Some context: Timbiriche (also known for a brief time as La Banda Timbiriche) was a Mexican pop music group. The group started as a children's group in 1982 and managed to evolve successfully into adulthood. Timbiriche is considered one of the most iconic Latin Pop acts of the 1980s and the early 1990s. It was the seed of numerous figures in the Latin American entertainment world, including successful singers like Thalia, Paulina Rubio and Edith Marquez, as well as actors, composers and conductors.
Without the majority of its original members, the group was in decline, but the producers decided to continue with the concept and bet on launching a new generation. Surprisingly, in the midst of production, Claudio is fired from the group. By the end of 1991, the band returns with five new members: Lorena Shelley, Daniel Gaytan, Tannya Velasco, Kenya Hijuelos and Alexa Lozano. Together with Diego and Silvia they record the album Timbiriche XI. Kenya leaves the group before the official presentation of the disc by decision of the creators of the group by conflicts between the new members, being replaced by Jean Duverger. This second generation is officially presented during a broadcast of Siempre en domingo, in which all former members were invited to introduce the new members. This meeting was unique, since it had almost all the members of the group, being the only ones missing Diego, due to health problems and Thalia, who was working in Spain. Despite retaining the name and concept in general, there was a new musical style that mixed dance and tropical rhythms. Although the album was not so popular with fans of the first generation, it began to appeal to younger generations, thanks to hitls like Vanidosa, Solo te quiero a ti, Tierra dorada, and Piel a piel, receiving disc of Gold and platinum by high sales. Thanks to this the group could survive another year. For 1993 they record Timbiriche XII, disc of which it was detached like the last success of the group: Muriendo Lento (cover of Slowly original song of the ex- singer of the Swedish group ABBA, Anni-Frid Lyngstad). But at the beginning of 1994 Alexa decided to leave the group, announcing it in a concert in Monterrey to the fans without having said before to the managers and companions. This was one of the reasons that led to the final disintegration.
Did these singles receive any awards?
A:
Some context: William Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products. Young Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in Fleet Prison for five years.
In 1731 Hogarth completed the earliest of his series of moral works, a body of work that led to significant recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting - the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease. The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling - the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733-34) are displayed in the gallery room at Sir John Soane's Museum, London, UK. When the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognize the authorial rights of an individual artist.
What time frame was this?
A: The inaugural series was an immediate success and was followed in 1733-1735 by the sequel A Rake's Progress.
Some context: Blue Oyster Cult (often abbreviated BOC or BOC) is an American hard rock band formed on Long Island, New York, in 1967, whose most successful work includes the hard rock songs"(Don't Fear) The Reaper", "Godzilla" and "Burnin' for You". Blue Oyster Cult has sold over 24 million records worldwide, including 7 million records in the United States alone. The band's music videos, especially "Burnin' for You", received heavy rotation on MTV when the music television network premiered in 1981, cementing the band's contribution to the development and success of the music video in modern popular culture.
Their debut album Blue Oyster Cult was released in January 1972, with a black and white cover designed by artist Bill Gawlik. The album featured the well-known BOC songs "Cities on Flame with Rock and Roll", "Stairway to the Stars" and "Then Came the Last Days of May". By this time, the band's sound had become more oriented toward hard rock, but songs like "She's As Beautiful As a Foot" and "Redeemed" also showed a strong element of the band's psychedelic roots. All of the band members except for Allen Lanier sang lead, a pattern that would continue on many subsequent albums, although lead singer Eric Bloom sang the majority of the songs. The album sold well, and Blue Oyster Cult toured with artists such as The Byrds, Mahavishnu Orchestra and Alice Cooper. During the touring process, the band's sound became heavier and more direct. Their next album Tyranny and Mutation, released in 1973, was written while the band was on tour for their first LP. It contained songs such as "The Red and the Black" (an ode to the Royal Canadian Mounted Police and a rewrite of "I'm On the Lamb But I Ain't No Sheep" from the debut album), "Hot Rails to Hell" and "Baby Ice Dog", the first of the band's many collaborations with Patti Smith. It featured a harder-rocking approach than before, though the band's songs were also growing more complex. The album outsold its predecessor, a trend that would continue with their next few albums. The band's third album, Secret Treaties (1974) received positive reviews, featuring songs such as "Career of Evil" (co-written by Patti Smith), "Dominance and Submission" and "Astronomy". As a result of constant touring, the band was now capable of headlining arenas. The album continued the trend of growing sales, and would eventually go gold. As the three albums during this formative period all had black-and-white covers, the period of their career has been dubbed the 'black and white years' by fans and critics.
did they tour with rock bands?
A:
Blue Oyster Cult toured with artists such as The Byrds, Mahavishnu Orchestra and Alice Cooper.