input: Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists. In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector. After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some device like a magic lantern, which Eakins then took pains to cover up with oil paint. Eakins' methods appear to be meticulously applied, and rather than shortcuts, were likely used in a quest for accuracy and realism. An excellent example of Eakins' use of this new technology is his painting A May Morning in the Park, which relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers. But in typical fashion, Eakins also employed wax figures and oil sketches to get the final effect he desired. The so-called "Naked Series", which began in 1883, were nude photos of students and professional models which were taken to show real human anatomy from several specific angles, and were often hung and displayed for study at the school. Later, less regimented poses were taken indoors and out, of men, women, and children, including his wife. The most provocative, and the only ones combining males and females, were nude photos of Eakins and a female model (see below). Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature, the sheer quantity of the photos and Eakins' overt display of them may have undermined his standing at the Academy. In all, about eight hundred photographs are now attributed to Eakins and his circle, most of which are figure studies, both clothed and nude, and portraits. No other American artist of his time matched Eakins' interest in photography, nor produced a comparable body of photographic works.

Answer this question "When did Eakins get into photography?"
output: During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists.

input: In 1466, at the age of fourteen, Leonardo was apprenticed to the artist Andrea di Cione, known as Verrocchio, whose bottega (workshop) was "one of the finest in Florence". He apprenticed as a garzone (studio boy) to Andrea del Verrocchio, the leading Florentine painter and sculptor of his day (and would do so for 7 years). Other famous painters apprenticed or associated with the workshop include Domenico Ghirlandaio, Perugino, Botticelli, and Lorenzo di Credi. Leonardo would have been exposed to both theoretical training and a vast range of technical skills, including drafting, chemistry, metallurgy, metal working, plaster casting, leather working, mechanics and carpentry as well as the artistic skills of drawing, painting, sculpting and modelling. Much of the painted production of Verrocchio's workshop was done by his employees. According to Vasari, Leonardo collaborated with Verrocchio on his The Baptism of Christ, painting the young angel holding Jesus' robe in a manner that was so far superior to his master's that Verrocchio put down his brush and never painted again, although this is believed to be apocryphal. Close examination reveals areas that have been painted or touched-up over the tempera using the new technique of oil paint; the landscape, the rocks seen through the brown mountain stream and much of the figure of Jesus bearing witness to the hand of Leonardo. Leonardo may have been the model for two works by Verrocchio: the bronze statue of David in the Bargello and the Archangel Raphael in Tobias and the Angel. By 1472, at the age of twenty, Leonardo qualified as a master in the Guild of Saint Luke, the guild of artists and doctors of medicine, but even after his father set him up in his own workshop, his attachment to Verrocchio was such that he continued to collaborate with him. Leonardo's earliest known dated work is a drawing in pen and ink of the Arno valley, drawn on 5 August 1473.

Answer this question "WHat year was this"
output: 1466,

input: Although most episodes and matchups do not occur on any kind of a regular basis, there are a few notable exceptions to this. There is a frequent (previously biweekly and weekly, but now less frequent) diavlog matchup between the two co-founders of Bloggingheads.tv, Robert Wright and Mickey Kaus, generally related to politics in some form, that usually occurs on either Wednesday or Thursday. While some of the other diavloggers are frequently matched against each other (e.g. David Corn & James Pinkerton) there is usually not a regularly scheduled time at which they take place. "Science Saturday" was the name given to the weekly episode appearing on Saturday that was always science related. Its last episode was released on December 24, 2011. It usually (but not always) involved either one or both of the science writers John Horgan and George Johnson. Many well-known people in the science community were a part of Science Saturday, including Michael Shermer of Skeptic Magazine, biologist PZ Myers, Craig Venter of the Human Genome Project, aging researcher and biogerentologist Aubrey de Grey, and philosopher David Chalmers, among many others. However, in September 2009, four high-profile science bloggers who had previously participated in Bloggingheads.tv discussions publicly distanced themselves from the site and stated they would no longer agree to appear in Bloggingheads.tv segments. The scientists - Sean Carroll, Carl Zimmer, Phil Plait and PZ Myers - all criticized what they claimed was a policy by Bloggingheads.tv to provide a platform for the anti-scientific ideology, Creationism without an opposing point of view for balance. PZ Myers said: "[Bloggingheads.tv] was setting up crackpots with softball interviews that made them look reasonable, because their peculiar ideas were never confronted." "The Week in Blog" was a weekly segment which normally appeared on the site on Fridays. Its last episode was released on March 7, 2012. The format was to discuss what has showed up on the past week on both liberal and conservative blogs, from both a liberal and conservative viewpoint. The three regular hosts of "TWIB" were Bill Scher of Liberal Oasis, Kristin Soltis of the Winston Group, and Matt Lewis of The Daily Caller. Original host Conn Carroll of The Heritage Foundation stepped aside in early 2009. Guests who appeared on the show are Armando Llorens (of Daily Kos), Amanda Carpenter, and Nate Silver (of FiveThirtyEight) among many others.

Answer this question "What were the regular segments?"
output:
There is a frequent (previously biweekly and weekly, but now less frequent) diavlog matchup between the two co-founders