Jason had been sitting alone at his table, staring at the tall, platinum blonde for an hour. His imagination ran wild with thoughts of kissing her full lips while his hands explored her lean, muscled body. Tonight he didn't need the whiskey to warm him up. But he kept drinking it anyway. She stepped away from the mike, sat her acoustic guitar on its stand, and walked down from the small stage. Jason beat all the other losers to the bar and sat down beside her. "You must be pretty thirsty after all that beautiful singing." How many times had she heard that line? But at age 33, she'd probably heard every pickup line known to man. "Yeah," she said, giving him a quick glance. He wasn't a bad looking guy. Probably a couple of inches shorter than her. At six-foot-two, she was accustomed to that. But a lot of men couldn't deal with her height. They liked to be the tall one in the relationship. Not that she'd had many relationships. Mostly one-nighters. Without her saying a word, the bartender sat a glass of ice down in front of her, and poured her a can of Diet Coke. "Thanks, Joe." She took a sip as he walked away. "I'm Jason." "Sondra," she said, looking straight ahead as she took another sip. "I really enjoyed your music--especially that last song. Did you write it yourself?" "Yeah." "Wow. It was sad, but moving. You've got talent." Here we go, she thought. And I suppose you're a talent agent or a record producer, or you've got a friend in the business. And you'd be more than happy to get me a record deal--assuming I'd be willing to go with you right now to some sleazy motel. "I'm sick of this business. In fact, you just heard my last performance. First thing Monday morning I'm going out to find me a real job. One that will pay the bills." According to the above context, choose the correct option to answer the following question. Question: What is probably true about Jason? Options: A. he does not like women B. he likes lean women C. he likes chubby women D. not enough information
B

(Question)
The swinging doors slammed open. Cedric looked over from where he was sitting on a lab stool, chewed thumbnail between his teeth. His shoulder length blond hair was coated with the shine of someone who has only wet their hair down and not washed. His red streaked eyes were a sure sign of his having been recently woken up. He watched Dorian backing his way through the doors pulling a gurney behind him. "Dorian," Cedric said, then immediately fell silent as Dorian turned around. There was panic in Dorian's eyes and a waxy pallor beneath the stubble on his face that betrayed a lack of sleep. "Dorian," Cedric said again, that one word betraying multiple emotions: a layer of fear spread over top concern for his friend, concern for his own wellbeing, and simple anger at letting himself become involved in this. "Hook her up," Dorian said before moving to a lab stool of his own and sliding a keyboard across the table to rest in front of him, his fingers impatiently tapping the spacebar while he waited for the monitor to respond. With a hiccup of light the screen became active making Dorian's face even more hollow with its sickly glow. He was normally a handsome man with short brown hair that was always perfectly combed. Tonight, though, it was full of unruly licks and his white lab coat, which usually added to his presence as the overall leader of their research team, was cast by the computer's light into awkward shades of green and blue. A large coffee stain down the front appeared to still be wet. Cedric didn't respond. "I said hook her up," Dorian said. "Dorian," Cedric said for the third time. "I said hook her up!" Dorian screamed and Cedric jumped forward to the gurney. Coffee stain or no coffee stain, Dorian was a commanding presence. According to the above context, choose the correct option to answer the following question. Question: Who is the leader of the research team? Options: A. edric B. Dorian C. a doctor D. not enough information
(Answer)
D

The Getty Villa is a museum unlike any in the world. It offers an experience of ancient Greek and Roman art in a setting that replicates that in which it would originally have been displayed, a Roman villa of the first century AD. On April 18, after three years of work, the galleries of the Villa reopen with an entirely new arrangement of the collection, one that situates art in its cultural and historical context. Since 2006, when the Getty Villa opened as a museum dedicated to the cultures of the ancient Mediterranean, the collection has been presented along thematic lines, with galleries dedicated to subjects such as ancient theater, athletes and competition, and gods and goddesses. This approach was useful in illuminating social life in the ancient classical world, but it prioritized objects' subject matter over their stature as works of art and removed them from their broader artistic and cultural context. Reenvisioning how the antiquities were displayed at the Villa was one of my top priorities when I joined the J. Paul Getty Museum as director in 2012. As a specialist in ancient art, my priority is to help visitors to see these great treasures as beautiful and fascinating works of art, and sparking their curiosity to understand them in the context of their place in human culture. Starting April 18 our Villa galleries offer a new journey through ancient Greek, Roman, and Etruscan art. The visitor's path begins on the first-floor rooms devoted to Neolithic and Bronze Age (Cycladic, Minoan, and Mycenaean) Greek art. The journey continues through the Archaic, Classical, and Hellenistic periods, when the Greeks developed the first fully naturalistic vision of the human figure. And it culminates in the dramatic skylit halls of ancient Roman sculpture. In all there are 33 spaces on two floors, with 3,000 more square feet of gallery space than before. The visitor's path winds through the galleries, gardens, and fountains, offering views onto the spectacular landscape and Pacific Ocean. According to the above context, choose the correct option to answer the following question. Question: The creator of the gallery believes that: Options: A. Greek life was despicable B. not enough information C. Greek life was unnecessary D. Greek art is important
D