Yesomi Umolu

**Yesomi Umolu** (an haife ta a shekara ta 1983 ko 1984)  ita ce mai kula da Fasahar zamani kuma marubuciya wacce ta kasance darektan harkokin kula da jama'a ga Serpentine Galleries tun daga shekarar 2020.

Umolu a baya ya rike mukamai masu kulawa a Cibiyar Fasaha ta Walker, Gidan Tarihi na Eli da Edythe Broad a Jami'ar Jihar Michigan, da Cibiyar Fasahar Logan a Jami'an Chicago. Daga nan ta yi aiki a matsayin darektan zane-zane na Chicago Architecture Biennial 2019 kafin ta ɗauki matsayinta na yanzu a Serpentine Galleries . 

Umolu ya wallafa ayyuka a cikin wallafe-wallafen kamar Art in America da Afterimage, kuma ya rubuta kuma ya yi magana game da batutuwan da suka shafi bambancin ra'ayi da Tsarin wariyar launin fata a gidajen tarihi.

## Rayuwa ta farko da ilimi
An haifi Yesomi Umolu kuma ta girma a Legas, Najeriya . Mahaifiyarta ta koyar da Turanci kuma mahaifinta Ma'aikacin gwamnati ne. Ta koma London tana da shekaru goma. Yayinda take matashiya, ta shiga cikin ƙungiyar zane-zane a Tate Modern . 

Umolu ta sami digiri na biyu a fannin zane-zane daga Jami'ar Edinburgh .  Bayan ya yi aiki a matsayin masanin gine-gine na shekaru biyu, Umolu ya bi aikin fasaha saboda sha'awar "magana da alaƙar zamantakewa da yanayin da aka gina ke haifar". Ta sami digiri na biyu a fannin fasahar zamani daga Royal College of Art a shekara ta 2010. 

## Ayyukan kulawa
A farkon aikinta, Umolu ta ba da gudummawa ga shirye-shirye a Tate Modern da Iniva kuma ta rike mukamai a bikin cika shekaru biyu na Turai na fasahar zamani Manifesta 8 da Serpentine Gallery .  A shekara ta 2012 ta zama abokiyar kulawa a Cibiyar Fasaha ta Walker a Minneapolis, Minnesota, Amurka. A can, ta shirya baje kolin Amurka na farko ga masu zane-zane Karen Mirza da Brad Butler, mai taken The Museum of Non Participation: The New Deal, kuma ta yi aiki a kan wasu nune-nunen daban-daban.

Umolu ta ci gaba ta yi aiki a matsayin mataimakiyar mai kula da Gidan kayan gargajiya na Eli da Edythe Broad a Jami'ar Jihar Michigan, inda ta shirya shirye-shiryen da suka mayar da hankali kan fasahar zamani ta duniya. A cikin 2014, ta shirya John Akomfrah: Imaginary Possessions, baje kolin gidan kayan gargajiya ta farko ta Amurka da ke mai da hankali kan aikin kwanan nan na ɗan wasan kwaikwayo na Burtaniya John Akomfrh. Sauran nune-nunen sun hada da Focus: Pao Houa Her (2015), The Land Grant: Forest Law (2014), da *Ru'ya ta Yohanna: Binciken Dimokuradiyya* (2013).  Ayyukanta na ƙarshe a Broad, Material Effects, ya bincika aikin masu zane-zane shida daga ƙasashen Yammacin Afirka.Lansing.com/stories/through-african-eyes,4470quot;},quot;access-datequot;:{quot;wtquot;:quot;19 November 2021quot;},quot;workquot;:{quot;wtquot;:quot;quot;},quot;datequot;:{quot;wtquot;:quot;11 November 2015quot;}},quot;iquot;:0}}]}\" data-ve-no-generated-contents=\"true\" id=\"mwARc\">nbsp;.  2021."}}" id="cite_ref-Material_Effects,_City_Pulse_review_6-0" rel="dc:references" typeof="mw:Extension/ref">[./Yesomi_Umolu#cite_note-Material_Effects,_City_Pulse_review-6 [3] A cikin bita na nune-nunen don Hyperallergic, mai sukar fasaha Sarah Rose Sharp ya bayyana cewa "Umolu ya yi aiki mai ban sha'awa na jigilar abubuwa da masu zane-zane na Afirka a nan zuwa Michigan, inda, a musayar, za su iya kai mu Afirka. "  The City Pulse a Lansing, Michigan, ya lura da zurfin da za a iya jin daɗin nune-nun, kamar rubutu da launuka na abubuwa a cikin nune-aikacen ko falsafar asali. 

Jami'ar Chicago ta naɗa Umolu a matsayin mai kula da baje kolin kayayyakin tarihi na Cibiyar Fasaha ta Logan a shekarar 2015.[1] Baya ga aikinta na mai kula da baje kolin kayayyaki, ta kuma yi lacca kan fasahar gani ta zamani da ayyukan sararin samaniya a jami'ar.[2] A shekara mai zuwa, a shekarar 2016, an ba ta lambar yabo ta mai kula da kayayyakin tarihi daga Gidauniyar Andy Warhol.[3] Nunin da ta yi a shekarar 2018 mai suna Candice Lin: A Hard White Body, a Porous Slip, wanda aka shirya tare da Katja Rivera, an naɗa ta ɗaya daga cikin manyan baje kolin kayayyaki 20 na Amurka na shekara ta Hyperallergic.[4] A matsayinta na darektan fasaha na Chicago Architecture Biennial 2019, Umolu ta yi aiki tare da masu kula da kayayyakin tarihi Sepake Angiama da Paulo Tavares[3] kuma ta kula da wani shirin mai kula da kayayyakin tarihi wanda ya ƙunshi ayyukan ƙungiyoyi sama da tamanin da kamfanoni da aka sanya a wurare arba'in a faɗin Chicago.[5] Architectural Record ya lura cewa shirye-shiryen biennial sun bayar da "shawarwari masu zurfi game da yadda gine-gine da ƙira ke aiki a cikin tsarin iko, wariyar launin fata, mulkin mallaka, da rashin daidaito" kuma ya lura da haɗakar nunin abubuwa a cikin birni idan aka kwatanta da biennials na baya.[6]

An nada Umolu darektan harkokin curatorial da aikin jama'a na Serpentine Galleries a London a shekarar 2020. Ayyukanta a wannan matsayi sun haɗa da inganta haɗin kai da samun damar shirye-shiryen Serpentine.

## Rubuce-rubuce
Rubutun Umolu ya bayyana a cikin mujallu daban-daban ciki har da Art in America da Afterimage .  Ta kuma rubuta kuma ta yi magana game da batutuwan da suka shafi bambancin ra'ayi da wariyar launin fata a gidajen tarihi.

A watan Yunin 2020, Umolu ya wallafa wani sakon Instagram mai taken "14 Points on the Limits of Knowledge and Care" a kan haɗin tarihi kai tsaye na gidajen tarihi zuwa "motsawar mulkin mallaka don tattarawa"; yadda waɗannan cibiyoyin zasu iya amincewa da wannan yanayin; da kuma "neman sake gina tare da layin wariyar launin fata da layin mulkin mallaka" a cikin zanga-zangar adawa da wariyar launin fatar ga baƙi. Ta rubuta wani labari a kan wannan batun don Artnet News daga baya a wannan watan. [1] [2][3]

## Manazarta