Question: Caray was born Harry Christopher Carabina to an Italian father and Romanian mother in St. Louis. He was an infant when his father died. His mother remarried with a French-American, but after her death when Caray was eight, he went to live with his aunt Doxie at 1909 LaSalle Street in a tough, working-class section of St. Louis. As a young man, Caray played baseball at the semi-pro level for a short time before auditioning for a radio job at the age of 19.

At his funeral, the organ played "Take Me Out to the Ball Game." Harry Caray's body is interred in All Saints Cemetery in Des Plaines, Illinois. Following his death, during the entire 1998 season the Cubs wore a patch on the sleeves of their uniforms depicting a caricature of Caray. Cubs slugger Sammy Sosa dedicated each of his 66 home runs that season to Caray. Caray had five children, three with his first wife, Dorothy, and two with his second wife, Marian. He married his third wife Delores "Dutchie" (Goldmann) on May 19, 1975. His son Skip Caray followed him into the booth as a baseball broadcaster with the Atlanta Braves until his death on August 3, 2008. Caray's broadcasting legacy was extended to a third generation, as his grandson Chip Caray replaced Harry as the Cubs' play-by-play announcer from 1998 to 2004. Chip later returned to work with his father Skip on Atlanta Braves broadcasts, where he had worked for a while in the early 1990s. In what Harry Caray said was one of his proudest moments, he worked some innings in the same broadcast booth with his son and grandson, during a Cubs/Braves game on May 13, 1991. On-air in a professional setting, the younger men would refer to their seniors by their first names. During 1998, Chip would refer to the departed Harry in third person as "Granddad". When the Cubs defeated the Cleveland Indians in seven games to win the 2016 World Series, Budweiser produced a celebratory commercial entitled "Harry Caray's Last Call" featuring Caray's call of the game using archived footage.

Using a quote from the above article, answer the following question: What were the names of his children?
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Question: Miriam Johnson was born in 1943 in Phoenix, Arizona and raised in a strict Pentecostal home. Her mother was a Pentecostal preacher and her father was a race-car driver. At age 11, Colter became the pianist at her church. After graduating from Mesa High, Ariz. in 1961, she began singing in local clubs in Phoenix.

In 2006, Colter returned to recording with a new studio album released on the Shout! Factory label, Out of the Ashes. "Out of the Ashes" was Colter's first studio album in over 20 years. The album was produced by Don Was and reflected on Jennings' death. Jennings had an unused vocal, "Out of the Rain," which was featured on the track. The album was given many positive reviews, including Allmusic, which gave the album four out of five stars in 2006. Out of the Ashes was her first album since 1981 to chart on the Top Country Albums chart, peaking at No. 61. In 2007 Colter recorded a duet version of her 1975 hit "I'm Not Lisa" with Deana Carter on her 2007 album, The Chain. In 2017, Colter and Jan Howard provided guest vocals to a track appearing on Written In Song, an album by Jeannie Seely. The song, called "We're Still Hangin' In There Ain't We Jessi", references how Seely and Colter are seemingly two of the only women in country music who managed to have a successful marriage. Colter's first album in eleven years, The Psalms was released on March 24 via Legacy Recordings. The album consisted of Colter's favourite Book of Psalms passages put to music and was produced by Lenny Kaye, who recalled an evening when he, Colter, Jennings and Patti Smith were having dinner together in 1995 when Colter began to sing passages of the Bible. Kaye stated that he was "transfixed" and kept the evening in his mind until he convinced Colter to record those renditions in 2007, with the album being recorded over the course of two sessions, along with a further two in 2008. Of the album, Kate stated that "we tried to choose songs that weren't about warring peoples but more about comfort and reconciliation". On April 11, 2017, Colter released a tell-all memoir titled "An Outlaw and a Lady: A Memoir of Music, Life with Waylon, and the Faith That Brought Me Home".

Using a quote from the above article, answer the following question: How did the album fair?
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Answer: The album was given many positive reviews, including Allmusic, which gave the album four out of five stars

Question: Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema Dutch pronunciation: ['l^ur@ns 'alma: 'ta:d@,ma:]; 8 January 1836 - 25 June 1912) was a Dutch painter of special British denizenship.

In 1852 he entered the Royal Academy of Antwerp in Belgium where he studied early Dutch and Flemish art, under Gustaf Wappers. During Alma-Tadema's four years as a registered student at the Academy, he won several respectable awards. Before leaving school, towards the end of 1855, he became assistant to the painter and professor Louis (Lodewijk) Jan de Taeye, whose courses in history and historical costume he had greatly enjoyed at the Academy. Although de Taeye was not an outstanding painter, Alma-Tadema respected him and became his studio assistant, working with him for three years. De Taeye introduced him to books that influenced his desire to portray Merovingian subjects early in his career. He was encouraged to depict historical accuracy in his paintings, a trait for which the artist became known. Alma-Tadema left Taeye's studio in November 1858 returning to Leeuwarden before settling in Antwerp, where he began working with the painter Baron Jan August Hendrik Leys, whose studio was one of the most highly regarded in Belgium. Under his guidance Alma-Tadema painted his first major work: The Education of the children of Clovis (1861). This painting created a sensation among critics and artists when it was exhibited that year at the Artistic Congress in Antwerp. It is said to have laid the foundation of his fame and reputation. Alma-Tadema related that although Leys thought the completed painting better than he had expected, he was critical of the treatment of marble, which he compared to cheese. Alma-Tadema took this criticism very seriously, and it led him to improve his technique and to become the world's foremost painter of marble and variegated granite. Despite any reproaches from his master, The Education of the Children of Clovis was honorably received by critics and artists alike and was eventually purchased and subsequently given to King Leopold of Belgium.

Using a quote from the above article, answer the following question: Did he paint anything while there?
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Answer:
he won several respectable awards.