input: Chisholm's music is generally pop and rock. She also released an album of show tunes. Chisholm has received co-writing credits for most of the songs recorded with Spice Girls and her solo efforts. The main concept of the Spice Girl albums centred on the idea of Girl Power, embodying a feminist image, as both Madonna and Bananarama had employed before, and every track deals with different aspects of this notion. Other central themes in the writing of the group were the union, solidarity, friendship, independence, love, loss of virginity, sex, contraception, the relationship with parents during adolescence, vulnerability and fame. Many of these themes were carried out even during her solo career, but with a more mature writing, intense style and in some songs a more raw and direct language. Added to these were social issues such as homelessness, and introspective themes. Having co-written 11 UK number 1s, more than any other female artist, she remains the only female performer to top the charts as a solo artist, as part of a duo, quartet and quintet. With 12 UK Number 1 singles, including the charity single as part of the Justice Collective, she is the second female artist - and the first British female artist - with the most singles at number 1 in the UK, and with a total of 14 songs that have risen to number 1 in Britain (including the double A-sides), Chisolm is the first artist with most number 1 songs in the UK ranking history. On 1 January 2004, Virgin Records dismissed Chisholm after the conflict in previous years about the direction in her solo career. In April 2004, she founded her own label, Red Girl Records, to record and release her own projects. All of Chisolm's activities are decided upon and funded by herself, alongside her business partner and manager, Nancy Phillips. The name was inspired by the colours of the football Liverpool F.C., which Chisholm is supporter.

Answer this question "Are there any other interesting aspects about this article?"
output: Chisholm has received co-writing credits for most of the songs recorded with Spice Girls and her solo efforts.

input: Born with a twin brother, Gustavo, Barros Schelotto was hence nicknamed El Mellizo ("the twin"). He started playing professionally at the end of 1991 with his hometown team Gimnasia y Esgrima de La Plata, where he scored 45 goals in 181 matches in five seasons and in 1993 won the AFA Centenario Cup. On 14 September 1997 he transferred to Primera Division Argentina powerhouse Boca Juniors, for whom he played for almost 10 years. He was considered an idol by Boca fans and in his later years at the club showed his experience whenever he stepped on the pitch. Barros Schelotto remains one of Boca's top scorers in international matches with 25 goals, just one goal behind former teammate Martin Palermo. In 1996, he was offered to play for River Plate, but after club icon Enzo Francescoli was not happy with the potential signing, the deal collapsed. In mid-1997, Boca Juniors showed interest for him and his brother Gustavo. It was like that that Barros Schelotto twins arrived to Boca teaming up to a former rival: Martin Palermo, Gimnasia's archrival Estudiantes de La Plata former player. The three of them were repeatedly recommended to Boca by Diego Maradona, who was playing his last season for the Buenos Aires team, retiring on October the same year. Once in Boca, he made his debut as a substitute for Claudio Caniggia, scoring on 14 September 1997 against Newell's Old Boys in a 2-1 victory. With Carlos Bianchi as Boca Juniors' coach, Barros Schelotto got his traditional 7 shirt and kept it until 2006-07 season. He and former rival Martin Palermo became a successful attacking duo, who highly contributed in the 1998-99 title-winning season. He missed the 2001 and 2003 clubs international achievements due to injuries. In 2003, he was a key piece in the winning Copa Libertadores side, with his peak performance at the Round of 16 match against Brazilian team Paysandu, where he scored a hat-trick and assisted Marcelo Delgado's goal. In the second half of 2003 he again suffered from injuries and could only play for 46 minutes in the Copa Intercontinental winning match against AC Milan, when he replaced Carlos Tevez. With Alfio Basile as Boca coach, his participation in the first team was gradually lowering. He even was out of some first team matches and had to play for the second team to maintain his performance level. He scored 87 goals in 302 games for Boca Juniors.

Answer this question "when did he start playing soccer in argentina?"
output: He started playing professionally at the end of 1991

input: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey. Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2. New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn.

Answer this question "when was he born?"
output:
April 3, 1944,