Sean Combs discography

Tarihin mawakin rap na Amurka kuma mai shirya rikodin Sean Combs, wanda aka fi sani da Diddy (tsohon Puff Daddy da P. Diddy),  ya ƙunshi kundin waƙoƙi guda biyar na studio, kundin waƙoƙi guda biyu na haɗin gwiwa, kundin waƙoƙi guda ɗaya na remix da waƙoƙi guda 72 (ciki har da 33 a matsayin babban mawaki da 39 a matsayin fitaccen mawaki).

Combs ya fara aikinsa na kiɗa a matsayin mai horo a kamfanin rikodin Uptown Records da ke birnin New York. A wannan lokacin, Combs ya yi aiki a matsayin babban furodusa na kundin waƙoƙin Mary J. Blige na farko da na biyu —What's the 411? (1992) da My Life (1994)—kuma an ba shi mawaka da ayyukan rera wakokin fim ɗin R&B Jodeci . A shekarar 1993, an kore shi daga Uptown Records kuma nan take ya ƙaddamar da kamfaninsa, Bad Boy Records jim kaɗan bayan haka. Ya kuma ɗauki wani wanda ba a san shi ba a lokacin, Notorious BIG, tare da shi zuwa Bad Boy. A watan Agusta na 1994, Notorious BIG ya fitar da waƙar " Juicy "; Combs ya shirya kuma ɗaya daga cikin fitowar farko ta kamfanin, ta zama ɗaya daga cikin waƙoƙin da suka fi tasiri a cikin waƙoƙin hip hop . Combs ya yi aiki a matsayin babban furodusa na kundin studio na farko na BIG da kuma fitowar LP ta farko ta kamfanin: Ready to Die (1994). Nasarar da ya samu a fannin kasuwanci da kuma rawar da ya taka ta kawo Bad Boy a sahun gaba a fagen wakokin hip-hop, inda Combs shi ma ya samar da wakokin da suka fi shahara a kundin wakokin " Big Poppa " da " One More Chance ".

Bayan nasarar da BIG ta samu a rayuwarsa, Combs ya shahara sosai a matsayin manajansa kuma jarumin tallata wakoki, wanda hakan ya sa Combs da kansa ya fara taka rawa a matsayin babban mai wasan kwaikwayo da wakarsa ta 1996 mai suna " Can't Nobody Hold Me Down ". Kafin haka, ya yi rikodin wakokin Super Cat na 1993 mai suna " Dolly My Baby " da kuma wakar TLC mai suna *CrazySexyCool* ta 1994 mai suna CrazySexyCool, amma galibi ya yi aiki a matsayin mai shirya wakoki ko kuma mawaki mai goyon baya. "Can't Nobody Hold Me Down" - wanda kuma ya gabatar da wakar Combs mai suna Mase - ya yi nasara a harkar kasuwanci, inda ya kai kololuwar  Hot 100 a watan Agusta na shekarar da ta biyo baya, inda ya ci gaba da kasancewa tsawon makonni shida a jere. A wannan lokacin, kamfanin Bad Boy ya sanya hannu kan wasu ayyuka, ciki har da Faith Evans, Total, the Lox, 112, Black Rob, Craig Mack, da Carl Thomas .

A watan Maris na shekarar 1997, wani wanda ba a san ko waye ba ya harbe Notorious BIG, wanda hakan ya sa Combs ya mayar da waƙarsa ta biyu ta kasuwanci a matsayin waƙar girmamawa, mai taken " I'll Be Missing You ", tare da halartar baƙi daga membobin Bad Boy Faith Evans da ƙungiyar R&B 112. Waƙar ta zama waƙar hip hop ta farko da ta fara fitowa a saman *Billboard* Hot 100, yayin da ta kai matsayi na 15 a jadawalin ƙasashen duniya. Bugu da ƙari, ta lashe Best Rap Performance by a Duo ko Group a bikin bayar da kyaututtuka na Grammy na shekara-shekara na 40 kuma ta kasance ɗaya daga cikin waƙoƙin da suka fi sayarwa a kowane lokaci. Waƙar da kundin waƙar da ta gabace ta, *No Way Out* a watan Yulin 1997, sun ba Combs nasara mafi girma da kuma nasara a fannin kasuwanci. An yaba wa kundin waƙar "Puff Daddy & the Family", wanda ya yi magana game da Combs da sauran waɗanda suka shiga Bad Boy, waɗanda aka nuna su sosai.

A shekarar 1997, Combs ya shafe mafi yawan makonni a saman *Billboard* Hot 100 na kowace waka a wannan shekarar, inda ya shafe makonni 19, sannan ya yi wasanni 26 a lokacin da ya hada da wakokin da Combs suka shirya " Hypnotize " na BIG da " Honey " na Mariah Carey . Bugu da ƙari, ya zama mawakin hip hop na farko da ya maye gurbin kansa a matsayin, inda " Money Money Money Problems " ya maye gurbin "I'll Be Missing You" a mako mai zuwa.  A shekarar 1998, Combs ya fitar da wakokin " Victory " (wanda ya kunshi Notorious BIG da Busta Rhymes ) da " Come with Me " (wanda ya kunshi Led Zeppelin guitarist Jimmy Page ) don wakokin *Godzilla*, yayin da kuma ya bunkasa rawar da ya taka a kan lakabin Bad Boy da kuma samar da kayan aiki ga sauran masu fasaha.

Kundin wakokin Combs na biyu da na uku, *Forever* (1999) da *The Saga Continues...* (2001) sun sami nasara a fannin kasuwanci, duk da cewa ba kamar aikinsa na baya ba, kuma gabaɗaya sharhi iri-iri. Zuwa wannan lokaci da kuma gaba, Combs da Bad Boy Records sun sami suka saboda an ɗauke su a matsayin babban mai amfani da salon hip hop mai ban dariya da yawan tallatawa, da kuma dogaro da baƙi da samfuran tsofaffin waƙoƙi. Masu suka sau da yawa suna yaba wa darajar samarwa da kuma kamanninsa, amma sun gaji da halayensa na jama'a da halayyarsa, suna ambaton yanayin waƙoƙinsa marasa zurfi , tare da rashin asali gabaɗaya; da yawa sun ba da gaskiya ga salon da ya fi na abubuwan da ke cikinsa . 

Kundin wakokin Combs na huɗu, *Press Play* (2006), ya kai kololuwa a saman  200, wanda ya zama na biyu kuma na ƙarshe da ya fitar da shi. A shekara ta 2009, ya kafa ƙungiyar mawaƙa ta Diddy – Dirty Money tare da mawakan R&B Kalenna Harper da Dawn Richard . Sun sanya hannu tare da Bad Boy, wanda ya kasance alamar Interscope Records a lokacin, a matsayin haɗin gwiwa kuma sun fitar da waƙoƙi huɗu—"Love Come Down", "Angels", " Hello Good Morning " (tare da TI ), " Loving You No More " (tare da Drake )—don samun nasara matsakaici. Waƙarsu ta biyar, " Coming Home " (tare da Skylar Grey ) an fitar da ita a watan Nuwamba na 2010 kuma ta kai matsayi na 11 a kan *Billboard* Hot 100. A wata mai zuwa, kundin waƙoƙinsu na farko a studio, *Last Train to Paris* (2010) an fitar da shi zuwa ga nasara mai mahimmanci da kasuwanci - inda ya kai matsayi na bakwai a kan *Billboard* 200. Duk da haka, ukun sun rabu shekaru biyu bayan haka, kuma Combs ya yarda cewa karɓar kundin, wanda ya ɗauka a matsayin abin takaici, ya rage masa kwarin gwiwa a fannin waƙa tsawon shekaru da yawa. 

## Kundin waƙoƙi

### Kundin waƙoƙin studio

## Manazarta