Dora Beets

**Dora Beets** (13 Afrilu 1812 &#x2013; 16 Afrilu 1864) marubuciya ce 'yar ƙasar Holland.  Ita 'yar'uwar Nicolaas Beets ce, wacce ta kira ta *Serena* a cikin ayyukansa.

## Rayuwa

### Asalin da kuma shekarun farko
An haifi **Dorothea "Dora" Petronella Beets** a Haarlem inda Martinus Nicolaas Beets, mahaifinta, ya kasance mai maganin shafawa kuma tarbiyyarta ta nuna irin biyayyar da iyayenta suka yi wa Cocin Farostatan Dutch Reformed Church . Ita ce babbar 'ya'ya bakwai na iyayenta, kuma ta ci gaba da zama tare da iyayenta a gidansu da ke Koningstraat ( *"King Street"* ) har sai da ta auri dillalin littattafai kuma mawallafi Pieter François Bohn a Haarlem a ranar 6 ga Yuli, 1835: ta ɗauki sunan **Dorothea Petronella Bohn-Beets** . Dora ta fi mijinta ɗan Mennonite shekaru goma sha biyu ƙanƙanta. Ma'auratan sun ƙaura zuwa gidan kusurwar da Pieter Bohn ke gudanar da harkokinsa, a tsakiyar birnin a daidai lokacin da Grote Houtstraat ke ratsa gefe ɗaya na Verwulft (murabba'i) . Auren zai haifar da aƙalla 'ya'ya takwas waɗanda aka san 'ya'ya maza biyu da 'ya'ya mata biyu sun girma. Gaskiyar cewa Beets ta fito ne daga al'adar Cocin Reformed yayin da mijinta ya fito daga ƙabilar Mennonite marasa rinjaye ba ta zama matsala ba. Abin mamaki, yayin da aka yi rijistar kowace haihuwar yara a zauren birni, alaƙar addininsu ta canza. Sai da rajistar haihuwar ƙananan yara biyu aka karya tsarin: François en Martinus duka an yi musu rijista a matsayin Mennonites . 

### Onze buurt
An buga littafinta ***Onze buurt*** ( *"Unguwanmu"* ) ba tare da an ambaci sunansa ba a shekarar 1861. Hakika, kalmar da aka yi amfani da ita, "een ongenoemde" ( *"marubuci marar suna"* ) ta yi amfani da sigar namiji ta wannan labarin, wanda ke nuna cewa marubucin da ba a ambaci sunansa ba namiji ne. Rashin bayyana sunansa ya kuma nuna cewa mai karatu mara ilimi ba shi da dalilin sanin cewa marubucin babban ɗan'uwa ne ga Nicolaas Beets, wani masanin tauhidi kuma mawaƙi mai shahara wanda aka riga aka san shi a Haarlem a matsayin marubucin da aka buga, duk da buga ayyukansa a ƙarƙashin sunan "Hildebrand".  

Sai bayan mutuwar Dora, lokacin da bugu na biyu ya fito a shekarar 1870, littafin ya haɗa da gabatarwar Nicolaas Beets inda ya bayyana cewa marubuciyar, Dorothea Bohn-Beets, 'yar'uwarsa ce. Buga littafin bai sami wani labari daga manema labarai ba, amma duk da haka ya shahara sosai a tsakanin masu karatu. An buga bugu na shida a shekarar 1911.

A shekara ta 2002 an buga sabon bugu, ta amfani da rubutun zamani (bayan 1995) . 

Littafin ya ba da cikakken bayani game da rayuwar yau da kullun a tsakanin haute bourgeoisie na ƙarni na 19. A bayyane yake cewa wurin yana cikin Haarlem (kodayake an san birnin da "X" kawai) a lokacin shekarun 1860. Iyalan babban jarumi, Mrs. Rueel, ba iri ɗaya bane da na Dorothea Bohn, amma duk da haka ya bayyana daga nazarin wasiƙunta na sirri cewa yawancin abubuwan da suka faru da abubuwan da suka faru a cikin littafin sun yi daidai da abubuwan da suka faru a rayuwar marubucin. A watan Fabrairun 1862, Dora Beets ta rubuta wa ɗan'uwanta wasiƙa inda ta bayyana yadda "... a cikin wannan littafin na bayyana mafi girman zubar da zuciyata a cikin dukkan nau'ikan su, kuma dukkan nau'ikan baki sun ba da muryar imani da ikirari na kaina".   

A cikin **littafin Onze buurt**, Dorothea Bohn-Beets ta bayyana rayuwar birni a tsakiyar ƙarni na sha tara tare da tsarinta na matsayi mai tsauri, gidajen manyan mutane na tsakiya da na ƙasa da kuma ayyukan agaji na 'yan ƙasa da matansu da ke neman rage talaucin da ke ta ƙara ta'azzara a birnin. Ta kuma mai da hankali kan bambance-bambancen da ke tsakanin majami'un coci, tsakanin sigar gargajiya da ta "zamani". Marubuciyar ta nuna matsayinta ta hanyar ra'ayoyi da ayyukan babban jaruminta, wanda ke fafutukar Kiristanci na bishara. Duk da haka, abin mamaki ne cewa Katolika na Roman, waɗanda tabbas suna nan a Haarlem a adadi mai yawa a wancan lokacin, ba su wanzu a birnin "X". Wani jigo mai maimaitawa ya ƙunshi ciyar da mutane: Mrs. Rueel tana ciyar da ba kawai 'ya'yanta uku ba har ma, inda ya cancanta, duk maƙwabta. Ita ce mai samar da abinci mai nasara. Wannan a bayyane yake cewa wannan siffa ce da marubucin ya yi amfani da ita don nuna jarumarta duk da mahallin da ke cikin wani yanayi na gaskiya. Wani mai sharhi ya bayyana cewa ba tare da wani irin tunani na koyarwa ba, ba za a iya samun wani labari na Dutch na wannan lokacin ba, domin ba zai ɗauke da wani saƙo mai amfani ba. Amfani, a cikin adabi, yana da matuƙar muhimmanci. 

## Bayanan kula

## Manazarta