Title: Teʼaṭronmaḥol: reshet shel merḥave habaʻah
Description: "From the beginning of their appearance in the first decades of the 20th century to the present day, works in the theatrical genre of dance aim to bring the viewer closer to the network of the inner creative forces of the live show and to awaken his consciousness to the discourse between the aesthetic field and the social, political and economic forces that surround it. In works in the genre and the perception of the "body" as a multi-valued presence that stands at the center of the equation of watching the interdisciplinary show, a critical event is formulated whose meanings slide beyond the show's tangible time and space: on the one hand For social and political phenomena; on the other hand, viewers are invited to absorb the components of the multi-sensory show, sort and interpret in their minds until they become participants in the artistic action that seeks to lead to a change in ethical attitudes concerning the individual and community. Theater Dance, accompanied the formulation of "Outline E-Tam" - a toolbox for describing and analyzing works in the interdisciplinary genre. In this in-depth book Rene Badash presents logic proposed by Rudolf Laban with principles from the phenomenological discourse of Maurice Merleau-Ponty ..."--Translated from back cover.
Subjects: Modern dance, History, Philosophy, Performing arts, Arts du spectacle