SortItem no.Product Search in results Number of hits 17 Sony URX-S03D/K33 new 2-ch slot in receiver SON-URX-S03D/K33 Buy More info The SONY URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy channel setting Large display, automatic channel setting function, USB connection for power supply and line input availability. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP McBoost microphone signal intensifier RAD-R800 8016 00 Buy More info * 25dB signal booster for dynamic & ribbon mics * Extends dynamic range and microphone reach * Uses standard 48V phantom for power * 3-position load switch and high-pass filter The Radial McBoost™ is a high performance microphone signal booster designed to elevate the output of a typical dynamic microphone for greater transient response and boost the signal of a low-output ribbon mic to bring it up to a usable level for mixing consoles or preamps that may not provide sufficient gain. The 100% discrete class-A circuit design begins with a dual-transistor J-FET circuit to produce up to 25dB of gain without introducing noise, color or artifact. Each individual transistor is carefully measured and batch-sorted to comply with the design specification to certify performance. As with all Radial™ products, the circuit board is then loaded into a 14-gauge, I-beam, reinforced steel enclosure to prevent outside stress from torquing which otherwise could lead to premature part failure. A book-end cover creates protective zones at each end to safeguard the switches, potentiometer and connectors from the rigours of the road. Merely connect the McBoost in-line using standard 3-pin XLRs and activate 48V phantom to provide power. Select between three impedance settings to optimize the response and then reduce low-frequency clutter with the 3-position high-pass filter. The McBoost will elevate the output to produce added clarity, excitement and extra drive for long cables whether you are in a recording studio, on a live concert stage or in a broadcast center. JDX Direct Drive Amp Simulator and DI Box RAD-R800 1404 00 Buy More info * Guitar amp simulator for pedalboards * Eliminates need to bring an amp to the gig * 4 x 12, half-stack & open back combo tones * Employs Radial’s popular JDX tone shaping The Radial™ JDX Direct-Drive is a unique and powerful device that simulates the sound of a guitar amplifier while doubling as a direct box. Unlike a typical direct box that merely transfers the sound of the pedals to the PA, the Direct-Drive simulates the tone and feel of a real guitar amp, producing a much more realistic sound. In other words, with the Direct-Drive on your pedalboard, you can do a gig without carrying an amp to the club. The design begins with a traditional ¼” guitar input and passive thru-put to feed a stage amp. This is then followed by a dedicated tuner output that is buffered in order to eliminate loading on the pickup or noise from the quartz clock. The guitar signal is then passed through a series of carefully sculpted filters to create Radial’s signature JDX tone. This is modelled after the sound of a Shure SM57™ in front of a Marshall™ 4-12 cabinet. The Direct-Drive goes further with two more voicing settings: The first adds a vintage Marshall™ tube head character to the signal path while the second delivers a tone reminiscent of an early Fender Twin™. The two amp tones can be further tailored using a presence switch for extra sparkle. The guitar signal exits the Direct-Drive via either a ¼” guitar-level output or via a balanced XLR to feed the PA. The direct box output is outfitted with a 180° polarity reverse switch to help phase-align monitors with the stage amp along with a ground lift switch to help eliminate hum and buzz caused by ground loops. The Direct-Drive may be powered using a standard 9V power supply or typical pedalboard power brick. As with all Radial products, the Direct-Drive is made to handle the rigors of professional touring with 14-gauge steel throughout. This not only helps prevent damage to the internal PCB, it also reduces susceptibility to noise from external magnetic fields. The Radial JDX Direct-Drive… one small step on a pedal board, one huge step for the guitarist! Note: Note the companies mentioned above are not related to Radial and are only referenced in order to give the reader a sense of the type of tone the Direct-Drive will produce at the various voicing settings. JDV MK 5 Class-A Super DI box RAD-R800 2015 00 Buy More info * 100% discrete class-A active direct box * Feed forward design – no negative feedback * Drag™ control load correction for natural tone * Huge 30-Volt rails for exceptional headroom The Radial JDV Mk5 is a high performance active direct box and preamp with two inputs that enables the user to seamlessly transition from one instrument to another while being able to optimize the signal chain no matter what the source. The design begins with 100% discrete electronics and a unique class-A circuit with zero phase-cancelling negative feedback front-end. This is augmented with Drag™ control load correction that lets you optimize the impedance that is being applied to the pickup along with extra rail voltage for an abundance of headroom. The result is virtually zero harmonic, phase and cross-point distortion resulting in the most natural rendering without coloration or artifact of any type. Central to the design is the JDV's ability to handle any type of instrument. Input-1 is equally well suited for magnetic pickups or active instruments and is equipped with a balanced mic input with 48V phantom to accept instrument-mounted condenser mics. Input-2 adds another dimension with a selectable 10 meg-ohm input to properly load piezo transducers. Both inputs may be active at one time and mixed together using the front panel controls. These can then be phase-aligned using the built-in Radial Phazer for what can only be deemed the most natural sounding reproduction of an acoustic instrument ever. Extra features include fully variable high-pass filters on each channel to eliminate excessive low frequency resonance, easy-read LED level meters, Jensen Transformer isolated outputs to eliminate hum and buzz caused by ground loops and a +4dB line level output for direct recording. Switching between channels may be done using a front panel switch or via the optional JR-2 remote control. The Radial JDV Mk5... the only DI you will never hear! JDI DUPLEX STEREO RAD-R800 1020 00 Buy More info * Stereo direct box for high output sources * Ultra linear response from 10Hz to 40kHz * Virtually zero phase & harmonic distortion * Eliminates hum and buzz from ground loops The Radial JDI Duplex is a full-feature, stereo passive direct box designed to enhance connectivity, reduce noise, and simplify the hectic life of the touring professional, broadcast engineer or AV integrator. It is plug-and-play easy to use while delivering the utmost sonic quality. Like the Radial JDI, the Duplex employs two high-performance Jensen audio transformers with the same pristine audio signal path that has made the JDI the industry standard. It features exceptional signal handling with virtually zero phase shift or harmonic distortion, while remaining linear across the entire audio spectrum. When driven to extremes, the natural transformer saturation and resulting warm Bessel curve makes the Radial Duplex the perfect choice for smoothing out highly dynamic instruments such as digital pianos and electronic drums that can sound harsh when pushed. Transformer isolation provides the additional benefit of eliminating troublesome ground loops that can cause hum and buzz in the audio system or interfere with video displays. This 'Swiss Army knife' DI is equipped with ¼' connectors for instruments, RCA connectors and a 3.5mm TRS for unbalanced -10dB consumer electronics plus XLR inputs for +4dB professional line sources. Radial's innovative book-end design provides protective zones on the front and rear to keep connectors and switches out of harm's way. The 14 gauge I-beam inner frame adds tremendous rigidity to eliminate outside stresses that could torque the PC board and cause premature solder joint and trace failure. The steel outer shell couples with the transformer's MuMETAL® shield to protect against stray magnetic fields from power transformers or lighting systems that could cause interference. Finally, a full-bottom no-slip pad works double-duty by providing both mechanical and electrical isolation. The Radial Duplex delivers outstanding connectivity, superlative audio and quiet dependable performance.. JDI Duplex… the world's finest passive stereo direct box. SPACE HEATER Analog Summing Mixer & Tube Drive RAD-R800 7050 00 Buy More info * 8-channel 12AX7 tube overdrive with summing mixer * 35, 70 and 140 volt Heat switch * Channel outputs allow for use on single tracks * Transformer coupled outputs for vintage tone The Radial Space Heater is a single space 8-channel tube overdrive that can be used as a stereo summing mixer or as multi-channel studio distortion. Connect it to your digital interface to sum tracks in the analog domain, or use it as a hardware insert to add character to individual channels. With complete control over each tube circuit, the Space Heater can provide everything from subtle transformer warmth to full on harmonic distortion. The design begins with eight +4dBu balanced line level inputs that feed four 12AX7 tubes wired in stereo. A heat switch on each channel lets you apply between 35, 70 or 140 volts to the tube to modify the performance. When set to a lower voltage; it starves the tube, increasing distortion producing filthy layers of grit. When the voltage is set to maximum; the signal cleans up resulting in natural tube warmth with wonderful harmonic overtones. Separate DRIVE and LEVEL controls let you fine-tune the settings on each channel to increase or decrease distortion to suit. Each of the eight outputs is equipped with an oversized output transformer for beefy character while providing galvanic isolation to eliminate noise. You can also bypass the tube circuit and drive the transformer on its own to produce a vintage feel that is reminiscent of the finest audio designs from yesteryears. Connections to and from the Space Heater include ¼" TRS and 25-pin D-Sub balanced inputs, balanced ¼" TRS send and receive insert points, and an 8-channel balanced D-Sub output. The send jacks or the D-subs can be used to process individual instruments, enhance a sterile vocal track, add 'grind' to a bass track or 'sparkle' to an acoustic guitar. Used as four stereo pairs, the Space Heater can be used to fatten stereo stems or with in-ear monitor systems to add natural tube compression to create a more enjoyable on-stage experience. All eight channels can be sent to the master left-right XLR outputs for stereo summing with odd channels routed left and even channels routed right. This set up is often used to add crunch to drum kits or for traditional analog (out-of-the-box) summing and can be expanded using the link connectors for 16, 24 or 32 x2 summing requirements. This is supplemented with high-pass filters on each channel that help clean up tracks by removing excessive low frequency resonance. The Space Heater… a character box with an attitude you will love! BT-Pro Bluetooth Direct Box RAD-R800 1055 00 Buy More info * Bluetooth reception to 12 meters (40 feet!) * Dual balanced XLR outputs to connect to PA system * Built-in headphone amp for troubleshooting * Isolation transformers to eliminate buzz and hum The BT-Pro is a Bluetooth® direct box designed to capture the wireless transmission from a Bluetooth® enabled device and convert the signal to a balanced line for use in a PA or recording system. It employs an innovative T-shaped access cavity behind which is located the antenna. This is protected by a milled insert made from Sintra® – a rugged closed-cell PVC - that permits the wireless transmission signal to pass without interference, allowing reception distances of 12 meters (40') or more with line of sight between devices. The audio signal path itself employs the latest Bluetooth wireless A2DP interface over 2.0 EDR (Enhanced Data Rate) for higher speed transmission to deliver optimal audio quality. This standard employs a 16-bit wireless compressed format with the actual bit rate determined by the transmission source material. Inside, the BT-Pro converts the data to a stereo analog signal, producing up to +4dB at the output. The signal level is controlled by a front panel potentiometer that is shared with the built-in headphone amp with standard 3.5mm mini TRS that is used for troubleshooting. For greater flexibility, a stereo-to-mono switch sums the stereo output for dual-mono operation to reduce input channel requirements on the mixer or to share the signal between separate systems. Should noise be encountered, two side-mounted isolation transformers may be inserted into the signal path. This is supplemented by a ground lift switch for the XLRs to further help eliminate hum and buzz caused by ground loops. Connecting to the BT-Pro is easy. The BT-Pro is powered by an external 5V supply via a mini USB port and may also be powered from a laptop or USB hub. Once turned on, two top-mounted LEDs will toggle as it awaits pairing. Turn on your Bluetooth device and its transceiver sends an initial pairing message to identify the BT-Pro. This will show up as 'RadialEng'. A connection pass code is then used to initialize the connection. This important safety feature ensures other nearby Bluetooth devices cannot 'pollute or hijack' the system. Once paired, the BT-Pro's blue LED will flash every 3 seconds to let you know the two Bluetooth devices are talking to each other. The Radial BT-Pro… a wireless DI made for professional touring. Radial Headload Prodigy Combination load box and DI RAD-R800 7060 00 Buy More info * Load box with 100%, 50% and silent attenuation * Let's you drive your amp hard for best tone * JDX Reactor direct output for PA and monitors * Built-in headphone amp for practicing The Headload Prodigy™ is a combination load box and DI that lets you drive your guitar amp at a higher output in order to maximize the tone, yet produce a lower stage volume when needed. Like the larger Headload™, the Prodigy employs custom made cement-encrusted ceramic-coated resister coils to convert the excessive power from the amplifier to heat and is able to comfortably withstand up to 100 watts RMS. The Prodigy may be used in three different ways, depending on the need: First, it may be used as a direct box via the built-in Radial JDX Reactor. The hugely popular JDX combines a reactive load with a proprietary filter bank to emulate the tone of a 4 x 12 half stack. This features 100% discrete class-A circuitry for optimal tone and transformer isolation to eliminate hum and buzz caused by ground loops. Designed to replace a microphone, the JDX delivers greater consistency while eliminating concerns such as stage resonance, bleed from other instruments and problematic room acoustics which can play havoc on the tone. Second, the Prodigy may be used as a load box where you can attenuate the output from 100% down to 50% to drive your amp harder while keeping the volume down to a comfortable level. Finally, the prodigy can be used without a speaker cabinet for completely silent recording. This is particularly useful in small venues where the speaker cabinet on stage may conflict with the sound in the room. It is also great for silent recording where you want to take advantage of 'high power' amp distortion without upsetting the neighbours. In order to optimize the playing experience for in-ear monitors, a dual band EQ lets you optimize bass and treble settings. Two additional ¼" outputs enhance connectivity: The first is direct from the amp while the second is post EQ - post JDX. These are used to feed additional amplifiers or effects and adjusted using the front panel level control. A second level control is used to adjust the built-in headphone amplifier for silent practicing. Housed in 14-gauge steel to help keep magnetic radiation at bay, the Headload Prodigy features a handy carry handle plus Radial's unique book-end design that creates a protective zone around the switches and controls. The internal I-beam construction adds tremendous rigidity, protecting the sensitive PC board from being torqued which could lead to solder joints going cold prematurely. One or two Prodigies may be rack-mounted into a single 19" rack space using an optional rack kit and power is supplied by an external 15VDC supply with a cable clamp to prevent accidental disconnection. Available in the 8 ohm model. The Headload Prodigy… a load box made to deliver a load of tone! Classic V9 RAD-R800 7011 00 Buy More info Regency RAD-R800 7013 00 Buy More info Switchbone V2 RAD-R800 7081 00 Buy More info Shotgun RAD-R800 7092 00 Buy More info * Configurable for 1x4 mono or 2x2 stereo * Isolated outputs eliminate ground loops * Buffered outputs drive extra long cables * CLC™ Consistent Load Compensation circuit The Shotgun™ is a compact guitar-level signal buffer designed to drive up to four amplifiers simultaneously and fit nicely on any pedalboard. It features two inputs with a switching jack on input-2 that - when connected - changes the architecture from a 1x4 mono distribution system to a 2x2 stereo setup. The Shotgun is equipped with CLC™ – Radial's unique Consistent Load Compensation circuit that retains a stable input impedance to ensure the character of the signal remains unchanged, no matter if you use one or two sources. Inside, a carefully designed low noise buffer circuit with a full-surface ground plane delivers your tone further – up to 15 meters (50') without noise. This is augmented with isolation transformers on outputs 2, 3 and 4 to help eliminate the nasty buzz and hum caused by ground loops when multiple amps are connected together. And like all Radial products, the Shotgun is made tough to handle the rigors of professional touring. Powering is done using standard 9V supply or multi-pedal power brick. When used in the 1x4 mono-mode, the Shotgun will effortlessly drive multiple amplifiers, direct box outputs and modeling amplifiers at the same time. In 2x2 stereo-mode, you can connect the output from your stereo chorus to the Shotgun and drive two or four amps in stereo, in phase, without noise. The Shotgun… delivers more boom, less smoke and bullet-proof performance! Bumper RAD-R800 7094 00 Buy More info Headlight RAD-R800 7096 00 Buy More info Mix-Blender RAD-R800 7207 00 Buy More info * Mix two instruments or effects together at same time * Blend in effects while retaining the tone of your instrument * Class-A buffered inputs with individual level controls * Opens door to creating subtle or unique effects The Radial Tonebone Mix-Blender™ is a multi-function pedal that lets you mix two instruments or effects together and then send the combined signal through a mixer-style effects loop for processing. Designed to work with guitar, bass and keyboards, the Mix-Blender begins with two high-performance Class-A buffers for maximum fidelity. These lower the impedance to drive the signal further without noise. Individual volume controls on each channel let you mix the two inputs to suit and can be used to blend two pickups on an acoustic guitar, combine two pedals in parallel such as a chorus and a distortion, or to have two different instruments 'live' on stage – each set with the same output for quick changeovers. The signal can then be routed to a true 'mixer-style' effects loop and activated using the on-board footswitch. This features a wet-dry blend control that lets you mix-in effects pedals with precise control to add slight enhancements or extreme coloration to the signal chain. In other words, the Mix-Blender lets you retain the original sound of the instrument and add in as much of the effect as you like. Think of adding a touch of overdrive to a bass guitar without losing the bottom end. How about mixing in some distortion to your acoustic guitar to give it more shimmer? How about adding a chorus or phase shifter to your Hammond synth patch? The Mix-Blender is a unique tool that is designed to bring new tonal textures to your world and enhance your creative inner spark. Headlight-Pro RAD-R800 1432 00 Buy More info Radial Decoder- Mid/Side Matrix and Mic Preamp RAD-R800 1415 00 Buy More info * Quick and easy mid/side recording without a mixer * Three ultra-quiet built-in mic preamps * Pre-mixed stereo outputs * Line level operation for use with pre-recorded tracks The Radial Decoder is a microphone preamp and mid/side stereo matrix that allows the user to easily create M/S recordings without having to re-configure a recording console. Featuring built-in mic pre's with phantom power and independent level control, the Decoder automatically combines the signals to a stereo output using the sum-difference method for spectacular stereo imaging that translates well to mono for broadcast. The Decoder begins with three ultra-quiet microphone preamps. The mic/line input-1 is assigned to the MID or direct microphone, while mic/line input-2a is assigned to the SIDE microphone. A link button automatically duplicates and pans the signal and flips the phase for a traditional M/S stereo image when used with figure-8 microphones. Mic/line input-2b allows the Decoder to be used with a pair of cardioid microphones rather than a figure-8. This opens up the door for a variety of microphones and different spacing techniques to be employed for ultimate convenience and creativity. The Decoder can also be switched to +4dBu line level for Reamping™ pre-recorded material during mix-down. Simply record a SIDE microphone while tracking and bounce to a stereo M/S image later. As the Decoder is intended for use in the studio or in the field, the chassis is built out of heavy duty 14-gauge steel. The internal I-beam frame and book-end construction prevents premature damage to internal circuitry and protects knobs and switches from impact. A full bottom no-slip pad provides electrical insulation and mechanical isolation to reduce mishap. The chassis can also be rack- mounted on its own or with other Radial products using an optional rack kit. The Decoder… mid/side recording has never been so easy! Start > Main View > NEW PRODUCTS Meny Start Help Contact Login ADAM F-SERIES AX-Series SX-Series Subs Accessories AUDIX All Products Dynamic Vocal Condenser Vocal Dynamic Instrument Condenser Instrument Studio Condenser Micros Packs & Sets Installed Sound Wireless Systems Accessories BUBBLEBEE Wind Protection Lav covers, tape and fur Other Sound Accessories DINKUM Products Lens Shades Camera, Light & Mic Mounts Accessories DPA Lavalier No Connector Lavalier Fixed Connector Headset Cardioid Headset OMNI Instrument 4099 Clips 4099 Handheld Recording Surround Accessories Adapters RADIAL Passive DI Active DI Reamping Splitters Interfaces Switchers Effects 500 Series SONY UWP-D Wireless DWX Wireless Wired Microphones Recorders Headphones Accessories TONEBONE Distortion Preamps & Buffers Effects Switchers PHOTO & VIDEO Sony UWP-D Wireless DINKUM Bubblebee Camera Microphones DPA Lavalier NEW PRODUCTS CAMPAIGNS Ads 0 Products Checkout Nordic Audio Distribution AB E-mail:nad@nordicaudio.eu Address:Box 1320, 171 25 Solna VAT reg. no.:556884-6041