Question: Suggest a movie title for the following movie plot: A white background. Red drops begin to fall past the opening credits. The drops become a red sauce on a plate. A slab of meat is cut with a knife and garnished with raspberries, then placed on a table. The camera moves over various dishes, most of which are very small and look very expensive. The restaurant is furnished in pinks and greens, and everyone is well-dressed. Waiters tell customers ridiculously decadent specials like squid ravioli and swordfish meatloaf.The setting is New York City, sometime in the 1980s. The vice-presidents of Pierce and Pierce, a Wall Street financial institution, are seated around a table. They include Timothy Bryce (Justin Theroux), Craig McDermott (Josh Lucas), David Van Paten (Bill Sage) and Patrick Bateman (Christian Bale). Bryce says "This is a chick's restaurant. Why aren't we at Dorsia?" McDermott replies "Because Bateman won't give the maitre d' head." Bateman flicks a toothpick at him. They discuss various people in the restaurant, including who Bateman believes to be Paul Allen across the room. Van Paten returns from the bathroom and says that there's no good place to do coke in. They discuss the fact that Allen is handling the Fisher account, which leads McDermott to make racist remarks about Allen being Jewish. "Jesus, McDermott, what does that have to do with anything?" says Patrick. "I've seen that bastard sitting in his office spinning a fucking menorah." Bateman rebukes him. "Not a menorah. A dreidel, you spin a dreidel." McDermott replies "Do you want me to fry you up some potato pancakes? Some latkes?" "No, just cool it with the anti-Semitic remarks." "Oh I forgot. Bateman's dating someone from the ACLU!" Bryce calls Bateman the voice of reason. Looking at the check he remarks "Speaking of reasonable, only $570." They all drop their Platinum American Express cards on top of the bill.At a nightclub, Bryce takes some money out of a clip and gives it to a man in drag, who lets them inside. As some 80's pop music plays from overhead, the men dance while strobe...
Answer: American Psycho

[Q]: Suggest a movie title for the following movie plot: When newlywed Madeleine (Embeth Davidtz), an art dealer, travels from Chicago to North Carolina to pursue a local, self-taught painter (Frank Hoyt Taylor) for her outsider art gallery, she takes the opportunity to meet the family of her husband George (Alessandro Nivola) who live close by. There is his mother Peg (Celia Weston); his reserved, contemplative father Eugene (Scott Wilson); and his sullen, resentful, twenty-ish brother Johnny (Benjamin McKenzie) who, although married, still lives at home, and is studying for his high school equivalence certificate while working at Replacements, Ltd. as an order processor. Johnny married his now pregnant young wife Ashley (Amy Adams) before either of them finished high school. Relations between Johnny and Ashley are strained, with Ashley believing that a baby will solve their marital problems. Madeleine and George stay in the expected baby's nursery, and Madeleine becomes friends with Ashley, who's a very sweet and friendly, if somewhat naive and talkative girl. The family takes Madeline to a church service and she attends Ashley's baby shower. Madeleine discovers that she does not know much about George, as they have been married only six months, and knew each other only a week before they got married. George's strong Southern family values come through. The artist Madeleine is pursuing wavers over signing with her gallery. Ashley goes into labor, and the family goes to the hospital with her but Madeleine chooses to go and convince the artist to sign with her gallery, which makes George angry. Ashley's baby boy is stillborn. She had told Madeleine she was going to name the baby "Junebug". George and Madeleine leave to go back to Chicago.
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[A]: Junebug

input: Please answer the following: Suggest a movie title for the following movie plot: The film begins with a prologue, the only commentary in the film. It consists of the following text, shown sequentially, against a grey background: Am 5. September 1934 [On 5 September 1934] 20 Jahre nach dem Ausbruch des Weltkrieges [20 years after the outbreak of the World War] 16 Jahre nach dem Anfang deutschen Leidens [16 years after the beginning of German suffering] 19 Monate nach dem Beginn der deutschen Wiedergeburt [19 months after the beginning of the German rebirth] flog Adolf Hitler wiederum nach Nurnberg, um Heerschau abzuhalten uber seine Getreuen [Adolf Hitler flew again to Nuremberg to review the columns of his faithful followers] Day 1: The film opens with shots of the clouds above the city, and then moves through the clouds to float above the assembling masses below, with the intention of portraying beauty and majesty of the scene. The cruciform shadow of Hitler's plane is visible as it passes over the tiny figures marching below, accompanied by an orchestral arrangement of the Horst-Wessel-Lied. Upon arriving at the Nuremberg airport, Hitler and other Nazi leaders emerge from his plane to thunderous applause and a cheering crowd. He is then driven into Nuremberg, through equally enthusiastic people, to his hotel where a night rally is later held. Day 2: The second day begins with images of Nuremberg at dawn, accompanied by an extract from the Act III Prelude (Wach Auf!) of Richard Wagner's Die Meistersinger von Nurnberg. Following this is a montage of the attendees preparing for the opening of the Reich Party Congress, and footage of the top Nazi officials arriving at the Luitpold Arena. The film then cuts to the opening ceremony, where Rudolf Hess announces the start of the Congress. The camera then introduces much of the Nazi hierarchy and covers their opening speeches, including Joseph Goebbels, Alfred Rosenberg, Hans Frank, Fritz Todt, Robert Ley, and Julius Streicher. Then the film cuts to an outdoor rally for the Reichsarbeitsdienst (Labor Service), which is primarily...
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output:
Triumph of the Will