Problem: Background: Lifehouse is an American rock band from Los Angeles comprising Jason Wade (lead vocals, guitar), Rick Woolstenhulme, Jr. (drums, percussion), and Bryce Soderberg (bass, vocals). The band came to mainstream prominence in 2001 with the hit single "Hanging by a Moment" from their debut studio album, No Name Face. The song was number one for three weeks on the Billboard Modern Rock Tracks chart and peaked at number 2 on the Billboard Hot 100 charts, and the single won a Billboard Music Award for Hot 100 Single of the Year, having spent twenty weeks in the top 10 and more than a year on the charts. In 2002, Lifehouse released their follow-up album Stanley Climbfall.
Context: In 2000, Blyss re-recorded, remixed, and released twelve of the fifteen Diff's Lucky Day session demos as No Name Face, their debut major label release under the name of Lifehouse. On their choosing the band name, frontman Jason Wade said, "It's about what we do as a band and for me personally. Most of this record is about my life and about life's circumstances. Not only my life, but other peoples' lives. We thought Lifehouse was a good name for it." No Name Face met significant commercial success and established the band, and eventually would sell in excess of 4 million copies worldwide. This was in part due to the success of "Hanging by a Moment", Lifehouse's first commercial single. Due to the charisma and talent of frontman Wade, DreamWork Record's focus was primarily on him. "Hanging by a Moment" was the third song in chart history to be named the "No. 1 Song of the Year" on the Billboard Hot 100 despite not having reached No. 1 on any weekly Billboard Hot 100 survey (after Sam the Sham & The Pharaohs' "Wooly Bully" in 1965 and Faith Hill's "Breathe" in 2000). The second single from the album, "Sick Cycle Carousel", was not as commercially successful as "Hanging by a Moment", peaking at No. 35 on the Billboard Modern Rock chart; the third and final single was "Breathing", a reworking of a song featured on Diff's Lucky Day. The song "Everything" was the first of many Lifehouse songs to be featured in the future hit WB drama Smallville. Seven of the band's songs would be featured in episodes of the series' first four seasons, and the band itself would perform live at the Smallville prom at the end of the fourth-season episode "Spirit". The song "You and Me" would be released on the series' second soundtrack, Smallville: The Metropolis Mix, in an extended form, subtitled "Wedding Version" ("You and Me (Wedding Version)"). The song "Everything" was also used in the series' 200th episode, "Homecoming", in the show's 10th and final season, as an homage to the series pilot and first-season finale episodes. The song "Somewhere in Between", also from No Name Face, was featured in the first-season episode of Falcon Beach, "The Blame Game". By the time Lifehouse's first album was released, Palmer had left the band, and Wade and Andrade were the only remaining founding members. Soon after recording No Name Face, Wade and Andrade met Rick Woolstenhulme, who auditioned for the needed drummer part and joined the band as full-time drummer. Before the audition, Woolstenhulme had been rehearsing in an adjacent room to Lifehouse and frequently he and Wade would pass each other without meeting the other.
Question: Did the album win any major awards or do well on the charts?
Answer: Hanging by a Moment" was the third song in chart history to be named the "No. 1 Song of the Year"

Problem: Background: Philip Chapman Lesh (born March 15, 1940) is a musician and a founding member of the Grateful Dead, with whom he played bass guitar throughout their 30-year career. After the band's disbanding in 1995, Lesh continued the tradition of Grateful Dead family music with side project Phil Lesh and Friends, which paid homage to the Dead's music by playing their originals, common covers, and the songs of the members of his band. Lesh operates a music venue called Terrapin Crossroads. He scaled back his touring regimen in 2014 but continues to perform with Phil Lesh & Friends at select venues.
Context: Lesh was born in Berkeley, California, and started out as a violin player. While enrolled at Berkeley High School, he switched to trumpet and participated in all of the school's music-related extracurricular activities. Studying the instrument under Bob Hansen, conductor of the symphonic Golden Gate Park Band, he developed a keen interest in avant-garde classical music and free jazz. After attending San Francisco State University for a semester, Lesh was unable to secure a favorable position in the school's band or orchestra and determined that he was not ready to pursue a higher education. Upon dropping out, he successfully auditioned for the renowned Sixth Army Band (then stationed at the Presidio of San Francisco) with the assistance of Hansen but was ultimately determined to be unfit for military service. Shortly thereafter, he enrolled at the College of San Mateo, where he wrote charts for the community college's well-regarded big band and ascended to the first trumpet chair. (A snippet of tape of Lesh on trumpet at CSM can be heard on "Born Cross-Eyed" from the Grateful Dead's 1968 release Anthem of the Sun.) After transferring with sophomore standing to the University of California, Berkeley in 1961, he befriended future Grateful Dead keyboardist Tom Constanten before dropping out again after less than a semester. At the behest of Constanten, he studied under the Italian modernist Luciano Berio in a graduate-level course at Mills College in the spring of 1962; their classmates included Steve Reich and Stanford University cross-registrant John Chowning. While volunteering for KPFA as a recording engineer during this period, he met bluegrass banjo player Jerry Garcia. Despite seemingly opposite musical interests, they soon formed a friendship. Following a brief period as a Post Office Department employee and keno marker in Las Vegas (initially rooming with Constanten, who soon departed to study under Berio and other members of the Darmstadt School in Europe); a second stint with the Post Office in San Francisco; and a collaboration with the likes of Reich, Jon Gibson and Constanten upon the latter's return from Europe under the auspices of the San Francisco Mime Troupe, Lesh was talked into becoming the bassist for Garcia's new rock group (then known as The Warlocks) in the fall of 1964. This was a peculiar turn of events, as Lesh had never played bass before. According to Lesh, the first song he rehearsed with the band was "I Know You Rider". He joined them for their third or fourth gig (memories vary) and stayed until the end. Since Lesh had never played bass, it meant that to a great extent he learned "on the job", yet it also meant he had no preconceived attitudes about the instrument's traditional rhythm section role. In his autobiography, he credits Jack Casady (who was playing with Jefferson Airplane) as a confirming influence on the direction his instincts were leading him into. He has said that his playing style was influenced more by Bach counterpoint than by contemporaneous rock and soul bass players--although one can also hear the fluidity and power of a jazz bassist such as Charles Mingus or Jimmy Garrison in Lesh's work, along with stylistic allusions to Casady. Lesh has also cited Jack Bruce of Cream as an influence.
Question: What was significant about his childhood?
Answer:
started out as a violin player. While enrolled at Berkeley High School,