IN: Arnold Jacob Auerbach was one of the four children of Marie and Hyman Auerbach. Hyman was a Russian-Jewish immigrant from Minsk, Russia, and Marie Auerbach, nee Thompson, was American-born. Auerbach Sr. had left Russia when he was 13, and the couple owned a delicatessen store and later went into the dry-cleaning business. Little Arnold spent his whole childhood in Williamsburg, Brooklyn, playing basketball.

Auerbach was one of four children of American-born Marie Auerbach and Russian Jewish immigrant Hyman Auerbach in Brooklyn. His brother Zang Auerbach, four years his junior, was a respected cartoonist and portraitist at the Washington Star. He married Dorothy Lewis in the spring of 1941. The couple had two daughters, Nancy and Randy. Auerbach was known for his love for cigar smoking. Because Red made his victory cigars a cult in the 1960s, Boston restaurants would often say "no cigar or pipe smoking, except for Red Auerbach". In addition, Auerbach was well known for his love of Chinese food. In an interview shortly before his death, he explained that since the 1950s, Chinese takeout was the most convenient nutrition: back then, NBA teams travelled on regular flights and had a tight time schedule, so filling up the stomach with heavier non-Chinese food meant wasting time and risking travel-sickness. Over the years, Auerbach became so fond of this food that he even became a part-owner of a Chinese restaurant in Boston. Despite a heart operation, he remained active in his 80s, playing racquetball and making frequent public appearances. Despite his fierce nature, Auerbach was popular among his players. He recalled that on his 75th birthday party, 45 of his former players showed up; and when he turned 80, his perennial 1960s victim Wilt Chamberlain showed up, a gesture which Auerbach dearly appreciated. In an interview with ESPN, Auerbach stated that his all-star fantasy team would consist of Bill Russell--who in the former's opinion was the ultimate player to start a franchise with--as well as Bob Pettit, Elgin Baylor, Oscar Robertson and Jerry West, with John Havlicek as the sixth man. Regarding greatest basketballers of all time, Auerbach's candidates were Russell, Larry Bird, Magic Johnson, Kareem Abdul-Jabbar, Michael Jordan, and Robertson."
QUESTION: When did Auerbach get married?
IN: Phillips was born Holly Michelle Gilliam in Long Beach, California, the second child of Joyce Leon (nee Poole), an accountant, and Gardner Burnett Gilliam, a merchant mariner. She has one older sister. Phillips's mother died of a brain aneurysm when Michelle was five years old. Between the ages of six and twelve, Phillips was raised in Mexico City, Mexico, where her father was studying sociology on the GI Bill at Mexico City College.

In 1977, Phillips released her first and only solo album, Victim of Romance, produced by Jack Nitzsche for A&M Records. Commenting on the record, she said: "I didn't do it earlier because I never felt secure enough as a vocalist. I'm good, but Cass was always better." Phillips also commented on her involvement in its production, saying that she had been involved in "every aspect, from mixing to putting together the package and cover myself." Her first two solo singles from the album failed to make the U.S. music charts. The same year, she sang backup vocals with former stepdaughter Mackenzie Phillips on Zulu Warrior, for her ex-husband's second solo album, Pay Pack & Follow. The same year, she starred as Rudolph Valentino's second wife Natacha Rambova in Ken Russell's film Valentino (1977). The film received mixed reviews, with Time Out London saying: "Structured as a series of flashbacks from Valentino's funeral to his early years in America, the first hour or so of this biopic is Russell's sanest and most controlled work in several years, despite its hollow cynicism." In 1979, she appeared in the film adaptation of the Sidney Sheldon novel Bloodline (1979), a thriller starring Audrey Hepburn and Ben Gazzara. Released in June 1979, Bloodline received negative reviews from critics, and Phillips's performance (along with those of James Mason and Maurice Ronet) was criticized by Variety as being "drab." The same year, she recorded the song Forever for the movie soundtrack of California Dreaming the same year, a surf film that had nothing to do with her former group. Her other film credits during this period include roles in The Man with Bogart's Face (1980), Savage Harvest (1981) and American Anthem (1986). On television, Phillips played the mermaid princess Nyah in three episodes of Fantasy Island, and Leora Van Treas in Mike Hammer: Murder Takes All starring Stacy Keach in the title role, and appeared in TV miniseries such as Aspen (1977) and The French Atlantic Affair (1979). She has made guest appearances on series such as Spin City and Star Trek: The Next Generation (where she appeared in the episode We'll Always Have Paris as a former love-interest of Jean-Luc Picard). From 1983-1986 she joined the cast of Hotel as the concierge, the daughter of hotel owner Victoria Cabot's rival, who plants his daughter as a spy to further his aim of acquiring control of the St. Gregory.
QUESTION: was she in any other films?
IN: Rosa Louise McCauley Parks (February 4, 1913 - October 24, 2005) was an activist in the civil rights movement best known for her pivotal role in the Montgomery Bus Boycott. The United States Congress has called her "the first lady of civil rights" and "the mother of the freedom movement". On December 1, 1955, in Montgomery, Alabama, Parks refused to obey bus driver James F. Blake's order to give up her seat in the "colored section" to a white passenger, after the whites-only section was filled. Parks was not the first person to resist bus segregation, but the NAACP believed that she was the best candidate for seeing through a court challenge after her arrest for civil disobedience in violating Alabama segregation laws.

In 1900, Montgomery had passed a city ordinance to segregate bus passengers by race. Conductors were empowered to assign seats to achieve that goal. According to the law, no passenger would be required to move or give up their seat and stand if the bus was crowded and no other seats were available. Over time and by custom, however, Montgomery bus drivers adopted the practice of requiring black riders to move when there were no white-only seats left. The first four rows of seats on each Montgomery bus were reserved for whites. Buses had "colored" sections for black people generally in the rear of the bus, although blacks composed more than 75% of the ridership. The sections were not fixed but were determined by placement of a movable sign. Black people could sit in the middle rows until the white section filled; if more whites needed seats, blacks were to move to seats in the rear, stand, or, if there was no room, leave the bus. Black people could not sit across the aisle in the same row as white people. The driver could move the "colored" section sign, or remove it altogether. If white people were already sitting in the front, black people had to board at the front to pay the fare, then disembark and reenter through the rear door. For years, the black community had complained that the situation was unfair. Parks said, "My resisting being mistreated on the bus did not begin with that particular arrest. I did a lot of walking in Montgomery." One day in 1943, Parks boarded a bus and paid the fare. She then moved to her seat but driver James F. Blake told her to follow city rules and enter the bus again from the back door. When Parks exited the vehicle, Blake drove off without her. Parks waited for the next bus, determined never to ride with Blake again.
QUESTION:
Did she ever riide with blake again?