Problem: The Vienna Boys' Choir (German: Wiener Sangerknaben) or Vienna Choir Boys is a choir of boy sopranos and altos based in Vienna, Austria. It is one of the best known boys' choirs in the world. The boys are selected mainly from Austria, but also from many other countries. The choir is a private, not-for-profit organization.

The choir is the modern-day descendant of the boys' choirs of the Viennese Court, dating back to the late Middle Ages. The choir was, for practical purposes, established by a letter from Emperor Maximilian I of Habsburg on 30 June 1498, instructing court officials to employ a singing master, two basses and six boys. Jurij Slatkonja became the director of the ensemble. The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass. Additionally, the Haydn brothers were members of the St. Stephen's Cathedral choir, directed at the time by Georg Reutter II, who used this choir in his duties for the imperial court, which at the time had no boy choristers of its own. Over the centuries, the choir has worked with many composers, including Heinrich Isaac, Hofhaimer, Biber, Fux, Caldara, Gluck, Salieri, Mozart, Franz Schubert and Bruckner. In 1920, following the fall of the Austrian Empire, the Hofkapelle (court orchestra) was disbanded. However, the rector at the time, Josef Schnitt, sought a continuation of the tradition. In 1924, the Vienna Boys' Choir was officially founded, and it has evolved into a professional music group. The choir adopted the now-famous blue and white sailor suit, replacing the imperial military cadet uniform that included a dagger. The composer HK Gruber is one of the graduates of the reformed choir. Since 1948, the Palais Augarten has served as their rehearsal venue and boarding school, which goes from kindergarten level up to middle school level. In 1961, Walt Disney filmed Almost Angels, a fictional drama about (and starring) the Vienna Boys' Choir, set and filmed in the Palais Augarten. It was Disney who, for cinematographic reasons, persuaded the Austrian government to allow the boys to legally wear the Austrian national emblem on the breast of their uniform, a tradition that continues to this day.

Where did they sing?

Answer with quotes: The role of the choir (numbering between 24 and 26) was to provide musical accompaniment for the church mass.

Background: Charles Taze Russell was born to Scottish-Irish parents, immigrant Joseph Lytel Russell (d. December 17, 1897) and Ann Eliza Birney (d. January 25, 1861), on February 16, 1852 in Allegheny, Pennsylvania. Russell was the second of five children, of whom two survived into adulthood. His mother died when he was 9 years old. The Russells lived for a time in Philadelphia before moving to Pittsburgh, where they became members of the Presbyterian Church.
Context: In 1897 Russell's wife, Maria, left him after a disagreement over the management of Zion's Watch Tower magazine. According to Russell's successor Joseph Franklin Rutherford, she believed that, as his wife, she should have equal control over its administration and equal privilege in writing articles, preaching, and traveling abroad as his representative. In 1903 she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. The separation was granted in 1906, with Russell charged to pay alimony. During the trial Mrs. Russell's attorney alleged that in 1894 Mr. Russell had engaged in "improper intimacy" with Rose Ball, by then a 25-year-old woman. The Russells had cared for her as a foster daughter said to be an orphan. Mrs. Russell alleged that Ball had told her Mr. Russell claimed to be an amorous "jellyfish floating around" to different women until someone responded to his advances. Mr. Russell denied the accusations and said he had never used such language to describe himself. When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No". The Washington Post and the Mission Friend of Chicago reprinted the "jellyfish" story while also accusing Russell of immoral conduct. Russell sued the papers for libel; the jury decided in his favor, awarding him one dollar. Following an appeal, Russell received a cash settlement of $15,000 (current value $409,000) plus court costs, and an agreement that the two papers publish his weekly syndicated sermons as well as a retraction defending his character. Rose Ball later married and lived in Australia. As Rose Ball Henninges, she died November 22, 1950 at the age of 81 in Melbourne, Australia. For several years she had written articles for The People's Paper and was associated with the Bible Students in Australia until her death.
Question: What did the papers agree too?
Answer: that the two papers publish his weekly syndicated sermons as well as a retraction defending his character.

Question:
Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history. For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy.
Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat. Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes. At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes. It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.
Answer this question using a quote from the text above:

Was Eakins married?

Answer:
In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879.