VIDEO CINE IMPORT Video Cine Import Start Cameras and accessories illumination Videos Used equipment Trademarks Contact Lighting filters Grip Lighting Installations Lamps Cold light HMI light Led light Tungsten Light Suitcases Robotized (mobile) Truss Lighting >> Lighting filters Lighting filters Lighting filters Download PDF (21.66 MB) The use of filters to selectively reduce the level of light at a given wavelength makes it possible to create colored light for every technical or aesthetic need. Most light sources do not generate white light. Filters are responsible for correcting differences and making one light source similar to another. Television, film or video productions, theaters, stages and theme parks require specific technical filters for each application. This has made Lee filters a global provider of color solutions. Web map Web Development SARENET

VIDEO CINE IMPORT Video Cine Import Start Cameras and accessories illumination Videos Used equipment Trademarks Contact News >> Arri ARRI introduces two new ARRI / FUJINON Alura zooms 09/29/2011 | ARRI Following the great success of the first two ARRI / FUJINON Alura zooms, which were introduced alongside the ARRI ALEXA camera in 2009, ARRI announces two new additions to the range: the lightweight ARRI / FUJINON Alura 15.5-45 / T2.8 zooms and the Alura 30-80 / T2.8. Just as the ALEXA camera system has developed and progressed over the past two years, work has also continued on lenses designed to serve as your perfect partner. A crucial part of this job involves consulting with creative professionals and determining what tools are most needed by filmmakers today. A clear message from the market has been that, with cameras getting smaller and more action-oriented shooting styles, lightweight zooms are in high demand. The new lightweight Alura zooms are perfect for handheld and Steadicam work, while the original Alura zooms, with a much wider focal range, are the ideal choice for tripod and dolly. Together, the four lenses constitute a complete and affordable solution for 35mm cinema format and digital productions of any kind. All Aluras feature high contrast and high resolution, producing crisp, vibrant images with clear highlights and true deep blacks. The special optical design ensures an evenly illuminated image on the sensor or film plane, while flare, ghosting and hazy reflections are greatly reduced by Fujinon multilayer EBC (Electron Beam Coating) lens coating. Breathing (an unwanted change in image size when focusing) has been minimized, like colored halos, through the use of extraordinary dispersion glass. Lightweight zooms are also becoming increasingly popular for 3D applications. Having a zoom instead of a prime lens on a 3D rig allows for easy focal length adjustment, loss of time to change lenses, rig readjustments, and calibration. 3D rigs are complicated enough, the usual studio zooms tend to be too big and heavy, while the lightweight Alura zooms are ideal. Additionally, its compatibility with ARRI's Lens Data System (LDS) allows vital lens information and image metadata to be recorded. Web map Web Development SARENET