In this task, you're given passages that contain mentions of names of people, places, or things. Some of these mentions refer to the same person, place, or thing. Your job is to write questions that evaluate one's understanding of such references. Good questions are expected to link pronouns (she, her, him, his, their, etc.) or other mentions to people, places, or things to which they may refer. Do not ask questions that can be answered correctly without understanding the paragraph or having multiple answers. Avoid questions that do not link phrases referring to the same entity. For each of your questions, the answer should be one or more phrases in the paragraph, and it should be unambiguous.
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Question: Passage: The 1896 French colonisation of Madagascar brought an end to the rule of the Merina sovereigns. The Rova of Antananarivo was converted into a museum the following year, and the Fitomiandalana tombs were excavated and moved to a new location behind the tombs of Radama I and Rasoherina. The bodies of sovereigns previously interred in the royal tombs at Ambohimanga were exhumed and transferred to the tombs in the Rova grounds, a sacrilegious move that degraded the status of Ambohimanga as a site of sacred pilgrimage. According to Fremigacci (1999), French colonial administrator General Joseph Gallieni undertook this desacralisation of the Rova in an attempt to break popular belief in the power of the royal ancestors. By the same token, his actions relegated Malagasy sovereignty under the Merina rulers to a relic of an unenlightened past. The desecration of the two most sacred sites of Merina royalty represented a calculated political move intended to establish the political and cultural superiority of the colonial power.Following independence the Rova compound remained largely closed to the public throughout the First (19601972) and Second (19751992) Republics except on special occasions. In 1995, three years into the Third Republic (19922010), the Rova compound was destroyed by fire. The tombs, chapel, exterior of Manjakamiadina and two traditional wooden houses (Besakana and Mahitsy) have since been restored with further restorations planned to continue until at least 2013.

Answer: What was the last name of the person whose actions relegated Malagasy sovereingnty under the Merina rulers to a relic of an unenlightened past>?

Question: Passage: In part because he was overlooked until the mid-19th century, Velazquez found no followers and was not widely imitated. In particular, his visual and structural innovations in this portrayal of Venus were not developed by other artists until recently, largely owing to the censorship of the work. The painting remained in a series of private rooms in private collections until it was exhibited in 1857 at the Manchester Art Treasures Exhibition, along with 25 other paintings at least claimed to be by Velazquez; it was here that it became known as the Rokeby Venus. It does not appear to have been copied by other artists, engraved or otherwise reproduced, until this period. In 1890 it was exhibited in the Royal Academy in London, and in 1905 at Messrs. Agnews, the dealers who had bought it from Morritt. From 1906 it was highly visible in the National Gallery and became well-known globally through reproductions. The general influence of the painting was therefore long delayed, although individual artists would have been able to see it on occasion throughout its history.
Velazquez's portrait is a staging of a private moment of intimacy and a dramatic departure from the classical depictions of sleep and intimacy found in works from antiquity and Venetian art that portray Venus. However, the simplicity with which Velazquez displays the female nudewithout jewellery or any of the goddess's usual accessorieswas echoed in later nude studies by Ingres, Manet, and Baudry, among others. In addition, Velazquez's depiction of Venus as a reclining nude viewed from the rear was a rarity before that time, although the pose has been painted by many later artists. Manet, in his stark female portrayal Olympia, paraphrased the Rokeby Venus in pose and by suggesting the persona of a real woman rather than an ethereal goddess. Olympia shocked the Parisian art world when it was first exhibited in 1863. Olympia gazes directly out at the viewer, as does Velazquez's Venus, only through the reflection of the mirror.

Answer: What is the title of that which was exhibited at Messrs in 1905??

Question: Passage: Right before Berk's traditional winter holiday of Snoggletog, all the dragons of Berk unexpectedly depart, leaving everyone distraught - except for Toothless, who cannot fly by himself. Out of compassion, Hiccup builds him a new automatic prosthesis allowing him independent flight, thus gifting him his freedom; he then flies off too.
Three days later, Meatlug, Fishlegs's dragon whom he had secretly kept chained, escapes, inadvertently taking Hiccup with him. Meatlug flies to an island with hot springs, where all the dragons (except Toothless, whom is nowhere to be found) have been hatching their eggs. Meanwhile, on Berk, Astrid and the other youth discover dragon eggs in Meatlug's nest, which they scatter around Berk in hopes of lifting the villagers' spirits; this plan backfires because dragon eggs hatch explosively (normally underwater), devastating Berk.
On the dragons' island, Hiccup meets Stormfly (Astrid's dragon) and Hookfang (Snotlout's dragon) and their newly-hatched babies; in asking for a ride home, he inadvertently triggers the dragons' return migration. He quickly decides to use a nearby wrecked ship to carry the baby dragons who cannot yet fly all the way back to Berk. The Berkians are overjoyed at their dragons' return and the new babies; yet, Hiccup is still distraught at Toothless's absence. During the ensuing Snoggletog celebration, Toothless returns with Hiccup's lost helmet, which he had dropped into the sea earlier; the two enjoy a heartfelt reunion.
The next day, Toothless destroys his new tail, begging Hiccup to put the old tailfin on him and fly with him by controlling his fin manually as opposed to merely on him; in doing so, he gives Hiccup a "better gift" - his friendship and companionship.

Answer:
What is on the island where Hiccup meets Stormfly and Hookfang?