Given a paragraph about movies and a set of conversational questions and answers about the paragraph, say whether the passage contains sufficient information to answer the follow-up question. Say Yes if it is answerable; otherwise, say No. The paragraph has the prefix 'CONTEXT:'. Each conversation question has a prefix 'Q:' followed by the answer prefix 'A:', and the follow-up question has a prefix 'FOLLOWUP_Q:'.

Ex Input:
CONTEXT: SHIELD have been holding the Tesseract for a very long time since Howard Stark found it not long after Captain America went missing (close to World War 2). They have been studying its properties ever since. Also, Loki knows some of its power and secrets from Thanos as explained in the movie. Connect that with the slight influence Loki has over Selvig in credits scene for Thor. So Selvig probably has some breakthroughs in that research, maybe because of his own intellect and maybe because of Loki. The conclusion Hawkeye makes that "doors open from both sides" is just a guess, which is soon proven correct. But Hawkeye and Fury and Selvig are all in the same room a whole lot before this moment, studying the same thing basically. So it's safe to assume they all share any knowledge about that, at least in principle even though Selvig probably more deeply. <sep> Q: How does everyone know so much about the Tesseract? A: Loki knows some of its power and secrets from Thanos as explained in the movie Q: How do all of the Avengers know about the 'powers' of the tesseract? A: Hawkeye and Fury and Selvig are all in the same room a whole lot before this moment, studying the same thing basically. So it's safe to assume they all share any knowledge Q: So, everyone knows that the Tesseract is powerful, yet, they don't know what it can do? A: They have been studying its properties ever since <sep> FOLLOWUP_Q: I first learned of the Tesseract when reading 'A wrinkle in time', do you think that was used as the inspiration for his Tesseract?

Ex Output:
No

Ex Input:
CONTEXT: Sinestro, was the leader of the Green Lantern Corps at the time and regarded to be one of the greatest Green Lanterns ever. He also had a very big ego and believed that he could accomplish what Parallax had failed to do: control the yellow essence of fear without losing himself to it. He also believed that the green essence of will power was no match for the yellow, and that if he wanted to defeat Parallax he would have to use the same power, which is why he asked for a yellow ring to be constructed. Had Sinestro's plan prevailed, he would've worn the yellow ring into battle with Parallax. The latter wouldn't be able to siphon fear from Sinestro's ring because the yellow ring didn't emit fear, it absorbed it, the same way Parallax does. <sep> Q: Why does Sinestro have The Guardians create a ring of fear?

Ex Output:
Yes

Ex Input:
CONTEXT: The source material is essentially a recollection of a life lived by an individual on his death bed. We are seeing these things through the lens of memory, so it is meant to be an almost first person account. There are other moments in the film where things move around for no apparent reason and the stage itself does not move in accordance with objective reality. That particular scene is from "Swann In Love" by Proust and it was an attempt at capturing visually some measure of Swann's emotive memory of a musical experience from that story. I won't comment on whether it was successful. The closest thing I can think at this moment that has this sort of movement might be in Wes Anderson movies where suddenly the naturalistic feel is broken in favor of a staged play: the Zissou movie and "Moonrise Kingdom" both take similar but more obvious breaks from naturalism. <sep> Q: Why is the audience sliding around in this scene from Le Temps retrouve? A: We are seeing these things through the lens of memory, so it is meant to be an almost first person account <sep> FOLLOWUP_Q: A first person account of what exactly?

Ex Output:
Yes