input: Foster's first project of the new decade was Keith Gordon's film Waking the Dead (2000), which she produced. She declined to reprise her role as Clarice Starling in Hannibal (2001), with the part going instead to Julianne Moore, and concentrated on a new directorial project, Flora Plum. It was to focus on a 1930s circus and star Claire Danes and Russell Crowe, but had to be shelved after Crowe was injured on set and could not complete filming on schedule; Foster unsuccessfully attempted to revive the project several times in the following years. Controversially, she also expressed interest in directing and starring in a biopic of Nazi film director Leni Riefenstahl, who did not like the idea. In addition to these setbacks, Foster shut down Egg Pictures in 2001, stating that producing was "just a really thankless, bad job". The company's last production, The Dangerous Lives of Altar Boys, premiered at the Sundance Film Festival in January 2002. It received good reviews, and had a limited theatrical release in the summer. After the cancellation of Flora Plum, Foster took on the main role in David Fincher's thriller Panic Room after its intended star, Nicole Kidman, had to drop out due to an injury on set. Before filming resumed, Foster was given only a week to prepare for the role of a woman who moves with her daughter to a house fitted with a panic room, which they have to use on their first night due to a home invasion. It grossed over $30 million on its North American opening weekend in March 2002, thus becoming the most successful film opening of Foster's career as of 2015. In addition to being a box office success, the film also received largely positive reviews. After a minor appearance in the French period drama A Very Long Engagement (2004), Foster starred in three more thrillers. The first was Flightplan (2005), in which she played a woman whose daughter vanishes during an overnight flight. It became a global box office success, but received mainly negative reviews. It was followed by Spike Lee's critically and commercially successful Inside Man (2006), about a bank heist on Wall Street, which co-starred Denzel Washington and Clive Owen. The third thriller, The Brave One (2007), prompted some comparisons to Taxi Driver, as Foster played a New Yorker who becomes a vigilante after being seriously injured and losing her fiance and dog in a random street attack. It was not a success, but earned Foster her sixth Golden Globe nomination. Her last film role of the decade was in the children's adventure film Nim's Island (2008), in which she portrayed an agoraphobic writer opposite Gerard Butler and Abigail Breslin. It was the first comedy that she had starred in since Maverick (1994), and was a commercial success but a critical failure. In 2009, she provided the voice for Maggie in a tetralogy episode of The Simpsons titled "Four Great Women and a Manicure".

Answer this question "What film did Foster work on next?"
output: The Dangerous Lives of Altar Boys,

input: The Pre-Columbian era refers to all period subdivisions in the history and prehistory of the Americas before the appearance of significant European and African influences on the American continents, spanning the time of the original arrival in the Upper Paleolithic to European colonization during the early modern period. While technically referring to the era before Christopher Columbus' voyages of 1492 to 1504, in practice the term usually includes the history of American indigenous cultures until Europeans either conquered or significantly influenced them. "Pre-Columbian" is used especially often in the context of discussing the pre-contact Mesoamerican indigenous societies: Olmec; Toltec; Teotihuacano' Zapotec; Mixtec; Aztec and Maya civilizations; and the complex cultures of the Andes: Inca Empire, Moche culture, Muisca Confederation, and Canari. The Norte Chico civilization (in present-day Peru) is one of the defining six original civilizations of the world, arising independently around the same time as that of Egypt. Many later pre-Columbian civilizations achieved great complexity, with hallmarks that included permanent or urban settlements, agriculture, civic and monumental architecture, and complex societal hierarchies. Some of these civilizations had long faded by the time of the first significant European and African arrivals (ca. late 15th-early 16th centuries), and are known only through oral history and through archaeological investigations. Others were contemporary with the contact and colonization period, and were documented in historical accounts of the time. A few, such as the Mayan, Olmec, Mixtec, and Nahua peoples, had their own written languages and records. However, the European colonists of the time worked to eliminate non-Christian beliefs, and burned many pre-Columbian written records. Only a few documents remained hidden and survived, leaving contemporary historians with glimpses of ancient culture and knowledge. According to both indigenous American and European accounts and documents, American civilizations before and at the time of European encounter had achieved great complexity and many accomplishments. For instance, the Aztecs built one of the largest cities in the world, Tenochtitlan, the ancient site of Mexico City, with an estimated population of 200,000. American civilizations also displayed impressive accomplishments in astronomy and mathematics. The domestication of maize or corn required thousands of years of selective breeding, and continued cultivation of multiple varieties was done with planning and selection, generally by women. Inuit, Yupik, Aleut, and American Indian creation myths tell of a variety of origins of their respective peoples. Some were "always there" or were created by gods or animals, some migrated from a specified compass point, and others came from "across the ocean".

Answer this question "What are the other original civilizations of the world?"
output: A few, such as the Mayan, Olmec, Mixtec, and Nahua peoples, had their own written languages and records.

input: In 1995, following the success of Become What You Are she released her follow-up album, Only Everything, in which she "turned up the volume and the distortion and had a lot of fun". One reviewer describes it as "a fun, engaging pop album". The album spawned another alternative radio hit for Hatfield in "Universal Heartbeat". The video featured Hatfield as an overly demanding aerobics instructor. Prior to the tour for Only Everything, Hatfield released Phillips and brought on Jason Sutter (American Hi-Fi, Chris Cornell, Jack Drag), as well as Ed Slanker (Thudpucker, Tinsel) on 2nd guitar, and Lisa Mednick on keyboards. Two weeks into the tour, Hatfield canceled the tour, which her publicist explained as due to "nervous exhaustion," and took a month-long break. In her memoir, Hatfield writes that in truth she was suffering from depression severe enough to the point of being suicidal. Hatfield disagreed with the decision not to be upfront about her depression. The drummer was, once again, replaced, this time by Phillips, and touring resumed with Jeff Buckley as the opening act. In 1996, she traveled to Woodstock, New York where she recorded tracks for God's Foot, which was to be her fourth solo album (third if not counting Become What You Are, which was recorded with the Juliana Hatfield Three), intended for 1997 release. After three failed attempts to satisfy requests from Atlantic Records to come up with a "single" that the label could release, Juliana requested she be released from her contract. The label obliged, but kept the rights to the songs produced during these sessions (Atlantic had reportedly paid $180,000 to that point on the recordings). Two tracks - "Mountains of Love" and "Fade Away" - were eventually released on a greatest hits collection entitled Gold Stars, while still another, "Can't Kill Myself," was available for download from Hatfield's official website. The remaining tracks have surfaced only as substandard bootleg versions (which do not meet Hatfield's approval) and she has rarely featured them in her subsequent live performances. In 1997 Hatfield toured with the first Lilith Fair, a prominent all-female rock festival founded by singer Sarah McLachlan.

Answer this question "hOW LONG WAS SHE TOURING?"
output:
Two weeks into the tour, Hatfield canceled the tour,