Title: Othello and interpretive traditions
First published: 1999
Description: "During the past twenty years or so, Othello has become the Shakespearean tragedy that speaks most powerfully to our contemporary concerns. Focusing on race and gender (and on class, ethnicity, sexuality, and nationality), the play talks about what audiences want to talk about. Yet at the same time, as refracted through Iago, it forces us to hear what we do not want to hear - like the characters in the play, we become trapped in our own prejudicial malice and guilt."--BOOK JACKET.

"In this study, Edward Pechter describes the play's design and effects in a way that accounts for its extraordinary power to engage the interests of audiences and readers not just in our time but throughout history."--BOOK JACKET.
Subjects: Blacks in literature, Stage history, Muslims in literature, Othello (Fictitious character), Criticism and interpretation, Tragedy, History, Othello (Shakespeare, William), Musulmans dans la littérature, Critique et interprétation, Histoire, Histoire scénique, Tragédie, Inszenierung, Noirs dans la littérature, The Tragedy of Othello, the Moor of Venice (Shakespeare), Receptie, Othello, Shakespeare, william, 1564-1616, othello, Black people in literature
People: William Shakespeare (1564-1616)
LC classification: PR2829 .P43 1999