You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Ex Input:
The play loosely follows the life of Joan of Arc. It contains a prologue introducing the important characters, followed by five acts. Each dramatizes a significant event in Joan's life. Down into Act IV the play departs from history in only secondary details (e.g. by making Joan kill people in battle, and by shifting the reconciliation between the Armagnacs and the Burgundians from 1435 to 1430). Thereafter, however, the plot is entirely free. Joan is about to kill an English knight when, on removing his helmet, she at once falls in love with him, and spares him. Blaming herself for what she regards as a betrayal of her mission, then, when at Reims she is publicly accused of sorcery, she refuses to defend herself, is assumed to be guilty, and dismissed from the French court and army. Captured by the English, she witnesses from her prison cell a battle in which the French are being decisively defeated, breaks her bonds, and dashes out to save the day. She dies as victory is won, her honour and her reputation both restored.
The play reflects the new nationalism and militarism of the budding nineteenth century, and also the Kantian ideal of the need to subject emotion to moral principle.
The line "Mit der Dummheit k mpfen G tter selbst vergebens" (III, 6; Talbot) translates into English as "Against stupidity, the gods themselves contend in vain." This provided Isaac Asimov with the title of his novel The Gods Themselves.
This was the most performed (at least in Germany) of all Schiller's plays down to the Great War. In modern post-war Germany, its militarism is an embarrassment, but the dramatic power of the last two acts keeps the play on the stage.

Ex Output:
Who does Joan fall in love with?

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The plot of the novel begins seven years after the broken engagement of Anne Elliot to then Commander Frederick Wentworth. Anne Elliot, then 19 years old, fell in love and accepted a proposal of marriage from the handsome young naval officer. He was clever, confident, ambitious, and employed, but not yet wealthy and with no particular family connections to recommend him. Sir Walter, her father and her older sister Elizabeth were not pleased with her choice, maintaining that he was no match for an Elliot of Kellynch Hall, the family estate. Lady Russell, acting in place of Anne's late mother, persuaded her to break the engagement, for she felt it was an imprudent match for one so young. They are the only ones who know about this short engagement, as younger sister Mary was away at school.
The Elliot family is now in financial trouble. Kellynch Hall will be let, and the family will settle in Bath until finances improve. Baronet Sir Walter, the socially-conscious father and daughter Elizabeth look forward to the move. Anne is less sure she will enjoy Bath. Mary is married to Charles Musgrove of nearby Uppercross Hall, the heir to a respected local squire. Anne visits Mary and her family, where she is well-loved. The end of the war puts sailors back on shore, including the tenants of Kellynch Hall, Admiral Croft and his wife Sophia, who is the sister of Frederick Wentworth, now a wealthy naval captain. Frederick visits his sister and meets the Uppercross family, including Anne.
The Musgroves, including Mary, Charles, and Charles's sisters, Henrietta and Louisa, welcome the Crofts and Wentworth. He tells all he is ready to marry. Henrietta is engaged to her clergyman cousin Charles Hayter, who is away for the first few days that Wentworth joins their social circle. Both the Crofts and Musgroves enjoy speculating about which sister Wentworth might marry. Once Hayter returns, Henrietta turns her affections to him again. Anne still loves Wentworth, so each meeting with him requires preparation for her own strong emotions. She overhears a conversation where Louisa tells Wentworth that Charles first proposed to Anne, who turned him down. This is startling news to him.
Anne and the young adults of the Uppercross family accompany Captain Wentworth on a visit to two of his fellow officers, Captains Harville and James Benwick, in the coastal town of Lyme Regis. Benwick is in mourning for the death of his fianc e, Captain Harville's sister, and he appreciates Anne's sympathy and understanding. He admires the Romantic poets, as does Anne. Anne attracts the attention of a gentleman passing through Lyme, who proves to be William Elliot, her cousin and the heir to Kellynch, who broke ties with Sir Walter years earlier. The last morning of the visit, Louisa sustains a serious concussion in a fall brought about by her impetuous behaviour with Wentworth. Anne coolly organizes the others to summon assistance. Wentworth is impressed with Anne, while feeling guilty about his actions with Louisa. He re-examines his feelings about Anne.
Following this accident, Anne joins her father and sister in Bath with Lady Russell, while Louisa and her parents stay at the Harvilles in Lyme. Wentworth visits his older brother in Shropshire. Anne finds that her father and sister are flattered by the attentions of William Elliot, recently widowed, who has now reconciled with Sir Walter. Elizabeth assumes that he wishes to court her. Although Anne likes William Elliot and enjoys his manners, she finds his character opaque.
Admiral Croft and his wife arrive in Bath with the news that Louisa is engaged to Captain Benwick. Wentworth comes to Bath, where his jealousy is piqued by seeing Mr Elliot courting Anne. He and Anne renew their acquaintance. Anne visits an old school friend, Mrs Smith, who is now a widow living in Bath in straitened circumstances. From her she discovers that beneath his charming veneer, Mr Elliot is a cold, calculating opportunist who had led Mrs Smith's late husband into debt. As executor to her husband's will, he takes no actions to improve her situation. Although Mrs Smith believes that he is genuinely attracted to Anne, she feels that his first aim is preventing Mrs Clay from marrying Sir Walter. A new marriage might mean a new son, displacing him.
The Musgroves visit Bath to purchase wedding clothes for Louisa and Henrietta, both soon to marry. Captains Wentworth and Harville encounter them and Anne at the Musgroves' hotel in Bath, where Wentworth overhears Anne and Harville conversing about the relative faithfulness of men and women in love. Deeply moved by what Anne has to say about women not giving up their feelings of love even when all hope is lost, Wentworth writes her a note declaring his feelings for her. Outside the hotel, Anne and Wentworth reconcile, affirm their love for each other, and renew their engagement. William Elliot leaves Bath with Mrs Clay, whose charming ways may yet attract him. Lady Russell admits she was wrong about Wentworth; she and Anne remain friends. Once Anne and Frederick marry, he helps Mrs Smith recover her lost assets. Anne settles into life as the wife of a Navy captain, he who is to be called away when his country needs him.

Ex Output:
What responsibility does William Elliott have to Mrs. Smith?

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Dean Corso (Johnny Depp), a New York City rare book dealer, makes his living conning people into selling him valuable antique books for a low price, and then re-selling them to private collectors. Corso meets with wealthy book collector Boris Balkan (Frank Langella), who has recently acquired a copy of the (fictional) book The Nine Gates of the Kingdom of Shadows by 17th-century author Aristide Torchia, one of only three extant copies. The book is an adaptation of one written by the Devil himself and purportedly contains the means to summon the Devil and acquire invincibility and immortality. Balkan believes two of the copies are forgeries. He hires Corso to check all three, and acquire the legitimate one by any means necessary.
Balkan's copy was acquired from Andrew Telfer (Willy Holt), who killed himself soon after. Telfer's widow Liana (Lena Olin) seduces Corso, in a failed attempt to get the book back. Meanwhile, Corso leaves the book for safekeeping with bookseller Bernie Rothstein (James Russo), who is then murdered; his corpse is found posed like an engraving in The Nine Gates.
Corso travels to Toledo, Spain. The Ceniza brothers, book restorers, show him that three of the engravings are signed "LCF". Corso deduces that Lucifer himself designed and cut them. Corso travels to Sintra, Portugal, to compare Victor Fargas' (Jack Taylor) copy of the book to Balkan's. To Corso's surprise, he discovers that the signature "LCF" is found in three different engravings, which vary in small but significant details from the images in the Balkan copy. The next morning, a mysterious young woman (identified only as "the Girl") (Emmanuelle Seigner) who appears to have been shadowing Corso since Balkan hired him, awakens Corso and leads him to Fargas' house. He finds the old man murdered and the "LCF"-signed engravings ripped out of that copy.
In Paris, Corso visits the Baroness Kessler (Barbara Jefford), who owns the third copy. At first the Baroness refuses to cooperate, but Corso intrigues her with evidence that the engravings differ among the three copies. He explains his idea: each copy contains three different "LCF"-signed engravings, therefore all three copies are required for the ritual. Corso finds "LCF" on three different engravings in the Baroness's book confirming his theory.
Kessler is killed, and the Girl rescues Corso from Liana's bodyguard. When Liana steals Balkan's copy from Corso's hotel room, he follows her, and witnesses her using the book in a Satanist ceremony. Balkan suddenly interrupts the ceremony, kills Liana, and leaves with the engraved pages and his own intact copy.
Corso pursues Balkan to a remote castle, depicted in one of the engravings, and finds Balkan preparing the final ritual. After a struggle, Balkan traps Corso in a hole in the floor. Balkan performs his summoning ritual: he arranges the engravings on a makeshift altar, and recites a series of phrases related to each of the nine engravings. Balkan then douses the floor and himself with gasoline and sets it alight, believing himself to be immune to suffering. Balkan's invocation fails, and he screams in pain as the flames engulf him. Corso frees himself, kills Balkan, takes the engravings, and escapes.
Outside, the Girl appears and has sex with him by the light of the burning castle. She tells him that Balkan failed because the ninth engraving he had used was a forgery. On her suggestion, Corso returns to the Ceniza brothers' now vacant shop. By chance he finds the authentic ninth engraving. On it, there is a likeness of the Girl. With the last engraving in hand, Corso returns to the castle. He has completed the ritual requirements, and he crosses through the Ninth Gate into the light.

Ex Output:
What is so special about the ninth engraving?