Question: Kidder, one of five children, was born in Yellowknife, Northwest Territories, the daughter of Jocelyn Mary "Jill" (nee Wilson), a history teacher, and Kendall Kidder, an explosives expert and engineer. Kidder also spent time growing up in Labrador City, Newfoundland and Labrador. Her mother was from British Columbia, Canada, and her father was from New Mexico, United States. She is of Welsh and English descent.

In 1975, Kidder was cast in a lead role in The Great Waldo Pepper opposite Robert Redford, she also appeared in The Reincarnation of Peter Proud and 92 in the Shade (1975) with Peter Fonda, all of which established her as a commercially viable leading lady. Kidder famously married the director of 92 in the Shade, Thomas McGuane. She appeared on the March 9, 1975 edition of The American Sportsman, learning how to hang glide with her providing the narration and a remote microphone recording her reactions in flight; the segment concluded with Kidder doing solos soaring amid the Wyoming Rockies. After taking a break from acting after the birth of her daughter in 1976, Kidder sought to return to making films in the late 1970s. After doing a reading of Lois Lane for the 1978 superhero film Superman: The Movie, Kidder was flown to England by Richard Donner for screen-tests. Donner ultimately cast Kidder in the role, which would become her most iconic. Filming took over a year, and the film was released during Christmas 1978, to major commercial success. Kidder won a Saturn Award for best actress for her performance in the film. Kidder publicly disagreed with the decision of producers Alexander Salkind and Ilya Salkind to replace Richard Donner as director for Superman II (1980). It was reported that as a result, Kidder's role in Superman III (1983) consisted of less than five minutes of footage, though the producers have denied this in DVD commentaries. Her role in Superman IV: The Quest for Peace (1987) was more substantial. Kidder's performance as Kathy Lutz in the 1979 summer release of The Amityville Horror further cemented her status as one of Hollywood's leading ladies. Though it received mixed reviews from critics, The Amityville Horror was a major commercial success, grossing over $86 million in the United States. Janet Maslin of The New York Times, though giving the film a mixed review, said Kidder "stubbornly remains the bright-eyed life of the party [in the film]." In retrospect, Kidder called the film "a piece of shit." The same year, Kidder hosted an episode of the American sketch comedy TV show Saturday Night Live.

Using a quote from the above article, answer the following question: Why was this so bad
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Answer: After taking a break from acting after the birth of her daughter in 1976, Kidder sought to return to making films in the late 1970s.

Problem: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.

Stanley Donen was born in Columbia, South Carolina to Mordecai Moses Donen, a dress-shop manager, and Helen (Cohen), the daughter of a jewelry salesman. His younger sister Carla Donen Davis was born in August 1937. Although born to Jewish parents, he became an atheist in his youth. Donen described his childhood as lonely and unhappy as one of the few Jews in Columbia, and he was occasionally bullied by anti-semitic classmates at school. To help cope with his isolation, he spent much of his youth in local movie theaters and was especially fond of Westerns, comedies and thrillers. The film that had the strongest impact on him was the 1933 Fred Astaire and Ginger Rogers musical Flying Down to Rio. Donen said that he "must have seen the picture thirty or forty times. I was transported into some sort of fantasy world where everything seemed to be happy, comfortable, easy and supported. A sense of well-being filled me." He shot and screened home movies with an 8 mm camera and projector that his father bought for him. Inspired by Astaire, Donen took dance lessons in Columbia and performed at the local Town Theater. His family often traveled to New York City during summer vacations where he saw Broadway musicals and took further dance lessons. One of his early instructors in New York was Ned Wayburn, who had taught eleven-year-old Astaire in 1910. After graduating from high school at sixteen, Donen attended the University of South Carolina for one summer semester, studying psychology. Encouraged by his mother, he moved to New York City to pursue dancing on stage in the fall of 1940. After two auditions he was cast as a chorus dancer in the original Broadway production of Rodgers and Hart's Pal Joey, directed by the legendary George Abbott. The titular Pal Joey was played by the young up-and-comer Gene Kelly, who became a Broadway star in the role. Abbott cast Donen in the chorus of his next Broadway show Best Foot Forward. He became the show's assistant stage manager, and Kelly asked him to be his assistant choreographer. Eventually Donen was fired from Best Foot Forward, but in 1942 was the stage manager and assistant choreographer for Abbott's next show Beat the Band. In 1946, Donen briefly returned to Broadway to help choreograph dance numbers for Call Me Mister.

When did he decide to become a cheoreographer?

Answer with quotes:
Broadway show Best Foot Forward. He became the show's assistant stage manager, and Kelly asked him to be his assistant choreographer.