Hummyou don't categorize best as either fun or interesting so maybe I have one of each! Interesting one; while Clinton was still in office he was at a fund raising dinner at a restaurant I managed. I met his personal valet from the white house mess, Oscar, and he casually said, if you are ever in DC. To which I replied, I sure can be! My husband and I made the trip a month or so later, we met up with Oscar for dinner on our first night there. We had just started planning all we wanted to see as it was our first visit there. We had no idea that Oscar would invite us for not one but two private tours of the White House. We saw the oval office, the situation room, the rose garden, the mess, the press room and the OEOB. We even heard Buddy bark! It was a trip I knew I'd never be able to repeat and was very grateful to have had the chance to take. For the fun oneMy friend was turning 50 and she wanted a theme destination celebration. 18 of us went to Belize. She went all out. Two private villas that you could only access by boat, all the swag you can imagine. And plenty of booze. That alone is already a super special vacation but for me it had even more meaning. I'd never been invited to a group event like this before nor had I been to spring break, which this very much turned into. I know many people have plenty of over the top stories. And I've had some even more amazing trips than this. But those two had just enough special twists to make them really stand out. Thanks for asking. I too am a Disney fan! Who is the narrator writing to? Pick the correct answer from the following options: A. An old friend B. A stranger C. A pen pal D. not enough information
D

The Getty Villa is a museum unlike any in the world. It offers an experience of ancient Greek and Roman art in a setting that replicates that in which it would originally have been displayed, a Roman villa of the first century AD. On April 18, after three years of work, the galleries of the Villa reopen with an entirely new arrangement of the collection, one that situates art in its cultural and historical context. Since 2006, when the Getty Villa opened as a museum dedicated to the cultures of the ancient Mediterranean, the collection has been presented along thematic lines, with galleries dedicated to subjects such as ancient theater, athletes and competition, and gods and goddesses. This approach was useful in illuminating social life in the ancient classical world, but it prioritized objects' subject matter over their stature as works of art and removed them from their broader artistic and cultural context. Reenvisioning how the antiquities were displayed at the Villa was one of my top priorities when I joined the J. Paul Getty Museum as director in 2012. As a specialist in ancient art, my priority is to help visitors to see these great treasures as beautiful and fascinating works of art, and sparking their curiosity to understand them in the context of their place in human culture. Starting April 18 our Villa galleries offer a new journey through ancient Greek, Roman, and Etruscan art. The visitor's path begins on the first-floor rooms devoted to Neolithic and Bronze Age (Cycladic, Minoan, and Mycenaean) Greek art. The journey continues through the Archaic, Classical, and Hellenistic periods, when the Greeks developed the first fully naturalistic vision of the human figure. And it culminates in the dramatic skylit halls of ancient Roman sculpture. In all there are 33 spaces on two floors, with 3,000 more square feet of gallery space than before. The visitor's path winds through the galleries, gardens, and fountains, offering views onto the spectacular landscape and Pacific Ocean. What was the amount of time it took for the gallery to be made? Pick the correct answer from the following options: A. 2012, one year B. Three years of work C. not enough information D. April 18, one day
B

(Question)
With regular money now coming in from the Guardian column, my regular contributions to other publications and the modest subscription revenue from The Friday Thing, I had been living something of the high life since arriving in London. I had started hanging out with the great and the good of the dot com world: attending launch parties for new sites, going to parties to celebrate them staying in business for a whole year, eating their lunches, drinking their booze and learning their secrets while they tried to convince me to write about them in my column. Many of these online entrepreneurs had become my friends and I'd managed to find myself a new girlfriend - Maggie, a Welsh journalist who was a restaurant reviewer for a food and drink website. This was a brilliant blag: it meant we could eat at some of London's best restaurants and never pay a penny. Life was wonderful: The Friday Thing and the Guardian column meant that my plan to use the Internet to become hugely famous and successful was firmly on track, I'd made lots of new friends, and, on top of all that, I was getting laid and eating gourmet food for free. Even Sam Lewis was jealous, and he was rich. Meanwhile, the people I was writing about were not having such an easy time of it. 2003 was a really strange time to be covering the 'new media' industry - mainly because no one was really sure for how long there would be an industry left to cover. The dot com boom of 1999 seemed like a millennium ago: a period in history as crazy as the tulip craze or the South Sea Bubble look to us now. The first signs of trouble for the industry had come in 2000. As the century turned, so had the market and - to use the parlance of analysts - the boom had turned out to be a bubble. And then the bubble had burst. What was the dot com boom? Pick the correct answer from the following options: A. Writer's plan to use the internet to become hugely famous and successful B. Parties to celebrate a year in business. C. not enough information D. Speculative investment bubble that formed around Internet companies
(Answer)
D