Matsuo Bashō

I , mibait yang , kaybat , ing pekasikat a poeta o watas ning Kapanaunang Edo king Hapon. Anyang mabye ya pa, kinilala re i Bashō kareng obra na king saup-saup  (collaborative) a pormang *[[Renku|haikai no renga]]*; ngeni, kaybat da reng pilang siglu o dilanwa ning komentaryu, kikilalanan deng panginwan o misnang gelingan king makuyad ampong malinong haiku. Sikat ya king mabilug a yatu ing kayang poesya o kawatasan, at king Hapon, makabili la reng dakal kayang kawatasan kareng monumentu ampong tradisyonal a lugal.  Lipat ning karapatdapat deng kikilalanan king Albugan  i Bashō king kayang hokku, ya mismu, paniwalan nang ing pekamasanting nang obra atyu king kayang pamanimuna ampong pamakyabe king renku. Babanggit dang sinabi na, “Dakal kareng talatuki ku, kasinggaling kong sumulat hokku. Papakit ku ing belwan ku kapamilatan ning pamituglung-tuglung kareng bersung haikai.”

Anak ya pamu i Bashō, mipakilala na kaya ing poesiya, at kaybat nang milub king eksenang intelektuwal ning Edo (a ngeni Tokyo), gad yang sinikat king mabilug a Hapon. Menintunan ya antimong talaturu, dapot pepainggulutan na ing byeng sosyal ampong urban (panglakanbalen) da reng sirkulo o pamiabe-abeng pangliteratura, at maburi yang lumibut king marangle ampong ilang, papunta king albugan, aslagan, ampo king kakewan ning pangulu, bang mika inspirasyun para king kayang panyulat. Makalto kareng kayang kawatasan ing daretsu nang denasan king yatung makapadurut kaya, at maralas, ararakap ne ing kapanamdaman ning metung a eksena o milyari kilub da reng ditak a simpling sangkap.

## Listaan da reng obra

* *[[The Seashell Game|Kai Ōi]]* (The Seashell Game) (1672)
* *Minashiguri* (A Shriveled Chestnut) (1683)
* *Nozarashi Kikō* (Record of a Weather-Exposed Skeleton) (1684)
* *Fuyu no Hi* (Winter Days) (1684)
* *Haru no Hi* (Spring Days) (1686)
* *Kashima Kikō* (A Visit to Kashima Shrine) (1687)
* *Oi no Kobumi*, or *Utatsu Kikō* (Record of a Travel-Worn Satchel) (1688)
* *Sarashina Kikō* (A Visit to Sarashina Village) (1688)
* *Arano* (Wasteland) (1689)
* *Hisago* (The Gourd) (1690)
* *Sarumino* (The Monkey's Raincoat) (1691)
* *Saga Nikki* (Saga Diary) (1691)
* *Bashō no Utsusu Kotoba* (On Transplanting the Banana Tree) (1691)
* *Heikan no Setsu* (On Seclusion) (1692)
* *Sumidawara* (A Sack of Charcoal) (1694)
* *Betsuzashiki* (The Detached Room) (1694)
* *Oku no Hosomichi* (Narrow Road to the Interior) (1694)
* *Zoku Sarumino* (The Monkey's Raincoat, Continued) (1698)

### Likas a Ingles

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## Lon la murin
*Japanese poetry

## Notes

## Dalerayan
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*Takarai, Kikaku (2006). *An Account of Our Master Basho's Last Days*, translated by Nobuyuki Yuasa in *Springtime in Edo*. Hiroshima, Keisuisha. ISBN 4-87440-920-2
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*Matsuo, Bashō (1966). "The narrow road to the Deep North", translated by Nobuyuki Yuasa. Harmondsworth, Penguin. ISBN 0-14-044185-9

## Suglung palwal

*   Various poems by Bashō, in original and translation.
*   Comparison of translations by R.&nbsp;H. Blyth, Lucien Stryck and Peter Beilenson of several Bashō haiku.
*  Translations of renku by Bashō and his disciples, by Sean Price.
*  Travels along the path Matsuo Bashō followed for Oku no Hosomichi.  Photography by Mike Yamashita.
*  Interactive Travelogue of Howard Norman's journey in Basho's footsteps, including a map of the route taken.
*   A translation by Nobuyuki Yuasa of an important manuscript by Takarai Kikaku, also known as Shinshi, one of Bashō’s followers.
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