input: It must have been several years after it was released, so don't know why it was at the movies. But as a kid I enjoyed it. I just found a VHS tape of Superman and the Mole Men at the flea market and decided to watch it again (it's been a lot of years). I wasn't expecting much, now knowing how the B movies were made at that time. But I was pleasantly surprised to find the movie very watchable and the acting by all outstanding. Usual acting in these type movies leaves a lot to be desired. Surprisingly, the writing wasn't bad either. Forget the fact that Superman went from sequence to sequence and could have kicked all their butts in the beginning, because then the story would have ended, right?! OK, the mole men costumes were hokey and not very scary (they didn't even scare me as a kid). However, making allowances for the probable low budget for background and costumes, it was a job well done by all. I recognized the sheriff right away as The Old Ranger from Death Valley Days and plenty of supporting roles in TV westerns. J. Farrell MacDonald played old Pop and was always a great supporting actor in more movies than I can count. Walter Reed and Jeff Corey were familiar faces as well from other movies. Did you recognize the old doctor as the captain of the ship that went to get King Kong? Did you recognize the little girl rolling the ball to the mole men as Lisbeth Searcy in Old Yeller? Some of the mole men were famous too. Jerry Maren has played Mayor McCheese for McDonalds, Little Oscar Mayer, was the Munchkin that handed Dorothy the lollipop, was on a Seifeld episode and a wealth of other work. Billy Curtis played an unforgettable part with Clint Eastwood in High Plains Drifter, was one of the friends met by the star in Incredible Shrinking Man, he had a part in a movie I just luckily grabbed at a flea market titled My Gal Sal with Rita Hayworth, Wizard of Oz and plenty of other parts - great actor. John Brambury was also a Munchkin. Phillis Coates, who played Lois Lane in this movie, was without question wonderful in the part and George Reeves as Superman/Clark Kent WAS Superman. He did a great job of playing the strong man. Bottom line to all I've said is that this movie is worth watching because of the cast and writing in dealing with a pretty flimsy idea for a movie. But it was the 50's and anything was possible from intruders from outer space to mole men from inner space. It is definitely worth seeing, there isn't a bad actor in the group. Whomever put the cast together was very, very fortunate to get so many gifted actors into a B type film. Some already had a wealth of experience and some were about to obtain a wealth of experience - but all were gifted. So if you get a chance to see the film, forget the dopey costumes and just enjoy the excitement and acting. Is it a bird? Is it a plane? No, just a good, old fashioned movie to enjoy!

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pos/neg ans: positive

input: The comparison to Sleuth, the earlier stage-play-turned-film, is obvious and upon my first viewing I too thought Sleuth was better, but Deathtrap has, at least for me, many more repeat viewings in it than Sleuth.

I purchased Deathrap in the bargain bin at Wal-Mart, figuring that it had Caine and the underrated Reeve and was worth the 6 bucks. It was one of the finest DVD purchases I could've picked up.

It's one of those best-kept-secrets that movie buffs always are always delighted to discover. And it's totally worth repeat viewings.

Though Laurence Olivier and Michael Caine turned in bravado performances in Sleuth, I was doubly impressed with Christopher Reeve as Clifford Anderson. Reeve, rightfully associated with his now legendary portrayal of Superman, stole the show in what should've been an Oscar worthy performance. I've always felt Reeve was a type-cast actor who didn't get much of a chance to shine outside of the Superman films and a few other flawed but entertaining films like Somewhere in Time, but this film shows that his potential was truly tapped and put to use, thank goodness.

I absolutely relished Michael Caine's performance. He was glib, deliciously manipulative and sadistic. And watching him work with Reeve and Dyan Cannon was an absolute pleasure. In fact, it was thanks to this movie that I got into a "Michael Caine phase" and started renting as much of his stuff as humanly possible.

As for Deathtrap, there's enough juicy dialogue in here to fill up its "memorable quotes" section. (Unfortunately, much of the dialogue would inherently spoil the immensely entertaining plot).

It's really, really hard to talk about the movie without spoiling important plot points that are infinitely more fun to discover on your own. Needless to say, it's a must-see. But for me, it was the greatest and most rewarding blind purchase of all time.

Repeat viewings are a must.

And it deserves to sit alongside Sleuth on your DVD shelf.

I'll leave you with this beautifully written quote from the film: "I wonder if it wouldn't be...well...just a trifle starry-eyed of me to enter into such a risky and exciting collaboration...where I could count on no sense of moral obligation...whatsoever."

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pos/neg ans: positive

input: The ultimate homage to a great film actress.The film is a masterpiece of poetry on the screen.Like great poetry it is timeless.Direction,cast,screenplay,music,lyrics,in fact all the norms for movie-making are perfectly chosen to suit the message of the film.The Muslim society in India has never been presented with such respect,nobility and reality.The script is memorable in the hands of Meena,Ashok,Raaj Kumar,Nadira etc to name a few.Personally i was most impressed by the regal looking Kamal Kapoor.The master movie maker Kamal Amrohi's lasting legacy to the sub-continent.A very beautiful film on a controversial theme that makes humanity look up and face the reality of the outcasts in the world.'In ka naam? Pakeeza! haan Pakeza'.Such acting is unheard of in this age of sex,dance and pornography.

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pos/neg ans:
positive