Input: Article: When a second round of elections were finally held in 1993, again with the help of the international community coordinated by GIBAFOR, Ange-Felix Patasse won in the second round of voting with 53% of the vote while Goumba won 45.6%. Patasse's party, the Mouvement pour la Liberation du Peuple Centrafricain (MLPC) or Movement for the Liberation of the Central African People, gained a simple but not an absolute majority of seats in parliament, which meant Patasse's party required coalition partners.[citation needed]

Now answer this question: What was the winning party?

Output: Mouvement pour la Liberation du Peuple Centrafricain

Input: Article: Stars, planets, and moons keep their atmospheres by gravitational attraction, and as such, atmospheres have no clearly delineated boundary: the density of atmospheric gas simply decreases with distance from the object. The Earth's atmospheric pressure drops to about 6998320000000000000♠️3.2102 Pa at 100 kilometres (62 mi) of altitude, the Karman line, which is a common definition of the boundary with outer space. Beyond this line, isotropic gas pressure rapidly becomes insignificant when compared to radiation pressure from the Sun and the dynamic pressure of the solar winds, so the definition of pressure becomes difficult to interpret. The thermosphere in this range has large gradients of pressure, temperature and composition, and varies greatly due to space weather. Astrophysicists prefer to use number density to describe these environments, in units of particles per cubic centimetre.

Now answer this question: What do Astrophysicists use to describe outer space beyond the karman line?

Output: number density

Input: Article: At the Salon d'Automne of the same year, in addition to the Independants group of Salle 41, were exhibited works by Andre Lhote, Marcel Duchamp, Jacques Villon, Roger de La Fresnaye, Andre Dunoyer de Segonzac and Frantisek Kupka. The exhibition was reviewed in the October 8, 1911 issue of The New York Times. This article was published a year after Gelett Burgess' The Wild Men of Paris, and two years prior to the Armory Show, which introduced astonished Americans, accustomed to realistic art, to the experimental styles of the European avant garde, including Fauvism, Cubism, and Futurism. The 1911 New York Times article portrayed works by Picasso, Matisse, Derain, Metzinger and others dated before 1909; not exhibited at the 1911 Salon. The article was titled The "Cubists" Dominate Paris' Fall Salon and subtitled Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition - What Its Followers Attempt to Do.

Now answer this question: In what year did the New York Times review the Salon d'Automne?

Output:
October 8, 1911