Q: What's an example of a movie review?
An example of a movie review is here: Born Again is a okay episode of Season 1. The reincarnation bit, in my opinion, is cool. The more I watch it, the more I like it, yet it will never rise above 'Very Good' for me. Even though it is not very memorable, i'll always remember it as the reincarnation episode. Anyway, now I will say what is good and bad about this episode,

The Good: Oragami. Oh Yeah!

That Fish tank was nice. =]

Thrown out of a window. Very classy. x]

The Bad: Marry your Best Friend's wife!? O_O

What a random pick to reincarnate.

Why didn't the guy who died by having his scarf tangled up, try to take his scarf off instead?

Conclusion: Okay episode, not very memorable. 7/10

Q: What's an example of a movie review?
An example of a movie review is here: When viewing a movie as silly as 'Hot Rod,' one must sit back, relax, and alter one's intellectual capacity to a like state which is, in this case, a state dimwitted enough to endure brainless drivel that has somehow been mistaken for comedy. With a brief runtime of 88 minutes, this film was long past drawn-out and buried itself beneath a bundle of repetitive jokes jokes that came at a minority and weren't even funny in the first place. 'Hot Rod''s base material is as superficial and irrelevant as 2004's cult hit 'Napoleon Dynamite,' though it's much more contrived and comes without ANY of the laughter. In fact, the movie's blatant desperation to be compared to 'Napoleon Dynamite' is scornful and offensive, and left me ticked off, instead of just being annoyed.

The movie, if one were compelled enough to call it such, poses a paltry story that puts self-proclaimed stuntman Rod Kimble before us, with the trifling intention of jumping fifteen buses (one more than his idol Evel Knievel jumped, so we're told by Rod) and raising $50,000 dollars for his stepfather's impending life-saving heart operation; all so that he can fight his stepfather, once recovered, and gain his respect because in order to gain one's respect, one must first fight them. Huh? Whatever. Each character is no more interesting than Rod's stick-on mustache, and from the film's opening joke to its ridiculous conclusion, each scene played like a nonsensical, and terribly unfunny, SNL skit which, with the addition of an extra 85 minutes, is, essentially, what 'Hot Rod' strives to be.

The film's star, Andy Samberg, contributed an effort to the screen that observably exerted every last drip-drop of his comedic capabilities. Unfortunately rather, realistically his humorous talents are no more admirable than a five-year-old retelling his own exhausted joke that somewhere includes the innocently crude poop and pee-pee gags. And if that's disappointing, pull a chair, hide your face in your hands, and brace yourself for the real blow: he IS the film's humor! To rescue them of their mortification, I'll willingly omit the ghastliness of Samberg's co-stars' roles and leave the second third of The Lonely Island team, director Akiva Schaffer, to his non-existent talent as a director or a comedian. Basically, every thing one could possibly do to further trample a crash-course comedy is perfectly portrayed here; and done so arrogantly, as though the film would be funnier that way. Trick yourself into believing that there's even a single laugh in this heap, or treat yourself to another movie ANY other movie.

Q: What's an example of a movie review?
An example of a movie review is here: You know when you're on the bus and someone decides to tell you their life-story, and you sit there with a pathetic smile on your face when all you really want to do is slap the fool and walk off? Well I had a similar sensation while watching this film. Okay, I did actually choose to go and see Aprile, and I knew about Nanni Moretti's taste for making himself the one and only star from Caro Diario, but after about half an hour of this latest installment from his memoirs I wanted to give Moretti the madre of all slaps. Caro Diario was funny, unusual, and at least a couple of other characters managed to get a word in edgeways. In Aprile, however, Moretti has exclusive rights to the dialogue, so that all you hear for an hour and a half is a high-pitched whine going on about how his politics are best, or what quirky piece of popular culture is tickling his fancy at the moment. He also finds time to slag off films that he doesn't like, something I thought was reserved for losers like me. Surely being in a position like his you'd think he'd try and make a point about cinema a little more intelligently than this. By making a proper film perhaps, one with some ideas and a decent structure, or maybe one that isn't completely dominated by his annoying voice. And when he started fawning over his newborn baby, I just wanted to go and be in the company of someone normal, preferably not a self-obsessed film director with a strange penchant for tacky music. The next time someone you don't know tries to tell you their life-story, give them a slap from me. Every blow will be a small victory in the fight against Morettiism.

Q: What's an example of a movie review?
An example of a movie review is here:
I'll say this much--This director is all about RAW images...things most of us are not ready to confront head-on. Images of sex, suicide, murder, and people "relieving themselves" are constantly bombarding the viewer, which makes me wonder if the director was trying to communicate the concept of relief or release. Although I don't think that I could ever see this movie again, I will say that the director does have a good eye. There were some really nice shots and "picture moments" in the film (the fans, the wire fish in their hair), but the story left me needing more (strictly in the since that we were left asking ourselves "what the heck did we just see?").

Note: If you have a tendency to gag or vomit easily...don't see this film.