Read the following paragraph and extract the answer for the question: What is the name of the person that George Grove helped? In 1870, concerned at the dominance of German music and the lack of opportunity for young French composers to have their works played, Saint-Saens and Romain Bussine, professor of singing at the Conservatoire, discussed the founding of a society to promote new French music. Before they could take the proposal further, the Franco-Prussian War broke out. Saint-Saens served in the National Guard during the war. During the brief but bloody Paris Commune that followed, his superior at the Madeleine, the Abbe Deguerry, was murdered by rebels; Saint-Saens was fortunate to escape to temporary exile in England where he arrived in May 1871. With the help of George Grove and others he supported himself while there, giving recitals. Returning to Paris in the same year, he found that anti-German sentiments had considerably enhanced support for the idea of a pro-French musical society. The Societe Nationale de Musique, with its motto, "Ars Gallica", had been established in February 1871, with Bussine as president, Saint-Saens as vice-president and Henri Duparc, Faure, Franck and Jules Massenet among its founder-members. As an admirer of Liszt's innovative symphonic poems, Saint-Saens enthusiastically adopted the form; his first "poeme symphonique" was Le Rouet d'Omphale (1871), premiered at a concert of the Societe Nationale in January 1872. In the same year, after more than a decade of intermittent work on operatic scores, Saint-Saens finally had one of his operas staged. La princesse jaune ("The Yellow Princess"), a one-act, light romantic piece, was given at the Opera-Comique, Paris in June. It ran for five performances.Throughout the 1860s and early 1870s, Saint-Saens had continued to live a bachelor existence, sharing a large fourth-floor flat in the Rue du Faubourg Saint-Honore with his mother. In 1875, he surprised many by marrying. The groom was approaching forty and his bride was nineteen; she was Marie-Laure Truffot, the sister of one of the composer's pupils. The marriage was not a success. In the words of the...
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Answer: Saint-Saens
Q: Read the following paragraph and extract the answer for the question: What is the full name of the person who could not render the changes in time for the painting to be displayed in Budapest? Seoba Srba (English: Migration of the Serbs) is a set of four similar oil paintings by the Serbian artist Paja Jovanovic that depict Serbs, led by Archbishop Arsenije III, fleeing Old Serbia during the Great Serb Migration of 169091. The first was commissioned in 1895 by Georgije Brankovic, the Patriarch of Karlovci, to be displayed at the following year's Budapest Millennium Exhibition. In the view of the Serbian clergy, it would serve to legitimize Serb claims to religious autonomy and partial self-administration in Austria-Hungary by upholding the contention that Serbs left their homeland at the behest of the Holy Roman Emperor to protect the Habsburg Monarchy's borders. Measuring 380 by 580 centimetres (150 by 230 in), the first painting was completed in 1896, and presented to Patriarch Georgije later that year. Dissatisfied, the Patriarch asked Jovanovic to adjust his work to conform with the Church's view of the migration. Though Jovanovic made the changes relatively quickly, he could not render them in time for the painting to be displayed in Budapest, and it therefore had to be unveiled at the Archbishop's palace in Sremski Karlovci. Jovanovic went on to complete a total of four versions of the painting, three of which survive. The first version is on display at the patriarchate building of the Serbian Orthodox Church in Belgrade, the second at the Pancevo Museum, and the fourth at Princess Ljubica's Residence, in Belgrade. Migration of the Serbs holds iconic status in Serbian popular culture, and several authors repute it to be one of Jovanovic's finest achievements.
A: Paja Jovanovic
Read the following paragraph and extract the answer for the question: What is the real name of the person whose father worked as a promotions officer for the children's charity Barnardo's? Bowie was born David Robert Jones on 8 January 1947 in Brixton, London. His mother, Margaret Mary "Peggy" (nee Burns; 2 October 1913 2 April 2001), was born at Shorncliffe Army Camp near Cheriton, Kent. Her paternal grandparents were Irish immigrants who had settled in Manchester. She worked as a waitress at a cinema in Royal Tunbridge Wells. His father, Haywood Stenton "John" Jones (21 November 1912 5 August 1969), was from Doncaster, and worked as a promotions officer for the children's charity Barnardo's. The family lived at 40 Stansfield Road, on the boundary between Brixton and Stockwell in the south London borough of Lambeth. Bowie attended Stockwell Infants School until he was six years old, acquiring a reputation as a gifted and single-minded childand a defiant brawler.In 1953, Bowie moved with his family to Bromley. Two years later, he started attending Burnt Ash Junior School. His voice was considered "adequate" by the school choir, and he demonstrated above-average abilities in playing the recorder. At the age of nine, his dancing during the newly-introduced music and movement classes was strikingly imaginative: teachers called his interpretations "vividly artistic" and his poise "astonishing" for a child. The same year, his interest in music was further stimulated when his father brought home a collection of American 45s by artists including the Teenagers, the Platters, Fats Domino, Elvis Presley, and Little Richard. Upon listening to Little Richard's song "Tutti Frutti", Bowie would later say that he had "heard God".Bowie was first impressed with Presley when he saw his cousin dance to "Hound Dog". By the end of the following year, he had taken up the ukulele and tea-chest bass, begun to participate in skiffle sessions with friends, and had started to play the piano; meanwhile, his stage presentation of numbers by both Presley and Chuck Berrycomplete with gyrations in tribute to the original artiststo his local Wolf Cub group was described as "mesmerizing ... like someone from another...
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Answer:
David Robert Jones