Some context: Katherine Anne "Kitty" Pryde is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. The character first appeared in Uncanny X-Men #129 (January 1980) and was co-created by writer-artist John Byrne and Chris Claremont. A mutant, Pryde possesses a "phasing" ability that allows her, as well as objects or people she is in contact with, to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation.
Katherine Anne "Kitty" Pryde was born in Deerfield, Illinois, to Carmen and Theresa Pryde. Of Jewish descent, her paternal grandfather, Samuel Prydeman, was held in a Nazi concentration camp during World War II. Kitty started to have headaches at age thirteen, signaling the emergence of her mutant powers. She was approached by both the X-Men's Charles Xavier and the Hellfire Club's White Queen, Emma Frost, both of whom hoped to recruit her for their respective causes. Kitty was unnerved by Frost, observing that the White Queen looked at her as if she were "something good to eat." She got along better with Xavier and the three X-Men who escorted him, quickly becoming friends with Ororo Munroe. Ororo told Kitty who she really was and about the X-Men, which made the teenager even more enthusiastic about attending Xavier's school. Their conversation was cut short when they (along with Wolverine and Colossus) were attacked by armored mercenaries in the employ of Frost and the Hellfire Club. The X-Men defeated their assailants, but were subdued by the White Queen's telepathic powers immediately after. In the confusion, Kitty was separated from the X-Men, and not captured along with them. She managed to contact Cyclops, Phoenix, and Nightcrawler. With the help of Dazzler and Pryde, those X-Men rescued their teammates from the Hellfire Club. The White Queen appeared to perish in the battle, which meant she was no longer competing with Xavier for the approval of Kitty's parents. Kitty's parents had not heard from her in more than a day, because during that time she was first being pursued by the Hellfire Club's men and then working with the X-Men to save their friends. All they knew was Kitty had left with Xavier's "students" to get a soda, there had been reports that the soda shop had been blown up, and Kitty had been missing since. Therefore, they were angry at Xavier when he finally returned with Kitty in tow. At first, it seemed like there was no chance of Kitty being allowed to attend the school and join the X-Men. Phoenix then used her considerable telepathic power to erase the memories of Kitty's parents and plant false ones, resulting in a complete shift in their attitude towards Xavier. Kitty was then allowed to enroll at Xavier's school with her parents' blessing, becoming the youngest member of the team.
How did she get her powers
A: Phoenix then used her considerable telepathic power to erase the memories of Kitty's parents and plant false ones, resulting in a complete shift in their attitude towards Xavier.
Some context: Blood, Sweat & Tears (also known as "BS&T") is a jazz-rock American music group. They are noted for their combination of brass and rock band instrumentation. The group recorded songs by rock/folk songwriters such as Laura Nyro, James Taylor, the Band and the Rolling Stones as well as Billie Holiday and Erik Satie. They also incorporated music from Thelonious Monk and Sergei Prokofiev into their arrangements.
Clayton-Thomas left in early January 1972 to pursue a solo career. He was briefly replaced by Bobby Doyle and then Jerry Fisher, who went on to front the next incarnation of Blood, Sweat & Tears. Fred Lipsius left as well and was briefly replaced by Joe Henderson, before Lou Marini settled into the new lineup. Another founding member, Dick Halligan, also departed, replaced by jazz pianist Larry Willis (from the Cannonball Adderley Quintet), and Swedish guitarist Georg Wadenius, from the popular Swedish outfit Made in Sweden, joined as lead guitarist around the same time. The new edition of Blood, Sweat & Tears released New Blood in September 1972, which found the group moving into a more overtly jazz-fusion repertoire. The album broke through the Top 40 chart (the last BS&T LP to do so) and spawned a single ("So Long Dixie", chart peak: 44) that received some airplay. Also included on the record was a cover version of Herbie Hancock's "Maiden Voyage", featuring the voice/guitar soloing of Georg Wadenius. In mid-1973, Katz left to pursue a career as a producer (for Lou Reed and others). Winfield departed as well and was replaced by Tom Malone. Blood, Sweat & Tears' next album, No Sweat (June 1973), continued in a jazz-fusion vein and featured intricate horn work. Tom Malone's stay in the band was brief and he left to make way for jazz trumpeter John Madrid. But Madrid's tenure was likewise short-lived and he never recorded with the band. Both Madrid and Soloff left in early 1974, making way for new horn player/arranger Tony Klatka on their next release, Mirror Image (July 1974), which also saw the addition of vocalist/saxophonist Jerry LaCroix (formerly of Edgar Winter's White Trash), sax player Bill Tillman, bassist Ron McClure and the exodus of original bass player Jim Fielder. This recording features the adoption of a sound pitched between Philly Soul and the mid-1970s albums by Herbie Hancock's Headhunters, along with aspirations to Chick Corea's jazz-fusion group Return to Forever. Jerry LaCroix left BS&T to join Rare Earth after playing his final show with them at Wollman Rink in New York's Central Park on July 27, 1974. Luther Kent, a blues singer from New Orleans, was recruited to replace LaCroix.
What is the Jerry Fisher era?
A:
He was briefly replaced by Bobby Doyle and then Jerry Fisher, who went on to front the next incarnation of Blood, Sweat & Tears.