Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
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Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : The Tulip Festival is held in Albany, New York every spring at Washington Park. It stems from when Mayor Erastus Corning 2nd got a city ordinance passed declaring the tulip as Albany's official flower on July 1, 1948. In addition, he sent a request to Queen Wilhelmina of the Netherlands to name a variety as Albany's tulip. On July 11, 1948 her reply was "Her Majesty gladly accepts the invitation to designate a tulip as the official flower of Albany." She picked the variety "Orange Wonder", an 18-inch tall tulip that is orange-shaded with a scarlet toward the center, it is a slow-grower and relatively rare. The first Tulip Fest was celebrated the next year on May 14, 1949 with opening ceremonies still carried on today as tradition, such as the sweeping of State Street and the crowning of a Tulip Queen. In 1997 to commemorate the 50th anniversary of the festival the state of New York designated Albany as the "I Love New York Spring Destination". Also for the 50th anniversary a descendant variety of the "Wonder Orange" tulip was found in the Netherlands, and the new variety was named "City of Albany". The African-American tradition of Pinksterfest, whose origins are traced back even further to Dutch festivities, was later incorporated into the Tulip Fest. Since 1998 the Tulip Fest has included the Mother of the Year award. Context_2 : Orangism was a political current in what is now Belgium that supported its inclusion in the short-lived United Kingdom of the Netherlands (18151830). After the secession of Belgium in 1830, Orangist sentiment in Flanders and Wallonia for a time sought a restoration of the United Kingdom of the Netherlands. It was a movement directed by William I of the Netherlands as part of his "Volhardingspolitiek" and containing most of the Belgian elites (nobility, industrials). Some of the most prominent Flemish Orangists were Jan Frans Willems and Hippolyte Metdepenningen. Although refusing the partake in parliamentary elections as they deemed the Belgian institutions as illegitimate, the Orangists did take part in local elections (province and municipal) from which they activated against the new Belgian state through political actions and an activist press. At least three Orangist coups were foiled during the 1830s. Although losing Dutch financial and political support after the Treaty of London (1839) and William I's abdication (1840), the weakening Belgian Orangism survived well into the 1850s, strongly opposing the Belgian Revolution and rallying against independence. Context_3 : Petronilla (29 June/11 August 1136 15 October 1173), whose name is also spelled Petronila or Petronella (Aragonese "Peyronela" or "Payronella", and Catalan: "Peronella" ), was the Queen of Aragon from the abdication of her father in 1137 until her own abdication in 1164. She was the daughter and successor of Ramiro II by his queen, Agnes. She was the last ruling member of the Jimenez dynasty in Aragon, and by marriage brought the throne to the House of Barcelona. Context_4 : Wilhelmina (] ; Wilhelmina Helena Pauline Maria; 31 August 1880 28 November 1962) was Queen of the Netherlands from 1890 until her abdication in 1948. Context_5 : Queen's Tower (Greek: , "Pyrgos Vasilissis") is a former royal estate near Athens, Greece. The estate, consisting of 200 hectares (494 acres), was purchased by King Otto, the first king of modern Greece. He built there a small neogothic castle for his wife, Queen Amalia. The architecture resembles Hohenschwangau castle in Bavaria, built for Maximilian II of Bavaria, the brother of King Otto. As the castle is only one tower, it is called the Queen's Tower. After the abdication of King Otto, the estate was sold to the Serpieri family, who still own it. They have a dairy farm and wineyard on the estate. The wines bottled on the estate are called "Tour la Reine" (French for Queen's Tower). Context_6 : Jane Loftus, Marchioness of Ely ("nee" Hope-Vere; 3 December 1821 11 June 1890) was an English lady of the bedchamber and a close friend of Queen Victoria. Her parents were James Hope-Vere and Lady Elizabeth Hay, and through her mother she was a cousin of Arthur Wellesley, the first Duke of Wellington. After her marriage to John Loftus, the third Marquess of Ely, she developed friendships with Queen Sophie of the Netherlands and the Empress Eugenie. Jane arrived at court as a Lady of the Bedchamber in 1851, and despite her own nervousness and lack of discretion, she became a close companion of Queen Victoria until her resignation in 1889. Her service was marred by her constant illnesses and fear of the Queen, but she proved a loyal and devoted servant, deferring to her royal mistress in all matters. Jane died on June 1, 1890 and is buried at Kensal Green cemetery in London. Context_7 : Queen Juliana was the Queen of the Kingdom of the Netherlands from 4 September 1948 until her abdication on 30 April 1980. During her reign she was served by 36 Prime Ministers: 10 in the Netherlands, 15 in the Netherlands Antilles, and 11 in Suriname. Context_8 : Juliana (] ; Juliana Louise Emma Marie Wilhelmina; 30 April 1909 20 March 2004) was Queen of the Netherlands from 1948 until her abdication in 1980. Context_9 : Philippe (] , French: "Philippe Leopold Louis Marie" , Dutch: "Filip Leopold Lodewijk Maria" , German: "Philipp Leopold Ludwig Maria" ; born 15 April 1960) is the seventh King of the Belgians, having ascended the throne on 21 July 2013, following his father's abdication. He is the eldest child of King Albert II, whom he succeeded upon Albert's abdication for health reasons, and Queen Paola. He married Countess Mathilde d'Udekem d'Acoz (now Queen Mathilde), with whom he has four children. King Philippe's elder daughter, Princess Elisabeth, is first in the line of succession. Context_10 : The monarchy of the Netherlands is constitutional and as such, the role and position of the monarch are defined and limited by the constitution of the Netherlands. Consequently, a fairly large portion of the Dutch constitution is devoted to the monarch; roughly a third of the constitution describes the succession, mechanisms of accession and abdication to the throne, the roles and responsibilities of the monarch and the formalities of communication between the States-General of the Netherlands and the role of the monarch in the creation of laws. fact_1 : In addition, he sent a request to Queen Wilhelmina of the Netherlands to name a variety as Albany's tulip. fact_2 : Wilhelmina (] ; Wilhelmina Helena Pauline Maria; 31 August 1880 28 November 1962) was Queen of the Netherlands from 1890 until her abdication in 1948. Answer: Wilhelmina of the Netherlands
Student:
Who was Queen of the Netherlands from 1890 until her abdication in 1948?