[Q]: Information: - Craig Richard McKinley (born May 6, 1952) is a retired USAF General who served as the 26th Chief, National Guard Bureau, serving from 2008 to 2012. He is the first officer from the National Guard to ever achieve the grade of a four-star general. He is currently President of the Air Force Association. - Lieutenant General John B. Conaway ( born August 23 , 1934 ) is a retired U.S. Air Force officer who served as the Chief of the National Guard Bureau in Washington , D.C. from 1990 to 1993 . - The Chief of the National Guard Bureau (CNGB) is the head of the National Guard Bureau, which is a joint activity of the Department of Defense, and since 2012 is a member of the Joint Chiefs of Staff. The Chief of the National Guard Bureau is the highest-ranking officer in the National Guard of the United States; which is a joint reserve component of the United States Army and the United States Air Force. The CNGB serves as the principal advisor to the Secretary of Defense, through the Chairman of the Joint Chiefs of Staff, on matters involving non-federalized National Guard forces and on other matters as determined by the Secretary of Defense. The CNGB also serves as the principal adviser to the Secretary of the Army, Secretary of the Air Force, the Chief of Staff of the Army, and the Chief of Staff of the Air Force, on matters relating to federalized forces of the National Guard of the United States and its subcomponents; the Army National Guard of the United States, and the Air National Guard of the United States. - The National Guard Bureau is the federal instrument responsible for the administration of the United States National Guard established by the United States Congress as a joint bureau of the Department of the Army and the Department of the Air Force. It was created by the Militia Act of 1903. The National Defense Authorization Act for Fiscal Year 2008, elevated the National Guard to a joint function of the Department of Defense. This act also elevated the Chief of the National Guard Bureau from Lieutenant General (Three Stars) to General (Four Stars) with the appointment of General Craig R. McKinley, U.S. Air Force. The National Guard Bureau holds a unique status as both a staff and operation agency. What is the relationship between 'john b. conaway' and 'united states air force'?
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[A]: military branch

[Q]: Information: - Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. - Max Jakob Friedlander (5 July 1867, Berlin 11 October 1958, Amsterdam) was a German curator and art historian (not to be confused with the unrelated Walter Friedlander). He was a specialist in Early Netherlandish painting and the Northern Renaissance, who volunteered at the "Kupferstichkabinett" or prints collection of the Gemaldegalerie, Berlin in 1891 under Friedrich Lippmann. On Lippmann's recommendation, Wilhelm von Bode took him on as his assistant in 1896 for the paintings division. He was appointed deputy director under Bode in 1904 and became director himself from 1924 to 1932, working on his history "From Van Eyck to Bruegel" and the 14-volume (printed in 16, with supplements) survey "Early Netherlandish Painting". He also donated several works to the collection and worked in the art trade as an advisor, to Hermann Goring among others. He moved to Amsterdam in 1939. He attained the rank and title of geheimrat (privy councillor) under the German Empire. - Antwerp Mannerism is the name given to the style of a group of largely anonymous painters active in the Southern Netherlands and principally in Antwerp in the beginning of the 16th century. The style bore no relation to Renaissance or Italian Mannerism, but the name suggests a peculiarity that was a reaction to the "classic" style of the earlier Flemish painters. Name. The term Antwerp Manierists' was first used in 1915 by Max Jakob Friedlander in his work "Die Antwerpener Manieristen von 1520", in which he made a first attempt to put order in the growing number of works from the Netherlands that were catalogued under the 'name of embarrassment 'pseudo-Herri met de Bles'. Friedlander used the term Antwerp Mannerism here as synonymous for "Antwerp style". Even though he added the location 'Antwerp' to name the artists and placed them in the year 1520, Friedlander made it clear that he did not intend to limit the group strictly to Antwerp and the time period to circae 1520, even though he was of the opinion that most of the "pseudo-Bles' works originated from Antwerp and Antwerp workshops. Friedlander placed the works attributed to the group in a time period between 1500 and 1530. - Jan Mertens the Younger (died c. 1527) was a South Netherlandish painter, at the end of the period of Early Netherlandish painting. He was born and died in Antwerp. His father was the sculptor Jan Mertens the Elder, whose family is thought to have originated in Tournai. Mertens the Younger was apprenticed to the painter Jan Gossaert in 1505, and he became a master of the Antwerp painters' guild in 1509. He was the father-in-law (and perhaps teacher) of Pieter Coecke van Aelst, who married Mertenss daughter Anna before 1526, and whose work has been used as the basis for the identification of Mertens with the Master of 1518, an Antwerp painter named after the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church, Lubeck. - Jan van Dornicke was a South Netherlandish painter who was born about 1470 and died about 1527 . His first name is sometimes spelled '' Janssone '' , and his last name is sometimes spelled '' van Doornik '' or '' van Dornick '' . He was active in Antwerp from about 1509 to about 1525 . His paintings are classified stylistically as Antwerp Mannerism , and he may be the same person as the Master of 1518 . This Jan van Dornicke should not be confused with an eighteenth - century Dutch artist who had the same name . - The Master of 1518 is a Flemish painter belonging to the stylistic school of Antwerp Mannerism. A group of unsigned paintings is attributed to this artist on stylistic grounds, and his name is derived from the date inscribed on the painted wings of a carved wooden altarpiece of the Life of the Virgin in St. Mary's Church in Lubeck German. Although this artists identity is not known with certainty, some scholars believe that the Master of 1518 was either Jan Mertens the Younger or Jan van Dornicke, or that all three were the same person. His paintings are primarily crowded depictions of religious scenes combining Gothic and Renaissance styles. He frequently incorporated elaborate clothing and architectural ruins. What is the relationship between 'jan van dornicke' and 'southern netherlands'?
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[A]:
country of citizenship