Problem: Background: Nieuwendyk was born September 10, 1966 in Oshawa, Ontario, and grew up in Whitby. He is the youngest of four children to Gordon and Joanne Nieuwendyk, who immigrated to Canada from the Netherlands in 1958. Gordon owned a car repair shop in Whitby. Joe grew up in a sporting family.
Context: The Stars immediately signed Nieuwendyk to a new deal worth US$11.3 million over five years. Bob Gainey, the team's general manager, hoped that the acquisition of Nieuwendyk would help the franchise, which had relocated from Minnesota three years previous, establish its place in Dallas. Nieuwendyk scored 14 goals and 32 points in 52 games with the Stars to finish the 1995-96 season. Nieuwendyk improved to 30 goals in 1996-97 despite missing the first month of the season with fractured rib cartilage. A 39-goal season followed, but he was again sidelined by injury after appearing in only one game of the 1998 Stanley Cup playoffs. In the opening game of the Stars' first-round series against the San Jose Sharks, he suffered a torn ACL as a result of a check by Bryan Marchment. The injury required two knee surgeries to repair and six months to heal, which caused him to miss the beginning of the 1998-99 NHL season. He finished the regular season with 28 goals and 55 points in 67 games, and added 11 goals and 10 assists in the 1999 Stanley Cup playoffs to help the Stars win the first Stanley Cup in their franchise history. Six of his playoff goals were game winners, and he was voted the winner of the Conn Smythe Trophy as most valuable player of the playoffs. Injuries again limited Nieuwendyk in 1999-2000. He missed ten games due to a bruised chest then suffered a separated shoulder a week after his return that kept him out of the lineup for several weeks. He played only 47 regular season games, but added 23 more in the playoffs as the Stars reached the 2000 Stanley Cup Finals. They lost the series in six games to the New Jersey Devils, however. Nieuwendyk played in his 1,000th career game on January 20, 2002, against the Chicago Blackhawks. Two months later, on March 19, 2002, he was traded to the Devils, along with Jamie Langenbrunner, in exchange for Jason Arnott, Randy McKay and a first round selection in the 2002 NHL Entry Draft.
Question: Did he win any championships?
Answer:

IN: "Good Vibrations" is a song composed by Brian Wilson with words by Mike Love for the American rock band the Beach Boys, of which both were members. Released on October 10, 1966, the single was an immediate critical and commercial hit, topping record charts in several countries including the US and UK. Characterized by its complex soundscapes, episodic structure, and subversions of pop music formula, it was the costliest single ever recorded at the time of its release. "Good Vibrations" later became widely acclaimed as one of the greatest masterpieces of rock music.

"Good Vibrations" established a new method of operation for Wilson. Instead of working on whole songs with clear large-scale syntactical structures, Wilson limited himself to recording short interchangeable fragments (or "modules"). Through the method of tape splicing, each fragment could then be assembled into a linear sequence, allowing any number of larger structures and divergent moods to be produced at a later time. This was the same modular approach used during the sessions for Smile and Smiley Smile. To mask each tape edit, vast reverb decays were added at the mixing and sub-mixing stages. For instrumentation, Wilson employed the services of "the Wrecking Crew", the nickname for a conglomerate of session musicians active in Los Angeles at that time. Production for "Good Vibrations" spanned more than a dozen recording sessions at four different Hollywood studios, at a time when most pop singles were typically recorded in a day or two. It was reported to have used over 90 hours of magnetic recording tape, with an eventual budget estimated between $50,000 and $75,000 (equivalent to $380,000 and $570,000 in 2017), at that time the largest sum spent on a single. In comparison, the whole of Pet Sounds had cost $70,000 ($530,000), itself an unusually high cost for an album. It is said that Wilson was so puzzled by "Good Vibrations" that he would often arrive at a session, consider a few possibilities, and then leave without recording anything, which exacerbated costs. In 2018, Wilson disputed the $50,000 figure for "Good Vibrations", saying that the overall expenses were closer to $25,000 ($190,000). When asked in a 2005 interview if it was true that the Electro-Theremin work alone cost $100,000, he responded "No. $15,000."

What was the approach used to creating Good Vibrations?

OUT: Instead of working on whole songs with clear large-scale syntactical structures,

Background: Take That are an English pop group formed in Manchester, in 1989. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.
Context: 1993 saw the release of Everything Changes, based on Barlow's original material. It peaked at number one in the UK and spawned six singles, with four being consecutive UK number one singles - their first number one "Pray", "Relight My Fire", "Babe" and the title track "Everything Changes". The lead single "Why Can't I Wake Up with You" had narrowly missed the top spot in the UK peaking at number two and the sixth and final single "Love Ain't Here Anymore" taken from the album reached number three on the UK charts. Everything Changes saw the band gain international success with the album being nominated for the 1994 Mercury Prize, but it failed to crack the U.S. market, where an exclusive remix of "Love Ain't Here Anymore" (U.S. version) gained little success. By 1994, Take That had become radio and television stars across Europe and Asia, but it was not until 1995 that they did their first World Tour. It was during the years 1993-95 that the band fronted scores of magazine covers ranging from Smash Hits to GQ, becoming mass merchandised on all sorts of paraphernalia ranging from picture books, to posters, stickers, their own dolls, jewellery, caps, T-shirts, toothbrushes and even had their own annuals released. The band had also developed a large female teenage fanbase at the time. During this time, they performed at numerous music awards shows and chart shows such as the BRIT Awards and Top of the Pops, also winning the Best Live Act award in 1995 at the MTV Europe Music Awards, having been renowned for their breakdance routines, high energy and creative tour productions. In 1995, Take That released their third studio album Nobody Else, again based on Barlow's own material which reached number 1 in the UK and across Europe, capturing new audiences along the way, with Take That also able to make inroads in the adult audience in Britain through Barlow's melodic, sensitive ballads. For nearly five years, Take That's popularity was unsurpassed in Britain. The release of the first single from the album, "Sure", achieved yet another number one in the UK charts. It was not until their second release from that album, however, that they would experience what would become their biggest hit single, "Back for Good", which reached number one in 31 countries around the globe and to date has been covered 89 times the world over. It was also their only US hit, where it reached number seven. The song was initially unveiled for the first time via live performance while at the 1995 BRIT Awards, and based on the reception of that performance, the record pre-sold more records than expected and forced the record label to bring the release date forward by an unprecedented six weeks. The album was also noted for its cover which was a parody of the famed cover of The Beatles' Sgt. Pepper's Lonely Hearts Club Band cover sleeve.
Question: what did take that do in 1993
Answer:
1993 saw the release of Everything Changes,