In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
carry on at your convenience is all about the goings - on in the factory of a toilet manufacturer , wc boggs ( kenneth williams ) .
once they have won an order to manufacture 1000 bidets in two months and charles coote ( charles hawtrey ) has designed a suitable model , the factory employees set to work but are interrupted by union representative vic spanner ( kenneth cope ) and friend bernie hulke ( bernard bresslaw ) who call them out on strikes on the slightest pretext .
meanwhile , chief foreman sid plummer ( sid james ) is growing tired of his wife beattie ( hattie jacques ) and her budgie .
he would much rather live next door with fellow boggs worker chloe moore ( joan sims )
but once he discovers that the budgie can predict the winners of horse races , he is over the moon and flush with money .
his daughter , myrtle plummer ( jacki piper ) , is going out with wc 's son lewis boggs ( richard o'callaghan ) and this causes conflict on the staff day out to the seaside when vic spanner vies for her attentions .
in the end , if the strike does not cease , boggs will have to close down his factory , but the support of a group of women led by coote 's wife - to - be and spanner 's mother , agatha spanner ( renee houston ) , try to resolve the situation .
also , sid realises that his budgie has caused him nothing but trouble since it started predicting horse race winners .
there are some good performances , as usual , from sid james and kenneth williams in their standard roles .
charles hawtrey is third billing but only appears in a few scenes .
his part is mildly amusing .
richard o'callaghan is appealing as bogg 's stuck - up son , patsy rowlands is funny as miss withering , bogg 's assistant , and renee houston is terrific in her small part as agatha .
however , sole acting honours go to hattie jacques as beattie plummer .
although her character is not directly involved with the main storyline , she manages to input a great deal of pathos and feeling into her character .
a marvellous performance from a marvellous actress .
the film suffers from annoying performances by bernard bresslaw and especially kenneth cope .
in his carry on debut , cope
overdoes his role as spanner making him so annoying as to be unfunny .
joan sims returns as the love interest ( instead of barbara windsor ) .
sims ' ' usual ' part as the downtrodden wife was taken by hattie jacques .
additionally , bill maynard as fred moore is very poor .
this carry on movie tries it best to entertain the viewer : - the locations and wealth of characters are appealing . however ,
the toilet humour becomes tiresome very quickly and some of the performances leave a lot to be desired .
this movie does not know where it is going .
it was made in 1971 and talbot rothwell the scriptwriter seems to be in two minds whether to go for ' bluer ' jokes or to maintain the ' innocent ' jokes success of most of its predecessors .
that is why this film suffers .
a minor carry on film whose major asset is the performance by hattie jacques .
the new ' minor - regulars ' such as o'callaghan and piper are not able to enliven the movie and the toilet humour becomes humourless after a while .

Ex Output:
N

Ex Input:
' bicentennial man ' is a family film without any external motive with the exception of providing the minimum dose of entertainment .
chris columbus , the director who gave you " mrs . doubtfire " , plays on sentimental strings and mushy dialogue to make his point .
based on the short story by isaac asimov , it is supposed to be a science fiction story about a robot who wants to be human , which as you can imagine is very difficult .
starting in a not too distant future the film concentrates on a wealthy family that buys an android to help them with the house and children .
soon this robot , called andrew ( robin williams ) shows abilities that makes his owner mr .
martin ( sam neill ) very curious .
andrew is interested in art and music , he " enjoys " making clocks , which clearly shows that he has genuine emotions .
it shows out that because of a small failure in the " electrical circuits " and " positronic brain " andrew has accidentally gained a soul .
this makes him unique and his evil creators worried .
then mr .
martin decides to teach andrew all the things he was n't programmed to do .
soon andrew wants to leave the house in pursuit of freedom , destiny and love .
this film can be described as a disney version of blade runner , a film that still shines as the biggest gem in the crown of science fiction .
ever since that film , the subject of humanity still stands as one big controversy .
what makes us human ?
the thoughts ?
the emotions ? is it possible to become human ?
at what point can we say to a robot " now you are one of us " ?
these are very tough questions that require a serious and thurral approach .
it is obvious that columbus did n't take them very seriously .
when you think about it , this film is not really meditating on the question
" when is a robot no longer a machine , but a human being ? " , but tells a story about racial discrimination and lack of understanding .
andrew is so complex and emotional from the very beginning that the audience immediately accepts him as a human being , and only the society has troubles with it .
in other words , it is as far from reality as from the academy awards .
further more , there are other annoying problems .
to this day no serious filmmaker has dared to speculate about the future in more than 50 years from now .
this has not been done for obvious reasons , because the filmmakers are well aware of the fact that they lack the knowledge and imagination to perform such a difficult task .
columbus is the first to have crossed that line .
the result is , as you might imagine , primitive , unrealistic and incredibly disappointing effort .
the world is simply frozen in time .
neither the society , fashion , culture or values have changed over 200 years .
mom is still working at the kitchen , doing the dishes .
when you think back to the late 17th century and then compare it to the world we live in today , you 'll see a slightly bigger difference .
i am not saying that everything should change .
it is unlikely that the human rights will change , but it 's even more unlikely that there will not be any progress in science , technology and fashion .
i suppose it 's possible to watch this as a some sort of bizarre fairytale , but it 's really hard .
robin williams is hidden behind c and speaking in a robotic way .
as always he does a decent job , as does sam neill .
but it does n't really matter .
it is the sentimentality and length that turns
this picture into a tiresome experience .
pretty much like last year 's " meet joe black " , this is a primitive and unresolved story which is presented with a splendor and professionalism that it does n't deserve .
great actors and a talented crew have worked hard to achieve something that will be instantly forgotten .
when isaac asimov wrote this story , the future seemed far away and magical .
everything seemed possible .
now is the future of asimov 's time , and we know that it is not as magical and perfect as it seemed a long time ago .
for the same reasons that the young generation of today can not be amazed by julius verne 's " 20 000 leagues under the sea " , so ca n't we accept this story as a potential reality .
let us hope that next year 's " a. i. " will be more rewarding .

Ex Output:
N

Ex Input:
libby parsons ( ashley judd ) has the perfect little life -- a rich husband , a cute son , and a house on the ocean -- but when her husband nick ( bruce greenwood ) takes her sailing , she awakes to find him gone and her hands covered with blood .
just as she makes it to the deck and picks up the bloody knife lying there , the coast guard arrives in response to a distress call her vanished husband sent .
she 's convicted of his murder , of course , and leaves her son matty ( benjamin weir ) with her best friend ( annabeth gish ) .
time passes , and the friend disappears with matty .
during their last phone conversation libby hears matty yell " daddy ! " and realizes that her husband is still alive .
libby serves six years , growing harder and driven by the desire to kill nick ( based on the theory that because of the " double jeopardy " amendment she can off him with impunity ) .
when she gets parole , she 's sent to a halfway house run by travis lehman ( tommy lee jones ) , a former law professor who ruined his life with a drunk driving accident .
after a little breaking and entering and some destruction of property , libby jumps parole and lams it across the country looking for nick and matty .
travis pursues , naturally .
" double jeopardy " is a watered - down version of " the fugitive , " with jones sleep - walking through his well - worn pursuer persona .
although libby never leaps from a bus that collides with a train , she manages to get into a few nail - biters -- chased down the beach by a jeep , chained to a car that plunges into the ocean , sealed in a coffin -- that add some much needed thrills to an anemic , slow - moving script .
character development is thin .
travis ' intriguing backstory is mentioned a couple times but
has no effect on the story .
( i think they only made him a former law professor so that he could verify the double - jeopardy theory when libby gets the drop on nick .
it 's a long way to go for one line ) .
there 's considerable sexual tension between travis and libby ( hey , there 's something " the fugitive " did n't have ! ) , but it never goes anywhere .
libby is a tv - movie everywoman , but judd 's intense performance draws us in and makes us forget that her character has no distinguishing characteristics .
this is judd 's most prominent role to date , and she proves that she can light up the screen .
let 's hope hollywood gives her more to work with next time around .
the quality of director bruce beresford 's movies seems to depend on luck .
when he has a good script and a strong cast , he turns out oscar - caliber work like " ' breaker ' morant , " " driving miss daisy , " and " tender mercies .
"
when he does n't .
. .
we get " double jeopardy .
"
screenwriters david weisberg and douglas cook previously collaborated on " the rock , " a script which probably benefited from the numerous uncredited rewrites .
bottom line :
ashley judd tries hard but ca n't save this predictable bore .

Ex Output:
N