Answer the question at the end by quoting:

Randy Randall Rudy Quaid (born October 1, 1950) is an American film and television actor and Academy Award nominee known for his roles in both serious drama and light comedy. He was nominated for a Golden Globe Award, BAFTA Award and an Academy Award for his role in The Last Detail in 1973. In 1978 he co-starred as a prisoner in Midnight Express. Quaid also won a Golden Globe and was nominated for an Emmy Award for his portrayal of U.S. President Lyndon Johnson in LBJ:
In 2004, Quaid appeared on stage undertaking the starring role of Frank in the world premiere of Sam Shepard's The God of Hell, produced by the New School University at the Actors Studio Drama School in New York. In The God of Hell, Quaid's portrayal of Frank, a Wisconsin dairy farmer whose home is infiltrated by a dangerous government operative who wants to take over his farm, was well-received and -reviewed by New York City's top theatre critics. It marked the second time that Quaid starred in a Shepard play, the first being the long running Broadway hit True West. In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him more than $81,000. The charges that brought the sanctions originated in a Seattle production of Lone Star Love, a Western-themed adaptation of Shakespeare's The Merry Wives of Windsor, in which Quaid played the lead role of Falstaff. The musical was scheduled to come to Broadway, but producers cancelled it. According to the New York Post, all 26 members of the musical cast brought charges that Quaid "physically and verbally abused his fellow performers" and that the show closed rather than continuing to Broadway because of Quaid's "oddball behavior". Quaid's lawyer, Mark Block, said the charges were false, and that one of the complaining actors had said the action was driven by "the producers who did not want to give Randy his contractual rights to creative approval ... or financial participation ..." Block said that Quaid had left the union before the musical started, making the ban moot, and that Quaid only participated in the hearing because he wanted due process. Quaid's statement on the charges was "I am guilty of only one thing: giving a performance that elicited a response so deeply felt by the actors and producers with little experience of my creative process that they actually think I am Falstaff."

What else can you tell me about his performance?

In February 2008, a five-member hearing committee of Actors' Equity Association, the labor union representing American stage actors, banned Quaid for life and fined him

IN: Art Spiegelman (; born Itzhak Avraham ben Zeev on February 15, 1948) is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker, where he made several high-profile and sometimes controversial covers. He is married to designer and editor

Spiegelman was born Itzhak Avraham ben Zeev in Stockholm, Sweden, on February 15, 1948. He immigrated with his parents to the US in 1951. Upon immigration his name was registered as Arthur Isadore, but he later had his given name changed to Art. Initially the family settled in Norristown, Pennsylvania, and then relocated to Rego Park in Queens, New York City, in 1957. He began cartooning in 1960 and imitated the style of his favorite comic books, such as Mad. At Russell Sage Junior High School, where he was an honors student, he produced the Mad-inspired fanzine Blase. He was earning money from his drawing by the time he reached high school and sold artwork to the original Long Island Press and other outlets. His talent was such that he caught the eyes of United Features Syndicate, who offered him the chance to produce a syndicated comic strip. Dedicated to the idea of art as expression, he turned down this commercial opportunity. He attended the High School of Art and Design in Manhattan beginning in 1963. He met Woody Gelman, the art director of Topps Chewing Gum Company, who encouraged Spiegelman to apply to Topps after graduating high school. At 15 Spiegelman received payment for his work from a Rego Park newspaper. After his graduation in 1965, Spiegelman's parents urged him to pursue the financial security of a career such as dentistry, but he chose instead to enroll at Harpur College to study art and philosophy. While there, he got a freelance art job at Topps, which provided him with an income for the next two decades. Spiegelman attended Harpur College from 1965 until 1968, where he worked as staff cartoonist for the college newspaper and edited a college humor magazine. After a summer internship when he was 18, Topps hired him for Gelman's Product Development Department as a creative consultant making trading cards and related products in 1966, such as the Wacky Packages series of parodic trading cards begun in 1967. Spiegelman began selling self-published underground comix on street corners in 1966. He had cartoons published in underground publications such as the East Village Other and traveled to San Francisco for a few months in 1967, where the underground comix scene was just beginning to burgeon. In late winter 1968 Spiegelman suffered a brief but intense nervous breakdown, which cut his university studies short. He has said that at the time he was taking LSD with great frequency. He spent a month in Binghamton State Mental Hospital, and shortly after he got out his mother committed suicide following the death of her only surviving brother.

Did he receive any recognition during his high school days?

OUT:
reached high school and sold artwork to the original Long Island Press and other outlets. His talent was such that he caught the eyes of United Features Syndicate,