Q: What's an example of a movie review?
An example of a movie review is here: A very good movie. A classic sci-fi film with humor, action and everything. This movie offers a greater number of aliens. We see the Rebel Alliance leaders and much of the Imperial forces. The Emperor is somewhat an original character. I liked the Ewoks representing somehow the indigenous savages and the Vietnamese. (Excellent references) I loved the duel between Vader and Luke which is the best of the saga. In Return of the Jedi the epilogue of the first trilogy is over and the Empire finally falls. I also appreciated the victory celebration where it fulfills Vader's redemption and returns hi into Anakin Skywalker spirit along with Yoda and Obi-Wan. It gives a sadness and a tear. The greatest scenes in Star Wars are among this movie: When Vader turns on the Emperor. Luke watches and finds comfort in seeing Obi-Wan, Yoda and...his father (1997 version not Hayden Christenssen). The next best scene is when Luke rushes to strike back Darth Vader to protect Leia. There is a deep dark side of this film despite there is a good ending. I felt there was much more than meets the eye. And as always the John William's music will bring the classicism into Star Wars universe.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: The script was VERY weak w/o enough character arcs to make you care one bit about the characters or what happens to them. The script is way too talky and not enough gore or action to even call it slow paced. The story gets to the point that you just want everyone to shut up and die as quickly as possible so you don't have to listen to them talk this very muted, stiff dialogue. On a technical note, the music mix is way to high and makes it hard to understand what is being said most times. Then again, this could be called a blessing. Overall, this same story could have better been told in a short film w/ a running time under 30 minutes. The obvious "in your face" homages to Sam Raimi and "Evil Dead" would have been good had they been more subtle, but here they seem more like a bald faced rip off. C'mon, this kind of 35mm budget and THIS is the best that could be done? Still, the cinematography, lighting design and shots were very well done indeed.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: I think I should start this in saying that nearly any style of work can be entertaining in parts. The true test is whether it is good from start to finish, which is the reason I gave the analogical title for this review. Most of us would agree--even those like me, who enjoy reading many blogs--that blogs can't compare with good novel writing for a number of reasons. Likewise, FEM can't compare with good film making for a number of reasons, and I actually believe it's a poor example of independent filmography. From start to finish, FEM feels like a pieced together vlog. (Heck, even MySpace gets some pimping.) If I wanted to see an hour of lonelygirl15--I don't--I'd go watch it. FEM, while certainly grittier than the bubble gum atmosphere of the aforementioned media, is so personal that it is without an interesting story. It's like watching the mundaneness of life, which I think most would agree is very naturally boring. And yet the creators of FEM want us to applaud it, their very postmodern film about making a film. Cue my yawn.

Ultimately, I come away not caring the least bit about any of it. I'm shocked that I'm actually interested in taking time out to write this review, even. It's not that FEM is downright bad, because it isn't; it has a few moments where I crack a smile or think that maybe--just maybe--something of interest is about to happen. It's rather that it's just downright...mediocre. I feel so indifferent about it that it's almost fitting of an oxymoron: passionate indifference.

I hope the creators/"actors" in the film get out of debt from their efforts. They'll probably need it for when one of them moves out and moves on with life.

See this movie if you've got time to waste and nothing much you want to do; otherwise, pass it by, and don't worry that you've missed some great, undiscovered talent. You really haven't.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: It's very hard to say just what was going on with "The Lady from Shanghai" and what the film could have been without studio interference. Orson Welles' prime interest in film at this point was to raise money for his theater; indeed, funding his own projects is what drove him to seek out acting jobs. He made "Lady from Shanghai" for his soon to be ex-wife, Rita Hayworth. Harry Cohn was fearful for Rita's image and held back the release of this movie for one year.

The plot concerns an Irish sailor, Michael O'Hara, who falls in love with Else (Hayworth, stunning with short blond hair). Her husband is a well known criminal attorney Arthur Bannister (Everett Sloane) who is as crippled on the inside as he is out. He hires O'Hara to work on his yacht, and there O'Hara is drawn deeper and deeper into a web of murder and deceit.

"The Lady from Shanghai" moves at a snail's pace, though I agree with one of the posters that films today are criticized for taking time to build a plot. Still, this movie drags. The scene in the fun house is fantastic - Welles wanted it without music, though, and I believe the studio cut it down. It's a shame. The photography throughout is stunning, atmospheric, bold, and very stylish.

Welles was an excellent actor, handsome in his youth, charismatic and possessing a magnificent voice and technique, but in many films, it's almost as if he doesn't trust himself or doesn't take the time to develop a character. Instead he relies on externals such as accents and fake noses. One of the only times he didn't do this was "Tomorrow is Forever," where the director gets an excellent, deeply felt performance out of him. Contrast that with "Compulsion" where he shows he is a master of pure technical acting as he phones in his performance. Here Welles is doing quadruple duty - as director, star, co-writer and narrator. Sporting a completely unnecessary accent and looking intense was a fast way to a characterization. Nevertheless, he is always compelling.

The supporting players are excellent, including Sloan and Glenn Anders. Hayworth, gorgeous and soft-voiced (her singing was again dubbed by Anita Ellis) is as usual a complete goddess and one of the great screen presences. What a sad life for such a vibrant beauty.

Any film that Orson Welles directed is worth seeing, and "The Lady from Shanghai" is no exception. But this one leaves the viewer frustrated, as does "The Magnificent Ambersons" - as does any work that Welles did within the studio system. He was a great artist who should have been given a freer reign; he wasn't. He was a strange dichotomy - he needed more freedom, but as is evidenced by some of his later work, he needed the structure of the studio. Alas, he couldn't have both.
Q: What's an example of a movie review?
An example of a movie review is here:
I admit to having been a fan of the original stage production. I never saw the movie version until very lately on cable, and watched it with anticipation, to see my memories brought alive again, because I adored the original show. Imagine my dismay.

This has to be the worst translation of a Broadway show to film ever made. They changed the story, they changed the songs, they lost the soul. I was expecting a trip down memory lane, singing to the extraordinarily touching Music and the Mirror, At the Ballet, and Hello Twelve, Hello Thirteen. Not! Not only did they adulterate the music to an almost unrecognizable point, but they messed up the storyline, adding songs and exterior plotlines (hello Cassie and Michael Douglas) not present in the original, and injecting "drama" where it wasn't necessary. The original had enough pathos on its own. If you were a fan of the original Broadway show, don't bother. I'm sorry I wasted my time, and diluted my memories, watching this tripe.