open-index/open-wikipedia-markdown huggingface dataset:
Agwara (dance)

**Agwara**  rawa ce ta sarauta ta mutanen Alur na Arewacin Uganda da kuma wasu sassan yankin WestNile, wadda ake yi a gaban sarki (Rwot).  Mata da maza ne ke yin ta a lokutan bukukuwan zamantakewa. Ana yin rawan ne ta hanyar ganga, kuma ana amfani da tsarin layi da zagaye wanda ke nuna karkata ƙafa da kugu yayin da ake sanya kararrawar idon ƙafa don jaddada aikin ƙafa.    An sanya wa rawan suna ne bayan sautin ƙaho mai tsayi wanda aka fi sani da ƙahonin Agwara.  Rawar ta samo asali ne a lokacin da mutanen Alur ke haɗa laka da shafa a gidajensu, daga nan motsinta ya girma zuwa yanayin rawa na yau da kullun. 

## Aiki
A da, ana yin Agwara a wuraren ibada da al'ummomi suka shirya domin bauta ko faranta wa alloli rai, domin neman girbi mai kyau kafin shuka, a lokacin bikin tsakiyar lokacin rani ko tsakiyar hunturu, ko kuma kawai a lokacin shiga wani sabon lokaci na wata ko kuma idan akwai buƙatar ruwan sama. Bugu da ƙari, akwai nau'ikan agwara guda biyu, " Kwaya" ko " Mbaka" waɗanda ake rawa na tsawon kwanaki biyu musamman don gasa tsakanin ƙabilu da bukukuwan sarauta, da kuma " Selewa" wanda yawanci ana yin sa ne don godiya ga sa'a kamar girbi mai nasara da nasarar jama'a.

## Duba kuma

* Mutanen Buganda
* Kabilar Samia
* Mutanen Gisu
* Mutanen Alur
* Waƙar Uganda
* Tarihin al'adun Uganda
* Rawar gargajiya ta Uganda

## Manazarta
Akogo

**Rawar Akogo** wata irin rawa ce ta gargajiya ta mutanen Teso ko Iteso na Gabashin Uganda . Maza da mata ne ke yin wannan salon al'ada, waɗanda ke motsa jikinsu cikin ladabi tare da bugun akogo, wani kayan kida da aka ƙera daga bututun bamboo masu tsayi daban-daban.  Ana kyautata zaton mutanen Teso sun yi Rawar tsawon ƙarni kuma ta samo asali a tsawon lokaci kuma wasu nau'ikan rawa daga yankuna maƙwabta sun rinjayi ta.   

## Matakai da motsi na gargajiya
Akogo, wanda aka fi sani da babban piano, shine babban kayan kida da ake amfani da shi a cikin rawar gargajiya ta Akogo.   An ƙera wannan kayan kida mai ban sha'awa daga bututun bamboo masu tsayi daban-daban, ana buga shi ta hanyar riƙe shi a hannu biyu kuma ana cire layukan ta amfani da babban yatsa da kuma wani lokacin yatsun gaba. Sautin mai daɗi da akogo ke samarwa yana da muhimmiyar rawa a cikin rawar, yana daidaita yanayin motsin masu rawa masu kyau. Rawar Akogo tana da alaƙa da motsinta mai sauri da kuma salon kuzari. Maza da mata ne ke yin rawa kuma galibi ana tare da ita da waƙa. Masu rawa suna motsawa cikin tsari mai zagaye, tare da kowane mai rawa yana juyawa don yin wasa a tsakiyar da'irar.  a wasu lokuta, Akogo yana aiki azaman rawa ta soyayya, inda mahalarta ke nuna sha'awar abokan hulɗa ta hanyar motsinsu na ƙwararru da hulɗar rhythm. 

## Muhimmancin al'adu
Wasannin rawa na Akogo a al'adar Teso suna nuna kayayyaki masu kyau da aka ƙawata da tsare-tsare masu sarkakiya. Maza galibi suna sanya wando da riguna masu laushi, yayin da mata ke zaɓar dogayen siket tare da rigunan riga. Rawar Akogo tana da matuƙar muhimmanci a al'ada, ana yin ta a lokuta daban-daban ciki har da aure, jana'iza, da bukukuwa. Wannan salon rawa na gargajiya yana aiki a matsayin hanyar da mutanen Teso za su girmama gadonsu da kuma ƙulla alaƙa mai zurfi da kakanninsu.

## Duba kuma

## Manazarta
Bwola

**Bwola**, wanda aka fi sani da **Acholi bwola**, rawa ce ta gargajiya da ta samo asali daga mutanen Acholi a Arewacin Uganda . An keɓe ta ne don bukukuwa na musamman da wasanni a gaban sarakuna, gami da sarakuna da sarakuna. Sau da yawa ana nuna wannan rawa a lokacin naɗa sabbin sarakuna ko a wasu bukukuwan sarauta.  

## Tarihi

Asalin Bwola an fara yin sa ne kawai don sarauta, yanzu ya faɗaɗa har ya haɗa da shugabannin siyasa da manyan mutane. An san Bwola a matsayin rawar sarauta ta mutanen Acholi, alamar girmamawa ce da girmamawa, wadda aka saba nunawa a lokutan bukukuwan sarakuna. Yana taka muhimmiyar rawa wajen naɗa sabbin sarakuna ko duk wani taron sarakuna.

Aikin Bwola ya fuskanci ƙalubale, ciki har da hana takamaiman sassan dabbobi waɗanda suke da mahimmanci ga rawa, don haka yana barazana ga kiyaye al'adunsa.   

## Aiki
Ana gane Bwola ta hanyar abubuwan da ke cikinta kamar calabash mai suna "Larakaraka" da kuma ganga mai siffar silinda da aka sani da "Jagi". Masu rawa suna ado da kayan gargajiya, ciki har da gashin kai na jimina, farin zane mai kyau da aka lulluɓe a kugunsu, da kuma kararrawar idon ƙafa waɗanda ke ƙara musu kyau ga motsinsu. 

Maza da mata ne ke yin rawar a cikin ƙungiyoyi daban-daban. Ƙungiyar maza ce ke fara yin rawa, sai kuma ƙungiyar mata. Rawar tana ƙarƙashin jagorancin ƙungiyar maza waɗanda ke buga ƙalabash da ganguna . Masu rawa suna motsi a cikin motsi na zagaye, inda maza ke tafiya a cikin alkiblar agogo, mata kuma suna tafiya a cikin alkiblar agogo. Masu rawa suna motsa ƙafafunsu a cikin tsari mai kyau, yayin da saman jikinsu ke tsaye.  

## Manazarta
Dingi dingi

**Rawar Dingi dingi**, wacce aka fi sani da Rawar Yara ta Acholi, rawa ce ta gargajiya da ta samo asali daga mutanen Acholi na arewacin Uganda waɗanda ke mamaye gundumomi kamar Gulu, Kitgum, Lamwo, Pader, da Nwoya . Acholi sun bazu wannan rawa ta al'adu tsawon tsararraki.  Sunan "dingi dingi" ya samo asali ne daga sautin da ƙananan ganguna da ƙwararrun masu buga ganguna ke yi.  

## Tarihi

Rawar Dingi, wacce ta shahara a al'adun Acholi, ta samo asali ne daga wasannin da 'yan mata ƙanana ke yi. An ƙirƙiri wannan salon rawa ne yayin da iyaye suka lura da tasirin da take da shi ga 'ya'yansu, kuma suka ƙarfafa su sosai suka rungume ta, wanda hakan ya ƙara haɓaka shahararta.   ana gabatar da ita ne a lokutan bukukuwan al'umma da tarurrukan jama'a.

## Matakai da motsi na gargajiya
Motsin rawa na 'yan matan Acholi ya samo asali ne daga abubuwan da suke fuskanta na yau da kullun.  A lokacin rawar, 'yan matan suna kwaikwayon motsin barewa da kuma Crested Crane . A lokaci guda, suna haɗa abubuwan motsin kamar soja, duk yayin da suke riƙe da jin daɗin rashin laifi da kuma ruɗani.  Rawar tana gudana ne ta hanyar ƙungiyar masu rawa waɗanda kyaftin ke jagoranta, galibi sun ƙunshi mahalarta daban-daban. Yaran suna ba da kiɗan da ke tare da su ta hanyar kunna ƙananan ganguna guda biyu, babban ganguna, calabashes, da sarewa, wanda ke haifar da saurin gudu. A halin yanzu, 'yan matan suna rawa da kuzari a cikin tsari mai layi da zagaye, suna girgiza kugunsu, kwatangwalonsu, da ƙirji yayin da suke ɗaga hannayensu a hankali sama da kugunsu, duk cikin jituwa da salon waƙar. 

## Muhimmanci da darajar al'adu
Rawar Dingi Dingi wata rawa ce ta gargajiya ta Afirka wadda ake yi a wuraren bukukuwan nishaɗi. Tana aiki a matsayin hanyar nuna kasancewar ƙananan 'yan mata masu himma a cikin al'umma. A cikin al'adun gargajiya na Afirka, iyaye suna amfani da hanyoyi daban-daban don tantance lafiyar jiki da iyawar 'ya'yansu. A tsakanin mutanen Acholi, rawa ta dingi dingi ta zama muhimmiyar ma'auni a wannan fanni, domin tana ɗauke da motsa jiki masu ƙarfi tare da zane mai rikitarwa. A lokacin waɗannan wasannin kwaikwayo, ƙananan 'yan mata za su nuna ƙwarewar rawa yayin da iyayensu ke lura da su da sha'awa. 

## Aikin zamani
Ana ci gaba da yin wasan Dingi a yau ta hanyar ƙungiyoyin al'adu ko ƙungiyoyi da makarantu, duka a arewacin Uganda da kuma a tarukan gargajiya na ƙasa inda yake wakiltar asalin Acholi da gado.

## Duba kuma

* Larakaraka
* Rawar gargajiya ta Uganda
* Mutanen Acholi
* Waƙar Uganda
* Tarihin al'adun Uganda
* Rawar Bwola

## Manazarta
Larakaraka

**Larakaraka** wata rawa ce ta gargajiya da ta samo asali daga mutanen Acholi na Uganda. Wannan rawa, wacce take cikin raye-rayen Acholi sama da 50, tana da matuƙar muhimmanci kuma galibi ana yin ta ne a lokutan musamman, musamman bukukuwan aure da bukukuwan jama'a . Tana aiki a matsayin nunin fasaha da ƙarfin jiki, nuna ƙwarewar rawa mai ƙarfi, da kuma bayyana al'adu. Larakaraka tana bawa samari damar nuna ƙwarewar rawa, kuzari, da kuma kuzari, duk da nufin jawo hankalin abokin rayuwa.   

## Aiki
Larakaraka wani wasan kwaikwayo ne na gargajiya na Acholi wanda ke nuna ƙwarewar rawa na samari da 'yan mata da fatan samun abokan soyayya ko waɗanda za su iya zama abokan aure.  Rawar tana da motsin motsi da kuma wasan kwaikwayo, inda masu rawa galibi ke yin tsalle-tsalle, juyawa da kuma motsa jiki masu kyau a tsakiyar iska. Tare da waƙoƙin gargajiya na Acholi da ake bugawa da ganguna, garaya, sarewa, calabashes da sauran kayan kida na asali, wannan rawa mai ban sha'awa kuma tana ƙirƙirar nunin baiwa kuma tana nuna cewa al'ada muhimmin ɓangare ne na gadon Acholi. 

## Muhimmanci
Larakaraka tana da matuƙar muhimmanci a al'adun Acholi kuma ana ɗaukarta a matsayin al'adar gargajiya ga samari da mata. A da, ana ɗaukar wannan rawa a matsayin dama ga waɗanda ba su yi aure ba don haɗuwa, mu'amala, da kuma jawo hankalin waɗanda za su iya zama abokan rayuwa ta hanyar nuna juriya da ƙarfi. Ana kallon waɗannan halaye a matsayin halaye masu kyau ga waɗanda za su zama abokan aure, kuma jarumtaka a cikin rawa tana da alaƙa da al'ada da darajar mutum da zamantakewa.

### Duba kuma

* Mutanen Acholi
* Al'adun Uganda
* Rawannin gargajiya na Afirka
* Bwola (Rawar sarauta ta Acholi)
* Waƙar gargajiya ta Uganda

## Manazarta
Edonga

**Rawar Edonga**, wacce aka fi sani da **Edonga**, rawa ce ta gargajiya ta al'adu da ta samo asali daga mutanen Karamajong, wata ƙabila ta al'ummar Nilotic da ke zaune a yankin arewa maso gabashin Uganda musamman a gundumomin Kotido da Moroto .  Maza da mata ne ke yin wannan rawa, tare da waƙoƙi masu daɗi da aka rera a yaren Karamojong na asali. Rawar Edonga tana da muhimmiyar rawa a cikin al'umma da kuma gadon mutanen Karamajong .   
 

## Tarihi
Asalin Rawar Edonga ba a rubuta ta sosai ba. Mutanen Karamajong sun yi ta sosai. Ana kyautata zaton an fara ta ne da nuna godiya da ƙauna ga al'adun gargajiya masu yawa da kuma asalin ƙasa. Rawar tana buƙatar mahalarta su yi tsalle da ƙarfi da nauyin jikinsu gaba ɗaya.

## Aiki
Rawar Edonga ta ƙunshi ƙungiyar 'yan rawa suna motsawa cikin tsari mai zagaye yayin da suke rera waƙa mai dacewa.  Wannan rawa tana da siffa ta sautunan da aka ƙirƙira ta hanyar tattaka ƙafa da tafa hannu, waɗanda ke aiki a matsayin manyan nau'ikan bugun. Masu rawa suna ado da tufafin gargajiya na Karamajong, waɗanda suka haɗa da sarƙoƙi masu ƙyalli, mundaye, da kuma tsalle-tsalle da dukkan nauyin jiki har zuwa tsayin daka don nuna sha'awa da ƙauna ga al'adunsu da ƙasarsu.   

## Muhimmanci
Rawar tana da matuƙar muhimmanci a cikin al'ummar Karamajongo, ana yin ta ne a lokutan musamman kamar aure, jana'iza, da bukukuwa masu muhimmanci. Ana kyautata zaton tana kawo wadata da sa'a yayin da take kiyayewa da kuma isar da ilimi, dabi'u da asali har zuwa tsararraki masu zuwa. 

## Duba kuma

* Karamojong
* Al'adun Uganda
* Mutanen Nilotic
* Waƙar Uganda

## Manazarta
Ekizino

**Ekizino**, wanda aka fi sani da **Kizino**, rawa ce ta gargajiya ta zamantakewa da ta samo asali daga mutanen Bakiga a yankin Kigezi da ke kudu maso yammacin Uganda .     An samo ta ne daga tsaunukan yankin, inda manoma ke shiga tsalle-tsalle masu ƙarfi don dumamawa da miƙe tsokoki bayan aiki mai wahala na yini.   Ana yin rawa ta gargajiya ta Ekizino ta amfani da kuzari mai yawa. 

## Tarihi
Rawar tana da tushen tarihi kuma tana da alaƙa sosai da al'adun Bakiga. Ana yin ta a lokuta daban-daban. Ana kallonta a matsayin raye-rayen sarauta a tsakanin mutanen Bakiga na Kigezi yanzu Kabale, Kanungu, Kisoro, da Rukungiri .  

## Aiki
Ekizino ya ƙunshi maza da mata waɗanda suka shiga cikin tufafin Bakiga na gargajiya. Wannan rawa tana ɗauke da motsin jiki mai ƙarfi, kamar tsalle da tattaka, wanda ke nuna wahalar da mutanen Bakiga ke sha a wuraren noma.   Ana nuna ta gabaɗaya a lokutan bukukuwa, kamar bukukuwan aure da bikin girbi, da kuma sauran tarurrukan zamantakewa daban-daban.  

## Muhimmancin al'adu
Ekizino yana da matuƙar muhimmanci a al'adun Bakiga, yana aiki a matsayin wakilci mai ƙarfi na haɗin kai da juriya ga yanayi mai aiki tuƙuru. Hakanan yana aiki a matsayin hanyar isar da al'adu ga tsararraki masu zuwa.

## Duba kuma

* Mutanen Bakiga
* Al'adun Uganda
* Yankin Kigezi
* Waƙar Uganda
* Rawar gargajiya ta Uganda

## Manazarta
Kadodi dance

**Rawar Kadodi** rawa ce ta gargajiya da mutanen Bamasaba ke yi, waɗanda aka fi sani da Bagisu ko Gishu, waɗanda ke zaune a gabashin Uganda da yammacin Kenya .   Rawar Kadodi galibi tana da alaƙa da bikin kaciyar maza na Imbalu wanda ke nuna sauyawa daga ƙuruciya zuwa namiji a tsakanin Bamasaba.  Ana kuma yin rawa ta Kadodi a wasu lokutan, kamar bukukuwa, bukukuwa, da al'adu.   

## Tarihi
Ana kyautata zaton cewa rawa ta Kadodi ta samo asali ne daga tsoffin al'adu da ayyukan kakannin Bamasaba, waɗanda suka yi ƙaura daga yankin Nilu suka zauna a gangaren Dutsen Elgon . Rawar Kadodi tana nuna al'adun Bamasaba, asalinsu, da tarihi, musamman irin sha'awarsu ga kiwon shanu da noma. Rawar Kadodi kuma ta ƙunshi tasirin al'ummomin da ke makwabtaka da ita, kamar Baganda, Basoga, Banyole, da Kalenjin .  

## Aiki
Rawar Kadodi tana gudana ne ta hanyar ƙungiyoyin masu rawa, maza da mata, waɗanda ke sanye da kayan ado masu launuka iri-iri, kamar beads, fuka-fukai, harsashin cowrie, da fatar dabbobi. Masu rawa suna motsawa cikin tsari mai zagaye, suna bin ƙamshi da saurin ganguna, sarewa, ƙaho, da ƙara.  Masu rawa kuma suna waƙa, suna rera waƙa, da tafi, suna ƙirƙirar yanayi mai rai da kuzari. Wasan kwaikwayon rawa na Kadodi yana da alaƙa, yayin da masu kallo ke haɗuwa da waƙa, suna ihu, da rawa.  

Waƙar rawa ta Kadodi tana da tasiri a yanayin da ake ciki, yanayin, da kuma masu kallo. Babban abin da ya fi jan hankali a rawa ta Kadodi shi ne Imbalu, bikin kaciyar maza da ake yi kowace shekara. A lokacin bikin Imbalu, 'yan takarar kaciya, waɗanda aka sani da basinde, masu rawa na Kadodi suna raka su daga gidajensu zuwa filin kaciya, inda suke yin yanka na al'ada. Masu rawa na Kadodi suna yabon basinde saboda jarumtaka, jarumtaka, da juriyarsu, kuma suna yi musu ba'a da ƙalubalantar su don tabbatar da namijin su. Masu rawa na Kadodi kuma suna nishadantar da masu kallo, waɗanda suka fito daga ƙabilu da yankuna daban-daban, game da al'adu da ɗabi'un Bamasaba.

## Muhimmanci
Rawar Kadodi tana da matuƙar muhimmanci wajen kiyayewa da kuma yaɗa al'adun Bamasaba, asalinsu, da tarihi. Rawar Kadodi tana murnar salon rayuwar Bamasaba, al'adunsu, da nasarorin da suka samu.  Rawar Kadodi kuma tana aiki a matsayin tushen nishaɗi, ilimi, da zamantakewa ga Bamasaba da sauran al'ummomi. Rawar Kadodi kuma tana haɓaka haɗin kai, haɗin kai, da jituwa tsakanin Bamasaba, waɗanda ke da zuri'a iri ɗaya, harshe, da al'adu iri ɗaya.  

## Duba kuma

* Imbalu
* Bamasaba
* Yankin Dutsen Elgon
* Al'adun Uganda

## Manazarta
Naleyo

Rawar **Naleyo** ko **Naleyo** rawa ce ta gargajiya da mutanen Karamajong na Arewa maso Gabashin Uganda ke yi.  Rawar wooing ce da ake yi a layuka biyu tare da mata a layi ɗaya da maza a layi ɗaya. Rawar tana da alaƙa da yadda maza da mata ke tsalle sama yayin da suke fuskantar juna, wanda hakan ya sa ta zama abin kallo mai ban sha'awa.   

## Tarihi
 
Kabilar Karamajong wata kabila ce a Uganda da aka san ta da salon kiwo na noma da kiwo. Suna magana da yaren NgaKarimojong, wanda wani ɓangare ne na dangin harshen Nilotic . Rawar Naleyo al'ada ce ta shekara-shekara bayan lokacin girbi. 

## Aiki
Ana yin rawa ta Naleyo a layi biyu, inda mata ke layi ɗaya, maza kuma ke layi ɗaya. Rawar tana da alaƙa da yadda maza da mata ke tsalle sama yayin da suke fuskantar juna.  Maza suna sanya kayan gargajiya waɗanda suka ƙunshi hular kai da aka yi da fatar dabbobi, siket ɗin da aka yi da fatar dabbobi, da bel ɗin da aka yi da beads. Matan suna sanya siket ɗin da aka yi da fatar dabbobi da sarƙa mai ƙyalli. Rawar tana tare da waƙoƙin gargajiya da ake bugawa a kan kayan kida iri-iri kamar adungu, ngoma, da ekitirikiti.  

## Muhimmanci
Rawar Naleyo rawa ce ta musamman inda mata ke zaɓar abokan rawansu. Ana yin rawan ne a lokacin girbi kuma hanya ce da samari da 'yan mata ke samun soyayya. Rawar kuma hanya ce da mutanen Karamajong ke bi don murnar al'adunsu da gadonsu.

## Duba kuma

* Mutanen Karamojong
* Rawar Soyayya
* Harshen Ngakarimojong

## Manazarta
Amaggunju

Amaggunju ya samo asali ne daga mutanen Baganda kuma yana da matuƙar muhimmanci domin an fara ƙirƙirarsa ne a fadar sarki.  Tarihin rawan za a iya gano shi tun daga shekarar 1582, a zamanin Sarki Mulondo . Ya mutu ba tare da magaji ba, kodayake da yawa daga cikin matansa suna da juna biyu a lokacin mutuwarsa. Ma'aikatan magunguna da likitocin mayu na gargajiya tri **Amaggunju** rawa ce ta gargajiya ta Baganda, wacce ke wakiltar mafi girman al'umma a Uganda .   Ana yin wannan rawa ta sarauta a lokacin muhimman lokatai kamar nadin sarauta, bukukuwan aure, da sauran al'adu.  Abubuwan da suka shahara a rawan sune rawar ganguna masu ƙarfi da kuma motsin kuzari, waɗanda mawaka maza da mata ke yi. 

## Tarihi
an tsara shi ne don tantance wacce mace ce ke da juna biyu da ɗa namiji, domin an ɗauke ta a matsayin abin da ya saba wa al'ada a ce mace ce ke mulkin masarautar.   Saboda haka, wata mata mai suna Namulondo, ɗaya daga cikin matan, wacce ake tsammanin tana da ɗa namiji, ta hau karagar mulki, kuma mutane suka ɗauke ta a matsayin ɗanta da ba a haifa ba yana mulki, maimakon kanta. Lokacin da aka haifi yarima, ya fara mulkinsa yana kan karagar mulki.  Mutanen Baganda sun yi imanin cewa sarakuna ba za su zubar da hawaye ba, domin ana kyautata zaton suna gayyatar la'ana da rashin sa'a ga masarautar. Saboda haka, domin tabbatar da cewa jaririn yarima ya kasance cikin farin ciki kuma ya guji yin kuka, kawun jaririn da goggonsa sun ƙawata ƙafafunsu da ƙararrawa ta idon sawu kuma sun yi rawa mai daɗi.   Wannan rawa, wadda aka sani da rawa 'amaggunju', asali an yi ta ne kawai ga mutanen da ke cikin dangin 'Obutiko' ( Namomin kaza ) kuma ana yin ta ne kawai a cikin iyakokin fadar. A zamanin yau, wannan rawa ta zama ruwan dare, inda mutane da yawa na yau da kullun ke shiga cikin rawar.  

## Matakan rawa da wasan kwaikwayo
Rawar tana gudana ne ta hanyar ƙungiyar masu rawa waɗanda ke motsawa cikin tsari mai zagaye a kusa da masu buga ganga . Rawar tana da alaƙa da motsinta mai kuzari da kuma salon da masu rawa maza da mata suka daidaita sosai. Suna daidaita aikin ƙafa da motsin hannu tare da bugun ganguna.  

## Kayan kiɗa
Rawar tana tare da nau'ikan kayan kiɗa iri-iri, waɗanda suka haɗa da ƙananan ganguna, manyan ganguna masu launuka daban-daban, ganguna masu tsayi, da kuma girgiza. Ana buga ganguna a cikin tsari mai kama da juna wanda ke ƙara wa motsin masu rawa ƙarfi. Ana amfani da girgiza don saka wani abu mai kaɗawa cikin kiɗan.  

## Muhimmanci
Rawar tana da matuƙar muhimmanci a al'adun Baganda kuma tana da fifikon zama rawa ta sarauta. Ana yin wannan rawa ta gargajiya a lokutan bukukuwa masu muhimmanci kamar nadin sarauta da bukukuwan aure inda take da amfani ga bukukuwa da nishaɗi. Tare da motsinta mai ƙarfi da kuma buga ganguna masu jan hankali, wannan rawa ta sarauta tana ɗaukar matsayi a lokacin muhimman al'adu. Amaggunju yana nuna ci gaba da sarauta, haɗin kai da kuma asalin al'adu tsakanin mutanen Buganda.

## Duba kuma

* Waƙar Baganda
* Masarautar Buganda
* Mutanen Baganda
* Baakisimba
* Cibiyar Al'adu ta Ndere
* Rawar gargajiya ta Uganda
* Nankasa
* Muwogola

## Manazarta
Otole dance

**Otole** wata rawa ce ta yaƙi ta gargajiya ta mutanen Acholi na Arewacin Uganda. A tarihi, ta kasance nau'i na horo kafin yaƙi da kuma bayyana al'adu, tana ilmantar da matasa game da yaƙi da kare al'umma ta hanyar yin wasa. Mahalarta taron sun ƙunshi maza masu ƙarfi da mata da aka zaɓa, galibi tsakanin shekaru 30 zuwa 50.  

## Dalilai
Otole ya yi ayyuka da dama, ciki har da:  

* Shiri na jiki. Ya ƙunshi motsi mai ƙarfi kuma yaƙin gwaji ya taimaka wajen daidaita mayaka don buƙatun jiki da yaƙi na gaske. 
* Yin atisaye da dabarun kai hari.
* Shirye-shiryen motsin rai da na tunani
* Ta hanyar waƙoƙin da aka saba yi, rera waƙa da kuma faɗa mai ƙarfafa gwiwa, an ƙarfafa mahalarta su haɓaka ƙarfin hali da ƙudurin da za su iya
* Ƙara goyon bayan jama'a ga yaƙin da aka tsara
* Haɗa kan al'umma. Waƙar da jama'a suka yi ta taimaka wajen ƙarfafa goyon bayan al'umma don aiwatar da rikici don tunawa da nasarorin da aka samu.

## Bayani
An shirya Otole bisa kiran wani basarake kuma ya haɗa da yaƙe-yaƙe na ba'a, hare-hare masu tayar da hankali da kuma ja da baya da kuma raye-rayen nasara.  Rawar ta haɗa da raye-rayen nasara da faɗa na ƙarya. A lokacin Otole, maza suna sanya fatar damisa da gashin jimina, kuma suna ɗauke da ƙaho, garkuwa, da mashi.    Mata suna ɗauke da ƙananan gatari na katako ko sanduna marasa kaifi.  

Mawakiyar mace mai jagora za ta fara rawa da *kigila*, ko kuma ulations, kuma jarumin zai fara *rawa*, ko kuma fadan ba'a.  Mawakin Otole yana tare da ganga, kuma mahalarta suna rera ko rera waƙoƙin yaƙi.  

A lokacin rawa, mata sun yi jerin gwano wanda maza suka yi masa rakiya, wanda ke nuna nauyin da ke kansu na kare mata da al'umma.

## Muhimmancin Al'adu

* Duk da cewa an gina ta ne a cikin shirye-shiryen yaƙi, rawar otole kuma tana da ma'anar zamantakewa da alama. Ta hanyar faɗa da waƙa mai ban mamaki, ta ƙarfafa rawar jinsi, jarumtaka da kuma haɗin kai tsakanin Acholi. Hakanan ta kasance wani nau'i na tarihin baki, tana watsa al'adun yaƙi daga tsofaffi zuwa ga matasa. 
* A zamanin yau, ana yin abubuwan da ke cikin rawar Otole a wasu lokutan a bukukuwan al'adu da ke bikin al'adun Acholi, inda dattawa ke yin ayyukan gargajiya da mashi da garkuwa don tayar da tunawa da tarihi da alfaharin al'umma.

## Aikin Zamani
Duk da cewa ayyukan yaƙi na gargajiya na Otole sun ɓace sosai sakamakon canje-canje a cikin tsarin zamantakewa da shugabanci, rawa ta ci gaba da kasancewa wani ɓangare na nunin al'adu da abubuwan tarihi. Sau da yawa ana nuna ta tare da sauran raye-rayen Acholi kamar Bwola (rawar sarauta) da larakaraka (rawar soyayya) a cikin nunin al'adu. 

## Duba kuma

* Rawar Acholi
* Rawannin gargajiya na Afirka
* Larakaraka

## Manazarta
Fwemba

**Fwemba** rawa ce ta al'ada da kuma bayyana ra'ayi da mutanen Tumbuka ke yi a Gabashin Zambia, musamman a gundumomi kamar Lundazi, Chasefu, da Lumezi, da kuma Chama a Lardin Muchinga . Rawar tana da motsin ƙarfi da na yaƙi waɗanda ke nuna bikin al'umma da juriya. Kalmar Chitumbuka *Fwemba* tana da alaƙa da rawar da take takawa biyu a matsayin rawar nasara da kuma nau'in zanga-zanga. 

## Tarihi
Fwemba ta samo asali ne daga rawar yaƙi da mayaƙan Tumbuka suka yi bayan sun dawo daga yaƙin da suka yi nasara, wanda hakan ya ba su damar nuna dabarunsu na zahiri da kuma nasarar al'umma a bainar jama'a. A lokacin mulkin mallaka, ta rikide zuwa wani nau'i na zanga-zanga kan zalunci, tana ba da murya ga rashin amincewa da juna da kuma alfahari da al'adu. 

Rawar tana cikin manyan nau'ikan wasan kwaikwayo na soja, suna raba asali da Mganda, Malipenga, da Kalela, wasannin kwaikwayo da suka bayyana a lokacin mulkin mallaka da yaƙe-yaƙen duniya a matsayin nishaɗi da kuma sharhin siyasa da zamantakewa.  Fwemba musamman ta yi aiki a matsayin hanyar yin biki, tana wayar da kan jama'a game da rashin adalcin mulkin mallaka. 

## Muhimmancin al'adu da aikin zamani
Fwemba na ci gaba da kasancewa ana yin ta a bukukuwan aure, bukukuwan gargajiya, tarukan sarakuna, da shagulgulan al’umma, inda take taimakawa wajen kiyaye asalin al’adar Tumbuka. Asalinta na yaƙi da kuma ma’anarta ta nuna adawa da zalunci har yanzu suna da muhimmanci a al’ada, suna bai wa al’ummar Tumbuka na zamani damar girmama gadon kakanni da kuma tabbatar da ƙimomin zamantakewa.

## Duba kuma

* Bikin Gargajiya na Kulonga
* Bikin Gargajiya na Zengani

## Manazarta
Tenabo railway station

Tenabo tashar jirgin ƙasa ce da ke kusa da Tenabo, Campeche .

## Jirgin kasa na Maya
Andrés Manuel López Obrador ya sanar da aikin Tren Maya a yakin neman zaɓen shugaban ƙasar Najeriya na shekarar 2018. A ranar 13 ga watan Agusta na shekarar 2018, ya sanar da cikakken tsari. Hanyar sabon Maya Tren ta sanya tashar Tenabo a kan hanyar da za ta haɗa Tashar jirgin kasa ta San Francisco de Campeche da Tashar jirgin ƙasa ta Teya Mérida.

Tashar Tenabo tana aiki a matsayin tashar a Sashe na 2 na Jirgin Maya, a jihar Campeche . 

## manazarta
Toyi-toyi

Toyi-toyi na iya farawa ne a matsayin tattaka ƙafafu da kuma rera waƙa ba tare da ɓata lokaci ba a lokacin zanga-zangar da za ta iya haɗawa da taken siyasa ko waƙoƙi, ko dai waɗanda aka ƙirƙira ko waɗanda aka ƙirƙira a baya.

## Amfani a lokacin mulkin wariyar launin fata
Sau da yawa ana amfani da Toyi-toyi don tsoratar da 'yan sanda da jami'an tsaro na Afirka ta Kudu a lokacin zanga-zangar adawa da wariyar launin fata. An kuma yi amfani da toyi-toyi tare da waƙoƙi kamar " Amandla " ("iko") da "Awethu" ("namu") ko kuma " One Settler, One Bullet " na Pan African Congress .

Bayan kisan kiyashin Soweto na 1976, ƙungiyar yaƙi da wariyar launin fata ta ƙara zama mai fafutuka. Rawar sojoji da salon waƙa sun zama ruwan dare a cikin manyan zanga-zangar tituna. Kamar yadda wani mai fafutuka ya faɗa, "Toyi-toyi ita ce makaminmu. Ba mu da fasahar yaƙi, hayaki mai sa hawaye da tankunan yaƙi, amma muna da wannan makamin." 

## Amfani na yanzu a Afirka ta Kudu

Bayan ƙarewar Apartheid, mutane sun yi amfani da toyi-toyi don bayyana koke-kokensu game da manufofin gwamnati na yanzu. Amfani da rawa ya zama ruwan dare a lokacin zanga-zangar bayar da hidima da kuma tsakanin ƙungiyoyin kwadago .   Ƙungiyar Yaƙi da Sayar da Kaya ta fito da wani faifan CD wanda suke gani a matsayin tarin kiɗa musamman don wasan yara. 

## Janar
Ƙungiyar mawakan Burtaniya, UB40, sun haɗa waƙar "Amandla, Awethu" a cikin waƙar Sing Our Own Song daga kundin waƙar Rat In The Kitchen na 1986.

A watan Oktoban 2004, Robert Mugabe na Zimbabwe ya haramta toyi-toyi har ma a cikin gida saboda amfani da shi a matsayin zanga-zanga. 

## Manazarta
Sokkie

**Sokkie** salon rawa ne na musamman a Kudancin Afirka kuma galibi yana shahara a tsakanin 'yan Afirka . Hakanan wani nau'in rawa ne na ɗakin rawa.

## Rawar Sokkie
Rawar Sokkie salon rawa ce ta zamantakewa tare da abokin tarayya . Haka kuma ana kiranta da "langarm", "sakkie-sakkie", "kotteljons" da "Water-pomp". Kamar yadda ake kiranta da ' Sock Hop ' ta Amurka, *sokkie*, ma'ana ' sock ' a cikin Afirka, yana nufin yadda matasa ke rawa da sokkie a cikin safa kuma galibi ba sa takalma . Masu rawa na Sokkie a gidajen rawa galibi suna sanya takalma kuma suna sanya tufafi masu kyau . 

Sau da yawa ana rawa Loopdans, matakai biyu, swing, boogie, social foxtrot ko quickstep steps, tare a Sokkie.  Ana kuma rawa boerewals, wanda shine waltz na Vienna a matsayin sokkie.  Ba wai kawai ana rawa Sokkie a matsayin kiɗan sokkie ba, har ma ana iya rawa a nau'ikan kiɗa da yawa, misali hip-hop, trance, country da pop .   Rawar "Sokkie Sokkie" ta samo asali ne daga Kudancin Afirka daga masu tafiya a Afirka.

## Kiɗan Sokkie
Fitowar wani salon waƙar sokkie mai tallatawa  a cikin 'yan shekarun nan abin lura ne musamman &#x5B; ** &#x5D; . Misalan masu fasaha sune Kurt Darren,  Nicholis Louw, da Juanita du Plessis, da sauransu da yawa. 

Hanyar da aka fi so ta ƙirƙirar waƙoƙin sokkie ita ce ɗaukar waƙoƙin Turanci masu nasara a fassara su zuwa cikin 'yan Afirka  . Ko kuma a yi amfani da waƙar da ta yi nasara  .

Har ma Nicholis Louw ya yi amfani da sautin ringin Blue Horizon daga wayar Sony Ericsson don waƙar da ya shahara - Rock Daai Lyfie . Sauran waƙoƙin Turanci kuma za a iya haɗa su domin mutane su iya rawa su kaɗai.

## Manazarta
Apatampa

**Apatampa** rawa ce da Fanti's ke yi a Ghana . A tarihi, ana kyautata zaton cewa, sunan rawar ya samo asali ne daga wani lamari da ya faru tun da daɗewa inda wani babban mutum ya yi amfani da shi wajen kai hari da kashe mutanen Fante da daddare. Wata rana da daddare, lokacin da ƙaton ya ke yaƙi da mutum na ƙarshe, wata mace ta bayyana ta yi rawa mai kyau don ta janye hankalin kowa. An yaba mata saboda raba faɗan (apata ampa a Fante).

## Kayan kida

Kayan kida da ake amfani da su wajen yin Rawar Apatampa sun haɗa da; babban katako mai siffar murabba'i inda masu buga ganga ke buga saman da tafin hannunsu, busa mai ƙarfi wanda aka fi sani da "aben" da castanet (wanda aka fi sani da afrikiwa)

## Aiki
Rawar tana farawa da mutumin da ke yin bugun ta hanyar buga duka madauri biyu da hannu biyu sau biyu sannan tafa hannuwa a bugun na uku. Sannan bayan haka, tafa kirji sau biyu don yin bugun na huɗu da na biyar. Ana yin wannan da murmushi da fuska mai daɗi yayin motsi. Haka kuma, wasan kwaikwayo na rawa yana tafiya cikin salon kayan kida.  

## Manazarta
Chaxiraxi

**Chaxiraxi** allahiya ce, wacce aka fi sani da Uwar Rana, a cikin addinin mazaunan asalin Guanche na Tsibirin Canary .  Chaxiraxi na ɗaya daga cikin manyan alloli na pantheon na Guanche . An haɗa ta da tauraron Canopus .

Wasu malamai suna fassara Chaxiraxi a matsayin alama ce ta ikon uwa, yayin da wasu ke jaddada alaƙar ta da wata da haihuwa. An kuma kwatanta ta da shahararrun alloli daga al'adun Bahar Rum da Arewacin Afirka, kamar Juno .  

Ganin cewa ana kyautata zaton 'yan asalin Tsibirin Canary ne tun kafin wayewarsu, ana kyautata zaton cewa Chaxiraxi an samo shi ne daga allahiyar Punic -Berber Tanit, kuma an ba ta suna da siffofi daban-daban. Wasu kuma suna danganta ta da kamannin da ake zargin , 1400 ko 1401 na Budurwar Candelaria a Güímar, a tsibirin Tenerife, tana ɗauke da jaririnta, Chijoraji . A tsawon lokaci, bautarta ta daidaita da ta Budurwar Maryamu ta hanyar tasirin masu wa'azin Kirista .  

## Magana
Kalmar *Chaxiraxi* - wanda aka samo a cikin takardu tare da bambance-bambance *Chaciraxi*, *Chijoragi*, *Chijoraji*, da *Chirijoraji* - asalin Guanche ne, mai yiwuwa an samo shi ne daga asalin Tamazight ta-ahghər-ahghiə . 

An kuma kira ta *Achmayex Guayaxerax* (a cikin Insular Tamazight: Ach mayes Wayyaghiragh, ma'ana "ka riƙe mahaifiyarsa, Ruhun da ke kiyaye sararin samaniya"). 

## Bautar yau da kullun
An dauki Chaxiraxi a matsayin babban allahiya na addinin neo-pagan Church of the Guanche People .

## Bayanan da aka ambata
Ekikibi

**Ekikibi** rawa ce ta soyayya ta al'ada ta mutanen Bakonzo, waɗanda ke zaune a tsaunin Rwenzori na yammacin Uganda da gabashin Jamhuriyar Dimokuradiyyar Kwango .   Bakonzo ƙabilar Bantu ce dake cikin yankin Rwenzori a gundumomin da suka haɗa da; Gundumar Kasese, Bundibugyo, Bunyangabu da Ntoroko .  Ana yin raye-rayen ne a lokacin bukukuwan aure da sauran lokutan bukukuwa, kuma tana nuna farin ciki da soyayyar ango da amarya.   

## Tarihi
Ekikibi ya dogara ne akan motsin kifaye a cikin ruwa, wanda mutanen Bakonzo suka lura kuma suka yaba. Haka kuma, rawar ta samu tasiri daga muhalli da al'adun yankin tsaunuka, inda Bakonzo suka rayu tsawon ƙarni da yawa. An kuma yi ta yaɗa rawa daga tsara zuwa tsara, kuma ana ɗaukarta a matsayin alama ta asalin Bakonzo da gado.  

## Aiki
Ƙungiyar 'yan rawa ce ke yin Ekikibi, galibi maza huɗu da mata huɗu, waɗanda ke sanye da kayan ado masu launuka iri-iri da kayan ado. Rawar tana tare da waƙoƙin soyayya, waɗanda ke yabon amarya da ango, da kuma kayan kida, kamar ganguna, sarewa, da ƙara. Masu rawa suna motsawa cikin tsari mai zagaye, maza a waje da mata a ciki. Rawar ta ƙunshi matakai masu ƙarfi, tsalle, juyawa, da juyawa, waɗanda ke kwaikwayon motsin kifin. Masu rawa kuma suna musayar motsin hannu da kuma kallon ido, waɗanda ke bayyana yadda suke ji da motsin zuciyarsu.

## Muhimmanci
Ekikibi rawa ce da ke nuna soyayya, aure, da farin ciki. Hanya ce ta bayyana alaƙa da jituwa tsakanin amarya da ango, da kuma tsakanin iyalai biyu. Haka kuma hanya ce ta girmama kakannin da alloli, waɗanda ake kyautata zaton suna albarkaci auren da kuma kare ma'auratan. Ekikibi rawa ce da ke nuna kyau da wadatar al'adun Bakonzo, kuma abin alfahari ne da farin ciki ga mutane.    

## Manazarta
Ekitaguriro

Rawar **Ekitaguriro** wacce aka fi sani da **Cow Dance** rawa ce ta gargajiya da ta samo asali daga yankin Nkore ko Ankole wanda ke kudu maso yammacin Uganda . Rawar biki ce da maza da mata ke yi don nuna godiya ga shanunsu da kuma nuna wadata a yankin kamar haihuwa, aure da yawan girbi.     Wani muhimmin bangare ne na tarurrukan zamantakewa da abubuwan da suka faru a yankin, wanda ke nuna muhimmancin al'adun shanu a cikin al'umma.   

## Tarihi
Masarautar Ankole ta samo asali ne ta hanyar haɗa masarautar Nkore da ƙananan masarautu na Sheema, Buhweju, da Igara. Masarautar Ankole ta ƙara raba zuwa ƙungiyoyi biyu daban-daban, wato Bahima (wanda ya ƙunshi manyan mutane da makiyaya) da kuma Bairu (wanda ya ƙunshi manoma da manoma). Yankin Ankole ya haifi rawa ta gargajiya ta Ekitaguriro, wadda maza da mata ke yi. Wannan rawa tana aiki a matsayin hanyar isar da labarai, isar da muhimman ilimin al'adu, bikin girbi mai yawa, da kuma nuna muhimman abubuwan da suka faru a rayuwa kamar haihuwa da aure.  
 

## Aiki
Ya fara da "Okwevuga," wani nau'in waƙar da maza ke yi, inda suke ba da labarin nasarorin rayuwarsu. Bayan haka sai rawa, inda mazan ke kwaikwayon motsin shanu suna tafiya ta hanyar taka ƙafa ɗaya zuwa wata. A halin yanzu kuma, matan suna yin rawa daga gefe zuwa gefe cikin ladabi, suna shimfiɗa hannayensu a saman kawunansu don wakiltar shanu masu dogon ƙaho. A lokacin rawa, maza da mata suna sanya kayan rawa na gargajiya da ake kira 'bitambi' ko 'lessu.' Masu rawa suna ɗaure wannan kyallen a kugunsu sosai kuma suna yafa masa wani kyalle mai sauƙi a kafaɗunsu. Matan kuma suna ƙawata kansu da kayan ado na Afirka. Maza suna ƙara kayansu ta hanyar ƙara duwatsu masu kama da mayafi, waɗanda ke jawo hankali ga motsin ƙafafunsu kuma suna ƙara sautin rawar 'Kitaguriro'. Ana yin sautunan ta amfani da sarewa, Engalabi, girgiza, ganga da kuma tafa hannuwa.

## Manazarta
Siwela Sonke

**Gidan Wasan Rawa na Siwela Sonke** wani kamfani ne na rawa na Afirka ta Kudu da ke Durban wanda ya fito daga shirin horarwa da haɓakawa ga masu rawa baƙar fata waɗanda ba su da damar samun damar horo, wanda Kamfanin Playhouse ya fara a Durban a 1994.  Sunan kamfanin yana nufin "ƙetare zuwa sabon wuri gaba ɗaya." SSDT ƙungiya ce mai rijista mai zaman kanta, wacce ke da kuɗin shiga ta hanyar kwamitocin da kyaututtuka, na gida da na ƙasashen waje.  Kamfanin yana neman samar da kayayyakin al'adu ga jama'a iri-iri ta hanyar haɓaka ayyuka a wuraren jama'a inda ake samun damar shiga kyauta, tare da mai da hankali sosai kan ci gaban al'umma. Salon ya haɗa da Rawar Afirka ta Zamani, Rawar Afirka ta Gargajiya, Rawar Zamani ta Zamani, Rawar Indiya ta Gargajiya da Ballet ta Gargajiya.  An kuma san SSDT saboda haɗin gwiwar kafofin watsa labarai da yawa, ta amfani da bidiyo, gine-gine, da takamaiman wurin a cikin ayyukansu. 

## Tarihi
Kamfanin The Playhouse Company da ke Durban ne ya fara SSDT a shekarar 1994 daga wani shiri na horarwa da haɓakawa ga 'yan rawa baƙar fata waɗanda ba su da damar samun damar horo na gargajiya.  Jay Pather da Alfred Hinkel na Jazzart Dance Theatre sun ƙirƙiro manhajar karatu ta asali kuma a shekarar 1996 aka naɗa Pather darektan fasaha. SSDT ta sami suna cikin sauri a matsayin memba mai mahimmanci a fagen rawa na Afirka ta Kudu, kuma ta ci gaba da ci gaba da manufarsu ta ilimi da ci gaban al'umma. A shekarar 1999 SSDT ta rabu da Kamfanin Playhouse kuma ta zama kamfani mara riba. Kamfanin a halin yanzu yana da 'yan rawa 9 na cikakken lokaci kuma yana haɗin gwiwa da 'yan rawa 10 na musamman.

## Kyaututtuka
Tushe: 

* Kyautar Babban Fasaha ta Brett Kebble ta 2004: Jay Pather
* Kyautar KZN DanceLink Dancer na Shekara ta 2004: Neliswa Rushualang
* Kyautar KZN DanceLink Dancer na Shekara 2005: Siyanda Duma
* KZN DanceLink Kyautar Sabon Zuwa (Namiji) 2005: Mxolisi Nkomonde
* KZN DanceLink Kyautar Mafi Kyawun Masoya (Mata) ta 2005: Rhia Ryan
* Kyautar Fasaha da Bil Adama ta 2005, Jami'ar KwaZulu Natal: Jay Pather
* Kyautar FNB Vita don Choreography: Jay Pather
* Kyautar FNB Vita don Mafi Kyawun Rawa: Ntombi Gasa
* Kyautar Nasarar Magajin Gari: Gidan Wasan Kwaikwayo na Siwela Sonke
* Abalongi Award don gudummawar rawa a Kwa Zulu Natal, wanda KZN DanceLink ke bayarwa tare da Ntombi Gasa da Neliswa Rushualang.
* Kyautar Tunkie da aka bayar a FNB Dance Umbrella 2007 don Jagoranci a Rawa: Jay Pather

## Duba Haka...

* Jay Pather
* Gidan Wasan Rawa na Jazzart

## Manazarta
Tashar Titin Dajinzhong

Fayil:Exit_B,_Dajinzhong_Road_Station,_Guangzhou_Metro,_20250115.jpg|Entrance B
Fayil:Exit_C,_Dajinzhong_Road_Station,_Guangzhou_Metro,_20250115.jpg|Entrance C
**tashar Hanyar Dajinzhong** (mai sauƙaƙe Sinanci: 大金钟路站; gargajiya Sinanci - 大金鐘路站; : ; Cantonese Yale: ; lit. 'Babban Tashar Hoto ta Zinariya') tashar ne a kan Layin 11 na Metro na Guangzhou . Ya fara aiki a ranar 28 ga Disamban shekarar 2024 .  Tana ƙarƙashin ƙasa a tsakiya na Jingyun Road,  Fuyue Street  da Hetian Road  a cikin Gundumar Baiyun.

## Tsarin tashar

### Ƙofar / fita
Tashar tana da maki 2 na shigarwa / fita, tare da Fitarwa C ana iya isa ta hanyar lif.

* **B**: Hanyar Hetian, Asibitin Lardin Guangdong na Biyu na Magungunan gargajiya na kasar Sin
* **C**: Hanyar Hetian

Fayil:Dajinzhong_Road_Station_Concourse_20250106-B.jpg|Concourse
Fayil:Dajinzhong_Road_Station_Platform_2_20250106-A.jpg|Platform 2 (Inner Circle platform)
Fayil:Dajinzhong_Road_Station_Platform_1_Panorama_20250106.jpg|Platform 1 panorama


## Gine ginin

## Tarihi
An kewaye wurin ginin tashar a watan Agusta 2017,  an kammala gina **bangon diaphragm** na babban tsarin ginin waje a ranar 12 ga Yuni 2020, uma an rufe saman babban tsarin ginin a watan Nuwamba 2021. 

An kira wannan tashar tashar Jingtaihang a lokacin da aka tsara ta don manyan layukan zobe, daga baya aka kira ta tashar Daijinzhong a lokacin tsara da gini. A watan Yunin 2023, an sanar da sunan farko na tashoshin Layi na 11, kuma wannan tashar za ta ci gaba da riƙe sunanta na yanzu. Saboda cewa an ce "Dajinzhong" yana da sauƙin rikitar da yankin Madatsar Ruwa ta Dajinzhong mai nisan kilomita 3, sunan tashar ya sami ra'ayoyi da yawa a lokacin tallatawa. A watan Mayun 2024, Guangzhou Metro Group ta ayyana cewa ya kamata a sanya wa tashar suna tashar Dajinzhong Road, wanda daga ƙarshe aka amince da shi..

A ranar 3 ga Yulin 2024, tashar ta kammala canja wurin "yancin uku". A ranar 28 ga watan Disamba, an yi amfani da tashar tare da bude Layin 11.

## Bayanan da aka ambata
Haukar Handball

**. Haukar** (Fanar Icelandic: []) shine ɓangaren ƙwallon hannu na ƙungiyar wasanni ta Icelandic Haukar daga Hafnarfjörður. Haukar a halin yanzu yana wasa a Olís deildin. Haukar sau da yawa yana fafatawa a gasar zakarun Turai ta EHF daga cikin manyan sakamako akwai nasarorin da suka samu akan ƙwallon hannu ta US Créteil da kuma FC Barcelona . 

## Alamar, launuka, magoya baya

### Kits

## Kungiyar maza

### Kyaututtuka
**Gasar Cin Kofin Iceland (11) **:

** 1943, 2000, 2001, 2003, 2004, 2005, 2008, 2009, 2010, 2015, 2016

**Kofin Iceland: (7) **:

** 1980, 1997, 2001, 2002,2010,2012,2014

**Kofin Icelandic League: (6)  **:

** 2006,2009,2011,2013,2014,2019

**Kofin EHF**

* **Semifinal**: 2000-01

### Tarihin Turai

### Jerin yanzu

: *Kungiyar don kakar 2016-17* 

## Kungiyar mata

### Takardun sarauta

* **Olís deildin**
** Masu cin nasara (7): 1945, 1946, 1996, 1997, 2001, 2002, 2005 
* **Kofin Iceland**
** Masu cin nasara (5): 1997, 2003, 2006, 2007, 2025 

### Tarihin Turai

### Kungiyar yanzu

: *Kungiyar don kakar 2021-22.* 

### Canja wuri

: *Canja wuri don kakar 2022-23* 
*Ma'aikata don kakar 2022-23.*

* **Babban Kocin:** Gunnar Gunnarsson
* **Mataimakin kocin:** Díana Guðjónsdóttir
* **Shugaba na rukuni:** Harpa Melsted
* **Shugaba na rukuni:** Alexandra Hödd Harðardóttir
* **Dokta:** Jóhann Guðmundsson
Carriço (footballer)

**Manuel luís dos santos (**an haife shi a ranar 5 ga watan Fabrairu a shekara ta 1943) wanda aka fi sani da Carriço, tsohon ɗan wasan ƙwallon ƙafa ne na ƙasar Portugal wanda ya yi wasa a matsayin mai tsaron gida.

## Haɗin waje

* Carriçoa EU-Football.info
* Carriçoa WorldFootball.net
Kia Damon

Kia Damon (an haife ta a shekarar 1993) ƙwararriyar mai dafa abinci ce 'yar Amurka. Ta yi fice bayan an ɗaukaka ta zuwa matsayin babban mai dafa abinci na Lalito a Chinatown na Manhattan tana da shekaru 24. Damon ta ci gaba da fafatawa a wani shiri na Chopped a shekarar 2020. Ita ce daraktar dafa abinci ta mujallar abinci ta Cherry Bombe .

## Sana'a
An haifi Damon kuma ta girma a Orlando, Florida, inda ta fara aikinta tana aiki a gidajen cin abinci daban-daban, gidajen cin abinci masu sauri, da manyan motocin abinci.   Ta kasance mai dafa abinci mai daɗi kuma tana aiki a Tallahassee kafin ta koma New York don ci gaba da aikinta.  Damon koyaushe ita ce kaɗai mace baƙar fata mai dafa abinci a kowace ɗakin girki inda take aiki.

A shekarar 2018, ta kama aiki a matsayin mai dafa abinci a gidan cin abinci na Chinatown mai suna Lalito, Damon ta samu karbuwa lokacin da aka daukaka ta zuwa babbar mai dafa abinci bayan watanni kadan na aiki, lokacin tana da shekaru 24.  Damon ta bar wannan matsayi a watan Yunin 2019, inda ta lura da kin amincewa da ra'ayoyinta na sauya tsarin abinci. 

An gayyaci Damon ya zama mai shiga gasar *Chopped*, kuma ya ci gaba da lashe shirin, wanda aka watsa a watan Agusta na 2020.  Ta bayyana cewa ta kalli shirin tun tana ƙarama kuma mahaifinta ya ƙarfafa ta ta zama mai shiga gasar tun tana ƙarama. 

A shekarar 2020, *Cherry Bombe* ta naɗa Damon a matsayin darektan dafa abinci na farko a mujallar.  A can take gudanar da wani shirin gwaji na girki kuma tana shirya wani shiri na Instagram Live, *On the Line*, inda take haskaka ayyukan masu dafa abinci na zamani. 

Damon ta raba abubuwan da ta fuskanta a duniyar girki ta amfani da shafinta na Instagram.  Ta yaba da "sahihancin" dalilin da ya sa ta shahara, kuma tana amfani da dandamalin don raba abubuwan da ta fuskanta, ciki har da ƙananan tashin hankali da kuma fama da lafiyar kwakwalwarta. 

## Sauran aiki
Damon ya bayar da tallafin abinci a zanga-zangar George Floyd a birnin New York, kuma ya ambaci shugaba kuma mai fafutukar kare hakkin jama'a Georgia Gilmore a matsayin wanda ya daɗe yana ba da kwarin gwiwa. 

Ta ba da gudummawa wajen rubutu a littafin *Black Futures* na shekarar 2020 wanda Kimberly Drew da Jenna Wortham suka shirya. 

A watan Agusta na 2020, Damon ta kafa kamfanin Kia Feeds The People, wani shiri nata na taimakon juna, wanda zai samar da kayan abinci kyauta a Bed Stuy . 

## Rayuwa ta sirri
Damon yana zaune a Brooklyn .  Ita baƙar fata ce.  

## Manazarta
Daryl Cumber Dance

**Daryl Cumber Dance** (an haife ta a ranar 17 ga Janairu, 1938) ƙwararriyar masaniyar Amurka ce da aka fi sani da aikinta kan tatsuniyoyin baƙar fata.

## Tarihin Rayuwa
An haifi Daryl Veronica Cumber a Richmond, Virginia, ga Allen da Veronica Bell Cumber. Ta halarci Makarantar Sakandare ta Ruthville da ke Ruthville, Virginia, kuma ta sami digirin farko a Turanci daga Kwalejin Jihar Virginia a 1957. Daga nan ta koyar a Makarantar Sakandare ta Armstrong da ke Richmond har zuwa 1962, lokacin da ta koma Kwalejin Jihar Virginia a matsayin malamar makaranta. A shekara mai zuwa, ta kammala digirin masters daga Jihar Virginia. A shekarar 1971, ta kammala karatun digirin digirgir a Jami'ar Virginia da digirin doctorate a Turanci, kuma aka nada ta mataimakiyar farfesa a Jihar Virginia. Ta koyar a Jami'ar Commonwealth ta Virginia tsakanin 1972 da 1993, lokacin da ta shiga jami'ar Jami'ar Richmond . A shekarar 2013, an nada ta Farfesa Sterling A. Brown na Turanci a Jami'ar Howard . 

Dance ta yi aiki a matsayin editan ba da shawara na Ƙungiyar Adabin Baƙar fata ta Amurka da kuma mai ba da shawara kan edita na Mujallar Adabin Yammacin Indiya . Ita memba ce ta ƙungiyar marubutan mata ta Wintergreen.

## Ayyuka

* *Shuckin' da Jivin': Tatsuniyoyi daga Baƙar fata 'Yan Amurka na Zamani* (1978) 
* *Tatsuniyar almara daga Mutanen Jamaica na Zamani* (1985) 
* *Marubuta Hamsin na Caribbean: Littafin Bayani Mai Mahimmanci Game da Tarihin Rayuwa* (1986) 
* *Dogon Lokaci: Jerin Mecklenburg Shida da Jigon Gujewa a cikin Tatsuniyar Baƙar fata* (1987) 
* *Sabuwar Duniya Adams: Tattaunawa da Marubutan Yammacin Indiya na Zamani* (1992) 
* *Zuma, Ka Yi Dariya!: Takaitaccen Labarin Barkwancin Matan Baƙar fata na Amurka* (1998) 
* *Daga Mutanena: Shekaru 400 na Almarar Baƙar fata ta Amurka* (2002)
* *Neman Annie Drew: Mahaifiyar Kincaid da Tarihin Jamaica* (2016) 

## Manazarta
Chaap

**Chaap** ( Balochi :  ) rawa ce ta gargajiya ta mutanen Baloch a Balochistan .      Ana yin rawa ta Chaap a da'ira tare da tafawa mai ƙarfi.   Chaap dance is performed in circle with a rhythmic clapping.

Ana kuma gane shi ta hanyar yawan tafawa a cikin rukuni mai maimaitawa (do chapi, se chapi, char chapi). 

## Do-Chapi
Do-Chapi ( Balochi :  ) rawa ce ta balochi  wacce galibi ake yi ta hanyar yin da'ira da gungun mutane ke yi, suna rawa da tafi .  da kuma wasu sanduna ko takubba. 

Galibi ana yin sa ne ta hanyar yin da'ira ta hanyar gungun mutane, suna rawa da tafi. Do-Chapi kusan koyaushe yana haɗa da Sorna da Dohol . 

Rawar mata ta ɗan bambanta da ta maza, suna tafiya a baya matakai biyu yayin rawa kuma suna maimaita matakansu da ɗan motsi a cikin da'ira yayin da suke tafawa. 

## Bayani
**Chaap** kalma ce ta Balochi wadda ke nufin tafawa,  kuma ana kiran rawan da nach a Balochi. 

Yawancin raye-rayen Balochi sun haɗa da tafawa (Chaps). Kowace rawa tana ɗauke da salon tafawa na musamman tare da motsin jiki daban-daban a cikin da'irar. Ana yin raye-rayen Balochi daban-daban ta maza da mata a cikin babban da'ira yayin da suke rawa tare da tafawa.

Nau'o'in 'Chaap' daban-daban sun haɗa da Balochi Lewa, Hambo da Latti. Sau da yawa ana yin Chaap lokacin da aka kunna kayan kida da yawa waɗanda suka keɓance ga al'adun Balochi da kiɗan balochi, kamar Nar Sur, Suroz, Naal da Taboora. 

## Duba kuma

* Waƙar Balochi

## Manazarta
Othella Dallas

**Othella Dallas** (Satumba 26, 1925 - Nuwamba 28, 2020) 'yar rawa ce kuma mawaƙiyar jazz ta Amurka. Bayan ta yi aiki a Paris da Zürich, ta buɗe makarantar rawa a Gundeldingen kwata na Basel a shekarar 1975, inda ta koyar da dabarun Dunham. 

## Rayuwa da aiki
Dallas, wacce mahaifiyarta ita ce mawakin piano na farko ɗan Afirka-Amurka da aka ji a rediyon St. Louis, ta fito ne daga dangin mawaka; ɗan'uwanta kuma shine Frank Strozier . WC Handy shine mai kula da ita. A shekarar 1943, Katherine Dunham ta gano ta a wani wasan kwaikwayo na makaranta a St. Louis, wanda ya kawo ta kamfanin rawa a New York. A matsayinta na mai rawa kaɗai ga Kamfanin Dunham, Strozier ta yi rangadin zuwa Kudancin Amurka da Turai. Bayan aurensu, ta ƙaura zuwa Faransa a shekarar 1949. A can ta fara yin wasa a matsayin mawaƙiya daga 1952, tare da manyan mutane kamar Sidney Bechet da Nat King Cole . Bugu da ƙari, ta kafa makarantar rawa a can, kamar yadda yake a shekarun 1960 a Zürich, inda ta koyar da Margrit Läubli, Daniel Spoerri, Ruedi Walter da Margrit Rainer . Duke Ellington ya rubuta mata waƙoƙi biyu; An yi rikodin mawaƙin na farko a 1967 da septet na Mac Strittmatter. An sake yin wasu kundin waƙoƙi tun daga shekarun 1980. A ranar haihuwarta ta cika shekaru 70, ta yi waka a Basler Tabourettli na tsawon makonni uku, sannan daga baya ta yi rangadin Rasha. Faifan CD ɗinta *mai suna I Live the Life I Love* (2008) ya ba ta damar fitowa a Festival da Jazz da ke St. Moritz da kuma Theater Rigiblick da ke Zürich.

Andres Brütsch ya yi fim ɗin gaskiya mai suna Othella Dallas - What Is Luck?, wanda aka fara nuna shi a shekarar 2015. 

Bitar rawa da ta gudanar, wadda ba wai kawai ta gudanar a Basel ba, har ma a wasu biranen Turai kamar Landan, sun shahara saboda ita ce malamar rawa ta ƙarshe da ta ci gaba da aiki wadda ta yi rawa tare da Katherine Dunham .  A matsayinta na mawaƙiyar jazz, Dallas ta yi rangadin Switzerland tare da ƙungiyar mawakanta a shekarar 2019 a matsayin wani ɓangare na "Yawon Buɗe Ido na Cika Shekaru 94". 

## Kundin Waƙoƙi

* *Ƙaramar Yarinya daga Memphis: Nunin 1925-1995* ( Mons Records 1995, tare da Thomas Moeckel, Philippe Hammel, Kirk Lightsey, Tibor Elekes, John Betsch )
* *Zazzabi don Bluesy Jazz* (Mons Records 1995, tare da Matthias Bröde, Hubert Nuss, Christian Ramond, Hans Braber)
* *Me ake kira wannan abin Soyayya?* (Brambus Records 2000, tare da Pius Baschnagel, Nick Mens, da Thomas Silvestri)
* *Ina Rayuwa da Rayuwar da nake So* (Suonix 2008)

## Kyaututtuka

* 2019: Kyautar Jazz ta Switzerland 

## Manazarta