Q: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Who approaches the main characters at the diner? Movie plot title: Midnight Cowboy Movie plot: As the film opens, Joe Buck (Jon Voight), a young Texan working as a dishwasher, dresses in new cowboy clothing, packs a suitcase, and quits his job. He heads to New York City hoping to succeed as a male prostitute for women. Initially unsuccessful, he succeeds in bedding a well-to-do middle-aged New Yorker (Sylvia Miles), but Joe ends up giving her money. Joe then meets Enrico Salvatore "Ratso" Rizzo (Dustin Hoffman), a street con man with a limp who takes $20 from Joe by offering to introduce him to a known pimp (John McGiver). Joe flees the encounter in pursuit of Ratso. Joe spends his days wandering the city and sitting in his hotel room. Soon broke, he is locked out of his hotel room and most of his belongings are impounded. He tries to make money by agreeing to receive oral sex from a young man (Bob Balaban) in a movie theater. When Joe learns that the young man has no money, Joe threatens him and asks for his watch, but eventually lets him go. The following day, Joe spots Ratso and angrily shakes him down. Ratso offers to share the apartment in which he is squatting in a condemned building. Joe accepts reluctantly, and they begin a "business relationship" as hustlers. As they develop a bond, Ratso's health, which has never been good, grows steadily worse. Joe's story is told through flashbacks. His grandmother raises him after his mother abandons him, and his grandmother abuses him. He also has a tragic relationship with Annie, a local girl. Ratso's backstory comes through stories he tells Joe. His father was an illiterate Italian immigrant shoe-shiner, who worked in a subway station. He developed a bad back, and "coughed his lungs out from breathin' in that wax all day". Ratso learned shining from his father but won't stoop so low as to do so. He dreams of moving one day to Miami. An unusual couple approach Joe and Ratso in a diner and hand Joe a flyer, inviting him to a party. They enter a Warhol-esque party scene (with Warhol superstars in cameos). Joe smokes a joint, thinking it's a normal...
A: An unusual couple
Question: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: In which phase does the quarrel arose between Alexei and Natalia? Movie plot title: The Mirror Movie plot: Structure and content[edit] Mirror depicts the thoughts, emotions and memories of Alexei, or Alyosha (Ignat Daniltsev), and the world around him as a child, adolescent, and forty-year-old. The adult Alexei is only briefly glimpsed, but is present as a voice-over in some scenes including substantial dialogue. The structure of the film is discontinuous and nonchronological, without a conventional plot, and combines incidents, dreams and memories along with some news-reel footage. The film switches among three different time-frames: prewar (1935), war-time (1940s), and postwar (1960s or '70s). Mirror draws heavily on Tarkovsky's own childhood. Memories such as the evacuation from Moscow to the countryside during the war, a withdrawn father and his own mother, who actually worked as a proof-reader at a printing press, feature prominently. Synopsis[edit] The film opens with Alexei's adolescent son Ignat (also played by Ignat Daniltsev) switching on a televisor and watching the examination of a stammerer by a physician. After the opening titles roll, a scene is set in the countryside during prewar times in which Alexei's mother Maria (Margarita Terekhova) also called Masha and Marusya talks with a doctor (Anatoli Solonitsyn) who chances to be passing by. The exterior and interior of Alexei's grandfather's country house are seen. The young Alexei, his mother and sister watch as the family barn burns down. In a dream sequence Maria is washing her hair. Now in the postwar time-frame, Alexei is heard talking with his mother Maria on the phone while rooms of an apartment are seen. Switching back to the prewar time-frame, Maria is seen rushing frantically to her work-place as a proof-reader at a printing press. She is worrying about a mistake she may have overlooked, but is comforted by her colleague Liza (Alla Demidova), who then abruptly reduces her to tears with withering criticism. Back in postwar time, Alexei quarrels with his wife, Natalia (also played by Margarita Terekhova), who has divorced him and is...
Answer: In the postwar sequence.
Question: Please answer the following question about this movie plot. If it's un-answerable, please output "No answer". Question: Who got set on fire? Movie plot title: Bad Day at Black Rock Movie plot: In late 1945, one-armed John J. Macreedy (Spencer Tracy) gets off a passenger train at the isolated desert hamlet of Black Rock. It is the first time in four years that the train has stopped there. Macreedy is looking for a man named Komoko, but the few residents are inexplicably hostile. The young hotel desk clerk, Pete Wirth (John Ericson), claims he has no vacant rooms. Macreedy is threatened by Hector David (Lee Marvin). Later, Reno Smith (Robert Ryan) informs Macreedy that Komoko, a Japanese-American, was interned during World War II. Certain that something is wrong, Macreedy sees the local sheriff, Tim Horn (Dean Jagger), but the alcoholic lawman is clearly afraid of Smith and is impotent to help. The veterinarian and undertaker, Doc Velie (Walter Brennan), advises Macreedy to leave town immediately, but also lets slip that Komoko is dead. Pete's sister, Liz (Anne Francis), rents Macreedy a Jeep. He drives to nearby Adobe Flat, where he finds a homestead burned to the ground and wildflowers. On the way back, Coley Trimble (Ernest Borgnine) tries to run him off the road. When Smith asks, Macreedy reveals he lost his left arm fighting in Italy. Macreedy says the wildflowers at the Komoko place lead him to suspect that a body is buried there. Smith reveals that he is virulently anti-Japanese; he tried to enlist in the Marines the day after the attack on Pearl Harbor, but failed the physical. Macreedy tries to telephone the state police, but Pete refuses to put the call through. Doc Velie admits that something terrible happened four years ago and that Smith has everyone too terrified to speak up. Velie offers Macreedy his hearse to leave town. Hector rips out the distributor cap and spark plug wires. Macreedy goes to Hastings' (Russell Collins) telegraph office and writes a telegram addressed to the state police. At the town diner, Trimble picks a fight with Macreedy, but Macreedy uses martial arts to beat him up. Macreedy tells Smith that he knows Smith killed Komoko and that he was too cowardly to do it...
Answer:
Smith