Problem: Background: Pinhead is a fictional character from the Hellraiser series, first appearing as an unnamed figure in the Clive Barker novella The Hellbound Heart. The name "Pinhead" is derived from a sobriquet given to him by the crew of the first Hellraiser film; he is first credited as such in Hellbound: Hellraiser II. Nearly thirty years after The Hellbound Heart was published, the character was given the designations the Hell Priest and the Cold Man in the sequels that followed, The Scarlet Gospels and Hellraiser: The Toll. Pinhead is one of the leaders of the Cenobites, formerly humans but transformed into creatures which reside in an extradimensional realm, who travel to Earth through a puzzle box called the Lament Configuration in order to harvest human souls.
Context: Described by Doug Bradley as stronger than Jason Voorhees and Michael Myers, Pinhead is an extremely powerful being, and as such, has several supernatural abilities. His preferred method of attack is by summoning hooks and chains to mutilate victims, often pulling said victims in several directions to tear them apart. These chains are subject to his total mental control and he may direct them at will. The chains may even change shape after having attached to a victim. Pinhead is highly resistant to damage and direct assault, being able to resist both gunshots and futuristic energy weapons. His magic is also used for creating objects out of thin air, teleporting, creating explosions at distances and deceiving opponents with illusions. He is capable of creating other cenobites from both living and dead victims. In order to act in the physical world, Pinhead needs to have been purposely summoned through the Lament Configuration, though this in itself is not usually enough for Pinhead to target the puzzle-solver: in Hellbound: Hellraiser II, Pinhead stops the Cenobites from torturing an emotionally traumatised girl who was manipulated as a proxy into opening the Configuration, remarking "...it is not hands that call us, it is desire." In Hell on Earth, he temporarily eliminates these restraints when he is separated from the part of him that is Elliot Spencer, wreaking havoc indiscriminately upon every human subject he encounters until he is finally defeated when Spencer willingly merges with Pinhead once again, the combination binding Pinhead as Spencer keeps his extremes in check. During this incident his powers were apparently expanded beyond their normal limits allowing him to physically warp reality to his will. Pinhead at first has no memory of his human past, though is reminded of it in Hellbound: Hellraiser II, which results in what screenwriter Peter Atkins described as him being "spiritually weakened" and subsequently killed by the Chanard Cenobite.
Question: What kind of powers did Pinhead have?
Answer: his powers were apparently expanded beyond their normal limits allowing him to physically warp reality to his will.

Problem: Background: Ranveer Singh Bhavnani (born 6 July 1985) is an Indian actor who appears in Hindi films. He is the recipient of several awards, including two Filmfare Awards, and is among the highest-paid actors in the country. After completing a bachelor's degree from Indiana University Bloomington, Singh returned to India to pursue his career in films. He made his acting debut in 2010 with a leading role in Yash Raj Films' romantic comedy Band Baaja Baaraat.
Context: In 2016, Singh starred in Aditya Chopra's comedy-romance Befikre opposite Vaani Kapoor. He played Dharam Gulati, a stand-up comic whose romantic liaisons with Kapoor's character leads to conflict between them. Set in Paris, Befikre marked the fourth project to be directed by Chopra. Singh performed a nude scene for it--a rare occurrence in an Indian film. Jay Weissberg of Variety found the film to be an "overly energetic twist on the old friends with benefits theme" and criticised Singh's "manic behavior". It underperformed at the box office. After a year-long absence from the screen, Singh portrayed Alauddin Khilji, a ruthless Muslim king, in Sanjay Leela Bhansali's period drama Padmaavat (2018), co-starring Deepika Padukone and Shahid Kapoor, which marked his third collaboration with Bhansali and Padukone. Right-wing Hindu groups speculated that the film distorted historical facts, and issued violent threats against the cast and crew. The film's release was deferred and was allowed for exhibition after several modifications were made to it. Ankur Pathak of HuffPost criticised the film's misogynistic and regressive themes, but praised Singh for his "astute brilliance" in depicting Khilji's bisexuality. Rajeev Masand opined that he "plays the part with the sort of grotesque flamboyance that makes it hard to look at anyone or anything else when he's on the screen". Padmaavat's production budget of Rs2 billion (US$31 million) made it the most expensive Hindi film ever made. With a worldwide gross of Rs5.44 billion (US$83 million), it ranks as Singh's highest-grossing release and is among India cinema's biggest grossers. As of January 2018, Singh will star opposite Alia Bhatt in Zoya Akhtar's Gully Boy, a musical based on the life of rappers living in Mumbai's ghettos. He will also star in Rohit Shetty's Simmba, a remake of the Telugu action film Temper, co-starring Sara Ali Khan. Singh has also committed to a biopic of the cricketer Kapil Dev, entitled 83.
Question: Was it a box office hit?
Answer:
overly energetic twist on the old friends with benefits theme" and criticised Singh's "manic behavior". It underperformed at the box office.