In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[Q]: Review: What made the French Connection work so well was the relationship between Doyle (Hackman) and Russo (Scheider). In this catastrophe directed by Frankenheimer (who also brought us such gems as Raindeer Games and the Island of Dr. Moreau) the movie focuses on Doyle and his singular obsession of capturing Charnier (Rey). The fictitious idea that the NYPD would allow Doyle to travel to Marseilles to find Charnier with the help of the French local authorities is laugh out loud funny. Correct me if I'm wrong, but didn't Charnier skip town with 65 pounds of pure smack!!! A street value of 32 million but yeah, let's send Doyle to find this guy, it was his pinch after all. Please!!! The story was weak. The acting was terrible (with the lone exception of Hackman, who completely overplayed his part). The direction was all over the place. Even the cuts between scenes were terrible. Do yourself a favor and watch the first installment twice and skip this one. Question: is it a negative review?
[A]: yes

[Q]: Review: very badly made film, the action/violence scenes are ridiculous.1 point for the presence of Burton and Mastroianni + 1 point for the real tragic event of the massacre of the innocent italians: 2/10. Question: is it a negative review?
[A]: yes

[Q]: Review: This installment of Masters of Horror was terrible. Apparently, Mr. Carpenter needs to learn a thing or two about pacing and decent, plausible dialog. There were times when I literally shouted at the TV for something to happen. Maybe he thinks he building suspense, but Carpenter needs to trim back that overdone, over-simplified musical score of his (or his son's) and advance the action a little bit. How many times did the girl say, "Oh no, I can't have this baby!" and "Oh, no here it comes"? Carpenter takes elements from much, much better films (Assault on Precinct 13 and The Thing) and throws them in here as if we are supposed to acknowledge and appreciate his trademark style. What is lacking here is genuine suspense and energy. It's as though he's sleepwalking through the process of movie making. For better Carpenter films, stick to the tried and true classics-- The Thing, Halloween, and They Live. For better masters of horror episodes, check out my personal favorites: Family, Jenifer, and Dreams in the Witch House. Question: is it a negative review?
[A]:
yes