input question: Select the correct sentiment of the following review: I thought that Mukhsin has been wonderfully written. Its not just about entertainment. There's tonnes of subtle messages that i think Yasmin was trying to bring across. And yes, it might be confusing to some of you(especially if you didn't watch Sepet and/or Gubra for 76 times).

I bet u noticed how they use characters from the two movies before right? Its really ironic how the characters relate. Like the bossy neighbour is that prostitute from Gubra. And the chick at the snooker pad turns out to be the religious and wife of the pious man in the future.

And i absolutely love the voice-overs. Its crude yet awakeningly fresh. Like, when they took a shot of the Rumah Tumpangan Gamin signboard, then there was suddenly Mukhsin's voice saying 'Bismillahhirrahmannirrahim..' (the scene when he climbed the tree).

It captured Malaysian's attitude(and in some mild way, sniggering at how pathetic it is) portrayed in the character. For example, even the kids can be really sharp tongued(complete with the shrill annoying voice) and simply bad mouth ppl all movie long. And how you can be such a busybody and talk about ppl, when ur own life isn't sorted out.

All i can say is, this movie totally reached my expectation if not exceeded it.

It kept me glued to the screen, i couldn't even take my eyes off it. Not even to make out in the cinema. Ha ha.
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output answer: positive

input question: Select the correct sentiment of the following review: If the very thought of Arthur Askey twists your guts, don't worry, you can still watch and love The Ghost Train, like the equally marvellous Back Room Boy, it is a film that is simply too damn good to be sunk by a single performance, even that of the lead actor. Personally, I love Askey, perhaps it's because I go into his world, rather than unreasonably expecting him to come into mine, which is a mistake too many people make. The Ghost Train is so intensely atmospheric that you couldn't conceivably watch it without being amazed at the deep, dark world it transports you to, it is immersive in a way that few cheap and cheerful flag-wavers managed to be during the desperate early '40s and it's a film that I would imagine few people have ever watched just the once. The cast are, without exception, extraordinarily good, perhaps Linden Travers lays it on a bit thick, but against the backdrop of a lonely railway station in wartime, she could hardly play a nutter and not stand out. The sad passing of the lovely Carole Lynne earlier this year broke the last link we had with this incredible film and now it really is in the past, but waiting patiently for us to press play.
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output answer: positive

input question: Select the correct sentiment of the following review: Director Fred Schepisi(Roxanne) directs this well intentioned, but inferior comedy about Albert Einstein(Matthau) trying to hook his scientific niece(Ryan) up with ordinary guy Tim Robbins in order to get her to relax and enjoy life in the 1950's. To get Ryan to like Robbins, Einstein tries to make Robbins look like a brilliant scientist. The idea is cute, but the film falls flat with corny situations and silly dialogue. Tim Robbins, Meg Ryan, and the terrific supporting cast do their best to keep this silly comedy afloat, but are unable to rescue the film. Its unfortunate that so much talent went into producing such a lackluster movie. I would not recommend to anybody unless they are huge fans of Meg Ryan.
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output answer:
negative