Background: Expose is an American Latin freestyle vocal group. Primarily consisting of lead vocalists Jeanette Jurado, Ann Curless, and Gioia Bruno, the group achieved much of their success between 1984 and 1993, becoming the first group to have four top ten hits on the Billboard Hot 100 chart from its debut album, including the 1988 #1 hit "Seasons Change". In March 2015, Billboard magazine named the group the eighth most-successful girl group of all-time. The group was popular in dance clubs, mainstream Top 40 and adult contemporary charts in the United States.
Context: In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour. Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?". During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract.
Question: How did this hit do?
Answer: it too topped out at #5 on the US Hot 100.

Background: James Maury "Jim" Henson (September 24, 1936 - May 16, 1990) was an American puppeteer, artist, cartoonist, inventor, screenwriter, and filmmaker who achieved international fame as the creator of the Muppets. He was born in Greenville, Mississippi and raised in Leland, Mississippi and Hyattsville, Maryland. Henson began developing puppets while attending high school. He created Sam and Friends while he was a freshman at the University of Maryland, College Park, a five-minute sketch-comedy puppet show that appeared on television.
Context: In 1969, television producer Joan Ganz Cooney and her staff at the Children's Television Workshop, impressed by the quality and creativity of the Henson-led team, asked Henson and staff to work full-time on Sesame Street, a visionary children's program for public television. This union of talents would become legendary in television entertainment. Part of the show was set aside for a series of funny, colorful, puppet characters living on the titular street. These included Grover, Bert and Ernie, Cookie Monster, Elmo, Oscar the Grouch, and Big Bird. Henson performed the characters of Ernie, game-show host Guy Smiley, and Kermit, who appeared as a roving television news reporter. It was around this time that a frill was added around Kermit's neck to make him more frog-like. The collar was functional as well: it covered the joint where the Muppet's neck and body met. At first, Henson's Muppets appeared separately from the realistic segments on the Street, but after a poor test-screening in Philadelphia, the show was revamped to integrate the two, placing much greater emphasis on Henson's work. Though Henson would often downplay his role in Sesame Street's success, Cooney frequently praised Jim's work and, in 1990, the Public Broadcasting Service called him "the spark that ignited our fledgling broadcast service." The success of Sesame Street also allowed Henson to stop producing commercials. He later remembered that "it was a pleasure to get out of that world". In addition to creating and performing Muppet characters, Henson was involved in producing various shows and animation insets during the first two seasons. During the first, Henson produced a series of counting films for the numbers 1 through 10, which always ended with a baker (voiced by Henson) falling down the stairs while carrying the featured number of desserts. For seasons two to seven, Henson worked on a variety of inserts for the numbers 2 through 12, in a number of different styles, including film ("Dollhouse", "Number Three Ball Film"), stop-motion ("King of Eight", "Queen of Six"), cut-out animation ("Eleven Cheer"), and computer animation ("Nobody Counts To 10"). He also directed the original C Is For Cookie. Concurrently with the first years of Sesame Street, Henson directed Tales from Muppetland, a short series of TV movie specials: comic retellings of classic fairy tales, aimed at a young audience and hosted by Kermit the Frog. The series included Hey, Cinderella!, The Frog Prince, and The Muppet Musicians of Bremen.
Question: Did he create any new characters?
Answer:
These included Grover, Bert and Ernie, Cookie Monster, Elmo, Oscar the Grouch, and Big Bird.