input: In November 1966, during a return flight to London from Kenya, where he had been on holiday with Beatles tour manager Mal Evans, McCartney had an idea for a song that eventually formed the impetus of the Sgt. Pepper concept. His idea involved an Edwardian-era military band, for which Evans invented a name in the style of contemporary San Francisco-based groups such as Big Brother and the Holding Company and Quicksilver Messenger Service. In February 1967, McCartney suggested that the Beatles should record an entire album that would represent a performance by the fictional band. This alter ego group would give them the freedom to experiment musically. He explained: "I thought, let's not be ourselves. Let's develop alter egos." Martin remembered: "Sergeant Pepper" itself didn't appear until halfway through making the album. It was Paul's song, just an ordinary rock number ... but when we had finished it, Paul said, "Why don't we make the album as though the Pepper band really existed, as though Sergeant Pepper was making the record? We'll dub in effects and things." I loved the idea, and from that moment on it was as though Pepper had a life of its own. In 1966, the American musician and bandleader Brian Wilson's growing interest in the aesthetics of recording and his admiration for both record producer Phil Spector's Wall of Sound and the Beatles' album Rubber Soul resulted in the Beach Boys' Pet Sounds LP, which demonstrated his production expertise and his mastery of composition and arrangement. The author Thomas MacFarlane credits the release with influencing many musicians of the time, with McCartney in particular singing its praises and drawing inspiration to "expand the focus of the Beatles' work with sounds and textures not usually associated with popular music". McCartney thought that his constant playing of the album made it difficult for Lennon to "escape the influence", adding: "It's very cleverly done ... so we were inspired by it and nicked a few ideas." Martin stated: "Without Pet Sounds, Sgt. Pepper never would have happened ... Pepper was an attempt to equal Pet Sounds." Freak Out! by the Mothers of Invention has also been cited as having influenced Sgt. Pepper. According to the author Philip Norman, during the Sgt. Pepper recording sessions McCartney repeatedly stated: "This is our Freak Out!" The music journalist Chet Flippo states that McCartney was inspired to record a concept album after hearing Freak Out!, considered the first rock concept album.

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Question: Elmer Francis Layden (May 4, 1903 - June 30, 1973) was an American football player, coach, college athletics administrator, and professional sports executive. He played college football at the University of Notre Dame where he starred at fullback as a member of the legendary "Four Horsemen" backfield. Layden played professionally in the original AFL in 1925 and 1926 with three different clubs, the Hartford Blues, the Brooklyn Horsemen, and the Rock Island Independents. He began his coaching career during the same two seasons at Columbia College in Dubuque, Iowa, now known as Loras College.

After his playing days, Layden was head football coach at Columbia College (Dubuque, Iowa) in 1925-26, where he compiled an 8-5-2 record. From 1927 to 1933 he was head coach at Duquesne University in Pittsburgh, going 48-16-6 and winning the 1933 season's Festival of Palms Bowl (a precursor to the Orange Bowl) on New Year's Day, 1934. Also in 1934, he became head coach and athletic director at Notre Dame, three years after his legendary mentor Knute Rockne was killed in an airplane crash on March 31, 1931. Layden led the Irish for seven years and posted an overall 47-13-3 docket. His 1935 squad posted one of the greatest wins in school history by rallying to defeat Ohio State 18-13. His 1938 team finished 8-1, losing only to USC in the season finale. This loss cost them a possible consensus national championship, but the team was named national champion by the Dickinson System. Like Rockne before him, Layden was a goodwill ambassador for Notre Dame. He was able to schedule a home-and-home series with Michigan after meeting with Fielding H. Yost, healing a rift between the two schools. The two teams had not met since 1909, when, after eight straight losses to the Wolverines, the Irish posted their first win. They were scheduled to meet again in 1910, but Michigan canceled the game and refused to play the Irish again. By the time they met again in 1942-43, Layden had left Notre Dame and Frank Leahy had taken his place. Unlike the easygoing Layden, Leahy was intense, and after the Irish had thrashed Michigan by a score of 35-12 in 1943, Wolverine coach and athletic director Fritz Crisler never scheduled the Irish again. While Layden was a solid, competent coach, he was subjected to criticism during his later years at Notre Dame. Critics felt that his teams played too conservatively and lacked scoring punch. Consequently, it was felt that they lost games they should have won.

Using a quote from the above article, answer the following question: Was that the only team he ever coached?
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From 1927 to 1933 he was head coach at Duquesne University in Pittsburgh, going 48-16-6 and winning the 1933 season's Festival of Palms Bowl (