Problem: Given the question: Build a movie plot around this: Through what do they recogonize and only know their father from? Their fatherless childhood
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The answer is:
Joanna Mills (Sarah Michelle Gellar), a travelling rep for a trucking company, is dedicated to her successful career but something of a loner. Since the age of 11 she has been a troubled person, with episodes of self-mutilation and menacing visions. Normally she avoids returning to her native Texas, but agrees to a trip there to secure an important client. During the trip her visions, which take the form of memories of events not from her life, increase in intensity. She sees a strange face staring back at her in the mirror. Her truck radio plays Patsy Cline's "Sweet Dreams" no matter what station she selects. She stops at the scene of an accident that, on the following day, seems not to have happened. Joanna cuts herself in a bar restroom and is narrowly rescued by a friend. She visits her father, who observes that from age 11 she was "a different girl". The visions continue, becoming both more specific and more threatening, centering upon a menacing man she does not recognize and a bar she has never seen, but a picture of which is in one of her catalogs.Drawn by the image to the Texas town where the bar is located, a place she has not been since childhood, Joanna meets a man named Terry Stahl, whose wife, Annie, was stalked, brutally assaulted, and left to die fifteen years before, a crime of which Terry was suspected but not convicted. Joanna continues to have visions of this crime and the events that led up to it, and to discover other links between Annie's life and hers. She meets the real killer and is led by what she has seen in her visions to recover the knife he used from its hiding place. She is then stalked, herself. She finds herself drawn into a repetition of the crime, but this time she stabs her assailant with the recovered knife, using the original weapon to avenge the original crime.The story ends with the revelation that Annie, clinging to life as Terry drove her to the hospital after the original assault, died when his car crashed into one driven by Joanna's father, in which the...

Problem: Given the question: Build a movie plot around this: What is the Reisner Institute project code named? Operation Silent Knight
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The answer is:
At a plush cocktail party at Reisner Institute, a government think tank based in Redmond, Washington DC, the guests and scientists present are enjoying themselves. One such scientist, Dylan, suddenly begins to become manipulated by an invisible force, which creates a scene to the guests and drags the scientist into the nearby bathroom and proceeds to brutally beat and throw Dylan around the room. Dylan apparently knows who it is, and begs the invisible man not to kill him, as he "doesn't have it", but the invisible man persists as he's "getting worse" and he's "running out of time". Though he does not know how to make more, Dylan mentions that another scientist, Maggie Dalton (Laura Regan), knows the formula. Seemingly accepting this, the invisible man releases Dylan and tells him not to tell anyone he was here, to which he agrees. No sooner has he left, than Dylan attempts to call someone on his cell phone, but the invisible man, who only pretended to leave to see if Dylan would stay silent, smashes the phone on the ground, and slashes Dylan's neck with the broken circuit board, killing him.The police arrive at the laboratory to conduct an investigation, but the military supervisor of the laboratory, Colonel Gavin Bishop (William MacDonald), insists it is an internal military situation and the police have no jurisdiction over the crime, and refuses to relent even when one of the detectives, Frank Turner (Peter Facinelli), points out that they have no experience conducting a proper criminal investigation.Fearing another attack on the remaining scientists, the lab company owner, Dr. William Reisner (David McIlwraith), employs Turner and his partner, Detective Lisa Martinez (Sarah Deakins), to protect Maggie (despite the military forcing the police out of the investigation), but refuses to divulge any information to the detectives on the nature of the work they are doing, which includes refusing to tell them that an invisible killer is on the loose.Turner and Lisa, after gaining Maggie's reluctant cooperation,...

Problem: Given the question: Build a movie plot around this: What kind of comedy is it? a light musical comedy,
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The answer is:
Fred Astaire plays song-and-dance man Tony Hunter, whose top-hat-and-tails brand of movie musical has become passe. As the movie opens, a Hollywood memorabilia auctioneer tries to sell off a hat and cane that once belonged to Hunter, but he literally can't get 50 cents for them. His star on the wane, his life at a crossroads, Tony travels to New York by train to take stock and ponder his future. When the train pulls into Grand Central Terminal, he thinks the gaggle of reporters on the platform is there to see him, but it turns out they were waiting for Ava Gardner, who was also on board. A deflated but amused Tony strolls off alone (song: "By Myself'').Tony's solitude is short-lived -- he receives a raucous welcome inside the station by two of his best friends, Lily and Lester Marton (Nanette Fabray, Oscar Levant), a Broadway show-writing couple. They want Tony to star in a brand-new stage musical they've just completed, and they know who they want to direct it: acclaimed actor-director Jeffery Cordova (Jack Buchanan), who currently has five shows running on Broadway, including Oedipus Rex, which he's starring in himself. Tony, who's never heard of Cordova, listens politely as they stroll along 42nd Street, which Tony barely recognizes after all these years. He sends the Martons ahead to dinner in a taxi so he can spend some quality time in an arcade (song: "A Shine on Your Shoes'').The Martons take Tony to Oedipus Rex, where they watch from the wings. Tony has trouble believing the star and director of such a serious work would want to do a musical. Tony meets Cordova, who's a little slow to recognize him but then expresses great excitement at the prospect of working with him. Tony asks Cordova if he's truly interested in producing a musical; Cordova insists all theatrical genres are valuable.The Martons pitch the idea of their light, frothy musical: Tony would play an author of children's books who feels he's compromised himself artistically by writing lurid yet lucrative murder mysteries on the side; Lily...