Problem: Tamia Marilyn Hill (nee Washington) was born and raised in Windsor, Ontario with her mother Barbara, and three younger brothers Tiras, Tajhee, and Trajan. Aside from the music she heard and sang at church, Tamia was exposed to diverse music from an early age by her mother. Singing was always her passion. As early as age six, she was on stage singing at the local church, and by age 12, had already been involved in several musicals which helped hone her musical skills.

In early-to-mid 1995, Tamia began recording her eponymous debut album, with production from the likes of Mario Winans, Jermaine Dupri, Tim & Bob, as well as additional help from Quincy Jones. The album's first single, "You Put a Move on My Heart", a cover of the 1993 song by British singer Mica Paris, was released on December 2, 1995, which was produced by Quincy Jones, off of his Q's Jook Joint album, charted at number 98 on the Billboard Hot 100, and became Tamia's first Top 40 hit on the R&B charts, peaking at #12. Another single, "Slow Jams" which was co-written by American singer-songwriter Kenneth "Babyface" Edmonds, features Barry White, and Babyface himself. The single also appeared on Q's Jook Joint, and appeared at #68 on the Billboard Hot 100 and at #19 on the R&B charts, becoming her second Top 40 R&B hit. In the second quarter of 1996, Tamia collaborated with American singers Gladys Knight, Brandy, and Chaka Khan for the single, "Missing You", which was featured in the 1996 blockbuster film, Set It Off, and released in August of that year, the single peaked at #10 on the Hot R&B/Hip-Hop Songs, and at #25 on the Billboard Hot 100, becoming her first Top 40 single and third Top 40 R&B hit overall. By late 1996, Tamia had received three Grammy Award nominations. Tamia's debut self-titled album, Tamia, was released in Canada on April 14, 1998, three weeks later it was released in the United Kingdom on May 11, and in North America the following day. To date, the album sold more than 420,000 copies in the United States and was certified gold. In June 1997, Tamia made her film debut as Sheri Silver in the action-thriller Speed 2: Cruise Control. Playing the cruise liner's musical entertainer, she performed the Diane Warren-penned single "Make Tonight Beautiful", which was released as part of the film's soundtrack. She has also appeared in other TV sitcoms, including Rock Me Baby and an episode of Kenan and Kel.

What happened in 1999?

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Problem: Jarmusch was born January 22, 1953, in Cuyahoga Falls, Ohio, the middle of three children of middle-class suburbanites. His mother, of German and Irish descent, had been a reviewer of film and theatre for the Akron Beacon Journal before marrying his father, a businessman of Czech and German descent who worked for the B.F. Goodrich Company. She introduced Jarmusch to the world of cinema by leaving him at a local cinema to watch matinee double features such as Attack of the Crab Monsters and Creature From the Black Lagoon while she ran errands. The first adult film he recalls seeing was the 1958 cult classic Thunder Road, the violence and darkness of which left an impression on the seven-year-old Jarmusch.

In 1986, Jarmusch wrote and directed Down by Law, starring musicians John Lurie and Tom Waits, and Italian comic actor Roberto Benigni (his introduction to American audiences) as three convicts who escape from a New Orleans jailhouse. Shot like the director's previous efforts in black and white, this constructivist neo-noir was Jarmusch's first collaboration with Dutch cinematographer Robby Muller, who had been known for his work with Wenders. His next two films each experimented with parallel narratives: Mystery Train (1989) told three successive stories set on the same night in and around a small Memphis hotel, and Night on Earth (1991) involved five cab drivers and their passengers on rides in five different world cities, beginning at sundown in Los Angeles and ending at sunrise in Helsinki. Less bleak and somber than Jarmusch's earlier work, Mystery Train nevertheless retained the director's askance conception of America. He wrote Night on Earth in about a week, out of frustration at the collapse of the production of another film he had written and the desire to visit and collaborate with friends such as Benigni, Gena Rowlands, Winona Ryder and Isaach de Bankole. As a result of his early work, Jarmusch became an influential representative of the trend of the American road movie. Not intended to appeal to mainstream filmgoers, these early Jarmusch films were embraced by art house audiences, gaining a small but dedicated American following and cult status in Europe and Japan. Each of the four films had its premiere at the New York Film Festival, while Mystery Train was in competition at the 1989 Cannes Film Festival. Jarmusch's distinctive aesthetic and auteur status fomented a critical backlash at the close of this early period, however; though reviewers praised the charm and adroitness of Mystery Train and Night On Earth, the director was increasingly charged with repetitiveness and risk-aversion. A film appearance in 1989 as a used car dealer in the cult comedy Leningrad Cowboys Go America further solidified his interest and participation in the road movie genre. In 1991 Jarmusch appeared as himself in Episode One of John Lurie's cult television series Fishing With John.

Did Down by Law win any awards?

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Problem: Townsend was born in Leicester, the oldest of five sisters. Her father had worked at a factory making jet engines before becoming a postman, while her mother worked in a factory canteen. She attended Glen Hills Primary School, where the school secretary was Mrs Claricotes, a name she used for the school secretary in the Adrian Mole books. At the age of eight, Townsend contracted mumps, and was obliged to stay at home.

Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers. She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children. Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker. While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences.

Did she work after she married Colin Broadway?

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Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences.