Some context: Madness are an English ska band from Camden Town, north London, who formed in 1976. One of the most prominent bands of the late 1970s and early 1980s 2 Tone ska revival, they continue to perform with six of the seven members of their classic line-up. Madness achieved most of their success in the early to mid-1980s. Both Madness and UB40 spent 214 weeks on the UK singles charts over the course of the decade, holding the record for most weeks spent by a group in the 1980s UK singles charts.
The core of the band formed as The North London Invaders in 1976, and included Mike Barson (Monsieur Barso) on keyboards and vocals, Chris Foreman (Chrissy Boy) on guitar and Lee Thompson (Kix) on saxophone and vocals. They later recruited John Hasler on drums and Cathal Smyth (better known as Chas Smash) on bass guitar. Later in the year, they were joined by lead vocalist Dikron Tulane. This six-piece line-up lasted until part way through 1977, when Graham McPherson (better known as Suggs) took over the lead vocals after seeing the band perform in a friend's garden. Dikron went on to be an actor under the name Dikran Tulaine. Smyth, who left after an argument with Barson, was replaced by Gavin Rodgers, Barson's girlfriend's brother. McPherson was kicked out of the band for too often choosing to watch Chelsea instead of rehearsing. Thompson left the band after Barson criticised his saxophone playing. By 1978, the band had allowed McPherson to return, after filling in temporarily for Hasler (who had taken over vocals when McPherson was removed). Thompson returned after patching things up with Barson. Drummer Daniel Woodgate (Woody) and bass player Mark Bedford (Bedders) also joined the band, replacing Garry Dovey and Rodgers, respectively. After briefly changing their name to Morris and the Minors, the band renamed itself as Madness in 1979, paying homage to one of their favourite songs by ska/reggae artist Prince Buster. The band remained a sextet until late 1979, when Chas Smash rejoined and officially became the seventh member of Madness as a backing vocalist and dancer.
Who came back
A: By 1978, the band had allowed McPherson to return, after filling in temporarily for Hasler
Some context: Jackass is an American reality series, originally shown on MTV from 2000 to 2002, featuring people performing various dangerous, crude, self-injuring stunts and pranks. The show served as a launchpad for the television and acting careers of Johnny Knoxville, Bam Margera, and Steve-O, who previously had only minor acting roles. The show later sparked several spin-offs including Wildboyz, Viva La Bam, Homewrecker, Bam's Unholy Union, and Dr. Steve-O as well as three feature films distributed by MTV corporate sibling Paramount Pictures. Jackass sparked considerable amounts of controversy, as it was seen as indecent and encouraging of dangerous behavior.
Since the first episode, Jackass frequently featured warnings and disclaimers noting that the stunts performed were dangerous and should not be imitated, and that recordings of any stunts would not be aired on MTV. Such warnings not only appeared before and after each program and after each commercial break, but also in a "crawl" that ran along the bottom of the screen during some especially risky stunts, as well as showing their "skull and crutches" logo at the bottom right of the screen to symbolize the stunt performed as risky. Nevertheless, the program has been blamed for a number of deaths and injuries involving teens and children recreating the stunts. Connecticut Senator Joe Lieberman followed up with a February 7, 2001 letter to MTV's parent company Viacom urging the company to take greater responsibility for its programming and do more to help parents protect their children. MTV responded to the criticism by canceling all airings of Jackass before 10 p.m., but Lieberman's continual campaign against the show led to MTV refusing to air repeats of the later episodes, a move which angered the cast and production crew of the series who were furious with MTV's "caving into Lieberman's demands". A man named Jack Ass sued MTV for $10 million, claiming the series was plagiarizing his name. Jack Ass, formerly known as Bob Craft, changed his name in 1997 to raise awareness for drunk driving, after his brother and friend were killed in a vehicle accident. Matt-Dillion Shannon, an 18-year-old from Napier, New Zealand, was sentenced on November 23, 2012 to three years in prison on a charge of causing grievous bodily harm for his role in the August 2011 dousing of a 16-year-old with gasoline and setting him alight. Shannon's lawyer claimed that this act was inspired by the Jackass series, despite the fact that no such stunt ever aired on the show.
Was the show dangerous?
A:
Some context: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.
The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars. Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another. Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.
Anything else in the article?
A:
Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.