Please answer this: Question: "Which of the three, anti-masonry, antisemitism, and anti-Zionism, is not mentioned as such in the quote from the professor?" Context: "In some countries anti-Masonry is often related to antisemitism and anti-Zionism. For example, In 1980, the Iraqi legal and penal code was changed by Saddam Hussein's ruling Ba'ath Party, making it a felony to "promote or acclaim Zionist principles, including Freemasonry, or who associate [themselves] with Zionist organisations". Professor Andrew Prescott of the University of Sheffield writes: "Since at least the time of the Protocols of the Elders of Zion, antisemitism has gone hand in hand with anti-masonry, so it is not surprising that allegations that 11 September was a Zionist plot have been accompanied by suggestions that the attacks were inspired by a masonic world order"." Answer:
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Answer: anti-Zionism

Please answer this: Question: "Who pulled power away from Persian controlled rule?" Context: "It was temporarily under the control of the Tibetan empire and Chinese from 650680 and then under the control of the Umayyads in 710. The Samanid Empire, 819 to 999, restored Persian control of the region and enlarged the cities of Samarkand and Bukhara (both cities are today part of Uzbekistan) which became the cultural centers of Iran and the region was known as Khorasan. The Kara-Khanid Khanate conquered Transoxania (which corresponds approximately with modern-day Uzbekistan, Tajikistan, southern Kyrgyzstan and southwest Kazakhstan) and ruled between 9991211. Their arrival in Transoxania signaled a definitive shift from Iranian to Turkic predominance in Central Asia, but gradually the Kara-khanids became assimilated into the Perso-Arab Muslim culture of the region." Answer:
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Answer: Kara-Khanid Khanate

Please answer this: Question: "How did Chopin reinvent the Nocturne?" Context: "Chopin took the new salon genre of the nocturne, invented by the Irish composer John Field, to a deeper level of sophistication. He was the first to write ballades and scherzi as individual concert pieces. He essentially established a new genre with his own set of free-standing preludes (Op. 28, published 1839). He exploited the poetic potential of the concept of the concert etude, already being developed in the 1820s and 1830s by Liszt, Clementi and Moscheles, in his two sets of studies (Op. 10 published in 1833, Op. 25 in 1837)." Answer:
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Answer:
He essentially established a new genre with his own set of free-standing preludes