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Stephanie Lynn Nicks (born May 26, 1948) is an American singer-songwriter who is often referred to as the Queen of Rock and Roll. Nicks is best known for her work with Fleetwood Mac, and for her chart-topping solo career. She is known for her distinctive voice, mystical stage persona and poetic, symbolic lyrics. Collectively, her work both as a member of Fleetwood Mac and as a solo artist has produced over 40
After Fritz disbanded in 1972, Nicks and Buckingham continued to write as a duo, recording demo tapes at night in Daly City on a one-inch, four-track Ampex tape machine Buckingham kept at the coffee roasting plant belonging to his father, Morris. They then secured a deal with Polydor Records, which used tracks from their demo tapes to release the album Buckingham Nicks in 1973. The album was not a commercial success, despite the live shows that Nicks and Buckingham performed together to support it, and Polydor dropped the pair from the label. To support herself and Buckingham, who wrote music while recovering from mononucleosis, Nicks worked a variety of jobs, which included waiting tables and a stint cleaning engineer/producer Keith Olsen's house, where Nicks and Buckingham lived for a time before moving in with Richard Dashut. Nicks says that she first used cocaine during this time. "We were told that it was recreational and that it was not dangerous," Nicks recalled to Chris Isaak in 2009. Nicks and Buckingham moved in with Dashut in 1972. While there, Buckingham landed a guitar-playing gig with the Everly Brothers, and toured with them while Nicks stayed behind working on songs. During this time, Nicks wrote "Rhiannon" after seeing the name in the novel Triad by Mary Leader. She also wrote "Landslide", inspired by the scenery of Aspen, and her inner turmoil over her decision to pursue music and her relationship with Buckingham: "I realized then that everything could tumble, and when you're in Colorado, and you're surrounded by these incredible mountains, you think 'avalanche'. It meant the whole world could tumble around us and the landslide would bring you down." "Everybody seems to think that I wrote this song about them ... and my dad, my dad did have something to do with it, but he absolutely thinks that he was the whole complete reason it was ever written. I guess it was about September 1974, I was home at my dad and mom's house in Phoenix, and my father said, 'You know, I think that maybe ... you really put a lot of time into this [her singing career], maybe you should give this six more months, and if you want to go back to school, we'll pay for it ... Lindsey and I went up to Aspen, and we went to somebody's incredible house, and they had a piano, and I had my guitar with me, and I went into their living room, looking out over the incredible, like, Aspen sky way, and I wrote "Landslide" ... three months later, Mick Fleetwood called."
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To support herself and Buckingham, who wrote music while recovering from mononucleosis, Nicks worked a variety of jobs,

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Born Florence Annie Bridgwood in Hamilton, Ontario, she was youngest of three children of George Bridgwood, an English-born carriage builder and Charlotte "Lotta" Bridgwood (nee Dunn), a vaudeville actress. Charlotte Bridgwood had emigrated to Canada from Ireland after the Great Famine with her family as a child. She was known professionally as Lotta Lawrence and was the leading lady and director of the Lawrence Dramatic Company. At the age of three, Lawrence made her debut onstage with her mother in a song and dance routine.
Finding themselves "at liberty," Lawrence and Solter in 1909 were able to join the Independent Moving Pictures Company of America (IMP). The company, founded by Carl Laemmle, the owner of a film exchange (who later absorbed IMP into Universal Pictures, which he also founded and also the president), was looking for experienced filmmakers and actors. Needing a star, he lured Lawrence away from Biograph by promising to give her a marquee. First, Laemmle organized a publicity stunt by starting a rumor that Lawrence had been killed by a street car in New York City. Then, after gaining much media attention, he placed ads in the newspapers that announced, "We nail a lie", and included a photo of Lawrence. The ad declared she is alive and well and making The Broken Oath, a new movie for his IMP Film Company to be directed by Solter. Laemmle had Lawrence make a personal appearance in St. Louis, Missouri in March 1910 with her leading man to show her fans that she was very much alive, making her one of the first performers not already famous in another medium to be identified by name by her studio. Laemmle generated attention by falsely claiming that Lawrence's St. Louis fans were so excited to learn that she had not died that they rushed her in a frenzy and tore her clothes off. Partially due to Laemmle's ingenuity, the "star system" was born and before long, Florence Lawrence became a household name. However, her fame also proved that the studio executives who had concerns over wage demands soon had their fears proved correct. Laemmle managed to lure William Ranous, one of Vitagraph's best directors, over to IMP. Ranous introduced Laemmle to Lawrence and Solter, and they began to work together. Lawrence and Solter worked for IMP for eleven months, making fifty films. After this, they went on vacation in Europe. When they returned to the United States, they joined a film company headed by Siegmund Lubin, described as the "wisest and most democratic film producer in history". She once again teamed with Arthur Johnson, and the pair made 48 films together under Lubin's direction. At the time, the film industry was controlled by the Motion Picture Patents Company (MPPC), a trust formed by the major film companies. IMP was not a member of the MPPC, and hence operated outside its distribution system. Theaters found showing IMP films lost the right to screen MPPC films. IMP, therefore, had powerful enemies in the film industry. It managed to survive largely due to Lawrence's popularity.
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When they returned to the United States, they joined a film company headed by Siegmund Lubin,