In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : Silent Night (German: "Stille Nacht" ) is a 1995 German-Swiss drama film directed by Dani Levy. It was entered into the 46th Berlin International Film Festival where it won an Honourable Mention. Context_2 : Der Einsiedler ("The Hermit") Op. 144a, is a composition for baritone soloist, five-part choir and orchestra by Max Reger, written in 1915. The German text is a poem by Joseph von Eichendorff, beginning "Komm' Trost der Welt, du stille Nacht " (Come, consolation of the world, you quiet night). The composition was published in 1916 after Reger's death by N. Simrock, combined with the "Hebbel Requiem", as "Zwei Gesange fur gemischten Chor mit Orchester " (Two songs for mixed chorus with orchestra), Op. 144 . Context_3 : "K.u.k. Feldmarschall" Franz Xaver Joseph Conrad Graf von Hotzendorf German: "Franz Xaver Josef Graf Conrad von Hotzendorf" (11 November 1852 25 August 1925), sometimes anglicised as Hoetzendorf, was an Austrian Field Marshal and Chief of the General Staff of the armed forces of the Austro-Hungarian Army and Navy 19061917. He was the Empire's chief of staff during the 1914 July Crisis that led to the outbreak of World WarI. He argued persuasively for preventive war against Serbia, saying it was needed to hold together his polyglot empire on the verge of breaking down. He later decided that Austria acted too late, and its failure to fight earlier was a fatal mistake. He admitted his army was not ready for war, and therefore emphasized the political necessity. He failed to realize that Germany would force him to put his chief assets on the Russian front, rather than Serbia. Conrad was fearful of attacking Russia and when Russia nearly broke through the Carpathian mountains and Conrad's Carpathian Offensive failed Italy entered the war thinking the Empire was collapsing. It was not a good time however as Germany helped Austria break through Russia and the taking of Serbia so Conrad shifted his attention away from the Balkans toward Italy and Russia. From early 1915 his forces were increasingly dependent on German support and command. Without German support the Austrian army was a spent force. Context_4 : "Silent Night" (German: "Stille Nacht, heilige Nacht" ) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. The song has been recorded by a large number of singers from every music genre. The version sung by Bing Crosby is the third best-selling single of all-time. Context_5 : Night of Silence is a Christmas carol and Roman Catholic Advent hymn, written in 1981 by American composer, Daniel Kantor, and then published in 1984 by GIA Publications. The carol is a quodlibet, the term used for a partner song that can be sung simultaneously with another song. ("Night of Silence" can be sung simultaneously with the Christmas carol "Silent Night"). It has been recorded by Marty Haugen, David Haas, Yvonne Kenny, Chris Squire, St. Olaf College, Cantus, Theocracy, and many other choirs and singers worldwide. Context_6 : Franz Xaver Sussmayr (German: "Franz Xaver Sumayr" or "Suessmayr" in English; 1766 September 17, 1803) was an Austrian composer and conductor. Popular in his day, he is now known for his completion of Wolfgang Amadeus Mozart's Requiem in D Minor. In addition, there have been performances of Sussmayr's operas at Kremsmunster, and a new version of his cantata "Der Retter in Gefahr" was performed. There are also CD recordings of his unfinished clarinet concerto (completed by Michael Freyhan), one of his German requiems, and his Missa Solemnis in D. Context_7 : The church's rector from 1862 to 1869 was Phillips Brooks, probably most famous as the author of the lyrics to the familiar Christmas carol "O Little Town of Bethlehem". Renowned (and sometimes reviled) for his ebullient homilies and his staunch opposition to slavery, Brooks delivered a eulogy to Abraham Lincoln in the church on April 23, 1865, following the U.S. President's assassination on April 14. This sermon was reprinted and widely read. After the end of the American Civil War, Brooks took a sabbatical from the church to travel to Europe, Israel and Palestine. His visit to Bethlehem inspired him to write a poem for his Sunday School students, and for the church's 1868 Christmas season he had church organist Louis Redner set the poem to music. The result was "O Little Town of Bethlehem." Context_8 : Memorial for Franz Xaver Gabelsberger is a monument located in Maxvorstadt, Munich, Bavaria, Germany. The monument is a bronze sculpture by the German sculptor Syrius Eberle. It was dedicated shortly after the hundredth anniversary of the birth of Franz Xaver Gabelsberger (1789-1849), the inventor of a cursive shorthand system. Casting was by Ferdinand von Miller. Context_9 : Franz Xaver Gruber (25 November 1787 7 June 1863), was an Austrian primary school teacher, church organist and composer in the village of Arnsdorf, who is best known for composing the music to "Stille Nacht" ("Silent Night"). Context_10 : The Silent Night Chapel (Stille-Nacht-Kapelle) is located in the town Oberndorf bei Salzburg in the Austrian province of Salzburg and is a monument to the Christmas carol "Silent Night" and its librettist, Joseph Mohr and composer, Franz Xaver Gruber. It stands in place of the former St. Nicholas Church, where on 24 December 1818 the Christmas carol was performed for the first time. fact_1 : "Silent Night" (German: "Stille Nacht, heilige Nacht" ) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. fact_2 : Franz Xaver Gruber (25 November 1787 7 June 1863), was an Austrian primary school teacher, church organist and composer in the village of Arnsdorf, who is best known for composing the music to "Stille Nacht" ("Silent Night"). Question: Silent Night (German: "Stille Nacht, heilige Nacht" ) is a popular Christmas carol, composed in which year, by Franz Xaver Gruber, an Austrian primary school teacher, church organist and composer in the village of Arnsdorf?
Answer:
1818