Question:
Royksopp (Norwegian pronunciation: ['royksop]) are a Norwegian electronic music duo from Tromso, formed in 1998. The duo consists of Svein Berge and Torbjorn Brundtland. Royksopp is the Norwegian word for the class of mushrooms known as puffballs, the band's name substitutes o in place of o. Berge and Brundtland were introduced to each other through a mutual friend in Tromso, Norway. They enjoyed the same films and music, and shared an interest in electronics.
After leaving Telle, the band signed with British label Wall of Sound and released Melody A.M., which became certified platinum in the band's native Norway and sold over a million copies worldwide. The album peaked at number one in Norway, and produced the UK Top 40 singles "Eple", "Poor Leno", and "Remind Me". A final single, "Sparks", was also released. Eple (IPA: ['epl@]) - meaning "apple" in Norwegian - was licensed by Apple Inc. for use as the welcome music to the company's Mac OS X Panther operating system, playing the first time a user booted a new Apple-brand computer. The band's popularity was boosted by several graphically experimental music videos, many of which were put into heavy rotation by MTV. The music video for "Remind Me", featuring an infographic-style video by French company H5, won the 2002 MTV Europe Music Award for best music video. In this same event the duo was nominated in three more categories: "Best Nordic Act", "Best New Artist" and "Best Dance Act". The duo performed the song "Poor Leno" at the event. One year later they received a nomination for "Best Group" at the Brit Awards. During this period Royksopp slowly gained popularity in the United States. "Remind Me", one of the two Royksopp and Erlend Oye collaborations found on Melody A.M., was featured in a Geico car insurance commercial. The commercial was the fourth of the "It's so easy a caveman could do it" ads, and featured said caveman riding a moving sidewalk in an airport terminal when he comes across a poster displaying the advertisement campaign. During this time, Royksopp were approached to compose the soundtrack for The Matrix Reloaded, although they declined the offer.
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What boosted the bands popularity?

Answer:
The album peaked at number one in Norway, and produced the UK Top 40 singles "Eple", "Poor Leno", and "Remind Me". A final single, "Sparks", was also released.

Question:
John Griffith "Jack" London (born John Griffith Chaney; January 12, 1876 - November 22, 1916) was an American novelist, journalist, and social activist. A pioneer in the world of commercial magazine fiction, he was one of the first writers to become a worldwide celebrity and earn a large fortune from writing. He was also an innovator in the genre that would later become known as science fiction.
London was vulnerable to accusations of plagiarism, both because he was such a conspicuous, prolific, and successful writer and because of his methods of working. He wrote in a letter to Elwyn Hoffman, "expression, you see--with me--is far easier than invention." He purchased plots and novels from the young Sinclair Lewis and used incidents from newspaper clippings as writing material. In July 1901, two pieces of fiction appeared within the same month: London's "Moon-Face", in the San Francisco Argonaut, and Frank Norris' "The Passing of Cock-eye Blacklock", in Century Magazine. Newspapers showed the similarities between the stories, which London said were "quite different in manner of treatment, [but] patently the same in foundation and motive." London explained both writers based their stories on the same newspaper account. A year later, it was discovered that Charles Forrest McLean had published a fictional story also based on the same incident. Egerton Ryerson Young claimed The Call of the Wild (1903) was taken from Young's book My Dogs in the Northland (1902). London acknowledged using it as a source and claimed to have written a letter to Young thanking him. In 1906, the New York World published "deadly parallel" columns showing eighteen passages from London's short story "Love of Life" side by side with similar passages from a nonfiction article by Augustus Biddle and J. K Macdonald, titled "Lost in the Land of the Midnight Sun". London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty". The most serious charge of plagiarism was based on London's "The Bishop's Vision", Chapter 7 of his novel The Iron Heel (1908). The chapter is nearly identical to an ironic essay that Frank Harris published in 1901, titled "The Bishop of London and Public Morality". Harris was incensed and suggested he should receive 1/60th of the royalties from The Iron Heel, the disputed material constituting about that fraction of the whole novel. London insisted he had clipped a reprint of the article, which had appeared in an American newspaper, and believed it to be a genuine speech delivered by the Bishop of London.
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What resulted from this?

Answer:
London noted the World did not accuse him of "plagiarism", but only of "identity of time and situation", to which he defiantly "pled guilty".