The Farmer and his Sons

**Labarin Manomi da 'Ya'yansa** labari ne na asalin Girkanci wanda aka haɗa a cikin Tatsuniyoyi na Aesop kuma an jera shi a matsayin 42 a cikin Ma'aunin Perry .   Yana nuna darajar aiki tuƙuru da kuma buƙatar daidaita shawarar iyaye da aiki.

## Tatsuniya
Wani manomi da ke gab da mutuwa ya kira 'ya'yansa maza a ɓoye ya gaya musu kada su raba ƙasar iyali domin akwai wata taska da aka ɓoye a wani wuri a kai. Amma daga baya, duk da cewa sun tono ta a hankali, ba su sami komai ba. Duk da haka, lokacin da amfanin gona (ko a wasu nau'ikan inabi) suka yi bunƙasa cikin riba, sun fahimci ma'anar ɓoyayyen shawararsa tana nufin aiki tuƙuru.

Tatsuniya ba kasafai take yin mu'amala kai tsaye da yanayin ɗan adam ba, maimakon ta hanyar mai shiga tsakani na dabbobi. Duk da cewa an daɗe ana karɓarta a matsayin ɗaya daga cikin na Aesop, kuma ta bayyana a matsayin nasa a cikin tarin farko na Turai, an kuma danganta labarin da masanin falsafa Socrates .  Mawakan Neo-Latin Gabriele Faerno da Hieronymus Osius duk sun rubuta sigar waƙoƙi, kamar yadda Jean de la Fontaine ya yi a Faransanci. 

Babu daidaiton lakabin sunayen sarauta. Majiyoyin Girkanci sun sanya uban manomi (Γεωργὸς), yayin da Osius ya kira shi manomi ( rusticus ). Bayanin Caxton ma'aikaci ne, kamar na La Fontaine, kodayake ma'aikacin Faransa yana da ma'anar magidanci mai zaman kansa, kalmar da Samuel Croxall ya yi amfani da ita. Yanayin ƙasar da aka noma ya bambanta. Zane-zane na ƙarni na 15 a cikin Littafin Medici da kuma a cikin tarin Heinrich Steinhowel sun sanya shi gonar inabi, kamar yadda aka bayyana shi a cikin waƙoƙin Faerno da Osius, amma sauran sigar ba koyaushe suke da takamaiman takamaiman ba.

Ɗabi'ar labarin ta bayyana a fili a cikin sigar La Fontaine kamar *le travail est un trésor* (aiki dukiya ce), kamar yadda aka bayyana a cikin Girkanci (ὁ κάματος θησαυρός ἐστι) da kuma a cikin Latin na Faerno ( *thesaurus est aiki* ).  Sigar Turanci ta fi zagaye da dogon lokaci. Caxton ya gabatar da labarin da ra'ayin cewa "Wanda ke aiki kuma yana aiki koyaushe ba zai iya samun wadataccen kaya ba".  Croxall ya gabatar da dogon aikace-aikacensa da, "Aiki da Masana'antu, da aka yi amfani da shi sosai, ba kasafai yake kasa samun Taska ba",  yayin da bugu na Thomas Bewick ya ƙunshi ayar "Ciwo mai tsanani yana cika asusun ajiyar kuɗi mai kumburi".  Duk da haka, babban sharhin Bewick shine game da darajar shawarar uban da kuma dabarun da ya yi amfani da su. Wannan kuma shine abin da ya jawo hankalin Roger L'Estrange : "Kyakkyawan Shawara ita ce mafi kyawun gado da Uba zai iya bari wa Yaro".

## Jiyya a cikin zane-zane
Zane-zanen rubutun ƙarni na 15 da aka riga aka ambata ya haɗa 'ya'yan da suka taru a kan gadon mahaifinsu da ke mutuwa da kuma kallon wahalar da suke sha a gonar inabi. Yawancin rubuce-rubucen da aka yi daga baya na tatsuniyar sun zaɓi ko dai jigo ɗaya ko ɗaya, har sai an haɗa su a cikin fosta na Benjamin Rabier na 1906.  Duk da haka, mai zane-zanen sihiri Lukáš Kándl ya fi son nuna ɗabi'ar tatsuniyar wajen nuna tsire-tsire da ke fitowa daga ƙasa, kowannensu yana ɗauke da lu'u-lu'u mai launin zinare. 

Mawaka da dama sun kafa sigar La Fontaine ta tatsuniyar, *Le laboureur et ses enfants* . Sun haɗa da waƙar sassa huɗu ta mai harp na ƙasar Belgium Felix Godefroid (1818–1897)  da wasu misalan Faransanci na Théodore Schloesser (1866), Paul Blanquière (1892) da E. Levasseur (1906).  Wasu biyu, saitin muryoyin yara uku na Henri Maréchal (Paris, 1900) da kuma muryoyin maza huɗu na Jules Pajot, (Lyon, 1910), kafin *Eh bien* mai buri.* !* *Dansez maintenant* (2006) na Vladimir Cosma, inda tatsuniyar ta kasance ƙarshen fassarar mai ba da labari da ƙungiyar makaɗa, a wannan yanayin a cikin salon pavane .  Tatsuniyar kuma an haɗa ta a cikin *Les Fables Enchantées* na Isabelle Aboulker (2004). 

Akwai kuma wasannin kwaikwayo na Faransa, ciki har da *wasan kwaikwayo na wasan kwaikwayo* na act uku na 1935 na H. Frederic Pottecher (1905–2001)  da kuma sigar wasan kwaikwayo ɗaya ta 1936 ta mai zane-zane da wasan kwaikwayo Henri Brochet (1898–1952). 

## Manazarta