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Review:Released two years before I was born, this Oscar-winning movie has it all - lavish Technicolor sets and costumes, breathtaking cinematography, superb wall-to-wall Gershwin music, superior choreography, a lighter-than-air screenplay, and great performances by Kelly, Levant, Foch, Guetary, and Caron. Hollywood doesn't make 'em like this anymore. Definitely, this is my favorite movie of all time, a standard by which I judge all other films. ENJOY, ENJOY, ENJOY!
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A: positive

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Review:Like almost everyone else who has commented on this movie, I can only wonder why this has never appeared on video.

I recall seeing it at about age 12 on the "The Late Show," circa 1972. I too recall the poison gas attack and the weirdly garbed horses. (I don't recall the more horrific bits I've seen described here; they were likely cut out for the TV audience.) But the scenes I REALLY liked were the ones involving the death of Lord Kitchener aboard the HMS Hampshire, almost exactly 90 years ago. The scenes of the doomed cruiser approaching the minefield in the storm were really chilling, as I recall.

Don't recall the musical score, but the comments of the others now have me curious. Get this one out on video!
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A: positive

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Review:And a rather Unexpected plot line too-for the era: there is Plague in the City of New Orleans-and only Richard Widmark can stop it! Elia Kazan's trademark subjects: waterfronts, working men, crowds, fugitives, blue collar folk, violence on a backstreet-are all showcased here.

Jack Palance is quite effective as the ice-cold mobster out for a big score, Zero Mostel as Dom Delouise somewhat miscast but certainly watchable as his go-fer. I enjoyed Barbara Bel Geddes as the stalwart, cool wife-I thought she and Widmark were a believable couple.

He himself always reminds me somewhat of Sinatra-in the face and in the intense quiet manner-and that is meant as a compliment if anything. I'd never even heard of this movie, and yes, you have to admire Widmark's performance. I also enjoyed Paul Douglas-he seemed to play this role many times, they make an unlikely but effective team.

The plague itself is a McGuffin-and you gotta know it's not exactly done the way it would have been in Real Life-rather small-scale at the least no?-but I found it carried the plot along nicely.

Check this out. It's good. *** outta ****
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A: positive

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Review:Watching Marlen Brando on screen is like watching a master carpenter chiseling intricate details into a piece of mahogany. Brando's acting is the ONLY thing that makes this movie watchable. The plot is inane and laughable (not comic). The other big name actors seem to be making desperate attempts to give the characters they portray some modicum of humanity... these characters have the humanity of wet cardboard. Everything about the technical side of this film is either mediocre or just plain awful. The director throws freeze-frame and slow-motion shots about with impunity. The incidental music is cartoonish and destroys any hint of dramatic effect. It's not something I really look for in a movie, but even the wardrobe was way off. The venerable Brando couldn't take focus away from the awful rags they had him decked out in. I've heard this movie called "David Lynch-esquire" and "irreverently funny"... it is neither. David Lynch films are borne of wicked creativity - this film was in no way creative. And don't confuse irreverence with stupidity.
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negative