Title: Irony and sound
Description: "What is it about Bolero, Gaspard de la nuit, and Daphnis et Chloe that makes musicians and listeners alike love them so?" "Stephen Zank here illuminates these and other works of Maurice Ravel through several of the composer's fascinations: dynamic intensification, counterpoint, orchestration, exotic influences on Western music, and an interest in multisensorial perception." "Connecting all these fascinations, Zank argues, is irony. His book offers an appreciation of Ravel's musical irony that is grounded in the vocabularies and criticism of the time and in two early attempts at writing up a "Ravel Aesthetic" by intimates of Ravel." "Irony and Sound, written with insight and flair, provides a long-needed reconsideration of Ravel's modernity, his teaching, and his place in twentieth-century music and culture."--Jacket.
Subjects: Irony in music, Criticism and interpretation, Music and literature, Music, history and criticism, 18th century, Music, french
People: Maurice Ravel (1875-1937)