Answer the question at the end by quoting:

Card is the son of Willard Richards Card and Peggy Jane (nee Park), the third of six children and the older brother of composer and arranger Arlen Card. Card was born in Richland, Washington, and grew up in Santa Clara, California as well as Mesa, Arizona and Orem, Utah. He served as a missionary for the LDS Church in Brazil and graduated from Brigham Young University (BYU) and the University of Utah; he also spent a year in a Ph.D. program at the University of Notre Dame. For part of the 1970s Card worked as an associate editor of the Ensign, an official magazine of the LDS Church.
He wrote the short story "Ender's Game" while working at the BYU press, and submitted it to several publications. The idea for the later novel of the same title came from the short story about a school where boys can fight in space. It was eventually purchased by Ben Bova at Analog Science Fiction and Fact and published in the August 1977 issue. Meanwhile, he started writing half-hour audioplays on LDS Church history, the New Testament, and other subjects for Living Scriptures in Ogden, Utah; on the basis of that continuing contract, some freelance editing work, and a novel contract for Hot Sleep and A Planet Called Treason, he left Ensign and began supporting his family as a freelancer. He completed his master's degree in English at the University of Utah in 1981 and began a doctoral program at the University of Notre Dame, but the recession of the early 1980s caused the flow of new book contracts to temporarily dry up. He returned to full-time employment as the book editor for Compute! magazine in Greensboro, North Carolina, in 1983. In October of that year, a new contract for the Alvin Maker "trilogy" (now up to six books) allowed him to return to freelancing. Ender's Game and its sequel Speaker for the Dead were both awarded the Hugo Award and the Nebula Award, making Card the only author (as of 2015) to win both of science fiction's top prizes in consecutive years. Card continued the series with Xenocide, Children of the Mind, Ender's Shadow, Shadow of the Hegemon, Shadow Puppets, "First Meetings in the Enderverse", Shadow of the Giant, A War of Gifts, and Ender in Exile, a book that takes place after Ender's Game and before Speaker for the Dead. Card has also announced his plan to write Shadows Alive, a book that connects the "Shadow" series and "Speaker" series together. Shadows in Flight serves as a bridge towards this final book. He also co-wrote the formic war novels: Earth Unaware, Earth Afire, Earth Awakens and The Swarm as prequels to the Ender novels, with two more novels in the pipeline, which will result in two prequel formic war trilogies. These trilogies relay, among other things, the history of Mazer Rackham. Children of the Fleet is the first novel in a new sequel series, called Fleet School. In 2008 Card announced that Ender's Game would be made into a movie, but that he did not have a director lined up (Wolfgang Petersen had previously been scheduled to direct the movie but subsequently moved on to other projects.) It was to be produced by Chartoff Productions, and Card was writing the screenplay himself. The film was made several years later, and released in 2013, with Asa Butterfield in the title role and Gavin Hood directing. Other works include the alternative histories The Tales of Alvin Maker, Pastwatch: The Redemption of Christopher Columbus, The Homecoming Saga, and Hidden Empire, a story about a near-future civil war in the United States, based on the Xbox Live Arcade video game Shadow Complex. He collaborated with Star Wars artist Doug Chiang on Robota and with Kathryn H. Kidd on Lovelock. In 2017, he co-created a TV series Extinct.

did he win any other awards?

Answer the question at the end by quoting:

Hedwig and the Angry Inch is a rock musical about a fictional rock and roll band fronted by a transgender East German singer, Hedwig Robinson. The book is by John Cameron Mitchell, and the music and lyrics are by Stephen Trask. The story draws on Mitchell's life as the son of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was a Mitchell family babysitter and moonlighted as a prostitute at her Junction City, Kansas, trailer park home.
In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar. The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances. The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro. This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances.

How long was the musical touring in Brazil?
There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances.