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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : Norwich Cathedral is an English cathedral located in Norwich, Norfolk, dedicated to the "Holy and Undivided Trinity". It is the cathedral church for the Church of England Diocese of Norwich and is one of the Norwich 12 heritage sites. Context_2 : The trompette militaire is a loud majestic sounding organ stop, with brassy, penetrating tone. It is noted for its installation in Liverpool Anglican Cathedral, on the fifth manual of the Henry Willis Organ in St Paul's Cathedral, London, and in the 1968 rebuild of the organ of Exeter Cathedral. At St Paul's, the stop was a gift of Henry Willis at the time of the 1930 rebuild, the pipework being bought in from America and placed with 30inches of wind pressure in the North East Quarter Gallery in the Dome. The Liverpool trompette militaire was the gift of Professor Alan Dronsfield and was installed in the Corona gallery, 100ft above the cathedral floor, in 1997. Until comparatively recently, the organ of Exeter Cathedral also had a trompette militaire in the minstrels' gallery above the nave. In the most recent rebuild of the Exeter instrument the stop has been renamed simply "trompette" and has been complemented with a diapason chorus forming a nave division, all playable from the main console on the medieval screen. Context_3 : St Paul's Anglican Cathedral Hall is a heritage-listed church hall at 89 William Street, Rockhampton, Rockhampton Region, Queensland, Australia. It is adjacent to St Paul's Anglican Cathedral. It was designed by Louis Spier Robertson and built 1900 . It is also known as St Paul's Anglican Cathedral Offices, St Paul's Anglican Cathedral Parish Hall, and St Paul's Day School (1902-1912). It was added to the Queensland Heritage Register on 23 June 2000. Context_4 : Norwich Cathedral Astronomical Clock was a 14th-century astronomical clock in Norwich Cathedral. Context_5 : William Ramsey (fl. 1323 died 1349) was an English Gothic architect, descended from the De Ramsey family of master masons whose work can be found at Ramsey Abbey, Norwich Cathedral, Ely Cathedral, and possibly also in Paris, according to John Harvey. William Ramsey was responsible for the chapter house at Old St Paul's Cathedral (1332, destroyed), an early example of Perpendicular Gothic, and the presbytery of Lichfield Cathedral (1337). He also worked on the St Stephen's Chapel (since destroyed) at the Palace of Westminster. Context_6 : St Paul's Anglican Cathedral is a heritage-listed cathedral at 89 William Street, Rockhampton, Rockhampton Region, Queensland, Australia. It was designed principally by Annersley Voysey and built from 1883 to 1953. It is also known as St Paul's Church of England and St Paul's Church of England Cathedral. It was added to the Queensland Heritage Register on 21 October 1992. The associated hall and offices were listed on the Queensland Heritage Register on 23 June 2000. Context_7 : Norwich School (formally King Edward VI Grammar School, Norwich) is a selective English independent day school in the close of Norwich Cathedral, Norwich. Among the oldest schools in the United Kingdom, it has a traceable history to 1096 as an episcopal grammar school established by Herbert de Losinga, first Bishop of Norwich. In the 16th century the school came under the control of the city of Norwich and moved to Blackfriars' Hall following a successful petition to Henry VIII. The school was refounded in 1547 in a royal charter granted by Edward VI and moved to its current site beside the cathedral in 1551. In the 19th century it became independent of the city and its classical curriculum was broadened in response to the declining demand for classical education following the Industrial Revolution. Context_8 : The Dean and Chapter of St Paul's Cathedral was the titular corporate body of St Paul's Cathedral in London up to the end of the twentieth century. It consisted of the dean and the canons, priests attached to the cathedral who were known as "prebendaries" because of the source of their income. The Dean and Chapter (or "Greater Chapter") was made up of a large number of priests who would meet "in chapter", but such meetings were infrequent and the actual governance was done by the Administrative Chapter headed by the dean, made up of several senior "residentiary canons", who were also known as the "Dean and Canons of St Paul's" or simply "The Chapter". Context_9 : St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade 1 listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London. Context_10 : He was educated at Selwyn College, Cambridge and ordained after a period of study at Ripon College Cuddesdon in 1935. He was Curate of All Saints, Wokingham then Precentor of Norwich Cathedral until 1955. He then held Norfolk incumbencies in Norwich and Great Yarmouth before becoming a Canon Residentiary at Norwich Cathedral, a post he held until elevation to the Gloucester Deanery in 1972- a post he held for a decade. He spent his retirement in Chichester. fact_1 : Norwich Cathedral is an English cathedral located in Norwich, Norfolk, dedicated to the "Holy and Undivided Trinity". fact_2 : St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. Answer: St Paul's Cathedral
Solution:
Which catherdral is located in London, Norwich Cathedral or St Pauls Cathedral?