Question: Gregory James "Greg" LeMond (born June 26, 1961) is an American former professional road racing cyclist who won the Road Race World Championship twice (1983 and 1989) and the Tour de France three times (1986, 1989 and 1990). He is also an entrepreneur and anti-doping advocate. LeMond was born in Lakewood, California, and raised in ranch country on the eastern slopes of the Sierra Nevada mountain range, near Reno. He is married and has three children with his wife Kathy, with whom he supports a variety of charitable causes and organizations.

LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with Z-Tomasso of France. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. LeMond closed in on race leader Claudio Chiappucci, finally overtaking him in the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium.

Using a quote from the above article, answer the following question: Did he retire after his third win?
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Question: A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.

The word first appears in a title in Francesco Berni's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. 'Burlesque' as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to a grotesque imitation of the dignified or pathetic. Shakespeare's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and the Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in the literary parody and the mock-heroic. One of the most commonly cited examples of high burlesque is Alexander Pope's "sly, knowing and courtly" The Rape of the Lock. Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler's poem Hudibras, which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire. In more recent times, burlesque true to its literary origins is still performed in revues and sketches. Tom Stoppard's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition.

Using a quote from the above article, answer the following question: Did burlesque stay true to its original development or were there changes?
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17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner