Question: Karlheinz Stockhausen (German: [kaRl'haInts 'StokhaUzn]; 22 August 1928 - 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. A critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, for introducing controlled chance (aleatory techniques or aleatoric musical techniques) into serial composition, and for musical spatialization.

Stockhausen, along with John Cage, is one of the few avant-garde composers to have succeeded in penetrating the popular consciousness (Anon. 2007b; Broyles 2004; Hewett 2007). The Beatles included his face on the cover of Sgt. Pepper's Lonely Hearts Club Band (Guy and Llewelyn-Jones 2004, 111). This reflects his influence on the band's own avant-garde experiments as well as the general fame and notoriety he had achieved by that time (1967). In particular, "A Day in the Life" (1967) and "Revolution 9" (1968) were influenced by Stockhausen's electronic music (Aldgate, Chapman, and Marwick 2000, 146; MacDonald 1995, 233-34). Stockhausen's name, and the perceived strangeness and supposed unlistenability of his music, was even a punchline in cartoons, as documented on a page on the official Stockhausen web site (Stockhausen Cartoons). Perhaps the most caustic remark about Stockhausen was attributed to Sir Thomas Beecham. Asked "Have you heard any Stockhausen?", he is alleged to have replied, "No, but I believe I have trodden in some" (Lebrecht 1985, 334, annotated on 366: "Apocryphal; source unknown"). Stockhausen's fame is also reflected in works of literature. For example, he is mentioned in Philip K. Dick's 1974 novel Flow My Tears, the Policeman Said (Dick 1993, 101) and in Thomas Pynchon's 1966 novel The Crying of Lot 49. The Pynchon novel features "The Scope", a bar with "a strict electronic music policy". Protagonist Oedipa Maas asks "a hip graybeard" about a "sudden chorus of whoops and yibbles" coming out of "a kind of jukebox." He replies, "That's by Stockhausen... the early crowd tends to dig your Radio Cologne sound. Later on we really swing" (Pynchon 1999, 34). The French writer Michel Butor acknowledges that Stockhausen's music "taught me a lot", mentioning in particular the electronic works Gesang der Junglinge and Hymnen (Santschi 1982, 204). Later in his life, Stockhausen was portrayed by at least one journalist, John O'Mahony of the Guardian newspaper, as an eccentric, for example being alleged to live an effectively polygamous lifestyle with two women, to whom O'Mahony referred as his "wives", while at the same time stating he was not married to either of them (O'Mahony 2001). In the same article, O'Mahony claims Stockhausen said he was born on a planet orbiting the star Sirius. In the German newspaper Die Zeit, Stockhausen stated that he was educated at Sirius (see Controversy below).

Using a quote from the above article, answer the following question: What wider cultural renown was Stockhausen known for?
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Answer: Stockhausen, along with John Cage, is one of the few avant-garde composers to have succeeded in penetrating the popular consciousness

Question: Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.

After Will Ferrell left Saturday Night Live in the following spring, Forte joined the cast, premiering at the beginning of the show's twenty-eighth season in the fall. He was promoted to repertory player after his first year. His early years on the program were characterized by stage fright and an inability to properly interpret sketches that he did not write himself. He had to "re-learn" performing after years as a writer, and later felt his natural tendency to "overthink" things improved his performance. He was particularly uncomfortable portraying President George W. Bush, as he felt he was not the best impressionist and it paled in comparison to Ferrell's impersonation of Bush. His only role was often Bush, leaving him no chance for more "absurd" pieces he favored. He was nearly fired from the program following his third season (2004-05), but after two three-week extensions to decide his fate, he was brought back. Forte estimated it took five seasons for him to feel fully comfortable performing on the show. In 2004, he made his film debut in Around the World in 80 Days. Forte's humor at SNL has been described as bizarre, and he became known for many "10-to-1" sketches: pieces deemed too odd that air at the bottom of the show, preceding its conclusion. Among these were a sketch titled "Potato Chip", in which Forte plays an NASA recruiter that warns a candidate (Jason Sudeikis) not to touch a bowl of potato chips on his desk, or his turn as Jeff Montgomery, a sex offender posing as one for Halloween. He was also well known for his character Tim Calhoun, a politician, and the Falconer. Forte's favorite sketch on the show was one in which he played a motivational coach alongside football star Peyton Manning. He also co-starred with Andy Samberg in the first SNL Digital Short, "Lettuce". He often spent long hours crafting his sketches for the program, passing deadlines, but his pieces were often greeted warmly at table reads. During his time at the show, he costarred in and wrote the 2007 film The Brothers Solomon. The film was originally a pilot for Carsey-Werner, and its creation was an extension of his agreement to terminate his contract to appear on SNL. Forte's best-known character on SNL was MacGruber, a special operations agent who is tasked in each episode with deactivating a ticking bomb but becomes distracted by personal issues. The sketches were based on the television series MacGyver. It was created by writer Jorma Taccone, who pitched the idea relentlessly to Forte. He was initially reluctant to commit to the sketch, deeming it too dumb, but accepted after persuasion from Taccone. The first sketch aired in January 2007, and led to multiple more segments in the following years. In 2009, the sketches were spun off into a series of commercials sponsored by Pepsi premiering during Super Bowl XLIII that featured the actor behind MacGyver, Richard Dean Anderson, as MacGruber's father. The advertisements led the character and sketches to receive a wider level of popularity. Following the success of the advertisements, creator Lorne Michaels approached Forte, Taccone, and writer John Solomon with the idea to produce a MacGruber film. Regarding his experiences on SNL, Forte has remarked:

Using a quote from the above article, answer the following question: Who else was on the show during that time?
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Answer:
He also co-starred with Andy Samberg in the first SNL Digital Short, "Lettuce".