Q: What's an example of a movie review?
An example of a movie review is here: Two years ago, on Berlin Film Festival we watched the Amos Kollek movie "Sue" in the Panorama program, with a wonderful Anna Thomson in the leading part. It's a film about loneliness and sex, and how the one thing is compensated by the other. In the same section on the Festival now we have to complain the superfluous antithesis of Sue, "Extension du domaine de la lutte", which now tries to convince us that loneliness and having NO sex is one and the same problem. But unfortunately we can't sympathize with "our hero" (how he is called by the story-teller), because he is unnecessarily and incomprehensibly tired of company and himself. Own fault, I'm sorry. I can't understand him. Not enough, the writer/director/actor want us admitting to him, that it's not his destroyed self-consciousness or the passivity of his personality, what brought him so far, but the rotten society and its image of sexuality. Yes, there are some deeper insights about gender relations, but we won't follow him so far... And the point is, that there is rather any sign of reflection about his own portion to the fate, having no sex. Who didn't notice yet, it's a quite depressing film...

In the beginning, there had been some starts to be more accurate in sketching the situation. At the bed store the "hero" speaks about the hindrances buying a new bed. Perhaps it's too broad getting up the stairs, you have to stay at home half a day... THIS is a satire about a character, who doesn't know taking the life and heart in hands, DOING something... The movie doesn't follow this path, but handles his characters with helplessness. Nobody believes, that "our hero" is able to instigate Tisserand for a murder. Too dull, too kind, too - passive (not to mention Tisserand's complex; he has an inhibition, but he couldn't be, of course, a murderer of women!). To finish: There are women and the world, it's not a device of a modern sexualized society. Help you as you can, but don't follow the messages and the "wisdom" of this movie, which announces bankruptcy to human relationships, without seizing the real conflicts within.

Q: What's an example of a movie review?
An example of a movie review is here: "Tulip" is on the "Australian All Shorts" video from "Tribe First Rites" showcasing the talents of first time directors.

I wish more scripts had such excellent dialogue.

I hope Rachel Griffiths has more stories to tell, she does it so well.

Q: What's an example of a movie review?
An example of a movie review is here: I look at this page, and it seems disapproving to me to have to listen to someone ramble and rant at a real classic. Sure, I agree to let everyone have their opinion, but here's mine:

This movie should not be missed by any classic horror watcher, and should be seen many casual viewers around the world. Sure, it has lost some of it's flair and greatness with age, especially in todays world of CGI effects, but that's not why you should like it.

You should like it because it actually is a scary movie, even for today's standards. It's overall ickyness will creep you out just as much as the original audiences, so don't slam a classic if you haven't given it a chance. Watch it, but not with a critical attitude. Watch it to have fun, how it was originally intended.

Q: What's an example of a movie review?
An example of a movie review is here:
Robot Jox doesn't suffer from story or bad effects. I mean, this was 1990 if you know what I'm talking about. RoboCop 2 still used the stop animation as most of the movies did throughout the '80s. If you look at your biggest blockbusters during this period, most of them did what they could with the special effects shots that was available to them at the time. It wasn't until Terminator 2: Judgment Day was released the following year that a breakthrough in technology was realized, and story boarders began to use that motive. But you'll have fond memories of Transformers, Gundam Wing, even Power Rangers, if you watch this film. The enemy robot is very menacing. It makes you not want to face the man without a really good back-up plan. And there are some great moments within this film. A traitor/spy is working within their midsts. Who you think is on your side, backing you up all the way, could be the person you didn't expect him/her to be. And that's very troublesome to think so, don't you agree?