Q: Yes, and I am not proud of it, but grief makes you do some really stupid things. My wife walked out of our 9 year marriage and into relationship on the same day with a (so-called) friend of mine that I had known for 25 years. I was completely blindsided and in shock. I was devastated, I was lost, and I was grieving terribly. I had not only lost my wife, but I had also lost my best friend (her, not the asshole so-called friend), and her family. While I was not particularly close to her family (most did not like me according to my ex-wife) I did care about them and they were are part of my life. I absolutely loved her sister and always enjoyed hanging out with her, as well as one of her cousins. Luckily they are both still friends with me on FB so I get to keep in touch. Anyway, I am not proud of the fact that I created a fake FB account to check her page and even talked to her through IM's. I thought that if I could just talk to her, even if not as me, that I would be okay. However, seeing photos of her with someone else just about broke me. It was a very stupid thing to do and only made matters worse. One day I forgot to block my location and she figured out it was me. I felt so stupid, but I had loved her so much that I needed her in my life. She called me out on it. I was busted. I was the grieving idiot that did not want to give up. She just married that person 2 weeks ago, and honestly.I just want her to be happy. I miss her, I always will, and in hindsight, I don't know why she stayed with me as long as she did. I was not an easy person to love. How did he get caught spying on his ex-wife? Pick the correct answer from the following options: - He forgot to block his location. - He told her cousins who told her. - He accidentally liked her pictures. - not enough information
A: He forgot to block his location.

Q: Michael Morzeny put his hands into the pockets of his overcoat and hugged the fabric tighter around his body. The winter wind hurried down Columbus Avenue and the hem of his coat flapped around his knees letting little pockets of cold waft up to invade the warmth his body had spent so much time preparing and storing around his torso. With a bitter squeeze of his hands, his knuckles now getting cold, Morzeny bowed his square shoulders to the wind and continued walking. At sixty-seven years old the New York winters bothered Morzeny more than he cared to admit. And, although no doctor would admit it to him, he was positive that the first faint hints of arthritis tweaking through his hands were made worse by the cold. At every cross street the setting sun flashed through to the avenue in shades of crisp pink and red. Morzeny didn't want to be working right now. But these outings were the price he paid for having a hybrid job, owning buildings and brokering as many of his own leases as possible. When he had first come to the city he had been told that he needed a job, not for income, his providers took care of that, but for his own sanity. Something to keep him going. He had asked for something in real estate and had never bothered to wonder what other paths he might have taken. He had always been able to focus to the point of blindness. It helped him in every aspect of his work. He arrived at the brownstone building housing the apartment he was to show tonight. His building was tucked into a short row of buildings that squatted over the street, their steps reaching towards the curb like stunted growths. More to prove to himself that he could do it than anything else, Morzeny took the front steps two at a time. Morzeny arrived at the brownstone building: Pick the correct answer from the following options: - not enough information - After his cold walk - Before sunrise - After he did two steps at a time on stairs
A: After his cold walk

Q: David Gauntlett makes a good point in his newest book (Making Media Studies: The Creativity Turn in Media and Communications Studies) and that is that traditional forms of media studies are no longer applicable. Gone are the days of massive institutions and production companies, gone are the traditional audiences and simplistic texts. In, is the new age media companies, the everyday media makers, the consistent consumers and the fantastical mess of The WWW. While universities are pumping out the same content areas since the 1980's (e.g. institutions, production, audiences and texts) that are only relevant to a handful of media forms (cinema, television, online broadcasting and publications), the rest of the world is moving on. David Gauntlett so rightly says that creativity in media, should also refer to thinking creatively about the subject. What are the new ways of running media and communication studies? How has the subject itself changed? What approaches and methods can help media and communications studies to become innovative and useful in spheres beyond itself? David Gauntlett encourages a kind of call to arms, an acquiescence of the incapacities of the old system and a redirected gaze to the future needs of media students and media studies programs. Inspired by Tim Ingold's book Making, David believes media studies should have making at it's front and centre. He also believes the ability to do things with media should be embraced over and above the ability to talk about what others do with media, or what media does to us. The notion is that media studies should be hands on, that it should be all about ideas and critical engagement and this should be expressed through actual making. To borrow three key distinctions from the anthropologist Tim Ingold: 1. It's about learning WITH media rather than ABOUT media. 2. There is an intent to move FORWARD rather than looking BACKWARDS at how things are. 3. It's aims are TRANSFORMATIONAL rather than DOCUMENTARY. What did David Gauntlett write about? Pick the correct answer from the following options: - not enough information - something about television - something about universities - something about Media and Communications Studies
A: something about Media and Communications Studies