input: Throughout her career as a solo artist, Stefani has won several music awards, including one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards. With No Doubt, she has won two Grammy Awards. In 2005, Rolling Stone called her "the only true female rock star left on radio or MTV" and featured her on the magazine's cover. Stefani received the Style Icon Award at the first People Magazine Awards in 2014. Additionally in 2016, the singer was honored at the Radio Disney Music Awards with a Hero Award, which is given to artists based on their personal contributions to various charitable works. Stefani has been referred to as a "Pop Princess" by several contemporary music critics. In 2012, VH1 listed the singer at the number thirteen on their list of "100 Greatest Women in Music". Stefani's work has influenced a number of artists and musicians including Hayley Williams of Paramore, Best Coast, Katy Perry, Kesha, Marina and the Diamonds, Stefy, Rita Ora, Sky Ferreira, and Cover Drive. The latter group, a quartet of Barbados musicians, claimed that both Stefani and No Doubt had helped influence their music, to which the lead singer of the group, Amanda Reifer, admitted that she would "pass out" if she were to ever meet Stefani. The lead single from Love. Angel. Music. Baby., "What You Waiting For?", was considered by Pitchfork to be one of the best singles by Stefani, and would later place it at number sixteen on their "Top 50 Singles of 2004" list. Additionally, "Hollaback Girl" from the aforementioned album would go on to be the first song to digitally sell an excess of one million copies in the United States; it was certified platinum in both the United States and Australia, and peak at number forty-one on Billboard's decade-end charts for 2000-09. Since its release in 2005, "Hollaback Girl" has been called Stefani's "signature song" by Rolling Stone.

Answer this question "When did she when her first award?"
output:

Problem: Background: Mel Brooks (born Melvin Kaminsky; June 28, 1926) is an American actor, writer, producer, director, comedian, and composer. He is known as a creator of broad film farces and comic parodies. Brooks began his career as a comic and a writer for the early TV variety show Your Show of Shows. He created, with Buck Henry, the hit television comedy series Get Smart, which ran from 1965 to 1970.
Context: Brooks was born Melvin Kaminsky on June 28, 1926, in Brooklyn, New York City, to Max and Kate (nee Brookman) Kaminsky, and grew up in Williamsburg. His father's family were German Jews from Danzig (present-day Gdansk, Poland); his mother's family were Jews from Kiev, in the Pale of Settlement of the Russian Empire (present-day Ukraine). He had three older brothers: Irving, Lenny, and Bernie. Brooks' father died of kidney disease at 34 when Brooks was 2 years old. He has said of his father's death, "There's an outrage there. I may be angry at God, or at the world, for that. And I'm sure a lot of my comedy is based on anger and hostility. Growing up in Williamsburg, I learned to clothe it in comedy to spare myself problems--like a punch in the face." Brooks was a small, sickly boy who often was bullied and teased by his classmates because of his size. He grew up in tenement housing. At age 9, Brooks went to a Broadway show with his uncle Joe--a taxi driver who would drive the Broadway doormen back to Brooklyn for free and was given the tickets in gratitude--and saw Anything Goes with William Gaxton, Ethel Merman and Victor Moore at the Alvin Theater. After the show, he told his uncle that he was not going to work in the Garment District like everyone else but was absolutely going into show business. He was taught by Buddy Rich (who had also grown up in Williamsburg) how to play the drums and started earning money at it when he was 14. After attending Abraham Lincoln High School for a year, Brooks graduated from Eastern District High School and then spent a year at Brooklyn College as a psychology major before being drafted into the army in 1944. He attended the Army Specialized Training Program conducted at the Virginia Military Institute (although not as a VMI cadet), and served in the United States Army as a corporal in the 1104 Engineer Combat Battalion, 78th Infantry Division, defusing land mines during World War II.
Question: Did he do any activities or join any clubs?
Answer:

Question: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.

Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.

Using a quote from the above article, answer the following question: Did he ever choreograph ?
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Answer:
Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances,