Question: Dick was born on December 21, 1965 in Charleston, South Carolina. He was adopted at birth by Allen and Sue Dick, and named Andrew Roane Dick. He was brought up Presbyterian. His father was in the Navy, As a child, he spent time living with his family in Connecticut, Pennsylvania, New York, and Yugoslavia before moving to Chicago in 1979.

On May 15, 1999, Dick drove his car into a utility pole in Hollywood. He was charged with the possession of cocaine, cannabis, and drug paraphernalia, driving under the influence of alcohol/drugs, and hit-and-run driving. He later pleaded guilty to the felony of cocaine possession and two other misdemeanor charges: cannabis possession and possession of a "smoking device". After Dick completed an 18-month drug diversion program, a judge dismissed the felony and misdemeanor drug charges against him. On December 4, 2004, Dick was arrested for indecent exposure after he exposed his buttocks at a local McDonald's. On July 16, 2008, Dick was arrested in Murrieta, California, on suspicion of drug possession and sexual battery. He exposed the breasts of a 17-year-old girl when he allegedly grabbed and pulled down her tank top and brassiere. During a search of his person, police reported finding a small quantity of cannabis and one alprazolam (Xanax) tablet (for which Dick did not have a prescription) in his front pants pocket. He was released from jail after posting $5,000 bail. Dick eventually pleaded guilty to misdemeanor battery and marijuana possession. He was sentenced to three years probation, had to pay about $700 in fines, and was ordered to wear an alcohol-monitoring bracelet for one year. On January 23, 2010, Dick was arrested about 4 a.m. at a bar in Huntington, West Virginia, on charges of sexual abuse after reportedly groping a bartender and a patron. He was released from jail after pleading not guilty and posting $60,000 bail. On June 29, 2011, Dick was formally indicted by a Cabell County Grand Jury for two counts of first degree sexual abuse. Dick pleaded not guilty during a formal arraignment in Cabell County Circuit Court in Huntington on July 29, 2011. After receiving the not guilty plea, Judge Paul Ferrell set a trial date of January 17, 2012. After several delays, on May 21, 2012, Dick was given a six-month pre-trial diversion. An assistant prosecutor said that the agreement stated that if Dick would stay out of legal trouble for six months, the criminal charges would be dismissed. In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages.

Using a quote from the above article, answer the following question: Did he manage to stay out of trouble?
HHHHHH
Answer: In January 2012, the two alleged victims filed a civil suit against Dick for unspecified damages.

Question: La Monte Thornton Young (born October 14, 1935) is an American avant-garde composer, musician, and artist generally recognized as the first minimalist composer. His works are cited as prominent examples of post-war experimental and contemporary music, and were tied to New York's downtown music and Fluxus art scenes. Initially inspired by sources such as Indian classical music, serialism, and jazz, Young is perhaps best known for his pioneering work in Western drone music (originally referred to as "dream music"), prominently explored in the 1960s with the experimental music collective the Theatre of Eternal Music. He has engaged in musical and multimedia collaborations with a wide range of artists, including Tony Conrad, Pandit Pran Nath, John Cale, Terry Riley, and visual artist Marian Zazeela, with whom he developed the Dream House sound and light installation.

Young's first musical influence came in early childhood in Bern. He relates that "the very first sound that I recall hearing was the sound of wind blowing under the eaves and around the log extensions at the corners of the log cabin". Continuous sounds--human-made as well as natural--fascinated him as a child. He described himself as fascinated from a young age by droning sounds, such as "the sound of the wind blowing", the "60 cycle per second drone [of] step-down transformers on telephone poles", the tanpura drone and the alap of Indian classical music, "certain static aspects of serialism, as in the Webern slow movement of the Symphony Opus 21", and Japanese gagaku "which has sustained tones in it in the instruments such as the Sho". The four pitches he later named the "Dream chord", on which he based many of his mature works, came from his early age appreciation of the continuous sound made by the telephone poles in Bern. Jazz is one of his main influences and until 1956 he planned to devote his career to it. At first, Lee Konitz and Warne Marsh influenced his alto saxophone playing style, and later John Coltrane shaped Young's use of the sopranino saxophone. Jazz was, together with Indian music, an important influence on the use of improvisation in his works after 1962. La Monte Young discovered Indian music in 1957 on the campus of UCLA. He cites Ali Akbar Khan (sarod) and Chatur Lal (tabla) as particularly significant. The discovery of the tambura, which he learned to play with Pandit Pran Nath, was a decisive influence in his interest in long sustained sounds. Young also acknowledges the influence of Japanese music, especially Gagaku, and Pygmy music. La Monte Young discovered classical music rather late, thanks to his teachers at university. He cites Bela Bartok, Igor Stravinsky, Perotin, Leonin, Claude Debussy and Organum musical style as important influences, but what made the biggest impact on his compositions was the serialism of Arnold Schoenberg and Anton Webern. Young was also keen to pursue his musical endeavors with the help of psychedelics. Cannabis, LSD and peyote played an important part in Young's life from mid-1950s onwards, when he was introduced to them by Terry Jennings and Billy Higgins. He said that "everybody [he] knew and worked with was very much into drugs as a creative tool as well as a consciousness-expanding tool". This was the case with the musicians of the Theatre of Eternal Music, with whom he "got high for every concert: the whole group". He considers that the cannabis experience helped him open up to where he went with Trio for Strings, though sometimes it proved a disadvantage when performing anything which required keeping track of the number of elapsed bars. He commented on the subject: These tools can be used to your advantage if you're a master of [them]... If used wisely - the correct tool for the correct job - they can play an important role... It allows you to go within yourself and focus on certain frequency relationships and memory relationships in a very, very interesting way.

Using a quote from the above article, answer the following question: Did he have any non musicical influences?
HHHHHH
Answer:
Continuous sounds--human-made as well as natural--fascinated him as a child.