In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: Angels who got a little icky were banned from heaven and now reside in a British forest where they seduce and chop up teens. Talk about high concept. On the plus side this little mother gives us Tom Savini, but since his acting range is limited to two minutes screen-time, his five minute presence seems a tad long. The angels run around the forest naked for the most part of the movie, but though they might have the body of an angel, their faces sure look like Joan Rivers on a bad day. Mediocre acting and amateurish gore-effects don't help and the night scenes fatally recall Paris Hilton's most famous movie. So bad that it is REALLY bad. Question: is it a negative review?
[A]: yes

[Q]: Review: The Menagerie parts one and two was the only 2-parter during the 3-year run of the original Trek series and it was because Roddenberry was able to insert most of the footage from the 1st pilot "The Cage." The move was made out of necessity, to combat deadline problems in getting episodes produced (such a sf show back in the 1960s was a hassle to get done on time). One positive outcome back then was that audiences, unaware of the pilot produced almost a couple of years earlier, were treated to a whole new crew and captain for these two episodes on top of the regular cast of characters, as if the producers had spent double the money on these episodes to present a TV epic spanning a dozen years of Starfleet history (though they still used terms such as 'United Space Fleet' in these early episodes).The wraparound story begins as a space mystery plot: the Enterprise is diverted to Starbase 11 for unknown reasons and very soon Spock is a suspect in these shenanigans. Astonishingly, though even McCoy belabors the fact that Spock's Vulcan heritage makes subterfuge on his part impossible, it does turn out that Spock is indeed acting out some mutinous scheme to shanghai our precious starship and kidnap his former captain, Pike, now horribly crippled. Well, Spock is half human, we tend to forget. Or has he simply gone mad? It may very well be, for he's directing Enterprise to Talos IV, a planet so off-limits it's the subject of the only known death penalty on Starfleet's books. When the jig is up, there's a great scene of Spock surrendering to a flabbergasted McCoy, as Uhura looks on in shock. Even Kirk, usually steady as a captain should be, doesn't know what to make of his first officer's illogical conduct.In the 3rd and final acts, we begin to see transmitted images of a mission of the Enterprise from 13 years prior, when Capt. Pike was commanding and Spock was one of his officers. We really don't know where all this is going and what Spock hopes to accomplish - and that's another thing that makes this a very good 2-parter - we really need to find out what it's all about in the 2nd part. Not only is Spock facing severe penalties, but it looks like Kirk's career may be finished, as well. Double jeopardy, folks. This is also the 1st televised episode to feature one of those shuttlecrafts (none were available in the earlier "The Enemy Within" when the crafts were really needed). There's also one of those neat matte paintings to convey the ambiance of a futuristic starbase - this was the only way to visualize such things back then. Finally, check out Kirk's smug approach at the start of the episode - boy, do things go sideways on him as the story progresses. Question: is it a negative review?
[A]: no

[Q]: Review: This was just another marvelous film of the Berlin Festival. But unlike "Yes", by Sally Potter, which I had seen some days before, where after leaving the cinema I felt a strong desire of wishing to embrace the whole world and was just happy to be alive, this time quite the opposite thing happened: there was something that dragged me down, and the air suddenly felt cold and hard to breathe. It was as if, all of a sudden, there was nothing left, all hope, all future had been taken away to a dead place.Nina's life seemed to be dismal and locked, but then, one lovely day, there appears that kind of luminosity that opens up the horizon and makes her believe in the fulfillment of her dreams. There was nobody at her side but suddenly she finds a companion, just out of nothing, someone who was able to share the most hidden feelings of her life. That person was Toni, a vagabond girl who does not seem to have any roots, just like herself.But the film's title is "Ghosts", and ghosts appear and disappear as they wish, there is no way to retain them Ghosts also represent the hidden fantasies of people, strange ideas that occupy your mind and are only perceived by yourself, hiding away from all other people. Francoise, a French woman, is a victim of such ghosts. She once lost her child daughter in Berlin, who apparently had been robbed from her in a supermarket, in just one moment of inattentiveness. Now time has passed, and Francoise is back in Berlin, still looking for the missing child.Nina could be that child, after all she has got that same scar at her ankle and the heart-shaped birthmark between her shoulder blades which seems to prove her true identity.And Nina adopts that idea, after all she is not only in desperate need of a companion, she also longs for a mother. But in the end she is empty-handed, Toni has disappeared with a man, and her supposed mum turns out to be a sick woman. "Marie is dead," concludes Francoise's husband, and the statement could not be more disillusioning. Nina is just a "nina", a girl without name, there is no hope for any divine fulfillment. There is no Marie in this world to accompany our lonely lives. Therefore, in the end, we see Nina all alone, about to walk along the road that has opened up before her, into a future that seems joyless and uncertain. Question: is it a negative review?
[A]:
no