Title: Romanticism and the androgynous sublime
First published: 1996
Description: This book studies and articulates the emergence from the poetical subtext of six major English romantics of "the androgynous sublime," a mode that conflates the motif of psychic androgyny (traceable as far back as the Book of Genesis and Plato's Symposium) with the mode of sublimity, first discussed by Longinus and much debated from the eighteenth century onward. Frequently echoed by the romantic poets, Milton's description of the Holy Spirit's role in the creation of the world is androgynous.

Since humane creativity mirrors divine creativity, it follows that the artist qua artist muct also be androgynous - that is, endowed with what Lyrical Ballads, calls "a more comprehensive soul" than is "supposed to be common among mankind." Characterized by a flexuous, limber style and an association with androgynous subject matter, the androgynous sublime subverts conventional notions of sublimity while offering a more comprehensive model with which to supplement, of non supplant, them.

The methodology of this study is to present a "counter-deconstructive" reading of the text and, where applicable, designs of Blake, as well as the poetry of Wordsworth, Coleridge, Byron, Shelley, and Keats, seen from this somewhat novel but not ignoble perspective.
Subjects: History and criticism, Androgyny (Psychology) in literature, Male authors, Sublime, The, in literature, Romanticism, Men in literature, English poetry, Femininity in literature, English poetry, history and criticism, 19th century, Romanticism, great britain, Sublime, the, Poésie anglaise, Histoire et critique, Androgynie (Psychologie) dans la littérature, Sublime, Le, dans la littérature, Romantisme
Places: England
Time periods: 19th century
LC classification: PR585.A49 S74 1996