Background: Hattie McDaniel (June 10, 1895 - October 26, 1952) was an American stage actress, professional singer-songwriter, and comedian. She is best known for her role as "Mammy" in Gone with the Wind (1939), for which she won the Academy Award for Best Supporting Actress, the first Academy Award won by an African American entertainer. In addition to acting in many films, McDaniel was a radio performer and television star; she was the first black woman to sing on radio in the United States. She appeared in over 300 films, although she received screen credits for only 80 or so.
Context: The whereabouts of McDaniel's Oscar are currently unknown. In 1992, Jet magazine reported that Howard University could not find it and alleged that it had disappeared during protests in the 1960s. In 1998, Howard University stated that it could find no written record of the Oscar having arrived at Howard. In 2007, an article in the Huffington Post repeated rumors that the Oscar had been cast into the Potomac River by angry civil rights protesters in the 1960s. The assertion reappeared in the Huffington Post under the same byline in 2009. In 2010, Mo'Nique, the winner of the Academy Award for Best Supporting Actress, wearing a blue dress and gardenias in her hair, as McDaniel had at the ceremony in 1940, in her acceptance speech thanked McDaniel "for enduring all that she had to so that I would not have to". Her speech revived interest in the whereabouts of McDaniel's plaque. In 2011, J. Freedom duLac reported in the Washington Post that the plaque had disappeared in the 1960s. In November 2011, W. B. Carter, of the George Washington University Law School, published the results of her year-and-a-half-long investigation into the Oscar's fate. Carter rejected claims that students had stolen the Oscar (and thrown it in the Potomac River) as wild speculation or fabrication that traded on long-perpetuated stereotypes of blacks. She questioned the sourcing of the Huffington Post stories. Instead, she argued that the Oscar was likely returned to Howard University's Channing Pollack Theater Collection between the spring of 1971 and the summer of 1973 or had possibly been boxed and stored in the drama department at that time. The reason for its removal, she argued, was not civil rights unrest but rather efforts to make room for a new generation of black performers. If neither the Oscar nor any paper trail of its ultimate destiny can be found at Howard today, she suggested, inadequate storage or record-keeping in a time of financial constraints and national turbulence may be blamed. She also suggested that a new generation of caretakers may have failed to realize the historic significance of the 5 1/2" x 6" plaque.
Question: Where was the McDaniel Oscar?
Answer: The whereabouts of McDaniel's Oscar are currently unknown.

Background: Walter Charles Hagen (December 21, 1892 - October 6, 1969) was an American professional golfer and a major figure in golf in the first half of the 20th century. His tally of 11 professional majors is third behind Jack Nicklaus (18) and Tiger Woods (14). Hagen won the U.S. Open twice, and in 1922 he became the first native-born American to win the British Open, and won the Claret Jug three more times. He also won the PGA Championship a record-tying five times (all in match play), and the Western Open five times when it had near-major championship status.
Context: Hagen was a dashing and assertive character who raised the status of professional golfers and improved their earnings as well. Throughout his career, he played hundreds of exhibition matches, all across the United States and around the world; these tours popularized golf to an immense degree. Hagen was also widely known for his dashing wardrobe while playing; this featured expensive tailored clothes in bright colors and plush fabrics. As one of the world's top players, Hagen found his skills were much in demand with this exhibition format, and concluded it was much more lucrative than playing most tournaments. Hagen also made significant money endorsing golf equipment, and played a major role in helping to design clubs for Wilson Sports, which bore his name (either "Walter Hagen" or "Haig Ultra"). His work with Wilson produced some of the first matched sets of irons, around the same time that his great rival Bobby Jones was performing similar work for the Spalding company. The improved equipment expanded golf's appeal, brought high-quality clubs within the price range of many more players, and raised the standard of play. Hagen may have been the first sportsman to earn a million dollars in his career. He once stated that he "never wanted to be a millionaire, just to live like one". Hagen once expressed his creed in these words: "Don't hurry, don't worry, you're only here for a short visit, so be sure to smell the flowers along the way." Gene Sarazen, who was ten years Hagen's junior commented, "All the professionals ... should say a silent thanks to Walter Hagen each time they stretch a check between their fingers. It was Walter who made professional golf what it is." On the notion of golf as a financial endeavor, Hagen wrote in his autobiography, "My game was my business and as a business it demanded constant playing in the championship bracket, for a current title was my selling commodity."
Question: How wealthy was he?
Answer: Hagen also made significant money endorsing golf equipment, and played a major role in helping to design clubs for Wilson Sports,

Background: Arundhati Roy was born in Shillong, Meghalaya, India, to Mary Roy, a Malayali Syrian Christian women's rights activist from Kerala and Rajib Roy, a Bengali Hindu tea plantation manager from Calcutta. When she was two, her parents divorced and she returned to Kerala with her mother and brother. For a time, the family lived with Roy's maternal grandfather in Ooty, Tamil Nadu. When she was five, the family moved back to Kerala, where her mother started a school.
Context: Roy began writing her first novel, The God of Small Things, in 1992, completing it in 1996. The book is semi-autobiographical and a major part captures her childhood experiences in Aymanam. The publication of The God of Small Things catapulted Roy to international fame. It received the 1997 Booker Prize for Fiction and was listed as one of the New York Times Notable Books of the Year for 1997. It reached fourth position on the New York Times Bestsellers list for Independent Fiction. From the beginning, the book was also a commercial success: Roy received half a million pounds as an advance. It was published in May, and the book had been sold in eighteen countries by the end of June. The God of Small Things received stellar reviews in major American newspapers such as The New York Times (a "dazzling first novel," "extraordinary", "at once so morally strenuous and so imaginatively supple") and the Los Angeles Times ("a novel of poignancy and considerable sweep"), and in Canadian publications such as the Toronto Star ("a lush, magical novel"). By the end of the year, it had become one of the five best books of 1997 by Time. Critical response in the United Kingdom was less positive, and the awarding of the Booker Prize caused controversy; Carmen Callil, a 1996 Booker Prize judge, called the novel "execrable", and The Guardian called the context "profoundly depressing". In India, the book was criticised especially for its unrestrained description of sexuality by E. K. Nayanar, then Chief Minister of Roy's home state Kerala, where she had to answer charges of obscenity.
Question: when was it written?
Answer:
in 1992, completing it in 1996.