In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Example Input: Those French and those Germans sure have a long history of not liking each other. It is interesting to note that Kamerdaschaft or Comradeship in translation takes place in 1931. Only a few years later, Hitler would siege Germany and begin his plans to take over the world, France being a casualty of his ambitions. But these are times of sereneness compared to the future. A group of miners at the border try to cross over to France to get work. They are spurned back and later at a nightclub by their French neighbors. Then a disaster happens in the mines of the French and a well-crafted and written scene, a troupe of German miners decide to come to the rescue. A simple story is it not? Pabst was a poet of silent cinema and I am not sure if this is his first sound movie or not, but his poetry is there to be discovered. He isn't fussy but brings a rugged realism to the ordeal. Ther is even a flashback to a WWII event that beckons the point of this story. Supposedly based on a real event, the movie does the events proudly with directness and terseness. Smetimes, that's what a movie needs to be.
Example Output: positive

Example Input: OK...this one's a weirdy....Honestly, I can't tell you all the inner plot-points of THE BEAST, cuz I started losing interest when nothing happened during the first 45 or more minutes - but just wait, it definitely does "pick up"...The plot involves something about a monster in the woods that some French aristocrat chick screwed back in the day. Eventually you see "THE BEAST", which looks like a guy dressed in a giant rat-bear costume with a horse cock attached to it. The scene takes place with the aristocrat woman running around the forest looking for a lost sheep. The sheep ends up dead and the woman gets scared. THE BEAST pops up, rapes the chick and shoots 400 gallons of spunk all over her. Eventually the chick starts to enjoy the beast's "attention" which results in some pretty novel simulated sex scenes, including an unnervingly erotic foot masturbation scene where the woman jerks the beast off with her feet while the monster shoots more huge loads everywhere (yeah, I've got a twisted foot-fetish - so sue me....)...The whole film is told in flashbacks and long-winded dialog scenes that tended to be a bit tedious. A "shocking" but predictable ending concludes this extremely strange film...THE BEAST is a film that I find kind of hard to rate. The cinematography itself is quite eye-catching and the sets, costumes and locations are elaborate. The plot is a little convoluted and seems to take it self awfully seriously for what ends up being such an unintentionally hilarious film about a chick boning a rat-bear. A good bit of tits, ass, and hairy 70's French bushes to help make up for the dull first half of the film. I have to honestly say, that if it weren't for the graphic scenes of the BEAST spackling all over the willing maiden, this film would have been a real bore - that is unless you like dull dialog and some graphic horse sex (the beginning has a VERY up-close and personal scene of two horses boning, including a pulsating and spunk covered female horse vagina...YUM!!!). But the BEAST sex scene is so strange and such a refreshing change from the rest of the film, that I have to say that those scenes alone make up for what otherwise would have been a real snoozer. I have to recommend this one to anyone who thinks they've seen it all - the BEAST rape really is out-there and something to be witnessed. Also recommended to any fans of 70's/80's sleaze films - this one ranks pretty high with them. Worth a look for you sick rat-bear beastiality lovers out there (like me)...8/10
Example Output: positive

Example Input: Well I'm blowed, a Woody Allen film that I walked out of after half an hour (I'm aware of the moral fragility of commenting on a film of which I've seen less than half, but I hope you'll understand why). Basically, it became apparent very early on that we were going to be patronised from the screen with: a script that set out its conceit as if with bullet points; a cast that were all trying to be characters from Hannah and Her Sisters (with the exception of Chloe Sevigny), and were badly directed into doing so; and a camera that sat around portentously, only for there to be nothing to film but chat and the actor delivering it. Drama? None; it's partially pre-narrated, but the action does nothing to develop a dramatic situation.Maybe I did leave too early in this case, but by then I'd decided against another hour and a half of one-liner-Allen clones. The script has its funny moments I went almost entirely on the back of Will Ferrell's excerpts in the trailer (trailer-hooked again, doh!) but there's little pace to let them fly off nonchalantly, as is best. Worse than this there's no fluidity. Saying this film's wooden makes a forest look like a jelly: the opening cafe-bound discussion being the most abject case-in-point. The only thing that should be done by numbers is potted reviewing 2/10.
Example Output:
negative