In this task, you're given a question, along with a context passage. The passage will not have a direct answer to the question, but can include some information and a clue for the answer. Assuming you can only obtain information about one entity in the passage, your job is to determine whether information from the passage can be used to answer the question. Indicate your choice as 'a' for Yes or 'b' for No.

Ex Input:
Question: Who created the character with whom the goddess Bast made her first appearance in Fantastic Four #52? Passage:Characters based on ancient Egyptian deities were first mentioned in Captain America Comics #20 (November 1942), published by Marvel Comics' predecessor Timely Comics, in which Captain America and Bucky investigate the murder of Colonel Fitzpatrick, who was studying the Book of Thoth while stationed in Egypt. The Heliopolitans first full Golden Age appearance was in the story "The Terror That Creeps" by Stan Lee and Werner Roth, published in Marvel Tales #96 (June 1950), and involves a man that fails to convince the public that the Great Sphinx of Giza is slowly moving to the edge of the desert, where it will be empowered by Set and destroy mankind. The goddess Bast would later make her first appearance (as a totem) with the Black Panther in Fantastic Four #52 (July 1966). Many of the other deities, including Horus, Isis and Osiris, were introduced in Thor #239 (September 1975). Khonshu, who became associated with Moon Knight, first appeared in Moon Knight #1 (November 1980). Joseph Muszynski argued in his book Everything I Needed to Know About Life I Learned from Marvel Comics that the introduction of Egyptian deities "excited our tendency to enjoy variety" as the pantheon contained multiple gods and personalities as opposed to the Judeo-Christian religions. Ed Strauss contended that Marvel was able to dive into ancient Egyptian religion because it "had long been retired into the realm of mythology" unlike Christianity.

Ex Output:
b

Ex Input:
Question: In what city is the school that Porter attended from 1969-1973? Passage:Claire Porter was born in New Britain, Connecticut, where, as a child, she was a star athlete and danced in a local studio. After she earned her BA in Mathematics from the College of New Rochelle in New York, she became a computer programmer for G.E. Analytical Engineering in Schenectady, New York. Porter returned to her dancing roots after witnessing a performance by Maria Tallchief. She then attended Sonoma State University in California from 1969-1973. At Sonoma State, she studied dance, taught Family Dance, Exercise, and Children's Dance, and directed a dance company of 12 members. Porter eventually moved from California to Ohio to study dance at Ohio State University. It was there that Porter discovered Laban Movement Analysis and began exploring gestures, acting, writing, and voice. She later received her certification for Laban Movement Analysis at the Laban/Bartenieff Institute of Movement Studies NYC. She earned her MA in Dance from Ohio State and has continued the exploration of gestural movement as a teacher, choreographer and performer.

Ex Output:
b

Ex Input:
Question: Who else was on the board of the Performing Right Society while Mitchell was chairman of that same board? Passage:Mitchell was born in London, and educated at Brightlands Preparatory School and Dulwich College, London. In 1943 he registered as a conscientious objector and his war-time service was spent in the Non-Combatant Corps. After the war, he taught at Oakfield Preparatory School, London and in 1947 founded and edited the journal Music Survey; several issues appeared before he was joined in 1949 by Hans Keller and the journal was re-launched in the Music Survey's so-called 'New Series' (194952), whose uncompromising critical standards and pugnaciously pro-Britten and pro-Schoenberg stance brought it renown and notoriety in equal measure. Mitchell studied at Durham University 1949-50. In the 1950s he was a regular contributor to the journals Musical Times and Musical Opinion. In 1958 he became editor of Music Books at Faber and Faber and in the same year was appointed Editor of Boosey & Hawkes's music journal Tempo, until 1962. From 1963 to 1964 he was a special music adviser at Boosey & Hawkes with particular responsibility for contemporary music and the acquisition of contemporary composers. He was responsible for Peter Maxwell Davies and Nicholas Maw joining the publisher's list. In 1965, with the encouragement of Benjamin Britten he founded the music-publishing firm of Faber Music, and was its first Managing Director (vice-chairman, 1976, chairman, 1977, president, 198895). In 1972 he became the first Professor of Music at Sussex University (until 1976). Following the death of Benjamin Britten, Mitchell became a senior trustee of the Britten-Pears Foundation; in 1986 he became the Foundation's director and chairman of the Britten Estate Ltd. From 1989 to 1992 he was chairman of the Performing Right Society. He was appointed a CBE in the 2000 New Year Honours, and died on 28 September 2017.

Ex Output:
a