Background: Thich Quang Duc (Vietnamese: [thic kwa:NG dik] ( listen); 1897--11 June 1963, born Lam Van Tuc), was a Vietnamese Mahayana Buddhist monk who burned himself to death at a busy Saigon road intersection on 11 June 1963. Quang Duc was protesting the persecution of Buddhists by the South Vietnamese government led by Ngo Dinh Diem. Photographs of his self-immolation were circulated widely across the world and brought attention to the policies of the Diem government. John F. Kennedy said in reference to a photograph of Duc on fire, "No news picture in history has generated so much emotion around the world as that one."
Context: Accounts of the life of Quang Duc are derived from information disseminated by Buddhist organizations. He was born in the village of Hoi Khanh, in Van Ninh District of Khanh Hoa Province in central Vietnam as Lam Van Tuc, one of seven children of Lam Huu Ung and his wife, Nguyen Thi Nuong. At the age of seven, he left to study Buddhism under Hoa thuong Thich Hoang Tham, who was his maternal uncle and spiritual master. Thich Hoang Tham raised him as a son and Lam Van Tuc changed his name to Nguyen Van Khiet. At age 15, he took the samanera (novice) vows and was ordained as a monk at age 20 under the dharma name Thich Quang Duc. The Vietnamese name Thich (Shi ) is from "Thich Ca" or "Thich Gia" (Shi Jia ), means "of the Shakya clan." After ordination, he traveled to a mountain near Ninh Hoa, vowing to live the life of a solitary Buddhism-practicing hermit for three years. He returned in later life to open the Thien Loc pagoda at his mountain retreat. After his self-imposed isolation ended, he began to travel around central Vietnam expounding the dharma. After two years, he went into retreat at the Sac Tu Thien An pagoda near Nha Trang. In 1932, he was appointed an inspector for the Buddhist Association in Ninh Hoa before becoming the inspector of monks in his home province of Khanh Hoa. During this period in central Vietnam, he was responsible for the construction of 14 temples. In 1934, he moved to southern Vietnam and traveled throughout the provinces spreading Buddhist teachings. During his time in southern Vietnam, he also spent two years in Cambodia studying the Theravada Buddhist tradition. After his return from Cambodia, he oversaw the construction of a further 17 new temples during his time in the south. The last of the 31 new temples that he was responsible for constructing was the Quan The Am pagoda in the Phu Nhuan District of Gia Dinh Province on the outskirts of Saigon. The street on which the temple stands was later renamed Quang Duc Street in 1975. After the temple-building phase, Duc was appointed to serve as the Chairman of the Panel on Ceremonial Rites of the Congregation of Vietnamese Monks, and as abbot of the Phuoc Hoa pagoda, which was the initial location of the Association for Buddhist Studies of Vietnam (ABSV). When the office of the ABSV was relocated to the Xa Loi Pagoda, the main pagoda of Saigon, Duc resigned.
Question: What was his childhood like?
Answer: At the age of seven, he left to study Buddhism under Hoa thuong Thich Hoang Tham, who was his maternal uncle and spiritual master.

Background: Callen Radcliffe "Cal" Tjader, Jr. ( CHAY-d@r; July 16, 1925 - May 5, 1982) was an American Latin jazz musician, known as the most successful non-Latino Latin musician. He explored other jazz idioms, even as he continued to perform the music of Cuba, the Caribbean, and Latin America for the rest of his life. Tjader played the vibraphone primarily. He was accomplished on the drums, bongos, congas, timpani, and the piano.
Context: After recording for Fantasy for nearly a decade, Tjader signed with better-known Verve Records, founded by Norman Granz but owned then by MGM. With the luxury of larger budgets and seasoned recording producer Creed Taylor in the control booth, Tjader cut a varied string of albums. During the Verve years Tjader worked with Donald Byrd, Lalo Schifrin, Anita O'Day, Willie Bobo, Armando Peraza, a young Chick Corea, Clare Fischer, Jimmy Heath, Kenny Burrell, and others. Tjader recorded with big band orchestras for the first time, and even made an album based on Asian scales and rhythms. His biggest success was the album Soul Sauce (1964). Its title track, a Dizzy Gillespie cover Tjader had been toying with for over a decade, was a radio hit (hitting the top 20 on New York's influential pop music station WMCA in May 1965), and landed the album on Billboard's Top 50 Albums of 1965. Titled "Guachi Guaro" (a nonsensical phrase in Spanish), Tjader transformed the Gillespie/Chano Pozo composition into something new. (The name "Soul Sauce" came from Taylor's suggestion for a catchier title and Bobo's observation that Tjader's version was spicier than the original.) The song's identifiable sound is a combination of the call-outs made by Bobo ("Salsa ahi na ma ... sabor, sabor!") and Tjader's crisp vibes work. The album sold over 100,000 copies and popularized the word salsa in describing Latin dance music. The 1960s were Tjader's most prolific period. With the backing of a major record label, he could afford to stretch out and expand his repertoire. The most obvious deviation from his Latin jazz sound was Several Shades of Jade (1963) and the follow-up Breeze From the East (1963). Both albums attempted to combine jazz and Asian music, much as Tjader and others had done with Afro-Cuban. The result was dismissed by the critics, chided as little more than the dated exotica that had come and gone in the prior decade. Other experiments were not so easily dismissed. Tjader teamed up with New Yorker Eddie Palmieri in 1966 to produce El Sonido Nuevo ("The New Sound"). A companion LP was recorded for Palmieri's contract label, Tico, titled Bamboleate. While Tjader's prior work was often dismissed as "Latin lounge", here the duo created a darker, more sinister sound. Cal Tjader Plays The Contemporary Music Of Mexico And Brazil (1962), released during the bossa nova craze, actually bucked the trend, instead using more traditional arrangements from the two countries' past. In the late 1960s Tjader, along with guitarist Gabor Szabo and Gary McFarland, helped to found the short-lived Skye record label. Tjader's work of this period is characterized by Solar Heat (1968) and Tjader Plugs In (1968-69), precursors to acid jazz.
Question: Which track was in the albulm?
Answer:
a Dizzy Gillespie cover Tjader had been toying with for over a decade,