Question: Given the following context: Gigolos in Europe are being terrorized by a serial killer. In Malibu, Deuce Bigalow's wife Kate has died from a shark attack, and Deuce is invited by his former pimp T.J. Hicks to Amsterdam. Deuce goes to take his mind off of Kate. After T.J. shows Deuce his boat, or "float crib," the pair go to a coffee shop where they get high and bump into Heinz Hummer, a German gigolo. After leaving the coffee shop, Deuce finds Hummer dead in an alley, but thinks he is merely stoned and takes the dead gigolo to T.J.'s float crib; when T.J. gets back, he immediately realizes that Hummer is dead. T.J. plans to dump the body, but skeptical of Hummer's reputation of being well-endowed, unzips his pants and examines his genitalia and is caught by a tour boat. Upon his release from the police station, Deuce finds T.J. at a restaurant and recalls that he saw the killer walking away from Hummer's body. Deuce says it was a woman, so they both figure it was a she-john, a former client of the murdered gigolo. T.J. convinces Deuce to find the killer by becoming a gigolo again, visiting the former clients and "rooting" out the killer. They attend a meeting of the Royal Order of European Man Whores, but fail to procure a list of the clients. answer the following question: What are the full names of the characters who go to the meeting of the Royal Order of European Man Whores?
Answer: T.J. Hicks

[Q]: Given the following context: The Sitwells looked after their protege both materially and culturally, giving him not only a home but a stimulating cultural education. He took music lessons with Ernest Ansermet, Ferruccio Busoni and Edward J. Dent. He attended the Russian ballet, met Stravinsky and Gershwin, heard the Savoy Orpheans at the Savoy Hotel and wrote an experimental string quartet heavily influenced by the Second Viennese School that was performed at a festival of new music at Salzburg in 1923. Alban Berg heard the performance and was impressed enough to take Walton to meet Arnold Schoenberg, Berg's teacher and the founder of the Second Viennese School.In 1923, in collaboration with Edith Sitwell, Walton had his first great success, though at first it was a succes de scandale. Facade was first performed in public at the Aeolian Hall, London, on 12 June. The work consisted of Edith's verses, which she recited through a megaphone from behind a screen, while Walton conducted an ensemble of six players in his accompanying music. The press was generally condemnatory. Walton's biographer Michael Kennedy cites as typical a contemporary headline: "Drivel That They Paid to Hear". The Daily Express loathed the work, but admitted that it was naggingly memorable. The Manchester Guardian wrote of "relentless cacophony". The Observer condemned the verses and dismissed Walton's music as "harmless". In The Illustrated London News, Dent was much more appreciative: "The audience was at first inclined to treat the whole thing as an absurd joke, but there is always a surprisingly serious element in Miss Sitwell's poetry and Mr Walton's music ... which soon induced the audience to listen with breathless attention." In The Sunday Times, Ernest Newman said of Walton, "as a musical joker he is a jewel of the first water".Among the audience were Evelyn Waugh, Virginia Woolf and Noel Coward. The last was so outraged by the avant-garde nature of Sitwell's verses and the staging, that he marched out ostentatiously during the performance. The players did... answer the following question: What is the name of the protege given not only a home but a stimulating cultural education by the Sitwells?
****
[A]: Walton

input: Please answer the following: Given the following context: Beswick's mummified body was initially kept at Ancoats Hall, the home of another Beswick family member, but it was soon moved to a room in Dr White's home in Sale, Manchester, where it was stored in an old clock case. Beswick's apparently eccentric will made her a celebrity; the author Thomas de Quincey was one of those who went to view her at White's house. Following White's death in 1813, Beswick's body was bequeathed to a Dr Ollier, on whose death in 1828 it was donated to the Museum of the Manchester Natural History Society, where she became known as the Manchester Mummy, or the Mummy of Birchin Bower. She was displayed in the museum's entrance hall, next to a Peruvian and an Egyptian mummy, and her relatives were allowed free access to visit her as they wished. She was described by a visitor in 1844 as "one of the most remarkable objects in the museum". The "cold dark shadow of her mummy hung over Manchester in the middle of the eighteenth century", according to writer Edith Sitwell.There are no pictures of Hannah Beswick. One of the few contemporary accounts of her is provided by Philip Wentworth, a local historian: The body was well preserved but the face was shrivelled and black. The legs and trunks were tightly bound in a strong cloth such as is used for bed ticks [a stiff kind of mattress cover material] and the body, which was that of a little old woman, was in a glass coffin-shaped case. Shortly after the museum's transfer to Manchester University in 1867 it was decided that as Beswick was "irrevocably and unmistakably dead", the time had come for her to be buried. But since 1837 UK law had required that a medical examiner issue a certificate of death before a burial could take place; as Beswick had died in 1758 an appeal had to be made to the Secretary of State, who issued an order for her burial. With the permission of the Bishop of Manchester, Hannah Beswick was interred in an unmarked grave in Harpurhey Cemetery on 22 July 1868, more than 110 years after her death. answer the following question: What is the full name of the person who author Thomas de Quincey went to view at White's house?
++++++++++
output:
Hannah Beswick