Meta Vaux Warrick Fuller

**Meta Vaux Warrick Fuller** ( ; bɛ daa dɔɣi la **Meta Vaux Warrick** Silimiin goli June dabaa awɔi dali yuuni 1877 ka daa kpi Silimiin goli March biɛɣ'pinaata dali yuuni 1968) daa nyɛ African-American nuchee ni baŋda. 20th century saha, o nyɛla ŋun daa leei tuuli paɣa ŋun gbansabilim nuchee ni baŋda ka be Paris pɔi ka daa labi United States.
## Piligu biɛhigu
Meta Vaux Warrick Fuller nyɛla bɛ ni daa dɔɣi so Philadelphia, Pennsylvania Silimiin goli June dabaa awɔi dali yuuni 1877. O laamba n-daa nyɛ Emma (née Jones) Warrick, mini William H. Warrick. 

## Kpibu
Warrick Fuller nyɛla ŋun daa kpi Silimiin goli March biɛɣ'pinaata dali yuuni 1968, Cardinal Cushing Hospital din be Framingham, Massachusetts.

## Tumanima

* *Bacchante,* painted plaster sculpture, 1930
* ''Emancipation'', in plaster, 1913; in bronze, 1999. Featured on the Boston Women's Heritage Trail.
* *Ethiopia*, small maquette cast in plaster and painted to resemble bronze, c. 1921, 13 × 3 1/2 × 3 7/8 in., National Museum of African American History and Culture.
* *Ethiopia Awakening,* bronze sculpture, greenish-black patina, , 67 x 16 x 20 in., Schomburg Center for Research in Black Culture, New York Public Library.
* *Henry Gilbert,* painted plaster sculpture, 1928
* *Jason,* painted plaster sculpture, Danfort Museum
* *La petite danseuse*, bronze sculpture, Los Angeles County Museum of Art
* *Les Miserables,* bronze sculpture, Maryhill Museum zaŋ n-ti Art, Goldendale, Washington
* *Lazy Bones din be Shade,* sculpture, 
* *Man Eating Out His Heart,* painted plaster sculpture, 1905–1906. It represents a kneeling male nude eating his heart.
* *Mary Turner (A Silent Protest Against Mob Violence),* painted plaster sculpture, 1919, Museum of Afro-American History, Boston, Massachusetts
* *Mother and Child,* cast bronze sculpture, 1962, Massachusetts Institute of Technology
* *Peace Halting the Ruthlessness of War*, c.1917, renamed and unveiled as "Ravages of War" on October 15, 1999, at West Virginia State College
* *Phyllis Wheatley (c. 1753-1784),* painted plaster sculpture, . It was made based upon an engraving published in 1773
* *Refugee, sculpture*, . Hunched male figure with a cane in his hand
* *Talking Skull,* bronze sculpture, 1937, Museum of Afro-American History, Boston, Massachusetts. Kneeling male figure facing a skull
* *The Good Shepherd,* painted plaster sculpture, 
* *Waterboy,* sculpture, 1930

## Lihimi m-pahi
* Lois Mailou Jones
* Sargent Claude Johnson
* Jacob Lawrence
* Archibald Motley
* Romare Bearden

## Notes

## Kundivihira

## Bibliography
* Ater, Renée. *Remaking Race and History: The Sculpture of Meta Warrick Fuller.* Berkeley: University of California Press. 2011.  
* 
* 
* Driskell, David C. et al. *Harlem Renaissance: Art of Black America,* New York, 1994. 
* Igoe, Lynn Moody with James Igoe, *250 years of Afro-American Art: An Annotated Bibliography*. New York: Bowker, 1981. 
* *An Independent Woman: The Life and Art of Meta Warrick Fuller (1877-1968).* Framingham, MA: Danforth Museum of Art. 1984. Exhibition catalogue. 
* Kerr, N. *God-Given Work: The Life and Times of Sculptor Meta Vaux Warrick Fuller, 1877-1968,* Amherst, 1987.
* King-Hammond, L. et al. *3 Generations of African American Women Sculptors: A Study in Paradox,* Philadelphia, 1996.
* 
* Powell, Richard J. and David A. Bailey. *Rhapsodies in Black: Art of the Harlem Renaissance,* 1997.
* Schneider, Erika. (2022). “Asserting Agency: Meta Vaux Warrick Fuller’s Scrapbook,” ' *Panorama: Journal of the Association of Historians of American Art* **8** (2). https://doi.org/10.24926/24716839.15090

## External links

* "Meta Warrick Fuller" *Unladylike2020*.