Title: Il Decamerone di M. Giovanni Boccaccio nuovamente corretto. et con diligentia stampato
Description: <p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;">4to. pp. [16], ff. 284. Signatures: 2A⁸ a-z⁸ &amp; ⁸ [cum]⁸ [rum]⁸ A-H⁸ I¹². 18th-century mottled calf  with round spine, raised bands, and gilt spine extra, with later endpapers; all edges carmine. Front joint (outside) abraded and opening from top, rear one just starting at bottom. Hevdholm Bibliothek stamp on title page; acquired by PRB&amp;M at an auction at Freeman’s in Philadelphia  in 1992; sold to a private collector the same year; reacquired by PRB&amp;M at a Swann auction over 25 years later.</span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;">In 1527 the heirs of Filippo di Giunta printed the definitive Renaissance edition of The Decameron; it immediately became the basis for all subsequent interpretations. By the 18th century the Giunta edition of 1527 had achieved the state of being a rarity to be sought after, and demand led to supply — of this forgery. It is well done and passes the “first blush” test. Pasinello, who printed it for Stefano Orlandelli “at the request of the English consul [Joseph] Smith” (Petras), did a good job of matching types and even reproducing the printer’s device, which appears on the title page and on the verso of the last leaf. Closer examination,  however, shows that the paper is wrong, the typesetting is different, and the measurements of the text block are incorrect. Adams, in his catalogue of 16th-century books in the Cambridge University libraries, gives a handy litmus test for determining fakes of the Giunta 1527 edition: Folios 42, 102, and 108 are correctly numbered in the forgeries, but in the true 16th-century copies the numbers are 24, 101, and 168.Brunet says the forgery consisted of 300 copies.</span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;">See W.A. Pettas, The Giunti of  Florence. Newcastle, Del. 2013, 217; H. M. Adams, Catalogue of Books Printed on the Continent of Europe, 1501-1600, in Cambridge Libraries. 2 vols. Cambridge, 1967, B2147; Bartolommeo Gamba, Serie dei testi di lingua e di altre opere importanti nella italiana letteratura scritte dal secolo XIV al XIX. Venice, 1839, p. 172; F. Zambrini, Bibliotheca Boccaccesca, p. 36; CNCE 24078; I Giunti tipografi editori di Firenze, I, p. 133; A.A. Renouard, Annali delle editione aldine, pp. 1-11; J.-C. Brunet, Manuel du libraire et de l’amateur de livres. 5th ed., Paris, I, 1860, I, p. 999.</span><br /></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><a href="https://catalyst.library.jhu.edu/permalink/01JHU_INST/1lu78g9/alma991007282939707861" rel="nofollow">Click here to view the Johns Hopkins University catalog record.</a></span></span></p>