An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I read somewhere where this film was supposed to be a remake of the 1949 film noir, "Criss Cross." I found the latter to be disappointing but it was still better than this film.

This movie is a "neo-noir" since it's modern-day and it's in color, two things that purists would make it be disqualified for film noir status.

The biggest negative to it, however, wasn't the cinematography (that was fine) but the muddled storyline. Hey, some of '40s Dashiell Hammett stories were similar but I didn't care for some of those either. The filmmakers here did not help the situation by placing flashbacks into the story what seemed like every three minutes. No wonder it was the keep up with this story. It was ridiculous! What happens is that by the 45-minute mark, their is so much confusion nobody cares anymore. I know I didn't.
Q: What's an example of a movie review?
An example of a movie review is here: Wow! I have seen so many bad low budget films lately, but this one is great. The very realistic portrayal of police life in a city on the East German coast is a strong contrast to other crime movies or series. I loved the main actress and the absolute rejection of any prevalent cliche about the police. This film is realistic like a documentation and entertaining like a drama at the same time. A perfect tradeoff!
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Wonderfully put together..I wish there was a follow up to this documentary to follow up with the lives of some and celebrate the lives of others lost...there should be a part two..a real one. It was great..the film wasn't long enough..I would like to know why the creator of the film did not follow up!! this is so important to the community period..well if your are reading this please consider doing another documentary of this sort...I am really tired of hearing from naive writers how AIDS and Men go together when they don't; actually its the hetero's that we need to look into..this film didn't even bother to mention HIV or AIDS and I was so glad for that..I really appreciated the break downs and definitions too. Thank you s much for allowing this film to exist.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Granted, this seems like a good idea. Steve Martin, Goldie Hawn, and John Cleese in a Neil Simon comedy. Where can you go wrong? Watch the movie, and you'll find out.

In truth, Martin, the lead, is mis-cast. He's not doing the great slapstick he's known for, from movies like "The Jerk", but instead plays a sort of in-between character that doesn't work. Hawn, with no one to play off of, is terrible. Cleese is the only even partially funny member.

To top it off, the plot is pretty stupid. I can't say how much of it may have been changed, but the characters seem to lack the slightest bit of common sense. They blunder through New York, not doing anything right, and unfortuneatly, nothing funny. Not only is the whole premise completely unbelievable, it seems to give the message that people who don't live in New York aren't very bright, a theme repeated throughout the movie.

In summation, instead of seeing this, go rent the original "Odd Couple" again.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: I saw "Paris Je T'Aime" because a friend really wanted to see it so I went along with him. Going in, I was indifferent about the film but leaving the theater I really regretted wasting 2 hours of my life sitting through this tepid production. The "stories" are almost completely forgettable except for the fact that most of them were awful. What do Gena Rowlands and Ben Gazzara have to do with Paris? The endless parade of American actors most definitely gave this French film a remarkably non-French feel. The cliches about Paris were endless. Yes, most of them were playing with cliches about Paris but by spending so much time making fun of French cliches, they directly and regrettably promoted them once more. Yes, Paris is the city of love. We get it.

The worst segments were: the one directed by Wes Craven (Oscar Wilde); the one with Nick Nolte; the mime one (the worst?); the hair products one; the one with Juliette Binoche (Willem Dafoe as a cowboy in the middle of Paris?); the vampire one (When I think of Paris I think of Elijah Wood). The one with Natalie Portman, which really looked like a Mentos commercial and it was stupid (the blind young man should know Portman was just playing a part when she called him). On and on it went. It felt endless.

I didn't like the Coen Bros one as well. It really plays with those Parisien cliches but I didn't find it funny. Just annoying. The Gus Van Sant one was interesting but it was so slight (and the punchline was obvious) that it barely registered.

There were only two "successful" segments and they were the one about the immigrant nanny who leaves her baby at a kindergarten only to babysit a baby for a rich woman. Nice irony there. And the segment about the African who is stabbed. It's the best segment in the whole film but this segment has nothing to do with Paris. The story could have taken place in any city around the world.

The last segment, the one with the chubby middle aged woman was sorta interesting too but the underlying tone was bad. They wanted to celebrate her limited grasp of French but the segment came off as being condescending.

The whole project felt forced and uninspired. Almost like the French government sponsored this film to promote tourism. All in all, with only about 10 to 15 minutes of interesting stuff, "Paris Je T'Aime" was an awful cinematic experience.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
Absolutely hilarious. John Waters' tribute to the people he loves most (Baltimoreans) is a twisted little ditty with plenty to look at and laugh at. It's like being turned loose in a museum of kitsch! I haven't laughed so much in a theater since Serial Mom. I loved seeing old friends from the Dreamland days, Sharon Nisep and Susan Lowe, back in front of Waters' camera. The cast is simply wonderful (especially Edward Furlong and Martha Plimpton). Uses the best elements of past Waters atrocities (especially the underrated Polyester) and plenty of new surprises. Made me sick, in a wonderful way. Thanks, John!