(Q).
Sheila split open and the air was filled with gumballs. Yellow gumballs. This was awful for Stan, just awful. He had loved Sheila for a long time, fought for her heart, believed in their love until finally she had come around. They were about to kiss for the first time and then this: yellow gumballs. Stan went to a group to try to accept that Sheila was gone. It was a group for people whose unrequited love had ended in some kind of surrealist moment. There is a group for everything in California. After several months of hard work on himself with the group, Stan was ready to open a shop and sell the thousands of yellow gumballs. He did this because he believed in capitalism, he loved capitalism. He loved the dynamic surge and crash of Amazon's stock price, he loved the great concrete malls spreading across America like blood staining through a handkerchief, he loved how everything could be tracked and mirrored in numbers. When he closed the store each night he would count the gumballs sold, and he would determine his gross revenue, his operating expenses, his operating margin; he would adjust his balance sheet and learn his debt to equity ratio; and after this exercise each night, Stan felt he understood himself and was at peace, and he could go home to his apartment and drink tea and sleep, without shooting himself or thinking about Sheila. On the night before the IPO of gumballs.com, Sheila came to Stan in a dream. She was standing in a kiddie pool; Stan and his brothers and sisters were running around splashing and screaming; she had managed to insert herself into a Super-8 home movie of Stan's family, shot in the late 70's. She looked terribly sad. "Sheila, where are you?" Stan said. "Why did you leave me, why did you become gumballs?" "The Ant King has me," Sheila said. "You must rescue me." Who said that the Ant King has them? Pick the correct answer from the following options: A. The people in the support group B. Sheila C. not enough information D. Stan's brothers
(A).
B

(Q).
He had a 12" Sony black-and-white, tuned to MTV, sitting on a chair at the end of the bed. He could barely hear it over the fan in the window. He sat in the middle of the bed because of the sag, drumming along absently to Steve Winwood's "Higher Love." The sticks were Regal Tip 5Bs. They were thinner than 2Bs--marching band sticks--but almost as long. Over the years Stan had moved farther out over the ends. Now the butts of the sticks fit into the heels of his palms, about an inch up from the wrist. He flipped the right stick away when the phone rang. "Stan, dude! You want to work tomorrow?" "Yeah, probably. What have you got, Darryl? You don't sound right." "Does the name Keven Stacey mean anything to you?" "Wait a minute." Stan switched the phone to his other ear. "Did you say Keven Stacey? As in Foolsgold, Kevin Stacey? She's going to record at CSR?" "You heard me." Stan could see Darryl sitting in the control room, feet up on the console, wearing double-knit slacks and a T-shirt, sweat coming up on his balding forehead. "This is some kind of bullshit, right? She's coming in for a jingle or a PSA." "No bullshit, Stanley. She's cutting a track for a solo album she's going to pitch to Warner's. Not a demo, but a real, honest-to-Christ track. Probably a single. Now if you're not interested, there's plenty of other drummers in LA..." "I'm interested. I just don't understand why she wants to fuck with a rinky-dink studio like yours. No offense." "Don't harsh me, bud. She's hot. She's got a song and she wants to put it in the can. Everybody else is booked. You try to get into Record One or Sunset Sound. Not for six months you won't get in. Even if you're Keven Stacey. You listening, Stan?" He heard Darryl hitting the phone on the edge of the console. "That's the Big Time, dude. Knocking on your door." What will probably happen after the call? Pick the correct answer from the following options: A. not enough information B. Darryl finds another drummer C. Stan agrees to work on the record D. Stan doesn't want to work for a rinky dink studio
(A).
C

(Q).
"You either change of life or you change of man" When I was married, my wife had a very complicated life to handle outside. She was always stressed from her studies, pressure and job, so she would go out, most oftenly with me, to places and times we shouldn't have been. She would just decide, in the middle of the night, even as early as 2 in the morning that we should just race the city, see places She always had those cravings to do stuff at strange times, getting to sport events with me at the other bit of the country This crazy kind of life got us in a big lot of troubles. People trying rape her, attack us and much many more. it was happening too often and I often had to be quite violent to these people so she stays in one piece. I had to fix a lot of crap in order for her to live fully her fantasy. But I was more worried for her than me and I wanted us settle down, calm and have children we could raise peacefully. There was that one night where, we both came back very late from a sport competition, we had to travel dangerous roads very late at night sometimes by bus, foot and other times subway. At one point that night, two drug addicts tried to rape her, so I did what I had to do, but still I didn't kill them. Then I shoved her and I really mean shove, inside a taxi, got in there too and asked it back home. When I arrived, she was denying the danger, denying anything wrong with her way to behave. So I really snapped, I just pulled my ring and chains away, threw them on the table in front of her and I told her the sentence I mentionned up there. I was harsh on her that night in my words and symbol but I just couldn't take that way anymore When did this episode occur? Pick the correct answer from the following options: A. After they were married B. During a sports event C. not enough information D. Before they were married
(A).
A