Problem: Background: The Who are an English rock band that formed in 1964. Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon. They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work. The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage.
Context: The founding members of the Who, Roger Daltrey, Pete Townshend and John Entwistle, grew up in Acton, London and went to Acton County Grammar School. Townshend's father, Cliff, played saxophone and his mother, Betty, had sung in the entertainment division of the Royal Air Force during World War II, and both supported their son's interest in rock and roll. Townshend and Entwistle became friends in their second year of Acton County, and formed a trad jazz group; Entwistle also played French horn in the Middlesex Schools' Symphony Orchestra. Both were interested in rock, and Townshend particularly admired Cliff Richard's debut single, "Move It". Entwistle moved to guitar, but struggled with it due to his large fingers, and moved to bass on hearing the guitar work of Duane Eddy. He was unable to afford a bass and built one at home. After Acton County, Townshend attended Ealing Art College, a move he later described as profoundly influential on the course of the Who. Daltrey, who was in the year above, had moved to Acton from Shepherd's Bush, a more working-class area. He had trouble fitting in at the school, and discovered gangs and rock and roll. He was expelled at 15 and found work on a building site. In 1959 he started the Detours, the band that was to evolve into the Who. The band played professional gigs, such as corporate and wedding functions, and Daltrey kept a close eye on the finances as well as the music. Daltrey spotted Entwistle by chance on the street carrying a bass and recruited him into the Detours. In mid-1961, Entwistle suggested Townshend as a guitarist, Daltrey on lead guitar, Entwistle on bass, Harry Wilson on drums, and Colin Dawson on vocals. The band played instrumentals by the Shadows and the Ventures, and a variety of pop and trad jazz covers. Daltrey was considered the leader and, according to Townshend, "ran things the way he wanted them". Wilson was fired in mid-1962 and replaced by Doug Sandom, though he was older than the rest of the band, married, and a more proficient musician, having been playing semi-professionally for two years. Dawson left after frequently arguing with Daltrey and after being briefly replaced by Gabby Connolly, Daltrey moved to lead vocals. Townshend, with Entwistle's encouragement, became the sole guitarist. Through Townshend's mother, the group obtained a management contract with local promoter Robert Druce, who started booking the band as a support act. The Detours were influenced by the bands they supported, including Screaming Lord Sutch, Cliff Bennett and the Rebel Rousers, Shane Fenton and the Fentones, and Johnny Kidd and the Pirates. The Detours were particularly interested in the Pirates as they also only had one guitarist, Mick Green, who inspired Townshend to combine rhythm and lead guitar in his style. Entwistle's bass became more of a lead instrument, playing melodies. In February 1964, the Detours became aware of the group Johnny Devlin and the Detours and changed their name. Townshend and his roommate Richard Barnes spent a night considering names, focusing on a theme of joke announcements, including "No One" and "the Group". Townshend preferred "the Hair", and Barnes liked "the Who" because it "had a pop punch". Daltrey chose "the Who" the next morning.
Question: Are there any other interesting aspects about this article?
Answer: The Detours were influenced by the bands they supported,

Problem: Background: Emilie Autumn Liddell (born on September 22, 1979), better known by her stage name Emilie Autumn, is an American singer-songwriter, poet, violinist, and actress. Autumn's musical style has been described by her as "Fairy Pop", "Fantasy Rock" or "Victoriandustrial". It is influenced by glam rock and from plays, novels, and history, particularly the Victorian era. Performing with her all-female backup dancers
Context: Emilie Autumn was born in Los Angeles, California, on September 22, 1979. Autumn grew up in Malibu, California, and according to her, "being surrounded by nature and sea had a lot to do with [her] development as a 'free spirit.'" Her mother worked as a seamstress, and she has said that her father was a German immigrant with whom she did not share a close relationship. While not musicians, her family enjoyed various genres of music. When she was four years old, she started learning the violin, and later commented: "I remember asking for a violin, but I don't remember knowing what one was. I might have thought it was a kind of pony for all I know, but I don't remember being disappointed." Four years later, Autumn made her musical debut as a solo violinist performing with an orchestra, and won a competition. At the age of nine or ten, she left regular school with the goal of becoming a world-class violinist. On her time at the school, she remarked, "I hated it anyway, what with the status as 'weird,' 'antisocial,' and the physical threats, there seemed to be no reason to go anymore, so I just didn't." She practiced eight or nine hours a day, had lessons, read a wide range of literature, participated in orchestra practice, and was home-schooled. Growing up, she owned a large CD collection of "violin concertos, symphonies, chamber music, opera, and a little jazz". She began writing her own music and poetry at age thirteen or fourteen, though she never planned to sing any of her songs. She studied under various teachers and attended Indiana University in Bloomington, but left after two years there, because she disagreed with the prevailing views on individuality and classical music. She believed that neither the audience nor the original composer would be insulted by the clothing and appearance of the performer. While convinced that she would only play violin, eighteen-year-old Autumn decided to sing on one of her songs as a way of demonstrating to a major music producer, who wanted to sign her on a label, how it should sound. She became unhappy with the changes done to her songs, and decided to break away from the label and create her own independent record label, Traitor Records. Through it, she debuted with her classical album On a Day: Music for Violin & Continuo, which she recorded in 1997 when she was seventeen years old; its title refers to the fact that the album took only a day to record. It consists of her performing works for the baroque violin accompanied by Roger Lebow on the baroque cello, Edward Murray on harpsichord, and Michael Egan on lute. She considered it "more of a demo despite its length", and released it as "a saleable album" after fans who enjoyed her "rock performances starting asking for a classical album so that they could hear more of the violin." She also debuted with her poetry book Across the Sky & Other Poems in 2000, later re-released in 2005 as Your Sugar Sits Untouched with a music-accompanied audiobook.
Question: Did she learn any other to play anything else?
Answer:
Four years later, Autumn made her musical debut as a solo violinist performing with an orchestra, and won a competition.