input: In 1941, the Gregg family moved to Ypsilanti, Michigan, where her father sought a job assembling bombs at the Ford Motor Company. Viola's strong-willed nature led her to drop out of high school after one year, and elope at the age of 16. The marriage did not last and she returned to her family. Two years later the Gregg family moved to Detroit, Michigan, which was starkly segregated by race. Tension between whites and blacks in Detroit was very high and the early 1940s saw violence and rioting. Witnessing these horrific ordeals was a major motivator that influenced Viola's future civil rights work. In 1943, she married George Argyris, the manager of a restaurant where she worked. They had two children, Penny and Evangeline Mary, and divorced in 1949. She later married Anthony Liuzzo, a Teamsters union business agent. They had three children: Tommy, Anthony, Jr., and Sally. Liuzzo sought to return to school, and attended the Carnegie Institute in Detroit, Michigan. She then enrolled part-time at Wayne State University in 1962. In 1964, Liuzzo began attending the First Unitarian Universalist Church of Detroit, and joined the National Association for the Advancement of Colored People (NAACP). A large part of Viola's activism, particularly with the NAACP, was due to a close friendship with an African-American woman, Sarah Evans. After initially meeting in a grocery store where Liuzzo worked as a cashier, the two kept in touch. Evans eventually became the housekeeper of Liuzzo, while still maintaining a close, friendly relationship in which they shared similar views including support for the civil rights movement. In the aftermath of Liuzzo's death, Evans would go on to become the permanent caretaker of Liuzzo's five young children. Liuzzo so passionately believed in the fight for civil rights, that she helped organize Detroit protests, attended Civil Rights conferences, and worked with the NAACP. Liuzzo had a strong desire to make a difference on as large a scale as she could.

Answer this question "Why did they move to Michigan?"
output: where her father sought a job assembling bombs at the Ford Motor Company.

input: As the group entered the Melodifestivalen with "Ring Ring" but failed to qualify as the 1973 Swedish entry, Stig Anderson immediately started planning for the 1974 contest. Ulvaeus, Andersson and Stig Anderson believed in the possibilities of using the Eurovision Song Contest as a way to make the music business aware of them as songwriters, as well as the band itself. In late 1973, they were invited by Swedish television to contribute a song for the Melodifestivalen 1974 and from a number of new songs, the upbeat song "Waterloo" was chosen; the group was now inspired by the growing glam rock scene in England. ABBA won their national heats on Swedish television on 9 February 1974, and with this third attempt were far more experienced and better prepared for the Eurovision Song Contest. Winning the 1974 Contest on 6 April 1974 gave ABBA the chance to tour Europe and perform on major television shows; thus the band saw the "Waterloo" single chart in many European countries. "Waterloo" was ABBA's first number-one single in big markets such as the UK and West Germany. In the United States, the song peaked at number-six on the Billboard Hot 100 chart, paving the way for their first album and their first trip as a group there. Albeit a short promotional visit, it included their first performance on American television, The Mike Douglas Show. The album Waterloo only peaked at number 145 on the Billboard 200 chart, but received unanimous high praise from the US critics: Los Angeles Times called it "a compelling and fascinating debut album that captures the spirit of mainstream pop quite effectively ... an immensely enjoyable and pleasant project", while Creem characterised it as "a perfect blend of exceptional, lovable compositions". ABBA's follow-up single, "Honey, Honey", peaked at number 27 on the US Billboard Hot 100, and was a number-two hit in West Germany. However, in the United Kingdom, ABBA's British record label, Epic, decided to re-release a remixed version of "Ring Ring" instead of "Honey, Honey", and a cover version of the latter by Sweet Dreams peaked at number 10. Both records debuted on the UK chart within one week of each other. "Ring Ring" failed to reach the Top 30 in the United Kingdom, increasing growing speculation that the group was simply a Eurovision one-hit wonder.

Answer this question "What did ABBA do after winning?"
output: gave ABBA the chance to tour Europe and perform on major television shows;

input: After production concluded on Harlem Nights, Bakshi wanted to distinguish himself artistically by producing a film in which live action and animated characters would interact. Bakshi said, "The illusion I attempted to create was that of a completely live-action film. Making it work almost drove us crazy." Hey Good Lookin' is set in Brooklyn during the 1950s; its lead characters are Vinnie, the leader of a gang named "The Stompers", his friend Crazy Shapiro and their girlfriends, Roz and Eva. Vinnie and Crazy Shapiro were based on Bakshi's high school friends Norman Darrer and Allen Schechterman. Warner Bros. optioned the screenplay and greenlit the film in 1973. An initial version of Hey Good Lookin' was completed in 1975. A three-minute promo of this version was screened at the 1975 Cannes Film Festival, and the film was scheduled for a Christmas 1975 release, but was moved to the summers of 1976 and later 1977, before ultimately being postponed indefinitely. Warner Bros. was concerned about any controversy the film would encounter as a result of the backlash over the film Coonskin, and felt that the film was "unreleasable" because of its mix of live action and animation, and it would not spend further money on the project. Bakshi financed the film's completion himself from the director's fees for other projects such as Wizards, The Lord of the Rings and American Pop. The live-action sequences of Hey Good Lookin' were gradually replaced by animation; among the eliminated live-action sequences was one featuring the glam punk band New York Dolls. Singer Dan Hicks worked on the initial musical score, but the final version was scored by John Madara. Hey Good Lookin' opened in New York City on October 1, 1982, and was released in Los Angeles in January 1983. The film's release was limited, and went largely unnoticed in the United States, although it garnered respectable business in foreign markets. In a brief review, Vincent Canby wrote that it was "not exactly incoherent, but whatever it originally had on its mind seems to have slipped away". Animation historian Jerry Beck wrote, "the beginning of the film is quite promising, with a garbage can discussing life on the streets with some garbage. This is an example of what Bakshi did best--using the medium of animation to comment on society. Unfortunately, he doesn't do it enough in this film. There is a wildly imaginative fantasy sequence during the climax, when the character named Crazy starts hallucinating during a rooftop shooting spree. This scene almost justifies the whole film. But otherwise, this is a rehash of ideas better explored in Coonskin, Heavy Traffic, and Fritz the Cat." The film has since gained a cult following through cable television and home video. Quentin Tarantino stated that he preferred Hey Good Lookin' to Martin Scorsese's Mean Streets.

Answer this question "Was the film a success"
output:
" The film has since gained a cult following through cable television and home video. Quentin Tarantino stated that he preferred Hey Good Lookin' to Martin Scorsese's Mean Streets.