Title: V.S. Pritchett
Description: V.S. Pritchett (Sir Victor since 1975) is the century's consummate author: His six decades of crafting exquisite prose in so many literary venues have rendered him peerless. Ironically, however, his remarkable versatility--he's written five novels, numerous volumes of travel writing, two superb volumes of autobiography, several biographies, and nine collections of literary criticism--has tended to overshadow his achievement in a fiction genre he has helped to define and refine. To fellow writers Eudora Welty and William Trevor, and critics Frank Kermode and Walter Allen, V.S. Pritchett is the great English short-story writer of our time. In V.S. Pritchett: A Study of the Short Fiction, John J. Stinson suggests that the 1980s renewed interest in the short story will encourage a long-overdue comprehensive appraisal of Pritchett's contribution to this form.

Stinson's thorough chronological survey of Pritchett's stories intertwines commentary about the writer's developing skill, his characteristic themes and techniques, and the pros and cons of his narrative styles with a discussion of the individual stories. Stinson's portrait of the artist shows a subtle humorist and a revealer of truth through ironies. "The short-story writer's duty is to destroy generalization," Pritchett has said, and Stinson finds this creed practiced throughout Pritchett's work, manifest in the writer's knack for uncovering buried or half-buried character traits.

Pritchett gives his readers characters who, according to Stinson, "are both remarkably individuated and clearly representative." Rarely in his 17 story collections--among them You Make Your Own Life (1938), The Sailor, Sense of Humor, and Other Stories (1956), The Saint and Other Stories (1966), Blind Love and Other Stories (1969), The Camberwell Beauty and Other Stories (1974), and the 82-tale Complete Collected Stories of 1991--has Pritchett's ear for the everyday speech of the English, high class and low (and particularly the low), failed him. Borrowing Laurence Sterne's words, Pritchett has bid the writer to keep his pen idle until he "hears the tune in his head," a dictum whose results Stinson finds evident in the openings of Pritchett's stories--"unfussy, sometimes even insouciant, but ...

always exact and economical in their function." Pritchett's technical proficiency at suggesting what has been "left out"--A trademark of his fiction--is, Stinson contends, what makes a good story good. And though this keen ability may appear intuitive, it is something Pritchett works at, for, according to Stinson, "creating the aura of suggestion is a delicate art." Indeed, Pritchett's stories are infused with an artistry and cunning that spring from both intuition and careful discipline. Scholarly study of Pritchett's stories is only just beginning, and John J. Stinson here provides a cogent, easy-to-follow atlas of that vast terrain of the human condition which Pritchett's stories seem to have so effortlessly settled.
Subjects: Criticism and interpretation, Fiction, Short story, Technique, Pritchett, V. S. (Victor Sawdon), 1900-
People: V. S. Pritchett (1900-)