input question: Select the correct sentiment of the following review: The Class is a comedy series that portrays a bunch of 27-year-old former class mates.

I like the idea of the show. That's why it saddens me that The Class is not funny, even though it has the obvious potential. It's not enough corky, just dorky. (Haha.) This is due to a slowish tempo and the lack of actually hilarious punch lines. Also some actors have difficulties with timing.

Most inventively written characters are the twins Kat and Lina Warbler (Lizzy Caplan and Heather Goldenhersh) but even they seem just a little too square for the good of the show. On the other hand the characters I find most uninteresting are the main character Ethan and the used-to-be- couple Duncan and Nicole.

What bothers me with the series is that the only Latino character Aaron is being picked on for his accent (even though by a non-respectable character, but anyway).
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output answer: negative

input question: Select the correct sentiment of the following review: There's no way to confront 'Zabriskie Point' from a rational standpoint or attempt to describe it using words and conventions you'd use for other movies. This is because it isn't a movie. It's an idea and a feeling that the filmmakers have that somehow got turned into an object as mundane as a film. What we see are not the unfoldings of a plot, but rather a sequence of events that we don't see in films every day but only imagine happening as the background we ourselves will supply when we hear about some tragic event in the news of or from friends. We we see is our imagination of people that are abstractions to us- no one we know, but we've doubtless heard of them in a book or on TV or somewhere. So what do we see? Events. We see people arguing, driving, and inevitably, escaping. Only the escape is from something intangible- it is the collective situation and cruelty that the mass of a civilization has allowed to exist though laziness, or...human nature. Set in late 1960s Los Angeles, our players act against and in response to the self-inflicted miseries of modern existence. These creatures are effectively blank slates that can display any trait we can imagine if we desire. Although the actions taken might be seen as criminal or irresponsible, , the characters are not themselves criminals. They are human beings seeking a return to a familiar, non-manufactured existence that is beyond the normalcy they experience everyday. Not that they are ever happy or sad, but they achieve a type of self actualization when they move beyond and away from the suicide of modern living. They only achieve true life in the natural world, even though that is the next victim of modern existence. At the end, 'Zabriski Point' is a eulogy of humanities attachment to the natural world. As even the most desolate pieces of the earth succumb to our notions of progress, we lose our souls on the path to death of the human spirit.
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output answer: positive

input question: Select the correct sentiment of the following review: ...except for Jon Heder. This guy tanked the entire movie.

The plot sounded entertaining. A 29 year old slacker son(Heder)still lives with widowed mom (Keaton)who happens to meet a new love (Daniels). Slacker son is jealous and anxious to lose his comfortable life and tries to sabotage the relationship. He also meets a girl(Faris).

I really liked the performance of Daniels and especially Faris but whoever casted Hader would be better of selling hot dogs at the beach. Heders performance is annoying, which would be a good thing since he plays an annoying guy, problem is he is to bad an actor to loose this act making this guy likable in the finale. At the end you still wish you can personally punch the guy in the face and you're upset about the end. In the future every movie with this guy will be a no go for me!
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output answer:
negative