Some context: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.
Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat. Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes. At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes. It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.
Did he go to school for art?
A: of Eakins' academic training in Paris.
Some context: Keith Rupert Murdoch was born on 11 March 1931 in Melbourne, Australia, the son of Sir Keith Murdoch (1885-1952) and Dame Elisabeth Murdoch (nee Greene; 1909-2012). He is of English, Irish, and Scottish ancestry. Murdoch's parents were also born in Melbourne. Keith Murdoch was a war correspondent and later a regional newspaper magnate owning two newspapers in Adelaide, South Australia, and a radio station in a faraway mining town.
Murdoch found a political ally in Sir John McEwen, leader of the Australian Country Party (now known as the National Party of Australia), who was governing in coalition with the larger Menzies-Holt-Gorton Liberal Party. From the very first issue of The Australian Murdoch began taking McEwen's side in every issue that divided the long-serving coalition partners. (The Australian, 15 July 1964, first edition, front page: "Strain in Cabinet, Liberal-CP row flares.") It was an issue that threatened to split the coalition government and open the way for the stronger Australian Labor Party to dominate Australian politics. It was the beginning of a long campaign that served McEwen well. After McEwen and Menzies retired, Murdoch threw his growing power behind the Australian Labor Party under the leadership of Gough Whitlam and duly saw it elected on a social platform that included universal free health care, free education for all Australians to tertiary level, recognition of the People's Republic of China, and public ownership of Australia's oil, gas and mineral resources. Rupert Murdoch's backing of Whitlam turned out to be brief. Murdoch had already started his short-lived National Star newspaper in America, and was seeking to strengthen his political contacts there. Asked about the Australian federal election, 2007 at News Corporation's annual general meeting in New York on 19 October 2007, its chairman Rupert Murdoch said, "I am not commenting on anything to do with Australian politics. I'm sorry. I always get into trouble when I do that." Pressed as to whether he believed Prime Minister John Howard should continue as prime minister, he said: "I have nothing further to say. I'm sorry. Read our editorials in the papers. It'll be the journalists who decide that - the editors." In 2009, in response to accusations by Australian Prime Minister Kevin Rudd that News Limited was running vendettas against him and his government, Murdoch opined that Rudd was "oversensitive". Murdoch described Howard's successor, Labor Party Prime Minister Kevin Rudd, as "...more ambitious to lead the world [in tackling climate change] than to lead Australia..." and criticised Rudd's expansionary fiscal policies in the wake of the financial crisis of 2008 as unnecessary. Although News Limited's interests are extensive, also including the Daily Telegraph, the Courier-Mail and the Adelaide Advertiser, it was suggested by the commentator Mungo MacCallum in The Monthly that "the anti-Rudd push, if coordinated at all, was almost certainly locally driven" as opposed to being directed by Murdoch, who also took a different position from local editors on such matters as climate change and stimulus packages to combat the financial crisis. Murdoch is a supporter of an Australian republic, having campaigned for one during the 1999 referendum.
Did he do anything to combat the financial crisis?
A: criticised Rudd's expansionary fiscal policies in the wake of the financial crisis of 2008 as unnecessary.
Some context: Schoendienst was born in Germantown, Illinois, approximately 40 miles (64 km) east of downtown St. Louis to Joe and Mary Schoendienst, one of seven children. His father was a coal miner, and the family lived without running water or electricity. Schoendienst showed a marked aptitude for baseball at a young age. In school he would handicap himself by hitting left-handed.
Keane resigned the day following the Cardinals' 1964 World Series victory over the Yankees, and Schoendienst was named as his replacement. Three years later, the Cardinals defeated the Boston Red Sox--Schoendienst's fourth World Series title, and third as a Cardinal. His managerial record over 12 full seasons (1965-76) and two subsequent stints as interim manager (1980 and 1990) was 1,041 victories and 955 defeats (.522). After two years as a coach for the 1977-78 Oakland Athletics, Schoendienst returned to the Cardinals as coach and special assistant to the general manager. He won his fifth Series title in 1982. He remains an employee of the Cardinals organization with the title of Special Assistant Coach, and in 2017 completed his 72nd consecutive season as a Major League player, coach, or manager. Schoendienst was a member of five winning World Series teams, all of which were won in seven games: as a player with the Cardinals and Braves in 1946 and 1957 respectively; as the Cardinals manager in 1967; and as a Cardinals coach in 1964 and 1982. He was also a member of three teams that lost the Series after leading three games to one: the 1958 Milwaukee Braves (to the Yankees), the 1968 Cardinals (to the Detroit Tigers), and the 1985 Cardinals (to the Kansas City Royals). Schoendienst was elected to the Baseball Hall of Fame in 1989 by the Veterans Committee. The Cardinals retired his number 2 in 1996. In 1998 he was inducted into the St. Louis Walk of Fame. The Cardinals named Schoendienst, among 21 other former players and personnel, to be inducted into the St. Louis Cardinals Hall of Fame Museum for the inaugural class of 2014.
What team did he coach?
A:
the Cardinals