Question: Yellow Magic Orchestra (YMO) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology in popular music, and effectively anticipated the "electropop boom" of the 1980s while exploring subversive sociopolitical themes throughout their career. YMO was initially conceived by Hosono as a one-off exploration of computerized exotica and parody of Western conceptions of the orient.

Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP. Hosono, following the break-up of his band Happy End in 1972, became involved in the recording of several early electronic rock records, including Yosui Inoue's folk pop rock album Kori no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines. Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra. Sakamoto first worked with Hosono as a member of his live band in 1976, while Yukihiro Takahashi recruited Sakamoto to produce his debut solo recording in 1977 following the split of the Sadistic Mika Band. Hosono invited both to work on his exotica-flavoured album Paraiso, which included electronic songs produced using various electronic equipment. The band was named "Harry Hosono and the Yellow Magic Band" as a satire of Japan's obsession with black magic at the time, and in late 1977 they began recording Paraiso, which was released in 1978. The three worked together again for the 1978 album Pacific, which included an early version of the song "Cosmic Surfin". Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music, including an early "synth raga" song "Hum Ghar Sajan". The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Hosono also contributed to one of Sakamoto's songs, "Thousand Knives", in the album. Thousand Knives was also notable for its early use of the microprocessor-based Roland MC-8 Microcomposer music sequencer, with Matsutake as its music programmer for the album. While Sakamoto was working on Thousand Knives, Hosono began formulating the idea of an instrumental disco band which could have the potential to reach success in non-Japanese-language territories, and invited Tasuo Hayashi of Tin Pan Alley and Hiroshi Sato of Uncle Buck as participants, but they declined. Hosono, Sakamoto and Takahashi eventually collaborated again to form the Yellow Magic Orchestra and they began recording their self-titled album at a Shibaura studio in July 1978. The band was initially conceived as a one-off studio project by Hosono, the other two members being recruited session musicians--the idea was to produce an album fusing orientalist exotica with modern electronics, as a subversion of Orientalism and exoticization.

Using a quote from the above article, answer the following question: what happened in 1976?
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Answer: Sakamoto first worked with Hosono as a member of his live band in 1976,

Question: Jin Akanishi (Chi Xi Ren , Akanishi Jin, born July 4, 1984) is a Japanese musician, singer, songwriter and actor. He has been active since 1998, first as one of the two lead vocalists of the popular J-pop boy-band KAT-TUN. Since the group's official debut in 2006, they have achieved 14 consecutive number ones (including studio albums) on the Oricon charts. In 2009, Akanishi started his solo career, and since then has released two studio albums (Japonicana, #JustJin), and two mini albums (Test Drive, Mi Amor).

Akanishi made his debut as an actor in 1999 in a cameo appearance in the second episode of NTV's romance comedy, P.P.O.I., and also had small roles in TV Asahi's Best Friend, Omae no yukichi ga naiteiru and in NHK series, Haregi, Koko Ichiban. He also started appearing in musicals from 2000 taking on supporting roles in Millennium Shock (2000), Show Geki Shock (2001-2002), Dream Boy (2004) and Dream Boys (2006). Akanishi returned to the small screen in 2005 in the second season of the award-winning and popular NTV school drama, Gokusen, starring opposite Yukie Nakama and former bandmate Kazuya Kamenashi. The show won "Best Drama" at the 44th Television Drama Academy Awards and ended its run with an average viewership rating of 27.8%. He also had a supporting role in NTV's romance series, Anego, the same year. In 2007, Akanishi starred in his first lead role in Yukan Club, a school comedy series, with ex-bandmate Junnosuke Taguchi and was voted "Best Actor" at the 11th Nikkan Sports Drama Grand Prix. He made his debut as a voice actor in 2008 for the Japanese dub of Speed Racer, providing the voice for protagonist Speed played by Emile Hirsch. In 2009, Akanishi was cast as the lead actor in the movie Bandage directed by Takeshi Kobayashi and released on January 16, 2010. This marked his debut on the big screen. In 2013, he made his Hollywood debut with the film 47 Ronin which also had Keanu Reeves in the lead role. Akanishi played the role of Chikara Oishi, the samurai leader's son, played by Hiroyuki Sanada and a close friend to Reeves' character, Kai. The film's director, Carl Rinsch, said he was "impressed by Akanishi's English abilities and motivation". Thus, he turned out to be the second Johnny & Associates artist within the agency after Ninomiya Kazunari in Letters From Iwo Jima to star in a Hollywood movie and the third overall to work with an American director.

Using a quote from the above article, answer the following question: Did he win any awards or did the shows win any that he feature in?
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Answer:
The show won "Best Drama" at the 44th Television Drama Academy Awards and ended its run with an average viewership rating of 27.8%.