Question:
A big band is a type of musical ensemble that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music. One problem with this usage is that it overlooks the variety of music played by these bands.
Before 1914, social dance in America was dominated by steps such as the waltz and polka. As jazz migrated from its New Orleans origin to Chicago and New York City, energetic, suggestive dances traveled with it. During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop. The dance duo Vernon and Irene Castle popularized the foxtrot while accompanied by the orchestra of James Reese Europe. One of the first bands to accompany the new rhythms was led by a drummer, Art Hickman, in San Francisco in 1916. Hickman's arranger, Ferde Grofe, wrote arrangements in which he divided the jazz orchestra into sections that combined in various ways. This intermingling of sections became a defining characteristic of big bands. In 1919, Paul Whiteman hired Grofe to use similar techniques for his band. Whiteman was educated in classical music, and he called his new band's music symphonic jazz. The methods of dance bands marked a step away from New Orleans jazz. With the exception of Jelly Roll Morton, who continued playing in the New Orleans style, bandleaders paid attention to the demand for dance music and created their own big bands. They incorporated elements of Broadway, Tin Pan Alley, ragtime, and vaudeville. Duke Ellington led his band at the Cotton Club in Harlem. Fletcher Henderson's career started when he was persuaded to audition for a job at Club Alabam in New York City, which eventually turned into a job as bandleader at the Roseland Ballroom. At these venues, which themselves gained notoriety, bandleaders and arrangers played a greater role than they had before. Hickman relied on Ferde Grofe, Whiteman on Bill Challis. Henderson and arranger Don Redman followed the template of King Oliver, but as the 1920s progressed they moved away from the New Orleans format and transformed jazz. They were assisted by a band full of talent: Coleman Hawkins on tenor saxophone, Louis Armstrong on cornet, and multi-instrumentalist Benny Carter, whose career lasted into the 1990s.
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How did jazz shape the music in this era?

Answer:
During the next decades, ballrooms filled with people doing the jitterbug and Lindy Hop.

Question:
Steven William Moffat (; born 18 November 1961) is a Scottish television writer and producer, best known for his work as showrunner, writer and executive producer of British television series Doctor Who and Sherlock. Moffat's first television work was the teen drama series Press Gang. His first sitcom, Joking Apart, was inspired by the breakdown of his first marriage; conversely, his later sitcom Coupling was based upon the development of his relationship with television producer Sue Vertue.
Between marriages, Moffat claims that he "shagged [his] way round television studios like a mechanical digger." According to an interview with The New York Times, Moffat met television producer Sue Vertue at the Edinburgh Television Festival in 1996. Vertue had been working for Tiger Aspect, a production company run by Peter Bennett-Jones. Bennett-Jones and his friend and former colleague Andre Ptaszynski, who had worked with Moffat on Joking Apart, told Moffat and Vertue that each fancied the other. A relationship blossomed and they left their respective production companies to join Hartswood Films, run by Beryl Vertue, Sue's mother. The couple have two children together: Joshua and Louis Oliver. Before Moffat left Pola Jones for Hartswood, Ptaszynski produced Chalk, the series that the writer had pitched to him at the beginning of the decade. Set in a comprehensive school and starring David Bamber as manic deputy head Eric Slatt and Nicola Walker as Suzy Travis, the show was based on Moffat's three years as an English teacher. The studio audience responded so positively to the first series when it was taped that the BBC commissioned a second series before the first had aired. However, it was met less enthusiastically by critics upon transmission in February 1997, who had taken exception to the BBC's publicity department comparing the show to the highly respected Fawlty Towers. In an interview in the early 2000s, Moffat refuses to even name the series, joking that he might get attacked in the street. After production wrapped on Chalk in 1997, Moffat announced to the cast that he was marrying Vertue. When she eventually asked him for a sitcom, he decided to base it around the evolution of their own relationship. Coupling was first broadcast on BBC2 in 2000, with his wife producing for Hartswood Films. The series proved to be highly successful, running until 2004 and producing four series and twenty-eight episodes, all written by Moffat. He also wrote the original, unbroadcast pilot episode for the U.S. version, also titled Coupling, although this was less successful and was cancelled after four episodes on the NBC network. Moffat has blamed its failure on an unprecedented level of network interference.
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Did it do well?

Answer:
Moffat has blamed its failure on an unprecedented level of network interference.