input: Forsberg debuted in 1990 with the junior squad of Modo Hockey, the club of his hometown Ornskoldsvik. During the course of the season, he debuted with the senior team that played in the Elitserien, the highest-level professional ice hockey league in Sweden, and scored an assist in his only game. In 1990-91, he scored 102 points in 39 games with the junior team and 17 points in 23 games with the senior team. At the end of the season, Forsberg was drafted sixth overall by the Philadelphia Flyers in the 1991 NHL Entry Draft, the first European player taken that year. The draft pick was surprising because Forsberg was expected to be selected later in the draft. The Hockey News had ranked Forsberg as the 25th best draft prospect in its 1991 draft preview, saying he was "a solid second rounder who could move into the first." The pick was criticized by the Philadelphia media, prompting Flyers' General Manager Russ Farwell and the team's chief European scout to reply that time would prove them right. Eric Lindros was the main attraction of the draft. He was drafted first overall by the Quebec Nordiques but refused to sign a contract and, on advice from his mother, began a holdout that lasted over a year. Forsberg was included in a deal that sent five players, two first-round draft picks, and US$15 million to the Quebec Nordiques in exchange for Lindros. In hindsight, the Lindros trade is seen as one of the most one-sided deals in sports history, and the deal became a major foundation for the Nordiques/Avalanche franchise's success over the next decade. Forsberg remained in Sweden, playing for Modo for the following three years. In 1993, the team was eliminated in the playoffs quarterfinals against Malmo, and Forsberg won the Guldpucken for Player of the Year and the Guldhjalmen for Most Valuable Player of the Elitserien, an award decided by the players. He won both prizes again in 1994, when, after barely making the playoffs, he led his team to their first final since winning the Elitserien playoffs in 1979. In a five-game series again against Malmo, Forsberg scored in overtime in game two to put his team one win away from the title. However, he suffered from the flu,(influenza v) and Modo lost the remaining games of the series and the title. By this point, Forsberg was thought to be the best player in the world outside the NHL. During the summer of 1994, Forsberg decided to play in the NHL after he signed a contract with the Quebec Nordiques in October 1993. The contract was a four-year deal worth $6.5 million, including $4.275 million given as a signing bonus. However, a lockout delayed his NHL debut until 1995, and Forsberg returned to Modo to play 11 more games before going back to North America.

Answer this question "What did he do when he got back?"
output: Forsberg returned to Modo to play 11 more games before going back to North America.

input: Despite 1984-85 being the most fruitful period for the band and their record label, Ginn and Rollins would ultimately decide to eject Roessler from Black Flag, citing erratic behavior. It has also been suggested that Ginn's accommodating Roessler's college schedule created tension in the band. Her absence, and the lack of a steady drummer (Stevenson quit and was replaced by Anthony Martinez), contributed to the comparatively weak reputation of the last few Black Flag tours. However, the live album Who's Got the 10 1/2 ? shows the evolving line-up, with Kira and drummer Martinez, to be a powerful and entertaining unit. Furthermore, various bootlegs of shows circulating from the 1986 tour, as well as the Dave Markey documentary Reality 86'd, show the Ginn/Rollins/Revuelta/Martinez lineup to be a ferocious and cohesive group. By 1986, Black Flag's members had grown tired of the tensions of their relentless touring schedule, infighting, and of living in near-poverty. The band had been together almost a decade, and true commercial success and stability had eluded them. The band's erratic artistic changes were a barrier to their retaining an audience - Ginn was so creatively restless that Black Flag's albums were often very dissimilar. At one point, Rollins apparently said, "Why don't we make a record that was like the last one so people won't always be trying to catch up with what we're doing?" The next album, In My Head, with its powerful bluesy proto-grunge-metal, did seem to finally be a cohesive follow-up to their previous album Loose Nut, but it would be their last. Black Flag played its final show on June 27, 1986, in Detroit, Michigan. In his book Get in the Van, Rollins wrote that Ginn telephoned him in August 1986: "He told me he was quitting the band. I thought that was strange considering it was his band and all. So in one short phone call, it was all over."

Answer this question "What did they do about it?"
output: The next album, In My Head, with its powerful bluesy proto-grunge-metal, did seem to finally be a cohesive follow-up

input: The Roots originated in Philadelphia with Ahmir "Questlove" Thompson and Tariq "Black Thought" Trotter while they were both attending the Philadelphia High School for the Creative and Performing Arts. They would busk out on the street corners with Questlove playing bucket drums and Tariq rapping over his rhythms. Their first organized gig was a talent show in 1989 at the school where they used the name Radio Activity, which began a series of name changes that progressed through Black to the Future and then The Square Roots. In 1992, they dropped the "Square" because a local folk group had claim to the name. Organix was the band's first album, released and sold independently in 1993. It drew offers from music labels, and the band signed with DGC/Geffen. The Roots' first album for DGC, Do You Want More?!!!??!, was released in 1994. It was a moderate hit among alternative music fans, boosted by the group's appearance at Lollapalooza. The band performed at the Montreux Jazz Festival that year. Touring guests, beatboxer Rahzel and producer Scott Storch, joined The Roots. The 1996 release Illadelph Halflife was the group's first album to break the Top 40 on the Billboard 200 chart, spurred in part by MTV's airplay of the video for "What They Do" (a parody of rap video cliches) and "Clones", which was their first single to reach the top five on the rap charts. "What They Do" was also the group's first single to hit the Top 40 of Billboard's charts, reaching a peak of #34. While continuing on the path of live instrumentation, the album's sound was somewhat darker.

Answer this question "what was their playing style?"
output:
playing bucket drums and Tariq rapping over his rhythms.