Problem: Background: Judy Chicago (born Judith Sylvia Cohen, July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. By the 1970s, Chicago had founded the first feminist art program in the United States. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with labor-intensive skills such as welding and pyrotechnics. Chicago's most well known work is The Dinner Party, which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.
Context: While at UCLA, she became politically active, designing posters for the UCLA NAACP chapter and eventually became its corresponding secretary. In June 1959, she met and became romantically linked with Jerry Gerowitz. She left school and moved in with him, for the first time having her own studio space. The couple hitch hiked to New York in 1959, just as Chicago's mother and brother moved to Los Angeles to be closer to her. The couple lived in Greenwich Village for a time, before returning in 1960 from Los Angeles to Chicago so she could finish her degree. Chicago married Gerowitz in 1961. She graduated with a Bachelor of Fine Arts in 1962 and was a member of the Phi Beta Kappa Society. Gerowitz died in a car crash in 1963, devastating Chicago and causing her to suffer from an identity crisis until later that decade. She received her Master of Fine Arts from UCLA in 1964. While in grad school, Chicago's created a series that was abstract, yet easily recognized as male and female sexual organs. These early works were called Bigamy, and represented the death of her husband. One depicted an abstract penis, which was "stopped in flight" before it could unite with a vaginal form. Her professors, who were mainly men, were dismayed over these works. Despite the use of sexual organs in her work, Chicago refrained from using gender politics or identity as themes. In 1965, Chicago displayed work in her first solo show, at the Rolf Nelson Gallery in Los Angeles; Chicago was one of only four female artists to take part in the show. In 1968, Chicago was asked why she did not participate in the "California Women in the Arts" exhibition at the Lytton Center, to which she answered, "I won't show in any group defined as Woman, Jewish, or California. Someday when we all grow up there will be no labels." Chicago began working in ice sculpture, which represented "a metaphor for the preciousness of life," another reference towards her husband's death. In 1969, the Pasadena Art Museum exhibited a series of Chicago's spherical acrylic plastic dome sculptures and drawings in an "experimental" gallery. Art in America noted that Chicago's work was at the forefront of the conceptual art movement, and the Los Angeles Times described the work as showing no signs of "theoretical New York type art." Chicago would describe her early artwork as minimalist and as her trying to be "one of the boys". Chicago would also experiment with performance art, using fireworks and pyrotechnics to create "atmospheres", which involved flashes of colored smoke being manipulated outdoors. Through this work she attempted to "feminize" and "soften" the landscape. During this time, Chicago also began exploring her own sexuality in her work. She created the Pasadena Lifesavers, which was a series of abstract paintings that placed acrylic paint on Plexiglas. The works blended colors to create an illusion that the shapes "turn, dissolve, open, close, vibrate, gesture, wiggle," representing her own discovery that "I was multi-orgasmic." Chicago credited Pasadena Lifesavers, as being the major turning point in her work in relation to women's sexuality and representation.
Question: what year did she attend the college
Answer: 1959,

Problem: Background: Douglas Richard Flutie (born October 23, 1962) is a former quarterback in the National Football League (NFL), Canadian Football League (CFL), and United States Football League (USFL). Flutie first rose to prominence during his college football career at Boston College, where he received the Heisman Trophy and the Davey O'Brien National Quarterback Award in 1984. His "Hail Flutie" touchdown pass in a game against Miami on November 23, 1984 (dubbed "The Pass") is considered among the greatest moments in college football and American sports history. Flutie was selected as the 285th pick in the 11th round of the 1985 NFL Draft by the Los Angeles Rams, making him the lowest drafted Heisman Award winner among those who were drafted.
Context: Despite his successful college achievements, whether Flutie was too small to play professional football was uncertain. When asked on television "Can a guy who's five-foot-nine, 175 pounds make it in the pros?", he answered "Yes, he can. But it's a matter of ability and not size. I feel I can play; I don't know for sure, and those questions will be answered in the future." Flutie was seen as extremely attractive to the USFL, which was desperate for a star to reinvigorate the league as it was in financial difficulty. Meanwhile, the Buffalo Bills, who had the first pick of the 1985 NFL Draft, still had the rights to Jim Kelly (who had earlier spurned them to go to the USFL) and also had concerns about Flutie's height. He was selected by the USFL's New Jersey Generals (owned by Donald Trump) in the 1985 territorial draft, which took place in January, months before the 1985 NFL Draft. Flutie went through negotiations with Trump and agreed on a deal that would make him the highest paid pro football player and highest paid rookie in any sport with $7 million over 5 years; Flutie was officially signed on February 4, 1985. Having already signed with the USFL, Flutie was not selected in the NFL Draft until the 11th round, and the 285th overall pick by the Los Angeles Rams. Flutie entered the USFL with much hype and fanfare. However, many began to wonder if the scouts who said Flutie could not compete on the pro level were right. In February 1985, Flutie made his USFL debut against the Orlando Renegades. His debut was not impressive, as his first two professional passes were intercepted by Renegades line backer Jeff Gabrielsen. The only two touchdowns that New Jersey scored came from turnovers by Orlando quarterback Jerry Golsteyn. By the time Flutie's debut was over, he completed only 7 of 18 passes, for a total of 174 yards, while running for 51 yards. Flutie completed 134 of 281 passes for 2,109 yards and 13 touchdowns with the Generals in 1985 in 15 games. He suffered an injury late in the season that saw him turn over the reins to reserve quarterback Ron Reeves. The Generals went on to sport an 11-7 record and a 2nd-place finish in the USFL's Eastern Conference. The USFL folded in 1986, and Flutie and punter Sean Landeta were the league's last active players in the NFL.
Question: what team did he play for in the usfl?
Answer:
He was selected by the USFL's New Jersey Generals (owned by Donald Trump) in the 1985 territorial draft,