Build a movie plot around this: Where did they talk about artwork? The hotel room.
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Answer: Alba (Elena Anaya), a 30-something Spanish tourist in Rome, brings a younger Russian woman Natasha (Natasha Yarovenko) to her hotel room during their last night of vacation in Rome. The details of how they met in a club are left vague. Natasha is at first quite reluctant, insisting she's straight, but the clearly more experienced Alba handles deftly around Natasha's hesitance. Flattered and tempted by Alba, Natasha responds to her sexual advances, but continues to maintain that she is straight and has never had sex with a woman. Alba counters by claiming that she is a lesbian and has never had sex with a man.Alba and Natasha first get undressed and into bed, but Natasha is still very nervous. Alba suggests that they first lay side by side and only casually touch each other's faces. They do so until Alba becomes so relaxed that she falls asleep. Natasha quietly gets out of bed, gets dressed and leaves the room, wondering what would have happened if she stayed and consummated her curiosity and attraction to Alba. In her rush to leave, Natasha leaves her cell phone behind, and the ring-tone wakes up Alba. Natasha soon returns and asks Alba for her cell phone, but is reluctant to enter the room again. When a passing night-shift waiter named Max passes by, Alba grabs Natasha and takes her back into the room. While talking about the location of Natasha's hotel and looking at an old map of Rome from the 1st century, Alba continues to flirt with Natasha with her naked body. Natasha soon succumbs to her attraction and curiosity towards Alba, leading her to quickly get undressed once again and into bed where she and Alba have sex for the first time.Over the next 10 hours, Alba and Natasha grow closer to each other as Natasha becomes more relaxed and comfortable around Alba with their lovemaking. Alba and Natasha share stories, periodically stopping to illustrate their points with pictures on the Internet, talk about the artwork in the hotel room, and explore each other's nude bodies through sex. Alba first tells a...

Build a movie plot around this: Of what are Mark's films studies? Fear
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Answer: Filmmaker and photographer Mark Lewis (Karl Heinz Bohm) spends days searching for just the right female models for his films which are studies of fear. He was raised by a psychologist father who used Mark as a subject for his own studies of fear and the exposure has left him marked psychologically so that he now is compelled to continue his search for women he murders for the camera as he films their reactions. Mark lives in the upper floors of his family house where he also has his photo lab and rents the downstairs to Helen Stephens (Anna Massey) and her blind mother Mrs. Stephens (Maxine Audley) whom he avoids until one day on Helen's birthday when the young nubile girl introduces herself to the photographer and they feel a connection. Mark trusts Helen enough to show her the films that his psychologist father took of him as a boy and the images disturb the girl but draws her closer to Mark. Mark's jobs as studio camera man for a film studio and cheesecake photographer for a local photo shop allows him easy access to women whom he murders while photographing to show their reactions to fear. When Helen accidentally sees some of his killing films she is appalled but wants to help Mark but the release of his secret is too much to bear as the police close in.

Build a movie plot around this: Why was An-Mei's mother disowned by her family? Dalliance
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Answer:
The film begins with June's short narrative prologue about the swan feather in the opening credits and then her farewell surprise party in San Francisco for June's upcoming reunion with her long-lost twin sisters in China.Among the guests are members of The Joy Luck Club, their daughters, other relatives, and friends. The characters narrate their journeys while they reflect upon their pasts.The Joy Luck Club was formed by four women; Lindo Jong (Tsai Chin), Ying-Ying St. Clair (France Nuyen), An-Mei Hsu (Lisa Lu), and Suyuan Woo (Kieu Chinh), in San Francisco. The members have mainly played mahjong and told each other's stories over the years. They immigrated from China, remarried, and gave birth to children in America. Suyuan's daughter June (Ming-Na Wen) replaced her in the mahjong group when Suyuan died four months before the time the film is set. The mothers have high hopes for their daughters' success, but the daughters struggled through "anxiet[ies,] feelings of inadequacy and failure[s]." The mothers and daughters grow to know each other better and bond by the telling and learning of each mothers past to understand each other and overcoming their conflicts.Lindo and WaverlyIn China, four-year-old Lindo (Ying Wu) is arranged, by her mother and the matchmaker, to be married to Huang Tai Tai's son when she grows up. When Lindo turns fifteen , her mother sends her to Huang Tai Tai, so Lindo marries Tai Tai's son, Tyan Hu, a pre-pubescent boy who has no interest in her. During four years of childless and loveless marriage, she is frequently abused by her frustrated mother-in-law, who believes Lindo's childlessness is her own fault. Lindo eavesdrops on the servant girl telling her lover that she is pregnant, so Lindo realizes her chance to leave the marriage without dishonor. Later, Lindo purportedly ruins her clothes and then claims that she had a nightmare in which Tyan Hu's ancestors threatened to punish her, Tyan Hu and the matchmaker. Then Lindo claims that the ancestors impregnated the servant girl...