Background: Hidetoshi Nakata, Cavaliere OSSI (Zhong Tian Ying Shou , Nakata Hidetoshi, born 22 January 1977) is a former Japanese football player who played as a midfielder. He is widely considered to be one of the most famous Asian footballers of his generation, and one of the greatest Japanese players of all time. Nakata began his professional career in 1995 and won the Asian Football Confederation Player of the Year award in 1997 and 1998, the Scudetto with Roma in 2001, played for Japan in three FIFA World Cup tournaments (1998, 2002 and 2006) and competed in the Olympics twice (1996 and 2000). In 2005, he was made the Knight of the Order of the Star of Italian Solidarity, one of Italy's highest honors, for improving the country's image overseas.
Context: Outside football, Nakata has shown interest in fashion, attending runway shows, wearing designer clothing and sporting colorful haircuts. He dyed his hair blond for the 1998 FIFA World Cup, hoping to attract the attention of European scouts. Japanese hairstylist Aki Watanabe credits him as a trendsetter. Andrea Tenerani, photographer for GQ in Italy said of Nakata, "He's perfect; he's like a model. And he's totally obsessed with fashion." Calvin Klein designer Italo Zucchelli said, "(Nakata) plays with fashion like all of them now, but in a cooler, more sophisticated way than many others." He is one of the models featuring the Calvin Klein underwear campaign 2010. He was featured in the July 2007 US version of GQ with a 12-page spread on fall fashion. He was featured in GQ in his home country in December 2011. Often regarded as a Japanese David Beckham, because of his obsession with fashion and his status as a role model for many Asian Football exports to Europe, Nakata is an editor-at-large at Monocle at the invitation of his friend Tyler Brule, who serves as the magazine's editor-in-chief. Nakata has cited the popular manga and anime series, Captain Tsubasa, as his primary inspiration in choosing football as a career. In recent years, he has also been an active supporter of Special Olympics football and participated in the 2010 Special Olympics Unity Cup in South Africa during the World Cup. Nakata was named a Global Ambassador for Special Olympics in 2014. Towards the end of 2015, Nakata entered into a partnership with Kee Club in Hong Kong to open Koko, a Hong Kong-based restaurant that serves sakes created by Nakata himself. He has developed his own line of sake as well as creating his own mobile educational app, "Sakenomy". Expressing interest in educating the public about sake, Nakata stated, "People recognise brands of wine but not usually brands of sake. There is a lack of information and branding when it comes to sake. That's why I thought I needed to create a brand that people can recognise and understand. My purpose is to expand the market for all sake not just my own. You can pair any type of cuisine with sake. It can go with French, Italian, even Chinese food, not just Japanese cuisine."
Question: WHat is Koko?
Answer: a Hong Kong-based restaurant that serves sakes created by Nakata himself.

Background: Edward Henry Weston (March 24, 1886 - January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West.
Context: Weston was a prolific writer. His Daybooks were published in two volumes totaling more than 500 pages in the first edition. This does not include the years of the journal he kept between 1915 and 1923; for reasons he never made clear he destroyed those before leaving for Mexico. He also wrote dozens of articles and commentaries, beginning in 1906 and ending in 1957, and he hand-wrote or typed at least 5,000 letters to colleagues, friends, lovers, his wives and his children. In addition, Weston kept very thorough notes on the technical and business aspects of his work. The Center for Creative Photography at the University of Arizona, which now houses most of Weston's archives, reports that it houses 75 linear feet of pages from his Daybooks, correspondence, financial records, memorabilia, and other personal documents in his possession when he died. Among Weston's most important early writings are those that provide insights into his development of the concept of previsualization. He first spoke and wrote about the concept in 1922, at least a decade before Ansel Adams began utilizing the term, and he continued to expand upon this idea both in writing and in his teachings. Historian Beaumont Newhall noted the significance of Weston's innovation in his book The History of Photography, saying "The most important part of Edward Weston's approach was his insistence that the photographer should previsualize the final print before making the exposure." In his Daybooks he provided an unusually detailed record of his evolution as an artist. Although he initially denied that his images reflect his own interpretations of the subject matter, by 1932 his writings revealed that he had come to accept the importance of artistic impression in his work. When combined with his photographs, his writings provide an extraordinarily vivid series of insights into his development as an artist and his impact of future generations of photographers.
Question: What did Weston write about?
Answer:
he hand-wrote or typed at least 5,000 letters to colleagues, friends, lovers, his wives and his children.