พิพิธภัณฑ์วิทยา

**พิพิธภัณฑ์วิทยา** หรือ **พิพิธภัณฑสถานวิทยา** () หรือ **พิพิธภัณฑ์ศึกษา** () เป็นสาขาวิชาที่ศึกษาเกี่ยวกับพิพิธภัณฑ์ ในด้านประวัติศาสตร์ของพิพิธภัณฑ์และบทบาทของพิพิธภัณฑ์ในสังคม ตลอดจนกิจกรรมที่พิพิธภัณฑ์มีส่วนร่วม รวมไปถึงการดูแล การอนุรักษ์ การจัดรายการสาธารณะ และการศึกษา

## ศัพทวิทยา
คำศัพท์ที่ใช้ระบุถึงสาขาวิชาที่ศึกษาเกี่ยวข้องพิพิธภัณฑ์แตกต่างกันไปขึ้นอยู่กับภาษาและภูมิศาสตร์ ตัวอย่างเช่น แม้คำว่า “museology” (พิพิธภัณฑ์วิทยา) จะแพร่หลายมากขึ้นในภาษาอังกฤษ แต่มักใช้เพื่อกล่าวถึงถึงการศึกษาเกี่ยวกับพิพิธภัณฑ์ในประเทศฝรั่งเศส (muséologie) สเปน (museología) เยอรมนี (Museologie) อิตาลี (museologia) และโปรตุเกส ( museologia) ในขณะที่ผู้พูดภาษาอังกฤษมักใช้คำว่า "museum studies" (พิพิธภัณฑ์ศึกษา) เพื่อกล่าวถึงสาขาวิชาเดียวกันนี้ เมื่อกล่าวถึงการดำเนินงานในแต่ละวันของพิพิธภัณฑ์ ภาษายุโรปอื่น ๆ มักจะใช้คำที่มาจาภาษากรีก “museographia” (ฝรั่งเศส: muséographie, สเปน: museografía, เยอรมนี: Museographie, อิตาลี: museografia, โปรตุเกส: museografia) ในขณะที่ผู้พูดภาษาอังกฤษโดยทั่วไปจะใช้คำว่า “museum practice” หรือ “operational museology”

## ดูเพิ่ม
* งานนิทรรศการโลก

## อ้างอิง

## บรรณานุกรม
* Assembly of First Nations & Canadian Museums Association. (1994). Task Force Report on Museums and First People. Retrieved from:  http://museums.in1touch.org/uploaded/web/docs/Task_Force_Report_1994.pdf
* 
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* Butler, S. R. & Lehrer, E. (2016). Curatorial Dreams: Critics Imagine Exhibition. McGill-Queen’s University Press.
* Canclini, N. G. (1995). Hybrid Cultures: Strategies for Entering and Leaving Modernity. Minneapolis: University of Minnesota Press.
* Curating and Public Scholarship Lab (CaPSL)  http://capsl.cerev.ca/
* Davis, P. (2011). Ecomuseums: A Sense of Place. Continuum International Publishing: London.
* Duncan, C. (1991). Art Museums and the Ritual of Citizenship. In Ivan Karp & Steven D. Lavine (Eds.), Exhibiting Cultures. Smithsonian Institution: 88-103.
* Fletcher, K. R. (2008). James Luna. Smithsonian Magazine. Retrieved from:  http://www.smithsonianmag.com/arts-culture/james-luna-30545878/
* Gamarekian, B. (1989). Crowd at Corcoran Protests Mapplethorpe Cancellation. The New York Times. Retrieved from: &nbsp; https://www.nytimes.com/1989/07/01/arts/crowd-at-corcoran-protests-mapplethorpe-cancellation.html
* 
* Hampton, J. (2017). Inside a Year-Long Experiment in Indigenous Institutional Critique. Retrieved from  http://docs.wixstatic.com/ugd/2b2fa6_8f2b4b9eece24189920c7ab3031744f0.pdf
* Houston, K. (2017). How ‘Mining the Museum’ Changed the Art World. BmoreArt.  http://www.bmoreart.com/2017/05/how-mining-the-museum-changed-the-art-world.html
* Huygens, I. (2011). Developing a Decolonisation Practice for Settler Colonisers: A Case Study from Aotearoa New Zealand. Settler Colonial Studies 1(2): 53-81.
* Igloliorte, H., Loft, S. & Croft, B. L. (2012). Decolonize Me. ABC Art Books Canada.
* International Council of Museums (ICOM). (2009). Key Concepts of Museology. Retrieved July 2, 2017 from:  http://icom.museum/fileadmin/user_upload/pdf/Key_Concepts_of_Museology/Museologie_Anglais_BD.pdf 
* International Field School in Critical Museology (2017). Retrieved from:  https://www.concordia.ca/artsci/academics/summer/critical-museology.html 
* Kishlansky, M, Geary, P. and O’Brien, P. (2008). Civilization in the West (7th Edition, Vol. C). New York: Pearson Education.
* Kennicott, P. (2010). 'Fire' Man: Wojnarowicz, Censored by Smithsonian, Sounded an Alarm in Dire Times. Washington Post. Retrieved from  https://www.washingtonpost.com/wp-dyn/content/article/2010/12/09/AR2010120905895.html
* La, K. T. (2010). Spotlight: Andrea Fraser. The Harvard Crimson. &nbsp; http://www.thecrimson.com/article/2010/3/30/fraser-art-institutional/
* Levell, N. (2013). Site-Specificity and Dislocation: Michael Nicholl Yahgulanaas and His Haida Manga Meddling. Journal of Material Culture 18(2): 93-116.  http://journals.sagepub.com/doi/abs/10.1177/1359183513486231,
* Lewis, G. (1989). For Instruction and Recreation: A Centenary History of the Museums Association. London: Quiller Press. 
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* Liepe, L. (2018). *A Case for the Middle Ages. The Public Display of Medieval Church Art in Sweden 1847–1943*, Stockholm: The Royal Swedish Academy of Letters, History and Antiquities.
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* MacDonald, G. & Alsford, S. (1995). Canadian Museums and the Representation of Culture in a Multicultural Nation. Cultural Dynamics 7(1): 15- 36.
* Making Culture Lab  http://hennessy.iat.sfu.ca/mcl/about-making-culture-lab/
* Martin, R (2014) Andrea Fraser – Museum Highlights: A Gallery Talk (1989). TATE: Art & Artists. Retrieved from:  http://www.tate.org.uk/art/artworks/fraser-museum-highlights-a-gallery-talk-t13715
* McCall, V. & Gray, C. (2014). Museums and the ‘New Museology’: Theory, Practice and Organizational Change. Museum Management and Curatorship 29(1): 19-35.
* Messing with MoMA (2015). Retrieved from:  https://www.moma.org/interactives/exhibitions/2015/messingwithmoma/
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* Murawska-Muthesius, K. & Piotrowski, P. (2015). From Museum Critique to the Critical Museum. Routledge.
* National Native American Graves Protection and Repatriation Act. Retrieved from:  https://www.nps.gov/nagpra/
* Reciprocal Research Network (2014). Retrieved from:  https://www.rrncommunity.org/pages/about
* Ryzik, M. (2017). Text for Happiness. Or Sadness. Get Art Back. The New York Times. Retrieved from:  https://www.nytimes.com/2017/07/14/arts/design/sfmoma-texting-emojis-art.html
* Sánchez Laws, A. L. (2011). Panamanian Museums and Historical Memory. New York: Berghahn Books.
* Shelton, A. (2013). Critical Museology: A Manifesto. Museum Worlds 5(1): 7-23.
* Stam, D. (1993) The Informed Muse: The Implications of 'The New Museology' for Museum Practice. Museum Management and Curatorship 12: 267-283.
* Tobias, J. (2015). &nbsp;Messing with MoMA: Critical Interventions at the Museum of Modern Art, 1939-Now. Retrieved from:  http://post.at.moma.org/content_items/804-messing-with-moma-critical-interventions-at-the-museum-of-modern-art-1939-now
* Truth and Reconciliation Commission of Canada Final Report – Executive Summary (2015). Retrieved from  http://www.trc.ca/websites/trcinstitution/File/2015/Honouring_the_Truth_Reconciling_for_the_Future_July_23_2015.pdf
* UBC MOA (2007). Michael Nicholl Yahgulanaas: Meddling in the Museum. Retrieved from  http://faculty.washington.edu/kbunn/Manga.pdf
* University of Chicago Press Books (n.d.). Peter Vergo – The New Museology (1989)  http://press.uchicago.edu/ucp/books/book/distributed/N/bo3536149.html
* Van Mensch, P. (1995). Magpies on Mount Helicon. Museum and Community, ICOFOM Study Series, 25, pp.&nbsp;133 - 138.
* Vergo, P. (1989). The New Museology. London: Reaktion Books.
* Wilson, F. (1993). Mining the Museum. Grand Street 44(151-172)  https://www.jstor.org/stable/25007622?seq=1#page_scan_tab_contents
* Whyte, M. (2016) Wanda Nanibush Named AGO’s First Curator of Indigenous Art. Toronto Star. Retrieved from:  https://www.thestar.com/entertainment/visualarts/2016/07/22/wanda-nanibush-named-agos-first-curator-of-indigenous-art.html

## แหล่งข้อมูลอื่น
* Calls to Action – Truth and Reconciliation Commission of Canada
* Centre for Anthropological Research on Museums and Heritage
* Curatorial dreams http://cerev.org/curatorialdreams/
* http://cerev.org/curatorialdreams/
* Curating and Public Scholarship Lab
* Guerrilla Girls 
* International Council of Museums
* Making Culture Lab
* Task Force Report on Museums and First Peoples
* Truth and Reconciliation Commission
* TRC - 94 Calls to Action