Problem: This review is like what?

Review:For a long time it seemed like all the good Canadian actors had headed south of the border and (I guessed) all the second rank ones filled the top slots and that left the dregs for the sex comedies.

This film was a real surprise: despite the outlandish plots that are typical of farces, the actors seemed to be trying to put something into their characters and what we, the viewer, got back was almost true suspension of belief. When the extras from the music video attacked the evicting police, you almost believed it was possible.

If you are a fan of some of the better sex farces (Canadian or not) you should definitely seek this one out. And the big surprise, this sex farce is also loaded with some very good nudity.
+++++++++
A: positive

Problem: This review is like what?

Review:I first saw this movie on a local station on the Sunday afternoon horror show back around 1969 or 1970. Uncut. I was just a little kid at the time, but I loved it and wasn't really that scared by it. I thought it had such a cool and highly original storyline. Thinking back, I'm still surprised that it was shown during the day on T.V. uncut in those years. I've sought out this film ever since, seen it over and over again, and always loved it. One would think John Waters would have idolized this film. It's got to be not only a scary film, but one of the sleaziest, trashiest films ever made at that time. And surprisingly, you don't hear about this one as having the cult following that a movie such as "Blood Feast" or "The Hills Have Eyes" have acquired over the years. It has a cult following, but it should have really become a cult classic, in my opinion. As far as I know, this came out a little before Blood Feast came out, making this probably one of the first true "gore" films. In fact, this movie has elements of Hershell Gordon Lewis AND a little Russ Meyer thrown in for good measure.

Anyway, I recommend this for anyone who likes trashy, sleazy, black and white horror films from the early '60's (I think the date at the end of it read 1960).
+++++++++
A: positive

Problem: This review is like what?

Review:Critically, people say that Antz is better. Antz is a good film, but I enjoyed Bug's Life a bit more. I can't remember a Pixar animation, other than the two Toy Story films, that I was laughing so hard. The animation is clean, the story is original and doesn't preach. The voice overs are what make this movie. Dave Foley is an earnest ant that gets himself into trouble a lot. Hopper is a superb characterisation by the always wonderful Kevin Spacey, as is Haydn Panettiere as Dot . There is also sterling support from Dennis Leary, David Hyde Pierce and Madeline Kahn, and I could go on and on. The script is fantastic, so funny and sometimes even touching. It lacks the social messages of Antz, but what we have is rock-solid entertainment. 9/10. Bethany Cox
+++++++++
A: positive

Problem: This review is like what?

Review:Andy Goldsworthy is a taoist master of the first order, expressing the Way through his sublime ephemeral art. Indeed, time and change is what his work is fundamentally about. I bought his first book several years ago and my family has marveled at it many times. So it was a treat to get to know the artist personally through this film, he is just as patient and gentle as you would expect, and has some wonderful things to say about the natural world, the deepest of which are expressed in his occasional inability to say it in words at all. He is like most children who play in the great outdoors alone (if they do anymore), creating things from sticks and sand and mud and snow before they outgrow it. Mr. Goldsworthy was given the gift and the mission to extend that sort of play to create profound visions of nature, and to open our often weary eyes to it in brilliant new ways. And always with the utmost respect, gratitude and humor of a wandering, and wondering monk.
+++++++++
A:
positive