كارلهاينز شتوكهاوزن

**كارل هاينز شتوكهاوزن**  (; 22 أغسطس 1928 – 5 ديسمبر 2007) ملحن ألماني، يعده الكثيرون من النقاد أحد أهم الملحنين (باريت 1988,45؛ هارفي 1975b، 705؛ هوبكنز 1972,33؛ كلين 1968، 117) وأكثرهم جدلاً (باور 1990، 30) في القرن العشرين وأوائل القرن الحادي والعشرين. ويطلق عليه أحد النقاد «أحد أعظم موسيقيي القرن العشرين أصحاب الرؤى» (هيويت 2007). وهو معروف بأعماله الرائدة في الموسيقى الإلكترونية، والعفوية (العفوية المنظمة) في التلحين بالمصفوفات، والحيز (spatialization) الموسيقي.

وقد درس شتوكهاوزن في جامعة كولونيا للموسيقى وجامعة كولونيا، كما درس بعد ذلك مع أوليفييه ميسيان في باريس، ومع فيرنر ماير-إيبلير في جامعة بون. وبصفته من الشخصيات الرائدة في مدرسة دارمشتات، مازالت ألحانه ونظرياته ذات تأثير كبير، ليس فقط على مؤلفي الموسيقى الفنية، ولكن أيضًا على الجاز والموسيقى الشائعة. وتبتعد أعمال شتوكهاوزن، التي وضعها على مدار فترة تقترب من ستين عامًا، دائمًا عن الأنماط التقليدية. وبالإضافة إلى الموسيقى الإلكترونية، مع وبدون مغنين، تتنوع هذه الأعمال بين مصغرات لصناديق الموسيقى (musical box) وأعمال لآلاتٍ فردية، وأغانٍ، وموسيقى الحجرة، وموسيقى الجوقة، والموسيقى الأوركسترالية، وحتى دورة من سبعة عروض أوبرالية كاملة. وتصل أعماله النظرية وغيرها إلى عشرة مجلدات كبيرة. وقد حصل شتوكهاوزن على العديد من الجوائز والأوسمة عن ألحانه، وتسجيلاته، والأرقام القياسية التي حققتها شركته للنشر.

ومن أهم أعمال شتوكهاوزن الجديرة بالذكر مجموعة من تسع عشرة مقطوعة تحمل اسم *مقطوعات البيانو* (Klavierstücke)، و*كونترا-بونكتي* (Kontra-Punkte) لعشر آلات، و*أغاني الشباب* (Gesang der Jünglinge) التي تنتمي إلى الموسيقى المصنّعة، و*مجموعات* (Gruppen) لثلاث أوركسترات، والعزف الإيقاعي المنفرد *[[دائرة|الدائرة]]* (Zyklus)، و*الوصلات* (Kontakte)، وغنائية *اللحظات* (Momente)، والمقطوعة الإلكترونية الحية *الميكروفون الأولى* (Mikrophonie)، و*الأناشيد الوطنية* (Hymnen)، و*التناغم* (Stimmung) لستة منشدين، و*من وحي الأيام السبعة* (Aus den sieben Tagen)، و*مانترا* والتي تُعزف بجهازي بيانو وبعض الأدوات الإلكترونية، و*الأبراج* (الأبراج)، و*الابتهالات* (Inori)للعازفين المنفردين والأوركسترا، ودورة الأوبرا الضخمة *[[ضوء|الضوء]]* (Licht).

وقد توفي شتوكهاوزن نتيجة فشل مفاجئ في القلب عن عمرٍ يناهز 79 عامًا، في 5 من ديسمبر 2007م في منزله في كيرتن (Kürten) بألمانيا.

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* Mießgang, Thomas, and Robert Baumanns. 1997. "Schlagsahne, Irrengesang, Kirmesgeister: Karlheinz Stockhausen testet Krautrock". *Die Zeit*, 1997, no. 17 (18 April).
* Miller, Paul. 2009. "Stockhausen and the Serial Shaping of Space". PhD diss. Rochester: Eastman School of Music.
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* Mischke, Joachim. 2008. "SHMF: Neue Musik, visionär, von heute und wie von gestern". *Hamburger Abendblatt* (8 August).
* Morawska-Büngeler, Marietta. 1988. *Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunks in Köln, 1951–1986*. Köln-Rodenkirchen: P. J. Tonger Musikverlag.
* Morgan, Robert. 1975. "Stockhausen's Writings on Music". *The Musical Quarterly* 61, no. 1 (January): 1–16. Reprinted in the *The Musical Quarterly* 75, no. 4 (Winter 1991): 194–206.
* Moritz, Albrecht. 2005. "Stockhausen: LICHTER-WASSER (LIGHTS-WATERS), 1998–99". (Record review)
* Morreau, Annette. 2001. "Where Herzog Met Portishead: Only Connect, Barbican, London". *The Independent* (6 March).
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* Neidhöfer, Christoph. 2005. "Joseph N. Strauss. Stravinsky's Late Music". *Music Theory Spectrum* 27:336–53.
* Nordin, Ingvar Loco. 2004. "George Crumb, ''Makrokosmos'' Books 1 and 2: 24 Fantasy Pieces after the Zodiac for Amplified Piano: Margaret Leng Tan (amplified piano)—Alex Nowitz (whistling). Mode 142". (Accessed 7 April 2008) Also found at Mode Records website
* O'Mahony, John. 2001. "The Sound of Discord". *The Guardian* (29 September). (Accessed 8 May 2011)
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* Perle, George. 1960. "Book Review: *Die Reihe III: Musical Craftsmanship*". *Journal of Music Theory* 4, no. 1 (April): 102–104.
* Peters, Günter. 1992. "Meditations Modulated: H. Heissenbüttel's 'Einfache Grammatische Meditationen' in K. Stockhausen's *Mikrophonie II*. " German Literature and Music—An Aesthetic Fusion: 1890–1989, ed. C. Reschke and H. Pollock, Houston Germanic Studies 8, 247–61. Munich: Wilhelm Fink Verlag. Revised German edition 1993: "Die ringmodulierte Meditation: Helmut Heissenbüttels 'Einfache grammatische Meditationen' in Karlheinz Stockhausens *Mikrophonie II*." In *Musik-Konzepte 81: Autoren-Musik. Sprache im Grenzbereich der Künste*, 16–40. Munich: Edition Text+Kritik. Reprinted in Peters 2003, 27–62 (German) and 163–98 (English).
* Peters, Günter. 2003. *Heiliger Ernst im Spiel—Texte zur Musik von Karlheinz Stockhausen* / *Holy Seriousness in the Play—Essays on the Music of Karlheinz Stockhausen* (bilingual edition, German and English). Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-009182-7
* Power, David. 1990. "Book Reviews: *Towards a Cosmic Music*, Karlheinz Stockhausen; Tim Nevill". *Tempo*, new series, no. 175. (December): 30–31.
* Prendergast, Mark. 2000. *The Ambient Century: From Mahler to Trance—The Evolution of Sound in the Electronic Age*. New York: Bloomsbury Publishing. ISBN 1-58234-134-6.
* Pynchon, Thomas. 1999. *The Crying of Lot 49* New York: HarperPerennial.
* Radano, Ronald M. 1993. *New Musical Figurations: Anthony Braxton's Cultural Critique* Chicago: University of Chicago Press.
* Reier, Sebastian. 2007. "Im Rhythmus der Sterne". *Die Zeit* (9 December).
* Rigoni, Michel. 1998. *Stockhausen: ... un vaisseau lancé vers le ciel*, 2nd edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions. ISBN 2-911906-02-0.
* Rigoni, Michel. 2001. *Le rêve de Lucifer de Karlheinz Stockhausen*. La trace des silences. [Paris]: M. de Maule. ISBN 978-2-87623-103-0.
* Ritzel, Fred. 1970. *Musik für ein Haus: Kompositionsstudio Karlheinz Stockhausen, Internationale Ferienkurse für Neue Musik, Darmstadt 1968*. Darmstädter Beiträge zur Neuen Musik 12, edited by Ernst Thomas. Mainz: B. Schott's Söhne.
* Roads, Curtis. 2001. *Microsound*. Cambridge: MIT Press. ISBN 0-262-18215-7.
* Romney, Jonathan. 2001. "The Barbican's Musical Jellyfish: Sound on Film Live". *The Guardian* (3 March).
* Ross, Alex. 2004. "Björk's Saga". *The New Yorker* 80, no. 23 (23 August): 49–53 +55–59. https://web.archive.org/web/20080419153951/http://www.therestisnoise.com/2004/10/alex_ross_bjrk.html.
* Rudi, Jøran (editor), Flø, Asbjørn Blokkum, Schaathun, Asbjørn. 2008. *Karlheinz Stockhausen – A Pioneer in Utopia*. Oslo: Notam. ISBN 978-82-996867-2-3.
* Sabbe, Herman. 1981. "Die Einheit der Stockhausen-Zeit ...: Neue Erkenntnismöglichkeiten der seriellen Entwicklung anhand des frühen Wirkens von Stockhausen und Goeyvaerts. Dargestellt aufgrund der Briefe Stockhausens an Goevaerts". In *Musik-Konzepte 19: Karlheinz Stockhausen: ... wie die Zeit verging ...*, edited by Heinz-Klaus Metzger and Rainer Riehn, 5–96. Munich: Edition Text + Kritik.
* Schönberger, Elmer. 2001. "Andriessen: (4) Louis Andriessen". *The New Grove Dictionary of Music and Musicians*, ed. S. Sadie and J. Tyrrell. London: Macmillan.
* Schwartz, Elliott, and Barney Childs, with Jim Fox. 1998. *Contemporary Composers on Contemporary Music*. Expanded edition. New York: Da Capo Press. ISBN 0-306-80819-6
* Shimizu, Minoru. 1999. "Stockhausen und Japan, Licht und Schatten". In *Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998. Tagungsbericht*, edited by Imke Misch and Christoph von Blumröder, 87–94. Signale aus Köln: Beiträge zur Musik der Zeit 4. Saarbrücken: PFAU-Verlag. ISBN 3-89727-050-1.
* Sigel, Paul. 2000. "Der deutsche Beitrag auf der Expo70 in Osaka." *Arch plus* no. 149–150 (April): 116–33. Reprinted online ''Thema'' 5, no. 1 (July 2000) 
* Skowron, Zbigniew. 1981. "Muzyka elektroniczna Karlheinza Stockhausena. Okres prób i doswiadczen" [Karlheinz Stockhausen's electronic music. A period of trials and experiences]. *Muzyka: Kwartalnik Instytutu Sztuki Polskiej Akademii Nauk* 26, nos. 3–4:17–40.
* Stenzl, Jürg. 1991. "York Höller's 'The Master and Margarita': A German Opera." Translated by Sue Rose. *Tempo* New Series, no. 179 (December): 8–15.
* Stephens, Suzanne, and Kathinka Pasveer (eds.). 2008. *Gedenkschrift für Stockhausen*. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-023528-3.
* Stockhausen, Christel. 1978. "Stockhausens *Tierkreis*: Einführung und Hinweise zur praktischen Aufführung." *Melos* 45/*Neue Zeitschrift für Musik* 139 (July/August): 283–87. Reprinted together with an English trans. as "Stockhausen's ZODIAC, Introduction and Instructions for Performance Practice", in a booklet now included with the score of *Tierkreis*.
* Stockhausen, Karlheinz. *Texte zur Musik*. 10 vols. Vols. 1–3 edited by Dieter Schnebel; vols. 4–10 edited by Christoph von Blumröder. Vols. 1–3, Cologne: Verlag M. DuMont Schauberg (1963, 1964, 1971); vols. 4–6 DuMont Buchverlag (1978, 1989, 1989). Vols. 7–10 Kürten: Stockhausen-Verlag (1998). English edition, as *Texts on Music*, edited by Jerome Kohl, with translations by Jerome Kohl, Richard Toop, Tim Nevill, Suzanne Stephens, et al. Kürten: Stockhausen-Verlag, in preparation.
* Stockhausen, Karlheinz. 1962. "The Concept of Unity in Electronic Music". Translated by Elaine Barkin. *Perspectives of New Music* 1, no. 1 (Autumn): 39–48.
* Stockhausen, Karlheinz. 1989a. *Stockhausen on Music: Lectures and Interviews*, edited by Robin Maconie. London and New York: Marion Boyars. ISBN 0-7145-2887-0 (cloth) ISBN 0-7145-2918-4 (pbk).
* Stockhausen, Karlheinz. 1989b. *Towards a Cosmic Music*. Texts selected and translated by Tim Nevill. Shaftsbury: Element Books. ISBN 1-85230-084-1.
* Stockhausen, Karlheinz. 1996a. "Electroacoustic Performance Practice". *Perspectives of New Music* 34, no. 1 (Autumn): 74105-.
* Stockhausen, Karlheinz. 1996b. "Kino-Bilder". In *Bilder vom Kino: Literarische Kabinettstücke*, edited by Wolfram Schütte, 138–40. Frankfurt am Main: Suhrkamp Verlag.
* Stockhausen, Karlheinz. 1996c. "Helikopter-Streichquartett". *Grand Street* 14, no. 4 (Spring, "Grand Street 56: Dreams"):213–25. ISBN 1-885490-07-0. Online Variant of this text (some omissions, some supplements, different illustrations).
* Stockhausen, Karlheinz. 1998. "Bildung ist große Arbeit: Karlheinz Stockhausen im Gespräch mit Studierenden des Musikwissenschaftlichen Instituts der Universität zu Köln am 5. Februar 1997." In *Stockhausen 70: Das Programmbuch Köln 1998*. Signale aus Köln: Musik der Zeit 1, edited by Imke Misch and Christoph von Blumröder, 1–36. Saarbrücken: Pfau-Verlag.
* Stockhausen, Karlheinz. 1999. *Stockhausen-Kurse Kürten 1999: Kompositions-Kurs: Skizzen von* Welt-Parlament* (1995) für Chor a cappella (mit singenden Dirigenten/Klangregisseur (1. Szene vom Mittwoch aus Licht)*. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2001a. "Message from Professor Karlheinz Stockhausen" (Accessed 27 December 2007).
* Stockhausen, Karlheinz. 2001b. *Stockhausen Courses Kürten 2001: Composition Course on* Lights-Waters (Sunday Greeting)* for Soprano, Tenor, and orchestra with synthesizer (1999)*. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2002. "„Huuuh!“ Das Pressegespräch am 16. September 2001 im Senatszimmer des Hotel Atlantic in Hamburg". *MusikTexte* no. 91:69–77.
* Stockhausen, Karlheinz. 2003. *Stockhausen Courses Kürten 2003: Composition Course on* Hoch-Zeiten (of Sunday from Light)* for Choir (2001/02)*. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2004. "Electronic and Instrumental Music", translated by Jerome Kohl, with Suzanne Stephens and John McGuire. In *Audio Culture: Readings in Modern Music*, edited by Christoph Cox and Daniel Warner, 370–80. New York: Continuum. ISBN 0-8264-1614-4; ISBN 0-8264-1615-2.
* Stockhausen, Karlheinz. 2007a. "[''[Cosmic Pulses]*: Electronic Music]." (Accessed 30 March 2008) In programme book for the world première. Rome (8 May). Slightly expanded version in *2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from July 7th to 15th 2007 in Kuerten*, notes for the German première on 13 July 2007, pp.&nbsp;22 (German text) and 40 (English text), with illustrations divided between those pages and the programme cover. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2007b. "Harmonien/Harmonies for Bass Clarinet (2006)". In *2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from July 7th to 15th 2007 in Kuerten*, notes for the German première on 11 July 2007, pp.&nbsp;33–34. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2007c. "Harmonien/Harmonies for Flute (2006): 5th Hour of Klang / Sound, The 24 Hours of the Day". In *2007 Stockhausen-Kurse Kürten: Programm zu den Interpretations- und Kompositionskursen und Konzerten der Musik von / Programme for the Interpretation and Composition Courses and Concerts of the Music of Karlheinz Stockhausen, 7. Juli bis 15. Juli 2007 in Kürten / from July 7th to 15th 2007 in Kuerten*, notes for the German première on 13 July 2007, p.&nbsp;36. Kürten: Stockhausen-Verlag.
* Stockhausen, Karlheinz. 2009. *Kompositorische Grundlagen Neuer Musik: Sechs Seminare für die Darmstädter Ferienkurse 1970*, edited by Imke Misch. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-027313-1
* Stockhausen, Karlheinz, Hermann Conen, and Jochen Hennlich. 1989. "Before and After *Samstag aus Licht*: Conversation of 24 May 1984, in Milan." Translated by Karin von Abrams. *Contemporary Music Review* 5, no. 1:267–97.
* Stockhausen, Markus. 1998. "Markus Stockhausen plays Karlheinz Stockhausen", notes on pp.&nbsp;13–17 of booklet to CD recording, *Markus Stockhausen plays Karlheinz Stockhausen: Aries, In Freundschaft, Halt, Pietà*. EMI Classics 7243 5 56645 2 5.
* Stockhausen-Stiftung. 2007. *Stockhausen Aufführungen/Performances 2007*. Kürten: Stockhausen-Stiftung.
* Stockhausen-Stiftung. 2008. *Stockhausen Aufführungen/Performances 2008*. Kürten: Stockhausen-Stiftung.
* Stockhausen-Verlag. 2010. *Stockhausen August 22nd 1928 – 5 December 5th 2007 *, English edition of brochure with official worklist and list of CDs. Kürten: Stockhausen-Verlag.
* Straus, Joseph N. 1997. "Babbitt and Stravinsky under the Serial 'Regime'" *Perspectives of New Music* 35, no. 2 (Summer): 17–32.
* Straus, Joseph N. 2001. *Stravinsky's Late Music*. Cambridge Studies in Music Theory and Analysis 16. New York: Cambridge University Press 33–35. ISBN 0-521-80220-2
* Stravinsky, Igor. 1984. *Selected Correspondence*, vol. 2. Edited and with commentaries by Robert Craft. New York: Alfred A. Knopf.
* Stravinsky, Igor, and Robert Craft. 1960. *Memories and Commentaries*. Berkeley and Los Angeles: University of California Press.
* Stravinsky, Igor, and Robert Craft. 1980. *Conversations with Stravinsky*. Berkeley and Los Angeles: University of California Press. ISBN 0-520-04040-6 (Reprint of the 1959 Doubleday edition).
* Tannenbaum, Mya. 1987. *Conversations with Stockhausen*, translated from the Italian by David Butchart. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-315467-6.
* Tommasini, Anthony. 2001. "[http://query.nytimes.com/gst/fullpage.html?res=9B05E2D8123AF933A0575AC0A9679C8B63 The Devil Made Him Do It]". *New York Times* (30 September).
* Tilbury, John. 2008. *Cornelius Cardew (1936–1981) – A Life Unfinished*. Harlow: Copula.
* Toop, Richard. 1998. "Mondrian, Fibonacci . . . und Stockausen: Mass und Zahl in *Adieu*". *Neue Zeitschrift für Musik* 159, no. 4 (July–August): 31–35.
* Toop, Richard. 2001. "Karlheinz Stockhausen". *The New Grove Dictionary of Music and Musicians* ed. S. Sadie and J. Tyrrell. London: Macmillan.
* Toop, Richard. 2005. *Six Lectures from the Stockhausen Courses Kürten 2002*. Stockhausen-Verlag. ISBN 3-00-016185-6.
* Toop, Richard. 2008. "Kulturelle Dissidenten: Die Stockhausen-Klasse der Jahre 1973 und 1974". *MusikTexte: Zeitschrift für neue Musik*, no. 116 (February): 46–49.
* Truelove, Stephen. 1984. "Karlheinz Stockhausen's *Klavierstück XI*: An Analysis of Its Composition via a Matrix System of Serial Polyphony and the Translation of Rhythm into Pitch." DMA diss. Norman: University of Oklahoma.
* Truelove, Stephen. 1998. "The Translation of Rhythm into Pitch in Stockhausen's *Klavierstück XI*." *Perspectives of New Music* 36, no. 1 (Winter): 189–220.
* Tsahar, Assif. 2006. "Gentle Giant". *Haaretz* [Tel Aviv] (17 March).
* Ulrich, Thomas. 2001. "Sternklang: Karlheinz Stockhausens astronische Musik". *Positionen: Beiträge zur neuen Musik* 46 (February): 25–28.
* Ulrich, Thomas. 2006. *Neue Musik aus religiösem Geist: theologisches Denken im Werk von Karlheinz Stockhausen und John Cage*. Saarbrücken: Pfau. ISBN 978-3-89727-328-3
* Vermeil, Jean. 1996. *Conversations with Boulez: Thoughts on Conducting*, translated by Camille Nash, with a selection of programs conducted by Boulez and a discography by Paul Griffiths. Portland, Oregon: Amadeus Press.
* Voermans, Erik. 2008. "Besluit van een machtig oeuvre". *Het Parool* (20 June).
* Wager, Gregg. 1998. "Symbolism as a Compositional Method in the Works of Karlheinz Stockhausen. College Park, Maryland; diss. phil. Free University Berlin, 1996.
* Williams, Alastair. 2006. "Swaying with Schumann: Subjectivity and Tradition in Wolfgang Rihm's *Fremde Szenen* I–III and Related Scores". *Music and Letters* 87, no. 3:379–97.
* Witts, Dick. 1995. "[https://web.archive.org/web/20120509015310/http://www.thewire.co.uk/articles/425/ Karlheinz Stockhausen: Advice to Clever Children ...]". *The Wire*, issue 141 (November).
* Wolfson, Richard. 2001. "[http://www.telegraph.co.uk/culture/4722023/Hit-and-mismatch.html Hit and mismatch]" *The Telegraph* (5 March).
* Wörner, Karl Heinz. 1973. *Stockhausen: Life and Work*. Translated by Bill Hopkins. Berkeley: University of California Press.

== وصلات خارجية ==
* 


* [http://www.stockhausen.org Karlheinz Stockhausen official site]
* [http://www.StockhausenCDs.com official site for the Stockhausen CD Edition]
* [https://web.archive.org/web/20210210222838/http://www.stockhausensociety.org/ The Stockhausen Society (International)]
* [http://www.stockhausen.org/stockhausen_verlag.html Catalogues of works by Stockhausen] (Stockhausen Verlag)
* [http://stockhausen.hostingsiteforfree.com/records.html Comprehensive Stockhausen Discography]
* [http://www.sonoloco.com/rev/stockhausen/stockhausen.html Ingvar Loco Nordin’s Stockhausen pages]
* McEnery, Paul. 2001. "[https://web.archive.org/web/20120615110301/http://www.salon.com/2001/01/16/stockhausen_2/singleton/ Karlheinz Stockhausen: The Composer of 'The First Great Piece of Electronic Music' Influenced the Beatles, Miles Davis and Numberless Others. And He Comes from Sirius]". Salon.com.


;مواد صوتية

* [http://www.stockhausen.org/stockhausen_multimedia.html Stockhausen website video and audio files]
* [http://www.epitonic.com/artists/karlheinzstockhausen.html Epitonic.com: Karlheinz Stockhausen] featuring tracks from *Mantra*
* [http://www.musiquecontemporaine.fr/search?disp=all&query=stockhausen&exp_inl=on&exp_aud=on&so=dd Excerpts from sound archives]  of Stockhausen's works


نعي

* [Editor]. 2007. "[https://web.archive.org/web/20080512082306/http://www.timesonline.co.uk/tol/comment/obituaries/article3018939.ece Karlheinz Stockhausen]". *The Times* (8 December). 
* Ircam-Centre Pompidou, and François Decarsin. 2007. [https://web.archive.org/web/20210224174046/http://brahms.ircam.fr/composers/composer/3060/ Karlheinz Stockhausen: Compositeur allemand né le 22 août 1928 à Mödrath, près de Cologne, et décédé le 5 décembre 2007, à Kürten, où il vivait]. (10 December). 
* Nonnenmann, Rainer. 2007. "[https://web.archive.org/web/20120309045015/http://www.ksta.de/html/artikel/1195816906085.shtml In Kürten zu Hause—und im Universum]". *Kölner Stadt-Anzeiger* (7 December). 


;مقابلات

* Weasel, Gary. 2007. "[https://web.archive.org/web/20070927035244/http://www.dazeddigital.com/features/article.aspx?a=490 Looping the Loop: Karlheinz Stockhausen]". *Dazed Digital* (31 May).


؛ كتابات أخرى

* Austin, Kevin. 2010. "[http://cec.concordia.ca/econtact/12_4/Austin_kontakte.html Kontakte by Karlheinz Stockhausen in Four Channels]". *eContact! 12.4—Perspectives on the Electroacoustic Work / Perspectives sur l’œuvre électroacoustique* (August). Montréal: CEC.
* Betsill, Daniel Joseph. 2007. [http://betsillworkshop.com/door.htm The construction of Stockhausen’s Heaven’s Door].
* Covell, Grant Chu. 2000. "[http://www.lafolia.com/archive/covell/covell200011stockhausen.html Stockhausen Is Invisible]". *La Folia* 3/1 (November).
* Covell, Grant Chu. 2007. "[http://www.lafolia.com/archive/covell/covell200704grubbygruppen.html Ferneyhough & Stockhausen: Grubby and Gruppen]". *La Folia* (April).
* Essl, Karlheinz 1989. "[http://www.essl.at/bibliogr/stockhausen.html Aspekte des Seriellen bei Karlheinz Stockhausen]". First appeared in Lothar Knessl (Ed.) *WIEN MODERN '89'': 90–97. Vienna.
* Föllmer, Golo. [n.d.] "Karlheinz Stockhausen: «Spherical Concert Hall»" (Osaka World Expo, 1970). Medien Kunst Net / Media Art Net.

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