input: In a January 2013 interview, Cudi revealed that he had stopped smoking marijuana two years earlier, both for the sake of his child and due to frustration with constantly being associated with the drug and stoner culture. In that same interview, Cudi said that while he believes in God, he considers himself spiritual but not religious. In a March 2013 interview, Kid Cudi talked about how his initial sudden and unexpected fame drove him to alcohol and drugs: "For me, I just got to this point, and especially up until recently, I gave up liquor, I don't drink anymore, it's been five and a half months I've been sober. The booze was a new thing for me, I didn't realize I was an alcoholic all these years. I had a problem, I think with any addiction you have to be ready to make the choice, whether it's cigarettes or anything. You have to just commit and you just have to stick with it. I stopped everything cold turkey. When I had my cocaine problem I stopped cold turkey, I didn't go to rehab. I don't believe in these things. Some people need the extra help, not me. I wasn't a drug addict before this crap, I wasn't doing cocaine, I wasn't getting wasted every night because I didn't want to be alone. I wasn't this dark person before the madness, I was a whole other dude. I don't even think I smoked weed as much 'cause we couldn't afford it... You just have to make the choice and decide the person you wanna be and stick with it. You get to a certain age where the people around you are not gonna be on that rollercoaster all day long ready for you to go up, ready for you to go down, and stick with you through all the madness. People want you to be one person and stick with it and I chose to be clean and be sober and get my life together. For myself, for my health, for my daughter, for my family." In a 2013 interview, Cudi revealed he had suffered an addiction to anti-depressant medication, which had been prescribed to help him deal with an "emotional breakdown" following a failed relationship. In a 2014 interview, Cudi spoke on his struggles with depression and suicide throughout the years: "I've dealt with suicide for the past five years. There wasn't a week or a day that didn't go by where I was just like, 'You know, I wanna check out.' I know what that feels like, I know it comes from loneliness, I know it comes from not having self-worth, not loving yourself." In October 2016, Cudi revealed on his Facebook page that he had checked himself into rehabilitation for depression and suicidal urges.

Answer this question "What are his hobbies?"
output: he had stopped smoking marijuana

input: Fellini secured financing through the producers Dino De Laurentiis and Carlo Ponti, who wanted to cast Silvana Mangano (De Laurentiis' wife) as Gelsomina and Burt Lancaster as Zampano, but Fellini refused these choices. Giulietta Masina had been the inspiration for the entire project, so Fellini was determined never to accept an alternative to her. For Zampano, Fellini had hoped to cast a nonprofessional and, to that end, he tested a number of circus strongmen, to no avail. He also had trouble finding the right person for the role of Il Matto. His first choice was the actor Moraldo Rossi, who was a member of Fellini's social circle and had the right type of personality and athletic physique, but Rossi wanted to be the assistant director, not a performer. Alberto Sordi, the star of Fellini's earlier films The White Sheik and I Vitelloni, was eager to take the role, and was bitterly disappointed when Fellini rejected him after a tryout in costume. Ultimately, Fellini drew his three leading players from people associated with the 1954 film Donne Proibite (Angels of Darkness), directed by Giuseppe Amato, in which Masina played the very different role of a madam. Anthony Quinn was also acting in the film, while Richard Basehart was often on the set visiting his wife, actress Valentina Cortese. When Masina introduced Quinn to her husband, the actor was disconcerted by Fellini's insistence that the director had found his Zampano, later remembering: "I thought he was a little bit crazy, and I told him I wasn't interested in the picture, but he kept hounding me for days." Not long afterwards, Quinn spent the evening with Roberto Rossellini and Ingrid Bergman, and after dinner they watched Fellini's 1953 Italian comedy-drama I Vitelloni. According to Quinn: "I was thunderstruck by it. I told them the film was a masterpiece, and that the same director was the man who had been chasing me for weeks." Fellini was particularly taken with Basehart, who reminded the director of Charlie Chaplin. Upon being introduced to Basehart by Cortese, Fellini invited the actor to lunch, at which he was offered the role of Il Matto. When asked why by the surprised Basehart, who had never before played the part of a clown, Fellini responded: "Because, if you did what you did in Fourteen Hours you can do anything." A great success in Italy, the 1951 Hollywood drama starred Basehart as a would-be suicide on a hotel balcony. Basehart, too, had been greatly impressed by I Vitelloni, and agreed to take the role for much less than his usual salary, in part because he was very attracted by Fellini's personality, saying: "It was his zest for living, and his humor."

Answer this question "Who was the director?"
output: Fellini

input: Sowell has also written a trilogy of books on ideologies and political positions, including A Conflict of Visions, where he speaks about the origins of political strife; The Vision of the Anointed, where he compares the conservative/libertarian and liberal/progressive worldviews; and The Quest for Cosmic Justice, where, as in many of his other writings, he outlines his thesis of the need for intellectuals, politicians and leaders to fix and perfect the world in utopian, and ultimately he posits, disastrous fashions. Separate from the trilogy, but also in discussion of the subject, he wrote Intellectuals and Society, where, building on his earlier work, he discusses what he argues to be the blind hubris and follies of intellectuals in a variety of areas. Sowell challenges the notion that black progress is due to progressive government programs or policies, in The Economics and Politics of Race, (1983), Ethnic America (1981), Affirmative Action Around the World (2004), and other books. He claims that many problems identified with blacks in modern society are not unique, either in terms of American ethnic groups, or in terms of a rural proletariat struggling with disruption as it became urbanized, as discussed in his book Black Rednecks and White Liberals (2005). In Affirmative Action Around the World Sowell holds that affirmative action covers most of the American population, particularly women, and has long since ceased to favor blacks. Sowell described his serious study of Karl Marx in his autobiography. He opposes Marxism, providing a critique in his book Marxism: Philosophy and Economics (2011). Sowell also favors decriminalization of all drugs.

Answer this question "What else was he known for"
output:
The Vision of the Anointed, where he compares the conservative/libertarian and liberal/progressive worldviews;