Film B (ledakan eksploitasi)

1960an dan 1970an menandai zaman keemasan **[[film B]]** independen, yang dibuat di luar studio-studio film besar. Karena tekanan penyensoran meningkat pada awal 1960an, akhir industri film Amerika berbiaya rendah makin menginkorporasikan penyusutan unsur-unsur seksual dan kekerasan yang telah lama diasosiasikan dengan film eksploitasi.

## Sumber

* Archer, Eugene (1960). "'House of Usher': Poe Story on Bill With 'Why Must I Die?'" *The New York Times*, September 15 (available online).
* Biskind, Peter (1998). *Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock'n'Roll Generation Saved Hollywood*. New York: Simon & Schuster. 
* Cagin, Seth, and Philip Dray (1984). *Hollywood Films of the Seventies*. New York: Harper & Row. 
* Canby, Vincent (1969). "By Russ Meyer," *The New York Times*, September 6 (available online ).
* Cook, David A. (2000). *Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979* (Berkeley, Los Angeles, and London: University of California Press). 
* Corliss, Richard (1981). "This Is the Way the World Ends," *Time*, January 26 (available online ).
* Corman, Roger, with Jim Jerome (1998). *How I Made a Hundred Movies in Hollywood and Never Lost a Dime*, new ed. New York: Da Capo. 
* Di Franco, J. Philip, ed. (1979). *The Movie World of Roger Corman*. New York and London: Chelsea House. 
* Ebert, Roger (1974). "*The Texas Chainsaw Massacre,*" *Chicago Sun-Times*, January 1 (available online ).
* Epstein, Edward Jay (2005). *The Big Picture: The New Logic of Money and Power in Hollywood*. New York: Random House. 
* Finler, Joel W. (2003). *The Hollywood Story*, 3d ed. London and New York: Wallflower. 
* Greenspun, Roger (1973). "Guercio's 'Electra Glide in Blue' Arrives: Director Makes Debut With a Mystery," *The New York Times*, August 20 (available online).
* Grimes, William (2010). "Joseph Sarno, Sexploitation Film Director, Dies at 89," *The New York Times*, May 2 (available online ).
* Halperin, James L., ed. (2006). *Heritage Signature Vintage Movie Poster Auction #636*. Dallas: Heritage Capital. 
* Harper, Jim (2004). *Legacy of Blood: A Comprehensive Guide to Slasher Movies*. Manchester, UK: Headpress. 
* Hogan, David J. (1997). *Dark Romance: Sexuality in the Horror Film*. Jefferson, N.C., and London: McFarland. 
* Joiner, Whitney (2007). "Directors Who Go Together, Like Blood and Guts," *The New York Times*, section 2 ("Arts & Leisure"), pp.&nbsp;13, 22, January 28.
* Kael, Pauline (1976 [1973]). "Un-People," in *Reeling*. New York: Warner, pp.&nbsp;263–279. 
* Kehr, Dave (2007). "New DVDs: *The Mario Bava Collection, Volume 1*," *The New York Times*, April 10 (available online ).
* McCarthy, Todd, and Charles Flynn, eds. (1975). *Kings of the Bs: Working Within the Hollywood System—An Anthology of Film History and Criticism* (New York: E.P. Dutton). 
* Osgerby, Bill (2003). "Sleazy Riders: Exploitation, "Otherness," and Transgression in the 1960s Biker Movie," *Journal of Popular Film and Television* (September 22) (available online ).
* Paul, William (1994). *Laughing, Screaming: Modern Hollywood Horror and Comedy*. New York: Columbia University Press. 
* Puchalski, Steven (2002). *Slimetime: A Guide to Sleazy, Mindless Movies*, rev. ed. Manchester, UK: Headpress/Critical Vision. 
* Reid, John Howard (2005). *Hollywood 'B' Movies: A Treasury of Spills, Chills & Thrills*. Morrisville, N.C.: Lulu. 
* Rockoff, Adam (2002). *Going to Pieces: The Rise and Fall of the Slasher Film, 1978–1986*. Jefferson, N.C., and London: McFarland. 
* Reynaud, Bérénice (2006). "Wanda's Shattered Lives" (booklet accompanying Parlour Pictures DVD release of *Wanda*).
* Rubin, Martin (1999). *Thrillers*. Cambridge, UK, and New York: Cambridge University Press. 
* Sapolsky, Barry S., and Fred Molitor (1996). "Content Trends in Contemporary Horror Films," in *Horror Films: Current Research on Audience Preferences and Reactions*, ed. James B. Weaver Mahwah, N.J.: Lawrence Erlbaum, pp.&nbsp;33–48. 
* Schaefer, Eric (1999). *"Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919–1959*. Durham, N.C., and London: Duke University Press. 
* Schickel, Richard (1974). "The New B Movies," *Time*, April 1 (available online ).
* Schickel, Richard (2005). *Elia Kazan: A Biography*. New York: HarperCollins. 
* Taylor, Paul (1999). "*The Private Files of J. Edgar Hoover*," in *Time Out Film Guide*, 8th ed., ed. John Pym. London et al.: Penguin, p.&nbsp;835. 
* Van Peebles, Melvin (2003). "The Real Deal: What It Was...Is! *Sweet Sweetback's Baadasssss Song*" (commentary accompanying Xenon Entertainment DVD release of *Sweet Sweetback's Baadasssss Song*).
* Worland, Rick (2007). *The Horror Film: An Introduction*. Malden, Mass., and Oxford: Blackwell. 

## Pranala luar
* B-movie Italian-language Wikipedia entry covering the term's use in the Italian film industry
* "What Exactly Is a B-Movie?"  essay by B-Movie Central's Duane L. Martin, focusing on 1960s and 1970s exploitation styles