input: Earlier Nightwish performs symphonic metal with soaring female operatic vocals. Their music has been described as "bombastic heavy, symphonic and cinematic, with keyboards and strings creating a gothic atmosphere". They have also been known to play power metal and gothic metal. The band's music is also known to be complex and layered. Their approach is epic, theatrical and operatic. Critic Chad Bowar notes that the music is "always very melodic with memorable choruses and a lot of hooks." The usage of a female vocalist has become a sort of trademark, though less so since the outbreak of new female fronted metal bands in the mid-2000s with the popularization of bands such as Evanescence and Leaves' Eyes as well as several gothic metal bands mixing female and male vocals, such as Lacuna Coil, Tristania, Epica and the early Within Temptation. Bassist and vocalist Marco Hietala describes the style of the band's music as "melodic symphonic metal;" though this is not a view shared by all members of the group, including band composer Tuomas Holopainen, who describes the band as simply symphonic metal. Some critics find that the band had a gothic sound since their debut. The music of Nightwish had been "distinguished by the operatic voice" of soprano Tarja Turunen, a "charismatic frontwoman with a powerful voice". Critics observed that her vocals became less operatic with the release of Once. Following the departure of Tarja Turunen from the group, Nightwish left behind the "signature operatic vocals" of their earlier albums. While the music of Nightwish is centered around a female lead singer, the band has also featured some male vocals on their albums ever since their debut release Angels Fall First. This debut album also included "elements of folk music and ambience" that were discarded on their subsequent album Oceanborn. However, the song "Creek Mary's Blood" from the album "Once" featured some use of folk-oriented Native American melodies, and their 2007 release Dark Passion Play featured folk music elements on the songs "The Islander" and "Last of the Wilds".

Answer this question "Who influenced their style?"
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Problem: Background: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Context: The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
Question: Are there any other interesting aspects about this article?
Answer: Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's

Question: Clifford Bundy Stearns Sr. (born April 16, 1941) was the U.S. Representative for Florida's 6th congressional district from 1989 to 2013. He is a member of the Republican Party. On August 14, 2012, Stearns lost to veterinarian Ted Yoho in a four-way Republican primary by about 1 percent of the vote.

Stearns led the congressional effort involving the meningitis outbreak. As of November 14, 2012, the Centers for Disease Control and Prevention (CDC) has confirmed 32 deaths and that 438 people have been sickened across 19 states. An investigation determined that the New England Compounding Center(NECC) was the source of the contaminated product. As Chairman of the House Energy and Commerce Committee's Subcommittee on Oversight and Investigations, Stearns held a hearing on this outbreak. During the hearing, Stearns stated the outbreak was preventable had the U.S. Food and Drug Administration (FDA) acted. The FDA knew of severe quality control violations at NEC as early as 2002, and in 2006 the FDA threatened NECC if it did not comply with regulations. During the hearing, FDA Commissioner Dr. Margaret Hamburg testified that the FDA lacked the authority to close down NECC. Stearns noted that the FDA had authority to close NECC, but simply failed to protect the American people. Dr. Scott Gottlieb, deputy commissioner of the FDA from 2005-07 and Mr. SheldonBradshaw, FDA's chief counsel during that same period, disagreed strongly with Hamburg. In a Wall Street Journal op-ed on November 13, 2012, they stated unequivocally that FDA did have enough authority and could have acted but chose not to because of FDA's desire to regulate "the full scope of the practice of pharmacy." They further stated that NECC's illegal actions, which FDA was aware of, that "put the NECC firmly in violation of FDA rules-if the agency had chosen to enforce existing provisions."

Using a quote from the above article, answer the following question: What was the cause of the outbreak?
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Answer:
An investigation determined that the New England Compounding Center(NECC) was the source of the contaminated product.