In this task, you are given a review of a movie and a boolean question whether this review has positive sentiment or negative sentiment. Your task is to generate answer "yes" when the tweet has that particular sentiment, otherwise generate answer "no".

[EX Q]: Review: The late 80's saw an inexplicable rash of supernatural horror films set in gloomy penitentiary settings. Renny Harlin's superbly gritty and moody "Prison" got the whole haunted hoosegow ball rolling; it was immediately followed by the markedly inferior "The Chair," John Saxon's enjoyably trashy "Death House," the passable psycho picture "Destroyer," and this hideously limp'n'lethargic exercise in hopelessly comatose tedium. Your usual annoying collection of horribly unsympathetic college student chowderheads lead by insufferably spineless tormented twerp Alex (the hugely unappealing Nicholas Celozzi) go to Alcatraz Island to investigate the bizarre circumstances surrounding the sudden gruesome death of up-and-coming rock star Sammy Mitchell (blandly played by Toni Basil of "Hey Micky" fame). Alex's brother becomes possessed by the evil demonic spirit of a vicious cannibalistic US Civil War cavalry commandant and goes on the expected killing spree, thus forcing wimpy Alex to overcome his passivity and make a stand against this ghoulish specter.Although slickly photographed by Nicholas Von Sternberg, with a few decent gore set pieces and a fair amount of spooky atmosphere (the film was shot on location in the dismal, rusty, rundown ruins of Alcatraz Island), "Slaughterhouse rock" nonetheless just doesn't cut it as a solid, effective fright feature. This is largely due to the uniformly obnoxious and unlikeable collegiate smartaleck characters, a tiresomely smirky bunch whose inane comic antics prove to be grating rather than amusing. The flat acting from a noticeably disinterested cast hurts matters all the more, with onetime "Playboy" playmate and undeniable blonde cutie pie hottie supreme Hope Marie Carlton doing an especially irritating Linnea Quigley impersonation as the token oversexed nympho bimbo. Dimitri Logothetis' direction displays a modicum of flashy visual style, but the tone is unevenly pitched between grim seriousness and goofy, horrendously sophomoric silliness, and, most damagingly, Ted Landon's sloppy, inconsistent, overly complicated and finally quite confusing script miserably fails to develop the necessary internal logic to make the far-fetched story even remotely plausible. In other words, this stinker sadly succeeds in making a scant 90 minutes seem like an excruciatingly drawn-out cinematic jail sentence. Question: is it a positive review?
[EX A]: no

[EX Q]: Review: Since the day I saw this film when it came out in 1981, it has been one of my top 3 favorites. The blurb I wrote for Amazon is below, and I'm just thrilled that it's finally coming out on DVD on 10/17/06 - the film's 25th anniversary.The last credit in this film explains its appeal - "Thank you to the people of Manhattan on whose island this was filmed." A charming and witty romantic comedy, it is a love story written to New Yorkers (Peter Bogdanovich is a native) who can identify every location (West 12th Street, the Ansonia, the old FAO Schwartz, the Plaza, the Roxy, Chez Brigitte, and City Limits which was a country & western club). One gets the impression that the entire ensemble cast clicked as well off-screen as they do on, and this intimacy is clearly communicated. I laughed, I cried, it was better than CATS. Not only an ode to Dorothy Stratten, it was also Audrey Hepburn's last feature appearance (she had a cameo subsequent to this film) and her inner beauty seeps from the screen. Buy it, make a big tub of popcorn, and curl up with someone you love. Question: is it a positive review?
[EX A]: yes

[EX Q]: Review: Some funny bits, but come Bill! A film? Quoting Zeitgeist? Keep the TV Show and the interviews, but a film? I'm probably overreacting but what a unnecessary provoking film... I don't know. I laughed, disagreed, agreed... this film is very confusing and inconsistent.Bill's a funny guy... but also very cocky... Bill's rhetoric is similar to Bill Hicks, a brilliant comedian. But like many comedians, the borderline between comedy and preaching can be annoying. I think that the major problem in this film is his lack of sensibility. This might be just a personal taste, but comedy that constantly demeans somebody cannot be taken as truth. Bill is obviously emotionally reactive to religious fundamentalism. I agree with Bill that religious fanaticism is not sensible, but the response to it cannot be sensible. It will create unnecessary turmoil. We can do better than just react to fundamentalism. His conclusion is that "we don't know" and he fervently tries to convince the spectator that nobody knows anything, to the point that the agnostic community has been concerned with his lack of serious research in comparative religion. His humility that he only knows that he doesn't, is a contradiction as he tries to insist that all religious thought is non-sense.I had great trouble seeing bits of Zeitgeist, the movie in Bill's film. All the astrotheology-influenced non-sense that simplifies all religions as the same is simply disappointing. Zeitgeist has provoked a lot of controversy and has messed up the validity of so much of the valuable Religion Studies scholarship. It is very sad how wrong facts have been tossed around with no reliable scholarly sources. Astro-mystic sources that reduce everything to "the stars say it all" seem to be from the Middle Ages. This film is a confusing statement from a confused "agnostic". Agnosticism is far more complex and philosophically academic than defending every single issue as "we don't know".This film is an obvious proof of how postmodernism has been able to oversimplify and generalize major issues in human history.Watch the film (it has hilarious interviews and bits) but PLEASE do not behave like Bill. You cannot expect anybody to have a mature conversation if you are making sardonic comments in every other line. His arguing techniques are demeaning and insulting, provoking emotional reactions rather than rational and logical argumentation.. There needs to be a more mature way of dealing with these issues. Question: is it a negative review?
[EX A]:
yes