IN: Rosa Louise McCauley Parks (February 4, 1913 - October 24, 2005) was an activist in the civil rights movement best known for her pivotal role in the Montgomery Bus Boycott. The United States Congress has called her "the first lady of civil rights" and "the mother of the freedom movement". On December 1, 1955, in Montgomery, Alabama, Parks refused to obey bus driver James F. Blake's order to give up her seat in the "colored section" to a white passenger, after the whites-only section was filled. Parks was not the first person to resist bus segregation, but the NAACP believed that she was the best candidate for seeing through a court challenge after her arrest for civil disobedience in violating Alabama segregation laws.

Parks died of natural causes on October 24, 2005, at the age of 92, in her apartment on the east side of Detroit. She and her husband never had children and she outlived her only sibling. She was survived by her sister-in-law (Raymond's sister), 13 nieces and nephews and their families, and several cousins, most of them residents of Michigan or Alabama. City officials in Montgomery and Detroit announced on October 27, 2005, that the front seats of their city buses would be reserved with black ribbons in honor of Parks until her funeral. Parks' coffin was flown to Montgomery and taken in a horse-drawn hearse to the St. Paul African Methodist Episcopal (AME) church, where she lay in repose at the altar on October 29, 2005, dressed in the uniform of a church deaconess. A memorial service was held there the following morning. One of the speakers, United States Secretary of State Condoleezza Rice, said that if it had not been for Parks, she would probably have never become the Secretary of State. In the evening the casket was transported to Washington, D.C. and transported by a bus similar to the one in which she made her protest, to lie in honor in the rotunda of the U.S. Capitol. Since the founding of the practice in 1852, Parks was the 31st person, the first American who had not been a U.S. government official, and the second private person (after the French planner Pierre L'Enfant) to be honored in this way. She was the first woman and the second black person to lie in honor in the Capitol. An estimated 50,000 people viewed the casket there, and the event was broadcast on television on October 31, 2005. A memorial service was held that afternoon at Metropolitan AME Church in Washington, DC. With her body and casket returned to Detroit, for two days, Parks lay in repose at the Charles H. Wright Museum of African American History. Her funeral service was seven hours long and was held on November 2, 2005, at the Greater Grace Temple Church in Detroit. After the service, an honor guard from the Michigan National Guard laid the U.S. flag over the casket and carried it to a horse-drawn hearse, which was intended to carry it, in daylight, to the cemetery. As the hearse passed the thousands of people who were viewing the procession, many clapped, cheered loudly and released white balloons. Parks was interred between her husband and mother at Detroit's Woodlawn Cemetery in the chapel's mausoleum. The chapel was renamed the Rosa L. Parks Freedom Chapel in her honor. Parks had previously prepared and placed a headstone on the selected location with the inscription "Rosa L. Parks, wife, 1913-."
QUESTION: Where was she born?
IN: James Whale (22 July 1889 - 29 May 1957) was an English film director, theater director and actor. He is best remembered for his four classic horror films: Frankenstein (1931), The Old Dark House (1932), The Invisible Man (1933) and Bride of Frankenstein (1935). Whale also directed films in other genres, including what is considered the definitive film version of the musical Show Boat (1936). He became increasingly disenchanted with his association with horror, but many of his non-horror films have fallen into obscurity.

The success of the various productions of Journey's End brought Whale to the attention of movie producers. Coming at a time when motion pictures were making the transition from silent to talking, producers were interested in hiring actors and directors with experience with dialogue. Whale traveled to Hollywood in 1929 and signed a contract with Paramount Pictures. He was assigned as "dialogue director" for a film called The Love Doctor (1929). He completed work on the film in 15 days and his contract was allowed to expire. It was at around this time that he met David Lewis. Whale was hired by independent film producer and aviation pioneer Howard Hughes, who planned to turn the previously silent Hughes production Hell's Angels (1930) into a talkie. Whale directed the dialogue sequences. When his work for Hughes was completed, he headed to Chicago to direct another production of Journey's End. Having purchased the film rights to Journey's End, British producers Michael Balcon and Thomas Welsh agreed that Whale's experience directing the London and Broadway productions of the play made him the best choice to direct the film. The two partnered with a small American studio, Tiffany-Stahl, to shoot it in New York. Colin Clive reprised his role as Stanhope, and David Manners was cast as Raleigh. Filming got underway on 6 December 1929 and wrapped on 22 January 1930. Journey's End was released in Great Britain on 14 April and in the United States on 15 April. On both sides of the Atlantic the film was a tremendous critical and commercial success.
QUESTION: what did they work together on
IN: Elmo Hope was born on June 27, 1923, in New York City. His parents, Simon and Gertrude Hope, were immigrants from the Caribbean, and had several children. Elmo began playing the piano aged seven. He had classical music lessons as a child, and won solo piano recital contests from 1938.

In June 1961, Hope was part of Philly Joe Jones' quintet, which included trumpeter Freddie Hubbard. Their first gigs were arranged by Hope's old friend, Monk, as was a recording session for Riverside Records that month, with Hope as leader. The pianist recorded four albums in New York around 1961, including Hope-Full, which contained his only solo tracks and some piano duets with his wife. Some of the companies that he recorded for at this stage in his career reduced Hope's dignity, in the view of musician and critic Robert Palmer. One album was entitled High Hope! (1961), and another, released as Sounds from Rikers Island (1963) in reference to a New York City jail complex, featured performances exclusively by musicians who had at some point been imprisoned for drug-related crimes. Between these two sessions as leader, Hope was briefly in prison again for drug offenses. These and other album releases in the early 1960s did little to develop a wider awareness of Hope. Hope played with McLean again late in 1962. He also led a piano trio: early in 1963 it contained Ray Kenney on bass and Lex Humphries on drums; in late 1964, it had John Ore on bass and Billy Higgins on drums. In 1965, Hope was continuing to lead a trio and quartet in the New York area. Drug and health problems, however, meant that he played less often late in his career. His last recordings were made in 1966, but not released for 11 years. Hope's final concert was at Judson Hall in New York City in 1966. Fellow pianist Horace Tapscott reported that, later, Hope's "hands were all shot up and he couldn't play". Visits to one hospital that was experienced in addressing the health problems of drug addicts left Hope feeling that he was being experimented on, so he went to another, St. Clare's. Here, according to his wife, the treatment was not adjusted for the methadone program he was on, putting added strain on his heart. Hope was hospitalized with pneumonia in 1967 and died a few weeks later, on May 19, of heart failure. His wife was aged 31 at the time of his death. They had three children; their daughter, Monica Hope, became a singer.
QUESTION:
Did he do any live performances while in New York?