তাইকো

right|thumb|তাইকো বাদকগণ, আইচি, জাপান
**তাইকো** (太鼓) হলো জাপানি ঘাতযন্ত্রের একটি বিস্তৃত শ্রেণি। জাপানি ভাষায় “তাইকো” শব্দটি যেকোনো ধরনের ড্রামের জন্য ব্যবহৃত হয়, তবে জাপানের বাইরে সাধারণত নির্দিষ্টভাবে জাপানি ড্রাম বোঝাতে ব্যবহৃত হয়। তাইকো নির্মাণের প্রক্রিয়া প্রস্তুতকারকের উপর নির্ভর করে এবং ড্রামের কাঠামো ও চামড়া প্রস্তুতের কাজ পদ্ধতির উপর নির্ভর করে কয়েক বছর পর্যন্ত সময় প্রয়োজন হতে পারে।

## তথ্যসূত্র

## আরোও পড়ুন

;নৃবিজ্ঞান ও সামাজিক আন্দোলন
* Barakan, P. "Discussion: A Woman Playing Japanese Drums". In *Wadaiko*, 124-135: Kawade Shobō Shinsha, 1995.
* Bender, Shawn. "Of Roots and Race: Discourses of Body and Place in Japanese Taiko Drumming". *Social Science Japan* **8**, no. 2 (2005): 197-212.
* Chatenever, R. "A Different Drummer". *Maui Scene* (1993).
* Espiritu, Yen Le. *Asian American Panethnicity: Bridging Institutions and Identities*. Philadelphia: Temple University Press, 1992.
* Fujie, Linda. "Effects of Urbanization on Matsuri-Bayashi in Tokyo". *[[Yearbook for Traditional Music]]*, 15, no. East Asian Musics (1983): 38-44.
* Fromartz, Samuel, and Lauren Greenfield. "Anything but Quiet: Japanese Americans Reinvent Taiko Drumming". *Natural History* **107**, no. 2 (1998): 44-50.
* Kagemusha, Taiko. "Taiko around the World". 2004.
* Kobayashi, Tamai. "Heartbeat in the Diaspora: Taiko and Community". *Fuse* **12**, no. 5/6 (1994): 24-26.
* Konagaya, Hideyo. "Taiko as Performance: Creating Japanese American Traditions". *The Japanese Journal of American Studies* **12** (2001): 105-123.
* Morechard, Francoise. "Emotions That Japanese Have Forgotten". In *Wadaiko: Miyuki Ikeda + Koichi Inakoshi*, ed. Ikanoshi Koichi. Tokyo: Kawada Shobo Shinsha, 1995.
* Nakamura, Hajime, and Hajime Nakamura. *Ways of Thinking of Eastern Peoples: India, China, Tibet, Japan*. London; New York New York: Kegan Paul International; Distributed by Columbia University Press, 1997.
* Navarro, Mireya. "Young Japanese Americans Honor Ethnic Roots". *New York Times National*, 2004, 15.
* Pelzel, John C. "Japanese Ethnological and Sociological Research". *American Anthropologist* **50**, no. 1 (1948): 54-72.
* Terada, Yoshitaka. "Shifting Identities in Taiko Music". In *Transcending Boundaries: Asian Musics in North America*, ed. Yoshitaka Terada, 22, 37-59. Osaka: National Museum of Ethnology, 2001.
* "The Cultural Properties Protection Law and Japan’s Folk Performing Arts". Asian Folklore Studies 53, no. 2 (1994): 211-225.
* Uyechi, Linda. "University Taiko: Roots and Evolution". In *Symposium on North American Taiko*, Stanford Taiko Invitational. Stanford, CA.
* Yano, Christine R. "The Reintegration of Japanese Bon Dance in Hawaii after World War II". *Selected Reports in Ethnomusicology* **6**, Asian Music in North America (1985): 151-162.

;গঠন
* "Hokubei No Taiko Sangyou". [The Taiko Industry in America]. *Taikology*, no. 14 (1998): 58-61.
* Gould, Michael. "Taiko Classification and Manufacturing". *Percussive Notes* (1998): 12-20.
* Kodani, M. "Making a Taiko". *Horaku* (1979).
* Mallin, Lorne. "Wood and Skin: The Making of Taiko Drums". *Intersect* (1993): 26-29.
* Thompson, Woody. "Two Custom Drum Makers: William Kooienga and Paul Namkung". Percussive Notes, PAS (1998): 6-10.
;General history
* Combs, Jo Anne. "Japanese-American Music and Dance in Los Angeles, 1930-1942". *Selected Reports in Ethnomusicology* **6**, no. Asian Music in North America (1985): 121-149.
* Harich-Schneider, Eta. *A History of Japanese Music*. London: Oxford University Press, 1973.
* Hobsbawm, E. J., and T. O. Ranger. *The Invention of Tradition*. Cambridge [Cambridgeshire]; New York: Cambridge University Press, 1983.
* Hiroji, Naoe. "Post-War Folklore Research Work in Japan". *Folklore Studies* **8** (1949): 277-284.
* McCullough, Helen Craig (ed.). *The Taiheiki: A Chronicle of Medieval Japan*. New York: Columbia University Press, 1959.
* Komatsu, Shigemi. Zenkunen Kassen Ekotoba. Heiji Monogatari Emaki. Yūki Kassen Ekotoba Zoku Nihon No Emaki; 17. Tōkyō: Chūo Kōronsha, 1992.
* Marra, Michael F. *Representations of Power: The Literary Politics of Medieval Japan*. Honolulu: University of Hawaii Press, 1993.
* Morinaga, Maki Isaka. *Secrecy in Japanese Arts: "Secret Transmission" as a Mode of Knowledge*. 1st ed. New York: Palgrave Macmillan, 2005.
* "Nihon No Taiko No Bunrui Kaisetsu". [A Cultural Analysis of Japanese Drums]. *Minzoku Geino*, no. 11 (1990).
* Ong, E. "An Ancient Big Bang Theory". *The Stanford Daily: Intermission* (1994).
* Snodgrass, Judith. *Presenting Japanese Buddhism to the West: Orientalism, Occidentalism, and the Columbian Exposition*. Chapel Hill: University of North Carolina Press, 2003.
* Thornbury, Barbara E. "From Festival Setting to Center Stage: Preserving Japan’s Folk Performing Arts". *Asian Theatre Journal* **10**, no. 2 (1993): 163-178.
* Tonomura, Hitomi. *Community and Commerce in Late Medieval Japan: The Corporate Villages of Tokuchin-Ho*. Stanford: Stanford University Press, 1992.
* *Tradition and Modernization in Japanese Culture*. Princeton, N.J.: Princeton University Press, 1971.
* Taiko Resource: Taiko Overview and history. http://www.taiko.com/taiko_resource/history.html 

;গোষ্ঠীসমূহ
* Bender, Shawn. "Drumming from Screen to Stage: Ondekoza's Ōdaiko and the Reimagining of Japanese Taiko". *The Journal of Asian Studies* (2010), **69:** 843-867.
* Coutts-Smith, Mark. *Children of the Drum: The Life of Japan’s Kodo Drummers*. Hong Kong: Lightworks Press, 1997.
* Chun, Ian. "Gocoo: Reinventing Taiko". *Metropolis*, May 17, 2006. Accessed July 9, 2006.
* Image Entertainment (Firm), and Kodō (Musical group). *Kodō*. 1 videodisc (69 min.). Chatsworth, CA: Image Entertainment, 2001.
* Holender, Jacques. *Kodo: Heartbeat Drummers of Japan*. New York: Rhapsody Films, INC, 1991.
* O'Mahoney, Terry. "Kodo: Japanese Taiko Masters". *Percussive Notes*: PAS 36, no. 1 (1998): 6-10.
* Oguchi, Daihachi. "Tenko: Osuwa Taiko". (1980).
* Thalheimer, Andrew. "Jazzing up Tradition". In *Japan Notes: Japan America Society of St. Louis*, **8**, 2-4, 2003.
* Ulrich, A. "Pounding Ecstasy". *San Francisco Focus* (1993): 67-68.

;সহায়িকা
* Art Lee. "Beginners Taiko Pamphlet", Online Resource. September 2003
* 
* Bando, Makoto. *Hajimete No Wadaiko Ensō* [First Japanese Taiko Performance]. Tokyo: Erukurabu, 2003.
* Kan, Toko. *Textbook for Japanese Taiko Basic Theory and Practice*. Matto: Asano Taiko.
* Kōno, Yuki. *Yasashiku Manaberu Wadaiko KyōHon* [Easy Learning Taiko Instruction Book]. Tokyo: Sekibunsha.
* Mogi, Hitoshi. *Nyūmon Nihon No Taiko: Minzoku Dentō Soshite Nyūwēbu* A Manual of Japanese Drums: Folklore, Tradition, and the New Wave. Tokyo: Heibonsha, 2003.
* Powell, Kimberly. "The Apprenticeship of Embodied Knowledge in a Taiko Drumming Ensemble". In *Knowing Bodies, Moving Minds*, ed. Liora Bresler, 183-195. Boston: Kluwer Academic Publishers, 2004.
* Takata, Takeshi. “The Thundering World of the Taiko”. *Taikology Magazine*, 1998.
* Sano, Steve, and Linda Uyechi. "Music 17q Perspectives in North American Taiko Course Syllabus". University of California Stanford, 2004.
* Schnell, Scott. *The Rousing Drum: Ritual Practice in a Japanese Community*. Honolulu: University of Hawaii Press, 1999.
* *Wadaiko Ga Wakaru Hon*. [Understanding Taiko], ed. Asano Taiko Co.: Asano Taiko, 1995.
* *Wadaiko Nyūmon*. [Introduction to Taiko], ed. Taiko Center. Kyoto: Taiko Center, 1992.
* "What Is Taiko". *The Kodō Beat*, Winter 2001, 1-2.

;সঙ্গীত ও যন্ত্রানুষঙ্গ
* Green, M. "Voices of the Drum". *Sky* (1993): 32-36.
* "Japanese Taiko Drumming in International Performance: Converging Musiocal Ideas in the Search for Success on Stage". *World of Music* **43**, no. 2-3 (2001): 93-101.
* James, J. Alison. *The Drums of Noto Hanto*. DK Publishing, Inc, 1999.
* "Japanese American National Museum to Open Exhibition". July 14. Big Drum: Taiko in the United States, May 17. Accessed May 17, 2006.
* Holvick, Leonard C., and Jackson H. Bailey. *Japanese Music: Another Tradition*, Other Sounds: Earlham College Press, January 1990.
* Malm, William P. *Japanese Music and Musical Instruments*. Rutland, Vt.: C. E. Tuttle Co., 1959.
* Markus, Peter. *Taiko Do: Der Trommelweg* (the Way of the Taiko). [Taiko Do: The Way of the Drum]. Ergerda: Arun, 1996.
* McNicol, Tony. "Drum Songs: The Intoxicating Music of Hachijojima". *Wingspan* (January 2006) : 31-35.
* *Music Cultures of the Pacific, the near East, and Asia*: Prentice-Hall, Inc., 1977.
* Piggott, Sir Francis. "The Music and Musical Instruments of Japan."
* *Six Hidden Views of Japanese Music*. Berkeley: University of California Press, 1986.
* *Traditional Japanese Music and Musical Instruments*. 354 p. Tokyo; New York: Kodansha International, 2000.
* Yamamoto, Hiroko. "Nihon No Taiko, Ajia No Taiko" [Japanese Drums, Asian Drums]. Tokyo: Seikyusha, 2002.
* Yamazaki, Kiyonori. "Wadaiko Ongaku Ni Mieru Nihon No Rizumu: Ma, Omote Ma, Ura Ma" [Japan’s Rhythm as Seen in Japanese Taiko Music: Space, Fore-Space, Back-Space]. Tokyo: Nihon Zusho Kankoukai, 2003.

;সংবাদ নিবন্ধ
* Kageyama, Y. "Following the Drumbeat". *The Japan Times Weekly* (1986): 16.
* Inoue, T. "Taiko Time". *MetroGuide* (1994): 33-34.
* Di Menna, Jodi. "Martial artistry". *Canadian Geographic*, January 2006, Vol. 126 Issue 1, p.&nbsp;92-93, 2p, 1c; (AN 19475626).
* Martin, Douglas. "Banging the Drums Not So Slowly: In Soh Daiko, Japanese Drumming Calls to the Ancient Gods and Leaves the Drummers Breathless". *New York Times*, 22 October 1995 1995.
* Oestreich, James R. "A Heartbeat of Rumbling Thunder". *New York Times*, 2 March 2003, Vol. 152 Issue 52410, p36, 0p, 1bw; (AN 9263158)

;সম্পাদনাকারী
* Endo, Kenny. "Kenny Endo Taiko Ensemble". 18-23: University of Maryland: Clarice Smith Performing Arts Center, 2005-2006.
* *Portrait of Hayashi Eitetsu*. Tokyo: Eitetsu Taiko no Kai, 1998.
* Hayashi, Eitetsu. *Ashita No Taiko Uchi E* [To Tomorrow's Taiko Players]. Japan: Shobunsha, 1992.
* Higa, K. "Sound and Spirit: An Interview with Master Seiichi Tanaka". *Nikkei Taiko Dayori* (193): 6-7, 10-12.
* Keene, Donald, and Motoichi Izawa. *Some Japanese Portraits*. New York: Kodansha International, 1978.
* *Tenko: Oguchi Daihachi No Nihon Taikoron* [Heaven-Drums: Oguchi Daihachi’s Theory of Japanese Drums]. Nagano, Japan: Ginga Shobo, 1987.
* Schulze, M. "Taiko Group Founder Enjoying Country Life". *Hokubei mainichi*, 27 July 1991.

;ব্যক্তিগত হিসাব
* Inoue, Ryohei. *Ondekoza, Amerika Wo Hashiru* [Ondekoza, Run Through America Diary of a 15,000&nbsp;km trip]. Tokyo: Seikyūsha, 1996.
* Fujimoto, Harumi. "My Original Image of Drums". In Wadaiko: Miyuki Ikeda + Koichi Inakoshi, ed. *Ikanoshi Koichi*. Tokyo: Kawad Shobo Shinsha, 1995.
* Tong, C. "Taiko!" Bridge: An Asian American Perspective (1979): 43-47.
* Yuuki, Emi. Ondekoza's Run across the U.S.A.- My Youthful Days, America 15,000&nbsp;km. Tokyo: Popurasha, 1995.

;জাপানি প্রেক্ষাগৃহ
* "An Introduction to Taiko Drum Music in the Japanese No Drama". *Ethnomusicology* **4**, no. 2 (1960): 75-78.
* Shively, Donald H. "Bakufu Versus Kabuki Studies in the Institutional History of Early Modern Japan," in *Studies in the Institutional History of Early Modern Japan * (John Whitney Hall and Marius Jansen, eds.), x, 396. Princeton, N.J.: Princeton University Press, 1968.
* Hare, Thomas Blenman. "Try Try Again: Training in Noh Drama". In *Teaching and Learning in Japan*, ed. Thomas P. Rohlen and Gerald K. LeTendre. New York: Cambridge University Press, 1998.
* Nakamura, Yasuo. *Noh: The Classical Theater*. [1st] ed. Performing Arts of Japan, 4. New York: Walker/Weatherhill, 1971.
* O’Neill, Patrick Geoffrey. *Early Noh Drama: Its Background, Character and Development, 1300-1400*. Connecticut: Greenwood Press, 1974.

;অন্যান্য সংস্থান
* Doyle, M. "The Beat Goes On". *MidWeek* (1996): A6-A9.
* Hayase, S. "Taiko". *East Wind* (1985): 46-47.
* Lockett, Peter. "Eastern Invasion". *Rhythm Magazine* (1997): 70-72.
* Morita, Toshiro. *Za Taiko: Morita Toshiro Shashin Shu* [The Taiko: The Photos of Toshiro Morita]. Tokyo: Ōtsuki Shoten, 1989.
* Muromoto, W. "Thunder in Wahiawa". *The Hawaii Herald*, 21 February 1986, 10-11.
* *Nagauta*. Greenwood Publishing Group, 1973.
* *Nihon No Taiko*. Nagano: Osuwa Gakuen, 1994.
* Okihiro, G. " 'Drumatic' Excitement". *Silhouette* (1988): 7-8.
* *Taiko No Bīto Ni Miserarete* [Enchanted by the Taiko Beat]. Tokyo: Ongaku Shuppansha, 1999.
* "Taiko". Horaku (1979).
* "Taiko". In Nihon Kokugo Daijiten. Tokyo: Sōgakukan, 2001.
* Santoki, M. "The Ambassador of Taiko". *The Hawaii Herald*, 16 February 1996, A5-A6.
* Satō, Fumio. Shi to Minyo to Wadaiko To [Poems and Folk Songs and Japanese Taiko]. Tokyo: Tsukuba Shobo, 2001.
* Suravech, Glen. "Bang the Drum!" Rafu Shimpo, 26 March 1992.
* Takemoto, Arthur. Buddhist Taiko. Hou-u: Dharma Rain, July 8, 2004. Accessed May 9, 2006.

বিষয়শ্রেণী:আনদ্ধযন্ত্র
বিষয়শ্রেণী:জাপানি শব্দ ও বাক্যাংশ