input question: Select the correct sentiment of the following review: C'mon guys some previous reviewers have nearly written a novel commenting on this episode. It's just an old 60's TV show ! This episode of Star Trek is notable because of the most serious babe (Yeoman Barrow's) ever used on Star Trek and the fact that it was filmed in a real outdoor location. Unlike the TNG and Voyager series which were totally confined to sound stages.

This use of an outdoor location (and babe) gives proper depth and an almost film like quality to a quite ordinary episode of this now dated and very familiar show.

Except a few notable exceptions i.e "The city on the edge of forever" , "assignment Earth" and "Tomorrow is Yesterday" The old series of Star Trek needs to be seriously moth-balled and put out of it's boring misery. Half a dozen good episodes from 79 is quite a poor batting average.

This is typical of the boring stuff Gene Roddenberry produced back then actually, contrary to popular belief where some people worshiped the ground he walked on, he actually made a LOT of rubbish! He doesn't deserve to be spoken of in the same breath as Irwin Allen for example.

Just look at the set of the bridge of the Enterprise from a modern point of view. They used wobbly plywood for the floor, cafeteria chairs with plastic backs and cheap cardboard above the instrument panels. You can clearly see the folds in the paper ! Every expense spared or what !
OPTIONS:
- negative
- positive
....
output answer: negative

input question: Select the correct sentiment of the following review: Barbra Streisand in 1964 was still a curiosity, and probably raised more than a few industry eyebrows when CBS signed her to 10-year, $5 million television deal (nothing these days). But more important than that, Barbra and her manager insisted on creative control--and got it. She had this special filmed her way, and for the most part her vision was by turns clever, canny, and incredible. Opening Act I with the title song (not written specifically for her), Streisand races through a classy cast of songs linked with "I'm Late" (from "Alice in Wonderland"!--she even keeps in the line about fuzzy ears and whiskers and "too much time to shave"!); this is a totally charming, if not bizarre, selection--and enjoy it because it didn't make the TWO soundtrack albums released. She slows down for "Make Believe" (which gets perhaps too slow), but the dramatic "How Does the Wine Taste?" is amazing. "A Kid Again" is cute (with Streisand looking tiny in a huge chair--is that where Lily Tomlin got the idea?), as is "Sweet Zoo" ("I'm an alligator--crocodile??--no, alligator!"). "Where is the Wonder" is very cool and elegant, and her "People" number, surrounded by an orchestra who tap for her at the song's close, is stunning. Act II is set in New York City's Bergdof Goodman, with Streisand acting kooky in high fashion get-ups (when she playfully stomps on the mink, the audience watching the tape actually gasps). Act III, before a studio audience (made up of lucky fan club devotees), begins with a powerful version of "When the Sun Comes Out" (Streisand actually looks out of breath at the dramatic close), followed by "Why Did I Choose You?" (probably her best early song), a too-quick "Lover, Come Back to Me" (where she's ultimately drowned out by the orchestra), and a 'Funny Girl' medley. The finale, "Happy Days are Here Again", which reportedly took 12 takes, closes the hour in amazing fashion. Sponsored by Chemstrand (a fiber-making company!), this black-and-white gem moves fast, with jazzy set-ups, terrific cinematography, kicky sets and costumes. They really don't make 'em like this anymore--and that pertains to the special and to La Streisand.
OPTIONS:
- negative
- positive
....
output answer: positive

input question: Select the correct sentiment of the following review: A very funny east-meets-west film influenced by the closure of GM's Flint, Michigan plant in the eighties and the rise and integration of Japanese automakers in the US. Set in western Pennsylvania, it features great performances by Michael Keaton, Gedde Watanabe, and George Wendt. Music by blues legend Stevie Ray Vaughan.
OPTIONS:
- negative
- positive
....
output answer:
positive