IN: Dennis Wayne Johnson (September 18, 1954 - February 22, 2007), nicknamed "DJ", was an American professional basketball player for the National Basketball Association's (NBA) Seattle SuperSonics, Phoenix Suns and Boston Celtics and coach of the Los Angeles Clippers. He was an alumnus of Dominguez High School, Los Angeles Harbor College and Pepperdine University. A prototypical late bloomer, Johnson overcame early struggles and had a successful NBA playing career. Drafted 29th overall in 1976 by the Seattle SuperSonics

In 1,100 games, Johnson scored 15,535 points, grabbed 4,249 rebounds and gave 5,499 assists, translating to career averages of 14.1 points, 3.9 rebounds and 5.0 assists per game. Known as a defensive stalwart, he was elected into nine straight All-Defensive First or Second Teams. NBA legend George Gervin said in a podcast with journalist Bill Simmons that Johnson was the hardest defender he ever played against. Johnson is also acknowledged by the NBA as a "money player" who was clutch in decisive moments, such as scoring 32 points for his team in a Game 4 overtime victory in the 1979 NBA Finals, playing smothering defense on Magic Johnson in the 1984 NBA Finals, and converting a last-second layup in Game 5 of the 1987 Eastern Conference Finals after a Larry Bird steal. Furthermore, Johnson is lauded by the NBA as a versatile all-around weapon who played with "contagious competitiveness" and was known for his durability: in 14 NBA seasons, he played in 1,100 of a possible 1,148 games and participated in 180 playoff games, the latter figure the 11th highest number of all time. At his retirement, Johnson was only the 11th NBA player to amass more than 15,000 points and 5,000 assists. On December 13, 1991, the Celtics franchise retired his number 3 jersey. Johnson said he would always be a Boston Celtic, and remarked that seeing his number in the rafters gave him a "special feeling". However, Johnson did not live to see an induction into the Naismith Memorial Basketball Hall of Fame, a fact that has been a considerable point of debate with sports journalists. Bill Simmons of ESPN called his Hall of Fame snub an "ongoing injustice", stating that according to him, Joe Dumars - a Hall of Famer known for strong defense rather than spectacular scoring, like Johnson - was no better [a basketball player] than him. Colleague Ken Shouler called Johnson "one of the first guys I'd give a Hall [of Fame] pass". Contemporary Boston Celtics Hall of Fame forward Larry Bird gave Johnson ultimate praise, calling him the best teammate he ever had in his autobiography Drive, which is especially significant considering Bird's teammates included Hall of Famers Kevin McHale, Robert Parish, Bill Walton, and Tiny Archibald. On April 3, 2010, ESPN Boston reported that Johnson was posthumously elected to the Basketball Hall of Fame. This was officially confirmed two days later when the Hall released the list of 2010 inductees. On October 26, 2007, a learning center was dedicated in Johnson's name in the Central Branch of the YMCA of Greater Boston. The center was made possible by the donations and effort of Larry Bird and M.L. Carr. Johnson's family, Danny Ainge, Carr, and members of the YMCA and local community were present for the ribbon cutting ceremony. Donna Johnson said on behalf of her husband, "If Dennis were alive he would really appreciate the thought and love the idea of the Learning Center." The NBA D-League Coach of the Year award is named after Johnson.
QUESTION: What kind of legacy did Johnson leave behind?
IN: Donnie Iris (born Dominic Ierace on February 28, 1943) is an American rock musician known for his work with the Jaggerz and Wild Cherry during the 1970s, and for his solo career beginning in the 1980s with his band, the Cruisers. He wrote the #2 Billboard hit, "The Rapper", with the Jaggerz in 1970 and was a member of Wild Cherry after the group had a #1 hit with "Play That Funky Music." He also achieved fame as a solo artist in the early 1980s with the #29 hit "Ah! Leah!"

Iris' first album, Back on the Streets, was released in July 1980 on the small Cleveland, Ohio-based Midwest Records. With the track "Ah! Leah!" receiving airplay in Boston, Cleveland and Pittsburgh, MCA Records took notice and quickly signed Iris to a five-album deal and re-released the album nationally in October. The first single "Ah! Leah!" peaked at #29 on the Billboard Hot 100 (and #34 in Australia) in February 1981 and became one of the most frequently played AOR tracks of the year, and the album reached #57 on the Billboard 200. In addition, the band launched a national tour to promote the album and its follow-up during the summer of 1981. The follow-up album, King Cool, credited to Donnie Iris and the Cruisers, was released in August 1981 and garnered the band more AOR success, with "Love Is Like a Rock" reaching #9 on Billboard's Top Tracks chart. Two other songs from the album received significant AOR airplay; "My Girl" at #25 and "Sweet Merilee" at #31, charted on the Rock Tracks chart. In addition, he gained the nickname King Cool from this album in the later part of his career. However, the album itself charted less successfully, at #84. After the long tour promoting their two previous albums, the band continued songwriting and in the fall of 1982 released The High and the Mighty. The album contained the single "Tough World," but only charted at #180, marking a decline in his success, but the band still was determined to release new material. Their next album one year later, Fortune 410, contained the hit single "Do You Compute?" which was used by their label MCA and the computer company Atari to form a cross-marketing promotion. Because the promotional partnership was secured prior to release of the album, it was possible to use the Atari 1200 XL Home Computer in poster photography, as well as in the video clip for "Do You Compute?", which aired on MTV. The title of the album is a reference to the trademark glasses Iris wears, Fortune 410's. The combination of marketing and the promotion for its hit single allowed the album to chart higher than its predecessor. Despite Fortune 410 charting higher than The High and the Mighty, MCA was displeased that both albums didn't chart as high as Back on the Streets and King Cool had. The label suggested that the band allow them to bring in a new producer, displacing Mark Avsec, as well bring in new songwriters. Iris and the Cruisers, wanting to keep as much of their creative freedom and sound as they could, said no. As a result, MCA dropped the band in 1984. Shortly after being let go from MCA, the band signed with the small HME Records label. Their next album, No Muss...No Fuss, released in 1985, continued the trend set by Fortune 410 by charting at #115 with the single "Injured in the Game of Love". Both of the aforementioned albums ended up being more critically acclaimed than The High and the Mighty.
QUESTION:
Why did MCA drop the band?