Problem: OPTIONS:
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- positive positive
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Answer: Sarah Silverman is a dangerous Bitch! She's beautiful, sexy, funny and talent, dark and demonic. I read the other 'comment' on this show as well as the message board stuff and people just don't get it. Nothing that appears on T.V. is an accident. Too much money, time and work is put into the production of a T.V. show for there to be mistakes. This show is stupid because Sarah wanted it to be stupid. This show is juvenile because Sarah wanted it to be juvenile. I thought the jokes were great and the theme show as well as the other musical numbers are wonderfully bizarre. It's a lot like Pee-Wee's Playhouse for maladjusted, slacker twenty-something glue sniffing, Future Pornstars of America from the Valley. The cast is awesome. The scenarios and action is well-paced. I hope this show succeeds since Comedy Central didn't let David spade keep his show. Who plays Sarah's sister? She not in the cast listing on the show's home page. I would love to see her stand-up. Does anyone know about her up-coming show dates or DVDs that may be floating around out there?
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Jonathan Demme's directorial debut for Roger Corman's legendary exploitation outfit New World Pictures rates highly as one of the finest chicks-in-chains 70's grindhouse classics to ever grace celluloid. Beauteous Russ Meyer starlet Eric ("Vixen," "Beyond the Valley of the Dolls") Gavin gives a robust, winning performance as a brassy, resilient new fish who does her best to persevere in a grimy, hellish penitentiary. The always fabulous Barbara Steele offers a deliciously wicked portrayal as the mean, crippled, sexually frustrated warden (her erotic dream about doing a slow, steamy striptease in front of the lady inmates is a real dilly). Longtime favorite 70's B-movie actress Roberta ("The Arousers," "Unholy Rollers") Collins delivers a hilariously raunchy and endearing turn as a cheerfully forward, foul-mouthed kleptomaniac felon who tells a gut-busting dirty joke about Pinnochio. Lynda Gold (a.k.a. Crystin Sinclaire of Tobe Hooper's "Eaten Alive" and Curtis Harrington's "Ruby") makes her lively film debut as uninhibited wildcat Crazy Alice. And the ever-cuddly Cheryl "Rainbeaux" Smith does a lovely, touching reprise of her fragile frightened innocent role from "Lemora: A Child's Tale of the Supernatural."

Although this picture does deliver the expected ample amount of coarse language, nudity, rape and violence, it's still by no means a typically crass and sexist piece of lurid mindless filth; the movie very effectively explores the many ways in which men cruelly exploit women and strongly asserts the pro-feminist notion that women can overcome any obstacles if they band together into a group so they can bravely face their misogynistic oppressors as one mighty fighting force. Demme's zesty, confidant direction comes through with a glorious abundance of astutely observed incidental details and delightful moments of engagingly quirky human behavior. Furthermore, both Tak Fujimoto's vibrant cinematography and John Cale's marvelously dolorous oddball blues score are 100% on the money excellent. Patrick Wright (Sheriff Mack in the uproariously awful cheap-rubber-monster-suit creature feature howler "Track of the Moonbeast") has a sidesplitting bit as a jerky cop who has his car stolen by a trio of prison escapees when he stops at a gas station to use the bathroom. Lively, rousing and immensely enjoyable, "Caged Heat" qualifies as absolutely essential viewing for 70's drive-in movie fans.
Q: What's an example of a movie review?
An example of a movie review is here: This movie had lots of great actors and actresses in it and it addressed some very noble issues. It's full of emotion and the direction is done well. The storyline progresses very quickly, but I guess that's better than having to watch a 3 hour movie. This is an easy movie to watch again and again and enjoy.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: How did I ever appreciate this dud of a sequel? All it does is throw balls! Worst of all, it doesn't compare to even the first installment of the series! The comedy suffers from not being funny. Where did all the unintentional laughter go? Enough slapstick on-the-field action goes on too long. Bob Uecker literally saved this one from a complete nine-inning shutout. What's next, MAJOR LEAGUE 4: RETURN TO THE LITTLE LEAGUE? Ehh, could be! Leave this one on the shelf and plan a trip to the All-Star Game. This one's had three strikes too many.
Problem: OPTIONS:
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Answer: The deceptive cover, title and very small hidden print of Power of Prayer tricked me into renting this movie.

It started out really well and pulled me in. I REALLY liked it. Between 1/3 and 3/4's of it, the film started throwing in things that were not set up and made no sense. My first thought was, "This is not written by someone who knows how to tell a story." I ended up re-watching parts of the movie, thinking I had missed something.

By the time I reached the last 1/5 of the movie, it was all BORING, ANNOYING, RELIGION THUMPING DIALOG that made no sense, said nothing, and was annoying to listen to; I turned off the sound and did a fast forward to the end.

Don't waste your time with this flick.

Beware of DVDs labeled Whitlow Films and Level Path Productions.

And I'm a practicing Catholic.
Problem: OPTIONS:
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Answer:
Orson Welles manages to knock me on my ass with every picture of his I see. Lady of Shanghai is on the same level as his other masterpieces, The Magnificent Ambersons, Touch of Evil, The Trial, and Chimes at Midnight. The plot can tend to be confusing sometimes, and sometimes it seems to be moving maybe a tiny bit too fast (about an hour of it was edited out when test screenings went poorly). It doesn't matter, however. You can't watch Welles' films and manage to concentrate too much on the plot. His direction defines what great direction is. Almost any scene from this film can hold up with any other scene he directed. Check out the courtroom scene. Usually they are such stock scenes that I can't stand them. Case in point, try to sit through Welles' own speech near the end of Compulsion. In Lady from Shanghai, just pay attention to the level of detail in that courtroom scene. Watch that juror who is always sneezing and interrupting the proceedings. Or just take a look at the lighting in that scene. I know, it is just a simple Venetian blind, and that it was used constantly in film noirs and crime films of the era, but Welles gives it a beauty all its own. The dialogue is also remarkable. Welles had the skill, a skill that no one else seemed to have, to make a crime film containing examples of the grandest poetry. Whether he was speaking Shakespeare or spitting out hard-boiled lines, it had the power to stir the soul. 10/10.