Answer the question at the end by quoting:

Paul Klee (German: [paUl 'kle:]; 18 December 1879 - 29 June 1940) was a Swiss German artist. His highly individual style was influenced by movements in art that included Expressionism, Cubism, and Surrealism. Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci's A Treatise on Painting for the Renaissance. He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture.
In 1919, Klee applied for a teaching post at the Academy of Art in Stuttgart. This attempt failed but he had a major success in securing a three-year contract (with a minimum annual income) with dealer Hans Goltz, whose influential gallery gave Klee major exposure, and some commercial success. A retrospective of over 300 works in 1920 was also notable. Klee taught at the Bauhaus from January 1921 to April 1931. He was a "Form" master in the bookbinding, stained glass, and mural painting workshops and was provided with two studios. In 1922, Kandinsky joined the staff and resumed his friendship with Klee. Later that year the first Bauhaus exhibition and festival was held, for which Klee created several of the advertising materials. Klee welcomed that there were many conflicting theories and opinions within the Bauhaus: "I also approve of these forces competing one with the other if the result is achievement." Klee was also a member of Die Blaue Vier (The Blue Four), with Kandinsky, Lyonel Feininger, and Alexej von Jawlensky; formed in 1923, they lectured and exhibited together in the USA in 1925. That same year, Klee had his first exhibits in Paris, and he became a hit with the French Surrealists. Klee visited Egypt in 1928, which impressed him less than Tunisia. In 1929, the first major monograph on Klee's work was published, written by Will Grohmann. Klee also taught at the Dusseldorf Academy from 1931 to 1933, and was singled out by a Nazi newspaper, "Then that great fellow Klee comes onto the scene, already famed as a Bauhaus teacher in Dessau. He tells everyone he's a thoroughbred Arab, but he's a typical Galician Jew." His home was searched by the Gestapo and he was fired from his job. His self-portrait Struck from the List (1933) commemorates the sad occasion. In 1933-4, Klee had shows in London and Paris, and finally met Pablo Picasso, whom he greatly admired. The Klee family emigrated to Switzerland in late 1933. Klee was at the peak of his creative output. His Ad Parnassum (1932) is considered his masterpiece and the best example of his pointillist style; it is also one of his largest, most finely worked paintings. He produced nearly 500 works in 1933 during his last year in Germany. However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death. The progression of his fatal disease, which made swallowing very difficult, can be followed through the art he created in his last years. His output in 1936 was only 25 pictures. In the later 1930s, his health recovered somewhat and he was encouraged by a visit from Kandinsky and Picasso. Klee's simpler and larger designs enabled him to keep up his output in his final years, and in 1939 he created over 1,200 works, a career high for one year. He used heavier lines and mainly geometric forms with fewer but larger blocks of color. His varied color palettes, some with bright colors and others sober, perhaps reflected his alternating moods of optimism and pessimism. Back in Germany in 1937, seventeen of Klee's pictures were included in an exhibition of "Degenerate art" and 102 of his works in public collections were seized by the Nazis.

How did Kandinsky and Picasso encourage him?

However, in 1933, Klee began experiencing the symptoms of what was diagnosed as scleroderma after his death.

Answer the question at the end by quoting:

Kenesaw Mountain Landis (; November 20, 1866 - November 25, 1944) was an American jurist who served as a federal judge from 1905 to 1922 and as the first Commissioner of Baseball from 1920 until his death. He is remembered for his handling of the Black Sox scandal, in which he expelled eight members of the Chicago White Sox from organized baseball for conspiring to lose the 1919 World Series and repeatedly refused their reinstatement requests. His firm actions and iron rule over baseball in the near quarter-century of his commissionership are generally credited with restoring public confidence in the game.
Landis's courtroom, room 627 in the Chicago Federal Building, was ornate and featured two murals; one of King John conceding Magna Carta, the other of Moses about to smash the tablets of the Ten Commandments. The mahogany and marble chamber was, according to Landis biographer David Pietrusza, "just the spot for Landis's sense of the theatrical. In it he would hold court for nearly the next decade and a half." According to Spink, "It wasn't long before Chicago writers discovered they had a 'character' on the bench." A. L. Sloan of the Chicago Herald-American, a friend of Landis, recalled: The Judge was always headline news. He was a great showman, theatrical in appearance, with his sharp jaw and shock of white hair, and people always crowded into his courtroom, knowing there would be something going on. There were few dull moments. If Judge Landis was suspicious of an attorney's line of questioning, he would begin to wrinkle his nose, and once told a witness, "Now let's stop fooling around and tell exactly what did happen, without reciting your life's history." When an elderly defendant told him that he would not be able to live to complete a five-year sentence, Landis scowled at him and asked, "Well, you can try, can't you?" When a young man stood before him for sentencing after admitting to stealing jewels from a parcel, the defendant's wife stood near him, infant daughter in her arms, and Landis mused what to do about the situation. After a dramatic pause, Landis ordered the young man to take his wife and daughter and go home with them, expressing his unwillingness to have the girl be the daughter of a convict. According to sportswriter Ed Fitzgerald in SPORT magazine, "[w]omen wept unashamed and the entire courtroom burst into spontaneous, prolonged applause." Landis had been a lawyer with a corporate practice; upon his elevation to the bench, corporate litigants expected him to favor them. According to a 1907 magazine article about Landis, "Corporations smiled pleasantly at the thought of a corporation lawyer being on the bench. They smile no more." In an early case, Landis fined the Allis-Chalmers Manufacturing Company the maximum $4,000 for illegally importing workers, even though Winifred Landis's sister's husband served on the corporate board. In another decision, Landis struck down a challenge to the Interstate Commerce Commission's (ICC) jurisdiction over rebating, a practice banned by the Elkins Act of 1903 in which railroads and favored customers agreed that the customers would pay less than the posted tariff, which by law was to be the same for all shippers. Landis's decision allowed the ICC to take action against railroads which gave rebates.

Were there any other big cases?
The Judge was always headline news.