Q: "What was your worst makeup disaster?" Do fingernails count? I hope so, because this is a good one: I was 21 years old. I worked for a major commercial airline. A friend of mine and I decided to go to Puerto Rico for a long weekend. It was our first trip to Puerto Rico. The hotel at which we stayed had a lovely (classy/expensive) restaurant serving continental fare. So, we decided to have our first dinner there. We dressed to the nines. Our hair and makeup were perfect. I had fake fingernails (not acrylic - those were fairly new back then. I had the type one glues on). Those fingernails were long, and painted a very bright - and obvious - red. When the waiter came to take our drink order, we both ordered glasses of wine. The waiter brought the wine, set it down on the table, and waited to take our meal orders. I smoked back then, and at the time, smoking was still allowed in restaurants. In a 21-year-old attempt to look classy and sophisticated, at that moment I took out a cigarette, put it between my lips, picked up my lighter, and lit my cigarette - or so I thought. Unfortunately, my long, red, fake thumbnail got in the way of the flame, and it caught on fire. The waiter's mouth dropped open, his eyes wide. He froze in place. I was horrified. The flame was literally shooting up from my nail! And smoke; the nail was plastic! Quickly scanning the table for the closest thing with which I could extinguish the flame, I spied my glass of wine. As nonchalantly as possible, I stuck my thumb in the glass. There was a sizzle as the flaming nail hit the wine. When I withdrew my thumb from the glass, the nail was melted, black, and curled under. Ever the professional, the waiter regained his composure and proceeded to take our orders without missing a beat - but I'm sure I was the talk of the kitchen for the rest of the evening. So much for my attempt at appearing "classy" and "sophisticated". Question: She lit her nail on fire: === The answer to the above question is | OPTIONS:
- During eating.
- After eating.
- not enough information
- Before eating.
A: Before eating.

Q: The sweet taste of cold and wood smoke hung in the air. Marlin rode low in the saddle, his shoulders curled against the hungry wind. His hat was pulled down tight and his eyes didn't move as he passed the crude shacks at the edge of town. He tied his horse in front of the saloon, unwinding his long body as if a sudden movement might snap it. He turned down the collar of his greatcoat and checked to make sure his big Army Colt was loose in its holster. The saloon door was a single chunk of white pine, still oozing sap, and he had to put his shoulder to it to force it open. The long room inside was quiet, and not much warmer than the street. Clusters of people sat nursing coffee and drinks, talking quietly if they talked at all. Marlin spotted a few farmers the railroad had brought in from Europe: rounded hats, nervous eyes, skin as red as blood. At the far end of the room a half-dozen cowboys turned over cards with patient boredom. Marlin walked up to the bar. "Whiskey," he said, and when the drink came he tossed it straight down and felt it pull his lips into a grimace. He nodded for a refill. When he turned to face the room they were all watching him. "I'm looking for a man named Kraamer," Marlin said. "Anybody here know of him?" One of the cowboys turned casually and rang the spittoon with a stream of tobacco juice. Marlin knew the long, thin face from somewhere, the blond hair that fell limply to his shoulders. He smiled at Marlin and showed his brown-stained teeth. Marlin felt the lines in his own face, the gray in his hair, the chill in his bones. He was too old for this. He set a half dollar on the bar and started for the door. "Don't get in a huff," the bartender said. Marlin looked back. "Kraamer lives about a mile west of town. Follow the railroad and take the first trail south." Question: What did John order from the bartender? === The answer to the above question is | OPTIONS:
- Water
- Whiskey
- not enough information
- Brandy
A: Whiskey

Q: For years, Aimee Lind, a librarian at the Getty Research Institute, has been struggling with ways to make architecture archives more accessible to users. To help solve this problem, she co-founded the California Architecture Archives Network (or CalArchNet) with her Cal Poly SLO colleague Jessica Holada. Together they have organized a series of one-day mini-conferences designed to foster dialogue and collaboration among librarians, archivists, and curators at California institutions that house architecture archives. The goal of these semiannual meetings is to create a space for convergence among professionals who intersect with architectural archives in different ways. Architecture archives, often containing large drawings and scale models, present unique problems due to their size and fragility. CalArchNet participants are interested in improving the overall user experience for visitors to the archives by looking for solutions to obstacles to access. This space for an informal exchange of ideas provides an opportunity to be transparent about the challenges repositories face when managing and processing architecture holdings, as well as encourages investigation and experimentation into ways new technologies may help to solve accessibility issues, such as improved interaction with digitized collections via the IIIF protocol or 3D-scanned facsimile models and virtual walk-throughs. October 27 marked the third meeting of CalArchNet, held at the Palm Springs Art Museum, Architecture and Design Center, with representatives from 13 institutions in attendance. Topics discussed included historic site preservation research methodology, leveraging statewide resources to enhance discovery of collections, security considerations, GIS mapping technologies, and the use of linked open data to make connections between collections. The day concluded with a curator-led tour of the exhibition Albert Frey and Lina Bo Bardi: A Search for Living Architecture. If you're an archivist, librarian, or curator working with architecture... Question: Who cofounded the California Architecture Archives Network? === The answer to the above question is | OPTIONS:
- Albert Frey
- Jessica Holada
- not enough information
- Aimee Lind
A: Aimee Lind