input: Founders Andy McCluskey and Paul Humphreys met at primary school in Meols in the early 1960s, and in the mid-1970s, as teenagers, they were involved in different local groups but shared a distaste for guitar driven rock with a macho attitude popular among their friends at the time. By 1975 McCluskey had formed Equinox, as bassist and vocalist, alongside schoolmate Malcolm Holmes on drums, while Humphreys was their roadie. During that time McCluskey and Humphreys discovered their electronic style influenced by Kraftwerk. After Equinox, McCluskey joined Pegasus, and, later, the short-lived Hitlerz Underpantz, alongside Humphreys. McCluskey would usually sing and play bass guitar; roadie and electronics enthusiast Humphreys graduated to keyboards. The pair shared a love of electronic music, particularly Brian Eno and Kraftwerk. In September 1977, McCluskey and Humphreys put together the seven-piece (three singers, two guitarists, bassist, drummer, and keyboard player) Wirral group The Id, whose line-up included drummer Malcolm Holmes and McCluskey's girlfriend Julia Kneale on vocals. The group began to gig regularly in the Merseyside area, performing original material (largely written by McCluskey and Humphreys). They had quite a following on the scene, and one of their tracks ("Julia's Song") was included on a compilation record of local bands called Street to Street. Meanwhile, Humphreys and McCluskey collaborated on a side-project called VCL XI (named after a misreading of a valve from the diagram on the back cover of Kraftwerk's Radio-Activity album; the name of valve is actually written with Arabic numbers, VCL 11, and not Roman numerals). This side-project allowed them to pursue their more bizarre electronic experiments, often working with tape collages, home-made kit-built synthesisers, and circuit-bent radios. In August 1978, The Id split due to musical differences. The same month, McCluskey joined Wirral electronic outfit Dalek I Love You as their lead singer, but quit in September.

Answer this question "Did they record anything?"
output: Radio-Activity album;

input: After that the group lasted another four years, although there was a gradual decline in their status and commercial success after 1970. Joe Boyd, whose skillful handling of the band had contributed much to their international success, stopped managing them and returned to the US. The group left Elektra Records and signed with Island, for whom they recorded five albums. The first was a soundtrack to the "Be Glad..." film, and this was followed by the eclectic Liquid Acrobat as Regards the Air, regarded as their best album for some time. The band continued to tour and record. Rose Simpson left in 1971 and was replaced by Malcolm Le Maistre, formerly of the Stone Monkey troupe. Mike Heron took time out to record a well-received solo album, Smiling Men with Bad Reputations, which, in contrast to the ISB's self-contained productions, featured a host of session guests, among them Pete Townshend, Ronnie Lane, Keith Moon, John Cale and Richard Thompson. The following year, Licorice left, and was replaced by Gerard Dott, an Edinburgh jazz musician and friend of both Heron and Williamson who had contributed to Smiling Men. Williamson also recorded a solo album, Myrrh, which featured some of his most extraordinary vocal performances. The group's changing lineup, adding Stan Schnier (aka "Stan Lee") on bass, Jack Ingram on drums, and Graham Forbes on electric guitar reflected moves toward a more conventional amplified rock group. Their final albums for Island were received disappointingly, and the label dropped them in 1974. By then, disagreements between Williamson and Heron about musical policy had become irreconcilable, and they split up in October 1974.

Answer this question "did anybody else leave the group?"
output: The following year, Licorice left, and was replaced by Gerard Dott,

input: Bushido provoked much discussion through his use of controversial song lyrics, which can be interpreted as being misogynistic, homophobic, sexist and violence-glorifying. For example, the song "Nutte Bounce", from his demo album King of KingZ (2001), frequently uses the term "Nutte" (German for prostitute or "bitch"). When questioned, Bushido explained that he doesn't mean women in general but rather the "real bitches". The song "Berlin" from his debut Vom Bordstein bis zur Skyline (2003) has the following line, which can be interpreted as homophobic: In November 2005, Bushido hit the headlines after he made a scornful remark about Paris Hilton in an interview with net.zeitung.de: "She is just a stupid piece of meat... I would like to have her for the sexual act: humiliating and then bye." On ersguterjunge Sampler Vol. 2 - Vendetta (2006) he made a reference to Natascha Kampusch on the song "Eine Nummer fur sich", which has been criticized as "crude". Quoted as following: In late August 2007, it also caused a lot criticism against Bushido's involvement on the concert Schau nicht weg, a campaign against violence at schools, organized by Bravo and VIVA. The critics argue that Bushido could not count as a role model because of his "homophobic and anti-women lyrics". But since 2006 he was, according to Bravo, very involved in the project, so his live performance could not be canceled. During the performance, Bushido appealed in an aggressive manner to a small group of homosexual protesters by saying: "You fuckers can demonstrate, hang yourself - I don't give a shit". This led to more criticism and controversy. In June 2009, after participants of the Kreuzberg Pride spotted Bushido on the Berlin U-Bahn Schlesisches Tor, a verbal conflict ensued between the rapper and the participants in which Bushido insulted individuals by referring to their sexual orientation. As result, he and his entourage were splashed with drinks and the organizers of the pride sued him for libel.

Answer this question "What happened after the altercation?"
output:
he and his entourage were splashed with drinks and the organizers of the pride sued him for libel.