Tasnia ya muziki

katika jengo la Potsdamer Platz huko mjini Berlin, Ujerumani]]
**Tasnia ya muziki** ni neno/maneno linalotaja mjumuisho wa makampuni na watu binafsi ambao wanajipatia fedha kwa kutunga nyimbo mpya na mengineyo, kuuza maonesho mubashara (live shows), rekodi za sauti na video, tunzi mbalimbali za muziki, na jumuia na mashirika mengine ambayo yanawakilisha watungaji/waumbaji wa kazi za sanaa. 

Miongoni mwa watu binafsi na mashirika mengine ambayo yanajishughulisha na tasnia hii ni pamoja na: watunzi wa nyimbo na watunzi ambao wanatunga nyimbo mpya na ala za muziki; waimbaji, wanamuziki, waelekezaji na viongozi wa bendi wanaotumbuiza katika muziki; makampuni na wataalamu ambao wanatunga na kuuza rekodi za muziki na shiti za muziki (yaani,  wachapishaji wa shiti za muziki, watayarishaji wa rekodi, studio za kurekodi, wahandisi, lebo za rekodi, maduka ya rejareja na yale yanayouza mtandaoni, mashirika ya haki za utumbuizaji); na hizo ambazo zinasaidia kupanga na kuwakilisha utumbuizaji wa muziki wa laivu na uhandisi wa sauti, mawakala wa watu wenye vipaji, mapromota, kumbi za muziki).

Tasnia vilevile inahusisha wataalamu wanaowasaidia waimbaji na wanamuziki katika kazi zao za muziki - hawa wanaitwa mameneja vipaji, mameneja wa wasanii na habari, mameneja biasha, wanasheria wa masuala ya burudani na hao wanaorusha muziki wa sauti au video kama vile redio za satilaiti, redio za intaneti, matangazo ya redio na televisheni); vilevile waandishi wa habari za muziki na watahakiki wa muziki; Ma-DJ; walimu na wakufunzi wa miziki mbalimbali; waandaji wa midundo mitupu ya muziki yaani musical instrument; na wengine wengi. 

## Marejeo
## Jisomee
*Lebrecht, Norman: *When the Music Stops: Managers, Maestros and the Corporate Murder of Classical Music*, Simon & Schuster 1996
*Imhorst, Christian: The ‘Lost Generation’ of the Music Industry, published under the terms of the GNU Free Documentation License 2004
*Gerd Leonhard: *Music Like Water – the inevitable music ecosystem*
*The Methods Reporter: Music Industry Misses Mark with Wrongful Suits 
*Music CD Industry  – a mid-2000 overview put together by Duke University undergraduate students
* d’Angelo, Mario: *Does globalisation mean ineluctable concentration ?* in The Music Industry in the New Economy, Report of the Asia-Europe Seminar, Lyon, Oct. 25–28, 2001, IEP de Lyon/Asia-Europe Foundation/Eurical, Editors Roche F., Marcq B., Colomé D., 2002, pp.&nbsp;53–54.
* d'Angelo, Mario: *Perspectives of the Management of Musical Institutions in Europe*, OMF, Musical Activities and Institutions Sery, ParisIV-Sorbonne University, Ed. Musicales Aug. Zurfluh, Bourg-la-Reine, 2006.
* Hill, Dave: *Designer Boys and Material Girls: Manufacturing the [19]80s Pop Dream*. Poole, Eng.: Blandford Press, 1986. ISBN 0-7137-1857-9
* Rachlin, Harvey. *The Encyclopedia of the Music Business*. First ed. New York: Harper & Row, 1981. xix, 524 p. ISBN 0-06-014913-2
* The supply of recorded music : A report on the supply in the UK of prerecorded compact discs, vinyl discs and tapes containing music. Competition Commission, 1994.
*  Gillett, A. G., & Smith, G. (2015). Creativities, innovation, and networks in garage punk rock: A case study of the Eruptörs. Artivate: A Journal of Entrepreneurship in the Arts, 9-24.
* Tschmuck, Peter: *Creativity and Innovation in the Music Industry*, Springer 2006.
* Ulrich Dolata: *The Music Industry and the Internet. A Decade of Disruptive and Uncontrolled Sectoral Change*. Research Contributions to Organizational Sociology and Innovation Studies. Discussion Paper 2011-02. full text online

## Viungo vya nje
* New York Metro article by Michael Wolff analyzing the decline of the record industry 
* Salon article on Courtney Love's criticism of record industry business practices 
* Federal Trade Commission press release regarding price fixing
* Antitrust settlement in Nevada price-fixing case 
* Songwriter Janis Ian's critique of the record industry's policies 
* The Net is the Independent Artist's Radio  – August 10, 2005 MP3 Newswire article
* *Music Downloads: Pirates- or Customers? *. Silverthorne, Sean. Harvard Business School Working Knowledge, 2004.
* The British Library - Music Industry Guide (sources of information) 
* The ASCAP Resource Guide: Recording Industry 
* BPI: Music business – Industry Structure 
* Academic articles about the music industry The Music Business Journal