Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

CONTEXT: Because Wahyu was corrupt and Dagu and Rama figured it out during the raid (the guy in the apartment complex told Rama that Wahyu had been in the building many times before which he would only have known if he was in league with the criminals and Wahyu knew where Tama's office was). Jaka even told him he would go to jail as he had led an unsanctioned and highly dangerous mission and no one else knew about it. They were originally working together as that was the only way they could escape alive (by seizing Tama and using him as a hostage) once Wahyu had Tama as a bargaining chip he realised that he didn't need Dagu and Rama anymore and their knowledge of his corrupt actions would lead to him being incarcarated. <sep> Q: Near the end of the Raid, Wahyu and Dagu reach the boss,Why does Wahyu kill Dagu? A: Because Wahyu was corrupt and Dagu and Rama figured it out during the raid Q: But he is not on the boss's side so why kill his comrade? A: once Wahyu had Tama as a bargaining chip he realised that he didn't need Dagu and Rama anymore and their knowledge of his corrupt actions would lead to him being incarcarated <sep> FOLLOWUP_Q: Hmmm. May be I missed that
Yes

CONTEXT: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her. At least, that's what the childhood version of herself wants and it manifests in modern day as the torturous puzzling she sets up for Sherlock. Eurus lacks human emotion and, thus, doesn't see what she does as torturing her brother. <sep> Q: What is Eurus's motive in the final problem A: She doesn't want to torture Sherlock, she wants to play with him. Specifically, she wants him to play with her <sep> FOLLOWUP_Q: Were they friends as children?
Yes

CONTEXT: It basically emotionally connects the viewer to the action or event in question. I guess that viewers these days want to feel as though they're in the thick of the action instead of feeling somewhat isolated from it. The camera lens (or glass in front of the lens) getting dirty tells the viewer that the camera is right up close and that you (as the viewer) are involved in this. <sep> Q: Why do you see blood on the camera lens so much in movies now? A: It basically emotionally connects the viewer to the action or event in question Q: but doesn't it break the suspension of disbelief? A: I guess that viewers these days want to feel as though they're in the thick of the action instead of feeling somewhat isolated from it <sep> FOLLOWUP_Q: When did they start doing this in movies?
No