In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: Was it foreshadowing when Tori complained that her first boyfriend was treating her like a robot, and then her new boyfriend (the murderer) turned out to be a designer of artificial intelligence? I think so. Scenes to make you squeal with delight: montages galore, a strip-tease in a kimono (what do you call it when you seductively put clothes on, instead of take them off?), and a climactic battle on skis! Definitely tune in for the beginning and end, but you can grab a sandwich during the second act when all the plot is happening. Is it better than CO-ED CALL GIRL? Nah. Does Tori ever make it to paradise, or out of the snow, even? Nope. Question: is it a negative review?
[A]: yes

[Q]: Review: From the awful death scenes to guns that fire without making sounds to a character called the Fiend. It's all tiresome, slow moving, unimaginative drivel. It was OK seeing the guy with the cape and the hunchback lurking around. Visually it was creepy and probably occupied the moviegoer of the time, but even in 1936 one would think that there would have been a little more imagination and verisimilitude to even a film like this. I just kept waiting for something to happen of any importance as people stood around making speeches and acting like they were posing at an office picnic. And then there are those bullets as a previous commentator mentioned. Perhaps the best clue would have been to search for a water spot on someone's pants pocket. Question: is it a positive review?
[A]: no

[Q]: Review: Warner Bros. made many potboilers in the 1930s and most of them are fast paced, economical and very entertaining. I really love how the studio exploited the less glamorous elements of our daily life. This is one of Warner's few hard-edged melodramas that simply doesn't work. Edward G. Robinson plays a ruthless editor of newspaper who resurrects the 20-year old story of a murderess with tragic consequences. Robinson gives a lively performance but he is surrounded by actors that don't cut the mustard. H.B. Warner, Aline MacMahon and Boris Karloff are good, but the bad acting of Frances Starr and Anthony Bushell in the second leads really hurts the movie. Starr is particularly bad during her big dramatic scene near the end of the movie. In addition, the moralistic tone of the film seems ridiculous in the context of pre-code Hollywood. LeRoy's direction is full of innovative visual touches but he cannot overcome the bad acting and the unintentionally funny situations. Sol Polito's camera work is strong. Somehow, this piece of dreck got an Oscar nomination for Best Picture (in a year that gave us "M," "Dracula" and "Frankenstein"). Question: is it a negative review?
[A]:
yes