Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: The Unseen is done in a style more like old Hollywood mysteries than a horror show. The film is somewhat slow but lots of bizarre imagery keeps it the film alive and watchable. The basic idea of young girls stalked by something in the basement is old, but good acting and production make the movie worth watching. The movie is notable for its emotional impact and certainly not for any explicit action or special effects. I rated it an 8 out of 10.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: A doctor who is trying to complete the medical dream of transplantation is experimenting secretly on corpses from the hospital with varying success. His final best chance comes when he lovingly wraps his girlfriend's head in his jacket as he rescues it from a burning vehicle.

I was looking for cheese and with this premise I believed I found it. It has everything everything that bad movie hunters look for - chest and brain surgery with the surgeons leaving with pristine white scrubs, unique camera angles (I always love watching the rear passenger wheels of cars), cheesy clarinet stripper music, and one of the longest death scenes in movie history. But unfortunately these so-bad-they-are-good moments can't overcome the too-bad-they-stink stretches.

Jan in the Pan annoyed me, with her droning monologues in a hoarse whisper, the somewhat less than evil laughter, and the fact she was kept alive with some Columbian home brew coffee and 2 DD batteries.

I couldn't even entertain myself with Dr Bill's horrid overacting and moral self righteousness. Usually such ham makes these movies a must see in my opinion, in this case I was bored with it.

The best part of the movie in my opinion was the 1960's version of "body shopping" and I even found myself nodding off during that.

Don't spend money on this one - there are better bad movies out there to entertain your sick sense of humor.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: The Dentist is a really good thriller. And pretty disturbing. I think we can all agree that the chances of running into a psycho dentist are much bigger than running into monsters, vampires or zombies. That's exactly why this movie is so scary. During this film, you'll probably think about your own dentist a few times. Whether he's capable of doing such things...You better pray his wife doesn't cheat on him. That's what the story is all about. A respected dentist in LA snaps when he finds out his wife is cheating on him with the pool-boy. ( That must be the greatest profession in the world, by the way. Poolboys always take advantage of the housewives when the husband is at his work) From then on our dentist, Dr. Feinstone, can only thing about taking revenge. He can't concentrate on his patients anymore and a couple of them get hurt. Things aren't made easier for our dentist when he's chased by an annoying tax-controller, a curious cop and a suspicious staff member of his. At one point, Dr. Feinstone can't take it anymore. Now he's not only after his wife but after everyone who comes near him.. The dentist is written and directed by Brian Yuzna and co-written by Stuart Gordon. You can take that as a recommendation to itself. These 2 persons already gave us a few great horror movies ( and personal favorites of mine ) like Re-Animator, From Beyond and Society. With the Dentist, they succeed once more to bring an entertaining and very chilling thriller. This film came right on time actually. The decade hadn't brought us many great horror films so far. I'm not at all saying this IS a masterpiece, but it's a nice change. Corbin Bensen is great as the dentist obsessed by hygiene. I remember him mostly as a comedy or drama actor, but he can sure handle a psychotic character. The rest of the cast does good work too. The woman who plays Feinstone's wife is really attractive. Also, it was great to see Ken Foree acting again. The actor from my all time favorite movie Dawn of the Dead plays the cop in this film. Yuzna casted him in From Beyond too, 15 years ago and I thank him for that. I don't recommend this movie to everyone (if you have a weak stomach, I'll advise you to skip it) but if you do watch it, you'll enjoy it very much. You'll be disgusted...but that's an extra reason, I think. It's been a while since I was really freaked out by watching a film. It's a great topic to handle in the genre and Yuzna does it in a great way. Too bad this film was followed by a completely unnecessary sequel. My humble opinion on the Dentist ... 8/10
Q: What's an example of a movie review?
An example of a movie review is here: Don't get me wrong, I love action and revenge flicks, I've seen many of them since I was a kid, including Dolph Lundgren's latest "The Mechanik" which is quite good. And Tony Scott certainly know how to use a camera and even might be a genius shooting and editing films.

But with "Man on Fire" (and even more then with "Domino"), Scott shows that rather than using his film-making "genius" skills intelligently, he uses it puposelessly to show off and compensate a lack of substance that his material doesn't offer him. "Man of Fire" is close to 2 hours and half when it really should have been at least an hour less.

The way Scott shot and edited this film also makes you wonder if he really wants you (the audience) to sit through his film because his constant camera moves and flashes really are a torture for the eye and makes you wanna leave the theater or turn it off after 5 minutes into it.

At times where the MPAA and studios have questionable attitudes regarding ratings, violence and making PG-13 movies, I find also suspicious that a $70 million movie is made of a B-movie script with a character who cuts fingers, puts a bomb in a man's ass and blows a guy's hand with a shotgun, all this to avenge the death of a little girl who ISN'T even dead! Go figure then why a studio will pass a better script because of the language or violence... Thus said...
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: and anyone who watches this film will agree. This film was directed in the days when plot, character believability and theme actually mattered.

Jean Peters, Widmark, and Thelma Ritter steal the spotlight. Ritter is in top form as informer "Moe" she survives in the Bowery section of NY, acting as a stool pigeon for NYC police.

The only other film in which I have seen Peters is "Niagara", and she certainly proves her acting ability here, complete with Brooklyn accent. Widmark is appropriately menacing, as the anti-hero who must discern what the right thing is, despite his need for cash.

The photography is brilliant. The neon, the subway station (though it looks cleaner than the real thing!) the harbor shack where Widmark lives as a transient. Excellent use is made of the city, with "Lightning Louie" in Chinatown; the many flavors and appetites of the city are addressed here; the political climate of the time is a haunting backdrop. 10/10.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer:
By 1976 the western was an exhausted genre and the makers of this film clearly knew it. Still, instead of shelving the project and saving us from having to watch it, they went ahead and made it anyway. Apparently in need of an interesting thread to get the audiences to come and see the film, they decided to make it as blatantly violent and unpleasant as possible. Hell, it worked for The Wild Bunch so why shouldn't it work here? Of course, The Wild Bunch had the benefit of a superb script but the script of The Last Hard Men is plain old-fashioned rubbish.

It's hard to figure out what attracted Charlton Heston and James Coburn to their respective roles. Heston plays a retired lawman who goes after an escaped bunch of convicts led by a violent outlaw (Coburn). The hunt becomes even more personal when Heston's daughter (Barbara Hershey) is kidnapped by the convicts and subjected to sexual degradation.

This is a bloodthirsty film indeed in which every time someone dies it is displayed in over-the-top detail. It's tremendously disappointing really, because the star pairing sounds like a mouth-watering prospect. There's no sense of pace or urgency in the film either. It takes an eternity to get going, but when the action finally does come it is marred by the emphasis on nastiness. All in all, this might be the very worst film that Heston ever made. I'm sure it's one of the productions he is loathe to include on his illustrious CV.