Question:
Armando Anthony "Chick" Corea (born June 12, 1941) is an American jazz pianist/electric keyboardist and composer. His compositions "Spain", "500 Miles High", "La Fiesta" and "Windows", are considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed the fusion band Return to Forever.
In the 1970s Corea started working with vibraphonist Gary Burton, with whom he recorded several duet albums for ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new record called The New Crystal Silence was issued in 2008 and won a Grammy Award in 2009. The package includes a disc of duets and another disc with the Sydney Symphony Orchestra. Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These concerts were presented in elegant settings with both pianists dressed formally and performing on Yamaha concert grand pianos. The two traded playing each other's compositions, as well as pieces by other composers such as Bela Bartok. In 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda. In December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck. Fleck and Corea toured extensively for the album in 2007. Fleck was nominated in the Best Instrumental Composition category at the 49th Grammy Awards for the track "Spectacle". In 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live album Duet (Chick Corea and Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30. In 2015 Corea reprised the duet concert series with Hancock, again sticking to a dueling-piano format, though both also had synthesizers at their station. The first concert in this series was played at the Paramount Theatre in Seattle, and featured improvised music along with iconic songs from each of the duo and standards from other composers.
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What style was the duet with Burton conducted in?

Answer:

Question:
Claude Elwood Shannon (April 30, 1916 - February 24, 2001) was an American mathematician, electrical engineer, and cryptographer known as "the father of information theory". Shannon is noted for having founded information theory with a landmark paper, A Mathematical Theory of Communication, that he published in 1948. He is, perhaps, equally well known for founding digital circuit design theory in 1937, when--as a 21-year-old master's degree student at the Massachusetts Institute of Technology (MIT)--he wrote his thesis demonstrating that electrical applications of Boolean algebra could construct any logical, numerical relationship. Shannon contributed to the field of cryptanalysis for national defense during World War II, including his fundamental work on codebreaking and secure telecommunications.
In 1948, the promised memorandum appeared as "A Mathematical Theory of Communication," an article in two parts in the July and October issues of the Bell System Technical Journal. This work focuses on the problem of how best to encode the information a sender wants to transmit. In this fundamental work, he used tools in probability theory, developed by Norbert Wiener, which were in their nascent stages of being applied to communication theory at that time. Shannon developed information entropy as a measure of the uncertainty in a message while essentially inventing the field of information theory. The book, co-authored with Warren Weaver, The Mathematical Theory of Communication, reprints Shannon's 1948 article and Weaver's popularization of it, which is accessible to the non-specialist. Warren Weaver pointed out that the word information in communication theory is not related to what you do say, but to what you could say. That is, information is a measure of one's freedom of choice when one selects a message. Shannon's concepts were also popularized, subject to his own proofreading, in John Robinson Pierce's Symbols, Signals, and Noise. Information theory's fundamental contribution to natural language processing and computational linguistics was further established in 1951, in his article "Prediction and Entropy of Printed English", showing upper and lower bounds of entropy on the statistics of English - giving a statistical foundation to language analysis. In addition, he proved that treating whitespace as the 27th letter of the alphabet actually lowers uncertainty in written language, providing a clear quantifiable link between cultural practice and probabilistic cognition. Another notable paper published in 1949 is "Communication Theory of Secrecy Systems", a declassified version of his wartime work on the mathematical theory of cryptography, in which he proved that all theoretically unbreakable ciphers must have the same requirements as the one-time pad. He is also credited with the introduction of sampling theory, which is concerned with representing a continuous-time signal from a (uniform) discrete set of samples. This theory was essential in enabling telecommunications to move from analog to digital transmissions systems in the 1960s and later. He returned to MIT to hold an endowed chair in 1956.
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how was it implemented?

Answer:
he used tools in probability theory, developed by Norbert Wiener, which were in their nascent stages of being applied to communication theory at that time.

Question:
Charles V (Spanish: Carlos; German: Karl; Italian: Carlo; Latin: Carolus; Dutch: Karel; French: Charles, 24 February 1500 - 21 September 1558) was ruler of both the Spanish Empire as Charles I from 1516 and the Holy Roman Empire as Charles V from 1519, as well as of the lands of the former Duchy of Burgundy from 1506. He stepped down from these and other positions by a series of abdications between 1554 and 1556. Through inheritance, he brought together under his rule extensive territories in western, central, and southern Europe, and the Spanish viceroyalties in the Americas and Asia.
In August 1558, Charles was taken seriously ill with what was later revealed to be malaria. He died in the early hours of the morning on 21 September 1558, at the age of 58, holding in his hand the cross that his wife Isabella had been holding when she died. Charles was originally buried in the chapel of the Monastery of Yuste, but he left a codicil in his last will and testament asking for the establishment of a new religious foundation in which he would be reburied with Isabella. Following his return to Spain in 1559, their son Philip undertook the task of fulfilling his father's wish when he founded the Monastery of San Lorenzo de El Escorial. After the Monastery's Royal Crypt was completed in 1574, the bodies of Charles and Isabella were relocated and re-interred into a small vault directly underneath the altar of the famous Basilica of the Monastery, in accordance with Charles's wishes to be buried "half-body under the altar and half-body under the priest's feet" side by side with Isabella. They remained in this vault until 1654 when they were later moved into the Royal Pantheon of Kings by their great-grandson Philip IV, who, in doing so, disrespected his great-grandfather's wishes. On one side of the Basilica are bronze effigies of Charles and Isabella, with effigies of their daughter Maria of Austria and Charles's sisters Eleanor of Austria and Maria of Hungary behind them. Exactly adjacent to them on the opposite side of the Basilica are effigies of their son Philip with three of his wives and their ill-fated grandson Carlos, Prince of Asturias.
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Who ruled after him?

Answer:
Following his return to Spain in 1559, their son Philip undertook the task of fulfilling his father's wish when he founded the Monastery of San Lorenzo de El Escorial.