Problem: Background: Zorro (Spanish for "fox") is a fictional character created in 1919 by American pulp writer Johnston McCulley, and appearing in works set in the Pueblo of Los Angeles during the era of Spanish California (1769-1821). He is typically portrayed as a dashing masked vigilante who defends the commoners and indigenous peoples of California against corrupt and tyrannical officials and other villains. His signature all-black costume includes a cape, a hat known as sombrero cordobes, and a domino mask that covers the upper part of his face. In the stories, Zorro has a high bounty on his head, but is too skilled and cunning for the bumbling authorities to catch, and he also delights in publicly humiliating them.
Context: In The Curse of Capistrano, Senor Zorro became an outlaw in the pueblo of Los Angeles in California "to avenge the helpless, to punish cruel politicians, to aid the oppressed." He is the title character, as he is dubbed the "Curse of Capistrano". The novel features extensively both Don Diego Vega and Zorro, but the fact that they are the same person is not revealed to the reader until the end of the book. In the story, both Diego and Zorro romance Lolita Pulido, an impoverished noblewoman. While Lolita is unimpressed with Diego, who pretends to be a passionless fop, she is attracted to the dashing Zorro. The main villain is Captain Ramon, who also has his eyes on Lolita. Other characters include Sgt. Pedro Gonzales, Zorro's enemy but Diego's friend; Diego's deaf and mute servant Bernardo; his ally, Fray (Friar) Felipe; his father Don Alejandro Vega, the richest landowner in California and a widower; Don Carlos Pulido and his wife, Dona Catalina, Lolita's parents; and a group of noblemen (caballeros) who, at first, hunt Zorro but are then won over to his cause. In later stories, McCulley introduces characters such as pirates and Native Americans, some of whom know Zorro's identity. In McCulley's later stories, Diego's surname became de la Vega. In fact, the writer was wildly inconsistent. The first magazine serial ended with the villain dead and Diego publicly exposed as Zorro. But in the sequel, the villain was alive and the next entry had the double identity still secret. Several Zorro productions have expanded on the character's exploits. Many of the continuations feature a younger character taking up the mantle of Zorro. McCulley's stories are set during the during the era of Spanish California (1769-1821) and, although exact years are often vague, the presence of the Pueblo of Los Angeles means the stories cannot happen before 1781, the year it was founded. Some media adaptations of Zorro's story have placed him during the later era of Mexican California (1821-1846).
Question: Does Zorro end up with her?
Answer:

Problem: Background: Sparks are an American pop and rock band formed in Los Angeles in 1972 by brothers Ron (keyboards) and Russell Mael (vocals). The duo formed in 1968 under the name Halfnelson. Known for their quirky approach to songwriting, Sparks' music is often accompanied by intelligent, sophisticated, and acerbic lyrics, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. They are also noted for Russell Mael's distinctive falsetto voice and Ron Mael's intricate and rhythmic keyboard playing style.
Context: Brothers Ron and Russell Mael grew up in Pacific Palisades, in western Los Angeles County, California, during the "Golden Age" of the LA club scene, with the Doors, Love and the Standells regularly playing the Whisky a Go Go on Sunset Strip and the Beach Boys playing the afternoon event Teenage Fair. Both Ron and Russell Mael are seen in the audience during the Ronettes' section of the concert film The Big T.N.T. Show, filmed in 1966. Both attended UCLA, Ron studying cinema and graphic art, Russell theatre arts and filmmaking. Detesting the folk music scene, which they considered "cerebral and sedate and we had no time for that", they developed a particular taste in English bands of the time such as the Who, Syd Barrett's Pink Floyd, the Kinks and the Move, which led to their description of themselves as "Anglophiles". Forming Halfnelson in 1968, they soon came to the attention of producer Todd Rundgren, at whose urging Albert Grossman signed the band to his Bearsville record label. Their eponymous debut album - with the line-up consisting of college friend Earle Mankey on guitar, Mankey's brother James on bass, Harley Feinstein on drums and Rundgren producing - sold poorly, but after switching labels to Warner Bros. Records and renaming themselves Sparks, a play on the Marx Brothers, the re-issued debut spawned the minor regional hit "Wonder Girl". Their follow-up album, A Woofer in Tweeter's Clothing, led to a tour of the United Kingdom, including a residency at the Marquee Club in London, These London appearances helped them to secure a significant cult following. An appearance on the BBC Television's The Old Grey Whistle Test led to wider interest where host Bob Harris compared the band to a cross between Frank Zappa's Mothers of Invention and the Monkees.
Question: Did they become musicians?
Answer: Forming Halfnelson in 1968, they soon came to the attention of producer Todd Rundgren,

Problem: Background: Raitt was born in Burbank, California. She is the daughter of the Broadway musical star John Raitt and his first wife, the pianist Marjorie Haydock, and was raised in the Quaker tradition. She began playing guitar at Camp Regis-Apple Jack in Paul Smiths, NY, at an early age. Later she gained notice for her bottleneck-style guitar playing.
Context: In the fall of 1970, She played with her brother David on stand up Bass with Mississippi Fred McDowell at the Philly Folk Festival as well as Opening for John Hammond at the Gaslight Cafe in New York, she was seen by a reporter from Newsweek, who began to spread the word about her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer from Warner Bros., who soon released her debut album, Bonnie Raitt, in 1971. The album was warmly received by the music press, with many writers praising her skills as an interpreter and as a bottleneck guitarist; at the time, few women in popular music had strong reputations as guitarists. While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal "acclaim"; though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales. Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate. In 1976, Raitt made an appearance on Warren Zevon's eponymous album with his friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.
Question: What else is interesting about the article ?
Answer:
While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work.