It works better to put two or more lures in the hole instead of just one. You need something, though, that will draw the coyote to the trap. Tainted meat bait is a popular choice (beaver, bobcat, cattle or skunk). But these choices might not work well in hot weather. Commercial lures may be less messy than meat bait. Commercial lures contain odors that coyotes like, such as beaver castor or tonquin musk. Some also contain skunk essence because this is known to attract coyotes. Coyote trappers often have their own recipes. One homemade lure uses rotten eggs by breaking four dozen eggs into a gallon jar. Stir them, and let it set for a couple of months. You could also put a ball of sheep wool in the hole, and pour lures on it. Coyote gland lure, red fox urine or coyote urine in addition to coyote droppings can also be used. Some traps are lethal traps. They work by putting a rope around the animal's head. But in other cases the coyote may be trapped live. Seek a professional's help in removing the coyote from the trap. Trapped coyotes are very dangerous. Many jurisdictions will require that the coyote be euthanized after trapping. Others may offer places it can be taken to. Contact your local governmental wildlife or conservation department. Wear thick clothing and protective gloves when dealing with a coyote. Be aware that coyotes can carry rabies and other diseases. You can clean a coyote trap with a high-pressure hose at a car wash. You will want to clean the trap before using it again after you catch a coyote (or any other animal). Another possibility is to use hot soapy water. Soak the trap in it. Then scrub the trap with a stiff brush. Rinse the trap in clean water. Hang it outside to let it dry. You don't need to dye or wax the trap unless it's used in the winter and gets salt on it. Log wood crystals are commercial dyes used on traps to help prevent rusting. Put the dye in a large water container. Heat it until it boils. Add the traps to the boiling water until they turn brown or black.

Summary: Add bait, lure or scent. Remove the coyote from the trap. Clean the trap.

One of those sheets of paper is going to be the cover and one is going to be the back of the booklet. Both sheets will make up the pages inside the booklet. Horizontally means hamburger style. Make sure that you're cutting them in the top and the bottom. The cut should be just over one inch (about three centimeters). Don't crease this sheet, just pinch it closed, since you only need it folded while you create the hole along the crease. If you crease it, the pages in the booklet will be creased. You're folding it hotdog style. You're making a hole along the crease where you'll slip the other sheet (the one with the notches) through. The hole should go from about one inch on one side of the crease to about one inch on the opposite side (three centimeters). The most important thing is to make sure that the notches fit into the hole since they'll keep the pages in place. The more exactly they fit the neater your booklet is going to look. It can be helpful to gently curl the sheet with the notches so that it doesn't get bent or torn while you're slipping it into the hole. You'll want to curl it vertically so that the corners come together. The above booklet has eight pages, counting the cover and the back. You can add as many pages as you need (within reason; you don't want to put too much stress on the center hole as that can tear it). Fold a piece of paper hamburger style. Cut notches little more than one inch (three centimeters) on the crease on both sides. Pick up your original booklet and find the page that exposes the hole (where this falls depends on how many pages you have). Slide your new page into the the hole, curling it a little so that it slides in easily. Do this until you have as many pages as you need.

Summary: Fold two 8 1/2 x 11" pieces of paper in half horizontally. Cut notches in the crease on one sheet. Fold other sheet in half vertically. Cut along crease from about three centimeters on both sides. Slide first sheet into the hole. Add more pages as you need to.

At the beginning of your story, take care to describe your setting and characters who are present at the beginning of your story. Just make sure that you don't give away too much information in the beginning. Leave some things to describe later, like the villain and other mysterious elements of your story. You can hint at these things early in your story, but don't give in to the urge to share too much too soon. You can make sure that your story has a high level of creepiness by incorporating plenty of unnerving details. Describe the moon, the howling wind, or a dark corridor to maintain an air of gloom and terror throughout your story. You can also describe the way that your characters are feeling or acting, as well as their facial expressions. Tantalize your readers by only offering them quick glimpses of your villain or a ghost. Hint at the family curse but hold off on explaining it until later in the story. Describe over-the-top emotions like shrieking, cackling, fainting, and sobbing. These moments of hysteria will pull your readers into the story and help keep them entertained. Describe spooky things from the perspective of a character who has gone mad. This approach will intrigue your readers and lead them to question what is happening. For example, Roderick descends into madness in Edgar Allen Poe's "Fall of The House of Usher." His decline intensifies the story and makes it scarier. As much as you might love your characters, good gothic fiction tales usually feature the death of one or more of the main characters. The deaths of your characters do not need to be ultra-gory (although, they can be), but they should be frightening. Use plenty of details to describe the scenery and action of your death scenes. For example, a giant helmet crushes Conrad in Horace Walpole's Castle of Otranto. Conrad was on his way to get married. Good gothic fiction stories often end with a twist that causes readers to wonder about the events and characters of your story. The reappearance of a someone who has died is one way to include a twist, but you can experiment with other types of twists as well. Edgar Allen Poe includes twists at the end of his stories that lead readers to question the finality of death. Poe includes one of these twists in "Fall of the House of Usher" when Madeline appears in the doorway and falls on top of Roderick. Roderick had believed that Madeline was dead.

Summary: Introduce your story. Maintain an air of gloom and terror throughout your story. Maintain suspense and mystery throughout your story. Incorporate descriptions of heightened emotions throughout your story. Incorporate themes of madness. Kill off some of your characters. Conclude with a twist.

into a large square. Take the decorative binding fabric that you want to use to finish your quilt and cut it into strips that are twice as wide as you'd like and as long as the quilt. Sew the pieces together to create sharp corners that lie flat. Then fold the binding in half and iron it until it's smooth.For a 48 by 48 inches (120cm 120cm) quilt, consider cutting the binding into 214 inches (5.7cm) strips. Pin the binding in place and hold the open edge of the binding along the edge of the quilt. Sew along the edges and leave a 14 inch (6.4mm) seam allowance as you go. Then fold the binding over and sew the binding shut along the edges. Then remove any pins and enjoy your quilt. Trim the end and fold it under the binding just before you finish sewing the last edge.
Summary: Cut and sew the binding fabric Sew the binding to the edges of the quilt.