input: Bloc Party's debut album, Silent Alarm, was released in February 2005 and was met with universal critical acclaim. It was voted 'Album of the Year' for 2005 by NME, and reached number 3 on the UK Albums Chart before being certified platinum. The first single from the album, "So Here We Are/Positive Tension", made the top 5 on the UK Top 40 chart. Further singles "Banquet" (which reached number 13 in NME's 'Top 50 Singles of 2005'), "Helicopter", and "Pioneers", whilst failing to repeat this success, still managed to reach the UK top 20. The animated video for "Pioneers," made by the Shoreditch-based Minivegas design agency, was top of the NME video charts for four weeks. NME tagged them as "art-rock" at that time but the band felt it was too limited. The band received positive reviews from critics in the United States and they toured there heavily in the 18 months that followed the release of Silent Alarm. In early 2006, they finished their tour with sold out shows in Los Angeles, Miami and Berkeley. The album went on to sell more than 350,000 copies in North America and over a million worldwide. After this success, the established electronic group, The Chemical Brothers, soon collaborated with Okereke for "Believe", a track on their Push the Button album. An album of remixes of tracks from Silent Alarm had also been released at the end of August 2005 in the UK. This remix album, entitled Silent Alarm Remixed, retained the album's original track list and includes remixes from the likes of Ladytron, M83, Death from Above 1979, Four Tet, and Mogwai. During July 2005, Bloc Party recorded two new tracks with Silent Alarm producer Paul Epworth. The songs were released as a single with a B-side, titled "Two More Years", to coincide with the band's October 2005 UK tour. The tour was also accompanied by a re-issue of Silent Alarm, which included "Two More Years" and former single "Little Thoughts" as bonus tracks. A remix of "Banquet" by The Streets, as well as a music video for the song, were included in the "Two More Years" single. Bloc Party also contributed the track "The Present" to the Help!: A Day in the Life compilation, the profits of which benefited the War Child charity.

Answer this question "What happened in 2004"
output:

input: Taylor was born to a working-class family in Welwyn Garden City, but was raised in Hatfield, Hertfordshire, England, where his father worked as a fitter (machinist) for the De Havilland aircraft company. He began playing guitar at age nine, learning to play from his mother's younger brother. As a teenager, he formed bands with schoolmates and started performing concerts under names such as The Juniors and the Strangers. They also appeared on television and put out a single. Part of the band was recruited for a new group called The Gods, which included Ken Hensley (later of Uriah Heep fame). In 1966, The Gods opened for Cream at the Starlite Ballroom in Wembley. In 1965, at age 16, Taylor went to see a John Mayall's Bluesbreakers performance at "The Hop" Woodhall Community Centre, Welwyn Garden City. On the night in question, I had gone to The Hop with some guys from our band, former schoolmates and Ex-Juniors Mick Taylor and Alan Shacklock. It was after John Mayall had finished his first set without a guitarist that it became clear that for some reason Eric Clapton was not going to show up. A group of local musicians, which included myself, Robert 'Jab' Als, Herbie Sparks, and others, along with three local guitarists--Alan Shacklock, Mick Casey (formerly of the Trekkas) and Mick Taylor--were in attendance. Taylor himself has said after seeing that Clapton hadn't appeared, but that his guitar had already been set up on the stage, he approached John Mayall during the interval to ask if he could play with them. Taylor mentioned that he'd heard their albums and knew some of the songs, and after a moment of deliberation, Mayall agreed. Taylor amended, "I wasn't thinking that this was a great opportunity... I just really wanted to get up on stage and play the guitar." Taylor played the second set with Mayall's band, and after winning Mayall's respect, they exchanged phone numbers. This encounter proved to be pivotal in Taylor's career when Mayall began to look for a guitarist to fill Peter Green's vacancy the following year. Mayall contacted Taylor, and invited him to take Green's place. Taylor made his debut with the Bluesbreakers at the Manor House, an old blues club in north London. For those in the music scene the night was an event... "Let's go and see this 17-year-old kid try and replace Eric". Taylor toured and recorded the album Crusade with John Mayall's Bluesbreakers. From 1966 to 1969, Taylor developed a guitar style that is blues-based with Latin and jazz influences. He is the guitarist on the Bluesbreaker albums Diary of a Band, Bare Wires, and Blues from Laurel Canyon. Later on in his career, he further developed his skills as a slide guitarist.

Answer this question "Did his father support Taylor's musical ambition?"
output: He began playing guitar at age nine, learning to play from his mother's younger brother.

input: By early 1926, McPherson had become one of the most charismatic and influential women and ministers of her time. Her fame equaled, to name a few, Charles Lindbergh, Johnny Weissmuller, Jack Dempsey, Babe Ruth, Ty Cobb, Knute Rockne, Bobby Jones, Louise Brooks, and Rudolph Valentino. She was a major American phenomenon, who along with some other high-profile preachers of the time, unlike Hollywood celebrities, could be admired by their adoring public, "without apparently compromising their souls." According to Carey McWilliams, she had become "more than just a household word: she was a folk hero and a civic institution; an honorary member of the fire and police departments; a patron saint of the service clubs; an official spokesman for the community on problems grave and frivolous." She was influential in many social, educational and political areas. McPherson made personal crusades against anything that she felt threatened her Christian ideals, including the drinking of alcohol and teaching evolution in schools. McPherson became a strong supporter of William Jennings Bryan during the 1925 Scopes trial, in which John Scopes was tried for illegally teaching evolution at a Dayton, Tennessee, school. Bryan and McPherson had worked together in the Angelus Temple and they believed Darwinism had undermined students' morality. According to The New Yorker, McPherson said, evolution "is the greatest triumph of Satanic intelligence in 5,931 years of devilish warfare, against the Hosts of Heaven. It is poisoning the minds of the children of the nation." She sent Bryan a telegram saying, "Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation of your lion-hearted championship of the Bible against evolution and throw our hats in the ring with you." She organized "an all-night prayer service, a massive church meeting preceded by a Bible parade through Los Angeles."

Answer this question "what types of media did she use to spread her teachings?"
output:
"Ten thousand members of Angelus Temple with her millions of radio church membership send grateful appreciation