Cheryl Buckley

**Cheryl Buckley** (an haife ta a shekara ta 1956)  masaniyar zane ce 'yar Birtaniya wacce bincikenta ya mayar da hankali kan hanyoyin mata na zane-zane . Ta wallafa a kan zane-zane da salon zane na Birtaniya. Ayyukanta sun haɗa da labarin mai tasiri "Made in Patriarchy: Toward a Feminist Analysis of Women and Design" (1986) da littattafan *Potters and Paintresses* (1990) da *Designing Modern Britain* (2007). Ta kasance farfesa a fannin tarihin zane-zane da zane a Jami'ar Brighton daga 2013 zuwa 2021, kuma a baya farfesa ce a tarihin zane a Jami'ar Northumbria . A shekara ta 2021, an naɗa ta Farfesa Emerita a Jami'ar Brighton.

## Ilimi da aiki
Buckley ta halarci Jami'ar East Anglia, inda ta sami digiri a fannin tarihin fasaha da gine-gine (1977). Ta sami digiri na biyu a fannin tarihin zane daga Jami'ar Newcastle (1982). Ta koma Jami'ar East Anglia don samun digirin digirgir a fannin tarihin zane, wanda aka ba ta a shekarar 1991.  Ta yi aiki daga 1980 a Kwalejin Kimiyya da Fasaha ta Newcastle da ke Newcastle-upon-Tyne, wadda aka sake mata suna Jami'ar Northumbria a shekarar 1992, daga baya kuma ta zama farfesa a fannin tarihin zane, kafin ta shiga Jami'ar Brighton a shekarar 2013, inda take farfesa a fannin tarihin zane da zane.   A shekarar 2017, ita da Jeremy Aynsley sun kafa Cibiyar Tarihin Zane a Brighton.  

A shekara ta 2000, ta haɗu da kafa mujallar Visual Culture in Britain . Ta jagoranci ƙungiyar Tarihin Zane (2006–09) kuma ta yi aiki a matsayin babban edita na mujallarta, Journal of Design History (2011–16).

## Bincike da rubuce-rubuce
Buckley ta bayyana abubuwan da take sha'awa a bincike a yanzu a matsayin jinsi da zane,  kuma an bayyana ta a matsayin masaniyar zane-zane ta mata .  Ta wallafa a kan zane-zanen yumbu da salon zamani, inda ta mayar da hankali kan Birtaniya tun daga tsakiyar zamanin Victorian har zuwa yau.  Labarinta mai suna "Made in Patriarchy: Toward a Feminist Analysis of Women and Design", wanda aka buga a cikin *Zane Issues* a 1986, ya buɗe:

A cikin labarin, wanda Victor Margolin ya bayyana a matsayin "seminal"  da kuma "mai ban mamaki" ta Grace Lees-Maffei,  Buckley ta yi tsokaci kan gudummawar zane da mata suka bayar, kuma ta nuna cewa an yi watsi da fasahar kere-kere a nazarin tarihin zane.

A cikin littafinta na farko, Potters and Paintresses: Women Designers in the Pottery Industry, 1870–1955 (1990), Buckley ta tattauna yadda mata suka shiga cikin ƙirar yumbu a wannan lokacin.

A cikin *littafin Fashioning the Feminine: Representation and Women's Fashion from the Fin de Siècle to the Present* (2002), Buckley da marubuciyar Hilary Fawcett sun yi bitar salon a Birtaniya daga 1890, suna nuna hulɗarsa da ra'ayin mata da kuma na mata da kuma alaƙarta da zamani . Kwanan nan, Buckley ta rubuta tare da *Fashion and Everyday Life: London da New York* tare da Hazel Clark (2017). 

A cikin littafinta na biyu wanda shi kaɗai ya rubuta, *Designing Modern Britain* (2007), Buckley ta yi nazari kan ƙirar Birtaniya tsakanin 1890 da 2001, ta hanyar nazarin yanayi daban-daban. Ta yi amfani da faffadan ma'anar ƙira, wanda ta ɗauka a matsayin "ma'aunin ayyukan da suka dogara da juna", wanda ya ƙunshi gine-gine, tsare-tsaren birni, ƙirar ciki, tukwane, yadi, da kuma salon zamani.

## Littattafai da aka zaɓa
**Littattafai**

Tushe: 

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**Labarai kan bincike**

Cheryl Buckley (2020), 'An yi a cikin Patriarchy II: Bincike (ko sake bincike) Mata da Zane', Matsalolin Zane, juzu'i na 36, lamba 1, Lokacin hunturu 2020, 19-29. https://doi.org/10.1162/desi_a_00572

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## Manazarta