input: In 2006, Sanjiv Bhattacharya interviewed the duo for The Guardian and asked about where their band name came from, to which Green replied: "You ask me why we're called Gnarls Barkley and I'm asking you 'why not?'...The name Gnarls Barkley isn't anchored down. It's a drifter. A High Plains drifter, I might add". Danger Mouse said: "There's no story behind it...The name doesn't have anything to do with anything". Although many people believe that their name has something to do with former NBA player Charles Barkley, the duo dismiss that idea. Sanjiv asked them about it, saying "Not even Charles Barkley, the basketball player?", to which Danger Mouse replied: "Nope. It's just like everything else on this record. There was no conscious decision about stuff". According to a Billboard article: "Burton and CeeLo have been cagey about what the name of the act means, and each live performance is an opportunity to play dress-up as tennis players, astronauts and chefs, among many other get-ups. The costuming extends to photo shoots, as Burton and Cee Lo would rather impersonate characters from such films as Back to the Future or Wayne's World. They also have dressed up as characters from films A Clockwork Orange and Napoleon Dynamite. About Gnarls Barkley, Green said in an interview: That is that electric industrial Euro soul, that's what I call it... if I can call it anything. It truly is shapeless and formless. My style and my approach is still water, and it runs so deep. So, with that project I got a chance to be a lil' zany, of course a continuation of eccentricity, abstract and vague, and all of those wonderful things that make art exactly what it is. And that's subject to interpretation. As far as the artiste himself, it does cater to and extend the legacy of Cee Lo Green, and showcase the diversity and range and intention of Cee Lo Green. It is a great project that I'm very, very proud of.

Answer this question "Who chose the band's name?"
output: the duo

input: Mitchum arrived in Long Beach, California in 1936, staying again with his sister Annette, now going by the name of Julie. She had migrated to the West Coast in the hope of acting in movies. Soon, the rest of the Mitchum family joined them in Long Beach. During this time, Mitchum worked as a ghostwriter for astrologer Carroll Righter. His sister Julie convinced him to join the local theater guild with her. In his years with the Players Guild of Long Beach, Mitchum made a living as a stagehand and occasional bit-player in company productions. He also wrote several short pieces which were performed by the guild. According to Lee Server's biography (Robert Mitchum: Baby, I Don't Care), Mitchum put his talent for poetry to work writing song lyrics and monologues for Julie's nightclub performances. In 1940, he returned to Delaware to marry Dorothy Spence, and they returned to California. He remained a footloose character until the birth of their first child James, nicknamed Josh. They had two more children: Chris and Petrine. Mitchum got a steady job as a machine operator with the Lockheed Aircraft Corporation. Mitchum suffered a nervous breakdown (which resulted in temporary blindness), apparently from job-related stress. He sought work as an actor or extra in films. His agent got him an interview with Harry Sherman, the producer of Paramount's Hopalong Cassidy western film series which starred William Boyd; Mitchum was hired to play minor villainous roles in several films in the series during 1942 and 1943. In 1943 he and Randolph Scott were soldiers in the Pacific Island war film Gung Ho! Mitchum continued to find work as an extra and supporting actor in numerous productions for various studios. After impressing director Mervyn LeRoy during the making of Thirty Seconds Over Tokyo, Mitchum signed a seven-year contract with RKO Radio Pictures. He was groomed for B-Western stardom in a series of Zane Grey adaptations. Following the moderately successful Western Nevada, Mitchum was lent from RKO to United Artists for The Story of G.I. Joe (1945). In the film, he portrayed war-weary officer Bill Walker (based on Captain Henry T. Waskow), who remains resolute despite the troubles he faces. The film, which followed the life of an ordinary soldier through the eyes of journalist Ernie Pyle (played by Burgess Meredith), became an instant critical and commercial success. Shortly after making the film, Mitchum was drafted into the United States Army, serving at Fort MacArthur, California. At the 1946 Academy Awards, The Story of G.I. Joe was nominated for four Oscars, including Mitchum's only nomination for Best Supporting Actor. He finished the year with a Western (West of the Pecos) and a story of returning Marine veterans (Till the End of Time), before filming in a genre that came to define Mitchum's career and screen persona: film noir.

Answer this question "Did he have a big role in that?"
output: Mitchum was hired to play minor villainous roles

input: Arnett worked for CNN for 18 years ending in 1999. During the Gulf War, he became a household name worldwide when he became the only reporter with live coverage directly from Baghdad. His dramatic reports often had air raid sirens blaring and the sound of US bombs exploding in the background. Together with two other CNN journalists, Bernard Shaw and John Holliman, Arnett brought continuous coverage from Baghdad for the 16 initial intense hours of the war (17 January 1991). Although 40 foreign journalists were present at the Al-Rashid Hotel in Baghdad at the time, only CNN possessed the means -- a private phone line connected to neighboring Amman, Jordan -- to communicate to the outside world. CNN broadcast Arnett's extended call live for several hours, with a picture of Arnett as video. Soon the other journalists left Iraq, including the two CNN colleagues, which left Arnett as the sole remaining reporter. His accounts of civilian damage caused by the bombing were not well received by the coalition war administration, who by their constant use of terms like "smart bombs" and "surgical precision" in their public statements, had tried to project an image that civilian casualties would be at a minimum. White House sources would later state that Arnett was being used as a tool for Iraqi disinformation, and CNN received a letter from 34 members of the United States Congress accusing Arnett of "unpatriotic journalism". Two weeks into the war, Arnett was able to obtain an exclusive, uncensored interview with Saddam Hussein. The Gulf War became the first war to be seen truly live on TV, due to Arnett's reporting from the "other side", for a period of five weeks. About halfway through the war the CIA approached Mr. Arnett. They believed that the Iraqi military was operating a high-level communication network from the basement of the Al Rashid Hotel, which is where Mr. Arnett and a few others from CNN were staying. The CIA wanted him out so the Air Force could bomb the hotel, but Mr. Arnett refused. He said he had been given a tour of the hotel and denied there was such a facility.

Answer this question "What role did Peter have in the Gulf War?"
output:
he became a household name worldwide when he became the only reporter with live coverage directly from Baghdad.