In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example solution: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.

Problem: Context_1 : Musical Theatre Salisbury is a community theatre group in Salisbury, England. It was founded in 1908. In 2011, the company changed its name from Salisbury Amateur Operatic Society to better to reflect their major activity, which is to produce two fully staged and costumed musical theatre shows per year in Salisbury. Their repertoire varies from classic Broadway shows to contemporary musicals, as well as the Gilbert and Sullivan operas and occasional operettas. Context_2 : Mark Levenson, a member of the Dramatists Guild of America, is a musical director for The Second City Detroit (located in Novi, Michigan). Levenson helped open Second City Detroit in 1993. In addition to his work with The Second City Detroit, Levenson scored the hit Comedy Central series, Strangers with Candy. He has also written music for shows on MTV, VH-1, NBC and scored productions at both Lincoln Center for the Performing Arts and John F. Kennedy Center for the Performing Arts. Levenson composed music for David Sedaris's two Off Broadway shows and numerous recording projects. He recently toured the country with Stephen Colbert, Amy Sedaris and Paul Dinello in their production of Wigfield, which concluded its run at the U.S. Comedy Arts Festival in Aspen, Colorado. Context_3 : Adelaide Bishop (23 June 1928 20 June 2008) was an American operatic soprano, musical theatre actress, opera director, stage director, and voice teacher. She began her career appearing in Broadway musicals as a teenager during the early 1940s. She became a principal soprano with the New York City Opera (NYCO) in 1948, where she performed through 1960 in a broad repertoire encompassing German, French, Italian, and English operas from a variety of musical periods. In the late 1950s, she started working actively as a stage director and as a voice teacher, working with many opera companies throughout the United States and serving on the music faculties of several different American universities. She also served as the artistic director of the Wolf Trap Opera for many years. Context_4 : The Bongo is a model of bass guitar manufactured by Music Man, a division of Ernie Ball. It was first introduced at the NAMM Show on March 21, 2003. Ernie Ball president Sterling Ball designed the instrument in conjunction with the Music Man Research and Development department and BMW's Designworks team. It boasts an 18-volt 4-band preamp (except on the single-pickup model, which has a 3-band preamp; single-pickup models with piezo bridges have a 4-band preamp) designed by Dudley Gimpel with help from Cliff Hugo and other Music Man artists. It also sports a sleek, carved basswood body with high-gloss polyester finish and a satin-finish painted 34" scale maple neck with rosewood fingerboard (pau ferro on lined or unlined fretless, ebony on both fretted and fretless "stealth" basses) featuring 24 high-profile wide frets and crescent moon-shaped position inlays. These basses are generally known for their dual humbucking pickup configuration, as they are the first twin humbucker-equipped models released by Music Man since the introduction of their Sabre and Cutlass bass guitars in the late 1970s. Context_5 : The Artists' Studio (TAS) was founded by David and Joellyn Young in January 2003 as an independent for-profit community theatre. The couple each have experience on Broadway with David being a musical director and voice teacher who has traveled with Broadway shows such as Camelot, South Pacific, and The Music Man while Joellyn has most notably been Eva Peron in Evita. The theatre, located in Fishers, Indiana is primitively based as it was renovated from a night club and a stage was added. Despite being in Fishers, Noblesville considers TAS to be one of its own places of interest. The proscenium stage is made of classic design and allows for a variety of different trims to be placed around as well as the movement of the back wall, though there is no fly space. The remaining space allows for a 220-seat house complete with sound and lighting systems, office space, and classrooms. Cast, crew, and various other members are volunteers with few employed within the productions themselves. Context_6 : Herbert Greene (June 16, 1921 September 25, 1985) was a musician, conductor, arranger and voice teacher prominent on the Broadway stage in New York City. He won two Tony Awards for the 1958 musical "The Music Man". Context_7 : Rodgers and Hammerstein refers to composer Richard Rodgers (19021979) and lyricist-dramatist Oscar Hammerstein II (18951960), who together were an influential, innovative and successful American musical theatre writing team. They created a string of popular Broadway musicals in the 1940s and 1950s, initiating what is considered the "golden age" of musical theatre. Five of their Broadway shows, "Oklahoma!", "Carousel", "South Pacific", "The King and I" and "The Sound of Music", were outstanding successes, as was the television broadcast of "Cinderella". Of the other four that the team produced on Broadway during their lifetimes, "Flower Drum Song" was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Academy Awards, the Pulitzer Prize, and two Grammy Awards. Context_8 : The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naive Iowa townsfolk, promising to train the members of the new band. Harold is no musician, however, and plans to skip town without giving any music lessons. Prim librarian and piano teacher Marian sees through him, but when Harold helps her younger brother overcome his lisp and social awkwardness, Marian begins to fall in love. Harold risks being caught to win her. Context_9 : The Majestic Theatre is a Broadway theatre located at 245 West 44th Street in midtown Manhattan. It is one of the largest Broadway theatres with 1,645 seats, and traditionally has been used as a venue for major musical theatre productions. Among the notable shows that have premiered at the Majestic are "Carousel" (1945), "South Pacific" (1949), "The Music Man" (1957), "Camelot" (1960), "A Little Night Music" (1973), and "The Wiz" (1975). It was also the second home of "42nd Street" and the third home of "1776". The theatre has housed "The Phantom of the Opera" since it opened on January 26, 1988. With a record-breaking 12,139 performances to date, it is currently the longest-running production in Broadway history. Context_10 : Milton Rosenstock (June 9, 1917, New Haven, Connecticut - April 24, 1992, New York City) was an American conductor, composer, and arranger. Trained at the Juilliard School, he was highly active as a musical director for Broadway musicals from 1942 through 1980; serving in that capacity for 29 productions, including the original productions of "Gentlemen Prefer Blondes" (1949), "Can-Can" (1953), "Bells Are Ringing" (1956), "Stop the World I Want to Get Off" (1962), "Oliver!" (1963), "Funny Girl" (1964), and "A Funny Thing Happened on the Way to the Forum" (1972). He also composed the music for the 1973 revue "Nash at Nine" and worked as musical supervisor for the 1989 production of "Meet Me in St. Louis"; the latter of which was his last project on Broadway. In 1948 he won the Tony Award for Best Conductor and Musical Director for "Finian's Rainbow". He was nominated twice more for that award: for "The Vamp" (1956) and the original Broadway production of "" (1960). He served as the music director of the Lyric Chamber Theater during the 1960s and was the music director of the American Ballet Theatre during the late 1960s. From 1981 until his death eleven years later of heart disease he was principal conductor of the Dance Theater of Harlem. fact_1 : The couple each have experience on Broadway with David being a musical director and voice teacher who has traveled with Broadway shows such as Camelot, South Pacific, and The Music Man while Joellyn has most notably been Eva Peron in Evita. fact_2 : The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey. Answer: Meredith Willson
Solution: The Artists Studio TAS was founded by David and Joellyn Young in January 2003 as an independent forprofit community theatre, The couple each have experience on Broadway with David being a musical director and voice teacher who has traveled with Broadway shows such as The Music Man is a musical with book, music, and lyrics by who?