input question: Suggest a movie title for the following movie plot: The film begins with a totally white screen and as the sun sets, the image of the Empire State Building emerges. The floodlights on its exterior come on, the building's lights flicker on and off for the next 6 hours, then the floodlights go off again in the next to the last reel so that the remainder of the film takes place in nearly total darkness.[2] The film was shot with Warhol directing and filmmaker Jonas Mekas working as cinematographer. During three of the reel changes, filming recommenced before the lights in the filming room were switched off, making the faces of Warhol and Mekas momentarily visible in the reflection of the window each time.[3]???
output answer: Empire

input question: Suggest a movie title for the following movie plot: It is about September of 1948. A wealthy, spunky, and independent 72 year old Jewish widow and former grade school teacher named Daisy Werthan accidentally backs her new Chrysler into her neighbors yard after having put her foot on the accelerator too far. The car is totaled and insurance company has declared her high risk. Her 35 year old son Boolie, a successful, third generation textile business owner, insists she hires a chauffeur, but she refuses to do so. For the time being, she either takes care of business herself or have one of her friends give her a ride.Oscar, an employee of Boolie's is stuck in the freight elevator at the textile mill. Hoke Coleburn, about 60 years of age, helps him get the elevator down to the floor. Boolie notices this and questions Hoke's identity, with him being revealed as a potential chauffeur. Boolie seems disinterested, but Hoke follows him to his office and interviews with him. Hoke is given the job after Boolie's questioning of his previous employment, but warns him of his mother's stubbornness and uptightness, but assured she can't fire him.Hoke is brought over to Daisy's house by Boolie. Daisy refuses to be formally introduced to him and doesn't want "some chauffeur" staying at her house and eating her food (a subtle hint of racism), despite the fact she's had the same black cook and housekeeper for over 20 years. A brand new 1949 Hudson sits in the garage.Hoke tries to stay busy and earn his pay around Daisy's house, but Daisy refuses to let him touch her things. After 6 days, he informs her of the low supply of coffee, Dutch Cleanser, and silver polish. Daisy insists on taking the streetcar to the Piggly Wiggly. Hoke will not let her do it and follows her. Daisy gives in and lets him give her the lift, but sets him straight on some rules.Afterwards, Hoke takes Daisy to the Reform Jewish temple she regularly attends. When the service is over, he's parked in the front of the church and wants to give her the VIP treatment, but she is embarrassed. He does not understand...???
output answer: Driving Miss Daisy

input question: Suggest a movie title for the following movie plot: Police Lt. Leonard Diamond is on a personal crusade to bring down sadistic gangster Mr. Brown. He's also dangerously obsessed with Brown's girlfriend, the suicidal Susan Lowell. His main objective as a detective is to uncover what happened to a woman called "Alicia" from the crime boss's past. Mr. Brown, his second-in-command McClure and thugs Fante and Mingo kidnap and torture the lieutenant, then pour a bottle of alcohol-based hair tonic down his throat before letting him go. Diamond eventually learns through one of Brown's past accomplices that Alicia was actually Brown's wife. The accomplice suspects that Alicia was sent away to Sicily with former mob boss Grazzi, then murdered, tied to the boat's anchor and permanently submerged. Diamond questions a Swede named Dreyer, who was the skipper of that boat (but now operates an antiques store as a front, bankrolled by Brown). Dreyer denies involvement, but this doesn't prevent him from being murdered by McClure within seconds after he leaves the shop. Diamond tries to persuade Susan to leave Brown and admits he might be in love with her. He shows her a photo of Brown, Alicia and Grazzi together on the boat. Susan finally confronts Brown about his wife and is told she is still alive in Sicily, Italy, living with Grazzi. Brown next orders a hit on Diamond. However, when his gunmen Fante and Mingo go to Diamond's apartment, they mistakenly shoot and kill the cop's burlesque dancer girlfriend Rita instead. Diamond sees an up-to-date photo of Alicia but realizes it wasn't taken in Sicily (since there's snow on the ground). This leads Diamond to suspect Brown didn't kill Alicia but his boss Grazzi instead. Diamond is able to track Alicia to a sanitarium, where she is staying under another name. He asks for her help. Brown's right-hand man, McClure, wants to take over. He plots with Fante and Mingo to ambush Mr. Brown, but ends up getting killed himself because they are loyal to the boss. At police headquarters, Brown shows up with a writ of habeas corpus,...???
output answer: The Big Combo

input question: Suggest a movie title for the following movie plot: The movie opens with title and credits over the streets of turn of the century New York City at night in the pouring rain. A solitary figure walks down the street holding an umbrella. We enter the Wax Museum with various tableaux of crimes of the past, and then enter the workshop where Prof. Henry Jarrod (Vincent Price) is working on a sculpture. His business partner, Matthew Burke (Roy Roberts) enters and walks partially upstairs when he is hailed by Jarrod. He tells Jarrod he's there to study the account books. They have a philosophical difference between their approaches to business. Jarrod proposes a buyout arrangement, and Burke either eager or desperate for the money agrees in principle. A potential investor is scheduled to see Jarrod that very evening.Bruce Allison (Phillip Tonge) and Sidney Wallace (Paul Cavanagh) arrive and are given a brief tour of the wax museum. Wallace is impressed, but Jarrod explains that he's never satisfied with certain aspects of the finished products. Wallace explains he's going to Egypt for three months, so no decision on investment can take place prior to his return. Allison and Wallace depart. Burke was eavesdropping from the upstairs room and heard everything. He is impatient for a financial settlement and proposes an insurance fire. The place is insured for $25,000--$12,500 each. Jarrod is horrified by the proposal, and opposes it categorically. Burke lights the Marie Antoinette wax figure's dress with a match. It starts a fire that Jarrod quickly extinguishes. Burke starts a few more fires, with Jarrod quickly working to save his wax figures. Burke and Jarrod fight, and at one point Jarrod is knocked out. Burke douses the workroom and display area with a flammable liquid and turns on the gas light spigots. He goes upstairs as the place begins to catch fire. He returns to the workroom and continues his fight with the now revived Jarrod. Jarrod works desperately with buckets of water to douse the fire, but it is a losing battle. He is knocked out again by Burke and left...???
output answer:
House of Wax