input: Curtis Mayfield was known for introducing social consciousness into African-American music. Having been raised in the Cabrini-Green projects of Chicago, he witnessed many of the tragedies of the urban ghetto first hand, and was quoted saying "With everything I saw on the streets as a young black kid, it wasn't hard during the later fifties and sixties for me to write my heartfelt way of how I visualized things, how I thought things ought to be." Following the passing of the Civil Rights Act of 1964, his group the Impressions produced music that became the soundtrack to a summer of revolution. It is even said that "Keep On Pushing" became the number one sing along during the Freedom Rides. Black students sang their songs as they marched to jail or protested outside their universities, while King often used "Keep On Pushing", "People Get Ready" and "We're A Winner" because of their ability to motivate and inspire marchers. Mayfield had quickly become a civil rights hero with his ability to inspire hope and courage. Mayfield was unique in his ability to fuse relevant social commentary with melodies and lyrics that instilled a hopefulness for a better future in his listeners. He wrote and recorded the soundtrack to the 1972 blaxploitation film Super Fly with the help of producer Johnny Pate. The soundtrack for Super Fly is regarded as an all-time great body of work that captured the essence of life in the ghetto while criticizing the tendency of young people to glorify the "glamorous" lifestyles of drug dealers and pimps, and illuminating the dark realities of drugs, addiction, and exploitation. His work influenced many, and it is said that Mayfield truly introduced a new style of black music. Mayfield, along with several other soul and funk musicians, spread messages of hope in the face of oppression, pride in being a member of the black race and gave courage to a generation of people who were demanding their human rights, without abandoning the struggle for equality. He has been compared to Martin Luther King, Jr. for making a lasting impact in the civil rights struggle with his inspirational music. By the end of the decade Mayfield was a pioneering voice in the black pride movement, along with James Brown and Sly Stone. Paving the way for a future generation of rebel thinkers, Mayfield paid the price, artistically and commercially, for his politically charged music. Mayfield's "Keep On Pushing" was actually banned from several radio stations when riots began flaring up in some cities. Regardless of the persistent radio bans and loss of revenue, he continued his quest for equality right until his death. His lyrics on racial injustice, poverty and drugs became the poetry of a generation. Mayfield was also a descriptive social commentator. As the influx of drugs ravaged through black America in the late 1960s and 1970s his bittersweet descriptions of the ghetto would serve as warnings to the impressionable. "Freddie's Dead" is a graphic tale of street life, while "Pusherman" revealed the role of drug dealers in the urban ghettos.

Answer this question "What were the contribution of those names to his success?"
output:

input: In 1966, Parseghian guided Notre Dame to its first national championship since the Leahy era. Led by quarterback Terry Hanratty, running back Nick Eddy, star receiver Jim Seymour, and fullback Larry Conjar, the offense was best in the nation in scoring, with an average of 36.2 points per game. The defense was second in the country in points allowed, thanks to strong performances by linebacker Jim Lynch and defensive end Alan Page. The season began with eight straight victories, propelling Notre Dame to the top of the national polls. The team then faced Michigan State (who had Bubba Smith), which ranked second in the polls and was also undefeated. The contest, one among a number referred to as the "game of the century", ended in a 10-10 tie. Parseghian was criticized for winding down the clock instead of trying to score despite having the ball in the final seconds of the game. He defended his strategy by maintaining that several key starters had been knocked out of action early in the game and that he did not want to spoil a courageous comeback from a 10-0 deficit by risking a turnover deep in his own territory late in the game. When Parseghian's team trounced USC 51-0 the following week, critics alleged that he ran up the score to impress poll voters who had split the number-one ranking between Notre Dame and Michigan State following the tie. Subsequent to the USC rout, the final wire service polls gave Parseghian's team the national championship, although Notre Dame did not participate in a post-season bowl game. Nine members of the team were selected as All-Americans, and Parseghian was named coach of the year by Sporting News. Several winning seasons followed, but Notre Dame did not repeat as national champion in the late 1960s. In 1969, the team finished with an 8-2-1 record and accepted an invitation to play in the postseason Cotton Bowl. With this game, the school ended a long-standing policy of not playing in bowl games. The university urgently needed money to fund minority scholarships and decided to use the proceeds from bowl games for this purpose. Parseghian's team lost the game, 21-17, to the eventual national champion Texas Longhorns.

Answer this question "Who were some of their victories against?"
output: Michigan State

input: In the spring of 1608, Dugua wanted Champlain to start a new French colony and fur trading center on the shores of the St. Lawrence. Dugua equipped, at his own expense, a fleet of three ships with workers, that left the French port of Honfleur. The main ship, called the Don-de-Dieu (French for the Gift of God), was commanded by Champlain. Another ship, the Levrier (the Hunt Dog), was commanded by his friend Du Pont. The small group of male settlers arrived at Tadoussac on the lower St. Lawrence in June. Because of the dangerous strength of the Saguenay River ending there, they left the ships and continued up the "Big River" in small boats bringing the men and the materials. On July 3, 1608, Champlain landed at the "point of Quebec" and set about fortifying the area by the erection of three main wooden buildings, each two stories tall, that he collectively called the "Habitation", with a wooden stockade and a moat 12 feet (4 m) wide surrounding them. This was the very beginning of Quebec City. Gardening, exploring, and fortifying this place became great passions of Champlain for the rest of his life. In the 1620s, the Habitation at Quebec was mainly a store for the Compagnie des Marchands (Traders Company), and Champlain lived in the wooden Fort Saint Louis newly built up the hill (south from the present-day Chateau Frontenac Hotel), near the only two houses built by the two settler families (the ones of Louis Hebert and Guillaume Couillard, his son-in-law).

Answer this question "What did he hope to accomplish by coming here?"
output:
Dugua wanted Champlain to start a new French colony and fur trading center on the shores of the St. Lawrence.