Question: Rain, the young man is thinking. Of course it would be raining. Not a heavy, cleansing rain that leaves the streets steaming and the neatly sculptured yards lush and fragrant. This is a gray drizzling rain. A rain that makes him think of places like England and Scotland as they appear in those disturbing late night films on cable, the ones in black and white that weren't particularly memorable when they were made and are even less so now. Still, it rains and the air is cool. All he has to shelter him is a think nylon jacket. The jacket is soaked. It feels both chilly and coarse against his skin. His hair hangs in flat and sodden wings, falling into his eyes. It's long in the back, almost to his shoulders, and he thinks that the cars that pass him on the street, the occupants of those cars, might look at him and see only that he is wet and not that he is dirty as well. Can they tell that his hair has been unwashed for days? That his clothes are the same ones he's worn for more than a week? It doesn't matter. He's invisible to them as soon as they pass, taking any assumptions they might make with them. They might just mistake him for one of those hoity-toity college kids, one of those clean limbed and beaming have's who has happened to find himself caught out without his umbrella. He makes a desultory attempt to straighten his shoulders, to lift his eyes from the buckled sidewalk. To look like he might have a purpose or a destination. It doesn't help. He has become the day. He has internalized the environment. He did that years ago, in fact. That's all I can do. Not his words, of course, but he understands them. He is intimately acquainted with his limitations. Question: Who is thinking of England? Options: - Nobody - Rain - The narrator - not enough information === The correct answer is
Answer: The narrator

Question: I thought I might get some good ideas if I went down to the hospital. I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me. I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad. I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. Question: Why does the narrator need ideas? Options: - The narrator is a writer who is trying to get ideas for a story. - not enough information - The narrator is a police officer who is investigating a murder. - The narrator is a painter who needs ideas for a painting. === The correct answer is
Answer: The narrator is a writer who is trying to get ideas for a story.

Question: I woke at dawn when Digger climbed over me to get out of bed, and I woke again an hour later when Pa called, "Everyone up who wants breakfast!" Across the room, Little Bit was dressing in a T-shirt and jeans that had been mine a year before. Ma had put a stack of clean clothes at the foot of the bed for me. I dressed without caring what I put on. The only important items were my cowboy boots and my Roy Rogers belt with two holsters for cap guns, even though I only had one cap gun left, and its trigger was broken. When I used the toilet, I sat on the front edge of the seat, watching the water beneath me, and scooted off as soon as I was done. I had seen a cartoon in a book at Grandpa Abner's that showed a fish leaping out of a toilet bowl and a woman staring at it with big eyes. I thought that was funny and I knew it was impossible, but I didn't think there was any reason to take chances. Ma called, "Little Bit has to use the bathroom." I yelled, "I'm almost done." Ma called, "Are you off the toilet?" I yelled, "Yes!" Ma opened the door and brought Little Bit in. Squeezing toothpaste onto my toothbrush, I said, "I wasn't done yet." Ma said, "Your father's making breakfast in the restaurant." That meant we should hurry, so I slid the brush over my teeth while Little Bit sat next to the sink, and then I ran out of the house. Stepping into the sunlight was stepping into Florida. I didn't smell oranges -- Ma had explained that oranges grew further south -- but I smelled a humid pinelands that was not like the New Orleans suburb I had known. Question: What is probably true about the narrator? Options: - not enough information - The narrator is hungry. - The narrator is tired. - The narrator has to go to the bathroom. === The correct answer is
Answer:
The narrator is hungry.