Problem: Yankovic was born in Downey, California and raised in Lynwood, California. He is the only child of Mary Elizabeth (Vivalda) and Nick Yankovic. His father was born in Kansas City, Kansas, of Yugoslavian descent, and began living in California after serving during World War II; he believed "the key to success" was "doing for a living whatever makes you happy" and often reminded his son of this philosophy. Nick married Mary in 1949.

Yankovic is well known for creating parodies of contemporary radio hits, typically which make up about half of his studio releases. Unlike other parody artists such as Allan Sherman, Yankovic and his band strive to keep the backing music in his parodies the same as the original, transcribing the original song by ear and re-recording the song for the parody. In some cases, in requesting the original band to allow for his parody, the band will offer to help out with the recreation: Dire Straits members Mark Knopfler and Guy Fletcher perform on "Money for Nothing/Beverly Hillbillies*", Yankovic's parody of Dire Straits' "Money for Nothing", while Imagine Dragons provided Yankovic with advice on how to recreate some of the electronic sounds they used for "Radioactive" in Yankovic's parody "Inactive". Yankovic's career in novelty and comedy music has outlasted many of his "mainstream" parody targets, such as Toni Basil, MC Hammer, and Men Without Hats. Yankovic's continued success (including the top 10 single "White & Nerdy" and album Straight Outta Lynwood in 2006) has enabled him to escape the one-hit wonder stigma often associated with novelty music. Although many of Yankovic's songs are parodies of contemporary radio hits, it is rare that the song's primary topic lampoons the original artist as a person, or the song itself. Most Yankovic songs consist of the original song's music, with a separate, unrelated set of amusing lyrics. Yankovic's humor normally lies more in creating unexpected incongruity between an artist's image and the topic of the song, contrasting the style of the song with its content (such as the songs "Amish Paradise", "White & Nerdy", and "You're Pitiful"), or in pointing out trends or works which have become pop culture cliches (such as "eBay" and "Don't Download This Song"). Yankovic's parodies are often satirical of popular culture, including television (see The TV Album), movies ("The Saga Begins"), and food (see The Food Album). Yankovic claims he has no intention of writing "serious" music. In his reasoning, "There's enough people that do unfunny music. I'll leave the serious stuff to Paris Hilton and Kevin Federline." Yankovic considered that his first true satirical song was "Smells Like Nirvana", which references unintelligible lyrics in Nirvana's "Smells Like Teen Spirit". Other satirical songs include "Achy Breaky Song", which refers to the song "Achy Breaky Heart", "(This Song's Just) Six Words Long", which refers to the repetitious lyrics in "Got My Mind Set on You", and "Perform This Way", set to Lady Gaga's "Born This Way" that drew inspiration from Lady Gaga's outlandish but confident attitude. Yankovic is the sole writer for all his songs and, for "legal and personal reasons", does not accept parody submissions or ideas from fans. There exists, however, one exception to this rule: Madonna was reportedly talking with a friend and happened to wonder aloud when Yankovic was going to turn her "Like a Virgin" into "Like a Surgeon". Madonna's friend was a mutual friend of Yankovic's manager, Jay Levey, and eventually Yankovic himself heard the story from Levey.

How many successful parodies has he had?

Answer with quotes: Amish Paradise", "White & Nerdy

Question:
Eddie James "Son" House, Jr. (March 21, 1902 - October 19, 1988) was an American delta blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing. After years of hostility to secular music, as a preacher and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements and to accompany him to a 1930 recording session for Paramount Records.
House was born in the hamlet of Lyon, north of Clarksdale, Mississippi, the second of three brothers, and lived in the rural Mississippi Delta until his parents separated, when he was about seven or eight years old. His father, Eddie House, Sr., was a musician, playing the tuba in a band with his brothers and sometimes playing the guitar. He was a church member but also a drinker; he left the church for a time, on account of his drinking, but then gave up alcohol and became a Baptist deacon. Young Eddie House adopted the family commitment to religion and churchgoing. He also absorbed the family love of music but confined himself to singing, showing no interest in the family instrumental band, and hostile to the blues on religious grounds. When House's parents separated, his mother took him to Tallulah, Louisiana, across the Mississippi River from Vicksburg, Mississippi. When he was in his early teens, they moved to Algiers, New Orleans. Recalling these years, he would later speak of his hatred of blues and his passion for churchgoing (he described himself as "churchy" and "churchified"). At fifteen, probably while living in Algiers, he began preaching sermons. At the age of nineteen, while living in the Delta, he married Carrie Martin, an older woman from New Orleans. This was a significant step for House; he married in church and against family opposition. The couple moved to her hometown of Centerville, Louisiana, to help run her father's farm. After a couple of years, feeling used and disillusioned, House recalled, "I left her hanging on the gatepost, with her father tellin' me to come back so we could plow some more." Around the same time, probably 1922, House's mother died. In later years, he was still angry about his marriage and said of Carrie, "She wasn't nothin' but one of them New Orleans whores". House's resentment of farming extended to the many menial jobs he took as a young adult. He moved frequently, on one occasion taking off to East Saint Louis to work in a steel plant. The one job he enjoyed was on a Louisiana horse ranch, which later he celebrated by wearing a cowboy hat in his performances. He found an escape from manual labor when, following a conversion experience ("getting religion") in his early twenties, he was accepted as a paid pastor, first in the Baptist Church and then in the Colored Methodist Episcopal Church. However, he fell into habits which conflicted with his calling--drinking like his father and probably also womanizing. This led him after several years of conflict to leave the church, ceasing his full-time commitment, although he continued to preach sermons from time to time.
Answer this question using a quote from the text above:

How long was he a pastor?

Answer:
This led him after several years of conflict to leave the church,