Shakespeare frequently used iambic pentameter to write dialogue for the more important characters in his plays. To speak in iambic pentameter, use ten syllable lines broken up into five "foots." In a foot, the first syllable is not stressed, and the second is stressed. For instance, say a phrase like, "at once, we must set forth to seize the day" by emphasizing every second syllable (in this case, every second word.) Trochaic rhythm is the opposite of iambic pentameter in terms of the pattern of pronunciation of syllables. Instead of "feet," trochaic rhythm is comprised of "troches." Deliver ten syllable lines in two syllable "troches," with the first syllable being stressed and the second not being stressed. A perfect example of trochaic rhythm is the line "Double, double, toil and trouble; fire burn and cauldron bubble" from Macbeth. Speak in rhymed couplets to sound distinctively Shakespearean. Shakespeare would group two successive lines with rhyming words at the end of each. Couplets can be grouped together to emphasize the effect (i.e., rhyming last words in lines one and two, with different rhyming words in lines three and four). There are many exemplary rhyming couplets in Romeo and Juliet, such as: "Did my heart love till now? Forswear it, sight. For I ne'er saw true beauty till this night."
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One-sentence summary -- Speak in iambic pentameter. Use trochaic rhythm. Use rhyming couplets.

Q: To let someone know you're interested in him, start by making eye contact. Move your eyes to his, hold briefly, then look away. Repeat this a few times,so that he knows you're intentionally looking at him. Don't stare at him. Staring is when you maintain fixed eye contact with someone for longer than a few seconds. Staring can seem aggressive or angry. Pair your eye contact with a slight smile. Make sure to watch his response. If he doesn't return your gaze, this is a sign he's not interested. If he looks back, smiles at you, or otherwise responds positively, that's a sign he's okay with your flirting. Lower your bottom lip slightly so your teeth are barely showing. You don't need to purse your lips, just open your mouth to entice the viewer. The pout is the first stage of the seductive lip bite. Studies show that women initiate flirting 90% of the time. Men flirt largely in response to feeling that flirtation has been initiated by women. A Manchester University study found that men spend the first 7 to 10 seconds of contact looking at women's lips before moving onto other areas. Once you've confirmed that he's interested, initiate the lip pout. Remember that not all cultures share the same body flirtation signals. Maintain eye contact while you pout your lips. After establishing eye contact, lowering your eyelids, or glancing at the object of your flirtation through your eyelashes, is a nonverbal indication of desire. You may want to lower your chin and look up at the person to strike a seductive pose. Some people find themselves naturally blinking their eyes more rapidly. This is also called "batting" the eyes. If this comes naturally to you, it can be another way to add your eyes to the flirtation. If it doesn't come naturally, it might seem like you have something stuck in your eye, and is best avoided. The downward tilt of the chin is said to make women look more "feminine" and flirtatious. Men, on the other hand, are said to look more "masculine" when they tilt their chin up and gaze slightly down their nose. Look at one eye, and then move to the other eye and down to the lips. This will draw his attention to your lips. The reason your eye gaze will draw his attention to your lips is through the tendency of one person to mirror, or imitate, another when engaged in flirtation. Directing your eye gaze to a man's lips is an overtly flirtatious gesture. It's a nonverbal way of indicating sexual interest. Bite tenderly on 1 side of the inner lip for 2 to 5 seconds, before slowly releasing. Maintain eye contact throughout. With eye contact, there's less chance that your lip bite could be misunderstood. Make sure your teeth don't bite your outer lip, as this may appear insecure or nervous. A seductive bite should be gentle, never hurtful. It should not leave a mark. Following your lip bite, you may want to add a slight lick of your lower lip with your tongue. Your tongue is a sexual body part, and using your tongue now will make your flirtatious overture more seductive. Don't overdo it with lip-licking. This can result in chapped lips, which is the opposite effect you are trying to achieve. Continue to make seductive eye contact throughout your encounter. The seductive lip bite is one gesture in the choreography of your flirtation, working together with others.
A: Make eye contact. Start a lip pout and bite soon after you make eye contact. Lower your eyelashes seductively. Do a triangle gaze. Bring your lower lip in very slightly. Lick your lower lips.

Article: The endgame is a delicate part of a chess game where every pawn matters. The key to all checkmates is to keep the opponents king confined. Do not be overanxious to check the king, as it will not work. First move the rook to the rank ahead of the enemy king. This will confine the king to a certain number of squares. Advance the king to obtain opposition when your king is in front of the opponent's. When he moves away, you will need to make a waiting move, just move the rook one square over. He will move the king away from your king. When the kings are opposite each other, check him with the rook, and then repeat the process until he is on the back rank, where check becomes checkmate. The Queen checkmate is identical, but you must be careful not to stalemate.
Question: What is a summary of what this article is about?
Don't discount any pieces during the endgame. Use your rook against the king.

Article: You should be moving at least an hour a day. One way to get started is to give up screen time. Put down your phone. Step away from the computer. Get outside with friends and get active. However, if you're not used to exercising, you can start smaller. Start with what you can do, and work up to more. You don't need to be on your school's hugely competitive basketball team to play a sport. You can join an after school club that plays soccer, or join a league through your city's local parks and recreation department. Ask your parents to help you find a sport you enjoy. Playing a sport will get you moving on a regular basis, and you can have fun doing it. Maybe you haven't liked exercising in the past because of what you've been doing. So maybe tennis isn't really your thing. You have plenty of other options. Try dancing, swimming, or jump roping, for instance. Even something like archery or horseback riding gets you out and moving. Even small actions can lead up to more activity throughout the day. For instance, when you take a break from studying, maybe you usually just listen to music for a bit or play a short game. Instead, get up and have a short dance party. Run downstairs or around the living room. Do some jumping jacks. Just adding these little bursts of activity can help.
Question: What is a summary of what this article is about?
Go play. Think about playing a sport. Try something new. Take active breaks.