Problem: Background: John F. Stossel was born on March 6, 1947, in Chicago Heights, Illinois, the younger of two sons, to Jewish parents who left Germany before Hitler rose to power. They joined a Congregationalist church in the U.S., and Stossel was raised Protestant. He grew up on Chicago's affluent North Shore and graduated from New Trier High School. Stossel characterizes his older brother, Tom, as "the superstar of the family", commenting, "While I partied and played poker, he studied hard, got top grades, and went to Harvard Medical School."
Context: Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work, for what they perceived as a lack of balance of coverage and distortion of facts. For example, Stossel was criticized for a segment on his October 11, 1999, show during which he argued that AIDS research has received too much funding, "25 times more than on Parkinson's, which kills more people." FAIR responded that AIDS had killed more people in the United States in 1999, but Stossel was speaking in more broad terms than a single country over a single year. In a February 2000 Salon.com feature on Stossel entitled "Prime-time propagandist", David Mastio wrote that Stossel has a conflict of interest in donating profits from his public speaking engagements to, among others, a non-profit called "Stossel in the Classroom" which includes material for use in schools, some of which uses material made by Stossel. University of Texas economist James K. Galbraith has alleged that Stossel, in his September 1999 special Is America #1?, used an out-of-context clip of Galbraith to convey the notion that Galbraith advocated the adoption by Europe of the free market economics practiced by the United States, when in fact Galbraith actually advocated that Europe adopt some of the United States' social benefit transfer mechanisms such as Social Security, which is the economically opposite view. Stossel denied any misrepresentation of Galbraith's views and stated that it was not his intention to convey that Galbraith agreed with all of the special's ideas. However, he re-edited that portion of the program for its September 2000 repeat, in which Stossel paraphrased, "Even economists who like Europe's policies, like James Galbraith, now acknowledge America's success."
Question: What was the public's reaction to those claims?
Answer: Progressive organizations such as Fairness and Accuracy In Reporting (FAIR) and Media Matters for America (MMfA) have criticized Stossel's work,

Problem: Background: Phish is an American rock band that was founded at the University of Vermont in Burlington, Vermont in 1983. It is known for musical improvisation, extended jams, blending of genres, and a dedicated fan base. The current line-up--guitarist and lead vocalist Trey Anastasio, bassist and vocalist Mike Gordon, drummer and vocalist Jon Fishman, and keyboardist and vocalist Page McConnell--performed together for 15 years before going on hiatus from October 7, 2000, to December 30, 2002. They resumed touring from December 31, 2002, until August 15, 2004, when they announced that the Coventry Festival would be their last show.
Context: By late 1990, Phish's concerts were becoming more and more intricate, often making a consistent effort to involve the audience in the performance. In a special "secret language", the audience would react in a certain manner based on a particular musical cue from the band. For instance, if Anastasio "teased" a motif from The Simpsons theme song, the audience would yell, "D'oh!" in imitation of Homer Simpson . In 1992, Phish introduced a collaboration between audience and band called the "Big Ball Jam" in which each band member would throw a large beach ball into the audience and play a note each time his ball was hit. In so doing, the audience was helping to create an original composition. In an experiment known as "The Rotation Jam", each member would switch instruments with the musician on his left. On occasion, a performance of "You Enjoy Myself" involved Gordon and Anastasio performing synchronized maneuvers, jumping on mini-trampolines while simultaneously playing their instruments. Phish, along with Bob Dylan, the Grateful Dead, and the Beatles, was one of the first bands to have a Usenet newsgroup, rec.music.phish, which launched in 1991. Aware of the band's growing popularity, Elektra Records signed them that year. The following year A Picture of Nectar was complete: their first major studio release, enjoying far more extensive production than either 1988's Junta or 1990's Lawn Boy. These albums were eventually re-released on Elektra, as well. The first annual H.O.R.D.E. festival in 1992 provided Phish with their first national tour of major amphitheaters. The lineup, among others, included Phish, Blues Traveler, the Spin Doctors, and Widespread Panic. That summer, the band toured Europe with the Violent Femmes and later toured Europe and the U.S. with Carlos Santana.
Question: What were the reactions like?
Answer:
For instance, if Anastasio "teased" a motif from The Simpsons theme song, the audience would yell, "D'oh!" in imitation of Homer Simpson .