Problem: Kosciuszko was born in February 1746 in a manor house on the estate called "Mereczowszczyzna" near Kosow, (now Kosava, Belarus) in Nowogrodek Voivodeship, Grand Duchy of Lithuania, a part of the Polish-Lithuanian Commonwealth. His exact birthdate is unknown; commonly cited are February 4 and February 12. Kosciuszko was the youngest son of a member of the szlachta (nobility), Ludwik Tadeusz Kosciuszko, an officer in the Polish-Lithuanian Commonwealth Army, and his wife Tekla, nee Ratomska. The Kosciuszkos held the Polish Roch III coat of arms.

In 1768, civil war broke out in the Polish-Lithuanian Commonwealth, when the Bar Confederation sought to depose King Stanislaw August Poniatowski. One of Kosciuszko's brothers, Jozef, fought on the side of the insurgents. Faced with a difficult choice between the rebels and his sponsors--the King and the Czartoryski family, who favored a gradualist approach to shedding Russian domination--Kosciuszko chose to leave Poland. In late 1769, he and a colleague, the noted artist Aleksander Orlowski, were granted royal scholarships, and on October 5 they set off for Paris. They wanted to further their military education, but as foreigners they were barred from enrolling in French military academies, and so they enrolled instead in the Royal Academy of Painting and Sculpture. There Kosciuszko pursued his interest in drawing and painting and took private lessons in architecture from the noted French architect Jean-Rodolphe Perronet. Kosciuszko, however, did not give up on improving his military knowledge. He audited lectures for five years and frequented the libraries of the Paris military academies. His exposure to the French Enlightenment, along with the religious tolerance practiced in the Polish-Lithuanian Commonwealth, strongly influenced his later career. The French economic theory of physiocracy made a particularly strong impression on his thinking. He also developed his artistic skills, and while his career would take him in a different direction, all his life he continued drawing and painting. In the First Partition of the Polish-Lithuanian Commonwealth in 1772, Russia, Prussia and Austria annexed large swaths of Polish-Lithuanian territory and gained influence over the internal politics of the reduced Polish and Lithuanian states. When Kosciuszko finally returned home in 1774, he found that his brother Jozef had squandered most of the family fortune, and there was no place for him in the Army, as he could not afford to buy an officer's commission. He took a position as tutor to the family of the magnate, province governor (voivode) and hetman Jozef Sylwester Sosnowski and fell in love with the governor's daughter Ludwika. Their elopement was thwarted by her father's retainers. Kosciuszko received a thrashing at their hands, an event that may have led to his later antipathy to class distinctions. In the autumn of 1775, he decided to emigrate to avoid Sosnowski and his retainers. In late 1775, he attempted to join the Saxon army but was turned down and decided to return to Paris. There he learned of the outbreak of the American Revolutionary War, in which the British colonies in North America had revolted against the crown and begun their struggle for independence. The first American successes were well-publicized in France, and the French people and government openly supported the revolutionaries' cause.

Where in Europe did Tadeusz travel?

Answer with quotes: Paris.

Problem: Stanley Donen ( DAWN-@n; born April 13, 1924) is an American film director and choreographer whose most celebrated works are Singin' in the Rain and On the Town, both of which he co-directed with actor and dancer Gene Kelly. Other noteworthy films include Royal Wedding, Seven Brides for Seven Brothers, Funny Face, Indiscreet, Damn Yankees!, Charade, and Two for the Road. He began his career in the chorus line on Broadway for director George Abbott, where he befriended Kelly.

After the success of Take Me Out to the Ball Game, Freed gave Donen and Kelly the chance to direct On the Town, released in 1949. The film was an adaptation of the Betty Comden and Adolph Green Broadway musical about sailors on leave in New York City and was the first musical to be filmed on location. Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio. That week produced the film's famous opening number New York, New York. Away from both studio interference and sound stage constrictions, Donen and cinematographer Harold Rosson shot a scene on the streets of New York City that pioneered many cinematic techniques that would not be used again until they were popularized by the French New Wave ten years later. These techniques included spatial jump cuts, 360-degree pans, hidden cameras, abrupt changes of screen direction and non-professional actors. Donen's biographer Joseph A. Casper stated that the scene avoids being gratuitous or amateurish, while still "developing plot, describing the setting while conveying its galvanizing atmosphere and manic mood, introducing and delineating character." Casper also said that "Today the film is regarded as a turning point: the first bona fide musical that moved dance, as well as the musical genre, out of the theater and captured it with and for film rather than on film; the first to make the city an important character; and the first to abandon the chorus." On the Town starred Kelly, Sinatra and Munshin as three sailors on a 24-hour shore leave in New York whose romantic pursuits lead them to Ann Miller, Betty Garrett and Vera-Ellen. The film was a success both financially and critically. It won the Academy Award for Best Music, Scoring of a Musical Picture and screenwriters Comden and Green won the Writers Guild of America Award for Best Written American Musical. Like Orson Welles, Donen made his directorial debut at 25. Donen stated that Kelly was "responsible for most of the dance movements. I was behind the camera in the dramatic and musical sequences." Kelly believed that he and Donen "were a good team. I thought we complemented each other very well."

WHere was the film shot?

Answer with quotes:
Donen and Kelly had wanted to shoot the entire film in New York, but Freed would only allow them to spend one week away from the studio.