input question: Select the correct sentiment of the following review: Jon Voight plays a man named Joe. Joe is shook up by a haunting childhood. He has a strong fear and hatred of religion due to his traumatic baptism. He quits his job as a dishwasher and goes out to become a hustler for wealthy people. He meets a misfit named Ratso(Dustin Hoffman) and the two for a relationship. They go out and work together in helping each other out. They become thieves. The two grow remarkably close and soon can't live without each other. However, there is something very important that Ratso hasn't told Joe, and it could destroy any hope they have of surviving the city together. This is one of the greatest films ever made. It is a heartbreaking and shattering portrait of too very lonely men who have nothing to lose but each other. Their story is devastating to watch, but is ultimately important for people to see. It's one of those films where the characters are pretty much just like the seemingly crazy people you sometimes find on the street. The difference is that this film is from their perspective. Their lives are shown to us and it's devastating to see the pedestrians in this film treat them like dirt, especially if we at one time were one of those people. However, the film doesn't try to guilt trip you. Instead, it shows you the rough side of the lifestyle of hustling. It is not a pleasant and easygoing lifestyle like many Hollywood films portray it such as MILK MONEY and PRETTY WOMAN. The lifestyle of being a male hustler is a dirty, gritty, and ugly life and it's sad that people have degraded themselves like the character of Joe in this film does. What startles me the most about this film was that it came out in 1969, and it has stood the test of time perfectly. Today's audiences will still find great meaning in this film and will still love it and cherish it just as much as critics and audiences did everywhere in 1969. The film was rated X, but what I notice about this film is that the sexuality is portrayed in a much more honest, realistic, and effective way. Anybody who has had sex before will know how humorous, awkward, and scary as hell it can be and this film doesn't shy away from any of that. The sex in this film may not be as graphic as in once was thought to be. Movies that were X rated such as MIDNIGHT COWBOY, A CLOCKWORK ORANGE, GREETINGS, LAST TANGO IN Paris, and FRITZ THE CAT all seem remarkably tame compared to the shocking things that people can get away with an R rating today. The sex scenes in MIDNIGHT COWBOY will seem quite strong but they certainly aren't sexy. They are not graphic, but they are realistic, and that's what people should keep in mind when they view this film. The course language that is used in the film, particularly the word "fag" is used effectively and is not gratuitous. The violence is very shocking to watch even today, but again it is necessary to the plot to depict the world of a hustler. I'm really glad to see that MIDNIGHT COWBOY is not dated and is still just as affecting as it was in 1969, if not more. I can't recommend this classic enough and I do hope that it continues to find an audience because it really is a very special and unforgettable experience that will not soon be forgotten.

PROS:

-Jon Voight and Dustin Hoffman are both harrowing and amazing to watch. They have never played roles like this before or since and they are completely different from usual. You'll forget who is playing them within minutes!

-Beautiful score

-Not at all dated or campy like many films of that decade come off as today

-Fantastic and fast editing job

CONS:

-For mature audiences only

-The opening scenes are well done, but they could be just a little stronger.
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output answer: positive

input question: Select the correct sentiment of the following review: While it contains facts that are not widely reported, it is not exactly the truth. They took a lot of liberties in rearranging events, excluding people, and using sets that do not meet the facts of their lives in the 30's. There were more than just Bonnie, Clyde, and W.D. in the gang at various times, and those people had as much to do with the facts as those included. Buck and Blanche went to convince Clyde to go straight much earlier than the one shootout, and in fact got drawn back into crime. Some of the events that were portrayed in daylight actually took place at night. Bonnie's wound was much more severe and never healed right. It was so bad she had to be carried around by someone until it healed up, and even then it stiffened up so she walked stiffly. Clyde also walked with a limp because while in prison he cut off a big toe. I know, I'm being nit picky, and it was a TV movie, but even without these factual errors in this "TRUE" story, the movie moves too fast from event to event and comes across more as several separate snapshots of their lives, rather than being a cohesive flowing story.

I'd recommend reading a book or seeing a documentary if you want to get closer to the truth.
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output answer: negative

input question: Select the correct sentiment of the following review: "The Bourne Ultimatum" begins recklessly mid-chase and in pulse-pounding fashion explodes from there as Jason Bourne (Matt Damon, absolutely superb) tracks down the masterminds behind the CIA black-ops that turned him into the perfect killer in a final attempt to learn his true identity. A devastatingly icy David Strathairn as the "man behind the curtain" is added to the returning cast of regulars including Joan Allen (excellent) and Julia Stiles (non-existent).

Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.

With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
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output answer:
positive