Problem: Background: Bloc Party are an English rock band, currently composed of Kele Okereke (lead vocals, rhythm guitar, keyboards, sampler), Russell Lissack (lead guitar, keyboards), Justin Harris (bass guitar, keyboards, saxophones, backing vocals) and Louise Bartle (drums, percussion). Former members Matt Tong and Gordon Moakes left the band in 2013 and 2015 respectively. Their brand of music, whilst rooted in rock, retains elements of other genres such as electronica and house music. The band was formed at the 1999 Reading Festival by Okereke and Lissack.
Context: Bloc Party's second album, A Weekend in the City, was produced by Garret "Jacknife" Lee. It was released in February 2007, although it was leaked in November 2006. It became available for download on the UK iTunes Store before the physical release, and reached the number 2 spot on the UK Albums Chart. The album also reached number 2 on the Australian and Belgian charts, and debuted at number 12 in the Billboard 200, with 48,000 copies sold. The first single, "The Prayer", was released on 29 January, and became the band's highest charting single in the British Top 40, reaching number 4. In the buildup to the release of the album, BBC Radio 1 DJ Zane Lowe aired a live set by the band from Maida Vale studios on 30 January 2007, featuring a mix of old and new songs. On 1 February 2007, A Weekend in the City was made available to listen to for free through Bloc Party's official MySpace page. The next single, "I Still Remember", was Bloc Party's highest charting American single, peaking at number 24 on the Modern Rock Chart. The band released their third single, "Hunting for Witches", with an accompanying video clip in August 2007. The single became their only ARIA Chart entry, peaking at number 20. In October 2007, it was announced that Bloc Party would release a new single, "Flux", on 13 November--ahead of their end of year gigs. The electronic song, also produced by Jacknife Lee, was very different from previous singles released by the band. The band's first gig following the release of A Weekend in the City was on 5 February 2007, in Reading, and was broadcast live on BBC 6 Music. On 20 May 2007, Bloc Party headlined on the In New Music We Trust stage at the BBC Radio 1 Big Weekend in Preston. They also performed at the UK leg of Live Earth on 7 July 2007 at Wembley Stadium. Furthermore, the band played sets at T in the Park and Oxegen 07 that same weekend, as well as Glastonbury and the Reading and Leeds Festivals later in 2007. Bloc Party announced a tour of Australia and New Zealand in August 2007, which would include a special appearance at the Splendour in the Grass Festival on 5 August. On 17 September 2007, they recorded a set for the PBS show Austin City Limits a day after playing at the Austin City Limits Music Festival. On 27 October, the band performed a set at London's The Roundhouse with the Exmoor Singers, a London-based choir, as part of the BBC Electric Proms. The set included songs from both Silent Alarm and A Weekend in the City along with the first British live performance of "Flux".
Question: Was this son successful?
Answer: was Bloc Party's highest charting American single, peaking at number 24 on the Modern Rock Chart.

Background: Thin Lizzy are a hard rock band formed in Dublin, Ireland in 1969. Two of the founding members, drummer Brian Downey and bass guitarist and lead vocalist Phil Lynott, met while still in school. Lynott led the group throughout their recording career of twelve studio albums, writing most of the material. The singles "Whiskey in the Jar" (a traditional Irish ballad), "Jailbreak", and "The Boys Are Back in Town" were major international hits.
Context: In late 1972, the band embarked upon a high-profile tour of the UK with Slade, who were enjoying a string of hit singles at the time, and Suzi Quatro. Around the same time, Decca released Thin Lizzy's version of a traditional Irish ballad, "Whiskey in the Jar", as a single. The band was angry at the release, feeling that the song did not represent their sound or their image, but the single topped the Irish chart, and reached no. 6 in the UK in February 1973, resulting in an appearance on Top of the Pops. It also charted in many countries across Europe. However, the follow-up single, "Randolph's Tango", was a return to Lynott's more obscure work, and it did not chart outside Ireland. The band's next album, Vagabonds of the Western World, was released in September 1973 following strong airplay in the UK, but again failed to chart. The accompanying single "The Rocker" also found little success outside Ireland, and the momentum gained from their hit single was lost. Eric Bell suddenly left the band on New Year's Eve 1973 after a gig at Queen's University Belfast, due to increasing ill-health and disillusionment with the music industry, and young ex-Skid Row guitarist Gary Moore was recruited to help finish the tour. Moore stayed until April 1974; the band recording three songs with him in that time, including the version of "Still in Love with You" that was included on the fourth album Nightlife. With the departure of Moore, Lynott decided to expand the line-up with two guitarists, and recruited two new members to complete a tour of Germany in May 1974. These were ex-Atomic Rooster and Hard Stuff guitarist John Cann, and Berlin-born Andy Gee, who had played with Peter Bardens and Ellis. It soon emerged that this lineup would be a temporary one, as Lynott and Cann did not get on well personally, and Gee was under contract to another record label. The tour was ended early when a disillusioned Downey quit the band and had to be begged to reconsider, at a time when Thin Lizzy's contract with Decca was coming to an end. Auditions were held for new members, and Lynott and Downey eventually settled on Glaswegian guitarist Brian Robertson who was only 18 years old at the time, and Californian Scott Gorham. The new line-up gelled quickly, dropped most of the old songs when they played live, and secured a new record deal with Phonogram, but the resulting album Nightlife was a disappointment for the band due to its soft production and underdeveloped style. Robertson described Ron Nevison's production as "pretty naff" and Gorham said the record was "ridiculously tame". Like the previous three albums, it failed to chart.
Question: How successful was "Whiskey in the Jar"?
Answer:
the song did not represent their sound or their image, but the single topped the Irish chart,