Some context: The Darkness are an English rock band from Lowestoft, Suffolk, formed in 2000. The band consists of Justin Hawkins (lead vocals, guitar), his brother Dan Hawkins (guitar, backing vocals), Frankie Poullain (bass, backing vocals) and Rufus Tiger Taylor (drums). The Darkness came to prominence with the release of their debut album, Permission to Land, in 2003. Backed by the singles "I Believe in a Thing Called Love", "Growing on Me", "Get Your Hands off My Woman", and "Love is Only a Feeling", the album was certified quadruple platinum in the United Kingdom, with sales of over 1,300,000.
The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal. The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album. According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records.
How did the gig end up?
A:

Question: William Taylor (July 24, 1921 - December 28, 2010) was an American jazz pianist, composer, broadcaster and educator. He was the Robert L. Jones Distinguished Professor of Music at East Carolina University in Greenville, and from 1994 was the artistic director for jazz at the John F. Kennedy Center for the Performing Arts in Washington, D.C. A jazz activist, Taylor sat on the Honorary Founders Board of The Jazz Foundation of America, an organisation he started in 1989, with Ann Ruckert, Herb Storfer and Phoebe Jacobs, to save the homes and the lives of America's elderly jazz and blues musicians, later including musicians who survived Hurricane Katrina. Taylor was also a jazz educator, who lectured in colleges, served on panels and travelled worldwide as a jazz ambassador.

In 1952 Taylor composed one of his most famous tunes, "I Wish I Knew How It Would Feel to Be Free", which achieved more popularity with the civil rights movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk & Soul. The tune is widely known in the UK as a piano instrumental version, used for BBC Television's long-running Film... programme. He made dozens of recordings in the 1950s and 1960s, notably the album with Cuban percussionist Candido Camero, entitled Billy Taylor Trio with Candido, My Fair Lady Loves Jazz, Cross Section and Taylor Made Jazz. Taylor's broadcast career also thrived. In 1961, he founded New York's Jazzmobile, which provides an arts education program via workshops, master classes, lecture demonstrations, arts enrichment programs, outdoor summer mobile concerts, special indoor concerts and special projects. In 1958, he became the Musical Director of NBC's The Subject Is Jazz, the first ever television series focusing on jazz. The 13-part series was produced by the new National Educational Television Network (NET) and hosted guests including Ellington, Aaron Copland, Bill Evans, Cannonball Adderley, Jimmy Rushing and Langston Hughes. Taylor also worked as a DJ and program director on radio station WLIB in New York in the 1960s. During the 1960s, the Billy Taylor Trio was a regular feature of the Hickory House on West 55th Street in Manhattan. From 1969 to 1972, he served as the music director for The David Frost Show and was the first African American to lead a talk-show band. Louis Armstrong, Count Basie, Benny Goodman and Buddy Rich were just a few of the musicians who played on the show. In 1981, Jazzmobile produced a jazz special for National Public Radio, for which the program received the Peabody Award for Excellence in Broadcasting Programs. Jazzmobile's 1990 Tribute Concert to Dr. Taylor at Avery Fisher Hall, part of the JVC Jazz Festival, featured Nancy Wilson, Ahmad Jamal Trio and Terence Blanchard Quintet.

Using a quote from the above article, answer the following question: Was he affiliated with a tv network?
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Answer: projects. In 1958, he became the Musical Director of NBC's The Subject Is Jazz, the first ever television series focusing on jazz.

Some context: Norquist grew up in Weston, Massachusetts. He is the son of Carol (nee Lutz) and Warren Elliott Norquist (a vice president of Polaroid Corporation), and is of Swedish ancestry. His brother, David Norquist has served in senior posts in Republican administrations at both the United States Department of Defense and the United States Department of Homeland Security. Norquist became involved with politics at an early age when he volunteered for the 1968 Nixon campaign, assisting with get out the vote efforts.
Prior to the November 2012 election, 238 of 242 House Republicans and 41 out of 47 Senate Republicans had signed ATR's "Taxpayer Protection Pledge", in which the pledger promises to "oppose any and all efforts to increase the marginal income tax rate for individuals and business; and to oppose any net reduction or elimination of deductions and credits, unless matched dollar for dollar by further reducing tax rates." The November 6, 2012 elections resulted in a decline in the number of Taxpayer Protection Pledge signatories in both the upper and lower houses of the 113th Congress: from 41 to 39 in the Senate, and from 238 to "fewer than ... 218" in the House of Representatives. According to journalist Alex Seitz-Wald, losses in the election by Norquist supporters and the "fiscal cliff" have emboldened and made more vocal critics of Norquist. In November 2011, Senate Majority leader Harry Reid (D-NV) blamed Norquist's influence for the Joint Select Committee on Deficit Reduction's lack of progress, claiming that Congressional Republicans "are being led like puppets by Grover Norquist. They're giving speeches that we should compromise on our deficit, but never do they compromise on Grover Norquist. He is their leader." Since Norquist's pledge binds signatories to opposing deficit reduction agreements that include any element of increased tax revenue, some Republican deficit hawks now retired from office have stated that Norquist has become an obstacle to deficit reduction. Former Republican Senator Alan Simpson (R-WY), co-chairman of the National Commission on Fiscal Responsibility and Reform, has been particularly critical, describing Norquist's position as "[n]o taxes, under any situation, even if your country goes to hell."
Who said this?
A:
Senate Majority leader Harry Reid