Fur Elise

**Batagelle No. 25** id Aminor (WoO 59, Bia 515) doun solo piano oubasan ointutunan dati sabaagi **“Fur Elise”**. Iti nopo nga iso kategori muzik i otutunan kopio nowonsoi di Ludwig van Bethoveen. Tintod poimpasi isio, au nokoimagon om nointutunan o muzik di noonsoi dau. Soira 40 toun kalapas minidu pogun isio, noilaan nogi  iti muzik  maya di Ludwig Nohl. Ontok dii, noguno o istila *[[Bagatelle]]* toi ko *[[Albumblatt]]* pongintutun do muzik diti.  Kopoungaranan do “Elise” montok muzik diti sabaagi identiti muzik diti au kaka noilaan, nga i minonoriuk do muzik diti pinoposogu popoungaran muzik diti sabaagi Therese Malfatti, Elisabeth Rockel toi ko’ Elise Barensfeld. 

## Sajara
*Score* not  muzik diti au nokoimagon daasom poimpasi i minomonsoi diti muzik. Soira toun 1867 nokoimagon nogi iti muzik kalapas do 40 toun minidu pogun i minomonsoi di muzik ontok toun 1827. Maya kaka di Ludwig Nohl noilaan om nokoimagon iti muzik kumaa sompomogunan. Tumanud di Ludwig Nohl manuskrip kopiipio (original) do muzik diti natagak i poinsuat do uhu *“ Fur Elise am 27 April [1810] zur Erinnerung von L.v. Bthvn”( “ For Elise on April 27 in memory of L. v. Bthvn”).* Muzik diti nokoimagon sabaagi iso boogian do Nohl’s Neue Briefe Beethovens (New Letters by Beerhoven) id bolikan 28 gisom 33 om no-print id Stuttgart maya di Johann Friedrich Cotta. 

*Versi* do tuni  "Fur Elise" dinondo no-transkripsi di Ludwig Nohl nga di pogulu nogi haro o versi suai do muzik diti ontok toun 1822 i pinopokito do kosimbanan *drastik* waya *accompaniment. Versi manuskrip* nopo nga niiman transkripsi maya tangaanak( scholar)  di Beethoven i Barry Cooper. Boogian i kopiipio kopokito kosimbanan do kopomoinan muzik diti maya kotimpuunon timpu do mamain. I nopo nga *arpeggios* ponong longon gibang *delayed* maya *16<sup>th</sup> not*.  Haro nogi o piipiro bar di noruhangan id *transitional section* kumaa B *section*. Kolimpupuson, okito nogi o kosimbanan do kumaa kohontolon (rising) A minor *arpeggio* id *piece* muzik dii. Timpu kopomoinan do *Poco moto* notumbayanan mantad koponuatan transkripisi maya di Ludwig Nohl i natagak no dinondo. *Versi* dinondo nopo nga kohompit do waya kopomoinan id timpu *Molto grazioso*. Otumbayanan do i Beethoven kirahi do momoruhang *piece* muzik diti kumaa koturugan do *bagatelles*.

Koponorimoon *validity* do transkripsi mantad di Nohl kohompit do *second right-hand note in bar 6*. I nopo nga not kumoiso mantad tolu *upbeat* i koposangkai  *main melody* do *E4* toi ko *D4*. Salom *score* di Nohl niiman dau potosolo o E4 id *bar* koturu nga D4 id *parallel* di suai. Kogumuan do versi muzik diti nokosimban id waya kotimpuunon momoguno E4 gisom *bar* kolimpupuson. Kopomogunoon do D4 nopo nga mantad proses noruhangan o C id kolimpupuson do *oktaf* A. Sundung po i, kopomogunoon D4 id *bar* koturu milo orubaan id *draft* manuskrip not di Bethooven. *Draft* dii dinondo nopo nga poingompi id Beethoven-Haus Bonn.  Poin suai kokomoi D4 diti, nopo nga *motif* do *ascending seventh* ohulit id *bar* 9 gisom 11 i timpuunon do *section* kumoduo id *principal theme*. 

I *pianist* om *musiologist* ointutunan sabaagi Luca Chiantore au sokodung do i Beethoven di minanahak di *piece* muzik Fur Elise i gunoon dati dinondo salom tesis dau ontok toun 2010 id buuk  *Beethoven al piano ( new Italian edition Beethoven al pianoforte, 2014)*. Otumbayaan nogi i Chiantore do i manuskrip kopiipio i pinotranskrip di Ludwig Nohl nopo nga haro. Suai ko iri, salom ponuatan *[[The Musical Times]]* i nosuat di Barry Cooper ontok toun 1984 pinopointalang do iso mantad duo *sketches* i haro mionit di *versi* nokoimagon.

## Identiti di "Elise"
Au noilaan kopio isai “ Elise” id uhu do muzik diti  nga ogumu o kointalangan sogu mantad mononoriuk do isai kopiipio komoyon do “Elise” id uhu muzik diti. Tumanud do kointalangan (evidence)  “Elise”  id uhu muzik diti songulun tambalut tosomok di Beethoven om i poposangkai songulun di toponsol id koposion dau.

### Therese Malfatti

Tumanud sogu ponoriukan di Max Unger pinointalang do transkripsi uhu muzik i noonsoi di Ludwig Nohl nopo nga yodii au pointopot om uhu kopiipio do muzik diti  ointutunan sabaagi “Fur Therese”. Nopoungaran o uhu muzik diti tumanud do sosongulun i ointutunan do Therese Malfatti von Rohrenbach zu Dezza (1972-1851). Isido nopo diti nga tambalut tosomok om tangaanak (scholar) di Beethoven i kopiipio maan dau pododio sabaagi koruhang id toun 1810, nga au minonorimo i isido di Beethoven tu’ minomili yau di kusai mantad Austria (nobleman) om sabaagi *state official*, i lohoon sabaagi Wilhelm von Drobdik ontok toun 1816.  Piano sonata no.24 nopo maan pinokomoyon (dedicated) di *Countess* Therese von Brunswick i ointutunan nogi sabaagi “Fur Therese”. *Musicologist* do Austria i Michael Lorenz pinopointalang do i Rudolf Schachner kaka nokotungkus di *musical* *scores Therese von Drobdik* id toun 1851.  Isio nopo diti tanak kusai di Babette Bredl. Ontok toun 1865 pinologos di Babette i Nohl do mamadalin i *autograph* dau. Dr. Robert Greenberg, songulun mongingia muzik maya The Grear Courses om San Francisco Conservatory of Music pinopointalang do waya koponuatan do score music di Beethoven minogowit do pomusarahan do uhu i muzik nopo  “ Fur Elise” nga uhu di pointopot kopiipio “ Fur Therese”.

### Elisabeth Rockel

Tumanud ponoriukan di Klaus Martin Kopitz ontok toun 2010, haro o kointalangan do koimbulayan diti muzik gama do songulun tondu German sabaagi ponondig do *soprano* i kiumur 17 toun. Tondu dii lohoon sabaagi Elisabeth Rockel (1793-1883), om isido tadi' di Joseph August Rockel, songulun mamaain do *Florestan* ontok toun 1806 kokomoi opera Fidelio di Beethoven. Ngaran “ Elise” nopo nga koubasanan do pomolohou di songulun *parish* *priest* montok tondu diti. Isido nopo diti nga, songulun nogi tambalut di Beethoven mantad po di toun 1808, om tumanud di Kopitz, haro kaka’ o rahi di Beethoven do manansawo diti tondu. Sundung po i , no-tunangan no i Elisabeth Rockel tintod abaabayaan *theater* id Bamberg. Ontok dii nogi nokoingkawas o *debut* dau sabaagi *Donna Anna* id Mozart Don Giovanni. Soira toun 1811, guminuli i Rockel id Vienna  om minanasawo dii tambalut di Beethoven i ointutunan sabaagi Johann Nepomuk Hummel ontok toun 1813.

Ontok toun 2015 pinoimagon di Kopitz kokomoi kointalangan do pionitan di Rockel miampai muzik i noonsoi di Beethoven. Iti nogi pinopokito do kointalangan do i Rockel nogi nga miambalut di Anna Milder-Hauptmann i poingion miampai tobpinai dau i Joseph Augustid Theater an der Wien. Surat mantad di Anna kumaa di Rockel id toun 1830 , popointalang do yau nga momolohou nogi di Rockel sabaagi “ Elise”.

In 2020 an extended English version of Kopitz's essay was published with some new sources.

### Elise Barensfeld
Maya do songulun musikologi mantad Kanada ontok toun 2014, i Rita Steblin, pinopointalang yau do Elise Barensfeld nogi o popokomoyon di Beethoven id uhu muzik dau “Fur Elise” dii. Elise Barensfeld diti nopo nga nosusu id Regensburg om sabaagi do *Child Prodigy* id timpu toruhai. Isido nopo nga tulun di nokotimpuun kopiipio minongoi *concert tours* miampai di tambalut di Beethoven i Johann Nepomuk Malzel ( mantad Regesburg). Haro timpu dau mongoi ion miampai di Johann id Vienna om nakabalajar dii isido do monondig mantad di Antonio Salieri. Pinosogu di Steblin o muzik Fur Elise morujuk do tondu i kiumur do 13 toun diti .

## Muzik
Karangahan do muzik diti nopo haro woyo o kilimo boogian (five-part) rondo miampai foom A-B-A-C-A. Kowoowoyon kopomoinan dau nopo nga id A minor om timpu kopomoinan 3/8. Kotimpuun iti muzik maya A id *Poco moto* *( literally “ a little motion ,” a tempo indication that does not appear elsewhere in Beethoven’s works )*, miampai do *appergiated* id ponong gibang longon sabaagi manananud irama *(accompaniment).* I au pointanud o irama *(with unaccompanied oscilitation)* nopo nga milo okito maya dominan E om chromatic tosiriba do D sharp i tumimpuun maya melodi i orongou id woyo do *classical*. The digression at measure 9 glances at the relative major before returning to the original theme and key, preceded by a prolongation of the dominant, E that extends the opening lower-neighbor oscillation. The pitch outline of these bars, E-F-E-D-C-B, i.e. an upper-neighbor ascent to F5 followed by a descending scale, also forms the basis of the two episodes B and C, thus unifying the piece. The B section that begins in bar 23 is in the submediant, F major. Its theme begins by tracing the outline mentioned above in somewhat elaborated fashion and modulates to the dominant, followed by 32nd-note runs repeating a cadential progression in C major in a codetta-like passage. (The chordal three-note upbeats in the left hand have been anticipated by the transition to this episode in bar 22, a clever unifying touch.) This suggests a rather expansive form, but Beethoven suddenly returns to the dominant of A minor in bar 34, once again lingering on the dominant E and its lower neighbor and leading to an exact repeat of the A section. Although another nominal episode follows (C) at bar 59, it does not leave the tonic and is rather coda-like in feel, unfolding over a dramatic, throbbing tonic pedal in the bass and emphatically cadencing in the home key. Once again, there are unifying relationships with previously heard material. The melody retraces the descending outline alluded to earlier, and the cadence in bars 66-67 is an augmented version of the theme's cadence in bars 7–8. After a glance at a Neapolitan harmony (B-flat major) and a cadence at bar 76 that brings the music to a complete halt for the first and only time, an ascending A minor arpeggio and a chromatic descent over two octaves follows, sort of a *cadenza in tempo*, leading to a final repetition of the A section. The piece concludes without an added postlude.

Kopitz presents the finding by the German organ scholar  that the letters that spell Elise can be decoded as the first three notes of the piece. Because an E is called an *Es* in German and is pronounced as "S", that makes **E**–(L)–(I)–**S**–**E**: **E**–(L)–(I)–**E**–**E**, which by enharmonic equivalents sounds the same as the written notes **E**–(L)–(I)–**D**–**E**.

Incipit:

\new PianoStaff >


## Kointutunan (Populariti)
Muzik do Fur Elise diti nopo nga ointutunan no sompomogunan. Iti nogi nga gunoon sabaagi iso pinludaan tuimpuun do balajar mamain piano kumaa tongomamaamain piano toi ko *repertoire*.  Koubasan nopo iti muzik orongou nogi dati id rolou do pomoinan tangaanak (Children’s toys tune).  Id pogun Taiwan nopo Fur Elise gunoon sabaagi rolou di luri rinomos sabaagi panakatanda' do monunuhu tongoulun do manaam rinomos tu puhuon no di pakaraja monimung rinomos id luri dii.  Id pogun dii nogi nga gunoon iti muzik sabaagi Maiden’s prayer.ref> Suai ko iri, muzik diti kiula do universal tu’ id nonggo nopo orubaan tokou iti rolou loolobi po id *website* intonet.

Tumanud di Mina Yang pinointalang do muzik diti ointutunan (popular) tu’ struktur dau i *first eight bars* milo poadaptasi kumaa *“sonic palette”* i osonong ko’ muzik *classical* i suai. Gama do i, muzik diti *fleksibel* om osonong gunoon sabaagi *ringtones* om id kutak muzik.

## Nuut


## Sukuon

## Noputan labus

* 
* "Für Elise" at the Mutopia Project
* 
* 1822 revised version
* Michael Lorenz: "Maria Eva Hummel. A Postscript", Vienna 2013
* Michael Lorenz: "A Letter to the Editor of ''The Musical Times''", Vienna 2014
* The Music Professor: "You've Never Heard This Version of Für Elise"