Some context: Ratt is an American heavy metal band that had significant commercial success in the 1980s, with their albums having been certified as gold, platinum, and multi-platinum by the RIAA. The group is perhaps best known for hit singles such as "Round and Round" and "Lay It Down", tracks that ranked on Billboard's top 40 at No. 12 and No. 40, respectively, as well as other songs such as "Wanted Man", "You're in Love" and "Dance".
The self-titled independent EP was well-received and brought the band to the attention of Atlantic Records which signed them. Ratt immediately started writing and recording their first full-length album. Out of the Cellar was released in March 1984 and was praised by both fans and critics. Pearcy's raspy yet bluesy vocals were noted for melding with the pyrotechnic guitar playing of twin leads Crosby and DeMartini, combining the then-prevalent Van Halen and Aerosmith-influenced bravado elements with the then-novel muted, staccato guitar-picking style of Judas Priest. Tawny Kitaen, who was previously in a relationship with Crosby, agreed to appear on the cover of their debut full-length album. She also appeared in their video for "Back for More" and on their EP from the previous year. The album scored much radio and MTV play with songs like "Round and Round" (which peaked at No. 12 on the Billboard Hot 100 chart), "Wanted Man", "Back for More", and "Lack of Communication". Their music videos exposed them to an excited teen audience first tuning into the then fledgling MTV cable network. Milton Berle's guest appearance, dressed in his Uncle Miltie drag character, in the video for "Round and Round" helped draw even more attention to the band. Out of the Cellar became a commercial success, going platinum many times over in the United States, as well as making Ratt stars at home and in the Far East. The album release was capped off by a successful world tour that saw the band sell out stadiums and arenas worldwide, sharing the stage with such acts as Billy Squier, Ozzy Osbourne, Blackfoot, Iron Maiden, Motley Crue, Twisted Sister and Lita Ford. Out of the Cellar is today widely regarded as the band's best work and a definitive moment in 80s heavy metal, while "Round and Round" scored at No. 61 on VH1's Greatest Hard Rock Songs Show.
What other singles were there?
A: "Round and Round" (

Question: The Human Torch is a fictional superhero appearing in American comic books published by Marvel Comics. The character is a founding member of the Fantastic Four. He is writer Stan Lee and artist Jack Kirby's reinvention of a similar, previous character, the android Human Torch of the same name and powers was created in 1939 by writer-artist Carl Burgos for Marvel Comics' predecessor company, Timely Comics. Like the rest of the Fantastic Four, Jonathan "Johnny" Storm gained his powers on a spacecraft bombarded by cosmic rays.

Growing up in Glenville, New York, a fictional Long Island suburban town, Johnny Storm lost his mother due to a car accident from which his father, surgeon Franklin Storm, escaped unharmed. Franklin Storm spiraled into alcoholism and financial ruin, and was imprisoned after killing a loan shark in self-defense. Johnny Storm was then raised by his older sister, Sue Storm. At 16, Storm joined his sister and her fiance, Reed Richards, in a space flight in which cosmic radiation transformed those three and spacecraft pilot Ben Grimm into superpowered beings who would become the celebrated superhero team the Fantastic Four. Storm, with the ability to become a flaming human with the power of flight and the ability to project fire, dubs himself the Human Torch, in tribute to the World War II-era hero of that name. In The Fantastic Four #4, it is Storm who discovers an amnesiac hobo whom he helps regain his memory as the antihero Namor the Sub-Mariner, one of the three most popular heroes of Marvel Comics' 1940s forerunner, Timely Comics, returning him to modern continuity. Though a member of a world-famous team, Storm still lived primarily in Glenville and attended Glenville High School. Here he thought he maintained a secret identity, although his fellow townsfolk were well aware of his being a member of the Fantastic Four and simply humored him. This series introduced what would become the recurring Fantastic Four foes the Wizard and Paste-Pot Pete, later known as the Trapster. In Storm's home life, Mike Snow, a member of the high-school wrestling squad, bullied Storm until an accidental flare-up of the Torch's powers scarred Snow's face. Storm dated fellow student Dorrie Evans, although she eventually grew tired of his constant disappearances and broke off their relationship.

Using a quote from the above article, answer the following question: Did he come out to the public?
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Answer:

Some context: Michael Bennett (April 8, 1943 - July 2, 1987) was an American musical theatre director, writer, choreographer, and dancer. He won seven Tony Awards for his choreography and direction of Broadway shows and was nominated for an additional eleven. Bennett choreographed Promises, Promises, Follies and Company. In 1976, he won the Tony Award for Best Direction of a Musical and the Tony Award for Best Choreography for the musical A Chorus Line.
Bennett was born Michael Bennett DiFiglia in Buffalo, New York, the son of Helen (nee Ternoff), a secretary, and Salvatore Joseph DiFiglia, a factory worker. His father was Roman Catholic and Italian American and his mother was Jewish. He studied dance and choreography in his teens and staged a number of shows in his local high school before dropping out to accept the role of Baby John in the US and European tours of West Side Story. Bennett's career as a Broadway dancer began in the 1961 Betty Comden-Adolph Green-Jule Styne musical Subways Are for Sleeping, after which he appeared in Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo, where he met fellow dancer Donna McKechnie. Bennett made his choreographic debut with A Joyful Noise (1966), which lasted only twelve performances, and in 1967 followed it with another failure, Henry, Sweet Henry (based on the Peter Sellers film The World of Henry Orient). Success finally arrived in 1968, when he choreographed the hit musical Promises, Promises on Broadway. With a contemporary pop score by Burt Bacharach and Hal David, a wisecracking book by Neil Simon and Bennett's well-received production numbers, including "Turkey Lurkey Time", the show ran for 1,281 performances. Over the next few years, he earned praise for his work on the straight play Twigs with Sada Thompson and the musical Coco with Katharine Hepburn. These were followed by two Stephen Sondheim productions, Company and Follies co-directed with Hal Prince. In 1973, Bennett was asked by producers Joseph Kipness and Larry Kasha to take over the ailing Cy Coleman-Dorothy Fields musical Seesaw. In replacing the director Ed Sherin and choreographer Grover Dale, he asked for absolute control over the production as director and choreographer and received credit as "having written, directed, and choreographed" the show.
How many musicals did he work on in the early years?
A:
Meredith Willson's Here's Love and the short-lived Bajour. In the mid-1960s he was a featured dancer on the NBC pop music series Hullabaloo,