In this task, you must classify if a given review is positive/negative, indicating your answer as P or N.

Ex Input:
known as the most successful , highest - grossing romantic comedy in history , director garry marshall apparently struck gold with " pretty woman , " which opened quietly during the summer of 1990 but , thanks to positive word - of - mouth , was able to reach upwards of $ 175-million in theaters alone .
the question of why it worked so well lies directly with the film 's two charismatic stars , richard gere and julia roberts , since the story itself is none too original or even believable .
the other winning element that makes " pretty woman
" so entertaining is its genuine sweetness and innocence , which is rarely as palpable in today 's films as it is here .
edward lewis ( richard gere ) is a suave , extremely wealthy business mogul who , at the start of the picture , breaks up with his girlfriend over the phone after a nasty argument , and abruptly takes his friend 's car and gets lost on hollywood boulevard while trying to find his hotel .
stopping the car along the street , he asks a woman , obviously a prostitute , for directions .
agreeing to get in his car and show him for ten bucks , edward ultimately accepts , they strike up a conversation , and before long she has been asked up to his penthouse room on the top floor .
this meeting does not lead to sex , however , as edward confides that he 'd rather just have someone to talk to , and offers her $ 300 to spend the night .
just as well , since the hooker , named vivian , is a beautiful , generally upbeat young woman who is the type of person that can lend an understanding ear .
the meeting between these two completely opposite people does not end the next morning as planned , when edward finally offers to pay vivian three - thousand dollars if she will stay with him for six days and nights while he is in the area , keeping him company and acting as his companion to business dinners and get - togethers .
since vivian firmly tells edward at the beginning that she will do anything with him except kiss him on the lips , which always leads to unwanted intimacy when dealing with her customers , the obligatory rule of the genre says that by the third act , edward and vivian will finally , truly , kiss .
allegedly planned as a grim , downbeat drama until garry marshall came on board as director , " pretty woman " has been transformed in all senses of the word into a classic fairy tale , a la " cinderella .
"
the premise is hardly believable and its portrait of prostitutes hanging out on the streets of hollywood boulevard is just about the most idealized portrayal that there could have possibly been .
you honestly do n't need a high - iq ( or any iq , for that matter ) to guess how the film will end , and the story is as old as my great great grandma bertha .
the supporting characters are almost all sketchily written and less - than - gratifying , and the screenplay is no award winner .
and yet , amidst all of these qualms and flaws , " pretty woman " is an astoundingly charming motion picture , and it is definately easy to see why it became such an overnight sensation with moviegoers .
you 'd actually be amazed how far bemusement can go , and there are a few select moments ( not even whole scenes , mind you ) that are as romantic as anything i 've seen on film in the 1990 's .
additionally , the film belongs , and its success can be attributed , to two people and two people only , and they are richard gere and julia roberts .
playing sex symbols throughout the ' 80s with such pictures as " american gigolo " and " an officer and a gentleman , " gere branches out here to play a more quiet , almost shy , but still alluring , character that believably could sweep julia roberts off her feet , and vice versa .
julia roberts , in her breakthrough role after 1988 's well - received " mistic pizza " and 1989 's " steel magnolia , " for which she was nominated for an academy award , is radiant and funny as the wordly vivian , who surprisingly could be a role model for impressionistic viewers , not for her line of work , but more for her sheer intelligence .
it would have probably been easy to have written vivian as merely a flake , but screenwriter j .
f .
lawton clearly cared too much about his central characters to do such a thing .
after " pretty woman , " roberts , along with meg ryan , became the reigning queen of romantic comedies ( with her latest being the just - released " runaway bride , " which repairs gere and roberts together once again ) , and no wonder .
roberts has continually proven to not only be a strong actress with a flare for comedy , but also one who can efficiently do drama , and in almost every film she appears in , it is difficult not to fall in love with her along with her male co - star .
an especially strong scene that gere and roberts do together takes place after edward foolishly tells one of his co - workers that vivian is actually a prostitute , and he then approaches her , making sexual advances .
no only does this make vivian feel cheap , especially since she had previously been posing as a more professional , eloquent young lady , but it also maddens her that edward would demean and betray her in such a way , and ultimately causes her to question where exactly her life is leading , and if she likes this particular path .
on the more dreamy side , the film is filled with romantic scenes that are simply effervescent to behold , especially one in which edward enters into the hotel 's lounge to see vivian turn around and not only reveal her marvelous cocktail dress , but also her inner ( and outer ) glowing beauty .
another subtle moment has vivian lovingly blowing a kiss to edward , who is asleep , and placing it on his lips , since she still is unsure if she should be getting attached to this man who may very well be out of her life forever in a short couple of days .
" pretty woman " does not blatantly step wrong until the very last scene , which is a happy ending ( as you 'd expect , and would n't have it any other way ) that somehow does not work , perhaps because of its undeniable contrivances .
this one misstep does not put a damper on the rest of the film , though , because there is just far too much magic at work here to disaffirm such a petty problem . helped along by a warm , memorable supporting performance from laura san giacomo , as vivian 's best friend and roommate , and a fabulously catchy soundtrack , in which all of the songs prominently aid in the movie 's overall fulfillment , " pretty woman " is a sparkler of a motion picture , and has what it takes to act as a blueprint on how to make the quintessential romantic comedy .

Ex Output:
P

Ex Input:
well , i 'll admit when i first heard about this film ( which was before dante 's peak ) i could just smell what ' twister ' had started .
so now it seems that we 're in a full fledged return to the ' 70 's disaster film era .
with ' twister ' , ' dante 's peak ' , ' volcano ' and soon ' flood ' and james cameron 's extremly expensive ' titanic ' i 'll say first off
i enjoyed ' volcano ' much more than i did ' dantes peak ' .
part of that is just being biased as
i usually enjoy anything that tommy lee jones appears in .
i 've been reading a lot about the movie being ' cheezy ' or ' hokey ' and really did n't see or think that once during the entire film .
i get bored easily and this film did n't bore me for a minute .
another thing , and boy am i bitching today !
, that bothers me is when critics and such go on about
" well that s not really possible .
"
you know what ?
i could n't give a bloody damn if it 's possible or not , really i could n't .
it 's a freaking movie and i do n't want reality thrown in my face .
i want to be able to see the impossible , the all might " what if " to many reviewers have seen one to many movies !
the special effects are the second star to this feature .
they are so amazing that i found it hard sometimes to believe they were indeed fx
and la was was not burning to the ground .
they did an incredible job and come oscar time ( if they remember ) some notice better be thrown there way .

Ex Output:
P

Ex Input:
i do n't expect much from eddie murphy these days .
for the past four years , the gods of cinema -- or the expansive payrolls of studio conglomerates -- have allowed him to make one bad movie after another .
such films as metro , doctor dolittle , holy man , life , and bowfinger have reduced a once great comedic persona to a living and breathing washed - up hack performing as a studio puppet for 20th century fox and universal pictures .
the biggest shame to fall on his shoulders is his newest film , nutty professor ii : the klumps .
the klumps once again revisits the life of sherman klump , an overweight university science professor looking for love in all the wrong places .
sherman has just invented a new " youth drink " that enables man or beast to become younger for a short period of time .
janet jackson is the love interest who chooses the lovable sherman for a soul mate rather than excel at her career as a university professor ( and for the most ridiculous reasons ) .
with love on his mind , sherman is determined to rid himself of his alter ego , buddy love from the first professor , who still resides with vigor inside his psyche and causes sherman to act like a bad imitation of vince vaughn from swingers .
with some convoluted mumbo - jumbo about dna extraction , sherman extracts the " buddy love " link in his dna and smartly deposits buddy into a handy - dandy lab beaker .
but one night , the beaker is knocked over and buddy love is regenerated . . .
because every movie like this needs an unnecessary villain to thwart the good guy .
then the klump family , all played by eddie murphy , step in for some comedic relief involving old people having sex , flabby breasts , a slew of fart and dick jokes , and enough fat people jokes that i lost count after the first thirty minutes .
and did i mention the part where larry miller gets anally raped by an overgrown hamster ?
the movie finally dissolves into a really bad hallmark family special about realizing who you are and what you can be in this world -- with enough soft lighting and people on the verge of tears in every scene .
pure and simple ,
the klumps is a failure .
its script was handled by not one but five screenwriters , and it really shows during the awkward transitions between scenes .
any sense of story and plot were lost in the rewrite process .
it 's more discerning to learn that chris weitz and paul weitz , the team behind one of the funniest films of the last decade , american pie , have their names stamped to this trash .
hey guys - quick
note - keep this movie off of your resumes .
the characterization of sherman 's family , the klumps , is one of the most ignorant stereotypes of a black family i have ever seen in cinema .
everyone member of the family is a large person who wipes the bins clean at a local buffet restaurant like pigs at a trough .
the grandma is an oversexed fiend who constantly talks of ways to pleasure her man and her sagging breasts .
the father is gruff , is fired from a blue - collar job , is sexually inadequate , and can not communicate with his family about his feelings .
the mother is ignorant of all the negativity around her and seems to hold no opinion about anything or anyone .
the brother is silent and brooding and resembles the ice cube gangster character from boyz in the hood .
sherman himself is terribly insecure and never conveys anything for the audience to become attached to .
but the main problem with the film is its inability to create any type of convincing conversational or situational comedy .
the family scenes from the first nutty professor worked so well because their conversations were short and direct .
and you got the feeling that these crass people could n't act like this all the time .
the sequel does the reverse and drives the negatives of the klumps right in to the hilt , making the first five minutes of their interaction enjoyable and the last 55 or so unbearable and pathetic .
after a while , their conversations just become a barrage of frustrated anger tinged with indecency and overworked premises that end up drawing energy away from any type of empathy one might feel for the central themes of the story .
its also a damn shame that the makeup magic of rick baker -- who worked on the original nutty professor and won an academy award for his work on an american werewolf in london -- and amazing digital special effects that enabled murphy to interact with himself in such beautiful motions are built around such a lame story line .
even the best effects ca n't seem to save the most pathetic of movies these days .
now that i think about it ,
the worst thing about this film has to be all the money that it will make .
people will be lined up around the block for it .
the studios will concoct the a sequel for release in the summer of 2002 .
eddie murphy will be signed up to take not just one role or five roles , but he 'll play every character in the movie .
i just ca n't wait to see eddie murphy in a love scene with himself .

Ex Output:
N