Question: Fusion processes require fuel and a highly confined environment with a high temperature and pressure, to create a plasma in which fusion can occur. In stars, the most common fuel is hydrogen, and gravity creates the high temperature and confinement needed for fusion. Fusion reactors generally use hydrogen isotopes such as deuterium and tritium, which react more easily, and create a confined plasma of millions of degrees using inertial methods (laser) or magnetic methods (tokamak and similar), although many other concepts have been attempted. The major challenges in realising fusion power are to engineer a system that can confine the plasma long enough at high enough temperature and density, for a long term reaction to occur, and for the most common reactions, managing neutrons that are released during the reaction, which over time can degrade many common materials used within the reaction chamber.

What is the primary fuel that would be used in fusion reactors?
Answer: The relevant information to answer the above question is: Fusion reactors generally use hydrogen isotopes such as deuterium and tritium, which react more easily, and create a confined plasma of millions of degrees using inertial methods (laser) or magnetic methods (tokamak and similar), although many other concepts have been attempted. The answer is hydrogen isotopes such as deuterium and tritium.

Question: Principal photography began on March 14, 2016, in Vancouver, British Columbia. Previously it was revealed at San Diego Comic-Con International that filming would begin in February 2016.

When did they start filming the death cure?
Answer: The relevant information to answer the above question is: Principal photography began on March 14, 2016, in Vancouver, British Columbia. The answer is March 14 , 2016.

Question: Context: Post-glacial rebound (also called either isostatic rebound or crustal rebound) is the rise of land masses that were depressed by the huge weight of ice sheets during the last glacial period, through a process known as isostatic depression. Post-glacial rebound and isostatic depression are different parts of a process known as either glacial isostasy, glacial isostatic adjustment, or glacioisostasy. Glacioisostasy is the solid Earth deformation associated with changes in ice mass distribution. The most obvious and direct effects of post-glacial rebound are readily apparent in parts of Northern Eurasia, Northern America, Patagonia, and Antarctica. However, through processes known as ocean siphoning and continental levering, the effects of post-glacial rebound on sea level are felt globally far from the locations of current and former ice sheets.

Question: if an area experiences glacial rebound it means that?
Answer: The relevant sentence in the passage is: Post-glacial rebound (also called either isostatic rebound or crustal rebound) is the rise of land masses that were depressed by the huge weight of ice sheets during the last glacial period, through a process known as isostatic depression. The answer is the rise of land masses that were depressed by the huge weight of ice sheets during the last glacial period , through a process known as isostatic depression.

Question: The term suspension of disbelief or willing suspension of disbelief has been defined as a willingness to suspend one's critical faculties and believe something surreal; sacrifice of realism and logic for the sake of enjoyment. The term was coined in 1817 by the poet and aesthetic philosopher Samuel Taylor Coleridge, who suggested that if a writer could infuse a "human interest and a semblance of truth" into a fantastic tale, the reader would suspend judgement concerning the implausibility of the narrative. Suspension of disbelief often applies to fictional works of the action, comedy, fantasy, and horror genres. Cognitive estrangement in fiction involves using a person's ignorance to promote suspension of disbelief.

Who coined the term willing suspension of disbelief?
Answer:
The relevant information to answer the above question is: The term was coined in 1817 by the poet and aesthetic philosopher Samuel Taylor Coleridge, who suggested that if a writer could infuse a "human interest and a semblance of truth" into a fantastic tale, the reader would suspend judgement concerning the implausibility of the narrative. The answer is the poet and aesthetic philosopher Samuel Taylor Coleridge.