user: In this task, you are given a set of context paragraph and some supporting facts to answer a question. Your task is to generate answer for given question based on set of context paragraphs and supporting facts.

Ex Input:
Context_1 : London Can Take It! is a short British propaganda film from 1940, which shows the effects of eighteen hours of the German blitz on London and its people. Intended to sway the US population in favour of Britain's plight, it was produced by the GPO Film Unit for the British Ministry of Information and distributed throughout the United States by Warner Bros.. The film was directed by Humphrey Jennings and Harry Watt, and narrated by US war correspondent Quentin Reynolds. Context_2 : Aventure Malgache (1944) is a short British propaganda film in French directed by Alfred Hitchcock for the British Ministry of Information. The title means "Malagasy Adventure" in English. Context_3 : Words for Battle (aka by its original title In England Now) is a British propaganda film produced by the Ministry of Information's Crown Film Unit in 1941. It was written and directed by Humphrey Jennings, and features seven sequences, each containing images of rural and urban Britain at war overlaid with audio commentary by Laurence Olivier, reciting passages from different English literary works and speeches. Context_4 : Builders is a 1942 British propaganda film, which outlines the importance of the work of builders during the Second World War. It was produced by Ian Dalrymple at the Crown Film Unit of the Ministry of Information, and directed by Pat Jackson. Context_5 : Millions Like Us is a 1943 British propaganda film, showing life in a wartime aircraft factory in documentary detail. It starred Patricia Roc, Eric Portman, Megs Jenkins, Gordon Jackson and Anne Crawford, was written and directed by Sidney Gilliat and Frank Launder. According to the British Film Institute database, this film is the first in an "unofficial trilogy", along with "Two Thousand Women" (1944) and "Waterloo Road" (1945). Context_6 : Bukowski is a 1973 documentary film produced by Taylor Hackford and directed by Richard Davies that follows Los Angeles poet Charles Bukowski to San Francisco for a poetry reading. The full 60-minute documentary begins with footage of Bukowski in his Los Angeles home and neighborhood as he discusses his history as a postal worker as well as his approach to and perspective on poetry. The film then shows him flying with Linda King to San Francisco for the poetry reading followed by interactions with attendees after the show. One night the window of his room is broken during a fight between some guests and then a fight between Charles and Linda causes her to leave. Interviews follow with Liza and Linda about their relationship with Charles. Bukowski is shown betting at the track and explaining his betting strategy. Context_7 : Freedom Radio (a.k.a. "A Voice in the Night") is a 1941 British propaganda film directed by Anthony Asquith and starring Clive Brook, Diana Wynyard, Raymond Huntley and Derek Farr. It is set in Nazi Germany during the Second World War and concerns an underground German resistance group who run a radio station broadcasting against the totalitarian Third Reich. Context_8 : Squadron 992 is a 23-minute 1940 British propaganda film produced by the General Post Office GPO Film Unit of the Ministry of Information and re-distributed by the National Film Board of Canada (NFB) as part of their wartime "Canada Carries On" series. The film was directed by Harry Watt and produced by Alberto Cavalcanti. "Squadron 992" describes the training and operations in 1940 of No. 992 (Barrage Balloon) Squadron RAF, a Royal Air Force (RAF) barrage balloon unit stationed in the United Kingdom. The film's French version title was "Escadrille 992". Context_9 : Britain at Bay (aka Britain on Guard in other countries) is a 1940 British propaganda film produced by the General Post Office GPO Film Unit of the Ministry of Information The film was written and narrated by noted author and political commentator J. B. Priestly. Context_10 : The Battle of London is a 15-minute British propaganda film made in 1941. It chronicles the impact on the capital city of the winter bombing campaign from 7 September 1940 to 10 May 1941 which German historians consider to be the second phase of the Battle of Britain and which both contemporary parlance and subsequent British historians have always called the Blitz. fact_1 : London Can Take It! fact_2 :  is a short British propaganda film from 1940, which shows the effects of eighteen hours of the German blitz on London and its people. fact_3 : Bukowski is a 1973 documentary film produced by Taylor Hackford and directed by Richard Davies that follows Los Angeles poet Charles Bukowski to San Francisco for a poetry reading. Question: What s a short British propaganda film from 1940, London Can Take It! or Bukowski ?

Ex Output:
London Can Take It!


Ex Input:
Context_1 : Walt Disney Studios Motion Pictures (formerly Buena Vista Pictures Distribution and Buena Vista Film Distribution Company) is an American film distributor owned by The Walt Disney Company. Established in 1953 as Buena Vista Film Distribution Company, the company handles theatrical distribution, marketing and promotion for films produced and released by the Walt Disney Studios, including Walt Disney Pictures, Walt Disney Animation Studios, Pixar Animation Studios, DisneyToon Studios, Marvel Studios, Lucasfilm, Disneynature, and Touchstone Pictures. The division took on its current name in late 2007, which before that had been Buena Vista Pictures Distribution since 1987. Context_2 : Armand Serrano Armand is an artist who is known for his works in animated feature film studios such as Walt Disney Animation Studios and Sony Pictures Animation. He has been in the animation industry for more than 2 decades and currently serving as Visual Development artist for Walt Disney Animation Studios in Burbank, California. He is also known as a lecturer in the field of animation and design. He conducts workshops and demos internationally. Context_3 : Oswald the Lucky Rabbit (also known as Oswald the Rabbit or Oswald Rabbit) is an anthropomorphic rabbit and animated cartoon character created by Ub Iwerks and Walt Disney for funny animal films distributed by Universal Studios in the 1920s and 1930s, serving as the Disney studio's first animated character to feature in their own series. 26 animated Oswald one-reelers were produced at Walt Disney Animation Studios (the Walt Disney Studio at the time). In 1928, Charles Mintz took the rights of Oswald from Walt Disney and claimed Oswald as an official Universal Studios character. In November of 1928, as a replacement to compete with Oswald the Lucky Rabbit, Walt Disney went on to create Mickey Mouse. Context_4 : Disneytoon Studios, originally Disney MovieToons and was also Disney Video Premieres, is an American animation studio which creates direct-to-video and occasional theatrical animated feature films. The studio is a division of Walt Disney Animation Studios, with both being part of The Walt Disney Studios itself a division of The Walt Disney Company. The studio has produced 47 feature films, beginning with "" in 1990; its most recent feature film is "Tinker Bell and the Legend of the NeverBeast" in 2015. Context_5 : Walt Disney Pictures, Inc. is an American film production company and a subsidiary of Walt Disney Studios, owned by The Walt Disney Company. The division is based at the Walt Disney Studios in Burbank, California, and is the main producer of live-action feature films within the Walt Disney Studios unit. It took on its current name in 1983. Today, in conjunction with the other units of Walt Disney Studios, Walt Disney Pictures is classified as one of Hollywood's "Big Six" film studios. Films produced by Walt Disney Animation Studios and Pixar Animation Studios are also released under this brand. Context_6 : Rapunzel is a fictional character who appears in Walt Disney Animation Studios' 50th animated feature film "Tangled", its sequel "Tangled Ever After", and its television spin-off "". Voiced by American actress and singer Mandy Moore, Rapunzel is a young princess kept unaware of her royal heritage by a vain old woman named Mother Gothel, who raises her in a secluded tower in order to exploit her hair's healing abilities to remain young and beautiful forever. Context_7 : Meet the Robinsons is a 2007 American computer-animated science fiction comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures on March 30, 2007. The 47th Disney animated feature film, it was released in standard and Disney Digital 3-D versions. The film is loosely based on characters from the children's book "A Day with Wilbur Robinson", by William Joyce. The voice cast includes Jordan Fry, Wesley Singerman, Harland Williams, Tom Kenny, Steve Anderson, Laurie Metcalf, Adam West, Tom Selleck, and Angela Bassett. It was the first film released after John Lasseter became chief creative officer of Walt Disney Animation Studios. Context_8 : Pascal and Maximus are a pair of fictional characters who first appear in Walt Disney Pictures' 50th animated feature film "Tangled" (2010) as supporting characters, and subsequently star in its short "Tangled Ever After "(2012), television film "" and television series "". Created by directors Nathan Greno and Byron Howard, both characters are voiced by American actor Frank Welker in "Tangled"; in "Tangled Ever After", Welker reprises his role as Pascal while Greno replaces the actor as Maximus. A comedic chameleon and horse duo, Pascal and Maximus serve as sidekicks to main characters Rapunzel and Flynn Rider, respectively. Context_9 : Winnie the Pooh is a 2011 American animated buddy musical comedy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It is the 51st Disney animated feature film. Inspired by A. A. Milne's stories of the same name, the film is part of Disney's "Winnie the Pooh" franchise, the fifth theatrical "Winnie the Pooh" film released, and Walt Disney Animation Studios' second adaptation of "Winnie-the-Pooh" stories. Jim Cummings reprises his vocal roles as Winnie the Pooh and Tigger, while series newcomers Travis Oates, Tom Kenny, Craig Ferguson, Bud Luckey, and Kristen Anderson-Lopez provide the voices of Piglet, Rabbit, Owl, Eeyore, and Kanga, respectively. In the film, the aforementioned residents of the Hundred Acre Wood embark on a quest to save Christopher Robin from an imaginary culprit while Pooh deals with a hunger for honey. The film is directed by Stephen Anderson and Don Hall, adapted from Milne's books by a story team led by Burny Mattinson, produced by Peter Del Vecho, Clark Spencer, John Lasseter, and Craig Sost, and narrated by John Cleese. Context_10 : Walt Disney Animation Studios, headquartered at the Walt Disney Studios in Burbank, California, is an American animation studio that creates animated feature films, short films, and television specials for The Walt Disney Company. Founded on October 16, 1923, it is a division of The Walt Disney Studios. The studio has produced 56 feature films, from "Snow White and the Seven Dwarfs" (1937) to "Moana" (2016). fact_1 :  A comedic chameleon and horse duo, Pascal and Maximus serve as sidekicks to main characters Rapunzel and Flynn Rider, respectively. fact_2 : Rapunzel is a fictional character who appears in Walt Disney Animation Studios' 50th animated feature film "Tangled", its sequel "Tangled Ever After", and its television spin-off "". Question: Which Walt Disney Animation Studios' animated feature film has this fictional character whose sidekick is Pascal?

Ex Output:
Tangled


Ex Input:
Context_1 : The Sigma war games were a series of classified high level war games played in the Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. The games were designed to replicate then-current conditions in Indochina, with an aim toward predicting future events in the region. They were staffed with high-ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the People's Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_2 : The Sigma I-66 war game was one of a series of classified high level war games played in The Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. These simulations were designed to replicate then-current conditions in Indochina, with an aim toward predicting future foreign affairs events. They were staffed with high-ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the Peoples Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_3 : The Sigma II-64 war game was one of a series of classified high level war games played in The Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. The games were designed to replicate then-current conditions in Indochina, with an aim toward predicting future foreign affairs events. They were staffed with high-ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the Peoples Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_4 : Business war gaming or business wargaming is an adaptation of the art of simulating moves and counter-moves in a commercial setting. Unlike military war games, or fantasy war games which can be set hundreds of years in the past, business war games are usually set in the present and are a relatively recent development, but they are growing rapidly. Context_5 : The Sigma II-66 war game was one of a series of classified high level war games played in the Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. The games were designed to replicate then-current conditions in Indochina, with an aim toward predicting future foreign affairs events. They were staffed with high ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the Peoples Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_6 : The Sigma II-65 war game was one of a series of classified high level war games played in the Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. It was held between 26 July and 5 August 1965. The games were designed to replicate then-current conditions in Indochina, with an aim toward predicting future foreign affairs events. They were staffed with high ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the Peoples Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_7 : Sigma I-63 was one of the series of Sigma war games. These were a series of classified high level war games played in the Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. These simulations were designed to replicate then-current conditions in Indochina, with an aim toward predicting future foreign affairs events. They were staffed with high-ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the Peoples Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_8 : The Sigma I-67 and II-67 War Games were two of a series of classified high level war games played in the Pentagon during the 1960s to strategize the conduct of the burgeoning Vietnam War. The games were designed to replicate then-current conditions in Indochina, with an aim toward predicting future foreign affairs events. They were staffed with high-ranking officials standing in to represent both domestic and foreign characters; stand-ins were chosen for their expertise concerning those they were called upon to represent. The games were supervised by a Control appointed to oversee both sides. The opposing Blue and Red Teams customary in war games were designated the friendly and enemy forces as was usual; however, several smaller teams were sometimes subsumed under Red and Blue Teams. Over the course of the games, the Red Team at times contained the Yellow Team for the Peoples Republic of China, the Brown Team for the Democratic Republic of Vietnam, the Black Team for the Viet Cong, and Green for the USSR. Context_9 : War Games: At the End of the Day is a 2011 independent thriller film directed by Italian director Cosimo Alemà, who co-wrote it with Daniele Persica and Romana Meggiolaro. Luca Legnani is credited as executive producer. The film is distributed by Universal Pictures. It stars Stephanie Chapman Baker, Neil Linpow, Michael Lutz, Sam Cohan, Valene Kane, Andrew Harwood Mills, Tom Stanley, Monika Mirga, Daniel Vivian and Michael Schermi. Context_10 : Valene Kane (born 30 January 1987) is an Irish actress from Newry, Co. Down fact_1 :  It stars Stephanie Chapman Baker, Neil Linpow, Michael Lutz, Sam Cohan, Valene Kane, Andrew Harwood Mills, Tom Stanley, Monika Mirga, Daniel Vivian and Michael Schermi. fact_2 : Valene Kane (born 30 January 1987) is an Irish actress from Newry, Co. Question: War Games: At the End of the Day was a film that starred which Irish actress who hails from Newry?

Ex Output:


assistant: Valene Kane