Problem: Background: From First to Last is an American post-hardcore band based in Los Angeles Area and Tampa, Florida. The current line-up consists of lead vocalist and multi-instrumentalist Sonny Moore, lead guitarist Matt Good, rhythm guitarist Travis Richter, bassist Matt Manning, and drummer Derek Bloom. The band released their first EP titled Aesthetic in 2003 which they recorded with founding member and vocalist Phillip Reardon who left the band in 2004 due to personal and creative differences. Dear Diary,
Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros.. From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine. FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour." Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last.
Question: Did they perform at any other venues?
Answer: Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."

Problem: Background: Hartman was born Philip Edward Hartmann (later dropping one "n") on September 24, 1948, in Brantford, Ontario, Canada. He was the fourth of eight children of Doris Marguerite (Wardell) and Rupert Loebig Hartmann, a salesman specializing in building materials. His parents were Catholic and raised their children in that faith. As a child Hartman found affection hard to earn and stated: "I suppose I didn't get what I wanted out of my family life, so I started seeking love and attention elsewhere."
Context: In contrast to his real-life personality, which was described as "a regular guy and, by all accounts, one of show business' most low-key, decent people", Hartman often played seedy, vain or unpleasant characters as well as comedic villains. He noted that his standard character was a "jerky guy", and described his usual roles as "the weasel parade", citing Lionel Hutz, Bill McNeal, Troy McClure and Ted Maltin from Jingle All the Way as examples. Hartman enjoyed playing such roles because he "just want[ed] to be funny, and villains tend to be funny because their foibles are all there to see." He often played supporting roles, rather than the lead part. He said "throughout my career, I've never been a huge star, but I've made steady progress and that's the way I like it," and "It's fun coming in as the second or third lead. If the movie or TV show bombs, you aren't to blame." Hartman was considered a "utility player" on SNL with a "kind of Everyman quality" which enabled him to appear in the majority of sketches, often in very distinct roles. Jan Hooks stated of his work on SNL: "Phil never had an ounce of competition. He was a team player. It was a privilege for him, I believe, to play support and do it very well. He was never insulted, no matter how small the role may have been." He was disciplined in his performances, studying the scripts beforehand. Hooks added: "Phil knew how to listen. And he knew how to look you in the eye, and he knew the power of being able to lay back and let somebody else be funny, and then do the reactions. I think Phil was more of an actor than a comedian." Film critic Pauline Kael declared that "Phil Hartman and Jan Hooks on Saturday Night Live are two of the best comic actors I've ever seen." Writer and acting coach Paul Ryan noted Hartman's work ethic with his impressions. He assembled a collection of video footage of the figure he was preparing to impersonate and watched this continually until he "completely embodied the person". Ryan concluded that "what made [Hartman's impressions] so funny and spot on was Phil's ability to add that perfect touch that only comes from trial and error and practicing in front of audiences and fellow actors." Hartman described this process as "technical." Journalist Lyle V. Harris said Hartman showed a "rare talent for morphing into [...] anybody he wanted to be". Ken Tucker summarized Hartman's comedic style: "He could momentarily fool audiences into thinking he was the straight man, but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing." Hartman claimed that he borrowed his style from actor Bill Murray: "He's been a great influence on me - when he did that smarmy thing in Ghostbusters, then the same sort of thing in Groundhog Day. I tried to imitate it. I couldn't. I wasn't good enough. But I discovered an element of something else, so in a sick kind of way I made myself a career by doing a bad imitation of another comic."
Question: Was he straight?
Answer:
but then he'd cock an eyebrow and give his voice an ironic lilt that delivered a punchline like a fast slider--you barely saw it coming until you started laughing."