Problem: Morissette was born June 1, 1974, in Ottawa, Ontario, Canada, to teacher Georgia Mary Ann (nee Feuerstein) and high-school principal and French teacher Alan Richard Morissette. She has two siblings: older brother Chad is a business entrepreneur, and twin brother (12 minutes older) Wade is a musician. Her father is of French and Irish descent and her mother has Hungarian ancestry.

Morissette was featured as a guest vocalist on Ringo Starr's cover of "Drift Away" on his 1998 album, Vertical Man, and on the songs "Don't Drink the Water" and "Spoon" on the Dave Matthews Band album Before These Crowded Streets. She recorded the song "Uninvited" for the soundtrack to the 1998 film City of Angels. Although the track was never commercially released as a single, it received widespread radio airplay in the U.S. At the 1999 Grammy Awards, it won in the categories of Best Rock Song and Best Female Rock Vocal Performance, and was nominated for Best Song Written for a Motion Picture, Television or Other Visual Media. Later in 1998, Morissette released her fourth album, Supposed Former Infatuation Junkie, which she wrote and produced with Glen Ballard. Privately, the label hoped to sell a million copies of the album on initial release; instead, it debuted at number one on the Billboard 200 chart with first-week sales of 469,000 copies--a record, at the time, for the highest first-week sales of an album by a female artist. The wordy, personal lyrics on Supposed Former Infatuation Junkie alienated many fans, and after the album sold considerably less than Jagged Little Pill (1995), many labelled it an example of the sophomore jinx. However, it received positive reviews, including a four-star review from Rolling Stone. In Canada, it won the Juno Award for Best Album and was certified four times platinum. "Thank U", the album's only major international hit single, was nominated for the 2000 Grammy Award for Best Female Pop Vocal Performance; the music video, which featured Morissette nude, generated mild controversy. Morissette herself directed the videos for "Unsent" and "So Pure", which won, respectively, the MuchMusic Video Award for Best Director and the Juno Award for Video of the Year. The "So Pure" video features actor Dash Mihok, with whom Morissette was in a relationship at the time. Morissette contributed vocals to "Mercy", "Hope", "Innocence", and "Faith", four tracks on Jonathan Elias's project The Prayer Cycle, which was released in 1999. The same year, she released the live acoustic album Alanis Unplugged, which was recorded during her appearance on the television show MTV Unplugged. It featured tracks from her previous two albums alongside four new songs, including "King of Pain" (a cover of The Police song) and "No Pressure over Cappuccino", which Morissette wrote with her main guitar player, Nick Lashley. The recording of the Supposed Former Infatuation Junkie track "That I Would Be Good", released as a single, became a minor hit on hot adult contemporary radio in America. Also in 1999, Morissette released a live version of her song "Are You Still Mad" on the charity album Live in the X Lounge II. For her live rendition of "So Pure" at Woodstock '99, she was nominated for Best Female Rock Vocal Performance at the 2001 Grammy Awards. During summer 1999, Alanis toured with singer-songwriter Tori Amos on the 5 and a Half Weeks Tour in support of Amos' album To Venus and Back (1999).

Did she tour for that record?

Answer with quotes: major international hit single, was nominated for the 2000 Grammy Award for Best

Problem: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.

After his early career efforts, Latour shifted his research interests to focus on laboratory scientists. Latour rose in importance following the 1979 publication of Laboratory Life: the Social Construction of Scientific Facts with co-author Steve Woolgar. In the book, the authors undertake an ethnographic study of a neuroendocrinology research laboratory at the Salk Institute. This early work argued that naive descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice. In the laboratory, Latour and Woolgar observed that a typical experiment produces only inconclusive data that is attributed to failure of the apparatus or experimental method, and that a large part of scientific training involves learning how to make the subjective decision of what data to keep and what data to throw out. Latour and Woolgar argued that, for untrained observers, the entire process resembles not an unbiased search for truth and accuracy but a mechanism for ignoring data that contradicts scientific orthodoxy. Latour and Woolgar produced a highly heterodox and controversial picture of the sciences. Drawing on the work of Gaston Bachelard, they advance the notion that the objects of scientific study are socially constructed within the laboratory--that they cannot be attributed with an existence outside of the instruments that measure them and the minds that interpret them. They view scientific activity as a system of beliefs, oral traditions and culturally specific practices-- in short, science is reconstructed not as a procedure or as a set of principles but as a culture. Latour's 1987 book Science in Action: How to Follow Scientists and Engineers through Society is one of the key texts of the sociology of scientific knowledge in which he famously wrote his Second Principle as follows: "Scientist and engineers speak in the name of new allies that they have shaped and enrolled; representatives among other representatives, they add these unexpected resources to tip the balance of force in their favor." Some of Latour's position and findings in this era provoked vehement rebuttals. Gross and Leavitt argue that Latour's position becomes absurd when applied to non-scientific contexts: e.g., if a group of coworkers in a windowless room were debating whether or not it were raining outside and went outdoors to discover raindrops in the air and puddles on the soil, Latour's hypothesis would assert that the rain was socially constructed. Similarly, philosopher John Searle argues that Latour's "extreme social constructivist" position is seriously flawed on several points, and furthermore has inadvertently "comical results."

What was it about?

Answer with quotes:
This early work argued that naive descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice.