Techno

**Techno** er ei form for elektronisk dansemusikk (EDM) som har opphav i Detroit i Michigan i USA på slutten av 1980-talet. Den fyrste registrerte bruken av ordet *techno* i ein referanse til ein musikksjanger var i 1988. I dag finst det mange stilar av techno. Detroit-techno blir sett på som grunnlaget for ei rekkje undersjangrar.

## Bakgrunnsstoff
* Sounds Like Techno – ein online-dokumentar som utforskar technomusikk, frå røtene og tidleg påverknad i USA til sin plass i australsk musikk i dag.
* From the Autobahn to I-94: The Origins of Detroit Techno and Chicago House – erindringar frå techno- og house-nyskaparar
*  – Eit videoeksempel på techno framført live.
* 
*Juan Atkins 2012 Audio Interview at Soulinterviews.com .

## Kjelder


**Denne artikkelen bygger på «[[:en:Techno|Techno]]» frå ,  den 18. september 2012.*  

### Bibliografi

* Anz, P. & Walder, P. (eds.), *Techno*, Hamburg: Rowohlt, 1999 ().
* Barr, T., *Techno: The Rough Guide*, Rough Guides, 2000 ().
* Brewster B. & Broughton F., *Last Night a DJ Saved My Life: The History of the Disc Jockey*, Avalon Travel Publishing, 2006, ().
* Butler, M.J., *Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music*, Indiana University Press, 2006 ().
* Cannon, S. & Dauncey, H., *Popular Music in France from Chanson to Techno: Culture, Identity and Society*, Ashgate, 2003 ().
* Collin, M., *Altered State: The Story of Ecstasy Culture and Acid House*, Serpent's Tail, 1998 ().
* Cosgrove, S. (a), "Seventh City Techno", *The Face* (97), p.88, May 1988 (ISSN 0263-1210).
* Cosgrove, S. (b), ''Techno! The New Dance Sound of Detroit'' liner notes, 10 Records Ltd. (UK), 1988 (LP: DIXG 75; CD: DIXCD 75).
* Cox, C.(Author), Warner D (Editor), *Audio Culture: Readings in Modern Music*, Continuum International Publishing Group Ltd., 2004 ().
* Fritz, J., *Rave Culture: An Insider's Overview*, Smallfry Press, 2000 ().
* Kodwo, E., *More Brilliant Than the Sun: Adventures in Sonic Fiction*, Quartet Books, 1998 ().
* Nelson, A., Tu, L.T.N., Headlam Hines, A. (eds.), *TechniColor: Race, Technology and Everyday Life*, New York University Press, 2001 ().
* Nye, S "Minimal Understandings: The Berlin Decade, The Minimal Continuum, and Debates on the Legacy of German Techno," in Journal of Popular Music Studies 25, no. 2(2013): 154–84.
* Pesch, M. (Author), Weisbeck, M. (Editor), *Techno Style: The Album Cover Art*, Edition Olms; 5Rev Ed edition, 1998 ().
* Rietveld, H.C., *This is Our House: House Music, Cultural Spaces and Technologies*, Ashgate Publishing, Aldershot, 1998 ().
* Reynolds, S., *Energy Flash: a Journey Through Rave Music and Dance Culture*, Pan Macmillan, 1998 ().
* Reynolds, S., *Generation Ecstasy: Into the World of Techno and Rave Culture*, Routledge, New York 1999 (); Soft Skull Press, 2012 ().
* Reynolds, S., *Energy Flash: a Journey Through Rave Music and Dance Culture*, Faber and Faber, 2013 ().
* Savage, J., *The Hacienda Must Be Built*, International Music Publications, 1992 ().
* Sicko, D., *Techno Rebels: The Renegades of Electronic Funk*, Billboard Books, 1999 ().
* Sicko, D., *Techno Rebels: The Renegades of Electronic Funk*, 2nd ed., Wayne State University Press, 2010 ().
* St. John, G.(ed.). ''Rave Culture and Religion'' , New York: Routledge, 2004. ().
* St. John, G.(ed.), ''FreeNRG: Notes From the Edge of the Dance Floor'', Common Ground, Melbourne, 2001 ().
* St John, G. Technomad: Global Raving Countercultures . London: Equinox. 2009. .
* Toop, D., *Ocean of Sound*, Serpent's Tail, 2001 [new edition] ().
* Watten, B., *The Constructivist Moment: From Material Text to Cultural Poetics*, Wesleyan University Press, 2003 ().