user: Q: Given the below context:  Eric Stoltz plays John Dantley, an NTSB officer sent to O'Hare Airport in Chicago to investigate a collision between Global Airlines Flight 1025 (a Boeing 757-200 from Los Angeles to Washington D.C.) and PDO Cargo flight 342 (a Boeing 727-200F flying westbound cargo plane), where 185 people are killed. Charles Martin Smith plays Henry Drake, an air traffic controller who insists his radar system malfunctioned when the planes were being cleared for landing. When the rest of air traffic control dismiss Drake and blame the incident on human error, Dantley must discover the truth about the crash: Was Drake — a high-strung individual who already didn't get along with his co-workers — simply incompetent at his job or did Drake's co-workers and superiors know about and/or had been previously been warned about the aging radar system showing signs of seriously malfunctioning and crashing at critical times (and thus liable to lead to deadly situations such as the one that happened), but instead of taking action ignored the warnings and initiated a cover-up?  Guess a valid title for it!
A: Blackout Effect

Question: Given the below context:  By the first week of January 1999, Arnold completed the song's outline and made a synthesizer-arranged demo recording in his recording studio. He played the demo for Wilson, Broccoli and Apted, who were "extremely pleased" with the results. Arnold's agent then presented the demo to MGM executives in Los Angeles, who initially disliked it because it was a ballad and they expected a more uptempo song. MGM asked Arnold to rewrite a three-note sequence considered too similar to a motif in earlier Bond themes.That month Arnold offered the theme to Garbage lead singer Shirley Manson, who was very enthusiastic; Arnold said he "never heard someone screaming down the phone". A week later he sent the band the rough demo, which they approved. Manson requested a small change in the lyrics, disliking the line "I know when to kiss and I know when to kill", so Arnold and Black changed "I" to "we" for the final version.Garbage drummer and co-producer Butch Vig said that when the group contributed to film soundtracks, "one of our fantasies would be to do the Bond theme or do the new Bond song." Manson called herself a fan of the series, "an institution I admire and has always captured my imagination since I was a child", and the films had a "sensibility quite similar to how we approach making music". The chance to record a Bond theme appealed to her because "you know it's going down in movie history", and coming from Scotland, like original Bond Sean Connery, "that's very close and inherent in our culture. It's not Bond if it's not Scottish!" The singer considered Garbage's music and the series' concepts "something that you can enjoy on the surface, but underneath there are lots of conflicting themes you can get into."At the beginning of August Garbage's involvement was confirmed in a press release from MGM and Radioactive Records, Shirley Manson's record label, which would release the soundtrack and the single. Although Music Week reported that Jamiroquai, Robbie Williams, Sharleen Spiteri, Björk and Melanie C were rejected...  Guess a valid title for it!
Answer: "The World Is Not Enough" (song)

[Q]: Given the below context:  The critical reception to the album was generally favourable. Based on 40 reviews, review aggregate website Metacritic reported a rating of 78 out of 100. There were mixed comments about the ballads; two reviewers noted a disparity between the energy of the ballads to different songs. Drowned in Sound commented that, "ballads remain a strong suit, particularly the easy grace of the title track, but more often than not sit awkwardly next to the more toothsome numbers and feel under-produced by comparison" with similar comments from AllMusic who said, "Made in the Dark's main weakness might be its ballads, but that may just be in comparison to its many energetic moments, which are so addictive that it feels like a forced come-down whenever the band slows things down." However, The Observer gave a positive evaluation of the ballads; "Hot Chip have had a happy way with a subliminal power ballad. And Made in the Dark can boast four of the best." Pitchfork described it as a "patchy, turbulent record" due to the use of many different individual components and also said that it was a "good record but not a great one". Martin responded to the criticism made by Pitchfork: I think the fact that we've managed to be successful, in getting good chart positions in the U.K. and at the same time making a record that is actually quite weird and confusing to even a site like Pitchfork—the guy doesn't seem to actually get what we're trying to do—it's kind of cool to me. Pitchfork, despite their initial rating, went on to list the album number 23 on their list of the fifty best albums of 2008, and would later state that "its bold charms have lent it a fond longevity." Another element that caused mixed reception was the use of a Todd Rundgren sample in "Shake a Fist", which musicOMH called "delightful" but The Guardian described it as grating. musicOMH, whose description of the album was positive, said that tracks "Ready for the Floor" and "Bendable Poseable" had elements reminiscent of previous album The Warning. The Times said...  Guess a valid title for it!
****
[A]: Made in the Dark

Question: Given the below context:  According to the 2012-2016 American Community Survey (ACS), the racial makeup of the city was 65.7% Caucasian, 14.1% Asian, 7.0% of African origin, 6.6% Hispanic or Latino of any race, 0.4% Native American, 0.9% Pacific Islander, 0.2% other races, and 5.6% two or more races. According to the 2010 United States Census, Seattle had a population of 608,660 with a racial and ethnic composition as follows: White: 69.5% (Non-Hispanic Whites: 66.3%) Asian: 13.8% (4.1% Chinese, 2.6% Filipino, 2.2% Vietnamese, 1.3% Japanese, 1.1% Korean, 0.8% Indian, 0.3% Cambodian, 0.3% Laotian, 0.2% Pakistanis, 0.2% Indonesian, 0.2% Thai) Black or African American: 7.9% Hispanic or Latino (of any race): 6.6% (4.1% Mexican, 0.3% Puerto Rican, 0.2% Guatemalan, 0.2% Salvadoran, 0.2% Cuban) American Indian and Alaska Native: 0.8% Native Hawaiian and Other Pacific Islander: 0.4% Other race: 2.4% Two or more races: 5.1%Seattle's population historically has been predominantly white. The 2010 census showed that Seattle was one of the whitest big cities in the country, although its proportion of white residents has been gradually declining. In 1960, whites comprised 91.6% of the city's population, while in 2010 they comprised 69.5%. According to the 2006–2008 American Community Survey, approximately 78.9% of residents over the age of five spoke only English at home. Those who spoke Asian languages other than Indo-European languages made up 10.2% of the population, Spanish was spoken by 4.5% of the population, speakers of other Indo-European languages made up 3.9%, and speakers of other languages made up 2.5%.  Guess a valid title for it!
Answer:

assistant: Seattle