You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[Q]: Virginia "Gin" Baker (Catherine Zeta-Jones) is an investigator for "Waverly Insurance". Robert "Mac" MacDougal (Sean Connery) is a professional thief who specializes in international art. A priceless Rembrandt painting is stolen from an office one night, and Gin is sent undercover to investigate Mac as the chief suspect. She tries to entrap him with a proposition, claiming that she is a professional thief herself, and promises that she will help him steal a priceless Chinese mask from the well-guarded Bedford Palace. Before agreeing, Mac tells Gin his 'Rule Number One': "Never carry a gun: You carry a gun, you may be tempted to use it." They travel to Scotland and plan the complicated theft at Mac's hideout, an isolated castle. Aaron Thibadeaux (Ving Rhames), apparently the only ally that Mac trusts, arrives with supplies for the heist. While Mac is busy making final preparations, Gin contacts her boss, Hector Cruz (Will Patton), from a payphone, and informs him of Mac's whereabouts. Little does she know that the island is bugged, allowing Mac to eavesdrop on their conversation. Mac also makes sure to keep Gin's romantic advances at bay, unsure if she is a true partner in crime or an ambitious career woman on a mission.
After they have stolen the mask, Mac accuses Gin of planning to sell the mask to a buyer in Kuala Lumpur and then turn him in. Gin convinces him that her insurance agency job is the real cover and that she has planned an even bigger heist in Kuala Lumpur: $8 billion from the "International Clearance Bank" in the North Tower of the Petronas Towers. During their set-up, Cruz and his team (with the guidance of the stealthy Thibadeaux) track down Gin and confirm that she is still on mission to bring Mac in. Despite the presence of Cruz and other security watching the building, the theft takes place in the final seconds of the new 2000 millennium countdown. Gin pulls the plug on her laptop prematurely and sets off alarms. They narrowly escape the computer vault and are forced to cross the lights hung from the bottom of the bridge linking the two towers. Following a death-defying escape when the cable breaks, Gin and Mac make their way to a ventilation shaft, where Mac explains "Plan B." Using mini-parachutes, they were going to escape down the shaft. Gin has lost her parachute earlier in the escape, so Mac gives her his. He tells her to meet him the next morning at the Pudu train station.
Gin arrives at the station waiting for Mac. He shows up late with Aaron Thibadeaux, who reveals himself with fellow FBI agents. He explains that Cruz is here and that the FBI has been looking for her for some time. Two years ago when Agent Thibadeaux caught and arrested him, Mac made a deal to help the FBI arrest Gin, as she was the primary target all along. However, the aging thief has another plan: to help her escape. Mac slips Gin a gun and quietly explains that he returned only seven of the eight billion dollars they had stolen electronically in the heist. Gin then pretends to hold Mac hostage at gunpoint, threatening to shoot him if the agents follow her. She boards a train and the FBI heads to the next station. Gin jumps trains mid-station and arrives back at Pudu. She tells Mac that she needs him for another job and they both board a train.
[A]: What is confirmed when Gin is tracked down by Cruz and his team?

[Q]: To Epicurus, the unhappiness and degradation of humans arose largely from the dread which they entertained of the power of the deities, from terror of their wrath. This wrath was supposed to be displayed by the misfortunes inflicted in this life and by the everlasting tortures that were the lot of the guilty in a future state (or, where these feelings were not strongly developed, from a vague dread of gloom and misery after death). To remove these fears, and thus to establish tranquility in the heart, was the purpose of his teaching. Thus the deities, whose existence he did not deny, lived forevermore in the enjoyment of absolute peace, strangers to all the passions, desires, and fears, which agitate the human heart, totally indifferent to the world and its inhabitants, unmoved alike by their virtues and their crimes.
To prove this position he called upon the atomism of Democritus, so as to demonstrate that the material universe was formed not by a Supreme Being, but by the mixing of elemental particles that had existed from all eternity governed by certain simple laws. Lucretius' task was to clearly state and fully develop these views in an attractive form; his work was an attempt to show that everything in nature can be explained by natural laws, without the need for the intervention of divine beings.
Lucretius identifies the supernatural with the notion that the deities created our world or interfere with its operations in some way. He argues against fear of such deities by demonstrating, through observations and arguments, that the operations of the world can be accounted for in terms of natural phenomena. These phenomena are the regular, but purposeless motions and interactions of tiny atoms in empty space. Meanwhile, he argues against the fear of death by stating that death is the dissipation of a being's material mind. Lucretius uses the analogy of a vessel, stating that the physical body is the vessel that holds both the mind (mens) and spirit (anima) of a human being. Neither the mind nor spirit can survive independent of the body. Thus Lucretius states that once the vessel (the body) shatters (dies) its contents (mind and spirit) can no longer exist. So, as a simple ceasing-to-be, death can be neither good nor bad for this being. Being completely devoid of sensation and thought, a dead person cannot miss being alive. According to Lucretius, fear of death is a projection of terrors experienced in life, of pain that only a living (intact) mind can feel. Lucretius also puts forward the 'symmetry argument' against the fear of death. In it, he says that people who fear the prospect of eternal non-existence after death should think back to the eternity of non-existence before their birth, which probably did not cause them much suffering.
[A]: What particles does Epicurus want to learn about?

[Q]: The Assembly of Gods is composed of 301 seven line stanzas which have the standard ababbcc rhyme pattern of the rhyme royal. The meter, as critics have noted, is irregular. The poem can be broken into five main sections: an introduction, three distinct but connected narrative episodes and a conclusion.
In the introduction, the poet establishes the setting using conventional astrological and geographical references which place the poem within the traditional framework of a dream poem and introduces the dreamer who sits all solytary alone besyde a lake,/ Musyng on a maner how that I myght make/ Reason & Sensualyte in oon to acorde (1). But, before he can think through his puzzle he is overcome by sleep. Morpheus comes and escorts him to the court of Minos which is being held at the estate of Pluto. There the dreamer watches as Diana and Neptune accuse Aeolus of flouting their authority and discrediting them in the eyes of their worshippers. Before the trial can be concluded a messenger comes from Apollo, asking Minos to hold off on the judgement and inviting all the gods to his palace for a banquet. In Apollo s palace, Diana s complaint is resolved and the dreamer describes each of the gods and goddesses as they sit down to eat. The gods won t allow Discord into their feast, but as she is leaving she meets with Atropos and sends him to stir things up. Atropos goes to the gods and complains that while the gods claim to have given him power to bring death to any who disobeyed or despised them, there is one person who has escaped his power. He threatens to leave their employ if they don t make good on their promise to him and give him power over this person. All the gods agree that they will bring down this one who defies Atropos. They quickly resolve the dispute between Neptune and Aeolus to ensure that the offender will not be able to escape in the sea or air and then ask who it is that has defied them. When Atropos tells them that it is Virtue, Pluto says he knows him well and the only thing that can harm Virtue is Vice, Pluto s bastard son. Vice is called for, and he assembles his host for battle. Morpheus warns Virtue of the impending battle and Virtue prepares his host and heads to the field of Microcosm, hoping to arrive before Vice and thus have the advantage. The descriptions of the assembly of these armies are made up long lists of characters representing various vices and virtues and types of people under the influence of Vice and Virtue.
The second narrative episode of the poem is a psychomachian battle between the hosts of Virtue and Vice for the field of Microcosm, which is possessed by Freewill. As the battle heats up, Freewill joins forces with Vice and they begin to drive Virtue and his host from the field. Perseverance comes and rallies Virtue s troops, defeats Vice and wins the field. Freewill goes through a process of cleansing and is made a vassal of Virtue. Reason and Sadness are given control of Microcosm and set about cleansing it of the weeds planted there by Sensuality. A disgusted Atropos determines to leave the service of the counterfete gods saying, For oo God ther ys that can euery dell / Turne as hym lyst, bothe dry & whete, / In to whos seruyce I shall assay to gete (39). He goes in search of the Lord of Light and is told by Righteousness that the Lord of Light has been his master all along. Atropos name is changed to Death and he is sent to Microcosm. Priesthood and the sacraments are sent to the field to prepare it for the coming of Death who causes the grass to wither and shuts the gates on the field.
The third episode of the poem takes place in the arbor of Doctrine where the dreamer is taken to be instructed in the meaning of the vision he has seen. The walls of the arbor are painted with images of people from the history of the world which Doctrine uses to explain the meaning of the dream and the genesis of the pagan deities and to encourage the dreamer in the right way of life. When she is done, the dreamer remembers his question about the accord of reason and sensuality and he asks her to determyne that doute (56). She is surprised that he has not figured it out yet, and with that, Death appears. As the dreamer hides in fear of Death, Reason and Sensuality appear and agree that people should fear death.
After Doctrine explains this accord to the dreamer he is taken back to his spot by the lake. He awakens and writes his dream, exhorting those who read it, hear it read or see it to learn from it and asking the blessings of heaven on those who do.
[A]:
Where does the battle between Virtue and Vice take place?