In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example output: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Guero is the sixth official studio album and ninth overall by American musician Beck, released on March 29, 2005 through Interscope. It is seen by many as a return to the style of "Odelay", mainly because this album, like "Odelay", is produced with the Dust Brothers and Tony Hoffer. It also recalls "Mutations" in places with its Brazilian influences. Context_2 : Mascot Label Group is an independently owned record label. Founded in 1989 in The Netherlands under the name Mascot Records, the company was renamed Mascot-Provogue in 1999 and since 2010 has been known as the Mascot Label Group. The company is based in the Netherlands and has offices in New York, Cologne, Stockholm, Milan, Paris and London. Mascot Label Group is the parent company of four record labels: Mascot Records, Provogue, Music Theories Recordings and Cool Green Recordings. Context_3 : Interscope Records is an American major record label. An imprint of Interscope Geffen A&M Records, its parent company is Universal Music Group, a subsidiary of Vivendi S.A. Context_4 : The United States based Bell Records record label started issuing records in about 1920. The label's parent company was the Standard Music Roll Company of Orange, New Jersey, which was also the parent of Arto Records. After Standard Music Roll got out of the disc record business in 1923, the label was continued by the Bell Record Corporation of Newark, New Jersey, using masters recorded by Emerson Records. In 1927 the source of Bell masters shifted to Gennett Records. The label went out of business in 1928. Context_5 : RCA Records is an American record label owned by Sony Music, a subsidiary of Sony Corporation of America. It is one of SME's three flagship record labels, alongside Columbia Records and Epic Records. The label has released multiple genres of music, including pop, rock, hip hop, electronic, R&B, blues, jazz, and country. The company's name is derived from the initials of the label's former parent company, the Radio Corporation of America (RCA). It is the second oldest recording company in US history, after sister label Columbia Records. RCA's Canadian unit (formerly Berliner Gramophone Canada) is Sony's oldest label in Canada. It was one of only two Canadian record companies to survive the Great Depression. Context_6 : Uprok Records was a record label created in 1999 under the parent company Tooth & Nail Records, with a focus on distributing Christian hip-hop artists. The name Uprok Records refers to the breakdancing term (also spelled Uprock). The first three artists on the label were Ill Harmonics, Sup the Chemist and MG! The Visionary. Shortly after its inception Josh Niemyjski, who created and maintains SphereOfHipHop.com, took over as President and Artist & Repertoire manager. According to Niemyjski, "It was started because I feel like BEC and Tooth and Nail saw a niche that wasn't being filled." Through its parent companies BEC/Tooth & Nail and EMI Christian, it was able to sell in Christian and secular stores. However, a grassroots marketing was used to sell many of the albums online directly through the label, at SphereOfHipHop.com, at other hip-hop websites and local records stores, as well as at the artists live shows.<br> Context_7 : A vanity label (see related topic on vanity press) is an informal name given sometimes to a record label founded as a wholly or partially owned subsidiary of another, larger and better established (at least at the time of the vanity label's founding) record label, where the subsidiary label is (at least nominally) controlled by a successful recording artist, designed to allow this artist to release music by other artists they admire. The parent label handles the production and distribution and funding of the vanity label, but the album is usually released with the vanity label brand name prominent. Usually, the artist/head of the vanity label is signed to the parent label, and this artist's own recordings will be released under the vanity label's brand name. Creating a vanity label can be an attractive idea for the parent label primarily as a "perk" to keep a successful artist on the label's roster happy and a venue to bring fellow artists to the public's attention. Context_8 : Embassy Records was a UK budget record label that produced cover versions of current hit songs that were sold exclusively in Woolworths shops at a lower price than the original recordings. Embassy can therefore be seen as the UK equivalent of U.S. labels such as Hit and (in its early days) Bell Records. The label was the result of a contractual arrangement between Oriole Records and Woolworths, with Embassy's product being sold exclusively through the latter's stores from 1954 to 1965. The label disappeared after the parent company, Oriole, was taken over by CBS Records. Later, from 1970 through to 1980, CBS Records revived the Embassy imprint to release budget versions of albums in the UK and Europe by artists that were signed to its parent company, Columbia Records. Context_9 : Nothing Records was an American record label specializing in industrial rock and electronic music, founded by John Malm Jr. and Trent Reznor in 1992. It is considered an example of a vanity label, where an artist is able to run a label with some degree of independence from within a larger parent companyin this case, Interscope Records was the parent company. Context_10 : Established in 1956, Capitol Studios are located in the landmark Capitol Records Tower in the heart of Hollywood, California. The legendary recording studios, which consist of Studios A, B, C and D, started as the primary recording studios for American record label Capitol Records. While they are still regularly used by Capitol recording artists, during the late 1960s to early-1970s the studios began making the facility available to artists outside the label. Capitol Studios are renowned for their impressive selection of vintage gear, microphones and state-of-the-art recording equipment, as well as their eight subterranean echo chambers. The studios are owned by Vivendi, the parent company of Universal Music Group (UMG), which in turn is the parent company of Capitol Music Group. fact_1 : Guero is the sixth official studio album and ninth overall by American musician Beck, released on March 29, 2005 through Interscope. fact_2 : Interscope Records is an American major record label. fact_3 : An imprint of Interscope Geffen A&M Records, its parent company is Universal Music Group, a subsidiary of Vivendi S.A. Question: What is the parent company of the record label on which Beck's album Guero was released?
A:
Universal Music Group