Background: A choir () (also known as a quire, chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the Medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm and face gestures.
Context: During the Renaissance, sacred choral music was the principal type of formally notated music in Western Europe. Throughout the era, hundreds of masses and motets (as well as various other forms) were composed for a cappella choir, though there is some dispute over the role of instruments during certain periods and in certain areas. Some of the better-known composers of this time include Guillaume Dufay, Josquin des Prez, Giovanni Pierluigi da Palestrina, John Dunstable, and William Byrd; the glories of Renaissance polyphony were choral, sung by choirs of great skill and distinction all over Europe. Choral music from this period continues to be popular with many choirs throughout the world today. The madrigal, a partsong conceived for amateurs to sing in a chamber setting, originated at this period. Although madrigals were initially dramatic settings of unrequited-love poetry or mythological stories in Italy, they were imported into England and merged with the more dancelike balletto, celebrating carefree songs of the seasons, or eating and drinking. To most English speakers, the word madrigal now refers to the latter, rather than to madrigals proper, which refers to a poetic form of lines consisting of seven and eleven syllables each. The interaction of sung voices in Renaissance polyphony influenced Western music for centuries. Composers are routinely trained in the "Palestrina style" to this day, especially as codified by the 18c music theorist Johann Joseph Fux. Composers of the early 20th century also wrote in Renaissance-inspired styles. Herbert Howells wrote a Mass in the Dorian mode entirely in strict Renaissance style, and Ralph Vaughan Williams's Mass in G minor is an extension of this style. Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.
Question: What was a feature of the strict style?
Answer: Ralph Vaughan Williams's Mass in G minor is an extension of this style.

Question:
Born in Goulburn, New South Wales, Poidevin played rugby at St Patrick's College (now Trinity Catholic College) in New South Wales, and made the Australian Schoolboy side. Upon finishing school he played a season with the Goulburn Rugby Union Football Club and then, in 1978, he moved to Sydney to study at the University of New South Wales, from which he graduated in 1983 with a Bachelor of Science (Hons). He made his first grade debut with the university's rugby union team in 1978. In 1982 he moved clubs to Randwick, the famous Galloping Greens, home of the Ella brothers and many other Wallabies.
Poidevin played for Sydney against France in the third game France played for their 1981 France rugby union tour of Australia, won by Sydney 16-14. Poidevin then played for New South Wales against France for the fifth match of France's Australia tour, lost 12-21. Poidevin achieved national selection for the two-Test series against France, despite competition for backrow positions in the Australian team. The first Test against France marked the first time Poidevin played with Australian eightman Mark Loane and contained the first try Poidevin scored at international Test level. In his biography For Love Not Money, written with Jim Webster, Poidevin recalls that: The first France Test at Ballymore held special significance for me because I was playing alongside Loaney for the first time. In my eyes he was something of a god, and I guess my feeling was the same as a young actor getting a bit part in a movie with Dustin Hoffman. Loaney was a huge inspiration, and I tailed him around the field hoping to feed off him whenever he made one of those titanic bursts where he'd split the defence wide open with his unbelievable strength and speed. Sticking to him in that Test paid off handsomely, because Loaney splintered the Frenchmen in one charge, gave to me and I went for the line for all I was worth. I saw Blanco coming at me out of the corner of my eye, but was just fast enough to make the corner for my first Test try. I walked back with the whole of the grandstand yelling and cheering. God and Loaney had been good to me." Poidevin played in Australia's second Test against France in Sydney, won by Australia 24-14, giving Australia a 2-0 series victory.
Answer this question using a quote from the text above:

what happened next

Answer:
Poidevin achieved national selection for the two-Test series against France,

Problem: Background: The Stooges, also known as Iggy and the Stooges, were an American rock band formed in Ann Arbor, Michigan in 1967 by singer Iggy Pop, guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Playing a raw, primitive style of rock and roll, the band sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by frontman Iggy Pop. After releasing two albums--The Stooges (1969) and Fun House (1970)--the group disbanded briefly, and reformed with a different lineup to release Raw Power (1973) before breaking up again in 1974. The band reunited in 2003 until dissolving in 2016 following the deaths of Scott Asheton and saxophonist Steve Mackay.
Context: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977, commencing with the Bowie-produced albums The Idiot (1977) and Lust for Life (1977). Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order (not to be confused with the UK band New Order) with Stooges alumni Recca and Thurston before performing with the Ann Arbor-based "anti-rock" group Destroy All Monsters from 1977 to 1985. Until the Stooges' reformation, he supported himself as a working musician in various ensembles, including New Race, Dark Carnival and the Empty Set. Williamson worked with Pop as a producer and engineer during his early solo career - the Kill City and New Values albums are a product of this collaboration - but began a long break from the music industry in favor of a career in electronics engineering beginning in 1980. He received his degree from California State Polytechnic University, Pomona in 1982 and retired from Sony as vice president of technical standards in 2009. Scott Asheton performed with Sonic's Rendezvous Band and the Scott Morgan Group while pursuing various day jobs. Dave Alexander died of pulmonary edema related to his alcohol-induced pancreatitis in 1975. In 1997, a reissue of Raw Power remixed by Pop was released. In 1999, re-issue label Rhino Handmade released the seven disc box set 1970: The Complete Fun House Sessions, composed of the entire recording sessions associated with the Fun House album. 3,000 copies were pressed, selling out in less than a year. In 2000, indie rock music veterans J Mascis (of Dinosaur Jr) and Mike Watt (of the Minutemen and Firehose) teamed with Ron Asheton and drummer George Berz to perform Stooges covers (and other material) live. Billed as J. Mascis and the Fog, the band performed sporadically before Pop became aware of them in 2003.
Question: How did he do that?
Answer:
Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order