In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Input: Consider Input: what would you do if no one could see you ?
well , if you 're a super smart bio - molecular research scientist working for the military , you 'd grope a co - worker and rough - up your neighbor from across the street .
that 's right .
of all the non - criminal possibilities brought about by rendering oneself invisible , in " hollow man " kevin bacon 's character opts to commit sex crimes .
er , it 's kevin bacon who plays the super smart military bio - molecular research scientist ?
something sounds horribly wrong already .
but this is a paul verhoeven film , and the sleazepin director of such open - crotch classics as " basic instinct " and the infamous " showgirls " never lets a little credibility get in the way of his voyeuristic tendencies which , when you come right down to it , is all this film is about .
"
hollow man " features a string of hapless , c - list actors
( among them bacon , elisabeth shue , josh brolin , and kim dickens ) in a grade - z plot with a lot of special effects that , frankly , do n't look much better than those used in the 1933 version of " the invisible man .
"
oh bacon glistens when he gets wet all right and looks like a rather fatty side of cheap flank steak when he 's attempting reentry but
otherwise it 's lots of " thermal " shots and inanimate objects
( elisabeth shue included ) bobbing around without any visible signs of support .
since invisibility , once achieved , is n't much of an effect ( the actors spend half their time conversing with nobody and the other half of their time talking to each other -- it amounts to much of a muchness ) , the director elects to wardrobe all of his female protagonists in loosely - buttoned sweaters so that the minute bacon 's character gets invisible he can head straight for them .
it 's as if that fascinating concept -- what would you do if no one could see you ?
--is
simply a verhoeven ploy to show some skin .
as a horror film , " hollow man " is unsophisticated and disturbing
( in its intent , not its achievements ) and not worth your time or your hard - earned dollars .
it 's minor verhoeven -- and even that 's not saying much -- and boy is it hollow .

Output: N

Input: Consider Input: dora ( fernanda montenegro ) sits behind a make - shift desk at rio+s major train station .
she , in her colorful demeanor , offers a service that is unheard of in the states .
she writes letters for the illiterate , who pass through , to try to find lost relatives , find love , or search after lost debts .
she+s
quirky , she+s elderly , she+s caring .
totally trustworthy , right ? not a chance .
once home , she never sends these letters , saving money on postage , and relishing in the drama contained therein with her neighbor irene ( mar ?
lia
p ? ra ) .
one of the letters is sent by a young mother with her nine - year old son , looking for their father .
shortly thereafter , she gets hit by a bus , and the son is orphaned .
days go by , and the boy , named josu ?
, roams around the station , hungry , desperate , and somewhat clueless to his predictament .
through a series of circumstances too precious to elaborate upon , dora somehow takes a responsibility in trying to find josu ?
+ s father .
this means leaving the security of rio , traveling to the outskirts of brazil , where unpaved roads , religious devotees and the poverty - stricken become commonplace .
films like this remind me as to what i enjoy about some foreign films .
it is an opportunity for me to get a fresh breath in another part of the world , so distant from my own .
it does so entertainingly , and so heart - wrenchingly
.
and yet , it+s backdrop is merely that .
the focus is on the minute transformation of dora , of how she learns to love this little kid , without being cloying or sentimental .
the most interesting backdrop is the amount of religious dedication is in the film .
dora being an amoral scam - artist , could care less about the amount of bickering between the candle - lighting of the catholics versus the bumper - sticker mentality of the evangelicals .
but neither side is trivialized .
she even begins to develop an affection for a non - drinking evangelical , who sees the problems with dora , if not initially .
fernanda montenegro surprisingly got an oscar nomination for this very delicate performance , but the true marvel is that of vinicius de oliveira , who plays josu ? .
he , like the discoveries of j ?
r ?
mie renier
( _ la promesse _ ) and giorgio cantarini
( _ life is beautiful _ ) , prove that the true acting discoveries may be outside of the united states .
he is a natural , and never once grating .
send a memo to jonathan taylor thomas .

Output: P

Input: Consider Input: go 's is a gloriously slick hip machine .
director liman ( who also photographed go ) and screenwriter august celebrate the drug / rave scene in l .
a .
, preferring to take ( comedic ) snapshots of troubled youth rather than critique them .
after more than ninety minutes of pill - popping , tantric sex , car chases , and attempted murder , go even has a happy ending .
this is the sort of film that gives members of the dove foundation splitting headaches ; as go wound down , i anticipated an anti - pill - popping - casual - tantric - sex - car - chase - attempted - murder sermon that ( blessedly ) did n't arrive .
a la tarantino 's pulp fiction , go is comprised of three separate but related stories .
the basics are as follows :
ronna ( polley ) is a bitter grocery store clerk facing eviction who turns to drug dealing for extra dough .
her co - worker , simon ( the improbably named askew ) , is a clubber from britain ecstatic about his first trip to vegas .
zack ( mohr ) and adam ( wolf ) are soap opera stars escaping a career - threatening conviction by assisting a peculiar cop ( fichtner ) in a drug bust .
perhaps because the innovative structure of tarantino 's non - linear masterwork is by now old hat , the id - fueled go delighted me but rarely surprised me ( with the exception of that mind - reading cat ! ) ; pulp fiction zigzagged down roads unforeseen , but we see go 's wheels turning from its first flash frame to the last .
torontonian polley ( of the sweet hereafter ) refused to do publicity for this picture on the basis that she was " not pleased with " her turn as the ill - fated cashier .
in go , she delivers , hands - down , her best performance to date .
here 's an ( overrated ) actress who agreed to appear on the poster , but not support her team at the junket or in interviews ; this sort of arrogance is commonplace for ms .
polley , as anyone who has read of her political agenda in the canadian press will tell you .
if she does n't want to be the ingenue of the moment , she should have said " no , " not go .
but i digress .
go is a fun film , so chipperly depraved one ca n't help but turn off his moral judgment for its duration and enjoy the ride .
in that sense , it 's a departure from liman 's last film , swingers , which at least lectured against self - absorption in the form of vince vaughan 's trent and his subtle comeuppance in the story 's clever epilogue ( which has been aped by mcdonald 's for their latest commercial ) .
i wish i cared more about go 's characters : like the techno music they listen to , the bands of anarchists on display here are at once absorbing and vacuous .
when the lights came up and stung my eyes , it was difficult to recall what about it entertained me . yet
entertain me it did
.
go is light and frothy , featuring compelling if not endearing work by polley , timothy olyphant ( scream 2 ) , and especially fichtner , whose homoerotic behavior is milked for effective laughs .
fichtner is a character actor best known for playing backstabbers ( in heat , armageddon , and others ) ; his previously untapped comic abilities shine in go .
unlike much of the film , fichtner is unpredictable .
Output: P