Read the following context and answer the question. Context: For a moment, Paul wasn't even sure who had walked into the room. Chloe had totally transformed herself since he'd last seen her. She wore a wig for starters, and a very good one. It was light brown and shoulder length. It looked so natural that if he didn't know she had much shorter hair, he would have guessed that she had dyed it. But it was the outfit that made the change. She wore a well-tailored, very professional, gray woman's skirt/blazer combo with a yellow silk blouse. Her wrist sported what looked to Paul's uneducated eye like an expensive and fashionable gold lady's watch from which he thought he detected a glint of diamond. In short, she looked just like the high priced lawyer she was supposed to be. She was certainly the best-dressed person in the room. Chloe reached across the table to shake Greg's hand, stretching forward as she did so. Paul watched Greg glance down at her cleavage while he shook her hand. "I'm Rachel Roth, here on behalf of Mr. Paul Reynolds." "Hi," said Greg. "I'm Greg Driscol, and this is..." "I know the rogues gallery here," said Chloe cutting Greg off and looking around at the assembled board members. "I've learned all about you gentlemen." Marie stood up and shook Chloe's hand. "Marie Cooper, from Johnson, Myers, and Wick," she said. "Nice to meet you," she said. "Ok, we've got the intros down, shall we get on with the dirty business?" "Um, sure," Greg said as he sat back down. "I was just about to turn things over to Marie." The plan was now in action, and so far so good. But Paul knew that this was a crucial moment. Chloe didn't really know the law - just a few points that her friend had helped her out with. She couldn't let the real lawyer take over the meeting. Her dramatic, unexpected entrance had them off guard, and Paul hoped she seized the moment and pressed on. Question: How long did it probably take to get the meeting underway once Chloe arrived Answer:

OPTIONS:
- not enough information
- just a few minutes
- half an hour
- 15 minutes

Answer: just a few minutes

Problem: OPTIONS:
- not enough information
- No
- Somewhat
- Yes
Q: Read the following context and answer the question. Context: I thought I might get some good ideas if I went down to the hospital. I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me. I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad. I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. Question: Did the author enjoy the coffee and scones? Answer:
Answer: not enough information

input with options: Read the following context and answer the question. Context: I am currently waiting for peer reviews of two books I've worked on: one sole-authored, one co-authored. We don't talk much about the experience of waiting for reviews, and it's not something that appears to have been researched. Yet it's something everyone doing academic work has to go through and it may be bad for our mental health. I'm finding it particularly difficult at the moment because a lot rides on these reviews. The sole-authored book, which is on a contentious topic, has already had one set of reviews. Reviewer 1 was utterly damning, saying "I couldn't find anything to praise". Luckily, Reviewers 2 and 3 were more measured, offering both praise and constructive criticism, and their input helped me to revise and strengthen the typescript. However, in the process, my editor and I realised that we needed further reviews from people with a particular kind of specialist knowledge. My editor approached around ten potential reviewers, but only one agreed to do the job. So I'm gibbering what if that person agrees with Reviewer 1? The co-authored book is in a contentious format. My co-authors and I decided that I would be the person to liaise with publishers, as I have form in this process. The last time I liaised with academic publishers for a co-authored book was in the early 2000s, and I'd forgotten how heavily responsible it makes me feel. Fortunately, I've found a publisher that is interested and has sent the book out for reviews, to two professional academics and two students. This is great and terrifying but at least there are four reviewers. Even so, what if they all think it's rubbish? In many ways I love the peer review system. I welcome feedback on my writing, and I'm not at all averse to constructive criticism. I am by no means arrogant enough to think I can write a good book without input from others. Yet peer review, as a process, is fraught with uncertainty. Comments may not be constructive, or may not come at all. They may be positive, or negative, or in between, or a mixture. Question: When did the narrator liaise with publishers? Answer:
OPTIONS:
- not enough information
- Because his editor wanted it
- Because the book was in a contentious format
- Because he hated peer reviews
output:
Because the book was in a contentious format