Q: Question: Who shoots and kills the farmer? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Silver Saddle Context: South Texas Border, the 1850s. A poor man and his young son arrive exhausted at a small outpost. There, the man confronts Luke Fletcher (Donald O'Brien), a sneering crook in the employ of a rich and powerful landowner called Barret. The man tells Fletcher that Barret has swindled him and his son out of money for some non-existent land. The bitter altercation ends with the man shot dead right in front of his son. As the killer laughs sadistically, the little boy picks up his father's gun and shoots Fletcher dead. Impassively, the boy mounts Fletcher's horse, claiming it along with its ornate silver-trimmed saddle, and rides off.Several years later, the young boy has grown up into a rugged bounty hunter named Roy Blood (Giuliano Gemma) who rides into the Texan town of Cerriotts on his silver-saddled horse, accompanied by Two-Strike Snake (Geoffrey Lewis), an amusing but treacherous man he recently met. Snake tells Roy that many have heard the story of the Silver Saddle, and its owner, the boy who avenged his father. He also knows that Roy Blood seems to leave a trail of dead men in his wake. This is why he wants to tag along: Snake collects items of value from the frequent corpses encountered at every turn in the Wild West. Roy's arrival is also noted by Turner, a mysterious blond-haird cowboy (Gianni De Luigi).Roy meets with Shiba (Licinia Lentini), a well-to-do madam of the town's local whorehouse, who is also an old flame who wants more. She tells Roy that a man called Shep is extorting money from her, for a Mexican named Grenache (Aldo Sambrell). Her business will be ruined unless she pays up the following day. Roy obligingly shoots Shep and some of his cronies. Once again Snake turns up, shadowing Roy for spoils. The blond cowboy appears and makes a deal with Snake who offers it to Roy: $2,000 for a hit on one Thomas Barret, to be executed in a graveyard out of town. Roy is suspicious, but accepts the murder contract when he hears the name of Barret.At the graveyard, Roy is crouching with a rifle aiming at...
A: Roy Blood

Q: Question: Who is blackmailing Marlowe ? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Murder, My Sweet Context: Marlowe is in a police station, a bandage over his eyes. He explains what happened in a flashback.Moose Malloy comes in to Marlowe's office. He's just got out of prison and wants Marlowe to find his ex-girlfriend, who he's not seen in eight years. Malloy takes him to a place called Florian's, where his ex used to work. They go into the bar. The bar goes quiet as they walk in. The boss comes over and warns them that he wants no trouble. Malloy walks over to a girl in the bar but the boss warns him not to bother the customers. The man throws the boss across the room. Marlowe tries to intervene, but Moose doesn't remember him. The take a couple of bottles from the bar and leave. Malloy tells Marlowe that they were to be married. Her name was Velma Valento.Marlowe traces the wife of the previous owner of Florian's. She appears to be very drunk. She gives him a file of clippings but tries to hide a picture of Valento. Marlowe takes it. Mrs. Florian tells him she's never heard of Moose Malloy and demands that he leave. He does, but then watches her through the window as she makes a phone call, apparently not as drunk as she seemed.Marlowe returns to his office to find Lindsay Marriott waiting in his office. He hires Marlowe to accompany him to a rendezvous to make a business transaction, exchanging a jade necklace for cash. Arriving at the spot, Marlowe gets out to look around. Gun drawn, he walks some distance into the bushes. Finding nothing but a deer, he returns to the car, where he is coldcocked by a blackjack.When he awakens, a woman asks if he is all right, then, apparently recognizing him, runs. Marriott has been killed and dumped in the back seat.Cut to a police station where Marlowe is being interrogated about the murder. They argue and then Marlowe is released, but tell Marlowe they think Jules Amthor is mixed up in this.This time, returning to his office, a woman is waiting. She tells him her name is Miss Allison, but he grabs her purse and finds she is actually Ann Grayle. She tries to storm out but...
A: Amthor

Q: Question: Under whose supervision was the wild child placed? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Wild Child Context: The film opens with the statement: "This story is authentic: it opens in 1798 in a French forest." One summer day in 1798, a naked boy of 11 or 12 years of age (Jean-Pierre Cargol) is found in a forest in the rural district of Aveyron in southern France. A woman sees him, then runs off screaming. She finds some hunters and tells them that she saw a wild boy. They hunt him down with a pack of dogs (a Beauceron, a German Shepherd, an Airedale Terrier and an English Springer Spaniel). The dogs, upon picking up the boy's scent, chase him up a tree. A branch breaks off, and the dogs attack him when he falls. He fights them off leaving one wounded, then continues to flee and hides in a hole. The dogs continue to follow his scent, eventually finding his hiding hole. The hunters arrive and force him out of the hole using smoke to cut off his air supply. After he emerges, the men grab him. Living like a wild animal and unable to speak or understand language, the child has apparently grown up in solitude in the forest since an early age. He is brought to Paris and initially placed in a school for "deaf-mutes". Dr. Jean Marc Gaspard Itard (Francois Truffaut) observes the boy and believes that he is neither deaf nor, as some of his colleagues believe, an "idiot". Itard thinks the boy's behavior is a result of his deprived environment, and that he can be educated. Itard takes custody of the boy, whom he eventually names Victor, and removes him to his house on the outskirts of Paris. There, under the patient tutelage of the doctor and his housekeeper (Francoise Seigner), Victor gradually becomes socialized and acquires the rudiments of language. There is a narrow margin between the laws of civilization in rough Parisian life and the brutal laws of life in nature. Victor finds a sort of equilibrium in the windows that mark the transition between the closed interiors and the world outside. But he gains his ability to have social relations by losing his capacity to live as a savage.[4]
A:
Jean Marc Gaspard Itard