Höchsterwünschtes Freudenfest, BWV 194

**** (Bikin farin ciki da aka fi so sosai),  **BWV 194**,  cantata coci ce ta Johann Sebastian Bach . Ya hada shi a Leipzig don sadaukar da coci da sashin jiki a Störmthal a ranar 2 ga Nuwamba 1723.

Wani mawaki da ba a san shi ba ne ya rubuta rubutun cantata, ciki har da sassan biyu na waƙar Johann Heermann "" (1630) da kuma sassan biyu daga Paul Gerhardt "" (1647). Bach ya yi amfani da cantata na duniya na baya a matsayin tushe don tsari a sassan biyu na ƙungiyoyi shida kowannensu, farawa da motsi mai tsawo na mawaƙa kuma ya kammala ɓangarorin biyu tare da stanzas na mawaƙa. Motsawa na ciki suna canzawa da kuma Arius. Kwararrun mawaƙa ne kawai ƙungiyoyi waɗanda tabbas an ƙirƙira su ne don wannan lokacin. Bach ya zira kwallaye ga masu ba da sauti guda uku, ƙungiyar mawaƙa guda huɗu da ƙungiyar kayan aikin Baroque na oboes uku, bassoon, igiyoyi da ci gaba. Bayan wasan kwaikwayo na farko a Störmthal, Bach ya sake yin cantata a Leipzig don Triniti Lahadi, na farko a ranar 4 ga Yuni 1724, taƙaitaccen sigar a cikin 1726, kuma cikakkiyar sigar a cikin 1731.

## Tarihi da rubutu
Ayyukan farko da aka sani na cantata ya kasance a Störmthal, ƙauyen kusa da Leipzig. An sake gina cocin a can, kuma an gina sabon kwayar a kan kwamiti na Statz Friedrich von Fullen. Kwayar ta kasance aikin farko na Zacharias Hildebrandt. Von Fullen ya nemi amincewar kayan aiki daga Johann Sebastian Bach, wanda a lokacin *Thomaskantor* ne a Leipzig. Bach ya gamsu kuma ya kirkiro wannan cantata don hidimar keɓewa ga coci da kwayar halitta a ranar 2 ga Nuwamba 1723.  Rubutun yana magana ne game da ƙaddamar da cocin. Kwayar ba ta da wani aiki a cikin cantata.

Wani mawaki da ba a san shi ba ne ya rubuta rubutun cantata, wanda ya ɗauki addu'ar Sulemanu don keɓewar haikalin a matsayin farawa don nuna cocin a matsayin gidan Allah. Sauye-sauyen Littafi Mai-Tsarki a cikin rubutun suna nuna cewa marubucin masanin tauhidi ne. Ya haɗa da motsi na 6, wanda ya ƙare Sashe na I, stanzas 6 da 7 na waƙar yabo ta Johann Heermann "" (1630), kuma a matsayin murya ta rufewa, stanzas 9 da 10 na Paul Gerhardt's "" (1647).  

Masana irin su John Eliot Gardiner sun ɗauka cewa Bach ya kafa cantata a kan wani aikin da ya ɓace (BWV 194a), mai yiwuwa an tsara shi a Köthen don wani lokaci da ba a sani ba. Waƙoƙin ƙungiyoyi 2, 4, 6, 7, 8 da 10 sun ɓace, kuma kawai sassan kayan aiki na sauran ƙungiyoyi sun wanzu. Bach ya kara da mawaƙa don hidimar keɓewa ta 1723. *Höchsterwünschtes Freudenfest* ya nuna kamanceceniya ta kiɗa kuma da , BWV 119, wanda aka rubuta don ƙaddamar da majalisar garin Leipzig 'yan makonni da suka gabata.

Bach ya jagoranci wasan kwaikwayo na farko a hidimar keɓewa a Störmthal .  Rubutun da aka buga ya ambaci Bach a matsayin "Hochfürstl. Anhalt-Cöthenischen Capell-Meister, auch Directore Chori musici Lipsiensis" (Kapellmeister ga Yarima na Anhalt-Köthen da Darakta na Choir a Leipzig), yana nufin nadin sa a hidimar Leopold, Yarima naAnhalt-Kötthen .  Kwayar Störmthal sananniya ce a matsayin ɗaya daga cikin 'yan irin waɗannan kayan kida har yanzu ba a canza su ba tun lokacin Bach. Wani mai dawowa a cikin 1934 ya ce an saurare shi game da sautin da ya fi ƙasa da 440, wanda zai iya lissafa sautin murya mai yawa. Bach ya bukaci "Cs saman" daga sopranos, wanda yake na musamman a cikin cantatas masu tsarki. Sashe na kwayar da aka shirya don farfadowar Leipzig an lura da shi a ƙaramin kashi uku na uku fiye da sauran kayan kida.

Bach ya farfado da cantata don wasan kwaikwayon a Leipzig don ranar Triniti. Karatun da aka tsara don Triniti shine Romawa 11:33-36, da Yahaya 3:1-15, taron Yesu da Nikodimu. Babban batun har ma da "kira ga Triniti" a cikin motsi na 6 ya yi sauƙin sauyawa. A ranar 4 ga Yuni 1724, Bach ya kammala zagaye na farko na cantata tare da wannan aikin. A ranar 16 ga Yuni 1726, ya gabatar da taƙaitaccen sigar, tare da ƙungiyoyi da ke bayyana a cikin tsari na 12, 2, 3, 4, 5, 7, 10. An sake yin motsi na 12 a ranar 20 ga Mayu 1731. 

## Tsarin da zira kwallaye
Bach ya tsara cantata a sassa biyu na ƙungiyoyi shida kowannensu. An zira kwallaye ne ga masu ba da sauti guda uku (soprano (S), tenor (T) da bass (B)), ƙungiyar mawaƙa guda huɗu (SATB), da ƙungiyar kayan aikin Baroque na oboes uku (Ob), bassoon (Fg), violins biyu (Vl), viola (Va) da basso continuo.

A cikin teburin da ke biyowa na ƙungiyoyi, ƙwallon ya biyo bayan Neue Bach-Ausgabe . Ana karɓar maɓallan da sa hannu na lokaci daga masanin Bach Alfred Dürr, ta amfani da alamar don lokaci na yau da kullun (4/4). Ana nuna kayan kida daban don iskõki da igiyoyi, yayin da ci gaba, yana wasa a ko'ina, ba a nuna shi ba.

## Waƙoƙi
Waƙar tana da halin rawa sau da yawa. Dukkanin maimaitawa, mafi yawan ƙungiyoyin solo, suna da secco, tare da ci gaba kawai. Yawancin su suna biye da aria da aka yi ta wannan nau'in murya.

Sashe na fara ne da mawaƙa a cikin salon buɗewar Faransanci tare da buɗewa mai mahimmanci da kuma ɓangaren tsakiya mai sauri. Bass yana raira waƙa da kuma aria, tare da solo oboe da igiyoyi. Soprano tana raira waƙa da kuma aria a cikin salon Gavotte. Harkokin sassan hudu na mawaƙa ya ƙare ɓangaren farko.

Sashe na II ya fara ne tare da tenor yana raira waƙa da kuma da capo aria a cikin ƙaramin Yanayin, wanda ke da amfani da shi sosai na rhythms. Tattaunawar maimaitawa don bass da soprano tana haifar da duet aria tare da oboes da continuo. Bayan recitative bass declamatory, aikin ya ƙare tare da wani saitin mawaƙa na kashi huɗu.

## Rubuce-rubuce
An ɗauki shigarwar daga jerin a shafin yanar gizon Bach Cantatas .  Kungiyoyi tare da kayan aiki na lokaci a cikin aikin da aka sani da tarihi suna da alama ta bango mai kore.

## Bayani

## manazarta