input: On 9 April 2001, the previously unreleased "27" was released as a single. On 1 October 2001, a song from thekidswho... was re-recorded and released as a single, "Justboy"; this was repeated again on 4 February 2002, when the song "57" was released. On 11 March, the band's debut album, Blackened Sky, was released to generally positive reviews. It was around this time that the band began touring extensively, including supporting Weezer on 20 March at the Barrowlands in Glasgow. On 15 July, the fourth single from the album, "Joy.Discovery.Invention", was released as a double A-side with a newly recorded song called "Toys, Toys, Toys, Choke, Toys, Toys, Toys" (which would later also appear on their next album The Vertigo of Bliss). In 2003, the band retreated to the Linford Manor recording studio in Great Linford, Milton Keynes, England, to record the follow-up to Blackened Sky. On 24 March, a new single was released called "The Ideal Height", followed by a further new single "Questions and Answers" on 26 May. The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews which focused on the more experimental style of the album in comparison to Blackened Sky, as well as the introduction of string sections. After touring relentlessly for The Vertigo of Bliss, the band retreated to Monnow Valley Studio in Monmouth, Wales to record a follow-up album. As with the previous album, two singles were released before the actual album: "Glitter and Trauma" and "My Recovery Injection" on 9 August and 20 September respectively. An additional digital download was also released on 31 May, called "There's No Such Thing As A Jaggy Snake". On 4 October, the band's third album, Infinity Land was released, followed by the final single from the album, "Only One Word Comes To Mind", on 14 February 2005. On 16 February, the band performed a cover of Franz Ferdinand's "Take Me Out" live from Maida Vale on Zane Lowe's BBC Radio 1 show. Simon Neil's side project Marmaduke Duke also released an album in 2005, known as The Magnificent Duke. He toured the UK together with the Johnston twins accompanying on bass and drums.

Answer this question "Did the new album do well also?"
output: The band's second album, The Vertigo of Bliss was released on 16 June, to positive reviews

input: The allegations are: George Levin was the general partner ("GP") who solicited each limited partner ("LP") to contribute at least $1 million. Initially, each LP contributed $250,000, subject to periodic capital calls up to the amount of their commitments. They were promised 12% annually (15% for first $100 million), to be paid quarterly. The general partner had to maintain a balance of not less than 10% of all contributions after any quarterly distributions. The general partner also gave a "clawback" guaranty to all LP's equal to their original contributions. LP's could not request redemptions during an initial one-year "lock-up" period and were required to give 90 days' notice for any withdrawals. Redemptions would be paid from the GP's own capital account "to the extent available" with a 10% hold-back, but otherwise, only from the purchased lawsuits settlement stream. Banyon had paid Rothstein's firm at least $656 million, but the law firm anticipated $1.1 billion over a maximum 24-month period. It allegedly received and reinvested about $500 million. Levin expected to make 40% over 24 months but to only pay out 24%. Rothstein's law firm's IOLTA trust accounts established "for the plaintiff" in the purported litigation settlements were used to fund the phony settlement accounts, after the law firm had paid its overhead, keeping its insolvent operation afloat, which included "gifts" to partners and money given to politicians, charities, and pay for a massive advertising budget, as well as Rothstein's personal lifestyle, over three years, amounting to approximately a $500 million loss. The interest on the funded IOLTA accounts went to the Florida Bar monthly, which was many millions, based on the Banyon contributions. In its prospectus, Banyon claimed to have a legal opinion that Banyon's interest in the IOLTA trust accounts "perfected automatically on execution of the transfer documents" - that the lawsuit proceeds assignments created by general counsel, David Boden. The LP's were warned that they could be taxed on the Partnership's income and realized gains even if no distributions were made. As long as reinvestments were ongoing, the ponzi scheme was facilitated.

Answer this question "what happened with all that money?"
output: after the law firm had paid its overhead, keeping its insolvent operation afloat, which included "gifts" to partners and money given to politicians,

input: On 29 December 1951, in Hamburg, Stockhausen married Doris Andreae (Kurtz 1992, 45; Maconie 2005, 47). Together they had four children: Suja (b. 1953), Christel (b. 1956), Markus (b. 1957), and Majella (b. 1961) (Kurtz 1992, 90; Tannenbaum 1987, 94). They were divorced in 1965 (Rathert 2013). On 3 April 1967, in San Francisco, he married Mary Bauermeister, with whom he had two children: Julika (b. 22 January 1966) and Simon (b. 1967) (Kurtz 1992, 141, 149; Tannenbaum 1987, 95). They were divorced in 1972 (Rathert 2013; Stockhausen-Stiftung & [2013]). Four of Stockhausen's children became professional musicians (Kurtz 1992, 202), and he composed some of his works specifically for them. A large number of pieces for the trumpet--from Sirius (1975-77) to the trumpet version of In Freundschaft (1997)--were composed for and premiered by his son Markus (Kurtz 1992, 208; M. Stockhausen 1998, 13-16; Tannenbaum 1987, 61). Markus, at the age of 4 years, had performed the part of The Child in the Cologne premiere of Originale, alternating performances with his sister Christel (Maconie 2005, 220). Klavierstuck XII and Klavierstuck XIII (and their versions as scenes from the operas Donnerstag aus Licht and Samstag aus Licht) were written for his daughter Majella, and were first performed by her at the ages of 16 and 20, respectively (Maconie 2005, 430, 443; Stockhausen Texte, 5:190, 255, 274; Stockhausen Texte, 6:64, 373). The saxophone duet in the second act of Donnerstag aus Licht, and a number of synthesizer parts in the Licht operas, including Klavierstuck XV ("Synthi-Fou") from Dienstag, were composed for his son Simon (Kurtz 1992, 222; Maconie 2005, 480, 489; Stockhausen Texte, 5:186, 529), who also assisted his father in the production of the electronic music from Freitag aus Licht. His daughter Christel is a flautist who performed and gave a course on interpretation of Tierkreis in 1977 (Stockhausen Texte, 5:105), later published as an article (C. Stockhausen 1978). In 1961, Stockhausen acquired a parcel of land in the vicinity of Kurten, a village east of Cologne, near Bergisch Gladbach in the Bergisches Land. He had a house built there, which was designed to his specifications by the architect Erich Schneider-Wessling, and he resided there from its completion in the autumn of 1965 (Kurtz 1992, 116-17, 137-38).

Answer this question "How many kids did they have together ?"
output:
with whom he had two children: