Michal Rovner

**Michal Rovner** (Ibraniyawa; an haife ta a shekara ta 1957),  wanda aka fi sani da **Michal Rovner Hammer**, 'yar wasan kwaikwayo ce ta zamani ta Isra'ila, an san ta da bidiyonta, hoto, da zane-zane na fim. Rovner sananne ne a duniya tare da nune-nunen a manyan gidajen tarihi, gami da Louvre (2011) da Whitney Museum of American Art (2002).  Ita ce mai karɓar Kyautar Isra'ila ta shekara ta 2023 a fagen zane-zane.

## Tarihin rayuwa
An haifi Michal Rovner a shekara ta 1957 a Tel Aviv, Isra'ila .  Ta yi karatun Cinema / Talabijin, da Falsafa a Jami'ar Tel Aviv, sannan daga baya a Kwalejin Fasaha da Zane ta Bezalel a Urushalima a 1981, ta sami digiri na BFA a cikin Hoto da Fasaha a 1985.

A shekara ta 1978, tare da mai zane Arie Hammer, ta kafa makarantar fasaha mai zaman kanta Camera Obscura School of Art a Tel Aviv,  makarantar farko ta gari don masu daukar hoto. A shekara ta 2005, an rufe **'Makarantar Fasaha ta Camera Obscura**' saboda dalilai na kudi.

Rovner ta raba lokacinta tsakanin zama a kan wani moshav a wajen Urushalima da zama a NYC.

## Ayyukan fasaha

Rovner ta ce game da aikinta a cikin 2016, "aikinta ba shi da alaƙa kai tsaye da tambayar Isra'ila da Palasdinawa. Yanayin da ke nuna rikici, tashin hankali, karyewa.. rauni. (...) Kullum ina farawa da gaskiya. Ina yin rikodin shi kuma daga baya, sannu a hankali, ina cire hoton gaskiyar, wanda ya zama mafi ƙyama, ya rasa ma'anarsa, sabili da haka ina kawo wani abu. "

A farkon shekarun 1990s, ta yi aiki tare da darektan Robert Frank a fina-finai biyu, One Hour-C"est Vrai (1990), fim na gwaji don talabijin na Faransa, da Last Supper (1992), wanda ta rubuta.

A cikin jerin hotunan da ta yi a waje (1990-1991), "na shekaru biyu [Rovner] ta ɗauki hoton hutun Bedouin a cikin hamadar Isra'ila, sannan ta sake fasalin kowane hoto don ƙirƙirar bakan gizo, mai canza hoto na tsarin da aka ware a cikin wani wuri mara kyau. "  Don jerin Decoy (1991), ta karkatar da hotunan Radar da sa ido don ƙirƙirar hotunan kungiyoyin mutane marasa tabbas. A cikin One-Person Game Against Nature (1992-93), ta sake karkatar da hotuna, a wannan lokacin nata hotunan mutane da ke iyo a cikin Tekun Gishiri.

A cikin 1996, Rovner ya fara amfani da fim da bidiyo, yana ƙirƙirar ayyukan da ke nuna taron mutane ko dabbobi, kamar yadda yake a cikin Monoprints of Birds (1998). Duk da yake ta guje wa sharhi kai tsaye na siyasa a cikin aikinta, a cikin 1995-96 ta samar da shigarwa don iyakar Isra'ila da Lebanon waɗanda ke kan shingen lantarki da hasumiyoyin tsaro a cikin layin musayar wuta mai gudana. Wadannan sun hada da bidiyonta na Border (1996-97), inda ta yi ƙoƙari ta rarraba kuma ta haye iyaka daga Isra'ila zuwa Lebanon.

Bidiyo ta Notes (2001) haɗin gwiwa ne tare da mawaƙa Philip Glass; Rovner ya yi amfani da hotuna na ƙungiyar mutane da ke tafiya a kan kusurwa mai laushi, kuma Glass ya kirkiro kiɗa da aka yi wahayi zuwa gare shi ta wannan hoton motsi (an rubuta haɗin gwiwar su a cikin shirin 2003 Looking Glass). Time Left (2002), shigarwar bidiyo mai yawa wanda ya ƙunshi hotuna na layuka marasa iyaka na halittu marasa bambanci, shine tsakiya na tsakiya na tsakiyar aikinta a Whitney Museum of American Art a New York a 2002. Don nune-nunen In Stone, a PaceWildenstein a Birnin New York a shekara ta 2004, ta haɗu da siffofi da bidiyo ta hanyar nuna hotunan mutane a kan allunan dutse, ta ɓoye layin tsakanin hoto da rubutu.

Rovner ya wakilci Isra'ila a bikin Venice Biennale na 50 a shekara ta 2003 kuma ya juya gidan Isra'ila ya zama daya daga cikin mafi ban sha'awa a wannan shekarar. Michael Rush yana rubutawa a kan aikin Artnet ya ce "....Rovner ta kafofin watsa labarai ba kamar wani ba ne. Tana tsaye ita kaɗai a cikin hanya mai tsabta da fasaha ta haɗu da fasahar dijital don dacewa da nasa hangen nesa. Amfani da kayan aiki masu kyau ya sa ya zama kamar mafi santsi na marmara ko mafi kyawun fenti... " 

A cikin fim din Fields of Fire (2005), hotunan Rovner na filayen mai a Jamhuriyar Kazakhstan suna nuna ci gaba da rashin kwanciyar hankali na yankin a cibiyar binciken kasa da kasa. Living Landscape (2005), wani shafin-specific video bango a Yad Vashem a Urushalima, ya tsara wani shirin pre-WII footage na rawa, kiɗa, da kuma yau da kullun rayuwar Yahudawa na Turai.

An kira shigarwar Rovner a cikin Louvre a cikin 2011 "Histories". Louvre ya zaɓi Rovner don nuni na Dare na lokacin bazara, kusa da ƙofar Pyramid wanda masanin gine-gine I.M. Pei ya tsara. Ra'ayin Rovner shine bincika jigogi na iyakokin jiki da tunani da kuma ainihi.[1][2] A cikin hunturu 2012 Rovner ya gabatar da "Topography" show a Pace Gallery, New York, ci gaba da muhalli da batun kimiyya.[3] Jerin ta na 2016 Night ya ɗauki mataki na baya daga wasu daga cikin waɗannan tambayoyin zamantakewa kuma "yana bincika kasancewar jackals masu tayar da hankali a kusa da gidanta, kwatanci ne ga na farko da ba za a iya fahimta ba wanda ke cikin kowannensu. "[4]

Ayyukanta an haɗa su a cikin tarin kayan gargajiya na jama'a a duniya ciki har da na; Gidan Tarihi na Los Angeles County (LACMA),  Gidan Tarihin zamani na San Francisco (SFMoMA),  Gidan Tarihi na Metropolitan,  Gidan Tarihi na zamani, Chicago (MCA Chicago),  Gidan Tarihu na zamani (MoMA),  Gidan Tarihi na Tel Aviv,  Gidan Tarihon Fine Arts na San Francisco,  Gidan Tarihana na Arewacin Carolina, [4] da Whitney Museum of American Art, da sauransu.

## Manazarta