input: Unlike his more famous contemporary Bob Fosse, Bennett was not known for a particular choreographic style. Instead, Bennett's choreography was motivated by the form of the musical involved, or the distinct characters interpreted. In Act 2 of Company, Bennett defied the usual choreographic expectations by deliberately taking the polish off the standard Broadway production number. The company stumbled through the steps of a hat and cane routine ("Side By Side") and thus revealed to the audience the physical limitations of the characters' singing and dancing. Bennett made the audience aware that this group had been flung together to perform, and that they were in over their heads. He intended the number to be not about the routine, but rather the characters behind it. The song "One" from A Chorus Line functions in a different way. The various phases of construction/rehearsal of the number are shown, and because the show is about professional dancers, the last performance of the song-and-dance routine has all the gloss and polish expected of Broadway production values. Bennett's choreography also reveals the cost of the number to the people behind it. Bennett was influenced by the work of Jerome Robbins. "What Michael Bennett perceived early in Robbins' work was totality, all the sums of a given piece adding to a unified whole". In Dreamgirls, Bennett's musical staging was described as a "mesmerizing sense of movement": The most thrilling breakthrough of the extraordinary show is that whereas in A Chorus Line Michael Bennett choreographed the cast, in Dreamgirls he has choreographed the set.... Bennett's use of [the plexiglass towers that dominated the set] was revolutionary. The towers moved to create constantly changing perspectives and space, like an automated ballet.... They energized the action, driving it forcefully along. It's why there were no set-piece dance routines in the show: Dance and movement were organic to the entire action. But Bennett had made the mechanical set his dancers."

Answer this question "what was the audience's reaction to this?"
output: Bennett made the audience aware that this group had been flung together to perform,

Problem: Background: Maria Lea Carmen Imutan Salonga, KLD (born February 22, 1971), known as Lea Salonga (), is a Filipina singer and actress best known for her roles in musical theatre, for supplying the singing voices of two Disney Princesses, and as a recording artist and television performer. At age 18, she originated the lead role of Kim in the musical Miss Saigon, first in the West End and then on Broadway, winning the Olivier and Theatre World Awards, and becoming the first Asian woman to win a Tony Award. Salonga is the first Filipino artist to sign with an international record label (Atlantic Records in 1993). She is also the first Philippine-based artist to have received a major album release and distribution deal in the United States, and one of the best-selling Filipino artists of all time, having sold over 19 million copies of her albums worldwide.
Context: Maria Lea Carmen Imutan Salonga was born at Medical Center Manila in Ermita, Manila, to Feliciano Genuino Salonga, a naval Rear admiral and shipping company owner (1929-2016), and his wife, Maria Ligaya Alcantara, nee Imutan. She spent the first six years of her childhood in Angeles City before moving to Manila. Her brother, Gerard Salonga, is a conductor. She made her professional debut in 1978 at the age of seven in the musical The King and I with Repertory Philippines. She played the title role in Annie in 1980 and appeared in other productions such as Cat on a Hot Tin Roof, Fiddler on the Roof, The Sound of Music, The Rose T, The Goodbye Girl (1982), Paper Moon (1983) and The Fantasticks (1988). In 1981, she recorded her first album, Small Voice, which was certified gold in the Philippines. In 1985, she and her brother took part in the eighth Metro Manila Popular Music Festival as the interpreters for the song entry titled "Musika, Lata, Sipol at La La La" which was composed by Tess Concepcion. During the 1980s, Salonga also had several television projects through GMA Radio Television Arts where she worked as a child actor and teen idol. After the success of her first album, from 1983 to 1985, she hosted her own musical television show, Love, Lea, and was a member of the cast of German Moreno's teen variety show That's Entertainment. She acted in films, which included the family-oriented Tropang Bulilit, Like Father, Like Son, Ninja Kids, Captain Barbell and Pik Pak Boom. As a young performer, Salonga received a Filipino Academy of Movie Arts and Sciences (FAMAS) award nomination for Best Child Actress, and three Aliw Awards for best child performer in 1980, 1981 and 1982. She released her second album, Lea, in 1988. She also opened for, and performed with, international acts such as Menudo and Stevie Wonder in their concerts in Manila in 1985 and in 1988, respectively. She finished her secondary education in 1988 at the O. B. Montessori Center in Greenhills, San Juan, Metro Manila, where she was a Bergamo 1 Student and an active participant in school productions. She also attended the University of the Philippines College of Music's extension program aimed at training musically talented children in music and stage movement. A college freshman studying biology at the Ateneo de Manila University when she auditioned for Miss Saigon, she intended to have a medical career. Later, in between jobs in New York, she took two courses at Fordham University's Lincoln Center.
Question: When was Lea born?
Answer: Salonga was born at Medical Center Manila in Ermita, Manila, to Feliciano Genuino Salonga, a naval Rear admiral and shipping company owner

Question: Ayaan Hirsi Ali (; Dutch: [a:'ja:n 'hi:rsi 'a:li] ( listen); born Ayaan Hirsi Magan, 13 November 1969) is a Somali-born Dutch-American activist, feminist, author, scholar and former politician.

Hirsi Ali arrived in the Netherlands in 1992. That year she had travelled from Kenya to visit her family in Dusseldorf and Bonn, Germany and gone to the Netherlands to escape an alleged arranged marriage. Once there, she requested political asylum and obtained a residence permit. She used her paternal grandfather's early surname on her application and has since been known in the West as Ayaan Hirsi Ali. She received a residence permit within three or four weeks of arriving in the Netherlands. At first she held various short-term jobs, ranging from cleaning to sorting post. She worked as a translator at a Rotterdam refugee center which, according to a friend interviewed in 2006 by The Observer newspaper, marked her deeply. As an avid reader, in the Netherlands she found new books and ways of thought that both stretched her imagination and frightened her. Sigmund Freud's work introduced her to an alternative moral system that was not based on religion. During this time she took courses in Dutch and a one-year introductory course in social work at the De Horst Institute for Social Work in Driebergen. She has said that she was impressed with how well Dutch society seemed to function. To better understand its development, she studied at Leiden University, obtaining an MSc degree in political science in 2000. Between 1995 and 2001, Hirsi Ali also worked as an independent Somali-Dutch interpreter and translator, frequently working with Somali women in asylum centers, hostels for abused women, and at the Dutch immigration and naturalization service (IND, Immigratie en Naturalisatiedienst). While working for the IND, she became critical of the way it handled asylum seekers. As a result of her education and experiences, Hirsi Ali speaks six languages: English, Somali, Arabic, Swahili, Amharic, and Dutch.

Using a quote from the above article, answer the following question: how many languages does she speak
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Answer:
Hirsi Ali speaks six languages: English, Somali, Arabic, Swahili, Amharic, and Dutch.