Լուի Անդրիսեն

**Լուի Անդրիսեն** (, ), նիդերլանդացի կոմպոզիտոր, երաժշտության հեղինակ և թեորետիկ։

## Կենսագրություն
Ծնվել է կոմպոզիտորի ընտանիքում, տաղն կոմպոզիտոր Հենդրիկ Անդրիսենն էր (1892-1981), կոմպեզիտորներ էին նաև նրա քույրը և եղբայրը։ Սովորել է Հաագայի Թագավորական կոնսերվատորիայում՝ հոր և Լուչանո Բերիոյի մոտ (1962-1965)։ 1959 թվականի նա արժանացել է իր կոմպոզիտորական առաջին մրցանակին՝ «Гаудеамус»: Ստրավինսկոյի ազդեցությունը մեծ էր ամերիկական ջազում, որտեղից եկավ ոչ ռոմանտիկ ոճը, որը մերժում էր ավանդական սիմֆոնիկ խմբին։ Նա աշխատել է նաև կինոյում։ Համագործակցել է Փիթեր Գրինուեի հետ (օպերա Վարդ՝ կոմպոզիտորի մահից հետո (1994), Վերմերի նամակները (1999), գրել է Անդրիսենը իր լիբրետոյի համար), խոշոր նիդեռլանդացի բանաստեղծների և արձակագիրների հետ՝ Հյուգո Կլաուսի, Հարի Մյուլիշի, Լյուսեբերտի, Սիբլեն Պոլետի և այլոց հետ։ Բազում անգամներ եղել է Ռուսաստանում պալատական և սիմֆոնիկ համերգների (Մոսկվա, Սանկտ Պետերբուրգ)։

## Ստեղծագորցություններ
[thumb|300px|Լուի Անդրիսենը [Վանկուվեր (քաղաք)|Վանկուվերի համերգի ժամանակ , 2009]]
* Nuit d'été (1957) for piano 4 hands
* Séries (1958) for 2 pianos
* Nocturnen (1959) (text by the composer) for 2 sopranos, orchestra
* Trois Pièces (1961) for piano left hand
* Ittrospezione I (1961) for piano 4 hands
* Joli commentaire (1961) for piano 4 hands
* Étude pour les timbres (1962) for piano
* Triplum (1962) for guitar
* Ittrospezione II (1963) for large orchestra
* Registers (1963) for piano
* Ittrospezione III (Concept II) - Fragment (1965) tenor saxophone ad libitum, 2 pianos (section of Ittrospezione III [Concept II]; may be performed separately)
* Souvenirs d’enfance (1966) for piano
* Anachronie I (1966-67) for large orchestra
* The Garden of Ryoan-gi (1967) for 3 electronic organs
* Choralvorspiele (1969) for barrel organ
* Anachronie II (1969) for oboe, small orchestra, 1969; Hoe het is, 52 strings, live electronics
* Reconstructie (1969) (with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen, libretto by Hugo Claus, Harry Mulisch) Morality opera for soloists, 3 mixed choruses (4 voices each), orchestra (11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings), live electronics
* De negen symfonieën van Beethoven (1970) for ice cream bell, orchestra
* Spektakel (1970) for improvisational ensemble, small orchestra (12 winds, 4 horns, 6 percussion)
* In Memoriam (1971) for tape
* Canzone 3.Utinam (1972) (text from the Book of Job) for soprano, piano, 1962; Thanh Hoa (text by Nguyen Thay Mao), voice, piano
* Il Duce (1973) for tape
* Il Principe (1974) (text by Niccolo Machiavelli) for 2 mixed choruses, 8 winds, 3 horns, tuba, bass guitar, piano
* Wals (1974) 1974 for piano
* Symfonieën der Nederlanden (1974) for 2 or more symphonic bands (minimum 32 players)
* De Staat (1972-74) (text by Plato) for 2 sopranos, 2 mezzo-sopranos, 4 oboes (3rd, 4th + English horn), 4 horns, 4 trumpets, 3 trombones, bass trombone, 2 harps, 2 electric guitars, 4 violas, bass guitar, 2 pianos
* De Staat (1972-76) for 2 pianos (version of vocal work)
* Nederland, let op uw schoonheyt (1975) for symphonic band
* Workers Union (1975) for any loud sounding group of instruments
* Mattheus passie (1976) (text by Louis Ferron) Music theatre work for 8 mixed voices, 2 oboes (both + English horn), Hammond organ, string quartet, double bass
* Hoketus (1975-76) for 2 panpipes, 2 alto saxophones ad libitum, 2 bass guitars, 2 pianos, 2 electric pianos, 2 congas
* Orpheus (1977) (text by Lodewijk de Boer) Music theatre work for 8 mixed voices, lyricon, electric guitar, bass guitar, synthesizer, percussion
* Symphonie voor losse snaren (1978) for 12 strings
* Laat toch vrij de straat (1978) (text by Jaap van der Merwe) for voice, piano
* Hymne to the Memory of Darius Milhaud (1978) (version of chamber work)
* Felicitatie (1979) for 3 trumpets
* Mausoleum (1979 rev. 1981) (texts by Mikhail Bakunin, Arthur Arnould) for 2 high baritones, orchestra (12 brass, 2 harps, cimbalom, 2 pianos, 2 percussion, minimum 10 strings, bass guitar)
* George Sand (1980) (text by Mia Meyer) Music theatre work for 8 mixed voices, 4 pianos
* Un beau baiser (1980) for mixed chorus
* De Tijd (1979-81) (text by St.Augustine of Hippo) for female chorus, percussion ensemble, orchestra (6 flutes, 2 alto flutes, 3 clarinets, contrabass clarinet, 6 trumpets, 2 harps, 2 pianos, Hammond organ, strings, 2 bass guitars)
* Commentaar (1981) (text by Wilhelm Schon) for voice, piano
* Ende (1981) for 2 alto recorders (1 player)
* La voce (1981) (to a text by Cesare Pavese) for cello, voice
* Disco (1982) violin, piano
* Overture to Orpheus (1982) for harpsichord
* De Snelheid (1982-83 rev. 1984) for 3 amplified ensembles
* Y después (1983) (text by Federico Garcia Lirca) for voice, piano
* Menuet voor Marianne (1983) for piano
* Trepidus (1983) for piano
* Doctor Nero (1984) Music theatre work
* Berceuse voor Annie van Os (1985) for piano
* De Lijn (1986) for 3 flutes
* Dubbelspoor (1986 rev. 1994) Ballet music for piano, harpsichord, celesta, glockenspiel
* De Materie (1984-88)(texts from the Plakkaat van Verlatinge, Nicolaes Witsen, David Gorlaeus, Hadewijch, M.H.J.Schoenmaekers, Madam van Domselaer-Middelkoop, Willem Kloos, Maria Curie, Françoise Giroud) Music theatre work for soprano, tenor, 2 female speakers, 8 amplified mixed voices, amplified orchestra (15 winds, 13 brass, harp, 2 electric guitars, 2 pianos [one + electric piano], off-stage upright piano, celesta, 2 synthesizers, 6 percussion, minimum 9 strings, bass guitar. Two of its four sections may be performed separately as concert works: [2] Hadewijch, [3] De Stijl
* De Toren (1988, rev. 2000) for carillon
* Nietzsche redet (1989) (text by Friedrich Nietzsche) for speaker, alto flute, English horn, clarinet, bass clarinet, bassoon, 2 violins, viola, 2 celli, double bass, 2 pianos
* Facing Death (1990) for amplified string quartet
* Dances (1991) (text by Joan Grant, choreography by Bianca van Dillen) For soprano, small orchestra (amplified harp, amplified piano, percussion, strings). May be performed as a concert work.
* M is for Man, Music, Mozart (1991) (texts by the composer, Jeroen van der Linden, Peter Greenaway) for female jazz voice, flute (+ piccolo), soprano saxophone, alto saxophone, tenor saxophone, horn, 3 trumpets, 2 trombones, bass trombone, double bass, piano (TV score; may be performed as a concert work with one additional song)
* Lacrimosa (1991) for 2 bassoons
* Hout (1991) for tenor saxophone, electric guitar, piano, marimba (+ woodblocks)
* Romance voor Caecilia (1991) for piano
* Nadir en Zenit (1992) improvisations on poems by Sybren Polet for voice, piano (+ synthesizer)
* …not being sundered (1992) (text by Rainer Maria Rilke) for soprano, flute, cello
* Song Lines (1992) for 3-6 saxophones
* Deuxième chorale (1992) for music box
* The Memory of Roses (1992) for piano (+ toy piano)
* Chorale (1992) for piano
* M is Muziek, Monoloog en Moord(1993) (text by Lodewijk de Boer) Music theatre work
* Lied (1993) for piano
* Rosa: The Death of a Composer (1993-94) (libretto by Peter Greenaway) Opera for 2 sopranos, tenor, 2 baritones, female speaker, 8 mixed voices, orchestra.
* Een lied van de zee (1994) (text by Hélène Swarth) for female voice
* Zilver (1994) for flute, clarinet, violin, cello, piano, vibrqphone, marimba
* Base (1994) for piano left hand
* Odysseus’ Women (1995) (text by Homer, choreography by Beppie Blankert) for 2 sopranos, 2 altos, sampler
* De komst van Willibrord (1995) for carillon
* To Pauline O (1995) for oboe
* Machmes Wos (1996) for voice, piano
* Trilogie van de Laatste Dag (1996-97) (each of its three sections may be performed separately: (i) The Last Day (texts by Lucebert, folksong A Woman and Her Lass) for boy soprano, 4 male voices, orchestra; (ii) TAO (texts by Laozi, Kotaro Takamura) for 4 female voices, piano [+ voice, koto], small orchestra [5 winds, 2 horns, harp, piano (+ celesta), 2 percussion, minimum 14 strings]; (iii) Dancing on the Bones (text by the composer) for children’s chorus, orchestra, 1997)
* De herauten (1997) for 3 horns, 3 trumpets, 3 trombones, tuba, timpani
* Not an Anfang (1997) for piano
* De eerste minnaar (1998) (text by Ton Tellegen) for boy soprano, organ, 1998 (section of music theatre work Oldenbarneveldt; may be performed as a concert work)
* Tuin van Zink (1998) for viola, live electronics
* Writing to Vermeer (1997-99) (libretto by Peter Greenaway) Opera for 2 children’s voices, 2 sopranos, mezzo-soprano, female chorus, orchestra (7 winds, 2 horns, 2 trumpets [2nd + bass trumpet], 2 harps, 2 electric guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings), CD (music by Michel van der Aa)
* Woodpecker (1999) for percussion
* Image de Moreau (1999) for piano
* Dirck Sweelinck Missed the Prince (1999) for harpischord
* What Shall I Buy You, Son? (2000) for voice, piano
* Boodschappenlijstje van een gifmengster (2000) (text by the composer) for vocalist (also writes), voice (may be performed as Shopping List of a Poisoner
* Inanna’s Descent (2000) for mezzo-soprano, piccolo, oboe, violin, piano, 2 percussion ensembles (4-12 total players)
* The New Math(s) (2000) (text by Hal Hartley) for soprano, transverse flute, violin, marimba, CD (music by Michel van der Aa), 2000 (film score; may be performed as a concert work)
* Feli-citazione (2000) for piano
* Passeggiata in tram in America e ritorno (2001) (text by Dino Campana) for female Italian voice, 3 trumpets, 3 trombones, electric guitar, electric violin, double bass, piano, percussion, 1998 (also version for voice, flute, horn, 3 trumpets, 3 trombones, amplified violin, double bass, piano
* De vleugels van de herinnering (2001) (text by Larissa Tiginachvili) for voice, piano
* Fanfare om te beginnen (2001) for 6 groups of horns
* La Passione (2000-02) (text by Dino Campana) for female jazz voice, violin, small orchestra (7 winds, 7 brass, electric guitar, cimbalom, 2 pianos, synthesizer, 2 percussion, 3 violins, bass guitar)
* Very Sharp Trumpet Sonata (2002) for trumpet
* Strijkkwartet No. 2, 'Tuin van Eros' (2002) for string quartet
* Klokken voor Haarlem (2002) for piano, celesta, synthesizer, vibraphone (+ glockenspiel)
* Inanna (2003) texts by Hal Hartley, Theo J.H.Krispijn) for 4 voices, 3 actors, mixed chorus, contrabass clarinet, 4 saxophones, violin, film (by Hal Hartley)
* Letter from Cathy (2003) (text from a letter by Cathy Berberian to the composer) for female jazz voice, harp, violin, double bass, piano, percussion
* Tuin van Eros (2003) for violin, piano
* RUTTMANN Opus II, III, IV (2003) for flute, 3 saxophones, horn, 3 trumpets, 3 trombones, double bass, piano
* Haags Hakkuh - The Hague Hacking (2003) for 2 pianos
* Racconto dall’inferno (2004) (text by Dante Alighieri) for female jazz voice, small orchestra (8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar
* *De Opening* (2005) for ensemble (combined Orkest De Volharding, ASKO Ensemble, Schoenberg Ensemble)
* *Vermeer Pictures* (2005) concert suite for orchestra from *Writing to Vermeer* (arrangement by Clark Rundell)
* *XENIA* (2005) for violin
* *Hymne to the memory of Darius Milhaud* for ensemble (1974/2006)
* *Hellende Fanfare* (Inclined fanfare; Fanfara inclinata) (2006) for voice and ensemble (Text by Dino Campana)
* *Raadsels* (Riddle) (2006) for solo violin
* *[[Johann Sebastian Bach]]'s Prelude in b minor from the Well-Tempered Clavier BWV 866*, arranged for string quartet with the first six bars augmented with a viola part by Igor Stravinsky, completed by Louis Andriessen (2006)
* *..miserere...* (2006–07) for string quartet
* *The City of Dis or: The Ship of Fools* (2007) for voices and ensemble. Part I of La Commedia (2004–08)
* *La Commedia* (2004–08). Film opera in five parts (texts by Dante and Vondel and from the Old Testament)
* *Haags Hakkûh* (The Hague Hacking) (2008) for two pianos and large ensemble
* *Christiaan Andriessens uitzicht op de Amstel* (Christiaan Andriessen's view on the river Amstel) (2009) for ensemble
* *Life* (2009) for ensemble, with film by Marijke van Warmerdam
* *Anaïs Nin* (2009/10) for singer, ensemble and film
* *La Girò* (2011), for violin solo & ensemble

## Անդրիսենը երաժշտության մասին
* Часы Аполлона. О Стравинском. СПб: Институт ПРО АРТЕ; Академический Проект, 2003 (в соавторстве с Элмером Шенбергером).
* Украденное время. СПб: Культ-Информ-Пресс, 2005.

## Նրա մասին
* The Music of Louis Andriessen/ Maja Trochimczyk, ed. New York: Routledge, 2002.
* Everett Y.U. The Music of Louis Andriessen. Cambridge: Cambridge UP, 2007.
* 

## Ծանոթագրություններ

## Արտաքին հղումներ
* (англ.)
* (англ., нем.)
* (англ.)
* (фр.) 
* (англ., интервью)

Կատեգորիա:20-րդ դարի դասական կոմպոզիտորներ
Կատեգորիա:Հոլանդացի երաժիշտներ
Կատեգորիա:Հոլանդացի կոմպոզիտորներ
Կատեգորիա:Նիդերլանդացի դաշնակահարներ