Problem: Yo-Yo Ma (born October 7, 1955) is a French-born American cellist. Born in Paris, he spent his schooling years in New York City and was a child prodigy, performing from the age of four and a half. He graduated from the Juilliard School and Harvard University and has enjoyed a prolific career as both a soloist performing with orchestras around the world and a recording artist. He has recorded more than 90 albums and received 18 Grammy Awards.

In 1997, he was featured on John Williams' soundtrack to the Hollywood film Seven Years in Tibet. In 2000, he was heard on the soundtrack of Crouching Tiger, Hidden Dragon and, in 2003, on that of Master and Commander: The Far Side of the World. He collaborated with Williams again on the original score for the 2005 film Memoirs of a Geisha. Ma has also worked with Italian composer Ennio Morricone and has recorded Morricone's compositions of the Dollars Trilogy including The Good, the Bad and the Ugly, Once Upon a Time in America, The Mission, and The Untouchables. He also has over 90 albums, 18 of which are Grammy Award winners. Ma is a recipient of the International Center in New York's Award of Excellence. Ma was named Peace Ambassador by then-UN Secretary-General Kofi Annan in January 2006. He is a founding member of the influential Chinese-American Committee of 100, which addresses the concerns of Americans of Chinese heritage. On November 3, 2009, President Obama appointed Ma to serve on the President's Committee on the Arts and Humanities. His music was featured in the 2010 documentary Jews and Baseball: An American Love Story, narrated by Academy Award winner Dustin Hoffman. In 2010, Ma was named Judson and Joyce Green Creative Consultant of the Chicago Symphony Orchestra. In partnership with the orchestra's music director, Riccardo Muti, he launched the Citizen Musician initiative. Yo-Yo Ma is represented by the independent artist management firm Opus 3 Artists. Also in 2010, he appeared on a solo album by guitarist Carlos Santana, Guitar Heaven : The Greatest Guitar Classics Of All Time, playing alonside Santana and singer India Arie on a Beatles' classic, While My Guitar Gently Weeps.

Did he accept that appointment?

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Background: Ani DiFranco (; born Angela Maria DiFranco; September 23, 1970) is an American singer, multi-instrumentalist, poet, songwriter, and feminist icon. She has released more than 20 albums. DiFranco has received positive feedback from critics for much of her career. Although DiFranco's music has been classified as folk rock and alternative rock she has added punk, funk, hip hop and jazz influences.
Context: Although much of DiFranco's material is autobiographical, it is often also strongly political. Many of her songs are concerned with contemporary social issues such as racism, sexism, sexual abuse, homophobia, reproductive rights, poverty, and war. In 2008, she donated a song to Aid Still Required's CD to assist with the restoration of the devastation done to Southeast Asia from the 2004 tsunami. The combination of personal and political is partially responsible for DiFranco's early popularity among politically active college students, particularly those of the left wing, some of whom set up fan pages on the web to document DiFranco's career as early as 1994. DiFranco's rapid rise in popularity in the mid-1990s was fueled mostly by personal contact and word of mouth rather than mainstream media. DiFranco has expressed political views outside of her music. During the 2000 U.S. presidential election, she actively supported and voted for Green Party candidate Ralph Nader. She supported Dennis Kucinich in the 2004 and 2008 Democratic primaries. Kucinich appeared with her at a number of concerts across the country during both primary seasons. DiFranco went on to perform at the 2008 Democratic National Convention. DiFranco has described herself as an atheist. On the subject of religion, DiFranco has stated: Well, I'm not a religious person myself. I'm an atheist. I think religion serves a lot of different purposes in people's lives, and I can recognize the value of that, you know, the value of ceremony, the value of community, or even just having a forum to get together and talk about ideas, about morals - that's a cool concept. But then, of course, institutional religions are so problematic.
Question: Which political party does she belong to?
Answer: During the 2000 U.S. presidential election, she actively supported and voted for Green Party candidate Ralph Nader.

Question:
Bernard Herrmann (born Max Herman; June 29, 1911 - December 24, 1975) was an American composer best known for his work in composing for motion pictures. As a conductor, he championed the music of lesser-known composers. An Academy Award-winner (for The Devil and Daniel Webster, 1941; later renamed All That Money Can Buy), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed scores for many other movies, including Citizen Kane, The Day the Earth Stood Still, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver.
Herrmann's music is typified by frequent use of ostinati (short repeating patterns), novel orchestration and, in his film scores, an ability to portray character traits not altogether obvious from other elements of the film. Early in his life, Herrmann committed himself to a creed of personal integrity at the price of unpopularity: the quintessential artist. His philosophy is summarized by a favorite Tolstoy quote: 'Eagles fly alone and sparrows fly in flocks.' Thus, Herrmann would only compose music for films when he was allowed the artistic liberty to compose what he wished without the director getting in the way: the cause of the split with Hitchcock after over a decade of composing scores for the director's films. His philosophy of orchestrating film was based on the assumption that the musicians were selected and hired for the recording session -- that this music was not constrained to the musical forces of the concert hall. For example, his use of nine harps in Beneath the 12 Mile Reef created an extraordinary underwater-like sonic landscape; his use of four alto flutes in Citizen Kane contributed to the creepy opening, only matched by the use of 12 flutes in his unused Torn Curtain score; and his use of the serpent in White Witch Doctor is possibly the first use of that instrument in a film score. Herrmann said: "To orchestrate is like a thumbprint. I can't understand having someone else do it. It would be like someone putting color to your paintings." Herrmann subscribed to the belief that the best film music should be able to stand on its own legs when detached from the film for which it was originally written. To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.
Answer this question using a quote from the text above:

was it well-received?

Answer:
To this end, he made several well-known recordings for Decca of arrangements of his own film music as well as music of other prominent composers.