Answer the question at the end by quoting:

Weather Report was an American jazz fusion band of the 1970s and early 1980s. The band was initially co-led by the Austrian-born keyboard player Joe Zawinul, the American saxophonist Wayne Shorter and Czech bassist Miroslav Vitous. Due to creative and financial disagreements, Vitous left the band after a few years. Zawinul took increasing control and steered the band towards a more funk, R&B oriented sound.
1976's Black Market album was perhaps the most rock-oriented work which the group had produced to date. Weather Report's music had evolved further from open-ended funk jams into more melody-oriented, concise forms, which also offered a greater mass-market appeal. Zawinul further consolidated his use of keyboard synthesizers, while Shorter experimented with an early form of wind synthesizer, the Lyricon. However, the album was recorded during yet another period of change for the group, with multiple personnel shuffles. Although Alyrio Lima played percussion on one track, he was replaced during the sessions by Don Alias (his first appearance with the group since the debut album debacle) and by Alex Acuna (a Peruvian drummer and conga player based in Las Vegas, who had played with Elvis Presley and Ike Turner, among others). Alphonso Johnson was also worn out from the strain put on the rhythm by the band's frequent changes of drummer. During a break in activity halfway through the recording of Black Market, Johnson opted to leave Weather Report to play with the Billy Cobham/George Duke Band (which featured a young John Scofield on guitar). Prior to his departure, Johnson played on all but two of the new album's tracks. His replacement was Jaco Pastorius, a virtuoso fretless bass guitarist from Florida, who had been in touch with Zawinul for several years, and who came in to play on "Cannon Ball" and his own composition "Barbary Coast". Zawinul and Shorter had assumed that Chester Thompson would be departing alongside his friend Johnson, and for the second set of sessions they replaced him (on Jaco Pastorius' recommendation) with the former Mahavishnu Orchestra drummer Narada Michael Walden. Although Walden played on several album tracks, he ultimately proved unsuitable. Thompson returned for the final Black Market sessions, but left again after failing to gel as a rhythm section with Pastorius (whose style was much busier than that of Johnson). Thompson subsequently joined Genesis as their touring drummer. Black Market continued Weather Report's ongoing run of success, selling well and being the fourth of the band's albums to win the album of the year award from Down Beat magazine. For the subsequent tour, Alex Acuna moved from percussion to the drum kit, and Don Alias was replaced by the young Puerto Rican percussionist Manolo Badrena, who had previously played with various Latin rock bands and with Art Blakey. The band made a very well-received appearance at the Montreux Jazz Festival, which was filmed for future release.

Who did he play for

Elvis Presley and Ike Turner, among others

Answer the question at the end by quoting:

Jay Hanna "Dizzy" Dean (January 16, 1910 - July 17, 1974), also known as Jerome Herman Dean, was an American professional baseball player. He played in Major League Baseball as a pitcher for the St. Louis Cardinals, Chicago Cubs and the St. Louis Browns. A brash and colorful personality, Dean was the last National League pitcher to win 30 games in one season.
Following his playing career Dean became a well-known radio and television sportscaster, calling baseball for the Cardinals (1941-46), Browns (1941-48), Yankees (1950-51), and Atlanta Braves (1966-68) and nationally with Mutual (1952), ABC (1953-54), and CBS (1955-1965), where he teamed first with Buddy Blattner then with Pee Wee Reese. As a broadcaster, Dean was famous for his wit and his often-colorful butchering of the English language. Much like football star-turned-sportscaster Terry Bradshaw years later, he chose to build on, rather than counter, his image as a not-too-bright country boy, as a way of entertaining fans: "The Good Lord was good to me. He gave me a strong right arm, a good body, and a weak mind." He once saw Browns outfielder Al Zarilla slide into a base, and said, "Zarilla slud into third!" "Slud" instead of "slid" became a frequently-used Dean expression. Thanks to baseball fan Charles Schulz, another Dean expression found its way into a Peanuts strip, as Lucy commented on a batter who swung at a pitch outside the strike zone: "He shouldn't hadn't ought-a swang!" Once, describing a player who had struck out, Dean said, "he nonchalantly walks back to the dugout in disgust." While doing a game on CBS, Dean once said, over the open mike, "I don't know why they're calling this the Game of the Week. There's a much better game, Dodgers and Giants, over on NBC." Every so often, he would sign off by saying, "Don't fail to miss tomorrow's game!" During rain delays he was famous for off-key renditions of the "Wabash Cannonball". These manglings of the language only endeared Dean to fans, being a precursor of such beloved ballplayers-turned-broadcasters as Ralph Kiner, Herb Score, and Jerry Coleman. An English teacher once wrote to him, complaining that he shouldn't use the word "ain't" on the air, as it was a bad example to children. On the air, Dean said, "A lot of folks who ain't sayin' 'ain't,' ain't eatin'. So, Teach, you learn 'em English, and I'll learn 'em baseball."

Did the other broadcasters enjoy his quirks?
These manglings of the language only endeared Dean to fans,