input question: Select the correct sentiment of the following review: When I first started watching this movie I was looking for some kind of subtle metaphors but it soon dawned on me that this movie was indeed about people on a train. The interactions between people are like those you can see any day on the street and when in occasion there is a slightly more interesting situation the dialogue becomes stilted and boring. Its not that I don't get how this film is trying to portray the way people interact, it's just that in this film they are very boring. If you want to see and analyse these kinds of relationships you'd be best to actually go out and buy a train ticket and look at the people on the train with you. It is realistic but you wouldn't go to a movie to watch a film about you sitting there watching the movie.
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output answer: negative

input question: Select the correct sentiment of the following review: I know that originally, this film was NOT a box office hit, but in light of recent Hollywood releases (most of which have been decidedly formula-ridden, plot less, pointless, "save-the-blonde-chick-no-matter-what" drivel), Feast of All Saints, certainly in this sorry context deserves a second opinion. The film--like the book--loses anchoring in some of the historical background, but it depicts a uniquely American dilemma set against the uniquely horrific American institution of human enslavement, and some of its tragic (and funny, and touching) consequences.

And worthy of singling out is the youthful Robert Ri'chard, cast as the leading figure, Marcel, whose idealistic enthusiasm is truly universal as he sets out in the beginning of his 'coming of age,' only to be cruelly disappointed at what turns out to become his true education in the ways of the Southern plantation world of Louisiana, at the apex of the antebellum period. When I saw the previews featuring the (dreaded) blond-haired Ri'chard, I expected a buffoon, a fop, a caricature--I was pleasantly surprised.

Ossie Davis, Ruby Dee, the late Ben Vereen, Pam Grier, Victoria Rowell and even Jasmine Guy lend vivid imagery and formidable skill as actors in the backdrop tapestry of placage, voodoo, Creole "aristocracy," and Haitian revolt woven into this tale of human passion, hate, love, family, and racial perplexity in a society which is supposedly gone and yet somehow is still with us.
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output answer: positive

input question: Select the correct sentiment of the following review: A charming, funny film that gets a solid grade all around. I saw a screener of this film recently at work. It was so nice to see this film in contrast with all the crappy horror movies I see every day. So much so, that I figured I'd write in. Not sure if this film is going to theaters, but I hope it does. Its a nice film to see with friends, its a charmer, and has some funny jokes. The acting was terrific (especially Howard Hessman and Larry Dorf. The directing was pretty good (not a film that needed to be over-directed). What really makes this film stand out I think is the writing. It was like Neil Simon, Seinfeldish, and the banter between characters is smart and has a nice rhythm. As an aspiring screenwriter, I notice those things! (I'm a dork). Anyway, a really cute film that I recommend.
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output answer:
positive