In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
The answer to this example can be: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

OK. solve this:
Context_1 : The Lille Stesichorus is a papyrus containing a major fragment of poetry usually attributed to the archaic lyric poet Stesichorus, discovered at Lille University and published in 1976. It has been considered the most important of all the Stesichorus fragments, confirming his role as an historic link between genres as different as the epic poetry of Homer and the lyric poetry of Pindar. The subject matter and style are typical of his work generally but not all scholars have accepted it as his work. The fragment is a narrative treatment of a popular myth, involving the family of Oedipus and the tragic history of Thebes, and thus it sheds light on other treatments of the same myth, such as by Sophocles in "Oedipus Tyrannos" and Aeschylus in "Seven Against Thebes". The fragment is significant also in the history of colometry since it includes lyric verses that have been divided into metrical "cola", a practice usually associated with the later career of Aristophanes of Byzantium. Context_2 : Shine a Light: Field Recordings from the Great American Railroad is a 2017 album of field recordings made by British singer Billy Bragg and American musician Joe Henry in waiting rooms and trackside at railway stations on a journey between Chicago and Los Angeles in March 2016. The project was conceived after Henry produced Bragg's thirteenth studio album "Tooth & Nail" at his home studio in South Pasadena. It was released on the Cooking Vinyl label on 23 September 2016. The project is named after a lyric in the traditional folk song "Midnight Special" (mistakenly credited to Lead Belly after a 1934 recording he made). Context_3 : Marylou is the second studio album by Swiss singer-songwriter Anna Rossinelli. The album was released on 3 May 2013 by Universal Music. The first single from the album was "Let It Go" and it was released on 6 March 2013. The album was re-released under the new title Marylou Two on 4 February 2014, with the bonus tracks "Shine in the Light", "Let It Go (Live)", "Vagabonds (Live)", "Reconcile" and "Shine In The Light (Piano Version)". Context_4 : "Shine a Light" is the second single from English band McFly's fifth studio album, "Above the Noise". The single features vocals from singer Taio Cruz. The single was released on 7 November 2010 via digital download, with a physical release following the next day. A free download was available for members of the band's new website, SuperCity. The song received mostly positive reviews from pop music critics. On 3 November 2010, the song was added to BBC Radio 1's A-List. The song peaked the number 9 in UK Airplay Chart. McFly secured their fifteenth Top 5 hit with "Shine a Light" on the UK Singles Chart. Context_5 : "Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The title comes from the refrain, which refers to the passenger train "Midnight Special" and its "ever-loving light" (sometimes "ever-living light"): Context_6 : The lighthouse paradox is a situation in which the speed of light is apparently exceeded. Upon observation, it would seem that a lighthouse is able to shine light on one object and then, in a manner that is faster than the speed of light, shine light on another object. However this is not true, as the photons from the light source that are hitting object 1 are not traveling from object 1 to object 2, but rather, different photons are reflected off each object. Meaning, there is no movement of the "light beam" from one object to another, as though it were a single entity of matter, but a projection of many entities that reflect off of the different objects. The lighthouse paradox essentially proposes a situation which violates Einstein's theory of special relativity using superluminal signalling. In other words, a condition in which information or matter is traveling faster than the speed of light. Through careful analysis this paradox is resolved. Context_7 : A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups, light and full. Context_8 : "Let Your Light Shine on Me" is a traditional gospel blues song recorded in 1929 by Blind Willie Johnson. The song itself is also known as "Let It Shine on Me", "Light from the Lighthouse" and "Light from Your Lighthouse". Context_9 : Her debut novel "Shine Shine Shine" was named one of the 100 Notable Books of 2012 by "The New York Times". The book tells the story of a pregnant woman with alopecia, her astronaut husband, their autistic son, and her mother, who is dying from cancer. Context_10 : "Shine in the Light" is a single by Swiss singer-songwriter Anna Rossinelli. The song was released as the lead single from her re-released second studio album "Marylou" called "Marylou Two" (2014). The song has peaked to number 4 on the Swiss Singles Chart. The song was written by Anna Rossinelli, Georg Schlunegger, Georg Dillier, Manuel Meisel. The Swiss television studio SRF used the single Shine in the Light as their official song for the broadcast of the 2014 Winter Olympics. fact_1 : Shine a Light: Field Recordings from the Great American Railroad is a 2017 album of field recordings made by British singer Billy Bragg and American musician Joe Henry in waiting rooms and trackside at railway stations on a journey between Chicago and Los Angeles in March 2016. fact_2 : The project is named after a lyric in the traditional folk song "Midnight Special" (mistakenly credited to Lead Belly after a 1934 recording he made). fact_3 : "Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. Answer: Midnight Special
Answer:
What lyric is Shine a Light named after?