Background: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.
Context: Taylor was born in Greenville, North Carolina, but moved to Washington, D.C., when he was five years old. He grew up in a musical family and learned to play different instruments as a child, including guitar, drums and saxophone. He was most successful at the piano, and had classical piano lessons with Henry Grant, who had educated Duke Ellington a generation earlier. Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar. Taylor attended Dunbar High School, the U.S.'s first high school for African-American students. He went to Virginia State College and majored in sociology. During his time he joined Kappa Alpha Psi fraternity. Pianist Undine Smith Moore noticed young Taylor's talent in piano and he changed his major to music, graduating with a degree in music in 1942. Taylor moved to New York City after graduation and started playing piano professionally from 1944, first with Ben Webster's Quartet on New York's 52nd Street. The same night he joined Webster's Quartet, he met Art Tatum, who became his mentor. Among the other musicians Taylor worked with was Machito and his mambo band, from whom he developed a love for Latin music. After an eight-month tour with the Don Redman Orchestra in Europe, Taylor stayed there with his wife, Theodora, and worked in Paris and the Netherlands. Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, J.J. Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at Birdland longer than any other pianist in the history of the club. In 1949, Taylor published his first book, a textbook about bebop piano styles.
Question: What made his career a career?
Answer: Taylor made his first professional appearance playing keyboard at the age of 13 and was paid one dollar.

Background: Although Price claimed his birth was in Shropshire he was actually born in London in Red Lion Square on the site of the South Place Ethical Society's Conway Hall. He was educated in New Cross, first at Waller Road Infants School and then Haberdashers' Aske's Hatcham Boys School. At 15, Price founded the Carlton Dramatic Society and wrote plays, including a drama, about his early experience with a poltergeist which he said took place at a haunted manor house in Shropshire. According to Richard Morris, in his recent biography Harry Price:
Context: Price was most famous for his investigation into the Borley Rectory, Essex. The building became known as "the most haunted house in England" after Price published a book about it in 1940. He documented a series of alleged hauntings from the time the rectory was built in 1863. He lived in the rectory from May 1937 to May 1938 and wrote of his experiences in the book. The psychical researcher John L. Randall wrote there was direct evidence of "dirty tricks" played upon Price by members of the SPR. On 9 October 1931, a past president of the SPR William Henry Salter visited the Borley Rectory in an attempt to persuade the Rector Lionel Foyster, to sever his links with Price and work with the SPR instead. After Price's death in 1948 Eric Dingwall, Kathleen M. Goldney, and Trevor H. Hall, three members of the Society for Psychical Research, two of whom had been Price's most loyal associates, investigated his claims about Borley. Their findings were published in a 1956 book, The Haunting of Borley Rectory, which concluded Price had fraudulently produced some of the phenomena. The "Borley Report", as the SPR study has become known, stated that many of the phenomena were either faked or due to natural causes such as rats and the strange acoustics attributed to the odd shape of the house. In their conclusion, Dingwall, Goldney, and Hall wrote "when analysed, the evidence for haunting and poltergeist activity for each and every period appears to diminish in force and finally to vanish away." Terence Hines wrote "Mrs. Marianne Foyster, wife of the Rev. Lionel Foyster who lived at the rectory from 1930 to 1935, was actively engaged in fraudulently creating [haunted] phenomena. Price himself "salted the mine" and faked several phenomena while he was at the rectory." Robert Hastings was one of the few SPR researchers to defend Price. Price's literary executor Paul Tabori and Peter Underwood have also defended Price against accusations of fraud. A similar approach was made by Ivan Banks in 1996. Michael Coleman in an SPR report in 1997 wrote Price's defenders are unable to rebut the criticisms convincingly. Price's investigation of Borley was the subject of a 2013 best selling novel by Neil Spring, titled 'The Ghost Hunters.' This novel was subsequently adapted for television as 'Harry Price: Ghost Hunter,' starring Rafe Spall, Cara Theobold and Richie Campbell.
Question: What were the findings?
Answer:
Their findings were published in a 1956 book, The Haunting of Borley Rectory, which concluded Price had fraudulently produced some of the phenomena.