Read the following context and answer the question. Context: I have never been a stop-and-smell-the-roses type of person. For me, there's always something that has to be done. In fact, the biggest complaint that my husband and two children have about me is that I'm "always busy." Seventeen years ago, when my oldest son was about a year old, he woke up in a very fussy mood. Instead of being his usual cheerful and compliant self, he just wanted to be cuddled. A mother's dream, right? Well, not for me. There was too much to be done; I didn't have time to hold him. I was well aware that in addition to some projects I was working on, there was laundry to be washed and ironed, breakfast dishes to do, a house that needed cleaning. My usual response would have been to try to coax my son into cheerfulness, or to put him back to bed to sleep it off. But it was clear that he was unwell, so against my usual inclination, I decided that I would just hold him. The chores could wait another day. So I settled into the recliner chair in the lounge room and held my son while he slept. I dozed occasionally too, waking up now and then to enjoy the feeling of snuggling my baby and looking at the world beyond the window. It was a cold day, but clear and sunny. The trees rustled in the gentle breeze, and birds and butterflies flitted about the garden. Inside, my son and I stayed snuggled together under a blanket for most of the day. He slept while I, for one of the few times in my life, just drank in the beauty of the world and the happiness of sharing this time with my son. Better mothers than I am must have done similar things many, many times with their children. But for me, this very small decision, this day of 'laziness', became a treasured memory. Question: Why did the mother decide to cuddle with her son? Answer:
OPTIONS:
- Her son was fussy.
- not enough information
- Her son was sleeping.
- She had many projects to work on.
Her son was fussy.

Read the following context and answer the question. Context: My dream. I dreamt that is was living in France in the 1920. I was living my apartment, I glanced at my reflection, I was wearing a knee length pencil length green skirt, white silk blouse, green jacket to match, white wrist length gloves. On my head I wore a green felt hat, with a long green head pin, to keep the hat on my head. Green shoes and clutch to match. I was afraid, so I took a breath, opened the door, walked out and locked the door. I walked down the stairs, waved to Jean Paul the night concierge, he told me to be careful and have a goodnight, I told him I will see him later. I walked out the front door, turned left and walked down the alley to get to the boulevard. When I got half way through the alley, I heard footsteps. I began walking a little faster. Then a man called my name.. Ana, I turned and saw he had a gun. I screamed and began running. Before I got to the boulevard he shot me in the back, I fell knees first, then I tried to brace myself with my hands. But it was useless, I fell face to the ground, it was an excruciating burning pain. I began to cry, I could see my clutch not to far from me, the content from my clutch lipstick, compact and money scattered. Then I heard his footsteps, he stopped at my head, crunch down, he took his thumb and wiped my lipstick from my bottom lip. I asked him why, in a whisper, because it hurt to talk. He laughed, and said that I was a stupid girl, and that if he could not have me no one else should. He got up and walked away. He left me there dying, I felt that I could not breath and litterly jumped out of the dream. The weird part was that for several days after, I had that burning sensation in the same place I got shot. Question: Where did Ana live in the dream? Answer:
OPTIONS:
- With Jean Paul.
- not enough information
- In a European country.
- In an alley.

Answer: In a European country.

Read the following context and answer the question. Context: One of the more surprising objects in the Getty Villa's newly reinstalled gallery of later Roman sculpture is a marble bust of a youth leaning out of a circular frame, mounted high on the gallery wall. J. Paul Getty originally acquired this particular sculpture in 1973, but it has been off view for many years. The recent reinstallation of the Getty Museum's antiquities collection at the Villa provided the opportunity to resurrect many such objects from storage and put them on display. Bringing this strange object back to the public eye enabled us to askand answerseveral questions about it. Whoif anyonedoes it represent? When was it carved? Where was it made, and how did it end up in Los Angeles? In preparation for its display, we researched and reinterpreted the object, exploring both its ancient function and modern history. In its new display, this object is fittingly surrounded by other examples of late Roman sculpture from the third and fourth centuries. Its inclusion in this gallery was not always a given, however, as the figure was long misidentified as a portrait of young Caracalla, who at ten years old became joint emperor with his father in A.D. 198.(1) But recent scholarship questioned the Caracalla identification and the object's date, suggesting it was carved at least a hundred years later.(2) In light of this research, curator Jens Daehner pushed to reexamine the sculpture and consider including it in the reinstallation. In early 2015, the Antiquities Department brought this tondo and many other potential objects for the new galleries out of storage for viewing, providing curators, conservators, mount makers, preps, and registrars a chance to approve and prepare artworks for possible display. After the storage viewing and subsequent research, we updated the object record to conform with what scholars had suggested: this is not a second-century portrait of Caracalla but a fourth-century bust of a youth or divinity. To answer our next question of who the tondo represents, we then had to take a... Question: What is unusual about the bust? Answer:
OPTIONS:
- It's mounted high on the gallery wall
- The figure comes out of the frame
- not enough information
- It was in storage for many years
The figure comes out of the frame