Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Dr. Frank Mickens (June 22, 1946 July 9, 2009), was a nationally recognized New York City educator as principal of Boys and Girls High School at 1700 Fulton Street in the Bedford-Stuyvesant neighborhood of Brooklyn, one of America's toughest areas. The seventeenth largest high school in the United States, Boys and Girls High School has a student population of over four thousand students. Boys and Girls High School was built in the 1970s as a model 'education option' school, and Mickens successfully embraced this initiative as an administrator in the New York City Department of Education. His cigar-chomping tough no-nonsense 'take charge' clawhammer approach earned Mickens 'tough love' comparisons to Joe Louis Clark and the controversial nickname 'The Chancellor of Fulton Street'. Context_2 : Anthony "Fat Tony" Salerno (August 15, 1911 July 27, 1992) was a New York mobster who served as underboss and front boss of the Genovese crime family from 1981 until his conviction in 1986. Usually seen wearing a fedora and chomping on a cigar, he was nicknamed "Fat Tony" due to his size. Context_3 : Thomas Kapatos, also known as "The Greek" (died January 22, 1977) was a New York City mobster and an enforcer to Mickey Spillane during his war against Jimmy Coonan during the 1960s. He was born to Greek-American emigrants from Karpathos and his last name "Kapatos" is derived from the island. On the afternoon of January 22, 1977, Kapatos was gunned down on West 34th Street by a hired assassin in the employ of Anthony "Fat Tony" Salerno; he had been one of many of who had been killed in a six-month killing spree to secretly eliminate Spillane's associates. Context_4 : Lewis "Lew" Baker (born c. 1825, date of death unknown) was a patrolman in the New York Police Department who was simultaneously employed as a "slugger" for Tammany Hall. He was involved in voter intimidation and election fraud during the 1840s and 1850s. A close friend and associate of Irish mob boss John Morrissey, Baker frequently battled supporters of the nativist Know-Nothing movement for over a decade. He is most remembered however as the assassin of William "Bill the Butcher" Poole. Baker shot and killed Poole in a Broadway saloon during a brawl. Both Baker and Morrissey were placed on trial for murder, but were acquitted. Context_5 : The Mafia Commission Trial (February 25, 1985 November 19, 1986), officially known as United States v. Anthony Salerno, et al., was a criminal trial in New York City, United States. Using evidence obtained by the Federal Bureau of Investigation, eleven organized crime figures, including the heads of New York's so-called "Five Families," were indicted by United States Attorney Rudolph Giuliani under the Racketeer Influenced and Corrupt Organizations Act (RICO) on charges including extortion, labor racketeering, and murder for hire. The case struck a blow against "The Commission," a loose organization of the New York Mafia organizations that met to resolve disputes or discuss criminal activities, sometimes likened to organized crime's board of directors. "Time" magazine called this "Case of Cases" possibly "the most significant assault on the infrastructure of organized crime since the high command of the Chicago Mafia was swept away in 1943," and quoted Giuliani's stated intention: "Our approach... is to wipe out the five families." Context_6 : Denise Borino-Quinn (January 6, 1964 October 27, 2010) was an American television actress who had a recurring role as Ginny Sacramoni, the wife of New York mob boss Johnny Sack in the television series "The Sopranos". Context_7 : Vincent "Vinny Ocean" Palermo (born June 4, 1944) is a former American mobster who was "de facto" boss of the New Jersey DeCavalcante crime family before becoming a government witness. Fictional mob boss Tony Soprano, the protagonist of the HBO series "The Sopranos", is said to be based upon Palermo. Context_8 : Michael James Genovese (April 9, 1919 October 31, 2006) was an alleged boss of the Pittsburgh crime family. References to Michael Genovese as the brother of Vito Genovese are to a different Michael Genovese; Michael James Genovese was first cousin to New York mob boss Vito Genovese. Context_9 : Brotherhood is an American crime drama television series created by Blake Masters about the intertwining lives of the Irish-American Caffee brothers from Providence, Rhode Island: Tommy (Jason Clarke) is a local politician and Michael (Jason Isaacs) is a gangster involved with New England's Irish Mob. The show also features their mother Rose (Fionnula Flanagan), cousin Colin Carr (Brian F. O'Byrne), childhood friend and Rhode Island state detective Declan Giggs (Ethan Embry), Irish mob boss Freddie Cork (Kevin Chapman), Tommy's wife Eileen (Annabeth Gish), and Michael's criminal partner Pete McGonagle (Stivi Paskoski). Context_10 : Abraham "Bo" Weinberg (January 7, 1900 September 9, 1935) was a Jewish New York City mobster who became a hitman and chief lieutenant for the Prohibition-era gang boss Dutch Schultz. As Schultz expanded his bootlegging operations into Manhattan during Prohibition, he recruited Abe Weinberg and his brother George into his gang. Abe Weinberg would become one of Schultz's top gunmen during the Manhattan Bootleg Wars and was a later suspect in the high-profile gangland slayings of Jack "Legs" Diamond, Vincent "Mad Dog" Coll, and mob boss Salvatore Maranzano. fact_1 : On the afternoon of January 22, 1977, Kapatos was gunned down on West 34th Street by a hired assassin in the employ of Anthony "Fat Tony" Salerno; he had been one of many of who had been killed in a six-month killing spree to secretly eliminate Spillane's associates. fact_2 : Anthony "Fat Tony" Salerno (August 15, 1911 July 27, 1992) was a New York mobster who served as underboss and front boss of the Genovese crime family from 1981 until his conviction in 1986. fact_3 : Usually seen wearing a fedora and chomping on a cigar, he was nicknamed "Fat Tony" due to his size. Question: What was the nickname of Anthony Salerno, a large cigar-chomping New York mob boss said to be involved in the killing of Tom "The Greek" Kapatos in 1977?
Solution:
Fat Tony