instruction:
In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".
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Review: This is by far one of my favorite of the American Pie Spin offs mainly because in most of the others the main character (one of the young Stiflers) always seems unrealistic in nature. For example AP: The Naked Mile. You have a teenage guy surrounded by naked college chicks , and has one in particular hot on his trail to rid him of his virginity "problem" and he ends up stopping mid-deed and rides a horse back to sleep with his girlfriend, who keep in mind gave him a "guilt free pass" for the weekend. I can appreciate the romantic aspect of the whole thing but let's be realistic; most people who are watching these movies aren't particularly searching for a romantic story.Whereas the most recent installment finally seems to realize who the audience is and good old Erik Stifler seems to wake up and smell the roses and as always Mr. Levenstein lends his "perfectly natural" eyebrow humor to the equation and scored a touchdown with this new movie. Question: is it a positive review?
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yes

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Review: How has this piece of crap stayed on TV this long? It's terrible. It makes me want to shoot someone. It's so fake that it is actually worse than a 1940s sci-fi movie. I'd rather have a stroke than watch this nonsense. I remember watching it when it first came out. I thought, hey this could be interesting, then I found out how absolutely, insanely, ridiculously stupid it really was. It was so bad that I actually took out my pocket knife and stuck my hand to the table.Please people, stop watching this and all other reality shows, they're the trash that is jamming the networks and canceling quality programming that requires some thought to create. Question: is it a positive review?
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no

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Review: The Lives of the Saints starts off with an atmospheric vision of London as a bustling city of busy, quaint streets and sunshine. I was hoping it would maintain this atmosphere, but it gets bogged down in a story that goes pretty much nowhere.Othello works for big, fat Mr. Karva, his crime-boss step-dad (at least I think that is what he is supposed to be because it's never really defined, but he does drop kittens into deep fat friers, so trust me, he's a prick) doing scrappy little errands while his skanky girlfriend gives daddy hand-jobs. One of his colleagues is Runner, a black dude who is always dashing from A to B. Until the day he comes across almost mute homeless child who grants him his wish of being able to stop running. Runner dumps the lost boy in Othello's flat, where he promptly starts granting more wishes. Keen to have some of his own desires fulfilled, Karva has the boy kidnapped. But he isn't sure of what would really bring him happiness. Is it the innocence of being a child again or is it another hand-job? Either way, I don't want to see the little boy grant him the second.It just takes ages to get going and there are loads of repetitive scenes. The ending tries to be shocking but since there's hardly any back-story on investment in any of these characters it only serves as a release for the bored audience.Writer Tony Grisoni, a favourite of Terry Gilliam, tries to blend in some kind of religious allegory which ends up being pretentious as all hell, ironically. If he gave us something more accessible or at least had better explanations for the characters suddenly acting all weird then it would have been a more enjoyable film. As it is, we are introduced to a bunch of annoying loudmouths who then miraculously seem to develop intelligence when confronted by the mysterious boy. Who's origins are never revealed. That's just plain irritating! Aside from sporadic moments of atmosphere and a moody score, this film has little to recommend. Question: is it a negative review?
answer:
yes