Problem: Background: Hermione Ferdinanda Gingold (9 December 1897 - 24 May 1987) was an English actress known for her sharp-tongued, eccentric persona. Her signature drawling, deep voice was a result of nodes on her vocal cords she developed in the 1920s and early 1930s. After a successful career as a child actress, she later established herself on the stage as an adult, playing in comedy, drama and experimental theatre, and broadcasting on the radio. She found her milieu in revue, which she played from the 1930s to the 1950s, co-starring several times with Hermione Baddeley.
Context: Gingold's adult stage career was slow to take off. She played Liza in If at the Ambassador's in May 1921, and the Old Woman in Ben Travers's farcical comedy The Dippers produced by Sir Charles Hawtrey at the Criterion in August 1922. In 1926 Gingold divorced from Joseph. Later in the same year she married the writer and lyricist Eric Maschwitz, whom she divorced in 1945. She underwent a vocal crisis in the late 1920s and early 1930s: she had hitherto described herself as "Shakespearian and soprano", but nodules on her vocal cords brought a drastic drop in pitch, about which she commented, "One morning it was Mozart and the next 'Old Man River'". The critic J. C. Trewin described her voice as "powdered glass in deep syrup". During this period she broadcast frequently for the BBC and established herself at the experimental theatre-club the Gate Theatre Studio in London, first as a serious actress and later in the genre for which she became famous, revue. According to The Times it was in Spread It Abroad (1936) a revue at another theatre, the Saville, with material by Herbert Farjeon that she truly found her milieu. In the ten years from 1938 Gingold concentrated on revue, appearing in nine different productions in the West End. The first four were The Gate Revue (transferred from the Gate to the Ambassador's, 1939), Swinging the Gate (1940), Rise Above It (1941) and Sky High (1942). During this period she and Hermione Baddeley established a stage partnership of what The Times called "briskly sustained mock-rivalry". In June 1943 she opened in a revue at the Ambassadors, Sweet and Low, which was continually revised and refreshed over a run of almost six years, first as Sweeter and Lower and then Sweetest and Lowest. In her sketches she tended, as the writer of the shows, Alan Melville, recalled, to portray "grotesque and usually unfortunate ladies of dubious age and occasionally, morals; the unhappy female painted by Picasso who found herself lumberered with an extra limb or two ... the even less fortunate female who, after years of playing the cello in Palm Court orchestras, ended up bow-legged beyond belief." In a biographical sketch, Ned Sherrin writes, "Gingold became a special attraction for American soldiers and 'Thanks, Yanks' was one of her most appropriate numbers. During the astringent, name-dropping 'Sweet' series, she played 1,676 performances, before 800,000 people, negotiating 17,010 costume changes."
Question: Where did she go to school?
Answer:

Problem: Background: AKB48 (pronounced A.K.B. Forty-eight) are a Japanese idol girl group named after the Akihabara (Akiba for short) area in Tokyo, where the group's theater is located. The group has expanded since then to include over 130 members as of December 2015, aged from their early teens to their mid-20s. AKB48's producer, Yasushi Akimoto, wanted to form a girl group with its own theater (unlike pop groups performing occasional concerts and seen on television) and performing daily so fans could always see them live. This "idols you can meet" concept includes teams which can rotate performances and perform simultaneously at several events and "handshake" events, where fans can meet group members.
Context: The group has publicized special events to choose the promotional and recording lineups for some of its singles. In 2009, the concept of senbatsu sosenkyo (Xuan Ba Zong Xuan Ju , "selection general election") was introduced, which allowed fans to vote their favorite members into the promotional line up or senbatsu (Xuan Ba , "selection") for one of their annual singles. Ballots are obtained by purchasing the group's latest "election single", or, alternatively, through the group's mobile app products and fan club subscriptions. Top vote getting members are heavily promoted, with the winner getting the centerpiece of the group's live performances of the single. The total pool of votes counted has exceeded three million votes for individual events since 2015. Fans have reportedly bought hundreds of copies of singles to vote for their favorite members. Another selection method, AKB48's rock-paper-scissors tournaments, was introduced in 2010 for the group's 19th single ("Chance no Junban") and has recurred as an annual event. Members of AKB48 and its sister groups compete in the knockout tournament to be part of the recording and promotional lineup for the group's next single, with participants wearing a variety of costumes. Starting with 2014, the tournament does not determine the promotional line up of a single anymore. Instead, the winner would debut as a soloist or, if she was already a soloist, would perform a solo concert. AKB48 has also used the general election scheme to determine set lists for an annual Request Hour (rikuesutoawa, rikuesuto awa) show. Other annual events include an AKB48 group only version of Kohaku Uta Gassen and the AKB group draft meeting (AKB48gurupu dorahutoHui Yi , AKB48 gurupu dorafuto kaigi), in which all teams from any of the sister groups chose new members from a pre-selected group of applicants.
Question: did they have any other events?
Answer:
AKB48 has also used the general election scheme to determine set lists