Question:
Michael Lutrell "Pinball" Clemons (born January 15, 1965) is an American-Canadian sports executive who serves as vice-chairman for the Toronto Argonauts of the Canadian Football League (CFL). Clemons played with the Argos for twelve seasons, and twice served as their head coach. His no. 31 jersey is one of only four that have been retired by the Argos.
Upon ending his playing career, Clemons became interim head coach of the Toronto Argonauts in 2000, replacing John Huard, who resigned after compiling a 1-6-1 record. When offered the head coaching job by team general manager J. I. Albrecht, Clemons was reluctant to accept it, wanting to spend more time with his family. According to Clemons, "it was an awkward situation. After saying no, they said do us the favour of going home and discussing it with your family. The burden was that this team, this organization, had given our family so much that Canada was going to be our home. The Argos had everything to do with my family becoming a part of this country. Because of all I had been given I decided it was my time to reciprocate." As interim head coach, Clemons coached the Argos to 6 wins out of their remaining 8 games. He had the interim tag removed from his title at the end of the season. In November, 2001, he was promoted to President of the Argonauts and relinquished his role as head coach in the process to Gary Etcheverry. When Etcheverry was fired as head coach on September 17, 2002, Clemons returned as head coach on an interim basis for the remainder of the 2002 CFL season. Clemons was officially given the head coaching job again on December 17, 2002, while also relinquishing his role as team president. He remained the head coach until 2007. Clemons was nominated for the Annis Stukus Trophy every year from 2002 to 2007, coming up short each time. In the 2004 CFL season, Clemons was the first black head coach to ever appear in a Grey Cup game. He became the first black head coach to win a Grey Cup championship during that same Grey Cup game, while also being the second black coach to ever guide his team to a pro football championship in North America. (Darren Arbet of the San Jose SaberCats was the first to do so in 2002 with an ArenaBowl XVI victory.) Clemons downplayed this milestone achievement, saying, "To tell you the truth, I don't know what it means to the first Black coach in the (Grey) Cup and to win it. I know that I can't do anything by myself, and on my own strength I'm very little good. Anything I accomplish has to be with the aid of individuals, and this team became like a family and is a family, it had very little to do with the colour of my skin". Clemons has the second most head coaching wins in Argonauts history with 67. (Bob O'Billovich is first with 89.) Clemons' record is 67-54-1 in the regular season over parts of seven seasons, with a 6-5 playoff record (including 1-0 in his lone Grey Cup appearance). As a coach, his nickname was often shortened to "Pinner" by his players. After retiring as head coach, he was vice chairman with Toronto in 2008.
Answer this question using a quote from the text above:

How did the team do in the 2001-2002 season?

Answer:
Clemons was the first black head coach to ever appear in a Grey Cup game. He became the first black head coach to win a Grey Cup

input: As The Yardbirds were transforming into The New Yardbirds (with Jimmy Page) in 1968 and then Led Zeppelin, departing members Keith Relf and Jim McCarty formed an acoustic duo called Together. They released "Henry's Coming Home" b/w "Love Mum And Dad" as a single on Columbia Records in November 1968 without chart success. In January 1969, Relf and McCarty organised a new group devoted to experimentation with rock, folk, and classical forms. In his book Mountains come out of the sky: an illustrated history of prog rock, Will Romano quoted McCarty: This quintet -- Relf on guitar and vocals, McCarty on drums and vocals, plus bassist Louis Cennamo, pianist John Hawken, and Relf's sister Jane as an additional vocalist -- released a pair of albums on Elektra (US) and Island (UK-ILPS 9112), the first one, titled simply Renaissance, being produced by fellow ex-Yardbird Paul Samwell-Smith. The band had begun performing in May 1969, before recording had commenced for the debut LP, mostly in the UK, but with occasional forays abroad, including festivals in Belgium (Amougies, October 1969) and France (Operation 666 at the Olympia in January 1970, and Le Bourget in March 1970, both in Paris). In February 1970 they embarked on a North American tour, but that month-long trek proved only marginally successful. Because of their Yardbirds credentials, they found themselves paired with bands such as The Kinks and their new classically oriented direction did not always go down well because audiences were expecting rock/blues-based material. Beginning in the late spring of 1970 as touring began to grind on them, the original band gradually dissolved. Relf and McCarty decided to quit performing, and Cennamo joined Colosseum. Hawken organised a new line-up to fulfill contractual obligations to Island Records and complete the band's second album, Illusion which had been left unfinished.

Answer this question "Did they go on tour?"
output: ). In February 1970 they embarked on a North American tour,

Answer the question at the end by quoting:

Victor Jara was born in 1932 in Lonquen, near Santiago, to two peasants, Manuel Jara and Amanda Martinez. His father was illiterate and encouraged his children to work from an early age to help the family survive, rather than attend school. By the age of 6, Jara was already working on the land. His father could not support the family on his earnings as a peasant at the Ruiz-Tagle estate, nor was he able to find stable work.
After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life. In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda. In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda").

Are there any other interesting aspects about this article?
In the 1960s, Jara started specializing in folk music