input question: Suggest a movie title for the following movie plot: Over the credits, we see numerous magazines and newspaper articles from the 80's, all of which feature Randy "The Ram" Robinson (Mickey Rourke), a major professional wrestling star. We then flash forward twenty years, where Randy "The Ram" is getting ready for a match in a small, local auditorium on the underground circuit. He interacts with the other wrestlers backstage, most of whom are much younger than he is (Randy is acknowledged to be in his 50's). Ironically, though they are foes inside the ring, outside the wrestlers are all friendly, discussing with each other how they want to perform the "act" that night, and after the show go drinking together. Randy preps for the match and it's obvious his age has caught up with him; his joints are cracking as he stretches and becomes short-winded easily. After he stretches he puts a small piece of a razor blade in his wrist bandages, in which later he uses to cut himself on the forehead to draw blood, making the match more dramatic for the fans. Afterward, Randy is given a meager payday, as the promoter claims the audience was smaller than expected. Randy's manager then poses a 20th anniversary rematch with his most notable opponent, the Ayatollah, which sold out Madison Square garden in the 80's. Randy agrees, hoping this kind of high-profile match could help him get back to the top.Randy goes home to find he has been locked out of his trailer for not paying his rent. He takes pain medication with a beer and falls asleep in the back of his van. The next day he goes to work to load boxes at a supermarket where he asks his boss if he could have more hours. His boss is very rude to him and makes a snide comment about the cost of tights going up being the reason he needs more hours. Randy laughs it off and continues to ask his boss for more hours but "not on the weekends". Again his boss makes a snide comment about his other 'profession' being the reason he can't work weekends.That night after work goes to a strip club to visit a stripper named Cassidy (Marisa...???
output answer: The Wrestler

input question: Suggest a movie title for the following movie plot: Cameron (Steve Railsback), a Vietnam vet who's wanted for attempted murder, is caught by the police but escapes. Crossing a bridge, he dodges an antique car that seems to be trying to run him down; when he turns around, the car has disappeared. While he wonders whether it went into the river, a helicopter flies close to the bridge and a man inside looks intently at Cameron. Later, Cameron is attracted to a movie shoot -- a World War I battle scene -- on the beach. After the scene, he notices an old woman who walks through the set greeting the actors, then falls in the water. Cameron dives in to rescue her and is horrified when she pulls off her face -- a mask. She's not an old woman, but the movie's leading lady, Nina Franklin (Barbara Hershey), testing the costume and make-up for the scenes set late in her character's life.The director, Eli Cross (Peter O'Toole), descends from the sky on his camera crane. This is his second entrance from on high; Eli is the same man who stared at Cameron from the helicopter. He offers Cameron a job, explaining that their last stunt man just ran a car off a bridge. They haven't found the body, and Eli can't afford the production delays that will result if the police get involved. The local police chief is aware of the accident on the bridge and Eli has to do some fast talking to convince him that Cameron is Burt, the stunt man who went off the bridge into the river. (Eli claims divers pulled him out of the car, and Cameron is convincingly damp, having just pulled Nina out of the ocean.) Cameron's job is to pretend to be Burt and do his stunts -- a role within a role that allows both Eli and Cameron to avoid entanglements with the police.Cameron is rechristened "Lucky." Denise (Sharon Farrell), the film's hair stylist, dyes his hair and makes a pass at him. Ostensibly the color change is to make him resemble the blond leading man, Raymond Bailey (Adam Roarke) -- Lucky is Ray's stunt double -- but of course it also, conveniently, makes him harder to recognize. There's a running...???
output answer: The Stunt Man

input question: Suggest a movie title for the following movie plot: The movie opens up with credits while we hear Trevor Reznik (Christian Bale) grappling with something large and heavy. He drives his truck near a dam and would appear to have a body wrapped in a carpet to dispose of. He panics when someone starts to come closer, holding a flashlight. He pushes the carpet down and it starts to unroll. Just then, the man with the flashlight catches up to him and says, "Who are you?"Trevor washes his hands with bleach in his bathroom sink. He looks up at his own gaunt face in the mirror-- stuck to the mirror he sees a post-it note that says "Who Are You?"Trevor is with Stevie (Jennifer Jason Leigh), a call-girl. They've finished making love at her place, and Trevor washes up. She pokes fun at his extremely low weight. He creeps her (and the rest of the audience) out by sucking in his stomach and arching his back to show his bones sticking out. He walks out the door, leaving a tip in her jar.Trevor goes to work at an unspecified industrial job where he is a. . . machinist. Trevor has a contentious relationship with the foreman, Tucker, because he likes to quote and apprise his co-workers of OSHA laws that Tucker would prefer to disregard. After work Trevor and his co-workers talk trash in the locker room while changing out of their coveralls. Jones (Reg E. Cathey) invites Trevor to play cards with the boys but Trevor declines, and Jones remarks that Trevor doesn't socialize the way he used to, another clue that all is not right in Trevor's world.Trevor is now at an airport diner, chatting and flirting with a divorced waitress named Marie (Aitana Sanchez Gijon). He takes a look at the clock, which reads 1:30 am. She wants to know why Trevor shows up at the airport so late at night and teasingly asks if he's running away from something. Marie echoes Stevie's concerns about Trevor's skeletal physique: "if you were any thinner, you wouldn't exist." He eventually finds his way back to Stevie. During their pillow talk, he reveals to her that he hasn't slept in one year.One afternoon...???
output answer:
The Machinist