[Q]: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Who leaves the now human Charles at the mercy of his former soldiers? Movie title: Daybreakers Movie plot: This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (November 2015) (Learn how and when to remove this template message) In 2009, a plague caused by an infected vampire bat has transformed most of the world's population into vampires and due to this event, control of the world no longer belongs to humans. The vampires are incapable of aging or dying from natural causes, but are unprotected against sunlight or any ultraviolet light. The entire vampire world is active at night, and various technological and architecture advances are made to adjust the populated areas to vampires' night cycle (such as UV protective cars, underground railways and paths across the cities, and UV warnings). However, human numbers quickly dwindle, and the need for blood becomes desperate. When deprived of blood for extended periods, vampires degenerate into "subsiders," psychotic bat-like creatures who lose their memories and independent thought and are left with the basic need for blood. Humans are captured and harvested in laboratory farms while scientists research a synthetic blood substitute to satisfy vampires' blood hunger across the world, while animal blood is also widely used. In 2019, Edward Dalton (Ethan Hawke) is the head hematologist for the pharmaceutical company Bromley Marks, the largest supplier of human blood in the United States. Along with fellow hematologist Christopher Caruso (Vince Colosimo), Dalton is in the process of developing a substitute to bolster dwindling blood supplies and to create a substance that can replace blood and be generated as required. The need is underscored after Dalton's boss, company owner Charles Bromley (Sam Neill), reveals that the estimated human population is down to 5%, and national blood supplies will not last more than a month. Faced with this knowledge, Edward and Chris carry out a hasty clinical trial of the latest revision on a volunteering soldier, which is a spectacularly...
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[A]: Edward

input: Please answer the following: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: Does John follow a particular religion? Movie title: The Man from Earth Movie plot: The film begins with Professor John Oldman (David Lee Smith) packing his belongings onto his truck, preparing to move to a new home. His colleagues show up to give him an impromptu farewell party: Harry (John Billingsley), a biologist; Edith (Ellen Crawford), an art history professor and devout Christian; Dan (Tony Todd), an anthropologist; Sandy (Annika Peterson), a historian who is in love with John; Dr. Will Gruber (Richard Riehle), a psychiatrist; Art (William Katt), an archaeologist; and his student Linda (Alexis Thorpe). As John's colleagues press him to explain the reason for his departure, he slowly, and somewhat reluctantly, reveals that he is a prehistoric caveman who has lived for more than 14 millennia, and that he relocates every ten years to keep others from realizing that he does not age. He begins his tale under the guise of a possible science-fiction story, but eventually stops speaking in hypotheticals and begins answering questions from a first-person perspective. His colleagues refuse to believe his story. John continues his tale, relating how he was a Sumerian for 2000 years, a Babylonian, and eventually went east to become a disciple of Gautama Buddha. He claims to have been given a chance to sail with Christopher Columbus (admitting that at the time he still believed the earth was flat) and to have befriended Van Gogh (one of whose original paintings he apparently owns, a gift from the artist himself). In the course of the conversation, each of John's colleagues questions his story based on knowledge from his or her own academic specialty. Harry, the biologist, struggles with how biology could allow for the possibility of a human being living for so long. Art, the archaeologist, questions John about events in prehistory. He exclaims that John's answers, though correct, could have come from any textbook. Will, the psychiatrist, questions if John feels guilt for outliving everyone he has ever known and loved, and threatens John with a gun (which ends up being unloaded) before temporarily...
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output: No

Problem: I am trying to decide whether it's worth it to invest in this film proposal. Can you help me answer a few questions? If you can't, please say "No I can't". Question: What does Monroe play a tape recorder of when confronting the Yanomamo? Movie title: Cannibal Holocaust Movie plot: In 1979, an American film crew disappears in the Amazon rainforest while on an expedition to film a documentary about indigenous cannibal tribes. The team consists of Alan Yates, the director; Faye Daniels, his girlfriend and script girl; and two cameramen, Jack Anders and Mark Tomaso. Harold Monroe, an anthropologist at New York University, agrees to lead a rescue team in hopes of finding the missing filmmakers alive. In anticipation of his arrival, the military conducts a raid on a local tribe known as the Yacumo and takes a young Yacumo male hostage in order to help negotiate with the natives. Monroe flies in via floatplane and is introduced to his guides, Chaco and his assistant, Miguel. After several days of trekking through the jungle, the group encounters the Yacumo tribe. They arrange the release of their hostage in exchange for being taken to the Yacumo village. Once there, the group initially meets hostility and learns that the film team had caused great unrest among the people. The next day, Monroe and his guides head deeper into the rainforest to locate two warring cannibal tribes, the Yanomamo and the Shamatari. They encounter a group of Shamatari warriors and follow them to a riverbank where they save a smaller group of Yanomamo from certain death. Grateful, the Yanomamo invite Monroe and his team back to their village, yet they treat the outsiders with suspicion. To gain their trust, Monroe bathes naked in a river. A group of friendly Yanomamo women emerge to join him and playfully bathe with him. After, they take him to a shrine where he discovers the rotting remains of the missing American filmmakers. Upset and angered, Monroe decides it is of utmost importance to recover the films. He confronts the Yanomamo, during which time he plays a tape recorder of tribal music for them. The intrigued natives agree to trade it for the first team's surviving reels of film during a cannibalistic ceremony, in which Monroe has to take part. Back in New York, executives of the Pan American...

A:
Tribal music