user: Answer the following question: Information:  - Industrial music is a genre of experimental/electronic music that draws on transgressive or provocative sounds and themes. The term was coined in the mid-1970s with the founding of Industrial Records by Genesis P-Orridge of Throbbing Gristle and Monte Cazazza; on Throbbing Gristle's debut album "The Second Annual Report", they coined the slogan "industrial music for industrial people". In general, the style is harsh and challenging. AllMusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation".  - Severed Heads are an Australian electronic music group founded in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, who were soon joined by Tom Ellard. Fielding and Wright had both left the band by mid-1981. Throughout the next decade several musicians joined Severed Heads' ranks; including Garry Bradbury, Simon Knuckey, Stephen Jones, and Paul Deering. In 1984 they released "Dead Eyes Opened" as a single, which was remixed in 1994 and re-released, the latter version reached No. 16 on the ARIA Singles Chart. Two of their singles, "Greater Reward" (1988) and "All Saints Day" (1989), reached the top 30 on the "Billboard" Hot Dance Club Songs chart. Ellard disbanded the group in 2007 and continued with other projects. Subsequent Severed Heads reunions have occurred in 2010 for a 30th anniversary concert, in 2011 they supported Gary Numan's tour of Australia, also that year they appeared at BimFEST in Antwerp, in 2013 they had a gig at the Adelaide Festival of Arts, and in September 2015 they toured the United States for the first time in over 20 years.  - Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950) is an English singer-songwriter, musician, poet, performance artist, and occultist. After rising to notability as the founder of the COUM Transmissions artistic collective and then fronting the industrial band Throbbing Gristle, P-Orridge was a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental band Psychic TV. P-Orridge identifies as third gender. Born in Manchester, P-Orridge developed an early interest in art, occultism, and the avant-garde while at Solihull School. After dropping out of studies at the University of Hull, they moved into a counter-cultural commune in London and adopted "Genesis P-Orridge" as a nom-de-guerre. On returning to Hull, P-Orridge founded COUM Transmissions with Cosey Fanni Tutti, and in 1973 they relocated to London. COUM's confrontational performance work, dealing with such subjects as sex work, pornography, serial killers, and occultism, represented a concerted attempt to challenge societal norms and attracted the attention of the national press. COUM's 1976 "Prostitution" show at London's Institute of Contemporary Arts was particularly vilified by tabloids, gaining them the moniker of the "wreckers of civilization." P-Orridge's band, Throbbing Gristle, grew out of COUM, and were active from 1975 to 1981 as pioneers in the industrial music genre. In 1981, P-Orridge co-founded Psychic TV, an experimental band that from 1988 onward came under the increasing influence of acid house. In 1981, P-Orridge co-founded Thee Temple ov Psychick Youth, an informal occult order influenced by chaos magic and experimental music. P-Orridge was often seen as the group's leader, but rejected that position, and left the group in 1991. Amid the Satanic ritual abuse hysteria, a 1992 Channel 4 documentary accused P-Orridge of sexually abusing children, resulting in a police investigation. P-Orridge was subsequently cleared and Channel 4 retracted their allegation. P-Orridge left the United...  - Electro-industrial is a music genre drawing on EBM and post-industrial that developed in the mid-1980s. While EBM has a minimal structure and clean production, electro-industrial has a deep, complex and layered sound. The style was pioneered by Skinny Puppy, Front Line Assembly, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the "dark electro" genre, and in the mid-/late-1990s, the "aggrotech" offshoot. The fan base for the style is linked to the rivethead subculture.  - Wilhelm Anton "Bill" Leeb (born 21 September 1966, Vienna, Austria) is an Austrian-Canadian electronic musician and record producer. He is best known for being a founding member of the industrial music group Front Line Assembly. Additionally, Leeb is known for his work with groups such as Noise Unit, Delerium, Intermix, and Skinny Puppy, among others.  - Electronic body music (EBM) is a music genre that combines elements of post-industrial music and electropunk. It first came to prominence in Belgium and was considered a part of the European new wave movement.  - Front Line Assembly (FLA) is a Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. Influenced by early electronic and (post-)industrial acts such as Cabaret Voltaire, Portion Control, D.A.F., Test Dept, SPK, and Severed Heads, FLA has developed its own sound while combining elements of electronic body music (EBM). The band's membership has rotated through several members over the years, including Rhys Fulber and Michael Balch who are both associated with several other acts.  - Delerium is a Canadian electronic musical duo that formed in 1987 , originally as a side project of the influential industrial music act Front Line Assembly . Throughout the band 's history , their musical style has encompassed a broad range , including dark ethereal ambient trance , voiceless industrial soundscapes , and electronic pop music . They are best known for their worldwide hit `` Silence '' .  - Musique concrète (meaning "concrete music") is a form of musique expérimentale (experimental music) that exploits acousmatic listening, meaning sound identities can often be intentionally obscured or appear unconnected to their source cause. It can feature sounds derived from recordings of musical instruments, the human voice, and the natural environment as well as those created using synthesizers and computer-based digital signal processing. Compositions in this idiom are not restricted to the normal musical rules of melody, harmony, rhythm, metre, and so on. Originally contrasted with "pure" "elektronische Musik" (based solely on the production and manipulation of electronically produced sounds rather than recorded sounds), the theoretical basis of "musique concrète" as a compositional practice was developed by Pierre Schaeffer, beginning in the early 1940s. From the late 1960s onward, and particularity in France, the term acousmatic music (musique acousmatique) started to used in reference to fixed media compositions that utilized both musique concrète based techniques and live sound spatialisation.    Given the paragraphs above, decide what entity has the relation 'country' with 'canada'.
Answer:

assistant: delerium