Boutiques Subscribe Newsletter Shipping to US $ Contact Us My Account Shopping Bag 0 Shop Chloé Shop See By Chloé Collections Maison #chloeGIRLS COLUMN1 New arrivals Spring-Summer 2018 Personalisation Ready-to-wear All In the spotlight Tops & blouses Dresses Pants Skirts & shorts Coats & jackets Knitwear Bags All In the spotlight New styles Drew Faye Marcie Nile More styles Personalisation Shoes All In the spotlight Sandals Boots Flats Pumps Accessories All In the spotlight Small leather goods Jewellery Sunglasses Scarves Personalisation COLUMN2 Childrenswear All In the Spotlight Coats & jackets Tops Pants, skirts & shorts Dresses Shoes Baby Accessories Fragrances COLUMN1 New arrivals Ready-to-wear All In the spotlight Tops Dresses Skirts & shorts Pants Coats & jackets Knitwear Accessories All In the spotlight Bags Small leather goods Shoes COLUMN2 Summer 2018 Collection A spirit of naïve country romance floats over the Fall 2017 collection, with a soft femininity and a pragmatic nod to the outdoors Chloé Fall Winter 2018 Runway Preview Spring Summer 2018 Runway In boutiques Spring 2018 In boutiques Childrenswear collection In boutiques See By Chloé Summer 2018 In boutiques Spring 2018 In boutiques All Natacha Ramsay-Levi Atelier History Alphabet Exhibition Main NATACHA RAMSAY-LEVI ON HER LATEST CHLOÉ COLLECTION FOLLOW YOUR PATH NATACHA RAMSAY-LEVI ON HER FIRST CHLOÉ RUNWAY Maison Chloé 25 Mar content MAISON CHLOÉ “All I’ve ever wanted was for Chloé to have a happy spirit, to make people happy.” GABY AGHION start your journey I am very proud to be part of a house founded by a woman to dress women. paolo roversi Natacha Ramsay-Levi — Creative Director Natacha Ramsay-Levi joined the Maison as creative director for ready-to-wear, leather goods and accessories in April 2017. Born in Paris, France, Natacha completed her studies at Studio Berçot before joining artistic director Nicolas Ghesquière’s team at Balenciaga in 2002. She collaborated with Nicolas at Balenciaga for eleven years, rising up the ranks to become his right-hand and eventually the Maison’s creative director. In 2013, she accompanied Nicolas to Louis Vuitton to take up the post at as creative director of women’s ready-to-wear. In her current role, Natacha embraces the spirit of Chloé, which was founded in 1952 by Gaby Aghion whose vision was to give women the freedom to dare to be themselves. “I am very proud to be part of a house founded by a woman to dress women. I want to create fashion that enhances the personality of the woman who wears it, fashion that creates a character and an attitude, without ever imposing a ‘look’.” – Natacha Ramsay-Levi +Share 800 METRES of silk used for a runway collection 68 COLOURS worked into a collection 3 SEAMSTRESSES work on a single dress 30 YEARS the tenure of our longest-standing ‘petite main’ 200 HOURS to make a bespoke, red-carpet dress 60 PEOPLE in the Atelier pull together a runway collection The beginning Gabriella Hanoka is born in Alexandria, Egypt, into a cosmopolitan family. She marries her childhood friend Raymond Aghion in 1940 and, in 1945, the young couple move to Paris. +Share 1950s “I designed a small collection and hired a skilled seamstress who had worked in haute couture. I went to source the buttons, the fabrics myself … I was sticking my neck out. Soon I was carried away; it was like a tornado!” — Gaby Aghion +Share 1952 Gaby Aghion designs her first collection and the story of Chloé, one of the first luxury ready-to-wear houses, begins. An alternative to the stiff formality of haute couture, Chloé offers an elegant and modern wardrobe with relaxed silhouettes in high-quality fabrics and refined details. +Share 1957 Gaby Aghion organises Chloé’s first fashion show for the Spring-Summer 1958 collection at the renowned artist’s haunt, Café de Flore. From then on and until the mid-1960s, Chloé’s youthful and spirited fashion shows are held at other Left Bank cafés, the same venues that were the backdrop to the counter-cultural revolution of the day. “The Chloé show was held in the Closerie des Lilas, a famous literary café. The press sits around tables drinking café au lait ... while the models weave in and out of the tables.” — The New York Times +Share 1958 Gérard Pipart is the first young designer hired by Gaby Aghion. From 1958 onwards, the names of each of the Chloé garments follow the alphabet, a tradition that remains until 1987. It is re-introduced again with the accessories collection in 2012 by creative director Clare Waight Keller. +Share 1960s “I have a gift for recognising talent in others.” — Gaby Aghion As defined by founder Gaby Aghion, Chloé’s romantic, cool and glamorous designs personify the aspirations of young women and are met with huge success. In the 1960s, Gaby entrusts a new generation of young talents: Gérard Pipart, Maxime de La Falaise, Michèle Rosier, Graziella Fontana and Karl Lagerfeld, to carry on her vision. These personalities work alongside each other and blossom under Gaby Aghion’s artistic direction. +Share 1960 Gaby Aghion and Maxime de La Falaise design an iconic shirt-dress called, Embrun. “Designing a dress like that, like a t-shirt, was very modern. This dress had a tremendous success because it said, ‘I am carefree’.” — Gaby Aghion +Share 1962 In the early 1960s, the iconic silk blouse is introduced. The style becomes an essential part of the Chloé wardrobe and attitude. +Share 1965 In 1965, a year after his arrival at Chloé, Karl Lagerfeld designs the Tertulia dress for Spring-Summer 1966. The hand-painted art nouveau-inspired motifs set the tone for Chloé’s elegant take on bohemian chic. +Share 1969 In the mid-1960s, Chloé introduces loose silk trousers that glide over the skin. These pants embody a new brand of relaxed elegance, and establish the on-going tension between the feminine and the masculine in the Chloé attitude. Photograph by Guy Bourdin +Share 1970s Karl Lagerfeld proves to be a prolific talent and emerges as Chloé’s sole designer during this period (from 1974 onwards). The 1970s is marked by his soft and flou silk dresses, which celebrate a feminine and carefree romanticism with delicate lace inserts. +Share 1972 The first Chloé boutique opens at the corner of rue du Bac and rue de Gribeauval, in Paris’s chic 7th arrondissement. Photograph by Alexis Stroukoff +Share 1973 The Rachmaninoff dress, with its graphic black and white motifs and its matching scarf tied around the head, is a perfect example of the romantic, bohemian and nomadic ethos of the 1970s. Photograph by Jean-Luce Huré +Share 1974 The 1970s are an ode to the Chloé cape. Endlessly re-interpreted throughout the decade, the cape embodies a sense of fluidity and freedom of movement — a signature of the Chloé style. For summer it reveals itself in whirls of light flyaway silk; in winter, when cast in soft wool, the cape asserts a feminine interpretation of a masculine wardrobe. Photograph by Francois Lamy +Share January 1975 Karl Lagerfeld becomes the exclusive designer at Chloé. He surrounds himself and Chloé with a clique of glamorous and talented friends, including fashion illustrator Antonio Lopez and models Pat Cleveland and Donna Jordan. Together, the nightclub darlings of New York light up Paris with their joie de vivre. +Share April 1975 The first Chloé fragrance is launched. The floral, feminine scent becomes one of the most popular scents of its time. +Share 1980s In the early 1980s, fashion became a playground where inspiration could be found almost anywhere. Collections are designed around a major theme and brought to life in spectacular runway shows. Models dance and pirouette down the runway, making every event as much a party as a show. +Share 1982 For Spring-Summer 1983 Karl Lagerfeld is inspired by music. He designs the famous Angkor dress, embroidered with a trompe l’œil violin and close friend, Antonio Lopez, reinterprets this playful design with a vibrant watercolour illustration. Illustration by Antonio Lopez +Share 1983 For Spring-Summer 1984, Karl Lagerfeld designs the Ciseaux dress, embroidered with a trompe l’œil scissors. This collection on the theme of sewing ends the double decade of his first long and fertile collaboration with the house. Photograph by Guy Marineau +Share 1987 Following Karl Lagerfeld’s departure and a quick succession of other designers, Martine Sitbon is appointed head designer of the Maison. Her five-year tenure introduces a play on soft femininity featuring references to historical menswear and the glossy world of cabaret. Photograph by Francois Halard +Share 1990s Karl Lagerfeld returns to Chloé in 1992. Over the next few years, he mines various cultural references, from classical to pop culture, and celebrates a feminine and carefree romanticism. His spirited collections are brought to life by the famous 1990s supermodels whose larger-than-life personas defined this era. +Share 1993 The Spring-Summer 1994 collection is ethereal and romantic: diaphanous tulle dresses are hand-painted with motifs inspired by archaeological frescoes from the Greek island of Santorini. Photograph by Guy Marineau +Share 1995 The Spring-Summer 1996 collection revives the pop and playful spirit of the Maison. Photograph by Guy Marineau +Share 1997 Stella McCartney is named creative director. Fresh out of Central Saint Martins, at the tender age of 25 she becomes the Maison’s youngest ever recruit. Photograph by Mary McCartney +Share 1998 Under Stella McCartney, Chloé embraces a new sexier, rock ’n’ roll attitude featuring a romantic yet streetwise mix of vintage lingerie, sharp tailoring, signature low-rise pants and printed t-shirts. Photograph by Vanina Sorrenti +Share 1999 Stella McCartney brings a youthful cheekiness and glamour to the Maison; her collections reveal an eclectic mix of influences covering everything from Brit Pop, Girl Power and Saville Row. The Maison welcomes a new, insatiable generation of Chloé fans. Photograph by Liz Collins +Share 2000s Throughout this decade, three young female British designers, Stella McCartney, Phoebe Philo and Hannah MacGibbon, succeed one another in the role of Creative Director. Capitalising on this newfound energy, the Maison broadens its horizons with the launch of accessories, including bags, small leather goods and shoes, along with new sister line, See By Chloé. +Share 2001 Stella McCartney leaves Chloé in 2001 and her right hand and close friend Phoebe Philo succeeds her in the role of creative director. Photograph by David Sims +Share 2005 With Philo’s arrival, the Maison starts to work with leather goods and in Spring 2005, Chloé releases the Paddington bag. With its oversized proportions, XXL padlock and ‘luggage’ spirit, the fashion industry’s very first ‘It bag’ is born. Photograph by Inez & Vinoodh +Share March 2006 Chloé introduces wedges. The effortless attitude and refined sensibility of these shoes evoke the 1970s allure of the Maison. They go on to define Chloé’s footwear offering for seasons to come. Photograph by Inez & Vinoodh +Share August 2006 Under Phoebe Philo’s artful and audacious execution, a highly covetable modern wardrobe is born. Faithful to the spirit of the brand, sexy daywear and sheer silk dresses are contrasted with masculine tailoring, for a polished yet street-smart look. Photograph by Inez & Vinoodh +Share 2008 In 2008, after Swedish designer Paulo Melim Andersson’s brief stint at the Maison, Hannah MacGibbon is named creative director. Photograph by Paola Kudacki +Share 2009 Hannah MacGibbon’s tenure brings pure polish and sophistication to the forefront of the Chloé story. Her collections exude a confidence and a radiant softness, particular to the mood of the 1970s, which has long been a defining referential decade for Chloé’s creative directors. Photograph by Mikael Jansson +Share 2010s The start of this decade is marked by the arrival of Clare Waight Keller. Under her watch, the Maison’s allure is modernised even further as collections embrace sophisticated comfort and free-spirited ease – attitudes that never fail to seduce. New iconic accessories are also introduced, with the Drew and the Faye joining the Marcie in the line-up of Chloé Classics. +Share 2010 Chloé introduces the Marcie. An iconic day bag, the Marcie’s round feminine shape conveys a nomadic spirit. Photograph by Angelo Pennetta +Share August 2011 Chloé’s creative director Clare Waight Keller joins the Maison in 2011. Photograph by Theo Wenner +Share October 2011 Clare Waight Keller’s debut collection captured the very soul of Chloé: fluid and feminine, yet ‘boyish’; it sets the tone for seasons to come. Photograph by Glen Luchford +Share 2012 The Maison celebrates its 60th anniversary with the ‘Chloé Attitudes’ exhibition at the Palais de Tokyo, and an accompanying coffee table book. Photograph by Patrick Demarchelier +Share 2013 Chloé reveals the Drew with the Fall 2014 collection and it emerges as a true icon, embodying the glamorous 1970s spirit that is an intrinsic part of Chloé’s heritage. Photograph by Angelo Pennetta +Share 2014 The Faye, a refined and elegant day bag, with laid-back appeal arrives with the Spring-Summer 2015 collection. Photograph by Theo Wenner +Share 2014 Clare Waight Keller’s Spring-Summer 2015 collection is heralded as a turning point for the designer – “When all the elements of what I’d been doing came together,” she told vogue.com. Mixing the art of the flou alongside the nonchalance of downtown denim, the collection is met with both commercial and critical acclaim. Photograph by Etienne Tordoir +Share March 2016 Fall-Winter 2016 sees Clare Waight Keller reveal a tougher side to the Chloé girl. Inspired by the adventure of life on the open road, leather motorcycle trousers and trim jackets with contoured racing stripes feature in the collection. Photograph by Etienne Tordoir +Share July 2016 The Maison launches e-commerce. +Share 2017 Chloé announces the appointment of Natacha Ramsay-Levi as creative director for ready-to-wear, leather goods and accessories. +Share Array ( [1950s] => 4 [1960s] => 5 [1970s] => 6 [1980s] => 4 [1990s] => 6 [2000s] => 7 [2010s] => 11 ) zoom out zoom in The beginning 1950s 1952 1957 1958 1960s 1960 1962 1965 1969 1970s 1972 1973 1974 January 1975 April 1975 1980s 1982 1983 1987 1990s 1993 1995 1997 1998 1999 2000s 2001 2005 March 2006 August 2006 2008 2009 2010s 2010 August 2011 October 2011 2012 2013 2014 2014 March 2016 July 2016 2017 the beginning 1950s 1960s 1970s 1980s 1990s 2000s 2010s today Photograph by Guy Bourdin Illustration by Antonio Lopez Photograph by Patrick Demarchelier +Share A is for Artistic Since Gaby Aghion founded Chloé in the 1950s within the artistic circles of the Left Bank, the Maison has attracted creative spirits, artists and innovators alike. Gaby set out to establish the brand as a hothouse for young talent and fresh ideas, paving the way for the talented designers and collaborators who have shaped Chloé’s identity over the decades. +Share Chloé Photo by Etienne Tordoir Photograph by Morgan O'Donovan +Share B is for Boyish Timeless tailoring and boyish elegance remain at the core of Chloé, often in balance with boundless femininity. The dichotomy between the two styles exists in perfect harmony in the Chloé universe, and such tomboyish tendencies add an air of nonchalance. +Share Chloé Photograph by Juan Ramos Photograph by Liz Collins +Share C is for Confident Full of life and empowerment, Chloé has always embodied an air of confidence and independence. Founder Gaby Aghion was a visionary, a pioneer of ready-to-wear who designed clothes for women with active, modern lifestyles, much like herself. +Share Photograph by David Hamilton Photograph by Robert Fairer Photograph by Morgan O'Donovan +Share D is for Delicate Chloé’s fluid gowns, diaphanous blouses, and ethereal lace are all synonymous with lightness and grace, the very feminine attributes at the heart of the Maison. Girlish yet sophisticated, nothing lights up a room like a woman in a Chloé flou dress. +Share Photograph by David Sims Photograph by Robert Fairer Chloé +Share E is for Effortless Chloé illuminates women with a particular way of being in the world: one that is authentic, that doesn’t need to be artificially dressed up or a canvas for other people’s ideas. Garments are chosen and worn with a sure sense of elegance and a casual air of confidence. +Share Photograph by Guy Bourdin Photograph by Inez & Vinoodh Photograph by Inez & Vinoodh +Share F is for Feminine There is surely no other Maison more synonymous with femininity than Chloé. From the delicate lace dresses to the floor-length flou gowns, these captivating garments are designed by women, for women. But beyond the clothes we wear, Chloé embodies sisterhood and female empowerment with its all-inclusive club, #chloeGIRLS. +Share Photograph by Jean -Luce Huré Photograph by David Sims Getty Images +Share G is for Grace Chloé girls possess natural allure and poise. Rather than commanding the spotlight, these women personify an understated elegance. An innate sense of style and ease seduces all those around her. +Share Photograph by Liz Collins Photograph by Morgan O'Donovan Photograph by Morgan O'Donovan +Share H is for Happy "All I ever wanted," Gaby Aghion once said, "was for Chloé to have a happy spirit and to make people happy." Ever since, warmth, light and positivity have influenced everything the Maison does: from the upbeat runway shows, to the lively after parties, and the lightness and calm of our boutiques. +Share Chloé Photograph by George Harvey Photograph by George Harvey +Share I is for Independent "I lived the life I wanted to. I always wanted to remain independent so I went for it. I had incredible faith and boldness," said Gaby Aghion on Chloé’s defining spirit of independence. It’s there in the singular design and attitude of each garment that is, in turn, embodied by Chloé girls the world over. +Share Photograph by Jean-Luce Huré Photograph by Jean-Luce Huré Photograph by Jean-Luce Huré +Share J is for Joyful In the late 1970s and early 1980s, the models on Chloé’s runway would dance and pirouette, bringing lightness, positivity and playfulness to every show. That is the Chloé mind-set: happy, liberated, and confident. In France, moments like this evoke joyeux – or “joy”. The word simply means to be happy, to smile, laugh – all part of the Chloé spirit. +Share Photograph by Inez & Vinoodh Photograph by George Harvey Photograph by George Harvey +Share K is for Kaleidoscopic The Chloé palette eschews searing bright colours: it is subtle – brimming with warm pastel shades, and subtle variations. Spanning a spectrum that runs from Chloé’s iconic beige rosé to pure white and cream, along with coral pink, slate grey, ice blue, vanilla yellow and mint green, and gold. +Share Photograph by Horst Diekgerdes Chloé +Share L is for Light Think of a ray of sunlight coming through the blinds on a summer’s day; the Mediterranean light bouncing off the sea; the colour of the pyramids in Gaby Aghion’s Egypt; and the colour of sun-warmed skin. A symbol of femininity and beauty in its natural state, light is at the heart of Chloé. Caressed with the warmth of natural light, the Chloé woman feels free. +Share Chloé Photograph by Glen Luchford Photograph by George Harvey +Share M is for Modern The strength of the modern woman lies in the ability to be self-defining: to decide one’s own values, tastes and desires. This mood has always been at the heart of the Maison’s DNA, ever since Gaby Aghion pioneered prêt-à-porter with her unpretentious, contemporary designs and independent spirit. +Share Photograph by Inez & Vinoodh Photograph by David Sims Photograph by Morgan O'Donovan +Share N is for Natural With her flyaway locks, healthy glow and bright-eyed allure, the Chloé woman is a natural, effortless beauty. She dresses to accentuate her allure in a chic, timeless way. It’s not about dressing up: clothes are a delight to express herself, not to please others. +Share Photograph by David Sims Photograph by Theo Wenner Photograph by George Harvey +Share O is for Optimistic The Chloé woman is light-hearted, smiling, and youthful. This is reflected in the light, sandy shades used in Chloé collections, the light touch that Chloé takes to fashion, and the sense of spontaneity the brand embodies. +Share Chloé Chloé Chloé +Share P is for Parisian Paris, and the nonchalance of the Parisian woman, has always been the star of the Chloé story. During Gaby Aghion’s era, Paris was a centre for bohemian, intellectual culture with young beatniks gathering on the Left Bank and Chloé was perfect in sync with that Parisian mood – youthful and modern in design, rebellious in spirit. Today the city of light remains the fashion capital of the world and the Maison rests in the heart of it all. +Share Photograph by Albert Watson Photography by Guy Marineau Photograph by Xevi Muntane +Share Q is for Quirky Whimsical motifs and pop culture references inject a hint of irreverence and playful provocation into each Chloé collection. This art for the unexpected can be found everywhere: from the design details on the bags – a hand-tied knot in the strap and the play between different hardware accents – to the flyaway tassels adorning silk dresses and blouses. +Share Getty Images Getty Images Getty Images +Share R is for Rock Music sets the scene in the Chloé world, from the straining riffs of a guitar at an after party, to the feel-good soundtracks on the runway. The sounds you hear affect your mood, your thoughts – and the way you move. Our love of music is also evidenced from the inspiring line-up of musicians we support: artists like Flo Morrissey, Marianne Faithful, Florence and the Machine, and Haim. +Share Photograph by Inez & Vinoodh Photograph by David Sims +Share S is for Spontaneous Chloe’s air of spontaneity can be found in the easy silhouettes of the garments and the carefree attitude of the women wearing them. Designed to fit into the Chloé woman’s lifestyle – she’s always on the go – the look is never over thought, always nonchalant and relaxed. +Share Photograph by François Halard Photograph by Etienne Tordoir Photograph by Theo Wenner +Share T is for Timeless Eschewing trends for timelessly chic essentials, the Chloé icons – the blouse, the cape, the wide-leg trouser and the wedge – are updated every season in an enduringly elegant manner. At its heart, elegance is about attitude and poise, but an exquisitely cut garment never fails to seduce. +Share Photograph by Etienne Tordoir Photograph by Etienne Tordoir Photograph by Etienne Tordoir +Share U is for Unique Whatever the style – be it the popular Drew bag, a silk blouse, or a piece of classic denim – a Chloé garment is distinctly unique. It’s reflected in the attitude, the colour palette, the easy silhouette, and the confident gait of the woman who is wearing it. +Share Photograph by Jean-Luce Huré Photograph by Timur Emek Photograph by George Harvey +Share V is for Vibrant Chloé girls love life. They embody and celebrate the richness and vitality of all it has to offer. They choose a wardrobe that both flatters and empowers, clothes that come alive in vivid prints, in alluring colours and luxurious fabrics that encase the figure. +Share Photograph by Christian Anwander Photograph by Guy Bourdin Chloé +Share W is for Wild The call of the wild plays a part in the Chloé design DNA. Never brash, always elegant, Chloé girls love irreverent details and wear them with a confident and often adventurous spirit. +Share Photograph by Inez & Vinoodh Chloé Chloé +Share X is for Kiss In line with the embracing attitude of the Maison, at Chloé we always end our correspondence with a kiss. In turn, the ‘X’ has become a signature sign off from our #chloeGIRLS. +Share Photograph by Jeanloup Sieff Photograph by Melodie McDaniel Photograph by George Harvey +Share Y is for Youthful Chloé is about keeping the carefree spirit of youth – whatever your age. Age, after all, is just a number – style lives forever. Chloé has always looked out for the young, the new, and the fresh. While the rest of fashion was catering to women of a certain age, founder Gaby Aghion wanted to appeal to all women who entertained a youthful, creative and free-spirit – women just like her. +Share Photograph by Mikael Jansson Photograph by Ola Rindal Photograph by David Bellemere +Share Z is for Zen Calm and self-assured, the Chloé girl doesn't vie for attention. At peace with her independent spirit, she stands apart from the rest. +Share a b c d e f g h i j k l m n o p q r s t u v w x y z + Natacha Ramsay-Levi Atelier History Alphabet Exhibition Back to top Client relations Shopping Shipping Payment Returns and Refunds After-sales Authentication Care instructions Boutiques Europe Middle East Asia-Pacific America Company Chloé offices Press Careers Legal Terms and Conditions of Use Terms and Conditions of Sale Return Policy Privacy Policy Join the conversation Facebook Instagram Twitter Pinterest YouTube The NET SET Sign up for updates from Chloé Subscribe Powered by YOOX NET-A-PORTER GROUP — Copyright © 2017 Chloé. All Rights Reserved. Contact Us Go to the accessible version Shipping to US $ Please select your country/region Our online boutique is currently available in the countries/regions listed below. Please be advised that changing your location while shopping will remove all items from your Shopping Bag. 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