Question: Feynman's other work at Los Alamos included calculating neutron equations for the Los Alamos "Water Boiler", a small nuclear reactor, to measure how close an assembly of fissile material was to criticality. On completing this work he was transferred to the Oak Ridge facility, where he aided engineers in devising safety procedures for material storage so that criticality accidents (for example, due to sub-critical amounts of fissile material inadvertently stored in proximity on opposite sides of a wall) could be avoided. He also did theoretical work and calculations on the proposed uranium hydride bomb, which later proved not to be feasible.
Try to answer this question if possible: Which weapon did Feynman find to be feasible?
Answer: unanswerable
Question: Meetings for worship and study are held at Kingdom Halls, which are typically functional in character, and do not contain religious symbols. Witnesses are assigned to a congregation in whose "territory" they usually reside and attend weekly services they refer to as "meetings" as scheduled by congregation elders. The meetings are largely devoted to study of Watch Tower Society literature and the Bible. The format of the meetings is established by the religion's headquarters, and the subject matter for most meetings is the same worldwide. Congregations meet for two sessions each week comprising five distinct meetings that total about three-and-a-half hours, typically gathering mid-week (three meetings) and on the weekend (two meetings). Prior to 2009, congregations met three times each week; these meetings were condensed, with the intention that members dedicate an evening for "family worship". Gatherings are opened and closed with kingdom songs (hymns) and brief prayers. Twice each year, Witnesses from a number of congregations that form a "circuit" gather for a one-day assembly. Larger groups of congregations meet once a year for a three-day "regional convention", usually at rented stadiums or auditoriums. Their most important and solemn event is the commemoration of the "Lord's Evening Meal", or "Memorial of Christ's Death" on the date of the Jewish Passover.
Try to answer this question if possible: How often did Jehovah Witnesses congregations meet prior to 2009?
Answer: three times each week
Question: At the same time, British, French, and Soviet negotiators scheduled three-party talks on military matters to occur in Moscow in August 1939, aiming to define what the agreement would specify should be the reaction of the three powers to a German attack. The tripartite military talks, started in mid-August, hit a sticking point regarding the passage of Soviet troops through Poland if Germans attacked, and the parties waited as British and French officials overseas pressured Polish officials to agree to such terms. Polish officials refused to allow Soviet troops into Polish territory if Germany attacked; as Polish foreign minister Jozef Beck pointed out, they feared that once the Red Army entered their territories, it might never leave.
Try to answer this question if possible: In what city did the tripartite military talks occur during the month of July?
Answer: unanswerable
Question: Though the music varied widely between regions and artists, the post-punk movement has been characterized by its "conceptual assault" on rock conventions and rejection of aesthetics perceived of as traditionalist, hegemonic or rockist in favor of experimentation with production techniques and non-rock musical styles such as dub, electronic music, disco, noise, jazz, krautrock, world music and the avant-garde. While post-punk musicians often avoided or intentionally obscured conventional influences, previous musical styles did serve as touchstones for the movement, including particular brands of glam, art rock and "[the] dark undercurrent of '60s music".[nb 1] According to Reynolds, artists once again approached the studio as an instrument, using new recording methods and pursuing novel sonic territories. Author Matthew Bannister wrote that post-punk artists rejected the high cultural references of 1960s rock artists like the Beatles and Bob Dylan as well as paradigms that defined "rock as progressive, as art, as 'sterile' studio perfectionism ... by adopting an avant-garde aesthetic".
Try to answer this question if possible: What references did post-punk artists specifically reject of the 1960s rock artists?
Answer:
high cultural