Answer the question at the end by quoting:

Howard Phillips Lovecraft (August 20, 1890 - March 15, 1937) was an American writer who achieved posthumous fame through his influential works of horror fiction. He was virtually unknown and published only in pulp magazines before he died in poverty, but he is now regarded as one of the most significant 20th-century authors in his genre. Lovecraft was born in Providence, Rhode Island, where he spent most of his life. Among his most celebrated tales are The Rats in the Walls, The Call of Cthulhu, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time, all canonical to the Cthulhu Mythos.
Not much of Lovecraft and Susie's activities from late 1908 to 1913 are recorded. Lovecraft mentions a steady continuation of their financial decline highlighted by a failed business venture of his uncle that cost Susie a large portion of their dwindling wealth. Accounts differ on how reclusive Susie and Lovecraft were during this time. A friend of Susie, Clara Hess, recalled a visit during which Susie spoke continuously about Lovecraft being "so hideous that he hid from everyone and did not like to walk upon the streets where people could gaze on him." Despite Hess' protest that this wasn't the case, Susie maintained this stance. In the same account though, Hess said she regularly saw Susie out and about riding streetcars. For his part, Lovecraft said he found his mother to be "a positive marvel of consideration." A next-door neighbor later pointed out that what others in the neighborhood often supposed were loud, nocturnal quarrels between mother and son, she recognized as being recitations of Shakespeare; an activity that seemed to delight mother and son. Susie had an adoration for French literature, having studied French in boarding school. Lovecraft, though he never matched his mother's admiration of French literature, admired her knowledge and devotion to it. Lovecraft recalls Susie also had a passion for painting landscapes of the surrounding countryside, though none of her work survives today. One of Lovecraft's later friends, C. M. Eddy Jr., became aware of Lovecraft due to his wife Muriel, whose mother-in-law attended a women's suffrage meeting where she met Susie. During this period Lovecraft revived his earlier scientific periodicals. He endeavored to commit himself to the study of organic chemistry, Susie buying the expensive glass chemistry assemblage he wanted. Lovecraft found his studies were hobbled by the mathematics involved, which he found boring and would cause headaches that would incapacitate him for a day. Lovecraft's first poem that wasn't self-published appeared in a local newspaper in 1912. Called "Providence in 2000 A.D.", the poem envisioned a future where proper people of English heritage were displaced by immigrants. Surviving unpublished poems from this period, most notoriously "On the Creation of Niggers", were also emblematic of the xenophobia and racism inherent in much of Lovecraft's later work. In 1911 Lovecraft's letters to editors began appearing in pulp and weird fiction magazines, most notably Argosy. A 1913 letter critical of Fred Jackson, a prominent writer for Argosy, started Lovecraft down a path that would greatly affect his life. Lovecraft described Jackson's stories as "trivial, effeminate, and, in places, coarse." Continuing, Lovecraft said that Jackson's characters exhibit the "delicate passions and emotions proper to negroes and anthropoid apes." This sparked a nearly year-long feud in the letters section of Argosy between Lovecraft, along with his occasional supporters, and the majority of readers critical of his view of Jackson. Lovecraft's biggest critic was John Russell, who often replied in verse, and to whom Lovecraft felt compelled to reply to because he respected Russell's writing skills. The most immediate effect of the feud was the recognition garnered from Edward F. Daas, then head editor of the United Amateur Press Association (also known as the UAPA). Daas invited Russell and Lovecraft to the organization and both accepted, Lovecraft in April 1914.

was he able to get out of the decline?

Answer the question at the end by quoting:

Divinyls (often incorrectly referred to as The Divinyls) was an Australian rock band that was formed in Sydney in 1980. The band primarily consisted of vocalist Chrissy Amphlett and guitarist Mark McEntee. Amphlett garnered widespread attention for performing on stage in a school uniform and fishnet stockings, and often used an illuminated neon tube as a prop for displaying aggression towards both band members and the audience. Originally a five-piece, the band underwent numerous line-up changes, with Amphlett and McEntee remaining as core members, before its dissolution in 1996.
In 1991 Divinyls released diVINYLS on Virgin Records and the single "I Touch Myself" which became their only Australian No.1 single. The song reached No. 4 in the US and No. 10 in the UK. The majority of Divinyls' hits were co-written by Amphlett and McEntee, but in this case they wrote with Tom Kelly and Billy Steinberg. diVINYLS reached No. 5 on the Australian album charts and No. 15 on Billboard Top 200. The drummer for the diVINYLS sessions was Charley Drayton, who became romantically involved with Amphlett: they married in July 1999, and from 2000, lived together in New York. A disagreement with Virgin Records stifled future development outside Australia where they released popular albums and achieved two more top twenty singles with "I Ain't Gonna Eat Out My Heart Anymore" No. 19 in 1992 and "I'm Jealous" No. 14 in 1995. During the 1980s and 1990s Amphlett collaborated as a songwriter with other artists including Chrissie Hynde and Cyndi Lauper, and both Amphlett and McEntee worked on solo projects. A live album, Divinyls Live, was released in 1991 but Divinyls did not provide another studio album for five years. In the early 1990s they recorded a series of cover songs for various movie soundtracks, including the Young Rascals' "I Ain't Gonna Eat Out My Heart Anymore" for Buffy the Vampire Slayer (1992), the Wild Ones' "Wild Thing" for Reckless Kelly (1993), and Roxy Music's "Love Is the Drug" for Super Mario Brothers (1993). The song "I Touch Myself" caused such a controversy it had trouble getting airplay in many US-area markets; so much to the point that while performing their song live in Texas at Austin Aqua Fest 1991 the plug was pulled on the band mid-set by organisers. This song is also mentioned in The Guide to Getting it On by Paul Joannides. It wasn't until 1996 that Underworld, their fifth studio album, was released in Australia by BMG. Despite the success of diVINYLS Virgin had not kept them under contract and BMG did not release Underworld in the US. As with What A Life! they worked with three producers, beginning with Peter Collins recording "I'm Jealous" in Nashville, followed by Keith Forsey for "Sex Will Keep Us Together" and "Heart of Steel". Although "Heart of Steel" was chosen as a single, Divinyls discontinued working with Forsey because according to Amphlett "he was a bit too 'pop' for us" and remaining tracks were produced by their drummer Drayton. By the end of 1996, Amphlett and McEntee had a falling out and separated without formally disbanding Divinyls.

Did they have a reputation?
A disagreement with Virgin Records stifled future development outside Australia where they released popular albums