Question: Alejandro Jodorowsky Prullansky (Spanish: [ale'xandro xodo'rofski]; born 17 February 1929) is a Chilean-French filmmaker. Active since 1948, in seventy years of his artistic career Jodorowsky has experienced it in almost all creative forms: writer (in his five facets: novelist, storyteller, poet, playwright and essayist), film director and producer, actor of cinema and theatre, playwright, theatre director, screenwriter, film editor, comics writer, musician, soundtrack composer, philosopher, puppeteer, mime, psychologist and psychoanalyst, draughtsman, painter, eventually sculptor and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation". Born to Jewish-Ukrainian parents in Chile, Jodorowsky experienced an unhappy and alienated childhood, and so immersed himself in reading and writing poetry.

In 2000, Jodorowsky won the Jack Smith Lifetime Achievement Award from the Chicago Underground Film Festival (CUFF). Jodorowsky attended the festival and his films were shown, including El Topo and The Holy Mountain, which at the time had grey legal status. According to festival director Bryan Wendorf, it was an open question of whether CUFF would be allowed to show both films, or whether the police would show up and shut the festival down. Until 2007, Fando y Lis and Santa Sangre were the only Jodorowsky works available on DVD. Neither El Topo nor The Holy Mountain were available on videocassette or DVD in the United States or the United Kingdom, due to ownership disputes with distributor Allen Klein. After settlement of the dispute in 2004, however, plans to re-release Jodorowsky's films were announced by ABKCO Films. On 19 January 2007, the website, announced that on 1 May 2007, Anchor Bay released a box set including El Topo, The Holy Mountain, and Fando y Lis. A limited edition of the set includes both the El Topo and The Holy Mountain soundtracks. And, in early February 2007, Tartan Video announced its 14 May 2007, release date for the UK PAL DVD editions of El Topo, The Holy Mountain, and the six-disc box set which, alongside the aforementioned feature films, includes the two soundtrack CDs, as well as separate DVD editions of Jodorowsky's 1968 debut feature Fando y Lis (with his 1957 short La cravate a.k.a. Les tetes interverties, included as an extra) and the 1994 feature-length documentary La constellation Jodorowsky. Notably, Fando y Lis and La cravate were digitally restored extensively and remastered in London during late 2006, thus providing the perfect complement to the quality restoration work undertaken on El Topo and The Holy Mountain in the States by Abkco, and ensuring that the presentation of Fando y Lis is a significant improvement over the 2001 Fantoma DVD edition. Prior to the availability of these legitimate releases, only inferior quality, optically censored, bootleg copies of both El Topo and The Holy Mountain have been circulated on the Internet and on DVD. In the 1990s and early 2000s, Jodorowsky attempted to make a sequel to El Topo, called at different times The Sons of El Topo and Abel Cain, but could not find investors for the project. In an interview with Premiere Magazine, Jodorowsky said he intended his next project to be a gangster film called King Shot. In an interview with The Guardian newspaper in November 2009, however, Jodorowsky revealed that he was unable to find the funds to make King Shot, and instead would be entering preparations on Sons of El Topo, for which he claimed to have signed a contract with "some Russian producers". In 2010, the Museum of Arts and Design in New York City staged the first American cinema retrospective of Alejandro Jodorowsky entitled Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky. Jodorowsky would attend the retrospective and hold a master class on art as a way of transformation. This retrospective would inspire the museum MOMA PS1 to present the exhibition Alejandro Jodorowsky: The Holy Mountain in 2011.

Using a quote from the above article, answer the following question: Did any of his films win any recognition or awards ?
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Question: In music, sampling is the act of taking a portion, or sample, of one sound recording and reusing it as an instrument or a sound recording in a different song or piece. Sampling was originally developed by experimental musicians working with musique concrete and electroacoustic music, who physically manipulated tape loops or vinyl records on a phonograph. By the late 1960s, the use of tape loop sampling influenced the development of minimalist music and the production of psychedelic rock and jazz fusion. Hip hop music was the first popular music genre based on the art of sampling - being born from 1970s DJs who experimented with manipulating vinyl on two turntables and an audio mixer.

Usually taken from movies, television, or other non-musical media, spoken word samples are often used to create atmosphere, to set a mood, or even comic effect. The American composer Steve Reich used samples from interviews with Holocaust survivors as a source for the melodies on the 1988 album Different Trains, performed by the Kronos Quartet. Many genres utilize sampling of spoken word to induce a mood, and Goa trance often employs samples of people speaking about the use of psychoactives, spirituality, or science fiction themes. Industrial is known for samples from horror/sci-fi movies, news broadcasts, propaganda reels, and speeches by political figures. The band Ministry frequently samples George W. Bush. Paul Hardcastle used recordings of a news reporter, as well as a soldier and ambient noise of a protest, in his single "Nineteen," a song about Vietnam war veterans and Posttraumatic stress disorder. The band Negativland samples from practically every form of popular media, ranging from infomercials to children's records. In the song "Civil War", Guns N' Roses samples from the 1967 film Cool Hand Luke, on the album Use Your Illusion II. Sludge band Dystopia make frequent use of samples, including news clips and recordings of junkies to create a bleak and nihilistic atmosphere. Other bands that frequently used samples in their work are noise rockers Steel Pole Bath Tub and death metal band Skinless. The extreme metal band Mortician makes extensive usage of horror movie samples, which can sometimes be longer than the actual song itself. The American rapper and producer MF Doom frequently uses spoken word samples, taken from anything from old Spider-Man and Fantastic Four cartoons to Charles Bukowski's "Dinosauria, We" poem. Oasis used a clip from a John Lennon interview for their song "I'm Outta Time". Living Colour samples Malcolm X, John F. Kennedy, and Franklin D. Roosevelt in "Cult of Personality".

Using a quote from the above article, answer the following question: Where are the spoken words usually gotten from?
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Usually taken from movies, television, or other non-musical media, spoken word samples are often used to create atmosphere, to set a mood, or even comic effect.