Read the following context and choose the correct option to answer the question. Context: I thought I might get some good ideas if I went down to the hospital. I always have stayed away from hospitals. People died or were born. But now I thought I might get some idea if I went down to where it was all happening, the being born and the dying. Mostly the dying. It was the dying that interested me. I sat on a bench in a sort of waiting room. I wanted to call it a green room; it wasn't a place where the patients would wait to be called by the doctor; it was a place where the relatives would wait while the patient was in their room. It had a coffee bar, and comfortable couches, with trendy, muted colors on the walls and floor. Everything was clean and modern without being cold, a homogenized balancing act designed to keep everyone calm during their stressful time. It was a green room; patients were "guests"; their families were "guests" as well. Here was where the families would sit and be feted while they waited to be called out to perform, to smile and encourage or to don faces of appropriate mournfulness. The old ones would put on smiles, the young ones would look sad. I think I went there because it seemed to me that it was the place richest in emotional impact. It reeked of spent emotions, and the emotions were made all the stronger, here in the green room, by the efforts at suppression--the muted walls and gourmet coffees and scones, the overstuffed loveseats and couches, as if those in grief should not be permitted to sit on benches or folding chairs. It absolutely reeked of hush and hidden feeling. It was worse than a church. It was worse than a highschool hallway. It was more universal, more basic, something even the children could comprehend. Question: What state of mind is the narrator probably in as he leaves the hospital? Options: A. Somberness B. not enough information C. Happiness D. Grief
A

Read the following context and choose the correct option to answer the question. Context: Chloe's house reminded Paul of a cross between a used bookstore, a computer repair shop, and a college dorm. A wall of bookcases dominated the living room, each shelf crammed with two, sometimes three layers of books, videotapes, CD's and DVD's. More stacks of books and magazines stood in every corner. Paul was certain they would have taken over all the other flat spaces as well, were it not for the half-assembled computers and three dusty old monitors occupying the coffee table, end tables, and everything in between. The only semi-open spaces were the two couches that faced each other from across the room. A large red and black checkered blanket covered one of them, while the other was cracked but still serviceable brown leather. Thrift store purchases both, Paul thought. "The computer stuff belongs to one of my roommates," Chloe said. "She's always fiddling with those things to get better performance or whatever. The books are mostly mine or my other roommate, Kurt's. Come on into the kitchen and we'll rustle up a sandwich." Paul followed her back into the open kitchen area, which (given that he was ostensibly here to have lunch) he was relieved to see was clean. There was clutter in there certainly, but no dirty dishes or leftover foodstuffs appeared in evidence. Along the left wall was a cheap, plastic patio table with long wooden benches on each side and miss-matched chairs at either end. Newspapers, books, and a laptop occupied most of its surface area, but the end closest to Paul seemed clear enough to see actual use as a place for dining. "Is peanut butter ok?" she asked, motioning him towards one of the chairs. "Sure," he said and sat down at the table. As she started to prepare a couple of peanut butter sandwiches on white bread she said, "So, tell me Paul, why are you getting fired tomorrow?" Question: Who are Chloe's roommates? Options: A. a Computer nerd B. A professor who loves computers C. not enough information D. Someone who works at a thrift store
C

Read the following context and choose the correct option to answer the question. Context: A beautiful, sexy redhead sat across from Greg Tenorly. He was nervous about the closed door, but she had insisted. The slightest hint of impropriety would spark a blaze of rumors. Greg tried to concentrate on her story. But his mind wandered to his 34-year-old receding hairline and bulging stomach. The part-time music minister had been feeling good about himself ten minutes ago. Time to start exercising again. "I grew up in Marshall. Graduated from East Texas State, and got a job at a bank in Greenville. Three years ago, I moved here so I could be closer to Mom. She still lives in Marshall. I met Troy at a high school football game. He was fun, down-to-earth. We've been married for two years." Cynthia Blockerman was a vice president at First State Bank, yet only in her late 20's. She certainly looked the part, dressed in an expensive brown business suit, matching shoes and tasteful jewelry. And her shoulder-length hair was the kind you only see in shampoo commercials. Greg felt underdressed in his faded golf shirt, baggy slacks, and generic running shoes. "Everything was fine for the first six months or so. But I guess he was just playing the part of a good husband. Then I started to see his real personality. As soon as he gets home from work, he goes straight for the beer. By nine, there's a pile of cans next to his recliner, and he's calling me names, and throwing things. "Sometimes he hits me. He did it one time before we got married, but he said he was so sorry. And even broke down and cried. He promised he'd never do it again." "Is there anything in particular you say or do that seems to set him off?" It was a dumb question, but the only one he could think of. "No. It doesn't matter. I can be extra sweet, or mean, or just ignore him. He still gets mad and crazy. I don't know what to do. I want to leave him, but I'm afraid he'll come after me." Question: What physical features of himself is Greg self conscious about? Options: A. Legs and feet B. Hairline and stomach C. Breath and hygiene D. not enough information
B