In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.

Example input: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Example output: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Example explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : "Statue of a Fool" is a song written by David Ruffin and recorded by many country artists. It was first recorded in 1969 by country music artist Jack Greene where it was released as a single and became a number 1 hit. Brian Collins recorded and released it in 1974 from his second album, "This Is Brian Collins". It peaked at number 10 on the country charts. David Ruffin, formerly of The Temptations, also recorded a version of the song in 1975. Bill Medley, formerly of The Righteous Brothers, also released a rendition in 1979 that went to number 91 on the same chart. In 1989, it was recorded by country music artist Ricky Van Shelton, who released it as a single from the album, "RVS III". It peaked at number 2 on the "Billboard" Hot Country Songs chart and hit #1 on the Canadian "RPM" country singles chart. Context_2 : The Choice Four were the most consistent of the male American soul/vocal groups produced by Van McCoy. They were from Washington, D.C., recorded for RCA Records and had three albums. Several of the group's members had previously sung in The Love Tones and The Stridels. They had several minor hits on the "Billboard" charts in the mid-1970s. Their attempt to hit big with their version of "When You're Young And In Love" was thwarted by the simultaneous release of a disco version of the song by actor Ralph Carter (of the "Good Times" TV show). Their biggest hit, '"Come Down To Earth" became a favorite in the discos after the group had broken up. They recorded the original version of the David Ruffin hit "Walk Away From Love" (also produced by McCoy), hitting the high note that Ruffin famously missed. Both Pede "Pete" Marshall and Charles Blagmon went on to tour with groups led by former members of The Temptations after the group's demise, propr to its revival by Teddy Maduro. Context_3 : David Ruffin is the self-titled album from singer David Ruffin. Coming out after Motown refused to put out his proposed third album in 1971 (released as "David" in 2004), Ruffin was likewise no longer afforded access to "A-list" material and support musicians. This album in many ways was a collaborative effort with Bobby Miller, who produced the album. Miller also had a hand in composing eight of its tracks. Although the album made it into the US R&B Top Five, it underperformed on the US pop charts, peaking at number 168. Those slipping figures were indicators of the increasing lack of interest from Motown in Ruffin's career. Context_4 : Johnnie Mae Matthews (December 31, 1922 January 6, 2002) was an American blues and R&B singer, songwriter, and record producer from Bessemer, Alabama. Known as the "Godmother of Detroit Soul" and as the first African American female to own and operate her own record label (Northern Recording Company) she was an early influence on the careers of many of the now-famous recording stars who began their careers in Detroit, Michigan such as Otis Williams, David Ruffin, and Richard Street of the Temptations, Jimmy Ruffin, Joe Hunter of the Funk Brothers Band, Richard Wylie, Norman Whitfield, Berry Gordy, founder of Motown Records, Timmy Shaw, Barbara Lewis, Bettye LaVette and many more. Context_5 : Corey Glover (born November 6, 1964) is an American singer, guitarist and actor. He is best known as the lead vocalist of the rock band Living Colour and has toured as the vocalist for the funk band Galactic. As an actor, he is noted for playing Francis in the 1986 war movie "Platoon". Context_6 : David Eli Ruffin (born Davis Eli Ruffin, January 18, 1941 June 1, 1991) was an American soul singer and musician most famous for his work as one of the lead singers of The Temptations (196468) during the group's "Classic Five" period as it was later known. He was the lead voice on such famous songs as "My Girl" and "Ain't Too Proud to Beg". Context_7 : Lost and Found: You've Got To Earn It (19621968) is a compilation album by The Temptations. Released by Motown Records in 1999, it includes twenty unreleased Temptations records alongside unreleased mixes of "Ain't Too Proud to Beg" and "You've Got to Earn It". Most of the songs were recorded during the group's "Classic 5" era with David Ruffin and Eddie Kendricks as lead singers, although there are some tracks present which were recorded with Ruffin's predecessor, Elbridge Bryant, in the lineup. There's also one track that was recorded with Ruffin's successor, Dennis Edwards. Context_8 : I Am My Brother's Keeper is a 1970 album by Motown vocalists and siblings Jimmy Ruffin and David Ruffin, credited as "The Ruffin Brothers". The album includes the singles "Stand by Me" and "When My Love Hand Comes Down". Context_9 : James Lee Ruffin (May 7, 1936 November 17, 2014) was an American soul singer, and elder brother of David Ruffin of the Temptations. He had several hit records between the 1960s and 1980s, the most successful being the Top 10 hits "What Becomes of the Brokenhearted" and "Hold On (To My Love)". Context_10 : Temptations Live! was the first live album to be released by The Temptations. Recorded on October 3, 1966 in the Upper Deck of the Roostertail Club in Detroit, Michigan, and released on album by Gordy (Motown) Records in 1967, the album features David Ruffin, Paul Williams, Eddie Kendricks, Melvin Franklin, and Otis Williams performing their regular live repertoire for a highly receptive crowd mostly consisting of young women. Included in the set are Temptations hits such as "My Girl", "My Baby", "Get Ready", "Ain't Too Proud to Beg", "Don't Look Back", and the group's then-current single, "Beauty Is Only Skin Deep". Out of the several live albums the group recorded during their career, this is the only one to feature David Ruffin. The album remained on the Billboard 200 album chart for 51 weeks peaking at number 10. fact_1 : Corey Glover (born November 6, 1964) is an American singer, guitarist and actor. fact_2 : David Eli Ruffin (born Davis Eli Ruffin, January 18, 1941 June 1, 1991) was an American soul singer and musician most famous for his work as one of the lead singers of The Temptations (196468) during the group's "Classic Five" period as it was later known. Answer: no
A:
Are Corey Glover and David Ruffin both actors?