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In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input: Context_1 : The Irish general election of 1922 took place in Southern Ireland on 16 June 1922, under the provisions of the 1921 Anglo-Irish Treaty to elect a constituent assembly paving the way for the formal establishment of the Irish Free State. For Irish republicans this chose part of the membership of the Third Dail of the Irish Republic; under the provisions of the treaty it was a provisional parliament replacing the parliament of Southern Ireland. From 6 December 1922 it was the Dail Eireann of the Irish Free State. Context_2 : The Irish Boundary Commission (Irish: "Coimisiun na Teorainne" ) met in 192425 to decide on the precise delineation of the border between the Irish Free State and Northern Ireland. The 1921 Anglo-Irish Treaty, which ended the War of Independence, provided for such a commission if Northern Ireland chose to secede from the Irish Free State, an event that occurred as expected two days after the Free State's inception on 6 December 1922. The governments of the United Kingdom, of the Irish Free State and of Northern Ireland were to nominate one member each to the commission. When the Northern government refused to cooperate, the British government assigned a Belfast newspaper editor to represent Northern Irish interests. Context_3 : The original Irish Republican Army (IRA) fought a guerrilla war against British rule in Ireland in the Irish War of Independence between 1919 and 1921. Following the signing of the Anglo-Irish Treaty on 6 December 1921, the IRA in the 26 counties that were to become the Irish Free State split between supporters and opponents of the Treaty. The anti-Treatyites, sometimes referred to by Free State forces as Irregulars, continued to use the name Irish Republican Army (IRA) or in Irish Oglaigh na hEireann, as did the organisation in Northern Ireland which originally supported the pro-Treaty side (if not the Treaty). "Oglaigh na hEireann" was also adopted as the name of the pro-Treaty National Army, and remains the official legal title of the Irish Defence Forces. This article deals with the anti-Treaty IRA that fought against the Irish Free State in the Irish Civil War, and with its successors up to 1969, when the IRA split again. Context_4 : Comhairle na dTeachtai was an Irish republican parliament established by opponents of the 1921 Anglo-Irish Treaty and the resulting Irish Free State, and viewed by republican legitimatists as a successor to the Second Dail. Members were abstentionist from the Third Dail established by the pro-Treaty faction. Just as the First Dail established a parallel Irish Republic in opposition to the British Dublin Castle administration, so Comhairle na dTeachtai attempted to establish a legitimatist government in opposition to the Provisional Government and Government of the Irish Free State established by the Third Dail. This legitimatist government, called the Council of State, had Eamon de Valera as President. In 1926 de Valera resigned as President, left the Sinn Fein party and founded Fianna Fail, which in 1927 entered the Fourth Dail. Comhairle na dTeachtai, never more than a symbolic body, was thereby rendered defunct. In 1930 Cumann na nGaedheal TDs alleged in the Dail that de Valera had addressed Comhairle na dTeachtai in December 1926, after the foundation of Fianna Fail; this was to cast aspersions on de Valera's commitment to the Constitution of the Irish Free State. Context_5 : The Irish Free State (Irish: "Saorstat Eireann" ] ; 6 December 192229 December 1937) was a state established in 1922 under the Anglo-Irish Treaty of December 1921. That treaty ended the three-year Irish War of Independence between the forces of the self-proclaimed Irish Republic, the Irish Republican Army (IRA), and British Crown forces. Context_6 : The Constitution of the Irish Free State (Irish: "Bunreacht Shaorstait Eireann" ) was the second constitution of the independent Irish state. It was adopted by Act of Dail Eireann sitting as a constituent assembly on 25 October 1922. In accordance with Article 83 of the Constitution, the Irish Free State Constitution Act 1922 of the British Parliament, which came into effect upon receiving the royal assent on 5 December 1922, provided that the Constitution would come into effect upon the issue of a Royal Proclamation, which was done on 6 December 1922. In 1937 the Constitution of the Irish Free State was replaced by the modern Constitution of Ireland following a referendum. Context_7 : The Irish Republic (Irish: "Poblacht na hEireann" or "Saorstat Eireann" ) was a revolutionary state that declared its independence from the United Kingdom of Great Britain and Ireland in January 1919 (not to be confused with the proclamation of the Irish Republic that was a different Irish Republic or the Republic of Ireland Act 1948). The Republic claimed jurisdiction over the whole island of Ireland, but by 1920 its functional control was limited to only 21 of Ireland's 32 counties, and British state forces maintained presence across much of the north-east, as well as Cork, Dublin and other major towns. Context_8 : The Irish Free State Constitution Act 1922 (Session 2) was an Act of the Parliament of the United Kingdom, passed in 1922 to enact in UK law the Constitution of the Irish Free State, and to formally ratify the 1921 Anglo-Irish Treaty of 6 December 1921. Context_9 : The Anglo-Irish Treaty (Irish: "An Conradh Angla-Eireannach" ), commonly known as The Treaty and officially the Articles of Agreement for a Treaty Between Great Britain and Ireland, was an agreement between the government of the United Kingdom of Great Britain and Ireland and representatives of the Irish Republic that concluded the Irish War of Independence. It provided for the establishment of the Irish Free State within a year as a self-governing dominion within the 'community of nations known as the British Empire', a status 'the same as that of the Dominion of Canada'. It also provided Northern Ireland, which had been created by the Government of Ireland Act 1920, an option to opt out of the Irish Free State, which it exercised. Context_10 : The Irish Republican Army was a guerrilla army that fought the Irish War of Independence against Britain from 19191921. It saw itself as the legitimate army of the Irish Republic declared in 1919. The Anglo-Irish Treaty, which ended this conflict, was a compromise which abolished the Irish Republic, but created the self-governing Irish Free State, within the British Empire. The IRA was deeply split over whether to accept the Treaty. Some accepted, whereas some rejected not only the Treaty but also the civilian authorities who had accepted it. This attitude eventually led to the outbreak of the Irish Civil War in late June 1922 between pro- and anti-Treaty factions. fact_1 : That treaty ended the three-year Irish War of Independence between the forces of the self-proclaimed Irish Republic, the Irish Republican Army (IRA), and British Crown forces. fact_2 : The Irish Republic (Irish: "Poblacht na hEireann" or "Saorstat Eireann" ) was a revolutionary state that declared its independence from the United Kingdom of Great Britain and Ireland in January 1919 (not to be confused with the proclamation of the Irish Republic that was a different Irish Republic or the Republic of Ireland Act 1948). Answer: Irish Republic
Solution:
The Irish Free State, 6 December 1922 December 1937 was a state established in 1922 under the AngloIrish Treaty of December 1921, the treaty ended the threeyear Irish War of Independence between the forces of which selfproclaimed revolutionary state that declared its independence from the United Kingdom of Great Britain and Ireland?