Question:
The Doors were an American rock band formed in 1965 in Los Angeles, with vocalist Jim Morrison, keyboardist Ray Manzarek, guitarist Robby Krieger, and John Densmore on drums. The band got its name, at Morrison's suggestion from the title of Aldous Huxley's book The Doors of Perception, which itself was a reference to a quote made by William Blake, "If the doors of perception were cleansed, everything would appear to man as it is, infinite." They were unique and among the most controversial and influential rock acts of the 1960s, mostly because of Morrison's lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until disbanding in 1973.
On March 1, 1969, at the Dinner Key Auditorium in the Coconut Grove neighborhood of Miami, the Doors gave the most controversial performance of their career, one that nearly "derailed the band". The auditorium was a converted seaplane hangar that had no air conditioning on that hot night, and the seats had been removed by the promoter in order to boost ticket sales. Morrison had been drinking all day and had missed connecting flights to Miami, and by the time he eventually arrived, the concert was over an hour late in starting, and he was, according to Manzarek, "overly fortified with alcohol". The restless crowd of 12,000, packed into a facility designed to hold 7,000, was subjected to undue silences in Morrison's singing straining the music from the beginning of the performance. Morrison had recently attended a play by an experimental theater group the Living Theatre and was inspired by their "antagonistic" style of performance art. Morrison taunted the crowd with messages of both love and hate, saying, "Love me. I can't take it no more without no good love. I want some lovin'. Ain't nobody gonna love my ass?" and alternately, "You're all a bunch of fuckin' idiots!" and screaming "What are you gonna do about it?" over and over again. As the band began their second number, "Touch Me", Morrison started shouting in protest forcing the band to a halt. At one point, Morrison removed the hat of an onstage police officer and threw it into the crowd; the officer, in turn, removed Morrison's hat and threw it. Manager Bill Siddons recalled, "The gig was a bizarre, circus-like thing, there was this guy carrying a sheep and the wildest people that I'd ever seen". Equipment chief Vince Treanor said, "Somebody jumped up and poured champagne on Jim so he took his shirt off, he was soaking wet. 'Let's see a little skin, let's get naked,' he said, and the audience started taking their clothes off." Having removed his shirt, Morrison held it in front of his groin area and started to make hand movements behind it. Manzarek later described the incident as a mass "religious hallucination". On March 5, the Dade County Sheriff's office issued a warrant for Morrison's arrest, claiming Morrison deliberately exposed his penis while on stage, shouted obscenities to the crowd, simulated oral sex on guitarist Robby Krieger, and was drunk at the time of his performance. Morrison turned down a plea bargain that required the Doors to perform a free Miami concert. He was later convicted, sentenced to six months in jail, with hard labor, and ordered to pay a $500 fine. Morrison remained free, pending an appeal of his conviction, and would die before the matter was legally resolved. In 2007 Florida Governor Charlie Crist suggested the possibility of a posthumous pardon for Morrison, which was announced as successful on December 9, 2010. Densmore, Krieger and Manzarek have denied the allegation that Morrison exposed himself on stage that night.
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What is the Miami incident?

Answer:
On March 1, 1969, at the Dinner Key Auditorium in the Coconut Grove neighborhood of Miami, the Doors gave the most controversial performance of their career,

Question:
Laurence Kerr Olivier, Baron Olivier, (; 22 May 1907 - 11 July 1989) was an English actor and director who, along with his contemporaries Ralph Richardson and John Gielgud, dominated the British stage of the mid-20th century. He also worked in films throughout his career, playing more than fifty cinema roles. Late in his career, he had considerable success in television roles.
Olivier had intended to step down from the directorship of the National Theatre at the end of his first five-year contract, having, he hoped, led the company into its new building. By 1968 because of bureaucratic delays construction work had not even begun, and he agreed to serve for a second five-year term. His next major role, and his last appearance in a Shakespeare play, was as Shylock in The Merchant of Venice, his first appearance in the work. He had intended Guinness or Scofield to play Shylock, but stepped in when neither was available. The production by Jonathan Miller, and Olivier's performance, attracted a wide range of responses. Two different critics reviewed it for The Guardian: one wrote "this is not a role which stretches him, or for which he will be particularly remembered"; the other commented that the performance "ranks as one of his greatest achievements, involving his whole range". In 1969 Olivier appeared in two war films, portraying military leaders. He played Field Marshal French in the First World War film Oh! What a Lovely War, for which he won another BAFTA award, followed by Air Chief Marshal Hugh Dowding in Battle of Britain. In June 1970 he became the first actor to be created a peer for services to the theatre. Although he initially declined the honour, Harold Wilson, the incumbent prime minister, wrote to him, then invited him and Plowright to dinner, and persuaded him to accept. After this Olivier played three more stage roles: James Tyrone in Eugene O'Neill's Long Day's Journey into Night (1971-72), Antonio in Eduardo de Filippo's Saturday, Sunday, Monday and John Tagg in Trevor Griffiths's The Party (both 1973-74). Among the roles he hoped to play, but could not because of ill-health, was Nathan Detroit in the musical Guys and Dolls. In 1972 he took leave of absence from the National to star opposite Michael Caine in Joseph L. Mankiewicz's film of Anthony Shaffer's Sleuth, which The Illustrated London News considered to be "Olivier at his twinkling, eye-rolling best"; both he and Caine were nominated for the Academy Award for Best Actor, losing to Marlon Brando in The Godfather. The last two stage plays Olivier directed were Jean Giradoux's Amphitryon (1971) and Priestley's Eden End (1974). By the time of Eden End, he was no longer director of the National Theatre; Peter Hall took over on 1 November 1973. The succession was tactlessly handled by the board, and Olivier felt that he had been eased out--although he had declared his intention to go--and that he had not been properly consulted about the choice of successor. The largest of the three theatres within the National's new building was named in his honour, but his only appearance on the stage of the Olivier Theatre was at its official opening by the Queen in October 1976, when he made a speech of welcome, which Hall privately described as the most successful part of the evening.
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Are there any other interesting aspects about this article?

Answer:
In 1969 Olivier appeared in two war films, portraying military leaders.