Part 1. Definition
In this task, you are given a set of context paragraphs, some supporting facts and an answer of a question. Your task is to generate question for given answer based on set of context paragraphs, supporting facts and an answer.
Part 2. Example
Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Answer: 1874May
Answer: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of generated question.
Part 3. Exercise
Context_1 : Public rhetoric refers to discourse both within a group of people and between groups, often centering on the process by which individual or group discourse seeks membership in the larger public discourse. Public rhetoric can also involve rhetoric being used within the general populace to foster social change and encourage agency on behalf of the participants of public rhetoric. The collective discourse between rhetoricians and the general populace is one representation of public rhetoric. A new discussion within the field of public rhetoric is digital space because the growing digital realm complicates the idea of private and public, as well as previously concrete definitions of discourse. Furthermore, scholars of public rhetoric often employ the language of tourism to examine how identity is negotiated between individuals and groups and how this negotiation impacts individuals and groups on a variety of levels, ranging from the local to the global. Context_2 : The crackpot index is a number that rates scientific claims or the individuals that make them, in conjunction with a method for computing that number. The method, proposed semi-seriously by mathematical physicist John C. Baez in 1992, computes an index by responses to a list of 36 questions, each positive response contributing a point value ranging from 1 to 50. The computation is initialized with a value of 5. Context_3 : John Carlos Baez ( ; born June 12, 1961) is an American mathematical physicist and a professor of mathematics at the University of California, Riverside (UCR) in Riverside, California. He is known for his work on spin foams in loop quantum gravity. For some time, his research had focused on applications of higher categories to physics and other things. Context_4 : Pseudophysics is a pseudoscientific practice using the language of physics or discussing issues related to or pertinent to physics to promote ideas which are either incoherent or contradictory to known physics (experimental phenomenology). According to physicists, skeptics, and science writers, pseudophysics tends to be promoted by so-called "cranks", whose ideas lack peer review, lack falsifiable predictions, and/or blatantly contradict scientific facts and experimental results. Mathematical physicist John C. Baez famously invented a crackpot index to give an idea of what sort of claims and rhetoric were commonplace among pseudophysics proposals he had come across. Context_5 : The field of rhetoric has been a matter of considerable debate for millennia. Derived from the Greek word for public speaking, rhetoric's original concern dealt primarily with the spoken word. Aristotle wrote a philosophical work that still has major scholarly impact, "Rhetoric", in which he identifies five canons of the field of rhetoric: invention, arrangement, style, memory, and delivery. Invention is concerned with the content or idea being expressed, and relates to the rhetorician's understanding of his goals. Arrangement deals with issues of how to best organize an argument in order to attain the speaker or writer's goals. It is closely related to style, the third element, which relates to gestures, metaphors, and word choices selected to best influence the audience and reach the desired goal. Memory is the fourth and simplest element of rhetoric in being related specifically to spoken rhetoric, specifically concerned with remembering the words in one's speech. Finally, delivery concerns tone, word choice, posture and other such bodily signs that influence the effect of one's words on an audience. Context_6 : The Nasty Boys are a professional wrestling tag team consisting of Brian Knobbs and Jerry Sags, active from the mid to late 1980s and throughout the 1990s. Their gimmick was that of anti-social punks who specialized in hardcore wrestling and brawling. They were noted for their distinctive all-black "street look", which, while very commonplace among today's wrestlers, was vastly different from the colorful attire of their wrestling peers of the late 1980s and early 1990s. This included graffiti-sprayed T-shirts, chain-adorned leather trenchcoats, and their distinctive mullet-hawk haircuts. Context_7 : George Green (14 July 1793 31 May 1841) was a British mathematical physicist who wrote "An Essay on the Application of Mathematical Analysis to the Theories of Electricity and Magnetism" (Green, 1828). The essay introduced several important concepts, among them a theorem similar to the modern Green's theorem, the idea of potential functions as currently used in physics, and the concept of what are now called Green's functions. Green was the first person to create a mathematical theory of electricity and magnetism and his theory formed the foundation for the work of other scientists such as James Clerk Maxwell, William Thomson, and others. His work on potential theory ran parallel to that of Carl Friedrich Gauss. Context_8 : The term "Armenian Question", as used in European history, became commonplace among diplomatic circles and in the popular press after the Congress of Berlin in 1878. As with the Eastern Question, it refers to Europe's involvement with the Armenian subjects of the Ottoman Empire, beginning with the Russo-Turkish War of 187778. In specific terms, the Armenian question refers to the protection and the freedoms of Armenians from their neighboring communities. The "Armenian Question" explains the 40 years of Armenian-Ottoman history in the context of English, German, and Russian politics between 18771914. The term "Armenian Question" is also often used to refer to the question of Turkey's lack of acknowledgement of the events surrounding the Armenian Genocide. Context_9 : Morton E. Gurtin is a mechanical engineer who became a mathematician and "de facto" mathematical physicist. He is an emeritus professor of mathematical sciences at Carnegie-Mellon University, where for many years he held an endowed chair as the Alumni Professor of Mathematical Science. His main work is in materials science, in the form of the mathematical, rational mechanics of non-linear continuum mechanics and thermodynamics, in the style of Clifford Truesdell and Walter Noll, a field also known under the combined name of "continuum thermomechanics". He has published over 250 papers, many among them in Archive for Rational Mechanics and Analysis, as well as a number of books. Context_10 : Visual rhetoric is the fairly recent development of a theoretical framework describing how visual images communicate meaning, as opposed to aural, verbal, or other messages. Visual rhetoric generally falls under a group of terms, which all encompass visual literacy. Purdue OWL defines visual literacy as one's ability to "read" an image. In other words, it is one's ability to understand what an image is attempting to communicate. This includes understanding creative choices made with the image such as coloring, shading, and object placement. This type of awareness comes from an understanding how images communicate meaning, also known as visual rhetoric. The study of visual rhetoric is different from that of visual or graphic design, in that it emphasizes images as sensory expressions of cultural meaning, as opposed to purely aesthetic consideration. Visual rhetoric has been approached from a variety of academic fields of study such as art history, linguistics, semiotics, cultural studies, business and technical communication, speech communication, and classical rhetoric. As a result, it can be difficult to discern the exact relationship between different parts of the field of visual rhetoric. Some examples of artifacts analyzed by visual rhetoricians are charts, paintings, sculpture, videogames, diagrams, web pages, advertisements, movies, architecture, newspapers, or photographs. Visual rhetoric seeks to develop rhetorical theory in a way that is more comprehensive and inclusive with regard to images and their interpretations. Visual images and material objects have become more relevant in light of recent technological developments for understanding general communicative means. Visual rhetoric is a conscious, communicative decision; the colors, form, medium, and size is chosen on purpose.<ref name="10/21/13"> </ref> However, a person may come in contact with a sign, but if they have no relation to the sign, its message is arbitrary. Therefore, in order for artifacts or products to be conceptualized as visual rhetoric, they must have three characteristics: they must be symbolic, involve human intervention, and be presented to an audience for the purpose of communicating. fact_1 : Mathematical physicist John C. Baez famously invented a crackpot index to give an idea of what sort of claims and rhetoric were commonplace among pseudophysics proposals he had come across. fact_2 : John Carlos Baez ( ; born June 12, 1961) is an American mathematical physicist and a professor of mathematics at the University of California, Riverside (UCR) in Riverside, California. Answer: American
Answer:
Which nationality is the mathematical physicist who invented a crackpot index to give an idea of what sort of claims and rhetoric were commonplace among pseudophysics proposals he had come across