Problem: Background: Rick Allan Price was born on 6 July 1961 in Beaudesert, a small country town 69 kilometres (43 mi) south of Brisbane. At the age of nine he appeared with his family band, Union Beau, performing at local bush dances in southern Queensland and northern New South Wales. Price has cited Stevie Wonder, James Taylor and Carole King as his inspirations. At the age of 18 Price moved to Sydney where he worked as a session and touring musician, playing bass guitar with various inner city outfits.
Context: In April 1995, the long-awaited single "River of Love" was released, the first from Price's album Tamborine Mountain, which was later released in July. "It was quite difficult", Price reveals, "because I knew it was going to be a different album to Heaven Knows. I made that album as pop as I could make it, I wanted to be certain of airplay and all those kind of things. After the first album was released, I went out and played a lot of acoustic gigs. My audience tripled and people really liked it, which surprised me because I thought it would be a bit too internal, a bit too self conscious. But it worked, which gave me a lot of encouragement and the confidence to write more like that, just simple little stories. And that's the kind of music I've always been drawn to - people like James Taylor and Carole King, great songwriters who have the ability to say something really simple". The album was produced by Price and American Ben Wisch, who Price was drawn to as a result of his production of Marc Cohn's "Walking in Memphis". Special guests on the album include Tommy Emmanuel on guitar and Tina Arena on backing vocals and the duet "Trust Me This Is Love". After the success of the first single "River of Love", a second single "Bridge Building Man" was released. The song is a standout track for Price, written for his father and grandfather. The album title itself is a reference to a small town near Beaudesert where Price grew up. In November and December 1995, following the release of the album, Price then toured with Australia's legendary guitarist Tommy Emmanuel. The tour, Rick Price & Tommy Emmanuel - Together & Alone, was a sell-out. It received rave reviews from critics and the public alike. In conjunction with the tour, a third single "To Be with You" was released in Australia. Price performed at several Carols by Candlelight shows around the country and continued to tour during early 1996. "You're Never Alone", a song Price wrote for his son, was released in Australia while he travelled the country on further promotional tours throughout the remainder of the year.
Question: Did he write more like it?
Answer: After the success of the first single "River of Love", a second single "Bridge Building Man" was released.

Problem: Background: Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 - 28 March 1943) was a Russian pianist, composer, and conductor of the late Romantic period, some of whose works are among the most popular in the Romantic repertoire. Born into a musical family, Rachmaninoff took up the piano at age four. He graduated from the Moscow Conservatory in 1892 having already composed several piano and orchestral pieces.
Context: Regardless of the music, Rachmaninoff always planned his performances carefully. He based his interpretations on the theory that each piece of music has a "culminating point." Regardless of where that point was or at which dynamic within that piece, the performer had to know how to approach it with absolute calculation and precision; otherwise, the whole construction of the piece could crumble and the piece could become disjointed. This was a practice he learned from Russian bass Feodor Chaliapin, a staunch friend. Paradoxically, Rachmaninoff often sounded like he was improvising, though he actually was not. While his interpretations were mosaics of tiny details, when those mosaics came together in performance, they might, according to the tempo of the piece being played, fly past at great speed, giving the impression of instant thought. One advantage Rachmaninoff had in this building process over most of his contemporaries was in approaching the pieces he played from the perspective of a composer rather than that of an interpreter. He believed "interpretation demands something of the creative instinct. If you are a composer, you have an affinity with other composers. You can make contact with their imaginations, knowing something of their problems and their ideals. You can give their works color. That is the most important thing for me in my interpretations, color. So you make music live. Without color it is dead." Nevertheless, Rachmaninoff also possessed a far better sense of structure than many of his contemporaries, such as Hofmann, or the majority of pianists from the previous generation, judging from their respective recordings. A recording which showcases Rachmaninoff's approach is the Liszt Second Polonaise, recorded in 1925. Percy Grainger, who had been influenced by the composer and Liszt specialist Ferruccio Busoni, had himself recorded the same piece a few years earlier. Rachmaninoff's performance is far more taut and concentrated than Grainger's. The Russian's drive and monumental conception bear a considerable difference to the Australian's more delicate perceptions. Grainger's textures are elaborate. Rachmaninoff shows the filigree as essential to the work's structure, not simply decorative.
Question: What were Rachmaninoff's most notable interpretations?
Answer:

Problem: Background: Hugh Redwald Trevor-Roper, Baron Dacre of Glanton, FBA (15 January 1914 - 26 January 2003), was a British historian of early modern Britain and Nazi Germany. He was Regius Professor of Modern History at the University of Oxford. Trevor-Roper was made a life peer in 1979 on the recommendation of Prime Minister Margaret Thatcher, choosing the title Baron Dacre of Glanton. Trevor-Roper was a polemicist and essayist on a wide range of historical topics, but particularly England in the 16th and 17th centuries and Nazi Germany.
Context: On 4 October 1954, Trevor-Roper married Lady Alexandra Henrietta Louisa Howard-Johnston (9 March 1907 - 15 August 1997), eldest daughter of Field Marshal Earl Haig by his wife, the former Hon. Dorothy Maud Vivian. Lady Alexandra was a goddaughter of Queen Alexandra and had previously been married to Rear-Admiral Clarence Dinsmore Howard-Johnston, by whom she had had three children. There were no children by his marriage with her. Hugh Trevor-Roper was raised to the Peerage on 27 September 1979, and was introduced to the House of Lords as Baron Dacre of Glanton, of Glanton in the County of Northumberland; he was granted this title being a great-great-great-grandson of the Hon. and Reverend Richard Henry Roper, second and youngest son of Anne, (16th) Baroness Dacre, by her second marriage to Henry Roper, 8th Baron Teynham, and was in remainder to the ancient barony of Dacre. In his last years he had suffered from failing eyesight, which made it difficult for him to read and write. He underwent cataract surgery and obtained a magnifying machine, which allowed him to continue writing. In 2002, at the age of 88, Trevor-Roper submitted a sizable article on Thomas Sutton to the Oxford Dictionary of National Biography in part with notes he had written decades earlier, which editor Brian Harrison praised as "the work of a master". Trevor-Roper suffered several other minor ailments related to his advanced age, but according to his stepson, "bore all his difficulties stoically and without complaint". That year, he was diagnosed with cancer and died on 26 January 2003 in a hospice in Oxford, aged 89. Trevor-Roper's personal assets were assessed for probate purposes as PS1,638,119 and he was cremated following a memorial service at the Church of St. Thomas the Martyr in Oxford.
Question: Did they have children?
Answer:
There were no children by his marriage with her.