In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: " psycho meets the exorcist with no holds barred " .
a blurb like that sounds like desperate publicity for some low budget , third rate rip - off .
but no , this tacky plug comes from the poster for suspiria , perhaps italian horror director dario argento 's most consistently successful film .
what impresses most in re - watching this surrealistic , supernatural thriller is that argento 's directorial flair and stylish visuals are matched by a near - fully coherent narrative .
screenplays have always been his achilles heel ; confusing subplots , gaping holes , totally illogical incidents and reactions .
no question : argento has always been a better director than a writer .
fortunately , he gets the plotting pretty well right with suspiria , taking his cue from a book by thomas de quincey called " suspiria de profundis " .
the film 's storyline suffers from no major lapses in logic , provided one can accept the premise of a ballet school being a front for a coven of witches .
jessica harper plays an american who travels to germany to further her studies in dance .
arriving at the school late at night in driving rain , she sees a girl leave and run into the storm in a clearly distressed state .
what happens next - and i do n't make the comparison lightly - is a murder sequence that for intensity , shock value and sheer directorial flair ranks alongside alfred hitchcock 's infamous shower scene in psycho .
it 's quite possibly a homage to hitchcock , but with its baroque sets , graphic gore and brilliantly chaotic musical accompaniment by the gothic rock group goblin , this stunning sequence remains very much argento 's own .
though nothing else quite equals the intensity of suspiria 's opening 15 minutes , the film continues to be never anything less than engrossing as harper begins her own investigations and slowly comes to realise this is no ordinary ballet school .
we meet an assortment of slightly sinister characters , most notably the head ballet teacher played by alida valli in another one of those delicious sour - old - matriarch - from - hell roles she does so well .
several more violent murders ensue , including a startling scene in a deserted square where a blind man is . . .
well , i would n't want to spoil things now , would i ?
and the film 's climax , staged amid secret corridors and hidden rooms , has a gothic ghoulishness
that 's most impressive .
the english language versions of most argento movies usually suffer trimming , and not just for the violence - deep red and phenomena , for example , have been appallingly hacked about .
fortunately , the cuts to suspiria ( about 7 minutes in this version ) have not adversely affected the film .
the dubbing of the italian actors into english is quite competently done , too , excepting one appalling and unintentionally hilarious effort with a conversation between harper and a professor about the history of witchcraft in the region .
and the soundtrack ?
it is interesting to imagine what power the film would have lost if it had been scored by someone else .
as it stands , the use of goblin 's music in suspiria is outstanding .
apparently , argento played the soundtrack on location while filming so the actors could hear the music as they acted out their parts .
a stereo video player adds greatly to the viewer 's overall experience .
even better , see suspiria in a cinema , where you 'll get the added bonus of widescreen .
and the colours !
deep reds , eerie blues , a superb use of shadow and contrast .
the cinematography of luciano tovoli , whose more recent credits include reversal of fortune and single white female , is uniformly superb .
a nod also must go to production designer giuseppe bassan for his wonderful baroque interiors .
these kinds of settings are crucial to the atmosphere of argento 's more surreal excursions , the other most notable example being inferno ( 1980 ) on which bassan also worked .
suspiria is the film that broke dario argento into the major league of european directors , and it is fully deserving of its cult status .
the gore is at times a little excessive and overstated - that 's always been one of argento 's shortcomings - but overall
this is a fascinating , compelling example of italian horror .

Output: P

Input: Consider Input: when i originally saw the trailer for " analyze this " a few months ago , i must admit ,
i thought it looked kind of lame .
and then when the commercials started popping up a week or two ago , i thought it looked outright bad
.
but then when " analyze this " finally opened a few days ago , an odd thing happened .
it got great reviews .
critics were proclaiming it " hilarious " and a " dead - on parody of mob movies " .
well , with praise like that , i figured , it must be good
and so i headed off to the theater .
you know that expression that says always trust your gut instincts ?
well , turns out that expression is more valid than i ever gave it credit for .
" analyze this " is slow , unfunny , and badly acted .
do n't get me wrong , i think that deniro is one of the top ten greatest actors of the century , but he is just out of his league here .
i think the problem is he did n't quite know how to approach this material .
he plays his character , mob boss paull vitti , somewhere in between the realm of comedy and drama . if he had played the character straight , along the lines of leslie nielson in the " naked gun " series , he probably would have been a lot more successful .
as it is , though , he plays the character completely serious at some moments , and for laughs at others .
this does n't work .
it creates an uneven character that never breaks out of the deniro mold ; you always know it 's him . and the movie is badly paced , too .
it never takes off .
it just crawls from one scene to another without any forward momentum .
i think the blame for this should be placed on the script .
it 's obvious the writer had a good idea for a movie , mob boss faces breakdown and needs the services of a psychiatrist , but once this is established , the movie does n't really go anywhere .
the formula of the film seems to be this : billy crystal says no to deniro , deniro forces him , and much wackiness ensues .
this formula of sorts is repeated several times throughout the movie .
i 've said it before and i 'll say it again : the only thing that matters to me in a comedy is whether or not it 's funny .
if " analyze this " had been funny , the pacing and bad acting would n't have bothered me .
i would have been too busy laughing to notice .
but as it is , i only chuckled a few times .
the only really funny scene is a dead - on parody of " the godfather " .
sadly , though , i do n't think anyone in the audience i saw it with realized it was a parody , because i was the only one laughing .
but my sense of humour , i have come to realize , is vastly different from the general population .
i loathed " there 's something about mary " , yet loved " baseketball " .
now , if you want a movie that * i * think is funny , go out and see " office space " .
it 's full of genuine laughs and wo n't leave you glancing at your watch every 10 minutes , as " analyze this " did .

Output: N

Input: Consider Input: this review contains spoilers , but believe me , i do n't say anything you ca n't guess 10 minutes into the movie .
i *
did * go into this one with high expectations .
i had been exposed to media reports that this film would signify a departure from the slasher flicks .
i sort of expected another exorcist or the shining .
i even put aside my general rule of not seeing this type of film .
boy , was i wrong !
another garbage slasher flick
, the only difference being that * this * one has a story !
the story , you ask ?
well , a scumball buys a chinese puzzle from a guy in an arab souk .
he takes it home , somehow getting it past customs : - ) and starts fiddling with it in his attic .
lo and behold , after he takes it apart , three demons appear and start taking him apart , but
with meat hooks .
when they 're finished , his gizzards are hanging from the ceiling .
they botch up their cleanup job , however , and manage to leave his heart ( or some gland ; i did n't really recognize the organ ) under a floorboard .
the guy 's brother and his brother 's wife appear at the door soon after , and decide to move in .
they throw away scumball 's belongings , and set up house .
turns out that wife is a bit of a nympho , and screwed around with scumball right before her marriage .
she starts having some wild hallucinations .
later , hubby spills some blood on the attic floorboards ( slow - mo special effects of the buckets of blood hitting the ground -- all from the tiny cut on his hand ) .
said blood is eagerly sucked up by scumball 's organ .
the organ grows into a thing that requires yet more blood in order to complete the regeneration into a really ugly thing .
it establishes mind contact with wife , who agrees to help him get more blood , because she really wants to be screwed again .
so , she helps him kill three businessmen .
scumball , at this time , gradually gets his strength back and grows all his organs back .
problem is , he does n't have any skin , and even after three or four corpses , still does n't get any skin .
he finally gets some , though , but strangely enough , he ends up looking like his brother .
guess they could n't get the original actor back .
who knows .
scumball ( whose name is frank ) is not a nice guy .
he describes his torture by the demons fondly , as the " ultimate pleasure and pain , since at that level there is no difference between the two .
"
somehow , i do n't see getting torn apart by 90 fish-
and meat - hooks a lot of fun .
this guy is
* so * bad
( " how bad * is * he ? " ) ,
* so * bad that the * rats * cower in a corner in fear .
for good reason , too ; he crucifies two of them for fun , and carves a third while the nympho 's horsing around with hubby .
anyway .
hubby 's daughter ( who , if course , is not * wife 's * daughter ) starts to suspect something is wrong after she sees wife going into the attic with one of her johns and the ensuing screams .
the dumb bimbo meets scumball , and is not impressed .
she manages to escape with the chinese puzzle , and brings out the demons .
at any rate , the demons are pissed off that they screwed up their cleanup ; they 're normally quite meticulous about that type of thing .
the story boils down to the demons trying to correct their mistake .
the demons are not , however , the good guys .
the dumb bimbo 's the good guy .
she somehow not only gets them to take care of frank , but also banishes them to hell or oblivion , we 're not too sure which . not too shabby for someone with single - digit iq .
this is basically a " bad jinn " story .
it is an * awful * movie .
awful acting , bad focus in the photography
, many scenes of skin being penetrated by meathooks , which is really unrealistic , and looks like the latex that it is .
continuity ? who cares . acting ?
* terrible * .
script ?
horrible .
sounds canned .
unrealistic
.
story is so - so , but the impact is lost long , long before the film ends .
i do think the * rat * acting was quite good .
i have never seen rats look afraid .
they should get nominated for an award .
really good acting there , the best in the movie .
"
the envelope for best furry rodent , please . . .
" a " " rating would be far too generous .
a " 1/10 " rating ( or -4 in the -4 to +4 rating system ) is far more accurate .
this movie is so bad that people in the audience were laughing , chortling at the bad acting and crummy dialog .
i can see this film turning into the next rocky horror picture show .
people were getting so fed up they were yelling warnings up to the characters on the screen .
had to have something to do .
dumb , dumb , dumb movie .
i was embarrassed that i spent money to see it .
it goes without saying that i disagree with the other reviews on the board that attempt to review the film for itself .
lots of slime and red - dyed corn syrup does not constitute " horror , " in my opinion .
Output: N