In one sentence, describe what the following article is about: It's the T in the tool menu on the left side of the window. Start in the upper-left corner of the left column, drag the pointer to the upper-right corner of the right column, then drag downward until the text field is the size of the masthead you'd like. Add any additional information that you'd like, such as date, volume, or issue number. To do so, highlight the text you want to adjust with the cursor and use the tools at the top of the window: Use the drop-down menus on the left side of the toolbar to change the font and/or text style. Click in the field with the big and small "T"s, next to the font name, to adjust the size of the text. Use the alignment buttons (eight icons made up of horizontal lines) on the right side of the toolbar to: Center the text; align it to the left side of the text box; align it to the right side; or justify the text so it's distributed across the text box and aligned to both sides.
Summary: Click on the Type Tool. Click and drag to create a text field. Release the click. Click in the text field. Type the name of the newsletter. Make adjustments to the text.

In one sentence, describe what the following article is about: Sketch a picture that you want to finish by inking. While you're first learning how to ink, it will be better to start with simpler drawings with clean pencil line work and fewer details. Cartoon characters, minimalistic images and simple shapes will work best, since they'll allow you to focus on clean inking without worrying about the lines running together. Your sketch doesn't have to be perfect. Just try to get the major lines, focus and proportions right. A lot will change by the time you begin inking. Once your drawing has been sketched out, look for places where you can make corrections or erasures to get the pencil lines as smooth as possible. This will make inking over them easier and result in a neater, more distinct final drawing. Don't worry about incorporating too much detail during the sketching phase. You'll be better served if you wait until after you've inked the major lines to start adding extra touches. The pencil lines of your sketch should be precise and clearly defined. Try not to let them run together too much, as this can make inking tricky. Erase pencil mistakes completely so they don't become a distraction. Inking requires a lot of patience, so you want to make sure you're focused and using the right technique. Sit up straight and position yourself squarely over the paper. If the drawing you're inking is resting on a drafting table or another flat surface, try looking down over the paper so that you have an unobstructed frontal perspective. It's okay if you prefer to work at an angle as long as you can clearly see each detail and move your drawing hand freely. The more upright you sit, the better. Otherwise, your back may start hurting during lengthy inking sessions. Your work area should be well lit to promote visibility. Grasp the pen firmly in your dominant hand near the tip. Keep the tip of the pen at an angle to the paper, not straight up and down. Hold your hand steady and let your arm guide you over the lines, rather than trying to use the movement of your wrist alone. Relax your drawing hand and arm; too much tension can leave your finished drawing looking rigid and lifeless. Gripping the pen near the tip, close to the paper itself, will keep it more stable than holding it higher up near the middle. You'll make fewer mistakes, and what small mistakes you do make will be less pronounced. Maintaining a sharp angle between the pen and paper helps pull ink out of the pen more efficiently, resulting in smooth, fluid line work. Go over the lines of your sketch, beginning with one side of the drawing and radiating outward from there. Most artists achieve the best results by inking in the direction of their dominant hand (if you're right-handed, starting on the left side of the page and inking to the right, and the opposite for left-handed artists). This will prevent you from running the edge of your hand over fresh lines. After you've inked the major lines, move outward and fill in smaller details and those in the background. This will ensure that the most important elements in the drawing are properly emphasized. Don't just trace over the lines you've already drawnimagine that you're drawing them a second time, this time with the boldness of ink. When you come to a section of the drawing that's difficult to ink, turn the paper and continue in the same orientation, rather than contorting your hand or trying to ink in an uncomfortable direction. Keep the final image in mind when inking your drawing. If you're just following the same lines you sketched, the objects will look forced and crude. With your first pass at inking complete, look for places where you line work can be touched up. Go over key lines a second and even third time to thicken and smooth them out. Try adding realistic perspective by leaving the lines thin where they face an imagined light source, and thickening them where they're further away. Tweak your inked lines until you're satisfied with how they look. Use a thin nib (the interchangeable tip of a dip pen) and light ink for the initial outline and thicken lines later as you go. Give the ink a few minutes to dry before you start adding detail or going over lines a second time.
Summary: Sketch an image. Clean up your pencil lines. Get in position to start inking. Ink with smooth, easy motions of the hand. Start on one side and work away from you. Adjust your ink line work.

In one sentence, describe what the following article is about: Attacks in Dark Souls are deliberate, slow, and usually cannot be canceled. This is true for both you and your opponent. The best time to strike is following a heavy attack that leaves your opponent open. Your attacks are also slow, so be conservative with your attacks, lest you leave yourself with an opening as well. It may be advantageous to try and keep your distance for a bit and observe an enemy's attack patterns to determine when there are openings. Always keep an eye on your stamina when attacking. Some attacks from particularly large enemies may break your guard. In these scenarios dodging is a superior option. Parries can be used once you have gained a sense for the timing of your opponent's attacks for a critical strike. Not all attacks (especially by bosses) can be parried. A missed parry will leave you open to attack. The risk is great, but so is the reward. Blocking is easier for beginners, but a well-timed dodge is a better way to get into a good striking position. Lock-on is a tool, not a requirement. Sometimes it can be advantageous, especially against larger enemies, to forego the target lock for better maneuverability and camera control. You can toggle target lock on and off as many times as necessary in the middle of a fight, but remember that target lock does have a range limit. Stray too far and you won't be able to relock until you move in close again. Many of the enemies in Dark Souls will take extra damage from Fire or Lightning attacks. Often you will need to experiment to discover which enemies are weak to what if you don't want to look them up. Using firebombs is a cheap and safe way to check for fire weakness.
Summary:
Time your attacks. Learn when to block, dodge, or parry. Learn when to use the target lock. Exploit elemental weaknesses.