Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: Being the Beatlemaniac that I am, I approached Two Of Us with a combination of fear and fascination. Having seen 'In His Life: The John Lennon Story', I was quite concerned that Two Of Us will turn out no better. The fact that Aidan Quinn and Jared Harris look absolutely nothing like John Lennon and Paul McCartney even with some make-up and proper hairdos didn't help one bit.

But I was more than a bit pleasantly surprised. It's probably thanks to the involvement of Michael Lindsay-Hogg, who directed Let It Be in 1970 and consequently probably knew John and Paul quite well, that the characters and the dialogue came across as convincing as they did. (The writing credit for Two Of Us is given to a man named Mark Stanfield, of whom I know absolutely nothing; I feel confident that director Lindsay-Hogg had more than a bit to do with the script.) Two Of Us is not a biography of the Beatles; it has very little plot, in fact, and takes place all in one day in New York City. What it does is imagine a meeting between John and Paul in 1976, while John lived in New York. That meeting is entirely fictitious, of course though it can't truly be disproved that such a meeting actually took place. But through that imagined conversation it gives us a glimpse into the personalities of these two great musicians their intelligence, their sense of humor, their different reaction to stardom, and most of all their relationship; what made them such a great team, and what broke them up.

Since it's a talk movie, nothing much except for dialogue between two characters for an hour and a half, it's likely to bore all but true fans of the Beatles; but it's a fantastic piece of writing and storytelling, and is both informative and touching. For those interested in these two musical giants, very quickly you'll get over the shock of how different the actors look from their counterparts and feel like John and Paul had come to life so intimate and convincing is the script, and so committed are the actors. Two Of Us gives you priceless insight into the lives of two geniuses, and a tale that is both sad and funny. Most certainly recommended.

Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: Sarah Silverman is really the "flavor of the month" comic right now. Is she really worth all the hype? Yes and no. She is funny at times, sometimes hilariously so (her standup routine is actually quite interesting, though not always funny). Other times, you're feeling cheated by the media for overhyping yet another performer. She is one of those really cute comedians that men especially flock to, saying that they dig her intelligence and wit. But if you corner them, most men will admit that they just want to sleep with her, and that's why they watch her. She reminds me of why many men flocked to Margaret Cho and Janeane Garofalo, even though neither of them are really "hot" now in terms of popularity. Sarah doesn't drink or smoke (at least cigs), so she should be hot when she's 60, so her fans (especially the male ones) can rejoice.

As for this show, it's very much like her comedy. When it works, it's hilarious. When it doesn't, it's full blown tedium and very, very boring. The AIDS episode here is the best one. It's consistently funny, and has some really good satire in it. Brian Poeshn's character has an unhealthy obsession with Tab in one episode, and it's hilarious seeing him in a Tab T-shirt. But they never really go anywhere with it, and it eventually wears out its welcome. Sarah's character in the series is rather annoying, the gay couple (Brian Poeshn and some other guy) seems tacked on and never really does anything for the show as a whole, and the supporting players (including Sarah's real life sister, Laura, who doesn't look a thing like her) are OK. When the jokes hit, they're brilliant. When they don't, they're awful, and I mean really awful. There's also an obsession with coprophilia here (aka poop jokes), which seems to have replaced actual wit and intelligence in comedy today. So should you watch this show? If you have a crush on Sarah, go for it. You can gaze at her and pretend she's yours. As for her show, it's ranges from good to absolute zero.

Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: This movie was one of the funniest movie I've seen in years and the laughs from the audience members support me. Not since My Big Fat Greek Wedding (2002) has the laughter been as spontaneous and intense. Easily has intricate as last year's Mr. and Mrs. Smith (2005) in its use of parody (espionage in Mr. and Mrs. Smith and sex in My Super Ex-Girlfriend). Director's Ivan Reitman balance between comedy and drama, between crazy and downright ludicrous is great. Never does the shock and dramatic serious crack the rule of comedy. At the same time, this predictable romantic comedy never loses its touching emotional elements even if the ending is broadcast in advance. In some ways, it's so evident that it's great to see how it plays out. Just like in real life, sometimes the truth is so evident that one can't really see it. Easily eight out of ten stars ranking up there with Tootsie (1982). Possibly a nine (depends on how it appears on a second viewing).

Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer:
Most reviews say that this is the weakest point in Hamilton's short movie career. This movie is a bit different from the rest, and considering it the best or the worst depends on what you expect from a movie, and what you expect from Hamilton.

Knowing Hamilton as a photographer, you can be slightly surprised. While Bilitis looks like his books in a movement with all those young girls discovering themselves and relations with each other on the edge of lesbian, with a plot connecting these scenes, Laura concentrates on few characters what enables developing relations among them (male-female, artist-model) but though we see beautiful photos, many of them better than his average, their number is reduced for the sake of the plot. Tendres cousines is different from both, it is only Hamilton's movie that looks more like a film than like a collection of moving photos. Because of that it can be acceptable to wider audience than Hamilton's fans, looking like an erotic comedy (but not German soft-core type - "Schulmadchen report" fans would be very disappointed). You won't laugh a lot, but you can smile (and that's something you don't often get from Hamilton). Unlike all other Hamilton's movies the age of female varies. Unlike other movies main character is a boy. Unlike his usual works this one isn't put out of place and out of time. We have characters that live their life, have their destiny and don't lead us only from one photo to another, from one nude girl to another.

Unfortunately, Hamilton (again) gets lost with a script in his hands. Girls on beaches, under shower, in low-light rooms, in gardens, under tents, in front of mirrors, regardless of the amount of clothes - this is his territory, he can shoot minutes and hours, and whatever he does you'll always feel the artist's eye and hand behind it. But when he has to present us average everyday life he stops being Hamilton and becomes average director who just follows the script. Hamilton is best known for his nudes, but they are just a part of his work. And in Tendres cousines we have a reverse situation: his girls are not in the best shots. Nature, garden, house remind us on Hamilton's work (often neglected part of it), while girls, even when nude, don't have anything special in the way he presents us. Maybe Hamilton was confused having a boy in front of camera, maybe he was thinking about a line that censorship would accept, maybe he was really trying to make something new (and no one dared to tell him he shouldn't), but he neglected what he was mostly praised for.