An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Like Ishtar and King of Comedy, other great, misunderstood comedies, Envy has great performances by two actors playing essentially, losers (may be too harsh a word, I will call them suburban under-achievers).

This film was a dark comedy gem, and I'm not sure what people expect. I relish seeing a major studio comedy that isn't filled with obvious humor, and I believe that the small moments in this movie make it worthwhile. The look on Stiller's face when he sees the dog doo disappear for the first time captures a moment, a moment that most people should be able to recognize in themselves. Yes, it was a fairly simple story, but it examined the root of envy in a really interesting way. There were a lot of great scenes (the J-Man's decrepit "cabin by the lake", Corky's unceremonious burial, Weitz's wife role, and Walken's J-Man -- all great stuff.

I can't stand people that get on IMDb and mercilessly trash films when they have absolutely no idea what it takes to make one. I will take Envy over almost any of the top ten grossing comedies of the year (save Napoleon Dynamite.) It's wittier, wackier, and an offbeat, enjoyable gem.

Remember this people; Most times, Popular doesn't equal Good.
Q: What's an example of a movie review?
An example of a movie review is here: Roger Corman is undeniably one of the most versatile and unpredictable directors/producers in history. He was single-handedly responsible for some of my favorite horror films ever (like the Edgar Allen Poe adaptations "Masque of the Red Death" and "Pit and the Pendulum") as well as some insufferably cheap and tacky rubbish quickies (like "Creature from the Haunted Sea" and "She Gods of the Shark Reef"). Corman also made a couple of movies that are simply unclassifiable and simply put nearly impossible to judge properly. "The Trip", for example, as well as this imaginatively titled "Gas-s-s-s" can somewhat be labeled as psychedelic exploitation. In other words, they're incredibly strange hippie-culture influenced movies. Half of the time you haven't got the slightest idea what's going on, who these characters are that walk back and forth through the screen and where the hell this whole thing is going. The plot is simply and yet highly effective: a strange but deadly nerve gas is accidentally unleashed and promptly annihilates that the entire world population over the age of 25. This *could* be the basic premise of an atmospheric, gritty and nail-bitingly suspenseful post-apocalyptic Sci-Fi landmark, but writer George Armitage and Roger Corman decided to turn it into a "trippy" road-movie comedy. None of the characters is even trying to prevent their inevitable upcoming deaths; they just party out in the streets and found little juvenile crime syndicates. "Gas-s-s-s" is a disappointingly boring and tries overly hard to be bizarre. The entire script appears to be improvised at the spot and not at all funny. Definitely not my cup of tea, but the film does have a loyal fan base and many admirers, so who am I to say that it's not worth your time or money?
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: There are many kinds of reunion shows. One kind is where old actors are taken out of mothballs and set to recreate characters they haven't played for twenty or thirty years. These have mixed results. 'Return to Mayberry', despite some silliness, was okay; 'Return to Green Acres' as execrable (Eddie Albert used a word for the script I won't repeat here, but both it and the movie stink); 'Rescue from Gilligan's Island' filled in a necessary gap in the story of the castaways, though the show itself was silly even from a 'Gilligan's Island' viewpoint. In most cases, the scripts are weak; sometimes a silliness appears in the scripts that is too knowing and in comedy it's nearly always fatal for the characters to know they're being funny. New characters are introduced who don't fit the mix. In the main, these reunion shows are pretty weak. A second sort of 'reunion' show is the kind where the cast lays its past aside but sits around, telling stories, reminiscing, interspersed with flashbacks from the shows. Then there are movies based on the shows, which are rarely good; and movies based on the history of the show ('The Brady Bunch' has had both of these happen to it, with various results).

'Return to the Batcave' uses nearly all the above, with a wonderfully twisted viewpoint, which makes it the best of the reunion shows, and has raised the bar for the others.

Adam West and Burt Ward and summoned to a showing of the original Batmobile. While they are there, the car is stolen.

The Adam West of the movie is a man demented. He called Jerry, his butler, 'Alfred'. He opens a bust of Shakespeare in his apartment and reveals a hidden pole to slide down to the parking garage. He's obsessed with being a crime fighter, when in fact he's merely a washed up actor. When the Batmobile is stolen he not only believes it's his duty as a crime fighter to recover it, he drags and unwilling Burt Ward in as his assistant.

The pursuit is largely loquacious, with West and Ward reminiscing about the old days. It is broken by 'flashbacks' with actors playing West and Ward in the old days. The modern scenes and the 'flashbacks' both have the wacky lack of reality the show maintained. There are also running gags that show West is able to make fun of himself: in Ward's book about his time on the show, he spoke frankly about West's libido and also his being a skinflint (West makes Ward pay for everything in their pursuit, down to tips and bus fare). The clues they follow, the characters they meet (even in flashback) all fit the mentality of the old series, and there are several homages, including a fist fight with written sound effects.

The whole thing is extremely funny and done with great panache. There are also cameos by Julie Newmar (looking like she's had one facelift too many) and Frank Gorshin, reminding us why he has such a cult following. Gorshin will be the Riddler when Jim Carey, his obvious successor, is long forgotten. The movie builds to a fairly obvious but funny climax.

This show is a model for reunion shows unfortunately, there are few that can fit the pattern. This show had actors replaying their old characters; young actors playing a movie about the making of the show; the actors West and Ward reminiscing; and a modern-day movie with the real Adam West playing the demented Adam West. It has everything. If you loved the old show, this is the stopper on the bottle.
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:
Freddy's Dead: The Final Nightmare, the sixth installment of the Nightmare on Elm Street series and once again another bad sequel. I think this is tied up with the last sequel of the Dream Child. I was lucky enough to get the Nightmare on Elm Street series box DVD set for my birthday, so I got to see all the sequels. May I say that I'm just getting more and more disappointed though with these sequels, at least the past two, it just seems like Freddy lost his edge. It's almost like the writers were trying to give Freddy a soul and they're just destroying it instead of reinventing the story. This was a sequel that wasn't needed, sorry to Robert Englund, but this was very much below what Freddy Krueger represents.

Freddy is back, but he's got something we don't know about, a daughter. Maggie, she's not aware that he is her father, but soon she finds out what his dark secrets are and he wants her help. She has to do her best to resist his powers, but it's hard with all the good memories she has of her loving father. Ironic, isn't it? But Freddy isn't giving up without manipulating her into his ways.

Freddy's Dead: The Final Nightmare is also presented in 3-D, radical, huh? Note the sarcasm. This is one of the worst sequels, it's tied up with the fifth sequel of the Nightmare on Elm Street series, I'd rather watch the second Nightmare on Elm Street to be honest. This just had bad acting, stupid editing, and just over all a bad idea for a story. I didn't like the concept of it and it just ruined the whole idea of who Freddy Krueger really is, the death master of nightmares, not Father Knows Best.

2/10