Sarah Bernhardt

Hi **Sarah Bernhardt** (Oktubre 22, 1844 – Marso 26, 1923) usa nga Franses nga aktres ha entablado nga gintatawag nga "gisisikati nga aktres ha kaagi han kalibutan". Naging sikat hi Bernhardt ha mga entablado han Europa ha mga 1870, ngan kumalat ini ha Amerika. Nagkamayda reputasyon hiya nga pagiging seryoso nga aktres ha drama, nga ginagnayan hiya nga "Sarah nga Divino".
## Mga libro
* *Dans les nuages, Impressions d'une chaise* (1878)
* *L'Aveu, drame en un acte en prose* (1888)
* *Adrienne Lecouvreur, drame en six actes* (1907)
* *Ma Double Vie* (1907), &  as *My Double Life: Memoirs of Sarah Bernhardt*, (1907) William Heinemann
* *Un Coeur d'Homme, pièce en quatre actes* (1911)
* *Petite Idole* (1920; as *The Idol of Paris*, 1921)
* ** (1923; as *The Art of the Theatre*, 1924)

## Strand Magazine
* *A Christmas Story* (December 1893)
* *The Memoirs of Sarah Bernhardt* (April 1904-March 1905)
* *The Bombardment of Paris* (August 1913)
* *Love Wins* (January 1921)
* *The Untold Story* (April 1921)

## Pinili nga papel

* 1862: Racine's *Iphigénie* in the title role, her debut.
* 1862: Eugène Scribe's *Valérie*
* 1862: Molière's *[[Les Femmes Savantes]]*
* 1864: Labiche & Deslandes, *[[Un Mari qui Lance sa Femme]]*
* 1866: T & H Cognard's *[[La Biche aux Bois]]*
* 1866: Racine's *[[Phèdre]]* (as Aricie)
* 1866: Pierre de Marivaux's *[[Le Jeu de l'Amour et du Hasard]]* (as Silvia)
* 1867: Molière's *[[Les Femmes Savantes]]* (as Armande)
* 1867: George Sand's *[[Le Marquis de Villemer]]*
* 1867: Georges Sand's *[[François le Champi]]* (as Mariette)
* 1868: Dumas père's *[[Kean (play)|Kean]]* (as Anna Danby)
* 1869: Coppée's *[[La Passant]]*, as a male troubadour (Zanetto); her first major stage success
* 1870: George Sand's *L'Autre*
* 1871: Theuriet's *[[Jeanne-Marie]]*
* 1871: Coppée's *[[Fais ce que Dois]]*
* 1871: Foussier and Edmond *[[La Baronne]]*
* 1872: Bouilhet's *[[Mademoiselle Aïssé]]*
* 1872: Hugo's *[[Ruy Blas]]* (as Doña Maria de Neubourg, Queen of Spain)
* 1872: Dumas père *[[Mademoiselle de Belle-Isle]]* (as Gabrielle)
* 1872: Racine's *[[Britannicus]]* (as Junie)
* 1872: Beaumarchais's *[[Le Mariage de Figaro]]*
* 1872: Sandeau's *[[Mademoiselle de la Seiglière]]*
* 1873: Feuillet's *[[Dalila]]* (as Princess Falconieri)
* 1873: Ferrier's *[[Chez l'Avocat]]*
* 1873: Racine's *[[Andromaque]]*
* 1873: Racine's *Phèdre* (as Aricie)
* 1873: Feuillet's *[[Le Sphinx]]*
* 1874: Voltaire's *[[Zaire]]*
* 1874: Racine's *Phèdre* (as Phèdre)
* 1875: Bornier's *[[La Fille de Roland]]*
** Dumas fils' *[[L'Étrangère]]* (as Mrs. Clarkson)
** Parodi's *[[Rome Vaincue]]*
* 1877: Hugo's *[[Hernani (drama)|Hernani]]* (as Doña Sol)
* 1879: Racine's *Phèdre* (as Phèdre)
* 1880: Émile Augier's *[[L'Aventurière]]*
* 1880: Legouvé & Scribe's *[[Adrienne Lecouvreur]]*
* 1880: Meilhac & Halévy's *[[Froufrou (play)|Froufrou]]*
* 1880: Dumas fils' *[[La Dame aux Camélias]]* (as Maguerite)
* 1882: Sardou's *[[Fédora (play)|Fédora]]*
* 1884: Sardou's *[[Théodora]]* (as Theodora, Empress of Byzantium)
* 1887:  Victorien Sardou's *La Tosca*
** Dumas fils' *[[La Princesse Georges]]*
* 1890: Sardou's *[[Cléopâtre]]*, as Cleopatra
* 1893: Lemaître's *Les Rois*
* 1894: Sardou's *[[Gismonda]]*
* 1895: Molière's *[[Amphytrion]]*
* 1895: *Magda* (translation of Sudermann's *[[Heimat]]*)
* 1896: *[[La Dame aux Camélias]]*
* 1896: Musset's *[[Lorenzaccio]]* (as Lorenzino de' Medici)
* 1897: Sardou's *[[Spiritisme]]*
* 1897: Rostand's *[[La Samaritaine]]*
* 1897: Octave Mirbeau's *[[Les Mauvais bergers]]*
* 1898: Catulle Mendès *[[Medée]]*
* 1898: *La Dame aux Camélias* (as Marguerite Gautier, pictured)
** Barbier's *[[Jeanne d'Arc]]* (as Joan of Arc)
** Morand & Sylvestre's *[[Izéïl]]* (as Izéïl)
** Shakespeare's *[[King Lear]]* (as Cordelia)
* 1899: Shakespeare's *[[Hamlet]]* (as Hamlet)
** Shakespeare's *[[Antony and Cleopatra]]* (as Cleopatra)
** Shakespeare's *[[Macbeth]]* (as Lady Macbeth) (in French)
** Richepin's *[[Pierrot Assassin]]* (as Pierrot)
* 1900: Rostand's *[[L'Aiglon]]* as L'Aiglon
* 1903: Sardou's *[[La Sorcière (play)|La Sorcière]]*
* 1904: Maeterlinck's *[[Pelléas et Mélisande (play)|Pelléas et Mélisande]]* (as Pelléas)
* 1906: Ibsen's *[[The Lady From the Sea]]*
* 1906: Mendès' *[[La Vierge d'Avila]]* (as Saint Theresa)
* 1910: John Wesley De Kay's *Judas* as Judas
* 1911: Moreau's *[[Les Amours de la reine Élisabeth]]* (as Queen Elizabeth)
* 1913: Bernard's *[[Jeanne Doré]]* (as Jeanne Doré)

## Filmograpiya

* 1900: *[[Hamlet (1900 film)|Le Duel d'Hamlet]]* (*[[Hamlet]]*, as Hamlet) An excerpt from the play, featuring Bernhardt in a duel to the death with Laertes.
* 1908: *[[La Tosca]]* (*Tosca*, as Tosca) A one-reel condensation of the play by the same name by Victorien Sardou.
* 1911: *[[La Dame aux Camélias]]* (*Lady of the Camelias* – *Camille*, in the U.S. release, as Camille) A two-reel condensation of the play by the same name, and co-starring Lou Tellegen.
* 1912: *[[Adrienne Lecouvreur (1913 film)|Adrienne Lecouvreur]]* (*An Actress's Romance*; as Adrienne Lecouvreur) A two-reel condensation of the play by the same name. Co-starring Lou Tellegen.
* 1912: *[[Les Amours de la reine Élisabeth|Les Amours d'Elisabeth, Reine d'Angleterre]]* (*Queen Elizabeth*; a major success) A four-reel condensation of the play of the same name. Co-starring Lou Tellegen.
* 1912: *Sarah Bernhardt à Belle-Isle* (*Sarah Bernhardt at Home*, as herself) This documentary features Sarah at home with her family and friends, fishing for shrimp, and cuddling indoors with her pet dogs.
* 1915: *Mères Françaises* (*Mothers of France*), as Madame Jeanne D'Urbex, a war widow in World War I. When she learns that her son has also been wounded, she searches the battlefields, crawls through trenches, and finally reaches him at a medical station only to have him die in her arms. After this tragedy, she dedicates her life to helping others survive the ravages of war.
* 1915: *Ceux de Chez Nous* (*Those at Home*: biographical, home movies) Among other celebrated persons of the era, there is a brief scene featuring Sarah sitting on a park bench and reading from a book.
* 1916: *[[Jeanne Doré]]* (as Jeanne Doré). Based on a play of the same name. Sarah appears as a widowed mother, who lavishes attention on her son, Jacques. When he is seduced by a temptress and accidentally murders a man, she visits him in his cell on the night before his execution, pretending to be his fiancée.
* 1921: *Daniel* (5-minute death scene from the play of the same name.) Sarah appears as a morphine addict in the hour before death.
* 1923: *La Voyante* (*The Fortune Teller*,) Sarah appears as a clairvoyant, who makes predictions that influence the outcome of national events. This film was Sarah's final performance, and was made while she was mortally ill. It was eventually completed with scenes made with a stand-in performing Bernhardt's character with her back turned to the camera.

### Mahitungod ha iya
* 2000: *[[Amélia (film)|Amélia]]*


File:§§Bernhardt, Sarah (1844-1923) par Jules Bastien-Lepage (1848-1884) - 1879.jpg
File:Sarah Bernhardt Vanity Fair.jpg
File:Sarah bernhardt 1844 1923i.jpg|Georges Clairin (1843–1919): Sarah Bernhardt. 
File:Georges Jules Victor Clairin (1843-1919), Sarah Bernhardt (1844-1923) as the Queen in 'Ruy Blas' . 1897.jpg
File:Georges Jules Victor Clairin (1843-1919), Sarah Bernhardt (1844-1923) in *Sainte Therese d'Avila*.jpg
File:Bernhardt, Sarah di Giovanni Boldini.jpg|Sarah Bernhardt ni Giovanni Boldini
File:Sarah Bernhardt by Manuel Orazi.JPG|Sarah Bernhardt nga may-ada hin tasa hin kape ni Manuel Orazi
File:Bernhardt, Sarah (1844-1923) - 1875 - ritratta da Abbema, Louise (1858-1927).jpeg|Sarah Bernhardt ni Louise Abbema 


## Mga rekording

* *Phèdre* (1902)
* *Le Lac* (1902)
* *La Fiancée du Timbalier* (1902)
* *Lucie* (1902)
* *Le Lac* (1903)
* *La Samaritaine* (1903)
* *Les Vieux* (1903)
* *Un Évangile* (1903)
* *Phèdre* (1903)
* *La Mort d'Izéil* (*An Kamatayon ni Izéil*) (1903)
* *La Rêverie de Théroigne de Méricourt* (*An inop ni Théroigne de Méricourt*) (1903)
* *Un Peu de Musique* (*Uska gutiay nga musika*) (1903)
* *L'Aiglon* (*The Eaglet*) (1910)
* *Phèdre* (1910)
* *Les Buffons* (*The Buffoons*) (1908)
* *La Samaritaine* (1910)
* *L'Étoile dans la Nuit* (*An Bituon han gab-i*) (1918)
* *Prière pour nos Ennemis* (*Uska pangadi para han aton kaaway*) (1918)

## Galeriya

File:Bernhardt.jpg
File:Bernhardt_in_Theodora_Early_in_Career.jpg
File:Bernhardt_with_elaborate_headdress.jpg
File:Bernhardt_Performs_(Sorceress).jpg
File:Bernhardt_as_Joan_of_Arc.jpg
File:Bernhardt_as_Cleopatra.jpg
File:Bernhardt_(Gismonda).jpg
File:Bernhardt_Near_Table.jpg
File:Bernhardt later years 2.jpg
File:SarahBernhardt alsKameliendame1881.jpg
File:Sarony - Sarah Bernhardt.jpg
File:Grave of Sarah Bernhardt Père Lachaise.jpg


## Pinanbasaran

## Bibliograpiya
*
*

## Padugang nga barasahon
* Brandon, Ruth. *Being Divine: A Biography of Sarah Bernhardt.* London: Mandarin, 1992.
* Garans, Louis, *Sarah Bernhardt: itinéraire d'une divine*, Éditions Palatines, 2005, ISBN 978-2911434433
* Léturgie, Jean and Xavier Fauche: *Sarah Bernhardt*, Lucky Luke (49). Dupuis, 1982.
* Lorcey, Jacques. *Sarah Bernhardt, l'art et la vie*, Paris : Éditions Séguier, 2005. 160 pages. Avec une préface d'Alain Feydeau. ISBN 2-84049-417-5.
* Menefee, David W. *The First Female Stars: Women of the Silent Era*. Connecticut: Praeger, 2004.
* Ockmann, Carol and Kenneth E. Silver. *Sarah Bernhardt: The Art of High Drama* New York: Yale University Press, 2005

## Mga sumpay ha gawas

* The Sarah Bernhardt Pages 

* 
* 
* Performances in Theatre Archive University of Bristol
* 
* 
* Sarah Bernhardt cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
* Sarah Bernhardt Collection  at the Harry Ransom Center at the University of Texas at Austin.
* Sarah Bernhardt: The Art of High Drama (2006) Exhibition at The Jewish Museum (New York)
* Bibliography
* Sarah Bernhardt  photo gallery series 1 New York Public Library (NYPL)
* Sarah Bernhardt  photo gallery series 2 NYPL
* Sarah Bernhardt Jewish Women's Archive
* Sarah Bernhardt: Jews and Celebrity, Video Lecture by Dr. Henry Abramson
* , Video Lecture by Professor Sharon Marcus

## Dugang nga barasahon
* Brandon, Ruth. *Being Divine: A Biography of Sarah Bernhardt.* London: Mandarin, 1992.
* Gold, Arthur and Robert Fitzdale. *The Divine Sarah: A Life of Sarah Bernhardt.* New York: Alfred A. Knopf, 1991.
* Léturgie, Jean and Xavier Fauche: *Sarah Bernhardt*, Lucky Luke (49). Dupuis, 1982.
* Lorcey, Jacques. *Sarah Bernhardt, l'art et la vie*, Paris : Éditions Séguier, 2005. 160 pages. Avec une préface d'Alain Feydeau. ISBN 2-84049-417-5.
* Menefee, David W. *Sarah Bernhardt in the Theater of Films and Sound Recordings*. North Carolina: McFarland, 2003.
* Menefee, David W. *The First Female Stars: Women of the Silent Era*. Connecticut: Praeger, 2004.
* Ockmann, Carol and Kenneth E. Silver. *Sarah Bernhardt: The Art of High Drama* New York: Yale University Press, 2005
* Skinner, Cornelia Otis. *Madame Sarah*. Paragon House, 1966.
* Snel, Harmen. "The ancestry of Sarah Bernhardt; a myth unravelled", Amsterdam, Joods Historisch Museum, 2007, ISBN 978-90-802029-3-1
* Gottlieb, Robert "Sarah: The Life of Sarah Bernhardt" New Haven, Yale University Press, 2010
* Aston, Elaine. Sarah Bernhardt: A French Actress on the English Stage. Oxford: Berg Publishers Limited, 1989

## Mga sumpay ha gawas
* The Sarah Bernhardt Pages 
* 
* 
* The "La Samaritaine" controversy and other performances in London
* Performances in Theatre Archive University of Bristol
* 
* 
* Sarah Bernhardt cylinder recordings, from the Cylinder Preservation and Digitization Project at the University of California, Santa Barbara Library.
* Sarah Bernhardt Collection  at the Harry Ransom Center at the University of Texas at Austin.
* Bernhardt's sculpture
* Bibliography
* Sarah Bernhardt  photo gallery series 1 New York Public Library (NYPL)
* Sarah Bernhardt  photo gallery series 2 NYPL
* http://jwa.org/encyclopedia/article/bernhardt-sarah "Sarah Bernhardt." Jewish Women's Archive
* [Sarah Bernhardt: Jews and Celebrity, Video Lecture by Dr. [Henry Abramson]]