Title: La disonancia de El Eco
Description: This essay is a specific reflection of what involves an experimental art museum in our days from the critical analysis of their immediate context, selecting the Museo Experimental El Eco as cultural space designed specifically for the speculation of an artistic and social event, becoming the architectural device created to provoke "emotion" in its visitors.
Subjects: Exhibitions, Mexican Art, Museo Experimental El Eco
People: Mathias Goeritz (1915-1990)
Time periods: 21st century