Problem: Background: George Benson (born March 22, 1943) is an American musician, guitarist, and singer-songwriter. He began his professional career at the age of 21 as a jazz guitarist. Benson uses a rest-stroke picking technique similar to that of gypsy jazz players such as Django Reinhardt. A former child prodigy, Benson first came to prominence in the 1960s, playing soul jazz with Jack McDuff and others.
Context: Benson was born and raised in the Hill District in Pittsburgh, Pennsylvania. At the age of seven, he first played the ukulele in a corner drug store, for which he was paid a few dollars. At the age of eight, he played guitar in an unlicensed nightclub on Friday and Saturday nights, but the police soon closed the club down. At the age of 9, he started to record. Out of the four sides he cut, two were released: "She Makes Me Mad" backed with "It Should Have Been Me", with RCA-Victor in New York; although one source indicates this record was released under the name "Little Georgie",while the 45rpm label is printed with the name George Benson.The single was produced by Leroy Kirkland for RCA's rhythm and blues label, Groove Records. As he has stated in an interview, Benson's introduction to showbusiness had an effect on his schooling. When this was discovered (tied with the failure of his single) his guitar was impounded. Luckily, after he spent time in a juvenile detention centre his stepfather made him a new guitar.* Benson attended and graduated from Schenley High School. As a youth he learned how to play straight-ahead instrumental jazz during a relationship performing for several years with organist Jack McDuff. One of his many early guitar heroes was country-jazz guitarist Hank Garland. At the age of 21, he recorded his first album as leader, The New Boss Guitar, featuring McDuff. Benson's next recording was It's Uptown with the George Benson Quartet, including Lonnie Smith on organ and Ronnie Cuber on baritone saxophone. Benson followed it up with The George Benson Cookbook, also with Lonnie Smith and Ronnie Cuber on baritone and drummer Marion Booker. Miles Davis employed Benson in the mid-1960s, featuring his guitar on "Paraphernalia" on his 1968 Columbia release, Miles in the Sky before going to Verve Records. Benson then signed with Creed Taylor's jazz label CTI Records, where he recorded several albums, with jazz heavyweights guesting, to some success, mainly in the jazz field. His 1974 release, Bad Benson, climbed to the top spot in the Billboard jazz chart, while the follow-ups, Good King Bad (#51 Pop album) and Benson and Farrell (with Joe Farrell), both reached the jazz top-three sellers. Benson also did a version of The Beatles's 1969 album Abbey Road called The Other Side of Abbey Road, also released in 1969, and a version of "White Rabbit", originally written and recorded by San Francisco rock group Great Society, and made famous by Jefferson Airplane. Benson played on numerous sessions for other CTI artists during this time, including Freddie Hubbard and Stanley Turrentine, notably on the latter's acclaimed album Sugar.
Question: Did he tour?
Answer:

Problem: Background: Anti-Flag are an American punk rock band from Pittsburgh, Pennsylvania, United States. The band is well known for politically charged lyrics and activism, focusing on anti-war activism, anti-imperialism, class struggle, human rights, and various sociopolitical sentiments. The line-up includes singer/guitarist Justin Sane and drummer Pat Thetic, who founded the band; later members are guitarist Chris Head, and singer/bassist Chris Barker (#2) who replaced Jamie "Cock" Towns, who had replaced original bassist Andy Flag in 1997 following his departure one year prior. Anti-Flag is known also for their advocacy of progressive political action groups such as Greenpeace and Amnesty International.
Context: In 2000, Anti-Flag was invited to participate in Vans Warped Tour. During this time, the members of Anti-Flag met NOFX's Fat Mike, owner of the Fat Wreck Chords record label. This meeting spawned a friendship that would lead to Anti-Flag's release of two albums on the label. In 2001, Anti-Flag teamed with punk music producer Mass Giorgini to record the album Underground Network, released on Fat Wreck Chords. The release of the album is arguably the band's breakout from the hardcore underground to a more mainstream spotlight. The album continued to address the issues of fascism (specifically neo-Nazis infiltrating the "hardcore scene") and the United States' foreign policy. The album was the first to contain the now-commonplace booklet filled with essays from historians and political commentators, most notably Professor Howard Zinn. In February 2002, Anti-Flag released the album Mobilize on A-F Records. The album featured eight new studio tracks as well as eight live tracks of songs from other albums. In the wake of the September 11th terrorist attacks on the United States, Anti-Flag spoke out against the push for war with the album's title track "911 for peace". During this time, many music stores pulled Anti-Flag's records from shelves, as their music was labelled as "anti-American." In 2003, Anti-Flag released the album The Terror State on Fat Wreck Chords. The album primarily focused on criticizing the Bush Administration's handling of the War on Terrorism. Again, the album contained a booklet full of essays from the band as well as other political commentators. The album contains a song whose lyrics were originally written by Woody Guthrie entitled "Post-War Breakout." The track's music was arranged by the members of Anti-Flag, as Guthrie had never committed the arrangements to paper. On October 8, 2004, U.S. Representative Jim McDermott gave a speech in the House of Representatives, praising Anti-Flag for their work in encouraging young people to register and vote.
Question: Are there any other interesting aspects about this article?
Answer:
On October 8, 2004, U.S. Representative Jim McDermott gave a speech in the House of Representatives,