user: Detailed Instructions: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.
See one example below:
Problem: Context_1 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Context_2 : Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a pianist and music editor. Context_3 : Art music (also known as Western classical music, cultivated music, serious music, canonic music, and more flippantly, real music or normal music) is an umbrella term that refers to musical traditions, implying advanced structural and theoretical considerations and a written musical tradition. "Serious" or "cultivated" music are terms frequently used as a contrast for ordinary, everyday music (popular and folk music, also called "vernacular music"). After the 20th century, art music was divided into two extensions: "serious music" and "light music". Context_4 : In the history of European art music, the term "common practice period" refers to the era between the formation and the dissolution of the tonal system. Though there are no exact dates for this phenomenon, most features of the common-practice period persisted from the mid to late baroque period, through the Classical and Romantic periods, or roughly from around 1650 to 1900. While certain prevailing patterns and conventions characterize the music of this period, the time period also saw considerable stylistic evolution. Some conventions evolved during this period that were rarely employed at other times during what may still be labeled "common practice" (for example, Sonata Form). Thus, the dates 1650–1900 are necessarily nebulous and arbitrary borders that depend on context. The most important unifying feature through this time period concerns a harmonic language to which modern music theorists can apply Roman numeral analysis. Context_5 : The Festival Oude Muziek Utrecht ("Utrecht Early Music Festival") is an annual music festival that showcases and celebrates early European art music. The ten-day festival takes place in the Dutch city of Utrecht, and begins in August. The programme comprises concerts, activities, lectures, exhibitions, and a symposium. Context_6 : Assaf Shelleg (Hebrew: אסף שלג‎ ‎ ), is a musicologist and pianist, a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011–14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009–11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg's book, "Jewish Contiguities and the Soundtrack of Israeli History", appeared in November 2014 with Oxford University Press. The book studies the emergence of modern Jewish art music in central and Western Europe (1910s-1930s) and its translocation to Palestine/Israel (1930s-1970s), exposing the legacies of European antisemitism and religious Judaism in the making of Israeli art music. Moving to consider the dislocation of modern Jewish art music the book examines the paradoxes embedded in a Zionist national culture whose rhetoric negated its pasts, only to mask process of hybridizations enchained by older legacies. "Jewish Contiguities" has won the 2015 Engle Prize for the study of Hebrew Music, and the 2016 Jordan Schnitzer Book Award. Context_7 : Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths (although dissonant notes may be used as short passing notes). Context_8 : David Wallis Reeves (February 14, 1838 – March 8, 1900), also known as D. W. Reeves or Wally Reeves, was an American composer, cornetist, and bandleader. He developed the American march style, later made famous by the likes of John Philip Sousa, and his innovations include adding a countermelody to the American march form in 1876. Sousa called Reeves "The Father of Band Music in America", and stated he wished he himself had written Reeves' "Second Regiment Connecticut National Guard March". Charles Ives also borrowed from the "Second Connecticut" on four occasions. Context_9 : "Indian classical music is one of many forms of art music that have their roots in particular regional cultures. For other "classical" and art music traditions, see List of classical and art music traditions." Context_10 : Progressive music is music that subverts genre and expands stylistic boundaries outwards. Rooted in the idea of a cultural alternative, musical progressiveness embodies a continuous move between explicit and implicit references to genres and strategies derived from various cultural domains, such as European art music, Celtic folk, West Indian, or African. The word "progressive" comes from the basic concept of "progress", which refers to development and growth by accumulation, and is often deployed in numerous music genres such as progressive country, progressive folk, progressive jazz, and (most significantly) progressive rock. fact_1 :  Charles Ives also borrowed from the "Second Connecticut" on four occasions. fact_2 : Charles Edward Ives ( ; October 20, 1874May 19, 1954) was an American modernist composer. fact_3 :  He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Question: What is the birthyear of the American composer that borrowed from "Second Connecticut" on four occasions and combined American popular and church-music traditions with European art music?
Solution: 1874May
Explanation: From the fact_1 from context _8, and fact _2 and fact _3 from context _1, we can arrive at 1874 May which is accurate answer of given question.

Problem: Context_1 : Kim often wears short T-shirts which allow her belly to show. Her fashion choices change frequently, at some points she wears comfortable clothing (e.g. baggy pants and a sweatshirt) and the rest of the time obsesses over herself in the mirror and talks about the latest fashion trends, which don't usually flatter her. Kim has long brown hair and always wears make-up. Kim smokes and can be seen in the pantry of their Fountain Lakes Home, scouring it for food (usually which Sharon ends up taking and Kim reacts). Context_2 : Junior's Fashion Week (JFW) is a bi-annual runway showcase being conducted in Mumbai, Kolkata, Chennai and NCR, India. JFW educate the children about the latest fashion trends. JFW also showcases various brands on the runway and brand windows to the public audience. Context_3 : 'Guillotine IV (The Final Chapter)' is the second single from Falling in Reverse's third album "Just Like You". It is the fourth and final installment of the Guillotine series, which was started by Escape the Fate when former lead singer Ronnie Radke was in the band. The first song titled 'The Guillotine' was in Escape the Fate's debut album Dying Is Your Latest Fashion in 2006. The second song which was titled 'This War Is Ours (The Guillotine II)' was on Escape the Fate's second studio album This War Is Ours in 2008. The third song which was titled 'The Aftermath (The Guillotine III)' was on Escape the Fate's third self-titled album in 2010. Then finally in 2015 Falling in Reverse finished the series with ""Guillotine IV (The Final Chapter). Context_4 : The Latest Fashion is the second studio album from Welsh alternative rock band Attack! Attack!. The album was released on 27 September 2010 and features the singles "Not Afraid", "We're Not the Enemy" and "Blood On My Hands" . The band released the track "No Excuses" as a free download from the Hassle Records website. As of 25 September 2010, the whole album was uploaded to the band's MySpace. Attack! Attack!'s Neil Starr revealed on his Twitter that he is already making songs for the follow-up to The Latest Fashion. On 26 January it was revealed Attack! Attack! was receiving a lot of airtime in Australian radio stations, then 3 days later on 29 January, A! A! announced the album would be released In Australia on 11 February through Hassle Records. Context_5 : The Drug in Me Is You is the debut studio album by American rock band Falling in Reverse. Production for the album took place following lead singer Ronnie Radke's departure from Escape the Fate in 2008. Recording took place in December 2010 and lasted until February 2011 at Paint it Black Studios in Orlando, Florida. Michael Baskette, who worked with Radke on Escape the Fate's "Dying is Your Latest Fashion", returned as the executive producer for the album, alongside former bandmate Omar Espinosa and others as additional composers and production aids in the studio. "The Drug in Me Is You" was released on July 25, 2011, in Europe and Japan, and on July 26, 2011, in the United States. Context_6 : Dying Is Your Latest Fashion is the debut studio album by American rock band Escape the Fate, released on October 3, 2006 on Epitaph Records. The origin of the album's title comes from a line in the chorus of the song "Situations". It contains nine new songs plus two songs taken from "There's No Sympathy for the Dead". "Not Good Enough for Truth In Cliché" and "Situations" were released as singles, with music videos being made for both. It is the only full-length album and second release with original singer and founding member Ronnie Radke. Ronnie would later be incarcerated and kicked out of the band. He is currently the frontman for Falling in Reverse. It is also the last release to feature rhythm guitarist Omar Espinosa and keyboardist Carson Allen (although he was no longer in at the time). As of 2014 drummer Robert Ortiz is the only member still with the band as both Monte Money and Max Green had recently left the band in 2013 and 2014 respectively. Mandy Murders, who had in the past dated Ronnie Radke, modeled for the cover art. Context_7 : Poupée Girl (プーペガール , pūpegāru ) , stylized as "poupéegirl", was a Japan-based avatar and fashion community where users could dress-up their avatar, upload photos of clothing, earn website currency called "ribbons" to buy in-game clothing, and keep track of the latest fashion with the Fashion Dictionary. The name is a portmanteau of the French word "poupée", meaning "doll", and the English word "girl." Context_8 : Gallo Record Company is the largest (and oldest independent) record label in South Africa. It is based in Johannesburg, South Africa, and is owned by Times Media Group (formerly Johnnic Communications and Avusa). The current Gallo Record Company is a hybrid of two rival South African record labels between the 1940s and 1980s: the original Gallo Africa (1926–85) and G.R.C. (Gramophone Record Company, 1939–85). In 1985 Gallo Africa acquired G.R.C.; as a result, Gallo Africa became known as "Gallo-GRC". Five years after the acquisition, the company was renamed "Gallo Record Company". Context_9 : Falling in Reverse is an American rock band based in Las Vegas, Nevada and formed in 2008, signed to Epitaph Records. Context_10 : A fashion show (French "défilé de mode") is an event put on by a fashion designer to showcase their upcoming line of clothing during Fashion Week. Fashion shows debut every season, particularly the Spring/Summer and Fall/Winter seasons. This is where the latest fashion trends are made. The two most influential fashion weeks are Paris Fashion Week and New York Fashion Week, which are both semiannual events. Also, the Milan, London, Sibiu and Berlin are of global importance. fact_1 : Dying Is Your Latest Fashion is the debut studio album by American rock band Escape the Fate, released on October 3, 2006 on Epitaph Records. fact_2 : Falling in Reverse is an American rock band based in Las Vegas, Nevada and formed in 2008, signed to Epitaph Records. Question: Both Dying Is Your Latest Fashion and Falling in Reverse are part of what record company?
Solution:

assistant: Epitaph Records