In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
Example: plot : two teen couples go to a church party , drink and then drive .
they get into an accident .
one of the guys dies , but his girlfriend continues to see him in her life , and has nightmares .
what 's the deal ?
watch the movie and " sorta " find out . . .
critique : a mind - fuck movie for the teen generation that touches on a very cool idea , but presents it in a very bad package .
which is what makes this review an even harder one to write , since i generally applaud films which attempt to break the mold , mess with your head and such ( lost highway & memento ) , but there are good and bad ways of making all types of films , and these folks just did n't snag this one correctly
.
they seem to have taken this pretty neat concept , but executed it terribly .
so what are the problems with the movie ?
well , its main problem is that it 's simply too jumbled
.
it starts off " normal " but then downshifts into this " fantasy " world in which you , as an audience member ,
have no idea what 's going on
.
there are dreams , there are characters coming back from the dead , there are others who look like the dead , there are strange apparitions , there are disappearances , there are a looooot of chase scenes , there are tons of weird things that happen , and most of it is simply not explained .
now i personally do n't mind trying to unravel a film every now and then , but when all it does is give me the same clue over and over again , i get kind of fed up after a while , which is this film 's biggest problem .
it 's obviously got this big secret to hide , but it seems to want to hide it completely until its final five minutes .
and do they make things entertaining , thrilling or even engaging , in the meantime ?
not really .
the sad part is that the arrow and i both dig on flicks like this , so we actually figured most of it out by the half - way point , so all of the strangeness after that did start to make a little bit of sense , but it still did n't the make the film all that more entertaining .
i guess the bottom line with movies like this is that you should always make sure that the audience is " into it " even before they are given the secret password to enter your world of understanding .
i mean , showing melissa sagemiller running away from visions for about 20 minutes throughout the movie is just plain lazy ! !
okay , we get it .
. .
there are people chasing her and we do n't know who they are .
do we really need to see it over and over again ?
how about giving us different scenes offering further insight into all of the strangeness going down in the movie ?
apparently , the studio took this film away from its director and chopped it up themselves , and it shows .
there might 've been a pretty decent teen mind - fuck movie in here somewhere , but i guess " the suits " decided that turning it into a music video with little edge , would make more sense .
the actors are pretty good for the most part , although wes bentley just seemed to be playing the exact same character that he did in american beauty , only in a new neighborhood .
but my biggest kudos go out to sagemiller , who holds her own throughout the entire film , and actually has you feeling her character 's unraveling .
overall , the film does n't stick
because it does n't entertain , it 's confusing , it rarely excites and
it feels pretty redundant for most of its runtime , despite a pretty cool ending and explanation to all of the craziness that came before it .
oh ,
and by the way , this is not a horror or teen slasher flick . . .
it 's just packaged to look that way because someone is apparently assuming that the genre is still hot with the kids .
it also wrapped production two years ago and has been sitting on the shelves ever since .
whatever . .
. skip it !
where 's joblo coming from ?
a nightmare of elm street 3 ( 7/10 ) - blair witch 2 ( 7/10 ) - the crow ( 9/10 ) - the crow : salvation ( 4/10 )
- lost highway ( 10/10 ) - memento ( 10/10 ) - the others ( 9/10 ) - stir of echoes ( 8/10 )
Example solution: N
Example explanation: The phrases used in the review convey a negative sentiment (e.g. "presents it in a very bad package").

Problem: the plot of big momma 's house is martin lawrence in a fat suit and a dress .
that 's not just the high - concept premise ; it 's the fully - realized , all - encompassing plot .
such an emphasis is not unheard - of in the world of hollywood summer entertainment .
one need merely look back to last summer , when the plot of big daddy was adam sandler being an incompetent surrogate parent .
the trap inherent in such an approach is that the high - concept plot idea better be pretty well - realized , or rest on the shoulders of an extremely talented performer , because you can bet there will be nothing else worth a second of your time -- not a developed character , not a provocative theme , not a witty twist .
you will get 90-plus minutes of martin lawrence in a fat suit and a dress -- nothing more , nothing less .
those who find martin lawrence more than an occasionally amusing screen presence
may have a shot at enjoying the one - note dud that is big momma 's house .
others will simply stare , mouth agape , at its sheer unapologetic laziness .
lawrence plays fbi agent malcolm turner , an undercover expert on a stakeout assignment with his partner john ( paul giamatti ) .
dangerous convicted bank robber and murderer lester vesco (
terrence howard ) has escaped from prison , and the feds think he 's headed for his former girlfriend and presumed - but - never - proved accomplice sherry ( nia long ) .
sherry , however , has fled with her son trent ( jascha washington ) , possibly to visit her grandmother hattie mae ( ella mitchell ) , better known as big momma .
indeed , sherry appears to be on her way , but big momma is headed out of town without knowing sherry is coming .
that leaves master of disguise malcolm to go under very heavy cover as big momma and find out what sherry knows .
big momma 's house 's bloodlines are certainly traceable to mrs .
doubtfire -- director raja gosnell edited that film , and the makeup effects were similarly created by greg cannom -- but there 's just as strong a whiff of tootsie in the main character 's attempt to use his alternate identity to get closer to a woman .
unfortunately , big momma 's house makes a ridiculous decision neither of those other films made : instead of having the protagonist pose as a completely manufactured character unfamiliar to anyone elses , it places malcolm in the position of playing a friend and family member to several other characters .
suspension of disbelief in big momma 's house requires you to believe every other person in the film is blind and/or stupid , since no one notices that one big momma looks or sounds absolutely nothing like the other .
of course , laughs trumps logic every time , and big momma 's house probably still would have worked in spite of its utter disdain for common sense if it had just managed to be funny .
and it misses its best possible opportunity for some great farce by ignoring the simple fact that the real big momma is set up as a foul - tempered beast , while malcolm has to be nurturing in order to get the information he wants out of sherry .
unfortunately , no one involved appears to have the faintest idea how to deal with the comic gold mine involved in one real person pretending to be another , very different real person , so
they fall back on an endless parade of sight gags :
malcolm reacting violently to big momma 's explosive diarrhea attack ; malcolm - as - momma schooling a pair of cocky teens in basketball ; malcolm trying to avoid detection as various prostheses give way at inopportune moments ; malcolm delivering a baby because big momma is the town midwife ( one of the few sequences that works ) .
martin lawrence can be likeable enough at times ,
but there 's no reason to care a whit about his budding romance with sherry because malcolm is never an independently significant character .
he 's just big momma without the makeup on .
i wo n't waste time commenting on how ineptly the set - up of the escaped convict is employed , since it was clearly a waste of time to the film - makers .
there are a few token scenes of lester looming as a threatening figure ,
but he 's ultimately a distraction in a film that 's really about its central visual incongruity
( and the accompanying lascivious glances at nia long 's posterior ) .
i 'm never prepared to underestimate how appealing that idea may be to other people -- several million of them apparently found adam sandler as an incompetent surrogate parent appealing -- but i know that when a film - maker tries to throw a concept at me and pretend that it 's an entire film , i duck out of the way .
the gross implausibility of big momma 's house might have been tolerable if it was seasoned with more big , cleverly - constructed laughs .
its lack of big laughs might have been tolerable if its characters were at all relevant .
big momma 's house is ridiculous _
and _ not funny .
it 's just a sad exercise in the jaded presumption that any scene should be considered wacky and hilarious if it involves martin lawrence in a fat suit and a dress .
Solution: N