user: Question: What was the name of the album Nirvana was intent on releasing as it was?  Answer the above question based on the context below:  After the recording sessions were completed, Nirvana sent unmastered tapes of the album to several individuals, including the president of DGC's parent company Geffen Records Ed Rosenblatt and the group's management company Gold Mountain.  When asked about the feedback he received, Cobain told Michael Azerrad, "The grown-ups don't like it."  He said he was told his songwriting was "not up to par", the sound was "unlistenable", and that there was uncertainty that mainstream radio would welcome the sound of Albini's production.  There were few people at Geffen or Gold Mountain who wanted the band to record with Albini to begin with, and Cobain felt he was receiving an unstated message to scrap the sessions and start all over again.  Cobain was upset and said to Azerrad, "I should just re-record this record and do the same thing we did last year because we sold out last year—there's no reason to try and redeem ourselves as artists at this point.  I can't help myself—I'm just putting out a record I would like to listen to at home."  However, a number of the group's friends liked the album, and by April 1993, Nirvana was intent on releasing In Utero as it was.  According to Cobain, "Of course, they want another Nevermind, but I'd rather die than do that.  This is exactly the kind of record I would buy as a fan, that I would enjoy owning."The band members began to have doubts about the record's sound.  During this time, Cobain admitted, "The first time I played it at home, I knew there was something wrong.  The whole first week I wasn't really interested in listening to it at all, and that usually doesn't happen.  I got no emotion from it, I was just numb."  The group concluded that the bass and lyrics were inaudible and approached Albini to remix the album.  The producer declined; as he recalled, "[Cobain] wanted to make a record that he could slam down on the table and say, 'Listen, I know this is good, and I know your concerns about it are meaningless, so go with it.'  And I don't think he felt he had that yet...
Answer: In Utero
[Q]: What is the name of the person that everyone hid in their cabin?  Answer the above question based on the context below:  The story opens with Lazlo missing, and Clam and Raj relating the tale up to this point. The first segment reveals how Raj and Clam meet. They meet a common enemy, Edward, who is the camp bully. Most of the other campers follow Edward's lead and after a scuffle, Lazlo makes his appearance. What follows builds Edward's growing resentfulness towards Lazlo, and Lumpus' dissatisfaction with the three new scouts' behavior. After choosing to name their cabin after the jelly bean, Lazlo builds a totem pole to decorate their new cabin, when Lazlo hears an animal in distress. Given Lazlo's nature, he goes to help it, while Clam and Raj choose not to accompany him. Lazlo finds a bear with a pinecone stuck in his nose, and pulls it out, earning the bear's gratefulness. The bear, now named Fluffy, follows Lazlo home and he hides it in his cabin. When Edward tells Lumpus that Lazlo has left camp, they both attempt to confront Lazlo, but are instead met by Fluffy. Protecting Lazlo, Fluffy attacks Edward and Lumpus. While everyone hides in Lumpus' cabin, Lazlo follows Fluffy out of the camp; when Lazlo's torn Bean Scout cap is later found in a gory, flesh-like mess the next day, the others assume that Lazlo was eaten by the bear.  When Edward can find neither the bear nor Lazlo, he concocts a story about how he scared Fluffy off by his "skills" after witnessing the bear devour Lazlo, and demands the camp's respect. The next series of scenes deal with both Edward spinning a web of lies, and Lumpus trying to come to grips with Lazlo's disappearance, but only due to his fear of Commander Hoo-Ha, not over any concern for the missing scouts.
****
[A]: Lumpus
input: Please answer the following: What is the last name of the composer whose own Fourth Symphony is quoted in the Fifteenth Symphony of 1971?  Answer the above question based on the context below:  In 1964 Shostakovich composed the music for the Russian film Hamlet, which was favourably reviewed by The New York Times: "But the lack of this aural stimulation – of Shakespeare's eloquent words – is recompensed in some measure by a splendid and stirring musical score by Dmitri Shostakovich. This has great dignity and depth, and at times an appropriate wildness or becoming levity".In later life, Shostakovich suffered from chronic ill health, but he resisted giving up cigarettes and vodka. Beginning in 1958 he suffered from a debilitating condition that particularly affected his right hand, eventually forcing him to give up piano playing; in 1965 it was diagnosed as poliomyelitis. He also suffered heart attacks the following year and again in 1971, and several falls in which he broke both his legs; in 1967 he wrote in a letter: "Target achieved so far: 75% (right leg broken, left leg broken, right hand defective). All I need to do now is wreck the left hand and then 100% of my extremities will be out of order."A preoccupation with his own mortality permeates Shostakovich's later works, among them the later quartets and the Fourteenth Symphony of 1969 (a song cycle based on a number of poems on the theme of death). This piece also finds Shostakovich at his most extreme with musical language, with twelve-tone themes and dense polyphony throughout. He dedicated the piece to his close friend Benjamin Britten, who conducted its Western premiere at the 1970 Aldeburgh Festival. The Fifteenth Symphony of 1971 is, by contrast, melodic and retrospective in nature, quoting Wagner, Rossini and the composer's own Fourth Symphony. Shostakovich died of lung cancer on 9 August 1975. A civic funeral was held; he was interred in Novodevichy Cemetery, Moscow. Even before his death he had been commemorated with the naming of the Shostakovich Peninsula on Alexander Island, Antarctica., Despite suffering from Motor Neurone Disease (or ALS) from as early as the 1960s, Shostakovich insisted upon writing all his own correspondence...
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output:

assistant: Shostakovich