Problem: Background: Ibn Rushd (Arabic: bn rshd; full name Arabic: 'bw lwlyd mHmd bn Hmd bn rshd, translit. 'Abu l-Walid Muhammad Ibn 'Ahmad Ibn Rushd; 14 April 1126 - 10 December 1198), often Latinized as Averroes (), was a medieval Andalusian Moorish Arab polymath. He wrote on logic, Aristotelian and Islamic philosophy, Islamic theology, the Maliki school of Islamic jurisprudence, psychology, political theory, the theory of Andalusian classical music, geography, mathematics, as well as the medieval sciences of medicine, astronomy, physics, and celestial mechanics. Ibn Rushd was born in Cordoba, Al Andalus (present-day Spain), and died at Marrakesh in present-day Morocco.
Context: Ibn Rushd looked to Aristotle as to whether the world was eternal. In his Physics, the Greek philosopher argues that everything that comes into existence does so from a substratum. Therefore, if the underlying matter of the universe came into existence, it would come into existence from a substratum. But the nature of matter is precisely to be the substratum from which other things arise. Consequently, the underlying matter of the universe could have come into evidence only from an already existing matter exactly like itself; to assume that the underlying matter of the universe came into existence would require assuming that an underlying matter already existed. As this assumption is self-contradictory, Aristotle argued, matter must be eternal. Because in his eyes, "Aristotle demonstrated the eternity of matter", Ibn Rushd "abandon[ed] belief in the creation out of nothing." This is not to say that Ibn Rushd denied the Creation; rather, he proposed an eternal creation. Oliver Leaman explains Ibn Rushd's argument as such: We [as humans] can decide to do something, we can wait for a certain time before acting, we can wonder about our future actions; but such possibilities cannot arise for [an eternal, omnipotent, omnipresent] God. In his case there is no gap between desire and action, nothing stands in the way of his activity; and yet we are told by al-Ghazali that God suddenly created the world. What differentiates one time from another for God? What could motivate him to create the world at one particular time as opposed to another? For us, different times are different because they have different qualitative aspects, yet before the creation of the world, when there was nothing around to characterize one time as distinct from another, there is nothing to characterize one time over another as the time for creation to take place.
Question: Was there more to it?
Answer: We [as humans] can decide to do something, we can wait for a certain time before acting, we can wonder about our future actions;

Problem: Background: Sir Julian Sorell Huxley FRS (22 June 1887 - 14 February 1975) was a British evolutionary biologist, eugenicist, and internationalist. He was a proponent of natural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of London (1935-1942), the first Director of UNESCO, a founding member of the World Wildlife Fund and the first President of the British Humanist Association. Huxley was well known for his presentation of science in books and articles, and on radio and television.
Context: In the early 20th century he was one of the minority of biologists who believed that natural selection was the main driving force of evolution, and that evolution occurred by small steps and not by saltation (jumps). These opinions are now standard. Though his time as an academic was quite brief, he taught and encouraged a number of evolutionary biologists at the University of Oxford in the 1920s. Charles Elton (ecology), Alister Hardy (marine biology) and John Baker (cytology) all became highly successful, and Baker eventually wrote Huxley's Royal Society obituary memoir. Perhaps the most significant was Edmund Brisco Ford, who founded a field of research called ecological genetics, which played a role in the evolutionary synthesis. Another important disciple was Gavin de Beer, who wrote on evolution and development, and became Director of the Natural History Museum. Both these fine scholars had attended Huxley's lectures on genetics, experimental zoology (including embryology) and ethology. Later, they became his collaborators, and then leaders in their own right. In an era when scientists did not travel so frequently as today, Huxley was an exception, for he travelled widely in Europe, Africa and the United States. He was therefore able to learn from and influence other scientists, naturalists and administrators. In the US he was able to meet other evolutionists at a critical time in the reassessment of natural selection. In Africa he was able to influence colonial administrators about education and wild-life conservation. In Europe, through UNESCO, he was at the centre of the post-World War II revival of education. In Russia, however, his experiences were mixed. His initially favourable view was changed by his growing awareness of Stalin's murderous repression, and the Lysenko affair. There seems little evidence that he had any effect on the Soviet Union, and the same could be said for some other Western scientists. "Marxist-Leninism had become a dogmatic religion... and like all dogmatic religions, it had turned from reform to persecution."
Question: Who else did Julian Huxley influence?
Answer: In Africa he was able to influence colonial administrators about education and wild-life conservation.

Problem: Background: Miranda was born in New York City and raised in the neighborhood of Inwood, the son of Luz Towns, a clinical psychologist, and Luis A. Miranda, Jr., a Democratic Party consultant who advised New York City mayor Ed Koch. Miranda has one older sister, Luz, who is the Chief Financial Officer of the MirRam Group. During childhood and his teens, he spent at least one month each year with his grandparents in Vega Alta, Puerto Rico. He is of mostly Puerto Rican descent.
Context: Miranda co-wrote the music and lyrics for Bring It On: The Musical with Tom Kitt and Amanda Green. Bring It On premiered at the Alliance Theatre in Atlanta, Georgia in January 2011. The musical began a US national tour on October 30, 2011 in Los Angeles, California. It then played a limited engagement on Broadway at the St. James Theatre, beginning previews on July 12, and officially opening on August 1, 2012. It closed on December 30, 2012. It was nominated for Tony Awards in the categories of Best Musical and Best Choreography. In 2011, Miranda appeared on the TV series Modern Family in the episode "Good Cop Bad Dog". He appeared as Charley in an Encores! staged concert of Merrily We Roll Along at New York City Center in February 2012. Later that year, he appeared in a small role in The Odd Life of Timothy Green as Reggie and played the recurring role Ruben Marcado on the 2013 NBC drama Do No Harm. In 2013, Miranda appeared in the episode "Bedtime Stories" (Season 9, Episode 11) on the CBS sitcom How I Met Your Mother. Later that year, he submitted a six-song demo package to Walt Disney Animation Studios; in spring 2014, the studio hired him to help write the songs for its 2016 animated feature film, Moana. In 2014, he performed with comedy duo The Skivvies, and participated in This American Life at the Brooklyn Academy of Music on June 7, 2014 and broadcast on the radio on June 20, 2014, writing the music and lyrics for, and playing The Narrator in, the one-act 21 Chump Street: The Musical. Also in 2014, Miranda appeared in the Encores! revival of Tick, Tick... Boom! under the artistic direction of Jeanine Tesori. The show was directed by Oliver Butler. Miranda won a 2014 Emmy Award for co-composing (with Tom Kitt) the song "Bigger!", the opening number at the 67th Tony Awards in 2013.
Question: Are there any other interesting aspects about this article?
Answer:
he submitted a six-song demo package to Walt Disney Animation Studios;