input: When Eicke became field commander of the SS Division Totenkopf during the summer of 1939, Glucks was promoted by Himmler on 15 November 1939 as Eicke's successor to the post of Concentration Camps Inspector. As the Concentration Camps Inspector, Glucks was directly subordinate to Himmler--as Eicke had been--but, in contrast with the warm relation between Himmler and the older Eicke, Glucks only rarely met with Himmler, who promoted him not for his leadership competencies but for his ability to "provide the administrative continuity" with Eicke's policies. Glucks made few changes, leaving the organizational structure intact as Eicke had set it up. Because Glucks never served inside a concentration camp, some senior camp members were suspicious and considered him nothing more than a desk-side bureaucrat. In terms of his leadership style, he preferred men of action and allowed them some autonomy in operating their respective camps. Glucks's responsibilities at first mainly covered the use of concentration camp inmates for forced labour. In this phase, he urged camp commandants to lower the death rate in the camps, as it went counter to the economic objectives his department was to fulfill. Other orders of his were to ask for the inmates to be made to work continuously. At the same time, it was Glucks who recommended on 21 February 1940, Auschwitz, a former Austrian cavalry barracks, as a suitable site for a new concentration camp to Himmler and Reinhard Heydrich. Glucks accompanied Himmler and several chief directors of I.G. Farben on 1 March 1941 for a visit to Auschwitz, where it was decided that the camp would be expanded to accommodate up to 30,000 prisoners, an additional camp would be established at nearby Birkenau capable of housing 100,000 POWs, and that a factory would be constructed in proximity with the camp prisoners placed at I.G. Farben's disposal. On 20 April 1941 Glucks was promoted to the rank of an SS-Brigadefuhrer and in November 1943, Glucks was made SS-Gruppenfuhrer and a Generalleutnant of the Waffen-SS. From 1942 on, Glucks was increasingly involved in the implementation of the "Final Solution", along with Oswald Pohl. To oversee the coordination of camp related activities, which varied from the medical concerns of personnel and prisoners, the status of construction projects, and the progress of extermination operations, Glucks, along with other senior SS camp managers, attended weekly meetings conducted by Pohl. Glucks never attempted to outshine his superior and was quite aware of his subordination to Pohl.

Answer this question "Were there russian prisoners in these camps"
output:

input: The Yankees finished 79-75 in 1959, in third place, their worst record since 1925, as the White Sox, managed by Lopez, won the pennant. There was considerable criticism of Stengel, who was viewed as too old and out of touch with the players. After the 1959 season, Weiss made a trade with Kansas City to bring Roger Maris to the Yankees. Stengel was delighted with the acquisition and batted Maris third in the lineup, just in front of Mantle, and the new Yankee responded with an MVP season in 1960. Stengel had health issues during the season, spending ten days in the hospital in late May and early June, with the illness variously reported as a bladder infection, a virus or influenza. The Yankees were challenged by the Baltimore Orioles for most of the year but won the pennant by eight games, Stengel's tenth as manager, tying the major league record held by McGraw. The Yankees played the Pittsburgh Pirates, again a team Stengel had played for, in the 1960 World Series, and Stengel picked Art Ditmar, who had won the most games, 15, for the Yankees, rather than the established star, Whitey Ford. The Pirates knocked Ditmar out of the box in the first inning, and won Game 1. Ditmar was also knocked out of Game 5; Ford won Games 3 and 6 of the seven-game series with shutouts, but could not pitch Game 7, as he might have if Stengel had used him in Games 1 and 5. The Pirates defeated the Yankees in Game 7, 10-9, on a ninth-inning Bill Mazeroski home run. Shortly after the Yankees returned to New York, Stengel was informed by the team owners that he would not be given a new contract. His request, that the termination be announced at a press conference, was granted and on October 18, 1960, Topping and Stengel appeared before the microphones. After Topping evaded questions from the press about whether Stengel had been fired, Stengel took the microphone, and when asked if he had been fired, stated, "Quit, fired, whatever you please, I don't care". Topping stated that Stengel was being terminated because of his age, 70, and alleged that this would have happened even had the Yankees won the World Series.

Answer this question "What were the challenges that the team faced under Stengel?"
output: There was considerable criticism of Stengel, who was viewed as too old and out of touch with the players.

input: Preminger decided to release the finished film prior to submitting it for a Code seal of approval. He contended that his film would not entice any viewers to take drugs, since drug use was depicted as having severely negative consequences. The black-and-white film was also the first to portray heroin use as a serious literary topic, rejecting the standard "dope fiend" approach of the time. United Artists, which had invested $1 million in the film's production, opted to distribute the film, even though doing so could result in the company being fined $25,000 by the Motion Picture Association of America (MPAA). The president of United Artists, Arthur Krim, expressed the company's hope that the PCA would make an exception to its usual rules and grant the film approval because of the film's "immense potential for public service." The film received several advance bookings in November and early December 1955, before the PCA had made a decision on whether to grant a Code seal. However, in early December 1955, the PCA denied the film a Code seal, and the decision was upheld upon appeal to the MPAA. As a result, United Artists resigned from the MPAA that same month (although the company re-joined a few years later). The National Legion of Decency also showed disagreement with the PCA ruling by rating the film as a "B" meaning "morally objectionable in part for all", instead of a "C" meaning "condemned", which was the rating normally given to films that were denied a Code seal. Large theater circuits including Loews also refused to ban the film and instead showed it despite the lack of a Code seal. As a result of the controversy, the MPAA investigated and revised production codes, allowing later movies more freedom to deeply explore hitherto taboo subjects such as drug abuse, kidnapping, miscegenation, abortion, and prostitution. In the end, The Man With The Golden Arm finally received the Production Code seal number 17011 in June 1961, which permitted the film to be reissued and sold for television broadcast.

Answer this question "Are there any other interesting aspects about this article?"
output:
The black-and-white film was also the first to portray heroin use as a serious literary topic,