Adela Jušić

Adela Jušić (an haife ta 1982 Sarajevo) [1] ɗan wasan gani ne na Bosnia na zamani. [2] [3] An haife ta a Sarajevo . An san ta da fasaha ta zamantakewa game da batun yaki a Bosnia da Herzegovina [4] [5] da kuma rawar da mata masu ban sha'awa suka taka a lokacin yakin duniya na biyu a Yugoslavia. [6] Ta baje kolin ayyukanta a nune-nunen nune-nunen kasa da kasa sama da 100 da suka hada da: Frestas – Trienal de Artes (São Paulo), [7] Dakin Mata (New York), [2] [8] Balkan Artist Guild (London), [9] [10] Manifista 8. (Murcia), [11] ISCP (New York), [12] [13] Videonale (Bonn), [14] Hoton Counter Image (München). [15] Jušić shine wanda ya kafa Ƙungiyar Art da Al'adu Crvena . Adela Jušić tana ɗaya daga cikin waɗanda suka ƙirƙira taswirar kan layi na gwagwarmayar antifascist na mata a Bosnia da Herzegovina da Yugoslavia. A cikin 2017, ta sanya hannu kan Sanarwa akan Harshen gama gari na Croats, Serbs, Bosniaks da Montenegrins . [16] Tana zaune kuma tana aiki a Sarajevo.

## Ilimi
Jušić ya halarci Makarantar Sakandare na Fasaha daga 1997 zuwa 2001. Ta sami MA daga Kwalejin Fine Arts, Sashen Buga, Jami'ar Sarajevo a 2007. Ta kammala karatun digiri na biyu a Dimokuradiyya da 'yancin ɗan adam a Kudu maso Gabashin Turai daga jami'o'in Sarajevo da Bologna a 2013.  Ta kammala karatun ta a matsayin wani ɓangare na shirin ERMA a Cibiyar Kimiyyar zamantakewa da zamantakewa, Skopje, Macedonia a cikin 2013.

## Sana'a
Jušić ya girma a Sarajevo a lokacin yakin 1992-1995 a Bosnia da Herzegovina wanda ya yi tasiri sosai akan ayyukan fasaha.  Babban abubuwan da ke cikin aikinta su ne kwarewarta ta sirri game da yaƙi da siyasar yaƙi, ƙaƙƙarfan sadaukarwarta ga mace, zamantakewa da haɗin kai.  Ta yi amfani da kafofin watsa labarai daban-daban: bidiyo, aikin bidiyo, aiki, haɗin gwiwa da zane.    ( *Maharbi*, *Ba zan sake magana game da yakin ba*, *Silk lavander shirt*, *Ride the recoil* ). Kashi na biyu na ayyukanta sun nuna rawar da mata masu ban sha'awa suka taka a yakin duniya na biyu da kuma rawar da mata suka taka a Socialism ( *Jaruman da ba a sani ba, Menene gwagwarmayarmu ta ba mu?*, *Matan bangaranci da ba a sani ba* ). Har zuwa 2017, ta ƙirƙira fiye da 50 multimedia da ayyukan fasaha na gani. Marina Gržinić, David Elliot, Jelena Petrović, Matthew Webber, Jonathan Blackwood, Alessandra Ferrini da Hodara Susan sun sake nazarin ayyukanta. An kwatanta aikinta a matsayin "mai gaskiya da gaskiya, ya kasance yana magana da labarun iyali ko kuma manyan labarun siyasa." 

### Auto-biographical ayyuka a kan yaki a Bosnia da Herzegovina

#### Maharbi (2007)
Asalin taken *Snapperist*, wannan ɗan gajeren bidiyon aiki ne na tarihin rayuwa. Mahaifin Adela Jušić ya kasance memba na Sojojin Bosnia a Sarajevo tun farkon yakin. Aikin da ya yi a lokacin da Sarajevo ya yi wa kawanya shi ne farautar 'yan bindigar da ke harbin fararen hula da ke keta hakkin bil'adama da kuma yarjejeniyar Geneva . A ranar 3 ga Disamba, 1992 ne, a matsayin maharbi, harsashin maharbi ya kashe shi, wanda ya buge shi a ido.  A cikin *The Sniper*, mai zanen ya ba da labarin ɓangaren littafin mahaifinta inda ya jera adadin sojojin da ya kashe a lokacin da yake fama da ayyukan yaƙi, yayin da yake zana wani da'irar ja a baya wanda hoton mahaifinta ya bayyana.

*Maharbi* wani bangare ne na nunin MOMENTUM "MAHAIFIYAR JARUMA / Fasahar Zamani ta Matan Bayan Kwaminisanci Rethinking Heroism" wanda Rachel Rits-Volloch da Bojana Pejic suka shirya a Berlin.  Bojana Pejic ya bayyana cewa: "An kuma sake yin abin tunawa a cikin sassan da ke magance rauni da asarar da yakin Bosnia ya haifar (Maja Bajević da Adela Jušić), kuma waɗannan ayyukan sun nuna cewa tunanin mata, ko da lokacin da suke soja, ya bambanta da na maza."  Alessandra Ferini, mai zane na gani, mai bincike da malami, ya ce:  

An yi amfani da *Sniper* a matsayin wani ɓangare na MA Fine Art digiri course a Chelsea College of Arts, Jami'ar Arts London da Tate Research Center  kuma ya tashi "batun yadda kayan sirri ke mamaye filin catharsis a cikin yin, rayuwa da kuma dawo da tunanin."  Jušić ta gabatar da aikinta *The Sniper at* London School of Economics panel "Art in Conflict" a cikin 2013.  *Maharbi* wani ɓangare ne na imai – inter media art institute Archive  da Transitland: Bidiyo Art daga Tsakiya da Gabashin Turai.  Transitland EUROPA wani tarihin haɗin gwiwa ne na bidiyo 100 waɗanda ke yin tunani kan sauyi da sauyi a ƙasashen da suka biyo bayan gurguzu na Tsakiya da Gabashin Turai. Bidiyon sun hada da ayyuka daga shekaru ashirin da suka gabata, daga faduwar katangar Berlin zuwa yanzu. 

#### Lokacin da na mutu, za ku iya yin abin da kuke so (2011)
Asalin taken aikin shine *Kad ja umrem, radite šta hoćete*, 2011. A cikin wannan bidiyon, mai zanen yana shafa rini a hankali ga gashin kakarta, wacce ta mutu tun daga lokacin. A kan sautin sautin, Jušić ta yi rada a cikin Bosnia, tana ba da labaran labaran da kakarta ta bayar game da rayuwarta mai wahala. "A baya can ya kasance mafi muni sau ɗari," an karanta subtitles, kuma, "Mutuwa kyakkyawar taimako ce.".  Kakar Jušić ta rayu cikin yakin duniya na biyu da yakin da ya gabata a Bosnia da Herzegovina. Hana Marku ta siffanta aikin: 
 
*Lokacin da na mutu, za ku iya yin abin da kuke so* kuma wani ɓangare ne na imai - Inter media art institute archive na ayyukan fasaha 3,000 da na rubuce-rubuce daga zamanin majagaba na 1960s har zuwa yau. 

#### Ba zan sake magana game da yakin ba (2011)
Asalin taken aikin shine: *Ja više nikada neću pričati o ratu.* A cikin wannan wasan kwaikwayo na bidiyo na haɗin gwiwar *Ba zan taɓa yin Magana game da Yaƙin Again* na Adela Jušić da Lana Cmajcanin, masu fasaha biyu daga Bosnia da Herzegovina sun yi wa juna alkawari ba za su sake yin magana game da yakin ba, suna maimaita jumla ɗaya akai-akai, suna ƙara zama da damuwa cewa ba za su iya tserewa batun ba ko da ba tare da magana ba. Matthew Webber ya duba aikin:  

Aikin *da ba zan taɓa yin magana game da yaƙin ba* ya haɗa da tarin Perpetuum Mobile na Taskar Rayuwa, a lokacin bugu na farko a Zagreb, Croatia a cikin 2011, a matsayin "ɓangare mai mahimmanci, ƙoƙari da ƙalubalen siyasa (sake) bayyana waɗannan rikice-rikice, rikice-rikice da sake dawowa".  Jelena Petrovic, memba na ƙungiyar kulawa, ya bayyana cewa "aikin da kansa ya zama abin tayar da hankali ga matsayi na masu kulawa dangane da aikin, da kuma alamar yanayin da aka gabatar da shi ga masu sauraro, kafofin watsa labaru da kuma siyasar wuri." 

Wannan aikin, tare da *The Sniper* da *Lokacin da na mutu, za ku iya yin abin da kuke so* an haɗa su a cikin Fim ɗin Mutations: Festival of Invisible Cinema 08 Parallel Film, Zagreb 2014.   Zabi na Bikin, masanin ilimin kimiyya da fasaha Marina Gržinić, ya bayyana ayyukan da ke nuna "ƙarfafa, mulkin mallaka na soja da kuma na'ura na yaki (wanda ke tsara kallo, tasiri da rayuwa)" kuma ya kara da cewa:  

*Ba zan sake magana game da yakin da* aka yi amfani da matsayin take ga wani nuni a Färgfabriken ta duniya aikin, Psychosis a Stockholm a 2011, curated by Vladan Jeremic, a kan post-yaki rauni da zamantakewa m sakamakon.   Yana gabatar da ayyukan masu fasaha daga Bosnia da Herzegovina, Serbia, Croatia da Rasha irin su Adela Jušić, Marina Abramović, Igor Grubić, Živko Grozdanić Gera, Lana Cmajcanin da sauransu. *Ba zan taɓa yin magana game da yaƙi ba* kuma aiki da *labarun bacci*, kuma haɗin gwiwa tsakanin Adela Jušić da Lana Cmajcanin duka suna cikin nunin *.*   Baje kolin na asali da aka gabatar a Stockholm *Ba zan sake yin magana game da yakin ba* kuma an gabatar da shi a Maribor, Slovenia a matsayin wani bangare na shirin da KIBLA ya kirkira don bayyanar Maribor 2012: Babban Babban Al'adun Turai.  An mayar da hankali kan nazarin zamantakewa mai mahimmanci da kuma shaidar tashin hankali da rauni da ke da alaka da yaƙe-yaƙe na baya-bayan nan a ƙasashen tsohuwar Yugoslavia. 

#### Ride da recoil (2013)
Ayyukan haɗin gwiwar Adela Jušić tare da haɗin gwiwar Ervin Prašljivić *Ride the Recoil* an haɓaka shi tare da goyon bayan fasaha ta Ervin Prašljivić da Ognjen Šavija. *Ride the Recoil* zargi ne na wasan bidiyo *na Sniper : Ghost Warrior 2* (wanda aka saita a Sarajevo) *a matsayin* commodification na yakin Bosnia. Aikin ya ƙunshi ɓangarorin wasan bidiyo na bidiyo, ɓangaren ba da labari mai jiwuwa na mai fasaha kan yadda za a guje wa maharba (bisa la’akari da irin abubuwan da ta faru a lokacin yaƙi) ta wuce gona da iri kan umarnin wasan bidiyo na yadda ake kashewa da kuma jerin hotunan wata ƙaramar yarinya da ta bar ƙofar. *Ride the recoil* ya lashe lambar yabo ta musamman na salon 54 ga Oktoba.   An fara buga *Ride the Recoil* a matsayin wani ɓangare na Intanet na Triple Canopy a matsayin yanki na kayan aiki, wanda Gidauniyar Andy Warhol Foundation for Visual Arts ke goyan bayan, da Brown Foundation, Inc., na Houston, Asusun Lambent Foundation na Tides Foundation, Kyautar Nationalasa don Arts, Sashen Al'adu na Birnin New York tare da haɗin gwiwar Majalisar City, da Majalisar Dokokin Jihar New York .  Jonathan Blackwood, masanin ka'idar, marubuci kuma mai kula da fasahar zamani, ya bayyana wannan yanki: 
 
A matsayin babban ɓangaren wasan kwaikwayon, mai zane yana amfani da kwafin gwaji na ICTY, abubuwan tunawa da Biljana Plavšić, maganganunta ga kafofin watsa labarai, da sauran abubuwan da suka dace. Biljana Plavšić, tsohon Shugaban Jamhuriyar Srpska, an gurfanar da shi a cikin 2001 ta Kotun hukunta laifuka ta kasa da kasa don tsohuwar Yugoslavia don kisan kare dangi, laifuffukan cin zarafin bil'adama da laifukan yaki a lokacin yakin Bosnia . Bayan da ta amsa laifinta da kuma bayyana tuban ta, masu gabatar da kara sun janye tuhumar da ake yi mata na kisan kare dangi, tare da yanke mata hukuncin daurin shekaru 11. Ta yi kashi biyu bisa uku na hukuncin da aka yanke mata a gidan yari a Sweden kuma an sake ta a baya.  A lokacin zamanta a gidan yari a shekara ta 2005, ta buga wani babban tarihi inda ta musanta ikirari da ta yi a baya.  Manufar wasan ita ce nuna bambanci da ke cikin wakilcin Biljana Plavsic, tubarta ta ƙarya da hukunce-hukuncen da ta samu, wanda bai dace da laifukan da ta aikata ba. Sunan aikin ya samo asali ne ta hanyar magana game da Biljana Plavšić na fitaccen marubuci Slavenka Drakulić : *Kodi mai launin kore, lavender, fuchsia, da shuɗi mai duhu suna kama da launukan da ta fi so; rigar siliki a karkashin jaket dinta part na uniform dinta.*  

### Yana aiki a kan mata masu ban sha'awa da yakin duniya na biyu
Adela Jušić ta sadaukar da shekaru don bincike na shigar mata cikin gwagwarmayar Jama'ar Kasa, Matan Antifascist Front da matsayinsu a bayan yakin duniya na biyu.  Sashin farko na tsakiyar aikinta yana da alaƙa da hotunan mata masu ban sha'awa, wakilcin su a NOB, labarun mata da tarihinsu na baka. Irin waɗannan ayyukan sun haɗa da *Menene gwagwarmayarmu ta ba mu?* (2013), wanda aikin watsa labarai ne gauraye da aka yi wahayi daga littafin Jaruma Mata  akan labarun rayuwa na jaruman Bosnia guda 10 daga yakin duniya na biyu. Wani misali na aikin Jušić shine *macen Partisan Unknown* (2016). Bayan yakin duniya na biyu a Yugoslavia, an binne ’yan bangar da ba a san sunayensu ba a karkashin dutsen kabari wanda maimakon suna aka zana kalmomin da ba a sani ba ko kuma mace mai ban sha'awa. Jušić ya ƙirƙira kwafin irin wannan kabari tare da kalmomi: *Matar Bangaranci da ba a san ta ba* kuma ta sanya shi a wurin shakatawa a tsakiyar Sarajevo, kusa da sauran wurare masu mahimmanci na tarihi da kuma fadin ginin da aka fi sani da gidan kurkukun Beledija, inda mata da yawa masu adawa da fascists aka tsare fursunoni da azabtarwa a lokacin yakin.  Bayan kusan shekara guda, babu hukumomin birni ko kafofin watsa labarai da suka kula da dutsen kabari. Har yanzu yana nan a wuri guda.

Babban batu na biyu na aikinta shine dangantakar tattalin arziki da kuma rawar da mata suka taka a lokacin Socialism. Jušić ya kwatanta irin yadda mata suka shiga yakin duniya na biyu ta hanyar tara jama’a da gwagwarmayar makami, bayan yakin bayan yakin da mata suka yi wajen sake gina kasa ta hanyar ayyukansu na sa-kai da kuma babban canjin fahimtar aikin mata a cikin shekarun 1950 lokacin da aka kira mata cikin ayyukansu na dabi’a na uwa, matan gida da masu reno. Wasu daga cikin fitattun ayyuka akan wannan batu sun haɗa da: *Ƙaunar Ƙauna* tare da haɗin gwiwar Andreja Dugandzic (2014), *Ga Mata* (2015), *Muna marmarin aiki da aiki* tare da haɗin gwiwar Andreja Dugandzic (2014) da dai sauransu.

#### Taskar Anti-fascist Front na Matan BiH da Yugoslavia
Adela Jušić da Andeja Dugandžić sun fara wani tarihin kan layi na Matan Antifascist Front na Yugoslavia da Matan Antifascist na BiH a cikin 2015.    Wannan dandali na kan layi ya ƙunshi dubban takardu, hotuna, hirarraki, rubuce-rubuce, kididdigar lokaci da littattafai Adela Jušić da Andreja Dugandzic sun kwashe shekaru suna tattarawa a ɗakunan ajiya na jama'a, dakunan karatu da tarin masu zaman kansu.   An ƙaddamar da tarihin a ranar 8 ga Maris, Ranar Mata ta Duniya a cikin 2015.  An ƙaddamar da tarihin kamar haka: 

A matsayin wani ɓangare na tarihin an buga littafi a matsayin tarin kasidu, ayyuka da misalai da ake kira *Izgubljena revolucija:* *AFŽ Između mita i zaborava*  an buga  kuma an gabatar da shi.  Tarin ya ƙunshi babi akan misalan Jušić. 

## Kyauta

* 2017 Mawaƙi a Shirin Mazauna, Cibiyar Kulturni Tobačna 001, Ljubljana, Slovenia
* 2017 Nuwamba 11 - Janairu 11, 2018 - *watsa*, art tushen bincike a Izmir University of Economics, Fine Art Department, Izmir, Turkey
* 2017 Afrilu 25 - Yuni 25 - *watsawa*, binciken tushen fasaha a Jami'ar Izmir na Tattalin Arziki, Sashen Fasaha na Fine, Izmir, Turkiyya
* 2017 Satumba 1–25 Mai zane a Mazauna, filin nunin frei_raum Q21, Gidajen tarihi Quartier, Vienna, Austria 
* 2016 Dandali na mai fasaha na duniya GuestRoom Maribor, Slovenia
* 2014 TICA, Tirana, Albania
* 2013 mai karɓa na ERMA Scholarship, Sarajevo, Bosnia da Herzegovina
* 2013 iaab, Basel, Switzerland
* 2012 Kulturkontakt, Vienna, Austria 
* 2011 ISCP, New York, Amurka 
* 2010 *Garin wucin gadi*, Kozelites Approach Art Association, Pecs, Hungary
* 2010 Miskolc Cibiyar Fasaha ta Zamani, Miskolc, Hungary

## Manazarta