Input: Read this: The history of Academies in France during the Enlightenment begins with the Academy of Science, founded in 1635 in Paris. It was closely tied to the French state, acting as an extension of a government seriously lacking in scientists. It helped promote and organize new disciplines, and it trained new scientists. It also contributed to the enhancement of scientists' social status, considering them to be the "most useful of all citizens". Academies demonstrate the rising interest in science along with its increasing secularization, as evidenced by the small number of clerics who were members (13 percent). The presence of the French academies in the public sphere cannot be attributed to their membership; although the majority of their members were bourgeois, the exclusive institution was only open to elite Parisian scholars. They perceived themselves as "interpreters of the sciences for the people". For example, it was with this in mind that academicians took it upon themselves to disprove the popular pseudo-science of mesmerism.
Question: Members of what group were considered to be the "most useful of all citizens?"

Output: scientists

Input: Read this: This meagre statistic expanded in the 20th century to comprise anthropology departments in the majority of the world's higher educational institutions, many thousands in number. Anthropology has diversified from a few major subdivisions to dozens more. Practical anthropology, the use of anthropological knowledge and technique to solve specific problems, has arrived; for example, the presence of buried victims might stimulate the use of a forensic archaeologist to recreate the final scene. Organization has reached global level. For example, the World Council of Anthropological Associations (WCAA), "a network of national, regional and international associations that aims to promote worldwide communication and cooperation in anthropology", currently contains members from about three dozen nations.
Question: What do practical antropologists recreate?

Output: unanswerable

Input: Read this: Seen in its wider social context, Greek Revival architecture sounded a new note of sobriety and restraint in public buildings in Britain around 1800 as an assertion of nationalism attendant on the Act of Union, the Napoleonic Wars, and the clamour for political reform. It was to be William Wilkins's winning design for the public competition for Downing College, Cambridge that announced the Greek style was to be the dominant idiom in architecture. Wilkins and Robert Smirke went on to build some of the most important buildings of the era, including the Theatre Royal, Covent Garden (180809), the General Post Office (182429) and the British Museum (182348), Wilkins University College London (182630) and the National Gallery (183238). In Scotland, Thomas Hamilton (17841858), in collaboration with the artists Andrew Wilson (17801848) and Hugh William Williams (17731829) created monuments and buildings of international significance; the Burns Monument at Alloway (1818) and the (Royal) High School in Edinburgh (182329).
Question: The design of what college marked the end of Greek revival?

Output: unanswerable

Input: Read this: Television personality Piers Morgan, a former editor of the Daily Mirror and of The Sun's Bizarre pop column, has said that during the late 1980s, at Kelvin MacKenzie's behest, he was ordered to speculate on the sexuality of male pop stars for a feature headlined "The Poofs of Pop". He also recalls MacKenzie headlining a January 1989 story about the first same-sex kiss on the BBC television soap opera EastEnders "EastBenders", describing the kiss between Colin Russell and Guido Smith as "a homosexual love scene between yuppie poofs ... when millions of children were watching".
Question: Which BBC show's homosexual kiss did The Sun report on?

Output:
EastEnders