Write an article based on this "Understand the basic anatomy. Look for a swollen deformity. See if pain increases with deep breaths. Check for reduced motion."
article: You have 12 sets of ribs that function to protect your internal organs and allow numerous muscles to attach to for movement and breathing. The ribs attach to the 12 thoracic vertebrae of the spine in the back and most converge and connect to the breastbone (sternum) in the front. A few "floating" ribs at the bottom protect the kidneys and don't connect to the breastbone. Your uppermost ribs are located at the base of your neck (underneath your collarbones), whereas the bottom one resides a few inches above your hip bones. Ribs are usually easily detected under the skin, particularly in thinner people. The most commonly fractured ribs are the middle ones (ribs four through nine). They typically break at the point of impact or where the curve is the greatest, which is their weakest and most vulnerable area. Rib fractures are much less common in kids because their ribs are more springy (more cartilage and less bone compared to an adult) and require considerable force to break. A significant risk factor for rib fractures is osteoporosis, a condition common in people over 50 and characterized by brittle bones from loss of minerals. With shirt removed, look and feel around the area of the torso where the pain is coming from. With a small hairline rib fracture, you won't see a deformity, but should be able to pinpoint the tenderness and maybe notice some swelling particularly if there was blunt trauma to the area. With more serious rib fractures (multiple breaks in multiple ribs or ribs that have separated from the rest of the wall), a flail chest may occur. Flail chest is a term that describes when the broken chest wall moves in a way that is opposite to the rest of the chest during breathing. Therefore, the chest wall in the area of concern will be sucked in when the person takes a breath and the chest expands, and will be pushed out when the person exhales and the chest contracts. More serious rib fractures tend to be very painful, create more swelling (inflammation) and bruise quickly due to broken blood vessels. A flail chest is sometimes easier to see when the injured person is lying on his back with his shirt off. The condition will be easily spotted while watching a patient breathe, and especially when listening to his lungs. Healthy ribs are usually fairly springy when you put pressure on them. However, broken ribs feel unstable and can be be depressed with pressure, which generates severe pain. Another common sign of broken ribs, even small stress fractures, is increased tenderness or pain with deep breathing. The ribs move with every breath, so inhaling deeply causes pain. With serious rib fractures, even shallow breathing may be very difficult and extremely painful. Consequently, people with significant rib fractures tend to take more rapid and shallow breaths, which can lead to hyperventilation and eventual cyanosis (bluish discoloration of the skin due to lack of oxygen). Another sign indicative of a rib fracture is reduced range of motion in the torso, especially rotational side-to-side movements. People with broken ribs are either unable or very hesitant to twist, bend or laterally flex their upper body. The broken rib and related muscle spasm may prevent the movements, or the pain may be severe enough to act as a deterrent to any movement. Again, less serious stress (hairline) fractures hamper movement to a lesser extent compared to more injurious fractures. Ribs that break at the cartilage junction where they attach to the breastbone can be particularly painful, especially with rotational movements of the upper body. Even with small stress fractures, the combination of reduced mobility, impaired ability to breathe and relative tenderness significantly limits a person's ability to exercise and be active sports are virtually out of the question until the injury heals.

Write an article based on this "Think about what you want to symbolize. Sketch two or three of these objects. Pick the image that works best for your product. Keep it simple. Pay attention to color. Evaluate your final symbol."
article: Think about the objects or images that carry meaning for you. Make a list of all of these objects and images. If you are designing a symbol for your product, then try to think about what images best represent your product. Keep in mind that your symbol does not need to be a literal representation of your product, but it should have a strong connection with your brand. For example, having a shoe as your symbol might be too literal if your product is shoes. Instead, you might represent what the shoes allow wearers to do with your symbol, such as run faster or enjoy the outdoors more. If you are designing a personal symbol, then focus on images or objects that might represent important aspects of your personality, heritage, or the message that you want to send. For example, if you are Irish you might incorporate the shamrock or some elements of Celtic design into your symbol. Gather some materials for sketching such as paper, pens or pencils, and draw a rough sketch of each of the images or objects you listed. The sketches don't have to be perfect, but remember you want your symbol to send a clear message to people who see it. As you sketch, try to keep your goals for the symbol in mind. What message do you want to send? After you finish your sketches, look over them and think about which one is the most effective. If you are creating a symbol for your business, then the image should be something that is eye catching and easy to recognize. Try to pick the image that you feel has the strongest impact. Try showing your sketches to different people and see which one they prefer. Make sure to ask them why they prefer this image as well. You can use the input to adjust your symbol if needed. Simplicity is key in creating an effective symbol. Try not to over design your symbol with lots of embellishments and details. Remove any unnecessary detail or anything visually distracting. Once you have identified any unnecessary or distracting elements, you can either erase them or start over. Some examples of simple yet effective symbols include the Nike swoosh, the Olympic rings, and the Microsoft windows. The color of your symbol can also have a strong effect on the way that people perceive the symbol. Familiarizing yourself with basic color theory can help you to come up with a harmonious and visually arresting symbol. If you are using multiple colors in your symbol design, then make sure that they complement one another. For example, you might chose two polar opposites such as black and white, or two shades of one color, such as light blue and dark blue. Other colors can be jarring if placed beside each other, such as orange and pink. Experts in the psychology of color argue that we have emotional responses to certain colors. Consider this when choosing colors for your symbol. For example, red can signify energy, power, passion, anger, and blood. When you have finished creating your symbol, take a closer look at it and try to determine if there is anything else that might improve it. Some questions you might ask yourself include: Is it simple and appealing? Does it communicate your message well? Do the colors work? Is there anything (big or small) that you'd like to change about it?

Write an article based on this "Add paint. Put on a little glitter. Wrap the beads up in string. Use a little wire. Give your beads a glaze. Finished."
article:
Before you add your varnish, use paint to create an additional decorative design along the outside of your beads. For extra texture, use puff paint which dries in a bubble-like form above the surface of the bead. To make your beads sparkly, use glitter glue or loose glitter over the surface of the paper. Add the glitter before your final coat of varnish to keep it from rubbing off as a result of wear and tear. Try adding several coats of glitter in different colors for a lovely rainbow effect. Don't thread the beads on string; use string to create a decorative pattern along the outside of the paper. Cut a small piece of colored thread and use glue to wrap the exterior of the bead with the string. Use several pieces of string for added color and texture. Use colored florists wire to thread the beads and create pretty spiral or geometric patterns around the outside. Run the wire through the middle of the bead, and then bend it to shape around the bead. Use a translucent nail polish or watered down paint to coat your bead in an additional color. Adding the glaze will create a light, semi-opaque layer of color over the paper. You can also use watercolor paints for this.