Background: Aaron Charles Carter was born on December 7, 1987, at the Tampa General Hospital in Tampa, Florida, where his parents, Jane Elizabeth (nee Spaulding) and Robert Gene Carter (1952-2017), ran the Garden Villa Retirement Home. The family was originally from New York City, where his older brother Nick, of the boy band Backstreet Boys, was born. In addition to his brother Nick, he also has three sisters: twin sister Angel (a model), B.J. and Leslie (1986-2012). Carter is named after his paternal grandfather, Aaron Charles Carter, and his maternal grandfather, Douglas "Charles" Spaulding.
Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff. In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty. At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert.
Question: When was Oh Aaron released?
Answer: August 7, 2001

Background: D.O.A. is a Canadian punk rock band from Vancouver, British Columbia. They are often referred to as the "founders" of hardcore punk along with Black Flag, Bad Brains, Angry Samoans, the Germs, Negative Trend, and Middle Class. Their second album Hardcore '81 was thought by many to have been the first actual reference to the second wave of the American punk sound as hardcore. Singer/guitarist Joey "Shithead" Keithley is the only founding member to have stayed in the band throughout its entire history, with original bassist Randy Rampage returning to the band twice after his original departure.
Context: On April 22, 1981 the band released their second album Hardcore '81; the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term "hardcore punk". Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass. After a short tour of California, Chuck Biscuits left the band and joined Black Flag. Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member. This lineup would last from 1982-1983 and later 1985-1986 and produced several notable releases, including the EP War on 45 (now expanded into a full-length album). War on 45 found the band expanding their sound with touches of funk and reggae, as well as making their anti-war and anti-imperialist political stance more clear. 1985's Let's Wreck The Party and 1987's True (North) Strong And Free saw the band taking on a more mainstream, hard-rock oriented production, but without watering down the band's political lyrical focus. Meanwhile, the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks with the band but recorded the Expo Hurts Everyone 7" as well as two songs for True (North) Strong and Free before being replaced by Jon Card from Personality Crisis. Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close. The band hired Chris Prohom from the Dayglo Abortions as a replacement.
Question: Why was Belliveau there for only 3 weeks?
Answer:

Background: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.
Context: The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis. Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End. Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.
Question: Was he hired for more work later?
Answer:
Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film.