An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: This entry is certainly interesting for series fans (like myself), but yet it is mostly incomprehensible. The plot is confusing, as is the sequel continuity. Some striking effects, to be sure, but we never find out what it all really means.

Try to see the "NC-17" workprint version which contains the gore that was cut to be re-rated "R".
Q: What's an example of a movie review?
An example of a movie review is here: Using footage pillaged from Planet of Dinosaurs this shot on video (except for the stolen footage) concerns a bunch of people shot into space who land on a dinosaur planet that is...don't wait for it, is really earth. Its a five minute sketch stretched to 90 minutes. Slightly better than Chickboxer (another in the Bad Movie Police series)-having a nostalgic home movie feel coupled with good stolen effects, this movie is still an impossible slog to get through. I'm left to ponder the question are we becoming so uncreative that we're now pillaging old movies not only for plot but also for mismatched footage? Clearly low budget producers are getting so desperate they really will give us anything to take our money
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Fifteen years later and Paris Is Burning is still aflame. This is a classic in black gay films, right up there with the other honorary black gay films, The Color Purple and Mahoganoy. This seminal work captures underground and underclass (i.e."underserved) black and Latin gay culture and community like no other work before or since, including all the sentimental Harlem Rennaissance gay retrospectives and renderings. They're good, but this is the best (dare I say the only "real") film you'll find on the subject. It's Relentlessy Cunty (the classic house music invention)comes to Hollywood, non-stop, hilarious camp (like only we do it) and dead-on social critique. All this by a white female director (who obviously must have been a Sister Gurl or Mizz Thing in a former life.) I could go on, but I think you get the point by now: I love this movie!
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: I will never be a member of any club that would have me,

especially this one.

Starr Andreeff is a single mom/stripper who gets attacked by a

female vampire and left for dead. She begins to get a hankering for

blood, and meets up with John Savage, looking like he's

wondering where he left Michael Cimino's phone number. Savage

is also a vampire and wants to let Andreef join his little vampire

family, which consists of a British vamp, the blonde vamp who

attacked Starr, and a green haired midget (I am not making this

up).

The family does not want Starr, so they try to kill Savage and Starr

and Starr's kid.

Someone forgot to tell John Savage that this was a drama. He

spends most of his screen time exhibiting more facial tics than

Hugh Grant on a Jolt Cola bender, and he reads all of his lines like

he is making a Farrelly Brothers film. Andreeff tries to make the

most of a badly written role, but screenwriter/director Ruben goes

for all the vampire cliches, like Starr eating her son's pet hamster

and buying a lot of raw meat to fight the craving for blood. The kid

also gets knocked around a lot, for those who think watching

violence against children is really entertaining.

The film is extra gory, but not in a wild, over the top way like "Killer

Tongue." Here, the gore is gross and never justified, it just occurs.

It is just in the budget. Most of the R rating goes to Andreeff's

coworkers, who are put through embarassing strip routines in the

background of conversation scenes. The budget does not include

vampire fangs! All the vampires here must stab their prey to eat.

Nifty idea, unless you have already seen George Romero's

"Martin."

Even at 77 minutes, and once you throw in Ruben's attempts at

arty direction (skewed frames, blurred scenes), this is one

tiresome, dull, and dirty ride. Leave this club and take a shower,

you will need it.

This is rated (R) for strong physical violence, gun violence, sexual

violence, strong gore, strong profanity, female nudity, sexual

references, drug abuse, and adult situations.

An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Some news reporters and their military escorts try to tell the truth about a epidemic of zombies, despite the 'government controlling the media'. The makings of the film don't understand that the George Romero zombie films only worked because he kept his politics subtly in the background of most of his films ("Land of the Dead" withstanding). This satire is about as subtle as a brick to the face or a bullet to the head is more apropos for this scenario. What's subversive or subtle about seeing a military guy masturbating to death and destruction? Anything nuanced about the various commercials that are inter-cut with the film? Nope. Furthermore the acting is uniformly horrible, the characters thoroughly unlikable, and the plot inane. Add this all up and you have the worst, most incompetent zombie film since, "C.H.U.D. 2" reared it's hideous head.

My Grade: D
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Often laugh out loud funny play on sex, family, and the classes in Beverly Hills milks more laughs out of the zip code than it's seen since the days of Granny and Jed Clampett. Plot centers on two chauffers who've bet on which one of them can bed his employer (both single or soon to be single ladies, quite sexy -- Bisset and Woronov) first. If Manuel wins, his friend will pay off his debt to a violent asian street gang -- if he loses, he must play bottom man to his friend!

Lots of raunchy dialogue, fairly sick physical humour, etc. But a lot of the comedy is just beneath the surface. Bartel is memorable as a very sensual oder member of the family who ends up taking his sexy, teenaged niece on a year long "missionary trip" to Africa.

Hilarious fun.