Q: Build a movie plot around this: What name does the young man assume? Cobb
A: A struggling, unemployed young writer (credited as "The Young Man") takes to following strangers around the streets of London, ostensibly to find inspiration for his first novel. Initially, he sets strict rules for himself regarding whom he should follow and for how long, but he soon discards them as he focuses on a well-groomed, handsome man in a dark suit. The man in the suit, having noticed he is being followed, quickly confronts the Young Man and introduces himself as "Cobb". Cobb reveals that he is a serial burglar and invites the Young Man (who tells Cobb his name is "Bill") to accompany him on various burglaries. The material gains from these crimes seem to be of secondary importance to Cobb. He takes pleasure in rifling through the personal items in his targets' flats and drinking their wine. He explains that his true passion is using the shock of robbery and violation of property to make his victims re-examine their lives. He sums up his attitude thus: "You take it away, and show them what they had."The Young Man is thrilled by Cobb's lifestyle. He attempts break-ins of his own, as Cobb encourages and guides him. At Cobb's suggestion, he alters his appearance, cutting his hair short and wearing a dark suit. He assumes the name "Daniel Lloyd" based on the credit card Cobb gives to him and begins to pursue a relationship with a blonde woman whose flat he and Cobb burgled. The Blonde turns out to be the girlfriend of a small-time gangster (known only as the "Bald Guy") whom she broke up with after he murdered a man in her flat. Soon, the Blonde confides that the Bald Guy is blackmailing her with incriminating photographs. The Young Man breaks into the Bald Guy's safe, but is caught in the act by an unidentified man. He then bludgeons the man with a claw hammer and flees with the Bald Guy's money and photos. Upon returning to his flat, he finds that the photos are innocuous modeling shots.Confronting the Blonde, the Young Man learns that she and Cobb have been working together to manipulate him into...

Q: Build a movie plot around this: The culture of post-war West Germany is influenced by what nation? United States
A: Based on the 1970 novella by Peter Handke, Wim Wenders' The Goalie's Anxiety at the Penalty Kick, completed in 1972, documents the warped journey of athlete Josef Bloch (Arthur Brauss) as he slowly and unhysterically transitions from a professional football goalie to a peripatetic madman.In Vienna. After being ejected from a football match for missing a penalty kick, and angrily resisting what he sees as a bad call, Bloch takes a trolley to a cinema, where he buys his ticket from a female cashier (Erika Pluhar). He watches a Western. Later that night, he books a room, and lazily fiddles with a television on the front desk to catch a re-cap of the day's game. After checking in, he goes outdoors to make a phone call. Despite being told that the payphone isnt working, he tries to call someone anyway, only to fail. Weary, he then waits outside the same cinema he visited earlier in the day, and watches the female cashier get into a car and drive off. Back at the hotel, he asks for a paper. Not having any, the hotel clerk offers him a crime novel instead, but Bloch has walked away by the time he returns with the text. Bloch goes to bed.At breakfast the next morning, he scans the local newspaper, searching for the football game results. He takes a brief walk and enters a sports bar; Roy Orbison's "Dream Baby" is blaring from a jukebox, and many pictures of footballers adorn the walls. While looking at the pictures, Bloch strikes up a conversation with a girl standing beside him, and tells her of a former teammate who disappeared after moving to play football in the United States. The two go walking to the girl's apartment building and, while riding the elevator to her room, he touches her suggestively. After a time, they are on the street once more, where they part. Bloch continues his search for the football match results, taking in street attractions and merchant booths along the way. While walking through a dark alley, he is the victim of an attempted mugging; one stopped short by the appearance of passers-by....

Q: Build a movie plot around this: Who does Dixon frame for Paine's murder? Mark
A: New York City 16th Precinct Police Detective Dixon (Dana Andrews), who has been demoted by his superiors for his heavy-handed tactics, subjects murder suspect and gambler Ken Paine (Craig Stevens) to the third degree he strikes the drunken Paine in self-defense and accidentally kills him. Paine, however, had a silver plate in his head, a fine war record, and newspaper friends. Dixon then dumps Paine's body in the river, and is later assigned to find his killer.Dixon tries to place the blame on an old gangster enemy, Tommy Scalise (Gary Merrill), but inadvertently puts cab driver Jiggs Taylor (Tom Tully) under suspicion instead. Having fallen in love with Jiggs' daughter and Paine's estranged wife, Morgan Taylor-Paine (Gene Tierney), Dixon tries to clear the cabbie without implicating himself, but ultimately becomes tangled in a web of his own creation. The 16th Precinct commander and Dixon's boss, newly promoted Detective Lt. Thomas (Karl Malden), are convinced that Morgan's father is the killer.Dixon continues to find a way to stop Jiggs from being found guilty of murdering Paine, and also tries to redeem himself. In an attempt to move the evidence away from Morgan's father and blame Scalise, Dixon comes face to face with the gangster and his cronies. A shoot-out leaves Dixon wounded, but the police arrive to arrest Scalise and his mob. Jiggs is finally cleared of the charges. At the end Dixon reassesses his life and decides to confess. He is satisfied that Morgan believes in him regardless of the outcome.

Q: Build a movie plot around this: In which season was George carnaby was captured Winter
A:
It is the winter of 1944. A lone transport plane, in German Luftwaffe insignia, picks its way through the peaks of the Bavarian Alps by night. Inside, seven paratroopers, in German Fallschirmjaeger uniform, wait in grim silence for the jump signal. Among them is their leader, Major Smith (Richard Burton) and his junior officer, Lieutenant Schaeffer (Clint Eastwood). The others: Christiansen (Donald Houston), Barkely (Peter Barkworth), Thomas (William Squire), Mac Pherson (Neil Mc Carthy) and Harrod (Brook Williams) are enlisted men. In the silent tension, Major Smith ponders his mission briefing.Flashing back to headquarters in London, the Fallschirjaeger paratroops turn out to be a team of highly trained British MI6 agents (except for Shaeffer, who is on loan from the American OSS). Briefed by intelligence chief, Admiral Rolland (Michael Hordern), and his executive officer, Colonel Turner (Patrick Wymark), the team's mission is to rescue a captured American, General Carnaby (Robert Beatty), an Allied planner for Operation Overlord (D-Day). The General's plane has been shot down, and he is being held prisoner at the Schloss Adler (Castle of Eagles), an impregnable mountain-top fortress that also serves as headquarters for the German Alpine Korps. The prisoner must be rescued before he can divulge any information about Operation Overlord.Back in the present, the plane reaches its drop zone and the seven commandos parachute into a snow-covered mountain wilderness. Unseen by any of the men, a mysterious woman, also in Fallschirmjaeger gear, emerges from the planes cargo compartment and jumps after them. Smith's team gathers on their landing zone, only to find that their radioman, Harrod, is missing. After a quick search, he is found dead, his neck apparently broken in the drop. However, Major Smith is suspicious. Though the radioman's neck is bruised, there are no logs or large rocks buried beneath the snow to account for such an injury. He keeps silent, however, about his misgivings, and the group carries on to...