IN: Bowring was born in Exeter of Charles Bowring (1769-1856), a wool merchant whose main market was China, from an old Unitarian family, and Sarah Jane Anne (d. 1828), the daughter of Thomas Lane, vicar of St Ives, Cornwall. His last formal education was at a Unitarian school in Moretonhampstead and he started work in his father's business at age 13. Bowring at one stage wished to become a Unitarian minister. Espousal of Unitarian faith was illegal in Britain until Bowring had turned 21.

Bowring had begun contributing to the newly founded Westminster Review and had been appointed its editor by Bentham in 1825. By his contributions to the Review he attained considerable repute as a political economist and parliamentary reformer. He advocated in its pages the cause of free trade long before it was popularized by Richard Cobden and John Bright, co-founders of the Anti-Corn Law League in Manchester in 1838. He pleaded earnestly on behalf of parliamentary reform, Catholic emancipation, and popular education. Bentham failed in an attempt to have Bowring appointed professor of English or History at University College London in 1827 but, after Bowring visited the Netherlands in 1828, the University of Groningen conferred on him the degree of doctor of laws in February the next year for his Sketches of the Language and Literature of Holland. In 1830, he was in Denmark, preparing for the publication of a collection of Scandinavian poetry. As a member of the 1831 Royal Commission, he advocated strict parliamentary control on public expenditure, and considered the ensuing reform one of his main achievements. Till 1832, he was Foreign Secretary of the British and Foreign Unitarian Association. Bowring was appointed Jeremy Bentham's literary executor a week before the latter's 1832 death in his arms, and was charged with the task of preparing a collected edition of his works. The appointment was challenged by a nephew but Bowring prevailed in court. The work appeared in eleven volumes in 1843, notably omitting Bentham's most controversial works on female sexuality and homosexuality. Free trade took on the dimensions of faith to Bowring who, in 1841, quipped, "Jesus Christ is free trade and free trade is Jesus Christ", adding, in response to consternation at the proposition, that it was "intimitely associated with religious truth and the exercise of religious principles."
QUESTION: When did he become a political economist?
IN: The fifth Beatle is an informal title that various commentators in the press and entertainment industry have applied to people who were at one point a member of the Beatles, or who had a strong association with the "Fab Four" (John Lennon, Paul McCartney, George Harrison, and Ringo Starr) during the group's existence. The "fifth Beatle" claims first appeared in the press immediately upon the band's rise to global fame in 1963-64. The members have offered their own beliefs of the "fifth Beatle": Lennon was critical of individuals who claimed credit for the Beatles' success, including the individual Beatles themselves, saying in his 1970 interview with Jann Wenner, "I'm not the Beatles. I'm me.

George Martin produced nearly all of the Beatles' recordings (except for the Let It Be album, produced by Phil Spector, and the songs "Real Love" and "Free as a Bird," produced by Jeff Lynne) and wrote the instrumental score for the Yellow Submarine film and soundtrack album, and the string and horn (and even some vocal) arrangements for almost all of their songs (with the famous exception of Spector's re-production on Let It Be, and "She's Leaving Home", which was arranged by Mike Leander). His arrangement of the string octet backing for "Eleanor Rigby" was widely noted. Martin's extensive musical training (which he received at the Guildhall School of Music) and sophisticated guidance in the studio are often credited as fundamental contributions to the work of the Beatles; he was without question a key part of the synergy responsible for transforming a good rock-and-roll group into the most celebrated popular musicians of their era. Writer Ian MacDonald noted that Martin was one of the few record producers in the UK at the time who possessed the sensitivity the Beatles needed to develop their songwriting and recording talent. Martin's piano playing also appears on several of their tracks, including "Misery" and "In My Life". Martin himself deflected claims of being the "fifth Beatle" to Beatles' manager Brian Epstein. In 2006, Martin inadvertently strengthened his image as the "fifth Beatle" by contributing the only piece of new music on the Love soundtrack: a string arrangement on top of George Harrison's solo acoustic demo of "While My Guitar Gently Weeps" from Anthology 3. Lennon disparaged Martin's importance to the Beatles' music. In his 1970 interview with Jann Wenner, Lennon said, "[Dick James is] another one of those people, who think they made us. They didn't. I'd like to hear Dick James' music and I'd like to hear George Martin's music, please, just play me some." In a 1971 letter to Paul McCartney, Lennon wrote, "When people ask me questions about 'What did George Martin really do for you?,' I have only one answer, 'What does he do now?' I noticed you had no answer for that! It's not a putdown, it's the truth." Lennon wrote that Martin took too much credit for the Beatles' music. Commenting specifically on Revolution 9, Lennon said, "For Martin to state that he was 'painting a sound picture' is pure hallucination. Ask any of the other people involved. The final editing Yoko and I did alone." In a tribute to George Martin after his death, Paul McCartney said "If anyone earned the title of the fifth Beatle, it was George. From the day that he gave The Beatles our first recording contract, to the last time I saw him, he was the most generous, intelligent and musical person I've ever had the pleasure to know." Julian Lennon called him "The Fifth Beatle, without question". According to Alan Parsons (2016), Martin had "great ears" and "rightfully earned the title of "Fifth Beatle".
QUESTION:
Is George Martin still alive?