In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: THIS, is music . I recently put my vinyl onto a CD, and had a chance to revisit this be-UUU-tiful work. I agree with another reviewer that "Sweetheart" alone is worth the price of admission. If you like a combination of jazz, blues, pop ... heck, no labels necessary. In the words of her own song (from another album: "Label it garbage/Label it art/You can't call it soul/You'll have to call it heart". So if you love serious good music, get this album

Output: POS

Input: Consider Input: save your money . This is a terrible album. Cocorosie is one of those bands that are fun to throw in with a bunch of other bands in a music related conversation to make your taste and knowledge of hip and independent music sound that much bigger than it really is. The cover artwork is pretty funny and cocorosie is a cool name, the only problem is that they make music that sounds like it does and they charge people money to listen to it.

Output: NEG

Input: Consider Input: The best of all . I have heard several Bohemes in my time - my favorites being the versions with Pav and Freni; Tebaldi and Bergonzi; and this one. Neither of the first two can match this recording in overall effect. Karajan with Pav/Freni, while firmly in possession of his own wonder, misses by a hair Beecham's sensuous conducting logic. Also Pav is not the best Rodolfo: he sings too opulently to convey a blue, starving poet. The Tebaldi/Bergonzi set is a sure contender, and might have stood right with this one if its sound weren't so bad. Now as for this set itself - three words say it: Bjoerling with Beecham. These were two of the finest artists of the last century, and it is a blessing to have this record of their collaboration. Jussi, while perhaps not as romantic as Bergonzi, was a Rodolfo for all time. That ringing golden tenor truly could build castles in air. And hell, he was romantic enough for comfort. Add Beecham, and, if you please, you've got glory. His pacing is perfect. Just listen to about midway through "che gelida manina," where Bjoerling soars and Beecham expands the tempo to let Jussi's voice raise the rafters and burn deep. And I tell you what, Jussi could burn. The quantity of air that man had was astonishing at the least, and he didn't waste it: his phrases are easy, well-drawn, and thrilling. I have no important complaints about anyone else in the cast. I actually prefer de Los Angeles's Mimi, though I think she sometimes doesn't support high notes with enough air. As for the orchestra, there are a few mishaps where accurate entrances with the singers are concerned, but that is hardly surprising - the ensemble was assembled in roughly two days and its memebers had barely played with one another or with Beecham. The sound of the set isn't as good as one might expect from the Great Recordings series, but it is acceptable, and a well-informed ear can fill in any lacking overtones. Buy it. You'll love it for many years, and then pass down through your family
Output: POS