Background: Abbey Road is the eleventh album by English rock band the Beatles, released on 26 September 1969 by Apple Records. The recording sessions for the album were the last in which all four Beatles participated. Although Let It Be was the final album that the Beatles completed before the band's dissolution in April 1970, most of the album had been recorded before the Abbey Road sessions began. A double A-side single from the album, "Something"/"Come
Context: "Her Majesty" was recorded by McCartney on 2 July when he arrived before the rest of the group at Abbey Road. It was included in a rough mix of the side two medley, appearing between "Mean Mr. Mustard" and "Polythene Pam". McCartney disliked the way the medley sounded when it included "Her Majesty", so he asked for it to be cut. The second engineer, John Kurlander, had been instructed not to throw out anything, so after McCartney left, he attached the track to the end of the master tape after 20 seconds of silence. The tape box bore an instruction to leave "Her Majesty" off the final product, but the next day when mastering engineer Malcolm Davies received the tape, he (also trained not to throw anything away) cut a playback lacquer of the whole sequence, including "Her Majesty". The Beatles liked this effect and included it on the album. "Her Majesty" opens with the final, crashing chord of "Mean Mr. Mustard", while the final note of "Her Majesty" remained buried in the mix of "Polythene Pam". This is the result of "Her Majesty" being snipped off the reel during a rough mix of the medley on 30 July. The medley was subsequently mixed again from scratch although "Her Majesty" was not touched again and still appears in its rough mix on the album. Original US and UK pressings of Abbey Road do not list "Her Majesty" on the album's cover nor on the record label, making it a hidden track. The song title appears on the inlay card and disc of the 1987 remastered CD reissue, as track 17. It also appears on the sleeve, booklet and disc of the 2009 remastered CD reissue, but not on the cover or record label of the 2012 vinyl reissue.
Question: What was the effect that the Beatles' liked?
Answer: cut a playback lacquer of the whole sequence, including "Her Majesty".

Background: A synthesizer (often abbreviated as synth, also spelled synthesiser) is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate traditional musical instruments like piano, Hammond organ, flute, vocals; natural sounds like ocean waves, etc.; or generate novel electronic timbres. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device, often a MIDI keyboard or other controller.
Context: In the 1970s, electronic music composers such as Jean Michel Jarre, Vangelis and Isao Tomita, released successful synthesizer-led instrumental albums. Over time, this helped influence the emergence of synthpop, a subgenre of new wave, from the late 1970s to the early 1980s. The work of German krautrock bands such as Kraftwerk and Tangerine Dream, British acts such as John Foxx, Gary Numan and David Bowie, African-American acts such as George Clinton and Zapp, and Japanese electronic acts such as Yellow Magic Orchestra and Kitaro, were influential in the development of the genre. Gary Numan's 1979 hits "Are 'Friends' Electric?" and "Cars" made heavy use of synthesizers. OMD's "Enola Gay" (1980) used distinctive electronic percussion and a synthesized melody. Soft Cell used a synthesized melody on their 1981 hit "Tainted Love". Nick Rhodes, keyboardist of Duran Duran, used various synthesizers including the Roland Jupiter-4 and Jupiter-8. Chart hits include Depeche Mode's "Just Can't Get Enough" (1981), The Human League's "Don't You Want Me" and Giorgio Moroder's Take My Breath Away (1986) for Berlin. Other notable synthpop groups included New Order, Visage, Japan, Men Without Hats, Ultravox, Spandau Ballet, Culture Club, Eurythmics, Yazoo, Thompson Twins, A Flock of Seagulls, Heaven 17, Erasure, Soft Cell, Pet Shop Boys, Bronski Beat, Kajagoogoo, ABC, Naked Eyes, Devo, and the early work of Tears for Fears and Talk Talk. Giorgio Moroder, Brian Eno, Phil Collins, Howard Jones, Stevie Wonder, Peter Gabriel, Thomas Dolby, Kate Bush, Enya, Mike Oldfield, Donal Lunny, Frank Zappa and Todd Rundgren all made use of synthesizers. The synthesizer became one of the most important instruments in the music industry.
Question: Did it have any other influences on the music styles?
Answer: Soft Cell used a synthesized melody on their 1981 hit "Tainted Love". Nick Rhodes, keyboardist of Duran Duran, used various synthesizers

Background: William Ben Hogan (August 13, 1912 - July 25, 1997) was an American professional golfer who is generally considered to be one of the greatest players in the history of the game. He was born within six months of Sam Snead and Byron Nelson, who were two other acknowledged golf greats of the 20th century. Hogan is notable for his profound influence on golf swing theory and his legendary ball-striking ability. His nine career professional major championships tie him with Gary Player for fourth all-time, trailing only Jack Nicklaus (18), Tiger Woods (14) and Walter Hagen (11).
Context: Hogan was born in Stephenville, Texas, the third and youngest child of Chester and Clara (Williams) Hogan. His father was a blacksmith and the family lived ten miles southwest in Dublin until 1921, when they moved 70 miles (112 km) northeast to Fort Worth. When Hogan was nine years old in 1922, his father Chester committed suicide with a self-inflicted gunshot at the family home. By some accounts, Chester committed suicide in front of him, which some (including Hogan biographer James Dodson) have cited as the cause of his introverted personality in later years. The family incurred financial difficulties after his father's suicide, and the children took jobs to help their seamstress mother make ends meet. Older brother Royal quit school at age 14 to deliver office supplies by bicycle, and nine-year-old Ben sold newspapers after school at the nearby train station. A tip from a friend led him to caddying at the age of 11 at Glen Garden Country Club, a nine-hole course seven miles (11 km) to the south. One of his fellow caddies at Glen Garden was Byron Nelson, later a tour rival. The two would tie for the lead at the annual Christmas caddie tournament in December 1927, when both were 15. Nelson sank a 30-foot putt to tie on the ninth and final hole. Instead of sudden death, they played another nine holes; Nelson sank another substantial putt on the final green to win by a stroke. The following spring, Nelson was granted the only junior membership offered by the members of Glen Garden. Club rules did not allow caddies age 16 and older, so after August 1928, Hogan took his game to three scrubby daily-fee courses: Katy Lake, Worth Hills, and Z-Boaz.
Question: Are there any other interesting aspects about this article?
Answer:
Hogan was born in Stephenville, Texas, the third and youngest child of Chester and Clara