instruction:
You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.
question:
The film opens with Shane Falco, a former star quarterback at The Ohio State University who choked in his final college game at the 1996 Sugar Bowl and failed to succeed in the pros, doing his job cleaning the bottoms of peoples' boats. While underwater, he finds a metal trophy football labeled "Shane Falco: All American" and pretends he is playing football again.
Meanwhile, the fictional Washington Sentinels are shown playing a game in which commentators John Madden and Pat Summerall mention a players' strike taking place over salary disputes. As the game winds down, Sentinels quarterback Eddie Martel chooses to slide to the ground instead of scoring the game winning touchdown to avoid getting injured.
Later that day, Sentinels owner Edward O'Neil decides to hire Jimmy McGinty, the Sentinels' former coach who was fired after getting into a fight with the team's star quarterback, to recruit replacement players during the strike and coach the team for the remainder of the season. He tells McGinty that all they need is three wins out of their final four games to advance to the playoffs. McGinty tells O'Neil he will only do it if he promises not to interfere with his coaching style. McGinty recruits many different ragtag players, and eventually convinces Falco to come off his boat and play quarterback again. Falco soon becomes attracted to the team's head cheerleader, Annabelle Farrell, who likes him as well, but doesn't want to date him because of her stereotype that all pro athletes are prima donnas.
In the Sentinels' first game using replacement players, they trail by four with only a few seconds left to play. McGinty calls a passing play, but Falco gets scared and changes the call to a running play. Cochran, the team's running back, gets tackled just before he reaches the end zone and the Sentinels lose. That night, the actual Sentinels players taunt the replacement players at a bar, leading to a fight between the two teams. The replacement players get arrested, but are beginning to build team chemistry, which is something they lacked in the first game. The newfound team chemistry leads to a last second field goal victory in the next game, and then another last second victory the next week, leaving the team needing only one more victory to make the playoffs.
O'Neil tells McGinty that Eddie Martel has crossed the picket line and will be re-activated by the Sentinels for the final game of the season. McGinty protests at first, saying that he will use Falco as his quarterback, but the owner convinces him that the team cannot afford to have Falco choke with the game on the line, especially since they are playing the best team in the league who has had their entire team cross. A heartbroken McGinty tells Falco that he has been cut in favor of Martel, but Falco accepts the news, saying that it's best for the team since Martel is a better player than he is, to which McGinty says that Falco has heart and Martel does not. Falco stands Annabelle up on a date because of his depression.
In the final game of the season, Martel has trouble connecting with the team due to his prima-donna attitude, and scolds them whenever he makes a mistake. At halftime, the Sentinels trail 17 0, and a reporter asks McGinty what they will need to win the game, to which he replies "miles and miles of heart" meant as a message to Falco. Falco hears him say this and comes to the game during halftime, and the rest of the team kicks Martel out of the locker room. Falco runs onto the field at the start of the half and draws loud and thunderous applause from the fans. He apologizes to Annabelle and kisses her on national TV. Cochran is able to run for a touchdown at the beginning of the half before injuring his leg. The Sentinels then score again to cut the lead to 17 14. With only a few seconds left in the game, McGinty calls for a field goal to tie the score and then go into overtime. But when Nigel 'The Leg' Gruff, the kicker, gets set, he tells Falco that he cannot kick the field goal, because several men in the audience will "take his pub". Falco then takes the snap and runs it all the way for a touchdown, only to have it brought back for a holding call. Falco then goes to the sidelines and tells McGinty that he wants the ball, implying that he has gotten over his fear of choking with the game on the line. Falco throws a pass to tight end Brian Murphy for a touchdown, and the Sentinels win 20 17, advancing to the playoffs, and the Sentinels begin dancing in synchronized formation.
The film ends with a voiceover from McGinty saying that when Falco and the rest of the players left the game that night, there were no endorsement deals or victory parades waiting for them, just a locker waiting to be cleaned out. Falco and all of the replacement players then returned to their regular jobs, but it didn't matter, because they each got a second chance at glory, which lasts forever.
answer:
Who is the owner of the Sentinels?

question:
The story concerns a love triangle. The protagonist, Dick Forrest, is a rancher with a poetic streak (his "acorn song" recalls London's play, "The Acorn Planters."). His wife, Paula, is a vivacious, athletic, and sexually self-aware woman (in one scene, she rides a stallion into a "swimming tank," emerging in "a white silken slip of a bathing suit that molded to her form like a marble-carven veiling of drapery.") Paula, like Charmian, is subject to insomnia; and Paula, like Charmian, is unable to bear children. Based on a reading of Charmian's diary, Stasz identifies the third vertex of the triangle, Evan Graham, with two real-life men named Laurie Smith and Allan Dunn. Even minor characters can be identified; Forrest's servant Oh My resembles London's valet Nakata. The long-bearded hobo philosopher Aaron Hancock resembles the real-lifelong-bearded hobo philosopher Frank Strawn-Hamilton, who was a long-term guest at the London ranch. Sculptor Haakan Frolich makes an appearance as "the sculptor Froelig" and painter Xavier Martinez appears as the character "Xavier Martinez!"
The novel ends with Paula wounding herself mortally with a rifle the reader is not told explicitly whether it is suicide, as her lover Graham believes, or an accident, as she tells her husband and convincing a doctor to inject her with an overdose of morphine. As she drifts off, she says goodbye to both of her lovers: Two bonnie, bonnie men. Good-by, bonnie men. Good-by, Red Cloud.... Stretch the skin tight, first. You know I don t like to be hurt."
answer:
What is the name of Paula's second lover?

question:
A prologue establishes the courage and journalistic integrity of Bergman (Pacino) and Mike Wallace (Plummer) as they prepare to interview Sheikh Fadlallah for 60 Minutes.
In Louisville, Kentucky, Dr. Jeffrey Wigand (Crowe) arrives home from his office at the Brown & Williamson Tobacco Company, reluctantly telling his wife Liane (Venora) that he has been fired.
Bergman approaches Wigand for help translating technical documents. Wigand agrees, but Bergman is intrigued when he cites a corporate confidentiality agreement and refuses to discuss anything further. Wigand is later summoned to a meeting with the B&W CEO, who threatens legal action and cessation of severance benefits if he does not sign a more restrictive confidentiality agreement. Wigand angrily leaves, and accuses Bergman of betraying him.
Bergman visits Wigand's home and vigorously defends himself. Wigand is reassured but hesitant to reveal anything that might threaten his family's medical coverage, apparently possessing very damaging information.
The Wigand family move into a more modest house, Wigand now working as a teacher. One night his younger daughter Barbara sees someone outside. Wigand finds a fresh footprint in the garden, and receives a sinister phone call.
Knowing that Wigand's confidentiality agreement obstructs any potential story, Bergman contacts Richard Scruggs (Feore), an attorney representing the State of Mississippi in a lawsuit against the tobacco industry, believing that Wigand could be shielded from legal sanction if he were compelled to break confidentiality and testify. Scruggs expresses interest.
Some time later Wigand receives an emailed death threat against him and his family, and finds a bullet in his mailbox. He contacts the FBI, but the agents who attend are hostile, confiscating his computer. Wigand, furious over the threats, demands Bergman arrange an interview.
In the interview, Wigand states that B&W intentionally make their cigarettes more addictive, and that he was fired after refusing to support this. Bergman later arranges a security detail for Wigand's home, and the Wigands suffer marital stress.
Wigand is served with a Kentucky court order prohibiting his testimony in Mississippi, but eventually decides to testify anyway, over the objections of B&W attorneys. On returning to Louisville, Wigand discovers that Liane has left him and taken their daughters.
Bergman, Wallace and Don Hewitt (Hall), the creator and executive producer of 60 Minutes, meet with CBS News' legal counsel, Helen Caperelli (Gershon). Caperelli invokes and describes a legal theory, tortious interference, whereby one who induces someone to break a legal agreement may be sued for "interfering." By this theory, CBS exposes itself to legal action from B&W if Wigand breaks confidentiality in his interview.
Eric Kluster (Tobolowsky), the president of CBS News, decides to omit Wigand's interview from the segment. Bergman objects, believing that CBS Corporate wishes to avoid jeopardizing the pending sale of CBS to Westinghouse, which would enrich both Caperelli and Kluster. Wigand is appalled, and terminates contact with Bergman.
An investigator probes Wigand's personal history, their findings published and circulated to the news media as a 500-page dossier. Bergman learns that The Wall Street Journal will soon use this in a piece questioning Wigand's credibility. Bergman believes that Wigand is being smeared, and arranges for Jack Palladino (playing himself), an attorney and investigator, to evaluate it. The editor of the Journal agrees to delay his story while his reporters examine Palladino's findings.
Infighting at CBS News about the segment prompts Hewitt to order Bergman to take an immediate "vacation." During this, the abridged 60 Minutes segment airs. Bergman, with difficulty, completes a call to Wigand, who is both dejected and furious, accusing Bergman of manipulating him. Bergman defends his own motives and praises Wigand and his testimony.
Bergman is urged by Scruggs to air the full segment, their own lawsuit under threat by a lawsuit from the governor of Mississippi. Bergman is powerless to help, and privately questions his own motives in pursuing the story.
Bergman contacts an editor at The New York Times, disclosing the full story and events at CBS. The Times prints the story on the front page, and condemns CBS in a scathing editorial. The Journal dismisses the dossier as character assassination, and prints Wigand's deposition in full. Hewitt accuses Bergman of betraying CBS, but finds that Wallace now agrees that surrendering to corporate pressure was a mistake.
60 Minutes finally airs the original segment, including the full interview with Wigand. Bergman tells Wallace that he has resigned, believing 60 Minutes' credibility and integrity is now permanently tarnished.
The film ends with text cards summarizing the Tobacco Master Settlement Agreement, and the careers of Wigand and Bergman after the events of the film.
answer:
What does Wigand find when he gets back home to Louisville?