Answer the question at the end by quoting:

Marie Charlotte Carmichael Stopes (15 October 1880 - 2 October 1958) was a British author, palaeobotanist and campaigner for eugenics and women's rights. She made significant contributions to plant palaeontology and coal classification, and was the first female academic on the faculty of the University of Manchester. With her second husband, Humphrey Verdon Roe, Stopes founded the first birth control clinic in Britain. Stopes edited the newsletter Birth Control News, which gave explicit practical advice.
During Stopes's time at Manchester, she studied coal and coal balls and researched the collection of Glossopteris (Permian seed ferns). This was an attempt to prove the theory of Eduard Suess concerning the existence of Gondwana or Pangaea. A chance meeting with Antarctic explorer Robert Falcon Scott during one of his fund-raising lectures in 1904 brought a possibility of proving Suess's theory. Stopes's passion to prove Suess's theory led her to discuss the possibility of joining Scott's next expedition to Antarctica. She did not join the expedition, but Scott promised to bring back samples of fossils to provide evidence for the theory. Scott died during the 1912 Terra Nova Expedition, but fossils of plants from the Queen Maud Mountains found near Scott's and his companions' bodies provided this evidence. In 1907, Stopes went to Japan on a scientific mission. She spent eighteen months at the Imperial University, Tokyo and explored coal mines on Hokkaido for fossilised plants. She published her Japanese experiences as a diary, called "Journal from Japan: a daily record of life as seen by a scientist", in 1910. In 1910, the Geological Survey of Canada commissioned Stopes to determine the age of the Fern Ledges, a geological structure at Saint John, New Brunswick. It is part of the Early Pennsylvanian epoch Lancaster Formation. Canadian scholars were divided between dating it to the Devonian period or to the Pennsylvanian/Upper Carboniferous period. Stopes arrived in North America before Christmas to start her research. On 29 December, she met the Canadian researcher Reginald Ruggles Gates in St. Louis, Missouri; they became engaged two days later. Starting her work on the Fern Ledges in earnest in February 1911, she did geological field work and researched at geological collections in museums, and shipped specimens to England for further investigation. The couple married in March and returned to England on 1 April that year. Stopes continued her research. In mid-1912 she delivered her results, finding for the Pennsylvanian period of the Carboniferous. The Government of Canada published her results in 1914. Later the same year, her marriage to Gates was annulled.[1] During the First World War, Stopes was engaged in studies of coal for the British government, which culminated in the writing of "Monograph on the constitution of coal" with R.V. Wheeler in 1918. The success of Stopes' work on marriage issues and birth control led her to reduce her scholarly work; her last scientific publications were in 1935. According to W. G. Chaloner (2005), "between 1903 and 1935 she published a series of palaeobotanical papers that placed her among the leading half-dozen British palaeobotanists of her time". Stopes made major contributions to knowledge of the earliest angiosperms, the formation of coal balls and the nature of coal macerals. The classification scheme and terminology she devised for coal are still being used. Stopes also wrote a popular book on palaeobotany, "Ancient Plants" (1910; Blackie, London), in what was called a successful pioneering effort to introduce the subject to non-scientists.

Did she win any prizes for her scientific research ?

IN: Namdev, also transliterated as Namdeo and Namadeva, (traditionally, c. 1270 - c. 1350) was a poet-saint from Maharashtra, India who is significant to the Varkari sect of Hinduism. He is also venerated in Sikhism, as well as Hindu warrior-ascetic traditions such as the Dadupanthis and the Niranjani Sampraday that emerged in north India during the Islamic rule. The details of Namdev's life are unclear. He is the subject of many miracle-filled hagiographies composed centuries after he died.

Namdev's padas are not mere poems, according to Callewaert and Lath. Like other Bhakti movement sants, Namdev composed bhajans, that is songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared". Namdev's songs were composed to be melodious and carry a spiritual message. They built on one among the many ancient Indian traditions for making music and singing. Namdev's bhajans, note Callewaert and Lath, deployed particular species of Raag, used Bhanita (or Chhap, a stamp of the composer's name inside the poem, in his case Nama), applied a Tek (or dhruva, repeated refrain) and a meter than helps harmonise the wording with the musical instrument, all according to Sangita manuals refined from the 8th to 13th centuries. The musical genre of Namdev's literary works was a form of Prabandha - itself a very large and rich genre that includes dhrupad, thumri, tappa, geet, bhajan and other species. In some species of Indian music, it is the music that dominates while words and their meaning are secondary. In contrast, in Namdev's bhajan the spiritual message in the words has a central role, and the structure resonates with the singing and music. The songs and music that went with Namdev's works, were usually transmitted verbally across generations, in a guru-sisya-parampara (teacher-student tradition), within singing gharanas (family-like musical units). Callewaert and Lath state that, "each single song of Namdev is a musical and textual unit and this unit is the basis for textual considerations". The unit contained Antaras, which are the smallest independent unit within that can be shifted around, dropped or added, without affecting the harmony or meaning, when a bhajan is being sung with music. In Namdev's songs, the dominant pattern is Caturasra, or an avarta with the 4x4 square pattern of musical matras (beat).

What is Bhajans?

OUT:
songs meant to be sung to music. A Bhajan literally means "a thing enjoyed or shared".