Title: Fairburn's genuine edition of The Death-Bed confessions of the late Countess of Guernsey, to Lady Anne H*******; developing a series of mysterious transactions connected with the most illustrious personages in the kingdom […]
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Full title:</b> Fairburn's genuine edition of The Death-Bed confessions of the late Countess of Guernsey, to Lady Anne H*******; developing a series of mysterious transactions connected with the most illustrious personages in the kingdom: to which are added, the Q--'s last letter to the K--, Written a few Days before Her M--’s Death, and other authentic documents, never before published.



</span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"> 8vo. pp. iv, 48. Signatures: A2 B-G4. Disbound. Catalog clipping pasted on cover. Label title page verso: “Wick Episcopi Library.”</span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;">The present work is a spurious publication, likely by William Henry Ireland and is purportedly an admission by Frances, countess of Jersey (here identified as the countess of Guernsey), that she was responsible for the estrangement between George IV and Queen Caroline. This work is an example of the many scandalous and satirical memoirs produced throughout the 1820s by radical pressmen like John Fairburn. Fairburn's p</span><span style="font-family:Helvetica, sans-serif;font-size:11.5pt;">lagiarism of the Death-Bed Confessions led the duped printer and newsvendor Robert Bell to the utterance that Fairburn was ‘the greatest literary thief in London.’ Richard Kopley, Edgar Allan Poe and the Dupin Mysteries (Basingstoke: Palgrave Macmillan, 2008), 71-72, 111-12.</span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"> </p><p></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><a href="https://catalyst.library.jhu.edu/catalog/bib_4103252" rel="ugc nofollow">Click here to view the Johns Hopkins University catalog record.</a></span></span></p>