In this task, you are given a question and a context passage. You have to answer the question based on the given passage.

Example Input: How did the guns function?, Context: After the Dambusters raid in 1943 an entirely new system was developed that was required to knock down any low-flying aircraft with a single hit. The first attempt to produce such a system used a 50 mm gun, but this proved inaccurate and a new 55 mm gun replaced it. The system used a centralised control system including both search and targeting radar, which calculated the aim point for the guns after considering windage and ballistics, and then sent electrical commands to the guns, which used hydraulics to point themselves at high speeds. Operators simply fed the guns and selected the targets. This system, modern even by today's standards, was in late development when the war ended.
Example Output: a centralised control system

Example Input: How did the pope respond to the request?, Context: Neither John nor the rebel barons seriously attempted to implement the peace accord. The rebel barons suspected that the proposed baronial council would be unacceptable to John and that he would challenge the legality of the charter; they packed the baronial council with their own hardliners and refused to demobilise their forces or surrender London as agreed. Despite his promises to the contrary, John appealed to Innocent for help, observing that the charter compromised the pope's rights under the 1213 agreement that had appointed him John's feudal lord. Innocent obliged; he declared the charter "not only shameful and demeaning, but illegal and unjust" and excommunicated the rebel barons. The failure of the agreement led rapidly to the First Barons' War.
Example Output: obliged

Example Input: What characteristic set Pietro's paintings aside from other artists back in the great period of Roman mosaic art?, Context: The last great period of Roman mosaic art was the 12th13th century when Rome developed its own distinctive artistic style, free from the strict rules of eastern tradition and with a more realistic portrayal of figures in the space. Well-known works of this period are the floral mosaics of the Basilica di San Clemente, the facade of Santa Maria in Trastevere and San Paolo fuori le Mura. The beautiful apse mosaic of Santa Maria in Trastevere (1140) depicts Christ and Mary sitting next to each other on the heavenly throne, the first example of this iconographic scheme. A similar mosaic, the Coronation of the Virgin, decorates the apse of Santa Maria Maggiore. It is a work of Jacopo Torriti from 1295. The mosaics of Torriti and Jacopo da Camerino in the apse of San Giovanni in Laterano from 128894 were thoroughly restored in 1884. The apse mosaic of San Crisogono is attributed to Pietro Cavallini, the greatest Roman painter of the 13th century. Six scenes from the life of Mary in Santa Maria in Trastevere were also executed by Cavallini in 1290. These mosaics are praised for their realistic portrayal and attempts of perspective. There is an interesting mosaic medaillon from 1210 above the gate of the church of San Tommaso in Formis showing Christ enthroned between a white and a black slave. The church belonged to the Order of the Trinitarians which was devoted to ransoming Christian slaves.
Example Output:
their realistic portrayal and attempts of perspective