In this task, you will be shown an extract from a movie plot. You need to read the extract and create questions that can be answered from the extract. The questions should be well-formed and grammatically correct. The questions should be completely answerable from the given passage and should not require any external knowledge. Subjective questions are not allowed. Create questions that result in factoid answers. A simple rule of thumb to decide whether a question is factoid or not is to see if two different people with average reading/comprehension skills would come up with the same answer after reading the passage.

Ex Input:
Martin Delambre (Baker) is driving to Montreal one night when he sees a young girl by the name of Patricia Stanley (Gray) running in her underwear. They fall in love and are soon married. However, they both hold secrets: she has recently escaped from a mental asylum; he and his father Henri (Donlevy) are engaged in radical experiments in teleportation, and they have already had horrific consequences. Martin also suffers recessive fly genes which cause him to age rapidly and he needs a serum to keep him young.In a rambling mansion in rural Quebec, Martin and Henri have successfully teleported people between there and London. However, previous failures resulted in horribly disfigured and insane victims who are locked in the stables. Martin's first wife is one of them, as are Samuels and Dale, two men who had worked as the Delambres' assistants. Martin's brother Albert (Graham) mans the London receiving station but wishes to terminate the teleportation project and escape the obsession that has driven his grandfather, his father and his brother.The police and the headmistress of the asylum trace Patricia to the Delambre estate, where they learn that she has married Martin, but it is soon discovered that he had a previous wife whom he did not divorce. Inspector Charas, who had investigated Andre Delambre and is now an old man in the hospital, tells Inspector Ronet about the Delambre family and their experiments.As the police begin to close in, a mixture of callousness and madness afflicts the Delambres, and they decide to abandon their work and eliminate the evidence of their failures. They subdue and teleport Samuels and Dale, but upon reintegration in London the two men are fused into a single writhing mass. Albert is horrified at the sight and kills the thing with an axe, destroying the teleportation equipment in the process. Tai and Wan (Burt Kwouk and Yvette Rees), an Asian couple who had been helping the Delambres, have had enough and leave the Quebec estate.Henri convinces Martin that they must send the unconscious Patricia to London and then follow in order to escape from the police. Martin resists, afraid that she might be harmed, so Henri volunteers to go first. Martin sends Henri to London, unaware that Albert has destroyed the reintegration equipment. Henri does not rematerialize and is lost. Realizing what has happened, Albert leaves the lab, sobbing, and is not seen again.Inspector Ronet arrives at the estate, passing Tai and Wan as they drive away. Patricia awakens in the teleportation chamber but escapes before the transmission sequence is complete. Martin pursues her but starts aging again. Without his serum he quickly dies, sprawled across the front seat of his car. Soon after, Ronet finds him reduced to a skeleton, and he escorts the badly shaken Patricia back into the house as the credits roll.The film ends with the words: "Is this the end?"

Ex Output:
who convinces Martin?

Ex Input:
Matthew Quigley (Tom Selleck) is an American cowboy and sharpshooter with a specially modified rifle with which he can shoot accurately at extraordinary distances. He answers a newspaper advertisement that asks for a man with a special talent in long-distance shooting, using just four words, "M. Quigley 900 yards," written on a copy of the advertisement that is punctured by several closely spaced bullet holes.When he arrives in Australia, he gets into a fight with employees of the man who hired him, who are trying to force "Crazy Cora" (Laura San Giacomo) onto their wagon. After he identifies himself, he is taken to the station of Elliot Marston (Alan Rickman), who informs Quigley his sharpshooting skills will be used to eradicate the increasingly elusive Aborigines. Quigley turns down the offer and throws Marston out of his house.The aborigine manservant knocks Quigley over the head and Marston's men beat him and Cora unconscious and dump them in the outback with no water and little chance of survival. However, they are rescued by Aborigines. Cora now reveals that she comes from Texas. When her home was attacked by Comanches, she hid in the cellar and accidentally suffocated her child while trying to prevent him from crying. Her husband had then put her alone on a ship to Australia. Now Cora consistently calls Quigley by her husband's name (Roy), much to his annoyance.When Marston's men attack the Aborigines who helped them, Quigley kills three. Escaping on a single horse, they encounter more of the men driving Aborigines over a cliff. Quigley drives them off with his deadly shooting and Cora rescues an orphaned baby she finds among the dead Aborigines. Leaving Cora and the infant in the desert with food and water, Quigley rides alone to a nearby town. There he obtains new ammunition from a local German gunsmith, who hates Marston for his murdering ways. Quigley also learns that he has become a legendary hero among the Aborigines.Marston's men are also in town and recognize Quigley's horse. When they attack, cornering him in a burning building, he escapes through a skylight and kills all but one of them. The injured survivor is sent back to say he will be following. First Quigley returns to Cora and the baby, which she has just saved from an attack by dingoes. At first she had tried to stop it crying, but then told it to make as much noise as it liked as she gunned the animals down. Back in town, she gives the baby to Aborigines who have arrived to meet up with them after Quigley tells her that the child has 'a right to happiness'.The next morning, Quigley rides away to confront Marston at his station. At first he shoots the defenders from his location in the hills but is eventually shot in the leg and captured by Marston's last two men. Marston, who has noticed that Quigley only ever carries a rifle, decides to give him a lesson in the "quick-draw" style of gunfighting. As the two face off, Marston makes the first move, but is beaten to the draw by Quigley, who shoots the two remaining men as well. As Marston lies dying, Quigley refers to an earlier conversation, telling him, "I said I never had much use for a revolver; I never said I didn't know how to use it."Marston's servant comes out of the house and gives Quigley his rifle back, then walks away from the ranch, stripping off his western-style clothing as he goes as the other two Aborigine servants also leave. Some time later, an army troop arrives to arrest Quigley for murder until they notice the surrounding hills are lined with Aborigines, having been gathered by the former manservant, and decide to withdraw. Later he and Cora book a passage back to America in the name of Roy Cobb, Cora's husband, since Quigley is still wanted. On the wharf she reminds him that he once told her that she had to say two words before he would make love to her. Smiling broadly, she calls him "Matthew Quigley" and the two embrace for the first time.

Ex Output:
What distance does Matthew Quigley indicated he can shoot?

Ex Input:
In Venice, California, student Daisy (Merissa Mathes) leaves a club alone after having an argument with her beatnik boyfriend Max (Carl Schanzer). Walking through the deserted streets, she stops to admire some gruesome paintings in a gallery window painted by artist Antonio Sordi (Campbell), who coincidentally also comes by to look in on his "lost children." After a friendly conversation, Sordi convinces the young woman to pose nude for him that night. At his bell-tower studio, Sordi is possessed by the spirit of a long-dead ancestor and suddenly transforms into a vampiric monster who hacks the screaming Daisy to death with a cleaver. Afterwards, he lowers her mutilated corpse into a vat of boiling wax.Sordi, in his vampire form, stalks Venice in search of victims; he is able to do so freely at all hours. In the middle of the day, he chases a young woman into the surf at a beach and drowns her. At night, he kills a prostitute in a car while pedestrians stroll by, all of them assuming the pair are lovers sharing an intimate moment. Another victim is approached at a party, chased into a swimming pool, and drowned there after the other guests have moved into the house. The murdered women are carried back to Sordi's studio and painted by the artist, their bodies then covered in wax.Max wants to make up with Daisy but cannot find her anywhere. Learning that she has posed for Sordi and become the subject of the latest in the artist's series of "Dead Red Nudes," he visits her sister Donna (Sandra Knight) to ask her forgiveness. Donna tells Max she hasn't seen Daisy for days, and is concerned about the recent rash of disappearances. She reads Max the legend of Sordi's 15th-century ancestor Erno, a painter condemned to be burned at the stake for capturing his subjects' souls on canvas. Unable to convince Max that Antonio Sordi might also be a vampire, she confronts the artist at his studio and asks him if he has seen Daisy. He angrily brushes her off. That night, he later follows her through the streets and murders her as she tries to escape from him on a carousel.The "human" Sordi is in love with Dorian (Linda Saunders), an avant-garde ballerina and Daisy's former roommate. At first he tries to protect her from his vampiric tendencies, warning her his studio is a cheerless place and at one point breaking a date with her to spend time gaining control of his feelings for her. When she turns up at the studio unannounced, he believes she is the reincarnation of Erno Sordi's long-dead mistress Melizza (also played by Linda Saunders), a witch who had denounced him to the ecclesiastical courts in order to protect herself from prosecution, and traps her in a net. He is about to slash her throat with a razor when Max and his beatnik friends finally realize Sordi is a murderer and successfully free her from the tower. Melizza, seen in a painting that Sordi keeps concealed behind a curtain, brings three of Sordi's victims back to life and they dispatch him by forcing him into the boiling wax.

Ex Output:
Who does Max want to make up with ?