Question: Conventional ("tailhook") aircraft rely upon a landing signal officer (LSO, radio call sign paddles) to monitor the aircraft's approach, visually gauge glideslope, attitude, and airspeed, and transmit that data to the pilot. Before the angled deck emerged in the 1950s, LSOs used colored paddles to signal corrections to the pilot (hence the nickname). From the late 1950s onward, visual landing aids such as Optical Landing System have provided information on proper glide slope, but LSOs still transmit voice calls to approaching pilots by radio.
Try to answer this question if possible: What did LSO's use to signal corrections to the pilot prior to the angled deck designs introduced in the 1960's?
Answer: unanswerable
Question: The term "Late Middle Ages" refers to one of the three periods of the Middle Ages, along with the Early Middle Ages and the High Middle Ages. Leonardo Bruni was the first historian to use tripartite periodization in his History of the Florentine People (1442). Flavio Biondo used a similar framework in Decades of History from the Deterioration of the Roman Empire (14391453). Tripartite periodization became standard after the German historian Christoph Cellarius published Universal History Divided into an Ancient, Medieval, and New Period (1683).
Try to answer this question if possible: Who was the reader of "Decades of History from the Deterioration of the Roman Empire
Answer: unanswerable
Question: As African states became independent in the 1960s, the Soviet Union offered many of their citizens the chance to study in Russia. Over a period of 40 years, about 400,000 African students from various countries moved to Russia to pursue higher studies, including many Black Africans. This extended beyond the Soviet Union to many countries of the Eastern bloc.
Try to answer this question if possible: Migration to Russia continued into many countries where?
Answer: Eastern bloc.
Question: For example, one might refer to the A above middle C as a', A4, or 440 Hz. In standard Western equal temperament, the notion of pitch is insensitive to "spelling": the description "G4 double sharp" refers to the same pitch as A4; in other temperaments, these may be distinct pitches. Human perception of musical intervals is approximately logarithmic with respect to fundamental frequency: the perceived interval between the pitches "A220" and "A440" is the same as the perceived interval between the pitches A440 and A880. Motivated by this logarithmic perception, music theorists sometimes represent pitches using a numerical scale based on the logarithm of fundamental frequency. For example, one can adopt the widely used MIDI standard to map fundamental frequency, f, to a real number, p, as follows
Try to answer this question if possible: Human perception of musical intervals is approximately what?
Answer:
logarithmic