Problem: Background: Bloc Party are an English rock band, currently composed of Kele Okereke (lead vocals, rhythm guitar, keyboards, sampler), Russell Lissack (lead guitar, keyboards), Justin Harris (bass guitar, keyboards, saxophones, backing vocals) and Louise Bartle (drums, percussion). Former members Matt Tong and Gordon Moakes left the band in 2013 and 2015 respectively. Their brand of music, whilst rooted in rock, retains elements of other genres such as electronica and house music. The band was formed at the 1999 Reading Festival by Okereke and Lissack.
Context: Bloc Party's second album, A Weekend in the City, was produced by Garret "Jacknife" Lee. It was released in February 2007, although it was leaked in November 2006. It became available for download on the UK iTunes Store before the physical release, and reached the number 2 spot on the UK Albums Chart. The album also reached number 2 on the Australian and Belgian charts, and debuted at number 12 in the Billboard 200, with 48,000 copies sold. The first single, "The Prayer", was released on 29 January, and became the band's highest charting single in the British Top 40, reaching number 4. In the buildup to the release of the album, BBC Radio 1 DJ Zane Lowe aired a live set by the band from Maida Vale studios on 30 January 2007, featuring a mix of old and new songs. On 1 February 2007, A Weekend in the City was made available to listen to for free through Bloc Party's official MySpace page. The next single, "I Still Remember", was Bloc Party's highest charting American single, peaking at number 24 on the Modern Rock Chart. The band released their third single, "Hunting for Witches", with an accompanying video clip in August 2007. The single became their only ARIA Chart entry, peaking at number 20. In October 2007, it was announced that Bloc Party would release a new single, "Flux", on 13 November--ahead of their end of year gigs. The electronic song, also produced by Jacknife Lee, was very different from previous singles released by the band. The band's first gig following the release of A Weekend in the City was on 5 February 2007, in Reading, and was broadcast live on BBC 6 Music. On 20 May 2007, Bloc Party headlined on the In New Music We Trust stage at the BBC Radio 1 Big Weekend in Preston. They also performed at the UK leg of Live Earth on 7 July 2007 at Wembley Stadium. Furthermore, the band played sets at T in the Park and Oxegen 07 that same weekend, as well as Glastonbury and the Reading and Leeds Festivals later in 2007. Bloc Party announced a tour of Australia and New Zealand in August 2007, which would include a special appearance at the Splendour in the Grass Festival on 5 August. On 17 September 2007, they recorded a set for the PBS show Austin City Limits a day after playing at the Austin City Limits Music Festival. On 27 October, the band performed a set at London's The Roundhouse with the Exmoor Singers, a London-based choir, as part of the BBC Electric Proms. The set included songs from both Silent Alarm and A Weekend in the City along with the first British live performance of "Flux".
Question: Did they have any other singles?
Answer: I Still Remember",

Problem: Background: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.
Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York. In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture. During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.
Question: What does this mean
Answer:
Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases