input: Cezanne's paintings were shown in the first exhibition of the Salon des Refuses in 1863, which displayed works not accepted by the jury of the official Paris Salon. The Salon rejected Cezanne's submissions every year from 1864 to 1869. He continued to submit works to the Salon until 1882. In that year, through the intervention of fellow artist Antoine Guillemet, he exhibited Portrait de M. L. A., probably Portrait of Louis-Auguste Cezanne, The Artist's Father, Reading "L'Evenement", 1866 (National Gallery of Art, Washington, D.C.), his first and last successful submission to the Salon. Before 1895 Cezanne exhibited twice with the Impressionists (at the first Impressionist exhibition in 1874 and the third Impressionist exhibition in 1877). In later years a few individual paintings were shown at various venues, until 1895, when the Parisian dealer, Ambroise Vollard, gave the artist his first solo exhibition. Despite the increasing public recognition and financial success, Cezanne chose to work in increasing artistic isolation, usually painting in the south of France, in his beloved Provence, far from Paris. He concentrated on a few subjects and was equally proficient in each of these genres: still lifes, portraits, landscapes and studies of bathers. For the last, Cezanne was compelled to design from his imagination, due to a lack of available nude models. Like the landscapes, his portraits were drawn from that which was familiar, so that not only his wife and son but local peasants, children and his art dealer served as subjects. His still lifes are at once decorative in design, painted with thick, flat surfaces, yet with a weight reminiscent of Gustave Courbet. The 'props' for his works are still to be found, as he left them, in his studio (atelier), in the suburbs of modern Aix. Cezanne's paintings were not well received among the petty bourgeoisie of Aix. In 1903 Henri Rochefort visited the auction of paintings that had been in Zola's possession and published on 9 March 1903 in L'Intransigeant a highly critical article entitled "Love for the Ugly". Rochefort describes how spectators had supposedly experienced laughing fits, when seeing the paintings of "an ultra-impressionist named Cezanne". The public in Aix was outraged, and for many days, copies of L'Intransigeant appeared on Cezanne's door-mat with messages asking him to leave the town "he was dishonouring".

Answer this question "Are there any other interesting aspects about this article?"
output: Cezanne's paintings were not well received among the petty bourgeoisie of Aix.

Problem: Background: Born in Cleveland's Fairfax neighborhood, near East 85th Street and Quincy Avenue, to Naomi Womack and Friendly Womack, Bobby was the third of five brothers. Friendly Jr. and Curtis were the older brothers, Harry and Cecil were his younger brothers. They all grew up in the Cleveland slums, so poor that the family would fish pig snouts out of the local supermarket's trash. He had to share a bed with his brothers.
Context: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit as The Womack Brothers, along with Naomi on organ and Friendly Sr. on guitar. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, "Buffalo Bill". More records followed. Sam Cooke, the lead singer of The Soul Stirrers, first saw the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on national tours with The Staple Singers. Even though Curtis often sang lead, Bobby was allowed to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother's smoother tenor. During performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname. At just 16, Bobby dropped out of high school. At the beginning of the 1960s, Cooke formed SAR Records and signed the quintet to the label in 1961, where they released a handful of gospel singles. Then, Cooke changed their name to the Valentinos, relocated them to Los Angeles and convinced them to transition from gospel music to secular soul-and pop-influenced sound. Cooke produced and arranged the group's first hit single, "Lookin' for a Love", which was a pop version of the gospel song, "Couldn't Hear Nobody Pray", they had recorded earlier. The song became an R&B hit and helped land the group an opening spot for James Brown's tour. The group's next hit came in 1964 with the country-tinged "It's All Over Now", co-composed by Bobby. Their version was rising on the charts when The Rolling Stones covered it. Womack was also a member of Cooke's band, touring and recording with him from 1961. The Valentinos' career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded and SAR Records folded. Womack continued to work as a session musician. Between 1965 and 1968, he toured and recorded with Ray Charles.
Question: When did he begin his career?
Answer: By the mid-1950s, 10-year-old Bobby was touring with his brothers on the midwest gospel circuit

Question: Kutcher was born in Cedar Rapids, Iowa, to Diane (nee Finnegan), a Procter & Gamble employee, and Larry M. Kutcher, a factory worker. His father is of Czech descent, while his mother is of Czech, German, and Irish ancestry. Kutcher was raised in a "relatively conservative" Catholic family. He has an older sister named Tausha and a fraternal twin brother named Michael, who had a heart transplant when the brothers were young children.

Ashton Kutcher received widespread criticism for his appearance in a Popchips ad campaign in May 2012. The campaign featured Kutcher as an Indian man "looking for love" in a dating ad-style spoof. Kutcher's use of brown face paint and a stereotypical Indian accent was deemed racially insensitive and offensive and received backlash from online viewers and members of the Indian-American community. Emmy-award winning comedian Aziz Ansari featured the commercial in his 2015 Netflix comedy-drama Master of None, to make a point that South Asian discrimination is taken less seriously than Black discrimination although they are both forms of racism. "Asians and Indians are the new clownable minority," comedian Hasan Minhaj, now a correspondent on The Daily Show, lamented in a YouTube response to Popchips. "You have a s--ty accent and you're not even being racist correctly. If you're gonna be racist, come correct with your racism." Ravi Patel gave his argument in a 2015 interview, "I don't find stereotypical roles to always be offensive. I think stereotypes are there for a reason and are a very big part of comedy. It's interesting, [Aziz's] issue is specifically with Indian stereotypes, but you don't see him walking away from other [racial] stereotypes," Patel said. "You need to look at it on a case-by-case basis. Like in Transformers, Michael Bay wanted me to wear a turban. I was like 'Why do you want me to wear a turban?' And he said, 'Because it's funny,' and I said 'Well, that's not a good enough reason to wear a turban.' I've stood up for stuff that's offensive every time."

Using a quote from the above article, answer the following question: what time in his career did this occur?
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Answer:
2015