Problem: Bruce Randall Hornsby (born November 23, 1954) is an American singer and pianist. Hornsby draws frequently from classical, jazz, bluegrass, folk, Motown, gospel, rock, blues, and jam band musical traditions. Hornsby's recordings have been recognized on a number of occasions with industry awards, including the 1987 Grammy Award for Best New Artist with Bruce Hornsby and the Range, the 1990 Grammy Award for Best Bluegrass Album, and the 1994 Grammy Award for Best Pop Instrumental Performance. Hornsby has also achieved recognition for his solo albums and performances, his touring band Bruce Hornsby and the Noisemakers, his bluegrass project with Ricky Skaggs and his appearances as a session and guest musician.

Bruce Randall Hornsby was born in Williamsburg, Virginia, a son of Robert Stanley Hornsby (1920-1998), an attorney, real-estate developer and former musician, and his wife, nee Lois Saunier. Raised a Christian Scientist, he has two siblings: Robert Saunier "Bobby" Hornsby, a realtor with Hornsby Realty and locally known musician, and Jonathan Bigelow Hornsby, an engineer who has collaborated in songwriting. He graduated from James Blair High School in Williamsburg, Virginia, in 1973, where he played on the basketball team. He studied music at the University of Richmond, as well as Berklee College of Music and the University of Miami, from which he graduated in 1977. In the spring of 1974 Hornsby's older brother Bobby, who attended the University of Virginia, formed the band "Bobby Hi-Test and the Octane Kids" to play fraternity parties, featuring Bruce on Fender Rhodes and vocals. The band, which is listed in Skeleton Key: A Dictionary for Deadheads, performed covers of Allman Brothers Band, The Band, and predominantly Grateful Dead songs. Although Hornsby's collaboration with Bobby Hornsby would be relatively short-lived, Bobby's son R.S. was a recurring guest-guitarist with Hornsby's band and periodically toured with his uncle. His performances were often looked forward to by fans. R.S. Hornsby died on January 15, 2009 in a car accident near Crozet, Virginia. He was 28. Following his graduation from the University of Miami, in 1977, Hornsby returned to his hometown of Williamsburg, and played in local clubs and hotel bars. In 1980, he and his younger brother (and songwriting partner) John Hornsby moved to Los Angeles, where they spent three years writing for 20th Century Fox. Before moving back to his native southeastern Virginia, he also spent time in Los Angeles as a session musician. In 1982 Hornsby joined the band Ambrosia for their last album Road Island and can be seen in the band's video for the album's single "How Can You Love Me." After Ambrosia disbanded, he and bassist Joe Puerta performed as members of the touring band for pop star Sheena Easton. Hornsby can clearly be seen in the music video for Easton's 1984 hit single "Strut."

DId he go to any school for music?

Answer with quotes: He studied music at the University of Richmond, as well as Berklee College of Music and the University of Miami, from which he graduated in 1977.

Problem: Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

The beginning of Unger's academic career began with the books Knowledge and Politics and Law in Modern Society, published in 1975 and 1976 respectively. These works led to the co-founding of Critical Legal Studies (CLS) with Duncan Kennedy and Morton Horwitz. The movement stirred up controversy in legal schools across America as it challenged standard legal scholarship and made radical proposals for legal education. By the early 1980s, the CLS movement touched off a heated internal debate at Harvard, pitting the CLS scholars against the older, more traditional scholars. Throughout much of the 1980s, Unger worked on his magnum opus, Politics: A Work In Constructive Social Theory, a three volume work that assessed classical social theory and developed a political, social, and economic alternative. The series is based on the premise of society as an artifact, and rejects the necessity of certain institutional arrangements. Published in 1987, Politics was foremost a critique of contemporary social theory and politics; it developed a theory of structural and ideological change, and gave an alternative account of world history. By first attacking the idea that there is a necessary progression from one set of institutional arrangements to another, e.g. feudalism to capitalism, it then built an anti-necessitarian theory of social change, theorizing the transition from one set of institutional arrangements to another. Unger devoted much of the following decades to further elaborating on the insights developed in Politics by working out the political and social alternatives. What Should Legal Analysis Become? (Verso, 1996) developed tools to reimagine the organization of social life. Democracy Realized: The Progressive Alternative (Verso, 1998) and What Should the Left Propose? (Verso, 2005) put forth alternative institutional proposals.

Did he attend any other school apart from that?

Answer with quotes:
legal schools across America