In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

[EX Q]: plot : a bunch of bad guys dressed up as elvis impersonators rob a vegas casino during a presley convention .
the boys eventually get together to split the money , but as plans change , double - crosses occur , dealing and wheeling goes down and the crew set up for the road .
who 's on the up and up , who 's the real bad guy and who 's gon na get to bang courteney cox are just a few of the questions which will be answered by the rest of this movie .
critique :
the funnest movie that i 've seen so far this year !
it 's got style
, it 's got tough guys talkin ' shite
and it 's got plenty of bullets to go around .
a definite hunk - a - hunk - a burnin ' adventure !
a guy 's guy movie through and through , and one that 'll set your jollies to high if you dig on the rough stuff .
it 's not very original
, it goes on for a little too long , but costner and russell make it happen , as two shite - kickin ' elvis lovers , who do n't stop till they , more or less , drop .
this movie 's got some pretty intensive shoot - out scenes , one of the coolest robbery scenarios that i 've ever witnessed , featuring several elvises with guns a blazin ' and the king 's music playing in the background , and a decent helping of double - crosses , sharp dialogue and funny moments
.
in fact , even though the cast is filled with many name actors ( b - actors as they might be for the most part ) , most of them do their bit and succeed well in passing the torch onto the next victim .
but the true glue that holds this film together , other than the spirit of elvis himself , is costner and russell , who play their badass characters to the t .
sure , russell 's been down this road before , but costner surprised me with his nastiness .
i guess he 's pissed at all the box - office bombs that he 's been in of late , but he sure played a great unstable elvis impersonating robber here .
in the end , the bottom line with this movie is having fun , kickin ' ass and making sure there 's enough bubblegum around to chew afterwards .
and smoke
'em if you got 'em , folks !
there is also this one really great show - down scene between costner and a cop , that 'll have you crackin ' up and lovin' it all at the same time .
the violent scenes in this movie are violent and the entire film is wrapped in a soundtrack that 'll kick your arse from this end of the theatre to the next .
it should actually come to no surprise to anyone that the director of this movie comes from a music video background , with plenty , and i mean plenty , of camera tricks , cuts and edits , but for this kind of flick , it actually works .
the film is not perfect though , it starts off with a pretty big bang , but then pulls a way of the gun on us , and slows the pace down somewhat in the middle , while characters intermingle and disperse .
i was personally kept in the game despite some soft spots , and enjoyed the overall ride for what it was as well .
and did i mention that courteney cox looked mega - hot in the movie ?
no . . .
okay ,
well i just did !
i coulda done without her whole " romance " angle , but to be honest
, it does n't take up much of the film , which is generally covered in blood , explosions , guts and elvis nods .
try to see how many " inside " connections to the king you can guess .
of course , it 's no secret that i am quite a big elvis fan myself
so please take this whole review with that grain of salt in mind .
i also like these types of " guy " movies a lot , and even though the film does n't bring much originality to the table , it does offer a pretty coherent story , some nice twists and turns , humor and a big ol' helping of whoop - ass coming straight from costner and russell 's respective boots .
probably not a film for everyone , but definitely for those who enjoy the guns , the charismatic bad guys and a fun , if entirely disposable , adventure .
now see how many elvis songs i 've used to pun my way through this phony review below .
the elvis songs also recommend this movie !
so whether you 're lonesome tonight or any other night , remember to pack the teddy bear with bullets , leave your little sister at home , bring your bossa nova baby and rock out of that jailhouse , cause this movie ai n't one to return to the sender .
i really beg of you , whether you 're stuck in the ghetto or crying in the chapel , to slap this cinematic ring around your neck and love it tender .
and no suspicious minds either , folks , cause i got stung by this movie , i mean it really shook me up , and unless you 're the devil in disguise himself , i think you wo n't be able to help falling in love with this lucky charm either
.
so do n't be cruel
, do n't turn away , do n't curl up with your latest flame tonite ( whether she be a hard - headed woman or not ) and surrender to the hound dog of movies that is this film .
it 's now or never , folks .
trust me , i did it my way and the heartbreak hotel of crappy movies that i 'd seen
so far this year is far behind me .
joblo has now officially left the sanity of his mind and this building .
thank you . . .
thank you very much ! !
where 's joblo coming from ?
get carter ( 7/10 ) - heat ( 8/10 ) - honeymoon in vegas ( 9/10 ) - payback ( 8/10 ) - reindeer games ( 5/10 ) -reservoir dogs ( 9/10 ) - way of the gun ( 6/10 )
[EX A]: P

[EX Q]: the following review encompasses two versions of dune :
dune : the theatrical version ( 1984 ) runtime : 137 minutes capsule review : cut down to just over two hours by nervous studio executives , the theatrical version of dune is a spectacular mess and may be incomprehensible to those unfamiliar with the book .
the film 's visual splendour , mystical beauty and impressive action scenes only partly compensate for gaping holes in the narrative .
dune : the extended version ( 1988 ) runtime :
189 minutes capsule review : a bit of a throw - together assembled by mca tv special projects for cable television .
it was disowned by director david lynch
but it 's considerably closer to his original vision by virtue of its improved characterisation and clearer storyline .
quality dubs of this version from the out - of - print japanese laserdisc release are available from various dealers on the world wide web .
*
*
* the review
*
* * released in 1984 and made on a then mammoth budget of $ 40 million , the film of frank herbert 's cult novel dune was eagerly awaited by sci - fi fans .
director david lynch ( blue velvet , eraserhead , twin peaks ) was working on his biggest production to date , a mammoth undertaking filmed under trying conditions on location in mexico .
the screenplay was lynch 's own , chosen after the script submitted by original author herbert was rejected .
dune is set in a universe ruled by powerful families overseen by a successive line of emperors .
the key to cosmic power is the planet arrakis ( dune ) , a windswept desert planet that 's home to giant sandworms and the precious spice melange .
the spice is the most valuable commodity in the universe .
it extends the life and expands the consciousness of those who consume it .
most importantly , it allows the navigators of the spacing guild ( once human but now hideously mutated ) to " fold space " and navigate their spacecraft across mammoth distances instantaneously , enabling interstellar commerce and trade to flourish .
lynch 's film by necessity excises parts of the book while retaining the story 's two main strands .
one is the long - standing rivalry between two families , houses atreides and house harkonnen , and their battle for lucrative mining rights on arrakis .
the second strand is the emergence of young paul atreides as the reluctant messiah long - awaited by the natives of arrakis , the fremen .
the deeply religious fremen want control over their homeworld , and young paul may be the fulfilment of their prophecy that a man would come from the outer worlds and lead them to freedom .
unfortunately , this epic story unfolds in a confusing and haphazard manner in the theatrical cut of the film , which runs 30 to 60 minutes shorter than what lynch originally intended .
the thinking among universal 's oh - so - wise money men was that films over two hours in duration were not popular with audiences at the time and would not do well at the box office .
with lynch 's initial cut running at closer to three or more hours , the studio demanded that further cuts be made .
what a great idea !
why not trim down an already complex film so as to make it almost incomprehensible ?
the most glaring consequence of this one - eyed stupidity is a hopelessly jumpy narrative , leaving us with badly underdeveloped characters .
thus their personalities are vague , their motivations unclear and , in the case of paul 's father duke leto , their demise rather meaningless .
the end result is a distinct chill : we ca n't warm to most of the cast and we do n't care much for them .
and it hardly helps that the voice - over narration is sparse and that the dune - esque language and terminology sounds like so much gobbledegook to those unfamiliar with the book .
dune is also a very serous film .
the constant " self - talk " by various characters makes it so serious and self - absorbed at times that you may find it hard not to wince with embarrassment .
the overall impression is a world full of people so intense that no one is allowed a joke lest the universe come crashing down around them .
humour - or at least a gentle kind of humour as distinct from the harkonnen 's mad , sadistic kind - is hard to find .
you may balk at the comparison , but as a writer lynch could well have done with some lessons from george lucus ' star wars trilogy .
the theatrical version is still some way from being a complete disaster , however .
it still possesses enough of lynch 's stylistic quirks and enough visual invention to sustain the interest of viewers with a taste for imaginative sci - fi .
special effects whiz
carlo rambaldi 's giant sandworms are an awesome sight .
both the production design ( anthony masters ) and costume design ( bob ringwood ) are striking and original .
and the magnificent score by toto and brian eno is one of the most underrated soundtracks of the last twenty years .
with these elements in place and the benefit of freddie francis ' lush cinematography , the film is at least a feast for the senses .
see it in the widescreen format if you can .
and despite all the cuts , several cast members still make a strong impression , most notably kenneth mcmillan as the supremely nasty baron vladimir harkonnen .
sian phillips also registers strongly as the reverend mother gaius helen mohiam , leader of the bene gesserit religious order who 's secret aim is to manipulate paul 's destiny for its own shadowy ends .
as paul atreides , the young kyle maclachlan starts off somewhat shakily , but as his character grows in strength so does his performance
and he emerges as a credible leader of the fremen crusade .
the conclusion ?
any assessment of this film must take into account that frank herbert 's original novel is a complex piece of work and presents a tough challenge for any filmmaker .
david lynch took a brave stab at it and , partly due to forces beyond his control , ended up with an officially released version that fails in several key respects .
dune certainly confused and frustrated a lot of people on its release .
many chose to stay away altogether , as the film 's disastrous box office showing attests .
the extended version , however , is a rather different beast .
in 1984 lynch stated his intention to release his own special edition " director 's cut " of the film on home video , a clear indication of his dissatisfaction with the version that ended up in the theatres .
but , alas , he failed to do so , choosing to move on to other projects .
in a way , then , it is partly lynch 's own fault that what appeared instead was an unauthorised extended version , put together in 1988 by mca tv special projects for airing on cable networks in the usa .
stung into action , lynch successfully petitioned the director 's guild to take his name off the credits and replace it with " allen smithee " , the standard pseudonym for directors who wish to disown their own work .
he also had the screenwriting credit changed to the anonymous " judas booth " .
certainly , looking at the results of mca 's handiwork there 's at least half a dozen instances that , for sheer technical sloppiness , are good enough reasons for the director to object .
but these gripes must be considered in light of the improvements that the extended cut of dune offers in several crucial areas .
most of the changes involve the restoration or extension of cut scenes and the addition of extra narration , both of which fill many holes in the original version 's storyline .
paul 's relationship with his father and associates is more intimate , with moments of humour and warmth lacking previously .
the political skulduggery involving the emperor , the spacing guild , the bene gesserits and the two warring houses is far better explained .
paul 's initiation into the fremen way of life on arrakis is also fleshed out considerably .
and as further background , a new prologue has been added featuring narration and painted stills to give us a brief history of the dune universe .
as a piece of storytelling , then , mca tv 's version of dune is clearly superior .
as a piece of editing , however , it is at times surprisingly inept .
the use of painted stills in the new prologue works well enough , but their occasional appearance once the action begins is inappropriate .
there 's some sloppy cutting , too , and in a few instances shots even appear out of order .
and the use of repeated footage to fabricate certain scenes ( eg .
ships coming and going , soldiers coming and going ) is at times clearly out - of - context
.
this is the kind of thing to which lynch objected , and
rightly so .
it should also be noted that several questionable scenes and shots from the theatrical version were deleted to satisfy the censorship demands of u . s . television .
but the most notable omission is a gratuitous piece of nonsense from lynch that was n't even in herbert 's book .
the scene features baron harkonnen killing a beautiful young man in front of his slobbering henchmen by pulling out his " heart plug " .
its a surreal and disturbing episode that 's very lynch - esque but adds nothing to what we already know
: the baron is a nasty piece of work .
despite its own peculiar flaws , then , the extended version of dune is a generally superior film .
all up , it contains 35 minutes of restored footage and approximately another 15 minutes of either altered , fabricated or newly created sequences . unless the idiosyncratic lynch has a sudden change of heart , the " alan smithee " version remains the closest we 'll get to what the movie should have been .
on repeated viewings , one suspects it is closer than what lynch would be prepared to admit .
still , as one of this century 's great science - fiction novels , some fans and perhaps the late herbert himself would argue that dune deserved a better fate in its transfer to the screen .
with rumours circulating of a new six hour mini - series planned by production company new amsterdam entertainment in 1998 , it is unlikely that we have heard the last of the dune saga .
[EX A]: N

[EX Q]: like a good action film should , " metro " has action that keeps you involved .
some action films have action sequences that are so conventional , our attention is detracted and diverted by other thoughts .
"
the ghost in the darkness , " which opened a few months ago , is a film that s action was so bland and uninvolving , it not only invited my thoughts to divert me , it nearly put me asleep .
but " metro " is one of the best action films in a while .
it is hip , sharp , nifty , and has nice little pieces of suspense and comedy .
eddie murphy was in bad shape for a while .
and this invites me to mention last year s " the nutty professor , " which was his blessed revival back to the position at which he used to be .
" metro " happens to be a lot better than any film in the " beverly hills cop " series .
that is because " metro " takes itself seriously , but doesn t prevent itself from having a little fun .
eddie murphy is at his best in the roles of responsible , and controlled people .
the " beverly hills cop " movies all featured eddie as a reckless , wild cop , always crossing the line by just an inch .
in " metro " he plays a hostage negotiator , so negotiation is his job , not his hobby or his preferred way out of trouble .
his character in " metro " takes himself seriously .
eddie murphy s mischievous trademark grin is hardly anywhere to be found in " metro , " and perhaps it is quite better off that way .
murphy plays scott roper , and as i previously mentioned , he is a san francisco hostage negotiator .
in the first tense situation in the film , we are introduced to roper s kind of work , as he tries to calm down a confused , unkempt young criminal who has taken captive the entire capacity of the san francisco bank he is holding up .
murphy handles the scene seriously , without his usual happy - go - lucky , misfit humor .
the film develops when its villain is established , and the villain here is the beguiling michael korda , a jewel thief , and murderer who likes to let cops know of his hostage fatalities by giving them the ear of the victim .
" metro " takes different twists and slight turns , and there is one great , virtuoso chase scene , involving the a cable car .
cars flip .
cars crash .
cars turn over .
and it is done so good in this film , i was reminded of " speed , " and the speeding bus that couldn t go under fifty mile per hour for very significant reasons .
there are also some other good scenes in " metro " that a lot of films would rather choose not to have .
scenes like the one with roper and his new partner are at the horse track roper is a gambler who knows all the tricks and roper teaches his partner a few little methods of betting and winning .
of course , the writers tried to disguise the scene as being insignificant by having roper draw parallels between hostage negotiation and gambling .
the scenes between roper and his girlfriend are nice , too .
those are the scenes that make up " metro , " which is mainly about eddie murphy s maturing as a personality .
the actor that i most enjoyed seeing in " metro " was michael rapaport , who plays roper s new partner , a lip - reading , book - skimming genius , and a master of observation .
it was not the actor s presence that pleased me as much as the role he was cast in the role of a proclaimed genius .
rapaport is an actor who i usually see in the role of the dimwit the really , really dopey dimwit .
i hardly recognized him in " metro , " and it was quite a joy to be able to see him in a role like this
i feel that i respect him more .
there are two main types of villains in movies like this : the ones that are part of the story , and the ones that are devices .
the villain in " metro " is no more than a device , but he is a darn good villain nonetheless .
he is played by michael wincott , whose voice is pushed out in a abraded rasp , as if he smokes a cigarette between every take .
wincott makes his villain , korda , as mean as could be , the classic type of villain who would push an old lady down a flight of stairs just for kicks , like richard widmark in " kiss of death .
"
and , in addition , wincott s physical appearance and mannerisms , in the film , actually reminded my of an arrogant friend i use to have , who is no longer on my good list .
i liked " metro , " and i do not think would have worked with any other actor but eddie murphy .
his past roles were the great ones but they were also a precursor to the maturing that would later take place , possibly from murphy s growing as a person , now having a family .
" metro " is a no - nonsense movie .
it works as a buddy movie , which it does not overplay .
it works as a dry comedy , which it does not overplay .
it works as a suspense film , which it does not overplay .
and it works as an action film , where it does have a tendency to occasionally go all - out .
but who cares ?
it still remains serious , and it does not overdo itself .
oh , and there were plenty of explosions in " metro , " as well .
how nice it was of the filmmakers to give us those .
if there is one major objection i had to " metro " , it was the length , an area where a lot of action films seem to wear out their welcomes .
" metro " is a film that lasted a little too long , but it was still entertaining , and it gave me something to do while i waited for it to end .
paul haynes " >
[EX A]:
N