input question: The following article contains an answer for the question: Who does the narrator love? , can you please find it? The book is partly autobiographical. It follows the adventures of a group of people the narrator Laurie, the eccentric Dorothea ffoulkes-Corbett (otherwise Aunt Dot), her High Anglican clergyman friend Father Hugh Chantry-Pigg (who keeps his collection of sacred relics in his pockets) travelling from Istanbul (or Constantinople as Fr. Chantry-Pigg would have it) to Trebizond. A Turkish feminist doctor attracted to Anglicanism acts as a foil to the main characters. On the way, they meet magicians, Turkish policemen and juvenile British travel-writers, and observe the BBC and Billy Graham on tour. Aunt Dot proposes to emancipate the women of Turkey by converting them to Anglicanism and popularising the bathing hat, while Laurie has more worldly preoccupations. Historical references (British Christianity since the Dissolution of the Monasteries, nineteenth-century travellers to the Ottoman Empire, the First World War, the Fourth Crusade, St. Paul's third missionary journey, Troy) abound. The geographical canvas is enlarged with the two senior characters eloping to the Soviet Union and the heroine meeting her lover in Turkey, and then her semi-estranged mother in Jerusalem. The final chapters raise multiple issues such as the souls of animals, and culminate in a fatal accident and its aftermath. At another level the book, against its Anglo-Catholic backdrop, deals with the conflict between Laurie's attraction to Christianity and her adulterous love for a married man. This was a problem Macaulay had faced in her own life, having had an affair with the married novelist and former Roman Catholic priest Gerald O'Donovan (18711942) from 1920 until his death. The book's opening sentence is,"Take my camel, dear", said my Aunt Dot, as she climbed down from this animal on her return from High Mass.???
output answer: a married man

input question: The following article contains an answer for the question: What is the last name of person whose newly adopted orchestra responded admirably? , can you please find it? After it became clear that Boult would have to leave the BBC, Thomas Russell, the managing director of the London Philharmonic Orchestra (LPO), offered him the post of principal conductor of the LPO in succession to Eduard van Beinum. In the 1930s the LPO had flourished, but since Beecham's departure in 1940, it had struggled to survive. Boult was well known to the orchestra, having been among the musicians who came to its aid in 1940. He took over as chief conductor of the LPO in June 1950, immediately after leaving the BBC, and threw himself into the task of rebuilding it. In the early years of his conductorship, the finances of the LPO were perilous, and Boult subsidised the orchestra from his own funds for some time. The need to earn money obliged the orchestra to play many more concerts than its rivals. In the 194950 season, the LPO gave 248 concerts, compared with 55 by the BBC Symphony Orchestra, 103 by the London Symphony Orchestra, and 32 apiece by the Philharmonia and Royal Philharmonic orchestras. Although he had worked extensively in the studio for the BBC, Boult had, up to this point, recorded only a part of his large repertoire for the gramophone. With the LPO he began a series of commercial recordings that continued at a varying rate for the rest of his working life. Their first recordings together were Elgar's Falstaff, Mahler's Lieder eines fahrenden Gesellen with the mezzo Blanche Thebom, and Beethoven's First Symphony. The work of the new team was greeted with approval by the reviewers. Of the Elgar, The Gramophone wrote, "I have heard no other conductor approach [Boult's] performance. ... His newly adopted orchestra responds admirably". In The Manchester Guardian, Neville Cardus wrote, "Nobody is better able than Sir Adrian Boult to expound the subtly mingled contents of this master work."In January 1951 Boult and the LPO made a tour of Germany, described by Kennedy as "gruelling", with 12 concerts on 12 successive days. The symphonies they played were Beethoven's Seventh, Haydn's...???
output answer: Boult

input question: The following article contains an answer for the question: What is the full name of the cousin of Clem Spender's former fiancee? , can you please find it? Set during the American Civil War, the story focuses on Charlotte Lovell and her cousin Delia, whose wedding day is disrupted when her former fiance Clem Spender returns following a two-year absence. Delia proceeds to marry Jim Ralston, and Charlotte comforts Clem, who enlists in the Union Army and is later killed in battle. Shortly after his death, Charlotte discovers she is pregnant with Clem's child, and in order to escape the stigma of an illegitimate child, she journeys West to have her baby, a daughter she names Clementina (or "Tina"). Following the end of the war, Charlotte and Tina relocate to Philadelphia, where Charlotte opens an orphanage. Delia is the mother of two children, and Charlotte is engaged to marry Joe Ralston, her cousin's brother-in-law. On her wedding day, Charlotte tells Delia that Tina is her child by Clem, and Delia stops Joe from marrying Charlotte by telling him that she is in poor health. The cousins become estranged, but when Jim is killed in a horse riding accident, Delia invites Charlotte and Tina to move in with her and her children. Tina, unaware Charlotte is her birth mother, assumes the role of Delia's daughter and calls Charlotte her aunt. Fifteen years pass, and Tina is engaged to wealthy Lanning Halsey. Still unaware Charlotte is her mother, she begins to resent what she considers her interference in her life, and when Delia offers to formally adopt Tina in order to provide her with a reputable name and a prominent position in society, she gladly accepts. Charlotte intends to tell Tina the truth before her wedding but finds herself unable to do so.???
output answer:
Charlotte Lovell