Question: Lieutenant Reginald Endicott "Reg" Barclay III, portrayed by Dwight Schultz, is a fictional character from both Star Trek: The Next Generation and Star Trek: Voyager, in the latter of which he plays a vital role in re-establishing regular contact between the starship and Starfleet. The character also appears in the 1996 feature film Star Trek: First Contact.

Barclay was an occasional character in The Next Generation as an engineer, often being used as comic relief. His addiction to the holodeck is first seen in the episode "Hollow Pursuits", in which he creates holographic reproductions of the ship's bridge officers, who are completely responsive to Barclay's every whim. Being totally unlike their ship-board counterparts, they serve to bolster his self-esteem. With encouragement from Chief Engineer Geordi La Forge, however, Barclay redeems himself and helps to uncover the cause of a critical multi-system failure on the Enterprise in time to avert the ship's destruction. In the episode "The Nth Degree", Barclay's brain is mutated by an ancient race from the center of the Milky Way galaxy, the Cytherians, radically increasing his intellect. Under this influence, Barclay seizes control of the Enterprise and brings the ship into contact with the Cytherians. Barclay explains to Picard that they only desire an exchange of information with the Federation. After the exchange, the Cytherians return the Enterprise to Federation space, restoring Barclay to normal and leaving him with only the memory of his actions and an enhanced ability at chess. This episode also sees Barclay try his hand at acting, performing the title role in Dr. Crusher's production of Cyrano de Bergerac. While his unaided performance was poor, his enhanced performance riveted the onlookers and greatly impressed Dr. Crusher. In the episode "Realm of Fear", Barclay deals with his transporter phobia when assigned to an away team. Though he becomes capable of allowing himself to be transported, he believes that he sees large worm-like creatures while in transit. When no evidence of a problem is found, Barclay believes himself to be going mad. However, he later discovers that these are actually human survivors trapped inside the transporter beam. With Barclay's help, these people are successfully rescued. In "Ship in a Bottle", Barclay unwittingly revives a sentient holo-simulation of Sherlock Holmes' arch-foe, Professor James Moriarty (previously seen in "Elementary, Dear Data") while performing holodeck maintenance. This results in Picard, Data, and Barclay unknowingly becoming trapped in a Moriarty-created simulation of the Enterprise, and forced to research a method of making holo-simulations "real" outside of the holodeck through Moriarty's manipulations. When the ruse is discovered, Moriarty and a holographic companion are tricked into a simulation within the simulation, and stored in a computer where they will continue to exist, believing that they have gained freedom from the holodeck. In "Genesis", Barclay's T-cells have a bizarre reaction to a medicine, creating an airborne virus that causes Barclay to de-evolve into a spider-like ancestral form, and causes its other victims to revert to their various evolutionary forms, after multiple dormant introns in his body are accidentally activated. Upon recovery, the disease is named after him as he was the first to have had contracted it: Barclay's Protomorphosis Syndrome.

Using a quote from the above article, answer the following question: What was his character like?
HHHHHH
Answer: often being used as comic relief.

Question: William Martin Joel was born in the Bronx on May 9, 1949, and was raised in Levittown, New York in the town of Oyster Bay. In 1963 when zip codes were assigned, the section of Levittown in Oyster Bay was given a Hicksville, New York zip code and has since been part of Hicksville. Joel's father, Howard (born Helmuth) Joel, a classical pianist, was born in Germany, to a Jewish family, the son of a merchant and manufacturer, Karl Amson Joel. Howard emigrated to Switzerland and later to the United States (via Cuba, as immigration quotas for German Jews prevented direct immigration at the time) to escape the Nazi regime.

Influenced by early-rock-and-roll and rhythm-and-blues artists, including groups such as The Beatles, The Drifters and The Four Seasons, he favored tightly-structured pop melodies and down-to-earth, unpretentious songwriting. After seeing The Beatles on The Ed Sullivan Show, Joel decided to pursue a career in music. In an interview he said of the group's impact, "That one performance changed my life ... Up to that moment I'd never considered playing rock as a career. And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments, and especially because you could see this look in John Lennon's face - and he looked like he was always saying: 'F--- you!' - I said: 'I know these guys, I can relate to these guys, I am these guys.' This is what I'm going to do - play in a rock band'." Joel joined the Echoes, a group that specialized in British Invasion covers. The Echoes began recording in 1965. Joel (then 16) also played piano on several records released through Kama Sutra Productions and on recordings produced by Shadow Morton. Joel played on a demo version of "Leader of the Pack", which would become a major hit for the Shangri-Las. Joel states that in 1964 he played on a recording of the Shangri-Las' "Remember (Walking in the Sand)" but he is unaware of whether he played on the demo or master version; The released single included a co-producer credit for Artie Ripp, who later was the first to sign and produce Joel as a solo artist after Michael Lang, who had given Joel a monetary advance, passed Joel along to Ripp to focus his attentions elsewhere instead. In late 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. Joel left the band in 1967 to join the Hassles, a Long Island group that had signed with United Artists Records. Over the next year and a half they released four singles and two albums (The Hassles and Hour of the Wolf). All were commercial failures. Joel and drummer Jon Small left the Hassles in 1969 to form the duo Attila, releasing an eponymous debut album in July 1970. The duo disbanded the following October when Joel began an affair with Small's wife, Elizabeth, whom Joel eventually married.

Using a quote from the above article, answer the following question: What did he say about them
HHHHHH
Answer:
And when I saw four guys who didn't look like they'd come out of the Hollywood star mill, who played their own songs and instruments,