Question: Build a movie plot around this: What type of monk arrives bearing book nine? Buddhist
Answer: The film's title, "The Pillow Book", refers to an ancient Japanese diary, the book of observations by Sei Shnagon, actual name believed to be Kiyohara Nagiko, from whence the protagonist's name in the film.The film is narrated by Nagiko (Vivian Wu), a Japanese born model living in Hong Kong. Nagiko seeks a lover who can match her desire for carnal pleasure with her admiration for poetry and calligraphy. The roots of this obsession lie in her youth in Kyoto, when her father (Ken Ogata) would write characters of good fortune on her face. Nagiko's father celebrates her birthday retelling the Japanese creation myth and writing on her flesh in beautiful calligraphy, while her aunt (Hideko Yoshida) reads a list of "beautiful things" from Sei Shnagon's the book of observations. Nagiko's aunt tells her that when she is twenty-eight years old, the official book of observations will be officially 1000 years old, and that she, Nagiko, will be the same age as Sei Shnagon when she had written the book (in addition to sharing her first name). Nagiko also learns around this time that her father is in thrall to his publisher, "Yaji-san" (Yoshi Oida), who demands sexual favours from her father in exchange for publishing his work.Early chaptersThe publisher arranges Nagiko's wedding to his young apprentice. Her husband (Ken Mitsuishi), an expert archer, resents Nagiko's love for books and her desire to read, in spite of his apprenticeship. He also refuses to indulge in her desires for pleasure, refusing to write on her body. When he discovers and reads Nagiko's pillow book, he is extremely resentful, setting it on fire and thus setting fire to their marital home, an event which Nagiko describes to be the 'first major fire of her life.' Insulted and enraged, Nagiko leaves him for good.Hiding from her husband, Nagiko moves to Hong Kong. In spite of her aversion to the practice, she learns how to type to find work. Outside her apartment, a group of activists regularly protest the publishing industry for the depletion of forests...

[Q]: Build a movie plot around this: Where does Mike drive the hearse? Into Death Valley
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[A]: The film opens where its predecessor left off. Mike flees from Boulton mortuary in the hearse, while Reggie is trapped inside by The Tall Man's spheres. Rather than kill Reggie, The Tall Man lets him go, saying he is doing so "to play one last game", then The Tall Man leaves Boulton.Mike's brother Jody, now a steel sphere that can occasionally resume its human form, persuades a reluctant Reggie to go looking for Mike. On the way, Reggie is attacked by a mysterious psychopathic demon disguised as a police officer. Reggie escapes only after shooting, stabbing, and immolating the demon. Later, Reggie rescues a woman named Jennifer from her overturned car and takes her to the next town. They stay the night at an abandoned motel where Reggie tells her the story of The Tall Man. A disbelieving Jennifer rejects his advances before Reggie falls asleep and dreams of Mike. Disturbed, Reggie seeks solace from Jennifer and discovers she has two spheres where her breasts should be. The spheres attack Reggie, who manages to destroy one with a sledgehammer but is pinned to the wall by the other. In desperation he strikes his tuning fork and the sphere explodes. Reggie then dispatches the demon Jennifer with the sledgehammer before leaving.Mike, trying to uncover the mysteries of The Tall Man in order to escape his transformation, drives through abandoned towns and remembers the last days of his youth before The Tall Man's arrival. The Tall Man appears in the back of the car, assumes control of the automobile, and disappears into a coffin. Mike drives the hearse into Death Valley, where he writes a last testament, in which he expresses his intent to force The Tall Man into a "final" confrontation. After the Tall Man interrupts his attempted suicide, Mike passes through a space gate and arrives inside a 19th-century, colonial-style house. Outside the house, he meets someone resembling The Tall Man; however, the man is kind and welcomes him cordially, introducing himself as Jebediah Morningside. The man tries to speak to a...

input: Please answer the following: Build a movie plot around this: Why does the imposter refuse to identify himself as an imposter? He has warmed to the role, privileges, and fine life of an exiled Emperor.
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output: Napoleon is in exile on St. Helena after the battle of Waterloo, and his followers smuggle a look-alike to the island, and smuggle Napoleon to a ship headed back to Europe. The plan is for the imposter to masquerade as Napoleon until the Emperor has time to reach Paris, and then for the imposter to declare his role as imposter, so that the real Napoleon can announce his return to Paris. The people of France will then flock to their leader and rise in glory under Napoleon once again.The trouble is, the imposter quickly warms to the role, privileges, and fine life of an exiled Emperor. He refuses to reveal his true identity, and when one of Napoleon's generals in exile with him tries to turn the imposter in, the imposter has the general sent away, as having lost his mind in the isolation of St. Helena. Meanwhile, the real Napoleon can't just stand in the square in Paris and announce his return, because the people all believe he is on St. Helena. Almost none of the citizenry has ever seen Napoleon up close, and in any case he's older and seedier looking now. In fact, we learn that whole groups of inhabitants of the Paris insane asylum walk around in Napoleon costumes, claiming to be the emperor!So the real Napoleon is stuck. And then the imposter dies on St. Helena. The death of Napoleon is announced to the world, and all hope of the real Napoleon being recognized as such disappears. Happily, in the meantime he has developed a wholesome common-law marriage with the widow of one of his soldiers of the Grand Army. Even she believes his claim to be Napoleon is an illusion of grandeur, but she sweetly tells him he can be "her Napoleon."The movie raised interesting questions of identity. Clearly we are who we are, at least partly because others agree that we are who we are.

input: Please answer the following: Build a movie plot around this: Who burn down the bandits' camp? The samurai.
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output:
Bandits approach a mountain village, but their chief decides to spare it until after the harvest because they had raided it before. The plan is overheard by a farmer. Three farmers ask Gisaku, the village elder and miller, for advice. He declares they should hire samurai to defend the village. Since they have no money, Gisaku tells them to find hungry samurai.After little success, the group watch Kambei, an aging but experienced ronin, rescue a young boy who had been taken hostage by a thief. A young samurai named Katsushiro asks to become Kambei's disciple. The villagers then ask for help, and after initial reluctance, Kambei agrees. He recruits old friend Shichiroji and, with Katsushiro's assistance, three other samurai: the friendly, wily Gorobei; the good-willed Heihachi; and Kyuzo, a taciturn master swordsman whom Katsushiro regards with awe. Although inexperienced, Katsushiro is selected because time is short. Kikuchiyo, a man who carries a family scroll that he claims makes him a samurai, follows the group despite attempts to drive him away.On arrival, the samurai find the villagers cowering in their homes, refusing to greet them. Feeling insulted by such a cold reception, Kikuchiyo rings the village alarm bell, prompting the villagers to come out of hiding. The samurai are both pleased and amused by this, and accept him as a comrade-in-arms. Slowly the samurai and farmers begin to trust each other as they train together. Katsushiro forms a relationship with Shino, a farmer's daughter, who had been masquerading as a boy for protection from the supposedly lustful samurai. However, the six samurai are angered when Kikuchiyo brings them armor and weapons, which the villagers most likely acquired by killing injured or dying samurai. Kikuchiyo retorts that samurai are responsible for battles, raids, taxation and forced labor that devastate the villagers' lives. By so doing, he reveals his origin as an orphaned farmer's son. The samurais' anger turns to shame.Three bandit scouts are spotted. Two...