input: To get in touch with the beauty of this film pay close attention to the sound track, not only the music, but the way all sounds help to weave the imagery. How beautifully the opening scene leading to the expulsion of Gino establishes the theme of moral ambiguity! Note the way music introduces the characters as we are led inside Giovanna's marriage. Don't expect to find much here of the political life of Italy in 1943. That's not what this is about. On the other hand, if you are susceptible to the music of images and sounds, you will be led into a word that reaches beyond neo-realism. By the end of the film we there are moments Antonioni-like landscape that has more to do with the inner life of the characters than with real places. This is one of my favorite Visconti films.

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input: It seems like this is the only film that John Saxon ever directed, and that he had the good sense to stop after that and stay in front of the camera. This movie is a dog, from start to finish, and it's dull and wooden with nothing much going for it. A Viet Nam war hero takes a job working for a mob boss, gets a bit too friendly with the wife and then the wife is killed by the mob boss himself & the war hero framed and sent to prison, death row, specifically. Now, this particular prison has been experimenting on inmates and is testing some formula that will turn men into the ultimate killing machine (a zombie). Of course, everything goes wrong and then there's all these infected people trapped in the prison, some of whom are turning into zombies and the rest who suddenly just don't want to be there anymore. This just goes on and on and on with nothing particularly much to show or say for itself, and I stopped it before the end, which seemed like it was coming a few times but no, it was apparently only getting set to take off on a different and equally dull path. If one watched to the end they may well become a zombie themselves, so don't risk it. 2 out of 10.

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input: "And All Through the House" is a special crypt episode not only because it's from the first season, but this episode was the first one I saw! I remember as a young man being on vacation with my parents that summer in 1989 in our hotel room in South Carolina on HBO I saw this episode and I was buried to the Crypt right then and forever! I had always been a fan of horror-suspense series and liked monster movies, and with this series started by HBO I again had fearful pleasure. This episode being the first one I saw is memorable for me and one of my favorites, it's just so enjoyable with a nice twist. "And All Through the House" has a nice cozy setting on a snowy Christmas Eve, which is a perfect way to get you relaxed for holiday chopping! Well anyway you have Mary Ellen Trainor(who by the way plays in several warner brothers works, usually small parts) as a greedy philandering wife who takes care of her hubby while waiting on some money and a new romance. Only like most horror series things take a turn for the worst and bad people get what they deserve. The odds are greatly stacked when a maniac dressed as Santa escapes from a local nut house, making for a late holiday chopping on Christmas Eve! As from the old E.C. comic lessons, you learn bad people get what they axe for! Well this tale ends with a perfect holiday scream! Also this tale was in the 1972 movie and featured Joan Collins, this is without a doubt one of my favorites and probably one of the classic crypt episodes of all-time!

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input: The only saving grace of this movie is that it serves as the 0 end of the movie rating scale. Now if I see a movie that really stinks I say this movie was a real Pecker. I believe this movie is a perfect example of Christina Ricci's one dimensional acting. Horrible

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negative