Title: Untitled
Description: This collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.

"Quaquaversal - wheresoever - turned in whatever way towards a single point viewing from right or left - reflecting the direction of written languages - English/Arabic ... map cartography in multiple languages, timelines, histories, beliefs & boundaries ... ephemera from old newspapers, children's books, atlases, dictionaries, encyclopedias ... Other names for Wheresoever: Al-Mutanabbi Street, Baghdad, Bagdad, Iraq, Mesopotamia (The Land Where Two Rivers Meet - Greek), British Mandate Of Mesopotamia, Persia, Ottoman Empire, Far East, Middle East Asia Minor, Assyria, Sumer, Chaldean Empire, Garden Of Eden, Paradise. Designed in recycled wooden cigar boxes from Cuba, the container is a conceptual form of a map-holder (knee-board) that I saw in an old National Geographic photo. I designed this edition of books as a collection of maps and ephemera - juxtaposing images from satellites to stone carvings. The books are untitled and unscripted - no sequence, no numbered pages, no order - with over 17 different names for this ancient place. A jet pilot wore a metal clipboard strapped on above the knee so as to free hands for flying while unfolding and reading maps. There is no sequence of time, no preferred direction, no real sense to be made of any of this! There is no anatomy of bombing, no need for actual maps, no real sense to be made of any of this! There is no point of view that is right, no point on a map that makes sense to be bombed, same as it ever was; no real sense to be made of any of this"--Artist's statement from the Book Arts at the Centre for Fine Print Research, UK website.
Subjects: Violence, Pictorial works, Booksellers and bookselling, Bombings, Iraq War, 2003-2011, Protest movements, Books and reading in art, Intellectual life, Social conditions, Censorship, Terrorism in art, In art, War and civilization, Vehicle bombs, Visual literature, Specimens, Cultural property, Destruction and pillage, Conceptual art, Maps in art, Artists' books
Places: Iraq, Baghdad, New Mexico, Santa Fe
People: Suzanne Vilmain
Time periods: 21st century