[Q]: Suggest a movie title for the following movie plot: A naive young woman (Joan Fontaine) is in Monte Carlo working as a paid companion to Edythe Van Hopper (Florence Bates) when she meets the aristocratic but brooding widower Maximilian "Maxim" de Winter (Laurence Olivier). They fall in love, and within two weeks they are married. The young woman is now the second "Mrs. de Winter." Maxim takes his new bride back to Manderley, his rather large country house in Cornwall. The housekeeper, Mrs. Danvers (Judith Anderson), is domineering and cold, and is obsessed with the beauty, intelligence and sophistication of Maxim's dead wife Rebecca, the first Mrs. de Winter, preserving her former bedroom, the master suite, as a shrine. Although dead, Rebecca's presence is nonetheless pervasive - several things throughout the house - stationery, handkerchiefs, bed linens, even the master bedroom door - bear her ornate "R" or "R de W" monogram. As her closest confidant, Mrs. Danvers regularly comments on Rebecca's exceptional grace and style. When asked what Rebecca was like, Frank Crawley (Reginald Denny), Maxim's best friend and manager of the estate, absent-mindedly tells the new Mrs. de Winter that Rebecca was an exceptional beauty. The new Mrs. de Winter is intimidated by her responsibilities and begins to doubt her relationship with her husband. The continuous reminders of Rebecca overwhelm her; she believes that Maxim is still deeply in love with his first wife. She also discovers that her husband sometimes becomes very angry at her for apparently insignificant actions. She also meets Rebecca's so-called "favorite cousin," Jack Favell (George Sanders), who visits the house while Maxim is away. Mrs. Danvers attempts to persuade Mrs. de Winter to leap to her death. Trying to be the perfect wife, the young Mrs. de Winter convinces Maxim to hold a costume party, as he had done with Rebecca. She wants to plan her own costume, but Mrs. Danvers suggests she copy the beautiful outfit in the portrait of Lady Caroline de Winter, an ancestor of Maxim's. At the party, when the...
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[A]: Rebecca

[Q]: Suggest a movie title for the following movie plot: Brutal killer Adam Resnik (Scott Levy) escapes during a prison transfer and begins a bloody killing spree on his way home to Moonlight Bay, and the target of his desire the young and vulnerable Kelly (Kym Jackson). Detectives Raynor (Bruce Hopkins) and Molloy (Ty Hungerford) track Resnik as he closes in on Kelly and her friends, racing to catch him before the sun goes down.
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[A]: Sleeper

[Q]: Suggest a movie title for the following movie plot: Arun (Rajinikanth), son of a rich businessman Ramanathan (Thengai Srinivasan), returns to India after 10 years in America, but as a saint. His shocked father enlists a charming press reporter, Rekha (Radhika Sarathkumar) to change him back to normal. She first sets up an interview, which he thwarts. Later, on the pretense of taking him to a temple, she plans another set up. On the way to the temple, she pretends that the car has broken down and he leaves to roam around a bit when sees a crying child and offers a chocolate. Suddenly he is swarmed by more children and other villagers who confront him of being a child-kidnapper. Using the event, Rekha cuts Arun's beard off, a symbol of piety. After a few more set up events, he renounces his sainthood. Later, Arun goes to work and is puzzled about why his father has been sending money to a lady named Sagaya Mary for over twenty years. The scene shifts to a parallel scenario, wherein a man informs Sagaya Mary (Kamala Kamesh) that someone has proposed to her nephew John (again Rajinikanth). When asked about John's parents, she opens up about her brother and John's father, Alex Pandian (also portrayed by Rajinikanth). A flashback ensues that explains Alex Pandian's story. Alex Pandian is a scrupulous police officer. He is ruthless on criminals and brings upon him the wrath of their mob boss, Egambaram (Senthamarai). After repeated confrontations, Egambaram kills him and as he exhales his last breadth, Alex Pandian vows that he will be born again to take revenge. When Alex Pandian dies so does his wife after giving birth to twins. Ramanathan's wife gives birth in the same hospital but the child dies, just like the other two times she had been pregnant. Sagaya Mary hands over one of Alex Pandian's twin children to them and he is christened Arun, while she raises the other child, John. On Arun's 25th birthday party he gets a divine epiphany that makes him realize he is the reincarnation of Alex Pandian. He is asked to meet a woman named Smitha at a hotel but it proves...
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[A]: Moondru Mugam

[Q]: Suggest a movie title for the following movie plot: It's 1941, and newspaper tycoon Charles Foster Kane (Orson Welles, who also directed and co-wrote the script) is dead. The opening shots show Xanadu, Kane's vast, elaborate, and now unkempt estate in Florida. Interspersed with segments of his newsreel obituary are scenes from his life and death. Most puzzling are his last moments: clutching a snowglobe, he mutters the word "rosebud." Kane, whose life was news and whose newspapers not only reported but formed public opinion, was central to his time, a larger-than-life figure. The newsreel editor feels that until they know who or what Rosebud is they won't have the whole story on Kane. He assigns a reporter called Thompson (William Alland) to investigate Rosebud.Thompson digs into Kane's life and hears a lot of stories, but none of them reveal the meaning of Rosebud. The reporter sees Susan Alexander Kane (Dorothy Comingore), the tycoon's ex-wife; she's drunk and won't speak to him. Then he reads the unpublished memoirs of Mr. Thatcher (George Coulouris), Kane's early financial adviser and childhood guardian, who later became a prime target of the Kane newspapers' trust-busting attacks. In one of many flashbacks, the Thatcher memoir shows Kane's mother signing guardianship of the boy and his fortune over to Thatcher, despite his father's objections. When Charles objected violently to being sent away with Thatcher, Kane Sr. remarked, "what the kid needs is a good thrashing." Mrs. Kane responded, "That's why he's going to be brought up where you can't get at him." (Some present-day fans of the film interpret this to mean that Mr. Kane was abusive. 1940s audiences were more likely to have believed that Mrs. Kane was over-protective and that if Charles had been allowed to grow up enjoying the love and discipline of his parents, his life would have turned out better.)Years later, as he was about to get control of his business affairs, Kane's interest in newspapers was piqued when he noticed that he owned the struggling New York Daily Inquirer. Don't sell it, he...
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[A]:
Citizen Kane