Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Example Input: CONTEXT: What he wants was to have a normal life, because a normal life was the way to be in a relationship with MJ. Being Spider-Man moves him further and further way from his own life (family, friends, college, work and, most importantly, Mary Jane). He subconsciously wants to stop being Spider-Man. After the talk with the doctor he realizes he has a choice, and we can see the confrontation of this yearning of a simple life with MJ against his guilt of not using his powers for good, which is represented by Uncle Ben in the car scene: MJ gets abducted because of her relationship to Peter (not Spider-Man), so in spite of his choice of not being with her to spare her from being used against Spider-Man, they get to her anyway, and the only way to save her is to be Spider-Man. Here both goals become aligned: wanting MJ and wanting to be Spider-Man are now the same thing. So to use his powers again and go have her, he needs to focus on what he wants now: be Spider-Man to save Mary Jane. <sep> Q: What does Peter Parker want in Spider-Man 2 (2004)? A: What he wants was to have a normal life Q: What else does he want? A: to be in a relationship with MJ <sep> FOLLOWUP_Q: Anything else?
Example Output: Yes

Example Input: CONTEXT: Estasi dell Anima was composed for the movie by David Sardy, there isn't a longer version. Searching through Spotify, I found Ennio Morricone's L'Estasi Dell'oro, which has a similar feel and might be an inspiration. It has similar instrumentation (discounting the electric guitar) and a driving beat with flourishes leading to a grand orchestral swell. It's 3:23 minutes long, might be helpful. <sep> Q: Was the track "Estasi Dell Anima" newly composed for "Zombieland"? A: I found Ennio Morricone's L'Estasi Dell'oro, which has a similar feel and might be an inspiration Q: It's a great piece but too short...do you know if there is a longer rendition available? A: Estasi dell Anima was composed for the movie by David Sardy, there isn't a longer version <sep> FOLLOWUP_Q: Is there anything else you can tell me about Estasi Dell Anima?
Example Output: Yes

Example Input: CONTEXT: I think it was worded that way for pragmatic reasons. Peter Jackson didn't want to tell the story of Smeagol until after the character Gollum was established. In The Fellowship of the Ring, the viewer is intended to see Gollum as a sort of beast. In The Two Towers, he has a much larger role and seems sort of halfway between beast and person, but a viewer who has not read the books is still unlikely to guess that he is a corrupted hobbit. The Return of the King opens with the story of Smeagol and Deagol to shed new light on who Gollum is, where he came from, why the Ring means so much to him, and what kind of influence the Ring wields over him. It is a bit of a shocking scene; the shock would not be nearly as strong if the viewer already knew Gollum's origin. So, in the opening of The Fellowship of the Ring, that Gollum was once a hobbit named Smeagol is an extraneous detail. While "the Ring came to Gollum" is an oversimplification, it was a necessary one; it told the viewer what he needed to know at that point in the story and no more. <sep> Q: Why does the narrator say 'The ring came to the creature Gollum'? A: In The Fellowship of the Ring, the viewer is intended to see Gollum as a sort of beast <sep> FOLLOWUP_Q: What wass the reason for making him appear as the beast?
Example Output:
Yes