Ques:I really struggle to feel bad for people who actively choose to be miserable and manipulative. I'm dorky and like to use little proverbs all the time. One of my favorites is this: "you can lead a horse to water, but you can't make him drink." At the end of the day, if someone has a problem, they can never resolve it if they don't truly wish to. You can give someone all the resources in the world, but you can't force them to utilize them. When I was 16, I dated a horrible guy. He was abusive verbally, emotionally, and sexually. He was an incredibly troubled young man and refused to seek help for his severe mental health issues. I eventually came to understand that he reveled in his misery. It was his identity. He acted like he wanted a cure and I'd set him up with resources, but he refused every single one. He may have struggled with serious mental illnesses, but being miserable perversely made him happy and he loved to use his struggles to justify his inexcusable behavior. He wanted to drag as many people into his fiery pit of anguish as possible. I later suffered from severe depression myself, and I never once used it as an excuse to hurt other people. My ex wasn't struggling with his mental health in terms of deliberating and carefully harming others. He was simply exhibiting a personality trait, one he chose to cultivate and it wasn't my problem. I ended up cutting him off completely in spite of all the threats. I will never feel bad for the awful plight he refuses to help himself out of. I have no patience for that type of person. Know what we call them? Toxic. Poison. A waste of time. Question: Who was abusive to the author? Options: - No one. - The boyfriend she had at 16. - The people who thought she was dorky. - not enough information === The correct answer is

Ans:The boyfriend she had at 16.
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Ques:I've learnt a great amount throughout this studio, first and foremost I was taught: how the art world functions, how specific galleries such as Gertrude St Contemporary run and how artists earn a living. The studio also provided me with basic filmmaking skills such as how to: create a shooting schedule, write a shooting script, set up three-point lighting, conduct an interview, utilise visual storytelling and edit a short film. Throughout the shooting process with my artist I also developed my abilities regarding how to use a: Sony Zoom H2N (and other such handy recorders), a lapel mic, my own Canon EOS 60D and Adobe Premiere Pro editing software. Overall I think the studio functioned quite successfully, it was great to be in a studio with nineteen people who all were interested in the same topics as you. I felt that overall, the studios had a very happy and supportive environment, and you walked away knowing a great deal about the art world and how to make short documentaries. The project itself taught me a great deal about how to work with talent, as well as my group members. Having to work independently forced me to be completely all over every aspect of the shoot, whether that be choosing which questions to ask, deciding what to focus on, where I wanted the shoot to happen, deciding what gear to use, getting to the shoot, carrying all the gear, what I wanted to shoot, managing the audio, managing the lighting, managing the camera set-ups, managing the talent, editing the film, and finding a great soundtrack for it. I'm a pretty self-conscious person and I often doubt the decisions I make or ask someone else for their opinion (should I shoot this angle, or what do you think of this question etc.). Working independently pushed me to go with my gut instincts, to make decisions and to not seek others approval. It forced me to develop my aesthetic as a filmmaker and to own the work that I ended up producing, so ultimately I was really glad with how everything panned out. Question: Before the author took the studio, it is most likely he had experience: Options: - Running a video camera - not enough information - Running a movie theater - Running an art gallery === The correct answer is

Ans:Running a video camera
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Ques:I'm sitting at the airport on a Sunday morning waiting for my flight to Las Vegas for the now-annual pilgrimage to the NamesCon conference. A few years ago, Vegas was one of my "bucket list" places one of those iconic cities that one should visit at least once in their life. For me, once was enough. This is now my 4th (I think?) trip to Vegas, and while the city has a lot to offer, it's just not my cup of tea. For one thing, I'm not a gambler, like at all. I don't have anything against it, I just don't enjoy it. It either feels pointless or stressful to me. The city itself makes me a little sad in some cases, it reeks of desperation. Last time I was there, my cab driver entertained me with stories of how she was working 3 jobs to save up enough to join some mega-massive bingo game. She won a small jackpot a few years back and that allowed her to work only one job for a few months. She was hoping to win again so she could cut back to 1 or 2 jobs. I wondered how many people do similar things gambling their money away, in big or small chunks, in the hopes of that big score and in the process, putting themselves in a not-great financial situation. I suppose as long it makes them happy, then it's all OK, but I can't help but think someone like my cab driver might be happier overall if she only worked 1 job instead of 3, instead of working extra jobs to save up money to gamble her way to financial freedom. But that's for her to decide, not me. The juxtaposition of extreme and in-your-face wealth and the homeless people on the Strip also makes me sad. It's difficult to see people begging for food and sleeping on the street while all around you, millions of dollars are poured into creating a massive playground with every type of indulgence possible. But I'm the first to say that I've enjoyed staying in some of the nicer hotel properties there and eating several excellent meals at some of the finer restaurants in the area, so I'm not exactly helping to solve the problem. Question: Who wanted to enter a mega jackpot Bingo game? Options: - the author's friend - not enough information - the author - the cab driver === The correct answer is

Ans:
the cab driver
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