Some context: The Vicomte of Bragelonne: Ten Years Later (French: Le Vicomte de Bragelonne ou Dix ans plus tard [l@ vikot d@ bRaZ@lon u diz_a ply taR]) is a novel by Alexandre Dumas.
This part mostly concerns romantic events at the court of Louis XIV. Raoul de Bragelonne finds his childhood sweetheart, Louise de La Valliere, is maid of honour to the Princess. Fearing a tarnishing of Louise's reputation by affairs at court, Raoul seeks to marry her. His father, Athos, the Comte de la Fere, disapproves, but eventually, out of love for his son, reluctantly agrees. The king, however, refuses to sanction the marriage because Louise is of inferior social status, and so marriage is delayed. Meanwhile, the struggle for power begins between Fouquet and Colbert. Louis attempts to impoverish Fouquet by asking for money to pay for a grand fete at Fontainebleau. Meanwhile, Aramis meets the governor of the Bastille M. de Baisemeaux, and learns of a secret prisoner who bears a striking resemblance to Louis XIV. Aramis uses this secret to persuade the dying general of the Jesuits to name him his successor. After Buckingham leaves France, the Comte de Guiche grows besotted with Henrietta, as soon does Louis XIV. To avoid her new husband being jealous Henrietta suggests that the king choose a young lady at court to act as a smokescreen for their flirtation. They select Louise de la Valliere for this part, but during the fete, the king overhears Louise confess her attraction for him to friends, and promptly forgets his affection for Henrietta. That same night Henrietta hears de Guiche confess his love for her to Raoul. The two pursue their own love affair. Aware of Louise's attachment, the king sends Raoul to England indefinitely as a diplomatic envoy. Rumours of the king's love affair cause friction with de Wardes, who has inherited from his father a hatred of d'Artagnan and all those associated with him. De Guiche is forced to fight a duel with him and is defeated and seriously wounded. The incident is the last straw for Madame Henrietta who resolves to dismiss Louise from her service as Maid of Honour. The king dissuades Henrietta, but she prevents the king from seeing Louise. The king circumvents Henrietta, and so she contacts her brother King Charles II, imploring him to eject Raoul from England. On his return to France, Raoul is heartbroken to discover Louise in the arms of the king. Athos finds out everything and spits his contempt at Louis XIV. The young King orders Athos's imprisonment, but D'Artagnan convinces him to release him.
Do they get married?
A: The king, however, refuses to sanction the marriage because Louise is of inferior social status, and so marriage is delayed.
Some context: Robert Dennis Crumb (; born August 30, 1943) is an American cartoonist and musician who often signs his work R. Crumb. His work displays a nostalgia for American folk culture of the late 19th and early 20th centuries, and satire of contemporary American culture. Crumb is a prolific artist and contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics.
In January 1967 Crumb came across two friends in a bar who were about to leave for San Francisco; Crumb was interested in the work of San Francisco-based psychedelic poster artists, and on a whim asked if he could join them. There, he contributed upbeat LSD-inspired countercultural work to underground newspapers. The work was popular, and Crumb was flooded with requests, including to illustrate a full issue of Philadelphia's Yarrowstalks. Independent publisher Don Donahue invited Crumb to make a comic book; Crumb drew up two issues of Zap Comix, and Donahue published the first in February 1968 under the publisher name Apex Novelties. Crumb had difficulty at first finding retailers who would stock it, and at first his wife took to selling the first run herself out of a baby carriage. Crumb met cartoonist S. Clay Wilson, an art school graduate who saw himself as a rebel against middle-class American values and whose comics were violent and grotesque. Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression; in particular, his work soon became sexually explicit, as in the pornographic Snatch he and Wilson produced late in 1968. The second issue of Zap appeared in June with contributions from Wilson and poster artists Victor Moscoso and Rick Griffin. In December, Donahue published the still-unreleased issue as #0 and a new third issue with Gilbert Shelton joining the roster of regulars. Zap was financially successful, and developed a market for underground comix. Crumb was a prolific cartoonist in the late 1960s and early 1970s; at his peak point of output he produced 320 pages over two years. He produced much of his best-known work then, including his Keep on Truckin' strip, and strips featuring characters such as the bohemian Fritz the Cat, spiritual guru Mr. Natural, and oversexed African-American stereotype Angelfood McSpade. During this period, he launched a series of solo titles, including Despair, Uneeda (both published by Print Mint in 1969), Big Ass Comics, R. Crumb's Comics and Stories, Motor City Comics (all published by Rip Off Press in 1969), Home Grown Funnies (Kitchen Sink Press, 1971) and Hytone Comix (Apex Novelties, 1971), in addition to founding the pornographic anthologies Jiz and Snatch (both Apex Novelties, 1969).
What did Crumb do with Wilson?
A:
Wilson's attitude inspired Crumb to give up the idea of the cartoonist-as-entertainer and to focus on comics as open, uncensored self-expression;