[Q]: I have a test where I am given the following article, what is an answer for the question: What is the last name of the person whose last years were spent travelling to various locations around the globe for his exhibitions? ? Toward the end of 1961, Kertesz broke his contract to Conde Nast Publishing after a minor dispute, and started doing his own work again. This later period of his life is often referred to as the "International period", when he gained worldwide recognition and his photos were exhibited in many countries. In 1962 his work was exhibited in Venice; in 1963, he was one of the invited artists of the IV Mostra Biennale Internazionale della Fotografia there and he was awarded a gold medal for his dedication to the photographic industry. Later in 1963, his work was shown in Paris at the Bibliotheque nationale de France. He later visited Argentina to see his younger brother Jeno for the first time in years. Kertesz experimented with color photographs, but only produced a few. In 1964, soon after John Szarkowski became the photography director at the Museum of Modern Art, he featured Kertesz in a solo show. With his work critically acclaimed, Kertesz gained recognition in the photographic world as an important artist. The work of Kertesz was featured in numerous exhibitions throughout the world in his later life, even into his early nineties. Due to his newfound success, in 1965 Kertesz was appointed as a member of the American Society of Media Photographers. His awards rapidly accumulated: 1974, Guggenheim Fellowship; 1974, Commander of the French Ordre des Arts et des Lettres; 1977, Mayor's Award of Honor for Arts and Culture in New York, 1980 the Medal of the City of Paris, and the first Annual Award of the Association of International Photography Art Dealers in New York; and 1981, honorary Doctorate of Fine Arts from Bard College, and the New York Mayor's Award of Honor for Arts and Culture that year.During this period, Kertesz produced a number of new books. He was able to recover some of the negatives he had left in France decades before. Despite his successes, Kertesz still felt unrecognised as a photographer. His last years were spent travelling to various locations around the globe for his exhibitions,...
****
[A]: Kertesz

input: Please answer the following: I have a test where I am given the following article, what is an answer for the question: What is the full name of the person whose father played guitar with the Falcons? ? Michael Joseph Jackson was born in Gary, Indiana, near Chicago, on August 29, 1958. He was the eighth of ten children in the Jackson family, a working-class African-American family living in a two-bedroom house on Jackson Street. His mother, Katherine Esther Jackson (nee Scruse), played clarinet and piano, had aspired to be a country-and-western performer, and worked part-time at Sears. She was a Jehovah's Witness. His father, Joseph Walter "Joe" Jackson, a former boxer, was a crane operator at U.S. Steel and played guitar with a local rhythm and blues band, the Falcons, to supplement the family's income. His father's great-grandfather, July "Jack" Gale, was a Native American medicine man and US Army scout. Michael grew up with three sisters (Rebbie, La Toya, and Janet) and five brothers (Jackie, Tito, Jermaine, Marlon, and Randy). A sixth brother, Marlon's twin Brandon, died shortly after birth.Joe acknowledged that he regularly whipped Michael; Michael said his father told him he had a "fat nose", and regularly physically and emotionally abused him during rehearsals. He recalled that Joe often sat in a chair with a belt in his hand as he and his siblings rehearsed, ready to physically punish any mistakes. Katherine Jackson stated that although whipping is considered abuse in more modern times, it was a common way to discipline children when Michael was growing up. Jackie, Tito, Jermaine and Marlon have said that their father was not abusive and that the whippings, which were harder on Michael because he was younger, kept them disciplined and out of trouble. In an interview with Oprah Winfrey in 1993, Jackson said that his youth had been lonely and isolating.In 1964, Michael and Marlon joined the Jackson Brothersa band formed by their father which included Jackie, Tito, and Jermaineas backup musicians playing congas and tambourine. In 1965, Michael began sharing lead vocals with Jermaine, and the group's name was changed to the Jackson 5. The following year, the group won a talent show; Michael performed...
++++++++++
output: Michael Joseph Jackson

Problem: I have a test where I am given the following article, what is an answer for the question: What was the name of the piece that was slow to gain popularity among violists? ? After this, Holst tackled his final attempt at opera in a cheerful vein, with The Wandering Scholar (192930), to a text by Clifford Bax. Imogen refers to the music as "Holst at his best in a scherzando (playful) frame of mind"; Vaughan Williams commented on the lively, folksy rhythms: "Do you think there's a little bit too much 6/8 in the opera?" Short observes that the opening motif makes several reappearances without being identified with a particular character, but imposes musical unity on the work.Holst composed few large-scale works in his final years. A Choral Fantasia of 1930 was written for the Three Choirs Festival at Gloucester; beginning and ending with a soprano soloist, the work, also involving chorus, strings, brass and percussion, includes a substantial organ solo which, says Imogen Holst, "knows something of the 'colossal and mysterious' loneliness of Egdon Heath". Apart from his final uncompleted symphony, Holst's remaining works were for small forces; the eight Canons of 1932 were dedicated to his pupils, though in Imogen's view that they present a formidable challenge to the most professional of singers. The Brook Green Suite (1932), written for the orchestra of St Paul's School, was a late companion piece to the St Paul's Suite. The Lyric Movement for viola and small orchestra (1933) was written for Lionel Tertis. Quiet and contemplative, and requiring little virtuosity from the soloist, the piece was slow to gain popularity among violists. Robin Hull, in Penguin Music Magazine, praised the work's "clear beautyimpossible to mistake for the art of any other composer"; in Dickinson's view, however, it remains "a frail creation". Holst's final composition, the orchestral scherzo movement of a projected symphony, contains features characteristic of much of Holst's earlier music"a summing up of Holst's orchestral art", according to Short. Dickinson suggests that the somewhat casual collection of material in the work gives little indication of the symphony that might have been written.

A:
The Lyric Movement