Problem: Background: Francis "Frank" Hague, born in Jersey City, was the fourth of eight children to John D. and Margaret Hague (nee Fagen), immigrants from County Cavan, Ireland. He was raised in Jersey City's Second ward, an area known as The Horseshoe due to its shape which wrapped around a railroad loop. The ward was created when the Republican-controlled legislature gerrymandered a district within Jersey City in 1871 to concentrate and isolate Democratic, and mostly Catholic, votes. By age 14, Hague was expelled from school prior to completing the sixth grade for poor attendance and unacceptable behavior.
Context: In 1913, the first election for the city commission saw 91 men on the ballot competing for five available seats on the commission. Hague finished fourth with 17,390 votes and was elected to the first City Commission of Jersey City. The only Wittpenn-supported candidate, A. Harry Moore, was also elected. As a result of having garnered the most votes (21,419) former mayor Fagan became the first mayor under this new form of government, and the only Republican to hold that title in Jersey City for the following 75 years. Hague was named public safety commissioner, with control over the police and fire departments. In the same year, Hague cemented his control of the Hudson County political machine by securing for himself the leadership of the Hudson County Democratic Organization Executive Committee. Hague immediately set about reshaping the corrupt Jersey City police force with tough Horsehoe recruits. Hague spearheaded crackdowns on prostitution and narcotics trafficking, earning him favor with religious leaders. These enforcement acts went as far as Hague himself marching across local Vaudeville stages personally directing the shut down of "girlie shows." At the heart of this change was an inner cadre of officers known as the Zeppelin Squad or "zepps" who were personally loyal to Hague alone. The "zepps" would spy on, and report back to Hague about other members of the department. Eventually, Jersey City had one patrolman for every 3,000 residents, causing a marked decline in the city's once-astronomical crime rate. Hague took steps to curb the police department's lackadaisical work ethic, punishing offenses that had gone unpunished for years. He also made much-needed improvements to the fire department; at the time he took office Jersey City's fire insurance rates were among the highest in the nation. Upon discovering in early 1916 that millions of pounds of munitions were being stockpiled on the Jersey City waterfront, Hague travelled to Washington, D.C. to register concerns for the safety of his constituents. His meetings with Congressmen resulted in no action, Congress having decided that Jersey City was an "appropriate port." Hague's concerns were shown to be valid in July 1916 when the Black Tom explosion sent shrapnel flying across the city. In 1917, Hague, with his reputation as the man who cleaned up the police force, ran for reelection. He put together a commission ticket called "The Unbossed." The ticket consisted of him, Parks Commissioner Moore, Revenue Commissioner George Brensinger, ex-judge Charles F.X. O'Brien and City Clerk Michael I. Fagan. It swept all five spots on the commission. Moore topped the poll, and traditional practice called for him to be appointed mayor. However, when the commission met for the first time on May 11, Hague was chosen as the new mayor.
Question: how long was he commissioner?
Answer: 1917,

Problem: Background: The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became widely regarded as the foremost and most influential music band. Rooted in skiffle, beat and 1950s rock and roll, the Beatles later experimented with several musical styles, ranging from pop ballads and Indian music to psychedelia and hard rock, often incorporating classical elements and unconventional recording techniques in innovative ways. In 1963 their enormous popularity first emerged as "Beatlemania"; as the group's music grew in sophistication, led by primary songwriters Lennon and McCartney, the band were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s.
Context: Touring internationally in June and July, the Beatles staged 37 shows over 27 days in Denmark, the Netherlands, Hong Kong, Australia and New Zealand. In August and September they returned to the US, with a 30-concert tour of 23 cities. Generating intense interest once again, the month-long tour attracted between 10,000 and 20,000 fans to each 30-minute performance in cities from San Francisco to New York. In August, journalist Al Aronowitz arranged for the Beatles to meet Bob Dylan. Visiting the band in their New York hotel suite, Dylan introduced them to cannabis. Gould points out the musical and cultural significance of this meeting, before which the musicians' respective fanbases were "perceived as inhabiting two separate subcultural worlds": Dylan's audience of "college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style" contrasted with their fans, "veritable 'teenyboppers' - kids in high school or grade school whose lives were totally wrapped up in the commercialised popular culture of television, radio, pop records, fan magazines, and teen fashion. To many of Dylan's followers in the folk music scene, the Beatles were seen as idolaters, not idealists." Within six months of the meeting, according to Gould, "Lennon would be making records on which he openly imitated Dylan's nasal drone, brittle strum, and introspective vocal persona"; and six months after that, Dylan began performing with a backing band and electric instrumentation, and "dressed in the height of Mod fashion". As a result, Gould continues, the traditional division between folk and rock enthusiasts "nearly evaporated", as the Beatles' fans began to mature in their outlook and Dylan's audience embraced the new, youth-driven pop culture. During the 1964 US tour, the group were confronted with the reality of racial segregation in the country at the time, particularly in the South. When informed that the 11 September show at the Gator Bowl in Jacksonville, Florida was to be held at a segregated venue, the Beatles expressed astonishment and announced that they would refuse to perform unless the show become integrated. Lennon stated: "We never play to segregated audiences and we aren't going to start now ... I'd sooner lose our appearance money." The group's stand drew controversy in the local media, but city officials relented and agreed to allow an integrated show. On the tour the group also refused to stay in segregated hotels. Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.
Question: Is there anything else interesting?
Answer:
Documents reveal that for their subsequent US tours in 1965 and 1966, the Beatles included clauses in contracts stipulating that shows be integrated.