An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:

A friend of mine enjoys watching the worst films he can possibly find, and I have a good laugh watching them with him.

I have told him if he puts this one on again I will be forced to give him a good kicking.

He knows I am serious!

Q: What's an example of a movie review?
An example of a movie review is here: I enjoy all the versions of this story but this one is my all time favorite. George C.Scott gives a depth to the Scrooge character that the others do not give. The movie shows more about why he becomes so bitter. The changes in Scrooge appear gradually as he encounters the different ghosts and the incidents that they show him.

This movie has the best Tiny Tim by far. He is the right age rather than being played by someone who is almost a teenager as in the other films. Anthony Walters still has all or most of his baby teeth.

David Warner is wonderful as Bob Cratchit. He is such a versatile actor. He portrays a man who clearly loves his family. He plays the role with dignity neither as a wimpy man cowering under Scrooges'thumb but as a man who gracefully puts up with it because he has a family to provide for. Susannah York and the other actors do a fine job of bringing the characters to life. Edward Woodward is the best Ghost of Christmas Present I've ever seen. Most often he is played as a jolly Santa type character. In this he shows anger at Scrooges attitudes and really makes Scrooge reconsider.

The costumes and the sets really bring the London of Dickens time to life. A wonderful movie.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: I never really watched this program before although it came highly recommended by members of my family. Funnily enough, my girlfriend lives in Hadfield (the filming location) and she pointed out a few landmarks when I first visited.

This got my interest going so I bought the 1st series on video and sat down to watch. Besides recognising some of the locations, I found myself not in the least bit surprised. Once again the BBC were responsible for producing another example of the finest comedy in the world. TLOG easily ranks up there with Red Dwarf, Fawlty Towers and Monty Python as probably the best.

Suffice to say I am hooked on the program now. The characters are superb and show unusual depth while retaining a scarily realistic edge. The look and feel of the program is perfect and reflects the sometimes bleak feeling of the North (no disrespect to Hadfield which I have found a very welcoming and warm place).

I only hope that it continues its originality throughout its run (which based upon the 2nd series which concluded its rerun in the UK last night, it certainly is).

Well done the BBC!!
Problem: OPTIONS:
- negative
- positive negative
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Answer: On the surface, this movie would appear to deal with the psychological process called individuation, that is how to become a true self by embracing the so-called 'dark' side of human nature. Thus, we have the Darkling, a classic shadowy devilish creature desperately seeking the company (that is, recognition) of men, and the story revolves around the various ways in which this need is handled, more or less successfully.

However, if we dig a little deeper, we find that what this movie is actually about is how you should relate to your car like you would to any other person: - in the opening scene, the main character (male car mechanic fallen from grace)is collecting bits and pieces from car wrecks with his daughter, when a car wreck nearly smashes the little girl. Lesson #1: Cars are persons embodied with immortal souls, and stealing from car wrecks is identical with grave robbery. The wicked have disturbed the dead and must be punished. - just after that, another character (Rubin) buys a car wreck intending to repair it and sell it as a once-lost-now-found famous race-car and is warned by the salesman. Lesson #2: Just like any other person, a car has a unique identity that cannot be altered nor replaced. In addition, there is the twist that Rubin actually sees a hidden quality in what most people would just think of as junk, but eventually that quality turns out to be a projection of Rubin's own personal greed for more profit. Lesson #3: Thou shalt never treat thy car as a means only, but always as an end in itself. - then we have the scene where the main character is introduced to Rubin and, more importantly, Rubin's car: The main character's assessment of the car's qualities is not just based on its outer appearance, but also by a thorough look inside the engine room. Lesson #4: A car is not just to be judged by its looks, it is what is inside that really counts. There is punishment in store for those who do not keep this lesson in mind, as we see in the scene where another man tries to sell Rubin a fake collector's car. This scene by the way also underlines the importance of lesson #3.

There are numerous other examples in the movie of the 'car=person'-theme, and I am too tired now to bother citing all of them, but the point remains (and I guess this is what I'm really trying to say) that this movie is fun to watch if you have absolutely nothing else to do - or, if you're a car devotee.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: The perfect space fantasy film. a group of kids go up accidentally in space and have to get back down, but do they, sure they do.This would not be a family film if they all died. Then it will all be sad. You don't want that Kate Capsaw, the leading lady gives a Golden Globe performance, but sadly, she nor Lea Thompson won one. That sucks so bad.I can't say it enough, this film is so great, Lea Thompson- o lord, a perfect girl for this film. This film is the best for sure.

Sorry, but better than Star Wars. Star Wars is so over- rated and space camp was so under- rated. It should of been the other way around

excellent 10/10- 0r maybe 11/10. Iam not good at math
An example of a movie review. negative (OPTIONS:
- negative
- positive).

A:
A low point in human interaction was reached by the Maysles Brothers with this film. Do remember, you who used words like "masterpiece"when reviewing this film, that these Maysles creeps didn't just happen to drive to the Hamptons and happen to shoot film on some eccentric people. No, when they found these two poor pathetic people they then had to finance their project (and imagine what they told the money people to sell the project). Then they befriended the two extremely vulnerable women. No meeting of minds here or real consensual participation. These wretched Maysles smiled, kissed ass, did whatever they had to to get the Beales to cooperate and then exploited them as viciously as has ever been done. One would like to think that these hustlers had occasional thoughts of remorse and guilt. But the film-making process, given the preplanning, actual shooting and then editing took a lot of time and their goal had no provisions for actually relating to the Beales as human beings. An exploitation film perpetrated by the vilest of people. As time accrued their film-making reputation has been seriously stained by what they did here. Their reputation as human beings is execrable. That is what people will remember them as. Grotesque hustlers.