IN: Caesar was the youngest of three sons born to Jewish immigrants living in Yonkers, New York. His father was Max Ziser (1874-1946) and his mother was Ida (nee Raphael) (1887-1975). They likely were from Dabrowa Tarnowska, Poland. Reports state that the surname "Caesar" was given to Max, as a child, by an immigration official at Ellis Island.

After graduating from Yonkers High School in 1939, Caesar left home, intent on a musical career. He arrived in Manhattan and worked as an usher and then a doorman at the Capitol Theater there. He was ineligible to join the musicians' union in New York City until he established residency, but he found work as a saxophonist at the Vacationland Hotel, a resort located in the Catskill Mountains of Sullivan County, New York. Mentored by Don Appel, the resort's social director, Caesar played in the dance band and learned to perform comedy, doing three shows a week. He audited classes in clarinet and saxophone at the Juilliard School of Music. In 1939, he enlisted in the United States Coast Guard, and was stationed in Brooklyn, New York, where he played in military revues and shows. Vernon Duke, the composer of Autumn in New York, April in Paris, and Taking a Chance on Love, was at the same base and collaborated with Caesar on musical revues. During the summer of 1942, Caesar met his future wife, Florence Levy, at the Avon Lodge in the Catskills village of Woodridge, New York. They were married on July 17, 1943, and had three children: Michele, Rick and Karen. After joining the musicians' union, he briefly played with Shep Fields, Claude Thornhill, Charlie Spivak, Art Mooney and Benny Goodman. Later in his career, he performed "Sing, Sing, Sing" with Goodman for a TV performance. Still in the service, Caesar was ordered to Palm Beach, Florida, where Vernon Duke and Howard Dietz were putting together a service revue called Tars and Spars. There he met the civilian director of the show, Max Liebman. When Caesar's comedy got bigger applause than the musical numbers, Liebman asked him to do stand-up bits between the songs. Tars and Spars toured nationally, and became Caesar's first major gig as a comedian. Liebman later produced Caesar's first television series. After the war, the Caesars moved to Hollywood. In 1946, Columbia Pictures produced a film version of Tars and Spars in which Caesar reprised his role. The next year, he acted in The Guilt of Janet Ames. He turned down the lead of The Jolson Story as he did not want to be known as an impersonator, and turned down several other offers to play sidekick roles. He soon returned to New York, where he became the opening act for Joe E. Lewis at the Copacabana nightclub. He reunited with Liebman, who guided his stage material and presentation. That job led to a contract with the William Morris Agency and a nationwide tour. Caesar also performed in a Broadway revue, Make Mine Manhattan, which featured The Five Dollar Date--one of his first original pieces, in which he sang, acted, double-talked, pantomimed, and wrote the music. He won a 1948 Donaldson Award for his contributions to the musical.
QUESTION: Where did he go to start this career
IN: Titas (Portuguese pronunciation: [tSi'tas]) are a rock band from Sao Paulo, Brazil. Though they basically play pop/alternative rock, their music has touched a number of other styles throughout their 30-year career, such as new wave, punk rock, grunge, MPB and electronic music. They are one of the most successful rock bands in Brazil, having sold more than 6,3 million albums as of 2005 and having been covered by several well-known Brazilian artists and a couple of international singers. They were awarded a Latin Grammy in 2009 and have won the Imprensa Trophy for Best Band a record four times.

On July 11, 2016, vocalist, guitarist and founding member Paulo Miklos announced he would leave the band to focus on his personal projects. He was then replaced by session member Beto Lee, son of Brazilian notorious rock singer Rita Lee. His first recording with the band is a version of "Pro Dia Nascer Feliz", originally by Barao Vermelho, for the soundtrack of the 24th season of Malhacao, a Rede Globo series. With Lee's inclusion, the band recovered some old songs for its live setlists, including Titanomaquia's "Sera Que E Disso Que Eu Necessito?" and " Nem Sempre se Pode Ser Deus". They also started to have Bellotto sing in some songs. Also in 2016, the band announced a new album for a possible 2017 release. According to Bellotto, it will be a rock opera, and the band intended to enter the studio until mid-2017 so the album could be released in the year's second half. Drawing inspiration from albums such as The Who's Quadrophenia and Green Day's American Idiot, the over 30-track rock opera will have its story written by Hugo Possolo and Marcelo Rubens Paiva. By April 2017, Mello said a handful of tracks were ready. Also in April, the band started a tour called "Uma Noite no Teatro" (A Night at the Theater) with a show that was also the inaugurating event of Shopping Villa-Lobos' theater Opus. The tour included three new songs: "Me Estuprem" (Rape Me), about sexual harassment and rape; "12 Flores Amarelas" (12 Yellow Flowers); and "A Festa" (The Party). By that time, none of them were expected to be featured in the band's next album. On 23 September, however, the band performed them again during their show at the Rock in Rio 7, and this time they were announced as part of the new project. On December 2017, they announced that they had already started recording the album and that it would be released via Universal Music. In January 31, they announced that the opera rock would be released in early 2018 and that its title would be 12 Flores Amarelas.
QUESTION:
What was the rock opera?