input with options: Read the following context and answer the question. Context: I once went out to have fun with a friend of a different nationality, and she wanted to go to a place that featured the music of her culture. Since I have always been interested in other cultures, I was happy to go along. While we were sitting at a table together, an older man came up and asked to buy me a drink. I told him "no thank you, I do not drink". My arm was laying on top of the booth because I was sitting sideways since my big old pregnant belly would not fit under the table. He reached over and took my hand and said " Come dance with me then". I again told him I was not interested in dancing. He began to squeeze my hand and insisting I get up and dance with him. I kept telling him no, and pointing to my belly and saying I would not be dancing with anyone. He just kept squeezing my hand harder and trying to pull me out of the booth. I got angry when I felt something break in my hand and screamed at him "Get your effing hands off me!" The bar owner came over to see what the problem was. I explained that "this jerk just hurt my hand because I would not drink or dance with him!" The owner looked at me crying, and the man laughing, and kicked my friend and I out of the place! Seems the rude SOB was his best friend. I got a bad taste for places of that culture (although I do love the cuisine) and a broken bone in my left hand for my trouble. She and I never went out again because she was so embarrassed about what the guy did to me, but she did take me to the ER on the way home. Question: Why wouldn't she fit under the table? Answer:
OPTIONS:
- Because she is married to her lovely husband
- Because of her big pregnant belly
- She did not want to dance.
- not enough information
output: Because of her big pregnant belly

Q: Read the following context and answer the question. Context: In 1981, when I was nine years old, my father took me to see Raiders of the Lost Ark. Although I had to squint my eyes during some of the scary scenes, I loved it in particular because I was fairly sure that Harrison Ford's character was based on my dad. My father was a palaeontologist at the University of Chicago, and I'd gone on several field trips with him to the Rocky Mountains, where he seemed to transform into a rock-hammer-wielding superhero. That illusion was shattered some years later when I figured out what he actually did: far from spending his time climbing dangerous cliffs and digging up dinosaurs, Jack Sepkoski spent most of his career in front of a computer, building what would become the first comprehensive database on the fossil record of life. The analysis that he and his colleagues performed revealed new understandings of phenomena such as diversification and extinction, and changed the way that palaeontologists work. But he was about as different from Indiana Jones as you can get. The intertwining tales of my father and his discipline contain lessons for the current era of algorithmic analysis and artificial intelligence (AI), and points to the value-laden way in which we "see" data. My dad was part of a group of innovators in palaeontology who identified as "palaeobiologists" meaning that they approached their science not as a branch of geology, but rather as the study of the biology and evolution of past life. Since Charles Darwin's time, palaeontology especially the study of the marine invertebrates that make up most of the record involved descriptive tasks such as classifying or correlating fossils with layers of the Earth (known as stratigraphy). Some invertebrate palaeontologists studied evolution, too, but often these studies were regarded by evolutionary biologists and geneticists as little more than "stamp collecting". Question: How does the author feel about his father's work? Answer:

OPTIONS:
- not enough information
- The author is sad.
- The author is proud.
- The author is angry.

A: The author is proud.

input: OPTIONS:
- an alien's
- a robot's
- not enough information
- the narrator Now, answer this question: Read the following context and answer the question. Context: The city was gray but the buildings contrasted with dirt red. The morning settled my nerves a bit more and before long the train pulled into the station. Boston had a slower feel, much slower than New York. The air was cool and peppered with moisture. I knew I was close to the ocean. Vision blurry, I wobbled out of the train depot and thought about the fact that I had never really done anything crazy in my life. The colors meant something here. Green was the color of plants but it was also the color of money. Plants were good but money was bad. I didn't know what green meant. Blue and red were clear though. Blue was the color of ocean and sky, both good things. Red was the color of Mars and it was manly but mars meant aliens and aliens were bad so red was bad. This is how I navigated. I followed the colors. I was lost in a daze of exhaustion and moved my feet slowly. They were dead and raw with pain and blisters, and I shuffled out into the city. My eyes darted from color to color, sign to sign, connection to connection. I floated like a ghost and thought about crying. There were few people out so I found a relative ease in that but my mind still jumped around reckless. I needed to find Kim. I saw a silent pay phone with a dangling phonebook and headed towards it until I remembered that phone books don't normally list cell phones. Kim wasn't the type of girl to list herself in the phonebook either. I had no leads but I knew I could go to a library and maybe find out her number if she had listed it on Facebook, so I kept walking. Stopping at benches, I would rest until I could muster more energy. Question: whose eyes darted from color to color? Answer:
A:
output: the narrator

Read the following context and answer the question. Context: I was driving on Highway 35 on my way home from work. Up in front of me was a giant billboard advertising yet another jeweler, in ten-foot letters and bright silver watches like massive alien machines. The traffic slowed and stopped on the ramp as it bottlenecked further into the city, and my head turned to examine the sign and the blocked view of the cityscape and land beyond. Past it was another billboard, with the name of a casino as its only text, filled with collaged images of money, plush rooms, and dancers. A quarter mile further brought me to an advertisement for business management solutions. Another few hundred yards and I was urged to try the new sandwich at the new sandwich place. The sun set and the signs stayed bright as automatic light switched on. The city grew dark and the hills beyond feebled out, existing only in our minds and finally not even there. All that remained were the well-lit and shiny reminders that lawyers were standing by to take my case to court, and that somebody's air conditioners would outlast somebody else's. I had an idea. I made the call the next day. It would put me back a good half grand, but it would be worth it. There would be no design meeting; I sent them the image and it was printed. A few weeks later it went up. Now on my commute, when I paused in the crush of metal bodies, I looked up and saw mountains by Maxfield Parrish, reaching up to the clouds in impossible cragginess, rivulets and gushing streams painted down their sides, with the sun striking vibrant oranges and reds into the shadows of the rocks. There were trees in copper-patina green and still pools quieter than the middle of winter but warm as the first day of summer. No doubt people thought it was the first part of a two-stage advertising gimmick, or a filler to be used when no one was renting space on the sign. But I was happy. Question: What ad came before the ad for casino? Answer:

OPTIONS:
- business management solution
- not enough information
- sandwiches
- watches

Answer:
watches