Q: Generate a question that has the following answer: 1840. for the following movie plot: Mural featuring Frederick Douglass in Belfast, Northern Ireland. Frederick Douglass and the White Negro is a documentary telling the story of ex-slave, abolitionist, writer and politician Frederick Douglass and his escape to Ireland from America in the 1840s. The film follows Douglass' life from slavery as a young man through to his time in Ireland where he befriended Daniel O'Connell, toured the country spreading the message of abolition and was treated as a human being for the first time by white people. His arrival in Ireland coincided with the Great Famine and he witnessed white people in what he considered to be a worse state than his fellow African Americans back in the US. The film follows Douglass back to America where he buys his freedom with funds raised in Ireland and Britain. Fellow passengers on his return journey include the Irish escaping the famine who arrive in their millions and would go on to play a major role in the New York Draft Riot of 1863 which Douglass could only despair over. The film examines (with contributions from the author of How The Irish Became White Noel Ignatiev amongst others) the turbulent relationship between African Americans and Irish Americans during the American Civil War, what drew them together and what drove them apart and how this would shape the America of the twentieth century and beyond.
A: Frederick Douglas escaped from Ireland to America in what year?

Q: Generate a question that has the following answer: Yes for the following movie plot: Original Sin is set in the late 19th century Cuba during the Spanish rule,[3][4] and flashes back and forth from the scene of a woman awaiting her execution by garrote while telling her story to a priest, to the actual events of that story. Luis Vargas (Antonio Banderas), a wealthy Cuban businessman, sends for American Julia Russell (Angelina Jolie) to sail to his country to be his bride. Julia departs from the ship, looking nothing like the photos she's sent prior to her voyage. Julia explains she wants more than a man who is interested in a pretty face, and that's why she's been deceptive - substituting a plain-looking woman in place of her own picture. Luis also admits to deception; he's been misleading her into believing he's a poor working man, instead of the rich owner of a coffee company. Luis and Julia wed within hours of her setting foot in Cuba. Luis falls passionately in love with his new wife. Meanwhile, Julia's sister Emily has been trying to contact her, worried about her after such a long trip to a strange land. Luis forces Julia to write back, fearing that if Julia continues to ignore Emily's letters, Emily will assume something terrible has befallen her sister and might send the authorities to check on her welfare. Holding off as long as possible, Julia finally pens a letter to her sister. In order to assure that his wife has everything she wants, Luis adds Julia to his business and personal bank accounts, giving her free rein to spend as she pleases. Luis discovers Julia has run off with nearly all of his fortune, and then teams up with a detective, Walter Downs (Thomas Jane), hired by Emily to find her real sister Julia. Walter reveals to Luis he believes Julia to be an impostor and the intended wife to be dead by her hand, and that she may be working with someone. The two set out together looking for her. Luis finds Julia and discovers she is actually working with Walter and that he and Luis are staying at the same hotel. Luis believes she loves him and lies to Walter, but, when...
A: Does Julia think she's pretty?

Q: Generate a question that has the following answer: three for the following movie plot: Alexander (Bruno Ganz), a bearded poet, leaves his seaside apartment in Thessaloniki after learning he has a terminal illness and must enter a hospital the next day for an unspecified "test". He is trying to get his affairs in order and find a new master for his dog. Alexander saves a six- or seven-year-old boy who is a vagrant window washer from a band of policemen who are chasing down similar boys. He pays a visit to his thirtyish daughter (Iris Chatziantoniou), and musing on his likely dead wife, Anna (Isabelle Renauld), who appears as almost the same age as their daughter. At his daughter's apartment, he does not tell her of his diagnosis, instead hands her letters written by his wife, her mother. She reads them. He learns that his daughter and her lover have sold his apartment for demolition without telling him. The boy is trying to leave Greece but the way to Albania is not exactly an easy one, Alexander sees at the snowy mountain border an eerie barbed wire fence with what seem to be bodies stuck to it. As the pair wait for the gate to open, they have a change of mind about crossing, when the boy admits has been lying about his life in Albania. The two of them barely escape a border sentry who chases them and make it back to Alexander's automobile. The boy's perilous existence brings Alexander out of his stupor and self-pity, and seemingly re-energizes him in his love for a dead 19th century Greek poet, Dionysios Solomos (Fabrizio Bentivoglio), whose poem he longs to finish. The old poet and the boy are connected by fear. The former over what lies ahead, and if his life has had impact, and the latter over what lies ahead in his especially a perilous return trip to Albania where, as he explains to Alexander, the path over the mountains is lined with land mines, as well as men who kidnap street boys to sell them for black market adopters (as well as possibly the sex trade). He pays a visit to his housekeeper, Urania (Helene Gerasimidou). She is manifestly smitten with him, but is in the middle of...
A:
How many people pedal by, oddly dressed in bright yellow raincoats?