input question: Build a movie plot around this: Who plays Paul Hackett? Griffin dunne???
output answer: Paul Hackett (Griffin Dunne), a word processor, meets Marcy Franklin (Rosanna Arquette) in a local cafe in New York. They discuss their common interest in Henry Miller. Marcy leaves Paul her number and informs him that she lives with a sculptor named Kiki Bridges (Linda Fiorentino), who makes and sells plaster of Paris paperweights resembling cream cheese bagels. Later in the night, under the pretense of buying a paperweight, Paul visits Marcy, taking a cab to her apartment. On his way to visit Marcy, a $20 bill is blown out the window of the cab, leaving him with only some spare pocket change. The cab driver is furious that he cannot pay. This is the first in a long series of misadventures for Paul that turn hostile through no fault of his own. At the apartment Paul meets the sculptor Kiki and Marcy, and comes across a collection of photographs and medications which imply that Marcy is severely disfigured from burns on her legs and torso. As a result of this implication, and as a result of a strained conversation with Marcy, Paul abruptly slips out of the apartment.Paul then attempts to go home by subway, but the fare has increased at the stroke of midnight and he finds that his pocket change is no longer sufficient to purchase a token. He goes to a bar where Julie (Teri Garr), a waitress, becomes enamored with him. At the bar, Paul learns that there have been a string of burglaries in the neighborhood. The bar's owner, Tom Schorr (John Heard), offers to give Paul money to cover the subway fare, but cannot open the cash register. They exchange keys so Paul can go to Tom's place to fetch the cash register keys. On the way back from Tom's apartment, Paul is questioned by suspicious neighbors. Afterwards, Paul spots two actual burglars, Neil (Cheech Marin) and Pepe (Tommy Chong), with one of Kiki's sculptures. After he attempts to confront them, they flee, dropping the sculpture in the process. When Paul returns the sculpture to Kiki and Marcy's apartment, he finds Marcy has committed suicide. Kiki and a stout...

Build a movie plot around this: What does the tale of Mr Nobody reflect It reflects a tale of No choices
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Answer: Mr. Nobody is a tale about choice. Nemo, a nine year old boy, has been thrust into a position where he must make an impossible decision - to choose between his mother and father. In the seconds preceding the rest of his life he wonders where each choice will take him. The forces of the universe working to bring about total chaos are counteracted by this boy's overactive imagination. The dilemma that causes the films main problem (not knowing the future) once solved makes it all the more difficult - "I don't know the future, therefore I cannot make a decision. Now that I know the future I still cannot make one". The eloquent interplay between philosophical lifestyle and what forges reality, is epitomized by the constant change in story line, between young boy, adolescent man, and mature man. Corresponding to each particular stage is a certain soundtrack. The movie takes a four-dimensionalists view of the nature and existence of life in the universe. Each decision thus branching off creating an entirely separate alternative universe. Mr. Nobody raises many ontological arguments about the subjective nature of time. How actions have universal consequences, how the past inevitably shapes the future in a very impacting way - every single choice, no matter its simplicity or complexity can make, alter or change a lifetime.The film also makes good use of chaos theory, string theory and the butterfly effect to accentuate the lack of control we as individuals possess. Often at each stage of his life there is a scene where Nemo is subject to the whims of chance, often plunging into water, a place where we lacks all control. This is a visual symbol of the powerlessness attributed to the human condition. The aforementioned theories are used to compound reality in the film, it is why the smoke never goes back into the cigarette, time is always moving in one direction. At the end when you assume that the universe is on the precipice of ultimate chaos, time halts, and it begins to reverse. Thus signalling the absolute...

Q: Build a movie plot around this: When did Australian directors begin to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over? from 1971 through to the late 1980s
A: Not Quite Hollywood documents the revival of Australian cinema during the Australian New Wave of the 1970s and '80s through B-movies including Alvin Purple, Barry McKenzie Holds His Own, Dead-End Drive In, Long Weekend, Mad Max, The Man from Hong Kong, Patrick, Razorback, Road Games, Stork and Turkey Shoot. From 1971 through to the late 1980s, Australian directors began to take advantage of the newly introduced R-rating which allowed more on-screen nudity, sex and violence for audiences restricted to age 18 and over.[1] "Ozploitation"writer-director Mark Hartley's own portmanteau of "Australian exploitation"was a subgenre of the New Wave which accounted for the critically panned "gross-out comedies, sex romps, action and road movies, teen films, westerns, thrillers and horror films" of the era, commonly overlooked in Australia's "official film history".[2] The film addresses three main categories of "Ozploitation" films: sex, horror and action.[3]

Problem: Given the question: Build a movie plot around this: How much is Marie given to drive to address? 20,000
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The answer is:
In the Mediterranean Sea, Italian fishermen rescue an unconscious American (Matt Damon) floating adrift with two gunshot wounds in his back. They tend to his wounds, and when the man wakes, they find he suffers from dissociative amnesia. He has no memory of his own identity, while he retains his speech and finds himself capable of advanced combat skills and fluency in several languages. The skipper finds a tiny laser projector under the man's hip that, when activated, gives a number of a safe deposit box in Zurich. Upon landing, the man heads to investigate the box. Arriving at the bank, the man finds the box contains a large sum of money in various currencies, numerous passports and identity cards with his picture on all of them, and a handgun. The man takes everything but the gun, and leaves, opting to use the name on the American passport, Jason Bourne.After Bourne's departure, a bank employee contacts Operation Treadstone, a CIA black ops program. Treadstone's head, Alexander Conklin (Chris Cooper), activates three agents to take down Bourne: Castel (Nicky Naude), Manheim (Russell Levy), and the Professor (Clive Owen), while also issuing alerts to local police to capture Bourne. Meanwhile, CIA Deputy Director Ward Abbott (Brian Cox) contacts Conklin about a failed assassination attempt against exiled African dictator Nykwana Wombosi (Adewale Akinnuoye-Agbaje). Conklin promises Abbott that he will deal with the Treadstone agent who failed.Bourne attempts to evade the Swiss police by using his U.S. passport to enter the American consulate, but he is discovered by guards. He evades capture, leaves the embassy, and gives a German woman, Marie Kreutz (Franka Potente), $20,000 to drive him to an address in Paris listed on his French driving license. At the address, an apartment, he hits redial on the phone and reaches a hotel. He inquires about the names on his passports there, learning that a "John Michael Kane" had been registered but died two weeks prior in a car crash. Castel ambushes Bourne and Marie in...