en it "CARisMA have become much more than just a classical guitar duo. Inspired by Debussy and Einaudi as much as electronic masters like Daft Punk, the duo have revolutionised the way classical guitar is played. " READ MORE Donation CARisMA performing Donation feat. Nigel Stanford Shooting 2016 Photo Leonardo Baldini Shooting 2016 On tour In action.. On tour Shooting “Dark Spirit” 2014 Photo Leonardo Baldini Shooting “Dark Spirit” 2014 Life On the road... Life 432 Philosophy “There are magic instants when the beauty of the moment can only be perceived and told by ethereal and timeless sounds.” The music of CARisMA, made of colorful embroidered arabesques and delicate arpeggios as soft as butterfly wings, can be the perfect sound track of those magic instants we call life. CARisMA seem to pass through the gates of time and their music seems a bridge over infinity, which projects the past into the future, where classical music wears the majestic and metaphysical robes of its past, albeit enriched by sonic and conceptual elements pertaining to our times. In a certain way the sound canvases painted by this duo collect the works of the Renaissance Maestros, if the latter were in search of the golden proportion through the balance of the form, also CARisMA are looking for it through an immortal intonation, like the one with the A at 432 hertz. This intonation, which was the characteristic of the greatest exponent of Italian Opera, Giuseppe Verdi, paints the notes in a mother of pearl nuance and in a silky softness so that when they come out from their guitars they seem as if they had been dipped into the moonlight, by which were influenced the most intimate and inspired auteur melodies. The ambitious research of the proportio aurea through music mathematics masterfully melts with the sophistication of the duo arrangements, and through a sublime technique that never exaggerates, that never is an end in itself, excites and makes all of us dream, without any distinction. This is the power of music, a universal language that can communicate straight with our souls, that leads us to leaf, through the sense of hearing, the pages that give shape to the canon of beauty. The fingers of the duo chisel complex sound statues like Michelangelo’s, enriched with fast cascades of notes that then slow down in a flutter, to settle then in a clear harmonious pond, where sensitive melodies are floating, in which each note seems to have been written on the pentagram with the sensitive ink of the heart. CARisMA, poetry in music where beauty, harmony and sensitivity are narrated in prose by two guitars…it is impossible not to feel moved by all this. Riccardo Tristano Tuis READ MORE Contacts Miura Management Global Artists Management Miura Management Limited 2410 Fortis Tower 77-79 Gloucester Road Wanchai Hong Kong E-MAIL WEB SITE CARisMA E-MAIL ©2018 ALMUD EDIZIONI MUSICALI SRL Via Tosco Romagnola,742 - 56026 CASCINA (PI) - Italy - Capitale sociale € 13.000,00 int. versato - R.E.A. PI - 150969 - P.IVA 04166110371 web-design: Monch photo: Leonardo Baldini Welcome Biography Discography On Tour Photogallery 432 Contact Biography At its most simple, CARisMA is the union between extraordinary classical guitarists Magdalena Kaltcheva and Carlo Corrieri. But since they first collaborated in 2011, they have become much more than just a classical guitar duo. Inspired by Debussy, Einaudi and Hans Zimmer as much as electronic masters like Daft Punk, the duo have revolutionised the way classical guitar is played. By bringing together the old and the new and integrating elements from the contemporary and classical worlds, they have created an innovative sound all of their own. From the outset, these two prodigiously talented guitarists wanted to create something altogether different from the concertos they had studied. Their journey led to a radical and acclaimed arrangement of David Guetta’s “Titanium” . The success of “Titanium” sparked their imagination, leading to their new composition and single DoNAtion created with New Zealand electronic composer and producer Nigel Stanford. It is a track rich in melody, driven by Stanford’s ambient beats, creating a new genre that defies classification – but may explain the sound of a duo raised on classical, obsessed with Daft Punk and fascinated by science and nature. The ‘DNA’ of DoNAtion refers to frequency of human DNA replication which is set at 8 Hz. CARisMA play their music at 432Hz, 8Hz below the international standard of 440Hz. 8Hz is also the frequency that activates both hemispheres of our brain. DoNAtion is a watershed for Carlo and Magdalena and marks the most radical departure from their straight classical roots and a continued journey into uncharted waters. “We think differently from most classical musicians,” says Carlo, “We enjoy all music and we’re young, so of course we listen to pop and electronica, they’re as much a soundtrack to our everyday lives as our classical background. And some of the most exciting composers today work in electronic music. It never made sense to us to ignore the modern world and restrict ourselves to classical compositions.” “At the same time,” adds Magdalena, “We are inspired by so much more – everything from science to surrealism, Nikola Tesla’s experiments on free energy to Salvador Dali. Our base has always been in classical music, but there are many more colours that we can add to the mix.” By working closely with Nigel Stanford, they have refined their sound and become pioneers in the classical and electronic music worlds – with audiences worldwide left in awe of their synth-driven experimentation. Along the way, CARisMA’s radical new style has garnered much attention, leading to a performance in front of the world famous Italian tenor Andrea Bocelli who was astonished by their arrangement and performance of the Overture from ‘The Barber of Seville’ by Rossini and invited the Duo to open his concerts on his tours around the world. The collaboration with Andrea Bocelli led CARisMA to perform at some of the world’s most famous venues such as the Madison Square Garden in New York, the O2 Arena in London, the Mercedes Benz Arena in Shanghai, the Lanxess Arena in Cologne, the Telenor Arena in Oslo among many others. Both Magdalena and Carlo had early introductions to music. Originally born in Sofia in Bulgaria, Magdalena Kaltcheva began her classical studies in Germany and was taught by the country’s most influential classical guitarists Jürgen Rost and Hubert Käppel. Carlo Corrieri, who grew up in Pisa, began his musical endeavours aged only seven years old and studied in Italy under the great concert guitarists Flavio Cucchi and Matteo Mela, before travelling to California to complete his studies with Christoper Parkening. “Carlo and I met during many guitar festivals and competitions around the world before becoming a couple in 2010,” says Magdalena. “A year later we created CARisMA after making 5 arrangements of Rachel Portman’s soundtrack to the movie called ‘Chocolat’ together with italian composer Giorgio Mirto. We loved the combination of the two guitars, and our different techniques fitted so well together that we decided to go deeper into that direction. It was very exciting to experiment with different styles of music, not just classical. “We are composing every day, exploring the electronic sound more and more. No classical guitarist has done this so far and we cannot wait to see where it takes us next.” In April 2017 CARisMA will release a new EP Album featuring exclusive own compositions. Talk with the 432Player app CEO´s Andrea Bocelli talks about CARisMA and 432 HZ Sincronizzazione Emisferi Cerebrali 432 Hz Privacy & Cookie policy COOKIE What is a cookie and what is its purpose? A cookie is a small file that is sent to the browser and saved on your device when you visit a website. 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