Question:
David Lee Marks (born August 22, 1948) is an American guitarist, singer and songwriter. He is best known as a member of the American rock band The Beach Boys, with whom he recorded four studio albums, and of whom he was a member from 1962 until 1963, again from 1997 until 1999, and lastly in 2012. Following his initial departure from the band, Marks fronted the Marksmen and performed and recorded as a session musician. A neighbor of the Wilson family - Brian, Dennis, and Carl Wilson - and a frequent participant at the Wilson family's Sunday night singalongs, Marks officially joined the Beach Boys in February 1962 as its rhythm guitarist.
In February 1963, Dennis Wilson was injured in a car accident and his replacement was Mark Groseclose, who went to high school with Carl Wilson. Marks and Groseclose became friends and Marks eventually took over Groseclose's garage band, the Jaguars, which he renamed the Marksmen. The band was initially a side project for the aspiring songwriter, who was growing tired of his songs being passed over for Beach Boys records by Murry Wilson. After Marks left the Beach Boys, the Marksmen became his full-time focus, becoming one of the first acts to be signed to Herb Alpert's A&M Records in 1964. Murry Wilson reportedly threatened radio deejays in order to keep them from playing the Marksmen's records. Later, the group signed with (and released a single on) Warner Bros. Records, but in spite of packed concert venues up and down the state of California, lack of air play precluded any further releases. The 2009 release of Marks & the Marksmen Ultimate Collector's Edition 1963-1965 marks the first-time the entire Marksmen catalog was made available to the public. In 1966, Marks played with Casey Kasem's Band Without a Name. He then worked with the late 1960s psychedelic pop band, The Moon, along with Matt Moore, Larry Brown, and David Jackson. The band signed a production deal with producer Mike Curb and released two under-promoted albums on the Imperial label. He also performed with Delaney and Bonnie, Colours (recording lead guitar on their second album), and Warren Zevon. By the time Marks was 21 years old, he had been signed to five label deals and had grown disillusioned with the Los Angeles music scene. In 1969, he relocated to Boston, where he studied jazz and classical guitar as a private student at the Berklee College of Music and the New England Conservatory of Music in 1970-71.
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How do the public respond to the album?

Answer:
two under-promoted albums on the Imperial label.

input: Alston played minor league baseball as an infielder for the Greenwood Chiefs and Huntington Red Birds in 1935 and 1936, respectively. For the 1936 Huntington team, he hit 35 home runs in 120 games. Alston's only major league game was with the St. Louis Cardinals on September 27, 1936, substituting for Johnny Mize at first base. He later described his major league playing career to a reporter by saying, "Well, I came up to bat for the Cards back in '36, and Lon Warneke struck me out. That's it." He also committed one error in two fielding chances at first base. Alston returned to the minor leagues after his brief MLB appearance. He split the 1937 season between the Houston Buffaloes and Rochester Red Wings, hitting for a combined .229 batting average. Alston played for the Portsmouth Red Birds in 1938, finishing the season with a .311 average and 28 home runs as Portsmouth won its only Middle Atlantic League championship. He returned to Portsmouth in 1940, hit 28 home runs and was a player-manager for part of the season. He was a player-manager for the next two seasons with the Springfield Cardinals and even appeared in seven games as a pitcher in 1942. He returned to Rochester as a first baseman and third baseman in 1943. He moved to the Trenton Packers, where he was a player-manager in 1944 and 1945. Alston had been offered the job in Trenton, a minor league farm club of the Brooklyn Dodgers, by Branch Rickey, the executive who had signed him as a player with St. Louis. After his two seasons with Trenton, Alston served as a player-manager for the first integrated U.S. baseball team based in the twentieth century, the Nashua Dodgers of the Class-B New England League. Alston managed black Dodgers prospects Don Newcombe and Roy Campanella, leading Nashua to a New England League title in 1946. Alston later said that he did not give much consideration to racial issues and that he had simply thought about how much they would benefit the team. Alston led the Pueblo Dodgers to the Western League title the next season. He appeared as a player in two games, which were his final professional playing appearances. For his 13-season minor league playing career, Alston hit .295 with 176 home runs. However, he hit only .239 in 535 at bats in Class AA, which was the highest minor league classification through 1945.

Answer this question "how did the team manage under him?"
output:

Answer the question at the end by quoting:

Native Hawaiians (Hawaiian: kanaka 'oiwi, kanaka maoli, and Hawai'i maoli) are the aboriginal Polynesian people of the Hawaiian Islands or their descendants. Native Hawaiians trace their ancestry back to the original Polynesian settlers of Hawaii. According to the U.S. Census Bureau report for 2000, there are 401,000 people who identified themselves as being "Native Hawaiian" alone or in combination with one or more other races or Pacific Islander groups. 141,000 people identified themselves as being "Native Hawaiian" alone.
In the early 2000s, the Congressional delegation of the State of Hawai'i introduced the Native Hawaiian Federal Recognition Bill, beginning the process of recognizing and forming a Native Hawaiian government entity to negotiate with state and federal governments. The significance of the bill is that it would establish, for the first time in the history of the islands, a new political and legal relationship between a Native Hawaiian entity and the federal government. This Native Hawaiian entity would be a newly created one without any historical precedent in the islands, or direct institutional continuity with previous political entities (unlike many Native American Indian groups, for example). This bill came under scrutiny by the Bush administration's Department of Justice, as well as the United States Senate Judiciary Committee. The political context surrounding the Akaka Bill is both controversial and complex. Proponents, who consider the legislation an acknowledgement and partial correction of past injustices, include Hawai'i's Congressional delegation, as well as the former Republican Governor, Linda Lingle. Opponents include the U.S. Commission on Civil Rights, (who question the constitutionality of creating race-based governments), libertarian activists, (who challenge the historical accuracy of any claims of injustice), and other Native Hawaiian sovereignty activists, (who feel the legislation would thwart their hopes for complete independence from the United States). A Ward Research poll commissioned in 2003 by the Office of Hawaiian Affairs reported that "Eighty-six percent of the 303 Hawaiian residents polled by Ward Research said 'yes.' Only 7 percent said 'no,' with 6 percent unsure ... Of the 301 non-Hawaiians polled, almost eight in 10 (78 percent) supported federal recognition, 16 percent opposed it, with 6 percent unsure." A Zogby International poll commissioned in 2009 by the Grassroot Institute of Hawaii indicated that a plurality (39%) of Hawai'i residents opposed the Native Hawaiian Reorganization Act of 2009, and that 76% indicated that they were unwilling to pay higher taxes to cover any loss in tax revenues that might be incurred by the act.

what stood to you about the article that you think is important?
Eighty-six percent of the 303 Hawaiian residents polled by Ward Research said 'yes.