input: Please answer the following: Given the below context: The first years of the 14th century were marked by famines, culminating in the Great Famine of 131517. The causes of the Great Famine included the slow transition from the Medieval Warm Period to the Little Ice Age, which left the population vulnerable when bad weather caused crop failures. The years 131314 and 131721 were excessively rainy throughout Europe, resulting in widespread crop failures. The climate changewhich resulted in a declining average annual temperature for Europe during the 14th centurywas accompanied by an economic downturn. These troubles were followed in 1347 by the Black Death, a pandemic that spread throughout Europe during the following three years. The death toll was probably about 35 million people in Europe, about one-third of the population. Towns were especially hard-hit because of their crowded conditions. Large areas of land were left sparsely inhabited, and in some places fields were left unworked. Wages rose as landlords sought to entice the reduced number of available workers to their fields. Further problems were lower rents and lower demand for food, both of which cut into agricultural income. Urban workers also felt that they had a right to greater earnings, and popular uprisings broke out across Europe. Among the uprisings were the jacquerie in France, the Peasants' Revolt in England, and revolts in the cities of Florence in Italy and Ghent and Bruges in Flanders. The trauma of the plague led to an increased piety throughout Europe, manifested by the foundation of new charities, the self-mortification of the flagellants, and the scapegoating of Jews. Conditions were further unsettled by the return of the plague throughout the rest of the 14th century; it continued to strike Europe periodically during the rest of the Middle Ages. Guess a valid title for it!
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output: Middle Ages

input: Please answer the following: Given the below context: Along with the rest of Trafford, Stretford maintains a selective education system assessed by the 11-plus examination. The proportion of pupils leaving Stretford Grammar School with five or more GCSEs at grades A*C in 2006, was 98.3%, compared to an average of 66.7% for all secondary schools in Trafford and a national UK average of 61.3%. The proportion of students from minority ethnic backgrounds, and for whom English is an additional language, is much higher than the average. Stretford Grammar was awarded specialist Science College status in September 2005. The school was assessed as "good" in its April 2015 Ofsted report.Stretford High School Community Languages College, like Stretford Grammar, has a much higher proportion than the national average of pupils with a first language other than English, many of them being either asylum seekers or refugees. In 2004 Stretford High School was made subject to special measures, as it was considered not to be providing an adequate education for its pupils. Substantial improvement has taken place since then; the school was assessed as "satisfactory" in its November 2005 Ofsted report and was removed from special measures. Further improvements saw Stretford High School gain an "outstanding" assessment from Ofsted, following its February 2008 inspection. GCSE results also placed the school in the top 1% of schools in the country for adding value to its students.Stretford also has the specialist Arts College, Lostock College. Plans to build a new university in the town, to be known as University Academy 92, were announced in September 2017. A branch of Lancaster University, it hopes to welcome the first of its anticipated 6500 students in September 2019. The campus is to be built on the Kelloggs headquarters site on Talbot Road, which has already been acquired by Trafford Council for 12 million. Guess a valid title for it!
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output: Stretford

input: Please answer the following: Given the below context: (English: "The Marriage of Thetis") After Duke Vincenzo's death in February 1612, Monteverdi found himself out of favour at the Mantuan court. Vincenzo's successor Francesco had no high regard for Monteverdi, and dismissed him from his post. Upon Francesco's sudden death in December 1612, the dukedom passed to his brother Ferdinando, but Monteverdi was not recalled to the court and was appointed maestro di capella in August 1613 at St Mark's, Venice. However, he remained in contact with Striggio and other highly placed Gonzaga courtiers, through whom he was able to secure occasional commissions to compose theatrical works for the Gonzaga court. Thus, late in 1616, Striggio asked him to set to music Scipione Agnelli's libretto Le nozze di Tetide, as part of the celebrations for Duke Ferdinando's forthcoming marriage to Catherine de' Medici. This story, based on the wedding of the mythical Greek hero Peleus to the sea-goddess Thetis, had previously been offered to the Mantuan court by Peri, whose setting of a libretto by Francesco Cini had been rejected in 1608 in favour of L'Arianna.Initially, Monteverdi had little enthusiasm for Le nozze di Tetide, and sought ways of avoiding or delaying work on it. He would accept the commission, he informed Striggio on 9 December 1616, because it was the wish of the duke, his feudal lord. However, the verses he was given were not, he felt, conducive to beautiful music. He found the tale difficult to understand, and did not think he could be inspired by it. In any event he was occupied for most of December in writing a Christmas Eve mass for St Mark's. On 29 December, perhaps hoping that the commission would be withdrawn, Monteverdi told Striggio that he was ready to begin work on Le Nozze di Tetide "if you tell me to do so". In January 1617, however, he became more enthusiastic on learning that the project had been scaled down and was now being projected as a series of intermedi. He informed Striggio that what he had first considered a rather monotonous piece he now thought... Guess a valid title for it!
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output: Lost operas by Claudio Monteverdi

input: Please answer the following: Given the below context: In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer. He and his partner Ben Bailey split up and go their separate ways. Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge." Enter Ted Rogers, who plays an accident-prone foil for Miller. Soon afterwards, Miller's act is a hit. Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller. Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller. Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce. Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops. He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act. Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners. Guess a valid title for it!
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output:
The Stooge