Horst-Wessel-Lied

The ***Horst-Wessel-Lied*** ("Horst Wessel Song"), also known as *Die Fahne hoch* ("The flag on high", from its opening line), was the anthem of the Nazi Party from 1930 to 1945. From 1933 to 1945 it was also part of Germany's national anthem.

## History
The words of the song were composed in 1929 by Horst Wessel, a Nazi activist and local commander of the Nazi militia, the Sturmabteilung, in the Berlin district of Friedrichshain. Wessel was assassinated by a Communist activist in January 1930, and the propaganda apparatus of Berlin Gauleiter Dr Joseph Goebbels made him the leading martyr of the Nazi Movement. The song became the official Song of Consecration (*Weihelied*) for the Nazi Party, and was much used at party functions and sung by the SA during street parades.

When the Nazis came to power in 1933, the *Horst-Wessel-Lied* was made a national symbol by a law issued on May 19, 1933. Nazi Germany thus had a double anthem, consisting of the first verse of the *Deutschlandlied* followed by the *Horst Wessel-Lied*. A regulation attached to a printed version of the *Horst Wessel-Lied* in 1934 required the right arm to be raised in a "Hitler salute" when the first and fourth verses were sung.

With the fall of the Nazi regime in 1945, the *Horst-Wessel-Lied* was banned, and both the lyrics and the tune remain illegal in Germany and Austria to this day except for educational and scholarly uses (under sections 86 and 86a of the *Strafgesetzbuch*).

## Lyrics 
The lyrics of the *Horst-Wessel-Lied* were published in the Berlin Nazi newspaper, *Der Angriff*, in September 1929, attributed to "Der Unbekannte SA-Mann" ("the Unknown SA-Man"), as follows:

The "Rotfront" ("Red Front") was a reference to the Rotfrontkämpferbund, a communist militia tied to the Communist Party of Germany (KPD). It was common for Nazis' Sturmabteilung and Communists' Redfront to attack each other in violent street fights, which eventually grew into full-scale battles after 1930. "Reaction" was a reference to the conservative parties and the liberal democratic German state of the Weimar Republic period, which made several unsuccessful attempts to ban the SA. "Servitude" means what the Nazis saw as Germany's "servitude" to the Treaty of Versailles of 1919, which imposed huge reparations on Germany and deprived her of her colonies and territory along her eastern border.

Some changes were made to the lyrics after Wessel's death:

The dropping of the reference to "barricades" reflected the Nazi Party's desire in the period 1930-33 to be seen as a constitutional political party aiming at taking power by legal means rather than as a revolutionary party.

The line "Kameraden, die Rotfront und Reaktion erschossen" is bad German, but it was never amended.

After Wessel's death, new stanzas were composed in his honour. These were frequently sung by the SA but did not become part of the official lyrics used on party or state occasions.

## Melody 
After Wessel's death, he was officially credited with having composed the melody as well as having written the lyrics. Between 1930 and 1933, however, German critics disputed this claim, pointing out that the melody had a long prior history. Such criticism became impossible after 1933.

The most likely immediate source for the melody was a song popular in the German Imperial Navy during World War I, which Wessel would no doubt have heard being sung by Navy veterans in the Berlin of the 1920s. The song was known either by its opening line as *Vorbei, vorbei, sind all die schönen Stunden*, or as the *Königsberg-Lied*, after the German light cruiser *Königsberg*, which is mentioned in one version of the song's lyrics. The opening stanza of the song is:

Another German song, *Der Abenteurer* (The Adventurer), begins:

In 1936 a German music critic, Alfred Weidemann, published an article in which he identified the melody of a song composed in 1865 by the Weimar composer Peter Cornelius as the "Urmelodie" (source-melody). According to Weidemann, Cornelius described the tune as a "Viennese folk tune." This appeared to him to be the ultimate origin of the melody of the *Horst-Wessel-Lied*.  
listen) According to Weidemann, this is one of the original tunes of the song]]

The musical score is much more complex than the text of the song; given its characteristics, it could easily be sung even by people without much singing practice, and be played by amateur bands. Often, fanfares were used to give a more military touch to the tune. 
listen) Fanfares introducing the  Horst-Wessel-Lied in a version played by an SA ensemble]]

See also the Wikipedia article on Carl Boberg (1859-1940), particularly the note on similarities and dissimilarities between "Horst Wessel Lied" and the Swedish tune O STORE GUD (widely sung as "How Great Thou Art").

## Other uses 
During the 1930s and '40s the *Horst-Wessel-Lied* was adapted for use by fascist groups in other European countries. The anthem of the British Union of Fascists was set to the same tune, and its lyrics were to some extent modelled on the *Horst-Wessel-Lied*, but appealing to British nationalism rather than German nationalism. Its opening stanza was:

:Comrades, the voices of the dead battalions, 
:Of those who fell, that Britain might be great, 
:Join in our song, for they still march in spirit with us, 
:And urge us on, to gain the fascist state!

In Spain, the Falange fascist movement sang to the same tune:

While in Vichy France the fascists of the radical Milice sang:

## Parodies 
Between 1930 and 1933 the German Communists and Social Democrats sang various parodies of the *Horst-Wessel-Lied* during their street battles with the SA. Some simply changed the political character of the song, such as:

The Stahlhelm was a veterans' organisation closely aligned with the Nazis.

Others substituted completely new lyrics:

Ernst Thälmann was the KPD leader.

These versions were of course banned once the Nazis came to power and the Communist and Social Democratic parties repressed. But during the years of the Third Reich the song was parodied in various underground versions, most of them poking fun at the corruption of the Nazi elite. One version ran:

Wilhelm Frick was the Interior Minister. Baldur von Schirach was the Hitler Youth leader. Heinrich Himmler was head of the SS and police.

In the first year of the Nazi regime radical elements of the SA sang their own parody of the song, reflecting their disappointment that the "socialist" element of National Socialism had not been realised:

Kurt Schmitt was Economics Minister 1933-35.

## References 
This article is largely based on George Boderick, "The Horst-Wessel-Lied: A Reappraisal," *International Folklore Review* Vol. 10 (1995): 100-127, available online here 

## Other websites 
* Text and melody (MID format),  song  (MP3 format)
* Text of the German Criminal Code §86 and §86a  (in English)
* AFRIKAKORPS.Org / AANA Songs of the Desert