In this task, you're given an article and an answer. Your task is to generate the question for the answer based on the given article.

Q: Article: Nobody Benefits NEW YORK--America has been experiencing the longest economic increase in its history.Incomes have risen, unemployment has fallen, and cities such as New York are bursting with new office buildings. But just a short walk from Manhattan's skyscrapers, George Brown sits on the side-walk, cooking a lunch of rice and bits of fish over a can of cooking fuel. Brown is homeless -- one of the 2.3 million people in the US who end up on the street. During the day, Brown collects aluminium cans and sells them for five cents a piece.At night, he sleeps on the street. "I have been on the street about eight or nine years, something like that," said the 62-year-old former construction worker. Brown admits he's had problems with alcohol and has smoked cocaine.But he said he still wants a more stable housing arrangement.He could afford it just with the money he earns by collecting cans and small pieces of metal, if only truly low-income housing were available. However, he sees no hope of finding affordable housing in New York. With the strong economy and unemployment down, beautiful housing is being built to meet demand. A US report shows rents in New York city rose more than 27 percent between 1984 and 1999, from US $549 to US $700 a month. One of the side effects of the strong economy is that rents have been going up. The majority of people who experience homelessness really just need some affordable housing help. But few housing companies have been built for the poor.Many small apartments in the city now rent for US $1,500 a month or more. Brown, the homeless New Yorker, said he has a daughter who lives in the city but he rarely sees her.She is angry about his drinking and won't allow it in her house. Smiling, he said he also has seven grandchildren whom he'd like to see more often. "All I've got to do is clean up my act," he said.
Answer: Homeless and sleepless

A: What kind of life does George Brown lead?
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Q: Article: No opera smells of the sea quite like Britten's Peter Grimes. The music makes us constantly aware of the sea's immensity, it's potential for threat, and the play of light on its waves. But the sea isn't just a special background, it weighs on the lives of the characters, offering them a living, but at a price. In the first act the laboured sound of the strings evokes the complete heaviness of the sailor's work, as they haul the boats up the shingle . Then a storm gathers which rages through the scene at the Inn, and stirs up an orchestral hurricane. Even when it's calm and favorable, the sea is inescapable. In the comfortable enclosed world of the opera house, this can only be suggested. In the production of Peter Grimes about to open at the Aldeburgh Festival, it will be really present, because the opera is taking place on the beach, the setting for much of the narrative of Britten's opera, and also the poem by the Suffolk poet George Crabbe that inspired it. This won't be the first opera production to be set in the actual landscape in which the action takes place. There's a well-known filmed production of Tosca shot in Castel Gandolfo in Rome, and a production of Donizetti's Anna Bolena was once mounted in the moat surrounding the Tower of London. But those were manageable urban landscapes, with comfortingly solid buildings to act as wind shields and acoustic blocks. On the Aldeburgh beach there's actually nothing, apart from a few boats, some whole, some wrecked. Here anything more complicated than walking the dog is hard to solve. The wind blows away one's words, so conversation is hard, and anything not tied down tends to blow away. The sliding shingle turns one's steps into a drunken stagger. The idea of performing an opera in these conditions seems quite _ -- an accusation Aldeburgh director Jonathan Reakie takes cheerfully on the chin. Why has he done it? "Well, Grimes is the opera of Britten's that's most associated with Aldeburgh, but it's never been produced at the Festival which he founded. There just isn't the space for it. In his anniversary year we wanted to focus on Britten's connection with Suffolk, and this seemed the boldest way to do it." Having had the mad idea, Reakie found his colleagues were not just accepting, but enthusiastic. "We spent a long time thinking about ways to do it. One idea we had was to do all the scenes at the right time of day. There's one scene at dawn, another at midday, and a lot of action at night, but that was too complicated. Then we thought about doing a few scenes on the beach. But in the end, we thought hell, let's just do the whole thing."
Answer: Hard.

A: Which of the following can best describe the sailor's work in the first act?
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Q: Article: Editor: Today our topic is part-time job. Are they good for school children or not? Headmaster: Certainly not. Children have got two full-time jobs already: growing up and going to school. Part-time jobs make them so tired that they fall asleep in class. Mrs. White: I agree. I know school hours are short, but there's homework as well, and children need a lot of sleep. Mr. White: Young children, perhaps some boys, stay at school until they're eighteen or nineteen. A part-time job can't harm them. In fact, it's good for them. They earn their pocket money instead of asking their parents for it. And they see something of the world outside school. Businessman: You're quite right. Boys learn a lot from a part-time job. And we mustn't forget that some families need the extra money. If the pupils didn't take part-time jobs, they couldn't stay at school. Editor: Well, we have got two for, and two against. What do our readers think?
Answer: Headmaster and Mrs. White.

A:
Who have the same opinion?
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