Problem: Write a positive movie review.

Answer: "Let's Bowl" started out on local television in the Twin Cities. It came on late at night, something you'd stumble across while channel surfing after your 7th bottle of Hamm's.

Even the ads were locally produced, featuring Wally outside Grumpy's Bar, holding a microphone and stammering nervously -- "Ahh...over to you, Steve Sedahl." Not sure why, but that one always made me laugh.

There was a bowling contest featured under the guise of settling a dispute between two bowlers, but the game was secondary to the commentary and clips. Sedahl played it straight, counter-balanced by Rich Kronfeld's bizarre and hilarious "Wally Hotvedt." Highlights included segments like "How to Properly Dispose of an Old Bowling Ball" (chuck them into a lake) and "Tips on Dating," where the duo "date" a couple of hookers and Wally ends with the bitter complaint, "I could have done that myself!"

Another segment -- what the duo did on their days off -- featured Steve in beer can strewn hovel, pigging out from the fridge while Wally struggled to climb the cliffs at Taylor's Falls, dressed in his tight pale blue blazer and over-sized headphones. Hilarious!

Wally's awestruck comments about "league bowlers," and his struggle to apply the correct euphemism to various splits were also highlights.

"Let's Bowl" was picked up by Comedy Central and had some good moments, but the network never really knew what to do with it, running it during prime time and emphasizing the bowling "competition," which was never the point of the show. The constant commercials interrupted the flow and the side characters (Ernie, the Pig, Butch, etc.) were more distractions than anything else. The whole thing seemed rushed and kind of forced. Even Jon Stewart dissed Let's Bowl on the Daily Show -- (not enough lame, snide jokes?) -- an ignominious treatment for a show that deserved far better.

How often does a "Let's Bowl" come along in the world of modern television, a locally flavored mix of comedic genius and total crap? The networks have the "total crap" part down cold, but it's a sad thing to watch them kill such a dark, strange, funny little gem like "Let's Bowl."

Here's hoping they'll put it out on DVD.

Problem: Write a positive movie review.

Answer: I think Hollow Point is a funny film with some good moments I have never seen before in action movies. Well,both Tia Carrere and Thomas Ian Griffith aren't so good in acting, but Tia Carrere is nice and good looking girl, isn't it? But Donald Sutherland is superb in his role so-so mad gangster.

Problem: Write a positive movie review.

Answer: A very addictive series.I had not seen an exact combination among drama, action, suspense and Sci-fi never before. I am impressed every chapter. The screenplay is very intelligent, i don't know how the creators invent all this amazing stories, every character have a strange past, troubles, stormy relationships, it gives to the show the human sense needed for creating intimate characters.

The most incredible is the fact that all the characters are related among them: The numbers, they have met before without knowing it, and so on. The others, enigmatic security system and the Darma initiative are elements that don't let us lose a chapter.

Mr. JJ Abrams, what did you think to create this amazing story?

Problem: Write a positive movie review.

Answer:
In 1943, a group of RAF Officers, including Eric Wiiliams, decide to escape from a POW camp using a Gymnastic Vaulting Horse in the courtyard. In 1950, it was decided to film his account, and it kick-started a peculiar British Film Genre- the Military Prison Camp story that reached its apogee in Danger Within (1959).

The Wooden Horse is one of the quietest films I have ever watched. There are no great dramatic moments, but a steady storyline eventually builds to a climax that has more tension because the story doesn't give way for unlikely drama, jump cuts or jacked up (somethings about to happen!) music. It is utterly of its time and works beautifully.

Leo Glenn, Anthony Steel and David Tomlinson lead a curiously low key cast of extras and (I suspect) non-actors. Without exception, all are constantly mono-tonal and quiet. They keep emotion out of their roles. As so many were, until recently, ex-service, I suspect they recreated their war time roles as 'Officers and Gentlemen'.

This unemotional approach does not detract from any dramatic tension. On the contrary, unlike most Wartime Escape Films, the story doesn't end at the barbed wire: and that fact alone keeps me glued to the end.