input question: Select the correct sentiment of the following review: In an alternate 1950s, where an outbreak of the undead (caused by a mysterious 'space-dust') has been contained through the use of special electronic collars, a young loner, Timmy, finds a friend in Fido (Billy Connelly), his family's recently acquired domesticated zombie.

Fido quickly becomes a surrogate father to Timmy, whose real dad is unable to adequately express his love for his son (or for his hot-to-trot wife, played by the gorgeous Carrie-Anne Moss) having been psychologically scarred as a child (when he was forced to shoot his own father, who tried to eat him!).

Timmy runs into a spot of bother, however, when his putrid pal's collar goes on the blink, and he attacks and kills an elderly neighbour. With the authorities on Fido's trail, trouble brewing with a pair of local bullies, and his mother forming a bond with their undead house-help, will Timmy be able to hold on to his new found friend?

A refreshing take on the whole zombie schtick, Fido is a thoroughly entertaining, deliciously dark comedy that should appeal to anyone with a slightly twisted sense of humour. Taking the Romero zombie-verse and transplanting it into 1950s small town America is a stroke of genius, and the result is simply one of the most original films to tackle the whole 'reanimated dead' theme that I have seen.

Connelly's Fido is a cinematic zombie worthy of inclusion in the Undead Movie Hall of Fame, along with Day Of The Dead's Bub, and Return Of The Living Dead's Tarman; it is not often I feel empathy for a walking corpse, but The Big Yin's performance is so fine that I actually found myself rooting for the big blue bag of pus! The rest of the cast also give commendable performances, with young K'Sun Ray (as Timmy) and Ms.Moss deserving special mentionsRay, because, for one so young, he puts in a particularly assured turn, and Moss because she is so bloody yummy!

This is the third zombie film that I have watched this week (the others being the somewhat disappointing Planet Terror and the rather fun Flight Of The Living Dead), and, to my surprise, it is also the best. Director Andrew Currie has given fans of the genre something truly original to treasure and is a talent to be watched in the future.

8.5 out of 10, rounded up to 9 for IMDb.
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output answer: positive

input question: Select the correct sentiment of the following review: Clara Lago is wonderful as the title character of the film, essentially a film about a Spanish/American girl who moves to Spain with her mom at the time of the Spanish Civil War. It turns out, the mother goes home to die, and she is left with her grandfather. She also makes friends and experiences much in a short time. Tomiche (Juan Jose Ballestra) is at first a nuisance to her then they become close. The film is shot beautifully, bathed in soft colors mostly. Carol yearns for her dad, who is a pilot in the war, and you can feel the love sher has for him. While the war itself is kind of taken a back seat in this film, it envelops the character's lives. I think you'll like it. See it especially for Clara Lago, who does a great job as Carol. She is definitely one to watch.
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output answer: positive

input question: Select the correct sentiment of the following review: There's a good movie lurking here, but this isn't it. The basic idea is good: to explore the moral issues that would face a group of young survivors of the apocalypse. But the logic is so muddled that it's impossible to get involved.

For example, our four heroes are (understandably) paranoid about catching the mysterious airborne contagion that's wiped out virtually all of mankind. Yet they wear surgical masks some times, not others. Some times they're fanatical about wiping down with bleach any area touched by an infected person. Other times, they seem completely unconcerned.

Worse, after apparently surviving some weeks or months in this new kill-or-be-killed world, these people constantly behave like total newbs. They don't bother accumulating proper equipment, or food. They're forever running out of fuel in the middle of nowhere. They don't take elementary precautions when meeting strangers. And after wading through the rotting corpses of the entire human race, they're as squeamish as sheltered debutantes. You have to constantly wonder how they could have survived this long... and even if they did, why anyone would want to make a movie about them.

So when these dweebs stop to agonize over the moral dimensions of their actions, it's impossible to take their soul-searching seriously. Their actions would first have to make some kind of minimal sense.

On top of all this, we must contend with the dubious acting abilities of Chris Pine. His portrayal of an arrogant young James T Kirk might have seemed shrewd, when viewed in isolation. But in Carriers he plays on exactly that same note: arrogant and boneheaded. It's impossible not to suspect that this constitutes his entire dramatic range.

On the positive side, the film *looks* excellent. It's got an over-sharp, saturated look that really suits the southwestern US locale. But that can't save the truly feeble writing nor the paper-thin (and annoying) characters. Even if you're a fan of the end-of-the-world genre, you should save yourself the agony of watching Carriers.
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output answer:
negative