input question: Select the correct sentiment of the following review: Unremarkable and unmemorable remake of an old, celebrated English film. Although it may be overly maligned as a total disaster (which it is not), it never builds any tension and betrays its TV origins. Richard Burton sleepwalks through his role, and Sophia Loren's closed (in this movie) face doesn't display much passion, either. (**)
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output answer: negative

input question: Select the correct sentiment of the following review: A message movie, but a rather good one. Outstanding cast, top to bottom. Interesting in that Bette Davis's plot line is essentially back story! The extremely negative reviews (name throwing at the screenplay/playwright, associating this somehow with extremely negative comments about 'Angles in America', etc. etc.) object to the movie being too preachy about Germany in WWII. Gosh, that is just a bit too sophisticated an understanding of morality for me.

Theatrical and movie-making, and acting styles vary over time and of course 70 years later this particular movie would not be made in this way. Yes Casablanca is a better movie (I guess), but although made in the same year and both having Nazis in them, Casablanca is primarily a love story. The love story in this movie takes second seat to the spy plot--more of a thriller. Both have a rather large number of somewhat cheesy accents and wonderful character actors. The children ARE a bit tedious and could have been edited
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output answer: positive

input question: Select the correct sentiment of the following review: I had the opportunity to preview this film as a member of a test audience, and the only thing which kept me in my seat was the chance to fill out the post-screening survey. I felt the film's biggest problem was its lack of a main plot. Instead, it was composed of (too) many sub-plots competing for screen time. As a result, there is not a single character who is developed enough for the audience to form any sort of attachment. What the director and producer failed to do was show us why we should care what happens to the characters. In fact any one sub-plot and the characters associated with it could have been removed altogether without serious detriment to the film. (The time gained would have allowed for the much needed development of the remaining sub-plots and characters.) Simply put, The Hungry Bachelors Club's plate is overcrowded with side dishes and appetizers when an entre is desired.
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output answer:
negative