Title: Extremities
First published: 2002
Description: "In the decades following the French Revolution, four artists - Girodet, Gros, Gericault, and Delacroix - painted works in their Parisian studios that vividly expressed violent events in faraway, colonial lands. This book examines six of these paintings and argues that their disturbing, erotic depictions of slavery, revolt, plague, decapitation, cannibalism, massacre, and abduction chart the history of France's empire and colonial politics." "Darcy Grimaldo Grigsby shows that these paintings about occurrences in the West Indies, Syria, Egypt, Senegal, and Ottoman Empire Greece are preoccupied not with mastery and control but with loss, degradation, and failure, and she explains how such representations of crises in the colonies were able to answer the artists' longings as well as the needs of the government and the opposition parties at home. Empire made painters devoted to the representation of liberty and the new French nation confront liberty's antithesis: slavery. It also forced them to contend with cultural and racial difference. Young male artists responded, says Grigsby, by translating distant crises into images of challenges to the self, making history painting the site where geographic extremities and bodily extremities articulated one another."--Jacket.
Subjects: History in art, French Painting, Exoticism in art, Painting, French, History, France, history, 1789-1900, Criticism and interpretation, Art, Criticism and interpretationgirodet-trioson, anne-louis , 1767-1824, Criticism and interpretationgros, antoine-jean , 1771-1835, Criticism and interpretationgéricault, théodore , 1791-1824, Criticism and interpretationdelacroix, eugène , 1798-1863, Painting, french--19th century, Imperialism in art, Art and state--history, Art and state--france--history--19th century, Nd1460.e95 g75 2002, Art and state, Pictorial works
Places: France
Time periods: 1789-1900, 19th century
LC classification: ND1460.E95 G75 2002