input: Leno did not expect his show to beat competing first-run episodes, but to do better than reruns, in part because topical jokes benefit from the "immediacy" of the time slot versus 11:30 pm. A television analyst predicted that Leno would finish in "a safe third place" every night. NBC research before the show's debut indicated that fans of Leno would watch Leno two to three times a week. NBC saw a 1.5 rating for the show in the 18-49 demographic as "viable" and a 1.8 as a "home run". NBC told Leno that at a 1.5 rating, NBC makes $300 million a year. Tonight at 11:30 pm earned about a 1.3 to 1.5; the television audience at 10 pm is 40% larger than at 11:30 pm, and the network hoped Leno's audience would also grow. Industry observers have cited a range of ratings, from 1.7 to 2, as being necessary for the show to succeed at 10 pm. By comparison, 2.5 is generally necessary for a 10 pm drama to succeed; those that earned a 1.7 or less during the 2008-2009 season were generally cancelled. NBC's prime-time dramas averaged about 2 during 2008-2009. The first episode of The Jay Leno Show earned "fast national" estimates of 17.7 million viewers, an 11 Nielsen rating (5.1 among persons 18-49) and an 18 share, significantly above both his Tonight finale and the debut of The Tonight Show with Conan O'Brien in all categories. By the second week and competing against season premieres, the audience fell to six million viewers, still on par with or exceeding NBC projections. As of November 1, 2009, The Jay Leno Show has averaged a 1.98 in the adults 18-49 ratings and 6.594 million viewers. During the week before Christmas, the ratings dropped to 1.4 during the week. Prior to the controversy regarding the move of the Jay Leno Show to 11:35 p.m., viewership bottomed out at 4.799 million viewers, although there was a slight bump as word of the controversy broke. Though the show had been meeting the network's projections for the show itself, it has been severely detrimental to the ratings of the late local news on NBC affiliates. Several stations across the country have seen what is known as the "Leno Effect", where the lower audience for Leno (as compared to NBC's scripted prime time offerings) translated directly into a domino effect of severe audience drops for late local news (on the order of 25-30%), effects that NBC had underestimated.

Answer this question "did they change?"
output: The first episode of The Jay Leno Show earned "fast national" estimates of 17.7 million viewers, an 11 Nielsen rating (5.1 among persons 18-49)

input: His third studio album, Cosmogramma, was released in the UK on May 3, 2010, and in the US on May 4, 2010. In January 2011, Cosmogramma won in the Dance/Electronica Album category in the 10th Annual Independent Music Awards. The multi-award-winning Cosmogramma was a hard-hitting afrofuturistic shrine to soul, hip-hop, jazz and IDM but, with more emphasis on a lyrical message than ever before, it was also a cathartic grieving experience. The album was accompanied by live instrumentation (Thundercat on bass, Miguel Atwood Ferguson on strings, Rebekah Raff on harp) and live vocalists (Thom Yorke, Laura Darlington) - all picked to help communicate the spiritual musical lineage of Ellison's family (Ravi Coltrane, himself, played tenor sax). Stephen Bruner, aka Thundercat, who is featured extensively on Cosmogramma, would later become a large part of future albums by Flying Lotus. In 2010, Flying Lotus collaborated with the Ann Arbor Film Festival in the performance of a live scoring of the 1962 avant-garde film Heaven and Earth Magic. In a post-viewing interview with the audience, Flying Lotus said that he was unsure whether or not a recording of the performance (or a recreation of it) would be publicly released, but he would be enthusiastic toward similar projects in the future. He was chosen by Battles to perform at the ATP Nightmare Before Christmas festival that it co-curated in December 2011 in Minehead, England, UK. In September 2010, Flying Lotus released "Pattern+Grid World", an 8 track EP featuring Thundercat on bass & art by Theo Ellsworth. The Track Camera Day was used in the Killer Mike song Swimming, which was released as part of the Adult Swim Singles Series. In January 2011, Flying Lotus won the 10th Annual Independent Music Awards for his video "MmmHmm" in the Short-Form Video category. It was reported in 2011 that Flying Lotus would be collaborating with R&B singer Erykah Badu on new material for her next album, and planned to remix one of Radiohead's songs from The King of Limbs.

Answer this question "What happen in 2010"
output: In September 2010, Flying Lotus released "Pattern+Grid World",

input: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff. No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play." The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood. With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances.

Answer this question "Where did No Sirree begin?"
output:
at the studio of Neysa McMein,