Question:
Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.
Alma-Tadema's works are remarkable for the way in which flowers, textures and hard reflecting substances, like metals, pottery, and especially marble, are painted - indeed, his realistic depiction of marble led him to be called the 'marbellous painter'. His work shows much of the fine execution and brilliant colour of the old Dutch masters. By the human interest with which he imbues all his scenes from ancient life he brings them within the scope of modern feeling, and charms us with gentle sentiment and playfulness. From early in his career, Alma-Tadema was particularly concerned with architectural accuracy, often including objects that he would see at museums - such as the British Museum in London - in his works. He also read many books and took many images from them. He amassed an enormous number of photographs from ancient sites in Italy, which he used for the most precise accuracy in the details of his compositions. Alma-Tadema was a perfectionist. He worked assiduously to make the most of his paintings, often repeatedly reworking parts of paintings before he found them satisfactory to his own high standards. One humorous story relates that one of his paintings was rejected and instead of keeping it, he gave the canvas to a maid who used it as her table cover. He was sensitive to every detail and architectural line of his paintings, as well as the settings he was depicting. For many of the objects in his paintings, he would depict what was in front of him, using fresh flowers imported from across the continent and even from Africa, rushing to finish the paintings before the flowers died. It was this commitment to veracity that earned him recognition but also caused many of his adversaries to take up arms against his almost encyclopaedic works. Alma-Tadema's work has been linked with that of European Symbolist painters. As an artist of international reputation, he can be cited as an influence on European figures such as Gustav Klimt and Fernand Khnopff. Both painters incorporate classical motifs into their works and use Alma-Tadema's unconventional compositional devices such as abrupt cut-off at the edge of the canvas. They, like Alma-Tadema, also employ coded imagery to convey meaning to their paintings.
Answer this question using a quote from the text above:

Did he only paint?

Answer:

input: In September 2010, Nobuo Sato became Asada's new coach and Asada ended her relationship with coach Nagakubo. After the Vancouver Olympics, Asada decided to relearn all of her jumps from scratch by getting back to basics. This contributed to her slump in the 2010-11 and 2011-12 seasons. Under the guidance of her new coach Nobuo Sato, she stripped her triple jumps to their rudimentary parts and relearned each takeoff and landing, beginning with a single rotation. While reworking her jumps, Asada did not skip any competitions in the 2010-11 season. Asada was assigned to the 2010 NHK Trophy and the 2010 Trophee Eric Bompard ISU Grand Prix events. At the 2010 NHK Trophy, Asada placed 8th in both programs and finished 8th overall with a total of 133.40 points. At the 2010 Trophee Eric Bompard, Asada placed 7th in the short program, 5th in the free skating and 5th overall, scoring a combined 148.02 points. At the 2010-11 Japan national championships, Asada was first in the short program and second in the free skating. She obtained a total score of 193.69 points and won the silver medal behind Miki Ando. At the 2011 Four Continents Championships, Asada placed second in both programs and won the silver medal with a score of 196.30 points, 5.04 points behind gold medalist Miki Ando. Her triple axel jump in free skating was ratified for the first time since 2010 Worlds Championship, with +1.29 grade of execution. At the 2011 World Championships, Asada placed 7th in the short program, 6th in the free skating, and finished 6th overall with 172.79 points.

Answer this question "Did she ever think about stopping"
output: Asada decided to relearn all of her jumps from scratch by getting back to basics. This contributed to her slump in the 2010-11 and 2011-12 seasons.

Answer the question at the end by quoting:

Charles Lutwidge Dodgson (; 27 January 1832 - 14 January 1898), better known by his pen name Lewis Carroll, was an English writer, mathematician, logician, Anglican deacon, and photographer. His most famous writings are Alice's Adventures in Wonderland, its sequel Through the Looking-Glass, which includes the poem "Jabberwocky", and the poem The Hunting of the Snark - all examples of the genre of literary nonsense.
In 1856, Dodgson took up the new art form of photography under the influence first of his uncle Skeffington Lutwidge, and later of his Oxford friend Reginald Southey. He soon excelled at the art and became a well-known gentleman-photographer, and he seems even to have toyed with the idea of making a living out of it in his very early years. A study by Roger Taylor and Edward Wakeling exhaustively lists every surviving print, and Taylor calculates that just over half of his surviving work depicts young girls, though about 60% of his original photographic portfolio is now missing. Dodgson also made many studies of men, women, boys, and landscapes; his subjects also include skeletons, dolls, dogs, statues, paintings, and trees. His pictures of children were taken with a parent in attendance and many of the pictures were taken in the Liddell garden because natural sunlight was required for good exposures. He also found photography to be a useful entree into higher social circles. During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Julia Margaret Cameron, Michael Faraday, Lord Salisbury, and Alfred, Lord Tennyson. By the time that Dodgson abruptly ceased photography (1880, over 24 years), he had established his own studio on the roof of Tom Quad, created around 3,000 images, and was an amateur master of the medium, though fewer than 1,000 images have survived time and deliberate destruction. He stopped taking photographs because keeping his studio working was too time-consuming. He used the wet collodion process; commercial photographers who started using the dry-plate process in the 1870s took pictures more quickly. Popular taste changed with the advent of Modernism, affecting the types of photographs that he produced.

Did he take photos of any others?
He also found photography to be a useful entree into higher social circles. During the most productive part of his career,