user: Question: The following article contains an answer for the question: What is the name of the person who seldom, if ever, gave rein to his unbridled fancy? , can you please find it?   Stanford wrote of Bennett: He maintained his British characteristics throughout his life ...The English take a kind of pride in concealing their feelings and emotions, and this is reflected in their folk-song. The Thames has no rapids and no falls; it winds along under its woods in a gentle stream, never dry and never halting; it is the type of the spirit of English folkmusic ... England is as remote from Keltic fire and agony, as the Thames is from the Spey. Bennett was a typical specimen of this English characteristic. He was a poet, but of the school of Wordsworth rather than of Byron and Shelley. W. B. Squire wrote in 1885: His sense of form was so strong, and his refined nature so abhorred any mere seeking after effect, that his music sometimes gives the impression of being produced under restraint. He seldom, if ever, gave rein to his unbridled fancy; everything is justly proportioned, clearly defined, and kept within the limits which the conscientiousness of his self-criticism would not let him overstep. It is this which makes him, as has been said, so peculiarly a musician's composer: the broad effects and bold contrasts which an uneducated public admires are absent; it takes an educated audience to appreciate to the full the exquisitely refined and delicate nature of his genius. Temperley suggests that, despite his reverence for Mendelssohn, Bennett took Mozart as his model. Geoffrey Bush agrees that "[h]is best work, like his piano playing, was full of passion none the less powerful for being Mozartian (that is to say, perfectly controlled)", and characterizes him as "essentially a composer for the piano, a composer of the range (not necessarily the stature) of Chopin".
Answer: Bennett

Question: The following article contains an answer for the question: What is the full name of the person whose child succeeded him as Charles III? , can you please find it?   Honoré IV died shortly after his throne was restored to him, and structural restoration of the palace began under Honoré V and was continued after his death in 1841 by his brother Prince Florestan. However, by the time of Florestan's accession, Monaco was once again experiencing political tensions caused by financial problems. These resulted from its position as a protectorate of Sardinia, the country to which it had been ceded by France following the end of the Napoleonic wars. Florestan, an eccentric (he had been a professional actor), left the running of Monaco to his wife, Maria Caroline Gibert de Lametz. Despite her attempts to rule, her husband's people were once again in revolt. In an attempt to ease the volatile situation Florestan ceded power to his son Charles, but this came too late to appease the Monégasques. Menton and Roquebrune broke away from Monaco, leaving the Grimaldi's already small country hugely diminished—little more than Monte Carlo. Florestan died in 1856 and his son, Charles, who had already been ruling what remained of Monaco, succeeded him as Charles III (Illustration 15). Menton and Roquebrune officially became part of France in 1861, reducing Monaco's size at a stroke by 80%. With time on his hands, Charles III now devoted his time to completing the restoration of his palace begun by his uncle Honoré V. He rebuilt St Mary's Tower (Illustration 14) and completely restored the chapel, adding a new altar, and having its vaulted ceiling painted with frescoes, while outside the façade was painted by Jacob Froëschle and Deschler with murals illustrating various heroic deeds performed by the Grimaldi. The Guard Room, the former great hall of the fortress (now known as the State Hall), was transformed by new Renaissance decorations and the addition of a monumental chimneypiece. Charles III also made serious attempts to find the various works of art and furniture looted, sold and dispersed during the revolution. Together with new purchases, a fine art collection once again adorned the...
Answer: Prince Florestan

Question: The following article contains an answer for the question: What is the role of the man who becomes Bill's true partner? , can you please find it?   In 1930, entertainer Bill Miller believes that he has the ability to become a solo performer.  He and his partner Ben Bailey split up and go their separate ways.  Miller fails miserably, and his manager Leo Lyman thinks it would be a good idea to perform with a "stooge."  Enter Ted Rogers, who plays an accident-prone foil for Miller.  Soon afterwards, Miller's act is a hit. Along the way, Rogers is unaware that he is the real reason the act is a success and becomes very loyal to Miller.  Even though he receives no billing, he defends his "partner" when others suggest he is being taken advantage of by Miller. Eventually, even Miller's wife Mary is ashamed of his treatment of Rogers, going so far as to threaten him with divorce.  Miller is more determined than ever to prove he can make it as a single and fires Rogers, but promptly regrets his decision as his first performance as a true solo artist flops.  He addresses the audience, apologizing and admitting that the "stooge" was the true heart and soul of the act.  Rogers, who is sitting in the audience, comes to his rescue by joining him onstage and the two finally become true partners.
Answer:

assistant: stooge