Part 1. Definition
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Answer: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Part 3. Exercise
Context_1 : Marina Kamen (aka MARINA), is a Director/Producer/Casting Director/Vocalist/Choreographer & Musician best known for her music in the advertising industry & fitness/health/dance music communities and has a large online catalogue of workout music, treadmill workouts and audio workouts including 50 albums, 450 Original Songs and 1,200 Online Musical Audio Programs. Marina's EBook entitled "I'mSteppin' Out!"confessions of a Food-a-Holic has sold around the globe for the past 15 years and is available on Iamplifi, Audible and on Amazon. Kamen won the 2005 People's Choice Award in Podcasting . MARINA's High-nrg Fitness Brand includes Radio and Television Broadcasts, Music, albums, and a Live Show currently playing in NYC called MARINA's High-nrg Fitness LIVE!an Interactive Musical Theatre WORKOUT Experience. MARINA's lifelong work merging the worlds of vocalisation and dance has brought her to work with Celebrity artists including Patti Labelle, Carnie Wilson, James Earl Jones, Mandy Patinkin, Gloria Gaynor, Britney Spears, Liza Minnelli and countless others. In 1987, Kamen and her husband, Roy Kamen, opened Kamen Entertainment Group, Inc. Kamen's credits in Radio and television advertising have included thousands of campaigns working for Starburst, PopTarts, Mercedes, Exxon Mobile, CocaCola, Dairy Queen, and Febreeze in the 1990s, in 2004, Marina Diretcted, Produced, Cast & Choreographed Britney Spears' Twister Dance Rave Global Television Campaign for Hasbro. Kamen also Cast, Directed,Choreographed & Produced Television spots for Jenga Tetris & Bop It. Kamen performs a series of live performance concerts around the country. In the late 90s, it seemed impossible because she had three young children and was over 215 pounds. Nonetheless, Kamen started to write and produce music aimed at the dance market. High energy shows won awards, such as her "Silent Night" performance at Webster Hall in New York City. Kamen taught aerobics classes in the 70's and 80's, and through her performances she began using dance music to drive her workout routines. By singing, dancing, and eating well-portioned meals, she lost over 100 pounds. Kamen released her debut album, "Um-Lotty-Da" in 1997. Kamen quickly earned a reputation in the New York City club scene. Her albums and performances garnered the attention of the Dance Organization of America. This committee steered Kamen towards positions as a director and choreographer for Atlantic Records, Columbia Records, The Naras Foundation which Hosts The Grammy Awards.By the year 2000, Kamen had combined her previous experiences and started to sell her fitness music within the fitness community. With her innovative approach and inspirational message, Kamen became a well-known persona in the world of Musical Fitness. Kamen has produced material and live presentations for clients including QVC/Direct, Dynamix, Equinox Gyms, Jazzercise, Strive Enterprise with Bill Kazmier (ESPN), and Jackie Chan's CableFlex. She has appeared on British TV on "Reborn in the USA," produced and televised from New York City by the producers of "American Idol." Kamen has been covered in the NY Times, Daily News and Family Circle Magazine. She can be seen on programing from The Discovery Health Network, PBS and Nickelodeon (The N), ShopNBC, The Tyra Banks Show & ABC NEWS. Marina is also Hosting a Web Broadcast show entitled "MARINA's High-nrg Fitness Musical Health Talk". Ms. Kamen attended The Manhattan School of Music & Interlochen Arts Academy majoring in voice, violin, and composition. Marina trained in dance with The American Ballet Theatre, Luigi & Frank Hatchett. Marina also thanks her longtime friend in dance Francis Roach for his openness and dance talent over the years in addition to carrying out the teachings of dance Icon Luigi. His work has helped to train thousands of dancers around the world. Context_2 : Pantomime (informally panto), is a type of musical comedy stage production, designed for family entertainment. It was developed in England and is still performed throughout the United Kingdom, generally during the Christmas and New Year season and, to a lesser extent, in other English-speaking countries. Modern pantomime includes songs, gags, slapstick comedy and dancing, employs gender-crossing actors, and combines topical humour with a story loosely based on a well-known fairy tale, fable or folk tale. It is a participatory form of theatre, in which the audience is expected to sing along with certain parts of the music and shout out phrases to the performers. Context_3 : The City of New York, often called New York City or simply New York, is the most populous city in the United States. With an estimated 2016 population of 8,537,673 distributed over a land area of about 302.6 sqmi , New York City is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, one of the most populous urban agglomerations in the world. A global power city, New York City exerts a significant impact upon commerce, finance, media and entertainment, art, fashion, research, technology, education, politics, and sports, its fast pace defining the term "New York minute". Home to the headquarters of the United Nations, New York is an important center for international diplomacy and has been described as the cultural, financial, and media capital of the world. Context_4 : Revolt of the Beavers was a children's play put on by the Federal Theater Project by Oscar Saul and Louis Lantz. One critic described the play as "Marxism a la Mother Goose". The show ran at the Adelphi Theatre in New York City from May 20, 1937, to June 19 of that year. Jules Dassin and John Randolph were among the play's cast. Context_5 : The Unconquered is a play for four actors by Torben Betts which premiered at the Byre Theatre, St Andrews in February 2007 before touring the United Kingdom (venues including the Tron Theatre in Glasgow, the Traverse Theatre in Edinburgh and London's Arcola Theatre.) It received critical acclaim and won the award for Best New Play at the Critics Awards for Theatre in Scotland, 2007. Keith McIntyre's cartoon-like design was nominated for an award at the same time. The production was remounted in 2008, and toured the country again before taking part in the Brits-off-Broadway Season in New York City followed by Trap Door Theatre's production in Chicago. Context_6 : The Fair Play for Cuba Committee (FPCC) was an activist group set up in New York City in April 1960. The FPCC's purpose was to provide grassroots support for the Cuban Revolution against attacks by the United States government, once Fidel Castro began openly admitting his commitment to Marxism and began the expropriation and nationalization of Cuban assets belonging to U.S. corporations. The FPCC opposed the Bay of Pigs invasion of 1961, the imposition of the United States embargo against Cuba, and was sympathetic to the Cuban view during the Cuban Missile Crisis of 1962. Context_7 : Aylesbury Waterside Theatre is a 47 million theatre in Aylesbury, England, United Kingdom presenting a range of West End and touring musicals and plays, along with performances of opera and ballet and a Christmas pantomime. Context_8 : The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as "Old Mother Goose's Rhymes", as illustrated by Arthur Rackham in 1913. As a character, she appears in one nursery rhyme. A Christmas pantomime called "Mother Goose" is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet). Context_9 : A combination company was a theatrical touring company which performed only one play. Unlike repertory companies, which performed multiple plays in rotation, combination companies used more elaborate and specialized scenery in their productions. Repertory theatre had been popular in the United States through the 19th century, and it is not clear how the combination system originated. Combination companies contributed to the early success of Broadway theatre, as most combination companies began their tours in New York City. Combination companies were fueled by stars. The Star agenda or star system that had been set in place in mid 19th century America helped greatly in the development of the combination company. The idea of celebrity was at full force and people would flock to theater houses to see their favorite stars perform. Stars made famous in New York would travel to stock theaters and perform limited engagements there. "The engagements of the first important stars were rare and special events"(Poggi 4). Audiences would come in from all over to sold out performances at playhouses and see their favorite stars. The Stock companies would cancel their normal repertory programs for a few nights to allow for the show of the star. The star would be supported by the local company of actors in the play, which proved to be very frustrating to them (Poggi 5). After the star left, the company returned to its repertory schedule as per usual. Yet annoyed by the lack of talent from regional companies, the stars began to search for companies to tour with them. They began to tour with two or three actors, and then eventually whole companies would tour with them and they would perform a repertory of plays (Wilmeth 200-201). This switch to companies that support the stars for the whole tour was one more step in the transition from stock companies to combination companies. Context_10 : The Selkirk Hurdle is the term used by urban planners, railroad employees, politicians, and others to describe the route that must be taken by freight trains traveling between New York City and other points in downstate New York that are east of the Hudson River, and locations in the United States to the south and west. There are no rail freight bridges or tunnels that cross the Hudson River south of Selkirk, which is 10 miles (16km) south of Albany and the home of Selkirk Yard, a major CSX classification yard. As a result, trains from Long Island and New York City (except for the borough of Staten Island which has a rail bridge to New Jersey) must travel 140 mi north to cross at Selkirk before continuing on their way. Advocates claim that this detour and the inefficiencies that result force New York City to rely more heavily on relatively inefficient trucks than most parts of the United States, where freight trains are more common. However, at least for traffic to and from the west, this route was touted for its efficiency as the "Water Level Route" by the New York Central Railroad because trains using it did not have to climb over the Appalachian Mountains, and it is still used by the New York Central's successor, CSX, for traffic to both sides of the Hudson River. fact_1 : Revolt of the Beavers was a children's play put on by the Federal Theater Project by Oscar Saul and Louis Lantz. fact_2 : One critic described the play as "Marxism a la Mother Goose". fact_3 : The show ran at the Adelphi Theatre in New York City from May 20, 1937, to June 19 of that year. fact_4 : The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as "Old Mother Goose's Rhymes", as illustrated by Arthur Rackham in 1913. fact_5 : A Christmas pantomime called "Mother Goose" is often performed in the United Kingdom. Question: In which theatre of New York City did a play, described as Marxism but using the figure from a Christmas pantomime in the United Kingdom, perform?
Answer:
Adelphi Theatre