QUES: Some advocates for Tibet, Darfur, and the spiritual practice Falun Gong, planned to protest the April 9 arrival of the torch in San Francisco. China had already requested the torch route in San Francisco be shortened. On April 7, 2008, two days prior to the actual torch relay, three activists carrying Tibetan flags scaled the suspension cables of the Golden Gate Bridge to unfurl two banners, one saying "One World, One Dream. Free Tibet", and the other, "Free Tibet '08". Among them was San Francisco resident Laurel Sutherlin, who spoke to the local TV station KPIX-CBS5 live from a cellphone, urging the International Olympic Committee to ask China not to allow the torch to go through Tibet. "Sutherlin said he was worried that the torch's planned route through Tibet would lead to more arrests and Chinese officials would use force to stifle dissent." The three activists and five supporters face charges related to trespassing, conspiracy and causing a public nuisance.

Who spoke to station KPIX-CBS5 about the bridge banner protests?
What is the answer?
ANS: Laurel Sutherlin
QUES: For Germany, because an autarkic economic approach or an alliance with Britain were impossible, closer relations with the Soviet Union to obtain raw materials became necessary, if not just for economic reasons alone. Moreover, an expected British blockade in the event of war would create massive shortages for Germany in a number of key raw materials. After the Munich agreement, the resulting increase in German military supply needs and Soviet demands for military machinery, talks between the two countries occurred from late 1938 to March 1939. The third Soviet Five Year Plan required new infusions of technology and industrial equipment.[clarification needed] German war planners had estimated serious shortfalls of raw materials if Germany entered a war without Soviet supply.

Between german and the soviet union which country never needed what?
What is the answer?
ANS: unanswerable
QUES: Soul and disco influenced house music, plus mixing and editing techniques earlier explored by disco, garage music and post-disco DJs, producers, and audio engineers such as Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M, and others who produced longer, more repetitive, and percussive arrangements of existing disco recordings. Early house producers such as Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

Who produced longer arrangements of drum recordings?
What is the answer?
ANS:
unanswerable