IN: John Logie Baird FRSE (; 13 August 1888 - 14 June 1946) was a Scottish engineer, innovator, one of the inventors of the mechanical television, demonstrating the first working television system on 26 January 1926, and inventor of both the first publicly demonstrated colour television system, and the first purely electronic colour television picture tube. In 1928 the Baird Television Development Company achieved the first transatlantic television transmission. Baird's early technological successes and his role in the practical introduction of broadcast television for home entertainment have earned him a prominent place in television's history.

In 1927, Baird transmitted a long-distance television signal over 438 miles (705 km) of telephone line between London and Glasgow; Baird transmitted the world's first long-distance television pictures to the Central Hotel at Glasgow Central Station. This transmission was Baird's response to a 225-mile, long-distance telecast between stations of AT&T Bell Labs. The Bell stations were in New York and Washington, DC. The earlier telecast took place in April 1927, a month before Baird's demonstration. Baird set up the Baird Television Development Company Ltd, which in 1928 made the first transatlantic television transmission, from London to Hartsdale, New York, and the first television programme for the BBC. In November 1929, Baird and Bernard Natan established France's first television company, Television-Baird-Natan. Broadcast on the BBC on 14 July 1930, The Man with the Flower in His Mouth was the first drama shown on UK television. Baird televised the BBC's first live outside broadcast with transmission of The Derby in 1931. He demonstrated a theatre television system, with a screen two feet by five feet (60 cm by 150 cm), in 1930 at the London Coliseum, Berlin, Paris, and Stockholm. By 1939 he had improved his theatre projection to televise a boxing match on a screen 15 ft (4.6 m) by 12 ft (3.7 m). From 1929 to 1932, the BBC transmitters were used to broadcast television programmes using the 30-line Baird system, and from 1932 to 1935, the BBC also produced the programmes in their own studio at 16 Portland Place. On 3 November 1936, from Alexandra Palace located on the high ground of the north London ridge, the BBC began alternating Baird 240-line transmissions with EMI's electronic scanning system, which had recently been improved to 405 lines after a merger with Marconi. The Baird system at the time involved an intermediate film process, where footage was shot on cinefilm, which was rapidly developed and scanned. The trial was due to last 6 months but the BBC ceased broadcasts with the Baird system in February 1937, due in part to a disastrous fire in the Baird facilities at Crystal Palace. It was becoming apparent to the BBC that the Baird system would ultimately fail due in large part to the lack of mobility of the Baird system's cameras, with their developer tanks, hoses, and cables. Baird's television systems were replaced by the electronic television system developed by the newly formed company EMI-Marconi under Isaac Shoenberg, which had access to patents developed by Vladimir Zworykin and RCA. Similarly, Philo T. Farnsworth's electronic "Image Dissector" camera was available to Baird's company via a patent-sharing agreement. However, the Image Dissector camera was found to be lacking in light sensitivity, requiring excessive levels of illumination. Baird used the Farnsworth tubes instead to scan cinefilm, in which capacity they proved serviceable though prone to drop-outs and other problems. Farnsworth himself came to London to Baird's Crystal Palace laboratories in 1936, but was unable to fully solve the problem; the fire that burned Crystal Palace to the ground later that year further hampered the Baird company's ability to compete.
QUESTION: Did he have his own tv company since he invented the lines?
IN: Kelis Rogers was born and raised in the Harlem neighborhood of Manhattan in the Frederick Douglass Houses. Her first name is a portmanteau of her father's name, Kenneth (1944-2000), and her mother's name, Eveliss. Her father Kenneth was an African American jazz musician and Pentecostal minister, and was formerly a professor at Wesleyan University. Her mother Eveliss is a Chinese-Puerto Rican fashion designer who inspired Kelis to pursue her singing career.

Kelis began recording her debut album, Kaleidoscope, in mid-1998 and was finished within a year. Produced by The Neptunes and released by Virgin Records in 1999, the album peaked at number 144 on the U.S. Billboard 200 chart and reached the top five on the Top Heatseekers chart. As of 2006, the album had sold 249,000 copies, according to Nielsen SoundScan. Its lead and most notable single, "Caught Out There", became a top ten Hot R&B/Hip-Hop Songs hit and peaked at number 54 on the Billboard Hot 100. During this time, Kelis featured on Ol' Dirty Bastard's U.S. top 40 single "Got Your Money". The album performed better in Europe, where "Caught out There" was a moderate hit and reached the top five on the UK Singles Chart. A second single, "Good Stuff" (featuring Terrar of Clipse), reached number 19; the third, "Get Along with You", was less successful, reaching number 51. The British Phonographic Industry certified Kaleidoscope gold for sales of 100,000 copies in the United Kingdom, where it reached number 43 on the UK Albums Chart. In 2001, Kelis won the BRIT Award for International Breakthrough Act and the NME Award for Best R&B/Soul Act, before joining Moby and U2 on their Area:One and Elevation tours, respectively. Kelis and the Neptunes' output at this time was heralded as foreshadowing an innovation in contemporary R&B, but she later said, "I was never an R&B artist. People coined me one but that's because, especially if you're in the States, if you're black and you sing, then you're R&B". Her colorful style in both clothing and hair received considerable attention. Kelis's second album, Wanderland, was released in 2001 in Europe, Asia, and Latin America, but did not receive a North American release. According to Kelis, her U.S. record company at the time, Virgin, had laid off those that worked on Kaleidoscope; their replacements did not understand or believe in Wanderland, which led her to leave the label around the time of the album's European release. A commercial failure, Wanderland peaked at number 78 in the UK, although its sole single release, "Young, Fresh n' New", was a top forty entry on the UK Singles Chart. The album, which was produced in its entirety by the Neptunes and features collaborations with members of Clipse and No Doubt, was well received by publications such as The Guardian and NME. In 2002, Kelis recorded "So Be It" for the Red Hot Organization's Fela Kuti tribute CD, Red Hot and Riot, from which all proceeds were donated to AIDS awareness charities. The same year, she had a top 20 US club hit with a remix of "Young, Fresh 'n' New" remix produced by Timo Maas, who subsequently featured Kelis on his single "Help Me".
QUESTION:
How did that do in sales?