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Review:THE FOURTH MAN (Paul Verhoeven - Netherlands 1983).

A film based on a novella by Gerard Reve, that works best as a thriller. That's quite surprising, considering Reve roughly needs a hundred pages for just a minor plot twist and tension is the last thing on my mind when reading his work.

"The Fourth Man" is top-heavy on symbolism. Paul Verhoeven is generally extremely preoccupied with proving something to mostly hostile critics and I'm never sure what it is exactly he is trying to prove. He usually underestimates his audience and tells his story in such an unsubtle way, he quickly diverges from the original idea or storyline, and almost seems to forget what needs to be seen on screen and what needs to be left out. In "The Fourth Man" he is not as explicit on detailing the plot as he is with sex and nudity (of which there's plenty) but, as in most of his films, he seems afraid the audience wouldn't get it and hammers home the story with overt symbolism mixed with some supposedly shocking nudity and graphic sex scenes. There's hardly a scene without sex or full-frontal nudity, most of it so maddeningly gratuitous and in your face, it undermines an otherwise good story.

Nevertheless, when you can cope with Verhoeven's pretty obvious satiric approach, it's quite an entertaining thriller at times with some intriguing plot twists and good performances all round, Thom Hoffman and Jeroen Krabbe in particular.

Camera Obscura --- 7/10
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A: positive

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Review:First of all, as a long time student of the Titanic disaster and member of several Titanic clubs, I feel entitled to comment on the film. I don't really care how many awards and accolades the film won, but to me it is still an absolutely awful film. Cameron had the resources to make a 'proper' semi-documentary film of the disaster but unfortunately chose to turn it into a po-faced romantic mush. The fact that so many people around the world fell for it only shows, to my mind, the sad state of taste and common sense that movie critics and audiences have these days. Whoever said that all movies should have a hero and heroine falling in love? In fact most real events are anything but romantic and the Titanic disaster certainly was not one. I feel that it needed a better script and director with a semi-documentary approach and as little artistic license as possible. I almost threw up in the last sequence where the 'dead' lovers meet among the other lost passengers and crew who break out in applause. Is this an intelligent film? Ask yourself.
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A: negative

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Review:I thought it would at least be aesthetically beautiful. It was slow, pretentious, and boring. I almost fell asleep. There are some decent songs, but there is this one song at the end which is just some guy yelling out "Yaowwww!" while someone taps randomly on a wooden object. That being said, there are some pretty songs, but it's not worth seeing hte movie over. Go on itunes (they have the album), preview it, and choose the good ones.

Half the movie is some guy making tea. Well, that's a slight exaggeration. But you'll see what I mean if you see it. That being said: DON'T SEE IT!
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A: negative

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Review:Lily Mars, a smalltown girl living in Indiana, dreams of making it big on Broadway and her aspirations are given a lift when successful Broadway producer John Thornway returns to his hometown for a visit. Lily tries everything she can to get Thornway to notice her, but he just gets annoyed with her antics. When Thornway goes back to New York to stage his show, Lily follows (unknown to John of course) and Thornway eventually gives her a small role in his next show, only as a favor to her family, however Thornway starts to fall for this young girl and a romance blossoms, which makes the show's leading lady, Isabel Rekay, jealous. When Isabel gets fed up with the John-Lily romance causing friction with the show, she leaves, and John decides to make Lily the star. Isabel returns later, and Thornway is forced to tell Lily that she is back to her small bit role in the play, which also may jeopardize the romance. Very charming film, and a refreshing change to see Garland put the comedic touches into her role (her reading of Lady MacBeth, while supposed to be humorous, never threatened her singing career) I enjoyed Heflin's character (Thornway) more when he was annoyed with Lily rather than be the romantic. The film got to be somewhat predictable and the scenes weren't assembled that well together, but a very enjoyable film. Rating, 7.
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positive