input: In mid-1943, Shoup was transferred to the staff of Major General Julian C. Smith, commander of the 2nd Marine Division, and tasked to help plan the invasion of Betio on Tarawa Atoll. Shoup's aggressive leadership style would complement the offensive strategy his superiors were seeking in taking the atoll. He was tasked with drawing up initial plans, designating the landing beaches on Betio for the 2nd Marines, and overseeing some rehearsals at Efate. However, after Colonel William W. Marshall, commander of the 2nd Marines, suffered a nervous breakdown before invasion, Smith promoted Shoup to Colonel and gave him command of the regiment, in spite of Shoup's lack of combat experience. The invasion commenced on 20 November 1943, with Shoup disembarking from Maryland, the flagship for the invasion. His force met heavy resistance on the beaches. His LVT was destroyed by shore fire, and he had to proceed without transportation. As he was wading ashore at around 11:00, he was struck by shrapnel in the legs and received a grazing wound from a bullet in the neck. In spite of these wounds, he rallied the Marines and led them ashore. He was able to coordinate the troops on the beaches and organize them as they began to push inland against an anticipated Japanese counterattack. He continuously organized aggressive attacks on the defenders, and was noted for his bravery and vigour during the conflict. On the second day of the attack, he organized an advance inland, despite heavy casualties among the American troops. By the afternoon, they were winning the battle, and reinforcements began to arrive in force. That night, Shoup was relieved by Colonel Merritt A. Edson, the division's Chief of Staff, who commanded the 2nd Marines for the remainder of the campaign. Six years later, Shoup made a cameo appearance in the movie "Sands of Iwo Jima" reprising his actions that first night on Tarawa, although he had originally been brought onto the movie as a technical advisor. For his leadership during the assault and the push inland Shoup was awarded the Medal of Honor and the British Distinguished Service Order. For his role in planning the invasion he was awarded the Legion of Merit with "V" device. He also was awarded the Purple Heart for the combat wounds he suffered during the course of the campaign. Ten years after the assault, Shoup remarked of the operation, "there was never a doubt in the minds of those ashore what the final outcome of the battle for Tarawa would be. There was for some seventy-six hours, however, considerable haggling with the enemy over the exact price we would have to pay." In 1968, he returned to Tarawa to dedicate a memorial to the battle and to the American and Japanese troops who had died there.

Answer this question "Did he remain in the service or did he retire after the invasion?"
output: That night, Shoup was relieved by Colonel Merritt A. Edson, the division's Chief of Staff, who commanded the 2nd Marines for the remainder of the campaign.

input: Keaton's personal life had stabilized with his 1940 marriage, and now he was taking life a little easier, abandoning Columbia for the less strenuous field of feature films. Throughout the 1940s, Keaton played character roles in both "A" and "B" features. He made his last starring feature El Moderno Barba Azul (1946) in Mexico; the film was a low budget production, and it may not have been seen in the United States until its release on VHS in the 1980s, under the title Boom in the Moon. Critics rediscovered Keaton in 1949 and producers occasionally hired him for bigger "prestige" pictures. He had cameos in such films as In the Good Old Summertime (1949), Sunset Boulevard (1950), and Around the World in 80 Days (1956). In In The Good Old Summertime, Keaton personally directed the stars Judy Garland and Van Johnson in their first scene together where they bump into each other on the street. Keaton invented comedy bits where Johnson keeps trying to apologize to a seething Garland, but winds up messing up her hairdo and tearing her dress. Keaton also had a cameo as Jimmy, appearing near the end of the film It's a Mad, Mad, Mad, Mad World (1963). Jimmy assists Spencer Tracy's character, Captain C. G. Culpepper, by readying Culpepper's ultimately-unused boat for his abortive escape. (The restored version of that film, released in 2013, contains a restored scene where Jimmy and Culpeper talk on the telephone. Lost after the comedy epic's "roadshow" exhibition, the audio of that scene was discovered, and combined with still pictures to recreate the scene.) Keaton was given more screen time in A Funny Thing Happened on the Way to the Forum (1966). The appearance, since it was released after his death, was his posthumous swansong. Keaton also appeared in a comedy routine about two inept stage musicians in Charlie Chaplin's Limelight (1952), recalling the vaudeville of The Playhouse. With the exception of Seeing Stars, a minor publicity film produced in 1922, Limelight was the only time in which the two would ever appear together on film. In 1949, comedian Ed Wynn invited Keaton to appear on his CBS Television comedy-variety show, The Ed Wynn Show, which was televised live on the West Coast. Kinescopes were made for distribution of the programs to other parts of the country since there was no transcontinental coaxial cable until September 1951.

Answer this question "Great. What else?"
output:
Sunset Boulevard (1950),