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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : The Union of Evangelical Congregational Churches in Brazil is an association of churches of Congregational origin in Brazil. It was founded by a couple namely Robert Reid Kalley and Sarah Poulton Kalley, who arrived in Rio de Janeiro in May 1855 to begin mission work. The work developed. The first believer was baptised in November, 1857. In 1858 the first church was organised. The evangelists and the Kalley's work spread to the North-eastern part of Brasil, specially in Recife and Pernambuco state. Robert and Sarah Kalley returned to Scotland in 1876. In 1913 thirteen church formed the United Independent Evangelical Churches. Robert died in 1888 but Sarah continued to raise funds for Brazil. She died in 1907. In 1942 Congregational churches united to form the Evangelical Christian Churches in Brazil. Later it become the Union of Evangelical Congregational Churches in Brazil. Context_2 : Needed Truth is a Christian, Plymouth Brethren magazine that first appeared in 1888 in Scotland. The magazine discussed whether reception was to the Lord's Table, or if reception was to the assembly itself. This distinction had implications whether a believer from other evangelical churches could occasionally meet with the saints in a New Testament assembly. The publication of the magazine crystallised the two sides of the argument to such an extent that within five years they ceased to be in intercommunion. Context_3 : Medieval women's mysticism was "a succession of insights and revelations about God that gradually transformed the recipient" according to historian Elizabeth Petroff of Oxford University in her 1994 book, "Body and Soul." The word "mysticism" has its origin in ancient Greece where individuals called the "mystae" participated in mystery religions. The life of a medieval woman mystic was spent seeking unity with God in a series of stages. The mystical life of a medieval woman began with a purge of the spirit in which she released herself from earthly indulgences and attachments. In a state of contrition the medieval woman mystic faced suffering because of her past sins, and the mercy of God was revealed to her through penitence. Mystics sought to imitate the suffering of Christ in order to gain an understanding through experience. During the compassion stage of suffering, the pain experienced by the medieval woman mystic "revealed the believer's love of Christ, fostered unity with Christ and the world, and began to draw the believer beyond the physical Jesus who suffered on the Cross to understand the immensity of the love that motivated Christ in the world to suffer on humanity's behalf". Medieval women mystics experienced visions during what medieval historians refer to as the Illuminative stage of their lives that contained instructions from God and would communicate their revelations in written form. Context_4 : Inclusivism, one of several approaches to understanding the relationship between religions, asserts that while one set of beliefs is absolutely true, other sets of beliefs are at least partially true. It stands in contrast to exclusivism, which asserts that only one way is true and all others are in error. It is a particular form of religious pluralism, though that term may also assert that all beliefs are equally valid within a believer's particular context. Context_5 : Silence ( , "Chinmoku" ) is a 1966 novel of historical fiction by Japanese author Shusaku Endo, published in English by Peter Owen Publishers. It is the story of a Jesuit missionary sent to 17th century Japan, who endures persecution in the time of Kakure Kirishitan ("Hidden Christians") that followed the defeat of the Shimabara Rebellion. The recipient of the 1966 Tanizaki Prize, it has been called "Endo's supreme achievement" and "one of the twentieth century's finest novels". Written partly in the form of a letter by its central character, the theme of a silent God who accompanies a believer in adversity was greatly influenced by the Catholic Endo's experience of religious discrimination in Japan, racism in France, and a debilitating bout with tuberculosis. Context_6 : Nevin is a surname of Irish (Gallowglass) origin. Two etymologies are given. It may originate from Cnamhin, derived from Cnamh, "a bone", possibly a nickname in reference to the first chief of the clan who was a bony or large-boned man. Secondly, it may be an Anglicisation of the Irish Gaelic form MacCnaimhin / O Cnaimhin / MacCnaomhin / O Cnaomhin or Ni Chnaimhin / Ni Chnaomhin (female), meaning "Little Saint" or "Saintly" / "Believer in Saints" / "Religious". Context_7 : The Believer is a bi-monthly magazine of interviews, essays, and reviews. Founded by the writers Heidi Julavits, Vendela Vida, and Ed Park in 2003, the magazine is a five-time finalist for the National Magazine Award, with contributors ranging from literary luminaries such as Hilton Als, Anne Carson, Nick Hornby, Susan Straight, and William T. Vollmann to emerging talents for whom the magazine has been a proving ground, including Eula Biss, Gideon Lewis-Kraus, Leslie Jamison, Rachel Kaadzi Ghansah, Kent Russell, and Rivka Galchen. Context_8 : Edmond Edouard Ernest Victor Toupet des Vignes (5 September 1816 21 June 1882) was a French politician who sat in the legislature during the French Second Republic and the French Third Republic, and then became a senator. He was a firm believer in the republican form of government, and sat with the center left, but on topics such as religion held conservative views. Context_9 : Baba Faqir Chand, (18 November 1886 11 September 1981) was an Indian master of Surat Shabd Yoga, or consciously controlled near death experience. He was one of the first saints or gurus of Sant Mat tradition to openly speak and write against the deceptive and harmful practices of modern guruism and religious intolerance. As a highly pragmatic individual, Faqir also strove to explain the various practices and principles of Sant Mat based on his own experiences and in the context of modern science and psychology. He was also the first Sant Mat guru to talk about the phenomena consisting of a believer experiencing a subjective projection of a sacred or holy form of a guru or idol without the conscious knowledge of the person at the center of the experience, i.e., the guru. This was termed the 'Chandian Effect', and described by researcher David C. Lane. Faqir Chand claimed that he had no knowledge of his form manifesting before a person and helping them with their worldly or spiritual problems. He fervently expressed that in his experience, the real helper is one's own true self and faith.Mark Juergensmeyer, another researcher on new religious movements (including Radha Soami Mat), intrigued by the uniqueness of Faqir Chand's experiences, also interviewed him. This insightful interview was included in Faqir's autobiography. Context_10 : YM was an American teen magazine that began in 1932. The magazine ceased publication in 2004. fact_1 : YM was an American teen magazine that began in 1932. fact_2 : The Believer is a bi-monthly magazine of interviews, essays, and reviews. Question: YM and The Believer, are which form of publication?
Solution:
magazine