Generate a question that has the following answer: Her dead sister Beth for the following movie plot: Emma (Moss) has a strong aversion towards her family's new house, especially the attic. After moving in, she becomes miserable and reclusive. The rest of her family also seems unhappy and unsettled. The situation escalates one day when Emma is in the attic alone. All of a sudden someone who looks exactly like Emma attacks her viciously. Emma is convinced that someone or something is haunting her, and she refuses to leave her house until she can piece the puzzle together, with the assistance of John Trevor (Lewis), a sympathetic detective. Eventually, Emma suspects her parents of hiding skeletons in the closet from the family's past and practicing magical rituals using symbols Wicca seemingly stole from satanism. As the clues pile up, she discovers that she once had a sister named Beth, who died twelve days after Emma was born. Emma realizes that this identical apparition may actually be Beth returning to life. Emma witnesses Beth kill her brother, and the police suspect it was really Emma. John Trevor comes to the rescue when Beth is trying to strangle Emma to death and leaves her with a gun. She suspects that her father was to blame and murders both her parents. When the police arrive, Emma threatens "John Trevor", who now claims to be a paramedic, with the gun he gave her. As she points the gun at Trevor, she is really pointing the gun at herself, and when she pulls the trigger, she kills herself. The police later discuss about the incident, and Emma's former psychologist explains that Beth and Trevor were only in her mind. Another officer mentions that the previous owner of the house mysteriously died. The psychologist says that houses do not kill people, but in this case it did. The film ends as new family looks to buy the house. As a young girl about Emma's age explores the attic, "John Trevor", now a real estate agent called Ron, appears behind her and says they will be seeing a lot of each other.
Ans: Who does emma see in the attic that looks just like her?

Generate a question that has the following answer: Appraiser of violins for the following movie plot: The film frames the history of the "Red Violin" around a Canadian auction in 1997, where the violin is at the centre of multiple bids by interested parties, and a tarot card reading in 1681, where a violinmaker's wife has her future read for herself (and, by extension, that of the violin). Cremona, 1681[edit] (Language of dialogue: Italian) The Moon tarot card Nicolo Bussotti (Cecchi) is a violinmaker whose wife, Anna Rudolfi (Grazioli), is pregnant with their first child. Anna is worried that her age may complicate her pregnancy or childbirth. Despite Nicolo's confident assurances that he will have the best people available when she goes into labor, Anna asks her servant Cesca (Laurenzi) to foretell her unborn child's future. Cesca cannot determine the future of someone not born, but she does offer to read Anna's future using tarot cards. Anna chooses five cards, with the first (The Moon) signifying that Anna will live a long life. In the meantime, Nicolo has fashioned a new violin that he believes will be his masterpiece, with the hope that their child will become a musician. He is about to varnish it when he is summoned to the bedside of his wife, only to find that both she and the child have died. Distraught, Nicolo carries Anna's body back to his shop and varnishes the violin, mixing in Anna's blood to give the violin its trademark red coloring (it is later revealed that this violin is the last one Nicolo made). The violin is donated to an orphanage in Austria, where a succession of choirboys play it for over 100 years. Vienna, 1793[edit] (Language of dialogue: German and French) The Hanged Man tarot card Cesca turns over the second card, The Hanged Man, which means disease and suffering for those around Anna. At the orphanage, the violin comes into the possession of Kaspar Weiss (Koncz), a young but brilliant violin prodigy. A violin instructor, Poussin (Bideau), is called to assess the boy's talents and is asked by the monks at the orphanage to adopt the boy to further his development....
Ans: What type of expert is Charles Morritz?

Generate a question that has the following answer: 1958 for the following movie plot: One of the tensions of this film set in France, is between the film's present (1958) and the past (1946). This tension is introduced when Marie (Marie Herry) mentions the scary children. Soon thereafter a child dies at the orphanage; resulting in it being closed down, save for a single orphan. Alluded to early in the movie, things have gone terribly wrong in the past at the orphanage. The film leaves unresolved what happened in the past. This is because it was nothing unusual. An overworked, under resourced institution in the shadow of World War II that was inundated with 300 children, was unable to cope. Franchard poses the question, "How many do you think we could save?" This tension is not what drives the film; it provides context but not momentum.The introduction of the character Anna (Virginie Ledoyen) starts the build up of this tension. What she sees and hears at the orphanage drives her to look and pry. She is primed for this by a brief, single sentence exchange with Marie, the orphan who is leaving the grounds. Anna is reinforced in her prying by her exchanges with Judith (Lou Doillon) who also sees and hears things unaccountable by normal means, despite the daily drug routine enforced by Helenka (Dorina Lazar) the cook and only other staff member on the grounds full time. Helenka does not appear to hear or see anything out of the ordinary and discourages Anna in her prying as does Franchard (Catriona MacColl) the director of the orphanage. This discouragement is simply that - discouragement. Franchard and Helenka do not resort to subterfuge or violence to prevent Anna's nosing about. They see the past as a painful and sorrowful thing best left in the past. They show no sign of hiding anything criminal or otherwise odious. For them, leaving the past alone is about moving on and forgetting the misery that was unavoidable.Judith, Franchard, and Helenka, were all present at the orphanage in 1946. The latter two discourage Anna; the former encourages Anna and assists in her looking about. This sets up...
Ans: What year is this movie set in?

Generate a question that has the following answer: A portion of history about Indonesia from the first indigenous bishop. for the following movie plot: Though raising the universal aspect of humanity rather than emphasize the religious aspects, this film is about Dutch East Indies (now Indonesia) first indigenous bishop: Monsignor Albertus Soegijapranata SJ, from his inauguration until the end of Indonesia's independence war (19401949). This turbulent decade marked by the end of 350 years of Dutch occupation, entry and commencement of Japanese occupation of Indonesia, the Proclamation of Indonesian Independence, and the return of the Netherlands who tried to get Indonesia back as part of their Dutch Empire, which led to the Indonesian National Revolution. Soegija wrote all these events in his diary reflections, and also its participation in relieving the suffering of people in the midst of the chaos of war. He tried to play a role at all levels, local politics, national and international. (For his participation, President Sukarno awarded him with the title of National Hero of Indonesia.) The film also shows the background and story of the Indonesian nurse Mariyem, Dutch soldier Robert, Dutch war photographer Hendrick and Japanese colonel Nobuzuki, in their own struggle during one of the heaviest periods of Indonesian history.
Ans: what is the film all about ?