IN: The information contained herein is based on sources that we believe to be reliable, but we do not represent that it is accurate or complete. Nothing contained herein should be considered as an offer to sell or a solicitation of an offer to buy any financial instruments discussed herein. Any opinions expressed herein are solely those of the author. As such, they may differ in material respects from those of, or expressed or published by on behalf of Carr Futures or its officers, directors, employees or affiliates. ? 2001 Carr Futures The charts are now in the most recent version of Adobe Acrobat 4.0 and they should print clearly from Adobe Acrobat Reader 3.0 or higher. Adobe Acrobat Reader 4.0 may be downloaded for FREE from www.adobe.com. (See attached file: ng_rpt.pdf)(See attached file: ho_rpt.pdf)(See attached file: hu_rpt.pdf)(See attached file: cl_rpt.pdf) - ng_rpt.pdf - ho_rpt.pdf - hu_rpt.pdf - cl_rpt.pdf

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OUT: commitment of traders 2/1

IN: Ken, After numerous efforts to secure an audience with President Fox, we have been successful in scheduling a lunch with him on the 27th of June. In addition to our usual reasons for taking this very important one-day trip, I have been advised by Presidencia (equivalent for our "West Wing") that during this face-to-face meeting, we would have the appropriate opportunity to invite President Fox to visit Houston. I have just received written confirmation of the 2:30 p.m. luncheon meeting. I will be going to appropriate GHP Boardmembers and major investors to determine who would be available to participate. I wanted to give my leadership heads up and request any thoughts or ideas that you may have on this subject matter as well as to determine your availability. Regards,

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OUT: Visit with President Fox

IN: The following item was presented in this week's corporate change control.... Dec. 28 Beginning at 5:00 p.m., the Corporate server team will remove domain controllers CORPHOU-DCARD02 and CORPHOU-DCARD03 from service to be rebuilt. These are just two of the numerous active domain controllers within the Corp domain. There should be no disruption of service as user requests should automatically be redirected to an active domain controller. Once these servers are rebuilt, they will be returned to the Corp domain. Dec. 31 From 8:00 a.m. - 12:00 p.m., the Corporate server team will move ECTHOU-HR1 to the Ardmore data center. This move will result in a total disruption of service for those HR users whose S:\ drive is mapped to this server.

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OUT: ETS and Corporate Change Control

IN: Houston Ballet gives free performances of Copp?lia at Miller Outdoor Theatre in Hermann Park 8:00 p.m. Friday May 11, Saturday May 12, & Sunday May 13, 2001 sponsored by AZURIX and ENRON Considered the great comedy of classical ballet, Copp?lia tells the story of a doll so enchantingly lifelike that she mesmerizes an entire village, captures the heart of a young swain named Franz and inspires the eccentric toymaker Dr. Copp?lius to attempt to transform her into a living, breathing human being. AZURIX and ENRON are Corporate Sponsors for Houston Ballet's Miller Theatre performances, helping to present these free performances of Copp?lia to the people of Houston. Houston Ballet has a limited number of tickets for the seated area each night for employees of AZURIX and ENRON. These tickets are available on a first-come, first-served basis by calling William at 713-535-3235 no later than 5 PM today . (Please be aware that all unoccupied seats are released at 10 minutes before curtain.) Other, free, general public tickets for the seated area (max 4 per person) are available at the Miller Theatre 11:30 a.m. - 1:00 p.m. on the day of performance; for more information call 713-284-8351 for the Miller Theatre ticket information line. Tickets are not required for the lawn area. About Coppelia Copp?lia was first performed on May 25, 1870 at the Th?atre Imp?rial de L'Op?ra, featuring choreography by Arthur Saint-L?on and music by L?o Delibes. The work maintains a special place in the history of dance, serving as a kind of bridge from the glory of the French Romantic ballet in the early nineteenth century to the masterpieces of the Russian Imperial Theater at the turn of the century. Writing in The International Dictionary of Ballet, critic Karen Dacko analyzes the unique characteristics of the piece as follows: "Copp?lia owes its longevity to its inspired, very danceable score. But the ballet is also remarkable for its perennial appeal and for its historical significance as Romanticism's grand finale and classical ballet's prologue." Copp?lia first entered Houston Ballet' repertoire in October 1974, in a staging by Frederic Franklin (who also performed the role of Dr. Copp?lius), and featuring scenery by Peter Farmer. In November 1979, former Royal Ballet ballerina Anne Heaton re-staged the work for the company. When Houston Ballet premiered its new production of the work in March 1992 featuring breathtaking d?cor by Desmond Heeley, Carl Cunningham of The Houston Post wrote, "It would be hard to imagine anything to cap the joyous, gentle, and glorious looking new production of Copp?lia the splendidly prepared company of dancers and musicians put forth Thursday evening on Wortham Center's Brown Theater stage." (The Houston Post, March 21, 1992) Heeley's designs for Copp?lia never fail to enchant, most notably in the second-act depiction of Dr. Copp?lius's workshop. The sampling of dolls on display pay homage to the era when automatons, or mechanical toys, were the rage in Europe -- and to Heeley's inexhaustible creativity. Among the eye-popping toys featured in the workshop are a huge astrologer with a pointed hat and a robe covered in shooting stars and moons; a strongman with a handlebar mustache and barbells; Puss n Boots; an acrobat hanging from a trapeze holding the man in the moon; and a small ballerina dancing on the back of a goat. In the first act, the vibrant reds, golds, and oranges of the costumes worn by the peasants in the village conjure up a wonderfully picturesque vision of nineteenth century Bavaria.

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OUT:
Houston Ballet's Miller Theater Performance of Coppelia