user: Question: Where was Ric arrested? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: The Cove Context: The film follows former dolphin trainer and activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of "Flipper" in the hit television series of the same name. The show, very popular, fueled widespread public adoration of dolphins, influencing the development of marine parks that included dolphins in their attractions. After one of the dolphins, in O'Barry's opinion, committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, O'Barry came to see the dolphin's captivity and the dolphin capture industry as a curse, not a blessing. Days later, he was arrested off the island of Bimini, attempting to cut a hole in the sea pen in order to set free a captured dolphin.[7] Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world. After meeting with O'Barry, Psihoyos and his crew travel to Taiji, Japan, a town that appears to be devoted to dolphins and whales. In a nearby, isolated cove, however, surrounded by wire fences and "Keep Out" signs, an activity takes place that the townspeople attempt to hide from the public. In the cove, a group of Taiji fishermen engage in dolphin drive hunting. The film states that the dolphin hunt is, in large part, motivated by the tremendous revenue generated for the town by selling some of the captured dolphins, female bottlenose dolphins, to aquariums and marine parks and killing the majority of the rest. The dolphins that are not sold into captivity are then slaughtered in the cove and the meat is sold in supermarkets. According to the evidence presented in the film, the local Japanese government officials are involved in the hiding of the hunting, and the Japanese public is not fully aware of the hunt and the marketing of dolphin meat. The film states that the dolphin meat contains dangerously high levels of mercury and interviews two local...
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Answer: Bimini


Question: Why did Karl decide not to kill his father? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Sling Blade Context: Karl Childers (Billy Bob Thornton) is an intellectually disabled Arkansas man who has been in the custody of the state mental hospital since the age of 12 for having killed his mother and her lover. Although thoroughly institutionalized, Karl is deemed fit to be released into the outside world. Prior to his release, he is interviewed by a local college newspaper reporter, to whom he recounts committing the murders with a Kaiser blade, saying, "Some folks call it a sling blade. I call it a kaiser blade." Karl says he thought the man was raping his mother. When he discovered that his mother was a willing participant in the affair, he killed her also. Thanks to the doctor in charge of his institutionalization (James Hampton), Karl lands a job at a repair shop in the small town where he was born and raised. He befriends 12-year-old Frank Wheatley (Lucas Black) and shares some of the details of his past, including the killings. Frank reveals that his father was killed - hit by a train - leaving him and his mother on their own. He later admits that he lied, and that his father committed suicide. Frank introduces Karl to his mother, Linda (Natalie Canerday), as well as her gay friend, Vaughan Cunningham (John Ritter), the manager of the dollar store where she is employed. Despite Vaughan's concerns about Karl's history in the mental hospital, Linda allows him to move into her garage, which angers Linda's abusive alcoholic boyfriend, Doyle Hargraves (Dwight Yoakam). Karl bonds with Linda, who makes him biscuits to eat, and also with Vaughan, who tells Karl that a gay man and a mentally challenged man face similar obstacles of intolerance and ridicule in small-town America. Karl quickly becomes a father figure to Frank, who misses his father and despises Doyle. Karl is haunted by the task given to him by his parents when he was six or eight years old to dispose of his premature, unwanted, newborn brother. He visits his father (Robert Duvall), who has become a mentally unbalanced hermit living in the dilapidated home...
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Answer: He wasn't worth the effort


Question: what year this movie takes place? If there is no answer, please output "Insufficient information to provide an answer.". Movie title: Saving Mr. Banks Context: In 1961, the financially strapped author Pamela "P. L." Travers reluctantly travels from her home in London to Los Angeles to work with Walt Disney at the urging of her agent, Diarmuid Russell. Disney has pursued the film rights to her Mary Poppins stories for twenty years, having promised his daughters that he would produce a film based on them. Travers has steadfastly resisted Disney's efforts because she fears what he would do to her character. However, she has not written anything in a while and her book royalties have dwindled to nothing, so she risks losing her house. Still, Russell has to remind her that Disney has agreed to two major stipulationsâno animation and unprecedented script approvalâbefore she agrees to go. Travers' difficult childhood in Allora, Queensland, Australia, is depicted through flashbacks, and is the inspiration for much of Mary Poppins. Travers idolized her loving, imaginative father, Travers Robert Goff, but his chronic alcoholism resulted in his repeated firings, strained her parents' marriage, and caused her distressed mother to attempt suicide. Goff died at an early age from tuberculosis when Travers was seven years old. In Los Angeles, Travers is irritated by what she perceives as the city's unreality and the inhabitants' intrusive friendliness, personified by her limousine driver, Ralph. At the Walt Disney Studios in Burbank, Travers meets the creative team that are developing Mary Poppins for the screen: screenwriter Don DaGradi, and music composers Richard and Robert Sherman. She finds their presumptions and casual manners highly improper, a view she also holds of the jocular Disney. Travers' working relationship with Disney and his team is difficult from the outset, with her insistence that Mary Poppins is the enemy of sentiment and whimsy. Disney and his people are puzzled by Travers' disdain for fantasy, given the nature of the Mary Poppins story, as well as Travers' own rich imagination. She particularly objects to how the character George Banks, the estranged...
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Answer:

assistant: 1961