input question: Who angrily quits their job? Answer the above question based on the context below: After seeing several patients, Travis, a troubled psychiatrist, is contacted at home by a patient, Rachel. Travis invites her into his apartment, though he acknowledges this is unorthodox. As they talk, Rachel sees Travis take several pills, which he explains are to help him deal with the mounting stresses in his life. After they kiss, Rachel offers to help him, and Travis laughs derisively. Hurt, Rachel leaves his apartment and goes to the top of the apartment building, where she phones him. When he realises she means to commit suicide, he races upstairs, only to see her leap to her death. After one of his patients taunts him over this rumor, Travis reacts violently and is put on leave, though he angrily quits instead. Grace, a young woman, hands out pamphlets on a train and invites Travis to a support group. Though dismissive, Travis takes one of her pamphlets. After drinking heavily and becoming depressed over his life, Travis attends the meeting. Travis is disgusted when the group's leader, Father Jay, a military veteran and former drug addict, forces a young member, Marcus, to confront difficult personal issues in public. As Travis leaves, Grace urges him to seek the group's support. After a suicide attempt in which he overdoses on pills, Travis calls the group before slipping into unconsciousness. Father Jay, Grace, and another member, Tom, arrive and induce vomiting, saving his life.???
output answer: Travis

input question: What is the first name of the person who said Tchaikovsky placed blocks of dissimilar tonal material alongside thematic material with "new and violent contrasts" between musical themes, keys and harmonies? Answer the above question based on the context below: Tchaikovsky struggled with sonata form. Its principle of organic growth through the interplay of musical themes was alien to Russian practice. The traditional argument that Tchaikovsky seemed unable to develop themes in this manner fails to consider this point; it also discounts the possibility that Tchaikovsky might have intended the development passages in his large-scale works to act as "enforced hiatuses" to build tension, rather than grow organically as smoothly progressive musical arguments.According to Brown and musicologists Hans Keller and Daniel Zhitomirsky, Tchaikovsky found his solution to large-scale structure while composing the Fourth Symphony. He essentially sidestepped thematic interaction and kept sonata form only as an "outline," as Zhitomirsky phrases it. Within this outline, the focus centered on periodic alternation and juxtaposition. Tchaikovsky placed blocks of dissimilar tonal and thematic material alongside one another, with what Keller calls "new and violent contrasts" between musical themes, keys, and harmonies. This process, according to Brown and Keller, builds momentum and adds intense drama. While the result, Warrack charges, is still "an ingenious episodic treatment of two tunes rather than a symphonic development of them" in the Germanic sense, Brown counters that it took the listener of the period "through a succession of often highly charged sections which added up to a radically new kind of symphonic experience" (italics Brown), one that functioned not on the basis of summation, as Austro-German symphonies did, but on one of accumulation.Partly due to the melodic and structural intricacies involved in this accumulation and partly due to the composer's nature, Tchaikovsky's music became intensely expressive. This intensity was entirely new to Russian music and prompted some Russians to place Tchaikovsky's name alongside that of Dostoyevsky. German musicologist Hermann Kretzschmar credits Tchaikovsky in his later symphonies with offering "full images of life, developed...???
output answer: Hans

input question: What is the last name of the person who had originally intended to take a year off after the release of her last album? Answer the above question based on the context below: After the release of The Red Shoes, Kate Bush dropped out of the public eye. She had originally intended to take one year off, but despite working on material, twelve years passed before her next album release. Her name occasionally cropped up in the media with rumours of a new album release. The press often viewed her as an eccentric recluse, sometimes drawing a comparison with Miss Havisham from Charles Dickens's Great Expectations. In 1998, Bush gave birth to Albert, known as "Bertie", fathered by her guitarist and now husband Danny McIntosh. In 2001, Bush was awarded a Q Award as Classic Songwriter. In 2002, she was awarded an Ivor Novello Award for Outstanding Contribution to Music, and performed "Comfortably Numb" at David Gilmour's concert at the Royal Festival Hall in London. Kate Bush's eighth studio album, Aerial, was released on double CD and vinyl in November 2005. The album single "King of the Mountain", had its premiere on BBC Radio 2 two months prior. The single entered the UK Downloads Chart at number six, and would become Bush's third-highest-charting single ever in the UK, peaking at number four on the full chart. Aerial entered the UK albums chart at number three, and the US chart at number 48.Aerial, as on Hounds of Love (1985), is divided into two sections, each with its own theme and mood. The first disc, subtitled A Sea of Honey, features a set of unrelated themed songs, including "King of the Mountain"; "Bertie", a Renaissance-style ode to her son; and "Joanni", based on the story of Joan of Arc. In the song " {\displaystyle \pi } ", Bush sings 117 digits of the number Pi. The second disc, subtitled A Sky of Honey, features one continuous piece of music describing the experience of 24 hours passing by. Aerial earned Bush two nominations at the 2006 BRIT Awards, for Best British Female Solo Artist and Best British Album.???
output answer:
Bush