In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : This schema for the novel "Ulysses" was produced by its author, James Joyce, in 1921 to help his friend, Stuart Gilbert, understand the fundamental structure of the book. Gilbert published it in 1930 in his book, "James Joyce's "Ulysses": A Study". The original copy of the Gilbert schema is housed in the Harley K. Croessmann Collection of James Joyce at Southern Illinois University Carbondale. Context_2 : Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America, and is characterized by a very self-conscious break with traditional ways of writing, in both poetry and prose fiction. Modernists experimented with literary form and expression, adhering to Ezra Pound's maxim to "Make it new". This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. The horrors of the First World War saw the prevailing assumptions about society reassessed, and modernist writers were influenced by such thinkers as Sigmund Freud and Karl Marx, amongst others, who raised questions about the rationality of the human mind. Context_3 : Johan Axel Gustaf Torneman (28 October 1880 26 December 1925) was one of Sweden's earliest modernist painters. Born in Persberg, Varmland, in Sweden, he grew to work in several modernist styles, was one of the first Swedish expressionist artists, and became a part of the international avant-garde in art after embracing more abstract art styles in Germany and France that were evolving there during the early 1900s. He created his most famous paintings, "Night Cafe I" and "II", and "Trait", in France in 1905. These night cafe paintings, made from studies in the Place Pigalle, and in other nightclubs popular with artists such as "Cafe du Rat Mort" (Dead Rat Cafe), are seen as two of Swedish modernism's most important works, and are considered breakthrough work of Swedish modernism. Context_4 : Ulysses is a modernist novel by Irish writer James Joyce. It was first serialised in parts in the American journal "The Little Review" from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday. It is considered to be one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement". According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking." Context_5 : Stuart Gilbert (25 October 1883 5 January 1969) was an English literary scholar and translator. Among his translations into English are works by Alexis de Tocqueville, Edouard Dujardin, Andre Malraux, Antoine de Saint-Exupery, Georges Simenon, Jean Cocteau, Albert Camus, and Jean-Paul Sartre. He also assisted in the translation of James Joyce's "Ulysses" into French. Context_6 : The Glossolalia debate (Norwegian: "Tungetaledebatten" ) was a literary debate on modernist poetry in Norway in the 1950s. The debate started with Arnulf verland's nationwide touring with the speech "Tungetale fra Parnasset" (English: Glossolalia from the Parnassus ) in 1953, characterizing modernist literature as babble and nonsense. His talk was published in "Arbeiderbladet" in 1954, and resulted in a fierce debate. Among the defenders of modernist poetry were Odd Solumsmoen, Olav Dalgard and Paal Brekke, while poet and literary critic Andre Bjerke joined verland's criticism. Context_7 : Matthew Ward (1950/1951 June 23, 1990) was an American English/French translator noted for his 1989 rendition of Albert Camus' "The Stranger". He made several important alterations from the more British-toned translation (and previously only English edition) by Stuart Gilbert. Most notably he altered the quite well known opening line "Mother died today" to "Maman died today". Ward defended the alteration by noting that the more juvenile "Maman" reflects the "curious feeling he (Meursault) has for her". Other examples of Ward altering Gilbert's version include the line, "Il etait avec son chien" from, "As usual, he had his dog with him" to "He was with his dog". Once again Ward felt this better reflected Meursault's character. Indeed, later in the novel Meursault notes Salamano's dog is worth no more or less than his wife. Context_8 : Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America. Modernism is characterized by a self-conscious break with traditional styles of poetry and verse. Modernists experimented with literary form and expression, adhering to Ezra Pound's maxim to "Make it new". The modernist literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. Context_9 : Emil Isac (] ; May 27, 1886 March 25, 1954) was an Austro-Hungarian-born Romanian poet, dramatist, short story writer and critic. Noted as one of the pioneers of Symbolism and modernist literature in his native region of Transylvania, he was in tandem one of the leading young voices of the Symbolist movement in the neighboring Kingdom of Romania. Moving from prose poems with cosmopolitan traits, fusing Neo-romantic subjects with modernist free verse, he later created a lyrical discourse in the line of Social Realism. Isac was likewise known for criticizing traditionalist and nationalist trends in local literature, but, by the end of World War I, opened his own poetry to various traditionalist influences. Context_10 : Carl Stumpf (] ; 21 April 1848 25 December 1936) was a German philosopher and psychologist. He studied with Franz Brentano at the University of Wurzburg before receiving his doctorate at the University of Gottingen in 1868. He also tutored the modernist literature writer Robert Musil at the University of Berlin, and worked with Hermann Lotze, who is famous for his work in perception, at Gottingen. Stumpf is known for his work on the "psychology of tones". He had an important influence on his students Wolfgang Kohler and Kurt Koffka who were instrumental in the founding of "Gestalt" psychology as well as Kurt Lewin, who was also a part of the Gestalt group and was key in the establishment of experimental social psychology in America. Stumpf is considered one of the pioneers of comparative musicology and ethnomusicology, as documented in his study of the origins of human musical cognition "The Origins of Music" (1911). He held positions in the philosophy departments at the Universities of Gottingen, Wurzburg, Prague, Munich and Halle, before obtaining a professorship at the University of Berlin. fact_1 : Stuart Gilbert (25 October 1883 5 January 1969) was an English literary scholar and translator. fact_2 : He also assisted in the translation of James Joyce's "Ulysses" into French. fact_3 : Ulysses is a modernist novel by Irish writer James Joyce. fact_4 : It is considered to be one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement". Answer: Ulysses
A:
What is considered to be one of the most important works of modernist literature and was translated by Stuart Gilbert?