Q: Article: When I was a seven-year-old girl, I used to go door-to-door with my mother to ask the residents for donations to the American Lung Association. Some would give a few coins; others, on rare occasions, a whole dollar; but most would silently shake their heads. No matter what the amount was, my mother always thanked the givers, wrote their names and addresses on her large envelope, and placed the money inside. And then we returned to our apartment, and my mother counted the money. The yield didn't match the effort: I don't think she collected more than $10. Still, she sent the collection to the organization. Even as a child, I knew my mother's actions were great, which aroused my pride in her. Asking poor people to give to an organization which aimed to help others wasn't what you did. Other charities gave to these folks; you didn't ask them to give. To them , her efforts likely seemed foolish. But to me, her efforts had an influence on me as I grew up. Although my charitable giving is modest, I faithfully and regularly donate to the organization which is aimed at fighting AIDS; to stop hunger, and homelessness; to support public broadcasting, the arts, and public education; and to heal families. And I volunteer my time to teach little girls and fix our badly broken public schools. I do these things because I believe I've been given much, so much is required of me. I never asked my mother why she collected those donations, and, besides, the lung cancer that killed her twenty-one years ago prevents me from asking now. But had I asked, my mother's response would have been simple:"Because I can."That's what she would have said. But from that look in her eyes and her daily efforts to make life a bit brighter, I know she also acted on hope that tomorrow would be better and that her actions somehow would make a difference. Question: How did the author feel about his mother's actions? Yes or no, is the answer "Proud"?
A: Yes

Q: Article: The other day when I was passing a clothing store, I fell in love with a skirt. I knew it would suit me best at first sight. But when I looked at the price tag , I knew I had to give it up. The love for beautiful clothes has been planted in my heart the day when I was born to be a woman. Several years ago I read an article in a magazine. The article stated that when a woman is at her best time, she is usually poor or tasteless, so she can't get the right clothes; when she can afford to buy the clothes she likes, she often finds that they do not suit her anymore. On the way home, I was quite disturbed by such thoughts. It was just a pity, like many other pities. I thought to myself this way. But when I was about to enter the building where I was living, I saw the big mirror placed in the entrance. I saw a girl in it who was in cheap but cleanly washed sweater and jeans. _ was rather young, healthy and energetic. For quite a while I was touched by what I had seen in the mirror. Then I almost forgot the tale: A person without shoes cried until he saw a man without feet. Being young without good clothes is like the person without shoes. I should have felt grateful that I haven't lost my feet. Question: We can learn from the text that the author considered her love for beautiful clothes as _ . Yes or no, is the answer "natural"?
A: Yes

Q: Article: Their reunion was unlike any other. Graduating from the Macon, Georgia, class of 1959 gathered together in 2009, even though many of them never had an opportunity to meet during their high school days. Schools in the 1950's, like most other public locations, were segregated in Georgia. Kids were forced to attend different schools depending on the color1 of their skin, and those with white skin were further separated by gender. Fifty years later these people who were not allowed to associate with each other were finally able to connect. It all began with the personal journey of a man named Tom Johnson. He grew up in Macon and enjoyed a very successful career which included serving as the publisher of the Los Angeles Times and president of CNN. Tom's life changed drastically over the years, but he still felt the desire to reconnect with his roots. In 2005 Johnson returned to Macon with his son, Wyatt. As the pair drove around town, the father recounted high school stories to his son. He talked about how students attended one of three schools: BallardHudson, Lanier or Miller. Wyatt looked over at his father and said:"Dad think about how many friends you missed getting to know." Johnson thought about the people he never got the chance to meet. He decided to do something about it. The first step was to find people who graduated from all three schools. Johnson wrote to each person and proposed they all get together for a luncheon. He explained that even though they were kept apart during their youth, they didn't have to be separated any more. His classmates received the message with open hearts. A reunion date was set for October. More than 200 former Macon students traveled hundreds of miles to reunite with people who went to high school with them. It was an unprecedented event, former students coming together to make up for the time they had lost during the days of segregation. Question: When the classmates received the message from Tom, they _ . Yes or no, is the answer "were all eager for the reunion"?
A: Yes

Q: Article: Beijing opera or Peking opera (Pinyin: Jingju) is a form of Chinese opera which arose in the late 18th century and became fully developed and recognized by the mid-19th century.The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China.Major performance troupes (,) are based in Beijing and Tianjin in the north,and Shanghai in the south.The art form is also enjoyed in Taiwan,and has spread to other countries such as the United States and Japan. Beijing opera features four main types of performers.Performing troupes often have several of each variety,as well as numerous secondary and tertiary performers.With their elaborate (,) and colorful costumes,performers are the only focal points on Beijing opera's characteristically small stage.They make use of the skills of speech,song,dance,and combat in movements that are symbolic and suggestive,rather than realistic.Above all else,the skill of performers is evaluated according to the beauty of their movements.Performers also hold a variety of stylistic conventions that help audiences navigate the plot of the production.The layers of meaning within each movement must be expressed in time with music.The music of Beijing opera can be divided into the Xipi and Erhuang styles.Melodies include arias ,fixed-tune melodies,and percussion patterns.The repertoire of Beijing opera includes over 1,400 works,which are based on Chinese history,folklore,and,increasingly,contemporary life. In recent years,Beijing opera has attempted numerous reforms in response to sagging audience numbers.These reforms,which include improving performance quality,adapting new performance elements,and performing new and original plays,have met with mixed success.Some Western works have been adopted as new plays,but a lack of funding and an adverse political climate have left Beijing opera's fate uncertain as the form enters the 21st century. Question: How long has Beijing Opera become a popular art form? Yes or no, is the answer "About one and a half centuries."?
A: Yes