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Review:JACKNIFE is a fine adaptation of Stephen Metcalfe's play 'Strange Snow' (the screenplay was also written by Metcalfe), sensitively directed by David Hugh Jones, that explores the too frequently forgotten effect of battle on veterans damaged permanently by the heinous cruelties of war. It is especially poignant to return to this 1989 film now as we watch the soldiers returning from the war in Iraq and the raw treatment they are receiving in our Veterans' Hospitals.

Three friends went off to the Vietnam War together and only two returned alive: the problem is that while both men suffered in battle the one David 'Highschool' Flannigan (Ed Harris) is so severely damaged by posttraumatic stress syndrome that he 'exists' in a drunken vacuum with his very plain schoolteacher sister Martha (Kathy Baker). As David deteriorates his buddy Joseph 'Jacknife' Megessey (Robert De Niro) returns to the town in an attempt to help his friend. In the course of events Jacknife at first offers succor to Martha and eventually the two date - at a Prom Martha must attend - and at that prom drunken David completely falls apart, destroying relics in the school and terrifying the townspeople and students. Jacknife makes Dave relive the moment in Vietnam when they lost their buddy and in doing so brings David to the point where he can begin his climb toward recovery. And the long-suffering Martha finds her needs tended by Jacknife, too.

All three actors give astonishingly fine performances: Ed Harris offers one of his most fully realized roles while De Niro and Baker maintain the high standards set by their careers. More people should help resurrect this all but forgotten film as it is a brittle reminder of the damages our wars bring to the men who fight them and to the families who receive them after battle's end. Highly recommended. Grady Harp
+++++++++
A: positive

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Review:Sort of like a very primitive episode of "General Hospital" set in a natal ward (and one for tough cases at that), this fast-moving programmer has a satisfying emotional impact -- mainly because Eric Linden, as the distraught young husband in the main plot, is so palpably a wreck, and with such good reason. His expectant wife, Loretta Young, is brought to the ward at the beginning of a 20-year prison sentence for offing a lecher who probably had it coming to him; Ms. Young, as always, doesn't do anything to disinvite audience sympathy, and she's a little too good to be true, though sympathetic and lovely to look at, of course. Her difficult pregnancy and relationships with the other girls of the ward form the heart of the movie, and the outcome -- not an entirely happy one -- feels right. Aline MacMahon, "one of the cinema's few perfect actresses," in the apt words of film historian David Thomson, exudes warmth and authority as the head nurse, and Glenda Farrell, as a none-too-willing new mom of twins, gets to croon "Frankie and Johnny" as a drunken lullaby. Frank McHugh figures in another subplot, and he gets to show more range than Warners usually permitted him. It's scaled and paced modestly, and Linden's expectant-dad panic stays with you for days -- this sort of part was often played for laughs, but he's a terrified young kid in trouble, and very persuasive.
+++++++++
A: positive

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Review:The very first image of the movie shows a mountain ridge in early morning autumn mist, and my thought was: "This is almost too beautiful." And it goes on like this: Images of landscape and animals that look like a series of romantic paintings, each of them perfect in every detail. Even the girl's room, her father's car - everything is nostalgic, romantic, beautiful. This could seem outdated and escapistic, but it fits a story that is itself of silent beauty, happening on the border between life and fairy tale, between Dian Fossey and Le Petit Prince. I enjoyed every minute of it. The extreme parsimony of the movie, having a simple, slow story, just one actor and hardly any special effects, exerted a strong magic. I therefore find it deplorable that this parsimony is given up in the last minutes, when suddenly two additional actors (the girl as a grown-up woman, and her son) are introduced. Another shortcoming is the music, which is often intrusive, Hollywood-like, and sometimes inappropriate: I couldn't bring an English pop-song together with French mountain glory. I went to the movie together with my two small daughters, but I recommend it to adults as well, given that they appreciate this kind of movie. Obviously, not everybody does.
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A: positive

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Review:Great movie -I loved it. Great editing and use of the soundtrack. Captures the real feeling of Indian life, yet we can all relate. A well chose cast with some great characters. The movie develops all the characters so that you real care about them all and you feel like you know them. The use of the Indian music and drums in some of the soccer scenes is great and the direction really works as everyone comes off as real and natural. You just can't help but to root for Jess in this film! The acting was really good, even the tomboyish walk and body posture of both leading ladies is very convincing as a someone that played lots of soccer.
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A:
positive