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The Rock and Roll Hall of Fame, located on the shore of Lake Erie in downtown Cleveland, Ohio, recognizes and archives the history of the best-known and most influential artists, producers, engineers, and other notable figures who have had some major influence on the development of rock and roll. The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, by Atlantic Records founder and chairman Ahmet Ertegun. In 1986, Cleveland was chosen as the Hall of Fame's permanent home. Since opening in September 1995, the "Rock Hall" - part of the city's redeveloped North Coast Harbor - has hosted more than 10 million visitors and had a cumulative economic impact estimated at more than $1.8 billion.
There are seven levels in the building. On the lower level is the Ahmet M. Ertegun Exhibition Hall, the museum's main gallery. It includes exhibits on the roots of rock and roll (gospel, blues, rhythm & blues and folk, country and bluegrass). It also features exhibits on cities that have had a major impact on rock and roll: Memphis, Detroit, London and Liverpool, San Francisco, Los Angeles, New York and Seattle. There are exhibits about soul music, the Fifties, Sun Records, Atlantic Records, hip hop music, Cleveland's rock and roll legacy, the music of the Midwest, rock and roll radio and dee-jays, and the many protests against rock and roll. This gallery also has exhibits that focus on individual artists, including the Beatles, the Rolling Stones, Jimi Hendrix and others. Finally, the Ahmet M. Ertegun Exhibition Hall includes two theaters, one of which features a film about the roots of rock and roll and one that features films on various subjects. The first floor of the museum is the entrance level. It includes a cafe, a stage that the museum uses for various special performances and events throughout the year, and a section called "Backstage Stories." The second floor includes several interactive kiosks that feature programs on one-hit wonders and the Songs That Shaped Rock and Roll. This level also includes a gallery with artifact-filled exhibits about Les Paul, Alan Freed, Sam Phillips and the evolution of audio technology. Visitors enter the Hall of Fame section of the museum on the third floor. This section includes "The Power of Rock Experience," which includes one of Jonathan Demme's final works, a film shown in the Connor Theater. The film includes musical highlights from some of the Hall's induction ceremonies. Visitors exit the Hall of Fame section on the fourth floor. That level features the Foster Theater, a state-of-the-art 3-D theater that is used for special events and programs. Finally, the top two levels of the Rock and Roll Hall of Fame feature large, temporary exhibits. Over the years, numerous exhibits have been installed on these two levels, including exhibits about Elvis Presley, hip-hop, the Supremes, the Who, U2, John Lennon, the Clash, Bruce Springsteen, Women Who Rock, and the Rolling Stones.

What is the layout of the Rock and Roll Hall of Fame?

There are seven levels in the building.

Answer the question at the end by quoting:

Smith was born Vickie Lynn Hogan in 1967 in Houston, Texas, and raised in Mexia, Texas. She was the daughter of Donald Eugene Hogan (1947-2009) and Virgie Mae Arthur (nee Tabers; b. 1951), who married on February 22, 1967 and divorced on November 4, 1969. She had five half siblings: Donna Hogan, David Tacker Jr., Donnie Hogan, Amy Hogan, and Donald Hart. Smith was raised by her mother and aunt.
Smith appeared on the cover of the March 1992 issue of Playboy magazine, with her name given as Vickie Smith. She later appeared as the Playboy Playmate of the Month in a pictorial shot by Stephen Wayda for the May 1992 issue. Smith then secured a contract to replace supermodel Claudia Schiffer in a Guess jeans ad campaign featuring a series of sultry black-and-white photographs. During the Guess campaign Smith changed her name to Anna Nicole Smith. Guess photographers noticed Smith bore a striking resemblance to bombshell Jayne Mansfield and showcased her in several Mansfield-inspired photo sessions. In 1993 before Christmas, she modeled for the Swedish clothing company H&M. This led to her being pictured on large billboards in Sweden and Norway. In addition to Playboy, Smith appeared on the cover of German Marie Claire magazine, photographed by Peter Lindbergh A photograph of Smith was used by New York magazine on the cover of its August 22, 1994, issue titled White Trash Nation. In the photo, she appears squatting in a short skirt with cowboy boots as she eats chips. In October 1994, her lawyer, T. Patrick Freydl, initiated a $5 million lawsuit against the magazine, claiming that Smith did not authorize the use of her photo; the suit also alleged that the article damaged her reputation. Her lawyer stated Smith was under the impression that she was being photographed to embody the "all-American look." Editor Kurt Andersen said that the photo was one of dozens taken for the cover, further stating "I guess they just found the picture we chose unflattering." The lawsuit was reported to be settled.

Are there any other interesting aspects about this article?

In 1993 before Christmas, she modeled for the Swedish clothing company H&M.

Answer the question at the end by quoting:

Kenneth Duva Burke (May 5, 1897 - November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. As a literary theorist, Burke was best known for his analyses based on the nature of knowledge. Furthermore, he was one of the first individuals to stray away from more traditional rhetoric and view literature as "symbolic action." Burke was unorthodox, concerning himself not only with literary texts, but with the elements of the text that interacted with the audience: social, historical, political background, author biography, etc.
He was born on May 5 in Pittsburgh, Pennsylvania, and graduated from Peabody High School, where his friend Malcolm Cowley was also a student. While he attended Ohio State University to pursue courses in French, German, Greek, and Latin, he later dropped out to move closer to New York City where he enrolled at Columbia University. During his time there, he was a member of the Boar's Head Society. Due to the constraining learning environment, however, Burke also left Columbia, never receiving a college diploma. In Greenwich Village he kept company with avant-garde writers such as Hart Crane, Malcolm Cowley, Gorham Munson, and later Allen Tate. Raised by a Christian Science mother, Burke later became an avowed agnostic. In 1919, he married Lily Mary Batterham, with whom he had three daughters: the late feminist, Marxist anthropologist Eleanor Leacock (1922-1987); musician (Jeanne) Elspeth Chapin Hart (b. 1920); and writer and poet France Burke (b. ~1925). He would later marry her sister Elizabeth Batterham in 1933 and have two sons, Michael and Anthony. Burke served as the editor of the modernist literary magazine The Dial in 1923, and as its music critic from 1927-1929. Kenneth himself was an avid player of the piano. He received the Dial Award in 1928 for distinguished service to American literature. He was the music critic of The Nation from 1934-1936, and was awarded a Guggenheim Fellowship in 1935. His work on criticism was a driving force for placing him back into the university spotlight. As a result, he was able to teach and lecture at various colleges, including Bennington College, while continuing his literary work. Many of Kenneth Burke's personal papers and correspondence are housed at Pennsylvania State University's Special Collections Library. However, despite his stint lecturing at Universities, Burke was an autodidact and a self-taught scholar. In later life, his New Jersey farm was a popular summer retreat for his extended family, as reported by his grandson Harry Chapin, a contemporary popular song artist. He died of heart failure at his home in Andover, New Jersey.

What other books did he write?
Many of Kenneth Burke's personal papers and correspondence are housed at Pennsylvania State University's Special Collections Library.