input: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career. After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship. This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum. A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display.

Answer this question "How was the mirror challange perceived by the public?"
output: As he was paraded on the shoulders of the cheering crowd, he broke down and wept.

input: After Annapurna, Lafaille resolved never to climb again, but during his long physical and psychological recovery he began scrambling in the foothills of the Alps, and eventually returned to extreme climbing. In the Alps he carried out an enchainment of nine north faces in fifteen days, skiing from mountain to mountain, and made the first ascent of the Lafaille Route on the Petit Dru, which at the time was considered the hardest route in the Alps, but his most important climbs were in the Himalaya. A year after his accident on Annapurna, he climbed Cho Oyu, and then in 1994 he climbed a new route, solo, on the north face of Shishapangma. It was the first of many solo ascents of 8000 meter peaks, including consecutive ascents of Gasherbrum I and Gasherbrum II in four days in 1996, and Manaslu in 2001. Annapurna remained an obsession for Lafaille, and he would later call his autobiography Prisoner of Annapurna. He returned to the mountain three times. The first time he made a solo attempt on the British line on the South Face, which failed due to poor snow conditions. In 1998 he returned to the same route with a larger team, but the expedition was abandoned when a team member was killed in an avalanche. He finally reached the summit in 2002 with Alberto Inurrategi via the long, committing east ridge. By 2003 Lafaille had decided to try to climb all fourteen 8000-metre peaks; but unlike many of the mountaineers who take on this goal, he had no desire simply to climb them by well established routes, in large expeditions and with bottled oxygen. He preferred to continue trying to achieve new routes or solo ascents, or to climb in the more demanding winter season. In 2003 he climbed Nanga Parbat, Dhaulagiri (solo) and Broad Peak in a two-month period. The last of these nearly killed him when he fell into a crevasse and then developed high altitude pulmonary edema. He was rescued by Ed Viesturs and Denis Urubko. In December 2004 he made a solo ascent of Shishapangma. It was intended to be the first winter ascent of the mountain, but he reached the summit on 11 December which was seen as too early to be classed as a true winter ascent. By this point he had completed eleven of the fourteen peaks, and needed Everest, Kanchenjunga and Makalu to complete his goal.

Answer this question "what was the best part of his subsequent career?"
output:

input: Since 1999, Akita has used computers in his recordings, having first acquired a Macintosh to work on art for the Merzbox. Also at this time he began referring to his home studio as "Bedroom, Tokyo". At live performances, Akita has produced noise music from either two laptop computers or combination of a laptop and analog synthesizers/guitar pedals. Reiko A. and Bara left Merzbow during this time, Reiko Azuma now has a solo career. Since 2001, Jenny Akita (nee Kawabata) started being credited for artwork on various releases. Since 2001, Akita started utilising samples of animal sounds in various releases starting with Frog. Around 2002, Akita became a vegan, he stated how it began: I started raising four bantams, the little ornamental chickens. With this experience as a start, I gradually started to be concerned and care about chickens and all the barn animals I used to eat without giving it a second thought before. So I started reading books and researching on the internet about Animal Rights and that triggered an awareness of "evil" that human society has done. During this period, Akita also became a supporter of PETA which is reflected in his animal-themed releases. An example of this is Minazo Vol. 1 and Vol. 2, dedicated to an elephant seal he visited often at the zoo and Bloody Sea, a protest against Japanese whaling. He has also produced several works centered around recordings of his pet chickens (notably Animal Magnetism and Turmeric). Also in 2002, Akita released Merzbeat, which was seen as a significant departure from his trademark abstract style in that it contains beat-oriented pieces. This has sparked some controversy among fans, though some reviewers pointed out that it sounded very similar to Aqua Necromancer (1998) which features samples of progressive rock drumming. Merzbird (2004) and Merzbuddha (2005) followed in a similar vein with sampled beats combined with Merzbow's signature harsh noise.

Answer this question "Does he have a band?"
output:
has a solo career.