Question: Write an article that answers the following question: How many more females over the age of 18 per 100 compared to males?
Article: In the county, the population was spread out with 23.5% under the age of 18, 7.8% from 18 to 24, 28.5% from 25 to 44, 25.9% from 45 to 64, and 14.2% who were 65 years of age or older. The median age was 40 years. For every 100 females, there were 93.8 males. For every 100 females age 18 and over, there were 90.5 males.

Question: Write an article that answers the following question: How many percent of households were not non-families?
Article: There were 412 households of which 33.7% had children under the age of 18 living with them, 54.6% were married couples living together, 10.4% had a female householder with no husband present, 6.1% had a male householder with no wife present, and 28.9% were non-families. 25.7% of all households were made up of individuals and 12.6% had someone living alone who was 65 years of age or older. The average household size was 2.55 and the average family size was 3.02.The median age in the village was 40.9 years. 26% of residents were under the age of 18; 8.3% were between the ages of 18 and 24; 21.4% were from 25 to 44; 28.7% were from 45 to 64; and 15.6% were 65 years of age or older. The gender makeup of the village was 48.9% male and 51.1% female.

Question: Write an article that answers the following question: What was the last year that the saw was used in something?
Article: Beginning from the early 1920s composers of both contemporary and popular music wrote for the musical saw. Probably the first was Dmitri Shostakovich. He included the musical saw, e.g., in the film music for The New Babylon (1929), in The Nose (opera) (1928), and in Lady Macbeth of the Mtsensk District (opera) (1934). Shostakovich and other composers of his time used the term "Flexaton" to mark the musical saw. "Flexaton" just means "to flex a tone"the saw is flexed to change the pitch. Unfortunately, there exists another instrument called Flexatone, so there has been confusion for a long time. Aram Khachaturian, who knew Shostakovichs music included the musical saw in his Piano Concerto (Khachaturian) (1936) in the second movement. Another composer was the Swiss Arthur Honegger, who included the saw in his opera Antigone (Honegger) in 1924 . The Romanian composer George Enescu used the musical saw at the end of the second act of his opera dipe (opera) (1931) to show in an extensive glissandowhich begins with the mezzo-soprano and is continued by the sawthe death and ascension of the sphinx killed by Oedipus. The Italian composer Giacinto Scelsi wrote a part for the saw in his quarter-tone piece Quattro pezzi per orchestra (1959). German composer Hans Werner Henze took the saw to characterize the mean hero of his tragical opera Elegy for young lovers (1961). Other composers were Krysztof Penderecki with Fluorescences (1961), De natura sonoris Nr. 2 (1971) and the opera Ubu Rex (1990), Bernd Alois Zimmermann with Stille und Umkehr (1970), George Crumb with Ancient voices of children (1970), John Corigliano with The Mannheim Rocket (2001). Chaya Czernowin used the saw in her opera "PNIMA...Ins Innere" (2000) to represent the character of the grandfather, who is traumatized by the Holocaust. There are Further Leif Segerstam, Hans Zender (orchestration of "5 preludes" by Claude Debussy), Franz Schreker (opera Christophorus) and Oscar Strasnoy (opera Le bal). Russian composer Lera Auerbach wrote for the saw in her ballet The Little Mermaid (2005), in her symphonic poem Dreams and Whispers of Poseidon (2005), in her oratorio "Requiem Dresden Ode to Peace" (2012), in her Piano Concerto No.1 (2015), in her comic oratorio The Infant Minstrel and His Peculiar Menagerie (2016) and in her violin concerto Nr.4 "NyX Fractured dreams" (2017).

Question: Write an article that answers the following question: How many percent of people were not in part-time employment in London?
Article: The United Kingdom Census 2001 revealed that the borough had a population of 263,464 - of whom 127,806 were male, and 135,658 female. Of those stating a choice, 47.71% described themselves as Christian, 17.71% as Hindu, 12.26% as Muslim and 10% as having irreligion. Of the population, 39.96% were in full-time employment and 7.86% in part-time employment - compared to a London average of 42.64% and 8.62%, respectively. Residents were predominantly owner-occupiers, with 23.17% owning their house outright, and a further 31.33% owning with a mortgage. 10.59% were in public housing, with a further 13.29% renting from a housing association, or other registered social landlord.