In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
A: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Q: Context_1 : Harry Potter and the Philosopher's Stone (released in some countries as Harry Potter and the Sorcerer's Stone) is a 2001 British-American fantasy film directed by Chris Columbus and distributed by Warner Bros. Pictures. It is based on the novel of the same name by J. K. Rowling. The film is the first instalment in the long-running "Harry Potter" film series, and was written by Steve Kloves and produced by David Heyman. Its story follows Harry Potter's first year at Hogwarts School of Witchcraft and Wizardry as he discovers that he is a famous wizard and begins his education. The film stars Daniel Radcliffe as Harry Potter, with Rupert Grint as Ron Weasley, and Emma Watson as Hermione Granger. Context_2 : The Stockholm International Film Festival (Swedish: Stockholms filmfestival ) is an annual film festival held in Stockholm, Sweden. It was launched in 1990 and has been held every year in the second half of November. The film voted by a jury as the best in the competition section receives the Bronze Horse (Bronshasten). Since its start the festival has focused on bringing forth and supporting new talents through competitions and scholarships. A third of the films selected for the festival are made by a debuting director and only directors who have made less than 3 films are selected for the competition. In 2011 "The Stockholm Film Festival Feature Film Award" was inaugurated which funds a feature film for an unestablished female director. The aim for Stockholm International Film Festival is to broaden the selection of films in Sweden with creative new films of high quality and offer the visitor an orientation within modern film. With seminars, opportunities to meet actors and filmmakers during the festival, all means are given to make the film experience come full circle. An impressive list of filmmakers and actors have attended the festival, including Dennis Hopper, Lauren Bacall, Gena Rowlands, Charlotte Rampling, Susan Sarandon, Ang Lee, David Cronenberg, Roman Polanski, Terry Gilliam, David Lynch, Elia Kazan, Wong Kar-Wai and Uma Thurman. Context_3 : Rupert Alexander Lloyd Grint (born 24 August 1988) is an English actor and producer. He rose to prominence playing Ron Weasley, one of the three main characters in the "Harry Potter" film series. Grint was cast as Ron at the age of 11, having previously acted only in school plays and at his local theatre group. From 2001 to 2011, he starred in all eight "Harry Potter" films alongside Daniel Radcliffe playing as Harry Potter and Emma Watson playing as Hermione Granger. Context_4 : My So Called Knife is an album by Lollipop Lust Kill, released in May 2002. The album was recorded in Weed, California with Sylvia Massy-Shivy at the helm. She had previously worked with the metal act Tool. Several titles were proposed for the album, and until very close to its completion, it was to be dubbed "Murder at the Late Show", an odious reference to the converted theater in which it was recorded. However, the title was deemed too risque by Artemis records and was subsequently changed to the play on "My So Called Life", a show with a sizable cult following. In addition to the tracks present on the album, three other songs; "Eyes All Lies, Drip, and It's Cold Inside (the latter two being reworked and rerecorded versions of Motel Murder Madness and 2001 demo songs) were recorded. A fourth unreleased track titled Gemini Twin was also recorded, but no one except for the band members has ever heard it. None of the aforementioned tracks were officially released, although the three former songs were widely distributed among 'The Lollipop Guild', the band's semi-official and loyal fanbase. Much speculation was also made as to whom the child featured on the album cover was, as the boy's identity was a closely guarded secret. It was eventually revealed that the boy was, in fact, one of the sons of guitarist Pill. Context_5 : Glyph is an album released by Floater in May 1995. Engineered and mixed by the Grammy-nominated Drew Canulette (Nirvana, Soundgarden, Neil Young). "Glyph" received a preliminary Grammy nomination in the category of Best Alternative Performance. The album was initially intended to be an EP featuring leftover songs that never made it onto the Sink album. Some of the tracks, such as The Sad Ballad of Danny Boy, The Face of Order, and Dead, were previously recorded on the Sink demo tape prior to the release of the Sink album. Later, though, additional tracks were added, blending the entire album into one complete, seamless audio experience. The hit single is "The Sad Ballad of Danny Boy" which received national radio play on Z Rock stations. The album is also the first time that Peter Cornett debuted a track featuring his vocals. "Bottle" would not be his last either, as he again appeared on the Acoustics album. Two versions of Glyph are known to exist. The first press, which had a very limited release, has the same artwork as on both albums, but the fonts appear to be a white Arial, with "Floater" and "Glyph" on the cover, and no title on the disc. The disc artwork matches the artwork found on the cover. The inside tray also has the same artwork as the cover. The fourth track "Silt" was renamed "Midnight Ride" when released on the second pressing, and was six seconds longer than "Midnight Ride". The second press, which is the most common, has a yellow/gold font and shows an Egyptian hieroglyph which represents rejoicing, support, or exaltation, the same is on the disc art. The inside tray art is different and has the glyph symbol with a different background than the original release. Some of the earlier releases of the second press of Glyph also included a paper flyer (the same size as the cover) inserted with the disc promoting the previous album Sink. Context_6 : Anubavi Raja Anubavi (English: "Experience it, dear. Experience it." ) is a 1967 Indian Tamil-language comedy film written and directed by K. Balachander. It stars Nagesh along with R. Muthuraman, Rajasree and Jayabharathi. Nagesh played dual role in the movie as a modern trend boy without mustache and another as a village man with long hair and mustache. It was remade in Hindi as " Do Phool" and in Kannada as "Kittu Puttu" and Malayalam as Aanandham Paramaanandham. The storyline of 1993 Hindi movie "Aankhen" was similar to this movie. Context_7 : Leiden International Short Film Experience (LISFE) is an annual film festival held in the city of Leiden (The Netherlands) which is centered on World Student and Professional Short Films from all genres and all over the world, combined with artistic installations, performances and music. The next edition is set up around the theme Youtopia and will take place April 29/30 at the artist center Haagweg 4 in Leiden. Context_8 : The Pure Film Movement ( , Jun'eigageki undo ) was a trend in film criticism and filmmaking in 1910s and early 1920s Japan that advocated what were considered more modern and cinematic modes of filmmaking. Critics in such magazines as "Kinema Record" and "Kinema Junpo" complained that existing Japanese cinema was overly theatrical. They said it presented scenes from kabuki and shinpa theater as is, with little cinematic manipulation and without a screenplay written with cinema in mind. Women were even played by onnagata. Filmmakers were charged with shooting films with long takes and leaving the storytelling to the benshi in the theater instead of using devices such as close-ups and analytical editing to visually narrate a scene. The novelist Jun'ichiro Tanizaki was an important supporter of the movement. Critics such as Norimasa Kaeriyama eventually became filmmakers to put their ideas of what cinema is into practice, with Kaeriyama directing "The Glow of Life" at the Tenkatsu Studio in 1918. This is often considered the first "pure film," but filmmakers such as Eizo Tanaka, influenced by shingeki theater, also made their own innovations in the late 1910s at studios like Nikkatsu. The move towards "pure film" was aided by the appearance of new reformist studios such as Shochiku and Taikatsu around 1920. By the mid-1920s, Japanese cinema exhibited more of the cinematic techniques pure film advocates called for, and "onnagata" were replaced by actresses. The movement profoundly influenced the way films would be made and thought about for decades to come, but it was not a complete success: benshi would remain an integral part of the Japanese film experience into the 1930s. Context_9 : Paul Pellicoro (born 1956) is a professional ballroom dancer, instructor, and choreographer. He has owned and operated New York City's largest ballroom dance studio, Paul Pellicoro's DanceSport, since 1985, which is currently located in its new (as of November 2006) home next to the Empire State Building in Manhattan, in New York City. (The studio was previously located in the Upper West Side of Manhattan.) Renowned for his work in films, Pellicoro has extensive film experience both as a performer and as a choreographer. Context_10 : The Amsterdam Film eXperience, or AFX for short, is an annual filmfestival that takes place in Amsterdam. It's being organized by the AISFF (Amsterdam International Short Film Festival). AISFF used to be the name of the festival itself, but the organization decided to focus less on short film and more on the broader experience of film in all its forms, hence Amsterdam Film eXperience. fact_1 : Harry Potter and the Philosopher's Stone (released in some countries as Harry Potter and the Sorcerer's Stone) is a 2001 British-American fantasy film directed by Chris Columbus and distributed by Warner Bros. fact_2 : Pictures. fact_3 : The film is the first instalment in the long-running "Harry Potter" film series, and was written by Steve Kloves and produced by David Heyman. fact_4 : The film stars Daniel Radcliffe as Harry Potter, with Rupert Grint as Ron Weasley, and Emma Watson as Hermione Granger. fact_5 : Rupert Alexander Lloyd Grint (born 24 August 1988) is an English actor and producer. fact_6 : He rose to prominence playing Ron Weasley, one of the three main characters in the "Harry Potter" film series. fact_7 : Grint was cast as Ron at the age of 11, having previously acted only in school plays and at his local theatre group. Answer: Warner Bros. Pictures
A:
Who distributed the film which featured a boy who had previously had no film experience?