In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Kaiya Jones (born 19 March 1996) is a Scottish-born Australian actress best known for playing the role of Sophie Ramsay in the Australian soap opera "Neighbours". She previously played Jess Cooper in the third series of "The Saddle Club". Jones wrote and directed a short film called "Coping", which was screened at Tropfest in 2013. In 2014, she joined the cast of "Party Tricks". Context_2 : John Kilday "Jock" Ferguson (15 January 194613 February 2010) was a Scottish-born Australian politician. Born in Glasgow, Scotland, Ferguson worked as a fitters apprentice delegate to the Boilermakers Union. He served in the British Merchant Navy before moving to New Zealand. Arrived in Western Australia in 1976 to work as a fitter in the Pilbara and Gascoyne regions. Later Ferguson became a member of the AMWU (Australian Manufacturing Workers Union) and rose to become the union's secretary for Western Australia in 2000. He also held a City and Guilds Trade Certificate (Engineering). In 2008, he was elected to the Western Australian Legislative Council as a Labor Party member, representing East Metropolitan Region. His term commenced on 22 May 2009. Ferguson died after a heart attack at his home on 13 February 2010. Context_3 : John Swan {'1': ", '2': ", '3': ", '4': "} (born 1952 in Glasgow, Scotland), better known as Swanee, is a Scottish-born Australian rock singer. Context_4 : The Party Boys is self-titled album by Australian rock band The Party Boys. It was the band's first and only studio album. Tracks 2, 4, 5 and 8 were originals, the rest of the songs were originally recorded by (in order): Argent, John Kongos, Them, The Angels, La De Da's and AC/DC, however "It Could Have Been You" was originally released by Party Boy's lead singer John Swan as a single in 1985. Context_5 : Christopher George Henderson (19 August 1857 21 January 1933) was a Scottish-born Australian politician. Born in Clackmannanshire, he received a primary education before migrating to Australia in 1885. He was a coal miner in New South Wales and general secretary of the Illawarra Miners' Union. He moved to Western Australia around 1900, becoming a coal miner at Collie and serving on Collie Municipal Council. In 1903, he was elected to the Australian Senate as a Labor Senator for Western Australia. He served as Chairman of Committees from 1914 to 1917. Henderson left the Labor Party in the wake of the 1916 split over conscription, joining the new Nationalist Party. He remained a Nationalist Senator until his defeat in 1922. Henderson died in 1933. Context_6 : This is a discography of the Scottish-born Australian rock singer-songwriter and rock guitarist Jimmy Barnes. Context_7 : William Russell (20 October 1842 28 June 1912) was a Scottish-born Australian politician. Born in Lanarkshire, he was educated in Scotland before becoming a farm worker. Migrating to Australia in 1866, he became a solicitor in 1873 and farmed in South Australia. He served on the Caltowie and Carrieton district councils, and joined the Australian Labor Party in 1894. In 1895, he was elected to the South Australian Legislative Council; he departed the Council in 1900, winning the House of Assembly seat of Burra in 1901. He left the Assembly in 1902. In 1906, he was elected to the Australian Senate as a Labor Senator for South Australia. He died in 1912, necessitating an appointment to replace him; the South Australian Parliament, controlled by the Liberal Party, successfully installed Liberal John Shannon, the first instance when a Senator of a different party was appointed. Context_8 : John Grant (1857 19 May 1928) was a Scottish-born Australian politician. Born in Abernethy, he received a primary education before becoming a stonemason. Migrating to Australia in 1880, he became Secretary of the Stonemasons' Union and a founding member of the New South Wales Labor Party. He served as the NSW ALP's General Secretary before his election to the Australian Senate in 1914 as a Labor Senator from New South Wales. Defeated in 1919, he returned to the Senate in 1922, holding the seat until his death in 1928. Context_9 : Mark Whitmore Evans (born 2 March 1956) is an Australian bass guitarist for the Australian rock band Rose Tattoo who was an early member of hard rock band AC/DC from March 1975 to June 1977. His playing featured on their albums "T.N.T", "High Voltage", "Dirty Deeds Done Dirt Cheap", "Let There Be Rock" and "'74 Jailbreak". Evans has played for numerous other groups, sometimes on lead guitar, including Finch (a.k.a. Contraband), Cheetah, Swanee, Heaven and The Party Boys. Evans' autobiography, "Dirty Deeds: My Life Inside/Outside of AC/DC" was released in December 2011. Context_10 : Robert Storrie Guthrie (17 November 1857 20 January 1921) was a Scottish-born Australian politician. He was educated at Glasgow before becoming a seaman and migrating to Australia in 1887. He was South Australian Secretary and Federal President of the Seamen's Union before entering the South Australian Legislative Council as a Labor member in 1891. In 1903 he left the Council to contest the Australian Senate, in which he was successful. Originally a Labor Senator, he left the party in the wake of the 1916 split over conscription, joining the Nationalist Party. He died in 1921, necessitating the appointment of Nationalist Edward Vardon to replace him. fact_1 : The Party Boys is self-titled album by Australian rock band The Party Boys. fact_2 : Tracks 2, 4, 5 and 8 were originals, the rest of the songs were originally recorded by (in order): Argent, John Kongos, Them, The Angels, La De Da's and AC/DC, however "It Could Have Been You" was originally released by Party Boy's lead singer John Swan as a single in 1985. fact_3 : John Swan {'1': ", '2': ", '3': ", '4': "} (born 1952 in Glasgow, Scotland), better known as Swanee, is a Scottish-born Australian rock singer. Answer: 1952
A:
What is the birth year of this Scottishborn Australian rock singerwho was the lead singer of The Party Boys?