Question: In the wake of the Republic's collapse, state religion had adapted to support the new regime of the emperors. Augustus, the first Roman emperor, justified the novelty of one-man rule with a vast program of religious revivalism and reform. Public vows formerly made for the security of the republic now were directed at the wellbeing of the emperor. So-called "emperor worship" expanded on a grand scale the traditional Roman veneration of the ancestral dead and of the Genius, the divine tutelary of every individual. Imperial cult became one of the major ways in which Rome advertised its presence in the provinces and cultivated shared cultural identity and loyalty throughout the Empire. Rejection of the state religion was tantamount to treason. This was the context for Rome's conflict with Christianity, which Romans variously regarded as a form of atheism and novel superstitio.
Is there an answer to this question: Who was the first Roman emperor?

Answer: Augustus

Question: While its fellow Canadian broadcasters converted most of their transmitters to digital by the Canadian digital television transition deadline of August 31, 2011, CBC converted only about half of the analogue transmitters in mandatory areas to digital (15 of 28 markets with CBC Television stations, and 14 of 28 markets with Television de Radio-Canada stations). Due to financial difficulties reported by the corporation, the corporation published digital transition plans for none of its analogue retransmitters in mandatory markets to be converted to digital by the deadline. Under this plan, communities that receive analogue signals by rebroadcast transmitters in mandatory markets would lose their over-the-air signals as of the deadline. Rebroadcast transmitters account for 23 of the 48 CBC and Radio-Canada transmitters in mandatory markets. Mandatory markets losing both CBC and Radio-Canada over-the-air signals include London, Ontario (metropolitan area population 457,000) and Saskatoon, Saskatchewan (metro area population 257,000). In both of those markets, the corporation's television transmitters are the only ones that were not planned to be converted to digital by the deadline.
Is there an answer to this question: Which two large metropolitan areas lost CBC and Radio-Canada broadcasts?

Answer: London, Ontario (metropolitan area population 457,000) and Saskatoon, Saskatchewan (metro area population 257,000)

Question: There are many innovative art galleries in the city. The Southampton City Art Gallery at the Civic Centre is one of the best known and as well as a nationally important Designated Collection, houses several permanent and travelling exhibitions. The Millais Gallery at Southampton Solent University, the John Hansard Gallery at Southampton University as well as smaller galleries including the Art House in Above Bar Street provide a different view. The city's Bargate is also an art gallery run by the arts organisation "a space". A space also run the Art Vaults project, which creatively uses several of Southampton's medieval vaults, halls and cellars as venues for contemporary art installations.
Is there an answer to this question: What art gallery is a part of Southampton Solent University?

Answer: The Millais Gallery

Question: Atkins, a former member of Cybotron, released Model 500 "No UFOs" in 1985, which became a regional hit, followed by dozens of tracks on Transmat, Metroplex and Fragile. One of the most unusual was "Strings of Life" by Derrick May, a darker, more intellectual strain of house. "Techno-Scratch" was released by the Knights Of The Turntable in 1984 which had a similar techno sound to Cybotron. The manager of the Factory nightclub and co-owner of the Hacienda, Tony Wilson, also promoted acid house culture on his weekly TV show. The Midlands also embraced the late 1980s house scene with illegal parties and more legal dance clubs such as The Hummingbird.
Is there an answer to this question: Who was the manager of the factory nightclub and co-owner of The Hummingbird?

Answer:
unanswerable