Question: Amy Winehouse was born in Chase Farm Hospital, in north London, to Jewish parents. Her father, Mitchell "Mitch" Winehouse, was a window panel installer and then a taxi driver; and her mother, Janis Winehouse (nee Seaton), was a pharmacist. Winehouse's ancestors were Russian Jewish and Polish Jewish immigrants to London. Amy had an older brother, Alex (born 1979), and the family lived in London's Southgate area, where she attended Osidge Primary School.

Throughout her life Winehouse donated her money, music and time to many charities, particularly those concerned with children. She was once named "the most charitable act" by Pop World. While this side of her personality was never well known to the general public, throughout both the arts community and the charity community she was known for her generosity. Among the charities she supported are Adopt-A-Minefield, Anti-Slavery International, Breast Cancer Campaign, CARE, Children of the Andes, Children's Medical Research Institute, Christian Children's Fund, City at Peace, UK charity telethon Comic Relief, London's Great Ormond Street Hospital for sick children, Greenpeace, Healthlink Worldwide, Hear the World, Heifer International, Holy Apostles Soup Kitchen, the Red Cross, LIFEbeat, Lifeline and Rape Crisis PMB, Opportunity International, Oxfam, Rights and Humanity, Save the Children, Save the Music Foundation, St. Jude Children's Research Hospital, Teenage Cancer Trust, Christina Noble Children's Foundation, Little Dreams Foundation, Lotus Outreach, Nelson Mandela Children's Fund, UNHCR, UNICEF, V-Day, WaterAid, and World Neighbors. In 2008, Winehouse appeared naked in an issue of Easy Living Magazine to raise awareness of breast cancer. In 2009, she appeared on a CD called Classics alongside musicians such as The Rolling Stones, The Killers and many Cuban musicians to raise awareness of climate change. In March 2011, Winehouse donated over PS20,000 worth of clothes to a local charity shop in London. In 2012, it was revealed that she had paid for the medical tests for a man called Julian Jean DeBaptiste in Saint Lucia in 2009. "I had surgery on 1 July 2009... it cost a fortune and Amy paid for the whole thing. I tried to thank her but she just hugged me and told me not to say anything. Her generosity gave me my life back."

Using a quote from the above article, answer the following question: Was she known for this?
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Answer: She was once named "the most charitable act" by Pop World. While this side of her personality was never well known to the general public,

Question: Judith Butler FBA (born February 24, 1956) is an American philosopher and gender theorist whose work has influenced political philosophy, ethics and the fields of third-wave feminist, queer and literary theory. Since 1993, she has taught at the University of California, Berkeley, where she is now Maxine Elliot Professor in the Department of Comparative Literature and the Program of Critical Theory. She is also the Hannah Arendt Chair at the European Graduate School. Butler is best known for her books Gender Trouble:

In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble. She begins by basing her theory of gender performativity on a feminist phenomenological point of view. She suggests that both phenomenology and feminism ground their theories in "lived experience". Further, in comparing phenomenologist Maurice Merleau-Ponty and feminist Simone de Beauvoir, Butler argues that both theories view the sexual body as a historical idea or situation; she accepts this notion of a "distinction between sex, as biological facticity, and gender, as the cultural interpretation or signification of that facticity". This combination of theories is essential for founding Butler's view of "theatrical" or performative genders in society. Butler argues that it is more valid to perceive gender as a performance in which an individual agent acts. The performative element of her theory suggests a social audience. For Butler, the "script" of gender performance is effortlessly transmitted generation to generation in the form of socially established "meanings": She states, "gender is not a radical choice... [nor is it] imposed or inscribed upon the individual". Given the social nature of human beings, most actions are witnessed, reproduced, and internalized and thus take on a performative or theatric quality. With Butler's theory, gender is essentially a performative repetition of acts associated with the male or female. Currently, the actions appropriate for men and women have been transmitted to produce a social atmosphere that both maintains and legitimizes a seemingly natural gender binary. Consistently with her acceptance of the body as a historical idea, she suggests that our concept of gender is seen as natural or innate because the body "becomes its gender through a series of acts which are renewed, revised, and consolidated through time". Butler argues that the performance of gender itself creates gender. Additionally, she compares the performativity of gender to the performance of the theater. She brings many similarities, including the idea of each individual functioning as an actor of their gender. However, she also brings into light a critical difference between gender performance in reality and theater performances. She explains how the theater is much less threatening and does not produce the same fear that gender performances often encounter because of the fact that there is a clear distinction from reality within the theater. Butler uses Sigmund Freud's notion of how a person's identity is modeled in terms of the normal. She revises Freud's notion of this concept's applicability to lesbianism, where Freud says that lesbians are modeling their behavior on men, the perceived normal or ideal. She instead says that all gender works in this way of performativity and a representing of an internalized notion of gender norms.

Using a quote from the above article, answer the following question: Did she write a book or is this a spoken theory?
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Answer:
In this essay, Judith Butler proposes her theory of gender performativity, which would be later taken up in 1990 throughout her work, Gender Trouble.