In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
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Question: bob the happy bastard 's quickie review : i must admit , no doubt 's single " new " is quite catchy .
it was bouncy and energetic enough to get me to go see this new film from director doug limon , the man who had brought us the humorous swingers a little while back .
the result ?
a movie that 's just as good
as that song , really .
it follows the lives of several individuals over the course of one weekend .
first we hear about a grocery bagger ( sara polley ) who runs into a monetary situation problem and ends up selling bogus drugs at a rave ( with bad results , as a drug dealer feels he 's been swindled by her )
; then comes the story of an english grocery store worker ( same store ) who heads to vegas for the weekend with friends , where sex , gunplay , and stolen car trouble come into play ; then we see the story of two gay movie actors ( played by scott wolf and jay mohr ) who deal with a cop 's strange insurance presentation and hitting a girl ( sara ) with their car ; and , finally , we come to another grocery worker ( katie holmes ) who has a strange fascination with said drug dealer ( the one mentioned earlier ) .
really , it 's all confusing to keep track of in review format
, your best bet is to just , well , go .
the movie features some very good acting from all angles , and limon adds the same humorous energy he had with swingers to this particular product .
the dialogue is pretty snappy and the resolution is pretty well realized , not going for the sappy happy ending nor the dreaded bad ending .
think of it as a , well , ending .
the intertwining of stories is a particularly good element to the movie , as it 's never really confusing and tells different sides of the story , like sliding doors kinda did .
however , it 's better suited for the younger generation who want a little spice in their flicks , which sliding doors kinda is n't .

Answer: P

Question: sandra bullock in high heels and wielding a chainsaw ?
yup , it 's got ta be summer .
just when you thought the pointless sequel had gone the way of franchise films and direct - to - video releases , into port slams speed 2 : cruise control , the gloriously godawful follow - up to the 1994 sleeper about a bus rigged to explode if it slowed below a certain speed .
the gimmick , this time , is an ocean liner rigged to , well , crash into stuff .
sound exciting ?
dennis hopper 's disgruntled bomb squader , the villain of the first film , has given way to willem dafoe 's disgruntled computer programmer , a maniac whose main beef has something to do with having to use live leeches , i kid you not , as a self - treatment for copper
poison- ing .
( and said poisoning induced by prolonged exposure to electro- magnetic fields , no less !
calling dean edell . . . )
so , he overrides the boat 's computer , convinces the crew to abandon ship , and sends the remaining passengers , those who could n't evacuate in time , on a col- lision course with destiny .
( oddly , no one thinks to just . . .
jump off the back of the boat . )
with keanu reeves electing not to return--
perhaps he read the script ?
-- the job of john mcclane goes to jason patric ( sleepers ) , as the * second * la cop and swat team member that that bus drivin ' babe annie ( bullock ) has dated .
( what are the odds ? )
they 're on this caribbean cruise for pleasure , as are a handful of requisite stock characters , including a deaf teenager
( ! ) who has a crush on the hero
( ! ! ) who also knows how to sign
( ! ! ! ) .
( and you thought the raptor slam was a cool summer movie move ?
wait till you see the feats that * this * little girl can do , when stuck on a shipboard elevator ! )
bullock is her pesky , perky self , though she ends up with far less screen time than her top billing suggests .
( those paying attention to her bikini-
and tank- tops probably wo n't complain , however ) patric is the main man in motion and that 's damn good , 'cause when he stops to talk , he 's only slightly less monotone than his predecessor .
( his first lol line is to ms .
bullock :
" i 'd like to boogie with you .
" ) of course , nobody in front of the camera embarrasses themselves quite the way that returning director jan de bont does .
he also produced this mess , which is insulting even by the most lax summer standards .
( con air , buddy , father 's day , romy and michelle 's high school reunion , murder at 1600 , 8 heads in a duffle bag , anaconda , vegas vacation , meet wally sparks , metro , bevery hills ninja , the relic , all is forgiven ) .
worse , he 's spent a hundred mil on a premise that does n't even live up to its title !
there 's no sweat - inducing motion of the ocean here-- just two hours of shaky handheld camera work and a handful of cross - cut exteriors , all leading up to the big slam , when the love boat sideswipes an oil tanker and then plows into a harbor town .
( oh , how far we 've come in twenty years .
remember the simple fun of seeing a locomotive smash into railway station in the silver streak ? )
admittedly , either of the aforementioned sequences is worth the price of admission .
it 's just the rest of the movie-- the other hundred or so minutes-- that 's pure nonsense .
and wonderful nonsense at that .
i know he did n't intend to , but de bont has done one thing right : he 's created the hands - down funniest film of the year .
so , now , allow to present a few more things that made me laugh :
o a box with a big label :
" fiber optic converter " o plain english , whole - sentence computer instructions o an entire sequence devoted to opening a fire door o jason patric 's character walks onto the bridge and immediately understands everything that 's happening o a ships ' navigator who speaks in a scottish accent and actually gets to say " i canna override it !
"
o willem dafoe 's amazing arm - mounted keyboard o two living , breathing adults ( bullock 's character and the first mate ) who have to be told , step by step , how to disconnect a trip wire from the pin of a hand grenade .
duh
o " no wait !
"
screams
the ship 's intercom o
yet another damn dog in peril
o fishing reel .
pontoon plane .
memories of weekend at bernie 's

Answer: N

Question: gun wielding arnold schwarzenegger has a change of heart by the film 's end and becomes a believer in god instead of a skeptic , going through an amazing transformation by having a christian epiphany in the final scene as he becomes someone who can now beat the devil by his faith alone .
. .
this is after two hours of throwing people out windows and shooting more people than your average serial killer .
nobody can save this bomb from it 's own stupidity and arrogance in filmmaking and arrogance in believing that this is a positive religious - type of film .
it 's just a pile of dreck . . .
an ill - conceived exploitive project , a pyrotechnical film .
" end of days " aims to be an apocalyptic thriller .
it features an idiotic script , a hack director , and a one - dimensional star who is past his prime .
. .
which makes this film dumber than dumb , plus it 's not funny , not campy , or is it in the least bit entertaining .
it 's just dreary and unwatchable . . .
a big - budget slasher film .
arnold plays an alcoholic security guard who finds his new mission in life is to stop satan ( occupying gabriel byrne 's body and possessing a wall st .
bank account ) from destroying the world .
the film opens in vatican city , roma 1979 -- where the pope is alerted by a young visionary priest tomaso , looking out at the night sky and seeing a comet whiz by , who proclaims after looking at his scrolls -- that 's the sign for the ' eye of god , ' which reveals that a child has been born who is being prepared to give birth to satan 's baby ( the anti - christ ) in the hour before the new century begins , when satan will fuck her and open up the gates to hell on earth .
tomaso has some twenty years to find this woman and save her and the world from doom .
but some in the pope 's circle want to kill her if found , even though the pope insists on having faith and letting her live , as he lectures them : " even in the world 's darkest days -- doing evil does n't stop evil , but brings on more evil .
"
we saw the girl being born in nyc in 1979 , which seems to be the ' logical ' place to look for satan according to the astrology charts of the visionaries .
the chosen woman is christine york ( robin ) .
it is now a few days before the new year celebration for 2000 and arnold and his wise - cracking security guard partner kevin pollack are hired to guard a wall street turd , and when he is fired upon by a renograde priest , thomas aquinas , arnold saves him and through a ridiculous chase captures the tongue less priest who fired the shot .
he , nevertheless , can speak and tells arnold an ' end of days ' is coming as prophesized in revelations .
but satan gets to him in his hospital room and nails him to the ceiling while scribbling latin warnings of ' the end of the world ' on his body .
it is now up to arnold to save the world and find the chosen woman .
he quickly finds christine and does everything to protect her from all the evil forces around her , as the film includes ludicrous helicopter rescues , people jumping out of windows , satan taking a piss and dropping a match to kill arnold 's partner as the piss explodes like gasoline , satan being fired at . . . resulting in his sometimes experiencing pain and sometimes nothing , as if the director forgot which way he wants to have it .
there is nothing spared in nyc from fire bombs -- including the subway , churches , and luxury buildings .
the only trouble with all these high - budget action sequences , was that it lacked purpose and even entertainment value .
the story was so terrible and inaccurate , that it did not have an iota of value or credibility .
mercifully the movie drags to a final confrontation in times square , trying unsuccessfully to build tension to the countdown toward the year 2000 .
why is the end of 1999 considered to be the devil 's number " 666 , '' well ! . . .
satan 's numeral is actually " 999 , '' which is upside down of " 666 . ''
accordingly , you just put a " 1 ' ' in front of it-- and bingo -- you get " 1999 . ''
with logic like that , this film might even think it pulled the wool over the viewer 's eyes and got away with such a febrile explanation of the occult .
this film should become a classic used by film schools in how not to make a horror film .
i highly recommend seeing it for that purpose .

Answer:
N