Voting results have been a consistent source of controversy. The mechanism of voting had also aroused considerable criticisms, most notably in season two when Ruben Studdard beat Clay Aiken in a close vote, and in season eight, when the massive increase in text votes (100 million more text votes than season 7) fueled the texting controversy. Concerns about power voting have been expressed from the very first season. Since 2004, votes also have been affected to a limited degree by online communities such as DialIdol, Vote for the Worst (closed in 2013), and Vote for the Girls (started 2010).
How many more text votes were there in season eight of American Idol over season seven?
100 million

For five consecutive seasons, starting in season seven, the title was given to a white male who plays the guitar a trend that Idol pundits call the "White guy with guitar" or "WGWG" factor. Just hours before the season eleven finale, where Phillip Phillips was named the winner, Richard Rushfield, author of the book American Idol: The Untold Story, said, "You have this alliance between young girls and grandmas and they see it, not necessarily as a contest to create a pop star competing on the contemporary radio, but as .... who's the nicest guy in a popularity contest," he says, "And that has led to this dynasty of four, and possibly now five, consecutive, affable, very nice, good-looking white boys."
What is the WGWG factor?
White guy with guitar

In the 1960s, American and British blues and rock bands began to modify rock and roll by adding harder sounds, heavier guitar riffs, bombastic drumming, and louder vocals, from electric blues. Early forms of hard rock can be heard in the work of Chicago blues musicians Elmore James, Muddy Waters, and Howlin' Wolf, The Kingsmen's version of "Louie Louie" (1963) which made it a garage rock standard, and the songs of rhythm and blues influenced British Invasion acts, including "You Really Got Me" by The Kinks (1964), "My Generation" by The Who (1965), "Shapes of Things" (1966) by The Yardbirds and "(I Can't Get No) Satisfaction" (1965) by The Rolling Stones. From the late 1960s, it became common to divide mainstream rock music that emerged from psychedelia into soft and hard rock. Soft rock was often derived from folk rock, using acoustic instruments and putting more emphasis on melody and harmonies. In contrast, hard rock was most often derived from blues rock and was played louder and with more intensity.
What garage rock classic was recorded by The Kingsmen?
"Louie Louie"