Problem: The Sugababes are a British girl group formed in 1998 by Siobhan Donaghy, Mutya Buena and Keisha Buchanan. Their debut album, One Touch, was released in the UK through London Records on 27 November 2000. The album achieved moderate success, peaking at number 26 in April 2001 and eventually being certified Gold. In 2001, Donaghy departed the group amid rumours of a rift with Buchanan and the group were dropped by their record label.

Having already started work on a second album with new member Range, the trio looked for a new record label, eventually signing to Island Records. Their first single on the new label, "Freak like Me" scored the group their first UK number 1 single. Follow-up single "Round Round" also debuted on top of the UK Singles Chart and peaked at number 2 in Ireland, the Netherlands and New Zealand. Both singles were certified silver by the BPI. On the back of the success of the singles, the group's second album, Angels with Dirty Faces, debuted at number 2 on the UK Albums Chart and was later certified triple platinum, selling almost a million copies in the UK alone. It is to date their highest-selling album. In the UK, the third single from the album, a ballad titled "Stronger", gained the girls their third consecutive top ten hit in their native country. The track was released as a double-A side with "Angels with Dirty Faces" in the UK, the latter song chosen as the theme tune to The Powerpuff Girls Movie. A fourth single, the Sting-sampling "Shape", made the top ten in the Netherlands and Ireland in early 2003. The group's third album, Three, was released in late 2003 and reached number 3 on the UK Albums Chart, earning the group a BRIT Award nomination for Best Album. Certified double platinum, it has sold 855,000 copies to date. The album was preceded by lead single "Hole in the Head", which became the group's third UK number 1 single. It also reached number 2 in Ireland, the Netherlands and Norway, and became the Sugababes' first (and to date only) single to chart in the United States, reaching number 96 on the Billboard Hot 100. Follow-up single "Too Lost in You" appeared on the soundtrack to the film Love Actually and went top ten in Germany, the Netherlands, Norway and the UK. The album's third single, "In the Middle", was released in 2004 and garnered the group another BRIT Award nomination for Best Single; like its successor, the ballad "Caught in a Moment", it went to number 8 on the UK Singles Chart. In 2004, the trio sang on the Band Aid 20 remake of "Do They Know It's Christmas?", which went to number 1 in the UK in December. Around this time, the group's perceived "moodiness", alleged backstage catfights, and press junket tantrums were tabloid fodder in Britain. They were surrounded by continuous rumours of in-fighting within the group and constant split reports. Rumours suggested that Buchanan and Buena had bullied Range, although Range herself repeatedly denied such allegations; Buena later admitted that she "just didn't talk to her" when she first joined. Buchanan claimed there was only one serious fallout between herself and Range during a 2004 gig in Dublin, regarding Britney Spears' "Toxic".

how did the singles do on the charts

Answer with quotes: In 2004, the trio sang on the Band Aid 20 remake of "Do They Know It's Christmas?", which went to number 1 in the UK in December.

Problem: Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers

Her music encompasses a wide range of styles. Autumn's vocal range is contralto, but also has the ability to perform in the dramatic soprano range. Her vocal work has been compared to Tori Amos, Kate Bush, and The Creatures. She has released two instrumental albums (On a Day... and Laced/Unlaced), and four featuring her vocals: Enchant, Opheliac, A Bit o' This & That, and "Fight Like A Girl". The 2003 album Enchant drew on "new age chamber music, trip hop baroque, and experimental space pop". Autumn layers her voice frequently, and incorporates electronics and electronic effects into her work on Enchant; she also combines strings and piano for some songs, while others feature mainly the piano or violin. The 2006 release Opheliac featured "cabaret, electronic, symphonic, new age, and good ol' rock & roll (and heavy on the theatrical bombast)". A classically trained musician, Autumn is influenced by plays, novels, and history, particularly the Victorian era. She enjoys the works of Shakespeare, Elizabeth Barrett Browning and her husband Robert, and Edgar Allan Poe. She incorporates sounds resembling Victorian machinery such as locomotives, which she noted was "sort of a steampunk thing". While a young Autumn cited Itzhak Perlman as an influence because of the happiness she believed he felt when he played, her main musical influence and inspiration is the English violinist Nigel Kennedy. Her favorite singer is Morrissey from The Smiths. She takes inspiration for her songs from her life experiences and mixes in "layers and layers of references, connections, other stories and metaphors". Autumn describes her music and style as "Psychotic Vaudeville Burlesque". She alternatively labels her music and style as "Victoriandustrial'", a term she coined, and glam rock because of her use of glitter onstage. According to Autumn, her music "wasn't meant to be cutesy" and is labeled as "industrial" mainly because of her use of drums and yelling. Her adaption of "O Mistress Mine" was praised by author and theater director Barry Edelstein as "a ravishing, guaranteed tearjerker". For her live performances, which she calls dinner theatre because of her practice of throwing tea and tea-time snacks offstage, Autumn makes use of burlesque--"a show that was mainly using humour and sexuality to make a mockery of things that were going on socially and politically"--to counterbalance the morbid topics such as abuse and self-mutilation. She incorporates handmade costumes, fire tricks, theatrics, and a female backing band, The Bloody Crumpets: Veronica Varlow, Jill Evyn (Moth), and formerly The Blessed Contessa, Lady Aprella, Little Lucina, Lady Joo Hee, Captain Vecona, Little Miss Sugarless, Mistress Jacinda, and the model Ulorin Vex. Another crumpet, Captain Maggot, has taken a leave. Her wish for the live shows is to be an "anti-repression statement" and empowerment.

Were these albums successful?

Answer with quotes:
was praised by author and theater director Barry Edelstein as "a ravishing, guaranteed tearjerker".