input: In 1564 he published his first map, Typus Orbis Terrarum, an eight-leaved wall map of the world, on which he identified the Regio Patalis with Locach as a northward extension of the Terra Australis, reaching as far as New Guinea. This map subsequently appeared in reduced form in the Terrarum (the only extant copy is in now at Basel University Library). He also published a two-sheet map of Egypt in 1565, a plan of the Brittenburg castle on the coast of the Netherlands in 1568, an eight-sheet map of Asia in 1567, and a six-sheet map of Spain before the appearance of his atlas. In England Ortelius' contacts included William Camden, Richard Hakluyt, Thomas Penny, puritan controversialist William Charke, and Humphrey Llwyd, who would contribute the map of England and Wales to Ortelius's 1573 edition of the Theatrum. In 1578 he laid the basis of a critical treatment of ancient geography by his Synonymia geographica (issued by the Plantin press at Antwerp and republished in expanded form as Thesaurus geographicus in 1587 and again expanded in 1596. In this last edition, Ortelius considers the possibility of continental drift, a hypothesis proved correct only centuries later). In 1596 he received a presentation from Antwerp city, similar to that afterwards bestowed on Rubens. His death on 28 June 1598, and his burial in the church of St. Michael's Abbey, Antwerp, were marked by public mourning. Quietis cultor sine lite, uxore, prole (meaning - "served quietly, without accusation, wife, and offspring." ), reads the inscription on his tombstone.

Answer this question "what was the response of his map being published?"
output: This map subsequently appeared in reduced form in the Terrarum (the only extant copy is in now at Basel University Library).

input: Unlike Lully, who collaborated with Philippe Quinault on almost all his operas, Rameau rarely worked with the same librettist twice. He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac, who collaborated with him on several operas, including Les fetes de l'Hymen et de l'Amour (1747), Zais (1748), Nais (1749), Zoroastre (1749; revised 1756), La naissance d'Osiris (1754), and Anacreon (the first of Rameau's operas by that name, 1754). He is also credited with writing the libretto of Rameau's final work, Les Boreades (c. 1763). Many Rameau specialists have regretted that the collaboration with Houdar de la Motte never took place, and that the Samson project with Voltaire came to nothing because the librettists Rameau did work with were second-rate. He made his acquaintance of most of them at La Poupliniere's salon, at the Societe du Caveau, or at the house of the Comte de Livry, all meeting places for leading cultural figures of the day. Not one of his librettists managed to produce a libretto on the same artistic level as Rameau's music: the plots were often overly complex or unconvincing. But this was standard for the genre, and is probably part of its charm. The versification, too, was mediocre, and Rameau often had to have the libretto modified and rewrite the music after the premiere because of the ensuing criticism. This is why we have two versions of Castor et Pollux (1737 and 1754) and three of Dardanus (1739, 1744, and 1760).

Answer this question "What did they do?"
output: He was highly demanding and bad-tempered, unable to maintain longstanding partnerships with his librettists, with the exception of Louis de Cahusac,

input: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later. After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that. Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings.

Answer this question "When did Clemens play with the Red Sox?"
output:
1986