In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: I read Schneebaum's book (same title as this film) when it was first published and was deeply moved by his ability to see through the many ways of "otherness" (his own and the people of the Amazon with whom he lived and loved) to a way of living a decent life. His subsequent books were not as powerful, but showed his continuing quest. His description of his sexual relations with the men of the tribe was way ahead of its time in the early 60's, but his honesty and openness about it were welcome. This movie beautifully conveys both the quirkiness and generosity of the man, but also provides a glimpse into the inevitable destruction of innocence (which is not a morally positive term, in this case) that occurs when "civilized" men intrude on traditional societies. Even so, Schneebaum himself has moved into a kind of higher innocence that suggests the possibility of saving humanity from its own destructiveness.

A: positive
****
Q: As with most of Eleanor Powell's films, this one plays out along the flimsiest of plots. For some reason -- oh it is explained! -- she's selected to transport a magnetic mine to Cuba. Good guys and bad guys compete for the mine and who is who gets confusing. But, as always, Powell's dancing is superb and worth the price of admission. And in this one Lahr plays his cowardly lion, evoking warm memories of that Technicolor film of 1939. A fringe benefit is hearing a young Frank, with that wonderful voice and skinny vulnerability that he abandoned for his wise-guy persona later on. In addition, the great drummer, Buddy Rich, has a wonderful time displaying his virtuosity. Watch particularly for his unique duet with Dorsey's trumpet man, Ziggy Elman. I say "unique" perhaps in ignorance, but I know of no other drum/trumpet sequence like this one on film or records. This film is fun. Even Skelton's goofy persona is relatively restrained. Powell shows again that she is the greatest film dancer ever.

A: positive
****
Q: Due to the invention of a "The Domestication Collar", flesh-eating zombies are brought under control, and become productive members of society; however, they perform menial tasks. The servile dead attend to those living in fenced US 1950s-styled small towns, while untamed zombies roam around in "The Wild Zone". In the town of "Willard", pre-teen K'Sun Ray (as Timmy Robinson) lives with parents Carrie-Anne Moss and Dylan Baker (as Helen and Bill Robinson). Alas, the Robinsons are the only family on their street who do not own a zombie; their new neighbors, the Bottoms, have six. So, to keep up, the Robinsons obtain zombie Billy Connolly (as Fido).Unfortunately, Mr. Connolly's "Domestication Collar" is damaged by an old lady's walker, and he eats her; then, new and hungry zombies infest the town. Meanwhile, young Ray has grown attached to Connolly (the boy and his zombie are like TV's "Timmy and Lassie") and, the Robinson family find it difficult to cooperate with the controlling "Zomcom" authorities. "Fido" doesn't go far enough into its own intriguing "Wild Zone"; but, it is a colorful, stylish, and amusingly satirical addition to zombie film lore. Ray and the cast perform well, individually; with nubile zombie Sonja Bennett (as Tammy) and owner Tim Blake Nelson (as Theopolis) the most memorable pair. Director Andrew Currie and crew, including Rob Gray (design), Jan Kiesser (photography), Don MacDonald (music), and James Willcock (design), deservedly won awards.******* Fido (2006) Andrew Currie ~ K'Sun Ray, Carrie-Anne Moss, Billy Connolly, Dylan Baker

A:
positive
****