Question:
Harold Athol Lanigan Fugard OIS (born 11 June 1932) is a South African playwright, novelist, actor, and director who writes in South African English. He is best known for his political plays opposing the system of apartheid and for the 2005 Academy Award-winning film of his novel Tsotsi, directed by Gavin Hood. Fugard is an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the University of California, San Diego. For the academic year 2000-2001, he was the IU Class of 1963 Wells Scholar Professor at Indiana University, in Bloomington, Indiana.
In the 1960s, Fugard formed the Serpent Players, whose name derives from their first venue, the former snake pit at the Port Elizabeth Museum, "a group of black actors worker-players who earned their living as teachers, clerks, and industrial workers, and cannot thus be considered amateurs in the manner of leisured whites", developing and performing plays "under surveillance of the Security Police according to Loren Kruger's The Dis-illusion of Apartheid published in 2004." The group largely consisted of black men, including Winston Ntshona, John Kani, Welcome Duru, Fats Bookholane and Mike Ngxolo as well as Nomhle Nkonyeni and Mabel Magada. They all got together, albeit at different intervals, and decided to do something about their lives using the stage. In 1961 they met Athol Fugard, a white man who grew up in Port Elizabeth and who recently returned from Johannesburg, and asked him if he could work with them as he had the theatre know-how, how to use the stage, movements, and everything else. They worked with Athol Fugard since then and that is how the Serpent Players go together. At the time, the group performed anything they could lay their hands on in South Africa as they had no access to any libraries. These included Bertolt Brecht, August Strindberg, Samuel Beckett, William Shakespeare and many other prominent playwrights of the time. In an interview in California, Ntshona and Kani were asked why they were doing the play Sizwe Banzi is Dead, which was considered a highly political and telling story of the South African political landscape at the time. Ntshona answered: "We are just a group of artists who love theatre. And we have every right to open the doors to anyone who wants to take a look at our play and our work. We believe that art is life and conversely, life is art. And no sensible man can divorce one from the other. That's it. Other attributes are merely labels". They mainly performed at the St Stephen's Hall - renamed the Douglas Ngange Mbopa Memorial Hall in 2013 - adjacent to St Stephen's Church, and other spaces in and around New Brighton, the oldest Black township in Port Elizabeth. According to Loren Kruger, Professor of English and Comparative Literature at the University of Chicago, the Serpent Players used Brecht's elucidation of gestic acting, dis-illusion, and social critique, as well as their own experience of the satiric comic routines of urban African vaudeville, to explore the theatrical force of Brecht's techniques, as well as the immediate political relevance of a play about land distribution. Their work on the Caucasian Chalk Circle and, a year later, on Antigone led directly to the creation, in 1966, of what is still [2004] South Africa's most distinctive Lehrstuck [learning play]:'The Coat. Based on an incident at one of the many political trials involving the Serpent Players, The Coat dramatized the choices facing a woman whose husband, convicted of anti-apartheid political activity, left her only a coat and instructions to use it.
Answer this question using a quote from the text above:

Did they accomplish anything

Answer:
They mainly performed at the St Stephen's Hall - renamed the Douglas Ngange Mbopa Memorial Hall in 2013 -

Answer the question at the end by quoting:

James Edward O'Keefe III (born June 28, 1984) is an American conservative political activist. He produces secretly recorded undercover audio and video encounters with figures and workers in academic, governmental and social service organizations, purporting to show abusive or allegedly illegal behavior by employees and/or representatives of those organizations. He has been criticized for selectively editing videos to misrepresent the context of conversations and the subjects' responses, creating the false impression that people said or did things they did not. He gained national attention for his video recordings of workers at Association of Community Organizations for Reform
In September 2009, O'Keefe and his associate, Hannah Giles, published edited hidden camera recordings in which Giles posed as a prostitute and O'Keefe as her boyfriend, a law student, in an attempt to elicit damaging responses from employees of the Association of Community Organizations for Reform Now (ACORN), an advocacy organization for 40 years for persons of low and moderate income. A Washington Post correspondent reported that O'Keefe "said he targeted ACORN for the same reasons that the political right does: its massive voter registration drives", and "Politicians are getting elected single-handedly due to this organization." ACORN mostly registered people from the Latino and African American communities. The videos were recorded during the summer of 2009 and appeared to show low-level ACORN employees in six cities providing advice to Giles and O'Keefe on how to avoid detection by authorities of tax evasion, human smuggling and child prostitution. He framed the undercover recordings with a preface of him dressed in a "pimp" outfit, which he also wore in TV media interviews. This gave viewers, including the media, the impression that he had dressed that way when speaking to ACORN workers. However, he actually entered the ACORN offices in conservative street clothes (the sleeve of his dress shirt is visible on camera). Furthermore, the ACORN employees involved reported his activities to the police after he left. O'Keefe selectively edited and manipulated his recordings of ACORN employees, as well as distorted the chronologies. Several journalists and media outlets have expressed regret for not properly scrutinizing and vetting his work. On April 10, 2012, the political gossip site Wonkette reported that Andrew Breitbart had signed a $120,000 contract for "life rights" by O'Keefe and Giles based on the ACORN videos. The contract was paid in monthly increments of $5,000. Giles ultimately received $32,000 before parting ways with Breitbart over what she described in legal depositions as "a conflict of visions". O'Keefe ultimately received $65,000.

What are ACORN videos?
an attempt to elicit damaging responses from employees of the Association of Community Organizations for Reform Now (ACORN),