*Question*
When Patch finally found his way out of the seed-pod, Toro was gone, and there were rats all around him. Some hid beneath the huge black seed-pods, some scuttled in the shadows of the nearby mountain. Patch knew from their smells there were at least a dozen of them. There was another smell too, mixed with that of the rats. The very same unsavory squirrel-smell he had detected in Silver's abandoned drey. "What do you want?" Patch asked, from his perch atop the mound of seed-pods. He was concerned but not yet frightened. Rats and squirrels were neither friends nor enemies. Squirrels were bigger and stronger, but rats were far more numerous. There were legends of long-ago wars between the two species, but no squirrel Patch knew had ever been attacked by rats. Squirrels lived aboveground, in the sun; rats frequented the night and the dark underworld. Of course, squirrels found rats disgusting and disagreeable -- but so did all other animals. An unusually large rat climbed up to the top of a seed-pod. It was almost as big as Patch himself. Rats usually avoided light, but this one stood unafraid beneath the sun, and demanded: "Who are you?" "I am Patch son of Silver, of the Seeker clan, of the Treetops tribe, of the Center Kingdom," Patch said. "Who are you that asks?" "I am Snout," the rat replied. "Why are you here?" "I came to look for food." "This is our food. These mountains are ours." "Your food?" Patch asked, bewildered. There was no ownership of food in the Center Kingdom, not until it had actually been eaten. "That's ridiculous. It's food. It belongs to whoever finds it first." "Then you belong to us," Snout hissed. "Because we are the rats who will suck the marrow from your broken bones." What does Patch probably do after his conversation with Scout? - He goes searching for food. - not enough information - He ruturns to the Seeker clan - He goes searching for Silver
**Answer**
He goes searching for food.

*Question*
The Getty Villa is a museum unlike any in the world. It offers an experience of ancient Greek and Roman art in a setting that replicates that in which it would originally have been displayed, a Roman villa of the first century AD. On April 18, after three years of work, the galleries of the Villa reopen with an entirely new arrangement of the collection, one that situates art in its cultural and historical context. Since 2006, when the Getty Villa opened as a museum dedicated to the cultures of the ancient Mediterranean, the collection has been presented along thematic lines, with galleries dedicated to subjects such as ancient theater, athletes and competition, and gods and goddesses. This approach was useful in illuminating social life in the ancient classical world, but it prioritized objects' subject matter over their stature as works of art and removed them from their broader artistic and cultural context. Reenvisioning how the antiquities were displayed at the Villa was one of my top priorities when I joined the J. Paul Getty Museum as director in 2012. As a specialist in ancient art, my priority is to help visitors to see these great treasures as beautiful and fascinating works of art, and sparking their curiosity to understand them in the context of their place in human culture. Starting April 18 our Villa galleries offer a new journey through ancient Greek, Roman, and Etruscan art. The visitor's path begins on the first-floor rooms devoted to Neolithic and Bronze Age (Cycladic, Minoan, and Mycenaean) Greek art. The journey continues through the Archaic, Classical, and Hellenistic periods, when the Greeks developed the first fully naturalistic vision of the human figure. And it culminates in the dramatic skylit halls of ancient Roman sculpture. In all there are 33 spaces on two floors, with 3,000 more square feet of gallery space than before. The visitor's path winds through the galleries, gardens, and fountains, offering views onto the spectacular landscape and Pacific Ocean. How long does a tour take? - 2 hours - about a week - fiteen minutes - not enough information
**Answer**
2 hours

*Question*
When I first started out in the field, I was working at a private hospital in the locked psychiatric unit, and there was a call from one of the med floors requiring someone from our unit to assist with a problem of a young man who had bitten through his cotton restraints on his wrists. They were requesting he be restrained with leather ones. I had not done any restraining and was asked to assist a woman counselor to show me the ropes (no pun intended). When we arrived in the patients room, I was shocked to see a man in his early 20's flailing around spasmodically on the bed with his gums bleeding in between his teeth. The nurse informed us that the patient was dying of a liver disease and his body and brain had become toxic, causing delirium. The counselor instructed me to hold down his arms and she placed him in leather restraints which were fastened to the side of the bed. The most upsetting thing which to this day I can not remove from memory was this man literally snapping his jaws at me like a mad animal with traumatized bloody gums from biting so hard on the cloth restraints. There was nothing I, or anyone could do, except keep him restrained from hurting himself or others. It is the kind of witness to suffering I had never experienced before, and I felt almost relieved when the nurse quietly said, " He will die before morning. " I suppose what is so traumatic about witnessing such situations is the utter sense of helplessness. I was a trained therapist, and in this situation, I was unable to do anything, and was rendered powerless. I recall being plagued by this young man's face for some time when I tried to go to sleep at night. Bruce Kugler What led the author to compare the patient to a mad animal? - not enough information - because the patient had chewed through his cloth restraints. - the patient was snapping his jaws at him, with traumatized bloody gums - the patient was flailing around on the bed
**Answer**
the patient was snapping his jaws at him, with traumatized bloody gums