input: The 1960-61 season began with McKenzie's third first-class match, against the West Indies. He did not bowl in the first innings but took 4/41 in the second to seal a 94 run win, prompting West Indies captain Frank Worrell to predict a bright future. Further strong performances during the Shield season saw him selected at age 19 for the 1961 Ashes tour under Richie Benaud. Following an injury to Benaud, Australia replaced him with a third seamer, allowing McKenzie to make his debut in the Second Test at Lord's during the "Battle of the Ridge". In his first innings, he made 34 on his twentieth birthday batting at number 10 on a difficult pitch. The last two wickets added 102 and Australia gained a lead of 134. In England's second innings, McKenzie captured the prized wickets of Ted Dexter and Peter May, and took the last three wickets in twelve balls to give 5/37 on debut. Australia went on to win by five wickets. After losing the Third Test at Headingley, Australia won the fourth Test at Old Trafford with McKenzie again making a valuable contribution with the bat. With a lead of only 177 with nine wickets down in the second innings, McKenzie joined Alan Davidson. He held his end for 32 runs while Davidson's powerful hitting saw 98 added for Australia's highest tenth wicket partnership on English soil. This allowed Benaud to bowl Australia to victory on the final day. The youngest member of the touring party, McKenzie was one of eight bowlers to take at least fifty wickets. When Dexter's Englishmen toured Australia in 1962-63, McKenzie was promoted to share the new ball with Davidson. Playing in all five Tests, he did not trouble the batsmen to the same extent as his partner, taking 20 wickets for 30.95. He was noted for his ability to contain the opposition by bowling long spells. Davidson retired at the end of the series and McKenzie became the pace spearhead when South Africa toured in 1963-64. He was Australia's leading bowler with 16 wickets at 43.06. In the Third Test in Sydney, he hit his highest Test score of 76.

Answer this question "Who was it against?"
output: against the West Indies.

Problem: Background: Fugazi (; foo-GAH-zee) is an American punk rock band that formed in Washington, D.C. in 1987. The band consists of guitarists and vocalists Ian MacKaye and Guy Picciotto, bassist Joe Lally and drummer Brendan Canty. Fugazi are noted for their unique sound, blending of elements of dub/reggae with high energy rock and punk/hardcore-styled guitars, as well as for their business practices and contempt towards the music industry. The band, and others from the punk and hardcore scene leading up to the early 1990s, were among the early adopters of what grew to be known as the DIY ethic.
Context: After the hardcore punk group Minor Threat dissolved, Ian MacKaye (vocals and guitar) was active with a few short-lived groups, most notably Embrace. MacKaye decided he wanted a project that was "like The Stooges with reggae", but was wary about forming another band after Embrace's break up. MacKaye recalled, "My interests were not necessarily to be in a band, but to be with people who wanted to play music with me." MacKaye recruited ex-Dag Nasty drummer Colin Sears and bass guitarist Joe Lally, and the trio began practicing together in September 1986. After a few months of rehearsals, Sears returned to Dag Nasty and was replaced by Brendan Canty (earlier of Rites of Spring). One day Canty's Rites of Spring bandmate Guy Picciotto dropped by during a practice session to see how his friend was getting along; he later admitted he secretly harbored the idea of joining the group. But Picciotto was disappointed that there seemed to be no place for him. After some uncertainty from Canty about what he wanted to do with his future, the trio regrouped and booked their first show at the Wilson Center in early September 1987. The group still needed a name, so MacKaye chose the word "fugazi" from Mark Baker's Nam, a compilation of stories of Vietnam War veterans, it there being a slang acronym for "Fucked Up, Got Ambushed, Zipped In [into a body bag]". The band began inviting Picciotto to practices. Inspired by use of a foil in hip hop, Picciotto sang backup vocals. After his band Happy Go Licky broke up, he became more involved with Fugazi. MacKaye eventually asked Picciotto to become a full member, which he accepted.
Question: what does fugazi mean
Answer: "Fucked Up, Got Ambushed, Zipped In [into a body bag]".

Question: Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has enjoyed a great deal of success as a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music.

In 1983, at the suggestion of ECM head Manfred Eicher, Jarrett asked bassist Gary Peacock and drummer Jack DeJohnette, with whom he had worked on Peacock's 1977 album Tales of Another, to record an album of jazz standards, simply titled Standards, Volume 1. Two more albums, Standards, Volume 2 and Changes, both recorded at the same session, followed soon after. The success of these albums and the group's ensuing tour, which came as traditional acoustic post-bop was enjoying an upswing in the early 1980s, led to this new standards trio becoming one of the premier working groups in jazz, and certainly one of the most enduring, continuing to record and tour for more than 25 years. The trio has recorded numerous live and studio albums consisting primarily of jazz repertory material. The Jarrett-Peacock-DeJohnette trio also produced recordings that consist largely of challenging original material, including 1987's Changeless. Several of the standards albums contain an original track or two, some attributed to Jarrett, but most are group improvisations. The live recordings Inside Out and Always Let Me Go (released in 2001 and 2002 respectively) marked a renewed interest by the trio in wholly improvised free jazz. By this point in their history, the musical communication among these three men had become nothing short of telepathic, and their group improvisations frequently take on a complexity that sounds almost composed. The standards trio undertakes frequent world tours of recital halls (the only venues in which Jarrett, a notorious stickler for acoustics, will play) and is one of the few truly successful jazz groups to play both straight-ahead (as opposed to smooth) and free jazz. A related recording, At the Deer Head Inn (1992), is a live album of standards recorded with Paul Motian replacing DeJohnette, at the venue in Delaware Water Gap, Pennsylvania, 40 miles from Jarrett's hometown, where he had his first job as a jazz pianist. It was the first time Jarrett and Motian had played together since the demise of the American quartet sixteen years earlier.

Using a quote from the above article, answer the following question: what changeless successful?
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Answer:
Several of the standards albums contain an original track or two, some attributed to Jarrett, but most are group improvisations.