In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
One example is below.
Q: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 16501900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (201114), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (200911). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 : Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 : He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
A: 1874May
Rationale: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.
Q: Context_1 : Laskovyi Mai (may be spelled also as "Laskovyy May", "Laskovy May", "Laskovy Mai", "Laskoviy May"; Russian: ) was a Soviet boy band from Moscow founded by Russian songwriter, composer and musician Sergei Kuznetsov. The group's best-known member was Yuri Shatunov, who has subsequently went on to some solo success. The group disbanded in 1992. Laskovyi Mai once had been called "the legends of the 8090s". Context_2 : Japanese traditional dance has a long history, the oldest known ones may be among those transmitted through the "kagura" tradition, or folk dances relating to food producing activities such as planting rice ("dengaku") and fishing, including rain dances. There are large number of these traditional dances, which are often subfixed -"odori", -"asobi", and -"mai", and may be specific to a region or village. "Mai" and "Odori" are the two main groups of Japanese dances, and the term "Buyo" () was coined in modern times as a general term for "dance", by combining "mai" (, which can also be pronounced "bu") and "odori" (, can also be pronounced "yo"). Context_3 : Bhai Dayala Das was born at Alipur Raj, Multan, Punjab, Pakistan in 1642, in the house of Bhai Mai Das. Bhai Mai Das was a rich Banjara trader and was the owner of Bhangeshwari Tanda, which was doing business from central Asia to Indian Sub-Continent. Bhai Lakhi Rai Banjara and Bhai Mai Das was close relatives and was also business partners and was transporting the goods throughout the Asia. The good coordination between the two tandas not only made Banjaras a very rich community, but also these tandas were spreading the Sikhism to far flung areas in the country. The family of Bhai Mai Das had been closely associated with Guru Nanak Sahib and later Bhai Mai Das was associated with Guru Arjun Sahib. Bhai Mai Das was not only a good business man but was also a great Sikh. In order to bring affluency among the Sikhs and to increase the entrepreneurship qualities among the Sikhs, Guru Arjun Sahib established 52 Kitas (Bazaar) at Amritsar and Bhai Mai Das played a significant role in establishing these trading center at Guru-da-Chhak (Amritsar). Bhai Dayala Das along with his two brothers Bhai Jetha Ji and Bhai Mani Ram Ji, met Guru Har Rai Sahib and became 100% devoted to Sikhism. Bhai Dayala Das also remained close associate of Guru Har Krishan Sahib and after the death of 8th Guru, he immediately joined the 9th Sikh Guru Tegh Bahadur Ji and remained with him till the last brother. Guru Tegh Bahadur Ji sat on the seat of Guru Nanak in 1664 and thereafter he was twice arrested by the Mughals, however after the intervention of Mirza Raja Ram Singh was released by the imperial army. In 1666 Bhai Dayala Das along with Bhai Mati Das and Bhai Sati Das became the companions of Guru Tegh Bahadur Ji during his tour to east Indian. Guru Sahib from Monghyr wrote a letter to the Sikhs, stating that it is time for the congregation to serve the Guru. He added: Context_4 : Mai Thuc Loan (or Mai Huyen Thanh (), titled Mai Hac e (, literally "Mai the Black Emperor"), was the Vietnamese leader of the 722 uprising against the rule of the Tang dynasty in the region of Hoan and Ai provinces (now Thanh Hoa and Nghe An of Vietnam). Regarded as one of the major rebellions of Vietnamese people during the Third Chinese domination, the uprising of Mai Thuc Loan succeeded in capturing the capital Tong Binh (now Hanoi) of the Tang protectorate and Mai Thuc Loan thus became Mai Hac e, the emperor of the independent region for a short time before being put down by the military campaign after the order of the Emperor Xuanzong of Tang. Today Mai Thuc Loan is praised as one of the early national heroes in the history of Vietnam who contributed for the struggle for independence of the country. Context_5 : Bhai Dayala Das was born at Alipur Raj, Multan, Punjab, Pakistan in 1642, in the house of Bhai Mai Das. Bhai Mai Das was a rich Banjara trader and was the owner of Bhangeshwari Tanda, which was doing business from central Asia to Indian Sub-Continent. Bhai Lakhi Rai Banjara and Bhai Mai Das was close relatives and was also business partners and was transporting the goods throughout the Asia. The good coordination between the two tandas not only made Banjaras a very rich community, but also these tandas were spreading the Sikhism to far flung areas in the country. The family of Bhai Mai Das had been closely associated with Guru Nanak Sahib and later Bhai Mai Das was associated with Guru Arjun Sahib. Bhai Mai Das was not only a good business man but was also a great Sikh. In order to bring affluency among the Sikhs and to increase the entrepreneurship qualities among the Sikhs, Guru Arjun Sahib established 52 Kitas (Bazaar) at Amritsar and Bhai Mai Das played a significant role in establishing these trading center at Guru-da-Chhak (Amritsar). Bhai Dayala Das along with his two brothers Bhai Jetha Ji and Bhai Mani Ram Ji, met Guru Har Rai Sahib and became 100% devoted to Sikhism. Bhai Dayala Das also remained close associate of Guru Har Krishan Sahib and after the death of 8th Guru, he immediately joined the 9th Sikh Guru Tegh Bahadur Ji and remained with him till the last brother. Guru Tegh Bahadur Ji sat on the seat of Guru Nanak in 1664 and thereafter he was twice arrested by the Mughals, however after the intervention of Mirza Raja Ram Singh was released by the imperial army. In 1666 Bhai Dayala Das along with Bhai Mati Das and Bhai Sati Das became the companions of Guru Tegh Bahadur Ji during his tour to east Indian. Guru Sahib from Monghyr wrote a letter to the Sikhs, stating that it is time for the congregation to serve the Guru. He added: Context_6 : This is a list of girl groups of all musical genres. Girl groups are musical groups that only contain women members, who only sing and do not play any musical instruments. Note that this is distinct from all-female bands, wherein the members themselves do perform the instrumental components of the music (see List of all-female bands). This is not a list of solo female musicians or singers. Context_7 : Vladimir Vyacheslavovich Shurochkin (Russian: ; born April 12, 1966, Moscow) is a Soviet and Russian singer, musician, one of the former lead singer of Laskovyi Mai. Father and producer of pop stars Nyusha and competitor in synchronized swimming Maria Shurochkina. Context_8 : This article contains the list of some of the past, present and forthcoming musical groups that are based in Pakistan. This list includes musical groups that based their music on pop, rock, jazz, traditional and classical genres and Pakistani folk music. Context_9 : Andrei Vladimirovich Razin (Russian: ; born 23 October 1973), is a Russian former professional ice hockey player. Razin was selected by the Philadelphia Flyers in the 6th round (177th overall) of the 2001 NHL Entry Draft. Context_10 : Andrei Aleksandrovich Razin (Russian: ; born September 15, 1963, Sochi, RSFSR, USSR) is Soviet and Russian musician, producer group "Laskovyi Mai". fact_1 : Andrei Aleksandrovich Razin (Russian: ; born September 15, 1963, Sochi, RSFSR, USSR) is Soviet and Russian musician, producer group "Laskovyi Mai". fact_2 : Laskovyi Mai (may be spelled also as "Laskovyy May", "Laskovy May", "Laskovy Mai", "Laskoviy May"; Russian: ) was a Soviet boy band from Moscow founded by Russian songwriter, composer and musician Sergei Kuznetsov. Question: Andrei Razin and Laskovyi Mai are both musical groups from which country?
A:
Russian