input: Paul Henning recalls his reason for choosing Ebsen to play Clampett: "I had seen him on TV and I couldn't imagine anyone else doing the role," he says. "I was fortunate to have him, because he became the cornerstone of the show." Ebsen became famous as Jed Clampett, an easygoing backwoods mountaineer who strikes oil and moves with his family to Beverly Hills, California, in the long-running, fish-out-of-water CBS sitcom The Beverly Hillbillies. Aside from the top-billed Ebsen, principal cast members included Irene Ryan as Jed's mother-in-law, Daisy Moses, also known as Granny; Max Baer Jr. as Jed's dimwitted nephew Jethro Bodine; Donna Douglas as Jed's only child, the curvaceous, critter-loving Elly May Clampett; Raymond Bailey as Milburn Drysdale, a bank president who oversees the Clampett fortune; and Nancy Kulp as Jane Hathaway, Drysdale's secretary. Although scorned by critics, The Beverly Hillbillies attracted as many as 60 million viewers between 1962 and 1971 and was several times the highest-rated series on television. The show also spawned similar Paul Henning-produced rural sitcoms such as Green Acres and Petticoat Junction, which were eventually linked in crossover episode arcs. The Beverly Hillbillies was still earning good ratings when it was cancelled by CBS (because programmers began shunning shows that attracted a rural audience). One episode, "The Giant Jack Rabbit", was the highest-rated half-hour on television to that time and remains the most-watched half-hour sitcom episode. Not all was harmonious among cast members on The Beverly Hillbillies set, especially between the politically conservative Ebsen and the more liberal Kulp. Said Douglas, "They had a different view, so they had some heated discussions about that. They would go at it for weeks." In 1984, Kulp unsuccessfully ran for the U.S. House of Representatives as a Democrat from Pennsylvania. To her dismay, Ebsen supported her Republican opponent, incumbent Representative Bud Shuster, going so far as to tape an ad for Shuster that labeled Kulp as "too liberal". Ebsen claimed she was exploiting her celebrity status and did not know the issues.

Answer this question "were there other controversies on the show?"
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input: Straczynski was a fan of the cartoon He-Man and the Masters of the Universe. He wrote a spec script in 1984 and sent it directly to Filmation. They purchased his script, bought several others, and hired him on staff. During this time he became friends with Larry DiTillio, and when Filmation produced the He-Man spinoff She-Ra: Princess of Power, they both worked as story editors on the show. However, Filmation refused to give them credit on-screen and Straczynski and DiTillio both left and found work with DIC on Jayce and the Wheeled Warriors. Straczynski and DiTillio also worked to create an animated version of Elfquest but that project soon fell through when CBS attempted to retool the show to appeal to younger audiences. While working on Jayce, Straczynski was hired to come aboard the Len Janson and Chuck Menville project to adapt the movie Ghostbusters to an animated version called The Real Ghostbusters. When Janson and Menville learned that there was not only a 13-episode order but a 65-episode syndication order as well, they decided that the workload was too much and that they would only work on their own scripts. DIC head Jean Chalopin asked Straczynski to take on the task of story editing the entire 78-episode block as well as writing his own scripts. After the show's successful first season, consultants were brought in to make suggestions for the show, including changing Janine to a more maternal character, giving every character a particular "job" (Peter is the funny one, Egon is the smart one, and Winston, the only black character, was to be the driver), and to add kids into the show. Straczynski left at this point and Janson and Menville took on the story editing job for the second network season. Straczynski then developed a show called Spiral Zone but left after only one script when his concept for the show was drastically altered and took his name off the series, substituting the pseudonym "Fettes Grey" (derived from the names of the grave robbers in The Body Snatcher). Straczynski also wrote for CBS Storybreak, writing an adaptation of Evelyn Sibley Lampman's The Shy Stegosaurus of Cricket Creek.

Answer this question "did these changes happen?"
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input: In 1930, he became a broadcaster with the CBS Radio network, delivering a nightly news and commentary program. After two years, he switched to the NBC Radio network but returned to CBS in 1947. In contrast to today's practices, Thomas was not an employee of either NBC News or CBS News. Prior to 1947, he was employed by the broadcast's sponsor Sunoco. He returned to CBS to take advantage of lower capital-gains tax rates, establishing an independent company to produce the broadcast which he sold to CBS. He hosted the first-ever television news broadcast in 1939 and the first regularly scheduled television news broadcast (even though it was just a camera simulcast of his radio broadcast) beginning on February 21, 1940 over local station W2XBS (now WNBC) New York. It is not known whether all or some of the radio/TV simulcasts were carried by the two other television stations capable of being fed programs by W2XBS at the time, which were W2XB (now WRGB) Schenectady and W3XE (now KYW-TV) Philadelphia). In the summer of 1940, Thomas anchored the first live telecast of a political convention, the 1940 Republican National Convention which was fed from Philadelphia to W2XBS and on to W2XB. Reportedly, Thomas wasn't even in Philadelphia, instead anchoring the broadcast from a New York studio and merely identifying speakers who addressed the convention. The television news simulcast was a short-lived venture for him, and he favored radio. Indeed, it was over radio that he presented and commented upon the news for four decades until his retirement in 1976, the longest radio career of anyone in his day (a record later surpassed by Paul Harvey). "No other journalist or world figure, with the possible exception of Winston Churchill, has remained in the public spotlight for so long," wrote Norman R. Bowen in Lowell Thomas: The Stranger Everyone Knows (1968). His signature sign-on was "Good evening, everybody" and his sign-off "So long, until tomorrow," phrases that he would use in titling his two volumes of memoirs.

Answer this question "How did his first television broadcast go?"
output:
it was just a camera simulcast of his radio broadcast