Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Catherine Anne O'Hara {'1': ", '2': ", '3': ", '4': "} (born March 4, 1954) is a Canadian-American actress, writer, and comedian. She is known for her comedy work on "Second City Television" (197684) and in films such as "After Hours" (1985), "Beetlejuice" (1988), "Home Alone" (1990), "" (1992), and "The Nightmare Before Christmas" (1993). Her other film appearances include the mockumentary films written and directed by Christopher Guest: "Waiting for Guffman" (1996), "Best in Show" (2000), "A Mighty Wind" (2003), and "For Your Consideration" (2006). Context_2 : The Stu Osborn Show is a 2007 web viral video advertisement for Microsoft. It is made to look like a mockumentary of a fictional television interview show of the same name. The video is directed by Christopher Guest who is well known for being the creative force behind other mockumentaries like "Waiting for Guffman" and "Best In Show". It stars Michael Hitchcock as Stu Osborn, the awkward and somewhat disoriented "host" and Fred Willard as a failed businessman-turned-author who is Osborn's "guest." Much of the dialogue is improvised by the actors. Both Hitchcock and Willard are frequent performers in Guest's films. Context_3 : Eugene Levy, CM (born December 17, 1946) is a Canadian actor, comedian, producer, director, musician and writer. He is the only actor to have appeared in all eight of the "American Pie" films, in his role as Noah Levenstein. He often plays nerdy, unconventional figures, with his humour often deriving from his excessive explanations of matters and the way in which he deals with sticky situations. Levy is a regular collaborator of actor-director Christopher Guest, appearing in and co-writing four of his films, commencing with "Waiting for Guffman" (1997). Context_4 : Best in Show is a 2000 American mockumentary comedy film co-written (along with Eugene Levy) and directed by Christopher Guest. The film follows five entrants in a prestigious dog show, and focuses on the slightly surreal interactions among the various owners and handlers, as they travel to the show and then compete during the show. There are also short depictions of the characters six months after the show is over. Among the comedic aspects of the film are similarities between the personalities and characteristics of the owners and those of their dogs. Much of the dialogue was improvised. Many of the comic actors were also involved in Guest's other films, including "This Is Spinal Tap", "Waiting for Guffman", "A Mighty Wind", "For Your Consideration", and "Mascots". Context_5 : Christopher Haden-Guest, 5th Baron Haden-Guest (born February 5, 1948), simply known as Christopher Guest, is an English-American screenwriter, composer, musician, director, actor, and comedian who holds dual British and American citizenship. Guest is most widely known in Hollywood for having written, directed and starred in his series of comedy films shot in mock-documentary (mockumentary) style. Many scenes and character backgrounds in Guest's films are written and directed, although actors have no rehearsal time and the ensemble improvise scenes while filming them. The series of films began with "This Is Spinal Tap" (directed by Rob Reiner), and continued with "Waiting for Guffman", "Best In Show", "A Mighty Wind", "For Your Consideration", and "Mascots". Context_6 : Waiting for Guffman is a 1997 American mockumentary comedy film co-written and directed by Christopher Guest. The film's cast includes Catherine O'Hara, Eugene Levy, Fred Willard, and Parker Posey. Context_7 : Frederick Charles "Fred" Willard (born September 18, 1939) is an American actor, comedian, voice actor and writer, best known for his improvisational comedy. He is known for his roles in the Rob Reiner mockumentary film "This Is Spinal Tap", the Christopher Guest mockumentary films "Waiting for Guffman", "Best in Show", "A Mighty Wind", "For Your Consideration", and "Mascots", and the "" films. He is an alumnus of The Second City. He received three Emmy nominations for his recurring role on the TV series "Everybody Loves Raymond" as Robert Barone's father-in-law, Hank MacDougall. In 2010 he received an Emmy nomination for Outstanding Guest Actor in a Comedy Series for his role on the ABC TV series "Modern Family" as Phil Dunphy's father, Frank Dunphy. Context_8 : "Waiting at the Church" is a popular British music hall song written by Fred Leigh (words) and Henry Pether (music) for Vesta Victoria. It is sung by a bride-to-be who has given her fiance, Obadiah Binks, all her money to buy a ring or a house only to be left "waiting at the church", and finds out the truth when Obadiah sends her a note telling her he is already married. It has featured in a number of films since the earliest days of cinema. The silent film "Waiting at the Church" featured a performance by Victoria as she acted out the lyrics. Several other silent films were made to accompany recordings of the song. Sound films which use the song include "Here Come the Huggetts", "Millions Like Us" and "I Thank You". Richard Thompson included it on his album "1000 Years of Popular Music". It has also been covered many times, including by Julie Andrews and Miss Piggy. Context_9 : "Waiting for Duffman" is the seventeenth episode of the twenty-sixth season of the American animated sitcom "The Simpsons", and the 569th overall episode of the series. It originally aired on the Fox network in the United States on March 15, 2015. R. Lee Ermey reprises his role of Colonel Leslie Hapablap from "Sideshow Bob's Last Gleaming". The title is a play on "Waiting for Guffman". Context_10 : Parker Christian Posey (born November 8, 1968) is an American actress and musician. Following her role in Richard Linklater's 1993 cult hit "Dazed and Confused", she became known during the 1990s after a series of roles in independent films such as "Party Girl" (1995) and "The House of Yes" (1997) that gained her the nickname "Queen of the Indies". She later played improvisational roles in Christopher Guest mockumentaries, including "Waiting for Guffman" (1996), "Best in Show" (2000), "A Mighty Wind" (2003), "For Your Consideration" (2006) and "Mascots" (2016). Her other film appearances include "You've Got Mail" (1998), "Scream 3" (2000), "Superman Returns" (2006), and the Woody Allen films "Irrational Man" (2015) and "Cafe Society" (2016). On television, Posey has guest-starred in series such as "Will & Grace", "Boston Legal", "The Good Wife", "Louie", "Parks and Recreation", and "Search Party". fact_1 : The film's cast includes Catherine O'Hara, Eugene Levy, Fred Willard, and Parker Posey. fact_2 : Eugene Levy, CM (born December 17, 1946) is a Canadian actor, comedian, producer, director, musician and writer. Question: What Canadian actor acted with Catherine O'hara in "Waiting for Guffman"?
Solution:
Eugene Levy