Answer the question at the end by quoting:

Take That are an English pop group formed in Manchester, in 1989. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.
Robbie Williams's drug abuse had escalated to a near drug overdose the night before the group was scheduled to perform at the MTV Europe Music Awards in 1994. In June 1995, Williams was photographed by the press partying with Oasis at the Glastonbury Festival. During this month the band offered him an ultimatum; he was to adhere to the band's responsibilities or leave before their scheduled world tour. Williams chose the latter. Orange pressured Williams to quit because of Williams's behavior. Williams claimed he was bored with Barlow's leadership and jealous of Barlow. Despite the loss of Williams, Take That continued to promote Nobody Else as a four-piece, scoring a further hit single with Donald's "Never Forget". They subsequently went to America and completed the Nobody Else Tour in October 1995. Following the tour, the band began to plan for their next album; however, when they spent Christmas together, they mutually agreed it was time to part ways. On 13 February 1996, Take That formally announced that they were disbanding. This was followed by the Greatest Hits compilation in 1996, which contained a new recording, a cover of the Bee Gees' "How Deep Is Your Love". The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later. Take That gave what was thought to be their final performance in April 1996 at Amsterdam. Following the band's announcement, millions of their fans were distraught around the world and in the UK alone, teenage girls threatened suicide and were seen lining streets in tears, to the point that telephone hotlines were set up by the government to deal with counselling them. After the band broke up, highly respected music figures such as Elton John noted that Take That were different from other boy bands before and after them, in that they wrote their own material through Gary Barlow, the only boy band member who won an Ivor Novello award during his time in a boy band (although George Michael won it while in Wham!). Take That had also left a legacy of being immaculate performers with a very high work ethic, causing them to be voted in as the greatest boy band of all time.

What was the result of this?

Some context: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.
Thalberg was born in Brooklyn, to German Jewish immigrant parents, William and Henrietta (Haymann). Shortly after birth, he was diagnosed with "blue baby syndrome," caused by a congenital disease that limited the oxygen supply to his heart. The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty. During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study, though until that time he was a good student. When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students, brought him homework from school, books, and tutors to teach him at home. She also hoped that the schoolwork and reading would distract him from the "tantalizing sounds" of children playing outside his window. With little to entertain him, he read books as a main activity. He devoured popular novels, classics, plays, and biographies. His books, of necessity, replaced the streets of New York, and led to his interest in classical philosophy and philosophers, such as William James. When Thalberg returned to school, he finished high school but lacked the stamina for college, which he felt would have required constant late-night studying and cramming for exams. Instead, he took part-time jobs as a store clerk, and in the evenings, to gain some job skills, taught himself typing, shorthand and Spanish at a night vocational school. When he turned 18, he placed an ad with the local newspaper hoping to find better work: "Situation Wanted: Secretary, stenographer, Spanish, English, high school education, no experience; $15."
what else did it affect?
A: When he was 17, he contracted rheumatic fever, and was confined to bed for a year.

IN: Ronald Shannon Jackson (January 12, 1940 - October 19, 2013) was an American jazz drummer and composer from Fort Worth, Texas. A pioneer of avant-garde jazz, free funk, and jazz fusion, he appeared on over 50 albums as a bandleader, sideman, arranger, and producer. Jackson and bassist Sirone are the only musicians to have performed and recorded with the three prime shapers of free jazz: pianist Cecil Taylor, and saxophonists Ornette Coleman and Albert Ayler.

Once in New York, Jackson performed with many jazz musicians, including Charles Mingus, Betty Carter, Jackie McLean, Joe Henderson, Kenny Dorham, McCoy Tyner, Stanley Turrentine, and others. Whenever he would ask Charles Mingus to consider him for his group, Mingus used to push him "rudely out of his way". After Jackson sat in with pianist Toshiko Akiyoshi, he heard loud clapping behind him. It was Mingus, who asked him to play with his band. In 1966 Jackson recorded drums for saxophonist Charles Tyler's release, Charles Tyler Ensemble. Between 1966 and 1967, he played with saxophonist Albert Ayler and is featured on At Slug's Saloon, Vol. 1 & 2. He is also on disks 3 and 4 of Ayler's Holy Ghost: Rare & Unissued Records (1962-70). Jackson said Ayler was "the first (leader) that really opened me up. He let me play the drums the way I did in Fort Worth when I wasn't playing for other people." John Coltrane's death in July 1967 devastated Jackson. He spent the next few years addicted to heroin. He said, "I couldn't play drums then, spiritually.... I just didn't feel right." From 1970-74, he did not perform, but continued to practice. In 1974, pianist Onaje Allan Gumbs introduced Jackson to Nichiren Buddhism and chanting. Although initially reluctant, Jackson decided to try it for three weeks. "Then three months had passed. It pulled me together and pulled me out and I was able to focus. I was a Buddhist and a vegetarian for 17 years." By 1975 he joined saxophonist Ornette Coleman's electric free funk band, Prime Time. During his stint in Prime Time, Coleman taught Jackson composition and harmolodics. Jackson says that Coleman told him he was hearing music "in that piccolo range," and encouraged him to compose on the flute. Jackson went to Paris with Prime Time in 1976 to perform concerts and record Dancing in Your Head and Body Meta. In 1978, Jackson played on four albums with pianist Cecil Taylor: Cecil Taylor Unit, 3 Phasis, Live in the Black Forest, and One Too Many Salty Swift and Not Goodbye.

What was his career?

OUT:
Jackson performed with many jazz musicians,