Jonathan Harvey (komponis)

**Jonathan Dean Harvey** (3 Mei 1939 – 4 Desember 2012) adalah seorang komposer Britania Raya. Ia memegang posisi pengajar di universitas dan konservatori musik di Eropa dan Amerika Serikat.

## Referensi


## Bacaan lebih lanjut

* Alcorn, P. M. (1992). *Perspectives of Electroacoustic Music: A Critical Study of the Electroacoustic Music of Jonathan Harvey, [[Denis Smalley]] and [[Trevor Wishart]]*. Ph.D. diss. Durham: University of Durham.
* Beaumont, Adrian (1998). "Expectation and Interpretation in the Reception of New Music: A Case Study". In *Composition—Performance—Reception: Studies in the Creative Process*, edited by Wyndham Thomas, 93–104. Aldershot: Ashgate. .
* Bossis, Bruno (2017). "Les premiers contacts de Jonathan Harvey avec la technologie et la Set Theory, vers une pensée musicale à la fois structuraliste et spiritualiste." *Nuove Musiche* no. 3: 29–44.
* Bossis, Bruno (2004). "*Mortuos plango, vivos voco* de Jonathan Harvey ou le miroir de la spiritualité". *Musurgia: Analyse et pratique musicales* 11, nos. 1–2 (Images de la Voix): 119–144.
* Bowling, Irene Ruth (1989). "British Piano Music Since 1945: A Selected Survey". DMA diss. Seattle: University of Washington.
* Brech, Martha (1993). *Analyse elektroakustischer Musik mit Hilfe von Sonagrammen*. Europäische Hochschulschriften XXXVI: Musikwissenschaft, Nr. 118. Frankfurt am Main: Peter Lang. .
* Brech, Martha (1999). "Im Spannungsfeld zwischen Archaik und Moderne: Riten im Electronic Listening und der Elektroakustischen Musik". In *Musik und Ritual: Fünf Kongreßbeiträge, zwei freie Beiträge und ein Seminarbericht*, edited by Barbara Barthelmes and Helga de la Motte-Haber, 89–109. Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt, no. 39. Mainz: Schott. .
* Brown, David (1968). "Jonathan Harvey". *[[The Musical Times]]* 109, no. 1507 (September) 808–810.
* Denut, Éric (2002). "Chemins de traverse entre l'un et le multiple: Une introduction à l'œuvre de Jonathan Harvey". *Musica falsa: Musique, art, philosophie*, no. 16 (Fall): 36–39.
* Donin, Nicolas (2006). "Spatialization as a Compositional Tool and Individual Access to Music in the Future". *Circuit: Musiques contemporaines* 16, no. 3: 75–81.
* Felici, Candida (2017). "Spectral thinking as spiritual search ...und electronics ist auch dabei: Jonathan Harvey's Tombeau de Messiaen, String Quartet No. 4 and Speakings." *Nuove Musiche* no. 3: 119–153.
* Foreman, Ronald Lewis Edmund (ed.) (1975). *British Music Now: A Guide to the Work of Younger Composers*. London: Elek.
* Fuchs, Jörn Florian (2007). "Buddhistische Träume aus Licht und Elektronik: Jonathan Harveys *Wagner Dream* am Grand Théâtre de Luxembourg uraufgeführt (6. Juni 2007)". *Wagnerspectrum* 3, no. 2:185–186.
* Γεωργάκη, Αναστασία [Geōrgakī, Anastasia] (2004). "Η μεταφυσική διάσταση της συνθετικής τραγουδιστής φωνής στο έργο *Mortuos Plango-Vivos Voco* (J. Harvey, 1980)" [The Metaphysical Dimension of the Synthetic Singing Voice in the Work *Mortuos plango, vivos voco* (J. Harvey, 1980)]. *Polyfōnia*, no. 4 (Spring): 57–92.
* Griffiths, Paul (1984). "Three Works by Jonathan Harvey: The Electronic Mirror". *Contemporary Music Review* 1, no. 1 (Musical Thought at IRCAM) 87–109.
* Griffiths, Paul (1985). *New Sounds, New Personalities: British Composers of the 1980s in Conversation with Paul Griffiths*. London: Faber and Faber. .
* Groot, Rokus de (2002). "De klank van het oosten: Transformaties in de westerse klassieke muziek onder invloed van concepten over het oosten—Klank en spiritualiteit". *Krisis: Tijdschrift voor empirische filosofie* 3, no. 4:96–105.
* Halász, Péter (1994). "Beszélgetés Jonathan Harvey angol zeneszerzővel" [Interview with the English Composer Jonathan Harvey]. *Muzsika* 37, no. 9 (September): 33–36.
* Jenkins, Matthew (2006). "A Search for Emptiness: An Interview with Jonathan Harvey". *[[Perspectives of New Music]]* 44, no. 2 (Summer): 220–231.
* Johnson, Julian M. (2003a). "Precarious Rapture: The Recent Music of Jonathan Harvey". In *Aspects of British Music of the 1990s*, edited by Peter O'Hagan, 63–84. Burlington, Vermont: Ashgate. .
* Johnson, Julian M. (2003b). "A  Interview with Jonathan Harvey". In *Aspects of British Music of the 1990s*, edited by Peter O'Hagan, 119–129. Burlington, Vermont: Ashgate. .
* Joos, Maxime (2002). "'La cloche et la vague': Introduction à la musique spectrale—Tristan Murail et Jonathan Harvey". *Musica falsa: Musique, art, philosophie*, no. 16 (Fall): 30–31.
* Josipovici, Gabriel (1989). "Music and Literary Form". *Contemporary Music Review* 5 (Music and Text): 65–75.
* Kennedy, Michael (2006), *The Oxford Dictionary of Music*, 985 pages, 
* Palmer, John (1998a). "Jonathan Harvey's Inquest of Love: The Redemptive Spirit of Art". *20th-Century Music* 5, no. 5 (May): 8–11.
* Palmer, John (1998b). "A Conversation with Jonathan Harvey". *20th-Century Music* 5, no. 8 (August): 1–8.
* Palmer, John (1998c). "An Introduction to Jonathan Harvey's *Bhakti*". *20th-Century Music* 5, no. 11 (November): 6–15.
* Palmer, John (1998d). "Structural Strategies and Pitch Gestalt in Jonathan Harvey's *Bhakti*". *20th-Century Music* 5, no. 12 (December): 4–24.
* Palmer, John (2001). *Jonathan Harvey's *Bhakti* for Chamber Ensemble and Electronics: Serialism, Electronics, and Spirituality*. Studies in the History and Interpretation of Music 77. Lewiston, New York : Edwin Mellen Press. .
* Pavia, Marcela (2017). "Tombeau de Messiaen, ovvero del dualismo armonia/timbro." *Nuove Musiche* no. 3: 83–117.
* Samson, Jim (1981). "Nowe tendencje w angielskiej muzyce orkiestrowej" [New Trends in British Orchestral Music]. *Muzyka: Kwartalnik poświęcony historii i teorii muzyki* 26, no. 2:3–21.
* Seo, Juri (2013). *Jonathan Harvey's String Quartets.* DMA diss. University of Illinois at Urbana-Champaign.
* Seo, Juri (2017). "Jonathan Harvey's String Quartets Nos. 1 and 2." *Nuove Musiche* no. 3: 45–81.
* Smalley, Denis (1993). "Defining Transformations". *Interface: Journal of New Music Research* 22, no. 4 (November): 279–300.
* Smith, Pamela (1989). "Towards the Spiritual: The Electroacoustic Music of Jonathan Harvey". *Contact*, no. 34 (Fall): 11–16.
* Solomos, Makis (1998). "L'identité du son: Notes croisées sur Jonathan Harvey et Gérard Grisey". *Résonance: Semestriel d'information musicale*, no. 13 (March): 12–15.
* Sykes, Claire (2003). "Spiritual Spectralism: The Music of Jonathan Harvey". *[[Musicworks]]: Explorations in Sound*, no. 87 (Fall): 30–37.
* Thompson, Daniel N. (1999). "Beyond Duality: Stasis, Silence, and Vertical Listening". *Current Musicology*, nos. 67–68 (Fall–Winter): 487–517.
* Vandenheede, Jan (1992). "Jonathan Harvey's *Ritual Melodies*". *Interface: Journal of New Music Research* 21, no. 2) 149–183.
* Whittall, Arnold (1999). *Jonathan Harvey*. London: Faber. . French edition, as *Jonathan Harvey*, translated by Peter Szendy, and Éric De Visscher. Paris: L'Harmattan, 2000. .
* Whittall, Arnold (2001). "Harvey, Jonathan (Dean)". *[[The New Grove Dictionary of Music and Musicians]]*, 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
* Whittall, Arnold (2017). "The Essence of Jonathan Harvery." *Nuove Musiche* no. 3: 13–27.
* Winter, John (1985). "Jonathan Harvey's Church Music". *Composer*, no. 84 (Spring): 16–21.

## Pranala luar

* Situs web Jonathan Harvey
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