Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : "The Scarlet Tide" is a song written by T-Bone Burnett and Elvis Costello and performed by Alison Krauss from the 2003 film "Cold Mountain" Context_2 : "The Little Girl" is a song written by Harley Allen and recorded by American country music artist John Michael Montgomery. The song features harmony vocals by bluegrass musicians Alison Krauss and Dan Tyminski, both members of Alison Krauss and Union Station. It was released in August 2000 as the lead single from the album "Brand New Me". The song became Montgomery's seventh and last No. 1 hit to date on the "Billboard" Hot Country Singles & Tracks chart, and his first chart-topper since 1995's "Sold (The Grundy County Auction Incident)". The song also reached No. 35 on the "Billboard" Hot 100. Context_3 : More Songs from Pooh Corner is a children's music album released in 2000 by Kenny Loggins. The follow-up to his 1994 album Return to Pooh Corner, it includes the theme song from the recent Disney Winnie the Pooh film "The Tigger Movie", "Your Heart Will Lead You Home", which he also performed for that film's soundtrack, as well as several classic film songs and duets with Olivia Newton-John and Alison Krauss. "Always in All Ways" was based on Loggins' wife's letters and response to his children leaving the nest while "Hana Aluna Lullabye" featuring lyrics in Hawaiian and English was written for his fifth child Hana named after a town on the Hawaiian island of Maui he and second wife Julia fell in love on in 1991. It was jointly released by Loggins' label Columbia Records, Sony Wonder, and Walt Disney Records. It was revealed on The Tonight Show with Jimmy Fallon March 15th, 2016 that the girl on the cover's left is Zoe Kravitz. Context_4 : Mountain Angel is a song written and performed by Dolly Parton off of her 2001 album "Little Sparrow". This song, including the other tracks from the album, was recorded at '"Oceanway and The Doghouse"' in Nashville, and at 'Schnee Studios' in Los Angeles.Mountain angel is a bluegrass piece with elements of folk. In order to match the success of her previous album, The Grass is Blue, Dolly used the band Nickel Creek and the backing vocals of Alison Krauss to create a new innovative bluegrass sound. The song was performed on several occasions including Larry King: Live to promote Little Sparrow and the Live and Well Tour. It was also written as a tribute, and dedicated, to her father who told her these wild stories in the Smokey Mountains Context_5 : Up! Close and Personal is the fourth live video album by Canadian singer Shania Twain. It was directed by Beth McCarthy-Miller, and produced by team composed of Dan Braun, Cliff Burnstein, Carol Donovan, McCarthy-Miller, Peter Mensch, and Marc Reiter. The concert was filmed in November 2003 at a sound stage in Nashville, Tennessee, with an audience of 300 people. When conceptualizing the show, Twain desired to make the setting intimate and perform the songs acoustically, so she turned to bluegrass band Alison Krauss and Union Station to perform backup during the concert. It was also modeled after Elvis Presley's "'68 Comeback Special", with a similar stage and Twain being costumed by black, leather jumpsuit. "Up! Close and Personal" premiered on the National Broadcasting Company (NBC) on November 25, 2003, and was high in ratings, being watched by over 9 million viewers in the United States. Context_6 : New Favorite is the ninth album by bluegrass music group Alison Krauss & Union Station, released August 14, 2001. The album peaked in the top 50 of the "Billboard" 200 and within the top 5 of the "Billboard" charts for both Country and Bluegrass and was certified gold. This album was released in the same year as the "O Brother, Where Art Thou?" soundtrack, which Krauss appeared on, that had a large effect on bluegrass in the United States. At the 44th Grammy Awards, "New Favorite" would go on to win the Grammy Award for Best Bluegrass Album and the single "The Lucky One" won the Grammy Award for Best Country Performance by a Duo or Group with Vocal as well as Best Country Song. Context_7 : "You Will Be My Ain True Love" is a song written and performed by Sting and Alison Krauss from 2003, in the film "Cold Mountain". The song was nominated for an Academy Award, a Grammy Award and the Golden Globe Award for Best Original Song. Context_8 : Cold Mountain is the soundtrack for the Civil War film "Cold Mountain" (2003) starring Jude Law, Nicole Kidman, and Renee Zellweger. The album was nominated for two Grammy Awards and was produced by T Bone Burnett. Two songs were nominated for Academy Awards: "You Will Be My Ain True Love", written by Sting, and "The Scarlet Tide", written by Burnett and Elvis Costello. Both songs were sung by Alison Krauss. Context_9 : "'Til I Gain Control Again" is a country song written by Rodney Crowell and originally recorded by Emmylou Harris in 1975. The song was included on her 1975 studio album "Elite Hotel" and was performed by Alison Krauss in 2016 as part of a tribute album to Harris titled: "The Life & Songs of Emmylou Harris". The song was later covered by Crystal Gayle in 1982 and Blue Rodeo in 1993. Crowell recorded his own version of the song on his 1981 self-titled album. It was also covered by Van Morrison on his Pay the Devil Album out in 2006. The gothic band This Mortal Coil covered this song on their album Blood released on April 22, 1991. Context_10 : Cold Mountain is a 2003 American epic war drama film written and directed by Anthony Minghella. The film is based on the bestselling novel of the same name by Charles Frazier. It stars Jude Law, Nicole Kidman, and Renee Zellweger in leading roles as well as Natalie Portman, Philip Seymour Hoffman, Melora Walters, Jena Malone, Donald Sutherland, Brendan Gleeson, Ray Winstone, Eileen Atkins, Jack White, Kathy Baker, Cillian Murphy and Giovanni Ribisi in supporting roles. fact_1 : "The Scarlet Tide" is a song written by T-Bone Burnett and Elvis Costello and performed by Alison Krauss from the 2003 film "Cold Mountain" fact_2 : Cold Mountain is a 2003 American epic war drama film written and directed by Anthony Minghella. Question: Who wrote and directed the 2003 film which had the song "The Scarlet Tide" performed by Alison Krauss?
Output:
Anthony Minghella