In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.
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Question: Errol Flynn is "Gentleman Jim" in this 1942 film about boxer Jim Corbett, known as the man who beat John L. Sullivan. Directed with a light hand by Flynn's good friend, Raoul Walsh, the film also stars Alexis Smith, Jack Carson, Alan Hale Sr., William Frawley and Ward Bond. Flynn plays an ambitious, egotistical young man who has a natural talent for boxing and is sponsored by the exclusive Olympic Club in San Francisco in the late 1800s. Though good-natured, the fact that he is a "shanty Irishman" and a social climber builds resentment in Olympic Club members; most of them can't wait to see him lose a fight, and they bet against him. Despite this, he rises to fame, even working as an actor. Finally he gets the chance he's been waiting for, a match with the world champion, John L. Sullivan (Ward Bond). Sullivan demands a $10,000 deposit to insure that Corbett will appear to fight for the $25,000 purse. Corbett and his manager (Frawley) despair of getting the money. However, help comes in the form of a very unlikely individual.This is a very entertaining film, and Jim Corbett is an excellent role for Flynn, who himself was a professional fighter at one time. He has the requisite charm, good looks and athleticism for the role. Alexis Smith plays Victoria Ware, his romantic interest who insists that she hates him. In real life, she doesn't seem to have existed; Corbett was married to Olive Lake Morris from 1886 to 1895.The focus of the film is on Corbett and his career rather than the history of boxing. Corbett used scientific techniques and innovation and is thought of as the man who made prizefighting an art form. In the film, Corbett is fleet of foot and avoids being hit by his opponents; it is believed that he wore down John L. Sullivan this way.Good film to catch Flynn at the height of his too-short time as a superstar.

Answer: positive

Question: (Honestly, Barbra, I know it's you who's klicking all those "NO"s on my review. 22 times?? How many people did you have to instruct to help you out here? Don't you have anything better to do, like look at yourself in the mirror all day?)Steven Spielberg told Barbra that this was "the best movie I've seen since 'Citizen Kane'". That pretty much says it all - and serves as a dire warning!What are the ingredients for a sure-fire cinematic disaster, and one that will haunt you, never letting you forget the tears of both laughter and pain? The ingredients: Barbra Streisand's face, a musical, feminism, Barbra Streisand's voice, Barbra Streisand directing, and an ultra-corny/idiotic premise.Hollywood is full of egomaniacs, this much we know. In fact, nearly everyone by definition has to be an egomaniac in Hollywood. Why would anyone want to act? For the "art"?!? Well, if you're dumb enough to believe what they tell you in their carefully prepared interviews And Streisand has the biggest ego of them all! This is quite an achievement. To be surrounded by narcissistic cretins, and yet to manage to top them all remarkable.The movie, like all her "solo" endeavors, is an ego trip straight out of hell. Every scene Streisand is in is automatically ruined. Stillborn. But as it that weren't enough, she sings a whole bunch of Streisandy songs you know, the kind that enabled the Mariah Careys, the Celine Dions, and the Whitney Hustons of this world to poison our precious air-waves for decades now. Just for that she deserves not one but 100 South Park episodes mocking her.The premise, Streisand dressing up as a man to study to become a rabbi, sounds like a zany ZAZ comedy. Apart from it being a cliche, the obvious problem is that Streisand doesn't look like a woman nor does she look like a man in fact I'm not even sure she's human. The way she looks in this movie, well it cannot be described in words. E.T. looks like a high-school jock by comparison. She looks more alien than Michael Jackson in the year 2015. She looks HORRIBLE.The songs. They made me shiver. Particularly "Papa Can You Hear Me Squeel Like A Demented Female Walrus In Heat?" and "Tomorrow Night I'll Prepare the Sequel, YENTL 2: THE RETURN OF THE BITCH".Did you know that Streisand considered having a nose-job early on in her career, but changed her mind when they told her her voice might change? Can you believe that? She should have done it! Killing two flies with one swipe, that's what it would have been.If you're interested in reading my biographies of Barbra Streisand and other Hollywood intellectuals, contact me by e-mail.SHOULD BARBRA STREISAND FINALLY GO INTO RETIREMENT? CLICK "YES" OR "NO".

Answer: negative

Question: Firstly, this is a very dated film, non-focused in its exposition of the left wing political revolution. Honestly, when someone says that the only way to be truly revolutionary is to cease to be intellectual ( which in itself is quite nonsensical, since the answer was arrived at by precisely being intellectual) it reduces me to despair; as if we all should return to being apes in the name of equality - it is simply ridiculous. Our intellectuality is only one of many human qualities, but this does not mean we should not educate ourselves to the highest possible degree. But no doubt this non-educational message ties in with Godard's use of rock music; hence The Rolling Stones.The song 'Sympathy for the Devil', whose creation we witness, and from which the film takes its name, is in fact nothing special. The chord sequence, which is not especially original, was used to much better effect in Led Zeppelin's 'Thankyou'(Led Zeppelin II). Apart form that, 'Sir' Mick Jagger declaims in his usually nebulous manner (rather like Bob Dylan)- notice how the first melodic phrase is unimaginatively repeated over again to form the verse.Besides the fact that the Black Panthers depicted in this film, don't seem to know what they are fighting for, the most interesting scenes involve the equation of fascism with pornography; a message that in fact undermines the sexual 'liberation' of the 1960s and today ( indeed, a message that would belie the behaviour of The Rolling Stones around the time the film was made).No wonder, the DVD came free with The Sunday Times! For a truly profound historical exposition of left-wing sympathy, listen to Luigi Nono's masterpiece, 'Al Gran Sole carico'd'amore'.

Answer:
negative