In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example solution: 1874May
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : The Downtown Concord Historic District encompasses most of the commercial heart of downtown Concord, New Hampshire, United States. Incorporated in 1734, Concord became the state capital in 1808 and the seat of Merrimack County in 1823. Economic growth followed, due in part to these government institutions and also to the rise of industry along the Merrimack River, which flows through the city east of the downtown area, and the arrival in the 1840s of the railroad. The New Hampshire State House was built in 1819 south of the traditional center of the city (now the Concord Historic District), and the commercial heart of the city began to take shape along the First New Hampshire Turnpike south of the State House (now Main Street). The district was listed on the National Register of Historic Places in 2000. Context_2 : Hooksett is a town in Merrimack County, New Hampshire, United States. The population was 13,451 at the 2010 census. The town is located between Manchester, the state's largest city, and Concord, the state capital. A prominent landmark is Robie's Country Store, a National Historic Landmark and a frequent stop for presidential candidates during the New Hampshire primary. Context_3 : Dunbarton is a town in Merrimack County, New Hampshire, United States. The population was 2,758 at the 2010 census. Context_4 : South Sutton is an unincorporated community in the town of Sutton in Merrimack County, New Hampshire, United States. It is located along New Hampshire Route 114, which leads north through Sutton Mills and North Sutton into the town of New London, and south into the town of Bradford. South Sutton is located along the Lane River. Context_5 : The Merrimack County Courthouse stands at 163 North Main Street in Concord, New Hampshire, the state capital and county seat of Merrimack County. The oldest part of the courthouse building is a brick and granite two story structure, completed in 1857 to serve as a town hall and court building. The city and county used the building for town offices and county courts until 1904, when the city sold its interest in the building to the county. Between 1905 and 1907 the building was extensively remodeled to plans by local architect George S. Forrest. A modern addition has been made to the rear of the building. Context_6 : Bradford is a town in Merrimack County, New Hampshire, United States. The population was 1,650 at the 2010 census. The main village of the town, where 356 people resided at the 2010 census, is defined as the Bradford census-designated place (CDP), and is located in the northeast part of the town, west of the junction of New Hampshire routes 103 and 114. The town also includes the villages of Bradford Center and Melvin Mills. Context_7 : Robert William Upton (February 3, 1884April 28, 1972) was a United States Senator from New Hampshire. Born in Boston, Massachusetts, he attended the public schools, graduated from Boston University Law School in 1907, was admitted to the Massachusetts and New Hampshire bars in 1907 and commenced practice in Concord, New Hampshire. He was a member of the New Hampshire House of Representatives in 1911 and was a delegate to the New Hampshire State Constitutional Conventions of 1918, 1930, 1938, and 1948, serving as president in 1948. Context_8 : Samuel Bell (February 9, 1770December 23, 1850) was an American politician and lawyer who served as the 14th Governor of New Hampshire from 1819 to 1823, and as the United States Senator for New Hampshire from 1823 to 1835. Born in Londonderry in the Province of New Hampshire, Bell became a lawyer in the 1790s, and entered politics by becoming a member of the New Hampshire House of Representatives in 1804. In 1806, the year he left the House, he became the head of a bank which during his tenure in that position became the only New Hampshire bank to fail between 1792 and 1840. A member of the New Hampshire Senate from 1807 to 1809, and an associate justice of the New Hampshire Supreme Court from 1816 to 1819, Bell was elected to become the Governor of New Hampshire in 1819 as Democratic-Republican. Re-elected in 1820, 1821, and 1822 against token opposition, Bell's victory in 1822 was accompanied by the largest share of votes cast for a governor candidate of New Hampshire since John Taylor Gilman's victory in 1795. Whilst Governor, New Hampshire's crime level fell, and industry within the state prospered. In 1823, declining to stand again for the governorship, he became a Senator for New Hampshire. He won re-election in 1829, was the chairman of the United States Senate Committee on Claims, and left the Senate in 1835. He retired from public life thereafter, and died in Chester, New Hampshire at the age of 80. He is buried in Chester Village Cemetery, Rockingham, New Hampshire. Context_9 : Austin Franklin Pike (October 16, 1819October 8, 1886) was a United States Representative and Senator from New Hampshire. Born in Hebron, New Hampshire, he pursued an academic course, studied law, and was admitted to the bar of Merrimack County in 1845. He was a member of the New Hampshire House of Representatives from 1850 to 1852 and in 18651866, and served as speaker during the last two years. He was a member of the New Hampshire Senate in 18571858, serving as president the last year. Context_10 : Henry Eben Burnham (November 8, 1844February 8, 1917) was a United States Senator from New Hampshire. Born in Dunbarton, New Hampshire, he attended the public schools and Kimball Union Academy and married Ella Knowles Haskell, the first woman to argue a case in the U.S. Supreme Court. Burnham graduated from Dartmouth College in 1865, studied law, was admitted to the bar in 1868 and commenced practice in Manchester. He engaged in banking and insurance and was member of the New Hampshire House of Representatives in 1873-1874, was treasurer of Hillsborough County from 1875 to 1877, was judge of probate for Hillsborough County from 1876 to 1879, and was a member of the State constitutional convention of 1889. He was chairman of the Republican State convention in 1888, served as a ballot-law commissioner from 1892 to 1900, and was elected as a Republican to the U.S. Senate in 1901. fact_1 : Born in Dunbarton, New Hampshire, he attended the public schools and Kimball Union Academy and married Ella Knowles Haskell, the first woman to argue a case in the U.S. Supreme Court. fact_2 : Dunbarton is a town in Merrimack County, New Hampshire, United States. Question: Henry Eben Burnham, was a United States Senator from New Hampshire, he was born in Dunbarton, a town in Merrimack County, New Hampshire, in which country?
Solution: United States