Some context: Hans Holbein the Younger (German: Hans Holbein der Jungere) (c. 1497 - between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design.
Throughout his life, Holbein designed for both large-scale decorative works such as murals and smaller objects, including plate and jewellery. In many cases, his designs, or copies of them, are the sole evidence for such works. For example, his murals for the Hertenstein House in Lucerne and for the House of the Dance in Basel are known only through his designs. As his career progressed, he added Italian Renaissance motifs to his Gothic vocabulary. Many of the intricate designs etched into suits of Greenwich armour, including King Henry's own personal tournament harnesses, were based on designs by Holbein. His style continued to influence the unique form of English armour for nearly half a century after his death. Holbein's cartoon for part of the dynastic Tudor wall painting at Whitehall reveals how he prepared for a large mural. It was made of 25 pieces of paper, each figure cut out and pasted onto the background. Many of Holbein's designs for glass painting, metalwork, jewellery, and weapons also survive. All demonstrate the precision and fluidity of his draughtsmanship. In the view of art historian Susan Foister, "These qualities so animate his decorative designs, whether individual motifs, such as his favoured serpentine mermen and women, or the larger shapes of cups, frames, and fountains, that they scintillate on paper even before their transformation into precious metal and stone". Holbein's way of designing objects was to sketch preliminary ideas and then draw successive versions with increasing precision. His final draft was a presentation version. He often used traditional patterns for ornamental details such as foliage and branches. When designing precious objects, Holbein worked closely with craftsmen such as goldsmiths. His design work, suggests art historian John North, "gave him an unparalleled feel for the textures of materials of all kinds, and it also gave him the habit of relating physical accessories to face and personality in his portraiture". Although little is known of Holbein's workshop, scholars assume that his drawings were partly intended as sources for his assistants.
What was one of the murals he worked on?
A: his murals for the Hertenstein House in Lucerne and for the House of the Dance in Basel are known only through his designs.
Some context: Seward was born in on May 16, 1801, in the small community of Florida, New York, in Orange County. He was the fourth son of Samuel Sweezy Seward and his wife Mary (Jennings) Seward. Samuel Seward was a wealthy landowner and slaveholder in New York State; slavery was not fully abolished in the state until 1827. Florida was located some 60 miles (97 km) north of New York City, west of the Hudson River, and was a small rural village of perhaps a dozen homes.
There were no primaries in 1860, no way to be certain how many delegates a candidate might receive. Nevertheless, going into the 1860 Republican National Convention in May in Chicago, Seward was seen as the overwhelming favorite. Others spoken of for the nomination included Ohio Governor Salmon P. Chase, former Missouri congressman Edward Bates, and former Illinois congressman Abraham Lincoln. Seward stayed in Auburn during the convention; Weed was present on his behalf and worked to shore up Seward's support. He was amply supplied with money: business owners had eagerly given, expecting Seward to be the next president. Weed's reputation was not entirely positive; he was believed corrupt by some, and his association both helped and hurt Seward. Enemies such as publisher and former Seward ally Horace Greeley cast doubts as to Seward's electability in the battleground states of Illinois, Indiana, Pennsylvania and New Jersey. Lincoln had worked hard to gain a reputation as a moderate in the party and hoped to be seen as a consensus second choice, who might be successful in those critical states, of which the Republicans had to win three to secure the election. Lincoln's men, led by his friend David Davis, were active on his behalf. As Lincoln had not been seen as a major candidate, his supporters had been able to influence the decision to hold the convention in his home state, and surrounded the New York delegation, pro-Seward, with Lincoln loyalists. They eventually were successful in gaining the support of the delegations from the other battleground states, boosting delegates' perceptions of Lincoln's electability. Although Lincoln and Seward shared many views, Lincoln, out of office since 1849, had not excited opposition as Seward had in the South and among Know Nothings. Lincoln's views on nativism, which he opposed, were not public. On the first ballot, Seward had 173 1/2 votes to Lincoln's 102, with 233 needed to nominate. Pennsylvania shifted its vote to Lincoln on the second ballot, and Seward's lead was cut to 184 1/2 to 181. On the third, Lincoln had 231 1/2 to Seward's 180 after the roll call, but Ohio changed four votes from Chase to Lincoln, giving the Illinoian the nomination and starting a small stampede; the nomination was eventually made unanimous. When word reached Seward by telegraph, by the accounts of witnesses, he calmly remarked that Lincoln had some of the attributes needed to be president, and would certainly be elected.
What was the importance of the convention?
A: He was amply supplied with money: business owners had eagerly given,
Some context: Hughes was born in Sydney, Australia, in 1938. His father and paternal grandfather were lawyers. Hughes's father, Geoffrey Forrest Hughes, was a pilot in the First World War, with later careers as a solicitor and company director. He died from lung cancer when Robert was aged 12.
Hughes met his first wife, Danne Emerson, in London in 1967. Together they became involved in the counterculture of the 1960s, exploring drug use and sexual freedom. They divorced in 1981; she died of a brain tumor in 2003. Their son, Danton, Hughes's only child, was named after the French revolutionary Georges Danton. Danton Hughes, a sculptor, committed suicide in April 2001. He had been in a long term relationship with fashion designer Jenny Kee, who found his body on 15 April. Robert Hughes later wrote: "I miss Danton and always will, although we had been miserably estranged for years and the pain of his loss has been somewhat blunted by the passage of time". Hughes was married to his second wife, Victoria Whistler, a housewife from California, from 1981 until a divorce in 1996. In 1999, Hughes was involved in a near-fatal car accident south of Broome, Western Australia. He was returning from a fishing trip and driving on the wrong side of the road when he collided head on with another car carrying three occupants. He was trapped in the car for three hours before being airlifted to Perth in critical condition. Hughes was in a coma for five weeks after the crash. In a 2000 court hearing, Hughes's defence barrister alleged that the occupants of the other car had been transporting illicit drugs at the time of the accident and were at fault. In 2003 Hughes pleaded guilty to dangerous driving causing bodily harm and was fined A$2,500. He also allegedly described the crown prosecutor, Lloyd Rayney, as a "curry muncher", which resulted in a defamation action and out-of-court settlement. Hughes recounts the story of the accident and his recovery in the first chapter of his 2006 memoir Things I Didn't Know. In 2001, Hughes wed his third wife, the American artist and art director Doris Downes. "Apart from being a talented painter, she saved my life, my emotional stability, such as it is", he said.
Was he married?
A:
Hughes met his first wife, Danne Emerson, in London in 1967.