input: Comparing Olivia to Fauxlivia, Torv felt that the two had many different characteristics. Anna Torv described them as "remarkably alike. They have subtle differences, but they're both fighting for their causes. I think each of them sees things in the other they'd like to have. I think Olivia would like to not feel everything is her responsibility. She'd like to go home and let someone else shoulder that burden of saving the world for a few minutes." Torv and Akiva Goldsman discussed various ways to differentiate the two depictions of Olivia; ultimately two different physical demeanors were created. Torv wanted to make the new character "completely different", but she and Goldsman recognized that the two share some major similarities, as they both are in the same profession and are "fundamentally, genetically really the same person." According to Torv, Fauxlivia holds herself differently and has "a different silhouette. She's got a little firefighter, a little military in her." Torv further explained, "Olivia wants to be the best, but [Fauxlivia] just wants to win;" "There's just a front-footedness I think to [her], simply because she just doesn't carry the weight of the world on her shoulders like Olivia does. Olivia's mum died when she was really little, and [Fauxlivia]'s mum is still around. There's lots of little, subtle differences." The producers discussed cutting her hair, but ultimately decided on the auburn hair color to differentiate her. They also made her "a little bit more playful". Pinkner describes shooting the Fauxlivia scenes in the DVD audio commentary: "When [Torv] first showed up on set in this different guise, she had really embodied this other character in a very playful and sexy way. She turned a lot of heads." Goldsman remarked that Torv's depiction of Fauxlivia was actually much closer to the actress' real personality than her performance as Olivia. The producers were so pleased with her Fauxlivia depiction that they thought "it really opened up a bunch of possibilities ... it went from 'let's see if this experiment works' to 'how can we get more of this?'"

Answer this question "how else is she differntiated?"
output: They also made her "a little bit more playful".

input: James Matthew Barrie was born in Kirriemuir, Angus, to a conservative Calvinist family. His father David Barrie was a modestly successful weaver. His mother Margaret Ogilvy assumed her deceased mother's household responsibilities at the age of eight. Barrie was the ninth child of ten (two of whom died before he was born), all of whom were schooled in at least the three Rs in preparation for possible professional careers. His siblings were: Alexander (1842 - 16 July 1914), Mary Ann (1845-1918), Jane (14 March 1847 - 31 August 1895), Elizabeth (12 March 1849 - 1 April 1851), Agnes (23 Dec 1850 - 1851), David Ogilvy (30 January 1853 - 29 January 1867), Sarah (3 June 1855 -1 November 1913), Isabella (4 January 1858 - 1902) and Margaret (9 July 1863 - 1936). He was a small child and drew attention to himself with storytelling. He only grew to 5 ft 3 1/2 in. (161 cm) according to his 1934 passport. When he was 6 years old, Barrie's next-older brother David (his mother's favourite) died the day before his 14th birthday in an ice-skating accident.This left his mother devastated, and Barrie tried to fill David's place in his mother's attentions, even wearing David's clothes and whistling in the manner that he did. One time, Barrie entered her room and heard her say, "Is that you?" "I thought it was the dead boy she was speaking to", wrote Barrie in his biographical account of his mother Margaret Ogilvy (1896) "and I said in a little lonely voice, 'No, it's no' him, it's just me.'" Barrie's mother found comfort in the fact that her dead son would remain a boy forever, never to grow up and leave her. Eventually, Barrie and his mother entertained each other with stories of her brief childhood and books such as Robinson Crusoe, works by fellow Scotsman Walter Scott, and The Pilgrim's Progress. At the age of 8, Barrie was sent to the Glasgow Academy in the care of his eldest siblings Alexander and Mary Ann, who taught at the school. When he was 10, he returned home and continued his education at the Forfar Academy. At 14, he left home for Dumfries Academy, again under the watch of Alexander and Mary Ann. He became a voracious reader, and was fond of Penny Dreadfuls and the works of Robert Michael Ballantyne and James Fenimore Cooper. At Dumfries, he and his friends spent time in the garden of Moat Brae house, playing pirates "in a sort of Odyssey that was long afterwards to become the play of Peter Pan". They formed a drama club, producing his first play Bandelero the Bandit, which provoked a minor controversy following a scathing moral denunciation from a clergyman on the school's governing board.

Answer this question "Did he begin writing as a child?"
output: He became a voracious reader,

input: During 1981-82, Boone toured the United States in a production of the stage adaptation of the film Seven Brides for Seven Brothers. The play was a commercial and critical success nationwide before opening on Broadway in July 1982. The Broadway reviews were lackluster, but a scathing review by The New York Times led the show to close after just five performances. The day after the show's closing, several of the show's stars and theatergoers protested the closing outside the New York Times' building, hoping for a retraction of its review and the re-opening of the show. But, despite the enthusiastic reception of the show from Broadway theatergoers, the producers believed that the show could not overcome its reviews and the show remained closed. Boone continued her theater work, appearing periodically in stage productions nationwide including lead roles in Camelot, Meet Me in St. Louis, Mississippi Love, South Pacific, The Human Comedy, and The King and I. Boone returned twice to the New York stage. She starred as Maria in the 1990 Lincoln Center production of The Sound of Music, which was nominated as Outstanding Musical Revival by the Drama Desk Awards. In 1996, Boone played against her image as Rizzo in the 1990s revival of Grease. In 1978, Boone made her first foray into television with a musical adaptation of O. Henry's The Gift of the Magi co-starring John Rubinstein. She also headlined two of her own NBC television music specials - The Same Old Brand New Me (1980) and One Step Closer (1982). In 1984, Boone appeared in the television movie Sins of the Past co-starring Anthony Geary, Barbara Carrera and Kim Cattrall. In the film, Boone portrayed Clarissa Hope, a young prostitute who leaves her job after a fellow prostitute is murdered, and subsequently reforms herself as a Christian music singer. The film was a Top 10 Nielsen hit. Boone has since made guest appearances on several television shows including Step by Step and Baywatch Nights and was featured in the television films Come on, Get Happy: The Partridge Family Story and Treehouse Hostage.

Answer this question "Was she in any movies?"
output:
In 1978, Boone made her first foray into television with a musical adaptation of O.