In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution is here: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this: Context_1 : The Musical Quarterly is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930-1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977-84), Eric Salzman who served as editor from 1984 to 1991 and several others. Context_2 : The Story of a Great Schoolmaster is a 1924 biography of Frederick William Sanderson (1857-1922) by H. G. Wells. It is the only biography Wells wrote. Sanderson was a personal friend, having met Wells in 1914 when his sons George Philip ('Gip'), born in 1901, and Frank Richard, born in 1903, became pupils at Oundle School, of which Sanderson was headmaster from 1892 to 1922. After Sanderson died while giving a lecture at University College London at which he was introduced by Wells, the famous author agreed to help produce a biography to raise money for the school. But in December 1922, after disagreements emerged with Sanderson's widow about his approach to the subject, Wells withdrew from the official biography (published in 1923 as "Sanderson of Oundle"; Wells wrote much of the text but the volume was published without listing an author) and published his own work separately. Context_3 : Antoine de Bertrand (also Anthoine) (1530/1540 probably 1581) was a French composer of the Renaissance. Early in his life he was a prolific composer of secular chansons, and late in his life he wrote hymns and canticles, under the influence of the Jesuits. He was murdered by Protestants during the French Wars of Religion. Context_4 : The Maid of Orleans (Russian: , "Orleanskaja deva") is an opera in 4 acts, 6 scenes, by Pyotr Ilyich Tchaikovsky. It was composed during 18781879 to a Russian libretto by the composer, based on several sources: Friedrich Schiller's "The Maid of Orleans" as translated by Vasily Zhukovsky; Jules Barbier's "Jeanne d'Arc" ("Joan of Arc"); Auguste Mermet's libretto for his own opera; and Henri Wallon's biography of Joan of Arc. Dedicated to conductor Eduard Napravnik, this work represents the composer's closest approach to French grand opera, albeit in the Russian language, notably with its inclusion of a ballet in Act 2. Context_5 : Pierre Louis Joseph Boulez CBE (] ; 26 March 1925 5 January 2016) was a French composer, conductor, writer and organiser of institutions. He was one of the dominant figures of the post-war classical music world. Context_6 : Connotations is a classical music composition for symphony orchestra written by American composer Aaron Copland. Commissioned by Leonard Bernstein in 1962 to commemorate the opening of Philharmonic Hall (now David Geffen Hall at Lincoln Center for the Performing Arts) in New York City, United States, this piece marks a departure from Copland's populist period, which began with "El Salon Mexico" in 1936 and includes the works he is most famous for such as "Appalachian Spring", "Lincoln Portrait" and "Rodeo". It represents a return to a more dissonant style of composition in which Copland wrote from the end of his studies with French pedagogue Nadia Boulanger and return from Europe in 1924 until the Great Depression. It was also Copland's first dodecaphonic work for orchestra, a style he had disparaged until he heard the music of French composer Pierre Boulez and adapted the method for himself in his "Piano Quartet" of 1950. While the composer had produced other orchestral works contemporary to "Connotations", it was his first purely symphonic work since his Third Symphony, written in 1947. Context_7 : Douglas John "Doug" McIntyre (born November 11, 1957) is the host of "McIntyre In The Morning" on KABC 790 Los Angeles and is a page one columnist for the "Los Angeles Daily News". Known for his active involvement in local politics and his passion for jazz and the "Great American Songbook", McIntyre's background includes work as television writer-producer with credits including "Married... with Children", "WKRP in Cincinnati", "Full House", "Mike Hammer", and the critically acclaimed PBS series, "Liberty's Kids", which earned McIntyre a Humanitas Prize nomination. With his wife, actress Penny Peyser, McIntyre wrote, produced, and directed the feature-length documentary film, "Trying to Get Good: The Jazz Odyssey of Jack Sheldon", released in 2008. Doug is executive producer of Penny Peyser's 2016 feature documentary, "Stillpoint. Context_8 : Joan Peyser (June 12, 1930 April 24, 2011) was an American musicologist and writer, particularly known for her writing on 20th-century music and for her biographies of George Gershwin, Pierre Boulez and Leonard Bernstein. Her biography of Bernstein was, according to Leon Botstein, the first attempt at a critical account of his life and work. Context_9 : Etienne-Joseph Floquet (23 November 174810 May 1785) was a French composer, mainly of operas. He was born in Aix-en-Provence and began his career by writing church music, before moving to Paris in 1767. There, Floquet made a name for himself with the requiem he wrote for the funeral of the composer Jean-Joseph de Mondonville in 1772. Floquet's first work for the Paris Opera, the "ballet heroique" "L'union de l'amour et les arts," was a triumph, enjoying 60 performances between its premiere in September 1773 and January 1774. The audience at the premiere was so enthusiastic that the performance had to be stopped several times because of the applause and, at the final curtain, Floquet was presented on stage, the first composer in the history of the Paris Opera to enjoy such an honour. However, the arrival of the German composer Christoph Willibald Gluck in Paris later that year changed French musical taste and Floquet's style became unfashionable. After the failure of his next opera, "Azolan", Floquet decided to travel to Italy to perfect his musical education. There he studied composition under Nicola Sala in Naples and counterpoint under Padre Martini in Bologna, where he turned momentarily back to church music composing a "Te deum". Context_10 : Frenchman's Creek is a 1944 film adaptation of the Daphne du Maurier novel of the same name, about an aristocratic English woman who falls in love with a French pirate. The film was released by Paramount Pictures and starred Joan Fontaine, Arturo de Cordova, Basil Rathbone, Cecil Kellaway, and Nigel Bruce. Filmed in Technicolor, it was directed by Mitchell Leisen. The musical score was by Victor Young, who incorporated the main theme of French composer Claude Debussy's "Clair de Lune" as the love theme for the film. fact_1 : Joan Peyser (June 12, 1930 April 24, 2011) was an American musicologist and writer, particularly known for her writing on 20th-century music and for her biographies of George Gershwin, Pierre Boulez and Leonard Bernstein. fact_2 : Pierre Louis Joseph Boulez CBE (] ; 26 March 1925 5 January 2016) was a French composer, conductor, writer and organiser of institutions. Question: Joan Peyser wrote a biography of a French composer who was born in what year?
Solution:
1925