An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: I suppose I always felt that Hotel du Nord was studio-bound, the movement of people cars and camera were just too effortlessly smooth and stagey to have been filmed on location. But no problem - it's still a much underrated lovely composition from Marcel Carne. The plot seems a bit choppy at times, as if they were making it up as they went along, but because it is unpredictable holds the attention to the bitter end. The money shots when the 2 lovers are alone in their room are saddled with some rather stilted dialogue, but it's all so lovely to fall into any inanity can be accepted. Are these 2 young people symbols of a cancerous hopelessness in pre-War France or simply idiots? Suicide pacts are fairly common; if the suicidees are young and healthy with their lives before them untrammelled would you think anything other than that they were just misguided fools?

Arletty played the part of prostitute well - she kept that zipper on her dress busy throughout anyway! I've only seen a few films with Jouvet - he is the most impressive invention as pimp in HDN - my trouble is shallow: every time I see his face I think of Sonnie Hale in Evergreen!

A remarkably atmospheric, well acted and photographed film with so much happening it needs a few viewings to get it all in place. Annabella and Aumont made an exceptionally beautiful couple; Francois (Heurtebise) Perier in his 2nd film had a small amusing part as a gay man. All in all: wonderful.
Q: What's an example of a movie review?
An example of a movie review is here: OK we all love the daisy dukes, but what is up with this cast. Lets start, Jessica Simpson as Daisy, there is not one thing country about this girl and Daisy was not ditzy! Uncle Jesse was probably the closest one to resemble the original. No offense to Burt, but I never noticed Boss HOg being so tall. That was part of the humor of Boss Hog was his size. Did they even try someone like Danny Devito?!? OK , now get this they cast Jessica Simpson did anyone take a look at her husband? He matches Luke Duke to a tee!!!!!! Cleary these producers did not look at the appearance of the old cast members. The screen t's were never present on the dukes!! This made the movie a turn off from the beginning. I give this a HUGE thumbs down.
Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: There is one great moment in *Surviving Christmas* that almost makes it worth the pain: James Gandolfini cracks a shovel over Ben Affleck's stupid head.

This movie serves as yet another unfortunate example of James Gandolfini proving what a great actor he is whilst simultaneously besmirching his career by acting in this film.

Young and wealthy ad exec, Drew Latham (Ben Affleck) has been inculcated into believing that one must never be alone on Christmas. (And there, from the outset, is the underlying problem with our suspension of disbelief in this idiotic movie: how many people of Drew's social standing, in 2004, truly care one way or another whether Christmas is spent alone or with half the family or with a fifty-dollar prostitute?) Storyline finds Drew buying off a family to spend Christmas with, on the condition that they pretend to be his own, insensately ignoring all the indications to the contrary that his money has not bought the emotions he was seeking.

For $250,000, a surly suburban truck driver, Tom Valco (James Gandolfini), and his disheveled wife, Christine (Catherine O'Hara), agree to be Drew's ad hoc family, against protests from their son, Brian (a very one-dimensional Josh Zuckerman) and daughter, Alicia (a very soft-focused Christina Applegate). Drew then spends the rest of the movie supposedly recapturing his youth or - something. The messages in this movie are as twisted and illogical as its dry-mouthed storyline. Fraught with overt psychoses, Drew plasters a fake smile on his face and blindly remains in denial against every denigration that he was supposedly buying the Valco family to avoid.

Which begs the question: If Drew is paying these people to recapture some semblance of joyous familial emotion, how psychotic must he be to pretend happiness amongst their barbs and mental anguish over his presence? It is not a case of the Valco family hiding their true feelings and pretending to be happy while around Drew - three of the four members make it patently clear they despise him. Is he so incognizant that he cannot see that his money is not buying him the "family" atmosphere he was inculcated into believing was a truth in the first place? As with all movies this opprobrious, one wonders how *four* screenwriters could possibly get so tangled in their own narcissistic dreams of appearing in a credits sequence that they will overlook any semblance of plausibility, or intelligence.

Director Mike Mitchell, who was responsible for *Deuce Bigalow: Male Gigolo* - stop right there. 'Nuff said.

Gandolfini and O'Hara somehow manage to shine, proving their mettle amongst this mess. Christina Applegate is willowy and cutesy and blond and fiery in all the right places, scathingly cutting Drew into little strips of carcass for most of the movie, then doing an about-face and falling in love with him because the script tells her to.

And I wouldn't go so far as to say that Affleck is a bad actor, but John Schneider better look over his shoulder. There's a whole new level of Desperately Seeking Talent in town.
Problem: OPTIONS:
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Answer: It's funny, when you stop and think about it: fright film fans tend to a deep and abiding affection toward those who scare the daylights out of them. THE Texas CHAINSAW MASSACRE may give us nightmares, but who among us (the Faithful) didn't feel a very real twinge of love for Gunnar Hansen in BRUTAL MASSACRE- or for Ken Foree, forever and ever the resolute hero of the original DAWN OF THE DEAD? His cameo in the remake made me want to stand up and cheer (as did Tom Savini's cameo); I kid you not. And Brian Halloran and... Well, you get my drift (if not, just stand downwind...). These are some of the Heroes of Horror. To see this many of them gathered together in a single movie is almost unheard of (at least to this degree, to my knowledge). If only the writer(s) had been up to such a monumental task. Maybe someone else, somewhere along the line, will try again. As long as it's not another half-hearted effort (like BROTHERHOOD OF BLOOD, for instance).
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A:
"The Incredible Melting Man" is a fantastically gross, trashy and energetic Z-grade production that every self-respecting camp-horror freak simply has to see for him/herself! The ideal way to describe this low-budget 70's gem is like a shameless copy of Hammer's "The Quatermass Xperiment" ...only a thousand times filthier! Astronaust Steve West is the only survivor of a disastrous space-mission, but turns out the carrier of a horrible disease that makes him radioactive and ... causes him to melt! In shock after seeing his face in the mirror (can you blame him?), Steve busts out of the hospital, leaving a trail of sticky pus and fallen off body parts behind. Doctor Ted Nelson has to find him urgently, as the disease also set Steve up with an insatiable appetite for human flesh. The premise may sound utterly stupid but this flick is enormously entertaining and contains great make-up effects from the hand of Rick Baker. The melting dude's face looks like a rotting pizza and his heavy breathing makes him sound like Darth Vader! Another big advantage is that William Sachs' screenplay doesn't waste any time on tedious scientific explanations or emotional speeches. The repulsiveness starts right away and lasts until the very last moment of the film. Just enjoy this silly horror gem and try to switch off your brain activity as much as you can because, if you start contemplating about the many stupidities in the script, you'll miss out on all the campy fun!