IN: The Birthday Party (originally known as The Boys Next Door) were an Australian post-punk band, active from 1978 to 1983. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s." The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their music has been described by critic Simon Reynolds as gothic, and their single "Release the Bats" was particularly influential on the emerging gothic scene.

The Boys Next Door's best known song, "Shivers", written by Howard, and first performed and recorded by his band The Young Charlatans, was banned by radio stations because of a reference to suicide. After recordings and moderate success in Australia (including hundreds of live shows) they headed for London in 1980, changed their name to The Birthday Party and launched into a period of innovative and aggressive music-making. Some sources say the band took its new name from the Harold Pinter play The Birthday Party; others (including Ian Johnston's Cave biography) state it was prompted by Cave misremembering, or intentionally misattributing, the name to a non-existent birthday party scene in the Dostoyevsky novel Crime and Punishment. In a 2008 interview, Rowland S. Howard gave his own recollection: "The name The Birthday Party came up in conversation between Nick and myself. There's this apocryphal story about it coming from a Dostoyevsky novel. It may have had various connotations, but what he and I spoke about was a sense of celebration and making things into more an occasion and ritual". They resided in London, with trips back to Australia and tours through Europe and the U.S. before relocating to West Berlin in 1982. Above the barely-controlled racket, Cave's vocals ranged from desperate to simply menacing and demented. Critics have written that "neither John Cale nor Alfred Hitchcock was ever this scary," and that Cave "doesn't so much sing his vocals as expel them from his gut". Though Cave drew on earlier rock and roll shriekers--especially Iggy Pop and Suicide's Alan Vega--his singing with the Birthday Party remains powerful and distinct. His lyrics also drew on Arthur Rimbaud and Charles Baudelaire. The single "Release the Bats" came out during the emergence of the gothic scene. This song about "vampire sex" was promoted by an advertisement with the words "Dirtiness is next to antigodliness". Their 1982 album Junkyard was inspired by American Southern Gothic imagery, dealing with extreme subjects like an evangelist's murdered daughter.

what was another popular song of theirs?

OUT: The single "Release the Bats" came out during the emergence of the gothic scene.

Answer the question at the end by quoting:

Adam Charles Clayton, the oldest child of Brian and Jo Clayton, was born on 13 March 1960 in Chinnor, Oxfordshire, England. His father was a pilot with the Royal Air Force, who moved into civil aviation, and his mother was a former airline stewardess. When he was 4 years old, Clayton's father worked in Kenya as a pilot with East African Airways, the family being resident in Nairobi (Clayton regards this as the happiest period of his childhood). In 1965, the family moved to Malahide, County Dublin in the Republic of Ireland, where Clayton's brother Sebastian was born.
As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style. When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines. Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)".

What was notable about his style?

". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.

input: Brooks' third album, Ropin' the Wind, was released in September 1991. It had advance orders of 4 million copies and entered the Billboard 200 at No. 1, a first for a country artist. The album's musical content was a melange of pop country and honky tonk; singles included "The River", "What She's Doing Now", and a cover of Billy Joel's "Shameless". It would become Brooks' second-best selling album, after No Fences. The success of Ropin' the Wind further propelled the sales of Brooks' first two albums, enabling Brooks to become the first country artist with three albums listed in the Billboard 200's top 20 in one week. After spending time in Los Angeles during the 1992 riots, Brooks co-wrote a gospel-country-rock hybrid single, "We Shall Be Free", to express his desire for tolerance. The song became the first single off his fourth album The Chase. The album only reached No. 12 on the Billboard Top Country Albums chart, Brooks' first song in three years to fail to make the top 10. Nonetheless, "We Shall Be Free" peaked at No. 22 on the Billboard Christian Songs charts through a marketing deal with Rick Hendrix Company, and earned Brooks a 1993 GLAAD Media Award. The next single released from The Chase was "Somewhere Other Than the Night", followed by "Learning to Live Again", which peaked at numbers one and two on the Hot Country Songs chart, respectively. The album's final single, "That Summer", would go on to be the most successful single from the album, reaching No. 1 in July 1993. Brooks released his first Christmas album, "Beyond the Season" on August 25, 1992. The album included classics such as "White Christmas" and "Silent Night" as well as an original tune "The Old Man's Back in Town." "Beyond the Season" was the best selling Christmas album in 1992, peaking at No. 2 on the Billboard 200 chart.

Answer this question "What other albums did Garth released?"
output:
Brooks' third album, Ropin' the Wind, was released in September 1991.