user: Q: Generate a question that has the following answer:  faking suicide  for the following movie plot:  This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (October 2015) (Learn how and when to remove this template message) The film's title, "The Pillow Book", refers to an ancient Japanese diary written by Sei ShÅnagon, actual name believed to be Kiyohara Nagiko, from whence the protagonist's name in the film. The film is narrated by Nagiko, a Japanese born model living in Hong Kong. Nagiko seeks a lover who can match her desire for carnal pleasure with her admiration for poetry and calligraphy. The roots of this obsession lie in her youth in Kyoto, when her father would write characters of good fortune on her face. Nagiko's father celebrates her birthday retelling the Japanese creation myth and writing on her flesh in beautiful calligraphy, while her aunt reads a list of "beautiful things" from Sei ShÅnagon's Pillow Book. Nagiko's aunt tells her that when she is twenty-eight years old, the official book of observations will be officially 1000 years old, and that she, Nagiko, will be the same age as Sei ShÅnagon when she had written the book (in addition to sharing her first name). Nagiko also learns around this time that her father is in thrall to his publisher, "Yaji-san", who demands sexual favours from her father in exchange for publishing his work. Early chapters[edit] The publisher arranges Nagiko's wedding to his young apprentice. Her husband, an expert archer, resents Nagiko's love for books and her desire to read, in spite of his apprenticeship. He also refuses to indulge in her desires for pleasure, refusing to write on her body. When he discovers and reads Nagiko's pillow book, he is extremely resentful, setting it on fire and thus setting fire to their marital home, an event which Nagiko describes to be the 'first major fire of [her] life.' Insulted and enraged, Nagiko leaves him for good. Hiding from her husband, Nagiko moves to Hong Kong. In spite of her aversion to the practice, she learns how...
A: What type of death does Hoki suggest Jerome fake in order to scare Nagiko?

Q: Generate a question that has the following answer:  Martin Luther King  for the following movie plot:  It is about September of 1948. A wealthy, spunky, and independent 72 year old Jewish widow and former grade school teacher named Daisy Werthan accidentally backs her new Chrysler into her neighbors yard after having put her foot on the accelerator too far. The car is totaled and insurance company has declared her high risk. Her 35 year old son Boolie, a successful, third generation textile business owner, insists she hires a chauffeur, but she refuses to do so. For the time being, she either takes care of business herself or have one of her friends give her a ride.Oscar, an employee of Boolie's is stuck in the freight elevator at the textile mill. Hoke Coleburn, about 60 years of age, helps him get the elevator down to the floor. Boolie notices this and questions Hoke's identity, with him being revealed as a potential chauffeur. Boolie seems disinterested, but Hoke follows him to his office and interviews with him. Hoke is given the job after Boolie's questioning of his previous employment, but warns him of his mother's stubbornness and uptightness, but assured she can't fire him.Hoke is brought over to Daisy's house by Boolie. Daisy refuses to be formally introduced to him and doesn't want "some chauffeur" staying at her house and eating her food (a subtle hint of racism), despite the fact she's had the same black cook and housekeeper for over 20 years. A brand new 1949 Hudson sits in the garage.Hoke tries to stay busy and earn his pay around Daisy's house, but Daisy refuses to let him touch her things. After 6 days, he informs her of the low supply of coffee, Dutch Cleanser, and silver polish. Daisy insists on taking the streetcar to the Piggly Wiggly. Hoke will not let her do it and follows her. Daisy gives in and lets him give her the lift, but sets him straight on some rules.Afterwards, Hoke takes Daisy to the Reform Jewish temple she regularly attends. When the service is over, he's parked in the front of the church and wants to give her the VIP treatment, but she is embarrassed. He does not understand...
A: Whose speech does Miss Daisy attend?

Q: Generate a question that has the following answer:  1940s Hollywood  for the following movie plot:  Illusions depicts a fictional 1940s Hollywood studio and defines film as a powerful historian, however, one that omits many cultures from its history. The protagonist Mignon Dupree expresses the need for "films that give the public situations and characters that they can recognize as part of their own lives." Illusions is a candidly self-aware film because it takes place in a fictional studio, and its characters discuss Hollywood's film production directly. The films title refers to the faults in cinemas portrayal of reality. Furthermore, Illusions also points to its own artificiality, identifying itself as a film object. Illusions features two invisible blacks: Mignon Dupree, invisible as an African American studio executive passing for white, and Esther Jeeter, as the invisible singer hired to dub the singing parts for white film star Leila Grant.Self-reflexive films identify themselves as cinematic objects by calling attention to the filmmaking process. Using editing techniques that depart from realism and/or film content that portrays features of the filmmaking process indicate to the viewer that, in addition to a central narrative, this is a film about a film. This film begins with a slow-zoom on a rotating Oscar and the following voice-over which is a quotation from Ralph Ellison's 1949 essay The Shadow and the Act: "To direct an attack upon Hollywood would indeed be to confuse portrayal with action, image with reality. In the beginning was not the shadow, but the act, and the province of Hollywood is not action, but illusion."Parallel instances of self-reflexive images appear, that apply to the medium of film then to the film itself. Illusions begins with an aged "3-2-1" film-leader-countdown. This exact footage is repeated within the film, in the studio, when the filmmakers are reviewing the movie of Leila Grant singing. The film of the white starlet plays on a screen alongside Esther as she sings in the dark studio. This juxtaposition implies Hollywood's institutional racism and highlights an...
A:

assistant: Where is the movie set?