In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.
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Question: Question: What was the first article that Khariton Chebotaryov wrote for the Moskovskie Vedomosti? Passage:Khariton Chebotaryov was born in Vologda into a poor family. In 1755, he entered a gymnasium under the Moscow University, becoming a university student six years later. Upon his graduation from the university in 1764, Chebotaryov was soon hired by his alma mater as a translator from Latin and German. In 1767, he was transferred to the gymnasium as a teacher of history and geography. In 1773, Khariton Chebotaryov was entrusted with teaching Russian literature, simultaneously doing translations from Latin, German, and French with his students. In 1775, he was appointed deputy librarian (-) of the university library (only a professor could hold this post) and editor-in-chief of the Moskovskie Vedomosti for the next three years. In 1776, Khariton Chebotaryov became an extraordinary professor at the Russian Literature Department, simultaneously remaining a philosophy and world history teacher at the gymnasium. Upon the death of Professor Johann Gottfried Reichel, Chebotaryov delivered lectures on European history and Russian literature at the gymnasium. In 1778, Khariton Chebotaryov was made an ordinary professor and appointed librarian and censor at the university theater. In 1778-1783, he was a secretary of the academic council ( ), inspector of the university gymnasium and normal school. In 1782, Khariton Chebotaryov was promoted to the rank of a collegiate assessor and then court councilor (1786). At the behest of the Empress, he and Anton Barsov were engaged in copying out notes from Russian chronicles, located at synodal and patriarchal libraries and Moscow State Archive. These notes were later presented to Catherine the Great and then served as a source for her Notes on Russian History. In consideration of his efforts, Khariton Chebotaryov was rewarded with 500 silver rubles. After the transformation of the university charter, Chebotaryov was elected its rector (being in the rank of collegiate councilor) and awarded with the Order of Saint Anna (2nd Class). Upon his resignation from this post, Chebotaryov was appointed a permanent representative of the university board, remaining as such until his death. In 1809, Khariton Chebotaryov was promoted to the rank of state councilor. During the Patriotic War of 1812, he lost his precious library and personal archives, which would come to him as a shock and greatly undermine his health. As a result, Chebotaryov suffered a stroke and died on July 26, 1815. He was interred at the Vagankovo Cemetery in Moscow.

Answer: a

Question: Question: Did Potter attend school in the same county? Passage:Potter was born in Bedford to Reverend Brignal Peel, a Wesleyan minister, and Elizabeth Stimson. He was educated at Bedford Modern School and for a time at Worcester College, Oxford. He first performed in E. M. Royle's The White Man at the Lyric Theatre in London before touring. In 1915 he was George Robey's understudy at the Alhambra. During the Great War Potter served as a 2nd lieutenant in the Royal Field Artillery in France. He served in the 6th Division 2nd Brigade 21st Battery, from 8 February 1917 before returning to music hall once the war was over. Potter cultivated an individual style and persona, wearing a straw boater, wide grey flannel trousers (he said he invented the Oxford bags style at the Coliseum in 1920), an 'Old Borstolian' blazer and carrying a notebook with a rolled umbrella. James Agate described him as "that sham Harrovian who bears upon his blazer the broad arrows of a blameful life".

Answer: b

Question: Question: Who was the producer of Junoon's third album? Passage:Pioneers of Sufi rock with an original sound, they achieved success during the early 1990s. Its members were signed to major record label EMI Records and afterwards released their self-titled debut album Junoon in 1991. After two years, the band recorded their second album Talaash (1993) with their new bassist Brian O'Connell after Nusrat Hussain left the band. The release of their second album began to create a cult following for the band. In 1996, Junoon released their third album Inquilaab, and it was only then that Junoon developed a nationwide fan following, with blending rock guitars and bluesy vocals with Eastern elements like the use of tablas, raga-inspired melodies, traditional Pakistani folk music, and Eastern-inspired poetry. The following year, the band recorded the critically acclaimed Azadi (1997), being the band's first international record deal, and making it Junoon's debut album in neighbouring India. The band went on to record and release Parvaaz in 1999. The band found renewed success and popularity starting with 2001's Andaz and through 2003's Dewaar and their supporting tours. Junoon celebrated their 25th anniversary by releasing their eighth studio album titled Door in 2016.

Answer:
b