Title: Rauschenberg
Description: "n the mid-1950s Robert Rauschenberg began making what he called "Combines"--radically experimental works that mix paint and other art materials with things found in daily life. These hybrid creations offered a dramatic counterpoint to the gestural abstraction that prevailed in contemporary American painting. Canyon (1959), one of the artist's best-known Combines, is a large canvas bearing paint, a postcard, a man's shirt, photographs, newspaper clippings, wood, a flattened metal can and paint tube, a piece of glass, and, thrusting out from its surface, a stuffed bald eagle. Leah Dickerman's essay examines the genesis of this startling and enigmatic work and positions it within a key period in Rauschenberg's groundbreaking career." -- Publisher's description.
Subjects: American Art, Artists, Interviews, Modern Art, Art, american, Artists, united states, Exhibitions, American Painting, Museum of Modern Art (New York, N.Y.), Criticism and interpretation
Places: United States
People: Robert Rauschenberg
Time periods: 20th century