You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]: The narrator is a London businessman who withdraws to the countryside to write a play, by which he hopes to alleviate his financial problems. Bedford rents a small countryside house in Lympne, in Kent, where he wants to work in peace. He is bothered every afternoon, however, at precisely the same time, by a passer-by making odd noises. After two weeks Bedford accosts the man, who proves to be a reclusive physicist named Mr. Cavor. Bedford befriends Cavor when he learns he is developing a new material, cavorite, which can negate the force of gravity.
When a sheet of cavorite is prematurely processed, it makes the air above it weightless and shoots off into space. Bedford sees in the commercial production of cavorite a possible source of "wealth enough to work any sort of social revolution we fancied; we might own and order the whole world". Cavour hits upon the idea of a spherical spaceship made of "steel, lined with glass", and with sliding "windows or blinds" made of cavorite by which it can be steered, and persuades a reluctant Bedford to undertake a voyage to the moon; Cavor is certain there is no life there.
On the way to the moon, they experience weightlessness, which Bedford finds "exceedingly restful". On the surface of the moon the two men discover a desolate landscape, but as the sun rises, the thin, frozen atmosphere vaporizes and strange plants begin to grow with extraordinary rapidity. Bedford and Cavor leave the capsule, but in romping about get lost in the rapidly growing jungle. They hear for the first time a mysterious booming coming from beneath their feet. They encounter "great beasts", "monsters of mere fatness", that they dub "mooncalves", and five-foot-high "Selenites" tending them. At first they hide and crawl about, but growing hungry partake of some "monstrous coralline growths" of fungus that inebriate them. They wander drunkenly until they encounter a party of six extraterrestrials, who capture them. The insectoid lunar natives (referred to as "Selenites", after Selene, the moon goddess) are part of a complex and technologically sophisticated society that lives underground, but this is revealed only in radio communications received from Cavor after Bedford's return to earth.
Bedford and Cavor break out of captivity beneath the surface of the moon and flee, killing several Selenites. In their flight they discover that gold is common on the moon. In their attempt to find their way back to the surface and to their sphere, they come upon some Selenites carving up mooncalves but fight their way past. Back on the surface, they split up to search for their spaceship. Bedford finds it but returns to Earth without Cavor, who injured himself in a fall and was recaptured by the Selenites, as Bedford learns from a hastily scribbled note he left behind.
Chapter 19, "Mr. Bedford in Infinite Space", plays no role in the plot but is a remarkable set piece in which the narrator describes experiencing a quasi-mystical "pervading doubt of my own identity. . . the doubts within me could still argue: 'It is not you that is reading, it is Bedford but you are not Bedford, you know. That's just where the mistake comes in.' 'Counfound it!' I cried, 'and if I am not Bedford, what am I? But in that direction no light was forthcoming, though the strangest fancies came drifting into my brain, queer remote suspicions like shadow seem from far away... Do you know I had an idea that really I was something quite outside not only the world, but all worlds, and out of space and time, and that this poor Bedford was just a peephole through which I looked at life..."
By good fortune, the narrator lands in the sea off the coast of Britain, near the seaside town of Littlestone, not far from his point of departure. His fortune is made by some gold he brings back, but he loses the sphere when a curious boy named Tommy Simmons climbs into the unattended sphere and shoots off into space. Bedford writes and publishes his story in The Strand Magazine, then learns that "Mr. Julius Wendigee, a Dutch electrician, who has been experimenting with certain apparatus akin to the apparatus used by Mr. Tesla in America", has picked up fragments of radio communications from Cavor sent from inside the moon. During a period of relative freedom Cavor has taught two Selenites English and learned much about lunar society.
Cavor's account explains that Selenites exist in thousands of forms and find fulfillment in carrying out the specific social function for which they have been brought up: specialization is the essence of Selenite society. "With knowledge the Selenites grew and changed; mankind stored their knowledge about them and remained brutes equipped," remarks the Grand Lunar, when he finally meets Cavor and hears about life on Earth. Unfortunately, Cavor reveals humanity's propensity for war; the lunar leader and those listening to the interview are "stricken with amazement". Bedford infers that it is for this reason that Cavor has been prevented from further broadcasting to Earth. Cavor's transmissions are cut off as he is trying to describe how to make cavorite. His final fate is unknown, but Bedford is sure that "we shall never receive another message from the moon".
[EX A]: By what name are the natives of the moon referred?

[EX Q]: Zoe (Jennifer Lopez) has given up on finding the man of her dreams and decides to become a single mother and undergoes artificial insemination. The same day she meets Stan (Alex O'Loughlin) when they both try to hail the same taxi. They run into each other twice more at a farmers market and a pet store. Stan convinces Zoe to go on a no-obligations date. Zoe is still uncertain whether she is pregnant or not and if she should tell Stan. The night she takes the test, Stan takes her for a romantic dinner in a garden. Things don't turn out as well as planned when he spills the wine and a fire occurs. At the end of the night Stan asks her to come to his farm during the weekend and Zoe finds out that she is pregnant.
She goes to the farm determined to tell him that she is pregnant. They have sex and afterwards Stan is confused and angry that she didn't tell him before and Zoe leaves the next morning believing that things are over between them. However, Stan decides he still wants to be with her and they reconcile. They go to the doctor and find out that Zoe is actually carrying twins. Overwhelmed, Stan goes to a children's playing area to figure out what it means to be a father, but is suspected to be a pervert; this is soon cleared up. He finds a friend there that he can talk to about the pregnancy throughout the movie, while Zoe gets little support from her Single Mothers and Proud group when the group members discover she is no longer single. Stan takes the next step to becoming a father and orders a stroller for the twins. After many misunderstandings and comedic revelations, Zoe and Stan are walking into the Market when they run into Stan's ex-girlfriend. Due to Stan's remark that the twins are not his, Zoe believes that he is not ready to become a father to them, and breaks off the relationship.
Later, the stroller that Stan ordered arrives and Zoe figures out that Stan was never planning to leave. At her grandmother's wedding, Zoe's water breaks and on the way to the hospital they make a pit stop at the Market. Zoe apologizes to Stan and they begin to work things out. He pulls out the penny that she turned over when they first met and Zoe promises to trust him more. Zoe gives birth to twin girls, one of whom they name Penny. In the end, Stan opens a store/restaurant next to Zoe's pet shop and after the Grand Opening speech Stan asks Zoe to marry him and she says yes. On their way home, she spontaneously throws up into a rubbish bin and realizes that she may be yet again pregnant.
[EX A]: How did Zoe find out that Stan wasn't planning to leave?

[EX Q]: In 1941, Barton Fink's first Broadway play, Bare Ruined Choirs, has achieved critical and popular success. His agent informs him that Capitol Pictures in Hollywood has offered him a thousand dollars per week to write film scripts. Barton hesitates, worried that moving to California would separate him from "the common man", his focus as a writer. He accepts the offer, however, and checks into the Hotel Earle, a large and unusually deserted building. His room is sparse and draped in subdued colors; its only decoration is a small painting of a woman on the beach, arm raised to block the sun.
In his first meeting with Capitol Pictures boss Jack Lipnick, Barton explains that he chose the Earle because he wants lodging that is (as Lipnick says) "less Hollywood". Lipnick promises that his only concern is Barton's writing ability and assigns his new employee to a wrestling film. Back in his room, however, Barton is unable to write. He is distracted by sounds coming from the room next door, and he phones the front desk to complain. His neighbor, Charlie Meadows, is the source of the noise and visits Barton to apologize, insisting on sharing some alcohol from a hip flask to make amends. As they talk, Barton proclaims his affection for "the common man", and Charlie describes his life as an insurance salesman. Later, Barton falls asleep, but is awakened by the incessant whine of a mosquito.
Still unable to proceed beyond the first lines of his script, Barton consults producer Ben Geisler for advice. Irritated, the frenetic Geisler takes him to lunch and orders him to consult another writer for assistance. While in the men's room, Barton meets the novelist William Preston (W.P.) "Bill" Mayhew, who is vomiting in the next stall. They briefly discuss movie writing and arrange a second meeting later in the day. When Barton arrives, Mayhew is drunk and yelling wildly. His secretary, Audrey Taylor, reschedules the meeting and confesses to Barton that she and Mayhew are in love. When they finally meet for lunch, Mayhew, Audrey, and Barton discuss writing and drinking. Before long, Mayhew argues with Audrey, slaps her, and wanders off, drunk. Rejecting Barton's offer of consolation, Audrey explains that she feels sorry for Mayhew since he is married to another woman who is "disturbed".
With one day left before his meeting with Lipnick to discuss the movie, Barton phones Audrey and begs her for assistance. She visits him at the Earle, and after she admits that she wrote most of Mayhew's scripts, they apparently have sex; Barton later confesses to Charlie they did so. When Barton awakens the next morning, he, again, hears the sound of the mosquito, finds it on Audrey's back, and slaps it dead. When Audrey does not respond, Barton turns her onto her side only to find that she has been violently murdered. He has no memory of the night's events. Horrified, he summons Charlie and asks for help. Charlie is repulsed but disposes of the body and orders Barton to avoid contacting the police. After a meeting with an unusually supportive Lipnick, Barton tries writing again and is interrupted by Charlie, who announces he is going to New York for several days. Charlie leaves a package with Barton and asks him to watch it.
Soon afterward, Barton is visited by two police detectives, who inform him that Charlie's real name is Karl "Madman" Mundt. Mundt is a serial killer wanted for several murders; after shooting his victims, they explain, he decapitates them and keeps the heads. Stunned, Barton returns to his room and examines the box. Placing it on his desk without opening it, he begins writing and produces the entire script in one sitting. After a night of celebratory dancing, Barton returns to find the detectives in his room, who, after handcuffing Barton to the bed, then reveal they've found evidence of Mundt's latest murders. Each of the men notes how hot it is, and Charlie appears, and does the same; soon the source of heat is revealed: the hotel has become engulfed in flames. Running through the hallway, screaming, Charlie shoots the policemen with a shotgun. As the hallway burns, Charlie speaks with Barton about their lives and the hotel, breaks the bed frame to which Barton is handcuffed (thus freeing him), then retires to his own room, saying as he goes that he paid a visit to Barton's parents and uncle in New York. Barton leaves the (still-burning) hotel, carrying the box and his script. Shortly thereafter he attempts to telephone his family, but there is no answer.
In a final meeting, a disappointed Lipnick, in uniform (as he attempts to secure an Army Reserve commission), angrily chastises Barton for writing "a fruity movie about suffering" then informs him that he is to remain in Los Angeles; although Barton will remain under contract, Capitol Pictures will not produce anything he writes so he can be ridiculed as a loser around the studio while Lipnick is in the war. Dazed, Barton wanders onto a beach, still carrying the package. He meets a woman who looks just like the one in the picture on his wall at the Earle, and she asks about the box. He tells her he does not know what it contains nor who owns it. She then assumes the pose from the picture.
[EX A]:
What is given to Barton by Charlie?