Please answer this: Given the following context: The album's lyrics, written by Yorke, are more abstract compared to his personal, emotional lyrics for The Bends. Critic Alex Ross said the lyrics "seemed a mixture of overheard conversations, techno-speak, and fragments of a harsh diary" with "images of riot police at political rallies, anguished lives in tidy suburbs, yuppies freaking out, sympathetic aliens gliding overhead." Recurring themes include transport, technology, insanity, death, modern British life, globalisation and anti-capitalism. Yorke said: "On this album, the outside world became all there was ... I'm just taking Polaroids of things around me moving too fast." He told Q: "It was like there's a secret camera in a room and it's watching the character who walks ina different character for each song. The camera's not quite me. It's neutral, emotionless. But not emotionless at all. In fact, the very opposite." Yorke also drew inspiration from books, including Noam Chomsky's political writing, Eric Hobsbawm's The Age of Extremes, Will Hutton's The State We're In, Jonathan Coe's What a Carve Up! and Philip K. Dick's VALIS.The songs of OK Computer do not have a coherent narrative, and the album's lyrics are generally considered abstract or oblique. Nonetheless, many musical critics, journalists, and scholars consider the album to be a concept album or song cycle, or have analyzed it as a concept album, noting its strong thematic cohesion, aesthetic unity, and the structural logic of the song sequencing. Although the songs share common themes, Radiohead have said they do not consider OK Computer a concept album and did not intend to link the songs through a narrative or unifying concept while it was being written. Jonny Greenwood said: "I think one album title and one computer voice do not make a concept album. That's a bit of a red herring." However, the band intended the album to be heard as a whole, and spent two weeks ordering the track list. O'Brien said: "The context of each song is really important ... It's not a concept album but there is... answer the following question: What is the name of the album about which Greenwood said one title and "and one computer voice do not make a concept album"?
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Answer: OK Computer

Problem: Given the following context: As an artist, Francis Bacon was a late starter. He painted sporadically and without commitment during the late 1920s and early 1930s, when he worked as an interior decorator and designer of furniture and rugs. He later admitted that his career was delayed because he had spent so long looking for a subject that would sustain his interest. He began to paint images based on the Crucifixion in 1933, when his then-patron Eric Hall commissioned a series of three paintings based on the subject. These abstract figurations contain formal elements typical of their time, including diaphanous forms, flat backgrounds, and surrealist props such as flowers and umbrellas. The art critic Wieland Schmied noted that while the early works are "aesthetically pleasing", they lack "a sense of urgency or inner necessity; they are beautiful, but lifeless". The sentiment is echoed by Hugh Davies, who wrote that Bacon's 1933 paintings "suggest an artist concentrating more on formal than on expressive concerns". Bacon admitted that his early works were not successful; they were merely decorative and lacking in substance. He was often harshly self-critical during this period, and would abandon or destroy canvasses before they were completed. He abandoned the Crucifixion theme, then largely withdrew from painting in frustration, instead immersing himself in love affairs, drinking and gambling.When he returned to the topic of the Crucifixion eleven years later, he retained some of the stylistic elements he had developed earlier, such as the elongated and dislocated organic forms that he now based on Oresteia. He continued to incorporate the spatial device he was to use many times throughout his careerthree lines radiating from this central figure, which was first seen in Crucifixion, 1933. Three Studies was painted over the course of two weeks in 1944, when, Bacon recalled, "I was in a bad mood of drinking, and I did it under tremendous hangovers and drink; I sometimes hardly knew what I was doing. I think perhaps the drink helped me to... answer the following question: What is the last name of the person who worked as a designer of furniture and rugs?

A: Bacon

Q: Given the following context: Eddie Campbell watches a stagecoach as it rides toward a Nebraska town. Other members of his gang are waiting there to rob the bank. Ben Cutler, owner of the stage line, is on board, and is returning home to be wed to Ruth Granger. During the holdup, a bank teller is killed. Ben joins the posse. His daughter, Laurie, is in love with Eddie and doesn't believe him to be truly bad. Eddie shoots the Marshal, however. He is wounded by Ben and brought back to town to stand trial. Ben, who had once been a lawman but gave up the profession after his daughter was born is offered a temporary job as Marshal. Selby, a publicity-seeking lawyer who defends Eddie, insinuates that Ben was just acting in vengeance because his client had been intimate with Ben's daughter. Ben punches him for this slur on Laurie's character. Eddie is found guilty due to Ben's eyewitness testimony. He is sentenced to hang. Townspeople begin to have their doubts, even Ruth, partly due to Eddie's manipulation of their emotions. Laurie tries to smuggle a gun to Eddie's cell, but her father finds it. Ben must ride to the state's capital after a plea for clemency from the governor is made. As soon as he is gone, Eddie's gang busts him out of jail. He physically assaults Laurie, revealing his true nature. Ben returns just in time, though, and shoots a fleeing Eddie atop the gallows. answer the following question: What is the full name of the character who finds the gun that Laurie tries to smuggle to Eddie?
A:
Ben Cutler