Question:
Francis Jean Marcel Poulenc (French: [fRasis Za maRsel pulek]; 7 January 1899 - 30 January 1963) was a French composer and pianist. His compositions include melodies, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpetuels (1919), the ballet Les biches (1923), the Concert champetre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmelites (1957), and the Gloria (1959) for soprano, choir and orchestra.
See also: FP (Catalogue of compositions), List of compositions Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive." Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts." The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav".
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What do you mean by diatonic?

Answer:
important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had,

input: In 1898, Fisher was diagnosed with tuberculosis, the same disease that had killed his father. He spent three years in sanatoria, finally making a full recovery. That experience sparked in him a vocation as a health campaigner. He was one of the founders of the Life Extension Institute, under whose auspices he co-authored the bestselling book How to Live: Rules for Healthful Living Based on Modern Science, published in 1915. He advocated regular exercise and the avoidance of red meat, tobacco, and alcohol. In 1924, Fisher wrote an anti-smoking article for the Reader's Digest, which argued that "tobacco lowers the whole tone of the body and decreases its vital power and resistance ... [it] acts like a narcotic poison, like opium and like alcohol, though usually in a less degree". Fisher supported the legal prohibition of alcohol and wrote three booklets defending prohibition in the United States on grounds of public health and economic productivity. He also defended eugenics, serving in the scientific advisory board of the Eugenics Record Office and as first president of the American Eugenics Society. When his daughter Margaret was diagnosed with schizophrenia, Fisher had her treated at the New Jersey State Hospital at Trenton, whose director was the psychiatrist Henry Cotton. Cotton believed in a "focal sepsis" theory, according to which mental illness resulted from infectious material in the roots of teeth, bowel recesses, and other places in the body. Cotton also claimed that surgical removal of the infected tissue could alleviate the patient's mental disorder. At Trenton, Margaret Fisher had sections of her bowel and colon removed, which eventually resulted in her death. Irving Fisher nonetheless remained convinced of the validity of Dr. Cotton's treatment.

Answer this question "what was his opinion on social issues?"
output: in a "focal sepsis" theory, according to which mental illness resulted from infectious material in the roots of

Answer the question at the end by quoting:

The Spencer Davis Group are a British rock band formed in Birmingham in 1963, by Spencer Davis with Steve Winwood and his brother, Muff Winwood. Their best known songs include the UK number ones "Somebody Help Me" and "Keep on Running" (both written by reggae musician Jackie Edwards), "I'm a Man" and "Gimme Some Lovin'", which reached #2 in the UK and #7 in the US. Steve Winwood left in 1967 to form Traffic before joining Blind Faith, then forging a career as a solo artist.
The group's first professional recording was a cover version of "Dimples"; at the end of 1965 they gained their first number one single with "Keep On Running". In 1966, they followed this with "Somebody Help Me" and "When I Come Home". They had one single issued in the US on Fontana, as well as "Keep On Running" and "Somebody Help Me" on Atco, but due to lack of promotion, none of these 3 singles got airplay or charted. For the German market the group released a medley of "Det war in Schoneberg, im Monat Mai" and "Madel ruck ruck ruck an meine grune Seite" (the first is from a 1913 Berlin operetta, the second is a Swabian traditional) as a tribute single for that audience, Davis having studied in West Berlin in the early 1960s. By the end of 1966 and the beginning of 1967, the group released two more hits, "Gimme Some Lovin'" and "I'm a Man". Both of them sold over one million copies, and were awarded gold record status. These tracks proved to be their two best-known successes, especially in the U.S. (where they had signed to United Artists). Jimmy Miller was their producer. In 1966 the group starred in The Ghost Goes Gear, a British musical comedy film, directed by Hugh Gladwish, and also starring Sheila White and Nicholas Parsons. The plot involved the group in a stay at the childhood home of their manager, a haunted manor house in the English countryside. The film would later be considered a mistake by Winwood.

What happened after these two hit songs?
In 1966 the group starred in The Ghost Goes Gear, a British musical comedy film, directed by Hugh Gladwish, and also starring Sheila White and Nicholas Parsons.