Problem: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.

Latour's work Nous n'avons jamais ete modernes : Essais d'anthropologie symetrique was first published in French in 1991, and then in English in 1993 as We Have Never Been Modern. Latour encouraged the reader of this anthropology of science to re-think and re-evaluate our mental landscape. He evaluated the work of scientists and contemplated the contribution of the scientific method to knowledge and work, blurring the distinction across various fields and disciplines. Latour argued that society has never really been modern and promoted nonmodernism (or amodernism) over postmodernism, modernism, or antimodernism. His stance was that we have never been modern and minor divisions alone separate Westerners now from other collectives. Latour viewed modernism as an era that believed it had annulled the entire past in its wake. He presented the antimodern reaction as defending such entities as spirit, rationality, liberty, society, God, or even the past. Postmoderns, according to Latour, also accepted the modernistic abstractions as if they were real. In contrast, the nonmodern approach reestablished symmetry between science and technology on the one hand and society on the other. Latour also referred to the impossibility of returning to premodernism because it precluded the large scale experimentation which was a benefit of modernism. Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato. He refused the concept of "out there" versus "in here". He rendered the object/subject distinction as simply unusable and charted a new approach towards knowledge, work, and circulating reference. Latour considered nonmoderns to be playing on a different field, one vastly different than that of post-moderns. He referred to it as much broader and much less polemical, a creation of an unknown territory, which he playfully referred to as the Middle Kingdom. In 1998, historian of science Margaret C. Jacob argued that Latour's politicized account of the development of modernism in the 17th century is "a fanciful escape from modern Western history".

what is important about his work

Answer with quotes: Latour attempted to prove through case studies the fallacy in the old object/subject and Nature/Society compacts of modernity, which can be traced back to Plato.

Problem: Martina Mariea Schiff was born in Sharon, Kansas, on July 29, 1966. She has two brothers, Martin and Steve, who plays in her concert band as of 2017, and a sister, Gina. Martina's parents, Daryl and Jeanne Schiff, owned a dairy farm. Daryl, who was also a cabinetry shop owner, exposed Martina to country music at a young age.

Released in 1995, Wild Angels accounted for another top five hit in its lead single "Safe in the Arms of Love", which had previously been recorded by both Wild Choir and Baillie & the Boys, and was concurrently released in Canada by Michelle Wright at the time of McBride's version. The album's title track went on to become McBride's first No. 1 single on the country charts in early 1996. However, the three follow-ups,"Phones Are Ringin' All Over Town", "Swingin' Doors" and "Cry on the Shoulder of the Road" were less successful, reaching the lower regions of the top 40. In early 1997, after "Cry on the Shoulder of the Road" peaked, McBride released two duets. "Still Holding On", a duet with Clint Black which was the lead-off single to her album Evolution and his album Nothin' but the Taillights, and "Valentine", a collaboration with pop pianist Jim Brickman which appeared on his album Picture This. She also sang duet vocals on "Chances Are" with Bob Seger, featured on the soundtrack of the 1998 motion picture Hope Floats. She had her second number one on the country charts with "A Broken Wing", the second single from her album Evolution, in late 1997 This album went on to produce four more top ten hits at country radio: a re-release of "Valentine", "Happy Girl", "Wrong Again" (which also went to number one), and "Whatever You Say". Towards the end of 1998, the album was certified double platinum in sales by the Recording Industry Association of America for selling two million units. In addition, she also won the Country Music Association Awards' "Female Vocalist of the Year" award in 1999 and also performed for President Bill Clinton during the same time. Also in 1998, McBride released a Christmas album titled White Christmas, which featured a rendition of "O Holy Night" that first charted in 1997 and continued to re-enter the charts until 2001. She also sang a guest vocal on Jason Sellers' mid-1998 single "This Small Divide".

What album is that from?

Answer with quotes:
Wild Angels