Question:
Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bill was of Scottish heritage. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill Monroe was resigned to playing the less desirable mandolin.
Monroe's fortunes began to improve during the "folk revival" of the early 1960s. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. Under the influence of Ralph Rinzler, a young musician and folklorist from New Jersey who briefly became Monroe's manager in 1963, Monroe gradually expanded his geographic reach beyond the traditional southern country music circuit. Rinzler was also responsible for a lengthy profile and interview in the influential folk music magazine Sing Out! that first publicly referred to Monroe as the "father" of bluegrass. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. Non-southerners who served as Blue Grass Boys during this period included banjo player Bill Keith and singer/guitarist Peter Rowan from Massachusetts, fiddler Gene Lowinger from New York, banjo player Lamar Grier from Maryland, banjo player Steve Arkin from New York, and singer/guitarist Roland White and fiddler Richard Greene from California.
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Did he get any awards?

Answer:

Question:
Haydn Austin Bunton (born 5 April 1937) is a former Australian rules footballer and coach. The son of the legendary Haydn Bunton Sr., Bunton Jr. played for North Adelaide and Norwood in the South Australian National Football League (SANFL), as well as Swan Districts and Subiaco in the Western Australian National Football League (WANFL). Bunton was regarded as a tough and skilful player in both South Australia and Western Australia, but it was as a coach that he cemented a reputation alongside his father as one of Australian football's greatest identities. Bunton was inducted into the coaches section of the Australian Football Hall of Fame in 1996, as well as the Western Australian Institute of Sport Hall of Champions in 2003 and was made an inaugural member of the WA Football Hall of Fame in 2004 and the SA Football Hall of Fame in 2002.
In 1984, Bunton junior returned to his former haunt of Subiaco, who as a result of the loss of such players as Mike Fitzpatrick had endured another bleak era over the previous nine seasons. The Lions had not participated in the finals since 1974 and had finished dead last in 1976, 1979, 1980 and 1982, when they were in danger of a winless season before beating East Fremantle in the seventeenth round. Since 1975 Subiaco had recorded only 44 wins from 189 games and had lost its "average" game over these nine seasons by a margin of 36 points. However, under Bunton and aided by a powerful country zone, the Lions improved rapidly: from four wins and a percentage of 70 in 1983 they went to nine wins and a percentage of 100 in 1984 and fifteen wins and a percentage of 124.5 in 1985. Despite being in their first finals series since 1974, the Lions only just failed to beat East Fremantle in the grand final and gained ample revenge against the Sharks the following year by eleven and a half goals. Their team was sufficiently good to be competitive against VFL premiers Hawthorn in a post-season "challenge" match - ironically Hawthorn's win was led by Subiaco's one star of the bleak late 1970s and early 1980s in Gary Buckenara. An irrepressible Claremont outfit under the innovative coaching of Gerard Neesham halted Subiaco in 1987, but the following year after losing the second semi to the Tigers and being unconvincing in the preliminary against East Fremantle, the Lions, playing a much more traditional game than Claremont and aided by the controversial inclusion of West Coast Eagle Laurie Keene, ran away to win by 62 points after an even first half. The massive drain of players to the VFL meant Subiaco could not keep up this standard, and they won only six games each in 1989 and 1990 before returning to the Grand Final in 1991 only for Claremont to have its revenge. A thrashing by East Perth in the first week of the 1992 WAFL finals saw Bunton resign at the end of the season after having coached Subiaco's most successful era since before World War II.
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What else did Bunton contribute to the team?

Answer:
Their team was sufficiently good to be competitive against VFL premiers Hawthorn

Question:
Seaver was born in Fresno, California, to Betty Lee (Cline) and Charles Henry Seaver. Pitching for Fresno High School, Seaver compensated for his lack of size and strength by developing great control on the mound. Despite being an All-City basketball player, he hoped to play baseball in college. He joined the United States Marine Corps Reserves on June 28, 1962.
Seaver and the Mets were stunned on January 20, 1984 when he was claimed in a free-agent compensation draft by the Chicago White Sox. The team (especially GM Frank Cashen) had incorrectly assumed that no one would pursue a high-salaried, 39-year-old starting pitcher, and left him off the protected list. Faced with either reporting to the White Sox or retiring, Seaver chose the former. The result for the Mets was an opening in the starting rotation that allowed Dwight Gooden to be part of the team. Seaver pitched two and a half seasons in Chicago and recorded his last shutout on July 19, 1985 against the visiting Indians. In an anomaly, Seaver won two games on May 9, 1984; he pitched the 25th and final inning of a game suspended the day before, picking up the win in relief against the Milwaukee Brewers, before starting and winning the day's regularly scheduled game, also facing the Brewers. After Seaver's 298th win, a reporter had pointed out to White Sox catcher Carlton Fisk that following his upcoming start in Boston, Seaver's next scheduled start would be in New York, and that the possibility existed that he might achieve the mark there. Fisk emphatically stated that Seaver would win in Boston, and then would win his 300th. On August 4, 1985, Seaver recorded his 300th victory at Yankee Stadium against the Yankees, throwing a complete game 4-1 victory. Don Baylor was the tying run at the plate; he hit a fly ball to left field for the final out of the game. Coincidentally, it was Phil Rizzuto Day - Seaver would later become Rizzuto's broadcast partner for Yankee games. Lindsey Nelson, a Mets radio and TV announcer during Seaver's Mets days, called the final out for Yankees TV flagship WPIX.
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Did Seaver play for any other baseball teams when attempting his 300 wins

Answer:
Boston,