user: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Let me give you an example: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
The answer to this example can be: 1874May
Here is why: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

OK. solve this:
Context_1 : "Yes, Yes, Yes" is a musical comedy/parody song co-written, recorded and released as a single in 1976 by comedian Bill Cosby. The song came from Cosby's 1976 album, "Bill Cosby Is Not Himself These Days". Context_2 : theme song for "The Bill Cosby Show", and was also released as a well-known single in 1969. It was written and performed by Quincy Jones and Bill Cosby. It is known for its nonsense lyrics. It is on the album "Smackwater Jack". "Hikky Burr" was featured on the album "The Original Jam Sessions 1969", and on "The Best of Bill Cosby". Context_3 : Bill Cosby is a Very Funny Fellow...Right! is the debut album release by Bill Cosby. It was recorded live at the nightclub The Bitter End in New York City's Greenwich Village during early 1963. The album includes three sketches about Noah. Context_4 : Bill Cosby: Himself is a 1983 stand-up comedy film featuring Bill Cosby. Filmed before a live audience at the Hamilton Place Theatre, in Hamilton, Ontario, Cosby gives the audience his views ranging from marriage to parenthood. The film also showcases Cosby's trademark conversational style of stand-up comedy. For most of the performance, Cosby is seated at the center of the stage, only getting up to emphasize a joke. Context_5 : The Westgate Las Vegas Resort & Casino is a hotel and casino in Winchester, Nevada. It is owned by Westgate Resorts and operated by Navegante Group. It has 2,956 hotel rooms including 305 suites. It opened in 1969 as the International Hotel, and was known for many years as the Las Vegas Hilton, then briefly as the LVH – Las Vegas Hotel and Casino. It was renamed the Westgate Las Vegas on July 1, 2014. Context_6 : For Adults Only (1971) is the 13th comedy album by Bill Cosby. It was recorded at the Westgate Las Vegas Resort & Casino, then known as the International Hotel. The title "For Adults Only" was also used for a 1959 Pearl Bailey LP (Roulette R-25016). Context_7 : Disco Bill (1977) is an album by Bill Cosby. It is his fifth, and last, musical comedy/parody album. As with "Bill Cosby Is Not Himself These Days", Cosby stated he improvised much of the material on the album; as its name implies, the album spoofs the disco craze of the late 1970s. Context_8 : I Started Out as a Child is Bill Cosby's second album, released in 1964. It is the first Cosby album that features his childhood memories in his comic routines, but many of the tracks are still observational humor. Context_9 : Bill Cosby 77 is an unreleased 2014 stand-up comedy film featuring Bill Cosby, filmed before a live audience at the San Francisco Jazz Center in California. Cosby chose the venue in honor of his friend Enrico Banducci and his establishment the hungry i. The comedian said his wife Camille Cosby helped with the editing process of the film. At approximately 60 minutes in duration, the film features Cosby pontificating on matters of children, romance, and matrimony. The film was named in honor of the fact that it was taped on Cosby's 77th birthday on July 12, 2014. Context_10 : Bill's Best Friend is the 17th comedy album by Bill Cosby. Much of the material was recycled in the film and accompanying album "Himself". The story of the car with the airplane engine was previously attributed to Fat Albert, while on this album the owner is referred to as "Charlie Waynes". The car in the Fat Albert sketch was a 1941 Mercury. The car on this album is a 1942 DeSoto. This album and his previous Capitol Records album were repackaged in Australia as a two-CD set in 1992 called "The Bill Cosby Collection". fact_1 :  It was recorded at the Westgate Las Vegas Resort & Casino, then known as the International Hotel. fact_2 : The Westgate Las Vegas Resort & Casino is a hotel and casino in Winchester, Nevada. Question: In what city was the Bill Cosby album For Adults Only recorded?
Answer:

assistant: Winchester, Nevada