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Stephen Russell Davies was born on 27 April 1963 at Mount Pleasant Hospital in Swansea. His father, Vivian Davies (1925-2015), and his mother, Barbara (1929-1999), were teachers. Davies was the youngest of three children and their only son. Because he was born by C-section, his mother was placed on a morphine drip and was institutionalised after an overdose resulted in a psychotic episode.
Davies' next project was The Grand, a period soap drama set in a Manchester hotel during the interwar period. It was designed to be a valuable show in a ratings war with the BBC and was scheduled at 9 pm on a Friday night. After the original writer abandoned the series, Granada approached him to write the entire show. His scripts for the first series reflect the pessimism of the period; each episode added its own emotional trauma on the staff, including a soldier's execution for desertion, a destitute maid who threatens to illegally abort her unborn child to survive, and a multi-episode storyline centred on the chambermaid, Monica Jones (Jane Danson), who kills her rapist in self-defence, is arrested, and eventually hanged for murder. The show was renewed for a second series despite the first's dark tone. The second series had a lighter tone and greater emphasis on character development, which Davies attributed to his friend Sally, who had previously warned him of the adult humour in Breakfast Serials; she told him that his show was too bleak to be compared to real life. He highlighted the sixth and eighth episodes of the second series as a time of maturity as a writer: for the sixth, he utilised then-unconventional narrative devices such as flashbacks to explore the hotel barman's closeted homosexuality and the societal attitudes towards sexuality in the 1920s; and he highlighted the eighth as when he allowed the series to "take on its own life" by deliberately inserting plot devices such as McGuffins to enhance the comic relief of the series. Although well received, the series' ratings were not high enough to warrant a third series. After its cancellation in September 1997, Davies had an existential crisis after almost dying from an accidental overdose; the experience persuaded him to detoxify and make a name for himself by producing a series that celebrated his homosexuality.

Was the show based on a true story?

The second series had a lighter tone and greater emphasis on character development, which Davies attributed to his friend Sally,

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Hidetoshi Nakata, Cavaliere OSSI (Zhong Tian Ying Shou , Nakata Hidetoshi, born 22 January 1977) is a former Japanese football player who played as a midfielder. He is widely considered to be one of the most famous Asian footballers of his generation, and one of the greatest Japanese players of all time. Nakata began his professional career in 1995 and won the Asian Football Confederation Player of the Year award in 1997 and 1998, the Scudetto with Roma in 2001, played for Japan in three FIFA World Cup tournaments (1998, 2002 and 2006) and competed in the Olympics twice (1996 and 2000). In 2005, he was made the Knight of the Order of the Star of Italian Solidarity, one of Italy's highest honors, for improving the country's image overseas.
After having represented Japan at the 1993 U-17 World Championship (where he scored a goal) and at the 1995 U-20 World Championship (where he scored twice), Nakata was part of the Japan squads at the 1996 Olympics, where Japan upset Brazil, and at the 2000 Olympics. His senior national team debut came in May 1997 against South Korea. He was a key member of the Japanese side that qualified for the 1998 FIFA World Cup, scoring five goals in qualification matches and setting up all three Japanese goals in the qualification play-off against Iran. He helped Japan reach the final of the 2001 Confederations Cup but left the national team before the final to join Roma for their final league matches. Nakata played in all four of Japan's matches at the 2002 FIFA World Cup, co-hosted by South Korea and Japan, scoring the second goal of a 2-0 first round win against Tunisia. At the 2006 FIFA World Cup, Nakata played in all three matches for Japan, losing to Australia and Brazil, and drawing with Croatia. His performance against Croatia earned him a Man of the Match award. After the 2006 FIFA World Cup, on July 3, 2006, Nakata announced his retirement from professional football and the Japanese national team on his personal website "I decided half a year ago that I would retire from the world of professional football ... after the World Cup in Germany." Nakata wrote, "I will never again stand on the pitch as a professional player. But I will never give up football." In a 2014 interview in TMW Magazine, Nakata confirmed that he had retired at such a young age because he was no longer enjoying football, and wanted instead to see what was going on in the world. Despite Nakata playing every match in Japan's first three World Cup appearances, he was not selected for the country's Asian Cup-winning squads in 2000 and 2004. In total, he was capped 77 times for Japan, scoring 11 goals, 9 of which came in official FIFA competitions.

Is he active in football in any other ways outside of actually playing such as coaching or hosting

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Guys and Dolls is a musical with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It is based on "The Idyll of Miss Sarah Brown" and "Blood Pressure" - two short stories by Damon Runyon - and also borrows characters and plot elements from other Runyon stories - most notably "Pick the Winner". The premiere on Broadway was in 1950. It ran for 1200 performances and won the Tony Award for Best Musical.
The original Broadway production of Guys and Dolls opened to unanimously positive reviews. Critics praised the musical's faithfulness to Damon Runyon's style and characterizations. Richard Watts of the New York Post said "Guys and Dolls is just what it should be to celebrate the Runyon spirit...[it is] filled with the salty characters and richly original language sacred to the memory of the late Master". William Hawkins of the New York World-Telegram & Sun stated, "It recaptures what [Runyon] knew about Broadway, that its wickedness is tinhorn, but its gallantry is as pure and young as Little Eva". Robert Coleman of the New York Daily Mirror declared, "We think Damon would have relished it as much as we did". The book and score were greatly praised as well; John Chapman of the New York Daily News declared, "The book is a work of easy and delightful humor. Its music and lyrics, by Frank Loesser, are so right for the show and so completely lacking in banality, that they amount to an artistic triumph". Coleman stated, "Frank Loesser has written a score that will get a big play on the juke boxes, over the radio, and in bistros throughout the land. His lyrics are especially notable in that they help Burrows's topical gags to further the plot". In The New York Times, Brooks Atkinson wrote, "Mr. Loesser's lyrics and songs have the same affectionate appreciation of the material as the book, which is funny without being self-conscious or mechanical". Multiple critics asserted that the work was of great significance to musical theatre. John McClain of the New York Journal American proclaimed, "it is the best and most exciting thing of its kind since Pal Joey. It is a triumph and a delight". Atkinson stated, "we might as well admit that Guys and Dolls is a work of art. It is spontaneous and has form, style, and spirit." Chapman asserted, "In all departments, Guys and Dolls is a perfect musical comedy".

Who was the late Master?
Critics praised the musical's faithfulness to Damon Runyon's style and characterizations.