Title: Street map
Description: This collection supports and promotes awareness to the important mission and framework of the Al-Mutanabbi Street Starts Here Coalition's focus on the lasting power of the written word and the arts in support of the free expression of ideas, the preservation of shared cultural spaces, and the importance of responding to attacks, both overt and subtle, on artists, writers, and academics working under oppressive regimes or in zones of conflict, despite the destruction of that literary/cultural content.

"The starting point for this project was a map of Baghdad. Maps are a shrunken, paper representation of what exists in the real world, giving no hint of the diversity of life and death happening in the real world: 'The lived body is what affords a "feel" for a given landscape, telling us how it is to be there ... ' (Casey, E.S., 2005). The intention behind the books was to bring some feeling of life, and death, to the map, and with it, a record of the catastrophic event in Al Mutanabbi Street and a tribute to its victims"--The Book Arts at the Centre for Fine Print Research, UK website.

"My work looks at objects and their connectivity to the past or to an absent loved one. Paper artefacts such as maps and documents also link to the lived life, but give no hint in themselves of the diversity of events happening in the real world. Refolding and re-presentation of these objects awakens the links and memories"--Statement from the artist's blog (viewed July 22, 2015).
Subjects: Violence, Pictorial works, Booksellers and bookselling, Bombings, Iraq War, 2003-2011, Protest movements, Books and reading in art, Intellectual life, Social conditions, Censorship, Terrorism in art, In art, War and civilization, Vehicle bombs, Visual literature, Specimens, Cultural property, Destruction and pillage, Maps in art, Artists' books, Al-Mutanabbi Street Coalition
Places: Iraq, Baghdad, England, Fleet (Hart)
People: Celia Stanley
Time periods: 21st century