IN: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.

In August, 1950, McDaniel suffered a heart ailment and entered Temple Hospital in semi-critical condition. She was released in October to recuperate at home, and she was cited by United Press on Jan. 3, 1951, as showing "slight improvement in her recovery from a mild stroke." McDaniel died of breast cancer at age 57 on October 26, 1952, in the hospital on the grounds of the Motion Picture House in Woodland Hills, California. She was survived by her brother Sam McDaniel. Thousands of mourners turned out to celebrate her life and achievements. In her will, McDaniel wrote, "I desire a white casket and a white shroud; white gardenias in my hair and in my hands, together with a white gardenia blanket and a pillow of red roses. I also wish to be buried in the Hollywood Cemetery"; Hollywood Cemetery, on Santa Monica Boulevard in Hollywood, is the resting place of movie stars such as Douglas Fairbanks and Rudolph Valentino. Its owner at the time, Jules Roth, refused to allow her to be buried there, because, at the time of McDaniel's death, the cemetery practiced racial segregation and would not accept the remains of black people for burial. Her second choice was Rosedale Cemetery (now known as Angelus-Rosedale Cemetery), where she lies today. In 1999, Tyler Cassidy, the new owner of the Hollywood Cemetery (renamed the Hollywood Forever Cemetery), offered to have McDaniel re-interred there. Her family did not wish to disturb her remains and declined the offer. Instead, Hollywood Forever Cemetery built a large cenotaph on the lawn overlooking its lake. It is one of Hollywood's most popular tourist attractions. McDaniel's last will and testament of December 1951 bequeathed her Oscar to Howard University, where she had been honored by the students with a luncheon after she had won her Oscar. At the time of her death, McDaniel would have had few options. Very few white institutions in that day preserved black history. Historically, black colleges had been where such artifacts were placed. Despite evidence McDaniel had earned an excellent income as an actress, her final estate was less than $10,000. The IRS claimed the estate owed more than $11,000 in taxes. In the end, the probate court ordered all of her property, including her Oscar, sold to pay off creditors. Years later, the Oscar turned up where McDaniel wanted it to be: Howard University, where, according to reports, it was displayed in a glass case in the university's drama department.
QUESTION: who was at her funneral
IN: The Sea Peoples are a purported seafaring confederation that attacked ancient Egypt and other regions of the East Mediterranean prior to and during the Late Bronze Age collapse (1200-900 BC). Following the creation of the concept in the nineteenth century, it became one of the most famous chapters of Egyptian history, given its connection with, in the words of Wilhelm Max Muller: "the most important questions of ethnography and the primitive history of classic nations." Their origins uncertain, the various Sea Peoples have been proposed to have originated from places that include western Asia Minor, the Aegean, the Mediterranean islands, and Southern Europe. Although the archaeological inscriptions do not include reference to a migration, the Sea Peoples are conjectured to have sailed around the eastern Mediterranean and invaded Anatolia, Syria, Canaan, Phoenicia, Cyprus, and Egypt toward the end of the Bronze Age.

The concept of the Sea Peoples was first described by Emmanuel de Rouge in 1855, then curator of the Louvre, in his work Note on Some Hieroglyphic Texts Recently Published by Mr. Greene, describing the battles of Ramesses III described on the Second Pylon at Medinet Habu, and based upon recent photographs of the temple by John Beasley Greene. De Rouge noted that "in the crests of the conquered peoples the Sherden and the Teresh bear the designation of the 'peuples de la mer'", in a reference to the prisoners depicted at the base of the Fortified East Gate. In 1867, de Rouge published his Excerpts of a memoire on the attacks directed against Egypt by the peoples of the Mediterranean in the 14th century BCE, which focused primarily on the battles of Ramesses II and Merneptah, and which proposed translations for many of the geographic names included in the hieroglyphic inscriptions. De Rouge later became chair of Egyptology at the College de France, and was succeeded by Gaston Maspero. Maspero built upon de Rouge's work, and published The Struggle of the Nations, in which he described the theory of the seaborne migrations in detail in 1895-6 for a wider audience, at a time when the idea of population migrations would have felt familiar to the general population. The theory was taken up by other scholars such as Eduard Meyer, and became the generally accepted theory amongst Egyptologists and orientalists. Since the early 1990s, however, the theory has been brought into question by a number of scholars. The historical narrative stems primarily from seven Ancient Egyptian sources, and although in these inscriptions the designation "of the sea" does not appear in relation to all of these peoples, the term "Sea Peoples" is commonly used to refer to the following nine peoples, in alphabetical order:
QUESTION: What was his concept
IN: Hackett was born in Brooklyn, New York to Anna (nee Geller) and Philip Hacker, an upholsterer and part-time inventor. He grew up on 54th and 14th Ave in Borough Park, Brooklyn, across from Public School 103 (now a yeshiva). He graduated from New Utrecht High School in 1942.

Hackett starred as the title character on NBC-TV's Stanley, a 1956-57 situation comedy which ran for 19 weeks on Monday evenings at 8:30 pm EST. The half-hour series also featured a young Carol Burnett and the voice of Paul Lynde. The Max Liebman produced program aired live before a studio audience and was one of the last sitcoms from New York to do so. Stanley revolved around the adventures of the titular character (Hackett) as the operator of a newsstand in a posh New York City hotel. On September 30, 1960, he appeared as himself in an episode of NBC's short-lived crime drama Dan Raven, starring Skip Homeier, set on the Sunset Strip of West Hollywood. After starring on Broadway in I Had a Ball, Hackett appeared opposite Robert Preston in the film adaptation of The Music Man (1962). In It's a Mad, Mad, Mad, Mad World (1963), Hackett was paired with Mickey Rooney, with whom he had also recently made Everything's Ducky (1961), in which they played two sailors who smuggle a talking duck aboard a Navy ship. Children became familiar with him as lovable hippie auto mechanic Tennessee Steinmetz in Disney's The Love Bug (1969). He appeared many times on the game show Hollywood Squares in the late 1960s. In one episode, Hackett was asked which was the country with the highest ratio of doctors to populace; he answered Israel, or in his words, "The country with the most Jews." Despite the audience roaring with laughter (and Hackett's own belief that the actual answer was Sweden), the answer turned out to be correct. Hackett's regular guest shots on Jack Paar's Tonight Show in the early 1960s were rewarded with a coveted appearance on Paar's final Tonight program on March 29, 1962.
QUESTION:
Did he mainly only do comedy shows?