Problem: Given the question: A friend asked me to answer this question: What is Terry's nickname given to him by Jan Paul?, using the article: Jan Paul Beahm grows up in Los Angeles through a troubled childhood; he does not know his biological father, his mother is an alcoholic, and his older brother dies from a heroin overdose. He is an avid reader and develops into a "frighteningly intelligent" student at University High School, where his antisocial behavior leads the administration to give him straight A's if he agrees not to return. In December 1975, at age 17, he proposes to his friend Georg Ruthenberg that they start a band, showing him potential lyrics and claiming to have a "five-year plan" inspired by the David Bowie song "Five Years". They recruit Terri Ryan, Belinda Carlisle, and Becky Barton for the group and con money for instruments. Jan Paul comes up with the name Germs, representing the germination of an idea. He sings while Georg plays guitar, Terri plays bass guitar, and Becky plays drums. The Germs play their first gig on April 16, 1977. As they are heckling the Damned outside the Whisky a Go Go, Claude "Kickboy Face" Bessy of Slash magazine suggests that they perform at an open mic across the street. The Germs give an impromptu performance of their song "Sex Boy", but do not know how to play their instruments and are heckled by the audience. Jan Paul responds by throwing flour at them and dipping the microphone in peanut butter; the band is thrown out but excited by the experience. Jan Paul comes up with pseudonyms for the members: Georg becomes Pat Smear, Terri becomes Lorna Doom, and Becky becomes Donna Rhia, while Belinda bows out of the band. Jan Paul renames himself Bobby Pyn, but soon changes this to Darby Crash. Becky is soon kicked out and the band goes through a series of replacements. Chris Ashford becomes their manager and presses their "Forming" single, the first punk rock single from Los Angeles., what would be the answer ?
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The answer is:
Lorna Doom

Problem: Given the question: A friend asked me to answer this question: What is the name of the person who told Bernhard Cossmann to "listen to the instrumentation" and claimed it was his own?, using the article: While Raff was able to offer "practical suggestions [in orchestration] which were of great value to Liszt", there may have been "a basic misunderstanding" of the nature of their collaboration. Liszt wanted to learn more about instrumentation and acknowledged Raff's greater expertise in this area. Hence, he gave Raff piano sketches to orchestrate, just as he had done earlier with Conradi"so that he might rehearse them, reflect on them, and then, as his confidence in the orchestra grew, change them." Raff disagreed, having the impression that Liszt wanted him on equal terms as a full collaborator. While attending an 1850 rehearsal of Prometheus, he told Bernhard Cossmann, who sat next to him, "Listen to the instrumentation. It is by me."Raff continued making such claims about his role in Liszt's compositional process. Some of these accounts, published posthumously by Die Musik in 1902 and 1903, suggest that he was an equal collaborator with Liszt. Raff's assertions were supported by Joachim, who had been active in Weimar at approximately the same time as Raff. Walker writes that Joachim later recalled to Raff's widow "that he had seen Raff 'produce full orchestral scores from piano sketches.'" Joachim also told Raff's biographer Andreas Moser that "the E-flat-major Piano Concerto was orchestrated from beginning to end by Raff." Raff's and Joachim's statements effectively questioned the authorship of Liszt's orchestral music, especially the symphonic poems. This speculation was debased when composer and Liszt scholar Peter Raabe carefully compared all sketches then known of Liszt's orchestral works with the published versions of the same works. Raabe demonstrated that, regardless of the position with first drafts, or of how much assistance Liszt may have received from Raff or Conradi at that point, every note of the final versions represents Liszt's intentions., what would be the answer ?
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The answer is:
Raff

Problem: Given the question: A friend asked me to answer this question: What is the last name of the person who began to simply his style during and after the war?, using the article: Alan Dudley Bush (22 December 1900 31 October 1995) was a British composer, pianist, conductor, teacher and political activist. A committed communist, his uncompromising political beliefs were often reflected in his music. He composed prolifically across a range of genres, but struggled through his lifetime for recognition from the British musical establishment, which largely ignored his works. Bush, from a prosperous middle-class background, enjoyed considerable success as a student at the Royal Academy of Music (RAM) in the early 1920s, and spent much of that decade furthering his compositional and piano-playing skills under distinguished tutors. A two-year period in Berlin in 1929 to 1931, early in the Nazi Party's rise to power, cemented Bush's political convictions and moved him from the mainstream Labour Party to the Communist Party of Great Britain which he joined in 1935. He wrote several large-scale works in the 1930s, and was heavily involved with workers' choirs for whom he composed pageants, choruses and songs. His pro-Soviet stance led to a temporary ban on his music by the BBC in the early years of the Second World War, and his refusal to modify his position in the postwar Cold War era led to a more prolonged semi-ostracism of his music. As a result, the four major operas he wrote between 1950 and 1970 were all premiered in East Germany. In his prewar works, Bush's style retained what commentators have described as an essential Englishness, but was also influenced by the avant-garde European idioms of the inter-war years. During and after the war he began to simplify this style, in line with his Marxism-inspired belief that music should be accessible to the mass of the people. Despite the difficulties he encountered in getting his works performed in the West he continued to compose until well into his eighties. He taught composition at the RAM for more than 50 years, published two books, was the founder and long-time president of the Workers' Music Association, and served as chairman and..., what would be the answer ?
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The answer is:
Bush