input: During the Second World War, Swift continued to play regularly for City, making 134 wartime league appearances. He also joined the British Army, and was one several professional footballers to enlist at the Army School of Physical Training as part of a scheme devised by the FA. The school was based near Aldershot F.C. leading Swift to become one of several notable players to guest for the club. Others included Matt Busby, Jimmy Hagan, Joe Mercer, Stan Cullis, Cliff Britton and Tommy Lawton. He also guested for several other clubs during the war including Liverpool. He also played for several representative sides. On 30 October 1943 at Ninian Park, Swift played for a Western Command XI against a Cardiff City XI which featured Lawton and Mercer as guests. The game was a fundraiser for Royal Artillery prisoners of war. In April 1944 in Edinburgh he played for a British Army XI that included Jack Rowley, Leslie Compton, Cullis, Mercer, Hagan and Lawton and against a Royal Air Force XI that included Peter Doherty, Stanley Matthews and Ted Drake. The Army won 4-0. On 9 September 1944 at Windsor Park he played for a Combined Services XI in an 8-4 win against Ireland. This team was in effect a Great Britain XI and featured, among others, Busby, Matthews, Lawton, Mullen, Raich Carter and Stan Mortensen. In the same year he also represented an FA Services XI in games against France and Belgium. In May 1945 Swift also travelled with a British Army XI on a European tour. In the first season after the Second World War, Manchester City won the Second Division championship to secure their return to the top flight. In the process Swift kept a club record 17 clean sheets in 35 appearances, a mark which was not surpassed until nearly 40 years later, when Alex Williams broke the record by keeping 20 clean sheets in 1985. By 1949 Swift was 35 years old, but was still performing well enough to maintain his place in the England team. However, he decided that he wanted to retire while still capable of playing at the top level, rather than fading away. To this end he announced that he would retire at the end of the 1948-49 season. He made what he intended to be his last Manchester City appearance against Huddersfield Town on 7 May, which was followed by a parade in his honour organised by the Supporters' Club. However, just before the next season started, Swift's replacement Alec Thurlow fell ill with tuberculosis, and Swift agreed to step in until City found a new goalkeeper. Four further appearances took his career total to 338. Aware of attempts by other clubs to tempt Swift out of retirement, most notably by Manchester United, the Manchester City board continued to hold Swift's playing registration for several years.

Answer this question "was he successful at a goalkeeper?"
output: Four further appearances took his career total to 338.

input: When interviewing for jobs after graduation, Ford said that he had attended The New School's Parsons division, but concealed that he graduated in architecture, and that his work at Chloe was a low-level public relations position. Despite his lack of experience in fashion, Ford called American designer Cathy Hardwick every day for a month in hopes of securing a job at her sportswear company. Hardwick eventually agreed to interview him. She later recalled the incident: "I had every intention of giving him no hope. I asked him who his favorite European designers were. He said, 'Armani and Chanel.' Months later I asked him why he said that, and he said, 'Because you were wearing something Armani'. Is it any wonder he got the job?" Ford worked as a design assistant for Hardwick for two years. In 1988, Ford moved to Perry Ellis, where he knew both Robert McDonald, the company's president, and Marc Jacobs, its designer, socially. He worked at the company for two years, but grew tired of working in American fashion. In a later interview with The New York Times, he commented, "If I was ever going to become a good designer, I had to leave America. My own culture was inhibiting me. Too much style in America is tacky. It's looked down upon to be too stylish. Europeans, however, appreciate style." At the time, Italian fashion house Gucci was struggling financially and was seeking to strengthen its women's ready-to-wear presence as a part of a brand overhaul. The company's creative director, Dawn Mello said, "no one would dream of wearing Gucci". In 1990, Mello hired Ford as the brand's chief women's ready-to-wear designer and Ford moved to Milan. "I was talking to a lot of people, and most didn't want the job," Mello said. "For an American designer to move to Italy to join a company that was far from being a brand would have been pretty risky." Ford and his longtime partner, fashion journalist Richard Buckley, relocated to Milan that September. Ford's role at Gucci rapidly expanded; he was designing menswear within six months, and shoes soon after that. When Richard Lambertson left as design director in 1992, Ford took over his position, heading the brand's ready-to-wear, fragrances, image, advertising, and store design. In 1993, when he was in charge of designing eleven product lines, Ford worked eighteen-hour days. During these years, there were creative tensions between Ford and Maurizio Gucci, the company's chairman and 50% owner. According to Mello, "Maurizio always wanted everything to be round and brown, and Tom wanted to make it square and black." Though Maurizio Gucci wanted to fire Ford, Domenico De Sole insisted that he remain. Nonetheless, Ford's work during the early 1990s was primarily behind the scenes; his contributions to Gucci were overshadowed by those of Mello, who was the company's public face.

Answer this question "What did he do at Perry Ellis"
output:
He worked at the company for two years, but grew tired of working in American fashion.