In one sentence, describe what the following article is about: A great way to wear your LBD alone is to pair it with large pieces of jewelry. Choose pieces that are structural or add sparkle to your look. Stick to neutral colors, like gold or silver for metal pieces and clear or black for gemstones. For example, you might wear a chunky gold necklace that adds sheen to your neckline. As another option, you might wear a large faux-diamond cuff bracelet. Pick a silk, satin, or velvet shawl or kimono to create an elegant look. Pick a shawl if you'd like to show off more of your dress or a kimono if you want to create a totally different profile. Choose solid colors if you want your look to be more chic. If you like to show off your creativity, look for a bright color or pattern. For instance, you might choose a paisley print or a caftan. Take your LBD for a night on the town by adding a chic leather jacket. This will contrast with the formality of the dress to create an edgier look that isn't too formal. Switch up this style by wearing your jacket open sometimes but zipping it up other times. Black and tan leather both look great for this look. It's normal to want to show off a little more skin at night, and strappy heels are the perfect way to do that. Pick a pair of heels that are still comfortable to walk or dance in, if that's what you're doing. Try black heels for a monochrome look, or nude heels to make your legs look longer. As another option, pick a colorful shoe, like a bold red or hot pink. Pattern also works well for the evening, so you might break out your leopard print strappy heels. Similarly, studded or jeweled heels also work great. Heels work well for special occasions or date night, while boots offer a comfortable, unexpected option. Pick a pair that feels comfortable to you but that also compliments your dress. If you decide to wear heels, play around with color to create the look you want. For instance, wear black or nude heels for a chic look, or be bold with a gemstone color or a fun pattern. If you're wearing boots, stick to basic black or tan.
Summary: Wear statement jewelry to create a glam look. Layer a shawl or kimono over your LBD for a look that's warm and glam. Pair it with a leather jacket to add a little edge. Choose strappy heels to show off more skin. Wear heels or boots for a classy evening look.

The chart should have a box for each number from 1 to 100. Have students color the even numbers 1 color and the odd numbers another color. This task can be done in the classroom or at home. Create or print a worksheet that has random numbers in bubbles down the page. Ask the students to color the odd bubbles 1 color and the even bubbles another color. You can also ask students to do this task at home. At the top of the page, place a character who needs to get to the bottom. The page should consist of a chart of numbers. Most of the numbers should be even except for the pathway the character will need to take to the bottom, which should be odd numbers. Have the students trace the odd numbers with a pen or marker, creating a path through the number maze.
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One-sentence summary -- Give students a chart of 100 numbers to color in. Use an even-odd bubble sheet. Create or print an even-odd maze.

Q: This is one of the first and most important things to know about miming. Talking or mouthing words is unnecessary during miming. Instead, use facial expressions, gestures, and posture to do the "talking." For example, furrow your eyebrows and place your hands on your hips to demonstrate annoyance. Use a mirror to assess what movements are the most successful in conveying emotions, attitudes, and reactions. Practice facial expressions and simple movement and poses at first. The poses can be whatever comes to mind; they don't have to mime movements just yet. A full-length mirror is a necessity for beginners, but bear in mind the mirror is a friend you will need to leave behind at performance time. A video camera, if available, is another invaluable tool. Using your imagination can't be emphasized enough when it comes to creating illusions. It's very important for a mime to truly believe the illusion is real. Naturally, the realer the illusion is for the mime, the more realistic it will be for your audience. This can be accomplished through practice. For instance, imagine a wall. See the wall in different colors. Feel the wall in different textures such as rough, smooth, wet, or dry. Use these same techniques while practicing all illusions. You will also find your body reacting naturally to the illusion if you are convinced it's real. This may be more commonly referred to as "pointe fixe," however that is simply the original French wording of "fixed point." This is a simple idea. The mime locates a point with his body, and then keeps it motionless in space. This technique is the basis of all illusions a mime can create. For example, you can create a fixed point by holding one hand directly in front of you. Keep your hand in that position, but move your body. The line builds upon a fixed point by simply adding a second fixed point in space. For example, put up another hand so that both of your hands are in front of you. You can move your body or move both of your hands and keep your body still. A good application of this concept is the "mime wall." The relative distance between the two points becomes the definition of this "construction block." Find a wall and place both of your hands on it at approximately shoulder height. Push lightly into the wall with your hands. As you push try to feel where pressure builds up in your body. You should feel pressure in your hands, of course, but you should also feel some tension in your shoulders and hips. If you can't feel anything, gently increase the pressure until you do. Try different positions and feel how they change the pressures in your body. This is the idea applied to "pulling the rope," but it can be applied to virtually any use of force in an illusion. This is a fancy phrase for "making things out of thin air." This technique makes use of many of the elements from the creating a fixed point, a line, and a dynamic line. It is best served by an example illusion: dribbling a basketball. Make a rounded palm with fingers gently curled over it. This shape defines the space where the illusion exists and allows the basketball, the "matter," to exist in the illusion. Space and matter manipulation can be used to create any number of objects, characters, or events by utilizing this principle.
A: Use your body to talk. Assess your facial expressions and poses in a mirror. Cultivate your imagination. Take advantage of a fixed point. Add lines to fixed points. Make a dynamic line. Manipulate space and matter.

Problem: Article: Rest your hands on you rib cage so that you pinky touches your torso and your thumb faces up. Keeping your other fingers clenched, raise your thumb so it points up and parallel to your body. " Generally, you will be putting the tip of your middle finger on the middle joint of your thumb. Your goal is to make the circle with your index finger while your thumb forms the straight line. Your middle finger should be parallel with your thumb. The "L" will appear to come up from behind the "B." " Curl your ring finger so that the tip is level with your middle finger's first joint. One side of the "O" will be your curled ring finger, the other will be your straight middle finger. You do not need your pinky to make the symbol, so tuck it out of the way however it that feels comfortable.
Summary:
Clench your hands into a fist. Point your thumb up towards your head. Curl your index finger against the thumb to make a lowercase "b. Raise your middle finger towards your head to make the "L". Form the first "O" using your ring finger and the line of the "L. Tuck your pinky behind the other fingers.