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In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Why? From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

New input: Context_1 : Jaimal Singh Padda was a poet, communist activist. He was shot dead on 17 March 1988 in Lakhan ka Padda village, Kapurthala district by Khalistan movement extremists. He was filmed reciting his poem Una Mitterandi Yaad Pyari, before his death, by Anand Patwardhan in his documentary Una Mitterandi Yaad Pyari. Context_2 : Anand Patwardhan (born 18 February 1950) is an Indian documentary filmmaker known for his socio-political, human rights-oriented films. Some of his films explore the rise of religious fundamentalism, sectarianism and casteism in India, while others investigate nuclear nationalism and unsustainable development. Notable films include "Bombay: Our City" ("Hamara Shahar") (1985), "In Memory of Friends" (1990), "In the Name of God" ("Ram ke Nam") (1992), "Father, Son, and Holy War" (1995), "A Narmada Diary" (1995), "War and Peace" (2002) and "Jai Bhim Comrade" (2011), which have won national and international awards. A secular rationalist, Anand Patwardhan is a vocal critic of Hindutva ideology. Context_3 : Tom Forman (February 22, 1893 – November 7, 1926) was an American motion picture actor, director, writer, and producer of the early 1920s. Context_4 : Bombay: Our City ("Hamara Sahar") is a 1985 Indian documentary film directed by Anand Patwardhan. Context_5 : Father, Son, and Holy War ("Pitra, Putra, aur Dharmayuddha") is a 1995 film by Indian documentary filmmaker Anand Patwardhan. The film is shot in two parts, with the first ("Trial by Fire") examining the link between the violence of the Hindu nationalist movement, such as the demolition of the Babri Masjid, and sexual violence against women. The second part ("Hero Pharmacy") looks at the nature of masculinity in contemporary urban India, and its role in encouraging sexual violence. As with other films of his, Patwardhan had to fight multiple court battles in order to force the national carrier "Doordarshan" to screen the film, a screening which eventually occurred on the orders of the Supreme court. The film received numerous national and international awards, and was also seen positively by critics. Context_6 : Jai Bhim Comrade is a 2011 Indian documentary film directed by Anand Patwardhan. The film begins with a description of police violence in the 1997 Ramabai killings. It goes on to explore various aspects of the lives and politics of Dalit people in Mumbai. The film took 14 years to produce, and was released in 2011 after the conclusion of the court trials that followed the Ramabai incident. The film was widely shown both nationally and internationally, and received an overwhelmingly positive reaction. It has won numerous national and international awards. Context_7 : War and Peace ("Jang Aur Aman") is a 2002 Indian documentary film directed by Anand Patwardhan. The film covers the Indian and Pakistani nuclear weapons tests in 1998, as well as the nationalist rhetoric that accompanied these tests. It also explores the ill-effects of the Indian test on the surrounding population and the reactions to the test among the government and the public. The latter part of the film also covers the perception of nuclear weapons in Japan and the United States. Upon the film's completion, the Indian censor board demanded that Patwardhan make 21 cuts before it could be released, including cutting all speeches by politicians. Patwardhan refused and took the matter to court; the Bombay high court ruled in his favor a year later, and the film was released without any cuts. Context_8 : A Narmada Diary is a 1995 documentary on the struggle of those adversely impacted by the Sardar Sarovar Dam project. It was directed by Anand Patwardhan and Simantini Dhuru and released in the year 1995. A record from about 1990-1993, of the measures adopted and hardship faced by the Narmada Bachao Andolan movement and the people inhabiting the place affected was presented. The documentary won the "Filmfare Award for Best Documentary, 1996" and the "Grand Prize" at Earth-Vision Film Festival, Tokyo, 1996. In spite of winning the central government's national awards, the movie was not allowed to be shown on National TV Context_9 : Ram ke Naam (English: "In the Name of God") is a 1992 documentary by Indian filmmaker Anand Patwardhan. The film explores the campaign waged by the Hindu-nationalist Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after "Ram ke Naam" was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence. The film earned Patwardhan a wide recognition, and received several national and international awards. Context_10 : Vilas Ghogre was a prominent Dalit activist, poet, and artist from Bombay who committed suicide in protest against the 1997 Ramabai killings in which 10 Dalits were killed by Maharashtra State Reserve Police Force and 26 were injured. He is featured prominently in Anand Patwardhan's documentaries "Bombay Our City" (1985) "Jai Bhim Comrade" (2011) . fact_1 : Tom Forman (February 22, 1893 – November 7, 1926) was an American motion picture actor, director, writer, and producer of the early 1920s. fact_2 : Anand Patwardhan (born 18 February 1950) is an Indian documentary filmmaker known for his socio-political, human rights-oriented films. Question: Tom Forman and Anand Patwardhan, are in the film industry?
Solution:

assistant: yes