input: In 1953, inspired by the success of his performances, Lehrer paid $15 for some studio time to record Songs by Tom Lehrer. The initial pressing was 400 copies. At the time, radio stations would not give Lehrer air time because of his controversial subjects. He sold his album on campus at Harvard for $3 (equivalent to $27.00 today), while "several stores near the Harvard campus sold it for $3.50, taking only a minimal markup as a kind of community service. Newsstands on campus sold it for the same price." After one summer, he started to receive mail orders from all parts of the country (as far away as San Francisco, after The Chronicle wrote an article on the record). Interest in his recordings was spread by word of mouth; friends and supporters brought their records home and played them for their friends, who then also wanted a copy. Lehrer later recalled, "Lacking exposure in the media, my songs spread slowly. Like herpes, rather than ebola." The album--which included the macabre "I Hold Your Hand in Mine", the mildly risque "Be Prepared", and "Lobachevsky" (regarding plagiarizing mathematicians)--became a cult success via word of mouth, despite being self-published and without promotion. Lehrer embarked on a series of concert tours and in 1959 recorded a second album, which was released in two versions: the songs were the same, but More of Tom Lehrer was studio-recorded while An Evening Wasted with Tom Lehrer was recorded live in concert. In 2013, Lehrer recalled the studio session for "Poisoning Pigeons in the Park," which referred to the practice of controlling pigeons in Boston with strychnine-treated corn: "The copyist arrived at the last minute with the parts and passed them out to the band... And there was no title on it, and there was no lyrics. And so they ran through it, 'what a pleasant little waltz'... And the engineer said, '"Poisoning Pigeons in the Park,' take one," and the piano player said, '"What?"' and literally fell off the stool."

Answer this question "What happened in that summer?"
output: Lehrer embarked on a series of concert tours

input: Tu Youyou was born in Ningbo, Zhejiang, China on 30 December 1930. She attended Xiaoshi Middle School for junior high school and the first year of high school, before transferring to Ningbo Middle School in 1948. From 1951 to 1955, she attended Peking University Medical School / Beijing Medical College. Tu studied at the Department of Pharmaceutical Sciences, and graduated in 1955. Later Tu was trained for two and a half years in traditional Chinese medicine. After graduation, Tu worked at the Academy of Traditional Chinese Medicine (now the China Academy of Traditional Chinese Medical Sciences) in Beijing. She was promoted to a Researcher (Yan Jiu Yuan , the highest researcher rank in mainland China equivalent to the academic rank of a full professor) in 1980 shortly after the Chinese economic reform began in 1978. In 2001 she was promoted to academic advisor for doctoral candidates. Currently she is the Chief Scientist in the Academy. As of 2007, her office is in an old apartment building in Dongcheng District, Beijing. Before 2011, Tu Youyou had been obscure for decades, and is described as "almost completely forgotten by people". Tu is regarded as the Professor of Three Noes - no postgraduate degree (there was no postgraduate education then in China), no study or research experience abroad, and not a member of any Chinese national academies, i.e. Chinese Academy of Sciences and Chinese Academy of Engineering. Up until 1979, there were no postgraduate degree programs in China, and China was largely isolated from the rest of the world. Tu is now regarded as a representative figure of the first generation of Chinese medical workers since the establishment of the People's Republic of China in 1949.

Answer this question "Is there anything else interesting you'd like to share?"
output: Tu is regarded as the Professor of Three Noes -

input: In Rosemary's Baby: A Retrospective, a featurette on the DVD release of the film, screenwriter/director Roman Polanski, Paramount Pictures executive Robert Evans, and production designer Richard Sylbert reminisce at length about the production. Evans recalled William Castle brought him the galley proofs of the book and asked him to purchase the film rights even before Random House released the publication. The studio head recognized the commercial potential of the project and agreed with the stipulation that Castle, who had a reputation for low-budget horror films, could produce but not direct the film adaptation. He makes a cameo appearance as the man at the phone booth waiting for Mia Farrow to finish her call. Evans admired Polanski's European films and hoped he could convince him to make his American debut with Rosemary's Baby. He knew the director was a ski buff who was anxious to make a film with the sport as its basis, so he sent him the script for Downhill Racer along with the galleys for Rosemary. Polanski read the latter book non-stop through the night and called Evans the following morning to tell him he thought Rosemary was the more interesting project, and would like the opportunity to write as well as direct it. The script was modeled very closely on the original novel and incorporated large sections of the novel's dialogue and details, so much so that nearly every line of dialogue was taken from the novel's text. Author Ira Levin claimed that during a scene in which Guy mentions wanting to buy a particular shirt advertised in The New Yorker, Polanski was unable to find the specific issue with the shirt advertised and phoned Levin for help. Levin, who had assumed while writing that any given issue of The New Yorker would contain an ad for men's shirts, admitted that he had made it up.

Answer this question "Who wrote the novel?"
output:
Author Ira Levin