Problem: Whose progression from the wholesome "girl next door" to a more sophisticated performer with a flirtatious and playful persona attracted new fans? Answer the above question based on the context below: Minogue's efforts to be taken seriously as a recording artist were initially hindered by the perception that she had not "paid her dues" and was no more than a manufactured pop star exploiting the image she had created during her stint on Neighbours. Minogue acknowledged this viewpoint, saying, "If you're part of a record company, I think to a degree it's fair to say that you're a manufactured product. You're a product and you're selling a product. It doesn't mean that you're not talented and that you don't make creative and business decisions about what you will and won't do and where you want to go."In 1993, Baz Luhrmann introduced Minogue to photographer Bert Stern, notable for his work with Marilyn Monroe. Stern photographed her in Los Angeles and, comparing her to Monroe, commented that Minogue had a similar mix of vulnerability and eroticism. Throughout her career, Minogue has chosen photographers who attempt to create a new "look" for her, and the resulting photographs have appeared in a variety of magazines, from the cutting edge The Face to the more traditionally sophisticated Vogue and Vanity Fair, making the Minogue face and name known to a broad range of people. Stylist William Baker has suggested that this is part of the reason she entered mainstream pop culture in Europe more successfully than many other pop singers who concentrate solely on selling records.By 2000, Minogue was considered to have achieved a degree of musical credibility for having maintained her career longer than her critics had expected. Her progression from the wholesome "girl next door" to a more sophisticated performer with a flirtatious and playful persona attracted new fans. Her "Spinning Around" video led to some media outlets referring to her as "SexKylie", and sex became a stronger element in her subsequent videos. William Baker described her status as a sex symbol as a "double edged sword", observing that "we always attempted to use her sex appeal as an enhancement of her music and to sell a record. But now it has...

A: Minogue

Problem: What are the full names of the people who have come to Jericho to meet someone? Answer the above question based on the context below: A stagecoach bound for the town of Jericho is ambushed by Alex Flood, a lawman gone bad. Sharpshooting from a safe distance, Flood wounds the coach's driver, Ben Hickman, who is brought to town by the only passenger, a gambler named Dolan. Hickman is a former Santa Fe lawman and Dolan was once his deputy. They now are partners in the stage line with Molly Lang, whom they have come to Jericho to meet. She was once Flood's lover when he came to Jericho to restore law and order, but now she hates the man who has seized power in the town. Flood forms a lynch mob that hangs a man who dared confront one of his gang, then burns down the home of another townsman who tried to organize a secret meeting. While the wounded Hickman recovers from the gunshot, Dolan takes a liking to Molly and decides to help her when Flood's men try to take over her stagecoach line. He gets into a violent fight with Yarbrough, one of Flood's men. Dolan begins to create havoc in Flood's empire, stealing his cattle and causing explosions at Flood's ranch and gold mine. He is assisted by Hickman and by Jace, the town's former sheriff. Flood returns to Jericho seeking revenge. He shoots Hickman in the back, killing him. Dolan sets out after Flood for a final showdown in the hills. After Flood shoots Dolan in the arm, Dolan manages to throw his knife at Flood and kill him.

A: Dolan

Problem: What specific decade is referred to as the period from which his song cycles were composed for Peter Pears and Schwarzkopf? Answer the above question based on the context below: In 1956 Walton sold his London house and took up full-time residence on Ischia. He built a hilltop house at Forio and called it La Mortella. Susana Walton created a magnificent garden there. Walton's other works of the 1950s include the music for a fourth Shakespeare film, Olivier's Richard III, and the Cello Concerto (1956), written for Gregor Piatigorsky, who gave the premiere in January 1957 with the Boston Symphony Orchestra and the conductor Charles Munch. Some critics felt that the concerto was old-fashioned; Peter Heyworth wrote that there was little in the work that would have startled an audience in the year the Titanic met its iceberg (1912). It has nevertheless entered the regular repertoire, performed by Paul Tortelier, Yo-Yo Ma, Lynn Harrell and Pierre Fournier among others. In 1966 Walton successfully underwent surgery for lung cancer. Until then he had been an inveterate pipe-smoker, but after the operation he never smoked again. While he was convalescing, he worked on a one-act comic opera, The Bear, which was premiered at Britten's Aldeburgh Festival, in June 1966, and enthusiastically received. Walton had become so used to being written off by music critics that he felt "there must be something wrong when the worms turned on some praise." Walton received the Order of Merit in 1967, the fourth composer to be so honoured, after Elgar, Vaughan Williams and Britten.Walton's orchestral works of the 1960s include his Second Symphony (1960), Variations on a Theme by Hindemith (1963), Capriccio burlesco (1968), and Improvisations on an Impromptu of Benjamin Britten (1969). His song cycles from this period were composed for Peter Pears (Anon. in Love, 1960) and Schwarzkopf (A Song for the Lord Mayor's Table, 1962). He was commissioned to compose a score for the 1969 film Battle of Britain, but the film company rejected most of his score, replacing it with music by Ron Goodwin. A concert suite of Walton's score was published and recorded after Walton's death. After his experience over Battle of...

A:
1960s