Detailed Instructions: In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : The Patriarchate of Pec Monastery (Serbian: / "Manastir Pecka patrijarsija" ; ] , ) or Patriarchal Monastery of Pec is a medieval Serbian Orthodox monastery located near the city of Pec, in Kosovo. Built in the 13th century and expanded during the 14th century, it is the spiritual seat and mausoleum of the Serbian archbishops and Serbian Patriarchs. It is situated by the Pec Bistrica, at the entrance of the Rugova Canyon. It is part of the "Medieval Monuments in Kosovo", a combined World Heritage Site along with three other Orthodox monuments. Context_2 : Sao Miguel das Missoes is a municipality in Rio Grande do Sul state, southern Brazil. Important 17th century Spanish Jesuit mission ruins are located in the municipality. San Miguel Mission is within Sant'Angelo Microregion, and the Riograndense Northwest Mesoregion. The city covers 1246 km2 and had a population of 7,682 resident. Context_3 : The Ruins of Sao Miguel das Missoes (] ; Portuguese for St. Michael of the Missions, also known as Sao Miguel Arcanjo, and by its former Spanish name San Miguel) is a Unesco World Heritage site located in the municipality of Sao Miguel das Missoes, in the northwestern region of Rio Grande do Sul state, in southern Brazil. Context_4 : Gracanica Monastery (] ; Serbian: /Manastir Gracanica , Albanian: "Manastiri i Gracanices" ) is a Serbian Orthodox monastery located in Kosovo. It was built by the Serbian king Stefan Milutin in 1321 on the ruins of a 6th-century basilica. The monastery was declared a Monument of Culture of Exceptional Importance in 1990, and on 13 July 2006 it was placed on UNESCO's World Heritage List under the name of Medieval Monuments in Kosovo as an extension of the Visoki Decani site which was overall placed on the List of World Heritage in Danger. Context_5 : The Cao Fila de Sao Miguel (Portuguese: ] ) (frequently translated into English as the "Sao Miguel Cattle Dog" or "Cattle Dog of Sao Miguel Island", but other names, such as "Azores Cattle Dog", may be used) is a dog breed of molosser type originating on Sao Miguel Island in the Azores, an island chain which is one of the autonomous regions of Portugal. The breed was originally used for working with cattle. Context_6 : The UNESCO (United Nations Educational, Scientific and Cultural Organization) has designated 82 World Heritage Sites in 18 countries (also called "state parties") of Western Asia: Armenia, Azerbaijan, Bahrain, Cyprus, Georgia, Iran, Iraq, Israel, Jordan, Lebanon, Oman, Palestine, Saudi Arabia, Syria, Turkey, United Arab Emirates, Qatar and Yemen. While Egypt is partially in Western Asia, it's World Heritage Sites are listed under Africa instead. One site is located in Jerusalem. Kuwait is the only country in the region that does not have any World Heritage Sites. Arabian Oryx Sanctuary was designated as a World Heritage Site of Oman in 1994 but was delisted in 2007. As the protected area was reduced by 90% as a result of Oman's decision, UNESCO delisted the site. Context_7 : The UNESCO (United Nations Educational, Scientific and Cultural Organization) World Heritage Sites are places of importance to cultural or natural heritage as described in the UNESCO World Heritage Convention, established in 1972. Tanzania ratified the convention on 2 August 1977, making its historical sites eligible for inclusion on the list. Tanzania has 7 UNESCO world heritage sites and two of them are placed on the world heritage sites in danger. Context_8 : The Medieval Monuments in Kosovo are a World Heritage Site consisting of four Serbian Orthodox Christian churches and monasteries which represent the fusion of the eastern Orthodox Byzantine and the western Romanesque ecclesiastical architecture to form the Palaiologian Renaissance style. The construction was founded by members of Nemanjic dynasty, the most important dynasty of Serbia in the Middle Ages. The sites are located in the disputed territory of Kosovo. Context_9 : The Waldschlosschen Bridge (German: Waldschlochenbrucke or Waldschlosschenbrucke ) is a road bridge across the Elbe river in Dresden. The bridge was intended to remedy inner-city traffic congestion. Its construction was highly controversial, as the Dresden Elbe Valley had been declared a UNESCO World Heritage Site and UNESCO expressed strong concerns against the bridge, noting its intent to withdraw the World Heritage title if the bridge were built. As a result of this project, the Dresden Elbe Valley was listed in 2006 as an "Endangered World Heritage Site" (one of two in Europe, the Medieval Monuments in Kosovo being the other one), and in 2009 became only the second World Heritage Site to be de-listed. Context_10 : The Mission Museum (Portuguese: Museu das Missoes) is a historical museum in Sao Miguel das Missoes, Rio Grande do Sul, Brazil. It is located on the site of the ruins of the Igreja de Sao Miguel Arcanjo (Church of Sao Miguel Arcanjo) and houses works from the church and statuary of the Rio Grande do Sul region. The museum was designed by the architect Lucio Costa (19021998) and was built from materials from the ruins. It was conceived as an open shelter for religious works related to the church site; transparent glass panels were soon added. fact_1 : The Medieval Monuments in Kosovo are a World Heritage Site consisting of four Serbian Orthodox Christian churches and monasteries which represent the fusion of the eastern Orthodox Byzantine and the western Romanesque ecclesiastical architecture to form the Palaiologian Renaissance style. fact_2 : The Ruins of Sao Miguel das Missoes (] ; Portuguese for St. Michael of the Missions, also known as Sao Miguel Arcanjo, and by its former Spanish name San Miguel) is a Unesco World Heritage site located in the municipality of Sao Miguel das Missoes, in the northwestern region of Rio Grande do Sul state, in southern Brazil. Answer: yes
Solution:
Are the Medieval Monuments in Kosovo and the Ruins of Sao Miguel das Missoes both World Heritage sites?