Problem: Dimitri Zinovievich Tiomkin (May 10, 1894 - November 11, 1979) was a Russian-born American film composer and conductor. Classically trained in St. Petersburg, Russia before the Bolshevik Revolution, he moved to Berlin and then New York City after the Russian Revolution. In 1929, after the stock market crash, he moved to Hollywood, where he became best known for his scores for Western films, including Duel in the Sun, Red River, High Noon, The Big Sky, Gunfight at the O.K. Corral, and Last Train from Gun Hill. Tiomkin received twenty-two Academy Award nominations and won four Oscars, three for Best Original Score for High Noon, The High and the Mighty, and The Old Man and the Sea, and one for Best Original Song for "The Ballad of High Noon" from the former film.

Tiomkin received his first break from Columbia director Frank Capra, who picked him to write and perform the score for Lost Horizon (1937). The film gained significant recognition for Tiomkin in Hollywood. It was released the same year that he became a naturalized U.S. citizen. In his autobiography, Please Don't Hate Me! (1959), Tiomkin recalls how the assignment by Capra forced him to first confront a director in a matter of music style: [H]e gave me the job without reservation. I could write the score without interference, and he would hear it when it was done. Lost Horizon offered me a superb chance to do something big... I thought I might be going a little too far in the matter of expense, and went to Frank one day as he sat in the projection room [and explained the score.]... He looked shocked. "No, Dimi, the lama is a simple man. His greatness is in being simple. For his death the music should be simple, nothing more than the muttering rhythm of a drum." "But Frank, death of lama is not ending one man, but is death of idea. Is tragedy applying to whole human race. I must be honest. Music should rise high, high. Should give symbolism of immense loss. Please don't hate me." He worked on other Capra films during the following decade, including the comedy You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Meet John Doe (1941), and It's a Wonderful Life (1946). During World War II, he continued his close collaboration with Capra by composing scores for his Why We Fight series. These seven films were commissioned by the U.S. government to show American soldiers the reason for United States participation in the war. They were later released to the general U.S. public to generate support for American involvement. Tiomkin credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style based on subject matter and story.

Was there anything unusual about the scores he wrote for Capra's films?

Answer with quotes: credited Capra for broadening his musical horizons by shifting them away from a purely Eurocentric and romantic style to a more American style

Background: Sanders was born on September 8, 1941, in Brooklyn, New York City. His father, Elias Ben Yehuda Sanders, was born on September 14, 1904, in Slopnice, Poland (then the Austro-Hungarian province of Galicia), to a Jewish family; in 1921, the 17-year-old Elias immigrated to the United States, where he became a paint salesman. His mother, Dorothy "Dora" Sanders (nee Glassberg), was born in New York City on October 2, 1912, to Jewish immigrant parents from Poland and Russia. Sanders became interested in politics at an early age: "A guy named Adolf Hitler won an election in 1932.
Context: Sanders was a consistent critic of the Patriot Act. As a member of Congress, he voted against the original Patriot Act legislation. After its 357-to-66 passage in the House, Sanders sponsored and voted for several subsequent amendments and acts attempting to curtail its effects, and voted against each re-authorization. In June 2005, Sanders proposed an amendment to limit Patriot Act provisions that allow the government to obtain individuals' library and book-buying records. The amendment passed the House by a bipartisan majority, but was removed on November 4 of that year in House-Senate negotiations and never became law. In March 2006, after a series of resolutions passed in various Vermont towns calling for him to bring articles of impeachment against George W. Bush, Sanders stated that it would be "impractical to talk about impeachment" with Republicans in control of the House and Senate. Still, Sanders made no secret of his opposition to the Bush Administration, which he regularly criticized for its cuts to social programs. Sanders was a vocal critic of Federal Reserve Chair Alan Greenspan; in June 2003, during a question-and-answer discussion with the then-Chairman, Sanders told Greenspan that he was concerned that Greenspan was "way out of touch" and "that you see your major function in your position as the need to represent the wealthy and large corporations". In October 2008, after Sanders had been elected to the Senate, Greenspan admitted to Congress that his economic ideology regarding risky mortgage loans was flawed. In 1998, Sanders voted and advocated against rolling back the Glass-Steagall Legislation provisions that kept investment banks and commercial banks separate entities.
Question: what did he accomplish?
Answer: he voted against the original Patriot Act legislation.

Question:
Jumbo (about Christmas 1860 - September 15, 1885), also known as Jumbo the Elephant and Jumbo the Circus Elephant, was a 19th-century male African bush elephant born in Sudan. Jumbo was exported to Jardin des Plantes, a zoo in Paris and then transferred in 1865 to London Zoo in England. Despite public protest, Jumbo was sold to P. T. Barnum, who took him to the United States for exhibition in March 1882. The giant elephant's name has spawned the common word, "jumbo", meaning large in size.
Jumbo died at a railway classification yard in Canada at St. Thomas, Ontario on September 15, 1885. In those days the circus crisscrossed North America by train. St. Thomas was the perfect place for a circus because many rail lines converged in St. Thomas in that day. Jumbo and the other animals had finished their performances for the night and, as they were being led to their box car, a train came roaring down the track. Jumbo was hit and mortally wounded, dying within minutes. Barnum told the story that Tom Thumb, a young circus elephant was walking on the railroad tracks and Jumbo was attempting to lead him to safety. Barnum claimed that the locomotive hit and killed Tom Thumb before it derailed and hit Jumbo. However, other witnesses did not support Barnum's account. According to newspapers, the freight train hit Jumbo directly, killing him, while Tom Thumb suffered a broken leg. Many metallic objects were found in the elephant's stomach, including English pennies, keys, rivets, and a police whistle. Ever the showman, Barnum had portions of his star attraction separated, in order to have multiple sites attracting curious spectators. After touring with Barnum's circus, the skeleton was donated to the American Museum of Natural History in New York City, where it remains. The elephant's heart was sold to Cornell University. Jumbo's hide was stuffed by William J. Critchley and Carl Akeley, both of Ward's Natural Science, who stretched it during the mounting process; the mounted specimen traveled with Barnum's circus for two years. Barnum eventually donated the stuffed Jumbo to Tufts University, where it was displayed at P.T. Barnum Hall there for many years. The hide was destroyed in a fire in April 1975. Ashes from that fire, which are believed to contain the elephant's remains, are kept in a 14-ounce Peter Pan Crunchy Peanut Butter jar in the office of the Tufts athletic director, while his taxidermied tail, removed during earlier renovations, resides in the holdings of the Tufts Digital Collections and Archives.
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When did this happen?

Answer:
Jumbo died at a railway classification yard in Canada at St. Thomas, Ontario on September 15, 1885.