Paul Jackson Pollock

**Paul Jackson Pollock** () adalah seorang pelukis Amerika Serikat yang cukup berpengaruh dan merupakan tokoh utama dalam gerakan abstrak espresionis. Ia meninggal dalam sebuah kecelakaan mobil di dekat rumahnya di Long Island, New York.

Di antara seniman yang bergerak dalam lingkaran Pollock selama tahun-tahun di New York adalah Joseph Glasco, seorang pelukis figuratif dari Texas yang tiba di kota itu pada akhir 1940-an. Perkenalan Glasco dengan lingkungan Ekspresionisme Abstrak sebagian terjadi melalui Alfonso Ossorio, seniman dan kolektor Filipino-Amerika yang berperan sebagai jembatan penting antara Pollock, Lee Krasner, dan generasi pelukis yang lebih muda. Kediaman Ossorio di East Hampton, The Creeks, berfungsi sebagai titik pertemuan informal bagi para seniman yang mengorbit New York School, dan dalam jaringan inilah Glasco membangun koneksi yang akan membentuk karya dewasanya.

## Karya utama

* (1942) *Male and Female* Philadelphia Museum of Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.male-female.jpg
* (1942) *Stenographic Figure* Museum of Modern Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.stenographic.jpg
* (1943) *Mural* University of Iowa Museum of Art http://www.uiowa.edu/uima/COLLECTIONS/pages/Mural%20Jackson%20Pollock.htm 
* (1943) *Moon-Woman Cuts the Circle* http://www.beatmuseum.org/pollock/images/moon.jpg
* (1942) *Stenographic Figure* Museum of Modern Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.stenographic.jpg
* (1943) *The She-Wolf* Museum of Modern Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.she-wolf.jpg
* (1943) *Blue (Moby Dick)* Ohara Museum of Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.moby-dick.jpg
* (1945) *Troubled Queen* Museum of Fine Arts, Boston http://www.mfa.org/collections/search_art.asp?recview=true&id=34645&coll_keywords=Pollock&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=1&coll_sort_order=1&coll_view=0&coll_package=0&coll_start=1 
* (1946) *Eyes in the Heat* Peggy Guggenheim Collection, Venice http://www.ibiblio.org/wm/paint/auth/pollock/pollock.eyes-heat.jpg
* (1946) *The Key* Art Institute of Chicago http://www.ibiblio.org/wm/paint/auth/pollock/pollock.key.jpg
* (1946) *The Tea Cup* Collection Frieder Burda http://www.ibiblio.org/wm/paint/auth/pollock/pollock.tea-cup.jpg
* (1946) *Shimmering Substance*, from *The Sounds In The Grass* Museum of Modern Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.shimmering.jpg
* (1947) *Full Fathom Five* Museum of Modern Art http://www.ibiblio.org/wm/paint/auth/pollock/fathom-five/pollock.fathom-five.jpg
* (1947) *Cathedral* http://www.beatmuseum.org/pollock/cathedral.html 
* (1947) *Enchanted Forest* Peggy Guggenheim Collection https://web.archive.org/web/20060212233058/http://www.guggenheimcollection.org/images/lists/work/129_4_lg.jpg
* (1948) *Painting* https://archive.today/20120523205338/www.centrepompidou.fr/images/oeuvres/XL/3I01535.jpg
* (1948) *[[Number 5 (painting)|Number 5]]* (4&nbsp;ft x 8&nbsp;ft) Collection David Martínez
* (1948) *Number 8* https://web.archive.org/web/20060318102621/http://www.usc.edu/dept/LAS/english/courses/dilligan/English262/images/Pollock/no8.jpg
* (1948) *Summertime: Number 9A* Tate Modern https://web.archive.org/web/20060318102621/http://homepage.mac.com/mag16/UniversityWebPage/vacantPositions/ImagesVacant/summertime.jpg
* (1949) *Number 3*
* (1949) *Number 10* Museum of Fine Arts, Boston http://www.mfa.org/collections/search_art.asp?recview=true&id=34114&coll_keywords=Pollock&coll_accession=&coll_name=&coll_artist=&coll_place=&coll_medium=&coll_culture=&coll_classification=&coll_credit=&coll_provenance=&coll_location=&coll_has_images=&coll_on_view=&coll_sort=1&coll_sort_order=1&coll_view=0&coll_package=0&coll_start=1 
* (1950) *Number 1, 1950 (Lavender Mist)* National Gallery of Art http://www.ibiblio.org/wm/paint/auth/pollock/lavender-mist/pollock.lavender-mist.jpg
* (1950) *Autumn Rhythm (Number 30), 1950* Metropolitan Museum of Art http://www.metmuseum.org/Works_of_Art/viewOne.asp?dep=21&viewmode=0&item=57.92
* (1950) *One: Number 31, 1950* Museum of Modern Art http://www.moma.org/collection/browse_results.php?object_id=78386
* (1950) *No. 32* http://www.kunstsammlung.de/index.php?id=179&L=1
* (1951) *Number 7* National Gallery of Art http://www.nga.gov/cgi-bin/pimage?62343+0+0 
* (1952) *Convergence* Albright-Knox Art Gallery http://www.albrightknox.org/ArtStart/art/K1956_7.jpg 
* (1952) *[[Blue Poles]]: No. 11, 1952* National Gallery of Australiahttps://web.archive.org/web/20060318102627/http://www.asmilan.org/teachers/jmaddock/Featured%20Artists/Jackson-Pollock---Blue-Pole.jpg
* (1953) *Portrait and a Dream* http://arts.guardian.co.uk/portrait/story/0,,991689,00.html
* (1953) *Easter and the Totem* The Museum of Modern Art http://www.ibiblio.org/wm/paint/auth/pollock/pollock.easter-totem.jpg
* (1953) *Ocean Greyness* https://archive.today/20120523205348/www.artbarreiro.com/artistas/pollock/photos/oceanGreyness.jpg
* (1953) *The Deep*

## Pranala luar

*  National Gallery of Art web feature on Pollock includes highlights of his career, numerous examples of the artist's work, photographs and motion footage of Pollock, plus an in-depth discussion of his 1950 painting Lavender Mist.
*  Jackson Pollock at the Museum of Modern Art (MoMA)
*  Pollock collection on the Guggenheim NY Site 
*  Pollock-Krasner House and Study Center 
*  Pollock-Krasner Foundation
*  Blue Poles at the NGA 
*  Fractal Expressionism  – the fractal qualities of Pollock's drip paintings.
*  Jackson Pollock Simulator.
*  The Law and Jackson Pollock
*  Jackson Pollock on Museum Web Paris
*  Understanding Abstract Art by Harley Hahn
*  Quiz: Pollock or birds?