Title: Origins, Imitation, Conventions
First published: March 15, 2002
Description: This collection contains studies written by art historian James Ackerman during the 1990s. The work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism.
Subjects: Art criticism, Art, historiography, Art, renaissance, Modernism (art), Historiography, Art, Renaissance Art, Poststructuralism, Critique d'art, Historiographie, Art de la Renaissance, Modernisme (Art), Poststructuralisme, Post-structuralism, Criticism & Theory, Beeldende kunsten, Vernieuwing, Kunstkritiek, Art criticism--historiography, Art--historiography, N7480 .a29 2002, 701/.18