Olivier Messiaen

**Olivier Eugène Prosper Charles Messiaen** (, ; ; 10 Desember 1908&nbsp;– 27 April 1992) adalah seorang komponis Prancis, organis, dan ornitologis, ia merupakan salah satu komposer utama pada abad ke-20.

## Catatan

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## Bacaan selanjutnya
* Baggech, Melody Ann (1998). An English Translation of Olivier Messiaen's "Traite de Rythme, de Couleur, et d'Ornithologie" Norman: The University of Oklahoma.
* Barker, Thomas (2012). "The Social and Aesthetic Situation of Olivier Messiaen's Religious Music: Turangalîla Symphonie." *International Review of the Aesthetics and Sociology of Music* 43/1:53–70.
* Benitez, Vincent P. (2000). "A Creative Legacy: Messiaen as Teacher of Analysis." *College Music Symposium* 40: 117–39.
* Benitez, Vincent P. (2001). "Pitch Organization and Dramatic Design in *Saint François d’Assise* of Olivier Messiaen." PhD diss., Bloomington: Indiana University.
* Benitez, Vincent P. (2002). “Simultaneous Contrast and Additive Designs in Olivier Messiaen’s Opera *Saint François d’Assise*.” *Music Theory Online* 8.2 (August 2002). Music Theory Online
* Benitez, Vincent P. (2004). "Aspects of Harmony in Messiaen's Later Music: An Examination of the Chords of Transposed Inversions on the Same Bass Note." *Journal of Musicological Research* 23, no. 2: 187–226.
* Benitez, Vincent P. (2004). "Narrating Saint Francis's Spiritual Journey: Referential Pitch Structures and Symbolic Images in Olivier Messiaen's *Saint François d'Assise*." In *Poznan Studies on Opera*, edited by Maciej Jablonski, 363–411.
* Benitez, Vincent P. (2008). “Messiaen as Improviser.” *Dutch Journal of Music Theory* 13, no. 2 (May 2008): 129–44.
* Benitez, Vincent P. (2009). “Reconsidering Messiaen as Serialist.” *Music Analysis* 28, nos. 2–3 (2009): 267–99 (published April 21, 2011).
* Benitez, Vincent P. (2010). "Messiaen and Aquinas." In *Messiaen the Theologian*, edited by Andrew Shenton, 101–26. Aldershot: Ashgate.
* Benítez, Vincent Pérez (2019). *Olivier Messiaen's Opera, Saint François d'Assise*. Bloomington, IN: Indiana University Press. .
* Boivin, Jean (1993). "La Classe de Messiaen: Historique, reconstitution, impact". Ph.D. diss. Montreal: Ecole Polytechnique, Montreal.
* Boswell-Kurc, Lilise (2001). "Olivier Messiaen's Religious War-Time Works and Their Controversial Reception in France (1941–1946) ". Ph.D. diss. New York: New York University.
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* Burns, Jeffrey Phillips (1995). "Messiaen's Modes of Limited Transposition Reconsidered". M.M. thesis, Madison: University of Wisconsin-Madison.
* Cheong Wai-Ling (2003). "Messiaen's Chord Tables: Ordering the Disordered". *Tempo* 57, no. 226 (October): 2–10.
* Cheong Wai-Ling (2008). "Neumes and Greek Rhythms: The Breakthrough in Messiaen's Birdsong". *Acta Musicologica* 80, no. 1:1–32.
* Dingle, Christopher (2013). *Messiaen's Final Works*. Farnham, UK: Ashgate. .
* Fallon, Robert Joseph (2005). "Messiaen's Mimesis: The Language and Culture of The Bird Styles". Ph.D. diss. Berkeley: University of California, Berkeley.
* Fallon, Robert (2008). "Birds, Beasts, and Bombs in Messiaen's Cold War Mass". *The Journal of Musicology* 26, no. 2 (Spring): 175–204.
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* Hardink, Jason M. (2007). "Messiaen and Plainchant". D.M.A. diss. Houston: Rice University.
* Harris, Joseph Edward (2004). "Musique coloree: Synesthetic Correspondence in the Works of Olivier Messiaen". Ph.D. diss. Ames: The University of Iowa.
* Hill, Matthew Richard (1995). "Messiaen's *Regard du silence* as an Expression of Catholic Faith". D.M.A. diss. Madison: The University of Wisconsin, Madison.
* Laycock, Gary Eng Yeow (2010). "Re-evaluating Olivier Messiaen's Musical Language from 1917 to 1935". Ph.D. diss. Bloomington: Indiana University, 2010.
* Luchese, Diane (1998). "Olivier Messiaen's Slow Music: Glimpses of Eternity in Time". Ph.D. diss. Evanston: Northwestern University
* McGinnis, Margaret Elizabeth (2003). "Playing the Fields: Messiaen, Music, and the Extramusical". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill.
* Nelson, David Lowell (1992). "An Analysis of Olivier Messiaen's Chant Paraphrases". 2 vols. Ph.D. diss. Evanston: Northwestern University
* Ngim, Alan Gerald (1997). "Olivier Messiaen as a Pianist: A Study of Tempo and Rhythm Based on His Recordings of *Visions de l'amen*". D.M.A. diss. Coral Gables: University of Miami.
* Peterson, Larry Wayne (1973). "Messiaen and Rhythm: Theory and Practice". Ph.D. diss. Chapel Hill: The University of North Carolina at Chapel Hill
* Puspita, Amelia (2008). "The Influence of Balinese Gamelan on the Music of Olivier Messiaen". D.M.A. diss. Cincinnati: University of Cincinnati
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*Schultz, Rob (2008). "Melodic Contour and Nonretrogradable Structure in the Birdsong of Olivier Messiaen". *Music Theory Spectrum* 30, no. 1 (Spring): 89–137.
* Shenton, Andrew (1998). "The Unspoken Word: Olivier Messiaen's 'langage communicable'". Ph.D. diss. Cambridge: Harvard University.
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* Simeone, Nigel (2004). "'Chez Messiaen, tout est priére': Messiaen's Appointment at the Trinité". *The Musical Times* 145, no. 1889 (Winter): 36–53.
* Simeone, Nigel (2008). "Messiaen, Koussevitzky and the USA". *The Musical Times* 149, no. 1905 (Winter): 25–44.
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* Welsh Ibanez, Deborah (2005). Color, Timbre, and Resonance: Developments in Olivier Messiaen's Use of Percussion Between 1956–1965. D.M.A. diss. Coral Gables: University of Miami
* Zheng, Zhong (2004). A Study of Messiaen's Solo Piano Works. Ph.D. diss. Hong Kong: The Chinese University of Hong Kong.

### Film
*Apparition of the Eternal Church – Paul Festa's 2006 film about responses of 31 artists to Messiaen's music.
**Messiaen at 80* (1988). Directed by Sue Knussen. BFI database entry.
**Olivier Messiaen et les oiseaux* (1973). Directed by Michel Fano and Denise Tual.
**Olivier Messiaen – The Crystal Liturgy* (2007 [DVD release date]). Directed by Olivier Mille.
**Olivier Messiaen: Works* (1991). DVD on which Messiaen performs "Improvisations" on the organ at the Paris Trinity Church.
**The South Bank Show: Olivier Messiaen: The Music of Faith* (1985). Directed by Alan Benson. BFI database entry.
*Quartet for the End of Time, with the President's Own Marine Band Ensemble, A Film by H. Paul Moon

## Pranala luar

*"Messiaen, Olivier" in ''Oxford Music Online'' (by subscription)
*BBC Messiaen Profile 
*oliviermessiaen.org Up to date website by Malcolm Ball, includes the latest recordings and concerts, a comprehensive bibliography, photos, analyses and reviews, a very extensive bio of Yvonne Loriod with discography, and more.
*Infography about Olivier Messiaen
*oliviermessiaen.net, hosted by the Boston University Messiaen Project [BUMP]. Includes detailed information on the composer's life and works, events, and links to other Messiaen websites.
*www.philharmonia.co.uk/messiaen, the Philharmonia Orchestra's Messiaen website. The site contains articles, unseen images, programme notes and films to go alongside the orchestra's series of concerts celebrating the Centenary of Olivier Messiaen's birth.
*Music for the End of Time , David Schiff article in *[[The Nation]]*, posted January 25, 2006 (February 13, 2006 issue). Formally a review of *Messiaen* by Peter Hill and Nigel Simeone, but provides an overview of Messiaen's life and works.
*Music and the Holocaust – Olivier Messiaen
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*My Messiaen Modes A visual representation of Messiaen's modes of limited transposition.

### Rekaman
* played by Martina Trumpp, violin and Bohumir Stehlik, piano
*Thème et variations – Helen Kim, violin; Adam Bowles, piano Luna Nova New Music Ensemble
*Le merle noir – John McMurtery, flute; Adam Bowles, piano Luna Nova New Music Ensemble
*Quatuor pour la fin du temps – Luna Nova New Music Ensemble
*''Regard de l'esprit de joie'' from ''Vingt regards...'', Tom Poster, pianist
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* played on a Mühleisen pipe organ
*In-depth feature on Olivier Messiaen by Radio France International's English service
* by Ukho Ensemble Kyiv