Question: Dreamgirls is a 2006 American romantic musical drama film written and directed by Bill Condon and jointly produced and released by DreamWorks Pictures and Paramount Pictures. Adapted from the 1981 Broadway musical of the same name by composer Henry Krieger and lyricist/librettist Tom Eyen, Dreamgirls is a film a clef, a work of fiction taking strong inspiration from the history of the Motown record label and one of its acts, The Supremes. The story follows the history and evolution of American R&B music during the 1960s and 1970s through the eyes of a Detroit, Michigan girl group known as the Dreams and their manipulative record executive. The film adaptation of Dreamgirls stars Jamie Foxx, Beyonce, Eddie Murphy, and Jennifer Hudson, and also features Danny Glover, Anika Noni Rose and Keith Robinson.

Dreamgirls musical supervisors Randy Spendlove and Matt Sullivan hired R&B production team The Underdogs -- Harvey Mason, Jr. and Damon Thomas -- to restructure and rearrange the Henry Krieger/Tom Eyen Dreamgirls score so that it better reflected its proper time period, yet also reflected then-modern R&B/pop sensibilities. During post-production, composer Stephen Trask was contracted to provide additional score material for the film. Several musical numbers from the Broadway score were not included in the film version, in particular Lorrell's solo "Ain't No Party". Four new songs were added for the film: "Love You I Do", "Patience", "Perfect World," and "Listen." All of the new songs feature music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger to co-author the new songs. "Love You I Do," with lyrics by Siedah Garrett, is performed in the film by Effie during a rehearsal at the Rainbow Records studio. Willie Reale wrote the lyrics for "Patience," a song performed in the film by Jimmy, Lorrell, C.C., and a gospel choir, as the characters attempt to record a message song for Jimmy. "Perfect World," also featuring lyrics by Garrett, is performed during the Rainbow 10th anniversary special sequence by Jackson 5 doppelgangers The Campbell Connection. "Listen", with additional music by Scott Cutler and Beyonce Knowles, and lyrics by Anne Preven, is presented as a defining moment for Deena's character late in the film. After preview screenings during the summer of 2006, several minutes worth of musical footage were deleted from the film due to negative audience reactions to the amount of music. Among this footage was one whole musical number, C.C. and Effie's sung reunion "Effie, Sing My Song", which was replaced with an alternative spoken version. The Dreamgirls: Music from the Motion Picture soundtrack album was released on December 5 by Music World Entertainment/Columbia Records, in both a single-disc version containing highlights and a double-disc "Deluxe Version" containing all of the film's songs. The single-disc version of the soundtrack peaked at number-one on the Billboard 200 during a slow sales week in early January 2007. "Listen" was the first official single from the soundtrack, supported by a music video featuring Beyonce. "And I Am Telling You I'm Not Going" was the Dreamgirls soundtrack's second single. Though a music video with all-original footage was once planned, the video eventually released for "And I Am Telling You" comprised the entire corresponding scene in the actual film.

Using a quote from the above article, answer the following question: did anyone else partake in the music?
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Answer: music composed by original Dreamgirls stage composer Henry Krieger. With Tom Eyen having died in 1991, various lyricists were brought in by Krieger

Problem: Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.

Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s. Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records. After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses. In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire."

what did they do early in their career?

Answer with quotes:
two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone,