IN: Bloc Party are an English rock band, currently composed of Kele Okereke (lead vocals, rhythm guitar, keyboards, sampler), Russell Lissack (lead guitar, keyboards), Justin Harris (bass guitar, keyboards, saxophones, backing vocals) and Louise Bartle (drums, percussion). Former members Matt Tong and Gordon Moakes left the band in 2013 and 2015 respectively. Their brand of music, whilst rooted in rock, retains elements of other genres such as electronica and house music. The band was formed at the 1999 Reading Festival by Okereke and Lissack.

Bloc Party's second album, A Weekend in the City, was produced by Garret "Jacknife" Lee. It was released in February 2007, although it was leaked in November 2006. It became available for download on the UK iTunes Store before the physical release, and reached the number 2 spot on the UK Albums Chart. The album also reached number 2 on the Australian and Belgian charts, and debuted at number 12 in the Billboard 200, with 48,000 copies sold. The first single, "The Prayer", was released on 29 January, and became the band's highest charting single in the British Top 40, reaching number 4. In the buildup to the release of the album, BBC Radio 1 DJ Zane Lowe aired a live set by the band from Maida Vale studios on 30 January 2007, featuring a mix of old and new songs. On 1 February 2007, A Weekend in the City was made available to listen to for free through Bloc Party's official MySpace page. The next single, "I Still Remember", was Bloc Party's highest charting American single, peaking at number 24 on the Modern Rock Chart. The band released their third single, "Hunting for Witches", with an accompanying video clip in August 2007. The single became their only ARIA Chart entry, peaking at number 20. In October 2007, it was announced that Bloc Party would release a new single, "Flux", on 13 November--ahead of their end of year gigs. The electronic song, also produced by Jacknife Lee, was very different from previous singles released by the band. The band's first gig following the release of A Weekend in the City was on 5 February 2007, in Reading, and was broadcast live on BBC 6 Music. On 20 May 2007, Bloc Party headlined on the In New Music We Trust stage at the BBC Radio 1 Big Weekend in Preston. They also performed at the UK leg of Live Earth on 7 July 2007 at Wembley Stadium. Furthermore, the band played sets at T in the Park and Oxegen 07 that same weekend, as well as Glastonbury and the Reading and Leeds Festivals later in 2007. Bloc Party announced a tour of Australia and New Zealand in August 2007, which would include a special appearance at the Splendour in the Grass Festival on 5 August. On 17 September 2007, they recorded a set for the PBS show Austin City Limits a day after playing at the Austin City Limits Music Festival. On 27 October, the band performed a set at London's The Roundhouse with the Exmoor Singers, a London-based choir, as part of the BBC Electric Proms. The set included songs from both Silent Alarm and A Weekend in the City along with the first British live performance of "Flux".

What are other songs of this album?

OUT: "I Still Remember",

IN: Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.

In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer Hans Goltz, whose influential gallery gave Klee major exposure, and some commercial success. A retrospective of over 300 works in 1920 was also notable. Klee taught at the Bauhaus from January 1921 to April 1931. He was a "Form" master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: "I also approve of these forces competing one with the other if the result is achievement." Klee was also a member of Die Blaue Vier (The Blue Four), with Kandinsky, Lyonel Feininger, and Alexej von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major monograph on Klee's work was published, written by Will Grohmann. Klee also taught at the Dusseldorf Academy from 1931 to 1933, and was singled out by a Nazi newspaper, "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew." His home was searched by the Gestapo and he was fired from his job. His self-portrait Struck from the List (1933) commemorates the sad occasion. In 1933-4, Klee had shows in London and Paris, and finally met Pablo Picasso, whom he greatly admired. The Klee family emigrated to Switzerland in late 1933. Klee was at the peak of his creative output. His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; it is also one of his largest, most finely worked paintings. He produced nearly 500 works in 1933 during his last year in Germany. However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years. His output in 1936 was only 25 pictures. In the later 1930s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso. Klee's simpler and larger designs enabled him to keep up his output in his final years, and in 1939 he created over 1,200 works, a career high for one year. He used heavier lines and mainly geometric forms with fewer but larger blocks of color. His varied color palettes, some with bright colors and others sober, perhaps reflected his alternating moods of optimism and pessimism. Back in Germany in 1937, seventeen of Klee's pictures were included in an exhibition of "Degenerate art" and 102 of his works in public collections were seized by the Nazis.

What was one of Klee's significant works during his mature career?

OUT:
His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style;