Problem: The following article contains an answer for the question: What is the full name of the critic that did not like the album of rerecorded hits? , can you please find it? The concert and recordings were positively received by music critics. Stephen Holden praised the performance in The New York Times the day after the concert; he subsequently praised the live album in Rolling Stone magazine. He wrote that Simon and Garfunkel were successful in reviving their sound, that the backing band was "one of the finest groups of musicians ever to play together at a New York rock concert", and the rearrangements of Simon's solo material were improvements over the originals. Despite the risks in performing so many acoustic ballads in an open-air concert on a cool night, the songs "were beautifully articulated, in near-perfect harmony."An October 1981 review in Rolling Stone called the concert "one of the finest performances of [1981]", one that "vividly recaptured another time, an era when well-crafted, melodic pop bore meanings that stretched beyond the musical sphere and into the realms of culture and politics." This reviewer noted that Garfunkel's voice was noticeably restrained in high passages, though still harmonious, and that the evening's only weak spot was the "Kodachrome"/"Maybellene" medley, because neither singer could raise the right level of emotion for the rock songs. A Billboard reviewer wrote in March 1982, "This 19 song, two record set gloriously recaptures the past with sterling renditions of most of the duo's classics as well as a few of Simon's solo compositions filled out by Garfunkel's harmony." However, Robert Christgau of The Village Voice dismissed the album as "a corporate boondogglea classy way for Warner Bros. artist Simon to rerecord, rerelease, and resell the catalogue CBS is sitting on." He felt Simon had been better off without Garfunkel since 1971 and quipped, "live doubles are live doubles, nostalgia is nostalgia, wimps are wimps, and who needs any of 'em?"

A: Robert Christgau
Problem: Given the question: The following article contains an answer for the question: What is the name of the garden that became a permanent landmark after it closed? , can you please find it? The gardens were to be centered in the north with an Italian terraced garden and were largely completed when Eberhard Louis turned his attention to the south garden. There he laid out a large symmetrical French garden. Charles Eugene filled in the terraces in 1749 to replace them with a large broderie. He then reorganized and expanded the south garden over the next decade. Frederick I again reorganized the south garden in 1797 in a Neoclassical style and Mediterranean theme. He retained the original pathways, but added a canal and fountain to the garden's center. The south garden was divided into four equally sized lawns, with hillocks in their center topped with a large vase crafted by Antonio Isopi. Frederick also expanded the garden east to form an English landscape garden (Lower east) and demolished Charles Eugene's opera house to form a medieval-themed landscape garden (Upper east). Two additional gardens, for Frederick and Charlotte, were laid out adjacent to their palace suites. Also in the fantasy garden is the Emichsburg, a folly built from 1798 to 1802 and named after the fabled ancestor of the House of Wurttemberg, a knight of the House of Hohenstaufen. William I abandoned Ludwigsburg for Rosenstein Palace in Stuttgart and opened the south garden to the public in 1828. The canal was filled in and an orchard planted on the southern lawns, later used to grow potatoes. In 1947, Albert Schochle, Director of the State Parks and Gardens Authority, was charged with maintaining the gardens. After visiting the 1951 Bundesgartenschau in Hanover, he decided to restore the gardens. Schochle convinced Baden-Wurttemberg's Minister of Finance Karl Frank to help fund the venture in 1952 on the condition that the town of Ludwigsburg also assisted. Ludwigsburg's mayor, Elmar Doch, and the town council agreed to this stipulation. Frank approved the start of work on 23 March 1953, but it lasted late into the year. The restoration of the garden required the moving of 100,000 cubic meters (3,531,467 cu ft) of earth by...
++++++++++++++++++++++++++++++++
The answer is:
The Blooming Baroque
[Q]: The following article contains an answer for the question: What is the full name of the person whose love is not reciprocated? , can you please find it? A suicidal woman, Lillian Belton, unsuccessfully attempts suicide by taking pills, and she is referred to a psychiatrist for therapy. While at the psychiatrist, Lillian attempts suicide again by trying to jump out the window, and she is only stopped by the psychiatrist, Dr. Mary White. Dr. White learns that Lillian's troubles are connected to Jack Kerry, (Louis Hayward) who she contacted just prior to her attempt with the psychiatrist. Lillian loves Jack, but he is an alcoholic and does not love Lillian the way she loves him. Dr. White contacts Jack, and persuades him to seek treatment for his alcoholism. As Jack completes his treatment, he falls in love with Dr. White, but the Dr. reminds Jack of Lillian's need for him, and Jack and Lillian marry. Lillian's physician, Dr. Gordon Phillips, is also in love with Dr. White, but cannot convince her to leave her patients and her practice. Dr. White encounters Lillian and Jack at a costume ball, and Jack manages to get a dance with Dr. White, as a suspicious Lillian looks on. Jack confesses his love for Dr. White, but she again reminds him of his marriage and commitment to Lillian. An enraged Lillian creates a scene with Dr, White, who uses this experience as a parallel of her and Dr. Phillips' relationship.
****
[A]:
Lillian Belton