input: Pistorius also carried the flag at the opening ceremony of the 2012 Summer Paralympics on 29 August. He entered the T44 classification men's 100 metres, 200 metres and 400 metres races, and the T42-T46 4 x 100 metres relay. In the 200-metre competition, Pistorius established a new T43 world record of 21.30 seconds in his heat on 1 September, but he was defeated in the final the next day by Alan Oliveira of Brazil. Pistorius took silver, and then created a controversy by complaining about the length of Oliveira's blades. He later apologised for the timing of his remarks, but not the content of his complaint. The IPC confirmed the length of Oliveira's blades were proportional to his body, with all the finalists measured before the race. The IPC also confirmed that Pistorius had raised the issue of blade length with it six weeks prior to the race. SASCOC issued a statement welcoming Pistorius's apology for his outburst and declared their full support for him and promised to assist him in discussions with the IPC about the issue of lengthened prosthetics after the conclusion of the Games. The IPC expressed willingness to engage with Pistorius about the issue. Australian runner Jack Swift, USA runner Jerome Singleton, and other athletes also expressed support for Pistorius's position. Pistorius won a gold medal on 5 September running the anchor leg as part of the South African 4 x 100 metres relay team. The team set a world record time of 41.78 seconds. He was unsuccessful in defending his Beijing Olympics 100-metre title when he came fourth with a season's best time of 11.17 seconds, and the race was won by Great Britain's Jonnie Peacock. On 8 September, the last full day of competition, Pistorius won gold in the T44 400 metres with a time of 46.68 seconds, breaking the Paralympic record.

Answer this question "who defeated him in the final?"
output: Alan Oliveira of Brazil. Pistorius took silver, and then created a controversy by complaining about the length of Oliveira's blades.

input: Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc.,

Answer this question "Where else did they perform?"
output: Whisky a Go Go

input: Jacob Abraham Camille Pissarro was born on 10 July 1830 on the island of St. Thomas to Frederick and Rachel Manzano de Pissarro. His father was of Portuguese Jewish descent and held French nationality. His mother was from a French-Jewish family from the island of St. Thomas. His father was a merchant who came to the island from France to deal with the hardware store of a deceased uncle and married his widow. The marriage caused a stir within St. Thomas' small Jewish community because she was previously married to Frederick's uncle and according to Jewish law a man is forbidden from marrying his aunt. In subsequent years his four children were forced to attend the all-black primary school. Upon his death, his will specified that his estate be split equally between the synagogue and St. Thomas' Protestant church. When Camille was twelve his father sent him to boarding school in France. He studied at the Savary Academy in Passy near Paris. While a young student, he developed an early appreciation of the French art masters. Monsieur Savary himself gave him a strong grounding in drawing and painting and suggested he draw from nature when he returned to St. Thomas, which he did when he was seventeen. However, his father preferred he work in his business, giving him a job working as a cargo clerk. He took every opportunity during those next five years at the job to practise drawing during breaks and after work. When Pissarro turned twenty-one, Danish artist Fritz Melbye, then living on St. Thomas, inspired him to take on painting as a full-time profession, becoming his teacher and friend. Pissarro then chose to leave his family and job and live in Venezuela, where he and Melbye spent the next two years working as artists in Caracas and La Guaira. He drew everything he could, including landscapes, village scenes, and numerous sketches, enough to fill up multiple sketchbooks. In 1855 he moved back to Paris where he began working as assistant to Anton Melbye, Fritz Melbye's brother.

Answer this question "Did he go to school?"
output:
When Camille was twelve his father sent him to boarding school in France. He studied at the Savary Academy in Passy near Paris.