Question: A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.

Before 1914, social dance in America was dominated by steps such as the waltz and polka. As jazz migrated from its New Orleans origin to Chicago and New York City, energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop. The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the orchestra of James Reese Europe. One of the first bands to accompany the new rhythms was led by a drummer, Art Hickman, in San Francisco in 1916. Hickman's arranger, Ferde Grofe, wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofe to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway, Tin Pan Alley, ragtime, and vaudeville. Duke Ellington led his band at the Cotton Club in Harlem. Fletcher Henderson's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom. At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofe, Whiteman on Bill Challis. Henderson and arranger Don Redman followed the template of King Oliver, but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter, whose career lasted into the 1990s.

Using a quote from the above article, answer the following question: Is there any modern dance music
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Answer: progressed they moved away from the New Orleans format and transformed jazz.

Question: Schlessinger was born in the New York City borough of Brooklyn. She was raised in Brooklyn and later on Long Island. Her parents were Monroe "Monty" Schlessinger, a civil engineer, and Yolanda (nee Ceccovini) Schlessinger, an Italian Catholic war bride. Schlessinger has said her father was charming and her mother beautiful as a young woman.

On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show to ask for advice on how to deal with a husband who did not care when she was the subject of racist comments by acquaintances. Schlessinger first replied that "some people are hypersensitive" and asked for some examples from the caller. Hanson informed Schlessinger that her acquaintances had stated, "How you black people do this? You black people like doing that." Schlessinger responded that her examples were not racist and that "a lot of blacks only voted for Obama simply because he was half black. Didn't matter what he was going to do in office; it was a black thing. You gotta' know that. That's not a surprise." Schlessinger continued by telling the caller that she had a "chip on [her] shoulder," was "sensitive," and also, "Don't NAACP me," and, "a lot of what I hear from black think... it's really distressing and disturbing." When the caller noted that she was referred to as the "n-word" by the individuals in question, Schlessinger complained that blacks are fine with cordially using the slur among themselves, but that it was wrong when whites used it to slur them. In doing so, she uttered "nigger" eleven times, albeit not directed at the caller. She discussed the word and its use by blacks and in black media. Her profuse use of the slur was mimicking the frequency of the word's use among black stand-up comics. When Hanson asked, "Is it ever OK to say that word?" Schlessinger responded, "It depends how it's said. Black guys talking to each other seem to think it's OK." After the call Schlessinger said, "If you're that hypersensitive about color and don't have a sense of humor, don't marry out of your race." Early that evening she wrote an apology to Los Angeles Radio People online journalist Don Barrett. A day later, as soon as she was back on the air, Schlessinger apologized. Hanson questioned the motivation and sincerity of Schlessinger's apology, believing it to be result of being "caught." Hanson also said that Schlessinger did not apologize for her comments on interracial marriage. Schlessinger announced that, while not retiring from radio, she would end her radio show at the end of 2010: I have made the decision not to do radio anymore. I want to regain my First Amendment rights. I want to be able to say what is on my mind. In 2011, she began broadcasting on satellite radio with Sirius XM. Her program is also available as a podcast at iTunes and from her own website.

Using a quote from the above article, answer the following question: When did this take place?
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Answer:
On August 10, 2010, Nita Hanson, a black woman married to a white man, called Schlessinger's show