Background: Kimberley Ann "Kim" Deal (born June 10, 1961) is an American singer, songwriter and musician, best known as the former bassist and backing vocalist of the alternative rock band Pixies, and the lead vocalist and rhythm guitarist for The Breeders. Deal joined Pixies in January 1986 as the band's bassist, adopting the stage name Mrs. John Murphy for the albums Come on Pilgrim and Surfer Rosa. Following Doolittle and The Pixies' hiatus, she formed The Breeders with Tanya Donelly, Josephine Wiggs and later introduced her identical twin sister Kelley Deal. The Pixies broke up in early 1993, and Deal returned her focus to The Breeders, who released the platinum-selling album Last Splash in 1993.
Context: Deal was born in Dayton, Ohio. Her father was a laser physicist who worked at the nearby Wright-Patterson Air Force Base. Kim and her identical twin sister Kelley were introduced to music at a young age; the two sang to a "two-track, quarter-inch, tape" when they were "four or five" years old, and grew up listening to hard rock bands such as AC/DC and Led Zeppelin. When Deal was 11, she learned Roger Miller's "King of the Road" on the acoustic guitar. In high school, at Wayne High School in Huber Heights, she was a cheerleader and often got into conflicts with authority. "We were popular girls," Kelley explained. "We got good grades and played sports." Living in Dayton was for her like living in Russia: a friend of Kelley's living in California used to send them cassettes of artists like James Blood Ulmer, Undertones, [Elvis] Costello, Sex Pistols and Siouxsie [and the Banshees]. "These tapes were our most treasured possession, the only link with civilization". As a teenager, she formed a folk rock band named The Breeders with her sister. She then became a prolific songwriter, as she found it easier to write songs than cover them. Deal later commented on her songwriting output: "I got like a hundred songs when I was like 16, 17 ... The music is pretty good, but the lyrics are just like, OH MY GOD. We were just trying to figure out how blue rhymes with you. When I was writing them, they didn't have anything to do with who I was." The Deals bought microphones, an eight-track tape recorder, a mixer, speakers, and amps for a bedroom studio. According to Kelley, they "had the whole thing set up by the time we were 17". They later bought a drum machine "so it would feel like we were more in a band". Following high school, Deal went to seven different colleges, including The Ohio State University, but did not graduate from any of them. She eventually received an associate degree in medical technology from Kettering College of Medical Arts and took several jobs in cellular biology, including working in a hospital laboratory and a biochemical lab.
Question: What did this try and do with it
Answer: We were popular girls," Kelley explained. "We got good grades and played sports."

Background: Sir Pelham Grenville Wodehouse (; 15 October 1881 - 14 February 1975) was an English author and one of the most widely read humorists of the 20th century. Born in Guildford, the son of a British magistrate based in Hong Kong, Wodehouse spent happy teenage years at Dulwich College, to which he remained devoted all his life. After leaving school, he was employed by a bank but disliked the work and turned to writing in his spare time.
Context: There had been films of Wodehouse stories since 1915, when A Gentleman of Leisure was based on his 1910 novel of the same name. Further screen adaptations of his books were made between then and 1927, but it was not until 1929 that Wodehouse went to Hollywood where Bolton was working as a highly paid writer for Metro-Goldwyn-Mayer (MGM). Ethel was taken with both the financial and social aspects of Hollywood life, and she negotiated a contract with MGM on her husband's behalf under which he would be paid $2,000 a week. This large salary was particularly welcome because the couple had lost considerable sums in the Wall Street Crash of 1929. The contract started in May 1930, but the studio found little for Wodehouse to do, and he had spare time to write a novel and nine short stories. He commented, "It's odd how soon one comes to look on every minute as wasted that is given to earning one's salary." Even when the studio found a project for him to work on, the interventions of committees and constant rewriting by numerous contract authors meant that his ideas were rarely used. In a 2005 study of Wodehouse in Hollywood, Brian Taves writes that Those Three French Girls (1930) was "as close to a success as Wodehouse was to have at MGM. His only other credits were minimal, and the other projects he worked on were not produced." Wodehouse's contract ended after a year and was not renewed. At MGM's request, he gave an interview to The Los Angeles Times. Wodehouse was described by Herbert Warren Wind as "politically naive [and] fundamentally unworldly," and he caused a sensation by saying publicly what he had already told his friends privately about Hollywood's inefficiency, arbitrary decision-making, and waste of expensive talent. The interview was reprinted in The New York Times, and there was much editorial comment about the state of the film industry. Many writers have considered that the interview precipitated a radical overhaul of the studio system, but Taves believes it to have been "a storm in a teacup", and Donaldson comments that, in the straitened post-crash era, the reforms would have been inevitable. Wind's view of Wodehouse's naivete is not universally held. Some biographers suggest that his unworldliness was only part of a complex character, and that in some respects he was highly astute. He was unsparing of the studio owners in his early-1930s short stories set in Hollywood, which contain what Taves considers Wodehouse's sharpest and most biting satire.
Question: What was something he wrote?
Answer:
Those Three French Girls (1930)