Problem: Background: John Aloysius Fahey (February 28, 1939 - February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been greatly influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate classical, Portuguese, Brazilian, and Indian music into his oeuvre.
Context: While Fahey lived in Berkeley, Takoma Records was reborn. Fahey decided to track down blues legend Bukka White by sending a postcard to Aberdeen, Mississippi (White had sung that Aberdeen was his hometown, and Mississippi John Hurt had been rediscovered using a similar method). When White responded, Fahey and ED Denson, a friend from the Washington, D.C., area, who had also moved west, decided to travel to Memphis and record White. The recordings by White became the first non-Fahey Takoma release. Fahey also released a second album in late 1963, called Death Chants, Breakdowns and Military Waltzes. To their surprise the Fahey release sold better than White's and Fahey had a career going. His releases during the mid-1960s employed odd guitar tunings and sudden style shifts rooted firmly in the old-time and blues stylings of the 1920s. But he was not simply a copyist, as compositions such as "When the Catfish Is in Bloom" or "Stomping Tonight on the Pennsylvania/Alabama Border" demonstrate. Fahey described the latter piece as follows: "The opening chords are from the last movement of Vaughan Williams' Sixth Symphony. It goes from there to a Skip James motif. Following that it moves to a Gregorian chant, "Dies Irae". It's the most scary one in the Episcopal hymn books, it's all about the day of judgment. Then it returns to the Vaughan Williams chords, followed by a blues run of undetermined origin, then back to Skip James and so forth." A hallmark of his classic releases was the inclusion of lengthy liner notes, parodying those found on blues releases. In the later half of the sixties, Fahey continued to issue material through Takoma as well as Vanguard Records, which had signed him along with similar instrumental folk guitarists Sandy Bull and Peter Walker. Albums from this period, such as Days Have Gone By, The Voice of the Turtle, Requia, and The Yellow Princess, found Fahey making sound collages from such elements as Gamelan music, Tibetan chanting, animal and bird cries and singing bridges. In 1967, Fahey recorded with Texas psych-rock trio The Red Crayola at the 1967 Berkeley Folk Festival, music that resurfaced on the 1998 Drag City release The Red Krayola: Live 1967. The Red Crayola subsequently recorded an entire studio album with Fahey, but the Red Crayola's label demanded possession of the tapes and recorded documentation of those sessions has been missing ever since. In addition to his own creative output, Fahey expanded the Takoma label, discovering fellow guitarists Leo Kottke, Robbie Basho, Bola Sete and Peter Lang, as well as emerging pianist George Winston. Kottke's debut release on the label, 6- and 12-String Guitar, ultimately proved to be the most successful of the crop, selling more than 500,000 copies. Other artists with albums on the label included Mike Bloomfield, Rick Ruskin, Rabindra Danks, the Fabulous Thunderbirds, Maria Muldaur, Michael Gulezian, and Canned Heat. In 1979, Fahey sold Takoma to Chrysalis Records. Jon Monday, who had been the general manager of the label since 1970, was the only employee to go with the new company. Chrysalis eventually sold the rights to the albums, and Takoma was in limbo until bought by Fantasy Records in 1995.
Question: What was the most interesting thing you found in the article?
Answer: In addition to his own creative output, Fahey expanded the Takoma label, discovering fellow guitarists Leo Kottke, Robbie Basho, Bola Sete and Peter Lang,

Problem: Background: Dame Helen Lydia Mirren, (nee Mironoff; born 26 July 1945) is an English actor. Mirren began her acting career with the Royal Shakespeare Company in 1967, and is one of the few performers who have achieved the Triple Crown of Acting. She won the Academy Award for Best Actress in 2007 for her performance as Queen Elizabeth II in The Queen and received the Olivier Award for Best Actress and Tony Award for Best Actress in a Play for the same role in The Audience. Mirren's other Academy Award nominations include The Madness of King George (1994), Gosford Park (2001) and The Last Station (2009).
Context: In 2015, Mirren reunited with her former assistant Simon Curtis on Woman in Gold, co-starring Ryan Reynolds. The film was based on the true story of Jewish refugee Maria Altmann, who, together with her young lawyer Randy Schoenberg, fought the Austrian government to be reunited with Gustav Klimt's painting of her aunt, the famous Portrait of Adele Bloch-Bauer I. The film received mixed reviews from critics, although Mirren and Reynold's performances were widely praised. A commercial success, Woman in Gold became one of the highest-grossing specialty films of the year. The same year, Mirren appeared in Gavin Hood's thriller Eye in the Sky (2015), in which she played as a military intelligence officer who leads a secret drone mission to capture a terrorist group living in Nairobi, Kenya. Mirren last film that year was Jay Roach's biographical drama Trumbo, co-starring Bryan Cranston and Diane Lane. The actress played Hedda Hopper, the famous actress and gossip columnist, in the film, which received generally positive reviews from critics and garnered her a 14th Golden Globe nomination. Mirren's only film of 2016 was Collateral Beauty, directed by David Frankel. Co-Starring Will Smith, Keira Knightley, and Kate Winslet, the ensemble drama follows a man who copes with his daughter's death by writing letters to time, death, and love. The film earned largely negative reviews from critics, who called it "well-meaning but fundamentally flawed." In 2017, Mirren narrated Cries from Syria, a documentary film about the Syrian Civil War, directed by Evgeny Afineevsky. Also that year, she made an uncredited cameo appearance in F. Gary Gray's The Fate of the Furious, the eighth installment in The Fast and the Furious franchise, playing Magdalene, the mother of Owen and Deckard Shaw. Mirren had a larger role in director Paolo Virzi's English-language debut The Leisure Seeker, based on the 2009 novel of the same name. On set, she was reunited with Donald Sutherland with whom she had not worked again since Bethune: The Making of a Hero (1990), portraying a terminally ill couple who escape from their retirement home and take one last cross-country adventure in a vintage van. At the 75th awards ceremony, Mirren received her 15th Golden Globe nomination. In 2018, Mirren portrayed heiress Sarah Winchester in the supernatural horror film Winchester: The House That Ghosts Built, directed by The Spierig Brothers. She will also play Mother Ginger in Lasse Hallstrom and Disney's adaptation of The Nutcracker, titled The Nutcracker and the Four Realms, and is expected to appear in the ensemble film Berlin, I Love You and the French crime thriller film Anna, the latter directed and written by Luc Besson.
Question: which movie has been the biggest success since 2015?
Answer:
The Leisure Seeker,