input: Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film. Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible. Regardless, Sellers was unavailable for the filming of an ending and of linking footage to explain the details, leaving the filmmakers to devise a way to make the existing footage work without him. The framing device of a beginning and ending with David Niven was invented to salvage the footage. Val Guest said that he was given the task of creating a narrative thread which would link all segments of the film. He chose to use the original Bond and Vesper as linking characters to tie the story together. In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography". Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. In this outtake, he calls for the car, a la Pink Panther, to chase down Vesper and her kidnappers; the next thing that is shown is Tremble being tortured. Out-takes of Sellers were also used for Tremble's dream sequence (pretending to play the piano on Ursula Andress' torso), in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together. In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies (noticeably a zoom-in on the previous shot). As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school (which turns out to be under Harrods, of which the training area was the lowest level) was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school. So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry (as 006, the agent whose body is briefly seen being disposed of by Vesper), Mona Washbourne and Arthur Mullard.

Answer this question "What well known actors were missing?"
output: Ian Hendry (as 006, the agent whose body is briefly seen being disposed of by Vesper), Mona Washbourne and Arthur Mullard.

input: The Fall released their fourth single "Fiery Jack", their last for Step Forward, on 13 January 1980. In March, Mike Leigh left the group and went back to the cabaret circuit. According to Leigh, the band would have to wait for weeks without work while Smith came up with new lyrics, as opposed to regular weekly gigs in cabaret. Leigh's replacement was Paul Hanley, Steve Hanley's younger brother. He first played live with the Fall on Friday 21 March at Electric Ballroom, London - he was only 16 and was actually still at school. Meanwhile, the Fall quit Step Forward and signed with Rough Trade; the first release on a new label became Totale's Turns in May 1980. This, with the exception of two tracks, was a live album documenting the band during various appearances in 1979, with Smith announcing last orders at the bar [responding to a request for the song "Last Orders"] and berating band members and audience throughout. In November 1980, the Fall released their third full-length album Grotesque (After the Gramme). Preceded by a couple of acclaimed singles "How I Wrote 'Elastic Man'" and "Totally Wired", the album went to #1 on the UK Indie Chart. It was co-produced by Rough Trade's Geoff Travis and Mayo Thompson of Red Krayola and showed a significant improvement in production, which was to continue throughout the period. Smith, however, was unhappy with Rough Trade's politics, which showed when Slates came out in April 1981. Intentionally made too long for a single and too short to be considered an album, it was released as a 10" EP for a price of just 2 pounds. The Fall eventually quit Rough Trade by the end of the year, and instead signed with a small indie label Kamera. As the Fall were going to tour America after the release of Slates, Paul Hanley was denied a visa as he was too young to play American "21 and over" clubs, so Smith invited Karl Burns back into the group, initially as a temporary replacement. Select recordings from this tour were released in 1982 as A Part of America Therein, 1981. After their return to the UK, Burns stayed in the group as a second drummer alongside Hanley. The first record to feature both Burns and Hanley became the "Lie Dream of a Casino Soul" single, produced by Richard Mazda and released in Australia and New Zealand in November 1981. On 8 March 1982 Hex Enduction Hour, also produced by Mazda, was released on Kamera Records, the Fall's seventh single ("Look, Know") was released 19 April 1982 on Kamera. On 27 September the Room to Live album was released on Kamera. Marc Riley was sacked at the end of the year, following several arguments, one of which resulted in a fist fight during the Australian tour. In response, Riley's band "The Creepers" wrote the track "Jumper Clown", which directly references Riley's dismissal, while also satirising Smiths dress sense.

Answer this question "What singles did well?"
output: "How I Wrote 'Elastic Man'" and "Totally Wired", the album went to #1 on the UK Indie Chart.

input: She starred in Vidhu Vinod Chopra's love saga 1942: A Love Story (1994) and Mani Ratnam's Tamil drama Bombay (1995). Her performance in the film Bombay was a milestone in her career which won her the Filmfare Award for Best Tamil Actress and Filmfare Critics Award for Best Performance. She was seriously noticed by Bollywood after the release of 1942: A Love Story which was a year earlier than the release of Bombay. She also starred in Mansoor Khan's romantic musical Akele Hum Akele Tum (1995) as the ignored wife who leaves her husband and child to fulfill her singing talent and subsequently becomes a popular star. In 1996, she received positive reviews for her performance in the drama Agni Sakshi, as a battered wife on the run from her mentally ill husband. The film became one of the biggest hits of that year at the Indian box office. Later that year, she acted in Sanjay Leela Bhansali's directorial debut Khamoshi: The Musical, where she played the role of Annie, a caring daughter to deaf and mute parents. A critic from Channel 4 wrote: "Koirala... demonstrates the full range of her acting ability, rather than playing against it as she has had to do in more traditional films. The scene where she shouts at her father through the door, screaming and using sign language even though she knows he can neither see nor hear her, is extremely powerful." Filmfare magazine later included her performance in the film on its "80 Iconic Performances" list. In 1997, she played the leading role alongside Kajol and Bobby Deol in the thriller Gupt: The Hidden Truth, which was one of the biggest hits that year.

Answer this question "What public recognition did she receive?"
output:
the Filmfare Award for Best Tamil Actress and Filmfare Critics Award for Best Performance.