IN: Lester Willis Young (August 27, 1909 - March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist. Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike". Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

In 1933 Young settled in Kansas City, where after playing briefly in several bands, he rose to prominence with Count Basie. His playing in the Basie band was characterized by a relaxed style which contrasted sharply with the more forceful approach of Coleman Hawkins, the dominant tenor sax player of the day. One of Young's key influences was Frank Trumbauer, who came to prominence in the 1920s with Paul Whiteman and played the C-melody saxophone (between the alto and tenor in pitch). Young left the Basie band to replace Hawkins in Fletcher Henderson's orchestra. He soon left Henderson to play in the Andy Kirk band (for six months) before returning to Basie. While with Basie, Young made small-group recordings for Milt Gabler's Commodore Records, The Kansas City Sessions. Although they were recorded in New York (in 1938, with a reunion in 1944), they are named after the group, the Kansas City Seven, and comprised Buck Clayton, Dicky Wells, Basie, Young, Freddie Green, Rodney Richardson, and Jo Jones. Young played clarinet as well as tenor in these sessions. Young is described as playing the clarinet in a "liquid, nervous style." As well as the Kansas City Sessions, his clarinet work from 1938-39 is documented on recordings with Basie, Billie Holiday, Basie small groups, and the organist Glenn Hardman. Billie and Lester met at a Harlem jam session in the early 30s and worked together in the Count Basie band and in nightclubs on New York's 52nd St. At one point Lester moved into the apartment Billie shared with her mother, Sadie Fagan. Holiday always insisted their relationship was strictly platonic. She gave Lester the nickname "Prez" after President Franklin Roosevelt, the "greatest man around" in Billie's mind. Playing on her name, he would call her "Lady Day." Their famously empathetic classic recordings with Teddy Wilson date from this era. After Young's clarinet was stolen in 1939, he abandoned the instrument until about 1957. That year Norman Granz gave him one and urged him to play it (with far different results at that stage in Young's life--see below).

Who are the other member of the band?

OUT:

Answer the question at the end by quoting:

Michael Anthony Sobolewski (born June 20, 1954 and legally shortened his name to Michael Anthony in 1978), is an American musician who is currently the bass player in the rock supergroup Chickenfoot and the Circle. Anthony is best known as the former bass player for the hard rock band Van Halen. Anthony is known for his stage antics, his effects-laden live solos, his number of custom-made bass guitars, including a Jack Daniel's model shaped like a whiskey bottle, and his background vocals in Van Halen. He also has a signature Schecter Guitar Research bass-guitar series.
As early as 1996, rumors periodically surfaced that Anthony had been fired from Van Halen, despite claims to the contrary. He continued working with the band. These rumors persisted until his final departure after the 2004 reunion tour with Hagar. Anthony's involvement in recording the 1998 album Van Halen III was dramatically less than previous albums. Anthony played bass on only three songs, with Eddie Van Halen playing the bass parts for the remainder. Anthony is credited as a songwriter for the album along with the rest of the band, as is always the case for Van Halen albums. Anthony performed with the band for the 1998 tour, and was credited on messages from the band thereafter. He participated in the band's three reunion efforts with David Lee Roth in 2000 and 2001. Anthony's name was also credited in a few band newsletters and appeared in band interviews during this time. Sometime after this, Anthony disappeared from public view until the 2004 reunion. In interviews, Eddie and Alex Van Halen suggested they were jamming and writing/recording new material during this time period but appeared to be working without Anthony. Anthony began periodic appearances with Sammy Hagar during his solo tours. He usually played as part of both the Waboritas and Los Tres Gusanos, two of Hagar's bands. During 2002's David Lee Roth/Sammy Hagar tour, both Michael Anthony and ex-Van Halen vocalist Gary Cherone made guest appearances at concerts, sometimes together. In 2002, Anthony, Hagar, Neal Schon, Deen Castronovo, and Joe Satriani formed the "supergroup" Planet Us and Anthony began making more frequent performances at Sammy Hagar concerts. Planet Us recorded two songs, including "Psycho Vertigo," which was intended for the original Spider-Man soundtrack but ultimately did not make the album. That and the other Planet Us song written for the band, "Peephole," were later released on the 2008 Sammy Hagar solo album Cosmic Universal Fashion.

Did Planet Us have any hit songs?

Planet Us recorded two songs, including "Psycho Vertigo," which was intended for the original Spider-Man soundtrack but ultimately did not make the album.

input: Randi is the author of ten books, among them Conjuring (1992), a biographical history of noted magicians. The book is subtitled Being a Definitive History of the Venerable Arts of Sorcery, Prestidigitation, Wizardry, Deception, & Chicanery and of the Mountebanks & Scoundrels Who have Perpetrated these Subterfuges on a Bewildered Public, in short, MAGIC! The book's cover says that it is by "James Randi, Esq., A Contrite Rascal Once Dedicated to these Wicked Practices but Now Almost Totally Reformed". The book selects the most influential magicians and tells some of their history, often in the context of strange deaths and careers on the road. This work expanded on Randi's second book titled Houdini, His Life and Art. This illustrated work was published in 1976 and was co-authored with Bert Sugar. It focuses on the professional and private life of Houdini. Randi also wrote a children's book in 1989 titled The Magic World of the Amazing Randi, which introduced children to magic tricks. In addition to his magic books, he has written several educational works about paranormal and pseudoscientific claims. These include biographies of Uri Geller and Nostradamus as well as reference material on other major paranormal figures. He is currently working on A Magician in the Laboratory, which recounts his application of skepticism to science. He was a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his good friend Isaac Asimov's fictional group of mystery solvers, the Black Widowers. Other books are Flim-Flam! (1982), The Faith Healers (1987), James Randi, Psychic Investigator (1991), Test Your ESP Potential (1982) and An Encyclopedia of Claims, Frauds, and Hoaxes of the Occult and Supernatural (1995). Randi was a regular contributor to Skeptic magazine, penning the "'Twas Brillig..." column, and also served on its editorial board. He is also a frequent contributor to Skeptical Inquirer magazine, which is published by CSI, of which he is also a Fellow.

Answer this question "what else is known about him as an author?"
output:
He is currently working on A Magician in the Laboratory, which recounts his application of skepticism to science.