input: Robert Owen was born in Newtown, a small market town in Montgomeryshire, Wales, on 14 May 1771, to Anne (Williams) and Robert Owen. His father was a saddler, ironmonger, and local postmaster; his mother was the daughter of a Newtown farming family. Young Robert was the sixth of the family's seven children, two of whom died at a young age. His surviving siblings were William, Anne, John, and Richard. Owen received little formal education, but he was an avid reader. He left school at the age of ten and was apprenticed to a Stamford, Lincolnshire, draper for four years. He also worked in London draper shops as a teenager. Around the age of eighteen, Owen moved to Manchester, where he spent the next twelve years of his life. Initially, he was employed at Satterfield's Drapery in Saint Ann's Square. While living in Manchester, Owen borrowed PS100 from his brother, William, to enter into a partnership to make spinning mules, a new invention for spinning cotton thread, but exchanged his share of the business within a few months for six spinning mules that he operated in a rented factory space. In 1792, when Owen was about twenty-one years old, mill-owner Peter Drinkwater made him manager of the Piccadilly Mill at Manchester; however, after two years of working for Drinkwater, Owen voluntarily gave up a contracted promise of partnership, left the company, and went into partnership with other entrepreneurs to establish and eventually manage the Chorlton Twist Mills in the Chorlton-on-Medlock area of Manchester. By the early 1790s, Owen's entrepreneurial spirit, management skills, and progressive moral views were emerging. In 1793, he was elected as a member of the Manchester Literary and Philosophical Society, where the ideas of reformers and philosophers of the Enlightenment were discussed. He also became a committee member of the Manchester Board of Health, which was instigated, principally by Thomas Percival, to promote improvements in the health and working conditions of factory workers.

Answer this question "who were his parents?"
output: Anne (Williams) and Robert Owen.

input: In July 1997, Bradshaw served as the presenter when Mike Webster, his center on the Steelers' Super Bowl XIII and XIV title teams, was inducted into the Pro Football Hall of Fame. In 2006, despite the Steelers being one of the teams playing in the game, Bradshaw did not attend a pregame celebration for past Super Bowl MVP's during Super Bowl XL in Detroit, Michigan. According to reports, Bradshaw (along with three time MVP and close friend Joe Montana) requested a US$100,000 guarantee for his appearance in the Super Bowl MVP Parade, and associated appearances. The NFL could not guarantee that they would make that much and refused. A representative for Bradshaw has since denied this report. After an appearance on The Tonight Show with Jay Leno (February 6, 2006) Bradshaw stated that the reason why he did not attend the MVP parade was that he was spending time with family, that he hates the crowds and the Super Bowl media circus, and also that the only way he would attend a Super Bowl is when Fox is broadcasting the game (it was ABC who broadcast Super Bowl XL), though Bradshaw attended several press conferences in Detroit days earlier. Bradshaw also stated that money was not an issue. In April 2006, Bradshaw donated his four Super Bowl rings, College Football Hall of Fame ring, Pro Football Hall of Fame ring, Hall of Fame bust, four miniature replica Super Bowl trophies, and a helmet and jersey from one of his Super Bowl victories to his alma mater, Louisiana Tech. On November 5, 2007, during a nationally televised Monday Night Football game, Bradshaw joined former teammates including Franco Harris and Joe Greene to accept their position on the Pittsburgh Steelers 75th Anniversary All-Time Team.

Answer this question "When did Terry Bradshaw retire from football?"
output:

input: Downes claimed the group's name derived as a pun on the rock band the Beatles, saying: "It was originally called the Bugs ... studio insects--imaginary creatures who lived in recording studios creating havoc. Then somebody said as a joke that the Bugs would never be as big as The Beatles. So we changed it to the Buggles." Horn later spoke of its name: "I know the name's awful, but at the time it was the era of the great punk thing. I'd got fed up of producing people who were generally idiots but called themselves all sorts of clever names like the Unwanted, the Unwashed, the Unheard ... when it came to choosing our name I thought I'd pick the most disgusting name possible. In retrospect I have frequently regretted calling myself Buggles, but in those days I never really thought much about packaging or selling myself, all that really concerned me was the record." Horn began his career producing jingles and punk rock groups. Downes was a keyboardist in She's French and graduated from Leeds College of Music in 1975, after which he moved to London for keyboard work. The two first met in 1976 at auditions for Tina Charles' backing band and worked with her producer, Biddu, whose backing tracks had an influence on their early work as the Buggles. Horn met musician Bruce Woolley while playing the bass guitar in the house band at the Hammersmith Odeon. Both expressed an interest in Kraftwerk and Daniel Miller, leading them to read Crash by J.G. Ballard. Said Horn, ""We had this idea that at some future point there'd be a record label that didn't really have any artists--just a computer in the basement and some mad Vincent Price-like figure making the records ... One of the groups this computer would make would be the Buggles, which was obviously a corruption of the Beatles, who would just be this inconsequential bunch of people with a hit song that the computer had written ... and would never be seen." In 1977, Horn, Downes and Woolley got together and began recording a selection of demos in a small room above a stonemason shop in Wimbledon, south west London, including "Video Killed the Radio Star", "Clean, Clean" and "On TV". Though unsure on what they wished to do with them, Downes remembered that "we knew even then ... there was some distant goal that had to be reached", and proceeded to re-record the songs at a 16-track recording studio in north London. Initial searches for the right record label to record and release an album failed, but Horn, having begun a relationship with Jill Sinclair, a co-founder of Sarm East Studios, managed to secure plans for a potential deal. However, the demo of "Video Killed the Radio Star" caught the attention of producer Chris Blackwell of Island Records and, on the day Horn and Downes were due to sign with Sarm East, Blackwell offered them a more lucrative deal, which they accepted. Downes claimed Island rejected them three times before a final deal was agreed upon.

Answer this question "What relevance does Bruce Woolley have to the group?"
output:
""We had this idea that at some future point there'd be a record label that didn't really have any artists--just a computer