Problem: Background: The Clark Sisters are an American gospel vocal group consisting of five sisters: Jacky Clark Chisholm (b. 1948), Denise Clark Bradford (b. 1953), Elbernita "Twinkie" Clark-Terrell (b. 1954), Dorinda Clark-Cole (b. 1957), and Karen Clark Sheard (b. 1960). The Clark Sisters are the daughters of gospel musician and choral director Mattie Moss Clark. They are credited for helping to bring gospel music to the mainstream and are considered as pioneers of contemporary gospel.
Context: The Clark Sisters were born and raised in Detroit, Michigan. They each began singing at an early age, and by the late 1960s they were all performing together in church services, usually singing songs written and arranged by their mother. A few years later, Dr. Mattie Moss Clark turned over control of the group to Twinkie, who would then go on to write, arrange, conduct, and produce all of the Clark Sisters' recordings. In 1973, the sisters recorded their first album, Jesus Has A Lot To Give, on their uncle's local label Billesse Records. The following year, Dr. Mattie Moss Clark Presents The Clark Sisters was released and people around Detroit began to take notice of the group. The Clark Sisters signed to Sound of Gospel Records in 1974. Under this association, the group released albums such as Unworthy, Count It All Joy, and He Gave Me Nothing to Lose. It was not until the early 1980s that The Clark Sisters began to become more widely known. Their popularity soared with the release of the live recording Is My Living In Vain. The first live recording by The Clark Sisters spent an entire year at number one on Billboard's Gospel Music chart. Opening with the bluesy title track, each sister vocally declares that their dedication to Christ is not a useless effort. The innovative "Hi ya" was funky enough to find its way into a Tonex produced track over two decades later. Karen Clark's lead on "Speak Lord" expresses deep faith while the call to worship is raised on "Now Is The Time". Another hit from this release, "Expect Your Miracle", is still a staple in black churches across the country. Their next release You Brought the Sunshine would prove to be a monster hit via the title track. Reminiscent of Stevie Wonder's "Master Blaster (Jammin')," the song became a hit in church houses and on dance floors, including New York's Studio 54. "Sunshine" was picked up from its original independent gospel record label Sounds of Gospel and distributed by both Westbound Records and Elektra Records. In 1983, the song peaked at #16 on the Black Singles chart, #27 on the Club Play Charts, and #80 on the Hot R&B Charts driving the album to Gold sales. This album continues to display Twinkie's signature blend of scripture with unprecedented vocal and musical arrangements on biblically based songs like "Psalms 31." The album's other songs include the sincere prayer found within the lyrics of both "Center of Thy Will" and "Endow Me," featuring a young but already vocally mature Karen, as well as "Overdose of the Holy Ghost", showcasing Dorinda's vocal dexterity. The disco-inspired "He Keeps Me Company" is noted for its bubbly syncopation. The sisters delivered another progressive effort in 1982, Sincerely, which included "Name It And Claim It" and the politically charged "World." Though its success was overshadowed by the previous hit "You Brought The Sunshine", the album received a Grammy nomination.
Question: Did any hits chart?
Answer: In 1983, the song peaked at #16 on the Black Singles chart, #27 on the Club Play Charts,

Background: Joaquin Rafael Phoenix (; ne Bottom; born October 28, 1974) is an American actor, producer, and activist. For his work as an actor, Phoenix has received a Grammy Award, a Golden Globe Award, and has three Academy Award and British Academy Film Award nominations. Phoenix started acting in television shows with his brother River Phoenix and sister Summer Phoenix.
Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences. In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera." Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide. Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting.
Question: what did he do after producing?
Answer:
Phoenix took a self-imposed break from acting.