Article: It is quite expensive to paint a whole car, and usually not worth it for an everyday driver. Most whole body paint jobs are the result of some kind of special customization or restore. With this in mind, you want to know a little bit about the car you intend to paint and make sure that you choose a color scheme that suits your car. often this means sticking with a vintage color something that might have been on the car when it was new. Other times, it means a color scheme that brings out the best features of the car, even if that color scheme was never an original from the manufacturer. An example of a paint job that isn't likely to flow would be restoring a '69 Chevelle, having a supercharger sticking up out of the hood, and painting it pink with purple polka dots. The great thing about restoring or customizing a car is the opportunity to truly have whatever you want. The end result should be something you are proud of, so naturally it has to be something that you like. Envision exactly what you want your car to look like. Whether you know what you want or not, an open dialogue with the painter is never a bad idea. They can help steer you toward the paints that will give you the look your heart desires. A professional artist/painter can also help to expand on your ideas if you get stuck at any point.
Question: What is a summary of what this article is about?
Match custom paint jobs to your car. Use your imagination. Consult a professional painter about your paint job.
Article: If you want to ensure that you're happy with your finished haircut, it's important to pay attention during the process. That way, you'll be aware if your stylist starts to do something that you don't like. It will also keep your head nice and straight, so it's easier for your stylist to cut accurately. To make sure that you're pay attention, it's best not to read a magazine or play with your phone while you're getting your haircut. While you should pay attention to what your stylist it doing, you shouldn't try to do their job, which means you shouldn't constantly be questioning what they're doing. Asking those kinds of technical questions can actually distract your stylist, and may affect their performance. It's okay to make small talk with your stylist as they work, but keep the conversation light so they can stay relaxed. You shouldn't be afraid to voice your concerns if you think that your stylist has misunderstood what you want in the cut, though. Just make sure that you're polite. You might say, "Hang on a second please. How much are you cutting off again?" While they are cutting your hair, your stylist may suggest certain products, such as shampoo, conditioner, mousse, and gel, that work best with your new style. Make sure that you pay attention to the recommendations so you can achieve the same look when you're styling your hair at home. Most salons sell the products that they recommend to clients, so you may want to pick up the items that the stylist suggests while you're there. If you want time to think about what products you want to purchase, ask your stylist to write down their suggestions to ensure that you don't forget the product names. If you want to recreate the same look that you leave the salon with, it's important that you understand to maintain it at home. In addition to the products that you should use, be sure to ask your stylist how to style the cut on your own. You may even ask for a walk-through of all the steps, so you're certain that you understand. Remember to inquire about how often you should get a trim too. While it's usually recommended that you cut your hair every four to six weeks, a short cut or a style with layers or bangs may require more frequent touch-ups. In some cases, even if you find a stylist that you're comfortable with and discuss all of your hair concerns and habits, you may wind up with a cut that you don't like. Don't be afraid to go back to the stylist and ask for a revision -- most stylists are going to want with you until you're fully satisfied. Be polite and calm as you explain what you don't like about the cut, though. If you're not sure how to tell your stylist that you don't like the style, you might say, "This isn't really what I thought it would be." It's important to point out the specific things you don't like about the cut, so the stylist can correct them. For example, explain that your bangs are too heavy or there aren't enough layers.
Question: What is a summary of what this article is about?
Pay attention. Don't micromanage. Listen to stylist recommendations. Ask about maintenance. Speak up if you're disappointed.
Article: Having an arts degree will make it easier to get a job in the film industry. Art directors must have a broad understanding of the arts, so enroll in courses that cover a wide variety of artistic subjects. Some good places to start are: Courses in architecture. As an art director you'll be responsible for designing sets, so you want to develop an understanding of construction, building, and technical drawing. Courses in interior design. Part of the set design you'll do as an art director includes interior design, so you want to learn how to use props and decor to create a visually appealing aesthetic. Courses in theatre. Understanding how sets and props factor into a performance will help you down the road when you're responsible for creating large-scale sets that directors and actors have to work with. Study them and take notes. Pay attention to a film's overall aesthetic, asking yourself what you liked and didn't like about it. Understanding how art and design can be used to fulfill a director's vision is essential if you want to be an art director. If you liked a particular set design or artistic element of a film, look up the art director behind it and study their career. Practice working on a team with other people, because as an art director you'll be responsible for managing multiple departments and film crews. Work on your time management and organizational skills, and flex your creativity whenever possible. You'll also want to be good at budgeting and working with money. Volunteer for a local production or film company to gain experience and work on your personal skills. Enroll in financial literacy courses to learn about money and budgeting. Most art director positions will require you to do a lot of driving (driving to and from set, transporting supplies, driving to meet with the different crews, etc). Look up your local requirements for obtaining a driver's license and work on getting one so it doesn't become a deal breaker down the road. Get your master's in production design. A lot of aspiring art directors go this route. You'll get advanced training in architecture, digital design, and other crucial aspects of film production that you'll need to know to be an art director.
Question: What is a summary of what this article is about?
Enroll in an undergraduate art program. Watch a lot of films. Cultivate the necessary personal skills. Get your driver's license. Go to graduate school to increase your chances of landing a job.