Problem: This review is like what?

Review:I was p***ed when I couldn't see this one when it was screening at the Philly Film Fest last year, so when I saw that it was going to be on cable tonight, I put it on remind as soon as I could. So was it worth the wait? Well let's backtrack a tad as I have yet to give you the plot. Sean Crawley is a young man who doesn't know what his path in life is. Enter Duke (George Wendt) who introduces him to his boss Ray (Danny Baldwin). One night Ray totally hammered asks Sean to off the guy that they had Sean following around. And it goes on from there. Which leads me back to the question posed. Was it worth the wait? Yes and no, the buildup was pretty good and George Wendt stole the movie for me. He just took the ball and ran with it. But it's nowhere near as violent as I was led to believe and somewhere along the movies running time the ball is not only dropped, but fumbled and taken in the other direction. I know where this point happened exactly, but can't say without spoiling the film. But needless to say it happened. The ending doesn't save the film either. Poor Stuart Gordon nothing can be good like "Re-animator" or "Castle Freak".

My Grade: C

Where I saw it: Showtime Extreme

Eye Candy: Kari Wuhrer shows her ta-tas in one fantasy and then in the next more ta-tas and it pans down and...OH MY GOD MY EYES MY EYES!!!!!
+++++++++
A: negative

Problem: This review is like what?

Review:Released just before the Production Code crackdown in July, 1934, Mitch Leisen's all-star Paramount musical is leeringly suggestive -some even claim misogynistic- and highly entertaining. Two murders occur on the opening night of "Earl Carroll's Vanities" (one on-stage!), but that doesn't stop the manager (Jack Oakie) from putting on a show as a lascivious police detective (Victor McLaglen) investigates. Everyone is hiding something and Gypsy Rose Lee must have seen this backstage murder mystery before she penned "The G-String Murders" as the denouement is similar (although more satisfying here). Gertrude Michael, as a vicious diva, stops the show (in more ways than one) with her exotic "Sweet Marijuana" number and Duke Ellington finishes with the truncated "Rape Of The Rhapsody". The hit song, "Cocktails For Two", came from this film. A bizarre and bawdy camp classic highly recommended! Here's Louella O. Parsons in the "Los Angeles Examiner" on May 17, 1934

Earl Carroll's hand-picked beauties' pirouette about on the Grauman United Artists screen in a fig leaf and not much else. But September Morn herself never had a better figure than these charmers, who are made up to please the eye, especially the eye of the tired businessman. But don't for a moment think Mr. Carroll's girls, au naturelle, are the only attraction. Believe it or not, MURDER AT THE VANITIES is a musical comedy thriller, if you know what I mean -a murder mystery incorporated in a musical show. It all happens on the opening night at the time the play is in progress and a search is on for a murderer. Just by way of suspense, a cop threatens to stop the show every few minutes. Victor McLaglen is something new in cops. All the time he is trying to track down the murderer, he keeps his eye fastened on the chorus beauties. The murder mystery is good with the exception of the denouement, which is pretty flat. Probably faulty direction. Dorothy Stickney, who plays the maid, is about as melodramatic as the heroine in a ten, twenty, and thirty show. For no good reason, she rates a never-ending closeup in the big dramatic scene. The girl ensembles are good, and it's a positive relief to get away from the inevitable overhead shots. The costumes are beautiful; in fact, this is a musical that Paramount can feel is really to their credit. As for Carl Brisson -well, he would be an addition to any show. Good-looking with a delightful singing voice and an easy, assured manner, he is all his press agents claim for him. I also like Kitty Carlisle, who plays the leading lady in the show. Gertrude Michael, as the deep-eyed villianess, gives an interesting if rather fictional portrayal. Jack Oakie, as the stage manager, is the same old wisecracking Jack, but we wouldn't change him. Jessie Ralph is excellent as the seamstress. Others in the cast are Charles Middleton, Gail Patrick, Donald Meek, Barbara Fritchie, Toby Wing and Lona Andre. The screen play is by Carey Wilson and Rufus King, and the direction by Mitchell Leisen. The music is by Arthur Johnstone and the lyrics by Sam Coslow. In addition to MURDER AT THE VANITIES, there is a Mickey Mouse cartoon, a Paramount Newsreel, and a two-reeler, THE WRONG DIRECTION.

I disagree with Lolly on the denouement, it's satisfying if over-the-top. Why would she blame the director? Was she displeased with the story's ending -or the way it was staged? And what's a "ten, twenty, or thirty show"? Note the swipe taken at Busby Berkeley and his "overhead shots". As hard as it may be to believe today, the public was tiring of Buzz' schtick by May, 1934. Mitch Leisen said, "if you are showing a stage show that's supposed to be in a theater, you should stay within the bounds of the proscenium arch, and not do a Buzz Berkeley routine with a stage set that's acres big."

Q: Don't you think Berkeley's spectacular effects justified taking this liberty? ML: Apparently they did because they're reviving all of his pictures and none of mine, but personally I don't like it.
+++++++++
A: positive

Problem: This review is like what?

Review:Too bad a couple of comments before me don't know the facts of this case. It is based on actual events, a highly publicized disappearance and murder case taking place in the Wilmington, DE/Philadelphia PA region from '96 through 2000. I have to admit I was highly skeptical of how Hollywood would dramatize the actual history and events and was actually quite impressed on how close they stayed to what was constantly reported on local newscasts and Philadelphia Inquirer news stories throughout the time period. Of course I immediately pointed out that the actress (who I really like in Cold Case) who played Fahey looked nothing like her (Anne Marie was actually prettier). I have to admit though that Mark Harmon really nailed the type of personality that was revealed as Capano's and the behavior that Capano exhibited throughout this period. Details of the case were right on...no deviations of dramatic effect...even down to the carpet, gun, furniture, and cooler. In conclusion, I also wanted to add that I have met Tom Carper many times at various functions (a good man, despite being a politician) and I am so glad that he pulled the strings in the Federal realm necessary to solve this heinous crime. Guys like Capano are real and it was great to see him finally put behind bars.
+++++++++
A:
positive