RKO Pictures

**RKO** (Radio-Keith-Orpheum) **Pictures** estas usona entrepreno de filma produktado kaj distribuado. Konata ankaŭ kiel *A Radio Picture*, *An RKO Radio Picture*, kaj *RKO Radio Pictures Inc.*, ĝi estis unu el la Kvin Grandaj studioj de Holivudo en ties Ora Epoko.

RKO famiĝis ekzemple pro siaj serioj de muzikaloj en kiuj stelulis Fred Astaire kaj Ginger Rogers en la mezaj al la finaj 1930-aj jaroj. Aktoroj Katharine Hepburn kaj, poste, Robert Mitchum havis siajn unuajn ĉefajn sukcesojn ĉe tiu studio. Cary Grant estis ĉefa aktoro dum jaroj. La malmultekostaj hororfilmoj de produktoro Val Lewton kaj multaj aliaj produktaĵoj de RKO en la kampo nune konata kiel nigra filmo estis same laŭdata kaj de kinkritikistoj kaj de historiistoj. La studio produktoris du el la plej famaj filmoj en la historio de kino: nome *King Kong* kaj *Citizen Kane*.

## Bibliografio 
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* Brown, Peter Harry, and Pat H. Broeske (2004). *Howard Hughes: The Untold Story*. New York: Da Capo. ISBN 0-306-81392-0
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* *Catalogue of Copyright Entries*, vol. 3, no. 2: Part 1, Group 3—Dramatic Compositions, Motion Pictures (1930). Washington, D.C.: Library of Congress Copyright Office/Government Printing Office.
* Conant, Michael (1981). "The Paramount Decrees Reconsidered", in *The American Film Industry*, ed. Tino Balio, pp.&nbsp;537–73. Madison: University of Wisconsin Press. ISBN 0-299-09874-5
* Cook, Pam (2007). *The Cinema Book*, 3d ed. London: BFI Publishing. ISBN 1-84457-192-0

* Cox, Jim (2009). *American Radio Networks: A History*. Jefferson, N.C.: McFarland. ISBN 978-0-7864-4192-1
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* Denisoff, R. Serge (1986). *Tarnished Gold: The Record Industry Revisited*. Piscataway, N.J.: Transaction. ISBN 0-88738-618-0
* Deyo, L. B., and David Leibowitz (2003). *Invisible Frontier: Exploring the Tunnels, Ruins, and Rooftops of Hidden New York*. New York: Random House. ISBN 0-609-80931-8
* Di Battista, Maria (2001). *Fast-Talking Dames*. New Haven, Conn., and London: Yale University Press. ISBN 0-300-08815-9
* Dickstein, Morris (2002). "*Bringing Up Baby* (1938)", in *The A List: The National Society of Film Critics' 100 Essential Films*, ed. Jay Carr, pp.&nbsp;48–50. Cambridge, Mass.: Da Capo. ISBN 0-306-81096-4
* Dixon, Wheeler W. (2005). *Lost in the Fifties: Recovering Phantom Hollywood*. Carbondale: Southern Illinois University Press. ISBN 0-8093-2653-1
* Fein, Seth (2000). "Transcultured Anticommunism: Cold War Hollywood in Postwar Mexico", in *Visible Nations: Latin American Cinema and Video*, ed. Chon A. Noriega, pp.&nbsp;82–111. Minneapolis: University of Minnesota Press. ISBN 0-8166-3347-9
* Finler, Joel W. (2003). *The Hollywood Story*, 3d ed. London: Wallflower. ISBN 1-903364-66-3
* Fong-Torres, Ben (2001). *The Hits Just Keep on Coming: The History of Top 40 Radio*. Milwaukee: Hal Leonard. ISBN 0-87930-664-5
* Friedrich, Otto (1997 [1986]). *City of Nets: A Portrait of Hollywood in the 1940s*. Berkeley and Los Angeles: University of California Press. ISBN 0-520-20949-4
* Glick, Mark A., Lara A. Reymann, and Richard Hoffman (2003). *Intellectual Property Damages: Guidelines and Analysis*. Hoboken, N.J.: John Wiley & Sons. ISBN 0-471-23719-1
* Gomery, Douglas (1985). "The Coming of Sound: Technological Change in the American Film Industry", in *Technology and Culture—The Film Reader*, ed. Andrew Utterson, pp.&nbsp;53–67. Oxford and New York: Routledge/Taylor & Francis, 2005. ISBN 0-415-31984-6
* Goodwin, Doris Kearns (1987). *The Fitzgeralds and the Kennedys*. New York: Simon and Schuster. ISBN 0-312-06354-7
* Harvey, James (1998). *Romantic Comedy in Hollywood, from Lubitsch to Sturges*. New York: Da Capo. ISBN 0-306-80832-3
* Haupert, Michael John (2006). *The Entertainment Industry*. Westport, Conn.: Greenwood. ISBN 0-313-32173-6
* Hilmes, Michelle (1990). *Hollywood and Broadcasting: From Radio to Cable*. Urbana and Chicago: University of Illinois Press. ISBN 0-252-01709-9
* Howard, Herbert H. (1979). *Multiple Ownership in Television Broadcasting: Historical Development and Selected Case Studies*. New York: Arno. ISBN 0-405-11759-0
* Huettig, Mae D. (1944). *Economic Control of the Motion Picture Industry*, excerpted in *The American Film Industry*, ed. Tino Balio, pp.&nbsp;285–310. Madison: University of Wisconsin Press. ISBN 0-299-09874-5
* Jacobs, Steven (2007). *The Wrong House: The Architecture of Alfred Hitchcock*. Rotterdam: 010 Publishers. ISBN 90-6450-637-X
* Jeff, Leonard J., and Jerold L. Simmons (2001). *The Dame in the Kimono: Hollywood, Censorship, and the Production Code*. Lexington: University Press of Kentucky. ISBN 0-8131-9011-8
* Jewell, Richard B., with Vernon Harbin (1982). *The RKO Story*. New York: Arlington House/Crown. ISBN 0-517-54656-6
* Kear, Lynn, with James King (2009). *Evelyn Brent: The Life and Films of Hollywood's Lady Crook*. Jefferson, N.C.: McFarland. ISBN 0-7864-4363-4
* Keyes, Cheryl L. (2004). *Rap Music and Street Consciousness*. Urbana and Chicago: University of Illinois Press. ISBN 0-252-07201-4
* King, Emily (2003). *Movie Poster*. London: Octopus. ISBN 1-84000-653-6
* Koszarski, Richard (2008). *Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff*. New Brunswick, N.J.: Rutgers University Press. ISBN 0-8135-4293-6
* Kroessler, Jeffrey A. (2002). *New York Year by Year: A Chronology of the Great Metropolis*. New York: NYU Press. ISBN 0-8147-4751-5
* Langdon-Teclaw, Jennifer (2007). "The Progressive Producer in the Studio System: Adrian Scott at RKO, 1943–1947", in *"Un-American" Hollywood: Politics and Film in the Blacklist Era*, ed. Frank Krutnik, Steve Neale, Brian Neve, and Peter Stanfield, pp.&nbsp;152–68. New Brunswick, N.J., and London: Rutgers University Press. ISBN 0-8135-4198-0
* Lasky, Betty (1989). *RKO: The Biggest Little Major of Them All*. Santa Monica, Calif.: Roundtable. ISBN 0-915677-41-5
* Leff, Leonard J. (1999 [1987]). *Hitchcock and Selznick: The Rich and Strange Collaboration of Alfred Hitchcock and David O. Selznick in Hollywood*. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-21781-0
* McCann, Graham (1998). *Cary Grant: A Class Apart*. New York: Columbia University Press. ISBN 0-231-10885-0
* Morton, Ray (2005). *King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson*. New York: Applause. ISBN 1-55783-669-8
* Mueller, John (1986). *Astaire Dancing: The Musical Films*. London: Hamish Hamilton. ISBN 0-241-11749-6
* Muller, Eddie (1998). *Dark City: The Lost World of Film Noir''. New York: St. Martin's. ISBN 0-312-18076-4
* Naremore, James (1989). *The Magic World of Orson Welles*, rev. ed. Dallas: Southern Methodist University Press. ISBN 0-87074-299-X
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* O'Neill, Dennis J. (1966). ''A Whale of a Territory: The Story of Bill O'Neil*. New York: McGraw Hill.
* Pierson, John (1997). *Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema*. New York: Miramax Books/Hyperion. ISBN 0-7868-8222-0
* Rode, Alan K. (2007). *Charles McGraw: Biography of a Film Noir Tough Guy*. Jefferson, N.C.: McFarland. ISBN 0-7864-3167-9
* Schatz, Thomas (1998 [1989]). *The Genius of the System: Hollywood Filmmaking in the Studio Era*. London: Faber and Faber. ISBN 0-571-19596-2
* Schatz, Thomas (1999 [1997]). *Boom and Bust: American Cinema in the 1940s*. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-22130-3
* Schwartz, Ronald (2005). *Neo-Noir: The New Film Noir Style from* Psycho *to* Collateral. Lanham, Md.: Rowman & Littlefield/Scarecrow. ISBN 0-8108-5676-X
* Segrave, Kerry (1999). *Movies at Home: How Hollywood Came to Television*. Jefferson, N.C.: McFarland. ISBN 0-7864-0654-2
* Senn, Bryan (1996). *Golden Horrors: An Illustrated Critical Filmography of Terror Cinema, 1931–1939*. Jefferson, N.C.: McFarland. ISBN 0-7864-0175-3
* Server, Lee (2002). *Robert Mitchum: "Baby, I Don't Care"''. New York: St. Martin's. ISBN 0-312-26206-X
* Sikov, Ed (1996). *Laughing Hysterically: American Screen Comedy of the 1950s*. New York: Columbia University Press. ISBN 0-231-07983-4
* Spoto, Donald (1984 [1983]). *The Dark Side of Genius: The Life of Alfred Hitchcock*. New York: Ballantine. ISBN 0-345-31462-X
* Stephens, Michael L. (1995). *Film Noir: A Comprehensive, Illustrated Reference to Movies, Terms, and Persons*. Jefferson, N.C.: McFarland. ISBN 0-89950-802-2
* Thomson, David (1997 [1996]). *Rosebud: The Story of Orson Welles*. New York: Vintage. ISBN 0-679-77283-9
* ''L'Universale—Cinema*, vol. 2: K–Z (2004) [in Italian]. Milan: Garzantine. ISBN 88-11-50516-X
* Vogel, Harold L. (2007). *Entertainment Industry Economics: A Guide for Financial Analysis*, 7th ed. New York: Cambridge University Press. ISBN 0-521-87485-8

## Vidu ankaŭ 
* Mutual Film

## Eksteraj ligiloj 
;RKO Radio Pictures historio
* The Early Sound Films of Radio Pictures comprehensive listing of RKO (and FBO sound) features through 1935, with stars and release dates—see also The Early Sound Films of Pathé for the RKO-Pathé films of 1931–32; both part of *Vitaphone Video Early Talkies* website
* RKO Theater Chain list of classic movie houses belonging to RKO chain; part of *Cinema Treasures* website

;RKO Pictures LLC
* RKO Pictures Hartley–Merrill entreprena retejo
* Ted Hartley  persona retejo de parolanto de RKO Pictures LLC kaj CEO
* "Newman Helms Doc" artikolo de Michael Fleming pri Hartley, Variety.com, 11a de Septembro, 2003

;RKO biblioteko kaj logooj
* C&C RKO 16 mm Prints  extensive discussion of RKO preservation and rights issues, de David Chierichetti; parto de retejo *eFilmCenter*
* The RKO Logo eseo de Rick Mitchell; parto de retejo *Hollywood: Lost and Found''
* RKO Pictures Logos  detala priskriboj de Nicholas Aczel kaj Sean Beard

Kategorio:Usona kino
Kategorio:Kinindustrio