Given the task definition, example input & output, solve the new input case.
In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
Example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Output: 1874May
From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input case for you: Context_1 : "Please, Please, Please, Let Me Get What I Want" is a song originally performed by British group The Smiths. It was released as the B-side of "William, It Was Really Nothing" in 1984 and later featured on the compilation albums "Hatful of Hollow" and "Louder Than Bombs". The song has been covered by several artists, including The Decemberists, The Halo Benders, Franz Ferdinand, Elefant, OK Go, Deftones, Rob Dickinson, Emilie Autumn, Amanda Palmer, Hootie & the Blowfish, Muse, Cameo, Kaia Wilson, Third Eye Blind, Kate Walsh, The Dream Academy, Josh Rouse, She & Him, Slow Moving Millie, William Fitzsimmons and Sarah Darling, also, the chorus has been featured in a The Weeknd hook. British band Clayhill have covered the song and their version can be heard at the end of the Shane Meadows film "This Is England". Canadian electronic artist Venetian Snares also sampled the original song in "Nobody Really Understands Anybody". Canadian PBR&B singer The Weeknd sampled the song's chorus for the bridge for his song "Enemy". The song has become one of the most well known Smiths songs despite it only being a B-Side and it is often played by Morrissey during shows. Context_2 : Renditions is the first studio album by Amelia Warner under the name Slow Moving Millie. The album features the songs 'Please Please Please Let Me Get What I Want' which was the song for the John Lewis 2011 Christmas advert, and 'Beasts' which was used in a Virgin Media TV advert. The first eight tracks on the album are covers but 'Beasts' and 'Hart With A Crown & Chain' were written by Amelia Warner and are original tracks for the album. After the first week of release, the album entered the UK Albums Chart at number 89. Context_3 : "William, It Was Really Nothing" is a song by British band The Smiths. It was released as a single on 20 August 1984, featuring the B-sides "Please, Please, Please, Let Me Get What I Want" and "How Soon Is Now?", and reached number 17 in the UK Singles Chart. The song is featured on the compilation albums "Hatful of Hollow" and "Louder Than Bombs" as well as other best of and singles collections. In 2004 the song was ranked number 425 on "Rolling Stone" magazine's list of the 500 greatest songs of all time. Context_4 : "Get What You Want" is a song by Operator Please and is the second single released in Australia on 27 October 2007 and the third in the United Kingdom on 17 February 2008 from their debut album, "Yes Yes Vindictive". It debuted at number 40 on the ARIA Singles Chart on 5 November, before later peaking at number 27. The song was used by airline Virgin Blue airline for its television advertising campaign in 2007. It also featured as soundtrack in the video games "UEFA Euro 2008" and Test Drive Unlimited 2. Context_5 : "Please Go Home" is a song by British rock 'n' roll band, The Rolling Stones. It was written by Mick Jagger and Keith Richards and recorded in August 1966. It first appeared on the UK version of "Between the Buttons" but was left off the US version in favor of the two hit singles, "Let's Spend the Night Together" and "Ruby Tuesday". The song later appeared in the US on the album, "Flowers". "Please Go Home" mixes a heavy Bo Diddley beat, played on a tremolo guitar by Brian Jones revisiting his guitar work on "Mona", the usual Stones female put downs, and psychedelic flourishes, such as heavy repeating echo at the end of each line of the chorus. It also features an oscillator, played by Jones. The song has been covered by Izzy Stradlin. Context_6 : Tonight's the Night is the debut album by American girl group quartet The Shirelles, released in 1961. It contains the hit song "Will You Love Me Tomorrow". Although Shirley Owens was the group's main lead singer, "Tonight's the Night" also features lead vocals by Doris Coley and Beverly Lee; all four members share lead for "Doin' the Ronde". Later on in 1963, "Unlucky" was covered by Dionne Warwick for her debut album. "Boys", which had been the B-side of "Will You Love Me Tomorrow" and a regional hit on its original release, became better known after it was covered by The Beatles on their debut album "Please Please Me" in 1963. Context_7 : "Never Let Me Go" is a blues ballad song by American R&B/blues singer Johnny Ace, written by Joseph Scott and released in 1954 under Duke Records. The song is featured on the albums "My Songs" and "Memorial". "Never Let Me Go" was one of his eighth consecutive top ten R&B hits in a row, including "My Song", "Cross My Heart," "Please Forgive Me," "The Clock," "Pledging My Love," "Saving My Love for You," and "Anymore". The song was R&B hit and peaked to No. 9 in October 1954 on "Billboards" Rhythm & Blues Records chart. Context_8 : Intergalactic Thanksgiving, sometimes known as Please Don't Eat The Planet, is a Thanksgiving television special first aired in 1979. It revolves around farmers and aliens who try to get along after a serious accident happens. It has been included on several Nelvana compilations, such as Animated Ink and Nelvanamation. Context_9 : Amanda MacKinnon Gaiman Palmer ( ; born April 30, 1976), sometimes known as Amanda Fucking Palmer (AFP), is an American singer-songwriter who is the lead singer, pianist, and lyricist of the duo The Dresden Dolls. She performs as a solo artist, and was also one-half of the duo Evelyn Evelyn, and the lead singer and songwriter of Amanda Palmer and the Grand Theft Orchestra. Context_10 : Andrew "Andy" White (27 July 1930 9 November 2015) was a Scottish drummer, primarily a session musician. He was affectionately christened "the fifth Beatle" as he is best known for replacing Ringo Starr on drums on the Beatles' first single, "Love Me Do". White was featured on the American 7" single release of the song, which also appeared on the band's debut British album, "Please Please Me". He also played on "P.S. I Love You", which was the B-side of "Love Me Do". fact_1 : The song has been covered by several artists, including The Decemberists, The Halo Benders, Franz Ferdinand, Elefant, OK Go, Deftones, Rob Dickinson, Emilie Autumn, Amanda Palmer, Hootie & the Blowfish, Muse, Cameo, Kaia Wilson, Third Eye Blind, Kate Walsh, The Dream Academy, Josh Rouse, She & Him, Slow Moving Millie, William Fitzsimmons and Sarah Darling, also, the chorus has been featured in a The Weeknd hook. fact_2 : Amanda MacKinnon Gaiman Palmer ( ; born April 30, 1976), sometimes known as Amanda Fucking Palmer (AFP), is an American singer-songwriter who is the lead singer, pianist, and lyricist of the duo The Dresden Dolls. Question: Which american singer-songwriter, sometimes known as AFP, covered the song "Please, Please, Please, Let Me Get What I Want"?
Output:
Amanda Palmer