Question: Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Peron, the second wife of Argentine president Juan Peron. The story follows Evita's early life, rise to power, charity work, and eventual death. The musical began as a rock opera concept album released in 1976.

In 1972, Robert Stigwood proposed that Andrew Lloyd Webber and Tim Rice develop a new musical version of Peter Pan, but they abandoned the project. Travelling late to a meal one night in 1973, though, Rice heard the end of a radio show about Eva Peron which intrigued him. As a child stamp collector, he had been fascinated by her image on the Argentine stamps, but was unaware of her significance in Argentina's history. He began research and was introduced by a Cinema International Corporation executive to the Argentine film director Carlos Pasini Hansen who had produced the TV film Queen of Hearts, which had aired in the UK on 24 October 1972. The executive also arranged for Rice to see the film at Thames Television which he did "at least twenty times" saying also that "by that time I had seen Pasini's superbly researched film, I was hooked." The more Rice investigated Eva Peron, going so far as to travel to Buenos Aires to research her life with many documents and contacts that Pasini had supplied, the more fascinated he became by the woman; he even named his first daughter after her. Rice suggested the idea of a musical based on the subject to Lloyd Webber, but although the idea of writing a score including tangos, pasos dobles, and similar Latin flavours intrigued him, Lloyd Webber ultimately rejected the idea. He decided instead to collaborate with Alan Ayckbourn on Jeeves, a traditional Rodgers and Hart-style musical based on the P. G. Wodehouse character, which proved to be a critical and commercial failure. After Jeeves, Lloyd Webber returned to Rice, and they began developing Rice's proposed musical. The authors of the 1996 book Evita: The Real Life of Eva Peron claim the musical was based on Mary Main's biography The Woman with the Whip, which was extremely critical of Eva Peron. Though Rice praised the Main biography, it was never officially credited as source material. Rice created a character, Che, to serve as a narrator and Greek chorus. Although he had recently discovered Che Guevara was Argentine, he did not necessarily intend that the character be based upon him, despite inserting specific biographical details into the lyrics that clearly apply to Guevara. When Harold Prince later became involved with the project, he insisted that the actors portraying Che should use Guevara as a role model. In the 1996 film adaptation, the character returned to his more anonymous roots. This was also the case for the 2006 London revival. Lloyd Webber and the conductor Anthony Bowles presented the musical at the second Sydmonton Festival before making the recording with the London Philharmonic Orchestra.

Using a quote from the above article, answer the following question: What he help with
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Answer: The more Rice investigated Eva Peron, going so far as to travel to Buenos Aires to research her life with many documents and contacts that Pasini had supplied,

Question: Liuzzo was born Viola Fauver Gregg on April 1, 1925, in the small town of California, Pennsylvania, the elder daughter of Eva Wilson, a teacher, and Heber Ernest Gregg, a coal miner and World War I veteran. He left school in the eighth grade but taught himself to read. Her mother, Eva Wilson Gregg, had a teaching certificate from the University of Pittsburgh.

After the third march concluded on March 25, Liuzzo, assisted by Leroy Moton, a 19-year-old African American, continued shuttling marchers and volunteers from Montgomery back to Selma in her car. As they were driving along Route 80, a car tried to force them off the road. After dropping passengers in Selma, she and Moton headed back to Montgomery. As they were getting gas at a local filling station, they were subject to abusive calls and racist scorn. When Liuzzo stopped at a red light, a car with four members of the local Ku Klux Klan pulled up alongside her. When they saw a white woman and a black man in a car together, they followed Liuzzo as she tried to outrun them. Overtaking the Oldsmobile, they shot directly at Liuzzo, mortally wounding her twice in the head. The car veered into a ditch, crashing into a fence. Although Moton was covered with blood, the bullets missed him. He lay motionless when the Klansmen reached the car to check on their victims. After the Klansmen left, Moton began searching for help, and eventually flagged down a truck driven by Rev. Leon Riley. Like Moton and Liuzzo, Riley was shuttling civil rights workers back to Selma. Liuzzo's funeral was held at Immaculate Heart of Mary Catholic Church on March 30 in Detroit, with many prominent members of both the civil rights movement and government there to pay their respects. Included in this group were Dr. Martin Luther King, Jr.; NAACP executive director Roy Wilkins; Congress on Racial Equality national leader James Farmer; Michigan lieutenant governor William G. Milliken; Teamsters president Jimmy Hoffa; and United Auto Workers president Walter Reuther. She was buried at Holy Sepulchre Cemetery in Southfield, Michigan. Less than two weeks after her death, a charred cross was found in front of four Detroit homes, including the Liuzzo residence.

Using a quote from the above article, answer the following question: What was the aftermath of the killing?
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Answer:
Liuzzo's funeral was held at Immaculate Heart of Mary Catholic Church on March 30 in Detroit, with many prominent members of both the civil rights movement and government