An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: This almost unknown gem was based on a French farce--which shows, and I mean that as a compliment.

Caroline (Lee) is being courted by a wealthy Argentinian (Roland), who asks her father for her hand in marriage. But Caroline is already married to Anthony (Colman), who has just arrived by plane and launches immediately into an audience-directed reminiscence about the last time Caroline decided she was in love with someone else: a dilettante-ish sculptor (Gardiner). The film plays out the story of Anthony's strategy in uncoupling Caroline from her sculptor, and how that experience aids him with her Argentinian.

It is perfectly cast: Ronald Colman is at his most sophisticated and charming, Reginald Gardiner is at his most priggish, Gilbert Roland is at his most exotic, and Anna Lee is just deliciously whimsical. The film is wonderfully directed by Lewis Milestone (who also produced); the whole production feels like a labor of love. There are wonderful touches, such as Colman breaking frame and addressing the camera, and exceptional use of a sliding bar-cabinet door. It is a sin that it hasn't been released on DVD--this is the kind of film that can singlehandedly awaken interest in classic film.
Q: What's an example of a movie review?
An example of a movie review is here: Not worth the video rental or the time or the occasional efforts.

*Makeup that a child can do. *Acting was over done...poor directing. *Editing was very choppy...many things made no sense or just seemed gratuitous. *Sound was badly dubbed. *Music was highly inappropriate. *Casting was extremely off...must have been on crack. *Zombies that talk let alone...drive, dance, work...just pisses me off. *And the bad guy...Holy Crap! As horribly casted as he was...he was the best looking zombie of all. Which doesn't say much.

The Cover Art was good but very deceiving...as was the Main Menu of the DVD...great artwork and music.

DON"T BOTHER!
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: I'll keep it short and brief, the people who wrote the story lines for this show are genius, the actors are just perfect for the roles they play (CJ's character is legendary) and they have so much chemistry on screen which makes it what it is, a very successful comedy.

When i saw first saw the new episodes which is probably going back just over 6/7 months, i wondered what had happened to Paul. I was gutted to find out that he had died when i browsed Google. He was so funny and played his character to perfection, an over-protective dad, who likes to keep his daughters out of the limelight and away from boys.

The comedy, i think, has gone from strength to strength, even without Paul in it.

Plus, i think most people would enjoy this watching it.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: 1958. The sleepy small Southern town of Clarksburg. Evil Sheriff Roy Childress (the almighty Vic Morrow in peak nasty form) cracks down super hard on speeders by forcing said offenders off a cliff to their untimely deaths on an especially dangerous stretch of road. Childress meets his match when cool young hot rod driver Michael McCord (a splendidly smooth and brooding portrayal by Martin Sheen) shows up in town in his souped-up automobile with the specific intention of avenging the death of his brother (Sheen's real-life sibling Joe Estevez in a brief cameo). Director Richard T. Heffron, working from a taut and intriguing script by Richard Compton (the same guy who directed the 70's drive-in movie gems "Welcome Home, Soldier Boys" and "Macon County Line"), relates the gripping story at a brisk pace, neatly creates a flavorsome 50's period setting, and ably milks plenty of suspense out the tense game of wit and wills between Childress and McCord. The uniformly fine cast helps a lot: Sheen radiates a brash James Deanesque rebellious vibe in the lead, Morrow makes the most out of his meaty bad guy part, plus there are excellent supporting performances by Michelle Phillips as sweet diner waitress Maggie, Stuart Margolin as a folksy deputy, Nick Nolte as amiable gas station attendant Buzz Stafford, Gary Morgan as Buzz's endearingly gawky younger brother Lyle, Janit Baldwin as sassy local tart Sissy, Britt Leach as stingy cab driver Johnny, and Frederic Downs as the stern Judge J.A. Hooker. The climactic vehicular confrontation between Childress and McCord is a real pulse-pounding white-knuckle thrilling doozy. Terry K. Meade's sharp cinematography, the well-drawn characters (for example, Childress became obsessed with busting speeders after his wife and kid were killed in a fatal hit and run incident), the groovy, syncopated score by Luchi De Jesus, and the beautiful mountainside scenery all further enhance the overall sound quality of this superior made-for-TV winner.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: There's plenty to appreciate here: spectacular locations and flying sequences; period costumes, props and sets; and competent writing and acting. However, to enjoy a drama, we need at least one principal who exhibits some qualities that we can like or admire. In this bunch of catty snobs, we found only one character who is at all likable a hapless enlisted man in a fleeting peripheral role as their helpless victim. From the reviews here, it is clear that we are completely out of step, but we did not find their malicious-schoolgirl behavior amusing or entertaining. Even the dog is detestable. We threw in the towel after two of the six episodes, so you should discount these observations accordingly, but what I could find written about this mini-series gave us no cause to expect character transformation or redemption.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Marvelous film again dealing with the trials and tribulations of World War 11 England. What makes this film so good is the touching of the human element.This film is definitely in the tradition of such British line classics such as "Mrs. Miniver" and "Hope and Glory." As is the case with this film, we see the desperation of people in the time of war.

The performances are outstanding here especially by the embittered John Thaw, who is assigned a child who has been evacuated from the London bombing.

We soon see why this child wets his bed. He comes from a lunatic mother who has abused him terribly.

The old man takes to the child and brings happiness into his sad life. When the child is returned to his mother, the old man goes to London and seeks him out only to find tragedy. He literally kidnaps the boy and is able to convince a higher up that the child is better off with him than being in a boy's home.

The picture is so good because it deals and builds on endearing relationships.