Background: SMAP was a Japanese boy band, composed of Masahiro Nakai, Takuya Kimura, Goro Inagaki, Tsuyoshi Kusanagi, and Shingo Katori. The group was created in 1988 by music producer Johnny Kitagawa, founder of Johnny & Associates, originally as a six-piece with Katsuyuki Mori, until his departure from the band in 1996. After making their debut in 1991, the group took the Japanese entertainment industry by storm, becoming the most successful boy band in Japanese history and the bestselling band in Asia, often referred to as a "national treasure" and a "fortune and property of the country" in Japan. SMAP was regarded as an iconic figure in Japan, after achieving an unprecedented level of success in numerous genres in the entertainment industry, including music, television, film, radio, and theater, as a group and individually.
Context: On January 1, 1991, the band held their first concert in Nippon Budokan and their first tour from March through April, before releasing any music. On September 9, 1991, they released their first single, "Can't Stop -Loving-" from Victor Entertainment, which peaked at #2 on the charts. Subsequent singles, "Seigi no Mikata wa Ate ni Naranai", "Kokoro no Kagami", "Makeru na Baby" peaked in the top 10. The band asked the fans to write the lyrics for "Kokoro no Kagami", and the one submitted by a fourteen-year-old girl was chosen. The song was later used in a Panasonic television commercial. They were invited to perform the song at Kohaku Uta Gassen, an annual music show, on December 31, 1991. At the same time of their debut, the Japanese music industry experienced what is frequently referred to as an "Idol Ice Age", where many of the popular music shows that aired weekly since the 1980s ended, and singers and bands lost a place to perform, resulting in scarce opportunities for TV exposure. Therefore, the agency decided to market the band through variety programs, where members participated in sketch comedies and game shows along with other television personalities. This non-mainstream marketing approach turned out to be a success, as the members' humorous and playful spirits on these shows propelled them to gain new fans, despite not having many musical performances on television since their debut. In 1991, the band's first self-titled television show, SMAP no Gakuen Kids, got renewed and changed to, I Love SMAP, which aired until 1996. From October 7, 1991, Inagaki launched his radio program, Stop The SMAP, still airing as of 2016. From April 1992 to September 1995, the group appeared regularly on a weekly variety program, Yume ga Mori Mori. Due to the fact that this was the first time in Japanese history, that a band participated in a sketch comedy, this rare act attracted wide attention. On January 1, 1992, they released their first album, SMAP 001, which peaked at #14 and released another album, SMAP 002, in the same year and peaked at #6. Their singles, "Egao no Genki", "Yuki ga Futtekita", "Zutto Wasurenai", "Hajimete no Natsu", "Kimi wa Kimi dayo", "$10", and "Kimi iro Omoi", released from 1992 through 1994, all peaked at the top 10. They headlined three tours in 1992, from January to August. In 1993, they released their third and fourth album, SMAP 003 and SMAP 004, which peaked at #11 and #3 respectively. In 1992, Inagaki starred in a drama television series, Hatachi no Yakusoku, as the main role. In 1993, Kimura starred in a drama television series, Asunaro Hakusho, which became a massive hit, with an average household share rating of 27% and 31.9% for the season finale. Kimura's popularity soared and from then on, members of the band started their acting careers individually.
Question: Was it only the duo?
Answer: Kimura's popularity soared and from then on, members of the band started their acting careers individually.

Problem: Background: Edgar Yipsel "Yip" Harburg (born Isidore Hochberg, Yiddish: ysydvr hvkbrg; April 8, 1896 - March 5, 1981) was an American popular song lyricist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?"
Context: Harburg and Gorney were offered a contract with Paramount: in Hollywood, Harburg worked with composers Harold Arlen, Vernon Duke, Jerome Kern, Jule Styne, and Burton Lane, and later wrote the lyrics for The Wizard of Oz, one of the earliest known "integrated musicals," for which he won the Academy Award for Best Music, Original Song for "Over the Rainbow." Of his work on The Wizard of Oz, his son (and biographer) Ernie Harburg has said: So anyhow, Yip also wrote all the dialogue in that time and the setup to the songs and he also wrote the part where they give out the heart, the brains and the nerve, because he was the final script editor. And he--there were eleven screenwriters on that--and he pulled the whole thing together, wrote his own lines and gave the thing a coherence and unity which made it a work of art. But he doesn't get credit for that. He gets lyrics by E. Y. Harburg, you see. But nevertheless, he put his influence on the thing. Working in Hollywood did not stop Harburg's career on Broadway. In the 1940s, he wrote a series of "book" musicals with social messages, including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer. Harburg's best known Broadway show, Finian's Rainbow (1947) was, in its original production, possibly the first Broadway musical with a racially integrated chorus line, and features his "When the Idle Poor Become the Idle Rich." It was made into a film in 1968 starring Fred Astaire and Petula Clark, directed by Francis Ford Coppola.
Question: What did he do on Broadway?
Answer:
including the successful Bloomer Girl (1944), set during the Civil War, which was about temperance and women's rights activist Amelia Bloomer.