input: In 2000, while also working with Silverchair, Johns and Mac released an internet-only EP, I Can't Believe It's Not Rock. In mid-2003, during Silverchair's hiatus, the pair re-united and formed The Dissociatives, releasing a self-titled album in April 2004. The duo provided the theme music for the popular ABC-TV music quiz show Spicks and Specks - as a reworking of the Bee Gees' 1966 hit of the same name. Johns also collaborated with then-wife Natalie Imbruglia on her Counting Down the Days album, released in April 2005. Joannou worked with blues-rock group The Mess Hall; he co-produced - with Matt Lovell - their six-track extended play, Feeling Sideways, which was released in May 2003. The album was nominated for the ARIA Award for 'Best Independent Release' in 2003. Joannou and Lovell co-produced The Mess Hall's studio album, Notes from a Ceiling which was issued in June 2005. Joannou and Lovell received a nomination at the ARIA Music Awards of 2005 for 'Producer of the Year'. In 2003, Gillies formed Tambalane with Wes Carr, initially as a song-writing project, they released a self-titled album in 2005 and toured Australia. The 2004 Boxing Day tsunami resulted in the WaveAid fund-raising concert held in January 2005: Silverchair performed to help raise funds for aid organisations working in disaster affected areas. As a result of WaveAid the band decided to resume working together. Gillies explained the band's reunion as due to a special "chemistry" between band members, telling The Sydney Morning Herald, "It only took us 15 years, but recently we've realised, 'We've really got something special and we should just go for it.'"

Answer this question "What else happen in 2005"
output: Counting Down the Days album, released in April 2005.

input: 1997 was a career year for Els first winning his second U.S. Open (once again over Colin Montgomerie) this time at Congressional Country Club, making him the first foreign player since Alex Smith (1906, 1910) to win the U.S. Open twice. He defended his Buick Classic title and added the Johnnie Walker Classic to his list of victories. Els nearly won the World Match Play Championship for a fourth consecutive year, but lost to Vijay Singh in the final. 1998 and 1999 continued to be successful years for Els with 4 wins on both the PGA and European tours. 2000 started in historic fashion for Els being given a special honour by the Board of Directors of the European Tour awarding him with honorary life membership of the European Tour because of his two U.S. Opens and three World Match Play titles. 2000 was the year of runners-up for Els; with three runner-up finishes in the Majors (Masters, U.S. Open and The Open Championship) and seven second-place finishes in tournaments worldwide. Els had a disappointing 2001 season, failing to win a US PGA tour event for the first time since 1994 although he ended the year with nine second-place finishes. 2002 was arguably Els's best year, which started with a win at the Heineken Classic at the Royal Melbourne Golf Club. Then went to America and outplayed World Number one Tiger Woods to lift the Genuity Championship title. The premier moment of the season was surely his Open Championship triumph in very tough conditions at Muirfield. Els overcame a four-man playoff to take home the famous Claret Jug trophy for the first time, also quieting his critics about his mental toughness. The South African also won his fourth World Match Play title, along with his third Nedbank Challenge in the last four years, dominating a world-class field and winning by 8 shots.

Answer this question "What happened in 1997?"
output: 1997 was a career year for Els first winning his second U.S. Open

input: 78 rpm records were normally sold individually in brown paper or cardboard sleeves that were plain, or sometimes printed to show the producer or the retailer's name. Generally the sleeves had a circular cut-out exposing the record label to view. Records could be laid on a shelf horizontally or stood on an edge, but because of their fragility, breakage was common. German record company Odeon is often said to have pioneered the album in 1909 when it released the Nutcracker Suite by Tchaikovsky on 4 double-sided discs in a specially designed package. However, the previous year Deutsche Grammophon had produced an album for its complete recording of the opera Carmen. The practice of issuing albums was not adopted by other record companies for many years. One exception, HMV, produced an album with a pictorial cover for its 1917 recording of The Mikado (Gilbert & Sullivan). By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album" was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music in specially assembled albums, typically with artwork on the front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight tunes per album. When the 12-inch vinyl LP era began in 1948, each disc could hold a similar number of tunes as a typical album of 78s, so they were still referred to as an "album", as they are today.

Answer this question "When did they become common?"
output:
In the 1930s, record companies began issuing collections of 78 rpm records by one performer or of one type of music