IN: Elizabeth was born on 3 February 1821 in a house on Dicksons Street in Bristol, England, to Samuel Blackwell, a sugar refiner, and his wife Hannah (Lane) Blackwell. She had two older siblings, Anna and Marian, and would eventually have six younger siblings: Samuel (married Antoinette Brown), Henry (married Lucy Stone), Emily (third woman in the U.S. to get a medical degree), Sarah Ellen (a writer), John and George. Four maiden aunts, Barbara, Ann, Lucy and Mary, also lived with Blackwell during Blackwell's childhood.

The Blackwells' financial situation was unfortunate. Pressed by financial need, the sisters Anna, Marian and Elizabeth started a school, The Cincinnati English and French Academy for Young Ladies, which provided instruction in most, if not all, subjects and charged for tuition and room and board. The school was not terribly innovative in its education methods - it was merely a source of income for the Blackwell sisters. Blackwell's abolition work took a back seat during these years, most likely due to the academy. Blackwell converted to Episcopalianism, probably due to her sister Anna's influence, in December 1838, becoming an active member of St. Paul's Episcopal Church. However, William Henry Channing's arrival in 1839 to Cincinnati changed her mind. Channing, a charismatic Unitarian minister, introduced the ideas of transcendentalism to Blackwell, who started attending the Unitarian Church. A conservative backlash from the Cincinnati community ensued, and as a result, the academy lost many pupils and was abandoned in 1842. Blackwell began teaching private pupils. Channing's arrival renewed Blackwell's interests in education and reform. She worked at intellectual self-improvement: studying art, attending various lectures, writing short stories and attending various religious services in all denominations (Quaker, Millerite, Jewish). In the early 1840s, she began to articulate thoughts about women's rights in her diaries and letters and participated in the Harrison political campaign of 1840. In 1844, with the help of her sister Anna, Blackwell procured a teaching job that paid $400 per year in Henderson, Kentucky. Although she was pleased with her class, she found the accommodations and schoolhouse lacking. What disturbed her most was that this was her first real encounter with the realities of slavery. "Kind as the people were to me personally, the sense of justice was continually outraged; and at the end of the first term of engagement I resigned the situation." She returned to Cincinnati only half a year later, resolved to find a more stimulating way to spend her life.

Did she do well?

OUT: She worked at intellectual self-improvement: studying art, attending various lectures,

IN: Norman Percevel Rockwell (February 3, 1894 - November 8, 1978) was a 20th-century American author, painter and illustrator. His works have a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life he created for The Saturday Evening Post magazine over nearly five decades. Among the best-known of Rockwell's works are the Willie Gillis series, Rosie the Riveter, The Problem

Norman Rockwell was born on February 3, 1894, in New York City, to Jarvis Waring Rockwell and Anne Mary "Nancy" Rockwell, born Hill. His earliest American ancestor was John Rockwell (1588-1662), from Somerset, England, who immigrated to colonial North America, probably in 1635, aboard the ship Hopewell and became one of the first settlers of Windsor, Connecticut. He had one brother, Jarvis Waring Rockwell, Jr., older by a year and a half. Jarvis Waring, Sr., was the manager of the New York office of a Philadelphia textile firm, George Wood, Sons & Company, where he spent his entire career. Rockwell transferred from high school to the Chase Art School at the age of 14. He then went on to the National Academy of Design and finally to the Art Students League. There, he was taught by Thomas Fogarty, George Bridgman, and Frank Vincent DuMond; his early works were produced for St. Nicholas Magazine, the Boy Scouts of America (BSA) publication Boys' Life, and other youth publications. As a student, Rockwell was given small jobs of minor importance. His first major breakthrough came at age 18 with his first book illustration for Carl H. Claudy's Tell Me Why: Stories about Mother Nature. After that, Rockwell was hired as a staff artist for Boys' Life magazine. In this role, he received 50 dollars' compensation each month for one completed cover and a set of story illustrations. It is said to have been his first paying job as an artist. At 19, he became the art editor for Boys' Life, published by the Boy Scouts of America. He held the job for three years, during which he painted several covers, beginning with his first published magazine cover, Scout at Ship's Wheel, which appeared on the Boys' Life September edition.

For how long did he work for Boys' Life magazine?

OUT: three years,

IN: Clint Patrick Black was born in Long Branch, New Jersey, the youngest of four children born to G.A. and Ann Black, and lived in nearby Red Bank. The family moved back to Texas, where G.A. Black had been raised, before Clint was one year old. He was raised in Katy, Texas. Music was always present in the house.

In March 1992, Black sued his manager, Bill Ham, for breach of contract; Black sought $2 million in damages and requested that Ham return $4 million in royalties. Under the terms of their initial contract, Ham controlled all publishing royalties for any song that Black wrote or co-wrote for his first eight albums. Because Black wrote all of his own music, this amounted to a fee of 20 to 30 cents per album sold. Industry standards generally counseled songwriters to form their own publication companies, so they would be able to retain more of the royalties. Ham promptly countersued, blaming the initial lawsuit on poor advice Black received from his new personal assistant, his mother-in-law Jonni Hartman. His lawyer told the press that "Mr. Ham invested $1 million of his own money in Clint Black's career at a time when nobody else would do so. For that commitment, Mr. Black should show a little gratitude and honor his contracts". By mid-1992, Black's first two albums had sold a combined 5 million copies. The difficulties with Ham caused a delay in the release of Black's third album, The Hard Way, which was released on July 14. The album had been expected the year previously, and during the delay the country music scene changed. Both Alan Jackson and Travis Tritt achieved greater success, and Billy Ray Cyrus became a teen idol. The competition that Black faced was now much stiffer than with his earlier albums. According to Black, he and producer James Stroud spent more time putting this album together than either of those preceding and were "a lot more aggressive in the way we cut and mixed the album". Black was also more satisfied with the vocals on this album. Several of the songs on The Hard Way, including "Burn One Down", were initially reported to be Black's responses to his situation with Ham. Co writer Nicholas refuted the rumors, maintaining that most of those songs were written in the late 1980s. To promote the album, Black launched The Hard Way Tour on June 26, 1992. The tour ran for 11 months. Reviewers noticed that with this album Black presented a "new, sexier image", wearing tighter clothing and in many cases leaving behind his trademark hat. Black commented simply that he was bored wearing the hat all the time.

Did anything else significant happen in 1992 that I should know about?

OUT:
By mid-1992, Black's first two albums had sold a combined 5 million copies.