Background: Lewis Allan Reed (March 2, 1942 - October 27, 2013) was an American musician, singer, and songwriter. He was the lead guitarist, singer and principal songwriter for the rock band the Velvet Underground, with a solo career that spanned five decades. The Velvet Underground achieved little commercial success during their existence, but are now regarded as one of the most influential bands in rock, underground, and alternative music. After leaving the band in 1970, he released 20 solo studio albums.
Context: In 1980, Reed married British designer Sylvia Morales. Morales inspired Reed to write several songs, particularly "Think It Over" from 1980's Growing Up in Public and "Heavenly Arms" from 1982's The Blue Mask. After Legendary Hearts (1983) and New Sensations (1984), Reed was sufficiently reestablished as a public figure to become spokesman for Honda motorcycles. In the early 1980s, Reed worked with guitarists including Chuck Hammer on Growing Up in Public, and Robert Quine on The Blue Mask and Legendary Hearts. The New York Times observed in 1998 that in the 1970s, Reed had a distinctive persona: "Back then he was publicly gay, pretended to shoot heroin onstage, and cultivated a 'Dachau panda' look, with cropped peroxide hair and black circles painted under his eyes." The newspaper wrote that in 1980, "Reed renounced druggy theatrics, even swore off intoxicants themselves, and became openly heterosexual, openly married." On September 22, 1985, Reed performed at the first Farm Aid concert in Champaign, Illinois. He performed "Doin' the Things That We Want To", "I Love You, Suzanne", "New Sensations" and "Walk on the Wild Side" as his solo set, later playing bass for Roy Orbison during his set. In June 1986, Reed released Mistrial (co-produced with Fernando Saunders). To support the album, he released two music videos: "No Money Down" and "The Original Wrapper". In the same year, he joined Amnesty International's A Conspiracy of Hope short tour and was outspoken about New York City's political issues and personalities. The 1989 album New York, which commented on crime, AIDS, Jesse Jackson, Kurt Waldheim and Pope John Paul II, became his second gold-certified work when it passed 500,000 sales in 1997. Reed was nominated for a Grammy Award for best male rock vocal performance for the album.
Question: Did he produce anything in 1984?
Answer: and New Sensations (1984),

Question:
The Bee Gees were a pop music group formed in 1958. Their lineup consisted of brothers Barry, Robin, and Maurice Gibb. The trio were successful for most of their decades of recording music, but they had two distinct periods of exceptional success: as a popular music act in the late 1960s and early 1970s, and as prominent performers of the disco music era in the mid-to-late 1970s. The group sang recognisable three-part tight harmonies; Robin's clear vibrato lead vocals were a hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s.
At Eric Clapton's suggestion, the brothers moved to Miami, Florida, early in 1975 to record. After starting off with ballads, they eventually heeded the urging of Mardin and Stigwood, and crafted more dance-oriented disco songs, including their second US No. 1, "Jive Talkin'", along with US No. 7 "Nights on Broadway". The band liked the resulting new sound. This time the public agreed by sending the LP Main Course up the charts. This album included the first Bee Gees songs wherein Barry used falsetto, something that would later become a trademark of the band. This was also the first Bee Gees album to have two US top-10 singles since 1968's Idea. Main Course also became their first charting R&B album. On the Bee Gees' appearance on The Midnight Special in 1975, to promote Main Course, they sang "To Love Somebody" with Helen Reddy. Around the same time, the Bee Gees recorded three Beatles covers--"Golden Slumbers/Carry That Weight", "She Came in Through the Bathroom Window" with Barry providing lead vocals, and "Sun King" with Maurice providing lead vocals, for the unsuccessful musical/documentary All This and World War II. The next album, Children of the World released in September 1976, was drenched in Barry's new-found falsetto and Weaver's synthesizer disco licks. Mardin was unavailable to produce, so the Bee Gees enlisted Albhy Galuten and Karl Richardson, who had worked with Mardin during the Main Course sessions. This production team would carry the Bee Gees through the rest of the 1970s. The first single from the album was "You Should Be Dancing" (which features percussion work by musician Stephen Stills). The song pushed the Bee Gees to a level of stardom they had not previously achieved in the US, though their new R&B/disco sound was not as popular with some die hard fans. The pop ballad "Love So Right" reached No. 3 in the US, and "Boogie Child" reached US No. 12 in January 1977. The album peaked at No. 8 in the US. A compilation Bee Gees Gold was released in November, containing the group's hits from 1967 to 1972.
Answer this question using a quote from the text above:

What was their next chance

Answer:
Main Course also became their first charting R&B album.

Problem: Background: Earth Crisis is an American metalcore band from Syracuse, New York, active from 1989 until 2001, reuniting in 2007. Since 1993 the band's longest serving members are vocalist Karl Buechner, guitarist Scott Crouse, bassist Ian Edwards and drummer Dennis Merrick. Their third guitarist Erick Edwards joined the band in 1998. The band has released eight studio albums, three compilations, two live albums and six music videos.
Context: Earth Crisis had a huge impact on both the hardcore punk music and its ideals. MetalSucks said: "For anybody who was not in the hardcore scene back then, it is hard to describe the impact they had or how controversial they were. You either loved them or hated them for bringing both metal and veganism into the hardcore scene". Sociologist Ross Haenfler stated in The Vinyl Factory that "Earth Crisis became the face of straight edge throughout the 1990s" through "the convergence of 'radical' animal rights activism, a more aggressive 'metalcore' sound, and hardcore crews", becoming "one of the most controversial bands in the scene's history." Their albums Firestorm, Destroy the Machines and Gomorrah's Season Ends were particularly influential for the emerging metalcore genre. According to Andrew O'Neill, "Earth Crisis inspired a much more heavy metal sound in hardcore" and "the distinction between the two [genres] started to crumble" shortly after those records were released. To a large extent, Earth Crisis was responsible for the rising of vegan straight edge militancy in the mid- to late 90s, when veganism was rarely present in mainstream culture. Haenfler said that, while "earlier straight edge bands advocated vegetarianism - for example Youth of Today, Insted and Manliftingbanner", Earth Crisis "made animal rights (and environmentalism) central to the scene" as a "self-described 'vegan straight edge' band", "inspiring thousands of kids to give up animal products entirely." They also spawned many activists in the scene because their message "imparted the sense of urgency in a way that nothing else that ever come before had", according to Peter Daniel Young. Some of their songs went on to be considered by some as anthems, such as "Firestorm" for straight edge and "Ultramilitance" for eco-terrorists. They also drew major media attention, having been featured and interviewed by CNN, CBS and The New York Times, while lead singer Karl Buechner was invited to address the Congress about teens and substance abuse.
Question: what songs of theirs became anthems?
Answer:
"Firestorm"