input: Make use of the article to answer the questions. We humans can play the piano . of course we play the piano with our ten fingers . But Teotronica can play with its 19 fingers . Teotronica is not a human . It is a robot . It is a special robot which can play the piano like humans . Nattei Suzzi is the inventor of Teotronica . Matteo Suzzi comes from Italy and he is more than thirty years old . He was interested in science when he was young . He always likes to use his head to create amazing things . He spent four years making the musical robot . He made the piano-playing robot at a cost of about 4,700 dollars . Teotronica is a special and great robot . It has more fingers than humans . It plays the piano faster than a human . Teotronica can sing as well when it plays the piano . It is the first robot to do so and many people feel excited to see it ,. Teotronica can even use its eyes to interact with humans because there are cameras in its eyes .Teotronica is amazing , isn't it ? 1. Who can play the piano?
2. With what?
3. Who plays with 19 fingers?
4. is it human?
5. What is it?
6. Can it play faster than a human?
7. Who invented it?
8. Where is he from?
9. and how old?
10. What was he interested in as a child?
11. What did he use to create things?
12. How long did it take to make the robot?
13. And how much?
14. Does he just play the piano?
15. What else?
16. Is it the 1st to do this?
17. How do people feel about this?
18. Does he interact with humans?
19. Using what?
20. How?
numbered_answers: 1. humans
2. our ten fingers
3. Teotronica
4. no
5. a robot
6. yes
7. Nattei Suzzi
8. Italy
9. more than thirty years old
10. science
11. his head
12. four years
13. about 4,700 dollars
14. no
15. Teotronica can sing
16. yes
17. people feel excited
18. yes
19. its eyes
20. here are cameras in its eyes

input: Chapter VIII.

MAGGIE AND THE GIPSIES.

After Tom and Lucy had walked away, Maggie's quick mind formed a plan which was not so simple as that of going home. No; she would run away and go to the gipsies, and Tom should never see her any more. She had been often told she was like a gipsy, and "half wild;" so now she would go and live in a little brown tent on the common.

The gipsies, she considered, would gladly receive her, and pay her much respect on account of her superior knowledge. She had once mentioned her views on this point to Tom, and suggested that he should stain his face brown, and they should run away together; but Tom rejected the scheme with contempt, observing that gipsies were thieves, and hardly got anything to eat, and had nothing to drive but a donkey. To-day, however, Maggie thought her misery had reached a pitch at which gipsydom was her only refuge, and she rose from her seat on the roots of the tree with the sense that this was a great crisis in her life.

She would run straight away till she came to Dunlow Common, where there would certainly be gipsies; and cruel Tom, and the rest of her relations who found fault with her, should never see her any more. She thought of her father as she ran along, but made up her mind that she would secretly send him a letter by a small gipsy, who would run away without telling where she was, and just let him know that she was well and happy, and always loved him very much. 1. Who did Maggie think would be happy to have her?
2. Who was walking away as Maggie was making a plan?
3. What did Maggie tell Tom he should do to his face?
4. What was Maggie's plan?
5. What had she been told a lot?
6. And what else?
7. Did Tom want to go?
8. Who did she think of when she was running?
9. How did she decide to contact him?
10. What would she say in the note?
11. And what else would it say?
12. Why did she think the gipsies would respect her?
13. What did Tom say about gipsies?
14. And what else?
15. What did Maggie feel was her only choice?
16. Where was she sitting?
17. Where would she run to?
18. Did she think Tom nice?
19. Was he related?
20. Was Maggie dim witted? Return numbered answers in your output.

output: 1. the gipsies
2. Tom and Lucy
3. stain it brown
4. she would run away and go to the gipsies
5. that she was like a gipsy
6. "half wild;"
7. no
8. her father
9. she would secretly send him a letter by a small gipsy
10. that she was well and happy
11. that she loved him very much
12. because of her superior knowledge
13. that they were thieves
14. that they hardly got anything to eat, and had nothing to drive but a donkey
15. gipsydom
16. on the roots of the tree
17. Dunlow Common
18. no
19. yes
20. no

Q: CHAPTER XXVIII

SPENNIE'S HOUR OF CLEAR VISION

Mr. McEachern sat in the billiard-room, smoking. He was alone. From where he sat, he could hear distant strains of music. The more rigorous portion of the evening's entertainment, the theatricals, was over, and the nobility and gentry, having done their duty by sitting through the performance, were now enjoying themselves in the ballroom. Everybody was happy. The play had been quite as successful as the usual amateur performance. The prompter had made himself a great favorite from the start, his series of duets with Spennie having been especially admired; and Jimmy, as became an old professional, had played his part with great finish and certainty of touch, though, like the bloodhounds in "Uncle Tom's Cabin" on the road, he had had poor support. But the audience bore no malice. No collection of individuals is less vindictive than an audience at amateur theatricals. It was all over now. Charteris had literally gibbered in the presence of eye-witnesses at one point in the second act, when Spennie, by giving a wrong cue, had jerked the play abruptly into act three, where his colleagues, dimly suspecting something wrong, but not knowing what it was, had kept it for two minutes, to the mystification of the audience. But, now Charteris had begun to forget. As he two-stepped down the room, the lines of agony on his face were softened. He even smiled.

As for Spennie, the brilliance of his happy grin dazzled all beholders.

He was still wearing it when he invaded the solitude of Mr. McEachern. In every dance, however greatly he may be enjoying it, there comes a time when a man needs a meditative cigarette apart from the throng. It came to Spennie after the seventh item on the program. The billiard-room struck him as admirably suitable in every way. It was not likely to be used as a sitting-out place, and it was near enough to the ball-room to enable him to hear when the music of item number nine should begin.

Answer the following questions:
1. Whose smile radiated?
2. Whose alone time did he interrupt?
3. Had he stopped smiling by then?
4. At what time in the party did McEachern decide to have isolation time?
5. What vice was he partaking in?
6. What room did he partake in?
7. Did he like it there?
8. Was it far enough away that he couldn't hear the party?
9. What mood was everyone in?
10. How did the show go?
11. Who did people like the most from the beginning?
12. Did he sing with anyone?
13. Who?
14. Who wasn't supported well?
15. Were the people watching the show mean?
16. What it put on by a bunch of pros?
17. What happened to the 2nd part of the show?
18. Because of what?
19. Did this totally throw someone off?
20. Who?
A:
1. Spennie's
2. Mr. McEachern
3. no
4. After the theatricals
5. smoking
6. the billiard-room
7. yes
8. no
9. a happy one
10. It had been successful
11. The prompter
12. yes
13. Spennie
14. The prompter
15. no
16. no
17. it got jerked into act three
18. Spennie gave a wrong cue
19. yes
20. Charteris