Menu Fondazione Henraux NEÏL BELOUFA The Moral of the Story 21.05 — 20.09.2021 Fondazione Henraux presents The Moral of the Story by the Franco-Algerian artist Neïl Beloufa (Paris, 1985), curated by Edoardo Bonaspetti The project, devised for the public space of the Amphitheater in Apple Piazza Liberty, Milan, comprises four installations decorated with multicolor bas-reliefs and marble inlays, depicting the chapters of a fable written by the artist himself. The intervention, in one of the squares in the center of Milan which has most tangibly changed appearance over the last few years, is held in a dialogue with Beloufa’s solo show at the Fondazione Pirelli HangarBicocca curated by Roberta Tenconi, and will come to a conclusion during the Milan Art Week in September. ( Read more ) Hannah Levy Retainer, a new High Line Commission April 2021 — March 2022 Hannah Levy, Retainer, 2021. A High Line Commission. Photo by Timothy Schenck Hannah Levy’s Retainer is a sculpture of an oversized orthodontic retainer made from carved marble from the Henraux Foundation, and stainless steel that is installed on the park at 23rd Street. The new High Line Commission is organized by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator of High Line Art. ( Read more ) FURLA SERIES NAIRY BAGHRAMIAN. Misfits 26.05 — 26.09.2021 Fondazione Henraux is pleased to announce its collaboration with Fondazione Furla for the exhibition Misfits by Nairy Baghramian, curated by Bruna Roccasalva. Nairy Baghramian, Jumbled Alphabet, 2021. Courtesy the artist and Marian Goodman Gallery, New York/London/Paris and Kurimanzutto, Mexico City/New York. Photo: Nick Ash The project, promoted by Fondazione Furla and GAM - Galleria d’Arte Moderna, Milan, is realized with the contribution of Fondazione Henraux, partner of the exhibition for the production of the works in marble. Part of the Furla Series program, Misfits is a project conceived specifically for the GAM spaces that explores some key themes of the artist’s research: from her interest in intervening in spaces that mark a boundary to the relationship between the artwork and its institutional context. Misfits began with the specific urban setting of the GAM, that is, a garden open to adults only when accompanied by children. A series of large-scale sculptures inhabit both the museum’s interior and exterior spaces, combining the idea of play with a reflection on the aesthetic experience of inadequacy and imperfection. ( Read more ) Jon Rafman — Spring 2020. The project New Age Demanded (Prince Arthur) has been produced in collaboration with Fondazione Henraux and the municipality of Montreal. Fondazione Henraux is delighted to announce a collaboration with Canadian artist Jon Rafman and the City of Montreal. Internationally renowned for his compelling research on technology and digital media and their impact on society and contemporary life, Rafman has conceived the project New Age Demanded (Prince Arthur). The new work comprises two marble sculptures to be permanently installed in the center of the city. The partnership is part of Fondazione Henraux’s commitment to supporting artistic and cultural projects that express innovation alongside artistic and technological experimentation. Jenny Holzer 30.05 — 01.09.2019. The Henraux Foundation is pleased to collaborate with GAMeC for the occasion of Jenny Holzer's exhibition 'The Whole Truth'. Tutta la Verità (The Whole Truth), GAMeC, Palazzo della Ragione, Bergamo, Italy, 2019 © 2019 Jenny Holzer, member Artists Rights Society (ARS), NY Dormo, 2019. Curved Versilys Gold marble bench 17 x 41.75 x 18 in. / 43.2 x 106 x 45.7 cm. Text: “Essere animale per la grazia” from Pigre divinità e pigra sorte by Patrizia Cavalli, © 2006 by Giulio Einaudi Editore. Used with permission of the author and the publisher. The exhibition curated by Lorenzo Giusti opened in the historic Palazzo della Ragione in Bergamo. The walls of the Sala delle Capriate, a symbolic location where city justice was administered, are the site for a series of new light projections. Medieval architecture and ancient frescoes join in conversation with the subversive poetics of the American artist. In light and marble, Holzer draws texts by Italian writers, including Patrizia Cavalli and Pier Paolo Pasolini, as well as international poets. The verses chosen by Holzer for this work touch on themes of identity, gender, and dialogue, as well as foreground issues surrounding the European migrant crisis. The Foundation, partner of the exhibition, is proud to have produced, employing Henraux company technology and skilled workers, nine marble benches, whose surfaces are engraved with phrases chosen by Holzer. Arranged in a circle in the Sala delle Capriate, these works become a site to pause and reflect; to observe the illuminated walls and read words cut in stone. ( Read more ) Collezione Joan Miró, Oiseau solaire, 1968 Galleria Zero Henraux Prize Francesco Arena, David Horvitz and Diego Marcon are the winners of the fourth edition of the Henraux Prize. The jury also gave a special mention to the collective work of Anto.Milotta and Zlatolin Donchev. Diego Marcon, Ludwig, 2018 Francesco Arena, Metro cubo di marmo con metro lineare di cenere, 2018 The Henraux Prize is an ambitious and complex project aimed at developing research on the potential of marble. The properties of this material are not only related to sculpture in the traditional sense but to innovative areas of thought and creation. In a unique technological and artisanal context, the artists selected for the fourth edition had the opportunity to confront a productive reality that combines digital culture and skilled craftsmen. ( Read more ) We use cookies (also from third parties) to analyse our website and optimize your experience. By using this website you accept cookies. (Read more)