Article: Tune the G string (the closest string to you) until it is in tune. Place your finger on the second fret (second open space from the top) on the tuned G string. This note should be an A, and the same pitch as the string furthest from you. Tune the A string according to the note you found on your G string. Place your finger on the third fret on the E string. This should be a G note and match your G string. If they don't match, your E string is probably out of tune. Tune the E string until it matches the G string. Place your finger on the fourth fret on the C strong. This should be E. Tune the C string until it is matched to the E string.
Question: What is a summary of what this article is about?
Tune the G string. Play A. Tune the A string. Play G on the E string. Tune the E string. Play E on the C string. Tune the C string.

Problem: Article: " idea. Your idea could be as simple as "what if a documentary crew filmed a small paper company" (The Office) to a big, complex idea like "what if a chemistry teacher started cooking meth?" (Breaking Bad). This is the backbone of your show, what will set it apart, and what will help it sell. A lot of "what ifs" are generated by mixing and matching existing shows. 30 Rock, for example, is the world of SNL mixed into the workplace humor of The Office or Cheers. Famed drama The Wire is a mix between crime shows and political thrillers. Think of shows you admire and might emulate-- what are their simple, one phrase "what if" ideas? This is one of the most important decisions you'll make, as it affects everything that comes afterward. The genre is the mood and tone of the show -- is it a comedy, medical drama, or reality TV show? The format is the timing of the show, and there are a few options: Episodic: Each episode is a self-contained story. Comedies are usually episodic, half-hour shows, but some crime shows and murder mysteries are also episodic. Serial: Each episode builds on the story of the one before it. These shows generally tell season-long stories, like Breaking Bad,'The West Wing, or "Gravity Falls." They are almost always hour-long shows and are usually dramatic. Sketch: Sketch shows are made up of many smaller, self-contained stories. This is like Saturday Night Live, Key & Peele, or MadTV. List each character and give them a 2-3 sentence description. Avoid physical descriptions, instead trying to capture what makes each character unique: Good characters have flaws and strengths. They are round -- meaning that they have a personality beyond "the angry gardener" or "the loving mother." What does each character want? What is the character afraid of? This drives each character's actions in the show. Reality shows still need to describe the characters. What makes your subjects interesting or compelling? Why would an audience want to hear their story? Treatments are somewhat like the blueprint for a show. They are used to show a development executive exactly what to expect from the show, should they make it themselves. To develop a treatment, you need a few things: The Title: A good title usually has two meanings. Look at Mad Men, for example, which promises the world of advertising agencies as well as the slipping sanity of Don Draper. The Logline: This is a punchy, 1-2 sentence recap of the show. It's the hook, based around the "what if" premise. For example, Community's logline might be, "A hotshot lawyer is forced to make a crazy new group of friends when his fake law degree forces him back to community college." The Synopsis: This is a brief, 1 page write up of the show idea. What is the setting, plot, and general focus of each episode? How can you capture the essence of the show in 3-4 sentences? If this is a serial show, outline the progression of the first season. Character Sheets: Take each main character and write 1-2 sentences about them, focusing on their personalities and goals more than their looks. Episode Guide: Write a short paragraph about the first 4-5 episodes you want to show, detailing the plots that will make up the bulk of your show. The best way to sell your show is to show someone the show in progress. Thanks to all of the cheap equipment these days, it is easier than ever to get pieces of your show on the web and in people's hands. The type of material you develop, however, will depend on your show. Scripts: It never hurts to have a script, and this is the most conventional and successful approach to making your own show, especially hour-long shows and dramas. Webisodes: The best way to get attention is to simply make your show yourself. Youtube has made it remarkably easy to shoot short 2-5-minute episodes involving your characters and share them with the world. This is how Broad City and Workaholics both got picked up. Storyboards and Sizzle Reels: Like a webisode but for longer projects, these are like test shots for your show. It could be an interview for a talk show, test shots for a reality TV episode, or storyboards and drawings for an animated show.
Summary: Come up with a compelling premise, or "what if? Choose the genre and format for your show. Develop your characters. Write up a treatment for the show. Build some content around your idea.

If your plant's leaves are shriveled up, then you may not be watering your plant enough. You may also notice that many of the leaves are falling off of the plant if this is the case. Take a handful of dirt from a few inches below the surface, and squeeze it in your hand. If the soil clumps together and stains your skin, the soil is very moist. You may be overwatering. If the soil falls apart without staining your skin, the soil is dry. You may need to water more. If your plant is very wilted and droopy, it might be unhealthy as a result of over-watering. Another way to tell this is by feeling the soil just below the surface. If it's very damp, then you may be giving your plant too much water. Over-watering keeps the soil continuously moist and prevents your plant from getting enough oxygen. This can cause root rot. Carefully remove your plant from the ground or its pot and observe the roots. If they're dark, mushy, and fall apart when you touch them, your plant probably has root rot. Discolored patches often form on the leaves of plants that have been exposed to too much sunlight. These patches are typically either very dark or very light in color. Your plant may be struggling because it's not getting enough sunlight. If this is the case, then the leaves are most likely much paler and smaller than they use to be. Different types of plants need to be cared for in different ways. While herbs and vegetables thrive when they're exposed to a lot of sunlight, excessive sun causes issues for ferns. Either go online or head to a local nursery to find care information specific to your plant.
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One-sentence summary --
Identify under-watering by shriveled leaves. Touch the soil to determine moisture level. Identify over-watering by dampness and droopiness. Check the roots for root rot. Recognize scorched plants by dark and/or bleached patches. Recognize overly shaded plants by their pale leaves. Look up care information for your plant.