Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: I really liked this Summerslam due to the look of the arena, the curtains and just the look overall was interesting to me for some reason. Anyways, this could have been one of the best Summerslam's ever if the WWF didn't have Lex Luger in the main event against Yokozuna, now for it's time it was ok to have a huge fat man vs a strong man but I'm glad times have changed. It was a terrible main event just like every match Luger is in is terrible. Other matches on the card were Razor Ramon vs Ted Dibiase, Steiner Brothers vs Heavenly Bodies, Shawn Michaels vs Curt Hening, this was the event where Shawn named his big monster of a body guard Diesel, IRS vs 1-2-3 Kid, Bret Hart first takes on Doink then takes on Jerry Lawler and stuff with the Harts and Lawler was always very interesting, then Ludvig Borga destroyed Marty Jannetty, Undertaker took on Giant Gonzalez in another terrible match, The Smoking Gunns and Tatanka took on Bam Bam Bigelow and the Headshrinkers, and Yokozuna defended the world title against Lex Luger this match was boring and it has a terrible ending. However it deserves 8/10
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Ever since I was eight years old I have been a big wrestling fan. It didn't matter what federation I watched. WWE,WCW,USWA. To me the action is all I watched it for.

May 23rd 1999. That was my 19 birthday. I ordered Over the Edge and I was just expecting another pay per view. But this time. I was wrong. Instead that was the night one of the best wrestlers to come out of Canada a true human being fell to his death due to a stunt gone wrong. Not much you can do to change the situation. But what happened affter Owens death made me very mad.

Rather then ending the pay per view and doing the right thing as human beings the WWE decided to protect what comes first and that was the money by keeping the pay per view going as if Owens death never happened.

I gotta tell you. Vince Mchmaon has made some stupid decisions in his life but this was by far the stupidest decision he ever made.

And this crap with saying Owen would have wanted the pay pew view to keep going. Give me a break. When someone dies on a pay pew view its comon sense to stop it. Thats like a police officer shooting a robber or a mugger with a run and then just leaving the man to die so he can go home and call it a day as if the mans life never mattered.

But no matter what happens. Owen will be missed and thanks for the memories for all the times you gave us.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: I generally love these 1930 mystery/police Charlie Chan type of movies, and this is no exception. However, something seems bad with this movie. A late attempt to switch from cerebral Moto movies centered around the plot contrivances to a salad bar spoilt by comedy relief that is as relieving as sore feet. A typecast buffoon appears from nowhere impersonating a clumsy Englishman who plays the detective, and even other characters seem entangled into providing comedy relief. The plot may seem odd or a bare excuse to us today, but back then the possibility of epochal archaeological discoveries was not only real, but a commonplace occurrence.
Q: What's an example of a movie review?
An example of a movie review is here: Superb cast, more please!

If you can catch just about anything else written by Plater (or starring these wonderful actors). For anyone who doesn't know Plater has a real feeling for jazz, my recommendation is to see the 'Beiderbecke' trilogy whenever you can.

"There's three kinds of jazz - Hot, Cool and 'What time does the tune start?'"
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Yes, The Southern Star features a pretty forgettable title tune sung by that heavy set crooner Matt Monro. It pretty much establishes the tone for this bloated and rather dull feature, stunningly miscast with George Segal and Ursula Andress as an adventurous couple in search of a large diamond. Add in Harry Andrews (with a strange accent, no less) chasing an ostrich, tons of stock footage of wildlife, and poorly composed and dull photography by Raoul Coutard, and you end up with a thoroughly unexciting romp through the jungles of Senegal.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
Who says zombies can't be converted into useful members of the community? Certainly not the makers of "Fido," who take us to a never-never-land version of the 1950's where the undead have been turned into butlers and servants for the burgeoning middle class. Timmy Robinson is the all-American boy who becomes emotionally attached to the family's new full-time domestic - a recently resurrected zombie whom Timmy has affectionately dubbed Fido. All of this has been made possible by Zomcom, a big-brother-type organization that has found a way to render the zombies (who were originally brought to "life" by radiation from outer space) manageable and docile - at least most of the time.

This twisted, modern-day spin on the TV series "Lassie" - it might easily have been entitled "A Boy and His Zombie" - takes slyly satirical swipes at such pre-'60s concerns as obsessive social conformity (here keeping-up-with-the-Joneses means having more zombie servants than the folks next door), the sterility of suburban life, the corporate control of civic affairs, small town corruption and nuclear family values - all played out in a beautifully designed setting of parti-colored houses and immaculately manicured lawns. The movie doesn't hit the audience over the head with its message nor does it engage in endless hyperbole to generate laughs. Instead, this is a low-keyed, subtle little satire that elicits appreciative chuckles rather than full-bellied guffaws. Much of the humor derives from the incongruity between the placidness of the setting and the cavalier attitude towards death demonstrated by the fine citizens of the community (Life Magazine has been replaced with a periodical entitled Death Magazine). Despite some playfully graphic violence, the movie stays true to the spirit of innocence we generally associate with both the 1950's itself and the cheesy, low-budget horror movies that were so much a part of the pop culture scene of that decade.

K'Sun Ray, Carrie-Ann Moss and Dylan Baker are amiable and appealing as the wide-eyed Timmy and his Cleaver-esquire parents (with slightly sinister undertones), while Billy Connolly accomplishes the well nigh impossible task of bringing a great deal of humanity and depth to the role of a resurrected corpse.

This is what "Lassie" might have been had Timmy's best friend been afflicted rabies.