IN: Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.

Olivier was born in Dorking, Surrey, the youngest of the three children of the Revd Gerard Kerr Olivier (1869-1939) and his wife Agnes Louise, nee Crookenden (1871-1920). Their elder children were Sybille (1901-1989) and Gerard Dacres "Dickie" (1904-1958). His great-great-grandfather was of French Huguenot descent, and Olivier came from a long line of Protestant clergymen. Gerard Olivier had begun a career as a schoolmaster, but in his thirties he discovered a strong religious vocation and was ordained as a priest of the Church of England. He practised extremely high church, ritualist Anglicanism and liked to be addressed as "Father Olivier". This made him unacceptable to most Anglican congregations, and the only church posts he was offered were temporary, usually deputising for regular incumbents in their absence. This meant a nomadic existence, and for Laurence's first few years, he never lived in one place long enough to make friends. In 1912, when Olivier was five, his father secured a permanent appointment as assistant priest at St Saviour's, Pimlico. He held the post for six years, and a stable family life was at last possible. Olivier was devoted to his mother, but not to his father, whom he found a cold and remote parent. Nevertheless, he learned a great deal of the art of performing from him. As a young man Gerard Olivier had considered a stage career and was a dramatic and effective preacher. Olivier wrote that his father knew "when to drop the voice, when to bellow about the perils of hellfire, when to slip in a gag, when suddenly to wax sentimental ... The quick changes of mood and manner absorbed me, and I have never forgotten them." In 1916, after attending a series of preparatory schools, Olivier passed the singing examination for admission to the choir school of All Saints, Margaret Street, in central London. His elder brother was already a pupil, and Olivier gradually settled in, though he felt himself to be something of an outsider. The church's style of worship was (and remains) Anglo-Catholic, with emphasis on ritual, vestments and incense. The theatricality of the services appealed to Olivier, and the vicar encouraged the students to develop a taste for secular as well as religious drama. In a school production of Julius Caesar in 1917, the ten-year-old Olivier's performance as Brutus impressed an audience that included Lady Tree, the young Sybil Thorndike, and Ellen Terry, who wrote in her diary, "The small boy who played Brutus is already a great actor." He later won praise in other schoolboy productions, as Maria in Twelfth Night (1918) and Katherine in The Taming of the Shrew (1922). From All Saints, Olivier went on to St Edward's School, Oxford, from 1920 to 1924. He made little mark until his final year, when he played Puck in the school's production of A Midsummer Night's Dream; his performance was a tour de force that won him popularity among his fellow pupils. In January 1924, his brother left England to work in India as a rubber planter. Olivier missed him greatly and asked his father how soon he could follow. He recalled in his memoirs that his father replied, "Don't be such a fool, you're not going to India, you're going on the stage."

Did he have any siblings?

OUT: the youngest of the three children

IN: The Naga people (pronounced [na:ga:]) are an ethnic group conglomerating of several tribes native to the North Eastern part of India and north-western Myanmar (Burma). The tribes have similar cultures and traditions, and form the majority ethnic group in the Indian state of Nagaland, with significant population in Manipur, Arunachal Pradesh and in Assam. The Naga speak various distinct Tibeto-Burman languages, including Anal, Angami, Ao, Chakhesang, Chang, Lotha, Mao (Emela), Maram, Phom, Pochuri, Poumai (Poula), Phom, Rengma, Rongmei (Ruangmei), Sangtam, Sumi, Tangkhul, Thangal and Zeme. In addition, the Naga have developed Nagamese Creole, which they use between various indigenous communities and villages, which each have their own dialect of language.

The Naga hills have been an area of continued resistance as they had long been isolated from outside cultures. The development of a spirit of nationalism and sense of a common identity are relatively new concepts among the Naga people. According to their traditions, each village is an independent republic; initially, they wanted to be free from all outside domination. Modern education, together with Christian missions, contributed to the politicization of Naga ethnicity. In 1918, a group of educated Nagas formed Naga Club in 1918. The club wrote to the Simon Commission in 1929 demanding that "Nagas should not be included within the Reformed Scheme of India". On 14 August 1947, the day before India gained independence from British rule, the Nagas were the first ethnic group from the northeast to declare their territory an independent state, not belonging to the new nation. Angami Zapu Phizo led the initial movement with the Naga National Council (NNC). In the last days of the British Raj, he held talks trying to achieve a sovereign Naga nation. In June 1947, a 9-point agreement was signed which promised to bring the Naga tribes under a single political administrative unit and recognised the Nagas' right to self-determination after 10 years. Disputes arose over the interpretation of the agreement, and many in the NNC opposed it. Under Phizo, the NNC declared their independence from the British on 14 August 1947, a day before India. In May 1951, the NNC claimed that 99 per cent of the tribal people supported a referendum to secede from India, which was summarily rejected by the government in New Delhi. By 1952, the NNC, composed primarily of Nagaland Nagas, led a guerrilla movement. India responded by crushing it with their armed forces. Phizo escaped from the region through East Pakistan and went into exile to London. He continued to inspire the independence movement from there till his death in 1990.

So do they have their own country per say?

OUT:
India responded by crushing it with their armed forces.