Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: Radiofreccia is a movie about all of us, about our dreams, our friends, our obsessions, our addictions, our fears. It is a brilliant movie where a group of friends like all of us have lives through the hardships of growing up in a small town in one of the most significant decades in the last century. The movie doesn't take a happy or sad approach on things, it just tells us a story, one that all of us could have experienced. One of happiness and excitement, sadness and grief. The power of this story is in that we grow to love the characters, it is one of those movies you will watch over and over again, feeling closer to the little town in Emilia Romagna where it takes place. Hoping one day to be able to finally walk its streets next to Freccia and his friends, listening to the music that changed the world through the crackling sound of an old radio playing Radio Raptus International, playing their dreams, our dreams. Radiofreccia will make you laugh, it will make you cry at times, it will shock you and comfort you, it will give you and take from you. Personally I believe it to have played an important part in my life, and that of my friends, and I suggest you all watch it and let it become part of yours.
An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Valliant effort to use a mining catastrophe as a vehicle to pronounce this director's distaste for war. The audience not only learns a great deal about early mining rescue procedures but, we learn that Europeans at the interval between WWI and WWII, had concerning pacifists(for lack of a better term). The speeches given by both representatives of each country at the end of the film, are inspiring given the time. Although the revised edition, through the transfer technology of early foreign films, "cuts-off characters heads" at times, this film holds it's own in many different aspects. Character analysis, lighting techniques, historical content and a scenario that has tested and inspired many a writer and filmmaker.

Pabst went on to Direct and put to screen Weil & Brecht's "Three Penny Opera", starring the original star, Lotte Lenya.
Q: What's an example of a movie review?
An example of a movie review is here: This is yet another bad movie that you should probably avoid watching. The plot could be a lot "thicker" than it actually is and would be better made as a blockbuster type movie.

The acting leaves something to be desired, though you can not quite place your finger on what it is.

This is one of those that you watch on late night TV, perhaps on USA, simply because you can not get to sleep. Watch it if you want but do not expect too much from it.
Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: If you want your vision of Chaplin limited to a lovable tramp and you get your belly laughs from pathos, watch something else. If, however, you love slapstick comedy as performed by one of the best, do watch this one.

The image is of the tramp who really cannot get the girl. He spots another couple kissing on a park bench, and he has a blast ruining their fun.

This is one of Chaplin's "park comedies," filmed in Mack Sennett's park, with pickpockets and cops and couples. These shorts work, as the format allows Chaplin to shine as he weaves through predicaments.

I checked the box, as this could be considered a spoiler, though it's not if you've seen these films. Everyone ends up in the pond except Chaplin. He gets the girl, who in this case was played by Minta Durfee, a.k.a. Mrs. Roscoe "Fatty" Arbuckle.
Problem: OPTIONS:
- negative
- positive positive
=++++=
Answer: Having looked at some of the other comments here, I have a main complaint with this presentation.

The two primary characters are attractive in their own ways - the beautiful "victim," and the handsome, obviously extremely "off-center," blue-collar protagonist (if just short of "totally-deranged") - take turns beating the hell out of each other, sort of like a Caucasian Kabuki scenario.

This is all right, and this is, of course, mainly a "turning-the-tables" story. However, my referenced complaint is that I believe the director got caught-up in his desire to display Farrah's well-known and obvious physical attributes. Beginning with her being enticingly clad in a thin robe, and with a number of scenes displaying more than needed for any dramatic effect - while immensely pleasing to the eyes, these distract from the poignancy level of the drama.

Her roommates I'm certain give performances as written and directed - however, their respective skepticism and histrionic babbling and sobbing, don't ring true -- based upon Farrah's previous experience with this guy, the obvious evidence of his having come to their premises with only the worst of intentions, and that she would have absolutely no grounds to be exaggerating what has occurred.

But this is a film and story, compelling as much in spite of, as because of, the director's work.
Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer:
Think "stage play". This is worth seeing once for the performances of Lionel Atwill and Dwight Frye. COmpare the Melvyn DOuglas in "Ghost Story" with the Melvyn DOuglas of this film. Are there vampires at loose in this 'Bavarian' village, or is there a more natural, albeit equally sinister, explanation? Dwight Frye is Herman, a red herring, who is cast as an especially moronic character. It's fun to look at his different facial expressions in what is really a stock character. NOt much happens for a long time, but then we discover that Atwill's pipe smoking doctor is the real murderer. There is too much 'comic relief' but that is par for the course for this era. Fay Wray looks really good.