user: Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Arthur Wayland "Art" Ellison (1899–1994) was an actor and director who worked for the Kansas City Power and Light Company for forty-eight years before becoming a professional actor. Prior to that, he had appeared in scores of amateur stage productions in the Kansas City area. He was born in Potsdam, New York and he died in Kansas City, Missouri. Director Herk Harvey speculated that Art Ellison had acted in more industrial and educational films than any other, including some directed by a young Robert Altman. He is best known for his part in the 1962 cult-classic horror film "Carnival of Souls". Context_2 : The Kansas City Power & Light District or Power & Light District or P&L is a dining, shopping, office and entertainment district in Downtown Kansas City, Missouri, United States, developed by The Cordish Companies of Baltimore, Maryland and designed by Beyer Blinder Belle and 360 Architecture. The district comprises nine blocks on the south side of the downtown loop. It is located between Baltimore Avenue to the west, Grand Boulevard to the east, 12th Street to the north, and Interstate 670 to the south. The $850 million mixed use district is one of the largest development projects in the Midwestern United States, and is anchored by the renovated Midland Theatre, Alamo Drafthouse Mainstreet Cinema and the world headquarters of H&R Block. Context_3 : Kansas City Power and Light Company is an electric utility company serving the Kansas City metropolitan area. It is a wholly owned subsidiary of Great Plains Energy Incorporated of which it is the biggest component. The company traces its roots to November 1881 when Joseph S. Chick obtained the exclusive rights to use the Thompson-Houston arc lighting system in the counties of Jackson, Missouri, and Wyandotte, Kansas, for $4,000. The following month, the initial franchise to establish an electric works in the City of Kansas, Mo., was granted to Lysander R. Moore and later assigned to "Kawsmouth Electric Light Company". Construction was begun in February 1882 on a power plant on a tract of land at the southeast corner of 8th and Santa Fe Streets in the West Bottoms. Kawsmouth Electric Light Company built quickly and, on Saturday night, May 13, 1882, brought electric illumination to the first 13 customers on the west side of Main Street in the downtown district. In 1885 the company reincorporated as "Kansas City Electric Light Company". Context_4 : The Kansas City Power and Light Building (also called the KCP&L Building and the Power and Light Building) is a landmark skyscraper located in Downtown Kansas City, Missouri. The building was constructed by Kansas City Power and Light in 1931, as a way to promote new jobs in Downtown Kansas City. Since then, the Art Deco structure has been a prominent part of the Kansas City skyline. The structure was the tallest building west of the Mississippi River upon its completion after succeeding the Smith Tower until completion of the Space Needle in 1962. The east side of the building faces the Power & Light District which bears its name, and the building's iconic lantern appears on promotional materials and signage for the district and even Kansas City as a whole. Context_5 : H&R Block is an American tax preparation company in North America, Australia, and India. The Kansas City-based company also offers payroll, and business consulting services. Context_6 : The Jenkins Music Company Building in Kansas City, Missouri was built in 1911 at 1217-1223 Walnut Street, located in the Kansas City Power and Light District. It is a significant example of unaltered, Modernistic style commercial architecture, combining Late Gothic Revival and Art Deco decorative elements. It was listed on the National Register of Historic Places in 1979. Context_7 : The 1201 Walnut Building is a Skyscraper located in Downtown Kansas City, Missouri, USA, built by HNTB Architects in 1991. Found at the intersection of 12th and Walnut streets, it is the eighth tallest habitable structure in the Kansas City Metropolitan Area, and the twelfth-tallest habitable structure in Missouri, at 427 feet. The exterior is made of mostly dark-colored glass, and granite panels, and is very close the new Sprint Center and Power & Light District, part of the redevelopment of downtown Kansas City. The glass look helps to further the glass-theme that the Sprint Center, H&R Block Building, and the "Kansas City Star" printing press have. In late 2010, building tenant Stinson Morrison Hecker, LLP acquired the rights to place a large sign and corporate logo atop the southern face of the building. Context_8 : Great Plains Energy Incorporated is a holding company based in Kansas City, Missouri that owns electric utility Kansas City Power and Light Company and Strategic Energy, LLC, an energy management company. Context_9 : Henry F. Hoit (4 August, 1872 – 30 May, 1951) was a well known Kansas City, Missouri architect in the early 20th century. He and his partners designed many of Kansas City's most iconic commercial and residential buildings including the Kansas City Power and Light Building and the R.A. Long residence (Kansas City Museum at Corinthian Hall). Context_10 : Hoit, Price & Barnes was a prominent Kansas City architectural firm in the early 20th century. It designed several skyscrapers and mansions including three of the current ten tallest buildings in Kansas City; the Kansas City Power and Light Building, 909 Walnut, and Oak Tower. fact_1 :  The $850 million mixed use district is one of the largest development projects in the Midwestern United States, and is anchored by the renovated Midland Theatre, Alamo Drafthouse Mainstreet Cinema and the world headquarters of H&R Block. fact_2 : H&R Block is an American tax preparation company in North America, Australia, and India. Question:  The Kansas City Power & Light District includes the headquarters of what tax prep company?
Solution:

assistant: HR Block