Article: Our bedroom has no full-length mirror. There is one at the canteen entrance. I always cherish a secret desire to take a glance before it at myself in a beautiful new dress. However, each time when it comes to the fulfillment, I get seized with such an uneasiness that I literally stagger away--backing out at the critical moment. At the root of it is my lack of confidence by which I have been enslaved since childhood. It embarrasses me at the mildest praise, crushes my utmost efforts to say "No", and prevents me from asking my parents for one cent more than necessary. Among other things, lack of confidence has wormed its way into my love of piano. At the age of 14, one Sunday morning, I was woken up by a resounding hymn . Tracing that call of God into a neighboring church, I found myself deeply attracted by the melody of a piano--something beyond the means of my parents. To make it worse, people say a pianist is supposed to have music in the blood, but I believe I had none from my engineer father and technician mother. For days on end, I kept thinking of nothing else. I had a dream. It wasn't a dream after gold, which made some of my close friends to engage in business as self-employed traders or street peddlers. I was sometimes dazzled by their gold rings or elegant necklaces behind which, however, I seemed to catch sight of skeletons in their cupboards and was frightened away from the craze for fortunate. Out of despair, I kept it to myself, lack of confidence weighing heavy on me. I could do nothing but turn to my dream for comfort, for courage to aim high and wish for the impossible. I was convinced that before I could afford anything expensive (to me, it was a piano), I should climb up the academic ladder as high as possible. For the next nine years, I carefully held back my desire for music to keep my search for learning, especially in English studies. My efforts were so rewarding that I went successfully through high school and college in my hometown. When I received the admission notice for a second... Question: How did the writer make her dream of playing the piano come true? Yes or no, is the answer "She taught English in exchange for piano lessons."?
No

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Article: Gadgets can be wildly expensive and quickly out-of-date, but Steven Poole is still the first to buy them. Technological innovations are often quite stupid. The idea that you might want to walk down the street holding a mobile phone in front of your face, just to experience the wonders of video calling, is clearly ridiculous. Luckily for the tech companies, however, there are some people who jump at the chance to buy into new gadgets before they are fully ready and cheap enough for the mass-market. They are called early adopters, and their fate is a terrible one. I should know, since I am one myself. Early adopters have a Mecca: it's Tokyo's Akihabara district, also known as "Electric City". There, in 1999, I bought a digital camera, a gizmo that few people in Britain had heard of. Over the next few years I watched in great sadness as digital cameras became more popular, cheaper and more powerful, until better models could be had for a quarter of the price I had paid. Did I feel stupid? What I actually did was this: I splashed out more money last year for a new one, one that let me feel pleasantly ahead of the curve once again. But I know that cannot last, and I'll probably have to buy another in a few years. Thus early adopters are betting on other people eventually feeling the same desires. And it's worse if that future never arrives. Early adopters of the Betamax home-video format in the 1970s could only look on in sadness when their investment was nullified by the success of VHS. All sorts of apparently splendid inventions, such as videogame consoles like the Atari Jaguar have been abandoned to the dustbin of history right after a few early adopters bought in. Those who invested thousands in a Segway motorized scooter on the wave of ridiculous advertising campaigns that accompanied its launch a couple of years ago can join the club. You might think we should just stop being so silly, save our money, and wait to see what really catches on. But the logic of the industry is such that, if everyone did... Question: By saying the last sentence "Really, we are heroes." the writer wants to express that _ . Yes or no, is the answer "early adopters help promote the development of technology"?
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No

Ques: Article: Ruth Mckenney was born in 1911 in prefix = st1 /Mishawak,Indiana. She grew up inCleveand,Ohio, and at the age of fourteen she got her first job working nights in a printer's shop. She also worked as a waitress, but after dropping two fruits salads on the floor, she was fired. While Miss Mckenney was studying in a OhioStateUniversity, she found an outside job as a reporter for the Columbus Dispatch. In fact, she left college before she got her degree in order to devote all her time to newspaper work. She later worked on papers in Akron, Ohio, andNew York City. In New York, Miss Mckenney began to write stories about the amusing experiences she shared with her sisiter. These were published in theNew Yorkmagazine, and later in a book called "My Sister Eileen". This book was an immediate bestseller, and soon became a hit play. Miss Mckenney has also written a guide toEnglandand a number of serious books on American labor. Miss Mckenney married Richard Bransten in 1937. They had one daughter, and it came as no surprise when the author named her Eileen. Ruch Mckenney died in 1972. Question: Why do you suppose it came as no surprise when the author name her daughter "Eileen"? Yes or no, is the answer "Because the best-selling book made her famous and its heroine's name was "Eileen"."?
Ans: No

Article: The painter Georgia O'keeffe was born in Wisconsin in 1887 and grew up on her family's farm. At seventeen she decided she wanted to be an artist and left the farm for schools in Chicago and New York, but she never lost her bond with the land. Like most painters, O'Keeffe painted the things that were most important to her, and nearly all her works are simplified portrayals of nature. O'Keeffe became famous when her paintings were discovered and exhibited in New York by the photographer Levered Stieglitz, whom she married in 1924. During a visit to New York in 1929, O'Keeffe was so moved by the bleak landscape and broad skies of the Western desert that she began to paint its images. Cows' skulls and other bleached bones found in the desert figured prominently in her paintings. When her husband died in 1946, she moved to New Mexico permanently and used the horizon lines of the desert, colorful flowers, rocks, barren hills, and the sky as subjects for her paintings. Although O'Keeffe painted her best known works in the 1920's, 1930's and 1940's, she continued to produce tributes(, ) to the Western desert until her death in 1986. O'Keeffe is widely considered to have been a pioneering American modernist painter. While most early modern American artists were strongly influenced by European art, O'Keeffe's position was more independent. She established her own vision and preferred to view her painting as a private endeavor. Almost from the beginning, her work was more indentifiably American than that of her contemporaries in its simplified and idealized treatment of color, light, space, and natural forms. Question: Which of the following best tells what this passage is about ? Yes or no, is the answer "O'Keeffe was a distinctive modern American painter."?
No