[Q]: Question: What is John Kinsdale's job title? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The 'Human' Factor Context: John Kinsdale is a devout family man working as a NATO computer specialist in Naples, Italy. When political terrorists kill his entire family, John uses his technological prowess to track and hunt down the cold-blooded killers, who continue to target American expatriate families in Italy. Hacking into various government computers, Kinsdale is able to identify the suspects and actually predict their next attack. Trying to prevent him from taking the law into his own hands are a local Italian police inspector, a U.S. military commander, and his colleagues, Mike MacAllister and Janice. But nothing can prevent John from meting out his bloody brand of grief-stricken revenge.
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[A]: NATO computer specialist.

[Q]: Question: Who does Luis decide to rent? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Prete-moi ta main Context: Luis Campos (Alain Chabat), 43, happily single, mollycoddled by his family (mother and 5 sisters, who by design established by his late father Hercule form a kind of family council known as the G7), has a successful career as a perfumer and an easy life. Tired of taking care of him, the G7 decide he should get married within a year. The problem is Luis does not want any kind of serious relationship since they ruined his first true love. After turning down all the girls introduced to him, he gets an idea: "rent" his best friend's sister, Emma (Charlotte Gainsbourg), turn her into the perfect bride-to-be, and make her not show up on their wedding day. That way, Luis thinks his family will leave him alone. Unfortunately for him, his family likes Emma and blames him when she apparently jilts him at the altar. He then comes up with an alternate plan to have Emma act horribly towards his family so they will not like her any more. The two begin to fall in love so Luis finally stands up to his family, confesses his schemes and finally settles down with Emma.
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[A]: Emma

[Q]: Question: Why does Johnson snap and kill Baxter? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Offence Context: Detective-Sergeant Johnson (Connery) has been a police officer for 20 years, and is deeply affected by the murders, rapes, and other violent crimes he has investigated. He is plagued by images of violence, and is losing his mind under the strain. His anger surfaces while interrogating Kenneth Baxter (Bannen), who is suspected of raping a young girl; by the end of the interrogation, Johnson has beaten him to death. Johnson is suspended and returns home for the night, and gets into a violent argument with his wife, Maureen (Vivien Merchant). The following day, Johnson is interrogated by Detective Superintendent Cartwright (Trevor Howard), and during the long interrogation flashbacks show the events during the night when Johnson killed Baxter. The flashbacks portray Baxter whose guilt or innocence is left ambiguous taunting Johnson during the interrogation, insinuating that he secretly wants to commit the sort of sex crimes he investigates. Johnson at first flies into a rage and strikes Baxter, but he eventually admits that he does indeed harbour obsessive fantasies of murder and rape. He then tearfully begs Baxter to help him. When Baxter recoils from him in disgust, Johnson snaps and kills him. The film ends with another flashback, this time of Johnson attacking the police officers who pulled him off Baxter, and muttering, "God...my God..." as he realizes what he has done.
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[A]: Baxter recoils from him in disgust

[Q]: Question: When is the protagonist last seen? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Waking Life Context: Waking Life is about an unnamed young man living an ethereal existence that lacks transitions between everyday events and that eventually progresses toward an existential crisis. For most of the film he observes quietly but later participates actively in philosophical discussions involving other charactersranging from quirky scholars and artists to everyday restaurant-goers and friendsabout such issues as metaphysics, free will, social philosophy, and the meaning of life. Other scenes do not even include the protagonist's presence, but rather, focus on a random isolated person, group of people, or couple engaging in such topics from a disembodied perspective. Along the way, the film touches also upon existentialism, situationist politics, posthumanism, the film theory of Andre Bazin, and lucid dreaming, and makes references to various celebrated intellectual and literary figures by name.Gradually, the protagonist begins to realize that he is living out a perpetual dream, broken up only by occasional false awakenings. So far he is mostly a passive onlooker though this changes during a chat with a passing woman who suddenly approaches him. After she greets him and shares her creative ideas with him, he reminds himself that she is a figment of his own dreaming imagination. Afterwards, he starts to converse more openly with other dream characters, but he begins to despair about being trapped in a dream. The protagonist's final talk is with a character who looks somewhat similar to the protagonist himself and whom he briefly encountered previously, earlier in the film. This last conversation reveals this other character's understanding that reality may be only a single instant that the individual interprets falsely as time (and, thus, life); that living is simply the individual's constant negation of God's invitation to become one with the universe; that dreams offer a glimpse into the infinite nature of reality; and that in order to be free from the illusion called life, the individual need only to accept God's...
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[A]:
Entering a driveway