Background: Katherine Anne "Kitty" Pryde is a fictional superhero appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. The character first appeared in Uncanny X-Men #129 (January 1980) and was co-created by writer-artist John Byrne and Chris Claremont. A mutant, Pryde possesses a "phasing" ability that allows her, as well as objects or people she is in contact with, to become intangible. This power also disrupts any electrical field she passes through, and lets her simulate levitation.
Context: Katherine Anne "Kitty" Pryde was born in Deerfield, Illinois, to Carmen and Theresa Pryde. Of Jewish descent, her paternal grandfather, Samuel Prydeman, was held in a Nazi concentration camp during World War II. Kitty started to have headaches at age thirteen, signaling the emergence of her mutant powers. She was approached by both the X-Men's Charles Xavier and the Hellfire Club's White Queen, Emma Frost, both of whom hoped to recruit her for their respective causes. Kitty was unnerved by Frost, observing that the White Queen looked at her as if she were "something good to eat." She got along better with Xavier and the three X-Men who escorted him, quickly becoming friends with Ororo Munroe. Ororo told Kitty who she really was and about the X-Men, which made the teenager even more enthusiastic about attending Xavier's school. Their conversation was cut short when they (along with Wolverine and Colossus) were attacked by armored mercenaries in the employ of Frost and the Hellfire Club. The X-Men defeated their assailants, but were subdued by the White Queen's telepathic powers immediately after. In the confusion, Kitty was separated from the X-Men, and not captured along with them. She managed to contact Cyclops, Phoenix, and Nightcrawler. With the help of Dazzler and Pryde, those X-Men rescued their teammates from the Hellfire Club. The White Queen appeared to perish in the battle, which meant she was no longer competing with Xavier for the approval of Kitty's parents. Kitty's parents had not heard from her in more than a day, because during that time she was first being pursued by the Hellfire Club's men and then working with the X-Men to save their friends. All they knew was Kitty had left with Xavier's "students" to get a soda, there had been reports that the soda shop had been blown up, and Kitty had been missing since. Therefore, they were angry at Xavier when he finally returned with Kitty in tow. At first, it seemed like there was no chance of Kitty being allowed to attend the school and join the X-Men. Phoenix then used her considerable telepathic power to erase the memories of Kitty's parents and plant false ones, resulting in a complete shift in their attitude towards Xavier. Kitty was then allowed to enroll at Xavier's school with her parents' blessing, becoming the youngest member of the team.
Question: In what year was it created
Answer:

Background: Bucks Fizz are a British pop group that achieved success in the 1980s, most notably for winning the 1981 Eurovision Song Contest with the song "Making Your Mind Up". The group was formed in January 1981 specifically for the contest and comprised four vocalists: Bobby G, Cheryl Baker, Mike Nolan and Jay Aston. They achieved instant attention with the dance routine which accompanied the song, involving a skirt-rip. The group went on to have a successful career around the world (albeit ignored in the United States), while the UK remained their biggest market, where they had three No.1 singles with "Making Your Mind Up" (1981), "The Land of Make Believe" (1981) and "My Camera Never Lies" (1982) and became one of the top-selling groups of the 1980s.
Context: During rehearsals, a dance routine was devised for the song which went on to become famous for the moment where the girls' skirts are ripped off halfway through - only to reveal shorter skirts underneath. The routine itself was choreographed by Chrissie Wickham, a former member of dance troupe Hot Gossip, although Martin, Baker and Aston have all since laid claim to the skirt-rip idea. On 11 March, A Song for Europe took place with the then unknown Bucks Fizz competing against well-known act Liquid Gold, as well as Hill and Martin's own group, Gem. "Making Your Mind Up" became an easy winner and the group recorded the song with Hill as producer. Later in the month it was released as a single and entered the charts at No.24. By the time the contest was staged, the single had risen to No.2. On 4 April, Bucks Fizz represented United Kingdom in the 1981 Eurovision Song Contest, which was held in Dublin. Although they were favourites to win, the song faced stiff competition and after a vocally unsound rendition, the early votes were poor. Halfway through the voting process, Bucks Fizz took the lead, although they remained close throughout. Ultimately, Bucks Fizz won the contest by a margin of four points, beating Germany into second place. "Making Your Mind Up" became a major hit around the continent, reaching No.1 in the UK as well as eight other countries. It charted highly in other countries such as Australia, eventually selling four million copies worldwide.
Question: Was that their first recording?
Answer:

Background: Edward Henry Weston (March 24, 1886 - January 1, 1958) was a 20th-century American photographer. He has been called "one of the most innovative and influential American photographers..." and "one of the masters of 20th century photography." Over the course of his 40-year career Weston photographed an increasingly expansive set of subjects, including landscapes, still lifes, nudes, portraits, genre scenes and even whimsical parodies. It is said that he developed a "quintessentially American, and specially Californian, approach to modern photography" because of his focus on the people and places of the American West.
Context: Weston was a prolific writer. His Daybooks were published in two volumes totaling more than 500 pages in the first edition. This does not include the years of the journal he kept between 1915 and 1923; for reasons he never made clear he destroyed those before leaving for Mexico. He also wrote dozens of articles and commentaries, beginning in 1906 and ending in 1957, and he hand-wrote or typed at least 5,000 letters to colleagues, friends, lovers, his wives and his children. In addition, Weston kept very thorough notes on the technical and business aspects of his work. The Center for Creative Photography at the University of Arizona, which now houses most of Weston's archives, reports that it houses 75 linear feet of pages from his Daybooks, correspondence, financial records, memorabilia, and other personal documents in his possession when he died. Among Weston's most important early writings are those that provide insights into his development of the concept of previsualization. He first spoke and wrote about the concept in 1922, at least a decade before Ansel Adams began utilizing the term, and he continued to expand upon this idea both in writing and in his teachings. Historian Beaumont Newhall noted the significance of Weston's innovation in his book The History of Photography, saying "The most important part of Edward Weston's approach was his insistence that the photographer should previsualize the final print before making the exposure." In his Daybooks he provided an unusually detailed record of his evolution as an artist. Although he initially denied that his images reflect his own interpretations of the subject matter, by 1932 his writings revealed that he had come to accept the importance of artistic impression in his work. When combined with his photographs, his writings provide an extraordinarily vivid series of insights into his development as an artist and his impact of future generations of photographers.
Question: What did Weston write about?
Answer:
he hand-wrote or typed at least 5,000 letters to colleagues, friends, lovers, his wives and his children.