Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : "Heaven and Hell" is a song by English rock band The Who written by group bassist John Entwistle. The studio version (originally recorded for an April 1970 BBC session), which appeared on the B-side of the live "Summertime Blues" single, is currently available only on the "Thirty Years of Maximum R&B" boxed set and "Who's Missing", though several live versions of the song exist on official releases. The song was one of many Entwistle B-side singles and one of his live staples. Context_2 : Zak Richard Starkey (born 13 September 1965) is an English rock drummer whose music career spans more than 30 years. He has performed and recorded with English rock band The Who since 1996. He is also the third drummer to have appeared with English rock band Oasis. He has also worked with other musicians and bands such as Johnny Marr, Paul Weller, The Icicle Works, The Waterboys, ASAP, The Lightning Seeds, and John Entwistle. He is the son of The Beatles drummer Ringo Starr. Context_3 : The following is the solo discography of British rock musician John Entwistle. For his work with The Who, see The Who discography. Context_4 : "Going Mobile" is a song written by Pete Townshend and originally released by The Who on their 1971 album "Who's Next". It was originally written for Townshend's abandoned "Lifehouse" project, with lyrics celebrating the joy of having a mobile home and being able to travel the open road. The Who's lead singer Roger Daltrey did not take part in the recording of the song, leaving the rest of the band to record it as a power trio; Townshend handles the lead vocals, guitars, and synthesizers, with John Entwistle on bass and Keith Moon on drums. The song has attracted mixed reviews from music critics. Context_5 : The Rock is the sixth solo studio album by the English musician John Entwistle, formerly of the Who. It was Entwistle's first album of entirely new music since "Too Late the Hero" in 1981, and his first solo album to be issued by Griffin Music. The album was recorded over a period of eighteen months between 1985 and 1986, in sessions that took place at Hammerhead Studios in Gloucestershire. Upon completion, it was originally released as a private pressing by his label, WEA Records, in 1986, but it was not officially released until 1996. Having remained in the vaults for ten years, the album has subsequently been released in four different editions between 1996 and 2005, with separate covers for each. "The Rock" was Entwistle's only album in which he did not sing the lead vocals, a role performed instead by American-born Canadian Henry Small, formerly of rock music Prism. Context_6 : The Who have been with several labels over the years. In the United Kingdom and elsewhere outside North America, they were signed originally to Brunswick Records. In 1966, they moved to Polydor Records and took the rights to their Brunswick recordings with them. They created and moved to Track Records the following year with distribution by Polydor. They left Track in 1974 and returned to Polydor directly, remaining with the label ever since. Context_7 : Ghost Dance were a British gothic rock and post-punk band. formed in 1985 by Gary Marx (ex-The Sisters of Mercy guitarist) and Anne-Marie Hurst (ex-Skeletal Family vocalist) as both were leaving their respective bands. The band were originally signed to Nick Jones' record label, Karbon Records, then were later signed to the major label Chrysalis Records, before splitting up in 1989. Context_8 : Andy Dane Nye (born 8 April 1959, in London, England) is an English musician, songwriter and record producer, as well as being a member of the rock band The Michael Schenker Group at their peak in the 1980s. During a long and productive career he has played keyboards for Sheena Easton, Barbara Dickson, Toyah Willcox, Chris Farlowe, Gerard Kenny, Dennis Waterman, Princess Stephanie of Monaco, Jahn Teigen, The Kick, After Hours and Mainland. His songs have been recorded by artists such as Roger Daltrey, Asia, The Michael Schenker Group, Ten Years After, Chris Farlowe, John Entwistle, Colin Blunstone and The Zombies. Context_9 : James McCulloch (4 June 1953 27 September 1979) was a Scottish musician and songwriter best known for playing lead guitar and bass, as a member of Paul McCartney's band Wings from 1974 to 1977. McCulloch was a member of the Glasgow psychedelic band One in a Million (formerly known as the Jaygars), Thunderclap Newman, and Stone the Crows. He also made appearances on many albums, including John Entwistle's "Whistle Rymes" in 1972, as lead guitarist playing alongside Peter Frampton on "Apron Strings" and "I Feel Better"; and on Roy Harper's album, "Bullinamingvase", and Ricci Martin's album, "Bleached", both in 1977. McCulloch also played guitar on Roger Daltrey's album "One of the Boys" which was released in 1977. McCulloch was a friend of the Who and a member of the band Thunderclap Newman, which was created and produced by his mentor Pete Townshend. At age 11, he was also a protege of the Shadows' Hank Marvin. His brother is drummer Jack McCulloch. Context_10 : So Who's the Bass Player? The Ox Anthology is a 2CD collection of the work of the late bassist for The Who, John Entwistle. It features rare recordings of his songs, spanning from the mid-60's until his death in 2002. Included are songs written by Entwistle which were not included in some Who recordings, as well as songs which were rejected by the band originally. fact_1 : For his work with The Who, see The Who discography. fact_2 : In the United Kingdom and elsewhere outside North America, they were signed originally to Brunswick Records. Question: John Entwistle was a rock musician who played for a band who was originally signed to what record label?
Solution:
Brunswick Records