Problem: Given the following context: Toward the end of 1961, Kertesz broke his contract to Conde Nast Publishing after a minor dispute, and started doing his own work again. This later period of his life is often referred to as the "International period", when he gained worldwide recognition and his photos were exhibited in many countries. In 1962 his work was exhibited in Venice; in 1963, he was one of the invited artists of the IV Mostra Biennale Internazionale della Fotografia there and he was awarded a gold medal for his dedication to the photographic industry. Later in 1963, his work was shown in Paris at the Bibliotheque nationale de France. He later visited Argentina to see his younger brother Jeno for the first time in years. Kertesz experimented with color photographs, but only produced a few. In 1964, soon after John Szarkowski became the photography director at the Museum of Modern Art, he featured Kertesz in a solo show. With his work critically acclaimed, Kertesz gained recognition in the photographic world as an important artist. The work of Kertesz was featured in numerous exhibitions throughout the world in his later life, even into his early nineties. Due to his newfound success, in 1965 Kertesz was appointed as a member of the American Society of Media Photographers. His awards rapidly accumulated: 1974, Guggenheim Fellowship; 1974, Commander of the French Ordre des Arts et des Lettres; 1977, Mayor's Award of Honor for Arts and Culture in New York, 1980 the Medal of the City of Paris, and the first Annual Award of the Association of International Photography Art Dealers in New York; and 1981, honorary Doctorate of Fine Arts from Bard College, and the New York Mayor's Award of Honor for Arts and Culture that year.During this period, Kertesz produced a number of new books. He was able to recover some of the negatives he had left in France decades before. Despite his successes, Kertesz still felt unrecognised as a photographer. His last years were spent travelling to various locations around the globe for his exhibitions,... answer the following question: What is the last name of the person who was awarded a gold medal for his dedication to the photographic industry.?

A: Kertesz

Problem: Given the question: Given the following context: Teenaged brothers Zach and Gray Mitchell visit Jurassic World, a dinosaur theme park at the original Jurassic Park site on Isla Nublar. Their aunt, Claire Dearing, is the operations manager. Claire assigns her assistant, Zara, as the boys' guide but they soon evade her. Elsewhere on the island, U.S. Navy veteran and ethologist Owen Grady has been training and researching four Velociraptors. Based on the raptors' ability to follow commands, Vic Hoskins, the head of InGen Security, believes the animals can be weaponized, an idea Owen and his assistant Barry strongly oppose. Prior to its opening, Claire and park owner Simon Masrani inspect the park's newest attraction, Indominus rex, a genetically-engineered dinosaur created by geneticist Dr. Henry Wu. Masrani tasks Owen with evaluating the enclosure. Owen warns Claire the Indominus lacks social skills, making it more dangerous and unpredictable. When it appears the Indominus has escaped, Owen and two park workers enter the enclosure. The Indominus, which can camouflage itself and mask its heat signature, suddenly appears. Owen survives the attack, but it kills the other two men before escaping into the island's interior. Owen tells Masrani to have the Indominus killed; to protect his company's investment, Masrani instead dispatches a specialized unit to subdue it with non-lethal weaponry. After most of the unit is wiped out, Claire orders the evacuation of the island's northern sector. answer the following question: What is the full name of the person that has invested money into the company?
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The answer is:
Simon Masrani

[Q]: Given the following context: Portrait Diptych of Durer's Parents (or Durer's Parents with Rosaries) is the collective name for two late-15th century portrait panels by the German painter and printmaker Albrecht Durer. They show the artist's parents, Barbara Holper (c. 14511514) and Albrecht Durer the Elder (c. 14271502), when she was around 39 and he was 63 years. The portraits are unflinching records of the physical and emotional effects of ageing. The Durer family was close and Durer may have intended the panels either to display his skill to his parents or as keepsakes while he travelled soon after as a journeyman painter. They were created either as pendants, that is conceived as a pair and intended to hang alongside each other, or diptych wings. However this formation may have been a later conception; Barbara's portrait seems to have been executed some time after her husband's and it is unusual for a husband to be placed to the viewer's right in paired panels. His father's panel is considered the superior work and has been described as one of Durer's most exact and honest portraits. They are among four paintings or drawings Durer made of his parents, each of which unsentimentally examines the deteriorating effects of age. His later writings contain eulogies for both parents, from which the love and respect he felt toward them is evident. Each panel measured 47.5 cm x 39.5 cm (18.7 in x 15.6 in), but the left hand panel has been cut down. They have been separated since at least 1628, until Barbara's portraitlong considered lostwas reattributed in 1977. The panels were reunited in the Germanisches Nationalmuseum's 2012 exhibition "The Early Durer". answer the following question: Whose portraits are described as unflinching records of the effects of ageing?
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[A]:
Albrecht Durer the Elder