In this task, you are given the abstract of a research paper. Your task is to generate a summary of this abstract. Your summary should not be very short, but it's better if it's not more than 30 words.

Example Input: Word alignments are useful for tasks like statistical and neural machine translation (NMT) and annotation projection. Statistical word aligners perform well, as do methods that extract alignments jointly with translations in NMT. However, most approaches require parallel training data and quality decreases as less training data is available. We propose word alignment methods that require little or no parallel data. The key idea is to leverage multilingual word embeddings both static and contextualized for word alignment. Our multilingual embeddings are created from monolingual data only without relying on any parallel data or dictionaries. We find that traditional statistical aligners are outperformed by contextualized embeddings even in scenarios with abundant parallel data. For example, for a set of 100k parallel sentences, contextualized embeddings achieve a word alignment F1 that is more than 5% higher (absolute) than eflomal.
Example Output: We use representations trained without any parallel data for creating word alignments.

Example Input: Music relies heavily on repetition to build structure and meaning. Self-reference occurs on multiple timescales, from motifs to phrases to reusing of entire sections of music, such as in pieces with ABA structure. The Transformer (Vaswani et al., 2017), a sequence model based on self-attention, has achieved compelling results in many generation tasks that require maintaining long-range coherence. This suggests that self-attention might also be well-suited to modeling music. In musical composition and performance, however, relative timing is critically important. Existing approaches for representing relative positional information in the Transformer modulate attention based on pairwise distance (Shaw et al., 2018). This is impractical for long sequences such as musical compositions since their memory complexity is quadratic in the sequence length. We propose an algorithm that reduces the intermediate memory requirements to linear in the sequence length. This enables us to demonstrate that a Transformer with our modified relative attention mechanism can generate minute-long (thousands of steps) compositions with compelling structure, generate continuations that coherently elaborate on a given motif, and in a seq2seq setup generate accompaniments conditioned on melodies. We evaluate the Transformer with our relative attention mechanism on two datasets, JSB Chorales and Piano-e-competition, and obtain state-of-the-art results on the latter.
Example Output: We show the first successful use of Transformer in generating music that exhibits long-term structure.

Example Input: In this paper, we propose data statements as a design solution and professional practice for natural language processing technologists, in both research and development through the adoption and widespread use of data statements, the field can begin to address critical scientific and ethical issues that result from the use of data from certain populations in the development of technology for other populations. We present a form that data statements can take and explore the implications of adopting them as part of regular practice. We argue that data statements will help alleviate issues related to exclusion and bias in language technology; lead to better precision in claims about how NLP research can generalize and thus better engineering results; protect companies from public embarrassment; and ultimately lead to language technology that meets its users in their own preferred linguistic style and furthermore does not mis- represent them to others.

** To appear in TACL **
Example Output:
A practical proposal for more ethical and responsive NLP technology, operationalizing transparency of test and training data