Problem: Background: Lucy Stone (August 13, 1818 - October 18, 1893) was a prominent U.S. orator, abolitionist, and suffragist, and a vocal advocate and organizer promoting rights for women. In 1847, Stone became the first woman from Massachusetts to earn a college degree. She spoke out for women's rights and against slavery at a time when women were discouraged and prevented from public speaking. Stone was known for using her birth name after marriage, the custom at the time being for women to take their husband's surname.
Context: In February 1846 Stone intimated to Abby Kelley Foster that she was thinking of becoming a public speaker, but not until the following summer did a storm of controversy over Foster's speaking at Oberlin decide the matter for her. Faculty opposition to Foster ignited impassioned discussion of women's rights among the students, especially of woman's right to speak in public, which Stone vigorously defended in a joint meeting of the men's and women's literary societies. She followed that campus demonstration by making her first public speech at Oberlin's August 1 commemoration of Emancipation in the West Indies. In the fall of 1846 Stone informed her family of her intention to become a woman's rights lecturer. Her brothers were at once supportive, her father encouraged her to do what she considered her duty, but her mother and only remaining sister begged her to reconsider. To her mother's fears that she would be reviled, Stone said she knew she would be disesteemed and even hated, but she must "pursue that course of conduct which, to me, appears best calculated to promote the highest good of the world." Stone then tried to gain practical speaking experience. Although women students could debate each other in their literary society, it was considered inappropriate for them to participate in oral exercises with men; women members of the collegiate rhetoric class were expected to learn by observing their male classmates. So Stone and first-year student Antoinette Brown, who also wanted to develop skill in public speaking, organized an off-campus women's debating club. After gaining a measure of competence, they sought and received permission to debate each other before Stone's rhetoric class. The debate attracted a large student audience as well as attention from the Faculty Board, which thereupon formally banned women's oral exercises in coeducational classes. Shortly thereafter, Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him. She then submitted a petition to the Faculty Board, signed by most members of her graduating class, asking that women chosen to write graduation essays be permitted to read them themselves, as men so honored did, instead of having them read by faculty members. When the Faculty Board refused and Stone was elected to write an essay, she declined, saying she could not support a principle that denied women "the privilege of being co-laborers with men in any sphere to which their ability makes them adequate." Stone received her baccalaureate degree from Oberlin College on August 25, 1847, becoming the first female college graduate from Massachusetts.
Question: Where did she speak?
Answer: Stone accepted a challenge from a former editor of a county newspaper to a public debate on women's rights, and she soundly defeated him.

Problem: Background: Pink Floyd were an English rock band formed in London in 1965. They achieved international acclaim with their progressive and psychedelic music. Distinguished by their use of philosophical lyrics, sonic experimentation, extended compositions, and elaborate live shows, they are one of the most commercially successful and influential groups in popular music history. Pink Floyd were founded by students Syd Barrett on guitar and lead vocals, Nick Mason on drums, Roger Waters on bass and vocals, and Richard Wright on keyboards and vocals.
Context: In 1975, Pink Floyd bought a three-storey group of church halls at 35 Britannia Row in Islington and began converting the building into a recording studio and storage space. In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio. The concept of Animals originated with Waters, loosely based on George Orwell's political fable, Animal Farm. The album's lyrics described different classes of society as dogs, pigs, and sheep. Hipgnosis received credit for the packaging of Animals; however, Waters designed the final concept, choosing an image of the ageing Battersea Power Station, over which they superimposed an image of a pig. The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "Dogs", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "Pigs on the Wing". Wright commented: "It was partly my fault because I didn't push my material ... but Dave did have something to offer, and only managed to get a couple of things on there." Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately." Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward Animals; Wright had marital problems, and his relationship with Waters was also suffering. Animals is the first Pink Floyd album that does not include a writing credit for Wright, who commented: "Animals... wasn't a fun record to make ... this was when Roger really started to believe that he was the sole writer for the band ... that it was only because of him that [we] were still going ... when he started to develop his ego trips, the person he would have his conflicts with would be me." Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three. NME described the album as "one of the most extreme, relentless, harrowing and downright iconoclastic hunks of music", and Melody Maker's Karl Dallas called it "[an] uncomfortable taste of reality in a medium that has become in recent years, increasingly soporific". Pink Floyd performed much of the album's material during their "In the Flesh" tour. It was the band's first experience playing large stadiums, whose size caused unease in the band. Waters began arriving at each venue alone, departing immediately after the performance. On one occasion, Wright flew back to England, threatening to leave the band. At the Montreal Olympic Stadium, a group of noisy and enthusiastic fans in the front row of the audience irritated Waters so much that he spat at one of them. The end of the tour marked a low point for Gilmour, who felt that the band achieved the success they had sought, with nothing left for them to accomplish.
Question: Did anything else interesting happen on tour?
Answer:
" Gilmour, distracted by the birth of his first child, contributed little else toward the album.