Problem: This review is like what?
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Review:In his first go as a Hollywood director, Henry Brommell whips an enthralling yarn that is all of penetrating relatable marital issues with melancholic authenticity, and lacing such with an equally absorbing subplot of a father-son hit-man business. The film is directed astutely and consists of a wonderfully put together cast as well as a swift, family-conscious screenplay (also by Brommell) that brings life to an otherwise fatigued genre. As a bonus, 'Panic' delivers subtle, acerbic humoran unexpected, undeniably charming, and very welcome surprisethrough its bumbling, unsure-of-himself, low-key star, whose ever-cool state is enticing, especially given his line of work.

The forever-great William H. Macy again captures our hearts as Alex, a unhappy, torn, middle-aged husband and father who finds solace in the most dubious of persons: a young, attractive, equally-messed-up 23-year-old named Sarah (Neve Campbell), whom he meets in the waiting-room at a psychologist's office, where he awaits the therapy of Dr. Josh Parks (John Ritter) to discuss his growing eagerness to quit the family business that his father (Donald Sutherland) built. Alex, whose lust to lead a new life is obstructed by the fear of disappointing his dictating father, strikes an unwise fancy for Sarah, which ultimately leads him to understand the essence and irrefutable responsibility of being a husband to his wife and, more importantly to him, a good father to his six-year-old son, Sammy (played enthusiastically by the endearing David Dorfman).

Henry Brommell's brilliant 'Panic' is something of a rarity in Hollywood seldom seen (with the exception of 2002's 'Road to Perdition') since its conception in 2000it weaves two conflicting genres (organized-crime, family drama) into a fascinating, warm hunk of movie-viewing that is evenly strong in either directionand it's one that will maintain its exceptional, infrequent caliber and gleaming sincerity for ages to come.
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A: positive

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Review:Words can't simply describe how awful this film is. I watched it on video last night, and I simply could not believe what I was seeing. Basically, "Snakeeater" is about an ex-military man (Lorenzo Lamas) and his search for his kidnapped sister who has been held captive by Deliverance-style Rednecks. The film's acting, writing, direction, photography, and editing are deplorable along with a song called "Soldier" that has to be one of the worst theme songs of all time!

However, there is one treat. "Horshack" (Ron Pallio) from "Welcome Back Carter" is in the film playing a laughable bad guy. Otherwise, please avoid this mess at ALL COSTS.
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A: negative

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Review:This movie pleasantly surprised me. It has a touching, slightly off-center approach that never loses your attention. This is a movie I never heard about, but if you want a "sleeper", this is it. Great writing, production, and acting. I highly recommend it for audiences who want something thoughtful. Nick Nolte, Sheryl Lee and Alan Arkin are marvelous. Why wasn't more made of this movie?
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A: positive

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Review:This musical is decidedly mixed, and none of the elements really fit together, but it somehow manages to be mostly enjoyable. The plot contains some of the elements of Wodehouse's novel, but none of its virtues, though he co-wrote the script. The songs, though charming, have nothing to do with this particular film, and are unusually crudely squeezed into the plot, even by pre-Oklahoma standards. Burns and Allen do their usual shtick quite competently, but it misses the tone of the rest of the film by about forty IQ points.

There are a few high points. Reginald Gardiner does good work when he remembers that this is a talkie, and stops mugging like a silent actor. And there are a few bits of writing which could only have been written by Wodehouse, though most of the film feels like the production of one of the Hollywood meetings he later parodied.
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A:
positive