An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: I never fail to be amazed and horrified by the evil that has been predicated in the history of the world in the name of religion, and it seems that the machinations of the Catholic Church in Twentieth Century Ireland rank right up there near the top - considering that the wisdom of history and modern times should have had some sobering effect.

A Love Divided is the story of a real family scarred by ignorant intolerance and prejudice all in the name of an inane Church doctrine. At the beginning of the film, we are offered a view of the bucolic life in a small Irish village in which Sheila and Sean Cloney are happily married with two young children. Sean is Catholic and Sheila is Protestant, but she has no qualms with their children being raised as Catholic. There is no sign of any animosity between the Catholics and Protestants in the village. The peaceful and loving relationships are soon shattered when Sheila expresses the desire to have their older child attend the Protestant school. The local priest takes it upon himself to forbid this "sin" and soon has Sheila's husband and the entire Catholic population of the village turned against her as well as her father, the local dairy farmer. In an act of defiance and desperation, Sheila kidnaps her two daughters and flees from the area.

Special note should be given to Orla Brady who plays Sheila. She gives an extremely powerful performance in which the viewer is drawn in to the emotional trauma in which she decides to reject the wishes of a husband she deeply loves in order to express her fervent desire to establish herself as independent from the pressures of the establishment. On an equal footing is Liam Cunningham who plays Sean for he gives a realistic portrait of a man not nearly as complex as his wife who is torn between his love for her and the influence of Church and community.

If fiction, this film would have been a compelling and interesting drama. Considering it is true, it changes to a horrific tragedy. In real life, the people and the village never fully recovered from the events that took place there. It took almost half a century for the Church to acknowledge its negative role in the events, and even though Sheila and Sean lived out their lives in the area, they never fully recovered from what was done to them by the religious leaders and their fellow villagers.

Whether it be denying basic rights to education of choice, crashing planes into buildings, subjugating women, condemning whole races, or just plain on torture and murder, we humans certainly have the ability to use religion as a powerful negative force in our society.
Q: What's an example of a movie review?
An example of a movie review is here: After two long, long opening skits, one of which my brother saw the conclusion coming of and the other totally joke free, we start the fast-forward fest that it GROOVE TUBE proper. Naturally, uber-stupid frat boys who still mainline JACKASS or Tom Green will find the idea of fecal matter coming out of the some tube, SEX OLYMPICS(I really don't need to give you details, do I), and a clown who basically does the "not very endearing clown" bit I think I've seen approxiately ninety times now will eat this up like dung beetles: well, more power to you.

I just want to express that, despite what you've heard, this movie was in no way a model for the many infinitely funnier movies like KENTUCKY FRIED MOVIE or what not. The skit movie had already been done in AND NOW FOR SOMETHING COMPLETELY DIFFERENT, EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX, and so on. And done way better.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: I recently bought the DVD, forgetting just how much I hated the movie version of "A Chorus Line." Every change the director Attenborough made to the story failed.

By making the Director-Cassie relationship so prominent, the entire ensemble-premise of the musical sails out the window.

Some of the musical numbers are sped up and rushed. The show's hit song gets the entire meaning shattered when it is given to Cassie's character.

The overall staging is very self-conscious.

The only reason I give it a 2, is because a few of the great numbers are still able to be enjoyed despite the film's attempt to squeeze every bit of joy and spontaneity out of it.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Every so often a movie comes along that knocks me down a notch and reminds me that my taste in films I seek out to watch isn't always impeccable. I normally would stay away from stuff like this, but I was duped by some glowing reviews and the Rohmer pedigree.

There's an initial and intriguing novelty to the production where Rohmer essentially superimposes the actors onto painted (digital) back-drops of revolution era France. This quickly wanes and becomes about as interesting as watching the paint dry on a paint by numbers scene. What we're left with is a boring and stuffy film about aristocrats in 18th century France. None of the characters are appealing or sympathetic. The pace is so languid, the dialogue so arduous, and suspense is clearly a foreign concept to Rohmer, that I ended up not caring whose head rolled, who was harboring who, or what the devil the revolution was supposed to be about. The movie would've greatly benefited from some semblance of emotional build-up and a music score (there's some fine classical music used at the very end). Despite being so "talky", the film plays much like a silent film, and the worst kind of film at that, a dull and uninteresting film about infinitely interesting subjects. Only the most astute French historians will find anything to take from this film, as it dose seem to paint well known events from a new angle (the Lady is English and a royalist). Otherwise, avoid this yawner at all costs unless you are suffering from insomnia (I dozed off twice).
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Summary- This game is the best Spider-Man to hit the market!You fight old foes such as Scorpion,Rhino,Venom,Doctor Octopus,Carnage,...And exclusive to the game...Monster-Ock!Monster-Ock is the symbiote Carnage On Dock Ock's body.

Storyline- Dock Ock was supposedly reformed and using his inventions for mankind...supposedly...He was really planing a symbiote invasion! See the rest for yourself.

Features- You can play in numerous old costumes seen throughout the comics.Almost every costume has special abilities!You can collect comics in the game and then view them in a comic viewer.And last but not least..............Spidey-Armour!Collect a gold spider symbol to change into Spider-Armour.It gives you another health bar!

Graphics- Great!Though they they can be rough at times.But still great!

Sound- Sweet!Nice music on every level and great voice overs!

Overall- 10 out of 10.This game rocks.Buy it today!
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
'The United States of Kiss My Ass'

House of Games is the directional debut from playwright David Mamet and it is an effective and at times surprising psychological thriller. It stars Lindsay Crouse as best-selling psychiatrist, Margaret Ford, who decides to confront the gambler who has driven one of her patients to contemplate suicide. In doing so she leaves the safety and comfort of her somewhat ordinary life behind and travels 'downtown' to visit the lowlife place, House of Games.

The gambler Mike (played excellently by Joe Mantegna) turns out to be somewhat sharp and shifty. He offers Crouse's character a deal, if she is willing to sit with him at a game, a big money game in the backroom, he'll cancel the patients debts. The card game ensues and soon the psychiatrist and the gambler are seen to be in a familiar line of work (gaining the trust of others) and a fascinating relationship begins. What makes House of Games interesting and an essential view for any film fan is the constant guessing of who is in control, is it the psychiatrist or the con-man or is it the well-known man of great bluffs David Mamet.

In House of Games the direction is dull and most of the times flat and uninspiring, however in every David Mamet film it is the story which is central to the whole proceedings, not the direction. In House of Games this shines through in part thanks to the superb performances from the two leads (showy and distracting) but mainly as is the case with much of Mamet's work, it is the dialogue, which grips you and slowly draws you into the film. No one in the House of Games says what they mean and conversations become battlegrounds and war of words. Everyone bluffs and double bluffs, which is reminiscent of a poker games natural order. This is a running theme throughout the film and is used to great effect at the right moments to create vast amounts of tension. House of Games can also be viewed as a 'class-war' division movie. With Lindsay Crouse we have the middle-class, well-to-do educated psychiatrist and Joe Mantegna is the complete opposite, the working class of America earning a living by 'honest' crime.

The film seduces the viewer much like Crouse is seduced by Mantegna and the end result is ultimately a very satisfying piece of American cinema. And the final of the film is definitely something for all to see and watch out for, it's stunning.

An extremely enjoyable film experience that is worth repeated viewings. 9/10