Given a paragraph about movies, and a set of conversational question answers about the paragraph, generate a relevant question to the topic of the paragraph. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:'.

Ex Input:
CONTEXT: For a perfect clone, down to the quantum level, both would be the real Angier. That is the essence of his fear. The real Angier will be killed every time. When you download a movie what you are doing is actually making a perfect copy of the movie. Which is the real movie? They all are. This is very different from making copies of film reels where only the original have the quality of the original (each copy adds a little imperfection). Now, the question The Prestige asks is what if you can make a perfect clone of a person the way you can perfectly copy digital data? In one sense, if we don't want to get too uncomfortable we can always say the remaining copy is now the real data and the deleted copy is not real anymore. But if you really think about it and get out of your comfort zone you will realize that both people are real and what you have done is murdered yourself. In The Prestige this point is much more clearly made as the old copied Angier becomes the one who is killed. Not the newly created clone. Every time the clone will have only the memory of the surviving Angier. But every time Angier experiences death, only the Angier that experienced death has no way of passing that memory to the surviving Angier so the survivor can never know what dying feels like. <sep> Q: How does it work that the clones are sentient paradox? A: For a perfect clone, down to the quantum level, both would be the real Angier

Ex Output:
Is the consciousness split among the various clones?

Ex Input:
CONTEXT: It appears to be a stylistic decision on the part of Andy Serkis and Steven Spielberg, and is in keeping with Hollywood's fascination for Scottish accents (see the Vikings in How to Train Your Dragon, Shrek, the lack of a Welsh Smurf). Naturally, fans are up in arms about this, especially those who think he should have an English accent (specifically Cornish), but this is also wrong as Herge wrote him as a Belgian, like his young friend, Tintin. Haddock is thought to be descended from the Chevalier Francois de Hadoque , a French sea captain. <sep> Q: Is Captain Haddock Scottish? A: t appears to be a stylistic decision on the part of Andy Serkis and Steven Spielberg, and is in keeping with Hollywood's fascination for Scottish accents Q: Is there a particular reason for this? A: see the Vikings in How to Train Your Dragon, Shrek, the lack of a Welsh Smurf Q: Shouldn't Captain Haddock have a different accent? A: Naturally, fans are up in arms about this, especially those who think he should have an English accent Q: Is Captain Haddock the main character? A: Haddock is thought to be descended from the Chevalier Francois de Hadoque , a French sea captain

Ex Output:
I don't recollect any reference made in the original series by Herge about Captain Haddock's Scottish heritage. Is there a reason for this?

Ex Input:
CONTEXT: I think that with her last words, she is trying to say that she wants Oskar to be in her shoes. In the conversation, Oscar says that he does not kill people like Eli as she is a vampire, and Eli is trying to say that he should try to be in her position, understand that she needs to kill people to survive and live. Eli is saying that she is like Oskar because they're nature is alike, Oskar wanting to kill for revenge and Eli killing to survival. <sep> Q: What does Eli mean with the words "Be me, for a little while"? A: I think that with her last words, she is trying to say that she wants Oskar to be in her shoes

Ex Output:
Is she feeling sorry for herself?