Title: The destruction of art
First published: 1997
Description: In this book - the first comprehensive examination of modern iconoclasm - Dario Gamboni looks closely at deliberate attacks against works of art in the nineteenth and twentieth centuries. He probes for motives and reassesses the circumstances in which institutions was well as individuals have attempted to eradicate public buildings, churches, sculptures, paintings, and other works of art.

His interest spurred by the destruction of public monuments in the Communist bloc after 1989, Gamboni shows that iconoclasm is not just a thing of the past, but is also an international contemporary cultural phenomenon that includes explicable and inexplicable vandalism, political protest, and censorship. He examines incidents of destruction, some comic and others disquieting, in the United States, France, Britain, Switzerland, Germany, the former Soviet Union and its satellites, and elsewhere.

To explore the relationship between the destruction of art in this century and older forms of iconoclasm, the author presents case studies of such European and American controversies as the Suffragette protests in London's National Gallery and the hotly-debated removal of Richard Serra's Tilted Arc in New York.
Subjects: Art, Art, Modern, History, Modern Art, Mutilation, defacement, Psychological aspects, Psychological aspects of Modern art, Art, modern, 20th century, Art, psychology, Vandalism, Art, modern, 19th century, Iconoclasm
Time periods: 20th century
LC classification: N8557 .G36 1997