Problem: Adeline Virginia Woolf (; nee Stephen; 25 January 1882 - 28 March 1941) was an English writer who is considered one of the most important modernist twentieth century authors and a pioneer in the use of stream of consciousness as a narrative device. Virginia Stephen was born into an affluent household in South Kensington, London. She was the seventh child in a blended family of eight. Her mother, Julia Stephen, celebrated as a Pre-Raphaelite artist's model, had three children from her first marriage, her father Leslie Stephen, a notable man of letters, had one previous daughter, and four children were born in her parents' second marriage, of whom the most well known was the modernist painter, Vanessa Stephen (later Vanessa Bell).

Leslie Stephen was in the habit of hiking in Cornwall, and in the spring of 1881 he came across a large white house in St. Ives, Cornwall, and took out a lease on it that September. Although it had limited amenities, its main attraction was the view overlooking Porthminster Bay towards the Godrevy Lighthouse, which the young Virginia could see from the upper windows and was to be the central figure in her To the Lighthouse (1927). It was a large square house, with a terraced garden, divided by hedges, sloping down towards the sea. Each year between 1882 and 1894 from mid-July to mid-September the Stephen's leased Talland House as a summer residence. Leslie Stephen, who referred to it thus: "a pocket-paradise", described it as "The pleasantest of my memories... refer to our summers, all of which were passed in Cornwall, especially to the thirteen summers (1882-1894) at St. Ives. There we bought the lease of Talland House: a small but roomy house, with a garden of an acre or two all up and down hill, with quaint little terraces divided by hedges of escallonia, a grape-house and kitchen-garden and a so-called 'orchard' beyond". It was in Leslie's words, a place of "intense domestic happiness". Virginia herself described the house in great detail: In both London and Cornwall, Julia was perpetually entertaining, and was notorious for her manipulation of her guests' lives, constantly matchmaking in the belief everyone should be married, the domestic equivalence of her philanthropy. As her husband observed "My Julia was of course, though with all due reserve, a bit of a matchmaker". While Cornwall was supposed to be a summer respite, Julia Stephen soon immersed herself in the work of caring for the sick and poor there, as well as in London. Both at Hyde Park Gate and Talland House, the family mingled with much of the country's literary and artistic circles. Frequent guests included literary figures such as Henry James and George Meredith, as well as James Russell Lowell, and the children were exposed to much more intellectual conversations than their mother's at Little Holland House. The family did not return, following Julia Stephen's death in May 1895. For the children it was the highlight of the year, and Virginia's most vivid childhood memories were not of London but of Cornwall. In a diary entry of 22 March 1921, she described why she felt so connected to Talland House, looking back to a summer day in August 1890. "Why am I so incredibly and incurably romantic about Cornwall? One's past, I suppose; I see children running in the garden ... The sound of the sea at night ... almost forty years of life, all built on that, permeated by that: so much I could never explain". Cornwall inspired aspects of her work, in particular the "St Ives Trilogy" of Jacob's Room (1922), To the Lighthouse (1927), and The Waves (1931).

What was Talland House?

Answer with quotes: a large white house in St. Ives, Cornwall,

Problem: Huey Lewis and the News is an American pop rock band based in San Francisco, California. They had a run of hit singles during the 1980s and early 1990s, eventually achieving 19 top ten singles across the Billboard Hot 100, Adult Contemporary, and Mainstream Rock charts. Their most successful album, Sports, was released in 1983. The album, along with its videos being featured on MTV, catapulted the group to worldwide fame.

In 1984, Ray Parker Jr. was signed by the producers of Ghostbusters to develop the film's title song. Later that year, Huey Lewis and the News sued Parker, citing the similarities between the "Ghostbusters" song and their earlier hit "I Want a New Drug." According to Huey Lewis and the News, this was especially damaging to them since "Ghostbusters" was so popular, rising to number one on the charts for three weeks. The dispute was ultimately settled out of court. Lewis has stated that his experiences with the producers of Ghostbusters were indirectly responsible for getting involved in the 1985 movie Back to the Future. In the 2001 Behind the Music special, Huey Lewis stated: "The offensive part was not so much that Ray Parker Jr. had ripped this song off, it was kind of symbolic of an industry that wants something - they wanted our wave, and they wanted to buy it. ... [I]t's not for sale. ... In the end, I suppose they were right. I suppose it was for sale, because, basically, they bought it." As a result of this statement, Parker filed a suit against Lewis, claiming he violated the settlement's confidentiality agreement and sought an unspecified amount of compensatory and punitive damages as well as attorney's fees. An issue of Premiere magazine would later feature an anniversary article about the movie Ghostbusters. In that article, the filmmakers at Columbia Pictures admit to using the song "I Want a New Drug" as temporary background music in many scenes. They then said that they had made an offer to Huey Lewis and the News to write the main theme, but the band declined. In a 2001 Behind the Music special, Lewis said that the band declined the filmmakers' offer because the band had a prior contractual obligation to do a long concert tour to promote the hugely successful Sports album, which had just been released at the time, and didn't have time to write a main theme for a movie. The filmmakers gave film footage - with the Huey Lewis song in the background - to Ray Parker Jr., to aid Parker in writing the theme song.

what did they do after

Answer with quotes:
In the 2001 Behind the Music special, Huey Lewis stated: "The offensive part was not so much that Ray Parker Jr. had ripped this song off,