Title: The evolutionary imagination in late-Victorian novels
First published: 2007
Description: "Dominated by Darwinism and the numerous guises it assumed, evolutionary theory was a source of opportunities and difficulties for late Victorian novelists. Texts produced by Wells, Hardy, Stoker, and Conrad are exemplary in reflecting and participating in these challenges. Not only do they contend with evolutionary complications, John Glendening argues, but the complexities and entanglements of evolutionary theory, interacting with multiple cultural influences, thoroughly permeate the narrative, descriptive, and thematic fabric of each. All the books Glendening examines, from The Island of Doctor Moreau and Dracula to Heart of Darkness, address the interrelationship between order and chaos revealed and promoted by evolutionary thinking of the period. Glendening's particular focus is on how Darwinism informs novels in relation to a late-Victorian culture that encouraged authors to stress, not objective truths illuminated by Darwinism, but rather the contingencies, uncertainties, and confusions generated by it and other forms of evolutionary theory."--book jacket.
Subjects: Influence, Evolution (Biology) in literature, History and criticism, Criticism and interpretation, English fiction, Darwin, charles, 1809-1882, Wells, h. g. (herbert george), 1866-1946, Hardy, thomas, 1840-1928, Conrad, joseph, 1857-1924, English fiction, history and criticism, 19th century, Influence (Literary, artistic, etc.), Dracula (Stoker, Bram), Island of Doctor Moreau (Wells, H.G.), Tess of the d'Urbervilles (Hardy, Thomas), Victoriaanse tijd, Romans, Evolutietheorie
People: Charles Darwin (1809-1882), H. G. Wells (1866-1946), Bram Stoker (1847-1912), Thomas Hardy (1840-1928), Joseph Conrad (1857-1924)
Time periods: 19th century
LC classification: PR878.E95 G55 2007