You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

[EX Q]: A young Cambridge University professor, Horace Holly, is visited by a colleague, Vincey, who reveals that he will soon die. Vincey proceeds to tell Holly a fantastical tale of his family heritage. He charges Holly with the task of raising his young son, Leo (whom he has never seen) and gives Holly a locked iron box, with instructions that it is not to be opened until Leo turns 25. Holly agrees, and indeed Vincey is found dead the next day. Holly raises the boy as his own; when the box is opened on Leo's 25th birthday they discover the ancient and mysterious "Sherd of Amenartas", which seems to corroborate Leo's father's story. Holly, Leo and their servant, Job, follow instructions on the Sherd and travel to eastern Africa but are shipwrecked. They alone survive, together with their Arab captain, Mahomed; after a perilous journey into an uncharted region of the African interior, they are captured by the savage Amahagger people. The adventurers learn that the natives are ruled by a fearsome white queen, who is worshiped as Hiya or "She-who-must-be-obeyed". The Amahagger are curious about the white-skinned interlopers, having been warned of their coming by the mysterious queen.
Billali, the chief elder of one of the Amahagger tribes, takes charge of the three men, introducing them to the ways of his people. One of the Amahagger maidens, Ustane, takes a liking to Leo and, by kissing him and embracing him publicly, weds him according to Amahagger customs. Leo, likewise, grows very fond of her.
Billali tells Holly that he needs to go and report the white men's arrival to She. In his absence, some of the Amahagger become restless and seize Mahomed, intending to eat him as part of a ritual "hotpot". Realising what is about to happen, Holly shoots several of the Amahagger, killing Mahomed in the process; in the ensuing struggle Leo is gravely wounded, but Ustane saves his life by throwing herself onto his prostrate body to shield him from spears. All seems lost as the Amahagger resolve to kill Ustane along with the white men but Billali returns in the nick of time and declares that the three men are under the protection of She. Leo's condition, however, worsens and he nears death as Ustane faithfully tends to him.
They are taken to the home of the queen, which lies near the ruins of the lost city of K r, a once mighty civilisation that predated the Egyptians. The queen and her retinue live under a dormant volcano in a series of catacombs built as tombs for the people of K r. There, Holly is presented to the queen, a white sorceress named Ayesha. Her beauty is so great that it enchants any man who beholds it. She, who is veiled and lies behind a partition, warns Holly that the power of her splendour arouses both desire and fear, but he is dubious. When she shows herself, however, Holly is enraptured and prostrates himself before her. Ayesha reveals that she has learned the secret of immortality and that she possesses other supernatural powers including the ability to read the minds of others, a form of telegnosis and the ability to heal wounds and cure illness; she is also revealed to have a tremendous knowledge of chemistry, but is notably unable to see into the future. She tells Holly that she has lived in the realm of K r for more than two millennia, awaiting the reincarnated return of her lover, Kallikrates (whom she had slain in a fit of jealous rage). Later, when Holly inadvertently and secretly discovers Ayesha in her hidden chamber, he learns that she may have some degree of power to reanimate the dead.
The next evening She visits Leo to heal him. But upon seeing his face, she is stunned and declares him to be the reincarnation of Kallikrates. She saves him and becomes jealous of Ustane. The latter is ordered to leave Leo and never to set her eyes on him again. Ustane refuses, however, and Ayesha eventually strikes her dead with magic. Despite the murder of their friend, Holly and Leo cannot free themselves from the power of Ayesha's beauty and Leo becomes bewitched. In explaining her history, Ayesha shows Leo the perfectly preserved body of Kallikrates, which she has kept with her, but she then dissolves the remains with a powerful acid, confident that Leo is indeed the reincarnation of her former lover.
In the climax of the novel, Ayesha takes the two men to see the Pillar of Fire, passing through the ruined city of K r into the heart of the ancient volcano. She is determined that Leo should bathe in the fire to become immortal and remain with her forever, and that together they can become the immortal and all-powerful rulers of the world. After a perilous journey, they come to a great cavern, but at the last Leo doubts the safety of entering the flame. To allay his fears, Ayesha steps into the Spirit of Life, but with this second immersion, the life-preserving power is lost and Ayesha begins to revert to her true age. Holly speculates that it may be that a second exposure undoes the effects of the previous or the Spirit of Life spews death on occasion. Before their eyes, Ayesha withers away in the fire, and her body shrinks. The sight is so shocking that Job dies in fright. Before dying, She tells Leo, "Forget me not. I shall come again!"
[EX A]: Who does Ayesha believe Leo to be?

[EX Q]: The dialogue takes place in Socrates' prison cell, where he awaits execution. He is visited before dawn by his old friend Crito, who has made arrangements to smuggle Socrates out of prison to the safety of exile. Socrates seems quite willing to await his imminent execution, and so Crito presents as many arguments as he can to persuade Socrates to escape. On a practical level, Socrates' death will reflect badly on his friends--people will think they did nothing to try to save him. Also, Socrates should not worry about the risk or the financial cost to his friends; these they are willing to pay, and they have also arranged to find Socrates a pleasant life in exile. On a more ethical level, Crito presents two more pressing arguments: first, if he stayed, he would be aiding his enemies in wronging him unjustly, and would thus be acting unjustly himself; and second, that he would be abandoning his sons and leaving them without a father.
Socrates answers first that one should not worry about public opinion, but only listen to wise and expert advice. Crito should not worry about how his, Socrates', or others' reputations may fare in the general esteem: they should only concern themselves with behaving well. The only question at hand is whether or not it would be just for Socrates to attempt an escape. If it is just, he will go with Crito, if it is unjust, he must remain in prison and face death.
At this point, Socrates introduces the voice of the Laws of Athens, which speaks to him and proceeds to explain why it would be unjust for him to leave his cell. Since the Laws exist as one entity, to break one would be to break them all, and in doing so, Socrates would cause them great harm. The citizen is bound to the Laws like a child is bound to a parent, and so to go against the Laws would be like striking a parent. Rather than simply break the Laws and escape, Socrates should try to persuade the Laws to let him go. These Laws present the citizen's duty to them in the form of a kind of social contract. By choosing to live in Athens, a citizen is implicitly endorsing the Laws, and is willing to abide by them. Socrates, more than most, should be in accord with this contract, as he has lived a happy seventy years fully content with the Athenian way of life.
If Socrates were to break from prison now, having so consistently validated the social contract, he would be making himself an outlaw who would not be welcome in any other civilized state for the rest of his life. And when he dies, he will be harshly judged in the underworld for behaving unjustly toward his city's laws. Thus, Socrates convinces Crito that it would be better not to attempt an escape.
[EX A]: In the story, where does the dialogue take place?

[EX Q]: Jeremy Fisher is a frog who lives in a damp little house amongst the buttercups at the edge of a pond. His larder and back passage are "slippy-sloppy" with water, but he likes getting his feet wet; no one ever scolds and he never catches cold. One day, Jeremy finds it raining and decides to go fishing. Should he catch more than five minnows, he will invite his friends to dinner. He puts on a Macintosh and shiny Galoshes, takes his rod and basket, and sets off with "enormous hops" to the place where he keeps his lily-pad boat. He poles to a place he knows is good for minnows.
Once there, he sits cross-legged on his lily-pad and arranges his tackle. He has "the dearest little red float". His rod is a stalk of grass and his line a horsehair. An hour passes without a nibble. He takes a break and lunches on a butterfly sandwich. A water beetle tweaks his toe causing him to withdraw his legs, and rats rustling about in the rushes force him to seek a safer location. He drops his line into the water and immediately has a bite. It is not a minnow but little Jack Sharp, a stickleback. The fish escapes but not before Jeremy pricks his fingers on Jack's spines. A shoal of little fishes come to the surface to laugh at Jeremy.
Jeremy sucks his sore fingers, but a trout rises from the water and seizes him with a snap (Mr. Jeremy screams, "OW-OW-OW!!!"). The trout dives to the bottom, but finds the Macintosh tasteless and spits Jeremy out, swallowing only his goloshes. Jeremy bounces "up to the surface of the water, like a cork and the bubbles out of a soda water bottle", and swims to the pond's edge. He scrambles up the bank and hops home through the meadow, having lost his fishing equipment but quite sure he will never go fishing again.
In the last few pages, Jeremy has put sticking plaster on his fingers and welcomes his friends, Sir Isaac Newton, a newt, and Alderman Ptolemy Tortoise, a tortoise who eats salad. Isaac wears a black and gold waistcoat and Ptolemy brings a salad in a string bag. Jeremy has prepared roasted grasshopper with ladybird sauce. The narrator describes the dish as a "frog treat", but thinks "it must have been nasty!"
[EX A]:
What sort of sandwich does Jeremy Fisher eat while fishing?