Some context: Margaret LeAnn Rimes was born in Jackson, Mississippi. She is the only child of Wilbur Rimes and Belinda Butler. The family moved to Garland, Texas when she was six. She was enrolled in vocal and dance classes, and was performing at local talent shows at the age of 5.
In March 2002, Rimes reissued the I Need You album with nine of the songs originally released on the album, an extended version of the song You Are, the song "Light the Fire Within", which she sang at the 2002 Winter Olympics in Salt Lake City, and four bonus remixes. Rimes would later that year release her fifth studio album titled Twisted Angel, which contained more adult material. After battling managerial control over her career the previous year, Twisted Angel became the first album released by Rimes that was not produced by her father. Instead, Rimes executive produced the album. A month following the album's release, Twisted Angel was certified "Gold" by the RIAA, her second Gold-certified album. The album received mainly negative reviews by most music critics and magazines. Allmusic stated that the album could possibly "alieniate her from her original fans" and "the songwriting is a little uneven." Rolling Stone gave the album two out of five stars, stating that the album sounded too "country-pop crossover." The album peaked at No. three on the Top Country Albums chart and No. 12 on the all-genre Billboard 200 chart. Two singles were spawned from the album between 2002 and 2003, however none of the singles were Top 40 hits on the country or pop charts. The lead single, "Life Goes On", reached the Top 40 only on the Hot Adult Contemporary Tracks chart, peaking at No. 9. The second single, "Suddenly", only peaked at 43 on the US Country charts, 47 on the UK charts and 53 on the Australian charts. The following year when Rimes turned 21, she released her first children's book, titled Jag, in July and she also released a Greatest Hits compilation in November. The album recapped Rimes's major hits under Curb records from "Blue" in 1996, to "Life Goes On" in 2002. The album peaked at No. 3 on the Top Country Albums chart and No. 24 on the Billboard 200 in November. Featured on the album was the song, "We Can", which was originally released as a single for the Legally Blonde 2 soundtrack in July 2003. The album would eventually be certified "Platinum" in 2007. In 2004, Rimes released her second greatest hits album, The Best of LeAnn Rimes, internationally in February. Rimes would also team up with country singer and idol Reba McEntire to contribute to the 2004 Dr. Pepper commercial campaign. She would also release the sequel to Jag, titled Jag's New Friend, in September and in October she also issued her first holiday-themed and sixth studio album titled, What a Wonderful World.
What yeah did she do this
A: 2002,

Some context: "Sympathy for the Devil" is a samba rock song by the Rolling Stones, written by Mick Jagger and Keith Richards. Sung by Jagger, the song refers to the Devil, written in the first-person narrative, recounting atrocities committed throughout the history of humanity as if they were somehow "inspired" (or at least witnessed) by him. Although it has been deemed by some as "a homage", in reality, no admiration (or even sympathy, for that matter) is declared for the Devil in the song -other than his "own" request. It is performed in a rock arrangement with a samba rhythm, first appearing as the opening track on their 1968 album Beggars Banquet.
The recording of "Sympathy for the Devil" began at London's Olympic Sound Studios on 4 June 1968 and continued into the next day; overdubs were done on 8, 9 and 10 June. Personnel included on the recording include Nicky Hopkins on piano, Rocky Dijon on congas and Bill Wyman on maracas. Marianne Faithfull, Anita Pallenberg, Brian Jones, Charlie Watts, producer Jimmy Miller, Wyman and Richards performed backup vocals, singing the "woo woos". Richards plays bass on the original recording, and also electric guitar. Brian Jones plays a mostly mixed out acoustic guitar, although in isolated tracks of the studio cut, it is audible playing along with the piano. In the 2003 book According to the Rolling Stones, Watts commented: "Sympathy" was one of those sort of songs where we tried everything. The first time I ever heard the song was when Mick was playing it at the front door of a house I lived at in Sussex ... He played it entirely on his own ... and it was fantastic. We had a go at loads of different ways of playing it; in the end I just played a jazz Latin feel in the style of Kenny Clarke would have played on "A Night in Tunisia" - not the actual rhythm he played, but the same styling. On the overall power of the song, Jagger continued in Rolling Stone: It has a very hypnotic groove, a samba, which has a tremendous hypnotic power, rather like good dance music. It doesn't speed up or slow down. It keeps this constant groove. Plus, the actual samba rhythm is a great one to sing on, but it is also got some other suggestions in it, an undercurrent of being primitive--because it is a primitive African, South American, Afro-whatever-you-call-that rhythm (candomble). So to white people, it has a very sinister thing about it. But forgetting the cultural colors, it is a very good vehicle for producing a powerful piece. It becomes less pretentious because it is a very unpretentious groove. If it had been done as a ballad, it wouldn't have been as good.
Who produced the song?
A:
producer Jimmy Miller,