Input: Oscar-winning actress Joan Fontaine died Sunday, her longtime friend Noel Beutel said Monday. She was 96. Fontaine died "very peacefully" in her sleep of natural causes, Beutel said. She was in her Carmel, California, home. She is survived by her older sister, actress Olivia de Havilland -- with whom she had not spoken for decades. Fontaine was born Joan de Beauvoir de Havilland in 1916 in Tokyo, Japan, where her British father was a patent lawyer and teacher. She and her sister moved to Saratoga, California, with their mother in 1919 when her parents separated. Fontaine was a teenager when she began her acting career as Joan Burfield in the 1935 film "No More Ladies." She later adopted the stage name Fontaine -- the name of her mother's second husband. She wrote in her 1978 autobiography, "No Bed of Roses," that her mother, who was an actress, began encouraging the rivalry with her older sister at an early age. The feud extended to their careers when both sisters were nominated for best actress Oscars in 1942. Fontaine, who was nominated for Alfred Hitchcock's "Suspicion," beat her sister Olivia de Havilland, who was nominated for "Hold Back the Dawn." De Havilland won the first of her two Oscars in 1947 when she was given the best actress award for "To Each His Own." De Havilland and Fontaine remain the only sisters who have best-actress Academy Awards. The long-standing feud with de Havilland was at such a peak during one Oscar winners' reunion in 1979 that they had to be seated on opposite ends of the stage. "I was shocked and saddened to learn of the passing of my sister, Joan Fontaine ... and I appreciate the many kind expressions of sympathy that we have received," a statement released by Olivia de Havilland to CNN said.
"Joan de Beauvoir de Havilland went by which two stage names?" is "Joanette"?

OPTIONS:
- no
- yes
Output: no

Input: Our sun and other stars release light energy. At least this is what we see. Our Sun and stars also emit more than just light. Scientists call the type of energy that our Sun and stars release electromagnetic energy. This form of energy travels through space. Electromagnetic energy includes the light we see. It also includes much more. Many of these things we know about, but dont always think about. Electromagnetic energy includes radio waves, microwaves, and X rays. We now have devices in our homes and offices that release these same forms of energy. We use electromagnetic energy to make our lives better.

Does the response "Microwaves" correctly answer the question "What type of energy can we see?"?

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- no
- yes
***
Output: no

Modern criticism of Pope focuses on the man, his circumstances and motivations, prompted by theoretical perspectives such as Marxism, feminism and other forms of post-structuralism. Brean Hammond focuses on Pope's singular achievement in making an independent living solely from his writing. Laura Brown (1985) adopts a Marxist approach and accuses Pope of being an apologist for the oppressive upper classes. Hammond (1986) has studied Pope's work from the perspectives of cultural materialism and new historicism. Along Hammond's lines, Raymond Williams explains art as a set of practices influenced by broad cultural factors rather than simply the vague ideas of genius alone. Hayden Carruth, wrote that it was "Pope's rationalism and pandeism with which he wrote the greatest mock-epic in English literature." In Politics and Poetics of Transgression (1985) Peter Stallybrass and Allon White charge that Pope drew upon the low culture which he despised in order to produce his own "high art". They assert Pope was implicated in the very material he was attempting to exclude, not dissimilar to observations made in Pope's time. Colin Nicholson reads the poetry in terms of the Financial Revolution, showing how Pope responded to the corruption of the traditional 'landed interest' by the newly dominant 'moneyed interest'. Feminists have also criticised Pope's works. Ellen Pollak's The Poetics of Sexual Myth (1985) argues that Pope followed an anti-feminist tradition, that regarded women as inferior to men both intellectually and physically. Carolyn Williams contends that a crisis in the male role during the 18th century in Britain impacted Pope and his writing.

Question: "Who are Pope's supporters?"

OPTIONS:
- no
- yes

Answer: "Brean Hammond"

Response: yes

Problem: Allan crouched over his desk once more, pen in hand and mind blank. He contemplated a story, an outline he had laboriously constructed some time ago. He had filled his pen and raised it, the nib descending towards the paper, before the sound came: the gentle, persistent tapping of the gnarled, primeval willow touching the window with long, insistent fingers. His eyes awoke with a passionate, determined flame, though the only light came from the glutted moon. Allan filled page after page, the words escaping from his mind onto the paper. Where before they had marched in regiments, practiced in ranks and followed their leaders' commands, the words now escaped in their true forms, unhindered by any stricture. He continued long into the night, until the eldritch orb had sunk into the waiting hands of the willow, raised perpetually skyward. Arthur looked up from the results of a night's frenzied labors and looked Allan in the eye. "What is this?" he queried, indicating the pages he held in his left hand. "I decided that since I wasn't having much success with more traditional stories, I might see what sort of work I produced if I let my imagination go freely," Allan replied, somewhat less self-assured than he had been the previous night. "What in G-d's name could have possessed you to do such a thing," cried Arthur, nearly raising his voice. "After all I said the day before, why have you abandoned centuries of literary progress for some self-indulgent fantasy?" He shook the papers at Allan, raising them like a belt above the head of a disobedient son. "This is nothing but a glorified Grimm's tale, a miscarried child of Stoker, a creation less fit to be published than to be told around an open fire at the hovel of some peasant!" He spoke the last word with such heavy intonation that Allan shrank back before the physical wave of sound emanating from Arthur's throat. "Do you hate the modern system of literature? Do you personally despise the works the Enlightenment or the progress made since Shakespeare?" For a moment, Allan could hardly do more than shake his head. "No, of course not I " "Then why," Arthur barreled on, "do you disregard them all and return to this superstitious babble, this morbid, paganistic drivel?

Question: "What did Allan contemplate over his desk?"

Answer: "Grimm"

OPTIONS:
- no
- yes
Answer:
no