In this task, you're given a question, along with a context passage which has extra information available on certain terms mentioned in it. Your job is to determine which sentence(s) from the passage can be used to search for further information needed to answer the question.

Q: Question: How old was John Houseman when The Paper Chase was released? Passage:In an early example of guerrilla filmmaking, Frankenheimer photographed Martin Balsam being ferried out to the supercarrier USS Kitty Hawk, berthed at Naval Air Station North Island in San Diego (standing in for Gibraltar), without prior Defense Department permission. Frankenheimer needed a commanding figure to play Vice Admiral Farley C. Barnswell and asked his friend, well-known producer John Houseman to play him, to which he agreed, on condition that he have a fine bottle of wine (which is seen during the telephone scene), although he was uncredited for it. It was Houseman's American acting debut, and he would not appear onscreen again until his Oscar-winning role in The Paper Chase (1973). Frankenheimer also wanted a shot of Kirk Douglas entering the Pentagon, but could not get permission because of security considerations, so he rigged a movie camera in a parked station wagon to photograph Douglas walking up to the Pentagon. Douglas actually received salutes from military personnel inasmuch as he was wearing the uniform of a U.S. Marine Corps colonel. Several scenes, including one with nuns in the background, were shot inside Washington Dulles International Airport which had recently been built, and the production team were the first ever to film there. The alley and car park scene was shot in Hollywood, and other footage was shot in the Californian desert in 110 degree heat. The secret base and airstrip was specially built in the desert near Indio, California, and they borrowed an aircraft tail in one shot to make it look like a whole plane was off the picture. Originally the script had Lancaster die in a car crash at the end after hitting a bus, but finally this was edited out in favor of a small scene of him departing by taxi which was shot on a Sunday in Paris during production of The Train (1964).

A: It was Houseman's American acting debut, and he would not appear onscreen again until his Oscar-winning role in The Paper Chase (1973)
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Q: Question: How long had the show the most notable animation that moved over to WACY from WGBA been on at the time? Passage:By August 1995, the station which would change its call sign that month to WACY-TV benefited from WGBA's affiliation switch to NBC (due to WLUK-TV, channel 11, joining Fox). With WGBA now committed to NBC and its programming lineup, programs that WGBA no longer had room to broadcast were moved over to WACY, including some syndicated programming (most notably reruns of The Simpsons) and daytime children's programming. With this move, WACY adopted the "WACkY 32" branding for its kids' lineup (running roughly 6-11 a.m. and 1-5 p.m.), which over the years would include Garfield and Friends, Scooby-Doo, Dennis the Menace, Pokemon, Sailor Moon and Adventures of Sonic the Hedgehog; programs from the UPN Kids and The Disney Afternoon blocks (as well as from Kids' WB as the Green Bay television market did not have a full-time WB affiliate); and educational and informational-compliant programs like The New Zoo Revue. The live character "Cuddles the Clown" provided host continuity for "WACkY 32" programming. The station's children's lineup would dwindle over the years, thanks in part to increased cable competition from cable channels such as Cartoon Network and Nickelodeon and the decreased financial justification of airing a more-than-necessary amount of children's programming, although it would continue to air UPN's Disney's One Too until the network discontinued its daily children's block in 2003. After that, WACY would rely on general syndicated entertainment and infomercials for its daytime lineup.

A: By August 1995, the station which would change its call sign that month to WACY-TV benefited from WGBA's affiliation switch to NBC (due to WLUK-TV, channel 11, joining Fox)
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Q: Question: Where was the philosopher born that wrote that the artist "thinks up" his works? Passage:All this changed in modern times. Renaissance men had a sense of their own independence, freedom and creativity, and sought to give voice to this sense of independence and creativity. The philosopher Marsilio Ficino wrote that the artist "thinks up" ("excogitatio") his works; the theoretician of architecture and painting, Leon Battista Alberti, that he "preordains" ("preordinazione"); Raphael, that he shapes a painting according to his idea; Leonardo da Vinci, that he employs "shapes that do not exist in nature"; Michelangelo, that the artist realizes his vision rather than imitating nature; Giorgio Vasari, that "nature is conquered by art"; the Venetian art theoretician, Paolo Pino, that painting is "inventing what is not"; Paolo Veronese, that painters avail themselves of the same liberties as do poets and madmen; Federico Zuccari (15421609), that the artist shapes "a new world, new paradises"; Cesare Cesariano (14831541), that architects are "demi-gods." Among musicians, the Flemish composer and musicologist Johannes Tinctoris (14461511) demanded novelty in what a composer did, and defined a composer as "one who produces new songs."

A:
The philosopher Marsilio Ficino wrote that the artist "thinks up" ("excogitatio") his works; the theoretician of architecture and painting, Leon Battista Alberti, that he "preordains" ("preordinazione"); Raphael, that he shapes a painting according to his idea; Leonardo da Vinci, that he employs "shapes that do not exist in nature"; Michelangelo, that the artist realizes his vision rather than imitating nature; Giorgio Vasari, that "nature is conquered by art"; the Venetian art theoretician, Paolo Pino, that painting is "inventing what is not"; Paolo Veronese, that painters avail themselves of the same liberties as do poets and madmen; Federico Zuccari (15421609), that the artist shapes "a new world, new paradises"; Cesare Cesariano (14831541), that architects are "demi-gods
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