Background: Jordan Haworth Peele (born February 21, 1979) is an American actor, comedian, writer, producer, and director. Peele appeared for five seasons as a cast member on Mad TV, and starred with Keegan-Michael Key in the Comedy Central sketch series Key & Peele. In 2014, he had a recurring role in the first season of the FX anthology series Fargo, based on the 1996 film of the same name. Peele's 2017 directorial debut, the horror film Get Out, earned critical acclaim and was a box office success.
Context: Peele regularly performed at Boom Chicago in Amsterdam and The Second City in Chicago. He and Nicole Parker were well known for their musical duets at Boom Chicago. He portrayed a popular character called "Danish Supermodel Ute" during his time at Boom Chicago and hosted MTV's Comedy Weekend in 2002. In 2003, Peele joined the cast of Mad TV for its ninth season. Around the time Keegan-Michael Key joined the cast as a featured performer, it was assumed that Key would be chosen over Peele. The two of them ultimately were cast together after showing great comedic chemistry. Peele performed celebrity impersonations, which included favorites Caroll Spinney (as the voice of Big Bird from Sesame Street), Ja Rule, James Brown, Flavor Flav, Justin Guarini, Montel Williams, Morgan Freeman and Forest Whitaker. Peele was absent from the first four episodes of his second season on Mad TV. He made a cameo in "Weird Al" Yankovic's video "White & Nerdy" with Mad TV co-star Keegan-Michael Key. Peele was nominated for a 2008 Emmy Award for his song "Sad Fitty Cent", a music video parody about 50 Cent lamenting over his rivalry with Kanye West. The lyrics were, according to the music video, written by Peele, and he was involved in arranging its music. In 2009 he appeared in Little Fockers. Peele appeared in a viral video titled "Hillary vs Obama" (which was shown as a Mad TV sketch) where he and a Hillary Clinton supporter (played by short-term cast member Lisa Donovan) argue over whether Hillary Clinton or Barack Obama would make a better president, only to get upstaged by a Rudy Giuliani supporter (played by Donovan's brother, Ben). Peele auditioned to be a castmember for Saturday Night Live when SNL producers were looking for someone to play Barack Obama (around the time when SNL and Mad TV -- and other scripted shows -- were put on hiatus due to the 2007-2008 Writers Guild of America strike). Peele remained at Mad TV and the role went to Fred Armisen until September 2012, when Jay Pharoah took over the role. After five seasons on Mad TV, Peele left the cast at the end of the 13th season.
Question: How many seasons was he on it?
Answer: After five seasons on Mad TV, Peele left the cast at the end of the 13th season.

Background: Modern Sounds in Country and Western Music is a studio album by American R&B singer-songwriter and musician Ray Charles. It was recorded by Charles in February 1962 at Capitol Studios in New York City and at United Recording Studios in Hollywood, then released in April of that year by ABC-Paramount Records. The album departed stylistically from the singer's previous rhythm and blues music. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz.
Context: Modern Sounds in Country and Western Music was the 18th overall LP Charles had recorded. According to him, the title of the album was conceived by producer Sid Feller and ABC-Paramount's executives and management people. The recording sessions for the album took place at three sessions in mid-February 1962. The first two sessions were set on February 5 and 7 at Capitol Studios in New York, New York, at which one half of the album was recorded and produced. The other half was recorded on February 15 of that same year at United Recording Studios in Hollywood, California. Instead of drawing what he should record from memory and his knowledge of country music, Charles asked Feller, his newly appointed A&R (Artists and Repertoire) man, to research top country standards through major country music publishers. By canvassing premier country publishing companies, such as Acuff-Rose Publishing (which featured the Hank Williams catalog) and Hill & Range Songs (most of which were located in Nashville, Tennessee), Feller amassed around 250 songs on tape for Charles to consider recording for Modern Sounds in Country and Western Music. From New York City, Feller sent the recordings to Charles, who was living in California at the time, for him to choose. According to music essayist Daniel Cooper: While his selections provided the album's country and western foundation, the musical arrangements represented its contemporary influence. Eager to display his big band ensemble in studio, Charles enlisted premier jazz arrangers Gerald Wilson and Gil Fuller, while Marty Paich, who was active in the West Coast jazz scene, was hired to arrange the lush strings and chorus numbers. Despite enlisting a roster of professional arrangers and musicians, Charles intended to control the artistic direction of the recordings. To indicate specific licks he wanted emphasized for certain songs, Charles would put together voice-and-piano demos and pass them along to the arrangers, informing them of what he wanted to do with specific sounds. According to Feller, at one point during recording, Charles rewrote an entire botched arrangement and dictated the parts to each of the 18 backing musicians.
Question: Why did he change studios?
Answer:

Background: William Randolph Hearst Sr. (; April 29, 1863 - August 14, 1951) was an American businessman, politician, and newspaper publisher who built the nation's largest newspaper chain and media company Hearst Communications and whose flamboyant methods of yellow journalism influenced the nation's popular media by emphasizing sensationalism and human interest stories. Hearst entered the publishing business in 1887 after being given control of The San Francisco Examiner by his wealthy father.
Context: As biographer Ben Proctor explains: During the 1920s he became an avowed Jeffersonian Democrat, warning his fellow citizens against the dangers of big government, of unchecked federal power that could infringe on the individual rights of Americans, especially if a charismatic leader was in charge....[After supporting FDR in 1932] Hearst soon became highly critical of the New Deal. With increasing frequency Hearst newspapers supported big business to the detriment of organized labor. With unabated vigor they condemned higher income tax legislation as a persecution of the "successful." Hearst broke with FDR in spring 1935 when the president vetoed the Patman Bonus Bill for veterans and tried to enter the World Court. Hearst's papers were his weapon. They carried the publisher's rambling, vitriolic, all-capital-letters editorials, but he no longer employed the energetic reporters, editors, and columnists who might have made a serious attack. He reached 20 million readers in the mid 1930s, but they included much of the working class that Roosevelt had swept by three-to-one margins in the 1936 election. The Hearst papers--like most major chains--had supported the Republican Alf Landon that year. In 1934, after checking with Jewish leaders to ensure a visit would be to their benefit, Hearst visited Berlin to interview Adolf Hitler. When Hitler asked why he was so misunderstood by the American press, Hearst retorted: "Because Americans believe in democracy, and are averse to dictatorship." Hearst's papers ran columns without rebuttal by Nazi leader Hermann Goring and Hitler himself, as well as Mussolini and other dictators in Europe and Latin America.
Question: Did they persuade him or was it on his own
Answer:
With increasing frequency Hearst newspapers supported big business to the detriment of organized labor.