In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
wow !
what a movie .
it 's everything a movie can be : funny , dramatic , interesting , weird , funny , weird and strikingly original .
yep that pretty much describes this movie .
it starts out like a regular movie and ends up being one of the weirdest , funniest most original movies i have ever seen .
it boggles the mind and some have to wonder why we can not get movies like this more often .
besides being one of the best films of the year , being john malkovich may as well be one of the best movies ever .
period .
then again there are so many good movies , that one can not pick an all time favorite .
john cusack plays
a puppeteer craig schwartz a man out of a job , in search of a job .
his wife lotte schwartz who is played by a completely un - noticeable cameron diaz who looks like something off the streets is an animal lover and has about every kind of animal you could think of .
craig finds a job as a file at the 7 ? floor of a business building .
.. you have to pry open the elevator doors open before it reaches floor eight , the 7 ? floor is just a floor between 7 and 8 .
he is hired by his 105 year old boss ( orsen bean ) to be a filer .
in his office , he discovers a little door , to which was boarded up and hidden .
to his curiosity he opens it and starts to crawl toward it , he then gets sucked to the end and ends up in john malkovich 's mind .
fifteen minutes later he is shot out onto the side of the new jersey turnpike .
he returns to tell his co - worker maxine ( catherine keener ) that he has found a portal that will lead him into john malkovich 's mind , she does n't believe him but after she sees it it changes her mind .
lotte also finds out about the portal and discovers that being someone else is good after all .
john malkovich of course has no idea what is going on , and by the end of this bizarre film there are so many twists and turns , that we do n't know what really happened .
john cusack is outstanding and utterly believeable in a role only he himself could play .
he fits the role perfectly and to me was brilliantly cast .
cameron diaz is outstanding and utterly one of the world 's most prettiest women , is made up here unnoticeable and very unattractive .
she however gives a very comic performance and this could easily be her best role to date .
catherine keener is very funny and sexy as maxine and of course the best thing of the movie is the magic himself john malkovich who is very brilliant and this movie plays big time homage
?
to the master himself .
the whole group combined gives us a wonderfully funny movie that is also smart and clever .
spike jonze ( three kings ) makes his fabulous directing debut , and did a fantastic job of directing this new classic film .
he lets the viewer go on the trip as well as let the viewer know they are watching a movie .
by the time the ending rolled around my head was spinning from disbelief of how good this film was .
the screenplay written by charlie kaufman was hilarious and often thought - provoking .
the film also had a soft side to it and even though the ending is very surprising it is also a little sad and heart - warming .
the whole movie was fantastic and had me rolling in the isles . from cameron diaz 's appearence to john malkovich 's explorations i laughed very hard , and it may as well be as funny as as good as it gets ( the funniest ! ) .
there is n't a slow point in the movie , or an overused idea .
there are no cliches except for the fact that this is the most original , inventie , witty , and smart movie i 've seen in a long time .
i found myself amazed by everything : the direction , acting , writing and the whole idea of the movie .
by the end i had to wonder why hollywood does n't want to make movies like this anymore .
or why they do n't .
all filmmakers watch this movie and get some ideas of movies to come out .
this was a surprise hit as was american beauty . ' being john malkovich '
is in the top 5 movies of the year , and in the top 10 best films ever made .
it has something that no other movies playing now has .
in fact it may as well be the best movie out right now .
i highly recommend ' being john malkovich ' and have no doubts you will be disappointed .

Ex Output:
P

Ex Input:
i 'm guessing -- and from the available evidence , it 's not a great guess -- that burn hollywood burn began life as an insider satire of hollywood excess , stupidity , ego and power - mongering .
if so , the film that ended up on the screen ranks as one of the most spectacularly ironic unintentional jokes in film history .
it has already been well - documented that the original title , an alan smithee film , became a problem when miserable test screenings forced re - cuts against the will of director arthur hiller , prompting hiller himself to opt for the directors ' guild - mandated pseudonym of alan smithee .
that left a film satire in the hands of writer joe eszterhas , as humorless a hack as ever put finger to word processor .
and you could just smell the disaster brewing .
if you 're unfortunate enough to sit through burn hollywood burn , you 'll still be smelling that disaster long after the lights come up .
ostensibly , it 's a pseudo - documentary account of a director named alan smithee ( eric idle ) who loses control of a big - budget action film called trio starring sylvester stallone , whoopi goldberg and jackie chan ( all of whom appear as themselves ) .
when the only recourse available to him is abandoning the project to be called " an alan smithee film " -- which , of course , it already is -- smithee steals the negative of the film and threatens to destroy it .
among the parties interviewed are the film 's producer james edmunds ( ryan o'neal ) and studio boss jerry glover ( richard jeni ) , who spend virtually the entire film narrating the story while painfully unfunny things go on around them .
it 's bad enough that burn hollywood burn has -- literally -- not a single laugh for its entire , blissfully brief 84 minutes .
what makes it even worse is eszterhas ' insistence upon telling every bad joke not once , but twice or even three times .
michael ovitz references , showgirls references , oral sex references , whoopi goldberg / ted danson references -- all show up multiple times with all the subtlety that is eszterhas ' stock - in - trade .
the reduncancy even manages to turn actively offensive with some frequency , notably with the hilarious use of the word " feminist " as an identifying caption for every single female character in the film .
by the time coolio and chuck d show up as black independent film - makers the brothers brothers ( cleverly identified as " bad a-- " and " badder a-- " , among other unprintable things ) , you may be ready to walk out of the theater with your coat over your head to avoid being identified .
those documentary captions , for all their leaden obviousness , allow the best insight into what 's so hideously wrong with burn hollywood burn .
not content to stick any hollywood type with only one jab from his rapier wit , eszterhas fills the screen with bullet points every time a new character appears .
the producer is a " liar " who " slept in the white house ; " the media are " maggots " and " leeches " working for publications like " the new york slimes " and " newsleak " ( with the camera zooming in on the altered title to make sure you do n't miss the joke ) .
it does n't even matter that eszterhas tags " penile implant " after his own name when he makes a cameo , because it seems like such a desperate attempt to feign self - deprecation .
this is a petulant schoolboy 's idea of satire -- pictures of hollywood insiders to which eszterhas has taken a pen to draw little moustaches and black out the teeth .
the last stomach - churning straw comes when burn hollywood burn closes with out - takes over the closing credits , the kind that show the audience how much fun everyone was having making the film that just sucked an hour and a half of your life away .
perhaps it was just a final , desperate attempt by eszterhas to convince himself
there was some purpose behind the film , or to convince everyone involved that a few blown lines warranted threatening to blow their whole career .
pity everyone involved with this excessive , ego - driven " satire " of excess and ego .
it 's too bad that only directors can remove their names from noxious material like this .
otherwise , you might have seen credits for burn hollywood burn overflowing with alan smithees .

Ex Output:
N

Ex Input:
almost a full decade before steven spielberg 's saving private ryan asked whether a film could be both " anti war " and " pro - soldier " , john irvin 's hamburger hill proved it could .
lost in the inundation of critical acclaim that greeted oliver stone 's platoon , this excellent film was dismissed as " too militaristic " .
it 's hard to understand exactly why --- unless irvin , in assembling his motley collection of young men who for predictable ( and often naive ) reasons " chose to show up " for the vietnam debacle , ---has refused to present us with the stone killer , drug - stoked psycho and ruthless opportunist who have become to vietnam war epics what " the polack , the hillbilly and the kid from brooklyn " became to wwii movies .
hamburger hill , based on a true story , is not an easy film to watch .
there is a scene that will have graying anti - war activists squirming in their seats , or moved to genuine tears .
and the climactic final assault on the " hill " in question is visually confusing .
gristly realities are presented in brief flashes , as if the brain dared not acknowledged what it had encountered .
and in the mud and smoke officer and enlistee , veteran and " newbie " , black soldier and white , become almost indistinguishable from each other , as they do in the chaos of actual combat .
the acting throughout is solid with an absolutely stellar performance rendered by courtney b . vance as doc -- in a role that will have many flatly disbelieving that this is same actor they cheered as " seaman jones " in mctiernan 's red october .
if you 've seen private ryan , you owe it to yourself to see hamburger hill -- if only to determine that the all the valour and horror of spielberg 's vision was as present in the ashau valley as it was at omaha beach .

Ex Output:
P