Problem: Background: Kansas is an American rock band that became popular in the 1970s initially on album-oriented rock charts and later with hit singles such as "Carry On Wayward Son" and "Dust in the Wind". The band has produced nine gold albums, three multi-platinum albums (Leftoverture 6x, Point of Know Return 4x, The Best of Kansas 4x), one other platinum studio album (Monolith), one platinum live double album (Two for the Show), and a million-selling single, "Dust in the Wind". Kansas appeared on the Billboard charts for over 200 weeks throughout the 1970s and 1980s and played to sold-out arenas and stadiums throughout North America, Europe and Japan. "Carry On Wayward Son" was the second-most-played track on US classic rock radio in 1995 and No. 1 in 1997.
Context: In 1969 Lynn Meredith, Don Montre, Dan Wright and Kerry Livgren (guitars, keyboards, synthesizers) were performing in a band called The Reasons Why in their hometown of Topeka, Kansas. After changing the band's name to Saratoga, they started playing Livgren's original material with Scott Kessler playing bass and Zeke Lowe on drums. In 1970 they changed the band's name to Kansas and merged with members of rival Topeka progressive rock group White Clover. White Clover members Dave Hope (bass) and Phil Ehart (drums, percussion) joined with Livgren, vocalists Meredith and Greg Allen, keyboardists Montre and Wright and saxophonist Larry Baker. This early Kansas group, which lasted until early 1971 when Ehart, Hope and some of the others left to re-form White Clover, is sometimes referred to as Kansas I. Ehart was replaced by Zeke Lowe and later Brad Schulz, Hope was replaced by Rod Mikinski on bass, and Baker was replaced by John Bolton on saxophone and flute. (This lineup is sometimes referred to as Kansas II, and 30 years later would re-form under the name Proto-Kaw). In 1972, after Ehart returned from England (where he had gone to look for other musicians), he and Hope once again re-formed White Clover with Robby Steinhardt (vocals, violin, viola, cello), Steve Walsh (vocals, keyboards, synthesizers, percussion) and Rich Williams (guitars). In early 1973 they recruited Livgren from the second Kansas group, which then folded. Eventually they received a recording contract with Don Kirshner's eponymous label, after Kirshner's assistant, Wally Gold, heard one of their demo tapes and came out to check out the band at one of their local gigs in March 1973. After signing with Kirshner, the group decided to return to using the name "Kansas".
Question: When did some of the members leave the group?
Answer: Ehart was replaced by Zeke Lowe and later Brad Schulz, Hope was replaced by Rod Mikinski on bass, and Baker was replaced by John Bolton on saxophone and flute. (

Background: Anquetil was the son of a builder in Mont-Saint-Aignan, in the hills above Rouen in Normandy, north-west France. He lived there with his parents, Ernest and Marie, and his brother Philippe and then at Boisguillaume in a two-storey house, "one of those houses with exposed beams that tourists think are pretty but those who live there find uncomfortable." In 1941, his father refused contracts to work on military installations for the German occupiers and his work dried up. Other members of the family worked in strawberry farming and Anquetil's father followed them, moving to the hamlet of Bourguet, near Quincampoix.
Context: Anquetil unfailingly beat Raymond Poulidor in the Tour de France and yet Poulidor remained the more popular. Divisions between their fans became marked, which two sociologists studying the impact of the Tour on French society say became emblematic of France old and new. The extent of those divisions is shown in a story, perhaps apocryphal, told by Pierre Chany, who was close to Anquetil: The Tour de France has the major fault of dividing the country, right down to the smallest hamlet, even families, into two rival camps. I know a man who grabbed his wife and held her on the grill of a heated stove, seated and with her skirts held up, for favouring Jacques Anquetil when he preferred Raymond Poulidor. The following year, the woman became a Poulidor-iste. But it was too late. The husband had switched his allegiance to Gimondi. The last I heard they were digging in their heels and the neighbours were complaining. Jean-Luc Boeuf and Yves Leonard, in their study, wrote: Those who recognised themselves in Jacques Anquetil liked his priority of style and elegance in the way he rode. Behind this fluidity and the appearance of ease was the image of France winning and those who took risks identified with him. Humble people saw themselves in Raymond Poulidor, whose face - lined with effort - represented the life they led on land they worked without rest or respite. His declarations, full of good sense, delighted the crowds: a race, even a difficult one, lasts less time than a day bringing in the harvest. A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up, an image that was far from true for Poulidor, whose record was particularly rich. Even today, the expression of the eternal second and of a Poulidor Complex is associated with a hard life, as an article by Jacques Marseille showed in Le Figaro when it was headlined "This country is suffering from a Poulidor Complex".
Question: Who were some of these people?
Answer:
A big part of the public therefore finished by identifying with the one who symbolised bad luck and the eternal position of runner-up,