input question: Select the correct sentiment of the following review: Cinematography--Compared to 'The Wrestler,' a degree of verite and cinematic skill that disarms the viewer, and then hypnotizes as well.

Acting--The dialogue is minimal, but the pauses and silence poignant.

Story--The conflict in a 'balkanized' Denmark is volatile, as we saw recently jihad murders in the Netherlands and riots in France. While I harbor no love for Islam, the departure from the West from Christian values holds no cause for celebration.

The director of this film managed to mirror the two societies in a way that belabored neither, emphasizing the development of Aicha as an individual who became a champion, not so much in the ring, but to all those around her. Even her worst . . . I will stop here to avoid the spoiler.
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output answer: positive

input question: Select the correct sentiment of the following review: I have never posted a review before, but I had to do it for this film! This film is SO bad, I found myself trying to justify how bad it is by trying to think of it as kitsch or parody. But it ISN'T. It is truly, un-self-consciously BAD. This is a serious attempt that flops gloriously. Other reviewers have pointed out the film's many flaws, so I'll try not to repeat these, but I do urge you to see this film. Throughout it I was either speechless, literally gasping with disbelief, or rolling on the floor in hysterics. I haven't had so much fun watching a film in years. In fact, I'm going to try to get all my friends to see it because it's the kind of movie that needs to be shared.

My favorite parts: -- When Arthur auditions to be a go-go boy (his dancing is unbelievable) -- The gratuitous nudity (the director/leading actor just had to get a nude shot in) -- The preacher's office with its cardboard and crayon rendition of Christ -- Of course, the famous wedding scene with the palm trees and the forgotten rings (what narrative function does this play?!?) -- The ex-wife's wrestling match with Ben to get possession of her gun -- The detailed sequence wherein Arthur kills the preacher; he apparently burns him up with this incredibly measly match -- Yes, the gay religious-fanatic brother with his bleached hair and WeHo fashions -- And, my favorite, the use of Joplin's "The Entertainer" as the opening soundtrack and "Pachebel's Canon in D Major" as the closing soundtrack! -- the list goes on and on -- a MUST SEE!!!
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output answer: negative

input question: Select the correct sentiment of the following review: Wow, what a great cast! Julia Roberts, John Cusack, Christopher Walken, Catherine Zeta-Jones, Hank Azaria...what's that? A script, you say? Now you're just being greedy! Surely such a charismatic bunch of thespians will weave such fetching tapestries of cinematic wonder that a script will be unnecessary? You'd think so, but no. America's Sweethearts is one missed opportunity after another. It's like everyone involved woke up before each day's writing/shooting/editing and though "You know what? I've been working pretty hard lately, and this is guaranteed to be a hit with all these big names, right? I'm just gonna cruise along and let somebody else carry the can." So much potential, yet so painful to sit through. There isn't a single aspect of this thing that doesn't suck. Even Julia's fat suit is lame.
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output answer:
negative