Pellicula documentaria

[thumb|[Machina photographica 16 mm spring-wound Bolex "H16" Reflex
est camera popularis prima, in scholis pellicularum aliquando adhibita.]]
[thumb|*[Nanook of the North,* praeconium mercatorium.]]
[thumb|In hac imagine, ex pellicula *[Man with the Movie Camera,* Michael Kaufman partes hominis machinae photographicae agit qui vitam in opericulum adducit, optimum conspectum petentem.]]
[thumb|[Photogramma ex *La Sortie des usines Lumière à Lyon,* prima pellicula documentaria a nonnullis habita.]]

**Pellicula documentaria**, vel **pellicula documentalis**, est pellicula ad conservandos certos realitatis aspectus designata, imprimis eo consilio, ut discipulos erudiat aut documenta historica conservet. Tales pelliculae primum in *film stock* capi solebant (in solo medio olim in usu), sed ratio pellicularum faciendarum nunc video et productiones digitales comprehendit, quae direct-to-video (fortasse 'recte-ad-video'), in spectaculum televisificum factum, vel pro exhibitione in cinemateis emissae possunt. Vocabulum *documentarium* describi potest "tractatio pellicularum factarum, traditio cinematica, et modus receptionis spectatorum" qui se constanter evolvit, finibus claris carens.

## Definitio *documentarii* 
*Documentary,* vocabulum Anglicum ('documentarium' significans), primum pelliculis huius generis adhibitum est in recognitione pelliculae *Moanae* Roberti J. Flaherty, a "The Moviegoer" scripta, nomine calami Ioannis Grierson, in diario *New York Sun* die 8 Februarii 1926 edito.

;Commentarii
* Docudrama
* Docufictio
* Documentarium naturae
* Ethnofictio
* Pellicula ethnographica
* Pellicula realitatis
* Pellicula saltationis
;Exempla
* *Dead Birds (pellicula 1963)*
* ''Ongka's Big Moka*

## Notae 
## Bibliographia 
### Generalia 
* Aitken, Ian, ed. 2005. *Encyclopedia of the Documentary Film.* Novi Eboraci: Routledge. ISBN 9781579584450.
* Barnouw, Erik. 1993. *Documentary: A History of the Non-Fiction Film.* Ed. 2a. Novi Eboraci: Oxford University Press. ISBN 9780195078985.
* Burnett, Ron. "Reflections on the Documentary Cinema."
* Burton, Julianne, ed. 1990. *The Social Documentary in Latin America.* Pittsburgi Pennsylvaniae: University of Pittsburgh Press. ISBN 9780822936213.
* Dawson, Jonathan. "Dziga Vertov."
* Ellis, Jack C., et Betsy A. McLane. 2005. "A New History of Documentary Film." Novi Eboraci: Continuum International. ISBN 9780826417503, ISBN 9780826417510.
* Goldsmith, David A. 2003. *The Documentary Makers: Interviews with 15 of the Best in the Business.* Hove Sessexiae Orientalis: RotoVision. ISBN 9782880467302.
* Klotman, Phyllis R. and Culter, Janet K., eds. 1999. *Struggles for Representation: African American Documentary Film and Video.* Bloomington et Indianapoli: Indiana University Press. ISBN 9780253213471.
* Leach, Jim, et Jeannette Sloniowski, eds. 2003. *Candid Eyes: Essays on Canadian Documentaries.* Torontoi et Buffali: University of Toronto Press. ISBN 9780802047328, ISBN 9780802082992.
* Nichols, Bill. 2001. *Introduction to Documentary.* Bloomington: Indiana University Press. ISBN 9780253339546, ISBN 9780253214690.
* Nichols, Bill. 1991. *Representing Reality: Issues and Concepts in Documentary.* Bloomington: Indiana University Press. ISBN 9780253340603, ISBN 9780253206817.
* Nornes, Markus. 2007. *Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary.* Minneapoli: University of Minnesota Press. ISBN 9780816649075, ISBN 9780816649082.
* Nornes, Markus. 2003. *Japanese Documentary Film: The Meiji Era through Hiroshima.* Minneapoli: University of Minnesota Press. ISBN 9780816640454, ISBN 9780816640461.
* Rotha, Paul. *Documentary diary; An Informal History of the British Documentary Film, 1928–1939*. New York: Hill and Wang, 1973. ISBN 9780809039333.
* Saunders, Dave. *Direct Cinema: Observational Documentary and the Politics of the Sixties*. London: Wallflower Press, 2007. ISBN 9781905674169, ISBN 9781905674152.
* Saunders, Dave. *Documentary: The Routledge Film Guidebook*. Londinii: Routledge, 2010.
* Tobias, Michael. *The Search for Reality – the Art of Documentary Filmmaking*. Studio City, CA: Michael Wiese Productions 1997. ISBN 0941188620.
* Walker, Janet, and Diane Waldeman, eds. 1999. *Feminism and Documentary.* Minneapoli: University of Minnesota Press. ISBN 9780816630066, ISBN 9780816630073.
* Wyver, John. *The Moving Image: An International History of Film, Television & Radio*. Oxford: Basil Blackwell Ltd. in association with the British Film Institute, 1989. ISBN 9780631155294.
* Zimmermann, Peter (Hrsg.): Geschichte des dokumentarischen Films in Deutschland. Herausgegeben im Auftrag des Hauses des Dokumentarfilms Stuttgart. 3 Bände. Reclam. Stuttgart 2005.
* Murdoch.edu

### Pellicula ethnographica 
* Brigard Emilie de. 1995. The History of Ethnographic Film. In *Principles of Visual Anthropology,* ed. Paul Hockings, 13–43. Berolini et Novi Eboraci: Mouton de Gruyter.
* Devereaux, Leslie. 1995. Cultures, Disciplines, Cinemas. In *Fields of Vision. Essays in Film Studies, Visual Anthropology and Photography,* ed. Leslie Devereaux et Roger Hillman, 329–339. Berkeleiae: University of California Press.
* Ginsburg, Faye, Lila Abu-Lughod, et Brian Larkin, eds. 2002. *Media Worlds: Anthropology on New Terrain.* Berkeleiae Californiae: University of California Press. ISBN 9780520232310.
* Grimshaw, Anna. 2001. *The Ethnographer's Eye: Ways of Seeing in Modern Anthropology.* Cantabrigiae: Cambridge University Press. ISBN 9780521773102.
* Heider, Karl G. 1994. *Ethnographic Film*. Austin: University of Texas Press.
* de Heusch, Luc. 1962. *Cinéma et Sciences Sociales.* Lutetiae: UNESCO. Editio Anglica: *The Cinema and Social Science: A Survey of Ethnographic and Sociological Films.*
* Jameson, Fredric. 1990. *Signatures of the Visible.* Novi Eboraci et Londinii: Routledge.
* Jordan, Pierre-L. 1992. *Premier Contact-Premier Regard*, Marseille: Musées de Marseille. Images en Manoeuvres Editions.
* Leroi-Gourhan, André. 1948. Cinéma et Sciences Humaines: Le Film Ethnologique Existe-t-il? *Revue de Géographie Humaine et d'Ethnologie* 3:42–50.
* MacDougall, David. 1992. Whose Story Is It? In *Ethnographic Film Aesthetics and Narrative Traditions,* ed. Peter I. Crawford et Jan K. Simonsen, 25–42. Aarhus: Intervention Press.
* MacDougall, David. 1998. *Transcultural Cinema.* Princetoniae: Princeton University Press. ISBN 9780691012346.
* Rony, Fatimah Robing. 1996. *The Third Eye: Race, Cinema and Ethnographic Spectacle.* Durham Carolinae Septentrionalis: Duke University Press. ISBN 9780822318408.
* Sadoul, Georges. 1977. *Histoire Générale du Cinéma.* Vol. 1, *L'Invention du Cinéma 1832–1897.* Lutetiae: Denöel.
* Sorlin, Pierre. 1977. *Sociologie du Cinéma.* Lutetiae: Aubier Montaigne.
* Warren, Charles. 1996. Introduction, with a Brief History of Nonfiction Film. In *Beyond Document: Essays on Nonfiction Film,* ed. Charles Warren, 1–22. Hanoveriae et Londinii: Wesleyan University Press
* Xavier, Ismail. 1993. Cinema: Revelação e Engano. In *O Olhar,'' ed. Adauto Novaes, 367–384. São Paulo: Companhia das Letras.

## Nexus externi 
*Classici documentarii, www.lib.berkeley.edu (videographia)
*Societas Documentaria Internationalis, www.documentary.org
*Thesaurus Datorum Documentarius Internationalis Liber, www.alldocumentaries.org
*"Watch Thousands Of International Documentary Films Free," www.watchdocumentaryfilms.com

 

Categoria:Pelliculae