Problem: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.

Gingold was born in Carlton Hill, Maida Vale, London, the elder daughter of a prosperous Vienna-born Jewish stockbroker James Gingold and his wife, Kate (nee Walter). Her paternal grandparents were the Ottoman-born British subject, Moritz "Maurice" Gingold, a London stockbroker, and his Austrian-born wife, Hermine, after whom Hermione was named (Gingold mentions in her autobiography that her mother might have got Hermione from the Shakespeare's play The Winter's Tale, which she was reading shortly before her birth). On her father's side, she was descended from the celebrated Solomon Sulzer, a famous synagogue cantor and Jewish liturgical composer in Vienna. Her mother was from a "well-to-do Jewish family". James felt that religion was something children needed to decide on for themselves, and Gingold grew up with no particular religious beliefs. Gingold first appeared on stage in a kindergarten staging of Shakespeare's Henry VIII, in the role of Wolsey. Her professional debut was in 1908 when she had just turned eleven. She played the herald in Herbert Beerbohm Tree's production of Pinkie and the Fairies by W. Graham Robertson, in a cast including Ellen Terry, Frederick Volpe, Marie Lohr and Viola Tree. She was promoted to the leading role of Pinkie for a provincial tour. Tree cast her as Falstaff's page, Robin, in The Merry Wives of Windsor. She attended Rosina Filippi's stage school in London. In 1911 she was cast in the original production of Where the Rainbow Ends which opened to very good reviews on 21 December 1911. Among her colleagues as child-actors in "Where the Rainbow Ends" were Philip Tonge and Noel Coward. On 10 December 1912, the day after her fifteenth birthday, Gingold played Cassandra in William Poel's production of Troilus and Cressida at the King's Hall, Covent Garden, with Esme Percy as Troilus and Edith Evans as Cressida. The following year she appeared in a musical production, The Marriage Market, in a small role in a cast that included Tom Walls, W H Berry, and Gertie Millar. In 1914 she played Jessica in The Merchant of Venice at the Old Vic. In 1918 Gingold married the publisher Michael Joseph, with whom she had two sons, the younger of whom, Stephen, became a pioneer of theatre in the round in Britain.

What happened after this role?

Answer with quotes: The following year she appeared in a musical production, The Marriage Market,

Question:
Hasan ibn Ali ibn Muhammad (c. 846 - 874) was the 11th Imam of Twelver Shia Islam, after his father Ali al-Hadi. He was also called Abu Muhammad and Ibn al-Ridha. Because Samarra, the city where he lived, was a garrison town, he is generally known as al-Askari (Askar is the word for military in Arabic). Al-Askari married Narjis Khatun and was kept under house arrest or in prison for most of his life, until, according to some Shia sources, he was poisoned at the age of 28 on the orders of the Abbasid caliph Al-Mu'tamid and was buried in Samarra.
Various legends relate to al-Askari's wife, Narjis Khatun (the mother of the twelfth Imam, Muhammad al-Mahdi). It is said that al-Askari's father, Ali al-Hadi, wrote a letter in the script of Rum; put it in a red purse, with 220 Dinars; and gave it to his friend Bashar ibn Sulaiman. The letter instructed him to go to Baghdad, to a ferry place on the river where the boats from Syria were unloaded, and female slaves were sold. Bashar was told to look out for a shipowner named Amr ibn Yazid, who had a slave girl who would call out in the language of Rum: "Even if you have wealth and the glory of Solomon the son of David, I can never have affection for you, so take care lest you waste your money." And that if a buyer approached her, she would say "Cursed be the man who unveils my eyebrow!" Her owner would then protest, "But what recourse do I have I; I am compelled to sell you?" "You will then hear the slave answer", said the Imam, "Why this hast, let me choose my purchaser, that my heart may accept him in confidence and gratitude." Bashar gave the letter, as he was instructed, to the slave girl; who read it, and was not able to keep from crying afterward. Then she said to Amr ibn Yezid, "Sell me to the writer of this letter, for if you refuse I will surely kill myself." "I therefore talked over the price with Amr until we agreed on the 220 Dinars my master had given me," said Bashar. On her way to Samarra, the slave girl would kiss the letter and rub it to her face and body; and when asked by Bashar why she did so despite not knowing the writer of the letter, she said, "May the offspring of the Prophet dispel your doubts!" Later on, however, she gave a full description of the dream she had had, and how she had escaped from her father's palace. A lengthier version of this story is recorded in Donaldson's book, along with further discussion on the authenticity of this story. Some Shia sources have recorded her as being a "Roman (i.e. Byzantine) princess" who pretended to be a slave so that she might travel from her kingdom to Arabia. Mohammad Ali Amir-Moezzi, in the Encyclopedia of Iranica, suggests that the last version is "undoubtedly legendary and hagiographic".
Answer this question using a quote from the text above:

Did they have any children?

Answer:
wife, Narjis Khatun