input: Singh's musical career began when his guru Rajendra Prasad Hazari, who felt that "Indian classical music was a dying tradition", insisted he leave his hometown and participate in the reality show Fame Gurukul (2005) at the age of 18. He approached the finals of the programme but was eliminated by audience polling, finishing in sixth place. During the show, filmmaker Sanjay Leela Bhansali recognised his talent and had him sing "Yun Shabnami" a song scheduled to be used in his upcoming film Saawariya. During production, the script changed and the song was no longer required. It was never released. After the Fame Gurukul, Kumar Taurani, the head of Tips, signed him for an album which was never released. He won another reality show 10 Ke 10 Le Gaye Dil. He chose to move to Mumbai in the 2006 to freelance, staying in a rented room in the Lokhandwala area of the city. He invested the prize money from 10 ke 10 Le Gaye Dil to build his own recording studio. He became a music producer and began composing music and singing pieces for advertisements, news channels and radio stations. Singh spent part of his early musical career as a music programmer and music producer for music directors such as Shankar-Ehsaan-Loy, Vishal-Shekhar, Mithoon, Monty Sharma and Pritam. While working with other composers he supervised the vocals, and the chorus sections. But it was while working with Pritam, that he began to produce and program music by himself. About his early life struggles, he said, "One has to suffer pain to reach their destination, those days when I failed to get work, I thought about quitting and going back in my hometown, but I realised that one should concentrate on one's work no matter what happens." On his move from the small village of Jiaganj to a city like Mumbai he later said, "Mumbai is a place which is made up of small town boys and girls who come to Mumbai to try their luck, but what counts is 'hard work'".

Answer this question "What was his home town?"
output:

input: Earth Crisis had a huge impact on both the hardcore punk music and its ideals. MetalSucks said: "For anybody who was not in the hardcore scene back then, it is hard to describe the impact they had or how controversial they were. You either loved them or hated them for bringing both metal and veganism into the hardcore scene". Sociologist Ross Haenfler stated in The Vinyl Factory that "Earth Crisis became the face of straight edge throughout the 1990s" through "the convergence of 'radical' animal rights activism, a more aggressive 'metalcore' sound, and hardcore crews", becoming "one of the most controversial bands in the scene's history." Their albums Firestorm, Destroy the Machines and Gomorrah's Season Ends were particularly influential for the emerging metalcore genre. According to Andrew O'Neill, "Earth Crisis inspired a much more heavy metal sound in hardcore" and "the distinction between the two [genres] started to crumble" shortly after those records were released. To a large extent, Earth Crisis was responsible for the rising of vegan straight edge militancy in the mid- to late 90s, when veganism was rarely present in mainstream culture. Haenfler said that, while "earlier straight edge bands advocated vegetarianism - for example Youth of Today, Insted and Manliftingbanner", Earth Crisis "made animal rights (and environmentalism) central to the scene" as a "self-described 'vegan straight edge' band", "inspiring thousands of kids to give up animal products entirely." They also spawned many activists in the scene because their message "imparted the sense of urgency in a way that nothing else that ever come before had", according to Peter Daniel Young. Some of their songs went on to be considered by some as anthems, such as "Firestorm" for straight edge and "Ultramilitance" for eco-terrorists. They also drew major media attention, having been featured and interviewed by CNN, CBS and The New York Times, while lead singer Karl Buechner was invited to address the Congress about teens and substance abuse.

Answer this question "What is the legacy of the band Earth Crisis? Have they spawned other bands?"
output: Earth Crisis had a huge impact on both the hardcore punk music and its ideals.

input: The show's house band was The Max Weinberg 7, led by drummer Max Weinberg, who also served as a sounding board for O'Brien on the show (more so after Andy Richter's departure). The other six members were Mark Pender on trumpet, Richie "LaBamba" Rosenberg on trombone, Mike Merritt on bass, Jerry Vivino on saxophone and brother Jimmy Vivino on guitar, and Scott Healy on keyboards. James Wormworth served as backup drummer when Weinberg went on tour with Bruce Springsteen. With the departure of Andy Richter, Max Weinberg assumed a bigger role as an interlocutor for O'Brien's jokes. One common running gag was Max's awkwardness on camera and his apparent lack of chemistry with Conan. Weinberg was often used in sketches as well, which usually revolved around his purported sexual deviance (mostly a penchant for bedding barely legal groupies), although long-running sketches also spoofed Max's lack of knowledge of current affairs. "LaBamba" was also used as the butt of many of Conan's jokes. These humorous sketches usually revolved around LaBamba's sizeable mustache, his poor acting skills, and his alleged inability to read written music. Mark Pender would often sing songs on the topic of a current event which ended with him screeching uncontrollably and climbing the risers into the audience. All members of the 7 had successful side careers as studio musicians. As is common in the talk show format, the Max Weinberg 7 performed the show's opening and closing themes, played bumpers into and out of commercial breaks (they actually played through the entire break for the studio audience), and a short piece during O'Brien's crossover to his desk after his monologue (except for several months beginning in April 2008, where a commercial break was inserted at that point). The show's opening theme was written by Howard Shore and John Lurie (a finalist for the job as band leader). The show's closing theme was called "Cornell Knowledge", and was lifted from Jerry and Jimmy Vivino's first album together. However, on Late Night, it was played at a much quicker tempo than the album version. The band played a wide variety of songs as bumpers--usually popular music from a variety of eras. Weinberg sometimes took extended leaves of absence to tour with Bruce Springsteen as the drummer for his E Street Band. During his absence, temporary replacement drummers were hired (most commonly James Wormworth), and the band was led by Jimmy Vivino ("Jimmy Vivino and the Max Weinberg 7").

Answer this question "What style music did they play?"
output:
The band played a wide variety of songs as bumpers--usually popular music from a variety of eras.