Background: Steven Norman Carlton (born December 22, 1944), nicknamed "Lefty", is a former Major League Baseball left-handed pitcher. He pitched from 1965 to 1988 for six different teams in his career, but it is his time with the Philadelphia Phillies where he received his greatest acclaim as a professional and won four Cy Young Awards. He was elected to the Baseball Hall of Fame in 1994. Carlton has the second-most lifetime strikeouts of any left-handed pitcher (4th overall), and the second-most lifetime wins of any left-handed pitcher (11th overall).
Context: Carlton slumped in 1973, losing 20 games. The media's questioning of his unusual training techniques led to an acrimonious relationship between them and Carlton. In 1976, upon the advice of his lawyer Edward L. Wolf, decided to sever all ties with the media, and refused to answer press questions for the rest of his career with the Phillies. This reached a point where, in 1981, while the Mexican rookie Fernando Valenzuela was achieving stardom with the Los Angeles Dodgers, a reporter remarked, "The two best pitchers in the National League don't speak English: Fernando Valenzuela and Steve Carlton." Media charges of bigotry and anti-Semitism In 1994 he agreed to an interview with writer Pat Jordan at his home in Durango, Colorado. The result was the story "Thin Mountain Air" in the April 1994 issue of Philadelphia magazine. This article was noted by the New York Times as being the source of numerous claims about Steve Carlton's political and social beliefs: "According to Pat Jordan, the writer of the article, Carlton alternately said that the world is ruled or controlled by the Russian and United States Governments, which 'fill the air with low-frequency sound waves,' the Elders of Zion, British intelligence agencies, '12 Jewish bankers meeting in Switzerland' and 'a committee of 300 which meets at a roundtable in Rome.' Not only that, but Carlton also charges, according to Jordan, that President Clinton has 'a black son' he won't acknowledge and that the AIDS virus was created at a secret Maryland biological warfare laboratory to get rid of gays and blacks.'" This same New York Times article notes that teammate Tim McCarver defended Carlton against charges of being a bigot and an anti-Semite, though he acknowledged "If he's guilty of anything, it's believing some of the material he reads. Does he become confused with his reading about radical things? Yes. I've told him that. Does that translate into him being anti-Semitic? No."
Question: how did the interview go
Answer: This article was noted by the New York Times as being the source of numerous claims about Steve Carlton's political and social beliefs: "

Question:
Toru Takemitsu (Wu Man Che , Takemitsu Toru, October 8, 1930 - February 20, 1996) pronounced [takemitsW to:rW] was a Japanese composer and writer on aesthetics and music theory. Largely self-taught, Takemitsu possessed consummate skill in the subtle manipulation of instrumental and orchestral timbre. He is famed for combining elements of oriental and occidental philosophy to create a sound uniquely his own, and for fusing opposites together such as sound with silence and tradition with innovation. He composed several hundred independent works of music, scored more than ninety films and published twenty books.
Takemitsu was born in Tokyo on October 8, 1930; a month later his family moved to Dalian in the Chinese province of Liaoning. In 1938 he returned to Japan to attend elementary school, but his education was cut short by military conscription in 1944. Takemitsu described his experience of military service at such a young age, under the Japanese Nationalist government, as "... extremely bitter". Takemitsu first became really conscious of Western classical music during his term of military service, in the form of a popular French Song ("Parlez-moi d'amour") which he listened to with colleagues in secret, played on a gramophone with a makeshift needle fashioned from bamboo. During the post-war U.S. occupation of Japan, Takemitsu worked for the U.S. Armed Forces, but was ill for a long period. Hospitalised and bed-ridden, he took the opportunity to listen to as much Western music as he could on the U.S. Armed Forces network. While deeply affected by these experiences of Western music, he simultaneously felt a need to distance himself from the traditional music of his native Japan. He explained much later, in a lecture at the New York International Festival of the Arts, that for him Japanese traditional music "always recalled the bitter memories of war". Despite his almost complete lack of musical training, and taking inspiration from what little Western music he had heard, Takemitsu began to compose in earnest at the age of 16: "... I began [writing] music attracted to music itself as one human being. Being in music I found my raison d'etre as a man. After the war, music was the only thing. Choosing to be in music clarified my identity." Though he studied briefly with Yasuji Kiyose beginning in 1948, Takemitsu remained largely self-taught throughout his musical career.
Answer this question using a quote from the text above:

Where did he go to school?

Answer:
In 1938 he returned to Japan to attend elementary school, but his education was cut short by military conscription in 1944.

Problem: Background: Florence Leontine Mary Welch was born in Camberwell, London on 28 August 1986. Her father is Nick Russell Welch, an advertising executive. Her mother, Evelyn Welch (nee Evelyn Kathleen Samuels), is an American emigrant from New York City who was educated at Harvard University and the Warburg Institute, University of London. Evelyn is currently Professor of Renaissance Studies and Vice-Principal for Arts and Sciences at King's College London.
Context: According to Welch, the band name "Florence + the Machine" had "started off as a private joke that got out of hand. I made music with my friend, who we called Isabella Machine, to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad". In 2006, Welch's performances with Isabella Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice. In 2007, Welch recorded with a band named Ashok, who released an album titled Plans on the Filthy Lucre/About Records label. This album included the earliest version of her later hit "Kiss with a Fist", which at this point was titled "Happy Slap". Florence and the Machine released their debut album Lungs in the United Kingdom on 6 July 2009. The album was officially launched with a set at the Rivoli Ballroom in Brockley, South East London. It peaked at number one in the UK and number two in Ireland. As of 6 August 2009, the album had sold over 100,000 copies in the UK and by 10 August it had been at number two for five consecutive weeks. Following its 25 July 2009 release for download in the United States, the album debuted at number seventeen on the Billboard Heatseekers Albums chart, ultimately peaking at number one. The album was released physically in the US on 20 October by Universal Republic. The album was produced by James Ford, Paul Epworth, Steve Mackey and Charlie Hugall. Welch contributed vocals to David Byrne and Fatboy Slim's 2010 album Here Lies Love, an album about Imelda Marcos. As of January 2011, Welch was working with Drake on material slated for his upcoming album. On 27 February 2011, Welch replaced pregnant Dido and sang her portion of Best Original Song nominee "If I Rise" (from 127 Hours) with A. R. Rahman at the 83rd Academy Awards.
Question: How did florence and isabella meet?
Answer:
I made music with my friend, who we called Isabella Machine, to which I was Florence Robot.