Title: Pygmalion and Galatea
Description: "Despite interest in the story by famous authors, e.g. George Bernard Shaw, until now there has been no full study of the history of the Pygmalion story in print. This book represents the first effort to trace the morphology of the tale, focusing on the interaction of its many and various renarrations. Joshua follows its progress from Ovid's Metamorphoses, the most influential version of the tale, through later versions that embellish and revise the story. She analyses the considerable rise in the story's popularity during the nineteenth century and shows how these renarrations reveal male fantasies of womanhood, giving expression to ideas on the dominance, oppression, education and controlling of women; and how Galatea's nude body is condemned, by some, as an emblem for Hellenic excess." "The author does not confine her concerns merely to the story's revelation of gender issues. She explores how clusters of Pygmalion texts disclose other interests, such as the nature of artistic creativity, the Post-Romantic interest in dream, and Victorian Hellenism's clash with moral obsession. Through this study, Joshua demonstrates how the nineteenth century begins with a heavy preoccupation with the art-work as the embodiment of the artist's ideals and visions, and ends with the emasculation of the artist as the focus moves to the empowerment of the woman and the overturning of the patriarchal power of Pygmalion."--BOOK JACKET.
Subjects: Classical influences, English literature, Galatea, statue brought to life (Greek mythology), in literature, History and criticism, Influence, Mythology, Greek, in literature, Pygmalion (Greek mythology) in literature, English literature, history and criticism, 19th century, Littérature anglaise, Histoire et critique, Mythologie grecque dans la littérature, Influence (Literary, artistic, etc.), Pygmalion (Shaw, Bernard), History, Archetypes in literature, Archetype (Psychology) in literature, In literature
People: Bernard Shaw (1856-1950), Ovid (43 B.C.-17 or 18 A.D)