user: Please answer this: Given the below context:  In the early 19th century, medievalism, Romanticism, and the Gothic Revival reawakened interest in Arthur and the medieval romances. A new code of ethics for 19th-century gentlemen was shaped around the chivalric ideals embodied in the "Arthur of romance". This renewed interest first made itself felt in 1816, when Malory's Le Morte d'Arthur was reprinted for the first time since 1634. Initially, the medieval Arthurian legends were of particular interest to poets, inspiring, for example, William Wordsworth to write "The Egyptian Maid" (1835), an allegory of the Holy Grail. Pre-eminent among these was Alfred Tennyson, whose first Arthurian poem "The Lady of Shalott" was published in 1832. Arthur himself played a minor role in some of these works, following in the medieval romance tradition. Tennyson's Arthurian work reached its peak of popularity with Idylls of the King, however, which reworked the entire narrative of Arthur's life for the Victorian era. It was first published in 1859 and sold 10,000 copies within the first week. In the Idylls, Arthur became a symbol of ideal manhood who ultimately failed, through human weakness, to establish a perfect kingdom on earth. Tennyson's works prompted a large number of imitators, generated considerable public interest in the legends of Arthur and the character himself, and brought Malory's tales to a wider audience. Indeed, the first modernisation of Malory's great compilation of Arthur's tales was published in 1862, shortly after Idylls appeared, and there were six further editions and five competitors before the century ended.  Guess a valid title for it!
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Answer: King Arthur


Please answer this: Given the below context:  As Cole shops, an armed robber demands that the cashier, Michael, hand over all the money in the safe.  Michael empties the cash register and says that there is no safe in the shop.  As the robber becomes increasingly agitated, Cole approaches him, calls him a coward, and dares the robber to shoot him.  Michael intercedes and attempts to wrestle the gun away from the robber, only to be shot in the gut.  After Cole calls an ambulance, he receives a phone call from a friend who invites him out to drinks.  Cole accepts on the condition that it is not a house party. Cole is frustrated to learn that it is a house party, and he goes downstairs to drink alone, where he meets Maya, the host.  The two discuss an approaching asteroid.  Maya says that modern stress would evaporate in the face of the meaninglessness of certain doom, and Cole says that everything would matter in that circumstance.  The two dance to Maya's favorite song and soon begin dating.  A series of flashforwards depict life in post-apocalyptic Scotland after the asteroid has arrived as Cole and Maya hide from alien spaceships, mixed with scenes in the present of their relationship leading up to those events. When they discuss children, Cole says he does not want any, and Maya reveals she is incapable.  As the asteroid grows closer, Cole asks Maya to marry him.  Maya jokingly accepts, and Cole insists that he is serious; now serious, Maya again agrees.  Although initially dismissive of the danger, scientists become increasingly worried about a collision.  Various missions to divert the asteroid end in failure, putting the world on edge.  In the flashforwards, Cole and Maya's relationship deteriorates in the face of their hardship in finding food and shelter.  Guess a valid title for it!
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Answer: Beyond (2014 film)


Please answer this: Given the below context:  In an interview with Pitchfork in October 2007, Taylor said there would be an equal proportion of electronic elements to live material, as the band doesn't "do things by adding one thing and taking something else away". The album contained maximalist and minimalist songs; several tracks on the album were influenced by rock and heavy metal music, and the track "Wrestlers" started taking a new direction because the band was "wrestling with the idea of making an R. Kelly kind of slick R and B number" and ultimately "[sounded] more like Randy Newman's "Short People". He said, "if the press release says it's faster and rockier it doesn't account for the fact that there are more ballads on this record than any other record." Taylor said that feelings of happiness and love influenced the album's romantic feel.Goddard considered varying styles and influences a key factor in the band's music. He explained to The Sun that creating music could be difficult because a member could introduce a different influence. Goddard and Doyle said that clashes and restlessness during recording led to "unpleasant" periods of silence, but ultimately thought the clashes created "something more interesting because you have these different voices and not one person dictating".Martin told The Georgia Straight that the group are "afflicted with something akin to musical attention-deficit disorder" and said that the group "get bored quite easily [...] with [their] own records at times". He elaborated by saying that the group aren't "really interested in reproducing the same sound" because they don't find it exciting.Taylor stated Hot Chip "didn't set out to make something with one mood" and that he thought the band's style of "jump[ing] all over the place stylistically" made sense as a record. In an interview with The Georgia Straight, Martin expressed that Hot Chip didn't want to create a "'classic' record that would have a particular sound" as they wanted to make music that was "quite experimental and out-there". Made in the Dark was...  Guess a valid title for it!
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Answer:

assistant: Made in the Dark