Background: Captain Marvel, also known as Shazam (), is a fictional superhero appearing in American comic books published by DC Comics. Artist C. C. Beck and writer Bill Parker created the character in 1939. Captain Marvel first appeared in Whiz Comics #2 (cover-dated Feb. 1940), published by Fawcett Comics.
Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family. The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities. This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project. Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters.
Question: What happen in the 1980s
Answer: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries.

Background: Orville Willis Forte IV was born in Alameda County, California. His father, Orville Willis Forte III, is a financial broker, and his mother, Patricia C. (nee Stivers), is an artist and former schoolteacher. He was raised in Moraga, before moving to Lafayette. He went by Billy in his early years until he was teased at school for it also being a girl's name, at which point he decided he would from there on be known as Will.
Context: He began taking classes at the Groundlings in Los Angeles, an improvisational and sketch comedy troupe and school, while tutoring children to make ends meet. Forte's first successful foray into comedy was 101 Things to Definitely Not Do If You Want to Get a Chick, a comic book he produced that details incompetent men. The comics landed him his first professional job writing for The Jenny McCarthy Show, a short-lived variety show starring Jenny McCarthy. Shortly thereafter, he was asked to submit a packet to the Late Show with David Letterman and was told Letterman responded favorably to animation. After only nine months at Letterman, he was "let go" from the job. He recalled his stint on the program as unpleasant, noting that he did not have enough experience in writing. "What an honor to work at that show but I don't think I was fully mentally prepared. [...] I always wonder what it would be like if I'd had a couple more years of experience before going there." Forte returned to Los Angeles and began performing with the Groundlings' Main Company, with Cheryl Hines, Jim Rash and Maya Rudolph. He tried stand-up comedy three times, mostly at open mic nights, but quit after being voted into the Main Company. He joined the writing teams of two failed sitcoms, including The Army Show and Action. Forte got jobs writing for 3rd Rock from the Sun and That '70s Show, two successful programs. He loved writing but had mostly given up on acting, aside from acting with the Groundlings. While performing with the troupe in 2001, he was spotted by Lorne Michaels, the creator of Saturday Night Live (SNL). Forte felt his confidence was higher than usual, as That '70s Show had been picked up for two more years. He was invited to audition for SNL, which he regarded as unexpected. At his audition for SNL, he performed multiple original characters, including Tim Calhoun, a speed reader, a prison guard, in addition to impressions of singer Michael McDonald and actor Martin Sheen. His final character was an older piece from his days with the Groundlings, in which he portrays a gold-painted street performer who performs fellatio to pay for his face paint, which devolves into a song needlessly uttering the words "cock" and "face paint" dozens of times. He felt his time to shine as a performer was already over, as he was in his thirties when he auditioned. To his surprise, he was offered a chance to be on the show, but declined, opting instead for the financial stability of his work at That '70s Show. He felt working for SNL could not live up to the idealized version he had dreamed of, but he later realized he would be making a mistake.
Question: How long did he do that?
Answer:
short-lived