Read the following context and choose the correct option to answer the question. Context: He had a 12" Sony black-and-white, tuned to MTV, sitting on a chair at the end of the bed. He could barely hear it over the fan in the window. He sat in the middle of the bed because of the sag, drumming along absently to Steve Winwood's "Higher Love." The sticks were Regal Tip 5Bs. They were thinner than 2Bs--marching band sticks--but almost as long. Over the years Stan had moved farther out over the ends. Now the butts of the sticks fit into the heels of his palms, about an inch up from the wrist. He flipped the right stick away when the phone rang. "Stan, dude! You want to work tomorrow?" "Yeah, probably. What have you got, Darryl? You don't sound right." "Does the name Keven Stacey mean anything to you?" "Wait a minute." Stan switched the phone to his other ear. "Did you say Keven Stacey? As in Foolsgold, Kevin Stacey? She's going to record at CSR?" "You heard me." Stan could see Darryl sitting in the control room, feet up on the console, wearing double-knit slacks and a T-shirt, sweat coming up on his balding forehead. "This is some kind of bullshit, right? She's coming in for a jingle or a PSA." "No bullshit, Stanley. She's cutting a track for a solo album she's going to pitch to Warner's. Not a demo, but a real, honest-to-Christ track. Probably a single. Now if you're not interested, there's plenty of other drummers in LA..." "I'm interested. I just don't understand why she wants to fuck with a rinky-dink studio like yours. No offense." "Don't harsh me, bud. She's hot. She's got a song and she wants to put it in the can. Everybody else is booked. You try to get into Record One or Sunset Sound. Not for six months you won't get in. Even if you're Keven Stacey. You listening, Stan?" He heard Darryl hitting the phone on the edge of the console. "That's the Big Time, dude. Knocking on your door." Question: At the end of the story Stan is: Options: - excited - not enough information - disappointed - angry
excited
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Read the following context and choose the correct option to answer the question. Context: Ironically, J. Paul Getty never saw the Getty Villa. He died two years after his museum opened to the public in January 1974 in a new building modeled on an ancient Roman luxury home. It was not until after Getty's death in June 1976 that he returned from his estate in England to his "ranch" on the Pacific Coast: he is buried there at the edge of the property on a private plot overlooking the ocean, alongside his eldest and youngest sons, George and Timothy, both of whom predeceased him. Following a renovation and reinstallation of the galleries, the Getty Villa opens a new chapter in its history. Although Getty never set eyes on his creation, the story of how he built the Villa and assembled his collection pervades the galleries even today. A suite of revamped roomsGalleries 105 to 108share this history. Featuring ancient works of art Getty bought himself along with archival documents, the new displays place the objects in their cultural contexts and shed light on Getty's personal relationship to his museum and final resting place. From a Ranch House to an Ancient Villa Getty bought the 64-acre ranchonce part of the Rancho Boca de Santa Monica, an early-nineteenth-century 6,656-acre Mexican land grantjust after the end of World War II, intending it as a weekend retreat where his fifth wife Theodora ("Teddy") could ride horses and he could display his growing art collection. He knew the area well, for he already owned a small house on the beach in nearby Santa Monica, just steps from the sprawling complex his friend and rival collector William Randolph Hearst had built for the actress Marion Davies. (The Davies estate is now the Annenberg Community Beach House, while Getty's beach house has been replaced by a large modern condo complex, 270 Palisades Beach Road.) Question: What kind of works are on display n the museum? Options: - replicas of Getty's houses - not enough information - ancient works of art originally acquired by Getty as well as archival documents - personal memorabilia from Getty's life
ancient works of art originally acquired by Getty as well as archival documents
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Read the following context and choose the correct option to answer the question. Context: Happened to me while visiting Chicago a few weeks ago. A young couple with a baby in a pram boarded a crowded bus. The bus driver would not pull out of the stop until the pram was secured in the wheelchair chocks, however an elderly women wouldn't give up her seat (seat needed to be folded up in order to make room for the pram in the wheelchair holding apparatus). We sat there for about 45 minutes while the driver, the mother and the elderly lady argued. At the end, my wife and I offered our seats (more like a commanding, cajoling, what-she-wanted-to hear, kind of discourse), and the lady moved into our seats. The young couple locked down their pram, and the bus took off. Meg and I stood for the rest of the trip. She was really annoyed over having to move, and there was some baggage attached to her situationI hate to have to mention the racial aspects here but it's an important aspect of the story. Most of the passengers were younger white folks (bus was heading through a neighborhood where re-gentrification had taken place). The elderly woman was at least 75 years and the only black person in the front of the crowded bus. She was sitting in a designated seat reserved for elderly or handicapped, and obviously she had earned her status to claim that seat. Unfortunately, it was also the one seat that needed to be vacated if the wheelchair equipment got used. As the bus rode on, her anger simmered. She asked me what I (middle-aged white guy) would do in a spot like that. All I could answer was to offer it up to God. Hot day, no air conditioning on the bus, people just want to get to their destinations. Question: How old is Meg? Options: - 29 years. - 30 years. - 31 years. - not enough information
not enough information
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