Background: Born in Nelson County, Virginia, Allen was the son of Loretta M. and Earl Raymond Allen, who was recorded in the 1920 and 1930 U.S. census records for Wayne County, Michigan as working as a chauffeur to a private family. He earned varsity letters in football, track and basketball at Lake Shore High School in St. Clair Shores, Michigan; having graduated in 1940. Allen went to Alma College in Michigan and later at Marquette University in Milwaukee, Wisconsin, where he was sent as an officer trainee in the U. S. Navy's World War II V-12 program. He graduated with a B.S. in education from Michigan State Normal College (now Eastern Michigan University) in Ypsilanti, and then attended the University of Michigan in Ann Arbor, where he earned his master's degree in physical education in 1947.
Context: Allen's death may have been indirectly caused by a Gatorade shower. He died on December 31, 1990, from ventricular fibrillation in his home in Palos Verdes Estates, California, at the age of 72. Shortly before his death, Allen noted that he had not been feeling well since some of his Long Beach State players dumped a Gatorade bucket filled with ice water on him following a season-ending victory over the University of Nevada, Las Vegas on November 17, 1990 (he remarked that the university couldn't afford actual Gatorade). The sports editor of the Long Beach State newspaper, the Daily Forty-Niner, was on the field that day and recalled that the temperature was in the 50s with a biting wind. Allen stayed on the field for media interviews for a considerable length of time in his drenched clothing, and boarded the bus back to Long Beach State soaking wet. Having promised a winning season to a football program on the verge of collapse, in his final game Allen delivered on his promise. His players hoisted him on their shoulders as photographers snapped away, and Allen's team ended the season with a winning record. Allen said his season at Long Beach State was the most rewarding of his entire career. Allen's son George denied that the Gatorade shower caused the death, attributing it to an existing heart arrythmia. He stated that seeing Gatorade showers on television was a reminder that his father "went out a winner". After Allen's death, the soccer and multipurpose field area on the lower end of campus was dedicated in his honor as George Allen Field. A youth baseball field in Palos Verdes Estates is also named after him.
Question: What was his greatest accomplishment?
Answer:

Background: Carousel is the second musical by the team of Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The 1945 work was adapted from Ferenc Molnar's 1909 play Liliom, transplanting its Budapest setting to the Maine coastline. The story revolves around carousel barker Billy Bigelow, whose romance with millworker Julie Jordan comes at the price of both their jobs. He participates in a robbery to provide for Julie and their unborn child; after it goes tragically wrong, he is given a chance to make things right.
Context: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical". There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella. The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013.
Question: when did the new york harmonic do it
Answer: February 28 to March 2, 2013, at Avery Fisher Hall.

Background: Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. The group has seen many personnel changes over the years, with Froese being the only continuous member until his death in January 2015. The best known line-up of the group was its mid-70s trio of Froese, Christopher Franke, and Peter Baumann. In the late 1970s, Johannes Schmoelling replaced Baumann.
Context: Edgar Froese arrived in West Berlin in the mid-1960s to study art. His first band, the psychedelic rock-styled The Ones, disbanded after releasing only one single. After The Ones, Froese experimented with musical ideas, playing smaller gigs with a variety of musicians. Most of these performances were in the famous Zodiak Free Arts Lab, although one grouping also had the distinction of being invited to play for the surrealist painter Salvador Dali. The music was partnered with literature, painting, early forms of multimedia, and more. It seemed as though only the most outlandish ideas attracted any attention, leading Froese to comment, "In the absurd often lies what is artistically possible." As members of the group came and went, the direction of the music continued to be inspired by the Surrealists, and the group came to be called by the surreal-sounding name of Tangerine Dream, inspired by the line "tangerine trees and marmalade skies" from The Beatles' track "Lucy in the Sky with Diamonds." Froese was fascinated by technology and skilled in using it to create music. He built custom-made instruments and, wherever he went, collected sounds with tape recorders for use in constructing musical works later. His early work with tape loops and other repeating sounds was the obvious precursor to the emerging technology of the sequencer, which Tangerine Dream quickly adopted upon its arrival. The first Tangerine Dream album, Electronic Meditation, was a tape-collage Krautrock piece, using the technology of the time rather than the synthesized music they later became famous for. The line-up for the album was Froese, Klaus Schulze, and Conrad Schnitzler. Electronic Meditation was published by Ohr in 1970, and began the period known as the Pink Years (the Ohr logo was a pink ear). But starting with their second album, Alpha Centauri, the group has been a trio or occasionally duo of electronic instruments, commonly augmented by guitar from Froese (or, much later, other musicians as well), and occasionally also other instruments. Of these, drums from Christopher Franke and organ from Steve Schroyder (on Alpha Centauri) or Peter Baumann (on subsequent releases) feature prominently in the band's music during the early 70s. They also started their heavy usage of the Mellotron during this period.
Question: anything else interesting?
Answer:
The first Tangerine Dream album, Electronic Meditation, was a tape-collage Krautrock piece,