input: Helm returned to the group, then referred to simply as "the band", as it was known around Woodstock. While contemplating a recording contract, Helm had dubbed the band "the Crackers." However, when Robertson and their new manager Albert Grossman worked out the contracts, the group's name was given as "the Band." Under these contracts, the Band was contracted to Grossman, who in turn contracted their services to Capitol Records. This arrangement allowed the Band to release recordings on other labels if the work was done in support of Dylan. Thus the Band was able to play on Dylan's Planet Waves album and to release The Last Waltz, both on other labels. The Band also recorded their own album Music from Big Pink (1968), which catapulted them into stardom. On Music from Big Pink, Manuel was the most prominent vocalist and Helm sang backup and harmony, with the exception of "The Weight." However, as Manuel's health deteriorated and Robbie Robertson's songwriting increasingly looked to the South for influence and direction, subsequent albums relied more and more on Helm's vocals, alone or in harmony with Danko. Helm was primarily a drummer and vocalist and increasingly sang lead, although, like all his bandmates, he was also a multi-instrumentalist. On occasion, Manuel switched to drums while Helm played mandolin, guitar, or bass guitar (while Danko played fiddle) on some songs. Helm played the 12-string guitar backdrop to "Daniel and the Sacred Harp". Helm remained with the Band until their farewell performance on Thanksgiving Day, November 25, 1976, which was the subject of the documentary film The Last Waltz, directed by Martin Scorsese. Helm repudiated his involvement with The Last Waltz shortly after the completion of its final scenes. In his autobiography, Helm criticized the film and Robertson, who produced it.

Answer this question "How did Music from Big Pink do?"
output: catapulted them into stardom.

input: Before Concrete Rose was released, Ashanti did some major promotion for her single "Only U", when she premiered it at the 2004 Vibe Music Awards. She featured on "Wonderful"--with Ja Rule and R. Kelly--that year, which peaked at number five in the U.S. and at number one in the UK. In December 2004, Ashanti released her third studio album, Concrete Rose, the title of which took on Tupac Shakur's pseudonym "The Rose That Grew from Concrete". The album debuted at number seven in the U.S., with first-week sales of 254,000 copies, and eventually became her third platinum certified album. The first single, "Only U", reached number thirteen on the Billboard Hot 100 and became her biggest hit in the United Kingdom, peaking at number two. A second single, the ballad "Don't Let Them", garnered little chart success after Def Jam refused to fund a music video due to Irv Gotti's legal troubles during his money laundering trial. The single was released only in the U.S., where it failed to chart, and the UK, where it reached the lower end of the top forty. After the release of Concrete Rose, Ashanti released the DVD Ashanti: The Making of a Star, which was available only for a limited time. The deluxe DVD includes exclusive photo and video shoot footage, music from the albums Ashanti, Chapter II and Concrete Rose, special concert footage, unreleased childhood school performances and behind-the-scenes interviews with family, friends, and fans. In 2005, Ashanti focused more on her acting career, making her feature film acting debut in the film Coach Carter alongside Samuel L. Jackson, as well as starring as Dorothy Gale in the made-for-television film The Muppets' Wizard of Oz, which pulled in nearly 8 million viewers when it premiered. In Coach Carter, she played a pregnant teenager named Kyra who has to decide whether or not to abort her unborn child. The movie opened at number-one at the U.S. box office, eventually grossing $67 million domestically. Later in 2005, Ashanti was invited to Oprah Winfrey's Legends Ball, which honored some of the most influential and legendary African American women of the twentieth century in the fields of art, entertainment, and civil rights. In December 2005, Ashanti released a remix album of Concrete Rose titled Collectables by Ashanti. The album was an opportunity for her to fulfill her contract with Def Jam (and have the option of working with another label), and did not fare well on the charts. In 2006, she starred in the teen comedy John Tucker Must Die, which opened and peaked at number three at the U.S. box office (competing with Pirates of the Caribbean: Dead Man's Chest and Miami Vice) and grossed $68,818,076 worldwide. In 2007, she played a supporting role in the action film Resident Evil: Extinction (2007).

Answer this question "What was it called"
output: Only U

input: Payton's motto was "Never Die Easy", which is also the title of his posthumously published autobiography. Payton attributed this motto to Bob Hill, his coach at Jackson State. In practice, this meant that Payton refused to deliberately run out-of-bounds and always delivered some punishment to his tacklers before being forced off the field or forced down. One of Payton's signature maneuvers was the "stutter-step", a high-stepping, irregularly paced run. He developed this as a way to distract his pursuers during long runs, saying that it startled them into thinking and gave him some advantage over players who were actually faster runners. In his autobiography, he likened the stutter step to a kind of "option play": when he was stutter-stepping, defenders would have to commit to a pursuit angle based upon whether they thought he would accelerate after the stutter-step, or cut -- he would read this angle and do the opposite of what the defender had committed to. He re-invented the practice of stiff-arming his tacklers, which had gone out of favor among running backs in the 1970s. At times, he used his high school experience as a long jumper to leap over his opponents, landing on his head in the end zone to gain a touchdown in a game against the Buffalo Bills. His running gait was somewhat unusual, as his knees were minimally bent, and the motion was largely powered from the hip. This may have given his knees, a football player's most vulnerable joints, some protection, although he underwent arthroscopic surgery on both knees in 1983. He referred to this procedure as an 11,000-yard checkup. After scoring touchdowns, Payton declined to celebrate; instead, he would often hand the ball to his teammates or the official. He disapproved of the growing practice of touchdown celebrations; he preferred post-game antics such as rushing into the locker room and locking his teammates out in the cold while taking a long shower. Although Payton would have won the respect of his peers and coaches by his running alone, he retired as the career leader in receptions for a running back with 492 for over 4,500 yards, and still holds the career record for a running back with 8 touchdown passes.

Answer this question "what is his play style?"
output:
Payton refused to deliberately run out-of-bounds and always delivered some punishment to his tacklers before being forced off the field or forced down.