IN: Rancid is an American punk rock band formed in Berkeley, California in 1991. Founded by 1980s punk veterans Tim Armstrong, and Matt Freeman, who previously played in the highly influential ska punk band Operation Ivy, Rancid is often credited (along with Green Day and The Offspring) for reviving mainstream interest in punk rock in the United States and bringing punk rock into the mainstream during the mid-1990s. Over their 27-year career, Rancid remained signed to an independent record label and retained much of its original fan-base, most of which was connected to its underground roots. Rancid has had two lineup changes since its inception.

While Rancid was writing for a follow-up album, Billie Joe Armstrong joined them to co-write the song "Radio", which resulted in Armstrong playing a live performance with Rancid. Tim had previously asked Lars Frederiksen to be Rancid's second guitarist, but he turned down the request initially as he was playing with the UK Subs at the time. After Billie Joe turned down the request, Frederiksen changed his mind and joined Rancid. Frederiksen played with the band on its second studio album Let's Go (1994). That year, its then-label-mates, The Offspring, experienced huge success with its album Smash. Rancid supported the Offspring's 1994 tour, which helped Let's Go reach number 97 on Billboard's Heatseekers and the Billboard 200 charts, respectively. The album also provided its first widespread exposure when MTV broadcast the video for the single "Salvation." Let's Go was certified gold on July 7, 2000, and with the success of the album, the band was pursued by a number of major record labels, including Madonna's label Maverick Records. Many rumors circulated during this time period. Some of the rumors were Epitaph employees were not allowed to discuss matters with the press, Rancid convinced an A&R man from Epic to shave a blue mohawk, and Madonna sent the band nude pictures of herself. The band eventually decided to remain signed to Epitaph, and the next year released its third album ...And Out Come the Wolves on August 22, 1995. The album quickly surpassed Let's Go in terms of success, and reached number 45 on the Billboard 200 album chart. on January 22, 1996, the album was certified gold. The album received positive reviews, Stephen Thomas Erlewine of AllMusic described the album as having "classic moments of revivalist punk". Erlewine praised the music and claims the album "doesn't mark an isolationist retreat into didactic, defiantly underground punk rock". Three of the album's singles, "Roots Radicals", "Time Bomb", and "Ruby Soho" all charted on the Billboard Modern Rock Tracks, and earned Rancid its heaviest airplay on MTV and radio stations to date. The band also performed "Roots Radicals" and "Ruby Soho" on Saturday Night Live.
QUESTION: what was their biggest hit?
IN: Frank Vincent Zappa (December 21, 1940 - December 4, 1993) was an American musician, composer, activist and filmmaker. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrete works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers.

Zappa and the Mothers of Invention returned to Los Angeles in mid-1968, and the Zappas moved into a house on Laurel Canyon Boulevard, only to move again to one on Woodrow Wilson Drive. This was Zappa's home for the rest of his life. Despite being a success with fans in Europe, the Mothers of Invention were not faring well financially. Their first records were vocally oriented, but Zappa wrote more instrumental jazz and classical oriented music for the band's concerts, which confused audiences. Zappa felt that audiences failed to appreciate his "electrical chamber music". In 1969 there were nine band members and Zappa was supporting the group himself from his publishing royalties whether they played or not. 1969 was also the year Zappa, fed up with MGM Records' interference, left them for Warner Bros. Records' Reprise subsidiary where Zappa/Mothers recordings would bear the Bizarre Records imprint. In late 1969, Zappa broke up the band. He often cited the financial strain as the main reason, but also commented on the band members' lack of sufficient effort. Many band members were bitter about Zappa's decision, and some took it as a sign of Zappa's concern for perfection at the expense of human feeling. Others were irritated by 'his autocratic ways', exemplified by Zappa's never staying at the same hotel as the band members. Several members played for Zappa in years to come. Remaining recordings with the band from this period were collected on Weasels Ripped My Flesh and Burnt Weeny Sandwich (both released in 1970). After he disbanded the Mothers of Invention, Zappa released the acclaimed solo album Hot Rats (1969). It features, for the first time on record, Zappa playing extended guitar solos and contains one of his most enduring compositions, "Peaches en Regalia", which reappeared several times on future recordings. He was backed by jazz, blues and R&B session players including violinist Don "Sugarcane" Harris, drummers John Guerin and Paul Humphrey, multi-instrumentalist and previous member of the Mothers of Invention Ian Underwood, and multi-instrumentalist Shuggie Otis on bass, along with a guest appearance by Captain Beefheart (providing vocals to the only non-instrumental track, "Willie the Pimp"). It became a popular album in England, and had a major influence on the development of the jazz-rock fusion genre.
QUESTION:
what happened then?