input: After the armistice he returned to Birmingham and tried to find work as a cartoonist. He sold two cartoons to the Bystander in 1919 but was unable to secure a permanent position. Later that year he embarked on a professional stage career. Under the tutelage of actor-manager Nigel Playfair, he worked as an actor, set designer and builder, "stage director" (akin to a stage manager) and director. In 1922, while with Playfair, he met Doris Zinkeisen. They were considered a couple for some two years, despite Whale's living as an openly gay man. They were reportedly engaged in 1924, but by 1925 the engagement was off. In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society, a theatre society that mounted private Sunday performances of plays. Set over a four-day period in March 1918 in the trenches at Saint-Quentin, France, Journey's End gives a glimpse into the experiences of the officers of a British infantry company in World War I. The key conflict is between Capt. Stanhope, the company commander, and Lt. Raleigh, the brother of Stanhope's fiancee. Whale offered the part of Stanhope to the then barely known Laurence Olivier. Olivier initially declined the role, but after meeting the playwright agreed to take it on. Maurice Evans was cast as Raleigh. The play was well received and transferred to the Savoy Theatre in London's West End, opening on 21 January 1929. A young Colin Clive was now in the lead role, Olivier having accepted an offer to take the lead in a production of Beau Geste. The play was a tremendous success, with critics uniform and effusive in their praise and with audiences sometimes sitting in stunned silence following its conclusion only to burst into thunderous ovations. As Whale biographer James Curtis wrote, the play "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". After three weeks at the Savoy, Journey's End transferred to the Prince of Wales Theatre, where it ran for the next two years. With the success of Journey's End at home, Broadway producer Gilbert Miller acquired the rights to mount a New York production with an all-British cast headed by Colin Keith-Johnston as Stanhope and Derek Williams as Raleigh. Whale also directed this version, which premiered at Henry Miller's Theatre on 22 March 1929. The play ran for over a year and cemented its reputation as the greatest play about World War I.

Answer this question "what was one of his first plays"
output: In 1928 Whale was offered the opportunity to direct two private performances of R.C. Sherriff's then-unknown play Journey's End for the Incorporated Stage Society,

input: Rani Mukerji was born in Mumbai on 21 March 1978. Her father, Ram Mukherjee (born to the Mukherjee-Samarth family), is a former film director and one of the founders of Filmalaya Studios. Her mother, Krishna Mukherjee, is a former playback singer. Her elder brother, Raja Mukherjee, is a film producer and director. Her maternal aunt, Debashree Roy, is a Bengali film actress and her paternal cousin, Kajol, is a Hindi film actress and her contemporary. Another paternal cousin, Ayan Mukerji, is a scriptwriter and film director. Despite her parents and most of her relatives being members of the Indian film industry, Mukerji was uninterested in pursuing a career in film. She said, "There were already too many actresses at home and I wanted to be someone different". Mukerji received her education at Maneckji Cooper High School in Juhu and graduated with a degree in Home Science from SNDT Women's University. She is a trained Odissi dancer and began learning the dance form while in the tenth grade. As part of an annual tradition, the Mukherjee family celebrates the festival of Durga Puja in the suburban neighbourhood of Santacruz every year. Mukerji, a practising Hindu, takes part in the festivities with her entire family. In 1994, director Salim Khan approached her to play the lead female role in his directorial, Aa Gale Lag Jaa. Her father disapproved of a full-time career in film at such a young age, so she rejected the offer. At the age of eighteen, Mukerji experimented with acting by portraying a supporting role in her father's Bengali language film Biyer Phool (1996). The film starred Prosenjit and Indrani Haldar in lead roles and narrates the story of two sisters; Mukerji played the younger sibling of Haldar's character. Soon after, Khan approached her with another film offer to play the protagonist of the social drama Raja Ki Aayegi Baraat, Mukerji accepted the role due to her mother's insistence that she continue to pursue acting on an experimental basis. Before she began work on the film, Mukerji trained at Roshan Taneja's acting institute.

Answer this question "What experience did her father have?"
output: former film director

input: Eileen Davidson originated the role of Ashley Abbott in June 1982, until her first exit on December 2, 1988. The role was immediately recast with Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988 before leaving the role on December 21, 1995. Shari Shattuck then assumed the role from March 12, 1996 to February 22, 1999, with Davidson returning on March 19, 1999. Davidson took maternity leave in the summer of 2003. In 2006, news broke that Davidson was to exit the soap opera, and she last aired on January 11, 2007. She then carried the role of Ashley over to the show's sister soap, The Bold and the Beautiful. She last aired on The Bold and the Beautiful on July 4, 2008, before returning to The Young and the Restless on September 25, 2008. In May 2012, Davidson informed followers on her Twitter page that she had been let go from The Young and the Restless. Davidson further confirmed she did not know why she was let go, but was seeing the positive light from it. It was then announced by Nelson Branco that Sony Pictures Entertainment wanted Davidson on both The Young and the Restless and Days of Our Lives, but that Y&R would not share the actress, leading to Sony terminating her contract with the soap. Thus it was announced that Davidson would reprise her role as Kristen Blake on the NBC soap. Davidson made her onscreen exit on August 3, 2012. Speaking about her upcoming return to Days and departure from the show with TV Guide, Davidson stated: "What happened to me at Y&R was shocking -- I've been in this business a very long time and have never seen anything like it -- but it's not like I haven't been fired before." She also went on to say that "I was led to believe that I was fired, though it was a bad news-good news thing -- the bad news is Y&R is firing you, the good news is Days wants you." In February 2013, it was announced that Davidson would return to The Young and the Restless for "very special episodes" that would commemorate the show's 40th anniversary. In spite of this, the actress remained a part of Days of our Lives full-time. In August 2013, following the announcement of Davidson's departure from Days of our Lives, it was announced that she would again reprise the role for three episodes airing in October, later returning for additional guest appearances. In June 2014, it was announced that Davidson had signed a two-year contract with The Young and the Restless to appear as a regular cast member again, and would return to the series in September. Davidson also revealed her contract would allow for her to continue making appearances on Days of Our Lives.

Answer this question "what year was this?"
output:
Brenda Epperson, who portrayed Ashley for seven years from December 5, 1988