IN: Ian Michael Chappell (born 26 September 1943) is a former cricketer who played for South Australia and Australia. He captained Australia between 1971 and 1975 before taking a central role in the breakaway World Series Cricket organisation. Born into a cricketing family--his grandfather and brother also captained Australia--Chappell made a hesitant start to international cricket playing as a right-hand middle-order batsman and spin bowler. He found his niche when promoted to bat at number three.

The first of three sons born in Adelaide,Unley to Martin and Jeanne (nee Richardson), Chappell was steeped in the game from an early age. His father was a noted Adelaide grade cricketer who put a bat in his hands as soon as he could walk, and his maternal grandfather was famous all-round sportsman Vic Richardson, who captained Australia at the end of a nineteen-Test career. Chappell was given weekly batting lessons from the age of five, as were younger brothers Greg and Trevor, who both also went on to play for Australia. Chappell grew up in the beachside suburb of Glenelg and attended the local St Leonard's Primary School where he played his first competitive match at the age of seven. He was later selected for the South Australian state schoolboys team. He then enrolled at Prince Alfred College, a private secondary school noted for producing many Test cricketers, including the Australian captains Joe Darling and Clem Hill. His other sporting pursuits included Australian football and baseball: Chappell's performances for South Australia in the Claxton Shield won him All-Australian selection in 1964 and 1966 as a catcher. He credits Vic Richardson, who had represented both SA and Australia in baseball during the 1920s, for his love of the sport. At the age of 18, his form in grade cricket for Glenelg led to his first-class debut for South Australia (SA) against Tasmania in early 1962. Chappell replaced West Indian Gary Sobers who was selected for a Test match in the Caribbean. The aggressive style of Sobers and South-Australia captain Les Favell heavily influenced Chappell during his formative years in senior cricket. In 1962-63, Chappell made his initial first-class century against a New South Wales team led by Australian captain Richie Benaud, who was bemused by the young batsman's habit of gritting his teeth as he faced up; to Benaud, it looked as if he was grinning. Chappell spent the northern summer of 1963 as a professional in England's Lancashire League with Ramsbottom and played a single first-class match for Lancashire against Cambridge University.

Was Ian a captain?

OUT:

IN: Matthew Paris, known as Matthew of Paris (Latin: Matthaeus Parisiensis, lit. "Matthew the Parisian"; c. 1200 - 1259), was a Benedictine monk, English chronicler, artist in illuminated manuscripts and cartographer, based at St Albans Abbey in Hertfordshire. He wrote a number of works, mostly historical, which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, some in Anglo-Norman or French verse.

In some of Paris' manuscripts, a framed miniature occupies the upper half of the page, and in others they are "marginal" - unframed and occupying the bottom quarter (approximately) of the page. Tinted drawings were an established style well before Paris, and became especially popular in the first half of the 13th century. They were certainly much cheaper and quicker than fully painted illuminations. The tradition of tinted drawings or outline drawings with ink supplemented by coloured wash was distinctively English, dating back to the Anglo-Saxon art of the mid-10th century, and connected with the English Benedictine Reform of the period. A strong influence on one branch of the style was the Carolingian Utrecht Psalter, which was at Canterbury from about 1000 to 1640. This was copied in the 1020s in the Harley Psalter, and in the Eadwine Psalter of the mid-12th century. Recent scholarship, notably that of Nigel Morgan, suggests that Paris' influence on other artists of the period has been exaggerated. This is likely because so much more is known about him than other English illuminators of the period, who are mostly anonymous. Most manuscripts seem to have been produced by lay artists in this period. William de Brailes is shown with a clerical tonsure, but he was married, which suggests he had minor orders only. The manuscripts produced by Paris show few signs of collaboration, but art historians detect a School of St Albans' surviving after Paris' death, influenced by him. Paris' style suggests that it was formed by works from around 1200. He was somewhat old-fashioned in retaining a roundness in his figures, rather than adopting the thin angularity of most of his artist contemporaries, especially those in London. His compositions are very inventive; his position as a well-connected monk may have given him more confidence in creating new compositions, whereas a lay artist would prefer to stick to traditional formulae. It may also reflect the lack of full training in the art of the period. His colouring emphasises green and blue, and together with his characteristic layout of a picture in the top half of a page, is relatively distinctive. What are probably his final sketches are found in Vitae duorum Offarum in BL MS Cotton Nero D I.

When was Paris an artist?

OUT: first half of the 13th century.

IN: Krakauer was born in Brookline, Massachusetts, as the third of five children of Carol Ann (nee Jones) and Lewis Joseph Krakauer. His father was Jewish and his mother was a Unitarian, of Scandinavian descent. He was raised in Corvallis, Oregon, from the age of two. His father introduced the young Krakauer to mountaineering at the age of eight.

In 2003, Under the Banner of Heaven became Krakauer's third non-fiction bestseller. The book examines extremes of religious belief, specifically fundamentalist offshoots of Mormonism. Krakauer looks at the practice of polygamy in these offshoots and scrutinizes it in the context of the Latter Day Saints religion throughout history. Much of the focus of the book is on the Lafferty brothers, who murdered in the name of their fundamentalist faith. In 2006, Tom Elliott and Pawel Gula produced a documentary inspired by the book, Damned to Heaven. Robert Millet, Professor of Religious Understanding at Brigham Young University, an LDS institution, reviewed the book and described it as confusing, poorly organized, misleading, erroneous, prejudicial and insulting. Mike Otterson, Director of Media Relations for The Church of Jesus Christ of Latter-day Saints (LDS), told the Associated Press, "This book is not history, and Krakauer is no historian. He is a storyteller who cuts corners to make the story sound good. His basic thesis appears to be that people who are religious are irrational, and that irrational people do strange things." In response, Krakauer criticized the LDS Church hierarchy, citing the opinion of D. Michael Quinn, a historian who was excommunicated in 1993, who wrote that "The tragic reality is that there have been occasions when Church leaders, teachers, and writers have not told the truth they knew about difficulties of the Mormon past, but have offered to the Saints instead a mixture of platitudes, half-truths, omissions, and plausible denials". Krakauer wrote, "I happen to share Dr. Quinn's perspective".

What is Under the Banner of Heaven?

OUT:
Under the Banner of Heaven became Krakauer's third non-fiction bestseller.