Farewell My Concubine (film)

***Farewell My Concubine*** adalah sebuah film drama Tiongkok 1993 yang disutradarai oleh Chen Kaige dan salah satu karya utama dari gerakan Generasi Kelimat yang membawa sutradara Tiongkok ke kancah dunia. Mirip dengan film Generasi Kelima lainnya seperti *[[To Live (film)|To Live]]* dan *[[The Blue Kite]]*, *Farewell My Concubine* menampilkan tentang akibat politik Tiongkok pada pertengahan abad ke-20 pada kehidupan individual, keluarga, dan kelompok, dalam kasus ini, dua bintang dalam sebuah kelompok opera Peking dan seorang wanita yang mendatangi mereka.

Film tersebut adalah sebuah adaptasi novel karya Lilian Lee. Lilian Lee juga merupakan salah satu penulis permainan latar dari film tersebut.

*Farewell My Concubine* sampai saat ini masih menjadi satu-satunya film berbahasa Tionghoa yang memenangkan Palme d'Or Cannes.

## Referensi

* Braester, Yomi. Contributors: Rey Chow, Harry Harootunian, Masao Miyoshi. *Painting the City Red: Chinese Cinema and the Urban Contract* (*Asia-Pacific: Culture, Politics, and Society*). Duke University Press, March 17, 2010. ISBN 0-8223-9275-5, 9780822392750.
* Clark, Paul. *Reinventing China: A Generation and Its Films*. Hong Kong: The Chinese University Press, 2005.
* Zha, Jianying. *China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture*. New York: New Press: Distributed by W.W. Norton, 1995.

;Bacaan tambahan

* Braester, Yomi. *Farewell My Concubine: National Myth and City Memories.* In *Chinese Films in Focus: 25 New Takes*, edited by Chris Berry, 89–96. London: British Film Institute, 2003.
* Kaplan, Ann. *Reading Formations and Chen Kaige's Farewell My Concubine.* In Sheldon Lu, ed., *Transnational Chinese Cinema: Identity, Nationhood, Gender*. Honolulu: University of Hawaii Press, 1997.
* Larson, Wendy. *The Concubine and the Figure of History: Chen Kaige's Farewell My Concubine.* In Sheldon Lu, ed., *Transnational Chinese Cinema: Identity, Nationhood, Gender*. Honolulu: University of Hawaii Press, 1997; also published as *Bawang bieji: Ji yu lishi xingxiang,* Qingxiang (1997); also in Harry Kuoshu, ed., Chinese Film, ed. Bloomington: Indiana University Press, 2000.
* Lau, Jenny Kwok Wah. *Farewell My Concubine': History, Melodrama, and Ideology in Contemporary Pan-Chinese Cinema.* Film Quarterly 49, 1 (Fall, 1995).
* Lim, Song Hwee. *The Uses of Femininity: Chen Kaige's Farewell My Concubine and Zhang Yuan's East Palace, West Palace.* In Lim, *Celluloid Comrades: Representations of Male Homosexuality in Contemporary Chinese Cinemas*. Honolulu: University of Hawai'i, 2006, 69–98.
* Lu, Sheldon Hsiao-peng. "National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou." In *Transnational Chinese Cinema*, edited by Sheldon Lu, 105-39. Honolulu: University of Hawaii Press, 199.
* McDougall, Bonnie S. "Cross-dressing and the Disappearing Woman in Modern Chinese Fiction, Drama and Film: Reflections on Chen Kaige's Farewell My Concubine." *[[China Information]]* 8, 4 (Summer 1994): 42–51.
* Metzger, Sean. "Farewell My Fantasy." *The Journal of Homosexuality* 39, 3/4 (2000): 213–32. Rpt. in Andrew Grossman, ed. Queer Asian Cinema: Shadows in the Shade. NY: Harrington Press, 2000, 213–232.
* Xu, Ben. "Farewell My Concubine and Its Western and Chinese Viewers." Quarterly Review of Film and Television 16, 2 (1997).
* Zhang, Benzi. "Figures of Violence and Tropes of Homophobia: Reading Farewell My Concubine between East and West ." *[[Journal of Popular Culture: Comparative Studies in the World's Civilizations]]* 33, 2 (1999): 101–109.

## Pranala luar

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* A film review with emphasis on the relationship between the play and the film 
* Photos of ''Farewell My Concubine'' Art Exhibition in Japan (in Chinese)