input: In 1900, Carr organized a baseball team made up of employees of the railroad's Panhandle Division. The team, known as the Famous Panhandle White Sox, played in the Capital City League and the Saturday Afternoon League in Columbus for several years. According to the Chicago Tribune, Carr's Panhandle club "gained a reputation in semi-professional ranks throughout the country." In 1907, Carr began a long association with the sport of football. He obtained permission from the Panhandle Athletic Club to reorganize the Columbus Panhandles football team, a team that had been formed in 1900 or 1901 and disbanded in 1904. He secured players from the railroad shop where he worked. The core of Carr's Panhandles teams were six Nesser brothers who worked at the shop and were excellent athletes. To save on expenses, the players, who were railroad employees, used their passes to ride the train for free and practiced during the lunch hour on the railroad yards. Over the next 13 years, the Panhandles became known as a traveling team, as Carr saved money on travel expenses and stadium rental by playing mostly road games. In 1921, the Fort Wayne Journal called the Panhandles the "most renowned professional football aggregation in the country." Carr also continued his association with professional baseball while running the Panhandles, serving for several years as the secretary/treasurer and later president of the Ohio State League, a minor league baseball circuit. As early as 1917, Carr was one of the leading advocates of a plan to develop a national professional football league. Sources are not in agreement as to what role, if any, he played in the formation of the American Professional Football Association (APFA), which later became the National Football League (NFL). However, once the APFA was formed in 1920, Carr's Panhandles played in the league's inaugural season. The 1920 Panhandles team played only one home game and compiled a 2-7-2 record.

Answer this question "Why did the Columbus Panhandles need to be reorganized?"
output: the Columbus Panhandles football team, a team that had been formed in 1900 or 1901 and disbanded in 1904.

input: Davis had met Los Angeles Rams coach Sid Gillman in Atlantic City at a coaching clinic; the NFL coach had been impressed that Davis had sat in the front row, taken copious notes, and had asked many questions afterwards. Gillman was fired after the 1959 season, but was quickly hired in by the Los Angeles Chargers of the startup American Football League (AFL) for their debut 1960 season. He hired Davis as backfield coach on a coaching staff which included future hall of famer Chuck Noll as well as future AFL head coach and NFL general manager Jack Faulkner. Gillman later stated that he hired Davis for his success both as a coach and as a recruiter, and because "Al had that knack of telling people what they wanted to hear. He was very persuasive." The AFL's rules were crafted to encourage wide-open, high-scoring football. In later years, much to Gillman's anger, Davis hinted that he had designed the Chargers's offense, or at least deserved partial credit. The team initially proved successful, winning the AFL Western Division in 1960 and 1961, though losing each time in the AFL Championship Game to the Houston Oilers. Due to financial losses sustained by drawing small crowds to the huge Los Angeles Coliseum, the team moved to San Diego in 1961. In 1962, however, the team won only four of fourteen games. One player whom Davis recommended to the Chargers, and then secured, was wide receiver Lance Alworth of Arkansas, who was a first round selection of NFL San Francisco 49ers in the 1962 NFL Draft. Unwilling to give the 49ers a chance to sign him, Davis raced onto the field at the conclusion of Alworth's final college game and signed him to a contract under the goalpost as 49ers head coach Red Hickey watched helplessly from the stands. Davis later stated, "I knew it wasn't safe to let Alworth go to the dressing room." In 1978, Davis was selected by Alworth to introduce him at his induction to the Pro Football Hall of Fame in Canton, Ohio.

Answer this question "What did the press say about Davis?"
output:

input: His work in films included composing the score for Charlie Chaplin's The Great Dictator (1940) (Academy Award nomination for Best Original Score), and arranging music for the score of William Wyler's The Little Foxes (1941) (Academy Award nomination for Best Music Score of a Dramatic Picture). During World War II, he worked for the United States' Armed Forces Radio Service. His work with the AFRS teamed him with George Burns, Gracie Allen and Bill Goodwin. He would work with all three as the bandleader, and a regular character, on the Burns and Allen radio program. He played a shy man, always trying to get advice on women. His character was ditsy as well, basically a male version of Gracie Allen's character. In 1942, Willson had his own program on NBC. Meredith Willson's Music was a summer replacement for Fibber McGee and Molly. Sparkle Time, which ran on CBS in 1946-47, was Willson's first full-season radio program. Returning to network radio after WWII, he created the Talking People, a choral group that spoke in unison while delivering radio commercials. He also became the musical director for The Big Show, a prestigious comedy-variety program hosted by actress Tallulah Bankhead and featuring some of the world's most respected entertainers. Willson himself became part of one of the show's very few running gags, beginning replies to Bankhead's comments or questions with "well, sir, Miss Bankhead . . ." Willson wrote the song "May the Good Lord Bless and Keep You" for the show. Bankhead spoke the lyrics over the music at the end of each show. He also worked on Jack Benny's radio program, and hosted his own program in 1949. For a few years in the early 1950s, Willson was a regular panelist on the Goodson-Todman game show The Name's the Same. In 1950 Willson served as Musical Director for The California Story, the Golden State's centennial production at the Hollywood Bowl. Through working on this production, Willson met writer Franklin Lacey who proved instrumental in developing the story line for a musical Willson had been working on, soon to be known as The Music Man. The California Story spectacular was followed by two more state centennial collaborations with stage director Vladimir Rosing: The Oregon Story in 1959 and The Kansas Story in 1961.

Answer this question "What happened on this program?"
output:
which ran on CBS in 1946-47, was Willson's first full-season radio program.