In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution is here: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this: Context_1 : John Holland Cazale ( ; ] ; August 12, 1935 March 13, 1978) was an American actor. He appeared in five films over a period of six years, all of which were nominated for the Academy Award for Best Picture: "The Godfather", "The Conversation", "The Godfather Part II", "Dog Day Afternoon", and "The Deer Hunter." He appeared in archival footage in "The Godfather Part III", also nominated for Best Picture, making him the only actor to have this multi-film distinction. From his start as a theater actor, he became one of Hollywood's premier character actors, starting with his role as the doomed, weak-minded Fredo Corleone opposite longtime friend Al Pacino in Francis Ford Coppola's film "The Godfather" and its 1974 sequel. Cazale chose to continue acting despite being diagnosed with lung cancer. He died in New York City on March 13, 1978, shortly after completing his role in "The Deer Hunter". Context_2 : The Godfather Saga is a TV miniseries that combines "The Godfather" and "The Godfather Part II" into one film. It originally aired on NBC over four consecutive nights (one three-hour segment and three two-hour segments) in November 1977. "The Godfather Saga" is also known as The Godfather: The Complete Novel for Television, The Godfather: A Novel for Television, The Godfather Novella, and The Godfather Epic (on HBO). The television version was the basis for a shorter, 1981 video release known as The Godfather 19021959: The Complete Epic. Following the release of "The Godfather Part III" in 1990, a third unified version was released to video in 1992 entitled The Godfather Trilogy: 19011980. Context_3 : Lucy Mancini is a fictional character in Mario Puzo's "The Godfather". She was portrayed by Jeannie Linero in "The Godfather" and "The Godfather Part III". Context_4 : Archbishop Gilday is a fictional character and one of the main antagonists in "The Godfather Part III". He is portrayed by Donal Donnelly. His character is said to have been based on Paul Marcinkus. Context_5 : The Godfather Part III is a 1990 American crime film written by Mario Puzo and Francis Ford Coppola, and directed by Coppola. A sequel to "The Godfather" (1972) and "The Godfather Part II" (1974), it completes the story of Michael Corleone, a Mafia kingpin who attempts to legitimize his criminal empire. The film also includes fictionalized accounts of two real-life events: the 1978 death of Pope John Paul I and the Papal banking scandal of 198182, both linked to Michael Corleone's business affairs. The film stars Al Pacino, Diane Keaton, Talia Shire, and Andy Garcia, and features Eli Wallach, Joe Mantegna, George Hamilton, Bridget Fonda, and Sofia Coppola. Context_6 : Paul Marcinkus ( ), GCOIH (January 15, 1922 February 20, 2006) was an American archbishop of the Roman Catholic Church. He was best known for his tenure as President of the Vatican Bank from 1971 to 1989. Context_7 : Carmine Coppola (June 11, 1910 April 26, 1991) was an American composer, flautist, editor, musical director, and songwriter who contributed original music to "The Godfather", "The Godfather Part II", "Apocalypse Now", and "The Godfather Part III", all directed by his son Francis Ford Coppola. Context_8 : "G.O.D. Pt. III" is the third single from Mobb Deep's "Hell on Earth" album. The song contains an interpolation from "Tony's Theme" by Giorgio Moroder from the 1983 film "Scarface", and a drum-loop from "Fool Yourself" by Little Feat. The title is a reference to "The Godfather Part III". The chorus features Infamous Mobb member Godfather Pt. III. Context_9 : Vincent Santino Corleone (ne Mancini) is a fictional character in the 1990 feature film "The Godfather Part III", in which he is portrayed by Andy Garcia, who was nominated for an Academy Award for his performance. Vincent is the illegitimate son of Sonny Corleone and his mistress Lucy Mancini. He eventually succeeds his uncle Michael as head of the Corleone family. Retroactive continuity ("retcon") was employed to create the character's existence for "The Godfather Part III", as it is evident from Mario Puzo's original novel that Lucy did not conceive a child with Sonny. Context_10 : Barry M. Malkin (born October 26, 1938) is an American film editor with about 30 film credits. He is noted for his extended collaboration with director Francis Ford Coppola, having edited most of Coppola's films from 1969-1997. In particular, Malkin worked with Coppola on four of the component and compilation films of the "Godfather Trilogy", although he was not involved in the original 1972 film. Roger Ebert has written of "The Godfather Part II", which Malkin edited, "... why is it a "great movie"? Because it must be seen as a piece with the unqualified greatness of "The Godfather." The two can hardly be considered apart ("Part III" is another matter). When the characters in a film take on a virtual reality for us, when a character in another film made 30 years later can say "The Godfather" contains all the lessons in life you need to know, when an audience understands why that statement could be made, a film has become a cultural bedrock." fact_1 : Archbishop Gilday is a fictional character and one of the main antagonists in "The Godfather Part III". fact_2 : His character is said to have been based on Paul Marcinkus. fact_3 : Paul Marcinkus ( ), GCOIH (January 15, 1922 February 20, 2006) was an American archbishop of the Roman Catholic Church. Answer: Paul Marcinkus
Solution:
What American archbishop is a main antagonist in The Godfather Part III said to have been based on?