Some context: Yelberton Abraham Tittle Jr. (October 24, 1926 - October 8, 2017), better known as Y. A. Tittle, was a professional American football quarterback. He played in the National Football League (NFL) for the San Francisco 49ers, New York Giants, and Baltimore Colts, after spending two seasons with the Colts in the All-America Football Conference (AAFC). Known for his competitiveness, leadership, and striking profile, Tittle was the centerpiece of several prolific offenses throughout his seventeen-year professional career from 1948 to 1964. Tittle played college football for Louisiana State University, where he was a two-time All-Southeastern Conference (SEC) quarterback for the LSU Tigers football team.
A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season. Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame. After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989.
Are there any more interesting information about the famous photo?
A: Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own,
Some context: Christopher Maurice Brown was born on May 5, 1989, in the small town of Tappahannock, Virginia, to Joyce Hawkins, a former day care center director, and Clinton Brown, a corrections officer at a local prison. He has an older sister, Lytrell Bundy, who works in a bank. Music was always present in Brown's life beginning in his childhood. He would listen to soul albums that his parents owned, and eventually began to show interest in the hip-hop scene.
On February 24, 2015, Brown released his first collaborative studio album with Tyga, titled Fan of a Fan: The Album. The album was a follow-up to the pairs 2010 mixtape Fan of a Fan. In early 2015, Brown also embarked on his Between The Sheets Tour with Trey Songz. In spring of 2015, Brown was featured on DJ Deorro's song "Five More Hours". On June 24, Brown released a new song titled "Liquor". Shortly after, it was announced that "Liquor" was the first single from his seventh studio album. On August 22, 2015 the singer officially declares from his Twitter profile that the new album will be titled "Royalty" in honor of his daughter, Royalty Brown. On October 16 he has revealed the album cover, portraying Chris with Royalty in her arms in a black and white picture. On October 13, 2015, Brown announced that Royalty will be released on November 27, 2015. After it was revealed that the album has been pushed back to December 18, 2015, in exchange on November 27, 2015, he released a free 34-track mixtape called Before the Party as a prelude to Royalty, which features guest appearances from Rihanna, Wiz Khalifa, Pusha T, Wale, Tyga, French Montana and Fetty Wap. On October 16, 2015, the album cover was revealed. The album was released on December 18, 2015, and it debuted at number 3 on the US Billboard 200, selling 184,000 units (162,000 in pure album sales) in its first week, marking an improvement over Brown's last three studio albums. It also became his seventh solo album consecutive top ten debut in the United States. On March 2016, he collaborated again with the Italian DJ Benny Benassi for the song "Paradise" from the album Danceaholic. On May 1, 2016, Brown announced that his next album title would be Heartbreak on a Full Moon. The lead single "Grass Ain't Greener" was released on May 5, 2016. In May 2016, Brown became the face of sneaker and streetwear retailer Snipes' spring/summer 2016 campaign. On December 16, 2016, Brown released the second single "Party" featuring Gucci Mane and Usher.
What other albums did he have?
A: On May 1, 2016, Brown announced that his next album title would be Heartbreak on a Full Moon. The lead single "Grass Ain't Greener" was released on May 5, 2016.
Some context: Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse.
From 1235, the point at which Wendover dropped his pen, Paris continued the history on the plan which his predecessors had followed. He derived much of his information from the letters of important people, which he sometimes inserts, but much more from conversation with the eyewitnesses of events. Among his informants were Richard, Earl of Cornwall and King Henry III, with whom he appears to have been on intimate terms. The king knew that Paris was writing a history, and wanted it to be as exact as possible. In 1257, in the course of a week's visit to St Albans, Henry kept the chronicler beside him night and day, "and guided my pen," says Paris, "with much goodwill and diligence." It is curious that the Chronica majora gives so unfavourable an account of the king's policy. Henry Richards Luard supposes that Paris never intended his work to be read in its present form. Many passages of the autograph have written next to them, the note offendiculum, which shows that the writer understood the danger which he ran. On the other hand, unexpurgated copies were made in Paris's lifetime. Although the offending passages are duly omitted or softened in his abridgment of his longer work, the Historia Anglorum (written about 1253), Paris's real feelings must have been an open secret. There is no ground for the old theory that he was an official historiographer. Naturalists have praised his descriptions of the English wildlife of his time, brief though they are: in particular his valuable description of the first irruption into England in 1254 of the common crossbill.
did he write about anybody important in history?
A:
Richard, Earl of Cornwall and King Henry III,