Context and question: The double indirect method can be used when it is important to see the work during the creation process as it will appear when completed. The tesserae are placed face-up on a medium (often adhesive-backed paper, sticky plastic or soft lime or putty) as it will appear when installed. When the mosaic is complete, a similar medium is placed atop it. The piece is then turned over, the original underlying material is carefully removed, and the piece is installed as in the indirect method described above. In comparison to the indirect method, this is a complex system to use and requires great skill on the part of the operator, to avoid damaging the work. Its greatest advantage lies in the possibility of the operator directly controlling the final result of the work, which is important e.g. when the human figure is involved. This method was created in 1989 by Maurizio Placuzzi and registered for industrial use (patent n. 0000222556) under the name of his company, Sicis International Srl, now Sicis The Art Mosaic Factory Srl.
Who invented the double indirect method?
Answer: Maurizio Placuzzi
Context and question: A shipbuilding boom in the early part of the 20th century became massive during World War I, making Seattle somewhat of a company town; the subsequent retrenchment led to the Seattle General Strike of 1919, the first general strike in the country. A 1912 city development plan by Virgil Bogue went largely unused. Seattle was mildly prosperous in the 1920s but was particularly hard hit in the Great Depression, experiencing some of the country's harshest labor strife in that era. Violence during the Maritime Strike of 1934 cost Seattle much of its maritime traffic, which was rerouted to the Port of Los Angeles.
What city profited by Seattle's Maritime Strike?
Answer: Port of Los Angeles.
Context and question: The digital data on a CD begins at the center of the disc and proceeds toward the edge, which allows adaptation to the different size formats available. Standard CDs are available in two sizes. By far, the most common is 120 millimetres (4.7 in) in diameter, with a 74- or 80-minute audio capacity and a 650 or 700 MiB (737,280,000-byte) data capacity. This capacity was reportedly specified by Sony executive Norio Ohga in May 1980 so as to be able to contain the entirety of the London Philharmonic Orchestra's recording of Beethoven's Ninth Symphony on one disc. This is a myth according to Kees Immink, as the code format had not yet been decided in May 1980. The adoption of EFM one month later would have allowed a playing time of 97 minutes for 120 mm diameter or 74 minutes for a disc as small as 100 mm. The 120 mm diameter has been adopted by subsequent formats, including Super Audio CD, DVD, HD DVD, and Blu-ray Disc. Eighty-millimeter discs ("Mini CDs") were originally designed for CD singles and can hold up to 24 minutes of music or 210 MiB of data but never became popular.[citation needed] Today, nearly every single is released on a 120 mm CD, called a Maxi single.[citation needed]
How many minutes does a Super Audio CD hold?
Answer:
unanswerable