Greetings Kari: Attached is follow-up information from the meeting that the Governor and you had with Ken Lay and Steve Kean last Thursday. Tomorrow morning I will email three additional pieces of information: Our specific comments on the proposals that the Governor raised at the meeting. More details on the "demand buy-down" concept. Information on Norway's version of the ISO, "Nord Pool." If there's anything you need, don't hesitate to contact me at 415.782.7822. Happy New Year. Best,
Q: What is a potential subject line for this email?
answer: Follow up materials
By telefax of November 21, Uriel Dutton of F&J provided a proposed waiver letter agreement for our review. I will have copies of that proposed agreement circulated by hand-delivery and fax to all those on this list and to Mariner's GC. At present, I am not sending this e-mail to Mariner's GC. If there is someone else I need to send this e-mail to, please let me know. Chuck and I have reviewed the letter, believe it to be overly broad, and hope that F&J is willing to negotiate further, along the following lines: 1. On page 1, third full paragraph, second line, we suggest inserting "Enron Corp. and " between "representation of" and "Enron's affiliates".
Q: What is a potential subject line for this email?
answer: In re F&J Representation
In anticipation of potential litigation involving TW's operational activities, please prepare an analysis for me of the reasons for TW's sale of excess natural gas at the California border. I am aware of several of these sales and have been informed that excess pressure at the border is the basic reason for them. I'd like a more specific explanation that includes the following information: 1. What are the specific pressures and volume considerations that could make it operationally necessary to sell gas at the California border? 2. What is the process that is followed to make such a determination? 3. Which individuals or groups are involved in determining whether an operational sale is necessary? 4. In what way have system operations changed since last year and how do those changes contribute to the increased frequency of such sales compared to previous years? 5. What alternatives to operational sales are considered before the decision to make a sale is reached? Thanks for your attention to this request. Please give me a call to discuss and please designate your response as "Privileged and Confidential, Attorney Client Privileged."
Q: What is a potential subject line for this email?
answer: TW Gas Sales: PRIVILEGED AND CONFIDENTIAL ATTORNEY CLIENT PRIVILEGE
Houston Ballet gives free performances of Copp?lia at Miller Outdoor Theatre in Hermann Park 8:00 p.m. Friday May 11, Saturday May 12, & Sunday May 13, 2001 sponsored by AZURIX and ENRON Considered the great comedy of classical ballet, Copp?lia tells the story of a doll so enchantingly lifelike that she mesmerizes an entire village, captures the heart of a young swain named Franz and inspires the eccentric toymaker Dr. Copp?lius to attempt to transform her into a living, breathing human being. AZURIX and ENRON are Corporate Sponsors for Houston Ballet's Miller Theatre performances, helping to present these free performances of Copp?lia to the people of Houston. Houston Ballet has a limited number of tickets for the seated area each night for employees of AZURIX and ENRON. These tickets are available on a first-come, first-served basis by calling William at 713-535-3235 no later than 5 PM today . (Please be aware that all unoccupied seats are released at 10 minutes before curtain.) Other, free, general public tickets for the seated area (max 4 per person) are available at the Miller Theatre 11:30 a.m. - 1:00 p.m. on the day of performance; for more information call 713-284-8351 for the Miller Theatre ticket information line. Tickets are not required for the lawn area. About Coppelia Copp?lia was first performed on May 25, 1870 at the Th?atre Imp?rial de L'Op?ra, featuring choreography by Arthur Saint-L?on and music by L?o Delibes. The work maintains a special place in the history of dance, serving as a kind of bridge from the glory of the French Romantic ballet in the early nineteenth century to the masterpieces of the Russian Imperial Theater at the turn of the century. Writing in The International Dictionary of Ballet, critic Karen Dacko analyzes the unique characteristics of the piece as follows: "Copp?lia owes its longevity to its inspired, very danceable score. But the ballet is also remarkable for its perennial appeal and for its historical significance as Romanticism's grand finale and classical ballet's prologue." Copp?lia first entered Houston Ballet' repertoire in October 1974, in a staging by Frederic Franklin (who also performed the role of Dr. Copp?lius), and featuring scenery by Peter Farmer. In November 1979, former Royal Ballet ballerina Anne Heaton re-staged the work for the company. When Houston Ballet premiered its new production of the work in March 1992 featuring breathtaking d?cor by Desmond Heeley, Carl Cunningham of The Houston Post wrote, "It would be hard to imagine anything to cap the joyous, gentle, and glorious looking new production of Copp?lia the splendidly prepared company of dancers and musicians put forth Thursday evening on Wortham Center's Brown Theater stage." (The Houston Post, March 21, 1992) Heeley's designs for Copp?lia never fail to enchant, most notably in the second-act depiction of Dr. Copp?lius's workshop. The sampling of dolls on display pay homage to the era when automatons, or mechanical toys, were the rage in Europe -- and to Heeley's inexhaustible creativity. Among the eye-popping toys featured in the workshop are a huge astrologer with a pointed hat and a robe covered in shooting stars and moons; a strongman with a handlebar mustache and barbells; Puss n Boots; an acrobat hanging from a trapeze holding the man in the moon; and a small ballerina dancing on the back of a goat. In the first act, the vibrant reds, golds, and oranges of the costumes worn by the peasants in the village conjure up a wonderfully picturesque vision of nineteenth century Bavaria.
Q: What is a potential subject line for this email?
answer:
Houston Ballet's Miller Theater Performance of Coppelia