Title: The Claude Glass
Description: "Arnaud Maillet's The Claude Glass is a contribution to the history of Western visual culture. In this first full-length study of a largely forgotten optical device from the eighteenth-century, Maillet reconfigures our historical understanding of visual experience and meaning in relation to notions of opacity, transparency, and imagination. Many are familiar with the Claude glass as a small black convex mirror used by artists and spectators of landscape to reflect a view and make tonal values and areas of light and shade visible. Maillet, in this account, goes well beyond this particular function of the glass and situates it within a richer archaeology of Western thought, exploring the uncertainties and anxieties about mirrors, reflections, and their potential distortions. He takes us from the background of the "black mirror" through a full evaluation of its importance in the age of the picturesque, to its persistence in a range of technological and representational practices such as photography, film, and contemporary art."--BOOK JACKET.
Subjects: Landschaftsmalerei, Landscape painting, Peinture de paysage, Visuele waarneming, Technique, Spiegel (Motiv), Landschapschilderkunst, Maltechnik, Schilderkunst, Schwarz, Claude glasses, Visuele illusies, Reflection (Optics), Spiegels, Optisches Instrument, Miroir de Claude (Mate riel d'artiste), Malmaterial, Fotografie, Spiegel, Spiegelung, Re flexion (Optique), Hohlspiegel, Kunst, Spiegel <Motiv>, Art