Teacher: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Teacher: Now, understand the problem? If you are still confused, see the following example:
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Reason: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Now, solve this instance: Context_1 : Ethan Gregory Peck (born March 2, 1986) is an American actor. He is best known for his work in the ABC Family series "10 Things I Hate About You", where he portrayed Patrick Verona, a role originated by Heath Ledger in the film of the same name. Peck is the grandson of actor Gregory Peck, and his first wife, Finnish-born Greta Kukkonen. Context_2 : The Portrait is a 1993 American made-for-television drama film adapted from the play "Painting Churches", directed by Arthur Penn, and starring Gregory Peck and Lauren Bacall. Cecilia Peck, who plays the daughter in the film, is the real-life daughter of actor Gregory Peck and his second wife Veronique Peck. The film was broadcast on TNT on February 13, 1993. Context_3 : The Big Country is a 1958 American epic Western film directed by William Wyler and starring Gregory Peck, Jean Simmons, Carroll Baker, Charlton Heston and Burl Ives. The supporting cast features Charles Bickford and Chuck Connors. The picture was based on the serialized magazine novel "Ambush at Blanco Canyon" by Donald Hamilton. and was co-produced by Wyler and Peck. The opening title sequence was created by Saul Bass. The film is one of very few pictures in which Heston plays a major supporting role instead of the lead. Context_4 : The Gunfighter is a 1950 American Western film starring Gregory Peck, Helen Westcott, Millard Mitchell and Karl Malden (resuming his film career after a three year hiatus). This film was directed by Henry King. It was written by screenwriters William Bowers and William Sellers, with an uncredited rewrite by writer and producer Nunnally Johnson, from a story by Bowers and screenwriter and director Andre DeToth. The film was the second of King's six collaborations with Peck. Context_5 : Eldred Gregory Peck (April 5, 1916 June 12, 2003) was an American actor who was one of the most popular film stars from the 1940s to the 1960s. Peck continued to play major film roles until the late 1980s. His performance as Atticus Finch in the 1962 film "To Kill a Mockingbird" earned him the Academy Award for Best Actor. He had also been nominated for an Oscar for the same category for "The Keys of the Kingdom" (1944), "The Yearling" (1946), "Gentleman's Agreement" (1947) and "Twelve O'Clock High" (1949). Other notable films he appeared in include "Spellbound" (1945), "Roman Holiday" (1953), "Moby Dick" (1956, and its 1998 miniseries), "Pork Chop Hill" (1959), "The Guns of Navarone" (1961), "Cape Fear" (1962, and its 1991 remake), "How the West Was Won" (1962), "The Omen" (1976) and "The Boys from Brazil" (1978). Context_6 : A Conversation with Gregory Peck is a 1999 American documentary film directed by Barbara Kopple. Kopple followed the actor as he embarked on a live speaking tour throughout the United States reflecting on his life and career. The film also looks at Peck's home life with his family, as well as his public appearances where he meets such notable individuals as then President of the United States Bill Clinton, then French President Jacques Chirac, and filmmaker Martin Scorsese. "A Conversation with Gregory Peck" was part of the PBS documentary series "American Masters" and was screened out of competition at the 2000 Cannes Film Festival. It is featured on a 2005 2-disc collector's edition of "To Kill a Mockingbird". Context_7 : I Walk the Line is a 1970 film directed by John Frankenheimer and starring Gregory Peck and Tuesday Weld. The film is the story of Sheriff Henry Tawes (Peck) who develops a relationship with town girl Alma McCain (Weld). Context_8 : Dixie Chicks: Shut Up and Sing (also known simply as Shut Up and Sing) is a 2006 documentary film produced and directed by director Barbara Kopple and Cecilia Peck (daughter of actor Gregory Peck). Context_9 : Spellbound is a 1945 American film noir psychological mystery thriller film directed by Alfred Hitchcock. It tells the story of the new head of a mental asylum who turns out not to be what he claims. The film stars Ingrid Bergman, Gregory Peck, Michael Chekhov and Leo G. Carroll. It is an adaptation by Angus MacPhail and Ben Hecht of the novel "The House of Dr. Edwardes" (1927) by Hilary Saint George Saunders and John Palmer. Context_10 : Cape Fear is a 1991 American psychological thriller film directed by Martin Scorsese and a remake of the 1962 film of the same name. It stars Robert De Niro, Nick Nolte, Jessica Lange, and Juliette Lewis, and features cameos from Gregory Peck, Robert Mitchum, and Martin Balsam, who all appeared in the original film. It was Peck's final theatrical film. The film tells the story of a convicted rapist who, using mostly his newfound knowledge of the law and its numerous loopholes, seeks vengeance against a former public defender whom he blames for his 14-year imprisonment due to purposefully faulty defense tactics used during his trial. fact_1 : Other notable films he appeared in include "Spellbound" (1945), "Roman Holiday" (1953), "Moby Dick" (1956, and its 1998 miniseries), "Pork Chop Hill" (1959), "The Guns of Navarone" (1961), "Cape Fear" (1962, and its 1991 remake), "How the West Was Won" (1962), "The Omen" (1976) and "The Boys from Brazil" (1978). fact_2 : Spellbound is a 1945 American film noir psychological mystery thriller film directed by Alfred Hitchcock. Question: Who directed the 1945 film Gregory Peck starred in?
Student:
Alfred Hitchcock