Input: Living things need non-living matter as well as energy. What do you think matter is used for? One thing is to build bodies. They also need it to carry out the processes of life. Any non-living matter that living things need is called a nutrient. Carbon and nitrogen are examples of nutrients. Unlike energy, matter is recycled in ecosystems. You can see how in Figure 3.11. Decomposers release nutrients when they break down dead organisms. The nutrients are taken up by plants through their roots. The nutrients pass to primary consumers when they eat the plants. The nutrients pass to higher level consumers when they eat lower level consumers. When living things die, the cycle repeats.
"Name an example of a nutrient and what it can do." is "Nitrogen"?
Output: yes
Input: Two women trade houses without ever having met . They 're both looking for an escape from their problems , but by running away , both come to discover a great deal about themselves . Ria Lynch is married to Danny Lynch and they have a daughter and a son . Danny begins spending less and less time at home with his wife and children . Ria believes another baby is the solution , and is shocked to find out that indeed her husband is going to be a father - but to a child from an affair he has been having . Her husband's unfaithfulness is the event that leads Ria into her decision to switch homes with a woman from the US called Marilyn who lost her teenage son to a motorcycle accident on his birthday . Marilyn is struggling to come to terms with her son's death and has become estranged from her husband . She hopes her time in Dublin will cease her grief . Ria and Marilyn discover deep , dark secrets about the other during the summer . The two become close friends but do not reveal the secrets . { { Expand section } }
"Both women seem to have issues with children, Which woman lost a child and Which wanted to add one to her family?" is "Ria wanted to add a child to her family, and Marilyn had recently lost her son"?
Output: yes
Input: I had drunk too much, I confess, though we all had. Somehow, Tasha and I began to argue the worth of Solevgrad jazz, as inconsequential a topic as I can imagine. She had studied it in school, so she thought herself as an expert. I once had a neighbor who played it constantly, loudly, and badly, so I thought I knew it better. Malaquez tried to mediate, but I saw him as siding with Tasha. So, I think, did she. The subject shifted from music to Tasha's obsession with fame, undoubtedly by a leap that I made. She had no choice but to follow. (I do not remember any of this well, just now, nor do I care to. Those who are truly curious may look at the last act of "Captured Moments.") I remember suggesting, with characteristic tact, that she add Emil to her small list of major accomplishments. Malaquez glanced away, embarrassed. Tasha looked at me as if to say, "I will." She said, "I feel sorry for you, Nardo. I'll see Emil home." "Yes," I said, "Do that," and did not care what she did, or why. Emil asked, "You're all right?" I muttered something he must have interpreted as assent. They both walked up to Emil's home while I watched the scarlet moonlight ripple on distant waves. Disgusted with Tasha but more disgusted with myself, I finally realized she would not return that night and went into The Sleeping Flamingo to drink myself to sleep. She had not come home when I woke in mid-morning.
"Why was the other person arguing about the worth of Solevgrad jazz" is "He loved Solevgrad jazz"?
Output:
no