Nô-hì

**Nô-hì** (Ji̍t-gí: 能, nô) iah-sī **Lêng-kio̍k** sī Kamakura sî-tāi (Ji̍t-gí: 鎌倉時代, Kamakura jidai) āu-kî khí-ki, Muromati sî-tāi (Ji̍t-gí: 室町時代; Muromati jidai) chho͘-kî hoat-tián chiâu-chn̂g ê 1 chióng to̍k-to̍k sio̍k-tī Ji̍t-pún ê bú-tâi gē-su̍t. Tī hiān-chhú-sî ê Ji̍t-pún sī tāi-piáu-tek ê thoân-thóng gē-su̍t piáu-ián, kap koa-bú-kī tī kok-chè-siōng kāng-khoán lóng chin chhut-miâ.

## Nô-hì ê hì-khek hun-lūi

Chèng-sek ê nô-hì ê hì-khek ē hun-chò 5 chhut.

* Thâu-chhut (Sîn) (Ji̍t-gí:神)
: Sîn tī chit-chhut lāi-té chò site, siōng-boé hì--ni̍h ê eng-hiông ē chò kî-tó.

* Tē-jī chhut (Lâm) (Ji̍t-gí:男)
:Chit chhut sī hō͘ bú-hu chò site, chit-chhut--ni̍h ê eng-hiông sī chiàn-sū, sù-siông sī í-keng koè-sin--khì-a.

* Tē-saⁿ chhut (Lú) (Ji̍t-gí: 女)
:Chit chhut sī bí-jîn chò site. Hì-bûn í bí-jîn (lú-eng-hiông) ê loân-ài chò tiong-sim.

* Tē-sì chhut (Kông) (Ji̍t-gí: 狂)
:Chit chhut ê site sī khí-siáu ê cha-bó͘, si̍t-chè-siōng bô-hoat-tō͘ hē--ji̍p-khì lēng-goā 4 chhut ê hì-khek, lóng ē kui tī chit chhut.

* Tē-gō͘ chhut (Kúi) (Ji̍t-gí: 鬼)
:Site sī hui-jîn-lūi ê chûn-chāi, pí-lūn kúi, thian-káu téng-téng, chit chut chú-iàu sī chò boé-chhut.

## Ián-oân
Thoân-thóng nô-hì ê ián-oân lóng sī cha-po͘-lâng, chiah-ê lâng lóng sī lāu-pē kā in kà kā in thoân--ê, nā ū cha-bó͘ ê kak-sek, mā sī hō͘ cha-po͘ ê ián-oân tì cha-bó͘-lâng ê siáu-kúi-bīn chhut-ián.

Ián-oân hun-chò 3 lūi: site (), waki () kap kyôgen (), site poaⁿ--ê sī eng-hiông iah-sī lú-eng-hiông, pau-koat chhiùⁿ-koa kap thiàu-bú. Waki chò site ê oāⁿ-thiap--ê, tiāⁿ-tiāⁿ sī tī bó͘-chi̍t só͘-chāi leh lú-hêng ê lâng. Waki mā thè koan-chiòng siāu-kái hì--ni̍h ê sè-kài. Kyôgen tī hun-chó 2 pha ê hì--ni̍h, ē tī poàⁿ-tiong-noâ chhut-tiûⁿ, sī chāi-tē peh-sèⁿ ê kak-sek, i kap waki kóng-oē, tī in oē-sian chì-chêng i ē siūⁿ-pān-hoat ín-khí waki ê chù-ì.

## Ên-sin ua̍t-to̍k

* Brandon, James R. (ed.) (1997). *Nō and kyōgen in the contemporary world.* (Foreword by Ricardo D. Trimillos) Honolulu: University of Hawaiʻi Press.
* Brazell, Karen (1998). *Traditional Japanese Theater: An Anthology of Plays.* New York: Columbia University Press.
* Ortolani, Benito; Leiter, Samuel L. (eds) (1998). *Zeami and the Nō Theatre in the World.* New York: Center for Advanced Study in Theatre Arts, CUNY.
* Tyler, Royall (ed. & trans.) (1992). *Japanese Nō Dramas.* London: Penguin Books. .
* Waley, Arthur (2009). *Noh plays of Japan*. Tuttle Shokai Inc. , .
* 
* Zeami Motokiyo (1984). *On the Art of the Nō Drama: The Major Treatises of Zeami.* Trans. J. Thomas Rimer. Ed. Masakazu Yamazaki. Princeton, New Jersey: Princeton University Press.

## Guā-pōo liân-kiat

* THE NOHGAKU PERFORMERS' ASSOCIATION THE NOHGAKU PERFORMERS' ASSOCIATION
*
* Noh Stories in English  Ohtsuki Noh Theatre Foundation
* Nō Plays -Translations of thirteen Noh plays- Japanese Text Initiative, University of Virginia Library
* Virtual Reality and Virtual Irreality On Noh-Plays and Icons
* Page on the variable expressions of Noh masks 
* Noh plays Photo Story and Story Paper the-Noh.com: Comprehensive Site on Noh
* "Hachi-No-Ki, A Perspective"
* nohmask.jp Photos of Noh-masks carved by Ichyuu Terai in Kyoto Japan.
* How to enjoy Noh 
*Momoyama, Japanese Art in the Age of Grandeur, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Noh
*Buddhism in Noh by Royall Tyler

Lūi-pia̍t:Hì-kio̍k
Lūi-pia̍t:Ji̍t-pún bûn-hòa