QUES: In Whitehead's view, then, concepts such as "quality", "matter", and "form" are problematic. These "classical" concepts fail to adequately account for change, and overlook the active and experiential nature of the most basic elements of the world. They are useful abstractions, but are not the world's basic building blocks. What is ordinarily conceived of as a single person, for instance, is philosophically described as a continuum of overlapping events. After all, people change all the time, if only because they have aged by another second and had some further experience. These occasions of experience are logically distinct, but are progressively connected in what Whitehead calls a "society" of events. By assuming that enduring objects are the most real and fundamental things in the universe, materialists have mistaken the abstract for the concrete (what Whitehead calls the "fallacy of misplaced concreteness").
Concepts such as quality, matter, and form fail to account for what?

ANS: change

QUES: Composers of classical music have often made use of folk music (music created by musicians who are commonly not classically trained, often from a purely oral tradition). Some composers, like Dvorak and Smetana, have used folk themes to impart a nationalist flavor to their work, while others like Bartok have used specific themes lifted whole from their folk-music origins.
What music comes from those commonly trained by oral tradition?

ANS: folk music

QUES: While worship in the Temple in Jerusalem included musical instruments (2 Chronicles 29:2527), traditional Jewish religious services in the Synagogue, both before and after the last destruction of the Temple, did not include musical instruments given the practice of scriptural cantillation. The use of musical instruments is traditionally forbidden on the Sabbath out of concern that players would be tempted to repair (or tune) their instruments, which is forbidden on those days. (This prohibition has been relaxed in many Reform and some Conservative congregations.) Similarly, when Jewish families and larger groups sing traditional Sabbath songs known as zemirot outside the context of formal religious services, they usually do so a cappella, and Bar and Bat Mitzvah celebrations on the Sabbath sometimes feature entertainment by a cappella ensembles. During the Three Weeks musical instruments are prohibited. Many Jews consider a portion of the 49-day period of the counting of the omer between Passover and Shavuot to be a time of semi-mourning and instrumental music is not allowed during that time. This has led to a tradition of a cappella singing sometimes known as sefirah music.
What Temple forbade the use of instruments?

ANS: unanswerable

QUES: Communal shelters never housed more than one seventh of Greater London residents, however. Peak use of the Underground as shelter was 177,000 on 27 September 1940, and a November 1940 census of London found that about 4% of residents used the Tube and other large shelters; 9% in public surface shelters; and 27% in private home shelters, implying that the remaining 60% of the city likely stayed at home. The government distributed Anderson shelters until 1941 and that year began distributing the Morrison shelter, which could be used inside homes.:190
What year did the government start giving out Morrison shelters?

ANS:
1941