Title: Filtraciones
Description: A testimonial reconstruction by Federico Galende Pellegrini (Rosario, 1965) about the relationship between art and politics through dialogues with artists, in what could be considered a critical dictionary of Chilean art covering the entire second half of the 20th century: from the Informalism and its hegemony during the seventies, to the tensions of an "ephemeral" and object art. From the emergence of the Advanced Scene in the early eighties in the dark era of dictatorial resistance, towards performance, the emergence of the new wave, the return to painting, the permanence of engraving and the new critical and heterogeneous scene of the first years of transition, whose voices and practices continue until today.
Subjects: Interviews, Art historians, Art critics, Artists, Art, History, Chilean Art, Political aspects, Galería Metropolitana (Santiago, Chile), Trabajos de Utilidad Pública (Chile)
Places: Chile
People: Víctor Hugo Robles (1969-), Máximo Corvalán-Pincheira (1973-), Claudio Correa (1972-), Demian Schopf (1975-), Sebastián Preece (1972-), Iván Navarro (1972-), Camilo Yáñez (1974-), Miguel Valderrama (1971-), Bruno Cuneo, Pablo Ferrer (1977-), Ana María Risco N. (Risco Neira), Mario Navarro (1970-), Rodrigo Zúñiga C., Patricia Hamilton, Matías Rivas, Marcelo Mellado (1955-), Jorge Cerezo, Mario Soro Vasquez (1957-), Nury González (1960-), Carmen Berenguer (1946-), Pedro Lembel (1952-2015), Sergio Parra (1978-), Francisco Casas, Arturo Duclos (1959-), Samy Benmayor (1956-), Willy Thayer, Gonzalo Arqueros (1958-), Sergio Rojas, Carlos Pérez Villalobos, Pablo Langlois Prado (1964-), Guillermo Machuca, Carlos Altamirano (1922-), Adriana Valdés (1943-), Pablo Oyarzún R. (1950-), Diamela Eltit (1949-), Nelly Richard (1948-), Gonzalo Díaz (1947-), Eugenio Dittborn (1943-), Justo Pastor Mellado (1949-), Virginia Errázuriz (1941-), Francisco Brugnoli (1935-), José Balmes (1927-), Gaspar Galaz (1941-)
Time periods: 20th century