input: Yao met Chinese female basketball player Ye Li when he was 17 years old. Ye was not fond of Yao at first, but finally accepted him after he gave her the team pins he had collected during the 2000 Summer Olympics. She is the only woman he has ever dated. Their relationship became public when they appeared together during the 2004 Olympics closing ceremony. On August 6, 2007, Yao and Ye married in a ceremony attended by close friends and family and closed to the media. On May 21, 2010, the couple's daughter Yao Qinlei (whose English name is Amy) was born in Houston, Texas. In 2004, Yao co-wrote an autobiography with ESPN sportswriter Ric Bucher, entitled Yao: A Life in Two Worlds. In the same year, he was also the subject of a documentary film, The Year of the Yao, which focuses on his NBA rookie year. The film is narrated by his friend and former interpreter, Colin Pine, who stayed with Yao during Yao's rookie year, and interpreted for him for three years. In 2005, former Newsweek writer Brook Larmer published a book entitled Operation Yao Ming, in which he said that Yao's parents were convinced to marry each other so that they would produce a dominant athlete, and that during Yao's childhood, he was given special treatment to help him become a great basketball player. In a 2015 post on the website Reddit.com, Ming stated that this was not true and that he started playing basketball for fun at age 9. In 2009, Yao provided the voice for a character of a Chinese animated film The Magic Aster, released on June 19. Yao enrolled at the Antai College of Economics & Management of Shanghai Jiao Tong University in 2011. He is taking a tailored degree program with mostly one-on-one lectures to avoid being a distraction on campus.

Answer this question "Did he graduate?"
output:

input: Throughout his practice, Baker became well known for designing and building low cost, high quality, beautiful homes, with a great portion of his work suited to or built for lower-middle to lower class clients. His buildings tend to emphasise prolific - at times virtuosic - masonry construction, instilling privacy and evoking history with brick jali walls, a perforated brick screen which invites a natural air flow to cool the buildings' interior, in addition to creating intricate patterns of light and shadow. Another significant Baker feature is irregular, pyramid-like structures on roofs, with one side left open and tilting into the wind. Baker's designs invariably have traditional Indian sloping roofs and terracotta Mangalore tile shingling with gables and vents allowing rising hot air to escape. Curved walls enter Baker's architectural vocabulary as a means to enclose more volume at lower material cost than straight walls, and for Laurie, "building [became] more fun with the circle." A testament to his frugality, Baker was often seen rummaging through salvage heaps looking for suitable building materials, door and window frames, sometimes hitting a stroke of luck as evidenced by the intricately carved entry to the Chitralekha Film Studio (Aakulam, Trivandrum, 1974-76): a capricious architectural element found in a junk heap. Baker made many simple suggestions for cost reduction including the use of Rat trap bond for brick walls, having bends in walls that increased the strength and provided readymade shelves, thin concrete roofs and even simple precautions like shifting dug up soil into the built area rather that out of it. He advocated the use of low energy consuming mud walls, using holes in the wall to get light, using overlaid brick over doorways, incorporating places to sit into the structure, simpler windows and a variety of roof construction approaches. He liked bare brick surfaces and considered plastering and other embellishments as superfluous. Baker's architectural method is one of improvisation, in which initial drawings have only an idealistic link to the final construction, with most of the accommodations and design choices being made on-site by the architect himself. Compartments for milk bottles near the doorstep, windowsills that double as bench surfaces, and a heavy emphasis on taking cues from the natural condition of the site are just some examples. His Quaker-instilled respect for nature lead him to let the idiosyncrasies of a site inform his architectural improvisations, rarely is a topography line marred or a tree uprooted. This saves construction cost as well, since working around difficult site conditions is much more cost-effective than clear-cutting. ("I think it's a waste of money to level a well-moulded site") Resistant to "high-technology" that addresses building environment issues by ignoring natural environment, at the Centre for Development Studies (Trivandrum, 1971) Baker created a cooling system by placing a high, latticed, brick wall near a pond that uses air pressure differences to draw cool air through the building. Various features of his work such as using recycled material, natural environment control and frugality of design may be seen as sustainable architecture or green building with its emphasis on sustainability. His responsiveness to never-identical site conditions quite obviously allowed for the variegation that permeates his work.

Answer this question "what else did he do to lower costs"
output: He advocated the use of low energy consuming mud walls, using holes in the wall to get light,

input: A major compositional success came with her Mass in E-flat major, which was performed in 1892 by the Handel and Haydn Society orchestra, which since its foundation in 1815 had never performed a piece composed by a woman. Newspaper music critics responded to the Mass by declaring Beach one of America's foremost composers, comparing the piece to Masses by Cherubini and Bach. Beach followed this up with an important milestone in music history: her Gaelic Symphony, the first symphony composed and published by an American woman. It premiered October 30, 1896, performed by the Boston Symphony "with exceptional success," although "whatever the merits or defects of the symphony were thought to be, critics went to extraordinary lengths in their attempts to relate them to the composer's sex." Composer George Whitefield Chadwick (1854-1931) wrote to Beach that he and his colleague Horatio Parker (1863-1919) had attended the Gaelic Symphony's premiere and much enjoyed it: "I always feel a thrill of pride myself whenever I hear a fine work by any of us, and as such you will have to be counted in, whether you [like it] or not - one of the boys." These "boys" were a group of composers unofficially known as the Second New England School, and included not only Chadwick and Parker but also John Knowles Paine (1839-1926), Arthur Foote (1853-1937), and Edward MacDowell (1860-1908). With the addition of Beach, they collectively became known as the Boston Six, of whom Beach was the youngest. In 1900, the Boston Symphony premiered Beach's Piano Concerto, with the composer as soloist. It has been suggested that the piece suggests Beach's struggles against her mother and husband for control of her musical life.

Answer this question "Did she have other well received pieces?"
output:
Beach followed this up with an important milestone in music history: her Gaelic Symphony,