IN: Abdul was born in San Fernando, California, to Jewish parents. Abdul's father, Harry Abdul, was born into the Syrian Jewish community in Aleppo, Syria, was raised in Brazil, and subsequently immigrated to the United States. Her mother, the concert pianist Lorraine M. Rykiss, grew up in one of the two Jewish families in Minnedosa, Manitoba, and has Ashkenazi Jewish ancestors from Ukraine. She has a sister named Wendy.

By 1995, Paula Abdul had recovered from her battle with the eating disorder bulimia nervosa and prepared to return to the spotlight with her new album Head over Heels. The first single off the album, "My Love Is for Real" featured a fusion of R&B and traditional Middle Eastern instruments, and was performed with Yemeni-Israeli singer Ofra Haza. Its accompanying Lawrence of Arabia-inspired music video was played in theaters across the world as a prologue to the film Clueless. The single was a hit in the clubs (peaking at No. 1 on Billboard's Hot Dance Music/Club Play chart), and made it to No. 28 on Billboard's Hot 100 chart. The second single, "Crazy Cool", peaked at No. 13 on the dance charts. "Ain't Never Gonna Give You Up" was the album's third and final single. To date, Head over Heels has sold over 500,000 copies in the United States. In January 1997, Abdul starred in the ABC television movie Touched By Evil, playing a businesswoman who discovers that her boyfriend is a serial rapist. Also that year, Abdul co-wrote the song "Spinning Around" with songwriter and producer Kara DioGuardi, who became a fellow judge on American Idol in 2009. "Spinning Around" was a dance-pop track intended to be the lead single on Abdul's follow-up album to Head over Heels. But the album never materialized, and "Spinning Around" was instead given to Kylie Minogue. The song was highly successful, reaching No. 1 in numerous countries. While Abdul took a break from the music industry, she remained busy behind the scenes. Abdul served as the choreographer for several film and theater productions, including the 1998 musical Reefer Madness and the cheerleading scenes in the 1999 film American Beauty (she had previously also choreographed the 1991 film The Doors). Abdul also co-produced a 2001 pilot episode of Skirts, a dramatic series that would have aired on MTV about a high-school cheerleading squad; Abdul was also set to appear as the head coach. The pilot never aired. In 2000, Abdul's Paula Abdul: Greatest Hits CD was released by Virgin Records (with whom Abdul was already no longer affiliated). It included all her hit singles and other noteworthy tracks. The song "Bend Time Back 'Round" had previously been heard only on the 1992 soundtrack for the hit television series Beverly Hills, 90210.
QUESTION: What did she do next
IN: The Birth of a Nation (originally called The Clansman) is a 1915 American silent epic drama film directed and co-produced by D. W. Griffith and starring Lillian Gish. The screenplay is adapted from the novel and play The Clansman, both by Thomas Dixon Jr., as well as Dixon's novel The Leopard's Spots. Griffith co-wrote the screenplay with Frank E. Woods, and co-produced the film with Harry Aitken. It was released on February 8, 1915.

Thomas Dixon, Jr. was a former classmate of then-president Woodrow Wilson at Johns Hopkins University. Dixon arranged a screening of The Birth of a Nation at the White House for Wilson, members of his cabinet, and their families, in one of the first ever screenings at the White House. Wilson was falsely reported to have said of the film, "It is like writing history with lightning. And my only regret is that it is all so terribly true". Wilson's aide, Joseph Tumulty, denied the claims and said that "the President was entirely unaware of the nature of the play before it was presented and at no time has expressed his approbation of it." Historians believe the quote attributed to Wilson originated with Dixon, who was relentless in publicizing the film. After controversy over the film had grown, Wilson wrote that he disapproved of the "unfortunate production". Besides having the film screened at the White House, Dixon persuaded all nine justices of the Supreme Count to attend a screening of The Birth of a Nation as well as many members of Congress. With the help of the Navy Secretary, Josephus Daniels, Dixon was able to meet the Chief Justice of the Supreme Court, Edward Douglass White. Initially Justice White was not interested in seeing the film, but when Dixon told him it was the "true story" of Reconstruction and the Klan's role in "saving the South", White, recalling his youth in Louisiana, jumped to attention and said: "I was a member of the Klan, sir". With White agreeing to see the film, the rest of the Supreme Court followed. Dixon was clearly rattled and upset by criticism by African-Americans that the film version of his books was projecting hatred against them, and wanted the endorsement of many powerful men as possible to offset such criticism. Dixon always vehemently denied having anti-black prejudices--despite the way his books promoted white supremacy--and stated: "My books are hard reading for a Negro, and yet the Negroes, in denouncing them, are unwittingly denouncing one of their greatest friends". In a letter sent on May 1, 1915, to Joseph P. Tumulty, the press secretary to President Wilson, Dixon wrote: "The real purpose of my film was to revolutionize Northern sentiments by a presentation of history that would transform every man in the audience into a good Democrat...Every man who comes out of the theater is a Southern partisan for life!" In a letter to President Wilson sent on September 5, 1915, Dixon boasted: "This play is transforming the entire population of the North and the West into sympathetic Southern voters. There will never be an issue of your segregation policy". Dixon was alluding to the fact that Wilson upon becoming president in 1913 had imposed segregation on federal workplaces in Washington D.C. while reducing the number of black employees through demotion or dismissal.
QUESTION:
how was it receieved?