Title: Empty figure on an empty stage
Description: Essif develops a theory of hyper-subjectivity for drama relying on nonrealistic movement, drawing on the impression of emptiness in the body and mind of a character on stage.
Subjects: 20th century, Dramatic works, European drama, History and criticism, Criticism and interpretation, English drama, history and criticism, 20th century, English drama, irish authors, history and criticism
People: Samuel Beckett (1906-)