In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: stendhal 's syndrome : a condition where , in the presence of art , a person becomes engulfed in a painting and hallucinates and may afterwards suffer symptoms such as depression , suicidal behaviour and personality disorder .
grim stuff , to be sure , but the subject of a remarkable film from italy 's master of the horror thriller dario argento . boasting an unforgettable soundtrack from the grandfather of film music ennio morricone
, the stendhal syndrome is a quite magnificent return to form for argento .
it follows his disappointing american debut trauma ( 1992 ) , the patchy opera ( 1987 ) and several mediocre films he produced for young italian director michele soavi in the late 1980 's .
based on the novel by graziella magherini , the film stars argento 's daughter asia as young roman police inspector anna manni in pursuit of a brutal rapist - killer .
visiting florence to follow up several leads , she is lured by the killer alfredo ( thomas kretschmann ) to an art gallery , a favourite haunt where he hopes to identify exactly who is on his tail .
at the gallery anna is overwhelmed by a painting and faints .
posing as a bystander , alfredo briefly comes to her aid and having now identified his pursuer , a strange game of cat and mouse begins .
a gripping story evolves , and a coherent one , too , which may surprise those familiar with argento 's often lumpy narratives .
the stendhal syndrome is not a simple cop - hunting - killer scenario .
it is a disturbing and often compelling study of the central character 's psychological disintegration .
the script explores its psycho - sexual themes with intelligence and candour , perhaps too much so for more sensitive viewers .
but as dark as its themes are , the stendhal syndrome emerges as one of the most artful and effective european thrillers of the last ten years .
argento is once again working in his native italy , and he fully exploits the opportunities to use art and architecture for both symbolic statements and as departure points for several brilliant hallucinogenic sequences . effects whiz sergio stivaletti serves his director well here , and the cinematography by giuseppe rotunno is consistently excellent .
the film 's opening 20 minutes segues between hallucination , flashback and real - time with tremendous style .
proof that , at his most inspired , argento remains one of the world 's most exhilarating filmmakers .
the cast is generally good , though marred at times by dubbing into english that renders speech all but emotionless .
asia argento 's performance is by turns risky , awkward and fascinating .
it 's a difficult role , and given her relative inexperience on screen
she deserves applause for her efforts .
thomas kretschmann is chillingly effective as alfredo , and marco leonardi ( of cinema paradiso , and possibly the most gorgeous looking man in italy ) does okay as anna 's work colleague and increasingly confused love interest .
but perhaps the stendhal syndrome 's single most striking element is ennio morricone 's soundtrack .
active since the 1960 's
, morricone has scored over 100 films in his career and this must rate as one of his finest efforts .
it 's mostly a variation on the one theme : a slow circular melody for strings and wordless female vocal possessed with an extraordinary , haunting beauty that lingers long afterwards .
it 's been three decades since argento and morricone worked together .
this is a long welcome reunion .
if the film has a fault , it is that the last half hour drags a little and the film does n't quite reach a completely satisfying climax .
but by the closing scenes , the stendhal syndrome has already offered us enough to qualify as one of the very best films of dario argento 's career .
* note : see the uncut print from japanese laserdisc if you can .
dubs of this version are available from various video dealers on the world wide web .

Output: P

Input: Consider Input: tom dicillo directs this superficial comedy about superficial people in superficial careers , all searching for deeper meaning .
however , they wo n't find much meaning in the real blonde , and not enough real humor , either .
joe ( matthew modine ) is a struggling actor , or he claims to be one , even though he has no credits under his belt .
his girlfriend , mary ( catherine keener ) has no pretensions about her career : she 's a makeup artist , working for the eccentric fashion photographer blair ( marlo thomas ) and supermodel of the month , sahara ( bridgette wilson ) .
sahara , who has acquired a new age spirituality from repeated viewing of the little mermaid , has an on - again , off - again relationship with joe 's best friend , bob ( maxwell caulfield ) .
however , bob has gotten his biggest break yet : a starring role on a soap opera opposite the beautiful kelly ( daryl hannah ) , who may be that illusive woman he 's always pursued : a real blonde .
there are some moments of good humor in the real blonde , but not enough .
the best stuff is in throwaway details in the background , such as sahara 's perfume ads : " depression -
it 's not just a state of mind " .
but to find humor in the superficiality of models and actors is to shoot fish in a barrel . and ,
unfortunately , the film 's forays outside the realm of comedy are pathetic .
take for example the film 's framing device of an old lady and her dog .
the story serves absolutely no purpose , makes little sense , and is completely tangential to the main plotlines of the movie .
matthew modine and catherine keener have the most sympathetic characters in the film , but they 're stuck in the most boring plotlines .
modine whines and complains and would be completely pathetic if he was matched against someone stronger than elizabeth berkley , who appears as another struggling actor .
keener 's character has a stronger edge , but the insult self - defense class ( taught by denis leary , no less ) she is stuck in makes little sense .
the movie 's running time is under two hours , but it seems like it is well over it .
there 's just not enough humor to speed things along , and not enough meaning to propel any drama .

Output: N

Input: Consider Input: there 's some movies i enjoy even though i know i probably should n't and have a difficult time trying to explain why i did .
" lucky numbers " is a perfect example of this because it 's such a blatant rip - off of " fargo " and
every movie based on an elmore leonard novel and yet
it somehow still works for me .
i know i 'm in the minority here but let me explain .
the film takes place in harrisburg , pa in 1988 during an unseasonably warm winter .
john travolta plays the local big - shot tv weatherman who is idolized by the townsfolk as if he were john travolta himself and not the bumbling russ richards .
russ is married to crystal ( lisa kudrow ) , a blonde bimbo if ever there was one in the history of cinema .
she 's a selfish , nasty bitch full of lust and desire
but somehow she got the job of the lottery ball girl -
not exactly the most intellectually taxing job on the market .
crystal 's cheating on russ with their collective boss dick ( ed o'neil ) , the tv station manager .
she does n't seem to genuinely like either of them , but it 's all she can do in this one - horse town .
much like " fargo , " this movie tells the story of a man who 's going broke and has to pull off a huge scam to get rich quick .
he enlists the help of his english friend gig ( tim roth ) , the local stripclub owner who tells him how to fix the lottery .
along the way a subplot involving a two - bit thug named , accurately , " dale the thug " ( michael rappaport ) gets mixed up in the process .
there 's also a bookie that somehow gets thrown in the mix once the deal goes down .
i 'm not going to elaborate much further on the plot and story because it continues to unwind and take twists and turns you 're not expecting .
this is a farce , which is basically a straightforward , adult - oriented comedy but does n't go as far as a classic black comedy should .
where as " fargo " was sometimes shocking and disturbing while being funny , " lucky numbers " is just funny because you ca n't take these characters in these outrageous situations seriously .
it 's all a big cartoon basically , but
it 's funny and i can respect that .
travolta is great in his role and even though he 's not a really likable character , he 's trying to be a nice guy despite the fact
he 's a creep .
he 's like a gangster with morals who genuinely feels sorry for the guys he has to kill .
crystal is just the opposite , she 's constantly arguing and using whatever brain cells she has left to look out for herself .
kudrow is perfect in this role since she 's spent 8 years on tv as the dim - witted phoebe on " friends .
"
here is character is basically a very evil incarnation of phoebe .
i have to admit
i was honestly surprised and pleased by how the plot unraveled
and the methods each of the main characters use to try to get their share of the money .
like " jackie brown , " ( an elmore leonard adaption ) , the story is about a circle of 10 characters all after the lottery money that has been won illegally .
the screenplay does a fine job in balancing the characters and slowly revealing their motivations and hidden agendas while at the same time keep russ richards the main focus .
more and more characters are introduced and since the film has such an iconic , cartoony atmosphere you can take on faith just what makes the minor characters do what they do .
the ending itself is great .
it 's surprising and funny and makes you feel good .
you realize this film has packed in about 10 different movies ' worth of stories into two hours ' time and did n't fall apart ( although many other critics might beg to differ ) .
i liked it , and i could see it again - is n't that what makes a movie good ?
Output: P