input: In January 1943, Hirsch enlisted in the United States Marine Corps and was transferred to the University of Michigan as part of the V-12 Navy College Training Program. In early September 1943, he broke the record at Michigan's Marine Corps training center, completing a 344-yard obstacle course in one minute and 31 seconds. He was the starting left halfback in the first seven games of the season for Fritz Crisler's 1943 Michigan Wolverines football team that compiled an 8-1 record and was ranked No. 3 in the final AP Poll. After watching Hirsch in pre-season practice, Associated Press football writer Jerry Liska referred to "squirming Elroy Hirsch" as "Wisconsin's gold-plated wartime gift to Michigan." Hirsch and Bill Daley (a V-12 transfer from Minnesota) became Michigan's most powerful offensive weapons during the 1943 season and were dubbed Michigan's "lend-lease backs." In his first game for Michigan, Hirsch returned the opening kickoff 50 yards, scored two touchdowns and intercepted a pass. He scored five touchdowns in Michigan's first three games and threw for a touchdown in the fourth game against Notre Dame. On October 11, 1943, Hirsch scored three touchdowns, including a 61-yard reverse around the right end, and intercepted a pass to help Michigan to its first victory over Minnesota since 1932. Due to a shoulder injury, he appeared only briefly as a backup to kick for extra points in the final two games of the season, but he still led the Wolverines in passing, punt returns, and scoring. During the 1943-1944 academic year, Hirsch also won varsity letters in basketball (as a center), track (as a broad jumper), and baseball (as a pitcher), becoming the first Michigan athlete to letter in four sports in a single year. He averaged 7.3 points per game for the 1943-44 Michigan Wolverines men's basketball team, compiled a 6-0 record as a pitcher for the Michigan baseball team, placed third in the long jump in the 1944 indoor championship, and led all three teams to Big Ten Conference championships. On May 13, 1944, Hirsch starred in two sports in the same day, winning the broad jump with a distance of 24 feet, 2-1/4 inches at a track meet in Ann Arbor, Michigan, and then traveling to Columbus, Ohio, where he pitched a one-hitter to give Michigan's baseball team a 5-0 victory over Ohio State.

Answer this question "Are there any other interesting aspects about this article?"
output: the first Michigan athlete to letter in four sports in a single year.

input: George Martin produced nearly all of the Beatles' recordings (except for the Let It Be album, produced by Phil Spector, and the songs "Real Love" and "Free as a Bird," produced by Jeff Lynne) and wrote the instrumental score for the Yellow Submarine film and soundtrack album, and the string and horn (and even some vocal) arrangements for almost all of their songs (with the famous exception of Spector's re-production on Let It Be, and "She's Leaving Home", which was arranged by Mike Leander). His arrangement of the string octet backing for "Eleanor Rigby" was widely noted. Martin's extensive musical training (which he received at the Guildhall School of Music) and sophisticated guidance in the studio are often credited as fundamental contributions to the work of the Beatles; he was without question a key part of the synergy responsible for transforming a good rock-and-roll group into the most celebrated popular musicians of their era. Writer Ian MacDonald noted that Martin was one of the few record producers in the UK at the time who possessed the sensitivity the Beatles needed to develop their songwriting and recording talent. Martin's piano playing also appears on several of their tracks, including "Misery" and "In My Life". Martin himself deflected claims of being the "fifth Beatle" to Beatles' manager Brian Epstein. In 2006, Martin inadvertently strengthened his image as the "fifth Beatle" by contributing the only piece of new music on the Love soundtrack: a string arrangement on top of George Harrison's solo acoustic demo of "While My Guitar Gently Weeps" from Anthology 3. Lennon disparaged Martin's importance to the Beatles' music. In his 1970 interview with Jann Wenner, Lennon said, "[Dick James is] another one of those people, who think they made us. They didn't. I'd like to hear Dick James' music and I'd like to hear George Martin's music, please, just play me some." In a 1971 letter to Paul McCartney, Lennon wrote, "When people ask me questions about 'What did George Martin really do for you?,' I have only one answer, 'What does he do now?' I noticed you had no answer for that! It's not a putdown, it's the truth." Lennon wrote that Martin took too much credit for the Beatles' music. Commenting specifically on Revolution 9, Lennon said, "For Martin to state that he was 'painting a sound picture' is pure hallucination. Ask any of the other people involved. The final editing Yoko and I did alone." In a tribute to George Martin after his death, Paul McCartney said "If anyone earned the title of the fifth Beatle, it was George. From the day that he gave The Beatles our first recording contract, to the last time I saw him, he was the most generous, intelligent and musical person I've ever had the pleasure to know." Julian Lennon called him "The Fifth Beatle, without question". According to Alan Parsons (2016), Martin had "great ears" and "rightfully earned the title of "Fifth Beatle".

Answer this question "Who was George Martin?"
output:
George Martin produced nearly all of the Beatles' recordings