IN: Miranda was born Maria do Carmo Miranda da Cunha in Varzea da Ovelha e Aliviada, a village in the northern Portuguese municipality of Marco de Canaveses. She was the second daughter of Jose Maria Pinto da Cunha (17 February 1887 - 21 June 1938) and Maria Emilia Miranda (10 March 1886, Rio de Janeiro - 9 November 1971). In 1909, when Miranda was ten months old, her father emigrated to Brazil and settled in Rio de Janeiro, where he opened a barber shop.

In The House Across the Bay (1940, produced by Walter Wanger and released by United Artists), Joan Bennett performed the Mirandaesque "Chula Chihuahua." Babes on Broadway's (1941) finale opens with "Bombshell from Brazil", where Mickey Rooney (dressed as Miranda) sings "Mamae Eu Quero". The finale of Time Out for Rhythm (1941) begins with the Three Stooges performing a rumba number; Curly Howard is dressed as Carmen Miranda. The United Fruit Company created a banana-woman character in 1944, Chiquita, whose fruit hat resembled Miranda's. In Mildred Pierce, Jo Ann Marlowe sings a Mirandaesque South American Way. In "Be a Pal", a season-one episode of I Love Lucy, Lucille Ball imitates Miranda and lip-syncs to "Mamae Eu Quero". Caetano Veloso appeared dressed as Miranda in January 1972, in his first show after his return to Brazil from London. Helena Solberg filmed a documentary, Carmen Miranda: Bananas is My Business, in 1995. Eduardo Dusek recorded a cover version of the song "Ta-Hi (Pra Voce Gostar de Mim)", written by Joubert de Carvalho and recorded by Miranda in 1930, for the 2003 telenovela Chocolate com Pimenta. In 2007, BBC Four produced Carmen Miranda - Beneath the Tutti Frutti Hat, a one-hour documentary which included interviews with biographer Ruy Castro, niece Carminha and Mickey Rooney. That year, singer Ivete Sangalo recorded a cover version of the song "Chica Chica Boom Chic" for the DVD MTV ao Vivo. For Miranda's centenary, Daniela Mercury recorded a "duet" with the singer on a cover of "O Que E Que A Baiana Tem?", which includes the original 1939 recording. The romantic fantasy film The Shape of Water (2017) features Miranda's hit song "Chica Chica Boom Chic".

What can you tell me interesting about this article

OUT: Helena Solberg filmed a documentary, Carmen Miranda: Bananas is My Business,

Answer the question at the end by quoting:

A Night at the Opera is the fourth studio album by the British rock band Queen, released on 21 November 1975 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was the most expensive album ever recorded at the time of its release. The album takes its name from the Marx Brothers film of the same name, which the band watched one night at the studio complex when recording. A Night at the Opera incorporates a wide range of styles, including ballads, songs in a music hall style, hard rock tracks and progressive rock influences.
"Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song. The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful". During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions. Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history. After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.

Was there a particular method Mercury used to write the song?

All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (

input: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures. Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States. In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay.

Answer this question "were they the only producer"
output:
Def Jam Records,