Some context: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made. A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle. Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015.
Why did Rogers make carousel?
A:
Some context: Fun Lovin' Criminals are a band from New York City. Their musical style is eclectic, covering styles such as hip hop, rock, blues, jazz, R&B, punk, and funk. They are best known for their hit "Scooby Snacks", which features samples from films by Quentin Tarantino, and the song "Love Unlimited", which recalls Barry White's backing vocal group. Their songs often focus on life in New York City, as well as urban life in general.
The band was formed in 1993 by Huey Morgan, Brian "Fast" Leiser and Steve Borgovini after Leiser, who was already friends with Borgovini, met Morgan at the club where they both worked. They started playing together and would provide the entertainment for the club when a booked act failed to show up. It was during one of these stand-in gigs that they came to the attention of EMI and they were offered a record deal. Come Find Yourself, the band's first album, was released in the summer of 1996 by Chrysalis Records and followed their single "The Grave And The Constant" (UK No. 72), which was released a month earlier, into the UK charts. The album also featured the UK Top 40 hits, "Scooby Snacks" (UK No. 22), "The Fun Lovin' Criminal" (UK No. 26) and "King Of New York" (UK No. 28). The subject of latter touched on the imprisonment of Italian-American mafioso John Gotti, the wannabe gangsters emulating his style, and his fans and followers in his community that maintained his innocence. The biggest hit, "Scooby Snacks", features samples from films by Quentin Tarantino and a guitar sample from Tones On Tail song "Movement of Fear", interspersed with rap verses and a sung, anthemic, chorus. Come Find Yourself had a slow rise up the UK Albums Chart, finally peaking at No. 7 and spending well over a year in the chart, however it failed to make any impact in the US. The success of the album prompted the re-release of "Scooby Snacks" as a single, alongside a cover of the 10cc classic "I'm Not In Love", which this time reached UK No. 12. 100% Colombian, released in August 1998 by Virgin Records, had a far grittier sound to it tempered by three upbeat songs, and several downtempo tracks, including "Love Unlimited", a tribute to Barry White. "Korean Bodega", one of the aforementioned upbeat songs, was the biggest hit from the album, reaching No. 15, their second-highest placing single so far after the re-release of "Scooby Snacks". In June 1999 the band played at Glastonbury Festival on the Pyramid Stage. Their December 1999 album Mimosa, released by EMI was a compilation album consisting mostly of laid back lounge style covers and different versions of earlier released tracks. While making reasonable sales, the album was their weakest selling album yet and remained so for some years. It was around this time, in 1999, that Steve Borgovini left the band. He was replaced by Maxwell "Mackie" Jayson. A permanent replacement was found in 2003 in the form of Mark Reid (aka Frank Benbini) from Leicester, United Kingdom, who had previously worked with the band as Jayson's technician.
Were there any others?
A: "King Of New York" (UK No. 28).
Some context: Isaac Hayes, Jr. was born in Covington, Tennessee, in Tipton County. He was the second child of Eula (nee Wade) and Isaac Hayes, Sr. After his mother died young and his father abandoned his family, Isaac, Jr., was raised by his maternal grandparents, Mr. and Mrs. Willie Wade, Sr. The child of a sharecropper family, he grew up working on farms in Shelby County, Tennessee, and in Tipton County.
By 1974, Stax Records was having serious financial problems, stemming from problems with overextension and limited record sales and distribution. Hayes himself was deep in debt to Union Planters Bank, which administered loans for the Stax label and many of its other key employees. In September of that year, Hayes sued Stax for $5.3 million. As Stax was in deep debt and could not pay, the label made an arrangement with Hayes and Union Planters: Stax released Hayes from his recording and production contracts, and Union Planters would collect all of Hayes's income and apply it towards his debts. Hayes formed his own label, Hot Buttered Soul, which released its product through ABC Records. His new album, 1975's Chocolate Chip, saw Hayes embrace the disco sound with the title track and lead single. "I Can't Turn Around" would prove a popular song as time went on. This would be Hayes's last album to chart in the top 40 for many years. Later in the year, the all-instrumental Disco Connection album fully embraced disco. In 1976, the album cover of Juicy Fruit featured Hayes in a pool with naked women, and spawned the title track single and the classic "Storm Is Over". Later the same year the Groove-A-Thon album featured the singles "Rock Me Easy Baby" and the title track. However, while all these albums were regarded as solid efforts, Hayes was no longer selling large numbers. He and his wife were forced into bankruptcy in 1976, as they owed over $6 million. By the end of the bankruptcy proceedings in 1977, Hayes had lost his home, much of his personal property, and the rights to all future royalties earned from the music he had written, performed, and produced.
What happened to Hayes
A:
Stax Records was having serious financial problems, stemming from problems with overextension and limited record sales and distribution.