user: In this task, you are given a review of movie. Your task is to classify given movie review into two categories: 1) positive, and 2) negative based on its content.

Q: I must say I was impressed the cinematography was amazing, the frames close to perfection and the way he built up the tension around a subject that sound more like a dreadful bore is beyond be.The film is about two narrators, one seen, one unseen. They are both trying to explain the significant of a series of painting that caused a scandal a long time back. The film is all about theories and explanations of views but the conclusion is quite shocking I must say. Definitely a film that deserves more than it's 171 votes.With only 66 minutes to play out it's plot the film still felt like a complete work. Fantastic direction! I must say far better than Blood of the Poet which it for some strange reason remind me a bit of. I suppose you can call it by the slang word "artsy". It's pretty much just a lot of professional talk about various theories and stunning visual effects but the crew and Ruiz did pull it off. At least for me. An amazing film.

A: positive
****
Q: Well, I thoroughly enjoyed this movie. It was funny and sad and yes, the guy Andie MacDowell shagged was hot. Interesting, realistic characters and plots as well as beautiful scenery. I think my Mum would like it. I still think they should have been allowed to call it the Sad F**kers Club though...

A: positive
****
Q: A young solicitor from London, Arthur Kidd is sent to a small coastal town of Crythin Gifford to oversee the estate of a recently passed away widow Mrs Drablow. While attending her funeral, a mysterious lady dressed in black catches his attention. Supposedly Drablow lived a reclusive life, and locals kept pretty quiet about her. After this he heads to Mrs Drablow mansion that can only be reached on a causeway through the swamp during low tide. There he encounters the woman in black again in cemetery out back of the house, and things begin to get creepy as terrifying noises start coming from the marshes. Now can Mrs Drablow's belongings and listening to her recorded dairy entries help Kidd figure out this gloomy mystery that the locals fear to talk about.Often highly regarded amongst horror fans as being one of the most chilling ghost stories ever and I can see their point. But only in doses does it draw upon tag. Yes, from what you can gather I was left a 'little' under-whelmed, despite really liking it. I was expecting goose bumps throughout the whole feature, but that's probably it expecting. Mainly I had a similar reaction with the 1980 haunted house thriller 'The Changeling'. When you hear so many good things, it's sometimes hard not get caught up with it.Anyhow what the British TV presentation of "The Woman in Black" effectively does is bring out a truly old-fashion, slow burn spine-tingling premise driven by its moody locations, disquieting atmosphere and first-rate performances. Subtly blankets the psychologically gripping story (adapted off Susan Hill's novel of the same name), as the simple mystery authentically opens up with a depressingly tragic tone and successfully characterises its protagonist. Little seems to happen, and can feel drawn out, but the fragile randomness of it catch you off guard. Whenever the camera focuses on the lady in black. Who mostly appears as a background figure, it's ultimately creepy. She might not appear all that much, but when she does. Talk about unnerving! That also goes for that downbeat conclusion. Pauline Moran, who plays the woman in black, competently gets us nervous by just her gaunt appearance and sudden positioning. A pale look and those minor mannerisms just seem to haunt you. She's a spirit you don't want to cross paths with, yet alone let her see you. An accomplished performance by a marvelously moody Adrian Rawlins as the solicitor Arthur Kidd does hold it all together. In support are solid turns by Bernard Hepton, David Daker, Clare Holman and David Ryall.Drawing heavy on its lushly sombre rural town and foggy coastal locations adds more to the realistically eerie plight and the centre piece were everything unfolds in the forlorn, time-worn Victorian house that comprehensively suffocates the air with constant fear. Director Herbert Wise carefully fabricates alarming imagery that slowly covers one secretive piece at a time in a smoothly paved out rhythm of well-judged contriving. Instead of going out to shock us, some scenes contain a distressing intensity that won't let go. The sound effects are masterfully used, by surrounding and disorienting the air. Rachel Portman's harrowing musical score knows how to get under your skin during those eerie moments and then stay with you.This rarity made-for-television feat is a stimulating rich and unsettling supernatural spook-fest. It might not share much new to the sub-genre, but it competently sticks to it strengths to deliver what counts in this curse.

A:

assistant: positive
****