Camblin Museum Search 1960’S ART 1970’S ART 1980’S ART 1990’S ART BIO CATALOGUE RAISONNE POST-1990’S ART PRE-1960’S ART WELCOME 1990’S ART In the 1990s, Camblin took to living on the oceanfront in Oregon. His studio was his home, hung with works in progress and becoming a salon to peers. He took extended working trips to the Pacific Islands. Ever open and inquisitive, his palette was greatly enriched in the process. Endless drawing. Endless writing. Drawing, writing, and finally DRAWriting; which was a combination of calligraphy and drawing best described a cross between a Camblin painting and the aesthetics of a haikai poem. This new art form would consume nearly all his time. It was exponential. Thousands of these haiga were produced; becoming so numerous he would cull them for fire-starter in the woodstove. On the Oregon coast, 1990s The haiga he painted varied widely, but were generally drawn from the rich environment of the Oregon Coast. Drawings added meaning or depth to that which was expressed by his poetry, and oftentimes when the poetry came first, a drawing that added depth followed it. Still Life Artist, sketchbook entry Untitled, watercolor on Arches USAll, detail of an untitled watercolor Untitled, watercolor on Arches Untitled, watercolor on Arches Waldport, Oregon studio, 1991 LOAT, watercolor on Arches Untitled Untitled Big Ben electricage, 1991, oil on canvas Untitled, watercolor on Arches Artwork by Bob Camblin (American 1928-2010) Search for: RECENT POSTS N Compleat Workes – Prologue Bob Camblin’s Hidden Realities: Retrospective List Your Camblin For Sale In Our Gallery The Unwritten and Untold Story of Big Al CONTACT: Camblin Museum at sales@camblin.com Proudly powered by WordPress