(Question)
Read the following context and choose the correct option to answer the question. Context: I saw one last night on an episode of Designated Survivor. To qualify this, I'm not normally bothered by product placements. Sometimes they can even add to the scene. But this one was bad, really bad. Agent is busy hunting for baddies. Finishes questioning one naughty person who climbs in his Ford F150 and speeds off. So far, so good - it is the sort of vehicle a country-living billionaire bad-guy would drive. The agent then pulls out her phone and Move to close up of phone screen showing Ford app already loaded (and screen unlocked!). Agent slowly moves finger to app. Does something. Pause as app does fancy graphics. Cut to car interior. Shot of dash, showing Ford logo on steering wheel. It's bright blue - are they not normally grey or more subtle? Pause for a second Zoom in on dash. Dash light up. Car starts. Show pretty dash lights for a second or so. Cut to agent Agent walks to car, gets in drives off. Lingering shot of rear of car. It was just so clumsy. Massive halt to the flow of the scene to show it. In most films you never see anyone starting cars, putting on seatbelts or similar unless this is part of the plot because it's unnecessary and not interesting to watch. I sort of expected the remote start function to have some sort of relevance later but no, it was totally ignored. Added to that: There was no password or security on her phone - and this is an agent investigating super secret stuff. If you don't show her unlocking the phone, why show her lovingly prodding the app? They are as relevant. She unlocked and started the car while she was 2030 paces away, on the grounds of a suspect ranch. Someone could easily have jumped in the car. Not very security conscious. Question: After the agent drives off, she will probably: Options: A. not enough information B. not use safety and security measures on her phone C. start using safety and security measures on her phone D. use remote starters from now on
(Answer)
B

(Question)
Read the following context and choose the correct option to answer the question. Context: I was 14 at the time. My family and I took a family vacation to Tybee Island, Georgia. It is a beautiful place that I would highly recommend. I told my family that I was going to go find a port-a-pot. So I head off by myself. I'm in the port-a-pot, i'm in there for roughly 10 minutes. (you can assume what I was doing) I wash my hands and get ready to leave the port-a-pot, and I tried to open the door and it was locked. I'm claustrophobic, so I start to FREAK OUT. I started banging on the door, running into the door with all of my weight. Nothing was helping. I then start crying, I thought for sure that I was going to die. I knew it was the end, at the age of 14, locked in a port-a-pot, in 95 degree weather in the middle of a beach in Georgia. Looking back, i'm curious as to why my family never came to look for me, I was gone for like 30 minutes. So I'm banging on the door continuously, bawling my eyes out. Then a man opened the door for me, from the outside. He was about 6'3 with dreads about 12 inches long and weighed about 280 pounds. I ran out of the port-a-pot and jumped on the guy and gave him a hug and told him that I loved him and that he saved my life. I don't know how he managed to open the door for me, but I definitely know that my 14 year old self owes that man my life. I'm not sure where he is in life, or what he's doing, but I hope God is blessing him abundantly. It is definitely a funny story to tell my friends. Question: How does the man in dreads feel about the author being stuck? Options: A. He feels sympathetic toward her B. He is jealous of her C. He is angry at her D. not enough information
(Answer)
A

(Question)
Read the following context and choose the correct option to answer the question. Context: The address I had been given was a flophouse called Casa Salvador in the scummy side of downtown, the part where the city's redevelopment (read: "gentrification") efforts hadn't yet managed to drive out the sundry undesirable elements. I walked inside past the front lobby. I could tell the desk manager wanted to hassle me, but he was too busy arguing with a middle-aged peroxide-blonde woman in a leopard-print top. Her skin was leathery and weather beaten, and I guessed she was the type who was actually a good ten years younger than she looked. I made my way up the narrow staircase that smelled of urine and bleach, going all the way to the third floor. I continued down the dimly lit hallway, past a series of closed doors that muffled the sounds of women faking moans of pleasure. Room 313 was down at the far end of the hall, and its door was already slightly ajar. I knocked anyways, but there was no answer. Pushing the door open just enough to poke my head in, I called, "Hello? Is anybody in there?" There was no response, so I went in and felt along the wall for the light switch. A single weak bulb came on, lighting up the tiny, sparse room with a dim yellow glow. The room was about 8 feet by 8 feet, and the only furniture was a dingy, unmade bed and a metal foot locker. There were no windows, no closet, and no bathroom. As I stepped all the way in, I noticed a wooden baseball bat propped up beside the door. My watch said 6:20 - twenty minutes late for the interview. I sat on the edge of the bed to wait, hoping that maybe my contact had just stepped out momentarily. After a few minutes, a phone started ringing out in the hallway. I let it ring six times with no one answering before I decided to get it - partly in the off chance it was my contact, but mostly out of morbid curiosity as to what kind of business someone would have calling this dump. Question: Why was he going to Casa Salvador? Options: A. To talk with the desk manager. B. For an interview. C. not enough information D. To talk to the blonde woman.
(Answer)
B