input: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote: [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent. This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine. According to the historian of computing and Babbage specialist Doron Swade: Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper.

Answer this question "What is noteworthy about this part of her life?"
output: She realised the potential of the device extended far beyond mere number crunching.

input: A rough cut of the film was previewed on 15 July 2006 at the Galway Film Fleadh, but the film was subsequently turned down by several prestigious European film festivals. However, once finished, it secured spots at the 2007 Sundance Film Festival on 20 January 2007 and the Dublin Film Festival in February 2007, and received the audience awards at both events. The film was first released on cinema in Ireland on 23 March 2007, followed by a limited release in the United States on 16 May 2007. After its second weekend in release in the United States and Canada, the film topped the 23 May 2007 indieWIRE box office chart with nearly $31,000 average per location. As of 28 March 2009, Once has grossed nearly $9.5 million in North America and over $20 million worldwide. After 2007's box office success and critical acclaim, it won the Independent Spirit Award for Best Foreign Film. Steven Spielberg was quoted as saying "A little movie called Once gave me enough inspiration to last the rest of the year". When informed of Spielberg's comments, director John Carney told Sky News, "in the end of the day, he's just a guy with a beard". At the time of this interview, Carney himself was also wearing a beard. The song "Falling Slowly" won the 2007 Academy Award for Best Original Song. The nomination's eligibility for the Oscar was initially questioned, as versions of the song had been released on The Cost and The Swell Season albums, but this was resolved before the voting for the award took place. The AMPAS music committee satisfied themselves that the song had indeed been written for the film and determined that, in the course of the film's protracted production, the composers had "played the song in some venues that were deemed inconsequential enough to not change the song's eligibility".

Answer this question "What did the audience think of the film?"
output: "A little movie called Once gave me enough inspiration to last the rest of the year".

input: Though Durant's height is officially listed as 6 ft 9 in (2.06 m), he has stated that he actually stands 6 ft 10 3/4 in (2.10 m) barefoot and 7 ft 0 in (2.13 m) with shoes. His primary position is small forward and his career averages are 27.2 points, 7.2 rebounds, and 3.8 assists per game. Widely regarded as one of the best players of his generation, Durant has earned All-NBA honors seven times (2009-14, 2016-17) and was voted Rookie of the Year in his debut season. He has also won an MVP Award and finished second in the voting three times, a trend that he has expressed frustration over. Durant is best known for his prodigious scoring ability. From 2010 to 2014, he won four scoring titles, becoming one of only two players to win four scoring titles in a five-year span. Early in his career, his playing style was isolation-driven, but he quickly developed into an excellent off-ball player who was capable of scoring from the outside as well. By 2013, he was shooting at a historically-great clip, which helped him become one of only seven members of the 50-40-90 club. This ability to impact the offense in a variety of ways helped Durant remain effective and improve an already-elite offense upon joining the Warriors in 2016. Throughout his career, his height and 7 ft 4 in (2.24 m) wingspan have created matchup problems for defenses as he is able to get off a clean shot regardless of the situation. Upon beating his man or gaining momentum, he also becomes a strong finisher at the rim; for example, he converted on 72.2 percent of shots in the paint in 2012. Early in Durant's career, he was criticized for his slim build, defense, and passing. Over time, he grew as a playmaker, increasing his assist numbers every year from 2010 to 2014; however, his overall vision still lagged behind the league's best passers'. He also showed defensive improvement, with opponents averaging just .62 points per isolation play against him in 2014, the best success rate for defensive players who faced at least 100 isolations that season. Upon going to Golden State, he developed into a more reliable off-ball defender and rim protector, and he received consideration for the Defensive Player of the Year Award in 2018.

Answer this question "What about in shoes"
output:
7 ft 0 in (2.13 m) with shoes.