input: Many bands have auxiliaries that add a visual component to the performance. For ceremonial bands, this could be a traditional color guard or honor guard. For drum & bugle corps and corps-style field bands, this could include Dance lines, majorettes, Auxiliary units may be collectively referred to as color guard or visual ensemble. Auxiliaries may perform as independent groups. In the early 1970s, color guards began to hold their own competitions in the winter (after the American football season, and before the beginning of the summer drum and bugle corps season). These became known as winter guard. There are also numerous dance competitions in the off-season. The color guard of a marching band or drum and bugle corps may contain sabers, mock rifles, and tall flags. In modern bands, other props are often used: flags of all sizes, horizontal banners, vertical banners, streamers, pom-poms, even tires, balls, and hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats, or other structures. These can be used simply as static scenery or moved to emphasize block drill, and are often used to create a "backstage" area to store equipment and hide personnel. While military color guards were typically male, band color guards tend to be primarily female, though it is becoming more common for men to join as well. A few independent units are all-male. Guard members nearly always wear a special uniform or costume that is distinctive from that of the band, not necessarily matching in design or color. The men's and women's guard uniforms are usually designed in one of two ways: nearly identically, but with gender-specific parts (i.e. skirts) adapted for the use of the opposite sex; or complimentarily, with the two uniforms designed similarly but with variations in color or form. The color guard uniform, especially in a high school marching band, need not be in school colors; in fact, they rarely are. These uniforms are designed to represent a certain aspect of the halftime show, characterize the guard members through costumes, or tell some sort of story, and can thus be in any design or color (a surprisingly common complaint among the high school audience is that guard uniforms and equipment "aren't school colors"). Indoor color guards have become popular within high schools and universities throughout the United States. These groups perform a theme-based show in competitions after the outdoor marching band season ends. Indoor color guard shows are typically performed in school gymnasiums and are adjudicated.

Answer this question "What else do they use"
output: hula hoops or custom built props. The color guard may also employ stage dressing such as backdrops, portable flats,

input: In 1951, Jones began attending gatherings of the Communist Party USA in Indianapolis. He became flustered with harassment he received during the McCarthy Hearings, particularly regarding an event he attended with his mother focusing on Paul Robeson, after which she was harassed by the FBI in front of her co-workers for attending. He also became frustrated with ostracism of open communists in the United States, especially during the trial of Julius and Ethel Rosenberg. This frustration, among other things, provoked a seminal moment for Jones in which he asked himself, "How can I demonstrate my Marxism? The thought was, infiltrate the church." Jones was surprised when a Methodist superintendent helped him get a start in the church even though he knew Jones to be a communist and Jones did not meet him through the Communist Party USA. In 1952, he became a student pastor in Sommerset Southside Methodist Church, but claimed he left that church because its leaders barred him from integrating blacks into his congregation. Around this time, Jones witnessed a faith-healing service at a Seventh Day Baptist Church. He observed that it attracted people and their money and concluded that, with financial resources from such healings, he could help accomplish his social goals. Jones organized a mammoth religious convention to take place on June 11 through June 15, 1956, in a cavernous Indianapolis hall called Cadle Tabernacle. To draw the crowds, Jim needed a religious headliner, and so he arranged to share the pulpit with Rev. William M. Branham, a healing evangelist and religious author who at the time was as highly revered as Oral Roberts. Following the convention, Jones was able to launch his own church, which changed names until it became the Peoples Temple Christian Church Full Gospel. The Peoples Temple was initially made as an inter-racial mission.

Answer this question "How long did the Methodist superintendent help him or offer to help?"
output:

input: Much of the attention on Maulbetsch focused on his diminutive size and unique running style. At 5 ft 7 in (1.70 m), and 155 lb (70 kg), Maulbetsch was a small back, even by the standards of his day. And his running style saw him bend his torso and propel himself like a projectile into the opposing line. Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "Mauly", the "Human Shrapnel", the "Featherweight Fullback", the "Michigan Cannon Ball," and the "German bullet." Comparisons of Maulbetsch to military armaments were common. In addition to the "bullet", "shrapnel", and "cannonball" nicknames, the Syracuse Herald observed: "Standing up in front of a Krupp gun has its dangers, but it is not to be compared with the dangers of standing in front of Maulbetsch when he is going full speed ahead." Maulbetsch's style was described as "line-plunging." A New York newspaper noted: "When the ball is snapped to him he almost doubles himself up, and, with his head aimed at the knees of the opposing line, he dives head first. Those who have seen Maulbetsch in action marvel at the great momentum he can get up in two or three steps." Noted football writer Walter Eckersall said: "Mauly is a little fellow, being built close to the ground. They say that when he plunges at the line his head is almost on a level with his shoe tops - that he hits so low that it's well nigh impossible to stop him." An Iowa newspaper wondered how it was possible "for a man to smash into a line of human bodies with the force that Maulbetsch does and come out of the game without a broken neck." Maulbetsch was said to run "so low that he could dash under an ordinary table without losing his feet." At a coaching conference in the 1920s, a coach doubted the table-ducking story and challenged Maulbetsch. The doubter later recalled: "I began ribbing him about this table-ducking stuff and finally offered to bet him he couldn't do it. Well, we got a table up in a room, Johnny tucked a water pitcher under his arm and backed against the wall. Darned if he didn't do it, the only thing, that water pitcher broke in a million pieces." Asked about the incident, Maulbetsch said it was true, except one part. Maulbetsch insisted there wasn't a nick on the pitcher.

Answer this question "What else can you tell me about the human bullet?"
output:
Indeed, he won several nicknames based on his size, running style, and fighting spirit, including the "Human Bullet," "