Question:
Killing Joke are an English rock band formed in October 1978 in Notting Hill, London, England. The original line-up included Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitars) and Youth (bass). Their first album, Killing Joke, was released in 1980. After the release of Revelations in 1982, bassist Youth was replaced by Paul Raven.
Towards the end of 1988, Coleman and Walker looked for full-time bass players and drummers. First on board was drummer Martin Atkins, who had gained notability in Public Image Ltd. A suitable bass player proved more difficult. Former Smiths member Andy Rourke was hired, then dismissed after only three days. Eventually the band settled on Welsh bass player Dave "Taif" Ball, and played their first gigs in almost two years in December 1988. These featured the best of their 1980 to 1985 work, alongside powerful new material which alluded to the band's earlier, harsher sound. Touring continued across the UK, Europe and the US until August 1989, when the band took a break to record new material in Germany and allow Coleman time to record 1991's Songs from the Victorious City with Anne Dudley of Art of Noise. For reasons which remain unclear, the German Killing Joke sessions were shelved and bass player Taif left the band, replaced by prior member Raven. The revised line-up began recording again, this time in London, and the result was Killing Joke's eighth album, the ferocious Extremities, Dirt & Various Repressed Emotions, released on the German Noise International label in 1990. It included some of the heaviest, noisiest and harshest music ever to appear on a Killing Joke record, although the progressive musical spirit of the previous two albums remained as well. "Money Is Not Our God" was the lead single. Once again, the band toured Europe and North America, but by the middle of 1991, this promising new line-up had imploded. Coleman emigrated to New Zealand to live on a remote Pacific island, and Killing Joke entered a hiatus period. Atkins continued with Walker, Raven and the band's live keyboard player, John Bechdel, as the short-lived Murder, Inc., recruiting Scottish vocalist Chris Connelly and reuniting with Ferguson as second drummer.
Answer this question using a quote from the text above:

Who did they find to play the drums?

Answer:
First on board was drummer Martin Atkins, who had gained notability in Public Image Ltd.

Question:
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.
Answer this question using a quote from the text above:

What else did the burlesque do

Answer:
17th and 18th century burlesque was divided into two types: