Title: POPULAR MUSIC IN FRANCE FROM CHANSON TO TECHNO: CULTURE, IDENTITY AND SOCIETY; ED. BY HUGH DAUNCEY
Description: Why do musicians and music analysts deny that music is irreducibly social, or at least behave as if it isn't? The answer is itself socially specific. These writings examine the interaction between French popular music and French society, identity and culture.
Subjects: Popular culture, france, Popular music, history and criticism, Popular music, History and criticism, Popular culture, History, Music, Social aspects, Musique populaire, Histoire et critique, Culture populaire, Histoire, Musique, Aspect social, Instruction & Study, Theory