Q: Read the following context and choose the correct option to answer the question. Context: I am always one to at least finish my shift if that happens then talking to my agency if it is agency work or some higher up boss if not. Never mind employers can ask you to leave at any time. After all, job hunting is a huge inconvenience. There is ONE exception to this rule: NOT GETTING PAID. I am not talking about if accounting messes up and you have to wait an extra day or two to get paid. If you are a good employer, I won't be happy, but I am understanding. I am talking refusing to pay or being even rumored to be not paying. I am not in the volunteer business for business owners. Only happened once I thought I had a part timer gig being a waiter at an over-priced tourist trap restaurant in the New Orleans French Quarter. As typical for these type of jobs, you do not get to actually wait tables and get tips till a training period is over. Somehow, I did not get the memo that this place did not have "training" but "auditions", meaning all that silverware I rolled and floors I mopped and food I ran to tables I was not getting paid for! Add to that, if somehow they did not like me, after a week I would not have a job! Now, I understand actors and actresses go to auditions and not get paid all the time. I've known a few amateur actors. But, those auditions do not include showing up for a week to work unpaid so maybe you might get hired from talking to them And waiters don't do auditions! I left immediately. I think they owed me 30 bucks for half a day's work at the minimum wage. Tried to go back threatening labor board and all that, but they would not be intimidated. They said there was no record of me being there and to get off property. I wrote it off to bad experience and started working another place that I had been interviewing with. Much better job. Question: The author threatened suit before finding a new job? Options: - not enough information - He was already interviewing at the new place before the threat. - He was interviewing at the same time he was issuing the threat. - He started interviewing after the threat was not successful.
A: He was already interviewing at the new place before the threat.

Q: Read the following context and choose the correct option to answer the question. Context: What is creativity? How de we define creativity? Where does creativity come from? How philosophical is the notion of creativity? Is everyone's 'creativity' different? Or is it an ill conceived, simplified term that is used to describe a very specific series of neuronal & bodily reactions to certain stimuli? These are all the questions I've been thinking (and googling, and youtubing) since beginning this Capturing Creativity studio* and I have found some answers or maybe I've just found more questions: Creativity is generally defined as the ability to make new things, or come up with new ideas, it's an ability to think outside the box, to see unique solutions and employ them in inventive ways. In this sense creativity is not always utilised when being 'creative', as to be creative is simply defined as the ability to make or produce something. However I guess that depends on your definition of creative, how different, unique, special, once off, un-influenced does something have to be, to be classified as creative? This is where creativity get's tricky. It's all well and good to be like oh this is what creativity is, so it's easy to investigate it, but what if you don't define that as being creative, maybe that was just following a formula, a somewhat inspired formula, but maybe it is just a formula. Creativity to most people seems to be a random mix of once off genius combined with solid skill and hard work and for us humans these percentages are unique to us. Maybe creativity to you is 90% unique idea, 5% skill and 5% hard work. Maybe creativity to you is 40% unique idea, 50% skill and 10% hard work. Maybe for you creativity doesn't have to involve any hard work at all. For me when it comes to creativity I'm most interested in that unique idea portion; where does that unique idea come from? Is it simply random? Is it a gift from the gods? Is our unique idea just a product of a lot of subconscious effort, only made aware to us in the sense of a 'random' idea? Have we been influenced by something, processed it... Question: The narrator believes that Options: - Creativity is bad - Creativity is good - Creativity does not take hard work - not enough information
A: Creativity is good

Q: Read the following context and choose the correct option to answer the question. Context: PAUL Reynolds doodled idly on a bar napkin as he sipped at his margarita. All around him tourists of every size and shape were donning paper pirate hats and plastic eye patches. They were part of a relatively new Key West tradition called the Booty Hunt - a glorified bar crawl where participants followed a "treasure map" that led them from bar to bar, with occasional stops in private homes, and where the chief treasure to be found was the pleasure of being surrounded by fellow drunks and saying "Arrrr" a lot. Paul had participated a few times himself and was kind of embarrassed at how much fun it was. His pen drew a rough sketch of the crowd, although in his version they were actual pirates, in full dress with real swords and pistols and parrots. He took another sip and glanced around the bar, wondering where his drinking companion had gotten to. It was still early - just an hour or so after sunset, and Crooked Pete's was only half full. Located on Simonton, a block off the tourist-choked sidewalks of Duval Street, the bar hadn't hit its stride for the evening yet. The real crowd and the regulars would come later, once they had gotten a bite to eat and were ready for some serious, cheap drinking. He saw his friend Sandee emerge - finally - from the bathroom, smiling at Paul from across the bar while maneuvering through the gaggle of barhopping buccaneers. Thick, cascading black curls complemented Sandee's black sequined mini-dress that clung to every slim curve and emphasized shapely breasts. Sandee winked at one of the tourists, blowing the man a kiss as he ogled in naked admiration. "Did you miss me?" Sandee asked, sitting down beside Paul. "Of course," Paul replied, sliding another margarita to Sandee. "But your drink missed you more. All your ice is melting." "Oh, the poor darlings," Sandee cooed, licking the salt on the rim suggestively before taking a long swallow that emptied a third of the contents. Question: At the end of this story, who went home with Sandee after they left the bar? Options: - Paul - barhopping buccaneers - not enough information - the tourist
A: Paul