input: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames. Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta. George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism. When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine.

Answer this question "was this book a continuation of the serial story she wrote for her brother?"
output: Her father enjoyed listening to her story and asked her to prepare it for publication.

Problem: Background: Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriters Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed. The band formed at Manchester University, but settled in London where they signed with Charisma.
Context: Though the group have generally been commercially unsuccessful outside of early 1970s Italy, they have inspired several notable musicians, including Rush, John Lydon, Marc Almond, Graham Coxon, Luca Prodan, Mark E. Smith, John Frusciante, Bruce Dickinson and Julian Cope. Dickinson, who has been a fan of the band since he saw them at Oundle School aged 13, said that Hammill was one of his childhood heroes. Coxon is particularly fond of "House with No Door" from H to He (1970), saying the track is "extremely beautiful, with Jackson's truly lovely sax-and-flute instrumental section." Almond recalled hearing "Killer" for the first time saying, "I'd never heard anything like it before. It wasn't just Peter's snarling operatic vocal, it was the mix of instruments ... I became an instant fan." Mentioning their reputation as something of an acquired taste, Lydon said, "There's a few Van Der Graaf things I like, but I'm not going to recommend anything to anyone. It might not be for them. Music doesn't come with a set of guidelines." Although generally categorised as a progressive rock group, Cope is keen to distance the band from that movement, stating "Their music was like some Brechtian bar band - the opposite of prog rock, really". Nevertheless, the band have been acknowledged as an influence on the neo-progressive rock subgenre which emerged in the 1980s and featured Marillion as its most successful band. Marillion singer Fish thought highly of Hammill and invited him to be the support on the band's early tours. The Canadian new wave band Men Without Hats have a song titled "The Van der Graaf Generator Blues" on their 1991 album Sideways.
Question: Is there anything else interesting?
Answer: The Canadian new wave band Men Without Hats have a song titled "The Van der Graaf Generator Blues" on their 1991 album Sideways.

Question: Andy Samuel Griffith (June 1, 1926 - July 3, 2012) was an American actor, comedian, television producer, Southern gospel singer, and writer, whose career spanned seven decades of music and television. Known for his southern drawl, his characters with a folksy-friendly personality, and his gruff, gregarious voice, Griffith was a Tony Award nominee for two roles, and gained prominence in the starring role in director Elia Kazan's film A Face in the Crowd (1957) before he became better known for his television roles, playing the lead roles of Andy Taylor in the sitcom The Andy Griffith Show (1960-1968) and Ben Matlock in the legal drama Matlock (1986-1995).

Griffith's early career was as a monologist, delivering long stories such as What It Was, Was Football, which is told from the point of view of a naive country preacher trying to figure out what was going on in a football game. The monologue was released as a single in 1953 on the Colonial Records label, and was a hit for Griffith, reaching number nine on the charts in 1954. Griffith starred in Ira Levin's one-hour teleplay version of No Time for Sergeants (March 1955) -- a story about a country boy in the United States Air Force -- on The United States Steel Hour, a television anthology series. He expanded that role in Ira Levin's full-length theatrical version of the same name (October 1955) on Broadway in New York City. The role earned him a "Distinguished Supporting or Featured Dramatic Actor" nomination at the 1956 Tony Awards, losing to Ed Begley. He did win the 1956 Theatre World Award, however, a prize given for debut roles on Broadway. "Mr. Griffith does not have to condescend to Will Stockdale" (his role in the play), wrote Brooks Atkinson in The New York Times. "All he has to do is walk on the stage and look the audience straight in the face. If the armed forces cannot cope with Will Stockdale, neither can the audience resist Andy Griffith." Griffith later reprised his role for the film version (1958) of No Time for Sergeants; the film also featured Don Knotts, as a corporal in charge of manual-dexterity tests, marking the beginning of a lifelong association between Griffith and Knotts. No Time for Sergeants is considered the direct inspiration for the later television situation comedy Gomer Pyle, U.S.M.C. His only other New York stage appearance was the titular role in the 1959 musical Destry Rides Again, co-starring Dolores Gray. The show, with a score by Harold Rome, ran for 472 performances and more than a year. Griffith was nominated for "Distinguished Musical Actor" at the 1960 Tony Awards, losing to Jackie Gleason. He also portrayed a US Coast Guard sailor in the feature film Onionhead (1958); it was neither a critical nor a commercial success.

Using a quote from the above article, answer the following question: What did he do after he was on the television anthology series
HHHHHH
Answer:
He expanded that role in Ira Levin's full-length theatrical version of the same name (October 1955) on Broadway in New York City.