Nothing I can think of. I've unwittingly embarrassed my daughter by stopping by my daughter's place too often to drop things off, I guess. I guess I embarrassed my daughter when she was living with her boyfriend by stopping by with healthy food and favorites groceries and other things I thought she needed and might like. The boyfriend always told me the groceries were a help. My daughter complained she already had too many clothes and if I tried to surprise her with something new. I think my husband and I embarrass our daughter now practically no matter what we do just because we're parents and maybe because we're older in our 60's and too happy to see her and too eager to please and we inadvertently treat our daughter like she is still a kid although she will be 22. I've never had a deliberate favorite thing to do except maybe by accident when I used to share too many photos of the cats when I used to be on FB? Parents can't help but embarrass their children beyond a certain age maybe? I can picture if we had an in the ground pool and my husband and I were continually doing silly moves and cannon ball jumping in I think or even simply lazing around in ridiculous color and style too teeny bathing suits for our age that too would embarrass my daughter. When push comes to shove parents like myself don't have to be too inventive or think much to come up with things they might do that embarrass their kids. My daughter told me she could not stand to go to the movies with me because I used to cry during movies. She never forgets one time I got emotional during a movie "Spirit" my husband and I took her to when she was little. I tried to hide this but my husband blurted out "You aren't crying, are you" like it was the dumbest thing to do and for the entire movie going audience to hear. Sheesh! Who cried during the movie "Spirit?" - The narrator's daughter's boyfriend. - The narrator. - The narrator's husband. - not enough information
The narrator.

Angela Hammerly dedicated her life to becoming District Attorney. At 42, she had never been married, or even seriously dated. All she could think about, night and day, was her ultimate goal. And her dream finally came true, thanks to the death of 74-year-old Porter Strickley. She could not deny that she had learned the job well, working for that old pain-in-the-butt. He was 57 when she interviewed for the position of Assistant District Attorney. At the time, she thought he was 70. Two months ago, she had become the District Attorney. She loved seeing her name on the door. And she felt a rush of adrenaline every time a judge referred to her as 'The District Attorney' in open court. The D.A.'s office would be better than ever--now that she was running the show. There was a soft knock, and Andrea Newly opened the door just enough to peek in. "Come in, Andrea." Angela sometimes wondered if she had made a mistake two weeks ago when she hired this timid young lady as her assistant. Angela had been impressed with her resume. But in person, Andrea was quiet, and seemed to be rather intimidated by Angela. But Andrea was enthralled with every word Angela spoke. And the new D.A. couldn't resist the prospect of being god to her assistant. She had hired her on the spot, even though she knew Andrea would stress her patience. But Angela was confident the 25-year-old could be molded into her mentor's image. And thereby, become a powerful force for justice in the D.A.'s office. Andrea took a chair across from the D.A. The furniture in the District Attorney's office was similar to that found in most old government offices-largely unchanged since the 1950s. Yet the hardwood chairs and desks were of such good quality that an exact replacement would be cost prohibitive in today's market. Angela planned to upsize her diminutive desk as soon as possible, even if the money came out of her own pocket. How old did Angela think Porter was when he she interviewed to become the district attorney? - 57 - not enough information - 42 - 70
70

Q: It was a dream, then a place, then a memory. My father built it near the Suwannee River. I like to think it was in the heart of Florida, because it was, and is, in my heart. Its name was Dogland. Some people say you can know others if you know the central incidents that shaped their lives. But an incident is an island in time, and to know the effect of the island on those who land there, you must know something about the river they have traveled. And I must warn you before we begin, I don't know that river well. I visit that time and place like a ghost with poor vision and little memory. I look up the river and see fog rolling in. I look down the river, and the brightness of the approaching day blinds me. I see shapes moving behind me and beyond me, but who they are and what they do, I cannot say. I will tell what I know is true, and I will invent what I believe is true, and that, I think, is all you can ask any storyteller to do. I learned the Nix family history from the stories Pa told. Even at the age of four, I suspected that Pa's stories might not be perfectly true. When Pa said we Nixes came to North America as indentured servants working our way out of debtor's prison, Grandma Bette would make a face and say he couldn't know that. When he said we Nixes had Lakota and Ojibwe blood in our veins, Grandma Bette would say she wasn't prejudiced, but it simply wasn't so: she and Pa and his brothers and sisters were dark because her people were Black Dutch, from a part of Holland where everyone had black hair and black eyes. And then Grandma Bette wouldn't say a word for half an hour or more, a very long time for Grandma Bette to be quiet. What created the black Dutch? - Invasion from Rome in the past - not enough information - The sun - Mongol hordes pillaging Europe
A: not enough information

*Question*
Bryan C. Keene and Alexandra Kaczenski of the Getty Museum's Manuscripts Department have spent the last few years preparing for an exhibition and publication titled Sacred Landscapes: Nature in Renaissance Manuscripts that aims to examine representations of "green spaces" such as gardens, vistas, and their relation to the divine. In particular, Bryan and Alexandra focus on the ways in which artists during the European Middle Ages and Renaissance embedded the pages of illuminated manuscripts with depictions of the natural world so that nature could guide prayer, chant, and meditation. For Bryan, this project represents a continuation of his interest in sacred gardens that began with his graduate work on the garden imagery that influenced Botticelli's Agony in the Garden painting. In 2013 he curated the exhibition and authored the accompanying book Gardens of the Renaissance. For Alexandra, interest in this subject stems from her scholarly focus on Flemish manuscripts and their relation to Flemish landscape paintings. She brought to the project a complementary interest in issues of environmental and landscape destruction, which also were themes of the exhibition and publication. Though floral and nature studies of the Renaissance and Early Modern periods have been extensively investigatedthe scientific notebooks of Leonardo da Vinci, for example, are well documentedthis exhibition turns its focus on landscape and the divine. Curatorial research has shed new light on subjects such as the seemingly "scattered" floral arrangements represented within the pages of these books and their relationship to humoral theory and religion. Bryan adds, "The tension that we find in these borders is, on the one hand, intricately rendered leaf and petal structures of plants or flowers, and on the other, hidden whimsical elements, all of which combine to create a rich tapestry of meaning, both symbolic and scientific. Alex and I will continue to explore the potential meaning within this botanical and arboreal chaos." Sacred... Who authored Gardens of the Resaissance? - not enough information - Giovanni Bellini - Bryan C. Keene - Alexandra Kaczenski
**Answer**
Bryan C. Keene