IN: Mao Asada (Qian Tian Zhen Yang , Asada Mao, born September 25, 1990) is a former Japanese competitive figure skater. She is the 2010 Olympic silver medalist, a three-time World champion (2008, 2010, 2014), a three-time Four Continents champion (2008, 2010, 2013), and a four-time Grand Prix Final champion (2005-06, 2008-09, 2012-13, 2013-14). She is the only female figure skater who has landed three triple Axel jumps in one competition, which she achieved at the 2010 Winter Olympics.

Asada moved from Japan to the United States in August 2006 to train with Rafael Arutyunyan in Lake Arrowhead, California. There she was able to escape the overcrowding of Japanese rinks and the pressure of the Japanese media. At her first event, the 2006 Skate America, Asada won the bronze medal behind Miki Ando and Kimmie Meissner. Asada had won the short program, but was fourth in the free skating, finishing with a total score 171.23 points. She was 21.36 points out of first place. Asada won her second event, the 2006 NHK Trophy with 199.52 points, setting the highest combined score in a Ladies' competition under the ISU Judging System and consequently, a world record. Her margin of victory was 20.21 points ahead of silver medalist Fumie Suguri. Asada went into the 2006-07 Grand Prix Final as the reigning champion. She placed second with 172.52 points, 11.68 behind gold medalist Yuna Kim. Asada had won the short program, but placed fourth in the free skating. Asada won the 2006-07 Japan Championships by 26.11 points ahead of silver medalist Miki Ando. At the 2007 Worlds Championships, Asada was fifth in the short program, 10.03 points behind Yuna Kim, who placed first in that section of the competition with a score of 71.95 points, setting a new world record for the highest short program score. Asada won the free skating with a score of 133.13 points, setting a new world record for the highest free skating score, a record which stood for eight months. During her free skating, she successfully landed a triple axel, a triple flip-triple loop combination, a double axel, a triple lutz, a triple flip, and a triple lutz-double loop-double loop combination but under-rotated the second jump of a double axel-triple toe loop combination. She won the silver medal at her first Senior World Championships appearance, earning an overall of 194.95 points, 0.64 behind gold medalist Miki Ando and 8.31 ahead of Yuna Kim, who won the bronze.
QUESTION: Did she place first in any other competitions?
IN: Nancy Elizabeth Lieberman (born July 1, 1958), nicknamed "Lady Magic", is a former professional basketball player who played and coached in the Women's National Basketball Association (WNBA) and currently works as an assistant coach for the Sacramento Kings of the National Basketball Association (NBA, as well as head coach of the Power in the BIG3. Lieberman is regarded as one of the greatest figures in American women's basketball. In 2000, she was inducted into the Nassau County Sports Hall of Fame. Lieberman is a member of the Basketball Hall of Fame, the Women's Basketball Hall of Fame and the Virginia Sports Hall of Fame.

Lieberman was born in Brooklyn, New York, on July 1, 1958, to Jerome and Renee Lieberman. She was raised Jewish, but has become a born-again Christian. Her family lived in Brooklyn, when she was born, but soon moved to Far Rockaway, New York where she grew up with her older brother Clifford. Her mother brought up the children after a separation and divorce. While growing up, she was very interested in a variety of sports, playing baseball, softball and football with boys, before settling on basketball as her primary sport. She played basketball primarily on pickup teams with boys, not playing on a girls' team until she was a high school sophomore. While attending Far Rockaway High School in Queens, New York, she established herself as one of the top women's basketball players in the country by earning one of only 12 slots on the USA's National Team. In 1975, Lieberman was named to the USA Team designated to play in the World Championships and Pan American Games, where she brought home a gold medal Lieberman's mother, Renee, was not supportive of her daughter's passion for basketball. During one instance when Lieberman was practicing dribbling techniques indoors, because it was cold outside, her mother demanded she stop dribbling because of all the noise. When she did not stop, her mother punctured the basketball with a screwdriver. Lieberman found another ball and continued, but her mother punctured that one as well. This continued until five balls were ruined. Nancy then decided she had better go outside before she ran out of basketballs. During the school year, she played for her high school team, but in the summer, played with an AAU team in Harlem, the New York Chuckles.
QUESTION: Where did Nancy grow up?
IN: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.

He found work as an office secretary at Universal Pictures' New York office, and later became personal secretary to the studio's founder and president, Carl Laemmle. Among Thalberg's duties were transcribing and editing notes that Laemmle had written during screenings of his films. He earned $25 weekly, becoming adept at making insightful observations, which impressed Laemmle. Laemmle took Thalberg to see his Los Angeles production facility, where he spent a month watching how movie production worked. Before returning to New York, Laemmle told Thalberg to remain and "keep an eye on things for me." Two months later, Laemmle returned to California, partly to see how well Thalberg was able to handle the responsibilities he was given. Thalberg gave him suggestions, which impressed Laemmle by his ability to understand and explain problems. Thalberg suggested, "The first thing you should do is establish a new job of studio manager and give him the responsibility of watching day-to-day operations." Laemmle immediately agreed, "All right. You're it." In shock, Thalberg replied, "I'm what?" Laemmle told him to take charge of the Los Angeles studio, which he did in early 1919. At age 20, Thalberg became responsible for immediately overseeing the nine ongoing film productions and nearly thirty scenarios then under development. In describing the rationale for this early appointment as studio manager, film historian David Thomson writes that his new job "owed nothing to nepotism, private wealth, or experience in the film industry." He reasons that despite "Thalberg's youth, modest education, and frail appearance . . . it is clear that he had the charm, insight, and ability, or the appearance of it, to captivate the film world." Thalberg was one among the majority of Hollywood film industry workers who migrated from the East Coast, primarily from New York. Some film actors, such as Conrad Nagel, did not like the 5-day train trip or the sudden warmth of the California climate. Neither did Marion Davies, who was not used to such "big wide spaces." Samuel Marx, a close friend of Thalberg's from New York, recalled how easily Thalberg adapted to Southern California, often standing outside his doorway during moments of contemplation to enjoy the scenery. "We were all young," said comedian Buster Keaton. "The air in California was like wine. Our business was also young--and growing like nothing ever seen before."
QUESTION:
How long did he keep this position?