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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Van Halen 20072008 Tour was a North American concert tour occurring in the fall of 2007 and winter and spring of 2008 for hard rock band Van Halen. It was Van Halen's first tour since 2004 (which itself was the band's only tour since 1998), and the first one with original singer David Lee Roth since he left the band in 1985. Roth was with the band from 19741985, when the band rose to prominence. Context_2 : 1984 (stylized as MCMLXXXIV on the album's front cover) is the sixth studio album by American hard rock band Van Halen, released on January 9, 1984. "1984" was the last Van Halen album to feature lead singer David Lee Roth until 2012's "A Different Kind of Truth", and the final full-length album with all four original members. Roth left the band in 1985 due to increasing creative differences. This album and their debut are Van Halen's bestselling albums, each having sold more than 10 million copies. Context_3 : Van Halen III is the eleventh studio album by American rock band Van Halen, released on March 17, 1998 by Warner Bros. Records. Produced by Mike Post and Eddie Van Halen, it is the band's only studio album to feature lead vocalist Gary Cherone, and the last to feature bass guitarist Michael Anthony before he was replaced in the band by Eddie's son Wolfgang in 2006. Work on a follow-up album with Cherone commenced in 1999, but never advanced past a few demos. Context_4 : The 1984 Tour was a North American concert tour by hard rock band Van Halen in support of their album "1984". The tour was very successful but tension between the Van Halen brothers and Roth was high. After the tour, the band continued to promote the album on their Monsters of Rock Tour 1984 (a short European festival tour to compensate for the main "1984 Tour" being North American only), and then David Lee Roth left Van Halen. He would not perform live with them until the 2007 reunion tour. The tour was one of the band's longer ones, but was divided into four separate legs. American glam metal band Autograph was an opening act for the tour. Context_5 : A Different Kind of Truth is the twelfth studio album by American hard rock band Van Halen. Released on February 7, 2012, by Interscope Records, the record is Van Halen's first full-length album of studio material with former lead singer David Lee Roth since "1984". Likewise, it is Van Halen's first studio album since 1998's "Van Halen III". It is the first to feature Eddie Van Halen's son Wolfgang on bass guitar, replacing Michael Anthony, who had played bass on all of Van Halen's previous albums. Context_6 : Edward Lodewijk Van Halen (born January 26, 1955) is a Dutch-American musician, songwriter and producer. He is best known as the lead guitarist, occasional keyboardist and co-founder of the American hard rock band Van Halen and is considered as one of the most influential guitarists in the history of rock music. In 2011, "Rolling Stone" "Magazine" ranked Van Halen number eight in the list of the 100 Greatest Guitarists. In 2012, he was voted number one in a "Guitar World" magazine reader's poll for "The 100 Greatest Guitarists of All Time". Context_7 : Van Halen Rising: How A Southern California Backyard Party Band Saved Heavy Metal, or also just known as,Van Halen Rising, is a 2015 biography written by Greg Renoff, a Ph.D. in American History, about the early history of the popular rock band Van Halen. The book also includes interviews from notable musicians, such as, former Van Halen bassist Michael Anthony and power players like Pete Angelus, Marshall Berle, Donn Landee, Ted Templeman, and Neil Zlozower. Context_8 : "Hot for Teacher" is a song by the American rock band Van Halen, taken from their sixth studio album, 1984. The song was written by band members Eddie Van Halen, Alex Van Halen, Michael Anthony and David Lee Roth, and produced by Ted Templeman. It was released as the fourth and final single from the album in October 1984. It was the final single released by Van Halen's original lineup. Context_9 : "I'll Wait" is a song by the American rock band Van Halen, taken from their sixth studio album, "1984" (1984). The song was written by band members Eddie Van Halen, Alex Van Halen, Michael Anthony, David Lee Roth and Michael McDonald, and produced by Ted Templeman. Context_10 : "Ain't Talkin' 'bout Love" is a song by American rock band Van Halen from their 1978 debut album, "Van Halen". When Eddie Van Halen wrote the song, he did not consider it good enough to show his bandmates until a year later. He said it was supposed to be a punk rock parody, "a stupid thing to us, just two chords. It didn't end up sounding punk, but that was the intention." The guitar solo was doubled in overdubs with an electric sitar. fact_1 : Van Halen III is the eleventh studio album by American rock band Van Halen, released on March 17, 1998 by Warner Bros. fact_2 : Produced by Mike Post and Eddie Van Halen, it is the band's only studio album to feature lead vocalist Gary Cherone, and the last to feature bass guitarist Michael Anthony before he was replaced in the band by Eddie's son Wolfgang in 2006. fact_3 : Edward Lodewijk Van Halen (born January 26, 1955) is a Dutch-American musician, songwriter and producer. Question: What producer of the eleventh studio album by American rock band Van Halen is a Dutch American?
Solution:
Eddie Van Halen