In this task, you are given product reviews about dvds. The goal is to classify the review as "POS" if the overall sentiment of the review is positive(the reviewer is satisfied) or as "NEG" if the overall sentiment of the review is negative(the reviewer is not satisfied).

Ex Input:
It didn't "Die Hard" enough, and the soft porn nude scenes are embarrassing . As bad as this is, and as horrible as Anna is in this junk the man who co produced and stared as the bad guy is even worse. He stumbles on Shakespeare's prose and delivers the lines like he has rocks in his mouth and is in awe of the fact he can say them at all! Frankly, so am I. That said, this is a very funny movie about a bimbo pilot, bad guys in leather pants and some "do hickey" that will "change the balance of power" .... un ...yeah..... ok. The soft core nude sex scenes are more funny than hot and are the only time Anna is able to act. At least when Andy Sadris ("Guns , "Hard Ticket To Hawaii, "Savage Beach") made his movies like this fun and funny)on purpose, and the had many playmates not just one. All in all this is one to catch on h.b.o. after midnight

Ex Output:
NEG

Ex Input:
BEAUTIFUL LOSER . You may ask yourself immediately into The Black Dahlia, why you are watching an intense promotional boxing match, that goes on for several minutes, between two L.A. police officers. What does it possibly have to do with the real-life murder of a young Hollywood hopeful in the 1940's? Well, nothing really. The movie is overloaded with information, the least of which is sometimes the murder of Elizabeth Short, whose mutilated body was found like a decrepit piece of sculptured artwork in Los Angeles in 1947. The filmmakers deny it in the bonus features, but it's film noir, with shadowy lighting, intriguing characters, and haunting jazz trumpet score, and on this level, it's an almost restful and enjoyable film to watch, as characters clearly pay homage to the tough talking guys and alluring exotic femme fatales of '40's film noir. It's central theme, however, something concerning Hollywood decadence, gets muddled in what seems a conventional and complicated police story, and the emergence of plot lines that rival the main story. It's pin-the-tail-on-the-donkey resolution is estranged, and it's multi-storylines collide more than they mesh. Director Brian De Palma's Hitchcockian style works well in seperate entities as opposed to the entirety of the film, and the cast, for the most part, are forever inviting you farther into the film with evolving characterizations, even when you can't possibly take on another police bulletin of worthless information. I was never bored for a moment, the film is that sensually stylized, but it is finally grossly unsatisfying, like a Playboy magazine without a centerfold, or indeed, an unsolved murder.

Ex Output:
NEG

Ex Input:
This movie is why Fairy tales should not be revisited . Fairy tales are written the way that they are written for a reason. And when greedy producers and actors and directors realize this maybe the world will be a better place. The characters in Fairy Tales aren't suppose to grow up. They are written for certain age groups and are moral lessons about concequences in life and how she/he's life will change depending on which choices that one will make and direction she/he follows

Ex Output:
NEG