Question:
William Miller Edwards (June 21, 1905 - June 12, 1987) was an American football player and coach. He served as the head football coach at Western Reserve University, Vanderbilt University and Wittenberg University in a career lasting more than 30 years, compiling a win-loss-tie record of 168-45-8. Edwards also coached the Detroit Lions of the National Football League (NFL) from 1941 to 1942, tallying a 4-9-1 record, and served as an assistant coach for the NFL's Cleveland Browns in the late 1940s. Raised near Massillon, Ohio, Edwards was the son of an immigrant from Wales who worked in the area's coal mines.
Edwards resigned from coaching in 1969, when he was 63 years old, although he continued to work at Wittenberg as the school's athletic director. Dave Maurer, his long-time assistant, took over as the school's coach. By the end of his career, Edwards's 168-45-8 overall college record gave him the second-best winning percentage in the country among active coaches with at least 100 wins. Edwards was given a commendation by President Richard Nixon for his achievements as a coach and won a Football Writers Association of America award for contributions to the game. "His retirement is Wittenberg's loss, but more than that, it is college football's loss," University of Alabama coach Bear Bryant said at the time. Edwards retired in February 1973 after 39 years as a coach and administrator and said he would concentrate on hunting and fishing. He was inducted into the Ohio Football Coaches Association Hall of Fame in 1979, Wittenberg's Athletics Hall of Honor in 1985 and into the College Football Hall of Fame in 1986. He was also inducted into the Western Reserve Hall of Fame and the Vanderbilt Hall of Fame in 1986. Edwards died in 1987. He and his wife Dorothy had three children. The tough but compassionate approach to coaching Edwards espoused influenced many men who worked under him, including Maurer, who led Wittenberg to a 129-23-3 record between 1969 and 1983. Wittenberg's football stadium is named Edwards-Maurer Field in honor of both head coaches. The winner of the Wittenberg-Case Western Reserve football game receives the Bill Edwards Trophy. Edwards was also close with Steve Belichick, who played for him at Western Reserve and for the Detroit Lions and later served as an assistant under him at Vanderbilt and North Carolina. Belichick's son Bill was named after Edwards, who was also Bill's godfather. Bill Belichick later became an assistant coach in the NFL and is the head coach of the New England Patriots as of 2018. At what is now known as Case Western Reserve University, the football stadium, DiSanto Field, hosts its distinguished guests inside the Coach Bill Edwards President's Suite.
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When did he leave Wittenberg?

Answer:
Edwards retired in February 1973 after 39 years as a coach and administrator

Question:
A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from the Italian burlesco, which, in turn, is derived from the Italian burla - a joke, ridicule or mockery. Burlesque overlaps in meaning with caricature, parody and travesty, and, in its theatrical sense, with extravaganza, as presented during the Victorian era. "Burlesque" has been used in English in this literary and theatrical sense since the late 17th century.
Victorian burlesque, sometimes known as "travesty" or "extravaganza", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risque in style, mocking the theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planche. Other authors of burlesques included H. J. Byron, G. R. Sims, F. C. Burnand, W. S. Gilbert and Fred Leslie. Victorian burlesque related to and in part derived from traditional English pantomime "with the addition of gags and 'turns'." In the early burlesques, following the example of ballad opera, the words of the songs were written to popular music; later burlesques mixed the music of opera, operetta, music hall and revue, and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of the most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns. A typical example from a burlesque of Macbeth: Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign'". A staple of burlesque was the display of attractive women in travesty roles, dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risque. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that the audience would readily recognize. The house stars included Nellie Farren, John D'Auban, Edward Terry and Fred Leslie. From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to the new more wholesome but less literary genre of Edwardian musical comedy.
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Were there any other famous burlesues

Answer:
Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s.