Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

[EX Q]: CONTEXT: The problem wasn't so much that she resurrected him, as how she did it. She controlled time itself and wrapped it around him, giving him life with a power that she didn't understand. Imagine it as someone who has a prosthetic limb and needs to learn to control it. She tried to place something (his life) gently back into time and instead punched out violently. Time around him solidified as if it were that paste that goes solid with kinetic energy. She made it so that his death was something that just couldn't happen, wrapping him in time energy that jumpstarts his system whenever he dies, almost like an antivirus seeking out a problem with a program and fixing it. Of course, over time that energy would wear down and eventually dissipate, in this case by his own choice which allowed him to finally die. Exposure to time travellers would likely drain some of the energy too, as would the vortex he guarded in Torchwood. It never got explained but I like to think that the whole Face of Boe thing came about due to cellular mutations introduced in his system over the course of millions of reconstitutions over the years. Having the effect turn off (like it did in Miracle Day, for example) every so often would allow him to be mutated from radiation enough that over centuries he could become as he was when he died. That's my personal view on things. <sep> Q: How did Rose make Jack immortal? A: She made it so that his death was something that just couldn't happen Q: How did she revive Jack? A: She controlled time itself and wrapped it around him, giving him life with a power that she didn't understand Q: How did Rose use the Time Vortex power? A: wrapping him in time energy that jumpstarts his system whenever he dies, almost like an antivirus seeking out a problem with a program and fixing it <sep> FOLLOWUP_Q: How often does he die and need this done?
[EX A]: Yes

[EX Q]: CONTEXT: My guess is that it was relevant only at that particular moment. It was an expression of humans' attitude towards Clark. Just like criminals who are not accepted as 'normal' members of a society and stay behind bars in prisons or lines in this particular case, and treated differently from the rest of the society, Clark was also a stranger, an alien whose intentions or nature wasn't fully understood, so seeing 'behind the line' phrase behind Clark bears that symbolism in my opinion. So you can guess that he would be handed over to Zod. Also note - if we continue our analogy with criminals - that he hasn't been tried/appeared before a judge yet. People see him later in action, and he is judged by his actions, and afterwards accepted as an ally i.e. acquitted. And the reason it was painted over maybe because the rest of the phrase was irrelevant, and also if it said detainees - he is not really a detainee, wasn't detained, he surrendered. Or maybe because they couldn't really detain him, he ripped handcuffs off with ease. <sep> Q: What is the full phrase painted over on the ground and its purpose? A: My guess is that it was relevant only at that particular moment <sep> FOLLOWUP_Q: What do you think the full phrase is?
[EX A]: Yes

[EX Q]: CONTEXT: I don't think it's a Czech-specific quip, actually. I believe the idea is that the lines are crude and not very intelligently written, as if someone were translating actual decent dialogue from a language they have poor command of, making the translation very rudimentary and child-like. Or possibly, if there was not a robust movie industry in that nation in the early 1980s, the quality of the output was considered pretty poor. Or some combination of the two. So, languages that were pretty common in the "western" and US part of the world would not work, even if the country was not really familiar (where the language was Spanish, French, German or Italian) or if there were not examples of any movies from a country. Portuguese? Maybe, but a Slavic or Balkan nation or language would be ideal for that line. Probably not Poland, because there was already a Polish stereotype about intelligence that was commonly used in jokes, so there might be some confusion about intent. "Czech" was merely chosen because it's a country an English speaking audience would be aware of, but there would be almost no movies, as of that time, that anyone could reference, making it an obscure scenario. They could have easily used Romania, Bulgaria, but could not use Latvia, Estonia, Ukraine, etc (nations that were, at that time, considered part of the USSR). <sep> Q: What's wrong with subtitles for a Czech movie, as referenced in Tootsie? A: I don't think it's a Czech-specific quip, actually Q: Why does Julie say my lines sound like subtitles for a Czech movie? A: I believe the idea is that the lines are crude and not very intelligently written, as if someone were translating actual decent dialogue from a language they have poor command of <sep> FOLLOWUP_Q: Well, I live in the Czech Republic and was wondering what do our subtitles look like in the US?
[EX A]:
No