Background: Haruki Murakami (Cun Shang Chun Shu , Murakami Haruki, born January 12, 1949) is a Japanese writer. His books and stories have been bestsellers in Japan as well as internationally, with his work being translated into 50 languages and selling millions of copies outside his native country. The critical acclaim for his fiction and non-fiction has led to numerous awards, in Japan and internationally, including the World Fantasy Award (2006) and the Frank O'Connor International Short Story Award (2006). His oeuvre received, for example, the Franz Kafka Prize (2006) and the Jerusalem Prize (2009).
Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake. Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border"). Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works.
Question: Did anything else influence his writing style?
Answer: Some analyses see aspects of shamanism in his writing.

Background: Verity Ann Lambert (27 November 1935 - 22 November 2007) was an English television and film producer. She was the founding producer of the science-fiction series Doctor Who and she had a long association with Thames Television. Her many credits include Adam Adamant Lives!
Context: Lambert was born in London, the daughter of a Jewish accountant, and was educated at Roedean School. She left Roedean at sixteen and studied at the Sorbonne in Paris for a year and at a secretarial college in London for eighteen months. She later credited her interest in the structural and characterisational aspects of scriptwriting to an inspirational English teacher. Lambert's first job was the typing of menus at the Kensington De Vere Hotel, which employed her because she had been to France and could speak French. In 1956, she entered the television industry as a secretary at Granada Television's press office. She was sacked from this job after six months. Following her dismissal from Granada, Lambert took a job as a shorthand-typist at ABC Television. She soon became the secretary to the company's Head of Drama and then a production secretary working on a programme called State Your Case. She then moved from administration to production, working on drama programming on ABC's popular anthology series Armchair Theatre and also early episodes of The Avengers, both of which were then overseen by the new Head of Drama, Canadian producer Sydney Newman. Catastrophic incidents could occur on live television of this era. On 30 November 1958, while Lambert was working as a Production Assistant on Armchair Theatre, an actor died during a broadcast of Underground and she had to take responsibility for directing the cameras from the studio gallery while director Ted Kotcheff worked with the actors on the studio floor to accommodate the loss. In 1961, Lambert left ABC, spending a year working as the personal assistant to American television producer David Susskind at the independent production company Talent Associates in New York. Returning to England, she rejoined ABC with an ambition to direct, but she got stuck as a production assistant and decided that, if she could not find advancement within a year, she would abandon television as a career.
Question: Where did she begin her early career?
Answer:
In 1956, she entered the television industry as a secretary at Granada Television's press office.