Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

New input case for you: Context_1 : Guitar showmanship involves gimmicks, jumps, or other stunts with a guitar. Some examples of guitar showmanship would become trademarks of musicians such as Chuck Berry, Jimi Hendrix, Pete Townshend, Jimmy Page, Ritchie Blackmore, Eddie Van Halen, Stevie Ray Vaughan, Ace Frehley, and Angus Young. Context_2 : Led Zeppelin II is the eponymous second studio album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it also served as Led Zeppelin's first album to utilise the recording techniques of the engineer Eddie Kramer. Incorporating several elements of blues and folk music, "Led Zeppelin II" exhibited the band's evolving musical style of blues-derived material and their guitar riff-based sound. It has been described as the band's heaviest album. Context_3 : Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin, released as a double album on 24 February 1975 by their newly founded imprint label Swan Song Records. The band wrote and recorded eight new songs for the album at Headley Grange, which stretched the total time of the record beyond the typical length of a single LP, so the band decided to make "Physical Graffiti" a double album by including unreleased tracks from earlier recording sessions: one outtake from "Led Zeppelin III," three from "Led Zeppelin IV," and three from "Houses of the Holy", including the unused title track from the latter album. Context_4 : The duckwalk is an unusual form of locomotion performed by assuming a low partial squatting position and walking forwards, maintaining the low stance. It is similar to stalking and prowling. It is most widely known as a stage element of guitar showmanship popularized by rock 'n' roll star Chuck Berry. Context_5 : "Tangerine" is a folk-rock song by the English band Led Zeppelin. Recorded in 1970, it is included on the second, more acoustic-oriented side of "Led Zeppelin III" (1970). The plaintive ballad reflects on lost love and features strummed acoustic guitar rhythm with pedal steel guitar, which author Mick Wall describes as "country-tinged, Neil Young-inspired". Context_6 : "The Battle of Evermore" is a folk duet sung by Robert Plant and Sandy Denny, featured on Led Zeppelin's untitled 1971 album, commonly known as "Led Zeppelin IV". The song's instrumentation features acoustic guitar and mandolin playing. Context_7 : "Moby Dick" is an instrumental tune and drum solo by English rock band Led Zeppelin, featured on their 1969 album "Led Zeppelin II". Named after the whale in the novel "Moby-Dick" by Herman Melville, it was also known by the alternate titles "Pat's Delight" (early 19681969 version with completely different guitar riff) and "Over the Top" (with "Out on the Tiles" intro section and original closing reprise) during various points of the band's career. Context_8 : James Patrick Page, {'1': ", '2': ", '3': ", '4': "} (born 9 January 1944) is an English musician, songwriter, and record producer who achieved international success as the guitarist and founder of the rock band Led Zeppelin. Context_9 : "Taurus" is a rock instrumental by American rock band Spirit, originally released on their self-titled debut album in 1968. The track, composed by guitarist/singer Randy California, was recorded in November 1967. It has been alleged that Jimmy Page borrowed the descending guitar figure from "Taurus" for Led Zeppelin's signature song "Stairway to Heaven". Led Zeppelin opened for Spirit in an early American tour, providing the possibility that Led Zeppelin had heard the Spirit song before "Stairway to Heaven" was written. In the liner notes to the 1996 reissue of Spirit's debut album, songwriter Randy California writes: Context_10 : Tommy Hubbard is a Los Angeles based record producer, producer manager and co-founder of The Trust. Hubbard's collective album credits as a producer under The Trust include the Latin Grammy Award winning group The Gipsy Kings, Rock and Roll Hall Of Famer Bootsy Collins, country music singer Billy Ray Cyrus, 11x South African Music Award winner Lira, Company of Thieves front woman Genevieve, and multi-platinum selling french pop singer Maude including co-producing & co-writing Maude's 2014 "Billboard" #3 album #HoldUp and co-writing her debut #1 single "Love Is What You Make Of It", which is the song that launched Maude into a household name across Europe in 2013. Additionally, under The Trust, Hubbard manages two-time Grammy nominee Jayme David Silverstein who's production credits include Miguel, Kaskade, Eva Simons, Richard Orlinski and Morgan Page. Hubbard has produced songs for national and international TV shows and movies such as "American Idol", "The Voice", "Chelsea Lately", "Good Morning America", ABC's "Stitchers" and Disney's "Bad Hair Day". In addition to Tommy's recording work, he is a live music producer of festivals, one-off concerts and tours that have featured notable acts such has Wiz Khalifa, Alesso, Buddy Guy, Eric Burdon (of The Animals), Marky Ramone (of The Ramones), Nelly, Tyga, Natasha Beddingfield, Snoop Dogg and Kenny Wayne Shepherd. Hubbard was the first-place winner of the 03 Riffathon, an international guitar competition judged by Jimmy Page of Led Zeppelin and Brian May of Queen. The Riffathon finals took place at the University of Surrey in Guildford, England which is widely reported as the venue where Robert Plant, Jimmy Page, John Paul Jones and John Bonham performed their first gig together under the name "Led Zeppelin" in October 1968. fact_1 : Some examples of guitar showmanship would become trademarks of musicians such as Chuck Berry, Jimi Hendrix, Pete Townshend, Jimmy Page, Ritchie Blackmore, Eddie Van Halen, Stevie Ray Vaughan, Ace Frehley, and Angus Young. fact_2 : James Patrick Page, {'1': ", '2': ", '3': ", '4': "} (born 9 January 1944) is an English musician, songwriter, and record producer who achieved international success as the guitarist and founder of the rock band Led Zeppelin. Answer: 1944
Output:
The man, known for his guitar showmanship and founded Led Zeppelin, was born in what year?