input: The Four Seasons signed as artists to Crewe's production company, and they released their first Crewe-produced single under their new name in 1961 ("Bermuda"/"Spanish Lace" on Gone Records). The single did not chart. The band continued working with producer Bob Crewe as background vocalists, and sometimes leads under different band names, for productions on Crewe's own Topix label. As a follow-up, Bob Gaudio wrote a song that, after some discussion between Crewe and Gaudio, was titled "Sherry". After the song was recorded, Crewe and the members of the band solicited record labels to release it. It was Frankie Valli who spoke with Randy Wood, West Coast sales manager for Vee-Jay Records (not the founder of Dot Records) who, in turn, suggested the release of "Sherry" to the decision makers at Vee-Jay. "Sherry" made enough of an impression that Crewe was able to sign a deal between his production company and Vee-Jay for its release. They were the first white artists to sign with Vee-Jay. In 1962, the band released their first album, featuring the single "Sherry", which was not only their first charted hit but also their first number-one song. Under the guidance of Bob Crewe, the Four Seasons followed up "Sherry" with several million-selling hits, generally composed by Crewe and Gaudio, including "Big Girls Don't Cry" (their second #1 hit), "Walk Like a Man" (their third #1), "Candy Girl", "Ain't That a Shame", and several others. In addition, they released a Christmas album in December 1962 and charted with a unique rendition of "Santa Claus Is Coming to Town". From 1962 to early 1964, the Beach Boys were the only band to match the Four Seasons in record sales in the United States, and their first three Vee-Jay non-holiday single releases (i.e., ignoring their version of "Santa Claus Is Coming to Town") marked the first time that a rock band hit #1 on the Billboard singles charts with three consecutive entries. In 1962, they were invited to perform their hit "Big Girls Don't Cry" on the show American Bandstand.

Answer this question "Who did they produce these with?"
output: Vee-Jay Records

input: In 1993 Dangers relocated from England to San Francisco, resulting in Stephens' departure from the band. At this time, Nothing Records was founded as an imprint of Interscope with the purpose of signing industrial and electronic bands to capitalize on the recent success of Nine Inch Nails. Nothing, helmed by Trent Reznor, signed Meat Beat Manifesto and in 1996 the double album Subliminal Sandwich was released. While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases. The album is notable for the last appearance of Jonny Stephens who contributed guitar on the track Asbestos Lead Asbestos. After Subliminal Sandwich, Dangers put together an album called Original Fire that collected various studio rarities, B-sides, and fan favorites from the early years of MBM, in addition to some new remixes of the material. Also in 1996, the group contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization. In 1997 Dangers recruited drummer Lynn Farmer and multi-instrumentalist John Wilson (MBM member 1995-1998 former Supreme Love Gods) to record and release Actual Sounds + Voices in 1998, which found the group's earlier flirtations with jazz fusion featured more prominently; the record included appearances by saxophonist Bennie Maupin. The album yielded the single "Prime Audio Soup" which was featured in the film The Matrix. While Jon Wilson left the band prior to the 1998-1999 tour, Farmer remains with the band as of Spring 2007. Wilson was replaced by former Consolidated programmer Mark Pistel, who also remains a contributing member. During these years, Dangers contributed a pair of remixes to high-profile Nine Inch Nails releases Closer to God and The Perfect Drug. After the release of Actual Sounds + Voices, Meat Beat Manifesto was let go by Nothing Records and once more appeared on independent labels.

Answer this question "Was the album successful?"
output: While this album represented MBM's major-label debut, it failed to achieve the critical and commercial successes of previous releases.

input: Gambhir scored two successive double-hundreds in 2002 (one of them against the visiting Zimbabweans) made him a strong contender for India's opening slot in all three forms of the game. He made his ODI debut against Bangladesh in the TVS Cup in 2003. In his third match, he scored 71 and was named Man of the Match. His maiden century (103 off 97 balls) came against Sri Lanka in 2005. In 2004, he made his Test debut against Australia in the fourth and last Test match of the Border Gavaskar Trophy but did himself no favours by getting out for 3 and 1. He made amends in his second Test, however, scoring 96 against the South Africans. His maiden Test century came against Bangladesh in December 2004. Gambhir then made a number of starts in the home series against Pakistan in 2005, but was able to make only one half-century in six innings. He made 97 in Zimbabwe later that year, but failed to reach 30 against Sri Lanka at home, repeatedly struggling against Chaminda Vaas, and was subsequently dropped from the Test team. He was replaced in Tests by Wasim Jaffer, who made a double hundred and a hundred in seven Tests. While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final.

Answer this question "Did he have any notable wins?"
output:
In his third match, he scored 71 and was named Man of the Match.