Title: Composing for the films
First published: 1947
Description: This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions.

Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies.
Subjects: Composition (Music), Motion picture music, Music, Instruction and study, Musical accompaniment, History and criticism, Interpretation (Phrasing, dynamics, etc.), Musical films, Motion picture music, instruction and study
Time periods: 20th century