Answer the question at the end by quoting:

The Drive-By Truckers are an alternative country/Southern rock band based in Athens, Georgia, though two of five current members (Patterson Hood and Mike Cooley) are originally from The Shoals region of northern Alabama, and the band strongly identifies with Alabama. The band currently consists of Mike Cooley (lead vocals, guitar, banjo), Patterson Hood (lead vocals, guitar), Brad Morgan (drums), Jay Gonzalez (keys, guitar, accordion, backing vocals), and Matt Patton (bass guitar, backing vocals). Like many alternative country acts, the Drive-By Truckers record in analog (using 2 inch, 16-track open-reel tape recorders). The band's constant touring has developed its dedicated following.
Drive-By Truckers was cofounded by Patterson Hood (son of bassist David Hood of the Muscle Shoals Rhythm Section) and longtime friend, former roommate, and musical partner Mike Cooley in Athens, Georgia, in 1996. The two had played in various other bands including Adam's House Cat which was chosen as a top-10 Best Unsigned Band by a Musician contest in the late 1980s. After the demise of Adam's House Cat, Cooley and Hood performed as a duo under the name Virgil Kane. They eventually started a new band, Horsepussy, with bassist/vocalist Adam Howell (later to join DBT) and Aaron Bryant (brother of DBT webmaster Jenn Bryant) before splitting for a few years. During this split, Hood moved to Athens and began forming what would become Drive-By Truckers, "with the intent of luring Cooley back into the fold." The band's original lineup was fluid, but it most often included Hood, Cooley, and Howell, along with drummer Matt Lane, pedal steel player John Neff, and mandolin player Barry Sell. They released their first album Gangstabilly in 1998. With Hood and Cooley sometimes playing mandolin and banjo instead of guitar, and Howell playing double bass, the band's original sound had a strong alternative country aspect, albeit with some rock mixed in, as well. After recording their first album, the band added a third guitarist/vocalist, Rob Malone. By the second album, Pizza Deliverance, released in 1999, Howell had left, Malone switched to bass, and Sell had left the band, resulting in a somewhat more rock-oriented sound. Neff was also listed as a guest rather than a member, although he plays on much of the album. Hood dominated the songwriting and lead vocals in these early records, but Cooley, Howell, and Malone also contributed songs, with Cooley's songwriting share increasing notably by the second album. Following their second release, Lane was replaced by drummer Brad Morgan, who had already filled in for Lane during some of the band's shows. Morgan went on to become the band's other constant member along with Hood and Cooley. With Neff also having declined to remain a full-time band contributor, Hood and Cooley were left as the only original members. The band then embarked on a nationwide tour as a four-piece band, resulting in a live album entitled Alabama Ass Whuppin' (released in 2000 by Second Heaven Records, re-released in 2002 by Terminus Records and again in 2013 on ATO Records). The resulting album showed a dramatic change in the band's sound, with a much harder-rocking presentation of the country-influenced songs from the first two albums.

Did they win any awards for Gangstability?

band's original sound had a strong alternative country aspect, albeit with some rock mixed in,

Answer the question at the end by quoting:

The Replacements were an American rock band formed in Minneapolis, Minnesota in 1979. Initially a punk rock band, they are considered pioneers of alternative rock. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson and drummer Chris Mars for most of its career. Following several acclaimed albums, including Let It Be and Tim, Bob Stinson left the band in 1986, and Slim Dunlap joined as lead guitarist.
When the band's first album, Sorry Ma, Forgot to Take Out the Trash, was released in August 1981, it received positive reviews in local fanzines. Option's Blake Gumprecht wrote, "Westerberg has the ability to make you feel like you're right in the car with him, alongside him at the door, drinking from the same bottle." The album contained the band's first single, "I'm in Trouble", Westerberg's "first truly good song". Sorry Ma included the song, "Somethin to Du", a homage to another Minneapolis punk band, Husker Du. The Replacements had a friendly rivalry with the band, which started when Twin/Tone chose the Replacements over Husker Du, and Husker Du landed an opening slot at a Johnny Thunders gig that the Replacements had wanted. Husker Du also influenced the band's music. The Replacements began playing faster and became more influenced by hardcore punk. Despite this, the band did not feel part of the hardcore scene. As Mars later stated, "We were confused about what we were." Sometime in late 1981, the Replacements played a song called "Kids Don't Follow". Jesperson was convinced the song sounded like a hit and pleaded with the Twin/Tone co-owners Stark and Hallman, "I will do anything to get this out. I will hand-stamp jackets if I have to." The partners agreed to fund the recording, but Jesperson and virtually everyone he knew had to hand-stamp ten thousand white record jackets. The band recorded eight tracks within a week, with Jesperson as producer. Their "balls-to-the-wall hardcore punk attempt", their first EP Stink, containing "Kids Don't Follow" and seven other songs, was released in June 1982, six months after the Chicago show. The Replacements began to distance themselves from the hardcore punk scene after the release of Stink. "We write songs rather than riffs with statements," Westerberg later stated. Inspired by other rock subgenres, he had been writing songs that incorporated a wide range of musical styles. He even wrote an acoustic ballad, "You're Getting Married One Night", but when he played it to the rest of the band, it was met with silence. "Save that for your solo album, Paul," Bob Stinson said. "That ain't the Replacements". The track remained unreleased for years. Westerberg realized his toughest audience was the band itself, later saying, "If it doesn't rock enough, Bob will scoff at it, and if it isn't catchy enough, Chris won't like it, and if it isn't modern enough, Tommy won't like it."

Did the song do well?
it received positive reviews in local fanzines.