You will be given a summary of a story. You need to create a question that can be answered from the story. You can create a question about characters, events, facts and beliefs, etc. Your question should be specific, try not to use pronouns instead of full names. As the stories are sometimes movie plots, they will contain actor names in parentheses. You should not use those names. Only use character names. Try to ask a question about all parts of the plot, not just the beginning.

Q: Marius, a sensitive only child of a patrician family, growing up near Luna in rural Etruria, is impressed by the traditions and rituals of the ancestral religion of the Lares, by his natural surroundings, and by a boyhood visit to a sanctuary of Aesculapius. His childhood ends with the death of his mother (he had early lost his father) and with his departure for boarding school in Pisae. As a youth he is befriended by and falls under the influence of a brilliant, hedonistic older boy, Flavianus, who awakens in him a love of literature (the two read with delight the story of Cupid and Psyche in Apuleius, and Pater in due course makes Flavian, who is "an ardent student of words, of the literary art", the author of the Pervigilium Veneris). Flavian falls ill during the Festival of Isis and Marius tends him during his long death-agony (end of 'Part the First'). Grown to manhood, Marius now embraces the philosophy of the 'flux' of Heraclitus and the Epicureanism (or Cyrenaicism) of Aristippus. He journeys to Rome (166 AD), encountering by chance on the way a blithesome young knight, Cornelius, who becomes a friend. Marius explores Rome in awe, and, "as a youth of great attainments in Greek letters and philosophy", is appointed amanuensis to the Emperor Marcus Aurelius. Aurelius's Meditations on Stoicism and on Plato, and the public lectures of the rhetorician Fronto, open Marius' eyes to the narrowness of Epicureanism. Aurelius's indifference, however, to the cruelty to animals in the amphitheatre, and later to the torments inflicted on people there, causes Marius to question the values of Stoicism (end of 'Part the Second'). Disillusioned with Rome and the imperial court which seem "like some stifling forest of bronze-work, transformed as if by malign enchantment out of the living trees", puzzled by the source of Cornelius's serenity, still Epicurean by temperament but seeking a more satisfying life-philosophy, Marius makes repeated visits alone to the Campagna and Alban Hills, on one occasion experiencing in the Sabine Hills a sort of spiritual "epiphany" on a perfect day of peace and beauty (end of 'Part the Third'). Later he is taken by Cornelius to a household in the Campagna centred on a charismatic young widow, Cecilia, where prevails an atmosphere of peace and love, gradually revealing itself as a new religion with liturgy and rituals that appeal aesthetically and emotionally to Marius. The sense of purposeful community there, set against the persecution of Christians by the authorities and the competing philosophical systems in Rome, contributes to Marius' mood of isolation and emotional failure. Overshadowed by thoughts of mortality he revisits home and pays his respects to the family dead, burying their funerary urns, and sets out again for Rome in Cornelius's company. On the way the two are arrested as part of a sweep of suspected Christians. It emerges that only one of the young men is of this sect, and Marius, unbeknown to Cornelius, makes their captors believe it is he. Cornelius is set free, deceived into thinking that Marius will follow shortly. The latter endures hardship and exhaustion as he journeys captive towards Rome, falls ill, and dying is abandoned by his captors. "Had there been one to listen just then," Pater comments, "there would have come, from the very depth of his desolation, an eloquent utterance at last, on the irony of men's fates, on the singular accidents of life and death." Marius is tended in his last days by some poor country people, secret believers who take him to be one of their own. Though he has shown little interest in the doctrines of the new faith and dies more or less in ignorance of them, he is nevertheless, Pater implies, "a soul naturally Christian" (anima naturaliter christiana ) and he finds peace in his final hours as he reviews his life: "He would try to fix his mind on all the persons he had loved in life, dead or living, grateful for his love or not. In the bare sense of having loved he seemed to find that on which his soul might 'assuredly rest and depend'. ... And again, as of old, the sense of gratitude seemed to bring with it the sense also of a living person at his side" (end of 'Part the Fourth').

A: Who makes Marius love literature?
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Q: Aunt Jane's Nieces and Uncle John picks up the continuing story of the three cousins Patsy Doyle, Beth De Graf, and Louise Merrick, and their family; the plot of the book begins three days after the wedding of Louise and her fianc Arthur Weldon, the event that concluded the fifth book in the series, Aunt Jane's Nieces in Society. The sixth novel begins, as per pattern, with the cousins' Uncle John getting an inspiration for a new adventure: in this case, the family will escape a cold New York City winter by taking a trip to southern California, the land of "sunshine and roses." Since Louise is away on her honeymoon, she is effectively left out of the story; her place is taken by Major Doyle, Patsy's father the first time that the Major accompanies the young people on their escapades. (The Major is relieved that Uncle John has set his fancy merely on California, and not "Timbuktu or Yucatan...Ethiopia or Hindustan....")
The four travelers (accompanied by Mumbles, Patsy's new puppy) reach Denver by train; along the way, they meet an appealing teenage girl (14 or 15 years old) named Myrtle Dean. Myrtle is a poor orphan; she was injured in an automobile accident, which inhibited her ability to walk. She had been living in Chicago with an aunt, and earned her living by sewing. But now, Myrtle has been sent West by her unsympathetic aunt to find a missing uncle named Anson Jones though neither woman knows if the uncle is still in Leadville, Colorado, his last known address, or if he will be able to care for the girl if she finds him. Patsy and Beth are shocked at her situation; it is clear to them that the aunt has abandoned Myrtle to her own inadequate resources. Uncle John telegraphs ahead, and discovers that the mysterious uncle has left Leadville for parts unknown. Patsy and Beth then adopt Myrtle as their "prot g ," and take her with them on their trip. They buy her new clothes, and she shares their hotels, meals, and adventures.
(Baum cannot resist the fairy-tale viewpoint, and "Edith Van Dyne" gives a plug for the Oz books: Myrtle is "amazed and awed by the splendor of her new apparel, and could scarcely believe her good fortune. It seemed like a fairy tale to her, and she imagined herself a Cinderella with two fairy godmothers who were young and pretty girls possessing the purse of Fortunatus and the generosity of Glinda the Good.")
Uncle John buys a large, seven-passenger touring car and outfits it for camping and cross-country travel. He also hires a chauffeur, a half-Indian Qu b cois named Wampus. The chauffeur provides some of the comic relief in the story, though he is also presented as highly competent, courageous, and principled, a "brave and true man." (Baum employs another comic chauffeur in the final book in the series, Aunt Jane's Nieces in the Red Cross.)
The party sets off by car from Albuquerque; they visit the Grand Canyon and the Navaho and Hopi reservations. They witness a performance of the Hopi snake dance. In western Arizona they are waylaid by a riotous group of cowboys, who refuse to let them pass until the girls join them in a dance. In what grows into an ugly incident, the travelers are forced to acquiesce at first; but Patsy and Beth, typically clever and resourceful, develop a plan to defeat their opponents and escape.
The group reaches California, none the worse for wear; they are delighted with the change of scene. They make the Hotel del Coronado in San Diego their headquarters. (This is another bit of autobiographical writing for Baum; he stayed regularly at the Coronado during trips to California.) Myrtle Dean has proved a delightful and rewarding companion; her health has already shown signs of improvement with better diet, less anxiety, and the warmth of new friendships.
Myrtle, however, has been the center of a series of curious events. At the Grand Canyon, the travelers saw a morose-looking man standing at the very lip of the canyon; Myrtle, fearing that he intended to jump, cried out to him, and the man turned away from the edge. At San Diego, they once again see the strange man, standing on a cliff over the ocean; Myrtle once again fears his suicide, and cries out to him. The man turns out to be staying at the Coronado; his name in C. B. Jones. Myrtle happens upon him a third time, and takes away the revolver he has been brooding over in his room.
After the three incidents, the man becomes emotionally attached to, if not fixated upon, Myrtle. Uncle John's inquiries reveal that the man, Collanson Jones, is the "Anson" Jones who is Myrtle's missing uncle. The two are happy at this re-unification of their sundered family, and Jones's deep melancholy is relieved (the evil aunt who sent Myrtle away had told him the girl was dead). And since Jones has made his fortune in mining, Myrtle's financial future is secured.

A: Who is Mummble's?
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Q: Ibn Tufail drew the name of the tale and most of its characters from an earlier work by Ibn Sina (Avicenna), but the plot was very different, and the book was a new and innovative work in its own right. Avicenna's story was essentially a thought experiment about the active intellect, personified by an elderly sage, instructing the narrator, who represents the human rational soul, about the nature of the universe.
The plot of Ibn Tufail's more famous Arabic novel was inspired by Avicennism, Kalam and Sufism, and was also intended as a thought experiment. Ibn Tufail's novel tells the story of an autodidactic feral child, raised by a gazelle and living alone on a desert island in the Indian Ocean. After his gazelle mother passes away when he is still a child, he dissects her body and performs an autopsy in order to find out what happened to her. The discovery that her death was due to a loss of innate heat sets him "on a road of scientific inquiry" and self-discovery.
Without contact with other human beings and solely by the exercise of his faculties, Hayy discovers ultimate truth through a systematic process of reasoned inquiry in seven phases of seven years each. Hayy ultimately comes into contact with civilization and religion when he meets a castaway named Absal. He determines that certain trappings of religion and civilization, namely imagery and dependence on material goods, are necessary for the multitude in order that they might have decent lives. However, he believes that imagery and material goods are distractions from the truth and ought to be abandoned by those whose reason recognizes that they are distractions.
Ibn Tufail's book reflects one of the main concerns of Muslim philosophers, that of reconciling philosophy with revelation. At the same time, the narrative anticipates in some ways both Robinson Crusoe and Emile, or On Education. The story of Hayy Ibn Yaqzan is also similar to the later story of Mowgli in Rudyard Kipling's The Jungle Book.

A:
Who raised the child?
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