In this task, you're given a passage, further information available on a particular linked term from the statement, and an answer term. Your job is to generate a question that can use the information provided to obtain the given answer. You should use the information on both passage and link information to create the question. Note that the answer to the question should be exactly the given answer, and if the answer is none, the answer to the question shouldn't be obtainable from the passage or linked information.

[EX Q]: Passage: Vassos moved to Boston, Massachusetts in 1919, where he attended the Fenway Art School at night. He studied alongside American artist John Singer Sargent and worked as an assistant for Joseph Urban. In 1924 he moved to New York, where he attended the Art Students League of New York, studying under George Bridgman, John Sloan, and others. He opened his own studio creating window displays for department stores, like Wanamakers, murals, and advertisements for Saks Fifth Avenue, Bonwit Teller, and Packard Motor Cars in his unique black and white illustrated style. At the same time, he illustrated a series of books by Oscar Wilde for E.P. Dutton followed by others including Phobia on which he based his life-long design focus on psychology, his area of expertise as noted by Fortune Magazine's list of top designers in the country. He entered the emergent field of industrial design and was hired by rapidly-growing RCA Victor, under the leadership of David Sarnoff, who discovered Vassos while painting murals at the WCAU skyscraper in Philadelphia. The company had recently acquired Victor Phonograph, built Radio City, and owned NBC Broadcasting, but needed to amplify and modernize their radio manufacturing business. By hiring Vassos, an up-and-coming industrial designer who created their first Styling department, launched Vassos on a four-decade relationship with the company for whom he designed hundreds of items, while also consulting for numerous other clients like Coca-Cola, Waterman, Universal Artists, Remington, and the United States Government. Vassos's work as an interior designer included the Chrysler Building apartment of photographer Margaret Bourke-White, Nedick's Hot Dog stands, displays for RCA in department stores and the World's Fair,and many others for which he employed modular furniture. He eschewed trendy styles like the extreme-streamlined look, popular in the 1930s, and favored the clean, modern look unadorned with unnecessary elements. He expressed his design philosophy for magazines like Pencil Points and in lectures on modern design and art. Although he was hailed as a top designer in the United States during the 1930s, he slipped away from the spotlight of his industrial design peers like Raymond Loewy, Henry Dreyfuss, and Norman Bel Geddes, largely because he did not open a large firm. Unique among the industrial designers of the 20th century, his work was focused on the intersections between interior decorating, furniture design, and the shapes of phonographs, radios and televisions. His contributions include creating a futuristic living room including television, the slide rule dial on radios, emphasis on the haptic experience of media (knobs and buttons), and the "user experience," years before this term was coined.
Link Information: none Answer: none
[EX A]: How many universities did Boston have the year Vassos moved there?

[EX Q]: Passage: Telstar 1 relayed its first, and non-public, television picturesa flag outside Andover Earth Stationto Pleumeur-Bodou on July 11, 1962. Almost two weeks later, on July 23, at 3:00 p.m. EDT, it relayed the first publicly available live transatlantic television signal. The broadcast was shown in Europe by Eurovision and in North America by NBC, CBS, ABC, and the CBC. The first public broadcast featured CBS's Walter Cronkite and NBC's Chet Huntley in New York, and the BBC's Richard Dimbleby in Brussels. The first pictures were the Statue of Liberty in New York and the Eiffel Tower in Paris. The first broadcast was to have been remarks by President John F. Kennedy, but the signal was acquired before the president was ready, so engineers filled the lead-in time with a short segment of a televised game between the Philadelphia Phillies and the Chicago Cubs at Wrigley Field. The batter, Tony Taylor, was seen hitting a ball pitched by Cal Koonce to the right fielder George Altman. From there, the video switched first to Washington, DC; then to Cape Canaveral, Florida; to the Seattle World's Fair; then to Quebec and finally to Stratford, Ontario. The Washington segment included remarks by President Kennedy, talking about the price of the American dollar, which was causing concern in Europe. When Kennedy denied that the United States would devalue the dollar it immediately strengthened on world markets; Cronkite later said that "we all glimpsed something of the true power of the instrument we had wrought."
Link Information: Chicago Cubs at Wrigley Field. Answer: baseball
[EX A]: What sport was broadcast from Wrigley Field?

[EX Q]: Passage: Borowczyk moved into live-action feature film with Goto, l'ile d'amour (Goto, Isle of Love) (1968) and Blanche (1971), both tales of illicit love thwarted by jealous husbands, and both starring his own wife, Ligia Branice. One of his most appreciated films of this period, Dzieje grzechu (A Story of Sin) (1975), which was nominated for Palme d'or, is an adaptation of a Polish literary classic by Stefan Zeromski. Like his 1966 short film Rosalie (a Guy de Maupassant adaptation and a Silver Bear winner), Dzieje grzechu had successfully rendered the themes of seduction and infanticide. Contes immoraux (Immoral Tales) (1973) and his later work, including Interno di un convento (Behind Convent Walls) (1977) (inspired by Promenades dans Rome of Stendhal) and Ceremonie d'amour (Rites of Love) (1988) have been controversial, lauded by some for their unique surrealist vision and derided by others as contentless pornography. Especially, La Bete (The Beast, 1975) (based on the novel Lokis by Prosper Merimee and originally conceived in 1972 as a film on its own, but then in 1973 as the fifth story in Contes immoraux) was seen by many as a decline in the director's career after Dzieje grzechu, except in France, where it was hailed by prominent critics such as Ado Kyrou. His 1980 film Lulu was based on the eponymous character created by Frank Wedekind.
Link Information: none Answer: none
[EX A]:
Which film won the Palme d'or the year that Dzieje grzechu was nominated?