Problem: Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860-1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847-1926). The 1946 Broadway production was a hit, and the musical had long runs in both New York (1,147 performances) and London, spawning revivals, a 1950 film version and television versions. Songs that became hits include "There's No Business Like Show Business", "Doin' What Comes Natur'lly", "You Can't Get a Man with a Gun",

In 1999, a new production had its pre-Broadway engagement at the Kennedy Center, Washington, D.C., from December 29, 1998 to January 24, 1999. Previews began on Broadway on February 2, 1999 at the Marquis Theatre, with an official opening on March 4, 1999, and closed on September 1, 2001 after 35 previews and 1,045 performances. This revival starred Bernadette Peters as Annie and Tom Wopat as Frank, and Ron Holgate as Buffalo Bill, with direction by Graciela Daniele, choreographey by Jeff Calhoun, and music arrangements by John McDaniel. Peters won the 1999 Tony Award for Best Leading Actress in a Musical and the production won the Tony for Best Revival of a Musical. This production had a revised book by Peter Stone and new orchestrations, and was structured as a "show-within-a-show", set as a Big Top travelling circus. "Frank Butler" is alone on stage and Buffalo Bill introduces the main characters, singing "There's No Business Like Show Business", which is reprised when "Annie" agrees to join the traveling Wild West show. The production dropped several songs (including "Colonel Buffalo Bill", "I'm A Bad, Bad Man", and "I'm an Indian Too"), but included "An Old-Fashioned Wedding". There were several major dance numbers added, including a ballroom scene. A sub-plot which had been dropped from the 1966 revival, the romance between Winnie and Tommy, her part-Native-American boyfriend, was also included. In the 1946 production, Winnie was Dolly's daughter, but the 1966 &1999 productions she is Dolly's younger sister. In this version, the final shooting match between Annie and Frank ends in a tie.

Are there any other interesting aspects about this article?

Answer with quotes: This production had a revised book by Peter Stone and new orchestrations, and was structured as a "show-within-a-show

Problem: Buena Vista Social Club is an ensemble of Cuban musicians established in 1996 to revive the music of pre-revolutionary Cuba. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos Gonzalez. They named the group after the homonymous members' club in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzon, they recruited a dozen veteran musicians, many of whom had been retired for years.

Shortly after the Cuban Revolution of 1959, newly elected Cuban President Manuel Urrutia Lleo, a devout Christian, began a program of closing gambling outlets, nightclubs, and other establishments associated with Havana's hedonistic lifestyle. This had an immediate impact on the livelihoods of local entertainers. As the Cuban government rapidly shifted towards the left in an effort to build a "classless and colourblind society", it struggled to define policy toward forms of cultural expression in the black community; expressions which had implicitly emphasized cultural differences. Consequently, the cultural and social centers were abolished, including the Afro-Cuban mutual aid Sociedades de Color in 1962, to make way for racially integrated societies. Private festivities were limited to weekend parties and organizers' funds were confiscated. The measures meant the closure of the Buena Vista Social Club. Although the Cuban government continued to support traditional music after the revolution, certain favor was given to the politically charged nueva trova, and poetic singer-songwriters such as Silvio Rodriguez and Pablo Milanes. The emergence of pop music and salsa, a style derived from Cuban music but developed in the United States, meant that son music became even less common. Cuban music experienced quite a radical change in the 1960s, as National Geographic notes: Cuban dance music also witnessed dramatic change beginning in the late 1960s, as groups explored the fusion of Cuban son with American rock, jazz and funk styles. Groups such as Los Van Van and Irakere established modern forms of Cuban music, paving the way for new rhythms and dances to emerge as well as fresh concepts in instrumentation. ... Cuba's dance music had already inspired a change from the older son-style dances, as younger Cubans broke free of step-oriented dances... The occurrence of these closures and the change in traditions is the simplest explanation of why many musicians were out of work, and why their style of music had declined before the Buena Vista Social Club made it popular again.

Were there any other changes?

Answer with quotes: societies. Private festivities were limited to weekend parties and organizers' funds were confiscated.

Problem: Robert Anson Heinlein (; July 7, 1907 - May 8, 1988) was an American science fiction writer. Often called the "dean of science fiction writers", his sometimes controversial works continue to have an influential effect on the genre, and on modern culture more generally. Heinlein became one of the first American science fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered the "Big Three" of English-language science fiction authors.

Heinlein's experience in the U.S. Navy exerted a strong influence on his character and writing. He graduated from the U.S. Naval Academy in Annapolis, Maryland with the class of 1929 and went on to serve as an officer in the Navy. He was assigned to the new aircraft carrier USS Lexington in 1931, where he worked in radio communications, then in its earlier phases, with the carrier's aircraft. The captain of this carrier was Ernest J. King, who later served as the Chief of Naval Operations and Commander-in-Chief, U.S. Fleet during World War II. Heinlein was frequently interviewed during his later years by military historians who asked him about Captain King and his service as the commander of the U.S. Navy's first modern aircraft carrier. Heinlein also served aboard the destroyer USS Roper in 1933 and 1934, reaching the rank of lieutenant. His brother, Lawrence Heinlein, served in the U.S. Army, the U.S. Air Force, and the Missouri National Guard, and he rose to the rank of major general in the National Guard. In 1929, Heinlein married Elinor Curry of Kansas City in Los Angeles, and their marriage lasted about a year. His second marriage in 1932 to Leslyn MacDonald (1904-1981) lasted for 15 years. MacDonald was, according to the testimony of Heinlein's Navy buddy, Rear Admiral Cal Laning, "astonishingly intelligent, widely read, and extremely liberal, though a registered Republican," while Isaac Asimov later recalled that Heinlein was, at the time, "a flaming liberal". (See section: Politics of Robert Heinlein.)

What prompted him to retire from the Navy?

Answer with quotes:
and the Missouri National Guard, and he rose to the rank of major general in the National Guard.