instruction:
In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.
question:
" psycho meets the exorcist with no holds barred " .
a blurb like that sounds like desperate publicity for some low budget , third rate rip - off .
but no , this tacky plug comes from the poster for suspiria , perhaps italian horror director dario argento 's most consistently successful film .
what impresses most in re - watching this surrealistic , supernatural thriller is that argento 's directorial flair and stylish visuals are matched by a near - fully coherent narrative .
screenplays have always been his achilles heel ; confusing subplots , gaping holes , totally illogical incidents and reactions .
no question : argento has always been a better director than a writer .
fortunately , he gets the plotting pretty well right with suspiria , taking his cue from a book by thomas de quincey called " suspiria de profundis " .
the film 's storyline suffers from no major lapses in logic , provided one can accept the premise of a ballet school being a front for a coven of witches .
jessica harper plays an american who travels to germany to further her studies in dance .
arriving at the school late at night in driving rain , she sees a girl leave and run into the storm in a clearly distressed state .
what happens next - and i do n't make the comparison lightly - is a murder sequence that for intensity , shock value and sheer directorial flair ranks alongside alfred hitchcock 's infamous shower scene in psycho .
it 's quite possibly a homage to hitchcock , but with its baroque sets , graphic gore and brilliantly chaotic musical accompaniment by the gothic rock group goblin , this stunning sequence remains very much argento 's own .
though nothing else quite equals the intensity of suspiria 's opening 15 minutes , the film continues to be never anything less than engrossing as harper begins her own investigations and slowly comes to realise this is no ordinary ballet school .
we meet an assortment of slightly sinister characters , most notably the head ballet teacher played by alida valli in another one of those delicious sour - old - matriarch - from - hell roles she does so well .
several more violent murders ensue , including a startling scene in a deserted square where a blind man is . . .
well , i would n't want to spoil things now , would i ?
and the film 's climax , staged amid secret corridors and hidden rooms , has a gothic ghoulishness
that 's most impressive .
the english language versions of most argento movies usually suffer trimming , and not just for the violence - deep red and phenomena , for example , have been appallingly hacked about .
fortunately , the cuts to suspiria ( about 7 minutes in this version ) have not adversely affected the film .
the dubbing of the italian actors into english is quite competently done , too , excepting one appalling and unintentionally hilarious effort with a conversation between harper and a professor about the history of witchcraft in the region .
and the soundtrack ?
it is interesting to imagine what power the film would have lost if it had been scored by someone else .
as it stands , the use of goblin 's music in suspiria is outstanding .
apparently , argento played the soundtrack on location while filming so the actors could hear the music as they acted out their parts .
a stereo video player adds greatly to the viewer 's overall experience .
even better , see suspiria in a cinema , where you 'll get the added bonus of widescreen .
and the colours !
deep reds , eerie blues , a superb use of shadow and contrast .
the cinematography of luciano tovoli , whose more recent credits include reversal of fortune and single white female , is uniformly superb .
a nod also must go to production designer giuseppe bassan for his wonderful baroque interiors .
these kinds of settings are crucial to the atmosphere of argento 's more surreal excursions , the other most notable example being inferno ( 1980 ) on which bassan also worked .
suspiria is the film that broke dario argento into the major league of european directors , and it is fully deserving of its cult status .
the gore is at times a little excessive and overstated - that 's always been one of argento 's shortcomings - but overall
this is a fascinating , compelling example of italian horror .
answer:
P

question:
according to popular film opinion , a film 's greatness is determined by time .
take for example " casablanca .
" great film , even today .
it 's still as powerful as it was when it came out and still as romantic and tragic .
another example would be " star wars , " which had a very , very healthy box office gross despite the fact that we had all seen it about 3 billion times before .
but as i rewatched " independence day " when it came out on video after being the number one hit of 1996 , i kinda felt like it was n't as cool as when i had first seen it .
i had liked it when i saw it the first time (
*
* * was my original view ) and basically saw it as a good " escape film .
"
but when i rewatched it , i felt cheated .
thus , the curse of the " event film . " " independence day " is like that kid who come out of nowhere and makes everybody happy at once ( except for a couple kids - the critics , in this situation ) .
but after a while , this kid becomes annoying and you just wait for the next one .
well , this kid is the " event film " in my little analogy .
and when i rewatched " independence day , " not only did it not look cooler at all on the big screen , but i felt insulted the whole time .
there are too many gaping craters in the plot and you just are n't sure if it 's comedy or hokey drama .
one scene , you 'll see a hilariously nebbish scene between jeff goldblum and judd hirsch ; the next you 'll see a bunch of military uptight guys walking around , saying corny lines .
the worst is a scene between brent spiner and bill pullman where spiner is sayinig something innocently funny but is barked like a junkyard dog by bill pullman who gives him the most unitentionally funniest speech since the end of " glen or glenda ?
"
now this annoying kid 's problem is that in the process of trying to make everyone like him all at once , he shows he has no balls .
and " independence day " has no balls .
it plays it safe everywhere .
it throws in a ton of action that is borrowed from other superior films .
the chase scene between the alien ship and will smith is straight out of " star wars .
"
i mean , is n't that devil 's den ? and
the aliens are about as anticlimactic as demi moore 's breasts in " striptease .
"
they 're these octopus men , boring freaking octopus men .
i mean , come on .
the aliens in " 2001 " were more interesting and you did n't even see them !
basically the plot is straight from a b - movie from the 50s : aliens come to earth and we wonder if they 're hostile or peaceful .
okay , it 's an interesting topic , but it 's not handled greatly .
now they are n't and somehow a computer geek , jeff goldblum , figure out they 're using our satellites as a countdown to destruction .
yep .
these aliens are not only heavily armed , they 're stupid too .
they also use the same kind of computer as we do , but that comes about later .
the president ( bill pullman ) , who 's under attack for being a wimp , decides this would be a nice time to be belligerent , and he decides he 'll stay in the white house which the aliens have covered .
i do n't care if it 's bob freaking dole in the white house , get him out of there .
i do n't care if you have to inject him with sodium pentathol , just get him out of there .
later on , he 's stupid and wants to fly in the attack on a big alien ship .
i think it 's time for impeachment for this guy .
he 's more senile than reagan on pot .
then there 's a cocky pilot ( will smith ) who is the only person to survive the counter - attack on the second day and becomes moses in leading his children to the elusive area 51 ( the film 's only sign of being brave ) .
his girlfriend 's a stripper sharing a subplot with " striptease " in that she has to do it for her son .
come on , she has a fighter pilot boyfriend / soon - to - be fiance .
i think she can quit that job and get a more respectable job at long john silvers .
she 's also the few , the proud , the lucky to survive the igniting of l . a .
( as well as her dog , who narrowly survives ) .
there are some bright spots .
they tossed in enough old film homages to keep me laughing .
the best one is when jeff goldblum ( nicely named david ) turns on his computer and a picture of hal comes up and says , " good morning , dave .
"
and they even played r .
e . m .
's
" it 's the end of the world as we know it ( and i feel fine ) at the beginning .
and judd hirsch steals the film by actually acting great ( he 's a stereotype ,
but i just loved the man anyway ) .
but there are no real subtle comic moments .
will gets way too many one - liners and he has no one to play off of
( execept jeff towards the end , and the two do great ) .
as i said , this film has no balls .
it is just aiming for a crowd pleaser
and that 's what it is .
but after a couple months , we all move on to the next " event " film while intaking little films and a couple indy ones for good measure .
but at least the indy ones last for a lifetime .
this one 's short on batteries .
answer:
N

question:
anastasia contains something that has been lacking from all of the recent disney releases . ..
( especially hercules ) .
.. emotion .
all the wacky characters voiced by celebrities and fantastically animated adventure sequences are n't going to hold anyone 's interest unless there is an emotional core to hold it all together .
not since disney 's beauty & the beast has there been such a compelling animated film with interesting characters and drama that works .
the story of the romanov family , the rulers of russia , and their downfall begins the film .
anastasia , one of the daughters , narrowly escapes the mad monk rasputin ( voiced by christopher lloyd ) with her grandmother ( voiced by angela landsbury ) .
but anastasia gets lost , and grows up with no memory of her royal origins .
the grandmother lives in paris , hoping to someday find her beloved anastasia , the only member of the family to survive the russian revolution .
a young woman named anya ( voiced by meg ryan ) runs across dimitri ( john cusack ) and vlad ( kelsey grammar ) , who are trying to put together a scheme to create an anastasia to fool the grandmother and get the reward money .
they pick anya to pose as their princes , and of course , it is soon revealed that anya is in fact the lost anastasia .
dimitri realizes that he can never win her love as he is a commoner , and meanwhile , rasputin is not dead , and plots his revenge against the last romanov .
the plot is actually quite well structured .
there are a lot of complexities that may have to be explained to the kids later , but it moves along fast enough that they 'll never have time to be bored .
what this really means is that the adults wo n't be bored by it either .
there is a great deal of banter between anya and dimitri that is very funny , and their relationship develops quite naturally as the film progresses .
there is , of course , lots of comedy for the kids , including rasputin 's pet bat , bartok ( hank azaria ) , who is easily the funniest thing in the film . however , the comical scenes never distract from the drama , but are worked into the plot almost seamlessly .
the animation is gorgeous - the characters seem to come to life through the talented animators .
not since beauty & the beast have animated characters had so much life to them .
even without the voices , they act .
the musical number in paris is a show - stopper , with some of the backgrounds rendered in an impressionist painting style .
as with all recent animated features , there are songs , however ,
these songs do more than just provide fodder for top-40 singers to get on the radio ( although there are three of them during the end credits ) .
the songs are all very catchy , and advance the plot , instead of just being showpieces
( except for the paris number , but that 's so much fun , it 's okay .
.. ) . i ca n't reccomend anastasia highly enough .
it 's a wonderful film that ranks right up there with other animated classics .
kids and adults alike will enjoy it , and it 's also nice to have a quality animated feature film from another studio besides disney .
answer:
P