Background: Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.
Context: In the 3rd century the Roman Empire almost collapsed and its army was becoming increasingly Germanic in make-up, so that in the 4th century when Huns pushed German tribes westward, they spilled across the Empire's borders and began to settle there. The Visigoths settled in Italy and then Spain, in the north the Franks settled into Gaul and western Germany, and in the 5th century Scandinavians such as the Angles, Saxons and Jutes invaded Britain. By the close of the 6th century the Western Roman Empire was almost completely replaced with smaller less politically organized, but vigorous, Germanic kingdoms. Although these kingdoms were never homogeneous, they shared certain common cultural features. They settled in their new lands and become farmers and fishermen. Archaeological evidence shows no tradition of monumental artwork, such as architecture or large sculpture in permanent materials, but a preference instead for "mobile" art for personal display, usually also with a practical function, such as weapons, horse harness, tools, and jewelry which fastened clothes. The surviving art of the Germanic peoples is almost entirely personal adornment, portable, and before conversion to Christianity was buried with its owner. Much art in organic materials has no doubt not survived. Three styles dominate Germanic art. The polychrome style originated with the Goths who had settled in the Black Sea area. The animal style was found in Scandinavia, north Germany and England. Finally there was Insular art or the Hiberno-Saxon style, a brief but prosperous period after Christianization that saw the fusion of animal style, Celtic, Mediterranean and other motifs and techniques.
Question: What other characteristics define this art?
Answer: The polychrome style originated with the Goths who had settled in the Black Sea area.

Question:
Alicia Christian "Jodie" Foster (born November 19, 1962) is an American actress, director, and producer. Foster began her professional career as a child model when she was three years old in 1965, and two years later she moved to acting in television series, when she debuted the sitcom Mayberry R.F.D. In the late 1960s and early 1970s, she worked in several primetime television series and starred in children's films. Foster's breakthrough came with Martin Scorsese's Taxi Driver (1976), in which she played a teenage prostitute and at the age of 14, received a nomination for the Academy Award for Best Supporting Actress.
Foster's career began with an appearance as the Coppertone girl in a television advertisement in 1965, when she was only three years old. Her mother had originally intended only for her older brother Buddy to audition for the ad, but had taken Jodie with them to the casting call, where she was noticed by the casting agents. The television spot led to more advertisement work, and in 1968 to a minor appearance in the sitcom Mayberry R.F.D., in which her brother starred. In the following years Foster continued working in advertisements and appeared in over fifty television shows; she and her brother became the breadwinners of the family during this time. Although most of Foster's television appearances were minor, she had recurring roles in The Courtship of Eddie's Father (1969-1971) and Bob & Carol & Ted & Alice (1973), and starred opposite Christopher Connelly in the short-lived Paper Moon (1974), adapted from the hit film. Foster also appeared in films, mostly for Disney. After a role in the television film Menace on the Mountain (1970), she made her feature film debut in Napoleon and Samantha (1972), playing a girl who becomes friends with a boy, played by Johnny Whitaker, and his pet lion. She was accidentally grabbed by the lion on set, which left her with permanent scars on her back. Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972), the Western One Little Indian (1973), the Mark Twain adaptation Tom Sawyer (1973), and Martin Scorsese's Alice Doesn't Live Here Anymore (1974), in which she appeared in a supporting role as a "Ripple-drinking street kid". Foster has said she loved acting as a child, and values her early work for the experience it gave her: "Some people get quick breaks and declare, 'I'll never do commercials! That's so lowbrow!' I want to tell them, 'Well, I'm real glad you've got a pretty face, because I worked for 20 years doing that stuff and I feel it's really invaluable; it really taught me a lot.'"
Answer this question using a quote from the text above:

What was her next movie role?

Answer:
Her other early film work includes the Raquel Welch vehicle Kansas City Bomber (1972),

Problem: Background: Carl Dean Wilson (December 21, 1946 - February 6, 1998) was an American musician, singer, and songwriter who co-founded the Beach Boys. He is best remembered as their lead guitarist, as the youngest brother of bandmates Brian and Dennis Wilson, and as the group's de facto leader in the early 1970s. He was also the band's musical director on stage from 1965 until his death. Influenced by the guitar playing of Chuck Berry and the Ventures, Carl's initial role in the group was that of lead guitarist and backing vocals, but he performed lead vocals on several of their later hits, including "God Only Knows" (1966), "Good Vibrations" (1966), and "Kokomo" (1988).
Context: A cigarette smoker since the age of 13, Carl was diagnosed with lung cancer after becoming ill at his vacation home in Hawaii, in early 1997. Despite his illness, Carl continued to perform while undergoing chemotherapy. He played and sang throughout the Beach Boys' entire summer tour which ended in the fall of 1997. During the performances, he sat on a stool, but he stood while singing "God Only Knows". Carl died of lung cancer in Los Angeles, surrounded by his family, on February 6, 1998, just two months after the death of his mother, Audree Wilson. He was interred at Westwood Village Memorial Park Cemetery in Los Angeles. The Beckley-Lamm-Wilson album, Like a Brother, was finally released in 2000, and Carl's late recordings continue to appear. Brian's album Gettin' in Over My Head (2004) features Carl's vocal from the unreleased Beach Boys song "Soul Searchin'", with new backing vocals recorded by Brian. The original Beach Boys version, sourced from a cancelled attempt at a new Beach Boys album in late 1995, was eventually released in the Made in California (2013) box set, along with another 1995 track titled "You're Still a Mystery", which features Carl in the vocal blend. In 2010, bandmate Al Jardine released his first solo album, A Postcard From California, which includes a similarly reconstructed track, "Don't Fight The Sea", featuring one of the last vocals Carl recorded. Carl can also be heard on the continual stream of Beach Boys archival releases, most notably as a central voice in the November 2011 release of The Smile Sessions. It was announced that Wilson's voice would be heard on a track from the reunited Beach Boys, on the album That's Why God Made the Radio (2012), but this never materialized. Instead, the scheduled song, "Waves of Love", featured on the 2012 re-release of Jardine's A Postcard From California. During The Beach Boys 50th Anniversary Reunion Tour, a segment of the show was dedicated to the memories of Dennis and Carl. The band harmonized with isolated vocal tracks of Carl performing "God Only Knows" and of Dennis singing "Forever", as the band's crew projected images of the individual Wilson brothers on a large screen behind the band onstage.
Question: What was the course of his death?
Answer:
A cigarette smoker since the age of 13, Carl was diagnosed with lung cancer after becoming ill at his vacation home in Hawaii, in early 1997.