Background: The son of a physician, Kunstler was born in New York City and attended DeWitt Clinton High School. He was educated at Yale College, graduating Phi Beta Kappa in 1941, and Columbia University Law School from which he graduated in 1948. While in school, Kunstler was an avid poet and represented Yale in the Glascock Prize competition at Mount Holyoke College. Kunstler served in the U.S. Army during World War II in the Pacific theater, attaining the rank of Major, and received the Bronze Star.
Context: Kunstler gained national renown for defending the Chicago Seven (originally Chicago Eight), in a five-month trial in 1969-1970, against charges of conspiring to incite riots in Chicago during the 1968 Democratic National Convention. Under cross-examination, Kunstler got a key police witness to contradict his previous testimony and admit that he had not witnessed Jerry Rubin, but had rather been given his name two weeks later by the FBI. Another prosecution witness, photographer Louis Salzberg, admitted under Kunstler's cross-examination that he was still on the payroll of the FBI. The trial was marked by frequent clashes between Kunstler and U.S. Attorney Thomas Foran, with Kunstler taking the opportunity to accuse the government of failing to "realize the extent of antiwar sentiment". Kunstler also sparred with Judge Julius Hoffman, on one occasion remarking (with respect to the number of federal marshals): "this courtroom has the appearance of an armed camp. I would note that the Supreme Court has ruled that the appearance of an armed camp is a reversible error". During one heated exchange, Kunstler informed Hoffman that his entry in Who's Who was three times longer than the judge's, to which the judge replied "I hope you get a better obituary". Kunstler and co-defense attorney Leonard Weinglass were cited for contempt (the convictions were later overturned unanimously by the Seventh Circuit). If Hoffman's contempt conviction had been allowed to stand, Kunstler would have been imprisoned for an unprecedented four years. The progress of the trial--which had many aspects of guerrilla theater--was covered on the nightly news and made Kunstler the best-known lawyer in the country, and something of a folk hero. After much deadlock, the jury acquitted all seven on the conspiracy charge, but convicted five of violating the anti-riot provisions of the Civil Rights Act of 1968. The Seventh Circuit overturned all the convictions on November 21, 1972 due to Hoffman's refusal to let defense lawyers question the prospective jurors on racial and cultural biases; the Justice Department did not retry the case.
Question: How did he respond to this press?
Answer: on one occasion remarking (with respect to the number of federal marshals): "this courtroom has the appearance of an armed camp.

Background: Bela Fleck and the Flecktones is an American band that combines jazz and bluegrass music. The band's name is a play on 1960s rock band Dick Dale and the Del-Tones. The Flecktones formed in 1988 when Bela Fleck was invited to perform on the PBS TV series The Lonesome Pine Specials. The original members were Fleck on banjo, Victor Wooten on bass guitar, his brother Roy Wooten on Drumitar, and Howard Levy on harmonica and keyboards.
Context: In April 1997, the Flecktones became a quartet again, as they added saxophone player Jeff Coffin to the mix. Coffin would remain in the band from 1997 until 2008. In June 1997, the Flecktones opened for The Dave Matthews Band. In July the Flecktones toured Europe and sat in on the second set of a Phish show in Lyon, France. This marked the second and final time that the Flecktones played with Phish. In June 1998, the Flecktones released their sixth album, and fifth studio album, Left of Cool. Left of Cool represents a switch from previous Flecktones albums, as the band, according to critic Terri Horak "jettisoned their self-imposed rule to only record what could be duplicated on live instruments." In July 2000, the Flecktones released their eighth album, Outbound. Outbound is another studio album, and again the Flecktones' philosophy with this album was to do something different from everything they had done before. What makes Outbound unique is the way in which the Flecktones recorded the album. The quartet recorded each track on the album, then invited guest musicians to overdub vocals or instrumentation. Outbound guests include: Jon Anderson from Yes, Shawn Colvin and John Medeski, of Medeski, Martin and Wood, to name a few. The album earned the Flecktones the Grammy for Best Contemporary Jazz Album that year. Live at the Quick, which was also released as a DVD, is the band's ninth album, and second live album. For fans of live Flecktones, this album, like Live Art, successfully captured the sound and feel of the Flecktones in concert. Little Worlds, the band's tenth album was released on August 12, 2003. Like previous Flecktones' albums, Little Worlds features a slew of musical guests, from Sam Bush on mandolin, Derek Trucks on guitar and even former New York Yankee and guitarist Bernie Williams works his way into a track. Little Worlds was released as a 3-CD album, but for the less committed listener, the band also released Ten From Little Worlds, which includes ten songs off of the original 3-CD Little Worlds. In February 2006, the band released their eleventh album, The Hidden Land. As with every Flecktones album, they needed to change something from their last album. For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said. 'Obviously, we loved playing with those musicians, but if you keep on doing it, you become a gathering point rather than a group with its own identity.'" For the Flecktones to keep moving forward, they felt their music had to get back to the roots of the quartet. After spending much of the year apart, the Flecktones came together in 2008 to release a holiday album, Jingle All the Way.
Question: What was particular of this album as well as past albums?
Answer:
For The Hidden Land, the Flecktones didn't want any guest musicians. "'The truth is, the last few records are not what we are,' Fleck said.