Please answer this: Build a movie plot around this: With whom is Gail at the lab ? Dr. Tad Johns
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Answer: The title and credits are shown over a night view of the Salton Sea in California. We open with an aerial view of the Salton Sea (daytime). The narrator tells us, "This is the Salton Sea in Southern California. A strange phenomena in which nature has placed 400 square miles of salt water in the middle of an arid desert. In the desert close to shore of the sea the government has established one of its most important Naval Research Bases. At the laboratory on the secluded south tip of the base top secret atomic experiments are carried out under rigid security controls." An earthquake rocks the base. A few hours later the base if back to normal, but under the Salton Sea a fissure has opened. A parachute jump is executed over the sea. The recovery team in a patrol boat is waiting to pick up Lt. Hollister. Seamen Fred Johnson (Jody McCrea) and Howard Sanders (William Swan) spot the plane and steer towards the jumper. All they see when they arrive is the parachute. Johnson dives into the water to search for Hollister. Johnson surfaces, then dives under the boat to get to the other side. He does not resurface, but Sanders is confronted by something we only briefly see as a shadow that causes him to recoil in horror. He screams. The land radio operator, Seaman Wyatt (Charles Tannen) tries to re-establish contact with the patrol boat. Unsuccessful, he calls Naval Intelligence. Sally (Wallace Earl credited as Eileen Harley) answers the call. Wyatt eventually talks to Lt. Cmdr. John "Twill" Twillinger (Tim Holt). He and Lt. Robert "Clem" Clemens (Harlan Warde) take a boat out onto the sea to investigate. They spot the deserted boat and pull up along side. The body of seaman Sanders is on deck. He is dead. There is no sign of the other crewman or the parachutist. Twill notices a sticky white residue on the port side of the boat. He directs Clem to, "Look at this stuff." They take a sample. Hollister's body surfaces and they notice that his skin is dark and his eyes bugged out. He has a shriveled appearance.They return to...

Please answer this: Build a movie plot around this: Where do Divine and Crackers return to after they find the burned out trailer ? Marbles' Living Room
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Answer: The film opens on a view of a pink trailer that seems to be located in a clearing near a rural wooded area. A voiceover narrator identifying himself as Mr. J (John Waters) discusses the current status of "notorious beauty" Divine (Divine), who has gotten tabloid attention due to her criminal career. The tabloids have givenDivine the title of "Filthiest Person Alive", and the coverage has forced her to disguise herself. She has adopted the alias of Babs Johnson and retreated to this rural trailer just outside Baltimore. She lives there with her son, Crackers (Danny Mills), and a young woman named Cotton (Mary Vivian Pearce), whom Mr. J identifies as Divine's "traveling companion". Also living in the trailer is Edie (Edith Massey), Divine's obese, senile mother.Inside the trailer, Edie has awakened and calls out to Babs; Edie sleeps in a playpen in the living room, wearing nothing but a bra, girdle and underpants. Edie demands that Babs bring her eggs, and we come tounderstand that Edie is obsessed with eggs. When Babs doesn't respond soon enough, Edie tries to get Cotton to bring her eggs. Babs appears first, wearing a garish outfit. Her hair is an unnatural bright yellowcolor, with an unusually high hairline and a fall attached.Babs and Edie have a brief discussion, with Babs being very patient and accomodating of her obviously feeble-minded mother. Edie calls the trailer a "train", and worries about when the Egg Man (Paul Swift) is going to stop by. Babs assures her that they still have eggs that she can prepare for her.Mr. J then discusses Connie (Mink Stole) and Raymond Marble (David Lochary), whom he calls "two jealous perverts" who are insanely jealous of Divine's fame. Connie is a strange looking woman with hair dyed bright red. We meet her as she is conducting a strange job interview in her home. She tells a young woman named Sandy Sandstone (Nancy Crystal) that she cannot offer her employment because she does not knowenough about Divine; apparently, the Marbles intend to spy on Divine and learn...

Please answer this: Build a movie plot around this: What did the final dancer die for? feathers, fur and fluff
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Answer:
The film opens to two muscle-bound men dressed in loincloths approaching a crypt. They open the doors, revealing a coffin. They remove the lid and exit the crypt, then the inhabitant of the coffin (Criswell) sits up to deliver an opening narration. This narration mostly matches the prologue of Night of the Ghouls (1959), with one minor variation and an additional line. The phrase "world between the living and the dead" of the original is changed to "void between...". There is also a new line at the end: "A night with the ghouls, the ghouls reborn, from the innermost depths of the world!"[1] The opening credits feature the image of "an immobile young woman clad in gold". The image was probably inspired by a memorable scene of Goldfinger (1964).[1]Following the credits, the camera shifts to a lone Chevrolet Corvair driving down a California desert road. Its passengers Bob (William Bates) and Shirley (Pat Barrington) are arguing over the decision to use this night to search for a cemetery. Bob is a horror writer who hopes that the scene of a cemetery at night will bring him inspiration. The conversation ends when Bob accidentally drives the car off the road and over a cliff.[1]The next scene opens to a nocturnal image of a fog-shrouded cemetery. The lonely figure of the Emperor (Criswell) walks towards a marble altar, sits, and then summons his "Princess of the Night", the Black Ghoul (Fawn Silver), who appears and bows before him. The Emperor warns that if the night's entertainment fails to please him, he will banish the souls of the entertainers to eternal damnation, indicating that he is an all-powerful demonic being.[1]As the full moon appears, the Black Ghoul summons the first dancer of the night, a Native American woman (Bunny Glaser). The Black Ghoul explains that this woman loved flames, and that both she and her lovers died in flames. The woman dances and strips before the flames of the cemetery.[1] The Black Ghoul then introduces the second dancer of the night, a street walker in life. While the...