input: In 2016, Bhatt established herself as a leading actress of contemporary Hindi cinema by featuring in three critically and commercially successful films. In her first release of the year, Bhatt played the supporting role of a lively young girl with a buried past in Kapoor & Sons, a drama about a dysfunctional family starring Sidharth Malhotra and Fawad Khan. The film proved to be a critical and commercial success. Bhatt then took on the part of a poverty-stricken Bihari migrant in the Indian state of Punjab in Udta Punjab (2016), a crime drama about substance abuse from the director Abhishek Chaubey. The intense role marked a significant departure from the mostly light-hearted parts she had previously played, and in preparation, she watched documentaries on drug abuse and learned to speak a Bihari dialect. The film, co-starring Shahid Kapoor, Kareena Kapoor, and Diljit Dosanjh, generated controversy when the Central Board of Film Certification deemed that the film represented Punjab in a negative light and demanded extensive censorship before its theatrical release. The Bombay High Court later cleared the film for exhibition with one scene cut. Bhatt's performance in the film was critically acclaimed, with several commentators believing that it was her best performance to that point. Raja Sen of Rediff.com wrote that Bhatt "commits to her accent and deals with the film's most unsavoury section, and is stunning during an incendiary speech that elevates the entire film to a whole other level." In her final release, Bhatt continued to gain critical praise as she took on the role of an aspiring cinematographer whose life undergoes a series of changes after she consults a free-spirited psychologist (played by Shah Rukh Khan) in the coming-of-age film Dear Zindagi (2016). Writing for IndieWire, Anisha Jhaveri noted that Bhatt provides her character with "a three-dimensionality in which the somewhat annoying nature of millennial angst is balanced with an innocence that's impossible not to recognize". The film proved a box office success as well, earning a total of Rs1.39 billion (US$21 million) worldwide. Udta Punjab and Dear Zindagi earned Bhatt several awards and nominations; for the former, she won the Screen Award and the Filmfare Award for Best Actress, and for the latter, she received an additional Best Actress nomination at Filmfare. The series of successful films continued with Bhatt's next project--the romantic comedy Badrinath Ki Dulhania (2017)--which reunited her with Khaitan and Dhawan. The film tells the story of an independent young woman (Bhatt) from rural India who refuses to conform to patriarchal expectations from her chauvinistic fiancee (Dhawan). Rachel Saltz of The New York Times took note of the film's statement on gender equality and wrote, "Without ever falling into the cliches of spunky Bollywood heroine, [Bhatt] effortlessly embodies that admirable thing: a modern woman." With over Rs1.95 billion (US$30 million) in box office receipts, Badrinath Ki Dulhania proved to be Bhatt's highest-grossing release. She received another Filmfare nomination for Best Actress. The commercial performance of her recent releases led Bollywood Hungama to credit her as "one of the most successful actresses in the recent history".

Answer this question "what other films has she starred in"
output: Udta Punjab (2016), a crime drama about substance abuse from the director Abhishek Chaubey.

input: The couple moved to New York in 1927, where Etting made her Broadway debut in the Ziegfeld Follies of 1927. Irving Berlin had recommended her to showman Florenz Ziegfeld. Etting nervously prepared to sing for Ziegfeld at the audition. However, he did not ask her to sing at all; only to walk up and down the room. She was hired on that basis because Ziegfeld did not hire women with big ankles. While the original plan for the show was for Etting to do a tap dance after singing "Shaking the Blues Away", she later remembered she was not a very good dancer. At the show's final rehearsal, Flo Ziegfeld told her, "Ruth, when you get through singing, just walk off the stage". Etting also appeared in Ziegfeld's last "Follies" in 1931. She went on to appear in a number of other hit shows in rapid succession, including Ziegfeld's Simple Simon and Whoopee!. Etting was not originally signed to perform in Simple Simon; she became part of the cast at the last minute when vocalist Lee Morse was too intoxicated to perform. Ziegfeld asked Etting to replace Morse; she hurried to Boston, where the show was being tried out prior to Broadway. When Etting arrived, songwriters Rodgers and Hart discovered that the song "Ten Cents a Dance" was not written for Etting's voice range. The three spent the night rewriting the song so Etting could perform it. Toward the end of Simple Simon's Broadway run, Etting persuaded Ziegfeld to add "Love Me Or Leave Me" to the show though the song was originally written for Whoopee!. She had recorded the song in 1928, but Etting's new version of it was impressive enough to earn her a Vitaphone contract to make film shorts. In Hollywood, Etting made a long series of movie shorts between 1929 and 1936, and three feature movies in 1933 and 1934. She described the short films as either having a simple plot to allow for her to sing two songs or with no plot at all. The idea was to have Etting sing at least two songs in the film. While she received a marquee billing for Roman Scandals, Etting had only two lines in the film and sang just one song. Etting believed she might have had more success in full-length films if she had been given some acting lessons. Her perception was that the studios viewed her only as a vocalist. She later recalled, "I was no actress, and I knew it. But I could sell a song". In 1936, she appeared in London in Ray Henderson's Transatlantic Rhythm. Etting quit the show because she and the other performers had not been paid. Etting was first heard on radio station WLS when she was living in Chicago. Her appearance drew so much fan mail, the station signed her to a year's contract for twice weekly performances. She had her own twice weekly 15 minute radio show on CBS in the 1930s. By 1934, she was on NBC with sports announcer Ted Husing doing the announcing and Oldsmobile sponsoring her program.

Answer this question "What was Etting interested in at an early age?"
output:
"I was no actress, and I knew it. But I could sell a song".