input: In 1936, Lewis graduated from the School of Oriental Studies (now School of Oriental and African Studies, SOAS) at the University of London with a BA in history with special reference to the Near and Middle East. He earned his PhD three years later, also from SOAS, specializing in the history of Islam. Lewis also studied law, going part of the way toward becoming a solicitor, but returned to study Middle Eastern history. He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the "Diplome des Etudes Semitiques" in 1937. He returned to SOAS in 1938 as an assistant lecturer in Islamic History. During the Second World War, Lewis served in the British Army in the Royal Armoured Corps and as a Corporal in the Intelligence Corps in 1940-41 before being seconded to the Foreign Office. After the war, he returned to SOAS. In 1949, at the age of 33, he was appointed to the new chair in Near and Middle Eastern History. In 1974, aged 57, Lewis accepted a joint position at Princeton University and the Institute for Advanced Study, also located in Princeton, New Jersey. The terms of his appointment were such that Lewis taught only one semester per year, and being free from administrative responsibilities, he could devote more time to research than previously. Consequently, Lewis's arrival at Princeton marked the beginning of the most prolific period in his research career during which he published numerous books and articles based on previously accumulated materials. After retiring from Princeton in 1986, Lewis served at Cornell University until 1990. In 1966, Lewis was a founding member of the learned society, Middle East Studies Association of North America (MESA), but in 2007 he broke away and founded Association for the Study of the Middle East and Africa (ASMEA) to challenge MESA, which the New York Sun noted as "dominated by academics who have been critical of Israel and of America's role in the Middle East." The organization was formed as an academic society dedicated to promoting high standards of research and teaching in Middle Eastern and African studies and other related fields, with Lewis as Chairman of its academic council. In 1990, the National Endowment for the Humanities selected Lewis for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities. His lecture, entitled "Western Civilization: A View from the East", was revised and reprinted in The Atlantic Monthly under the title "The Roots of Muslim Rage." His 2007 Irving Kristol Lecture, given to the American Enterprise Institute, was published as Europe and Islam.

Answer this question "what was his job after graduating with the PHD"
output: He undertook post-graduate studies at the University of Paris, where he studied with the orientalist Louis Massignon and earned the "Diplome des Etudes Semitiques" in 1937.

input: Recognizing Dylan's dissatisfaction with the progress of the recordings, producer Bob Johnston suggested that they move the sessions to Nashville. Johnston lived there and had extensive experience working with Nashville session musicians. He recalled how Dylan manager Albert Grossman, was hostile to the idea: "Grossman came up to me and said 'If you ever mention Nashville to Dylan again, you're gone.' I said, 'What do you mean?' He said, 'You heard me. We got a thing going here'". Despite Grossman's opposition, Dylan agreed to Johnston's suggestion, and preparations were made to record the album at Columbia's A Studio on Nashville's Music Row in February 1966. In addition to Kooper and Robertson, who accompanied Dylan from New York, Johnston recruited harmonica player, guitarist and bassist Charlie McCoy, guitarist Wayne Moss, guitarist and bassist Joe South, and drummer Kenny Buttrey. At Dylan's request, Johnston removed the baffles--partitions separating the musicians so that there was "an ambience fit for an ensemble". Buttrey credited the distinctive sound of the album to Johnston's re-arrangement of the studio, "as if we were on a tight stage, as opposed to playing in a big hall where you're ninety miles apart". Dylan had a piano installed in his Nashville hotel room which Kooper would play to help Dylan write lyrics. Kooper would then teach the tunes to the musicians before Dylan arrived for the sessions. On the first Nashville session, on February 14, Dylan successfully recorded "Visions of Johanna", which he had attempted several times in New York. Also recorded was a take of "4th Time Around" which made it onto the album and a take of "Leopard-Skin Pill-Box Hat" which did not. On February 15 the session began at 6 p.m. but Dylan simply sat in the studio working on his lyrics while the musicians played cards, napped and chatted. Finally, at 4 a.m., Dylan called the musicians in and outlined the structure of the song. Dylan counted off and the musicians fell in, as he attempted his epic composition "Sad Eyed Lady of the Lowlands". Kenny Buttrey recalled, "If you notice that record, that thing after like the second chorus starts building and building like crazy, and everybody's just peaking it up 'cause we thought, Man, this is it ... This is gonna be the last chorus and we've gotta put everything into it we can. And he played another harmonica solo and went back down to another verse and the dynamics had to drop back down to a verse kind of feel ... After about ten minutes of this thing we're cracking up at each other, at what we were doing. I mean, we peaked five minutes ago. Where do we go from here?" The finished song clocked in at 11 minutes, 23 seconds, and would occupy the entire fourth side of the album. The next session began similarly--Dylan spent the afternoon writing lyrics, and the session continued into the early hours of February 17, when the musicians began to record "Stuck Inside of Mobile with the Memphis Blues Again". After several musical revisions and false starts, the fourteenth take was the version selected for the album.

Answer this question "Why did they move?"
output: February 1966.

input: In 1980, Jackson batted .300 for the only time in his career, and his 41 home runs tied with Ben Oglivie of the Milwaukee Brewers for the American League lead. However, the Yankees were swept in the ALCS by the Kansas City Royals. As he entered the last year of his Yankee contract in 1981, Jackson endured several difficulties from George Steinbrenner. After the owner consulted Jackson about signing then-free agent Dave Winfield, Jackson expected Steinbrenner to work out a new contract for him as well. Steinbrenner never did (some say never intending to) and Jackson played the season as a free agent. Jackson started slowly with the bat, and when the 1981 Major League Baseball strike began, Steinbrenner invoked a clause in Jackson's contract forcing him to take a complete physical examination. Jackson was outraged and blasted Steinbrenner in the media. When the season resumed, Jackson's hitting improved, partly to show Steinbrenner he wasn't finished as a player. He hit a long home run into the upper deck in Game Five of the strike-forced 1981 American League Division Series with the Brewers, and the Yankees went on to win the pennant again. However, Jackson injured himself running the bases in Game Two of the 1981 ALCS and missed the first two games of the World Series, both of which the Yankees won. Jackson was medically cleared to play Game Three, but manager Bob Lemon refused to start him or even play him, allegedly acting under orders from Steinbrenner. The Yankees lost that game and Jackson played the remainder of the series, hitting a home run in Game Four. However, they lost the last three games and the World Series to the Dodgers. Jackson had faced the Dodgers four straight times in the World Series by 1981. No other player in Major League history has played against the same team more consecutive times in the Fall Classic.

Answer this question "What is his record against the Dodgers?"
output:
However, they lost the last three games and the World Series to the Dodgers.