In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : "Skin" is a song by Barbadian recording artist Rihanna from her fifth studio album, "Loud" (2010). The song was written by Kenneth Coby and Ursula Yancy, with production helmed by Soundz. Musically, "Skin" is a R&B song that contains influences from pop, dance-pop and dubstep genres, whilst lyrically, the song is about being in a relationship with someone and only wanting to feel their skin close to the protagonists. "Skin" received generally positive reviews from critics, as part of their overall review of "Loud", praising "Skins compositions as well as Rihanna's sensual vocal performance. The song was included on the set list of the Loud Tour (2011), where Rihanna retrieves a man or woman from the audience near the end of the song, and performs a lap-dance whilst on an elevated platform. "Skin" was also used in Rihanna's advertisement campaign for Armani Jeans. Context_2 : The No Strings Attached Tour was the third concert tour by American boy band, NSYNC. Primarily visiting North America, the tour supported the band's second studio album, "No Strings Attached". Beginning in May 2000, the tour sold out all dates within the first day of the ticket sale. Additional dates in North America were added for the Fall of 2000. When the tour ended in December 2000, it became the second highest grossing tour in North America, earning more than $70 million. Context_3 : Bad was the first solo concert tour by American recording artist Michael Jackson, launched in support of his seventh studio album "Bad" (1987). Sponsored by Pepsi and spanning 16 months, the tour included 123 concerts to 4.4 million fans across 15 countries making it the second highest grossing tour of the 80s. When the tour concluded it grossed a total of $125 million, adding two new entries in the "Guinness World Records" for the largest grossing tour in history and the tour with the largest attended audience. In April 1989, the tour was nominated for "Tour of the Year 1988" at the inaugural International Rock Awards. Context_4 : The Victory Tour was a concert tour of the United States and Canada by Michael Jackson and The Jackson family between July and December 1984. It was the first and only tour with all six Jackson brothers (even though Jackie was injured for most of the tour). The group performed 55 concerts to an audience of approximately 2 million. Most came to see Michael, whose album "Thriller" was dominating the popular music world at the time. Many consider it to be his "Thriller" tour, with most of the songs on the set list coming off of his "Off the Wall" album and from the "Thriller" album. The tour reportedly grossed approximately $75 million (US$ in 2016 dollars ) and set a new record for the highest grossing tour. It showcased Michael's single decorated glove, black sequined jacket and moonwalk. Context_5 : The Licks Tour was a worldwide concert tour undertaken by The Rolling Stones during 2002 and 2003, in support of their 40th anniversary compilation album "Forty Licks". The tour grossed over $300 million, becoming the second highest grossing tour at that time, behind their own Voodoo Lounge Tour of 19941995. Context_6 : The 1989 World Tour was the fourth concert tour by American singer-songwriter Taylor Swift, in support of her fifth studio album, "1989" (2014). The tour's European and North American dates, as well as two shows in Japan, were announced in November 2014, followed by the Oceania dates in December 2014. Additional dates for Singapore and Shanghai were announced in June 2015 with a third and final Melbourne show announced in July 2015. The tour began on May 5, 2015, in Tokyo, Japan and concluded on December 12, 2015 in Melbourne, Australia, the day before her 26th birthday. The tour became Swift's highest grossing and most attended tour to date, mobilizing 2,278,647 fans and $250,733,097 revenue. It was the highest grossing tour in the world in 2015. Context_7 : The Voodoo Lounge Tour was a worldwide concert tour by The Rolling Stones to promote their 1994 album "Voodoo Lounge". This was their first tour without bassist Bill Wyman, and their first with touring bassist Darryl Jones. The tour grossed $320 million, replacing Pink Floyd's "Division Bell" tour as the highest grossing of any artist at that time. This was subsequently overtaken by a few other tours, but it remains The Rolling Stones' second highest grossing tour behind their 20052007 A Bigger Bang Tour. Context_8 : The Loud Tour was the fourth overall and third world concert tour by Barbadian recording artist Rihanna. Performing in over twenty countries in the Americas and Europe, the tour was launched in support of Rihanna's fifth studio album "Loud" (2010) but eventually supported her following album "Talk that Talk" as it was released during the tour, in November 2011. Critics acclaimed the show for its liveliness and higher caliber of quality when compared to Rihanna's previous tours. The Loud Tour was a large commercial success, experiencing demand for an extension of shows in the United Kingdom due to popularity. In London, Rihanna played a record breaking 10 dates at The O2 Arena. The tour ultimately grossed an estimated value of US$90 million from 98 reported shows and a total audience of 1,200,800. The Loud Tour became the 7th highest grossing tour of 2011. Context_9 : The Reunion Tour was a 20072008 worldwide concert tour by The Police, marking the 30th anniversary of their beginnings. At its conclusion, the tour became the third (now seventh) highest grossing tour of all time, with revenues reaching over $360 million. The tour began in May 2007 to overwhelmingly positive reviews from fans and critics alike and ended in August 2008 with a final show at Madison Square Garden. Context_10 : Crazy Love Tour was the fourth concert tour by Canadian singer Michael Buble. The tour supported his sixth studio album, "Crazy Love". Visiting the Americas, Europe, Australia, Asia, and Africa, the tour has played to over one million spectators in nearly 21 countries. The tour has received remarkable praise from both music critics and spectators of the show. In 2010, Pollstar announced the trek became the sixth highest grossing tour worldwide, earning over $100 million with 99 sold out shows. Additionally was the fourth highest grossing tour in North Americabringing in over $60 million in revenue with 50 sold out shows. The tour ranked 16th in Pollstar's "Top 50 Worldwide Tour (Mid-Year)", earning over 30 million dollars in 2011. At the conclusion of 2011, the tour placed eleventh on Billboard's annual "Top 25 Tours", earning nearly $50 million with 57 shows in 2011. fact_1 : The song was included on the set list of the Loud Tour (2011), where Rihanna retrieves a man or woman from the audience near the end of the song, and performs a lap-dance whilst on an elevated platform. fact_2 : The Loud Tour became the 7th highest grossing tour of 2011. Question: Which highest grossing tour of 2011 featured someone from the audience performing a lap-dance?
Answer:
The Loud Tour