Problem: Ranveer Singh Bhavnani (born 6 July 1985) is an Indian actor who appears in Hindi films. He is the recipient of several awards, including two Filmfare Awards, and is among the highest-paid actors in the country. After completing a bachelor's degree from Indiana University Bloomington, Singh returned to India to pursue his career in films. He made his acting debut in 2010 with a leading role in Yash Raj Films' romantic comedy Band Baaja Baaraat.

In January 2010, Singh was called for an audition by Shanoo Sharma, the head of the casting division for Yash Raj Films. They informed him that it was for a lead role in their film titled Band Baaja Baaraat, a romantic comedy set in the world of wedding planning. Aditya Chopra, the vice president of the company, later saw the audition tapes on video and was impressed by Singh's acting, and decided that he fit the part of Bittoo Sharma, the hero of the film. However, the director Maneesh Sharma needed some more convincing and he was called for a few more auditions over the next two weeks until they were completely convinced of his caliber. After the two weeks of testing, Singh was confirmed for the role of Bittoo, with Anushka Sharma playing the female lead. Singh described the role of Bittoo Sharma as a typical Delhi boy. To prepare for the role, he spent time with students at the Delhi University campus. Prior to the release of the film, trade analysts were skeptical of the film's commercial potential, citing the middling response to Yash Raj Films' last few productions, the lack of a male star and the fact that the female lead, Anushka Sharma, was by then an "almost-forgotten" actress. However, Band Baaja Baaraat went on to become a sleeper hit. Singh's portrayal of Bittoo was praised, with Anupama Chopra of NDTV writing that Singh was "pitch perfect in the role of the uncouth but good-hearted small town slacker who is a bit of a duffer when it comes to matters of the heart." The film earned approximately Rs214 million (US$3.3 million) at the domestic box office. At the 56th Filmfare Awards, Singh won the award for Best Male Debut. Following Band Baaja Baarat, Singh signed on for Ladies vs Ricky Bahl, a romantic comedy produced by Chopra and directed by Maneesh Sharma. He played a conman Ricky Bahl who cons girls for a living but finally meets his match. The film co-starred Anushka Sharma, Parineeti Chopra, Dipannita Sharma and Aditi Sharma. According to Singh, the title character had various avatars in the film, including a chirpy, entertaining side and a sinister side. Nikhat Kazmi of The Times of India wrote, "Ranveer is, well Ranveer: your average Joe kind of hero who looks convincing enough as Sunny, Deven, Iqbal, Ricky, his sundry avatars." Commercially, Ladies vs Ricky Bahl earned Rs370 million (US$5.7 million) domestically.

What was his next film?

Answer with quotes: According to Singh, the title character had various avatars in the film, including a chirpy, entertaining side and a sinister side.

Problem: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

In 1970, Chicago decided to teach full-time at Fresno State College, hoping to teach women the skills needed to express the female perspective in their work. At Fresno, she planned a class that would consist only of women, and she decided to teach off campus to escape "the presence and hence, the expectations of men." She taught the first women's art class in the fall of 1970 at Fresno State College. It became the Feminist Art Program, a full 15-unit program, in the spring of 1971. This was the first feminist art program in the United States. Fifteen students studied under Chicago at Fresno State College: Dori Atlantis, Susan Boud, Gail Escola, Vanalyne Green, Suzanne Lacy, Cay Lang, Karen LeCocq, Jan Lester, Chris Rush, Judy Schaefer, Henrietta Sparkman, Faith Wilding, Shawnee Wollenman, Nancy Youdelman, and Cheryl Zurilgen. Together, as the Feminist Art Program, these women rented and refurbished an off-campus studio at 1275 Maple Avenue in downtown Fresno. Here they collaborated on art, held reading groups, and discussion groups about their life experiences which then influenced their art. All of the students and Chicago contributed $25 per month to rent the space and to pay for materials. Later, Judy Chicago and Miriam Schapiro reestablished the Feminist Art Program at California Institute of the Arts. After Chicago left for Cal Arts, the class at Fresno State College was continued by Rita Yokoi from 1971 to 1973, and then by Joyce Aiken in 1973, until her retirement in 1992. Chicago is considered one of the "first-generation feminist artists," a group that also includes Mary Beth Edelson, Carolee Schneeman, and Rachel Rosenthal. They were part of the Feminist art movement in Europe and the United States in the early 1970s to develop feminist writing and art. Chicago became a teacher at the California Institute for the Arts, and was a leader for their Feminist Art Program. In 1972, the program created Womanhouse, alongside Miriam Schapiro, which was the first art exhibition space to display a female point of view in art. With Arlene Raven and Sheila Levrant de Bretteville, Chicago co-founded the Los Angeles Woman's Building in 1973. This art school and exhibition space was in a structure named after a pavilion at the 1893 World's Colombian Exhibition that featured art made by women from around the world. This housed the Feminist Studio Workshop, described by the founders as "an experimental program in female education in the arts. Our purpose is to develop a new concept of art, a new kind of artist and a new art community built from the lives, feelings, and needs of women." During this period, Chicago began creating spray-painted canvas, primarily abstract, with geometric forms on them. These works evolved, using the same medium, to become more centered around the meaning of the "feminine". Chicago was strongly influenced by Gerda Lerner, whose writings convinced her that women who continued to be unaware and ignorant of women's history would continue to struggle independently and collectively.

Did she contribute to the feminist movement at this time?

Answer with quotes:
She taught the first women's art class in the fall of 1970 at Fresno State College.