Generate a question about the following movie plot: In pre-Revolution Paris, the Marquise de Merteuil (Glenn Close) plots revenge against her ex-lover, the Comte de Gercourt, who has recently ended their relationship. An amoral, sexually ravenous schemer, Merteuil amuses herself by manipulating men out of boredom, and her resentment of the subservient status of women in 18th-century French aristocratic society. To soothe her wounded pride and embarrass Gercourt, she seeks to arrange the seduction and disgrace of his young 18-year-old virgin fiancee, Cecile de Volanges (Uma Thurman), who has only recently been presented to society after spending her formative years in the shelter of a convent.Merteuil calls on her old friend, the rakish and similarly unprincipled Vicomte de Valmont (John Malkovich) to do the deed, offering him her own sexual favors as the reward for a successful conquest. Valmont declines, claiming that it is too easy, plus he has a seduction of his own in progress: Madame de Tourvel (Michelle Pfeiffer), the virtuous wife of a member of Parliament. Merteuil is amused and incredulous at Valmont's hubris. She asks him how can he ever hope to bed a chaste, devoutly religious woman like Madame Tourvel. Never one to refuse a challenge, Valmont modifies the proposal: If he succeeds in sleeping with Tourvel, Merteuil must sleep with him as well. Merteuil accepts, on the condition that he furnish written proof of the liaison.At the estate of Valmont's aunt in the countryside, Madame de Rosemonde (Mildred Natwick), where Tourvel is living as a guest while her husband is away on state business, Valmont employs every trick in his considerable repertoire in a vain attempt to attract Tourvel's attention. His first attempt to proposition to Tourvel fails when she refuses his advances. She reveals that she knows all about him and his reputation; that he seduces and corrupts young women for his own twisted enjoyment. Tourvel claims that a friend has been writing her letters which explains all about Valmont's seduction tactics.Searching for leverage, Valmont...
Ans: Who suffers a miscarriage?

Generate a question about the following movie plot: Kristen McKay (Liv Tyler) and James Hoyt (Scott Speedman) return to the remote summer vacation home owned by James's parents in the mid-hours of the night following a friend's wedding reception. After an episode between the couple when Kristen turns down a marriage proposal from James, they receive a knock at the front door. When they open the door, there is a young blonde woman standing there with her face partly obsured by a burnt out door light. "Is Tamara home?", she asks. "No, I think you have the wrong house", they tell her. The mysterious woman then walks off into the night. James fixes the door light and then leaves the house to go buy cigarettes and get his mind off of things.Meanwhile, Kristen stays at the house alone. The blonde woman returns, asking for Tamara, but this time Kristen does not open the door; "You already came by here", she tells the woman, who responds with "Are you sure?". The smoke alarm goes off soon after, due to the fireplace being blocked, and Kristen pulls the alarm off the ceiling and it clatters to the floor. Someone begins banging at the door. Kristen, a little unnerved at the entire situation, locks the doors in the house, and calls James asking him to hurry back, when the phone line goes dead. Kristen plugs her cell phone in to charge it, changes into jeans and a flannel shirt, and then picks up a half-smoked cigarette. As she stands in the living room of the house, a man wearing a sack mask emerges from the hallway behind her, and watches her silently as she gets a glass of water. He then disappears.Another barrage of knocks come from the front door, and Kristen sees the smoke alarm, which was previously lying on the floor, sitting neatly on the center of a dining room chair. She hurries to grab her cell phone, but it has been taken off the charger and is nowhere in sight. She hears something hitting the windchimes and making a dragging noise on the back patio, and she slowly, armed with a kitchen knife, walks toward the sliding glass door. She pulls the curtain back,...
Ans: Who asks for a tract?

Generate a question about the following movie plot: Erika Kohut (Isabelle Huppert) is a piano professor at a Vienna music conservatory. Although already in her forties, she still lives in an apartment with her domineering mother (Annie Girardot); her father is a long-standing resident in a lunatic asylum. Throughout the film, the audience is gradually shown truths about Erika's private life. Behind her assured facade, she is a woman whose sexual repression verges into full-fledged desperation and is manifested in a long list of paraphilias, including (but by no means limited to) voyeurism and sadomasochistic fetishes such as sexual self-mutilation.Upon meeting Walter Klemmer (Benoit Magimel), a charming 17-year-old engineering student from a bourgeois background, they begin to obsess one another. Even though she initially attempts to prevent consistent contact and even tries to undermine his application to the conservatory, he eventually becomes her pupil. Like her, he appreciates and is a gifted (if distinct) interpreter of Schumann and Schubert.She destroys the musical prospects of an insecure but talented girl, Anna Schober, driven by her jealousy of the girl's contact with Walter -- and also, perhaps, by her fears that Anna's life will mirror her own. She does so by hiding shards of glass inside one of her coat pockets, permanently damaging Anna's hands and ruining her aspirations to play at the forthcoming jubilee concert. Erika is then wholly sympathetic when the girl's mother (Susanne Lothar) asks for advice on her daughter's recuperation. (The sub-plot of the pupil and her mother, mirroring the main relationship in the film, is absent in Jelinek's novel.) In what clearly qualifies, at that point of the film, as dramatic irony, the girl's mother rhetorically asks Erika who could do something so evil.Walter is increasingly insistent in his desire to start a relationship with her. But when she finally acquiesces, Walter is unwilling to indulge her violent fantasies, which repulse him. The film climaxes, however, when he finally does. He attacks her in her...
Ans: What does Erika hide in Anna's pockets?