instruction:
Based on the information present in the given passage, you need to write a correct answer to the given question. A correct answer is one that correctly and completely answers the question. Do not write answers that address the question partially or incorrectly. The correct answer must be contained in the given paragraph.
question:
Paragraph- Sent 1: Paul put the despised watch away And laid out before him his array Of stones and metals, and when the morning Struck the stones to their best adorning, He chose the brightest, and this new watch Was so light and thin it seemed to catch The sunlight's nothingness, and its gleam.
Sent 2: Topazes ran in a foamy stream Over the cover, the hands were studded With garnets, and seemed red roses, budded.
Sent 3: The face was of crystal, and engraved Upon it the figures flashed and waved With zircons, and beryls, and amethysts.
Sent 4: It took a week to make, and his trysts At night with the Shadow were his alone.
Sent 5: Paul swore not to speak till his task was done.
Sent 6: The night that the jewel was worthy to give.
Sent 7: Paul watched the long hours of daylight live To the faintest streak; then lit his light, And sharp against the wall's pure white The outline of the Shadow started Into form.
Sent 8: His burning-hearted Words so long imprisoned swelled To tumbling speech.
Sent 9: Like one compelled, He told the lady all his love, And holding out the watch above His head, he knelt, imploring some Littlest sign.
Sent 10: The Shadow was dumb.
Question: Did Paul follow through on his swear not to speak until he was done making his watch?.
answer:
Yes.

question:
Paragraph- Sent 1: Rolfe put down the little dog he had been holding, and went out into the hall.
Sent 2: The dog accompanied him, frisking about him in friendly fashion.
Sent 3: Rolfe first examined the bedroom that he had seen Inspector Chippenfield enter.
Sent 4: It was a small room, containing a double bed.
Sent 5: It was prettily furnished in white, with white curtains, and toilet-table articles in ivory to match.
Sent 6: A glance round the room convinced Rolfe that it was impossible for a man to secrete himself in it.
Sent 7: The door of the wardrobe had been flung open by the inspector, and the dresses and other articles of feminine apparel it contained flung out on the floor.
Sent 8: There was no other hiding-place possible, except beneath the bed, and the ruthless hand of the inspector had torn off the white muslin bed hangings, revealing emptiness underneath.
Sent 9: Rolfe went out into the hall again, and entered the room next the bedroom.
Sent 10: This apartment was apparently used as a dining-room, for it contained a large table, a few chairs, a small sideboard, a spirit-stand, a case of books and ornaments, and two small oak presses.
Sent 11: Plainly, there was no place in it where a man could hide himself.
Sent 12: The next room was the bathroom, which was also empty.
Sent 13: Opposite the bathroom was a small bedroom, very barely furnished, offering no possibility of concealment.
Sent 14: Then the passage opened into a large roomy kitchen, the full width of the rooms on both sides of the hall, and the kitchen completed the flat.
Question: Why did Rolfe stop his search in the first room?.
answer:
There was no place to hide.

question:
Paragraph- Sent 1: Search "Emiliano Malaquez" and you'll find he's a master of the "captured moment" school of sculpture.
Sent 2: Even The Terran Times has only praise for his work.
Sent 3: To compare his pieces to those of others is to compare mannequins to living models.
Sent 4: He accents the illusion of reality --I paraphrase his entry in La Enciclopedia Humanica --by doing life-size scenes in "The full round," never the easier frontal or three-quarters view.
Sent 5: Moreover, he never did portraits of famous people; his works were therefore the reality and could never be compared to it.
Sent 6: As is typical of his school, his pieces are sealed in stopboxes.
Sent 7: The shimmer of light on their surfaces always reminds us that we're looking at an instant snatched from under the hooves of time.
Sent 8: They say the cubes will outlast planets and suns, that when the universe dies, the works of Malaquez and his followers will be the last things seen in the final wink of God's eye.
Sent 9: Yes, Self, I am also bothered that this observation ignores half-eaten cheese sandwiches, incomplete insect collections, and locks of infants' hair, forgotten in closets, basements, and warehouses.
Sent 10: You see the inspiration for my latest play, "Captured Moments."Sent 11: The mindwipe will take its creation from my future self --but time too often does that without aid.
Sent 12: The play's second act concludes with the last fight between Tasha and me.
Sent 13: I have disguised us in the play, and deleted one brief melodramatic interchange.
Sent 14: Now I will mention it, in case I/You decide to restore it.
Sent 15: Shortly before she left, Tasha said, "You steal from life for art, Bernardo.
Sent 16: You'll impoverish yourself."Sent 17: I only snarled at her and -- My story leaps ahead of itself.
Sent 18: Let me retreat and retrench: One night during N'apulco's mild winter, Tasha returned to The Flamingo, saying, "Nardo!
Sent 19: Nardo!
Sent 20: Guess what?".
Question: Is Emiliano Malaquez's work abstract?.
answer:
No- he does life-size scenes.