Problem: Ravinder Singh "Ravi" Bopara (born 4 May 1985) is an English cricketer who plays for Essex and England. Originally a top-order batsman, his developing medium pace bowling has made him an all-rounder and he has the best bowling figures for England in a Twenty20 International. Bopara has also played for Karachi Kings in the Pakistan Super League, Kings XI Punjab in the Indian Premier League, Sydney Sixers in the Big Bash League and Chittagong Vikings in the Bangladesh Premier League. Bopara was first called up to the England One Day International team in 2007, before a difficult Test debut in Sri Lanka saw him dropped in early 2008 after a string of three ducks.

On 18 February 2009, Bopara, along with Amjad Khan, was invited to join the England Test squad on their tour of the West Indies as cover for Andrew Flintoff who was struggling with a hip injury. He scored 124 not out in a warm up match, earning him a place in the 4th Test against the West Indies. In the first innings he scored his maiden Test century with 104 off 143 balls before being caught. He was dropped for the next Test of the series, however he was re-selected for the first Test of the home series against the West Indies on 6 May. There he scored his second consecutive Test century, scoring 143 runs from 186 balls. He then scored another century in the second Test, becoming only the fifth England player to score three consecutive centuries. He credited his success to his coaching by Graham Gooch at Essex. Bopara played well in England's opening game of the T20 World Cup, hitting 46 against the Netherlands. He made 37 against India before 55 against the West Indies, although England lost the match by 5 wickets. This meant that England progress no further in the competition despite being on home soil. Australians Mitchell Johnson and Ricky Ponting stated to local media that during the upcoming 2009 Ashes series they were going to target Bopara in particular. On 22 June, the England selectors announced a sixteen-man preliminary Ashes squad for that summer's series; it included Bopara. Cricinfo staff wrote that "Bopara's stock could not be higher". He found success in a warm-up match against Warwickshire, however, scoring 104 while opening with Andrew Strauss. Bopara struggled during the series, however, with scores of 35, one, 18, 27, 23, one and a duck. He was dismissed by Ben Hilfenhaus in five of his seven innings. Speculation grew about his position for the final Test, where England required a win to regain the Ashes, and it was announced on 16 August that Bopara had been dropped in favour of uncapped Jonathan Trott, who went on to score a century on debut. Bopara returned to Essex and scored 201 against Surrey, and despite being replaced in the Test team remained in England's squads for the ODI series against Australia and the Champions Trophy in September. On 11 September 2009 it was announced that Bopara had been awarded an "incremental contract" with England, as had Trott. However, after the Champions Trophy Bopara did not play ODI cricket for ten months.

How did he do during this time?

Answer with quotes: He scored 124 not out in a warm up match, earning him a place in the 4th Test against the West Indies.

Question:
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese being the only continuous member until his death in January 2015. The best known line-up of the group was its mid-70s trio of Froese, Christopher Franke, and Peter Baumann. In the late 1970s, Johannes Schmoelling replaced Baumann.
Edgar Froese arrived in West Berlin in the mid-1960s to study art. His first band, the psychedelic rock-styled The Ones, disbanded after releasing only one single. After The Ones, Froese experimented with musical ideas, playing smaller gigs with a variety of musicians. Most of these performances were in the famous Zodiak Free Arts Lab, although one grouping also had the distinction of being invited to play for the surrealist painter Salvador Dali. The music was partnered with literature, painting, early forms of multimedia, and more. It seemed as though only the most outlandish ideas attracted any attention, leading Froese to comment, "In the absurd often lies what is artistically possible." As members of the group came and went, the direction of the music continued to be inspired by the Surrealists, and the group came to be called by the surreal-sounding name of Tangerine Dream, inspired by the line "tangerine trees and marmalade skies" from The Beatles' track "Lucy in the Sky with Diamonds." Froese was fascinated by technology and skilled in using it to create music. He built custom-made instruments and, wherever he went, collected sounds with tape recorders for use in constructing musical works later. His early work with tape loops and other repeating sounds was the obvious precursor to the emerging technology of the sequencer, which Tangerine Dream quickly adopted upon its arrival. The first Tangerine Dream album, Electronic Meditation, was a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for. The line-up for the album was Froese, Klaus Schulze, and Conrad Schnitzler. Electronic Meditation was published by Ohr in 1970, and began the period known as the Pink Years (the Ohr logo was a pink ear). But starting with their second album, Alpha Centauri, the group has been a trio or occasionally duo of electronic instruments, commonly augmented by guitar from Froese (or, much later, other musicians as well), and occasionally also other instruments. Of these, drums from Christopher Franke and organ from Steve Schroyder (on Alpha Centauri) or Peter Baumann (on subsequent releases) feature prominently in the band's music during the early 70s. They also started their heavy usage of the Mellotron during this period.
Answer this question using a quote from the text above:

what was krautrock?

Answer:
Electronic Meditation, was a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for.