In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
what hath kevin williamson wrought ?
while the horror movie revival spurred on by his _ scream _ has yielded a few decent entries in the genre--_i_know_what_you_did_last_summer _ ,
_ halloween :
_ h20 _ , and
_
scream_2
_ --it must be noted that williamson himself had a hand in the writing of those films .
those williamson - less post-_scream _ efforts , among them _ wishmaster _ and the recent _ disturbing_behavior _ , have been frightening all right --
frighteningly , insultingly _ bad _
. add to that list
_ urban_legend _ , which takes a promising premise and runs it through a predictable meat grinder of idiocy .
the influence of williamson on screenwriter silvio horta is clear in two key areas .
first , the opening sequence , like that of _ scream _ , is an extended set piece detailing the singular murder that gets the proverbial ball rolling .
this sequence , in which pendleton college coed michelle mancini ( natasha gregson wagner ) is decapitated while driving , also reveals the other obviously williamson - esque touch : the killer 's look .
dressed in a large hooded parka , wielding an axe , the killer bears more than a passing resemblance to the _ i_know . . .
_ fisherman , sans the hook .
one thing horta does not borrow from williamson , however , is the intriguing premise .
students at pendleton are being killed by way of urban legends -- those contemporary bits of " mythology " passed from person to person , group to group , year to year that become so embedded in the social consciousness .
it hardly matters if they are true or not , such as the tall tale that mikey from the life cereal commercials died from a fatal combination of pop rocks and pepsi ( he did n't ) .
michelle , slain by the " killer lurking in the backseat " of lore , is but
the first to fall prey to an urban legend come true ; as the body count rises , fellow pendleton student natalie ( alicia witt ) suspects not only a link between the murders , but a personal link to her past as well .
the setup shows promise , but the story never takes off , due in large part to horta and the director , the aptly named jamie blanks , who fires round afer round of his namesake in terms of suspense and scares .
too many of the would - be shocks are fakeouts reliant on bombastic music cues , and the film 's chase scenes are riddled with the cliches that _ scream
_ tried to subvert , like screaming damsels knowingly running themselves into dead ends when they should -- and could -- run out the front door .
but that is just the tip of the iceberg when it comes to cliches ; there 's also the climactic villain confession , in which a contrived and way - too - convenient motive is revealed , not to mention the credit card opening up the locked door trick , which is a cliche in any film genre .
banks and horta 's ( intentional ) attempts at humor are also lame ;
the fact that the best gags are lazy , in - jokey references to the other credits of co - stars joshua jackson and rebecca gayheart says a lot about the imagination of their humor .
some laughs are also had when the rather predictable identity of the killer is revealed , but i 'm not so sure if some of the more hilarious things about it were meant to be so .
the filmmakers do n't get much help from their onscreen talent .
i was far from a fan of bland _ i_know . . .
_ starlet jennifer love hewitt , but i 'd talke her
any day ove the dreadfully stiff and uncharismatic witt , whose inept attempts at emoting were often met with laughter
; witt has a pefect foil in her equally pesence - challenged leading man , jared leto .
_ dawson's_creek _ star jackson mugs his way thorugh a glorified cameo ; gayheart displays all the depth and range of , well , a noxzema spokeswoman ; and robert englund lends the film little more than his freddy krueger pedigree as a folklore professor .
granted , the cast is hampered by their material .
loretta devine , who has done some fine work in films such as _
waiting_to_exhale _ , is saddled with the ridiculous role of a pam grier - worshiping campus security guard .
the recently resuscitated horror genre can not rely on the efforts one man -- namely , kevin williamson -- to stay alive . if other filmmakers continue to make such shoddy product as _ urban_legend _ , the genre looks to once again go the way of screen slashers ' many victims .

Ex Output:
N

Ex Input:
on the basis of this film alone , i never would have predicted that , in two years , quentin tarantino would become the country 's biggest hotshot director .
reservoir dogs
has hints of the tarantino brilliance that emerged in pulp fiction , but is a much less substantive , more conventional crime story than the big pf .
here 's what the two movies do have in common . . .
--scenes of intelligent , amusing dialogue with no relevance to the plot --a story that jumps back and forth in time rather than going in a logical , chronological sequence --graphic yet necessary violence
--an engaging crime story --dialogue liberally spiced with swear words and racial / gender slurs --three of the same actors ( harvey keitel , tim roth and steve buscemi )
--a mexican standoff ending , although this one is considerably less optimistic than pf reservoir dogs is an entire hour shorter than pulp fiction because it 's only got one story to tell rather than three .
crime lord joe cabot ( veteran actor lawrence tierney ) has assembled five criminals who have never even met each other to pull a diamond store heist .
the five are instructed not to reveal their real names or personal details or anything the cops could use if one of them was captured and interrogated .
instead , they are all given code names off the color chart -- mr .
white ( keitel ) , mr .
pink ( buscemi ) , mr .
orange ( roth ) , mr .
blonde ( michael madsen ) , mr .
brown ( tarantino ) and mr .
peach ( tarantino 's chin ) .
most of the movie 's running time is spent with mr .
white and pink waiting at a warehouse for the others to arrive .
mr .
orange , meanwhile , is on the floor , dying from a gunshot wound .
the police had arrived at the scene of the crime way too soon , leading white to believe one of the five was an informant .
the story 's background unfolds through a series of flashbacks , of the crime itself and the meetings between joe and the criminals prior to the crime .
eventually , blonde arrives with a police officer hostage , and what follows is a truly brutal , uncomfortable torture scene .
let 's just say picasso would be inspired by what blonde does to the cop 's ear .
a lot of the time , reservoir dogs seems like your typical gangster heist - gone - wrong movie , but there are a few sequences that are uniquely tarantino .
the opening scene in the coffee shop starts the movie off on a high note the rest of it does n't live up to , as the criminals plus joe have a conversation on , among other things , tipping philosophies and their interpretations of madonna 's " like a virgin .
"
another scene involves roth 's lengthy manufactured story about running into a group of cops and a police dog in a bus station bathroom while carrying a giant bag of marijuana .
neither of these have much plot relevance but are given ample time to develop , like the captain koons gold watch speech in pulp fiction , only here these sequences are more enjoyable than the rest of the movie .
reservoir dogs is good
but it 's no pulp fiction .

Ex Output:
P

Ex Input:
sick :
the life and death of bob flanagan , supermasochist by fernando vallejo starring bob flanagan and sheree rose .
interviews by kathe burkhart , kirby dick and rita valencia . produced and directed by kirby dick .
running time : 90 mins .
this film is not rated .
the central themes of " sick : the life and death of bob flanagan , supermasochist " are pain and love , and its subsequent effect on a person 's life .
its protagonist , bob flanagan , who died at the age of 52 , suffered from cystic fibrosis , a mortal disease which debilitates the lungs by saturating them with thick coats of mucus , preventing him from normal breathing .
the movie is about much more than recouperating ( or attempting to ) from this disease .
an audacious , fabulously triumphant docudrama , " sick " chronicles the life of flanagan and his vicious , unthinkable acts of sadomasochism conducted with his mistress of 15 years , sheree rose , who amazingly provided much of the footage for the film .
flanagan 's idelogy crosses the realms of rebelliousness and becomes transcendental , similar to terry zwigoff 's brilliant 1994 " crumb " , which also explored the dysfunction of an artist by painting not a sympathetic portrait , but a realistic one .
both crumb and flanagan revelled in their defects .
but flanagan was not only a man content on enduring the pain via lungs , he inflicted acts of pain on himself at a very young age , courageously defying god ( he was an irish catholic ) and turning his body into a work of art , which he unraveled in museums and lectures .
behold these works of physical art .
among them is a metal ball inserted inside his anus , and , --the most disturbing scene of the decade-- , nailing his penis to a board .
flanagan was a man of great intelligence , wit and humor , as well as adopting a sense of candidness scarcely seen in modern filmmaking .
not only did he approach his disease with humor , peforming burlesque acts in front of an audience , he was also revitalized by his approachment .
most with cystic fibrosis do not make it past their earlier twenties ( there 's also a subplot involving a female devotee who knew death was awaiting her . )
but the most outstanding thing about " sick " is flanagan 's relationship with sheree .
brimming with honesty , sensual stimulation and unapologetically sad moments of pain , their powerful bond lifts " sick " into a rare cinematic high , where we forget we are in an auditorium and become a part of these people .
the last scene , where we see the hero murmuring the last words to his wife in a hospital bed , as he struggles for his last moments of life , is raw , tender , hideous .
it goes a step beyond cinematic intimacy .

Ex Output:
P