Some context: Carl Dean Switzer (August 8, 1927 - January 21, 1959) was an American singer, child actor, breeder and guide. Switzer began his career as a child actor in the mid-1930s appearing in the Our Gang short subjects series as Alfalfa, one of the series' most popular and best-remembered characters. After leaving the series in 1940, Switzer struggled to find substantial roles owing to typecasting. As an adult, he appeared mainly in bit parts and B-movies.
Switzer's tenure on Our Gang ended in 1940, when he was twelve. His first role after leaving the series was as co-star in the 1941 comedy Reg'lar Fellers. The next year, he had a supporting role in Mrs. Wiggs of the Cabbage Patch. Switzer continued to appear in films in various supporting roles, including in Johnny Doughboy (1942), Going My Way (1944), and The Great Mike (1944). Switzer had an uncredited role as Auggie in the 1943 film The Human Comedy. Switzer's last starring roles were in a brief series of imitation Bowery Boys movies. He reprised his "Alfalfa" character, complete with comically sour vocals, in PRC's Gas House Kids comedies in 1946 and 1947. By this time Switzer was downplaying his earlier Our Gang work. In his 1946 resume, he referred to the films generically as "M-G-M short product." Switzer had small parts in both the 1946 Christmas film It's a Wonderful Life as Mary Hatch's (Donna Reed) date at a high school dance in the film's beginning and again in the 1948 film On Our Merry Way as the mayor's son, a trumpet player in a fixed musical talent contest. In the 1954 musical film White Christmas, his photo was used to depict "Freckle-Faced Haynes," an army buddy of lead characters Wallace and Davis (played by Bing Crosby and Danny Kaye) who was also the brother of the female leads the Haynes Sisters (played by Rosemary Clooney and Vera-Ellen). In the 1950s, Switzer turned to television. Between 1952 and 1955, he made six appearances on The Roy Rogers Show. He also guest-starred in an episode of the American science fiction anthology series Science Fiction Theatre and The George Burns and Gracie Allen Show. In 1953 and 1954, Switzer co-starred in three William A. Wellman-directed films: Island in the Sky and The High and the Mighty, both starring John Wayne, and Track of the Cat, starring Robert Mitchum. In 1956, he co-starred in The Bowery Boys film Dig That Uranium followed by a bit part as a Hebrew slave in Cecil B. DeMille's The Ten Commandments. Switzer's final film role was in the film drama The Defiant Ones. Besides acting, Switzer bred and trained hunting dogs and guided hunting expeditions. Among his notable clients were Roy Rogers and Dale Evans (Switzer's son's godparents), James Stewart, and Henry Fonda.
Did he work with anyone else notable?
A: Among his notable clients were Roy Rogers and Dale Evans (Switzer's son's godparents), James Stewart, and Henry Fonda.
Some context: Ai Weiwei (Chinese: Ai Wei Wei ; pinyin: Ai Weiwei, English pronunciation ; born 28 August 1957 in Beijing) is a Chinese contemporary artist and activist. His father's (Ai Qing) original surname was written Jiang (Jiang ). Ai collaborated with Swiss architects Herzog & de Meuron as the artistic consultant on the Beijing National Stadium for the 2008 Olympics.
On 22 June 2011, the Chinese authorities released Ai from jail after almost three months' detention on charges of tax evasion. Beijing Fa Ke Cultural Development Ltd. (Chinese: Bei Jing Fa Ke Wen Hua Gong Si ), a company Ai controlled, had allegedly evaded taxes and intentionally destroyed accounting documents. State media also reports that Ai was granted bail on account of Ai's "good attitude in confessing his crimes", willingness to pay back taxes, and his chronic illnesses. According to the Chinese Foreign Ministry, he is prohibited from leaving Beijing without permission for one year. Ai's supporters widely viewed his detention as retaliation for his vocal criticism of the government. On 23 June 2011, professor Wang Yujin of China University of Political Science and Law stated that the release of Ai on bail shows that the Chinese government could not find any solid evidence of Ai's alleged "economic crime". On 24 June 2011, Ai told a Radio Free Asia reporter that he was thankful for the support of the Hong Kong public, and praised Hong Kong's conscious society. Ai also mentioned that his detention by the Chinese regime was hellish (Chinese: Jiu Si Yi Sheng ), and stressed that he is forbidden to say too much to reporters. After his release, his sister gave some details about his detention condition to the press, explaining that he was subjected to a kind of psychological torture: he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly. In November, Chinese authorities were again investigating Ai and his associates, this time under the charge of spreading pornography. Lu was subsequently questioned by police, and released after several hours though the exact charges remain unclear. In January 2012, in its International Review issue Art in America magazine featured an interview with Ai Weiwei at his home in China. J.J. Camille (the pen name of a Chinese-born writer living in New York), "neither a journalist nor an activist but simply an art lover who wanted to talk to him" had travelled to Beijing the previous September to conduct the interview and to write about his visit to "China's most famous dissident artist" for the magazine. On 21 June 2012, Ai's bail was lifted. Although he is allowed to leave Beijing, the police informed him that he is still prohibited from traveling to other countries because he is "suspected of other crimes," including pornography, bigamy and illicit exchange of foreign currency. Until 2015, he remained under heavy surveillance and restrictions of movement, but continues to criticize through his work. In July 2015, he was given a passport and may travel abroad.
what did they do to him?
A:
he was detained in a tiny room with constant light, and two guards were set very close to him at all times, and watched him constantly.