Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : This is a list of the longest place names in Ireland. It includes names written in English as a single word of at least 20 letters. The vast majority of English-language place names in Ireland are anglicisations of Irish language names. The spelling which has legal force is usually that used by the Ordnance Survey of Ireland. Many of Ireland's longest place names are found in the far west of the island, where the Irish language survived the longest; including Gaeltacht areas, where it is still the vernacular. These names are generally written as multiple words in Irish. Context_2 : The vast majority of placenames in Ireland are anglicisations of Irish language names; that is, adaptations of the Irish names to English phonology and spelling. However, some names come directly from the English language, and a handful come from Old Norse and Scots. The study of placenames in Ireland unveils features of the country's history and geography, and the development of the Irish language. The name of Ireland itself comes from the Irish name "Eire", added to the Germanic word "land". In mythology, Eire was an Irish goddess of the land and of sovereignty (see Eriu). Context_3 : Siobhan ( ) is a female given name of Irish origin. Its spelling in the Irish language is Siobhan (] or ] ), while the most common anglicisations are Shevaun and Shivaun. Context_4 : McCawley and MacCawley are surnames in the English language. The names are Anglicisations of several Gaelic-language surnames. There are several etymological origins for the names: all of which originated as patronyms in several Gaelic languagesIrish and Scottish Gaelic. Although the English-language surnames are ultimately derived from Gaelic patronyms, the English-language surnames, and the modern Gaelic-language forms do not refer to the actual name of the bearer's father or grandfather. The surnames are not very common. Context_5 : Jason L. McCoy is the former mayor of Vernon, Connecticut, and a trial lawyer. In 2009, McCoy was elected to his first term in 2007. McCoy was re-elected as mayor. He had served on the Vernon Town Council and was the deputy mayor of Vernon from 2005 to 2007. In 2009, McCoy was one of six mayors in Connecticut chosen by the Governor M. Jodi Rell to work closely with state officials and lawmakers to identify savings and recommend mandate relief to help close Connecticut's state budget shortfall. McCoy served as mayor of a municipality that holds town meetings to pass the mayor's yearly proposed municipal budget, which can then be sent to referendum for approval by privately cast ballot. During McCoy's two terms (four years) as mayor of Vernon he proposed and passed four municipal budgets. The Town of Vernon municipal budgets during McCoy's terms as mayor resulted in the municipal tax rate or mil rate needed to fund the municipal budget being reduced in the 20082009, 2009-2010 budgets, the 2010-2011 tax rate or mil rate remained the same. In the 2011-2012 budget the tax rate was cut which resulted in a taxes cut to the taxpayers in the Town of Vernon, Connecticut. The 20112012 budget proposal was passed and adopted at the annual town meeting as opposed to being sent to referendum. Context_6 : Falvey is a surname which is an anglicisation of the name O Failbhe: in the Irish language O means "descendant" [of] and "failbhe" literally means "lively, pleasant, sprightly, merry, cheerful" or, according to another historian, "joker". Other anglicisations include "O'Falvie, O'Falvy, O'Failie, O'Falvey, Falvey, Fealy" and "Fealey". The O'Falvey's trace their descent to Conaire, who was King of Ireland at the beginning of the Christian era. The O'Falvey's are recorded to have been powerful chiefs of Corcu Duibne, specifically the Dingle Peninsula of modern-era County Kerry, the barony of Corcaguiny. They were also Lords of Inveragh during the tenth century, and the hereditary admirals of Desmond. The veracity of such claims is in their intent more than their detail, thus an "admiral" may well have been the leader of some boats, and a "lord" may have been a somewhat less imposing figure than a Victorian English nobleman. Context_7 : The gallowglasses (also spelt galloglass, gallowglas or galloglas; from Irish: "gall oglaigh" meaning foreign warriors) were a class of elite mercenary warriors who were principally members of the Norse-Gaelic clans of Scotland between the mid 13th century and late 16th century. As Scots, they were Gaels and shared a common background and language with the Irish, but as they had intermarried with the 10th century Norse settlers of western Scotland, the Irish called them "Gall Gaeil" ("foreign Gaels"). Context_8 : MacGaffin and McGaffin are Northern Irish surnames. They are Anglicisations of the Irish language "Mac Eachain", meaning "son of "Eachan"". The personal name "Eachan" is a diminutive of the personal name "Eachaidh", which is based upon the Gaelic "each", meaning "horse". Context_9 : McCoy is a common surname of Scottish origin in the lands of Kintyre and then Irish (Gallowglass) origin. It is an Anglicisation of its Irish Gaelic form Mac Aodha, meaning "son of Aodh" (an old word for "Fire", a Celtic deity). It is particularly found in Ulster (Counties Antrim, Armagh and Monaghan) where many settled around the 13th century, having been Gallowglasses, and also in counties Limerick and Cork. Aoidh and Mac Aoigh were sometimes Anglicised as Hugh and McHugh. Context_10 : O Maolchonaire, more properly O Maol Chonaire, sometimes O Mhaoilchonaire, O Maolconaire, etc., was the surname of a family of professional poets and historians in Medieval Ireland. Traditionally it would have been spelled without the 'h', but with a dot over the 'c', either of which indicate an aspirant. In a period prior to the surrender of the O Conchubhair Donn and the other Connacht chieftains, it was Anglicised O'Mulconry, however the family was required to drop the national prefixes as part of the terms of surrender. Specific families, particularly the educators were systematically targeted, as part of the plot to destroy the Irish culture and language, as well as the Catholic religion. This can add great confusion to researchers of this important literary and religious family. It is now rendered most commonly Conry, sometimes Conroy, possibly sometimes King. There are many distinct groups of Conroys, some of whom also, though less commonly, use Conry, which are Anglicisations of disparate Irish Gaelic names. fact_1 : It is an Anglicisation of its Irish Gaelic form Mac Aodha, meaning "son of Aodh" (an old word for "Fire", a Celtic deity). fact_2 : The gallowglasses (also spelt galloglass, gallowglas or galloglas; from Irish: "gall oglaigh" meaning foreign warriors) were a class of elite mercenary warriors who were principally members of the Norse-Gaelic clans of Scotland between the mid 13th century and late 16th century. Answer: Irish
Answer:
McCoy and Galloglass are both Anglicisations of terms from what language?