input: Now unemployed in Memphis, Burnette decided to try his luck in California. He and a friend, Joe Campbell, hitchhiked to the West Coast, where they joined Dorsey. With their past differences forgotten, the brothers attempted to resurrect the Rock and Roll Trio and sent for Paul Burlison. He joined them briefly but decided to return to Memphis and concentrate on his electrical business. Dorsey and Johnny continued with their songwriting, but Dorsey kept his day job as an electrician to pay the family expenses. The Burnettes' brashness got them their first success in the music business in California. On arriving in Los Angeles, Joe Campbell bought a copy of "A Map to the Stars", which showed the location of the house of the teen idol Ricky Nelson. In an effort to get their songs to him, the Burnettes and Campbell decided to sit on the steps of his house until they could get a meeting with him. Their persistence worked, and Nelson was sufficiently impressed with their work that he eventually recorded several of their songs, including "Believe What You Say", "It's Late", "Waitin' in School", and "Just a Little Too Much", amongst others. Other Imperial Records artists, such as Roy Brown, benefited from their songwriting. The success of his recording of the brothers' "Hip Shakin' Baby" led to a recording contract with Imperial Records as a duo. While in California, they met Doyle Holly, who played bass guitar for a short time with the band. Holly went on to become the bass player for Buck Owens and the Buckaroos and to record as a solo artist. As the Burnette Brothers, they released one single, for Imperial, "Warm Love" backed with "My Honey" (Imperial X5509), on May 5, 1958. It did not make the charts. After this failure, they continued to work together as songwriters but began to follow separate careers as performing artists. In 1961, however, Johnny and Dorsey released two instrumental singles, credited to the Texans, for two small labels, Infinity and Gothic: "Green Grass of Texas" backed with "Bloody River" (Infinity INX-001), released on February 20, 1961, and "Rockin' Johnny Home" backed with "Ole Reb" (Gothic GOX-001), released on May 29, 1961. Another instrumental, "Lonely Island" backed with"Green Hills" (Liberty 55460), credited to the Shamrocks, was released by Liberty Records on June 6, 1962. "Green Grass of Texas" and "Bloody River" were to be re-released in February 1965 on the Vee Jay label (VJ 658), again credited to the Texans.

Answer this question "What happened with Ricky Nelson?"
output: In an effort to get their songs to him, the Burnettes and Campbell decided to sit on the steps of his house until they could get a meeting with him.

input: In June 1961, Hope was part of Philly Joe Jones' quintet, which included trumpeter Freddie Hubbard. Their first gigs were arranged by Hope's old friend, Monk, as was a recording session for Riverside Records that month, with Hope as leader. The pianist recorded four albums in New York around 1961, including Hope-Full, which contained his only solo tracks and some piano duets with his wife. Some of the companies that he recorded for at this stage in his career reduced Hope's dignity, in the view of musician and critic Robert Palmer. One album was entitled High Hope! (1961), and another, released as Sounds from Rikers Island (1963) in reference to a New York City jail complex, featured performances exclusively by musicians who had at some point been imprisoned for drug-related crimes. Between these two sessions as leader, Hope was briefly in prison again for drug offenses. These and other album releases in the early 1960s did little to develop a wider awareness of Hope. Hope played with McLean again late in 1962. He also led a piano trio: early in 1963 it contained Ray Kenney on bass and Lex Humphries on drums; in late 1964, it had John Ore on bass and Billy Higgins on drums. In 1965, Hope was continuing to lead a trio and quartet in the New York area. Drug and health problems, however, meant that he played less often late in his career. His last recordings were made in 1966, but not released for 11 years. Hope's final concert was at Judson Hall in New York City in 1966. Fellow pianist Horace Tapscott reported that, later, Hope's "hands were all shot up and he couldn't play". Visits to one hospital that was experienced in addressing the health problems of drug addicts left Hope feeling that he was being experimented on, so he went to another, St. Clare's. Here, according to his wife, the treatment was not adjusted for the methadone program he was on, putting added strain on his heart. Hope was hospitalized with pneumonia in 1967 and died a few weeks later, on May 19, of heart failure. His wife was aged 31 at the time of his death. They had three children; their daughter, Monica Hope, became a singer.

Answer this question "What was the name of the trio?"
output:

input: On 13 August 2009, Rogue Traders revealed that Henwood had returned on guitar and Spencer had left. On 14 November, Ash revealed via Twitter the names of their new singer, Melinda "Mindi" Jackson, and new drummer, Peter Marin. On 25 December 2009 (Christmas Day), "Love Is a War" was issued as a digital download single and then, on 8 January 2010, as a physical single. It peaked at number ninety. On 12 March "Would You Raise Your Hands?" was released as the follow-up single, which reached number ninety-five. "Hearts Beat as One" was issued as the third single on 11 June 2011 - it had been written for the Socceroos as the official anthem for their 2010 FIFA World Cup campaign. However, despite this, the song failed to chart, the Rogue Traders' first single to do so since 2002's "Need You to Show Me". Night of the Living Drums, the band's fourth studio album, was initially set for release in June 2010, according to the band's official website. However it was pushed back for undisclosed reasons, then in December it was revealed the band had left Sony Music, after the label had refused to release the album. On 11 November 2011 Rogue Traders finally released Night of the Living Drums, after they had re-signed to Sony. It was released as part of The Sound of Drums which is a double album that includes a compilation disc, The Greatest Hits, and the studio recording, Night of the Living Drums. Ash described The Sound of Drums conception, "[t]he catalyst was when we realised we were coming up to the band's 10-year anniversary. We'd always talked about how much fun it would be to do a greatest hits one day, and we struck on the idea of doing a record that combined the two. I have to give credit to Sony, because they changed their minds about us - we brought this idea back to them and they went for it". A radio edit of Night of the Living Drums cut America was serviced to Australian radio to promote the release, but failed to make an impact. After a two-year media silence, Ash confirmed in a 2014 interview that the band had split shortly after being dropped by Sony Music.

Answer this question "Did they have any more albums?"
output:
On 11 November 2011 Rogue Traders finally released Night of the Living Drums, after they had re-signed to Sony.