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Harold Athol Lanigan Fugard OIS (born 11 June 1932) is a South African playwright, novelist, actor, and director who writes in South African English. He is best known for his political plays opposing the system of apartheid and for the 2005 Academy Award-winning film of his novel Tsotsi, directed by Gavin Hood. Fugard is an adjunct professor of playwriting, acting and directing in the Department of Theatre and Dance at the University of California, San Diego. For the academic year 2000-2001, he was the IU Class of 1963 Wells Scholar Professor at Indiana University, in Bloomington, Indiana.
In the 1960s, Fugard formed the Serpent Players, whose name derives from their first venue, the former snake pit at the Port Elizabeth Museum, "a group of black actors worker-players who earned their living as teachers, clerks, and industrial workers, and cannot thus be considered amateurs in the manner of leisured whites", developing and performing plays "under surveillance of the Security Police according to Loren Kruger's The Dis-illusion of Apartheid published in 2004." The group largely consisted of black men, including Winston Ntshona, John Kani, Welcome Duru, Fats Bookholane and Mike Ngxolo as well as Nomhle Nkonyeni and Mabel Magada. They all got together, albeit at different intervals, and decided to do something about their lives using the stage. In 1961 they met Athol Fugard, a white man who grew up in Port Elizabeth and who recently returned from Johannesburg, and asked him if he could work with them as he had the theatre know-how, how to use the stage, movements, and everything else. They worked with Athol Fugard since then and that is how the Serpent Players go together. At the time, the group performed anything they could lay their hands on in South Africa as they had no access to any libraries. These included Bertolt Brecht, August Strindberg, Samuel Beckett, William Shakespeare and many other prominent playwrights of the time. In an interview in California, Ntshona and Kani were asked why they were doing the play Sizwe Banzi is Dead, which was considered a highly political and telling story of the South African political landscape at the time. Ntshona answered: "We are just a group of artists who love theatre. And we have every right to open the doors to anyone who wants to take a look at our play and our work. We believe that art is life and conversely, life is art. And no sensible man can divorce one from the other. That's it. Other attributes are merely labels". They mainly performed at the St Stephen's Hall - renamed the Douglas Ngange Mbopa Memorial Hall in 2013 - adjacent to St Stephen's Church, and other spaces in and around New Brighton, the oldest Black township in Port Elizabeth. According to Loren Kruger, Professor of English and Comparative Literature at the University of Chicago, the Serpent Players used Brecht's elucidation of gestic acting, dis-illusion, and social critique, as well as their own experience of the satiric comic routines of urban African vaudeville, to explore the theatrical force of Brecht's techniques, as well as the immediate political relevance of a play about land distribution. Their work on the Caucasian Chalk Circle and, a year later, on Antigone led directly to the creation, in 1966, of what is still [2004] South Africa's most distinctive Lehrstuck [learning play]:'The Coat. Based on an incident at one of the many political trials involving the Serpent Players, The Coat dramatized the choices facing a woman whose husband, convicted of anti-apartheid political activity, left her only a coat and instructions to use it.

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Their work on the Caucasian Chalk Circle and, a year later, on Antigone led directly to the creation, in 1966, of

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Take That are an English pop group formed in Manchester, in 1989. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow acts as the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers.
In May 2013, Owen announced that Take That were to begin recording their seventh studio album in 2014 and On 14 January 2014, Donald and Barlow both tweeted that Take That had entered the studio to begin recording the album, although it was not initially clear if Williams was present at these recording sessions. On 28 April 2014, Williams announced on Twitter he was to become a dad for a second time, and consequently suggested he would be unable to join Take That on their album and tour. Barlow later confirmed that Williams had left the band for a second time, although the departure was amicable and that Williams was welcome to rejoin the band in the future. Williams has since collaborated with Barlow on several projects and duet performances and indicated his interest in reuniting with the band for potential 25th anniversary commemorative events. On 24 September 2014, it was announced that Jason Orange had left the band. He said: 'At a band meeting last week I confirmed to Mark, Gary and Howard that I do not wish to commit to recording and promoting a new album. 'At the end of The Progress Tour I began to question whether it might be the right time for me to not continue on with Take That,' he continued. 'There have been no fallings out, only a decision on my part that I no longer wish to do this,' he added. Barlow, Donald and Owen issued a joint statement about Orange's decision which said: "This is a sad day for us. Jason leaving is a huge loss both professionally and even more so personally ... Jason's energy and belief in what this band could achieve has made it what it is today, and we'll forever be grateful for his enthusiasm, dedication and inspiration over the years." On 10 October 2014, Take That unveiled the lead single from the album. Titled "These Days", it was released on 23 November 2014 and went to No. 1 in the UK Singles Chart, knocking Band Aid 30 off the top spot and becoming their 12th number one single. The album itself, called III, was released on 28 November 2014 and became the band's seventh No. 1 album. It was then followed by a sell-out arena tour entitled Take That Live. On 14 October 2015, the band announced their new single "Hey Boy", released on 16 October, which is the first single from the 2015 re-release of III. The 2015 edition of the album was released on 20 November. In December 2015, British media buzzed about the group embarking on a stint in Las Vegas, starting 2017. Reports indicated the group impressed U.S. promoters and would headline their own residency show. Many venues circulated, including The AXIS at the Planet Hollywood Resort & Casino, The Foundry at SLS Las Vegas and the Linq Theater at The LINQ Hotel & Casino. Local newspaper, the Las Vegas Sun writes that everything is still unconfirmed, despite Barlow confirming the rumour on Twitter.

when was robbie's second departure?
On 28 April 2014, Williams announced on Twitter he was to become a dad for a second time,