input with options: Read the following context and answer the question. Context: When asked to define ourselves we often use broad brushstrokes. Without thinking we consult our internal list of "things that make me, ME" and find ourselves recalling words like "creative, outgoing, photography, guitar" before we've even had a chance to fully process the question. But how much does this internal list define us? I believed that my internal list was the best representation of myself until I read a quote by Annie Dillard that states: "How we spend our days, is of course, how we spend our lives". This quote hit me like a punch in the gut, it's blatant truth so indisputable; how I spent my days, regardless of what I told myself about myself, was ultimately who I was. Or at the very least would be how I had spent my life. This is why, when completing my self portrait, I decided to focus on the everyday. Within my self portrait I wanted to present the viewer with a familiar yet abstract sense of reality through which we get to see amalgamated glimpses of the everyday acts that define me, rather than a linear narrative or a simple re-telling of 'a day in the life'. Thus combining to create a picture of: my daily life, through an abstracted version of 'the everyday'. To create a sense of 'the day' or linear progression of time I segmented my video with four still images of the sky in various stages of daylight (morning, midday, afternoon, evening) that match the lighting seen in each concurrent video segment. The everyday acts that define me were presented in a series of short video segments that include scenes of me catching the tram, recording music and riding my bike. To disrupt the sense of linear narrative the visual segments are bluntly edited together, with nothing linking the sequential shots and a quite abrupt ending. I also attempted to create an overall sense of confounded time and space by overlaying audio from certain video segments onto others. Long, singular focus, handheld shots were also used to enhance the sense of voyeuristic glimpses. Question: Why did the narrator think an internal list did not define her? Answer:
OPTIONS:
- Because she true
- Because she thought she had it figured out
- not enough information
- Because she read a quote by Annie Dillard
output: Because she read a quote by Annie Dillard

Q: Read the following context and answer the question. Context: Everybody knew Shandor Marley's mother liked to spend more time flirting with serial killers than she did taking care of things at home. So when her son went round with an air rifle popping his neighbours like they were allotment pigeons, they figured all the boy really needed was a bit of attention. Shandor finally flipped one day after finding out the inbred farm boys who made his life hell most days were in fact his half-brothers. He returned home to confront his mother only to find her pritt-sticking press cuttings of the Mad Killer into a brand new scrapbook and seemingly not in the least bit concerned by her son's unexpected discovery. Luckily Shandor's shooting spree didn't do too much damage beyond putting one of his so-called new father's eyes out, which could be considered doubly unfortunate given as the so-called new father in question owned the old byre Shandor and his mother called home. After Shandor had spent enough time shut away in borstal with the kind of kids who would've sent his mother all weak at the knees, he went straight home half-expecting the byre to be boarded up with a blu-tacked note saying she was lugging her stupid arse to Texas to spring her latest psycho boyfriend from his cell on death row. Shandor was thinking how much that excuse would sit well with her as he scuffed up the stone track to the byre with a black bin-bag of belongings and a sunburned arm across his forehead to shield himself from the glare. The place looked pretty much the same as he remembered it, only three years worse off. The strip of grass outside the back door was parched yellow and paint peeled around the blown-out windows. He had a hand on the door before he knew for sure it was still lived-in. He flapped thunderbugs off his forearm and creaked open the door. The kitchen stank of stale cigarettes and the dregs of spirit bottles. Question: What was Shandor's mother reaction when he faced her? Answer:

OPTIONS:
- Afraid
- Surprised
- Unsurprised
- not enough information

A: Unsurprised

Read the following context and answer the question. Context: Once, while grating potatoes to make potato pancakes, I had a Proustian moment. I can't lay claim to much in the way of literary knowledge, but I do know that Proust's 'Remembrance of Things Past' was prompted by his biting into a pastry and feeling a sense of overwhelming pleasure with no recognizable cause. In my case, I was instantly transported back to the grandmother's kitchen as she and my mother grated potatoes in order to make 'poutine rapee', also known as 'poutines'. People will immediately flash to the Quebecker ethnic food known by the same name. However, in spite of all the Franco-culinary posturing, this is really only French Fries with gravy and, oh yeah, can I have some cheese curds on that? One etymological source indicates that 'poutine' really means 'mess'. If you come from my part of the country, the Quebecker poutine is just another entry in the long list of dishes that will cause you to keel over from a myocardial infarction while shoveling a foot of snow out of the driveway shortly after you've retired; sometimes before. Nope, poutines as I know them are a different creature entirely. They seem to be more of an Acadian thing and none of my friends had even heard of them, much less eaten a single one. Because of the work involved, my mother only made poutines for special times: Christmas, say or Easter. My mother would borrow this grater that was about two feet long and she and my grandmother would set to work. Generally, they started off with an enormous paper sack of potatoes, about 25 pounds or so (We used to buy potatoes by the cartload and store them in a wooden bin in the basement. Because we were cheap labour, the kids would be sent down to retrieve a few for the family meal. It was creepy to descend into the dank cellar, feel our way through the dim obstacle course formed by my grandfather's thousands of tools and bits of wood and locate the bin. After a time in storage, the eyes on potatoes began to sprout pale tendrils and it didn't take much imagination to visualize all kinds... Question: Why did she go into the basement? Answer:

OPTIONS:
- to make poutine
- to look at tools
- to retrieve potatoes
- not enough information

Answer:
to retrieve potatoes