In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Question: Review: Billy Wilder is co-credited for the story, and his unsentimental touch is noticeable in this quite original tale of ghostwriting songwriters who both work for burnt-out music legend Oliver Courtney. The obvious misunderstandings are gotten out of the way quite quickly, thank heaven, and what remains is a witty and breezy concoction with some fine songs (and some more forgettable ones), Crosby at his most charming, a great turn by Broadway legend Mary Martin and Basil Rathbone and Oscar Levant providing most of the cynical barbs (Levant is in rare form and his quips haven't dated at all). A delightful surprise, and recommended for all fans of the genre. Question: is it a negative review?

Answer: no

Question: Review: Joe Buck (Jon Voight) decides he's going to leave his small life in Texas and make it big in the Big City. The women are there for the asking and the men are mainly "tutti-fruttis." Wide-eyed, he comes to New York City, not prepared for the series of humiliating misadventures he experiences, one worse than the other. In the middle of that chaos, he meets and befriends Rico "Ratso" Rizzo (Dustin Hoffmann), a homeless-looking man who lives in an apparently condemned building.There isn't much of a story as MIDNIGHT COWBOY is a series of vignettes destined to bring forth not only Joe Buck's plights in the City, but also inter-cut to his past and show us in shock cuts and semi-psychedelic dream sequences snippets of his past: his failed relationship with his girlfriend Annie (Jennifer Salt) who was gang-raped, his abandonment by his mother, and his apparent abuse by his grandmother, who also had a habit of hustling men for money. An air of pessimism dominates the film almost from the wistful beginning as Nilsson plays throughout the opening credits his deceptively flowery "Everybody's Talking'"; we feel that even while we want Joe to eventually make his mark in the City, the odds are high he won't and will end up working for pennies in a dead-end job -- shown in a masterful shot from his outside point of view later in the film as he watches a man work as a dishwasher in a soup kitchen through a window and sees himself. We know from the look in his eyes he does not want to end like this.A dark story of dashed hopes, John Schlesinger creates haunting images of lost souls at the end of the 60s, and at the center, the prevailing friendship between two men as they struggle to make some sort of meaning to their lives amidst the elusive comfort of a dignified life. There is the implied notion that they may have been lovers -- Ratso's reaching out to hug Joe in the party scene and their the final embrace at the end certainly points at this -- but this is essentially a buddy film, one that manages to survive, literally, to the death, and bring some form of hope to Joe who at the end in Florida seems much changed, older, wiser. Question: is it a negative review?

Answer: no

Question: Review: I really thought they did an *excellent* job, there was nothing wrong with it at all, I don't know how the first commenter could have said it was terrible, it moved me to tears (I guess it moved about everyone to tears) but I try not to cry in a movie because it's embarrassing but this one got me. It was SOOO good! I hope they release it on DVD because I will definitely buy a copy! I feel like it renewed my faith and gave me a hope that I can't explain, it made me want to strive to be a better person, they went through so much and we kind of take that for granted, I guess. Compared to that, I feel like our own trials are nothing. Well, not nothing, but they hardly match what they had to go through. I loved it. Who played Emma?! Question: is it a positive review?

Answer:
yes