In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Example Input: a cop with a troubled personal life .
a ruthless villain .
a friend of the cop .
a _ dead _ friend of the cop .
a quest for vengeance .
a new partner .
a romantic interest .
a chase scene .
a chase scene
_ in san francisco _ .
a woman in peril .
a confrontation .
an explosion .
the end . yawn .
yawn .
yawn .
the preceding has been the plot of approximately twelve thousand and six action films ; this one just happens to be called metro .
i have learned to expect little from films like metro , and consequently i am bored by them more often than i am genuinely disappointed . with eddie murphy on board , however , you hope for something extra , some kind of spark .
when a film makes watching eddie murphy a tedious experience , you know it is doing something terribly wrong .
murphy stars as scott roper , a hostage negotiator for the san francisco police department who is exceedingly good at his job .
with his personal life , he is considerably less successful , facing an unhappy ex - girlfriend named veronica ( carmen ejogo ) , a gambling problem and a mountain of debt .
then his professional life gets a jolt as well when a friend and colleague ( art evans ) is murdered while investigating suspected jewel thief michael korda ( michael wincott ) .
finding korda becomes very personal to scott , and he joins with new partner kevin mccall ( michael rappaport ) to foil korda during an attempted heist .
but all is not well even with korda in jail , as scott , veronica and kevin all continue to face life - threatening danger .
metro ( the title , in case you are wondering , means absolutely nothing ) is so badly put together that even the most casual viewer may notice the miserable pacing and stray plot threads .
in the first place , korda 's rage over being discovered before he can make his big score is rendered completely pointless when he proceeds to hit the target anyway ( and , incidentally , to screw it up ) .
a reference to payoffs in the police department , followed by a conspicuous decision to keep scott off the korda case and a couple of pointed glances , is dropped abruptly with no resolution after about forty - five minutes ; even the relationship between scott and new partner kevin is so perfunctory , with kevin disappearing entirely after taking a bullet for scott , that you may yearn for bickering buddies .
worst of all is a plot structure which places the main villain ( the always menacing michael wincott ) behind bars for far too long , leaving a lot of time to kill with the tedious reconciliation of scott and veronica .
you ca n't blame murphy for being unable to muster any enthusiasm for the scenes with his bland leading lady , but he should have known better than to take this role at all .
scott roper exists in an uncomfortable middle ground between the kind of street - wise fast - talker murphy has built a career on and an actual three - dimensional character , and murphy is never able to reconcile the two .
the script seems to have been doctored for him , with a gambling problem turned into a bit of character color and his supposed inability to form relationships turned into a cause for gags rather than actual conflict , yet there is still too little comedy for murphy to work with .
for much of the film , he walks around with an intense frown , and it is over 90 minutes into metro before you hear that trademark laugh for the first time .
murphy is stranded with too few solid punch lines , and nearly all of the ones he does have bounce of ejogo and fall to the ground limply
.
i suppose i should give director thomas carter credit for taking the obligatory san francisco car chase ( how much do you want to bet on the likelihood of seeing a car soar over a hill ? )
and doing a few interesting things with it .
as vehicles are sent flying and passengers sent sprawling by a runaway cable car , it is possible at least for a moment to take some pleasure in a goofy spin on a familiar situation .
carter does an even better job by taking that old suspense stand - by -- the medicine cabinet mirror which will close to reveal a killer standing behind someone -- and using it to defuse tension not once , but
_ twice _ .
the fact that carter was able to demonstrate even that much recognition of cliches , and a willingness to subvert them , makes his involvement in the rest of the disaster
that is metro all the more puzzling .
an action film like this plods so relentlessly and obviously from point a to point b to point c that you might find yourself shouting out " point c ! " while they 're still getting to point b , or getting up with the rest of the audience after the big explosion which signals that nothing else of any consequence is going to happen .
Example Output: N

Example Input: in arguably the most anticipated movie this century , george lucas has achieved a very mixed reaction to a sure blockbuster .
despite the fact the script and plot is a bit of a let down , the entire movie on the whole can be considered a milestone in technical excellence , in the sound and special effects department .
in terms of characters , by far the most outstanding and interesting is queen amidala ( natalie portman ) , whose mature performance far exceeds
her tender 14 years of age .
she is one ?
hot ' babe who defines true ? woman leadership ' .
she not only has a presence , but knows how to take command of the situation and save her planet from ruination .
no thanks to the jedi knights who although led by the force , lack leadership qualities in terms of thinking up a plan to do anything .
the young obi - wan kenobi ( ewan mcgregor ) who has a bad hair day in every scene , gets to kill a bad guy in the end , but lacks a love interest to make him a desirable sort of hero .
in fact all the jedi knight are a bit asexual - there must be something about the force which makes them all hermits and loners .
i mean it would be interesting to see yoda 's girlfriend for a change , if he has one .
not much better is qui - gon jinn ( liam neeson ) who mostly broods , and
has a better hair do than obi - wan , but only to find the young anakin skywalker and make the biggest mistake of his life .
also fascinating is george lucas ?
metoclorian ' theory , which claims that micro - organisms live within our cells and tie us to the fabric of the universe .
and it is the high concentrations of these organisms in an individual which make them particularly powerful in the force .
more humerous are the claims to the immaculate conception of darth vader , no doubt a concept stolen from the christian faith , except there will be no christmas to celebrate the birth of this dark emissary of the force .
overall
an experience which is not to be missed because of the very fact that it 's predecessor almost command a viewing of this inferior successor .
by all means not the pinnacle of the star wars phenomena but an adequate addition to the clan . watch out for the next one , it should be one steamy encounter between queen amidala and anakin skywalker - who i believe should be portrayed by ?
leonardo di caprio .
Example Output: P

Example Input: sandra bullock in high heels and wielding a chainsaw ?
yup , it 's got ta be summer .
just when you thought the pointless sequel had gone the way of franchise films and direct - to - video releases , into port slams speed 2 : cruise control , the gloriously godawful follow - up to the 1994 sleeper about a bus rigged to explode if it slowed below a certain speed .
the gimmick , this time , is an ocean liner rigged to , well , crash into stuff .
sound exciting ?
dennis hopper 's disgruntled bomb squader , the villain of the first film , has given way to willem dafoe 's disgruntled computer programmer , a maniac whose main beef has something to do with having to use live leeches , i kid you not , as a self - treatment for copper
poison- ing .
( and said poisoning induced by prolonged exposure to electro- magnetic fields , no less !
calling dean edell . . . )
so , he overrides the boat 's computer , convinces the crew to abandon ship , and sends the remaining passengers , those who could n't evacuate in time , on a col- lision course with destiny .
( oddly , no one thinks to just . . .
jump off the back of the boat . )
with keanu reeves electing not to return--
perhaps he read the script ?
-- the job of john mcclane goes to jason patric ( sleepers ) , as the * second * la cop and swat team member that that bus drivin ' babe annie ( bullock ) has dated .
( what are the odds ? )
they 're on this caribbean cruise for pleasure , as are a handful of requisite stock characters , including a deaf teenager
( ! ) who has a crush on the hero
( ! ! ) who also knows how to sign
( ! ! ! ) .
( and you thought the raptor slam was a cool summer movie move ?
wait till you see the feats that * this * little girl can do , when stuck on a shipboard elevator ! )
bullock is her pesky , perky self , though she ends up with far less screen time than her top billing suggests .
( those paying attention to her bikini-
and tank- tops probably wo n't complain , however ) patric is the main man in motion and that 's damn good , 'cause when he stops to talk , he 's only slightly less monotone than his predecessor .
( his first lol line is to ms .
bullock :
" i 'd like to boogie with you .
" ) of course , nobody in front of the camera embarrasses themselves quite the way that returning director jan de bont does .
he also produced this mess , which is insulting even by the most lax summer standards .
( con air , buddy , father 's day , romy and michelle 's high school reunion , murder at 1600 , 8 heads in a duffle bag , anaconda , vegas vacation , meet wally sparks , metro , bevery hills ninja , the relic , all is forgiven ) .
worse , he 's spent a hundred mil on a premise that does n't even live up to its title !
there 's no sweat - inducing motion of the ocean here-- just two hours of shaky handheld camera work and a handful of cross - cut exteriors , all leading up to the big slam , when the love boat sideswipes an oil tanker and then plows into a harbor town .
( oh , how far we 've come in twenty years .
remember the simple fun of seeing a locomotive smash into railway station in the silver streak ? )
admittedly , either of the aforementioned sequences is worth the price of admission .
it 's just the rest of the movie-- the other hundred or so minutes-- that 's pure nonsense .
and wonderful nonsense at that .
i know he did n't intend to , but de bont has done one thing right : he 's created the hands - down funniest film of the year .
so , now , allow to present a few more things that made me laugh :
o a box with a big label :
" fiber optic converter " o plain english , whole - sentence computer instructions o an entire sequence devoted to opening a fire door o jason patric 's character walks onto the bridge and immediately understands everything that 's happening o a ships ' navigator who speaks in a scottish accent and actually gets to say " i canna override it !
"
o willem dafoe 's amazing arm - mounted keyboard o two living , breathing adults ( bullock 's character and the first mate ) who have to be told , step by step , how to disconnect a trip wire from the pin of a hand grenade .
duh
o " no wait !
"
screams
the ship 's intercom o
yet another damn dog in peril
o fishing reel .
pontoon plane .
memories of weekend at bernie 's
Example Output:
N