Question:
Fred McFeely Rogers (March 20, 1928 - February 27, 2003) was an American television personality, musician, puppeteer, writer, producer, and Presbyterian minister. Rogers was famous for creating, hosting and composing the theme music for the educational preschool television series Mister Rogers' Neighborhood (1968-2001), which featured his kind-hearted grandfatherly personality, and direct connection to his audiences. Originally trained and ordained as a minister, Rogers was displeased with the way television addressed children at the time, and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. Rogers developed his own show on WQED in 1968, and it was distributed nationwide by Eastern Educational Television Network.
During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated. When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote: Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important.
Answer this question using a quote from the text above:

When was the court case?

Answer:
When the case reached the Supreme Court in 1983,

input: On January 1, 1991, the band held their first concert in Nippon Budokan and their first tour from March through April, before releasing any music. On September 9, 1991, they released their first single, "Can't Stop -Loving-" from Victor Entertainment, which peaked at #2 on the charts. Subsequent singles, "Seigi no Mikata wa Ate ni Naranai", "Kokoro no Kagami", "Makeru na Baby" peaked in the top 10. The band asked the fans to write the lyrics for "Kokoro no Kagami", and the one submitted by a fourteen-year-old girl was chosen. The song was later used in a Panasonic television commercial. They were invited to perform the song at Kohaku Uta Gassen, an annual music show, on December 31, 1991. At the same time of their debut, the Japanese music industry experienced what is frequently referred to as an "Idol Ice Age", where many of the popular music shows that aired weekly since the 1980s ended, and singers and bands lost a place to perform, resulting in scarce opportunities for TV exposure. Therefore, the agency decided to market the band through variety programs, where members participated in sketch comedies and game shows along with other television personalities. This non-mainstream marketing approach turned out to be a success, as the members' humorous and playful spirits on these shows propelled them to gain new fans, despite not having many musical performances on television since their debut. In 1991, the band's first self-titled television show, SMAP no Gakuen Kids, got renewed and changed to, I Love SMAP, which aired until 1996. From October 7, 1991, Inagaki launched his radio program, Stop The SMAP, still airing as of 2016. From April 1992 to September 1995, the group appeared regularly on a weekly variety program, Yume ga Mori Mori. Due to the fact that this was the first time in Japanese history, that a band participated in a sketch comedy, this rare act attracted wide attention. On January 1, 1992, they released their first album, SMAP 001, which peaked at #14 and released another album, SMAP 002, in the same year and peaked at #6. Their singles, "Egao no Genki", "Yuki ga Futtekita", "Zutto Wasurenai", "Hajimete no Natsu", "Kimi wa Kimi dayo", "$10", and "Kimi iro Omoi", released from 1992 through 1994, all peaked at the top 10. They headlined three tours in 1992, from January to August. In 1993, they released their third and fourth album, SMAP 003 and SMAP 004, which peaked at #11 and #3 respectively. In 1992, Inagaki starred in a drama television series, Hatachi no Yakusoku, as the main role. In 1993, Kimura starred in a drama television series, Asunaro Hakusho, which became a massive hit, with an average household share rating of 27% and 31.9% for the season finale. Kimura's popularity soared and from then on, members of the band started their acting careers individually.

Answer this question "Who were the members?"
output: Inagaki

Answer the question at the end by quoting:

The Kooks are an English pop rock band formed in 2004 in Brighton. The band currently consists of Luke Pritchard (vocals/rhythm guitar), Hugh Harris (lead guitar/synth), Alexis Nunez (drums), and Peter Denton (bass guitar). The original bassist was Max Rafferty, and the founding drummer was Paul Garred. The lineup of the band remained constant until the departure of Rafferty in 2008.
The Kooks have mentioned drawing on a number of varied sources to create their sound, listing the Rolling Stones, the Beatles, Bob Dylan and Chris de Burgh among influences on songwriting style and musical presentation over the course of their four albums. The band's debut album Inside In/Inside Out was touted as a typical Britpop record, and was influenced by the Libertines, Thin Lizzy, the Police and containing elements of the 60s British pop movement. Pritchard's lyrical style was compared to that of a "younger, less pathetic version of Pete Doherty's mush-mouth style". The band themselves felt the album was not consistent in its direction. "The first record was definitely genre-hopping. [...] The first album was finding its feet, it was gadabout", said Harris in an interview for The Sunday Business Post. On the follow-up Konk, the band attempted to find a more mature and polished sound. Drawing on a much wider choice of material for the album (about 80 to 90 new songs had been accumulated within the band's repertoire by this stage), the band began to incorporate more a hard-edged rock focus into their music. Critics drew comparisons to the work of The Kinks throughout the album, it being recorded at the studio owned by Ray Davies. Also noted were the band's growing similarities in musical direction to The Fratellis and the Arctic Monkeys. "I think we've made a dynamic album", Pritchard said. "Every song has its own character. It's a good pop album." The most recent album, Listen, includes much more percussion and cross rhythms than previous material. Pritchard described the band's most recent album Listen as "percussion sonnets". "The first couple albums I made I never really thought about rhythms, I focused on the recording and the lyrics", Pritchard said.

where did they get their greatest influence from
sound, listing the Rolling Stones, the Beatles, Bob Dylan and Chris de Burgh among influences