input: To avoid conscription into the Australian Army, Tatchell moved to London in 1971. He had accepted being gay in 1969, and in London became a leading member of the Gay Liberation Front (GLF) until its 1974 collapse. During this time Tatchell was prominent in organising sit-ins at pubs that refused to serve "poofs" and protests against police harassment and the medical classification of homosexuality as an illness. With others he helped organise Britain's first Gay Pride march in 1972. In 1973, he attended the 10th World Youth Festival in East Berlin on GLF's behalf. His actions triggered opposition within and between different groups of national delegates including the Communist Party of Great Britain and National Union of Students. He was banned from conferences, had his leaflets confiscated and burned, was interrogated by the secret police (the Stasi) and threatened and assaulted by other delegates, mostly communists. Tatchell later claimed that this was the first time gay liberation politics were publicly disseminated and discussed in a communist country, although he noted that, in terms of decriminalisation and the age of consent, gay men had greater rights in East Germany at the time than in Britain and much of the West. Describing his time in the Gay Liberation Front, he wrote in The Guardian that: [The] GLF was a glorious, enthusiastic and often chaotic mix of anarchists, hippies, leftwingers, feminists, liberals and counter-culturalists. Despite our differences, we shared a radical idealism - a dream of what the world could and should be - free from not just homophobia but the whole sex-shame culture, which oppressed straights as much as LGBTs. We were sexual liberationists and social revolutionaries, out to turn the world upside down. [...] GLF's main aim was never equality within the status quo. [...] GLF's strategy for queer emancipation was to change society's values and norms, rather than adapt to them. We sought a cultural revolution to overturn centuries of male heterosexual domination and thereby free both queers and women. [...] Forty years on, GLF's gender agenda has been partly won. [...] Girlish boys and boyish girls don't get victimised as much as in times past. LGBT kids often now come out at the age of 12 or 14. While many are bullied, many others are not. The acceptance of sexual and gender diversity is increasing.

Answer this question "Are there any other interesting aspects about this article?"
output: In 1973, he attended the 10th World Youth Festival in East Berlin on GLF's behalf.

input: If Smackout proved the Jordan-Quinn union's viability, their next creation proved their most enduring. Amplifying Luke Grey's tall talesmanship to Midwestern braggadocio, Quinn developed Fibber McGee and Molly with Jim as the foible-prone Fibber and Marian playing his patient, common sense, honey-natured wife. The show premiered on NBC April 16, 1935, and though it took three seasons to become an irrevocable hit, it became the country's top-rated radio series. In 1935, Jim Jordan won the Burlington Liars' Club championship with a story about catching an elusive rat. Existing in a kind of Neverland where money never came in, schemes never stayed out for very long, yet no one living or visiting went wanting, 79 Wistful Vista (the McGees' address from show #20, August 1935 onward) became the home Depression-exhausted Americans visited to remind themselves that they were not the only ones finding cheer in the middle of struggle and doing their best not to make it overt. The McGees won their house in a raffle from Mr. Hagglemeyer's Wistful Vista Development Company, with lottery ticket #131,313, happened upon by chance while on a pleasure drive in their car. With blowhard McGee wavering between mundane tasks and hare-brained schemes (like digging an oil well in the back yard), antagonizing as many people as possible, and patient Molly indulging his foibles and providing loving support, not to mention a tireless parade of neighbors and friends in and out of the quiet home, Fibber McGee and Molly built its audience steadily, but once it found the full volume of that audience in 1940, they rarely let go of it. Marian Jordan took a protracted absence from the show from November 1937 to April 1939 to deal with a lifelong battle with alcoholism, although this was attributed to "fatigue" in public statements at the time. The show was retitled Fibber McGee and Company during this interregnum, with scripts cleverly working around Molly's absence (Fibber making a speech at a convention, etc.). Comedian ZaSu Pitts appeared on the Fibber McGee and Company show, as did singer Donald Novis. While his wife was ill, Jim Jordan had been closing his radio shows by saying "Goodnight, Molly." In early 1938, the Federal Communications Commission ordered him to stop, claiming it violated a rule about using public airwaves for personal communications. After a few weeks' deliberation, the Commission found that no regulations had been broken, because Molly was the name of Marian Jordan's radio character. Jordan was then able to resume his "Goodnight, Molly" signoff. In January 1939, the show moved from NBC Chicago to the new NBC West Coast Radio City in Hollywood.

Answer this question "what was their next creation?"
output: Quinn developed Fibber McGee and Molly

input: Peele regularly performed at Boom Chicago in Amsterdam and The Second City in Chicago. He and Nicole Parker were well known for their musical duets at Boom Chicago. He portrayed a popular character called "Danish Supermodel Ute" during his time at Boom Chicago and hosted MTV's Comedy Weekend in 2002. In 2003, Peele joined the cast of Mad TV for its ninth season. Around the time Keegan-Michael Key joined the cast as a featured performer, it was assumed that Key would be chosen over Peele. The two of them ultimately were cast together after showing great comedic chemistry. Peele performed celebrity impersonations, which included favorites Caroll Spinney (as the voice of Big Bird from Sesame Street), Ja Rule, James Brown, Flavor Flav, Justin Guarini, Montel Williams, Morgan Freeman and Forest Whitaker. Peele was absent from the first four episodes of his second season on Mad TV. He made a cameo in "Weird Al" Yankovic's video "White & Nerdy" with Mad TV co-star Keegan-Michael Key. Peele was nominated for a 2008 Emmy Award for his song "Sad Fitty Cent", a music video parody about 50 Cent lamenting over his rivalry with Kanye West. The lyrics were, according to the music video, written by Peele, and he was involved in arranging its music. In 2009 he appeared in Little Fockers. Peele appeared in a viral video titled "Hillary vs Obama" (which was shown as a Mad TV sketch) where he and a Hillary Clinton supporter (played by short-term cast member Lisa Donovan) argue over whether Hillary Clinton or Barack Obama would make a better president, only to get upstaged by a Rudy Giuliani supporter (played by Donovan's brother, Ben). Peele auditioned to be a castmember for Saturday Night Live when SNL producers were looking for someone to play Barack Obama (around the time when SNL and Mad TV -- and other scripted shows -- were put on hiatus due to the 2007-2008 Writers Guild of America strike). Peele remained at Mad TV and the role went to Fred Armisen until September 2012, when Jay Pharoah took over the role. After five seasons on Mad TV, Peele left the cast at the end of the 13th season.

Answer this question "What other interesting information is in the article?"
output:
Peele auditioned to be a castmember for Saturday Night Live when SNL producers were looking for someone to play Barack Obama