input: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964. While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes. In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death. In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape. During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.

Answer this question "How did her husband die?"
output: Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade.

input: In the 1980s and early 1990s, Farrow's relationship with director Woody Allen resulted in numerous film collaborations. She appeared in nearly all of Allen's films during this period, including leading roles in Zelig, Broadway Danny Rose, The Purple Rose of Cairo, Hannah and Her Sisters, Radio Days and Alice (1990). Farrow played Alura, mother of Kara (Helen Slater), in Supergirl (1984) and voiced the title role in the animated film The Last Unicorn (1982). She narrated several of the animated Stories to Remember. Allen said that the way she played her character in Broadway Danny Rose was a "very, very brave thing for her to do," as she had to play her role without ever using her eyes. Citing the need to devote herself to raising her young children, Farrow worked less frequently during the 1990s. Nonetheless, she appeared in leading roles in several films, including the Irish film Widows' Peak (1994), Miami Rhapsody (1995) and Reckless (also 1995). She appeared in several independent features and made-for-television films throughout the late 1990s and early 2000s and wrote an autobiography, What Falls Away, in 1997. Farrow appeared as Mrs. Baylock, the Satanic nanny, in the remake of The Omen (2006). Although the film itself received a lukewarm critical reception, Farrow's performance was widely praised, with the Associated Press declaring "thank heaven for Mia Farrow" and calling her performance "a rare instance of the new Omen improving on the old one." Filmcritic.com added "it is Farrow who steals the show", and the Seattle Post-Intelligencer described her performance as "a truly delicious comeback role for Rosemary herself, Mia Farrow, who is chillingly believable as a sweet-talking nanny from hell." She worked on several films released in 2007, including the romantic comedy The Ex and the first part of director Luc Besson's trilogy of fantasy films, Arthur and the Invisibles. In 2008, in director Michel Gondry's Be Kind Rewind, she appeared opposite Jack Black, Mos Def and Danny Glover. In 2011, Farrow appeared in the film Dark Horse, directed by Todd Solondz. In September 2014, Farrow returned to Broadway in the play Love Letters. The play was well received by critics with the New York Times calling Farrow's performance "utterly extraordinary... as the flighty, unstable and writing-averse Melissa Gardner."

Answer this question "Who did she costar with in Be Kind Rewind?"
output: Jack Black, Mos Def and Danny Glover.

input: At a September 10, 2008, press conference, Paul announced his general support of four third-party candidates: Cynthia McKinney (Green Party); Bob Barr (Libertarian Party); Chuck Baldwin (Constitution Party); and Ralph Nader (independent). He said that each of them had pledged to adhere to a policy of balancing budgets, bringing the troops home, defending privacy and personal liberties, and investigating the Federal Reserve. Paul also said that under no circumstances would he be endorsing either of the two main parties' candidates (McCain - Republican Party, or Obama - Democratic Party) because there were no real differences between them, and because neither of them, if elected, would seek to make the fundamental changes in governance that were necessary. He urged instead that, rather than contribute to the "charade" that the two-party election system had become, the voters support the third-party candidates as a protest vote, to force change in the election process. Later that same day, Paul gave a televised interview with Nader saying much the same again. Two weeks later, "shocked and disappointed" that Bob Barr (the Libertarian nominee) had pulled out of attending the press conference at the last minute and had admonished Paul for remaining neutral and failing to say which specific candidate Paul would vote for in the general election, Paul released a statement saying that he had decided to endorse Chuck Baldwin, the Constitution Party candidate, for president. Paul withdrew from active campaigning in the last weeks of the primary election period. He received 42,426 votes, or 0.03% of the total cast, in the general election.

Answer this question "What other thing did he do in the house?"
output:
Paul withdrew from active campaigning in the last weeks of the primary election period.