Problem: Corey Todd Taylor (born December 8, 1973) is an American musician, singer, songwriter, actor, and author, best known as the lead singer and lyricist of the bands Slipknot and Stone Sour. Taylor formed Stone Sour in 1992, playing in the Des Moines area, and working on a demo. He joined Slipknot in 1997 to replace their original vocalist and has subsequently released five studio albums with them. After the first two Slipknot albums went Platinum, Taylor revived Stone Sour to record an album and tour in 2002.

In Des Moines, Iowa, Joey Jordison, Shawn Crahan, and Mick Thomson approached him asking him to join Slipknot. He agreed to go to one of their practices, and ended up singing in front of them. Of Slipknot's nine members, Corey was the sixth to join the band. Performing with Slipknot, he would also come to be known as "Number Eight", being that the band follows a numbering scheme for its members, ranging from 0-8. According to Shawn Crahan, Corey wanted number eight, because it symbolizes infinity. Feeling he could expand more inside Slipknot than in Stone Sour, Taylor temporarily quit Stone Sour, even though they were recording an album with Sean McMahon. Taylor's first gig with Slipknot was on August 22, 1997, which according to band members did not go well. During his first gig, Taylor did not perform wearing a mask; however, for his second show nearly a month later, Corey wore a mask that resembles his debut album mask. Taylor's current mask was described by MTV's Chris Harris as looking "as though it were made of dried, human flesh--like Leatherface, if only he used moisturizer." Taylor has recorded with Slipknot since the release of their second demo album, a self-titled demo used to promote the band to prospective labels and producers. As permanent vocalist, he recorded with Slipknot at Indigo Ranch in Malibu, California and released Slipknot, the band's debut album that peaked number one on the Top Heatseekers chart, went double platinum in the United States, and was included in the 2006 book 1001 Albums You Must Hear Before You Die. Taylor was accused of copyright infringement, regarding the lyrics of the song "Purity", but no action was taken. Taylor began recording for their second studio album, Iowa, in 2001 at Sound City and Sound Image in Van Nuys, Los Angeles. It was released August 28, 2001 and peaked number one on the UK Albums Chart, as well as number three on the Billboard 200. While writing Vol. 3: (The Subliminal Verses), Taylor decided to write lyrics that would not warrant an explicit label. It peaked number two on the Billboard 200. All Hope Is Gone was the first Slipknot album to peak number one on the Billboard 200.

Are there any other interesting aspects about this article?

Answer with quotes: Taylor has recorded with Slipknot since the release of their second demo album,

Problem: Douglas Clare Fischer (October 22, 1928 - January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa".

In 1975, after ten years of studiowork and artistically successful yet obscure solo records, Fischer found a new direction. Just like Hancock and Chick Corea he was a pioneer on the electric keyboard, and in that capacity he joined vibraphonist Cal Tjader's group. The reunion with Tjader gave a new impulse to Fischer's love of Latin-American music. He started his own group with Latino musicians, "Salsa Picante", which showed great eclecticism in musical styles. Later he expanded to include four vocalists billed separately as "2 + 2". The album 2+2 won a Grammy in 1981. After that he recorded And Sometimes Voices and Free Fall with the vocal group. Free Fall was nominated in three categories for the Grammy Awards and won under the category of "Best Jazz Album By A Vocal Duo Or Group". Crazy Bird was with the instrumental group and Alone Together, a solo piano album recorded on a Hamburg Steinway. It was recorded for Hans Georg Brunner-Schwer and the German company MPS Records. In the seventies, Fischer began doing orchestral sweeteners for R&B groups. His nephew, Andre Fischer, was the drummer of the band Rufus, featuring Chaka Khan. "Apparently the arrangements I made for their early records were appreciated, for in the following years I was hired almost exclusively by black artists." Among the artists Fischer worked for are The Jacksons, Earl Klugh, Switch, Debarge, Shotgun (a late 70s offshoot of 24-Carat Black) and Atlantic Starr. His walls are now covered with gold and platinum records from these recordings, Grammy Award Nominations, and several NARAS MVP Awards, culminating in an MVP-emeritus in 1985. Once his fame as an arranger was established, Fischer also worked with pop musicians like Paul McCartney, Prince, Celine Dion and Robert Palmer. "I am surprised that my arrangements are now considered one of the prerequisites for a hit album. People feel that they make a song sound almost classical." Classical concert artist Richard Stoltzman commissioned him in 1983 to write a symphonic work using Duke Ellington and Billy Strayhorn themes. The result, "The Duke, Swee'pea and Me", an eleven and a half minute orchestral work, was performed with a symphony orchestra and Stoltzman on clarinet all around the world.

What work did he do with them?

Answer with quotes:
song