In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Comparative theology is a relatively new discipline within theology, which holds together "comparative" and "theology" in creative tension. It represents a particular type of theological practice committed to deep interreligious learning ("comparative") while staying rooted in a particular religious tradition ("theology"). Moreover, while many of its proponents come from the Christian religious tradition, it can have as a starting point the theology of any religious tradition. Context_2 : In early Egyptian mythology, Anhur (also spelled Onuris, Onouris, An-Her, Anhuret, Han-Her, Inhert) was originally a god of war who was worshipped in the Egyptian area of Abydos, and particularly in Thinis. Myths told that he had brought his wife, Mehit, who was his female counterpart, from Nubia, and his name reflects thisit means "(one who) leads back the distant one". Context_3 : The religious element is difficult to identify in Mycenaean Greece (c. 1600-1100 BC), especially as regards archaeological sites, where it remains problematic to pick out a place of worship with certainty. John Chadwick points out that at least six centuries lie between the earliest presence of Proto-Greek speakers in Hellas and the earliest inscriptions in the Mycenaean script known as Linear B, during which concepts and practices will have fused with indigenous beliefs, andif cultural influences in material culture reflect influences in religious beliefswith Minoan religion. As for these texts, the few lists of offerings that give names of gods as recipients of goods reveal nothing about religious practices, and there is no surviving literature. John Chadwick rejected a confusion of Minoan and Mycenaean religion derived from archaeological correlations and cautioned against "the attempt to uncover the prehistory of classical Greek religion by conjecturing its origins and guessing the meaning of its myths" above all through treacherous etymologies. Moses I. Finley detected very few authentic Mycenaean reflections in the eighth-century Homeric world, in spite of its "Mycenaean" setting. However, Nilsson asserts, based not on uncertain etymologies but on religious elements and on the representations and general function of the gods, that a lot of Minoan gods and religious conceptions were fused in the Mycenaean religion. From the existing evidence, it appears that the Mycenaean religion was the mother of the Greek religion. The Mycenaean pantheon already included many divinities that can be found in classical Greece. Context_4 : The A.L. Monsohn Lithographic Press ( " ) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt in 1890 to study lithography. Upon returning to Jerusalem with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. At first it was situated in Bab al-Huta; it was later moved to the courtyard opposite what is today the Old Yishuv Court Museum (Hebrew: ) at 6 Or Ha-Hayim Street in the Jewish Quarter, where Abraham-Leib Monsohn lived with his family. Leaving the Old City, the press was relocated to the Mamilla section of Jerusalem, and later to Yosef Ziv Street in the Tel Arza neighborhood. The Monsohn Press produced about 300 color prints per day, the only color printing done at the time in Jerusalem. In 1894 they imported a new machine which could print 1,000 copies a daya great advance in local printing. The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths;, color frontispieces for books such as Pentateuch volumes; artistic wedding invitations; and later, government posters; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. Many of the postcards and maps can be seen online, as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press (e.g., that for his son Menachem Mendel Monsohn and his wife Zipporah in the 24 June 1914 issue of "Moria"). The Monsohn Press received special permission from the city's rabbis to print for Christians and Moslems, so long as the material could not be used to missionize. While Eretz Israel was under Ottoman control, Abraham-Leib Monsohn also printed the maps for the Ottoman military leader Djemal Pasha, in his headquarters in Mount Scopus. Context_5 : Daniel P. Horan, OFM is a Franciscan Friar (of the Order of Friars Minor of Holy Name Province), Roman Catholic Priest, theologian, and author. He is currently assistant professor of systematic theology at Catholic Theological Union in Chicago, where he teaches systematic theology and spirituality. He studied Theology (in the School of Arts and Sciences) and Journalism (in the Jandoli School of Journalism) at St. Bonaventure University and studied in the Master of Arts in Systematic Theology and Master of Divinity programs at the Washington Theological Union. He earned a Ph.D. in Systematic Theology from Boston College. He previously taught in the Department of Religious Studies at Siena College in Loudonville, NY, and summer courses in the Department of Theology at St. Bonaventure University, the School of Theology and Ministry at Boston College, and at Catholic Theological Union. He currently serves on the Board of Trustees of St. Bonaventure University and the Board of Regents of Franciscan School of Theology He previously served several terms on the International Thomas Merton Society Board of Directors and is a former columnist at "America magazine". Context_6 : Alara was a King of Kush who is generally regarded as the founder of the Napatan royal dynasty by his 25th Dynasty Nubian successors and was the first recorded prince of Nubia. He unified all of Upper Nubia from Meroe to the Third Cataract and is possibly attested at the Temple of Amun at Kawa. Alara also established Napata as the religious capital of Nubia. Alara himself was not a 25th dynasty Nubian king since he never controlled any region of Egypt during his reign compared to his two immediate successors: Kashta and Piye respectively. Nubian literature credits him with a substantial reign since future Nubian kings requested that they might enjoy a reign as long as Alara's. His memory was also central to the myth of the origins of the Kushite kingdom which was embellished with new elements over time. Alara was a deeply revered figure in Nubian culture and the first Nubian king whose name has come down to scholars. Context_7 : Formal principle and material principle are two categories in Christian theology to identify and distinguish the authoritative source of theology (formal principle) from the theology itself, especially the central doctrine of that theology (material principle), of a religion, religious movement, tradition, body, denomination, or organization. A formal principle tends to be texts or revered leaders of the religion, while a material principle is its central teaching. Paul Tillich believed the identification and application of this pair of categories in theological thinking to have originated in the 19th century. As early as 1845 the Protestant theologian and historian Philip Schaff discussed them in his "The Principle of Protestantism". They were utilized by the Lutheran scholar F. E. Mayer in his "The Religious Bodies of America" in order to facilitate a comparative study of the faith and practice of Christian denominations in the United States. This is also treated in a theological pamphlet entitled "Gospel and Scripture" by the Commission on Theology and Church Relations of the Lutheran ChurchMissouri Synod. Context_8 : Harley Quin is a fictional character created by Agatha Christie and the most mysterious of all her detectives. His name is a word play on "Harlequin" which may be a clue to his personality. Mr. Quin helps his older friend Mr. Satterthwaite solve crimes using his extraordinary skills and instincts. He appears in the 12 short stories appearing in "The Mysterious Mr Quin", first published in 1930. in an additional two short stories "The Love Detectives" and "The Harlequin Tea Set" from "Problem at Pollensa Bay and Other Stories". Mr. Quin's emissary Mr. Satterthwaite, who appears together with him in all the previously mentioned short stores, also appears without him in Christie's short story Dead Man's Mirror, and in her novel Three-Act Tragedy. Context_9 : Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments. Context_10 : Affective piety is most commonly described as a style of highly emotional devotion to the humanity of Jesus, particularly in his infancy and his death, and to the joys and sorrows of the Virgin Mary. It was a major influence on many varieties of devotional literature in late-medieval Europe, both in Latin and in the vernaculars.: This practice of prayer, reading, and meditation was often cultivated through concentration on vivid images of scenes from the Bible, Saints' Lives, and other religious material. These images could be either conjured up in people's minds when they read or heard poetry and other pieces of religious literature, or they could gaze on manuscript illuminations and other pieces of art as they prayed and meditated on the scenes depicted. In either case, this style of affective meditation asked the "viewer" to engage with the scene as if she or he were physically present and to stir up feelings of love, fear, grief, and/or repentance for sin. fact_1 : In early Egyptian mythology, Anhur (also spelled Onuris, Onouris, An-Her, Anhuret, Han-Her, Inhert) was originally a god of war who was worshipped in the Egyptian area of Abydos, and particularly in Thinis. fact_2 : Myths told that he had brought his wife, Mehit, who was his female counterpart, from Nubia, and his name reflects thisit means "(one who) leads back the distant one". fact_3 : Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. Question: Gods such as Anhur, Nubia appear in short stores and religious material in what theology?
Answer:
Egyptian mythology