user: Given a document, find the main entity about whom the author is writing. Write the full name if mentioned in the text. Note that URLs in the text have been replaced with [Link].

Q: Vince Staples  Believes  He  Deserves All The Grammys  But  He  Isn't Holding  His  Breath
 Vince Staples  is impossible to categorize. A Southern Cali MC who prides himself on his Long Beach bona fides while eschewing the prototypical gangsta rap tag with which he's often mis-labled  he's a natural at bucking the status quo. Yet he also sees clear divisions between art and commerce that lead him to question how institutions choose to define â or fail to distinguish â the two.
So when  Staples  found himself the subject of a recent Grammy campaign â initiated by Uproxx hip-hop editor Aaron Williams  who likened the EDM sonics of  Staples ' 2017 LP Big Fish Theory to "a post-apocalyptic pinball machine" â he was less interested in discussing whether or not his album is Grammy-worthy than he was in questioning the very construct upon which the Recording Academy recognizes and rewards genre-bending artists of color.
But  Staples ' argument is bigger than hip-hop. It's a critique rooted in the racial dynamic that has kept black artists in the industry categorically separate and unequal since the inception of "race music."
In a sense   Staples  is the kind of artist the academy tends to clamor over â a major-label signee who subverts mainstream convention. While his peers chase after collaborations with bankable trap producers  his album credits are filled with left-field collaborators Kilo Kish and Zack Seckoff  a young unknown producer largely responsible for Big Fish Theory's industrial-driven electronics.
No doubt   Staples  prizes his creative idiosyncrasies: "Hitchcock in my modern day / Where the f*** is my VMA? / Where the f*** is my Grammy?" as he raps on Big Fish Theory's "Homage."
The message is the easiest part of this whole thing. The hard part of music is designing the product and marketing the product â figuring out what it looks like  what it sounds like  what it feels like    who to sell it to and how to get  them  to believe that it's more important than  themselves . When you've figured that out  that's when you become a star.
But  yeah  let's really talk about it. If we really want to have a Vince Staples Grammy campaign  someone tell me why I can't be in every genre that my music is kind of reminiscent of? Because the argument within hip-hop is that my music doesn't sound hip-hop enough.
My only request is that it be broadened  because it's no reason I shouldn't be nominated for everything we just spoke about. It's no reason I shouldn't be nominated for a packaging Grammy. It's no reason because the conceptual nature of my cover and the way that it looked is a great idea for a compact disc. Usually people go all out and put 50 pictures and give you a suitcase full of stuff to win a packaging Grammy. But it's not really about the design of it itself. It's no reason I shouldn't be nominated for that. It's no reason I shouldn't be nominated for electronic and alternative and Rap Album of the year  because if we're pushing creativity and we're doing it get to be creative and to create new things  I don't know what's newer than what Vince Staples is doing. And that's my only conversation.

A: Vince Staples
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Q: ''If  Orrin Hatch  came in third place in the Iowa caucuses  that would be bigger news that George Bush winning '' said James Camp  Mr. Hatch's national political director. ''The headlines would not be that Bush wins  but that  Hatch  takes third.''
 Even Mr. Hatch  said  his  goal was to ''do fourth or better.''
To that end  the Hatch campaign is heavily depending on local newspaper interviews and small-town radio call-in and television talk shows to spread  his  word  since there is no cost.
Speaking  talk-show style  on the same level as the audience rather than from the stage  Mr. Hatch attacked his opponents. ''How many of those people have the experience  yes  the knowledge and the ability to work with Congress and really fulfill all those campaign promises?'' Mr. Hatch asked. ''I understand Congress to the last person. I passed 43 bills in the last Congress. Sure  I can't get everything passed  but  Orrin Hatch  will die trying.''
 He  also said the Democrats in the race  Vice President Al Gore and former Senator Bill Bradley  were ''far left  and you better understand that.''
It was difficult to tell if  Mr. Hatch  won any converts. Jack Croft said that while he liked what  Mr. Hatch  said on ''our need for more military readiness ''  he  was not swayed enough to vote for  him .
David Holzinger  who said  he  was trying to decide between  Mr. Hatch  and Mr. Forbes  said: ''I came because  he 's a giant in the Senate. I like what  he  said on the ethics of the Clinton administration.''

A: Orrin Hatch
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Q: Comedian Bill Maher jokes about his newfound love for Mitt Romney during the latest episode of "The Messy Truth ," a town hall series hosted by Van Jones . 
Back in 2012 , Maher reminds Jones in Thursday 's episode , he gave Obama "a million dollars" to prevent Romney , the then Republican presidential nominee , from becoming president . 
But since the election of Donald Trump , Maher says , things are now so bad he "would happily give that million dollars to Mitt Romney if he would take over the country ." 
"I gave it to prevent Mitt Romney from being president . 
Now I 'm begging Mitt Romney to be president ," he says .

A:

assistant: Mitt Romney
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