Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : I See You is the third studio album by English indie pop band the xx. It was released on 13 January 2017 through the Young Turks label. It is the follow-up to "Coexist", and is their first release in more than four years. Context_2 : The Hunting Party Tour was the eleventh concert tour by American alternative metal band Linkin Park. It was launched in support of Linkin Park's sixth studio album, "The Hunting Party" (2014). The tour was partially announced in May 2014 through a teaser released after the release of trailer of a co-headlined tour "Carnivores Tour" by Linkin Park and Thirty Seconds to Mars. Later, the tour was officially announced on November 23 with a whole trailer in promotion. Its first leg under the name "European Tour" began on May 30, 2014, in Lisboa, Portugal, and ended on June 14 in Castle Donington, England, where they played "Hybrid Theory" as a whole album. The tour features special guests Of Mice & Men and Rise Against. On January 15, 2015, the band begun the "world" tour for The Hunting Party with the first leg under "North American Tour". During a show at Indianapolis, Chester Bennington injured his leg, which led to the cancellation of the tour "North American Tour". The band continued the world tour on May 9, performing at the first edition of Rock In Rio in America. It is the last full tour to feature Chester Bennington as vocalist before his death in 2017. Context_3 : The Getaway World Tour is an ongoing concert tour by American rock band Red Hot Chili Peppers that is in support of their eleventh studio album, "The Getaway" which was released on June 17, 2016. It marked the first time since June 2014 that the band has toured. The tour began with benefit shows and North American festival dates in February 2016 followed by a summer festival tour with dates in Europe, Asia and North America starting in May 2016 and ending in August 2016. The headlining tour to support the album began in Europe in September 2016 and lasted until the end of the year with the North American tour beginning in January 2017 and concluded in July 2017. Another European leg and dates in South American will follow along with rescheduled shows and festival dates in North America in October 2017. Chad Smith said that the entire tour would last for 18 months. Context_4 : The See You on the Other Side World Tour was a concert tour in support of Korn's seventh studio album, "See You on the Other Side". The tour featured a brief promotional leg in 2005, followed by an extensive North American headlining leg; shows in Asia, Australia and Europe; and finally a newly resurrected Family Values Tour. Context_5 : The Maya Tour (stylized as /\/\ /\ Y /\ Tour) is a 2010 global M.I.A. concert tour performed in support of her third studio album "Maya" (see 2010 in music). It began on 21 September 2010 in North America and was M.I.A.'s third major global performing tour following the birth of her first child. The tour was announced on 8 September 2010, with dates for Canadian, American and European venues revealed. According to photo albums on the musician's official Facebook page, the North American leg was branded the Reboot/Reboost Tour 2010, while the Sexynsofistic8d Tour formed the European leg of her 2010 concerts. M.I.A. handled costumes and stage direction, which departed from the productions of the preceding 2007-2008 Kala Tour and People Vs. Money Tours. Context_6 : The I See You Tour was the third concert tour by English indie band The xx, in support of their third studio album "I See You" (2017). The European leg of the tour began in Sweden on 8 February 2017 and concluded on 17 March 2017. The North American leg kicked off on 14 April 2017 as part of Coachella in Indio, California, and will continue through 27 May 2017. Context_7 : Below is an organized list of all the concert tours by singer Alicia Keys. Her first concert tour was in North America, where she performed in 58 cities from 2001-02 in support of her first album "Songs in A Minor". Her second tour, in support of her second album "Verizon Ladies First Tour" and "The Diary Tour" performing in 61 cities in North America. Her third tour "As I Am Tour", in support of her fourth album "As I Am", not only reached North America, but also reached Europe, Asia, and Oceania, making a total of 94 dates. Her fourth world tour, The Freedom Tour, visited Europe, Africa and North America, making a total of 50 dates, in support of "The Element of Freedom". Her promotional tour "", in support of her album "Songs in A Minor 10th Anniversary Edition" reached Europe and North America, making a total of 5 tour dates. In 2013, Keys embarked on the "Girl on Fire Tour" to support her fifth studio album "Girl on Fire". Context_8 : The "Dark Horse" Tour was a worldwide concert tour by Canadian rock band Nickelback. It was their first world tour since the conclusion of their massive All the Right Reasons Tour, ending on September 2, 2007, in Kansas City, Missouri. The tour was in support of their new album "Dark Horse" (2008). Dates were announced on November 26, 2008. Seether and Saving Abel were the opening acts on the tour. On the second half of the North American tour, Hinder, Papa Roach, and Saving Abel were in support. Black Stone Cherry were the support act for the European tour of the UK in May 2009. Context_9 : The Doo-Wops & Hooligans Tour was the first concert tour by American singer-songwriter Bruno Mars in support of his debut studio album, "Doo-Wops & Hooligans". The tour began November 16, 2010 in San Francisco, California, and ran through the end of the year in Hawaii. Atlanta rapper Donnis served as the opening act on all dates in the continental US, with the exception of the San Diego date, and performed songs from his EP "Fashionably Late". A second leg is set to follow through Europe, a third for Asia, and a fourth in Australia. Tour dates are below. A second tour, a joint co-headlining effort with American singer Janelle Monae entitled "Hooligans in Wondaland", was announced in February 2011 and visited North America in May and June 2011. Context_10 : Hydra World Tour was a concert tour by Dutch symphonic metal band Within Temptation in support of their sixth studio album, "Hydra", released by Nuclear Blast on 31 January 2014. To date, it was their eight major tour and their third to see them playing worldwide. The tour passed over four continents and was divided into several legs according to the local of playing, presenting minor setlist variations from concerts of the same leg and a few more variations from leg to leg. A special leg was entitled "Theatres on Fire", in which saw the band playing seated shows exclusively on theatres. The tour was commercially successful and managed the band to play on even bigger spaces, an improvement already seen on their last world tour, as well presenting their first concert at the Wembley Arena and selling out theatre tickets for their theatre seated concerts in the Netherlands. A live album with footage from the Amsterdam concert was released later in 2014 under the name of Let Us Burn Elements & Hydra Live in Concert. fact_1 : The I See You Tour was the third concert tour by English indie band The xx, in support of their third studio album "I See You" (2017). fact_2 : It is the follow-up to "Coexist", and is their first release in more than four years. Question: The I See You Tour was in support of an album that was a follow up to what?
Answer:
Coexist