Some context: Usher was born in Dallas, Texas, the son of Jonetta Patton (nee O'Neal), from Tennessee, and Usher Raymond III. Usher spent the majority of his young life in Chattanooga: his father left the family when Usher was a year old. Usher grew up with his mother, then-stepfather, and half-brother, James Lackey (born 1984). Directed by his mother, Usher joined the local church youth choir in Chattanooga, when he was nine years old.
Aside from recording music, Usher is involved in other businesses, including several restaurants. In 2007 Usher worked with Richard Herpin and Honoring Blanc for the fragrances Usher He and Usher She. The promotion for the fragrance, featured Usher and Martha Stewart in the Macy's, "The Magic of Macy's" commercial. In September 2008 Usher released the fragrances, UR for Men and UR for Women. Usher fifth fragrance, VIP was launched in 2009. On March 30, 2015, it was announced that Usher is a co-owner, with various other music artists, in the music streaming service Tidal. The service specialises in lossless audio and high definition music video with curated editorial. Jay Z acquired the parent company of Tidal, Aspiro, in the first quarter of 2015. The slogan "Turn the tide" and the hashtag "#TIDALforAll" was used by various artists on social media during the buildup to the press conference relaunching the service. Usher, along with sixteen artist stakeholders (such as Alicia Keys, Kanye West, Beyonce, Rihanna, Madonna, J.Cole, Nicki Minaj and more) co-own Tidal, with the majority owning a 3% equity stake. The idea of having an all artist owned streaming service was created by those involved to adapt to the increased demand for streaming within the current music industry, and to rival other streaming services such as Spotify, which have been criticised for their low payout of royalties."The challenge is to get everyone to respect music again, to recognize its value", stated Jay-Z on the release of Tidal. On June 28, 2015, Usher became partners with Yoobi the fast-growing school supplies company called based out of Los Angeles. The company donates a portion of its products to schools and has brought in over $20 million in revenue between June 2014 and June 201 Yoobi CEO Ido Leffler told Inc. The Usher line of supplies with Yoobi features a collaboration with Jonni Cheatwood, the artist who does the designing. The slogan is "Mixing street smarts with school smarts". The collection is available online and at Targets nationwide, and for every purchase, school supplies are donated to kids in need in US classrooms. When asked why he partnered with Yoobi, Usher said, "Preparing future leaders through my New Look Foundation has always been about having the proper tools to succeed in life. If they don't have the tools, young men and women from underserved communities can't even begin to understand the idea of having a new or different perspective. So that's where this collaboration came together giving young people the tools and supplying them with hope."
What else did he produce?
A: Usher is a co-owner, with various other music artists, in the music streaming service Tidal.
Some context: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.
what as the victorian theatrical burlesque?
A:
Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between