In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Q: Moving . The occasion of this concert was momentous, and what better way to celebrate than with Beethoven's magnificent Ninth Symphony and its customized "Ode to Freedom". I grew up on Bernstein's "Young People's Concerts" and have had a special place in my heart for him ever since. It was startling for me to see him looking sickly at this concert. But in spite of his obvious physical discomfort, he threw himself into the music with full passion, sometimes conducting with his whole body - dancing and jumping at times - and pulled off a heroic performance

A: POS
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Q: Oh, the things this kid does... . Ferris Bueller (Matthew Broderick) is a kind of hero to every high-school aged young adult out there. He's the kind of guy whom we all want to be, really. He acts like he doesn't have a care in the world, and lives life to fullest. The opposite of this guy would be his best friend Cameron Frye (Alan Ruck), a sort of uptight worrywart who deserves to be brought out of his shell by the easygoing Ferris. In this film, Ferris fakes out his parents into calling it another "sick" day for him, his ninth to be exact. In order to convince just about everyone that he is really sick, he consults his collection of electronic sound effect equipment for the process. Another antithesis of Ferris is his life-is-not-fair sister Jeannie(Jennifer Grey) who suspects something is up, as does the sly-but-not-so-slick Dean of Students, Ed Rooney (Jeffrey Jones). It's funny how so many trains of thoughts seem to dominate this movie and in the events that happen For instance, Ferris says that he has to keep coming up with new illnesses in order to make 10 sick days. It's amazing; people, like his parents who are most easily duped, would think that this one sick kid when in reality, he's having a ball. However, knowing that if he gets cauught and may not graduate, he decides to make this one count and be worthwhile. Ferris and Cameron bail out Ferris' girl Sloane (Mia Sara) with a dead grandmother ploy, and together the trio spend the day doing the town in Chicago driving the '61 GT convertible (Oh, yeah!). This movie has a special message and feeling to it that's as old as time. It's about conquering fears mostly and just really appreciating life. For after all, as our hero says: "Life moves pretty fast; if you don't stop to take a look every once in a while, you might miss it." That's the moral of the story, really. "Bueller...Bueller...Bueller?" Not here, but he'll be there in your own home sharing his funny but wise philosophies of life, and showing you how to open your eyes in making the most of every day

A: POS
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Q: Not as good, but still watchable... . This second sequel to "Darkman" maintains the visual style of the first two, has great music, a few good action moments, and a very good performance from Arnold Vosloo as the hero. These are the four things I liked most about "Darkman 3: Die Darkman Die," which isn't a bad movie, but it's not very good either. I'm not only a fan of Darkman, I'm also a fan of Sam Raimi, Liam Neeson, and Arnold Vosloo. Given this, I was sad to see Raimi and Neeson leave the franchise, but am thankful for Vosloo's performance. He does a great Darkman/Westlake and the sequels, especially this movie, have him to thank. While the second was a great follow-up, this film is a little on the stupid side. Jeff Fahey, overacting in every scene, plays bad guy Peter Rooker, who is a drug dealer who is after Darkman when a large sum of money is stolen from him. The plot digs deeper into Rooker's life and soon Darkman is disguising himself as Rooker and befriends his wife and daughter. Darkman soon makes a vow that he will not get involved with the family, that he is only after Peter. But soon Darkman's light side gets the better of him. The movie is bleeding with predictable moments and painfully awful one-liners. Thankfully, director Bradford May keeps a dark, violent tone to the movie and mostly keeps the movie serious about itself. There are a few unintentionally funny moments, more so than in the second, and this hurts the movie a little. I suppose the reason to see this film is if you liked the first two. I did, and gladly added this one to my collection. I have no regrets about it, but take fair warning: only fans will enjoy this one. Everyone else will be in the dark

A:
NEG
****