Teacher: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Now, solve this instance: Context_1 : Saving Abel is an American rock band from Corinth, Mississippi, who started in 2004 by Jared Weeks and Jason Null. The band title is from the ancient biblical story of Cain and Abel, that is about a brother who killed his own brother. Band member Jason Null thought up the band title saying "I Googled the story of Cain and Abel and found a line about 'there was no saving Abel,' which just jumped out at me." Context_2 : Global saving glut (also global savings glut, GSG, cash hoarding, dead cash, dead money, glut of excess intended saving, shortfall of investment intentions), describes a situation in which desired saving exceeds desired investment. By 2005 Ben Bernanke, chairman of the Federal Reserve, the central bank of the United States, expressed concern about the "significant increase in the global supply of saving" and its implications for monetary policies, particularly in the United States. Although Bernanke's analyses focused on events in 2003 to 2007 that led to the 20072009 financial crisis, regarding GSG countries and the United States, excessive saving by the non-financial corporate sector (NFCS) is an ongoing phenomenon, affecting many countries. Bernanke's "celebrated (if sometimes disputed)" global saving glut (GSG) hypothesis argued that increased capital inflows to the United States from GSG countries were an important reason that U.S. longer-term interest rates from 2003 to 2007 were lower than expected. Context_3 : The Abel Axe is an electric guitar invented by Jeff Abel from Wyoming, United States and engineered by James Jones. Made from aircraft grade T-6 Billet aluminum, its distinguishing features are the various sized holes dotting the body. All Abel Axes are made in the United States. Abel Axe has won the Emerging Manufacturer Award in the 1999 Annual Manufacturing Awards Ceremony. Mark Slaughter, leader of the band Slaughter, owned an Abel Axe. Context_4 : "Eat the Music" is a song written and recorded by Kate Bush. Columbia Records published it as the lead release from Bush's album "The Red Shoes" in the United States, while EMI chose "Rubberband Girl" everywhere else in the world. In the United Kingdom, a small handful of extremely rare 7" and promotional CD-singles were produced, but were recalled by EMI Records at the last minute. A commercial release followed in 1994 in the Netherlands and Australia, along with a handful of other countries. Context_5 : The Whole Story is the first compilation album by English singer Kate Bush. Released in November 1986, it was Bush's third UK number one album. The compilation went on to become her best-selling release to date, being certified four times platinum in the United Kingdom. Context_6 : Before the Dawn is the second live album by English singer-songwriter Kate Bush, credited to The KT Fellowship. The album was released on 25 November 2016 by Bush's label , and is distributed in the United States by Concord Records. It was recorded during Bush's sell-out 22-date residency, Before the Dawn, at the Hammersmith Apollo in London, which saw her return to the stage following a 35-year absence. Context_7 : Kate Bush is an eponymous five-song 12" EP. It was released by EMI in the United States to promote Kate Bush, who was relatively unknown there at that time. It peaked at #148 in the US Billboard Pop Albums chart. The EP was also released in Canada where she was well known, but with an extra song. Context_8 : Amanda Ulrika Magdalena Mair (pronounced "Mayer") (born 14 June 1994) is a Swedish singer and musician. She released her self-titled debut album in 2012. Her music has been profiled by various publications including "Elle", "Seventeen", and "Billboard" in the United States. Her musical style is frequently compared to Kate Bush. Context_9 : "Running Up That Hill" is a song by the English singer-songwriter Kate Bush. It was the first single from her 1985 album, "Hounds of Love", released in the United Kingdom on 5 August 1985. It was her first 12" single. It was the most successful of Bush's 1980s releases, entering the UK chart at number 9 and eventually peaking at number 3, her second-highest single peak. The single also had an impact in the United States, providing Bush with her first chart hit there since 1978, where it reached the top 30 and featured prominently in the Dance Charts. Bush also performed the song with David Gilmour of Pink Floyd at the . The song's title for "Hounds of Love" and all subsequent releases was "Running Up That Hill (A Deal with God)". Context_10 : Catherine "Kate" Bush, CBE (born 30 July 1958 ) is an English singer-songwriter, musician and record producer. Bush first came to note in 1978 when, aged 19, she topped the UK Singles Chart for four weeks with her debut single "Wuthering Heights", becoming the first female artist to achieve a UK number-one with a self-written song. She has since released twenty-five UK Top 40 singles, including the top ten hits "The Man with the Child in His Eyes", "Babooshka", "Running Up That Hill", "Don't Give Up" (a duet with Peter Gabriel) and "King of the Mountain". She has released ten studio albums, all of which reached the UK Top 10, including the UK number-one albums "Never for Ever" (1980), "Hounds of Love" (1985), and the compilation "The Whole Story" (1986). She is the first British solo female artist to top the UK album charts and the first female artist ever to enter the album chart at number-one. fact_1 : Saving Abel is an American rock band from Corinth, Mississippi, who started in 2004 by Jared Weeks and Jason Null. fact_2 : Catherine "Kate" Bush, CBE (born 30 July 1958 ) is an English singer-songwriter, musician and record producer. Answer: no
Student:
Are Saving Abel and Kate Bush both from the United States?