In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. Once you create a question you also need to provide the correct answer for it. Write your answer like "Question: your question, Answer: your answer". The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Short answers containing words that are present in the passage are preferred. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is a factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Q: In 1947, the movie's narrator, Stingo (Peter MacNicol), a young writer from the American South, travels to post-WW II Brooklyn. He is befriended by Sophie Zawistowski (Meryl Streep), a beautiful Polish immigrant, and her lover, Nathan Landau (Kevin Kline). It is clear to Stingo from the serial number tattooed into Sophie's forearm that she is no stranger to pain, as she is a Holocaust survivor.One evening, Stingo talks with Sophie and learns some more about her past: that she was married but her husband and her father were killed in a German work camp. When Stingo notices scars on Sophie's wrists, Sophie explains that after being rescued from Auschwitz she was taken to a refugee camp in Sweden, but whilst there she went to a church, broke a glass, and cut her wrists. Sophie goes into another room where Nathan spends a lot of his time and finds another wine bottle. The walls are covered in images of the Holocaust, prompting Sophie to explain that it is Nathan's obsession.Sophie and Nathan's relationship is endangered both by Sophie's ghosts and Nathan's obsession with the Holocaust, as well as his violent temper and increasingly apparent mental illness. When Stingo visits a man who knew Sophie's father, he discovers she's been lying to him. He learns that Sophie's father, a Polish college professor, hated Jews. Later, when Stingo talks to Sophie about this, she explains, with more about her past emerging through a series of harrowing flashbacks.Something makes Sophie go to the Jewish ghetto, where she looks at all the people her father has condemned to death. She suddenly remembers that her father is waiting for his speech and hurries home to finish the typing. In her haste, Sophie makes a lot of mistakes and hurries to the university. Her father (Ivica Pajer) reads the speech in front of a large crowd of people and becomes very angry.Later, Sophie has a lover, Jozef (Nedim Prohic), who lives with his half-sister, Wanda (Katharina Thalbach), a leader in the Resistance. Wanda tries to convince Sophie to translate some stolen Gestapo documents, but fearing she may endanger her children (Jennifer Lawn & Adrian Kalitka), she declines. Two weeks later, Jozef is murdered by the Gestapo, and a short time later Sophie is arrested and sent to Auschwitz with her children. Upon arrival, the Germans decide who will live and who will die. Jan, Sophie's son, is sent to the children's camp, and her daughter, Eva, is sent to her death in Crematorium Two.Sophie later learns of an epidemic in the children's camp, and becomes concerned for her son's well-being. She convinces the Commandant to let him into the Lebensborn programme. He relents and tells Sophie she will see him the next day. However, the Commandant breaks his promise about letting Sophie see her son. She never finds out what happened to him.Back in the present, Nathan asks Sophie to marry him and she accepts. Stingo feels betrayed, as he is falling in love with Sophie, but agrees to be Nathan's best man. When Nathan goes into another of his violent moods, Sophie runs to Stingo. At this point, Nathan makes a threatening phone-call which ends with the sound of a gun firing, and Nathan making more threats.Stingo and Sophie flee and check into a hotel. Stingo insists that they start a family, but Sophie has yet to tell him her final secret - her choice. She recounts the night she arrived at Auschwitz with her children, and of how a Nazi officer forced her to choose life for one child, and death for the other.Despite her plea of "Don't make me choose. I can't choose", Sophie's words fall on deaf ears. When a young Nazi is told to take both children away, she releases her daughter, shouting "Take my little girl!". Sophie can only watch as the screaming little girl is carried away to die, her guilt and despair all too clear. Once she has told him, Sophie asks Stingo not to talk about marriage and children.They sleep together that night, but Stingo wakes up alone. Sophie has left him a note, saying she has gone back to Nathan, but that Stingo is a great lover. Stingo later goes back to the building where he met Sophie and Nathan, only to find everybody in a state of shock. Stingo is led up to Sophie and Nathan's room where he finds they have committed suicide. Picking up Nathan's book of Emily Dickinson poems, Stingo recites "Ample Make This Bed", as if he were delivering a eulogy at a funeral.The film ends with Stingo leaving Brooklyn, the screen going misty, and an image of Sophie's face fading into view.

A: Question: Which child would be chosen to be sent to their death?, Answer: Eva
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Q: It is December 31, 1982, and the Saturn Theater is preparing for its big New Year's Eve concert under the direction of owner and master showman Max Wolfe (Allen Garfield, credited as Allen Goorwitz), who has operated the Saturn since 1968. Assisting Max are stage manager Neil Allen (Daniel Stern), and visiting former stage manager Willy Loman (Gail Edwards). Also caught up in the wild activity is beleaguered stagehand Joey (Dan Frischman), temperamental lighting director Violetta (Mary Woronov), and Neil's younger sister Susie (Stacey Nelkin).Max Wolfe holds a 30-year lease to the theater, but reptilian concert promoter Colin Beverly (Ed Begley, Jr.) has other ideas. Beverly offers to buy Max out of his lease with what seems to be a generous deal at Beverly's concert auditorium and stadium, but Max refuses, ultimately becoming so incensed that he collapses of an apparent heart attack. Outside, Max's ingratiating nephew Sammy (Miles Chapin) informs Beverly that he stands to inherit the theater from his uncle, and Beverly offers Sammy the same deal he offered Maxif Sammy can get Max's signature on an agreement to transfer the Saturn's lease before midnight.The various performers for the show are introduced:Captain Cloud (the Turtles' Howard Kaylan) and the Rainbow Telegraph--Max Wolfe's favorite band and a spoof of Strawberry Alarm Clock--arriving in an aging bus that is painted a la the Merry Pranksters' Further (which also inspired the Partridge Family's vehicle).Nada (Lori Eastside from Kid Creole and the Coconuts) and her 15-member band (a spoof of such girl groups as the Bangles and the Go-Gos) playing an amalgam of many disparate styles of music that appeared on MTV in the early 1980spart bubble-gum pop, part New Wave, part garage rock. They are joined by "Special Guest Star" Piggy (Lee Ving of the L.A. punk band Fear).King Blues, the King of the Blues (Bill Henderson), a spoof of Muddy Waters (and, to a lesser extent, Bo Diddly and B.B. King).Auden (Lou Reed), "metaphysical folk singer, event of the '70s, [and] antisocial recluse", a spoof of Bob Dylan. Auden, who initially complains of writer's block, is coaxed to appear thinking Max is close to death, but after blithely asking a taxi driver to take the "scenic route," he spends the majority of the movie on his cab ride, improvising lyrics for the song he intends to perform.Reggie Wanker (Malcolm McDowell), "20 years of rock and roll and still on top", a spoof of Mick Jagger; featuring his drummer Toad played by John Densmore of The Doors. Wanker is beset by a general malaise, unable to fully enjoy his lavish situation of easily available women and drugs.King Blues opens the show, performing two of his "own" hit songs, "The Blues Had a Baby and They Named it Rock and Roll" (by Muddy Waters) and "Hoochie Coochie Man" (by Willie Dixon). Next the Nada Band take the stage and perform "I'm Not Going to Take It No More." Piggy leads the band in a viciously punk-rock version of "Hoochie Coochie Man," complete with stage dives and slam dancing. Reggie sings a celebration of egotism, "Hot Shot," then moves on to his own version of "Hoochie Coochie Man".As the show proceeds, Sammy tries to find ways to sabotage the theater, including fueling a fire in the basement and cutting the fire hose. Colin Beverly's henchmen, Mark and Marv (former teen heartthrobs Bobby Sherman and Fabian), give Sammy a bomb, which he plants in the rocket ship that Max will ride during the final countdown to midnight.Willy overhears Mark and Marv talking about the bomb, and is captured by them and locked in the trunk of Colin Beverly's limousine. She escapes when the limo collides with Auden's taxicab, and runs back toward the theater. Only moments before midnight, Willy reaches the theater and tells Neil about the bomb. As the seconds tick away, the bomb is thrown from person to person out of the building, landing in Colin Beverly's limo just as it pulls up to the curb. The last second ticks away, the bomb explodes, everyone shouts "happy new year", and Captain Cloud leads the crowd in "Auld Lang Syne".Quickly after, the crowd and bands exit the theater, just as Auden finally walks in. Max gives Neil the lease to the theater, saying he intends to retire. Neil offers partnership to Willy. The end credits roll while Auden sings "Little Sister" to the sole remaining patron, Susie. The final caption reads, "Thanks for the memories to the entire staff of the Fillmore East 196871."

A: Question: what deal Beverly offers to max?, Answer: generous deal at Beverly's concert auditorium and stadium
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Q: Pierre Peders (Steve Buscemi) is a political journalist who has been assigned an interview with a popular soap opera star, Katya (Sienna Miller). She arrives an hour late, doesn't apologise and immediately succeeds in convincing the maitre d' (David Schechter) to give them the best table, which up to then was occupied. The couple on that particular table (Elizabeth Bracco and James Villemaire) complies and is happy to vacate the table for her. Later, another fan (Jackson Loo) asks her to autograph his i-pod. Pierre becomes so irritated with her attitude, full-mouthed, cocky, brainless, answering the ever-ringing mobile phone with a stupid dog tone, that he leaves the restaurant without the interview. However, she has immediately noticed that he hasn't seen any of Katya's films, and only has overheard about her sexual relationships with several men. When he leaves, he picks up a taxi. He watches as Katya talks for a while to the paparazzi waiting outside, and then leaves by foot. Pierre's taxi driver (Craig "muMs" Grant) starts talking to Katya, saying how much he loves her, that he likes her tits, so his taxi crashes into a van in front. Pierre bumps his head on the inside glass of the taxi, so Katya takes him home.After she tends to him, they drink a lot of alcohol, and keep on talking. Her mobile phone is always ringing. She says that she knows what men like in women, for example high-heels and fishnets, because that way, women look like easy prey. Pierre tries to ask her questions, but they are very stereotypical. He watches on the TV the political interview he should be doing at that moment, asking about the last sexual scandal of the politician of the moment. She laughs about him, and he finally admits that he has seen some of the horror films Katya has done.Pierre tells her a terrible story: his brother Robert (Michael Buscemi), a graphic journalist, had fallen in love with a prostitute in Bosnia, and got her pregnant. The local militia gang-raped her and killed her foetus, sending it to Robert in a bottle. Pierre reads Katya's net diary, where she expresses feelings of loneliness, depression, darkness inside of her. Pierre considers that this is proof that she realises her films are bad, her own lack of talent, the uselessness of her relationship with her boyfriend Ethan...Katya also seems to be intent in avoiding her boyfriend. She doesn't pick up his calls and doesn't open the door when he knocks. Pierre tries to lead her to express those feelings to him. When she refuses to acknowledge the existence of those feelings, he shows the computer diary. She gets really angry that he has read it. Pierre sends that diary to his own mobile phone and makes a deal with Katya. If she tells him her secret, he will tell her his secret.So Katya sits in front of Pierre's camcorder and tells him that she has cancer, and that it is probably deadly. She gets really emotional, and Pierre says that there is no way he's going to make that piece of news public. Afterwards, she insists that he tells her his secret. He admits that he exaggerated his brother's story, that he has started to invent his sources so that his editor doesn't trust him anymore, and then he admits in front of a camcorder to a murder: he and his wife had come back after their daughter died, and both had problems with alcohol because of their angst. One day, when he was completely drunk, he saw his wife fall to the floor, drunk and breathing heavily; he didn't even bother to check whether she was alive, and didn't phone for an ambulance. He just left and when the police came to talk to him, he played the sorry widower - tears and shock.Pierre picks the videotape from Katya's camcorder thinking that it is the recording in which he appears. Instead, he picks the videotape where Katya and Maggie (Tara Elders), a fellow star, prepare for the next instalment of City Girls, the stupid soap opera which they star in. Pierre phones his editor saying that he has Katya's private diary and that he got some exclusive smashing news: she's got cancer. When he hangs up, Katya phones him: she tells him that he's stolen the script for the episodes of City Girls she is recording - so he hasn't got her diary - and that the story of the cancer sickness is part of the new script and part of her character's feelings. Pierre is terrified: he realises that Katya has the videotape where he admits to the murder.Alone at her luxurious loft, Katya watches Pierre's videotape, and he cannot do anything about it.

A:
Question: What does Pierre Peders do?, Answer: He is a war correspondent
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