Problem: Maines was born in Lubbock, Texas, to country musician and producer Lloyd Maines and his wife Tina May Maines. She attended Williams Elementary School in Lubbock where her second grade teacher recalls being told by Maines during a math lesson, "Teacher, I don't need to learn this stuff--I'm gonna be a star." Maines was a cheerleader while attending O. L. Slaton Junior High School, and graduated in 1992 from Lubbock High School where she had participated in the school choir. Maines has described growing up in conservative Texas, saying "I always rebelled against that.

Maines's first commercially released work was background vocals on Pat Green's debut album, Dancehall Dreamer, produced by her father Lloyd Maines and released in 1995. At the end of 1995, at age 21, Maines joined the all-female country music band, the Dixie Chicks, which had been performing since 1989, but which had been unsuccessful in gaining more than local attention. Maines replaced founding lead singer Laura Lynch. She plays guitar and bass in concert in the band. Maines co-wrote four tracks for the Dixie Chicks' first three albums, including the Billboard Hot Country Singles & Tracks chart number one hit "Without You" on Fly. Maines was a primary songwriter on all 14 tracks of the band's 2006 album Taking the Long Way which peaked on the Billboard 200 chart at No. 1. Taking the Long Way has the Billboard Hot 100 single "Not Ready to Make Nice", (Maines, Strayer, Erwin, Wilson) hitting No. 4 and for which the band won the songwriting Grammy Award, for Song of the Year. Maines considers the songwriting she did for Taking the Long Way "pure therapy" after the controversy that ensued over a comment Maines made from the stage in London that criticized U.S. President George W. Bush. "Everything felt more personal this time", Maines said about the album, "there's just more maturity, depth, intelligence. ... [These songs] feel more grown-up." Maines collaborates with other musical artists, both as a member of the Dixie Chicks and an individual singer. The Dixie Chicks first worked with Sheryl Crow in 1999 while performing for the concert tour Lilith Fair. Since then, the Dixie Chicks have worked with Crow on her Sheryl Crow and Friends: Live from Central Park album, a Crow remixed version of "Landslide" performed by the Chicks, and the Dixie Chicks' song "Favorite Year" from Taking the Long Way. Maines has performed with artists including Pat Green, Charlie Robison, Yellowcard, Stevie Nicks, Patty Griffin, Neil Diamond, Eddie Vedder, Pete Yorn and Ben Harper. Maines is a friend of Howard Stern and has made several appearances on his show. On May 7, 2013, Maines released a solo album entitled Mother. This was Maines's first album since the Dixie Chicks hiatus started in 2007. The album was co-produced by Ben Harper. The album contains Maines's interpretation of several cover songs, including Pink Floyd's "Mother", Eddie Vedder's "Without You", and Jeff Buckley's "Lover, You Should've Come Over". She also sings about motherhood, feminism, and painful relationships.

any intreting thing in the article

Answer with quotes: Maines co-wrote four tracks for the Dixie Chicks' first three albums,

Problem: Toru Takemitsu (Wu Man Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.

Takemitsu was born in Tokyo on October 8, 1930; a month later his family moved to Dalian in the Chinese province of Liaoning. In 1938 he returned to Japan to attend elementary school, but his education was cut short by military conscription in 1944. Takemitsu described his experience of military service at such a young age, under the Japanese Nationalist government, as "... extremely bitter". Takemitsu first became really conscious of Western classical music during his term of military service, in the form of a popular French Song ("Parlez-moi d'amour") which he listened to with colleagues in secret, played on a gramophone with a makeshift needle fashioned from bamboo. During the post-war U.S. occupation of Japan, Takemitsu worked for the U.S. Armed Forces, but was ill for a long period. Hospitalised and bed-ridden, he took the opportunity to listen to as much Western music as he could on the U.S. Armed Forces network. While deeply affected by these experiences of Western music, he simultaneously felt a need to distance himself from the traditional music of his native Japan. He explained much later, in a lecture at the New York International Festival of the Arts, that for him Japanese traditional music "always recalled the bitter memories of war". Despite his almost complete lack of musical training, and taking inspiration from what little Western music he had heard, Takemitsu began to compose in earnest at the age of 16: "... I began [writing] music attracted to music itself as one human being. Being in music I found my raison d'etre as a man. After the war, music was the only thing. Choosing to be in music clarified my identity." Though he studied briefly with Yasuji Kiyose beginning in 1948, Takemitsu remained largely self-taught throughout his musical career.

When was he born?

Answer with quotes:
October 8, 1930;