Title: The ocean harp : a poem; in two cantos
Description: <p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;">12mo, pp. xxviii, 182. <span style="color:#212529;">Signatures:
A-P⁶ Q1. O</span>riginal calf, red morocco label. <span style="color:#212529;">Dedication
to Humphrey Howorth, p. [xxvii]-xxviii, signed: J.A. [i.e. John Agg]
Philadelphia, January, 1819. <span style="background:#FFFFFF;">With a
half-title. </span>Copyright March 5, 1819 by Moses Thomas. Attleborough
Library books in manuscript writing on title page.</span></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;">First edition of John
Agg’s first book after emigrating from England to America, and a remarkable
publication, if less for the verse than for the eight-page ‘Preliminary
Advertisement’, which discusses – likely for the first and only time – the
circumstances surrounding five famous forged attributions of poems to Byron.’
The poet and satirical novelist John Agg (1783-1855) not only fully confesses
his authorship of these forgeries, but recounts (pp. vii-viii) – credibly or
not – the circumstances of his involvement with the publishers he blames for
the hoax, his alleged dismay at finding his own verse attributed to Byron, and
at hearing of Byron’s contemptuous reaction.<span> 
</span>He gives a similar account (pp. viii-x) of the misattribution of ‘A Pilgrimage
to the Holy Land,’ which he says he had undertaken in response to a publisher’s
request for newly fashionable Near Eastern material, and among the ‘smaller
pieces’ in the volume, following the ‘Ocean Harp’ and the ‘Monody on John Syng
Dorsey’, reprints (as unequivocally his own, pp. 133-152) the ‘Farewell to
England,’ with the ‘Ode on the Island of St. Helena’, ‘To my Daughter, on he
Morning of her Birth’, and ‘To the Lilly of France’ – i.e., the entire contents
of the 1816 ‘Byron’ booklet. This key bit of Byroniana, with its unambiguous
confession/apology seems to have been unknown to S. C. Chew (see his analysis
of the forgeries at pp. 169-71 of Byron in England. His Fame and After-Fame.
Toronto, 1924) and the book itself is both rare and (one must suspect) subject
to perishability, in its cheap Philadelphia printing. See also J. Sabin, </span><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;color:#444444;background:#FFFFFF;font-weight:normal;">Dictionary of Books Relating to America
from its Discovery to the Present Time. New York, 1868-1936,</span><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;font-weight:normal;"> 56637; R. E. Stoddard, </span><span class="marclinepart"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;color:#212529;font-weight:normal;">A Bibliographical Description of Books and Pamphlets
of American Verse Printed from 1610 through 1820. University Park, 2012,</span></span><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;font-weight:normal;"> 1218.</span></p><p></p>

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<p class="MsoNormal" style="margin-bottom:0.0001pt;text-align:justify;line-height:normal;"><span style="font-size:11.5pt;font-family:Helvetica, sans-serif;"><a href="https://catalyst.library.jhu.edu/catalog/bib_9736897" rel="ugc nofollow"><span style="color:#4B64FF;background:#FFFFFF;">Click here to view the Johns Hopkins
University catalog record.</span></a></span></p><p></p>