Context and question: Infrared reflectography (fr; it; es), as called by art conservators, can be applied to paintings to reveal underlying layers in a completely non-destructive manner, in particular the underdrawing or outline drawn by the artist as a guide. This often reveals the artist's use of carbon black, which shows up well in reflectograms, as long as it has not also been used in the ground underlying the whole painting. Art conservators are looking to see whether the visible layers of paint differ from the underdrawing or layers in between such alterations are called pentimenti when made by the original artist. This is very useful information in deciding whether a painting is the prime version by the original artist or a copy, and whether it has been altered by over-enthusiastic restoration work. In general, the more pentimenti the more likely a painting is to be the prime version. It also gives useful insights into working practices.
With carbon black what is the painting more likely to be?
Answer: unanswerable
Context and question: Philadelphia artists have had a prominent national role in popular music. In the 1970s, Philadelphia soul influenced the music of that and later eras. On July 13, 1985, Philadelphia hosted the American end of the Live Aid concert at John F. Kennedy Stadium. The city reprised this role for the Live 8 concert, bringing some 700,000 people to the Ben Franklin Parkway on July 2, 2005. Philadelphia is home to the world-renowned Philadelphia Boys Choir & Chorale, which has performed its music all over the world. Dr. Robert G. Hamilton, founder of the choir, is a notable native Philadelphian. The Philly Pops is another famous Philadelphia music group. The city has played a major role in the development and support of American rock music and rap music. Hip-hop/Rap artists such as The Roots, DJ Jazzy Jeff & The Fresh Prince, The Goats, Freeway, Schoolly D, Eve, and Lisa "Left Eye" Lopes hail from the city.
What concert did Philly host on July13th, 1985?
Answer: Live Aid
Context and question: In the 1980s, parents of mixed-race children began to organize and lobby for the addition of a more inclusive term of racial designation that would reflect the heritage of their children. When the U.S. government proposed the addition of the category of "bi-racial" or "multiracial" in 1988, the response from the public was mostly negative. Some African-American organizations, and African-American political leaders, such as Congresswoman Diane Watson and Congressman Augustus Hawkins, were particularly vocal in their rejection of the category, as they feared the loss of political and economic power if African Americans reduced their numbers by self-identification.
What was the response to the idea of identifying people as biracial or multiracial?
Answer:
mostly negative