input: As a result of his writing, at the time of his death Wallace had been for many years a well-known figure both as a scientist and as a social activist. He was often sought out by journalists and others for his views on a variety of topics. He received honorary doctorates and a number of professional honours, such the Royal Society's Royal Medal and Darwin Medal in 1868 and 1890 respectively, and the Order of Merit in 1908. Above all, his role as the co-discoverer of natural selection and his work on zoogeography marked him out as an exceptional figure. He was undoubtedly one of the greatest natural history explorers of the 19th century. Despite this, his fame faded quickly after his death. For a long time, he was treated as a relatively obscure figure in the history of science. A number of reasons have been suggested for this lack of attention, including his modesty, his willingness to champion unpopular causes without regard for his own reputation, and the discomfort of much of the scientific community with some of his unconventional ideas. Recently, he has become a less obscure figure with the publication of several book-length biographies on him, as well as anthologies of his writings. In 2007 a literary critic for New Yorker magazine observed that five such biographies and two such anthologies had been published since 2000. There has also been a web page created that is dedicated to Wallace scholarship. In a 2010 book, the environmentalist Tim Flannery claimed that Wallace was 'the first modern scientist to comprehend how essential cooperation is to our survival,' and suggested that Wallace's understanding of natural selection and his later work on the atmosphere be seen as a forerunner to modern ecological thinking. The Natural History Museum, London, co-ordinated commemorative events for the Wallace centenary worldwide in the 'Wallace100' project in 2013. On 24 January, his portrait was unveiled in the Main Hall of the museum by Bill Bailey, a fervent admirer. On the BBC Two programme "Bill Bailey's Jungle Hero", first broadcast on 21 April 2013, Bailey revealed how Wallace cracked evolution by revisiting places where Wallace discovered exotic species. Episode one featured orangutans and flying frogs in Bailey's journey through Borneo. Episode two featured birds of paradise. On 7 November 2013, the 100th anniversary of Wallace's death, Sir David Attenborough unveiled a statue of Wallace at the museum. The statue was donated by the A. R. Wallace Memorial Fund, and was sculpted by Anthony Smith. It depicts Wallace as a young man, collecting in the jungle. November 2013 also marked the debut of The Animated Life of A. R. Wallace, a paper-puppet animation film dedicated to Wallace's centennial.

Answer this question "Did Wallace receive any other doctorates?"
output: honorary doctorates

input: For Skyhooks, the replacement of Hill by Strachan was a pivotal moment, as Strachan had remarkable vocal skills, and a magnetic stage and screen presence. Alongside Macainsh's lyrics, another facet of the group was the twin-guitar sound of Starkie and Symons. Adopting elements of glam rock in their presentation, and lyrics that presented frank depictions of the social life of young Australia in the 1970s, the band shocked conservative middle Australia with their outrageous (for the time) costumes, make-up, lyrics, and on-stage activities. A 1.2 metre (4 ft) high mushroom-shaped phallus was confiscated by Adelaide police after a performance. Six of the ten tracks on their debut album, Living in the 70's, were banned by the Federation of Australian Commercial Broadcasters for their sex and drug references, "Toorak Cowboy", "Whatever Happened to the Revolution?", "You Just Like Me Cos I'm Good in Bed", "Hey What's the Matter", "Motorcycle Bitch" and "Smut". Much of the group's success derived from its distinctive repertoire, mostly penned by bass guitarist Macainsh, with an occasional additional song from Symons--who wrote "Smut" and performed its lead vocals. Although Skyhooks were not the first Australian rock band to write songs in a local setting--rather than ditties about love or songs about New York or other foreign lands--they were the first to become commercially successful doing so. Skyhooks songs addressed teenage issues including buying drugs ("Carlton (Lygon Street Limbo)"), suburban sex ("Balwyn Calling"), the gay scene ("Toorak Cowboy") and loss of girlfriends ("Somewhere in Sydney") by namechecking Australian locales. Radio personality, Billy Pinnell described the importance of their lyrics in tackling Australia's cultural cringe: [Macainsh] broke down all the barriers [...] opening the door for Australian rock 'n' roll songwriters to write about local places and events. He legitimised Australian songwriting and it meant that Australians became themselves. The first Skyhooks single, "Living in the 70's", was released in August, ahead of the album, and peaked at #7 on the Australian Kent Music Report Singles Charts. Living in the 70's initially charted only in Melbourne upon its release on 28 October 1974. It went on to spend 16 weeks at the top of the Australian Kent Music Report Albums Charts from February to June 1975. The album was produced by Wilson, and became the best selling Australian album, to that time, with 226,000 copies sold in Australia. Skyhooks returned to the Sunbury Pop Festival in January 1975. They were declared the best performers by Rolling Stone Australia and The Age reviewers, and Gudinski now took over their management. The second single, "Horror Movie", reached #1 for two weeks in March. The band's success was credited by Gudinski with saving his struggling Mushroom Records and enabled it to develop into the most successful Australian label of its time. The success of the album was also due to support by a new pop music television show Countdown on national public broadcaster ABC Television, rather than promotion by commercial radio. "Horror Movie" was the first song played on the first colour transmission of Countdown in early 1975. Despite the radio ban, the ABC's newly established 24-hour rock music station Double Jay chose the album's fifth track, the provocatively titled "You Just Like Me Cos I'm Good in Bed", as its first ever broadcast on 19 January.

Answer this question "DId they release any album at this time?"
output:
Living in the 70's,