Problem: Background: Arthur Asher Miller (October 17, 1915 - February 10, 2005) was an American playwright, essayist, and figure in twentieth-century American theater. Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953) and A View from the Bridge (1955, revised 1956). He also wrote several screenplays and was most noted for his work on The Misfits (1961). The drama Death of a Salesman has been numbered on the short list of finest American plays in the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Tennessee Williams's A Streetcar Named Desire.
Context: In 1940, Miller married Mary Grace Slattery. The couple had two children, Jane and Robert (born May 31, 1947). Miller was exempted from military service during World War II because of a high school football injury to his left kneecap. That same year his first play was produced; The Man Who Had All the Luck won the Theatre Guild's National Award. The play closed after four performances with disastrous reviews. In 1947, Miller's play All My Sons, the writing of which had commenced in 1941, was a success on Broadway (earning him his first Tony Award, for Best Author) and his reputation as a playwright was established. Years later, in a 1994 interview with Ron Rifkin, Miller said that most contemporary critics regarded All My Sons as "a very depressing play in a time of great optimism" and that positive reviews from Brooks Atkinson of The New York Times had saved it from failure. In 1948, Miller built a small studio in Roxbury, Connecticut. There, in less than a day, he wrote Act I of Death of a Salesman. Within six weeks, he completed the rest of the play, one of the classics of world theater. Death of a Salesman premiered on Broadway on February 10, 1949, at the Morosco Theatre, directed by Elia Kazan, and starring Lee J. Cobb as Willy Loman, Mildred Dunnock as Linda, Arthur Kennedy as Biff, and Cameron Mitchell as Happy. The play was commercially successful and critically acclaimed, winning a Tony Award for Best Author, the New York Drama Circle Critics' Award, and the Pulitzer Prize for Drama. It was the first play to win all three of these major awards. The play was performed 742 times. In 1949, Miller exchanged letters with Eugene O'Neill regarding Miller's production of All My Sons. O'Neill had sent Miller a congratulatory telegram; in response, he wrote a letter that consisted of a few paragraphs detailing his gratitude for the telegram, apologizing for not responding earlier, and inviting Eugene to the opening of Death of a Salesman. O'Neill replied, accepting the apology, but declining the invitation, explaining that his Parkinson's disease made it difficult to travel. He ended the letter with an invitation to Boston, a trip that never occurred.
Question: Did the couple have any children?
Answer: The couple had two children, Jane and Robert (born May 31, 1947).

Problem: Background: Nehemiah Curtis "Skip" James (June 9, 1902 - October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. His guitar playing is noted for its dark, minor-key sound, played in an open D-minor tuning with an intricate fingerpicking technique. James first recorded for Paramount Records in 1931, but these recordings sold poorly, having been released during the Great Depression, and he drifted into obscurity. After a long absence from the public eye, James was "rediscovered" in 1964 by blues enthusiasts, helping further the blues and folk music revival of the 1950s and early 1960s.
Context: For the next thirty years, James recorded nothing and performed sporadically. He was virtually unknown to listeners until about 1960. In 1964, blues enthusiasts John Fahey, Bill Barth, and Henry Vestine found him in a hospital in Tunica, Mississippi. According to Calt, the "rediscovery" of both James and Son House at virtually the same time was the start of the blues revival in the United States. In July 1964 James and other rediscovered musicians appeared at the Newport Folk Festival. Several photographs by the blues promoter Dick Waterman captured this performance, James's first in over 30 years. After that James recorded for Takoma Records, Melodeon Records, and Vanguard Records and performed at various engagements until his death in 1969. More of James's recordings have been available since his death than were available during his lifetime. His 1931 recordings and several of his recordings and concerts from the 1960s have been reissued on numerous compact discs, in and out of print. His songs were not initially recorded as frequently as those of other rediscovered blues musicians. However, the British rock band Cream recorded "I'm So Glad", providing James with the only windfall of his career. Subsequently, Cream's adaptation was recorded by other groups. James' "22-20" inspired for the name for the English group 22-20s and the British post-rock band Hope of the States released a song partially about the life of James, entitled "Nehemiah", which reached number 30 on the UK Singles Chart. In 2004, Wim Wenders directed the film The Soul of a Man (the second part of The Blues, a series produced by Martin Scorsese), focusing on the music of Blind Willie Johnson, J.B. Lenoir and James. Because James had not been not filmed before the 1960s, Keith B. Brown played the part of the young James in the documentary.
Question: what happened in 1960?
Answer: In 1964, blues enthusiasts John Fahey, Bill Barth, and Henry Vestine found him in a hospital in Tunica, Mississippi.

Problem: Background: Hiawatha (also known as Ayenwatha, Aiionwatha, or Haien'wa'tha [ha.je?.wa?.tha] in Onondaga) was a pre-colonial Native American leader and co-founder of the Iroquois Confederacy. Depending on the version of the narrative, he was a leader of the Onondaga and the Mohawk, or both. According to some versions, he was born an Onondaga, but adopted into the Mohawk. Hiawatha was a follower of the Great Peacemaker (Deganawida), a Huron prophet and spiritual leader who proposed the unification of the Iroquois peoples, who shared common ancestry and similar languages.
Context: In attempting to date the Great Peacemaker and Hiawatha, focus has come to an incident related to the founding of the Iroquois Confederacy, their lifework. One rendition of the oral history eventually written down by scholars involves a division among the Seneca nation, the last nation to join the original confederacy. A violent confrontation began and was suddenly stopped when the sun darkened, and it seemed like night. Scholars have successively studied the possibilities of this being a solar eclipse since 1902 when William Canfield wrote Legends of the Iroquois; told by "the Cornplanter". Successive other scholars who mention it were (chronologically): Paul A. W. Wallace, Elizabeth Tooker, Bruce E. Johansen, Dean R. Snow, Barbara A. Mann and Jerry L. Fields, William N. Fenton, David Henige, Gary Warrick, and Neta Crawford. Since Canfield's first mention, and the majority view, scholars have supported the 1451 AD date for the plausible solar eclipse mention. Some argue it is an insufficient fit for the description and favor 1142 AD while a few question the whole idea. Archaeological supporting arguments have progressed. In 1982 Dean Snow considered the mainstream view of the archaeology not to support any dates for an eclipse before 1350 AD (thus ruling out the 1142 AD date.) By 1998 Fenton considered an earlier eclipse than the 1451 AD majority view unlikely but possible as long as it was after 1000 AD - a window that allows the 1142 AD date. By 2007/8 reviews considered an 1142 AD eclipse as clearly possible even if most still supported 1451 AD as the safe choice.
Question: What does Eclipse have to do with Hiawatha?
Answer:
In attempting to date the Great Peacemaker and Hiawatha, focus has come to an incident related to the founding of the Iroquois Confederacy,