Please answer this: Read the following paragraph and extract the answer for the question: What is the full name of the person that made the statement "I don't know what the audience expected"? Drake ended his studies at Cambridge nine months before graduation, and in autumn 1969 moved to London. His father remembered "writing him long letters, pointing out the disadvantages of going away from Cambridge ... a degree was a safety net, if you manage to get a degree, at least you have something to fall back on; his reply to that was that a safety net was the one thing he did not want." Drake spent his first few months in London drifting from place to place, occasionally staying at his sister's Kensington flat but usually sleeping on friends' sofas and floors. Eventually, in an attempt to bring some stability and a telephone into Drake's life, Boyd organised and paid for a ground floor bedsit in Belsize Park, Camden. On 5 August 1969, Drake recorded five songs for the BBC's John Peel show ("Cello Song", "Three Hours", "River Man", "Time of No Reply" and an early version of "Bryter Layter"), three of which were broadcast on the following night. A month later, on 24 September, he opened for Fairport Convention at the Royal Festival Hall in London, followed by appearances at folk clubs in Birmingham and Hull. Folk singer Michael Chapman said of the performances:The folkies did not take to him; [they] wanted songs with choruses. They completely missed the point. He didn't say a word the entire evening. It was actually quite painful to watch. I don't know what the audience expected, I mean, they must have known they weren't going to get sea-shanties and sing-alongs at a Nick Drake gig! The experience reinforced Drake's decision to retreat from live appearances; the few concerts he did play around this time were usually brief, awkward, and poorly attended. Drake seemed reluctant to perform and rarely addressed his audience. As many of his songs were played in different tunings, he frequently paused to retune between numbers.
++++++++
Answer: Michael Chapman
Problem: Read the following paragraph and extract the answer for the question: What is the last name of the person that created the top 10 album that was reviewed in July 1966 for Crawdaddy!? Blonde on Blonde reached the Top 10 in both the US and UK album charts, and also spawned a number of hits that restored Dylan to the upper echelons of the singles charts. In August 1967, the album was certified as a gold disc.The album received generally favorable reviews. Pete Johnson in the Los Angeles Times wrote, "Dylan is a superbly eloquent writer of pop and folk songs with an unmatched ability to press complex ideas and iconoclastic philosophy into brief poetic lines and startling images." The editor of Crawdaddy!, Paul Williams, reviewed Blonde on Blonde in July 1966: "It is a cache of emotion, a well handled package of excellent music and better poetry, blended and meshed and ready to become part of your reality. Here is a man who will speak to you, a 1960s bard with electric lyre and color slides, but a truthful man with x-ray eyes you can look through if you want. All you have to do is listen."To accompany the songbook of Blonde on Blonde, Paul Nelson wrote an introduction stating, "The very title suggests the singularity and the duality we expect from Dylan. For Dylan's music of illusion and delusionwith the tramp as explorer and the clown as happy victim, where the greatest crimes are lifelessness and the inability to see oneself as a circus performer in the show of lifehas always carried within it its own inherent tensions ... Dylan in the end truly UNDERSTANDS situations, and once one truly understands anything, there can no longer be anger, no longer be moralizing, but only humor and compassion, only pity."

A: Dylan
Problem: Given the question: Read the following paragraph and extract the answer for the question: Whose former sister station dominated Cleveland radio in the 1970s and 1980s? Cleveland is directly served by 31 AM and FM radio stations, 22 of which are licensed to the city. Commercial FM music stations are frequently the highest rated stations in the market: WAKS (contemporary hit radio), WDOK (adult contemporary), WENZ (mainstream urban), WHLK (adult hits), WGAR-FM (country), WMJI (classic hits), WMMS (active rock/hot talk), WNCX (classic rock), WQAL (hot adult contemporary), and WZAK (urban adult contemporary). WCPN public radio functions as the local NPR affiliate, and sister station WCLV airs a classical music format. College radio stations include WBWC (Baldwin Wallace University), WCSB (Cleveland State University), WJCU (John Carroll University), and WRUW-FM (Case Western Reserve University). News/talk station WTAM serves as the AM flagship for both the Cleveland Cavaliers and Cleveland Indians. WKNR and WWGK cover sports via ESPN Radio, while WKRK-FM covers sports via CBS Sports Radio (WKNR and WKRK-FM are also co-flagship stations for the Cleveland Browns). As WJW (AM), WKNR was once the home of Alan Freed the Cleveland disc jockey credited with first using and popularizing the term "rock and roll" to describe the music genre. News/talk station WHK was one of the first radio stations to broadcast in the United States and the first in Ohio; its former sister station, rock station WMMS, dominated Cleveland radio in the 1970s and 1980s and was at that time one of the highest rated radio stations in the country. In 1972, WMMS program director Billy Bass coined the phrase "The Rock and Roll Capital of the World" to describe Cleveland. In 1987, Playboy named WMMS DJ Kid Leo (Lawrence Travagliante) "The Best Disc Jockey in the Country".
++++++++++++++++++++++++++++++++
The answer is:
WHK
Q: Read the following paragraph and extract the answer for the question: What is the last name of the person who spends $84 on a hooker? The film begins as an autobiographical look at Shore's early professional successes on MTV and as the star of a series of '90s comedies. Shore's film career leads to his taking a starring role in a vehicle on the Fox Network, in which he plays the slacker son of a millionaire. The pilot of the series turns out to be a commercial and critical failure, and Shore becomes a pariah virtually overnight, with his friends distancing themselves from him for fear that it will tarnish their own careers. Shore is ultimately reduced to living in his mother's attic and watching BackDoor Sluts 9 starring his ex-girlfriend, who will no longer see him. He spends his very last $84 on a hooker--who does almost nothing for him and his life simply gets worse and worse. One night, Shore is visited by the ghost of his mentor, comic Sam Kinison, who encourages Shore to fake his own death as a means of revitalizing popularity in Pauly Shore films and merchandise. Shore decides to go through with the plan, which initially works: Once word of his "death" breaks, celebrities eager for the residual publicity begin appearing on television in large numbers to declare Shore a comic genius and lament his early death. Shore, eager to bask in the publicity, begins appearing in public wearing a disguise; he is quickly outed, arrested, and sent to prison. In prison, Shore is attacked by one of his former fans, "Bucky from Kentucky," a redneck whose world view was shattered when he learned that Shore had willingly put his own fans through the ordeal of thinking he was dead. Shore survives the attack, which causes him to realize that even though he was no longer as famous as he once was, he still had fans who loved him. Shore and Bucky have a heart-to-heart about the nature of celebrity, and Shore decides to start his career over.
A:
Shore