Fishing rods hold different stats while some require a higher tier for you to use them. You can buy fishing rods from Anglers Anonymous Merchants such as Ken in Navea (X: 274, Y: 404) or Alyssa in Ventos (X: 468, Y: 202). Only basic rods are available for purchase. You can find advanced rods in crates you can receive while fishing. You can get basic fishing equipment for free by completing Fishing Quests. Different fish require different types of bait. Each fish drops different items, such as fishing equipment and even rare costumes. You can buy bait from Anglers Anonymous Merchants. You can see which type of bait you need for the fish you want by looking at the fish's description. White bait costs 18 silver. You will be able to catch White and Blue fish with White bait. Blue bait costs 35 silver. You will be able to catch Green fish with the correct Blue Bait. Green bait costs 67 silver. You will be able to catch Orange fish with the correct Green Bait. Orange bait can only be found or received as a quest reward. By doing your daily fish quests, you may receive orange bait as reward. If you have enough tokens, you can buy the bait from the fish merchant for 50 tokens, or you can simply fish for orange fish. They sometimes give orange baits as drop. Doing fishing quests will also reward you with rare baits. This is optional for lower-level fishing, but is absolutely essential when going after the bigger fish. There are a variety of different styles and Tiers of fishing equipment, and they all provide bonuses to fishing specific types of fish. Fishing equipment also increases your gear's durability, line strength, reeling speed, rod strength, and decreases the stamina of prey.

Summary: Get a fishing rod. Choose your bait. Wear fishing equipment.

Load up a new playlist and listen to some music. You can either just sit and listen to the music, or you can play the music in the background to accompany you while you do another task. New music is considered enjoyable and makes time seem to speed up. Turning on the TV can help you stop thinking so closely about the time. Allow yourself to become absorbed in the storyline of a TV show. Binge-watching an entire season of a TV series is a great way to pass the time. You can watch episode after episode through a service like Netflix or Hulu; if the show is good, you'll get more invested in the storyline and time will fly by. Video games offer compelling narratives that can suck you into their worlds. If you are playing a massively multiplayer online (MMO) game, you will interact with others online, taking your attention away from clock-watching. Find a good, juicy story or revisit an old favorite novel. It helps if the book is not too difficult to read; if you have to process a lot of what you're reading or constantly look up vocabulary, then you might lose your momentum to get lost in the story. Choose a movie with lots of action or comedy. A fast-paced plot with good acting and an easy-to-follow storyline will help the time feel like it's going more quickly. If the movie has a sequel, move on to that movie to keep passing the time. A slow-paced drama might feel like it's dragging, especially if you're already conscious of how slowly time is passing. Dive into a project with multiple parts. This will engage your attention with various steps and instructions. A good project could be working on a model, painting a picture or building some shelves for your living room.

Summary: Listen to music. Watch TV. Play a video game. Read a book. Watch a movie. Work on a big project.

When you're directing you're going to need to know the different kinds of shots and camera angles and camera movements so that you know how to shoot each scene and what you're trying to get from each scene. Different angles and types of shots change the feel of a scene. Framing (or shot length): extreme long shot (usually an establishing shot, from as much as a quarter mile away), long shot (this is a "life size" shot that corresponds with the distance between audience and screen in a cinema; it focuses on the characters and the background images), medium shot (this is usually used for dialogue scenes or a close-up on a certain action and usually contains 2 to 3 characters from the waist up), close up (this shot concentrates on a face or object with the background as a blur, usually used to get into the mind of a character), extreme close up (usually focuses on one specific detail like a mouth or eyes, usually used for some sort of dramatic effect). Camera angle designates the relationship between the camera and whatever is being shot and gives emotional information to the audience about the object or character in the shot. Bird's eye view (shows a scene from directly overhead, putting the audience in a god-like position, as well as making normal things unrecognizable), high angle (this has the camera above the action using a crane and gives a sort of overview of what's going on), eye level (this is a more neutral angle with the camera acting as another human observing the scene), low angle (tends to make the audience feel a sense of powerlessness, or confusion and as it is looking up at an object it can inspire fear or disorientation), oblique/canted angle (used in lots of horror films, this shot inspires a sense of imbalance, transition, and instability). Camera movements make the action seem slower rather than the quick cuts, but it can also have a more "realistic" effect. Pans (scans a scene horizontally), tilts (scans a scene vertically), dolly shots (also known as tracking/trucking shots, where the camera follows the action on a moving vehicle of some sort), hand-held shots (the Steadicam camera makes it so the handheld shots are less jerky, while still instilling a sense of immediacy and realism), crane shots (this is more or less a dolly shot in the air), zoom lenses (this changes the magnification of the image, changing the position of the audience either slowly or quickly), aerial shot (a shot similar to the crane shot, but taken from a helicopter and usually used as an establishing shot at the beginning of the movie). This is basically when the crew comes in to set up everything. If you have an assistant director, it isn't really necessary that you be there, but it's a good idea to show anyway. You can start thinking about the shots for the day and considering how best to do them and whether you need to change anything. Before you start shooting the shot and while your tech team is setting up the equipment, run the actors through the shot and figure out what they're going to be doing in relation to the camera (where they'll be standing, what type of shots you'll be using, how they're going to say their lines). Experiment with the viewfinder to test how the different shots are going to look. At this point you might want to change and redefine some of your scenes and shots to get the best possible scene. For each shot you'll need to know the focal length, the camera placement, the actors' marks (where they need to stand, etc), which lenses to use and the movement of the camera. You'll set up the shot, using all these different considerations, with your cinematographer. Now depending on the type of director you are and the type of cinematographer you have (maybe you're the one making the deciding on the shots) you'll need to give more or less direction. Discuss with them the lighting and the camerawork until the shot is ready to be taken. The filming doesn't take that long and it's usually a short scene that's being shot. You run through the scene, using the camera movement, and placement, etc. that you'd already covered with your cinematographer. When you call cut you're ready to move on to looking over the take to see how it went. Reviewing the take on the video monitor right away lets you consider how to make the scene better, how close the scene comes to your original idea. Then you'll repeat the scene until it holds up to your scrutiny. This is very different from reviewing takes in the editing room later on. There you have the time, clarity, and perspective to see every single thing you could have done to make that scene better.
Summary: Know the different types of shots and camera angles. Come in at call time. Rehearse the shot. Set up the shot. Film the shot. Review the take.