Question: Ann Margaret Veneman (born June 29, 1949) was the Executive Director of UNICEF from 2005 to 2010. Her appointment was announced on January 18, 2005 by UN Secretary-General Kofi Annan. Previously, Veneman was the United States Secretary of Agriculture, the first, and as of 2018 the only, woman to hold that position. Veneman served as USDA Secretary from January 20, 2001 to January 20, 2005, leaving to become the fifth executive director of UNICEF.

Veneman began her legal career as a staff attorney with the General Counsel's office of the Bay Area Rapid Transit District in Oakland, California, in 1976. In 1978, she returned to Modesto, where she served as a Deputy Public Defender. In 1980, she joined the Modesto law firm of Damrell, Damrell and Nelson, where she was an associate and later a partner. Veneman joined the United States Department of Agriculture's Foreign Agricultural Service in 1986, serving as Associate Administrator until 1989. During this time she worked on the Uruguay Round talks for the General Agreement on Tariffs and Trade (GATT). She subsequently served as Deputy Undersecretary of Agriculture for International Affairs and Commodity Programs from 1989 to 1991. From 1991 to 1993, she served as United States Department of Agriculture's Deputy Secretary, the first woman appointed as the Department's second-highest-ranking official. At this point Veneman took a break from political and administrative office to practice with the law firm and lobby group Patton, Boggs & Blow and also served on several boards of directors and advisory groups. In 1995 Veneman re-entered government, when she was appointed Secretary of the California Department of Food and Agriculture, again being the first woman to hold the position. From 1999 to 2001 Veneman was an attorney with Nossaman LLP, where she focused her attention on food, agriculture, environment, technology, and trade related issues. On 20 January 2001 she was unanimously confirmed by the United States Senate and sworn in as Secretary of Agriculture, a position she held until January 20, 2005.

Using a quote from the above article, answer the following question: did she do good in her corporate career?
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Answer: On 20 January 2001 she was unanimously confirmed by the United States Senate and sworn in as Secretary of Agriculture, a position she held until January 20, 2005.

Question: Jose Julian Marti Perez (January 28, 1853 - May 19, 1895) was a Cuban National Hero and an important figure in Latin American literature. During his life, he worked as a poet, essayist, journalist, translator, professor, and publisher. He was very politically active, and is considered an important revolutionary philosopher and political theorist. Through his writings and political activity, he became a symbol of Cuba's bid for independence against Spain in the 19th century, and is referred to as the "Apostle of Cuban Independence."

Jose Marti is usually honored as a great poet, patriot and martyr of Cuban Independence, but he was also a translator of some note. Although he translated literary material for the sheer joy of it, much of the translating he did was imposed on him by economic necessity during his many years of exile in the United States. Marti learned English at an early age, and had begun to translate at thirteen. He continued translating for the rest of his life, including his time as a student in Spain, although the period of his greatest productivity was during his stay in New York from 1880 until he returned to Cuba in 1895. In New York he was what we would call today a "freelancer" as well as an "in house" translator. He translated several books for the publishing house of D. Appleton, and did a series of translations for newspapers. As a revolutionary activist in Cuba's long struggle for independence he translated into English a number of articles and pamphlets supporting that movement. In addition to fluent English, Marti also spoke French, Italian, Latin and Classical Greek fluently, the latter learned so he could read the Greek classical works in the original. There was clearly a dichotomy in Marti's feeling about the kind of work he was translating. Like many professionals, he undertook for money translation tasks which had little intellectual or emotional appeal for him. Although Marti never presented a systematic theory of translation nor did he write extensively about his approach to translation, he did jot down occasional thoughts on the subject, showcasing his awareness of the translator's dilemma of the faithful versus the beautiful and stating that "translation should be natural, so that it appears that the book were written in the language to which it has been translated".

Using a quote from the above article, answer the following question: Was he a translator?
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Answer: Independence, but he was also a translator of some note.

Question: Irving Grant Thalberg (May 30, 1899 - September 14, 1936) was an American film producer during the early years of motion pictures. He was called "The Boy Wonder" for his youth and ability to select scripts, choose actors, gather production staff, and make profitable films, including Grand Hotel, China Seas, Camille, Mutiny on the Bounty, and The Good Earth. His films carved out an international market, "projecting a seductive image of American life brimming with vitality and rooted in democracy and personal freedom," states biographer Roland Flamini.

Cecil B. DeMille was the first who wanted to hire him, telling his partner, Jesse Lasky, "The boy is a genius. I can see it. I know it." Lasky opposed the hire, stating, "Geniuses we have all we need." Thalberg then received an offer from Hal Roach, but the offer was withdrawn because Thalberg lacked experience with slapstick comedy films. In late 1922, Thalberg was introduced to Louis B. Mayer, president of a small, but dynamic and fast-growing studio. At that first meeting, Thalberg "made a deep, immediate impression on Mayer," writes Flamini. After Thalberg had left, Mayer said to studio attorney Edwin Loeb: "Tell him if he comes to work for me, I'll look after him as though he were my son." Although their personalities were in many ways opposite, Mayer being more outspoken and nearly twice the younger man's age, Thalberg was hired as vice president in charge of production at Louis B. Mayer Productions. Years later, Mayer's daughter, Irene Mayer Selznick, recalled that "it was hard to believe anyone that boyish could be so important." According to Flamini, Thalberg was hired because, although Mayer was an astute businessman, "what he lacked was Thalberg's almost unerring ability to combine quality with commercial success, to bring artistic aspiration in line with the demands of the box office." Mayer's company subsequently merged with two others to become Metro-Goldwyn-Mayer (MGM), with the 24-year-old Thalberg made part-owner and accorded the same position as vice president in charge of production. Three years after the merger, MGM became the most successful studio in Hollywood. During his twelve years at MGM, Thalberg supervised the production of over four hundred films. Although Thalberg and his colleagues at MGM knew he was "doomed" to not live much past age 30 due to heart disease, he loved producing films. He continued developing innovative ideas and overseeing most of MGM's pictures. Under Thalberg's management, MGM released over 40% more films yearly than Warner Brothers, and more than double Paramount's releases. From 1924 until 1936, when Thalberg died at age 37, "almost every film bore Thalberg's imprint," notes Mark Vieira.

Using a quote from the above article, answer the following question: Any controversies during this time period?
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Answer:
DeMille was the first who wanted to hire him, telling his partner, Jesse Lasky, "The boy is a genius. I can see it. I know it." Lasky opposed