Title: For the past and future of Al-Mutanabbi Street
Description: This collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.

"The thirty nets in the book aim to convey that although Al-Mutanabbi Street and its spirit was initially flattened by the attack of 2007, it was not destroyed. Slowly it was rebuilt and reused, albeit in the shadow of the event that caused rebuilding and repair to structures and hearts to be necessary. The work can be viewed either as 2D in the concertina book, or cut out, and made into the boxes that represent both the stalls and buildings that were destroyed, and the people who tragically lost their lives in the attack. The hand-drawn patterns on each are inspired by aspects taken from the street itself: shapes and details in architecture and photographs of the street both before and after the attack"--The Book Arts at the Centre for Fine Print Research, UK website.
Subjects: Violence, Pictorial works, Booksellers and bookselling, Bombings, Iraq War, 2003-2011, Protest movements, Books and reading in art, Intellectual life, Social conditions, Censorship, Terrorism in art, In art, War and civilization, Vehicle bombs, Visual literature, Specimens, Cultural property, Destruction and pillage, Historic districts, Architecture in art, Artists' books
Places: Iraq, Baghdad, England, London
People: Libby Scarlett
Time periods: 21st century