Title: Choreographing difference
First published: 1997
Description: "The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity - a physical presence that moves with and through its gendered, racial, and social meanings. Though her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabited them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cutural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time."--Jacket.
Subjects: Body image, Psychological aspects of Modern dance, Modern dance, Sex in dance, Social aspects, Social aspects of Modern dance, Psychological aspects, Identity (Psychology), Lichamelijkheid, Dans, Identiteit, Modern dance--social aspects, Modern dance--psychological aspects, Gv1588.6 .a43 1997, 792.8
LC classification: GV1588.6 .A43 1997