Proteins are structural materials in much of the animal body (e.g. muscles, skin, and hair). They also form the enzymes that control chemical reactions throughout the body. Each protein molecule is composed of amino acids, which are characterized by inclusion of nitrogen and sometimes sulphur (these components are responsible for the distinctive smell of burning protein, such as the keratin in hair). The body requires amino acids to produce new proteins (protein retention) and to replace damaged proteins (maintenance). As there is no protein or amino acid storage provision, amino acids must be present in the diet. Excess amino acids are discarded, typically in the urine. For all animals, some amino acids are essential (an animal cannot produce them internally) and some are non-essential (the animal can produce them from other nitrogen-containing compounds). About twenty amino acids are found in the human body, and about ten of these are essential and, therefore, must be included in the diet. A diet that contains adequate amounts of amino acids (especially those that are essential) is particularly important in some situations: during early development and maturation, pregnancy, lactation, or injury (a burn, for instance). A complete protein source contains all the essential amino acids; an incomplete protein source lacks one or more of the essential amino acids.
Approximately how many amino acid types does the human body generally have?
twenty

Input: Cubism
This technique of representing simultaneity, multiple viewpoints (or relative motion) is pushed to a high degree of complexity in Gleizes' monumental Le Depiquage des Moissons (Harvest Threshing), exhibited at the 1912 Salon de la Section d'Or, Le Fauconnier's Abundance shown at the Independants of 1911, and Delaunay's City of Paris, shown at the Independants in 1912. These ambitious works are some of the largest paintings in the history of Cubism. Leger's The Wedding, also shown at the Salon des Independants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carra; themselves made in response to early Cubism.

Which of Gliezes pieces was featured at Salon de la Section d'Or?
Output: Le Depiquage des Moissons (Harvest Threshing)

Input: Article: Voyager 2 is the only spacecraft that has visited Neptune. The spacecraft's closest approach to the planet occurred on 25 August 1989. Because this was the last major planet the spacecraft could visit, it was decided to make a close flyby of the moon Triton, regardless of the consequences to the trajectory, similarly to what was done for Voyager 1's encounter with Saturn and its moon Titan. The images relayed back to Earth from Voyager 2 became the basis of a 1989 PBS all-night program, Neptune All Night.

Now answer this question: What near Neptune did a spacecraft visit dangerously close?

Output: Triton

Article: In March 1912, in Chihuahua, Gen. Pascual Orozco revolted. Immediately President Francisco Madero commanded Gen. Victoriano Huerta of the Federal Army, to put down the Orozco revolt. The governor of Chihuahua mobilized the state militia led by Colonel Pancho Villa to supplement General Huerta. By June, Villa notified Huerta that the Orozco revolt had been put down and that the militia would consider themselves no longer under Huerta's command and would depart. Huerta became furious and ordered that Villa be executed. Raul Madero, Madero's brother, intervened to save Villa's life. Jailed in Mexico City, Villa fled to the United States. Madero's time as leader was short-lived, ended by a coup d'etat in 1913 led by Gen. Victoriano Huerta; Orozco sided with Huerta, and Huerta made him one of his generals.

Question: Who notified Huerta the revolt had been put down?
Ans: Villa

Here is a question about this article: The distinctive characteristic of French cathedrals, and those in Germany and Belgium that were strongly influenced by them, is their height and their impression of verticality. Each French cathedral tends to be stylistically unified in appearance when compared with an English cathedral where there is great diversity in almost every building. They are compact, with slight or no projection of the transepts and subsidiary chapels. The west fronts are highly consistent, having three portals surmounted by a rose window, and two large towers. Sometimes there are additional towers on the transept ends. The east end is polygonal with ambulatory and sometimes a chevette of radiating chapels. In the south of France, many of the major churches are without transepts and some are without aisles.
What is the answer to this question: What shape does the east end of French chapels typically have?
****
So... The east end is polygonal

Article: The use of traditional Chinese characters versus simplified Chinese characters varies greatly, and can depend on both the local customs and the medium. Before the official reform, character simplifications were not officially sanctioned and generally adopted vulgar variants and idiosyncratic substitutions. Orthodox variants were mandatory in printed works, while the (unofficial) simplified characters would be used in everyday writing or quick notes. Since the 1950s, and especially with the publication of the 1964 list, the People's Republic of China has officially adopted simplified Chinese characters for use in mainland China, while Hong Kong, Macau, and the Republic of China (Taiwan) were not affected by the reform. There is no absolute rule for using either system, and often it is determined by what the target audience understands, as well as the upbringing of the writer.

Question: What were adopted for use in mainland China?
Ans:
Chinese characters