Some context: Clarence White (born Clarence Joseph LeBlanc; June 7, 1944 - July 14, 1973), was an American bluegrass and country guitarist and singer. He is best known as a member of the bluegrass ensemble the Kentucky Colonels and the rock band the Byrds, as well as for being a pioneer of the musical genre of country rock during the late 1960s. White also worked extensively as a session musician, appearing on recordings by the Everly Brothers, Joe Cocker, Ricky Nelson, Pat Boone, the Monkees, Randy Newman, Gene Clark, Linda Ronstadt, Arlo Guthrie, and Jackson Browne amongst others. Together with frequent collaborator Gene Parsons, he invented the B-Bender, a guitar accessory that enables a player to mechanically bend the B-string up a whole tone and emulate the sound of a pedal steel guitar.
Clarence White helped popularize the acoustic guitar as a lead instrument in bluegrass music, building on the work of guitarists such as Doc Watson. Prior to the advent of the more aggressive flatpicking style pioneered by guitarists like Watson and White, the guitar was strictly a rhythm instrument, save for a few exceptions (such as the occasional guitar track by banjoist Don Reno). Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice. Rice owns and plays White's highly modified 1935 Martin D-28. David Grier and Russ Barenberg are two other acoustic guitarists who were heavily influenced by White's guitar work. White's bluegrass playing with the Kentucky Colonels was also a considerable influence on Jerry Garcia of the Grateful Dead, who traveled with the band during 1964. On the electric side of the guitar spectrum, White was similarly influential. Together with fellow Byrds bandmember Gene Parsons, White invented the B-Bender device. This device raises the B-string (second string) of the guitar a whole step by the use of pulleys and levers attached to both the upper strap knob and the second string on the guitar. It is activated by pushing down on the neck, and produces a "pedal steel" type sound. Arlen Roth, heavily influenced by this style, did not at the time know that White and Parsons had invented a B-bender, so instead developed his own unique all-finger bending version of this technique. This was heavily documented in his ground-breaking book, "Nashville Guitar", all of his recordings, as well as his book "Masters of the Telecaster". Subsequently, his Telecaster sound became as notable as his bluegrass playing. Marty Stuart, another guitarist influenced by White's playing, now owns and regularly plays White's 1954 Fender Telecaster with the prototype B-Bender. Music archivist and writer Alec Palao has called White "one of a handful of true greats amongst the instrumentalists of 20th century popular music", before adding that "the waves created by the guitarist's idiosyncratic style are still forming ripples within bluegrass, country and rock 'n' roll." In 2003, White was ranked No. 41 on Rolling Stone magazine's list of the 100 Greatest Guitarists of All Time. In 2010, guitar manufacturer Gibson ranked White at No. 42 on their Top 50 Guitarists of All Time list.
Who else was included as an influence?
A: Many of the most influential flatpickers of the 20th century cite White as a primary influence, including Dan Crary, Norman Blake, and Tony Rice.
Some context: David "Davy" Crockett (August 17, 1786 - March 6, 1836) was a 19th-century American folk hero, frontiersman, soldier, and politician. He is commonly referred to in popular culture by the epithet "King of the Wild Frontier". He represented Tennessee in the U.S. House of Representatives and served in the Texas Revolution. Crockett grew up in East Tennessee, where he gained a reputation for hunting and storytelling.
On October 25, 1824, Crockett notified his constituents of his intention to run in the 1825 election for a seat in the U.S. House of Representatives. He lost that election to incumbent Adam Rankin Alexander. A chance meeting in 1826 gained him the encouragement of Memphis mayor Marcus Brutus Winchester to try again to win a seat in Congress. The Jackson Gazette published a letter from Crockett on September 15, 1826 announcing his intention of again challenging Rankin, and stating his opposition to the policies of President John Quincy Adams and Secretary of State Henry Clay and to Rankin's position on the cotton tariff. Militia veteran William Arnold also entered the race, and Crockett easily defeated both political opponents for the 1827-29 term. He arrived in Washington D.C. and took up residence at Mrs. Ball's Boarding House, where a number of other legislators lived when Congress was in session. Jackson was elected as President in 1828. Crockett continued his legislative focus on settlers getting a fair deal for land titles, offering H.R. 27 amendment to a bill sponsored by James K. Polk. Crockett was re-elected for the 1829-31 session, once again defeating Adam Rankin Alexander. He introduced H.R. 185 amendment to the land bill on January 29, 1830, but it was defeated on May 3. On February 25, 1830, he introduced a resolution to abolish the United States Military Academy at West Point, New York because he felt that it was public money going to benefit the sons of wealthy men. He spoke out against Congress giving $100,000 to the widow of Stephen Decatur, citing that Congress was not empowered to do that. He opposed Jackson's 1830 Indian Removal Act and was the only member of the Tennessee delegation to vote against it. Cherokee chief John Ross sent him a letter on January 13, 1831 expressing his thanks for Crockett's vote. His vote was not popular with his own district, and he was defeated in the 1831 election by William Fitzgerald. Crockett ran against Fitzgerald again in the 1833 election and was returned to Congress, serving until 1835. On January 2, 1834, he introduced the land title resolution H.R. 126, but it never made it as far as being debated on the House floor. He was defeated for re-election in the August 1835 election by Adam Huntsman. During his last term in Congress, he collaborated with Kentucky Congressman Thomas Chilton to write his autobiography, which was published by E. L. Carey and A. Hart in 1834 as A Narrative of the Life of David Crockett, Written by Himself, and he went east to promote the book. In 1836, newspapers published the now-famous quotation attributed to Crockett upon his return to his home state: I told the people of my district that I would serve them as faithfully as I had done; but if not, they might go to hell, and I would go to Texas.
What was his political standing?
A:
Crockett continued his legislative focus on settlers getting a fair deal for land titles,