input: Merckx opened the 1967 campaign with two stage victories at the Giro di Sardegna. He followed these successes by entering Paris-Nice where he won the second stage and took the race lead. Two stages later, a teammate, Tom Simpson, attacked with several other riders on a climb and was nearly 20 minutes ahead of Merckx, who remained in a group behind. Merckx attacked two days later on a climb 70 km into the stage. He was able to establish a firm advantage, but obeyed orders from his manager to wait for the chasing Simpson. Merckx won the stage, while Simpson secured his overall victory. On 18 March, Merckx started the Milan-San Remo and was seen as a 120-1 favorite to win the race. He attacked on the Capo Berta and again on the Poggio, leaving only Gianni Motta with him. The two slowed their pace and were joined by two more riders. Merckx won the four-man sprint to the finish. His next victory came in La Fleche Wallonne after he missed out on an early break, caught up to it, and attacked from it to win the race. On 20 May, he started the Giro d'Italia, his first Grand Tour. He won the twelfth and fourteenth stages en route to finishing ninth in the general classification. He signed with Faema on 2 September for ten years worth 400,000 Belgian francs. He chose to switch over in order to be in complete control over the team he was racing for. In addition, he would not have to pay for various expenses that came with racing such as wheels and tires. The next day, Merckx started the men's road race at the 1967 UCI Road World Championships in Heerlen, Netherlands. The course consisted of ten laps of a circuit. Motta attacked on the first lap and was joined by Merckx and five other riders. The group thinned to five as they reached the finish line where Merckx was able to out-sprint Jan Janssen for first place. In doing so, he became the third rider to win the world road race amateur and professional titles. By winning the race he earned the right to wear the rainbow jersey as world champion.

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output: Merckx was able to out-sprint Jan Janssen for first place. In doing so, he became the third rider to win the world road race amateur and professional titles.

Problem: Background: Kidder, one of five children, was born in Yellowknife, Northwest Territories, the daughter of Jocelyn Mary "Jill" (nee Wilson), a history teacher, and Kendall Kidder, an explosives expert and engineer. Kidder also spent time growing up in Labrador City, Newfoundland and Labrador. Her mother was from British Columbia, Canada, and her father was from New Mexico, United States. She is of Welsh and English descent.
Context: Kidder made her film debut in a 49-minute film titled The Best Damn Fiddler from Calabogie to Kaladar (1968), a drama set in a Canadian logging community, which was produced by the Challenge for Change. Her first major feature was the 1969 American film Gaily, Gaily, a comedy starring Beau Bridges. She appeared in a number of TV drama series for the CBC, including guest appearances on Wojeck, Adventures in Rainbow Country, and a semi-regular role as a young reporter on McQueen, and as a panelist on Mantrap which featured discussions centered on a feminist perspective. During the 1971-72 season, she co-starred as barmaid Ruth in Nichols, a James Garner western, which aired 22 episodes on NBC. In the late 1960s, Kidder was based in Toronto, and in 1970, relocated to Vancouver. During an August 3, 1970 interview on The Dick Cavett Show, Kidder stated that she was ambivalent toward having a film career, and was considering working as a film editor in the future. She appeared in "Such Dust As Dreams Are Made On", the first pilot for Harry O which aired in March 1973. She was a guest star in a 1972 episode of the George Peppard detective series Banacek. After moving to Los Angeles, Kidder was cast opposite Gene Wilder in Quackser Fortune Has a Cousin in the Bronx (1970) as an exchange student in Ireland who becomes the love interest of a poor horse manure collector in Dublin whom she almost runs over with her car. After filming in Ireland, Kidder relocated to New York City to further study acting. A year later, she returned to California, and was cast in the Brian De Palma cult classic Sisters (1973), which gained notoriety for both director and Kidder, who as leading lady, portrayed conjoined twins. Kidder had been in a relationship with De Palma at the time, and had been roommates with co-star Jennifer Salt in Los Angeles. She then starred in the slasher film Black Christmas in 1974, for which she won a Canadian Film Award for Best Actress; followed by a role as a prostitute in the Terrence Malick-scripted The Gravy Train (1974). She received another Canadian Film Award for Best Actress for her performance in the war drama A Quiet Day in Belfast (1974).
Question: What was his next try
Answer: Adventures in Rainbow Country, and a semi-regular role as a young reporter on McQueen,

Question: Rudolph Van Gelder (November 2, 1924 - August 25, 2016) was an American recording engineer who specialized in jazz. Regarded as the most important recording engineer of jazz by some observers, Van Gelder recorded several thousand jazz sessions, including many recognized as classics, in a career which spanned more than half a century. Van Gelder recorded many of the great names in the genre, including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Joe Henderson, Freddie Hubbard, Wayne Shorter, and Horace Silver, among many others. He worked with many record companies but was most closely associated with Blue Note Records.

In 1967, Alfred Lion retired from running Blue Note, and the company's owners, Liberty Records (from 1965), began to use other engineers more regularly. Prestige, too, had started to use other studios a few years earlier. Van Gelder remained active in music recording, working as the engineer for most of Creed Taylor's CTI Records releases, a series of proto-smooth jazz albums that were financially successful, but not always well received by critics. Though his output slowed, Van Gelder remained active as a recording engineer into the new century. In the late 1990s he worked as a recording engineer for some of the songs featured on the soundtrack to the TV Show Cowboy Bebop. From 1999, he remastered the analog Blue Note recordings he made several decades earlier into 24-bit digital recordings in its RVG Edition series and also a similar series of remasters of some of the Prestige albums he recorded for its current owners, Concord Records. He was positive about the switch from analog to digital technology. He told Audio magazine in 1995: The biggest distorter is the LP itself. I've made thousands of LP masters. I used to make 17 a day, with two lathes going simultaneously, and I'm glad to see the LP go. As far as I'm concerned, good riddance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don't like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engineer. That's why some digital recordings sound terrible, and I'm not denying that they do, but don't blame the medium. Van Gelder resided in Englewood Cliffs into this century. He died at his Engelwood Cliffs home on August 25, 2016.

Using a quote from the above article, answer the following question: What are his notable achievements in his later career?
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Answer:
From 1999, he remastered the analog Blue Note recordings he made several decades earlier into 24-bit digital recordings in its RVG Edition series