Title: Body of evidence
Description: "Body of Evidence is an artist book instigated by how twice after the 2016 election (but never once before) people attempted to leverage my immigration status as a compensation for their white fragility. The book was printed in red & blue over white, with black and various shades of gray. It is shaped as an envelope with flaps open, folded lengthwise. By design, it is unable to stand on its own. The text is made of excerpts from personal journals about my experience of 20 years as an immigrant artist, supplemented with quotes from Rebecca Solnit, Emily Dickinson, William James, Agnes Martin, and Fernando Pessoa. It was printed at The Center for Book Arts, using the house type collection. All images are from my neighborhood in Northern Manhattan, historically an immigrant sanctuary. They were printed from woodcuts, alternative photographic processes, screenprints, and photopolymer plates. The photogravures plate and printing are by Aurora De Armendi. The screenprints were possible thanks to a scholarship by the Fine Arts Work Center in Provincetown, MA. The book is bound on meeting guards, and the covers are full leather lacunose panels with tree bark and mother-of-pearl onlays."--Artist's website, accessed 29/03/2021
Subjects: Noncitizens, Immigrants, Immigrants in art, Artists' books, Specimens, Fine books, Illegal immigration
Places: United States, New York (State), New York
People: Ana Paula Cordeiro