In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : The Murowa diamond mine is a diamond mine located in Mazvihwa, south central Zimbabwe, about 40 kilometres from the asbestos mining town of Zvishavane in the Midlands province. The mine is majority owned and operated by the Rio Tinto Group, which also owns the Argyle diamond mine in Australia and part of the Diavik Diamond Mine in Canada. The mine is a combination of open pit and underground construction; current estimates put construction costs at $61 million USD and mine reserves are 19 million tonnes of ore, with an ore grade of 0.9 carat per tonne. Context_2 : The Colomac Mine was a privately owned and operated open pit gold mine located 220km northwest of Yellowknife in the Northwest Territories in Canada . The Colomac mine operated between 19901992, and 19941997. It was operated by Neptune Resources Limited that had little success in making a profit during its operation. In 1994, the mine had reopened under Royal Oak Mines Inc. Both Neptune Resources and Royal Oak Mines where both owned and operated by Peggy Witte. Due to low gold prices and high cost of mining, Royal Oak Mines was forced into bankruptcy. The Federal Government of Canada became owners of the mine, along with the related environmental issues. A major cleanup effort is under way to prevent the mine from polluting the environment, but this might be too late at this stage. This mine is now owned and controlled by the Indigenous and Northern Affairs department of the Federal government, while Public Works and Government services is the current contracting authority. Context_3 : Leckie Mine, also known as Penrose Mine and Little Dan Mine, is an abandoned gold producing underground mine in Northeastern Ontario, Canada, located on the eastern shore of Arsenic Lake 4 km north of the town of Temagami. It is entirely owned by Temagami Gold Inc. An estimated 483,500 tonnes of ore remain in the mine, which could contain 102,720 ounces of gold. Context_4 : The Ptarmigan and Tom Mine were gold producers located in the Northwest Territories, Canada at Yellowknife. The property was staked by prospectors in 1936 and acquired by Cominco in 1938. The mine first produced between 1941 and 1942 but closed due to wartime restrictions. The old property was demolished in 19691970. A new company, Treminco Resources Limited, reopened the workings in 1985 and production from the Tom ( ) portal began in 1986 with material being trucked to Giant Mine. The old Ptarmigan ( ) mine shaft was dewatered and production began in 1987. A new mill was built at the property and was operational in July 1989. Low gold prices forced the company to close the mines in 1997. Total gold production has been approximately 120,000 troy ounces (3700 kg). Context_5 : The Dry Fork mine is a coal mine located 8 miles north of Gillette, Wyoming in the United States in the coal-rich Powder River Basin. The mine is an open pit mine that utilizes truck and shovel mining method to mine a low-sulfur, sub-bituminous coal that is used for domestic energy generation and shipped to customers via railroad. In 2011, the mine is expected to begin supplying coal to the newly constructed Dry Fork power station that has been constructed adjacent to the mine. The mine is currently owned and operated by Western Fuels Association. Context_6 : The Raspadskaya Coal Mine is a coal mine located in Mezhdurechensk, Kemerovo Oblast, Russia. It is the largest coal and the largest underground mine in Russia. The mine was opened in 1973 and its construction was completed in 1977. In addition to the main underground mine, the mining complex also includes MUK-96 underground mine, Raspadskaya Koksovaya underground mine, and Razrez Raspadsky open-pit mine, as also the Raspadskaya preparation plant. Context_7 : The Victor Diamond Mine is the first Canadian diamond mine located in Ontario, and De Beers' second diamond mine in Canada (after the Snap Lake Diamond Mine). It is located in the Northern Ontario Ring of Fire, in the James Bay Lowlands 90 km west of Attawapiskat in the remote northern part of the province. In June 2005, the Attawapiskat First Nation voted in favour (85.5%) of ratifying the Impact Benefit Agreement (IBA). Construction of the mine began in February 2006 which created 3200 positions; mining and operations will create around 400 permanent positions. The Victor Mine is an open-pit mine, with a processing plant, workshops, and an airstrip located on site. By 2013-2014 royalties collected from De Beers Victor Diamond Mine amounted to $226. At that time De Beers was continuing to pay off its "$1 billion investment to build the mine and from now until it closes, the company expects to pay tens of millions of dollars in royalties." Context_8 : Las Bambas copper mine is a large project located in Apurimac, Peru. It is an open-pit mine located at altitude of about 4000 meters above sea level. It is a polymetallic mine which significant mineral resources and ore reserves of copper with an estimated mine life of at least 20 years. Production at the mine is scheduled to start in 2015 following an 80% confirmation completion of the project on 31 Dec 2014. The first production of concentrate out of the mine is expected to be in the first quarter of 2016. Context_9 : The Franklin-Creighton Mine was a Georgia Gold Rush gold mine located off what is now Yellow Creek Road in the town of Ball Ground in Cherokee County, Georgia. The mine, located along the Etowah River, was initially known as the Franklin Mine because it was started by a widow, Mrs. Mary G. Franklin, who obtained a 40 acre lot in the Gold Lottery of 1832. Around 1883, the mine became known as the Creighton Mine or the Franklin-Creighton Mine. This mine was one of the most productive and continued to operate many years after other area mines had ceased operations. Some estimate that it was yielding $1000 per day in 1893 and others place its total production after 1880 at as much as $1,000,000. The mine was shut down in 1913 as a result of a collapsed shaft which caused the mine to flood. Context_10 : The Burra Burra Mine is a copper mine located in Ducktown, Tennessee, in the southeastern United States. Named for the famous mine in Australia, the Burra Burra Mine extracted over 15 million tons (14 million metric tons) of copper ore during its 60 years of operation between 1899 and 1959. The mine's remaining structures are listed on the National Register of Historic Places as part of the Burra Burra Mine Historic District. The site is also home to the Ducktown Basin Museum, and the museum and mine are a Tennessee State Historic Site operated in partnership with the Tennessee Historical Commission. fact_1 : The Ptarmigan and Tom Mine were gold producers located in the Northwest Territories, Canada at Yellowknife. fact_2 : Leckie Mine, also known as Penrose Mine and Little Dan Mine, is an abandoned gold producing underground mine in Northeastern Ontario, Canada, located on the eastern shore of Arsenic Lake 4 km north of the town of Temagami. Question: Are both Ptarmigan and Tom Mine and Leckie Mine located in Canada?
A:
yes