In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

[Q]: Robin Hood (Disney Classic) . Its just one of those movies you like to have in your library and I love good old classic cartoon movies. Such a fun movie to watch and enjoy with the family
[A]: POS

[Q]: Pushing the boundaries of traditional documentaries! . Ron Mann is a Canadian filmmaker who specializes in documentaries about alternative culture; be it comic books with Comic Book Confidential, a famous dance craze with Twist or marijuana culture with Grass. His latest film, Tales of the Rat Fink, playfully profiles Ed "Big Daddy" Roth who helped popularize the customization of cars in the 1950s. Roth saw automobiles as much more than just modes of transportation but rather blank canvasses just waiting to be adorned with his stylish artwork or to be rebuilt from the ground up in his own unique way. Mann does a fantastic job of taking us back to the '50s with period music and plenty of archival footage. However, his documentary is far from traditional as he has Roth narrate his own life but voiced by actor John Goodman. Mann also gives several classic cars their own voice as they tell their own story and how they contributed to hot rod car culture. It's an unusual move that takes a little getting used to but for those who have seen Mann's other documentaries it is merely a natural progression of his idiosyncratic style - kind of like Roth himself. Mann animates still photographs and instead of having someone drone on about the different kinds of paint jobs, shows it through stylized animation techniques and footage of cars being customized. Throughout it all, he has Roth's most famous creation, Rat Fink (his answer to Mickey Mouse - a bright green mutant rat - whom he had grown tired of and created a symbol of everything that was cool and dangerous about the hot rod culture), bridges each segment via animated interludes and accompanied by the surf music of the Sadies. Tales of the Rat Fink does an excellent job immersing us in the custom car culture, how it came to be and its distinctive characteristics. This documentary takes a nostalgic look back at a time when cars had their own distinctive look; they were works of art - something that is missing today in our current homogenous culture. Its unorthodox approach may put off some but it does mirror the gonzo the look of Roth's artwork and takes it away from the stuffy confines of traditional documentaries. "Big Daddy Lives!" is a rare, archival interview with Roth who talks about how he designs cars and the criteria he used to do this. This extra provides fascinating insight into the man and his work. "Ratfink Reunion." To celebrate the 20th anniversary of Rat Fink, Roth and Von Dutch did a customized paint job on a car together. It's great to see these two artists doing what they do best. "Big Daddy's Garage" features galleries of his rough sketches for t-shirt designs, stills from the 2006 Detroit Autorama that featured a collection of many of Roth's classic cars, samples from the Rat Fink comic strip, and other artists' interpretation of Rat Fink. "Interview with director Ron Mann." A friend turned him onto Roth's work in the 1990s and in 2000 he decided to make a film about the man but when he died suddenly in 2001 Mann shelved the project. A few years later, he got the idea to tell Roth's story from the point-of-view of his cars. "Deleted Scene" is a brief clip that shows the Rat Fink merchandise explosion with model kits, t-shirts, hats, etc. Also included is the theatrical trailer. Finally, there is a music video for the Sadies who provided the music for the documentary. It's animated and features Rat Fink with members of the band
[A]: POS

[Q]: Santana playing the blues?? C'mon. . I have my doubts as to Santana' music for quiet a long time- it seems that he loves his place and role as a rock icon too much and forgot to do music. Let me be more specific- I never liked his salsa last records and thought that this is no music. For a guitar player who invented new ideas and streams in the rock guitar-playing world, these records were an insult- no less. I am really sure that Santana himself admits- deep down in his heart- that he looks for better music. It can be that these guilt feelings brought him to "create" this DVD. Well, if I am right in my analysis, he did wrong in his music, again. Nothing connects Santana to the blues and he will not convince (at least me) that he was raised on the knees of the blues. C'mon, forty years of career and now he revels that he is rooted in the blues?? Sorry, I don't buy it. Now, as Santana is not a blues guitar player, and never was- this DVD cannot be good and there are a lot of reasons for it: Santana' playing the blues is loud and vulgar while all other three guitar players (Bobby Parker, Clarence "Gatemouth" Brown and Buddy Guy) have a small and unique sound, Santana' technique (which was always amazing) covers a lack of touch and feeling while all three base their playing on feeling, emotion and the right sound- Santana, on the other hand, covers his disadvantages in playing the blues with all lot of notes. Now, if you want to purchase good blues guitar playing DVD go for each of the three (meaning: Bobby Parker, Clarence "Gatemouth" Brown and Buddy Guy) for their own records. If you like Santana (past or present) go for his own but, don't mix between them as Santana did. One more thing- Santana relates to Jeff Beck in his words added to this DVD and I agree that this is a good example- anyone who wants to understand the meaning of the blues and rock/blues guitar should address to Jeff Beck, not to Santana whom we still expect, after so many years, to create real music.
[A]:
NEG