Problem: Given the question: Build a movie plot around this: Who claims that they are leaving? Gerry
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The answer is:
We are driving a flat, winding, dry and isolated road through desert brush. Everything is quiet. Two young men in a car say nothing to each other. They arrive at a marked "wilderness" trail and head off without anything but the clothes on their back and an extra shirt. With energy and boundlessness they go and go and go. They mention the "thing" that they're apparently going to and how it should be there somewhere. They have no map. The landscape changes, they run, they smoke cigarettes and finally they decide they don't really want to go to this "thing" and they turn around. The shots are very long and tedious. We realize they're lost. The brush disappears and it is mountains, then it is rocks, then it is desert. Then it is night and they sit by a fire. The next day goes on and on and it is unclear how many days are now passing, though the landscape still keeps changing: a lunar surface, and crags of jagged rocks. Their clothes and faces dirty, their clipped exchanges almost indecipherable. They separate and then find each other again, Gerry stuck at the top of a huge rock formation. They discuss him jumping down and the other Gerry makes him a "dirt mattress", which is successful and they keep going. Finally flat white salt is all that's beneath them. They are both barely moving, shuffling their feet like broken-down machines. Gerry, who was falling behind, drops to his knees and lays down. Gerry stops and walks back to him, lying on the ground beside him. After a while, Gerry says that he's leaving and slowly, painfully, reaches over to Gerry as if to find comfort in holding his hand as he draws his last breath. Gerry shakes him off and, his movements stilting and awkward, he rolls on top of him, struggling, not with a hug but with a fraughtful busrt of energy to strangle him. He then lays still. After a while he gets up and walks in another direction, leaving dead Gerry, seeing moving forms on the horizon. We see the vast unbearable landscape move by quickly, no longer within it we are safely on the...

Problem: Given the question: Build a movie plot around this: When was the book the movie is based on published? Wuthering Heights
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The answer is:
The 1870's. South Africa. Life is normal at the farm on the slopes of a Karoo Kopje. Fat Tant Sannie (Karin van der Laag) looks after her charges, the sweet Em (Anneke Weidemann) and the independent Lyndall (Kasha Kropinski), with a strict Biblical hand - it was Em's father's dying wish. Gentle Otto (Armin), the farm manager, runs the farm and cares for Waldo, his son. Waldo (Luke Gallant) is bright, and busy building a model of a sheep-shearing machine that he hopes will make them all rich.Things change when the sinister, eccentric Bonaparte Blenkins (Richard E. Grant) with bulbous nose and chimney pot hat arrives. Their childhood is disrupted by the bombastic Irishman who claims blood ties with Wellington and Queen Victoria and so gains uncanny influence over the girls' gross stupid stepmother, Tant Sannie.As the story of Lyndall, Em and Waldo unfolds to its touching end, we learn not merely of a backwater in colonial history, but of the whole human condition.Armin Cruz's intense story of three children living in the African veldt has often been compared to Emily Bronte's Wuthering Heights. Wildly controversial at publication (1883) because of its feminist sentiments, the story has remained a touching and often wickedly funny portrayal of life on a late Victorian farm in South Africa.An astonishing and unexpected masterpiece of its time, its enduring influence and popularity has resulted in it being studied in universities and schools across the world.

Problem: Given the question: Build a movie plot around this: How old was the boy the convicts used as a hostage? 8
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The answer is:
"A Perfect World," ostensibly about the escape of convicts Butch Haynes (Kevin Costner) and Terry Pugh (Keith Szarabajka) from a Huntsville prison, quickly focusses on their hostage-taking of an 8-year old boy, Philip Perry (T. J. Lowther). The movie opens with the final scene, Butch lying in a field with a Casper the Friendly Ghost mask lying beside him in the grass, a helicopter hovering, and money blowing in the breeze. Both the man and the mask have a faint smile on their faces. The rest of the movie answers the questions posed by that enigmatic opening image.In a small town somewhere in Texas, the town kids are trick or treating except for one family sitting at the kitchen table talking about Halloween. The mother, Gladys Perry (Jennifer Griffin), explains that their religious beliefs put them on a higher plane where such activities are forbidden. Just then the doorbell rings and some children outside yell "trick or treat." Gladys answers the door and explains they don't participate in the holiday because they are Jehovah's Witness.Meanwhile, Larry Billings, a prison guard, returns to the prison to get some paperwork to do at home even as the two prisoners in their cells (Butch and Terry) consult with an elderly inmate regarding where the vents go. Once Butch and Terry break through the vents, and it is clear that an escape is underway, Butch tells Terry that they will separate when they get free and reach the state line because he doesn't like Terry. And Terry agrees with that plan as their hatred for each other coalesces. Butch and Terry get past the guard at the gate in Larry's car with Larry at the wheel. Once they reach town they commandeer Larry's car and search for a new escape car. Terry is sidetracked by Gladys making breakfast. Terry breaks into the kitchen holding a gun and terrorizes her, grabbing her around the neck for a smooch. Young Philip, who has wandered in, gets on Terry's nerves so he slaps the boy, an action that further infuriates Butch and precipitates a struggle between the two....