Peter was a very sad puppy. He had been inside of the pet store for a very long time. In fact, he had been there for three months! Peter had seen many other puppies find a person; he began to wonder why he could not get one. He thought that maybe his fur was not pretty enough or maybe his bark was not loud enough. He tried and tried to please every person who came to the store, but they all picked smaller puppies. However, one day all of this changed. Sammie came into the store looking for a golden puppy. She wanted a puppy she could snuggle with. It so happened that Peter was very sad and tired that day. Sammie came to hold him. Peter wanted to show off his bark, but he was too tired. He fell right to sleep. Sammie loved him at once and loved holding him in her arms. Sammie took Peter home that day, and they made lots of fun memories.
What question would one ask from this paragraph?
Answer: Why was Peter sad?

(CNN) -- Horror-meister, Stephen King calls George Pelecanos "perhaps the greatest living American crime writer." His stories are set in Pelecanos' hometown of Washington, D.C., but this is not the side of the U.S. capitol that you see portrayed on TV with white marble monuments, lawyers and lobbyists. Pelecanos is more interested in working families struggling to get by, the racial tensions in its ethnic neighborhoods and the low-lifes on the edges. His crime-writing peers call Pelecanos the "undisputed poet" of Washington's gritty side. The best-selling and award-winning author is out this week with his 17th and latest novel, "The Cut." It's the first in a new series featuring Iraq war veteran and private investigator Spero Lucas. When he's not working for a Washington defense attorney, Lucas recovers stolen property for a 40% cut. Now, a high-profile crime boss hires Lucas to find out who's been stealing from him, and it could turn out to be Lucas' biggest payday or an untimely end. While Pelecanos made his bones in the noir tradition, there's a definite "Western" feel to "The Cut." The new novel takes place in a morally gray and often violent world. It's peppered with pitch-perfect dialogue and captures the sights, sounds and taste of Washington in rich detail. In short, Pelecanos reads like the real deal. Pelecanos knows a thing or two about capturing the authenticity of urban America with an ethnically and socially diverse cast. In addition to his success as a novelist, Pelecanos is a producer and writer for HBO's New Orleans-set, "Treme." He was previously a producer and Emmy-nominated writer on the hit series "The Wire" and the miniseries "The Pacific." Read an excerpt from "The Cut" CNN recently spoke to Pelecanos about his new novel. The following is an edited transcript. CNN: Tell me more about your new character, Spero Lucas.
What question would one ask from this paragraph?
Answer: Which television shows has George Pelecanos worked on?

Once upon a time I had a dog named Toodles. He was black and white and had long floppy ears. He also had very short legs, but really big paws. Every Saturday we would go to the park and play Toodles' favorite game. Toodles loved playing fetch. One Saturday, Toodles ran over to the pond because he saw ducks swimming there. He ran all around the pond, barking at the ducks. The ducks ignored him, and kept swimming. Toodles wasn't having it! He jumped into the pond and started swimming toward the ducks, chasing around his new playmates. One of the ducks, braver than the others, poked Toodles with his beak - and then bit him right on one of his floppy ears! Toodles barked and ran out of the pond because the duck hurt his ear. Soaking wet, he ran toward where I was eating a sandwich on the grass and curled right up in my lap so I could make him feel better. After that, whenever he would see a duck, Toodles would run the other way.
What question would one ask from this paragraph?
Answer: What color is Toodles?

In her storage room-turned-office, Jennifer Baum works under an expanding leak that is causing the ceiling to turn brown and crumble. Mold grows in the buckets positioned to catch the water. She shrugs it off. Outside her office she has taped up a clear plastic suit, and a sign that reads, "All employees must don protective gear before coming in." Such is life in limbo. Nearly a year after Sept. 11, the Legal Aid Society-the lawyers for New York's poor and homeless-remains, well, homeless. The nonprofit has been barred from returning to its 90 Church St. headquarters, across from the World Trade Center site, because of environmental concerns. Legal Aid has uncomfortable company. More than 11,500 New Yorkers continue to work out of temporary space, according to analysis by Manhattan-based real estate brokerage TenantWise.com Inc. and Crain's New York Business. That's 8% of the 137,000 workers who lost their offices or access to them when the Twin Towers collapsed. Legal Aid's 450 displaced attorneys and staffers have spent the past 12 months spread among previously unused spaces-some unused for good reason-in the nonprofit's other offices. It could be another year and a half before they return to their old desks. They have contended with difficult working conditions as demand for Legal Aid's services is on the rise because of Sept. 11 and the deteriorating economy. The civil division is spread among a few boroughs. Their papers and documents, some 20,000 boxes worth, are stuck in a storage facility in Linden, N.J. "I am counting the days till we can have all the parts back in one place," says Steven Banks, Legal Aid's associate attorney in chief. In the memories of the exiled workers, the old office has achieved mythical proportions. They say the wood paneling and rugs had the ability to cool emotions and lift spirits. The Legal Aid office on Montague Street in Brooklyn Heights, where 65 displaced workers have cobbled together space amid the faded and scratched walls, looks more like a bargain basement.
What question would one ask from this paragraph?
Answer:
How much more time will it take for the workers of Legal Aid Society to return to their old offices?