Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : The Tragicomedy of Calisto and Melibea (Spanish: "Tragicomedia de Calisto y Melibea" ), known in Spain as La Celestina is a work entirely in dialogue published in 1499. It is attributed to Fernando de Rojas, a descendant of converted Jews, who practiced law and, later in life, served as an alderman of Talavera de la Reina, an important commercial center near Toledo. Context_2 : Fernando de Rojas (La Puebla de Montalban, Toledo, Spain, c. 1465/73 Talavera de la Reina, Toledo, Spain, April 1541) was a Spanish author and dramatist, known for his only surviving work, "La Celestina" (originally titled "Tragicomedia de Calisto y Melibea"), first published in 1499. It is variously considered "the last work of the Spanish Middle Ages or the first work of the Spanish Renaissance". Context_3 : He was a professor of poetry at the Reales Estudios de San Isidro in Madrid. He authored a neoclassical tragedy, "Numancia destruida" (1775). His works were mainly heroic romances. He was also a respected historian, authoring history books on Frederick the Great ("Historia de Federico el Grande, rey de Prusia") (1782), the History of Gibraltar ("Historia de Gibraltar") (1782) and the Council of Trent ("El sacrosanto y ecumenico concilio de Trento") (1787). These works gained him membership of the Real Academia de la Historia. In his later years he also wrote on astronomy, "Disertaciones astronomicas" and "Filosofia moral de Aristoteles", astronomical dissertations and the moral philosophy of Aristotle. He was a member of the Real Academia de Bellas Artes de San Fernando. He died on 24 April 1789 in Tarifa. Context_4 : The Agricola (Latin: "De vita et moribus Iulii Agricolae" , lit. On the life and character of Julius Agricola) is a book by the Roman historian Tacitus, written AD 98 , which recounts the life of his father-in-law Gnaeus Julius Agricola, an eminent Roman general and Governor of Britain from AD 77/78 - 83/84. It also covers, briefly, the geography and ethnography of ancient Britain. As in the "Germania", Tacitus favorably contrasts the liberty of the native Britons to the corruption and tyranny of the Empire; the book also contains eloquent and forceful polemics against the rapacity and greed of Rome. Context_5 : The Battle of La Rochelle was a naval battle fought on 22 and 23 June 1372 between a Castilian fleet commanded by the Castilian Almirant Ambrosio Boccanegra and an English convoy commanded by John Hastings, 2nd Earl of Pembroke. The Castilian fleet had been sent to attack the English at La Rochelle, which was being besieged by French forces. Besides Boccanegra, other Castilian commanders were Cabeza de Vaca, Fernando de Peon and Ruy Diaz de Rojas. Context_6 : The coat of arms of Albania is an adaptation of the flag of Albania. It is based on the flag and seal of Gjergj Kastriot Skanderbeg. The emblem above the head of the two-headed eagle is the helmet of Skanderbeg, surmounted with billy goats' horns. The eagle is considered to violate the conventional rule of tincture, which forbids placing a colour ("i.e." a dark tincture) upon another colour. Context_7 : Jacques de Lavardin, was a lord in Plessis-Bourrot, squire and noble of the king of France, known for the translation of two works in French: the Celestine from Fernando de Rojas and of the "Historia de vita et rebus gestis Scanderbegi", a chronic of the Kingdom of Gjergj Kastriot Skanderbeg from Marin Barleti. De Lavardin was active during 1575 and 1585. He is the brother of the theologue and translator Jean de Lavardin, abbey of l'Estoile. Context_8 : Marin Barleti (Latin: "Marinus Barletius" , Italian: "Marino Barlezio" ; c. 145060 c. 151213) was a historian and Catholic priest from Shkodra. He is considered the first Albanian historian because of his 1504 eyewitness account of the 1478 siege of Shkodra. Barleti is better known for his second work, a biography on Skanderbeg, translated into many languages in the 16th to the 20th centuries. Some scholars assert he was an ethnic Italian, while most Albanian scholars believe he was Albanian. Context_9 : De Aragoniae Regibus et eorum rebus gestis libri V Context_10 : Juan de Flores (c. 1455 - c. 1525) was a Spanish courtier, knight, administrator, diplomat and author, most known for two "sentimental novels": "Grimalte y Gradissa" and "Grisel y Mirabella", both probably written between 1470-1477 and published around 1495. Until recently, little was known of his life. Representative of a class of late medieval "humanist knights", he was associated with the court of Garcia Alvarez de Toledo, 1st Duke of Alba and may have been the nephew of the noble Pedro Alvarez Osorio. In 1476, he was appointed official chronicler to the monarchs Fernando and Isabella; among his other political activities, he may have participated in the civil war of the 1470s and in Grenada. "Until Cervantes... Juan de Flores was one of the most widely read Spanish authors in Europe", and the European popularity of his "Grisel y Mirabella" (which had at least 56 editions in several languages before Cervantes' time) was on a par with Diego de San Pedro's "Carcel de amor" and Fernando de Rojas's "La Celestina". fact_1 : Jacques de Lavardin, was a lord in Plessis-Bourrot, squire and noble of the king of France, known for the translation of two works in French: the Celestine from Fernando de Rojas and of the "Historia de vita et rebus gestis Scanderbegi", a chronic of the Kingdom of Gjergj Kastriot Skanderbeg from Marin Barleti. fact_2 : Marin Barleti (Latin: "Marinus Barletius" , Italian: "Marino Barlezio" ; c. 145060 c. 151213) was a historian and Catholic priest from Shkodra. Answer: Marin Barleti
Answer:
Jacques de Lavardin, was a lord in PlessisBourrot, squire and noble of the king of France, known for the translation of two works in French: the Celestine from Fernando de Rojas, and of the Historia de vita et rebus gestis Scanderbegi, a chronical of the Kingdom of Gjergj Kastriot Skanderbeg from which historian and Catholic priest from Shkodra?