user: In this task, you are given music product reviews in English language. The goal is to classify the review as "POS" if the overall sentiment of the review is positive or as "NEG" if the overall sentiment of the review is negative.

Input: Consider Input: Disappointed Longtime Fan . Some of us have been through years where the Beastie Boys were always playing in at least one of the tape decks in our dual tape players (that's cassette tapes, in case you are too young to know).  Anyway, I was hoping for another album that would stay (now in my 5-disc changer) for at least a full year without my having to swap it out.  Unfortunately, this is not what I got in this album.  While there are tracks on this album that capture the energy and passion of the Beastie Boys of old, too much of this record feels like preaching. Although I agree with much of what they have to say, they now do so in such a politically over-hyped fashion that it detracts from their music.    Truly, there are some great songs on this record.  But if you listen to this album and then to Paul's Boutique, Licensed to Ill or another great one, you will quickly realize that this is not the Beastie Boys who revolutionized music in the late 20th century

Output: NEG


Input: Consider Input: One of Elton and Bernie's Best: A Complete Quality Album . "Honky Chateau" is an example of why Greatest Hits albums just do not work for great artists. This early Elton John effort is an example of when John and Taupin had some edge and grit to their songs with some western influence. The whole album seems interconnected with excellent music, vocals and words that bond to one of their greatest collaborations. "Rocket Man" was the big hit during the albums original debut but the many of the other songs were virtually bigger in quality and longevity. "Honky Cat" starts with a smart jazzy sound with Elton in a cocky voice talking about his "redneck ways" that jumps and hops but in the next song he steps down and eases into the song "Mellow", which slows up to a laid back story of love behind close doors with a lover that makes him sing in a tired but pleased voice "You make me mellow, oh you make me mellow" and the song does make you ease into feeling the mellow he sings about. I like the sound and lyrics of all the songs but the oddly up tempo song about a typical teenager being morose in "I think I am going to Kill Myself" is spritely entertaining sound of a youth complaining about small transgressions like not using the car then he downshifts suddenly  down in a lyrical sound into a slowing middle eight of "Get a little headline news, I'd like to see what the papers say, On the state of teenage blues", particularly when Elton soulfully extends the word blues into a long bluesy wail that just puts this song in a unique category. Salvation is an almost gospel sounding song that starts off slow with "I have to say my friends, this road goes a long, long way" with great guitars and backing harmonies that is virtually uplifting in a sound that is optimistic in spite of the challenges exposed in the lyrics. "Amy" is just a fun tune that sounds like a young man teased by a wild and more mature woman and he sings with pain and but with optimism in his voice "Amy I may not be James Dean, Amy I may not be nineteen, And I may still be in romper boots and jeans, But Amy you're the girl that wrecks my dreams". One of the ultimate classics is "Mona Lisa" an up lifting song about a tough life in NY city that crosses the dimensions of different type of people, the poor and the affluent as Elton mournfully sings "Until you've seen this trash can dream come true, You stand at the edge while people run you through, And I thank the Lord there's people out there like you, I thank the Lord there's people out there like you" that in the end is uplifting, that he has found something and someone in a tough time and place. Finishing with a flourish, "Hercules" is a rollicking tune about being in love with a woman who is unfortunately in love with a muscleman, a "cat named Hercules".  The song has John with an excellent vocal with backing vocals with a touch of beach boys' sound and although the song seems to end in defeat, it sounds like the man will persevere with a touch of humor. "Rocket Man" is the classic song that Elton used to sing for 20 minutes in concert and it is a great song about a man being a long way from home in a cold desolate environment but the whole album is full of great songs and perhaps this is the best John/Taupin collaboration. The additional alternate version of the western sounding "Slave" is more up tempo than the original and is very good but the core 10 songs are just wonderful and always memorable.

Output: POS


Input: Consider Input: The start of a string of brilliant works . This is, perhaps, The Rolling Stones' masterpiece. After the disaster that was "His Satanic Majesty's Request" the band clearly decided to stop slavishly copying trends (and, one might add, following in The Beatles' footsteps).     Brian Jones appears only sporadically, it's his last album with the band. The Stones brought in Jimmy Miller to produce, after having learned the hard way that they work best when they have someone besides Mick and Keith at the mixing board. Nicky Hopkins' contribution to this album can't be understated. Rumor has it that Ry Cooder participated in the sessions.    "Sympathy For The Devil" kicks things off. For an inside look at the evolution of this iconic song see Jean Luc Godard's "One Plus One" (aka "Sympathy For The Devil"). This song was scary and groundbreaking back in 1967 - now that we've all heard it 1,000+ times it seems far too familiar. In my opinion this is one of Mick's best lyrics.    "No Expectations" is a beautiful song, with lovely piano work by Hopkins. The lyric is a bit trite, but it works. Believe it or not this was the first single - it's perhaps the weakest song on the album.    "Dear Doctor" is really, really funny. The Stones were fans of country music, but here they take on the form as a cliche. "For the gal I'm to marry / Is a bow-legged sow / I've been soakin' up drink like a sponge." This is a hoot.    "Stray Cat Blues" - another reviewer stated that this is a homage to fans of the band. Jeez, I hope not! This is very creepy stuff. Mick's growls in the intro are absolutely filthy ("Yeah, just don't care..."). He sings this like an utter pervert, which is the point. "Well I can see that you're 15 years old / But I don't want your ID." By now it's obvious to the listener that The Stones have reinvented themselves - where did this sound come from? It's unlike anything we've heard on previous Stones albums.     "Jigsaw Puzzle" - many fans don't care for this song. It's a bit of a throwback, somewhat reminiscent of "Something Happened To Me Yesterday" and a few others from the previous incarnations of the band. Mick's lyric is a bit overwritten, but the final verse in particular is quite good. The band jams out well here - Keith, Wyman and Hopkins play off one another brilliantly, particularly in the coda. It's a fine side-ender.    "Street Fighting Man" - some of this was recorded in a living room. The basic drums are Charlie banging on telephone directory books. Some of the guitars were recorded on a cheap tape deck. The sitar is Brian; more amazing Hopkins piano here. This was, I believe, the start of Keith using the famous "open G" tuning he has employed since. A solid song, but I've always thought it a bit over-rated.    "Prodigal Son" - country blues, based on the Bible story. Mick's lyric is perfect, as is his vocal delivery. No contemporary British band could sound as authentically American when doing this style of blues.    "Parachute Woman" - more blues, but now we move from the Delta to the Big City. Bill Wyman has often referred to this is his all-time favorite Stones track. The sound is (purposefully?) muddy, and it feels perhaps a bit off-hand at first listen - but give it a chance. This is powerful stuff.      "Factory Girl" - an underrated gem. It's a beautiful song with a lilting melody, a fun yet poignant lyric, and a wonderful performance by all. "Waitin' for a girl who's got stains all down her dress / waitin' for a girl and my feet are gettin' wet / she ain't come out yet / waitin' for a factory girl" - that's as fine a depiction of working class life as I've yet come across.     "Salt Of The Earth" - the first verse is Keith Richard's first lead vocal on record. This is a stirring song, an apt followup to "Factory Girl." I wasn't at all surprised that this was a song Mick and Keith chose to perform at "The Concert For NYC." The vamp in the last 1/3 or so of this song is brilliant musicianship.    If one is familiar with The Rolling Stones only as a "hit" group, this album could be disappointing - there's no obvious Top Ten hit here. But if you appreciate music, and if you know anything about the history of this group, you will appreciate the fact that this was a groundbreaking album.     There isn't a bad track here. Each is brilliant in its own way. And, of course, this was the first of five great albums produced by The Stones - "Beggar's Banquet," "Let It Bleed," "Get Yer Ya Ya's Out," "Sticky Fingers," and "Exile On Main Street." They had never before reached these heights - and never would again.    The Rolling Stones are regarded by most fans and critics as contemporaries of The Beatles and Bob Dylan ("The Holy Trinity" of the 60's) on the strength of the five albums noted above. They had a lot of hits before "Beggar's Banquet," but if that was all they'd done they would be regarded as equals to The Animals or The Yardbirds, etal. They became rock royalty when they produced "Beggar's Banquet.



assistant: Output: POS