input question: Select the correct sentiment of the following review: That is the only thing I can positive to say about this movie. Cleveland is the star, I've been there and never saw the city look this good. Beautiful river and cityscapes.

This movie moves ahead at such a pace they hope you won't notice the lack of real world relevance. People running around and shooting guns without any consequence. For example, there is a shoot out at Rob Lowe's character's house- two cars are stolen, and yet the cops don't show up there till much later in the movie. Murder for hire never looked so implausible.

Whoever wrote this movie should be on the receiving end of one the movies countless stray bullets. Many of the actors in this movie are so much better than this. I check the date of the movie just to make sure it wasn't written during the writers strike but alas this was not the case. This movie is currently in rotation on Universal's HD channel- unless you want to drool of over Lowe there is no reason to watch it.
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output answer: negative

input question: Select the correct sentiment of the following review: Meryl Streep was incredible in this film. She has an amazing knack for accents, and she shows incredible skill in this film overall. I really felt for her when Lindy was being persecuted. She was played realistically, too. She got cranky, upset, and unpleasant as the media and the government continued their unrelenting witchhunt. I didn't expect much from the film initially, but I really got interested in it, and the movie is based on a real person and real events. It turned out to be better than I had anticipated. Sam Neill was also outstanding; this is the best work I've seen from him, and I've really liked him in other movies (The Piano, for example). I gave the film a 7, but if I could rate just the acting, I'd give the it a 9.5, and a perfect 10 for Streep.
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output answer: positive

input question: Select the correct sentiment of the following review: Let's be honest here: the only reason anyone bought this, the only reason anyone reviewed this, and the only reason anyone could possibly claim to enjoy this is because David Lynch made it and because you want to have David Lynch's children. But guess what? Even David Lynch can produce a piece of crap.

Maybe Lynch wanted you to transcend normality and experience absurdity in-itself as a pure subject-of-knowing. Maybe the atrocious, cacophonist sounds, and chicken-scratch visuals are supposed to imply something about humanity's place in the world, about our relation to the Real, about the absurdity of it all.

Instead, it just says one thing to me: I just lost $20.

If I wanted offensive for the sake of offensive, I could crank Hansen on high and let me ears bleed. If I wanted absurd for the sake of absurd, I could just take a dump on a plate and watch that for 33 minutes.

There is a single redeeming quality to Dumbland -- it is meta, meta funny. That is, it is so bad that it isn't even funny because it's so bad. This fact, however, is a little funny.

If you hate yourself and hate your money, then buy Dumbland. If not, spare yourself the agony.
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output answer:
negative