document: The Beast-Jewel of Mars
   
  
   By V. E. THIESSEN
   
   
   The city was strange, fantastic, beautiful. He'd never been there before, yet already he was a fabulous legendâ€”a dire, hateful legend.
   
   [Transcriber's Note: This etext was produced from Planet Stories Spring 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]
   
   
   
   He lay on his stomach, a lean man in faded one piece dungarees, and an odd metallic hat, peering over the side of the canal. Behind him the little winds sifted red dust into his collar, but he could not move; he could only sit there with his gaze riveted on the spires and minarets that twinkled in the distance, far down the bottom of the canal.
   
   One part of his mind said, This is it, this is the fabled city of Mars. This is the beauty and the fantasy and the music of the legends, and I must go down there. Yet somewhere deeper in his mind, deep in the primal urges that kept him from death, the warning was taut and urgent. Get away. They have a part of your mind now. Get away from the city before you lose it all. Get away before your body becomes a husk, a soulless husk to walk the low canals with sightless eyes, like those who came before you.
   
   
   He strained to push back from the edge, trying to get that fantastic beauty out of his sight. He fought the lids of his eyes, fought to close them while he pushed himself back, but they remained open, staring at the jeweled towers, and borne on the little winds the thin wail of music reached him, saying, Come into the city, come down into the fabled city .
   
   He slid over the edge, sliding down the sloping sides of the canal. The rough sandstone tore at his dungarees, tore at his elbow where it touched but he did not feel the pain. His face was turned toward the towers, and the sound of his breathing was less than human.
   
   His feet caught a projecting bit of stone and were slowed for an instant, so that he turned sideways and rolled on, down into the red dust bottom of the canal, to lie face down in the dust, with the chin strap of the odd metallic hat cutting cruelly into his chin.
   
   He lay there an instant, knowing that now he had a chance. With his face down like this, and the dust smarting his eyes the image was gone for an instant. He had to get away, he knew that. He had to mount the sides of the canal and never look back.
   
   He told himself, "I am Eric North, from Earth, the Third Planet of Sol, and this is not real."
   
   He squirmed in the dust, feeling it bite his cheeks; he squirmed until he could get up and see nothing but the red sand stone walls of the canal. He ran at the walls and clawed his way up like an animal in his haste. He wouldn't look again.
   
   The wind freshened and the tune of the music began to talk to him. It told of going barefoot over long streets of fur. It told of jewels, and wine, and women as fair as springtime. These and more were in the city, waiting for him to claim them.
   
   He sobbed, and clawed forward. He stopped to rest, and slowly his head began to turn. He turned, and the spires and minarets twinkled at him, beautiful, soothing, stopping the tears that had welled down his cheeks.
   
   When he reached the bottom of the canal he began to run toward the city.
   
   When he came to the city there was a high wall around it, and a heavy gate carved with lotus blossoms. He beat against the gate and cried,
  "Oh! Let me in. Let me in to the city!" The music was richer now, as if it were everywhere, and the gate swung open without the faintest sound.
   
   A sentinel stood before the opened gate at the end of a long blue street. He was dressed in red silk with his sleeves edged in blue leopard skin, and he wore a belt with a jeweled short sword. He drew the sword from its scabbard, and bowed forward until the point of the sword touched the street of blue fur. He said, "I give you the welcome of my sword, and the welcome of the city. Speak your name so that it may be set in the records of the dreamers."
   
   The music sang, and the spires twinkled, and Eric said, "I am Eric North!"
   
   The sword point jerked, and the sentinel straightened. His face was white. He cried aloud, "It is Eric the Bronze. It is Eric of the Legend." He whirled the sword aloft, and smashed it upon Eric's metal hat, and the hatred was a blue flame in his eyes.
   
   
  
   
   When Eric regained consciousness the people of the city were all about him. They were very fair, and the women were more beautiful than music. Yet now they stared at him with red hate in their eyes. An older man came forward and struck at the copper hat with a stick. The clang deafened Eric and the man cried, "You are right. It is Eric the Bronze. Bring the ships and let him be scourged from the city."
   
   The man drew back the stick and struck again, and Eric's back took fire with the blow. The crowd chanted, "Whips, bring the whips," and fear forced Eric to his feet. He fled then, running on the heedless feet of panic, outstripping those who were behind him until he passed through the great gates into the red dust floor of the canal. The gates closed behind him, and the dust beat upon him, and he paused, his heart hammering inside his chest like a great bell clapper. He turned and looked behind to be sure he was safe.
   
   The towers twinkled at him, and the music whispered to him, "Come back, Eric North. Come back to the city."
   
   He turned and stumbled back to the great gate and hammered on it until his fists were raw, pleading for it to open and let him back.
   
   And deep inside him some part of his mind said, "This is a madness you cannot escape. The city is evil, an evil like you have never known," and a fear as old as time coursed through his frame.
   
   He seized the copper hat from his head, and beat on the lotus carvings of the great door, crying, "Let me in! Please, take me back into the city."
   
   And as he beat the city changed. It became dull and sordid and evil, a city of disgust, with every part offensive to the eye. The spires and minarets were gargoyles of hatred, twisted and misshapen, and the sound of the city was a macabre song of hate.
   
   He stared, and his back was chill with superstitions as old as the beginning of man. The city flickered, changing before his eyes until it was beautiful again.
   
   He stood, amazed, and put the metal hat back on his head. With the motion the shift took place again, and beauty was ugliness. Amazed, he stared at the illusion, and the thought came to him that the metal hat had not entirely failed him after all.
   
   He turned and began to walk away from the city, and when it began to call he took the hat off his head and found peace for a time. Then when it began again he replaced the hat, and revulsion sped his footsteps. And so, hat on, hat off, he made his way down the dusty floor of the canal, and up the rocky sides until he stood on the Martian desert, and the canal was a thin line behind him. He breathed easily then, for he was beyond the range of the illusions.
   
   And now that his mind was his own again he began to study the problem, and to understand something of the nature of the forces against which he had been pitted.
   
   The helmet contained an electrical circuit, designed as a shield against electrical waves tuned to affect his brain. But the hat had failed because the city, whatever it was, had adjusted to this revised pattern as he had approached it. Hence, the helmet had been no defense against illusion. However, when he had jerked the helmet off suddenly to beat on the door, his mental pattern had changed, too suddenly, and the machine caught up only after he had glimpsed another image. Then as the illusion adjusted replacing the helmet threw it off again.
   
   He grinned wryly. He would have liked to know more about the city, whatever it was. He would have liked to know more about the people he had seen, whether they were real or part of the illusion, and if they were as ugly as the second city had been.
   
   Yet the danger was too great. He would go back to his ship and make the arrangements to destroy the city. The ship was armed, and to deliver indirect fire over the edge of the canal would be simple enough. Garve North, his brother, waited back at the ship. If he knew of the city he would have to go there. Eric must not take a chance on that. After they had blasted whatever it was that lay in the canal floor, then it would be time enough to tell Garve, and go down to see what was left.
   
   The ship rested easily on the flat sandstone area where he had established base camp. Its familiar lines brought a smile to Eric's face, a feeling of confidence now that tools and weapons were his again.
   
   He opened the door and entered. The lock doors were left open so that he could enter directly into the body of the ship. He came in in a swift leap, calling, "Garve! Hey, Garve, where are you?"
   
   The ship remained mute. He prowled through it, calling, "Garve," wondering where the young hothead had gone, and then he saw a note clipped to the control board of the ship. He tore it loose impatiently and began to read. Garve had scrawled:
   
   "Funny thing, Eric. A while ago I thought I heard music. I walked down to the canal, and it seemed like there were lights, and a town of some sort far down the canal. I wanted to investigate, but thought I'd better come back. But the thing has been in my mind for hours now, and I'm going down to see what it is. If you want to follow, come straight down the canal."
   
   Eric stared at the note, and the line of his jaw was white. Apparently Garve had seen the city from farther away, and its effect had not been so strong. Even so, Garve's natural curiosity had done the rest.
   
   Garve had gone down to the city, and Garve had no shielded hat. Eric selected two high explosive grenades from the ship's arsenal. They were small but they packed a lot of power. He had a pistol packed with smaller pellets of the same explosive, and he had the hat. That should be adequate. He thrust the bronze hat back on his head and began walking back to the canal.
   
   
  
   
   The return back to the city would always live in his mind as a phantasmagora, a montage of twisted hate and unseemly beauty. When he came again to the gate he did not attempt to enter, but circled the wall, hat on, hat off, stiff limbed like a puppet dancing to the same tune over and over again. He found a place where he could scale the wall, and thrust the helmet on his head, and clawed up the misshapen wall. It was all he could do to make himself drop into the ugly city.
   
   He heard a familiar voice as he dropped. "Eric," the voice said. "Eric, you did come back." The voice was his brother's, and he whirled, seeking the voice. A figure stood before him, a twisted caricature of his brother. The figure cried, "The hat! You fool, get rid of that hat!" The caricature that was his brother seized the hat, and jerked so hard that the chin strap broke under Eric's chin. The hat was flung away and sailed high and far over the fence and outside the city.
   
   The phantasm flickered, the illusion moved. Garve was now more handsome than ever, and the city was a dream of delight. Garve said, "Come," and Eric followed down a street of blue fur. He had no will to resist.
   
   Garve said, "Keep your head down and your face hidden. If we meet someone you may not be recognized. They won't be expecting you from this side of the city."
   
   Eric asked, "You knew I'd come after you?"
   
   "Yes. The Legend said you'd be back."
   
   Eric stopped and whirled to face his brother. "The Legend? Eric the Bronze? What is this wild fantasy?"
   
   "Not so loud!" Garve's voice cautioned him. "Of course the crowd called you that because of the copper hat and your heavy tan. But the Elders believe so too. I don't know what it is, Eric, reincarnation, prophesy, superstition, I only know that when I was with the Elders I believed them. You are a part of a Legend. You are Eric the Bronze."
   
   Eric looked down at his sun tanned hands and flexed them. He loosened the explosive pistol in its holster. At least he was going to be a well armed, well prepared Legend. And while one part of his mind marveled at the city and relaxed into a pleasure as deep as a dream, another struggled with the almost forgotten desire to rescue his brother and escape. He asked, "Who are the Elders?"
   
   "We are going to them, to the center of the city." Garve's voice sharpened, "Keep your head down. I think the last two men we passed are looking after us. Don't look back."
   
   After a moment Garve said, "I think they are following us. Get ready to run. If we are separated, keep going until you reach City Center. The Elders will be expecting you." Garve glanced back, and his voice sharpened, "Now! Run!"
   
   They ran. But as they ran figures began to converge upon them. Farther up the street others appeared, cutting off their flight.
   
   Garve cried, "In here," and pulled Eric into a crevice between two buildings. Eric drew his gun, and savagery began to dance in his eyes. The soft fur muffled sounds of pursuit closed in upon them.
   
   Garve put one hand on Eric's gun hand and said, "Wait here. And if you value my life, don't use that gun." Then he was gone, running deerlike down the street.
   
   For an instant Eric thought the ruse had succeeded. He heard cries and two men passed him running in pursuit. But then the cry came back. "Let him go. Get the other one. The other one."
   
   Eric was seen an instant later, and the people of the city began to converge upon him. He could have destroyed them all with his charges in the gun, but his brother's warning shrieked in his ears, "If you value my life don't use the gun."
   
   There was nothing he could do. Eric stood quietly until he was taken prisoner. They moved him to the center of the wide fur street. Two men held his arms, and twisted painfully. The crowd looked at him, coldly, calculatingly. One of them said, "Get the whips. If we whip him he will not come back." The city twinkled, and the music was so faint he could hardly hear it.
   
   There was only one weapon Eric could use. He had gathered from Garve's words that these people were superstitious.
   
   He laughed, a great chest-shattering laugh that gusted out into the thin Martian air. He laughed and cried in a great voice, "And can you so easily dispose of a Legend? If I am Eric of the Legend, can whips defeat the prophesy?"
   
   There was an instant when he could have twisted loose. They stood, fear-bound at his words. But there was no place to hide, and without the use of his weapons Eric could not have gone far. He had to bluff it out.
   
   
  
   
   Then one of the men cried, "Fools! It is true. We must take no chance with the whips. He would come back. But if he dies here before us now, then we may forget the prophesy."
   
   The crowd murmured and a second voice cried, "Get the sword, get the guards, and kill him at once!"
   
   Eric tensed to break away but now it was too late. His captors were alert. They increased the twist on his arms until he almost screamed with the pain.
   
   The crowd parted, and the guard came through, his red silk clothing gleaming in the sun, his sword bright and deadly. He stopped before Eric, and the sword swirled up like a saber, ready for a slashing cut downward across Eric's neck.
   
   A woman's voice, soft and yet authoritative, called, "Hold!" And a murmur of respect rippled through the crowd.
   
   "Nolette! The Daughter of the City comes."
   
   Eric turned his gaze to the side and saw the woman who had spoken. She was mounted upon a black horse with a jeweled bridle. She was young and her hair was long and free in the wind. She had ridden so softly across the fur street that no one had been aware of her presence.
   
   
  
   
   She said, "Let me touch this man. Let me feel the pulse of his heart so that I may know if he is truly the Bronze one of the Legend. Give me your hand, stranger." She leaned down and grasped his hand. Eric shook his arms free, and reached up and clung to the offered hand, thinking,
  "If I pull her down perhaps I can use her as a shield." He tensed his muscles and began to pull.
   
   She cried, "No! You fool. Come up on the horse," and pulled back with an energy as fierce as his own. Then he had swung up on the horse, and the animal leaped forward, its muffled gallop beating out a tattoo of freedom.
   
   Eric clung tightly to the girl's waist. He could feel the young suppleness of her body, and the fine strands of her hair kept swirling back into his face. It had a faint perfume, a clean and heady scent that made him more aware of the touch of her waist. He breathed deeply, oddly happy as they rode.
   
   After five minutes ride they came to a building in the center of the city. The building was cubical, severe in line and architecture, and it contrasted oddly with the exquisite ornament of the rest of the city. It was as if it were a monolith from another time, a stranger crouched among enemies.
   
   The girl halted before the structure and said, "Dismount here, Eric."
   
   Eric swung down, his arms still tingling with pleasure where he had held her. She said, "Knock three times on the door. I will see you again inside. And thank your brother for sending me to bring you here."
   
   Eric knocked on the door. The door was as plain as the building, made of a luminous plastic. It had all the beauty of the great gate door, but a more timeless, more functional beauty.
   
   The door opened and an old man greeted Eric. "Come in. The Council awaits you. Follow me, please."
   
   Eric followed down a hallway and into a large room. The room was obviously designed for a conference room. A great table stood in the room, made of the same luminous plastic as the door of the building. Six men sat at this conference table. Eric's guide placed him in a chair at the base of the T-shaped table.
   
   There was one vacant seat beside the head of the T, and as Eric watched, the young woman who had rescued him entered and took her place there. She smiled at Eric, and the room took on a warmth that it had lacked with only the older men present. The man at her right, obviously presiding here looked at Eric and spoke. "I am Kroon, the eldest of the elders. We have brought you here to satisfy ourselves of your identity. In view of your danger in the City you are entitled to some sort of explanation." He glanced around the room and asked, "What is the judgment of the elders?"
   
   
  
   
   Eric caught a faint nod here, a gesture there. Kroon nodded as if in satisfaction. He turned to the girl, "And what is your opinion, Daughter of the City?"
   
   Nolette's expression held sorrow, as if she looked into the far future. She said, "He is Eric the Bronze. I have no doubt."
   
   Eric asked, "And what is this Legend of Eric the Bronze? Why am I so despised in the city?"
   
   Kroon answered, "According to the Ancient Legend you will destroy the city. This, and other things."
   
   Eric gaped. No wonder the crowd had shown such hatred. But why were the elders so friendly? They were obviously the governing body, and if there was strife between them and the people it had not shown in the respect the crowd had accorded Nolette.
   
   Kroon said, "I see you are puzzled. Let me tell you the story of the City. The City is old. It dates from long ago when the canals of Mars ran clear and green with water, and the deserts were vineyards and gardens. The drouth came, and the changes in climate, and soon it became plain that the people of Mars were doomed. They had ships, and could build more, and gradually they left to colonize other planets. Yet they could take little of their science. And fear and riots destroyed much. Also there were those who were filled with love for this homeland, and who thought that one day it might be habitable again. All the skill of the ancient Martian fathers went into the building of a giant machine, the machine that is the City, to protect a small colony of those who were chosen to remain on Mars."
   
   "This whole city is a machine!" Eric asked.
   
   "Yes, or the product of one. The heart of it lies underneath our feet, in caverns beneath this building. The nature of the machine is this, that it translates thought into reality."
   
   Eric stared. The idea was staggering.
   
   "This is essentially simple, although the technology is complex. It is necessary to have a recording device, to capture thought, a transmuting device capable of transmuting the red dust of the desert into any sort of material desired, and a construction device, to assemble this material into the pattern already recorded from thought." Kroon paused.
  "You still doubt, my friend. Perhaps you are thirsty after your escape. Think strongly of a tall glass of cold water, visualize it in your mind, the sight and the fluidity and the touch of it."
   
   Eric did so. Without warning a glass of water stood on the table before him. He touched the water to his lips. It was cool and satisfying. He drank it, convinced completely.
   
   Eric asked, "And I am to destroy the City?"
   
   "Yes. The time has come."
   
   "But why?" Eric demanded. For an instant he could see the twinkling beauty as clearly as if he had stood outside the walls of this building.
   
   Kroon said, "There are difficulties. The machine builds according to the mass will of the people, though it is sensitive to the individual in areas where it does not conflict with the imagination of the mass. We have had strangers, visitors, and even our own people, who grew drunk with the power of the machine, who dreamed more and more lust and greed into existence. These were banished from the city, and so strong is the call of the city that many of them became victims of their own evilness, and now walk mindlessly, with no thought but to seek for the beauty they have lost here."
   
   Kroon sighed. "The people have lost the will to learn. Many do not even know of the machine. Our science is almost gone, and only a few of us, the dreamers, the elders, have kept alive the old knowledge of the machine and its history. By the collected powers of our imagination we build and control the outward appearance of the city.
   
   "We have passed this down from father to son. A part of the ancient Legend is that the builders made provisions for the machine to be destroyed when contact with outsiders had been made once again, so that our people would again have to struggle forward to knowledge and power. The instrument of destruction was to be a man termed Eric the Bronze. It is not that you are reborn. It is just that sometime such a man would come."
   
   Eric said, "I can understand the Bronze part. They had thought that a space man might well be sun tanned. They had thought that a science to protect against this beautiful illusion would provide a metal shield of some sort, probably copper in nature. That such a man should come is inevitable. But why Eric. Why the name Eric?"
   
   For the first time Nolette spoke. She said quietly, "The name Eric was an honorable name of the ancient fathers. It must have been their thought that the new beginning should wait for some of their own far flung kind to return."
   
   Eric nodded. He asked, "What happens now?"
   
   "Nothing. Dwell here with us and you will be safe from our people. If the prediction is not soon fulfilled and you are not the Eric of the Legend, you may stay or go as you desire."
   
   "My brother, Garve. What about him?"
   
   "He loves the city. He will also stay, though he will be outside this building." Kroon clasped his hands. "Nolette, will you show Eric his quarters?"
question_text: What is the relationship between Eric and the citizens?
response: Eric sees the citizens in the most beautiful way and is willing to join them. They, on the contrary, meet him with hatred as they hear his name. The citizens surround and try to attack Eric, they are superstitious and believe him to be the destroyer of the city from the legends. The Elders from the Council send one of them to save Eric. They also believe him to be part of the legend, but they know more about the city and the machine. They think that it's time for the city to be destroyed as it has changed, the machine doesn't do good anymore. Nolette, the daughter of the city, also believes Eric to be the legend and stops the crowd with the use of her authority from killing him. Eric is overwhelmed and he obeys the council, listening with curiosity. He also feels happiness near the girl. 