Given the following passage "Other popular names for the format include "Warm", "Sunny", "Bee" (or "B") and (particularly in Canada) "EZ Rock". The format can be seen as a more contemporary successor to and combination of the middle of the road (MOR), beautiful music, easy listening and soft rock formats. Many stations in the soft AC format capitalize on its appeal to office workers (many of them females aged 2554, a key advertiser demographic), and brand themselves as stations "everyone at work can agree on" (KOST originated that phrase as a primary tagline, and other soft AC stations have followed suit).", answer the following question. Note that the answer is present within the text. Question: What is a MOR known as?
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Answer: soft AC format

Given the following passage "Within the city there have been two tram networks in operation. A proposal to develop a horse-drawn tram (linking the city's railway termini) was made by American George Francis Train in the 1860s, and implemented in 1872 by the Cork Tramway Company. However, the company ceased trading in 1875 after Cork Corporation refused permission to extend the line, mainly because of objections from cab operators to the type of tracks which although they were laid to the Irish national railway gauge of 5 ft 3in protruded from the road surface.[citation needed]", answer the following question. Note that the answer is present within the text. Question: The man who proposed horse powered trams was not associated with what?
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Answer: Cork Tramway Company

Given the following passage "The written score, however, does not usually contain explicit instructions as to how to interpret the piece in terms of production or performance, apart from directions for dynamics, tempo and expression (to a certain extent). This is left to the discretion of the performers, who are guided by their personal experience and musical education, their knowledge of the work's idiom, their personal artistic tastes, and the accumulated body of historic performance practices.", answer the following question. Note that the answer is present within the text. Question: Aside from achieving the objective measures in the test, how do musicians determine how to perform?
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Answer:
guided by their personal experience and musical education, their knowledge of the work's idiom, their personal artistic tastes, and the accumulated body of historic performance practices