Question:
Earvin "Magic" Johnson Jr. (born August 14, 1959) is an American retired professional basketball player and current president of basketball operations of the Los Angeles Lakers of the National Basketball Association (NBA). He played point guard for the Lakers for 13 seasons. After winning championships in high school and college, Johnson was selected first overall in the 1979 NBA draft by the Lakers. He won a championship and an NBA Finals Most Valuable Player Award in his rookie season, and won four more championships with the Lakers during the 1980s.
Johnson and Larry Bird were first linked as rivals after Johnson's Michigan State squad defeated Bird's Indiana State team in the 1979 NCAA finals. The rivalry continued in the NBA, and reached its climax when Boston and Los Angeles met in three out of four NBA Finals from 1984 to 1987. Johnson asserted that for him, the 82-game regular season was composed of 80 normal games, and two Lakers-Celtics games. Similarly, Bird admitted that Johnson's daily box score was the first thing he checked in the morning. Several journalists hypothesized that the Johnson-Bird rivalry was so appealing because it represented many other contrasts, such as the clash between the Lakers and Celtics, between Hollywood flashiness ("Showtime") and Boston/Indiana blue collar grit ("Celtic Pride"), and between blacks and whites. The rivalry was also significant because it drew national attention to the faltering NBA. Prior to Johnson and Bird's arrival, the NBA had gone through a decade of declining interest and low TV ratings. With the two future Hall of Famers, the league won a whole generation of new fans, drawing both traditionalist adherents of Bird's dirt court Indiana game and those appreciative of Johnson's public park flair. According to sports journalist Larry Schwartz of ESPN, Johnson and Bird saved the NBA from bankruptcy. Despite their on-court rivalry, Johnson and Bird became close friends during the filming of a 1984 Converse shoe advertisement that depicted them as enemies. Johnson appeared at Bird's retirement ceremony in 1992, and described Bird as a "friend forever"; during Johnson's Hall of Fame ceremony, Bird formally inducted his old rival. In 2009, Johnson and Bird collaborated with journalist Jackie MacMullan on a non-fiction book titled When the Game Was Ours. The book detailed their on-court rivalry and friendship with one another.
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Was the rivalry resolved?

Answer:
Despite their on-court rivalry, Johnson and Bird became close friends during

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Cream were a 1960s British rock power trio consisting of drummer Ginger Baker, guitarist/singer Eric Clapton and lead singer/bassist Jack Bruce. The group's third album, Wheels of Fire (1968), was the world's first platinum-selling double album. The band is widely regarded as the world's first successful supergroup. In their career, they sold more than 15 million copies of their albums worldwide.
The band first visited the United States in March 1967 to play nine dates at the RKO 58th Street Theatre in New York. There was little impact, as impresario Murray the K placed them at the bottom of a six-act bill that performed three times per date, eventually reducing the band to one song per concert. They returned to record Disraeli Gears in New York between 11 May and 15 May 1967. This, the band's second album, was released in November 1967 and reached the Top 5 in the charts on both sides of the Atlantic. Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain) and engineer Tom Dowd, it was recorded at Atlantic Studios in New York. Disraeli Gears is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues. In addition to "Strange Brew" and "Tales of Brave Ulysses", Disraeli Gears features "Sunshine of Your Love," which became the group's unofficial anthem. Bruce and Pete Brown came upon the idea in a state of near desperation in the wee hours. In a last-ditch attempt to salvage something from the long and fruitless night at his apartment, the bleary-eyed Bruce pulled out his double bass again and played a riff. At that point, Brown looked out the window and saw the sun was about to rise: "It's getting near dawn ...," he said to himself. Brown put the words on paper then thought some more: "When lights close their tired eyes". The album was originally slated for release in the summer of 1967, but the record label opted to scrap the planned cover and repackage it with a new psychedelic cover, designed by artist Martin Sharp, and the resulting changes delayed its release for several months. The album was remarkable for the time, with a psychedelic design patterned over a publicity photo of the trio. Although the album is considered one of Cream's finest efforts, it has never been well represented in the band's live sets. Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love," several songs from Disraeli Gears were quickly dropped from performances in mid-1967, favouring longer jams instead of short pop songs. "We're Going Wrong" was the only additional song from the album the group performed live. In fact, at their 2005 reunion shows in London, the band played only three songs from Disraeli Gears: "Outside Woman Blues", "We're Going Wrong," and "Sunshine of Your Love"; at their three October 2005 performances in New York, "Tales of Brave Ulysses" was also included in the setlist. In August 1967, they played their first headlining dates in the US, playing first at The Fillmore in San Francisco and later at The Pinnacle in Los Angeles. The concerts were a great success and proved very influential on both the band itself and the flourishing hippie scene surrounding them. Upon discovering a growing listening audience, the band began to stretch out on stage, incorporating more time in their repertoire, some songs reaching jams of twenty minutes. Long, drawn-out jams in numbers like "Spoonful", "N.S.U.", "I'm So Glad", and "Sweet Wine" became live favourites, while songs like "Sunshine of Your Love", "Crossroads", and "Tales of Brave Ulysses" remained reasonably short.

Where else did they play?
band's second album, was released in November 1967 and reached the Top 5 in the charts on both sides of the Atlantic.