Answer the question at the end by quoting:

George Wright (January 28, 1847 - August 21, 1937) was an American baseball player. He played shortstop for the original Cincinnati Red Stockings, the first fully professional team, when he was the game's best player. In 1868, Wright won the Clipper Medal for being the best shortstop in baseball. He was elected to the Baseball Hall of Fame in 1937.
At some times during the war, both Wright brothers played for the venerable Gothams, the second eldest baseball team after the Knickerbockers. According to Ivor-Campbell (1996), George moved from the Gotham juniors to the senior team when he was fifteen. At seventeen in 1864 he was the regular catcher. Baseball's recovery from the American Civil War was far advanced in greater New York City (always untouched by the military conflict), as the leading clubs played more than twenty National Association of Base Ball Players (NABBP) matches, the Gothams eleven. George played eight and led the team both in runs, scoring 2.4 times per game, and "hands lost", put out only 2.4 times per game, average being three per player in a 9-inning game. In seven matches infielder Harry was fourth in scoring at 2.0 and second behind George in hands lost at 2.6 (Wright 2000: 91). For the 1865 season George was hired by the Philadelphia Cricket Club; that summer he played in five matches for the Olympic Ball Club of that city. The Olympic club was the devoted to games in the base ball genus, established in 1833. At the December annual meeting, the first in peacetime, NAABP membership tripled, including isolated clubs from as far as Fort Leavenworth, Kansas and Chattanooga, Tennessee. Wright returned to the Gothams for base ball; he was nineteen and nearing his athletic peak. At the same time, Harry Wright moved to Cincinnati for a job at the Union Cricket Club. Early in the summer of 1866, Wright moved from catcher for Gotham, which played eight NABBP matches that year, to shortstop for Union, which played 28, the leading number. The Union of Morrisania, now in the New York borough of the Bronx, were another charter member of the first Association, but one that moved toward professionalism in the postwar years, as the Gothams did not. In 1867, he joined the Nationals of Washington, D.C., eldest club in that city, whose approach to professionalism was arranging government jobs, mainly with the Treasury. He played second base, shortstop, and pitcher in 29 of the 30 matches fully on record and in those matches led the team both in scoring and hands lost. Next year he returned to the Unions for the association's last officially all-amateur season and moved permanently to the shortstop position.

where did he get his start?

), George moved from the Gotham juniors to the senior team when he was fifteen. At seventeen in 1864 he was the regular catcher.

Answer the question at the end by quoting:

Hopkins was born at 512 Tenth Street in Sioux City, Iowa, the fourth child of four sons and one daughter of David Aldona and Anna (nee Pickett) Hopkins. His father, born in Bangor, Maine, ran a harness shop (after an erratic career as a salesman, prospector, storekeeper and bowling-alley operator), but his real passion was bowling, and he eventually returned to it as a business. Anna Hopkins, born in Hamilton, Ontario, had moved at an early age to Vermillion, South Dakota, where she married David. She was deeply religious and active in the affairs of the Methodist church.
In 1915, New York City Mayor John Purroy Mitchel appointed Hopkins executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children. Hopkins at first opposed America's entrance into World War I, but, when war was declared in 1917, he supported it enthusiastically. He was rejected for the draft because of a bad eye. Hopkins moved to New Orleans where he worked for the American Red Cross as director of Civilian Relief, Gulf Division. Eventually, the Gulf Division of the Red Cross merged with the Southwestern Division and Hopkins, headquartered now in Atlanta, was appointed general manager in 1921. Hopkins helped draft a charter for the American Association of Social Workers (AASW) and was elected its president in 1923. In 1922, Hopkins returned to New York City, where the AICP was involved with the Milbank Memorial Fund and the State Charities Aid Association in running three health demonstrations in New York State. Hopkins became manager of the Bellevue-Yorkville health project and assistant director of the AICP. In mid-1924 he became executive director of the New York Tuberculosis Association. During his tenure, the agency grew enormously and absorbed the New York Heart Association. In 1931, New York Governor Franklin D. Roosevelt named R. H. Macy's department store president Jesse Straus as president of the Temporary Emergency Relief Administration (TERA). Straus named Hopkins, then unknown to Roosevelt, as TERA's executive director. His efficient administration of the initial $20 million outlay to the agency gained Roosevelt's attention, and in 1932, he promoted Hopkins to the presidency of the agency. Hopkins and Eleanor Roosevelt began a long friendship, which strengthened his role in relief programs.

What was his social work

executive secretary of the Bureau of Child Welfare which administered pensions to mothers with dependent children.

Answer the question at the end by quoting:

Color Me Badd is an American contemporary R&B group that was formed in Oklahoma City, Oklahoma. The original members of the group were lead singer Bryan Abrams (born November 16, 1969), second tenor Mark Calderon (born September 27, 1970), second tenor Sam Watters (born July 23, 1970) and baritone Kevin Thornton (born June 17, 1969). They formed in 1985 and broke up in 1998 before reuniting in 2010, with various lineups since. As of 2016, they operate as a trio with Abrams, Calderon and Adam Emil.
Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops. The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members. They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990.

Who managed the band?
Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal.