Problem: This review is like what?

Review:Come on, let's get real. The Knights of Christ, Ordo Templi, or the Knights Templar as they are more commonly called did not even exist until the early 12th century. The story is so laughable that it's pathetic. Dolph Lundgren just looked positively bored. And besides, if you wanted to have a real-life Templar, why not just use the Knights of Christ, who are still in existence in Portugal. At least they should have taken history into account. The only redeeming quality I could find in this movie was that the artifacts looked authentic enough to pass for medieval or Gothic period pieces. The acting was bad, the storyline appalling, the action horrible, and the props were okay.
+++++++++
A: negative

Problem: This review is like what?

Review:When I saw the commercial for this, I was all about seeing it. Now, forgive me, but it's been so long since I've seen it that I don't recall how it went. Suffice it to say, the movie I saw bore no resemblance to the "movie" they sold me on.

I was bored, annoyed, and incredibly disappointed by this movie. And if it wasn't bad enough, they had to sink it even further with that awful reggae music. Not exactly mood-setting music for a horror movie, eh mon? I guess if you never saw the commercial (or trailer, I suppose) you may think this is some hot stuff. For my money, the commercial was way better.
+++++++++
A: negative

Problem: This review is like what?

Review:Remember the name Kevin Lime - and please, please never let

him direct again. Timing, pacing, editing: all hopelessly wrong.

Three or four decent professionals (next time, guys, walk off the

set) can do nothing to save this film from amateurs like Alice

Evans, and the kind of production standards you'd expect from

teen-produced children's shows on british TV.

Greatest mystery: the music. A score so inept, inappropriate and

ill-matched to the tone of the film that one seriously wonders if it is

a case of sabotage. Add an acoustic that booms apparently

unengineered from a single mike, and a director who only

intermittently remembers to add auditory action offscreen, and we

have what must be on of the greatest ratio of money to result of

recent years.
+++++++++
A: negative

Problem: This review is like what?

Review:Wrapped in gorgeous English country backgrounds, Emma is a delicious confection to be relished for dreamy getaways.

Emma (Gwyneth Paltrow) is a graceful, intelligent young woman who has just married off her governess--and confidant--to a marriage which Emma takes the credit in matchmaking. Eager to use her talent in arranging things for the people around her, she decides to match the vicar, Mr. Elton (Alan Cummings) with her pretty young friend, Harriet (Toni Collette).

The result is a series of mixed signals and mistaken interpretations that end up sorting themselves out, with Emma learning that she did not have as much control over events as she thought.

The film is full of Jane Austen's witty and wry characterizations. Gwyneth Paltrow is at her best, portraying this maiden of a restrained, polite society with wit and ease. Her growing romance with the unparalleled Mr. Knightley (Jeremy Northam) is the heart of this film. Mr. Knightley is one of the greatest romantic leading men in films. He is incredibly handsome, in a modest, relaxed way that is irresistible. He is certainly well-matched to Gwyneth Paltrow. Their charming friendship that began when he was 16 and she was an infant, has blossomed as he, a family friend, matches wits with her in an older brotherly fashion that grows into something more. With a wry look or understated jab at Emma, Northam's Knightley is a delight to watch.

Other wonderful characterizations include the comic Juliet Stevenson, Greta Scacchi, Ewan McGregor, Polly Walker, and the talkative spinster, Miss Bates, who is very funny.

Seeming shorter and more flowing than most Jane Austin adaptations, Emma has comic rhythm that promises true enjoyment.
+++++++++
A:
positive