input: Fibber McGee and Molly spun two supporting characters off into their own shows. By far the most successful and popular was Harold Peary's Gildersleeve, spun into The Great Gildersleeve in 1941. This show introduced single parenthood of a sort to creative broadcasting: the pompous, previously married Gildersleeve now moved to Summerfield, became single (although the missing wife was never explained), and raised his orphaned, spirited niece and nephew, while dividing his time between running his manufacturing business and (eventually) becoming the town water commissioner. In one episode, the McGees arrived in Summerfield for a visit with their old neighbor with hilarious results: McGee inadvertently learns Gildersleeve is engaged, and he practically needs to be chloroformed to perpetuate the secret a little longer. Peary returned the favor in a memorable 1944 Fibber McGee & Molly episode in which neither of the title characters appeared: Jim Jordan was recovering from a bout of pneumonia (this would be written into the show the following week, when the Jordans returned), and the story line involved Gildersleeve and nephew Leroy hoping to visit the McGees at home during a train layover in Wistful Vista, but finding Fibber and Molly not at home. At the end of the episode, Gildersleeve discovers the couple had left in a hurry that morning when they received Gildy's letter saying he would be stopping over in Wistful Vista. Marlin Hurt's Beulah was also spun off, leading to both a radio and television show that would eventually star Hattie McDaniel and Ethel Waters. Jim and Marian Jordan themselves occasionally appeared on other programs, away from their Fibber and Molly characters. One memorable episode of Suspense ("Backseat Driver", 02-03-1949) cast the Jordans as victims of a car-jacking; Jim Jordan's tense, interior monologues were especially dramatic.

Answer this question "Why weren't the characters in the episode?"
output: Jim Jordan was recovering from a bout of pneumonia (this would be written into the show the following week, when the Jordans returned), and

input: In 1973, Landon was an episode director and writer for the short-lived NBC romantic anthology series Love Story. In 1982, he co-produced an NBC "true story" television movie, Love is Forever, starring himself and Laura Gemser (who was credited as Moira Chen), about Australian photojournalist John Everingham's successful attempt to scuba dive under the Mekong to rescue his lover from communist-ruled Laos in 1977. The real Everingham was cast as an extra in the film. Sam's Son was a 1984 coming-of-age feature film written and directed by Landon and loosely based on his early life. The film stars Timothy Patrick Murphy, Eli Wallach, Anne Jackson, Hallie Todd, and James Karen. Karen previously worked for Landon in the made-for-television film Little House: The Last Farewell. After the cancellation of Highway to Heaven and before his move to CBS, Landon wrote and directed the teleplay Where Pigeons Go to Die. Based on a novel of the same name, the film starred Art Carney and was nominated for two Emmy awards. Up through the run of Highway to Heaven, all of Landon's television programs were broadcast on NBC, a relationship of which lasted thirty consecutive years with the network. After the cancellation of Highway and due to a fallout with those within NBC's upper management, he moved to CBS and in 1991 starred in a two-hour pilot called Us. Us was meant to be another series for Landon but, with his diagnosis on April 5 of pancreatic cancer, the show never aired beyond the pilot. Landon also appeared as a celebrity panelist on the premiere week of Match Game on CBS.

Answer this question "What else is interesting about the article?"
output: all of Landon's television programs were broadcast on NBC, a relationship of which lasted thirty consecutive years with the network.

input: Carmichael died of heart failure at the Eisenhower Medical Center in Rancho Mirage, California, on December 27, 1981, at the age of 82. His remains are buried in Rose Hill Cemetery in Bloomington, Indiana. In 1986 Carmichael's family donated his archives, piano, and memorabilia to his alma mater, Indiana University, which established a Hoagy Carmichael Collection in its Archives of Traditional Music and the Hoagy Carmichael Room to permanently display selections from the collection. Carmichael is considered to be among the most successful of the Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to exploit new communication technologies, such as television and the use of electronic microphones and sound recordings. American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen" of pop songs in the first half of the 20th century. Carmichael was an industry trailblazer, who recorded varied interpretations of his own songs and provided material for many other musicians to interpret. His creative work includes several hundred compositions, some of them enduring classics, as well as numerous sound recordings and appearances on radio and television and in motion pictures. Music historian Ivan Raykoff described Carmichael as "one of America's most prolific songwriters" and an "iconic pianist" whose work appeared in more than a dozen Hollywood films, including his performances in classic films such as To Have and To Have Not and The Best Years of Our Lives. Among the hundreds of Carmichael's published songs, "Stardust" is one of the most frequently recorded. Carmichael's greatest strength was as a melodist, but he also became known as an "experimental" and "innovative" songwriter, whose "catchy, often jazz-infused, melodies" and "nostalgic, down-home lyrics" were memorable and had wide public appeal, especially with mass media promotion and through the efforts of numerous entertainers who performed his songs.

Answer this question "What else about his legacy stands out?"
output:
American composer and author Alec Wilder described Carmichael as the "most talented, inventive, sophisticated and jazz-oriented of all the great craftsmen"