Problem: Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.

Timmons moved to New York in 1954. He played with Kenny Dorham in 1956, making his recording debut with the trumpeter in a live set in May of that year. He went on to play and record with Chet Baker in 1956-57 (bassist Scott LaFaro was part of this band for a time), Sonny Stitt in 1957, and Maynard Ferguson in 1957-58. He also recorded as a sideman with hornmen Curtis Fuller, Hank Mobley, and Lee Morgan, all for Blue Note Records in 1957. Timmons became best known as a member of Art Blakey's band the Jazz Messengers, which he was first part of from July 1958 to September 1959, including for a tour of Europe. He was recruited for the Messengers by saxophonist Benny Golson, who said that "He was inventive, [...] He could play bebop and he could play funky - he could play a lot of things, and I thought it was the element that Art needed. He hadn't had anybody quite like Bobby, who could go here or go there, rather than walking in a single corridor." By late 1958 Timmons was sharing bandmate Morgan's East Sixth Street apartment and the pair had bought a piano, allowing Timmons to practice and Morgan to work on composing. From around the time he joined Blakey, Timmons, along with some of his fellow band members, was a heroin user. After leaving Blakey, Timmons joined Cannonball Adderley's band, in October 1959. Timmons was also known as a composer during this period: The Encyclopedia of Jazz states that his compositions "Moanin'" (from the 1958 album of the same title), "This Here", and "Dat Dere" "helped generate the gospel-tinged 'soul jazz' style of [the] late '50s and early '60s." The first was written when Timmons was first with Blakey; the others were composed when he was with Adderley. "This Here" (sometimes "Dis Here") was a surprise commercial success for Adderley: recorded in concert in 1959, it was released as part of The Cannonball Adderley Quintet in San Francisco album while the band was still on tour, and they discovered its popularity only when they arrived back in New York and found crowds outside the Village Gate, where they were due to play. Timmons was reported to be dissatisfied with the money he had received from "This Here", and was enticed in February 1960 into leaving Adderley and returning to Blakey's band by the offer of more pay. Timmons then appeared on further well-known albums with the drummer, including A Night in Tunisia, The Freedom Rider and The Witch Doctor. His own recording debut as sole leader was This Here Is Bobby Timmons in 1960, which contained his first versions of his best-known compositions. In the same year, he played on recordings led by Nat Adderley, Arnett Cobb, and Johnny Griffin, among others; on the first of these, Work Song, Timmons did not appear on all of the tracks, because he had been drinking heavily.

What else was notable about this time period?

Answer with quotes: Timmons became best known as a member of Art Blakey's band the Jazz Messengers, which he was first part of from July 1958 to September 1959,

Problem: The Twilight Sad are a Scottish post-punk/indie rock band, comprising James Graham (vocals) and Andy MacFarlane (guitar). The band are currently signed to Fat Cat Records and have released four full-length albums, as well as several EPs and singles. Their 2007 debut album, Fourteen Autumns & Fifteen Winters, drew widespread acclaim from critics, who noted Graham's thick Scottish accent and MacFarlane's dense sonic walls of shoegazing guitar and wheezing accordion. The Twilight Sad's notoriously loud live performances have been described as "completely ear-splitting," and the band toured for the album across Europe and the United States throughout 2007 and 2008.

Whilst on tour with Errors in October 2010, vocalist James Graham stated that "the next [album] is not going to be anything like the first two. [...] The wall of sound is kinda gone. Andy [MacFarlane]'s demos involve a lot of keyboards, and it's a lot more considered." Additional musician Martin "Dok" Doherty also stated that "the band who make the same record over and over don't have a very long career." The band returned to the studio in January 2011. In April 2011, the band released a free acoustic EP on their official blog. The release featured stripped-back renditions of tracks from both Forget the Night Ahead and The Wrong Car. The Twilight Sad's third album, No One Can Ever Know, was released on 6 February 2012. Andy MacFarlane describes the album's sound as "sparser... with a colder, slightly militant feel," and the band received some production assistance from producer Andrew Weatherall, who helped in their experimenting with analog synthesizers. The band released a new song, the album's closing track "Kill It in the Morning", for free on their new website and SoundCloud page on 21 September 2011. The first proper single from the album, "Sick", was made available as a 7" vinyl single and digital download on 14 November 2011. Second single "Another Bed" followed the album's release on 20 February 2012. In August 2012, the band announced that touring keyboardist Martin "Dok" Doherty would no longer be performing with the band, stating "[An] end of an era as our next two gigs will be Dok's last with the band. One of our best friends and one of the most talented people we know! [...] Been a pleasure and a privilege to share the stage, be on the road [and] have many a drunken night in foreign lands over the past five years with you, Dok." Later that month, Doherty's replacement was revealed to be Brendan Smith, previously of the bands Julia Thirteen and The Unwinding Hours. Regarding the band's line-up changes over the past six years, James Graham noted, "The good thing about the line up changes is that we all remain friends with each other and when someone has left it's been for a good reason and the right choice for them. We've lucked out with Johnny [Docherty] and Brendan who are maniacs in the best possible way, but they are also brilliant musicians as were Dok and Craig [Orzel] and they all put the likes of me to shame." Doherty left the band to further pursue his electropop project Chvrches with former Aereogramme guitarist Iain Cook and singer Lauren Mayberry. Along with nationwide tours of the United States and the United Kingdom, as well as European festivals during the summer and a headlining gig at Barrowland Ballroom in December, the band released a collection of remixes entitled No One Can Ever Know: The Remixes in November 2012. In December 2013, The Twilight Sad and The Skinny released a free digital download single and video of the band performing "The Wrong Car" with the Royal Scottish National Orchestra, recorded live at Paisley Abbey in October 2013.

When was it released?

Answer with quotes:
The Remixes in November 2012.