user: (Question)
It was a cold night in Washington, D.C. and I was heading back to the hotel when a beggar walked up to me. He asked if I would give him some money so he could get something to eat. After a short hesitation, I shook my head and kept walking. With helplessness, he said, "I really am homeless and I really am hungry! You can come with me and watch me eat!" But still, I kept on walking. The incident bothered me for the rest of the week. In fact, I had money in my pocket and it wouldn't have killed me to hand over a dollar or two even if he had been lying. On a freezing cold night, I wondered what would happen to a hungry man. Flying back to my hometown, Anchorage, I couldn't help thinking of him. I tried to find excuses for my failure to help. After all, government agencies, churches and charities were there to feed him. Besides, you're not supposed to give money to beggars. But I just couldn't forget the incident and began to think I must do something. At that time, I was writing a garden column  for the local Daily News. Suddenly, I came up with an idea. Why not try to get all my readers to plant one row in their gardens donated to Bean's? Bean's Cafe, the soup kitchen which has volunteered to feed hundreds of hungry people every day for many years. The idea began to _ . I began to receive more e-mails and calls from kind people. They tried their best to show their concerns about the hungry. Food was sent by different warm-hearted people and even those who only grew flowers sent their flowers. They are food for the spirit, which comforted me a lot. Next year, the Garden Writers Association of America held their annual conference in Anchorage and after learning of Anchorage's program, Plant a Row for Bean's became Plant a Row for the Hungry. You can imagine how happy I was then. According to the passage, the reason why the author refused to give some money to the beggar probably is that   _  . A) he happened not to take money then B) he wasn't fond of beggars C) he thought that the beggar was lying D) he didn't like being bothered
(Answer)
C


(Question)
In 2009, the Taiwu Elementary School Folk Singers were invited to perform in Belgium, France, Germany, and Luxemburg. In 2011, they were voted as one of the world's top five performance groups by audiences of Japan Broadcasting Corporation's Amazing Voice program. Thinking back the group's first tour in Europe, Camake Valaule, a physical education teacher and the founder of the Taiwu Elementary School Folk Singers, admitted that he felt very nervous. He was worried that the audience would fall asleep since most of the 75-minute performance was a cappella, that is, singing without instrumental sound. Surprisingly, the audience listened with full focus and high spirits. Camake said, "They told me afterward that through our performance, they had a vision of our country, our village, without having to visit it. This experience greatly increased our confidence." According to Camake Valaule, singing traditional ballads has helped students and their parents to re-understand their culture. "It used to be that the only ones who could sing these songs were tribal elders aged between 50 and 60. Now with the children performing the pieces, parents are beginning to ask, 'Why do we not know how to sing these ballads?' Many times nowadays, it is the children who teach the songs to their parents, putting back _ ." Winning international fame, however, was neither the original intention nor the main reason why Camake founded the group in 2006. The most important thing was to make children understand why they sing these songs and to preserve and pass on their culture. Referring to the relocation of Taiwu Elementary School and Taiwu Village following Typhoon Morakot in August 2009, Camake said, "We could not take the forest or our houses in the mountains with us; but we were able to bring our culture along. As long as the children are willing to sing, I will always be there for them, singing with them and leading them to experience the meaning of the ballads." On his first trip to Europe, why did Camake think the audience might fall asleep? A) The average age of the audience was between fifty and sixty. B) Most of the performance was not accompanied by any instrument. C) Nobody could understand the language and the meaning of the songs. D) The audience could not visualize the theme sung by the school children.
(Answer)
B


(Question)
If you are in a crowd, a first and most important thing is to make yourself familiar with your surroundings  and mentally notice alternate exits. No matter where you are, make sure you always know how to get out. Make sure you know the type of ground you are standing on. For example, in a crowd of moving people wet ground can be dangerous, causing you to fall. You should know the general atmosphere of the event, as panic situations can often be predicted. When in danger, a few seconds can make all the difference, giving you the possibility of taking advantage of your escape route. Always stay closer to the escape route If you find yourself in the middle of a moving crowd, do not fight against the pressure, do not stand still or sit down, because you could easily get injured or even be killed by being stepped on by other people. Instead, move in the same direction of the crowd; take advantage of any space that may open up to move sideways to the crowd movement where the flow is weaker. Keep  your hands up by your chest, which will protect your chest during the movement. If you fall, get up quickly. If you can't get up because you are injured, get someone to pull you back up. If you fall and can not get up, keep moving by crawling in the same direction of the crowd. Do not lie on your stomach or back, as this is dangerous for your body. The worst situation is to be pushed by the crowd against an immovable object. Try to shun High walls, as the crowd pressure can build up rapidly. After you're pushed forward, the way you move is on a diagonal . There's always space between people. You work your way out that way till you get out of the crowd. When you are in the middle of a moving crowd,   _  . A) you must go to the exit quickly B) you must not stand still or sit down C) you'd better stop moving forward D) you should push your way out
(Answer)


assistant: B