Some context: Motion City Soundtrack was an American rock band that formed in Minneapolis, Minnesota in 1997. The band's line-up consisted of vocalist and guitarist Justin Pierre, lead guitarist Joshua Cain, keyboardist Jesse Johnson, bassist Matthew Taylor, and drummer Tony Thaxton.
Motion City Soundtrack was formed in Minneapolis, Minnesota in 1997 by singer-songwriter Justin Pierre and guitarist Joshua Cain. Previously, the duo had separately played in a number of bands. Cain was in a group named the Saddest Girl Story, and recruited Pierre to join as a singer. He was subsequently in a band called Boxcar, and following its dissolution, he and Pierre founded Motion City Soundtrack together. The band's name was created by Cain's brother, Brian. Their early days were difficult, as they found it hard to break out of their local scene. When they could get weeks off from their jobs, they would tour. According to Cain, the members of the band soon realized that there "wasn't really anywhere to play [shows] in Minneapolis", and that they would have to "tour all the time" to rise in popularity. In its early years, the group went through several lineup changes. Through these, Cain and Pierre would often have to take over keyboard duties during shows. The group's first release was a 7" single, "Promenade / Carolina", released in 1999. Their next two releases, both extended plays--Kids for America and Back to the Beat--were released the following year. Over the course of the early 2000s, the band continued to tour and shuffle through members. In late 2001, while touring in Milton, Pennsylvania with the band Submerge, they convinced two of its members--bassist Matthew Taylor and drummer Tony Thaxton--to join Motion City. Thaxton initially took about a year to convince to join the band. Jesse Johnson, a friend and co-worker of Cain's, joined the band as keyboardist just three weeks before the band recorded their first album. Johnson had never played the keyboard before but Cain taught him the parts that had already been written. After their first attempt at self-recording an album failed, the band culled together $6,000 to record with producer Ed Rose, best known for his work with the Get Up Kids. They recorded much of their debut album, I Am the Movie, in ten days. Initial copies were hand-packaged inside floppy disks, which were sold out of the back of their tour van for a year. The band began receiving offers from various record labels, including Universal, Triple Crown Records, and Drive-Thru Records, and they performed at industry showcases. Meanwhile, Brett Gurewitz, founder of Epitaph Records, learned of the band from members of the group Matchbook Romance. He attended four of their shows in Los Angeles that Pierre later regarded as among his worst, as his voice was poor from constant touring. While they were interested in Universal, they chose to sign to Epitaph as they felt the contract was less restrictive and more honest. Eli Janney from Girls Against Boys helped the band secure management and a lawyer. Motion City became part of a slew of Epitaph signings, including Matchbook Romance, Scatter the Ashes and From First to Last, amid concerns the Southern California label had strayed too far from its roots, and seemed "a little too emo."
What songs did they have on the album?
A:
Some context: Buzzi was born at Westerly Hospital, Westerly, Rhode Island, the daughter of Rena Pauline and Angelo Peter Buzzi, a nationally recognized stone sculptor. She was raised in Wequetequock, Connecticut, in a rock house overlooking the ocean at Wequetequock Cove, where her father owned Buzzi Memorials, a business still operated by her older brother, Harold. Her father was born in Arzo, Switzerland, in the Italian-speaking canton of Ticino. He carved the marble eagles at Penn Station in New York, the granite Leif Erikson memorial in Providence, Rhode Island, the animals seen in relief on the American Museum of Natural History in New York City, and made thousands of tombstones.
Before graduation from college, Buzzi was already a working actress with a union card in musical and comedy revues. Her first job in show business was at 19, traveling with singer Rudy Vallee in a live musical and comedy act during her summer break from college; it allowed her to graduate with a treasured union card with Actors' Equity Association. She moved to New York City after graduation and was hired immediately for a lead role in an off-Broadway musical revue, the first of 19 in which she performed across the East Coast. In musical and comedy revues from Provincetown, Massachusetts, to the Catskills of New York, to off-Broadway, she worked alongside other young, talented performers just beginning their careers at the time, including Barbra Streisand, Joan Rivers, Dom DeLuise, Bernadette Peters and Carol Burnett. Buzzi performed in New York musical variety shows, and she made numerous television commercials, some of which won national awards including the Clio Award. Her first national recognition on television came on The Garry Moore Show in 1964, just after Carol Burnett was replaced by Dorothy Loudon on the series. Buzzi saw her first taste of national fame as "Shagundala the Silent", a bumbling magician's assistant to her comedy partner Dom DeLuise who played "Dominic the Great". Buzzi was a member of the regular repertory company on the CBS variety show The Entertainers (1964-65). In 1966-67, Buzzi appeared in Sweet Charity, with Fosse's wife, Gwen Verdon, in the original cast. She had several small roles, one of them "the Singing Fairy".
What were his early successes?
A: Her first job in show business was at 19, traveling with singer Rudy Vallee in a live musical and comedy act during her summer break from college;
Some context: Leslie Feist was born on 13 February 1976 in Amherst, Nova Scotia, Canada. Her parents are both artists. Her father, Harold Feist, is an American-Canadian abstract expressionist painter who taught at both the Alberta College of Art and Design and Mount Allison University in Sackville, New Brunswick. Her mother, Lyn Feist, was a student of ceramics from Saskatchewan.
In 1991, at age 15, Feist got her start in music when she founded and was the lead vocalist for a Calgary punk band called Placebo (not to be confused with the English band Placebo). She and her bandmates won a local Battle of the Bands competition and were awarded the opening slot at the festival Infest 1993, featuring the Ramones. At this concert she met Brendan Canning, whose band hHead performed immediately before hers, and with whom she joined in Broken Social Scene ten years later. In 1995, Feist was forced to take time off from music to recover from vocal cord damage. She moved from Calgary to Toronto in 1996. That year she was asked by Noah Mintz of hHead to play bass in his solo project Noah's Arkweld. She played the bass guitar in Noah's Arkweld for a year despite never having played bass before. In 1998, she became the rhythm guitarist for the band By Divine Right and toured with them throughout 1998, 1999, and 2000. She also played guitar for some live performances by Bodega, but was never an official member of the band. In 1999, Feist moved into a Queen West apartment above Come As You Are with a friend of a friend, Merrill Nisker, who then began to perform as electro-punk musician Peaches. Feist worked the back of the stage at Peaches' shows, using a sock puppet and calling herself "Bitch Lap Lap". The two also toured together in England from 2000-2001, staying with Justine Frischmann of Elastica and MIA Feist appeared as a guest vocalist on The Teaches of Peaches. Feist appears in Peaches' video for the song "Lovertits", suggestively rubbing and licking a bike. Later, Feist covered this song with Gonzales (whom she met while touring with Peaches) on her album Open Season. In 2006, Feist contributed backup vocals on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush.
Which band is she in currently?
A:
In 2006, Feist contributed backup vocals on a track entitled "Give 'Er", which appeared on Peaches' album Impeach My Bush.