Question: Leander was born in Calcutta, India, on 17 June 1973 to Vece Paes, a Goan, and, Jennifer Paes, from Calcutta. He was educated at La Martiniere Calcutta, and the St. Xavier's College of the University of Calcutta. His parents were both sports persons. Vece was a midfielder in the bronze medal-winning Indian field hockey team at the 1972 Munich Olympics.

Paes started his Davis Cup career in 1990 at the age of 16, when he partnered Zeeshan Ali in doubles to beat the Japanese team in a gruelling five-set encounter. He is considered one of the top Davis cup players for his country, with a record of 89-32 overall, as of July 2015. He played an important role in the Indian Davis cup team that reached the World Group from 1991-1998. He was part of the Indian Davis Cup team that reached the semifinals of the 1993 Davis Cup with wins against Switzerland and France, eventually losing to Australia. In singles, his major wins came against French duo of Arnaud Boetsch and Henri Leconte in Frejus, France in 1993, Wayne Ferreira in 1994, and Goran Ivanisevic in 1995 when India defeated Croatia, Jan Siemerink in 1995 to defeat Netherlands, and Jiri Novak in 1997. He teamed up with Bhupathi to beat Hirszon and Ivanisevic of Croatia in 1995, Martin Damm and Petr Korda of the Czech Republic in 1997, Nicolas Massu and Marcelo Rios of Chile in 1997, Broad and Tim Henman in 1998, and Simon Aspelin and Jonas Bjorkman of Sweden in 2005. In 2007, Leander has three wins (two doubles and one singles) and no losses in the Davis Cup. In 1993, ranked No. 197, he lost to No. 238 Fernon Wibierin the first round of qualifying at Wimbledon. Three weeks later he beat No. 25 Arnaud Boetsch on clay in straight sets in the Davis Cup. He also defeated Henri Leconte in the same week and even though Ramesh Krishnan closed the tie out by beating Rodolphe Gilbert in a five-setter, the architect of that victory was Paes. In 1994, ranked No 143, he lost in the first round of a Challenger to No 208 Louis Gloria. Four weeks later, he beat World No. 13 Wayne Ferreira in straight sets in the Davis Cup. In 1995, ranked No 130, he managed to beat Croatia's World No 7 Goran Ivanisevic (1992 and 1994 Wimbledon singles finalist) in a controversial five-setter on grass. Jan Siemerink, in 1996, then ranked No. 20, also fell to Paes in the Davis Cup.

Using a quote from the above article, answer the following question: did he win any awards?
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Answer: he beat World No. 13 Wayne Ferreira in straight sets in the Davis Cup.

Question: Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.

Eakins has been credited with having "introduced the camera to the American art studio". During his study abroad, he was exposed to the use of photography by the French realists, though the use of photography was still frowned upon as a shortcut by traditionalists. In the late 1870s, Eakins was introduced to the photographic motion studies of Eadweard Muybridge, particularly the equine studies, and became interested in using the camera to study sequential movement. In the mid-1880s, Eakins worked briefly alongside Muybridge in the latter's photographic studio at the University of Pennsylvania in Philadelphia. Eakins soon performed his own independent motion studies, also usually involving the nude figure, and even developed his own technique for capturing movement on film. Whereas Muybridge's system relied on a series of cameras triggered to produce a sequence of individual photographs, Eakins preferred to use a single camera to produce a series of exposures superimposed on one negative. Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting, while Muybridge preferred separate images that could also be displayed by his primitive movie projector. After Eakins obtained a camera in 1880, several paintings, such as Mending the Net (1881) and Arcadia (1883), are known to have been derived at least in part from his photographs. Some figures appear to be detailed transcriptions and tracings from the photographs by some device like a magic lantern, which Eakins then took pains to cover up with oil paint. Eakins' methods appear to be meticulously applied, and rather than shortcuts, were likely used in a quest for accuracy and realism. An excellent example of Eakins' use of this new technology is his painting A May Morning in the Park, which relied heavily on photographic motion studies to depict the true gait of the four horses pulling the coach of patron Fairman Rogers. But in typical fashion, Eakins also employed wax figures and oil sketches to get the final effect he desired. The so-called "Naked Series", which began in 1883, were nude photos of students and professional models which were taken to show real human anatomy from several specific angles, and were often hung and displayed for study at the school. Later, less regimented poses were taken indoors and out, of men, women, and children, including his wife. The most provocative, and the only ones combining males and females, were nude photos of Eakins and a female model (see below). Although witnesses and chaperones were usually on site, and the poses were mostly traditional in nature, the sheer quantity of the photos and Eakins' overt display of them may have undermined his standing at the Academy. In all, about eight hundred photographs are now attributed to Eakins and his circle, most of which are figure studies, both clothed and nude, and portraits. No other American artist of his time matched Eakins' interest in photography, nor produced a comparable body of photographic works.

Using a quote from the above article, answer the following question: How did he introduce the camera
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Answer:
Eakins was more interested in precision measurements on a single image to aid in translating a motion into a painting,