[Q]: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Who went to jail? Movie title: Night People Movie plot: This cold war film begins with a beautiful and affective montage of recently divided (though not yet wall-bifurcated) Berlin. The story proper gets going as a young GI is kidnapped by the East Germans (released in 1954, it's way too early for mention of anything called the KGB or Stasi). The initial dramatic conflict is between a U.S. military officer (Gregory Peck), who realizes that getting the kid out will be a delicate operation indeed, and said kid's blunderbuss father (Broderick Crawford), who immediately flies to Germany desiring a quick extraction, arguing for either a commando raid or a cash payoff. (Some similarity here to the last few episodes of TV's "Studio 60 on the Sunset Strip.") Anyway, Crawford's character is an industrialist of some importance. So, Crawford assumes upon his arrival in Berlin that he can take charge of the situation, and marches straight into Peck's office with nary a word to the secretary or the two American officers standing outside the door. They don't stop him; they know Peck is expecting him. One of the officers says to the other, "How does he have all this influence?" "He plays golf," says the other. "Oh." Eventually Peck gets Crawford to cool his jets, largely by letting him witness a demonstration of the spy game's high tensions. When two elderly agents suspect that their cover is blown, they attempt suicide rather than be taken back to the East. Now another problem arises for Peck-- his ear in the East is a female ("Hoffy," played by one Anita Bjork) with whom he naturally has a romantic involvement, but who, it turns out, he cannot trust. Thankfully for the Yanks, Peck finds out about her treachery without revealing that he's on to her, and through a subtle double-cross gets her to effect a prisoner swap, which naturally doesn't take place the way he initially described it to her (and through her to her Comintern bosses). (This all takes place in and around a military hospital that has cool, old-style Berlin, dumb-waiter style perpetually moving elevators, that we...
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[A]: A dissimulating female

input: Please answer the following: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What takes Baran away? Movie title: Baran Movie plot: It is winter in Teheran. Lateef is 17. He works at a building construction site managed by MEMAR, the site foreman. Lateef's job is to serve tea and prepare food for the workers with whom he is always quarrelling. The workers come from all parts of Iran, particularly from Iranian Azerbaijan (Azeris are referred as "Turks" in the film). Some workers are Afghan refugees from war-torn Afghanistan. They have no identity cards and are employed illegally as cheap labour. When the labour inspectors show up, the Afghan workers must hide. As the story starts, an Afghan worker, NAJAF, falls from the building and breaks his leg. He is taken to the hospital. The next day, SOLTAN, another Afghan worker, brings in RAHMAT, Najaf's son, who is around 14 years old, to replace his father. Memar soon realizes that Rahmat is not fit for such hard work, and decides to switch the jobs between Rahmat and Lateef. Lateef is furious, threatens Rahmat, tries to sabotage his work and spies on him. One day, by looking through the door where Rahmat works, he is totally shocked to discover that Rahmat is a girl. As he watches her comb her hair, he finds himself in a strange state, surrounded by unusual sounds. From then on his attitude changes completely; he becomes protective, helpful and gradually desperately in love with Rahmat. While Rahmat does not express herself verbally at all, over time she seems to respond to this love. During a surprise visit of the labour inspectors, they find themselves face to face with Rahmat. She panics and runs away, as they chase her through the city streets. Lateef runs after them, struggling with the inspectors while Rahmat flees. Lateef is beaten and taken to the police station. Now Memar must pay a fine, comply with the law, and lay off all illegal Afghan workers. Lateef can't bear Rahmat's absence, and decides to locate Soltan to get some news of her. He goes to the village where the Afghans live, walks around, meets an enigmatic cobbler, and ends up in the courtyard of a shrine near a graveyard...
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output: The truck.

Problem: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What does Feathers give the sheriff? Movie title: Rio Bravo Movie plot: In the town of Rio Bravo, Texas, sheriff's deputy Dude (Dean Martin), who has acquired the contemptuous nickname Borrachon (pronounced:[bo.raton], Spanish for "big drunk"), enters a saloon but cannot afford a drink. Joe Burdette (Claude Akins), brother of rancher Nathan Burdette, tosses a silver dollar into a spittoon. Presidio County, Texas, Sheriff John T. Chance (John Wayne) appears and kicks the spittoon away, looking at Dude with disgust. Dude is shamed by his plight and takes out his anger on Chance, knocking him out with an ax handle. Joe begins punching Dude, then shoots and kills an unarmed bystander who tries to intervene. Joe heads to his brother's saloon, where a bloody Chance comes to arrest him for the murder of the bystander. Another patron draws his gun on Chance, but Dude shoots the gun out of the man's hand. Joe is locked up in the local jail. Chance is willing to deputize Dude, provided he can stay sober. Both remember how good with a gun Dude used to be. Chance's friend Pat Wheeler (Ward Bond) and his wagon train of supplies stop in town, with a young gunslinger, Colorado Ryan (Ricky Nelson), riding guard. Inside the jail, Stumpy (Walter Brennan), Chance's game-legged deputy, keeps watch over the jail and Joe, who knows that Stumpy holds an old grudge against Joe's wealthy and powerful brother. Joe warns his jailers that Nathan Burdette will not like how his brother's being treated. A mysterious woman nicknamed Feathers (Angie Dickinson) is in the saloon, playing poker. In the meantime, Dude and Chance patrol the town. Hotel owner Carlos (Pedro Gonzalez-Gonzalez) stops the sheriff, saying Wheeler has been talking too much about Chance needing help. In the saloon, Chance implores Wheeler to stop, as it will draw attention from the wrong people. Wheeler suggests that Colorado could be of assistance, but Colorado politely declines, saying he wants to "mind my own business." Colorado also promises not to start any trouble without telling the sheriff first. Feathers leaves the poker game...

A:
A kiss.