Problem: Background: Daniel Lee Dierdorf (born June 29, 1949) is a former American football offensive lineman and current sportscaster. A native of Canton, Ohio, Dierdorf played college football for the University of Michigan from 1968 to 1970 and was selected as a consensus first-team All-American in 1970 and a first-team All-Big Ten Conference player in 1969 and 1970. He was inducted into the University of Michigan Athletic Hall of Honor in 1996 and the College Football Hall of Fame in 2000. Dierdorf played professional football in National Football League (NFL) with the St. Louis Cardinals for 13 seasons from 1971 to 1983.
Context: On September 9, 1979, Dierforf sustained torn ligaments in his left knee during an extra point attempt in the second quarter of the second game of the season against the New York Giants. After the game, Dierdorf said, "The knee was completely out of the socket. It moved a couple of inches off to the side. My leg was all twisted around and my foot was pointing in the wrong direction. It was painful. Very painful." Dierdorf was carried off the field on a stretcher, underwent knee surgery, and missed the remainder of the 1979 season. Dierdorf returned to the Cardinals in 1980, starting all 16 games for the team at right tackle in both the 1980 and 1981 seasons. In 1980, he was selected to play in the Pro Bowl and was selected as a first-team All-NFL player by the NEA. In 1982, Dierdorf moved to center and was the starter at that position for all nine games in a strike-shortened season. In 1983, Dierdorf returned to his right tackle position and appeared in seven games, only four as a starter. On October 11, 1983, after the Cardinals began the season with a 1-5 record, Dierdorf announced that he would retire at the end of the 1983 season. At the press conference announcing his retirement, Dierdorf said, "This was an easy decision for me to make. . . . Physically, I just can't play the type of game I want to." He added: "Ninety-five percent of me is sad that I'm retiring, but my knees are very, very happy."
Question: What was Dierdorf's position at this time?
Answer: returned to his right tackle position

Problem: Background: Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.
Context: 1977's Sweet Forgiveness album gave Raitt her first commercial breakthrough when it yielded a hit single in her remake of "Runaway." Recast as a heavy rhythm and blues recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics. However, the song's commercial success prompted a bidding war for Raitt between Warner Bros. and Columbia Records. "There was this big Columbia-Warner war going on at the time", recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warner signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia - no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal." Warner Brothers held higher expectations for Raitt's next album, The Glow, in 1979, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five Musicians United for Safe Energy (MUSE) concerts at Madison Square Garden in New York City. The shows spawned the three-record gold album No Nukes, as well as a Warner Brothers feature film of the same name. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, the Doobie Brothers, Carly Simon, James Taylor, Gil Scott-Heron, and numerous others. For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records. However, to her surprise, many of her peers and the media compared her new sound to the burgeoning new wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Brothers.
Question: What are some albums she released during those years?
Answer: The Glow,

Problem: Background: Patti Ann LuPone (born April 21, 1949) is an American actress and singer, best known for her work in stage musicals. She is a two-time Grammy Award winner and a two-time Tony Award winner. She is also a 2006 American Theater Hall of Fame inductee. LuPone began her professional career with The Acting Company in 1972 and made her Broadway debut in Three Sisters in 1973.
Context: LuPone opposes recording, photographs, and other electronic distractions in live theatre. "Where's the elegance?" she asked in a blog post on her official site. "I mean, I'm glad they show up because God knows it's a dying art form and I guess I'm glad they're all comfortable, sleeping, eating and drinking, things they should be doing at home and in a restaurant. But it's just not done in the theater or shouldn't be." LuPone has been the subject of some controversy due to the bluntness of her statements regarding this matter. A related incident occurred at the second to last performance of Gypsy on January 10, 2009. LuPone, irritated by flash photography, stopped in the middle of "Rose's Turn" and loudly demanded that the interloper be removed from the theatre. After he was removed, LuPone restarted her number. The audience applauded her stance. The event was recorded by another audience member, who released it on YouTube. She later stated that such distractions drive "people in the audience nuts. They can't concentrate on the stage if, in their peripheral vision, they're seeing texting, they're seeing cameras, they're listening to phone calls. How can we do our job if the audience is distracted?", and also mentioned that "the interesting thing is I'm not the first one that's done it". On July 8, 2015, during the second act of Shows for Days at the Lincoln Center Theater, LuPone grabbed an audience member's cellphone while leaving the stage as the audience member had been using their phone during the play. It was returned after the show. LuPone stated: We work hard on stage to create a world that is being totally destroyed by a few, rude, self-absorbed and inconsiderate audience members who are controlled by their phones. They cannot put them down. When a phone goes off or when a LED screen can be seen in the dark it ruins the experience for everyone else - the majority of the audience at that performance and the actors on stage. I am so defeated by this issue that I seriously question whether I want to work on stage anymore. Now I'm putting battle gear on over my costume to marshal the audience as well as perform.
Question: Did she do any other things to audience members?
Answer:
loudly demanded that the interloper be removed from the theatre.