Problem: OPTIONS:
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Answer: I love horror movies that brings out a real amount of mystery like say "silent hill" ( which i found to be quite good, but still, was missing something ) and movies that keeps you guessing, this i thought was one of those movies. At first the movie starts out with some really good suspense and builds up a good starting point for a good horror scene, but after that it just rolls down the hill and from there it only goes faster and faster down. I mentioned silent hill at first for a reason because i can see a lot of "stolen" themes from that movie in here.. All in all i would say, watch silent hill instead of this one, its better, its more scary, it has a lot more suspense and also the ending is a lot better.. And best of all, you wont feel ripped off as i did with this one.. This just seems to be one of those "i like that movie so I'm gonna re-make it in my own really bad version" kinda movie.. Oh and one more thing... Lordi.. in a horror movie... thats like trying to scare a kid with a care bear who has "hug me and i will love you forever" written on the stomach of it..
An example of a movie review. negative (OPTIONS:
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- positive).

A: If you want to see a movie that terribly mixes up one Latin country with any other Latin country, "The Celestine Prophecy" is a good example: 1. Peru, not even in its most violent times, has not shown polices or soldiers as much as in this film. This showed a country like El Salvador when Civil War. Since I'm a Peruvian who lives in Lima (the capital of Peru), it was too funny to me seeing the police guards here, there and everywhere. 2. If you have a car in Peru, and you want (or need) to be a taxi driver, just post a sticker with the word "Taxi" on the front glass of your car and you can drive freely in Peruvian streets (there are taxi companies, but their rates are quite expensive). No need of yellow or a black/white squared band on the doors of your car. Well, taxis in this film have that band, somethin that you will never see in Peru. 3. Peruvian people are not Caribbean styled clothing. For example, when a taxi driver comes out, he was wearing a "Guayabera" (Cuban shirt), a white hat, and 40's mustaches, like Clark Gable. Not one Peruvian man looks like that, please! Peru is not the Caribbeans! 4. A scene shows a woman on a street with a quite long skirt, like the typical folklore dresses in Latin America. Take a walk anywhere in Peru, and you'll never find a woman wearing like that, unless you are watching a typical dance. 5. Cast could've been better: I can not deny Hector Elizondo is a great actor, but he's not a Latin actor (his father was Basque and his mother from Puerto Rico, but he was born in New York) and his Spanish is not fluent. It's notorious Spanish is not his first language. There are dozens of very good Latin actors who could've performed as Cardinal Sebastian. Petrus Antonius (General Rodriguez) was also a bad choice for a "Latin Police officer". It was so funny seeing Elizondo and Petronius in General Rodriguez's office. They looked like two English or American students in a Spanish class, making their best effort in order to pronounce Spanish. Unsuccessfully, of course. Castulo Guerra was better in his Spanish. A "Peruvian" officer, who announced Cardinal Sebastian, spoke a quite funny Spanish too. There are very good Peruvian actors, like Augusto Alvarez-Calderon and Christian Meier (just to mention two out of many Peruvian actors), who could've performed with excellence. 6. I admit that a fictional movie can let itself a license inventing cities or, even, countries. But, please, when creating a name, be careful when using a foreign language: The town portrayed in this movie should've been called "Vicente" and not "Viciente". Vicente is a male name, and Viciente has never been used. 7. I disagree one user, who says that this movie was filmed on locations in Peru. Not one location is Peruvian, although the production has used in excess posters showing "Inca Kola", the Peruvian soda. As not few American films, this one must have used any Latin country. After all, for American producers or directors, a Latin place is identical to any other Latin place. 8. In the first scenes, when John (Matthew Settle) flies to Peru, he's supposed to arrive to the only one international airport in Peru: Jorge Chavez Airport (in Lima, the capital). Actually, believe me, it must be any airport in the world, but Peruvian airport. And, of course, in Peruvian airports there are no military or police guards. 9. When this John takes a room in a Peruvian hotel, this one has a fan and, obviously has no air conditioner. Please, this doesn't happen in no hotel in Peru(and other Latin countries), unless you get a 1 star hotel! 10. The rebels who fight against the government are... Colombians! Their accent was, with no doubt, from Colombia. For casting them, the producers should've hired Peruvian actors. In few words, it would've been cheaper filming in Peru.

I could go on with more examples out of this film, that led me to give it a "1" (awful) vote, but I fell asleep after about 20 minutes from its beginning. But dear producers: It's not a tragedy: There are many worse movies with not few mistakes. Just let's remember "Indiana Jones and the kingdom of the Crystal skull" and indescribable Disney's "The Emperor's new groove". The list of bad films could be endless...
Q: What's an example of a movie review?
An example of a movie review is here: No wonder this movie never saw the light of day. The timing was of the release was awful. The Gong Show had already "jumped the shark" by the time the movie came out, so who would pay money just to see a few of the censored clips from the original run of the show? And the show clips are just a tiny bit of this pathetic, 90-minute whine by Chuck Barris about how hard his life was as host of the show. Did he really expect we would feel sorry for him and his messed-up millionaire life? Did he really think we even wanted to KNOW about his life? (Obviously so, since he later wrote his weird autobiography about his career as a CIA operative.) Did he think the gag of having everyone, everywhere audition for him would stay fresh for 90 minutes? Or the network executive hounding him at every turn? This might have worked as the plot for a 30-minute sitcom episode, but not as a full-length movie. However, it was nice to see Rip Taylor, Gene Gene, and the Unknown Comic again (although, to make the movie "spicy," they included only his most vulgar routines). And as someone else has pointed out, this is Phil Hartman's first significant movie part (even though it lasts only a minute). Note his name is spelled HARTMANN in the credits, which is the name he was born with. You can't miss his voice and facial expressions, even though he's much thinner and younger than in the SNL days. Ed Molinaro (Hill Street Blues) also has a tiny part; one of his first after leaving the soap world.
Problem: OPTIONS:
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Answer:
Tim Krabbe is the praised author of 'Het Gouden Ei', a novel that was put on the screen twice ('Spoorloos' and 'The Vanishing'). One of the Dutch writer's more recent works is 'De Grot', a psychological thriller about two totally different men, Egon and Axel, who meet at a youth camp and, surprising enough, become friends for dear life. Egon is a quiet, somewhat dull person, who spends his time studying and writing geography books. Axel, on the other hand, is a charismatic 'party-animal', a heavy drinking criminal whose everyday's concern is to get a woman into his bedroom. From the moment they meet, Axel has a strong influence on Egon, while the latter envies him because he has a good life without really doing anything (such as reading thick books like Egon); ultimately, Egon is even dragged by Egon into illegal practices himself, which leads to a fatal drug transport in a distant Asian country.

After having read the book last year, I was surprised the critics were quite positive about it. In my opinion, the book suffers especially from the complex structure. While Krabbe presents the story as an absorbing portrait of an uncommon relationship between two people, the plot becomes more of a puzzle: the many episodes are not presented chronologically, so that two successive scenes are seldom in the same episode. Because of this, the story feels surprisingly remote: you often need to know a character's background to really care for him or her. Another complaint was the fact that the main characters, Egon and Axel, are a little stereotypical. Egon IS 'the' dull intellectual, while Axel IS his exact opposite. In real life, such one-dimensional people rarely exist; in books and films, they always seem to be there, taking away a lot of credibility.

Despite all this, the film was a pleasant surprise, being much better than the book. The adaptation excels in its beautiful cinematography, humour and acting: Fedja van Huet (Egon) is one of the few Dutch actors who can make you forget he IS acting (which is, in my opinion, the highest an actor can achieve). The drawbacks of the film, however, are the same as the book's: mainly because the characters are one-dimensional, they are so predictable that it becomes annoying. Guess who wrote the script? Indeed, Krabbe himself. It is obvious that this talented director (that's what the movie makes clear anyway) is hampered by a deficient screenplay. Perhaps Koolhoven should just have chosen a better book.

7/10