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According to the Omnipotence paradox or 'Paradox of the Stone', can God create a stone so heavy that he cannot lift it? Either he can or he can't. If he can't, the argument goes, then there is something that he cannot do, namely create the stone, and therefore he is not omnipotent. If he can, it continues, then there is also something that he cannot do, namely lift the stone, and therefore he is not omnipotent. Either way, then, God is not omnipotent. A being that is not omnipotent, though, is not God, according to many theological models. Such a God, therefore, does not exist. Several answers to this paradox have been proposed.

Does either outcome of the Paradox of the Stone prove the existence of God?
Answer: God is not omnipotent. A being that is not omnipotent, though, is not God
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In the 7th9th centuries Rome fell under the influence of Byzantine art, noticeable on the mosaics of Santa Prassede, Santa Maria in Domnica, Sant'Agnese fuori le Mura, Santa Cecilia in Trastevere, Santi Nereo e Achilleo and the San Venanzio chapel of San Giovanni in Laterano. The great dining hall of Pope Leo III in the Lateran Palace was also decorated with mosaics. They were all destroyed later except for one example, the so-called Triclinio Leoniano of which a copy was made in the 18th century. Another great work of Pope Leo, the apse mosaic of Santa Susanna, depicted Christ with the Pope and Charlemagne on one side, and SS. Susanna and Felicity on the other. It was plastered over during a renovation in 1585. Pope Paschal I (817824) embellished the church of Santo Stefano del Cacco with an apsidal mosaic which depicted the pope with a model of the church (destroyed in 1607).

Which mosaic survived through the 9th century, and then had a copy made in the 18th?
Answer: Triclinio Leoniano
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Although Max insisted von Neumann attend school at the grade level appropriate to his age, he agreed to hire private tutors to give him advanced instruction in those areas in which he had displayed an aptitude. At the age of 15, he began to study advanced calculus under the renowned analyst Gabor Szego. On their first meeting, Szego was so astounded with the boy's mathematical talent that he was brought to tears. Some of von Neumann's instant solutions to the problems in calculus posed by Szego, sketched out on his father's stationery, are still on display at the von Neumann archive in Budapest. By the age of 19, von Neumann had published two major mathematical papers, the second of which gave the modern definition of ordinal numbers, which superseded Georg Cantor's definition. At the conclusion of his education at the gymnasium, von Neumann sat for and won the Eotvos Prize, a national prize for mathematics.

What prize did Von Neuman win at the conclusion of his gymansium formal education?
Answer:
Eotvos Prize, a national prize for mathematics