TASK DEFINITION: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.
PROBLEM: Yer Brain on Spin Cycle . This is one of my top 10 CDs of all time. Check out my other reviews and you'll probably be surprised. But this CD left a lasting impression on me when i was like 16 or so. It has some of the most well-crafted SY songs in my opinion and some of the sweetest, sublime, fuzzed out guitar sounds ever. Track 1 is the perfect song. Track 2 (Junkie's Promise) rocks harder than anything they've ever done. They played it on Conan Obrien and tore it up!!! Track 3 is beautfully hypnotic in a tripped out sort of way. This is the track that first reeled me in as I was under the influence of Wild Irish Rose watching my friends play Tekken 2. Track 4 (washing machine) is a very episodical and visual song which morphs from dischordant punk to a chill summery breeze of a jam that slowly winds down into practically nothing. Kim Gordon's snotty tuff girl attitude shines through more than ever on songs like 'Little Trouble Girl' and 'Panty Lies'. How can any true fan of alternative music hate this CD? Good experimentation with noise and distortion, yet structured songs... better than previous "Expermmental Jet Set" album. Give it a whir

SOLUTION: POS

PROBLEM: Not great, not bad . I listened to cd and I dont know how to explain this cd. I cant really explain to well I guess, but i'll try. The problem I had was the swearing. I usually dont have a problem with swearing, but the way this band did it ruined the cd. It seemed like every other word in the songs are F$%*. It sounded like they tried to damn hard to impress the youth by doing this. The cd held nothing speical at all, not what I really wanted to hear in a metal cd. If you want really inspiring music go and listen to a Hatebreed cd. This cd is alright, but the swearing was so stupid and out of place. HA! Thats what I meant to say, the swearing just seemed random and out of place. Thats what the problem with the cd was. Just add it here and there, not every other word. Probably would have been a better cd that way. To fans fo Throwdown, please do complain. Everyone has an opinion and that is mine.

SOLUTION: NEG

PROBLEM: Dreadful! . I don't understand the previous reviews - I found this recording positively dreadful, with Ruthie Henshall being the only one worth listening to. John Sinclair is abominable as George - he sounds like he's doing a (bad) imitation of Michael Crawford in "Hello, Dolly." He does strange things to his words - I guess he's trying not to sound British, but why is he singing "Summ-ar weath-ar" instead of "summer weather"? The Ilona is a bass - almost literally. "I Resolve" has been lowered for her, and yet she still cannot master the range of the song. To accomodate her, the second part of "I Don't Know His Name" has a truly odd key change. Were she remotely talented I could understand key changes to facilitate her singing, but she's not worth it. The orchestrations are odd, too, with strange sleigh bell sounds appearing frequently. The rest of the singers range from fair (Kodaly - a pretty voice but not much expression) to bad (Mr. Maraczek drags down EVERY SINGLE NOTE of "Days Gone By." Luckily this is his only song.) The Broadway revival, to my ear, still has the best voices, except, of course, that Barbara Cook (the original) outshines Diane Fratantoni, who is merely good (but who was a vast improvement over the Roundabout's original Amalia, the annoying Judy Kuhn.) Get the original or revival recordings instead - this London version I would recommend only to die-hard SHE LOVES ME fans, or masochists. I'd rather sit through another terrible viewing of "You've Got Mail" than listen to this again

SOLUTION:
NEG