input: Harold Adams Innis was born in 1894 on a small livestock and dairy farm near the community of Otterville in southwestern Ontario's Oxford County. As a boy he loved the rhythms and routines of farm life and he never forgot his rural origins. His mother, Mary Adams Innis, had named him 'Herald', hoping he would become a minister in the strict evangelical Baptist faith that she and her husband William shared. At the time, the Baptist Church was an important part of life in rural areas. It gave isolated families a sense of community and embodied the values of individualism and independence. Its far-flung congregations were not ruled by a centralized, bureaucratic authority. Innis became an agnostic in later life, but never lost his interest in religion. According to his friend and biographer Donald Creighton, Innis's character was moulded by the Church: The strict sense of values and the feeling of devotion to a cause, which became so characteristic of him in later life, were derived, in part at least, from the instruction imparted so zealously and unquestioningly inside the severely unadorned walls of the Baptist Church at Otterville. Innis attended the one-room schoolhouse in Otterville and the community's high school. He travelled 20 miles (32 km) by train to Woodstock, Ontario, to complete his secondary education at a Baptist-run college. He intended to become a public-school teacher and passed the entrance examinations for teacher training, but decided to take a year off to earn the money he would need to support himself at an Ontario teachers' college. At age 18, therefore, he returned to the one-room schoolhouse at Otterville to teach for one term until the local school board could recruit a fully qualified teacher. The experience made him realize that the life of a teacher in a small, rural school was not for him.

Answer this question "Who was his mother ?"
output: His mother, Mary Adams Innis, had named him 'Herald', hoping he would become a minister

input: Allen is a passionate fan of jazz, featured prominently in the soundtracks to his films. He began playing the clarinet as a child and took his stage name from clarinetist Woody Herman. He has performed publicly at least since the late 1960s, notably with the Preservation Hall Jazz Band on the soundtrack of Sleeper. One of his earliest televised performances was on The Dick Cavett Show on October 20, 1971. Woody Allen and his New Orleans Jazz Band have been playing each Monday evening at Manhattan's Carlyle Hotel for many years (as of 2011, specializing in classic New Orleans jazz from the early twentieth century). He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone and Louis Armstrong. The documentary film Wild Man Blues (directed by Barbara Kopple) documents a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band has released two CDs: The Bunk Project (1993) and the soundtrack of Wild Man Blues (1997). In a 2011 review of a concert by Allen's jazz band, critic Kirk Silsbee of the L.A. Times suggested that Allen should be regarded as a competent musical hobbyist with a sincere appreciation for early jazz: "Allen's clarinet won't make anyone forget Sidney Bechet, Barney Bigard or Evan Christopher. His piping tone and strings of staccato notes can't approximate melodic or lyrical phrasing. Still his earnestness and the obvious regard he has for traditional jazz counts for something." Allen and his band played the Montreal International Jazz Festival on two consecutive nights in June 2008. For many years, Allen wanted to make a film about the origins of jazz in New Orleans. The film, tentatively titled American Blues, would follow the vastly different careers of Louis Armstrong and Sidney Bechet. Allen stated that the film would cost between $80 and $100 million and is therefore unlikely to be made.

Answer this question "Did he ever meet any jazz musicians?"
output:

input: The encounter with and initiation from Gaurakishora Dasa Babaji, an illiterate yet highly respected personality, had a transformational effect on Siddhanta Sarasvati. Later, reflecting on his first meeting with the guru, Bhaktisiddhanta Sarasvati recalled: It was by providential dispensation that I was able fully to understand the language and practical side of devotion after I had met the practicing master [Gaura Kishora Das Babaji]....No education could have prepared me for the good fortune of understanding my master's attitude....Before I met him my impression was that the writings of the devotional school could not be fully realised in a practical life in this world. My study of my master, and then the study of the books, along with the explanations by Thakura Bhaktivinoda [Bhaktisiddhanta's father Kedarnatha Datta], gave me ample facility to advance toward true spiritual life. Before I met my master, I had not written anything about real religion. Up to that time, my idea of religion was confined to books and to a strict ethical life, but that sort of life was found imperfect unless I came in touch with the practical side of things. After receiving initiation, Siddhanta Sarasvati went on a pilgrimage of India's holy places. He first stayed for a year in Jagannath Puri, and in 1904 travelled to South India, where he explored various branches of Hinduism, in particular the ancient and vibrant Vaishnava Shri and Madhva sampradayas, collecting materials for a new Vaishnava encyclopaedia. He finally settled in Mayapur 130 km north of Calcutta, where Bhaktivinoda had acquired a plot of land at the place at which, according to his research, Chaitanya Mahaprabhu was born in 1486. At that time, Bhaktivinoda added the prefix "bhakti" (meaning "devotion") to Siddhanta Sarasvati, acknowledging his proficiency in Vaishnava studies. Starting from 1905, Bhaktisiddhanta Sarasvati began to deliver public discourses on the philosophy and practice of Chaitanya Vaishnavism, gathering a following of educated young Bengalis, some of whom became his students. While assisting Bhaktivinoda in his developing project in Mayapur, Bhaktisiddhanta vowed to recite one billion names of Radha (Hara) and Krishna - which took nearly ten years to complete - thus committing himself to the lifelong practice of meditation on the Hare Krishna mantra taught to him first by his father and then by his guru. The aural meditation on Krishna's names done either individually (japa) or collectively (kirtana) became a pivotal theme in Bhaktisiddhanta's teachings and personal practice.

Answer this question "How did he live a spiritual life?"
output:
After receiving initiation, Siddhanta Sarasvati went on a pilgrimage of India's holy places.