Problem: Background: Kanjani Eight (Guan ziyani[?](eito), Kanjani Eito, stylized as Kanjani[?]) is a seven-member Japanese boy band from Japan's Kansai region. They are managed by the multimedia talent agency, Johnny & Associates, and signed to Imperial Records. The group was formed in 2002 and made their CD debut in 2004 as "Johnny's modern enka group", though after the year 2006, their sound and style has become a mix of pop and rock. Like the rest of the acts managed under Johnny & Associates, Kanjani Eight also perform in various other areas of the Japanese entertainment industry such as variety show hosting, television, movie, and stage acting, and radio talk show hosting.
Context: Kanjani Eight was the combination of the four top leading Kansai Juniors of the "Junior golden age" and the newly popular V. West (Five West), a rock band Kansai Junior unit. Prior to the creation of the group, Subaru Shibutani, Yuu Yokoyama, Shingo Murakami, and Ryo Nishikido were one of the top leading juniors of the time, headlining many Junior hosted programs and acting in dramas. After the debuts of Arashi and Tackey & Tsubasa, the golden era was suddenly coming to an end and so was their popularity. By the year 2001 all their activity had slowed down to magazine photoshoots. On the contrary, a new Kansai Junior unit named V. West was taking off in popularity, more so than their eastern counterpart FiVe. The group consisted of Ryuhei Maruyama, Shota Yasuda, Hiroki Uchi, Kiyohito Mizuno, and Tooru Imayama. The group became so popular that by 2001 they had their own television show, Weekly V. West. But, when Mizuno and Imayama left Johnny's & Associates, worry had begun to creep within unit as to their fate within the talent agency. In 2002, after the end of Weekly V. West, a new program was created to replace it on Kansai TV Channel 8 entitled J3Kansai (pronounced as J Cube Kansai). This show brought together the top leading Kansai Juniors of the golden age and V. West creating the new Junior group, Kanjani, a portmanteau of the words Kansai Johnny's. With the success of the stage play, Another, the group became official garnering the name Kanjani Eight. The "8" stood for the channel that the show J3Kansai aired on. Tadayoshi Ohkura had been added to the group as a drummer and then as an official member in the 12 episode finalizing the group as an eight-member group. Kanjani Eight, as a newly formed group, held their first concert in December 2002, titled " Kanjani Eight Xmas Party 2002 ". This concert ended up becoming a yearly tradition before ending in 2005. It was also the birthplace of the group's signature act, Kanjani Sentai Eight Ranger. In 2003, Kanjani Eight members Nishikido and Uchi were called to go to Tokyo to become a part of NEWS, another Johnny & Associates group.
Question: What else is significant about the combination?
Answer: Kanjani Eight, as a newly formed group, held their first concert in December 2002, titled " Kanjani Eight Xmas Party 2002

Problem: Background: Hugo is a 2011 epic historical adventure drama film directed and co-produced by Martin Scorsese and adapted for the screen by John Logan. Based on Brian Selznick's book The Invention of Hugo Cabret, it is about a boy who lives alone in the Gare Montparnasse railway station in Paris in the 1930s. A co-production between Graham King's GK Films and Johnny Depp's Infinitum Nihil, the film stars Ben Kingsley, Sacha Baron Cohen, Asa Butterfield, Chloe Grace Moretz, Ray Winstone, Emily Mortimer, Jude Law, Helen McCrory, and Christopher Lee. Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked, "I found 3D to be really interesting, because the actors were more upfront emotionally.
Context: The film currently holds a 94% "Certified Fresh" rating on aggregate review site Rotten Tomatoes based on 206 reviews, with an average score of 8.3/10. The site's main consensus reads, "Hugo is an extravagant, elegant fantasy with an innocence lacking in many modern kids' movies, and one that emanates an unabashed love for the magic of cinema." Metacritic gave the film an average score of 83 out of 100, based on 41 reviews, indicating "universal acclaim". Roger Ebert of the Chicago Sun-Times gave the film four out of four stars, saying "Hugo is unlike any other film Martin Scorsese has ever made, and yet possibly the closest to his heart: a big-budget, family epic in 3-D, and in some ways, a mirror of his own life. We feel a great artist has been given command of the tools and resources he needs to make a movie about--movies." Peter Rainer of The Christian Science Monitor gave it a "B+" grade and termed it as "an odd mixture: a deeply personal impersonal movie" and concluded that "Hugo is a mixed bag but one well worth rummaging through." Christy Lemire said that it had an "abundant love of the power of film; being a hardcore cinephile (like Scorsese) might add a layer of enjoyment, but it certainly isn't a prerequisite for walking in the door" besides being "slightly repetitive and overlong". Michael Phillips of the Chicago Tribune rated it three stars and described it as "rich and stimulating even when it wanders" explaining "every locale in Scorsese's vision of 1931 Paris looks and feels like another planet. The filmmaker embraces storybook artifice as wholeheartedly as he relays the tale's lessons in the importance of film preservation." Joe Morgenstern of The Wall Street Journal said that "visually Hugo is a marvel, but dramatically it's a clockwork lemon". Hugo was selected for the Royal Film Performance 2011 with a screening at the Odeon, Leicester Square, in London on 28 November 2011 in the presence of the Prince of Wales and the Duchess of Cornwall in support of the Cinema and Television Benevolent Fund. Richard Corliss of Time named it one of the Top 10 Best Movies of 2011, saying, "Scorsese's love poem, rendered gorgeously in 3-D, restores both the reputation of an early pioneer and the glory of movie history--the birth of a popular art form given new life through a master's application of the coolest new techniques". James Cameron called Hugo "a masterpiece" and that the film had the best use of 3D he had seen, surpassing even his own acclaimed films.
Question: What made it so great?
Answer:
the film had the best use of 3D he had seen,