Q: Generate a question about the following movie plot: (Note: in this summary, last names describe the characters in the fictionalized novel of the 1970's history of law enforcement officer Benjamin "Esposito", first names describe the people in retiree "Benjamin" Esposito's modern world.) Retiree Benjamin Esposito is having trouble getting started on his first novel. He pays a visit to the offices of Judge Irene Menendez Hastings to tell her about his plans to recount the story of the Liliana Coloto case, the one they both worked on 25 years before, when Irene was his new department chief and he was the federal agent assigned to the case. Irene suggests that Benjamin start at the beginning. The beginning marks the discovery of Coloto's body, raped and murdered in her home in 1974. Esposito promises her widower, Ricardo Morales, that the killer will do life for his crime. Morales states that he opposes the death penalty. Esposito's investigation is joined by his alcoholic friend and assistant, Pablo Sandoval, and the Cornell Law School-educated Hastings. Before the three can start, their rival, Romano, tries to show them up by having officers beat a confession out of two innocent laborers, who had been working near the couple's apartment. Esposito has the confessions overturned and lashes out at Romano in a justice building hall. Esposito threatens to file a complaint as Romano racially insults the construction workers. Back on the case, Esposito notices that pictures from Coloto's home town of Chivilcoy frequently show a man named Isidoro Gomez whose eyes never leave her. Although Irene is skeptical, Benjamin insists all of a young man's feeling for a woman is spoken there. Seeing that Gomez has disappeared, Esposito and Sandoval travel to Chivilcoy and sneak into Gomez's mother's house, where they find his letters to her. Sandoval steals them but they contain nothing useful and, when their supervising judge learns of the illegal action, the case is closed. Over an evening review of the manuscript, Benjamin reminds Irene that it was only one...
A: Does Morales oppose the death penalty?

Q: Generate a question about the following movie plot: The plot is a study of a day in the life of the Fab Four beginning with them running from their adoring fans to catch a train. Every plot point circles around the band getting to a television show in order to perform a live concert, and within this stream of action is a series of slapstick, zany, and otherwise wacky bits of funniness. One obstacle in the works is Paul McCartney's babysitting of his grandfather (Wilfrid Brambell), a first class mixer always getting into mischief. It becomes one of the running jokes in the film that Brambell is a "clean old man," at least physically (this contrasts with Brambell's most famous role as Albert Steptoe in Steptoe and Son where he was a "dirty old man" both physically and psychologically). Ringo Starr gets a sense of liberation and goes off on his own to find happiness only to land in jail for loitering. John Lennon fires playful barbs at TV director (Victor Spinetti), whose biggest worry is that if for some reason the Beatles stand him up his next job will be doing "news in Welsh." One great story line is with George Harrison, in which he is mistaken for an actor auditioning for some trendy TV show for some trend setter hostess. The earnest demeanor of the casting head and his associates is undercut by George's declaration that she is a well-known drag. Norman Rossington and John Junkin as The Beatles' managers are stalwart English character actors who fill out the cast and support the general lunacy of the film with a more traditional presence, but still sustain an on-going battle about one being taller than the other. Anna Quayle has a great bit with John Lennon about his being someone he's not. The whole thing ends with an ear-shattering concert and the band yet again running from the adoring fans.
A: Where did The Beatles arrive?

Q: Generate a question about the following movie plot: It's 1941, and newspaper tycoon Charles Foster Kane (Orson Welles, who also directed and co-wrote the script) is dead. The opening shots show Xanadu, Kane's vast, elaborate, and now unkempt estate in Florida. Interspersed with segments of his newsreel obituary are scenes from his life and death. Most puzzling are his last moments: clutching a snowglobe, he mutters the word "rosebud." Kane, whose life was news and whose newspapers not only reported but formed public opinion, was central to his time, a larger-than-life figure. The newsreel editor feels that until they know who or what Rosebud is they won't have the whole story on Kane. He assigns a reporter called Thompson (William Alland) to investigate Rosebud.Thompson digs into Kane's life and hears a lot of stories, but none of them reveal the meaning of Rosebud. The reporter sees Susan Alexander Kane (Dorothy Comingore), the tycoon's ex-wife; she's drunk and won't speak to him. Then he reads the unpublished memoirs of Mr. Thatcher (George Coulouris), Kane's early financial adviser and childhood guardian, who later became a prime target of the Kane newspapers' trust-busting attacks. In one of many flashbacks, the Thatcher memoir shows Kane's mother signing guardianship of the boy and his fortune over to Thatcher, despite his father's objections. When Charles objected violently to being sent away with Thatcher, Kane Sr. remarked, "what the kid needs is a good thrashing." Mrs. Kane responded, "That's why he's going to be brought up where you can't get at him." (Some present-day fans of the film interpret this to mean that Mr. Kane was abusive. 1940s audiences were more likely to have believed that Mrs. Kane was over-protective and that if Charles had been allowed to grow up enjoying the love and discipline of his parents, his life would have turned out better.)Years later, as he was about to get control of his business affairs, Kane's interest in newspapers was piqued when he noticed that he owned the struggling New York Daily Inquirer. Don't sell it, he...
A:
Who is on his deathbed?