Problem:OPTIONS:
- A serum manufacturer
- not enough information
- The creator of BIOeffect
- A coffee store owner

Exciting news everyone, BIOeffect has now officially launched in Australia. The BIOeffect EGF serum is creating a huge storm world wide. It was first launched in Iceland last year (as it is made by the Icelandic company Sif Cosmetics) and within 6 months of the release it is estimated that 1 in 5 Icelandic women over the age of 30 have purchased the serum. When it was released in France, the serum sold out in the first week at the famous concept store in Paris, Colette. Now, we can finally get it here in Australia and I believe that it will be launching in the US shortly. The serum is highly scientific, and based on reviews around the world, it really appears to work. I have been using it for a week now and my angry line down the middle of my forehead is already seeming less angry. I will post a review once I have been using it for a month or so. If you want to purchase the serum, it is available from the BIOeffect Australia website or if you are looking for updates or reviews on the product then you can either like their Facebook page or follow them on Twitter. So, who is now busting to try the serum? Well, to celebrate the launch, the wonderful people behind BIOeffect Australia, Melanie and Kym, have agreed to sponsor a giveaway of some amazing BIOeffect products. First prize will be one full sized bottle of the amazing BIOeffect serum. This bottle alone is worth $180.00!! In addition there will be two runners up prizes of a 3ml travel sized bottle of the serum. These are worth $40.00 each! Entering the competition is simple. All you need to do is have a read of my article, The science behind the BIOeffect EGF Serum explained, and make a comment on that article about what excites you the most about the serum. Are you like me and are blown away by the science? Is it the fact that independent clinical trials are proving that the serum works? Or is there something else that has grabbed you? Please tell me. According to the above context, answer the following question. Who is the narrator?
****
A: not enough information

David Gauntlett makes a good point in his newest book (Making Media Studies: The Creativity Turn in Media and Communications Studies) and that is that traditional forms of media studies are no longer applicable. Gone are the days of massive institutions and production companies, gone are the traditional audiences and simplistic texts. In, is the new age media companies, the everyday media makers, the consistent consumers and the fantastical mess of The WWW. While universities are pumping out the same content areas since the 1980's (e.g. institutions, production, audiences and texts) that are only relevant to a handful of media forms (cinema, television, online broadcasting and publications), the rest of the world is moving on. David Gauntlett so rightly says that creativity in media, should also refer to thinking creatively about the subject. What are the new ways of running media and communication studies? How has the subject itself changed? What approaches and methods can help media and communications studies to become innovative and useful in spheres beyond itself? David Gauntlett encourages a kind of call to arms, an acquiescence of the incapacities of the old system and a redirected gaze to the future needs of media students and media studies programs. Inspired by Tim Ingold's book Making, David believes media studies should have making at it's front and centre. He also believes the ability to do things with media should be embraced over and above the ability to talk about what others do with media, or what media does to us. The notion is that media studies should be hands on, that it should be all about ideas and critical engagement and this should be expressed through actual making. To borrow three key distinctions from the anthropologist Tim Ingold: 1. It's about learning WITH media rather than ABOUT media. 2. There is an intent to move FORWARD rather than looking BACKWARDS at how things are. 3. It's aims are TRANSFORMATIONAL rather than DOCUMENTARY. According to the above context, answer the following question. What is probably true about Tim Ingold?
OPTIONS:
- He thinks media is a good thing
- not enough information
- He thinks he is wrong
- He thinks David Gauntlett is stupid
He thinks media is a good thing

It's often difficult to remember how or why you became friends with someone, especially if you've been friends with a person forever. But because of the very specific set of circumstances, I remember exactly how Barend and I became friends. This, of course, was long before he became famous for inventing the easy-foldable map, and infamous for the series of bodies he'd decided to bury in his backyard. Barend and I became friends because he had one of the most attractive shadows I'd ever seen. I remember gazing out over the playground, watching a waning sun scatter its dying light over the monkey bars, the metal skeleton contrasting against the turquoise sky, when I noticed this kid coming toward me. He was one of those mostly invisible characters; faded jeans, dirty jacket, snot caked on his upper lip. I probably wouldn't have noticed him if not for his shadow. For some reason, his shadow immediately caught my eye. Now, I'm not one for noticing shadows in general, never really noticed a shadow before or since, but this kid had the most incredible shadow I'd ever seen. I cannot even put in words what that means. What specific set of properties make an ordinary shadow into an incredible one, I'm not sure anyone can, but his shadow was like a piece of art; I didn't necessarily understand it, but I liked it. And that's why this boring looking kid and I first became friends. Our kindergarten games were harmless and boring, but when puberty hit, Barend began to change. We were both expected to change, but I guess some kids just change more than others. Bared didn't want to kill at first. Like many overachievers in the death game, his first brush with the craft came about more or less accidentally. All the elements had been in place, with all the players and attributes coming together as if gathered by some evil force, but, even then, I really had to push the kid. According to the above context, answer the following question. What games did they play during kindergarten?
OPTIONS:
- tag,
- hide-and-seek,
- not enough information
- house

Answer: not enough information

Problem: OPTIONS:
- not enough information
- Disgust
- Fear
- Love
Q: Oh dear. Another tale of woe from me When I met my ex, I was in foster care. I was a very confused 17 year old, and she took an interest in me, and we would talk about all my problems with my own family, and everything that was going wrong with me. I even 'came out' to her at one point. We spent a lot of time together and gradually, I thought I might not be gay after all, as I had feelings of love for her. Eventually, we started dating and I tried to suppress my gay feelings. Eventually, I proposed. We were engaged for just over a year and I got married at the age of 19. I have to admit, when the wedding plans got firmed up and much closer to the date, I started to feel that I was in fact still gay but so much money had already been spent, and plans made that I was too afraid to pull out. Don't get me wrong, I still love my ex wife a heck of a lot, but as my very best friend. I hate to use the phrase, but with everything that has gone on with me the last few years, she has been 'my rock'. We separated after about 8 years, when our daughter was 7 years old, and I told her why. I just couldn't go on living the lie. I hate myself for doing it to her. Selfishly, I wouldn't change things though, as I have my daughter and I love her, and I love being a parent. We had 'Unexpected Song' played as she walked down the aisle at the church; the lyrics really summed up how we felt about each other and how we had gotten together Unexpected Song Michael Crawford YouTube. According to the above context, answer the following question. What did the author feel for his daughter?
Answer:
Love