In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Ex Input:
Shhhh. Listen . Miles always let the music do the talking, so my advice is just listen to this album. Nevertheless, I will bang on about it a bit, just like the others. This is a CD I put on after I come back from the pub, or club at night when I've had a few drinks or whatever. Somehow it just calls out to me "Luke... Luke... PLAY ME" and I do. It never fails to move me (and sometimes physically). It is a strange, dark brew of textured piano and electric piano riffs and some minimal rythmical work by Williams and Holland, with Miles gliding over it like only he can and John McLaughlin creating great atmosphere with some wonderful guitar work. It is raw, like most Miles Davis stuff, but also very smooth and peaceful - with a kind of dark streak running through the middle. Quite unlike any music you will hear these days, bar perhaps Aphex Twin. When I first got this album I thought it was incredible and powerful and was even quite scared of it for a while - it seemed to possess some kind of quiet voodoo power. There is magic in this music, definitely. But, over the years I have listened to it regularly and it continues to give me warm pleasures. Every listen becomes a rich, rewarding experience. It is a real grower, and calmer than most of Miles' other fusion work. It is a good companion to "A Tribute To Jack Johnson" (Mainly because of the presence of McLaughlin on guitar), although this album is far less aggressive, and more gentle and mysterious. The album will take you on a pleasant little journey down a bubbling creek, in the middle of the night...

Ex Output:
POS

Ex Input:
Ladies and Gents.... . It doesn't get any worse than this. If you have any doubts as to whether Def Jazz is "worth" the trouble-- don't bother. To even call this repulsive mess Jazz is a slap in the face to a genre that has stood fine on it's own without the help of so called fusion Rap/Jazz albums. To the reviewer who named this the best Jazz album ever: SHAME ON YOU!!!!!!

Ex Output:
NEG

Ex Input:
pure proof that the 90's are greatly missed . i feel that a lot of bands were good in the 90's. this band was one of them. while yes, they were a bit poppy and sellout-ish on americana and conspiracy, they still had enough bad@ss in them to put on a rad song. i think they should have just did a "da hui" single with "the noose" and maybe "cant get my head around you" on it. this sucks really bad. it makes the average conspiracy of one look like a bad religion album!! if you must hear, download or borrow. please guys. quit or make good music. its pretty pathetic hearing "hit that" next to the godawful creed and nickelbland!! so we go from a punk-ish hard rock band that is inspired by TSOL and The Damned and plays punk shows with pennywise to this...a corporate radio rock album that is loved by teenybopper frat boys and the mtv mindless

Ex Output:
NEG