input: George Martin, who had produced most of the Beatles' 1960s recordings, turned down an invitation to produce "Free as a Bird" due to hearing problems (though he subsequently managed to produce and direct the Anthology series). Harrison, in turn, suggested Lynne as producer (co-producer of his 1987 album, Cloud Nine) and work commenced at McCartney's studio in February 1994. Geoff Emerick and Jon Jacobs were chosen to engineer the new tracks. The original 1977 tape of Lennon singing the song was recorded on a mono cassette, with vocals and piano on the same track. They were impossible to separate, so Lynne had to produce the track with voice and piano together, but commented that it was good for the integrity of the project, as Lennon was not only singing occasional lines, but also playing on the song. Although Lennon had died in 1980, Starr said that the three remaining Beatles agreed they would pretend that Lennon had "gone for lunch", or had gone for a "cup of tea". The remaining Beatles recorded a track around Lennon's basic song idea, but which had gaps they had to fill in musically. Some chords were changed, and the arrangement was expanded to include breaks for McCartney and Harrison to sing extra lines. Harrison played slide guitar in the solo. The Beatles' overdubs and production were recorded between February and March 1994 in Sussex, England, at McCartney's home studio. It ends with a slight coda including a strummed ukulele by Harrison (an instrument he was known to have played often) and the voice of John Lennon played backwards. The message, when played in reverse, is "Turned out nice again", which was the catchphrase of George Formby. The final result sounds like "made by John Lennon", which, according to McCartney, was unintentional and was only discovered after the surviving Beatles reviewed the final mix. When Starr heard McCartney and Harrison singing the harmonies, and later the finished song, he said that it sounded just like them [the Beatles]. He explained his comment by saying that he looked at the project as "an outsider". Lynne fully expected the finished track to sound like the Beatles, as that was his premise for the project, but Harrison added: "It's gonna sound like them if it is them... It sounds like them now." McCartney, Harrison and Starr all agreed that the recording process was more pleasurable than when they later recorded "Real Love" (the second song chosen for release); as it was almost finished, they had very little input, and felt like sidemen for Lennon.

Answer this question "Which other names were worth mentioning in this article?"
output: Geoff Emerick and Jon Jacobs

Problem: Background: Garry Kimovich Kasparov (Russian: Garri Kimovich Kasparov, Russian pronunciation: ['garjI 'kjim@vjItc ka'spar@f]; born Garik Kimovich Weinstein, 13 April 1963) is a Russian, and formerly Soviet, chess grandmaster, former world chess champion, writer, and political activist, who many consider to be the greatest chess player of all time. From 1986 until his retirement in 2005, Kasparov was ranked world No. 1 for 225 out of 228 months. His peak rating of 2851, achieved in 1999, was the highest recorded until being surpassed by Magnus Carlsen in 2013. Kasparov also holds records for consecutive professional tournament victories (15) and Chess Oscars (11).
Context: The World Chess Championship 1984 match between Anatoly Karpov and Garry Kasparov had many ups and downs, and a very controversial finish. Karpov started in very good form, and after nine games Kasparov was down 4-0 in a "first to six wins" match. Fellow players predicted he would be whitewashed 6-0 within 18 games. In an unexpected turn of events, there followed a series of 17 successive draws, some relatively short, and others drawn in unsettled positions. Kasparov lost game 27 (5-0), then fought back with another series of draws until game 32 (5-1), earning his first-ever win against the World Champion. Another 14 successive draws followed, through game 46; the previous record length for a world title match had been 34 games, the match of Jose Raul Capablanca vs. Alexander Alekhine in 1927. Kasparov won games 47 and 48 to bring the scores to 5-3 in Karpov's favour. Then the match was ended without result by Florencio Campomanes, the President of Federation Internationale des Echecs (FIDE), and a new match was announced to start a few months later. The termination was controversial, as both players stated that they preferred the match to continue. Announcing his decision at a press conference, Campomanes cited the health of the players, which had been strained by the length of the match. The match became the first, and so far only, world championship match to be abandoned without result. Kasparov's relations with Campomanes and FIDE were greatly strained, and the feud between them finally came to a head in 1993 with Kasparov's complete break-away from FIDE.
Question: how did he come back?
Answer: Kasparov lost game 27 (5-0), then fought back with another series of draws until game 32 (5-1),

Question: William John Evans ( , August 16, 1929 - September 15, 1980) was an American jazz pianist and composer who mostly worked in a trio setting. Evans' use of impressionist harmony, inventive interpretation of traditional jazz repertoire, block chords, and trademark rhythmically independent, "singing" melodic lines continue to influence jazz pianists today. Born in Plainfield, New Jersey, in 1929, he was classically trained, and studied at Southeastern Louisiana University and the Mannes School of Music, where he majored in composition and received the Artist Diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell.

In July 1955, Evans returned to New York City and enrolled in the Mannes College of Music for a three-semester postgraduate course in musical composition. He also wrote classical settings of poems by William Blake. Along with his studies, Evans played in mostly low-profile "Tuxedo gigs" at the Friendship Club and the Roseland Ballroom, as well as Jewish weddings, intermission spots, and over-40 dances. However, better opportunities also arose, such as playing solo opposite the Modern Jazz Quartet at the Village Vanguard, where one day he saw Miles Davis listening to him. During this period, Evans also met Thelonious Monk. Evans soon began to perform in Greenwich Village clubs with Don Elliott, Tony Scott, and Mundell Lowe; as well as with bandleader Jerry Wald. While Evans may have played on some of Wald's discs, his first proven Wald recording was Listen to the Music of Jerry Wald, which also featured his future drummer Paul Motian. In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel, and in August she recorded The Singing Reed with a group which included Evans. During this period, he met two of Reed's friends: manager Helen Keane, who, seven years later, would become his own agent; and George Russell, with whom he would soon work. That year, he also made his first recording, in a small ensemble, in Dick Garcia's A Message from Garcia. In parallel, Evans kept with his work with Scott, playing in Preview's Modern Jazz Club in Chicago during December-January 1956/7, and recording The Complete Tony Scott. After the Complete sessions, Scott left for a long overseas tour.

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?
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Answer:
In early 1955, singer Lucy Reed moved to New York City to play at the Village Vanguard and The Blue Angel,