praj-17/QA-MCQ-Open-ended huggingface dataset:
Title: Comics
Context: Gag and editorial cartoons usually consist of a single panel, often incorporating a caption or speech balloon. Definitions of comics which emphasize sequence usually exclude gag, editorial, and other single-panel cartoons; they can be included in definitions that emphasize the combination of word and image. Gag cartoons first began to proliferate in broadsheets published in Europe in the 18th and 19th centuries, and the term "cartoon"[h] was first used to describe them in 1843 in the British humour magazine Punch.

question: Where did gag cartoons first make an appearance? 

answer: Europe

question: When did gag single-panel illustrations become known as cartoons? 

answer: 1843

question: In which publication was cartoon first used to describe gag single-panel illustrations? 

answer: Punch
Title: Comics
Context: Comics in the US has had a lowbrow reputation stemming from its roots in mass culture; cultural elites sometimes saw popular culture as threatening culture and society. In the latter half of the 20th century, popular culture won greater acceptance, and the lines between high and low culture began to blur. Comics nevertheless continued to be stigmatized, as the medium was seen as entertainment for children and illiterates.

question: What did comics have in the United States because of cultural roots? 

answer: lowbrow reputation

question: Who thought pop culture was a risk? 

answer: cultural elites

question: What was thought to be only good for children and those who could not read or write? 

answer: Comics
Title: Comics
Context: The graphic novel—book-length comics—began to gain attention after Will Eisner popularized the term with his book A Contract with God (1978). The term became widely known with the public after the commercial success of Maus, Watchmen, and The Dark Knight Returns in the mid-1980s. In the 21st century graphic novels became established in mainstream bookstores and libraries and webcomics became common.

question: What is a comic that is as long as a book called? 

answer: graphic novel

question: Who helped "graphic novel" get public attention? 

answer: Will Eisner

question: What decade did the term "graphic novel" become well known by the public? 

answer: 1980s

question: In addition to printed graphic novels in stores, what became popular online? 

answer: webcomics

question: The popularity of the Watchmen, The Dark Knight Returns and what other comic helped popularize "graphic novel" as a term? 

answer: Maus
Title: Comics
Context: The francophone Swiss Rodolphe Töpffer produced comic strips beginning in 1827, and published theories behind the form. Cartoons appeared widely in newspapers and magazines from the 19th century. The success of Zig et Puce in 1925 popularized the use of speech balloons in European comics, after which Franco-Belgian comics began to dominate. The Adventures of Tintin, with its signature clear line style, was first serialized in newspaper comics supplements beginning in 1929, and became an icon of Franco-Belgian comics.

question: Who started producing comic strips and theories about them in 1827? 

answer: Rodolphe Töpffer

question: What century had comics in wide production? 

answer: 19th

question: What 1925 cartoon made speech bubbles popular? 

answer: Zig et Puce

question: What comics began to dominate in Europe? 

answer: Franco-Belgian

question: When was "The Adventures of Tintin" serialized? 

answer: 1929
Title: Comics
Context: Following the success of Le Journal de Mickey (1934–44), dedicated comics magazines and full-colour comics albums became the primary outlet for comics in the mid-20th century. As in the US, at the time comics were seen as infantile and a threat to culture and literacy; commentators stated that "none bear up to the slightest serious analysis",[c] and that comics were "the sabotage of all art and all literature".[d]

question: In the United States in the middle of the 20th century comics were seen as a risk to culture and what? 

answer: literacy

question: What was seen as "infantile" in the United States? 

answer: comics

question: Comics were quoted as a sabotage of art and what? 

answer: literature
Title: Comics
Context: In the 1960s, the term bandes dessinées ("drawn strips") came into wide use in French to denote the medium. Cartoonists began creating comics for mature audiences, and the term "Ninth Art"[e] was coined, as comics began to attract public and academic attention as an artform. A group including René Goscinny and Albert Uderzo founded the magazine Pilote in 1959 to give artists greater freedom over their work. Goscinny and Uderzo's The Adventures of Asterix appeared in it and went on to become the best-selling French-language comics series. From 1960, the satirical and taboo-breaking Hara-Kiri defied censorship laws in the countercultural spirit that led to the May 1968 events.

question: What does bandes dessinées mean? 

answer: drawn strips

question: Comics for adults began to be called what? 

answer: Ninth Art

question: What year did Pilote begin? 

answer: 1959

question: What became a best-seller comic in the French language? 

answer: Adventures of Asterix
Title: Comics
Context: Frustration with censorship and editorial interference led to a group of Pilote cartoonists to found the adults-only L'Écho des savanes in 1972. Adult-oriented and experimental comics flourished in the 1970s, such as in the experimental science fiction of Mœbius and others in Métal hurlant, even mainstream publishers took to publishing prestige-format adult comics.

question: Pilote cartoonists were upset with censorship and what? 

answer: editorial interference

question: When was L'Écho des savanes begun? 

answer: 1972

question: Métal hurlant was of what genre? 

answer: science fiction

question: What format did adult comics begin to be published in? 

answer: prestige
Title: Comics
Context: Historical narratives of manga tend to focus either on its recent, post-WWII history, or on attempts to demonstrates deep roots in the past, such as to the Chōjū-jinbutsu-giga picture scroll of the 12th and 13th centuries, or the early 19th-century Hokusai Manga. The first historical overview of Japanese comics was Seiki Hosokibara's Nihon Manga-Shi[i] in 1924. Early post-war Japanese criticism was mostly of a left-wing political nature until the 1986 publication for Tomofusa Kure's Modern Manga: The Complete Picture,[j] which de-emphasized politics in favour of formal aspects, such as structure and a "grammar" of comics. The field of manga studies increased rapidly, with numerous books on the subject appearing in the 1990s. Formal theories of manga have focused on developing a "manga expression theory",[k] with emphasis on spatial relationships in the structure of images on the page, distinguishing the medium from film or literature, in which the flow of time is the basic organizing element. Comics studies courses have proliferated at Japanese universities, and Japan Society for Studies in Cartoon and Comics (ja)[l] was established in 2001 to promote comics scholarship. The publication of Frederik L. Schodt's Manga! Manga! The World of Japanese Comics in 1983 led to the spread of use of the word manga outside Japan to mean "Japanese comics" or "Japanese-style comics".

question: Which historical overview did Seiki Hosokibara create? 

answer: Nihon Manga-Shi

question: When did Hosokibara create Nihon Manga-Shi? 

answer: 1924

question: What was created in 2001 to give students comic scholarships? 

answer: Japan Society for Studies in Cartoon and Comics

question: Who helped the rest of the world use the word manga outside of Japan's borders? 

answer: Frederik L. Schodt

question: What publication is Schodt responsible for? 

answer: Manga! Manga! The World of Japanese Comics
Title: Comics
Context: Coulton Waugh attempted the first comprehensive history of American comics with The Comics (1947). Will Eisner's Comics and Sequential Art (1985) and Scott McCloud's Understanding Comics (1993) were early attempts in English to formalize the study of comics. David Carrier's The Aesthetics of Comics (2000) was the first full-length treatment of comics from a philosophical perspective. Prominent American attempts at definitions of comics include Eisner's, McCloud's, and Harvey's. Eisner described what he called "sequential art" as "the arrangement of pictures or images and words to narrate a story or dramatize an idea"; Scott McCloud defined comics "juxtaposed pictorial and other images in deliberate sequence, intended to convey information and/or to produce an aesthetic response in the viewer", a strictly formal definition which detached comics from its historical and cultural trappings. R. C. Harvey defined comics as "pictorial narratives or expositions in which words (often lettered into the picture area within speech balloons) usually contribute to the meaning of the pictures and vice versa". Each definition has had its detractors. Harvey saw McCloud's definition as excluding single-panel cartoons, and objected to McCloud's de-emphasizing verbal elements, insisting "the essential characteristic of comics is the incorporation of verbal content". Aaron Meskin saw McCloud's theories as an artificial attempt to legitimize the place of comics in art history.

question: Who put together a history of American comics in 1947? 

answer: Coulton Waugh

question: What was the name of Waugh's work? 

answer: The Comics

question: Who created a book about comics from a philosophical point of view? 

answer: David Carrier

question: What book did Will Eisner create in 1985? 

answer: Comics and Sequential Art
Title: Comics
Context: Cross-cultural study of comics is complicated by the great difference in meaning and scope of the words for "comics" in different languages. The French term for comics, bandes dessinées ("drawn strip") emphasizes the juxtaposition of drawn images as a defining factor, which can imply the exclusion of even photographic comics. The term manga is used in Japanese to indicate all forms of comics, cartooning, and caricature.

question: What word is used in France for comics? 

answer: bandes dessinées

question: What word is used in Japan for comics? 

answer: manga

question: What does bandes dessinées mean? 

answer: drawn strip

question: What is the definitive factor of bandes dessinées? 

answer: drawn images
Title: Comics
Context: Webcomics are comics that are available on the internet. They are able to reach large audiences, and new readers usually can access archived installments. Webcomics can make use of an infinite canvas—meaning they are not constrained by size or dimensions of a page.

question: What comics are on the Internet? 

answer: Webcomics

question: Webcomics reach large audiences and new what? 

answer: readers

question: With webcomics, readers have access to what? 

answer: archived installments

question: Not held back by size limits, webcomics are said to have a what? 

answer: infinite canvas
Title: Comics
Context: Some consider storyboards and wordless novels to be comics. Film studios, especially in animation, often use sequences of images as guides for film sequences. These storyboards are not intended as an end product and are rarely seen by the public. Wordless novels are books which use sequences of captionless images to deliver a narrative.

question: Storyboards and what are thought to be comics by some? 

answer: Wordless novels

question: Storyboards are used a lot by what? 

answer: Film studios

question: Storyboards are not considered what? 

answer: an end product

question: Who does not often see storyboards used in film making? 

answer: the public

question: A book with pictures with no captions that tell a story are called what? 

answer: Wordless novels
Title: Comics
Context: Similar to the problems of defining literature and film, no consensus has been reached on a definition of the comics medium, and attempted definitions and descriptions have fallen prey to numerous exceptions. Theorists such as Töpffer, R. C. Harvey, Will Eisner, David Carrier, Alain Rey, and Lawrence Grove emphasize the combination of text and images, though there are prominent examples of pantomime comics throughout its history. Other critics, such as Thierry Groensteen and Scott McCloud, have emphasized the primacy of sequences of images. Towards the close of the 20th century, different cultures' discoveries of each other's comics traditions, the rediscovery of forgotten early comics forms, and the rise of new forms made defining comics a more complicated task.

question: What has not been reached as far as defining comics is concerned? 

answer: consensus

question: R. C. Harvey, Will Eisner and others are considered to be comic what? 

answer: Theorists

question: What are there prominent examples of in comic history? 

answer: pantomime comics

question: Comic critics, such as McCloud, stressed that sequences of what should be primary? 

answer: images

question: What century had forgotten comic forms rediscovered? 

answer: 20th
Title: Comics
Context: European comics studies began with Töpffer's theories of his own work in the 1840s, which emphasized panel transitions and the visual–verbal combination. No further progress was made until the 1970s. Pierre Fresnault-Deruelle then took a semiotics approach to the study of comics, analyzing text–image relations, page-level image relations, and image discontinuities, or what Scott McCloud later dubbed "closure". In 1987, Henri Vanlier introduced the term multicadre, or "multiframe", to refer to the comics a page as a semantic unit. By the 1990s, theorists such as Benoît Peeters and Thierry Groensteen turned attention to artists' poïetic creative choices. Thierry Smolderen and Harry Morgan have held relativistic views of the definition of comics, a medium that has taken various, equally valid forms over its history. Morgan sees comics as a subset of "les littératures dessinées" (or "drawn literatures"). French theory has come to give special attention to the page, in distinction from American theories such as McCloud's which focus on panel-to-panel transitions. Since the mid-2000s, Neil Cohn has begun analyzing how comics are understood using tools from cognitive science, extending beyond theory by using actual psychological and neuroscience experiments. This work has argued that sequential images and page layouts both use separate rule-bound "grammars" to be understood that extend beyond panel-to-panel transitions and categorical distinctions of types of layouts, and that the brain's comprehension of comics is similar to comprehending other domains, such as language and music.

question: In the 1840s, Töpffer wrote theories about whose work? 

answer: his own

question: Who introduced the term "multiframe"? 

answer: Henri Vanlier

question: Who used a semiotics method to study comics in the 1970s? 

answer: Pierre Fresnault-Deruelle

question: Who used cognitive science to learn how people understand comics? 

answer: Neil Cohn
Title: Comics
Context: Many cultures have taken their words for comics from English, including Russian (Russian: Комикс, komiks) and German (comic). Similarly, the Chinese term manhua and the Korean manhwa derive from the Chinese characters with which the Japanese term manga is written.

question: What Russian word is used for comics? 

answer: komiks

question: What German word is used for comics? 

answer: comics

question: What Chinese word was derived from the Japanese word manga? 

answer: manhua

question: What Korean word was derived from the Japanese word for manga? 

answer: manhwa
Title: Comics
Context: The English term comics derives from the humorous (or "comic") work which predominated in early American newspaper comic strips; usage of the term has become standard for non-humorous works as well. The term "comic book" has a similarly confusing history: they are most often not humorous; nor are they regular books, but rather periodicals. It is common in English to refer to the comics of different cultures by the terms used in their original languages, such as manga for Japanese comics, or bandes dessinées for French-language Franco-Belgian comics.

question: The word comic comes from the humorous pieces found where? 

answer: newspaper comic strips

question: Comic is used for what other kind of work other than humorous works? 

answer: non-humorous

question: Comic books are what type of books? 

answer: periodicals

question: What is the term that the English use for the comics out of Japan? 

answer: manga

question: What is the term that the English use for the comics that come out of Belgian? 

answer: bandes dessinées
Title: Comics
Context: While comics are often the work of a single creator, the labour of making them is frequently divided between a number of specialists. There may be separate writers and artists, and artists may specialize in parts of the artwork such as characters or backgrounds, as is common in Japan. Particularly in American superhero comic books, the art may be divided between a penciller, who lays out the artwork in pencil; an inker, who finishes the artwork in ink; a colourist; and a letterer, who adds the captions and speech balloons.

question: Though one person typically creates the comic, there are usually a number of what involved in actually designing it? 

answer: specialists

question: What is a person called who does the initial pencil work for the artwork? 

answer: penciller

question: What does an inker do? 

answer: finishes the artwork in ink
Title: Comics
Context: Panels are individual images containing a segment of action, often surrounded by a border. Prime moments in a narrative are broken down into panels via a process called encapsulation. The reader puts the pieces together via the process of closure by using background knowledge and an understanding of panel relations to combine panels mentally into events. The size, shape, and arrangement of panels each affect the timing and pacing of the narrative. The contents of a panel may be asynchronous, with events depicted in the same image not necessarily occurring at the same time.

question: What are the individual images with action called in comics? 

answer: Panels

question: Narrative is placed into panels using what? 

answer: encapsulation

question: Who puts the panels together using closure? 

answer: The reader

question: Timing and pace of comics is made by adjusting size, shape and what of panels? 

answer: arrangement

question: When a comic panel has events that are not at the same time the panel is considered to be what? 

answer: asynchronous
Title: Comics
Context: Text is frequently incorporated into comics via speech balloons, captions, and sound effects. Speech balloons indicate dialogue (or thought, in the case of thought balloons), with tails pointing at their respective speakers. Captions can give voice to a narrator, convey characters' dialogue or thoughts, or indicate place or time. Speech balloons themselves are strongly associated with comics, such that the addition of one to an image is sufficient to turn the image into comics. Sound effects mimic non-vocal sounds textually using onomatopoeia sound-words.

question: What association with comics is strong? 

answer: Speech balloons

question: The presence of a single speech balloon in an image turns it into what? 

answer: comics

question: What type of words are used to do sound effects in comics? 

answer: onomatopoeia
Title: Comics
Context: Cartooning is most frequently used in making comics, traditionally using ink (especially India ink) with dip pens or ink brushes; mixed media and digital technology have become common. Cartooning techniques such as motion lines and abstract symbols are often employed.

question: What type of ink is often used in making comics? 

answer: India ink

question: What method is mostly used in making comics? 

answer: Cartooning

question: Mixed media and what else are becoming popular for making comics? 

answer: digital technology

question: Motion lines and what are often used in comics? 

answer: abstract symbols
Title: Saint_Helena
Context: Saint Helena (/ˌseɪnt həˈliːnə/ SAYNT-hə-LEE-nə) is a volcanic tropical island in the South Atlantic Ocean, 4,000 kilometres (2,500 mi) east of Rio de Janeiro and 1,950 kilometres (1,210 mi) west of the Cunene River, which marks the border between Namibia and Angola in southwestern Africa. It is part of the British Overseas Territory of Saint Helena, Ascension and Tristan da Cunha. Saint Helena measures about 16 by 8 kilometres (10 by 5 mi) and has a population of 4,255 (2008 census). It was named after Saint Helena of Constantinople.

question: What is Saint Helena tropical island named after? 

answer: Saint Helena of Constantinople

question: What ocean is Saint Helena located in? 

answer: South Atlantic Ocean

question: What is the population of Saint Helena? 

answer: 4,255

question: How big is Saint Helena tropical Island? 

answer: 16 by 8 kilometres
Title: Saint_Helena
Context: The island was uninhabited when discovered by the Portuguese in 1502. One of the most remote islands in the world, it was for centuries an important stopover for ships sailing to Europe from Asia and South Africa. Napoleon was imprisoned there in exile by the British, as were Dinuzulu kaCetshwayo (for leading a Zulu army against British rule) and more than 5,000 Boers taken prisoner during the Second Boer War.

question: When was the island discovered? 

answer: 1502

question: How many Boers were taken prisoner during the Second Boer War? 

answer: more than 5,000

question: Why was Dinuzulu kaCetshwayo imprisoned on the island? 

answer: leading a Zulu army against British rule
Title: Saint_Helena
Context: Between 1791 and 1833, Saint Helena became the site of a series of experiments in conservation, reforestation and attempts to boost rainfall artificially. This environmental intervention was closely linked to the conceptualisation of the processes of environmental change and helped establish the roots of environmentalism.

question: The roots of what were established on Saint Helena? 

answer: environmentalism

question: What did scientists attempt to boost artificially on Saint Helena? 

answer: rainfall

question: The environmental intervention was linked to the conceptualization of what process? 

answer: environmental change
Title: Saint_Helena
Context: Most historical accounts state that the island was discovered on 21 May 1502 by the Galician navigator João da Nova sailing at the service of Portugal, and that he named it "Santa Helena" after Helena of Constantinople. Another theory holds that the island found by da Nova was actually Tristan da Cunha, 2,430 kilometres (1,510 mi) to the south, and that Saint Helena was discovered by some of the ships attached to the squadron of Estêvão da Gama expedition on 30 July 1503 (as reported in the account of clerk Thomé Lopes). However, a paper published in 2015 reviewed the discovery date and dismissed the 18 August as too late for da Nova to make a discovery and then return to Lisbon by 11 September 1502, whether he sailed from St Helena or Tristan da Cunha. It demonstrates the 21 May is probably a Protestant rather than Catholic or Orthodox feast-day, first quoted in 1596 by Jan Huyghen van Linschoten, who was probably mistaken because the island was discovered several decades before the Reformation and start of Protestantism. The alternative discovery date of 3 May, the Catholic feast-day for the finding of the True Cross by Saint Helena in Jerusalem, quoted by Odoardo Duarte Lopes and Sir Thomas Herbert is suggested as being historically more credible.

question: What date was the island discovered on? 

answer: 21 May 1502

question: What navigator discovered the island? 

answer: João da Nova

question: What country was João da Nova doing service for? 

answer: Portugal

question: What person is Saint Helena Island named after? 

answer: Helena of Constantinople