Question: Fastball is an American rock band that formed in Austin, Texas in 1995. The band originally called themselves "Magneto U.S.A." but changed their name after signing with Hollywood Records. In 1998, their album All the Pain Money Can Buy reached platinum sales within six months of its release, and stayed on the Billboard 200 chart for a year. In addition, the group has been nominated for two Grammy Awards - Best Rock Performance by a Duo or Group with Vocal for "The Way", and Best Long Form Music Video for their promotional video "The Way".

The group headed back into the studio to record their third album, The Harsh Light of Day. Produced by Julian Raymond and Fastball, the album was released in September 2000. The release included "You're an Ocean", which featured the piano stylings of Billy Preston (who previously collaborated with The Beatles). Singer-guitarist Brian Setzer also contributed to the album with Latin guitar on "Love Is Expensive and Free." "Instead of tailoring the music for short attention spans, we tried to make an album that holds up well to extensive listening... kind of cinematic, where you notice new themes entering the frame each time you see the film," Zuniga said in the band's record company bio. Although The Harsh Light of Day sold less than 85,000 copies (compared to All The Pain Money Can Buy's 1,000,000+), the trio didn't lose steam and chalked it up to lacking a musical category to fit into. "You can't write down what we do in a sentence," Zuniga told Mac Randall at Launch.com. "Marketing us is a problem. But in a way, that's our saving grace also, because you can't find an easy angle to summarize us and exploit us. We might sell more records if you could, but at the same time, it forces people that really want to be interested in us to pay a little more attention to what we're doing." In October 2000, Fastball began touring in support of The Harsh Light of Day in Amsterdam. Despite the slowed success, the members of the group didn't regret any of their creative decisions, and their aim remained true. "It makes me feel proud that we're one of these song-oriented guitar bands," Scalzo told Richard Skanse in Rolling Stone. "I think there's a couple of bands that are still putting out real good quality guitar rock songs, and I think we're one of them."

Using a quote from the above article, answer the following question: Are there any other interesting aspects of this article?
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Answer: In October 2000, Fastball began touring in support of The Harsh Light of Day in Amsterdam.

Question: Bruno Latour (French: [latuR]; born 22 June 1947) is a French philosopher, anthropologist and sociologist. He is especially known for his work in the field of science and technology studies (STS). After teaching at the Ecole des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he became Professor at Sciences Po Paris (2006-2017), where he was the scientific director of the Sciences Po Medialab. He retired from several university activities in 2017.

After his early career efforts, Latour shifted his research interests to focus on laboratory scientists. Latour rose in importance following the 1979 publication of Laboratory Life: the Social Construction of Scientific Facts with co-author Steve Woolgar. In the book, the authors undertake an ethnographic study of a neuroendocrinology research laboratory at the Salk Institute. This early work argued that naive descriptions of the scientific method, in which theories stand or fall on the outcome of a single experiment, are inconsistent with actual laboratory practice. In the laboratory, Latour and Woolgar observed that a typical experiment produces only inconclusive data that is attributed to failure of the apparatus or experimental method, and that a large part of scientific training involves learning how to make the subjective decision of what data to keep and what data to throw out. Latour and Woolgar argued that, for untrained observers, the entire process resembles not an unbiased search for truth and accuracy but a mechanism for ignoring data that contradicts scientific orthodoxy. Latour and Woolgar produced a highly heterodox and controversial picture of the sciences. Drawing on the work of Gaston Bachelard, they advance the notion that the objects of scientific study are socially constructed within the laboratory--that they cannot be attributed with an existence outside of the instruments that measure them and the minds that interpret them. They view scientific activity as a system of beliefs, oral traditions and culturally specific practices-- in short, science is reconstructed not as a procedure or as a set of principles but as a culture. Latour's 1987 book Science in Action: How to Follow Scientists and Engineers through Society is one of the key texts of the sociology of scientific knowledge in which he famously wrote his Second Principle as follows: "Scientist and engineers speak in the name of new allies that they have shaped and enrolled; representatives among other representatives, they add these unexpected resources to tip the balance of force in their favor." Some of Latour's position and findings in this era provoked vehement rebuttals. Gross and Leavitt argue that Latour's position becomes absurd when applied to non-scientific contexts: e.g., if a group of coworkers in a windowless room were debating whether or not it were raining outside and went outdoors to discover raindrops in the air and puddles on the soil, Latour's hypothesis would assert that the rain was socially constructed. Similarly, philosopher John Searle argues that Latour's "extreme social constructivist" position is seriously flawed on several points, and furthermore has inadvertently "comical results."

Using a quote from the above article, answer the following question: Was there anyone who had a rebuttal against his work?
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Answer:
philosopher John Searle argues that Latour's "extreme social constructivist" position is seriously flawed on several points, and furthermore has inadvertently "comical results."