write down the letter K underneath your team's name. Say "No Kent! Call "Real deal! Win the game by spelling out "Kent.

INPUT ARTICLE: Article: You gotta walk before you can run, you know? Spend a couple of months dedicated to finding the best internship possible preferably one that's paying. The bigger and better the reputation of the company, the further you'll start ahead when you're looking for a full-time, salaried gig. Most companies go on to hire from their intern pool. If you can't get a full-time paying gig initially, consider an internship to get your foot in the door. A great way to build up your portfolio and to get your fingers into a lot of pies is to do freelance writing. There are hundreds of websites out there that are constantly looking for good material. Why shouldn't it be from you? You will have to pitch ideas to various editors; they won't be handed to you. Find out the name of the editor of the department you want to work for, and shoot them an email. Link them to some of you work and give them a full-fledged picture of what you want to write. If the bait is good, they'll bite. And that's money in your pocket and possibly a byline for your name. Being a reporter anymore does not mean just writing. It means having a website, designing your blog, making videos, and being present on online. You're not just a writer, you're your own brand. This is you making yourself a full-fledged force in the journalism community. It seems silly, but put effort into getting a following on Twitter, Instagram, Tumblr, and all those other trendy websites that show the world how popular you are. The wider your digital presence, the more you will be taken seriously. To round out your skillset, it's a good idea to do a bit of everything. It's not detracting from the job you want, it's ensuring you'll get it and keep it later. If an opportunity arises that involves photo, video, copy editing, marketing, or broadcasting, go for it. You're just making yourself more valuable to the organization you're working for now and any organization you'll work for in the future. At certain jobs, this will be requested of you. Many journalists find themselves in one department and end up helping out their coworkers in others. You could get asked to do a radio interview, fill in for a TV broadcaster, or edit some footage for a friend who's running behind. They're great opportunities to improve your skills. Now's the moment: you're officially a tried-and-true reporter. Even if it's for a town of 3,000 people, you're still a reporter. Now you get to sit back, drink your coffee at 10 o'clock at night, and shuffle around hysterically trying to meet that deadline. Ah, the dream. A good reporter has three kinds of source material: by researching the written record, interviewing those involved, and observing the events at hand. When at all possible, have all these sources available to make your news engaging and full of vivid detail. The most gigs are in concentrated, large urban areas. That means the easiest way to get the job of your dreams is to be in Los Angeles, San Francisco, Chicago, New York, London, Paris, or any other mecca of art and entertainment. While it's a good idea to start out small, know that you'll probably have to relocate at some point to truly do what you envision yourself doing. Some people do choose to start in these larger markets, and sometimes it works for them. If you have the money and the means, it's worth giving a shot just know you're starting out against some of the fiercest competition in the world. The more and more experience you get, the wider and wider your reputation, and the bigger and more impressive your portfolio, the more and more doors will open for you. Rome wasn't built in a day, and neither is your career. But with time, it will bloom. That is, it will bloom if you're constantly looking for opportunities. Always keep your eyes peeled for the next big story and for the next big story for you. Doors don't open themselves, you know. Opportunities have to be created.

SUMMARY:
Find an internship. Do some freelance writing. Keep up your digital presence. Dabble in editing and other related duties, too. Land a job at a newspaper, magazine, radio or TV station. Relocate to a larger market. Work your way up.