Problem: Ivan IV Vasilyevich (Russian: Ivan Vasil'evich, tr. Ivan Vasilyevich; 25 August 1530 - 28 March [O.S. 18 March] 1584), commonly known as Ivan the Terrible or Ivan the Fearsome (Russian: Ivan Groznyi , Ivan Grozny; a better translation into modern English

Ivan was the first son of Vasili III and his second wife, Elena Glinskaya, who was of half Serbian and half Lipka Tatar descent, the Glinski clan (nobles based in the Grand Duchy of Lithuania) claiming descent from the Mongol ruler Mamai (1335-1380.) When Ivan was three years old, his father died from an abscess and inflammation on his leg that developed into blood poisoning. Ivan was proclaimed the Grand Prince of Moscow at the request of his father. His mother Elena Glinskaya initially acted as regent, but she died of what many believe to be assassination by poison, in 1538 when Ivan was only eight years old. The regency then alternated between several feuding boyar families fighting for control. According to his own letters, Ivan, along with his younger brother Yuri, often felt neglected and offended by the mighty boyars from the Shuisky and Belsky families. In a letter to Prince Kurbski Ivan remembers, "My brother Iurii, of blessed memory, and me they brought up like vagrants and children of the poorest. What have I suffered for want of garments and food!!" It should be noted, however, that the historian Edward L Keenan has presented compelling reasons to doubt the authenticity of the source in which these quotes are found. On 16 January 1547, at age sixteen, Ivan was crowned with Monomakh's Cap at the Cathedral of the Dormition. He was the first to be crowned as "Tsar of All the Russias", hence claiming the ancestry of Kievan Rus'. Prior to that, rulers of Muscovy were crowned as Grand Princes, although Ivan III the Great, his grandfather, styled himself "tsar" in his correspondence. Two weeks after his coronation, Ivan married his first wife Anastasia Romanovna, a member of the Romanov family, who became the first Russian tsaritsa. By being crowned Tsar, Ivan was sending a message to the world and to Russia: he was now the only supreme ruler of the country, and his will was not to be questioned. "The new title symbolized an assumption of powers equivalent and parallel to those held by former Byzantine Emperor and the Tatar Khan, both known in Russian sources as Tsar. The political effect was to elevate Ivan's position." The new title not only secured the throne, but it also granted Ivan a new dimension of power, one intimately tied to religion. He was now a "divine" leader appointed to enact God's will, as "church texts described Old Testament kings as 'Tsars' and Christ as the Heavenly Tsar." The newly appointed title was then passed on from generation to generation: "succeeding Muscovite rulers ... benefited from the divine nature of the power of the Russian monarch ... crystallized during Ivan's reign."

When was he crowned?

Answer with quotes: On 16 January 1547, at age sixteen, Ivan was crowned with Monomakh's Cap at the Cathedral of the Dormition.

Problem: Chicago is an American rock band formed in 1967 in Chicago, Illinois as The Chicago Transit Authority before shortening the name in 1970. The self-described "rock and roll band with horns" began as a politically charged, sometimes experimental, rock band and later moved to a predominantly softer sound, generating several hit ballads. The group had a steady stream of hits throughout the 1970s and 1980s. Since at least 2008, Billboard has shown Chicago to be the "greatest of all time" American band in singles chart success, and since 2015, the "greatest of all time" American band in album chart success as well.

Upon being renamed from Chicago Transit Authority to Chicago, the band sported a new logo. Its inspiration was found in the design of the Coca-Cola logo, in the attitude of the city of Chicago itself, and in the desire to visually transcend the individual identities of the band's members. It was designed by the Art Director of Columbia/CBS Records, John Berg, with each album's graphic art work being done by Nick Fasciano. Berg said, "The Chicago logo...was fashioned for me by Nick Fasciano from my sketch." The logo would serve as the band's chief visual icon from Chicago II, onward. In various artistic forms and visual similes, it has been the subject of every subsequent album cover, except the fifteenth album, Greatest Hits, Volume II. For example, it appeared as an American flag on III, a piece of wood on V, a U.S. dollar bill on VI, a leather relief on VII, an embroidered patch on VIII, a chocolate bar on X, a map on XI, a building on 13, a fingerprint on XIV, a computer silicon chip on 16, a parcel on 17, a mosaic on 18, and an aquarelle on 19. Chicago IX's incarnation was a caricature of the band itself, in the shape of the logo. The album cover series has endured as a cataloged work of art in its own right, described by Paul Nini of the American Institute of Graphic Arts as a "real landmark in record cover design". In 2013, the iconic status of Chicago's album art was featured in a New York art museum exhibit, which centered upon ninety-five album covers completely selected from John Berg's career portfolio of hundreds. Having overseen the design of approximately fourteen Chicago album covers across more than twenty years, Berg stated that this artistic success resulted from the combination of Chicago's "unique situation" and his position in "the best possible job at the best possible time to have that job, at the center of the graphic universe". Berg won the 1976 Grammy Award for Best Album Package for Chicago X, one of four Grammy Awards he won in his lifetime. The book titled Type and Image: The Language of Graphic Design described the logo as "a warm vernacular form, executed in thick script letters with Victorian swashes in the tradition of sports teams and orange crate labels." The book mentions the cultural and material background of the city of Chicago as inspiration for the logo; for example, describing the leather embossing of Chicago VII as representative of the great fire and the stockades. The author connects the album art to the atmosphere of the band's namesake city, quoting the band's original manager, James William Guercio: "The printed word can never aspire to document a truly musical experience, so if you must call them something, speak of the city where all save one were born; where all of them were schooled and bred, and where all of this incredible music went down barely noticed; call them CHICAGO."

was the name of the album Graphics?

Answer with quotes:
Upon being renamed from Chicago Transit Authority to Chicago, the band sported a new logo.