Film kejahatan

**Film kejahatan** adalah sebuah film yang masuk genre fiksi kejahatan. Film-film dari genre tersebut melibatkan berbagai aspek kejahatan dan fiksi. Dalam hal gaya, genre tersebut tumpang tindih dan terpadu dengan beberapa genre lainnya, seperti drama atau film gangster, selain juga meliputi komedi, dan sebaliknya, terbagi dalam banyak sub-genre, seperti misteri, suspen atau noir.

Penulis naskah dan cendekiawan Eric R. Williams mengidentifikasi film kejahatan sebagai salah satu dari sebelas super-genre dalam Screenwriters Taxonomy, mengklaim bahwa seluruh film naratif berjangka fitur dapat diklasifikasikan oleh super-genre tersebut. Sepuluh super-genre lainnya adalah laga, fantasi, horor, romansa, fiksi ilmiah, potongan kehidupan, olahraga, cerita seru, perang dan barat.  Williams mengidentifikasi drama dalam kategori luas yang disebut "jenis film", misteri dan suspen sebagai "makro-genre", dan film noir sebagai "wadah penulis naskah" menjelaskan bahwa karakteri tersebut bersifat tambahan alih-alih eksklusif.  *[[Chinatown (film 1974)|Chinatown]]* merupakan contoh film yang merupakan film kejahatan (super-genre) drama (jenis film) yang juga misteri (makro-genre) noir (wadah).

## Referensi

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## Bacaan tambahan
* Criminology and Criminal Justice
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* Hughes, Howard. *Crime Wave: The Filmgoers' Guide to the Great Crime Movies* (2006) excerpt
* Kadleck, Colleen, and Alexander M. Holsinger. " 'Two Perspectives' on Teaching Crime Films." *Journal of criminal justice education* 29.2 (2018): 178–197. https://www.tandfonline.com/doi/pdf/10.1080/10511253.2017.1372501online
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* Leitch, Thomas M. *Crime Films*. (Cambridge UP, 2002), 
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* Lichtenfeld, Eric. *Action speaks louder: Violence, spectacle, and the American action movie* (Wesleyan University Press, 2007).
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* Rafter, Nicole Hahn, and Michelle Brown. *Criminology goes to the movies: Crime theory and popular culture* (NYU Press, 2011).
* Ramaeker, Paul. "Realism, revisionism and visual style: The French Connection and the New Hollywood policier." *New Review of Film and Television Studies* 8.2 (2010): 144–163. online
* Simpson, Philip L. *Psycho Paths: Tracking the Serial Killer  through Contemporary American Film and Fiction* (University of Southern Illinois Press, 2000).
* Sorrento, Matthew. *The New American Crime Film* (2012) excerpt
* Spina, Ferdinando. "Crime Films". *Oxford Research Encyclopedia of Criminology* (Oxford University Press, 2017)
* Welsh, Andrew, Thomas Fleming, and Kenneth Dowler. "Constructing crime and justice on film: Meaning and message in cinema." *Contemporary Justice Review* 14.4 (2011): 457–476. online

### Eropa
* Baschiera, Stefano. "European Crime Cinema and the Auteur." *European Review* 29.5 (2021): 588–600.
* Chibnall, Steve, and Robert Murphy. *British crime cinema* (Routledge, 2005).
* Davies, Ann. "Can the contemporary crime thriller be Spanish?" *Studies in European Cinema* 2.3 (2005). online
* Forshaw, Barry. *British crime film: Subverting the social order* (Springer, 2012).
* Forshaw, Barry. *Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film and TV* (2014) excerpt
* Gerhards, Sascha. "Ironizing Identity: The German Crime Genre and the Edgar Wallace Production Trend of the 1960s." in *Generic Histories of German Cinema: Genre and its Deviations* (Camden House, 2013) pp: 133–155.
* Hansen, Kim Toft, Steven Peacock, and Sue Turnbull, eds. *European television crime drama and beyond* (Cham: Palgrave Macmillan, 2018).
* Marlow-Mann, Alex. "Strategies of Tension: Towards a Reinterpretation of Enzo G. Castellari's The Big Racket and the Italian Crime Film." in *Popular Italian Cinema* (2013) pp: 133–146.
* Peacock, Steven. *Swedish crime fiction: Novel, film, television* (Manchester University Press, 2015).
* Reisinger, Deborah Streifford. *Crime and media in contemporary France* (Purdue University Press, 2007).
* Toft Hansen, Kim, Steven Peacock, and Sue Turnbull. "Down these European mean streets: Contemporary issues in European television crime drama." in *European television crime drama and beyond* (2018) pp: 1–19. online
* Wilson, David, and Sean O'Sullivan. *Images of Incarceration: Representations of Prison in Film and Television* (Waterside Press, 2004), British emphasis.