Problem: The following article contains an answer for the question: What is the first name of the person to whom the chance to record a Bond them appealed because she felt that "you know it's going down in movie history"? , can you please find it? By the first week of January 1999, Arnold completed the song's outline and made a synthesizer-arranged demo recording in his recording studio. He played the demo for Wilson, Broccoli and Apted, who were "extremely pleased" with the results. Arnold's agent then presented the demo to MGM executives in Los Angeles, who initially disliked it because it was a ballad and they expected a more uptempo song. MGM asked Arnold to rewrite a three-note sequence considered too similar to a motif in earlier Bond themes.That month Arnold offered the theme to Garbage lead singer Shirley Manson, who was very enthusiastic; Arnold said he "never heard someone screaming down the phone". A week later he sent the band the rough demo, which they approved. Manson requested a small change in the lyrics, disliking the line "I know when to kiss and I know when to kill", so Arnold and Black changed "I" to "we" for the final version.Garbage drummer and co-producer Butch Vig said that when the group contributed to film soundtracks, "one of our fantasies would be to do the Bond theme or do the new Bond song." Manson called herself a fan of the series, "an institution I admire and has always captured my imagination since I was a child", and the films had a "sensibility quite similar to how we approach making music". The chance to record a Bond theme appealed to her because "you know it's going down in movie history", and coming from Scotland, like original Bond Sean Connery, "that's very close and inherent in our culture. It's not Bond if it's not Scottish!" The singer considered Garbage's music and the series' concepts "something that you can enjoy on the surface, but underneath there are lots of conflicting themes you can get into."At the beginning of August Garbage's involvement was confirmed in a press release from MGM and Radioactive Records, Shirley Manson's record label, which would release the soundtrack and the single. Although Music Week reported that Jamiroquai, Robbie Williams, Sharleen Spiteri, Bjork and Melanie C were rejected...

A: Shirley
Problem: Given the question: The following article contains an answer for the question: What song has an aggressive finale? , can you please find it? "The Thing That Should Not Be" was inspired by the Cthulhu Mythos created by famed horror writer H.P. Lovecraft, with notable direct references to The Shadow Over Innsmouth and to Cthulhu himself, who is the subject matter of the song's chorus. It is considered the heaviest track on the album, with the main riff emulating a beast dragging itself into the sea. The Black Sabbath-influenced guitars are downtuned, creating slow and moody ambiance. "Welcome Home (Sanitarium)" was based on Ken Kesey's novel One Flew Over the Cuckoo's Nest and conveys the thoughts of a patient unjustly caged in a mental institution. The song opens with a section of clean single strings and harmonics. The clean, arpeggiated main riff is played in alternating 44 and 64 time signatures. The song is structured with alternating somber clean guitars in the verses, and distorted heavy riffing in the choruses, unfolding into an aggressive finale. This structure follows a pattern of power ballads Metallica set with "Fade to Black" on Ride the Lightning and would revisit with "One" on ...And Justice for All."Disposable Heroes" is an anti-war song about a young soldier whose fate is controlled by his superiors. With sections performed at 220 beats per minute, it is one of the most intense tracks on the record. The guitar passage at the end of each verse was Hammett's imitation of the sort of music he found in war films. The syncopated riffing of "Leper Messiah" challenges the hypocrisy of the televangelism that emerged in the 1980s. The song describes how people are willingly turned into blind religious followers who mindlessly do whatever they are told. The 136 beats per minute mid-tempo riffing of the verses culminates in a descending chromatic riff in the chorus; it increases to a galloping 184 beats per minute for the middle section that climaxes in a distorted scream of "Lie!". The title derives from the lyrics to the David Bowie song "Ziggy Stardust". "Orion" is a multipart instrumental highlighting Burton's bass playing. It opens with...
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The answer is:
Welcome Home (Sanitarium)
[Q]: The following article contains an answer for the question: What is the alias of George's daughter? , can you please find it? Cattle, timber and mining baron George Washington "G.W." McLintock is living the single life on his ranch. He is estranged from wife Katherine, who left him two years before, suspecting him of adultery. She has been living the society life back East while their daughter Rebeeca (whom G.W. calls "Becky") (Stefanie Powers) is completing her college degree. Following a meeting with a group of homesteaders whom he cautions against trying to farm on the Mesa Verde: "God made that land for the buffalo. It serves pretty well for cattle. But it hates the plow! And even the government should know you can't farm six thousand feet above sea level!" He hires one of them, attractive widow Louise Warren, as his cook and housekeeper. G.W. welcomes both her and her two children into his home, including grown son Dev, who is handy with his fists, good with cattle, and is an excellent chess player, who had to leave Purdue University on account of his father's death. Katherine (a.k.a. Katie), returns to the town of McLintock, seeking a divorce from G.W. He declines to give her one, having no idea why she has been so angry with him and why she moved out two years ago. Following a misunderstanding which leads to a Comanche subchief nearly being lynched by a hotheaded settler father who believes his daughter has been kidnapped, there is a gigantic brawl at the mud slide by one of McLintock's mines. Significantly, Katherine is in there swinging on her estranged husband's side as the local Indians watch the white folks make fools of themselves.
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[A]:
Becky