IN: Sir Henry Irving (6 February 1838 - 13 October 1905), born John Henry Brodribb, sometimes known as J. H. Irving, was an English stage actor in the Victorian era, known as an actor-manager because he took complete responsibility (supervision of sets, lighting, direction, casting, as well as playing the leading roles) for season after season at the Lyceum Theatre, establishing himself and his company as representative of English classical theatre. In 1895 he became the first actor to be awarded a knighthood, indicating full acceptance into the higher circles of British society. Irving is widely acknowledged to be one of the inspirations for Count Dracula, the title character of the 1897 novel Dracula whose author, Bram Stoker, was business manager of the theatre.

After a few years' schooling while living at Halsetown, near St Ives, Cornwall, Irving became a clerk to a firm of East India merchants in London, but he soon gave up a commercial career for acting. On 29 September 1856 he made his first appearance at Sunderland as Gaston, Duke of Orleans, in Bulwer Lytton's play, Richelieu, billed as Henry Irving. This name he eventually assumed by royal licence. When the inexperienced Irving got stage fright and was hissed off the stage the actor Samuel Johnson was among those who supported him with practical advice. Later in life Irving gave them all regular work when he formed his own Company at the Lyceum Theatre. For 10 years, he went through an arduous training in various stock companies in Scotland and the north of England, taking more than 500 parts. his delineations of the various characters (...) were admirably graphic, and met with repeated rounds of applause. Possesed of a fine voice, which he modulated with great taste and judgment, he was able to mark the depth or frivolity of the character he was representing with remarkable facility. He gained recognition by degrees, and in 1866 Ruth Herbert engaged him as her leading man and sometime stage director at the St. James's Theatre, London, where she first played Doricourt in The Belle's Stratagem. One piece that he directed there was W. S. Gilbert's first successful solo play, Dulcamara, or the Little Duck and the Great Quack (1866) The next year he joined the company of the newly opened Queen's Theatre, where he acted with Charles Wyndham, J. L. Toole, Lionel Brough, John Clayton, Mr. and Mrs. Alfred Wigan, Ellen Terry and Nellie Farren. This was followed by short engagements at the Haymarket Theatre, Drury Lane, and the Gaiety Theatre. Finally he made his first conspicuous success as Digby Grant in James Albery's Two Roses, which was produced at the Vaudeville Theatre on 4 June 1870 and ran for a very successful 300 nights. In 1871, Irving began his association with the Lyceum Theatre by an engagement under Bateman's management. The fortunes of the house were at a low ebb when the tide was turned by Irving's sudden success as Mathias in The Bells, a version of Erckmann-Chatrian's Le Juif polonais by Leopold Lewis, a property which Irving had found for himself. The play ran for 150 nights, established Irving at the forefront of the British drama, and would prove a popular vehicle for Irving for the rest of his professional life. With Bateman, Irving was seen in W. G. Wills' Charles I and Eugene Aram, in Richelieu, and in 1874 in Hamlet. The unconventionality of this last performance, during a run of 200 nights, aroused keen discussion and singled him out as the most interesting English actor of his day. In 1875, again with Bateman, he was seen as the title character in Macbeth; in 1876 as Othello, and as Philip in Alfred Lord Tennyson's Queen Mary; in 1877 in Richard III; and in The Lyons Mail. During this time he became lifelong friends with Bram Stoker, who praised him in his review of Hamlet and thereafter joined Irving as the manager for the company.
QUESTION: How did his career begin?
IN: Yen was born in Guangzhou, China. His mother, Bow-sim Mark, is a Fu Style Wudangquan (internal martial arts) and Tai Chi grandmaster, while his father, Klyster Yen (Zhen Yun Long ), is a newspaper editor. When he was two years old, his family moved to Hong Kong and then to Boston when he was 11. His younger sister, Chris Yen, is also a martial artist and actress, and appeared in the 2007 film Adventures of Johnny Tao: Rock Around the Dragon.

Yen describes himself as a mixed martial artist. He learned Tai Chi from a young age under his mother's tutelage. He then wanted to learn Taekwondo in his teenage years, earning a 6th Dan in the process. At the time, the Beijing Wushu Team had a scout in the United States and invited Yen over to Beijing, China, where he began training at the Beijing Sports Institute, the same facility where champion-turned-actor Jet Li trained; this is where the two of them crossed paths for the first time. Upon his return to the United States, Yen won gold medals in various wushu competitions. Yen later went on to discover and seek knowledge on other martial arts styles; he would later obtain black and purple belts from judo and Brazilian Jiu-Jitsu, respectively, and went on to study the art of Parkour, Wrestling, Muay Thai, Kickboxing and Boxing under various trainers. His exposure to mixed martial arts (MMA) was heightened when he went back to the United States from 2000 to 2003. While making his Hollywood debut, he also took time off to learn the various martial arts forms. Yen's progress was evident when he returned to Asia, where he implemented his newfound knowledge of MMA, showcased in films such as SPL: Sha Po Lang (2005), Flash Point (2007), and Special ID (2013). Near the end of 2007, Yen added a new martial arts system to his arsenal. He was offered the role of Wing Chun grandmaster and mentor of film star Bruce Lee, Ip Man, in a 2008 film named after the grandmaster. He worked hard and studied Wing Chun under Ip Man's eldest son, Ip Chun, for 9 months before tackling the role. Ip Chun has since praised Yen for his effort, his skills as a martial artist, and his ability to grasp the full concept of Wing Chun much faster than anyone else he has taught. Yen believes that combining many martial arts together will produce the most effective and harmonious style. Yen has said, "When you watch my films, you're feeling my heart." He believes in practical combat, and in his opinion, MMA is the most authentic type of practical combat. He has mentioned that he would have competed in the Ultimate Fighting Championship if he did not have a recurring shoulder injury.
QUESTION:
who trained him?