November always dragged around the station, but today was one dead Sunday. Not one car pulled off the interstate all morning. Nothing hit the drive but a thin steady rain, puddling slow rainbows in the oil. Me and Harnie just tilted back our chairs against the cigarette rack, watched the monster movie, and waited for the game to start. The big flying turtle was about set to barbeque downtown Tokyo when the drive bell rang, and up sluiced a car so damn gorgeous it hurt to look at it. A '37 Buick Roadmaster it was, painted a red so rich it was nearly black, that straight eight engine whispering like a lover while teardrops of rain rolled down the chrome grill. Out climbed this tall fellow, dressed like God's grandpa done up for a wedding or a funeral. His skin was brown as a buckwheat cake, with creases deep as drainage ditches. Took a mighty long stretch of sweat and toil, love and birth and dying, to carve a face like that. He flexed his shoulders, then rolled his neck till it cracked. He pulled a pack of Camel straights from inside his vest and flipped one out. "Got a light?" His voice was deep and warm, half gravel, half honey. I tossed him a pack of matches through the open door; he caught it left-handed, then flipped it open, folded over a match, and struck it with his thumb. "This the town with the dead fiddler?" he said after a long drag on the smoke. "You might say so," I said, ignoring the look Harnie gave me. Nobody talked about her; I wondered how this fellow had even heard about her. "Ain't a fiddle, though. It's a cello, like in the symphony." The stranger shrugged. "Close enough." "She ain't d-dead, neither," Harnie said. "M-more sleeping, like." He puffed out a wreath of smoke. Then another. "Let's go wake her up," he said. "You best not try, mister," I said. "She been sleeping for thirty some year." The stranger believes that: A. a cello player is very different from a fiddle player B. not enough information C. a cello player is much the same as a fiddle player D. people who play cellos also play fiddles
C

"Sometimes," he said, squatting down by the fire and holding his hands to the open flame, "I think that I hear voices from the other side." "Voices, Sartas?" someone laughed. "And what do these voices say to you, lad?" "Were they women's voices?" asked another, his leering face looming up out of the darkness and into the sallow glow of the firelight. "Perhaps some fair-haired temptress willing to relieve you of the weighty burden of your virginity." More laughter, lecherous in tone, and quickly joined by a chorus of rough and lustful glee, which in the closeness of the dark seemed almost feral and far less than mere jest and honest teasing. "I can't speak as to whether they were male or female," said Sartas, trying hard to keep the tremor of embarrassment from his voice. "But it did sound at times like laughter. Of the sort that good men share about a fire and over a meal." He assayed a grin as he cast his gaze over his colleagues. "No doubt a fiction of the sun," offered Tavarius in a commiserating tone. He sat across from the young guard, idly poking at food on the beaten metal plate that was set at his feet. He skewered a square of meat with the tip of his long knife and lifted it to his lips, holding it poised before his mouth a moment before finally clamping square, yellowed teeth about it and pulling it free with a jerk. "It wasn't the sun," Sartas retorted petulantly. Tavarius shrugged, then wiped a trail of juice from his chin with the back of one hand and said, "Be careful, lad." He waggled the blade of his knife back and forth in the young man's direction, frowning with intense sagacity. "You'd be wise to consider spending less time out there in the heat of day, tramping back and forth as though you were guarding the King's own jewels. All that sweating and panting. And for what?" He snorted and shook his head. "Such devotion may well be admirable in some quarters, boy, but you'll curry no favor here with that sort of attitude." Tavarious ate a piece of his meat: A. before Sartas began telling his story B. After he warned Sartas C. not enough information D. before he warned Sartas
D

William White sat across from me, fidgeting nervously with an empty packet of artificial sweetener while his coffee went cold, ignored on the table in front of him. He rolled the torn yellow paper up like a tight little spliff, then unrolled it, smoothed it out flat, and then rolled it again. I was midway through my third cup of coffee with no intention of stopping soon. I was tired and edgy, irritated at William for dragging me out at this time of night, and getting even more irritated at his refusal to get to the point. 'Did you know Philip K. Dick had a twin sister?' I stared at him blankly. 'Her name was Jane. She died shortly after their birth. They were six weeks premature,' he continued, his eyes drifting off to the window to his right. I wasn't sure if he was looking at something through it or staring at his own reflection in it. 'Dick never got over Jane's death; her ghost haunted him throughout his life, and the idea of a phantom twin pops up throughout his work. Some have even speculated that Dick's inability to make peace with the loss of his sister contributed to his drug abuse, and by extension also his death at the relatively young age of 53.' He unrolled the sweetener packet, laid it on the table, placed both index fingers together in its center, and then spread them outward, smoothing the paper flat. I reached out and slammed my own hand on top of the packet, preventing him from fiddling with it anymore. 'Sorry,' he said sheepishly. I let out a sigh. 'Not that this isn't fascinating, but did you seriously call me out to Denny's at 3 am for this?' What was the author's likely physical condition when he met with William? A. not enough information B. he was cold due to the weather C. he was aching from a car accident D. he was in need of many hours of sleep
D