Mario Gooden

Mario Gooden ( gbasara 1965) bụ onye na-ese ụlọ ụlọ na United States.  Ọ bụ onye isi na Mario Gooden Studio dabere na New York, New York.  Ọ bụbu onye isi ụlọ akwụkwọ Huff + Gooden Architects nke ya na Ray Huff mebere na 1997. Gooden bụkwa Prọfesọ nke Practice na Director nke Master of Architecture program na akwụkwọ Gụsịrị akwụkwọ nke Architecture, Planning and Preservation (GSAPP) nke Mahadum Columbia, ebe  ọ na- ikike ụlọ na tiori.  Gooden nwere ikike njikọ gara aga na Yale School of Architecture [1] dị ka Louis I. Khan Prọfesọ mgbanwe iche, Southern California Institute of Architecture (Sci-Arc) na Los Angeles, Mahadum Arizona (Tucson), Mahadum Florida (Gainesville)  , Mahadum Clemson, na Mahadum City nke New York.

## Akụkọ ndụ
N'afọ 1987 Gooden King Bachelor of Science in Design si Clemson University, (Magna cum laude).  Na 1990 ọ matsayi nzere Master of Architecture site na Columbia University Graduate School of Architecture, Planning and Preservation, New York, ma bụrụ onye nna nke Charles McKim Prize for Excellence in Design 

E taka ọrụ ụlọ ọrụ Gooden na akwụkwọ na akwụkwọ ndị edemede Architecture Magazine, Architectural Record Magazine, Metropolis, The New York Times, Architecture & Urbanism (A + U) na ARTFORUM International Magazine .  [1] [2] [3] E mkpara ọrụ Huff + Gooden Architects na 11th Venice Biennale na 2006, Netherlands Architecture Institute (NAi), National Building Museum na Washington, DC, na Municipal Arts Society na New York.  Gooden orí na mbụ n' ikike Zaha Hadid na London na Steven Holl na New York.

Ụbọchị Gooden, ihe odide na nkuzi nkuzi ụlọ ọrụ iwu ụlọ na ntụgharị odida obodo nke akọwara site na mpaghara, klaasisi, okike na-abụ.  Ebi echiche echiche obodo na omenala ya na Dubai Initiative's Urbanism na Middle East: Achọ maka New Paradigms na 2011 na Layered Urbanisms ( Yale University, 2008).  Ọ deziri Global Topologies: Converging Territories ( Mahadum Columbia, 2013).

## Ọrụ ihe owuwu
Ọhụụ na ịrụ ọrụ / nka bụ oghere pụrụ iche nke Gooden na-achọ atụmatụ nkuzi ọhụrụ n'etiti nka, ụkpụrụ ụlọ na omenala iji kọwapụta saịtị ọhụrụ nke pụtara na omume ya. 

N'afọ 2011, a nchọpụta Huff + Gooden Architects ka ọ pụtapụta ndezigharị na mgbasawanye $ 67 na California African American Museum nke dị na Exposition Park na Los Angeles, California.  Nhazi ahụ bụ nkatọ nke ihe ngosi mgbe ochie dị ugbu a gbasara anụ ahụ na omenala yana ọhụhụ nke ụlọ ngosi nka.

Na 2005, Gooden na Huff chepụtara ma chepụta nrụnye ahụ, akpọrọ Un/Spoken Spaces: Inside and Outside the Boundaries of Class Race and Space na Gibbes Museum of Art na Clemson, South Carolina.  Emepụtara ihe ngosi a site na ọrụ na mkpokọta na-adịgide adịgide nke ihe ngosi nka, bụ nke mejupụtara isi ihe osise narị afọ nke 19 na ihe nkiri ihe ọkụkụ nke ndịda iji kpughee ka ejirila mkpokọta na ihe owuwu ahụ mee ihe iji gbasaa ma kwalite okwu nke klaasị na agbụrụ. 

Huff + Gooden's 2005 mba nche imeri maka Virginia Key Beach Park Museum na Miami, Florida na American architectural ihe mere eme akwụkwọ, USA: Modern Architectures in History (Reaktion Books, 2008) site Gwendolyn Wright .  N'isi nke asaa, "Disjunctures and Alternatives, 1985 to the Present" Wright na-ekwu:

"Iwu ihe owuwu dị mkpa na-enyere anyị aka ihu okwu esemokwu. Huff + Gooden, ụlọ ọrụ African-American nke dị na Charleston, South Carolina, haziri obere ụlọ ngosi ihe mgbe ochie maka Virginia Key Beach Park (2005-8) nke na-emesi ihe mgbagwoju anya nke mpako agbụrụ na nkewa. Ihe owuwu na nnukwu odida obodo nke Walter Hood na-aga n'ihu na isiokwu nke ịba ụba na mgbanwe n'ime oge. 

Na 2021, a ga- ọrụ ya dị ka nke Black Reconstruction Collective (BRC) na Museum of Modern Art exhibition Reconstructions: Architecture and Blackness in America

## Na-ede
Akwụkwọ Gooden's Dark Space: Architecture, Representation, Black Identity bụ nke Columbia University Press na 2016. [1] Akwụkwọ a na-enye echiche dị nro nke ụlọ ọrụ omenala America na-akpọ maka "ichepụta na okwu dị oke egwu.  "  [2] Na 2012, e nyere Gooden ebe obibi MacDowell Colony yana National Endowment for the Arts Fellowship.  Edemede ya "_ORM bụ Okwu Akwụkwọ Ozi Anọ ..." nke na-egosi omume nka nke avant-gardist na na-eme nke ụlọ na de-mesi ike nke ụdị, na-egosi na Perspecta Nke 43.

## Ụlọ na oru ngo

* Mmepe Ngwakọta Ngwakọta Ahịa, Mpaghara Maboneng, Johannesburg, South Africa (2014–2016).
* California Museum African American, Los Angeles.
* Gerald R. Ford Federal Building, Grand Rapids, Michigan (2012).
* Virginia Key Beach Park Museum, Miami, Florida (2009).
* Ụlọ ihe nkiri Memminger, Spoleto Festival USA, Charleston, South Carolina (2008).
* Malcom C. Hursey Elementary School, North Charleston, South Carolina (2004).
* Mary Ford Elementary School, North Charleston, South Carolina (2003).
* Herbert Hassell Aquatic Facility, Charleston, South Carolina (2002).
* Ọbá akwụkwọ Anya & Ịrụ Ọrụ maka Ọbá akwụkwọ Ọhaneze Brooklyn, Brooklyn New York (2002).

## Ntụaka

## Akwụkwọ akụkọ

# Dark Space: Architecture, Representation, Black Identity. New York: Columbia Books on Architecture and the City, Columbia University Press, 2016. ISBN&nbsp;
# Global Topologies: Converging Territories. New York: GSAPP Books, Columbia University, 2012. ISBN&nbsp;
# “_ORM is a Four-Letter Word…That Starts with F.” Perspecta No. 43. The Yale Architecture Journal. December 2010.
# Layered Urbanisms.  Nina Rappaport, (Editor). New Haven: Yale School of Architecture. 2008.
# “The Dresser Trunk Project.” Lunch: Territory. Vol. 3. (2008): 148–153.
# "Disjunctures and Alternatives", USA: Modern Architecture in History, Gwendolyn Wright. New York:Reaktion Books, 2008.
# “A Newer Orleans:  Six Proposals.” Artforum. (March 2006): 274–275.
# “Built in Context.”  Metropolis Magazine.  (May 2006):  142- 145.
# A Break with Tradition:  Gibbes Museum of Art celebrates centennial with provocative exhibit.” By Jack MacCray. Post & Courier.  (January 20, 2005).
# “Art Deconstructed. Art  + Architecture:  Two Architects turn the century old Gibbes on its head.”  By Brent Landford. Charleston City Paper. (February 2, 2005).
# “Interview:  Huff + Gooden Ray Huff and Mario Gooden.”  South. Vol. 1.  (2005):  40–47.
# “ArchiSpeak.  Tom Porter (Editor).  London:  Spon Press. 2004.
# “For African-Americans, a Chance to Draft History.”  New York Times. (August 24, 2004).
# 25 Houses Under 2,500 Square Feet.  James Truelove (Editor).  New York:  Harper Design International. 2003.
# “A House for a Future President.” Blueprints.  National Building Museum.  (Summer 2003): 8–9.
# “On the Boards … A House for a Future President,” Architecture Magazine. (November 2003):  35.
# “A Visual Arts Library That’s Out of the Box,” New York Times. (May 15, 2002)
# “Beach Residence”  A+U: Architecture and Urbanism, (June 2002): 66-69
# “20 Years of Emerging Voices.”  Metropolis Magazine.  (March 2001):  190.
# “Boite Americaine - En Visite, Maisons d’ici et d’ailleurs,” Cree Architecture Interiors, (2001):  56.
# “Huff + Gooden Shapes a Socially Vital Modernism in Traditional South Carolina.”  Architectural Record. (February 2001):  89–90; 108–111.
# “Mediated Spaces and the (Re)Positing of Architecture.  ACSA West Regional Conference, 1997.
# “Subject Object Text,” 13th  National Conference on the Beginning Design Student, 1996.
# “Strategic Map-Making:  Mapping and Culture” Proceedings: ACSA Southeast-Southwest Regional Conference, 1995.
# “Military Base Conversions:  Washington Navy Yard.”  Architecture.   The AIA Journal.  August 1994.
# “Odysseus, Existence, Tectonic.”  (In)Quest.  Charleston:  Clemson University.  1992.
# “Precise Mis-reading.”  Newsline.  Columbia University Graduate School of Architecture Planning and Preservation.  New York:  Columbia University. 1990
Òtù:Mmadụ ndi di ndụ
Òtù:Pages with unreviewed translations