Question: Timmons was born in Philadelphia, Pennsylvania, the son of a minister. He had a sister, Eleanor. Both of his parents, and several aunts and uncles, played the piano. From an early age Timmons studied music with an uncle, Robert Habershaw, who also taught McCoy Tyner.

Timmons moved to New York in 1954. He played with Kenny Dorham in 1956, making his recording debut with the trumpeter in a live set in May of that year. He went on to play and record with Chet Baker in 1956-57 (bassist Scott LaFaro was part of this band for a time), Sonny Stitt in 1957, and Maynard Ferguson in 1957-58. He also recorded as a sideman with hornmen Curtis Fuller, Hank Mobley, and Lee Morgan, all for Blue Note Records in 1957. Timmons became best known as a member of Art Blakey's band the Jazz Messengers, which he was first part of from July 1958 to September 1959, including for a tour of Europe. He was recruited for the Messengers by saxophonist Benny Golson, who said that "He was inventive, [...] He could play bebop and he could play funky - he could play a lot of things, and I thought it was the element that Art needed. He hadn't had anybody quite like Bobby, who could go here or go there, rather than walking in a single corridor." By late 1958 Timmons was sharing bandmate Morgan's East Sixth Street apartment and the pair had bought a piano, allowing Timmons to practice and Morgan to work on composing. From around the time he joined Blakey, Timmons, along with some of his fellow band members, was a heroin user. After leaving Blakey, Timmons joined Cannonball Adderley's band, in October 1959. Timmons was also known as a composer during this period: The Encyclopedia of Jazz states that his compositions "Moanin'" (from the 1958 album of the same title), "This Here", and "Dat Dere" "helped generate the gospel-tinged 'soul jazz' style of [the] late '50s and early '60s." The first was written when Timmons was first with Blakey; the others were composed when he was with Adderley. "This Here" (sometimes "Dis Here") was a surprise commercial success for Adderley: recorded in concert in 1959, it was released as part of The Cannonball Adderley Quintet in San Francisco album while the band was still on tour, and they discovered its popularity only when they arrived back in New York and found crowds outside the Village Gate, where they were due to play. Timmons was reported to be dissatisfied with the money he had received from "This Here", and was enticed in February 1960 into leaving Adderley and returning to Blakey's band by the offer of more pay. Timmons then appeared on further well-known albums with the drummer, including A Night in Tunisia, The Freedom Rider and The Witch Doctor. His own recording debut as sole leader was This Here Is Bobby Timmons in 1960, which contained his first versions of his best-known compositions. In the same year, he played on recordings led by Nat Adderley, Arnett Cobb, and Johnny Griffin, among others; on the first of these, Work Song, Timmons did not appear on all of the tracks, because he had been drinking heavily.

Using a quote from the above article, answer the following question: What year did he move
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Answer: 1954.

Question: Orrico was born in Seattle, Washington to Patti (nee Schmautz) and Dean Orrico. She is of Italian descent, born to a close Italian-American family. The family later moved to Denver, Colorado, where Orrico took piano lessons from Cathy Paquette. Orrico is the middle child of five: her siblings are Jesse, Rachel, Alicia, and Joshua.

Her next effort, the more mainstream and self-titled album Stacie Orrico, was released in 2003 and charted on the US Billboard 200 (debuting at No. 67), Australian ARIA Albums Chart and the UK Albums Chart. The first mainstream single from this album was "Stuck", which became a worldwide hit, reaching the Top 5 on the majority of the world's charts. This was followed by the single "(There's Gotta Be) More to Life", which peaked in the top 20 in Australia (No. 11) and the UK (No. 12), although, overall, "Stuck" charted better, the exception being in the US. This was then followed by "I Promise", written by Orrico (top 30 in the UK), and the final mainstream single "I Could Be the One" (top 40 in the UK on June 2004). Both singles were given limited releases and limited promotion, meaning they did not fare as well as the first two singles. The last three singles were only released to Christian radio in addition to "Strong Enough", which reached No. 1 as the CD's very first single. Stacie Orrico sold over 500,000 copies in the US, enough sales for a Gold certification. The album also sold 600,000 in Japan and an estimated 3.4 million copies worldwide. In 2004, Orrico's songs "(There's Gotta Be) More to Life" and "Stuck" appeared on the Barbie Hit Mix. She was nominated in 2004 for the first time at the 46th Annual Grammy Awards in the category Best Pop/Contemporary Gospel Album, but the award was given to Michael W. Smith.

Using a quote from the above article, answer the following question: How well did this album sell for her?
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Answer: Stacie Orrico sold over 500,000 copies in the US, enough sales for a Gold certification. The album also sold 600,000 in Japan and an estimated 3.4 million copies worldwide.

Question: Cancer Bats are a Canadian hardcore punk band from Toronto, Ontario. They have released five studio albums and six extended plays. The band is composed of vocalist Liam Cormier, guitarist Scott Middleton, drummer Mike Peters and bassist Jaye R. Schwarzer. Cancer Bats take a wide variety of influences from heavy metal subgenres and fuse them into hardcore and punk rock, and also include elements of Southern rock.

Bass player Andrew McCracken left to concentrate on his design company Doublenaut. His spot was filled in by Jason Bailey (former member of Figure Four and Shattered Realm) for most of 2007. However, Bailey was then replaced by Jaye R. Schwarzer (formerly of Left Behind, Hope to Die, Minesweeper, and Kover) as he wanted to focus on being a graphic designer; he still designs artworks for Cancer Bats and remains friends with Liam Cormier. The band released their second studio album called Hail Destroyer on April 22, 2008. The album features guest vocals by Wade MacNeil of Alexisonfire and Black Lungs, Tim McIlrath of Rise Against and Ben Kowalewicz of Billy Talent. The release was held at the Mod Club in downtown Toronto with Liam Cormier not only singing for Cancer Bats, but also performing drums for Black Lungs. On May 17, 2008, Cancer Bats were put on the cover of Kerrang!, a publication which gave their album Hail Destroyer a KKKKK review (highest possible) as well as a 5k Live review on their headlining UK tour. Cancer Bats were also nominated for 2008 Album of the Year for the 2008 Kerrang! awards. Cancer Bats have performed at the Download Festival in 2007, Groezrock 2007 and at both Reading and Leeds Festivals in 2007 and 2008. In the summer of 2008, the band did an extensive summer and autumn tour with Bullet for My Valentine, Black Tide and Bleeding Through, as part of the No Fear music tour across North America. Also in 2008, they were a support act for Welsh band Funeral for a Friend during their tour of Britain and northern Europe.

Using a quote from the above article, answer the following question: Did they do any interviews or live performances?
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Answer:
The release was held at the Mod Club in downtown Toronto with Liam Cormier not only singing for Cancer Bats, but also performing drums for Black Lungs.