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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Etienne Debel ( /'tjn 'dbl/; 21 November 1931 19 May 1993) was a Flemish-born theatre, television and movie actor and director, set designer, playwright, translator and a co-owner of the Debel Gallery in Jerusalem, Israel. Context_2 : Louis le Brocquy (] ; 10 November 1916 25 April 2012) was an Irish painter born in Dublin. His work received many accolades in a career that spanned some seventy years of creative practice. In 1956, he represented Ireland at the Venice Biennale, winning the "Premio Acquisito Internationale" (a once-off award when the event was acquired by the Nestle Corporation) with "A Family" (National Gallery of Ireland), subsequently included in the historic exhibition "Fifty Years of Modern Art" Brussels, World Fair 1958. The same year he married the Irish painter Anne Madden and left London to work in the French Midi. Context_3 : George Pali is an American Albanian contemporary visual artist. George Pali is a painter born in Shkodra Albania. From 1976 - 1980 attended the ILA Instituti i Larte i Arteve Academy of Arts in Tirana, 1991 he graduated from Michigan State University, Studio Arts (MFA). He works and lives in Stamford CT in the United States as a free artist. Specialized in painting, collages and mosaics, after many exhibitions New York City, San Francisco, Miami, Bernardsville NJ, Cane, Nice, Florence, Tokyo art galleries and art events, in October 2013 he exhibited his works at the National Art Gallery of Albania, in an exhibition named "The Journey", and May 2015 "The Journey Continues" at the FAB Art Gallery (The Gallery of the Art Academy in Tirana, Albania). Context_4 : The Debel Gallery was opened in 1973 in Jerusalem, when the city was a pilgrimage center for curators, journalists and art enthusiasts. Etienne and Ruth Debel opened the Gallery in the basement of their home in Ein Kerem. It represented well-known artists, and discovered new ones. In addition, the Gallery exhibited avant-garde artists, which was unusual for a private gallery; for example, in 1974 the Austrian artist Rudolf Schwarzkogler, and in 1976 the Gallery staged a performance of "Nidah" by Yocheved Weinfeld. Among the artists exhibited were the Israeli artists Yair Garbuz, Raffi Lavie, Gabriel Cohen, Yocheved Weinfeld, Maya Cohen-Levy, Daniela Passal; internationally famous artists such as Alexander Calder, David Hockney and many others. At the same time, the Debel Gallery promoted a group of artists who were considered to be on the "fringe" of the avant-garde artists. They were identified with Bezalel such as Zeev Raban, Meir Gur-Arieh, and Shmuel Levi; figurative artists such as Samuel Bak and Naftali Bezem. There was also a group of new immigrants from the U.S.S.R. who were also promoted by the Debel Gallery such as Naftali Bezem, Alexander Okun, Valentin Shorr, Anatoli Basin, and many others. Context_5 : Samuel Bak (born 12 August 1933) is a Polish-Jewish painter and writer who survived the Holocaust and immigr ated to Israel in 1948. Since 1993, he has lived in the United States. Context_6 : Henri Hayden, born Henryk Hayden (December 24, 1883 May 12, 1970), was a Polish-Jewish painter. Born in Warsaw, Hayden lived and worked in Paris. Hayden studied engineering at the Warsaw Polytechnic from 1902-5, while simultaneously pursuing studies at the Warsaw Academy of Fine Arts and eventually moved to France in 1907. Context_7 : Lloyd Sexton Jr. (19121990), who is also known as Leo Lloyd Sexton Jr. was an American painter born in Hilo, Hawaii on March 24, 1912. In 1931 he entered the School of the Museum of Fine Arts, Boston. In 1933 he had a show of flower paintings at the Vose Galleries in Boston, followed by exhibitions at the Honolulu Museum of Art and at Gump's in San Francisco. He spent several years in Europe, painting and traveling during the summers and studying at the Slade School of Art in London during the winters. In his third and final year of instruction there, one of his figure paintings won first prize, and in 1936 a flower painting was exhibited the Royal Academy in London. Sexton returned to Hilo in 1937 and concentrated on figure painting and portraiture. That same year his painting "Nanea" was accepted and exhibited at the Royal Academy. Sexton executed a large number of portraits and, beginning in 1934, before he left for Europe, did two commissions for the Hawaiian Pineapple Company. He was a frequent and popular exhibitor in group shows in Honolulu. He also had one-person shows at Honolulu's Grossman-Moody Gallery in 1957 and at the Hilton Hawaiian Village Hotel Gallery in 1961. A retrospective of his work was held at the Contemporary Arts Center, Honolulu Advertiser Gallery, in 1966. He died in Honolulu on March 23, 1990 Context_8 : Paraskeva Clark (October 28, 1898 August 10, 1986) was a Canadian painter born in St. Petersburg, Russia Her work is often political as she believed that "an artist must act as a witness to class struggle and other societal issues." She has been a member of such groups as the Canadian Group of Painters, the Canadian Society of Painters in Water Colour, Canadian Society of Graphic Art, the Ontario Society of Artists, and the Royal Canadian Academy. Much of her art now resides at the National Gallery of Canada and the Art Gallery of Ontario. Context_9 : Christian Satin (born 1946) is a painter born in Brussels. He began painting with oil on canvas at age nine, first borrowing from impressionist techniques, going through a cubist period, before turning towards Surrealism. He started exhibiting and selling his early works as a teenager; this part of his career ended in 1966. His last exhibition was at the Gallery Piranese together with three other young and upcoming artists. Satin gradually abandoned painting for architecture, partly because of Andre Breton's death, which seemed to mark the end of the Surrealist movement. He graduated in architecture in 1970 from the Academy of Fine Arts in Liege. After nearly fifty years without touching a paintbrush, Satin rejoined Surrealism in 2012, giving it a new form: Trans-realism. Context_10 : Anthony Morse (Tony) Urquhart Order of Canada, (born April 9, 1934) is a Canadian painter born in Niagara Falls, Ontario. He was recognized in the late 50s and early 60s as one of Canada's pioneering abstractionists, having been variously linked with the Toronto painters associated with The Isaacs Gallery and The Heart of London group that included Jack Chambers, Greg Curnoe and Murray Favro. In 1967 with Jack Chamber and Kim Ondaatje, he helped found CAR/FAC (Canadian Artists Representation/Frontes des Artistes Canadiens), the artists' 'union' that first established a fee schedule for public museum and gallery exhibitions of contemporary artists. Since the 60's Urquhart has followed an independent and autonomous path centred upon his distinctive 'box' format. fact_1 : They were identified with Bezalel such as Zeev Raban, Meir Gur-Arieh, and Shmuel Levi; figurative artists such as Samuel Bak and Naftali Bezem. fact_2 : Samuel Bak (born 12 August 1933) is a Polish-Jewish painter and writer who survived the Holocaust and immigr ated to Israel in 1948. Question: What Polish-Jewish painter born in 1933 was featured in the Debel Gallery?
Solution:
Samuel Bak