ꯍꯤ-ꯌꯥꯢꯁꯤꯡ ꯑꯃꯗꯤ ꯍꯉꯣꯢꯁꯤꯡ

**"ꯍꯤ-ꯌꯥꯢꯁꯤꯡ ꯑꯃꯗꯤ ꯍꯉꯣꯢꯁꯤꯡ"** (ꯐ꯭ꯔꯦꯟ꯭ꯆ: **"Les Fées"**, ) ꯑꯁꯤ ꯆꯥꯔꯜ꯭ꯁ ꯄꯦꯔꯥꯎꯜ꯭ꯠꯅ ꯏꯕ ꯐ꯭ꯔꯦꯟ꯭ꯆꯀꯤ ꯑꯁꯦꯝꯋꯥꯔꯤ ꯑꯃꯅꯤ꯫
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ꯃꯍꯥꯛꯀꯤ ꯍꯧꯔꯛꯐꯝꯗ, ꯃꯃꯥ ꯍꯨꯜꯗꯥꯒꯨꯝꯅ, ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯔꯕ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨ ꯑꯇꯣꯞꯄ ꯃꯆꯥꯅꯨꯄꯤ ꯅꯠꯇꯦ, ꯑꯇꯣꯞꯄ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨꯅꯤ꯫ ꯑꯍꯣꯡꯕ ꯑꯁꯤ ꯁꯤꯟꯗ꯭ꯔꯦꯂꯥꯒ ꯃꯥꯟꯅꯕ ꯑꯗꯨ ꯍꯟꯊꯍꯟꯅꯕ ꯇꯁꯦꯡꯅ ꯑꯣꯏꯈꯤ꯫

ꯃꯁꯤ ꯑꯥꯔꯅꯦ-ꯊꯣꯝꯁꯟꯒꯤ ꯋꯥꯔꯤ ꯴꯸꯰ꯅꯤ, ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯇꯕ ꯑꯃꯁꯨꯡ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯇꯕ ꯅꯨꯄꯤꯃꯆꯥꯁꯤꯡꯅꯤ꯫ ꯃꯁꯤꯒꯤ ꯃꯈꯜ ꯑꯁꯤꯒꯤ ꯑꯇꯣꯞꯄꯁꯤꯡꯒꯤ ꯃꯅꯨꯡꯗ ꯁꯤꯇꯥ-ꯀꯤꯔꯤ ꯁꯨꯖꯨꯃꯦ, ꯐ꯭ꯔꯥꯎ ꯍꯣꯂꯦ ꯅꯠꯇ꯭ꯔꯒ ꯃꯤꯁꯦꯁ ꯍꯣꯂꯦ, ꯗ ꯊ꯭ꯔꯤ ꯍꯦꯗꯁ ꯏꯟ ꯗ ꯋꯦꯜ, ꯐꯥꯗꯔ ꯐ꯭ꯔꯣꯁ꯭ꯠ, ꯗ ꯊ꯭ꯔꯤ ꯂꯤꯇꯜ ꯃꯦꯟ ꯏꯟ ꯗ ꯋꯨꯗ, ꯗ ꯑꯦꯟꯆꯦꯟꯇꯦꯗ ꯋ꯭ꯔꯦꯊ, ꯗ ꯑꯣꯜꯗ ꯋꯤꯆ, ꯑꯃꯁꯨꯡ ꯗ ꯇꯨ ꯀꯦꯁꯀꯦꯠꯁꯤꯡ ꯌꯥꯎꯔꯤ꯫ ꯁꯥꯍꯤꯇ꯭ꯌꯒꯤ ꯃꯈꯜꯁꯤꯡꯒꯤ ꯃꯅꯨꯡꯗ ꯗ ꯊ꯭ꯔꯤ ꯐꯦꯔꯤꯁ ꯑꯃꯁꯨꯡ ꯑꯣꯔꯣꯔ ꯑꯃꯁꯨꯡ ꯑꯥꯏꯃꯤ ꯌꯥꯎꯔꯤ꯫

## ꯋꯥꯔꯤ
ꯅꯨꯡꯉꯥꯏꯇꯕ ꯂꯨꯈ꯭ꯔꯥꯕꯤ ꯑꯃꯒꯤ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯅꯤ ꯂꯩ; ꯃꯍꯥꯛꯀꯤ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯍꯜ ꯑꯁꯤ ꯌꯥꯅꯤꯡꯗꯕ ꯑꯃꯁꯨꯡ ꯆꯥꯎꯊꯣꯛꯆꯩ, ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥꯒꯨꯝꯅ ꯌꯦꯡꯉꯤ ꯑꯃꯁꯨꯡ ꯂꯝꯆꯠ-ꯁꯥꯖꯠ ꯇꯧꯋꯤ, ꯑꯃꯁꯨꯡ ꯃꯔꯝ ꯑꯁꯤꯅ ꯃꯍꯥꯛꯀꯤ ꯈ꯭ꯋꯥꯏꯗꯒꯤ ꯄꯥꯝꯖꯕ ꯃꯆꯥꯅꯤ꯫ ꯃꯍꯥꯛꯀꯤ ꯅꯍꯥ ꯑꯣꯏꯔꯤꯕ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯁꯤ ꯑꯊꯨꯝꯕ, ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯇꯕ ꯑꯃꯁꯨꯡ ꯐꯖꯩ, ꯑꯗꯨꯕꯨ ꯃꯍꯥꯛꯀꯤ ꯂꯩꯈꯤꯗ꯭ꯔꯕ ꯃꯄꯥꯒ ꯃꯥꯟꯅꯩ꯫ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯕ ꯑꯃꯁꯨꯡ ꯌꯥꯝꯅ ꯁꯥꯊꯤꯕ, ꯂꯨꯈ꯭ꯔꯥꯕꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯅꯨꯡꯁꯤꯖꯔꯕ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯗꯨꯅ ꯅꯍꯥ ꯑꯣꯏꯔꯤꯕ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯕꯨ ꯑꯣꯠ-ꯅꯩꯕ ꯑꯃꯁꯨꯡ ꯐꯠꯇꯕ ꯃꯤꯑꯣꯠ-ꯃꯤꯅꯩ ꯇꯧꯋꯤ꯫
ꯅꯣꯡꯃꯗꯤ ꯒꯨꯍꯥ ꯑꯗꯨꯗꯒꯤ ꯏꯁꯤꯡ ꯂꯧꯔꯤꯉꯩꯗ, ꯑꯍꯜ ꯑꯣꯏꯔꯕ ꯅꯨꯄꯤ ꯑꯃꯅ ꯅꯍꯥ ꯑꯣꯏꯔꯤꯕ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯗ ꯏꯁꯤꯡ ꯊꯛꯅꯕ ꯍꯥꯏꯖꯩ꯫ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯅ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯅ ꯑꯌꯥꯕ ꯄꯤ ꯑꯃꯁꯨꯡ ꯃꯗꯨ ꯄꯤꯔꯕ ꯃꯇꯨꯡꯗ, ꯃꯍꯥꯛꯅ ꯅꯨꯄꯤ ꯑꯗꯨ ꯅꯨꯄꯤ ꯑꯃꯅꯤ, ꯃꯍꯥꯛꯅ ꯁꯤꯕ ꯃꯤꯑꯣꯏꯁꯤꯡꯒꯤ ꯃꯑꯣꯡ ꯃꯇꯧ ꯑꯗꯨ ꯆꯥꯡꯌꯦꯡ ꯇꯧꯅꯕ ꯀ꯭ꯔꯣꯟ ꯑꯃꯒꯤ ꯁꯛꯇꯝ ꯂꯥꯡꯈꯤꯕ ꯑꯗꯨ ꯎꯕ ꯐꯪꯏ꯫ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯄꯨ ꯌꯥꯝꯅ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯕ ꯑꯃꯁꯨꯡ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯕꯅ ꯃꯔꯝ ꯑꯣꯏꯗꯨꯅ, ꯃꯤ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯄꯨ ꯃꯍꯥꯛꯅ ꯋꯥ ꯉꯥꯡꯕ ꯃꯇꯝ ꯈꯨꯗꯤꯡꯗ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯤꯟꯗꯒꯤ ꯁꯅꯥ-ꯂꯨꯄꯥ ꯅꯠꯇ꯭ꯔꯒ ꯂꯩ ꯑꯃ ꯇꯥꯗꯨꯅ ꯊꯧꯖꯥꯜ ꯄꯤ꯫
ꯌꯨꯝꯗ ꯌꯧꯔꯛꯄ ꯃꯇꯝꯗ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥꯗ ꯀꯔꯤꯒꯤꯗꯃꯛꯇ ꯑꯁꯨꯛ ꯁꯥꯡꯅ ꯆꯪꯈꯤꯕꯅꯣ ꯍꯥꯏꯕꯗꯨ ꯁꯟꯗꯣꯛꯅ ꯇꯥꯛꯄꯗ, ꯂꯨꯈ꯭ꯔꯥꯕꯤ ꯑꯗꯨꯅ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯒꯤ ꯃꯆꯤꯟꯗꯒꯤ ꯃꯅꯥ ꯑꯃꯁꯨꯡ ꯂꯩꯁꯤꯡ ꯇꯥꯔꯛꯄ ꯎꯕꯗ ꯌꯥꯝꯅ ꯅꯨꯡꯉꯥꯏꯖꯩ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯀꯤ ꯅꯨꯡꯁꯤꯖꯔꯕ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯍꯜꯁꯨ ꯆꯞ ꯃꯥꯟꯅꯕ ꯈꯨꯗꯣꯜ ꯑꯗꯨ ꯐꯪꯒꯗꯕꯅꯤ ꯍꯥꯏꯅ ꯄꯥꯝꯃꯤ꯫ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯍꯜ ꯑꯗꯨꯅ ꯌꯥꯅꯤꯡꯗꯕ ꯐꯣꯡꯗꯣꯛꯏ, ꯑꯗꯨꯕꯨ ꯂꯨꯈ꯭ꯔꯥꯕꯤ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯄꯨ ꯅꯝꯐꯨꯗ ꯒꯨꯍꯥ ꯑꯗꯨꯗ ꯊꯥꯏ꯫ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯅ ꯆꯠꯂꯤ ꯑꯗꯨꯕꯨ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯅ ꯑꯐꯕ ꯅꯤꯡꯊꯧ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯃ ꯑꯣꯏꯅ ꯎꯕ ꯐꯪꯏ, ꯑꯃꯁꯨꯡ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯄꯨ ꯒꯨꯍꯥ ꯑꯗꯨꯗꯒꯤ ꯊꯛꯅꯕ ꯑꯃ ꯂꯧꯅꯕ ꯍꯥꯏꯖꯩ꯫ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯍꯜ ꯑꯗꯨꯅ ꯅꯨꯄꯤ ꯑꯗꯨꯗ ꯇꯝꯊꯤꯅ ꯋꯥ ꯉꯥꯡꯉꯤ ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯄꯨ ꯏꯀꯥꯏ ꯈꯨꯝꯅꯩ꯫ ꯐꯦꯔꯤ ꯑꯗꯨꯅ ꯌꯥꯊꯪ ꯄꯤꯔꯤ ꯃꯗꯨꯗꯤ, ꯃꯍꯥꯛꯀꯤ ꯃꯤꯅꯨꯡꯁꯤ ꯂꯩꯇꯕ ꯋꯥꯈꯜꯂꯣꯟꯒꯤ ꯆꯩꯔꯥꯛ ꯑꯣꯏꯅ, ꯃꯍꯥꯛꯅ ꯋꯥ ꯉꯥꯡꯕ ꯃꯇꯝ ꯈꯨꯗꯤꯡꯃꯛꯇ ꯑꯔꯨꯕ ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯒꯤ ꯃꯆꯤꯟꯗꯒꯤ ꯇꯤꯟ ꯑꯃ ꯅꯠꯇ꯭ꯔꯒ ꯂꯤꯟ ꯑꯃ ꯇꯥꯒꯅꯤ꯫
ꯅꯨꯄꯤꯃꯆꯥ ꯑꯗꯨꯅ ꯌꯨꯝꯗ ꯌꯧꯔꯛꯄ ꯃꯇꯝꯗ, ꯃꯍꯥꯛꯅ ꯃꯍꯥꯛꯀꯤ ꯋꯥꯔꯤ ꯑꯗꯨ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯥꯗ ꯍꯥꯏ ꯑꯃꯁꯨꯡ ꯋꯥꯍꯩ ꯈꯨꯗꯤꯡꯃꯛꯀ ꯂꯣꯏꯅꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯤꯟꯗꯒꯤ ꯇꯣꯗ ꯑꯃꯁꯨꯡ ꯚꯥꯏꯄꯔꯁꯤꯡ ꯇꯥꯏ꯫ ꯂꯨꯈ꯭ꯔꯥꯕꯤ ꯑꯗꯨꯅ, ꯌꯥꯝꯅ ꯁꯥꯎꯔꯗꯨꯅ, ꯃꯍꯥꯛꯀꯤ ꯅꯍꯥ ꯑꯣꯏꯔꯤꯕ ꯃꯆꯥꯅꯨꯄꯤꯕꯨ ꯌꯨꯝꯗꯒꯤ ꯇꯥꯟꯊꯣꯛꯏ꯫ ꯎꯃꯪꯗ ꯃꯍꯥꯛꯅ ꯅꯤꯡꯊꯧ ꯑꯃꯒꯤ ꯃꯆꯥꯅꯨꯄꯥꯒ ꯎꯅꯈꯤ, ꯃꯍꯥꯛ ꯃꯍꯥꯛꯄꯨ ꯅꯨꯡꯁꯤꯖꯩ ꯑꯃꯁꯨꯡ ꯂꯨꯍꯣꯡꯏ꯫ ꯃꯇꯝꯒꯤ ꯃꯇꯨꯡ ꯏꯟꯅ, ꯂꯨꯈ꯭ꯔꯥꯕꯤ ꯑꯗꯨꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯆꯥꯅꯨꯄꯤ ꯑꯍꯜꯅ ꯅꯥꯍꯜꯂꯤ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛꯄꯨ ꯇꯥꯟꯊꯣꯛꯏ, ꯑꯃꯁꯨꯡ ꯃꯍꯥꯛ ꯃꯁꯥ ꯃꯊꯟꯇ ꯑꯃꯁꯨꯡ ꯎꯃꯪꯗ ꯅꯨꯡꯉꯥꯏꯇꯕ ꯐꯥꯎꯗꯨꯅ ꯂꯩꯈꯤꯗꯦ꯫

## ꯑꯍꯦꯟꯕ ꯄꯨꯊꯣꯛꯄ
ꯃꯃꯤ ꯀꯨꯝꯍꯩ ꯑꯟꯀꯠ ꯖꯦꯝ꯭ꯁꯇ ꯋꯥꯔꯤ ꯑꯁꯤꯒꯤ ꯐꯝꯕꯥꯛꯀꯤ ꯃꯑꯣꯡ ꯑꯃ ꯍꯥꯏ ꯁ꯭ꯀꯨꯜ ꯑꯃꯗ ꯃꯍꯩꯔꯣꯏꯁꯤꯡꯅ ꯄꯥꯡꯊꯣꯛꯏ꯫
"ꯗ ꯐꯦꯌꯔꯤ" ꯍꯥꯏꯅ ꯈꯪꯅꯕ ꯑꯦꯅꯤꯃꯦꯇꯦꯗ ꯃꯈꯜ ꯑꯃ ꯂꯦꯠꯁ ꯒꯣ ꯂꯨꯅꯥꯒꯤ ꯑꯦꯄꯤꯁꯣꯗ ꯑꯃꯗ ꯊꯣꯛꯂꯛꯈꯤ꯫
## ꯃꯁꯤꯁꯨ ꯌꯦꯡꯕꯤꯌꯨ
* ꯔꯝꯄꯦꯜꯁ꯭ꯇꯤꯜ꯭ꯠꯁ꯭ꯀꯤꯟ

## ꯃꯤꯔꯦꯜꯁꯤꯡ
ꯃꯈꯥꯗ ꯄꯤꯔꯤꯕ ꯂꯥꯢꯁꯤꯡ ꯑꯁꯤꯅ ꯋꯥꯔꯤꯁꯤ ꯂꯤꯔꯤ꯫
꯱꯫ 
꯲꯫ 
꯳꯫ 
꯴꯫ 
꯵꯫ 
꯶꯫ 

## ꯃꯇꯦꯡ ꯂꯧꯔꯛꯐꯝ
Koehler, Julie, "Kind Girls, Evil Sisters, And Wise Women: Coded Gender Discourse In Literary Fairy Tales By German Women In The 19th Century" (2016). Wayne State University Dissertations. Paper 1402.

Martin, Laura.  ‘The Kind and the Unkind Girls’. 533 -535.  *The Greenwood Encyclopedia of Folktales and Fairy Tales: Volume 2: G-*P.  Greenwood Press, 2007.

Opie, Iona and Peter. *The Classic Fairy Tales* 98-102. Oxford University Press, 1974. 

Roberts, Warren E.  *The Tale of the Kind and Unkind Girls: AA-TH 480 and Related Tales.* Wayne State University Press 1994.

Sur La Lune.  ‘Diamonds and Toads.**’** 

Zipes, Jack. * *‘Rewards and Punishments for Good and Bad Girls,’ 543- 574.  *The Great Fairy Tale Tradition from Straparola and Basile to the Brothers Grimm*. ** ** W.W. Norton, 2001.