Q: Given the following context: The story is set in 490 BC, the time of the Medic Wars, during which Persian armies sweep through the Ancient world. Having brought home to Athens the Olympic victor's laurel crown, Phillippides becomes commander of the Sacred Guard, which is expected to defend the city-state's liberty, a year after the expulsion of the tyrant Hippias. Athenian supporters of Hippias conspire, hoping to sideline Phillippides with a marriage to Theocrites' expensive servant Charis, and thus neutralize the guard. She fails to seduce him, as his heart is already taken by a young girl before he learns her name is Andromeda, daughter of Creuso. Everything personal is likely to be put on hold when the news breaks that the vast army of Darius, the Persian King of Kings, is marching on Greece, hoping that its internal division will make its conquest a walk-over. Theocrites instructs Miltiades to hold back the Sacred Guard to defend the temple of Pallas after a likely defeat, and proposes instead to negotiate terms with Darius, but is told an alliance with Sparta could save the Hellenic nation. Phillippides makes the journey and survives an attempt on his life by conspirators; he returns with Sparta's engagement during the Persian attack in far greater numbers on Militiades valiant troops. Charis, left for dead after overhearing Darius's orders, reaches the camp to tell that the Persian fleet, now commanded by the traitor Theocrites, is heading for the Piraeus to take Athens. Miltiades sends Phillippides ahead to hold out with the Sacred Guard until his hopefully victorious troops arrive, and after his perilous journey back they successfully beat back the Persians. answer the following question: Who owns the servant that attempts to seduce the commander of the Sacred Guard?
A: Theocrites

Question: Given the following context: Following their 2004 reunion, the Pixies felt that recording a new song would "break the ice" between band members after their acrimonious split in 1993. As the band were announcing dates for their reunion world tour, DreamWorks contacted manager Ken Goes to enquire whether they would be interested in recording a song for the title sequence of Shrek 2. The band agreed, and frontman Black Francis and Deal began composing riffs for a song aimed at children. Deal had been experimenting with a chord progression for a while, and since her band The Breeders were then inactive, she decided to donate her new composition to the Pixies. The Pixies chose Deal's riff, as it was a "poppier, more kid-friendly thing," and Francis agreed to let her sing lead vocals and write the new song; significantly, Francis is relegated to backing vocals on the track. Francis' move was meant to warm the previously cold relations between the twoin the previous two Pixies studio albums, Bossanova (1990) and Trompe le Monde (1991), Francis, the band's principal songwriter, had not let Deal contribute any songs or sing lead vocals. This became one of the reasons for the Pixies' 1993 split. However, the two appeared at the time to have resolved their differences: Francis praised "Bam Thwok," as "a really good song." despite joking in interviews about how he planned to remove as many of her compositions as possible from a hypothetical new album. However, Deal eventually left the band in June 2013, before the release of the band's next album, Indie Cindy. answer the following question: What is the full name of the person that said they planned to remove as many of her compositions as possible from a hypothetical new album?
Answer: Black Francis

[Q]: Given the following context: After several years having focused entirely on his career with the Regional Information Service, Jaojoby was approached in 1987 by Frenchman Pierre Henri Donat to contribute several recordings to Madagascar's first salegy compilation album, Les Grands Maitres du Salegy ("Grand Masters of Salegy"). The runaway success of one of the tracks he composed and performed, "Samy Mandeha Samy Mitady", elevated salegy from a regional genre to one of nationwide popularity, leading a newspaper to declare him the "King of Salegy". High demand for live performances led the singer to return to Antananarivo in 1988 to form a band named "Jaojoby" that included former bandmates from Los Matadores and The Players. Jaojoby begin touring regularly at home and abroad, performing his first international concerts in Paris in 1989. In the meantime, he worked as a press attache for the Ministry of Transport, Meteorology and Tourism from 1990 until 1993, at which point he left his job to become a full-time musician.The 1992 release of Jaojoby's first full-length album, titled Salegy!, was facilitated by fRoots magazine editor Ian Anderson, who had worked with Jaojoby to record several of his tracks for a radio broadcast two years previously. Jaojoby's second album, Velono, was the first salegy album to be recorded in France, as well as the first of his albums to be produced in a professional-quality recording studio. Following the 1994 release of Velono, Jaojoby became a regular on the international music festival circuit and has performed at such events as WOMAD in Reading, the Festival du Bout du Monde in Brittany, WOMEX in Spain, the Festival des Musiques Metisses in Angouleme, the MASA Festival in Abidjan, and similar events in Germany, the Netherlands, and Portugal. Jaojoby's excitement over his rise to international celebrity was attenuated by the 1995 death of the band's original drummer, Jean-Claude Djaonarana, who had first performed with Jaojoby as a member of Los Matadores. answer the following question: Who had a high demand for live performances?
****
[A]: Jaojoby

Question: Given the following context: St Denys' Church, Sleaford, is a medieval Anglican parish church in Sleaford, Lincolnshire, England. While a church and a priest have probably been present in the settlement since approximately 1086, the oldest parts of the present building are the tower and spire, which date to the late 12th and early 13th centuries; the stone broach spire is one of the earliest examples of its kind in England. The Decorated Gothic nave, aisles and north transept were built in the 14th century. The church was altered in the 19th century: the north aisle was rebuilt by the local builders Kirk and Parry in 1853 and the tower and spire were largely rebuilt in 1884 after being struck by lightning. St Denys' remains in use for worship by the Church of England. The church is a Grade I listed building, a national designation given to "buildings of exceptional interest". It is a prime example of Decorated Gothic church architecture in England, with the architectural historians Sir Nikolaus Pevsner and John Harris noting that "it is a prolonged delight to follow the mason's inventiveness". The church's tracery has attracted special praise, with Simon Jenkins arguing that its Decorated windows are "works of infinite complexity". Built out of Ancaster stone with a lead roof, St Denys' is furnished with a medieval rood screen and a communion rail, possibly by Sir Christopher Wren, and has a peal of eight bells, dating to 1796. The church also houses several memorials, including two altar tombs commemorating members of the Carre family, Sleaford's lords of the manor in the 17th century. answer the following question: What is the full name of the building that remains in use by the Church of England?
Answer:
St Denys' Church